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1
00:00:22,156 --> 00:00:26,094
*
2
00:00:49,049 --> 00:00:52,720
* [ Orchestra:
"Free Bird" ]
3
00:01:15,109 --> 00:01:19,147
* [ "As Time Goes By" ]
4
00:01:35,163 --> 00:01:39,267
* [ "You Send Me" ]
5
00:01:46,907 --> 00:01:50,077
* [ "Slaughter
On Tenth Avenue"
6
00:02:10,030 --> 00:02:13,234
* [ "A String Of Pearls" ]
7
00:02:21,309 --> 00:02:25,913
* [ "I Got Rhythm" ]
8
00:02:51,572 --> 00:02:54,808
* [ "Maple Leaf Rag" ]
9
00:03:36,450 --> 00:03:40,788
* [ Man Singing Jewish Prayer
Of Lament ]
10
00:04:02,476 --> 00:04:05,313
* [ Lament Continues ]
11
00:04:54,895 --> 00:04:56,330
OY !
12
00:04:58,766 --> 00:05:01,369
* [ Continues ]
13
00:05:12,012 --> 00:05:14,948
* [ Band: "Onward,
Christian Soldiers" ]
14
00:05:23,891 --> 00:05:27,060
* [ Woman ]
I DON'T CARE
I DON'T CARE
15
00:05:27,127 --> 00:05:30,297
* IF HE'S A CLERK
OR JUST A MILLIONAIRE
16
00:05:30,364 --> 00:05:32,265
* THERE'S NO DOUBT ABOUT IT
17
00:05:32,332 --> 00:05:37,538
* I'LL SING AND I'LL SHOUT IT
'CAUSE I DON'T CARE
18
00:05:37,605 --> 00:05:40,808
* I DON'T CARE
I DON'T CARE
19
00:05:40,874 --> 00:05:43,677
* WHEN IT COMES TO HAPPINESS
I WANT MY SHARE
20
00:05:45,679 --> 00:05:48,281
* DON'T TRY TO REARRANGE ME
21
00:05:48,348 --> 00:05:50,884
* THERE'S NOTHING
22
00:05:50,951 --> 00:05:53,120
* CAN CHANGE ME
23
00:05:53,186 --> 00:05:56,557
* 'CAUSE I DON'T
24
00:05:56,624 --> 00:05:59,860
* CARE
[ Kiss ] *
25
00:05:59,927 --> 00:06:02,530
[ Audience Cheering ]
IT LOOKS BAD.
IT LOOKS VERY BAD.
26
00:06:02,596 --> 00:06:05,999
LEO, LEO, I AIN'T
NO STAGE SINGER,
27
00:06:06,066 --> 00:06:09,136
SO I'M NOT LOUD ENOUGH
FOR YOU.
28
00:06:09,202 --> 00:06:12,339
ALL RIGHT, SO I GET UP
ON THE STAGE OCCASIONALLY !
29
00:06:13,974 --> 00:06:18,045
GET OUTTA HERE.
TOWARDS THE END
OF THE EVENING.
30
00:06:18,111 --> 00:06:20,581
GRANTED, THE OLD BOX
AIN'T WHAT IT USED TO BE.
31
00:06:20,648 --> 00:06:23,451
BUT NO DANCING HORSES !
32
00:06:23,517 --> 00:06:25,886
YOU EXPECT ME TO HOBBLE
INTO 60 JOINTS TONIGHT ?
33
00:06:25,953 --> 00:06:28,622
I CAN'T EVEN GET
THE CHORUS SLIPS OUT.
34
00:06:28,689 --> 00:06:31,459
WONDER HOW THEY'D LIKE IT
IF I-
35
00:06:32,960 --> 00:06:35,729
KID, COME HERE.
WANT TO MAKE
A PENNY ?
36
00:06:35,796 --> 00:06:38,065
GOT ANY MORE KIDS
STANDIN' AROUND OUT THERE ?
37
00:06:38,131 --> 00:06:40,067
HEY. HE CAN'T COME IN
WITHOUT PAYIN'.
38
00:06:40,133 --> 00:06:43,604
HE'S GOIN'
RIGHT AWAY, CHARLIE.
I GOT MY ORDERS.
39
00:06:43,671 --> 00:06:46,740
HE'LL KEEP HIS EYES CLOSED.
HE WON'T SEE NOTHIN'.
40
00:06:46,807 --> 00:06:52,279
HE WON'T HEAR NOTHIN'.
HE'LL PAY NOTHIN' !
ALL RIGHT.
41
00:06:52,345 --> 00:06:55,716
HERE. GIVE THESE OUT
TO THE CLIENTELE.
42
00:06:55,783 --> 00:07:00,320
GO ON.
GIVE THOSE
TO THE PEOPLE, SON.
43
00:07:00,387 --> 00:07:03,023
AND SPEEDY. THESE FOLKS
GOTTA SING ALONG WITH ME.
44
00:07:03,090 --> 00:07:07,628
AND IT'S ROUGH WHEN THEY START
WITH THE "DAISY" IN THE MIDDLE
OF "MARIE OF SUNNY ITALY."
45
00:07:07,695 --> 00:07:09,797
AAH, LIKE THIS.
46
00:07:09,863 --> 00:07:13,634
PARDON ME, FOLKS. CHORUS SLIPS
FOR THE WONDERFUL SONG
THE LOVELY LILY MONTGOMERY...
47
00:07:13,701 --> 00:07:16,236
IS GONNA BE INTRODUCING
IN JUST A FEW MOMENTS.
48
00:07:16,303 --> 00:07:20,708
SO AS NOT TO BE LEFT BEHIND,
YOU'LL WANT TO PERUSE THESE
IN ADVANCE.
49
00:07:20,774 --> 00:07:23,210
WAITER, A LIGHT HERE.
50
00:07:23,276 --> 00:07:27,648
NO NEED TO WORRY ABOUT THE
NUMBER CURRENTLY ON STAGE,
OURS IS FAR SUPERIOR.
51
00:07:27,715 --> 00:07:29,683
[ Laughs ]
I'M SURE YOU'LL AGREE
WHEN YOU HEAR IT !
52
00:07:29,750 --> 00:07:33,020
YOU'LL FIND YOURSELF
BURSTING INTO SONG AS WELL.
53
00:07:33,086 --> 00:07:37,991
IT DON'T HURT TO SWIPE THESE
OTHER SLIPS THAT ARE LEFT.
OUT OF SIGHT, OUT OF MIND.
54
00:07:38,058 --> 00:07:40,928
RIGHT ? HERE.
GO.
55
00:07:40,994 --> 00:07:43,731
GO, GO, GO.
COME ON.
56
00:07:43,797 --> 00:07:46,534
[ Imitating Showman's Patter ]
BEGGING YOUR PARDON, FOLKS.
57
00:07:46,600 --> 00:07:50,671
CHORUS SLIPS
FOR A WONDERFUL SONG
THE LOVELY LILY MONTGOMERY...
58
00:07:50,738 --> 00:07:53,974
IS GONNA BE INTRODUCING
IN JUST A FEW MINUTES.
59
00:07:54,041 --> 00:07:56,744
THE KID'S A GENIUS !
60
00:07:56,810 --> 00:07:59,813
* [ Ragtime ]
61
00:08:57,237 --> 00:09:00,207
* [ Continues ]
62
00:09:02,610 --> 00:09:04,945
* [ Singing Along With Band ]
DA, DA, DA, DA
63
00:09:05,012 --> 00:09:07,480
* LA, LA, LA, LA
64
00:09:19,059 --> 00:09:21,862
[ Coughing ]
65
00:09:21,929 --> 00:09:24,097
LOUIE.
YEAH.
66
00:09:24,164 --> 00:09:27,200
YOU PROMISED THE BOY
A PENNY. HMM ?
67
00:09:29,870 --> 00:09:31,471
A PENNY ?
YEAH.
68
00:09:31,538 --> 00:09:35,175
YOU OUGHT TO BE GRATEFUL.
GOT A RIDE IN A BRAND-NEW CAR.
69
00:09:35,242 --> 00:09:38,846
APPLE CIDER !
A TRIP INTO ALMOST
EVERY JOINT IN TOWN.
70
00:09:38,912 --> 00:09:43,016
NONETHELESS,
YOU PROMISED.
71
00:09:43,083 --> 00:09:45,518
AAH. PROMISED, EH ?
72
00:09:49,022 --> 00:09:50,958
HERE.
73
00:09:54,461 --> 00:09:56,730
WHAT DOES HE WANT
WITH THOSE
OTHER CHORUS SLIPS ?
74
00:09:56,797 --> 00:09:59,366
MUST BE STUDYING
THE COMPETITION.
75
00:09:59,432 --> 00:10:01,368
IT WOULDN'T HURT YOU.
76
00:10:01,434 --> 00:10:05,272
"IT WOULDN'T HURT," HE SAYS.
SO WHY AM I CRYING ?
77
00:10:05,338 --> 00:10:08,475
[ Sighs ]
GOOD NIGHT, ZUNELECH.
78
00:10:08,541 --> 00:10:10,477
MAYBE WE'LL SEE YOU
TOMORROW.
79
00:10:10,543 --> 00:10:12,545
NOT IF I SEE YOU FIRST.
80
00:10:12,612 --> 00:10:14,547
GET OUTTA HERE.
81
00:10:40,808 --> 00:10:43,176
[ Speaking In Russian ]
82
00:11:14,607 --> 00:11:17,577
* [ Stage Band: "Give
My Regards To Broadway" ] *
83
00:11:21,715 --> 00:11:23,650
[ Audience Laughing ]
84
00:11:27,520 --> 00:11:31,591
OH, NO ! YOU GOT
YOUR G'S ALL BACKWARDS !
85
00:11:31,658 --> 00:11:36,463
LOOK AT THAT. A WHOLE ROW
OF G'S BACKWARDS. LOOK.
86
00:11:36,529 --> 00:11:39,833
LITTLE TAILS GO LIKE THIS
AND LIKE THAT.
87
00:11:39,900 --> 00:11:43,236
[ Laughs ]
WHAT ARE YOU TALKIN' ?
HE'S WRITING Q'S !
88
00:11:43,303 --> 00:11:46,673
PERFECTLY RIGHT,
PERFECTLY OKAY Q'S.
89
00:11:46,740 --> 00:11:49,576
YOU'RE WRITING Q'S,
AM I RIGHT ?
YOU'RE WRITING Q'S.
90
00:11:50,710 --> 00:11:53,246
WHAT ARE YOU WRITING HERE ?
P'S.
91
00:11:53,313 --> 00:11:56,383
P'S ? WHO TAUGHT YOU
TO WRITE P'S LIKE THAT ?
92
00:11:56,449 --> 00:11:59,386
THE DANCING HORSE.
WHO TOLD YOU TO GO NEAR
THE DANCING HORSE ?
93
00:11:59,452 --> 00:12:01,721
STAY AWAY FROM
THE DANCING HORSE !
94
00:12:13,566 --> 00:12:16,369
[ Lightning Zapping ]
95
00:12:16,436 --> 00:12:19,272
[ Screaming ]
96
00:12:45,899 --> 00:12:48,335
GOOD-BYE, MAMA.
97
00:12:50,137 --> 00:12:52,672
GOOD-BYE, MAMA.
98
00:12:57,845 --> 00:13:02,582
* [ Little Boy ]
THERE ARE SMILES
99
00:13:02,649 --> 00:13:06,887
* THAT MAKE US HAPPY
100
00:13:06,954 --> 00:13:10,323
* THERE ARE SMILES
101
00:13:10,390 --> 00:13:12,792
* THAT MAKE US BLUE
102
00:13:17,865 --> 00:13:21,001
* [ Older Boy ]
THERE ARE
103
00:13:21,068 --> 00:13:23,070
* SMILES
104
00:13:23,136 --> 00:13:26,639
* THAT MAKE US HAPPY
105
00:13:26,706 --> 00:13:31,178
* THERE ARE SMILES
THE KID IS TOO OLD
TO BE PLAYING JUVENILES. *
106
00:13:31,244 --> 00:13:35,015
HUMPH.
OLD, BUT LITTLE.
HE HAD A STUNTED YOUTH.
107
00:13:35,082 --> 00:13:37,017
WHAT IS THIS KID
TO YOU ANYWAY, LOUIE ?
108
00:13:37,084 --> 00:13:39,887
HE COMES IN THE BUSINESS
AND TAKES YOUR JOB AWAY.
109
00:13:39,953 --> 00:13:43,857
AND HE TOOK LOUIE
EVERY PLACE HE WENT.
[ Laughs ]
110
00:13:45,492 --> 00:13:48,295
THE KID'S NOTHIN' TO ME.
I'M NOTHIN' TO HIM.
111
00:13:48,361 --> 00:13:50,663
IT'S MORE
THAN I GOT ELSEWHERE.
112
00:13:50,730 --> 00:13:55,102
* [ Sniffles ]
THERE ARE SMILES THAT HAVE
THAT TENDER MEANING
113
00:13:55,168 --> 00:13:58,638
* THAT THE EYES OF LOVE ALONE
HIS VOICE
IS CHANGIN' ANYWAY.
114
00:13:58,705 --> 00:14:00,640
* CAN SEE
SO LET IT CHANGE. *
115
00:14:00,707 --> 00:14:03,210
WHO SAYS
IT'S GOTTA CHANGE BAD ?
116
00:14:03,276 --> 00:14:06,446
* AND THE SMILES
THAT FILL MY LIFE
MAYBE IT'LL CHANGE GOOD.
117
00:14:06,513 --> 00:14:08,781
* WITH SUNSHINE
118
00:14:08,848 --> 00:14:13,453
* ARE THE SMILES
THAT YOU GIVE
119
00:14:13,520 --> 00:14:18,558
* TO ME
120
00:14:19,626 --> 00:14:22,562
* [ "Over There" ]
121
00:14:45,018 --> 00:14:46,954
[ Zalmie, Muffled ]
LOUIE ?
YEAH ?
122
00:14:47,020 --> 00:14:51,091
I'M 17 YEARS OLD.
WHEN'S MY VOICE
GONNA CHANGE ALREADY ?
123
00:14:51,158 --> 00:14:53,193
[ Louie ]
IT'S CHANGIN'.
IT'S CHANGIN' !
124
00:14:53,260 --> 00:14:55,328
I KNOW IT'S CHANGIN'.
125
00:14:55,395 --> 00:14:57,430
WHEN'S IT GONNA
CHANGE FOR GOOD ?
126
00:14:57,497 --> 00:15:01,401
WHAT'S YOUR RUSH ?
I DON'T WANNA BE
A HORSE'S ASS FOREVER.
127
00:15:02,702 --> 00:15:05,105
[ Audience Applauding ]
128
00:15:07,174 --> 00:15:10,978
[ Engines Zooming ]
129
00:15:43,110 --> 00:15:46,713
[ Coughing ]
[ Louie ]
ZALMIE, WHAT'S WRONG ?
130
00:16:04,297 --> 00:16:06,233
[ Chuckles ]
AAH.
131
00:16:10,037 --> 00:16:11,971
SO ?
132
00:16:12,039 --> 00:16:14,741
YOUR VOICE
FINALLY CHANGED, HUH ?
133
00:16:16,376 --> 00:16:19,179
THIS IS A FUNNY STORY.
134
00:16:19,246 --> 00:16:22,649
AAH. WE'RE BOTH
LAUGHING, HUH ?
135
00:16:22,715 --> 00:16:25,918
[ Zalmie ]
THAT'S A NICE LITTLE COUGH
YOU HAVE THERE, ZALMIE.
