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PREVIOUSLY ON WILDFIRE:
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[WHISTLES]
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ANYONE WHO LOVES HORSES
AS MUCH AS YOU DO
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HAS A PLACE AT RAINTREE.
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[JUDGE] MR. BETART SAYS
HE'S PREPARED TO OFFER YOU
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A JOB AT THE RAINTREE
THOROUGHBRED FARM.
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WHO IS SHE?
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HOT WORKING GIRL LIVING
IN THE TRAILERS?
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YOU WERE IN PRISON?
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I STOLE A CAR.
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I SEE YOU.
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I DON'T KNOW WHAT
PISSES ME OFF MORE.
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THE FACT THAT YOU BROKE OUR
DEAL AND WENT OUT WITH HER,
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OR THE FACT THAT
YOU LIED ABOUT IT.
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I WON'T LET HIM
COME BETWEEN US. IF I HAVE TO CHOOSE
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BETWEEN HIM OR YOU,
I CHOOSE YOU! I CAN'T SEE YOU ANYMORE!
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I THOUGHT YOU LOVED ME.
I DO.
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I ALMOST RUINED MY LIFE
ONCE CHASING THE SAME KIND OF INFATUATION.
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I RISKED EVERYTHING ON
A GIRL WHO TOOK MY SOUL
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AND DISAPPEARED.
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MY MOTHER?
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ARE YOU
ISABELLE MATIA?
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I'M YOUR DAUGHTER!
DAMN IT!
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PLEASE DON'T GO.
PLEASE DON'T GO!
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I'M ISABELLE.
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I'M YOUR MOTHER.
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I SAW OUR MOTHER!
MY MOTHER... NOT YOURS.
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MY MOTHER GAVE ME
UP BECAUSE SHE
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HAD NOTHING
TO DEPEND ON.
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I WOULDN'T LET THAT
HAPPEN TO YOU.
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I EITHER JOIN DAVIS FARMS
AS A PARTNER,
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OR LEAVE WITH MY STOCK.
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WE'RE NOT GOING TO
HIRE A NEW JOCK.
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WE'RE HIRING YOU!
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GO WILDFIRE, COME ON,
COME ON!
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[CROWD CHEERING]
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I WANT JEAN BACK.
SHE WON'T BE COMING.
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I JUST NEEDED TO
SEE YOU.
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DID YOU...BREAK UP
WITH JUNIOR BECAUSE OF THE SANDPIPER?
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HE HURT YOU AND YOUR FAMILY,
AND THAT'S THE SAME THING AS HURTING ME.
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KERRY CONNELLY,
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K.D.J. SPORTS
MANAGEMENT.
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WE'RE TALKING ABOUT
A YOUNG WOMAN HERE,
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WHO'S NEVER HAD A STABLE
HOME UNTIL NOW.
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YOU HAVE A CHANCE TO
SUCCEED ON EVERY LEVEL OF SPORTS AND ENTERTAINMENT.
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WHAT ARE YOU TALKING ABOUT?
I JUST WANT TO BE A JOCKEY.
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[MAN]
DEPENDS ON IF THE WIND KICKS UP. YOU KNOW?
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[MAN #2]
SHE'S LOOKING FOR YOU. YOU TALK TO HER?
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[MAN]
I DID TALK TO THEM. THEY'RE GONNA COME IN LATER.
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[MAN #3]
I'M NOT SURE I'LL LET HIM GO.
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[KRIS, INDISTINCT]
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YOU THINK SO?
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I DON'T KNOW!
I'VE NEVER BEEN. [CHUCKLES]
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[HORN HONKING]
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HEY!
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COME ON NOW, BOY!
EASY! WHOA! HEY!
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HEY, WILDFIRE! HEY!
[WHINNYING]
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HEY, HEY!
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[MAN]
WHOA! WHOA!
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HEY, KNOCK IT OFF!
HEY!
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[MAN]
YEAH, I GOT HIM. SORRY ABOUT THAT.
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THANKS TO YOU,
MY HORSE JUST BOLTED.
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MAYBE WE CAN TALK LATER.
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GIVE YOU MY CARD?
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THIS WHO YOU'RE
LOOKING FOR? THANK GOD.
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HE CAME CHARGING UP HERE
LIKE A BAT OUT OF HELL.
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NEARLY KNOCKED ME DOWN WHEN
I WAS GETTING OUT OF MY CAR.
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YOU BEEN THINKING
ABOUT WHAT I SAID? YEAH, ONE THING.
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YOU SAID YOU'D FEND OFF
THE HOUNDS OF THE PRESS? THAT'S RIGHT. I DID.
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YEAH, WELL,
HERE'S YOUR CHANCE.
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THOSE GUYS?
PIECE OF CAKE.
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KRIS, LET'S GO. WE GOT
A RACE TO GET READY FOR.
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[MAN]
♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪
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♪ AND I WANNA BE THERE
ALL MY LIFE ♪
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♪ WITH THE MORNING LIGHT
GOT YOUR MIND IN SIGHT ♪
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♪ AND I WANNA BE THERE ♪
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♪ 'CAUSE YOU'RE ALL
I EVER DREAMED OF ♪
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♪ YOUR STARS ARE OUT ♪
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♪ AND ALL IS RIGHT ♪♪
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THAT WAS A GOOD RIDE, KRIS.
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LOOKING FOR ME?
NO.
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THAT WAS THE OLD ME.
THE NEW ME DOESN'T DO THAT.
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GLAD I GOT THAT STRAIGHT.
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YEAH, ME TOO.
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SO, YOU SEEN MATT AROUND?
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WOW.
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YOU LIKE IT?
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IT'S STILL A WORK
IN PROGRESS, BUT I PUT IN THIS KICK-ASS STEREO.
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THE INTERIOR'S GETTING
DONE NEXT WEEK. SHE RUNS GREAT.
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PLUS I NEEDED
A NEW CONVERTIBLE.
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MODERN JOCKEY?
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00:04:06,000 --> 00:04:07,000
YEAH.
YOU READ THIS?
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WHEN YOUR PICTURE'S
IN IT, I DO.
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WHAT ARE YOU TALKING ABOUT?
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WHERE IS IT?
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RIGHT HERE.
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I CAN'T BELIEVE
YOU BOUGHT THIS.
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HEY, BESIDE MAXIM, MODERN
JOCKEY'S MY FAVORITE MAGAZINE.
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I NEVER MISS AN ISSUE.
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HEY, I'M SORRY I DIDN'T--
I COULDN'T GO TO YOUR PARTY THE OTHER NIGHT.
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COULDN'T OR DIDN'T?
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DON'T PRETEND YOU
DON'T THINK ABOUT ME.
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I THINK ABOUT YOU.
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VERY IMPRESSIVE WORKOUT.
THANKS.
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UM, KERRY,
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UH, JUNIOR.
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HEY.
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NICE TO MEET YOU.
YOU'RE A VERY LUCKY GUY.
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OH, NO.
WE'RE NOT TOGETHER.
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OH, SORRY. MY BAD.
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UM, SHOULD I
COME BACK LATER?
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YEAH. I MEAN,
I SAID WE COULD TALK, SO...
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I GOTTA GO FIND MATT.
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UH, BUT YOU SHOULD
COME SEE MY PLACE.
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ALL MY OTHER FRIENDS HAVE.
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LOOK, YOU KNOW,
YOU'RE A REALLY NICE GUY
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AND I'M REALLY FLATTERED
YOU WANNA SIGN ME--
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BEFORE YOU SAY NO,
TELL ME IF YOU'VE HEARD OF ATOMIC HOT SAUCE.
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YEAH, THAT'S THE STUFF THAT
YOU DUMP ON RECONSTITUTED EGGS.
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YEAH, AMONG OTHER THINGS.
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THEIR NEW AD CAMPAIGN HAS GOT
A GIRL ON A HORSE THEME.
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I DON'T KNOW IF KNOW
IF I'M INTERESTED IN BEING THE NEW FACE OF HOT SAUCE.
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YOU INTERESTED
IN MONEY AT ALL?
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INTERESTED? YEAH.
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I DID WIPE OUT A BIG CHUNK
OF MY DEBT TO THE STATE
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WITH THE PLACE MONEY
FROM THE SANDPIPER,
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BUT I STILL OWE
A LOT MORE.
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YOU DO THIS COMMERCIAL,
YOU CAN MAKE A BIG DENT IN THAT.
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YOU CAN HELP OUT THE RITTERS TOO
BECAUSE ATOMIC WANTS WILDFIRE
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AS WELL AS YOU.
AND THEY PAY THAT MUCH?
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00:06:04,000 --> 00:06:06,000
YES. THIS COULD MEAN SOME
SERIOUS PUBLICITY HERE.
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00:06:06,000 --> 00:06:08,000
YOU LAND A SPOT LIKE THIS,
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EVERY TRAINER AND EVERY FAN
FROM HERE TO KENTUCKY
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WILL KNOW WHO YOU ARE.
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THAT'S RIGHT.
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WELL, WE HAVE TWO STALLS
AVAILABLE, AND--
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REALLY?
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BOTH?
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THAT...WOULD BE, UM...
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THAT WOULD BE GREAT.
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YES.
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THANK YOU.
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00:06:34,000 --> 00:06:36,000
OKAY. BYE-BYE.
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THEY HEARD ABOUT YOU
FROM THE SANDPIPER?
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I CAN'T BELIEVE IT!
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WE ARE GONNA HAVE
THE WHOLE BARN FULL!
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THE PITTER-PATTER
OF TRAMPLING HOOVES.
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OH, BOY!
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[DOOR OPENS,
CLOSES]
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HEY, YOU.
HEY.
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GOOD MORNING.
GOOD MORNING.
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YOU'RE IN A GOOD MOOD
FOR THIS TIME OF DAY. YES, I AM.
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UM, WE'RE OUT OF ALIOOPS.
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00:06:59,000 --> 00:07:01,000
NOW WE'RE NOT,
I JUST BOUGHT SOME.
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00:07:01,000 --> 00:07:04,000
THEY MUST STILL
BE IN THE CAR.
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00:07:04,000 --> 00:07:07,000
HEY, MATT,
LISTEN...
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YOUR MOM'S BEEN WORKING
SO HARD LATELY, UM...
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WHAT DO YOU SAY WE TAKE HER
OUT FOR A REALLY NICE DINNER TOMORROW NIGHT?
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SURE.
GREAT. TERRIFIC.
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00:07:17,000 --> 00:07:19,000
THERE'S THIS NICE
LITTLE ITALIAN PLACE.
