Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:12,346 --> 00:00:14,024
♪ TELL ME WHY ♪
2
00:00:14,048 --> 00:00:15,825
♪ I LOVE YOU LIKE I DO ♪
3
00:00:15,849 --> 00:00:17,560
♪ TELL ME WHO ♪
4
00:00:17,584 --> 00:00:19,929
♪ CAN STOP MY HEART
AS MUCH AS YOU ♪
5
00:00:19,953 --> 00:00:22,366
♪ LET'S TAKE EACH OTHER'S HAND ♪
6
00:00:22,390 --> 00:00:25,935
♪ AS WE JUMP INTO
THE FINAL FRONTIER ♪
7
00:00:25,959 --> 00:00:28,005
♪ I'M MAD ABOUT YOU, BABY ♪
8
00:00:28,029 --> 00:00:29,561
♪ WHOO-HOO ♪
9
00:00:35,536 --> 00:00:38,247
NO, POP, IT'S NOT GONNA
DISCONNECT THE CALL.
10
00:00:38,271 --> 00:00:41,050
IT'S A HOLD BUTTON.
IT HOLDS THE CALL.
11
00:00:41,074 --> 00:00:42,686
HENCE THE NAME.
12
00:00:42,710 --> 00:00:44,721
NO, THE SWITCHHOOKS
DISCONNECTS THE CALL.
13
00:00:44,745 --> 00:00:46,055
THE SWITCHHOOKS.
14
00:00:46,079 --> 00:00:47,824
THE SWIT... NO, THE
TWO THINGS IN THE MIDD...
15
00:00:47,848 --> 00:00:49,688
[DIAL TONE] MIDDLE.
16
00:00:51,051 --> 00:00:53,396
ALL RIGHT, GOOD. SO, HE
FOUND THE SWITCHHOOKS.
17
00:00:53,420 --> 00:00:54,831
YOU'RE GONNA BE LATE
FOR DR. JOAN AGAIN.
18
00:00:54,855 --> 00:00:57,500
EXPLAIN TO ME HOW A MAN
FORGETS HOW TO USE A TELEPHONE.
19
00:00:57,524 --> 00:00:58,501
YOU'RE GONNA START OUT LATE,
20
00:00:58,525 --> 00:00:59,702
SO YOU'RE GONNA SHOOT LATE,
21
00:00:59,726 --> 00:01:01,304
SO YOU'RE GONNA BE
LATE FOR DR. JOAN AGAIN.
22
00:01:01,328 --> 00:01:02,806
I JUST THINK HE'S LOSING IT.
23
00:01:02,830 --> 00:01:05,274
MY FATHER IS, LIKE,
OFFICIALLY LOSING IT NOW.
24
00:01:05,298 --> 00:01:07,276
JUST SO I UNDERSTAND,
YOU DON'T GIVE A RAT'S ASS
25
00:01:07,300 --> 00:01:09,078
ABOUT BEING LATE
FOR DR. JOAN AGAIN?
26
00:01:09,102 --> 00:01:11,180
I DO. YOU KNOW I DO.
27
00:01:11,204 --> 00:01:12,949
YOU WERE LATE FOR THE
WEIGHING AND MEASURINGS.
28
00:01:12,973 --> 00:01:14,117
ALL RIGHT.
29
00:01:14,141 --> 00:01:15,218
YOU WERE LATE FOR THE PAP SMEAR.
30
00:01:15,242 --> 00:01:16,419
YES, BUT COME ON,
31
00:01:16,443 --> 00:01:19,156
NOT REALLY SO MUCH
FOR SPECTATORS, THOUGH.
32
00:01:19,180 --> 00:01:21,624
YOUR CHILD IS GROWING
UP, AND YOU'RE MISSING IT.
33
00:01:21,648 --> 00:01:23,826
SWEETIE, HE'S GROWING.
HE'S NOT GROWING UP.
34
00:01:23,850 --> 00:01:27,264
ARE YOU GONNA BE LIKE THE
FATHER IN CATS IN THE CRADLE?
35
00:01:27,288 --> 00:01:28,765
WHAT IS THAT, THE
HARRY CHAPIN SONG?
36
00:01:28,789 --> 00:01:31,334
YES. JUST TELL ME. ARE YOU? NO!
37
00:01:31,358 --> 00:01:32,869
YOU CAN ONLY HEAR
YOUR BABY'S HEARTBEAT
38
00:01:32,893 --> 00:01:34,771
FOR THE FIRST TIME
FOR THE FIRST TIME.
39
00:01:34,795 --> 00:01:37,207
THAT I'M ALMOST SURE IS TRUE.
40
00:01:37,231 --> 00:01:39,142
LOOK, I'VE DONE
EVERYTHING I COULD DO.
41
00:01:39,166 --> 00:01:40,810
I GOT THE LATEST
APPOINTMENT IN THE DAY.
42
00:01:40,834 --> 00:01:42,212
JUST PROMISE YOU WON'T BE LATE.
43
00:01:42,236 --> 00:01:43,379
I WILL NOT BE LATE.
44
00:01:43,403 --> 00:01:45,081
IRA AND I, WE'RE
GONNA PICK UP MY POP,
45
00:01:45,105 --> 00:01:47,117
WE'RE GONNA TAKE HIM
OUT TO THE OLD BUILDING,
46
00:01:47,141 --> 00:01:48,285
WE'RE GONNA SHOOT
HIM FOR A LITTLE WHILE,
47
00:01:48,309 --> 00:01:49,852
GET A COUPLE OF
DECENT TAKES OUT OF HIM.
48
00:01:49,876 --> 00:01:52,989
COME ON, HOW LONG CAN
THAT TAKE? 6, 800 YEARS MAX?
49
00:01:53,013 --> 00:01:55,158
JUST MAKE SURE
YOU GET IT BY 5:00.
50
00:01:55,182 --> 00:01:56,893
MAN, THERE'S SO MANY GREAT
MEMORIES IN THAT BUILDING.
51
00:01:56,917 --> 00:01:58,194
WE USED TO HAVE THIS DOORWAY,
52
00:01:58,218 --> 00:01:59,562
AND EVERY COUPLE OF MONTHS,
53
00:01:59,586 --> 00:02:00,897
MY FATHER WOULD
MEASURE OUR HEIGHTS
54
00:02:00,921 --> 00:02:02,265
WITH, LIKE, A LITTLE
POCKET KNIFE.
55
00:02:02,289 --> 00:02:04,034
MM-HMM. SEE YOU AT 5:00.
56
00:02:04,058 --> 00:02:05,034
5:00.
57
00:02:05,058 --> 00:02:06,802
[TELEPHONE RINGS]
58
00:02:06,826 --> 00:02:08,271
HELLO? THERE HE IS, POP-O-MINE.
59
00:02:08,295 --> 00:02:09,872
ALL RIGHT, HERE'S WHAT
WE'RE GONNA DO, POP.
60
00:02:09,896 --> 00:02:12,442
IRA AND I WILL
COLLECT YOU AT 10:30,
61
00:02:12,466 --> 00:02:14,244
AND THEN, WE'LL...
OOP, YOU'RE BEEPING.
62
00:02:14,268 --> 00:02:16,812
NO. YOU'RE BEEPING.
YOU GOT A CALL WAITING.
63
00:02:16,836 --> 00:02:18,648
SO, YOU PRESS THE SWITCHHOOKS.
64
00:02:18,672 --> 00:02:20,417
THE SWITCHHOOKS.
65
00:02:20,441 --> 00:02:21,584
THE SWITCHHOOKS. THE TWO...
66
00:02:21,608 --> 00:02:23,119
COME ON, YOU LIKE
THE SWITCHHOOKS.
67
00:02:23,143 --> 00:02:24,354
THE SWITCH... OK, BUT
DON'T HOLD IT DOWN.
68
00:02:24,378 --> 00:02:25,822
'CAUSE IF YOU HOLD
IT DOWN, THEN YOU'LL...
69
00:02:25,846 --> 00:02:27,379
[DIAL TONE] OHH... MAN.
70
00:02:32,019 --> 00:02:33,096
IS HE HERE YET?
71
00:02:33,120 --> 00:02:35,198
NOT YET. IS THERE
ANYTHING ELSE YOU CAN DO?
