Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,000 --> 00:00:07,880
[drill whirring]
2
00:00:07,880 --> 00:00:10,440
NEWSCASTER: ...lock down
Ireland and New York.
3
00:00:10,440 --> 00:00:12,880
And here, in the UK,
we have shut down a few things
4
00:00:12,880 --> 00:00:16,960
but should the UK
be considering a national lockdown?
5
00:00:16,960 --> 00:00:18,640
Here's a little song while you think.
[Aine groans]
6
00:00:19,280 --> 00:00:21,920
♪ I can't recall the first time... ♪
7
00:00:21,920 --> 00:00:23,920
SHONA: Can't believe
the karaoke place has shut down.
8
00:00:24,400 --> 00:00:26,000
I love karaoke.
[Aine groans]
9
00:00:27,120 --> 00:00:29,320
I'm allowed to be sad, Aine.
10
00:00:29,320 --> 00:00:30,920
Yeah, I know it's serious.
11
00:00:30,920 --> 00:00:33,320
They shut down all the‐‐
I know the Irish airports are shutdown.
12
00:00:33,320 --> 00:00:34,360
It's still my hen.
13
00:00:34,360 --> 00:00:36,120
I am actually devastated
14
00:00:36,120 --> 00:00:38,120
that the cock‐sucking class I booked
got canceled
15
00:00:38,120 --> 00:00:40,040
'cause that was so you.
16
00:00:40,040 --> 00:00:42,080
Ow! Shona, stop it.
17
00:00:42,080 --> 00:00:43,200
Oh, I even hurt my hand.
Good!
18
00:00:43,200 --> 00:00:45,480
Good! Good that it hurt your hand.
19
00:00:45,480 --> 00:00:47,400
My friend just canceled
her whole wedding next month
20
00:00:47,400 --> 00:00:48,880
because her mum has asthma.
21
00:00:48,880 --> 00:00:50,200
It's too dangerous.
Seema!
22
00:00:50,200 --> 00:00:51,560
SHONA: Why would you say that?
Read the room.
23
00:00:51,560 --> 00:00:53,040
My wedding is in less than two months.
24
00:00:53,040 --> 00:00:54,680
Sorry, sweetheart. Facts though.
25
00:00:55,600 --> 00:00:57,400
Do you think it's too early
for breakfast Prosecco?
26
00:00:57,400 --> 00:00:58,600
To add to the orange juice.
27
00:00:58,600 --> 00:01:00,240
No, sure. It's all paid for.
Yeah, yeah, yeah.
28
00:01:00,240 --> 00:01:02,400
Yeah, exactly, yeah. Definitely.
29
00:01:02,400 --> 00:01:04,840
Is she okay? 10:30 in the morning.
30
00:01:04,840 --> 00:01:06,600
Not really. Vish, um...
31
00:01:06,600 --> 00:01:08,720
He's not supposed to tell me this,
so don't tell her I told you.
32
00:01:08,720 --> 00:01:10,240
[fake laughs]
33
00:01:10,240 --> 00:01:11,880
Actually, she'll probably tell us later.
34
00:01:12,640 --> 00:01:14,400
She's mad pissed because
35
00:01:14,400 --> 00:01:17,800
she found out her husband
spent 250 quid in a lap‐dancing club.
36
00:01:17,800 --> 00:01:18,520
She only found out‐‐
37
00:01:19,240 --> 00:01:20,960
She only found out
when she read the bank statements.
38
00:01:20,960 --> 00:01:22,480
Oh, my God!
39
00:01:22,480 --> 00:01:24,720
Well, at least, so he paid
the hard‐working woman
40
00:01:24,720 --> 00:01:26,120
above the living wage.
41
00:01:26,120 --> 00:01:27,960
Because it's actually very vulnerable
42
00:01:27,960 --> 00:01:30,320
to do a sexy dance for someone, you know?
43
00:01:30,320 --> 00:01:31,480
What?
44
00:01:31,480 --> 00:01:32,600
SEEMA:
Here we go.
45
00:01:32,600 --> 00:01:34,200
AINE:
Oh, there she is!
46
00:01:34,200 --> 00:01:36,800
Look at all that pineapple for one woman.
47
00:01:36,800 --> 00:01:38,040
WOMAN: Are you ladies the hen?
48
00:01:38,040 --> 00:01:41,920
Uh, yes, I think, madam,
that it is safe to assume
49
00:01:41,920 --> 00:01:43,800
that we are the hen. LOL.
50
00:01:43,800 --> 00:01:44,840
Ah! Shona!
51
00:01:44,840 --> 00:01:46,640
It's fun.
SHONA: It's two of us now.
52
00:01:46,640 --> 00:01:48,960
Don't put it on!
AINE: You said you wanted fun!
53
00:01:48,960 --> 00:01:50,800
Look at our nails, Mammy.
MAMMY: Ooh.
54
00:01:50,800 --> 00:01:51,920
Got my pedi.
55
00:01:51,920 --> 00:01:53,360
AINE:
It's almost like you're here, Mammy.
56
00:01:53,360 --> 00:01:54,360
There's Seema.
57
00:01:54,360 --> 00:01:55,600
Hiya!
58
00:01:55,600 --> 00:01:57,120
MAMMY:
Oh, hi, Seema.
59
00:01:57,120 --> 00:01:58,320
She looks drunk.
60
00:01:58,320 --> 00:02:00,560
Oh, and the Irish government
is locking me up.
61
00:02:00,560 --> 00:02:02,640
Not even giving me the chance
to go out and die,
62
00:02:02,640 --> 00:02:03,760
never mind live.
63
00:02:03,760 --> 00:02:05,680
Yeah, you're over 70, Mammy.
64
00:02:05,680 --> 00:02:07,440
"Over 70," it's insulting.
65
00:02:07,440 --> 00:02:10,800
But, look... [chuckles]
I have survived a war.
66
00:02:10,800 --> 00:02:11,760
So this is nothing‐‐
67
00:02:11,760 --> 00:02:14,040
What war did you survive?
68
00:02:14,040 --> 00:02:15,760
The Vietnam War.
69
00:02:15,760 --> 00:02:18,920
Oh, yeah, I forgot
you were in 'Nam, Mam.
70
00:02:18,920 --> 00:02:22,160
Oh, but, now,
how is my investment doing?
71
00:02:22,160 --> 00:02:23,160
Uh...
72
00:02:23,160 --> 00:02:26,080
Oh, she got in trouble with her boss
for sleeping with one of the parents.
73
00:02:26,080 --> 00:02:28,080
So not so good.
MAMMY: Oh, no.
74
00:02:28,080 --> 00:02:29,360
Shona, that's not funny.
