All language subtitles for Highway To Heaven s03e08 Love and Marriage 2.eng

[theme music]

Say, uh, how long have
you been married now, sir?

49 years.

Oh, hey, that's wonderful.

What's so wonderful about it?

Well, uh-- well,
I mean, you know,

you've been happily
married all those years,

and now your granddaughter's
getting married, and you know.

Wonderful, huh?

Well, if I'd known then what I
know now, I'd still be single.

If you're so
unhappy, why don't you

do something about it?

I wasn't talking to you.

I'm talking to Charlie here.

Oh, Mrs. Kelly, it's nothing.

We were just talking, you know.

If you knew then what you
know now, you'd still be single.

Well, if I knew then
what I know now,

I can promise you
you'd be single.

I don't see why we
have to get a divorce.

I'm perfectly content to just
go along with things the way

they are.

Well, I'm not.

No, a divorce is the only way.

What divorce?

What are you talking about?

Honey, what's the matter?

Oh, everything.

I'm sorry, Brad.

I can't marry you.

What?

I-- I can't marry you.

Wait.

What are you talking about?

Ask my parents
or my grandparents.

[sniffling] Here's
your-- your, um--

your ring.

Trish.

Trish!

[dramatic music]

[crying] I'm--

I'm sorry.

I thought I could handle this,
but I pass my husband's closet,

and it's empty and I
just started crying.

I-- I know it's so stupid.

JONATHAN (ON PHONE):
No, no, it's not.

I didn't want to
call my daughter.

JONATHAN (ON PHONE): I'm--

I'm glad you called me.

I'll be right down.

Oh, you don't have to do that.

JONATHAN (ON PHONE): It's
all right, Mrs. Kelly.

I'll be there soon.

Thank you.

[dial tone hums]

Does Frank want the divorce?

No.

He keeps on saying that he's
willing to just go along,

but he's just afraid he'll
lose half of what he's

made in the divorce settlement.

No.

Are you sure?

He doesn't love
me anymore, and I

don't want to live that way.

What about you?

Do you love him?

[sighs] I don't know.

I don't know what
I really feel now

except scared and miserable.

Well, then how can you be so
sure he doesn't love you if you

don't even know how you feel?

Because we're never together.

And when we are, all
it takes is one word

and we're arguing again.

What do you want, Carla?

What do you really want?

I don't want a divorce,
and I don't want to go

on living like we have been.

Well, maybe you should
try some counseling.

No.

We are too far gone for that.

[scoffs] Well,
I'd say a marriage

that's lasted for
25 years is worth

a little work to try to save.

[sighs] I want to either be
happy with him or cut it and go

on with the rest of my life.

I mean, he's not going
to change and neither

am I. We-- we are who we are.

And if we can't live together,
then we should end it.

Well, maybe it's
not so much changing

who you are as it
is changing the way

you relate to each other.

Oh, no.

We're too set in our ways.

I'll tell you what I'd really
want, to be able to start over

with him, to be able to meet
him again for the first time

and then just start over.

[sentimental music]

[shrieks]

What's wrong?

What's wrong?
What do you mean, what's wrong?

Look in the mirror.

That's what's wrong.

That's not me, no.

Oh, ho, ho.

What do you mean, oh, ho, ho?

Does that look like me to you?

It doesn't look like me to me.

It doesn't even sound like me.

I'm having a breakdown.

That's what it is, the strain.

[cackles] That doesn't even--

oh, I'm going mad.

Now, Carla, just take it easy.

You're not going mad, and you're
not having a nervous breakdown.

- I'm not?
- Now, come on.

Just sit over here, and
I'll explain everything.

You can explain this?

Oh, yes, I promise you.

I can explain it.

Come on.

Just sit down and take it easy.

Yeah.

Now, Carla, I'm
not a minister.

You're not a minister?

No.

No, you see, I am an angel.

You're an angel?

Mm-hmm.

Well, that certainly
clears it up a lot.

Oh, I am going insane.

Oh, dear God, help me.

Well, he's trying,
Carla, that's

why he granted you your wish.

What wish?

