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These are the user uploaded subtitles that are being translated: 1 00:00:01,104 --> 00:00:02,354 >> O'Brien: TONIGHT ON 2 00:00:02,347 --> 00:00:04,967 "HOT PACKAGE," OUCH! 3 00:00:04,970 --> 00:00:05,660 IT'S OFFICIAL. 4 00:00:05,660 --> 00:00:06,490 THE TOES HAVE IT. 5 00:00:06,489 --> 00:00:07,769 >> Beckles: WE TAKE A LOOK AT 6 00:00:07,766 --> 00:00:09,006 NORTH AMERICA'S FAVORITE NEW 7 00:00:09,009 --> 00:00:11,009 SHOW. 8 00:00:11,011 --> 00:00:12,911 SCARY PERRY CARAVELLO PLOPS BY 9 00:00:12,909 --> 00:00:14,809 TO GIVE US THE EXCLUSIVE INSIDE 10 00:00:14,807 --> 00:00:16,737 SCOOP ON HOW TO MAKE IT AS A MAN 11 00:00:16,740 --> 00:00:18,710 IN THIS WOMEN'S BUSINESS WE CALL 12 00:00:18,708 --> 00:00:19,258 SHOW. 13 00:00:19,260 --> 00:00:21,060 >> WHEN GOD CREATES YOU AS A 14 00:00:21,055 --> 00:00:23,225 LADY, BE A LADY. 15 00:00:23,230 --> 00:00:24,400 SHE JUST LOOKS LIKE A PIG. 16 00:00:24,403 --> 00:00:27,373 >> Beckles: [ LAUGHS ] 17 00:00:27,372 --> 00:00:29,032 >> Roark: EVERY BAD BOY LOVES TO 18 00:00:29,029 --> 00:00:31,029 TALK ABOUT THE LENGTH OF IT, HOW 19 00:00:31,031 --> 00:00:33,141 THICK IT IS, AND HOW IT SMELLS. 20 00:00:33,136 --> 00:00:34,686 THICK IT IS, AND HOW IT SMELLS. YOU GUESSED IT. 21 00:00:34,689 --> 00:00:35,859 YOU GUESSED IT. 22 00:00:35,863 --> 00:00:37,183 >> Beckles: THEN WE TURN SLOPPY 23 00:00:37,175 --> 00:00:38,865 POPS INTO DAPPER DADS. 24 00:00:38,866 --> 00:00:40,516 IT'S A SPECIAL DADDY/DAUGHTER 25 00:00:40,523 --> 00:00:41,943 "HOT PACKAGE" MAKEOVER. 26 00:00:41,938 --> 00:00:42,868 >> O'Brien: THEN... 27 00:00:42,870 --> 00:00:44,700 >> Roark: HOLLYWOOD UNDER SIEGE. 28 00:00:44,699 --> 00:00:46,529 OUR EXCLUSIVE DEATH TABULATOR 29 00:00:46,529 --> 00:00:48,149 JOINS "H.P." FOR THE LATEST 30 00:00:48,151 --> 00:00:49,701 JOINS "H.P." FOR THE LATEST AUTOMATED UPDATES. 31 00:00:49,704 --> 00:00:53,194 AUTOMATED UPDATES. 32 00:00:53,191 --> 00:00:53,741 >> CASH. 33 00:00:53,743 --> 00:00:54,783 >> Beckles: PLUS AND 34 00:00:54,778 --> 00:00:56,258 JEFF DEANE TURNER DROPS BY WITH 35 00:00:56,263 --> 00:00:57,093 A MOVIE REVIEW. 36 00:00:57,091 --> 00:00:58,021 >> MM. MAMMA MIA! 37 00:00:58,023 --> 00:00:58,753 [ CHUCKLES ] 38 00:00:58,748 --> 00:01:00,128 >> O'Brien: ALL THOSE STORIES 39 00:01:00,129 --> 00:01:01,719 AND MUCH MORE, ONLY HERE! 40 00:01:01,716 --> 00:01:03,056 >> Beckles: TONIGHT ON 41 00:01:03,063 --> 00:01:04,313 "HOT PACKAGE." 42 00:01:04,305 --> 00:01:05,475 >> O'Brien: YOU'RE WATCHING 43 00:01:05,479 --> 00:01:07,549 "HOT PACKAGE," THE BEST AND ONLY 44 00:01:07,550 --> 00:01:09,410 CURRENT ENTERTAINMENT NEWS 45 00:01:09,414 --> 00:01:11,934 PROGRAMMING. 46 00:01:11,933 --> 00:01:13,143 >> Beckles: HELLO, EVERYONE. 47 00:01:13,142 --> 00:01:14,452 WELCOME BACK TO "HOT PACKAGE." 48 00:01:14,453 --> 00:01:15,353 I'M DERRICK BECKLES. 