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1
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Narrator: TONIGHT ON
"HOT PACKAGE"...OUCH!
2
00:00:03,437 --> 00:00:05,137
Beckles: "HOT PACKAGE"
TAKES ON SEX AND VIOLENCE
3
00:00:05,173 --> 00:00:06,343
WITH OUR DEEP FOCUS GROUP.
4
00:00:06,374 --> 00:00:08,644
Roark:
AND WE CHECK IN ON OUR HERO,
5
00:00:08,676 --> 00:00:11,506
CHRISTIAN,
A NONDENOMINATIONAL DOUGHNUT.
6
00:00:11,545 --> 00:00:12,905
THE DOUGHNUT IS DEAD.
7
00:00:12,946 --> 00:00:14,576
BACK TO WORK.
Beckles: ALSO,
8
00:00:14,615 --> 00:00:17,815
WE'VE GOT YOUR TOP SEXIEST
MOMENTS OF THE YEAR, SO FAR.
9
00:00:17,851 --> 00:00:18,851
MM-HMM.
10
00:00:18,886 --> 00:00:20,716
Roark: THEN, REMEMBERING MARK.
11
00:00:20,754 --> 00:00:23,494
YOUR ON-GOING SUPPORT
HAS BEEN OUTSTANDING
12
00:00:23,524 --> 00:00:26,064
AND HAS GIVEN US
THE HOT, RAW STRENGTH
13
00:00:26,094 --> 00:00:28,104
TO NOT CARRY ON WITHOUT HIM.
14
00:00:28,129 --> 00:00:30,159
Beckles: AND THEN,
A CHILLING "ONES ON ONE"
15
00:00:30,198 --> 00:00:31,828
WITH HOLLYWOOD PSYCHIC
SLOAN BELLA
16
00:00:31,865 --> 00:00:33,165
YOU WON'T WANT TO MISS.
17
00:00:33,201 --> 00:00:34,171
IT'S LIKE I JUST FLASHED.
18
00:00:34,202 --> 00:00:35,272
PLUS...
19
00:00:35,303 --> 00:00:36,773
Roark: BREAST WISHES!
20
00:00:36,804 --> 00:00:39,214
THE "HP" BUFF BABEZ ARE BACK
AND HUNGRY FOR ATTENTION.
21
00:00:39,240 --> 00:00:40,840
* HOT
LET'S GET INSIDE!
22
00:00:40,874 --> 00:00:43,284
Narrator:
LET'S GET INSIDE!
23
00:00:43,311 --> 00:00:45,511
YOU'RE WATCHING "HOT PACKAGE,"
24
00:00:45,546 --> 00:00:50,646
THE BEST AND ONLY IN CURRENT
ENTERTAINMENT NEWS PROGRAMMING.
25
00:00:52,320 --> 00:00:54,760
WELCOME BACK, NORTH AMERICA.
I'M DERRICK BECKLES.
26
00:00:54,788 --> 00:00:57,558
ANASTASIA ROARK IS STILL SICK,
BUT NOT TO FEAR.
27
00:00:57,591 --> 00:00:59,891
JOINING ME TONIGHT
IS MY GORGEOUS
28
00:00:59,927 --> 00:01:03,627
SUBSTITUTE CO-HOST IN CRIME,
THE ALWAYS LOVELY SHERRY.
29
00:01:03,664 --> 00:01:07,304
MWAH. MWAH.
GREAT TO HAVE YOU HERE.
30
00:01:07,335 --> 00:01:09,065
IT'S GREAT TO BE BACK.
31
00:01:09,103 --> 00:01:10,573
I LOVE BEING HERE.
32
00:01:10,604 --> 00:01:12,544
OH. I LOVE IT
WHEN YOU'RE HERE.
33
00:01:12,573 --> 00:01:15,313
MNH. MNH.
34
00:01:15,343 --> 00:01:20,883
SWAPPING SPIT, TONGUING,
TONSIL HOCKEY, HOLE TO HOLE.
35
00:01:20,914 --> 00:01:24,154
THESE ARE ALL EXPRESSIONS
USED TO DESCRIBE THE GATEWAY
36
00:01:24,185 --> 00:01:25,145
TO THE ULTIMATE GATEWAY.
37
00:01:25,186 --> 00:01:26,646
THAT'S RIGHT, SHER.