75
00:02:29,360 --> 00:02:30,480
James still isn't talking to me.
It happened.
76
00:02:30,480 --> 00:02:32,720
Yeah, but it's not funny though.
So don't make jokes.
77
00:02:32,720 --> 00:02:35,480
"Oh, what a web we weave."
78
00:02:35,480 --> 00:02:37,960
"When first we begin to deceive."
Yeah, I know the poem, Mammy.
79
00:02:37,960 --> 00:02:39,400
Yeah, well, you should never lie.
80
00:02:39,400 --> 00:02:41,160
You'll always get caught out.
81
00:02:41,160 --> 00:02:42,600
Yeah, the reception is bad, Mam.
82
00:02:42,600 --> 00:02:43,920
I'll call you tomorrow.
What?
83
00:02:43,920 --> 00:02:44,800
Bye. I love you.
84
00:02:48,040 --> 00:02:49,040
[sighs in frustration]
85
00:02:49,040 --> 00:02:50,520
See her aghast face?
86
00:02:50,520 --> 00:02:52,040
Shona, that's...
87
00:02:54,240 --> 00:02:55,400
"Don't put me back in the box."
88
00:02:56,960 --> 00:02:58,520
[laughing]
89
00:02:58,520 --> 00:03:01,360
SHONA: [over phone] Yeah, she said
because her mother had asthma,
90
00:03:01,360 --> 00:03:03,120
she had to cancel the whole wedding.
91
00:03:03,120 --> 00:03:04,560
I mean, doesn't...
92
00:03:04,560 --> 00:03:06,480
your, uh, uncle have asthma?
93
00:03:06,480 --> 00:03:08,440
Yeah, he did, before he died. Yeah.
94
00:03:10,280 --> 00:03:13,160
Oh, shit. I'm sorry, honey. I forg‐‐
95
00:03:14,240 --> 00:03:15,960
I forgot. When was that again?
96
00:03:15,960 --> 00:03:17,920
VISH: [over phone]
I'm just messing with you. He's not dead.
97
00:03:17,920 --> 00:03:19,480
But he does have asthma, yes.
98
00:03:19,480 --> 00:03:20,680
SHONA:
Oh, you prick!
99
00:03:20,680 --> 00:03:21,960
[laughing]
100
00:03:22,520 --> 00:03:24,920
Listen, worse case,
we can just do it in the back garden.
101
00:03:24,920 --> 00:03:27,360
Yeah, that's what they all say
when they don't want to get you pregnant.
102
00:03:27,360 --> 00:03:29,280
VISH:
Wa‐wa. Nice one.
103
00:03:29,280 --> 00:03:31,680
Wa‐waaaaa.
104
00:03:32,960 --> 00:03:35,840
Listen, uh, speaking of that, um,
105
00:03:36,680 --> 00:03:39,800
remember when I told you
that Gaya had adopted kids?
106
00:03:39,800 --> 00:03:41,000
SHONA:
Gaya, your ex.
107
00:03:41,720 --> 00:03:43,200
Yeah, she's a great person.
108
00:03:43,200 --> 00:03:45,760
Well, uh, I realize that...
109
00:03:47,160 --> 00:03:50,200
you know, we've‐we've never
talked about that.
110
00:03:51,120 --> 00:03:53,760
Well, I mean, we‐we have.
111
00:03:55,040 --> 00:03:56,840
Having a baby, we‐‐
112
00:03:56,840 --> 00:03:57,880
Because I'm so old‐‐
113
00:03:57,880 --> 00:04:00,200
Well, I refute that but, no, just‐‐
114
00:04:01,720 --> 00:04:02,680
You know, adoption.
115
00:04:05,080 --> 00:04:08,320
Or is it just like a‐a total blanket...
116
00:04:09,520 --> 00:04:11,600
over kids, eh, so to speak?
117
00:04:12,280 --> 00:04:13,360
Yeah, I‐‐
118
00:04:14,240 --> 00:04:16,080
I mean, I just don't want anymore...
119
00:04:17,640 --> 00:04:20,200
changes I‐I suppose. I‐‐
120
00:04:21,080 --> 00:04:23,280
I‐I don't know, honey.
121
00:04:23,280 --> 00:04:26,160
It's my hen and, you know,
I'm three sheets to the wind. I‐‐
122
00:04:26,160 --> 00:04:28,800
Oh, Shona!
SEEMA: Get in here.
123
00:04:28,800 --> 00:04:31,600
SHONA:
Oh, I'm‐I‐I've got to go.
Anyway, I got to‐‐
124
00:04:31,600 --> 00:04:34,080
Okay. Uh, well, hey, you know,
don't fall in love with the stripper.
125
00:04:34,080 --> 00:04:36,800
I don't think I could recover
from the heartache.
126
00:04:36,800 --> 00:04:38,760
Okay, well, you know,
I'll let him fuck me.
127
00:04:38,760 --> 00:04:39,600
I just won't kiss him.
128
00:04:40,960 --> 00:04:41,640
I love you.
129
00:04:42,120 --> 00:04:43,120
Yeah, love you.
130
00:04:47,280 --> 00:04:48,160
AINE:
Inside!
131
00:04:48,160 --> 00:04:50,960
SEEMA:
Come on, get in here!
132
00:04:52,960 --> 00:04:54,080
♪ C'est La Vie by B‐Witched
playing on stereo ♪
133
00:04:54,080 --> 00:04:55,440
[Aine and Seema cheering]
134
00:04:55,440 --> 00:04:57,320
Oh, my God!
135
00:04:57,320 --> 00:05:00,080
Oh, my God!
AINE: Yay! It's your hen!
136
00:05:00,080 --> 00:05:02,080
[all laughing]
137
00:05:02,720 --> 00:05:04,280
Oh, my!
138
00:05:04,280 --> 00:05:07,160
Cocktails!
Barman, woo!
139
00:05:07,160 --> 00:05:08,240
Oh, my God, you got karaoke!
140
00:05:08,240 --> 00:05:10,400
Karaoke!
SHONA: I love karaoke.
141
00:05:10,400 --> 00:05:12,040
That flu is not gonna stop karaoke.
142
00:05:12,040 --> 00:05:14,320
SHONA: Oh, my God! Look at my hair!
[laughs]
143
00:05:14,320 --> 00:05:16,120
And your crown, madam.
144
00:05:16,120 --> 00:05:17,800
I'm not wearin' that.
145
00:05:17,800 --> 00:05:19,880
[indistinct chatter]
146
00:05:19,880 --> 00:05:22,320
♪ And then I go and spoil it all ♪
147
00:05:22,320 --> 00:05:26,120
♪ By saying something stupid
like I love you ♪
148
00:05:26,120 --> 00:05:27,720
Aw. Yay!