49 00:01:15,351 --> 00:01:16,731 >> O'Brien: AND I'M PAT O'BRIEN. 50 00:01:16,731 --> 00:01:17,421 HI, EVERYBODY. 51 00:01:17,422 --> 00:01:18,292 HI, NORTH AMERICA. 52 00:01:18,285 --> 00:01:19,725 IT APPEARS AMERICA'S FAVORITE 53 00:01:19,734 --> 00:01:22,194 NEW COCKTAIL IS SHRIMP, OR 54 00:01:22,185 --> 00:01:24,635 SHOULD I SAY SHRIMPING,AND FANS 55 00:01:24,636 --> 00:01:27,256 ARE EATING IT UP. 56 00:01:27,259 --> 00:01:28,329 >> Beckles: WELL, AS YOU 57 00:01:28,329 --> 00:01:29,609 DEFINITELYKNOW BY NOW, 58 00:01:29,606 --> 00:01:31,746 SHRIMPING, A.K.A. TOE SUCKING, 59 00:01:31,746 --> 00:01:33,706 IS BACK, AND IT'S ALL 60 00:01:33,714 --> 00:01:34,654 COMPLIMENTS OF 61 00:01:34,646 --> 00:01:36,436 "JUST KICKIN' IT!" THE HOT, NEW 62 00:01:36,441 --> 00:01:38,341 SITCOM WITH A LOT OF SOUL, 63 00:01:38,339 --> 00:01:39,819 TALENTED PIGGIES, AND THEIR 64 00:01:39,823 --> 00:01:41,963 BROODING, HUNKY CO-SUCKING 65 00:01:41,963 --> 00:01:42,963 TOE-STARS. 66 00:01:42,964 --> 00:01:44,174 >> THIS NEVER HAPPENED. 67 00:01:44,173 --> 00:01:45,553 >> YES, SIR! 68 00:01:45,553 --> 00:01:49,803 >> THIS NEVER, EVER... 69 00:01:49,799 --> 00:01:50,419 HAPPENED. 70 00:01:50,420 --> 00:01:51,800 >> Beckles: PACKING IN THE 71 00:01:51,801 --> 00:01:53,291 RATINGS AND LAUGHS WEEK AFTER 72 00:01:53,285 --> 00:01:55,285 WEEK, THESE DOGS KEEP BARKING 73 00:01:55,287 --> 00:01:57,317 WITHOUT ANY NOISE COMPLAINTS. 74 00:01:57,324 --> 00:01:58,674 IN FACT, INSIDERS PREDICT 75 00:01:58,670 --> 00:02:00,260 "JUST KICKIN' IT!" HAS AT LEAST 76 00:02:00,258 --> 00:02:02,088 NINE MORE SEASONS IN IT. 77 00:02:02,087 --> 00:02:04,157 YOU GUESSED IT -- ONE FOR EACH 78 00:02:04,158 --> 00:02:04,568 TOE. 79 00:02:04,572 --> 00:02:05,992 >> O'Brien: WELL, LET'S HOPE 80 00:02:05,987 --> 00:02:07,367 NOBODY HAS PUT THEIR FOOT IN 81 00:02:07,368 --> 00:02:10,098 THEIR MOUTHS OVER THIS ONE. 82 00:02:10,095 --> 00:02:10,745 [ WAILING ] 83 00:02:10,751 --> 00:02:11,201 UH-OH. 84 00:02:11,200 --> 00:02:12,720 YOU KNOW WHAT THAT MUSIC MEANS! 85 00:02:12,718 --> 00:02:13,998 >> Roark: YOU GUESSED IT. 86 00:02:13,995 --> 00:02:16,135 BAD BOY HAIRDO NUMBER 50. 87 00:02:16,136 --> 00:02:18,026 BAD BOY HAIRDO NUMBER 50. [ TELEPHONE RINGS ] 88 00:02:18,034 --> 00:02:20,554 [ TELEPHONE RINGS ] 89 00:02:20,554 --> 00:02:21,904 >> HEY, MAN, I'M HUNGRY! 90 00:02:21,900 --> 00:02:23,110 SEND UP SOME FOOD! 91 00:02:23,108 --> 00:02:23,798 >> YEAH! 92 00:02:23,798 --> 00:02:24,828 >> NO. NO FOOD. 93 00:02:24,834 --> 00:02:26,874 >> NO. NO FOOD. >> DON'T MESS WITH ME, MAN! 94 00:02:26,870 --> 00:02:31,740 >> DON'T MESS WITH ME, MAN! 95 00:02:31,737 --> 00:02:32,597 >> O'Brien: MMM! 96 00:02:32,600 --> 00:02:33,710 SOMETHING SMELLS GOOD! 97 00:02:33,705 --> 00:02:35,215 TIME TO GO TO OUR ULTIMATE URBAN 98 00:02:35,224 --> 00:02:36,604 FASHION FANATIC, 99 00:02:36,604 --> 00:02:37,434 DERRICK BECKLES. 