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1
00:00:01,291 --> 00:00:02,959
PREVIOUSLY ON
BUFFY THE VAMPIRE SLAYER.
2
00:00:02,959 --> 00:00:04,333
GET DRESSED.
3
00:00:04,333 --> 00:00:05,792
FINN STAYS IN THE BRIG.
4
00:00:05,792 --> 00:00:08,458
HELPING AN HST ESCAPE
IS A COURT-MARTIAL OFFENSE.
5
00:00:08,458 --> 00:00:10,667
- YOU'RE ONLY GONNA
MAKE MATTERS WORSE.
- TALK LATER.
6
00:00:10,667 --> 00:00:12,458
STEALTHY ESCAPE NOW.
7
00:00:12,458 --> 00:00:16,542
BUFFY. IF I LEAVE NOW,
I CAN'T EVER COME BACK.
8
00:00:17,917 --> 00:00:20,125
SPIKE, I WANT YOU
TO COME WITH ME.
9
00:00:20,125 --> 00:00:23,542
YOU'RE GOING TO HELP ME
WITH MY PROBLEM. I AM
GOING TO HELP YOU WITH YOURS.
10
00:00:25,166 --> 00:00:28,625
YOU HAVE TO BE WITH
THE PERSON YOU L-LOVE.
11
00:00:28,625 --> 00:00:30,458
I AM.
12
00:00:30,458 --> 00:00:33,500
IT'S COMPLICATED
BECAUSE OF TARA.
13
00:00:34,583 --> 00:00:36,000
OH.
14
00:00:36,000 --> 00:00:37,583
ARE YOU FREAKED?
15
00:00:37,583 --> 00:00:40,708
I HAVE TO TELL YOU
SOME STUFF...
16
00:00:40,708 --> 00:00:42,458
ABOUT MY PAST.
17
00:00:44,125 --> 00:00:46,500
AND IT'S NOT ALL STUFF
THAT YOU'RE GONNA LIKE.
18
00:00:46,500 --> 00:00:47,834
[ Man ]
AND ON ANGEL.
19
00:00:47,834 --> 00:00:50,208
YOU DIDN'T THINK I WAS GONNA
FIND YOU, DID YOU?
20
00:00:50,208 --> 00:00:53,000
- THIS IS NOT GONNA HAPPEN.
- YOU'RE GONNA STOP ME?
21
00:00:53,000 --> 00:00:54,917
- DON'T DO THAT.
- FAITH, GO.
22
00:00:58,417 --> 00:01:01,417
I HAVE SOMEONE IN MY LIFE NOW
THAT I LOVE.
23
00:01:01,417 --> 00:01:04,208
YOU DON'T KNOW ME ANYMORE,
SO DON'T COME DOWN HERE
WITH YOUR GREAT NEW LIFE...
24
00:01:04,208 --> 00:01:06,708
AND EXPECT ME
TO DO THINGS YOUR WAY.
25
00:01:06,708 --> 00:01:08,375
GO HOME.
26
00:01:09,834 --> 00:01:12,041
AND THE MEN?
27
00:01:12,041 --> 00:01:13,750
THESE ARE EXCEPTIONAL BOYS.
28
00:01:13,750 --> 00:01:16,208
THEIR CAPTURE RATIO
JUST KEEPS INCREASING.
29
00:01:16,208 --> 00:01:18,917
THEY'RE KEEPING IT TOGETHER.
30
00:01:18,917 --> 00:01:21,125
MORALE IS A PROBLEM.
31
00:01:21,125 --> 00:01:25,458
THE DEATH OF PROFESSOR WALSH,
THE ESCAPE OF THE PROTOTYPE--
32
00:01:25,458 --> 00:01:27,583
CONTROLLING THE HSTs
IS GETTING HARDER.
33
00:01:27,583 --> 00:01:30,333
WE HAVE SERIOUS OVERCROWDING
IN THE CONTAINMENT AREAS.
34
00:01:30,333 --> 00:01:31,708
QUITE A MESS.
35
00:01:31,708 --> 00:01:33,417
IT'S NOT MY MESS, SIR.
36
00:01:33,417 --> 00:01:36,083
I'M JUST HOLDING THE FORT
WHILE YOU FIGURE OUT
37
00:01:36,083 --> 00:01:37,583
WHAT YOU WANT
TO DO WITH THE PLACE.
38
00:01:39,500 --> 00:01:44,834
THIS INCIDENT WITH FINN
WAS UNFORTUNATE.
39
00:01:44,834 --> 00:01:45,959
FELL IN WITH A BAD CROWD.
40
00:01:45,959 --> 00:01:48,542
QUITE FRANKLY, I DON'T THINK
HE WAS EVER THE SOLDIER
41
00:01:48,542 --> 00:01:50,291
THAT YOU ALL HOPED HE WAS.
42
00:01:50,291 --> 00:01:52,208
BOY THINKS TOO MUCH.
43
00:01:52,208 --> 00:01:55,750
NEVERTHELESS,
WE WANT HIM BACK.
44
00:01:55,750 --> 00:01:57,166
THE GOVERNMENT'S
INVESTED A SUBSTANTIAL--
45
00:01:57,166 --> 00:01:58,458
WE'LL CATCH UP TO HIM.
46
00:01:58,458 --> 00:02:02,500
MY FEELING IS HE WON'T
STRAY TOO FAR FROM THE GIRL.
47
00:02:02,500 --> 00:02:05,125
YES, UH...
48
00:02:05,125 --> 00:02:07,291
BUFFY SUMMERS.
49
00:02:07,291 --> 00:02:09,166
OUR DATA BANKS
DON'T HAVE MUCH ON HER.
50
00:02:09,166 --> 00:02:12,125
SHE'S JUST A GIRL.
51
00:02:12,125 --> 00:02:14,208
SHE'S A LOT
MORE THAN THAT.
52
00:02:14,208 --> 00:02:16,333
SLAYER'S DANGEROUS,
IS ALL I'M SAYING.
53
00:02:16,333 --> 00:02:18,583
YES, SHE MAKES
THINGS INTERESTING.
54
00:02:18,583 --> 00:02:21,375
NO. SEE, YOU'RE NOT
GETTING IT, MR. BITS.
55
00:02:21,375 --> 00:02:24,166
YOU'RE GONNA BE
INTERESTINGLY DEAD.
56
00:02:24,166 --> 00:02:26,583
LITTLE MISS TINY'S
GOT THE HABIT
OF BOLLIXING UP THE PLANS
57
00:02:26,583 --> 00:02:28,542
OF EVERY WOULD-BE
UNSTOPPABLE BAD-ASS
58
00:02:28,542 --> 00:02:31,000
WHO SETS FOOT IN THIS TOWN.
59
00:02:31,000 --> 00:02:34,583
JUST WANT YOU TO KNOW,
WHEN THE BIG UGLY GOES DOWN,
60
00:02:34,583 --> 00:02:36,458
SLAYER'S GONNA BE
RIGHT IN THE THICK OF IT.
61
00:02:36,458 --> 00:02:38,834
YOU READY FOR THAT?
62
00:02:38,834 --> 00:02:41,333
I'M COUNTING ON IT.
63
00:03:40,917 --> 00:03:42,959
[ Adam ] 2 SLAYERS.
64
00:03:42,959 --> 00:03:44,041
THAT'S RIGHT.
65
00:03:44,041 --> 00:03:46,250
AND YOU KILLED THEM BOTH?
66
00:03:46,250 --> 00:03:47,458
YEAH.
67
00:03:47,458 --> 00:03:49,500
I KILLED THE HELL
OUT OF THEM.
68
00:03:49,500 --> 00:03:51,500
YET YOU FEAR THIS ONE.
69
00:03:51,500 --> 00:03:53,291
HEY, WATCH IT, MATE.
70
00:03:53,291 --> 00:03:55,125
I DON'T FEAR ANYTHING.
71
00:03:55,125 --> 00:03:56,792
JUST KNOW MY ENEMIES.
72
00:03:56,792 --> 00:03:58,291
DO YOU?
73
00:03:58,291 --> 00:04:00,291
THEN WHY HAVEN'T YOU
KILLED THIS SLAYER YET?
74
00:04:00,291 --> 00:04:01,708
BECAUSE...
75
00:04:03,625 --> 00:04:05,667
STINKING ROTTEN LUCK IS WHY.
76
00:04:05,667 --> 00:04:08,250
ON TOP OF THAT, NOW I'VE
GOT THIS BUGGERING CHIP
UP MY HEAD.
77
00:04:08,250 --> 00:04:11,875
YES, YOUR BEHAVIOR
MODIFICATION CIRCUITRY.
78
00:04:11,875 --> 00:04:14,083
I KNOW WHAT YOU FEEL.
79
00:04:14,083 --> 00:04:15,125
NOT LIKELY.
80
00:04:15,125 --> 00:04:16,166
YOU FEEL SMOTHERED.
81
00:04:16,166 --> 00:04:18,250
TRAPPED LIKE AN ANIMAL.
82
00:04:18,250 --> 00:04:19,333
PURE IN ITS FEROCITY.
83
00:04:19,333 --> 00:04:22,041
UNABLE TO ACTUALIZE
THE URGES WITHIN.
84
00:04:22,041 --> 00:04:24,166
CLINGING TO ONE TRUTH,
85
00:04:24,166 --> 00:04:27,583
LIKE A FLAME, STRUGGLING TO BURN
WITHIN AN ENCLOSED GLASS.
86
00:04:27,583 --> 00:04:30,667
THAT A BEAST THIS POWERFUL
CANNOT BE CONTAINED.
87
00:04:30,667 --> 00:04:34,041
INEVITABLY, IT WILL BREAK FREE
AND SAVAGE THE LAND AGAIN.
88
00:04:35,542 --> 00:04:39,708
I WILL MAKE YOU WHOLE AGAIN,
MAKE YOU SAVAGE.
89
00:04:41,792 --> 00:04:44,208
WOW.
90
00:04:44,208 --> 00:04:45,500
I MEAN, YEAH.
91
00:04:46,708 --> 00:04:49,625
I GET WHY THE DEMONS
ALL FALL IN LINE WITH YOU.
92
00:04:49,625 --> 00:04:51,333
YOU'RE LIKE TONY ROBBINS,
93
00:04:51,333 --> 00:04:54,750
IF HE WAS A BIG, SCARY,
FRANKENSTEIN-LOOKING--
94
00:04:55,750 --> 00:04:58,667
YOU'RE EXACTLY
LIKE TONY ROBBINS.
95
00:04:58,667 --> 00:05:00,834
I WILL RESTORE YOU
TO WHAT YOU ONCE WERE...
96
00:05:00,834 --> 00:05:05,000
WHEN I HAVE THE SLAYER
HOW AND WHERE I WANT HER.
97
00:05:05,000 --> 00:05:07,792
[ Sighs ]
EASIER SAID.
98
00:05:07,792 --> 00:05:09,000
SHE'S CRAFTY.
99
00:05:09,000 --> 00:05:10,209
HER AND HER
LITTLE FRIENDS.
100
00:05:10,209 --> 00:05:11,458
FRIENDS.
101
00:05:11,458 --> 00:05:12,625
THERE'S YOUR--
102
00:05:12,625 --> 00:05:15,083
WHAT YOU CALL IT--
VARIABLE.