149
00:05:27,720 --> 00:05:29,040
Your voice, Shona.
150
00:05:29,040 --> 00:05:31,320
♪ I love you ♪
151
00:05:31,320 --> 00:05:33,680
Oh, don't. I get sad.
152
00:05:33,680 --> 00:05:35,040
♪ I love‐♪
153
00:05:35,040 --> 00:05:36,920
I do love you, I do love you.
154
00:05:36,920 --> 00:05:38,920
Are you having a nice night?
I love the night.
155
00:05:38,920 --> 00:05:41,040
I just wanted your hen‐‐
It's so fun.
156
00:05:41,040 --> 00:05:42,960
On a scale of parties, Shona, it's...
157
00:05:42,960 --> 00:05:44,440
♪ I love you ♪
158
00:05:44,440 --> 00:05:46,280
...uh, professional.
159
00:05:46,280 --> 00:05:48,280
SHONA:
Fuckin', I don't know, me on top?
160
00:05:48,280 --> 00:05:49,200
[Aine screams]
161
00:05:50,680 --> 00:05:51,560
Doggy style.
162
00:05:51,560 --> 00:05:53,840
[all screaming]
163
00:05:53,840 --> 00:05:55,760
That's my brother, Jesus!
164
00:05:55,760 --> 00:05:58,400
Ugh!
Oh, my God. Your kennel‐loving brother.
165
00:05:58,400 --> 00:05:59,760
Hey, Sho.
[kids screaming in background]
166
00:05:59,760 --> 00:06:02,160
I just want to say
I'm really sorry I can't be there.
167
00:06:02,160 --> 00:06:04,280
And I love you so much, you mad fucker.
[kids continue screaming]
168
00:06:04,280 --> 00:06:06,360
[loudly]
Guys, would you just be quiet?
169
00:06:06,360 --> 00:06:09,360
I'm trying to do a video message
for my friend. Oh, my God!
170
00:06:09,360 --> 00:06:10,840
[children squealing loudly]
171
00:06:10,840 --> 00:06:13,800
Sorry, listen, I'm just gonna
have to send this anyway
even though it's shit.
172
00:06:13,800 --> 00:06:15,160
I miss you lots. I love you.
173
00:06:15,160 --> 00:06:16,240
Bye.
174
00:06:16,240 --> 00:06:17,800
ALL:
Aw.
175
00:06:17,800 --> 00:06:18,920
Me too.
176
00:06:18,920 --> 00:06:20,080
She hated you.
177
00:06:20,080 --> 00:06:22,360
Oh, my God.
What a passive‐aggressive bitch. Honestly.
178
00:06:22,360 --> 00:06:24,120
[imitating friend]
"Oh, you're movin' to London now, are ya?
179
00:06:24,120 --> 00:06:25,960
"I bet you'll have a lovely time there.
180
00:06:25,960 --> 00:06:27,520
Oh, it will be really hard to find work."
181
00:06:27,520 --> 00:06:29,160
[normal voice]:
Oh, will it, Louise?
182
00:06:29,160 --> 00:06:31,280
Will it be hard to find work in London?
183
00:06:31,280 --> 00:06:32,600
Oh, fuck off.
184
00:06:32,600 --> 00:06:36,560
♪ She tells him your life
ain't gonna be nothing like my life ♪
185
00:06:36,560 --> 00:06:38,920
♪ You're gonna grow and have a good life ♪
186
00:06:38,920 --> 00:06:42,480
♪ I'm gonna do what I've got to do ♪
187
00:06:42,480 --> 00:06:44,680
♪ So rockabye baby... ♪
188
00:06:44,680 --> 00:06:48,880
I don't mind the strip club.
I'm loose and fun.
189
00:06:48,880 --> 00:06:52,480
I just don't want to feel like some,
"Oh, don't tell her indoors" 1950s wife.
190
00:06:52,480 --> 00:06:53,280
Yeah, yeah.
191
00:06:53,280 --> 00:06:55,560
Also, one of those girls
could have been your daughters.
192
00:06:55,560 --> 00:06:57,200
I mean, I don't have a daughter
193
00:06:57,200 --> 00:06:59,000
and your daughter is six, so‐‐
194
00:06:59,000 --> 00:07:00,800
AINE: Shona, pull up your knickers.
195
00:07:00,800 --> 00:07:01,640
The police are here.
196
00:07:01,640 --> 00:07:04,000
What do you mean, "The police are here"?
What are you talking about?
197
00:07:04,000 --> 00:07:05,760
AINE:
I don't know what they want.
198
00:07:05,760 --> 00:07:07,480
Oh, shit.
199
00:07:07,480 --> 00:07:10,360
♪
200
00:07:10,360 --> 00:07:11,760
Fuck off!
201
00:07:11,760 --> 00:07:15,080
[in Italian accent]
A little secret. It's not real police.
Oh, ho‐ho.
202
00:07:15,080 --> 00:07:17,240
SEEMA: How are you, Mr. Officer?
SHONA: No! Aine!
203
00:07:17,240 --> 00:07:18,840
SEEMA:
Go on, get in there.
204
00:07:18,840 --> 00:07:20,080
AINE: You're under arrest.
205
00:07:20,920 --> 00:07:23,320
It's my worst‐‐
AINE: You're under investigation.
206
00:07:23,320 --> 00:07:25,360
My worst nightmare.
207
00:07:25,360 --> 00:07:27,960
AINE: Anything you say or do
could be used against you.
208
00:07:27,960 --> 00:07:31,160
What is happening? Oh, no.
209
00:07:32,160 --> 00:07:34,240
Oh, no, no. Really?
210
00:07:34,240 --> 00:07:36,280
AINE: Yes!
Really?
211
00:07:36,280 --> 00:07:37,720
[Seema and Aine cheering]
212
00:07:37,720 --> 00:07:39,920
Thank you.
You can thank my husband for that.
213
00:07:39,920 --> 00:07:42,840
Anytime.
Oh, that's so kind of you.
214
00:07:42,840 --> 00:07:45,160
Now, again, as I said,
don't put your hand on top of those.
215
00:07:45,160 --> 00:07:46,960
It'll just squash, and they're so lovely.
Great.
216
00:07:46,960 --> 00:07:51,280
♪ So the train of pain remains ♪
217
00:07:51,280 --> 00:07:54,280
♪ And so everything stays the same ♪
218
00:07:54,280 --> 00:07:56,200
Do you think he wants to adopt?
219
00:07:56,200 --> 00:07:59,320
I don't know.
