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>> Biscayne: COMING UP ON
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"NEWSREADERS"...
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MAXDUDE MAGAZINE'S HOMETOWN
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HOT BODIES FROM 2005 --
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WHERE ARE THEY NOW?
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MOSTLY, STILL IN THEIR
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HOMETOWNS, AND A LOT OF THEM
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HAVE KIDS AND ARE NOW DIVORCED.
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ALSO, DO YOU HAVE A CHILDREN'S
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BOOK IN YOU?
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NO, BUT YOU THINK YOU DO.
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ALL THAT AND MORE, TONIGHT ON
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"NEWSREADERS."
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UNLESS YOU HAVE A SAMSUNG GALAXY
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OR A MOTOROLA RAZR THAT YOU USE
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IRONICALLY, CHANCES ARE YOU HAVE
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AN iPhone.
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DID YOU KNOW THAT LIKE TOMATOES
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AND CANADIANS, iPhone's COME
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FROM SOMEWHERE?
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THAT'S THE STORY XANDRA DENT
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BRINGS US IN TONIGHT'S
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"XANDRA'S TECHZINE."
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>> WHEN "NEWSREADERS" ASKED ME
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TO DO AN iPhone STORY, I WAS
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LIKE, "CAN I DRESS LIKE A
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WATERMELON FROM FRUIT NINJA?"
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BUT WHEN THEY TOLD ME I'D BE
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TRACKING THE JOURNEY THE PHONE
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TAKES OR WHATEVER, I WAS LIKE,
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"WITH A 'NEWSREADERS' PRODUCER?
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NO WAY."
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I CAUGHT ONE OF THOSE RAPISTS
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GOOGLING PICS OF MY FEET.
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BUT I DECIDED TO DO THE STORY
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ANYWAY BECAUSE OUR CAMERA MAN
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HATES PRODUCERS, KNOWS
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MIXED MARTIAL ARTS, AND LOOKS
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LIKE VIN DIESEL.
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SO HOW DOES THE iPhone GET INTO
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YOUR POCKET?
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IT TAKES TONS OF WORKER BEES TO
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DO THAT, WORKER BEES LIKE
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COREY FIRFE.
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HE'S ONE OF THE NERDS WHO MAKES
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THE iPhone TICK OR TWINKLE OR
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GONG OR WHATEVER.
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FYI, I DIY MY OWN TONES IN
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GarageBand.
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SO WHAT DO YOU, LIKE, DO ALL
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DAY.
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>> MY TEAM CODES CUSTOMIZATION
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OPS, FOLDER PRIORITIZATION,
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UM...
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OH, YOU KNOW HOW WHEN YOU WANT
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TO MOVE AN APP AND IT WOBBLES?
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THAT'S MINE.
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>> WAIT. YOU DID THE WOBBLE?
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>> YEAH.
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>> OH, MY F'ing G.
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I LOVE THE WOBBLE.
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ONE TIME, I WOBBLED FOR SO LONG
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THAT I LOST TRACK OF TIME AND
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GOT SO DEHYDRATED, I HAD TO GO
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TO THE E.R.
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>> WOW.
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>> THAT'S THE SOFTWARE.
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BUT WHAT ABOUT THE HARDWARE?
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>> WHO MAKES THE PHYSICAL PHONE?
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WELL, THOUSANDS OF OUTSIDE
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CONTRACTORS ALL OVER THE WORLD
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DO LITTLE TINY THINGS.
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THERE'S A FACTORY IN
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GRAND RAPIDS, MICHIGAN, WHOSE
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ONLY JOB IS TO BEVEL THE
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SIM CARD TRAY.
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>> I'M NOT LISTENING TO YOU
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ANYMORE.
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THE TRIP TO GRAND RAPIDS WAS
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BUMPY.
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MY PRODUCER KEPT PRETENDING HE
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WAS ASLEEP SO HE COULD PUT HIS
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HEAD ON MY SHOULDER.
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THANK GOD THE MALE FLIGHT
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ATTENDANT LIKED MY "HAPPY DAYS"
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SHIRT.