103
00:05:15,083 --> 00:05:16,375
THE SLAYER'S
GOT PALS.
104
00:05:16,375 --> 00:05:17,750
YOU WANT HER EVENING
THE ODDS IN A FIGHT,
105
00:05:17,750 --> 00:05:20,250
YOU DON'T WANT
HER SLAYERETTES
MUCKING ABOUT.
106
00:05:20,250 --> 00:05:21,792
TAKE THEM AWAY FROM HER.
107
00:05:23,083 --> 00:05:24,667
WELL, THERE'S A PLAN.
108
00:05:25,917 --> 00:05:27,583
SHE'S WORKING SOLO,
SHE WON'T HAVE A CHANCE
109
00:05:27,583 --> 00:05:29,750
TO COME AFTER US WHEN
THE WILD RUMPUS BEGINS.
110
00:05:29,750 --> 00:05:31,542
[ Chuckles ]
111
00:05:31,542 --> 00:05:33,166
PLUS, IT'LL MAKE HER
MISERABLE,
112
00:05:33,166 --> 00:05:35,750
AND I NEVER
GET TIRED OF THAT.
113
00:05:39,875 --> 00:05:42,083
YEAH.
114
00:05:42,083 --> 00:05:43,917
LEAVE 'EM TO ME.
115
00:05:43,917 --> 00:05:45,792
YOU CAN'T HURT THEM.
116
00:05:45,792 --> 00:05:48,583
WHAT CAN YOU DO TO MAKE SURE
THEY'RE OUT OF THE PICTURE?
117
00:05:48,583 --> 00:05:51,333
NOT A BLESSED THING.
118
00:05:51,333 --> 00:05:53,125
THEY'RE GONNA
DO IT FOR ME.
119
00:06:20,417 --> 00:06:23,083
[ Riley ] YOU KNOW
IF SHE'S BACK YET?
120
00:06:23,083 --> 00:06:25,917
[ Xander ] L.A. WOMAN?
HAVEN'T HEARD FROM HER.
121
00:06:25,917 --> 00:06:27,500
SHE'LL PROBABLY COME HERE
FIRST THING, THOUGH.
122
00:06:27,500 --> 00:06:29,291
HEY, WHO'S YOUR BUDDY?
123
00:06:29,291 --> 00:06:31,667
SO YOU DON'T
HAVE TO BE G.I. JOE
124
00:06:31,667 --> 00:06:33,417
WHILE YOUR CIVVIES
ARE GETTING WASHED.
125
00:06:33,417 --> 00:06:34,458
TRY THOSE ON.
126
00:06:34,458 --> 00:06:36,417
YOU'LL FEEL
LIKE A NEW MAN.
127
00:06:36,417 --> 00:06:40,834
WOULD THIS MAN HAVE
A BRIGHT RED NOSE
AND BIG, FLOPPY FEET?
128
00:06:42,500 --> 00:06:46,041
HEY, SORRY. THAT'S
THE CABIN FEVER TALKING.
129
00:06:46,041 --> 00:06:49,542
BUT AS POST-APOCALYPSE
SPLENDOR GOES--
130
00:06:49,542 --> 00:06:51,333
I'VE DONE WONDERS
WITH THE PLACE.
131
00:06:51,333 --> 00:06:55,500
STILL, THE SOONER BUFFY
GETS BACK, THE BETTER I'LL FEEL.
132
00:06:55,500 --> 00:06:57,959
YOU AND ME BOTH,
BIG GUY.
133
00:06:57,959 --> 00:07:01,125
I TAKE IT YOU'RE NOT
AN ANGEL FAN, EITHER.
134
00:07:01,125 --> 00:07:03,291
IT'S NOT LIKE
I HATE THE GUY.
135
00:07:03,291 --> 00:07:06,875
JUST, YOU KNOW,
THE GUTS PART OF HIM.
136
00:07:06,875 --> 00:07:08,167
CAN'T BLAME YOU.
137
00:07:08,167 --> 00:07:10,625
BUT TO BE FAIR,
IT'S NOT HIM YOU HATE.
138
00:07:10,625 --> 00:07:11,792
IT'S THE CURSE.
139
00:07:14,917 --> 00:07:16,125
RIGHT?
140
00:07:17,208 --> 00:07:19,166
WHAT DID BUFFY TELL YOU?
141
00:07:19,166 --> 00:07:20,542
ABOUT ANGEL?
142
00:07:20,542 --> 00:07:25,542
EVERYTHING.
MORE THAN I WANTED
TO KNOW SOMETIMES.
143
00:07:25,542 --> 00:07:27,375
SHE LOVED HIM.
144
00:07:27,375 --> 00:07:31,291
HE TURNED EVIL.
HE...KILLED PEOPLE.
145
00:07:31,291 --> 00:07:33,291
SHE CURED HIM.
146
00:07:33,291 --> 00:07:34,500
HE LEFT.
147
00:07:34,500 --> 00:07:36,500
INTERESTING LITTLE CURSE.
148
00:07:36,500 --> 00:07:39,209
ONE MOMENT'S HAPPINESS.
149
00:07:39,209 --> 00:07:40,792
WHAT DO YOU MEAN?
150
00:07:40,792 --> 00:07:43,250
YOU KNOW, IT'S HIS TRIGGER.
151
00:07:43,250 --> 00:07:44,333
ANGEL'S AN OKAY GUY
152
00:07:44,333 --> 00:07:46,708
IF HE'S MOPEY
AND SAD AND BROODING.
153
00:07:46,708 --> 00:07:49,792
BUT YOU GIVE HIM
EVEN ONE SECOND OF PURE,
REAL PLEASURE--
154
00:07:49,792 --> 00:07:52,041
AND THAT SETS HIM OFF.
155
00:07:52,041 --> 00:07:54,583
ONLY IN THE BIG OLD
"KILL YOUR FRIENDS"
KIND OF WAY.
156
00:07:54,583 --> 00:07:57,458
AND YOU KNOW WHAT
MAKES ANGEL HAPPIEST?
157
00:07:57,458 --> 00:07:58,417
I'LL GIVE YOU A HINT.
158
00:07:58,417 --> 00:08:00,625
IT'S NOT CRèME BRULEE.
159
00:08:06,209 --> 00:08:07,041
BUFFY.
160
00:08:14,375 --> 00:08:17,542
SEX WITH BUFFY.
161
00:08:19,875 --> 00:08:23,583
SHE KIND OF LEFT THAT
PART OUT, HUH?
162
00:08:23,583 --> 00:08:27,250
YEAH, SHE DID.
163
00:08:30,375 --> 00:08:31,917
THAT EXPLAINS
A LOT OF THINGS
164
00:08:31,917 --> 00:08:34,875
THAT I WISH
WEREN'T EXPLAINED.
165
00:08:34,875 --> 00:08:37,708
HEY, MAN, THAT'S ALL
ANCIENT HISTORY.
166
00:08:37,708 --> 00:08:41,875
SHE WENT RUNNING TO L.A.
TO BONE UP ON HER HISTORY.
167
00:08:41,875 --> 00:08:45,125
NO. I'M SURE
IT'S BONELESS.
168
00:08:45,125 --> 00:08:48,417
SHE JUST NEEDS TO MAKE
SURE EVERYTHING'S OKAY.
169
00:08:48,417 --> 00:08:49,583
SHE'S PROBABLY
BACK ALREADY.
170
00:08:49,583 --> 00:08:51,792
MAYBE.
171
00:08:51,792 --> 00:08:55,125
YOU'LL FEEL A LOT BETTER
WHEN YOU SEE HER.
172
00:08:57,250 --> 00:08:59,792
I GUESS WE'LL SEE.
173
00:09:03,375 --> 00:09:08,583
♪ IF I LEAVE HERE
TOMORROW ♪
174
00:09:09,625 --> 00:09:14,875
♪ WOULD YOU STILL
REMEMBER ME? ♪
175
00:09:17,209 --> 00:09:22,208
♪ WELL, I MUST BE
TRAVELING ON NOW ♪
176
00:09:23,875 --> 00:09:28,625
♪ THERE'S TOO MANY PLACES
I'VE GOT TO SEE ♪
177
00:09:30,875 --> 00:09:36,000
♪ AND IF I STAY HERE
WITH YOU, GIRL ♪
178
00:09:37,625 --> 00:09:41,750
♪ THINGS JUST
COULDN'T BE THE SAME ♪
179
00:09:44,083 --> 00:09:48,792
♪ 'CAUSE I'M
AS FREE AS A BIRD NOW ♪♪
180
00:09:48,792 --> 00:09:52,583
YOU KNOW, FOR SOMEONE
WHO'S GOT "WATCHER"
ON HIS RESUME,
181
00:09:52,583 --> 00:09:55,208
YOU MIGHT WANT TO CAST
AN EYE TO THE FRONT DOOR
EVERY NOW AND AGAIN.
182
00:09:55,208 --> 00:09:57,291
WHAT DO YOU WANT?
183
00:09:57,291 --> 00:10:01,458
AH! KNEW I LEFT ONE.
184
00:10:01,458 --> 00:10:02,417
BUFFY AROUND?
185
00:10:02,417 --> 00:10:03,959
WHY?
186
00:10:07,166 --> 00:10:09,000
I NEED TO SPEAK
TO THE LADY OF THE HOUSE.
187
00:10:09,000 --> 00:10:11,208
BE A PET AND GIVE HER
A MESSAGE FOR ME, WOULD YOU?
188
00:10:11,208 --> 00:10:13,542
TELL HERE I JUST MIGHT HAVE
SOMETHING SHE JUST MIGHT WANT.
189
00:10:13,542 --> 00:10:15,875
AND WHAT MIGHT
THAT SOMETHING BE?
190
00:10:17,792 --> 00:10:19,208
INFORMATION.
191
00:10:19,208 --> 00:10:21,041
HIGHLY CLASSIFIED.
192
00:10:21,041 --> 00:10:23,542
NOT CHEAP, WORD-ON-THE-STREET
PRATTLE, EITHER.
193
00:10:23,542 --> 00:10:25,542
I'M TALKING ABOUT
THE GOOD STUFF NOW.
194
00:10:25,542 --> 00:10:26,792
THRILL ME.
195
00:10:26,792 --> 00:10:29,875
IT'S NOTHING I KNOW.
196
00:10:29,875 --> 00:10:31,166
WHAT, YOU THINK
I'D COME RUNNING OVER
197
00:10:31,166 --> 00:10:34,417
SAYING, "I'VE GOT A SECRET.
BEAT ME TILL I TALK"?
198
00:10:34,417 --> 00:10:36,166
THERE'S FILES
IN THE INITIATIVE.
199
00:10:36,166 --> 00:10:38,250
I'M PRETTY SURE I KNOW WHERE.
200
00:10:40,625 --> 00:10:41,667
FILES?
201
00:10:41,667 --> 00:10:45,000
YEAH, SECRETS.
202
00:10:45,000 --> 00:10:48,250
MISSION STATEMENTS,
DESIGN SCHEMATICS.
203
00:10:48,250 --> 00:10:51,834
ALL OF MAGGIE WALSH'S
DIRTY LAUNDRY,
204
00:10:51,834 --> 00:10:54,458
WHICH I GUESS WOULD INCLUDE
LOTS OF TIDBITS ABOUT--
205
00:10:54,458 --> 00:10:55,667
ADAM.