It's for you guys to talk through.
220
00:07:59,920 --> 00:08:01,960
Jesus! I just‐I just don't think
221
00:08:01,960 --> 00:08:05,560
I've ever really asked him
what he wants, you know?
222
00:08:06,520 --> 00:08:07,440
Fuck!
223
00:08:08,760 --> 00:08:12,000
He'd do anything for me, Seema, you know?
224
00:08:13,240 --> 00:08:14,360
He could kill for me.
225
00:08:14,880 --> 00:08:15,960
[Seema sighs]
226
00:08:15,960 --> 00:08:17,120
I think.
227
00:08:17,120 --> 00:08:20,240
Maybe you could have one kid,
a really small one,
228
00:08:20,240 --> 00:08:22,720
who could type and be handy?
229
00:08:22,720 --> 00:08:25,240
♪ And the days become the night ♪
230
00:08:25,240 --> 00:08:27,800
Sorry if I was bitching...
231
00:08:27,800 --> 00:08:31,040
♪ Sorry I was bitchy earlier about James ♪
232
00:08:31,040 --> 00:08:32,760
And Richard...
[Shona laughing]
233
00:08:32,760 --> 00:08:34,480
♪ Thank you, sister ♪
234
00:08:34,480 --> 00:08:37,560
♪ You got to fight for it, baby ♪
235
00:08:37,560 --> 00:08:42,080
♪ One affair with a widower
shouldn't ruin ♪
236
00:08:42,080 --> 00:08:43,240
♪ Everything ♪
237
00:08:43,240 --> 00:08:44,440
She wasn't his wife, Shona.
238
00:08:44,840 --> 00:08:46,360
She wasn't his wife.
239
00:08:47,760 --> 00:08:48,840
SHONA:
I don't want to look.
240
00:08:48,840 --> 00:08:52,000
Please, Shona.
Don't annoy me. Just look, would you?
No.
241
00:08:52,000 --> 00:08:54,000
Beyoncé'd fucking look for Solange.
242
00:08:54,000 --> 00:08:55,680
Come on.
Oh, my God!
243
00:08:57,560 --> 00:08:59,040
[crying]
I worry it could be cancer, Shona.
244
00:09:00,000 --> 00:09:01,040
I truly do.
245
00:09:02,400 --> 00:09:04,320
It's not cancer.
246
00:09:12,160 --> 00:09:13,760
[Shona laughing]
247
00:09:16,000 --> 00:09:19,120
It's a hemorrhoid. It's a hemorrhoid.
248
00:09:21,760 --> 00:09:23,800
You are... You are...
249
00:09:23,800 --> 00:09:25,240
Do you get enough fiber?
250
00:09:25,240 --> 00:09:26,240
It's private.
251
00:09:28,080 --> 00:09:29,960
[laughing]
Oh, my God. It's fucking...
252
00:09:31,080 --> 00:09:32,080
It's fucking huge.
253
00:09:32,880 --> 00:09:36,480
What, are you trying to birth
Gregg Wallace out of your bum hole?
254
00:09:36,480 --> 00:09:38,240
Mean sport, Shona.
255
00:09:38,240 --> 00:09:39,920
You should see a doctor.
256
00:09:39,920 --> 00:09:40,800
I can't.
257
00:09:44,040 --> 00:09:48,960
I can't go and see a doctor
and show my pickled asshole, Shona.
258
00:09:49,800 --> 00:09:52,640
The NHS is already
under enough stress as it is.
259
00:09:53,680 --> 00:09:55,760
[exhales] It wouldn't be fair on them.
260
00:09:55,760 --> 00:09:57,960
♪
261
00:09:59,960 --> 00:10:03,160
ETIENNE: Hi, Marcia.
MARCIA: Hello, my little friend, prince.
262
00:10:03,760 --> 00:10:05,360
ETIENNE: Aine?
Yes.
263
00:10:05,360 --> 00:10:07,360
ETIENNE: I have a T‐shirt to show you.
It's so funny.
264
00:10:07,360 --> 00:10:09,120
Oh, funny is my buzzword, man.
265
00:10:09,120 --> 00:10:10,640
Bring it down.
266
00:10:10,640 --> 00:10:12,320
You know, I was worried
267
00:10:12,320 --> 00:10:15,520
about whether going to France
would upset him too much...
Yeah.
268
00:10:15,520 --> 00:10:17,640
...or‐or that he wouldn't want
to come back,
269
00:10:17,640 --> 00:10:19,360
but he seems okay.
270
00:10:19,360 --> 00:10:22,040
Oh, and, do you know,
he's so excited to see you.
271
00:10:22,040 --> 00:10:24,680
Do you know what he's like?
He's actually like my little pal.
272
00:10:24,680 --> 00:10:25,960
Like I really, really missed him.
273
00:10:25,960 --> 00:10:28,440
Yeah. Um, listen.
Yeah?
274
00:10:29,480 --> 00:10:32,240
I think the reason I'm here tonight...
275
00:10:33,240 --> 00:10:34,120
is because...
276
00:10:35,360 --> 00:10:36,920
he's got a new girl on the go.
277
00:10:38,000 --> 00:10:39,360
No lie.
Really?
278
00:10:39,360 --> 00:10:40,640
Mm‐hmm, mm‐hmm.
279
00:10:40,640 --> 00:10:42,760
I found a couple of hair pins
in his room this week.
280
00:10:42,760 --> 00:10:43,960
[whispers]
Hairs on the pillow.
281
00:10:44,400 --> 00:10:47,080
Pillow? God, that's, um...
282
00:10:47,080 --> 00:10:48,240
Oh, my God. That's...
283
00:10:48,240 --> 00:10:51,760
You'd make a good CSI detective,
wouldn't you? Jesus!
284
00:10:51,760 --> 00:10:53,280
Don't tell him I said that.
285
00:10:53,280 --> 00:10:55,440
Just between us downstairs staff.
286
00:10:55,440 --> 00:10:56,800
[chuckles] Come on there, Marcia,
287
00:10:56,800 --> 00:11:00,200
we're hardly, um,
Downton Abbey here, you know.
288
00:11:00,200 --> 00:11:03,160
No, I know, but I mean,
the last one never even asked my name.
289
00:11:03,160 --> 00:11:04,720
Did she not? Oh, my God.
290
00:11:04,720 --> 00:11:05,560
Look.
291
00:11:05,560 --> 00:11:08,880
Ah, that is so original.
292
00:11:08,880 --> 00:11:10,880
Oh, my God, let‐‐
Do you have your phone?
293
00:11:10,880 --> 00:11:12,800
Oh, my God, we're getting a picture.