136
00:16:25,985 --> 00:16:30,823
A LITTLE COUGH, SAYS LOUIE ?
CONSUMPTION, HE'S GOT.
137
00:16:30,890 --> 00:16:33,126
[ Audience Remains Silent ]
YOU AIN'T LAUGHIN'.
138
00:16:33,193 --> 00:16:35,628
WELL, YOU AIN'T LAUGHIN'
'CAUSE I AIN'T FINISHED YET.
139
00:16:35,695 --> 00:16:38,265
YOU'LL KNOW WHEN I'M FINISHED.
THEN YOU'LL BE LAUGHIN'.
140
00:16:38,331 --> 00:16:40,767
IF YA AIN'T,
THEN I'LL BE CRYIN'.
141
00:16:40,833 --> 00:16:42,869
THAT OUGHT TO BE GOOD
FOR A FEW LAUGHS.
142
00:16:42,935 --> 00:16:46,839
EITHER WAY, YOU WIN !
AAH.
143
00:16:46,906 --> 00:16:49,509
* [ Stage Band: "Swanee" ]
144
00:16:57,284 --> 00:16:59,219
[ Audience Cheers ]
145
00:17:05,825 --> 00:17:08,761
[ Audience Cheers ]
146
00:17:14,000 --> 00:17:17,637
[ Charlie ]
COME ON, MOVE IT !
AW, SHOVE IT, CHARLIE.
147
00:17:17,704 --> 00:17:20,540
AW, SHOVE IT.
HEY, HURRY UP.
148
00:17:20,607 --> 00:17:24,677
COME ON ! OUT ON STAGE.
MOVE IT. COME ON !
149
00:17:33,786 --> 00:17:35,722
[ Slams ]
150
00:17:51,504 --> 00:17:53,606
[ Whooping, Cheering ]
151
00:17:54,941 --> 00:17:57,577
HEY, LOUIE.
152
00:17:57,644 --> 00:18:02,115
I JUST SEEN
THE MOST BEAUTIFUL THING
I EVER SEEN IN THE WORLD.
153
00:18:02,182 --> 00:18:04,184
SOME PRE-PROHIBITION BOOZE,
HUH ?
154
00:18:04,251 --> 00:18:09,522
NO. I SEEN A STRIPPER
GETTIN' DRESSED.
155
00:18:09,589 --> 00:18:11,524
A STRIPPER GETTIN' DRESSED
AIN'T BEAUTIFUL...
156
00:18:11,591 --> 00:18:13,526
UNLESS SHE'S UGLY
TO BEGIN WITH.
157
00:18:13,593 --> 00:18:17,297
SHE WAS NOT UGLY
TO BEGIN WITH !
158
00:18:17,364 --> 00:18:20,900
LOUIE,
SHE WAS LIKE A ROSE.
159
00:18:20,967 --> 00:18:23,069
A ROSE.
160
00:18:23,136 --> 00:18:25,071
HOW OLD ARE YOU
ANYHOW, KID ?
161
00:18:25,138 --> 00:18:27,374
ALMOST 20.
HOW OLD ARE YOU ?
162
00:18:29,409 --> 00:18:31,878
NOT SO OLD.
[ Spits ]
163
00:18:31,944 --> 00:18:35,081
I KNOW. WHEN WE FIRST MET
I THOUGHT YOU WERE AN OLD MAN.
164
00:18:35,148 --> 00:18:39,085
NOW, OLDER I GET,
YOUNGER YOU GET.
165
00:18:39,152 --> 00:18:42,689
AMAZING, AIN'T IT ?
PRETTY SOON WE'LL BE THE SAME.
[ Chuckles ]
166
00:18:42,755 --> 00:18:44,591
YEAH ?
THEN WHAT ?
167
00:18:44,657 --> 00:18:48,795
THEN WE START
CALLING ME "KID."
[ Laughs ]
168
00:18:51,097 --> 00:18:53,032
* [ Stage Band ]
169
00:18:58,571 --> 00:19:00,573
YOU WANT THIS GIRL, KID ?
170
00:19:02,008 --> 00:19:05,212
SO, GO GET HER.
RIGHT NOW ?
171
00:19:05,278 --> 00:19:09,949
RIGHT NOW.
IF YOU WAIT, YOU'LL BE OLDER
THAN BOTH OF US. GO ON.
172
00:19:10,683 --> 00:19:12,619
GO ON !
173
00:19:14,521 --> 00:19:17,957
[ Applause ]
[ Spits ]
174
00:20:51,017 --> 00:20:53,386
[ Whooping ]
175
00:20:53,453 --> 00:20:56,889
* [ Stage Band:
"Anything Goes" ]
176
00:20:59,292 --> 00:21:03,863
* [ Woman ]
SOMEBODY LOVES ME
177
00:21:03,930 --> 00:21:07,133
* I WONDER WHO
178
00:21:07,800 --> 00:21:10,370
* I WONDER WHO
179
00:21:10,437 --> 00:21:13,440
* HE CAN BE
180
00:21:13,506 --> 00:21:15,808
HEY, YOU CAN SING.
NO, I CAN'T.
181
00:21:15,875 --> 00:21:17,810
SURE, YOU CAN.
182
00:21:17,877 --> 00:21:21,314
I KNOW VOICES.
I USED TO BE A SINGER MYSELF.
183
00:21:21,381 --> 00:21:24,484
WITH THAT VOICE ?
NO, NOT WITH THIS VOICE.
184
00:21:24,551 --> 00:21:29,088
I USED TO HAVE ANOTHER VOICE.
I SENT IT TO THE LAUNDRY;
IT COME BACK SHRUNK.
185
00:21:29,155 --> 00:21:33,460
*
186
00:21:33,526 --> 00:21:36,162
SO YOU WANT TO BE A SINGER,
HUH ?
NO.
187
00:21:36,228 --> 00:21:40,166
SURE YOU DO. SINGERS GET TO
SIT ON PIANOS AND THINGS.
188
00:21:40,232 --> 00:21:42,669
STRIPPERS IS ALWAYS
ON THEIR FEET.
189
00:21:42,735 --> 00:21:45,672
AIN'T YOU ALWAYS TELLING ME
HOW YOUR TOOTSIES IS ACHIN' ?
190
00:21:45,738 --> 00:21:50,309
THAT'S BECAUSE YOU'RE
STEPPIN' ON THEM.
[ Chuckles ]
191
00:21:50,377 --> 00:21:54,547
HEY, KID.
I'M GONNA MAKE YOU A STAR.
192
00:21:56,616 --> 00:22:01,253
SO, UH, WHAT WAS BELLA
BEFORE IT WAS BELLA ?
193
00:22:01,320 --> 00:22:03,255
ANNABELLA.
194
00:22:04,491 --> 00:22:06,659
MMM.
195
00:22:10,196 --> 00:22:12,131
HERE, HERE, HERE.
196
00:22:12,198 --> 00:22:14,401
AW.
AW.
197
00:22:14,467 --> 00:22:18,070
LOUIE, I WANNA MAKE
THE KID A STAR, RIGHT ?
198
00:22:18,137 --> 00:22:21,441
I GOTTA GET TO KNOW THE CLUBS.
I GOTTA GET TO KNOW THE BANDS.
199
00:22:21,508 --> 00:22:24,911
I CAN GET PAID
AT THE SAME TIME.
WHERE'S THE HEARTACHE ?
200
00:22:24,977 --> 00:22:27,680
THE HEARTACHE
IS YOU COULD HAVE
BEEN A STAR YOURSELF.
201
00:22:27,747 --> 00:22:29,749
OHH.
YOU COULD HAVE BEEN
A GREAT COMIC !
202
00:22:29,816 --> 00:22:32,719
WHO WANTS TO LAUGH
SITTIN' IN SOME SPEAK ?
203
00:22:32,785 --> 00:22:35,187
YOU GOT ONE EAR
COCKED FOR THE COPS.
204
00:22:35,254 --> 00:22:38,190
UH-UH. THEY WANT A SLOW,
SEXY WOMAN...
205
00:22:38,257 --> 00:22:40,527
HELPIN' THEM TO FEEL SORRY
FOR THEMSELVES.
206
00:22:40,593 --> 00:22:42,529
COMICS ARE FOR KIDS.
207
00:22:45,565 --> 00:22:49,135
BESIDES, LOUIE,
IT'S THE MUSIC I LOVE.
208
00:22:49,201 --> 00:22:52,905
[ Together ]
IT'S THE MUSIC I LOVE.
209
00:22:53,973 --> 00:22:55,908
IT'S THE MUSIC.
210
00:22:57,777 --> 00:23:00,913
* [ Dance Band:
"Charleston" ] *
211
00:23:05,051 --> 00:23:07,920
I CAN'T EVEN REMEMBER
THE WORDS.
212
00:23:07,987 --> 00:23:11,057
IT'S GONNA BE A BIG SONG.
YOU SHOULD TRY IT AGAIN.
213
00:23:11,123 --> 00:23:13,526
YOU THINK
I'M GONNA BE A HIT ?
214
00:23:15,928 --> 00:23:19,599
DID THE BOOZE ARRIVE ?
HELLO, MR. PALUMBO.
215
00:23:19,666 --> 00:23:24,437
HOW YOU DOIN', BOSS ?
HEY, BAGGY PANTS. WHERE'S
YOUR PARTNER, ZALMIE ?
216
00:23:24,504 --> 00:23:26,706
HE'S IN THE BACK
WHERE HE ALWAYS IS.
217
00:23:26,773 --> 00:23:28,708
YEAH, I SEE HIM.
218
00:23:32,545 --> 00:23:34,614
* [ Humming ]
219
00:23:34,681 --> 00:23:37,450
YOUR GIRL'S GETTING FAT.
220
00:23:37,517 --> 00:23:39,919
PREGNANT.
221
00:23:39,986 --> 00:23:42,522
DON'T YOU THINK IT'S
TIME FOR A WEDDING ?
222
00:23:42,589 --> 00:23:45,458
HOW CAN I ASK HER ?
I DON'T HAVE A CENT.
223
00:23:45,525 --> 00:23:49,161
YOU SHOULD HAVE
THOUGHT OF THAT
BEFORE YOU GOT HER PREGNANT.
224
00:23:49,228 --> 00:23:52,865
WHO THINKS
AT A TIME LIKE THAT ?
WHAT DO YOU THINK ?
225
00:23:52,932 --> 00:23:55,201
CUSTOMERS ARE
GONNA COME AND PAY
226
00:23:55,267 --> 00:23:57,470
TO SEE SOME
PUFFED-OUT SINGER ?
227
00:23:57,537 --> 00:24:00,339
SHE AIN'T ANY FATTER
THAN SOPHIE TUCKER.
[ Chuckles ]
228
00:24:00,406 --> 00:24:03,476
YEAH. BUT SHE'S FAT
ALL IN ONE PLACE.
229
00:24:06,212 --> 00:24:08,748
YOU WANT THE KID,
OR YOU WANT THE GIRL FIXED ?
230
00:24:09,982 --> 00:24:11,884
[ Hits Table ]
WE WANT THE KID.
231
00:24:11,951 --> 00:24:13,886
THEN GO GET MARRIED.
232
00:24:15,154 --> 00:24:18,124
THIS IS A WHOLESOME PLACE.
233
00:24:18,190 --> 00:24:20,927
COME ON, DOLL !
[ Whistles ]
[ Laughs ]
234
00:24:20,993 --> 00:24:22,962
WE GOT A DOWN PAYMENT
ON RICE.
235
00:24:28,100 --> 00:24:30,703
SO THE BOOZE I UNDERSTAND.
236
00:24:30,770 --> 00:24:33,472
IZZY NEEDS THE BOOZE
FOR THE NIGHTCLUBS.
237
00:24:33,540 --> 00:24:36,042
HERE.
BUT WHY IS HE CUTTING OUT
THE MIDDLE MAN ?
238
00:24:36,108 --> 00:24:39,311
[ Sighs ]
HE'S CUTTIN' THE MIDDLE
OUT OF THE MIDDLE MAN.
239
00:24:40,847 --> 00:24:43,616
LOUIE, I NEVER SEEN SO MUCH
BLOOD IN MY WHOLE LIFE.
240
00:24:43,683 --> 00:24:48,087
I DON'T LIKE THIS BUSINESS,
LOUIE. I LOVED SHOW BUSINESS.
241
00:24:48,154 --> 00:24:51,791
[ Sighs ]
YOU ALWAYS TOLD ME
IT WAS JUST THE MUSIC.
242
00:24:51,858 --> 00:24:56,062
* IT STILL IS.
[ Bella ]
AND ALONG CAME BILL
243
00:24:56,128 --> 00:24:59,198
* WHO'S NOT THE TYPE AT ALL
244
00:24:59,265 --> 00:25:02,735
* YOU MEET HIM ON THE STREET
245
00:25:02,802 --> 00:25:05,772
* AND NEVER NOTICE HIM
246
00:25:05,838 --> 00:25:09,075
* HIS WARM EMBRACE
247
00:25:09,141 --> 00:25:11,510
* HIS MANLY GRACE
248
00:25:11,578 --> 00:25:14,180
* IS NOT THE KIND
249
00:25:14,246 --> 00:25:16,916
I'VE GOT TO ADMIT IT,
ZALMIE.
250
00:25:16,983 --> 00:25:20,486
* SHE'S REALLY GOOD.
[ Continues ] *
251
00:25:20,553 --> 00:25:22,655
WHAT DO YOU SAY, NICKY ?
252
00:25:22,722 --> 00:25:24,657
SHE AIN'T BAD.
253
00:25:24,724 --> 00:25:28,294
SOMETIMES IT'S ALL
WORTH IT, HUH ?
YEAH.
254
00:25:28,360 --> 00:25:31,297
* MAKES ME THRILL
255
00:25:31,363 --> 00:25:35,034
* I LOVE HIM
256
00:25:35,101 --> 00:25:38,871
* BECAUSE HE'S WONDERFUL
257
00:25:38,938 --> 00:25:44,076
* WHAT DO YOU THINK, BENNY ?
YOUR MAMA'S
GONNA MAKE A RECORD.
258
00:25:44,143 --> 00:25:48,948
KID NEVER TALKS, ZALMIE.
HE WILL WHEN HE'S GOT
SOMETHING TO SAY.
259
00:25:49,015 --> 00:25:51,317
HOW DO YOU KNOW THERE
AIN'T SOMETHING
WRONG WITH HIM ?
260
00:25:51,383 --> 00:25:54,453
LIKE MAYBE HE'S DEAF
OR SOMETHING.
261
00:25:54,520 --> 00:25:57,256
HOW CAN HE BE DEAF ?
HE PLAYS THE PIANO.
262
00:25:57,323 --> 00:25:59,258
BEETHOVEN WAS DEAF.
263
00:25:59,325 --> 00:26:02,695
[ Laughs ]
SEE THAT ?
GARBO TALKS, HUH ?
264
00:26:17,543 --> 00:26:18,811
[ Screams ]
265
00:26:19,879 --> 00:26:21,347
WHAT !
266
00:26:21,413 --> 00:26:24,684
THEY WON'T LISTEN TO REASON.
[ Fingers Snap ]
267
00:26:29,722 --> 00:26:31,658
[ Doorbell Jingling ]
268
00:26:39,932 --> 00:26:43,169
[ Continuous Gunfire ]
269
00:26:43,235 --> 00:26:45,805
* [ "Sweet Georgia Brown" ]
270
00:27:02,154 --> 00:27:04,423
* [ Continues ]
271
00:27:14,500 --> 00:27:19,305
* [ Piano ]
[ Zalmie ]
NICKY, YOU GET THE DEUCE. *
272
00:27:19,371 --> 00:27:23,542
LITTLE ZALMIE'S FLUSHING OUT.
