All language subtitles for Knight rider S04E14

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The peopIe who run
this company aren't buying
timber. They're steaIing it.

If someone wants to
cut timber...

and give it to us
for nothing,
that's their business.

You ought to be more
carefuI, Knight. You just
started a forest fire!

[shrieking]
KITT!

We're trapped!
Get to the back porch.
Go! Go!

The tickets are forged.
Nash is certifying
stoIen Iumber.

That wasn't his ghost
who just had a meeting
with my father.

We've got to get rid of him.

(KITT)
We have a probIem, MichaeI.
I see it, paI. I see it.

(maIe narrator)
Knight Rider...

a shadowy fIight into
the dangerous worId
of a man...

who does not exist.

MichaeI Knight,
a young Ioner...

on a crusade to champion
the cause of the innocent...

the heIpIess,
the powerIess...

in a worId of criminaIs
who operate above the Iaw.

Thank you, sir.
Park right up there.

Last time we came here
to a party...

the guests danced on tabIes
untiI sunrise.

Took me two days to recover.

You must have taken
someone eIse.

Devon, I think
I wouId have remembered
you dancing on a tabIe.

ReaIIy?

[Bonnie Iaughing]

Having a good time?
Yes.

Yes, I am.
Good.

[peopIe chattering]
Oh, here's Devon.

Good.

Devon.
Jonathan.

Bonnie, it is so nice
to have you here.
Thank you.

My, Iooking proud, aren't we?

I hear the fragrance
of perfume has permeated
the boardroom.

CongratuIations, Sam.

Thanks.

Keeping it in the famiIy,
as Daddy aIways says.

Oh, there's no doubt
about it, Sam.

You've inherited
Jonathan's business acumen.

Promise, now, that you won't
hoId it against her.

He'd better not. I've had
a crush on this man for
as Iong as I can remember.

Oh, good.

Come and have a drink.

Can I get you
some champagne?

[tires screeching]

A year ago,
our HumboIdt Division
was so awash in red ink...

I decided to shut it down.

But my IittIe girI
kept on insisting that
she couId turn it around.

So, I decided
to drop the entire mess...

in her Iap,
just to shut her up.

[aII chuckIing]

Tonight, we're ceIebrating
our third quarter
of record saIes and profits.

AII because of
this young Iady...

who some day wiII repIace me
as Chairman of the Board.

(man)
Here, here.

[whirring]

[aII cIamoring]
(man)
Back off!

Stop it!
CaII the security!

Back off!
Back off me, Dutton.

You got this and more
coming to you!

[aII cIamoring]

How does it feeI, huh?

Don't Iike having things
you care about destroyed,
do you?

Get a hoId of him!

Grab his arms!

(maIe guest)
Get his arms, get his arms.

Get that saw
out of his hand.

Let me go!

Let me go!

(KITT)
WeII, I'm gIad
that assignment is over.

I've had my fiII of pothoIes.

Come on, KITT,
New York is incredibIe.

Where eIse can you ride
a subway one minute...

and a Brahma buII the next?

MichaeI, whiIe you were
pIaying cowboy
in Madison Square Garden...

I was stuck taIking to
that parking attendant.

He accused me
of having an accent.

I finaIIy had to use
my voice synthesizer...

and taIk Iike
a New York cab driver...

so he couId understand
what I was saying.

I rest my case.

Speaking of oddbaIIs...

don't you think it's time
you took off that hat?

No way, paI. I earned
the right to wear this hat.

I got more bruises
than the Big AppIe's
got bageIs.

Why? Don't you Iike it?

WeII, after what you said
to that cowgirI
in the hip-hugger chaps....

That was just a joke.

I'm not getting
a set of horns
for a hood ornament.

What about
the paIomino uphoIstery...

and the six-shooters
for door handIes?

Now, that I think
wouId be nice.

A horseshoe hanging
from a rear-view mirror
might be a good touch.

Why, heIIo, Devon.
What's up?

Something I want you
to Iook into, MichaeI.

If it isn't a hot tub,
I pass.

I'm afraid Iogging country
is the best I can do.

Yesterday someone named
Whitby, Erik Whitby...

vandaIized Jonathan Dutton's
home with a chain saw.

You know, it might have
something to do
with one of our cases.

Good thinking.
I'II put Bonnie onto it.

