All language subtitles for Hawaii 5-O s02e06 A Bullet For McGarrett.eng

SO YOU CAN SEE THAT STUDIES

ON INDIVIDUAL FLUCTUATIONS
IN THIS AREA,

TOGETHER WITH EGO CHANGE,
COULD ALSO BE PERTINENT.

WE CAN FURTHER POINT OUT
THAT THE CAPACITY

AND THE SERVICE OF THE EGO

WILL VARY WITH
THE AMOUNT OF STRESS

UNDER WHICH AN EGO IS LABORING.

FOR EXAMPLE,
UNDER RELAXED CIRCUMSTANCES,

A PERSON MAY BE ABLE
TO USE HUMOR,

WHICH MAY BE QUITE IMPOSSIBLE

WHEN HE IS FEELING TENSE
AND ANXIOUS, OBVIOUSLY.

HOWEVER, THAT SITUATION
IS MORE COMPLEX

BECAUSE THERE ARE ALSO PEOPLE

WHO CAN ONLY JOKE UNDER
A CERTAIN DEGREE OF ANXIETY

OR THREAT AND DEPRESSION.

ANYWAY, I SEE OUR TIME IS UP.
I'LL SEE YOU TOMORROW.

CLASS IS DISMISSED.
THANK YOU.

WHAT ABOUT TONIGHT?

I TOLD YOU, RICHARD.
I'M BUSY.

I THINK YOU'RE PREJUDICED.

ONLY AGAINST BOORISH,
ARROGANT PEOPLE.

THEY'RE STUBBORN,
THESE CHINESE,

BUT HARDLY BOORISH
AND ARROGANT.

COME ON. HOW ABOUT
A SWIM IN THE POOL?

NOBODY THERE ABOUT NOW.

PLEASE TAKE NO
FOR AN ANSWER.

I'M SORRY, BUT I COULDN'T
HELP OVERHEARING.

YOU PUT HIM DOWN
RATHER HARD, DIDN'T YOU?

I CAN'T STAND HIM.

I DON'T KNOW WHY I EVER
WENT OUT WITH HIM.

HMM.

ARE YOU SURE YOU'RE NOT
UNDER ANY KIND OF STRAIN?

TOO MUCH SCHOOLWORK
OR SOMETHING?

UH...

I'M IN LOVE WITH YOU.

[ GUNSHOT ]

[ GUNSHOTS ]

[ "HAWAII FIVE-O" THEME PLAYS ]

WHAT CALIBER, DOC?

IT APPEARS TO BE
A SMALL BORE.

CAN'T BE ANY MORE SPECIFIC
THAN THAT RIGHT NOW.

HE WAS THE ONLY LINK.
THEY MUST HAVE FOUND OUT

WE HAD EVIDENCE
TO TIE HIM IN WITH THEM,

DECIDED THEY COULDN'T
TRUST HIS LOYALTY.

LOOKS THAT WAY, BUT SOMETHING
JUST DOESN'T GEL.

CHECK THE HIGH BOARD, DANNO.
SEE IF IT'S WET.

WHAT ABOUT THE DISTANCE, DOC?

CAN'T TELL,
BUT IT WASN'T SHORT.

NO BURNS.

FROM THE ANGLE OF ENTRY, IT
WOULD APPEAR IT CAME FROM ABOVE.

UNLESS HE WAS DIVING,
HAD HIS HEAD DOWN.

YOU FOUND THE BODY?

YES, SIR.
I CAME IN TO GO SWIMMING.

AROUND THIS TIME OF DAY,
YOU'RE PRETTY MUCH BY YOURSELF.

AND YOU HEARD NOTHING,
SAW NO ONE?

NO, SIR. JUST HIM.

STEVE...

IT'S WET.

THEY COME UP
WITH ANYTHING?

NOT YET.

WHAT IS IT, STEVE?

SOME KIND OF POWDER.

COULD BE FACE POWDER.
SMELLS LIKE A COSMETIC.

WOULD A WOMAN
HAVE BROUGHT A PURSE

IF SHE PLANNED TO GO SWIMMING?

THERE'S SOMETHING IN THE WATER
DOWN THERE.

CAN YOU GET IT FOR ME, PLEASE?

TAKE A LOOK.

KAREN ADAMSON, 20 YEARS OLD,

CAUCASIAN, PSYCHOLOGY MAJOR
WITH EXCELLENT GRADES,

CHEERLEADER, SORORITY QUEEN.

CAME TO THE ISLANDS
THREE YEARS AGO

WITH HER PARENTS
MR. AND MRS. HAROLD ADAMSON

OF DETROIT, MICHIGAN.

PARENTS DIED.

BOATING ACCIDENT,
THREE YEARS AGO.