38
00:01:26,687 --> 00:01:28,717
AND NORTH AMERICANS HAVE BEEN
YEARNING FROM THE LATEST
39
00:01:28,756 --> 00:01:31,456
FROM THE PICASSO OF PURSED LIPS,
WILLIAM CANE.
40
00:01:31,492 --> 00:01:34,502
AND "HP" IS ABLE
WITH THE EXCLUSIVE.
41
00:01:35,596 --> 00:01:38,096
THIS IS WILLIAM CANE,
AND THIS TAPE,
42
00:01:38,132 --> 00:01:39,472
BELIEVE IT OR NOT,
43
00:01:39,500 --> 00:01:42,300
IS GOING TO TEACH YOU HOW
TO FRENCH KISS. YES.
44
00:01:42,336 --> 00:01:44,736
ONCE, WHEN I WAS
FRENCH KISSING A BOY,
45
00:01:44,772 --> 00:01:47,412
I COULD NOT BREATHE
AND I WAS GAGGING.
46
00:01:47,441 --> 00:01:50,081
AND AFTERWARDS,
I COULDN'T TALK ANYMORE
47
00:01:50,110 --> 00:01:52,910
FOR, LIKE, FOUR HOURS,
AND IT WAS TERRIBLE.
48
00:01:52,946 --> 00:01:54,146
I STARTED TURNING BLUE.
49
00:01:54,182 --> 00:01:56,122
I THOUGHT I WAS GONNA
DIE OR SOMETHING.
50
00:01:56,150 --> 00:01:58,450
AND I ALMOST HAD TO GET
TAKEN TO THE HOSPITAL.
51
00:01:58,486 --> 00:02:00,516
IT WAS PRETTY BAD.
I MEAN, GEEZ. WHAT THE HECK?
52
00:02:00,554 --> 00:02:03,424
Beckles: TONGUE AFTER TONGUE,
GROPE AFTER GROPE,
53
00:02:03,457 --> 00:02:04,757
SNUGGLE AFTER SNUGGLE.
54
00:02:04,792 --> 00:02:07,762
"THE ART OF KISSING"
HAS IT ALL AND MORE.
55
00:02:07,795 --> 00:02:11,595
YOU WANT TO TOUCH JUST THE TIPPY
TIP OF THE TONGUES LIKE THIS.
56
00:02:11,632 --> 00:02:14,472
WELL, I LIKE TO, UH,
KIND OF IMAGINE MYSELF
57
00:02:14,502 --> 00:02:16,842
FRENCH KISSING MY AUNT,
IF YOU WILL.
58
00:02:16,870 --> 00:02:19,940
KIND OF LIKE IN
THE MOTHERLY FASHION, YOU KNOW?
59
00:02:19,973 --> 00:02:23,613
TAKING CARE OF ME, SHOWING ME,
LEADING ME, YOU KNOW,
60
00:02:23,644 --> 00:02:25,854
JUST KIND OF WALKING ME
THROUGH IT, IF YOU WILL.
61
00:02:25,879 --> 00:02:30,119
JUST A REAL NICE MENTAL PICTURE
OF ME MAKING OUT WITH MY AUNT.
62
00:02:30,150 --> 00:02:31,290
AND MORE.
63
00:02:31,319 --> 00:02:32,489
YOU BEGIN AND GO,
64
00:02:32,520 --> 00:02:33,950
AND THEN THE LONGER IT GOES,
65
00:02:33,987 --> 00:02:37,017
I LOVE STARTING TO PLAY THE GAME
OF, LIKE, I GOT YOU,
66
00:02:37,057 --> 00:02:39,627
YOU GOT TO GET ME, AND GOING
AROUND HERE AND HIDING.
67
00:02:39,660 --> 00:02:40,890
YOU KNOW?
68
00:02:40,928 --> 00:02:43,398
SO, AND THEN IT EVOLVES INTO
WRESTLING, SLIDE, SLIDE.
69
00:02:43,431 --> 00:02:46,331
Beckles: HOWEVER, SOME CRITICS
CLAIM IT HAS TOO MUCH.
70
00:02:46,367 --> 00:02:48,297
THE QUESTION IS,
DOES IT OR DOESN'T IT?
71
00:02:48,336 --> 00:02:50,366
AND THAT'S A GREAT QUESTION.
72
00:02:51,239 --> 00:02:52,469
SEX AND VIOLENCE.
73
00:02:52,506 --> 00:02:54,606
Narrator:
"HOT PACKAGE" GETS INTO IT.
