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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,069 --> 00:00:03,399 Narrator: TONIGHT ON "HOT PACKAGE"...OUCH! 2 00:00:03,437 --> 00:00:05,137 Beckles: "HOT PACKAGE" TAKES ON SEX AND VIOLENCE 3 00:00:05,173 --> 00:00:06,343 WITH OUR DEEP FOCUS GROUP. 4 00:00:06,374 --> 00:00:08,644 Roark: AND WE CHECK IN ON OUR HERO, 5 00:00:08,676 --> 00:00:11,506 CHRISTIAN, A NONDENOMINATIONAL DOUGHNUT. 6 00:00:11,545 --> 00:00:12,905 THE DOUGHNUT IS DEAD. 7 00:00:12,946 --> 00:00:14,576 BACK TO WORK. Beckles: ALSO, 8 00:00:14,615 --> 00:00:17,815 WE'VE GOT YOUR TOP SEXIEST MOMENTS OF THE YEAR, SO FAR. 9 00:00:17,851 --> 00:00:18,851 MM-HMM. 10 00:00:18,886 --> 00:00:20,716 Roark: THEN, REMEMBERING MARK. 11 00:00:20,754 --> 00:00:23,494 YOUR ON-GOING SUPPORT HAS BEEN OUTSTANDING 12 00:00:23,524 --> 00:00:26,064 AND HAS GIVEN US THE HOT, RAW STRENGTH 13 00:00:26,094 --> 00:00:28,104 TO NOT CARRY ON WITHOUT HIM. 14 00:00:28,129 --> 00:00:30,159 Beckles: AND THEN, A CHILLING "ONES ON ONE" 15 00:00:30,198 --> 00:00:31,828 WITH HOLLYWOOD PSYCHIC SLOAN BELLA 16 00:00:31,865 --> 00:00:33,165 YOU WON'T WANT TO MISS. 17 00:00:33,201 --> 00:00:34,171 IT'S LIKE I JUST FLASHED. 18 00:00:34,202 --> 00:00:35,272 PLUS... 19 00:00:35,303 --> 00:00:36,773 Roark: BREAST WISHES! 20 00:00:36,804 --> 00:00:39,214 THE "HP" BUFF BABEZ ARE BACK AND HUNGRY FOR ATTENTION. 21 00:00:39,240 --> 00:00:40,840 * HOT LET'S GET INSIDE! 22 00:00:40,874 --> 00:00:43,284 Narrator: LET'S GET INSIDE! 23 00:00:43,311 --> 00:00:45,511 YOU'RE WATCHING "HOT PACKAGE," 24 00:00:45,546 --> 00:00:50,646 THE BEST AND ONLY IN CURRENT ENTERTAINMENT NEWS PROGRAMMING. 25 00:00:52,320 --> 00:00:54,760 WELCOME BACK, NORTH AMERICA. I'M DERRICK BECKLES. 26 00:00:54,788 --> 00:00:57,558 ANASTASIA ROARK IS STILL SICK, BUT NOT TO FEAR. 27 00:00:57,591 --> 00:00:59,891 JOINING ME TONIGHT IS MY GORGEOUS 28 00:00:59,927 --> 00:01:03,627 SUBSTITUTE CO-HOST IN CRIME, THE ALWAYS LOVELY SHERRY. 29 00:01:03,664 --> 00:01:07,304 MWAH. MWAH. GREAT TO HAVE YOU HERE. 30 00:01:07,335 --> 00:01:09,065 IT'S GREAT TO BE BACK. 31 00:01:09,103 --> 00:01:10,573 I LOVE BEING HERE. 32 00:01:10,604 --> 00:01:12,544 OH. I LOVE IT WHEN YOU'RE HERE. 33 00:01:12,573 --> 00:01:15,313 MNH. MNH. 34 00:01:15,343 --> 00:01:20,883 SWAPPING SPIT, TONGUING, TONSIL HOCKEY, HOLE TO HOLE. 35 00:01:20,914 --> 00:01:24,154 THESE ARE ALL EXPRESSIONS USED TO DESCRIBE THE GATEWAY 36 00:01:24,185 --> 00:01:25,145 TO THE ULTIMATE GATEWAY. 