For you to meet your husband
Frank again for the first time

and start over.
That's what you said, wasn't it?

Well, yes, but--

Well, this is your chance
to do that for one full week.

Frank won't recognize you.

The face he sees is
gonna be the same face

you saw in that mirror.

You can start all over
for the first time.

- You did this?
- No, no, no.

I suggested counseling.

This was the boss's idea.

Ah, the boss.

You mean?

Mm-hmm.

[gasps] Then you are an angel.

I mean, this was his idea.

This is all OK with him.

Oh, yeah, it's perfectly fine.

Hmm.

I could be the other woman.

Oh, I-- I wouldn't
put it that way.

This is really just
a chance to meet

Frank again and start over.

This could be fun.

I don't know if it'll work
or not, but it could be fun.

Now, wait.

It's not supposed to be fun.

It's supposed to
be a chance for you

and your husband
to get together.

Oh, yeah, sure.

Still, it could be fun.

I mean, what's he going to do?

He's gonna turn me
into a pillar of salt?

[chuckles]

Well, it's happened.

I don't like her hair.

[thunder rumbles]

I think you're pushing it.

Yeah, sorry.

[thunder quiets]

[soft jazz music]

Uh, Jonathan, now he's
not gonna be here.

I mean, it's almost midnight.

He's gone to bed.

He couldn't sleep.

And he's sitting
right over there.

Yeah, he probably came
down here to pick up a woman.

What a rat.

Carla, he's alone.

Why don't you give him the
benefit of the doubt, huh?

I can't.

I-- I just won't
know what to say.

I can't do anything
with her hair.

I-- I can't.

Carla, will you just relax?

I'll be with you every
minute to make sure you

get off of the right foot.

Great.

He's going to come
on to another woman

with the minister from his
daughter's wedding right there.

He isn't going
to know I'm there.

You're the only one that
can see me or hear me.

Are you sure?

Carla, trust me.

I've been at this a long time.
- Yeah.

Let's go.

Um, excuse me,
is this seat taken?

Oh, uh, no.

Go right ahead.

Thank you.

What do I do now?

Strike up a conversation.

OK.

I-- I-- sorry.

Did you say something to me?

Oh, uh, yes.

Yes, I did.

I'm sorry.

I didn't mean to be rude.

I was thinking about my wife.

Well, it's a little
late for that now.

Carla.

Oh, isn't it--

I bed your pardon?

--isn't it late?

It's almost midnight.

Yes, it is.

My name is Frank.

What's yours?

My what?

Your name.

My name?

Oh, no.

FRANK: Well, that's a
very interesting name.

What is?

Ono.

I don't think I've ever
met anyone named Ono.

Uh.

[chuckles]

Yes, it-- it is an
unusual name, isn't it?

Um, listen, I don't think
I'm going to be much company.

My wife and I split up tonight.

No, no, please, I'd--

I'd like to talk or--

or even listen if
you'd like to talk.

You mean that?

Sure.

That would be nice.

I miss talking to a woman.

What do you mean?

Well, I-- I mean, uh, I--

listen, I don't, uh,
I don't play around.

I've never played
around on my wife.

Oh, Frank.

Oh, I'm so glad.

Neither have I.

Carla.

I mean, I-- it's so--

it's so nice to meet a
man like that nowadays.

Oh.

Yeah, well.

Anyway, my wife and
I, we don't talk.

What's to talk about anyway?

She shows me the bills from her
shopping sprees, and I pay 'em.

But she never
listens to anything

that I might want to say.

Now that's just not--

Let him talk.

[muffled speech]

Let him talk.

Are you all right?

Yes.

Yeah.

Do you know-- do you know, I
thought I was going to sneeze.

Please.

Please, go ahead.

I was a cop before
I left the force

and went into real estate.

Oh, at first, we were
like partners, you know.

We used to talk about
everything, and I don't know,

maybe she just got--

it was boring to her, you know?

So many times I
wished that she would

just do what you're doing right
now, you know, just listen.

But maybe what I had to say
wasn't very interesting,

you know, not very important.