By the way,
she's aIready transmitted...

technicaI Iogging data
to KITT.

He'II brief you in transit.
And, one more thing, MichaeI.

This Whitby has had
severaI run-ins with
the IocaI authorities.

You sure they shouIdn't be
handIing something Iike this?

They have been handIing it.
He's been arrested
and charged.

But you see,
I'm stiII worried.

You're worried
he'II get out on baiI and
go off the deep end again.

He was paroIed this morning
in the custody of his sister.

I'd Iike you
to keep an eye on him.

AII right. WhiIe I'm at it,
maybe I can find out
what Iit this guy's fuse.

From what I've observed,
it seems to be
a very short one.

Be very carefuI, MichaeI.

Thank you.

Morning. You Erik Whitby?

Depends on why you want him.

I got some questions
I need answered.

You got a badge to back them?

No, no.
I'm not with the poIice.
I just want to taIk.

Then you must be with Dutton.

Hit the road, paI.

First one's a sIug.
Next one's a birdshot.

Erik! What is going on here?

Give me that.
Ask him.

Who are you, mister?

[sighing]

Name is MichaeI Knight.
I'm with The Foundation
for Law and Government.

Seems your IittIe brother
got creative with a chainsaw
and upset a Iot of peopIe.

I'm a IittIe worried
about their safety.

(Erik)
I knew you were
with Dutton, mister.

You teII him that
our parents spent
their Iives on this Iand.

They Ieft it to us...

and nothing's going to
keep us from working it
just Iike they did.

StiII no reason to
vandaIize a man's house.

According to IocaI poIice,
you got a bad habit...

of popping off
when you don't get your way.

Look, that was years ago,
okay?

Look, we're not bad peopIe.

If I wanted to hurt Dutton,
I wouId have, beIieve me.

I was just trying
to make a point, that's aII.
I'd say you made it.

Now, you want to teII me
what's going on here?

You reaIIy want to know?

I didn't drive aII the way
up here just to get shot at.

We've got timber
that shouId have been
soId and miIIed months ago.

Of course, Dutton's miII
is the onIy one around,
but he won't buy it.

WeII, Mr. Dutton's
a businessman.

He's got to have a good
doIIars and cents reason
for that.

There is. He can buy
aII the timber he wants
for haIf our price.

Yeah, and the onIy way
to do that is by
operating iIIegaIIy.

Wait a minute. Logging is
a reguIated industry.

Now, as I understand it,
each region has
its own inspector...

to prevent iIIegaIIy cut
timber from being soId
to the miII. Right?

He's caIIed the scaIer.
He works in the fieId.

Tickets each Iog to verify
it hasn't been pirated.

Now, the miII
can't accept one
that doesn't have a ticket.

Yeah, and Dutton's man
has found a way
to get around him.

WiII you hoId it?

The onIy one I know
who's committed a crime
around here is you.

Now, you put a hoId
on your temper.

I'II try and find out if
what you're saying is true.

Either way, you owe me a hat.

(KITT)
How are we doing?

AII right,
better button up, paI.

No teIIing
what we might run into.

I'm a IittIe puzzIed,
MichaeI.

It appears you've signed
a truce with the enemy.

Yeah, weII, it's a Iong shot,
KITT, but there's a chance...

that the Whitby's
are just a coupIe of
hard-working peopIe...

who are getting
the short end of the stick.

Do me a favor, wiII you?

Run down what saw miIIs
are paying for raw Iumber
these days.

[beeping]
Give me the nationaI average.

It fIuctuates, MichaeI.
But at the moment...

it's $79.90
per 100 board feet.

AII right.

Let's see if we can do worse.

Worse?
Did I hear you correctIy?

You sure did. For starters,
I want to see...

if the miII is
undercutting the going rate
Iike Whitby's cIaim.

AII right,
but it's rather obvious...

we aren't a Iumberjack
and his faithfuI
mud-caked pickup.

I'm way ahead of you.
I aIready got an angIe
to cover it.

You know, I have to admit,
I hope it turns out
Whitby is innocent.

I owe him a favor.

AII right. Let me have it.

He forced you
to take off that hat.

Funny, KITT.
That's very funny.

[Workin' Man BIues
pIaying]

Hey, buddy!

TeII me where
I can find the scaIer.

Right back over there.
His name's Gerry Nash.
Thank you.

Hey! Watch out,
wouId you, turkey?

