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1
00:01:02,497 --> 00:01:04,542
IT'S NOT GONNA BE EASY, JOHNNY,
2
00:01:04,586 --> 00:01:06,805
BUT I'LL TRY
TO EXPLAIN IT TO HIM.
3
00:01:06,849 --> 00:01:09,112
ALL I NEED
IS A LITTLE MORE TIME.
4
00:01:09,156 --> 00:01:12,115
A LITTLE MORE TIME
IS PRECISELY WHAT YOU HAVE.
5
00:01:12,159 --> 00:01:13,638
YOU UNDERSTAND THE DEADLINE.
6
00:01:13,682 --> 00:01:15,814
OH, YEAH, YOU TOLD ME
SIX DAYS,
7
00:01:15,858 --> 00:01:19,383
BUT I CAN WRAP THIS THING UP
MUCH FASTER THAN THAT.
8
00:01:19,427 --> 00:01:21,777
THAT'S WHAT YOU TOLD US
BEFORE, JOHNNY.
9
00:01:45,496 --> 00:01:49,196
BUT JOHNNY OPORTA PROMISED
THE SYNDICATE A MONOPOLY,
10
00:01:49,239 --> 00:01:52,721
AND I'LL HAVE IT
SEWED UP NICE AND TIGHT.
11
00:01:52,764 --> 00:01:55,202
YOU MUST FORGIVE
OUR IMPATIENCE, JOHNNY.
12
00:01:55,245 --> 00:01:58,205
BUT WHEN THERE ARE
MILLIONS AT STAKE,
13
00:01:58,248 --> 00:02:00,250
THERE'S NO MARGIN FOR ERROR.
14
00:02:23,708 --> 00:02:26,668
LOS ANGELES, WITH A CONNECTING
FLIGHT TO DETROIT.
15
00:02:26,711 --> 00:02:28,670
CONFIRMED ALL THE WAY, SIR.
16
00:02:28,713 --> 00:02:30,062
THANK YOU.
17
00:02:32,369 --> 00:02:36,330
YOU COULD BE WEALTHY, JOHNNY,
OUR NUMBER ONE MAN OUT HERE.
18
00:02:36,373 --> 00:02:38,332
IT'S ALL UP TO YOU.
19
00:02:38,375 --> 00:02:41,335
YEAH, I KNOW THAT
I'M THE MAN FOR THE JOB,
20
00:02:41,378 --> 00:02:44,338
AND YOUKNOW THAT
I'M THE MAN FOR THE JOB.
21
00:02:44,381 --> 00:02:45,904
OF COURSE.
22
00:02:45,948 --> 00:02:48,298
BUT YOU GOT TO MAKE
YOUR POINT, JOHNNY,
23
00:02:48,342 --> 00:02:49,647
FORCEFULLY.
24
00:02:49,691 --> 00:02:52,084
THERE AREN'T ANY MORE
CHANCES AFTER THIS ONE.
25
00:02:52,128 --> 00:02:54,086
THIS ONE'S ALL I NEED.
26
00:02:54,130 --> 00:02:57,089
YOU TELL THEM
THEY CAN COUNT ON ME.
27
00:02:57,133 --> 00:02:59,614
I KNOW WHAT TO DO NOW.
28
00:02:59,657 --> 00:03:01,703
I'LL TELL THEM.
29
00:03:01,746 --> 00:03:03,226
GOOD.
30
00:03:03,270 --> 00:03:06,316
I'LL EXPECT
TO HEAR FROM YOU.
31
00:04:17,213 --> 00:04:20,216
[ "HAWAII FIVE-O" THEME PLAYS ]
32
00:05:45,040 --> 00:05:48,086
EXCUSE ME, FOLKS.
PARDON ME.
33
00:05:52,482 --> 00:05:53,788
ANOTHER ONE?
34
00:05:53,831 --> 00:05:55,790
LOOKS LIKE.
THAT'LL MAKE FIVE.
35
00:05:55,833 --> 00:05:57,444
WHO IS IT THIS TIME?
36
00:05:57,487 --> 00:06:00,403
PHIL HURLEY. SMALL-TIME PIMP
AND ALL-AROUND GOOD FELLA.
37
00:06:00,447 --> 00:06:01,796
WHO CALLED IT IN?
38
00:06:01,839 --> 00:06:04,799
I JUST HAPPENED
TO LOOK OUT THE WINDOW.
39
00:06:04,842 --> 00:06:07,802
THE WHOLE THING
DIDN'T TAKE BUT A MINUTE.
40
00:06:07,845 --> 00:06:12,763
THAT'S MY WINDOW OVER THERE --
THE SECOND FLOOR.
41
00:06:12,807 --> 00:06:14,722
ANY OTHER WITNESSES?
42
00:06:14,765 --> 00:06:16,071
MAYBE.
43
00:06:16,114 --> 00:06:18,856
BUT NOBODY'S JUMPING UP
TO VOLUNTEER.
44
00:06:18,900 --> 00:06:21,206
AND YOU'RE SURE
IT WAS PHIL HURLEY?
45
00:06:21,250 --> 00:06:22,773
YEAH.
46
00:06:22,817 --> 00:06:25,776
THAT SEEMS TO BE
THE ONLY THING YOU'RE SURE OF.
47
00:06:25,820 --> 00:06:27,299
IT WAS CROWDED, YOU KNOW?
48
00:06:27,343 --> 00:06:29,606
PHIL WAS HANGING AROUND,
THEN HE LEFT.
49
00:06:29,650 --> 00:06:31,129
OUT THE BACK DOOR?
50
00:06:31,173 --> 00:06:33,131
YEAH, HE KNEW HIS WAY
AROUND HERE.
51
00:06:33,175 --> 00:06:36,787
OR MAYBE HE SAW SOMEONE
HE DIDN'T WANT TO SEE, HUH?
52
00:06:36,831 --> 00:06:38,136
I WOULDN'T KNOW.
53
00:06:38,180 --> 00:06:40,443
I BET YOU WOULDN'T.
54
00:06:40,487 --> 00:06:44,752
IN THE LAST MONTH, FOUR OTHER
GUYS IN PHIL HURLEY'S BUSINESS
55
00:06:44,795 --> 00:06:48,364
WALKED OUT OF JOINTS
AND WERE NEVER HEARD OF AGAIN.
56
00:06:48,408 --> 00:06:51,019
NOW, NOBODY SAW ANYTHING
THEN, EITHER.
57
00:06:51,062 --> 00:06:53,021
IS THAT RIGHT?
58
00:06:53,064 --> 00:06:56,024
A GUY RUNS OUT
YOUR BACK DOOR
59
00:06:56,067 --> 00:06:59,027
RIGHT INTO A TRAP
AND GETS WORKED OVER,
60
00:06:59,070 --> 00:07:01,943
THEN HE'S HAULED OFF
IN A CAR.
61
00:07:01,986 --> 00:07:04,162
NOW, WHO SET HIM UP?
62
00:07:05,599 --> 00:07:07,122
WHO SET HIM UP?
63
00:07:08,515 --> 00:07:09,646
YOU?
64
00:07:09,690 --> 00:07:11,039
NO.
65
00:07:11,082 --> 00:07:14,042
NO, LISTEN. PHIL HURLEY
WAS A FRIEND OF MINE.
66
00:07:14,085 --> 00:07:16,044
HE WAS A REGULAR CUSTOMER.
67
00:07:16,087 --> 00:07:18,525
I TOLD YOU ALL I KNOW.
68
00:07:18,568 --> 00:07:20,875
HE WAS HERE, AND THEN --
69
00:07:20,918 --> 00:07:22,572
AND THEN HE WAS GONE?
70
00:07:22,616 --> 00:07:24,095
YEAH.
71
00:07:34,454 --> 00:07:37,979
WAS PHIL HURLEY A FRIEND
OF YOURS, TOO, HONEY?
72
00:07:38,022 --> 00:07:40,068
JUST AN ACQUAINTANCE.
73
00:07:40,111 --> 00:07:42,244
NOBODY TO CRY OVER.
74
00:07:50,208 --> 00:07:53,211
ZERO. ABSOLUTE ZERO.
75
00:07:53,255 --> 00:07:55,213
NO DESCRIPTIONS ON THE GUYS
THAT GRABBED HIM.
76
00:07:55,257 --> 00:07:57,215
MRS. FOSTER CAN'T
DISTINGUISH ONE...
77
00:07:57,259 --> 00:07:58,608
YES, SIR, HE'S RIGHT HERE.
78
00:07:58,652 --> 00:08:01,568
STEVE, IT'S THE GOVERNOR.
WIKI WIKI!
79
00:08:27,681 --> 00:08:29,334
GOVERNOR?
80
00:08:29,378 --> 00:08:30,814
OH, HELLO, STEVE.
81
00:08:30,858 --> 00:08:32,642
I CAME STRAIGHT OVER, SIR.
82
00:08:32,686 --> 00:08:34,775
THANKS. JUST IN TIME.
83
00:08:34,818 --> 00:08:37,473
LET'S GO, STEVE.