206
00:10:55,667 --> 00:10:56,834
WELL, YEAH.
207
00:10:56,834 --> 00:10:59,834
SAY SOMEONE WAS TO RISK
HIS LIFE AND LIMB--
208
00:10:59,834 --> 00:11:02,250
WELL, LIMB, ANYWAY--
TO OBTAIN SAID FILES,
209
00:11:02,250 --> 00:11:05,208
MIGHT BE WORTH
A LITTLE SOMETHING.
210
00:11:05,208 --> 00:11:07,667
AT THIS POINT,
A CYNICAL PERSON
MIGHT THINK
211
00:11:07,667 --> 00:11:11,792
THAT YOU ARE OFFERING
JUST WHAT WE NEED
WHEN WE NEED IT MOST.
212
00:11:11,792 --> 00:11:14,375
THAT PERSON'D
BE RIGHT, RUPERT.
213
00:11:14,375 --> 00:11:15,625
SUPPLY AND DEMAND.
214
00:11:15,625 --> 00:11:17,458
AND IT WON'T
BE CHEAP THIS TIME.
215
00:11:17,458 --> 00:11:18,417
WHAT DO YOU WANT?
216
00:11:18,417 --> 00:11:22,333
YEAR'S SUPPLY OF BLOOD,
GUARANTEED PROTECTION,
217
00:11:22,333 --> 00:11:23,875
MERRY BUSHELS OF CASH,
218
00:11:23,875 --> 00:11:25,291
AND MOST IMPORTANT,
219
00:11:25,291 --> 00:11:28,500
A GUARANTEE THAT I'M NOT
TO BE IN ANY WAY SLAIN.
220
00:11:30,166 --> 00:11:31,208
DONE.
221
00:11:31,208 --> 00:11:34,667
WITH A SMILE
AND A NOD FROM YOU?
222
00:11:34,667 --> 00:11:36,875
SORRY. NOT CLOSE
TO GOOD ENOUGH.
223
00:11:36,875 --> 00:11:38,542
THIS DEAL'S
WITH THE SLAYER.
224
00:11:38,542 --> 00:11:40,000
I'LL TELL HER.
225
00:11:40,000 --> 00:11:41,542
OH, YOU'LL TELL HER?
226
00:11:41,542 --> 00:11:43,291
GREAT COMFORT THAT!
227
00:11:43,291 --> 00:11:45,291
WHAT MAKES YOU THINK
SHE'LL LISTEN TO YOU?
228
00:11:45,291 --> 00:11:47,041
BECAUSE.
229
00:11:48,583 --> 00:11:50,000
VERY CONVINCING.
230
00:11:50,000 --> 00:11:52,125
I'M HER WATCHER.
231
00:11:53,583 --> 00:11:57,208
I THINK YOU'RE NEGLECTING
THE PAST TENSE THERE,
RUPERT.
232
00:11:57,208 --> 00:12:00,708
BESIDES, SHE
BARELY LISTENED TO YOU
WHEN YOU WERE IN CHARGE.
233
00:12:00,708 --> 00:12:02,625
I'VE SEEN THE WAY
SHE TREATS YOU.
234
00:12:02,625 --> 00:12:04,583
AH, YES. HOW'S THAT?
235
00:12:04,583 --> 00:12:07,209
VERY MUCH LIKE
A RETIRED LIBRARIAN.
236
00:12:08,542 --> 00:12:09,708
LOOK, I'VE GOT
WHAT SHE WANTS
237
00:12:09,708 --> 00:12:11,083
AS LONG AS
SHE HAS WHAT I WANT.
238
00:12:13,458 --> 00:12:14,583
SPREAD THE WORD.
239
00:12:14,583 --> 00:12:16,208
SHE KNOWS WHERE TO FIND ME.
240
00:12:17,458 --> 00:12:19,875
I'LL THINK ABOUT IT.
241
00:12:20,834 --> 00:12:23,333
I KEEP THINKING,
242
00:12:23,333 --> 00:12:25,208
"OKAY, THAT'S THE CUTEST
THING EVER."
243
00:12:25,208 --> 00:12:27,667
AND THEN SHE DOES
SOMETHING CUTER
244
00:12:27,667 --> 00:12:30,083
AND COMPLETELY RESETS
THE WHOLE SCALE.
245
00:12:30,083 --> 00:12:31,667
DID YOU SEE
HER YAWN EARLIER?
246
00:12:31,667 --> 00:12:32,708
YES.
247
00:12:32,708 --> 00:12:35,208
I THOUGHT
I WAS GONNA DIE!
248
00:12:35,208 --> 00:12:37,792
OH, I LOVE YOU,
MISS KITTY FANTASTICO!
249
00:12:37,792 --> 00:12:40,000
WE'VE GOT TO GET HER
A REAL NAME.
250
00:12:40,000 --> 00:12:42,542
IT'S SO COOL
THAT SHE'S OURS.
251
00:12:43,750 --> 00:12:45,667
UH, YOURS.
252
00:12:45,667 --> 00:12:48,250
THAT SHE'S YOURS
IS--IS COOL.
253
00:12:48,250 --> 00:12:50,417
SHE CAN BE OURS
IF YOU WANT.
254
00:12:52,458 --> 00:12:53,750
YOU STILL NEED
AN ELECTIVE.
255
00:12:53,750 --> 00:12:55,542
HOW ABOUT...
256
00:12:55,542 --> 00:12:57,458
SOPHOMORE-LEVEL PSYCHOLOGY?
257
00:12:57,458 --> 00:12:58,333
OH...
258
00:12:58,333 --> 00:13:01,625
KINDA PSYCHED OUT
SINCE PROFESSOR WALSH.
259
00:13:01,625 --> 00:13:04,750
MAYBE SOMETHING FUN,
LIKE DRAMA.
260
00:13:04,750 --> 00:13:06,375
I COULD BE DRAMATIC.
261
00:13:07,542 --> 00:13:09,917
"YOU CANNOT HAVE
MORE CATNIP!
262
00:13:09,917 --> 00:13:13,542
YOU HAVE
A CATNIP PROBLEM."
263
00:13:13,542 --> 00:13:15,458
DEFINITELY DRAMA.
264
00:13:18,000 --> 00:13:21,583
I HAVEN'T
EVEN DEALT WITH THE
HOUSING SITUATION YET.
265
00:13:21,583 --> 00:13:22,750
HAVE YOU DONE
ANYTHING?
266
00:13:22,750 --> 00:13:24,291
I HEAR
THERE'S SOME...
267
00:13:24,291 --> 00:13:26,500
OFF-CAMPUS PLACES
THAT ARE WAY COOL
268
00:13:26,500 --> 00:13:27,834
FOR GROUPS TO,
YOU KNOW,
269
00:13:27,834 --> 00:13:29,333
GO IN ON.
270
00:13:29,333 --> 00:13:32,125
OH, I JUST FIGURED YOU'D BE
DORMING IT UP WITH BUFFY AGAIN.
271
00:13:32,125 --> 00:13:35,041
WE HAVEN'T REALLY
TALKED ABOUT IT.
272
00:13:35,041 --> 00:13:38,041
I USED TO ASSUME
WE'D BE ROOMIES
THROUGH GRAD SCHOOL,
273
00:13:38,041 --> 00:13:40,458
WELL INTO
LITTLE OLD LADYHOOD,
YOU KNOW,
274
00:13:40,458 --> 00:13:42,125
CHEATING AT BINGO
TOGETHER AND...
275
00:13:42,125 --> 00:13:44,750
FORGETTING
TO TAKE OUR PILLS.
276
00:13:44,750 --> 00:13:46,000
BUT?
277
00:13:47,458 --> 00:13:50,250
BUT...I DON'T KNOW.
278
00:13:50,250 --> 00:13:53,500
IT HARDLY FEELS LIKE
WE'RE ROOMIES NOW.
279
00:13:53,500 --> 00:13:55,834
SHE'S BUSY
WITH RILEY,
280
00:13:55,834 --> 00:13:58,333
AND I'M GONE
A LOT, TOO.
281
00:14:01,667 --> 00:14:03,542
GUESS I SHOULD
ASK HER.
282
00:14:08,708 --> 00:14:10,125
[ Knock On Door ]
283
00:14:12,875 --> 00:14:15,041
RILEY.
284
00:14:15,041 --> 00:14:17,500
I GOT A LITTLE TIRED OF
SITTING AROUND WAITING,
285
00:14:17,500 --> 00:14:18,500
SO...
286
00:14:19,917 --> 00:14:22,166
YOU JOINED THE CIRCUS?
287
00:14:22,166 --> 00:14:24,417
XANDER TOOK MY CLOTHES
TO CLEAN THEM,
288
00:14:24,417 --> 00:14:26,500
LEFT ME THESE.
289
00:14:26,500 --> 00:14:27,875
DOES HE, UH, HATE ME
290
00:14:27,875 --> 00:14:29,458
IN SOME WAY I DON'T
KNOW ABOUT YET?
291
00:14:29,458 --> 00:14:30,959
I THINK I WOULD'VE
ATTRACTED LESS ATTENTION
292
00:14:30,959 --> 00:14:32,667
IN MY UNIFORM.
293
00:14:34,166 --> 00:14:36,125
IS IT OKAY FOR YOU
TO BE HERE?
294
00:14:37,917 --> 00:14:40,083
YOU TELL ME.
295
00:14:40,083 --> 00:14:41,959
I JUST MEANT WITH THAT
GOVERNMENT BRANCH
296
00:14:41,959 --> 00:14:43,417
HUNTING YOU DOWN
AND ALL.
297
00:14:44,500 --> 00:14:45,708
I'M GOOD.
298
00:14:46,750 --> 00:14:49,041
IT TOOK ME AWHILE,
299
00:14:49,041 --> 00:14:51,375
BUT I PATCHED
INTO THEIR FREQUENCY.
300
00:14:52,583 --> 00:14:54,834
CAN'T SNEAK UP ON A GUY
IF HE'S LISTENING IN.
301
00:14:54,834 --> 00:14:56,625
YOU'RE THE SNEAKIEST.
302
00:14:56,625 --> 00:14:59,291
WHY THEY HIRED ME.
303
00:15:06,417 --> 00:15:07,417
YOU OKAY?
304
00:15:10,792 --> 00:15:12,500
YEAH. I JUST...
305
00:15:14,500 --> 00:15:16,250
ANGEL KIND OF UPSET ME.
306
00:15:16,250 --> 00:15:17,667
HOW?
307
00:15:20,500 --> 00:15:22,083
IT'S NOT THAT INTERESTING.
308
00:15:22,083 --> 00:15:24,000
GOT MY ATTENTION.
309
00:15:26,708 --> 00:15:28,417
HE JUST SPUN MY HEAD
A LITTLE.
310
00:15:31,041 --> 00:15:33,458
YOU DON'T WANT
TO TALK ABOUT IT.
311
00:15:33,458 --> 00:15:36,542
IT'S JUST
DECONSTRUCTING ANGEL
CAN WAIT.
312
00:15:36,542 --> 00:15:38,542
RIGHT NOW, I JUST WANT
TO GET OUT THERE AND PATROL
313
00:15:38,542 --> 00:15:40,417
AND FIND ADAM.