37 00:01:25,186 --> 00:01:26,646 THAT'S RIGHT, SHER. 38 00:01:26,687 --> 00:01:28,717 AND NORTH AMERICANS HAVE BEEN YEARNING FROM THE LATEST 39 00:01:28,756 --> 00:01:31,456 FROM THE PICASSO OF PURSED LIPS, WILLIAM CANE. 40 00:01:31,492 --> 00:01:34,502 AND "HP" IS ABLE WITH THE EXCLUSIVE. 41 00:01:35,596 --> 00:01:38,096 THIS IS WILLIAM CANE, AND THIS TAPE, 42 00:01:38,132 --> 00:01:39,472 BELIEVE IT OR NOT, 43 00:01:39,500 --> 00:01:42,300 IS GOING TO TEACH YOU HOW TO FRENCH KISS. YES. 44 00:01:42,336 --> 00:01:44,736 ONCE, WHEN I WAS FRENCH KISSING A BOY, 45 00:01:44,772 --> 00:01:47,412 I COULD NOT BREATHE AND I WAS GAGGING. 46 00:01:47,441 --> 00:01:50,081 AND AFTERWARDS, I COULDN'T TALK ANYMORE 47 00:01:50,110 --> 00:01:52,910 FOR, LIKE, FOUR HOURS, AND IT WAS TERRIBLE. 48 00:01:52,946 --> 00:01:54,146 I STARTED TURNING BLUE. 49 00:01:54,182 --> 00:01:56,122 I THOUGHT I WAS GONNA DIE OR SOMETHING. 50 00:01:56,150 --> 00:01:58,450 AND I ALMOST HAD TO GET TAKEN TO THE HOSPITAL. 51 00:01:58,486 --> 00:02:00,516 IT WAS PRETTY BAD. I MEAN, GEEZ. WHAT THE HECK? 52 00:02:00,554 --> 00:02:03,424 Beckles: TONGUE AFTER TONGUE, GROPE AFTER GROPE, 53 00:02:03,457 --> 00:02:04,757 SNUGGLE AFTER SNUGGLE. 54 00:02:04,792 --> 00:02:07,762 "THE ART OF KISSING" HAS IT ALL AND MORE. 55 00:02:07,795 --> 00:02:11,595 YOU WANT TO TOUCH JUST THE TIPPY TIP OF THE TONGUES LIKE THIS. 56 00:02:11,632 --> 00:02:14,472 WELL, I LIKE TO, UH, KIND OF IMAGINE MYSELF 57 00:02:14,502 --> 00:02:16,842 FRENCH KISSING MY AUNT, IF YOU WILL. 58 00:02:16,870 --> 00:02:19,940 KIND OF LIKE IN THE MOTHERLY FASHION, YOU KNOW? 59 00:02:19,973 --> 00:02:23,613 TAKING CARE OF ME, SHOWING ME, LEADING ME, YOU KNOW, 60 00:02:23,644 --> 00:02:25,854 JUST KIND OF WALKING ME THROUGH IT, IF YOU WILL. 61 00:02:25,879 --> 00:02:30,119 JUST A REAL NICE MENTAL PICTURE OF ME MAKING OUT WITH MY AUNT. 62 00:02:30,150 --> 00:02:31,290 AND MORE. 63 00:02:31,319 --> 00:02:32,489 YOU BEGIN AND GO, 64 00:02:32,520 --> 00:02:33,950 AND THEN THE LONGER IT GOES, 65 00:02:33,987 --> 00:02:37,017 I LOVE STARTING TO PLAY THE GAME OF, LIKE, I GOT YOU, 66 00:02:37,057 --> 00:02:39,627 YOU GOT TO GET ME, AND GOING AROUND HERE AND HIDING. 67 00:02:39,660 --> 00:02:40,890 YOU KNOW? 68 00:02:40,928 --> 00:02:43,398 SO, AND THEN IT EVOLVES INTO WRESTLING, SLIDE, SLIDE. 69 00:02:43,431 --> 00:02:46,331 Beckles: HOWEVER, SOME CRITICS CLAIM IT HAS TOO MUCH. 70 00:02:46,367 --> 00:02:48,297 THE QUESTION IS, DOES IT OR DOESN'T IT? 71 00:02:48,336 --> 00:02:50,366 AND THAT'S A GREAT QUESTION. 72 00:02:51,239 --> 00:02:52,469 SEX AND VIOLENCE. 