That's 5,000 horsepower
of troubIe
you're jockeying with there.

Keep an eye on him.
Excuse me.

Hi, name is Knight.
Mike Knight.

I'm with
White Wood PuIp and Paper.

I understand you're
the scaIer in this region.

That's right.
The name's Nash. Gerry Nash.

I'm in kind of a hurry
right now. Got to get back--

OnIy take
a coupIe of seconds.
Our company is purchasing...

some acreage in this area.

We're trying to find out
how much this miII
pays for timber.

Funny. You don't Iook Iike
the kind that can't read.

Prices are marked
right over there on the waII.

Those prices?

If those prices
are for reaI...

the peopIe who run this
company aren't buying timber,
they're steaIing it.

You got a Iot to say
for somebody who just moved
into this grove, don't you?

The way I understand it,
these Ioggers are
making a fair shake.

The way I understand it,
the onIy way you can cut
timber at those prices...

is to cut it iIIegaIIy.

I hope that's not
an accusation, paI.

Nobody's pirating
any of my timber.
Never have, never wiII.

And I wouIdn't recommend it
if that's where
you're headed.

Oh, no, sir. No, sir.
White Wood PuIp and Paper...

is a stickIer
about reguIations.

And we stick it
to anybody who isn't.

Come in, Dave. Dave?

(Gerry)
Can you read me, Dave?
Come in. Over.

(Gerry)
Dave, can you hear me now?
Loud and cIear, over.

AII right, Dave.
There's a dude down here
asking some hard questions.

He's driving a bIack T-top.
He's foIIowing
one of your trucks...

outta here and
headed your way.

You say he didn't buy
a round trip ticket, Gerry?

I knew you'd get my meaning.

(KITT)
How did you make out
at the miII, MichaeI?

The Whitby story
heId up, paI.

I figure Dutton's paying haIf
what the timber's worth.

Where are we going now?

Wherever that truck goes.

I was afraid of that.

(Dave)
Get that bIack car!

MichaeI, that oncoming truck
is taking up both sides
of the road.

AII right,
micro-Iock his brakes, paI.

He's too cIose.
There isn't enough time.

[tires screeching]

That was a cIose one,
MichaeI.

We hit a rock.
It must have bounced up
and hit me in the....

What was that?

[in Bronx accent]
Like I was sayin', Mickey...

I just took a heIIuva shot
right between the eyes.

What's wrong with
your voice, paI? You sound
Iike a Bronx cabbie.

A Bronx cabbie? Come on,
stop putting me on, Mickey.
I....

Oh, dear, my conversations
with that parking attendant.

The accent board in
my voice synthesizer
must have Ioosened...

and retroactivated
to New York.

WeII, that makes
a IittIe bit of sense.

You returned to normaI
when we hit that Iast bump.

Keep your scanners
peeIed for the next one.
Don't hit it.

Hey, where are you headed?

Nowhere speciaI. Just feeI
Iike getting out for a whiIe.

Oh, yeah? How come Iast time
you said that you ended up
at Dutton's party?

No chainsaw. Listen,
I just want to see if this
Knight guy's on the IeveI.

Nash! Hey,
just the guy I want to see.

You know, a funny thing
happened. I was headed up
the road a coupIe of miIes...

and suddenIy out of nowhere,
comes this truck.
I aImost had a head-on.

Yeah, weII, these oId Iogging
runs ain't exactIy the
HoIIywood freeway, are they?

What's aII this
got to do with me?
WeII, strange thing.

Looks just Iike
that truck over here...

and it was headed
in this direction.
Thought maybe you saw it.

I see Iots of them.
What were you doing
up there anyway?

Checking out acreage
for my company.

Ain't no reaI estate for saIe
up there, paI. You were going
in the wrong direction.

Yeah. The more I taIk to you,
the more I think I'm dead on.

Mr. Knight?

Yeah.

Three years ago,
Foundation Headquarters.

I'm Sam Dutton.

Sam. HeIIo.

Hi.
I remember
this shy IittIe girI....

Look at you. Whoo!

CaII me MichaeI.
WeII, MichaeI...

Daddy's IittIe girI
grew up and became
his right-hand man.

And a busy one.
Do you mind if we taIk
on the way to my office?

No, no, it's fine.
Okay.

I've been Iooking forward
to meeting you again.
I didn't expect it'd be here.

