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These are the user uploaded subtitles that are being translated: 1 00:00:22,156 --> 00:00:26,094 * 2 00:00:49,049 --> 00:00:52,720 * [ Orchestra: "Free Bird" ] 3 00:01:15,109 --> 00:01:19,147 * [ "As Time Goes By" ] 4 00:01:35,163 --> 00:01:39,267 * [ "You Send Me" ] 5 00:01:46,907 --> 00:01:50,077 * [ "Slaughter On Tenth Avenue" 6 00:02:10,030 --> 00:02:13,234 * [ "A String Of Pearls" ] 7 00:02:21,309 --> 00:02:25,913 * [ "I Got Rhythm" ] 8 00:02:51,572 --> 00:02:54,808 * [ "Maple Leaf Rag" ] 9 00:03:36,450 --> 00:03:40,788 * [ Man Singing Jewish Prayer Of Lament ] 10 00:04:02,476 --> 00:04:05,313 * [ Lament Continues ] 11 00:04:54,895 --> 00:04:56,330 OY ! 12 00:04:58,766 --> 00:05:01,369 * [ Continues ] 13 00:05:12,012 --> 00:05:14,948 * [ Band: "Onward, Christian Soldiers" ] 14 00:05:23,891 --> 00:05:27,060 * [ Woman ] I DON'T CARE I DON'T CARE 15 00:05:27,127 --> 00:05:30,297 * IF HE'S A CLERK OR JUST A MILLIONAIRE 16 00:05:30,364 --> 00:05:32,265 * THERE'S NO DOUBT ABOUT IT 17 00:05:32,332 --> 00:05:37,538 * I'LL SING AND I'LL SHOUT IT 'CAUSE I DON'T CARE 18 00:05:37,605 --> 00:05:40,808 * I DON'T CARE I DON'T CARE 19 00:05:40,874 --> 00:05:43,677 * WHEN IT COMES TO HAPPINESS I WANT MY SHARE 20 00:05:45,679 --> 00:05:48,281 * DON'T TRY TO REARRANGE ME 21 00:05:48,348 --> 00:05:50,884 * THERE'S NOTHING 22 00:05:50,951 --> 00:05:53,120 * CAN CHANGE ME 23 00:05:53,186 --> 00:05:56,557 * 'CAUSE I DON'T 24 00:05:56,624 --> 00:05:59,860 * CARE [ Kiss ] * 25 00:05:59,927 --> 00:06:02,530 [ Audience Cheering ] IT LOOKS BAD. IT LOOKS VERY BAD. 26 00:06:02,596 --> 00:06:05,999 LEO, LEO, I AIN'T NO STAGE SINGER, 27 00:06:06,066 --> 00:06:09,136 SO I'M NOT LOUD ENOUGH FOR YOU. 28 00:06:09,202 --> 00:06:12,339 ALL RIGHT, SO I GET UP ON THE STAGE OCCASIONALLY ! 29 00:06:13,974 --> 00:06:18,045 GET OUTTA HERE. TOWARDS THE END OF THE EVENING. 30 00:06:18,111 --> 00:06:20,581 GRANTED, THE OLD BOX AIN'T WHAT IT USED TO BE. 31 00:06:20,648 --> 00:06:23,451 BUT NO DANCING HORSES ! 32 00:06:23,517 --> 00:06:25,886 YOU EXPECT ME TO HOBBLE INTO 60 JOINTS TONIGHT ? 33 00:06:25,953 --> 00:06:28,622 I CAN'T EVEN GET THE CHORUS SLIPS OUT. 34 00:06:28,689 --> 00:06:31,459 WONDER HOW THEY'D LIKE IT IF I- 35 00:06:32,960 --> 00:06:35,729 KID, COME HERE. WANT TO MAKE A PENNY ? 36 00:06:35,796 --> 00:06:38,065 GOT ANY MORE KIDS STANDIN' AROUND OUT THERE ? 37 00:06:38,131 --> 00:06:40,067 HEY. HE CAN'T COME IN WITHOUT PAYIN'. 38 00:06:40,133 --> 00:06:43,604 HE'S GOIN' RIGHT AWAY, CHARLIE. I GOT MY ORDERS. 39 00:06:43,671 --> 00:06:46,740 HE'LL KEEP HIS EYES CLOSED. HE WON'T SEE NOTHIN'. 40 00:06:46,807 --> 00:06:52,279 HE WON'T HEAR NOTHIN'. HE'LL PAY NOTHIN' ! ALL RIGHT. 41 00:06:52,345 --> 00:06:55,716 HERE. GIVE THESE OUT TO THE CLIENTELE. 42 00:06:55,783 --> 00:07:00,320 GO ON. GIVE THOSE TO THE PEOPLE, SON. 43 00:07:00,387 --> 00:07:03,023 AND SPEEDY. THESE FOLKS GOTTA SING ALONG WITH ME. 44 00:07:03,090 --> 00:07:07,628 AND IT'S ROUGH WHEN THEY START WITH THE "DAISY" IN THE MIDDLE OF "MARIE OF SUNNY ITALY." 45 00:07:07,695 --> 00:07:09,797 AAH, LIKE THIS. 46 00:07:09,863 --> 00:07:13,634 PARDON ME, FOLKS. CHORUS SLIPS FOR THE WONDERFUL SONG THE LOVELY LILY MONTGOMERY... 47 00:07:13,701 --> 00:07:16,236 IS GONNA BE INTRODUCING IN JUST A FEW MOMENTS. 48 00:07:16,303 --> 00:07:20,708 SO AS NOT TO BE LEFT BEHIND, YOU'LL WANT TO PERUSE THESE IN ADVANCE. 49 00:07:20,774 --> 00:07:23,210 WAITER, A LIGHT HERE. 50 00:07:23,276 --> 00:07:27,648 NO NEED TO WORRY ABOUT THE NUMBER CURRENTLY ON STAGE, OURS IS FAR SUPERIOR. 51 00:07:27,715 --> 00:07:29,683 [ Laughs ] I'M SURE YOU'LL AGREE WHEN YOU HEAR IT ! 52 00:07:29,750 --> 00:07:33,020 YOU'LL FIND YOURSELF BURSTING INTO SONG AS WELL. 53 00:07:33,086 --> 00:07:37,991 IT DON'T HURT TO SWIPE THESE OTHER SLIPS THAT ARE LEFT. OUT OF SIGHT, OUT OF MIND. 54 00:07:38,058 --> 00:07:40,928 RIGHT ? HERE. GO. 55 00:07:40,994 --> 00:07:43,731 GO, GO, GO. COME ON. 56 00:07:43,797 --> 00:07:46,534 [ Imitating Showman's Patter ] BEGGING YOUR PARDON, FOLKS. 57 00:07:46,600 --> 00:07:50,671 CHORUS SLIPS FOR A WONDERFUL SONG THE LOVELY LILY MONTGOMERY... 58 00:07:50,738 --> 00:07:53,974 IS GONNA BE INTRODUCING IN JUST A FEW MINUTES. 59 00:07:54,041 --> 00:07:56,744 THE KID'S A GENIUS ! 60 00:07:56,810 --> 00:07:59,813 * [ Ragtime ] 61 00:08:57,237 --> 00:09:00,207 * [ Continues ] 62 00:09:02,610 --> 00:09:04,945 * [ Singing Along With Band ] DA, DA, DA, DA 63 00:09:05,012 --> 00:09:07,480 * LA, LA, LA, LA 64 00:09:19,059 --> 00:09:21,862 [ Coughing ] 65 00:09:21,929 --> 00:09:24,097 LOUIE. YEAH. 66 00:09:24,164 --> 00:09:27,200 YOU PROMISED THE BOY A PENNY. HMM ? 67 00:09:29,870 --> 00:09:31,471 A PENNY ? YEAH. 68 00:09:31,538 --> 00:09:35,175 YOU OUGHT TO BE GRATEFUL. GOT A RIDE IN A BRAND-NEW CAR. 69 00:09:35,242 --> 00:09:38,846 APPLE CIDER ! A TRIP INTO ALMOST EVERY JOINT IN TOWN. 70 00:09:38,912 --> 00:09:43,016 NONETHELESS, YOU PROMISED. 71 00:09:43,083 --> 00:09:45,518 AAH. PROMISED, EH ? 72 00:09:49,022 --> 00:09:50,958 HERE. 73 00:09:54,461 --> 00:09:56,730 WHAT DOES HE WANT WITH THOSE OTHER CHORUS SLIPS ? 74 00:09:56,797 --> 00:09:59,366 MUST BE STUDYING THE COMPETITION. 75 00:09:59,432 --> 00:10:01,368 IT WOULDN'T HURT YOU. 76 00:10:01,434 --> 00:10:05,272 "IT WOULDN'T HURT," HE SAYS. SO WHY AM I CRYING ? 77 00:10:05,338 --> 00:10:08,475 [ Sighs ] GOOD NIGHT, ZUNELECH. 78 00:10:08,541 --> 00:10:10,477 MAYBE WE'LL SEE YOU TOMORROW. 79 00:10:10,543 --> 00:10:12,545 NOT IF I SEE YOU FIRST. 80 00:10:12,612 --> 00:10:14,547 GET OUTTA HERE. 81 00:10:40,808 --> 00:10:43,176 [ Speaking In Russian ] 82 00:11:14,607 --> 00:11:17,577 * [ Stage Band: "Give My Regards To Broadway" ] * 83 00:11:21,715 --> 00:11:23,650 [ Audience Laughing ] 84 00:11:27,520 --> 00:11:31,591 OH, NO ! YOU GOT YOUR G'S ALL BACKWARDS ! 85 00:11:31,658 --> 00:11:36,463 LOOK AT THAT. A WHOLE ROW OF G'S BACKWARDS. LOOK. 86 00:11:36,529 --> 00:11:39,833 LITTLE TAILS GO LIKE THIS AND LIKE THAT. 87 00:11:39,900 --> 00:11:43,236 [ Laughs ] WHAT ARE YOU TALKIN' ? HE'S WRITING Q'S ! 88 00:11:43,303 --> 00:11:46,673 PERFECTLY RIGHT, PERFECTLY OKAY Q'S. 89 00:11:46,740 --> 00:11:49,576 YOU'RE WRITING Q'S, AM I RIGHT ? YOU'RE WRITING Q'S. 90 00:11:50,710 --> 00:11:53,246 WHAT ARE YOU WRITING HERE ? P'S. 91 00:11:53,313 --> 00:11:56,383 P'S ? WHO TAUGHT YOU TO WRITE P'S LIKE THAT ? 92 00:11:56,449 --> 00:11:59,386 THE DANCING HORSE. WHO TOLD YOU TO GO NEAR THE DANCING HORSE ? 93 00:11:59,452 --> 00:12:01,721 STAY AWAY FROM THE DANCING HORSE ! 94 00:12:13,566 --> 00:12:16,369 [ Lightning Zapping ] 95 00:12:16,436 --> 00:12:19,272 [ Screaming ] 96 00:12:45,899 --> 00:12:48,335 GOOD-BYE, MAMA. 97 00:12:50,137 --> 00:12:52,672 GOOD-BYE, MAMA. 98 00:12:57,845 --> 00:13:02,582 * [ Little Boy ] THERE ARE SMILES 99 00:13:02,649 --> 00:13:06,887 * THAT MAKE US HAPPY 100 00:13:06,954 --> 00:13:10,323 * THERE ARE SMILES 101 00:13:10,390 --> 00:13:12,792 * THAT MAKE US BLUE 102 00:13:17,865 --> 00:13:21,001 * [ Older Boy ] THERE ARE 103 00:13:21,068 --> 00:13:23,070 * SMILES 104 00:13:23,136 --> 00:13:26,639 * THAT MAKE US HAPPY 105 00:13:26,706 --> 00:13:31,178 * THERE ARE SMILES THE KID IS TOO OLD TO BE PLAYING JUVENILES. * 106 00:13:31,244 --> 00:13:35,015 HUMPH. OLD, BUT LITTLE. HE HAD A STUNTED YOUTH. 107 00:13:35,082 --> 00:13:37,017 WHAT IS THIS KID TO YOU ANYWAY, LOUIE ? 108 00:13:37,084 --> 00:13:39,887 HE COMES IN THE BUSINESS AND TAKES YOUR JOB AWAY. 109 00:13:39,953 --> 00:13:43,857 AND HE TOOK LOUIE EVERY PLACE HE WENT. [ Laughs ] 110 00:13:45,492 --> 00:13:48,295 THE KID'S NOTHIN' TO ME. I'M NOTHIN' TO HIM. 111 00:13:48,361 --> 00:13:50,663 IT'S MORE THAN I GOT ELSEWHERE. 112 00:13:50,730 --> 00:13:55,102 * [ Sniffles ] THERE ARE SMILES THAT HAVE THAT TENDER MEANING 113 00:13:55,168 --> 00:13:58,638 * THAT THE EYES OF LOVE ALONE HIS VOICE IS CHANGIN' ANYWAY. 114 00:13:58,705 --> 00:14:00,640 * CAN SEE SO LET IT CHANGE. * 115 00:14:00,707 --> 00:14:03,210 WHO SAYS IT'S GOTTA CHANGE BAD ? 116 00:14:03,276 --> 00:14:06,446 * AND THE SMILES THAT FILL MY LIFE MAYBE IT'LL CHANGE GOOD. 117 00:14:06,513 --> 00:14:08,781 * WITH SUNSHINE 118 00:14:08,848 --> 00:14:13,453 * ARE THE SMILES THAT YOU GIVE 119 00:14:13,520 --> 00:14:18,558 * TO ME 120 00:14:19,626 --> 00:14:22,562 * [ "Over There" ] 121 00:14:45,018 --> 00:14:46,954 [ Zalmie, Muffled ] LOUIE ? YEAH ? 122 00:14:47,020 --> 00:14:51,091 I'M 17 YEARS OLD. WHEN'S MY VOICE GONNA CHANGE ALREADY ? 123 00:14:51,158 --> 00:14:53,193 [ Louie ] IT'S CHANGIN'. IT'S CHANGIN' ! 124 00:14:53,260 --> 00:14:55,328 I KNOW IT'S CHANGIN'. 125 00:14:55,395 --> 00:14:57,430 WHEN'S IT GONNA CHANGE FOR GOOD ? 126 00:14:57,497 --> 00:15:01,401 WHAT'S YOUR RUSH ? I DON'T WANNA BE A HORSE'S ASS FOREVER. 127 00:15:02,702 --> 00:15:05,105 [ Audience Applauding ] 128 00:15:07,174 --> 00:15:10,978 [ Engines Zooming ] 129 00:15:43,110 --> 00:15:46,713 [ Coughing ] [ Louie ] ZALMIE, WHAT'S WRONG ? 130 00:16:04,297 --> 00:16:06,233 [ Chuckles ] AAH. 131 00:16:10,037 --> 00:16:11,971 SO ? 132 00:16:12,039 --> 00:16:14,741 YOUR VOICE FINALLY CHANGED, HUH ? 133 00:16:16,376 --> 00:16:19,179 THIS IS A FUNNY STORY. 134 00:16:19,246 --> 00:16:22,649 AAH. WE'RE BOTH LAUGHING, HUH ? 