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THAT MEANT FREE CHARDONN-AYY!
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FROSTEK MOBILE MAKES THAT THINGY
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THAT GOES INSIDE THE PHONE THAT
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CHUBBY-WAN KENOBI WOULDN'T SHUT
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UP ABOUT.
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THE BUSY FACTORY WAS LOUD, HOT,
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AND SUPER-HOT.
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[ GIGGLES ]
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SO WHAT IS ALL THIS JUNK?
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>> WELL, THIS IS A HOT INJECTION
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MOLDER FOR SIM CARDS.
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>> IT'S HOT INJECTION.
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>> [ GIGGLES ] SHUT UP.
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YOU'RE SUCH A DORK.
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>> IT MOLDS HIGH-HEAT METALS
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LIKE SILVER IODENIUM NUMBER 2.
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>> RIGHT, SO WHERE DO THEY TAKE
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ALL THE GARBAGE STUFF THAT YOU
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MAKE AND, LIKE, PUT IT IN THE
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PHONE?
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>> MOST OF THE MANUFACTURING IS
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DONE IN CHINA.
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>> I LOVE CHINA.
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[ HIGH-PITCHED GIGGLE ]
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I HAVE TO GO TO THE AIRPORT.
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>> WE CAN TAKE MY TRUCK.
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THE GEAR SHIFT'S A BEER-TAP
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HANDLE.
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>> BOSS.
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I'M TOTALLY GONNA HAVE SEX WITH
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YOUR SON.
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MY JOURNEY TO TRACE THE iPhone's
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JOURNEY WAS JUST BEGINNING.
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I WENT ALL THE WAY TO CHINA TO
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CHECK OUT ONE OF THE GINORMOUS
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FACTORIES WHERE THEY MAKE THE
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PHONES.
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I THOUGHT JAPAN WAS CHINA.
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TURNS OUT IT'S MACRO DIFF.
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MY BAD.
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ALSO THEY SEEM TO REALLY BE MAD
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AT MY iPhone FOR SOME REASON.
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>> [ GRUNTS ]
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>> THEN THE POLICE FREAKED THE
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"F" OUT ON ME.
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THEY SAID I CAUSED A RIOT...
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NO -- I'M XANDRA DENT FROM
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"NEWSREADERS."
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...ARRESTED ME FOR DISTURBING
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THE PEACE, AND THREW ME IN JAIL.
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THE HORRIBLE RACIST STEREOTYPES
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THAT CHINESE PEOPLE ARE AN
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ANCIENT CULTURE WHO INVENTED
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FIREWORKS AND HUGE WALLS
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COULDN'T BE FURTHER FROM THE
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TRUTH.
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I FOUND THEM TO BE A PROUD AND
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VERY HUNGRY PEOPLE WHO FOUND ME
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TOTALLY ADORBS.
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ANYONE?
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AND I'M PROUD TO CALL THOSE
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SLANTY-EYED CHING-CHONGS MY
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FRIENDS.
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>> [ SPEAKING CHINESE ]
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[ LAUGHTER ]
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>> [ LAUGHS ]
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AFTER SPENDING WEEKS IN A
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CHINESE JAIL WIPING MYSELF WITH
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CHOPSTICKS...
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THANK YOU SO MUCH.
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I LOST 10 POUNDS.
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IT WAS GREAT.
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...YOU THINK I'D GO HOME, BUT I
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STILL HAD TO FIND THE STUFF THAT
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MAKES THE STUFF THAT MAKES THE
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PHONE.
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I'M THAT RAD.
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I CONTINUED MY JOURNEY HERE TO
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AFRICA WHERE BONO BUYS ALL HIS
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T-SHIRTS AND WHERE THEY MINE THE
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SILVER FOR THE iPhone's MAIN
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VEINS THAT GO INSIDE THEIR
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"DON'T YOU WANT TO TOUCH ME?"
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SCREENS.
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HI!
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THOSE TOOLS AT THE VERIZON STORE
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COULD LEARN A LITTLE ABOUT
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GETTING THE JOB DONE FROM THESE
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WORKERS.
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THANK YOU SO MUCH FOR YOUR HARD
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WORK.