314
00:15:40,417 --> 00:15:43,041
WE CAN TALK
ABOUT IT LATER.
315
00:15:44,375 --> 00:15:47,542
IT'S THE PANTS,
ISN'T IT?
316
00:15:47,542 --> 00:15:50,875
IT'S OKAY. I COULDN'T
TAKE ME SERIOUSLY
IN THESE THINGS, EITHER.
317
00:15:50,875 --> 00:15:53,083
RILEY, IT'S NOT
THAT BIG A DEAL.
318
00:15:54,250 --> 00:15:55,458
I'LL TELL YOU WHAT.
319
00:15:55,458 --> 00:15:57,125
WHY DON'T I GET OUT
OF YOUR FACE?
320
00:15:57,125 --> 00:15:58,417
YOU HAD A LONG TRIP.
321
00:15:58,417 --> 00:16:00,625
LOOK, YOU DON'T
HAVE TO GO.
322
00:16:00,625 --> 00:16:01,792
IT'S OKAY.
323
00:16:01,792 --> 00:16:03,208
BESIDES...
324
00:16:03,208 --> 00:16:04,667
I HAVE TO
RECHARGE THEM
EVERY 2 HOURS,
325
00:16:04,667 --> 00:16:07,667
OR THEY
GO DEAD ON ME.
326
00:16:07,667 --> 00:16:09,208
OKAY.
327
00:16:12,083 --> 00:16:13,583
[ Door Closes ]
328
00:16:16,083 --> 00:16:18,375
HERE. YOU SHOULD'VE
JUST SAVED THE ENSEMBLE
329
00:16:18,375 --> 00:16:20,209
FROM THE LAST TIME
WE SNUCK INTO
THE INITIATIVE.
330
00:16:20,209 --> 00:16:21,083
I'M NOT A CLOTHING
DELIVERY SERVICE.
331
00:16:21,083 --> 00:16:23,209
WELL, HE IS, KIND OF.
332
00:16:23,209 --> 00:16:24,542
HE DID RILEY YESTERDAY.
333
00:16:26,625 --> 00:16:28,667
HELLO.
334
00:16:28,667 --> 00:16:31,000
THIS IS JUST...
335
00:16:31,000 --> 00:16:32,375
SWELL.
336
00:16:34,625 --> 00:16:36,209
GOT TO SAY,
337
00:16:36,209 --> 00:16:38,250
LIKING THIS
QUITE A LOT.
338
00:16:38,250 --> 00:16:41,041
KINDA CHANGES
THE BALANCE OF POW--OW!
339
00:16:41,041 --> 00:16:42,959
AKK! OH...
340
00:16:42,959 --> 00:16:45,125
COME ON! YOU GOT
TO BE KIDDING!
341
00:16:45,125 --> 00:16:46,542
WOW. THAT CHIP
IN YOUR HEAD
342
00:16:46,542 --> 00:16:48,250
MEANS YOU CAN'T EVEN
POINT A GUN?
343
00:16:48,250 --> 00:16:49,333
HOW HUMILIATING.
344
00:16:49,333 --> 00:16:50,708
DOESN'T WORK,
ANYWAY.
345
00:16:50,708 --> 00:16:52,125
IT'S A FAKE.
346
00:16:52,125 --> 00:16:55,375
CAN'T EVEN POINT
A DECORATIVE GUN?
347
00:16:55,375 --> 00:16:57,000
GIVE IT UP
FOR AMERICAN
CHIPMANSHIP.
348
00:16:57,000 --> 00:16:58,875
IT DOESN'T WORK?
349
00:16:58,875 --> 00:17:01,167
WHAT ABOUT SELF-DEFENSE?
350
00:17:01,167 --> 00:17:02,834
I'M TAKING A RISK HERE,
YOU KNOW.
351
00:17:02,834 --> 00:17:05,542
CAN I TELL YOU
HOW MUCH I REALLY...
352
00:17:05,542 --> 00:17:06,583
DON'T CARE?
353
00:17:06,583 --> 00:17:08,250
ATTITUDE.
354
00:17:08,250 --> 00:17:11,250
SEE HOW FAR THAT'LL
TAKE YOU IN BOOT CAMP.
355
00:17:11,250 --> 00:17:13,291
SAY, I HOPE YOU GET
ONE OF THOSE
356
00:17:13,291 --> 00:17:15,000
TOUGH-AS-NAILS
DRILL SERGEANTS
357
00:17:15,000 --> 00:17:16,250
WHO'S ONLY HARD
ON THE MEN
358
00:17:16,250 --> 00:17:17,667
'CAUSE HE'S TRYING
TO KEEP THEM ALIVE
359
00:17:17,667 --> 00:17:20,792
WHEN THE BULLETS START FLYING.
I LOVE THAT STUFF.
360
00:17:20,792 --> 00:17:23,291
BOOT CAMP? YEAH,
LIKE I'D GO THERE.
361
00:17:24,458 --> 00:17:27,375
WHAT, YOU CHANGE
YOUR MIND?
NOT GONNA JOIN?
362
00:17:27,375 --> 00:17:28,917
YOU'RE JOINING
THE ARMY?!
363
00:17:28,917 --> 00:17:31,333
OKAY. 1--OW.
364
00:17:31,333 --> 00:17:33,625
2--WHERE'D YOU
GET THAT IDEA?
365
00:17:33,625 --> 00:17:35,083
3--OW!
366
00:17:35,083 --> 00:17:37,333
I'M NOT JOINING
THE ARMY!
367
00:17:37,333 --> 00:17:39,041
GOOD.
368
00:17:39,041 --> 00:17:41,125
STOPPED THAT NONSENSE
JUST IN TIME.
369
00:17:41,125 --> 00:17:42,458
I WAS NEVER--
370
00:17:44,209 --> 00:17:45,250
WHO'D YOU HEAR
THIS FROM?
371
00:17:45,250 --> 00:17:46,625
YOUR GIRLIE-MATES
WERE TALKING.
372
00:17:46,625 --> 00:17:49,458
SOMETHING ABOUT, UH...
BEING ALL YOU CAN BE
373
00:17:49,458 --> 00:17:50,959
OR ALL YOU CAN BE.
374
00:17:50,959 --> 00:17:52,959
UH...HAVING A LAUGH.
375
00:17:52,959 --> 00:17:54,083
FIGURED YOU
WERE SIGNING UP.
376
00:17:54,083 --> 00:17:56,041
SAY, HAVE YOU GOT
ANYTHING LARGER
377
00:17:56,041 --> 00:17:57,375
IN THE...
TOY GUN LINE?
378
00:17:57,375 --> 00:18:00,166
ALL I CAN--
CAN YOU BELIEVE THIS?
379
00:18:00,166 --> 00:18:02,291
LIKE I'M SOME SORT
OF USELESS LUNK.
380
00:18:02,291 --> 00:18:03,875
IT HAPPENS THAT I'M GOOD
AT A LOT OF THINGS.
381
00:18:03,875 --> 00:18:06,041
I HELP OUT
WITH ALL KINDS OF...
382
00:18:06,041 --> 00:18:07,333
STUFF.
383
00:18:07,333 --> 00:18:09,875
I HAVE SKILLS
AND...STRATAGEMS...
384
00:18:09,875 --> 00:18:12,000
I'M VERY...
385
00:18:12,000 --> 00:18:13,250
HELP ME OUT.
386
00:18:13,250 --> 00:18:15,167
HE'S A VIKING
IN THE SACK.
387
00:18:15,167 --> 00:18:17,167
TERRIFIC. YOU DIDN'T
HAVE THESE CLEANED
388
00:18:17,167 --> 00:18:18,750
AFTER THE LAST TIME,
DID YOU?
389
00:18:18,750 --> 00:18:20,291
THIS IS SO LIKE THEM LATELY.
390
00:18:20,291 --> 00:18:22,291
IT'S ALL ABOUT THEM
AND THE COLLEGE LIFE.
391
00:18:22,291 --> 00:18:23,834
WELL, YOU KNOW
WHAT COLLEGE IS?
392
00:18:23,834 --> 00:18:27,625
IT'S HIGH SCHOOL,
ONLY WITHOUT THE ACTUAL
GOING TO CLASS.
393
00:18:27,625 --> 00:18:30,625
WELL...HIGH SCHOOL
WAS KIND OF LIKE THAT, TOO,
394
00:18:30,625 --> 00:18:31,625
BUT THE POINT IS,
395
00:18:31,625 --> 00:18:33,291
I'M OUT THERE WORKING HARD
TO MAKE A LIVING,
396
00:18:33,291 --> 00:18:35,208
AND IT'S NOTHING
BUT A HUGE JOKE TO THEM.
397
00:18:35,208 --> 00:18:37,125
XANDER GOT FIRED
FROM STARBUCKS.
398
00:18:37,125 --> 00:18:39,083
XANDER GOT FIRED
FROM THAT PHONE SEX LINE.
399
00:18:39,083 --> 00:18:40,834
THEY LOOK DOWN ON YOU.
400
00:18:40,834 --> 00:18:42,417
AND THEY HATE YOU.
401
00:18:42,417 --> 00:18:44,375
BUT THEY DON'T
LOOK DOWN ON ME.
402
00:18:44,375 --> 00:18:46,125
HEY, IT WAS
JUST A LAUGH.
403
00:18:46,125 --> 00:18:47,875
THERE'S NO NEED
TO GO INSANE
OVER IT.
404
00:18:48,917 --> 00:18:50,708
IS ANYBODY TALKING TO YOU?
405
00:18:50,708 --> 00:18:52,500
SIR, NO, SIR!
406
00:19:06,166 --> 00:19:07,750
DON'T SHOOT.
407
00:19:08,834 --> 00:19:10,291
GIVE ME A REASON
NOT TO.
408
00:19:10,291 --> 00:19:11,667
YOU'RE KILLING HUMANS NOW?
409
00:19:11,667 --> 00:19:12,625
NOT YET.
410
00:19:12,625 --> 00:19:14,708
BEATING YOU SENSELESS
SHOULD DO JUST FINE.
411
00:19:14,708 --> 00:19:16,625
I COULD HAVE A PATROL HERE
IN UNDER A MINUTE.
412
00:19:16,625 --> 00:19:19,792
SO HERE'S A PLAN:
YOU GO YOUR WAY,
I'LL GO MINE.
413
00:19:28,125 --> 00:19:29,375
I'M CHECKING OUT
THAT CAVE.
414
00:19:29,375 --> 00:19:30,834
MY ORDERS EXACTLY.
415
00:19:30,834 --> 00:19:32,333
ALONE?
416
00:19:32,333 --> 00:19:35,083
WE'RE SPREAD
A LITTLE THIN,
SO YEAH.
417
00:19:35,083 --> 00:19:36,625
FAMILY'S TEARING APART.
418
00:19:36,625 --> 00:19:37,417
FAMILY.
419
00:19:37,417 --> 00:19:39,333
WHAT KIND
OF FAMILY ARE YOU,
420
00:19:39,333 --> 00:19:40,750
THE CORLEONE?
421
00:19:42,500 --> 00:19:44,458
WEREN'T UNTIL
YOU SHOWED UP.
422
00:19:46,208 --> 00:19:48,417
WHAT, NO GIRLS
IN THE CLUB?
