All language subtitles for Wildfire s02e02 Opportunity Knocks.enng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:02,000 PREVIOUSLY ON WILDFIRE: 2 00:00:02,000 --> 00:00:03,000 [WHISTLES] 3 00:00:03,000 --> 00:00:05,000 ANYONE WHO LOVES HORSES AS MUCH AS YOU DO 4 00:00:05,000 --> 00:00:06,000 HAS A PLACE AT RAINTREE. 5 00:00:06,000 --> 00:00:09,000 [JUDGE] MR. BETART SAYS HE'S PREPARED TO OFFER YOU 6 00:00:09,000 --> 00:00:12,000 A JOB AT THE RAINTREE THOROUGHBRED FARM. 7 00:00:12,000 --> 00:00:14,000 WHO IS SHE? 8 00:00:14,000 --> 00:00:16,000 HOT WORKING GIRL LIVING IN THE TRAILERS? 9 00:00:16,000 --> 00:00:17,000 YOU WERE IN PRISON? 10 00:00:17,000 --> 00:00:19,000 I STOLE A CAR. 11 00:00:19,000 --> 00:00:21,000 I SEE YOU. 12 00:00:21,000 --> 00:00:22,000 I DON'T KNOW WHAT PISSES ME OFF MORE. 13 00:00:22,000 --> 00:00:24,000 THE FACT THAT YOU BROKE OUR DEAL AND WENT OUT WITH HER, 14 00:00:24,000 --> 00:00:25,000 OR THE FACT THAT YOU LIED ABOUT IT. 15 00:00:25,000 --> 00:00:28,000 I WON'T LET HIM COME BETWEEN US. IF I HAVE TO CHOOSE 16 00:00:28,000 --> 00:00:32,000 BETWEEN HIM OR YOU, I CHOOSE YOU! I CAN'T SEE YOU ANYMORE! 17 00:00:32,000 --> 00:00:36,000 I THOUGHT YOU LOVED ME. I DO. 18 00:00:36,000 --> 00:00:39,000 I ALMOST RUINED MY LIFE ONCE CHASING THE SAME KIND OF INFATUATION. 19 00:00:39,000 --> 00:00:42,000 I RISKED EVERYTHING ON A GIRL WHO TOOK MY SOUL 20 00:00:42,000 --> 00:00:44,000 AND DISAPPEARED. 21 00:00:44,000 --> 00:00:45,000 MY MOTHER? 22 00:00:45,000 --> 00:00:46,000 ARE YOU ISABELLE MATIA? 23 00:00:46,000 --> 00:00:47,000 I'M YOUR DAUGHTER! DAMN IT! 24 00:00:47,000 --> 00:00:49,000 PLEASE DON'T GO. PLEASE DON'T GO! 25 00:00:49,000 --> 00:00:50,000 I'M ISABELLE. 26 00:00:50,000 --> 00:00:51,000 I'M YOUR MOTHER. 27 00:00:51,000 --> 00:00:53,000 I SAW OUR MOTHER! MY MOTHER... NOT YOURS. 28 00:00:53,000 --> 00:00:55,000 MY MOTHER GAVE ME UP BECAUSE SHE 29 00:00:55,000 --> 00:00:56,000 HAD NOTHING TO DEPEND ON. 30 00:00:56,000 --> 00:00:57,000 I WOULDN'T LET THAT HAPPEN TO YOU. 31 00:00:57,000 --> 00:01:00,000 I EITHER JOIN DAVIS FARMS AS A PARTNER, 32 00:01:00,000 --> 00:01:01,000 OR LEAVE WITH MY STOCK. 33 00:01:01,000 --> 00:01:03,000 WE'RE NOT GOING TO HIRE A NEW JOCK. 34 00:01:03,000 --> 00:01:04,000 WE'RE HIRING YOU! 35 00:01:04,000 --> 00:01:07,000 GO WILDFIRE, COME ON, COME ON! 36 00:01:07,000 --> 00:01:14,000 [CROWD CHEERING] 37 00:01:14,000 --> 00:01:16,000 I WANT JEAN BACK. SHE WON'T BE COMING. 38 00:01:16,000 --> 00:01:20,000 I JUST NEEDED TO SEE YOU. 39 00:01:22,000 --> 00:01:25,000 DID YOU...BREAK UP WITH JUNIOR BECAUSE OF THE SANDPIPER? 40 00:01:25,000 --> 00:01:29,000 HE HURT YOU AND YOUR FAMILY, AND THAT'S THE SAME THING AS HURTING ME. 41 00:01:29,000 --> 00:01:30,000 KERRY CONNELLY, 42 00:01:30,000 --> 00:01:32,000 K.D.J. SPORTS MANAGEMENT. 43 00:01:32,000 --> 00:01:34,000 WE'RE TALKING ABOUT A YOUNG WOMAN HERE, 44 00:01:34,000 --> 00:01:37,000 WHO'S NEVER HAD A STABLE HOME UNTIL NOW. 45 00:01:37,000 --> 00:01:39,000 YOU HAVE A CHANCE TO SUCCEED ON EVERY LEVEL OF SPORTS AND ENTERTAINMENT. 46 00:01:39,000 --> 00:01:42,000 WHAT ARE YOU TALKING ABOUT? I JUST WANT TO BE A JOCKEY. 47 00:01:50,000 --> 00:01:52,000 [MAN] DEPENDS ON IF THE WIND KICKS UP. YOU KNOW? 48 00:01:52,000 --> 00:01:54,000 [MAN 2] SHE'S LOOKING FOR YOU. YOU TALK TO HER? 49 00:01:54,000 --> 00:01:57,000 [MAN] I DID TALK TO THEM. THEY'RE GONNA COME IN LATER. 50 00:01:57,000 --> 00:02:00,000 [MAN 3] I'M NOT SURE I'LL LET HIM GO. 51 00:02:00,000 --> 00:02:01,000 [KRIS, INDISTINCT] 52 00:02:01,000 --> 00:02:03,000 YOU THINK SO? 53 00:02:03,000 --> 00:02:05,000 I DON'T KNOW! I'VE NEVER BEEN. [CHUCKLES] 54 00:02:05,000 --> 00:02:08,000 [HORN HONKING] 55 00:02:09,000 --> 00:02:11,000 HEY! 56 00:02:11,000 --> 00:02:14,000 COME ON NOW, BOY! EASY! WHOA! HEY! 57 00:02:14,000 --> 00:02:15,000 HEY, WILDFIRE! HEY! [WHINNYING] 58 00:02:15,000 --> 00:02:16,000 HEY, HEY! 59 00:02:16,000 --> 00:02:18,000 [MAN] WHOA! WHOA! 60 00:02:18,000 --> 00:02:21,000 HEY, KNOCK IT OFF! HEY! 61 00:02:21,000 --> 00:02:23,000 [MAN] YEAH, I GOT HIM. SORRY ABOUT THAT. 62 00:02:23,000 --> 00:02:25,000 THANKS TO YOU, MY HORSE JUST BOLTED. 63 00:02:25,000 --> 00:02:27,000 MAYBE WE CAN TALK LATER. 64 00:02:27,000 --> 00:02:28,000 GIVE YOU MY CARD? 65 00:02:32,000 --> 00:02:34,000 THIS WHO YOU'RE LOOKING FOR? THANK GOD. 66 00:02:34,000 --> 00:02:38,000 HE CAME CHARGING UP HERE LIKE A BAT OUT OF HELL. 67 00:02:38,000 --> 00:02:41,000 NEARLY KNOCKED ME DOWN WHEN I WAS GETTING OUT OF MY CAR. 68 00:02:41,000 --> 00:02:43,000 YOU BEEN THINKING ABOUT WHAT I SAID? YEAH, ONE THING. 69 00:02:43,000 --> 00:02:46,000 YOU SAID YOU'D FEND OFF THE HOUNDS OF THE PRESS? THAT'S RIGHT. I DID. 70 00:02:46,000 --> 00:02:49,000 YEAH, WELL, HERE'S YOUR CHANCE. 71 00:02:49,000 --> 00:02:51,000 THOSE GUYS? PIECE OF CAKE. 72 00:02:51,000 --> 00:02:55,000 KRIS, LET'S GO. WE GOT A RACE TO GET READY FOR. 73 00:02:58,000 --> 00:03:02,000 [MAN] ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 74 00:03:02,000 --> 00:03:07,000 ♪ AND I WANNA BE THERE ALL MY LIFE ♪ 75 00:03:07,000 --> 00:03:11,000 ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 76 00:03:11,000 --> 00:03:15,000 ♪ AND I WANNA BE THERE ♪ 77 00:03:15,000 --> 00:03:20,000 ♪ 'CAUSE YOU'RE ALL I EVER DREAMED OF ♪ 78 00:03:20,000 --> 00:03:23,000 ♪ YOUR STARS ARE OUT ♪ 79 00:03:23,000 --> 00:03:25,000 ♪ AND ALL IS RIGHT ♪♪ 80 00:03:31,000 --> 00:03:33,000 THAT WAS A GOOD RIDE, KRIS. 81 00:03:37,000 --> 00:03:39,000 LOOKING FOR ME? NO. 82 00:03:39,000 --> 00:03:42,000 THAT WAS THE OLD ME. THE NEW ME DOESN'T DO THAT. 83 00:03:42,000 --> 00:03:44,000 GLAD I GOT THAT STRAIGHT. 84 00:03:44,000 --> 00:03:45,000 YEAH, ME TOO. 85 00:03:45,000 --> 00:03:47,000 SO, YOU SEEN MATT AROUND? 86 00:03:48,000 --> 00:03:49,000 WOW. 87 00:03:51,000 --> 00:03:53,000 YOU LIKE IT? 88 00:03:53,000 --> 00:03:57,000 IT'S STILL A WORK IN PROGRESS, BUT I PUT IN THIS KICK-ASS STEREO. 89 00:03:57,000 --> 00:04:01,000 THE INTERIOR'S GETTING DONE NEXT WEEK. SHE RUNS GREAT. 90 00:04:01,000 --> 00:04:04,000 PLUS I NEEDED A NEW CONVERTIBLE. 91 00:04:04,000 --> 00:04:06,000 MODERN JOCKEY? 92 00:04:06,000 --> 00:04:07,000 YEAH. YOU READ THIS? 93 00:04:07,000 --> 00:04:09,000 WHEN YOUR PICTURE'S IN IT, I DO. 94 00:04:09,000 --> 00:04:11,000 WHAT ARE YOU TALKING ABOUT? 95 00:04:11,000 --> 00:04:12,000 WHERE IS IT? 96 00:04:12,000 --> 00:04:15,000 RIGHT HERE. 97 00:04:16,000 --> 00:04:19,000 I CAN'T BELIEVE YOU BOUGHT THIS. 98 00:04:19,000 --> 00:04:22,000 HEY, BESIDE MAXIM, MODERN JOCKEY'S MY FAVORITE MAGAZINE. 99 00:04:22,000 --> 00:04:23,000 I NEVER MISS AN ISSUE. 100 00:04:30,000 --> 00:04:34,000 HEY, I'M SORRY I DIDN'T-- I COULDN'T GO TO YOUR PARTY THE OTHER NIGHT. 