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1
00:00:31,640 --> 00:00:33,076
[ CHEERS AND APPLAUSE ]
2
00:01:09,243 --> 00:01:11,158
WHO ARE YOU?
3
00:01:11,201 --> 00:01:14,813
MY NAME'S GARY, MA'AM...
4
00:01:14,857 --> 00:01:16,685
GARY PHILLIPS.
5
00:01:16,728 --> 00:01:19,862
"MA'AM," NO LESS.
6
00:01:19,905 --> 00:01:24,388
TELL ME, GARY, OR BARRY,
OR WHATEVER YOUR NAME IS,
7
00:01:24,432 --> 00:01:26,912
ARE YOU ALWAYS
THIS POLITE?
8
00:01:26,956 --> 00:01:30,220
I MEAN, TO EVERY LADY LUSH
YOU HAPPEN TO MEET?
9
00:01:30,264 --> 00:01:33,093
WELL,
I'M SUPPOSEDTO BE POLITE.
10
00:01:33,136 --> 00:01:37,009
HE TAUGHT ME THAT.
M-MY DAD, LON PHILLIPS.
11
00:01:38,576 --> 00:01:42,580
I-I'M NOT SUPPOSED
TO LEAVE MY SEAT.
12
00:01:42,624 --> 00:01:48,064
THE THING IS, I GOT
AWFULLY HUNGRY FOR A HOT DOG.
13
00:01:49,283 --> 00:01:52,590
MY DAD SAYS
I'VE GOT TO DIET.
14
00:01:52,634 --> 00:01:58,074
A-A BOY SHOULD ALWAYS TRY
AND SHAPE HIMSELF UP.
15
00:01:58,118 --> 00:02:00,207
[ CHEERS AND APPLAUSE ]
16
00:02:00,250 --> 00:02:03,340
BATTING THIRD, PLAYING CATCHER,
17
00:02:03,384 --> 00:02:06,778
LADIES AND GENTLEMEN,
BATTING NUMBER THREE,
18
00:02:06,822 --> 00:02:11,435
HIS VERY FIRST AT BAT
IN A HAWAII UNIFORM,
19
00:02:11,479 --> 00:02:15,439
AFTER HIS GREAT 12 YEARS
IN THE AMERICAN LEAGUE,
20
00:02:15,483 --> 00:02:17,789
LON PHILLIPS.
21
00:02:17,833 --> 00:02:19,356
[ APPLAUSE ]
22
00:02:20,879 --> 00:02:25,014
THEY'RE GLAD TO SEE YOU, LON.
SO ARE WE.
23
00:02:36,156 --> 00:02:38,245
SOMEONE'S WAITING FOR ME.
24
00:02:53,390 --> 00:02:56,611
I GOT LIPSTICK ON YOU.
25
00:02:56,654 --> 00:02:59,831
THAT'S ALL IT TAKES.
26
00:03:24,595 --> 00:03:26,684
[ CHEERS AND APPLAUSE ]
27
00:04:38,060 --> 00:04:39,801
[ SCREAMS ]
28
00:04:50,638 --> 00:04:53,945
[ "HAWAII FIVE-O" THEME PLAYS ]
29
00:06:25,950 --> 00:06:26,995
PARDON ME.
30
00:06:27,038 --> 00:06:29,432
EXCUSE ME.
COMING THROUGH.
31
00:06:29,476 --> 00:06:30,651
PARDON ME.
32
00:06:30,694 --> 00:06:32,174
WHAT HAPPENED?
33
00:06:32,217 --> 00:06:33,610
A LADY'S BEEN HURT.
34
00:06:33,654 --> 00:06:35,699
COME ON, FOLKS,
MOVE ALONG, NOW.
35
00:06:35,743 --> 00:06:37,484
COME ON, MOVE ALONG.
36
00:06:37,527 --> 00:06:39,616
COME ON, FOLKS,
MOVE ALONG.
37
00:06:39,660 --> 00:06:41,488
MOVE ALONG, PLEASE.
38
00:06:41,531 --> 00:06:43,185
DEATH CAUSED BY --
39
00:06:43,228 --> 00:06:44,621
STRANGULATION.
40
00:06:44,665 --> 00:06:46,188
WHERE'S McGARRETT?
41
00:06:46,231 --> 00:06:47,755
DOWN IN THE DRESSING ROOM
WITH THE GOVERNOR
42
00:06:47,798 --> 00:06:49,452
AND HERHUSBAND.
43
00:06:52,281 --> 00:06:54,631
...LEGALLY SEPARATED
FOR A YEAR NOW.
44
00:06:54,675 --> 00:06:56,807
BUT I TOLD YOU THAT,
DIDN'T I?
45
00:06:56,851 --> 00:06:58,548
YES. YES, YOU DID.
46
00:06:58,592 --> 00:07:01,638
OH, THERE'S BEEN
SOME BITTERNESS --
47
00:07:01,682 --> 00:07:03,858
LAWYERS,
THAT SORT OF THING --
48
00:07:03,901 --> 00:07:05,990
MOSTLY ABOUT THE CHILDREN.
49
00:07:06,034 --> 00:07:07,644
WHAT I MEAN, MR. McGARRETT,
50
00:07:07,688 --> 00:07:09,820
IS THAT I WANTED
LEGAL CUSTODY.
51
00:07:09,864 --> 00:07:13,345
I THOUGHT I WAS
BETTER QUALIFIED THAN EMILY.
52
00:07:13,389 --> 00:07:15,652
BUT I WAS NEVER HER ENEMY.
53
00:07:15,696 --> 00:07:18,350
I NO LONGER LOVED HER --
THAT WAS GONE --
54
00:07:18,394 --> 00:07:20,265
BUT I COULD NEVER
HATE HER.
55
00:07:20,309 --> 00:07:22,137
OF COURSE YOU COULDN'T.
56
00:07:22,180 --> 00:07:24,226
LESTER.
57
00:07:24,269 --> 00:07:26,533
STEVE, IF THERE'S
ANYTHING I CAN DO,
58
00:07:26,576 --> 00:07:28,143
LET ME KNOW.
59
00:07:28,186 --> 00:07:29,492
YES, SIR.
60
00:07:29,536 --> 00:07:31,538
THANK YOU.
BOTH OF YOU.
61
00:07:31,581 --> 00:07:33,670
A FEW MORE QUESTIONS,
MR. WORKMAN.
62
00:07:33,714 --> 00:07:35,759
SO FAR AS WE'RE ABLE
TO DETERMINE,
63
00:07:35,803 --> 00:07:38,632
MRS. WORKMAN CAME HERE
BY HERSELF TONIGHT.
64
00:07:38,675 --> 00:07:39,981
DOES THAT SEEM LIKELY?
65
00:07:40,024 --> 00:07:41,896
WE TALKED ABOUT THE WAY
SHE CAME BY THE BOX
66
00:07:41,939 --> 00:07:44,551
WHERE I WAS SITTING
WITH THE GOVERNOR.
67
00:07:44,594 --> 00:07:47,989
WELL, THAT WAS HER PATTERN,
MR. McGARRETT,
68
00:07:48,032 --> 00:07:50,731
HER PATHETIC PATTERN --
69
00:07:50,774 --> 00:07:54,778
TO EMBARRASS ME PUBLICLY,
TO HUMILIATE ME.
70
00:07:55,953 --> 00:07:57,651
SHE'D GET HERSELF LUSHED UP
71
00:07:57,694 --> 00:08:00,654
AND THEN COME TO SOMEPLACE
LIKE THIS BALLPARK,
72
00:08:00,697 --> 00:08:02,873
WHERE I WAS
IN THE PUBLIC EYE,
73
00:08:02,917 --> 00:08:05,136
AS I WAS TONIGHT
WITH THE GOVERNOR.
74
00:08:05,180 --> 00:08:09,053
YOU KNOW WHAT SHE SAID TO ME
WHEN SHE CAME BY THE BOX?
75
00:08:09,097 --> 00:08:11,882
SHE SAID IT WAS
TOUGH LUCK FOR ME
76
00:08:11,926 --> 00:08:14,798
BUT SHE WAS BEING
VERY CAREFUL.
77
00:08:14,842 --> 00:08:18,236
I WASN'T GOING TO CATCH HER
DOING ANYTHING
78
00:08:18,280 --> 00:08:21,544
THAT I COULD USE
TO GET THE CHILDREN.
79
00:08:23,590 --> 00:08:24,765
AND YET I NEVER THOUGHT
80
00:08:24,808 --> 00:08:27,419
SHE REALLY WANTED
THE MARRIAGE TO END.
81
00:08:27,463 --> 00:08:29,726
WE'LL NEED A PICTURE,
MR. WORKMAN.