423
00:19:48,417 --> 00:19:51,375
YOU THINK YOU'RE
THE FIRST GIRLFRIEND
RILEY'S EVER HAD?
424
00:19:51,375 --> 00:19:53,875
SUCH A BIG HEAD ON THAT
SKINNY LITTLE BODY.
425
00:19:53,875 --> 00:19:56,792
NO, YOU'RE JUST
THE FIRST ONE TO GET HIM
TO COMMIT TREASON.
426
00:19:56,792 --> 00:19:57,708
RILEY HAD A CAREER.
427
00:19:57,708 --> 00:19:59,583
HE HAD A FUTURE TILL
HE MET YOU, AND, YEAH,
428
00:19:59,583 --> 00:20:01,166
I GOT A PROBLEM
WITH THAT.
429
00:20:01,166 --> 00:20:02,792
A FUTURE.
430
00:20:02,792 --> 00:20:04,333
A FUTURE DOING WHAT,
431
00:20:04,333 --> 00:20:05,959
ILLEGAL EXPERIMENTS?
432
00:20:05,959 --> 00:20:07,875
TORTURE? MURDER?
433
00:20:07,875 --> 00:20:10,625
I GUESS KILLING SOMEONE
ISN'T REALLY A PROBLEM
FOR YOU.
434
00:20:10,625 --> 00:20:13,708
LESS AND LESS. NOW WHY
DON'T YOU GET THE HELL
OUT OF HERE BEFORE I--
435
00:20:13,708 --> 00:20:15,708
TOUCH ME, AND YOU'LL FIND OUT
WHAT SLAYER STRENGTH IS LIKE.
436
00:20:15,708 --> 00:20:17,834
I THINK IT'S ABOUT TIME
YOU SHOWED ME, THEN.
437
00:20:17,834 --> 00:20:19,291
[ Adam ] YES.
438
00:20:19,291 --> 00:20:22,917
I THINK THAT WOULD
BE INTERESTING.
439
00:20:31,959 --> 00:20:34,000
GET OUT OF HERE!
440
00:20:35,542 --> 00:20:36,625
NO--
441
00:20:39,041 --> 00:20:41,083
NOT MOVING.
442
00:20:46,375 --> 00:20:47,417
THANK YOU.
443
00:20:47,417 --> 00:20:49,917
GO! GET OUT!
444
00:20:51,250 --> 00:20:52,458
[ Buffy ] NO!
445
00:20:57,250 --> 00:20:59,500
OH, GOD.
446
00:21:42,542 --> 00:21:45,125
I THINK I LOST
THE BUGGERS.
447
00:21:45,125 --> 00:21:46,792
ANY LUCK WITH THE DISK?
448
00:21:46,792 --> 00:21:47,625
OH...
449
00:21:47,625 --> 00:21:49,625
TOOK WHAT THEY HAD.
450
00:21:49,625 --> 00:21:51,708
SHOULD BE
SOMETHING USEFUL
ON ONE OF THEM.
451
00:21:51,708 --> 00:21:53,250
HOPE SO.
452
00:21:53,250 --> 00:21:54,959
WHAT ARE WE LOOKING FOR?
453
00:21:54,959 --> 00:21:56,792
ANYTHING ABOUT ADAM.
454
00:21:56,792 --> 00:21:58,792
ANY PROBLEMS
GETTING IN AND OUT?
455
00:21:58,792 --> 00:22:00,583
NO. A COUPLE OF 'EM
MADE ME ON THE WAY OUT,
456
00:22:00,583 --> 00:22:02,583
BUT I TOOK CARE OF THEM.
457
00:22:02,583 --> 00:22:04,750
GAVE THEM A GOOD
RUNNING-AWAY-FROM, DID YOU?
458
00:22:05,834 --> 00:22:07,250
WELL, YEAH.
459
00:22:07,250 --> 00:22:08,583
WHEN DO
I GET PAID?
460
00:22:09,542 --> 00:22:10,667
WHEN WILLOW TELLS ME
461
00:22:10,667 --> 00:22:13,083
YOU'VE BROUGHT US
SOMETHING USEFUL.
462
00:22:23,458 --> 00:22:24,625
I COULD'VE
GONE STRAIGHT
463
00:22:24,625 --> 00:22:26,458
TO THE SLAYER,
YOU KNOW.
464
00:22:26,458 --> 00:22:28,250
I CUT YOU IN,
LET YOU PRETEND
465
00:22:28,250 --> 00:22:29,583
YOU'RE ACTUALLY
IN CHARGE.
466
00:22:29,583 --> 00:22:31,250
NOW YOU'VE
GOT TO WAIT FOR
RED'S PERMISSION
467
00:22:31,250 --> 00:22:32,458
TO FINISH
THE DEAL?
468
00:22:32,458 --> 00:22:35,500
AS SOON AS WE SEE
WHAT'S ON THE DISKS.
469
00:22:35,500 --> 00:22:37,959
IT LOOKS
LIKE GIBBERISH.
470
00:22:39,333 --> 00:22:40,458
GIBBERISH?
471
00:22:40,458 --> 00:22:42,375
THEY'RE ENCRYPTED.
472
00:22:42,375 --> 00:22:44,125
OH, WONDERFUL.
473
00:22:45,291 --> 00:22:47,083
CAN YOU FIX 'EM?
474
00:22:47,083 --> 00:22:49,583
CRACK A GOVERNMENT
ENCRYPTION CODE
ON MY LAPTOP?
475
00:22:49,583 --> 00:22:52,083
EASY AS REALLY
DIFFICULT PIE.
476
00:22:52,083 --> 00:22:54,959
YOU'RE NOT
EXACTLY THE WHIZ
THESE DAYS, EITHER.
477
00:22:54,959 --> 00:22:57,000
GOD, I'M NEVER
GONNA GET PAID.
478
00:22:57,000 --> 00:22:58,417
I AM A WHIZ.
479
00:22:58,417 --> 00:23:00,041
SHE IS A WHIZ.
480
00:23:00,041 --> 00:23:01,458
IF EVER A WHIZ
THERE WAS.
481
00:23:01,458 --> 00:23:03,458
I--I JUST
NEED SOME TIME.
482
00:23:03,458 --> 00:23:05,875
NO. I JUST HEARD
YOU WEREN'T...
483
00:23:05,875 --> 00:23:06,792
YOUR MATES SAID
484
00:23:06,792 --> 00:23:09,166
YOU WEREN'T PLAYING
WITH COMPUTERS
SO MUCH.
485
00:23:09,166 --> 00:23:10,542
INTO THE NEW THING.
486
00:23:10,542 --> 00:23:11,625
WHAT NEW THING?
487
00:23:11,625 --> 00:23:13,166
YOU KNOW,
YOU TWO...
488
00:23:13,166 --> 00:23:14,875
THE WHOLE
WICCA THING.
489
00:23:14,875 --> 00:23:17,875
THEY--THEY WERE
TALKING ABOUT THAT?
490
00:23:17,875 --> 00:23:19,291
COULD WE GET BACK
TO BUSINESS HERE?
491
00:23:19,291 --> 00:23:20,458
I'VE GOT A DEAL
AT STAKE.
492
00:23:20,458 --> 00:23:22,500
WHAT DID THEY SAY?
493
00:23:22,500 --> 00:23:24,125
TALKING ABOUT
IT'S A PHASE.
494
00:23:24,125 --> 00:23:25,250
YOU'LL GET
OVER IT.
495
00:23:25,250 --> 00:23:26,917
WHAT?
496
00:23:26,917 --> 00:23:28,542
WHO SAID THAT?
497
00:23:28,542 --> 00:23:29,708
WAS IT BUFFY?
498
00:23:29,708 --> 00:23:31,583
'CAUSE YOU KNOW
WHAT SHE MEANS BY THAT.
499
00:23:31,583 --> 00:23:33,083
NO, SHE WAS
DEFENDING YOU.
500
00:23:33,083 --> 00:23:33,917
'CAUSE
XANDER SAID
501
00:23:33,917 --> 00:23:35,375
YOU WERE JUST
BEING TRENDY.
502
00:23:35,375 --> 00:23:36,708
TRENDY?
503
00:23:36,708 --> 00:23:38,417
I DON'T KNOW
WHAT THEY WERE
GOING ON ABOUT.
504
00:23:38,417 --> 00:23:39,542
PERSON WANTS
TO BE A WITCH,
505
00:23:39,542 --> 00:23:41,834
THAT'S THEIR
BUSINESS.
506
00:23:43,083 --> 00:23:44,875
I KNEW BUFFY WAS FREAKED.
507
00:23:44,875 --> 00:23:46,583
YOU SHOULD TALK TO HER,
'CAUSE I'M SURE--
508
00:23:46,583 --> 00:23:48,250
PRESSING BUSINESS,
LADIES.
509
00:23:48,250 --> 00:23:50,041
DON'T WANT TO GET
SIDETRACKED.
510
00:23:50,041 --> 00:23:52,542
STILL GOT
YOUR MONSTERS
TO FIGHT.
511
00:23:53,959 --> 00:23:56,750
CELL CAPACITY'S MAXED OUT
3 DAYS AGO, SIR.
512
00:23:56,750 --> 00:23:58,750
WE KEEP UP THIS PACE,
THERE'LL BE NOWHERE LEFT
513
00:23:58,750 --> 00:24:00,250
TO CONTAIN THE HOSTILES.
514
00:24:00,250 --> 00:24:01,000
THEY'RE ANIMALS,
LIEUTENANT.
515
00:24:01,000 --> 00:24:03,166
WE PACK 'EM IN
TILL WE'RE OUT
OF ROOM,
516
00:24:03,166 --> 00:24:05,750
THEN WE PACK 'EM
IN SOME MORE.
517
00:24:05,750 --> 00:24:07,875
THEY'RE GOING TO
START TEARING EACH
OTHER APART, SIR.
518
00:24:07,875 --> 00:24:09,875
I HAVE NO PROBLEM
WITH THAT SCENARIO.
519
00:24:15,750 --> 00:24:18,792
[ Radio ] ...BACKUP. REQUEST
IMMEDIATE BACKUP, OVER.
520
00:24:18,792 --> 00:24:22,083
TEARING US APART
OVER HERE. 2 MEN DOWN...
521
00:24:22,083 --> 00:24:24,875
FROM OUT OF NOWHERE...
MAYDAY, REPEAT...
522
00:24:24,875 --> 00:24:25,917
MAYDAY!
523
00:24:25,917 --> 00:24:29,708
[ Radio ] REQUESTING
IMMEDIATE BACKUP.
524
00:24:29,708 --> 00:24:31,041
WE'RE IN THE ALLEY
NEAR THE SCHOOL BUILDING!
525
00:24:31,041 --> 00:24:33,041
WHERE THE HELL IS...
BACK! FALL BACK!
526
00:24:33,041 --> 00:24:34,291
IT'S COMING THIS--
527
00:24:34,291 --> 00:24:35,750
[ Squawking, Screeching ]
528
00:24:42,125 --> 00:24:44,625
[ Groans ]
529
00:25:02,458 --> 00:25:04,583
RILEY FINN.
530
00:25:06,375 --> 00:25:08,583
I KNOW YOU?
531
00:25:08,583 --> 00:25:11,250
WE HAVE A FRIEND
IN COMMON.
532
00:25:15,041 --> 00:25:16,875
ANGEL.