72
00:02:35,222 --> 00:02:36,967
WELL, I'VE SEEN ALL MY PATIENTS,
73
00:02:36,991 --> 00:02:38,634
FINISHED ALL MY CORRESPONDENCE,
74
00:02:38,658 --> 00:02:40,003
ALPHABETIZED MY FILES.
75
00:02:40,027 --> 00:02:41,537
I'M THINKING OF
TAKING UP PAINTING.
76
00:02:41,561 --> 00:02:43,739
I'M SORRY. I'M
GOING TO KILL HIM.
77
00:02:43,763 --> 00:02:45,541
BUT THEN YOU
COULDN'T YELL AT HIM,
78
00:02:45,565 --> 00:02:47,244
WHAT WITH HIM
BEING DEAD AND ALL.
79
00:02:47,268 --> 00:02:49,112
SORRY! SORRY!
SORRY! SORRY! SORRY!
80
00:02:49,136 --> 00:02:50,513
DID I MISS IT? I
HOPE I DIDN'T MISS IT.
81
00:02:50,537 --> 00:02:53,183
HI, PAUL! YOU'RE LATE!
YOU'RE HALF AN HOUR LATE!
82
00:02:53,207 --> 00:02:55,017
HI. DID I MISS IT?
YOU DIDN'T MISS IT.
83
00:02:55,041 --> 00:02:56,419
OK, GOOD.
84
00:02:56,443 --> 00:02:57,920
OUR LITTLE BABY'S HEARTBEAT.
85
00:02:57,944 --> 00:03:00,123
I AM LATE THOUGH. DUH.
86
00:03:00,147 --> 00:03:01,991
I KNOW. AS LONG
AS I DIDN'T MISS IT.
87
00:03:02,015 --> 00:03:03,627
FORGET ABOUT ME!
WHAT ABOUT JOAN?
88
00:03:03,651 --> 00:03:04,927
THIS IS SO UNFAIR TO HER!
89
00:03:04,951 --> 00:03:06,529
IT'S OK. NO, IT'S NOT.
90
00:03:06,553 --> 00:03:07,764
I'M REALLY SORRY.
91
00:03:07,788 --> 00:03:08,765
IT'S REALLY OK.
92
00:03:08,789 --> 00:03:09,766
ALL RIGHT, THEN
FORGET ABOUT JOAN.
93
00:03:09,790 --> 00:03:10,767
GO BACK TO THINKING ABOUT ME.
94
00:03:10,791 --> 00:03:12,101
I BEGGED YOU TO BE ON TIME.
95
00:03:12,125 --> 00:03:13,570
I AM SO SORRY! I'M REALLY SORRY!
96
00:03:13,594 --> 00:03:15,905
BUT I HAVE A GREAT
EXCUSE. I REALLY DO.
97
00:03:15,929 --> 00:03:17,139
REALLY? WHAT?
98
00:03:17,163 --> 00:03:19,041
DO YOU HAVE A MINUTE?
99
00:03:19,065 --> 00:03:20,643
AT THIS POINT, YES.
100
00:03:20,667 --> 00:03:22,011
OK, ALL RIGHT.
101
00:03:22,035 --> 00:03:24,681
'CAUSE YOU ARE NOT
GONNA BELIEVE THE DAY I HAD.
102
00:03:24,705 --> 00:03:27,150
IRA AND I, WE GO TO PICK
UP MY FATHER, RIGHT?
103
00:03:27,174 --> 00:03:30,787
WE GET INTO THE CAB,
RIGHT AWAY IT STARTS.
104
00:03:30,811 --> 00:03:32,789
345-45 PELHAM PARKWAY, PLEASE.
105
00:03:32,813 --> 00:03:33,790
ALL RIGHT.
106
00:03:33,814 --> 00:03:35,458
435-45.
107
00:03:35,482 --> 00:03:36,493
WHAT?
108
00:03:36,517 --> 00:03:39,562
OUR OLD BUILDING IS
435-45 PELHAM PARKWAY.
109
00:03:39,586 --> 00:03:43,866
IT WASN'T 435-45. IT WAS 345-45.
110
00:03:43,890 --> 00:03:45,835
435-45 WAS THE BAKERY.
111
00:03:45,859 --> 00:03:48,605
NO, NO, NO. 545-45
WAS THE BAKERY.
112
00:03:48,629 --> 00:03:51,341
345-45 WAS KELTON'S
ICE SKATING RINK.
113
00:03:51,365 --> 00:03:53,643
435-45 WAS THE OLD BUILDING.
114
00:03:53,667 --> 00:03:56,145
545-45 WAS STELLA D'ORO.
115
00:03:56,169 --> 00:03:58,615
545-54 WAS STELLA D'ORO.
116
00:03:58,639 --> 00:04:00,083
YEAH. IT WAS?
117
00:04:00,107 --> 00:04:02,185
THEN WHERE WAS TITO'S?
THERE WAS NO TITO'S.
118
00:04:02,209 --> 00:04:04,086
REALLY? TITO'S CAME LATER
AFTER WHITE CASTLE CLOSED.
119
00:04:04,110 --> 00:04:05,121
YEAH. YEAH.
120
00:04:05,145 --> 00:04:06,322
PLEASE. CAN I GO NOW?
121
00:04:06,346 --> 00:04:07,823
OH, OH, YEAH, BUT
WHAT YOU WANT TO DO
122
00:04:07,847 --> 00:04:10,026
IS TAKE THE EAST RIVER
DRIVE TO WILLIS AVENUE BRIDGE.
123
00:04:10,050 --> 00:04:12,262
IT'S THE F.D.R. DRIVE. WHAT?
124
00:04:12,286 --> 00:04:14,063
IT'S THE... IT'S
THE F.D.R. DRIVE,
125
00:04:14,087 --> 00:04:15,565
NOT THE EAST RIVER DRIVE.
126
00:04:15,589 --> 00:04:18,634
IT HASN'T BEEN CALLED THE EAST
RIVER DRIVE FOR A LONG TIME NOW.
127
00:04:18,658 --> 00:04:19,635
SINCE WHEN?
128
00:04:19,659 --> 00:04:21,959
SINCE, ROUGHLY, F.D.R.
129
00:04:24,931 --> 00:04:27,377
WE SHOULD HAVE TAKEN
THE SUBWAY AT THIS RATE.
130
00:04:27,401 --> 00:04:28,878
HEY, YOU DO NOT WANT
TO TAKE THE SUBWAY
131
00:04:28,902 --> 00:04:30,546
DOWN TO THIS NEIGHBORHOOD
ANYMORE, BELIEVE ME.
132
00:04:30,570 --> 00:04:32,715
RELAX, WILL YOU?
IT'S PELHAM PARKWAY.
133
00:04:32,739 --> 00:04:34,351
IT'S NOT THE HO CHI MINH TRAIL.
134
00:04:34,375 --> 00:04:37,920
IT WAS 635-45!
135
00:04:37,944 --> 00:04:39,856
WHAT? WHAT WAS 635-45?
136
00:04:39,880 --> 00:04:42,725
THE POST OFFICE.
137
00:04:42,749 --> 00:04:45,261
NO, NO, THE POST
OFFICE WAS 735-45.
138
00:04:45,285 --> 00:04:47,397
OH, MY GOD. SOMEBODY
GET ME A GUN.
139
00:04:47,421 --> 00:04:49,399
Paul: IT WAS 735-45.
140
00:04:49,423 --> 00:04:51,401
Burt: 445-45...
141
00:04:51,425 --> 00:04:54,203
AN ANNOYING CAB RIDE?
THIS IS WHY YOU'RE LATE?
142
00:04:54,227 --> 00:04:57,473
THERE'S MORE. WE REALLY
EXPECTED MORE FROM YOU.
143
00:04:57,497 --> 00:04:59,209
THEN LET ME FINISH.
WE GOTTA LET HIM FINISH.
144
00:04:59,233 --> 00:05:00,443
THIS IS OK WITH YOU?
145
00:05:00,467 --> 00:05:02,478
AT THIS POINT, YES.
YOU WERE SAYING?
146
00:05:02,502 --> 00:05:04,313
OK, SO WE GET THERE,
147
00:05:04,337 --> 00:05:05,815
AND I'M LOOKING
AT THESE BUILDINGS,
148
00:05:05,839 --> 00:05:08,318
AND I SWEAR TO GOD, THEY
LOOK EXACTLY THE SAME.
149
00:05:08,342 --> 00:05:11,021
AND AKIBA, THIS NEW
CAMERAMAN, WHO ALREADY I HATE...