74
00:02:56,677 --> 00:02:59,207
[ GUNSHOTS ]
75
00:02:59,247 --> 00:03:01,147
Beckles:
ALL RIGHT. LET'S DO THIS.
76
00:03:01,181 --> 00:03:03,321
THE MOMENT WE'VE ALL BEEN
WAITING FOR.
77
00:03:03,351 --> 00:03:06,751
MY BINARY BUDDY
AND MATHEMATICALLY MANIFESTED
78
00:03:06,787 --> 00:03:10,317
MAIN MAN FROM "THE MATRIX,"
HOLOGRAM MARK!
79
00:03:10,358 --> 00:03:11,858
Narrator: HOLOGRAM MARK.
80
00:03:11,892 --> 00:03:13,262
Man: YES.
81
00:03:13,294 --> 00:03:15,834
Narrator: YOU'RE WATCHING
HISTORY IN THE MAKING.
82
00:03:15,863 --> 00:03:21,003
THE REVEAL OF THE FIRST AND ONLY
HOLOGRAM CO-HOST.
83
00:03:21,034 --> 00:03:23,374
[ BOTH GRUNTING ]
84
00:03:31,412 --> 00:03:33,882
Sherry: COMING UP...
85
00:03:36,250 --> 00:03:39,020
WHY DID WE BUILD THIS
[BLEEP] PIECE OF SHIT?
86
00:03:39,052 --> 00:03:40,092
[BLEEP] MARK.
87
00:03:40,120 --> 00:03:41,820
[ GRUNTING CONTINUES ]
88
00:03:43,424 --> 00:03:46,364
OKAY. YOU KNOW WHAT?
LET'S GET TO THIS LATER.
89
00:03:46,394 --> 00:03:50,204
Narrator: STAY TUNED
FOR MORE HOLOGRAM MARK.
90
00:03:50,230 --> 00:03:51,770
Roark: AND NOW...
91
00:03:51,799 --> 00:03:54,439
Narrator: SEX AND VIOLENCE.
"HOT PACKAGE" GETS INTO IT.
92
00:03:54,468 --> 00:03:58,068
Beckles:
VIOLENCE. SEX. PLEASURE. PAIN.
93
00:03:58,105 --> 00:04:01,375
YIN, YANG, ADD IT UP,
AND SUBTRACT IT DOWN.
94
00:04:01,409 --> 00:04:03,709
THE QUESTION STILL REMAINS...
95
00:04:03,744 --> 00:04:06,284
HAS HOLLYWOOD GONE TOO FAR?
96
00:04:06,314 --> 00:04:07,624
OR...
97
00:04:11,652 --> 00:04:13,522
MMM.
98
00:04:15,823 --> 00:04:19,163
NOT FAR ENOUGH?
99
00:04:19,192 --> 00:04:20,562
JOEY?
100
00:04:20,594 --> 00:04:24,234
WELCOME TO "HOT PACKAGE'S"
DEEP FOCUS GROUP.
101
00:04:24,264 --> 00:04:25,774
I'M JOEY GRECO,
102
00:04:25,799 --> 00:04:28,139
AND I WANT YOU
TO TAKE A LOOK AT SOMETHING
103
00:04:28,168 --> 00:04:29,898
THAT DERRICK AND I PUT TOGETHER.
104
00:04:29,937 --> 00:04:31,767
LET'S TAKE IT ON.
105
00:04:41,315 --> 00:04:43,815
[ MEN CHANTING ]
106
00:05:05,973 --> 00:05:07,213
THAT'S THE FIRST ONE.
107
00:05:07,240 --> 00:05:09,010
THANKS, JOEY.
WE'LL BE BACK.
108
00:05:09,042 --> 00:05:11,452
Narrator:
STICK AROUND FOR THE RESULTS.
109
00:05:11,479 --> 00:05:13,279
OUR CENTURION OF SMALL TALK,
110
00:05:13,313 --> 00:05:16,853
DERRICK BECKLES DOES IT AGAIN
IN OUR LATEST "ONES ON ONE."
111
00:05:16,884 --> 00:05:18,694
Beckles: I SAT DOWN WITH
"HOT PACKAGE" PSYCHIC
112
00:05:18,719 --> 00:05:21,289
SLOAN BELLA
AND GOT SOME JUICY SEX GOSSIP
113
00:05:21,321 --> 00:05:22,561
FROM BEYOND THE GRAVE.
114
00:05:22,590 --> 00:05:24,660
LET'S START WITH
JOHN WAYNE GACY.