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YOU LIKE ITALIAN FOOD, RIGHT?
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WAIT, I'M SUPPOSED TO GO?
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00:07:22,000 --> 00:07:25,000
YEAH, I'M SAYING
THE THREE OF US AND TODD.
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00:07:25,000 --> 00:07:27,000
YOU CAN'T JUST
MAKE PLANS LIKE THIS.
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00:07:27,000 --> 00:07:29,000
I HAVE STUFF TO DO
WITH MY FATHER.
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MATT.
WHAT, CHARLIE?
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I KNOW YOU'VE GOT A DAD.
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00:07:35,000 --> 00:07:39,000
BUT WHEN YOU AND I ARE TOGETHER,
TREAT ME IN A DECENT AND RESPECTFUL WAY
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00:07:39,000 --> 00:07:41,000
AND I'LL DO
THE SAME WITH YOU. I DIDN'T MEAN TO--
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00:07:41,000 --> 00:07:45,000
ARE YOU GOING TO JOIN
YOUR MOTHER AND YOUR BROTHER AND ME FOR DINNER OR NOT?
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YEAH.
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00:07:49,000 --> 00:07:51,000
GREAT.
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00:07:52,000 --> 00:07:54,000
[JEAN]
HEY, KRIS, WHAT'S GOING ON?
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00:07:54,000 --> 00:07:56,000
KERRY CONNELLY'S HERE.
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00:07:56,000 --> 00:07:58,000
HE'S BACK ALREADY?
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00:07:58,000 --> 00:08:03,000
YEAH, HE THINKS
WILDFIRE AND I MIGHT HAVE A CHANCE TO GET IN A COMMERCIAL.
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00:08:03,000 --> 00:08:06,000
YOU'RE KIDDING.
REALLY?
178
00:08:06,000 --> 00:08:09,000
WHAT WOULD YOU HAVE TO DO?
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00:08:09,000 --> 00:08:12,000
I GUESS, RIDE WILDFIRE.
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00:08:12,000 --> 00:08:15,000
I'M NOT SURE ABOUT
WILDFIRE IN A COMMERCIAL.
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00:08:15,000 --> 00:08:18,000
CAN YOU LET ME THINK ABOUT IT
AND TALK TO PABLO?
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00:08:18,000 --> 00:08:21,000
YEAH, I DON'T EVEN KNOW
IF I'D GET THE JOB.
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00:08:21,000 --> 00:08:24,000
SHOULD I SAY NO?
NO.
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00:08:24,000 --> 00:08:26,000
LET'S SEE WHAT HAPPENS.
IT COULD BE FUN.
185
00:08:29,000 --> 00:08:33,000
[MATT] WHAT ABOUT THIS ONE?
IT'S 2,000 SQUARE FEET. [PETE] IT'S TOO SMALL.
186
00:08:33,000 --> 00:08:35,000
RULE NUMBER ONE: ALWAYS MAKE
SURE YOU KEEP YOUR MUSIC
187
00:08:35,000 --> 00:08:38,000
FAR ENOUGH FROM THE PEOPLE SO
THEY CAN HEAR THEMSELVES TALK.
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00:08:38,000 --> 00:08:41,000
IF THEY'RE NOT TALKING,
THEY'RE NOT FLIRTING, AND IF THEY'RE NOT FLIRTING--
189
00:08:41,000 --> 00:08:44,000
THEY'RE NOT BUYING DRINKS.
YOU CATCH ON FAST, COWBOY.
190
00:08:48,000 --> 00:08:50,000
COME ON.
COME ON.
191
00:08:51,000 --> 00:08:53,000
HEY, DANI,
WHAT'S GOIN' ON?
192
00:08:53,000 --> 00:08:55,000
WHERE'D YOU
GET THIS HORSE?
193
00:08:55,000 --> 00:08:58,000
YOU SAID I COULD CHOOSE ONE
HORSE SO I CHOSE THE ROAN MARE.
194
00:08:58,000 --> 00:09:00,000
THEN I TRADED HER
TO KELLY FARMS FOR THIS GUY.
195
00:09:00,000 --> 00:09:02,000
WHAT IS HE, ABOUT
TWO YEARS OLD? UNTRIED?
196
00:09:02,000 --> 00:09:06,000
WITH UPSIDE POTENTIAL.
ISN'T THAT WHAT YOU ALWAYS SAY TO LOOK FOR?
197
00:09:06,000 --> 00:09:10,000
THEY CLOCKED HIM DOING
HALF A MILE IN 49 SECONDS, AND THAT WAS IN THE MUD.
198
00:09:10,000 --> 00:09:13,000
I HAVE AN INSTINCT
ABOUT HIM.
199
00:09:13,000 --> 00:09:15,000
WELL, YOUR INSTINCT
BETTER BE GOOD.
200
00:09:15,000 --> 00:09:17,000
THAT ROAN MARE WAS
WORTH ABOUT 30 GRAND.
201
00:09:19,000 --> 00:09:25,000
DO YOU KNOW HOW LONG IT'S GONNA
TAKE TO CLEAN THIS PLACE UP? DO YOU HAVE ANY IDEA?
202
00:09:25,000 --> 00:09:29,000
AND WHAT'S ALL THIS?
SOMETHING ABOUT GANG RULES?
203
00:09:29,000 --> 00:09:31,000
UM, IT SAYS "GWEN RULES."
204
00:09:31,000 --> 00:09:34,000
I THINK THEY'RE TALKING
ABOUT GWEN STEFANI.
205
00:09:34,000 --> 00:09:36,000
LOOK, I'M SORRY.
206
00:09:36,000 --> 00:09:40,000
I KNOW MY PARTY GOT
A LITTLE OUT OF HAND, BUT I'LL TAKE CARE OF IT.
207
00:09:40,000 --> 00:09:44,000
EXCUSE ME, CAN I HELP YOU?
WE'RE HERE TO CHECK OUT THE SPACE.
208
00:09:44,000 --> 00:09:46,000
YEAH, YEAH.
COME ON IN.
209
00:09:46,000 --> 00:09:49,000
HOLD IT. YOU CAN'T RENT
THE SPACE. I HAVE A LEASE.
210
00:09:49,000 --> 00:09:51,000
YOU BROKE THAT TEN DIFFERENT
WAYS LAST NIGHT. YOU'RE OUT.
211
00:09:53,000 --> 00:09:56,000
BRO?
DUDE, THIS IS YOUR SPACE?
212
00:09:56,000 --> 00:09:58,000
WAIT A MINUTE.
YOU ALL KNOW EACH OTHER?
213
00:09:58,000 --> 00:10:02,000
NO.
NO WE DON'T.
214
00:10:02,000 --> 00:10:04,000
SO, UH, HOW MANY
SQUARE FEET?
215
00:10:04,000 --> 00:10:07,000
5,000. HERE. COME ON.
LET ME SHOW YOU AROUND.
216
00:10:08,000 --> 00:10:11,000
SORRY IT'S SUCH A MESS.
217
00:10:11,000 --> 00:10:12,000
YOU'RE BEING
EVICTED ALREADY?
218
00:10:12,000 --> 00:10:15,000
YOU SHOULD HAVE
BEEN HERE LAST NIGHT. IT WAS OUTSTANDING.
219
00:10:15,000 --> 00:10:17,000
OH, MAN.
I'M PARTIED OUT.
220
00:10:17,000 --> 00:10:20,000
YOU WERE WATCHING
DESPERATE HOUSEWIVES.
221
00:10:20,000 --> 00:10:21,000
SO?
222
00:10:21,000 --> 00:10:25,000
DUDE, I PULLED IN 3K
AND THAT'S NOT SERVING BOOZE.
223
00:10:25,000 --> 00:10:28,000
OF COURSE,
NOW MY PARTY'S HOMELESS.
224
00:10:28,000 --> 00:10:32,000
SORRY YOU HAD TO COME IN
WITH IT LOOKING LIKE THIS. LOOKS GOOD.
225
00:10:32,000 --> 00:10:33,000
HOW MUCH ARE WE TALKIN'?
226
00:10:33,000 --> 00:10:35,000
3,000 A MONTH.
227
00:10:38,000 --> 00:10:39,000
2,000.
228
00:10:39,000 --> 00:10:43,000
2,500.
229
00:10:43,000 --> 00:10:45,000
2,000. TAKE IT
OR LEAVE IT.
230
00:10:50,000 --> 00:10:52,000
[DANI]
YES, THAT'S RIGHT. DANI DAVIS.
231
00:10:52,000 --> 00:10:55,000
MM-HMM. I BOUGHT PICARO.
232
00:10:55,000 --> 00:10:57,000
LOOK, I'M A LITTLE
CONCERNED ABOUT HIM
233
00:10:57,000 --> 00:11:01,000
AND I WAS WONDERING IF I COULD
COME BY TO TALK TO YOU.
234
00:11:01,000 --> 00:11:03,000
YUP. TOMORROW.
GREAT. THANK YOU.
235
00:11:05,000 --> 00:11:07,000
WHAT DO YOU WANT?
236
00:11:07,000 --> 00:11:08,000
I'M LOOKING--
237
00:11:08,000 --> 00:11:10,000
FOR JUNIOR.
OF COURSE YOU ARE.
238
00:11:10,000 --> 00:11:13,000
LOOK, DANI, I--
DON'T DO THIS.
239
00:11:13,000 --> 00:11:15,000
DON'T TRY AND
MAKE IT BETTER.
240
00:11:15,000 --> 00:11:17,000
HE'S NOT HERE ANYWAY.
241
00:11:17,000 --> 00:11:18,000
HE MOVED OUT.
242
00:11:18,000 --> 00:11:21,000
SO IT'S TRUE?
243
00:11:21,000 --> 00:11:23,000
I THOUGHT IT WAS
JUST ANOTHER LIE
244
00:11:23,000 --> 00:11:26,000
KEN MADE UP
TO KEEP ME AWAY.
245
00:11:26,000 --> 00:11:29,000
DO YOU KNOW WHERE HE IS?
NO.
246
00:11:31,000 --> 00:11:32,000
YES, YOU DO.
247
00:11:39,000 --> 00:11:40,000
WAIT.
248
00:11:42,000 --> 00:11:45,000
I'M NOT GONNA LET YOU
CALL ME THE BITCH THAT KEPT YOU TWO APART.
249
00:11:45,000 --> 00:11:47,000
100 SPRUCE STREET.
250
00:11:51,000 --> 00:11:53,000
JEAN?
YUP, IN HERE.