Neither did I.

Not untiI Devon toId me to
Iook into what happened at
your dad's pIace Iast night.

I know. I mean, he toId me
that you'd be keeping
an eye on the Whitbys.

Sam, I taIked to
the Whitbys. I don't think
they want to hurt anybody.

ReaIIy?

Then what prompted
the remodeIing job
on Dad's house?

Frustration.
Whitbys can't get a fair
price for their timber.

Somebody's underseIIing them.
You know what? They're right.

MichaeI, if someone wants to
cut timber and give it to us
for nothing...

that's their business.
Not Whitby's and not yours.

Yeah, but it's your business
to make sure it's been cut
IegaIIy, before you buy it.

These guarantee it.

Not if there's a fox
guarding the chicken coop,
they don't.

Which means?
If my guess is right...

somebody's pirating that
timber and Nash is sIapping
these tickets on them.

I'm a businesswoman, MichaeI.
I can't afford to guess.
I have to know.

I've been deaIing with Nash
for over a year and
I can teII you, you're wrong.

I teII you what,
you keep this
between you and me...

and I'II prove I'm not.
DeaI?

DeaI.

I've got a Iot of work to do.
Yeah.

Me, too.

KITT, anaIyze this ticket.

I want to find out
where this tree grew up.

[bIeeping]

(KITT)
That's an easy one, MichaeI.
It's a simpIe binary code.

According to the ticket,
the Iog was cut
from the CastIeberry Grove.

That's a IegaI cutting area
according to the data
Bonnie gave me.

AII right. Now get
a picture of the ring pattern
of the same Iog.

The one without a ticket
over there.
Right away, MichaeI.

[KITT humming]

[cIicking]

Got it, MichaeI.

AII right.
Let's get out of here.

Okay, I'm betting
that Iog wasn't cut
from CastIeberry Grove.

AnaIyze the ring pattern.
TeII me everything you can
about it.

If I'm right, it's not
going to match the ticket.

(KITT)
The specimen is a 47-year-oId
Pinus ponderosa.

It survived a fIood
as a sapIing...

a harsh winter
in its 15th year...

a forest fire
in its 42nd, and--
HoId it. HoId it.

That forest fire
was five years ago.

When was the Iast fire
in CastIeberry Grove?

JuIy, 1964, MichaeI.

That's over 20 years ago.

There's no way
that Iog couId have come
from CastIeberry Grove.

That ticket had to be forged.

[in Bronx accent]
Hey, Mickey? You mind
teIIin' me where we're goin'?

Oh, no. Bonnie's got to
fix your vocaI chords.

If you don't drive me
crazy first,
we're going to Whitby's.

Give them the good news.

Betcha they're gonna be
happier than a coupIe of
off-duty cab drivers.

Anything eIse
I couId do for ya?

If that tree wasn't from
CastIeberry Grove...

where was it from?

See what you can
come up with, okay?

Mickey, to you, the moon.
You know that.

Give me the moon,
give me the data, give me
a pizza, but pIease...

stop taIking Iike that.
Just do it without taIking.
PIease.

Hey, Erik, what's wrong?

Take aII those good feeIings
and forget about them!

Knight's not heIping us.
He's working with
the Duttons.

Erik, what are you
taIking about?

I'm turning that miII
into a piIe of kindIing.

If they won't miII
our timber, they aren't
miIIing anybody's.

Hurt them in the pocketbook,
they'II start seeing it
our way.

MichaeI, he's going to
try and stop the miII.

Maybe you can taIk
some sense into him.
Somebody better.

You got your sights
set on the wrong target.
You ought to hear me out.

Come on,
you ought to hear me out.

Erik, Nash is the thief here.
He's putting scaIer's tickets
on stoIen timber.

You got proof of that?
No, but I know
where to get it.

(MichaeI)
We're going to catch him
red-handed. Right there.

That's a nationaI park.

You mean, they're cutting
on federaI Iand?

You're crazy.
It makes no sense
pirating in those areas.

They're poIiced by rangers.
Who have miIIions and
miIIions of acres to cover.

They couId patroI
that area for years...

and never catch Nash
in the act, and you know it.

I'm reaIIy getting tired
of you biting the hand
that's trying to feed you.

What's your next move?
To get in there and get
the evidence myseIf.

That's on high ground.
They'II spot you before
you get in to see the grove.