150
00:05:11,045 --> 00:05:13,690
Jamie: IS THIS THE ONE
WHO CALLS YOU HITCHCOCK?
151
00:05:13,714 --> 00:05:15,925
YEAH. SO HE SAYS...
HITCHCOCK HAS CHOSEN?
152
00:05:15,949 --> 00:05:18,461
NOT SURE, AKIBA, OK?
JUST GIVE ME A SECOND.
153
00:05:18,485 --> 00:05:22,065
I'M TELLING YOU, IT'S THAT ONE
WITH THE WROUGHT IRON RAILING.
154
00:05:22,089 --> 00:05:24,934
I KNOW, POP, BUT THIS HAS
WROUGHT IRON RAILING, TOO.
155
00:05:24,958 --> 00:05:26,469
SO DOES THIS ONE.
156
00:05:26,493 --> 00:05:28,071
YEAH. SHOW ME A BUILDING THAT
DOESN'T HAVE WROUGHT IRON RAILING.
157
00:05:28,095 --> 00:05:30,406
ALL RIGHT, ALL RIGHT, BUT
OUR BUILDING HAS A STOOP.
158
00:05:30,430 --> 00:05:32,141
AGAIN, POP, THEY
ALL HAVE STOOPS.
159
00:05:32,165 --> 00:05:34,743
ARE YOU TELLING ME I DON'T
KNOW THE BUILDING I LIVED IN?
160
00:05:34,767 --> 00:05:36,612
I'M NOT TELLING YOU,
I'M JUST ASKING YOU.
161
00:05:36,636 --> 00:05:38,514
Pop: WHAT DO YOU KNOW?
YOU WERE 7 YEARS OLD.
162
00:05:38,538 --> 00:05:40,483
I KNOW, BUT I THINK I
KNOW WHERE I LIVED.
163
00:05:40,507 --> 00:05:43,307
WHERE? I DON'T
KNOW. I'M NOT SURE.
164
00:05:44,177 --> 00:05:47,990
HITCHCOCK MAYBE WANTS US TO
KNOCK ON EVERY DOOR IN NEIGHBORHOOD?
165
00:05:48,014 --> 00:05:50,893
HITCHCOCK WOULD JUST LIKE
A MINUTE TO THINK, OK, AKIBA?
166
00:05:50,917 --> 00:05:51,894
THANK YOU.
167
00:05:51,918 --> 00:05:54,464
Paul: AND I WANT TO
JUST CLOCK THIS GUY,
168
00:05:54,488 --> 00:05:56,466
BUT YOU CAN'T GET HIM MAD AT YOU
169
00:05:56,490 --> 00:05:58,968
BECAUSE "A"... HE'S THE
CAMERAMAN AND YOU NEED HIM,
170
00:05:58,992 --> 00:06:02,126
AND 2... BECAUSE HE
CAN FIELD-STRIP AN UZI.
171
00:06:04,297 --> 00:06:06,709
AND THEN IT HITS
ME... THIS IS IT.
172
00:06:06,733 --> 00:06:07,910
WHAT? THIS ONE? RIGHT HERE.
173
00:06:07,934 --> 00:06:09,144
THAT'S WHAT I SAID.
174
00:06:09,168 --> 00:06:11,046
SO? YOU SAID WITH THE
WROUGHT IRON RAILING.
175
00:06:11,070 --> 00:06:12,114
SO?
176
00:06:12,138 --> 00:06:14,050
CAN I TELL A STORY
LIKE A PERSON?
177
00:06:14,074 --> 00:06:15,551
WELL... I'M TRYING
TO GIVE YOU COLOR.
178
00:06:15,575 --> 00:06:16,686
YOU KNOW, THERE'S AN ARC,
179
00:06:16,710 --> 00:06:17,787
THERE'S A STRUCTURE.
180
00:06:17,811 --> 00:06:19,489
ALL RIGHT, ALL RIGHT,
BUT I DON'T GET IT.
181
00:06:19,513 --> 00:06:20,623
THIS IS HOW SHE IS WHEN
WE GO TO THE MOVIES.
182
00:06:20,647 --> 00:06:22,158
SO FAR, I DON'T SEE ANYTHING.
183
00:06:22,182 --> 00:06:24,127
YOU'RE GONNA SEE.
YOU'RE GONNA SEE.
184
00:06:24,151 --> 00:06:26,162
[STRAINED] GO ON. OK...
185
00:06:26,186 --> 00:06:27,764
SO WE GO DOWN THE HALLWAY,
186
00:06:27,788 --> 00:06:30,633
AND I REALIZE WE GOT
ANOTHER PROBLEM.
187
00:06:30,657 --> 00:06:32,334
THEY MOVED THE WALLS!
188
00:06:32,358 --> 00:06:34,603
THEY DIDN'T MOVE THE WALLS.
189
00:06:34,627 --> 00:06:35,738
THEN WHAT DID THEY DO?
190
00:06:35,762 --> 00:06:37,173
THEY DIDN'T DO ANYTHING.
191
00:06:37,197 --> 00:06:38,908
WE TOOK THE STAIRS
INSTEAD OF THE ELEVATOR.
192
00:06:38,932 --> 00:06:41,010
THEN IT'S THIS WAY.
NO, IT'S THIS WAY.
193
00:06:41,034 --> 00:06:42,979
NO, NO. IT'S THIS WAY. THE
FIRST DOOR ON YOUR LEFT.
194
00:06:43,003 --> 00:06:44,180
IF YOU CAME UP THE ELEVATOR,
195
00:06:44,204 --> 00:06:45,247
IT WOULD BE THE FIRST
DOOR ON YOUR LEFT,
196
00:06:45,271 --> 00:06:46,482
BUT WE CAME UP THE STAIRS
197
00:06:46,506 --> 00:06:48,718
SO IT'S THE FIRST DOOR
ON YOUR LEFT THIS WAY.
198
00:06:48,742 --> 00:06:50,575
YOUR LEFT OR MY LEFT?
199
00:06:52,479 --> 00:06:54,557
WE'RE FACING THE SAME WAY.
200
00:06:54,581 --> 00:06:56,392
HEY, LOOK, WHAT'S THE
APARTMENT NUMBER?
201
00:06:56,416 --> 00:06:57,393
4-D!
202
00:06:57,417 --> 00:06:58,461
NO, IT'S NOT. IT'S 4-E.
203
00:06:58,485 --> 00:06:59,696
YEAH. 4-E?
204
00:06:59,720 --> 00:07:02,865
4-D! "D" AS IN DAVID.
205
00:07:02,889 --> 00:07:04,868
OK. IT'S "E." 4-E.
206
00:07:04,892 --> 00:07:06,403
IT'S 4-E AS IN EDWARD.
207
00:07:06,427 --> 00:07:07,837
WHO NAMES AN APARTMENT EDWARD?
208
00:07:07,861 --> 00:07:10,339
I THINK PAPA'S RIGHT.
209
00:07:10,363 --> 00:07:11,574
NO. MAYBE IT'S 4-C.
210
00:07:11,598 --> 00:07:13,042
NO, IT'S NOT. D! D!
211
00:07:13,066 --> 00:07:16,112
IT'S 4-E. E... E... E AS IN
EVERYBODY JUST CALM DOWN, OK?
212
00:07:16,136 --> 00:07:17,146
[DOORBELL BUZZES]
213
00:07:17,170 --> 00:07:18,147
Man: HELLO?
214
00:07:18,171 --> 00:07:19,882
HELLO? Man: HELLO?
215
00:07:19,906 --> 00:07:20,883
HELLO?
216
00:07:20,907 --> 00:07:21,884
IS SOMEBODY THERE?
217
00:07:21,908 --> 00:07:25,421
HI. YES. UM, MY NAME
IS PAUL BUCHMAN.
218
00:07:25,445 --> 00:07:27,790
I USED TO LIVE IN
YOUR APARTMENT.
219
00:07:27,814 --> 00:07:30,759
IS THIS ABOUT THE OLIVES?
220
00:07:30,783 --> 00:07:31,760
THE WHAT?
221
00:07:31,784 --> 00:07:34,030
YOU LEFT A CAN OF OLIVES.
222
00:07:34,054 --> 00:07:37,200
NO. NOT ABOUT THE OLIVES.
223
00:07:37,224 --> 00:07:38,701
'CAUSE I ATE THEM.