LIVES ALONE IN AN APARTMENT
ON KOHEO IN WAIKIKI.

PERFECT
PROFESSIONAL ASSASSIN

FOR A SPY RING.

COULD BE THE BEST KIND.
WE HAVE A SAYING --

"THEY THAT SHOWS NO EVIL
WILL BE SUSPECTED OF NONE."

NOT SO FAR
AS FIVE-O IS CONCERNED.

HA HA HA.

YOU KNOW, I FIND IT HARD
TO BELIEVE THAT A PRO,

EVEN A LADY PRO,

WOULD DROP HER BAG AT THE SCENE

AND LEAVE US
SUCH CONVENIENT CLUES.

BUT WHY ELSE
WOULD SHE KILL HAN?

MAYBE SHE FOUND OUT
WHAT HE WAS

AND DIDN'T LIKE IT.

OR MAYBE SHE WAS
IN LOVE WITH HIM

AND HE DIDN'T LIKE HER.

SURE. TYPICAL AMERICAN GIRL.

SHE FALLS IN LOVE

WITH A BRILLIANT, YOUNG,
CHINESE MAOIST RADICAL,

WHO'S INVOLVED
IN A COMMIE SPY RING,

THEN SHE SHOOTS HIM
OUT OF UNREQUITED LOVE.

THAT'S REACHING PRETTY FAR.

I AGREE.

YOU GOT TO GIVE ME
SOMETHING BETTER.

WITHOUT HAN,

WE GOT NO CONNECTION
TO THE ORGANIZATION.

THAT'S OVER A MONTH'S WORK
DOWN THE DRAIN.

-I DON'T WANT TO BLOW THAT.
-WANT ME TO PICK KAREN UP?

NO, NO, NOT YET.

FIND OUT WHAT CLASSES
THEY HAD TOGETHER.

TALK TO HER TEACHERS,
FELLOW STUDENTS, FRIENDS.

PUT TOGETHER
A COMPLETE DOSSIER.

GET ME SOMETHING
MORE CONCRETE

TO HOLD HER ON.

IF SHE'S A PRO,
WE DON'T WANT TO BLOW IT.

IF SHE'S NOT,
IT WON'T HURT TO HOLD OFF.

I'VE NEVER HAD
A MORE BRILLIANT STUDENT

THAN RICHARD HAN.

IT WAS A TRAGIC WASTE.

DO YOU THINK
HIS POLITICAL ACTIVITIES

MIGHT HAVE HAD SOMETHING
TO DO WITH HIS DEATH?

I FIND IT HARD TO BELIEVE

THAT ANYONE WOULD WANT
TO KILL HIM

FOR SELLING CHAIRMAN MAO'S
LITTLE RED BOOKS

OR CARRYING SIGNS
PROTESTING THE WAR.

PEOPLE HAVE BEEN KILLED
FOR A LOT LESS.

I SUPPOSE SO.

THERE ARE OTHER STUDENTS

FAR MORE RADICAL
THAN RICHARD.

HE WAS A MAOIST,

BUT HE WAS A DOVE
AMONG HAWKS.

IF ANYONE WANTED
TO KILL HIM

BECAUSE HE WAS RESENTFUL
OF HIS POLITICS,

IT MUST HAVE BEEN
A VERY ARBITRARY CHOICE. REALLY.

CAN YOU THINK
OF ANY OTHER REASON

HE MIGHT HAVE BEEN KILLED?

I'VE TRIED.

HAVEN'T BEEN
VERY SUCCESSFUL.

YOU KNOW, DICK WAS LIKED
BY ALMOST EVERYONE.

WHAT ABOUT WOMEN?

WHAT ABOUT THEM?

DID HE DATE MUCH?

HOW WOULD I KNOW
ABOUT THAT?

I TEACH PSYCHOLOGY,
NOT SEX EDUCATION.

DO YOU HAPPEN TO KNOW

IF HE EVER TOOK OUT
A GIRL NAMED KAREN ADAMSON?

I'VE SEEN THEM TOGETHER.

YOU DON'T THINK KAREN
WOULD BE INVOLVED IN THIS?

WE DON'T KNOW.

I CAN'T REALLY BELIEVE
SHE COULD BE A SUSPECT.

WHY?

WHAT CONCEIVABLE MOTIVE
COULD SHE HAVE?

DOCTOR, WE HAVE
GOOD REASON TO BELIEVE

THAT KAREN ENTERED
THE POOL AREA

SHORTLY BEFORE HE WAS SHOT.

MAYBE SHE WENT SWIMMING.

WEARING SHOES
AND CARRYING A PURSE?

TWO KIDS SAW HER NEAR THE POOL
THAT MORNING.

