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[saxophone music]
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[piano music]
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- Aklia. Taylor.
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- Man come on ,
you invited them?
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- Stop.
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- Hey sweetheart.
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- Hey daddy.
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- Hi baby.
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- Hi mom.
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- Digging that jacket
baby girl. Looking sharp.
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- I mean, you know I got
my swag on a little bit.
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- Taylor the show is
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absolutely fabulous, honey.
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When you gotta let
me model for you?
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- Oh, you know, you're too
big time for me, Ms. Diana.
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- Don't try it, don't
try it. [laughing]
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- Thank you so much for coming.
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It really means a lot.
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Oh, and this is my friend Jake
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and his parents,
Candace and George.
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[exchanging greetings]
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- I'm a big fan.
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- Oh thank you.
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- Oh, and everyone,
this is Kasseem Dean.
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And of course you all
know him as Swizz Beatz.
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- Indeed we do.
27
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- He needs no introduction.
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- I know, right?
29
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- And Taylor work is phenomenal.
30
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What do you have going on here,
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I mean, coming from
artist to artist,
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this is very beautiful.
33
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I just want to ask
you one question.
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Like what inspires you?
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- Wow.
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Ehm, beauty.
37
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Yeah, beauty.
38
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and I find that first
and foremost in women,
39
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in the female form.
40
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I think we are amazing.
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Our strength and
our vulnerability.
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- I couldn't agree more.
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- That is why I am compelled
to subvert the male gaze
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to the female gaze.
45
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- Well I can tell you, your
work is speaking to me.
46
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- Coming from you,
that is an honor.
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'Cause y'all know I am an artist
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and I am sensitive
about my shit.
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[everyone laughing]
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[whispering]
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- Okay. Enjoy yourselves.
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[everyone chatting]
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[laughter]
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- So mom, let me
show you around.
55
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- And yeah, I would love that.
56
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- Hey, you know what?
57
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You want to know some real shit?
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Well, we're going to need the
proper libations my brother.
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[laughter]
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- Get ready.
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- That is right.
62
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- Honey I wish you would
at least iron your shirt.
63
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- Come on, it came like this.
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- Oh honey.
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Sweetheart you're
just so beautiful.
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I just don't get it.
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- It's not for you to get.
68
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- Well at least pull up
you're pants, they're sagging.
69
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- Why you so worried
about my pants?
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Are you serious right now?
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- Why don't you go,
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go talk with Swizz
Beatz for a little bit?
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Catch up, okay.
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- All right.
- All right, c'mon.
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Hey and listen,
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we need you to come in
the studio next week
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and talk about being
on that record.
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We need you on that record.
- Yeah we do.
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- Okay?
- All right.
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- [whispering] Pull
'em up, pull 'em up.
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- So, you good?
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- Yeah, I'm cool.
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- Don't worry about it, man.
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- Yo, what about you?
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I haven't even had a
chance to hit you up
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about your new album coming out.
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I hear it's dope shit.
88
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- It's aiight. [laughs]
89
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Nah, it's fire.
90
00:04:07,827 --> 00:04:10,758
I mean, you know,
it's hard because
91
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you know, when
you're being creative
92
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and putting your all into it
93
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and people know you
for a particular sound,
94
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and you want to come
with something new.
95
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How do you balance that in
a world like today where
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the attention span is
like so short, you know?
97
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Yeah, I mean, look
98
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I heard your parents want you
to go in the studio with them.
99
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- They do.
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I don't.
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- Why like, you know?
102
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Look man, the people'll
go crazy over that.
103
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And like, when they
see y'all together
104
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that's like a real epic moment
105
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and we need that
in today's times.
106
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- You of everyone know
how difficult they are.
107
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It's fucking crazy
in the studio.
108
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- I mean, but the
world is crazy.
109
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Look at the world
that we live in.
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And artists, we have
a license to be crazy.
111
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Right?
- Yeah.
112
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- So it's like, if we
don't exercise our creative
113
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zone then what are
we doing it for?
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And stop being stingy
with the music.
115
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You just want to be stingy
with the music, all right?
116
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Don't be stingy like, just
give the world that energy.
117
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Just imagine like that
Jackson Five moment
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with your family.
119
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And y'all on stage bringing
the positive energy of life.
120
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But you know the bottom line is
121
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we need your music out.
122
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That's what we need.
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- I was going through a
serious Jane Austen period
124
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when I took these.
125
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Say something.
126
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- I can't believe
you know my son.
