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The crucial thing to know about
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Synthesizers to make
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Music is it's just that you have to understand that they're all the same more last sound
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Learning
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Since in general is just a good way to you know
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Get you closer to being able to like all I want I want a really humming
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You know based drone in there in you'll know
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That you need to low up a few saw way distributor or squares or something like that and then put
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You know what I filter a low pass filter on it a bit and then you know play low notes and that kind of stuff maybe
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Depending on how
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Bright or dark you want the sound you'll know that it's
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This is all a lot to do with the filter coefficient
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And
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You know you did because you'll know that you'll know how to use any sense to get that kind of sound
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I like hearing what scent they used and then hearing it
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Annoying in my mind do you know of how he was treated and process to not sound like how it does when I just plugged
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Nothing directly in in Monitor and listen to it
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More often than not you know it's like yep I know what song that was on I know what song that was on I know what song was that was on
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My favorite was
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I ain't got bunch of mentality bunch
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Plays at The Prodigy with a Firestarter they were big fans of the scent that came out now
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Course didn't know this at the time but I had to
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Found a Accord prophecy long time ago one of these weird alien spaceship looking things is kind of like at the
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Time the Holy Grail of the Neuse in things and a buddy of mine had one so I go over to his place and check it out and you know
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I'm like pressing something else changed some patches in De
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Courses this one patch is it sounds amazing as like as cool
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Like
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8-bit the presentation kind of textural washing it was called fire
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Star and it's like II
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Preset on on the cork thing and then of course it's the opening
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Like of the track Firestarter by The Prodigy and I thought that was love like the most hilarious
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I need the whole track after a preset which they used in the first thing the thing and that was kind of cool
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But
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Dino golf course that gets abused a lot so you know like that's okay
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Like
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Arthur the sensor program patches are plugins and stuff like that and then of course he's artist going they grab them
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Hit the one now and then and then there it is on the island and then and then you know
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I think eighty percent of the population saying wow that's the coolest thing I've ever heard and then
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It's always like you know
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But 10% within the temperature center of the of the unit producer population just
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Rolling their eyes like a g seeing like they didn't even do anything tonight
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The quickest way to learn you know synthesis in general I'm is is just you know downloading
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Cheapest free
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Or free you no plugins in the end messing around with them
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So you're going to have
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Yeah this is
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It's just
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Straight Outta the way there with the filter all the way open
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And then you can add it is is me mixing in and out
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Square wave with it
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Square and then a sine wave
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The pure
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Percentage will wait for him and then
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Cruciate
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Triangles
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Noise
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And then it's all about like well Unison is just
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What I'm doing here is I'm just cranking up the number of voices and then D tuning each Royce out
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Fan
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So it's going to give you more of a
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Lush sound because you have loved out
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Hank 6 Voices playing at a time there and then they all go get processed through
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Remember this filter
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So the filters either like an opening and closing on that now I'm just doing a manually but then you can assign envelopes to do
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That so the Decay amount of that envelope
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You know it's set wide open so it's going to take a long time for that to decay
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Of course the shorter
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I made that envelope
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You know the
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The quicker the Decay on on the closing of the low-pass filter
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At the low pass filter of course they're different types of filter so you have a bandpass witches
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Going to go it's like a band of frequency band that's just going to sweep as opposed to
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Just closing off the the high-end
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Cutting
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The high
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Frequency
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Then there's the opposite of a low pass filter which is a high-pass filter
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And then the resonance is the is the queue of the cube basically filters and eat Q
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So the residence is
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Just you know.