82
00:08:29,770 --> 00:08:33,077
IT WILL BE HELPFUL WHEN
WE START QUESTIONING PEOPLE.
83
00:08:33,121 --> 00:08:36,298
WELL,
I DON'T HAVE ANY ANYMORE.
84
00:08:36,341 --> 00:08:41,085
MAY BE SOME AT HER HOUSE.
HER MAID WOULD KNOW.
85
00:08:43,174 --> 00:08:46,395
I THINK I HAVE
EMILY'S PHONE NUMBER HERE.
86
00:08:52,357 --> 00:08:55,056
I DIDN'T KNOW
I STILL HAD IT...
87
00:08:56,623 --> 00:08:58,755
OR DID I?
88
00:08:58,799 --> 00:08:59,800
THIS LADY?
89
00:08:59,843 --> 00:09:02,542
YOU WANT TO KNOW
IF I SAW HER?
90
00:09:02,585 --> 00:09:04,805
THAT'S IT, GARY.
TAKE YOUR TIME.
91
00:09:04,848 --> 00:09:06,589
AND TAKE A GOOD LOOK.
92
00:09:06,633 --> 00:09:09,766
I-I ALREADY LOOKED.
I NEVER SAW HER.
93
00:09:09,810 --> 00:09:12,334
THINK REALLY HARD, HUH?
94
00:09:15,337 --> 00:09:20,385
OH, I-I-I'M SORRY.
IT-IT WAS A MISTAKE.
95
00:09:20,429 --> 00:09:22,779
WHAT WAS A MISTAKE, SON?
96
00:09:22,823 --> 00:09:25,826
YOUR PICTURE.
I-I MESSED IT UP.
97
00:09:25,869 --> 00:09:28,872
I-I WAS EATING
A CANDY BAR.
98
00:09:28,916 --> 00:09:30,831
I-I GOT IT BEFORE THE...
99
00:09:30,874 --> 00:09:32,354
I MEAN, YOU KNOW,
100
00:09:32,397 --> 00:09:36,358
THEY HAVE A VERY LARGE
SELECTION DOWN THERE.
101
00:09:37,620 --> 00:09:39,187
SON, I'M SURE YOU UNDERSTOOD
102
00:09:39,230 --> 00:09:42,756
WHAT WE TRIED TO EXPLAIN TO
EVERYBODY WHO CAME UP HERE --
103
00:09:42,799 --> 00:09:45,454
THAT THIS WAS
A VOLUNTARYTHING.
104
00:09:45,497 --> 00:09:47,891
WE JUST NEEDED SOME HELP.
105
00:09:47,935 --> 00:09:51,765
Y-YES, SIR.
S-SOMEBODY TOLD ME THAT.
106
00:09:51,808 --> 00:09:55,769
BUT I-I DIDN'T KNOW
WHAT TO DO.
107
00:09:58,859 --> 00:10:00,687
IS THIS WHAT YOU'VE GOT
SO FAR?
108
00:10:00,730 --> 00:10:01,818
YEAH.
109
00:10:01,862 --> 00:10:03,690
GARY PHILLIPS,
142 OCEAN BOULEVARD.
110
00:10:03,733 --> 00:10:05,866
[ CHUCKLES ]
IT'S NOT MUCH, IS IT?
111
00:10:05,909 --> 00:10:09,260
GARY WAS, UH,
TOO BUSY EATING.
112
00:10:12,307 --> 00:10:14,526
GARY, UM...
113
00:10:14,570 --> 00:10:15,919
SUPPOSE YOU SHOW US
114
00:10:15,963 --> 00:10:18,530
WHERE YOU
WERE SITTING, HUH?
115
00:10:18,574 --> 00:10:22,404
B-811, ON THE AISLE.
116
00:10:22,447 --> 00:10:25,886
IT'S A VERY GOOD SEAT,
A PERFECTSEAT.
117
00:10:25,929 --> 00:10:27,801
IT'S A HOUSE SEAT, ISN'T IT?
118
00:10:30,891 --> 00:10:32,762
YOU'RE LON PHILLIPS' SON.
119
00:10:32,806 --> 00:10:35,939
YOU KNOW ABOUT ME?
120
00:10:39,421 --> 00:10:42,163
WELL, THERE HAVE BEEN A LOT
OF NEWSPAPER ARTICLES
121
00:10:42,206 --> 00:10:44,382
WRITTEN ABOUT A GREAT
BALLPLAYER LIKE YOUR FATHER
122
00:10:44,426 --> 00:10:47,690
COMING TO HAWAII.
123
00:10:47,734 --> 00:10:49,300
YEAH. DAD'S THE BEST.
124
00:10:49,344 --> 00:10:51,694
HE'S THE BEST
IN EITHER LEAGUE.
125
00:10:51,738 --> 00:10:53,696
HOW YOU DOING, PAL?
126
00:10:53,740 --> 00:10:55,829
HI, DAD.
127
00:10:55,872 --> 00:10:58,092
I-I'M FINE.
128
00:11:00,790 --> 00:11:02,966
HOW DID YOU KNOW
I WAS HERE?
129
00:11:03,010 --> 00:11:05,055
COLEY TOLD ME.
EVERYTHING OKAY?
130
00:11:05,099 --> 00:11:07,405
I'M STEVE McGARRETT,
FIVE-O.
131
00:11:07,449 --> 00:11:09,973
I'M A BIG FAN OF YOURS,
A GREAT ADMIRER.
132
00:11:10,017 --> 00:11:11,540
DANNY WILLIAMS.
133
00:11:12,802 --> 00:11:13,977
WHAT -- WHAT'S HAPPENING?
134
00:11:14,021 --> 00:11:16,719
JUST, UH, ROUTINE QUESTIONS.
135
00:11:16,763 --> 00:11:20,418
YOUR SON WAS SEATED HERE,
136
00:11:20,462 --> 00:11:22,725
NOT FAR FROM THE MURDER AREA,
AS YOU COULD SEE.
137
00:11:22,769 --> 00:11:25,946
WE'RE TRYING TO DETERMINE IF
HE MIGHT HAVE SEEN SOMETHING
138
00:11:25,989 --> 00:11:28,252
WITHOUT REALIZING IT.
139
00:11:28,296 --> 00:11:31,168
MAYBE WHEN HE WAS ON THE WAY
TO THE CONCESSION AREA HERE
140
00:11:31,212 --> 00:11:32,953
TO GET A HOT DOG OR ICE CREAM.
141
00:11:32,996 --> 00:11:34,389
BUT I-I DIDN'T --
142
00:11:34,432 --> 00:11:37,784
I DIDN'T GO
TO THE CONCESSION STAND.
143
00:11:39,960 --> 00:11:44,138
WELL, I EAT A LOT
OF HOT DOGS MYSELF, GARY.
144
00:11:44,181 --> 00:11:46,009
NOTHING TO BE ASHAMED OF.
145
00:11:46,053 --> 00:11:50,013
AND I THINK THAT'S MUSTARD
RIGHT THERE, ISN'T IT?
146
00:11:52,363 --> 00:11:55,802
SOMEBODY BUMPED INTO ME
IN THE AISLE.
147
00:11:55,845 --> 00:11:59,240
FOR CRYING OUT LOUD.
148
00:12:00,371 --> 00:12:04,288
DAD, I DID
JUST AS YOU TOLD ME TO DO.
149
00:12:04,332 --> 00:12:06,987
I WENT STRAIGHT TO MY SEAT.
150
00:12:07,030 --> 00:12:09,554
I NEVER LEFT THAT SEAT.
151
00:12:09,598 --> 00:12:13,950
I-I -- NOT ANY. NOT ONCE.
152
00:12:13,994 --> 00:12:16,648
WELL, THEN,
THAT BEING THE CASE,
153
00:12:16,692 --> 00:12:18,607
I GUESS WE CAN LEAVE, HUH?
154
00:12:21,828 --> 00:12:23,960
I BET YOU'RE HUNGRY, RIGHT?
155
00:12:24,004 --> 00:12:26,789
YEAH. YOU BET.
156
00:12:33,796 --> 00:12:35,755
DANNY.
157
00:12:35,798 --> 00:12:37,278
STEVE, HOW'S IT GOING?
158
00:12:37,321 --> 00:12:39,236
COLEY.
159
00:12:39,280 --> 00:12:41,630
YOU'VE KNOWN HIM A LONG TIME.
160
00:12:41,673 --> 00:12:43,719
LONG.
161
00:12:43,763 --> 00:12:46,200
WE'VE BEEN ROOMIES FOR 10 YEARS
IN THE MAJORS.
162
00:12:46,243 --> 00:12:48,376
YOU GET TO KNOW A GUY
PRETTY GOOD.