533
00:25:20,250 --> 00:25:22,792
WELCOMING COMMITTEE
YOUR IDEA?
534
00:25:27,250 --> 00:25:28,750
WAY I HEARD IT,
535
00:25:28,750 --> 00:25:30,750
YOU WERE ALL
PEACEABLE NOW.
536
00:25:30,750 --> 00:25:32,041
YOU DIDN'T
BY ANY CHANCE
537
00:25:32,041 --> 00:25:34,708
GO AND LOSE
THAT PESKY SOUL
AGAIN, DID YOU?
538
00:25:34,708 --> 00:25:36,834
DON'T PUSH ME, BOY.
539
00:25:38,834 --> 00:25:41,417
NOW, WHAT POSSIBLY
COULD'VE HAPPENED
WITH BUFFY...
540
00:25:41,417 --> 00:25:43,667
THAT WOULD MAKE YOU
LOSE YOUR SOUL?
541
00:25:43,667 --> 00:25:45,333
THAT'D BE BETWEEN
ME AND HER.
542
00:25:46,917 --> 00:25:48,625
WHERE DO YOU THINK
YOU'RE GOING?
543
00:25:48,625 --> 00:25:50,542
GOING TO SEE
AN OLD GIRLFRIEND.
544
00:25:50,542 --> 00:25:51,834
YOU REALLY THINK
I'M GONNA
LET THAT HAPPEN?
545
00:25:51,834 --> 00:25:53,208
THINK YOU'RE
GONNA STOP ME?
546
00:25:53,208 --> 00:25:55,333
I SURELY DO.
547
00:26:21,458 --> 00:26:23,208
[ Electric Buzz ]
548
00:26:30,291 --> 00:26:31,417
[ Firing Taser ]
549
00:26:42,583 --> 00:26:43,959
[ Vehicles Approaching ]
550
00:27:27,291 --> 00:27:29,083
ANGEL.
551
00:27:29,083 --> 00:27:30,000
HI.
552
00:27:30,000 --> 00:27:31,250
CAN I COME IN?
553
00:27:31,250 --> 00:27:32,834
I GUESS.
554
00:27:34,917 --> 00:27:37,250
I NEED A LITTLE MORE
THAN THAT.
555
00:27:37,250 --> 00:27:40,333
OH. UM...
556
00:27:40,333 --> 00:27:41,458
COME IN.
557
00:27:51,125 --> 00:27:52,500
YOU'RE HURT.
558
00:27:52,500 --> 00:27:54,667
YOU, TOO.
559
00:27:54,667 --> 00:27:56,959
I'LL LIVE.
560
00:27:58,708 --> 00:28:01,291
YOU WANT TO TELL ME
WHO RAN YOUR FACE
INTO THAT DOORKNOB?
561
00:28:01,291 --> 00:28:04,250
NOT REALLY. IT'S NOT
WORLD-IN-PERIL STUFF.
562
00:28:04,250 --> 00:28:06,167
LET ME GUESS.
563
00:28:07,291 --> 00:28:09,291
YOU THOUGHT
OF SOMETHING ELSE
REALLY HURTFUL TO SAY,
564
00:28:09,291 --> 00:28:11,208
AND, WELL, YOU COULDN'T
TELL ME ON THE PHONE
565
00:28:11,208 --> 00:28:13,041
BECAUSE THE FUNNIEST PART
IS THAT LOOK ON MY FACE--
566
00:28:13,041 --> 00:28:15,375
BUFFY, PLEASE.
I REALLY DON'T HAVE
A LOT OF TIME.
567
00:28:17,291 --> 00:28:18,750
WHAT'S GOING ON?
568
00:28:21,375 --> 00:28:22,917
I TOLD YOU
569
00:28:22,917 --> 00:28:25,041
YOU WEREN'T
COMING NEAR HER.
570
00:28:26,458 --> 00:28:28,000
YOU'VE GOT
TO BE KIDDING ME.
571
00:28:28,000 --> 00:28:29,458
THIS IS WHY YOU CAME?
572
00:28:29,458 --> 00:28:32,041
NO. THIS WAS
AN ACCIDENT.
573
00:28:32,041 --> 00:28:33,875
RUNNING YOUR CAR
INTO A TREE
574
00:28:33,875 --> 00:28:35,125
IS AN ACCIDENT!
575
00:28:35,125 --> 00:28:37,333
RUNNING YOUR FIST
INTO SOMEBODY'S FACE
IS A PLAN!
576
00:28:37,333 --> 00:28:39,333
PLEASE EXPLAIN THIS
TO ME.
577
00:28:39,333 --> 00:28:41,083
PUT THAT GUN DOWN.
578
00:28:41,083 --> 00:28:42,917
IT'S PRETTY MUCH
ALL I GOT LEFT,
579
00:28:42,917 --> 00:28:45,000
SO I'M THINKING NOT.
580
00:28:45,000 --> 00:28:46,792
HE ATTACKED
4 OF MY MEN, BUFFY.
581
00:28:46,792 --> 00:28:48,542
I THINK HE'S UP TO
HIS OLD TRICKS.
582
00:28:48,542 --> 00:28:50,333
HE WON'T HURT ANYBODY.
TELL HIM.
583
00:28:50,333 --> 00:28:51,417
MIGHT HURT YOU.
584
00:28:51,417 --> 00:28:53,208
OH, PLEASE TRY!
585
00:28:53,208 --> 00:28:55,792
HUH! SOME THREAT.
YOU CAN BARELY STAND.
586
00:28:55,792 --> 00:28:57,166
MY TRIGGER FINGER
FEELS OKAY.
587
00:28:57,166 --> 00:28:58,500
YOU ACTUALLY SLEEP
WITH THIS GUY?
588
00:28:59,875 --> 00:29:03,542
OKAY, STOP IT!
THAT IS ENOUGH.
589
00:29:03,542 --> 00:29:06,083
I SEE ONE MORE DISPLAY
OF TESTOSTERONE POISONING,
590
00:29:06,083 --> 00:29:08,458
AND I WILL PERSONALLY PUT
YOU BOTH IN THE HOSPITAL.
591
00:29:11,209 --> 00:29:13,250
ANYBODY THINK
I'M EXAGGERATING?
592
00:29:13,250 --> 00:29:15,209
HE START--
593
00:29:24,458 --> 00:29:26,583
RILEY...
594
00:29:26,583 --> 00:29:29,375
I'M SORRY.
595
00:29:29,375 --> 00:29:32,209
JUST WANTED TO KNOW
THAT YOU WERE SAFE.
596
00:29:32,209 --> 00:29:35,083
I NEED TO TALK TO ANGEL
FOR A MINUTE.
597
00:29:35,083 --> 00:29:36,166
WHAT?
598
00:29:36,166 --> 00:29:37,500
RILEY, PLEASE.
599
00:29:41,834 --> 00:29:44,500
I'M NOT LEAVING THIS ROOM.
600
00:29:44,500 --> 00:29:46,625
I MEAN IT.
601
00:30:01,917 --> 00:30:04,166
I'M NOT MOVING A MUSCLE.
602
00:30:04,166 --> 00:30:09,000
OKAY, I COME TO SEE YOU,
TO HELP YOU,
603
00:30:09,000 --> 00:30:12,542
AND YOU TREAT ME
LIKE I'M JUST...YOUR EX.
604
00:30:12,542 --> 00:30:14,083
WELL, TECHNICALLY--
SHUT UP!
605
00:30:14,083 --> 00:30:17,166
AND THEN
YOU ORDER ME
OUT OF YOUR CITY,
606
00:30:17,166 --> 00:30:20,792
AND THEN YOU COME HERE
AND START POUNDING ON
MY BOYFRIEND?
607
00:30:20,792 --> 00:30:22,917
I WOULD REALLY
LIKE TO KNOW--
608
00:30:22,917 --> 00:30:25,166
WHAT THE HELL ARE YOU
TRYING TO DO?
609
00:30:25,166 --> 00:30:28,417
I WAS TRYING
TO MAKE THINGS BETTER.
610
00:30:33,917 --> 00:30:38,667
HEH. WELL...HEH HEH HEH.
611
00:30:38,667 --> 00:30:40,834
AW, WELL.
612
00:30:40,834 --> 00:30:43,375
HEH. IT'S, UH...
613
00:30:43,375 --> 00:30:46,542
GOING PRETTY GOOD,
DON'T YOU THINK?
614
00:30:46,542 --> 00:30:49,166
SWELL.
615
00:30:49,166 --> 00:30:54,166
YOU KNOW--HEH--I COULDN'T
LEAVE IT LIKE THAT.
616
00:30:56,625 --> 00:30:58,959
THE WAY I SPOKE TO YOU--
617
00:30:58,959 --> 00:31:02,667
I CAME TO APOLOGIZE.
I HAD NO RIGHT.
618
00:31:04,583 --> 00:31:06,166
AND RILEY?
619
00:31:06,166 --> 00:31:07,542
I GOT JUMPED BY SOME SOLDIERS.
620
00:31:07,542 --> 00:31:09,166
HE CAME IN
IN THE MIDDLE.
621
00:31:09,166 --> 00:31:11,583
AND HE WASN'T REAL FORTHCOMING
WITH THE BENEFIT OF THE DOUBT.
622
00:31:13,500 --> 00:31:16,166
PUT YOURSELF IN HIS PLACE.
623
00:31:18,750 --> 00:31:20,291
I GET IT.
624
00:31:22,333 --> 00:31:23,708
LOOK...
625
00:31:26,333 --> 00:31:29,500
YOU WEREN'T ENTIRELY WRONG
WHAT YOU SAID IN L.A.
626
00:31:33,041 --> 00:31:35,834
WE DON'T LIVE
IN EACH OTHER'S
WORLDS ANYMORE.
627
00:31:35,834 --> 00:31:37,917
I HAD NO RIGHT
TO BARGE IN ON YOURS
628
00:31:37,917 --> 00:31:39,333
AND MAKE JUDGMENTS.
629
00:31:40,959 --> 00:31:42,542
I'M STILL SORRY.
630
00:31:44,667 --> 00:31:46,166
THANK YOU.
631
00:31:47,250 --> 00:31:50,750
AND NEXT TIME,
I'LL APOLOGIZE BY PHONE.
632
00:31:53,333 --> 00:31:55,500
THINGS ARE PRETTY TENSE
AROUND HERE.
633
00:31:58,542 --> 00:32:00,625
THEY REALLY ARE.
634
00:32:00,625 --> 00:32:02,708
CAN I DO ANYTHING?
635
00:32:02,708 --> 00:32:04,542
HONESTLY,
636
00:32:04,542 --> 00:32:08,500
I THINK THE BEST THING
YOU CAN DO RIGHT NOW IS--
637
00:32:08,500 --> 00:32:09,542
OKAY.
638
00:32:11,792 --> 00:32:14,250
IT MEANS A LOT
THAT YOU CAME.
639
00:32:23,500 --> 00:32:27,875
OH, AND...RILEY?
640
00:32:27,875 --> 00:32:30,500
YEAH?
641
00:32:30,500 --> 00:32:33,125
I DON'T LIKE HIM.
642
00:32:35,041 --> 00:32:37,250
THANK YOU.
643
00:33:00,166 --> 00:33:03,917
NOW THAT...WAS FUN.