Getting a picture.
294
00:11:12,800 --> 00:11:15,640
Here we go. I'm... Oh‐ho‐ho‐ho.
Hang on... [indistinct]
295
00:11:15,640 --> 00:11:18,000
RICHARD: Etienne, I thought
the T‐shirt was just for me.
[camera shutter clicks]
296
00:11:18,000 --> 00:11:18,960
[all laugh]
297
00:11:20,200 --> 00:11:21,640
Thought you went to the pub.
298
00:11:21,640 --> 00:11:25,760
Yeah, but it was a bit more
of a sort of, um, member's bar thing.
299
00:11:25,760 --> 00:11:28,200
But, yeah, pub‐ish. Yeah.
Yeah!
300
00:11:28,200 --> 00:11:30,760
Hmm, he looks like a...
301
00:11:30,760 --> 00:11:33,440
He looks like a model in one
of them country catalogs, don't he?
302
00:11:33,440 --> 00:11:34,560
[Aine laughs]
[Richard scoffs]
303
00:11:34,560 --> 00:11:36,680
Yeah, very‐It's very stylish.
304
00:11:36,680 --> 00:11:39,240
Uh, thanks, Marcia. I think.
305
00:11:40,200 --> 00:11:41,320
[clears throat] Um...
306
00:11:42,360 --> 00:11:44,280
Well, I'm off, em, eh...
307
00:11:44,280 --> 00:11:46,920
because I am going to the pub.
Ah.
308
00:11:46,920 --> 00:11:49,720
Uh, uh, yeah,
just to see some friends, so...
309
00:11:49,720 --> 00:11:51,080
Near here or?
310
00:11:51,080 --> 00:11:53,040
'Cause I've actually, uh,
just ordered a taxi.
311
00:11:53,040 --> 00:11:55,080
So I‐I could give you a lift,
312
00:11:55,080 --> 00:11:57,400
uh, if you wanted, to the‐the pub.
313
00:11:57,400 --> 00:12:00,080
Oh, yeah. Great! Thank you.
314
00:12:00,080 --> 00:12:02,080
That'll be handy.
Very well, great. I'll drop you off.
315
00:12:02,080 --> 00:12:03,720
Thanks, really, Richard. Yeah.
Great.
316
00:12:03,720 --> 00:12:06,600
Uh... I'll, uh, just grab my coat.
Yes. Yeah.
317
00:12:06,600 --> 00:12:08,200
Okay.
Lovely. Okay.
318
00:12:10,600 --> 00:12:13,360
Em... Oh, so handy.
319
00:12:14,080 --> 00:12:16,920
[clears throat]
Okay, well, you both have fun then.
320
00:12:18,520 --> 00:12:20,920
Yeah, okay. Um, yeah, see you soon.
321
00:12:20,920 --> 00:12:22,600
Um, uh, bye, Etienne.
322
00:12:22,600 --> 00:12:24,240
ETIENNE: Bye, stupid.
323
00:12:24,240 --> 00:12:25,880
Oh, no, Etienne.
324
00:12:25,880 --> 00:12:28,800
Don't call me stupid,
I'll get all upset and sad.
325
00:12:28,800 --> 00:12:31,720
SHONA: Thanks for doing this, Jim.
It'll be good to get the word out there.
326
00:12:31,720 --> 00:12:34,600
JIM: Yeah, yeah. I‐I‐‐
So‐So, as she was saying...
327
00:12:35,080 --> 00:12:37,840
Gambling, tobacco companies.
328
00:12:37,840 --> 00:12:39,520
Deforestation...
Um, deforestation.
329
00:12:40,080 --> 00:12:42,880
CHARLOTTE: And most people,
um, and we mean most,
330
00:12:42,880 --> 00:12:46,320
don't know that their money,
their pensions, small and big,
331
00:12:46,320 --> 00:12:49,520
are mostly directly invested
in funding those things.
332
00:12:49,520 --> 00:12:51,000
Yeah. Yeah, it's mad.
333
00:12:51,000 --> 00:12:54,480
And‐And the investment world pretend
like there's nothing they can do about it.
334
00:12:54,480 --> 00:12:56,280
But we‐we don't believe that.
335
00:12:56,280 --> 00:12:57,840
Yeah, no, I get it, I get it. Okay.
336
00:12:57,840 --> 00:13:00,960
'Cause your‐your investments
don't cost the earth, so... Get it.
337
00:13:01,360 --> 00:13:03,240
So, do you‐do you have a pension, Jim?
338
00:13:04,520 --> 00:13:05,560
JIM: I sure do.
339
00:13:05,560 --> 00:13:07,280
And do you know what it funds?
340
00:13:07,280 --> 00:13:08,720
I sure don't.
341
00:13:08,720 --> 00:13:10,160
CHARLOTTE: Do you have children?
342
00:13:10,160 --> 00:13:10,760
Three.
343
00:13:11,320 --> 00:13:14,640
Well, I can imagine
that they'll care how it is invested,
344
00:13:14,640 --> 00:13:16,240
if they've no world to inherit.
345
00:13:16,240 --> 00:13:17,760
Uh, now a side note,
346
00:13:17,760 --> 00:13:20,200
just because, like, we wanna champion
diversity at the magazine.
347
00:13:20,200 --> 00:13:21,440
So are you‐are you...
348
00:13:22,440 --> 00:13:23,800
straight, Charlotte?
349
00:13:23,800 --> 00:13:24,560
Why...
350
00:13:25,320 --> 00:13:26,680
I mean,
what's that got to do with anything?
351
00:13:26,680 --> 00:13:30,560
Well, as I said, we‐we‐we wanna
champion anyone outside the box,
352
00:13:30,560 --> 00:13:32,920
you know, managing to make a go of it,
especially in the city.
353
00:13:33,480 --> 00:13:36,680
Am I "A brown lesbian
managing to make a go of it"?
354
00:13:37,320 --> 00:13:37,960
Um...
355
00:13:39,080 --> 00:13:39,720
Funny.
356
00:13:39,720 --> 00:13:40,720
Do‐Don't put that in‐‐
357
00:13:40,720 --> 00:13:43,560
Oh, God, don't worry, girls.
I know how to sell a good profile piece.
358
00:13:44,040 --> 00:13:44,960
[Shona sighs]
359
00:13:45,360 --> 00:13:47,200
Well, uh, right, uh...
360
00:13:47,920 --> 00:13:50,760
Um, oh. Yeah, probably need
to warm you up a bit. Readers like smiles.
361
00:13:50,760 --> 00:13:52,600
So, uh, tell each other a joke.
362
00:13:52,600 --> 00:13:54,880
Ugh. I don't know any.