251
00:11:53,000 --> 00:11:56,000
JEAN, EXCUSE ME. I'M SORRY,
BUT WE HAVE A PROBLEM.
252
00:11:56,000 --> 00:12:00,000
OH! I'M SORRY.
THIS IS DARREN AMES FROM THE DEPARTMENT OF AGRICULTURE.
253
00:12:00,000 --> 00:12:02,000
WHAT'S GOING ON?
254
00:12:02,000 --> 00:12:06,000
AS I TOLD PABLO, THERE'S BEEN
AN OUTBREAK OF HOOF-AND-MOUTH DISEASE AT WEATHERBY FARMS.
255
00:12:06,000 --> 00:12:09,000
THREE STEER HAVE
BEEN AFFECTED SO FAR.
256
00:12:09,000 --> 00:12:11,000
THE HERD IS ISOLATED.
257
00:12:11,000 --> 00:12:13,000
THE WHOLE PLACE
IS LOCKED DOWN.
258
00:12:13,000 --> 00:12:14,000
YOU'RE KIDDING.
259
00:12:14,000 --> 00:12:17,000
BUT HORSES DON'T GET SICK
FROM HOOF-AND-MOUTH.
260
00:12:17,000 --> 00:12:21,000
BUT YOU KNOW THEY
CAN PASS THE VIRUS ON.
261
00:12:21,000 --> 00:12:24,000
WEATHERBY FARMS TOLD US THAT
ONE OF YOUR HORSES, SAVANNAH,
262
00:12:24,000 --> 00:12:25,000
WAS ON THEIR PROPERTY
LAST NIGHT.
263
00:12:25,000 --> 00:12:27,000
I TOOK HER OVER THERE
TO SHOW A BUYER.
264
00:12:27,000 --> 00:12:29,000
I SHOULD HAVE
MADE HIM COME HERE.
265
00:12:29,000 --> 00:12:31,000
THERE'S NO WAY YOU
COULD HAVE KNOWN.
266
00:12:31,000 --> 00:12:33,000
BUT I DO HAVE TO TEST
SAVANNAH FOR THE VIRUS.
267
00:12:33,000 --> 00:12:36,000
THERE'S A POSSIBILITY
SHE'S CARRYING IT.
268
00:12:37,000 --> 00:12:38,000
[CAMERAS CLICKING]
269
00:12:38,000 --> 00:12:41,000
♪♪ [ROCK]
270
00:12:53,000 --> 00:12:54,000
GET THE OTHER ONE.
271
00:13:00,000 --> 00:13:01,000
NEXT.
272
00:13:02,000 --> 00:13:05,000
HELLO.
273
00:13:05,000 --> 00:13:08,000
UM, KRISTINE FURILLO.
274
00:13:08,000 --> 00:13:12,000
WHEN YOU HEAR THE WORDS
"ATOMIC HOT SAUCE," WHAT DO YOU THINK OF?
275
00:13:12,000 --> 00:13:15,000
UH...IT'S HOT.
276
00:13:15,000 --> 00:13:16,000
AND?
277
00:13:19,000 --> 00:13:25,000
I'M SORRY. I REALLY DON'T
THINK A LOT ABOUT HOT SAUCE.
278
00:13:25,000 --> 00:13:26,000
OKAY, MOVING ON.
UM, WARDROBE.
279
00:13:26,000 --> 00:13:30,000
WE NEED YOU TO PUT THIS ON
SO WE CAN SEE HOW YOU LOOK.
280
00:13:30,000 --> 00:13:32,000
NO JOCKEY WOULD
WEAR THIS.
281
00:13:32,000 --> 00:13:35,000
WELL, EVERY JOCKEY WHO'S
AUDITIONED TODAY HAS.
282
00:13:35,000 --> 00:13:37,000
WHAT AGENCY
ARE YOU FROM?
283
00:13:37,000 --> 00:13:39,000
I'M WITH RAINTREE FARMS.
284
00:13:39,000 --> 00:13:41,000
OH, GOD.
I KNEW YOU LOOKED FAMILIAR.
285
00:13:41,000 --> 00:13:46,000
YOU'RE THE GIRL WHO
STOLE THE HORSE AND LOST THAT RACE LAST WEEK.
286
00:13:49,000 --> 00:13:52,000
I'LL NEVER GET MY DEPOSIT
BACK FROM THAT GUY, WILL I?
287
00:13:52,000 --> 00:13:54,000
[CHUCKLES]
NOPE.
288
00:13:54,000 --> 00:13:56,000
MODERN JOCKEY?
289
00:13:56,000 --> 00:13:58,000
YEAH.
290
00:13:58,000 --> 00:14:00,000
LOOK, WE'RE FRIENDS NOW.
291
00:14:00,000 --> 00:14:02,000
YEAH, FANTASTIC.
292
00:14:02,000 --> 00:14:04,000
IT'S BETTER THIS WAY.
293
00:14:04,000 --> 00:14:06,000
YOU REALLY MEAN THAT?
294
00:14:06,000 --> 00:14:08,000
NO, DUDE. IT SUCKS.
295
00:14:08,000 --> 00:14:09,000
YOU KNOW, I'D FEEL
SORRY FOR YOU,
296
00:14:09,000 --> 00:14:12,000
EXCEPT YOU'RE THE ONE
WHO STOLE HER FROM ME.
297
00:14:12,000 --> 00:14:15,000
OH, COME ON. SHE HAD
SOMETHING TO DO WITH THAT.
298
00:14:15,000 --> 00:14:18,000
BUT, FOR WHAT IT'S WORTH, I WISH
IT HADN'T GONE DOWN LIKE THAT.
299
00:14:18,000 --> 00:14:22,000
YOU'D BE MISERABLE NOW
AND I COULD BE... [PHONE RINGS]
300
00:14:23,000 --> 00:14:25,000
...DATING BRIANA CRUZ.
301
00:14:25,000 --> 00:14:28,000
WHAT DOES SHE WANT?
PROBABLY WANTS TO KNOW ABOUT MY NEXT PARTY TOO.
302
00:14:30,000 --> 00:14:32,000
I HATE TO DISAPPOINT.
303
00:14:32,000 --> 00:14:34,000
WHAT?
304
00:14:36,000 --> 00:14:39,000
WHAT IF YOU WENT IN
WITH MY DAD...
305
00:14:39,000 --> 00:14:43,000
AS HIS SILENT PARTNER?
306
00:14:57,000 --> 00:14:58,000
HEY, WHAT'S UP?
307
00:14:58,000 --> 00:15:00,000
HERE YOU GO.
I'LL TAKE HIM.
308
00:15:00,000 --> 00:15:03,000
WELL, I HEARD BACK FROM
THE PEOPLE AT ATOMIC.
309
00:15:03,000 --> 00:15:06,000
YEAH. I GAVE THEM ATTITUDE.
I DIDN'T GET THE JOB.
310
00:15:08,000 --> 00:15:10,000
YEAH, YOU GAVE
THEM ATTITUDE...
311
00:15:10,000 --> 00:15:12,000
AND YOU DID GET THE JOB.
312
00:15:14,000 --> 00:15:16,000
I-I GOT IT?
YES.
313
00:15:16,000 --> 00:15:19,000
THEY WANTED THE REAL DEAL
AND THAT'S YOU.
314
00:15:19,000 --> 00:15:21,000
SHOOTS IN TWO DAYS,
315
00:15:21,000 --> 00:15:24,000
SO PACK YOUR BAGS FOR L.A.
YOU'RE GOIN' FIRST CLASS.
316
00:15:24,000 --> 00:15:27,000
THERE'S A LARGE BARN
FOR WILDFIRE TOO.
317
00:15:27,000 --> 00:15:29,000
CONGRATULATIONS.
318
00:15:31,000 --> 00:15:34,000
STILL HAVEN'T GOTTEN
THE HOOF-AND-MOUTH TEST RESULTS BACK YET,
319
00:15:34,000 --> 00:15:37,000
AND WE HAVE TWO NEW HORSES
COMING IN TOMORROW.
320
00:15:37,000 --> 00:15:39,000
GUESS WE'RE JUST GONNA
HAVE TO PUT 'EM OFF.
321
00:15:39,000 --> 00:15:42,000
IF THE TEST
COMES BACK NEGATIVE, NOTHING TO WORRY ABOUT.
322
00:15:42,000 --> 00:15:45,000
LET'S HOPE SO.
I ALREADY SPENT THE DEPOSIT MONEY.
323
00:15:45,000 --> 00:15:47,000
[PHONE RINGING]
324
00:15:48,000 --> 00:15:50,000
PABLO.
325
00:15:50,000 --> 00:15:52,000
HEY, BABE.
HEY, WENDY.
326
00:15:52,000 --> 00:15:54,000
SO, GUESS WHAT?
327
00:15:54,000 --> 00:15:57,000
MY INTERVIEW FOR THE ESPN JOB
GOT POSTPONED...
328
00:15:57,000 --> 00:16:01,000
AGAIN, BUT MY MOOD WOULD
IMPROVE CONSIDERABLY
329
00:16:01,000 --> 00:16:04,000
OVER A GOOD GLASS OF WINE,
IF YOU'RE UP FOR IT.
330
00:16:04,000 --> 00:16:06,000
IT'S, UH...
IT'S NOT A GOOD TIME.
331
00:16:06,000 --> 00:16:10,000
OH, COME ON. NOT THAT LINE.
THERE'S A LOT GOING ON RIGHT NOW.
332
00:16:10,000 --> 00:16:12,000
THAT ONE'S WORSE.
LOOK, I GOTTA GO, OKAY?
333
00:16:12,000 --> 00:16:14,000
I'LL CALL YOU BACK.
334
00:16:14,000 --> 00:16:17,000
YOU...OH.
335
00:16:28,000 --> 00:16:31,000
DUDE! NO WAY, MAN!
336
00:16:32,000 --> 00:16:33,000
READY?
337
00:16:33,000 --> 00:16:34,000
WHOA!
338
00:16:34,000 --> 00:16:38,000
[SIREN WAILING IN DISTANCE]
339
00:16:38,000 --> 00:16:39,000
[KNOCK ON DOOR]
340
00:16:39,000 --> 00:16:41,000
HI.
341
00:16:41,000 --> 00:16:42,000
CAN I COME IN?
342
00:16:42,000 --> 00:16:46,000
HOW'D YOU FIND ME?
DANI GAVE ME YOUR ADDRESS.
343
00:16:46,000 --> 00:16:48,000
WHAT A LOVELY SPACE!