100 00:02:37,433 --> 00:02:38,093 >> FASHION. 101 00:02:38,088 --> 00:02:39,158 >> Beckles: TIME FOR A 102 00:02:39,159 --> 00:02:41,989 "HOT PACKAGE" MAKEOVER. 103 00:02:41,989 --> 00:02:43,919 MEET GORDON, A SELF-DESCRIBED 104 00:02:43,922 --> 00:02:45,232 NIGHTMARE ON FASHION STREET. 105 00:02:45,234 --> 00:02:46,724 AND IT WAS KEEPING HIS DAUGHTER 106 00:02:46,718 --> 00:02:49,128 EMILY UP ALL NIGHT LONG, UNTIL 107 00:02:49,134 --> 00:02:50,794 SHE FAXED ME A LETTER ASKING TO 108 00:02:50,791 --> 00:02:51,931 HELP HER DADDY OUT. 109 00:02:51,930 --> 00:02:53,860 I GAVE GORDON EXCLUSIVE ACCESS 110 00:02:53,863 --> 00:02:55,553 TO "H.P."'s BOUNTIFUL BEEF 111 00:02:55,554 --> 00:02:57,424 CAKES, COURTESY OF OUR "H.P." 112 00:02:57,418 --> 00:02:59,178 HOLLYWOOD HUNK VIDEO VAULT. 113 00:02:59,179 --> 00:03:00,729 HE WENT WITH THIS SUCCULENT, 114 00:03:00,732 --> 00:03:03,632 SOPHISTICATED STUD. 115 00:03:03,631 --> 00:03:05,431 >> BEING ABLE TO REFLECT WAS 116 00:03:05,426 --> 00:03:07,146 ALMOST LIKE REMINISCING ON 117 00:03:07,152 --> 00:03:09,192 THINGS THAT YOU COULD HAVE DONE, 118 00:03:09,189 --> 00:03:10,909 THINGS THAT YOU THOUGHT YOU 119 00:03:10,914 --> 00:03:12,124 SHOULD HAVE DONE. 120 00:03:12,122 --> 00:03:14,232 AND SOMETIMES THE BEST WAY TO 121 00:03:14,228 --> 00:03:16,578 LEARN ABOUT LIFE IS JUST TO MAKE 122 00:03:16,575 --> 00:03:17,705 MISTAKES. 123 00:03:17,714 --> 00:03:19,304 >> Beckles: STICK AROUND TO SEE 124 00:03:19,302 --> 00:03:20,582 EMILY REUNITED WITH HER 125 00:03:20,579 --> 00:03:21,509 MADE-OVER DADDY. 126 00:03:21,511 --> 00:03:23,001 >> O'Brien: I CAN ASSURE YOU 127 00:03:22,995 --> 00:03:24,545 I'LL BE PUTTING UP A "MISSING" 128 00:03:24,549 --> 00:03:25,789 POSTER FOR MY PATIENCE. 129 00:03:25,791 --> 00:03:26,691 [ WAILING ] 130 00:03:26,689 --> 00:03:27,139 UH-OH. 131 00:03:27,137 --> 00:03:28,587 YOU KNOW WHAT THAT MUSIC MEANS. 132 00:03:28,587 --> 00:03:31,627 >> Roark: YOU GUESSED IT. 133 00:03:31,625 --> 00:03:33,585 >> LOSING MONEY IS NOT ON MY 134 00:03:33,592 --> 00:03:34,212 MENU. 135 00:03:34,214 --> 00:03:36,294 AND I DON'T EXPECT IT TO BE ON 136 00:03:36,285 --> 00:03:39,385 YOURS. 137 00:03:39,391 --> 00:03:41,151 I DON'T WANT TO GO THROUGH LIFE 138 00:03:41,151 --> 00:03:42,881 EATING PEANUT BUTTER AND JELLY. 139 00:03:42,877 --> 00:03:44,847 I'LL GO THROUGH LIFE EATING 140 00:03:44,845 --> 00:03:46,945 LOBSTER AND CAVIAR AND TAKING 141 00:03:46,950 --> 00:03:49,440 YOU WITH ME. 142 00:03:49,436 --> 00:03:50,016 NOW... 143 00:03:50,022 --> 00:03:51,612 >> Roark: AND NOW LEGENDARY 144 00:03:51,610 --> 00:03:53,230 ENTERTAINER AND UNSTOPPABLE 145 00:03:53,233 --> 00:03:55,203 TRIPLE THREAT DERRICK BECKLES. 146 00:03:55,200 --> 00:03:57,240 IT'S TIME FOR "ONES ON ONE." 147 00:03:57,237 --> 00:03:59,067 >> Beckles: [ LAUGHS ] 148 00:03:59,066 --> 00:03:59,786 LAUGHING.s: [ LAUGHS ] 149 00:03:59,791 --> 00:04:00,411 CRYING. 