135 00:16:22,715 --> 00:16:25,918 [ Zalmie ] THAT'S A NICE LITTLE COUGH YOU HAVE THERE, ZALMIE. 136 00:16:25,985 --> 00:16:30,823 A LITTLE COUGH, SAYS LOUIE ? CONSUMPTION, HE'S GOT. 137 00:16:30,890 --> 00:16:33,126 [ Audience Remains Silent ] YOU AIN'T LAUGHIN'. 138 00:16:33,193 --> 00:16:35,628 WELL, YOU AIN'T LAUGHIN' 'CAUSE I AIN'T FINISHED YET. 139 00:16:35,695 --> 00:16:38,265 YOU'LL KNOW WHEN I'M FINISHED. THEN YOU'LL BE LAUGHIN'. 140 00:16:38,331 --> 00:16:40,767 IF YA AIN'T, THEN I'LL BE CRYIN'. 141 00:16:40,833 --> 00:16:42,869 THAT OUGHT TO BE GOOD FOR A FEW LAUGHS. 142 00:16:42,935 --> 00:16:46,839 EITHER WAY, YOU WIN ! AAH. 143 00:16:46,906 --> 00:16:49,509 * [ Stage Band: "Swanee" ] 144 00:16:57,284 --> 00:16:59,219 [ Audience Cheers ] 145 00:17:05,825 --> 00:17:08,761 [ Audience Cheers ] 146 00:17:14,000 --> 00:17:17,637 [ Charlie ] COME ON, MOVE IT ! AW, SHOVE IT, CHARLIE. 147 00:17:17,704 --> 00:17:20,540 AW, SHOVE IT. HEY, HURRY UP. 148 00:17:20,607 --> 00:17:24,677 COME ON ! OUT ON STAGE. MOVE IT. COME ON ! 149 00:17:33,786 --> 00:17:35,722 [ Slams ] 150 00:17:51,504 --> 00:17:53,606 [ Whooping, Cheering ] 151 00:17:54,941 --> 00:17:57,577 HEY, LOUIE. 152 00:17:57,644 --> 00:18:02,115 I JUST SEEN THE MOST BEAUTIFUL THING I EVER SEEN IN THE WORLD. 153 00:18:02,182 --> 00:18:04,184 SOME PRE-PROHIBITION BOOZE, HUH ? 154 00:18:04,251 --> 00:18:09,522 NO. I SEEN A STRIPPER GETTIN' DRESSED. 155 00:18:09,589 --> 00:18:11,524 A STRIPPER GETTIN' DRESSED AIN'T BEAUTIFUL... 156 00:18:11,591 --> 00:18:13,526 UNLESS SHE'S UGLY TO BEGIN WITH. 157 00:18:13,593 --> 00:18:17,297 SHE WAS NOT UGLY TO BEGIN WITH ! 158 00:18:17,364 --> 00:18:20,900 LOUIE, SHE WAS LIKE A ROSE. 159 00:18:20,967 --> 00:18:23,069 A ROSE. 160 00:18:23,136 --> 00:18:25,071 HOW OLD ARE YOU ANYHOW, KID ? 161 00:18:25,138 --> 00:18:27,374 ALMOST 20. HOW OLD ARE YOU ? 162 00:18:29,409 --> 00:18:31,878 NOT SO OLD. [ Spits ] 163 00:18:31,944 --> 00:18:35,081 I KNOW. WHEN WE FIRST MET I THOUGHT YOU WERE AN OLD MAN. 164 00:18:35,148 --> 00:18:39,085 NOW, OLDER I GET, YOUNGER YOU GET. 165 00:18:39,152 --> 00:18:42,689 AMAZING, AIN'T IT ? PRETTY SOON WE'LL BE THE SAME. [ Chuckles ] 166 00:18:42,755 --> 00:18:44,591 YEAH ? THEN WHAT ? 167 00:18:44,657 --> 00:18:48,795 THEN WE START CALLING ME "KID." [ Laughs ] 168 00:18:51,097 --> 00:18:53,032 * [ Stage Band ] 169 00:18:58,571 --> 00:19:00,573 YOU WANT THIS GIRL, KID ? 170 00:19:02,008 --> 00:19:05,212 SO, GO GET HER. RIGHT NOW ? 171 00:19:05,278 --> 00:19:09,949 RIGHT NOW. IF YOU WAIT, YOU'LL BE OLDER THAN BOTH OF US. GO ON. 172 00:19:10,683 --> 00:19:12,619 GO ON ! 173 00:19:14,521 --> 00:19:17,957 [ Applause ] [ Spits ] 174 00:20:51,017 --> 00:20:53,386 [ Whooping ] 175 00:20:53,453 --> 00:20:56,889 * [ Stage Band: "Anything Goes" ] 176 00:20:59,292 --> 00:21:03,863 * [ Woman ] SOMEBODY LOVES ME 177 00:21:03,930 --> 00:21:07,133 * I WONDER WHO 178 00:21:07,800 --> 00:21:10,370 * I WONDER WHO 179 00:21:10,437 --> 00:21:13,440 * HE CAN BE 180 00:21:13,506 --> 00:21:15,808 HEY, YOU CAN SING. NO, I CAN'T. 181 00:21:15,875 --> 00:21:17,810 SURE, YOU CAN. 182 00:21:17,877 --> 00:21:21,314 I KNOW VOICES. I USED TO BE A SINGER MYSELF. 183 00:21:21,381 --> 00:21:24,484 WITH THAT VOICE ? NO, NOT WITH THIS VOICE. 184 00:21:24,551 --> 00:21:29,088 I USED TO HAVE ANOTHER VOICE. I SENT IT TO THE LAUNDRY; IT COME BACK SHRUNK. 185 00:21:29,155 --> 00:21:33,460 * 186 00:21:33,526 --> 00:21:36,162 SO YOU WANT TO BE A SINGER, HUH ? NO. 187 00:21:36,228 --> 00:21:40,166 SURE YOU DO. SINGERS GET TO SIT ON PIANOS AND THINGS. 188 00:21:40,232 --> 00:21:42,669 STRIPPERS IS ALWAYS ON THEIR FEET. 189 00:21:42,735 --> 00:21:45,672 AIN'T YOU ALWAYS TELLING ME HOW YOUR TOOTSIES IS ACHIN' ? 190 00:21:45,738 --> 00:21:50,309 THAT'S BECAUSE YOU'RE STEPPIN' ON THEM. [ Chuckles ] 191 00:21:50,377 --> 00:21:54,547 HEY, KID. I'M GONNA MAKE YOU A STAR. 192 00:21:56,616 --> 00:22:01,253 SO, UH, WHAT WAS BELLA BEFORE IT WAS BELLA ? 193 00:22:01,320 --> 00:22:03,255 ANNABELLA. 194 00:22:04,491 --> 00:22:06,659 MMM. 195 00:22:10,196 --> 00:22:12,131 HERE, HERE, HERE. 196 00:22:12,198 --> 00:22:14,401 AW. AW. 197 00:22:14,467 --> 00:22:18,070 LOUIE, I WANNA MAKE THE KID A STAR, RIGHT ? 198 00:22:18,137 --> 00:22:21,441 I GOTTA GET TO KNOW THE CLUBS. I GOTTA GET TO KNOW THE BANDS. 199 00:22:21,508 --> 00:22:24,911 I CAN GET PAID AT THE SAME TIME. WHERE'S THE HEARTACHE ? 200 00:22:24,977 --> 00:22:27,680 THE HEARTACHE IS YOU COULD HAVE BEEN A STAR YOURSELF. 201 00:22:27,747 --> 00:22:29,749 OHH. YOU COULD HAVE BEEN A GREAT COMIC ! 202 00:22:29,816 --> 00:22:32,719 WHO WANTS TO LAUGH SITTIN' IN SOME SPEAK ? 203 00:22:32,785 --> 00:22:35,187 YOU GOT ONE EAR COCKED FOR THE COPS. 204 00:22:35,254 --> 00:22:38,190 UH-UH. THEY WANT A SLOW, SEXY WOMAN... 205 00:22:38,257 --> 00:22:40,527 HELPIN' THEM TO FEEL SORRY FOR THEMSELVES. 206 00:22:40,593 --> 00:22:42,529 COMICS ARE FOR KIDS. 207 00:22:45,565 --> 00:22:49,135 BESIDES, LOUIE, IT'S THE MUSIC I LOVE. 208 00:22:49,201 --> 00:22:52,905 [ Together ] IT'S THE MUSIC I LOVE. 209 00:22:53,973 --> 00:22:55,908 IT'S THE MUSIC. 210 00:22:57,777 --> 00:23:00,913 * [ Dance Band: "Charleston" ] * 211 00:23:05,051 --> 00:23:07,920 I CAN'T EVEN REMEMBER THE WORDS. 212 00:23:07,987 --> 00:23:11,057 IT'S GONNA BE A BIG SONG. YOU SHOULD TRY IT AGAIN. 213 00:23:11,123 --> 00:23:13,526 YOU THINK I'M GONNA BE A HIT ? 214 00:23:15,928 --> 00:23:19,599 DID THE BOOZE ARRIVE ? HELLO, MR. PALUMBO. 215 00:23:19,666 --> 00:23:24,437 HOW YOU DOIN', BOSS ? HEY, BAGGY PANTS. WHERE'S YOUR PARTNER, ZALMIE ? 216 00:23:24,504 --> 00:23:26,706 HE'S IN THE BACK WHERE HE ALWAYS IS. 217 00:23:26,773 --> 00:23:28,708 YEAH, I SEE HIM. 218 00:23:32,545 --> 00:23:34,614 * [ Humming ] 219 00:23:34,681 --> 00:23:37,450 YOUR GIRL'S GETTING FAT. 220 00:23:37,517 --> 00:23:39,919 PREGNANT. 221 00:23:39,986 --> 00:23:42,522 DON'T YOU THINK IT'S TIME FOR A WEDDING ? 222 00:23:42,589 --> 00:23:45,458 HOW CAN I ASK HER ? I DON'T HAVE A CENT. 223 00:23:45,525 --> 00:23:49,161 YOU SHOULD HAVE THOUGHT OF THAT BEFORE YOU GOT HER PREGNANT. 224 00:23:49,228 --> 00:23:52,865 WHO THINKS AT A TIME LIKE THAT ? WHAT DO YOU THINK ? 225 00:23:52,932 --> 00:23:55,201 CUSTOMERS ARE GONNA COME AND PAY 226 00:23:55,267 --> 00:23:57,470 TO SEE SOME PUFFED-OUT SINGER ? 227 00:23:57,537 --> 00:24:00,339 SHE AIN'T ANY FATTER THAN SOPHIE TUCKER. [ Chuckles ] 228 00:24:00,406 --> 00:24:03,476 YEAH. BUT SHE'S FAT ALL IN ONE PLACE. 229 00:24:06,212 --> 00:24:08,748 YOU WANT THE KID, OR YOU WANT THE GIRL FIXED ? 230 00:24:09,982 --> 00:24:11,884 [ Hits Table ] WE WANT THE KID. 231 00:24:11,951 --> 00:24:13,886 THEN GO GET MARRIED. 232 00:24:15,154 --> 00:24:18,124 THIS IS A WHOLESOME PLACE. 233 00:24:18,190 --> 00:24:20,927 COME ON, DOLL ! [ Whistles ] [ Laughs ] 234 00:24:20,993 --> 00:24:22,962 WE GOT A DOWN PAYMENT ON RICE. 235 00:24:28,100 --> 00:24:30,703 SO THE BOOZE I UNDERSTAND. 236 00:24:30,770 --> 00:24:33,472 IZZY NEEDS THE BOOZE FOR THE NIGHTCLUBS. 237 00:24:33,540 --> 00:24:36,042 HERE. BUT WHY IS HE CUTTING OUT THE MIDDLE MAN ? 238 00:24:36,108 --> 00:24:39,311 [ Sighs ] HE'S CUTTIN' THE MIDDLE OUT OF THE MIDDLE MAN. 239 00:24:40,847 --> 00:24:43,616 LOUIE, I NEVER SEEN SO MUCH BLOOD IN MY WHOLE LIFE. 240 00:24:43,683 --> 00:24:48,087 I DON'T LIKE THIS BUSINESS, LOUIE. I LOVED SHOW BUSINESS. 241 00:24:48,154 --> 00:24:51,791 [ Sighs ] YOU ALWAYS TOLD ME IT WAS JUST THE MUSIC. 242 00:24:51,858 --> 00:24:56,062 * IT STILL IS. [ Bella ] AND ALONG CAME BILL 243 00:24:56,128 --> 00:24:59,198 * WHO'S NOT THE TYPE AT ALL 244 00:24:59,265 --> 00:25:02,735 * YOU MEET HIM ON THE STREET 245 00:25:02,802 --> 00:25:05,772 * AND NEVER NOTICE HIM 246 00:25:05,838 --> 00:25:09,075 * HIS WARM EMBRACE 247 00:25:09,141 --> 00:25:11,510 * HIS MANLY GRACE 248 00:25:11,578 --> 00:25:14,180 * IS NOT THE KIND 249 00:25:14,246 --> 00:25:16,916 I'VE GOT TO ADMIT IT, ZALMIE. 250 00:25:16,983 --> 00:25:20,486 * SHE'S REALLY GOOD. [ Continues ] * 251 00:25:20,553 --> 00:25:22,655 WHAT DO YOU SAY, NICKY ? 252 00:25:22,722 --> 00:25:24,657 SHE AIN'T BAD. 253 00:25:24,724 --> 00:25:28,294 SOMETIMES IT'S ALL WORTH IT, HUH ? YEAH. 254 00:25:28,360 --> 00:25:31,297 * MAKES ME THRILL 255 00:25:31,363 --> 00:25:35,034 * I LOVE HIM 256 00:25:35,101 --> 00:25:38,871 * BECAUSE HE'S WONDERFUL 257 00:25:38,938 --> 00:25:44,076 * WHAT DO YOU THINK, BENNY ? YOUR MAMA'S GONNA MAKE A RECORD. 258 00:25:44,143 --> 00:25:48,948 KID NEVER TALKS, ZALMIE. HE WILL WHEN HE'S GOT SOMETHING TO SAY. 259 00:25:49,015 --> 00:25:51,317 HOW DO YOU KNOW THERE AIN'T SOMETHING WRONG WITH HIM ? 260 00:25:51,383 --> 00:25:54,453 LIKE MAYBE HE'S DEAF OR SOMETHING. 261 00:25:54,520 --> 00:25:57,256 HOW CAN HE BE DEAF ? HE PLAYS THE PIANO. 262 00:25:57,323 --> 00:25:59,258 BEETHOVEN WAS DEAF. 263 00:25:59,325 --> 00:26:02,695 [ Laughs ] SEE THAT ? GARBO TALKS, HUH ? 264 00:26:17,543 --> 00:26:18,811 [ Screams ] 265 00:26:19,879 --> 00:26:21,347 WHAT ! 266 00:26:21,413 --> 00:26:24,684 THEY WON'T LISTEN TO REASON. [ Fingers Snap ] 267 00:26:29,722 --> 00:26:31,658 [ Doorbell Jingling ] 268 00:26:39,932 --> 00:26:43,169 [ Continuous Gunfire ] 269 00:26:43,235 --> 00:26:45,805 * [ "Sweet Georgia Brown" ] 270 00:27:02,154 --> 00:27:04,423 * [ Continues ] 271 00:27:14,500 --> 00:27:19,305 * [ Piano ] [ Zalmie ] NICKY, YOU GET THE DEUCE. * 272 00:27:19,371 --> 00:27:23,542 LITTLE ZALMIE'S FLUSHING OUT. ALL RIGHT ! 