101 00:04:34,000 --> 00:04:37,000 COULDN'T OR DIDN'T? 102 00:04:40,000 --> 00:04:43,000 DON'T PRETEND YOU DON'T THINK ABOUT ME. 103 00:04:43,000 --> 00:04:45,000 I THINK ABOUT YOU. 104 00:04:45,000 --> 00:04:47,000 VERY IMPRESSIVE WORKOUT. THANKS. 105 00:04:47,000 --> 00:04:49,000 UM, KERRY, 106 00:04:49,000 --> 00:04:50,000 UH, JUNIOR. 107 00:04:50,000 --> 00:04:51,000 HEY. 108 00:04:51,000 --> 00:04:53,000 NICE TO MEET YOU. YOU'RE A VERY LUCKY GUY. 109 00:04:53,000 --> 00:04:56,000 OH, NO. WE'RE NOT TOGETHER. 110 00:04:56,000 --> 00:04:59,000 OH, SORRY. MY BAD. 111 00:04:59,000 --> 00:05:01,000 UM, SHOULD I COME BACK LATER? 112 00:05:01,000 --> 00:05:04,000 YEAH. I MEAN, I SAID WE COULD TALK, SO... 113 00:05:08,000 --> 00:05:10,000 I GOTTA GO FIND MATT. 114 00:05:10,000 --> 00:05:13,000 UH, BUT YOU SHOULD COME SEE MY PLACE. 115 00:05:13,000 --> 00:05:15,000 ALL MY OTHER FRIENDS HAVE. 116 00:05:22,000 --> 00:05:25,000 LOOK, YOU KNOW, YOU'RE A REALLY NICE GUY 117 00:05:25,000 --> 00:05:28,000 AND I'M REALLY FLATTERED YOU WANNA SIGN ME-- 118 00:05:28,000 --> 00:05:32,000 BEFORE YOU SAY NO, TELL ME IF YOU'VE HEARD OF ATOMIC HOT SAUCE. 119 00:05:32,000 --> 00:05:36,000 YEAH, THAT'S THE STUFF THAT YOU DUMP ON RECONSTITUTED EGGS. 120 00:05:36,000 --> 00:05:37,000 YEAH, AMONG OTHER THINGS. 121 00:05:37,000 --> 00:05:41,000 THEIR NEW AD CAMPAIGN HAS GOT A GIRL ON A HORSE THEME. 122 00:05:41,000 --> 00:05:46,000 I DON'T KNOW IF KNOW IF I'M INTERESTED IN BEING THE NEW FACE OF HOT SAUCE. 123 00:05:46,000 --> 00:05:47,000 YOU INTERESTED IN MONEY AT ALL? 124 00:05:47,000 --> 00:05:49,000 INTERESTED? YEAH. 125 00:05:49,000 --> 00:05:52,000 I DID WIPE OUT A BIG CHUNK OF MY DEBT TO THE STATE 126 00:05:52,000 --> 00:05:54,000 WITH THE PLACE MONEY FROM THE SANDPIPER, 127 00:05:54,000 --> 00:05:56,000 BUT I STILL OWE A LOT MORE. 128 00:05:56,000 --> 00:05:58,000 YOU DO THIS COMMERCIAL, YOU CAN MAKE A BIG DENT IN THAT. 129 00:05:58,000 --> 00:06:01,000 YOU CAN HELP OUT THE RITTERS TOO BECAUSE ATOMIC WANTS WILDFIRE 130 00:06:01,000 --> 00:06:04,000 AS WELL AS YOU. AND THEY PAY THAT MUCH? 131 00:06:04,000 --> 00:06:06,000 YES. THIS COULD MEAN SOME SERIOUS PUBLICITY HERE. 132 00:06:06,000 --> 00:06:08,000 YOU LAND A SPOT LIKE THIS, 133 00:06:08,000 --> 00:06:10,000 EVERY TRAINER AND EVERY FAN FROM HERE TO KENTUCKY 134 00:06:10,000 --> 00:06:12,000 WILL KNOW WHO YOU ARE. 135 00:06:15,000 --> 00:06:16,000 THAT'S RIGHT. 136 00:06:16,000 --> 00:06:20,000 WELL, WE HAVE TWO STALLS AVAILABLE, AND-- 137 00:06:21,000 --> 00:06:23,000 REALLY? 138 00:06:23,000 --> 00:06:25,000 BOTH? 139 00:06:25,000 --> 00:06:27,000 THAT...WOULD BE, UM... 140 00:06:27,000 --> 00:06:30,000 THAT WOULD BE GREAT. 141 00:06:30,000 --> 00:06:32,000 YES. 142 00:06:32,000 --> 00:06:34,000 THANK YOU. 143 00:06:34,000 --> 00:06:36,000 OKAY. BYE-BYE. 144 00:06:36,000 --> 00:06:38,000 THEY HEARD ABOUT YOU FROM THE SANDPIPER? 145 00:06:38,000 --> 00:06:40,000 I CAN'T BELIEVE IT! 146 00:06:40,000 --> 00:06:43,000 WE ARE GONNA HAVE THE WHOLE BARN FULL! 147 00:06:43,000 --> 00:06:45,000 THE PITTER-PATTER OF TRAMPLING HOOVES. 148 00:06:45,000 --> 00:06:46,000 OH, BOY! 149 00:06:46,000 --> 00:06:49,000 [DOOR OPENS, CLOSES] 150 00:06:51,000 --> 00:06:53,000 HEY, YOU. HEY. 151 00:06:53,000 --> 00:06:54,000 GOOD MORNING. GOOD MORNING. 152 00:06:54,000 --> 00:06:57,000 YOU'RE IN A GOOD MOOD FOR THIS TIME OF DAY. YES, I AM. 153 00:06:57,000 --> 00:06:59,000 UM, WE'RE OUT OF ALIOOPS. 154 00:06:59,000 --> 00:07:01,000 NOW WE'RE NOT, I JUST BOUGHT SOME. 155 00:07:01,000 --> 00:07:04,000 THEY MUST STILL BE IN THE CAR. 156 00:07:04,000 --> 00:07:07,000 HEY, MATT, LISTEN... 157 00:07:07,000 --> 00:07:10,000 YOUR MOM'S BEEN WORKING SO HARD LATELY, UM... 158 00:07:10,000 --> 00:07:15,000 WHAT DO YOU SAY WE TAKE HER OUT FOR A REALLY NICE DINNER TOMORROW NIGHT? 159 00:07:15,000 --> 00:07:17,000 SURE. GREAT. TERRIFIC. 160 00:07:17,000 --> 00:07:19,000 THERE'S THIS NICE LITTLE ITALIAN PLACE. 161 00:07:19,000 --> 00:07:20,000 YOU LIKE ITALIAN FOOD, RIGHT? 162 00:07:20,000 --> 00:07:22,000 WAIT, I'M SUPPOSED TO GO? 163 00:07:22,000 --> 00:07:25,000 YEAH, I'M SAYING THE THREE OF US AND TODD. 164 00:07:25,000 --> 00:07:27,000 YOU CAN'T JUST MAKE PLANS LIKE THIS. 165 00:07:27,000 --> 00:07:29,000 I HAVE STUFF TO DO WITH MY FATHER. 166 00:07:30,000 --> 00:07:33,000 MATT. WHAT, CHARLIE? 167 00:07:33,000 --> 00:07:35,000 I KNOW YOU'VE GOT A DAD. 168 00:07:35,000 --> 00:07:39,000 BUT WHEN YOU AND I ARE TOGETHER, TREAT ME IN A DECENT AND RESPECTFUL WAY 169 00:07:39,000 --> 00:07:41,000 AND I'LL DO THE SAME WITH YOU. I DIDN'T MEAN TO-- 170 00:07:41,000 --> 00:07:45,000 ARE YOU GOING TO JOIN YOUR MOTHER AND YOUR BROTHER AND ME FOR DINNER OR NOT? 171 00:07:47,000 --> 00:07:49,000 YEAH. 172 00:07:49,000 --> 00:07:51,000 GREAT. 173 00:07:52,000 --> 00:07:54,000 [JEAN] HEY, KRIS, WHAT'S GOING ON? 174 00:07:54,000 --> 00:07:56,000 KERRY CONNELLY'S HERE. 175 00:07:56,000 --> 00:07:58,000 HE'S BACK ALREADY? 176 00:07:58,000 --> 00:08:03,000 YEAH, HE THINKS WILDFIRE AND I MIGHT HAVE A CHANCE TO GET IN A COMMERCIAL. 177 00:08:03,000 --> 00:08:06,000 YOU'RE KIDDING. REALLY? 178 00:08:06,000 --> 00:08:09,000 WHAT WOULD YOU HAVE TO DO? 179 00:08:09,000 --> 00:08:12,000 I GUESS, RIDE WILDFIRE. 180 00:08:12,000 --> 00:08:15,000 I'M NOT SURE ABOUT WILDFIRE IN A COMMERCIAL. 181 00:08:15,000 --> 00:08:18,000 CAN YOU LET ME THINK ABOUT IT AND TALK TO PABLO? 182 00:08:18,000 --> 00:08:21,000 YEAH, I DON'T EVEN KNOW IF I'D GET THE JOB. 183 00:08:21,000 --> 00:08:24,000 SHOULD I SAY NO? NO. 184 00:08:24,000 --> 00:08:26,000 LET'S SEE WHAT HAPPENS. IT COULD BE FUN. 185 00:08:29,000 --> 00:08:33,000 [MATT] WHAT ABOUT THIS ONE? IT'S 2,000 SQUARE FEET. [PETE] IT'S TOO SMALL. 186 00:08:33,000 --> 00:08:35,000 RULE NUMBER ONE: ALWAYS MAKE SURE YOU KEEP YOUR MUSIC 187 00:08:35,000 --> 00:08:38,000 FAR ENOUGH FROM THE PEOPLE SO THEY CAN HEAR THEMSELVES TALK. 188 00:08:38,000 --> 00:08:41,000 IF THEY'RE NOT TALKING, THEY'RE NOT FLIRTING, AND IF THEY'RE NOT FLIRTING-- 189 00:08:41,000 --> 00:08:44,000 THEY'RE NOT BUYING DRINKS. YOU CATCH ON FAST, COWBOY. 190 00:08:48,000 --> 00:08:50,000 COME ON. COME ON. 191 00:08:51,000 --> 00:08:53,000 HEY, DANI, WHAT'S GOIN' ON? 192 00:08:53,000 --> 00:08:55,000 WHERE'D YOU GET THIS HORSE? 193 00:08:55,000 --> 00:08:58,000 YOU SAID I COULD CHOOSE ONE HORSE SO I CHOSE THE ROAN MARE. 194 00:08:58,000 --> 00:09:00,000 THEN I TRADED HER TO KELLY FARMS FOR THIS GUY. 195 00:09:00,000 --> 00:09:02,000 WHAT IS HE, ABOUT TWO YEARS OLD? UNTRIED? 196 00:09:02,000 --> 00:09:06,000 WITH UPSIDE POTENTIAL. ISN'T THAT WHAT YOU ALWAYS SAY TO LOOK FOR? 197 00:09:06,000 --> 00:09:10,000 THEY CLOCKED HIM DOING HALF A MILE IN 49 SECONDS, AND THAT WAS IN THE MUD. 198 00:09:10,000 --> 00:09:13,000 I HAVE AN INSTINCT ABOUT HIM. 199 00:09:13,000 --> 00:09:15,000 WELL, YOUR INSTINCT BETTER BE GOOD. 200 00:09:15,000 --> 00:09:17,000 THAT ROAN MARE WAS WORTH ABOUT 30 GRAND. 