224
00:07:38,725 --> 00:07:40,369
THEY'RE NOT HERE ANYMORE.
225
00:07:40,393 --> 00:07:43,027
IT'S OK. WE'RE NOT
HERE ABOUT THE OLIVES.
226
00:07:45,065 --> 00:07:46,175
WHICH ONE OF YOU WAS TALKING?
227
00:07:46,199 --> 00:07:47,576
HI. THAT WAS ME.
228
00:07:47,600 --> 00:07:50,780
I'M PAUL BUCHMAN, AND THIS
IS MY FATHER BURT BUCHMAN.
229
00:07:50,804 --> 00:07:52,882
MY COUSIN IRA. THESE
ARE FRIENDS OF MINE.
230
00:07:52,906 --> 00:07:53,883
HOW YOU DOIN'?
231
00:07:53,907 --> 00:07:55,250
HELLO. HELLO. HI.
232
00:07:55,274 --> 00:07:58,788
OH... I'M OSOFSKY.
233
00:07:58,812 --> 00:08:01,357
OSOFSKY. NICE TO
MEET YOU, MR. OSOFSKY...
234
00:08:01,381 --> 00:08:02,358
NO! JUST OSOFSKY!
235
00:08:02,382 --> 00:08:04,327
WHAT WAS THAT? NOT MR. OSOFSKY!
236
00:08:04,351 --> 00:08:05,795
JUST OSOFSKY, ALL RIGHT!
237
00:08:05,819 --> 00:08:06,996
I DON'T LIKE "MISTER."
238
00:08:07,020 --> 00:08:09,832
I DON'T LIKE "MASTER." OR "SIR."
239
00:08:09,856 --> 00:08:11,334
IF I LIVED IN SPAIN,
240
00:08:11,358 --> 00:08:13,269
I WOULD EQUALLY DISLIKE SEÑOR.
241
00:08:13,293 --> 00:08:17,073
I DON'T LIKE MONIKERS AS A
GENERAL RULE. THEY ALIENATE.
242
00:08:17,097 --> 00:08:18,974
YEAH. YEAH. THERE'S
NO NEED FOR THEM HERE.
243
00:08:18,998 --> 00:08:20,276
NONE. NONE.
244
00:08:20,300 --> 00:08:21,744
OK, NO MORE. THANK YOU.
245
00:08:21,768 --> 00:08:23,212
NO "MISTER," ALL RIGHT?
246
00:08:23,236 --> 00:08:27,783
UM... WHA... OSOFSKY...
247
00:08:27,807 --> 00:08:30,686
WHAT... WHAT WE'RE
DOING, WE'RE MAKING A FILM
248
00:08:30,710 --> 00:08:32,321
ABOUT MY FAMILY AND
THEIR EXPERIENCE IN AMERICA.
249
00:08:32,345 --> 00:08:33,656
THE FILM IS CALLED BUCHMAN.
250
00:08:33,680 --> 00:08:36,359
AH! THAT'S NICE. THAT'S
A GOOD IDEA. BUCHMAN.
251
00:08:36,383 --> 00:08:37,860
OH, THANK YOU. NO "MISTER."
252
00:08:37,884 --> 00:08:38,861
NO, SIR.
253
00:08:38,885 --> 00:08:39,862
NO. NO.
254
00:08:39,886 --> 00:08:42,732
YES? THAT, YOU SEE,
THAT IS A GOOD IDEA!
255
00:08:42,756 --> 00:08:43,833
YEAH. YEAH. THANK YOU.
256
00:08:43,857 --> 00:08:45,200
I WOULD GO TO A FILM LIKE THAT.
257
00:08:45,224 --> 00:08:46,736
WELL, I WOULD CERTAINLY
HOPE THAT YOU WOULD.
258
00:08:46,760 --> 00:08:48,905
I FIND MYSELF DISAPPOINTED
WITH MANY FILMS,
259
00:08:48,929 --> 00:08:51,073
BUT THAT ONE I THINK
WOULD BE VERY GOOD.
260
00:08:51,097 --> 00:08:52,241
WELL, ISN'T THAT NICE?
THANK YOU VERY MUCH.
261
00:08:52,265 --> 00:08:53,275
MAYBE YOU COULD HELP US OUT.
262
00:08:53,299 --> 00:08:54,410
I'LL DO MY BEST.
263
00:08:54,434 --> 00:08:57,346
WE, UM, OSOFSKY... YES?
264
00:08:57,370 --> 00:08:58,848
WHAT WE WOULD LIKE TO DO IS,
265
00:08:58,872 --> 00:09:00,850
WE WOULD LIKE TO
COME IN AND FILM...
266
00:09:00,874 --> 00:09:02,218
WITH YOUR PERMISSION,
OF COURSE...
267
00:09:02,242 --> 00:09:04,776
A VERY BRIEF WALKING
TOUR OF YOUR APARTMENT.
268
00:09:08,948 --> 00:09:09,925
JUST A MINUTE.
269
00:09:09,949 --> 00:09:10,949
SURE.
270
00:09:12,285 --> 00:09:13,296
[CRASH]
271
00:09:13,320 --> 00:09:17,100
[GROWLING] Osofsky: SIT! SIT!
272
00:09:17,124 --> 00:09:18,644
SIT! [GROWLING]
273
00:09:21,194 --> 00:09:22,405
PLEASE COME IN.
274
00:09:22,429 --> 00:09:24,940
UH... FELLAS?
275
00:09:24,964 --> 00:09:26,342
THANKS A LOT.
276
00:09:26,366 --> 00:09:27,843
HEY, UM, WATCH IT!
277
00:09:27,867 --> 00:09:29,845
AND... AND WATCH YOUR FEET!
278
00:09:29,869 --> 00:09:31,314
YOU'LL SCUFF! DON'T SCUFF!
279
00:09:31,338 --> 00:09:33,048
I DON'T SCUFF.
280
00:09:33,072 --> 00:09:35,884
AND THEY WERE NEVER
HEARD FROM AGAIN.
281
00:09:35,908 --> 00:09:38,053
I'M SORRY IT'S A LITTLE
BIT OF A MESS IN THERE,
282
00:09:38,077 --> 00:09:39,388
BUT I KNOW WHERE EVERYTHING IS.
283
00:09:39,412 --> 00:09:40,923
THAT'S FINE. NOT A PROBLEM.
284
00:09:40,947 --> 00:09:42,592
AKIBA, WHY DON'T YOU SET
UP HERE IN THE ENTRYWAY?
285
00:09:42,616 --> 00:09:45,461
AND THEN WE'LL PULL BACK AND FIND
MY DAD IN THE DOORWAY TALKING AND...
286
00:09:45,485 --> 00:09:47,697
SO, DAD, I NEED YOU
TO... WHERE'D HE GO?
287
00:09:47,721 --> 00:09:49,398
HEY, POP?
288
00:09:49,422 --> 00:09:52,035
HEY, POP? WHERE DID HE GO?
289
00:09:52,059 --> 00:09:53,236
Jamie: YOU LOST HIM?
290
00:09:53,260 --> 00:09:54,403
LOST MY FATHER!
291
00:09:54,427 --> 00:09:55,705
YOU LOST YOUR FATHER?!
292
00:09:55,729 --> 00:09:57,407
LOST MY FATHER!
293
00:09:57,431 --> 00:09:59,041
HE LOST HIS FATHER.
294
00:09:59,065 --> 00:10:00,142
SHALL I STOP?
295
00:10:00,166 --> 00:10:02,100
Both: NO, NO, NO, NO!
296
00:10:10,777 --> 00:10:12,989
OH, THIS IS GREAT.
THIS IS JUST GREAT!
297
00:10:13,013 --> 00:10:14,189
WHAT?
298
00:10:14,213 --> 00:10:16,125
MY MOTHER'S GONNA
KILL ME I LOSE MY FATHER.
299
00:10:16,149 --> 00:10:17,493
WOULD YOU JUST RELAX, PLEASE?
300
00:10:17,517 --> 00:10:19,528
RELAX? MY FATHER'S OUT
WANDERING AROUND SOMEWHERE.
301
00:10:19,552 --> 00:10:20,630
SO WHAT? HE'LL WANDER BACK.
302
00:10:20,654 --> 00:10:22,765
NO. SEE, THE MIND IS
THE FIRST THING TO GO.