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DO YOU USE GarageBand?
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>> [ SPEAKING NATIVE LANGUAGE ]
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>> [ SPEAKING NATIVE LANGUAGE ]
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>> HE WANTS TO KNOW WHAT THIS
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IS.
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>> OH, THIS IS THE iPhone HE
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HELPED MAKE -- TOTALLY WORTH THE
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$500 IT COST.
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HE AND HIS CO-WORKERS ARE LIKE
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KINGS IN MY COUNTRY.
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WE WOULDN'T BE ABLE TO MAKE A
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PHONE CALL OR PLAY CANDY CRUSH.
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WHAT'S GOING ON?
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>> HE'S EXPLAINING BASIC
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MACROECONOMY TO PEOPLE WHO DON'T
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SEE MONEY FROM THEIR
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BACK-BREAKING WORK.
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[ INDISTINCT CONVERSATIONS ]
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>> OH, COOL!
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THIS IS SO "RESIDENT EVIL!"
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DIE, ZOMBIE GUARD!
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[ GUNFIRE ]
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>> Biscayne: XANDRA DENT IS NO A
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CHILD SOLDIER IN LIBERIA.
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FOR MORE ON THAT STORY, YOU CAN
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TUNE INTO "VICE TV" ON HBO.
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BUT IF YOU WANT TO HEAR ABOUT
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FOOD, KEEP IT TUNED IN RIGHT
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HERE.
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AMERICA'S NOT ONLY OBESE WITH
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FOOD.
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IT'S OBSESSED WITH IT.
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AND AS AMIR LARUSSA REPORTS,
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WHEN IT COMES TO EATING OUT,
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THERE'S ONE THING AMERICANS LOVE
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TO EAT IN -- THEME RESTAURANTS.
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00:05:28,929 --> 00:05:30,899
>> THESE DAYS, THEME RESTAURANTS
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ARE POPPING UP EVERYWHERE.
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FROM SCANTILY-CLAD WAITRESSES
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SERVING WINGS TO SCANTILY-CLAD
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WAITRESSES WEARING WINGS SERVING
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WINGS, AMERICA LOVES ITS GRUB
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WITH A GIMMICK.
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GEORGE DILLARD OF LEWTON,
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FLORIDA, THOUGHT HIS
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MEDIEVAL-THEMED RESTAURANT,
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CATAPULTS, WOULD BE A HUGE
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00:05:49,082 --> 00:05:50,452
SUCCESS.
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00:05:50,451 --> 00:05:51,921
BUT THERE WERE ALMOST NO
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CUSTOMERS FOR HIS KNIGHTS AND
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WENCHES TO SERVE.
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00:05:54,988 --> 00:05:56,058
>> THE ONLY PEOPLE WHO SHOWED UP
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WERE FAT GUYS IN PONYTAILS OR
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PEOPLE WHO THOUGHT THEY COULD
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WATCH "GAME OF THRONES" ON
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SUNDAYS.
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I DIDN'T HAVE HBO IN MY PACKAGE.
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>> JUST WHEN CATAPULTS WAS ABOUT
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TO CLOSE ITS DOORS FOREVER,
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GEORGE DILLARD CAUGHT A LUCKY
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BREAK.
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>> SOMEONE GOT STABBED.
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JIM RAY HAWKINS, A 46-YEAR-OLD
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TRUCK DRIVER, WAS ACCIDENTALLY
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IMPALED WHILE SIR LANCELOT WAS
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CLEANING HIS SWORD.
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WITH THAT STABBING,
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GEORGE DILLARD REALIZED
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SOMETHING.
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>> PEOPLE WERE DRAWN TO THE
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AUTHENTICITY.
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>> IT TURNED OUT, WHAT PEOPLE
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WANTED WAS A NEW KIND OF
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MEDIEVAL RESTAURANT.
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SO HE DECIDED TO SIMULATE WHAT
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LIVING CONDITIONS WERE ACTUALLY
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LIKE IN THE MIDDLE AGES.