ONE SAW HER COME OUT
IN A BIG HURRY

JUST ABOUT THE ESTIMATED
TIME OF DEATH.

[ DOOR OPENS ]

HERE'S THE LAB REPORT
ON THE POWDER DANNY GOT.

IT'S THE SAME STUFF
WE FOUND NEAR THE POOL.

LET'S GO, DANNO.

[ TELEPHONE RINGS ]

[ EERIE MUSIC PLAYING ]

[ KNOCKING ]

[ KNOCK ON DOOR ]

[ KNOCKING ]

NO!

[ TIRES SCREECH ]

-[ HORN HONKING ]
-[ Gasps ] MOM.

[ TIRES SCREECH ]

[ WHISTLE BLOWS ]

[ SIREN WAILS ]

HOW BAD, DOC?

HAVE TO WAIT UNTIL
WE GET TO THE HOSPITAL

BEFORE WE CAN TELL.

MOM...MOM...

OH, NO.

NO. OH, WHY'D YOU
HAVE TO DIE?

KAREN?

OH, NO.

PLEASE DON'T.

DON'T LET HIM HIT ME, PAUL.

I HATE HIM.

I HATE HIM.

KAREN, CAN YOU HEAR ME?

OH, NO, PLEASE,
STOP HIM, PAUL. STOP.

[ Gasping ]
DON'T LET HIM HIT ME.

PAUL, HE'S...

HE'S NOT...MY DADDY.

HE'S NOT...

HE -- HE'S NOT...

PAUL?

DR. FARRAR?

[ Crying ]
OH, GOD, WHERE ARE YOU?

MAMA!

MAMA...

MAMA...

SHE JUST DIED,
DIDN'T SHE, DOC?

YES.

OKAY, ONCE MORE
FROM THE TOP.

WITH FEELING?

BIRTH DATE?

JANUARY 7, 1944.

YOUR FATHER WAS A FOREMAN
WITH WHAT COMPANY?

WHITEMAN PAPER COMPANY
OF ILLINOIS.

HE WASN'T A FOREMAN.
HE WAS A SALESMAN.

ISN'T 26 A LITTLE OLD
FOR AN UNDERGRADUATE?

I'M 25.

WHY DID YOU LEAVE
THE UNIVERSITY OF CHICAGO?

HAWAII SOUNDED LIKE FUN,

AND I DECIDED I MIGHT
AS WELL ENJOY MYSELF

WHILE COMPLETING
MY REQUIREMENTS FOR A B.A.

WHY PSYCHOLOGY?

I HATE BUSINESS.

WHY DIDN'T YOU MARRY
YOUR FIANC�?

HIS MAJOR WAS
BUSINESS ADMINISTRATION.

WHAT IS IT, STEVE?

YOU WORRIED ABOUT ME?

LOOK, I'M A POLICEWOMAN.

I KNOW, I KNOW,
BUT I JUST SAW A GIRL DIE.

YEAH, I'M WORRIED.
I ADMIT IT.

WON'T FIND ANYONE
BETTER EQUIPPED FOR THE JOB.

I MAJORED IN PSYCH.

I KNOW. I'M NOT WORRIED
ABOUT YOU, HONEY.

I'M WORRIED ABOUT WHAT
I'M SENDING YOU INTO.

IT SEEMS RELATIVELY SIMPLE.

FARRAR WAS IMPLICATED
BY KAREN

JUST BEFORE SHE DIED.

ALL I'VE GOT TO FIND OUT
IS IF HE WAS INVOLVED,

AND IF SO, HOW.

WHAT'S SO COMPLICATED
ABOUT THAT?

WHAT DO YOU THINK, DANNO?

AS FAR AS I CAN SEE,

KAREN SHOT HAN
OUT OF JEALOUSY OR REJECTION.

HIS INVOLVEMENT
WITH THE SPY RING

WAS PROBABLY JUST COINCIDENCE.

SHE DIDN'T KNOW
ANYTHING ABOUT IT.

DANNY COULD BE RIGHT.

THAT DEPENDS ON
HOW COMPLICATED FARRAR IS.

HE WAS A PROFESSOR
OF ORIENTAL PSYCHOLOGY IN EUROPE

BEFORE HE JOINED THE U.N. FORCES
IN THE KOREAN ACTION.

CAPTURED BY NORTH KOREA,
SPENT THREE YEARS --

THREE YEARS AS A P.O.W.

WHAT DOES THAT MEAN?

WELL...

YOU DON'T LIKE IT,
STEVE, BUT I DO.

I'M FASCINATED BY THE IDEA
OF GOING BACK TO SCHOOL.

OKAY, OKAY,
ON ONE CONDITION --

THAT YOU TAKE ABSOLUTELY
NO CHANCES.