Um...
363
00:13:55,880 --> 00:13:57,680
What do you call Postman Pat
on his holidays?
364
00:13:59,400 --> 00:14:00,480
What?
365
00:14:00,480 --> 00:14:01,200
Pat.
366
00:14:03,120 --> 00:14:04,520
It's the only one I know.
367
00:14:04,520 --> 00:14:07,200
You know, you could have
careers as models,
368
00:14:07,200 --> 00:14:08,960
if this, you know,
this doesn't work out.
369
00:14:08,960 --> 00:14:10,000
I don't know about that.
370
00:14:10,000 --> 00:14:13,240
I, uh, still got sausage eyes
from my hen do last night.
371
00:14:14,560 --> 00:14:16,960
Small‐Small hen do.
I'm just gonna put these on.
372
00:14:20,440 --> 00:14:21,320
Thank you.
373
00:14:21,320 --> 00:14:24,280
Heya! Come here, big man.
374
00:14:24,280 --> 00:14:28,080
Oh, fucking‐‐
How handsome are you? Christ!
375
00:14:28,080 --> 00:14:31,160
No wonder you've no personality.
There's just‐There's no need for one.
376
00:14:31,160 --> 00:14:33,360
Look at you, William Wallace.
377
00:14:33,360 --> 00:14:35,480
Aahh. And this is...
This is Mark.
378
00:14:35,480 --> 00:14:37,240
Oh, hello! Hi.
Hi.
379
00:14:37,240 --> 00:14:38,800
Sorry, you're gonna have to...
380
00:14:38,800 --> 00:14:39,520
Aine.
381
00:14:39,520 --> 00:14:40,680
Aine?
Yeah, yeah, yeah.
382
00:14:40,680 --> 00:14:42,600
And, unfortunately,
I have no personality either,
383
00:14:42,600 --> 00:14:43,560
'cause I'm so attractive.
384
00:14:43,560 --> 00:14:46,280
So... sorry about that,
it's gonna be a shit night.
385
00:14:46,280 --> 00:14:48,280
I'm just stuck here
with two attractive dry shites.
386
00:14:48,280 --> 00:14:50,120
RICHARD: Yeah. That's the deal.
[all laughing]
387
00:14:50,800 --> 00:14:52,960
Hey.
Oh, get a fucking room.
388
00:14:52,960 --> 00:14:55,480
Oh, no, we actually reserved this one.
So would you mind fuckin' off?
389
00:14:55,480 --> 00:14:57,240
[laughing]
390
00:14:58,080 --> 00:15:00,160
I fuckin' love Irish women.
391
00:15:00,960 --> 00:15:04,040
Right. Shall we get fucked up
on this overpriced menu?
392
00:15:04,040 --> 00:15:05,280
Babes, don't worry about the price
393
00:15:05,280 --> 00:15:08,120
'cause I actually work as a tutor
for a really wealthy guy.
394
00:15:08,120 --> 00:15:11,720
So, I got this. Honestly, don't‐‐
It's on me. Let me.
395
00:15:11,720 --> 00:15:15,280
Hey, listen, um, tell me a little bit
about this, um, boss guy of yours?
396
00:15:15,280 --> 00:15:17,960
Well‐‐
'Cause uh...
I've heard he's a real asshole.
397
00:15:17,960 --> 00:15:20,000
A massive asshole,
you can see it from space!
398
00:15:20,000 --> 00:15:21,240
[laughing]
399
00:15:21,240 --> 00:15:22,960
RICHARD:
You! No.
400
00:15:22,960 --> 00:15:27,480
I think the key thing to say is,
even if you don't want to actively do good
401
00:15:27,480 --> 00:15:29,440
but you just don't want
to actively do harm.
402
00:15:29,440 --> 00:15:31,560
Girls, I'll‐I will do my best
to try to convince our readers
403
00:15:31,560 --> 00:15:34,360
to give their money
to a hungover Irish woman
and a brown lesbian.
404
00:15:34,360 --> 00:15:37,160
Your words. Don't worry. I'm on your side.
405
00:15:42,040 --> 00:15:43,120
Charlotte.
406
00:15:43,760 --> 00:15:45,960
Charlotte, I'm sorry. I‐I‐I don't‐‐
407
00:15:45,960 --> 00:15:48,560
They can write what they want,
and I can handle it. I work in the city.
408
00:15:49,120 --> 00:15:53,080
What I can't handle is‐is
you look right through me now,
409
00:15:53,640 --> 00:15:56,120
when we speak, even‐‐
even when we fought the other week.
410
00:15:56,120 --> 00:15:58,160
This... this fakeness.
411
00:15:58,160 --> 00:15:59,800
What do you mean, "fakeness"?
412
00:15:59,800 --> 00:16:02,960
Have you ever felt like
you're the part of someone's autobiography
413
00:16:02,960 --> 00:16:05,600
where they learn from a situation,
looking back,
414
00:16:05,600 --> 00:16:08,400
but‐but you're the casualty
of them learning that lesson?
415
00:16:09,680 --> 00:16:12,080
I feel like... that's what I am for you‐‐
416
00:16:12,080 --> 00:16:13,960
Was for you.
417
00:16:14,640 --> 00:16:18,600
Made you realize that you love Vish
or‐or men or whatever.
418
00:16:18,920 --> 00:16:20,800
But I am a real person
who's in that story,
419
00:16:20,800 --> 00:16:24,200
and I deserve to be seen
and for you to bother to be upset about.
420
00:16:25,160 --> 00:16:27,440
I am worth that.
I know you're worth it.
421
00:16:27,440 --> 00:16:30,800
You diminish me as a person
by removing any care for me.
422
00:16:30,800 --> 00:16:31,480
I'm sorry.
423
00:16:33,480 --> 00:16:35,000
Charlotte, I'm really sorry. I‐‐
424
00:16:36,800 --> 00:16:37,440
I just‐‐
425
00:16:40,160 --> 00:16:40,680
I'm just‐‐
426
00:16:42,960 --> 00:16:44,560
[sniffling]
I'm just‐‐
427
00:16:44,560 --> 00:16:47,000
[inhales deeply]
I'm just very fuckin' hungover.
428
00:16:49,800 --> 00:16:51,240
I'm sorry.
429
00:16:52,480 --> 00:16:53,680
I'm sorry.
430
00:16:56,520 --> 00:16:57,200
I'm just‐‐
431
00:16:59,360 --> 00:17:01,640
I just‐When you told me
that you were falling for me‐‐
432
00:17:01,640 --> 00:17:03,360
I knew‐I knew it was that.