150 00:04:00,412 --> 00:04:01,242 SCREAMING. 151 00:04:01,241 --> 00:04:03,241 THESE ARE ALL PART OF SUPERSTAR 152 00:04:03,243 --> 00:04:04,763 PERRY CARAVELLO'S CRAFT. 153 00:04:04,761 --> 00:04:06,631 AND NOW WE CAN ADD MALE GENDER 154 00:04:06,625 --> 00:04:07,935 GURU TO THE LIST, AS 155 00:04:07,937 --> 00:04:09,897 MR. CARAVELLO TELLS US ALL ABOUT 156 00:04:09,904 --> 00:04:11,874 HOW HE SEES THE FUTURE OF MEN IN 157 00:04:11,872 --> 00:04:13,742 AN INDUSTRY COMPLETELY RUN BY, 158 00:04:13,736 --> 00:04:14,806 AND FOR, WOMEN. 159 00:04:14,806 --> 00:04:16,286 I SAT DOWN WITH THE STAR OF 160 00:04:16,290 --> 00:04:18,090 "WINDY CITY HEAT," AND WE TALKED 161 00:04:18,085 --> 00:04:19,425 THE HARD LINE OF GENDER. 162 00:04:19,431 --> 00:04:22,161 WHAT DO YOU THINK WOMEN NEED TO 163 00:04:22,158 --> 00:04:24,608 UNDERSTAND ABOUT BEING A MAN 164 00:04:24,609 --> 00:04:28,509 THAT THEY DON'T UNDERSTAND? 165 00:04:28,509 --> 00:04:29,439 >> THE PACKAGE. 166 00:04:29,441 --> 00:04:31,061 THEY WON'T HAVE THE PACKAGE IF 167 00:04:31,063 --> 00:04:32,133 THEY'RE NOT A MAN. 168 00:04:32,133 --> 00:04:33,723 >> Beckles: PERRY CONTINUED TO 169 00:04:33,721 --> 00:04:35,071 TELL IT LIKE IT IS. 170 00:04:35,067 --> 00:04:36,787 >> UNLESS THEY DO WHAT, UH, 171 00:04:36,793 --> 00:04:38,733 SONNY BONO'S DUMBASS DAUGHTER 172 00:04:38,726 --> 00:04:40,996 DID -- HAD A FREAKING SEX 173 00:04:41,004 --> 00:04:41,904 CHANGE. 174 00:04:41,902 --> 00:04:43,522 SHE'S A WOMAN FOR LIFE. 175 00:04:43,524 --> 00:04:45,294 >> Beckles: DO YOU THINK 176 00:04:45,285 --> 00:04:47,145 ALYSSA MILANO'S ATTRACTIVE? 177 00:04:47,148 --> 00:04:49,878 >> YEAH. OH, YEAH. 178 00:04:49,875 --> 00:04:51,565 SHE'S A VERY ATTRACTIVE GIRL. 179 00:04:51,567 --> 00:04:53,117 >> Beckles: WOULD YOU DATE 180 00:04:53,120 --> 00:04:54,600 CHASTITY OR CHAZ, GIVEN A 181 00:04:54,604 --> 00:04:55,234 CHOICE? 182 00:04:55,225 --> 00:04:56,945 >> I HAVE FRIENDS THAT USED TO 183 00:04:56,951 --> 00:05:01,271 GO OUT WITH...HER WHEN SHE WAS A 184 00:05:01,266 --> 00:05:03,336 "GIRL." 185 00:05:03,337 --> 00:05:05,787 UH...BUT THEY -- BUT SHE WAS 186 00:05:05,788 --> 00:05:08,198 JUST TOO MUCH OF A TOMBOYISH 187 00:05:08,204 --> 00:05:11,384 KID, AND THEN THAT TOMBOY TURNED 188 00:05:11,380 --> 00:05:12,450 INTO A [BLEEP] 189 00:05:12,450 --> 00:05:14,520 >> Beckles: BUT IN CLASSIC PERRY 190 00:05:14,521 --> 00:05:16,351 STYLE, WITH TOUGH LOVE COMES 191 00:05:16,350 --> 00:05:17,700 TOUGHER TENDERNESS. 192 00:05:17,696 --> 00:05:18,836 >> THAT'S WRONG. 193 00:05:18,835 --> 00:05:20,105 >> Beckles: MM-HMM. 194 00:05:20,112 --> 00:05:22,112 >> OKAY, WHEN GOD CREATES YOU AS 195 00:05:22,114 --> 00:05:27,054 A LADY, BE A LADY, OKAY? 196 00:05:27,050 --> 00:05:29,670 BE A WOMAN. 197 00:05:29,674 --> 00:05:34,334 STOP TRYING TO CONTROL THE MANLY 198 00:05:34,334 --> 00:05:35,544 SIDE OF THE FENCE. 