84
00:08:43,435 --> 00:08:45,133
[ FOOTSTEPS ]
85
00:08:45,176 --> 00:08:47,614
HELLO, DAVID.
WELCOME TO HAWAII.
86
00:08:47,657 --> 00:08:49,006
GOVERNOR.
87
00:08:49,050 --> 00:08:50,355
STEVE McGARRETT,
88
00:08:50,399 --> 00:08:53,010
DAVID BENSON, ASSISTANT
U.S. ATTORNEY GENERAL.
89
00:08:53,054 --> 00:08:54,359
MR. BENSON.
90
00:08:54,403 --> 00:08:56,361
I'VE HEARD A LOT
ABOUT YOU.
91
00:08:56,405 --> 00:08:58,625
LET ME APOLOGIZE FOR THESE
DRAMATIC CIRCUMSTANCES,
92
00:08:58,668 --> 00:09:00,148
BUT WE HAVEN'T MUCH TIME.
93
00:09:00,191 --> 00:09:02,629
NOW, AS YOU BOTH KNOW,
THE DEPARTMENT
94
00:09:02,672 --> 00:09:05,806
IS VERY CONCERNED ABOUT
THE SPREAD OF ORGANIZED CRIME.
95
00:09:05,849 --> 00:09:09,331
IN THE LAST 24 HOURS,
WE HAVE COME INTO POSSESSION
96
00:09:09,374 --> 00:09:11,333
OF DEFINITE INFORMATION
THAT INDICATES
97
00:09:11,376 --> 00:09:14,945
THAT HAWAII IS THE NEXT MAJOR
TARGET OF THE ORGANIZATION.
98
00:09:14,989 --> 00:09:17,948
WELL, HOW DO YOU FIGURE
THEY'LL START?
99
00:09:17,992 --> 00:09:21,735
PROSTITUTION. THAT ALWAYS
OPENS THE DOOR FOR THE REST.
100
00:09:21,778 --> 00:09:24,912
AND EVERYTHING
COMES IN AFTER IT --
101
00:09:24,955 --> 00:09:28,916
ORGANIZED GAMBLING,
NARCOTICS, LOAN SHARKS,
102
00:09:28,959 --> 00:09:30,265
PROTECTION -- THE WORKS.
103
00:09:30,308 --> 00:09:31,440
EXACTLY.
104
00:09:31,483 --> 00:09:33,921
YOU SAY
THE ORGANIZATION FEELS
105
00:09:33,964 --> 00:09:36,488
THE TIME IS RIPE FOR HAWAII.
106
00:09:36,532 --> 00:09:37,925
YES, PRECISELY.
107
00:09:37,968 --> 00:09:40,449
HONOLULU IS THE CROSSROADS
OF THE PACIFIC,
108
00:09:40,492 --> 00:09:42,756
THE WAIKIKI DISTRICT
IN PARTICULAR.
109
00:09:42,799 --> 00:09:44,279
100 SQUARE BLOCKS.
110
00:09:44,322 --> 00:09:47,151
EVERY YEAR, A MILLION
AND A HALF TOURISTS
111
00:09:47,195 --> 00:09:48,718
STREAM IN AND OUT.
112
00:09:48,762 --> 00:09:51,939
A MILLION AND A HALF PEOPLE.
THAT'S BIGGER THAN HOUSTON.
113
00:09:54,158 --> 00:09:58,685
LOOKS LIKE I UNDERESTIMATED
THE AMBITIONS OF JOHNNY OPORTA.
114
00:09:58,728 --> 00:10:00,295
THEN YOU KNOW HIM?
115
00:10:00,338 --> 00:10:02,776
YEAH, I KNOW HIM.
CHEAP HUSTLER.
116
00:10:02,819 --> 00:10:06,606
BEEN TRYING TO CLAW HIS WAY
TO THE TOP OF THE HEAP
117
00:10:06,649 --> 00:10:08,085
IN PROSTITUTION.
118
00:10:08,129 --> 00:10:11,262
BUT UP UNTIL NOW, WE FIGURED
IT WAS A LOCAL PROBLEM.
119
00:10:11,306 --> 00:10:13,438
NOT WITH THE SYNDICATE
INVOLVED.
120
00:10:13,482 --> 00:10:15,919
ONCE THEY MOVE IN WITH
THEIR MONEY AND MUSCLE...
121
00:10:15,963 --> 00:10:18,835
YEAH. JOHNNY CONVINCED THEM
HE'S GOT SOMETHING TO SELL.
122
00:10:18,879 --> 00:10:21,664
THEY'LL PUT HIM IN CHARGE,
IF HE CAN DELIVER.
123
00:10:23,666 --> 00:10:26,626
WELL, YOU'VE TIED IT ALL
TOGETHER, MR. BENSON.
124
00:10:26,669 --> 00:10:30,107
UP UNTIL NOW, WE FIGURED
IT WAS AN INTERNAL STRUGGLE.
125
00:10:30,151 --> 00:10:31,631
BUT TODAY,
126
00:10:31,674 --> 00:10:35,286
THE FIFTH OF JOHNNY OPORTA'S
COMPETITORS DISAPPEARED.
127
00:10:35,330 --> 00:10:37,288
HE'S PLAYING FOR HIGH STAKES,
128
00:10:37,332 --> 00:10:39,682
AND HE DOESN'T CARE
WHO GETS HURT.
129
00:10:39,726 --> 00:10:42,859
WE'VE GOT TO STOP THEM
BEFORE THIS SYNDICATE MOVES IN.
130
00:10:42,903 --> 00:10:44,861
OTHERWISE,
IT'LL BE TOO LATE.
131
00:10:44,905 --> 00:10:46,907
HOW MUCH TIME DO WE HAVE?
132
00:10:46,950 --> 00:10:48,256
DAYS AT MOST.
133
00:10:48,299 --> 00:10:49,997
OPORTA HAS BEEN GIVEN
A DEADLINE.
134
00:10:50,040 --> 00:10:51,738
HE HAS TO DELIVER
TOTAL CONTROL.
135
00:10:51,781 --> 00:10:53,827
NOW, I'M FLYING
RIGHT BACK TO WASHINGTON.
136
00:10:53,870 --> 00:10:56,003
THIS IS YOUR TERRITORY,
MR. McGARRETT.
137
00:10:56,046 --> 00:10:58,527
WE'LL GIVE YOU
ALL THE HELP WE CAN,
138
00:10:58,570 --> 00:10:59,963
BUT IT'S YOUR PROBLEM.
139
00:11:00,007 --> 00:11:01,922
I DON'T ENVY YOU.
140
00:11:11,409 --> 00:11:13,716
WHAT DO YOU WANT, JOHNNY?
141
00:11:13,760 --> 00:11:16,066
WHAT DO YOU MEAN,
WHAT DO I WANT?
142
00:11:16,110 --> 00:11:19,243
NO "HELLO, JOHNNY"?
NO "HOW GOES IT, BROTHER?"
143
00:11:20,767 --> 00:11:23,247
STILL THE SAME TOUGH KID
FROM KALIHI, PETER?
144
00:11:23,291 --> 00:11:25,597
NO.
145
00:11:25,641 --> 00:11:28,600
I THOUGHT WE OUGHT TO HAVE
A LITTLE TALK.
146
00:11:33,562 --> 00:11:35,738
[ HUMMING ]
147
00:11:39,220 --> 00:11:42,005
HI, HONEY.
148
00:11:42,049 --> 00:11:44,312
HOW ARE YOU?
149
00:11:44,355 --> 00:11:46,227
MMM.
150
00:11:49,404 --> 00:11:52,842
HEY, IS SOMETHING WRONG?
151
00:11:52,886 --> 00:11:56,237
NOTHING I CAN'T HANDLE.
MY BUDDY, JOHNNY.
152
00:11:56,280 --> 00:11:58,152
OH, NOT AGAIN.
153
00:11:58,195 --> 00:12:00,502
YEAH.
154
00:12:00,545 --> 00:12:04,506
BUT THIS IS THE LAST TIME.
I TOLD HIM WHERE TO GO.
155
00:12:04,549 --> 00:12:07,727
JOHNNY AND HIS FANCY DEALS.
WHO NEEDS THEM?
156
00:12:07,770 --> 00:12:09,903
NOT US, BABY.
157
00:12:35,319 --> 00:12:37,931
I'LL TELL HIM YOU'RE HERE, SIR.
MR. OPORTA?
158
00:12:39,715 --> 00:12:41,543
NICE OFFICE.
159
00:12:41,586 --> 00:12:45,503
AND THIS IS ONLY THE BEGINNING,
RIGHT, JOHNNY?
160
00:12:45,547 --> 00:12:48,245
YEAH.
161
00:12:48,289 --> 00:12:49,812
COULD BE.
162
00:12:49,856 --> 00:12:54,512
SURE. NO TELLING HOW FAR
HARD WORK CAN TAKE A MAN.
163
00:12:54,556 --> 00:12:55,992
HA HA.
164
00:12:56,036 --> 00:12:58,865
YOU KNOW, THAT'S WHAT
I ALWAYS SAY.