644
00:33:03,917 --> 00:33:06,208
YOU WERE SUCCESSFUL?
645
00:33:06,208 --> 00:33:08,917
OH, EASIER THAN
I THOUGHT IT'D BE, TOO.
646
00:33:08,917 --> 00:33:10,166
YOU'RE SURE?
647
00:33:10,166 --> 00:33:11,792
FEEL IT IN MY BONES.
648
00:33:11,792 --> 00:33:15,250
IT'S, UH...CALL IT
THE YOKO FACTOR.
649
00:33:18,417 --> 00:33:20,458
DON'T TELL ME YOU'VE NEVER
HEARD OF THE BEATLES.
650
00:33:21,458 --> 00:33:25,000
I HAVE. I LIKE
HELTER SKELTER.
651
00:33:25,000 --> 00:33:26,625
WHAT A SURPRISE.
652
00:33:26,625 --> 00:33:30,667
THE POINT IS, THEY WERE ONCE
A REAL POWERFUL GROUP.
653
00:33:30,667 --> 00:33:32,708
IT'S NOT A STRETCH TO SAY
THEY RULED THE WORLD.
654
00:33:32,708 --> 00:33:35,500
WHEN THEY BROKE UP,
EVERYONE BLAMED YOKO,
655
00:33:35,500 --> 00:33:37,750
BUT THE FACT IS, THE GROUP
SPLIT ITSELF APART.
656
00:33:37,750 --> 00:33:39,417
SHE JUST HAPPENED
TO BE THERE.
657
00:33:39,417 --> 00:33:40,959
BUT YOU KNOW
HOW IT IS WITH KIDS.
658
00:33:40,959 --> 00:33:43,750
THEY GO OFF TO COLLEGE,
THEY GROW APART.
659
00:33:43,750 --> 00:33:45,250
WAY OF THE WORLD.
660
00:33:45,250 --> 00:33:49,291
SO YOU SEPARATED THE SLAYER
FROM HER FRIENDS. I'M PLEASED.
661
00:33:52,375 --> 00:33:55,458
WELL, SINCE WE'VE GOT
ALL OUR DUCKS IN A ROW
662
00:33:55,458 --> 00:33:57,667
AND NOT TALKING
TO EACH OTHER,
663
00:33:57,667 --> 00:34:00,291
GUESS IT'S TIME FOR
THE GRAND PLAN, HUH?
664
00:34:00,291 --> 00:34:02,583
YOU KNOW, THE ONE WHERE
I GET THE CHIPECTOMY.
665
00:34:02,583 --> 00:34:04,875
YOU GOT EVERYTHING
YOU NEED, RIGHT?
666
00:34:04,875 --> 00:34:08,417
NO. THERE'S
ONE MORE THING.
667
00:34:19,792 --> 00:34:21,834
HOW BAD ARE YOU HURT?
668
00:34:21,834 --> 00:34:25,250
DUNNO YET.
NIGHT'S STILL YOUNG.
669
00:34:28,083 --> 00:34:31,125
RILEY, I HAVE
TO TELL YOU SOMETHING.
670
00:34:31,125 --> 00:34:33,041
FIGURED.
671
00:34:33,041 --> 00:34:35,834
MAYBE YOU
WANT TO SIT DOWN.
672
00:34:35,834 --> 00:34:37,583
I'M FINE.
673
00:34:38,583 --> 00:34:39,792
RILEY, I--
674
00:34:39,792 --> 00:34:42,917
WAIT. ME FIRST.
675
00:34:46,375 --> 00:34:51,375
BUFFY...I FEEL LIKE
WE'VE GOTTEN REALLY CLOSE.
676
00:34:51,375 --> 00:34:54,375
AT LEAST I THOUGHT WE HAD.
677
00:34:54,375 --> 00:34:57,208
I DON'T KNOW MUCH
ABOUT ANGEL
678
00:34:57,208 --> 00:35:00,583
OR YOUR RELATIONSHIP
WITH HIM,
679
00:35:00,583 --> 00:35:05,834
BUT ALL I ASK IS IF YOU'RE
GONNA BREAK MY HEART,
680
00:35:05,834 --> 00:35:08,250
DO IT FAST.
681
00:35:09,500 --> 00:35:11,834
WHAT?
682
00:35:11,834 --> 00:35:14,083
YOU THINK THAT ANGEL AND I...
683
00:35:14,083 --> 00:35:16,875
DIDN'T YOU?
684
00:35:16,875 --> 00:35:20,291
NO. OF COURSE NOT.
685
00:35:22,000 --> 00:35:24,250
HOW CAN YOU EVEN ASK ME THAT?
686
00:35:26,500 --> 00:35:29,083
I DON'T KNOW.
XANDER SAID--
687
00:35:29,083 --> 00:35:31,917
XANDER? OH, HE'S
THE DEADEST MAN
IN DEADONIA.
688
00:35:31,917 --> 00:35:34,208
NO, IT'S NOT HIS FAULT.
689
00:35:34,208 --> 00:35:38,875
I PRODDED, AND HE EXPLAINED
HOW ANGEL WENT BAD.
690
00:35:38,875 --> 00:35:41,166
THE TRIGGER.
691
00:35:41,166 --> 00:35:43,417
OH.
692
00:35:43,417 --> 00:35:48,000
AND AFTER THAT, I WENT
A LITTLE NUTS, YOU KNOW.
693
00:35:48,000 --> 00:35:52,667
I MEAN, ON THE ONE HAND,
I SHOULD BELIEVE IN US,
694
00:35:52,667 --> 00:35:54,667
BUT ON THE OTHER,
695
00:35:54,667 --> 00:35:56,500
SOMETIMES THINGS HAPPEN
BETWEEN EXES,
696
00:35:56,500 --> 00:35:59,125
AND WHEN I SAW
THAT HE WAS BAD...
697
00:35:59,125 --> 00:36:01,500
HE'S...NOT BAD.
698
00:36:01,500 --> 00:36:05,375
SERIOUSLY?
THAT'S A GOOD DAY?
699
00:36:06,875 --> 00:36:08,542
WELL, THERE YOU GO.
700
00:36:08,542 --> 00:36:11,792
EVEN WHEN HE'S GOOD,
HE'S ALL MR. BILLOWY COAT,
KING OF PAIN,
701
00:36:11,792 --> 00:36:13,209
AND GIRLS REALLY--
702
00:36:13,209 --> 00:36:14,333
RILEY, STOP.
703
00:36:15,708 --> 00:36:18,209
SEE? NUTS.
704
00:36:23,291 --> 00:36:26,458
HAVE I EVER GIVEN YOU
ANY REASON
705
00:36:26,458 --> 00:36:29,333
TO FEEL THAT
YOU CAN'T TRUST ME?
706
00:36:30,500 --> 00:36:32,834
NO.
707
00:36:32,834 --> 00:36:35,209
THEN WHY WITH THE CRAZY?
708
00:36:38,458 --> 00:36:41,041
BECAUSE
I'M SO IN LOVE WITH YOU
I CAN'T THINK STRAIGHT.
709
00:36:43,500 --> 00:36:46,041
TELL ME ABOUT IT.
710
00:36:53,125 --> 00:36:54,500
RILEY.
711
00:36:56,291 --> 00:36:59,000
I STILL HAVE
TO TELL YOU SOMETHING,
712
00:36:59,000 --> 00:37:00,875
AND THERE'S
NO EASY WAY TO--
713
00:37:00,875 --> 00:37:02,333
JUST SAY IT.
714
00:37:06,291 --> 00:37:07,875
FORREST IS DEAD.
715
00:37:10,708 --> 00:37:13,500
I'M SO SORRY.
716
00:37:15,000 --> 00:37:17,166
THERE WAS A FIGHT.
717
00:37:17,166 --> 00:37:19,417
ADAM KILLED HIM.
718
00:37:19,417 --> 00:37:21,834
I BARELY GOT AWAY.
719
00:37:25,083 --> 00:37:27,333
I KNOW THERE'S
NOTHING THAT I CAN SAY
720
00:37:27,333 --> 00:37:30,417
THAT'S GONNA
MAKE THIS BETTER,
721
00:37:30,417 --> 00:37:33,750
BUT WE WILL FIND THIS THING
AND DESTROY IT.
722
00:37:35,708 --> 00:37:37,750
I HAVE TO GO.
723
00:37:37,750 --> 00:37:39,208
ARE YOU SURE?
724
00:37:39,208 --> 00:37:41,375
I HAVE TO GO NOW.
725
00:37:49,208 --> 00:37:51,375
[ Door Closes ]
726
00:37:51,375 --> 00:37:53,708
IT'S STILL ENCRYPTED.
727
00:37:55,208 --> 00:37:57,750
WILLOW'S WORKING
REALLY HARD ON IT.
728
00:37:57,750 --> 00:38:01,834
OKAY. WELL, HOW LONG
BEFORE YOU UN-CRYPT IT?
729
00:38:01,834 --> 00:38:05,167
HOURS? DAYS MAYBE.
730
00:38:05,167 --> 00:38:08,458
ANYONE SUGGESTING MONTHS
WOULD NOT BE ACCUSED
OF CRAZY TALK.
731
00:38:08,458 --> 00:38:10,000
WHATEVER HAPPENED
TO LATIN?
732
00:38:10,000 --> 00:38:14,333
AT LEAST WHEN
THAT MADE NO SENSE,
THE CHURCH APPROVED.
733
00:38:14,333 --> 00:38:16,458
I CAN'T JUST
WAIT AROUND, WIL.
734
00:38:16,458 --> 00:38:18,834
THAT DISK IS NO GOOD TO ME
UNLESS YOU CRACK IT SOON.
735
00:38:18,834 --> 00:38:23,000
HEY! WE WORKED
REALLY HARD
GETTING THAT.
736
00:38:23,000 --> 00:38:24,417
XANDER DELIVERED
CLOTHING.
737
00:38:24,417 --> 00:38:26,458
CHURCH APPROVED.
738
00:38:26,458 --> 00:38:28,875
SORRY, YOU GUYS.
WE'RE ON A CLOCK HERE.
739
00:38:28,875 --> 00:38:32,291
OKAY, ADAM WAS AT THAT CAVE,
SO MAYBE HE WAS THERE
FOR A REASON.
740
00:38:32,291 --> 00:38:34,417
I COULD GO BACK,
SCOPE IT OUT,
741
00:38:34,417 --> 00:38:36,208
TRACK HIM IF I HAVE TO.
742
00:38:36,208 --> 00:38:38,792
RIGHT, AND THEN MAYBE
YOU'LL GET LUCKY
743
00:38:38,792 --> 00:38:42,166
AND HE'LL STILL BE THERE, AND HE
CAN RIP YOUR ARMS OFF FOR YOU.
744
00:38:42,166 --> 00:38:43,792
BUFFY, YOU CAN'T
GO BACK ALONE.
745
00:38:43,792 --> 00:38:46,291
YOU NEVER TRAIN WITH ME
ANYMORE. HE'S GOING TO
KICK YOUR ASS.
746
00:38:46,291 --> 00:38:47,583
GILES.
747
00:38:47,583 --> 00:38:50,458
SORRY. WAS IT A BIT HONEST?
TERRIBLY SORRY.
748
00:38:50,458 --> 00:38:53,041
SO SHE DOESN'T GO ALONE.