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HE CREATED A FULLY-AUTHENTIC
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FIFTH-CENTURY DINING EXPERIENCE,
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COMPLETE WITH SYPHILIS-INFECTED
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WAITERS, OPEN FIRES, AND
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HISTORICALLY-ACCURATE
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AMUSEMENTS.
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DILLARD EVEN INSISTED THAT HIS
262
00:06:50,544 --> 00:06:52,654
EMPLOYEES NOT WASH THEIR HANDS.
263
00:06:52,646 --> 00:06:54,576
AND HE CHANGED THE NAME OF THE
264
00:06:54,582 --> 00:06:56,482
RESTAURANT FROM "CATAPULTS" TO
265
00:06:56,484 --> 00:06:57,454
"PLAGUE."
266
00:06:57,451 --> 00:06:59,591
AND PLAGUE QUICKLY BECAME THE
267
00:06:59,587 --> 00:07:01,117
PLACE TO BE --
268
00:07:01,121 --> 00:07:02,961
A CELEBRITY HANG-OUT FOR STARS,
269
00:07:02,956 --> 00:07:04,556
RANGING FROM DESTINY'S CHILD'S
270
00:07:04,558 --> 00:07:06,458
MICHELLE WILLIAMS TO
271
00:07:06,460 --> 00:07:07,660
"BROKEBACK MOUNTAIN'S"
272
00:07:07,661 --> 00:07:09,101
MICHELLE WILLIAMS.
273
00:07:09,096 --> 00:07:10,696
>> WE HAD TO TURN PEOPLE AWAY.
274
00:07:10,698 --> 00:07:12,468
>> BECAUSE YOU WERE BOOKED UP.
275
00:07:12,466 --> 00:07:13,166
>> WELL, NO.
276
00:07:13,166 --> 00:07:14,966
MOSTLY BECAUSE THEY WERE JEWS.
277
00:07:14,968 --> 00:07:15,598
'CAUSE THEY COULDN'T COME INTO A
278
00:07:15,603 --> 00:07:16,603
PLACE LIKE THIS IN THE
279
00:07:16,604 --> 00:07:17,204
MIDDLE AGES.
280
00:07:17,204 --> 00:07:18,644
WE WANTED TO BE HISTORICALLY
281
00:07:18,639 --> 00:07:19,209
ACCURATE.
282
00:07:19,206 --> 00:07:20,666
>> YOU KNOW THEY DIDN'T HAVE
283
00:07:20,674 --> 00:07:22,014
RESTAURANTS AT ALL IN THE
284
00:07:22,009 --> 00:07:22,679
MIDDLE AGES?
285
00:07:22,676 --> 00:07:24,476
>> OH.
286
00:07:24,478 --> 00:07:26,008
>> YOU JUST ASSUMED LIKE, "OH,
287
00:07:26,013 --> 00:07:27,623
JEWS PROBABLY WEREN'T ALLOWED IN
288
00:07:27,615 --> 00:07:28,145
PLACES."
289
00:07:28,148 --> 00:07:29,748
>> PROBABLY NOT. YEAH.
290
00:07:29,750 --> 00:07:31,080
>> YOU KNOW WHO ELSE PROBABLY
291
00:07:31,084 --> 00:07:32,494
WOULDN'T HAVE BEEN ALLOWED IN
292
00:07:32,486 --> 00:07:33,046
RESTAURANTS?
293
00:07:33,053 --> 00:07:37,023
>> MM-HMM.
294
00:07:37,024 --> 00:07:39,234
>> DOGS.
295
00:07:39,226 --> 00:07:41,496
>> DESPITE ALL OF ITS SUCCESS,
296
00:07:41,495 --> 00:07:43,125
PLAGUE WASN'T WITHOUT ITS
297
00:07:43,130 --> 00:07:44,000
CRITICS.
298
00:07:43,997 --> 00:07:45,667
A PATRON LOST A FOOT IN THE
299
00:07:45,666 --> 00:07:47,026
BOILING CHEESE MOAT?
300
00:07:47,034 --> 00:07:47,804
>> SO WHAT?