165
00:12:58,908 --> 00:13:01,389
OH, IS THIS A SOCIAL VISIT?
166
00:13:01,432 --> 00:13:05,132
NO, NO, JOHNNY.
IT'S BUSINESS.
167
00:13:05,175 --> 00:13:07,830
STRICTLY BUSINESS.
YOUR BUSINESS.
168
00:13:07,874 --> 00:13:10,441
IT'S NOT GOING TO WORK,
JOHNNY.
169
00:13:10,485 --> 00:13:11,747
AW, COME ON, McGARRETT.
170
00:13:11,791 --> 00:13:14,576
I HEARD YOU BEEN WALKING
UP AND DOWN THE STREETS,
171
00:13:14,619 --> 00:13:17,274
TRYING TO PIN ALL KINDS
OF THINGS ON ME.
172
00:13:17,318 --> 00:13:18,362
IT'S FINISHED.
173
00:13:18,406 --> 00:13:20,843
ALL PAU.
174
00:13:20,887 --> 00:13:22,497
BECAUSE FROM NOW ON,
175
00:13:22,540 --> 00:13:26,196
I'M SQUEEZING YOU SO HARD THAT
IT'S ALL GOING TO CRACK OPEN.
176
00:13:26,240 --> 00:13:27,850
AND WHEN IT DOES,
177
00:13:27,894 --> 00:13:30,897
YOU WON'T HAVE ANYTHING
OR ANYBODY TO BET ON.
178
00:13:33,116 --> 00:13:37,077
NOW, YOU CAN TELL THAT TO YOUR
FRIENDS ON THE MAINLAND.
179
00:13:43,257 --> 00:13:45,912
STOP BY ANYTIME, McGARRETT.
180
00:13:47,652 --> 00:13:50,220
MY DOOR IS ALWAYS OPEN.
181
00:13:50,264 --> 00:13:52,266
NOT FOR LONG.
182
00:13:53,702 --> 00:13:55,791
[ CHUCKLES ]
183
00:13:59,447 --> 00:14:00,709
HEY, WHAT DID HEWANT?
184
00:14:00,752 --> 00:14:02,972
McGARRETT WANTED ME
TO START SHAKING.
185
00:14:03,016 --> 00:14:05,322
BUT WE DON'T SCARE
THAT EASY.
186
00:14:05,366 --> 00:14:06,454
HE'S GOT NOTHING.
187
00:14:06,497 --> 00:14:07,934
UNLESS WE GET MOVING,
188
00:14:07,977 --> 00:14:09,457
WE'VE GOT NOTHING, TOO.
189
00:14:09,500 --> 00:14:11,111
PETER YANO.
190
00:14:11,154 --> 00:14:12,895
THAT'S WHAT
I'M TALKING ABOUT.
191
00:14:12,939 --> 00:14:14,984
I CAN'T AFFORD
ANY HOLDOUTS, NOT NOW.
192
00:14:15,028 --> 00:14:18,118
ESPECIALLY NOT A FRIEND WHO
STANDS UP IN FRONT OF EVERYBODY
193
00:14:18,161 --> 00:14:19,684
AND THUMBS HIS NOSE AT ME.
194
00:14:19,728 --> 00:14:23,427
YOU KNOW, HE'S BEEN
SETTING A BAD EXAMPLE.
195
00:14:23,471 --> 00:14:24,907
YEAH.
196
00:14:24,951 --> 00:14:28,345
SO LET'S MAKE MY OLD BUDDY
FROM KALIHI
197
00:14:28,389 --> 00:14:30,695
INTO A GOOD EXAMPLE --
198
00:14:30,739 --> 00:14:33,829
A VERY GOOD EXAMPLE --
SO EVERYONE WILL UNDERSTAND
199
00:14:33,873 --> 00:14:36,484
EXACTLY WHO IS RUNNING
THINGS DOWN HERE.
200
00:14:36,527 --> 00:14:38,312
BUT THIS TIME IT'S --
201
00:14:38,355 --> 00:14:41,228
IT'S GOING TO BE
A LITTLE DIFFERENT.
202
00:14:41,271 --> 00:14:43,143
I WANT HISBODY FOUND.
203
00:14:43,186 --> 00:14:48,365
THEN IT WILL BE PERFECTLY CLEAR
TO ANYBODY ELSE WHO GETS IDEAS.
204
00:14:48,409 --> 00:14:50,454
YOU KNOW, BOYS...
205
00:14:50,498 --> 00:14:54,154
YEAH. PETER YANO'S
GONNA BE MY CLINCHER.
206
00:14:56,939 --> 00:14:58,593
HELLO?
207
00:15:00,334 --> 00:15:03,337
DAD?
DAD, PHONE FOR YOU.
208
00:15:14,609 --> 00:15:16,263
HELLO?
209
00:15:16,306 --> 00:15:18,439
HOLD ON.
210
00:15:18,482 --> 00:15:21,921
HANG UP THE PHONE, MARTHA.
IT'S BUSINESS.
211
00:15:21,964 --> 00:15:24,445
OKAY.
212
00:15:24,488 --> 00:15:25,794
YEAH?
213
00:15:27,491 --> 00:15:30,668
WHY? THAT'S RISKIER,
A LOT RISKIER.
214
00:15:32,757 --> 00:15:35,064
WELL...
215
00:15:35,108 --> 00:15:38,676
IT'S GOING TO COST YOU.
216
00:15:38,720 --> 00:15:42,550
YEAH, I CAN DO IT,
BUT IT'S GOING TO MEAN EXTRA.
217
00:15:44,595 --> 00:15:46,423
OKAY, THEN.
218
00:15:51,254 --> 00:15:53,561
HEY, GET AWAY FROM THAT CAR.
219
00:15:53,604 --> 00:15:56,433
HOW MANY TIMES
I GOT TO TELL YOU?
220
00:16:59,018 --> 00:17:01,237
WAIT.
221
00:17:01,281 --> 00:17:02,760
LET'S TALK.
222
00:17:02,804 --> 00:17:04,719
NO MORE TALKING, BROTHER.
223
00:17:04,762 --> 00:17:07,287
I'M NOT IN JOHNNY'S WAY.
224
00:17:07,330 --> 00:17:09,419
HE SAYS YOU ARE.
225
00:17:19,125 --> 00:17:20,648
WAIT A MINUTE.
226
00:17:22,476 --> 00:17:25,479
NO SENSE DUMPING THE BABY
WITH THE BATHWATER.
227
00:18:59,312 --> 00:19:01,836
[ TIRES SCREECH ]
228
00:19:01,879 --> 00:19:03,403
HOLD IT, DOC.
229
00:19:08,582 --> 00:19:11,367
WAS HE ALIVE
WHEN HE WENT IN THE FIRE?
230
00:19:11,411 --> 00:19:14,631
NOT WITH A BULLET HOLE IN
HIS CHEST. PERFECTLY PLACED.
231
00:19:14,675 --> 00:19:18,157
SOMEBODY IS DOING A GOOD JOB
TRYING TO GET RID OF EVIDENCE.
232
00:19:18,200 --> 00:19:19,462
NOT GOOD ENOUGH.
233
00:19:19,506 --> 00:19:20,898
OKAY TO TAKE HIM NOW?
234
00:19:20,942 --> 00:19:23,553
YEAH. I WANT AN I.D., DOC,
AND I WANT IT FAST.
235
00:19:23,597 --> 00:19:24,946
WON'T BE EASY.
236
00:19:24,989 --> 00:19:27,731
YOU'RE ALWAYS TELLING US
YOU'RE THE BEST. PROVE IT.
237
00:19:27,775 --> 00:19:32,040
I'M GONNA NEED ALL THE HELP
I CAN GET WITH THIS ONE.
238
00:19:34,260 --> 00:19:36,131
STEVE?
239
00:19:39,265 --> 00:19:40,527
THIS IS MR. FURTADO.
240
00:19:40,570 --> 00:19:41,832
UH, MR. McGARRETT.
241
00:19:41,876 --> 00:19:43,399
HE WAS WORKING THE CRANE.
242
00:19:43,443 --> 00:19:44,835
IT WAS AWFUL.
243
00:19:44,879 --> 00:19:46,533
WE'D JUST STOKED UP
FOR THE MORNING.
244
00:19:46,576 --> 00:19:47,925
STARTED BURNING THE FIRST LOAD.
245
00:19:47,969 --> 00:19:49,971
OKAY, TELL ME ABOUT THE BODY.
246
00:19:50,014 --> 00:19:51,929
I SAW IT
JUST AS I DROPPED THE LOAD
247
00:19:51,973 --> 00:19:54,018
AND IT STARTED
DOWN INTO THE FURNACE.
248
00:19:54,062 --> 00:19:56,934
ANOTHER FEW MINUTES, ALL THAT
WOULD HAVE BEEN LEFT WAS ASHES.
249
00:19:56,978 --> 00:19:58,675
THAT HEATS UP TO 1,800 DEGREES.
250
00:19:58,719 --> 00:20:00,199
WHAT DID YOU DO THEN?