201 00:09:19,000 --> 00:09:25,000 DO YOU KNOW HOW LONG IT'S GONNA TAKE TO CLEAN THIS PLACE UP? DO YOU HAVE ANY IDEA? 202 00:09:25,000 --> 00:09:29,000 AND WHAT'S ALL THIS? SOMETHING ABOUT GANG RULES? 203 00:09:29,000 --> 00:09:31,000 UM, IT SAYS "GWEN RULES." 204 00:09:31,000 --> 00:09:34,000 I THINK THEY'RE TALKING ABOUT GWEN STEFANI. 205 00:09:34,000 --> 00:09:36,000 LOOK, I'M SORRY. 206 00:09:36,000 --> 00:09:40,000 I KNOW MY PARTY GOT A LITTLE OUT OF HAND, BUT I'LL TAKE CARE OF IT. 207 00:09:40,000 --> 00:09:44,000 EXCUSE ME, CAN I HELP YOU? WE'RE HERE TO CHECK OUT THE SPACE. 208 00:09:44,000 --> 00:09:46,000 YEAH, YEAH. COME ON IN. 209 00:09:46,000 --> 00:09:49,000 HOLD IT. YOU CAN'T RENT THE SPACE. I HAVE A LEASE. 210 00:09:49,000 --> 00:09:51,000 YOU BROKE THAT TEN DIFFERENT WAYS LAST NIGHT. YOU'RE OUT. 211 00:09:53,000 --> 00:09:56,000 BRO? DUDE, THIS IS YOUR SPACE? 212 00:09:56,000 --> 00:09:58,000 WAIT A MINUTE. YOU ALL KNOW EACH OTHER? 213 00:09:58,000 --> 00:10:02,000 NO. NO WE DON'T. 214 00:10:02,000 --> 00:10:04,000 SO, UH, HOW MANY SQUARE FEET? 215 00:10:04,000 --> 00:10:07,000 5,000. HERE. COME ON. LET ME SHOW YOU AROUND. 216 00:10:08,000 --> 00:10:11,000 SORRY IT'S SUCH A MESS. 217 00:10:11,000 --> 00:10:12,000 YOU'RE BEING EVICTED ALREADY? 218 00:10:12,000 --> 00:10:15,000 YOU SHOULD HAVE BEEN HERE LAST NIGHT. IT WAS OUTSTANDING. 219 00:10:15,000 --> 00:10:17,000 OH, MAN. I'M PARTIED OUT. 220 00:10:17,000 --> 00:10:20,000 YOU WERE WATCHING DESPERATE HOUSEWIVES. 221 00:10:20,000 --> 00:10:21,000 SO? 222 00:10:21,000 --> 00:10:25,000 DUDE, I PULLED IN 3K AND THAT'S NOT SERVING BOOZE. 223 00:10:25,000 --> 00:10:28,000 OF COURSE, NOW MY PARTY'S HOMELESS. 224 00:10:28,000 --> 00:10:32,000 SORRY YOU HAD TO COME IN WITH IT LOOKING LIKE THIS. LOOKS GOOD. 225 00:10:32,000 --> 00:10:33,000 HOW MUCH ARE WE TALKIN'? 226 00:10:33,000 --> 00:10:35,000 3,000 A MONTH. 227 00:10:38,000 --> 00:10:39,000 2,000. 228 00:10:39,000 --> 00:10:43,000 2,500. 229 00:10:43,000 --> 00:10:45,000 2,000. TAKE IT OR LEAVE IT. 230 00:10:50,000 --> 00:10:52,000 [DANI] YES, THAT'S RIGHT. DANI DAVIS. 231 00:10:52,000 --> 00:10:55,000 MM-HMM. I BOUGHT PICARO. 232 00:10:55,000 --> 00:10:57,000 LOOK, I'M A LITTLE CONCERNED ABOUT HIM 233 00:10:57,000 --> 00:11:01,000 AND I WAS WONDERING IF I COULD COME BY TO TALK TO YOU. 234 00:11:01,000 --> 00:11:03,000 YUP. TOMORROW. GREAT. THANK YOU. 235 00:11:05,000 --> 00:11:07,000 WHAT DO YOU WANT? 236 00:11:07,000 --> 00:11:08,000 I'M LOOKING-- 237 00:11:08,000 --> 00:11:10,000 FOR JUNIOR. OF COURSE YOU ARE. 238 00:11:10,000 --> 00:11:13,000 LOOK, DANI, I-- DON'T DO THIS. 239 00:11:13,000 --> 00:11:15,000 DON'T TRY AND MAKE IT BETTER. 240 00:11:15,000 --> 00:11:17,000 HE'S NOT HERE ANYWAY. 241 00:11:17,000 --> 00:11:18,000 HE MOVED OUT. 242 00:11:18,000 --> 00:11:21,000 SO IT'S TRUE? 243 00:11:21,000 --> 00:11:23,000 I THOUGHT IT WAS JUST ANOTHER LIE 244 00:11:23,000 --> 00:11:26,000 KEN MADE UP TO KEEP ME AWAY. 245 00:11:26,000 --> 00:11:29,000 DO YOU KNOW WHERE HE IS? NO. 246 00:11:31,000 --> 00:11:32,000 YES, YOU DO. 247 00:11:39,000 --> 00:11:40,000 WAIT. 248 00:11:42,000 --> 00:11:45,000 I'M NOT GONNA LET YOU CALL ME THE BITCH THAT KEPT YOU TWO APART. 249 00:11:45,000 --> 00:11:47,000 100 SPRUCE STREET. 250 00:11:51,000 --> 00:11:53,000 JEAN? YUP, IN HERE. 251 00:11:53,000 --> 00:11:56,000 JEAN, EXCUSE ME. I'M SORRY, BUT WE HAVE A PROBLEM. 252 00:11:56,000 --> 00:12:00,000 OH! I'M SORRY. THIS IS DARREN AMES FROM THE DEPARTMENT OF AGRICULTURE. 253 00:12:00,000 --> 00:12:02,000 WHAT'S GOING ON? 254 00:12:02,000 --> 00:12:06,000 AS I TOLD PABLO, THERE'S BEEN AN OUTBREAK OF HOOF-AND-MOUTH DISEASE AT WEATHERBY FARMS. 255 00:12:06,000 --> 00:12:09,000 THREE STEER HAVE BEEN AFFECTED SO FAR. 256 00:12:09,000 --> 00:12:11,000 THE HERD IS ISOLATED. 257 00:12:11,000 --> 00:12:13,000 THE WHOLE PLACE IS LOCKED DOWN. 258 00:12:13,000 --> 00:12:14,000 YOU'RE KIDDING. 259 00:12:14,000 --> 00:12:17,000 BUT HORSES DON'T GET SICK FROM HOOF-AND-MOUTH. 260 00:12:17,000 --> 00:12:21,000 BUT YOU KNOW THEY CAN PASS THE VIRUS ON. 261 00:12:21,000 --> 00:12:24,000 WEATHERBY FARMS TOLD US THAT ONE OF YOUR HORSES, SAVANNAH, 262 00:12:24,000 --> 00:12:25,000 WAS ON THEIR PROPERTY LAST NIGHT. 263 00:12:25,000 --> 00:12:27,000 I TOOK HER OVER THERE TO SHOW A BUYER. 264 00:12:27,000 --> 00:12:29,000 I SHOULD HAVE MADE HIM COME HERE. 265 00:12:29,000 --> 00:12:31,000 THERE'S NO WAY YOU COULD HAVE KNOWN. 266 00:12:31,000 --> 00:12:33,000 BUT I DO HAVE TO TEST SAVANNAH FOR THE VIRUS. 267 00:12:33,000 --> 00:12:36,000 THERE'S A POSSIBILITY SHE'S CARRYING IT. 268 00:12:37,000 --> 00:12:38,000 [CAMERAS CLICKING] 269 00:12:38,000 --> 00:12:41,000 ♪♪ [ROCK] 270 00:12:53,000 --> 00:12:54,000 GET THE OTHER ONE. 271 00:13:00,000 --> 00:13:01,000 NEXT. 272 00:13:02,000 --> 00:13:05,000 HELLO. 273 00:13:05,000 --> 00:13:08,000 UM, KRISTINE FURILLO. 274 00:13:08,000 --> 00:13:12,000 WHEN YOU HEAR THE WORDS "ATOMIC HOT SAUCE," WHAT DO YOU THINK OF? 275 00:13:12,000 --> 00:13:15,000 UH...IT'S HOT. 276 00:13:15,000 --> 00:13:16,000 AND? 277 00:13:19,000 --> 00:13:25,000 I'M SORRY. I REALLY DON'T THINK A LOT ABOUT HOT SAUCE. 278 00:13:25,000 --> 00:13:26,000 OKAY, MOVING ON. UM, WARDROBE. 279 00:13:26,000 --> 00:13:30,000 WE NEED YOU TO PUT THIS ON SO WE CAN SEE HOW YOU LOOK. 280 00:13:30,000 --> 00:13:32,000 NO JOCKEY WOULD WEAR THIS. 281 00:13:32,000 --> 00:13:35,000 WELL, EVERY JOCKEY WHO'S AUDITIONED TODAY HAS. 282 00:13:35,000 --> 00:13:37,000 WHAT AGENCY ARE YOU FROM? 283 00:13:37,000 --> 00:13:39,000 I'M WITH RAINTREE FARMS. 284 00:13:39,000 --> 00:13:41,000 OH, GOD. I KNEW YOU LOOKED FAMILIAR. 285 00:13:41,000 --> 00:13:46,000 YOU'RE THE GIRL WHO STOLE THE HORSE AND LOST THAT RACE LAST WEEK. 286 00:13:49,000 --> 00:13:52,000 I'LL NEVER GET MY DEPOSIT BACK FROM THAT GUY, WILL I? 287 00:13:52,000 --> 00:13:54,000 [CHUCKLES] NOPE. 288 00:13:54,000 --> 00:13:56,000 MODERN JOCKEY? 289 00:13:56,000 --> 00:13:58,000 YEAH. 290 00:13:58,000 --> 00:14:00,000 LOOK, WE'RE FRIENDS NOW. 291 00:14:00,000 --> 00:14:02,000 YEAH, FANTASTIC. 292 00:14:02,000 --> 00:14:04,000 IT'S BETTER THIS WAY. 293 00:14:04,000 --> 00:14:06,000 YOU REALLY MEAN THAT? 294 00:14:06,000 --> 00:14:08,000 NO, DUDE. IT SUCKS. 295 00:14:08,000 --> 00:14:09,000 YOU KNOW, I'D FEEL SORRY FOR YOU, 296 00:14:09,000 --> 00:14:12,000 EXCEPT YOU'RE THE ONE WHO STOLE HER FROM ME. 297 00:14:12,000 --> 00:14:15,000 OH, COME ON. SHE HAD SOMETHING TO DO WITH THAT. 298 00:14:15,000 --> 00:14:18,000 BUT, FOR WHAT IT'S WORTH, I WISH IT HADN'T GONE DOWN LIKE THAT. 299 00:14:18,000 --> 00:14:22,000 YOU'D BE MISERABLE NOW AND I COULD BE... [PHONE RINGS] 300 00:14:23,000 --> 00:14:25,000 ...DATING BRIANA CRUZ. 301 00:14:25,000 --> 00:14:28,000 WHAT DOES SHE WANT? PROBABLY WANTS TO KNOW ABOUT MY NEXT PARTY TOO. 302 00:14:30,000 --> 00:14:32,000 I HATE TO DISAPPOINT. 