301
00:07:47,801 --> 00:07:49,541
I MEAN, HALF THE STAFF HERE LOST
302
00:07:49,537 --> 00:07:50,167
FEET TO GOUT.
303
00:07:50,170 --> 00:07:52,040
>> A FORMER CHEF CLAIMED THAT HE
304
00:07:52,039 --> 00:07:53,269
ALMOST LOST A THUMB BEING
305
00:07:53,273 --> 00:07:55,113
ATTACKED BY A PACK OF WILD DOGS.
306
00:07:55,108 --> 00:07:57,038
>> A CARELESS CHEF, HUH?
307
00:07:57,044 --> 00:07:58,784
A CARELESS CHEF GOT HIS HAND TOO
308
00:07:58,779 --> 00:08:00,509
CLOSE TO THE CANINE GARBAGE
309
00:08:00,514 --> 00:08:01,284
DISPOSAL SYSTEM.
310
00:08:01,281 --> 00:08:02,751
>> CANINE GARBAGE DISPOSAL?
311
00:08:02,750 --> 00:08:03,780
SOUNDS LIKE "FLINTSTONES" A
312
00:08:03,784 --> 00:08:04,284
LITTLE BIT.
313
00:08:04,284 --> 00:08:05,054
>> BUT IT'S NOT
314
00:08:05,052 --> 00:08:05,792
"THE FLINTSTONES."
315
00:08:05,786 --> 00:08:06,186
>> NO.
316
00:08:06,186 --> 00:08:07,216
>> THESE ANIMALS DON'T TALK.
317
00:08:07,220 --> 00:08:08,290
>> WELL, I DON'T THINK THERE
318
00:08:08,288 --> 00:08:09,588
WERE ANY TALKING DINOSAURS IN
319
00:08:09,590 --> 00:08:10,220
"THE FLINTSTONES."
320
00:08:10,223 --> 00:08:12,563
THE ELEPHANT SHOWER DIDN'T TALK.
321
00:08:12,560 --> 00:08:13,830
THE BIRD REMOTE CONTROL DIDN'T
322
00:08:13,827 --> 00:08:14,257
TALK.
323
00:08:14,261 --> 00:08:15,231
>> OH, YES, IT DID.
324
00:08:15,228 --> 00:08:16,198
"IT'S A LIVING."
325
00:08:16,196 --> 00:08:17,196
>> THAT'S RIGHT.
326
00:08:17,197 --> 00:08:18,727
>> "I'M SICK OF DOING THIS."
327
00:08:18,732 --> 00:08:19,532
>> MY BAD.
328
00:08:19,533 --> 00:08:20,203
>> "WHEN'S MY BREAK?"
329
00:08:20,200 --> 00:08:21,540
>> I HAVEN'T SEEN IT IN A WHILE.
330
00:08:21,535 --> 00:08:22,565
>> SEE, BUT THAT'S PREHISTORIC
331
00:08:22,570 --> 00:08:22,840
TIMES.
332
00:08:22,836 --> 00:08:23,266
>> YEAH.
333
00:08:23,270 --> 00:08:24,270
>> WHEN YOU GET TO MEDIEVAL
334
00:08:24,271 --> 00:08:25,541
TIMES, ANIMALS STOPPED TALKING.
335
00:08:25,539 --> 00:08:27,309
>> BUSINESS AT PLAGUE WAS
336
00:08:27,307 --> 00:08:29,707
BOOMING, AND THEN THE THINKABLE
337
00:08:29,710 --> 00:08:30,540
HAPPENED.
338
00:08:30,544 --> 00:08:31,754
>> WELL, ONE OF OUR PATRONS WAS
339
00:08:31,745 --> 00:08:33,075
DECAPITATED WHILE WAITING FOR
340
00:08:33,080 --> 00:08:34,150
THE OX-DRAWN DESSERT CART.
341
00:08:34,147 --> 00:08:35,577
>> BY YOUR GUILLOTINE.
342
00:08:35,583 --> 00:08:37,753
AND THAT TURNED AN AVERAGE
343
00:08:37,751 --> 00:08:40,221
TOURIST PHOTO INTO AN AWESOME
344
00:08:40,220 --> 00:08:41,220
TOURIST PHOTO.