ONLY ONE THING BOTHERS ME.

WHAT'S THAT?

I DON'T HAVE A THING
TO WEAR.

MOOD IS PROBABLY ONE
OF THE VAGUEST TERMS

USED IN PSYCHOLOGY.

NOW, CAN ANYONE GIVE US
AN ADEQUATE DESCRIPTION?

IT'S A TEMPORARY
STATE OF MIND.

THAT'S JUST AS VAGUE.

MOOD IS A COMPLEX
STATE OF FEELING.

ANYONE ELSE?

MOOD IS AN ENDURING,
BUT NOT PERMANENT,

EMOTIONAL ATTITUDE.

THAT IS VERY GOOD.
EXCUSE ME, WHAT IS YOUR NAME?

BENNETT. JOYCE BENNETT.

YOU KNOW, I MUST APOLOGIZE.

THAT'S ABOUT THE SECOND TIME
I'VE FORGOTTEN THAT.

THIRD.

WELL, WE'LL BE WORKING
ON MEMORY NEXT WEEK.

[ LAUGHTER ]

ANYWAY, I SEE THE TIME
IS ABOUT UP.

CLASS IS DISMISSED.
THANK YOU.

THEY SAY, DR. FARRAR,
THE SEA IS MOTHER TO US ALL.

IF THIS IS TRUE,

THEN TODAY SHE DESERVES
A SPECIAL COMMENDATION.

WHAT ARE YOU SAYING?

CONGRATULATIONS.

IT WASN'T EASY.

NOTHING WORTHWHILE EVER IS.

STILL, I HAVE
THE UNCOMFORTABLE FEELING

THIS THING ISN'T OVER YET.

YOU'RE QUITE RIGHT.

THERE'S NO WAY FOR THE POLICE

TO CONNECT US
TO WHAT HAPPENED.

AS A PSYCHOLOGIST,
I'M SURPRISED THAT

YOU DON'T LOOK BEYOND
THE CIRCUMSTANTIAL.

WE ARE FACING AN ENEMY

WHOSE RELENTLESSNESS
IS A CONSTANT THREAT.

THE CASE IS CLOSED.

OH, IS IT?

I DON'T SHARE

YOUR OPTIMISM, DOCTOR.

I THINK THAT'S EXACTLY

WHAT STEVE McGARRETT
WANTS US TO THINK.

WHAT ARE YOU SAYING?

MANY THINGS...

ONE OF WHICH IS THAT
MY INFORMANTS HAVE LEARNED

THAT A YOUNG POLICEWOMAN

IS NOW A MEMBER
OF ONE OF YOUR CLASSES.

A MISS JOAN --
JOYCE BENNETT.

JOYCE BENNETT A POLICEWOMAN?

McGARRETT'S INSTRUMENT,
WITH WHICH TO PROBE.

AND IN THIS CASE, PERHAPS,
A DOUBLE-EDGED SWORD.

ELIMINATING MISS BENNETT
WILL NOT SOLVE OUR PROBLEM,

ONLY POSTPONE IT.

YOU SEE, GIVEN ENOUGH TIME,
McGARRETT WILL DESTROY US

UNLESS WE DESTROY HIM FIRST.

KILL McGARRETT?

WE CAN LET THE YOUNG LADY
DO IT FOR US.

BUT AS YOU SAID,
JOYCE BENNETT IS...

NOT JUST A GIRL LIKE KAREN.

SHE'S A POLICEWOMAN.

THE VERY FACT
THAT SHE IS THERE

INDICATES THEY ARE
SUSPECTING ME.

I HAVE TOTAL CONFIDENCE
IN YOUR ABILITY.

YOU CAN CHARM THIS
JOYCE BENNETT, CAN'T YOU?

WIN HER TRUST?

I THINK I CAN,
BUT THAT'S NOT THE PROBLEM.

OH?

THE PROBLEM, MR. WO FAT,

IS THAT HYPNOSIS
IS NOT AN EXACT SCIENCE.

WHEN YOU WERE
A PRISONER OF WAR,

YOU WERE TRAINED BY ME.

I TAUGHT THAT HYPNOSIS
IS AN INSTRUMENT.

AN INSTRUMENT
IS ONLY AS EXACT

AS THE APPLICATION
OF THE APPLIER.

YOU ARE MY MOST
BRILLIANT STUDENT,

A DISCIPLE.

IF ANYONE CAN DO IT,
YOU CAN DO IT.

CONSIDER IT A CHALLENGE,

FOR WHICH OUR SUPERIORS

WILL OWE YOU
THEIR UNDYING RESPECT.

UNDERSTAND?