273 00:27:23,609 --> 00:27:27,246 HEY, THE KID'S GOT PIANO PLAYER'S HANDS. 274 00:27:27,313 --> 00:27:31,283 SURGEON'S HANDS. HE'S GOING TO BE A DOCTOR. 275 00:27:31,350 --> 00:27:33,285 [ Doorbell Ringing ] 276 00:27:33,352 --> 00:27:37,857 DOCTOR, PIANO PLAYER. HE CAN BE BOTH. HE'S SMART ENOUGH. 277 00:27:37,924 --> 00:27:42,394 EVERYONE IN ? ZALMIE, YOU ORDERED PRETZELS ? 278 00:27:42,461 --> 00:27:44,964 PRETZELS ? 279 00:27:45,031 --> 00:27:48,735 YEAH. I THOUGHT MAYBE YOU SENT ME A PRESENT. 280 00:27:48,801 --> 00:27:53,072 BUT IT'S A BOX OF PRETZELS. BELLA ! DON'T TOUCH THE BOX ! 281 00:27:53,139 --> 00:27:54,206 BELLA ! 282 00:27:54,273 --> 00:27:55,307 [ Explosion ] 283 00:27:57,409 --> 00:27:59,912 * [ Dissonant Chords ] 284 00:28:04,784 --> 00:28:07,720 * [ Boogie-woogie ] 285 00:28:19,698 --> 00:28:23,803 * [ "Sweet Georgia Brown" ] 286 00:28:30,609 --> 00:28:34,146 YEAH. [ Musicians Laughing ] 287 00:28:34,213 --> 00:28:36,916 SO BENNY, 288 00:28:36,983 --> 00:28:39,251 I CAN GET YOU REISENWEBER'S. 289 00:28:39,318 --> 00:28:43,555 I CAN GET YOU JACK'S. I CAN GET YOU SHANLEY'S. SO WHAT ARE YOU DOING HERE ? 290 00:28:43,622 --> 00:28:47,293 I'M HAPPY, POPS. IT'S NOT LIKE ANYBODY'S DOIN' YOU A FAVOR. 291 00:28:47,359 --> 00:28:50,396 EVERYBODY KNOWS YOU'RE GOOD. 292 00:28:50,462 --> 00:28:54,233 THAT GUY FROM RCA VICTOR, HE'S DYIN' FOR YOU TO MAKE A RECORD FOR HIM. 293 00:28:54,300 --> 00:28:56,268 DYIN' ? 294 00:28:56,335 --> 00:28:58,805 POPS, IT'S NOT THAT IMPORTANT. 295 00:28:58,871 --> 00:29:00,406 YEAH, BENNY. IT IS IMPORTANT. 296 00:29:02,942 --> 00:29:06,712 YOU COULD BE SOMETHING, BENNY. YOU COULD BE A STAR. 297 00:29:10,950 --> 00:29:14,086 I WANT YOU TO DO ME A FAVOR, BENNY. 298 00:29:14,153 --> 00:29:16,288 I WANT YOU TO MARRY A GIRL FOR ME. 299 00:29:16,355 --> 00:29:19,458 [ Musicians Laughing ] 300 00:29:19,525 --> 00:29:22,929 [ Benny ] MARRY A GIRL ? YEAH. 301 00:29:22,995 --> 00:29:26,065 AND LIVE HAPPILY EVER AFTER ? YEAH. 302 00:29:28,801 --> 00:29:32,404 HEY, BENNY. IT'S NICKY PALUMBO'S DAUGHTER. ALL RIGHT ? 303 00:29:32,471 --> 00:29:35,307 HER FATHER'S AN IMPORTANT MAN, MISTER. 304 00:29:35,374 --> 00:29:40,212 AND YOUR FATHER'S AN IMPORTANT MAN TOO ! 305 00:29:40,279 --> 00:29:44,884 AND IF YOU WON'T LIVE MY DREAMS, THEN LIVE MY LIFE, ALL RIGHT ? 306 00:29:44,951 --> 00:29:46,886 SURE, POPS. 307 00:29:49,889 --> 00:29:53,159 * [ Playing Soft Melody ] 308 00:29:53,225 --> 00:29:55,161 NOW WHAT ARE YOU DOING ? 309 00:29:56,428 --> 00:29:58,364 PLAYING HER A LOVE SONG. 310 00:30:00,499 --> 00:30:03,802 FORGET THE LOVE SONGS, BENNY. THE GIRL'S AGREED. 311 00:30:03,870 --> 00:30:06,438 A LOVE SONG'S NICE TO GIVE THE GIRL YOU'RE GONNA MARRY. 312 00:30:06,505 --> 00:30:10,977 * [ Male Soloist ] IT'S VERY CLEAR 313 00:30:11,043 --> 00:30:14,914 * [ Flash Bulb Pops ] OUR LOVE IS HERE 314 00:30:14,981 --> 00:30:19,919 * TO STAY NICKY, NICKY. LOOK AT IT THIS WAY. * 315 00:30:19,986 --> 00:30:24,090 YOU'RE NOT LOSING A DAUGHTER. YOU'RE GAINING A SON. RIGHT. 316 00:30:24,156 --> 00:30:26,658 SONS I DON'T NEED. I GOT SONS. 317 00:30:26,725 --> 00:30:28,827 WHAT I'M GAINING IS A BROTHER. 318 00:30:28,895 --> 00:30:33,065 [ Guests Applauding ] [ Flashbulb Pops ] 319 00:30:35,134 --> 00:30:39,071 * THE RADIO 320 00:30:39,138 --> 00:30:42,942 * AND THE TELEPHONE 321 00:30:44,110 --> 00:30:46,645 * AND THE MOVIES 322 00:30:46,712 --> 00:30:50,416 * THAT WE KNOW 323 00:30:50,482 --> 00:30:55,922 * MAYBE JUST PASSING FANCIES 324 00:30:55,988 --> 00:31:00,759 * AND IN TIME THEY'LL GO 325 00:31:03,996 --> 00:31:08,634 * YET IT MAY BE 326 00:31:10,102 --> 00:31:14,373 * OUR LOVE IS HERE TO STAY 327 00:31:16,976 --> 00:31:19,378 [ Flashbulb Pops ] 328 00:31:19,445 --> 00:31:22,281 * TOGETHER 329 00:31:22,348 --> 00:31:24,984 * WE'RE 330 00:31:25,051 --> 00:31:29,989 * GOING THE LONG, LONG WAY 331 00:31:37,396 --> 00:31:39,331 IT'S A BIG HOUSE. 332 00:31:40,232 --> 00:31:41,800 BIG ? 333 00:31:50,009 --> 00:31:52,644 WHAT ARE THE TWO OF US SUPPOSED TO DO IN THIS BIG HOUSE ? 334 00:31:54,613 --> 00:31:57,984 MAKE THREE, FOUR OR FIVE. 335 00:32:03,922 --> 00:32:05,857 IS THAT WHAT YOU WANT ? 336 00:32:07,059 --> 00:32:08,995 IF YOU DO. 337 00:32:10,296 --> 00:32:12,231 BUT WHAT DO YOU WANT ? 338 00:32:19,038 --> 00:32:22,241 I WANT... YOU TO SMILE. 339 00:32:38,490 --> 00:32:40,426 * [ Sad, Minor Melody ] 340 00:32:44,796 --> 00:32:47,366 ENLISTED ! WHAT DO YOU MEAN, YOU ENLISTED ? 341 00:32:53,939 --> 00:32:58,177 I LIKED THE HAT, POPS. HEY, BENNY, YOU GOT A WIFE NOW. YOU GOT A KID COMIN'. 342 00:32:58,244 --> 00:33:00,946 SO ? I NEED A STEADY JOB. 343 00:33:01,013 --> 00:33:04,416 WHAT ARE YOU TALKIN', A STEADY JOB ? YOU GOT A STEADY JOB HERE ! 344 00:33:04,483 --> 00:33:06,418 OH, POPS. 345 00:33:06,485 --> 00:33:08,454 THIS ISN'T WORK. 346 00:33:08,520 --> 00:33:10,689 THIS IS PLAY. 347 00:33:10,756 --> 00:33:13,492 SO PLAY, BENNY. YOU'RE JUST A KID. 348 00:33:13,559 --> 00:33:15,561 NO, POPS. 349 00:33:15,627 --> 00:33:18,197 NO, I'M NOT. 350 00:33:18,264 --> 00:33:20,499 * [ "As Time Goes By" ] 351 00:33:20,566 --> 00:33:25,204 BENNY. LOOK, I GAVE. ALL RIGHT ? 352 00:33:25,271 --> 00:33:27,339 I GAVE AT THE OFFICE. 353 00:33:28,874 --> 00:33:30,842 BUT YOU TOOK TOO. 354 00:33:30,909 --> 00:33:33,812 HEY, BENNY. 355 00:33:33,879 --> 00:33:36,982 WHAT AM I GONNA DO IF ANYTHING SHOULD HAPPEN TO YOU ? HUH ? 356 00:33:39,185 --> 00:33:41,253 YOU'LL MANAGE, POPS. 357 00:33:46,125 --> 00:33:48,060 * [ Stops Playing ] 358 00:33:54,333 --> 00:33:57,269 * [ Swing Drumbeat ] 359 00:34:03,642 --> 00:34:06,978 * [ "Sing, Sing, Sing" ] 360 00:34:39,077 --> 00:34:41,012 * [ Continues ] 361 00:35:20,018 --> 00:35:23,155 * [ Harmonica: "As Time Goes By" ] * 362 00:35:26,192 --> 00:35:29,094 BOY, WHO TOLD YOU YOU COULD PLAY THAT THING ? 363 00:35:30,396 --> 00:35:32,931 NOBODY. 364 00:35:32,998 --> 00:35:35,167 * [ Resumes ] YOU'RE LOUSY. * 365 00:35:36,235 --> 00:35:38,270 YEAH. 366 00:35:38,337 --> 00:35:42,674 I KNOW. BUT IT'S HARD TO FIT A PIANO IN A FOXHOLE. 367 00:36:29,921 --> 00:36:32,858 * [ "As Time Goes By" ] 368 00:36:52,344 --> 00:36:55,281 * [ "Lilli Marlene" ] 369 00:37:15,667 --> 00:37:18,837 DANKE. [ Gun Cocking ] 370 00:37:25,877 --> 00:37:28,814 * [ Orchestra: "Mona Lisa" ] 371 00:37:33,619 --> 00:37:37,222 YOU'VE BEEN CARRYING A TORCH FOR THAT BASTARD'S SON LONG ENOUGH. DO YOU HEAR ? 372 00:37:38,990 --> 00:37:41,527 YOU MARRIED A GOOD MAN NOW, YOU UNDERSTAND ? 373 00:37:41,593 --> 00:37:45,431 YOU DON'T WANT TO MARRY IN THE BUSINESS, ALL RIGHT, SO I LET YOU. 374 00:37:45,497 --> 00:37:49,435 YOU WANNA MARRY A GUY THAT SELLS REFRIGERATORS, I LET YOU. 375 00:37:49,501 --> 00:37:53,572 COULD I BE PROUD OF THAT ? NAH. BUT I LET YA. 376 00:37:53,639 --> 00:37:55,874 SO AT LEAST BE WORTHY OF THE MAN. 377 00:37:55,941 --> 00:37:58,577 YOU OWN HIM NOW, PAPA ! 378 00:37:58,644 --> 00:38:00,712 [ Chuckles ] 379 00:38:00,779 --> 00:38:02,714 I OWN EVERYBODY. 380 00:38:06,318 --> 00:38:08,487 [ Gavel Pounding ] 381 00:38:08,554 --> 00:38:10,356 WHAT IS YOUR NAME ? 382 00:38:10,422 --> 00:38:12,190 ZALMIE BELINSKY. 383 00:38:12,257 --> 00:38:14,860 WHERE DO YOU LIVE ? LIVE ? 384 00:38:14,926 --> 00:38:16,862 [ Questioner ] WHAT IS YOUR PLACE OF RESIDENCE ? 385 00:38:16,928 --> 00:38:20,566 JACKSONVILLE STATE PRISON. VERY NICE PLACE. 386 00:38:21,633 --> 00:38:23,669 TONY. COME HERE. 387 00:38:23,735 --> 00:38:25,904 NO. I WANT HIM TO SEE THIS. 388 00:38:25,971 --> 00:38:30,442 I WANT HIM TO SEE HOW A MAN ACTS. 389 00:38:30,509 --> 00:38:32,844 WHAT WAS YOUR RELATIONSHIP WITH MR. PALUMBO ? 390 00:38:32,911 --> 00:38:37,215 MY RELATIONSHIP ? HE WAS MY FRIEND. 391 00:38:37,282 --> 00:38:40,719 - WAS ? - FIRST HE TOLD ME THEY'D GET ME OUT RIGHT AWAY. 392 00:38:40,786 --> 00:38:43,021 THEN THEY TOLD ME THEY'D GET ME OUT SOON. 393 00:38:43,088 --> 00:38:45,223 THEN THEY TOLD ME NOTHIN'. 394 00:38:46,725 --> 00:38:49,928 EIGHT YEARS IS A LONG TIME. 395 00:38:49,995 --> 00:38:52,163 I TOLD YOU WE SHOULD'VE GOTTEN RID OF HIM ! 396 00:38:52,230 --> 00:38:54,966 HIS SON GETS KILLED; HE GETS TOTALLY USELESS. 397 00:38:55,033 --> 00:38:57,736 BUT NO, YOU GET MUSH HEAD FOR HIM ! 398 00:38:57,803 --> 00:39:01,306 "LET HIM TAKE A FALL," YOU SAY. "HE'LL STAY QUIET." 399 00:39:01,373 --> 00:39:04,876 QUIET ! HE WOULD'VE BEEN QUIETER DEAD. 400 00:39:04,943 --> 00:39:08,246 SO NOW YOU AGREED TO TALK TO US. 401 00:39:08,313 --> 00:39:12,684 THIS COUNTRY'S BEEN GOOD TO ME IN ITS WAY. 402 00:39:12,751 --> 00:39:15,554 "I TOOK," MY SON SAID. 403 00:39:15,621 --> 00:39:18,289 NOW IT'S TIME TO GIVE BACK. 404 00:39:18,356 --> 00:39:21,192 I CAN'T BELIEVE IT. THAT SCHMUCK IS GONNA SING ! 405 00:39:21,259 --> 00:39:24,029 SING ? SURE. 406 00:39:25,263 --> 00:39:27,198 THAT'S ALL HE EVER WANTED. 407 00:39:27,265 --> 00:39:30,068 SURE. THAT'S ALL HE EVER WANTED. 408 00:39:30,135 --> 00:39:33,371 [ Man On Radio ] I DISCUSSED THE COMMUNISTS IN THE STATE DEPARTMENT. 409 00:39:33,439 --> 00:39:36,908 [ Radio Dramatist ] DEAN HUNCHED HIS MUSCULAR NECK IN THE WINTER NIGHT. 