ALL RIGHT !
273
00:27:23,609 --> 00:27:27,246
HEY, THE KID'S GOT
PIANO PLAYER'S HANDS.
274
00:27:27,313 --> 00:27:31,283
SURGEON'S HANDS.
HE'S GOING TO BE A DOCTOR.
275
00:27:31,350 --> 00:27:33,285
[ Doorbell Ringing ]
276
00:27:33,352 --> 00:27:37,857
DOCTOR, PIANO PLAYER.
HE CAN BE BOTH.
HE'S SMART ENOUGH.
277
00:27:37,924 --> 00:27:42,394
EVERYONE IN ?
ZALMIE,
YOU ORDERED PRETZELS ?
278
00:27:42,461 --> 00:27:44,964
PRETZELS ?
279
00:27:45,031 --> 00:27:48,735
YEAH. I THOUGHT MAYBE
YOU SENT ME A PRESENT.
280
00:27:48,801 --> 00:27:53,072
BUT IT'S A BOX OF PRETZELS.
BELLA !
DON'T TOUCH THE BOX !
281
00:27:53,139 --> 00:27:54,206
BELLA !
282
00:27:54,273 --> 00:27:55,307
[ Explosion ]
283
00:27:57,409 --> 00:27:59,912
* [ Dissonant Chords ]
284
00:28:04,784 --> 00:28:07,720
* [ Boogie-woogie ]
285
00:28:19,698 --> 00:28:23,803
* [ "Sweet Georgia Brown" ]
286
00:28:30,609 --> 00:28:34,146
YEAH.
[ Musicians Laughing ]
287
00:28:34,213 --> 00:28:36,916
SO BENNY,
288
00:28:36,983 --> 00:28:39,251
I CAN GET YOU
REISENWEBER'S.
289
00:28:39,318 --> 00:28:43,555
I CAN GET YOU JACK'S.
I CAN GET YOU SHANLEY'S.
SO WHAT ARE YOU DOING HERE ?
290
00:28:43,622 --> 00:28:47,293
I'M HAPPY, POPS.
IT'S NOT LIKE ANYBODY'S
DOIN' YOU A FAVOR.
291
00:28:47,359 --> 00:28:50,396
EVERYBODY KNOWS YOU'RE GOOD.
292
00:28:50,462 --> 00:28:54,233
THAT GUY FROM RCA VICTOR,
HE'S DYIN' FOR YOU
TO MAKE A RECORD FOR HIM.
293
00:28:54,300 --> 00:28:56,268
DYIN' ?
294
00:28:56,335 --> 00:28:58,805
POPS,
IT'S NOT THAT IMPORTANT.
295
00:28:58,871 --> 00:29:00,406
YEAH, BENNY.
IT IS IMPORTANT.
296
00:29:02,942 --> 00:29:06,712
YOU COULD BE SOMETHING, BENNY.
YOU COULD BE A STAR.
297
00:29:10,950 --> 00:29:14,086
I WANT YOU
TO DO ME A FAVOR, BENNY.
298
00:29:14,153 --> 00:29:16,288
I WANT YOU TO MARRY A GIRL
FOR ME.
299
00:29:16,355 --> 00:29:19,458
[ Musicians Laughing ]
300
00:29:19,525 --> 00:29:22,929
[ Benny ]
MARRY A GIRL ?
YEAH.
301
00:29:22,995 --> 00:29:26,065
AND LIVE HAPPILY
EVER AFTER ?
YEAH.
302
00:29:28,801 --> 00:29:32,404
HEY, BENNY.
IT'S NICKY PALUMBO'S
DAUGHTER. ALL RIGHT ?
303
00:29:32,471 --> 00:29:35,307
HER FATHER'S
AN IMPORTANT MAN, MISTER.
304
00:29:35,374 --> 00:29:40,212
AND YOUR FATHER'S
AN IMPORTANT MAN TOO !
305
00:29:40,279 --> 00:29:44,884
AND IF YOU WON'T
LIVE MY DREAMS,
THEN LIVE MY LIFE, ALL RIGHT ?
306
00:29:44,951 --> 00:29:46,886
SURE, POPS.
307
00:29:49,889 --> 00:29:53,159
* [ Playing Soft Melody ]
308
00:29:53,225 --> 00:29:55,161
NOW WHAT ARE YOU
DOING ?
309
00:29:56,428 --> 00:29:58,364
PLAYING HER A LOVE SONG.
310
00:30:00,499 --> 00:30:03,802
FORGET THE LOVE SONGS,
BENNY. THE GIRL'S AGREED.
311
00:30:03,870 --> 00:30:06,438
A LOVE SONG'S NICE TO GIVE
THE GIRL YOU'RE GONNA MARRY.
312
00:30:06,505 --> 00:30:10,977
* [ Male Soloist ]
IT'S VERY CLEAR
313
00:30:11,043 --> 00:30:14,914
* [ Flash Bulb Pops ]
OUR LOVE IS HERE
314
00:30:14,981 --> 00:30:19,919
* TO STAY
NICKY, NICKY.
LOOK AT IT THIS WAY. *
315
00:30:19,986 --> 00:30:24,090
YOU'RE NOT LOSING A DAUGHTER.
YOU'RE GAINING A SON.
RIGHT.
316
00:30:24,156 --> 00:30:26,658
SONS I DON'T NEED.
I GOT SONS.
317
00:30:26,725 --> 00:30:28,827
WHAT I'M GAINING
IS A BROTHER.
318
00:30:28,895 --> 00:30:33,065
[ Guests Applauding ]
[ Flashbulb Pops ]
319
00:30:35,134 --> 00:30:39,071
* THE RADIO
320
00:30:39,138 --> 00:30:42,942
* AND THE TELEPHONE
321
00:30:44,110 --> 00:30:46,645
* AND THE MOVIES
322
00:30:46,712 --> 00:30:50,416
* THAT WE KNOW
323
00:30:50,482 --> 00:30:55,922
* MAYBE JUST
PASSING FANCIES
324
00:30:55,988 --> 00:31:00,759
* AND IN TIME THEY'LL GO
325
00:31:03,996 --> 00:31:08,634
* YET IT MAY BE
326
00:31:10,102 --> 00:31:14,373
* OUR LOVE IS HERE TO STAY
327
00:31:16,976 --> 00:31:19,378
[ Flashbulb Pops ]
328
00:31:19,445 --> 00:31:22,281
* TOGETHER
329
00:31:22,348 --> 00:31:24,984
* WE'RE
330
00:31:25,051 --> 00:31:29,989
* GOING THE LONG, LONG WAY
331
00:31:37,396 --> 00:31:39,331
IT'S A BIG HOUSE.
332
00:31:40,232 --> 00:31:41,800
BIG ?
333
00:31:50,009 --> 00:31:52,644
WHAT ARE THE TWO OF US
SUPPOSED TO DO
IN THIS BIG HOUSE ?
334
00:31:54,613 --> 00:31:57,984
MAKE THREE, FOUR OR FIVE.
335
00:32:03,922 --> 00:32:05,857
IS THAT WHAT YOU WANT ?
336
00:32:07,059 --> 00:32:08,995
IF YOU DO.
337
00:32:10,296 --> 00:32:12,231
BUT WHAT DO YOU WANT ?
338
00:32:19,038 --> 00:32:22,241
I WANT...
YOU TO SMILE.
339
00:32:38,490 --> 00:32:40,426
* [ Sad, Minor Melody ]
340
00:32:44,796 --> 00:32:47,366
ENLISTED !
WHAT DO YOU MEAN,
YOU ENLISTED ?
341
00:32:53,939 --> 00:32:58,177
I LIKED THE HAT, POPS.
HEY, BENNY, YOU GOT A WIFE
NOW. YOU GOT A KID COMIN'.
342
00:32:58,244 --> 00:33:00,946
SO ? I NEED
A STEADY JOB.
343
00:33:01,013 --> 00:33:04,416
WHAT ARE YOU TALKIN',
A STEADY JOB ?
YOU GOT A STEADY JOB HERE !
344
00:33:04,483 --> 00:33:06,418
OH, POPS.
345
00:33:06,485 --> 00:33:08,454
THIS ISN'T WORK.
346
00:33:08,520 --> 00:33:10,689
THIS IS PLAY.
347
00:33:10,756 --> 00:33:13,492
SO PLAY, BENNY.
YOU'RE JUST A KID.
348
00:33:13,559 --> 00:33:15,561
NO, POPS.
349
00:33:15,627 --> 00:33:18,197
NO, I'M NOT.
350
00:33:18,264 --> 00:33:20,499
* [ "As Time Goes By" ]
351
00:33:20,566 --> 00:33:25,204
BENNY. LOOK, I GAVE.
ALL RIGHT ?
352
00:33:25,271 --> 00:33:27,339
I GAVE AT THE OFFICE.
353
00:33:28,874 --> 00:33:30,842
BUT YOU TOOK TOO.
354
00:33:30,909 --> 00:33:33,812
HEY, BENNY.
355
00:33:33,879 --> 00:33:36,982
WHAT AM I GONNA DO
IF ANYTHING SHOULD HAPPEN
TO YOU ? HUH ?
356
00:33:39,185 --> 00:33:41,253
YOU'LL MANAGE, POPS.
357
00:33:46,125 --> 00:33:48,060
* [ Stops Playing ]
358
00:33:54,333 --> 00:33:57,269
* [ Swing Drumbeat ]
359
00:34:03,642 --> 00:34:06,978
* [ "Sing, Sing, Sing" ]
360
00:34:39,077 --> 00:34:41,012
* [ Continues ]
361
00:35:20,018 --> 00:35:23,155
* [ Harmonica:
"As Time Goes By" ] *
362
00:35:26,192 --> 00:35:29,094
BOY, WHO TOLD YOU
YOU COULD PLAY THAT THING ?
363
00:35:30,396 --> 00:35:32,931
NOBODY.
364
00:35:32,998 --> 00:35:35,167
* [ Resumes ]
YOU'RE LOUSY. *
365
00:35:36,235 --> 00:35:38,270
YEAH.
366
00:35:38,337 --> 00:35:42,674
I KNOW. BUT IT'S HARD
TO FIT A PIANO IN A FOXHOLE.
367
00:36:29,921 --> 00:36:32,858
* [ "As Time Goes By" ]
368
00:36:52,344 --> 00:36:55,281
* [ "Lilli Marlene" ]
369
00:37:15,667 --> 00:37:18,837
DANKE.
[ Gun Cocking ]
370
00:37:25,877 --> 00:37:28,814
* [ Orchestra: "Mona Lisa" ]
371
00:37:33,619 --> 00:37:37,222
YOU'VE BEEN CARRYING A TORCH
FOR THAT BASTARD'S SON
LONG ENOUGH. DO YOU HEAR ?
372
00:37:38,990 --> 00:37:41,527
YOU MARRIED A GOOD MAN NOW,
YOU UNDERSTAND ?
373
00:37:41,593 --> 00:37:45,431
YOU DON'T WANT TO MARRY
IN THE BUSINESS, ALL RIGHT,
SO I LET YOU.
374
00:37:45,497 --> 00:37:49,435
YOU WANNA MARRY A GUY
THAT SELLS REFRIGERATORS,
I LET YOU.
375
00:37:49,501 --> 00:37:53,572
COULD I BE PROUD OF THAT ?
NAH. BUT I LET YA.
376
00:37:53,639 --> 00:37:55,874
SO AT LEAST BE WORTHY
OF THE MAN.
377
00:37:55,941 --> 00:37:58,577
YOU OWN HIM NOW,
PAPA !
378
00:37:58,644 --> 00:38:00,712
[ Chuckles ]
379
00:38:00,779 --> 00:38:02,714
I OWN EVERYBODY.
380
00:38:06,318 --> 00:38:08,487
[ Gavel Pounding ]
381
00:38:08,554 --> 00:38:10,356
WHAT IS YOUR NAME ?
382
00:38:10,422 --> 00:38:12,190
ZALMIE BELINSKY.
383
00:38:12,257 --> 00:38:14,860
WHERE DO YOU LIVE ?
LIVE ?
384
00:38:14,926 --> 00:38:16,862
[ Questioner ]
WHAT IS YOUR PLACE
OF RESIDENCE ?
385
00:38:16,928 --> 00:38:20,566
JACKSONVILLE STATE PRISON.
VERY NICE PLACE.
386
00:38:21,633 --> 00:38:23,669
TONY. COME HERE.
387
00:38:23,735 --> 00:38:25,904
NO. I WANT HIM
TO SEE THIS.
388
00:38:25,971 --> 00:38:30,442
I WANT HIM TO SEE
HOW A MAN ACTS.
389
00:38:30,509 --> 00:38:32,844
WHAT WAS YOUR RELATIONSHIP
WITH MR. PALUMBO ?
390
00:38:32,911 --> 00:38:37,215
MY RELATIONSHIP ?
HE WAS MY FRIEND.
391
00:38:37,282 --> 00:38:40,719
- WAS ?
- FIRST HE TOLD ME THEY'D
GET ME OUT RIGHT AWAY.
392
00:38:40,786 --> 00:38:43,021
THEN THEY TOLD ME
THEY'D GET ME OUT SOON.
393
00:38:43,088 --> 00:38:45,223
THEN THEY TOLD ME NOTHIN'.
394
00:38:46,725 --> 00:38:49,928
EIGHT YEARS
IS A LONG TIME.
395
00:38:49,995 --> 00:38:52,163
I TOLD YOU WE SHOULD'VE
GOTTEN RID OF HIM !
396
00:38:52,230 --> 00:38:54,966
HIS SON GETS KILLED;
HE GETS TOTALLY USELESS.
397
00:38:55,033 --> 00:38:57,736
BUT NO, YOU GET MUSH HEAD
FOR HIM !
398
00:38:57,803 --> 00:39:01,306
"LET HIM TAKE A FALL,"
YOU SAY.
"HE'LL STAY QUIET."
399
00:39:01,373 --> 00:39:04,876
QUIET ! HE WOULD'VE
BEEN QUIETER DEAD.
400
00:39:04,943 --> 00:39:08,246
SO NOW YOU AGREED
TO TALK TO US.
401
00:39:08,313 --> 00:39:12,684
THIS COUNTRY'S BEEN GOOD TO ME
IN ITS WAY.
402
00:39:12,751 --> 00:39:15,554
"I TOOK," MY SON SAID.
403
00:39:15,621 --> 00:39:18,289
NOW IT'S TIME TO GIVE BACK.
404
00:39:18,356 --> 00:39:21,192
I CAN'T BELIEVE IT.
THAT SCHMUCK
IS GONNA SING !
405
00:39:21,259 --> 00:39:24,029
SING ? SURE.
406
00:39:25,263 --> 00:39:27,198
THAT'S ALL HE EVER WANTED.
407
00:39:27,265 --> 00:39:30,068
SURE. THAT'S ALL
HE EVER WANTED.
408
00:39:30,135 --> 00:39:33,371
[ Man On Radio ]
I DISCUSSED THE COMMUNISTS
IN THE STATE DEPARTMENT.
409
00:39:33,439 --> 00:39:36,908
[ Radio Dramatist ]
DEAN HUNCHED HIS MUSCULAR NECK
IN THE WINTER NIGHT.
410
00:39:36,975 --> 00:39:38,977
[ Man On Radio ]
WE'RE FIGHTING FOR TIME.
411
00:39:39,044 --> 00:39:42,814
THE YOUNG MEN IN
KOREA AND JAPAN
ARE FIGHTING FOR TIME FOR US.
