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1
00:00:05,000 --> 00:00:07,960
- [suspenseful music]
- [sirens wail]
2
00:00:07,960 --> 00:00:11,680
[good cop] You tell us everything
that we wanna know and this stops.
3
00:00:12,080 --> 00:00:13,000
Never.
4
00:00:14,920 --> 00:00:18,080
All your tricks and
you've still got nothing.
5
00:00:19,040 --> 00:00:19,840
Okay.
6
00:00:22,160 --> 00:00:23,160
Bring him in!
7
00:00:24,040 --> 00:00:27,040
Oh, what’s this, good cop, bad cop?
8
00:00:27,120 --> 00:00:28,440
[good cop] Oh no.
9
00:00:28,600 --> 00:00:29,880
It’s much
worse than that.
10
00:00:30,080 --> 00:00:33,440
This is good cop, woke cop.
11
00:00:34,000 --> 00:00:35,760
[door opens]
12
00:00:37,080 --> 00:00:37,920
[woke cop] Okay.
13
00:00:38,720 --> 00:00:39,720
Okay, this is me.
14
00:00:39,760 --> 00:00:40,640
- [hostage] Yeah.
- Cool?
15
00:00:41,440 --> 00:00:44,000
So, um, do you give me
consent to ask you questions?
16
00:00:44,040 --> 00:00:45,640
[incredulously] Yes, it’s an
interrogation.
17
00:00:46,160 --> 00:00:48,800
[woke cop] Yeah, sorry, I just realised in
the process of me asking um,
18
00:00:48,880 --> 00:00:51,680
you for consent by asking you a question
in which you answered
19
00:00:51,760 --> 00:00:53,640
is in fact obviously
a question in itself
20
00:00:53,720 --> 00:00:56,440
[hostage groans] Ohh! So annoying! Just
get to the point.
21
00:00:56,520 --> 00:00:58,160
[woke cop] I'm sorry mate just tracking
back via my mistake,
22
00:00:58,160 --> 00:00:59,400
I didn’t mean to
trigger you.
23
00:00:59,480 --> 00:01:01,520
An interrogation scene might
actually
24
00:01:01,560 --> 00:01:02,360
[hostage] Come on!
25
00:01:02,440 --> 00:01:03,320
[woke cop]force the consent somehow
26
00:01:03,360 --> 00:01:04,800
[hostage] Just ask the fucking question!
27
00:01:05,040 --> 00:01:07,800
Jesus, just ask a question, please!
[woke cop] Alright, I'm sorry.
28
00:01:07,880 --> 00:01:09,680
[good cop] You asked for this!
[hostage screams]
29
00:01:10,040 --> 00:01:11,560
[man] Look here, Johnson,I'm going to get to the bottom of this.
30
00:01:11,840 --> 00:01:13,200
[child's voice] Well, anyway.
31
00:01:13,280 --> 00:01:14,360
Oh.
32
00:01:14,480 --> 00:01:16,040
Bring the beat back.
33
00:01:16,120 --> 00:01:17,680
[woman]
Oh, yes, I remember that.
34
00:01:17,760 --> 00:01:18,920
[man] Yes, I remember that.
35
00:01:19,440 --> 00:01:20,280
[burps]
36
00:01:20,400 --> 00:01:22,360
[funky beat playing]
37
00:01:22,480 --> 00:01:24,440
[distant cheering and yelling]
38
00:01:24,560 --> 00:01:26,120
[indistinct radio chatter]
39
00:01:28,080 --> 00:01:29,280
[crackles]
40
00:01:29,880 --> 00:01:31,240
[light music]
41
00:01:31,320 --> 00:01:32,680
[doctor] Good morning!
42
00:01:33,160 --> 00:01:37,520
We’re going to be doing the clinical trial
for Prafaffoline 40+.
43
00:01:37,560 --> 00:01:41,040
It’s gonna be the, ah,
new frontier in pain relief.
44
00:01:41,680 --> 00:01:44,520
As per usual, we’re going to be dividing
into two groups.
45
00:01:45,520 --> 00:01:47,920
Some will be getting the placebo
46
00:01:48,000 --> 00:01:51,560
and the other half will be getting
the actual product. Lucky. Yes?
47
00:01:51,600 --> 00:01:54,000
Sorry, um, what’s a placebo?
48
00:01:54,040 --> 00:01:58,200
[doctor] Ah, sometimes if you think you've
taken pain relief when you haven’t,
49
00:01:58,280 --> 00:02:01,440
the brain tricks you into making the pain
go away.