303 00:14:32,000 --> 00:14:34,000 WHAT? 304 00:14:36,000 --> 00:14:39,000 WHAT IF YOU WENT IN WITH MY DAD... 305 00:14:39,000 --> 00:14:43,000 AS HIS SILENT PARTNER? 306 00:14:57,000 --> 00:14:58,000 HEY, WHAT'S UP? 307 00:14:58,000 --> 00:15:00,000 HERE YOU GO. I'LL TAKE HIM. 308 00:15:00,000 --> 00:15:03,000 WELL, I HEARD BACK FROM THE PEOPLE AT ATOMIC. 309 00:15:03,000 --> 00:15:06,000 YEAH. I GAVE THEM ATTITUDE. I DIDN'T GET THE JOB. 310 00:15:08,000 --> 00:15:10,000 YEAH, YOU GAVE THEM ATTITUDE... 311 00:15:10,000 --> 00:15:12,000 AND YOU DID GET THE JOB. 312 00:15:14,000 --> 00:15:16,000 I-I GOT IT? YES. 313 00:15:16,000 --> 00:15:19,000 THEY WANTED THE REAL DEAL AND THAT'S YOU. 314 00:15:19,000 --> 00:15:21,000 SHOOTS IN TWO DAYS, 315 00:15:21,000 --> 00:15:24,000 SO PACK YOUR BAGS FOR L.A. YOU'RE GOIN' FIRST CLASS. 316 00:15:24,000 --> 00:15:27,000 THERE'S A LARGE BARN FOR WILDFIRE TOO. 317 00:15:27,000 --> 00:15:29,000 CONGRATULATIONS. 318 00:15:31,000 --> 00:15:34,000 STILL HAVEN'T GOTTEN THE HOOF-AND-MOUTH TEST RESULTS BACK YET, 319 00:15:34,000 --> 00:15:37,000 AND WE HAVE TWO NEW HORSES COMING IN TOMORROW. 320 00:15:37,000 --> 00:15:39,000 GUESS WE'RE JUST GONNA HAVE TO PUT 'EM OFF. 321 00:15:39,000 --> 00:15:42,000 IF THE TEST COMES BACK NEGATIVE, NOTHING TO WORRY ABOUT. 322 00:15:42,000 --> 00:15:45,000 LET'S HOPE SO. I ALREADY SPENT THE DEPOSIT MONEY. 323 00:15:45,000 --> 00:15:47,000 [PHONE RINGING] 324 00:15:48,000 --> 00:15:50,000 PABLO. 325 00:15:50,000 --> 00:15:52,000 HEY, BABE. HEY, WENDY. 326 00:15:52,000 --> 00:15:54,000 SO, GUESS WHAT? 327 00:15:54,000 --> 00:15:57,000 MY INTERVIEW FOR THE ESPN JOB GOT POSTPONED... 328 00:15:57,000 --> 00:16:01,000 AGAIN, BUT MY MOOD WOULD IMPROVE CONSIDERABLY 329 00:16:01,000 --> 00:16:04,000 OVER A GOOD GLASS OF WINE, IF YOU'RE UP FOR IT. 330 00:16:04,000 --> 00:16:06,000 IT'S, UH... IT'S NOT A GOOD TIME. 331 00:16:06,000 --> 00:16:10,000 OH, COME ON. NOT THAT LINE. THERE'S A LOT GOING ON RIGHT NOW. 332 00:16:10,000 --> 00:16:12,000 THAT ONE'S WORSE. LOOK, I GOTTA GO, OKAY? 333 00:16:12,000 --> 00:16:14,000 I'LL CALL YOU BACK. 334 00:16:14,000 --> 00:16:17,000 YOU...OH. 335 00:16:28,000 --> 00:16:31,000 DUDE! NO WAY, MAN! 336 00:16:32,000 --> 00:16:33,000 READY? 337 00:16:33,000 --> 00:16:34,000 WHOA! 338 00:16:34,000 --> 00:16:38,000 [SIREN WAILING IN DISTANCE] 339 00:16:38,000 --> 00:16:39,000 [KNOCK ON DOOR] 340 00:16:39,000 --> 00:16:41,000 HI. 341 00:16:41,000 --> 00:16:42,000 CAN I COME IN? 342 00:16:42,000 --> 00:16:46,000 HOW'D YOU FIND ME? DANI GAVE ME YOUR ADDRESS. 343 00:16:46,000 --> 00:16:48,000 WHAT A LOVELY SPACE! 344 00:16:48,000 --> 00:16:50,000 DANI GAVE YOU MY ADDRESS? 345 00:16:50,000 --> 00:16:52,000 IS THAT OKAY? 346 00:16:52,000 --> 00:16:55,000 HOW COULD YOU GO THROUGH MY SISTER? 347 00:16:56,000 --> 00:16:59,000 YOU REALLY HURT HER. 348 00:16:59,000 --> 00:17:01,000 I DIDN'T MEAN TO. 349 00:17:01,000 --> 00:17:05,000 AND YOUR FATHER IS THE ONE WHO REALLY HURT DANI, NOT ME. 350 00:17:05,000 --> 00:17:07,000 IT WAS HIS LIE. 351 00:17:07,000 --> 00:17:08,000 YOU KNOW THAT. 352 00:17:08,000 --> 00:17:13,000 LOOK, JUNIOR, DON'T YOU WANT TO GET TO KNOW ME AT ALL? 353 00:17:13,000 --> 00:17:14,000 YOU'RE MY SON. 354 00:17:14,000 --> 00:17:17,000 I DON'T KNOW WHO I AM ANYMORE. 355 00:17:17,000 --> 00:17:19,000 WHICH IS EXACTLY WHY WE SHOULD TALK. 356 00:17:20,000 --> 00:17:22,000 I... 357 00:17:22,000 --> 00:17:26,000 I JUST REALLY CAN'T DEAL WITH THIS RIGHT NOW. 358 00:17:26,000 --> 00:17:30,000 THEN DON'T. LET'S GET TO KNOW EACH OTHER JUST A LITTLE BIT AT A TIME. 359 00:17:33,000 --> 00:17:35,000 BUT NOT NOW. 360 00:17:35,000 --> 00:17:38,000 NO. NOT NOW. 361 00:17:38,000 --> 00:17:39,000 ANOTHER TIME. 362 00:17:42,000 --> 00:17:45,000 I'LL SEE MYSELF OUT. 363 00:17:49,000 --> 00:17:50,000 [KNOCK ON DOOR] [PABLO] YEAH? 364 00:17:50,000 --> 00:17:54,000 HOW MANY WEEKS IS IT? LIKE SIX? 365 00:17:54,000 --> 00:17:58,000 HEY! OH, UM, AM I INTERRUPTING? 366 00:17:58,000 --> 00:17:59,000 WHAT'S GOING ON? 367 00:17:59,000 --> 00:18:01,000 NOTHING... 368 00:18:01,000 --> 00:18:04,000 JUST, I GET TO GO TO L.A. FOR THE COMMERCIAL. 369 00:18:04,000 --> 00:18:07,000 WELL, WILDFIRE AND I DO, IF THAT'S STILL COOL. 370 00:18:07,000 --> 00:18:09,000 OH, MY GOD. I FORGOT ALL ABOUT THAT. 371 00:18:09,000 --> 00:18:12,000 WHAT COMMERCIAL? WHAT'S WILDFIRE HAVE TO DO WITH IT? I'LL TELL YOU LATER. 372 00:18:12,000 --> 00:18:14,000 WE HAVE A PROBLEM. WHAT? 373 00:18:16,000 --> 00:18:18,000 SAVANNAH TESTED POSITIVE FOR HOOF-AND-MOUTH DISEASE. 374 00:18:18,000 --> 00:18:21,000 THE BARN'S UNDER QUARANTINE. 375 00:18:21,000 --> 00:18:23,000 IS SHE SICK? NO. HORSES DON'T GET SICK 376 00:18:23,000 --> 00:18:26,000 FROM THE VIRUS, BUT THEY CAN INFECT OTHER KINDS OF LIVESTOCK. 377 00:18:26,000 --> 00:18:31,000 SO NO HORSES ON OR OFF THE RANCH UNTIL WE GET THE OKAY. 378 00:18:31,000 --> 00:18:35,000 OH, MY GOD. I'VE GOTTA CALL THE NEW BOARDERS, TELL THEM NOT TO COME. 379 00:18:35,000 --> 00:18:38,000 DON'T COUNT MONEY BEFORE YOU GOT IT. 380 00:18:38,000 --> 00:18:41,000 YEAH, BUT IF I DO THE COMMERCIAL, I GET PAID. 381 00:18:41,000 --> 00:18:43,000 SO DOES WILDFIRE. DOESN'T THAT HELP? 382 00:18:43,000 --> 00:18:45,000 WILDFIRE CAN'T DO A COMMERCIAL. 383 00:18:45,000 --> 00:18:47,000 WILDFIRE'S NOT GOING ANYWHERE. 384 00:18:54,000 --> 00:18:56,000 [KRIS] I DON'T EVEN KNOW WHY 385 00:18:56,000 --> 00:18:58,000 I SAID I'D DO THE COMMERCIAL. 386 00:18:58,000 --> 00:19:00,000 I'M A JOCKEY, NOT AN ACTRESS. 387 00:19:03,000 --> 00:19:05,000 PLUS IT TAKES ME AWAY FROM YOU. 388 00:19:05,000 --> 00:19:08,000 YOU KNOW THAT I DON'T WANT THAT, RIGHT? 389 00:19:11,000 --> 00:19:13,000 BESIDES... 390 00:19:13,000 --> 00:19:16,000 I DON'T EVEN LIKE ATOMIC HOT SAUCE. 391 00:19:16,000 --> 00:19:19,000 I SOLD YOU A GOOD HORSE. I DON'T KNOW WHAT TO TELL YOU. 392 00:19:19,000 --> 00:19:23,000 WASN'T THAT GREY IN THE STALL NEXT TO PICARO? 393 00:19:23,000 --> 00:19:26,000 YUP. AND HE'S FOR SALE AT $12,000 IF YOU'RE INTERESTED. 394 00:19:26,000 --> 00:19:29,000 WHY YOU SELLING HIM? WELL, TO TELL YOU THE TRUTH, 395 00:19:29,000 --> 00:19:32,000 HE'S OFF HIS FEED, HIS TIMES ARE LOUSY. 396 00:19:32,000 --> 00:19:34,000 THE VET SAYS HE'S SOUND. 397 00:19:34,000 --> 00:19:36,000 I FIGURE, SAY GOOD-BYE BEFORE THINGS GET WORSE. 398 00:19:36,000 --> 00:19:38,000 [MATT] THANK YOU. 399 00:19:38,000 --> 00:19:42,000 YOU KNOW, WHEN I WAS HERE BEFORE, THE RANCH HAND SAID 400 00:19:42,000 --> 00:19:46,000 THAT HORSE AND PICARO PASTURED TOGETHER SINCE BIRTH. REALLY? 