115
00:05:24,692 --> 00:05:27,402
OKAY, HE WAS A SERIAL KILLER.
WE KNOW HOW HE FELT ABOUT SEX.
116
00:05:27,428 --> 00:05:30,658
[ Chuckling ] OKAY. LET'S DROP
THE GACY AND GO WITH JOHN WAYNE.
117
00:05:30,698 --> 00:05:32,498
WHAT'S YOUR IMPRESSION
OF JOHN WAYNE?
118
00:05:32,533 --> 00:05:34,403
WAS HE SEXUALLY VIOLENT?
YEAH.
119
00:05:34,435 --> 00:05:35,995
Y-YOU'RE RIGHT ABOUT THAT.
I'M SEEING IN A ROOM
120
00:05:36,036 --> 00:05:38,736
FULL OF, LIKE, NAKED BODIES,
BOTH MALE AND FEMALE.
121
00:05:38,772 --> 00:05:41,982
I'M GONNA USE THE WORD "ORGY."
AND IT'S SODOMY, SODOMY, SODOMY.
122
00:05:42,009 --> 00:05:43,009
[ LAUGHS ]
AAH!
123
00:05:43,043 --> 00:05:44,213
AND WHAT ABOUT
124
00:05:44,244 --> 00:05:45,984
THAT ORGY OF TALENT,
NICK CANNON?
125
00:05:46,013 --> 00:05:47,253
WHAT ABOUT NICK CANNON?
IS HE TALENTED?
126
00:05:47,280 --> 00:05:49,850
UM...
127
00:05:50,918 --> 00:05:53,488
STUMPED YOU!
NEXT QUESTION.
128
00:05:53,521 --> 00:05:55,391
WHO IN HOLLYWOOD'S
GONNA DIE NEXT?
129
00:05:55,423 --> 00:05:56,893
I'M GETTING GRUNGE ROCKER.
130
00:05:56,924 --> 00:05:59,734
UM, SHORT HAIR.
131
00:05:59,760 --> 00:06:01,260
CHRIS MARTIN.
132
00:06:01,294 --> 00:06:03,104
[ Distorted ] CHRIS MARTIN.
CHRIS MARTIN. CHRIS MARTIN.
133
00:06:03,130 --> 00:06:05,100
IT'S NOT HIM.
OH.
134
00:06:05,132 --> 00:06:07,542
LITTLE BIT HEAVIER THAN HIM,
LITTLE BIT DARKER HAIR,
135
00:06:07,568 --> 00:06:10,738
BUT SIMILAR KIND OF VIBE.
WHAT, LOUIE ANDERSON?
136
00:06:10,771 --> 00:06:12,071
[ LAUGHS ]
137
00:06:12,105 --> 00:06:13,835
CAN I PROVE THIS?
I CANNOT PROVE IT.
138
00:06:13,874 --> 00:06:17,014
THAT'S THE BEAUTY OF MY JOB.
I CAN PROVE NOTHING.
139
00:06:17,044 --> 00:06:19,184
AND IT WAS THEN THAT I REALIZED,
IF I HAD HIRED SLOAN BELLA
140
00:06:19,212 --> 00:06:22,182
IN THE PAST TO TELL ME
WHAT A GREAT TIME WE'D BE HAVING
141
00:06:22,215 --> 00:06:23,545
IN THE FUTURE,
142
00:06:23,584 --> 00:06:25,894
I WOULDN'T HAVE BELIEVED IT
UNTIL NOW.
143
00:06:25,919 --> 00:06:29,789
Narrator: SEX AND VIOLENCE.
"HOT PACKAGE" GETS INTO IT.
144
00:06:29,823 --> 00:06:32,533
WHEN IT COMES TO
SEX AND VIOLENCE,
145
00:06:32,560 --> 00:06:35,360
THEY SAY, "SEE NO EVIL,
HEAR NO EVIL."
146
00:06:35,395 --> 00:06:37,395
BUT TASTE NO EVIL?
147
00:06:37,431 --> 00:06:39,071
NOW I'M GONNA PLAY SOMETHING
FOR YOU.
148
00:06:39,099 --> 00:06:41,869
AS YOU LISTEN, TRY TO NOTICE
149
00:06:41,902 --> 00:06:46,372
HOW IT AFFECTS
THE TASTE OF THE SAMPLES.