50
00:02:01,520 --> 00:02:03,760
That’s why we incorporate
a placebo into the trial
51
00:02:03,840 --> 00:02:06,280
to make sure Prafaffoline 40+
52
00:02:06,360 --> 00:02:09,160
is outstripping the pesky old power
of the mind.
53
00:02:09,200 --> 00:02:10,840
[doctor] So, thanks to Prafaffoline,
54
00:02:10,920 --> 00:02:15,080
we can all push through those screen
headaches, RSI and get back to work.
55
00:02:15,120 --> 00:02:19,800
And this has some great new
ingredients which personally, I'm
56
00:02:19,840 --> 00:02:22,360
[Aussie bro] Sorry. Sorry to interrupt.
[doctor] That’s okay.
57
00:02:22,440 --> 00:02:24,520
Trying to get my head around the placebo
thing.
58
00:02:24,840 --> 00:02:29,360
So the the benchmark that measures the
effectiveness of that product
59
00:02:29,440 --> 00:02:31,120
is whether it out-performs
60
00:02:31,600 --> 00:02:32,720
the power
61
00:02:33,720 --> 00:02:35,280
of the mind?
62
00:02:36,160 --> 00:02:38,840
[doctor] Yeah, but what the power of the
mind doesn't have is
63
00:02:38,880 --> 00:02:42,320
Prafaffoline’s latest
quantum targeting formula.
64
00:02:42,600 --> 00:02:44,960
So maybe let’s focus on that.
65
00:02:45,760 --> 00:02:48,080
Let’s, ah, divvy up into those groups.
[chuckles]
66
00:02:48,400 --> 00:02:50,400
[doctor] Okay, so it’s gonna be random.
67
00:02:50,480 --> 00:02:52,560
[doctors voice drifting off] You're not
gonna know, okay,
68
00:02:52,640 --> 00:02:54,560
and we’ll have some
assistants coming in
69
00:02:55,080 --> 00:02:56,800
Can I please go in the placebo group?
70
00:02:57,160 --> 00:02:59,960
No, no. You see, if you know which group
you're in,
71
00:03:00,040 --> 00:03:02,080
it defeats the whole
purpose of the
72
00:03:02,120 --> 00:03:06,160
[Aussie bro] But why would I take that
when I could have fucking mind powers?
73
00:03:06,240 --> 00:03:07,480
[doctor] Well.
[Aussie bro] Are you serious?
74
00:03:08,080 --> 00:03:09,840
Is that not fucking blowing your mind?
75
00:03:09,920 --> 00:03:11,120
Let’s ground ourselves, okay
76
00:03:11,200 --> 00:03:13,480
That’s You're on
the edge of something great here.
77
00:03:13,560 --> 00:03:15,800
We’re not here to explore the placebos.
78
00:03:15,880 --> 00:03:19,120
I mean, why are we pouring time and
energy into this
79
00:03:20,600 --> 00:03:23,600
existential bandaid?
80
00:03:23,680 --> 00:03:26,760
[choral music]
81
00:03:28,360 --> 00:03:32,960
Everyone, listen. I can
see it now. We cause the pain.
82
00:03:35,280 --> 00:03:37,680
Don’t you see? This stuff doesn't happen
in the wild.
83
00:03:37,760 --> 00:03:40,080
You've never seen a dolphin
with a screen headache,
84
00:03:40,160 --> 00:03:42,000
or a gazelle with bad posture.
85
00:03:42,040 --> 00:03:44,880
We should stop worshipping productivity
above our health.
86
00:03:44,960 --> 00:03:47,000
We are one with the natural world.
87
00:03:47,080 --> 00:03:52,200
We are beautiful spirits that have power
over these meat sacks we call bodies.
88
00:03:52,280 --> 00:03:56,160
We have infinite potential. I'm seeing a
greater truth
89
00:03:56,280 --> 00:03:57,080
[Choral music ends abruptly]
90
00:03:57,640 --> 00:04:00,560
And, ah this
Pharmanotex product is called Shushtemine.
91
00:04:01,040 --> 00:04:04,400
It’s a handy shot of calm that quiets down
those anxious thoughts
92
00:04:04,480 --> 00:04:06,000
when your mind has
pierced the veil.
93
00:04:06,080 --> 00:04:07,760
[light music]
[doctor] Let’s get back to it.
94
00:04:07,920 --> 00:04:12,400
Prafaffoline 40+. Who hates it when pain
stops them being endlessly productive?
95
00:04:12,560 --> 00:04:14,320
[Aussie bro gasps]
[man]Yeah.