410 00:39:36,975 --> 00:39:38,977 [ Man On Radio ] WE'RE FIGHTING FOR TIME. 411 00:39:39,044 --> 00:39:42,814 THE YOUNG MEN IN KOREA AND JAPAN ARE FIGHTING FOR TIME FOR US. 412 00:39:42,881 --> 00:39:46,518 [ Newscaster ] JULIUS AND ETHEL ROSENBERG HAVE PAID THEIR DEBT TO SOCIETY. 413 00:39:46,585 --> 00:39:48,554 [ Richard Nixon ] PAT DOESN'T HAVE A MINK COAT. 414 00:39:48,620 --> 00:39:52,524 BUT SHE DOES HAVE A RESPECTABLE REPUBLICAN CLOTH COAT. 415 00:39:52,591 --> 00:39:56,161 [ Lucille Ball ] ETHEL, HOW COULD YOU EVER THINK 416 00:39:56,227 --> 00:39:58,163 [ Audience Laughing ] 417 00:40:03,569 --> 00:40:05,937 * [ Conga Drumroll ] 418 00:40:06,004 --> 00:40:10,776 I SAW THE BEST MINDS OF MY GENERATION DESTROYED BY MADNESS. 419 00:40:10,842 --> 00:40:14,379 DRAGGIN' THEMSELVES THROUGH THE NEGRO STREETS AT DAWN LOOKING FOR AN ANGRY FIX. 420 00:40:14,446 --> 00:40:17,616 ANGEL-HEADED HIPSTERS... 421 00:40:17,683 --> 00:40:21,887 BURNING FOR THE ANCIENT HEAVENLY CONNECTION TO THE STARRY DYNAMO... 422 00:40:21,953 --> 00:40:25,423 IN THE MACHINERY OF NIGHT. TONY, WHAT'S HE TALKIN' ABOUT ? 423 00:40:25,491 --> 00:40:28,426 YOU HAVE ANY IDEA ? SHUT UP. 424 00:40:28,494 --> 00:40:32,964 GEEZ. WE'RE UNDERAGE. THIS PLACE COULD GET BUSTED ANY MINUTE. 425 00:40:33,031 --> 00:40:36,802 AND SOME OF THESE PEOPLE ARE SMOKIN' DRUGS. SHUT UP. 426 00:40:36,868 --> 00:40:40,706 SAT UP SMOKING IN THE SUPERNATURAL DARKNESS OF COLD-WATER FLATS. 427 00:40:40,772 --> 00:40:44,275 [ Inhales Deeply ] 428 00:40:44,342 --> 00:40:48,213 FLOATING ACROSS THE TOPS OF CITIES, 429 00:40:48,279 --> 00:40:51,783 CONTEMPLATING JAZZ. 430 00:40:51,850 --> 00:40:54,085 I'M GOIN', TONY. GO. 431 00:40:55,153 --> 00:40:57,723 SO HOW YOU GONNA GET HOME ? 432 00:40:58,924 --> 00:41:00,926 HOME ? 433 00:41:03,094 --> 00:41:08,299 [ Poet ] GREAT LIFE'S TRAGEDY AMONG THE SCHOLARS OF WAR. 434 00:41:11,336 --> 00:41:15,974 * [ Jazz Combo: "Take Five" ] * 435 00:41:16,041 --> 00:41:19,878 [ Man On Loudspeaker ] NUMBER 34 DEPARTING FROM GATE 3 FOR LONG ISLAND. 436 00:41:19,945 --> 00:41:22,881 NUMBER 89 WILL BE LEAVING GATE 6... 437 00:41:22,948 --> 00:41:25,250 FOR BALTIMORE AND WASHINGTON, D.C. AT 11:48. 438 00:41:25,316 --> 00:41:28,554 NUMBER 74 NOW DEPARTING FOR PHILADELPHIA AT GATE 9. 439 00:41:28,620 --> 00:41:32,824 PASSENGERS FOR NUMBER 12 TO NEW HAVEN, PROVIDENCE AND BOSTON, 440 00:41:32,891 --> 00:41:36,962 YOUR BUS HAS BEEN DELAYED AND IS EXPECTED TO ARRIVE 30 MINUTES LATE. 441 00:41:37,028 --> 00:41:40,165 LAST CALL FOR NUMBER 47 TO SAN FRANCISCO. 442 00:41:40,231 --> 00:41:43,168 [ TV: Gunfire, Shouting ] 443 00:41:55,614 --> 00:41:58,249 [ Whooping, Gunfire ] 444 00:42:25,577 --> 00:42:28,814 SO ? WHAT'RE YOU WATCHIN' ? 445 00:42:28,880 --> 00:42:31,617 TV. WONDERFUL. 446 00:42:31,683 --> 00:42:36,421 YOU'RE WATCHING TV. TV, YOU CAN WATCH IF IT'S ON OR OFF ! 447 00:42:36,487 --> 00:42:39,958 I SHUT IT OFF, YOU'RE STILL WATCHING TV. 448 00:42:40,025 --> 00:42:41,526 TURN IT ON. 449 00:42:41,593 --> 00:42:43,061 WHAT ARE YOU WATCHIN' ? 450 00:42:43,128 --> 00:42:45,764 A SHOW. WE'RE WATCHIN' A SHOW. 451 00:42:45,831 --> 00:42:50,435 "A SHOW." THEIR BRAINS IS FALLIN' OUT LIKE TEETH. 452 00:42:50,501 --> 00:42:52,738 DID YOU GET YOUR QUARTER ? HUH ? 453 00:42:52,804 --> 00:42:56,041 DID THE BRAIN FAIRY LEAVE YA A QUARTER ? 454 00:42:56,107 --> 00:42:58,877 [ TV: Gunfire, Whooping ] I'M TALKIN' TO YOU ! 455 00:42:58,944 --> 00:43:01,312 WE'RE IGNORING YOU, TONY. 456 00:43:01,379 --> 00:43:05,316 MOM SAID TO IGNORE YOU. SHE SAID YOU'RE GOING THROUGH A PHASE. 457 00:43:06,852 --> 00:43:10,288 A PHASE. NOW I'M A GODDAMN MOON. 458 00:43:10,355 --> 00:43:12,624 THAT'S RIGHT. YOU CATCH 'EM ! 459 00:43:12,691 --> 00:43:15,560 YOUR BRAINS IS FALLING OUT ! YOUR EARS ARE FALLING OFF ! 460 00:43:15,627 --> 00:43:17,829 HOW'S YOUR EYES ? WORKIN' OKAY ? 461 00:43:17,896 --> 00:43:21,299 GO AWAY, OR WE'LL CALL MOM. YOU CALL MOM ! 462 00:43:21,366 --> 00:43:23,334 YOU THINK MOM'S GONNA HEAR ME, SHUT UP IN THAT ROOM ? 463 00:43:23,401 --> 00:43:25,904 LISTENING TO THAT GODDAMN RECORD ? 464 00:43:25,971 --> 00:43:29,407 THAT'S A SECRET, TONY. YOU'RE NOT SUPPOSED TO TALK ABOUT THAT. 465 00:43:31,276 --> 00:43:33,779 WHAT DO YOU CARE ? 466 00:43:33,845 --> 00:43:35,781 HE WASN'T YOUR FATHER ! 467 00:43:43,855 --> 00:43:46,491 * TURN ME LOOSE 468 00:43:46,557 --> 00:43:48,894 * TURN ME LOOSE I SAY 469 00:43:50,361 --> 00:43:55,000 * THIS IS THE FIRST TIME I EVER FELT THIS WAY 470 00:43:55,066 --> 00:43:57,903 * GONNA GET A THOUSAND KICKS 471 00:43:57,969 --> 00:44:00,171 * OR KISS A THOUSAND CHICKS 472 00:44:00,238 --> 00:44:03,074 * SO TURN ME LOOSE 473 00:44:05,343 --> 00:44:08,213 * TURN ME LOOSE 474 00:44:08,279 --> 00:44:12,117 * TURN ME LOOSE I SAY 475 00:44:12,183 --> 00:44:16,587 * GONNA ROCK AND ROLL LONG AS THE BAND'S GONNA PLAY 476 00:44:16,654 --> 00:44:19,725 * GONNA HOLLER GONNA SHOUT 477 00:44:19,791 --> 00:44:23,561 * GONNA KNOCK MYSELF RIGHT OUT SO TURN ME LOOSE 478 00:44:23,628 --> 00:44:26,264 * TURN ME LOOSE OOH, AH 479 00:44:26,331 --> 00:44:30,668 * I'VE GOT SOME CHANGE IN MY POCKET 480 00:44:30,736 --> 00:44:34,339 * AND I'M RARIN' TO GO 481 00:44:34,405 --> 00:44:38,676 * TAKIN' SOME CHICK TO THE PICTURE SHOW 482 00:44:38,744 --> 00:44:41,412 * AND WHEN I SEE HER HOME 483 00:44:41,479 --> 00:44:44,149 * AND WE KISS GOOD NIGHT 484 00:44:44,215 --> 00:44:47,118 * WELL, TURN ME LOOSE TURN ME LOOSE 485 00:44:47,185 --> 00:44:49,821 * TURN ME LOOSE TURN ME LOOSE 486 00:44:49,888 --> 00:44:54,659 * TURN ME LOOSE TURN ME LOOSE OOH, AH * 487 00:44:59,097 --> 00:45:02,100 [ Engine Starts, Tires Squeal ] 488 00:45:05,837 --> 00:45:09,207 [ Tony ] HOW FAR YOU GOIN' ? [ Man ] I DON'T CARE. 489 00:45:09,274 --> 00:45:11,209 [ Tony ] WELL, GET IN. 490 00:45:11,276 --> 00:45:14,312 HOW LONG YOU BEEN DRIVIN' ? [ Woman Chattering, Indistinct ] 491 00:45:14,379 --> 00:45:16,314 [ Man ] BEEN ON THE ROAD SIX MONTHS. 492 00:45:16,381 --> 00:45:20,051 [ Tony ] I'VE ONLY BEEN ON IT FOR FOUR WEEKS, BUT I LOVE IT. 493 00:45:26,557 --> 00:45:29,194 HEY ! WHERE ARE WE ? 494 00:45:29,260 --> 00:45:31,429 [ Man ] KANSAS ! 495 00:45:31,496 --> 00:45:35,133 KANSAS ! WE'RE IN KANSAS ! 496 00:45:35,200 --> 00:45:37,869 [ Man ] DON'T STOP. I GOT ALIMONY PAYMENTS ! 497 00:45:37,936 --> 00:45:42,340 KANSAS. [ All Exclaiming ] 498 00:45:42,407 --> 00:45:44,876 LET'S HAVE A PARTY. IT'S MY FIRST TIME. 499 00:45:44,943 --> 00:45:48,213 [ All Chattering ] 500 00:45:49,280 --> 00:45:52,283 WAIT A MINUTE ! WAIT A MINUTE ! 501 00:45:52,350 --> 00:45:54,752 KANSAS ! THE LAND OF DOROTHY AND TOTO ! 502 00:45:54,820 --> 00:45:58,689 [ Woman ] I'M THE GOOD WITCH OF THE WEST. 503 00:45:58,756 --> 00:46:02,693 * WE'RE IN THE LAND OF CHARLIE 'BIRD' PARKER ! [ Horn Blasts ] * 504 00:46:02,760 --> 00:46:07,432 MAN, WE ARE IN KANSAS ! WEST OF THE MISSISSIPPI ! 505 00:46:07,498 --> 00:46:10,168 I WANT A MOMENT'S SILENCE HERE. 506 00:46:10,235 --> 00:46:12,904 [ All Booing, Chattering ] 507 00:46:12,971 --> 00:46:14,906 A MOMENT'S SILENCE ! 508 00:46:23,849 --> 00:46:27,585 I THINK IT'S TIME I GO ALONE. 509 00:46:27,652 --> 00:46:30,488 WAIT ! WHAT ABOUT THE CAR ? 510 00:46:30,555 --> 00:46:32,523 IT'S YOURS. 511 00:46:32,590 --> 00:46:36,661 COME ON ! THANK YOU, SON ! [ Laughs ] 512 00:46:38,763 --> 00:46:40,932 IT'S STOLEN ! 513 00:46:40,999 --> 00:46:43,168 [ All Exclaiming ] 514 00:46:43,234 --> 00:46:45,370 LET ME OUT ! 515 00:46:45,436 --> 00:46:47,372 [ Woman ] OH, MY GOD. 516 00:46:51,276 --> 00:46:53,544 FOR SALE. 517 00:46:53,611 --> 00:46:58,549 * [ Band: Jazz ] 518 00:47:30,248 --> 00:47:32,183 YOU WANT A JOB ? 519 00:47:38,789 --> 00:47:40,558 I WANT YOU. 520 00:47:45,030 --> 00:47:47,632 WE'VE GOT A JOB WASHING DISHES. WANT IT ? 521 00:47:48,900 --> 00:47:50,835 SURE. 522 00:47:51,769 --> 00:47:56,674 * DARLING, YOU SEND ME 523 00:47:56,741 --> 00:47:59,911 * I KNOW YOU 524 00:47:59,978 --> 00:48:02,213 * SEND ME 525 00:48:02,280 --> 00:48:06,651 * DARLING, YOU SEND ME 526 00:48:06,717 --> 00:48:09,087 * HONEST YOU DO HONEST YOU DO 527 00:48:09,154 --> 00:48:12,657 * HONEST YOU DO OHH 528 00:48:12,723 --> 00:48:16,461 * YOU THRILL ME 529 00:48:16,527 --> 00:48:19,697 * I KNOW YOU, YOU, YOU 530 00:48:19,764 --> 00:48:21,699 * THRILL ME 531 00:48:21,766 --> 00:48:25,203 * DARLING, YOU, YOU, YOU 532 00:48:25,270 --> 00:48:27,973 * THRILL ME HONEST YOU DO * 533 00:48:28,039 --> 00:48:31,009 WILL YOU BE BACK TOMORROW ? 534 00:48:31,076 --> 00:48:34,345 NO. WHERE WILL YOU BE ? 535 00:48:37,215 --> 00:48:39,817 THIS IS REALLY KANSAS. 536 00:48:39,884 --> 00:48:42,220 IS EVERYTHING UP TO DATE HERE ? 537 00:48:42,287 --> 00:48:44,355 IS WILBERT HARRISON GONNA COME HERE ? 538 00:48:44,422 --> 00:48:46,357 IS IT CORNY ? IS KANSAS CORNY ? 539 00:48:46,424 --> 00:48:49,260 ARE YOU CORNY ? DO YOU BELIEVE IN LOVE ? 540 00:48:49,327 --> 00:48:51,296 YES. 541 00:48:51,362 --> 00:48:55,233 YEAH ? WHICH ? CORNY, HARRISON, LOVE ? 542 00:48:55,300 --> 00:48:56,534 YES. 543 00:48:58,003 --> 00:48:59,237 SHOW ME. 544 00:49:04,042 --> 00:49:05,977 WHAT IS THIS ? 545 00:49:07,745 --> 00:49:10,415 CORN. CORN ! 546 00:49:10,481 --> 00:49:14,185 MMM. CORN COMES IN A LITTLE WHITE BOX FROM BIRDSEYE. 547 00:49:14,252 --> 00:49:17,222 [ Train Whistle Blowing ] CORN ? 548 00:49:17,288 --> 00:49:19,224 KANSAS IS CORNY ! 