199 00:05:35,542 --> 00:05:37,232 >> Beckles: WHAT ELSE IS IT 200 00:05:37,233 --> 00:05:38,963 ABOUT BEING A MALE THAT'S SO 201 00:05:38,959 --> 00:05:40,889 IMPORTANT TO KNOW AND TO KEEP IN 202 00:05:40,892 --> 00:05:43,342 MIND? 203 00:05:43,343 --> 00:05:44,693 >> UH, I MEAN, YOU'VE -- YOU'VE 204 00:05:44,689 --> 00:05:46,589 STUMPED ME. 205 00:05:46,587 --> 00:05:48,067 UM... 206 00:05:48,071 --> 00:05:49,691 NORMALLY I'M NOT USED TO BEING 207 00:05:49,694 --> 00:05:51,424 STUMPED BECAUSE, UH, I'M USUALLY 208 00:05:51,420 --> 00:05:53,590 RIGHT ON MY TOES AND REALLY OUT 209 00:05:53,594 --> 00:05:54,494 THERE. 210 00:05:54,492 --> 00:05:57,502 THERE. UM...UM... 211 00:05:57,495 --> 00:06:03,185 UM...UM... 212 00:06:03,190 --> 00:06:05,020 >> O'Brien: NOW MORE ON PERRY'S 213 00:06:05,019 --> 00:06:06,089 INTERVIEW IN THE 214 00:06:06,089 --> 00:06:06,989 "WRAP UP ZONE." 215 00:06:06,987 --> 00:06:08,367 >> Roark: GREAT, GREAT 216 00:06:08,368 --> 00:06:09,128 INTERVIEW. 217 00:06:09,127 --> 00:06:10,677 HE MUST KNOW CHAZ REALLY WELL. 218 00:06:10,680 --> 00:06:12,200 >> Beckles: HMM, I DON'T -- I 219 00:06:12,199 --> 00:06:13,549 DON'T -- I DON'T THINK SO. 220 00:06:13,545 --> 00:06:14,575 >> O'Brien: UH-OH. 221 00:06:14,581 --> 00:06:15,551 [ WAILING ] 222 00:06:15,547 --> 00:06:17,137 YOU KNOW WHAT THAT MUSIC MEANS. 223 00:06:17,135 --> 00:06:17,855 TAKE A LOOK. 224 00:06:17,860 --> 00:06:21,310 >> Roark: YOU GUESSED IT. 225 00:06:21,311 --> 00:06:22,731 >> THEY'RE NOT GONNA LEAVE YOU 226 00:06:22,727 --> 00:06:24,177 ALONE TILL THEY KNOW THAT THEY 227 00:06:24,176 --> 00:06:25,556 GOT THAT WATERMELON THAT'S IN 228 00:06:25,557 --> 00:06:26,937 YOURPOCKET SITTING IN THEIR 229 00:06:26,938 --> 00:06:28,218 POCKET. 230 00:06:28,215 --> 00:06:30,075 HOW YOU GONNA GO BUY A NEW HOUSE 231 00:06:30,079 --> 00:06:31,809 OR A NEW ROLLS-ROYCE WHEN YOU 232 00:06:31,805 --> 00:06:34,455 AIN'T GOT A DIME IN YOUR POCKET? 233 00:06:34,463 --> 00:06:35,743 OH, YOU'RE GONNA PUT A TROPHY UP 234 00:06:35,740 --> 00:06:36,430 FOR COLLATERAL. 235 00:06:36,430 --> 00:06:37,780 YEAH. 236 00:06:37,776 --> 00:06:39,426 WELL, THE GUY AT THE BANK 237 00:06:39,433 --> 00:06:41,403 DOESN'T THINK SO, AND I DON'T, 238 00:06:41,401 --> 00:06:42,061 EITHER. 239 00:06:42,056 --> 00:06:43,676 CASH. 240 00:06:43,679 --> 00:06:45,269 >> Beckles: DON'T WORRY, EMILY. 241 00:06:45,266 --> 00:06:46,816 YOU'RE GONNA HAVE A HUNKY DADDY 242 00:06:46,820 --> 00:06:47,270 SOON. 243 00:06:47,268 --> 00:06:49,098 NOW IN-HOUSE CINEMANIAC AND 244 00:06:49,098 --> 00:06:50,718 "HOT PACKAGE" CELEBRITY 245 00:06:50,720 --> 00:06:52,620 SPECIALIST JEFF DEANE TURNER 246 00:06:52,619 --> 00:06:54,689 REVIEWS A MOVIE WITH BLACK GUYS 247 00:06:54,690 --> 00:06:56,170 IN IT. 248 00:06:56,174 --> 00:06:57,974 >> TODAY'S MOVIE IS CALLED 249 00:06:57,969 --> 00:06:59,139 "RAZOR SHARPE." 