303
00:10:22,789 --> 00:10:24,266
LIKE WHAT HAPPENED WITH
MARTY LEMBECK'S FATHER?
304
00:10:24,290 --> 00:10:25,267
WHAT? YOU DIDN'T HEAR?
305
00:10:25,291 --> 00:10:26,969
HE WENT OUT TO GET A HAIRCUT,
306
00:10:26,993 --> 00:10:28,571
AND THEN 2 WEEKS
LATER THEY FOUND HIM
307
00:10:28,595 --> 00:10:29,839
SELLING POCKET COMBS
AT GRAND CENTRAL.
308
00:10:29,863 --> 00:10:31,607
JEEZ. WELL, LOOK,
ALL RIGHT, LOOK,
309
00:10:31,631 --> 00:10:33,509
WE GOT A WHITE MALE ON FOOT,
310
00:10:33,533 --> 00:10:35,177
MAXIMUM SPEED 8
MILES AN HOUR, RIGHT?
311
00:10:35,201 --> 00:10:36,578
TIMES 15 MINUTES?
312
00:10:36,602 --> 00:10:38,781
WE DO A 6 BLOCK,
HARD-TARGET SEARCH.
313
00:10:38,805 --> 00:10:43,052
WE CHECK EVERY BATHHOUSE,
HENHOUSE, BOATHOUSE, AND OUTHOUSE.
314
00:10:43,076 --> 00:10:45,421
IT'S THE FUGITIVE. I
UNDERSTAND. ARE YOU DONE?
315
00:10:45,445 --> 00:10:47,790
YEAH. ALL RIGHT.
GOOD. YOU GO THAT WAY.
316
00:10:47,814 --> 00:10:49,491
I'M GOING THIS WAY.
WHAT ARE YOU DOING?
317
00:10:49,515 --> 00:10:50,893
I DON'T THINK WE SHOULD
SPLIT UP. WHY NOT?
318
00:10:50,917 --> 00:10:52,328
BECAUSE THEY DO
THAT IN THE MOVIES,
319
00:10:52,352 --> 00:10:54,397
10 MINUTES LATER SOMEBODY
WINDS UP WITH AN AX IN THEIR HEAD.
320
00:10:54,421 --> 00:10:56,565
WHAT, DID YOU JUST
GET HBO OR SOMETHING?
321
00:10:56,589 --> 00:10:58,134
I'M JUST SAYING.
322
00:10:58,158 --> 00:10:59,469
WHAT, ARE YOU SCARED?
323
00:10:59,493 --> 00:11:01,571
HEY, HEY, LOOK, I HAVE
NO IDEA WHERE I AM,
324
00:11:01,595 --> 00:11:03,172
IT'S GONNA GET
DARK, IT'S COLD...
325
00:11:03,196 --> 00:11:04,940
I THINK THOSE ARE
LEGITIMATE GROUNDS FOR FEAR.
326
00:11:04,964 --> 00:11:07,042
IT'S NOT THE WOODS, YOU KNOW?
327
00:11:07,066 --> 00:11:09,278
THERE'S LIGHTS. YOU
HAVE A COAT. STILL...
328
00:11:09,302 --> 00:11:11,314
MEANWHILE, WHILE WE'RE
DEBATING THIS, MY FATHER COULD BE...
329
00:11:11,338 --> 00:11:12,581
COULD BE WHAT?
WHATEVER! WHO KNOWS?
330
00:11:12,605 --> 00:11:13,882
WAIT A MINUTE! WHAT
ARE YOU THINKING?
331
00:11:13,906 --> 00:11:15,084
I DON'T EVEN WANT
TO THINK ABOUT IT.
332
00:11:15,108 --> 00:11:17,542
PAULIE, REALISTICALLY,
YOU THINK HE'S DEAD?
333
00:11:18,645 --> 00:11:20,022
WHAT ARE YOU TALKING ABOUT?
334
00:11:20,046 --> 00:11:22,157
NO, I'M CURIOUS. DO YOU
ACTUALLY THINK THIS MAN IS DEAD?
335
00:11:22,181 --> 00:11:23,859
SHUT UP! NO! OF COURSE NOT!
336
00:11:23,883 --> 00:11:24,893
COURSE NOT!
337
00:11:24,917 --> 00:11:26,229
YOU KNOW WHAT I THINK?
338
00:11:26,253 --> 00:11:28,531
I THINK HE PROBABLY
JUST TOOK A STROLL.
339
00:11:28,555 --> 00:11:30,333
YOU KNOW WHAT? THAT'S
PROBABLY ALL THAT HAPPENED.
340
00:11:30,357 --> 00:11:31,667
HE TOOK A LITTLE STROLL.
341
00:11:31,691 --> 00:11:32,802
LITTLE STROLL. LITTLE STROLL.
342
00:11:32,826 --> 00:11:33,903
TOOK A LITTLE STROLL
DOWN THE BLOCK.
343
00:11:33,927 --> 00:11:34,904
YEAH. LITTLE STROLL.
344
00:11:34,928 --> 00:11:36,972
DOWN ONE OF THOSE
DARK, ABANDONED BLOCKS
345
00:11:36,996 --> 00:11:38,174
WHERE THEY CAN'T
HEAR YOU SCREAM.
346
00:11:38,198 --> 00:11:39,275
ALL RIGHT, WHAT IS
THE MATTER WITH YOU?
347
00:11:39,299 --> 00:11:40,276
I'M A LITTLE SCARED.
348
00:11:40,300 --> 00:11:42,032
GO THAT WAY!
349
00:11:45,505 --> 00:11:46,904
Ira: UNCLE BURT?
350
00:11:47,974 --> 00:11:49,139
Paul: POP?
351
00:12:20,607 --> 00:12:21,917
[RADIO PLAYS]
352
00:12:21,941 --> 00:12:23,218
[BELL RINGS]
353
00:12:23,242 --> 00:12:24,720
IRWIN! BURT!
354
00:12:24,744 --> 00:12:26,756
HOW ARE YOU? HEY, PAULIE.
355
00:12:26,780 --> 00:12:30,393
MY WIFE NEEDS...
[WHISPERS] TAMPONS.
356
00:12:30,417 --> 00:12:32,828
AND WHILE YOU'RE AT IT,
A PACK OF CHESTERFIELDS.
357
00:12:32,852 --> 00:12:33,863
WHAT SIZE?
358
00:12:33,887 --> 00:12:34,864
KING.
359
00:12:34,888 --> 00:12:35,865
NO, THE TAMPONS.
360
00:12:35,889 --> 00:12:36,866
I DON'T KNOW. WHAT SIZE YOU GOT?
361
00:12:36,890 --> 00:12:38,601
GET REGULAR. TRUST ME.
362
00:12:38,625 --> 00:12:39,835
DAD, CAN I HAVE SOME CANDY?
363
00:12:39,859 --> 00:12:41,103
GUM? NO.
364
00:12:41,127 --> 00:12:42,304
NO, NO, NO. NO SWEETS.
365
00:12:42,328 --> 00:12:43,539
YOU'LL SPOIL YOUR
APPETITE FOR DINNER.
366
00:12:43,563 --> 00:12:44,740
JUST ONE PIECE.
367
00:12:44,764 --> 00:12:46,408
WHAT DID I SAY?
368
00:12:46,432 --> 00:12:48,272
FOR LATER? AH AH AH AH!
369
00:12:49,769 --> 00:12:51,847
BUT IT'S THE 5-PACK
OF BAZOOKA GUM!
370
00:12:51,871 --> 00:12:53,249
"A"... IT'S A REALLY GOOD DEAL,
371
00:12:53,273 --> 00:12:54,884
AND "2"... IT'LL
LAST A LONG TIME.
372
00:12:54,908 --> 00:12:56,385
YOU DON'T NEED ANY MORE GUM.
373
00:12:56,409 --> 00:12:57,819
YOU GOT CHICLETS UPSTAIRS.
374
00:12:57,843 --> 00:12:59,888
I'VE ALREADY SPENT A
FORTUNE ON THE DENTIST.
375
00:12:59,912 --> 00:13:02,191
HE GOT HIS MOTHER'S TEETH.
376
00:13:02,215 --> 00:13:03,826
DAD, PLEASE?
377
00:13:03,850 --> 00:13:05,427
HEY, WHAT DID I TELL YOU?
378
00:13:05,451 --> 00:13:06,462
WHY NOT?