73 00:02:52,506 --> 00:02:54,606 Narrator: "HOT PACKAGE" GETS INTO IT. 74 00:02:56,677 --> 00:02:59,207 [ GUNSHOTS ] 75 00:02:59,247 --> 00:03:01,147 Beckles: ALL RIGHT. LET'S DO THIS. 76 00:03:01,181 --> 00:03:03,321 THE MOMENT WE'VE ALL BEEN WAITING FOR. 77 00:03:03,351 --> 00:03:06,751 MY BINARY BUDDY AND MATHEMATICALLY MANIFESTED 78 00:03:06,787 --> 00:03:10,317 MAIN MAN FROM "THE MATRIX," HOLOGRAM MARK! 79 00:03:10,358 --> 00:03:11,858 Narrator: HOLOGRAM MARK. 80 00:03:11,892 --> 00:03:13,262 Man: YES. 81 00:03:13,294 --> 00:03:15,834 Narrator: YOU'RE WATCHING HISTORY IN THE MAKING. 82 00:03:15,863 --> 00:03:21,003 THE REVEAL OF THE FIRST AND ONLY HOLOGRAM CO-HOST. 83 00:03:21,034 --> 00:03:23,374 [ BOTH GRUNTING ] 84 00:03:31,412 --> 00:03:33,882 Sherry: COMING UP... 85 00:03:36,250 --> 00:03:39,020 WHY DID WE BUILD THIS [BLEEP] PIECE OF SHIT? 86 00:03:39,052 --> 00:03:40,092 [BLEEP] MARK. 87 00:03:40,120 --> 00:03:41,820 [ GRUNTING CONTINUES ] 88 00:03:43,424 --> 00:03:46,364 OKAY. YOU KNOW WHAT? LET'S GET TO THIS LATER. 89 00:03:46,394 --> 00:03:50,204 Narrator: STAY TUNED FOR MORE HOLOGRAM MARK. 90 00:03:50,230 --> 00:03:51,770 Roark: AND NOW... 91 00:03:51,799 --> 00:03:54,439 Narrator: SEX AND VIOLENCE. "HOT PACKAGE" GETS INTO IT. 92 00:03:54,468 --> 00:03:58,068 Beckles: VIOLENCE. SEX. PLEASURE. PAIN. 93 00:03:58,105 --> 00:04:01,375 YIN, YANG, ADD IT UP, AND SUBTRACT IT DOWN. 94 00:04:01,409 --> 00:04:03,709 THE QUESTION STILL REMAINS... 95 00:04:03,744 --> 00:04:06,284 HAS HOLLYWOOD GONE TOO FAR? 96 00:04:06,314 --> 00:04:07,624 OR... 97 00:04:11,652 --> 00:04:13,522 MMM. 98 00:04:15,823 --> 00:04:19,163 NOT FAR ENOUGH? 99 00:04:19,192 --> 00:04:20,562 JOEY? 100 00:04:20,594 --> 00:04:24,234 WELCOME TO "HOT PACKAGE'S" DEEP FOCUS GROUP. 101 00:04:24,264 --> 00:04:25,774 I'M JOEY GRECO, 102 00:04:25,799 --> 00:04:28,139 AND I WANT YOU TO TAKE A LOOK AT SOMETHING 103 00:04:28,168 --> 00:04:29,898 THAT DERRICK AND I PUT TOGETHER. 104 00:04:29,937 --> 00:04:31,767 LET'S TAKE IT ON. 105 00:04:41,315 --> 00:04:43,815 [ MEN CHANTING ] 106 00:05:05,973 --> 00:05:07,213 THAT'S THE FIRST ONE. 107 00:05:07,240 --> 00:05:09,010 THANKS, JOEY. WE'LL BE BACK. 108 00:05:09,042 --> 00:05:11,452 Narrator: STICK AROUND FOR THE RESULTS. 109 00:05:11,479 --> 00:05:13,279 OUR CENTURION OF SMALL TALK, 110 00:05:13,313 --> 00:05:16,853 DERRICK BECKLES DOES IT AGAIN IN OUR LATEST "ONES ON ONE." 111 00:05:16,884 --> 00:05:18,694 Beckles: I SAT DOWN WITH "HOT PACKAGE" PSYCHIC 112 00:05:18,719 --> 00:05:21,289 SLOAN BELLA AND GOT SOME JUICY SEX GOSSIP 113 00:05:21,321 --> 00:05:22,561 FROM BEYOND THE GRAVE. 