433
00:17:03,360 --> 00:17:05,640
No, um, maybe I'm a fuckin' psychopath.
434
00:17:05,640 --> 00:17:09,120
But it was just this sudden
weight of your feelings,
435
00:17:09,120 --> 00:17:11,800
and‐and‐and Vish, and my love for him,
436
00:17:11,800 --> 00:17:14,160
and our families, and our business,
and fuckin'‐‐
437
00:17:15,040 --> 00:17:17,400
Jesus, what we're trying
to build together here, and I just‐‐
438
00:17:18,160 --> 00:17:21,240
Ugh, I just thought
it would be better for us to‐‐
439
00:17:22,280 --> 00:17:25,520
And for you as well, if‐‐
if it was just clean and cold.
440
00:17:26,960 --> 00:17:29,760
Fuck's sake, Shona,
that is a teenage boy's logic.
441
00:17:30,680 --> 00:17:31,280
Yeah, maybe.
442
00:17:34,680 --> 00:17:37,320
But, then, you know,
when you tell me about your head stuff,
443
00:17:37,320 --> 00:17:39,960
I just think, with Aine and‐‐
Ouch!
444
00:17:39,960 --> 00:17:41,440
No, I don't mean it like that.
445
00:17:41,440 --> 00:17:44,160
I feel... embarrassed
even saying that out loud,
446
00:17:44,160 --> 00:17:47,280
but I just didn't think
I could be there for you too.
447
00:17:47,280 --> 00:17:48,640
Okay? Not properly.
448
00:17:48,640 --> 00:17:50,120
She just needs me so much.
449
00:17:50,120 --> 00:17:52,640
No. No. You need her to need you.
450
00:17:54,280 --> 00:17:58,200
May as well put your stupid Irish face
on the cover of Co‐Dependents Anonymous.
451
00:17:59,360 --> 00:18:01,480
Well, wouldn't be
very fuckin' anonymous then, would it?
452
00:18:04,520 --> 00:18:05,160
[Shona scoffs]
453
00:18:05,760 --> 00:18:08,400
I've spent the last four months
talking to my therapist about you.
454
00:18:12,160 --> 00:18:12,800
Go on then.
455
00:18:16,120 --> 00:18:18,680
She said to avoid you
and any other women in the closet.
456
00:18:18,680 --> 00:18:20,040
[scoffs] Well, I'm not‐‐
457
00:18:20,040 --> 00:18:22,680
Yeah, yeah, yeah, you always said.
I mean, I hope that you would've seen‐‐
458
00:18:24,200 --> 00:18:25,600
Well, yeah, you did a good enough job.
459
00:18:26,960 --> 00:18:28,000
Not like you have‐‐
460
00:18:29,600 --> 00:18:30,920
What was it you said that time?
461
00:18:32,120 --> 00:18:33,760
"Panic eating a melting ice cream."
462
00:18:33,760 --> 00:18:35,600
[laughing]
463
00:18:40,160 --> 00:18:42,760
God, I hope
this Jim fucker doesn't come back in.
464
00:18:42,760 --> 00:18:44,880
Could you imagine this for
"women in business"?
465
00:18:44,880 --> 00:18:47,400
[both laughing]
466
00:18:49,920 --> 00:18:52,440
[indistinct chatter]
467
00:18:52,440 --> 00:18:55,080
But she, you know‐‐
I fuckin loved‐‐
468
00:18:55,080 --> 00:18:57,360
She talks about, like, em, democracy,
469
00:18:57,360 --> 00:18:59,360
and how, like,
politicians have to go on TV
470
00:18:59,360 --> 00:19:00,840
because that's how they talk to us.
Yeah.
471
00:19:00,840 --> 00:19:03,400
Like the people they represent.
Well, that's‐Yes, part of their job.
472
00:19:03,400 --> 00:19:04,800
We gotta question them, you know?
AINE: Part of their job, yeah.
473
00:19:04,800 --> 00:19:07,400
We gotta see if they're
telling the truth.
Yeah, yeah, yeah.
474
00:19:07,400 --> 00:19:08,160
RICHARD: Who's this?
475
00:19:08,160 --> 00:19:11,280
It's, em, a podcast episode, the...
476
00:19:11,280 --> 00:19:12,880
MARK: It's the Desert Island, um...
It's, um...
477
00:19:12,880 --> 00:19:15,520
But we can't remember.
Yeah, can't remember her name.
478
00:19:15,520 --> 00:19:18,680
It's‐But it's her‐Uh, it's
her Desert Island Discs interview.
479
00:19:18,680 --> 00:19:19,920
I think they might be shutting up.
480
00:19:19,920 --> 00:19:22,400
A dome...
She dedicates that song to her kid.
481
00:19:22,400 --> 00:19:23,600
I think they might be closing up.
482
00:19:23,600 --> 00:19:25,720
My heart nearly fell out of my chest.
483
00:19:25,720 --> 00:19:29,480
'Cause I also‐I grew up
with a single‐mother family, you know?
484
00:19:29,480 --> 00:19:32,440
Sorry. What, em, did your‐‐
Did your dad‐did he die or...
485
00:19:33,360 --> 00:19:34,200
Yeah.
486
00:19:34,200 --> 00:19:35,520
Em, did you say they were closing up?
487
00:19:35,520 --> 00:19:36,840
RICHARD: Mm, yes.
MARK: What, it's closing time?
488
00:19:36,840 --> 00:19:38,600
RICHARD: Time to go.
AINE: Noooo.
489
00:19:42,040 --> 00:19:42,920
Who're you texting?
490
00:19:42,920 --> 00:19:44,400
She's fun, man.
Who are you texting?
491
00:19:45,480 --> 00:19:47,520
MARK: She's fun, man.
It's good to see you laughin'.
492
00:19:47,520 --> 00:19:50,040
Well, she's also very sweet too.
493
00:19:50,760 --> 00:19:51,600
She's amazing.
494
00:19:52,440 --> 00:19:54,720
MARK:
Oh, she bloody talks a lot though.
495
00:19:54,720 --> 00:19:56,320
Ah, says the one‐man chat show.
496
00:19:56,320 --> 00:19:58,040
Yeah, that's different though, isn't it?
497
00:19:58,040 --> 00:20:00,280
I mean, we haven't seen each other
in a long time.
498
00:20:00,280 --> 00:20:03,120
You know, I didn't expect her
to come in and do a fuckin' show.
499
00:20:03,120 --> 00:20:07,280
I‐I thought that at first,
but she‐she calms down.
500
00:20:07,280 --> 00:20:08,600
MARK: Hey, I'm not being shady
or anything.
501
00:20:08,600 --> 00:20:10,200
She kept me on my toes, all good.