163
00:12:48,419 --> 00:12:51,596
AND LON PHILLIPS
IS A PRETTY GOOD GUY?
164
00:12:51,640 --> 00:12:53,076
THE BEST.
165
00:12:53,120 --> 00:12:54,817
THE NEWSPAPERS GIVE ME
ALL THE CREDIT
166
00:12:54,861 --> 00:12:58,690
FOR GETTING HIM OVER HERE,
BUT THAT ISN'T HOW IT HAPPENED.
167
00:12:58,734 --> 00:13:00,344
I DIDN'T ASK LON.
168
00:13:00,388 --> 00:13:02,042
HE ASKED ME.
169
00:13:02,085 --> 00:13:04,827
YOU MEAN TO COME TO PLAY
IN HAWAII IN THE MINORS? WHY?
170
00:13:04,871 --> 00:13:07,699
'CAUSE OF GARY.
171
00:13:07,743 --> 00:13:10,920
LOOK, LON HAD TWO, MAYBE THREE
BIG YEARS LEFT.
172
00:13:10,964 --> 00:13:16,317
BUT AFTER HIS WIFE DIED...
THINGS WERE ROUGH.
173
00:13:16,360 --> 00:13:22,018
STEVE, GARY, WELL,
HE'S A REAL SWEET KID,
174
00:13:22,062 --> 00:13:24,978
BUT...HE'S JUST SLOW.
YOU TALKED TO HIM.
175
00:13:25,021 --> 00:13:27,023
WHILE LON'S WIFE WAS ALIVE,
176
00:13:27,067 --> 00:13:30,026
THE TWO OF THEM COULD WATCH OUT
FOR THE BOY,
177
00:13:30,070 --> 00:13:31,854
BUT NOW THERE'S JUST LON.
178
00:13:31,898 --> 00:13:33,290
HE FIGURES IT'S EASIER
OUT HERE,
179
00:13:33,334 --> 00:13:34,988
YOU KNOW,
AWAY FROM THE BIG CITY.
180
00:13:35,031 --> 00:13:36,728
I SEE.
181
00:13:36,772 --> 00:13:39,775
I GUESS NOT MANY FATHERS
WILL DO THAT FOR THEIR SONS.
182
00:13:39,819 --> 00:13:42,909
ESPECIALLY WHEN THEIR CAREERS
ARE AFFECTED.
183
00:13:42,952 --> 00:13:44,606
BUT LON'S THAT KIND OF A MAN.
184
00:13:44,649 --> 00:13:47,087
HE'LL DO ANYTHING IN THE WORLD
FOR THAT KID.
185
00:13:47,130 --> 00:13:50,960
BUT WITH A KID LIKE GARY
GROWING UP AND EVERYTHING,
186
00:13:51,004 --> 00:13:53,833
YOU JUST NEVER KNOW
WHAT HE'S GONNA DO.
187
00:14:06,193 --> 00:14:08,935
YOU'RE AWFULLY
QUIET TONIGHT, DAD.
188
00:14:08,978 --> 00:14:13,591
YEAH, I GUESS I AM.
189
00:14:20,163 --> 00:14:22,905
YOU SORE AT ME
ABOUT SOMETHING?
190
00:14:22,949 --> 00:14:25,299
NAH.
191
00:14:25,342 --> 00:14:29,477
I'M NEVER SORE AT YOU, GARY.
NOT REALLY.
192
00:14:35,613 --> 00:14:39,226
DAD, LISTEN...
193
00:14:47,321 --> 00:14:49,366
HEY,
YOU WANT TO ARM-WRESTLE?
194
00:14:49,410 --> 00:14:53,414
[ CHUCKLES ] SURE. WHY NOT?
195
00:14:57,766 --> 00:15:00,073
[ HUMMING ]
196
00:15:05,600 --> 00:15:07,167
YAH!
197
00:15:07,210 --> 00:15:08,733
[ GRUNTS ]
198
00:15:08,777 --> 00:15:11,084
YEEEOW!
199
00:15:14,957 --> 00:15:16,567
WHY DID YOU LIE?
200
00:15:16,611 --> 00:15:19,005
I DIDN'T.
201
00:15:19,048 --> 00:15:20,876
ABOUT NOT BEING IN YOUR SEAT.
202
00:15:20,920 --> 00:15:22,660
I SAW.
203
00:15:24,967 --> 00:15:27,839
OH, I-I WAS AFRAID
YOU WOULD GET SORE.
204
00:15:27,883 --> 00:15:29,189
WHAT ABOUT?
205
00:15:29,232 --> 00:15:31,669
WELL, WHAT DO YOU THINK?
206
00:15:31,713 --> 00:15:33,758
THE HOT DOG.
207
00:15:36,109 --> 00:15:38,546
I'M SORRY.
208
00:15:38,589 --> 00:15:43,159
I-I WAS ASHAMED.
209
00:15:43,203 --> 00:15:45,031
WHAT ABOUT THE WOMAN?
210
00:15:47,076 --> 00:15:49,949
I WASN'T LOOKING
AT ANY WOMEN.
211
00:15:52,821 --> 00:15:56,607
DAD, YOU ALWAYS TOLD ME
TO STAY AWAY FROM THE GIRLS,
212
00:15:56,651 --> 00:16:00,263
BE A GENTLEMAN
WITH THE GIRLS.
213
00:16:00,307 --> 00:16:03,005
THAT'S TRUE WITH WOMEN,
TOO, ISN'T IT?
214
00:16:03,049 --> 00:16:05,051
YEAH.
215
00:16:06,878 --> 00:16:10,752
BESIDES, I WAS ONLY THINKING
ABOUT BEING HUNGRY.
216
00:16:13,755 --> 00:16:16,236
I-I WAS STARVING!
217
00:16:18,107 --> 00:16:20,066
[ LAUGHING ]
218
00:16:20,109 --> 00:16:21,197
YOU WERE STARVED?
219
00:16:21,241 --> 00:16:23,765
[ Straining ] YOU EAT ENOUGH
TO FEED AN ARMY,
220
00:16:23,808 --> 00:16:26,594
AND YOU CAN'T EVEN BEAT
AN OLD MAN!
221
00:16:26,637 --> 00:16:28,117
YAH!
222
00:16:28,161 --> 00:16:31,077
[ LAUGHING ]
223
00:16:31,120 --> 00:16:33,253
[ LAUGHING ]
224
00:16:33,296 --> 00:16:35,168
OH, YEAH.
225
00:16:35,211 --> 00:16:37,213
YEAH.
226
00:16:37,257 --> 00:16:40,173
WE'RE GOING
TO MAKE IT HERE.
227
00:16:40,216 --> 00:16:44,133
YEAH. IT'S REALLYNICE.
228
00:16:44,177 --> 00:16:47,049
REALLY BEAUTIFUL.
229
00:16:51,314 --> 00:16:54,274
YOUR MOTHER
WOULD HAVE LOVED THIS PLACE...
230
00:16:58,104 --> 00:16:59,757
EXCEPT FOR THE NIGHT GAMES.
231
00:16:59,801 --> 00:17:02,412
AND LIKE
ALL THE BASEBALL WIVES --
232
00:17:02,456 --> 00:17:04,719
SHE SURE HATED NIGHT BALL.
233
00:17:04,762 --> 00:17:09,115
BUT SHE ALWAYS WENT --
EVERYGAME, DAY OR NIGHT.
234
00:17:09,158 --> 00:17:11,943
EVERY GAME, DAY OR NIGHT.
235
00:17:11,987 --> 00:17:14,076
JUST LIKE YOU, PAL.
236
00:17:18,124 --> 00:17:21,083
WE HAD A NICE THING GOING.
237
00:17:21,127 --> 00:17:23,651
[ SIGHS ]
238
00:17:28,308 --> 00:17:31,050
THERE WAS NOTHING ELSE
I COULD DO.
239
00:17:32,964 --> 00:17:34,488
YOU BLEW IT!
240
00:17:34,531 --> 00:17:36,751
SHE WAS TOO DRUNK
TO BE SCARED!
241
00:17:36,794 --> 00:17:39,754
SHE WAS SAYING THINGS,
LOUD!
242
00:17:39,797 --> 00:17:41,582
YOU PANICKED.
243
00:17:44,193 --> 00:17:46,369
ANYWAY, NOBODY SAW.
244
00:17:46,413 --> 00:17:49,111
YOU'D BETTER HOPE SO.
245
00:18:12,439 --> 00:18:13,440
STYLE.
246
00:18:13,483 --> 00:18:16,138
IT'S EITHER THERE,
OR IT'S NOT.
247
00:18:16,182 --> 00:18:19,402
WHAT ABOUT MRS. WORKMAN?