344
00:16:48,000 --> 00:16:50,000
DANI GAVE YOU MY ADDRESS?
345
00:16:50,000 --> 00:16:52,000
IS THAT OKAY?
346
00:16:52,000 --> 00:16:55,000
HOW COULD YOU GO
THROUGH MY SISTER?
347
00:16:56,000 --> 00:16:59,000
YOU REALLY HURT HER.
348
00:16:59,000 --> 00:17:01,000
I DIDN'T MEAN TO.
349
00:17:01,000 --> 00:17:05,000
AND YOUR FATHER IS THE ONE
WHO REALLY HURT DANI, NOT ME.
350
00:17:05,000 --> 00:17:07,000
IT WAS HIS LIE.
351
00:17:07,000 --> 00:17:08,000
YOU KNOW THAT.
352
00:17:08,000 --> 00:17:13,000
LOOK, JUNIOR, DON'T YOU WANT
TO GET TO KNOW ME AT ALL?
353
00:17:13,000 --> 00:17:14,000
YOU'RE MY SON.
354
00:17:14,000 --> 00:17:17,000
I DON'T KNOW
WHO I AM ANYMORE.
355
00:17:17,000 --> 00:17:19,000
WHICH IS EXACTLY
WHY WE SHOULD TALK.
356
00:17:20,000 --> 00:17:22,000
I...
357
00:17:22,000 --> 00:17:26,000
I JUST REALLY CAN'T
DEAL WITH THIS RIGHT NOW.
358
00:17:26,000 --> 00:17:30,000
THEN DON'T.
LET'S GET TO KNOW EACH OTHER JUST A LITTLE BIT AT A TIME.
359
00:17:33,000 --> 00:17:35,000
BUT NOT NOW.
360
00:17:35,000 --> 00:17:38,000
NO. NOT NOW.
361
00:17:38,000 --> 00:17:39,000
ANOTHER TIME.
362
00:17:42,000 --> 00:17:45,000
I'LL SEE MYSELF OUT.
363
00:17:49,000 --> 00:17:50,000
[KNOCK ON DOOR]
[PABLO] YEAH?
364
00:17:50,000 --> 00:17:54,000
HOW MANY WEEKS IS IT?
LIKE SIX?
365
00:17:54,000 --> 00:17:58,000
HEY! OH, UM,
AM I INTERRUPTING?
366
00:17:58,000 --> 00:17:59,000
WHAT'S GOING ON?
367
00:17:59,000 --> 00:18:01,000
NOTHING...
368
00:18:01,000 --> 00:18:04,000
JUST, I GET TO GO TO L.A.
FOR THE COMMERCIAL.
369
00:18:04,000 --> 00:18:07,000
WELL, WILDFIRE AND I DO,
IF THAT'S STILL COOL.
370
00:18:07,000 --> 00:18:09,000
OH, MY GOD.
I FORGOT ALL ABOUT THAT.
371
00:18:09,000 --> 00:18:12,000
WHAT COMMERCIAL? WHAT'S
WILDFIRE HAVE TO DO WITH IT? I'LL TELL YOU LATER.
372
00:18:12,000 --> 00:18:14,000
WE HAVE A PROBLEM.
WHAT?
373
00:18:16,000 --> 00:18:18,000
SAVANNAH TESTED POSITIVE
FOR HOOF-AND-MOUTH DISEASE.
374
00:18:18,000 --> 00:18:21,000
THE BARN'S UNDER
QUARANTINE.
375
00:18:21,000 --> 00:18:23,000
IS SHE SICK?
NO. HORSES DON'T GET SICK
376
00:18:23,000 --> 00:18:26,000
FROM THE VIRUS, BUT THEY CAN
INFECT OTHER KINDS OF LIVESTOCK.
377
00:18:26,000 --> 00:18:31,000
SO NO HORSES
ON OR OFF THE RANCH UNTIL WE GET THE OKAY.
378
00:18:31,000 --> 00:18:35,000
OH, MY GOD. I'VE GOTTA
CALL THE NEW BOARDERS, TELL THEM NOT TO COME.
379
00:18:35,000 --> 00:18:38,000
DON'T COUNT MONEY
BEFORE YOU GOT IT.
380
00:18:38,000 --> 00:18:41,000
YEAH, BUT IF I DO
THE COMMERCIAL, I GET PAID.
381
00:18:41,000 --> 00:18:43,000
SO DOES WILDFIRE.
DOESN'T THAT HELP?
382
00:18:43,000 --> 00:18:45,000
WILDFIRE CAN'T
DO A COMMERCIAL.
383
00:18:45,000 --> 00:18:47,000
WILDFIRE'S NOT
GOING ANYWHERE.
384
00:18:54,000 --> 00:18:56,000
[KRIS]
I DON'T EVEN KNOW WHY
385
00:18:56,000 --> 00:18:58,000
I SAID I'D DO
THE COMMERCIAL.
386
00:18:58,000 --> 00:19:00,000
I'M A JOCKEY,
NOT AN ACTRESS.
387
00:19:03,000 --> 00:19:05,000
PLUS IT TAKES ME
AWAY FROM YOU.
388
00:19:05,000 --> 00:19:08,000
YOU KNOW THAT I DON'T
WANT THAT, RIGHT?
389
00:19:11,000 --> 00:19:13,000
BESIDES...
390
00:19:13,000 --> 00:19:16,000
I DON'T EVEN LIKE
ATOMIC HOT SAUCE.
391
00:19:16,000 --> 00:19:19,000
I SOLD YOU A GOOD HORSE.
I DON'T KNOW WHAT TO TELL YOU.
392
00:19:19,000 --> 00:19:23,000
WASN'T THAT GREY
IN THE STALL NEXT TO PICARO?
393
00:19:23,000 --> 00:19:26,000
YUP. AND HE'S FOR SALE
AT $12,000 IF YOU'RE INTERESTED.
394
00:19:26,000 --> 00:19:29,000
WHY YOU SELLING HIM?
WELL, TO TELL YOU THE TRUTH,
395
00:19:29,000 --> 00:19:32,000
HE'S OFF HIS FEED,
HIS TIMES ARE LOUSY.
396
00:19:32,000 --> 00:19:34,000
THE VET SAYS HE'S SOUND.
397
00:19:34,000 --> 00:19:36,000
I FIGURE, SAY GOOD-BYE
BEFORE THINGS GET WORSE.
398
00:19:36,000 --> 00:19:38,000
[MATT]
THANK YOU.
399
00:19:38,000 --> 00:19:42,000
YOU KNOW, WHEN I WAS HERE
BEFORE, THE RANCH HAND SAID
400
00:19:42,000 --> 00:19:46,000
THAT HORSE AND PICARO PASTURED
TOGETHER SINCE BIRTH. REALLY?
401
00:19:46,000 --> 00:19:49,000
MAYBE THEY BELONG TOGETHER.
MAYBE THIS IS ABOUT LONELINESS.
402
00:19:49,000 --> 00:19:50,000
THINK THAT'S SILLY?
403
00:19:50,000 --> 00:19:54,000
NO. HOW DO WE FIND OUT
IF YOU'RE RIGHT?
404
00:19:54,000 --> 00:19:56,000
I HAVE TO GET
THEM TOGETHER.
405
00:19:56,000 --> 00:19:58,000
HOW?
SET UP A PLAY DATE?
406
00:19:58,000 --> 00:20:01,000
NO. I HAVE TO
BUY THIS HORSE.
407
00:20:01,000 --> 00:20:05,000
BIG STEP.
BUT IF I GET HIM AND PICARO BACK TOGETHER--
408
00:20:05,000 --> 00:20:08,000
THEIR TIMES COULD STAY BAD
AND YOU COULD END UP WITH TWO LOSERS.
409
00:20:08,000 --> 00:20:10,000
OR THEIR TIMES IMPROVE
AND I'LL HAVE TWO WINNERS.
410
00:20:10,000 --> 00:20:13,000
WHERE AM I GONNA FIND
$12,000 FOR YOU?
411
00:20:17,000 --> 00:20:20,000
[WENDY]
PABLO.
412
00:20:20,000 --> 00:20:22,000
WENDY, WHAT ARE
YOU DOING HERE?
413
00:20:22,000 --> 00:20:24,000
NOTHIN'.
414
00:20:24,000 --> 00:20:26,000
JUST IN THE NEIGHBORHOOD.
415
00:20:26,000 --> 00:20:29,000
UM, WHY WON'T YOU
HAVE DINNER WITH ME?
416
00:20:29,000 --> 00:20:30,000
[SIGHS]
I TOLD YOU.
417
00:20:30,000 --> 00:20:33,000
YOU TOLD ME THAT
YOU HAVE A LOT GOING ON,
418
00:20:33,000 --> 00:20:35,000
WHICH IS THE OLDEST
BLOW OFF IN THE BOOK.
419
00:20:35,000 --> 00:20:39,000
IF YOU DON'T WANT TO
HAVE DINNER, JUST SAY SO. I DO.
420
00:20:39,000 --> 00:20:40,000
YOU DO?
421
00:20:40,000 --> 00:20:43,000
I HOPE YOU BROUGHT A CHANGE
OF CLOTHES THOUGH.
422
00:20:43,000 --> 00:20:45,000
YOU'RE GONNA
HAVE TO BURN THOSE.
423
00:20:45,000 --> 00:20:47,000
WHY DO I HAVE TO
BURN MY CLOTHES?
424
00:20:47,000 --> 00:20:49,000
BARN'S UNDER QUARANTINE.
425
00:20:49,000 --> 00:20:52,000
ANYTHING THAT TOUCHES
THE GROUND HAS TO BE BURNED.
426
00:20:52,000 --> 00:20:54,000
THE ONLY THING THAT'S TOUCHED
THE GROUND ARE MY SHOES.
427
00:20:54,000 --> 00:20:56,000
SO FAR.
428
00:21:03,000 --> 00:21:05,000
COME ON, GUYS.
LET'S HURRY UP.
429
00:21:05,000 --> 00:21:09,000
TAKE A LOOK AT THIS.
430
00:21:09,000 --> 00:21:10,000
WHAT IS THIS?
431
00:21:10,000 --> 00:21:15,000
DEPOSIT SLIP SHOWING THE 3,000
I MADE FROM MY PARTY. NO BOOZE. JUST THE DOOR.
432
00:21:15,000 --> 00:21:17,000
THREE GRAND JUST
FROM THE DOOR?