But you know, at times
a person would just

like to be listened
to, you know, so you

can feel important, you know?

I still love her.

I just can't seem to
live with her anymore.

I guess what I'd like
is to start over.

But life's not like that.

Roses?

Would you care to buy
a rose for your lady?

Oh, sure.

Keep the change.

WOMAN: Thanks.

Here.

What's wrong?

Nothing.

It's just it's been such
a long time since you've--

since, um-- since a man
has given me a rose.

Yeah, well, it's been
a long time since a woman

took time to listen to me.

You're a kind man, Frank.

You're a decent man.

I wish my wife thought so.

Let's, uh-- let's not talk
about her for a while, OK?

Let's just you and me
meet for the first time.

[soft laughter]

[upbeat music]

[snoring]

JONATHAN: Mark?

[snoring]

JONATHAN: Hey.

Hmm.
JONATHAN: Mark, come on.

Hmm.

JONATHAN: Wake up.
Wake up.

Oh.

Oh, my stomach.

Had to have been the garlic.

Here, drink this.

Oh, thanks.

[belches]

You certainly have
a way with words.

Yeah, thanks.

I'm gonna get my coat.

We got to go.

MARK: Oh, Jon, come
on, give me a break.

Hey, these are friends
of yours, remember?

OK.

OK.

OK.

[sighs] Isn't it kind of late
to go see Carla and Frank?

Oh, I've already seen them.

We're going to see Brad.

MARK: Oh.

How'd it go with
Carla and Frank?

Oh, it was great.

Frank's with another woman.

- He's what?
- Relax.

I'll tell you about
it on the way.

[scoffs] Relax?

That's what I was doing
until you woke me up.

[belches]

[dance music]

Here you go.

Thanks.

Hey.

WAITRESS: Yeah?

What's your name?

WAITRESS: Angie.

Well, hi, Angie.

I'm Brad.

It's a pleasure.

Can you sit down a minute?

Oh, I'm not supposed to.

BRAD: Oh, come on.

Just for a minute?

OK.

Angie, Angie, Angie,
can I ask you something?

Sure.

Would you marry me?

What?

Would you marry me?

I mean, if we had been
engaged for two years,

would there be any reason you
wouldn't want to marry me?

Oh, gee, I don't know.

Did we have a fight?

No.

We're at a party at
your folks' house,

and you just say
I can't marry you,

and you gave the ring back.

Oh, wow, I wouldn't do that.

You wouldn't?

No.

I'd never give you
that ring back.

JONATHAN: Brad?

Do you mind if I sit down?

Uh, don't think I'm
rude, but I have company.

Yeah, well, she has
to get back to work now.

Don't you, Angie?

I-- yeah, yeah, I'd, uh--

I'd better go.

JONATHAN: Oh, and Angie?

Call your mom.

What?

Give Doris a call.

She's worried about you.

You know, just because you
two don't see eye to eye

is no reason to just run
off without any explanation.

How did you know that--

That doesn't matter.

Just give her a call.

You can do it now.

She can't sleep.

Well, go on, give her the call.

Reverend, I'm not in
the mood for, uh, company.

Look, Brad, I know you're
feeling down in the dumps.

Getting drunk and doing
something you might

regret later isn't the answer.

Hey, don't talk
to me about answers.

There aren't any answers.

I couldn't get any
from Trish tonight.

You know, I banged and
banged on her door tonight.

She wouldn't answer.

Well, she was upset.

BRAD: She was upset?

What about me?

Brad, her parents
are talking divorce.

Her grandparents
are splitting up.

I mean, let's face it,
she had a tough night.

Yeah?

Well, that's got
nothing to do with us.

Hey, I know that,
and you know that.

I just think it's
going to take her

a little time to realize it.

That's all.

No, this wouldn't
have happened

if she really loved me.

[scoffs] Brad,
that's not the truth.

BRAD: I'm sorry, Rev, but
that's the way I feel.

So I, uh, forget her.

Out of sight, out of mind.

Now, if you will excuse me,
I'm gonna go see about taking

Angie home after work.

Brad.

Let him go.