114 00:05:22,590 --> 00:05:24,660 LET'S START WITH JOHN WAYNE GACY. 115 00:05:24,692 --> 00:05:27,402 OKAY, HE WAS A SERIAL KILLER. WE KNOW HOW HE FELT ABOUT SEX. 116 00:05:27,428 --> 00:05:30,658 [ Chuckling ] OKAY. LET'S DROP THE GACY AND GO WITH JOHN WAYNE. 117 00:05:30,698 --> 00:05:32,498 WHAT'S YOUR IMPRESSION OF JOHN WAYNE? 118 00:05:32,533 --> 00:05:34,403 WAS HE SEXUALLY VIOLENT? YEAH. 119 00:05:34,435 --> 00:05:35,995 Y-YOU'RE RIGHT ABOUT THAT. I'M SEEING IN A ROOM 120 00:05:36,036 --> 00:05:38,736 FULL OF, LIKE, NAKED BODIES, BOTH MALE AND FEMALE. 121 00:05:38,772 --> 00:05:41,982 I'M GONNA USE THE WORD "ORGY." AND IT'S SODOMY, SODOMY, SODOMY. 122 00:05:42,009 --> 00:05:43,009 [ LAUGHS ] AAH! 123 00:05:43,043 --> 00:05:44,213 AND WHAT ABOUT 124 00:05:44,244 --> 00:05:45,984 THAT ORGY OF TALENT, NICK CANNON? 125 00:05:46,013 --> 00:05:47,253 WHAT ABOUT NICK CANNON? IS HE TALENTED? 126 00:05:47,280 --> 00:05:49,850 UM... 127 00:05:50,918 --> 00:05:53,488 STUMPED YOU! NEXT QUESTION. 128 00:05:53,521 --> 00:05:55,391 WHO IN HOLLYWOOD'S GONNA DIE NEXT? 129 00:05:55,423 --> 00:05:56,893 I'M GETTING GRUNGE ROCKER. 130 00:05:56,924 --> 00:05:59,734 UM, SHORT HAIR. 131 00:05:59,760 --> 00:06:01,260 CHRIS MARTIN. 132 00:06:01,294 --> 00:06:03,104 [ Distorted ] CHRIS MARTIN. CHRIS MARTIN. CHRIS MARTIN. 133 00:06:03,130 --> 00:06:05,100 IT'S NOT HIM. OH. 134 00:06:05,132 --> 00:06:07,542 LITTLE BIT HEAVIER THAN HIM, LITTLE BIT DARKER HAIR, 135 00:06:07,568 --> 00:06:10,738 BUT SIMILAR KIND OF VIBE. WHAT, LOUIE ANDERSON? 136 00:06:10,771 --> 00:06:12,071 [ LAUGHS ] 137 00:06:12,105 --> 00:06:13,835 CAN I PROVE THIS? I CANNOT PROVE IT. 138 00:06:13,874 --> 00:06:17,014 THAT'S THE BEAUTY OF MY JOB. I CAN PROVE NOTHING. 139 00:06:17,044 --> 00:06:19,184 AND IT WAS THEN THAT I REALIZED, IF I HAD HIRED SLOAN BELLA 140 00:06:19,212 --> 00:06:22,182 IN THE PAST TO TELL ME WHAT A GREAT TIME WE'D BE HAVING 141 00:06:22,215 --> 00:06:23,545 IN THE FUTURE, 142 00:06:23,584 --> 00:06:25,894 I WOULDN'T HAVE BELIEVED IT UNTIL NOW. 143 00:06:25,919 --> 00:06:29,789 Narrator: SEX AND VIOLENCE. "HOT PACKAGE" GETS INTO IT. 144 00:06:29,823 --> 00:06:32,533 WHEN IT COMES TO SEX AND VIOLENCE, 145 00:06:32,560 --> 00:06:35,360 THEY SAY, "SEE NO EVIL, HEAR NO EVIL." 146 00:06:35,395 --> 00:06:37,395 BUT TASTE NO EVIL? 147 00:06:37,431 --> 00:06:39,071 NOW I'M GONNA PLAY SOMETHING FOR YOU. 148 00:06:39,099 --> 00:06:41,869 AS YOU LISTEN, TRY TO NOTICE 149 00:06:41,902 --> 00:06:46,372 HOW IT AFFECTS THE TASTE OF THE SAMPLES. 