401 00:19:46,000 --> 00:19:49,000 MAYBE THEY BELONG TOGETHER. MAYBE THIS IS ABOUT LONELINESS. 402 00:19:49,000 --> 00:19:50,000 THINK THAT'S SILLY? 403 00:19:50,000 --> 00:19:54,000 NO. HOW DO WE FIND OUT IF YOU'RE RIGHT? 404 00:19:54,000 --> 00:19:56,000 I HAVE TO GET THEM TOGETHER. 405 00:19:56,000 --> 00:19:58,000 HOW? SET UP A PLAY DATE? 406 00:19:58,000 --> 00:20:01,000 NO. I HAVE TO BUY THIS HORSE. 407 00:20:01,000 --> 00:20:05,000 BIG STEP. BUT IF I GET HIM AND PICARO BACK TOGETHER-- 408 00:20:05,000 --> 00:20:08,000 THEIR TIMES COULD STAY BAD AND YOU COULD END UP WITH TWO LOSERS. 409 00:20:08,000 --> 00:20:10,000 OR THEIR TIMES IMPROVE AND I'LL HAVE TWO WINNERS. 410 00:20:10,000 --> 00:20:13,000 WHERE AM I GONNA FIND $12,000 FOR YOU? 411 00:20:17,000 --> 00:20:20,000 [WENDY] PABLO. 412 00:20:20,000 --> 00:20:22,000 WENDY, WHAT ARE YOU DOING HERE? 413 00:20:22,000 --> 00:20:24,000 NOTHIN'. 414 00:20:24,000 --> 00:20:26,000 JUST IN THE NEIGHBORHOOD. 415 00:20:26,000 --> 00:20:29,000 UM, WHY WON'T YOU HAVE DINNER WITH ME? 416 00:20:29,000 --> 00:20:30,000 [SIGHS] I TOLD YOU. 417 00:20:30,000 --> 00:20:33,000 YOU TOLD ME THAT YOU HAVE A LOT GOING ON, 418 00:20:33,000 --> 00:20:35,000 WHICH IS THE OLDEST BLOW OFF IN THE BOOK. 419 00:20:35,000 --> 00:20:39,000 IF YOU DON'T WANT TO HAVE DINNER, JUST SAY SO. I DO. 420 00:20:39,000 --> 00:20:40,000 YOU DO? 421 00:20:40,000 --> 00:20:43,000 I HOPE YOU BROUGHT A CHANGE OF CLOTHES THOUGH. 422 00:20:43,000 --> 00:20:45,000 YOU'RE GONNA HAVE TO BURN THOSE. 423 00:20:45,000 --> 00:20:47,000 WHY DO I HAVE TO BURN MY CLOTHES? 424 00:20:47,000 --> 00:20:49,000 BARN'S UNDER QUARANTINE. 425 00:20:49,000 --> 00:20:52,000 ANYTHING THAT TOUCHES THE GROUND HAS TO BE BURNED. 426 00:20:52,000 --> 00:20:54,000 THE ONLY THING THAT'S TOUCHED THE GROUND ARE MY SHOES. 427 00:20:54,000 --> 00:20:56,000 SO FAR. 428 00:21:03,000 --> 00:21:05,000 COME ON, GUYS. LET'S HURRY UP. 429 00:21:05,000 --> 00:21:09,000 TAKE A LOOK AT THIS. 430 00:21:09,000 --> 00:21:10,000 WHAT IS THIS? 431 00:21:10,000 --> 00:21:15,000 DEPOSIT SLIP SHOWING THE 3,000 I MADE FROM MY PARTY. NO BOOZE. JUST THE DOOR. 432 00:21:15,000 --> 00:21:17,000 THREE GRAND JUST FROM THE DOOR? 433 00:21:17,000 --> 00:21:20,000 YOU PUT IN A SERIOUS SOUND SYSTEM, A BAR, FOOD, 434 00:21:20,000 --> 00:21:23,000 I'LL DELIVER YOU A LINE AROUND THE BLOCK. 435 00:21:23,000 --> 00:21:25,000 A GOOD SOUND SYSTEM WILL COST AT LEAST 3,000. 436 00:21:25,000 --> 00:21:28,000 SO I'LL GET AN ADVANCE ON MY CREDIT CARD. 437 00:21:28,000 --> 00:21:30,000 I CAN'T TAKE A LOAN FROM YOU, JUNIOR. COME ON. 438 00:21:30,000 --> 00:21:34,000 IT'S NOT A LOAN. IT'S AN INVESTMENT. 439 00:21:34,000 --> 00:21:38,000 NO. IT JUST DOESN'T FEEL RIGHT. AND I DON'T THINK MATT WOULD BE COMFORTABLE WITH IT EITHER. 440 00:21:38,000 --> 00:21:40,000 HE'S THE ONE WHO SUGGESTED IT. 441 00:21:42,000 --> 00:21:45,000 LOOK, I NEED THIS, AND SO DO YOU. 442 00:21:45,000 --> 00:21:47,000 BUT IF THAT'S HOW YOU FEEL ABOUT IT... 443 00:21:47,000 --> 00:21:49,000 HEY, HEY, LOOK. 444 00:21:49,000 --> 00:21:51,000 JUNIOR, 445 00:21:51,000 --> 00:21:53,000 I ADMIRE YOU FOR COMING DOWN HERE, 446 00:21:53,000 --> 00:21:55,000 BUT THIS IS A RISKY VENTURE. 447 00:21:55,000 --> 00:21:57,000 NO RISK, NO REWARD. 448 00:21:57,000 --> 00:21:59,000 I'LL PUT UP A HUNDRED GRAND. 449 00:22:02,000 --> 00:22:04,000 50, AND NOT A PENNY MORE. 450 00:22:04,000 --> 00:22:09,000 AND I'M GONNA PAY YOU BACK WITH INTEREST AT THE END OF THE MONTH, NO MATTER WHAT. 451 00:22:09,000 --> 00:22:10,000 THAT'S THE ONLY TERMS I'LL ACCEPT. 452 00:22:10,000 --> 00:22:13,000 TAKE IT OR LEAVE IT. 453 00:22:13,000 --> 00:22:14,000 YOU GOT YOURSELF A DEAL. 454 00:22:19,000 --> 00:22:21,000 HEY. HEY. 455 00:22:21,000 --> 00:22:24,000 UM, DO YOU HAVE A MINUTE? 456 00:22:24,000 --> 00:22:25,000 SURE. 457 00:22:25,000 --> 00:22:30,000 UH, I TOLD KERRY I DON'T WANT TO DO THE COMMERCIAL. 458 00:22:30,000 --> 00:22:32,000 I THOUGHT YOU WERE SO EXCITED ABOUT DOING THAT. 459 00:22:32,000 --> 00:22:34,000 YEAH, WHEN WILDFIRE WAS IN IT. 460 00:22:34,000 --> 00:22:37,000 I CAN'T SIT ON ANOTHER HORSE AND PRETEND IT'S HIM. 461 00:22:37,000 --> 00:22:39,000 THAT'S NOT WHAT I WANT. 462 00:22:39,000 --> 00:22:41,000 WHAT DO YOU WANT? 463 00:22:41,000 --> 00:22:44,000 TO BE A JOCKEY, 464 00:22:44,000 --> 00:22:46,000 AND TO BE REALLY, REALLY GREAT. 465 00:22:46,000 --> 00:22:48,000 AND... 466 00:22:50,000 --> 00:22:52,000 AFTER THAT... 467 00:22:55,000 --> 00:22:58,000 IT'S A LOT TO THINK ABOUT. 468 00:22:58,000 --> 00:23:01,000 EVERYTHING'S CHANGING SO FAST. 469 00:23:03,000 --> 00:23:04,000 IT IS CHANGING. 470 00:23:07,000 --> 00:23:10,000 EVERYBODY WANTS THINGS TO STAY THE SAME, 471 00:23:10,000 --> 00:23:13,000 BUT THEY NEVER DO, 472 00:23:13,000 --> 00:23:14,000 AND IT'S SCARY. 473 00:23:18,000 --> 00:23:19,000 IS THAT WHAT'S WRONG? 474 00:23:19,000 --> 00:23:22,000 ARE YOU SCARED OF ALL THE CHANGES? 475 00:23:34,000 --> 00:23:36,000 I TOLD YOU I'M NOT DOING IT. 476 00:23:36,000 --> 00:23:38,000 MAYBE THERE'S A WAY. 477 00:23:38,000 --> 00:23:40,000 NOT WITHOUT WILDFIRE. 478 00:23:46,000 --> 00:23:47,000 SO IF JUNIOR BECOMES A PARTNER... 479 00:23:47,000 --> 00:23:50,000 YEAH? THAT'LL MAKE HIM MY BOSS, WON'T IT? 480 00:23:50,000 --> 00:23:54,000 WITH THE BUSINESS SAVVY YOU SHOWED TODAY BRINGING HIM IN, YOU SHOULD BE A PARTNER. 481 00:23:54,000 --> 00:23:58,000 I JUST THOUGHT IF THE CLUB GETS OFF THE GROUND, EVERYBODY DOES WELL. 482 00:23:58,000 --> 00:24:00,000 THAT'S THE IDEA, SON. 483 00:24:00,000 --> 00:24:03,000 HEY, UH, YOU WANNA GO GRAB A BITE? YOU HUNGRY? 484 00:24:03,000 --> 00:24:05,000 ACTUALLY I'M MEETING MOM FOR DINNER. 485 00:24:05,000 --> 00:24:07,000 OH. YOU WANNA COME? 486 00:24:07,000 --> 00:24:09,000 YOU THINK SHE'D MIND? 487 00:24:09,000 --> 00:24:12,000 NO. IT'S JUST DINNER. NO BIG DEAL. 488 00:24:12,000 --> 00:24:14,000 SURE. COME ON. 489 00:24:14,000 --> 00:24:17,000 [TODD] WE'VE BEEN UNDER QUARANTINE THREE TIMES BEFORE? 490 00:24:17,000 --> 00:24:20,000 [JEAN] YUP. HOW COME I DON'T REMEMBER ANY OF THEM? 491 00:24:20,000 --> 00:24:22,000 YOU PROBABLY WEREN'T OLD ENOUGH. 492 00:24:22,000 --> 00:24:23,000 MORE HOOF-AND-MOUTH? 493 00:24:23,000 --> 00:24:28,000 NO. LAST TIME WE WERE HIT WITH AN OUTBREAK OF SWAMP FEVER. 494 00:24:28,000 --> 00:24:30,000 I DON'T UNDERSTAND WHERE MATT IS. 495 00:24:30,000 --> 00:24:33,000 IF HE WAS GONNA BE THIS LATE, HE SHOULD HAVE CALLED. 496 00:24:33,000 --> 00:24:34,000 HE'S HERE. 497 00:24:34,000 --> 00:24:37,000 SORRY WE'RE LATE. WE'RE GONNA NEED ANOTHER CHAIR. 498 00:24:40,000 --> 00:24:42,000 IF YOU DON'T MIND ME BARGING IN. 499 00:24:43,000 --> 00:24:44,000 NOPE. 500 00:24:44,000 --> 00:24:46,000 NO. NOT AT ALL. 501 00:24:46,000 --> 00:24:47,000 CAN WE HAVE ANOTHER SET UP OVER HERE? 502 00:24:47,000 --> 00:24:50,000 MAY I TALK TO YOU A MINUTE? IS THERE A PROBLEM? 