GILES, WEAPONS ALL AROUND.
749
00:38:53,041 --> 00:38:55,250
YOU'RE NOT GOING, XANDER.
750
00:38:55,250 --> 00:38:57,125
YOU'D GET HURT.
751
00:38:57,125 --> 00:39:02,000
OH...OKAY, YOU AND WILLOW
GO DO THE SUPERPOWER THING.
752
00:39:02,000 --> 00:39:05,542
I'LL STAY BEHIND
AND PUTT AROUND THE BATCAVE
WITH CRUSTY OLD ALFRED HERE.
753
00:39:05,542 --> 00:39:07,208
AHH, NO, I AM
NO ALFRED, SIR.
754
00:39:07,208 --> 00:39:09,625
NO, YOU FORGET.
ALFRED HAD A JOB.
755
00:39:09,625 --> 00:39:11,667
WILLOW IS NOT GOING, EITHER.
I'M DOING IT ALONE.
756
00:39:11,667 --> 00:39:16,209
OH, GREAT. AND THEN WHEN
YOU HAVE YOUR NEW NO ARMS,
757
00:39:16,209 --> 00:39:17,875
WE CAN ALL SAY,
"GEE, IT'S A GOOD THING
758
00:39:17,875 --> 00:39:19,708
WE WEREN'T THERE
GETTING IN THE WAY OF THAT."
759
00:39:19,708 --> 00:39:21,291
RIGHT. MAYBE WE CAN
HELP IN OTHER WAYS.
760
00:39:21,291 --> 00:39:24,667
WANT SOME FIGHTING PANTS,
BUFF? I CAN GET YA SOME
NEW FIGHTING PANTS.
761
00:39:24,667 --> 00:39:26,500
YOU GUYS,
THIS ISN'T HELPING.
762
00:39:26,500 --> 00:39:28,375
OH, WOW, WE'RE ALREADY
GETTING IN THE WAY.
763
00:39:28,375 --> 00:39:30,208
WE'RE PRETTY GOOD AT THIS,
XANDER, HUH?
764
00:39:30,208 --> 00:39:32,458
RIGHT, I'M SO GOOD AT IT,
YOU MIGHT HAVE TO SHIP ME
OFF TO THE ARMY
765
00:39:32,458 --> 00:39:34,083
TO GET ME OUT OF THE WAY!
766
00:39:34,083 --> 00:39:35,083
THE ARMY?
767
00:39:35,083 --> 00:39:37,291
YOU DIDN'T KNOW I KNEW
ABOUT THAT, DID YA?
768
00:39:37,291 --> 00:39:40,209
YOU TWO TALKING ABOUT ME
BEHIND MY BACK.
769
00:39:40,209 --> 00:39:41,625
US TALKING ABOUT YOU?
770
00:39:41,625 --> 00:39:44,125
HOW ABOUT YOU TELLING RILEY
771
00:39:44,125 --> 00:39:46,333
EVERY LAST DETAIL
ABOUT MY LIFE WITH ANGEL?
772
00:39:46,333 --> 00:39:49,250
BESIDES, WHEN IS THERE
ANY "US TWO"?
773
00:39:49,250 --> 00:39:51,500
YOU TWO ARE THE TWO
WHO ARE THE TWO.
774
00:39:51,500 --> 00:39:53,250
I'M THE OTHER ONE.
775
00:39:53,250 --> 00:39:54,667
UH-HUH, BUT MAYBE
THAT ALL CHANGES
776
00:39:54,667 --> 00:39:57,209
WHEN I'M DOING SIT-UPS
OVER AT FORT DIX.
777
00:39:57,209 --> 00:39:58,542
FORT DIX?
778
00:40:01,250 --> 00:40:03,125
ARE YOU DRUNK?
779
00:40:03,125 --> 00:40:04,834
YES. QUITE A BIT, ACTUALLY.
780
00:40:04,834 --> 00:40:06,333
WELL, STOP IT.
781
00:40:06,333 --> 00:40:08,208
THIS IS STUPID.
782
00:40:08,208 --> 00:40:11,708
STUPID. SO YOU FINALLY
HAD THE GUTS TO SAY IT
TO MY FACE.
783
00:40:11,708 --> 00:40:13,625
I DIDN'T SAY
YOU WERE STUPID.
784
00:40:13,625 --> 00:40:16,834
SO STOP BEING AN IDIOT
AND LET ME FIX THIS.
785
00:40:16,834 --> 00:40:20,708
OKAY, I NEED YOU.
I NEED BOTH OF YOU
ALL THE TIME,
786
00:40:20,708 --> 00:40:24,375
JUST...NOT NOW.
ADAM IS VERY DANGEROUS.
787
00:40:24,375 --> 00:40:27,708
WAIT. HOW DO YOU
NEED ME, REALLY?
788
00:40:27,708 --> 00:40:31,500
YOU'RE GOOD WITH
THE COMPUTER STUFF.
789
00:40:31,500 --> 00:40:34,959
USUALLY. AND THERE'S
THE WITCH STUFF.
790
00:40:34,959 --> 00:40:39,542
WITCH STUFF? WHAT EXACTLY
DO YOU MEAN BY WITCH STUFF?
791
00:40:39,542 --> 00:40:42,792
YOU GUYS, WHAT IS HAPPENING?
THIS IS CRAZY.
792
00:40:42,792 --> 00:40:45,959
OH, NO, IT'S NOT. IT'S ALL
FINALLY MAKING PERFECT SENSE,
793
00:40:45,959 --> 00:40:48,792
AND I'M NOT GONNA MISS
A MOMENT OF IT.
794
00:40:50,000 --> 00:40:53,083
YOU THINK THIS'LL
GO ON FOR AWHILE?
795
00:40:53,083 --> 00:40:54,917
HARD TO SAY.
796
00:40:59,625 --> 00:41:01,166
NICE BATHROOM.
797
00:41:01,166 --> 00:41:03,166
LIKE THE TILE.
798
00:41:03,166 --> 00:41:06,041
AND IF I DID JOIN THE ARMY,
I'D BE GREAT. YOU KNOW WHY?
799
00:41:06,041 --> 00:41:07,834
BECAUSE THEY MIGHT GIMME A JOB
THAT COULDN'T BE DONE
800
00:41:07,834 --> 00:41:09,458
BY ANY WELL-TRAINED
BORDER COLLIE.
801
00:41:09,458 --> 00:41:11,375
THAT'S IT.
I'M GOING TO BED.
802
00:41:11,375 --> 00:41:12,875
NO, YOU'D BE WONDERFUL
IN THE ARMY.
803
00:41:12,875 --> 00:41:15,583
DO YOU THINK THE UMBILICAL CORD
BETWEEN YOU AND ANYA
804
00:41:15,583 --> 00:41:16,667
COULD STRETCH THAT FAR?
805
00:41:16,667 --> 00:41:19,750
I KNEW IT. I KNEW
YOU HATED HER!
806
00:41:20,834 --> 00:41:23,792
I'M NOT THE ONE BEING
JUDGMENTAL HERE.
807
00:41:23,792 --> 00:41:25,375
I'LL LEAVE THAT TERRITORY
TO YOU AND BUFFY.
808
00:41:25,375 --> 00:41:28,875
JUDGMENTAL? IF I WAS
ANY MORE OPEN-MINDED
809
00:41:28,875 --> 00:41:30,333
ABOUT THE CHOICES
YOU TWO MAKE,
810
00:41:30,333 --> 00:41:31,625
MY WHOLE BRAIN
WOULD FALL OUT.
811
00:41:31,625 --> 00:41:34,375
OH, AND SUPERIOR.
DON'T FORGET THAT.
812
00:41:34,375 --> 00:41:35,792
JUST BECAUSE YOU'RE
BETTER THAN US
813
00:41:35,792 --> 00:41:37,875
DOESN'T MEAN YOU CAN
BE ALL SUPERIOR.
814
00:41:37,875 --> 00:41:41,208
YOU GUYS, STOP THIS.
WHAT HAPPENED TO YOU
TODAY?
815
00:41:41,208 --> 00:41:42,959
IT'S NOT TODAY.
816
00:41:42,959 --> 00:41:46,667
BUFFY, THINGS HAVE
BEEN WRONG FOR AWHILE.
DON'T YOU SEE THAT?
817
00:41:46,667 --> 00:41:49,000
WHAT DO YOU MEAN WRONG?
818
00:41:49,000 --> 00:41:52,625
WELL, THEY CERTAINLY
HAVEN'T BEEN RIGHT
SINCE TARA.
819
00:41:52,625 --> 00:41:56,333
WE HAVE TO FACE IT--
YOU CAN'T HANDLE TARA
BEING MY GIRLFRIEND.
820
00:41:56,333 --> 00:41:59,083
NO! IT WAS BAD
BEFORE THAT!
821
00:41:59,083 --> 00:42:01,291
SINCE YOU TWO
WENT OFF TO COLLEGE
AND FORGOT ABOUT ME.
822
00:42:01,291 --> 00:42:04,250
JUST LEFT ME IN THE BASEMENT
TO--TARA'S YOUR GIRLFRIEND?
823
00:42:04,250 --> 00:42:06,834
[ Giles ] BLOODY HELL!
824
00:42:06,834 --> 00:42:10,708
ENOUGH! ALL I KNOW
IS YOU WANNA HELP, RIGHT?
825
00:42:10,708 --> 00:42:12,166
BE PART OF THE TEAM?
826
00:42:12,166 --> 00:42:14,667
I DON'T KNOW ANYMORE.
FEELING NOT WANTED.
827
00:42:14,667 --> 00:42:16,291
NO! NO, YOU SAID
YOU WANTED TO GO.
828
00:42:16,291 --> 00:42:18,041
SO LET'S GO, ALL OF US.
829
00:42:18,041 --> 00:42:21,458
WE'LL WALK INTO THAT CAVE
WITH YOU TWO ATTACKING ME
830
00:42:21,458 --> 00:42:23,583
AND THAT FUNNY DRUNK
DROOLING ON MY SHOE.
831
00:42:23,583 --> 00:42:27,125
HEY, MAYBE THAT'S THE SECRET WAY
TO KILLING ADAM!
832
00:42:27,125 --> 00:42:28,208
BUFFY...
833
00:42:28,208 --> 00:42:32,166
IS THAT IT? IS THAT
HOW YOU CAN HELP?
834
00:42:32,166 --> 00:42:34,792
YOU'RE NOT ANSWERING ME!
835
00:42:34,792 --> 00:42:39,208
HOW CAN YOU POSSIBLY HELP?
836
00:42:47,125 --> 00:42:48,291
SO...
837
00:42:50,166 --> 00:42:53,625
I GUESS I'M
STARTING TO UNDERSTAND WHY
THERE'S NO ANCIENT PROPHECY
838
00:42:53,625 --> 00:42:56,458
ABOUT A CHOSEN ONE
AND HER FRIENDS.
839
00:42:58,041 --> 00:43:01,209
IF I NEED HELP,
I'LL GO TO SOMEONE
I CAN COUNT ON.
840
00:43:10,500 --> 00:43:12,834
I'VE BEEN
WAITING FOR YOU.
841
00:43:14,458 --> 00:43:16,125
AND NOW I'M HERE.
842
00:43:57,792 --> 00:44:00,208
GRR! ARRGH!
58585
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