150 00:06:46,406 --> 00:06:48,906 Woman: [ SINGING INDISTINCTLY ] 151 00:06:48,942 --> 00:06:51,312 [ PANTING ] 152 00:06:51,344 --> 00:06:53,154 [ OMINOUS MUSIC PLAYS ] 153 00:06:53,180 --> 00:06:54,580 [ SINGING CONTINUES ] 154 00:06:54,615 --> 00:06:56,145 [ AIR HISSING ] [ GASPING ] 155 00:07:09,597 --> 00:07:12,097 Narrator: STICK AROUND FOR THE RESULTS. 156 00:07:15,836 --> 00:07:17,466 MM-HMM. 157 00:07:19,172 --> 00:07:20,612 Woman: MM. 158 00:07:22,976 --> 00:07:25,776 MM. 159 00:07:39,893 --> 00:07:41,463 [ SIGHS ] 160 00:07:41,495 --> 00:07:43,425 THIS BETTER BE GOOD. 161 00:07:43,463 --> 00:07:44,773 Roark: STILL TO COME... 162 00:07:44,798 --> 00:07:46,098 Narrator: STICK AROUND. 163 00:07:46,133 --> 00:07:48,473 WE'RE GONNA GET HOLOGRAM MARK WORKING. 164 00:07:48,902 --> 00:07:50,102 Man: YES. 165 00:07:50,137 --> 00:07:52,207 NOW JEFF DEANE TURNER GIVES THE SKINNY 166 00:07:52,239 --> 00:07:54,679 WITH A FATTENING, DELICIOUS, DOUBLE SCOOP 167 00:07:54,708 --> 00:07:55,938 WITH A CHERRY ON TOP. 168 00:07:55,976 --> 00:07:57,546 Turner: HERE'S THE SCOOP -- 169 00:07:57,578 --> 00:07:58,948 JOHNNY DEPP IS A SATANIC HIGH PRIEST. 170 00:07:58,979 --> 00:08:00,549 Beckles: ARE YOU SERIOUS? 171 00:08:00,581 --> 00:08:03,681 I'M SERIOUS. I'M -- I'M STATING THE FACTS HERE. 172 00:08:03,717 --> 00:08:05,947 REMEMBER, I AM A HOLLYWOOD INSIDER. 173 00:08:05,986 --> 00:08:07,856 [ LAUGHS ] JEFF? 174 00:08:07,888 --> 00:08:09,658 DO YOU HAVE THE DOUBLE SCOOP? 175 00:08:09,690 --> 00:08:13,190 THE DOUBLE SCOOP, UH, IS...UH... 176 00:08:13,226 --> 00:08:15,056 WHAT'S THE SCOOP, JEFF? 177 00:08:15,095 --> 00:08:16,455 YEAH. HERE IT IS. 178 00:08:16,496 --> 00:08:17,996 UH... 179 00:08:18,031 --> 00:08:20,001 WELL, UH... 180 00:08:20,734 --> 00:08:22,304 LET'S SEE, UH, UH, 181 00:08:22,335 --> 00:08:24,965 CHRISTOPHER WALKEN IS A SATANIC, MURDERING DUKE. 182 00:08:25,005 --> 00:08:25,635 [ LAUGHS ] 183 00:08:25,673 --> 00:08:27,143 WHAT? YEAH. 184 00:08:27,174 --> 00:08:28,484 [ LAUGHS ] 185 00:08:28,508 --> 00:08:30,178 UH... 186 00:08:30,210 --> 00:08:32,650 YOU GOT TO TELL ME. WHAT'S THE CHERRY ON TOP? 187 00:08:32,680 --> 00:08:34,180 HERE'S THE CHERRY ON TOP. 188 00:08:34,214 --> 00:08:37,254 [ CHUCKLES ] LET'S TAKE A LOOK AT THE CLIP. 189 00:08:48,261 --> 00:08:49,501 THAT'S HOW THE MOVIE ENDS! 190 00:08:49,529 --> 00:08:50,499 ARE YOU SERIOUS? 191 00:08:50,530 --> 00:08:51,500 I'M SERIOUS. 192 00:08:51,531 --> 00:08:53,431 [ LAUGHS ] 193 00:08:53,466 --> 00:08:54,566 OH, YEAH. 194 00:08:58,772 --> 00:09:00,542 I HATE THIS PLANET. 195 00:09:00,574 --> 00:09:05,184 Narrator: SEX AND VIOLENCE. "HOT PACKAGE" GETS INTO IT. 196 00:09:05,212 --> 00:09:09,752 CHARLENE AND CINDY HERE ARE DISTRIBUTING "HP" STIMU-METERS. 