503 00:24:50,000 --> 00:24:51,000 [JEAN] OF COURSE NOT. 504 00:24:51,000 --> 00:24:53,000 NO. WE'LL BE RIGHT BACK. 505 00:24:59,000 --> 00:25:01,000 LOOK... 506 00:25:01,000 --> 00:25:03,000 I DON'T WANT TO BE RUDE. OKAY. FINE. 507 00:25:03,000 --> 00:25:04,000 SURE. I GOT YOU. I'LL, UH... 508 00:25:04,000 --> 00:25:08,000 JUST SAY GOOD-BYE TO THE BOYS FOR ME, OKAY? WAIT A MINUTE. 509 00:25:08,000 --> 00:25:10,000 WHAT? YOU'RE MAKING ME LEAVE, AREN'T YOU? YOU'RE KICKING ME OUT. 510 00:25:10,000 --> 00:25:13,000 STOP IT. 511 00:25:13,000 --> 00:25:15,000 THIS IS NOT ABOUT YOU GETTING KICKED OUT. 512 00:25:17,000 --> 00:25:22,000 THIS IS...IT'S ABOUT HAVING BOUNDARIES. 513 00:25:22,000 --> 00:25:23,000 I'M IN A RELATIONSHIP. 514 00:25:23,000 --> 00:25:24,000 RIGHT. 515 00:25:24,000 --> 00:25:25,000 CONGRATULATIONS. 516 00:25:25,000 --> 00:25:28,000 STOP IT. DON'T BE CUTE. 517 00:25:28,000 --> 00:25:29,000 [SIGHS] 518 00:25:29,000 --> 00:25:34,000 YOU JUST CAN'T SHOW UP WHENEVER THE MOOD STRIKES YOU. 519 00:25:36,000 --> 00:25:38,000 OKAY. UNDERSTOOD. I'LL GO. 520 00:25:40,000 --> 00:25:41,000 THANK YOU. 521 00:25:41,000 --> 00:25:44,000 AND SAY GOOD-BYE TO THE BOYS. 522 00:25:44,000 --> 00:25:46,000 AND DON'T MAKE ME THE BAD GUY. 523 00:25:46,000 --> 00:25:49,000 OKAY. 524 00:25:49,000 --> 00:25:53,000 SORRY, GUYS, I CAN'T STAY. THERE'S THIS MEETING I FORGOT ABOUT. 525 00:25:53,000 --> 00:25:57,000 OH, THAT'S TOO BAD. NICE OF YOU TO DROP BY. 526 00:25:57,000 --> 00:25:59,000 HE DIDN'T DROP BY. I INVITED HIM. 527 00:25:59,000 --> 00:26:01,000 WE'LL DO IT ANOTHER TIME. 528 00:26:04,000 --> 00:26:07,000 AH, TOLD YOU. I THOUGHT THEY'D BE HERE. 529 00:26:07,000 --> 00:26:10,000 HEY, THERE'S KRIS AND, WHAT DO YOU KNOW? KERRY CONNELLY. 530 00:26:10,000 --> 00:26:13,000 HOW YOU DOIN'? PETE RITTER. BACK TO THE RANCH? 531 00:26:13,000 --> 00:26:16,000 WHAT'S GOING ON? 532 00:26:16,000 --> 00:26:18,000 YOU WANNA TELL THEM? TELL ME WHAT? 533 00:26:18,000 --> 00:26:21,000 WE'VE GOT SOME NEWS. 534 00:26:23,000 --> 00:26:27,000 I DON'T UNDERSTAND. HOW CAN WILDFIRE BE IN THE COMMERCIAL? 535 00:26:27,000 --> 00:26:29,000 WE'RE UNDER-- QUARANTINE. I KNOW. 536 00:26:29,000 --> 00:26:32,000 BUT WE'RE GONNA FILM IT AT RAINTREE. 537 00:26:32,000 --> 00:26:33,000 WITH YOUR PERMISSION, OF COURSE. 538 00:26:33,000 --> 00:26:35,000 IT SHOULD TAKE HALF A DAY. 539 00:26:35,000 --> 00:26:37,000 THEY'RE ALL WILLING TO SACRIFICE THEIR FOOTWEAR. 540 00:26:37,000 --> 00:26:40,000 AND RAINTREE WILL GET A HANDSOME LOCATION FEE. 541 00:26:40,000 --> 00:26:42,000 THAT'S FANTASTIC. 542 00:26:42,000 --> 00:26:44,000 A LOCATION FEE? I'VE NEVER HEARD OF THAT. 543 00:26:44,000 --> 00:26:47,000 WELL, I COULD ONLY GET 10,000 A DAY, BUT... 544 00:26:47,000 --> 00:26:50,000 THAT'S GREAT. WE SHOULD CELEBRATE. 545 00:26:50,000 --> 00:26:53,000 UH, CHAMPAGNE FOR THE TABLE. OH, MY GOD! 546 00:26:53,000 --> 00:26:55,000 WHAT MADE THOSE SAUCE GUYS CHANGE THEIR MINDS? 547 00:26:55,000 --> 00:26:57,000 KERRY DID. YOU DID. 548 00:26:57,000 --> 00:26:59,000 NOTHING REPRESENTS HOT SAUCE LIKE A HOT, SAUCY GIRL. 549 00:26:59,000 --> 00:27:01,000 [JEAN] OH! CHILD PRESENT. 550 00:27:01,000 --> 00:27:04,000 LOOK WHO'S HERE. COME HERE. 551 00:27:04,000 --> 00:27:05,000 HEY, GUYS. 552 00:27:05,000 --> 00:27:09,000 PABLO, WE'RE GONNA SHOOT KRIS' COMMERCIAL AT RAINTREE. 553 00:27:09,000 --> 00:27:11,000 WE ARE? YEAH, KERRY FIXED IT. 554 00:27:11,000 --> 00:27:14,000 AND KRIS CAN WORK WITH WILDFIRE, AND WE MAY 555 00:27:14,000 --> 00:27:16,000 MAKE BACK THE BOARDING FEES THAT WE LOST. 556 00:27:16,000 --> 00:27:19,000 THAT'S GREAT. IS THAT GOOD FOR YOU? YEAH! 557 00:27:19,000 --> 00:27:21,000 WILDFIRE'S IN IT AND NOW EVERYBODY'S HAPPY. 558 00:27:21,000 --> 00:27:23,000 CAN'T BEAT THAT. 559 00:27:23,000 --> 00:27:25,000 HEY, WHY DON'T YOU TWO JOIN US? 560 00:27:25,000 --> 00:27:27,000 OH, WE DON'T WANT TO INTRUDE. 561 00:27:27,000 --> 00:27:30,000 NO, NOT AT ALL. MOM, 562 00:27:30,000 --> 00:27:32,000 THEY'RE ON A DATE. 563 00:27:32,000 --> 00:27:34,000 [CHUCKLING] ENJOY YOUR MEAL. 564 00:27:37,000 --> 00:27:38,000 EXCUSE ME. 565 00:27:48,000 --> 00:27:51,000 OH, PETE RITTER. HEY! 566 00:27:51,000 --> 00:27:53,000 [KEN] WHAT A CON MAN. 567 00:27:53,000 --> 00:27:57,000 I DON'T KNOW HOW JEAN CAN SIT AT THE SAME TABLE WITH THAT GUY. 568 00:27:57,000 --> 00:28:00,000 MAYBE SHE'S DOING IT FOR THE KIDS. 569 00:28:00,000 --> 00:28:05,000 KEEPING HIM A MILLION MILE AWAY WOULD BE BETTER FOR THOSE KIDS. 570 00:28:05,000 --> 00:28:09,000 CHARLIE HEWITT? I MEAN, WHAT DOES SHE SEE IN HIM? 571 00:28:09,000 --> 00:28:12,000 HE'S CUTE AND HE'S NICE TO HER. YEAH, BUT, UH... 572 00:28:12,000 --> 00:28:14,000 OH, THANK YOU. 573 00:28:14,000 --> 00:28:18,000 ...HE'S SO SHORT. 574 00:28:18,000 --> 00:28:20,000 SO, HERE'S MY PROBLEM. 575 00:28:20,000 --> 00:28:21,000 PICARO'S TIMES ARE GETTING WORSE. 576 00:28:21,000 --> 00:28:24,000 CARRIES HIS HEAD LOW, HE'S OFF HIS FEED. 577 00:28:24,000 --> 00:28:26,000 HE'S NOT EXCITED WHEN WE HIT THE TRACK. 578 00:28:26,000 --> 00:28:29,000 HAVE YOU HAD THE VET OUT? MM-HMM. HE'S SOUND. 579 00:28:29,000 --> 00:28:31,000 WHAT I THINK IS, HE'S LONELY. 580 00:28:31,000 --> 00:28:33,000 I WENT OVER TO KELLY'S. 581 00:28:33,000 --> 00:28:36,000 PICARO GREW UP WITH ANOTHER HORSE WHO WAS DOING PRETTY WELL TOO, 582 00:28:36,000 --> 00:28:38,000 BUT NOW HE'S ACTING JUST AS MISERABLE AS PICARO. 583 00:28:38,000 --> 00:28:41,000 WELL, THESE THINGS HAPPEN. WHAT'S THE POINT? 584 00:28:41,000 --> 00:28:45,000 I ONLY HAVE A SHORT TIME TO RECOUP YOUR ORIGINAL INVESTMENT AND START TO GET AHEAD. 585 00:28:45,000 --> 00:28:48,000 I'D LIKE TO SOLVE MY PROBLEM NOW AND BUY HIS PAL. WITH WHAT MONEY? 586 00:28:48,000 --> 00:28:50,000 YOURS. 587 00:28:50,000 --> 00:28:52,000 HA! DON'T LAUGH. 588 00:28:52,000 --> 00:28:54,000 YOU ALWAYS SAID YOU HAVE TO SPEND MONEY TO MAKE MONEY. 589 00:28:54,000 --> 00:28:57,000 I'M WILLING TO TAKE THE EXTRA DEBT IF YOU GIVE IT TO ME. 590 00:28:57,000 --> 00:28:59,000 YOU DIDN'T RESEARCH THIS HORSE'S BLOODLINES, DID YOU? 591 00:28:59,000 --> 00:29:01,000 OF COURSE I DID. 592 00:29:01,000 --> 00:29:02,000 HE'S WORTH A CHANCE. 593 00:29:03,000 --> 00:29:08,000 HOW MUCH DO THEY WANT? 12,000, BUT I CAN GET HIM DOWN TO 10, MAYBE EVEN 8. 594 00:29:08,000 --> 00:29:10,000 GIVE HIM FIVE. 595 00:29:10,000 --> 00:29:13,000 IF HIS TIMES ARE DOWN, TAKE ADVANTAGE. 596 00:29:13,000 --> 00:29:15,000 HERE YOU GO. 597 00:29:15,000 --> 00:29:16,000 NICE. 598 00:29:16,000 --> 00:29:18,000 DENIED. 599 00:29:18,000 --> 00:29:21,000 HEY, SAVE SOME ROOM FOR LASAGNA. 