502
00:20:10,200 --> 00:20:14,120
You know, you just don't wanna end up
with some messy bitch who lives for drama.
503
00:20:14,120 --> 00:20:14,920
Oh, come on, mate.
504
00:20:14,920 --> 00:20:16,920
No, no, it's just, uh, it's like‐‐
It's a phrase.
505
00:20:16,920 --> 00:20:19,040
She's‐Listen, she's fun. I like her.
506
00:20:19,040 --> 00:20:21,960
I'm only saying this because
you're like a brother to me.
507
00:20:21,960 --> 00:20:24,920
And you're also now a fuckin' legend to me
508
00:20:24,920 --> 00:20:28,080
because you're banging your son's teacher.
509
00:20:28,840 --> 00:20:30,480
That's the fantasy, pal.
[footsteps approaching]
510
00:20:32,960 --> 00:20:35,400
Heya.
Ah, we thought
you got flushed down the toilet.
511
00:20:35,400 --> 00:20:37,440
AINE: No. This place is so fancy,
512
00:20:37,440 --> 00:20:41,160
it just took me ages to, you know,
get all the free soaps and bits in my bag.
513
00:20:41,160 --> 00:20:44,200
Oh, yeah. Get what you can
from these places, that's what I say.
514
00:20:44,200 --> 00:20:48,640
Hey, my love,
it's been an absolute pleasure.
Oh... You too.
515
00:20:48,640 --> 00:20:50,560
MARK: You know, we should
do this again sometime.
516
00:20:50,560 --> 00:20:51,840
Oh, yeah. That'd be so nice.
517
00:20:51,840 --> 00:20:53,240
Yeah, I'm gonna be back in London
518
00:20:54,360 --> 00:20:55,960
in about a month or so.
519
00:20:56,920 --> 00:20:58,000
Mm.
520
00:20:58,000 --> 00:21:00,800
You know,
if this cough thing doesn't get me.
521
00:21:00,800 --> 00:21:02,040
[laughing]
522
00:21:03,040 --> 00:21:04,240
AINE:
He was so fun.
523
00:21:05,040 --> 00:21:05,600
RICHARD:
Yeah.
524
00:21:09,960 --> 00:21:11,480
I have to let you go, don't I?
525
00:21:11,480 --> 00:21:12,040
What?
526
00:21:13,120 --> 00:21:13,600
Oh.
527
00:21:14,600 --> 00:21:17,520
You said you were tired
with Etienne back and everything.
Oh, yeah, yeah, yeah, sorry.
528
00:21:17,520 --> 00:21:19,000
Yeah, yeah, yeah. It's‐Yeah.
529
00:21:23,480 --> 00:21:24,360
Oh, my God.
530
00:21:26,000 --> 00:21:27,240
She's run out of words.
531
00:21:27,240 --> 00:21:28,720
What? No.
532
00:21:30,000 --> 00:21:31,880
No, they're all still in there.
Just, um...
533
00:21:32,840 --> 00:21:35,040
You don't get
to hear them right now, so...
534
00:21:36,520 --> 00:21:37,720
Okay.
Yeah.
535
00:21:41,280 --> 00:21:43,440
Can I have‐Can I have one word?
536
00:21:44,120 --> 00:21:45,400
One word?
Yeah.
537
00:21:46,080 --> 00:21:48,040
Banana.
[both laugh]
538
00:21:49,000 --> 00:21:49,920
That's a good word.
539
00:21:51,760 --> 00:21:52,920
You okay?
Mm‐hmm.
540
00:21:54,040 --> 00:21:54,800
Sure?
Yeah.
541
00:21:54,800 --> 00:21:55,280
Okay.
542
00:21:58,960 --> 00:22:00,960
♪
543
00:22:00,960 --> 00:22:02,400
[over headphones]
Hello, I'm Lauren Laverne,
544
00:22:02,400 --> 00:22:04,960
and this is
the Desert Island Discs podcast.
545
00:22:04,960 --> 00:22:07,360
My castaway this week is Dorothy Byrne,
546
00:22:07,360 --> 00:22:11,440
the trailblazing, award‐winning,
grandam of television journalism.
547
00:22:11,440 --> 00:22:12,600
She spent‐‐
[Aine skips forward]
548
00:22:12,600 --> 00:22:14,640
DOROTHY BYRNE: [over headphones]
...politicians not telling the truth
549
00:22:14,640 --> 00:22:18,000
is not some eccentric view of my own.
550
00:22:18,000 --> 00:22:22,720
It's one shared by the British people.
It was really depressing...
551
00:22:22,720 --> 00:22:23,480
TAXI DRIVER:
Grenfell.
552
00:22:25,600 --> 00:22:26,520
Poor families.
553
00:22:27,480 --> 00:22:28,040
Hmm.
554
00:22:28,560 --> 00:22:29,880
TAXI DRIVER:
No justice for any of 'em.
555
00:22:31,160 --> 00:22:33,240
Not bloody fair this life, eh?
556
00:22:35,160 --> 00:22:36,200
It's awful.
557
00:22:42,560 --> 00:22:46,520
DOROTHY: [over headphones]
For a long period, just one piece of music
558
00:22:46,520 --> 00:22:48,720
which would keep her quiet.
559
00:22:48,720 --> 00:22:52,480
I hated it, but it would
definitely remind me of her.
560
00:22:52,480 --> 00:22:54,680
♪ Round and round
Round and round ♪
561
00:22:54,680 --> 00:22:57,840
♪ The wheels on the bus go
round and round ♪
562
00:22:57,840 --> 00:23:00,320
♪ All through the town ♪
563
00:23:00,320 --> 00:23:03,120
♪
564
00:23:03,120 --> 00:23:06,160
♪ The wipers on the bus go
swish, swish, swish ♪
565
00:23:06,160 --> 00:23:08,800
♪ Swish, swish, swish
Swish, swish, swish ♪
566
00:23:08,800 --> 00:23:11,840
♪ The wipers on the bus go
swish, swish, swish ♪
567
00:23:11,840 --> 00:23:14,400
♪ All through the town ♪
568
00:23:14,400 --> 00:23:16,840
♪
569
00:23:20,080 --> 00:23:23,200
♪ The horn on the bus goes
beep, beep, beep ♪
570
00:23:23,200 --> 00:23:25,680
♪ Beep, beep, beep
Beep, beep, beep ♪
571
00:23:25,680 --> 00:23:28,840
♪ The horn on the bus goes
beep, beep, beep ♪
572
00:23:28,840 --> 00:23:31,680
♪ All through the town ♪
573
00:23:31,680 --> 00:23:34,400
♪
43284
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