WAS IT THERE?
248
00:18:19,446 --> 00:18:21,361
OH, SHE HAD IT --
249
00:18:21,404 --> 00:18:25,016
STYLE AND CLASS
IN EVERYTHING SHE DID...
250
00:18:25,060 --> 00:18:26,192
OR ALMOST DID.
251
00:18:26,235 --> 00:18:27,845
MEANING WHAT?
252
00:18:27,889 --> 00:18:32,589
WELL, LET ME TELL YOU ABOUT
THE FIRST TIME I MET HER.
253
00:18:32,633 --> 00:18:35,549
THEY SAY THERE'S NOTHING
WORSE THAN A LADY DRUNK,
254
00:18:35,592 --> 00:18:37,725
BUT SHE COULD
EVEN BRING THAT OFF.
255
00:18:37,768 --> 00:18:39,857
WHEN WAS THAT,
THE FIRST TIME?
256
00:18:39,901 --> 00:18:40,989
LAST SPRING.
257
00:18:41,032 --> 00:18:42,686
SHE CAME BY ONE AFTERNOON,
JUST ABOUT THIS TIME.
258
00:18:42,730 --> 00:18:45,211
HER HUSBAND USED TO BE HERE
A LOT THEN.
259
00:18:45,254 --> 00:18:46,734
HE USED TO PLAY.
260
00:18:46,777 --> 00:18:48,997
YOU KNOW, BRING
THE BUSINESS ASSOCIATES IN,
261
00:18:49,040 --> 00:18:50,346
RUN AROUND THE COURT.
262
00:18:50,390 --> 00:18:52,218
AND WAS HE THERE THAT DAY?
263
00:18:52,261 --> 00:18:55,351
NO, BUT SHE
WAS LOOKING FOR HIM.
264
00:18:55,395 --> 00:18:57,484
I TOLD HER
SHE'D GET IN TROUBLE
265
00:18:57,527 --> 00:19:00,269
THROWING HER BODY AROUND
LIKE THAT.
266
00:19:00,313 --> 00:19:04,360
I MEAN, IT WAS REALLY
A BIG INVITATION, YOU KNOW?
267
00:19:04,404 --> 00:19:06,580
AND DID YOU TAKE IT?
268
00:19:06,623 --> 00:19:08,234
WELL, I WAS WILLING,
269
00:19:08,277 --> 00:19:12,107
AND FOR A WHILE,
SHE SEEMED TO BE, TOO.
270
00:19:12,151 --> 00:19:15,241
HE FOUND OUT THAT SHE'D
BEEN BY LOOKING FOR HIM,
271
00:19:15,284 --> 00:19:18,548
AND HE DIDN'T COME ANYMORE,
BUT SHE DID.
272
00:19:18,592 --> 00:19:22,248
SHE WAS HERE EVERY AFTERNOON
WATCHING ME PLAY,
273
00:19:22,291 --> 00:19:24,641
TELLING ME
ABOUT ALL THOSE THINGS
274
00:19:24,685 --> 00:19:26,774
THAT WERE GOING TO HAPPEN.
275
00:19:26,817 --> 00:19:28,123
BUT NEVER DID?
276
00:19:28,167 --> 00:19:29,255
YOU GOT IT.
277
00:19:29,298 --> 00:19:32,910
A BIG COME-ON BUT NO PAYOFF.
278
00:19:37,437 --> 00:19:39,134
THAT'S GOOD, GIRLS!
279
00:19:39,178 --> 00:19:41,528
A LITTLE MORE
ON THE BACKHAND, PHYLLIS.
280
00:19:41,571 --> 00:19:44,444
THERE. THAT'S GOOD.
281
00:19:44,487 --> 00:19:46,533
HOW DO YOU FIGURE IT?
282
00:19:46,576 --> 00:19:49,318
SHE WAS AFRAID
OF HER HUSBAND.
283
00:19:49,362 --> 00:19:53,975
I MEAN, DESPITE EVERYTHING
SHE SAID, SHE WAS SCARED.
284
00:19:54,018 --> 00:19:55,803
BUT OF WHAT?
285
00:19:55,846 --> 00:19:59,981
OH, SHE DIDN'T WANT TO LOSE
THE KIDS OR ALL THAT ALIMONY.
286
00:20:00,024 --> 00:20:02,810
SHE SAID HE HAD HER WATCHED
ALL THE TIME.
287
00:20:02,853 --> 00:20:06,117
I DON'T KNOW IF HE DID OR NOT,
BUT SHE THOUGHT SO.
288
00:20:06,161 --> 00:20:09,599
LIKE I SAID,
289
00:20:09,643 --> 00:20:12,559
DESPITE THE FACT THAT, UH,
SHE LIKED TO PLAY HOUSE
290
00:20:12,602 --> 00:20:18,304
AND THAT SHE WAS VERYGOOD
AT FALLING OFF BARSTOOLS,
291
00:20:18,347 --> 00:20:21,307
SHE WAS A REAL CLASSY LADY.
292
00:20:21,350 --> 00:20:23,091
YOU KNOW WHAT I MEAN?
293
00:20:23,134 --> 00:20:24,658
YEAH, IN MY BUSINESS,
294
00:20:24,701 --> 00:20:28,270
I SEE THEM ALL THE TIME,
MR. HOLBROOK.
295
00:20:50,597 --> 00:20:52,816
MY FINANCIAL ARRANGEMENTS
WITH MY WIFE
296
00:20:52,860 --> 00:20:56,385
ARE HANDLED BY MY ATTORNEY,
MARTIN MOTYKA.
297
00:20:56,429 --> 00:20:59,823
I'M SURE HE'LL TELL YOU
ANYTHING YOU WANT TO KNOW.
298
00:20:59,867 --> 00:21:02,826
WE'VE BEEN INVESTIGATING
YOUR WIFE'S BACKGROUND,
299
00:21:02,870 --> 00:21:03,914
MR. WORKMAN,
300
00:21:03,958 --> 00:21:05,960
BUT I'D LIKE
TO HEAR FROM YOU
301
00:21:06,003 --> 00:21:08,310
ANYTHING ABOUT
THE PATTERN OF HER LIFE
302
00:21:08,354 --> 00:21:10,094
THAT MIGHT HELP US.
303
00:21:10,138 --> 00:21:11,313
I SEE.
304
00:21:11,357 --> 00:21:13,402
I GATHER, MR. McGARRETT,
305
00:21:13,446 --> 00:21:16,449
THAT YOU HAVE BEEN HEARING
SOME OF THE STORIES
306
00:21:16,492 --> 00:21:19,365
MY WIFE SPREAD AROUND.
307
00:21:19,408 --> 00:21:23,586
THAT I WAS SUPPOSED TO BE
WATCHING HER LIKE A HAWK
308
00:21:23,630 --> 00:21:27,503
SO THAT I COULD GET OUT
FROM UNDER ALL THIS ALIMONY
309
00:21:27,547 --> 00:21:31,159
AND/OR GET THE CHILDREN,
ET CETERA, ET CETERA?
310
00:21:33,161 --> 00:21:35,511
YEAH, THAT'S RIGHT.
311
00:21:35,555 --> 00:21:38,079
THAT'S WHAT WE HEAR.
312
00:21:39,341 --> 00:21:42,170
WERE YOU HAVING HER WATCHED,
MR. WORKMAN?
313
00:21:44,520 --> 00:21:47,480
I'VE ALREADY FORGOTTEN
THAT YOU ASKED THAT QUESTION.
314
00:21:47,523 --> 00:21:49,177
THEN I'LL ASK IT AGAIN.
315
00:21:49,220 --> 00:21:52,528
WERE YOU HAVING HER WATCHED,
MR. WORKMAN?
316
00:21:54,225 --> 00:21:56,358
I'D LIKE AN ANSWER.
317
00:21:56,402 --> 00:21:59,622
I WAS NOT.
318
00:21:59,666 --> 00:22:01,668
YOU CAN CHECK THAT OUT
FOR YOURSELF
319
00:22:01,711 --> 00:22:06,107
WITH THE PRIVATE AGENCIES
I WOULD HAVE HAD TO USE.
320
00:22:08,849 --> 00:22:10,807
WELL,
I CAN CHECK ANYTHING OUT,
321
00:22:10,851 --> 00:22:14,594
BUT IT ALL TAKES TIME.
322
00:22:14,637 --> 00:22:17,379
I WAS HOPING
TO SAVE SOME.
323
00:22:17,423 --> 00:22:20,077
IF YOU HAVE
ANY INFORMATION,
324
00:22:20,121 --> 00:22:24,473
HOWEVER UNPLEASANT OR...