But Jonathan, he--

Just let him go.

Angie.

Yeah?

You want another double?

Trish.

What?

Trish, what are
you doing here?

Look, Mister, I just
told you my name's Angie.

I think you ought to
lay off the booze.

Excuse me, I-- I have
to go call my mother.

Easy, boy, you'll
be all right.

Just forget her.

Out of sight, out of mind.

Can I buy you a drink?

That's very kind.

MARK: Brad, hey.

Hey, you all right?

Yeah, I'm--

I'm fine.

I just think I want to go home.

Yeah, come on.

We'll drive you.

No, my-- my car's outside.

You're in no
condition to drive.

Look who's talking.

You're the guy that
crashed into me, remember?

I'll see you around.

We can't let him drive.

Don't worry.

He won't.

[distant siren blares]

Yeah, we thought
we'd give you a lift.

[birdsong]

Rose?

Rosie?

What?

What's wrong?

Nothing's wrong,
Rosie, not anymore.

Clarence, what are
you talking about?

What-- what's all this about?

I had a dream
last night, Rosie.

Oh, no.

No, sirree.

What's wrong?

I know what you're like
after one of those dreams,

and you can just forget
it, not after what you said

to me at the party last night.

Oh, Rosie, it wasn't
that kind of a dream.

You're calling me Rosie.

You haven't done
that in 20 years.

That's part of the dream too.

What dream?

The one I'm trying to tell
you about if you'll just listen,

confound it.

That's why I made
you this breakfast.

That's why I feel
the way I do today.

All right, I'm listening.

But as far as I'm concerned,
nothing's changed between us.

Rosie, I had this dream.

It started with that
fellow Mark Gordon.

He came into my room.

You dreamed about that
big fellow with a beard,

and that's why you're
calling me Rosie?

And then I dreamt about
that night, my bachelor party,

when I almost ran away from
you and you stopped me.

Well, if I knew
then what I know now,

I wouldn't have stopped you.

I'd have put you on that
train to San Francisco.

And what's more, I would
have bought you the ticket.

And if I'd have known
then what I know now,

there's nothing could have
pulled me away from you.

I love you, Rosie,
always have, always will.

You're more than my
best girl, Rosie.

You're my life.

Without you, I wouldn't
have had any life--

no children, no grandchildren,
no memories, no warm home.

All these things are
tied up with you, Rosie.

They don't even
exist without you.

Clarence.

CLARENCE: Yes, Rosie?

Get rid of this tray.

But I made it
for you to enjoy.

We can eat later.

Oh.

Oh my.

Oh my goodness!

[uplifting music]

[wind chimes ring]

Hey, kiddo, how are you doing?

Hello, Uncle Mark.

You want some company?

Sure.

It's amazing.

You think you know your parents
and then, all of a sudden,

everything collapses.

Oh, you never know.

They might get back
together again.

No chance.

Sure there's a chance.

No, not anymore.

My mother's involved
with another man.

Trish, I think
you might be just

jumping to conclusions there.

No, I'm not.

She didn't come home
at all last night.

And when I did see
her this morning,

she walked around smiling.

She was so happy.

So what?

So-- so what, Mark?

She was acting like
a woman in love.

[scoffs] Trish,
have you ever seen

your mother with another man?

No, but I'm a woman.

I can tell.

Honestly, Uncle Mark,
you are so naive.

My poor father hasn't been
moved out of the house for three

days, and she's already
involved with another man,

probably some young gigolo.

Trish, I cannot believe
how unfair you're being.

I mean, you don't know anything.

Have you asked your mother?

A girl can't ask her own
mother something like that.

She's making a fool of herself.

She's acting like a
lovesick teenager.

I don't need any
more proof than that.

You know what I
think you're doing?

I think you're-- you're
adding two and two together

and you're getting six.

Well, I'm just glad I
broke it off with Brad.

Why?

Because I'm not going
to end up like them.

[sniffles] It's so disgusting.

[sighs]

You know something, Trish?

Right now, you're
being disgusting.

Me?

MARK: Yes, you.

I mean, you're being a
busybody and a gossip.