251
00:20:00,242 --> 00:20:02,113
I GAVE THE SIGNAL TO SHUT DOWN,
252
00:20:02,157 --> 00:20:03,767
THE EMERGENCY CUTOFF.
253
00:20:03,811 --> 00:20:06,248
WHO COMES IN AND OUT
OF HERE?
254
00:20:06,292 --> 00:20:08,685
JUST US, THE GUYS
THAT WORK HERE.
255
00:20:08,729 --> 00:20:11,514
THERE'S A FENCE
AND A MAN ON THE GATE.
256
00:20:11,558 --> 00:20:12,863
A WATCHMAN AT NIGHT?
257
00:20:12,907 --> 00:20:14,256
YEAH.
258
00:20:14,300 --> 00:20:17,128
WHAT ARE THE STEPS?
A TRUCK PULLS IN, THEN WHAT?
259
00:20:17,172 --> 00:20:20,262
THE TRUCKS ALL COME UP HERE
AND UNLOAD.
260
00:20:20,306 --> 00:20:25,267
THEN I LIFT IT,
I TAKE IT BACK THERE,
261
00:20:25,311 --> 00:20:27,574
AND THE CRANE DROPS IT.
262
00:20:32,013 --> 00:20:34,798
WHEN WE GET THE SIGNAL
FROM DOWN BELOW
263
00:20:34,842 --> 00:20:36,104
THAT THEY'RE STOKED UP,
264
00:20:36,147 --> 00:20:38,193
THE TRAP OPERATOR
PUSHES THE BUTTON
265
00:20:38,237 --> 00:20:40,674
AND LETS THE LOAD FALL DOWN
INTO THE FURNACE.
266
00:20:40,717 --> 00:20:42,676
THAT'S WHEN I SAW THE BODY.
267
00:20:42,719 --> 00:20:45,331
CHARLIE -- THE GUY THAT WORKS UP
HERE -- HE DIDN'T SEE ANYTHING.
268
00:20:45,374 --> 00:20:48,203
NOT ME, BRUDDAH.
269
00:20:57,647 --> 00:20:59,736
BROUGHT HERE
IN ONE OF THOSE TRUCKS.
270
00:20:59,780 --> 00:21:01,477
AND DUMPED.
271
00:21:01,521 --> 00:21:03,479
TRACE IT BACK
ALL THE WAY, DANNO.
272
00:21:03,523 --> 00:21:05,351
I WANT TO KNOW
WHO WAS DRIVING THOSE TRUCKS,
273
00:21:05,394 --> 00:21:07,178
WHAT THEIR ROUTES ARE,
COMPLETE TIMETABLE
274
00:21:07,222 --> 00:21:10,486
SO WE CAN CHECK IT OUT
WITH THE AUTOPSY REPORT.
275
00:21:10,530 --> 00:21:11,661
PHIL HURLEY?
276
00:21:11,705 --> 00:21:15,622
WELL...THAT'S A 1-IN-5 SHOT.
277
00:21:15,665 --> 00:21:17,711
UNLESS...
278
00:21:17,754 --> 00:21:20,453
UNLESS JOHNNY OPORTA HAS ADDED
SOMEONE NEW TO THE LIST.
279
00:21:21,932 --> 00:21:26,589
AT LEAST WE KNOWN NOW HOW HE'S
BEEN GETTING RID OF THE BODIES.
280
00:21:36,860 --> 00:21:38,906
WHERE THE ASHES
COME THROUGH, HUH?
281
00:21:38,949 --> 00:21:40,516
YEAH, RIGHT THROUGH HERE.
282
00:21:40,560 --> 00:21:42,344
HOW OFTEN THEY MOVED OUT?
283
00:21:42,388 --> 00:21:44,955
EVERY DAY OR SO.
284
00:21:44,999 --> 00:21:49,177
TRUCK IT OUT, SCATTER IT OUT.
285
00:21:49,220 --> 00:21:52,267
TAKES CARE
OF PAST EVIDENCE.
286
00:21:56,010 --> 00:21:57,838
WHAT'S THAT?
287
00:21:59,970 --> 00:22:02,582
OH, THIS?
STUFF THAT DON'T MELT.
288
00:22:02,625 --> 00:22:05,715
PIECES OF METAL.
KEEPS THE FILTER CLEAN.
289
00:22:05,759 --> 00:22:07,717
WE SELL THIS STUFF.
290
00:22:07,761 --> 00:22:09,893
KEEP US IN COFFEE MONEY.
291
00:22:09,937 --> 00:22:11,895
BUT THERE AIN'T MUCH
292
00:22:11,939 --> 00:22:14,985
THAT DON'T TURN TO ASHES
DOWN THERE, BROTHER.
293
00:22:31,654 --> 00:22:35,092
STEVE, POSITIVE I.D.
ON THE BODY.
294
00:22:37,530 --> 00:22:39,488
WHAT HAVE YOU GOT, DOC?
295
00:22:39,532 --> 00:22:40,837
POSITIVE MAKE.
296
00:22:40,881 --> 00:22:42,361
PETER YANO. DENTAL WORK.
297
00:22:42,404 --> 00:22:45,364
I MADE A BRIDGE FOR HIM
TWO YEARS AGO
298
00:22:45,407 --> 00:22:47,017
AT OAHU STATE PRISON.
299
00:22:47,061 --> 00:22:49,019
SMALL-TIME PIMP.
HARD CASE.
300
00:22:49,063 --> 00:22:50,369
INDEPENDENT.
301
00:22:50,412 --> 00:22:52,371
YEAH, TOO INDEPENDENT
FOR JOHNNY OPORTA.
302
00:22:52,414 --> 00:22:55,374
IF JOHNNY IS PUSHING
TO CLOSE HIS DEAL RIGHT NOW,
303
00:22:55,417 --> 00:22:57,376
HE'S GOT TO KEEP
EVERYBODY IN LINE,
304
00:22:57,419 --> 00:22:59,378
PUT ON A SHOW OF POWER.
305
00:22:59,421 --> 00:23:02,381
BUT MAYBE HE MADE THE MISTAKE
WE'VE BEEN WAITING FOR.
306
00:23:02,424 --> 00:23:05,035
IF WE CAN TIE HIM TO IT.
307
00:23:05,079 --> 00:23:06,515
KONO, THAT'S WHAT I WANT --
308
00:23:06,559 --> 00:23:08,735
ANYTHING CONNECTING
JOHNNY OPORTA AND PETER YANO.
309
00:23:08,778 --> 00:23:10,258
RIGHT.
WHERE WILL YOU BE?
310
00:23:10,301 --> 00:23:11,520
WITH PETER YANO'S GIRL.
311
00:23:13,957 --> 00:23:17,047
SO WHAT ARE YOU
GONNA DO ABOUT IT?
312
00:23:17,091 --> 00:23:20,703
WELL, WE'RE INVESTIGATING
RIGHT NOW --
313
00:23:20,747 --> 00:23:23,140
EVERY ANGLE,
EVERY POSSIBILITY.
314
00:23:23,184 --> 00:23:26,840
ANGLES? IT'S A STRAIGHT
LINE, McGARRETT.
315
00:23:26,883 --> 00:23:29,103
I KNOW IT. YOU KNOW IT.
EVERYBODY KNOWS IT.
316
00:23:29,146 --> 00:23:31,192
KNOWS WHAT, SALLY?
317
00:23:31,235 --> 00:23:33,890
YOU'RE ACTING LIKE
IT'S A BIG MYSTERY.
318
00:23:33,934 --> 00:23:36,066
YOU'RE TELLING ME
PETER'S DEAD,
319
00:23:36,110 --> 00:23:39,505
AND WE BOTH KNOW
JOHNNY OPORTA'S THE REASON WHY.
320
00:23:39,548 --> 00:23:41,332
NOT GOOD ENOUGH FOR A JURY.
321
00:23:41,376 --> 00:23:42,812
HAVE YOU EVER SEEN JOHNNY
322
00:23:42,856 --> 00:23:44,988
OR HEARD JOHNNY OR HIS HOODS
THREATEN PETER?
323
00:23:45,032 --> 00:23:47,338
NO! BUT HE'S TOLD ME
ABOUT IT.
324
00:23:47,382 --> 00:23:49,906
THEY CAME AROUND YESTERDAY
TO CLOSE HIM OUT.
325
00:23:49,950 --> 00:23:52,256
ISN'T THAT
GOOD ENOUGH FOR YOU?
326
00:23:52,300 --> 00:23:55,477
UNH-UNH. HEARSAY EVIDENCE.
NO JUDGE WILL ADMIT IT.
327
00:23:55,521 --> 00:23:58,045
OH, ANGLES. LEGAL ANGLES.
328
00:23:58,088 --> 00:24:01,788
YOU'RE SO GOOD AT THAT,
AREN'T YOU?
329
00:24:03,572 --> 00:24:06,314
AND JOHNNY'S SO GOOD
AT PLAYING THAT!
330
00:24:06,357 --> 00:24:09,317
AND PRETTY SOON YOU'LL JUST
EXPLAIN IT ALL AWAY.