SAD OR EMBARRASSING,
325
00:22:24,517 --> 00:22:26,475
ANYTHING
THAT COULD HELP US,
326
00:22:26,519 --> 00:22:29,565
I'D BE GRATEFUL
TO HAVE IT, MR. WORKMAN.
327
00:22:29,609 --> 00:22:33,177
YES, OF COURSE, FORGIVE ME.
328
00:22:34,657 --> 00:22:38,269
THE ANSWER STILL IS "NO."
329
00:22:39,706 --> 00:22:42,143
MR. McGARRETT,
NOW THAT I HAVE
330
00:22:42,186 --> 00:22:45,320
THE CHILDREN IN
THE HOUSE WITH ME, I --
331
00:22:45,364 --> 00:22:48,758
I TRY TO PROTECT THEM
AS MUCH AS I CAN.
332
00:22:50,847 --> 00:22:53,067
I HID THE PAPER
THIS MORNING.
333
00:22:53,110 --> 00:22:56,200
I SUPPOSE
THAT'S NATURAL ENOUGH,
334
00:22:56,244 --> 00:23:00,074
BUT...I CAN'T KEEP THINGS
HIDDEN FROM THEM FOREVER.
335
00:23:01,858 --> 00:23:07,603
NO. NOBODY CAN KEEP THINGS
HIDDEN FOREVER, MR. WORKMAN.
336
00:23:27,710 --> 00:23:30,191
EXACTLY WHAT DID
THE HOT DOG VENDOR SAY?
337
00:23:30,234 --> 00:23:32,628
HE'S A LITTLE SWINGER,
THAT HOT DOG GUY.
338
00:23:32,672 --> 00:23:35,022
IT TOOK ME FIVE HOURS
TO FIND HIM.
339
00:23:35,065 --> 00:23:37,546
HE VAGUELY REMEMBERS
THAT THERE WAS A BOY
340
00:23:37,590 --> 00:23:40,549
WHO, MORE OR LESS, LOOKED
LIKE, UH, THAT PICTURE,
341
00:23:40,593 --> 00:23:42,595
WHO WAS AROUND
THE CONCESSION STAND
342
00:23:42,638 --> 00:23:45,119
AND IN THE CORRIDOR
AT THE TIME OF THE MURDER.
343
00:23:45,162 --> 00:23:47,730
HE'S DEFINITELY SURE
HE SAW HER.
344
00:23:47,774 --> 00:23:49,471
HE NOTICES
GOOD-LOOKING CHICKS.
345
00:23:49,515 --> 00:23:50,864
ANYTHING ELSE?
346
00:23:50,907 --> 00:23:52,474
WELL, HE'S NOT VERY SURE,
347
00:23:52,518 --> 00:23:54,737
BUT HE THINKS
HE SAW MRS. WORKMAN
348
00:23:54,781 --> 00:23:57,305
TALKING TO A BIG KID,
AND THAT BIG KID
349
00:23:57,348 --> 00:24:00,221
MAY HAVE ALSO BOUGHT
THE HOT DOG FROM HIM
350
00:24:00,264 --> 00:24:02,005
SOMEWHERE ALONG THE WAY.
351
00:24:03,964 --> 00:24:05,748
YOU THINK THE KID'S THE ONE?
352
00:24:05,792 --> 00:24:07,968
I DON'T KNOW, KONO.
I DON'T KNOW.
353
00:24:08,011 --> 00:24:10,623
BUT HE'S A VERY UNCERTAIN,
FRIGHTENED BOY,
354
00:24:10,666 --> 00:24:12,494
AND ONE WAY OR THE OTHER,
355
00:24:12,538 --> 00:24:14,844
I'M GOING TO HAVE
TO FIND OUT WHY.
356
00:24:19,632 --> 00:24:22,722
NO, I HAVEN'T ASKED HIM
ABOUT IT AGAIN YET.
357
00:24:22,765 --> 00:24:24,506
IS THERE ANY REASON
WHY I SHOULD?
358
00:24:24,550 --> 00:24:27,509
WELL, YOU SEE, THE ROUTINE
IN A SITUATION LIKE THIS
359
00:24:27,553 --> 00:24:29,903
IS TO CONSTANTLY RECHECK,
MR. PHILLIPS.
360
00:24:29,946 --> 00:24:32,688
SOMEBODY THOUGHT MAYBE
THEY SAW A PERSON
361
00:24:32,732 --> 00:24:34,777
OF YOUR SON'S
GENERAL DESCRIPTION
362
00:24:34,821 --> 00:24:35,735
IN THE CORRIDOR.
363
00:24:35,778 --> 00:24:37,084
NOW, EVEN AN ADULT
364
00:24:37,127 --> 00:24:39,478
CAN GET CONFUSED
IN A SITUATION LIKE THAT.
365
00:24:39,521 --> 00:24:42,611
SO I'D APPRECIATE IT IF
YOU'D CHECK WITH GARY AGAIN.
366
00:24:42,655 --> 00:24:44,918
SURE, BUT, UH,
HE'S OUT RIGHT NOW.
367
00:24:44,961 --> 00:24:47,964
HE'LL BE BACK. I MEAN,
YOU KNOW THAT KID AND FOOD.
368
00:24:48,008 --> 00:24:51,228
BUT, YEAH, I'LL DEFINITELY
CHECK IT OUT WITH HIM
369
00:24:51,272 --> 00:24:52,578
THE SECOND HE GETS BACK.
370
00:24:52,621 --> 00:24:54,057
WELL, I HOPE YOU GUYS
371
00:24:54,101 --> 00:24:56,451
HAVE SOMETHING BETTER
THAN THIS TO GO ON.
372
00:24:56,495 --> 00:24:57,931
WELL, WE DON'T HAVE A WHOLE LOT.
373
00:24:57,974 --> 00:25:01,412
ONE THING IS MISSING --
MRS. WORKMAN'S HANDKERCHIEF,
374
00:25:01,456 --> 00:25:04,720
WITH THE INITIALS "E.W."
EMBROIDERED ON IT.
375
00:25:04,764 --> 00:25:06,461
HER MAID SAID
SHE PUT A FRESH ONE
376
00:25:06,505 --> 00:25:07,723
IN MRS. WORKMAN'S POCKETBOOK
377
00:25:07,767 --> 00:25:09,551
BEFORE SHE WENT OUT
LAST NIGHT.
378
00:25:09,595 --> 00:25:12,336
IT WASN'T THERE
WHEN WE CHECKED THE PURSE.
379
00:25:12,380 --> 00:25:15,209
I SUPPOSE A COUPLE
OF MILLION HANDKERCHIEFS
380
00:25:15,252 --> 00:25:18,560
ARE LOST EVERY YEAR,
BUT IT MAY MEAN SOMETHING.
381
00:25:18,604 --> 00:25:20,823
ANYWAY, GETTING BACK TO GARY,
382
00:25:20,867 --> 00:25:24,044
SUPPOSE YOU CHECK AND CALL
ME BACK IN ABOUT AN HOUR,
383
00:25:24,087 --> 00:25:26,960
EITHER WAY, MR. PHILLIPS?
AGREED?
384
00:25:27,003 --> 00:25:29,571
OH, YEAH. SURE.
AS SOON AS HE GETS HOME.
385
00:25:29,615 --> 00:25:32,095
THANK YOU.
386
00:25:36,578 --> 00:25:38,667
[ ENGINE TURNS OVER ]
387
00:26:01,124 --> 00:26:06,173
THAT WAS, UH, MR. McGARRETT
I WAS TALKING TO OUT THERE.
388
00:26:08,349 --> 00:26:11,744
YEAH, I-I KNOW, DAD.
389
00:26:11,787 --> 00:26:14,747
YOU, UH, PROBABLY HEARD
I MADE A LITTLE JOKE
390
00:26:14,790 --> 00:26:17,706
ABOUT, UH, HOW YOU'RE HUNGRY
ALL THE TIME.
391
00:26:17,750 --> 00:26:21,884
NO, I-I-I COULDN'T HEAR.
392
00:26:23,756 --> 00:26:26,715
BUT I-I'M HUNGRY, ALL RIGHT.
393
00:26:33,940 --> 00:26:35,332
SO, TELL ME, CHAMP,
394
00:26:35,376 --> 00:26:38,553
HOW DO YOU LIKE
THE TASTE OF CORNFLAKES
395
00:26:38,597 --> 00:26:39,815
HERE IN HAWAII?
396
00:26:39,859 --> 00:26:44,080
JUST LIKE THE CORNFLAKES
BACK HOME TASTE.
397
00:26:49,782 --> 00:26:51,740
GARY...
398
00:26:53,742 --> 00:26:55,918
THIS ISOUR HOME.