YOU'RE GOING TO BE IN PEKING
WHILE I AM --

WHILE YOU, DR. FARRAR,

TRANSFORM MISS BENNETT

INTO A BULLET
FOR McGARRETT.

HI, PROFESSOR.

-HI. HOW ARE YOU?
-JUST FINE, THANKS.

-HOW ARE YOU?
-COULDN'T BE BETTER.

-SAY HELLO TO YOUR MOTHER.
-SURE WILL.

HI.

MAY I JOIN YOU?

-PLEASE DO.
-THANK YOU.

I'VE BEEN FEELING VERY LONELY.

I WAS HESITANT
COMING OVER BEFORE.

WHY?

I THINK
IN ANY KIND OF RELATIONSHIP,

RESPECT
FOR ONE ANOTHER'S PRIVACY

IS A PRIME CONSIDERATION.

DO YOU FEEL
WE HAVE A RELATIONSHIP?

YES, I SOMEHOW DO.

THE MINUTE YOU CAME INTO CLASS,

I...FELT
THAT THERE WAS SOMETHING.

SURE.
YOU COULDN'T REMEMBER MY NAME.

[ LAUGHS ]

NAMES AREN'T VERY IMPORTANT,
MY DEAR.

EYES ARE.

HANDS ARE IMPORTANT.

YOU'RE LEFT-HANDED.

HOW VERY OBSERVANT OF YOU.
[ CHUCKLES ]

YOU KNOW THAT ONE CAN ACTUALLY
TELL QUITE A BIT FROM HANDS.

YOU CAN READ THE PSYCHOLOGICAL
IMPLICATIONS QUITE EASILY.

THEY SPEAK THE ELOQUENT LANGUAGE

IN THE MORSE CODE
OF THE SUBCONSCIOUS.

CAN YOU TELL MY FORTUNE, TOO?

[ CHUCKLES ]

THE FUTURE OUGHT TO REMAIN
A SURPRISE.

IT IS FROM OUR PAST
THAT WE LEARN ABOUT OURSELVES.

I'M AFRAID YOU'D FIND MINE
VERY DULL.

DON'T BE TOO SURE ABOUT THAT.

YOU WILL BE SURPRISED HOW MANY
PEOPLE HAVE SIMPLY FORGOTTEN IT.

TRY THESE.
THINK IT THROUGH.

TAKE YOUR TIME, KIDDO.
WE GOT TO BE SURE.

THIS SORT OF
LOOKS LIKE HIM.

UH, I'M NOT SURE.

IT'S HIM.

YOU SURE THIS IS THE MAN
WHO GOT YOU TO BUY THAT GUN?

THAT'S HIM.

CONTACT JOYCE. I WANT HER
OFF THE CASE RIGHT NOW.

JENNY...

GET ME DR. ABRAHAMS --

STAFF PSYCHIATRIST,
ISLAND HOSPITAL --

RIGHT AWAY.

[ EERIE MUSIC PLAYING ]

YOU LIKE THE MUSIC?

I'M NOT SURE.

YOU WILL, ONCE YOU
GET USED TO IT.

IT MAKES ME THINK
OF MEN ON THE MOON.

IT'S A WHOLE NEW WORLD
OF SOUND.

I HAVE OFTEN USED IT IN CLASS
TO CREATE A PARTICULAR MOOD.

WHAT KIND OF MOOD
ARE YOU TRYING TO PUT ME IN?

RELAXED AND COMFORTABLE.

WELL, YOU'VE ACCOMPLISHED
YOUR OBJECTIVE, DOCTOR.

I FEEL DIVINE.

MMM, THAT TASTES GOOD.

TELL ME SOMETHING --

DID YOU EVER
TAKE KAREN ADAMSON OUT?

KAREN ADAMSON. HMM.

SHE WAS A CHILD.

A LOVELY WITCH CHILD,
BUT A CHILD NEVERTHELESS.

I IMAGINE SHE MUST HAVE BEEN
VERY MUCH IN LOVE

WITH THAT CHINESE BOY.

I'D RATHER TALK ABOUT YOU,

ABOUT WHEN YOU
WERE A LITTLE GIRL.

I WAS VERY SENSITIVE
AND SHY.

I'M MOSTLY INTERESTED
IN THAT MAN,

THAT MAN YOU SAID
YOUR MOTHER ALMOST MARRIED

AFTER THE DEATH
OF YOUR FATHER.

WHAT MAKES YOU
SO INTERESTED IN HIM?

I JUST DETECTED
A CERTAIN TONE IN YOUR VOICE

WHEN YOU MENTIONED HIM
IN EARLIER DISCUSSIONS.

HE MUST HAVE HAD
QUITE AN EFFECT ON YOU

TO STILL BE DISTURBED BY HIM.