331
00:24:09,360 --> 00:24:13,321
I GUESS PETER SHOT HIMSELF
AND JUMPED INTO THAT FURNACE.
332
00:24:13,364 --> 00:24:14,975
I'LL TELL YOU SOMETHING.
333
00:24:15,018 --> 00:24:18,500
IF JOHNNY DID IT, HE'S NOT
GONNA GET AWAY WITH IT.
334
00:24:18,544 --> 00:24:21,938
YOU TALK SO BIG,
McGARRETT, SO BIG.
335
00:24:21,982 --> 00:24:26,769
BUT WHAT ARE YOU GOING TO DO
IS WHAT I WANT TO KNOW!
336
00:24:26,813 --> 00:24:29,946
CLAUDETTE, DID YOU PUT
THE CALL THROUGH TO DETROIT?
337
00:24:29,990 --> 00:24:32,601
WELL, HOW LONG
IS IT GONNA TAKE?
338
00:24:32,645 --> 00:24:35,517
OKAY, JUST BUZZ ME.
339
00:24:35,561 --> 00:24:38,607
THE MAN WILL BE GLAD
TO HEAR THE NEWS.
340
00:24:38,651 --> 00:24:41,218
YEAH.
341
00:24:41,262 --> 00:24:43,177
YEAH.
342
00:24:51,141 --> 00:24:54,623
YOU KNOW WHAT WE GOT
OURSELVES HERE, FELLOWS?
343
00:24:54,667 --> 00:24:58,018
A TROPICAL PARADISE.
344
00:24:58,061 --> 00:25:00,281
THAT'S WHAT THEY COME FOR,
ISN'T IT?
345
00:25:00,324 --> 00:25:01,978
SUCKERS, HUH?
346
00:25:02,022 --> 00:25:03,719
[ INTERCOM BUZZES ]
347
00:25:06,766 --> 00:25:08,724
YEAH?
348
00:25:08,768 --> 00:25:12,728
WELL, PUT HIM ON.
349
00:25:12,772 --> 00:25:15,731
HELLO.
350
00:25:15,775 --> 00:25:19,256
JOHNNY OPORTA HERE.
351
00:25:19,300 --> 00:25:23,565
RIGHT. YEAH.
352
00:25:23,609 --> 00:25:25,262
LISTEN, I JUST THOUGHT
353
00:25:25,306 --> 00:25:27,917
YOU MIGHT WANT TO
HEAR THE GOOD NEWS.
354
00:25:27,961 --> 00:25:30,093
WELL, IT'S ALL SET.
355
00:25:30,137 --> 00:25:31,747
NOW.
356
00:25:31,791 --> 00:25:33,749
YEAH, IT'S ALL WRAPPED
357
00:25:33,793 --> 00:25:35,882
AND WAITING FOR YOU
TO PICK IT UP.
358
00:25:38,624 --> 00:25:42,192
WELL, THANK YOU. SURE.
359
00:25:42,236 --> 00:25:45,544
HA. GOOD.
360
00:25:45,587 --> 00:25:48,198
YEAH.
361
00:25:48,242 --> 00:25:52,551
I'LL BE LOOKING FORWARD
TO SEEING YOU...LARRY.
362
00:25:57,860 --> 00:26:00,341
YEAH.
363
00:26:00,384 --> 00:26:04,998
PETER YANO -- NOT MUCH
TO SHOW, IS THERE?
364
00:26:05,041 --> 00:26:07,827
IS THIS EVERYTHING?
365
00:26:07,870 --> 00:26:11,526
EXCEPT YANO ALWAYS
CARRIED A BANKROLL.
366
00:26:11,570 --> 00:26:13,397
PAPER MONEY
WOULD HAVE BURNED.
367
00:26:13,441 --> 00:26:16,183
BUT NOT HIS PLATINUM
MONEY CLIP.
368
00:26:16,226 --> 00:26:19,708
AND IT WOULDN'T
HAVE MELTED, EITHER.
369
00:26:19,752 --> 00:26:22,015
CHE FONG SAYS
THAT LEAD AND SILVER
370
00:26:22,058 --> 00:26:24,974
MELT BELOW 1,800 DEGREES --
BUT NOT PLATINUM.
371
00:26:25,018 --> 00:26:28,499
DID YOU CHECK WITH THAT GUY
WHO FISHES FOR SCRAP?
372
00:26:28,543 --> 00:26:30,980
THE SPOONER? YEAH.
HE DIDN'T FIND IT.
373
00:26:36,246 --> 00:26:39,380
MAYBE BECAUSE
THAT PLATINUM CLIP
374
00:26:39,423 --> 00:26:42,557
NEVER GOT
TO THE INCINERATOR, HMM?
375
00:26:42,601 --> 00:26:46,605
ALL RIGHT, CIRCULATE
A DESCRIPTION OF THE CLIP.
376
00:26:48,432 --> 00:26:49,564
GOT SOMETHING, DANNO?
377
00:26:49,608 --> 00:26:51,566
A BLANK. AS FAR AS
WE CAN FIND,
378
00:26:51,610 --> 00:26:53,568
ALL THE MEN WORKING
AT THE INCINERATOR
379
00:26:53,612 --> 00:26:55,657
ARE ON THE UP AND UP --
NO EXPENSIVE HABITS,
380
00:26:55,701 --> 00:26:57,224
NO HIDDEN BANK ACCOUNTS,
381
00:26:57,267 --> 00:26:58,878
NO GIRLFRIENDS,
OR FANCY CARS.
382
00:26:58,921 --> 00:27:01,141
INCLUDING
THE CRANE OPERATOR FURTADO?
383
00:27:01,184 --> 00:27:04,623
YEAH. HE LIVES OUT
AT WAHIAWA, A SMALL HOUSE,
384
00:27:04,666 --> 00:27:07,364
MARRIED ABOUT 13 YEARS,
HAS A BOY, 12.
385
00:27:07,408 --> 00:27:09,105
WHY HIM, STEVE?
386
00:27:09,149 --> 00:27:10,716
HE'S THE MAN
ON THE SWITCH.
387
00:27:10,759 --> 00:27:13,153
UP THERE, HE'S GOT
THE BEST SEAT IN THE HOUSE.
388
00:27:13,196 --> 00:27:17,418
I MEAN, YOU'VE BEEN IN
JOHNNY'S STABLE A LONG TIME.
389
00:27:17,461 --> 00:27:19,681
YOU KNOW THESE GUYS.
YOU HEAR THINGS.
390
00:27:19,725 --> 00:27:22,031
THINGS LIKE THAT,
I DON'T WANT TO HEAR.
391
00:27:22,075 --> 00:27:24,251
LET ME GIVE YOU
SOME ADVICE, HONEY.
392
00:27:24,294 --> 00:27:26,253
YOU DON'T
WANT TO KNOW, EITHER.
393
00:27:26,296 --> 00:27:28,908
WHAT THE GUYS DO, WELL,
THEY DO BETWEEN THEM.
394
00:27:28,951 --> 00:27:31,911
WE GET IN THE MIDDLE,
WE GET HURT.
395
00:27:31,954 --> 00:27:33,739
BUT DO YOU THINK
JOHNNY --
396
00:27:33,782 --> 00:27:36,698
I'M NOT PAID TO THINK,
397
00:27:36,742 --> 00:27:39,005
AND NEITHER ARE YOU.
398
00:27:42,617 --> 00:27:45,011
OKAY.
LISTEN, THANKS ANYWAY.
399
00:27:45,054 --> 00:27:47,100
HEY, SORRY ABOUT PETER.
400
00:27:47,143 --> 00:27:49,624
TAKE CARE OF YOURSELF.
401
00:28:13,213 --> 00:28:17,783
THIS IS VICKY.
IT'S IMPORTANT.
402
00:28:17,826 --> 00:28:19,610
JOHNNY?
403
00:28:22,265 --> 00:28:25,616
NO, NO, NO, NO.
I UNDERSTAND, SWEETHEART.
404
00:28:25,660 --> 00:28:27,706
NO, YOU DID
THE RIGHT THING.
405
00:28:27,749 --> 00:28:29,011
RIGHT.
406
00:28:29,055 --> 00:28:31,579
BY THE WAY, YOU JUST
MADE YOURSELF 50 BUCKS.
407
00:28:31,622 --> 00:28:32,928
MM-HMM. BYE.
408
00:28:32,972 --> 00:28:34,669
IT'S THAT
HODGES DAME AGAIN!
409
00:28:34,713 --> 00:28:36,062
SHE'S GOT A BIG MOUTH.
410
00:28:36,105 --> 00:28:38,238
IF SHE'S SO CURIOUS
ABOUT WHAT HAPPENED,
411
00:28:38,281 --> 00:28:39,979
MAYBE WE OUGHT
TO SHOOT HER.
412
00:28:40,022 --> 00:28:41,458
NO, WE LEAVE HER ALONE.
413
00:28:41,502 --> 00:28:43,460
SHE WON'T COME UP
WITH ANYTHING.