345
00:08:41,221 --> 00:08:42,721
>> IT'S NOT FAULT THEN THAT HE
346
00:08:42,723 --> 00:08:44,223
DIDN'T READ THE WARNING SIGNS.
347
00:08:44,224 --> 00:08:45,564
>> WELL, THE WARNING SIGN
348
00:08:45,559 --> 00:08:49,229
SAID...
349
00:08:49,229 --> 00:08:50,629
I DO A LOT OF STORIES, SO
350
00:08:50,631 --> 00:08:51,771
THERE'S A LOT OF NOTES.
351
00:08:51,765 --> 00:08:53,165
SHOULD FIGURE OUT A BETTER WAY
352
00:08:53,166 --> 00:08:54,636
TO GET TO THE PAGES THAT I NEED
353
00:08:54,635 --> 00:08:56,095
TO GET TO.
354
00:08:56,103 --> 00:08:57,843
THE WARNING SIGN SAID,
355
00:08:57,838 --> 00:09:00,568
"MONITIO: HAEC AUFERAM
356
00:09:00,574 --> 00:09:01,784
CAPUT TUUM."
357
00:09:01,775 --> 00:09:03,075
>> IT'S NOT MY FAULT HE DIDN'T
358
00:09:03,076 --> 00:09:03,606
KNOW LATIN.
359
00:09:03,611 --> 00:09:04,711
ALL RIGHT, IT'S ON OUR MONEY,
360
00:09:04,712 --> 00:09:05,712
FOR CHRISSAKES.
361
00:09:05,713 --> 00:09:07,723
>> GEORGE HAD NO CHOICE BUT TO
362
00:09:07,715 --> 00:09:08,845
SHUT PLAGUE DOWN.
363
00:09:08,849 --> 00:09:10,219
>> PEOPLE JUST STOPPED COMING.
364
00:09:10,217 --> 00:09:11,147
I COULDN'T STAY OPEN.
365
00:09:11,151 --> 00:09:12,251
>> BECAUSE OF THE FREQUENT
366
00:09:12,252 --> 00:09:12,722
DEATHS?
367
00:09:12,720 --> 00:09:14,320
>> NO. PEOPLE LOVE THAT.
368
00:09:14,321 --> 00:09:15,891
A TGI-OBGYN OPENED UP ACROSS THE
369
00:09:15,889 --> 00:09:16,589
STREET.
370
00:09:16,590 --> 00:09:17,760
>> THE RESTAURANT WITH THE
371
00:09:17,758 --> 00:09:18,658
STIRRUP CHAIRS?
372
00:09:18,659 --> 00:09:19,189
>> YEAH.
373
00:09:19,192 --> 00:09:20,592
I CAN'T COMPETE WITH THAT.
374
00:09:20,594 --> 00:09:21,194
SEX SELLS.
375
00:09:21,194 --> 00:09:22,804
>> THEY HAVE AN ITEM ON THEIR
376
00:09:22,796 --> 00:09:24,096
MENU CALLED "HPVLT."
377
00:09:24,097 --> 00:09:25,597
IT'S A VD-THEMED RESTAURANT.
378
00:09:25,599 --> 00:09:26,899
>> A LOT OF PLACES, THAT'LL
379
00:09:26,900 --> 00:09:27,640
SELL.
380
00:09:27,635 --> 00:09:29,335
>> THAT'S SUPER-DISGUSTING.
381
00:09:29,336 --> 00:09:30,736
>> DISGUSTING SELLS, TOO.
382
00:09:30,738 --> 00:09:32,308
>> Biscayne: FINALLY TONIGHT, A
383
00:09:32,305 --> 00:09:33,865
FEW THOUGHTS FROM SKIP REMING.
384
00:09:33,874 --> 00:09:36,284
>> ONLY TWO THINGS SCARE ME IN
385
00:09:36,276 --> 00:09:38,706
THIS WORLD, AND THAT'S TWINS.