549 00:49:21,626 --> 00:49:23,794 CAN YOU EAT IT ? YEAH. 550 00:49:23,861 --> 00:49:27,498 CAN YOU SMOKE IT, CAN YOU DRINK IT, CAN YOU LIE IN IT ? 551 00:49:28,566 --> 00:49:31,602 SURE. THEN LIE IN IT WITH ME. 552 00:49:31,669 --> 00:49:33,704 ARE YOU CRAZY ? YEAH. I'M CRAZY. 553 00:49:33,771 --> 00:49:37,242 I'M CRAZY IN LOVE WITH YOUR BLUE EYES... 554 00:49:37,308 --> 00:49:39,777 AND YOUR CORN-SILKED HAIR. 555 00:49:41,179 --> 00:49:43,114 YOUR CORN-SILKED HAIR. 556 00:49:47,285 --> 00:49:51,589 I'LL NEVER EAT CORN AGAIN WITHOUT THINKING ABOUT YOU. 557 00:49:51,656 --> 00:49:54,259 CANNED CORN, CANDY CORN, 558 00:49:54,325 --> 00:49:56,827 POPCORN, CRACKERJACKS. 559 00:49:56,894 --> 00:49:59,197 YOU'RE THE PRIZE IN MY BOX ! 560 00:49:59,264 --> 00:50:01,832 AND MY BOX IS THIS COUNTRY. 561 00:50:02,900 --> 00:50:06,804 ALL TINFOIL ON THE OUTSIDE. 562 00:50:06,871 --> 00:50:10,508 CORN AND SWEETNESS ON THE INSIDE. 563 00:50:11,909 --> 00:50:15,413 COME WANDER THE COUNTRY WITH ME. 564 00:50:15,480 --> 00:50:18,049 I CAN'T. 565 00:50:18,116 --> 00:50:20,051 CAN'T ? 566 00:50:22,019 --> 00:50:24,222 NIGHT AFTER NIGHT UNDER THE STARS. 567 00:50:24,289 --> 00:50:28,226 DID YOU KNOW THEM STARS TRAVEL ALL THE WAY FROM HERE TO CALIFORNIA ? 568 00:50:28,293 --> 00:50:31,896 CLEAR BLUE WATER, WHITE SAND. 569 00:50:35,333 --> 00:50:37,668 ARE YOU GOING TO CALIFORNIA ? 570 00:50:37,735 --> 00:50:38,969 YEAH. 571 00:50:40,004 --> 00:50:41,972 WILL YOU BE HERE TOMORROW ? 572 00:50:43,474 --> 00:50:45,410 NO. 573 00:50:46,777 --> 00:50:50,381 THEN... THIS IS YOUR NIGHT FOR KANSAS. 574 00:50:51,449 --> 00:50:53,918 YEAH. 575 00:50:56,454 --> 00:50:59,357 * [ Harmonica, Guitar ] 576 00:51:06,397 --> 00:51:09,967 * [ "This Train" ] 577 00:51:15,440 --> 00:51:17,542 * [ Plays Note ] 578 00:51:22,513 --> 00:51:25,850 * [ Continues ] 579 00:51:45,436 --> 00:51:47,605 * THIS TRAIN DONE CARRIED MY MOTHER 580 00:51:47,672 --> 00:51:50,641 * WELL, THIS TRAIN 581 00:51:50,708 --> 00:51:53,344 * THIS TRAIN DONE CARRIED MY MOTHER 582 00:51:53,411 --> 00:51:56,947 * WELL, THIS TRAIN 583 00:51:57,014 --> 00:51:59,384 * THIS TRAIN SHE'S BOUND FOR GLORY 584 00:51:59,450 --> 00:52:02,453 * IF YOU WANT TO GET TO HEAVEN WELL, YOU GOT TO BE HOLY 585 00:52:02,520 --> 00:52:04,889 * THIS TRAIN SHE'S BOUND FOR GLORY 586 00:52:04,955 --> 00:52:07,792 * WELL, THIS TRAIN 587 00:52:09,059 --> 00:52:13,398 HEY, DiNOBLE. WHAT ARE YOU DOIN' ? 588 00:52:13,464 --> 00:52:16,334 THINKIN'. THINKIN' OF WHAT ? 589 00:52:16,401 --> 00:52:18,336 [ Distant Siren Wailing ] CLEAN THOUGHTS. 590 00:52:18,403 --> 00:52:21,172 THEN HOW COME MY DISHES ARE DIRTY ? 591 00:52:22,973 --> 00:52:25,476 DIRTY ? DIRTY. 592 00:52:25,543 --> 00:52:27,778 THEM POOR, DUMB LITTLE BASTARDS. 593 00:52:27,845 --> 00:52:31,349 THEY NEVER LEARNED THE POWER OF POSITIVE THOUGHT. 594 00:52:31,416 --> 00:52:34,519 I THOUGHT YOU SAID YOU WAS A DISH WASHER. 595 00:52:34,585 --> 00:52:37,822 I'M A DISH WASHER. 596 00:52:37,888 --> 00:52:39,824 I A-A-A-M... 597 00:52:39,890 --> 00:52:42,627 A DISH WASHER. 598 00:52:42,693 --> 00:52:47,498 MY HANDS IS PERMANENTLY PUCKERED. 599 00:52:52,337 --> 00:52:54,939 BUT YOU KNOW WHAT ? 600 00:52:55,005 --> 00:52:57,308 THE THRILL IS GONE. 601 00:52:57,375 --> 00:52:59,510 THAT'S WHAT HAPPENS WHEN YOU TURN PRO. 602 00:52:59,577 --> 00:53:02,747 EVEN THAT FIRST BATCH OF SUDS, 603 00:53:02,813 --> 00:53:05,483 THAT FIRST SPRAYING OF PALMOLIVE OVER TROUBLED WATERS, 604 00:53:05,550 --> 00:53:09,654 THAT FIRST PLUNGE THROUGH THE FOAM, 605 00:53:09,720 --> 00:53:14,492 THAT FIRST HOPEFUL FISH FOR A DISH-- IT IS GONE, CHARLEY. 606 00:53:14,559 --> 00:53:16,494 IT IS GONE. 607 00:53:16,561 --> 00:53:18,629 [ Sighs ] 608 00:53:18,696 --> 00:53:21,999 AND I THINK IT'S TIME... 609 00:53:22,066 --> 00:53:24,001 THAT I'M MOVIN' ON. 610 00:53:25,135 --> 00:53:27,938 WHERE ? WHERE ARE YOU GONNA GO, TONY ? 611 00:53:28,005 --> 00:53:29,774 WEST ! WEST ! 612 00:53:29,840 --> 00:53:33,043 WHERE ELSE CAN A MAN GO THAT NEEDS ELBOW ROOM ? 613 00:53:33,110 --> 00:53:35,980 AND WHAT THE HELL DO YOU NEED ELBOW ROOM FOR ? 614 00:53:36,046 --> 00:53:39,049 I'M THINKIN' OF TAKIN' UP THE ACCORDION. 615 00:53:39,116 --> 00:53:41,852 HEY, YOU'RE NOT GONNA MAKE IT IN THIS BUSINESS, TONY. 616 00:53:41,919 --> 00:53:45,390 YOU CAN'T SING. YOU PLAY GUITAR LIKE A DUCK. 617 00:53:45,456 --> 00:53:50,328 THAT'S 'CAUSE MY HANDS IS PERMANENTLY PUCKERED. 618 00:53:50,395 --> 00:53:53,998 AND ANYWAY, THIS IS CALIFORNIA. 619 00:53:54,064 --> 00:53:56,767 THERE AIN'T NO FURTHER WEST TO GO. 620 00:54:07,278 --> 00:54:10,681 * ALL THE LEAVES ARE BROWN ALL THE LEAVES ARE BROWN 621 00:54:10,748 --> 00:54:15,920 * AND THE SKY IS GRAY AND THE SKY IS GRAY 622 00:54:15,986 --> 00:54:19,256 * I'VE BEEN FOR A WALK I'VE BEEN FOR A WALK 623 00:54:19,324 --> 00:54:24,028 * ON A WINTER'S DAY ON A WINTER'S DAY 624 00:54:24,094 --> 00:54:26,030 * I'D BE SAFE AND WARM I'D BE SAFE AND WARM 625 00:54:27,965 --> 00:54:32,703 * IF I WAS IN L.A. [ Harmonica ] 626 00:54:32,770 --> 00:54:35,673 * CALIFORNIA DREAMIN' 627 00:54:50,855 --> 00:54:53,924 HEY, MAN. HEY ! MAN ! 628 00:54:53,991 --> 00:54:56,927 WHERE'D YOU GET THAT STUFF ? 629 00:54:56,994 --> 00:55:01,466 FROM A HOBO ON A TRAIN. YEAH ? YOU GOT SOME MORE OF IT ? 630 00:55:01,532 --> 00:55:04,068 THAT'S ALL HE TAUGHT ME. 631 00:55:04,134 --> 00:55:06,604 WELL, COME ON UP ANYWAY. 632 00:55:06,671 --> 00:55:08,606 [ Giggling ] 633 00:55:15,279 --> 00:55:17,915 HI. HELLO. 634 00:55:17,982 --> 00:55:20,918 HEY. COME ON OVER AND SIT DOWN. 635 00:55:20,985 --> 00:55:23,954 YEAH. HOW YOU DOIN' ? 636 00:55:24,021 --> 00:55:27,592 HEY. TRY SOME OF THIS ? DID YOU EVER GET HIGH BEFORE ? 637 00:55:27,658 --> 00:55:31,161 ONLY WHEN I CAN AFFORD IT. HOW OFTEN IS THAT ? 638 00:55:31,228 --> 00:55:33,631 [ Coughs ] UH, NEVER. 639 00:55:33,698 --> 00:55:37,334 HEY, YOU THINK YOU CAN FIND THAT HOBO ? HUH ? 640 00:55:37,402 --> 00:55:40,671 YOU SING ? NO. 641 00:55:40,738 --> 00:55:44,909 YOU PLAY GUITAR ? NO. 642 00:55:44,975 --> 00:55:47,344 EVERYBODY PLAYS GUITAR, MAN. 643 00:55:47,412 --> 00:55:49,947 EVERYBODY PLAYS THE GUITAR. 644 00:55:50,014 --> 00:55:52,883 HEY, MAN. WELL, WHAT DO YOU DO ? 645 00:55:52,950 --> 00:55:55,352 I WRITE SONGS. [ Man ] ALL RIGHT ! 646 00:55:55,420 --> 00:55:57,354 [ Man ] WORDS OR MUSIC ? 647 00:55:57,422 --> 00:56:00,157 WORDS, WORDS. I DON'T KNOW NOTHIN' ABOUT NO MUSIC. 648 00:56:00,224 --> 00:56:03,861 WE CAN SEE THAT. WHY DON'T YOU BRING SOME OVER ? 649 00:56:05,329 --> 00:56:08,332 ALL RIGHT. I GOT 'EM AT HOME. 650 00:56:08,399 --> 00:56:11,168 WHERE'S THAT ? NORTH BEACH. 651 00:56:11,235 --> 00:56:15,105 NORTH BEACH ? NOBODY LIVES IN NORTH BEACH ANYMORE. 652 00:56:16,106 --> 00:56:18,576 NOBODY LIVES IN NORTH BEACH. 653 00:56:18,643 --> 00:56:21,712 RUN ON OUT AND GET 'EM. BRING 'EM OVER. 654 00:56:21,779 --> 00:56:25,750 YEAH. IT'LL TAKE ME A WHILE, 'CAUSE I GOTTA WALK. 655 00:56:25,816 --> 00:56:27,918 WALK ? [ Laughs ] YOU GOTTA WALK ? 656 00:56:29,654 --> 00:56:33,090 HEY. HEY, HEY. 657 00:56:35,259 --> 00:56:37,828 TAKE THE BUS. 658 00:56:37,895 --> 00:56:39,830 [ Giggles ] 659 00:56:43,167 --> 00:56:45,335 ALL RIGHT. 660 00:56:45,402 --> 00:56:48,372 * [ Folk Riff ] 661 00:56:59,950 --> 00:57:01,886 * [ Continues ] 662 00:57:10,828 --> 00:57:16,300 * [ Female Vocalist ] WELL, IT AIN'T NO USE TO SIT AND WONDER WHY, BABE 663 00:57:16,366 --> 00:57:20,037 * IF YOU DON'T KNOW BY NOW [ Mouthing Words ] 664 00:57:20,104 --> 00:57:24,909 * AND IT AIN'T NO USE TO SIT AND WONDER WHY, BABE 665 00:57:24,975 --> 00:57:28,212 * IT'LL NEVER DO, SOMEHOW 666 00:57:28,278 --> 00:57:30,981 * WHEN THE ROOSTER CROWS 667 00:57:31,048 --> 00:57:34,451 * AT THE BREAK OF DAWN 668 00:57:34,519 --> 00:57:39,089 * LOOK OUT YOUR WINDOW AND I'LL BE GONE 669 00:57:39,156 --> 00:57:43,828 * YOU'RE THE REASON I'M TRAVELIN' ON 670 00:57:43,894 --> 00:57:46,664 * DON'T THINK TWICE IT'S ALL RIGHT 671 00:57:55,773 --> 00:58:00,911 * OH, WHERE HAVE YOU BEEN MY BLUE-EYED SON 672 00:58:00,978 --> 00:58:05,850 * WHERE HAVE YOU BEEN MY DARLING YOUNG ONE 673 00:58:05,916 --> 00:58:09,319 * I STUMBLED AND I CRAWLED ON SIX CROOKED HIGHWAYS 674 00:58:09,386 --> 00:58:13,791 * WALKED IN A-- OH, COME ON ! COME ON ! * 675 00:58:13,858 --> 00:58:15,860 COME ON, YOU GUYS. 676 00:58:15,926 --> 00:58:18,963 EVERYTHING IN THE WORLD IS POSSIBLE. 677 00:58:19,029 --> 00:58:22,132 AND WE'RE JUST SITTIN' HERE DOIN' NOTHING. 678 00:58:22,199 --> 00:58:24,935 [ Guitar Player ] FRANKIE, WE'RE DOING FINE, HONEY. JUST FINE. 679 00:58:25,002 --> 00:58:27,672 "FINE" ? I DON'T WANNA HEAR FINE. 680 00:58:27,738 --> 00:58:30,808 YOU DON'T MAKE IT ON FINE. 681 00:58:30,875 --> 00:58:33,844 NOBODY CARES ABOUT FINE. 682 00:58:33,911 --> 00:58:37,615 EVERYTHING'S GOTTA BE PERFECT. AND THIS IS OUR SHOT. 683 00:58:37,682 --> 00:58:41,418 IT'S JUST A GIG, LADY. IT'S JUST ONE MORE GIG. 684 00:58:41,485 --> 00:58:45,355 IT'S NOT JUST A GIG ! THIS IS OUR TIME. 685 00:58:45,422 --> 00:58:48,025 THIS IS OUR TIME, GUYS, 686 00:58:48,092 --> 00:58:51,696 AND IT'S SLIPPIN' RIGHT THROUGH OUR FINGERS. 687 00:59:02,539 --> 00:59:05,610 HEY, TONY, YOU GOT ANY MORE OF THIS ? 688 00:59:07,511 --> 00:59:09,614 TONY ! 