96
00:04:14,400 --> 00:04:17,560
[Chopsticks on piano plays]
97
00:04:17,920 --> 00:04:19,480
[tense music]
98
00:04:19,840 --> 00:04:21,920
[good cop] Woke Cop might
not have cracked you,
99
00:04:22,000 --> 00:04:23,440
but you won’t like this.
100
00:04:23,640 --> 00:04:25,040
No.
101
00:04:25,720 --> 00:04:26,520
[phone chimes]
102
00:04:26,640 --> 00:04:28,360
Messaging Cop.
103
00:04:28,720 --> 00:04:31,720
[hostage] What were you doing
July 19th?
104
00:04:32,680 --> 00:04:34,560
Have you.. oh, thank you very much.
105
00:04:35,040 --> 00:04:37,240
[hostage] I'll never say.
106
00:04:37,320 --> 00:04:38,160
[message sends]
107
00:04:38,240 --> 00:04:42,440
[hostage breathes heavily and
chuckles defiantly]
108
00:04:43,800 --> 00:04:45,120
Oh, he’s replying. That’s good.
109
00:04:45,200 --> 00:04:48,560
Ah, little speech bubbles are long
message.
110
00:04:48,640 --> 00:04:50,320
[chuckles] Still going.
111
00:04:52,040 --> 00:04:53,120
Oh, now it’s gone.
112
00:04:53,480 --> 00:04:56,920
[sinister sounds] But where’s the
where’s the reply?
113
00:04:58,240 --> 00:05:00,640
I saw the bubble
but there was no reply.
114
00:05:01,760 --> 00:05:05,120
Did he not hit send or I mean,
why would he type all that time
115
00:05:05,200 --> 00:05:07,440
Oh, right, bubble’s back. Yay!
116
00:05:07,520 --> 00:05:10,920
[sinister sounds continue]
117
00:05:11,000 --> 00:05:11,800
Bubble’s gone.
118
00:05:13,000 --> 00:05:14,240
But there’s still no reply.
119
00:05:15,680 --> 00:05:16,720
Who does that?
120
00:05:16,920 --> 00:05:18,720
[anguished cry]
121
00:05:18,800 --> 00:05:20,920
What is wrong with people? I mean
122
00:05:21,040 --> 00:05:24,640
he knows I can see him typing so why
does he leave me hanging?
123
00:05:26,080 --> 00:05:30,000
And if it’s a long message,
why don’t you send it in chunks?
124
00:05:30,520 --> 00:05:31,880
You're really pissing me off now!
125
00:05:32,080 --> 00:05:34,200
[hostage lets out an anguished cry]
126
00:05:34,360 --> 00:05:35,840
[hostage] Oh, bubble’s back.
127
00:05:36,200 --> 00:05:37,320
[anguished cry]
128
00:05:37,680 --> 00:05:39,920
[electro music]
129
00:05:40,040 --> 00:05:40,840
[crashes]
130
00:05:40,880 --> 00:05:43,520
[electronic data noises]
131
00:05:45,160 --> 00:05:47,440
[Megan] Alright you mob, here’s the deal.
132
00:05:47,760 --> 00:05:48,920
[Megan] Mining companies have obtained
legal permission
133
00:05:48,920 --> 00:05:54,320
to destroy over a hundred
ancient Aboriginal sites
134
00:05:54,320 --> 00:05:57,680
and now will be bulldozing this
birthing tree.
135
00:05:57,680 --> 00:05:59,960
sacred of both name and place.
136
00:06:00,400 --> 00:06:01,880
[Garret] Fucken hell, another one?
137
00:06:02,480 --> 00:06:04,120
Why’d they bulldoze the other sacred tree?
138
00:06:04,160 --> 00:06:06,320
To build a road that would
speed up commuter time by two minutes.
139
00:06:06,360 --> 00:06:07,240
[Audrey] Two minutes?
140
00:06:07,240 --> 00:06:09,720
If I wanna get
somewhere earlier, I leave earlier.
141
00:06:09,720 --> 00:06:11,160
I don’t blow things up.
142
00:06:11,160 --> 00:06:13,000
[light jazz music]
143
00:06:13,000 --> 00:06:14,160
[Megan] Back to the
tree.
144
00:06:14,960 --> 00:06:17,120
How do we get people to listen?
145
00:06:17,200 --> 00:06:19,240
[jaunty music]
146
00:06:19,400 --> 00:06:23,360
Yeah, we get a statue of a famous racist,
put it right next to the tree,
147
00:06:23,360 --> 00:06:24,720
then they’ll never cut it down.
148
00:06:24,920 --> 00:06:27,480
And I think it’ll probably get 24-hour
police protection, too.