412
00:39:42,881 --> 00:39:46,518
[ Newscaster ] JULIUS AND
ETHEL ROSENBERG HAVE PAID
THEIR DEBT TO SOCIETY.
413
00:39:46,585 --> 00:39:48,554
[ Richard Nixon ]
PAT DOESN'T HAVE A MINK COAT.
414
00:39:48,620 --> 00:39:52,524
BUT SHE DOES
HAVE A RESPECTABLE
REPUBLICAN CLOTH COAT.
415
00:39:52,591 --> 00:39:56,161
[ Lucille Ball ]
ETHEL,
HOW COULD YOU EVER THINK
416
00:39:56,227 --> 00:39:58,163
[ Audience Laughing ]
417
00:40:03,569 --> 00:40:05,937
* [ Conga Drumroll ]
418
00:40:06,004 --> 00:40:10,776
I SAW THE BEST MINDS OF MY
GENERATION
DESTROYED BY MADNESS.
419
00:40:10,842 --> 00:40:14,379
DRAGGIN' THEMSELVES THROUGH
THE NEGRO STREETS AT DAWN
LOOKING FOR AN ANGRY FIX.
420
00:40:14,446 --> 00:40:17,616
ANGEL-HEADED HIPSTERS...
421
00:40:17,683 --> 00:40:21,887
BURNING FOR THE ANCIENT
HEAVENLY CONNECTION
TO THE STARRY DYNAMO...
422
00:40:21,953 --> 00:40:25,423
IN THE MACHINERY OF NIGHT.
TONY, WHAT'S HE
TALKIN' ABOUT ?
423
00:40:25,491 --> 00:40:28,426
YOU HAVE ANY IDEA ?
SHUT UP.
424
00:40:28,494 --> 00:40:32,964
GEEZ. WE'RE UNDERAGE.
THIS PLACE COULD GET
BUSTED ANY MINUTE.
425
00:40:33,031 --> 00:40:36,802
AND SOME OF THESE PEOPLE
ARE SMOKIN' DRUGS.
SHUT UP.
426
00:40:36,868 --> 00:40:40,706
SAT UP SMOKING IN THE
SUPERNATURAL DARKNESS
OF COLD-WATER FLATS.
427
00:40:40,772 --> 00:40:44,275
[ Inhales Deeply ]
428
00:40:44,342 --> 00:40:48,213
FLOATING ACROSS THE TOPS
OF CITIES,
429
00:40:48,279 --> 00:40:51,783
CONTEMPLATING JAZZ.
430
00:40:51,850 --> 00:40:54,085
I'M GOIN', TONY.
GO.
431
00:40:55,153 --> 00:40:57,723
SO HOW YOU GONNA
GET HOME ?
432
00:40:58,924 --> 00:41:00,926
HOME ?
433
00:41:03,094 --> 00:41:08,299
[ Poet ]
GREAT LIFE'S TRAGEDY
AMONG THE SCHOLARS OF WAR.
434
00:41:11,336 --> 00:41:15,974
* [ Jazz Combo:
"Take Five" ] *
435
00:41:16,041 --> 00:41:19,878
[ Man On Loudspeaker ]
NUMBER 34 DEPARTING
FROM GATE 3 FOR LONG ISLAND.
436
00:41:19,945 --> 00:41:22,881
NUMBER 89 WILL BE
LEAVING GATE 6...
437
00:41:22,948 --> 00:41:25,250
FOR BALTIMORE AND WASHINGTON,
D.C. AT 11:48.
438
00:41:25,316 --> 00:41:28,554
NUMBER 74 NOW DEPARTING
FOR PHILADELPHIA AT GATE 9.
439
00:41:28,620 --> 00:41:32,824
PASSENGERS FOR NUMBER 12
TO NEW HAVEN, PROVIDENCE
AND BOSTON,
440
00:41:32,891 --> 00:41:36,962
YOUR BUS HAS BEEN DELAYED
AND IS EXPECTED TO ARRIVE
30 MINUTES LATE.
441
00:41:37,028 --> 00:41:40,165
LAST CALL FOR NUMBER 47
TO SAN FRANCISCO.
442
00:41:40,231 --> 00:41:43,168
[ TV: Gunfire, Shouting ]
443
00:41:55,614 --> 00:41:58,249
[ Whooping,
Gunfire ]
444
00:42:25,577 --> 00:42:28,814
SO ?
WHAT'RE YOU WATCHIN' ?
445
00:42:28,880 --> 00:42:31,617
TV.
WONDERFUL.
446
00:42:31,683 --> 00:42:36,421
YOU'RE WATCHING TV.
TV, YOU CAN WATCH
IF IT'S ON OR OFF !
447
00:42:36,487 --> 00:42:39,958
I SHUT IT OFF,
YOU'RE STILL WATCHING TV.
448
00:42:40,025 --> 00:42:41,526
TURN IT ON.
449
00:42:41,593 --> 00:42:43,061
WHAT ARE YOU WATCHIN' ?
450
00:42:43,128 --> 00:42:45,764
A SHOW.
WE'RE WATCHIN' A SHOW.
451
00:42:45,831 --> 00:42:50,435
"A SHOW." THEIR BRAINS
IS FALLIN' OUT LIKE TEETH.
452
00:42:50,501 --> 00:42:52,738
DID YOU GET YOUR QUARTER ?
HUH ?
453
00:42:52,804 --> 00:42:56,041
DID THE BRAIN FAIRY
LEAVE YA A QUARTER ?
454
00:42:56,107 --> 00:42:58,877
[ TV: Gunfire, Whooping ]
I'M TALKIN' TO YOU !
455
00:42:58,944 --> 00:43:01,312
WE'RE IGNORING YOU, TONY.
456
00:43:01,379 --> 00:43:05,316
MOM SAID TO IGNORE YOU.
SHE SAID YOU'RE GOING
THROUGH A PHASE.
457
00:43:06,852 --> 00:43:10,288
A PHASE.
NOW I'M A GODDAMN MOON.
458
00:43:10,355 --> 00:43:12,624
THAT'S RIGHT.
YOU CATCH 'EM !
459
00:43:12,691 --> 00:43:15,560
YOUR BRAINS IS FALLING OUT !
YOUR EARS ARE FALLING OFF !
460
00:43:15,627 --> 00:43:17,829
HOW'S YOUR EYES ?
WORKIN' OKAY ?
461
00:43:17,896 --> 00:43:21,299
GO AWAY,
OR WE'LL CALL MOM.
YOU CALL MOM !
462
00:43:21,366 --> 00:43:23,334
YOU THINK MOM'S GONNA HEAR ME,
SHUT UP IN THAT ROOM ?
463
00:43:23,401 --> 00:43:25,904
LISTENING TO THAT
GODDAMN RECORD ?
464
00:43:25,971 --> 00:43:29,407
THAT'S A SECRET, TONY.
YOU'RE NOT SUPPOSED
TO TALK ABOUT THAT.
465
00:43:31,276 --> 00:43:33,779
WHAT DO YOU CARE ?
466
00:43:33,845 --> 00:43:35,781
HE WASN'T YOUR FATHER !
467
00:43:43,855 --> 00:43:46,491
* TURN ME LOOSE
468
00:43:46,557 --> 00:43:48,894
* TURN ME LOOSE I SAY
469
00:43:50,361 --> 00:43:55,000
* THIS IS THE FIRST TIME
I EVER FELT THIS WAY
470
00:43:55,066 --> 00:43:57,903
* GONNA GET A THOUSAND KICKS
471
00:43:57,969 --> 00:44:00,171
* OR KISS A THOUSAND CHICKS
472
00:44:00,238 --> 00:44:03,074
* SO TURN ME LOOSE
473
00:44:05,343 --> 00:44:08,213
* TURN ME LOOSE
474
00:44:08,279 --> 00:44:12,117
* TURN ME LOOSE I SAY
475
00:44:12,183 --> 00:44:16,587
* GONNA ROCK AND ROLL LONG AS
THE BAND'S GONNA PLAY
476
00:44:16,654 --> 00:44:19,725
* GONNA HOLLER
GONNA SHOUT
477
00:44:19,791 --> 00:44:23,561
* GONNA KNOCK MYSELF RIGHT OUT
SO TURN ME LOOSE
478
00:44:23,628 --> 00:44:26,264
* TURN ME LOOSE
OOH, AH
479
00:44:26,331 --> 00:44:30,668
* I'VE GOT SOME CHANGE
IN MY POCKET
480
00:44:30,736 --> 00:44:34,339
* AND I'M RARIN' TO GO
481
00:44:34,405 --> 00:44:38,676
* TAKIN' SOME CHICK
TO THE PICTURE SHOW
482
00:44:38,744 --> 00:44:41,412
* AND WHEN I SEE HER HOME
483
00:44:41,479 --> 00:44:44,149
* AND WE KISS GOOD NIGHT
484
00:44:44,215 --> 00:44:47,118
* WELL, TURN ME LOOSE
TURN ME LOOSE
485
00:44:47,185 --> 00:44:49,821
* TURN ME LOOSE
TURN ME LOOSE
486
00:44:49,888 --> 00:44:54,659
* TURN ME LOOSE
TURN ME LOOSE
OOH, AH *
487
00:44:59,097 --> 00:45:02,100
[ Engine Starts,
Tires Squeal ]
488
00:45:05,837 --> 00:45:09,207
[ Tony ]
HOW FAR YOU GOIN' ?
[ Man ] I DON'T CARE.
489
00:45:09,274 --> 00:45:11,209
[ Tony ]
WELL, GET IN.
490
00:45:11,276 --> 00:45:14,312
HOW LONG YOU BEEN DRIVIN' ?
[ Woman Chattering,
Indistinct ]
491
00:45:14,379 --> 00:45:16,314
[ Man ]
BEEN ON THE ROAD SIX MONTHS.
492
00:45:16,381 --> 00:45:20,051
[ Tony ]
I'VE ONLY BEEN ON IT FOR
FOUR WEEKS, BUT I LOVE IT.
493
00:45:26,557 --> 00:45:29,194
HEY ! WHERE ARE WE ?
494
00:45:29,260 --> 00:45:31,429
[ Man ]
KANSAS !
495
00:45:31,496 --> 00:45:35,133
KANSAS !
WE'RE IN KANSAS !
496
00:45:35,200 --> 00:45:37,869
[ Man ]
DON'T STOP.
I GOT ALIMONY PAYMENTS !
497
00:45:37,936 --> 00:45:42,340
KANSAS.
[ All Exclaiming ]
498
00:45:42,407 --> 00:45:44,876
LET'S HAVE
A PARTY.
IT'S MY FIRST TIME.
499
00:45:44,943 --> 00:45:48,213
[ All Chattering ]
500
00:45:49,280 --> 00:45:52,283
WAIT A MINUTE !
WAIT A MINUTE !
501
00:45:52,350 --> 00:45:54,752
KANSAS ! THE LAND
OF DOROTHY AND TOTO !
502
00:45:54,820 --> 00:45:58,689
[ Woman ]
I'M THE GOOD
WITCH OF THE WEST.
503
00:45:58,756 --> 00:46:02,693
* WE'RE IN THE LAND
OF CHARLIE 'BIRD' PARKER !
[ Horn Blasts ] *
504
00:46:02,760 --> 00:46:07,432
MAN, WE ARE IN KANSAS !
WEST OF THE MISSISSIPPI !
505
00:46:07,498 --> 00:46:10,168
I WANT A MOMENT'S
SILENCE HERE.
506
00:46:10,235 --> 00:46:12,904
[ All Booing, Chattering ]
507
00:46:12,971 --> 00:46:14,906
A MOMENT'S SILENCE !
508
00:46:23,849 --> 00:46:27,585
I THINK IT'S TIME
I GO ALONE.
509
00:46:27,652 --> 00:46:30,488
WAIT !
WHAT ABOUT THE CAR ?
510
00:46:30,555 --> 00:46:32,523
IT'S YOURS.
511
00:46:32,590 --> 00:46:36,661
COME ON !
THANK YOU, SON !
[ Laughs ]
512
00:46:38,763 --> 00:46:40,932
IT'S STOLEN !
513
00:46:40,999 --> 00:46:43,168
[ All Exclaiming ]
514
00:46:43,234 --> 00:46:45,370
LET ME OUT !
515
00:46:45,436 --> 00:46:47,372
[ Woman ]
OH, MY GOD.
516
00:46:51,276 --> 00:46:53,544
FOR SALE.
517
00:46:53,611 --> 00:46:58,549
* [ Band: Jazz ]
518
00:47:30,248 --> 00:47:32,183
YOU WANT A JOB ?
519
00:47:38,789 --> 00:47:40,558
I WANT YOU.
520
00:47:45,030 --> 00:47:47,632
WE'VE GOT A JOB
WASHING DISHES.
WANT IT ?
521
00:47:48,900 --> 00:47:50,835
SURE.
522
00:47:51,769 --> 00:47:56,674
* DARLING, YOU SEND ME
523
00:47:56,741 --> 00:47:59,911
* I KNOW YOU
524
00:47:59,978 --> 00:48:02,213
* SEND ME
525
00:48:02,280 --> 00:48:06,651
* DARLING, YOU SEND ME
526
00:48:06,717 --> 00:48:09,087
* HONEST YOU DO
HONEST YOU DO
527
00:48:09,154 --> 00:48:12,657
* HONEST YOU DO
OHH
528
00:48:12,723 --> 00:48:16,461
* YOU THRILL ME
529
00:48:16,527 --> 00:48:19,697
* I KNOW YOU, YOU, YOU
530
00:48:19,764 --> 00:48:21,699
* THRILL ME
531
00:48:21,766 --> 00:48:25,203
* DARLING, YOU, YOU, YOU
532
00:48:25,270 --> 00:48:27,973
* THRILL ME
HONEST YOU DO *
533
00:48:28,039 --> 00:48:31,009
WILL YOU BE BACK TOMORROW ?
534
00:48:31,076 --> 00:48:34,345
NO.
WHERE WILL YOU BE ?
535
00:48:37,215 --> 00:48:39,817
THIS IS REALLY KANSAS.
536
00:48:39,884 --> 00:48:42,220
IS EVERYTHING
UP TO DATE HERE ?
537
00:48:42,287 --> 00:48:44,355
IS WILBERT HARRISON
GONNA COME HERE ?
538
00:48:44,422 --> 00:48:46,357
IS IT CORNY ?
IS KANSAS CORNY ?
539
00:48:46,424 --> 00:48:49,260
ARE YOU CORNY ?
DO YOU BELIEVE IN LOVE ?
540
00:48:49,327 --> 00:48:51,296
YES.
541
00:48:51,362 --> 00:48:55,233
YEAH ? WHICH ?
CORNY, HARRISON, LOVE ?
542
00:48:55,300 --> 00:48:56,534
YES.
543
00:48:58,003 --> 00:48:59,237
SHOW ME.
544
00:49:04,042 --> 00:49:05,977
WHAT IS THIS ?
545
00:49:07,745 --> 00:49:10,415
CORN.
CORN !
546
00:49:10,481 --> 00:49:14,185
MMM.
CORN COMES IN A LITTLE
WHITE BOX FROM BIRDSEYE.
547
00:49:14,252 --> 00:49:17,222
[ Train Whistle Blowing ]
CORN ?
548
00:49:17,288 --> 00:49:19,224
KANSAS IS CORNY !
549
00:49:21,626 --> 00:49:23,794
CAN YOU EAT IT ?
YEAH.
550
00:49:23,861 --> 00:49:27,498
CAN YOU SMOKE IT, CAN YOU
DRINK IT, CAN YOU LIE IN IT ?