379
00:13:06,486 --> 00:13:08,064
YOU KNOW WHY NOT?
380
00:13:08,088 --> 00:13:11,055
'CAUSE I'M YOUR FATHER, OK?
381
00:13:16,529 --> 00:13:18,207
OK, COME ON, WE SHOULD GO HOME.
382
00:13:18,231 --> 00:13:19,641
YOUR MOTHER'S MAKING POT ROAST.
383
00:13:19,665 --> 00:13:21,043
YOU LIKE POT ROAST.
384
00:13:21,067 --> 00:13:22,244
EH, NOT SO MUCH.
385
00:13:22,268 --> 00:13:23,634
NOT SO MUCH?
386
00:13:29,275 --> 00:13:30,920
HI. HEY.
387
00:13:30,944 --> 00:13:32,421
EXCUSE ME? YEAH?
388
00:13:32,445 --> 00:13:36,391
DID AN OLDER GUY, STURDY FELLA,
GRAY HAIR, HAPPEN TO WALK IN HERE?
389
00:13:36,415 --> 00:13:37,392
WHITE?
390
00:13:37,416 --> 00:13:39,250
YEAH. NO.
391
00:13:40,687 --> 00:13:43,766
YOU'RE THE FIRST WHITE
PERSON TO WALK IN TODAY.
392
00:13:43,790 --> 00:13:45,334
ARE YOU SURE?
393
00:13:45,358 --> 00:13:46,836
POSITIVE.
394
00:13:46,860 --> 00:13:49,204
COULD HE HAVE COME IN HERE
MAYBE AND YOU DIDN'T NOTICE IT?
395
00:13:49,228 --> 00:13:50,394
I WOULD HAVE NOTICED.
396
00:13:51,831 --> 00:13:52,942
NOW, WHY ARE YOU
LOOKING FOR THIS GUY?
397
00:13:52,966 --> 00:13:55,844
HE'S MY FATHER. HE
WANDERED OFF SOMEHOW.
398
00:13:55,868 --> 00:13:57,313
YOUR FATHER? YEAH.
399
00:13:57,337 --> 00:13:58,948
YOU LOST YOUR FATHER?
400
00:13:58,972 --> 00:14:00,482
YEAH.
401
00:14:00,506 --> 00:14:02,139
MAN!
402
00:14:04,211 --> 00:14:05,488
I'M NOT PROUD OF IT.
403
00:14:05,512 --> 00:14:07,856
AH, HE'LL TURN UP.
YEAH? YOU THINK SO?
404
00:14:07,880 --> 00:14:08,913
YEAH-HUH.
405
00:14:21,060 --> 00:14:22,871
YOU WANT SOMETHING?
406
00:14:22,895 --> 00:14:26,876
UH, NO. I JUST NOTICED YOU STILL
CARRY THESE 5-PACKS OF BAZOOKA.
407
00:14:26,900 --> 00:14:29,178
BOY, I DIDN'T EVEN KNOW
THEY MADE THOSE ANYMORE.
408
00:14:29,202 --> 00:14:30,679
YEAH. VERY POPULAR.
409
00:14:30,703 --> 00:14:33,983
YOU KNOW, RETRO.
410
00:14:34,007 --> 00:14:37,787
IN 1964, I CAME IN
HERE WITH MY FATHER,
411
00:14:37,811 --> 00:14:40,289
AND HE HAD HIS BACK TURNED,
412
00:14:40,313 --> 00:14:42,457
AND I ACTUALLY... I
SWIPED ONE OF THESE.
413
00:14:42,481 --> 00:14:44,559
I JUST SHOPLIFTED
IT RIGHT THERE.
414
00:14:44,583 --> 00:14:48,363
BOY, YOU SOUND
LIKE A REAL PRIZE.
415
00:14:48,387 --> 00:14:50,399
YOU KNOW WHAT?
416
00:14:50,423 --> 00:14:53,235
I WANT TO PAY YOU BACK FOR THAT.
417
00:14:53,259 --> 00:14:55,804
IT'S GUM.
418
00:14:55,828 --> 00:14:57,506
I KNOW, BUT YOU KNOW WHAT?
419
00:14:57,530 --> 00:14:58,840
I'D LIKE TO PAY YOU FOR IT.
420
00:14:58,864 --> 00:15:00,375
NO. WHY NOT?
421
00:15:00,399 --> 00:15:02,177
IT'S WEIRD.
422
00:15:02,201 --> 00:15:04,013
I THINK IT WOULD MAKE ME FEEL...
423
00:15:04,037 --> 00:15:06,749
ALL RIGHT! NOW, LET'S SEE,
YOU GOT A 5-PACK OF BAZOOKA...
424
00:15:06,773 --> 00:15:10,853
1964, 5 CENTS,
30 YEARS...$4,000.
425
00:15:10,877 --> 00:15:13,044
WHAT WAS IT?
426
00:15:14,180 --> 00:15:15,157
OH, THERE YOU ARE!
427
00:15:15,181 --> 00:15:16,491
I THOUGHT I LOST YOU, TOO.
428
00:15:16,515 --> 00:15:17,492
ANY LUCK?
429
00:15:17,516 --> 00:15:19,028
NO. I DON'T LIKE THIS, PAULIE.
430
00:15:19,052 --> 00:15:20,629
ALL RIGHT. ALL RIGHT.
YOU KNOW WHAT? LET'S GO.
431
00:15:20,653 --> 00:15:21,653
THANK YOU VERY MUCH.
432
00:15:24,023 --> 00:15:25,734
HEY, DID MY DAD SHOW UP?
433
00:15:25,758 --> 00:15:26,798
SADLY, NO.
434
00:15:27,760 --> 00:15:29,405
CAN I USE YOUR PHONE?
435
00:15:29,429 --> 00:15:31,574
I NEED TO CALL MY MOTHER.
MAYBE... MAYBE HE WENT HOME.
436
00:15:31,598 --> 00:15:34,076
THIS IS MY FAVORITE VIDEO.
437
00:15:34,100 --> 00:15:36,445
MA, HI, IT'S ME.
EVERYTHING'S FINE.
438
00:15:36,469 --> 00:15:38,781
UM, LISTEN, JUST CURIOUS...
439
00:15:38,805 --> 00:15:41,083
DID... DID DAD CALL?
440
00:15:41,107 --> 00:15:42,584
NO... YEAH, HE'S WITH ME.
441
00:15:42,608 --> 00:15:44,586
IT'S JUST THAT HE SAID
HE WAS GONNA CALL YOU
442
00:15:44,610 --> 00:15:46,255
SO I JUST WANTED
TO MAKE SURE HE DID.
443
00:15:46,279 --> 00:15:48,224
YEAH. OH, HE'S RIGHT HERE.
444
00:15:48,248 --> 00:15:50,960
I... PUT HIM ON?
445
00:15:50,984 --> 00:15:52,183
OK. HOLD ON A SECOND.
446
00:15:53,386 --> 00:15:54,363
HEY, POP?
447
00:15:54,387 --> 00:15:56,554
[DEEP VOICE] YES?
448
00:15:59,960 --> 00:16:02,038
IT'S... IT'S MOM FOR YOU.
449
00:16:02,062 --> 00:16:03,062
YES?
450
00:16:04,464 --> 00:16:06,309
WHAT, YOU CAN'T TALK TO HER NOW?
451
00:16:06,333 --> 00:16:07,509
I'M BUSY!
452
00:16:07,533 --> 00:16:08,945
YEAH, HE CAN'T TALK
TO YOU NOW. HE'S BUSY.
453
00:16:08,969 --> 00:16:10,446
SHE HEARD YOU. BUSY!
454
00:16:10,470 --> 00:16:12,548
OK. HE CAN'T 'CAUSE HE'S BUSY...
455
00:16:12,572 --> 00:16:14,383
HE'S DOING... WE'RE REHEARSING.
456
00:16:14,407 --> 00:16:16,385
'CAUSE HE... YEAH.
OK. YOU KNOW WHAT?
457
00:16:16,409 --> 00:16:18,421
I GOT TO, UH...
WHA... DAD... COMING!
458
00:16:18,445 --> 00:16:21,023
OK, I GOTTA GO. I
GOTTA GO. OK, BYE.
459
00:16:21,047 --> 00:16:22,091
WHAT'S THE MATTER WITH YOU?
460
00:16:22,115 --> 00:16:23,525
WHERE IS HE? SO,
WHERE IS HE NOW?