399
00:26:55,962 --> 00:27:00,575
I MEAN,
THIS...IS OUR HOME...
400
00:27:00,619 --> 00:27:03,056
AND WE ARE HERE.
401
00:27:05,580 --> 00:27:06,973
LOOK, PAL...
402
00:27:07,016 --> 00:27:10,193
YOU KNOW, IT'S --
IT'S NO SMALL MATTER
403
00:27:10,237 --> 00:27:14,937
FOOLING AROUND WITH
A MAN LIKE MR. McGARRETT...
404
00:27:14,981 --> 00:27:17,548
WHEN YOU
CAN'T SAY THINGS TO HIM
405
00:27:17,592 --> 00:27:20,943
THAT AREN'T EXACTLY TRUE,
406
00:27:20,987 --> 00:27:23,598
WHICH IS WHAT I JUST DID.
407
00:27:23,642 --> 00:27:24,817
I STILLACTED LIKE
408
00:27:24,860 --> 00:27:28,559
I DIDN'T KNOW YOU LEFT
YOUR SEAT LAST NIGHT,
409
00:27:28,603 --> 00:27:30,300
AND WE BOTH KNOW YOU DID.
410
00:27:30,344 --> 00:27:32,781
I MEAN, YOU WERE UP THERE
WHEN IT HAPPENED.
411
00:27:32,825 --> 00:27:35,741
BUT ONLY FOR A SECOND,
JUST TO GET A HOT DOG.
412
00:27:35,784 --> 00:27:38,047
DON'T TALK
WITH YOUR MOUTH FULL!
413
00:27:44,619 --> 00:27:46,839
I'M SORRY. IT'S OKAY.
414
00:27:50,016 --> 00:27:53,236
THEY'RE PROBABLY GOING TO
WANT TO TALK TO YOU LATER.
415
00:27:53,280 --> 00:27:56,022
I MEAN, SOMEBODY
MADE A REPORT THAT THEY --
416
00:27:56,065 --> 00:27:58,894
THEY SAW A BOY OF
YOUR GENERAL DESCRIPTION.
417
00:27:58,938 --> 00:28:03,682
THERE'S NOTHING
TO BE SCARED OF...
418
00:28:05,118 --> 00:28:08,251
UNLESS THERE'S SOMETHING
ELSE I DON'T KNOW.
419
00:28:13,953 --> 00:28:16,869
WHAT IS IT?
420
00:28:16,912 --> 00:28:18,087
NOTHING!
421
00:28:18,131 --> 00:28:20,002
NOW, COME ON, TELL ME!
422
00:28:21,787 --> 00:28:23,919
YOU MADE ME MAKE A MESS.
423
00:28:23,963 --> 00:28:25,007
FORGET THE MESS!
424
00:28:25,051 --> 00:28:28,184
WELL, YOU'RE ALWAYS YELLING
BECAUSE I MAKE A MESS!
425
00:28:33,146 --> 00:28:35,539
I ONLY HAD A HOT DOG.
426
00:28:39,065 --> 00:28:42,416
I KNOW IT WAS WRONG.
427
00:28:44,766 --> 00:28:48,030
I'M NOT SHAPING UP...
428
00:28:48,074 --> 00:28:49,728
BUT...
429
00:28:51,512 --> 00:28:54,733
I SHOULDN'T --
I SHOULDN'T EAT HOT DOGS.
430
00:29:00,347 --> 00:29:02,871
[ Voice breaking ]
I GOT TO HAVE TIME TO THINK.
431
00:29:02,915 --> 00:29:05,526
[ SIGHS ]
432
00:29:07,833 --> 00:29:11,880
LOOK,
WE'VE GOT ABOUT AN HOUR.
433
00:29:13,490 --> 00:29:17,668
UH, LOOK, GARY,
WHY DON'T YOU --
434
00:29:17,712 --> 00:29:20,584
WHY DON'T YOU GO DOWN
AND CHECK OUT THE BEACH?
435
00:29:20,628 --> 00:29:22,761
GET SOME SUNTAN LOTION
FOR YOUR SKIN.
436
00:29:22,804 --> 00:29:23,979
YOU KNOW HOW IT BURNS.
437
00:29:24,023 --> 00:29:26,416
BUT I'VE GOTTO THINK!
438
00:29:36,775 --> 00:29:39,429
I-I-I DIDN'T DO ANYTHING.
439
00:29:53,617 --> 00:29:55,968
WHERE DO I GET
SUNTAN LOTION?
440
00:29:56,011 --> 00:29:57,883
FIGURE IT OUT!
441
00:29:57,926 --> 00:29:58,884
FOR ONCE IN YOUR LIFE,
442
00:29:58,927 --> 00:30:01,669
FIGURE OUT SOMETHING
FOR YOURSELF!
443
00:30:16,989 --> 00:30:19,034
NOBODY SAW, HUH?
444
00:30:23,473 --> 00:30:26,737
I FORGOT.
I-IT HAPPENED IN A SECOND.
445
00:30:26,781 --> 00:30:29,218
I WAS MOVING AWAY FAST...
446
00:30:29,262 --> 00:30:32,482
AND I BUMPED INTO HIM.
447
00:30:33,962 --> 00:30:36,356
OH.
448
00:30:38,314 --> 00:30:41,013
OW. OHH.
449
00:30:41,056 --> 00:30:45,756
HE WAS EATING SOMETHING...
A HOT DOG.
450
00:30:48,716 --> 00:30:50,326
[ Sighing ] OH.
451
00:30:52,067 --> 00:30:55,027
I DON'T KNOW WHAT HE SAW.
452
00:30:55,070 --> 00:30:59,945
YOU DON'TKNOW,
A GENIUS LIKE YOU?
453
00:31:01,947 --> 00:31:04,123
IF IT HAPPENED SO FAST,
454
00:31:04,166 --> 00:31:06,821
HE PROBABLY
DOESN'T EVEN REMEMBER YOU.
455
00:31:06,865 --> 00:31:10,651
EXCEPT HE COULD GET ANOTHER
CHANCE, A LOTOF THEM.
456
00:31:10,694 --> 00:31:15,264
IT SAYS HERE HE ATTENDS
EVERY GAME HIS FATHER'S IN.
457
00:31:18,050 --> 00:31:23,055
BUT NOT TONIGHT,
IF I CAN HELP IT.
458
00:31:23,098 --> 00:31:25,927
NEVER AGAIN.
459
00:31:25,971 --> 00:31:27,320
[ BOTTLE THUDS ]
460
00:31:27,363 --> 00:31:30,105
DUMB, LITTLE, FAT SLOB.
461
00:31:30,149 --> 00:31:34,762
WELL, I OUGHT TO BE ABLE
TO CATCH UP WITH HIM BY TONIGHT.
462
00:31:34,805 --> 00:31:38,592
AND SHUT HIM UP FOR GOOD.
463
00:32:49,445 --> 00:32:51,273
OH, GARY.
464
00:32:53,058 --> 00:32:55,886
THIS IS THE
LOUISE DILLINGHAM FOUNTAIN,
465
00:32:55,930 --> 00:32:57,236
BUILT IN THE MEMORY
466
00:32:57,279 --> 00:32:59,499
OF HAWAII'S
MOST FAMOUS HOSTESS,
467
00:32:59,542 --> 00:33:02,371
THE WIFE OF INDUSTRIALIST
WILLIAM DILLINGHAM,
468
00:33:02,415 --> 00:33:05,113
ABOUT A DECADE AGO,
AFTER HER DEATH.
469
00:33:05,157 --> 00:33:06,810
DILLINGHAM HEIRS
470
00:33:06,854 --> 00:33:10,771
HAD THE FOUNTAIN REDESIGNED AND
IMPROVED ABOUT FOUR YEARS AGO
471
00:33:10,814 --> 00:33:13,600
IN ORDER TO ADD TO THE BEAUTY
OF THE PARK AREA.
472
00:33:32,314 --> 00:33:36,536
[ RINGING ]
473
00:33:49,201 --> 00:33:52,117
[ RINGING CONTINUES ]
474
00:34:03,389 --> 00:34:04,433
YES, CAN I HELP YOU?
475
00:34:04,477 --> 00:34:07,262
OH, UH, MR. JOHNSON.
I GUESS HE'S OUT.
476
00:34:07,306 --> 00:34:09,743
OH, WE DON'T HAVE
A MR. JOHNSON HERE, SIR.
477
00:34:09,786 --> 00:34:11,788
THAT'S A PARTY
NAMED PHILLIPS.
478
00:34:11,832 --> 00:34:13,486
OH. WELL, PARDON ME.