551
00:49:28,566 --> 00:49:31,602
SURE.
THEN LIE IN IT
WITH ME.
552
00:49:31,669 --> 00:49:33,704
ARE YOU CRAZY ?
YEAH.
I'M CRAZY.
553
00:49:33,771 --> 00:49:37,242
I'M CRAZY IN LOVE
WITH YOUR BLUE EYES...
554
00:49:37,308 --> 00:49:39,777
AND YOUR CORN-SILKED HAIR.
555
00:49:41,179 --> 00:49:43,114
YOUR CORN-SILKED HAIR.
556
00:49:47,285 --> 00:49:51,589
I'LL NEVER EAT CORN AGAIN
WITHOUT THINKING ABOUT YOU.
557
00:49:51,656 --> 00:49:54,259
CANNED CORN, CANDY CORN,
558
00:49:54,325 --> 00:49:56,827
POPCORN, CRACKERJACKS.
559
00:49:56,894 --> 00:49:59,197
YOU'RE THE PRIZE IN MY BOX !
560
00:49:59,264 --> 00:50:01,832
AND MY BOX IS THIS COUNTRY.
561
00:50:02,900 --> 00:50:06,804
ALL TINFOIL ON THE OUTSIDE.
562
00:50:06,871 --> 00:50:10,508
CORN AND SWEETNESS
ON THE INSIDE.
563
00:50:11,909 --> 00:50:15,413
COME WANDER THE COUNTRY
WITH ME.
564
00:50:15,480 --> 00:50:18,049
I CAN'T.
565
00:50:18,116 --> 00:50:20,051
CAN'T ?
566
00:50:22,019 --> 00:50:24,222
NIGHT AFTER NIGHT
UNDER THE STARS.
567
00:50:24,289 --> 00:50:28,226
DID YOU KNOW THEM STARS
TRAVEL ALL THE WAY FROM HERE
TO CALIFORNIA ?
568
00:50:28,293 --> 00:50:31,896
CLEAR BLUE WATER,
WHITE SAND.
569
00:50:35,333 --> 00:50:37,668
ARE YOU GOING
TO CALIFORNIA ?
570
00:50:37,735 --> 00:50:38,969
YEAH.
571
00:50:40,004 --> 00:50:41,972
WILL YOU BE HERE
TOMORROW ?
572
00:50:43,474 --> 00:50:45,410
NO.
573
00:50:46,777 --> 00:50:50,381
THEN... THIS IS
YOUR NIGHT FOR KANSAS.
574
00:50:51,449 --> 00:50:53,918
YEAH.
575
00:50:56,454 --> 00:50:59,357
* [ Harmonica, Guitar ]
576
00:51:06,397 --> 00:51:09,967
* [ "This Train" ]
577
00:51:15,440 --> 00:51:17,542
* [ Plays Note ]
578
00:51:22,513 --> 00:51:25,850
* [ Continues ]
579
00:51:45,436 --> 00:51:47,605
* THIS TRAIN DONE CARRIED
MY MOTHER
580
00:51:47,672 --> 00:51:50,641
* WELL, THIS TRAIN
581
00:51:50,708 --> 00:51:53,344
* THIS TRAIN DONE CARRIED
MY MOTHER
582
00:51:53,411 --> 00:51:56,947
* WELL, THIS TRAIN
583
00:51:57,014 --> 00:51:59,384
* THIS TRAIN
SHE'S BOUND FOR GLORY
584
00:51:59,450 --> 00:52:02,453
* IF YOU WANT TO GET TO HEAVEN
WELL, YOU GOT TO BE HOLY
585
00:52:02,520 --> 00:52:04,889
* THIS TRAIN
SHE'S BOUND FOR GLORY
586
00:52:04,955 --> 00:52:07,792
* WELL, THIS TRAIN
587
00:52:09,059 --> 00:52:13,398
HEY, DiNOBLE.
WHAT ARE YOU DOIN' ?
588
00:52:13,464 --> 00:52:16,334
THINKIN'.
THINKIN' OF WHAT ?
589
00:52:16,401 --> 00:52:18,336
[ Distant Siren Wailing ]
CLEAN THOUGHTS.
590
00:52:18,403 --> 00:52:21,172
THEN HOW COME MY DISHES
ARE DIRTY ?
591
00:52:22,973 --> 00:52:25,476
DIRTY ?
DIRTY.
592
00:52:25,543 --> 00:52:27,778
THEM POOR, DUMB
LITTLE BASTARDS.
593
00:52:27,845 --> 00:52:31,349
THEY NEVER LEARNED THE POWER
OF POSITIVE THOUGHT.
594
00:52:31,416 --> 00:52:34,519
I THOUGHT YOU SAID
YOU WAS A DISH WASHER.
595
00:52:34,585 --> 00:52:37,822
I'M A DISH WASHER.
596
00:52:37,888 --> 00:52:39,824
I A-A-A-M...
597
00:52:39,890 --> 00:52:42,627
A DISH WASHER.
598
00:52:42,693 --> 00:52:47,498
MY HANDS
IS PERMANENTLY PUCKERED.
599
00:52:52,337 --> 00:52:54,939
BUT YOU KNOW WHAT ?
600
00:52:55,005 --> 00:52:57,308
THE THRILL IS GONE.
601
00:52:57,375 --> 00:52:59,510
THAT'S WHAT HAPPENS
WHEN YOU TURN PRO.
602
00:52:59,577 --> 00:53:02,747
EVEN THAT FIRST BATCH
OF SUDS,
603
00:53:02,813 --> 00:53:05,483
THAT FIRST
SPRAYING OF PALMOLIVE
OVER TROUBLED WATERS,
604
00:53:05,550 --> 00:53:09,654
THAT FIRST PLUNGE
THROUGH THE FOAM,
605
00:53:09,720 --> 00:53:14,492
THAT FIRST HOPEFUL FISH FOR A
DISH-- IT IS GONE, CHARLEY.
606
00:53:14,559 --> 00:53:16,494
IT IS GONE.
607
00:53:16,561 --> 00:53:18,629
[ Sighs ]
608
00:53:18,696 --> 00:53:21,999
AND I THINK IT'S TIME...
609
00:53:22,066 --> 00:53:24,001
THAT I'M MOVIN' ON.
610
00:53:25,135 --> 00:53:27,938
WHERE ? WHERE ARE YOU
GONNA GO, TONY ?
611
00:53:28,005 --> 00:53:29,774
WEST ! WEST !
612
00:53:29,840 --> 00:53:33,043
WHERE ELSE CAN A MAN GO
THAT NEEDS ELBOW ROOM ?
613
00:53:33,110 --> 00:53:35,980
AND WHAT THE HELL DO YOU
NEED ELBOW ROOM FOR ?
614
00:53:36,046 --> 00:53:39,049
I'M THINKIN' OF TAKIN' UP
THE ACCORDION.
615
00:53:39,116 --> 00:53:41,852
HEY, YOU'RE NOT GONNA MAKE
IT IN THIS BUSINESS, TONY.
616
00:53:41,919 --> 00:53:45,390
YOU CAN'T SING.
YOU PLAY GUITAR LIKE A DUCK.
617
00:53:45,456 --> 00:53:50,328
THAT'S 'CAUSE MY HANDS
IS PERMANENTLY PUCKERED.
618
00:53:50,395 --> 00:53:53,998
AND ANYWAY,
THIS IS CALIFORNIA.
619
00:53:54,064 --> 00:53:56,767
THERE AIN'T NO FURTHER WEST
TO GO.
620
00:54:07,278 --> 00:54:10,681
* ALL THE LEAVES ARE BROWN
ALL THE LEAVES
ARE BROWN
621
00:54:10,748 --> 00:54:15,920
* AND THE SKY IS GRAY
AND THE SKY IS GRAY
622
00:54:15,986 --> 00:54:19,256
* I'VE BEEN FOR A WALK
I'VE BEEN FOR A WALK
623
00:54:19,324 --> 00:54:24,028
* ON A WINTER'S DAY
ON A WINTER'S DAY
624
00:54:24,094 --> 00:54:26,030
* I'D BE SAFE AND WARM
I'D BE SAFE AND WARM
625
00:54:27,965 --> 00:54:32,703
* IF I WAS IN L.A.
[ Harmonica ]
626
00:54:32,770 --> 00:54:35,673
* CALIFORNIA DREAMIN'
627
00:54:50,855 --> 00:54:53,924
HEY, MAN.
HEY ! MAN !
628
00:54:53,991 --> 00:54:56,927
WHERE'D YOU GET
THAT STUFF ?
629
00:54:56,994 --> 00:55:01,466
FROM A HOBO ON A TRAIN.
YEAH ?
YOU GOT SOME MORE OF IT ?
630
00:55:01,532 --> 00:55:04,068
THAT'S ALL HE TAUGHT ME.
631
00:55:04,134 --> 00:55:06,604
WELL, COME ON UP
ANYWAY.
632
00:55:06,671 --> 00:55:08,606
[ Giggling ]
633
00:55:15,279 --> 00:55:17,915
HI.
HELLO.
634
00:55:17,982 --> 00:55:20,918
HEY. COME ON OVER
AND SIT DOWN.
635
00:55:20,985 --> 00:55:23,954
YEAH.
HOW YOU DOIN' ?
636
00:55:24,021 --> 00:55:27,592
HEY. TRY SOME OF THIS ?
DID YOU EVER GET HIGH BEFORE ?
637
00:55:27,658 --> 00:55:31,161
ONLY WHEN I CAN
AFFORD IT.
HOW OFTEN IS THAT ?
638
00:55:31,228 --> 00:55:33,631
[ Coughs ]
UH, NEVER.
639
00:55:33,698 --> 00:55:37,334
HEY, YOU THINK YOU CAN FIND
THAT HOBO ?
HUH ?
640
00:55:37,402 --> 00:55:40,671
YOU SING ?
NO.
641
00:55:40,738 --> 00:55:44,909
YOU PLAY GUITAR ?
NO.
642
00:55:44,975 --> 00:55:47,344
EVERYBODY PLAYS GUITAR,
MAN.
643
00:55:47,412 --> 00:55:49,947
EVERYBODY PLAYS
THE GUITAR.
644
00:55:50,014 --> 00:55:52,883
HEY, MAN.
WELL, WHAT DO YOU DO ?
645
00:55:52,950 --> 00:55:55,352
I WRITE SONGS.
[ Man ]
ALL RIGHT !
646
00:55:55,420 --> 00:55:57,354
[ Man ]
WORDS OR MUSIC ?
647
00:55:57,422 --> 00:56:00,157
WORDS, WORDS.
I DON'T KNOW NOTHIN'
ABOUT NO MUSIC.
648
00:56:00,224 --> 00:56:03,861
WE CAN SEE THAT.
WHY DON'T YOU
BRING SOME OVER ?
649
00:56:05,329 --> 00:56:08,332
ALL RIGHT.
I GOT 'EM AT HOME.
650
00:56:08,399 --> 00:56:11,168
WHERE'S THAT ?
NORTH BEACH.
651
00:56:11,235 --> 00:56:15,105
NORTH BEACH ? NOBODY LIVES
IN NORTH BEACH ANYMORE.
652
00:56:16,106 --> 00:56:18,576
NOBODY LIVES
IN NORTH BEACH.
653
00:56:18,643 --> 00:56:21,712
RUN ON OUT AND GET 'EM.
BRING 'EM OVER.
654
00:56:21,779 --> 00:56:25,750
YEAH. IT'LL TAKE ME A WHILE,
'CAUSE I GOTTA WALK.
655
00:56:25,816 --> 00:56:27,918
WALK ?
[ Laughs ]
YOU GOTTA WALK ?
656
00:56:29,654 --> 00:56:33,090
HEY. HEY, HEY.
657
00:56:35,259 --> 00:56:37,828
TAKE THE BUS.
658
00:56:37,895 --> 00:56:39,830
[ Giggles ]
659
00:56:43,167 --> 00:56:45,335
ALL RIGHT.
660
00:56:45,402 --> 00:56:48,372
* [ Folk Riff ]
661
00:56:59,950 --> 00:57:01,886
* [ Continues ]
662
00:57:10,828 --> 00:57:16,300
* [ Female Vocalist ]
WELL, IT AIN'T NO USE
TO SIT AND WONDER WHY, BABE
663
00:57:16,366 --> 00:57:20,037
* IF YOU DON'T KNOW BY NOW
[ Mouthing Words ]
664
00:57:20,104 --> 00:57:24,909
* AND IT AIN'T NO USE
TO SIT AND WONDER WHY, BABE
665
00:57:24,975 --> 00:57:28,212
* IT'LL NEVER DO, SOMEHOW
666
00:57:28,278 --> 00:57:30,981
* WHEN THE ROOSTER CROWS
667
00:57:31,048 --> 00:57:34,451
* AT THE BREAK OF DAWN
668
00:57:34,519 --> 00:57:39,089
* LOOK OUT YOUR WINDOW
AND I'LL BE GONE
669
00:57:39,156 --> 00:57:43,828
* YOU'RE THE REASON
I'M TRAVELIN' ON
670
00:57:43,894 --> 00:57:46,664
* DON'T THINK TWICE
IT'S ALL RIGHT
671
00:57:55,773 --> 00:58:00,911
* OH, WHERE HAVE YOU BEEN
MY BLUE-EYED SON
672
00:58:00,978 --> 00:58:05,850
* WHERE HAVE YOU BEEN
MY DARLING YOUNG ONE
673
00:58:05,916 --> 00:58:09,319
* I STUMBLED AND I CRAWLED
ON SIX CROOKED HIGHWAYS
674
00:58:09,386 --> 00:58:13,791
* WALKED IN A--
OH, COME ON ! COME ON ! *
675
00:58:13,858 --> 00:58:15,860
COME ON, YOU GUYS.
676
00:58:15,926 --> 00:58:18,963
EVERYTHING IN THE WORLD
IS POSSIBLE.
677
00:58:19,029 --> 00:58:22,132
AND WE'RE JUST SITTIN' HERE
DOIN' NOTHING.
678
00:58:22,199 --> 00:58:24,935
[ Guitar Player ]
FRANKIE, WE'RE DOING FINE,
HONEY. JUST FINE.
679
00:58:25,002 --> 00:58:27,672
"FINE" ?
I DON'T WANNA HEAR FINE.
680
00:58:27,738 --> 00:58:30,808
YOU DON'T MAKE IT
ON FINE.
681
00:58:30,875 --> 00:58:33,844
NOBODY CARES ABOUT FINE.
682
00:58:33,911 --> 00:58:37,615
EVERYTHING'S GOTTA BE PERFECT.
AND THIS IS OUR SHOT.
683
00:58:37,682 --> 00:58:41,418
IT'S JUST A GIG, LADY.
IT'S JUST ONE MORE GIG.
684
00:58:41,485 --> 00:58:45,355
IT'S NOT JUST A GIG !
THIS IS OUR TIME.
685
00:58:45,422 --> 00:58:48,025
THIS IS OUR TIME, GUYS,
686
00:58:48,092 --> 00:58:51,696
AND IT'S SLIPPIN'
RIGHT THROUGH OUR FINGERS.
687
00:59:02,539 --> 00:59:05,610
HEY, TONY, YOU GOT
ANY MORE OF THIS ?
688
00:59:07,511 --> 00:59:09,614
TONY !
689
00:59:09,680 --> 00:59:11,616
HEY, HE'S WORKIN'
ON A SONG.
690
00:59:11,682 --> 00:59:14,184
I'D LIKE TO GET
THIS ONE RIGHT FIRST.