414
00:28:43,504 --> 00:28:44,940
IF WE EVEN SQUEEZE HER,
415
00:28:44,984 --> 00:28:46,637
THAT'S WHAT McGARRETT'S
LOOKING FOR.
416
00:28:46,681 --> 00:28:47,638
BUT WHAT IF --
417
00:28:47,682 --> 00:28:49,684
NO! WE DON'T TOUCH!
418
00:28:52,905 --> 00:28:55,864
ACTUALLY,
WE DON'T HAVE TO.
419
00:28:55,908 --> 00:28:59,215
THE GAME IS OVER,
420
00:28:59,259 --> 00:29:02,697
AND WE HAVE WON.
421
00:29:59,362 --> 00:30:01,669
GOODBYE, JOHNNY.
422
00:30:01,712 --> 00:30:03,714
HEY, WAIT A MINUTE.
423
00:30:03,758 --> 00:30:07,544
NO. I'M IN A HURRY.
424
00:30:07,588 --> 00:30:12,158
HEY, LOOK, SALLY, I KNOW
WHAT YOU'RE THINKING --
425
00:30:12,201 --> 00:30:16,118
THAT I KILLED PETER,
RIGHT?
426
00:30:16,162 --> 00:30:18,077
LOOK, SUPPOSE I TOLD YOU
IT WASN'T SO.
427
00:30:18,120 --> 00:30:20,340
YOU WOULDN'T BELIEVE ME,
WOULD YOU?
428
00:30:20,383 --> 00:30:24,344
NO, JOHNNY,
I WOULDN'T BELIEVE YOU.
429
00:30:24,387 --> 00:30:26,215
THAT'S ENOUGH.
430
00:30:26,259 --> 00:30:27,651
RIGHT THERE.
431
00:30:27,695 --> 00:30:30,611
I DON'T BLAME YOU.
432
00:30:30,654 --> 00:30:34,223
THAT'S WHAT
EVERYBODY THINKS.
433
00:30:34,267 --> 00:30:35,442
I KNOW DIFFERENT.
434
00:30:35,485 --> 00:30:37,705
YOU TALK AND TWIST,
AND YOU THINK
435
00:30:37,748 --> 00:30:40,360
YOU CAN GET OUT
OF ANYTHING, DON'T YOU?
436
00:30:40,403 --> 00:30:42,057
I KNOW THE NAMES.
437
00:30:42,101 --> 00:30:44,538
I CAN DELIVER
THE GUYS WHO DID IT.
438
00:30:44,581 --> 00:30:47,889
OF COURSE YOU CAN!
THEY WORK FOR YOU!
439
00:30:47,933 --> 00:30:49,717
IT'S NO GOOD THIS WAY.
440
00:30:49,760 --> 00:30:51,980
HONEY, I CAN GIVE YOU
WHAT YOU WANT.
441
00:30:52,024 --> 00:30:55,679
NO, JOHNNY, I'VE GOT
WHAT I WANT.
442
00:30:55,723 --> 00:30:58,682
RIGHT HERE,
I'VE GOT WHAT I WANT.
443
00:30:58,726 --> 00:31:00,510
YEAH, BUT --
444
00:31:00,554 --> 00:31:05,341
LISTEN, IF YOU --
445
00:31:05,385 --> 00:31:07,778
GONNA KILL YOU!
446
00:31:07,822 --> 00:31:09,476
NO!
447
00:31:10,738 --> 00:31:13,741
[ GUNSHOT ]
448
00:31:18,964 --> 00:31:21,401
[ CAR HORN HONKS ]
449
00:31:51,648 --> 00:31:53,389
HELLO.
450
00:31:53,433 --> 00:31:55,565
RAY, IT'S JOHNNY.
451
00:31:55,609 --> 00:31:58,829
YOU AND OZZIE GET OVER
TO MY HOUSE RIGHT AWAY.
452
00:31:58,873 --> 00:32:01,136
NEVER MIND WHY.
JUST GET THERE.
453
00:32:01,180 --> 00:32:02,833
HURRY UP.
454
00:32:02,877 --> 00:32:05,880
[ DIALING ]
455
00:32:13,888 --> 00:32:15,846
HELLO.
456
00:32:15,890 --> 00:32:18,501
YEAH, LISTEN.
457
00:32:18,545 --> 00:32:21,461
WE'VE GOT SOMETHING
TO TALK ABOUT.
458
00:32:21,504 --> 00:32:23,071
DON'T GIVE ME THAT.
459
00:32:23,115 --> 00:32:26,118
I'VE GOT TO SEE YOU
ABOUT SOMETHING.
460
00:32:26,161 --> 00:32:28,685
YOU BE THERE --
THE USUAL PLACE.
461
00:32:28,729 --> 00:32:30,339
I'M WARNING YOU.
462
00:32:30,383 --> 00:32:33,734
OKAY.
463
00:32:51,186 --> 00:32:53,580
I-I FOUND IT.
464
00:32:55,756 --> 00:32:58,193
I FOUND IT.
465
00:33:08,073 --> 00:33:09,770
I FOUND IT.
466
00:33:26,221 --> 00:33:28,049
HEY, JOHNNY.
467
00:33:28,093 --> 00:33:29,703
HOW'S IT GOING TONIGHT?
468
00:33:29,746 --> 00:33:30,878
TERRIFIC.
469
00:33:30,921 --> 00:33:32,358
LET ME HAVE THE KEY.
470
00:33:32,401 --> 00:33:33,576
YES, SIR.
471
00:33:35,926 --> 00:33:38,538
CHECKING UP ON
YOUR INVESTMENT, HUH?
472
00:33:38,581 --> 00:33:40,540
YOU MIGHT SAY THAT.
473
00:33:40,583 --> 00:33:41,932
GOOD NIGHT.
474
00:33:47,242 --> 00:33:51,029
[ BOWLING PINS FALLING ]
475
00:34:47,433 --> 00:34:48,999
ALL RIGHT, I'M HERE.
476
00:34:49,043 --> 00:34:50,392
WHAT DO YOU WANT?
477
00:34:50,436 --> 00:34:52,307
WHAT DO YOU THINK?
478
00:34:52,351 --> 00:34:54,135
NO, I TOLD YOU LAST TIME.
479
00:34:54,179 --> 00:34:56,137
WHEN YOU SET UP
THAT SPECIAL DEAL,
480
00:34:56,181 --> 00:34:57,443
THAT WAS IT.
481
00:34:57,486 --> 00:34:59,793
YOU PROMISED ME THERE
WOULDN'T BE ANY MORE.
482
00:34:59,836 --> 00:35:02,709
WELL, YOU GOT PAID
JUST LIKE YOU ALWAYS DO.
483
00:35:02,752 --> 00:35:04,580
PLUS, I REMEMBER, EXTRA.
484
00:35:04,624 --> 00:35:06,408
I MEAN, THAT'S WHAT
YOU ASKED FOR,
485
00:35:06,452 --> 00:35:08,628
AND THAT'S WHAT YOU GOT,
FURTADO, EXTRA.
486
00:35:08,671 --> 00:35:12,327
HEY, LOOK, JOHNNY,
YOU DON'T UNDERSTAND.
487
00:35:12,371 --> 00:35:15,461
AFTER THE LAST TIME,
MY TELLING THE COPS,
488
00:35:15,504 --> 00:35:18,768
CALLING ATTENTION TO
THE INCINERATOR LIKE THAT --
489
00:35:18,812 --> 00:35:20,683
I CAN'T DO IT AGAIN.
490
00:35:20,727 --> 00:35:22,163
I CAN'T AFFORD IT.
491
00:35:22,207 --> 00:35:24,513
SURE YOU CAN.
492
00:35:24,557 --> 00:35:26,602
FAIR IS FAIR.
493
00:35:26,646 --> 00:35:28,517
NO, YOU GOT A POINT.
494
00:35:28,561 --> 00:35:31,868
THERE'S MORE RISK
THIS TIME.
495
00:35:31,912 --> 00:35:35,263
SO THERE'S MORE IN IT
FOR YOU --
496
00:35:35,307 --> 00:35:39,441
7,500 BUCKS.
497
00:35:39,485 --> 00:35:40,790
TAKE IT.
498
00:35:40,834 --> 00:35:42,227
COME ON.
499
00:35:42,270 --> 00:35:44,229
NO, NO.
I DON'T WANT IT.
500
00:35:44,272 --> 00:35:46,579
I GOT ENOUGH.
501
00:35:46,622 --> 00:35:50,235
THERE'S NO SUCH THING
AS ENOUGH.
502
00:35:50,278 --> 00:35:52,193
THAT'S THE BEAUTY OF IT.
503
00:35:52,237 --> 00:35:56,415
NOBODY WOULD EVER FIGURE US
USING THE INCINERATOR AGAIN.
504
00:35:56,458 --> 00:35:59,461
THAT'S WHY WE CAN'T
GO WRONG, HUH?
505
00:36:02,464 --> 00:36:04,336
YOU LISTEN.
506
00:36:04,379 --> 00:36:06,860
I'M CARRYING A SHIPMENT.
WE'VE GOT TO DUMP IT.