250 00:06:59,142 --> 00:07:01,352 >> [ SCREAMS ] 251 00:07:01,351 --> 00:07:04,081 [ BONES CRACKING ] 252 00:07:04,078 --> 00:07:05,798 BLACK GUY IN IT. 253 00:07:05,804 --> 00:07:08,394 [ GUNSHOT ] 254 00:07:08,393 --> 00:07:10,293 AND, UH, HE GETS HIRED AND THEN 255 00:07:10,291 --> 00:07:11,951 FIRED AND THEN HIRED AGAIN. 256 00:07:11,948 --> 00:07:13,708 >> THAT'S WHY I HAD YOU FIRED 257 00:07:13,709 --> 00:07:15,499 AND RE-HIRED AND FIRED AGAIN! 258 00:07:15,504 --> 00:07:16,714 >> AND THEN FIRED. 259 00:07:16,712 --> 00:07:18,612 >> YOU WILL FIRE HIM IN FRONT OF 260 00:07:18,610 --> 00:07:20,370 EVERYONE ON THIS [BLEEP] SET! 261 00:07:20,370 --> 00:07:21,030 >> OKAY! 262 00:07:21,026 --> 00:07:22,476 >> AND THEN GETS HIRED. 263 00:07:22,476 --> 00:07:24,366 >> THE PAY ISN'T GOOD, BUT IT'S 264 00:07:24,374 --> 00:07:25,384 A WAY BACK IN. 265 00:07:25,375 --> 00:07:26,615 ARE YOU INTERESTED? 266 00:07:26,618 --> 00:07:27,998 >> ARE YOU KIDDING? 267 00:07:27,999 --> 00:07:29,659 >> AND THEN FIRED AGAIN. 268 00:07:29,656 --> 00:07:30,926 >> YOU KNOW WHAT? 269 00:07:30,933 --> 00:07:32,803 THERE'S ONE BRIDGE ACROSS TO 270 00:07:32,797 --> 00:07:34,937 STARDOM, AND YOU JUST TOOK A CAN 271 00:07:34,937 --> 00:07:37,037 OF GASOLINE AND, POOF, TORCHED 272 00:07:37,042 --> 00:07:37,492 IT. 273 00:07:37,491 --> 00:07:39,601 >> [ LAUGHS ] 274 00:07:39,597 --> 00:07:41,877 ANYWAY, UH, YEAH, I'M A LIFETIME 275 00:07:41,875 --> 00:07:43,735 NATURAL GENETIC STRAIGHT.IFETIME 276 00:07:43,739 --> 00:07:45,879 MOST PEOPLE UNDERSTAND WHAT IT 277 00:07:45,879 --> 00:07:46,399 IS. 278 00:07:46,396 --> 00:07:48,496 NOW, THERE ARE PEOPLE THAT ARE 279 00:07:48,502 --> 00:07:50,682 BORN GENETICALLY WITHOUT FEAR. 280 00:07:50,677 --> 00:07:52,327 SOMETIMES THAT HAPPENS WITH 281 00:07:52,333 --> 00:07:53,373 OTHER EMOTIONS. 282 00:07:53,369 --> 00:07:55,059 THERE WAS A TV SHOW, AND I MET 283 00:07:55,060 --> 00:07:56,720 THE WOMAN -- A YOUNG WOMAN... 284 00:07:56,717 --> 00:07:57,817 >> Beckles: OKAY. 285 00:07:57,822 --> 00:07:58,892 [ WAILING ] 286 00:07:58,892 --> 00:08:00,032 >> O'Brien: UH-OH. 287 00:08:00,031 --> 00:08:01,651 YOU KNOW WHAT THAT MUSIC MEANS. 288 00:08:01,653 --> 00:08:02,973 >> Roark: YOU GUESSED IT. 289 00:08:02,965 --> 00:08:04,515 DEATH WAS THE HEADLINER THIS 290 00:08:04,518 --> 00:08:05,828 WEEK IN HOLLYWOOD, AND 291 00:08:05,830 --> 00:08:07,250 "HOT PACKAGE" WAS THERE. 292 00:08:07,245 --> 00:08:09,275 HERE'S OUR EXCLUSIVE TRIBUTE TO 293 00:08:09,281 --> 00:08:10,701 THE VICTIMS OF DEATH, 294 00:08:10,697 --> 00:08:12,557 HOLLYWOOD'S MOST DEVASTATING 295 00:08:12,561 --> 00:08:13,221 DISEASE. 296 00:08:13,216 --> 00:08:14,736 [ SOFT MUSIC PLAYS ] 297 00:08:14,735 --> 00:08:16,735 >> [ Echoing ] HMM, THAT GESTUNK 298 00:08:16,737 --> 00:08:18,597 OF A CANINE THINKS HE WILL BE 299 00:08:18,601 --> 00:08:22,471 THE FIRST DOG TO SCUBA-DOOBA. 