600 00:29:21,000 --> 00:29:23,000 LISTEN TO YOUR MOM. 601 00:29:23,000 --> 00:29:25,000 OR WHAT? 602 00:29:25,000 --> 00:29:27,000 OR WHAT? 603 00:29:27,000 --> 00:29:29,000 OR THIS. HEY! 604 00:29:29,000 --> 00:29:32,000 STOP IT! YOU'RE GONNA BREAK SOMETHING. 605 00:29:32,000 --> 00:29:34,000 STOP! OKAY, OKAY. 606 00:29:36,000 --> 00:29:39,000 [PEOPLE CHATTERING] 607 00:29:39,000 --> 00:29:42,000 WE GOT THE CONTRACTS, BUT NOT THE I-9s. 608 00:29:42,000 --> 00:29:44,000 RAY SAYS YOU NEED TO BE ON THE B TEAM. NOW GO. 609 00:29:48,000 --> 00:29:51,000 [ALL CHATTERING] COFFEE, PLEASE! 610 00:29:51,000 --> 00:29:53,000 [MAN] WE NEED A COUPLE SANDBAGS HERE! 611 00:29:53,000 --> 00:29:55,000 LET ME GET SOME OF THAT SHINE OFF. 612 00:29:57,000 --> 00:29:59,000 NERVOUS? 613 00:30:00,000 --> 00:30:02,000 YEAH. 614 00:30:02,000 --> 00:30:06,000 DON'T BE. JUST BE YOURSELF AND YOU'LL BE GREAT. 615 00:30:06,000 --> 00:30:09,000 I THINK THAT'S ENOUGH BLUSH. SHE'S THE GIRL NEXT DOOR, 616 00:30:09,000 --> 00:30:10,000 NOT THE HOOKER FROM DOWNTOWN. 617 00:30:10,000 --> 00:30:12,000 OKAY. 618 00:30:12,000 --> 00:30:14,000 YOU LOOK TERRIFIC. 619 00:30:16,000 --> 00:30:17,000 THIS IS INSANE. 620 00:30:17,000 --> 00:30:21,000 DANI, WE'RE AT THE COMMERCIAL SHOOT. YOU GOTTA CHECK THIS OUT. 621 00:30:21,000 --> 00:30:23,000 OKAY, WE'RE READY FOR HER. 622 00:30:23,000 --> 00:30:25,000 ALL RIGHT. SHOWTIME, KRIS. 623 00:30:25,000 --> 00:30:27,000 LET'S GO. 624 00:30:27,000 --> 00:30:29,000 YOU READY? 625 00:30:37,000 --> 00:30:40,000 OH, MY GOD! IT'S KRIS FURILLO! 626 00:30:40,000 --> 00:30:43,000 CAN YOU SIGN MY CHEST PLEASE! 627 00:30:46,000 --> 00:30:48,000 HI. 628 00:30:55,000 --> 00:31:00,000 MY GOD, IT TAKES A LOT OF PEOPLE TO MAKE A COMMERCIAL. 629 00:31:01,000 --> 00:31:02,000 MARKER. 630 00:31:06,000 --> 00:31:07,000 MARK IT. 631 00:31:07,000 --> 00:31:09,000 MARKER! 632 00:31:10,000 --> 00:31:11,000 AND ACTION! 633 00:31:11,000 --> 00:31:14,000 GOOD. SMILE. NOW TURN THIS WAY. 634 00:31:14,000 --> 00:31:17,000 NO, NO, NO. SPIN THE BOTTLE THIS WAY AND DROP IT LOWER. ATOMIC HOT SAUCE. 635 00:31:17,000 --> 00:31:18,000 MARKER! 636 00:31:29,000 --> 00:31:30,000 ALL RIGHT. MARK IT AGAIN. 637 00:31:30,000 --> 00:31:32,000 MARK! 638 00:31:32,000 --> 00:31:34,000 HERE WE GO. NOW, WHEN YOU WANT IT, BRING IT UP. 639 00:31:34,000 --> 00:31:37,000 SMILE. YOU'RE SELLIN' THIS HOT SAUCE, HUH? 640 00:31:37,000 --> 00:31:40,000 OKAY, HERE WE GO. ON ACTION. ACTION! 641 00:31:40,000 --> 00:31:41,000 NO, NO. CUT, CUT, CUT. 642 00:31:50,000 --> 00:31:53,000 I WANT YOU TO BRING IT UP. DON'T SMILE. BRING IT UP. 643 00:31:53,000 --> 00:31:55,000 THEN SMILE. KEEP YOUR HAND OUT OF THE WAY. 644 00:31:55,000 --> 00:31:57,000 [WHISPERS] HOT SAUCE. 645 00:31:57,000 --> 00:31:58,000 MARKER. 646 00:31:58,000 --> 00:31:59,000 ACTION. 647 00:31:59,000 --> 00:32:01,000 OKAY, UM... 648 00:32:01,000 --> 00:32:03,000 ALL RIGHT. HERE'S WHAT I WANT YOU TO DO. 649 00:32:03,000 --> 00:32:07,000 TAKE ONE HAND LIKE THIS, ONE HERE LIKE THIS. KEEP YOUR FINGERS OFF THE LABEL, OKAY? 650 00:32:07,000 --> 00:32:08,000 'CAUSE YOU'RE SELLING THE SAUCE. 651 00:32:08,000 --> 00:32:09,000 ACTION! 652 00:32:11,000 --> 00:32:14,000 CUT! PRINT! MOVIE! YEAH! 653 00:32:14,000 --> 00:32:16,000 [CREW CLAPPING] 654 00:32:16,000 --> 00:32:18,000 [MAN] ALL RIGHT! GOOD! 655 00:32:18,000 --> 00:32:20,000 GREAT! GREAT WORK... 656 00:32:20,000 --> 00:32:21,000 [WHISPERS] KRIS. KRIS! 657 00:32:21,000 --> 00:32:23,000 NOW, YOU GET TO KISS YOUR BOYFRIEND. 658 00:32:23,000 --> 00:32:26,000 BOYFRIEND? 659 00:32:42,000 --> 00:32:43,000 HEY. 660 00:32:43,000 --> 00:32:45,000 HEY. 661 00:32:45,000 --> 00:32:46,000 THIS IS CRAZY. THIS IS INSANE. 662 00:32:46,000 --> 00:32:48,000 YEAH. [LAUGHS] 663 00:32:48,000 --> 00:32:52,000 OKAY, WHAT I WANT IS PASSION, HEAT. 664 00:32:52,000 --> 00:32:54,000 OKAY, YOU STAND HERE LIKE THIS. 665 00:32:54,000 --> 00:32:57,000 WRAP YOUR ARMS AROUND HER. YOU WANT HER, RIGHT? HUH? 666 00:32:57,000 --> 00:33:00,000 HEAT. HEAT. 667 00:33:00,000 --> 00:33:01,000 OKAY, ROLL CAMERA. 668 00:33:01,000 --> 00:33:03,000 MARKER. 669 00:33:05,000 --> 00:33:06,000 ACTION! 670 00:33:08,000 --> 00:33:10,000 OH, YUCK. 671 00:33:10,000 --> 00:33:12,000 WAIT! KERRY! KERRY! 672 00:33:12,000 --> 00:33:14,000 OKAY, CUT! CUT! PASSIONATE. 673 00:33:14,000 --> 00:33:16,000 PASSIONATE! DID I NOT SAY PASSIONATE? 674 00:33:16,000 --> 00:33:19,000 UH, ALL RIGHT. JUST GIVE ME A MINUTE. 675 00:33:22,000 --> 00:33:24,000 [KRIS] WHAT'S GOING ON? 676 00:33:24,000 --> 00:33:26,000 UH, YEAH, I KNOW. I'M GONNA HANDLE THIS. 677 00:33:26,000 --> 00:33:29,000 I'LL HANDLE IT. DON'T WORRY ABOUT IT. IT'S NO PROBLEM. OKAY? 678 00:33:29,000 --> 00:33:31,000 YOU GUYS WANT SOME WATERS? 679 00:33:31,000 --> 00:33:33,000 UH, YEAH. SURE. OKAY. 680 00:33:33,000 --> 00:33:37,000 WHEN YOU CAST HER, THERE WAS NO MENTION OF PASSIONATE KISSING. 681 00:33:37,000 --> 00:33:38,000 I CHANGED THE SCRIPT. 682 00:33:38,000 --> 00:33:41,000 YOU GUARANTEED THAT SHE'S A PROFESSIONAL. 683 00:33:41,000 --> 00:33:43,000 I WANT ANOTHER WOMAN. 684 00:33:43,000 --> 00:33:45,000 NO. I DON'T WANT ANOTHER GIRL. 685 00:33:45,000 --> 00:33:48,000 FIND ANOTHER GUY. ANOTHER GUY? 686 00:33:51,000 --> 00:33:56,000 HEY, THOUGHT YOU MIGHT NEED THIS TO WASH YOUR MOUTH OUT WITH. 687 00:33:56,000 --> 00:33:59,000 THAT WAS WEIRD. YEAH. I FELT LIKE KICKING HIS ASS. 688 00:33:59,000 --> 00:34:01,000 HEY! YOU! 689 00:34:01,000 --> 00:34:04,000 HEY! HEY! YEAH, YOU! 690 00:34:04,000 --> 00:34:06,000 WHAT SIZE ARE YOU? 691 00:34:06,000 --> 00:34:07,000 YOUR SHIRT SIZE? HEY, WARDROBE! 692 00:34:07,000 --> 00:34:10,000 NO, SCRATCH THAT. YOU LOOK GOOD JUST AS YOU ARE. 693 00:34:10,000 --> 00:34:12,000 OKAY. HE'S IN, OKAY? 694 00:34:12,000 --> 00:34:14,000 HE'S IN, ALL RIGHT? YOU'RE OUT. 695 00:34:14,000 --> 00:34:17,000 GO AWAY. ALL RIGHT. HOLD IT. I'M NOT AN ACTOR. I WAS JUST-- 696 00:34:17,000 --> 00:34:20,000 YOU KISS HER. ALL YOU GOTTA DO IS KISS HER. 697 00:34:22,000 --> 00:34:24,000 PASSION! HE'S KIDDING, RIGHT? 698 00:34:24,000 --> 00:34:25,000 LONNIE, ROLL CAMERA! 699 00:34:25,000 --> 00:34:28,000 MARKER. 700 00:34:28,000 --> 00:34:30,000 AND...ACTION! 701 00:34:30,000 --> 00:34:31,000 [WHISPERS] KISS HER! 702 00:34:36,000 --> 00:34:38,000 [LAUGHING] 703 00:34:38,000 --> 00:34:39,000 CUT. 704 00:34:41,000 --> 00:34:43,000 [LAUGHING] 705 00:34:44,000 --> 00:34:47,000 [WHISPERS] ROLL, ROLL, ROLL! 706 00:35:16,000 --> 00:35:18,000 AND CUT! 707 00:35:18,000 --> 00:35:19,000 HELLO, CLEO AWARD! 708 00:35:19,000 --> 00:35:22,000 [CREW CLAPPING] ALL RIGHT, THAT'S A WRAP, FOLKS. 709 00:35:28,000 --> 00:35:30,000 I MISS YOU. 710 00:35:30,000 --> 00:35:33,000 UH, I-- COME OVER TO MY HOUSE FOR DINNER. 