507
00:36:06,903 --> 00:36:09,863
I DON'T WANT ANY TRACES LEFT.
THAT MEANS YOU GO BACK TO WORK!
508
00:36:09,906 --> 00:36:12,344
SURE, THAT'S EASY
FOR YOU TO SAY.
509
00:36:12,387 --> 00:36:15,216
A LOT OF THINGS
ARE EASY FOR ME.
510
00:36:15,260 --> 00:36:17,218
NOW, YOU LISTEN GOOD.
511
00:36:17,262 --> 00:36:19,873
SOMEBODY COULD WIND UP
TRIPPING OVER YOU
512
00:36:19,916 --> 00:36:22,528
OR A LOVED ONE'S BODY
IN A CANE FIELD,
513
00:36:22,571 --> 00:36:27,185
OR YOU COULD DO THIS
LITTLE FAVOR FOR ME.
514
00:36:27,228 --> 00:36:30,100
LAST TIME NOW FOR SURE.
I KNOW IT.
515
00:36:31,841 --> 00:36:34,888
FOR YOUR OLD BUDDY,
FOR JOHNNY.
516
00:36:34,931 --> 00:36:37,238
AH, WHATEVER YOU
GO OUT AND DO,
517
00:36:37,282 --> 00:36:41,242
I'M THE MAN THAT'S SUPPOSED
TO CLEAN UP THE MESS.
518
00:36:41,286 --> 00:36:43,244
YOU KNOW WHY?
519
00:36:43,288 --> 00:36:46,247
HUH?
520
00:36:46,291 --> 00:36:49,729
BECAUSE YOU GOT
A SUREFIRE METHOD.
521
00:36:49,772 --> 00:36:51,644
HA HA.
522
00:36:51,687 --> 00:36:53,907
AND YOU KNOW WHAT
THE FUNNY THING IS?
523
00:36:53,950 --> 00:36:56,910
IT WAS AN ACCIDENT --
A REAL ACCIDENT.
524
00:36:56,953 --> 00:36:59,434
ANYBODY ELSE BUT ME,
ALL THEY'D HAVE TO DO
525
00:36:59,478 --> 00:37:01,741
IS CALL THE POLICE --
SELF-DEFENSE.
526
00:37:01,784 --> 00:37:06,746
CAN YOU IMAGINE McGARRETT
BELIEVING THAT, HMM?
527
00:37:06,789 --> 00:37:08,400
HEY.
528
00:37:08,443 --> 00:37:11,881
ALL RIGHT, JOHNNY.
529
00:37:11,925 --> 00:37:13,405
WHO IS IT?
530
00:37:13,448 --> 00:37:16,234
I JUST HAD
A FEELING THAT...
531
00:37:16,277 --> 00:37:19,411
YOU'D BE INTERESTED.
532
00:37:19,454 --> 00:37:21,587
SALLY HODGES --
533
00:37:21,630 --> 00:37:24,154
SHE'S OUT GUNNING
FOR JOHNNY OPORTA.
534
00:37:24,198 --> 00:37:26,331
FOOLISH, FOOLISH.
535
00:37:26,374 --> 00:37:28,594
SHE'S NO MATCH FOR HIM.
536
00:37:28,637 --> 00:37:30,596
CHIN, GET OUT
A DETAILED DESCRIPTION --
537
00:37:30,639 --> 00:37:33,076
EVERYTHING YOU CAN GET --
A.P.B. COME ON, DANNO.
538
00:37:33,120 --> 00:37:34,469
WHERE ARE WE GOING?
539
00:37:34,513 --> 00:37:35,775
TO SEE A SNAKE.
540
00:38:47,150 --> 00:38:49,457
[ BUTTON CLICKS ]
541
00:39:21,402 --> 00:39:25,363
I'M TOUCHED, REALLY TOUCHED,
542
00:39:25,406 --> 00:39:27,887
AND I APPRECIATE
YOUR CONCERN FOR ME,
543
00:39:27,930 --> 00:39:29,541
BUT I'M JUST FINE.
544
00:39:29,584 --> 00:39:31,586
AND YOU HAVEN'T
SEEN OR HEARD
545
00:39:31,630 --> 00:39:32,892
FROM SALLY HODGES?
546
00:39:32,935 --> 00:39:34,328
NO, NOT A PEEP.
547
00:39:34,372 --> 00:39:37,375
IT'S BEEN A LONG TIME
SINCE I'VE BUMPED INTO HER.
548
00:39:37,418 --> 00:39:40,247
AS A MATTER OF FACT,
IF I WERE TO SEE HER RIGHT NOW,
549
00:39:40,290 --> 00:39:42,554
I DOUBT THAT I WOULD
RECOGNIZE HER.
550
00:39:42,597 --> 00:39:44,730
SHE WASN'T MY TYPE, ANYWAY.
551
00:39:44,773 --> 00:39:48,603
SHE THOUGHT A LOT
ABOUT YOU, JOHNNY, LATELY.
552
00:39:56,132 --> 00:39:58,134
OH.
553
00:39:59,788 --> 00:40:02,443
"MR. McGARRETT,
I'VE GOT A GUN,
554
00:40:02,487 --> 00:40:04,619
"AND I'M GOING TO SEE
JOHNNY OPORTA.
555
00:40:04,663 --> 00:40:07,796
"EVERYBODY KNOWS THE TRUTH
ABOUT WHAT HAPPENED TO PETER,
556
00:40:07,840 --> 00:40:10,103
"BUT NOBODY WILL DO
ANYTHING ABOUT IT.
557
00:40:10,146 --> 00:40:12,584
"SO I'M GOING TO.
IF I DON'T COME BACK,
558
00:40:12,627 --> 00:40:15,456
THIS WILL TELL YOU
WHERE TO LOOK."
559
00:40:15,500 --> 00:40:18,677
WELL, THIS GIRL HAS
A WAY WITH WORDS.
560
00:40:18,720 --> 00:40:20,418
YOU DON'T SEEM WORRIED.
561
00:40:20,461 --> 00:40:22,507
WHY SHOULD I BE?
562
00:40:22,550 --> 00:40:26,902
AFTER ALL, I HAVE FAITH
IN THE POLICE.
563
00:40:26,946 --> 00:40:29,775
WITH GUYS LIKE YOU AROUND
TO PROTECT ME,
564
00:40:29,818 --> 00:40:32,255
I DON'T HAVE
A THING TO WORRY.
565
00:40:32,299 --> 00:40:36,869
HA HA. A WORD
OF ADVICE, JOHNNY.
566
00:40:36,912 --> 00:40:41,221
IF SALLY HODGES
DOESN'T TURN UP VERY SOON
567
00:40:41,264 --> 00:40:42,701
FEELING FINE,
568
00:40:42,744 --> 00:40:45,268
I'D START WORRYING...
A LOT.
569
00:40:45,312 --> 00:40:49,447
A CRANK LETTER DOESN'T PROVE
ANYTHING, McGARRETT.
570
00:40:49,490 --> 00:40:51,057
NOT BY ITSELF.
571
00:40:51,100 --> 00:40:53,407
NOW, HANG LOOSE, JOHNNY,
WHILE YOU CAN.
572
00:40:53,451 --> 00:40:55,540
FINE.
573
00:40:57,367 --> 00:41:01,763
[ DOOR OPENS, CLOSES ]
574
00:41:04,897 --> 00:41:06,681
HE'S A COOL ONE.
575
00:41:06,725 --> 00:41:07,682
TOO COOL.
576
00:41:07,726 --> 00:41:09,510
SHE'S DEAD, DANNO.
OTHERWISE...
577
00:41:09,554 --> 00:41:11,120
JOHNNY WOULD BE SWEATING.
578
00:41:11,164 --> 00:41:12,731
HE'S TAKING BIG CHANCES.
579
00:41:12,774 --> 00:41:14,559
HE'S GAMBLING
FOR BIG STAKES --
580
00:41:14,602 --> 00:41:15,908
A SYNDICATE DEAL.
581
00:41:19,346 --> 00:41:21,522
A GIRL COMES AT YOU
WITH A GUN.
582
00:41:21,566 --> 00:41:23,524
NO CHOICE,
YOU CALL A PLAY.
583
00:41:23,568 --> 00:41:26,135
THEN YOU'VE GOT
A BODY ON YOUR HANDS.
584
00:41:26,179 --> 00:41:28,616
PRESSURE FROM DETROIT,
PRESSURE FROM THE POLICE.
585
00:41:28,660 --> 00:41:31,445
SO WHAT DO YOU DO?
YOU GET RID OF THE BODY.
586
00:41:31,489 --> 00:41:33,142
JOHNNY GOT RID
OF THE BODY.
587
00:41:33,186 --> 00:41:34,796
WOULD HE RISK IT?
588
00:41:34,840 --> 00:41:36,798
I THINK HE WOULD,
I THINK HE DID,
589
00:41:36,842 --> 00:41:40,715
AND BY NOW,
NOTHING BUT ASHES.