YES, I SUPPOSE THAT'S TRUE.

HE WAS VERY CRUDE,
DRANK A LOT.

I COULDN'T STAND HIM.

BUT MOTHER WAS LONELY,
I GUESS.

ANY COMPANY WAS BETTER
THAN NO COMPANY AT ALL,

SHE USED TO SAY.

OHH, I SUDDENLY FEEL
SO SLEEPY.

EXCUSE ME.

IT'S THE WINE
AND THE MUSIC, MY DEAR.

YES, I GUESS SO.

SO YOU DIDN'T LIKE HIM?

THE MAN.

WAS HE KIND TO YOUR MOTHER?

KIND?
HE BEAT HER UP ONCE.

I'D ALMOST FORGOTTEN
HOW IT --

LET'S TALK ABOUT
SOMETHING ELSE.

I CAN HARDLY
KEEP MY EYES OPEN.

YOU CAN RELAX WITH ME, JOYCE.

YOU CAN FEEL CONFIDENT.

YOU KNOW, I THINK
WE ARE MORE THAN JUST...

STUDENT AND TEACHER.

I THINK WE ARE FRIENDS.

ANYWAY, JUST CLOSE YOUR EYES

AND LISTEN TO THE MUSIC.

LISTEN AND RELAX.

THE DARKNESS
IS WARM AND PEACEFUL,

AND YOU WANT TO GO TO SLEEP.

TO SLEEP.

BUT YOU CAN STILL
HEAR MY VOICE,

CAN'T YOU, JOYCE?

YES.

YES.

YOU WANT TO TELL ME
ABOUT THE MAN YOU HATE,

THE ONE THAT
YOUR MOTHER LIKED.

YES.

THEN LET'S REALLY
REMEMBER HIM.

LET'S GO BACK
THROUGH THE YEARS,

THROUGH TIME.

LET'S GO BACK.

BACK...

YOU WILL OPEN YOUR EYES
WHEN I COUNT TO THREE,

BUT YOU WILL STILL BE ASLEEP
AND HEARING MY VOICE.

1...

2...

3.

LOOK INTO THE MIRROR, JOYCE.

LOOK DEEP INTO
THE MIRROR, JOYCE.

YOU WILL SEE YOURSELF

AS WE GO BACKWARD
THROUGH TIME,

AND NOW WE ARE GOING BACK.

YOU'RE 20 YEARS OLD.

DO YOU SEE YOURSELF
AT 20, JOYCE?

AND NOW YOU ARE 13 YEARS OLD.

YOU'RE LIVING WITH YOUR MOTHER.

YOU CAN SEE YOUR MOTHER,
CAN'T YOU, JOYCE?

YES, I SEE HER.

YES. THERE'S A MAN
COMING TO THE HOUSE,

ISN'T HE, JOYCE?

YES, HE'S COMING.

YES.

SOON YOU WILL BE SEEING
THE MAN WHOM YOU HATE, JOYCE.

THERE HE IS.

LOOK AT HIM...

...THE MAN WHO HURT
YOUR MOTHER.

THE MAN YOU HATE, JOYCE.

LOOK AT HIM.

LOOK AT HIS FACE.

LOOK AT HIS EYES,
LOOK AT HIS NOSE,

LOOK AT HIS MOUTH.

LOOK AT HIM.

WE WERE WORRIED
ABOUT YOU, JOYCE.

WORRIED? WHY?

WE KEPT CALLING.
YOU WEREN'T HERE.

I JUST GOT HOME.

WHERE WERE YOU?

WITH DR. FARRAR.

THIS LATE?

WE SPENT THE DAY
ON THE BEACH.

AREN'T YOU WORKING OVERTIME
ON THIS CASE, JOYCE?

IT WASN'T WORK.
IT WAS FUN.

JOYCE, THERE ARE SOME THINGS
ABOUT DR. FARRAR

THAT YOU DON'T KNOW.

I KNOW WE WERE WRONG
IN SUSPECTING HIM

OF BEING IMPLICATED
IN ANY CRIME.

WHAT MAKES YOU SO SURE?

STEVE, I'M TIRED.

CAN'T WE DISCUSS THIS
TOMORROW?

SURE, SURE. BUT I'M TAKING YOU
OFF THE CASE.

TAKING ME OFF? WHY?

WE THINK THAT FARRAR

MAY HAVE HYPNOTIZED
KAREN ADAMSON INTO KILLING HAN.

YOU CAN'T BE SERIOUS.

I'M DEAD SERIOUS.

HE BOUGHT THE GUN
THAT KILLED HAN.

THAT'S PRETTY INCRIMINATING.

HE BOUGHT THE GUN
THAT KILLED HAN.