149
00:06:28,680 --> 00:06:32,080
[Audrey] Ooh! White people love big
things, don’t they?
150
00:06:32,320 --> 00:06:36,160
There’s The Big Prawn,
The Big Banana, The Big Captain Cook,
151
00:06:36,160 --> 00:06:37,560
the big colonisation.
152
00:06:37,600 --> 00:06:44,160
350-year-old tree, frack its dick off!
Massive novelty tree, now that’s culture.
153
00:06:46,840 --> 00:06:49,640
Oh my ancestors, I've got it!
154
00:06:50,720 --> 00:06:52,760
So this is the Elephant Café
in Edinburgh.
155
00:06:52,960 --> 00:06:55,480
Now, it’s considered almost hallowed
ground,
156
00:06:55,480 --> 00:06:57,920
just because J.K. wrote parts of
Harry Potter there.
157
00:06:58,320 --> 00:06:59,360
[Milo] And look at this.
158
00:06:59,640 --> 00:07:02,400
Bestselling author John Blakesmith has
nearly finished his next book
159
00:07:02,600 --> 00:07:04,200
from
his Forgotten Warlock series!
160
00:07:04,720 --> 00:07:05,800
[John Blakesmith] I haven’t done anything!
161
00:07:05,960 --> 00:07:07,440
[upbeat music]
162
00:07:07,560 --> 00:07:08,680
[tyres screeching]
[John Blakesmith] Please let me out!
163
00:07:09,080 --> 00:07:12,120
[upbeat music continues]
164
00:07:12,680 --> 00:07:13,600
[John Blakesmith] What are you doing?
165
00:07:14,160 --> 00:07:15,600
[John Blakesmith] Please, please don’t!
166
00:07:16,200 --> 00:07:20,560
[John Blakesmith] Please!
What? Who are you? What do you want?
167
00:07:21,080 --> 00:07:24,440
You will finish writing
the Forgotten Wedlock story here.
168
00:07:25,760 --> 00:07:26,560
Warlock?
169
00:07:27,240 --> 00:07:28,040
Whatever.
170
00:07:28,080 --> 00:07:30,840
And it will top every bestseller list.
171
00:07:31,400 --> 00:07:35,520
But Forgotten Warlock 2, The Rise of theWizard Son only made it to number three.
172
00:07:36,440 --> 00:07:38,120
Well then there’s much work to be done.
173
00:07:38,680 --> 00:07:40,360
[dramatic music]
174
00:07:40,440 --> 00:07:41,280
Yeah.
175
00:07:43,120 --> 00:07:44,680
[dramatic music continues]
176
00:07:44,960 --> 00:07:46,120
[John Blakesmith] Thank you.
177
00:07:46,960 --> 00:07:48,240
[John Blakesmith]
She grabbed his staff,
178
00:07:48,480 --> 00:07:51,480
the purple tip throbbingwith magic energy.
179
00:07:51,880 --> 00:07:54,560
Arched backs, glistening with sweat,
180
00:07:54,640 --> 00:07:58,480
in synchronised grinding, like dew dropson the first morning of spring.
181
00:07:59,080 --> 00:08:04,720
‘The magic potion only works if you'renaked’ said Thrombo the Goblin.
182
00:08:04,880 --> 00:08:08,440
Just like his magic,his loins were on fire.
183
00:08:09,000 --> 00:08:10,120
Glistening loins.
184
00:08:10,680 --> 00:08:11,800
[sighs]
185
00:08:15,560 --> 00:08:17,240
-[Megan] What, you're, you're done?
- [John Blakesmith]Yep.
186
00:08:18,000 --> 00:08:22,120
But this is just barely legal
wizards, in nudity, in a bathtub.
187
00:08:22,600 --> 00:08:25,680
Yep, the plebs just wolf
that guff right down.
188
00:08:25,800 --> 00:08:26,800
[Megan]Alert the media.
189
00:08:26,920 --> 00:08:29,760
[dramatic music]
190
00:08:30,040 --> 00:08:31,120
Yes, that’s right
191
00:08:31,240 --> 00:08:37,320
Author John Blakesmith has just finished
the last of his Forgotten Warlock novels,
192
00:08:37,320 --> 00:08:41,760
The Realm Hunter’s Tryst,
a real page-turner I can tell you,
193
00:08:42,080 --> 00:08:45,080
here at this sacred birthing tree.
194
00:08:45,200 --> 00:08:46,280
[Megan] Cheers!
195
00:08:48,040 --> 00:08:49,240
Amazing work, team.