461
00:16:23,549 --> 00:16:25,149
IT'S GETTING DARK OUT.
462
00:16:26,219 --> 00:16:27,997
HEY, WHAT HAPPENED TO THE PARK?
463
00:16:28,021 --> 00:16:29,231
WHAT PARK?
464
00:16:29,255 --> 00:16:30,666
THE PARK. HERMAN BADILLO PARK.
465
00:16:30,690 --> 00:16:31,933
DON'T TELL ME
THEY PAVED OVER IT.
466
00:16:31,957 --> 00:16:33,335
THAT'S ON THE SOUTH
SIDE OF THE BUILDING.
467
00:16:33,359 --> 00:16:35,438
WHAT DO YOU MEAN, SOUTH SIDE?
468
00:16:35,462 --> 00:16:37,395
YOU COME OUT OF THE
ELEVATOR, YOU HANG A LEFT.
469
00:16:40,933 --> 00:16:42,633
IT'S THE SOUTH SIDE.
470
00:16:47,273 --> 00:16:50,207
[LAUGHTER]
471
00:16:54,481 --> 00:16:55,925
POP!
472
00:16:55,949 --> 00:16:59,128
OH, BOY. LOOK WHO'S HERE.
473
00:16:59,152 --> 00:17:01,096
HAVE YOU BEEN SITTING
HERE THE WHOLE TIME?
474
00:17:01,120 --> 00:17:04,421
HERE? YOU MEAN, HERE
IN OUR OLD APARTMENT?
475
00:17:06,725 --> 00:17:09,771
OK... LET ME JUST SAY...
476
00:17:09,795 --> 00:17:11,573
THIS IS LITTLE PAUL?
477
00:17:11,597 --> 00:17:13,542
WELL, THIS IS HIM.
NOT SO LITTLE.
478
00:17:13,566 --> 00:17:15,644
HEY, PAUL. MAYBE YOU
DON'T REMEMBER ME.
479
00:17:15,668 --> 00:17:17,179
ARTIE ZEITLIN.
480
00:17:17,203 --> 00:17:19,281
WE MOVED INTO THIS
APARTMENT WHEN YOU MOVED OUT.
481
00:17:19,305 --> 00:17:20,816
YOU USED TO LIVE DOWNSTAIRS.
482
00:17:20,840 --> 00:17:23,786
HE'S GOT SOME GOOD MEMORY,
THIS KID OF YOURS, HUH?
483
00:17:23,810 --> 00:17:25,120
ABOUT CERTAIN THINGS.
484
00:17:25,144 --> 00:17:26,489
HEY, LISTEN, THIS IS A REUNION.
485
00:17:26,513 --> 00:17:27,723
I'M GONNA GET MY CAMERA, OK?
486
00:17:27,747 --> 00:17:29,224
SURE.
487
00:17:29,248 --> 00:17:31,126
[SIGHS]
488
00:17:31,150 --> 00:17:34,629
OK, POP, LET ME JUST SAY,
489
00:17:34,653 --> 00:17:37,566
YOU WERE ABSOLUTELY RIGHT,
AND I WAS ABSOLUTELY WRONG,
490
00:17:37,590 --> 00:17:41,203
AND I'M SORRY. I APOLOGIZE.
491
00:17:41,227 --> 00:17:42,705
YOU THINK I LOST MY MIND?
492
00:17:42,729 --> 00:17:45,541
SNAPPED? GONE COMPLETELY
WHACK-A-DING-HOY?
493
00:17:45,565 --> 00:17:48,177
NO, I DON'T THINK THAT.
494
00:17:48,201 --> 00:17:49,678
I DON'T THINK THAT
YOU'VE SNAPPED.
495
00:17:49,702 --> 00:17:51,947
WAIT A MINUTE!
MAYBE YOU'RE RIGHT.
496
00:17:51,971 --> 00:17:53,248
WHAT?
497
00:17:53,272 --> 00:17:54,683
OK. OH, WHO ARE YOU?
498
00:17:54,707 --> 00:17:57,186
ARE YOU NOT PAUL MY SON?
499
00:17:57,210 --> 00:17:58,787
OH, YOU'RE NOT
THE COCKER SPANIEL.
500
00:17:58,811 --> 00:17:59,888
YEAH, OK, DAD.
501
00:17:59,912 --> 00:18:03,091
RUSTY? RUSTY! YOU
MADE YOUR POINT, POP.
502
00:18:03,115 --> 00:18:06,095
DON'T YOU THINK I KNOW
WHICH ONE IS THE HOLD BUTTON
503
00:18:06,119 --> 00:18:07,996
AND WHICH ONE IS
THE SWITCHHOOKS?
504
00:18:08,020 --> 00:18:10,232
I KNOW... I THOUGHT
YOU DID. I KNEW THAT.
505
00:18:10,256 --> 00:18:12,868
I WAS JUST DONE TALKING
TO YOU, THAT'S ALL.
506
00:18:12,892 --> 00:18:14,837
WHICH I KNOW NOW. I UNDERSTAND.
507
00:18:14,861 --> 00:18:16,972
Zietlin: WHERE THE HELL
IS THAT DAMN CAMERA?
508
00:18:16,996 --> 00:18:18,874
OH, COME HERE! LOOK
AT THIS! LOOK AT THIS!
509
00:18:18,898 --> 00:18:20,242
REMEMBER THE GROWTH DOOR?
510
00:18:20,266 --> 00:18:22,912
OH, MY GOD. SURE. LOOK AT THIS!
511
00:18:22,936 --> 00:18:26,015
SOMEHOW BETWEEN THIRD GRADE
AND FOURTH GRADE, I ACTUALLY SHRUNK.
512
00:18:26,039 --> 00:18:29,551
I THINK AFTER THE FOURTH
GRADE, I STOPPED MEASURING.
513
00:18:29,575 --> 00:18:30,585
HOW COME?
514
00:18:30,609 --> 00:18:32,020
OH, I DON'T KNOW.
515
00:18:32,044 --> 00:18:34,356
I GOT BUSY, AND YOU WERE
ALWAYS RUNNING SOMEPLACE.
516
00:18:34,380 --> 00:18:37,058
IT'S HARD TO MEASURE A
PERSON WHEN THEY'RE RUNNING.
517
00:18:37,082 --> 00:18:38,727
HERE! COME ON, COME
ON! HERE! STAND HERE.
518
00:18:38,751 --> 00:18:40,228
WHAT ARE YOU DOIN'?
JUST STAND THERE.
519
00:18:40,252 --> 00:18:41,897
WHAT ARE YOU DOIN'?
520
00:18:41,921 --> 00:18:44,432
I'M... I'M TAKING A MEASUREMENT!
521
00:18:44,456 --> 00:18:45,834
DAD, PUT THAT AWAY.
522
00:18:45,858 --> 00:18:47,903
YOU'RE HACKING UP
SOMEBODY ELSE'S WALL NOW.
523
00:18:47,927 --> 00:18:49,204
OH, COME ON. JUST
STAND OVER HERE.
524
00:18:49,228 --> 00:18:50,205
PUT THE KEY AWAY, POP.
525
00:18:50,229 --> 00:18:51,339
JUST BEHAVE YOURSELF, ALL RIGHT?
526
00:18:51,363 --> 00:18:53,475
HEY, HEY, HEY, HEY, HEY!
527
00:18:53,499 --> 00:18:54,843
LET ME TELL YOU SOMETHING.
528
00:18:54,867 --> 00:18:57,545
I APPRECIATE EVERYTHING
YOU DO FOR ME.
529
00:18:57,569 --> 00:18:59,547
BELIEVE ME, IT HASN'T
GONE UNNOTICED...
530
00:18:59,571 --> 00:19:02,117
HOW YOU TAKE CARE OF ME,
HOW YOU KEEP ME OUT OF TROUBLE.
531
00:19:02,141 --> 00:19:05,654
LET ME REMIND YOU OF ONE
FACT THAT'LL BE TRUE FOREVER
532
00:19:05,678 --> 00:19:07,358
NO MATTER HOW STUPID I GET.
533
00:19:08,447 --> 00:19:10,458
I'M STILL YOUR FATHER, HUH?
534
00:19:10,482 --> 00:19:11,994
COME ON. HERE.
535
00:19:12,018 --> 00:19:13,696
LET ME STAND AGAINST THE WALL.