691
00:59:16,286 --> 00:59:18,989
YOU GOT
ANY MORE OF THIS ?
SURE.
692
00:59:20,057 --> 00:59:21,992
THANKS.
693
00:59:28,098 --> 00:59:30,034
LIKE TO TRY IT AGAIN ?
694
00:59:30,100 --> 00:59:33,370
*
695
00:59:33,437 --> 00:59:37,241
* OH, WHERE HAVE YOU BEEN
MY BLUE-EYED SON
696
00:59:38,676 --> 00:59:43,180
* WHERE HAVE YOU BEEN
MY DARLING YOUNG ONE *
697
00:59:43,247 --> 00:59:46,751
THE WORDS
DON'T FIT NOW.
[ Woman ] FUCK THE WORDS.
698
00:59:46,817 --> 00:59:50,354
THE WORDS DON'T MATTER.
OKAY, LET'S TRY IT
A LITTLE FASTER.
699
00:59:50,420 --> 00:59:54,291
* [ Piano ]
WHERE HAVE YOU BEEN
MY BLUE-EYED SON
700
00:59:54,358 --> 00:59:57,828
* WHERE HAVE YOU BEEN
MY DARLING YOUNG ONE
701
00:59:57,895 --> 01:00:01,165
* WHEN THE TRUTH IS FOUND
702
01:00:01,231 --> 01:00:05,636
* TO BE LIES
703
01:00:05,703 --> 01:00:08,505
* YOU KNOW THE JOY
704
01:00:08,572 --> 01:00:12,509
* WITHIN YOU LIES
705
01:00:12,576 --> 01:00:16,113
* DON'T YOU WANT
SOMEBODY TO LOVE
706
01:00:16,180 --> 01:00:19,850
* DON'T YOU NEED
SOMEBODY TO LOVE
707
01:00:19,917 --> 01:00:23,620
* WOULDN'T YOU LOVE
SOMEBODY TO LOVE
708
01:00:23,688 --> 01:00:28,726
* YOU BETTER FIND
SOMEBODY TO LOVE
709
01:00:28,793 --> 01:00:32,096
* LOVE
710
01:00:37,401 --> 01:00:40,604
* WHEN THE GARDEN FLOWS
711
01:00:40,671 --> 01:00:44,408
* BABY, AGAIN
712
01:00:44,474 --> 01:00:48,512
* YES, AND YOUR MIND
YOUR MIND
713
01:00:48,578 --> 01:00:50,514
* IS SO FAR ADRIFT
714
01:00:52,249 --> 01:00:55,720
* DON'T YOU WANT
SOMEBODY TO LOVE
715
01:00:55,786 --> 01:00:59,523
* DON'T YOU NEED
SOMEBODY TO LOVE
716
01:00:59,589 --> 01:01:03,360
* WOULDN'T YOU LOVE
SOMEBODY TO LOVE
717
01:01:03,427 --> 01:01:07,798
* YOU BETTER FIND
SOMEBODY TO LOVE
718
01:01:07,865 --> 01:01:11,135
* YOUR EYES
I SEE YOUR EYES
719
01:01:11,201 --> 01:01:13,971
* THEY LOOK LIKE HIS
720
01:01:14,038 --> 01:01:16,240
* YEAH, BUT IN YOUR HEAD
721
01:01:16,306 --> 01:01:20,077
* BABY, I'M AFRAID YOU
DON'T KNOW WHERE IT IS
722
01:01:21,712 --> 01:01:25,249
* DON'T YOU WANT
SOMEBODY TO LOVE
723
01:01:25,315 --> 01:01:29,219
* DON'T YOU NEED
SOMEBODY TO LOVE
724
01:01:29,286 --> 01:01:33,123
* WOULDN'T YOU LOVE
SOMEBODY TO LOVE
725
01:01:33,190 --> 01:01:37,527
* YOU BETTER FIND
SOMEBODY TO LOVE
726
01:01:37,594 --> 01:01:39,997
* [ Guitar Riff ]
727
01:01:40,064 --> 01:01:43,500
HEY, MAN.
WHAT'S IN THIS PUNCH ?
728
01:01:43,567 --> 01:01:46,403
WHAT'S IN THIS PUNCH, MAN ?
LITTLE WATER,
729
01:01:46,470 --> 01:01:49,306
LITTLE SUGAR
AND RED DYE NUMBER TWO.
730
01:01:49,373 --> 01:01:52,442
OH, NO, MAN.
THERE'S SOMETHIN' IN IT.
731
01:01:52,509 --> 01:01:54,678
THERE'S SOMETHIN' IN IT.
TRY IT.
OH, MAN.
732
01:02:07,992 --> 01:02:10,795
[ Shrieking ]
FRANKIE !
733
01:02:10,861 --> 01:02:13,363
FRANKIE !
734
01:02:15,065 --> 01:02:18,068
COME ON.
YOU GOTTA BE UP THERE.
ENCORE !
735
01:02:18,135 --> 01:02:22,472
THAT'S WHERE YOU BELONG.
THAT'S WHERE YOU SHOULD BE,
NOT OUT OF IT.
736
01:02:22,539 --> 01:02:26,811
[ Crowd Screaming,
Whistling ]
737
01:02:57,908 --> 01:03:01,946
HEY, MAN,
HOW DO YOU FEEL ?
LIKE A FUCKIN' M&M.
738
01:03:02,012 --> 01:03:06,683
- AN M&M ?
- YEAH. DIG MY THIN
CANDY SHELL.
739
01:03:06,750 --> 01:03:10,320
THEY GOT GOOD STUFF
IN THIS PLACE, MAN ?
YEAH, IT'S THE GREATEST.
740
01:03:10,387 --> 01:03:14,424
HEY ! HEY, GUYS !
DID YOU SEE CASHBOX ?
741
01:03:14,491 --> 01:03:17,828
HAVE YOU SEEN BILLBOARD ?
OUR ALBUM IS NUMBER ONE !
742
01:03:17,895 --> 01:03:22,232
ALL RIGHT !
WE'RE GONNA BE RICH,
AND WE'RE GONNA BE FAMOUS.
743
01:03:22,299 --> 01:03:25,235
WE'RE RICH ALREADY !
YEAH, THAT'S RIGHT.
WE'RE RICH ALREADY.
744
01:03:25,302 --> 01:03:28,638
WE GOT A $5,000 ADVANCE
ON OUR NEXT ALBUM.
745
01:03:28,705 --> 01:03:31,608
SO GUESS WHAT ?
WE BOUGHT YOU A PRESENT.
746
01:03:31,675 --> 01:03:35,645
WHAT IS IT, A SUITCASE ?
YOU WANT ME TO SPLIT ?
747
01:03:35,712 --> 01:03:38,382
NO ! IT'S A TYPEWRITER !
748
01:03:38,448 --> 01:03:40,750
AN ELECTRIC TYPEWRITER.
LOOK.
749
01:03:47,091 --> 01:03:50,127
* LOOK. SEE ?
[ Humming ]
[ Keys Clattering ] *
750
01:03:51,795 --> 01:03:53,763
YOU CAN WRITE
YOUR SONGS.
751
01:03:55,165 --> 01:03:57,101
IT'S NICE.
752
01:04:00,470 --> 01:04:02,940
WAS THERE SOMETHIN'
YOU WANTED MORE, TONY ?
753
01:04:05,375 --> 01:04:09,146
* [ Guitar ]
PEOPLE ARE STRANGE
754
01:04:09,213 --> 01:04:11,215
* WHEN YOU'RE
A STRANGER
NICKY !
755
01:04:11,281 --> 01:04:15,485
* HEY ! IT'S TONY.
YEAH, YEAH.
[ Music Continues ] *
756
01:04:15,552 --> 01:04:19,089
UH, YEAH, WELL, I JUST
GOT OUT, MAN. YEAH.
757
01:04:19,156 --> 01:04:21,225
WELL, THEY LEFT ME BEHIND.
758
01:04:21,291 --> 01:04:24,761
I DON'T KNOW.
WHAT THE HELL DIFFERENCE
DOES IT MAKE ?
759
01:04:24,828 --> 01:04:28,598
YEAH, I KNOW
THEY'RE DOIN' GREAT.
YEAH, THE ALBUM TOO.
760
01:04:28,665 --> 01:04:30,935
YEAH, GOLD, HUH ?
761
01:04:31,001 --> 01:04:34,171
UH, THE THING IS, MAN, UH,
762
01:04:35,739 --> 01:04:38,442
YOU-- YOU GOT ANY DOPE ?
763
01:04:38,508 --> 01:04:41,511
ANYTHING AT ALL, MAN.
JUST ANYTHING AT ALL.
764
01:04:43,813 --> 01:04:45,782
YOU GOT ANY SMACK ?
765
01:04:45,849 --> 01:04:49,954
* WHEN YOU'RE A STRANGER
FACES LOOK UGLY
YEAH.
766
01:04:50,020 --> 01:04:52,356
* WHEN YOU'RE ALONE
YEAH, IT'S PRETTY BAD...
767
01:04:52,422 --> 01:04:56,293
* WOMEN SEEM WICKED
WHEN YOU'RE UNWANTED
PAIN.
768
01:04:56,360 --> 01:04:59,629
* STREETS ARE UNEVEN
WHEN YOU'RE DOWN
769
01:05:15,545 --> 01:05:18,182
* WHEN YOU'RE STRANGE
770
01:05:18,248 --> 01:05:21,585
* FACES COME OUT
OF THE RAIN
771
01:05:21,651 --> 01:05:24,321
* WHEN YOU'RE STRANGE
772
01:05:24,388 --> 01:05:27,157
* NO ONE REMEMBERS
YOUR NAME
773
01:05:27,224 --> 01:05:30,294
* WHEN YOU'RE STRANGE
774
01:05:30,360 --> 01:05:33,463
* NO ONE REMEMBERS
YOUR NAME
775
01:05:33,530 --> 01:05:35,799
* WHEN YOU'RE STRANGE
776
01:05:35,865 --> 01:05:38,035
* WHEN YOU'RE STRANGE
777
01:05:38,102 --> 01:05:41,205
* WHEN YOU'RE STRANGE
778
01:05:41,271 --> 01:05:47,244
*
779
01:05:47,311 --> 01:05:49,679
* WOULD YOU LIKE TO RIDE
780
01:05:49,746 --> 01:05:53,417
* IN MY BEAUTIFUL BALLOON
781
01:05:53,483 --> 01:05:58,488
* WOULD YOU LIKE TO RIDE
IN MY BEAUTIFUL BALLOON
782
01:05:58,555 --> 01:06:02,592
* [ Muffled ]
WE CAN FLOAT AMONG
THE STARS TOGETHER
783
01:06:02,659 --> 01:06:04,594
* YOU AND I
[ Music Fades ] *
784
01:06:04,661 --> 01:06:07,164
[ Producer ]
ALL RIGHT, I WANT EVERYBODY
OUT OF THIS STUDIO.
785
01:06:07,231 --> 01:06:10,034
HEY, WHAT'D
YOU STOP FOR ?
I WAS DOIN' GREAT.
786
01:06:10,100 --> 01:06:13,037
[ Laughing ]
HEY, FRANKIE, LAY OFF
THAT GODDAMNED BOTTLE.
787
01:06:13,103 --> 01:06:17,374
HEY ! SHOVE IT, MAN.
YOU KNOW WHAT I MEAN ?
[ Bottle Crashing ]
788
01:06:17,441 --> 01:06:19,376
[ Door Opening ]
789
01:06:20,644 --> 01:06:22,779
THIS IS NOT MY SONG.
790
01:06:22,846 --> 01:06:26,583
TONY, WHAT DID YOU EXPECT ?
YOU PROMISED US SOMETHIN'
TWO MONTHS AGO.
791
01:06:26,650 --> 01:06:31,088
HEY, MAN, WHAT IS THIS SHIT ?
YOU'RE PULLIN' HOUDINI.
SHE'S PULLIN' FREAK-OUT CITY.
792
01:06:31,155 --> 01:06:34,124
WELL, IT'S
YOUR WIFE, MAN.
AW, GET OFF IT.
793
01:06:34,191 --> 01:06:38,395
THAT ONLY LASTED TWO WEEKS,
MAN. THAT CHICK'S CRAZY.
WHERE THE HELL YOU BEEN ?
794
01:06:39,729 --> 01:06:42,132
I WAS--
795
01:06:42,199 --> 01:06:44,834
I WAS MOVIN' ON,
AND THEN I COME BACK.
796
01:06:44,901 --> 01:06:49,839
YOU LOOK LIKE HELL.
WELL, I BEEN SICK, MAN.
797
01:06:49,906 --> 01:06:53,477
HEY, MAN, IF YOU
CAN'T HOLD YOUR STUFF,
DON'T USE IT.
798
01:06:59,783 --> 01:07:02,686
HEY ! HEY !
799
01:07:02,752 --> 01:07:04,821
HEY, TONY !
800
01:07:09,159 --> 01:07:12,662
[ Screaming ]
TONY ! TONY !
801
01:07:12,729 --> 01:07:14,764
WHERE THE HELL
YOU BEEN ?
802
01:07:14,831 --> 01:07:18,102
I SAID WHERE THE HELL
YOU BEEN, GODDAMN YOU !
803
01:07:18,168 --> 01:07:20,870
JESUS CHRIST !
HOW COULD YOU
DO THIS TO ME ?
804
01:07:20,937 --> 01:07:24,040
HOW COULD YOU DO THIS ?
HOW COULD YOU DO THIS ?
805
01:07:24,108 --> 01:07:27,844
WHY DID YOU DO THIS ?
DON'T YOU KNOW I'M
NOTHIN' WITHOUT YOU ?
806
01:07:32,816 --> 01:07:37,754
*
807
01:07:57,107 --> 01:07:59,909
* PURPLE HAZE ALL IN MY BRAIN
808
01:08:01,711 --> 01:08:04,548
* LATELY THINGS
DON'T SEEM THE SAME
809
01:08:06,383 --> 01:08:09,186
* ACTING FUNNY
BUT I DON'T KNOW WHY
810
01:08:10,587 --> 01:08:13,690
* EXCUSE ME
WHILE I KISS THE SKY
811
01:08:17,861 --> 01:08:21,265
* PURPLE HAZE
IS ALL AROUND
812
01:08:21,331 --> 01:08:22,966
* DON'T KNOW--
813
01:08:23,032 --> 01:08:24,701
* HEY, WHERE ARE WE, ANYWAY ?
*
814
01:08:24,768 --> 01:08:27,904
HEY, DWAYNE, MAN,
WHERE ARE WE ?
KANSAS CITY.
815
01:08:27,971 --> 01:08:30,374
WHY ?
BECAUSE IT'S NICE
TO KNOW SOMETIMES.
816
01:08:30,440 --> 01:08:32,442
HEY, JEFFREY.
817
01:08:32,509 --> 01:08:36,079
HEY, YOU REMEMBERED
TO BRING YOUR GUITAR
TONIGHT, HUH ?
818
01:08:36,146 --> 01:08:39,483
WHAT ARE WE GOIN' ON AFTER
HENDRIX FOR ? WE'RE GONNA
LOOK LIKE SHIT AFTER HIM.
819
01:08:39,549 --> 01:08:42,252
YOU'RE GONNA LOOK
JUST GREAT. YOU HEAR ME,
JOHNNY ? JUST GREAT.
820
01:08:42,319 --> 01:08:46,623
- WHY IS HE
GOING ON BEFORE US ?
- BECAUSE YOU GUYS
821
01:08:46,690 --> 01:08:52,262
BECAUSE YOU GUYS
ARE THE ONES THOSE PEOPLE
PAID MONEY TO COME AND SEE.