433
00:21:17,000 --> 00:21:20,000
YOU PUT IN A SERIOUS SOUND
SYSTEM, A BAR, FOOD,
434
00:21:20,000 --> 00:21:23,000
I'LL DELIVER YOU A LINE
AROUND THE BLOCK.
435
00:21:23,000 --> 00:21:25,000
A GOOD SOUND SYSTEM
WILL COST AT LEAST 3,000.
436
00:21:25,000 --> 00:21:28,000
SO I'LL GET AN ADVANCE
ON MY CREDIT CARD.
437
00:21:28,000 --> 00:21:30,000
I CAN'T TAKE A LOAN
FROM YOU, JUNIOR. COME ON.
438
00:21:30,000 --> 00:21:34,000
IT'S NOT A LOAN.
IT'S AN INVESTMENT.
439
00:21:34,000 --> 00:21:38,000
NO. IT JUST DOESN'T FEEL RIGHT.
AND I DON'T THINK MATT WOULD BE COMFORTABLE WITH IT EITHER.
440
00:21:38,000 --> 00:21:40,000
HE'S THE ONE
WHO SUGGESTED IT.
441
00:21:42,000 --> 00:21:45,000
LOOK, I NEED THIS,
AND SO DO YOU.
442
00:21:45,000 --> 00:21:47,000
BUT IF THAT'S HOW
YOU FEEL ABOUT IT...
443
00:21:47,000 --> 00:21:49,000
HEY, HEY, LOOK.
444
00:21:49,000 --> 00:21:51,000
JUNIOR,
445
00:21:51,000 --> 00:21:53,000
I ADMIRE YOU
FOR COMING DOWN HERE,
446
00:21:53,000 --> 00:21:55,000
BUT THIS IS
A RISKY VENTURE.
447
00:21:55,000 --> 00:21:57,000
NO RISK, NO REWARD.
448
00:21:57,000 --> 00:21:59,000
I'LL PUT UP
A HUNDRED GRAND.
449
00:22:02,000 --> 00:22:04,000
50, AND NOT A PENNY MORE.
450
00:22:04,000 --> 00:22:09,000
AND I'M GONNA PAY YOU BACK
WITH INTEREST AT THE END OF THE MONTH, NO MATTER WHAT.
451
00:22:09,000 --> 00:22:10,000
THAT'S THE ONLY TERMS
I'LL ACCEPT.
452
00:22:10,000 --> 00:22:13,000
TAKE IT OR LEAVE IT.
453
00:22:13,000 --> 00:22:14,000
YOU GOT YOURSELF A DEAL.
454
00:22:19,000 --> 00:22:21,000
HEY.
HEY.
455
00:22:21,000 --> 00:22:24,000
UM, DO YOU HAVE A MINUTE?
456
00:22:24,000 --> 00:22:25,000
SURE.
457
00:22:25,000 --> 00:22:30,000
UH, I TOLD KERRY I DON'T
WANT TO DO THE COMMERCIAL.
458
00:22:30,000 --> 00:22:32,000
I THOUGHT YOU WERE SO
EXCITED ABOUT DOING THAT.
459
00:22:32,000 --> 00:22:34,000
YEAH, WHEN WILDFIRE
WAS IN IT.
460
00:22:34,000 --> 00:22:37,000
I CAN'T SIT ON ANOTHER HORSE
AND PRETEND IT'S HIM.
461
00:22:37,000 --> 00:22:39,000
THAT'S NOT WHAT I WANT.
462
00:22:39,000 --> 00:22:41,000
WHAT DO YOU WANT?
463
00:22:41,000 --> 00:22:44,000
TO BE A JOCKEY,
464
00:22:44,000 --> 00:22:46,000
AND TO BE REALLY,
REALLY GREAT.
465
00:22:46,000 --> 00:22:48,000
AND...
466
00:22:50,000 --> 00:22:52,000
AFTER THAT...
467
00:22:55,000 --> 00:22:58,000
IT'S A LOT TO THINK ABOUT.
468
00:22:58,000 --> 00:23:01,000
EVERYTHING'S
CHANGING SO FAST.
469
00:23:03,000 --> 00:23:04,000
IT IS CHANGING.
470
00:23:07,000 --> 00:23:10,000
EVERYBODY WANTS
THINGS TO STAY THE SAME,
471
00:23:10,000 --> 00:23:13,000
BUT THEY NEVER DO,
472
00:23:13,000 --> 00:23:14,000
AND IT'S SCARY.
473
00:23:18,000 --> 00:23:19,000
IS THAT WHAT'S WRONG?
474
00:23:19,000 --> 00:23:22,000
ARE YOU SCARED
OF ALL THE CHANGES?
475
00:23:34,000 --> 00:23:36,000
I TOLD YOU
I'M NOT DOING IT.
476
00:23:36,000 --> 00:23:38,000
MAYBE THERE'S A WAY.
477
00:23:38,000 --> 00:23:40,000
NOT WITHOUT WILDFIRE.
478
00:23:46,000 --> 00:23:47,000
SO IF JUNIOR
BECOMES A PARTNER...
479
00:23:47,000 --> 00:23:50,000
YEAH?
THAT'LL MAKE HIM MY BOSS, WON'T IT?
480
00:23:50,000 --> 00:23:54,000
WITH THE BUSINESS SAVVY YOU
SHOWED TODAY BRINGING HIM IN, YOU SHOULD BE A PARTNER.
481
00:23:54,000 --> 00:23:58,000
I JUST THOUGHT IF THE CLUB
GETS OFF THE GROUND, EVERYBODY DOES WELL.
482
00:23:58,000 --> 00:24:00,000
THAT'S THE IDEA, SON.
483
00:24:00,000 --> 00:24:03,000
HEY, UH, YOU WANNA GO
GRAB A BITE? YOU HUNGRY?
484
00:24:03,000 --> 00:24:05,000
ACTUALLY I'M MEETING MOM
FOR DINNER.
485
00:24:05,000 --> 00:24:07,000
OH.
YOU WANNA COME?
486
00:24:07,000 --> 00:24:09,000
YOU THINK SHE'D MIND?
487
00:24:09,000 --> 00:24:12,000
NO. IT'S JUST DINNER.
NO BIG DEAL.
488
00:24:12,000 --> 00:24:14,000
SURE. COME ON.
489
00:24:14,000 --> 00:24:17,000
[TODD]
WE'VE BEEN UNDER QUARANTINE THREE TIMES BEFORE?
490
00:24:17,000 --> 00:24:20,000
[JEAN] YUP.
HOW COME I DON'T REMEMBER ANY OF THEM?
491
00:24:20,000 --> 00:24:22,000
YOU PROBABLY
WEREN'T OLD ENOUGH.
492
00:24:22,000 --> 00:24:23,000
MORE HOOF-AND-MOUTH?
493
00:24:23,000 --> 00:24:28,000
NO. LAST TIME WE WERE HIT WITH
AN OUTBREAK OF SWAMP FEVER.
494
00:24:28,000 --> 00:24:30,000
I DON'T UNDERSTAND
WHERE MATT IS.
495
00:24:30,000 --> 00:24:33,000
IF HE WAS GONNA BE THIS LATE,
HE SHOULD HAVE CALLED.
496
00:24:33,000 --> 00:24:34,000
HE'S HERE.
497
00:24:34,000 --> 00:24:37,000
SORRY WE'RE LATE.
WE'RE GONNA NEED ANOTHER CHAIR.
498
00:24:40,000 --> 00:24:42,000
IF YOU DON'T
MIND ME BARGING IN.
499
00:24:43,000 --> 00:24:44,000
NOPE.
500
00:24:44,000 --> 00:24:46,000
NO. NOT AT ALL.
501
00:24:46,000 --> 00:24:47,000
CAN WE HAVE ANOTHER
SET UP OVER HERE?
502
00:24:47,000 --> 00:24:50,000
MAY I TALK TO YOU
A MINUTE? IS THERE A PROBLEM?
503
00:24:50,000 --> 00:24:51,000
[JEAN]
OF COURSE NOT.
504
00:24:51,000 --> 00:24:53,000
NO. WE'LL BE RIGHT BACK.
505
00:24:59,000 --> 00:25:01,000
LOOK...
506
00:25:01,000 --> 00:25:03,000
I DON'T WANT TO BE RUDE.
OKAY. FINE.
507
00:25:03,000 --> 00:25:04,000
SURE. I GOT YOU. I'LL, UH...
508
00:25:04,000 --> 00:25:08,000
JUST SAY GOOD-BYE TO THE BOYS
FOR ME, OKAY? WAIT A MINUTE.
509
00:25:08,000 --> 00:25:10,000
WHAT? YOU'RE MAKING
ME LEAVE, AREN'T YOU? YOU'RE KICKING ME OUT.
510
00:25:10,000 --> 00:25:13,000
STOP IT.
511
00:25:13,000 --> 00:25:15,000
THIS IS NOT ABOUT YOU
GETTING KICKED OUT.
512
00:25:17,000 --> 00:25:22,000
THIS IS...IT'S ABOUT
HAVING BOUNDARIES.
513
00:25:22,000 --> 00:25:23,000
I'M IN A RELATIONSHIP.
514
00:25:23,000 --> 00:25:24,000
RIGHT.
515
00:25:24,000 --> 00:25:25,000
CONGRATULATIONS.
516
00:25:25,000 --> 00:25:28,000
STOP IT. DON'T BE CUTE.
517
00:25:28,000 --> 00:25:29,000
[SIGHS]
518
00:25:29,000 --> 00:25:34,000
YOU JUST CAN'T SHOW UP
WHENEVER THE MOOD STRIKES YOU.
519
00:25:36,000 --> 00:25:38,000
OKAY. UNDERSTOOD.
I'LL GO.
520
00:25:40,000 --> 00:25:41,000
THANK YOU.
521
00:25:41,000 --> 00:25:44,000
AND SAY GOOD-BYE
TO THE BOYS.
522
00:25:44,000 --> 00:25:46,000
AND DON'T MAKE ME
THE BAD GUY.
523
00:25:46,000 --> 00:25:49,000
OKAY.
524
00:25:49,000 --> 00:25:53,000
SORRY, GUYS, I CAN'T STAY.
THERE'S THIS MEETING I FORGOT ABOUT.
525
00:25:53,000 --> 00:25:57,000
OH, THAT'S TOO BAD.
NICE OF YOU TO DROP BY.
526
00:25:57,000 --> 00:25:59,000
HE DIDN'T DROP BY.
I INVITED HIM.
527
00:25:59,000 --> 00:26:01,000
WE'LL DO IT ANOTHER TIME.