300 00:08:22,467 --> 00:08:23,637 >> HERE'S YOUR SANDWICH, 301 00:08:23,641 --> 00:08:24,401 MOTHER[BLEEP] 302 00:08:24,400 --> 00:08:26,200 >> OH, YOU MOTHER[BLEEP] BITCH! 303 00:08:26,195 --> 00:08:29,195 OH, YOU MOTHER...[BLEEP] 304 00:08:29,198 --> 00:08:31,438 OH, YOU MOTHER...[BLEEP] AAH! 305 00:08:31,441 --> 00:08:41,211 AAH! 306 00:08:41,210 --> 00:08:42,900 AAH! >> AAH! 307 00:08:42,901 --> 00:08:48,561 >> AAH! 308 00:08:48,562 --> 00:08:49,812 [ TIRES SCREECHING ] 309 00:08:49,805 --> 00:08:50,425 >> AAH! 310 00:08:50,426 --> 00:08:51,836 >> HASTA LA VISTA,CHIA. 311 00:08:51,841 --> 00:08:52,811 YOU'RE ON OUR TURF. 312 00:08:52,808 --> 00:08:54,048 >> Roark: YOU GUESSED IT. 313 00:08:54,050 --> 00:08:55,290 >> Beckles: GREAT HAIRDO. 314 00:08:55,293 --> 00:08:56,193 [ WAILING ] 315 00:08:56,190 --> 00:08:57,120 >> O'Brien: UH-OH. 316 00:08:57,122 --> 00:08:58,572 YOU KNOW WHAT THAT MUSIC MEANS. 317 00:08:58,572 --> 00:08:59,822 >> Roark: YOU GUESSED IT. 318 00:08:59,815 --> 00:09:03,125 BAD-BOY HAIRDO 48. 319 00:09:03,128 --> 00:09:06,368 >> [ WAILING ] 320 00:09:06,373 --> 00:09:07,443 >> O'Brien: UH-OH. 321 00:09:07,443 --> 00:09:09,103 YOU KNOW WHAT THAT MUSIC MEANS. 322 00:09:09,100 --> 00:09:10,520 >> Roark: YOU GUESSED IT. 323 00:09:10,515 --> 00:09:12,135 WE HAVE SOME MAKEOVER RESULTS. 324 00:09:12,137 --> 00:09:13,787 WE'RE JOINED BY GORDON'SSULTS. 325 00:09:13,794 --> 00:09:15,624 DAUGHTER, EMILY, TO SEE HER 326 00:09:15,624 --> 00:09:17,254 DADDY'S TRANSFORMATION. 327 00:09:17,246 --> 00:09:19,246 >> Beckles: HE LOOKS ADORABLE. 328 00:09:19,248 --> 00:09:20,208 REMEMBER GORDON? 329 00:09:20,214 --> 00:09:21,914 HE WAS THE NIGHTMARE ON FASHION 330 00:09:21,906 --> 00:09:23,416 STREET THAT DRESSED LIKE HE 331 00:09:23,424 --> 00:09:24,704 LIVED IN A BOILER ROOM. 332 00:09:24,702 --> 00:09:26,222 FORTUNATELY, HIS DAUGHTER, 333 00:09:26,220 --> 00:09:28,020 EMILY, HAD THE GOOD SENSE TO BEG 334 00:09:28,015 --> 00:09:28,835 ME FOR HELP. 335 00:09:28,844 --> 00:09:30,604 GORDON CONSULTED THE VAULT AND 336 00:09:30,604 --> 00:09:32,404 PICKED THIS AU NATURAL STUD TO 337 00:09:32,399 --> 00:09:33,709 BASE HIS MAKEOVER ON. 338 00:09:33,711 --> 00:09:35,061 AND THEN I GOT BUSY WITH THE 339 00:09:35,057 --> 00:09:36,397 "HOT PACKAGE" MAKEOVER TEAM. 340 00:09:36,403 --> 00:09:38,093 WE BOUGHT HIM NEW SOCKS, GAVE 341 00:09:38,094 --> 00:09:39,724 HIM THE ULTIMATE MIDAS TOUCH 342 00:09:39,717 --> 00:09:41,577 WITH SOME GOLD HOOPS, KICKED HIS 343 00:09:41,581 --> 00:09:43,381 BROWS TO THE CURB, AND LEFT HIM 344 00:09:43,375 --> 00:09:44,995 NAKED TO LET HIS BODY DO THE 345 00:09:44,998 --> 00:09:46,618 TALKING, AND IT HAD A LOT TO 346 00:09:46,620 --> 00:09:47,070 SAY. 347 00:09:47,069 --> 00:09:48,589 >> O'Brien: IRRETRIEVABLY 348 00:09:48,588 --> 00:09:49,168 HANDSOME. 349 00:09:49,174 --> 00:09:50,734 >> Beckles: AND HERE'S YOUR DAD 350 00:09:50,728 --> 00:09:51,448 NOW, EMILY. 