536
00:19:13,720 --> 00:19:15,319
THAT A BOY!
537
00:19:18,224 --> 00:19:19,668
THERE!
538
00:19:19,692 --> 00:19:22,012
BOY, YOU HAD QUITE A SPURT!
539
00:19:23,162 --> 00:19:26,208
WELL, BETWEEN 10 AND
39, I REALLY SHOT UP.
540
00:19:26,232 --> 00:19:28,243
YEAH.
541
00:19:28,267 --> 00:19:31,947
LOOK... LOOK HOW MUCH I MISSED.
542
00:19:31,971 --> 00:19:33,871
THAT'S OK. NO, IT ISN'T.
543
00:19:35,141 --> 00:19:36,852
EVERY INCH COUNTS.
544
00:19:36,876 --> 00:19:38,420
WHEN YOU HAVE YOUR KID,
545
00:19:38,444 --> 00:19:40,322
YOU'RE GONNA BE A
MUCH BETTER MEASURER.
546
00:19:40,346 --> 00:19:42,992
WHAT DO YOU MEAN? WHAT
KID ARE YOU TALKING ABOUT?
547
00:19:43,016 --> 00:19:45,527
I DON'T KNOW. AREN'T YOU GONNA
HAVE A KID, DON'T YOU THINK?
548
00:19:45,551 --> 00:19:47,295
UH... SOMEDAY. YEAH! YEAH!
549
00:19:47,319 --> 00:19:49,397
AND I CAN TELL YOU THIS,
YOUR MOTHER'S COUNTING ON IT.
550
00:19:49,421 --> 00:19:51,233
NO, I KNOW THAT. YOU
KNOW WHAT I JUST REALIZED?
551
00:19:51,257 --> 00:19:52,801
I GOTTA... I GOTTA BE SOME...
552
00:19:52,825 --> 00:19:55,704
IF I LEAVE NOW, CAN YOU
GET YOURSELF HOME OK?
553
00:19:55,728 --> 00:19:57,640
WELL... I DON'T KNOW.
554
00:19:57,664 --> 00:19:58,641
ALL RIGHT.
555
00:19:58,665 --> 00:19:59,975
I DON'T KNOW WHERE I LIVE.
556
00:19:59,999 --> 00:20:01,176
ARE WE STILL IN ROMANIA?
557
00:20:01,200 --> 00:20:03,145
OK, POP. POINT TAKEN.
558
00:20:03,169 --> 00:20:04,212
ALL RIGHT.
559
00:20:04,236 --> 00:20:06,136
ALL RIGHT.
560
00:20:08,741 --> 00:20:10,485
BY THE WAY, THE
CABS, THEY'RE YELLOW,
561
00:20:10,509 --> 00:20:11,853
THEY HAVE THE LIGHTS ON TOP...
562
00:20:11,877 --> 00:20:13,310
GET OUTTA HERE!
563
00:20:14,680 --> 00:20:16,591
THAT WAS GOOD.
564
00:20:16,615 --> 00:20:17,592
HUH?
565
00:20:17,616 --> 00:20:18,993
I HAVE TO ADMIT IT.
566
00:20:19,017 --> 00:20:21,663
I HATE TO ADMIT IT,
THAT WAS VERY GOOD.
567
00:20:21,687 --> 00:20:22,898
YOU SEE WHAT I'M SAYING?
568
00:20:22,922 --> 00:20:25,133
GOOD EXCUSE!
569
00:20:25,157 --> 00:20:27,169
YEAH, AND ALL TRUE. NOT
AN IOTA OF EMBELLISHMENT.
570
00:20:27,193 --> 00:20:28,170
IT DIDN'T NEED IT.
571
00:20:28,194 --> 00:20:29,171
SO WILL YOU FORGIVE ME?
572
00:20:29,195 --> 00:20:31,173
OH, I DO. I DO.
573
00:20:31,197 --> 00:20:32,241
ME, TOO.
574
00:20:32,265 --> 00:20:34,709
AND I APOLOGIZE TO
YOU, LITTLE PERSON.
575
00:20:34,733 --> 00:20:36,979
EVEN THOUGH YOU
WEREN'T GOING ANYWHERE.
576
00:20:37,003 --> 00:20:37,980
WHAT IS THIS?
577
00:20:38,004 --> 00:20:40,215
WHAT? OH, MY GOD.
578
00:20:40,239 --> 00:20:41,917
I DID IT AGAIN.
579
00:20:41,941 --> 00:20:43,318
HA! YOU STOLE THIS?
580
00:20:43,342 --> 00:20:44,319
SHOULD I CALL THE POLICE?
581
00:20:44,343 --> 00:20:46,087
THAT'S TWICE IN ONE LIFETIME.
582
00:20:46,111 --> 00:20:47,088
WOW.
583
00:20:47,112 --> 00:20:48,156
KNOW WHAT? KNOW
WHAT THE THING IS?
584
00:20:48,180 --> 00:20:50,025
I'M NO DAMN GOOD IS THE PROBLEM.
585
00:20:50,049 --> 00:20:51,627
I DIDN'T KNOW THEY
MADE THIS ANYMORE.
586
00:20:51,651 --> 00:20:52,728
AM I ALLOWED TO HAVE THIS?
587
00:20:52,752 --> 00:20:53,896
I'M NOT YOUR DENTIST.
588
00:20:53,920 --> 00:20:55,397
COOL.
589
00:20:55,421 --> 00:20:56,865
ALL RIGHT. SO, ARE
WE READY TO DO THIS?
590
00:20:56,889 --> 00:20:58,667
YES, YES, YES. YES, PLEASE.
591
00:20:58,691 --> 00:21:01,202
ALL RIGHT, LIE BACK. PUT
THIS OVER YOUR PANTS.
592
00:21:01,226 --> 00:21:02,871
YOU EVER HEARD A
BABY'S HEARTBEAT BEFORE?
593
00:21:02,895 --> 00:21:03,872
NEVER.
594
00:21:03,896 --> 00:21:05,407
IT'S PRETTY WONDERFUL.
595
00:21:05,431 --> 00:21:07,876
WHY AM I NERVOUS?
596
00:21:07,900 --> 00:21:09,177
ME, TOO. I AM.
597
00:21:09,201 --> 00:21:11,379
NOTHING TO WORRY ABOUT.
598
00:21:11,403 --> 00:21:12,403
HERE YOU GO.
599
00:21:14,006 --> 00:21:15,405
OK...
600
00:21:19,545 --> 00:21:21,979
WHERE ARE YOU, LITTLE RASCAL?
601
00:21:24,016 --> 00:21:25,850
COME ON...
602
00:21:28,955 --> 00:21:31,822
HEY, COME ON, NOW.
603
00:21:32,892 --> 00:21:34,569
HONEY, TALK TO THE BABY.
604
00:21:34,593 --> 00:21:36,571
HEY, LITTLE BABY, COME ON.
605
00:21:36,595 --> 00:21:38,707
LET'S HEAR THAT HEARTBEAT.
606
00:21:38,731 --> 00:21:39,964
DON'T BE SHY.
607
00:21:43,136 --> 00:21:45,948
HEY, YOU HAVE TO DO THIS.
608
00:21:45,972 --> 00:21:47,883
YOU KNOW WHY?
609
00:21:47,907 --> 00:21:50,507
'CAUSE I'M YOUR FATHER.
610
00:21:53,545 --> 00:21:55,991
[RAPID LITTLE HEARTBEAT]
611
00:21:56,015 --> 00:21:57,414
AND THERE IT IS.
612
00:22:14,334 --> 00:22:16,544
[GURGLING]
613
00:22:16,568 --> 00:22:20,304
HEY, HEY! OH, THAT'S A
MILKY WAY BAR I HAD BEFORE.
614
00:22:22,408 --> 00:22:23,952
[SLOSHING]
615
00:22:23,976 --> 00:22:25,442
SOUP.
616
00:22:27,180 --> 00:22:29,624
[WHINING]
617
00:22:29,648 --> 00:22:32,528
SOMETHING I HAD IN HIGH
SCHOOL. COULDN'T TELL YOU.
618
00:22:33,552 --> 00:22:34,529
[RADIO NOISE]
619
00:22:34,553 --> 00:22:36,513
WOW! LUIS APARICIO
ROUNDING THIRD.
620
00:22:40,359 --> 00:22:42,159
[GROWLING] I DON'T KNOW.
43050
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