196
00:08:49,360 --> 00:08:53,280
Thanks to us, the birthing tree,
sacred of both name and place,
197
00:08:53,280 --> 00:08:55,440
will live on for a long time to come.
198
00:08:55,640 --> 00:08:58,760
[Reporter] Once slated for destruction to
make way for a road
199
00:08:58,840 --> 00:09:01,760
that would speed up commute times by
34 seconds,
200
00:09:01,760 --> 00:09:06,240
it’s now being hailed as a
heritage site by the Prime Minister,
201
00:09:06,240 --> 00:09:09,160
who’s also announced it’s soon to be
renamed
202
00:09:09,440 --> 00:09:11,040
The Forgotten Warlock Tree.
203
00:09:11,880 --> 00:09:13,040
[Megan and Garrett] Dumb dogs.
204
00:09:13,280 --> 00:09:15,640
[Reporter] A real happy story
there to round out the day.
205
00:09:15,760 --> 00:09:18,480
[spy themed music]
206
00:09:19,080 --> 00:09:20,760
[good cop shouting] You're really pissing
me off now!
207
00:09:21,000 --> 00:09:23,440
[tense music]
208
00:09:24,000 --> 00:09:25,040
Bring in
209
00:09:25,840 --> 00:09:28,000
Open Mic Cop.
210
00:09:28,120 --> 00:09:29,640
[gameshow themed music]
[open mic cop] Thanks, Chief.
211
00:09:31,360 --> 00:09:33,640
Interrogation room, how are you feeling?
212
00:09:34,280 --> 00:09:35,080
Huh?
213
00:09:35,080 --> 00:09:37,640
Let’s get that applause going
for all the cops you've seen tonight.
214
00:09:38,160 --> 00:09:41,440
Ah now mate, where have
you hidden the evidence, you know?
215
00:09:41,760 --> 00:09:42,760
God, this is awkward.
216
00:09:42,840 --> 00:09:47,280
Seriously, do do you know
what evidence I'd really like to find?
217
00:09:47,480 --> 00:09:49,120
[hostage] Please, no. [sobbing]
218
00:09:49,120 --> 00:09:50,880
Where’s the clitoris,
right?
219
00:09:50,880 --> 00:09:51,760
- [comedy horn blasts]
- [hostage] That's so hack!
220
00:09:52,120 --> 00:09:56,640
You know? Like if women wanted an orgasm,
why’d they make it so hard to find?
221
00:09:56,640 --> 00:09:58,400
[hostage] This is torture, stop it.
222
00:09:58,440 --> 00:09:59,280
[open mic cop] Huh? What’d you do?
223
00:09:59,320 --> 00:10:00,240
I'll tell you everything.
224
00:10:00,280 --> 00:10:02,880
There’s an offshore
account in the Caymans. I'll tell
225
00:10:02,880 --> 00:10:03,640
[Gameshow music]
226
00:10:03,880 --> 00:10:05,280
- [open mic cop] Yes!
- [good cop] Oh-ho!
227
00:10:05,720 --> 00:10:07,200
[open mic cop] Everything?
So where is the clitoris?
228
00:10:07,200 --> 00:10:08,160
[hostage wails]
229
00:10:08,160 --> 00:10:10,600
[electro music]
230
00:10:10,880 --> 00:10:14,120
[narrator] On this season ofWho Wants To Fuck A Television?
231
00:10:14,120 --> 00:10:16,720
Nine eagerlovebirds travel to TV Island
232
00:10:16,720 --> 00:10:19,000
to winthe heart of someone special.
233
00:10:19,280 --> 00:10:21,640
Meet John. He’san old dog with new tricks.
234
00:10:21,720 --> 00:10:24,000
Meet smiling assassin, Gracie.
235
00:10:24,040 --> 00:10:27,240
[Gracie] I'm here, no fear,
and I'm not afraid to play dirty.
236
00:10:27,960 --> 00:10:29,240
[narrator] There’s good girl Jordan.
237
00:10:29,240 --> 00:10:31,320
Yeah, I'm not really sure how I got here.
238
00:10:32,160 --> 00:10:33,520
[narrator] Meet bad boy Larry!
239
00:10:33,640 --> 00:10:35,280
I'm gonna fuck that television.
240
00:10:35,600 --> 00:10:37,640
Good day everyone!
241
00:10:37,760 --> 00:10:39,600
[narrator] And host Zak is back!
242
00:10:39,720 --> 00:10:41,360
It's time for some of you to enjoy
243
00:10:41,360 --> 00:10:42,360
a "Together Moment".
244
00:10:42,600 --> 00:10:44,840
Love is in the air
during the Together Moments.