351 00:09:51,452 --> 00:09:54,112 LIVE ON THE "HOT PACKAGE" STAGE, 352 00:09:54,110 --> 00:09:56,250 FROM CRAPPY PAPPY TO FOXY 353 00:09:56,250 --> 00:09:59,840 FATHER, HERE'S GORDON! 354 00:09:59,840 --> 00:10:00,430 >> [ WAILING ] 355 00:10:00,427 --> 00:10:01,117 >> O'Brien: UH-OH. 356 00:10:01,117 --> 00:10:02,217 YOU KNOW WHAT THAT MUSIC MEANS. 357 00:10:02,222 --> 00:10:03,152 >> Roark: YOU GUESSED IT. 358 00:10:03,154 --> 00:10:04,164 DEATH WAS THE HEADLINER THIS 359 00:10:04,155 --> 00:10:04,905 WEEK IN HOLLYWOOD... 360 00:10:04,914 --> 00:10:05,614 >> MM. MAMMA MIA! 361 00:10:05,605 --> 00:10:06,635 >> Roark: ...AND "HOT PACKAGE" 362 00:10:06,640 --> 00:10:07,120 WAS THERE. 363 00:10:07,123 --> 00:10:08,503 >> I'M GONNA GET YOU THAT NEW 364 00:10:08,504 --> 00:10:09,894 MOMMY YOU'VE BEEN ASKING FOR, 365 00:10:09,885 --> 00:10:10,325 EMILY. 366 00:10:10,333 --> 00:10:11,713 >> Beckles: WE JUST FOUND OUT 367 00:10:11,714 --> 00:10:12,994 GORDON WAS BEATEN TO DEATH 368 00:10:12,991 --> 00:10:14,511 OUTSIDE OF THE STUDIO BY A GROUP 369 00:10:14,510 --> 00:10:15,300 OF JEALOUS MEN. 370 00:10:15,304 --> 00:10:16,694 AND IT MAY NOT REPLACE HER 371 00:10:16,685 --> 00:10:18,305 FATHER, BUT WE'D LIKE TO OFFER 372 00:10:18,307 --> 00:10:19,897 EMILY A FREE MAKEOVER FOR BEING 373 00:10:19,895 --> 00:10:20,965 SUCH A GOOD SPORT. 374 00:10:20,965 --> 00:10:21,785 >> [ SOBBING ] 375 00:10:21,793 --> 00:10:22,903 I CAN'T BELIEVE IT. 376 00:10:22,898 --> 00:10:24,308 >> O'Brien: AND THAT'S WHY 377 00:10:24,313 --> 00:10:25,873 EMILY IS "H.P."'s SMILE OF THE 378 00:10:25,866 --> 00:10:26,346 WEEK. 379 00:10:26,349 --> 00:10:28,489 [ WAILING ] 380 00:10:28,489 --> 00:10:29,559 UH-OH. 381 00:10:29,559 --> 00:10:33,009 YOU KNOW WHAT THAT MUSIC MEANS. 382 00:10:33,011 --> 00:10:34,461 >> LET YOUR STROKE OUT JUST A 383 00:10:34,461 --> 00:10:35,121 LITTLE BIT. 384 00:10:35,117 --> 00:10:35,567 CASH. 385 00:10:35,565 --> 00:10:37,015 MIKE TYSON'S OUT BACK WAITING. 386 00:10:37,015 --> 00:10:37,455 MONEY. 387 00:10:37,464 --> 00:10:39,024 DOES MY NOSE LOOK LIKE IT'S BEEN 388 00:10:39,017 --> 00:10:39,567 SMASHED? 389 00:10:39,569 --> 00:10:39,979 CASH. 390 00:10:39,984 --> 00:10:41,644 LET'S BREAK THIS GUY'S THUMBS. 391 00:10:41,641 --> 00:10:42,091 CASH. 392 00:10:42,089 --> 00:10:43,569 SOME BOOB IN WATTS COUNTY. 393 00:10:43,573 --> 00:10:44,403 DOLLAR SIGNS. 394 00:10:44,402 --> 00:10:45,472 INDEED, MY FRIEND. 395 00:10:45,472 --> 00:10:46,062 NO GOOD. 396 00:10:46,059 --> 00:10:46,539 CASH. 397 00:10:46,542 --> 00:10:48,482 >> SO I GIVE "RAZOR SHARPE" FOUR 398 00:10:48,475 --> 00:10:50,055 CHILI PEPPERS OUT OF FIVE. 399 00:10:50,063 --> 00:10:51,173 >> GET THE CASH. 400 00:10:51,167 --> 00:10:52,547 >> I CAN'T BELIEVE IT. 401 00:10:52,548 --> 00:10:53,408 >> I CAN'T BELIEVE IT. >> [ GRUNTS ] 25068

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