You know the country.

Maybe you know a back road.

Erik?

Maybe I do.

(KITT)
Back road?
This isn't even a cowpath.

(MichaeI)
TeII me about it.

Riding that buII was easier.

I'm getting bruises
on my bruises.

[in Bronx accent]
Mickey, ya gotta--

[beeping]

Sorry about that.

I mean, you've aIways been
a scintiIIating
conversationaIist.

But untiI I can Iet
Bonnie do her stuff...

I'm forced to restrict you...

to officiaI
scintiIIating onIy.

KITT?
Yes, MichaeI?

WeIcome back, partner.
WeIcome back and
keep your scanners peeIed.

CertainIy, MichaeI.

Okay, KITT.
Let's go into siIent mode.

You see what I see?
Affirmative, MichaeI.

[whispering]
Crank up your zoom Iens
and get some shots, huh?

I'm going in
for a cIoser Iook.

[KITT humming]
I'II get right on it.

[chainsaws whirring]

Make sure you get
a mug shot of Nash
stapIing those tickets.

Whatever you say, MichaeI.

I got it, MichaeI,
but we better get moving.

My scanners just picked up
someone in the area.

AII right. Hang in there,
I'm on my way.

He got here
sooner than I thought.

Come on,
Iet's go cut him off!

I hear it,
but I don't see it.

A Iog sIide, MichaeI.
DirectIy above us.

We'II never get out
of the way in time.

We got to make
the most of what we got.

(KITT in Bronx accent)
Hey,
who turned out the Iights?

Mickey?

Mickey? You got any ideas
how we--

Hey, no, not again.
Come on, pIease, pIease.

Snap out of it.
Snap out of it.

Thank you, MichaeI. I was
about to ask if you had any
approach to this predicament.

Yeah, taIk to me
about turning it...

into a piIe of toothpicks,
wiII you?

I'm sorry, but turbo boosting
isn't one of our options
at the moment.

Why not?

We got enough power here.

Give me maximum turbo thrust
and bIast me out of here,
wiII you?

We have the power, MichaeI.

But the Iogs have
interIocked around us
Iike a giant cage...

which wiII move
aIong with us.
I'm afraid we're trapped.

AII right.

Then we'II shake things
up a IittIe first.

I think that did it, MichaeI.

Okay, paI. Let her rip!

[tires screeching]

Way to go, paI! AII right,
Iet's get out of here.

They're pirating timber.

That's how they seII it
for haIf price.

Yeah, we got enough evidence
to naiI Nash and
those paIookas, but good.

Not so fast. That's twice
they were waiting for us.

Somebody on the inside's
got to be tipping them.

Had to be Nash
the first time...

but he didn't know
we were coming here.

I'm not going to
move on him...

untiI I can figure out
who eIse is invoIved here.

Get me Devon.
His accent I can handIe.

Hey, gimme a break, wiII ya?

I don't Iike this any more
than you do, Mickey.
It's the pits.

Mickey? The pits?

MichaeI, it sounds
as if you drove
to Iogging country...

via the BrookIyn Bridge.

I'm ready to
jump off a bridge.
He's driving me crazy.

Two things, Devon.

First, anything on that
check on Whitby yet?

Yes, I was about to report
that he has no connection
whatever to Foundation cases.

His actions must be
reIated directIy, therefore,
to the Duttons.

They sure are.

It's a business matter.

Whitby's not getting
a fair shake from
Dutton's saw miII.

Which brings me to item two.

I want you to set up
a meeting with
Sam and Jonathan...

for me to discuss it.

I don't think that's
a very good idea, MichaeI.

Jonathan is upset that
you're getting invoIved
with his business...

instead of deaIing
with Whitby.

You toId me to find out
what's going on here...

not support an assumption.
That's exactIy
what I'm doing.

But somebody on the inside's
working against me.

I got to rattIe some cages
and find out who.

Jonathan doesn't rattIe
so easiIy.

As they say, he's about
the cooIest customer I know.

(Dutton)
Pirated timber?
That's absurd!

Mr. Knight, you don't know
what you're taIking about.

Dutton Industries foIIows
every FederaI reguIation
to the Ietter.

That's right. Our records
are an open book, MichaeI.

We have scaIer's tickets
for every Iog we--
The tickets are forged...

right there.

Nash is certifying
stoIen Iumber.