245
00:10:45,320 --> 00:10:47,720
So, how do you like to let off steam?
246
00:10:47,880 --> 00:10:50,640
[Gracie] I think I'm getting somewhere,
and the television is really responding
247
00:10:50,640 --> 00:10:51,480
to my vibe.
248
00:10:51,600 --> 00:10:56,120
Indecisive little minx. Needs a strong man
to make a few tough decisions around here.
249
00:10:56,160 --> 00:10:57,600
- [dramatic music]
- [narrator] Tensions run high
250
00:10:57,600 --> 00:10:59,280
in the first selection ceremony.
251
00:10:59,320 --> 00:11:03,400
So now the TV will
decide who goes through to Day 2.
252
00:11:03,560 --> 00:11:06,480
[Larry] The TV might actually want me to
fuck it.
253
00:11:06,640 --> 00:11:09,840
[contestant] I'm the underdog.
Sometimes that’s a positive.
254
00:11:09,920 --> 00:11:11,840
[dramatic music continues]
255
00:11:12,240 --> 00:11:13,880
[TV screams]
256
00:11:14,040 --> 00:11:16,560
[awkward silence]
257
00:11:16,560 --> 00:11:21,480
[Zak Kane] Okay. Unfortunately,
that means none of you have been chosen.
258
00:11:21,600 --> 00:11:23,960
- [champagne cork pops]
- [polite clapping]
259
00:11:24,040 --> 00:11:24,840
[contestant]
260
00:11:24,840 --> 00:11:27,040
[Larry] So we just wait and try again
tomorrow?
261
00:11:27,800 --> 00:11:28,600
Yeah.
262
00:11:28,600 --> 00:11:30,600
[Gracie] What if it chooses no one
tomorrow?
263
00:11:30,880 --> 00:11:32,120
Then we just keep going.
264
00:11:32,120 --> 00:11:34,240
[narrator] Ouch! No dice from the TV
265
00:11:34,240 --> 00:11:36,160
But week 11 brings challenges galore.
266
00:11:36,400 --> 00:11:39,120
Welcome to our first Brunch Challenge.
267
00:11:39,480 --> 00:11:40,400
[John] It’s three in the afternoon.
268
00:11:40,480 --> 00:11:41,280
[whistle blows]
269
00:11:41,480 --> 00:11:42,960
[narrator] Everything on the line.
270
00:11:42,960 --> 00:11:46,520
[Larry] Alright, wait, so are we s'posed
to eat the brunch,
271
00:11:46,520 --> 00:11:48,720
or make a new brunch using these elements?
272
00:11:49,240 --> 00:11:50,920
[Zak Kane] Why would you assemble a new
brunch?
273
00:11:51,240 --> 00:11:52,200
[dramatic music]
[narrator] Hold onto your remotes
274
00:11:52,200 --> 00:11:54,880
as the contestants are thrown a curveball.
275
00:11:54,960 --> 00:11:57,160
Wait, isn’t that the television?
276
00:11:58,480 --> 00:12:00,520
[Zak Kane] Whoever still has the rice over
their heads
277
00:12:00,640 --> 00:12:04,800
when the sun goes down gets
fifty tribe points!
278
00:12:04,840 --> 00:12:06,240
Do we live in tribes now?
279
00:12:06,280 --> 00:12:07,960
Do we still have to eat the brunch?
280
00:12:08,240 --> 00:12:11,640
[narrator] John hits the Diary Roomfor yet another complaint.
281
00:12:12,000 --> 00:12:14,920
They’ve closed all
the ports, so can’t leave.
282
00:12:15,680 --> 00:12:17,000
Don’t really know what's going on.
283
00:12:17,040 --> 00:12:19,080
[narrator] I think John needs thewambulance.
284
00:12:19,520 --> 00:12:21,520
[narrator] There was some qualitytime in the great outdoors.
285
00:12:21,520 --> 00:12:22,840
[dance music]
286
00:12:22,840 --> 00:12:25,400
We just had to do a 9-hour silent disco,
287
00:12:25,400 --> 00:12:28,440
while the TV dropped livestock on us from
a helicopter
288
00:12:28,520 --> 00:12:30,840
- [Gracie screams]
- [Larry] Oh, fuck!
289
00:12:30,920 --> 00:12:33,080
[Larry] and released wasps on us.
290
00:12:33,080 --> 00:12:34,200
[Gracie] Are they
hornets?
291
00:12:34,240 --> 00:12:35,640
[Larry] Oh, fuck!