You don't know if one thing that
you're saying is true or not.

But let's say it is.

Let's just say it is.

It's their life, not yours.

You are a grown up adult now.

Your parents do not
need your permission

to lead whatever kind of
life they want to lead,

not your mother or your father.

She's my mother, and she's
making a fool of herself.

MARK: Yeah, only in your eyes.

Who are you to judge her?

And I'll tell you
something else.

You have no right to
use what's happening

to your parents as
a-- a crutch to keep

from making your own decision.

What are you talking about?

MARK: I'm talking
about you and Brad.

I mean, you don't
want to marry him?

Don't marry him.
You want to marry him?

Marry him.
You have doubts?

Well, welcome to the club.

Everybody has doubts
before they get married--

and after.

The thing is that you've
got to deal with them.

But you've got no right to throw
the blame onto your parents

and say because of
what's happening to them

you won't get married.

You don't understand.

MARK: I understand
enough to know that you

have got a life to lead.

Well, do it and let
them lead theirs.

Trish, that's all you can do.

That's all.

That and love 'em.

Yeah, it's just that
my mother looks so happy.

Why couldn't she be
that way with my father?

I'm miserable.

But why?

I thought you said you
and Frank hit it off.

We did.

We've been having
a wonderful time.

I mean, these last few days
have been the most fun,

romantic times that we've had
together in over 10 years.

But Carla, I thought
that's what you wanted,

a chance to start over and see
if there was still something

there.

Oh, there's plenty
there, all right.

That's the problem.

I think he's falling
in love with me.

And what about you?

What are your
feelings towards him?

Well, it's-- it's like when
we first met, when we were kids.

Except even better now
because we're older

and can appreciate it more.

It's like some
surprise gift that we

never even knew existed.

Oh, it's wonderful.

That's why I'm so miserable.

Well, that
certainly makes sense.

Jonathan, all those
things that are happening

are with her.

Who?

Her, that trollop Ono.

Carla, you're Ono.

Well, yes, but he
doesn't know that.

Don't you see?

My husband's involved
with another woman.

But you're the other woman.

But that's even
worse because I

know everything he says to her.

I know every look, how
much he cares for her.

Well, what are
you going to do now?

Well, what can I do?

Sue myself for
alienation of affection?

I think he's going to
ask me to marry him

as soon as he can divorce me.

[sighs] I mean, what
does he see in her?

She's not younger than me.

She's not prettier than me.

Is she?

No.

Well, then what
does he see in her?

Carla, I think we can
find the answer to that,

your problem will be solved.

[chatter]

Hi.
FRANK: Hi.

I'm sorry I'm late.

No, you're not late.

I was early.

How are you?

Good.

Good.

- Ono, I've got--
- Frank, I'd like to--

[chuckles]
- I'm sorry.

Go ahead.

Oh, no, it can wait.

Ono, these last few
days have been wonderful.

I feel like a kid again,
you know, only it's better.

I was telling someone
that exact same thing today.

I think I'm falling
in love with you.

Oh, Frank.

I-- I didn't want
this to happen.

I know.
I know.

I--

Let me finish.

See at first, I
thought that you were

nothing at all like my wife.

And-- and you're not.

I mean, not like she is now.

Well, I realize I haven't been,
well, like I've been with you

for a lot of years now.

I've been married 25 years, and
I can't just throw that away

without trying, you know?

Ono, I can't see you anymore.

Are you going
back to your wife?

Yeah, I want to try.

I've got to.

I was willing to stay with
her just to, you know,

let things go along the
way they were because I

thought that's all there was.

I didn't think I could feel
much more than that anymore.

But now I know I was wrong.

You made me see that.

So in a way, you're
responsible for my

going back and trying again.

Oh, Frank.

I'm really sorry.

You deserve so much
better than that.

You deserve a man who--

who can love just you
without any memories or other

loves to complicate things.

You've given me so much.

I'll never find another
man like you, Frank.

And I'll never
love another man as

much as I love you right now.

I'm sorry you got
involved with me.

Oh, I'm not, oh no.