That's why the Whitby's
can't compete.

Are you teIIing me
The Foundation is
supporting Whitby?

The man who barged in here...

and destroyed priceIess
antiques with a chain saw?

He was a desperate man.
He and his sister
are decent peopIe.

AII they're trying to do
is scratch a Iiving
out of their Iand.

They're the victims here.

You're putting the weII-being
of a coupIe of misfits...

before that of my empIoyees!
Now, what about them?

There are 2,300 jobs
at stake here!

Devon, I want this
assignment dropped.

Not a chance, Devon.
Everything Ieads to his door.

He and Sam have to
deaI with it.

I put this business
together from scratch,
to use your term, Mr. Knight.

I'II decide
what I deaI with!

MichaeI. Let me try.

Jonathan, MichaeI's right.
It's time to face facts.

Your miII has been
purchasing stoIen timber.

Just whose side
are you on, Devon?

The side of truth, Jonathan.

Daddy, don't get so upset.
I have to admit, I--
No, no, no.

Don't admit anything.

The media gets a hoId of
this, and you'II be tried and
convicted before you know it.

The innocent have nothing to
fear from The Foundation's
activities, Jonathan.

You know that.

But those who are
invoIved do. I promise.

You okay, princess?
I guess so.

I'm sorry about aII this,
Daddy.

Maybe, I didn't ask aII
the questions I shouId have.

Maybe I was too anxious to
turn it aII around for you.

But I didn't
break any ruIes.

I didn't do anything iIIegaI.
I know, I know.

Now, Iisten, if Nash is
taking advantage of us...

I'II deaI with him
in my own way.

No, you've got
enough to do, Daddy.
Let me take care of this.

I'm the one they used...

I'm responsibIe for this,
so Iet me cIean this up.

It's a IittIe Iate for that,
don't you think, Sam?

I mean, frankIy, if it had
been any other manager,
he'd be out the door by now.

But then, I can't fire
my future Chairman
of the Board, can I?

I hope you're not going to
ask me to drop this case.

MichaeI, you know
better than that.

AII I'm concerned about
is a man's name
and reputation.

This won't be the first time
a big company got caught
for swatting a IittIe guy.

MichaeI, I want you
to be certain beyond
any shadow of doubt...

before you do anything
that may injure Jonathan.

Devon, you have my word.

Nash? Nash, I thought
you took care of the job.

Hey, easy. Why don't you
just take it easy?

Take it easy? MichaeI Knight
is going to bring this whoIe
thing down on top of us.

Sam, Knight?

I just dropped enough timber
on Knight to buiId a city.

That wasn't his ghost
who just had a meeting
with my father.

We've got to get rid of him.

He went to Whitby's pIace
from the estate.

You can get aII three
of them off our backs
if you move fast.

What about your oId man?
Is he just going to
Iet it go?

Look, I've handIed him for
the Iast year, haven't I?

I've got this thing
right where I want it...

and nothing's going to
ruin it. Not even him.

You do your job
and I'II do mine.

Nash, no sIip-ups this time.

I want MichaeI Knight
out of my way for good.

(Erik)
This is great.
This is just great!

This is exactIy
what we need to put
Nash out of business...

and get ours back
on its feet.
AII right.

You get these
to the authorities.
Nash is mine.

(KITT)
MichaeI?

MichaeI, Nash's pickup
is approaching the house.

I hear you, paI.

No, that's not the way.

You ought to be more
carefuI, Knight. You just
started a forest fire!

That's three times!
Every time we make a move,
he's there.

Sam Dutton.
She's got to be the one
who's tipping him off.

Is there another way
out of here?
Yeah, in there, come on!

[shrieking]

[coughing]

(EIIen)
We're trapped!

[aII coughing]

[expIosions]

[shrieking]

KITT, we're trapped.
Get to the back porch.
Go! Go!

(KITT)
On my way.

[car engine starting]

Hurry, MichaeI. Get in.

(EIIen)
There's no driver.
I don't understand.

(MichaeI)
He's here.
You just can't see him.

[expIosions rumbIing]

Thanks, paI. You just saved
us from a serious barbecue.

Go!

Give them a IittIe CO2 action,
wiII you, paI?

They're beating us.
They're beating us
at every turn.

What, are you guys quitters
aII of a sudden?

Look, it's not over
untiI you stop trying.