528
00:26:04,000 --> 00:26:07,000
AH, TOLD YOU.
I THOUGHT THEY'D BE HERE.
529
00:26:07,000 --> 00:26:10,000
HEY, THERE'S KRIS
AND, WHAT DO YOU KNOW? KERRY CONNELLY.
530
00:26:10,000 --> 00:26:13,000
HOW YOU DOIN'?
PETE RITTER. BACK TO THE RANCH?
531
00:26:13,000 --> 00:26:16,000
WHAT'S GOING ON?
532
00:26:16,000 --> 00:26:18,000
YOU WANNA TELL THEM?
TELL ME WHAT?
533
00:26:18,000 --> 00:26:21,000
WE'VE GOT SOME NEWS.
534
00:26:23,000 --> 00:26:27,000
I DON'T UNDERSTAND.
HOW CAN WILDFIRE BE IN THE COMMERCIAL?
535
00:26:27,000 --> 00:26:29,000
WE'RE UNDER--
QUARANTINE. I KNOW.
536
00:26:29,000 --> 00:26:32,000
BUT WE'RE GONNA
FILM IT AT RAINTREE.
537
00:26:32,000 --> 00:26:33,000
WITH YOUR PERMISSION,
OF COURSE.
538
00:26:33,000 --> 00:26:35,000
IT SHOULD TAKE HALF A DAY.
539
00:26:35,000 --> 00:26:37,000
THEY'RE ALL WILLING TO
SACRIFICE THEIR FOOTWEAR.
540
00:26:37,000 --> 00:26:40,000
AND RAINTREE WILL GET
A HANDSOME LOCATION FEE.
541
00:26:40,000 --> 00:26:42,000
THAT'S FANTASTIC.
542
00:26:42,000 --> 00:26:44,000
A LOCATION FEE?
I'VE NEVER HEARD OF THAT.
543
00:26:44,000 --> 00:26:47,000
WELL, I COULD ONLY
GET 10,000 A DAY, BUT...
544
00:26:47,000 --> 00:26:50,000
THAT'S GREAT.
WE SHOULD CELEBRATE.
545
00:26:50,000 --> 00:26:53,000
UH, CHAMPAGNE FOR THE TABLE.
OH, MY GOD!
546
00:26:53,000 --> 00:26:55,000
WHAT MADE THOSE SAUCE GUYS
CHANGE THEIR MINDS?
547
00:26:55,000 --> 00:26:57,000
KERRY DID.
YOU DID.
548
00:26:57,000 --> 00:26:59,000
NOTHING REPRESENTS HOT SAUCE
LIKE A HOT, SAUCY GIRL.
549
00:26:59,000 --> 00:27:01,000
[JEAN]
OH! CHILD PRESENT.
550
00:27:01,000 --> 00:27:04,000
LOOK WHO'S HERE.
COME HERE.
551
00:27:04,000 --> 00:27:05,000
HEY, GUYS.
552
00:27:05,000 --> 00:27:09,000
PABLO, WE'RE GONNA SHOOT
KRIS' COMMERCIAL AT RAINTREE.
553
00:27:09,000 --> 00:27:11,000
WE ARE?
YEAH, KERRY FIXED IT.
554
00:27:11,000 --> 00:27:14,000
AND KRIS CAN WORK WITH
WILDFIRE, AND WE MAY
555
00:27:14,000 --> 00:27:16,000
MAKE BACK THE BOARDING FEES
THAT WE LOST.
556
00:27:16,000 --> 00:27:19,000
THAT'S GREAT.
IS THAT GOOD FOR YOU? YEAH!
557
00:27:19,000 --> 00:27:21,000
WILDFIRE'S IN IT
AND NOW EVERYBODY'S HAPPY.
558
00:27:21,000 --> 00:27:23,000
CAN'T BEAT THAT.
559
00:27:23,000 --> 00:27:25,000
HEY, WHY DON'T
YOU TWO JOIN US?
560
00:27:25,000 --> 00:27:27,000
OH, WE DON'T
WANT TO INTRUDE.
561
00:27:27,000 --> 00:27:30,000
NO, NOT AT ALL.
MOM,
562
00:27:30,000 --> 00:27:32,000
THEY'RE ON A DATE.
563
00:27:32,000 --> 00:27:34,000
[CHUCKLING]
ENJOY YOUR MEAL.
564
00:27:37,000 --> 00:27:38,000
EXCUSE ME.
565
00:27:48,000 --> 00:27:51,000
OH, PETE RITTER.
HEY!
566
00:27:51,000 --> 00:27:53,000
[KEN]
WHAT A CON MAN.
567
00:27:53,000 --> 00:27:57,000
I DON'T KNOW HOW JEAN CAN SIT
AT THE SAME TABLE WITH THAT GUY.
568
00:27:57,000 --> 00:28:00,000
MAYBE SHE'S DOING IT
FOR THE KIDS.
569
00:28:00,000 --> 00:28:05,000
KEEPING HIM A MILLION MILE AWAY
WOULD BE BETTER FOR THOSE KIDS.
570
00:28:05,000 --> 00:28:09,000
CHARLIE HEWITT? I MEAN,
WHAT DOES SHE SEE IN HIM?
571
00:28:09,000 --> 00:28:12,000
HE'S CUTE AND HE'S
NICE TO HER. YEAH, BUT, UH...
572
00:28:12,000 --> 00:28:14,000
OH, THANK YOU.
573
00:28:14,000 --> 00:28:18,000
...HE'S SO SHORT.
574
00:28:18,000 --> 00:28:20,000
SO, HERE'S MY PROBLEM.
575
00:28:20,000 --> 00:28:21,000
PICARO'S TIMES
ARE GETTING WORSE.
576
00:28:21,000 --> 00:28:24,000
CARRIES HIS HEAD LOW,
HE'S OFF HIS FEED.
577
00:28:24,000 --> 00:28:26,000
HE'S NOT EXCITED
WHEN WE HIT THE TRACK.
578
00:28:26,000 --> 00:28:29,000
HAVE YOU HAD THE VET OUT?
MM-HMM. HE'S SOUND.
579
00:28:29,000 --> 00:28:31,000
WHAT I THINK IS,
HE'S LONELY.
580
00:28:31,000 --> 00:28:33,000
I WENT OVER TO KELLY'S.
581
00:28:33,000 --> 00:28:36,000
PICARO GREW UP
WITH ANOTHER HORSE WHO WAS DOING PRETTY WELL TOO,
582
00:28:36,000 --> 00:28:38,000
BUT NOW HE'S ACTING
JUST AS MISERABLE AS PICARO.
583
00:28:38,000 --> 00:28:41,000
WELL, THESE THINGS HAPPEN.
WHAT'S THE POINT?
584
00:28:41,000 --> 00:28:45,000
I ONLY HAVE A SHORT TIME TO
RECOUP YOUR ORIGINAL INVESTMENT AND START TO GET AHEAD.
585
00:28:45,000 --> 00:28:48,000
I'D LIKE TO SOLVE MY PROBLEM NOW
AND BUY HIS PAL. WITH WHAT MONEY?
586
00:28:48,000 --> 00:28:50,000
YOURS.
587
00:28:50,000 --> 00:28:52,000
HA!
DON'T LAUGH.
588
00:28:52,000 --> 00:28:54,000
YOU ALWAYS SAID YOU HAVE TO
SPEND MONEY TO MAKE MONEY.
589
00:28:54,000 --> 00:28:57,000
I'M WILLING TO TAKE THE EXTRA
DEBT IF YOU GIVE IT TO ME.
590
00:28:57,000 --> 00:28:59,000
YOU DIDN'T RESEARCH
THIS HORSE'S BLOODLINES, DID YOU?
591
00:28:59,000 --> 00:29:01,000
OF COURSE I DID.
592
00:29:01,000 --> 00:29:02,000
HE'S WORTH A CHANCE.
593
00:29:03,000 --> 00:29:08,000
HOW MUCH DO THEY WANT?
12,000, BUT I CAN GET HIM DOWN TO 10, MAYBE EVEN 8.
594
00:29:08,000 --> 00:29:10,000
GIVE HIM FIVE.
595
00:29:10,000 --> 00:29:13,000
IF HIS TIMES ARE DOWN,
TAKE ADVANTAGE.
596
00:29:13,000 --> 00:29:15,000
HERE YOU GO.
597
00:29:15,000 --> 00:29:16,000
NICE.
598
00:29:16,000 --> 00:29:18,000
DENIED.
599
00:29:18,000 --> 00:29:21,000
HEY, SAVE SOME ROOM
FOR LASAGNA.
600
00:29:21,000 --> 00:29:23,000
LISTEN TO YOUR MOM.
601
00:29:23,000 --> 00:29:25,000
OR WHAT?
602
00:29:25,000 --> 00:29:27,000
OR WHAT?
603
00:29:27,000 --> 00:29:29,000
OR THIS.
HEY!
604
00:29:29,000 --> 00:29:32,000
STOP IT! YOU'RE GONNA
BREAK SOMETHING.
605
00:29:32,000 --> 00:29:34,000
STOP!
OKAY, OKAY.
606
00:29:36,000 --> 00:29:39,000
[PEOPLE CHATTERING]
607
00:29:39,000 --> 00:29:42,000
WE GOT THE CONTRACTS,
BUT NOT THE I-9s.
608
00:29:42,000 --> 00:29:44,000
RAY SAYS YOU NEED TO
BE ON THE B TEAM. NOW GO.
609
00:29:48,000 --> 00:29:51,000
[ALL CHATTERING]
COFFEE, PLEASE!
610
00:29:51,000 --> 00:29:53,000
[MAN]
WE NEED A COUPLE SANDBAGS HERE!
611
00:29:53,000 --> 00:29:55,000
LET ME GET SOME
OF THAT SHINE OFF.
612
00:29:57,000 --> 00:29:59,000
NERVOUS?
613
00:30:00,000 --> 00:30:02,000
YEAH.
614
00:30:02,000 --> 00:30:06,000
DON'T BE. JUST BE YOURSELF
AND YOU'LL BE GREAT.
615
00:30:06,000 --> 00:30:09,000
I THINK THAT'S ENOUGH BLUSH.
SHE'S THE GIRL NEXT DOOR,
616
00:30:09,000 --> 00:30:10,000
NOT THE HOOKER
FROM DOWNTOWN.
617
00:30:10,000 --> 00:30:12,000
OKAY.
618
00:30:12,000 --> 00:30:14,000
YOU LOOK TERRIFIC.
619
00:30:16,000 --> 00:30:17,000
THIS IS INSANE.