479
00:34:13,529 --> 00:34:15,096
[ RINGING CONTINUES ]
480
00:34:15,140 --> 00:34:17,664
SOUNDS LIKE MR. PHILLIPS
AIN'T HOME, WHOEVER HE IS.
481
00:34:17,707 --> 00:34:19,840
LON PHILLIPS,
THE BALLPLAYER, THAT'S WHO.
482
00:34:19,883 --> 00:34:21,624
NO KIDDING?
483
00:34:21,668 --> 00:34:24,497
WELL, I GUESS
I GOT THE WRONG ADDRESS.
484
00:34:24,540 --> 00:34:27,239
I'M LOOKING
FOR SOMEBODY ELSE.
485
00:34:27,282 --> 00:34:28,892
[ RINGING CONTINUES ]
486
00:34:38,380 --> 00:34:40,382
NOBODY ANSWERS
LON PHILLIPS' PHONE.
487
00:34:40,426 --> 00:34:41,818
A COUPLE OF TIMES,
488
00:34:41,862 --> 00:34:43,907
I THOUGHT
SOMEONE WASHOME.
489
00:34:43,951 --> 00:34:45,083
I GOT A BUSY SIGNAL,
490
00:34:45,126 --> 00:34:47,476
AND THEN I TRIED AGAIN
AND GOT NO ANSWER.
491
00:34:47,520 --> 00:34:49,609
THAT CAN HAPPEN SOMETIMES --
WIRES CROSSED,
492
00:34:49,652 --> 00:34:51,480
SOMEBODY ELSE TRYING TO REACH
HIM AT THE SAME TIME.
493
00:34:51,524 --> 00:34:53,613
KEEP TRYING, JENNY.
494
00:34:53,656 --> 00:34:55,049
OKAY.
495
00:34:55,093 --> 00:34:58,835
IT COULD BE HOURS BEFORE
THEY OPEN THE BALLPARK.
496
00:34:58,879 --> 00:35:01,447
COMING UP ON THE
RIGHT SIDE OF THE BUS --
497
00:35:01,490 --> 00:35:03,666
THE INTERNATIONAL
MARKETPLACE,
498
00:35:03,710 --> 00:35:06,234
WHERE THE RESTAURATEUR
DON THE BEACHCOMBER
499
00:35:06,278 --> 00:35:08,628
INITIATED THE IDEA
OF A MARKETPLACE
500
00:35:08,671 --> 00:35:12,501
IN ORDER TO SELL WARES
OF THE PACIFIC ISLANDS.
501
00:35:28,604 --> 00:35:29,910
HMM.
502
00:35:29,953 --> 00:35:31,520
YOU CAN JUST SEE
503
00:35:31,564 --> 00:35:34,480
WHEN EVERYTHING BEGAN
FALLING APART FOR HER --
504
00:35:34,523 --> 00:35:36,177
WHEN THE WITHDRAWALS
FROM HER BANK ACCOUNT
505
00:35:36,221 --> 00:35:37,918
SUDDENLY STARTED.
506
00:35:37,961 --> 00:35:41,356
ABOUT FOUR WEEKS AGO.
507
00:35:41,400 --> 00:35:44,403
$1,000 THE FIRST WEEK,
THEN $1,500,
508
00:35:44,446 --> 00:35:47,710
THEN $2,000...THEN $3,000.
509
00:35:49,147 --> 00:35:51,845
FOUR WEEKS, DANNO --
JUST FOUR WEEKS
510
00:35:51,888 --> 00:35:55,240
SINCE SHE STARTED MAKING
THOSE BIG WITHDRAWALS.
511
00:35:55,283 --> 00:35:57,416
IT WAS JUST ABOUT THAT TIME
512
00:35:57,459 --> 00:36:00,245
SHE STARTED TO GO
TO THE BALLPARK ALONE.
513
00:36:00,288 --> 00:36:01,942
STRANGE.
514
00:36:18,437 --> 00:36:20,047
LON PHILLIPS?
515
00:36:20,090 --> 00:36:21,788
STILL TRYING.
516
00:36:26,009 --> 00:36:28,011
[ RINGING ]
517
00:36:49,163 --> 00:36:52,732
STILL DIDN'T GET YOUR
PARTY YET, RIGHT, PAL?
518
00:36:52,775 --> 00:36:54,124
NO.
519
00:36:56,126 --> 00:36:58,738
I'LL TRY AGAIN LATER ON.
520
00:37:00,130 --> 00:37:01,523
...WAS BUILT IN 1957.
521
00:37:01,567 --> 00:37:05,832
HOWEVER, SHOPS, RESTAURANTS,
AND FACILITIES
522
00:37:05,875 --> 00:37:08,748
ARE STILL
BEING IMPROVED UPON.
523
00:37:12,447 --> 00:37:15,711
ARE YOU FEELING ALL RIGHT?
524
00:37:18,497 --> 00:37:20,325
YES, MA'AM.
525
00:37:33,163 --> 00:37:34,861
HERE.
526
00:37:58,667 --> 00:38:00,582
WHY ARE YOU CRYING?
527
00:38:06,414 --> 00:38:09,069
OH, I-I'M NOT, MA'AM.
528
00:38:10,940 --> 00:38:12,551
[ CLEARS THROAT ]
529
00:38:14,422 --> 00:38:16,424
A-AN ALLERGY.
530
00:38:16,468 --> 00:38:19,427
I-I'VE GOT AN ALLERGY.
531
00:38:19,471 --> 00:38:21,429
IN HAWAII?
532
00:38:53,853 --> 00:38:57,509
AS OFTEN AS YOU LIKE,
BROTHER. THIS IS HAWAII.
533
00:38:57,552 --> 00:38:59,946
FREE PHONE CALLS
FOR THE CUSTOMERS.
534
00:38:59,989 --> 00:39:03,732
THERE ARE OTHER WAYS
TO BE NICETO CUSTOMERS.
535
00:39:13,568 --> 00:39:15,135
DON'T BOTHER.
536
00:39:15,178 --> 00:39:18,094
WHAT'S WRONG
WITH BEING BOTHERED?
537
00:39:22,098 --> 00:39:24,057
[ SIGHS ]
538
00:39:44,643 --> 00:39:46,645
OH, HELLO THERE,
MR. "JOHNSON."
539
00:39:46,688 --> 00:39:47,689
WHO?
540
00:39:47,733 --> 00:39:49,604
THERE WAS A FELLOW
CAME AROUND HERE BEFORE.
541
00:39:49,648 --> 00:39:52,259
HE WAS SURE PEOPLE THAT
LIVED IN YOUR APARTMENT WERE NAMED JOHNSON.
542
00:39:52,302 --> 00:39:53,695
HE EVEN LOOKED
THROUGH THE WINDOW.
543
00:39:53,739 --> 00:39:56,524
A MAN?
WHAT DID HE LOOK LIKE?
544
00:39:56,568 --> 00:39:58,178
OH, SORT OF A BIG GUY,
I'D SAY.
545
00:39:58,221 --> 00:40:00,528
CERTAINLY BIG ENOUGH TO KNOW
WHERE HIS FRIENDS LIVE.
546
00:40:00,572 --> 00:40:02,051
[ TELEPHONE RINGS ]
547
00:40:02,095 --> 00:40:03,313
EXCUSE ME.
548
00:40:03,357 --> 00:40:06,099
YOU BET, MR. "JOHNSON."
549
00:40:06,142 --> 00:40:10,712
WELL, NO MORE TOURS TODAY.
HAVE I LOST MY BOYFRIEND?
550
00:40:10,756 --> 00:40:13,149
I-I GUESS SO, MA'AM.
551
00:40:15,674 --> 00:40:17,284
THANK YOU.
552
00:40:20,679 --> 00:40:22,594
WELL, WHERE ARE YOU GOING?
553
00:40:26,075 --> 00:40:29,992
WELL, I-I GUESS
I'LL GO SEE MY DAD NOW.
554
00:40:44,267 --> 00:40:47,488
IT JUST SO HAPPENS THAT YOU
FINALLY ANSWERED YOUR PHONE.
555
00:40:47,532 --> 00:40:49,055
WE CONTACTED YOU FIRST.
556
00:40:49,098 --> 00:40:51,536
WE ALSO HAVE AN APB OUT
ON YOUR SON.
557
00:40:51,579 --> 00:40:54,713
YOU MAKE ME
SOUND LIKE A CRIMINAL.
558
00:40:54,756 --> 00:40:57,585
I DON'T MEAN TO, LON.
IT'S NOT MY INTENTION.
559
00:40:57,629 --> 00:40:59,892
I'M NOT RUNNING AWAY
FROM ANYTHING.
560
00:40:59,935 --> 00:41:01,676
I'M NOT HIDING
FROM ANYTHING, GARY EITHER.