197 00:09:09,783 --> 00:09:13,723 NOW, IF YOU HAVE A PARTICULAR REACTION, TUG UP TWICE. 198 00:09:13,754 --> 00:09:18,364 IF YOU HAVE A REACTION DIFFERENT FROM THAT PARTICULAR REACTION, 199 00:09:18,391 --> 00:09:20,361 TUG DOWN ONCE. 200 00:09:20,393 --> 00:09:22,403 LETS GET INTO THIS. 201 00:09:22,429 --> 00:09:24,669 [ MID-TEMPO MUSIC PLAYS ] 202 00:09:38,445 --> 00:09:41,145 [ COMPUTER BEEPING, DINGING ] 203 00:09:45,986 --> 00:09:47,146 MM-HMM. 204 00:09:47,187 --> 00:09:48,987 ALL RIGHT. 205 00:09:49,022 --> 00:09:51,732 LET'S HAVE A PEEK AT THE RAW DATA. 206 00:09:51,759 --> 00:09:53,329 JOEY? ISOLATING. 207 00:09:53,360 --> 00:09:55,030 [ COMPUTER BEEPS, DINGS ] 208 00:09:56,429 --> 00:09:57,729 HMM. 209 00:09:57,765 --> 00:10:01,965 LOOKS LIKE THIS IS WHERE MEN BOTTOMED OUT ON SEX. 210 00:10:02,002 --> 00:10:06,342 AND THIS IS WHERE WOMEN BOTTOMED OUT ON VIOLENCE. 211 00:10:06,373 --> 00:10:09,413 VERY INTERESTING. 212 00:10:09,442 --> 00:10:12,612 Narrator: LET US KNOW IF YOU AGREE WITH THE RESULTS. 213 00:10:12,646 --> 00:10:16,146 [ JAZZ MUSIC PLAYS ] 214 00:10:16,183 --> 00:10:18,253 TURNS OUT THAT SOME DOCTOR WROTE IN 215 00:10:18,285 --> 00:10:21,655 AND SAID IT WAS A GUY SKELETON BECAUSE OF THE CROTCH BONE, 216 00:10:21,689 --> 00:10:22,959 SOMETHING WAS WRONG. 217 00:10:22,990 --> 00:10:24,860 I THINK THE EDITOR WROTE BACK AND SAID, 218 00:10:24,892 --> 00:10:26,762 "HEY, THE JOKE'S ON ALL YOU JERKS WHO HAVE BEEN 219 00:10:26,794 --> 00:10:28,264 JACKING OFF TO THE SKELETON." 220 00:10:28,295 --> 00:10:30,255 BUT I DIDN'T DO IT. I DIDN'T JACK OFF TO THE SKELETON. 221 00:10:30,297 --> 00:10:32,597 IF YOU GUYS DID, YOU'RE SHIT OUT OF LUCK. 222 00:10:32,632 --> 00:10:33,502 WOW. 223 00:10:33,533 --> 00:10:35,443 SEX AND VIOLENCE. 224 00:10:35,468 --> 00:10:37,098 WE TOOK IT ON. 225 00:10:37,137 --> 00:10:38,337 AND WE DID IT. 226 00:10:38,371 --> 00:10:41,271 THANKS, MY MAN. I WANT TO THANK JOEY GRECO, 227 00:10:41,308 --> 00:10:42,808 THE BUFF BABEZ, AND SHERRY, OF COURSE, 228 00:10:42,843 --> 00:10:44,143 FOR BEING HERE TONIGHT. 229 00:10:44,177 --> 00:10:46,177 AND HOPEFULLY WE GET HOLOGRAM MARK 230 00:10:46,213 --> 00:10:48,523 UP AND RUNNING. TONIGHT WAS THE BOMB. 231 00:10:48,548 --> 00:10:51,788 McGrath: [ Echoing ] TONIGHT IS THE BOMB. 232 00:10:51,819 --> 00:10:53,719 [ MACHINE WHIRRING ] 233 00:10:56,323 --> 00:10:57,193 MARK! 234 00:11:03,330 --> 00:11:05,370 THIS IS SUCH A NIGHTMARE. 235 00:11:05,398 --> 00:11:06,298 KILL ME! 236 00:11:06,333 --> 00:11:08,173 HELP ME! 16843

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