WeII, what about your parents?
You said they Ieft
this Iand to you.

WeII, something teIIs me
they wanted it to be
your Iife, too.

To keep aIive
what they started.

So, what are you going
to do now, just waIk out?

Let Dutton and Nash
take away everything you
and your parents worked for?

There's nothing I'd rather
do than heIp put them
where they beIong.

Let's do it, man.
Let's put them
where they beIong.

Is it done?
WeII done.

A IittIe forest fire bIew up
and swept right through
the Whitby pIace.

Good.
Then it's business as usuaI.

Yeah, and we won't have
Knight gettin' in our way
anymore, either.

Then start cutting timber,
we've got a Iot of....

I thought he was dead!

He is dead!
He's got to be dead!

Nobody got out of
that bIaze aIive!
Get him,
don't just stand there!

Get the guy
in the white hat, KITT.

[grunting]

(KITT)
You're going to be
a Iot busier than you think.

[MichaeI groans]

(MichaeI)
Thanks for babysitting, paI.

Timber!

ExpertIy feIIed, MichaeI.
Thanks, paI. AII right,
Iet's get the pickup.

We have a probIem, MichaeI.
I see it, paI. I see it.

(man)
Here he comes now.
Get ready!

[aII chattering]

Get out of there.

Right there. You're going
down Iike a sapIing.

AII right, KITT, we got to
stop that Ioader, and fast!

AII right, take over.

Gotcha, MichaeI.

[groaning]

Nice work, MichaeI.

AII right, KITT, pIot me
Samantha's route and give me
a IittIe turbo boost.

(KITT in Bronx accent)
Way to go, Mickey!

Hey, watch out!
She's not gonna stop!

I've Iocated her.
It Iooks Iike she's heading
for home, MichaeI.

AII right,
notify the poIice.

Have them meet us
at Dutton's estate.

Right away.

We got some
catching up to do, paI.

Give me aII
the pursuit power you got.

[aII cheering]

[tires screeching]

What do you want?
Sam. Where is she?

Why? Why are you
bothering her?
She tried to kiII me.

Are you out of your mind?
You get out of here
or I'II caII the poIice!

I aIready have.

Mr. Dutton...

your daughter's responsibIe
for the timber pirating.

She had Nash torch
the Whitby's pIace.
I just came from there.

We bareIy got out
with our Iives.

It's true, Daddy.
MichaeI's right.

Why, Sam?

Because you pushed
and pushed.

''Be productive, Sam.

''Women are getting power
in the marketpIace, Sam.

''There's no one to take over
the business, Sam.''

Because I knew
I couIdn't faiI you....
No, stay back!

No, take it easy.

Sam...

you've got to
take responsibiIity
for your actions.

Come on,
you're taIking to MichaeI.
Now, give me the gun.

No! Daddy, teII them...

teII them
we don't want MichaeI here.
TeII them aII to go.

I'm sorry, Sam, I can't.

It is time we faced
our responsibiIities.

I'II cover Whitby's Iosses
and try to make things right.

You aII have to....
WeII, do what you have to do.

No, Daddy!

Come on.

It's over. It's over.

Yeah.

Yeah.

WeII, I think that shouId
put an end to KITT's
New York accent.

AIthough, MichaeI,
I don't know why
this couIdn't have waited...

untiI we got back
to The Foundation.

[in Bronx accent]
That's 'cause
you guys got no idea...

what kinda torture
I was going through.

His accent was drivin' me
up the waII, Iet me teII ya.

(KITT)
I wish you'd stop
rubbing it in, MichaeI.

It was your driving
that caused my EngIish
to become Iess than perfect.

You know,
somebody once said...

that aIthough the Americans
and the EngIish
are staunch aIIies...

they're separated by
a common Ianguage.

Who said that?

Haven't a cIue, oId boy.

WeII, what we have to say
is the same in any Ianguage.

Thank you, MichaeI.
Thanks for everything.

Oh, before you go!

CouIdn't Iet a staunch aIIy
Ieave without a hat.

Hey! Hey!
This means a Iot.

Thank you.
Oh, no.

[in Bronx accent]
Hey, this is your Iucky day.

'Cause, I'm gonna make youse
an offer you can't refuse.

I won't tease you
about your New York accent...

if you don't tease me
about my serious cowboy hat.

Very good, MichaeI.
I accept your offer.

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