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Pica the Q that's
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Goblin
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At what frequency hear you're sliding it around on
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So it's it's more pronounced on low-pass filters
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So that's that's more or less how they work now this is just
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Basic additive synthesis so
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That's one way to do things now and other synthesizers of course you could have
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Multiple rays of oscillators and then have certain oscillators cross-feed and and cross modulate other
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Oscillator is giving you a whole variety of
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Yeah
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Different like tonal
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Thinks I'm
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But usually more often than not what kind of gives the sound it sound is is is something that you're putting on after it
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So if you have
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That
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That kind of sounding and it's just you know
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You want to
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Drive it a bit then I mean Ableton has an Overdrive
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Plug in an amp
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Lemcor suggesting the filter and then without later hi resident speak in it and it going into like a Nova
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Overdrive pedals going to get really like squelch
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Sound
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So there's there's like just
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Limitless routing possibilities you can do
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Synthesizers
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Envelopes in lfos and BCAAs and all that stuff are just basically extensions of you know how to
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Internally control your synthesis so
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If you take
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Serum for example to do the exact same thing here on producing ass Always by default
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So here I have an envelope and I have three envelopes they're all pretty blank right now right so
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Envelope won by default in the in this Plug-In or you could assign it otherwise it's just link to the
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Amplitude of the oscillator coming through so
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An envelope is exactly what it sounds and something that envelopes the the sound that you're trying to do
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And then you know shapes it in such a way
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So you can actually see in
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On a graph here is like
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They attended the
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Damp of the of the VCA which is
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This envelope
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So
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You can shape and a taxon
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That kind of thing now you can also take an envelope to and then assign it to you know
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Controlling your filters on me
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So now if I go to this envelope now and I've also got one controlling the
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Amp of the of the signalmen
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Now that one's doing the filter
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Now in any sense it's always going to have some kind of modulation Matrix
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Where are you know you can say oh and belong to I want it
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This is the source this is the amount in this is the destination and then there's auxiliary sources and all that stuff Tucson
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David Thompson
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The same applies for LFO which stands for low-frequency oscillation
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Which is
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Some like it as you play a lower know you know your
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Your waves get bigger and
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Longer overtime kind of thing so there really low frequency oscillations but low frequencies like
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You know
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Some 30 hurts kind of stuff
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So if I take an ally Fowler and I assign it to you know the filter cutoff
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It's
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Call just disabled
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So what that is is just
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But psycho oscillation
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So this is
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Ineffective Sawtooth wave file
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And then of course
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The higher the pitch of that oscillator
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And now you're starting to get into cross modulation after you go like you know pretty fast if I take the synth off
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What about a hundred herds
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You can actually
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Start a producer
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You know some really weird cross modulations
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So that's that
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In principle I guess my signature sound was this
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Dead
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Clock kind of sound right which was
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Essentially we'd have once oscillator going into a filter but instead of one I would take like 4
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And then go into two filters
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And then kind of stereo spread the filters a b****** for a little stereo with
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And then add an envelope that just controlled the decay of it so
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I can probably do it
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Serum
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Really quickly
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So when I play it
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Since going to play you know it's
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Initial program which is just
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Straight saw I was just actually pretty close to what we want
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So I'm going to turn on a filter there
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Okay so then I'm going to
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Putting unison
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For meaning there's four oscillators playing at the same time being detuned by this amount so
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This is straight
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MSI start to detune it
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The computer automatically are the the the plug-in automatically fans out the voices and then you can set the blending then
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You can do this all day long it just takes like
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10 minutes you know to do that kind of thing.
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Action route not stuffing it
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You know your sin starts
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Does it look like spaghetti and all that stopped by time it gets to this point even so
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But it's it's it's good exercise is fun to do in the analog world but if you just want
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A quick rough
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Drafted that sound you can
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Diesel use of BST for that
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So now another thing we need to do is Maybe
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Taking lf009 you could
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Do an envelope for this but just for simplicity's sake will take a low-frequency oscillation attach it to the
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Filter cutoff
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So you're going to get that
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But you want the rate to be an 8 to note so here you can just lock it to a VPN
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Good enough
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And then
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Curious
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Your filter coefficient and then your envelope amount
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It's not quite there so it's like
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I mean within this plug-in you can add a Reverb which basically means
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Oh okay so after I'm coming out of that since I'm going to go into a rack Reverb earthy Eventide or
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Or whatever
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Effects pedal
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So now
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That's just a built-in Reverb that comes with the plugin
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So I'll work and then I want to delay on that to like you know
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I need to know as well
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Because of the viesti I can always go back and say oh I don't want the Reverb for the delays.
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A bit much
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Or I want to change the delay you know I'm that kind of stuff like super quick and easy to do a PS3 plugins but the sacrifice you're making
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Nearest the sound do you know
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So you got to you got to pick and choose your battles really
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If it's if it's a background thing that's you know just kind of
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Adding into a mixet
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Totally find
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Do it this way or something like that you know but if it's a big feature element that's going to be solo then I I-10
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The go and use an external senthamarai
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Some analog equipment for that kind of thing
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Did the first bits of gear that I got
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You don't not nothing glorious nothing like much-sought-after or anything like that but
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I think my first kind of cool piece of gear was a rolling mc-303 which was if any
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He was familiar with that it's like a
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An old
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All-in-one kind of music-making since he was it was really weird it's like looking back now I was like
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The biggest joke of a thing if you were serious musician at that time but
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It was it was really handy to get my hands on you know a piece of equipment that I could learn inside
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Sidon Hound because
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A lot of the knowledge that I gained from just that one stupid little thin
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And it's
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Basic functions and stuff like that the still apply with
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Even the most high-end gear today and stuff like that because that's what they were trying to emulate out of this little box and stuff like that and then
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The controls weren't all there so you know I said do some menu diving and stuff like that but you know you got really quick and fast
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I didn't stuff like that so
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Having that said you know you learn I learned the
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Fundamentals of a cutoff frequency and resonance and envelopes how they work and how they affect sound
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Different waveforms of audio in and all that
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Stealth like just translates over to it
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Understand someone
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When I got this
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Beatbox this
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Mc-303 thing with the sandwiches basic I just used it for the sin
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I could then
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No go to music store and see all these other since and then immediately dive in and and know what
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Parameters doing what and all that stuff basically wants you to learn the basic food group so fly
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Synthesis then
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There's no plug and no
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That's just going to come in and completely mystify you you know because it's all the same
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Principles
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