689 00:59:09,680 --> 00:59:11,616 HEY, HE'S WORKIN' ON A SONG. 690 00:59:11,682 --> 00:59:14,184 I'D LIKE TO GET THIS ONE RIGHT FIRST. 691 00:59:16,286 --> 00:59:18,989 YOU GOT ANY MORE OF THIS ? SURE. 692 00:59:20,057 --> 00:59:21,992 THANKS. 693 00:59:28,098 --> 00:59:30,034 LIKE TO TRY IT AGAIN ? 694 00:59:30,100 --> 00:59:33,370 * 695 00:59:33,437 --> 00:59:37,241 * OH, WHERE HAVE YOU BEEN MY BLUE-EYED SON 696 00:59:38,676 --> 00:59:43,180 * WHERE HAVE YOU BEEN MY DARLING YOUNG ONE * 697 00:59:43,247 --> 00:59:46,751 THE WORDS DON'T FIT NOW. [ Woman ] FUCK THE WORDS. 698 00:59:46,817 --> 00:59:50,354 THE WORDS DON'T MATTER. OKAY, LET'S TRY IT A LITTLE FASTER. 699 00:59:50,420 --> 00:59:54,291 * [ Piano ] WHERE HAVE YOU BEEN MY BLUE-EYED SON 700 00:59:54,358 --> 00:59:57,828 * WHERE HAVE YOU BEEN MY DARLING YOUNG ONE 701 00:59:57,895 --> 01:00:01,165 * WHEN THE TRUTH IS FOUND 702 01:00:01,231 --> 01:00:05,636 * TO BE LIES 703 01:00:05,703 --> 01:00:08,505 * YOU KNOW THE JOY 704 01:00:08,572 --> 01:00:12,509 * WITHIN YOU LIES 705 01:00:12,576 --> 01:00:16,113 * DON'T YOU WANT SOMEBODY TO LOVE 706 01:00:16,180 --> 01:00:19,850 * DON'T YOU NEED SOMEBODY TO LOVE 707 01:00:19,917 --> 01:00:23,620 * WOULDN'T YOU LOVE SOMEBODY TO LOVE 708 01:00:23,688 --> 01:00:28,726 * YOU BETTER FIND SOMEBODY TO LOVE 709 01:00:28,793 --> 01:00:32,096 * LOVE 710 01:00:37,401 --> 01:00:40,604 * WHEN THE GARDEN FLOWS 711 01:00:40,671 --> 01:00:44,408 * BABY, AGAIN 712 01:00:44,474 --> 01:00:48,512 * YES, AND YOUR MIND YOUR MIND 713 01:00:48,578 --> 01:00:50,514 * IS SO FAR ADRIFT 714 01:00:52,249 --> 01:00:55,720 * DON'T YOU WANT SOMEBODY TO LOVE 715 01:00:55,786 --> 01:00:59,523 * DON'T YOU NEED SOMEBODY TO LOVE 716 01:00:59,589 --> 01:01:03,360 * WOULDN'T YOU LOVE SOMEBODY TO LOVE 717 01:01:03,427 --> 01:01:07,798 * YOU BETTER FIND SOMEBODY TO LOVE 718 01:01:07,865 --> 01:01:11,135 * YOUR EYES I SEE YOUR EYES 719 01:01:11,201 --> 01:01:13,971 * THEY LOOK LIKE HIS 720 01:01:14,038 --> 01:01:16,240 * YEAH, BUT IN YOUR HEAD 721 01:01:16,306 --> 01:01:20,077 * BABY, I'M AFRAID YOU DON'T KNOW WHERE IT IS 722 01:01:21,712 --> 01:01:25,249 * DON'T YOU WANT SOMEBODY TO LOVE 723 01:01:25,315 --> 01:01:29,219 * DON'T YOU NEED SOMEBODY TO LOVE 724 01:01:29,286 --> 01:01:33,123 * WOULDN'T YOU LOVE SOMEBODY TO LOVE 725 01:01:33,190 --> 01:01:37,527 * YOU BETTER FIND SOMEBODY TO LOVE 726 01:01:37,594 --> 01:01:39,997 * [ Guitar Riff ] 727 01:01:40,064 --> 01:01:43,500 HEY, MAN. WHAT'S IN THIS PUNCH ? 728 01:01:43,567 --> 01:01:46,403 WHAT'S IN THIS PUNCH, MAN ? LITTLE WATER, 729 01:01:46,470 --> 01:01:49,306 LITTLE SUGAR AND RED DYE NUMBER TWO. 730 01:01:49,373 --> 01:01:52,442 OH, NO, MAN. THERE'S SOMETHIN' IN IT. 731 01:01:52,509 --> 01:01:54,678 THERE'S SOMETHIN' IN IT. TRY IT. OH, MAN. 732 01:02:07,992 --> 01:02:10,795 [ Shrieking ] FRANKIE ! 733 01:02:10,861 --> 01:02:13,363 FRANKIE ! 734 01:02:15,065 --> 01:02:18,068 COME ON. YOU GOTTA BE UP THERE. ENCORE ! 735 01:02:18,135 --> 01:02:22,472 THAT'S WHERE YOU BELONG. THAT'S WHERE YOU SHOULD BE, NOT OUT OF IT. 736 01:02:22,539 --> 01:02:26,811 [ Crowd Screaming, Whistling ] 737 01:02:57,908 --> 01:03:01,946 HEY, MAN, HOW DO YOU FEEL ? LIKE A FUCKIN' M&M. 738 01:03:02,012 --> 01:03:06,683 - AN M&M ? - YEAH. DIG MY THIN CANDY SHELL. 739 01:03:06,750 --> 01:03:10,320 THEY GOT GOOD STUFF IN THIS PLACE, MAN ? YEAH, IT'S THE GREATEST. 740 01:03:10,387 --> 01:03:14,424 HEY ! HEY, GUYS ! DID YOU SEE CASHBOX ? 741 01:03:14,491 --> 01:03:17,828 HAVE YOU SEEN BILLBOARD ? OUR ALBUM IS NUMBER ONE ! 742 01:03:17,895 --> 01:03:22,232 ALL RIGHT ! WE'RE GONNA BE RICH, AND WE'RE GONNA BE FAMOUS. 743 01:03:22,299 --> 01:03:25,235 WE'RE RICH ALREADY ! YEAH, THAT'S RIGHT. WE'RE RICH ALREADY. 744 01:03:25,302 --> 01:03:28,638 WE GOT A $5,000 ADVANCE ON OUR NEXT ALBUM. 745 01:03:28,705 --> 01:03:31,608 SO GUESS WHAT ? WE BOUGHT YOU A PRESENT. 746 01:03:31,675 --> 01:03:35,645 WHAT IS IT, A SUITCASE ? YOU WANT ME TO SPLIT ? 747 01:03:35,712 --> 01:03:38,382 NO ! IT'S A TYPEWRITER ! 748 01:03:38,448 --> 01:03:40,750 AN ELECTRIC TYPEWRITER. LOOK. 749 01:03:47,091 --> 01:03:50,127 * LOOK. SEE ? [ Humming ] [ Keys Clattering ] * 750 01:03:51,795 --> 01:03:53,763 YOU CAN WRITE YOUR SONGS. 751 01:03:55,165 --> 01:03:57,101 IT'S NICE. 752 01:04:00,470 --> 01:04:02,940 WAS THERE SOMETHIN' YOU WANTED MORE, TONY ? 753 01:04:05,375 --> 01:04:09,146 * [ Guitar ] PEOPLE ARE STRANGE 754 01:04:09,213 --> 01:04:11,215 * WHEN YOU'RE A STRANGER NICKY ! 755 01:04:11,281 --> 01:04:15,485 * HEY ! IT'S TONY. YEAH, YEAH. [ Music Continues ] * 756 01:04:15,552 --> 01:04:19,089 UH, YEAH, WELL, I JUST GOT OUT, MAN. YEAH. 757 01:04:19,156 --> 01:04:21,225 WELL, THEY LEFT ME BEHIND. 758 01:04:21,291 --> 01:04:24,761 I DON'T KNOW. WHAT THE HELL DIFFERENCE DOES IT MAKE ? 759 01:04:24,828 --> 01:04:28,598 YEAH, I KNOW THEY'RE DOIN' GREAT. YEAH, THE ALBUM TOO. 760 01:04:28,665 --> 01:04:30,935 YEAH, GOLD, HUH ? 761 01:04:31,001 --> 01:04:34,171 UH, THE THING IS, MAN, UH, 762 01:04:35,739 --> 01:04:38,442 YOU-- YOU GOT ANY DOPE ? 763 01:04:38,508 --> 01:04:41,511 ANYTHING AT ALL, MAN. JUST ANYTHING AT ALL. 764 01:04:43,813 --> 01:04:45,782 YOU GOT ANY SMACK ? 765 01:04:45,849 --> 01:04:49,954 * WHEN YOU'RE A STRANGER FACES LOOK UGLY YEAH. 766 01:04:50,020 --> 01:04:52,356 * WHEN YOU'RE ALONE YEAH, IT'S PRETTY BAD... 767 01:04:52,422 --> 01:04:56,293 * WOMEN SEEM WICKED WHEN YOU'RE UNWANTED PAIN. 768 01:04:56,360 --> 01:04:59,629 * STREETS ARE UNEVEN WHEN YOU'RE DOWN 769 01:05:15,545 --> 01:05:18,182 * WHEN YOU'RE STRANGE 770 01:05:18,248 --> 01:05:21,585 * FACES COME OUT OF THE RAIN 771 01:05:21,651 --> 01:05:24,321 * WHEN YOU'RE STRANGE 772 01:05:24,388 --> 01:05:27,157 * NO ONE REMEMBERS YOUR NAME 773 01:05:27,224 --> 01:05:30,294 * WHEN YOU'RE STRANGE 774 01:05:30,360 --> 01:05:33,463 * NO ONE REMEMBERS YOUR NAME 775 01:05:33,530 --> 01:05:35,799 * WHEN YOU'RE STRANGE 776 01:05:35,865 --> 01:05:38,035 * WHEN YOU'RE STRANGE 777 01:05:38,102 --> 01:05:41,205 * WHEN YOU'RE STRANGE 778 01:05:41,271 --> 01:05:47,244 * 779 01:05:47,311 --> 01:05:49,679 * WOULD YOU LIKE TO RIDE 780 01:05:49,746 --> 01:05:53,417 * IN MY BEAUTIFUL BALLOON 781 01:05:53,483 --> 01:05:58,488 * WOULD YOU LIKE TO RIDE IN MY BEAUTIFUL BALLOON 782 01:05:58,555 --> 01:06:02,592 * [ Muffled ] WE CAN FLOAT AMONG THE STARS TOGETHER 783 01:06:02,659 --> 01:06:04,594 * YOU AND I [ Music Fades ] * 784 01:06:04,661 --> 01:06:07,164 [ Producer ] ALL RIGHT, I WANT EVERYBODY OUT OF THIS STUDIO. 785 01:06:07,231 --> 01:06:10,034 HEY, WHAT'D YOU STOP FOR ? I WAS DOIN' GREAT. 786 01:06:10,100 --> 01:06:13,037 [ Laughing ] HEY, FRANKIE, LAY OFF THAT GODDAMNED BOTTLE. 787 01:06:13,103 --> 01:06:17,374 HEY ! SHOVE IT, MAN. YOU KNOW WHAT I MEAN ? [ Bottle Crashing ] 788 01:06:17,441 --> 01:06:19,376 [ Door Opening ] 789 01:06:20,644 --> 01:06:22,779 THIS IS NOT MY SONG. 790 01:06:22,846 --> 01:06:26,583 TONY, WHAT DID YOU EXPECT ? YOU PROMISED US SOMETHIN' TWO MONTHS AGO. 791 01:06:26,650 --> 01:06:31,088 HEY, MAN, WHAT IS THIS SHIT ? YOU'RE PULLIN' HOUDINI. SHE'S PULLIN' FREAK-OUT CITY. 792 01:06:31,155 --> 01:06:34,124 WELL, IT'S YOUR WIFE, MAN. AW, GET OFF IT. 793 01:06:34,191 --> 01:06:38,395 THAT ONLY LASTED TWO WEEKS, MAN. THAT CHICK'S CRAZY. WHERE THE HELL YOU BEEN ? 794 01:06:39,729 --> 01:06:42,132 I WAS-- 795 01:06:42,199 --> 01:06:44,834 I WAS MOVIN' ON, AND THEN I COME BACK. 796 01:06:44,901 --> 01:06:49,839 YOU LOOK LIKE HELL. WELL, I BEEN SICK, MAN. 797 01:06:49,906 --> 01:06:53,477 HEY, MAN, IF YOU CAN'T HOLD YOUR STUFF, DON'T USE IT. 798 01:06:59,783 --> 01:07:02,686 HEY ! HEY ! 799 01:07:02,752 --> 01:07:04,821 HEY, TONY ! 800 01:07:09,159 --> 01:07:12,662 [ Screaming ] TONY ! TONY ! 801 01:07:12,729 --> 01:07:14,764 WHERE THE HELL YOU BEEN ? 802 01:07:14,831 --> 01:07:18,102 I SAID WHERE THE HELL YOU BEEN, GODDAMN YOU ! 803 01:07:18,168 --> 01:07:20,870 JESUS CHRIST ! HOW COULD YOU DO THIS TO ME ? 804 01:07:20,937 --> 01:07:24,040 HOW COULD YOU DO THIS ? HOW COULD YOU DO THIS ? 805 01:07:24,108 --> 01:07:27,844 WHY DID YOU DO THIS ? DON'T YOU KNOW I'M NOTHIN' WITHOUT YOU ? 806 01:07:32,816 --> 01:07:37,754 * 807 01:07:57,107 --> 01:07:59,909 * PURPLE HAZE ALL IN MY BRAIN 808 01:08:01,711 --> 01:08:04,548 * LATELY THINGS DON'T SEEM THE SAME 809 01:08:06,383 --> 01:08:09,186 * ACTING FUNNY BUT I DON'T KNOW WHY 810 01:08:10,587 --> 01:08:13,690 * EXCUSE ME WHILE I KISS THE SKY 811 01:08:17,861 --> 01:08:21,265 * PURPLE HAZE IS ALL AROUND 812 01:08:21,331 --> 01:08:22,966 * DON'T KNOW-- 813 01:08:23,032 --> 01:08:24,701 * HEY, WHERE ARE WE, ANYWAY ? * 814 01:08:24,768 --> 01:08:27,904 HEY, DWAYNE, MAN, WHERE ARE WE ? KANSAS CITY. 815 01:08:27,971 --> 01:08:30,374 WHY ? BECAUSE IT'S NICE TO KNOW SOMETIMES. 816 01:08:30,440 --> 01:08:32,442 HEY, JEFFREY. 817 01:08:32,509 --> 01:08:36,079 HEY, YOU REMEMBERED TO BRING YOUR GUITAR TONIGHT, HUH ? 818 01:08:36,146 --> 01:08:39,483 WHAT ARE WE GOIN' ON AFTER HENDRIX FOR ? WE'RE GONNA LOOK LIKE SHIT AFTER HIM. 819 01:08:39,549 --> 01:08:42,252 YOU'RE GONNA LOOK JUST GREAT. YOU HEAR ME, JOHNNY ? JUST GREAT. 820 01:08:42,319 --> 01:08:46,623 - WHY IS HE GOING ON BEFORE US ? - BECAUSE YOU GUYS 821 01:08:46,690 --> 01:08:52,262 BECAUSE YOU GUYS ARE THE ONES THOSE PEOPLE PAID MONEY TO COME AND SEE. 822 01:08:52,329 --> 01:08:56,433 HEY, KID. HOW'D YOU GET IN HERE ? GET OUT ! GET OUTTA HERE ! 