386
00:09:38,712 --> 00:09:40,282
PERSONALLY, I CAN THINK OF
387
00:09:40,280 --> 00:09:42,150
EXACTLY THREE USES FOR PEOPLE
388
00:09:42,149 --> 00:09:43,649
WHO LOOK EXACTLY ALIKE.
389
00:09:43,651 --> 00:09:46,651
ONE, MEAT SAUCE.
390
00:09:46,654 --> 00:09:49,394
TWO, VOTER FRAUD.
391
00:09:49,389 --> 00:09:51,829
THREE, I FORGOT 'CAUSE I THOUGHT
392
00:09:51,825 --> 00:09:53,885
ABOUT TWINS AGAIN, AND I GOT
393
00:09:53,894 --> 00:09:54,904
DISTRACTED.
394
00:09:54,895 --> 00:09:56,695
THEY SAY THE DEVIL HAS A FORKED
395
00:09:56,697 --> 00:09:57,197
TONGUE.
396
00:09:57,197 --> 00:09:58,827
WELL, TWINS ARE LIKE THE DEVIL,
397
00:09:58,832 --> 00:10:00,402
BUT WITH A FORKED EVERYTHING.
398
00:10:00,400 --> 00:10:01,900
THEY'RE TWO ENTIRE FORKED
399
00:10:01,902 --> 00:10:02,642
PEOPLE.
400
00:10:02,636 --> 00:10:04,196
AND TWINS AND FORKS ARE THE
401
00:10:04,204 --> 00:10:05,344
DEVIL'S PLAYTHINGS.
402
00:10:05,338 --> 00:10:07,268
THAT IS WHY I INSIST ON MASHING
403
00:10:07,274 --> 00:10:09,144
ALL MY FOOD INTO A SOUP THAT I
404
00:10:09,142 --> 00:10:11,182
CAN EAT WITH A GODLY SPOON.
405
00:10:11,178 --> 00:10:12,208
THAT'S RIGHT.
406
00:10:12,212 --> 00:10:15,182
NOT BECAUSE I WEAR DENTURES...
407
00:10:15,182 --> 00:10:15,922
I DON'T.
408
00:10:15,916 --> 00:10:18,186
IT'S BECAUSE I DON'T TRUST TWO
409
00:10:18,185 --> 00:10:19,345
OF ANYTHING.
410
00:10:19,352 --> 00:10:20,792
>> Biscayne: NEXT WEEK ON
411
00:10:20,788 --> 00:10:22,288
"NEWSREADERS," WHY IS THIS MAN
412
00:10:22,289 --> 00:10:23,659
WEARING NO PANTS?
413
00:10:23,657 --> 00:10:25,427
THE ANSWER WILL SURPRISE YOU.
414
00:10:25,425 --> 00:10:26,925
HE IS WEARING PANTS.
415
00:10:26,927 --> 00:10:28,257
THEY'RE CALLED "SCROTES," AND
416
00:10:28,261 --> 00:10:29,661
WE'LL TELL YOU WHY THEY'RE THE
417
00:10:29,663 --> 00:10:30,803
TALK OF THE FASHION WORLD,
418
00:10:30,798 --> 00:10:32,798
ALSO, PEOPLE WHO HAVE NO
419
00:10:32,800 --> 00:10:35,270
BUSINESS USING THE WORD "Y'ALL."
420
00:10:35,268 --> 00:10:37,338
FINALLY TONIGHT, A CORRECTION.
421
00:10:37,337 --> 00:10:38,937
LAST WEEK ON THIS PROGRAM, I
422
00:10:38,939 --> 00:10:40,439
SAID, "I'M LOUIS LaFONDA.
423
00:10:40,440 --> 00:10:41,270
GOODNIGHT."
424
00:10:41,274 --> 00:10:43,284
WE'VE FIXED THE TELEPROMPTER AND
425
00:10:43,276 --> 00:10:44,906
APOLOGIZE FOR THE MISTAKE.
426
00:10:44,912 --> 00:10:46,252
I'M LOUIS LaFONDA.
427
00:10:46,246 --> 00:10:47,816
GOODNIGHT.
428
00:10:47,815 --> 00:10:49,715
COME ON.
26827
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