Look, you-- you tell
that wife of yours,

you tell her that if either
one of you blow it again,

neither one of you will
be so lucky the next time.

I know.

No.

No, you don't, and
that's all right.

I do.

Bye, my darling.

[wistful music]

Carla.

Hello, Frank.

I, um--

I've been thinking a lot
these past few days about us.

So have I.

You have?

Uh-huh.

I-- I've been thinking
about the way we used to be,

the way I used to be.

Oh, I just want it
to be that way again.

So do I. So do I.

Oh, Frank.

[romantic music]

Carla, I have
something to tell you.

And I-- I hope
you'll understand.

No, no, you don't have
to tell me anything, Frank.

No confessions, no explanation.

Let's pretend that--
that we just met

each other for the first time.

[deep sighs]

Oh, darling, I
love you so much.

I know.

I know.

[lullaby music]

[snoring]

[telephone ringing]

Hello.

TRISH (ON PHONE): Reverend
Smith, I'm sorry if I woke you.

Oh, hi, Trish.
No, no, it's all right.

I wasn't asleep.

TRISH (ON PHONE): I've
called Brad's place,

but there's no answer.

I think I know where he is.

TRISH (ON PHONE): You do?

Yeah.

Look, I tell you what.

I'll, uh-- I'll pick you
up in about 10 minutes, OK?

TRISH (ON PHONE): Oh, thank you.

Thank you.

No problem.

Mark.

Hmm?

What?

Hmm?

Get dressed.

We've got to go.

Oh.

Yeah, not again.

No.

[groans]

[soft jazz music]

[chatter]

Hello, Brad.

Oh boy.

I haven't even had a drink yet.

Brad.

Look, Angie, I, uh--

I want to be alone tonight.

Angie?

Brad, what are
you talking about?

Trish?

Trish, it's you?

Yes.

Oh, Trish.

Mm.

Will you forgive me
for being a dope?

I love you so much.

Oh, Trish, I love you too.

Well, friend, we did it.

MARK: [snoring]

[birdsong]

And then I was so
busy with my hair,

I missed the cue for
the "Wedding March."

[laughter]

Go on downstairs.

I'll see you there later.

Oh, you all look so pretty.

Your hair looks
lovely, my dear.

I'm so nervous.

That's the way
you're supposed to be.

Your grandfather was so nervous
on the night of his bachelor

party that he almost ran away.

Lucky for me he didn't.

Lucky for all of us.

Any last minute
advice, Grandma?

Oh, I'm not the one
to give any advice.

After 49 years, it's
still all a mystery to me.

You become man and wife, have
a home, family, children.

These are the things
that bind you together.

Make memories, my darling.

And when things don't go
smoothly between you two,

let them remind you of
who the two of you are

and all that you have together.

And if you live to be my age
and one day find yourself

angry at Brad because of
all the little things that

got in the way of all the
things that really count,

just remember that inside
that crotchety old fool

you would like to strangle is
the boy you fell in love with.

A wise old man told me
that a long, long time ago.

I'd forgotten all about it
till just the other night.

Good luck, my darling.

Thanks, Grandma.

I'm going to get dressed now.

I expect some great
grandchildren out of this,

and don't you forget it.

I'll be right down, Mom.

I love you, Mommy.

Oh, I love you, baby.

This is the last time I get
to hug you as my little girl.

[sniffles] You've
got a boy out there

waiting to be your husband.

Your place is with him now.

Oh, good luck, honey.

You're gonna get married.

[chatter]

Ladies and gentlemen--

ladies and gentlemen,
the families

have asked me to make
a brief announcement,

just so you'll know you're
getting into a little more

than you probably bargained for.

You came here today to witness
the marriage of Brad and Trish.

But there'll be three
couples here on the altar

today because Frank and Carla
and Clarence and Rose Kelly

have decided to renew
their vows also.

The couples and their
families want me to tell you

how happy they are that
you're here with them today

to share this precious moment.

[music - "bridal chorus"]

Clarence.

Yes, Rosie?

I love you, you
old crotchety fool.

Well, don't you
think I know that?

[theme music]

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