822
01:08:52,329 --> 01:08:56,433
HEY, KID.
HOW'D YOU GET IN HERE ?
GET OUT ! GET OUTTA HERE !
823
01:08:56,500 --> 01:09:01,104
HEY. HEY, LET
THE KID STAY, HMM ?
824
01:09:01,171 --> 01:09:03,840
HEY, FRANKIE,
YOU ALL RIGHT
OR SOMETHIN' ?
825
01:09:03,907 --> 01:09:06,042
[ Coughing ]
826
01:09:06,109 --> 01:09:09,346
HAVE I EVER
LET YOU DOWN ?
NO.
827
01:09:09,413 --> 01:09:13,016
[ Coughing ]
THEN I'M OKAY, RIGHT ?
828
01:09:13,082 --> 01:09:16,019
[ Laughing, Coughing ]
I JUST WANT YOU
TO TAKE CARE.
829
01:09:16,085 --> 01:09:20,123
I TAKE GOOD CARE
OF MY MANAGER.
830
01:09:20,190 --> 01:09:23,793
I TAKE GOOD CARE
OF THE RECORD COMPANIES.
831
01:09:23,860 --> 01:09:26,830
I TAKE GOOD CARE
OF EVERY CONNECTION...
832
01:09:26,896 --> 01:09:29,299
FROM HERE
TO THE COAST.
833
01:09:29,366 --> 01:09:33,169
I TAKE GOOD CARE.
834
01:09:33,237 --> 01:09:35,639
RIGHT ?
[ Coughing ]
835
01:09:35,705 --> 01:09:38,442
JUST WANT YOU
TO TAKE GOOD CARE
OF YOURSELF.
836
01:09:38,508 --> 01:09:41,110
WHO ?
SKIP IT.
837
01:09:43,947 --> 01:09:46,082
I LIKE LITTLE KIDS.
838
01:09:47,484 --> 01:09:51,655
LITTLE KIDS--
THEY BRING ME LUCK.
839
01:09:52,822 --> 01:09:54,924
HEY, TONY.
840
01:09:54,991 --> 01:09:57,427
REMEMBER WHEN YOU
WERE A LITTLE KID ?
841
01:09:59,062 --> 01:10:00,997
HEY. HEADS UP.
842
01:10:14,278 --> 01:10:16,212
WHERE ARE WE ?
843
01:10:16,280 --> 01:10:20,083
MAN, WE BEEN
THROUGH THAT ALREADY.
WE'RE IN KANSAS CITY.
844
01:10:20,149 --> 01:10:23,152
KANSAS ?
THIS IS KANSAS ?
845
01:10:23,219 --> 01:10:26,523
ACROSS THE RIVER.
HEY, KID,
WHAT'S YOUR NAME ?
846
01:10:26,590 --> 01:10:29,626
LITTLE PETE.
WELL, WHO'S
BIG PETE ?
847
01:10:29,693 --> 01:10:32,629
MY DAD.
WHAT'S YOUR DAD
GONNA SAY...
848
01:10:32,696 --> 01:10:35,164
ABOUT YOU HANGIN' OUT
WITH A BUNCH OF FREAKS ?
849
01:10:35,231 --> 01:10:38,702
[ Little Pete ]
I NEVER MET MY DAD.
HE'S SOME KIND OF MYSTERY.
850
01:10:42,606 --> 01:10:45,108
YOU THE ONE
WHO WRITES THE SONGS ?
851
01:10:45,174 --> 01:10:47,877
YOU COULD TEACH ME
HOW TO DO THAT.
852
01:10:49,346 --> 01:10:51,281
NO !
853
01:10:55,885 --> 01:10:59,389
HEY, KID. COME HERE.
854
01:11:02,258 --> 01:11:05,495
[ Dwayne ]
HEY, FRANKIE, YOU GOTTA SING
IN A HALF-HOUR.
855
01:11:05,562 --> 01:11:09,032
I'M GONNA SING NOW.
OKAY. SURE.
856
01:11:10,734 --> 01:11:12,936
I'M GONNA SING
TO THIS LITTLE BOY.
857
01:11:17,173 --> 01:11:19,643
EVER HEAR ABOUT "SUMMERTIME" ?
858
01:11:21,244 --> 01:11:23,179
YOU EVER GO FISHIN' ?
859
01:11:24,714 --> 01:11:27,351
NEVER BEEN FISHIN' ?
860
01:11:27,417 --> 01:11:29,753
THEY JUMP.
THE FISH-- THEY JUMP.
861
01:11:29,819 --> 01:11:32,021
*
862
01:11:32,088 --> 01:11:37,494
* FISH ARE SURE JUMPIN' NOW
863
01:11:37,561 --> 01:11:39,863
* AND THE COTTON, LORD
864
01:11:39,929 --> 01:11:43,667
* COTTON'S HIGH
865
01:11:43,733 --> 01:11:47,203
* WELL, IT'S HIGH
866
01:11:47,270 --> 01:11:52,409
* YOUR DADDY'S RICH
867
01:11:53,877 --> 01:11:59,783
* AND YOUR MA'S
SO GOOD LOOKIN', BABY
868
01:11:59,849 --> 01:12:04,821
* SHE'S LOOKIN' GOOD NOW
869
01:12:04,888 --> 01:12:09,125
* HUSH, BABY, BABY
BABY, BABY, BABY
870
01:12:10,326 --> 01:12:13,863
* NO, NO, NO, NO
DON'T YOU CRY
871
01:12:15,532 --> 01:12:21,037
* DON'T YOU CRY
872
01:13:10,019 --> 01:13:14,458
[ Screaming ]
873
01:13:22,098 --> 01:13:27,504
* ONE OF THESE MORNINGS
874
01:13:28,572 --> 01:13:31,374
* HONEY
875
01:13:31,441 --> 01:13:34,343
* NOTHING'S GOING
TO HARM YOU NOW
876
01:13:35,879 --> 01:13:40,116
* N-NO, NO-NO-NO-NO
NO-NO-NO-NO NO-NO-NO
877
01:13:40,183 --> 01:13:43,419
* N-NO, NO-NO-NO-NO
NO-NO-NO-NO NO-NO-NO
878
01:13:43,487 --> 01:13:46,089
* NO, NO, NO
NO, NO, NO, NO
879
01:13:46,155 --> 01:13:48,291
* NO, DON'T YOU CRY
880
01:14:15,318 --> 01:14:17,621
CORN FLAKES
ARE GETTIN' SOGGY.
881
01:14:17,687 --> 01:14:20,757
TONY ?
[ Kid On Street ]
HEY, BILLY ! LOOK !
882
01:14:20,824 --> 01:14:23,527
MY CORN FLAKES
IS GETTIN' SOGGY.
883
01:14:23,593 --> 01:14:26,195
[ Kid On Street ]
BILLY, LOOK. YOUR BANANA'S
TURNING BROWN TOO.
884
01:14:33,002 --> 01:14:35,805
I DIDN'T ASK YOU
TO STAY WITH ME.
885
01:14:39,976 --> 01:14:42,746
HOW COME YOU BOUGHT
CORN FLAKES, HUH ?
886
01:14:42,812 --> 01:14:46,082
I THOUGHT YOU
WAS RUNNIN' AWAY
FROM CORN FLAKES.
887
01:14:46,149 --> 01:14:48,184
I THOUGHT YOU LIKE
CORN FLAKES, TONY.
888
01:14:48,251 --> 01:14:50,186
[ Shouting ]
I HATE--
889
01:14:54,090 --> 01:14:56,092
[ Quietly ]
I HATE CORN FLAKES.
890
01:14:57,527 --> 01:15:00,029
I HATE CORN FLAKES.
891
01:15:00,096 --> 01:15:02,899
WHAT DO YOU WANT ?
A TIGER MILK COOKIE ?
892
01:15:02,966 --> 01:15:05,902
THEY'RE GOOD FOR YA.
THEY MAKE YA HEALTHY.
893
01:15:05,969 --> 01:15:10,373
WHERE YA GOIN', TONY ?
AREN'T YA GONNA FINISH
THE SONG ?
894
01:15:10,439 --> 01:15:13,409
YOU CAN'T MAKE ANY MONEY
IF YOU DON'T FINISH
THE SONG.
895
01:15:13,476 --> 01:15:17,781
[ Shouting ]
OH, DON'T YOU KNOW
I DON'T NEED NO MONEY ?
896
01:15:20,383 --> 01:15:24,153
[ Laughing ]
ALL I NEED IS LOVE.
897
01:15:36,299 --> 01:15:51,180
*
898
01:16:05,962 --> 01:16:08,264
* I'M WAITIN' FOR MY MAN
899
01:16:13,136 --> 01:16:16,539
* GOT $20 IN MY HAND
900
01:16:19,643 --> 01:16:22,946
* UP TO LEXINGTON 125
901
01:16:23,012 --> 01:16:25,248
* FEEL SICK AND DIRTY
902
01:16:28,351 --> 01:16:30,319
* I'M WAITING FOR MY MAN
903
01:16:38,795 --> 01:16:41,731
* HEY, WHITE BOY
WHAT YOU DOIN' UPTOWN
904
01:16:44,567 --> 01:16:48,571
* HEY, WHITE BOY, WHY
YOU CHASE MY WOMEN AROUND
905
01:16:52,108 --> 01:16:55,478
* PARDON ME, SIR
IT'S FURTHEST FROM MY MIND
906
01:16:55,544 --> 01:16:58,815
* I'M JUST WAITING
FOR AN EASY FRIEND OF MINE
907
01:17:00,850 --> 01:17:03,787
* I'M WAITIN' FOR MY MAN
908
01:17:05,321 --> 01:17:08,091
* FOR MY MAN
909
01:17:09,659 --> 01:17:13,697
* HERE HE COMES
HE'S ALL DRESSED IN BLACK
910
01:17:17,934 --> 01:17:20,937
* DIOR SHOES
AND A BIG STRAW HAT
911
01:17:24,640 --> 01:17:28,011
* HE'S NEVER EARLY
HE'S ALWAYS LATE
912
01:17:28,077 --> 01:17:30,914
* FIRST THING YOU LEARN IS
THAT YOU ALWAYS GOTTA WAIT
913
01:17:32,749 --> 01:17:36,585
* I'M WAITIN' FOR MY MAN
914
01:17:36,652 --> 01:17:42,525
*
915
01:17:57,941 --> 01:18:02,211
I DON'T KNOW, TONY.
I GUESS I JUST
DON'T HAVE IT.
916
01:18:02,278 --> 01:18:06,983
YOU HAD US
LIVIN' AT THE CHELSEA.
I CAN'T EVEN GET US THE "Y."
917
01:18:07,050 --> 01:18:09,853
GO BACK TO KANSAS.
918
01:18:09,919 --> 01:18:12,688
MAYBE YOU COULD LISTEN
TO WHAT I'M DOIN' SOMETIMES.
919
01:18:12,756 --> 01:18:17,260
SEE WHAT
I'M DOIN' WRONG.
GO BACK TO KANSAS.
920
01:18:17,326 --> 01:18:21,164
MAYBE, YOU KNOW,
YOU COULD PUT
SOME MAGIC ON IT.
921
01:18:23,166 --> 01:18:26,035
[ Sighs ]
GO BACK TO KANSAS.
922
01:18:26,102 --> 01:18:29,405
I CAN'T.
WHY ?
923
01:18:29,472 --> 01:18:31,407
TOO FLAT.
924
01:18:33,309 --> 01:18:36,479
TOO FLAT ?
WHAT THE HELL IS THIS,
THE HIMALAYAS ?
925
01:18:40,083 --> 01:18:43,486
EVEREST.
EVEREST.
926
01:18:43,552 --> 01:18:46,722
EVERYBODY'S GOTTA
TAKE A SHOT AT IT.
927
01:18:50,626 --> 01:18:52,896
GIMME YOUR GUITAR.
928
01:18:52,962 --> 01:18:55,832
YOU'RE GONNA PLAY IT ?
NO.
929
01:18:55,899 --> 01:18:58,734
I'M GONNA PAWN IT.
NO.
930
01:18:58,802 --> 01:19:02,238
I'M GONNA PAWN IT,
AND THEN I'M GONNA
UN-PAWN IT.
931
01:19:02,305 --> 01:19:04,974
NO !
932
01:19:05,041 --> 01:19:08,144
YOU DON'T TRUST ME ?
933
01:19:08,211 --> 01:19:12,148
- NO.
- TH-THEN WHY'D YOU
STAY WITH ME ?
934
01:19:12,215 --> 01:19:14,483
WHY THE HELL DO YOU THINK ?
935
01:19:36,639 --> 01:19:38,574
HERE.
936
01:19:41,677 --> 01:19:43,847
BELONGED TO MY FATHER.
937
01:19:44,948 --> 01:19:47,516
I'M GIVIN' IT
TO YOU.
938
01:19:47,583 --> 01:19:50,854
- WHY ?
- WHY THE HELL
DO YOU THINK ?
939
01:19:59,162 --> 01:20:02,932
HIS NAME WAS--
HIS NAME WAS
BENNY BELINSKY.
940
01:20:02,999 --> 01:20:04,934
[ Coughing ]
941
01:20:06,135 --> 01:20:08,071
I NEVER KNEW HIM.
942
01:20:10,039 --> 01:20:13,109
SUPPOSED TO BE
SOME KIND OF GENIUS
OR SOMETHIN'.
943
01:20:15,478 --> 01:20:18,614
MAYBE-- MAYBE YOU
TAKE AFTER HIM.
944
01:20:20,316 --> 01:20:22,651
NOW GIVE ME
THE GUITAR.
945
01:20:30,927 --> 01:20:34,197
NOW YOU STAY RIGHT THERE,
YOU HEAR ?
946
01:20:34,263 --> 01:20:36,632
TILL HELL
FREEZES OVER, TONY.
947
01:20:39,335 --> 01:20:41,404
TILL HELL FREEZES OVER.
948
01:20:42,671 --> 01:20:44,673
IT ALREADY DID.
949
01:20:49,545 --> 01:20:52,715
* [ "As Time Goes By" ]
950
01:21:11,935 --> 01:21:14,703
HEY, YOU LITTLE PETE ?
YEAH.
951
01:21:16,940 --> 01:21:19,342
WELL, I GOT
SOMETHIN' FOR YOU.
952
01:21:19,408 --> 01:21:22,045
HEY, HE SAID
NOT TO SELL IT ALL
IN ONE PLACE.
953
01:21:22,111 --> 01:21:24,380
OH ! AND HE SAID
TO GIVE YOU THIS.
954
01:21:26,983 --> 01:21:30,753
DID HE TELL YOU
ANYTHING ELSE ?
NO-- YEAH !
955
01:21:30,819 --> 01:21:33,322
HE SAID TO SAY,
"GOOD-BYE."