620
00:30:17,000 --> 00:30:21,000
DANI, WE'RE AT
THE COMMERCIAL SHOOT. YOU GOTTA CHECK THIS OUT.
621
00:30:21,000 --> 00:30:23,000
OKAY, WE'RE READY FOR HER.
622
00:30:23,000 --> 00:30:25,000
ALL RIGHT. SHOWTIME, KRIS.
623
00:30:25,000 --> 00:30:27,000
LET'S GO.
624
00:30:27,000 --> 00:30:29,000
YOU READY?
625
00:30:37,000 --> 00:30:40,000
OH, MY GOD!
IT'S KRIS FURILLO!
626
00:30:40,000 --> 00:30:43,000
CAN YOU SIGN
MY CHEST PLEASE!
627
00:30:46,000 --> 00:30:48,000
HI.
628
00:30:55,000 --> 00:31:00,000
MY GOD, IT TAKES A LOT OF PEOPLE
TO MAKE A COMMERCIAL.
629
00:31:01,000 --> 00:31:02,000
MARKER.
630
00:31:06,000 --> 00:31:07,000
MARK IT.
631
00:31:07,000 --> 00:31:09,000
MARKER!
632
00:31:10,000 --> 00:31:11,000
AND ACTION!
633
00:31:11,000 --> 00:31:14,000
GOOD. SMILE.
NOW TURN THIS WAY.
634
00:31:14,000 --> 00:31:17,000
NO, NO, NO. SPIN THE BOTTLE
THIS WAY AND DROP IT LOWER. ATOMIC HOT SAUCE.
635
00:31:17,000 --> 00:31:18,000
MARKER!
636
00:31:29,000 --> 00:31:30,000
ALL RIGHT.
MARK IT AGAIN.
637
00:31:30,000 --> 00:31:32,000
MARK!
638
00:31:32,000 --> 00:31:34,000
HERE WE GO. NOW, WHEN YOU
WANT IT, BRING IT UP.
639
00:31:34,000 --> 00:31:37,000
SMILE. YOU'RE SELLIN'
THIS HOT SAUCE, HUH?
640
00:31:37,000 --> 00:31:40,000
OKAY, HERE WE GO.
ON ACTION. ACTION!
641
00:31:40,000 --> 00:31:41,000
NO, NO. CUT, CUT, CUT.
642
00:31:50,000 --> 00:31:53,000
I WANT YOU TO BRING IT UP.
DON'T SMILE. BRING IT UP.
643
00:31:53,000 --> 00:31:55,000
THEN SMILE. KEEP YOUR HAND
OUT OF THE WAY.
644
00:31:55,000 --> 00:31:57,000
[WHISPERS]
HOT SAUCE.
645
00:31:57,000 --> 00:31:58,000
MARKER.
646
00:31:58,000 --> 00:31:59,000
ACTION.
647
00:31:59,000 --> 00:32:01,000
OKAY, UM...
648
00:32:01,000 --> 00:32:03,000
ALL RIGHT. HERE'S WHAT
I WANT YOU TO DO.
649
00:32:03,000 --> 00:32:07,000
TAKE ONE HAND LIKE THIS,
ONE HERE LIKE THIS. KEEP YOUR FINGERS OFF THE LABEL, OKAY?
650
00:32:07,000 --> 00:32:08,000
'CAUSE YOU'RE
SELLING THE SAUCE.
651
00:32:08,000 --> 00:32:09,000
ACTION!
652
00:32:11,000 --> 00:32:14,000
CUT! PRINT! MOVIE!
YEAH!
653
00:32:14,000 --> 00:32:16,000
[CREW CLAPPING]
654
00:32:16,000 --> 00:32:18,000
[MAN]
ALL RIGHT! GOOD!
655
00:32:18,000 --> 00:32:20,000
GREAT! GREAT WORK...
656
00:32:20,000 --> 00:32:21,000
[WHISPERS]
KRIS. KRIS!
657
00:32:21,000 --> 00:32:23,000
NOW, YOU GET TO KISS
YOUR BOYFRIEND.
658
00:32:23,000 --> 00:32:26,000
BOYFRIEND?
659
00:32:42,000 --> 00:32:43,000
HEY.
660
00:32:43,000 --> 00:32:45,000
HEY.
661
00:32:45,000 --> 00:32:46,000
THIS IS CRAZY.
THIS IS INSANE.
662
00:32:46,000 --> 00:32:48,000
YEAH.
[LAUGHS]
663
00:32:48,000 --> 00:32:52,000
OKAY, WHAT I WANT
IS PASSION, HEAT.
664
00:32:52,000 --> 00:32:54,000
OKAY, YOU STAND
HERE LIKE THIS.
665
00:32:54,000 --> 00:32:57,000
WRAP YOUR ARMS AROUND HER.
YOU WANT HER, RIGHT? HUH?
666
00:32:57,000 --> 00:33:00,000
HEAT. HEAT.
667
00:33:00,000 --> 00:33:01,000
OKAY, ROLL CAMERA.
668
00:33:01,000 --> 00:33:03,000
MARKER.
669
00:33:05,000 --> 00:33:06,000
ACTION!
670
00:33:08,000 --> 00:33:10,000
OH, YUCK.
671
00:33:10,000 --> 00:33:12,000
WAIT! KERRY! KERRY!
672
00:33:12,000 --> 00:33:14,000
OKAY, CUT! CUT!
PASSIONATE.
673
00:33:14,000 --> 00:33:16,000
PASSIONATE!
DID I NOT SAY PASSIONATE?
674
00:33:16,000 --> 00:33:19,000
UH, ALL RIGHT.
JUST GIVE ME A MINUTE.
675
00:33:22,000 --> 00:33:24,000
[KRIS]
WHAT'S GOING ON?
676
00:33:24,000 --> 00:33:26,000
UH, YEAH, I KNOW.
I'M GONNA HANDLE THIS.
677
00:33:26,000 --> 00:33:29,000
I'LL HANDLE IT.
DON'T WORRY ABOUT IT. IT'S NO PROBLEM. OKAY?
678
00:33:29,000 --> 00:33:31,000
YOU GUYS WANT SOME WATERS?
679
00:33:31,000 --> 00:33:33,000
UH, YEAH.
SURE. OKAY.
680
00:33:33,000 --> 00:33:37,000
WHEN YOU CAST HER, THERE WAS NO
MENTION OF PASSIONATE KISSING.
681
00:33:37,000 --> 00:33:38,000
I CHANGED THE SCRIPT.
682
00:33:38,000 --> 00:33:41,000
YOU GUARANTEED THAT
SHE'S A PROFESSIONAL.
683
00:33:41,000 --> 00:33:43,000
I WANT ANOTHER WOMAN.
684
00:33:43,000 --> 00:33:45,000
NO. I DON'T WANT
ANOTHER GIRL.
685
00:33:45,000 --> 00:33:48,000
FIND ANOTHER GUY.
ANOTHER GUY?
686
00:33:51,000 --> 00:33:56,000
HEY, THOUGHT YOU MIGHT NEED THIS
TO WASH YOUR MOUTH OUT WITH.
687
00:33:56,000 --> 00:33:59,000
THAT WAS WEIRD.
YEAH. I FELT LIKE KICKING HIS ASS.
688
00:33:59,000 --> 00:34:01,000
HEY! YOU!
689
00:34:01,000 --> 00:34:04,000
HEY! HEY!
YEAH, YOU!
690
00:34:04,000 --> 00:34:06,000
WHAT SIZE ARE YOU?
691
00:34:06,000 --> 00:34:07,000
YOUR SHIRT SIZE?
HEY, WARDROBE!
692
00:34:07,000 --> 00:34:10,000
NO, SCRATCH THAT.
YOU LOOK GOOD JUST AS YOU ARE.
693
00:34:10,000 --> 00:34:12,000
OKAY. HE'S IN, OKAY?
694
00:34:12,000 --> 00:34:14,000
HE'S IN, ALL RIGHT?
YOU'RE OUT.
695
00:34:14,000 --> 00:34:17,000
GO AWAY. ALL RIGHT.
HOLD IT. I'M NOT AN ACTOR. I WAS JUST--
696
00:34:17,000 --> 00:34:20,000
YOU KISS HER. ALL YOU
GOTTA DO IS KISS HER.
697
00:34:22,000 --> 00:34:24,000
PASSION!
HE'S KIDDING, RIGHT?
698
00:34:24,000 --> 00:34:25,000
LONNIE, ROLL CAMERA!
699
00:34:25,000 --> 00:34:28,000
MARKER.
700
00:34:28,000 --> 00:34:30,000
AND...ACTION!
701
00:34:30,000 --> 00:34:31,000
[WHISPERS]
KISS HER!
702
00:34:36,000 --> 00:34:38,000
[LAUGHING]
703
00:34:38,000 --> 00:34:39,000
CUT.
704
00:34:41,000 --> 00:34:43,000
[LAUGHING]
705
00:34:44,000 --> 00:34:47,000
[WHISPERS]
ROLL, ROLL, ROLL!
706
00:35:16,000 --> 00:35:18,000
AND CUT!
707
00:35:18,000 --> 00:35:19,000
HELLO, CLEO AWARD!
708
00:35:19,000 --> 00:35:22,000
[CREW CLAPPING]
ALL RIGHT, THAT'S A WRAP, FOLKS.
709
00:35:28,000 --> 00:35:30,000
I MISS YOU.
710
00:35:30,000 --> 00:35:33,000
UH, I--
COME OVER TO MY HOUSE FOR DINNER.
711
00:35:33,000 --> 00:35:35,000
I-I CAN'T.
YES, YOU CAN.
712
00:35:35,000 --> 00:35:37,000
REALLY, I CAN'T.
OKAY.
713
00:35:37,000 --> 00:35:39,000
I'LL SEE YOU
AT 7:00 THEN.
714
00:35:44,000 --> 00:35:45,000
[WHINNYING]
715
00:35:48,000 --> 00:35:51,000
[DANI]
LOOK AT THEM. THEY'RE SO HAPPY.
716
00:35:51,000 --> 00:35:53,000
THEY KNOW HOW IT FEELS
TO MISS SOMEONE.
717
00:35:53,000 --> 00:35:56,000
I'D RATHER AVOID
THE HASSLE.
718
00:35:56,000 --> 00:35:57,000
OF WHAT?
719
00:35:57,000 --> 00:36:00,000
FEELINGS.
720
00:36:00,000 --> 00:36:02,000
YOU DON'T MEAN THAT.