DID YOU HEAR ME?

HE'S TAUGHT
ORIENTAL PSYCHOLOGY.

HE SPENT THREE YEARS
WITH THE COMMUNISTS AS A P.O.W.

HE'S WRITTEN BOOKS
ON HYPNOTISM AND MESMERISM.

IS THAT PRETTY GOOD?

IT DOESN'T MAKE ANY SENSE.

DOESN'T IT?
KAREN ADAMSON IS DEAD.

NOW, SHE HAD NO APPARENT
REASON FOR KILLING HAN.

SHE WAS HYSTERICAL,
AND SHE TALKED ABOUT FARRAR.

YOU CAN'T HYPNOTIZE SOMEONE
TO COMMIT MURDER.

IT DOESN'T WORK THAT WAY.

WE DON'T KNOW HOW IT WORKS.

SO FAR,
IT'S THE ONLY EXPLANATION.

NOW UNTIL I FIND OUT FOR SURE,

I WANT YOU TO KEEP AWAY
FROM FARRAR.

YOU CAN'T ORDER ME
TO STAY AWAY FROM HIM

ON MY OWN TIME.

JOYCE, I HOPE
IT'S NOT NECESSARY

TO ORDER YOU TO DO ANYTHING.

NOW, HE'S A DANGEROUS MAN.

YOU'RE THE ONE
WHO'S DANGEROUS!

WHAT'S THE MATTER WITH YOU?

LET GO OF ME! LET GO!

I-I'M SO SORRY, STEVE.

I MUST BE TIRED.

I DON'T KNOW
WHAT'S GOTTEN INTO ME.

YOU'RE OFF THE CASE,
YOU UNDERSTAND THAT?

YOU'RE NOT TO SEE FARRAR
UNDER ANY CIRCUMSTANCES.

NOW THAT'S AN ORDER.

A-OKAY, BOSS.

DON'T WORRY,
I'LL LOCK MY DOOR

SO SVENGALI WON'T GET ME.

THERE'S GOT TO BE AN ANSWER.

ALL RIGHT, DOCTOR,

LET'S GO OVER IT
ONCE MORE, HUH?

COULD KAREN HAVE BEEN
HYPNOTIZED TO MURDER?

I TOLD YOU, STEVE,

THAT'S IMPOSSIBLE
TO ANSWER.

I DIDN'T HAVE A CHANCE
TO EXAMINE THE GIRL.

IS IT POSSIBLE FOR ANYBODY
TO BE HYPNOTIZED TO KILL?

THAT'S ALL I WANT TO KNOW.

IT'S UNLIKELY.

WHAT ABOUT REGRESSION?

COULD ONE PERSON BE MADE
TO KILL ANOTHER THAT WAY?

REGRESSION IS AN APPROACH
TO THE PAST

THROUGH THE UNCONSCIOUS.

BY REGRESSING A PATIENT
THROUGH HYPNOTISM,

A DOCTOR CAN GET
TO THE SOURCE OF A PROBLEM

THAT STILL HANGS ON
FROM CHILDHOOD.

BUT HOW COULD A HYPNOTIST
USE THAT

TO COMPEL SOMEONE TO KILL?

WELL, A CHILD'S SENSE
OF RIGHT AND WRONG

IS QUITE DIFFERENT
FROM AN ADULT'S.

A HYPNOTIST MIGHT DRAG UP

SOME CHILDHOOD
TRAUMATIC SITUATION,

RE-CREATE IT FOR THE ADULT,

CAUSING HIM TO TRANSFER
HIS HOSTILITY.

YEAH? TRANSFER IT TO WHOM?

TO SOMEONE THE HYPNOTIST
TELLS HIM IS THE SAME ONE

WHO WAS THE CAUSE
OF HIS PAIN ORIGINALLY.

BUT THE HYPNOTIST WOULD
HAVE TO TELL HIM, RIGHT?

RIGHT.

ALL RIGHT, DOCTOR.

JUST ONE MORE QUESTION.

IS IT POSSIBLE FOR SOMEONE
TO BE HYPNOTIZED

WITHOUT THEIR KNOWING IT?

NOT KNOWING IT? NO.

WITHOUT REMEMBERING IT, YES.

THANK YOU, DOCTOR.

[ TELEPHONE RINGS ]

[ EERIE MUSIC PLAYING ]

HELLO?

JOYCE?

JOYCE, THIS IS DR. FARRAR.

CAN YOU HEAR ME?

YES.

GOOD.

NOW, LISTEN VERY CAREFULLY
TO ME.

YOU WILL DO EXACTLY
AS I INSTRUCT YOU TO.

Do you understand that?

YES, I UNDERSTAND.

Good.
Are you dressed, Joyce?