292
00:12:35,640 --> 00:12:37,240
[dance music continues]
293
00:12:37,280 --> 00:12:41,240
I don't even know anymore. I don't know
what this fucken television wants.
294
00:12:41,240 --> 00:12:45,160
[sobbing] What’s it gonna take to fuck
this television?
295
00:12:45,360 --> 00:12:47,400
[ethereal music]
296
00:12:47,400 --> 00:12:50,560
New day, same Gracie.
297
00:12:51,480 --> 00:12:53,880
I found Larry and
John’s bodies in a shallow grave.
298
00:12:54,360 --> 00:12:57,400
I now understand that I may never
leave this place.
299
00:12:57,760 --> 00:13:01,200
A series of senseless challenges in a
world without rules.
300
00:13:01,200 --> 00:13:03,680
I'm slowly coming to the realisation
that
301
00:13:04,400 --> 00:13:06,440
[sobbing] No one is gonna fuck that TV.
302
00:13:06,640 --> 00:13:08,080
[Zak Kane] Oh!
303
00:13:08,080 --> 00:13:09,920
Oh God, that was amazing.
304
00:13:10,040 --> 00:13:12,280
[narrator] Whoa, no one saw that coming!
305
00:13:12,440 --> 00:13:13,240
Call you later, yeah?
306
00:13:13,240 --> 00:13:15,960
[narrator] Looks like the host Zak fucked
the TV.
307
00:13:16,160 --> 00:13:16,960
What?
308
00:13:17,400 --> 00:13:18,600
[narrator] But don't cry for Gracie.
309
00:13:19,480 --> 00:13:22,120
She's the new star of "Who Want's To Fuck
A Television"
310
00:13:22,560 --> 00:13:23,840
"In Paradise".
311
00:13:25,520 --> 00:13:26,520
[screams]
312
00:13:26,640 --> 00:13:28,840
[♪ "Auld Lang Syne" ♪]
313
00:13:28,840 --> 00:13:30,240
[camera flash]
314
00:13:32,560 --> 00:13:34,040
[suspenseful music]
315
00:13:34,480 --> 00:13:37,840
[M] 007, we’ve just
caught one Stavrick Varatanga.
316
00:13:37,960 --> 00:13:39,880
He’s the only one who can disarm
the warheads.
317
00:13:39,960 --> 00:13:42,960
Millions of lives are at
stake and remember,
318
00:13:43,040 --> 00:13:47,160
he’s bloody cunning,
so for Christ’s sake, stay alert, Bond.
319
00:13:47,320 --> 00:13:48,760
[door buzzes]
320
00:13:48,760 --> 00:13:51,960
[footsteps echo]
321
00:13:53,480 --> 00:14:00,360
[ sinister background music]
322
00:14:03,680 --> 00:14:05,320
[Bond] Fancy seeing you here.
323
00:14:06,400 --> 00:14:09,040
Are you ready to tell
us those nuclear codes?
324
00:14:10,840 --> 00:14:13,000
Have you ever heard of
325
00:14:13,160 --> 00:14:15,320
[phone chimes and vibrates]
326
00:14:15,400 --> 00:14:17,520
[Varatanga] You might want to put that
on silent.
327
00:14:17,600 --> 00:14:20,720
What I'm about to say,
you won’t want any distraction.
328
00:14:20,800 --> 00:14:21,880
Trust me
329
00:14:22,520 --> 00:14:24,080
I'm always listening.
330
00:14:28,200 --> 00:14:30,480
Have you ever heard of
331
00:14:31,520 --> 00:14:34,760
the white ant,
Mr Bond?
332
00:14:34,840 --> 00:14:40,280
These ants,
they’re utterly devoted to the Queen.
333
00:14:40,560 --> 00:14:42,160
They will never have any children.
334
00:14:43,200 --> 00:14:45,360
Very much like you,
Mr Bond.
335
00:14:45,440 --> 00:14:51,160
Each day they consume wood,
nibbling away, being very careful
336
00:14:51,400 --> 00:14:53,240
[suspenseful music continues]
337
00:14:53,720 --> 00:14:56,000
to not weaken the structure.
338
00:14:57,000 --> 00:14:58,040
[Bond] Hmm.
339
00:15:01,000 --> 00:15:01,800
Boom.
340
00:15:03,080 --> 00:15:05,920
[silence]
341
00:15:07,160 --> 00:15:08,480
Why have you stopped speaking?
342
00:15:08,600 --> 00:15:10,080
Well, You weren’t listening to me.
343
00:15:13,400 --> 00:15:15,440
Only to the untrained eye.
344
00:15:15,520 --> 00:15:17,440
Well tell me the last thing I just said.