561
00:41:01,720 --> 00:41:06,638
LOOK, LON, I...
I CAN'T PROVE THIS,
562
00:41:06,681 --> 00:41:09,162
I TELL YOU THAT GOING IN,
BUT I DO THINK YOUR KID
563
00:41:09,205 --> 00:41:11,512
ISRUNNING AWAY
FROM SOMETHING RIGHT NOW.
564
00:41:11,556 --> 00:41:13,732
NO, HE'S NOT.
565
00:41:13,775 --> 00:41:15,473
PLEASE...LET ME FINISH.
566
00:41:15,516 --> 00:41:20,129
I ALSO THINK THAT YOUR SON
DID NOT HARM THAT WOMAN.
567
00:41:21,479 --> 00:41:24,917
NOW, I'M NOT A DOCTOR,
CERTAINLY NOT A PSYCHIATRIST,
568
00:41:24,960 --> 00:41:28,268
BUT I KNOW MY JOB, AND
THAT MEANS KNOWING PEOPLE.
569
00:41:28,311 --> 00:41:31,750
ISN'T IT POSSIBLE THAT GARY
COULD HAVE SEEN SOMETHING
570
00:41:31,793 --> 00:41:33,926
AND DIDN'T KNOW
HOW TO HANDLE IT?
571
00:41:33,969 --> 00:41:37,190
I DON'T KNOW, AND WE WON'T
KNOW UNTIL WE FIND GARY.
572
00:41:37,233 --> 00:41:39,584
WELL, THEN,
WE'RE STILL NOWHERE.
573
00:41:39,627 --> 00:41:43,283
NO, NO.
HERE'S WHERE WE ARE RIGHT NOW.
574
00:41:43,326 --> 00:41:45,764
ONE OF THE CONCESSIONAIRES
AT THE BALLPARK --
575
00:41:45,807 --> 00:41:47,766
HE JUST THINKS
576
00:41:47,809 --> 00:41:51,117
THAT HE MIGHT HAVE SEEN
GARY NEAR MRS. WORKMAN
577
00:41:51,160 --> 00:41:54,250
A FEW MINUTES BEFORE
SHE WAS KILLED.
578
00:41:54,294 --> 00:41:55,687
MR. McGARRETT --
579
00:41:55,730 --> 00:41:56,862
NOW, PLEASE, LON.
580
00:41:56,905 --> 00:42:01,257
I THINK IT'S BEST IF YOU
LET ME FILL YOU IN, OKAY?
581
00:42:02,998 --> 00:42:05,523
NOW, BASED
ON THAT INFORMATION,
582
00:42:05,566 --> 00:42:09,135
THE FACT THAT GARY AND
THE DEAD WOMAN'S PICTURE
583
00:42:09,178 --> 00:42:11,659
WERE ON
THIS MORNING'S PAPER,
584
00:42:11,703 --> 00:42:15,750
WE STARTED TO RECHECK
VARIOUS POSSIBLE WITNESSES.
585
00:42:15,794 --> 00:42:16,882
SO FAR, WE'VE GOT
586
00:42:16,925 --> 00:42:20,146
A CONVENTIONEER FROM
HOBOKEN, NEW JERSEY,
587
00:42:20,189 --> 00:42:23,279
AND A JAPANESE
BASEBALL FAN FROM KYOTO.
588
00:42:23,323 --> 00:42:26,152
NOW, NEITHER --
NEITHER IS POSITIVE,
589
00:42:26,195 --> 00:42:29,851
BUT BOTH THINKTHAT THEY SAW
THIS WOMAN, MRS. WORKMAN,
590
00:42:29,895 --> 00:42:31,679
PLANT A KISS --
591
00:42:31,723 --> 00:42:35,509
A SORT OF MOTHERLY KISS --
ON YOUR SON.
592
00:42:35,553 --> 00:42:39,469
NOW, THE BIG QUESTION IS --
WHAT DID GARY SEE?
593
00:42:40,949 --> 00:42:43,996
NOW, WHILE WE WERE TRYING
TO REACH YOUR HOME,
594
00:42:44,039 --> 00:42:46,999
SOMEBODY ELSE WAS TRYING
AT THE SAME TIME.
595
00:42:47,042 --> 00:42:51,873
MAYBE THEY WERE TRYING TO CHECK.
I DON'T KNOW.
596
00:42:51,917 --> 00:42:56,617
BUT MAYBE IT WAS THE ONE WHO
ACTUALLY KILLED MRS. WORKMAN
597
00:42:56,661 --> 00:42:58,706
WHO KNEWWHAT GARY SAW.
598
00:42:58,750 --> 00:43:01,274
AND IF IT IS,
599
00:43:01,317 --> 00:43:03,406
HE'S NOT GOING TO SETTLE
FOR PHONE CALLS, LON.
600
00:43:03,450 --> 00:43:04,669
HE'S GOING AFTER GARY.
601
00:43:10,544 --> 00:43:12,720
WHAT IS IT?
602
00:43:12,764 --> 00:43:14,722
WHAT IS IT?
603
00:43:14,766 --> 00:43:18,508
HAS SOMEBODY
BEEN AROUND ALREADY?
604
00:43:18,552 --> 00:43:19,901
NOW, PLEASE, LON,
605
00:43:19,945 --> 00:43:21,642
I DON'T PRESUME TO TELL YOU
HOW TO DO YOUR JOB.
606
00:43:21,686 --> 00:43:24,645
DON'T TELL ME HOW TO DO MINE.
607
00:43:24,689 --> 00:43:26,734
PLEASE, TELL ME WHAT YOU KNOW.
608
00:43:26,778 --> 00:43:30,651
TRUST ME.
609
00:43:35,395 --> 00:43:36,918
OKAY.
610
00:43:38,964 --> 00:43:41,009
SOMEBODY HASBEEN AROUND.
611
00:43:41,053 --> 00:43:43,838
THE BUILDING MANAGER TOLD ME.
612
00:43:43,882 --> 00:43:45,884
IT'S A BIG GUY.
THAT'S ALL I KNOW.
613
00:43:45,927 --> 00:43:48,364
NO, YOU KNOW MORE.
WHAT IS IT?
614
00:43:52,194 --> 00:43:57,156
YOUR SON'S LIFE
MIGHT BE IN DANGER, LON.
615
00:44:17,263 --> 00:44:20,135
KONO, GET OVER TO MR. PHILLIPS'
APARTMENT ON THE DOUBLE.
616
00:44:20,179 --> 00:44:21,963
SOMEBODY IS AFTER HIS SON.
617
00:44:22,007 --> 00:44:24,966
TRY TO GET A DESCRIPTION
FROM THE APARTMENT MANAGER.
618
00:44:25,010 --> 00:44:26,533
WHOEVER THE GUY IS,
619
00:44:26,576 --> 00:44:29,144
WE'VE GOT TO FIND GARY
BEFORE HE DOES.
620
00:44:36,369 --> 00:44:38,632
[ SIREN WAILING ]
621
00:45:07,487 --> 00:45:11,143
THANK YOU, BROTHER.
COME BACK SOON.
622
00:46:18,036 --> 00:46:19,864
HEY!
623
00:46:19,907 --> 00:46:22,214
GARY!
624
00:48:21,768 --> 00:48:24,205
TOOK OFF THE MINUTE
HE SAW ME, STEVE.
625
00:48:24,249 --> 00:48:27,165
LOST HIM ON THE CORNER
OF KOHEO AND NAMAHANA.
626
00:48:27,208 --> 00:48:29,167
DON'T KNOW WHERE HE WENT.
627
00:48:29,210 --> 00:48:30,255
OKAY, KONO. STAY THERE.
628
00:48:30,298 --> 00:48:32,170
WHAT ABOUT
THE BUILDING MANAGER?
629
00:48:32,213 --> 00:48:33,867
COULD HE GIVE YOU AN I.D.
630
00:48:33,911 --> 00:48:37,218
ON THE MAN WHO WAS ASKING
ABOUT LON PHILLIPS' APARTMENT?
631
00:48:37,262 --> 00:48:38,437
NOTHING, STEVE.
632
00:48:38,480 --> 00:48:41,179
JUST A BIG GUY
WHO WAS WEARING DARK GLASSES.
633
00:48:41,222 --> 00:48:42,658
DON'T KNOW WHO HE IS.
634
00:49:05,029 --> 00:49:06,856
[ BUZZES ]
635
00:49:36,974 --> 00:49:38,497
[ TIRES SCREECH ]
636
00:49:41,282 --> 00:49:45,112
[ "HAWAII FIVE-O" THEME PLAYS ]
637
00:49:45,162 --> 00:49:49,712
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