NO.

THEN YOU WILL GET DRESSED NOW,

AND YOU WILL COME OVER
TO MY CLASSROOM.

DO YOU UNDERSTAND THAT?

I understand.

GOOD. YOU MAY GO NOW, JOYCE.

[ TELEPHONE BUZZES ]

McGARRETT.

JOYCE? WHERE ARE YOU?

WHERE?

WHERE? NOW, LOOK, HONEY,
I TOLD YOU TO STAY AWAY FROM --

[ CLICK ]

WHAT HAPPENED?

SHE HUNG UP.

WHERE IS SHE?

SHE'S UP AT THE UNIVERSITY.

SHE ASKED ME
TO COME THERE ALONE.

ALONE? WHAT FOR?

SHE DIDN'T SAY.
SHE JUST ASKED ME TO COME ALONE.

YOU SURE IT WAS HER?

OH, YEAH, IT WAS HER.

STEVE, I DON'T LIKE IT.

REMEMBER KAREN ADAMSON?

I'VE GOT TO GO.

SHE SOUNDED LIKE
SHE NEEDED HELP.

IT COULD BE A SETUP.
WHY RISK IT?

WE COULD ALL GO IN THERE AND --

AND WHAT? IF IT IS A SETUP,
THAT WOULD ONLY BLOW IT.

YOU HEARD
WHAT DR. ABRAHAMS SAID.

IF WE SHAKE HER UP TOO MUCH,

SHE COULD SUFFER
POST-HYPNOTIC TRAUMA,

SHOCK, COMPLETE BREAKDOWN.

IT'S COMPLICATED STUFF
WE'RE DEALING WITH, DANNO.

FARRAR MIGHT BE
WALKING AROUND IN HER MIND.

JOYCE?

JOYCE?

[ JOYCE SOBBING ]

JOYCE.

JOYCE, WHAT'S THE MATTER?

EASY.

OHH, STEVE.

EASY, EASY, EASY.

ARE YOU ALL RIGHT?

HUH?

STEVE, WHAT HAPPENED?
WHAT AM I DOING HERE?

PLEASE, EASY. TAKE IT EASY.

I'LL EXPLAIN LATER. COME ON.

LET'S GET OUT OF HERE.

EASY, EASY.

JOYCE, JOYCE, WHAT IS IT?

GET BACK IN THE CAR.

JOYCE, PUT THAT DOWN.

PUT IT DOWN, JOYCE.

NO, DON'T!

UGH!

[ GUNSHOT ]

[ GUNSHOT ]

UNH.

[ LEAVES RUSTLING ]

JOYCE. JOYCE, LISTEN TO ME.

THIS IS YOUR CHANCE.

THIS IS YOUR CHANCE
TO KILL THE MAN

WHO IS TRYING TO KILL
YOUR MOTHER.

DON'T LET HIM DO IT.
DON'T LET HIM KILL HER.

KILL THE MAN, JOYCE. KILL HIM.

KILL THE MAN, JOYCE.

KILL HIM.

THIS IS YOUR CHANCE.

[ GRUNTING ]

[ GUNSHOT ]

JOYCE.

[ CLICK ]

[ CLICK ]

JOYCE, IT'S EMPTY.

[ CLICKING ]

NO ONE'S GOING TO
HURT YOU, JOYCE.

YOU STAY AWAY!

JOYCE, PUT IT AWAY.

OH, PLEASE.

IT'S STEVE, JOYCE.

MOTHER!

JOYCE.

EASY, EASY.

EASY.

EASY.

JOYCE, LISTEN TO ME.

LISTEN TO ME, HONEY.
IT'S STEVE.

YOU'RE NOT A CHILD ANYMORE.

YOU'RE NOT A CHILD.

CAN YOU HEAR ME?

YOU'RE NOT A CHILD ANYMORE.

YOU'RE A WOMAN, JOYCE.

DO YOU UNDERSTAND?

YOU'RE NOT A CHILD.
YOU'RE A WOMAN.

YOU'RE A WOMAN.

YOUR MOTHER IS NOT HERE.

NO ONE IS HERE
EXCEPT YOU AND ME.

EASY.

LOOK AT ME. LOOK AT ME.

IT'S STEVE.

I'M RIGHT HERE WITH YOU.

[ SMOOCHES ]

EVERYTHING IS GONNA BE
ALL RIGHT.

NO ONE IS GONNA HURT YOU.

NO ONE IS GONNA HURT YOU.
NO ONE.

YOU'LL BE ALL RIGHT.

COME ON, NOW.

THAT'S IT. YOU OKAY?

ALL RIGHT.

EASY.

[ "HAWAII FIVE-O" THEME PLAYS ]

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