345
00:15:18,560 --> 00:15:19,720
- The last thing?
- Yes
346
00:15:22,160 --> 00:15:24,560
Well the ant,
the white ant
347
00:15:26,320 --> 00:15:27,400
are like
348
00:15:29,160 --> 00:15:30,360
children?
349
00:15:30,440 --> 00:15:32,520
Oh come on, what the
350
00:15:32,720 --> 00:15:33,520
What?
351
00:15:33,600 --> 00:15:37,000
What could be more
important than my monologue?
352
00:15:37,080 --> 00:15:38,280
It’s M and Q, they’re
353
00:15:38,360 --> 00:15:40,160
This is not something that you could have
told them later?
354
00:15:40,440 --> 00:15:44,920
You must respect
the sanctity of the present moment.
355
00:15:46,000 --> 00:15:48,920
The white ants. Do go on,
Stavrick Varatanga.
356
00:15:49,480 --> 00:15:50,880
Or should I say
357
00:15:51,400 --> 00:15:53,760
The Atomic King?
358
00:15:55,400 --> 00:15:56,760
Yeah.
359
00:15:57,360 --> 00:16:02,240
[Varatanga] So these ants, they eat one
piece of wood at a time.
360
00:16:02,320 --> 00:16:07,600
And they can perceive
tension, never compromising the structure.
361
00:16:07,680 --> 00:16:08,480
[Bond] Yes.
362
00:16:08,560 --> 00:16:12,920
But you and your empire do not perceive
this tension
363
00:16:13,000 --> 00:16:16,600
and it will come
collapsing down on all of us!
364
00:16:16,840 --> 00:16:18,280
[suspenseful music continues]
365
00:16:18,400 --> 00:16:21,560
So maybe it is you that is the villain.
366
00:16:21,640 --> 00:16:22,680
[Bond] Exactly.
367
00:16:27,000 --> 00:16:29,200
[typing clicks]
368
00:16:30,800 --> 00:16:32,840
IOkay.
369
00:16:35,320 --> 00:16:40,040
I love to slather my balls in fish paste,
370
00:16:40,640 --> 00:16:43,520
dunking them into a tank filled
371
00:16:44,160 --> 00:16:46,040
with
little crabs.
372
00:16:46,920 --> 00:16:48,480
[Bond] God, totally, yes.
373
00:16:52,000 --> 00:16:57,960
The disarming code of
the atomic weapon is CX4119-Gamma.
374
00:16:59,000 --> 00:17:00,160
[Bond] I couldn’t agree more.
375
00:17:00,240 --> 00:17:02,320
Oh, fuck me! Come on.
376
00:17:02,640 --> 00:17:04,720
God, this is fucking unbelievable.
377
00:17:04,720 --> 00:17:09,000
- typing continues]
- [tense music builds]
378
00:17:09,400 --> 00:17:11,800
You're trapped, Mr Bond. You're trapped.
379
00:17:12,000 --> 00:17:13,040
[Bond] Mm-hmm.
380
00:17:13,640 --> 00:17:18,040
Trapped in the constant
hybrid of the liminal in-between.
381
00:17:19,920 --> 00:17:22,560
I've had enough. I'm
done. I've had enough.
382
00:17:22,560 --> 00:17:25,920
[tense music]
383
00:17:26,240 --> 00:17:29,560
[Bond] Well, if I'm a white ant then
you're
384
00:17:32,680 --> 00:17:34,520
Oh, fuck.
385
00:17:35,400 --> 00:17:39,440
- [footsteps echo]
- [phones click]
386
00:17:40,200 --> 00:17:43,480
[tense music continues]
387
00:17:43,920 --> 00:17:45,200
[guard giggles]
388
00:17:46,520 --> 00:17:47,400
[guard] Oh yeah
389
00:17:47,520 --> 00:17:48,960
[Varatanga] I mean, seriously.
390
00:17:50,480 --> 00:17:53,080
- [door unlocks]
- [alarm sounds]
391
00:17:54,280 --> 00:17:55,160
[guard] Ooh!
392
00:17:55,320 --> 00:17:58,520
[spy themed music]
393
00:17:59,200 --> 00:18:00,200
[gunshot]
394
00:18:05,640 --> 00:18:07,040
[woman] Oh, yes,I remember that.
395
00:18:07,080 --> 00:18:08,320
[man] Yes, I remember that.
396
00:18:09,080 --> 00:18:11,240
[funky theme music continues]
397
00:18:32,040 --> 00:18:34,480
[indistinct overlapping chatter]
398
00:18:34,530 --> 00:18:39,080
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