956
01:21:46,069 --> 01:21:50,006
[ Distant Siren Wailing ]
957
01:21:59,915 --> 01:22:01,917
* HELL
958
01:22:03,152 --> 01:22:05,254
* HELL IS FOR CHILDREN
959
01:22:07,156 --> 01:22:11,760
* AND YOU KNOW
THAT THEIR LITTLE LIVES
CAN BECOME SUCH A MESS
960
01:22:14,763 --> 01:22:17,533
* HELL
961
01:22:17,600 --> 01:22:21,437
* HELL IS FOR CHILDREN
962
01:22:21,504 --> 01:22:24,140
* AND YOU SHOULDN'T
HAVE TO PAY FOR YOUR LOVE
963
01:22:24,207 --> 01:22:27,476
* WITH YOUR BONES
AND YOUR FLESH
964
01:22:27,543 --> 01:22:35,018
* NO, HELL IS FOR CHILDREN
965
01:22:44,960 --> 01:22:47,496
* [ Chanting Prayer ]
966
01:22:49,665 --> 01:22:52,868
* [ Chanting Continues ]
967
01:22:58,574 --> 01:23:00,643
* HELL
968
01:23:00,709 --> 01:23:03,446
* HELL IS FOR HELL
969
01:23:03,512 --> 01:23:05,514
* HELL IS FOR HELL
970
01:23:06,582 --> 01:23:08,517
* HELL IS FOR CHILDREN
971
01:23:11,887 --> 01:23:14,257
* HELL IS FOR CHILDREN
972
01:23:31,574 --> 01:23:38,447
*
973
01:23:51,060 --> 01:24:06,008
*
974
01:24:21,124 --> 01:24:23,892
* THERE'S NO POINT IN ASKIN'
YOU'LL GET NO REPLY
975
01:24:23,959 --> 01:24:27,596
* I'M JUST GETTING IN
BUT I BARELY TRY
976
01:24:27,663 --> 01:24:30,633
* I GOT NO REASON
TO KNOW TOO MUCH
977
01:24:30,699 --> 01:24:34,603
* YOU'LL ALWAYS FIND US
978
01:24:34,670 --> 01:24:38,407
* OUT TO LUNCH
979
01:24:38,474 --> 01:24:42,010
* WE'RE SO PRETTY
OH, SO PRETTY
980
01:24:43,812 --> 01:24:46,449
* WE'RE VACANT
WE'RE SO PRETTY
981
01:24:46,515 --> 01:24:48,451
* OH, SO PRETTY
982
01:24:49,785 --> 01:24:52,054
* WE'RE VACANT
983
01:24:52,121 --> 01:24:54,590
* DON'T ASK US
WHAT WE'RE DOIN'
'CAUSE WE'RE NOT ALL THERE
984
01:24:54,657 --> 01:24:57,860
* I DON'T PRETEND
'CAUSE I DON'T CARE
985
01:24:57,926 --> 01:25:01,063
* I DON'T BELIEVE ILLUSIONS
I GOT TOO MUCH FOR REAL
986
01:25:01,130 --> 01:25:03,399
* STOP YOUR CHEAP COMMENT
987
01:25:05,234 --> 01:25:09,605
* 'CAUSE WE KNOW WHAT WE FEEL
988
01:25:09,672 --> 01:25:12,941
* WE'RE SO PRETTY
OH, SO PRETTY
989
01:25:14,177 --> 01:25:16,979
* WE'RE VACANT
WE'RE SO PRETTY
990
01:25:17,045 --> 01:25:18,981
* OH, SO PRETTY
991
01:25:20,416 --> 01:25:23,919
* WE'RE VACANT
WE'RE SO PRETTY
992
01:25:23,986 --> 01:25:26,589
* OH, SO PRETTY, YEAH
993
01:25:28,624 --> 01:25:32,728
* I KNOW
AND WE DON'T CARE
994
01:25:38,100 --> 01:25:41,069
* THERE'S NO POINT IN ASKIN'
YOU'LL GET NO REPLY
995
01:25:41,136 --> 01:25:44,207
* I JUST GET IN
BUT I BARELY TRY
996
01:25:44,273 --> 01:25:47,610
* I GOT NO REASON
TO KNOW TOO MUCH
997
01:25:47,676 --> 01:25:50,279
* YOU'LL ALWAYS FIND ME
998
01:25:51,414 --> 01:25:53,649
* OUT TO LUNCH
999
01:25:55,951 --> 01:26:00,889
* I KNOW
AND WE DON'T CARE *
1000
01:26:08,197 --> 01:26:11,300
PIZZA MAN !
WE DELIVER !
1001
01:26:11,367 --> 01:26:14,837
HEY, MUCO MAN'S HERE.
WHAT HAVE YOU GOT FOR US ?
OH, MAN, DO WE NEED YOU.
1002
01:26:14,903 --> 01:26:18,140
HEY, IF ANYBODY HAS
BLOW IN THIS TOWN,
MY MAN WILL.
1003
01:26:18,207 --> 01:26:22,445
YOU GOT THE COKE, DADDY-O ?
WHAT DO I LOOK LIKE, MAN,
A SODA FOUNTAIN ?
1004
01:26:22,511 --> 01:26:24,780
WHAT ELSE
YOU GOT THERE ?
1005
01:26:26,415 --> 01:26:27,816
SONGS.
1006
01:26:27,883 --> 01:26:29,218
YOU SCORIN' SONGS NOW TOO ?
1007
01:26:29,285 --> 01:26:31,820
GIVIN' 'EM AWAY.
A SONG AN OUNCE.
1008
01:26:31,887 --> 01:26:32,921
BY WHO ?
1009
01:26:32,988 --> 01:26:33,989
ME.
1010
01:26:34,056 --> 01:26:36,024
YOU CAN KEEP
THE SONGS, MAN.
1011
01:26:37,426 --> 01:26:40,929
I WILL KEEP
THE COKE TOO.
1012
01:26:40,996 --> 01:26:44,333
[ All Chattering ] WAIT, WAIT
DON'T GO AWAY. WAIT A SECOND.
COME BACK HERE.
1013
01:26:44,400 --> 01:26:46,335
WHAT IS IT, PETE ?
1014
01:26:46,402 --> 01:26:47,870
[ Voice Echoing ]
WHAT IS IT ?
WHAT IS IT ?
1015
01:26:49,104 --> 01:26:53,476
I HAVE BEEN RUNNIN'
AND FETCHIN'...
1016
01:26:53,542 --> 01:26:57,346
FOR YOU BUNCH OF PUNKS
FOR THREE YEARS NOW,
1017
01:26:57,413 --> 01:27:01,183
AND I DON'T WANT TO BE
NO CANDY MAN NO MORE.
1018
01:27:01,250 --> 01:27:02,718
YOU WANT MORE MONEY ?
1019
01:27:02,785 --> 01:27:04,186
IT'S NOT THE MONEY, MAN.
1020
01:27:04,253 --> 01:27:06,922
FINE. WE'LL GET
SOMEONE ELSE.
DO IT.
1021
01:27:06,989 --> 01:27:10,225
NO !
HEY, WAIT !
COME ON!
1022
01:27:10,293 --> 01:27:13,228
ALL RIGHT, PETE,
WHAT DO YOU WANT ?
1023
01:27:13,296 --> 01:27:17,833
[ Echo ] WHAT DO YOU WANT ?
I WANT YOU TO PLAY
ONE OF MY SONGS.
1024
01:27:17,900 --> 01:27:20,669
PLAY ? YOU MEAN
RECORD IT ?
DIG IT.
1025
01:27:20,736 --> 01:27:23,105
NO WAY, MAN.
1026
01:27:23,171 --> 01:27:26,742
MM-HMM.
HEY, LOOK, MAN.
1027
01:27:26,809 --> 01:27:30,078
WE'LL LISTEN TO ONE.
1028
01:27:30,145 --> 01:27:31,380
ONE ?
1029
01:27:31,447 --> 01:27:32,615
JUST ONE.
1030
01:27:34,783 --> 01:27:36,719
[ Slams Briefcase ]
OKAY.
1031
01:27:37,886 --> 01:27:39,755
OKAY.
1032
01:27:43,191 --> 01:27:45,728
PASS THEM OUT,
TURKEY.
[ Muttering ]
1033
01:27:45,794 --> 01:27:48,731
HEY, DON'T HURT YOURSELF.
1034
01:27:52,000 --> 01:27:56,104
[ Snapping Fingers ]
1035
01:27:56,171 --> 01:28:09,885
*
1036
01:28:12,421 --> 01:28:16,759
* JUST A LITTLE TOO TALL
COULD'VE USED A FEW POUNDS
1037
01:28:16,825 --> 01:28:20,496
* TIGHT PANTS, POINTS
HARDLY RENOWN
1038
01:28:20,563 --> 01:28:24,833
* SHE WAS
A BLACK-HAIRED BEAUTY
WITH BIG, DARK EYES
1039
01:28:24,900 --> 01:28:27,970
* AND POINTS ALL HER OWN
SITTIN' WAY UP HIGH
1040
01:28:33,542 --> 01:28:36,912
* WAY UP, FIRM AND HIGH
1041
01:28:36,979 --> 01:28:40,983
* OUT PAST THE CORN FIELDS
WHERE THE WOODS GOT HEAVY
1042
01:28:41,049 --> 01:28:43,486
* OUT IN THE BACKSEAT
OF MY '60 CHEVY
1043
01:28:45,020 --> 01:28:47,923
* WORKIN' ON MYSTERIES
WITHOUT ANY CLUES
1044
01:28:51,760 --> 01:28:54,463
* WORKIN' ON OUR NIGHT MOVES
1045
01:28:55,831 --> 01:28:59,234
* TRYIN' TO MAKE SOME
FRONT-PAGE DRIVE-IN NEWS
1046
01:28:59,301 --> 01:29:02,638
* WORKIN' ON OUR NIGHT MOVES
1047
01:29:02,705 --> 01:29:05,974
[ Crowd Screaming ]
1048
01:29:06,041 --> 01:29:10,078
* [ Harmonica ]
1049
01:29:25,661 --> 01:29:29,264
* AHH, ONE FOR THE MONEY
1050
01:29:29,331 --> 01:29:32,468
* TWO FOR THE SHOW
THREE TO GET READY
NOW GO, CAT, GO
1051
01:29:32,535 --> 01:29:35,904
* BUT DON'T YOU
STEP ON MY BLUE SUEDE SHOES
1052
01:29:35,971 --> 01:29:38,006
* YOU CAN DO ANYTHING
1053
01:29:38,073 --> 01:29:41,444
* BUT LAY OFF
OF MY BLUE SUEDE SHOES
1054
01:29:41,510 --> 01:29:44,012
* WELL, YOU CAN KNOCK ME DOWN
STEP ON MY FACE
1055
01:29:44,079 --> 01:29:46,582
* SLANDER MY NAME
ALL OVER THE PLACE
1056
01:29:46,649 --> 01:29:48,751
* DO ANYTHING
THAT YOU WANNA DO
1057
01:29:48,817 --> 01:29:50,919
* BUT UH-UH, HONEY
LAY OFF OF MY SHOES
1058
01:29:50,986 --> 01:29:54,690
* AND DON'T YOU
STEP ON MY BLUE SUEDE SHOES
1059
01:29:54,757 --> 01:29:58,861
* WELL, YOU CAN DO ANYTHING
BUT LAY OFF OF MY
BLUE SUEDE SHOES
1060
01:29:58,927 --> 01:30:00,896
* WELL
1061
01:30:00,963 --> 01:30:02,898
* [ Guitar Riff ]
1062
01:30:13,375 --> 01:30:18,146
*
1063
01:30:18,213 --> 01:30:20,282
ALL RIGHT !
1064
01:30:26,121 --> 01:30:29,124
* DEVIL WITH THE BLUE DRESS
BLUE DRESS ON
1065
01:30:29,191 --> 01:30:32,194
* SHE'S THE DEVIL
WITH THE BLUE DRESS ON
1066
01:30:32,260 --> 01:30:35,163
* DEVIL WITH THE BLUE DRESS
BLUE DRESS, BLUE DRESS
1067
01:30:35,230 --> 01:30:38,033
* DEVIL WITH THE BLUE DRESS ON
OH *
1068
01:30:38,100 --> 01:30:40,636
[ Crowd Screaming ]
1069
01:30:44,473 --> 01:30:47,476
* DEVIL WITH THE BLUE DRESS
BLUE DRESS, BLUE DRESS
1070
01:30:47,543 --> 01:30:50,479
* DEVIL WITH THE BLUE DRESS ON
OH
1071
01:31:00,889 --> 01:31:03,258
* I'M CRAZY
1072
01:31:03,325 --> 01:31:06,529
* CRAZY ON YOU
1073
01:31:06,595 --> 01:31:09,898
* LET ME GET CRAZY
CRAZY ON YOU
1074
01:31:12,234 --> 01:31:16,539
* CRAZY ON YOU
1075
01:31:17,339 --> 01:31:19,474
* AND YOU
1076
01:31:22,711 --> 01:31:24,647
* CRAZY
1077
01:31:28,784 --> 01:31:30,919
* OOH
1078
01:31:41,597 --> 01:31:45,167
* ALL RIGHT
ALL RIGHT
1079
01:31:57,646 --> 01:32:02,718
* LET ME GET
CRAZY ON YOU *
1080
01:32:02,785 --> 01:32:18,901
[ Crowd Screaming ]
1081
01:32:24,406 --> 01:32:28,143
* THERE'S TOO MANY PLACES
I'VE GOT TO SEE
1082
01:32:32,480 --> 01:32:37,720
* BUT IF I STAY HERE
WITH YOU, GIRL
1083
01:32:40,689 --> 01:32:44,727
* THINGS JUST COULDN'T BE
THE SAME
1084
01:32:48,697 --> 01:32:53,602
* 'CAUSE I'M AS FREE
AS A BIRD NOW
1085
01:32:57,072 --> 01:33:02,044
* AND THIS BIRD
YOU CANNOT CHANGE
1086
01:33:02,110 --> 01:33:05,047
* OH
1087
01:33:05,113 --> 01:33:09,384
* AND THE BIRD
YOU CANNOT CHANGE
1088
01:33:12,655 --> 01:33:18,593
* AND THIS BIRD
YOU CANNOT CHANGE
1089
01:33:20,228 --> 01:33:26,068
* LORD KNOWS
I CAN'T CHANGE
1090
01:33:28,170 --> 01:33:32,941
* BYE-BYE, BABY
IT'S BEEN SWEET, LOVE
1091
01:33:33,008 --> 01:33:36,011
* YEAH, YEAH
1092
01:33:36,078 --> 01:33:40,115
* OOH, THIS FEELIN'
I CAN'T CHANGE
1093
01:33:44,086 --> 01:33:48,924
* BUT PLEASE DON'T
TAKE IT SO BADLY
1094
01:33:51,860 --> 01:33:56,298
* 'CAUSE THE LORD KNOWS
I'M TO BLAME
1095
01:34:00,068 --> 01:34:06,141
* BUT IF I STAY HERE
WITH YOU, GIRL
1096
01:34:08,310 --> 01:34:12,280
* THINGS JUST COULDN'T BE
THE SAME
1097
01:34:16,051 --> 01:34:21,623
* 'CAUSE I'M AS FREE
AS A BIRD NOW
1098
01:34:24,526 --> 01:34:29,497
* AND THIS BIRD
YOU CAN NOT CHANGE
1099
01:34:29,564 --> 01:34:32,367
* OH, OH, OH, OH
1100
01:34:32,434 --> 01:34:36,705
* AND THE BIRD
YOU CANNOT CHANGE
1101
01:34:39,908 --> 01:34:46,248
* AND THIS BIRD
YOU CANNOT CHANGE
1102
01:34:47,415 --> 01:34:53,756
* LORD KNOWS
I CAN'T CHANGE
1103
01:34:54,990 --> 01:35:01,396
* LORD, HELP ME
I CAN'T CHANGE
1104
01:35:02,898 --> 01:35:07,369
* LORD, I CAN'T CHANGE
1105
01:35:07,435 --> 01:35:09,404
* WON'T YOU FLY
1106
01:35:09,471 --> 01:35:12,775
* HIGH, FREE BIRD
1107
01:35:12,841 --> 01:35:14,709
* YEAH
76350
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