823 01:08:56,500 --> 01:09:01,104 HEY. HEY, LET THE KID STAY, HMM ? 824 01:09:01,171 --> 01:09:03,840 HEY, FRANKIE, YOU ALL RIGHT OR SOMETHIN' ? 825 01:09:03,907 --> 01:09:06,042 [ Coughing ] 826 01:09:06,109 --> 01:09:09,346 HAVE I EVER LET YOU DOWN ? NO. 827 01:09:09,413 --> 01:09:13,016 [ Coughing ] THEN I'M OKAY, RIGHT ? 828 01:09:13,082 --> 01:09:16,019 [ Laughing, Coughing ] I JUST WANT YOU TO TAKE CARE. 829 01:09:16,085 --> 01:09:20,123 I TAKE GOOD CARE OF MY MANAGER. 830 01:09:20,190 --> 01:09:23,793 I TAKE GOOD CARE OF THE RECORD COMPANIES. 831 01:09:23,860 --> 01:09:26,830 I TAKE GOOD CARE OF EVERY CONNECTION... 832 01:09:26,896 --> 01:09:29,299 FROM HERE TO THE COAST. 833 01:09:29,366 --> 01:09:33,169 I TAKE GOOD CARE. 834 01:09:33,237 --> 01:09:35,639 RIGHT ? [ Coughing ] 835 01:09:35,705 --> 01:09:38,442 JUST WANT YOU TO TAKE GOOD CARE OF YOURSELF. 836 01:09:38,508 --> 01:09:41,110 WHO ? SKIP IT. 837 01:09:43,947 --> 01:09:46,082 I LIKE LITTLE KIDS. 838 01:09:47,484 --> 01:09:51,655 LITTLE KIDS-- THEY BRING ME LUCK. 839 01:09:52,822 --> 01:09:54,924 HEY, TONY. 840 01:09:54,991 --> 01:09:57,427 REMEMBER WHEN YOU WERE A LITTLE KID ? 841 01:09:59,062 --> 01:10:00,997 HEY. HEADS UP. 842 01:10:14,278 --> 01:10:16,212 WHERE ARE WE ? 843 01:10:16,280 --> 01:10:20,083 MAN, WE BEEN THROUGH THAT ALREADY. WE'RE IN KANSAS CITY. 844 01:10:20,149 --> 01:10:23,152 KANSAS ? THIS IS KANSAS ? 845 01:10:23,219 --> 01:10:26,523 ACROSS THE RIVER. HEY, KID, WHAT'S YOUR NAME ? 846 01:10:26,590 --> 01:10:29,626 LITTLE PETE. WELL, WHO'S BIG PETE ? 847 01:10:29,693 --> 01:10:32,629 MY DAD. WHAT'S YOUR DAD GONNA SAY... 848 01:10:32,696 --> 01:10:35,164 ABOUT YOU HANGIN' OUT WITH A BUNCH OF FREAKS ? 849 01:10:35,231 --> 01:10:38,702 [ Little Pete ] I NEVER MET MY DAD. HE'S SOME KIND OF MYSTERY. 850 01:10:42,606 --> 01:10:45,108 YOU THE ONE WHO WRITES THE SONGS ? 851 01:10:45,174 --> 01:10:47,877 YOU COULD TEACH ME HOW TO DO THAT. 852 01:10:49,346 --> 01:10:51,281 NO ! 853 01:10:55,885 --> 01:10:59,389 HEY, KID. COME HERE. 854 01:11:02,258 --> 01:11:05,495 [ Dwayne ] HEY, FRANKIE, YOU GOTTA SING IN A HALF-HOUR. 855 01:11:05,562 --> 01:11:09,032 I'M GONNA SING NOW. OKAY. SURE. 856 01:11:10,734 --> 01:11:12,936 I'M GONNA SING TO THIS LITTLE BOY. 857 01:11:17,173 --> 01:11:19,643 EVER HEAR ABOUT "SUMMERTIME" ? 858 01:11:21,244 --> 01:11:23,179 YOU EVER GO FISHIN' ? 859 01:11:24,714 --> 01:11:27,351 NEVER BEEN FISHIN' ? 860 01:11:27,417 --> 01:11:29,753 THEY JUMP. THE FISH-- THEY JUMP. 861 01:11:29,819 --> 01:11:32,021 * 862 01:11:32,088 --> 01:11:37,494 * FISH ARE SURE JUMPIN' NOW 863 01:11:37,561 --> 01:11:39,863 * AND THE COTTON, LORD 864 01:11:39,929 --> 01:11:43,667 * COTTON'S HIGH 865 01:11:43,733 --> 01:11:47,203 * WELL, IT'S HIGH 866 01:11:47,270 --> 01:11:52,409 * YOUR DADDY'S RICH 867 01:11:53,877 --> 01:11:59,783 * AND YOUR MA'S SO GOOD LOOKIN', BABY 868 01:11:59,849 --> 01:12:04,821 * SHE'S LOOKIN' GOOD NOW 869 01:12:04,888 --> 01:12:09,125 * HUSH, BABY, BABY BABY, BABY, BABY 870 01:12:10,326 --> 01:12:13,863 * NO, NO, NO, NO DON'T YOU CRY 871 01:12:15,532 --> 01:12:21,037 * DON'T YOU CRY 872 01:13:10,019 --> 01:13:14,458 [ Screaming ] 873 01:13:22,098 --> 01:13:27,504 * ONE OF THESE MORNINGS 874 01:13:28,572 --> 01:13:31,374 * HONEY 875 01:13:31,441 --> 01:13:34,343 * NOTHING'S GOING TO HARM YOU NOW 876 01:13:35,879 --> 01:13:40,116 * N-NO, NO-NO-NO-NO NO-NO-NO-NO NO-NO-NO 877 01:13:40,183 --> 01:13:43,419 * N-NO, NO-NO-NO-NO NO-NO-NO-NO NO-NO-NO 878 01:13:43,487 --> 01:13:46,089 * NO, NO, NO NO, NO, NO, NO 879 01:13:46,155 --> 01:13:48,291 * NO, DON'T YOU CRY 880 01:14:15,318 --> 01:14:17,621 CORN FLAKES ARE GETTIN' SOGGY. 881 01:14:17,687 --> 01:14:20,757 TONY ? [ Kid On Street ] HEY, BILLY ! LOOK ! 882 01:14:20,824 --> 01:14:23,527 MY CORN FLAKES IS GETTIN' SOGGY. 883 01:14:23,593 --> 01:14:26,195 [ Kid On Street ] BILLY, LOOK. YOUR BANANA'S TURNING BROWN TOO. 884 01:14:33,002 --> 01:14:35,805 I DIDN'T ASK YOU TO STAY WITH ME. 885 01:14:39,976 --> 01:14:42,746 HOW COME YOU BOUGHT CORN FLAKES, HUH ? 886 01:14:42,812 --> 01:14:46,082 I THOUGHT YOU WAS RUNNIN' AWAY FROM CORN FLAKES. 887 01:14:46,149 --> 01:14:48,184 I THOUGHT YOU LIKE CORN FLAKES, TONY. 888 01:14:48,251 --> 01:14:50,186 [ Shouting ] I HATE-- 889 01:14:54,090 --> 01:14:56,092 [ Quietly ] I HATE CORN FLAKES. 890 01:14:57,527 --> 01:15:00,029 I HATE CORN FLAKES. 891 01:15:00,096 --> 01:15:02,899 WHAT DO YOU WANT ? A TIGER MILK COOKIE ? 892 01:15:02,966 --> 01:15:05,902 THEY'RE GOOD FOR YA. THEY MAKE YA HEALTHY. 893 01:15:05,969 --> 01:15:10,373 WHERE YA GOIN', TONY ? AREN'T YA GONNA FINISH THE SONG ? 894 01:15:10,439 --> 01:15:13,409 YOU CAN'T MAKE ANY MONEY IF YOU DON'T FINISH THE SONG. 895 01:15:13,476 --> 01:15:17,781 [ Shouting ] OH, DON'T YOU KNOW I DON'T NEED NO MONEY ? 896 01:15:20,383 --> 01:15:24,153 [ Laughing ] ALL I NEED IS LOVE. 897 01:15:36,299 --> 01:15:51,180 * 898 01:16:05,962 --> 01:16:08,264 * I'M WAITIN' FOR MY MAN 899 01:16:13,136 --> 01:16:16,539 * GOT $20 IN MY HAND 900 01:16:19,643 --> 01:16:22,946 * UP TO LEXINGTON 125 901 01:16:23,012 --> 01:16:25,248 * FEEL SICK AND DIRTY 902 01:16:28,351 --> 01:16:30,319 * I'M WAITING FOR MY MAN 903 01:16:38,795 --> 01:16:41,731 * HEY, WHITE BOY WHAT YOU DOIN' UPTOWN 904 01:16:44,567 --> 01:16:48,571 * HEY, WHITE BOY, WHY YOU CHASE MY WOMEN AROUND 905 01:16:52,108 --> 01:16:55,478 * PARDON ME, SIR IT'S FURTHEST FROM MY MIND 906 01:16:55,544 --> 01:16:58,815 * I'M JUST WAITING FOR AN EASY FRIEND OF MINE 907 01:17:00,850 --> 01:17:03,787 * I'M WAITIN' FOR MY MAN 908 01:17:05,321 --> 01:17:08,091 * FOR MY MAN 909 01:17:09,659 --> 01:17:13,697 * HERE HE COMES HE'S ALL DRESSED IN BLACK 910 01:17:17,934 --> 01:17:20,937 * DIOR SHOES AND A BIG STRAW HAT 911 01:17:24,640 --> 01:17:28,011 * HE'S NEVER EARLY HE'S ALWAYS LATE 912 01:17:28,077 --> 01:17:30,914 * FIRST THING YOU LEARN IS THAT YOU ALWAYS GOTTA WAIT 913 01:17:32,749 --> 01:17:36,585 * I'M WAITIN' FOR MY MAN 914 01:17:36,652 --> 01:17:42,525 * 915 01:17:57,941 --> 01:18:02,211 I DON'T KNOW, TONY. I GUESS I JUST DON'T HAVE IT. 916 01:18:02,278 --> 01:18:06,983 YOU HAD US LIVIN' AT THE CHELSEA. I CAN'T EVEN GET US THE "Y." 917 01:18:07,050 --> 01:18:09,853 GO BACK TO KANSAS. 918 01:18:09,919 --> 01:18:12,688 MAYBE YOU COULD LISTEN TO WHAT I'M DOIN' SOMETIMES. 919 01:18:12,756 --> 01:18:17,260 SEE WHAT I'M DOIN' WRONG. GO BACK TO KANSAS. 920 01:18:17,326 --> 01:18:21,164 MAYBE, YOU KNOW, YOU COULD PUT SOME MAGIC ON IT. 921 01:18:23,166 --> 01:18:26,035 [ Sighs ] GO BACK TO KANSAS. 922 01:18:26,102 --> 01:18:29,405 I CAN'T. WHY ? 923 01:18:29,472 --> 01:18:31,407 TOO FLAT. 924 01:18:33,309 --> 01:18:36,479 TOO FLAT ? WHAT THE HELL IS THIS, THE HIMALAYAS ? 925 01:18:40,083 --> 01:18:43,486 EVEREST. EVEREST. 926 01:18:43,552 --> 01:18:46,722 EVERYBODY'S GOTTA TAKE A SHOT AT IT. 927 01:18:50,626 --> 01:18:52,896 GIMME YOUR GUITAR. 928 01:18:52,962 --> 01:18:55,832 YOU'RE GONNA PLAY IT ? NO. 929 01:18:55,899 --> 01:18:58,734 I'M GONNA PAWN IT. NO. 930 01:18:58,802 --> 01:19:02,238 I'M GONNA PAWN IT, AND THEN I'M GONNA UN-PAWN IT. 931 01:19:02,305 --> 01:19:04,974 NO ! 932 01:19:05,041 --> 01:19:08,144 YOU DON'T TRUST ME ? 933 01:19:08,211 --> 01:19:12,148 - NO. - TH-THEN WHY'D YOU STAY WITH ME ? 934 01:19:12,215 --> 01:19:14,483 WHY THE HELL DO YOU THINK ? 935 01:19:36,639 --> 01:19:38,574 HERE. 936 01:19:41,677 --> 01:19:43,847 BELONGED TO MY FATHER. 937 01:19:44,948 --> 01:19:47,516 I'M GIVIN' IT TO YOU. 938 01:19:47,583 --> 01:19:50,854 - WHY ? - WHY THE HELL DO YOU THINK ? 939 01:19:59,162 --> 01:20:02,932 HIS NAME WAS-- HIS NAME WAS BENNY BELINSKY. 940 01:20:02,999 --> 01:20:04,934 [ Coughing ] 941 01:20:06,135 --> 01:20:08,071 I NEVER KNEW HIM. 942 01:20:10,039 --> 01:20:13,109 SUPPOSED TO BE SOME KIND OF GENIUS OR SOMETHIN'. 943 01:20:15,478 --> 01:20:18,614 MAYBE-- MAYBE YOU TAKE AFTER HIM. 944 01:20:20,316 --> 01:20:22,651 NOW GIVE ME THE GUITAR. 945 01:20:30,927 --> 01:20:34,197 NOW YOU STAY RIGHT THERE, YOU HEAR ? 946 01:20:34,263 --> 01:20:36,632 TILL HELL FREEZES OVER, TONY. 947 01:20:39,335 --> 01:20:41,404 TILL HELL FREEZES OVER. 948 01:20:42,671 --> 01:20:44,673 IT ALREADY DID. 949 01:20:49,545 --> 01:20:52,715 * [ "As Time Goes By" ] 950 01:21:11,935 --> 01:21:14,703 HEY, YOU LITTLE PETE ? YEAH. 951 01:21:16,940 --> 01:21:19,342 WELL, I GOT SOMETHIN' FOR YOU. 952 01:21:19,408 --> 01:21:22,045 HEY, HE SAID NOT TO SELL IT ALL IN ONE PLACE. 953 01:21:22,111 --> 01:21:24,380 OH ! AND HE SAID TO GIVE YOU THIS. 954 01:21:26,983 --> 01:21:30,753 DID HE TELL YOU ANYTHING ELSE ? NO-- YEAH ! 