150
00:06:46,406 --> 00:06:48,906
Woman: [ SINGING INDISTINCTLY ]
151
00:06:48,942 --> 00:06:51,312
[ PANTING ]
152
00:06:51,344 --> 00:06:53,154
[ OMINOUS MUSIC PLAYS ]
153
00:06:53,180 --> 00:06:54,580
[ SINGING CONTINUES ]
154
00:06:54,615 --> 00:06:56,145
[ AIR HISSING ]
[ GASPING ]
155
00:07:09,597 --> 00:07:12,097
Narrator:
STICK AROUND FOR THE RESULTS.
156
00:07:15,836 --> 00:07:17,466
MM-HMM.
157
00:07:19,172 --> 00:07:20,612
Woman: MM.
158
00:07:22,976 --> 00:07:25,776
MM.
159
00:07:39,893 --> 00:07:41,463
[ SIGHS ]
160
00:07:41,495 --> 00:07:43,425
THIS BETTER BE GOOD.
161
00:07:43,463 --> 00:07:44,773
Roark: STILL TO COME...
162
00:07:44,798 --> 00:07:46,098
Narrator: STICK AROUND.
163
00:07:46,133 --> 00:07:48,473
WE'RE GONNA GET
HOLOGRAM MARK WORKING.
164
00:07:48,902 --> 00:07:50,102
Man: YES.
165
00:07:50,137 --> 00:07:52,207
NOW JEFF DEANE TURNER
GIVES THE SKINNY
166
00:07:52,239 --> 00:07:54,679
WITH A FATTENING, DELICIOUS,
DOUBLE SCOOP
167
00:07:54,708 --> 00:07:55,938
WITH A CHERRY ON TOP.
168
00:07:55,976 --> 00:07:57,546
Turner:
HERE'S THE SCOOP --
169
00:07:57,578 --> 00:07:58,948
JOHNNY DEPP IS
A SATANIC HIGH PRIEST.
170
00:07:58,979 --> 00:08:00,549
Beckles:
ARE YOU SERIOUS?
171
00:08:00,581 --> 00:08:03,681
I'M SERIOUS. I'M --
I'M STATING THE FACTS HERE.
172
00:08:03,717 --> 00:08:05,947
REMEMBER, I AM
A HOLLYWOOD INSIDER.
173
00:08:05,986 --> 00:08:07,856
[ LAUGHS ] JEFF?
174
00:08:07,888 --> 00:08:09,658
DO YOU HAVE
THE DOUBLE SCOOP?
175
00:08:09,690 --> 00:08:13,190
THE DOUBLE SCOOP,
UH, IS...UH...
176
00:08:13,226 --> 00:08:15,056
WHAT'S THE SCOOP, JEFF?
177
00:08:15,095 --> 00:08:16,455
YEAH. HERE IT IS.
178
00:08:16,496 --> 00:08:17,996
UH...
179
00:08:18,031 --> 00:08:20,001
WELL, UH...
180
00:08:20,734 --> 00:08:22,304
LET'S SEE, UH, UH,
181
00:08:22,335 --> 00:08:24,965
CHRISTOPHER WALKEN IS
A SATANIC, MURDERING DUKE.
182
00:08:25,005 --> 00:08:25,635
[ LAUGHS ]
183
00:08:25,673 --> 00:08:27,143
WHAT?
YEAH.
184
00:08:27,174 --> 00:08:28,484
[ LAUGHS ]
185
00:08:28,508 --> 00:08:30,178
UH...
186
00:08:30,210 --> 00:08:32,650
YOU GOT TO TELL ME.
WHAT'S THE CHERRY ON TOP?
187
00:08:32,680 --> 00:08:34,180
HERE'S THE CHERRY ON TOP.
188
00:08:34,214 --> 00:08:37,254
[ CHUCKLES ] LET'S
TAKE A LOOK AT THE CLIP.
189
00:08:48,261 --> 00:08:49,501
THAT'S HOW THE MOVIE ENDS!
190
00:08:49,529 --> 00:08:50,499
ARE YOU SERIOUS?
191
00:08:50,530 --> 00:08:51,500
I'M SERIOUS.
192
00:08:51,531 --> 00:08:53,431
[ LAUGHS ]
193
00:08:53,466 --> 00:08:54,566
OH, YEAH.
194
00:08:58,772 --> 00:09:00,542
I HATE THIS PLANET.
195
00:09:00,574 --> 00:09:05,184
Narrator: SEX AND VIOLENCE.
"HOT PACKAGE" GETS INTO IT.