YEAH I DO.
721
00:36:06,000 --> 00:36:08,000
NO YOU DON'T.
722
00:36:33,000 --> 00:36:34,000
[PHONE RINGS]
723
00:36:41,000 --> 00:36:43,000
HELLO?
724
00:36:44,000 --> 00:36:45,000
HI, PETE.
725
00:36:47,000 --> 00:36:49,000
UH...
726
00:36:49,000 --> 00:36:52,000
NO, ACTUALLY,
I'M BUSY RIGHT NOW.
727
00:36:56,000 --> 00:36:59,000
YEAH.
728
00:36:59,000 --> 00:37:02,000
YEAH, SURE.
IF IT'S IMPORTANT.
729
00:37:02,000 --> 00:37:04,000
OKAY.
730
00:37:04,000 --> 00:37:06,000
BYE.
731
00:37:06,000 --> 00:37:10,000
DID YOU JUST TELL HIM
HE COULD COME OVER NOW? I'M SORRY.
732
00:37:10,000 --> 00:37:13,000
IT'S GONNA TAKE HIM
A WHILE TO GET HERE.
733
00:37:13,000 --> 00:37:16,000
I MEAN, AT LEAST HE CALLED
INSTEAD OF JUST BARGING OVER.
734
00:37:16,000 --> 00:37:18,000
WE HAD THAT TALK
ABOUT BOUNDARIES.
735
00:37:18,000 --> 00:37:21,000
I FEEL LIKE I NEED
TO REWARD HIM.
736
00:37:22,000 --> 00:37:24,000
YOU DEAL WITH HIM, OKAY?
737
00:37:26,000 --> 00:37:27,000
I'LL-I'LL BE BACK LATER.
738
00:37:27,000 --> 00:37:29,000
WELL, WAIT.
739
00:37:29,000 --> 00:37:31,000
ARE YOU OKAY?
740
00:37:39,000 --> 00:37:41,000
HEY, CHARLIE.
PETE.
741
00:37:41,000 --> 00:37:45,000
PETE, YOU...
YOU JUST CALLED.
742
00:37:45,000 --> 00:37:47,000
FROM THE CAR.
743
00:37:47,000 --> 00:37:49,000
YOU LEAVIN'?
744
00:37:49,000 --> 00:37:50,000
YEAH.
745
00:37:54,000 --> 00:37:56,000
YOU WERE LURKING.
746
00:37:58,000 --> 00:37:59,000
I WASN'T LURKING.
747
00:37:59,000 --> 00:38:01,000
LURKING.
748
00:38:01,000 --> 00:38:04,000
I WAS IN THE NEIGHBORHOOD.
749
00:38:06,000 --> 00:38:08,000
OH! IS THIS CHARLIE'S?
750
00:38:08,000 --> 00:38:10,000
OH, BOY.
751
00:38:12,000 --> 00:38:15,000
♪♪ [ROCK]
752
00:38:24,000 --> 00:38:29,000
[MAN]
♪ YOU'RE LIKE WATER SOMETIMES ♪
753
00:38:29,000 --> 00:38:33,000
♪ YOUR LOVE FLOWS
AROUND ME THAT WAY ♪
754
00:38:33,000 --> 00:38:37,000
♪ YOU'RE LIKE
RAIN ON MY LIPS ♪
755
00:38:37,000 --> 00:38:39,000
♪ AND ONE KISS COULD ♪
756
00:38:39,000 --> 00:38:41,000
♪ NEVER FINALLY QUIT ♪
757
00:38:41,000 --> 00:38:43,000
♪ THERE'S JUST ♪
758
00:38:43,000 --> 00:38:46,000
♪ SOMETHING ABOUT YOU ♪
759
00:38:46,000 --> 00:38:51,000
♪ THAT MAKES
ALL OF MY COLORS RUN ♪
760
00:38:51,000 --> 00:38:53,000
♪ THERE'S JUST
SOMETHING ABOUT YOU... ♪
761
00:38:53,000 --> 00:38:55,000
WHOA!
762
00:38:55,000 --> 00:38:56,000
HEY.
HEY.
763
00:38:56,000 --> 00:38:59,000
BIG MOMENT, KRIS.
I HAVE THE CONTRACTS.
764
00:38:59,000 --> 00:39:00,000
UM...
HERE, LET'S SIT.
765
00:39:00,000 --> 00:39:02,000
WE'LL MAKE THIS
OFFICIAL BETWEEN US.
766
00:39:02,000 --> 00:39:04,000
NOW THE DIFFERENCE BETWEEN GROSS
MERCHANDISING REVENUE
767
00:39:04,000 --> 00:39:07,000
AND NET MERCHANDISING REVENUE
ISN'T AS HARD AS IT SOUNDS.
768
00:39:07,000 --> 00:39:10,000
♪ I'M QUENCHIN' MY THIRST ♪
769
00:39:10,000 --> 00:39:13,000
♪ TOTALLY IMMERSED IN YOU ♪
770
00:39:13,000 --> 00:39:15,000
THE POINT IS--
OH, JUST STOP. STOP.
771
00:39:18,000 --> 00:39:19,000
RAISE YOUR RIGHT HAND.
772
00:39:21,000 --> 00:39:23,000
THAT'S MY LEFT HAND.
RAISE YOUR LEFT HAND.
773
00:39:23,000 --> 00:39:26,000
REPEAT AFTER ME.
774
00:39:26,000 --> 00:39:29,000
I, KERRY CONNELLY...
775
00:39:29,000 --> 00:39:31,000
"I, KERRY CONNELLY..."
776
00:39:31,000 --> 00:39:34,000
...SOLEMNLY SWEAR TO ALWAYS
GIVE KRIS THE STRAIGHT SCOOP.
777
00:39:37,000 --> 00:39:40,000
"...SOLEMNLY SWEAR TO ALWAYS
GIVE KRIS THE STRAIGHT SCOOP."
778
00:39:40,000 --> 00:39:45,000
AND IF I LIE TO HER,
EVEN ONCE, I KNOW THAT SHE WILL KICK MY ASS.
779
00:39:45,000 --> 00:39:46,000
THAT TOO.
780
00:39:46,000 --> 00:39:48,000
[LAUGHS]
781
00:39:48,000 --> 00:39:51,000
[KNOCK ON DOOR]
782
00:39:57,000 --> 00:40:01,000
HI. I NEED TO TALK
TO YOU FOR A MINUTE.
783
00:40:01,000 --> 00:40:03,000
I'M REALLY NOT
IN THE MOOD.
784
00:40:03,000 --> 00:40:05,000
OH.
785
00:40:05,000 --> 00:40:08,000
YOU'RE EXPECTING
SOMEONE.
786
00:40:08,000 --> 00:40:10,000
OH.
787
00:40:10,000 --> 00:40:13,000
I'M SORRY.
788
00:40:13,000 --> 00:40:16,000
IT HAPPENS TO THE BEST OF US.
789
00:40:16,000 --> 00:40:18,000
WELL, IT'S, UM...
790
00:40:18,000 --> 00:40:20,000
IT'S A SHAME TO
WASTE ALL THIS FOOD.
791
00:40:20,000 --> 00:40:22,000
WHY DON'T I COOK UP
ONE OF THESE STEAKS?
792
00:40:22,000 --> 00:40:26,000
OKAY, LOOK...
WHAT DO I EVEN CALL YOU?
793
00:40:26,000 --> 00:40:29,000
WELL, ISABELLE IS A START.
794
00:40:29,000 --> 00:40:32,000
OKAY, ISABELLE,
I DON'T NEED A MOTHER.
795
00:40:34,000 --> 00:40:37,000
HERE.
796
00:40:37,000 --> 00:40:39,000
WHAT I NEED YOU TO LOOK AT--
797
00:40:39,000 --> 00:40:41,000
YOU NEED TO BE
SOMEWHERE ELSE?
798
00:40:41,000 --> 00:40:43,000
NO, WHY?
799
00:40:45,000 --> 00:40:47,000
OKAY.
800
00:40:47,000 --> 00:40:51,000
ALL YOU NEED TO DO RIGHT NOW
IS SIGN THIS LAST PAGE.
801
00:40:51,000 --> 00:40:53,000
THEN YOU CAN GO TO HIM.
802
00:41:01,000 --> 00:41:04,000
YOU THINK I ABANDONED YOU.
803
00:41:06,000 --> 00:41:09,000
WELL, I DID EVERYTHING
I COULD TO KEEP YOU.
804
00:41:09,000 --> 00:41:11,000
I DON'T BELIEVE YOU.
805
00:41:13,000 --> 00:41:15,000
IT'S FAIR.
806
00:41:15,000 --> 00:41:17,000
THERE ARE TWO SIDES
TO EVERY STORY.
807
00:41:17,000 --> 00:41:20,000
LIKE THE ONE ABOUT
808
00:41:20,000 --> 00:41:22,000
A PREGNANT YOUNG WIFE WHO
HAS TO MOVE TO SAN FRANCISCO
809
00:41:22,000 --> 00:41:25,000
BECAUSE HER HUSBAND
KNOCKED UP A STABLE GIRL.
810
00:41:30,000 --> 00:41:33,000
AND WHEN I COULDN'T STAND
TO LOOK AT HIS FACE ANOTHER SECOND,
811
00:41:33,000 --> 00:41:36,000
I PACKED OUR BAGS.
812
00:41:36,000 --> 00:41:40,000
AND THEN HE THREATENED
TO DESTROY MY LIFE UNLESS I GAVE HIM
813
00:41:40,000 --> 00:41:43,000
FULL CUSTODY OF YOU.
814
00:41:43,000 --> 00:41:45,000
BUT WHY DIDN'T YOU FIGHT?
815
00:41:45,000 --> 00:41:47,000
I DID.
816
00:41:47,000 --> 00:41:51,000
BUT KEN DAVIS DOES NOT STOP
UNLESS HE WINS. RIGHT?
817
00:41:56,000 --> 00:41:57,000
AND SO I LEFT...
818
00:41:58,000 --> 00:42:00,000
WITHOUT YOU.
819
00:42:01,000 --> 00:42:04,000
AND I HAVE BEEN SORRY
EVERY DAY SINCE.
820
00:42:14,000 --> 00:42:16,000
LOVERBOY!
LOVERBOY!
821
00:42:21,000 --> 00:42:23,000
SO HOW DO YOU
LIKE YOUR STEAK?
822
00:42:28,000 --> 00:42:30,000
MEDIUM.
823
00:42:30,050 --> 00:42:34,600
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