711 00:35:33,000 --> 00:35:35,000 I-I CAN'T. YES, YOU CAN. 712 00:35:35,000 --> 00:35:37,000 REALLY, I CAN'T. OKAY. 713 00:35:37,000 --> 00:35:39,000 I'LL SEE YOU AT 7:00 THEN. 714 00:35:44,000 --> 00:35:45,000 [WHINNYING] 715 00:35:48,000 --> 00:35:51,000 [DANI] LOOK AT THEM. THEY'RE SO HAPPY. 716 00:35:51,000 --> 00:35:53,000 THEY KNOW HOW IT FEELS TO MISS SOMEONE. 717 00:35:53,000 --> 00:35:56,000 I'D RATHER AVOID THE HASSLE. 718 00:35:56,000 --> 00:35:57,000 OF WHAT? 719 00:35:57,000 --> 00:36:00,000 FEELINGS. 720 00:36:00,000 --> 00:36:02,000 YOU DON'T MEAN THAT. YEAH I DO. 721 00:36:06,000 --> 00:36:08,000 NO YOU DON'T. 722 00:36:33,000 --> 00:36:34,000 [PHONE RINGS] 723 00:36:41,000 --> 00:36:43,000 HELLO? 724 00:36:44,000 --> 00:36:45,000 HI, PETE. 725 00:36:47,000 --> 00:36:49,000 UH... 726 00:36:49,000 --> 00:36:52,000 NO, ACTUALLY, I'M BUSY RIGHT NOW. 727 00:36:56,000 --> 00:36:59,000 YEAH. 728 00:36:59,000 --> 00:37:02,000 YEAH, SURE. IF IT'S IMPORTANT. 729 00:37:02,000 --> 00:37:04,000 OKAY. 730 00:37:04,000 --> 00:37:06,000 BYE. 731 00:37:06,000 --> 00:37:10,000 DID YOU JUST TELL HIM HE COULD COME OVER NOW? I'M SORRY. 732 00:37:10,000 --> 00:37:13,000 IT'S GONNA TAKE HIM A WHILE TO GET HERE. 733 00:37:13,000 --> 00:37:16,000 I MEAN, AT LEAST HE CALLED INSTEAD OF JUST BARGING OVER. 734 00:37:16,000 --> 00:37:18,000 WE HAD THAT TALK ABOUT BOUNDARIES. 735 00:37:18,000 --> 00:37:21,000 I FEEL LIKE I NEED TO REWARD HIM. 736 00:37:22,000 --> 00:37:24,000 YOU DEAL WITH HIM, OKAY? 737 00:37:26,000 --> 00:37:27,000 I'LL-I'LL BE BACK LATER. 738 00:37:27,000 --> 00:37:29,000 WELL, WAIT. 739 00:37:29,000 --> 00:37:31,000 ARE YOU OKAY? 740 00:37:39,000 --> 00:37:41,000 HEY, CHARLIE. PETE. 741 00:37:41,000 --> 00:37:45,000 PETE, YOU... YOU JUST CALLED. 742 00:37:45,000 --> 00:37:47,000 FROM THE CAR. 743 00:37:47,000 --> 00:37:49,000 YOU LEAVIN'? 744 00:37:49,000 --> 00:37:50,000 YEAH. 745 00:37:54,000 --> 00:37:56,000 YOU WERE LURKING. 746 00:37:58,000 --> 00:37:59,000 I WASN'T LURKING. 747 00:37:59,000 --> 00:38:01,000 LURKING. 748 00:38:01,000 --> 00:38:04,000 I WAS IN THE NEIGHBORHOOD. 749 00:38:06,000 --> 00:38:08,000 OH! IS THIS CHARLIE'S? 750 00:38:08,000 --> 00:38:10,000 OH, BOY. 751 00:38:12,000 --> 00:38:15,000 ♪♪ [ROCK] 752 00:38:24,000 --> 00:38:29,000 [MAN] ♪ YOU'RE LIKE WATER SOMETIMES ♪ 753 00:38:29,000 --> 00:38:33,000 ♪ YOUR LOVE FLOWS AROUND ME THAT WAY ♪ 754 00:38:33,000 --> 00:38:37,000 ♪ YOU'RE LIKE RAIN ON MY LIPS ♪ 755 00:38:37,000 --> 00:38:39,000 ♪ AND ONE KISS COULD ♪ 756 00:38:39,000 --> 00:38:41,000 ♪ NEVER FINALLY QUIT ♪ 757 00:38:41,000 --> 00:38:43,000 ♪ THERE'S JUST ♪ 758 00:38:43,000 --> 00:38:46,000 ♪ SOMETHING ABOUT YOU ♪ 759 00:38:46,000 --> 00:38:51,000 ♪ THAT MAKES ALL OF MY COLORS RUN ♪ 760 00:38:51,000 --> 00:38:53,000 ♪ THERE'S JUST SOMETHING ABOUT YOU... ♪ 761 00:38:53,000 --> 00:38:55,000 WHOA! 762 00:38:55,000 --> 00:38:56,000 HEY. HEY. 763 00:38:56,000 --> 00:38:59,000 BIG MOMENT, KRIS. I HAVE THE CONTRACTS. 764 00:38:59,000 --> 00:39:00,000 UM... HERE, LET'S SIT. 765 00:39:00,000 --> 00:39:02,000 WE'LL MAKE THIS OFFICIAL BETWEEN US. 766 00:39:02,000 --> 00:39:04,000 NOW THE DIFFERENCE BETWEEN GROSS MERCHANDISING REVENUE 767 00:39:04,000 --> 00:39:07,000 AND NET MERCHANDISING REVENUE ISN'T AS HARD AS IT SOUNDS. 768 00:39:07,000 --> 00:39:10,000 ♪ I'M QUENCHIN' MY THIRST ♪ 769 00:39:10,000 --> 00:39:13,000 ♪ TOTALLY IMMERSED IN YOU ♪ 770 00:39:13,000 --> 00:39:15,000 THE POINT IS-- OH, JUST STOP. STOP. 771 00:39:18,000 --> 00:39:19,000 RAISE YOUR RIGHT HAND. 772 00:39:21,000 --> 00:39:23,000 THAT'S MY LEFT HAND. RAISE YOUR LEFT HAND. 773 00:39:23,000 --> 00:39:26,000 REPEAT AFTER ME. 774 00:39:26,000 --> 00:39:29,000 I, KERRY CONNELLY... 775 00:39:29,000 --> 00:39:31,000 "I, KERRY CONNELLY..." 776 00:39:31,000 --> 00:39:34,000 ...SOLEMNLY SWEAR TO ALWAYS GIVE KRIS THE STRAIGHT SCOOP. 777 00:39:37,000 --> 00:39:40,000 "...SOLEMNLY SWEAR TO ALWAYS GIVE KRIS THE STRAIGHT SCOOP." 778 00:39:40,000 --> 00:39:45,000 AND IF I LIE TO HER, EVEN ONCE, I KNOW THAT SHE WILL KICK MY ASS. 779 00:39:45,000 --> 00:39:46,000 THAT TOO. 780 00:39:46,000 --> 00:39:48,000 [LAUGHS] 781 00:39:48,000 --> 00:39:51,000 [KNOCK ON DOOR] 782 00:39:57,000 --> 00:40:01,000 HI. I NEED TO TALK TO YOU FOR A MINUTE. 783 00:40:01,000 --> 00:40:03,000 I'M REALLY NOT IN THE MOOD. 784 00:40:03,000 --> 00:40:05,000 OH. 785 00:40:05,000 --> 00:40:08,000 YOU'RE EXPECTING SOMEONE. 786 00:40:08,000 --> 00:40:10,000 OH. 787 00:40:10,000 --> 00:40:13,000 I'M SORRY. 788 00:40:13,000 --> 00:40:16,000 IT HAPPENS TO THE BEST OF US. 789 00:40:16,000 --> 00:40:18,000 WELL, IT'S, UM... 790 00:40:18,000 --> 00:40:20,000 IT'S A SHAME TO WASTE ALL THIS FOOD. 791 00:40:20,000 --> 00:40:22,000 WHY DON'T I COOK UP ONE OF THESE STEAKS? 792 00:40:22,000 --> 00:40:26,000 OKAY, LOOK... WHAT DO I EVEN CALL YOU? 793 00:40:26,000 --> 00:40:29,000 WELL, ISABELLE IS A START. 794 00:40:29,000 --> 00:40:32,000 OKAY, ISABELLE, I DON'T NEED A MOTHER. 795 00:40:34,000 --> 00:40:37,000 HERE. 796 00:40:37,000 --> 00:40:39,000 WHAT I NEED YOU TO LOOK AT-- 797 00:40:39,000 --> 00:40:41,000 YOU NEED TO BE SOMEWHERE ELSE? 798 00:40:41,000 --> 00:40:43,000 NO, WHY? 799 00:40:45,000 --> 00:40:47,000 OKAY. 800 00:40:47,000 --> 00:40:51,000 ALL YOU NEED TO DO RIGHT NOW IS SIGN THIS LAST PAGE. 801 00:40:51,000 --> 00:40:53,000 THEN YOU CAN GO TO HIM. 802 00:41:01,000 --> 00:41:04,000 YOU THINK I ABANDONED YOU. 803 00:41:06,000 --> 00:41:09,000 WELL, I DID EVERYTHING I COULD TO KEEP YOU. 804 00:41:09,000 --> 00:41:11,000 I DON'T BELIEVE YOU. 805 00:41:13,000 --> 00:41:15,000 IT'S FAIR. 806 00:41:15,000 --> 00:41:17,000 THERE ARE TWO SIDES TO EVERY STORY. 807 00:41:17,000 --> 00:41:20,000 LIKE THE ONE ABOUT 808 00:41:20,000 --> 00:41:22,000 A PREGNANT YOUNG WIFE WHO HAS TO MOVE TO SAN FRANCISCO 809 00:41:22,000 --> 00:41:25,000 BECAUSE HER HUSBAND KNOCKED UP A STABLE GIRL. 810 00:41:30,000 --> 00:41:33,000 AND WHEN I COULDN'T STAND TO LOOK AT HIS FACE ANOTHER SECOND, 811 00:41:33,000 --> 00:41:36,000 I PACKED OUR BAGS. 812 00:41:36,000 --> 00:41:40,000 AND THEN HE THREATENED TO DESTROY MY LIFE UNLESS I GAVE HIM 813 00:41:40,000 --> 00:41:43,000 FULL CUSTODY OF YOU. 814 00:41:43,000 --> 00:41:45,000 BUT WHY DIDN'T YOU FIGHT? 815 00:41:45,000 --> 00:41:47,000 I DID. 816 00:41:47,000 --> 00:41:51,000 BUT KEN DAVIS DOES NOT STOP UNLESS HE WINS. RIGHT? 817 00:41:56,000 --> 00:41:57,000 AND SO I LEFT... 818 00:41:58,000 --> 00:42:00,000 WITHOUT YOU. 819 00:42:01,000 --> 00:42:04,000 AND I HAVE BEEN SORRY EVERY DAY SINCE. 820 00:42:14,000 --> 00:42:16,000 LOVERBOY! LOVERBOY! 821 00:42:21,000 --> 00:42:23,000 SO HOW DO YOU LIKE YOUR STEAK? 822 00:42:28,000 --> 00:42:30,000 MEDIUM. 823 00:42:30,050 --> 00:42:34,600 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 59052

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