196
00:09:05,212 --> 00:09:09,752
CHARLENE AND CINDY HERE ARE
DISTRIBUTING "HP" STIMU-METERS.
197
00:09:09,783 --> 00:09:13,723
NOW, IF YOU HAVE A PARTICULAR
REACTION, TUG UP TWICE.
198
00:09:13,754 --> 00:09:18,364
IF YOU HAVE A REACTION DIFFERENT
FROM THAT PARTICULAR REACTION,
199
00:09:18,391 --> 00:09:20,361
TUG DOWN ONCE.
200
00:09:20,393 --> 00:09:22,403
LETS GET INTO THIS.
201
00:09:22,429 --> 00:09:24,669
[ MID-TEMPO MUSIC PLAYS ]
202
00:09:38,445 --> 00:09:41,145
[ COMPUTER BEEPING, DINGING ]
203
00:09:45,986 --> 00:09:47,146
MM-HMM.
204
00:09:47,187 --> 00:09:48,987
ALL RIGHT.
205
00:09:49,022 --> 00:09:51,732
LET'S HAVE A PEEK
AT THE RAW DATA.
206
00:09:51,759 --> 00:09:53,329
JOEY?
ISOLATING.
207
00:09:53,360 --> 00:09:55,030
[ COMPUTER BEEPS, DINGS ]
208
00:09:56,429 --> 00:09:57,729
HMM.
209
00:09:57,765 --> 00:10:01,965
LOOKS LIKE THIS IS WHERE
MEN BOTTOMED OUT ON SEX.
210
00:10:02,002 --> 00:10:06,342
AND THIS IS WHERE WOMEN
BOTTOMED OUT ON VIOLENCE.
211
00:10:06,373 --> 00:10:09,413
VERY INTERESTING.
212
00:10:09,442 --> 00:10:12,612
Narrator: LET US KNOW IF YOU
AGREE WITH THE RESULTS.
213
00:10:12,646 --> 00:10:16,146
[ JAZZ MUSIC PLAYS ]
214
00:10:16,183 --> 00:10:18,253
TURNS OUT THAT SOME DOCTOR
WROTE IN
215
00:10:18,285 --> 00:10:21,655
AND SAID IT WAS A GUY SKELETON
BECAUSE OF THE CROTCH BONE,
216
00:10:21,689 --> 00:10:22,959
SOMETHING WAS WRONG.
217
00:10:22,990 --> 00:10:24,860
I THINK THE EDITOR
WROTE BACK AND SAID,
218
00:10:24,892 --> 00:10:26,762
"HEY, THE JOKE'S ON ALL YOU
JERKS WHO HAVE BEEN
219
00:10:26,794 --> 00:10:28,264
JACKING OFF TO THE SKELETON."
220
00:10:28,295 --> 00:10:30,255
BUT I DIDN'T DO IT. I DIDN'T
JACK OFF TO THE SKELETON.
221
00:10:30,297 --> 00:10:32,597
IF YOU GUYS DID,
YOU'RE SHIT OUT OF LUCK.
222
00:10:32,632 --> 00:10:33,502
WOW.
223
00:10:33,533 --> 00:10:35,443
SEX AND VIOLENCE.
224
00:10:35,468 --> 00:10:37,098
WE TOOK IT ON.
225
00:10:37,137 --> 00:10:38,337
AND WE DID IT.
226
00:10:38,371 --> 00:10:41,271
THANKS, MY MAN.
I WANT TO THANK JOEY GRECO,
227
00:10:41,308 --> 00:10:42,808
THE BUFF BABEZ,
AND SHERRY, OF COURSE,
228
00:10:42,843 --> 00:10:44,143
FOR BEING HERE TONIGHT.
229
00:10:44,177 --> 00:10:46,177
AND HOPEFULLY WE GET
HOLOGRAM MARK
230
00:10:46,213 --> 00:10:48,523
UP AND RUNNING.
TONIGHT WAS THE BOMB.
231
00:10:48,548 --> 00:10:51,788
McGrath: [ Echoing ]
TONIGHT IS THE BOMB.
232
00:10:51,819 --> 00:10:53,719
[ MACHINE WHIRRING ]
233
00:10:56,323 --> 00:10:57,193
MARK!
234
00:11:03,330 --> 00:11:05,370
THIS IS SUCH A NIGHTMARE.
235
00:11:05,398 --> 00:11:06,298
KILL ME!
236
00:11:06,333 --> 00:11:08,173
HELP ME!
16843
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