955 01:21:30,819 --> 01:21:33,322 HE SAID TO SAY, "GOOD-BYE." 956 01:21:46,069 --> 01:21:50,006 [ Distant Siren Wailing ] 957 01:21:59,915 --> 01:22:01,917 * HELL 958 01:22:03,152 --> 01:22:05,254 * HELL IS FOR CHILDREN 959 01:22:07,156 --> 01:22:11,760 * AND YOU KNOW THAT THEIR LITTLE LIVES CAN BECOME SUCH A MESS 960 01:22:14,763 --> 01:22:17,533 * HELL 961 01:22:17,600 --> 01:22:21,437 * HELL IS FOR CHILDREN 962 01:22:21,504 --> 01:22:24,140 * AND YOU SHOULDN'T HAVE TO PAY FOR YOUR LOVE 963 01:22:24,207 --> 01:22:27,476 * WITH YOUR BONES AND YOUR FLESH 964 01:22:27,543 --> 01:22:35,018 * NO, HELL IS FOR CHILDREN 965 01:22:44,960 --> 01:22:47,496 * [ Chanting Prayer ] 966 01:22:49,665 --> 01:22:52,868 * [ Chanting Continues ] 967 01:22:58,574 --> 01:23:00,643 * HELL 968 01:23:00,709 --> 01:23:03,446 * HELL IS FOR HELL 969 01:23:03,512 --> 01:23:05,514 * HELL IS FOR HELL 970 01:23:06,582 --> 01:23:08,517 * HELL IS FOR CHILDREN 971 01:23:11,887 --> 01:23:14,257 * HELL IS FOR CHILDREN 972 01:23:31,574 --> 01:23:38,447 * 973 01:23:51,060 --> 01:24:06,008 * 974 01:24:21,124 --> 01:24:23,892 * THERE'S NO POINT IN ASKIN' YOU'LL GET NO REPLY 975 01:24:23,959 --> 01:24:27,596 * I'M JUST GETTING IN BUT I BARELY TRY 976 01:24:27,663 --> 01:24:30,633 * I GOT NO REASON TO KNOW TOO MUCH 977 01:24:30,699 --> 01:24:34,603 * YOU'LL ALWAYS FIND US 978 01:24:34,670 --> 01:24:38,407 * OUT TO LUNCH 979 01:24:38,474 --> 01:24:42,010 * WE'RE SO PRETTY OH, SO PRETTY 980 01:24:43,812 --> 01:24:46,449 * WE'RE VACANT WE'RE SO PRETTY 981 01:24:46,515 --> 01:24:48,451 * OH, SO PRETTY 982 01:24:49,785 --> 01:24:52,054 * WE'RE VACANT 983 01:24:52,121 --> 01:24:54,590 * DON'T ASK US WHAT WE'RE DOIN' 'CAUSE WE'RE NOT ALL THERE 984 01:24:54,657 --> 01:24:57,860 * I DON'T PRETEND 'CAUSE I DON'T CARE 985 01:24:57,926 --> 01:25:01,063 * I DON'T BELIEVE ILLUSIONS I GOT TOO MUCH FOR REAL 986 01:25:01,130 --> 01:25:03,399 * STOP YOUR CHEAP COMMENT 987 01:25:05,234 --> 01:25:09,605 * 'CAUSE WE KNOW WHAT WE FEEL 988 01:25:09,672 --> 01:25:12,941 * WE'RE SO PRETTY OH, SO PRETTY 989 01:25:14,177 --> 01:25:16,979 * WE'RE VACANT WE'RE SO PRETTY 990 01:25:17,045 --> 01:25:18,981 * OH, SO PRETTY 991 01:25:20,416 --> 01:25:23,919 * WE'RE VACANT WE'RE SO PRETTY 992 01:25:23,986 --> 01:25:26,589 * OH, SO PRETTY, YEAH 993 01:25:28,624 --> 01:25:32,728 * I KNOW AND WE DON'T CARE 994 01:25:38,100 --> 01:25:41,069 * THERE'S NO POINT IN ASKIN' YOU'LL GET NO REPLY 995 01:25:41,136 --> 01:25:44,207 * I JUST GET IN BUT I BARELY TRY 996 01:25:44,273 --> 01:25:47,610 * I GOT NO REASON TO KNOW TOO MUCH 997 01:25:47,676 --> 01:25:50,279 * YOU'LL ALWAYS FIND ME 998 01:25:51,414 --> 01:25:53,649 * OUT TO LUNCH 999 01:25:55,951 --> 01:26:00,889 * I KNOW AND WE DON'T CARE * 1000 01:26:08,197 --> 01:26:11,300 PIZZA MAN ! WE DELIVER ! 1001 01:26:11,367 --> 01:26:14,837 HEY, MUCO MAN'S HERE. WHAT HAVE YOU GOT FOR US ? OH, MAN, DO WE NEED YOU. 1002 01:26:14,903 --> 01:26:18,140 HEY, IF ANYBODY HAS BLOW IN THIS TOWN, MY MAN WILL. 1003 01:26:18,207 --> 01:26:22,445 YOU GOT THE COKE, DADDY-O ? WHAT DO I LOOK LIKE, MAN, A SODA FOUNTAIN ? 1004 01:26:22,511 --> 01:26:24,780 WHAT ELSE YOU GOT THERE ? 1005 01:26:26,415 --> 01:26:27,816 SONGS. 1006 01:26:27,883 --> 01:26:29,218 YOU SCORIN' SONGS NOW TOO ? 1007 01:26:29,285 --> 01:26:31,820 GIVIN' 'EM AWAY. A SONG AN OUNCE. 1008 01:26:31,887 --> 01:26:32,921 BY WHO ? 1009 01:26:32,988 --> 01:26:33,989 ME. 1010 01:26:34,056 --> 01:26:36,024 YOU CAN KEEP THE SONGS, MAN. 1011 01:26:37,426 --> 01:26:40,929 I WILL KEEP THE COKE TOO. 1012 01:26:40,996 --> 01:26:44,333 [ All Chattering ] WAIT, WAIT DON'T GO AWAY. WAIT A SECOND. COME BACK HERE. 1013 01:26:44,400 --> 01:26:46,335 WHAT IS IT, PETE ? 1014 01:26:46,402 --> 01:26:47,870 [ Voice Echoing ] WHAT IS IT ? WHAT IS IT ? 1015 01:26:49,104 --> 01:26:53,476 I HAVE BEEN RUNNIN' AND FETCHIN'... 1016 01:26:53,542 --> 01:26:57,346 FOR YOU BUNCH OF PUNKS FOR THREE YEARS NOW, 1017 01:26:57,413 --> 01:27:01,183 AND I DON'T WANT TO BE NO CANDY MAN NO MORE. 1018 01:27:01,250 --> 01:27:02,718 YOU WANT MORE MONEY ? 1019 01:27:02,785 --> 01:27:04,186 IT'S NOT THE MONEY, MAN. 1020 01:27:04,253 --> 01:27:06,922 FINE. WE'LL GET SOMEONE ELSE. DO IT. 1021 01:27:06,989 --> 01:27:10,225 NO ! HEY, WAIT ! COME ON! 1022 01:27:10,293 --> 01:27:13,228 ALL RIGHT, PETE, WHAT DO YOU WANT ? 1023 01:27:13,296 --> 01:27:17,833 [ Echo ] WHAT DO YOU WANT ? I WANT YOU TO PLAY ONE OF MY SONGS. 1024 01:27:17,900 --> 01:27:20,669 PLAY ? YOU MEAN RECORD IT ? DIG IT. 1025 01:27:20,736 --> 01:27:23,105 NO WAY, MAN. 1026 01:27:23,171 --> 01:27:26,742 MM-HMM. HEY, LOOK, MAN. 1027 01:27:26,809 --> 01:27:30,078 WE'LL LISTEN TO ONE. 1028 01:27:30,145 --> 01:27:31,380 ONE ? 1029 01:27:31,447 --> 01:27:32,615 JUST ONE. 1030 01:27:34,783 --> 01:27:36,719 [ Slams Briefcase ] OKAY. 1031 01:27:37,886 --> 01:27:39,755 OKAY. 1032 01:27:43,191 --> 01:27:45,728 PASS THEM OUT, TURKEY. [ Muttering ] 1033 01:27:45,794 --> 01:27:48,731 HEY, DON'T HURT YOURSELF. 1034 01:27:52,000 --> 01:27:56,104 [ Snapping Fingers ] 1035 01:27:56,171 --> 01:28:09,885 * 1036 01:28:12,421 --> 01:28:16,759 * JUST A LITTLE TOO TALL COULD'VE USED A FEW POUNDS 1037 01:28:16,825 --> 01:28:20,496 * TIGHT PANTS, POINTS HARDLY RENOWN 1038 01:28:20,563 --> 01:28:24,833 * SHE WAS A BLACK-HAIRED BEAUTY WITH BIG, DARK EYES 1039 01:28:24,900 --> 01:28:27,970 * AND POINTS ALL HER OWN SITTIN' WAY UP HIGH 1040 01:28:33,542 --> 01:28:36,912 * WAY UP, FIRM AND HIGH 1041 01:28:36,979 --> 01:28:40,983 * OUT PAST THE CORN FIELDS WHERE THE WOODS GOT HEAVY 1042 01:28:41,049 --> 01:28:43,486 * OUT IN THE BACKSEAT OF MY '60 CHEVY 1043 01:28:45,020 --> 01:28:47,923 * WORKIN' ON MYSTERIES WITHOUT ANY CLUES 1044 01:28:51,760 --> 01:28:54,463 * WORKIN' ON OUR NIGHT MOVES 1045 01:28:55,831 --> 01:28:59,234 * TRYIN' TO MAKE SOME FRONT-PAGE DRIVE-IN NEWS 1046 01:28:59,301 --> 01:29:02,638 * WORKIN' ON OUR NIGHT MOVES 1047 01:29:02,705 --> 01:29:05,974 [ Crowd Screaming ] 1048 01:29:06,041 --> 01:29:10,078 * [ Harmonica ] 1049 01:29:25,661 --> 01:29:29,264 * AHH, ONE FOR THE MONEY 1050 01:29:29,331 --> 01:29:32,468 * TWO FOR THE SHOW THREE TO GET READY NOW GO, CAT, GO 1051 01:29:32,535 --> 01:29:35,904 * BUT DON'T YOU STEP ON MY BLUE SUEDE SHOES 1052 01:29:35,971 --> 01:29:38,006 * YOU CAN DO ANYTHING 1053 01:29:38,073 --> 01:29:41,444 * BUT LAY OFF OF MY BLUE SUEDE SHOES 1054 01:29:41,510 --> 01:29:44,012 * WELL, YOU CAN KNOCK ME DOWN STEP ON MY FACE 1055 01:29:44,079 --> 01:29:46,582 * SLANDER MY NAME ALL OVER THE PLACE 1056 01:29:46,649 --> 01:29:48,751 * DO ANYTHING THAT YOU WANNA DO 1057 01:29:48,817 --> 01:29:50,919 * BUT UH-UH, HONEY LAY OFF OF MY SHOES 1058 01:29:50,986 --> 01:29:54,690 * AND DON'T YOU STEP ON MY BLUE SUEDE SHOES 1059 01:29:54,757 --> 01:29:58,861 * WELL, YOU CAN DO ANYTHING BUT LAY OFF OF MY BLUE SUEDE SHOES 1060 01:29:58,927 --> 01:30:00,896 * WELL 1061 01:30:00,963 --> 01:30:02,898 * [ Guitar Riff ] 1062 01:30:13,375 --> 01:30:18,146 * 1063 01:30:18,213 --> 01:30:20,282 ALL RIGHT ! 1064 01:30:26,121 --> 01:30:29,124 * DEVIL WITH THE BLUE DRESS BLUE DRESS ON 1065 01:30:29,191 --> 01:30:32,194 * SHE'S THE DEVIL WITH THE BLUE DRESS ON 1066 01:30:32,260 --> 01:30:35,163 * DEVIL WITH THE BLUE DRESS BLUE DRESS, BLUE DRESS 1067 01:30:35,230 --> 01:30:38,033 * DEVIL WITH THE BLUE DRESS ON OH * 1068 01:30:38,100 --> 01:30:40,636 [ Crowd Screaming ] 1069 01:30:44,473 --> 01:30:47,476 * DEVIL WITH THE BLUE DRESS BLUE DRESS, BLUE DRESS 1070 01:30:47,543 --> 01:30:50,479 * DEVIL WITH THE BLUE DRESS ON OH 1071 01:31:00,889 --> 01:31:03,258 * I'M CRAZY 1072 01:31:03,325 --> 01:31:06,529 * CRAZY ON YOU 1073 01:31:06,595 --> 01:31:09,898 * LET ME GET CRAZY CRAZY ON YOU 1074 01:31:12,234 --> 01:31:16,539 * CRAZY ON YOU 1075 01:31:17,339 --> 01:31:19,474 * AND YOU 1076 01:31:22,711 --> 01:31:24,647 * CRAZY 1077 01:31:28,784 --> 01:31:30,919 * OOH 1078 01:31:41,597 --> 01:31:45,167 * ALL RIGHT ALL RIGHT 1079 01:31:57,646 --> 01:32:02,718 * LET ME GET CRAZY ON YOU * 1080 01:32:02,785 --> 01:32:18,901 [ Crowd Screaming ] 1081 01:32:24,406 --> 01:32:28,143 * THERE'S TOO MANY PLACES I'VE GOT TO SEE 1082 01:32:32,480 --> 01:32:37,720 * BUT IF I STAY HERE WITH YOU, GIRL 1083 01:32:40,689 --> 01:32:44,727 * THINGS JUST COULDN'T BE THE SAME 1084 01:32:48,697 --> 01:32:53,602 * 'CAUSE I'M AS FREE AS A BIRD NOW 1085 01:32:57,072 --> 01:33:02,044 * AND THIS BIRD YOU CANNOT CHANGE 1086 01:33:02,110 --> 01:33:05,047 * OH 1087 01:33:05,113 --> 01:33:09,384 * AND THE BIRD YOU CANNOT CHANGE 1088 01:33:12,655 --> 01:33:18,593 * AND THIS BIRD YOU CANNOT CHANGE 1089 01:33:20,228 --> 01:33:26,068 * LORD KNOWS I CAN'T CHANGE 1090 01:33:28,170 --> 01:33:32,941 * BYE-BYE, BABY IT'S BEEN SWEET, LOVE 1091 01:33:33,008 --> 01:33:36,011 * YEAH, YEAH 1092 01:33:36,078 --> 01:33:40,115 * OOH, THIS FEELIN' I CAN'T CHANGE 1093 01:33:44,086 --> 01:33:48,924 * BUT PLEASE DON'T TAKE IT SO BADLY 1094 01:33:51,860 --> 01:33:56,298 * 'CAUSE THE LORD KNOWS I'M TO BLAME 1095 01:34:00,068 --> 01:34:06,141 * BUT IF I STAY HERE WITH YOU, GIRL 1096 01:34:08,310 --> 01:34:12,280 * THINGS JUST COULDN'T BE THE SAME 1097 01:34:16,051 --> 01:34:21,623 * 'CAUSE I'M AS FREE AS A BIRD NOW 1098 01:34:24,526 --> 01:34:29,497 * AND THIS BIRD YOU CAN NOT CHANGE 1099 01:34:29,564 --> 01:34:32,367 * OH, OH, OH, OH 1100 01:34:32,434 --> 01:34:36,705 * AND THE BIRD YOU CANNOT CHANGE 1101 01:34:39,908 --> 01:34:46,248 * AND THIS BIRD YOU CANNOT CHANGE 1102 01:34:47,415 --> 01:34:53,756 * LORD KNOWS I CAN'T CHANGE 1103 01:34:54,990 --> 01:35:01,396 * LORD, HELP ME I CAN'T CHANGE 1104 01:35:02,898 --> 01:35:07,369 * LORD, I CAN'T CHANGE 1105 01:35:07,435 --> 01:35:09,404 * WON'T YOU FLY 1106 01:35:09,471 --> 01:35:12,775 * HIGH, FREE BIRD 1107 01:35:12,841 --> 01:35:14,709 * YEAH 76350

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