590
00:41:40,759 --> 00:41:42,761
[ TIRES SCREECH ]
591
00:41:49,855 --> 00:41:52,814
I DON'T KNOW. MAYBE THREE,
FOUR LOADS ALREADY.
592
00:41:52,858 --> 00:41:55,600
WE'VE BEEN ROLLING
SINCE EARLY THIS MORNING.
593
00:41:55,643 --> 00:41:57,732
AND ALL THAT'S LEFT
IS ASHES?
594
00:41:57,776 --> 00:42:00,169
LEFT OF WHAT?
I DON'T UNDERSTAND.
595
00:42:00,213 --> 00:42:01,519
SINCE YOUR SHIFT BEGAN,
596
00:42:01,562 --> 00:42:03,825
YOU HAVEN'T SEEN ANYTHING
OUT OF THE ORDINARY?
597
00:42:03,869 --> 00:42:07,133
NO, NOTHING.
598
00:42:07,176 --> 00:42:10,832
STEVE, THE A.P.B. WE PUT OUT
ON SALLY HODGES --
599
00:42:10,876 --> 00:42:13,835
I THOUGHT YOU MIGHT
LIKE TO SEE IT.
600
00:42:13,879 --> 00:42:15,881
INTERESTING.
601
00:42:27,936 --> 00:42:30,504
HOW ARE YOU DOING,
BRUDDAH?
602
00:42:30,548 --> 00:42:32,506
SHAKAH!
603
00:42:32,550 --> 00:42:36,641
WHAT DO YOU FIGURE
THAT STUFF WOULD BRING?
604
00:42:36,684 --> 00:42:38,686
ABOUT 5 BUCKS.
605
00:42:38,730 --> 00:42:39,818
SOLD.
606
00:42:39,861 --> 00:42:41,341
THANKS EVER.
607
00:42:49,871 --> 00:42:51,830
IT'S NOT
GOING TO BE EASY.
608
00:42:51,873 --> 00:42:53,832
WELL, THIS MIGHT HELP.
609
00:42:53,875 --> 00:42:57,836
SALLY HODGES HAD AN AUTOMOBILE
ACCIDENT THREE YEARS AGO.
610
00:42:57,879 --> 00:43:01,535
MULTIPLE FRACTURE
TO THE LEFT FOREARM.
611
00:43:01,579 --> 00:43:05,191
IT'S BEEN PINNED,
SURGICAL PINS.
612
00:43:05,234 --> 00:43:07,585
SOLID STEEL.
613
00:43:26,125 --> 00:43:27,256
YES?
614
00:43:27,300 --> 00:43:29,607
MRS. FURTADO?
615
00:43:29,650 --> 00:43:31,609
WILLIAMS, FIVE-O.
616
00:43:31,652 --> 00:43:33,611
WE'VE GOT
A SEARCH WARRANT.
617
00:43:40,966 --> 00:43:42,445
NOTHING.
618
00:43:42,489 --> 00:43:45,318
LET'S TRY
THE NEXT ONE.
619
00:43:47,494 --> 00:43:48,930
TOP TO BOTTOM.
620
00:43:48,974 --> 00:43:50,279
SAME HERE.
621
00:43:50,323 --> 00:43:52,281
ALL RIGHT,
LET'S TRY OUT BACK --
622
00:43:52,325 --> 00:43:54,501
THE YARD, AND THE GARAGE.
623
00:43:56,982 --> 00:43:58,592
IT'S EARLY, JOHNNY.
624
00:43:58,636 --> 00:44:00,725
THIS IS ONE MEETING
I DON'T WANT TO BE LATE FOR.
625
00:44:00,768 --> 00:44:02,248
DID YOU CHECK
THE AIRPORT?
626
00:44:02,291 --> 00:44:04,598
TWO TIMES, JOHNNY.
PLANE'S RIGHT ON TIME.
627
00:44:04,642 --> 00:44:08,428
BEEN A LONG TIME IN COMING,
BOYS, BUT TODAY IS OUR DAY.
628
00:44:12,954 --> 00:44:17,306
WELL, IT'S OUR
LAST CHANCE, CHE.
629
00:44:27,752 --> 00:44:29,188
ANYTHING YET?
630
00:44:29,231 --> 00:44:32,408
ALL THAT'S LEFT
IS THE CAR.
631
00:45:11,926 --> 00:45:15,843
WHAT HAVE YOU FOUND?
632
00:45:15,887 --> 00:45:19,194
THAT'S MONEY.
633
00:45:19,238 --> 00:45:22,241
YES, MA'AM.
634
00:45:22,284 --> 00:45:23,721
LOTS OF IT.
635
00:45:29,378 --> 00:45:32,730
[ TELEPHONE RINGS ]
636
00:45:34,209 --> 00:45:35,689
McGARRETT.
637
00:45:35,733 --> 00:45:37,996
Steve, you know that
old car of Furtado's?
638
00:45:38,039 --> 00:45:39,693
It turns out
it's valuable.
639
00:45:39,737 --> 00:45:40,825
OH?
640
00:45:40,868 --> 00:45:43,001
It's worth $27,500
in small bills.
641
00:45:43,044 --> 00:45:45,525
NICE WORK, DANNO.
NICE WORK.
642
00:45:45,568 --> 00:45:47,222
STEVE?
643
00:45:53,881 --> 00:45:56,884
THAT'S MY
CORPUS DELICTI, CHE.
644
00:46:15,120 --> 00:46:18,427
WOULD YOU
COME DOWN, PLEASE?
645
00:46:46,020 --> 00:46:47,500
YOU WANTED TO SEE ME?
646
00:46:47,543 --> 00:46:49,502
GOT SOME MORE QUESTIONS?
647
00:46:49,545 --> 00:46:51,243
JUST ONE.
648
00:46:51,286 --> 00:46:52,766
HOW MANY?
649
00:46:52,810 --> 00:46:54,246
HOW MANY WHAT?
650
00:46:54,289 --> 00:46:56,074
HOW MANY BODIES
651
00:46:56,117 --> 00:46:58,293
HAVE YOU TAKEN CARE OF
FOR JOHNNY OPORTA?
652
00:46:58,337 --> 00:47:00,469
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
653
00:47:00,513 --> 00:47:02,471
I'M TALKING
ABOUT PETER YANO.
654
00:47:02,515 --> 00:47:04,691
HE WAS A SPECIAL ONE,
WASN'T HE?
655
00:47:04,734 --> 00:47:07,346
JOHNNY WANTED
HIS BODY MESSED UP,
656
00:47:07,389 --> 00:47:11,350
BUT HE WANTED IT FOUND AS
A WARNING TO EVERYONE ELSE.
657
00:47:11,393 --> 00:47:15,006
YOU DON'T SEEM
TO REMEMBER HIM.
658
00:47:15,049 --> 00:47:18,096
HOW ABOUT SALLY HODGES?
SHE WAS AN EASY ONE --
659
00:47:18,139 --> 00:47:19,793
RISKY...
660
00:47:19,837 --> 00:47:22,100
BUT EASY.
661
00:47:22,143 --> 00:47:26,887
EXCEPT WE FOUND A WAY
TO TRACE IT BACK.
662
00:47:26,931 --> 00:47:31,544
I'M TALKING ABOUT $27,500
IN SMALL BILLS
663
00:47:31,587 --> 00:47:35,069
UNDER THE BACK SEAT
OF THE CAR IN YOUR GARAGE.
664
00:47:36,854 --> 00:47:40,814
LISTEN, UH, I DIDN'T --
665
00:48:26,642 --> 00:48:28,253
AAH!
666
00:48:31,691 --> 00:48:35,913
FREEZE. FREEZE!
667
00:48:44,008 --> 00:48:45,923
THERE HE IS.
668
00:48:54,932 --> 00:48:58,196
WELCOME TO HAWAII.
669
00:48:58,239 --> 00:49:00,415
NOT QUITE.
670
00:49:05,420 --> 00:49:06,769
HE WITH YOU?
671
00:49:06,813 --> 00:49:08,423
NO, HE'S WITH ME.
672
00:49:08,467 --> 00:49:11,035
MURDER ONE,
SEVEN COUNTS.
673
00:49:11,078 --> 00:49:13,428
YOU'VE GOT NOTHING,
McGARRETT.
674
00:49:13,472 --> 00:49:17,258
WELL, I'VE GOT YOU, JOHNNY,
WITH A LOCK ON IT.
675
00:49:29,967 --> 00:49:32,447
BOOK HIM, DANNO.
676
00:49:35,102 --> 00:49:38,018
THAT PLANE LEAVES
IN 15 MINUTES.
677
00:49:38,062 --> 00:49:41,065
YOU'VE GOT YOUR TICKET.
BE ON IT.
678
00:49:41,108 --> 00:49:43,067
AND TELL YOUR FRIENDS
IN DETROIT
679
00:49:43,110 --> 00:49:44,720
THE DEAL IS OFF...
680
00:49:44,764 --> 00:49:47,419
PERMANENTLY.
681
00:49:57,429 --> 00:50:00,432
[ "HAWAII FIVE-O" THEME PLAYS ]
682
00:50:00,482 --> 00:50:05,032
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