127
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- I didn't know he was your son.
128
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I didn't know you had a son.
129
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You told me you were separated.
130
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- I am.
131
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It's not what you think.
132
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- It's not my business.
133
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I love you in that dress.
134
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You look good.
135
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- This is all too
much for me right now.
136
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What we did, it can
never happen again.
137
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- That's too bad.
138
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- Taylor.
139
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- [Meditation Recording]
Take a deep breath in.
140
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Now exhale, clearing your mind.
141
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[Taylor and Candice moaning]
142
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Find your center,
and let the light in.
143
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- Do you mind?
144
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David's filing for divorce.
145
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- Congressman Murphy?
146
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I just saw him and
Sarah at the gallery.
147
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- Yeah that wasn't a good
night for either one of them.
148
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Apparently somebody caught her.
149
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Sarah, getting it on in the
public restroom at the gallery.
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With a woman.
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Some model.
152
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- That's awful.
- It's embarrassing.
153
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- Well how do we
even know it's true?
154
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I mean I can't believe
someone would just violate
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her privacy like that.
156
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Poor Sarah.
157
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- Poor Sarah?
158
00:07:53,413 --> 00:07:54,862
Poor David.
159
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I mean, if she was gonna fuck
around with another woman,
160
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the least she could have done
is invite the poor guy in.
161
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["A Luv Tale Theme
Song" by Wyclef Jean]
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♪ Caught up in a luv tale
163
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♪ If tonight ain't
the right time ♪
164
00:08:23,724 --> 00:08:27,827
♪ Please tell me when
165
00:08:27,827 --> 00:08:30,724
♪ Cos I can't wait in vain
166
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♪ For what's to come
167
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♪ If tonight is the wrong time
168
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♪ Please tell me when
169
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♪ Because I can't wait
170
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♪ For what's to come
171
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♪ She loved me loved me
172
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♪ Loved on me
173
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♪ She wants me when she says
174
00:08:51,517 --> 00:08:53,344
♪ It's feeling like
an ocean baby. ♪
175
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♪ Every time we lay
176
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♪ We started from the bottom
177
00:08:56,344 --> 00:08:58,379
♪ But I am still
loving your ways ♪
178
00:08:58,379 --> 00:09:01,724
♪ There is still kind of peace
that makes want to meditate ♪
179
00:09:01,724 --> 00:09:03,620
♪ Oh but I can not be
180
00:09:03,620 --> 00:09:05,241
♪ The great pretender
181
00:09:05,241 --> 00:09:06,931
♪ With these cuffs
182
00:09:06,931 --> 00:09:08,793
♪ I surrender
183
00:09:08,793 --> 00:09:10,413
♪ Play with fire
184
00:09:10,413 --> 00:09:13,758
♪ Cause we love danger
185
00:09:13,758 --> 00:09:15,793
♪ From lovers to strangers
186
00:09:15,793 --> 00:09:18,482
♪ If tonight ain't
the right time ♪
187
00:09:18,482 --> 00:09:22,413
♪ Please tell me when
188
00:09:22,413 --> 00:09:23,241
♪ I can't wait in vein
189
00:09:23,241 --> 00:09:28,206
♪ For what's to come
190
00:09:29,137 --> 00:09:32,793
♪ If tonight is the wrong time
191
00:09:32,793 --> 00:09:36,241
♪ Please tell me when
192
00:09:36,241 --> 00:09:41,206
♪ And I can wait for
what is to come ♪
193
00:09:41,965 --> 00:09:45,655
♪ Caught up in a love
194
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♪ Caught up in the luv tale
195
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♪ Caught up in the luv
196
00:09:52,413 --> 00:09:55,931
♪ I'm caught up
in the luv tale ♪
197
00:09:55,931 --> 00:09:59,413
♪ Caught up in the luv
198
00:09:59,413 --> 00:10:02,620
♪ Caught up in the luv tale
199
00:10:02,620 --> 00:10:06,241
♪ Caught up in the luv
200
00:10:06,241 --> 00:10:10,448
♪ Caught up in the luv tale
201
00:10:10,448 --> 00:10:13,586
♪ If tonight ain't
the right time ♪
202
00:10:13,586 --> 00:10:17,310
♪ Please tell me when
203
00:10:17,310 --> 00:10:20,413
♪ Because I can't wait in vain
204
00:10:20,413 --> 00:10:24,137
♪ For what is to come
205
00:10:24,137 --> 00:10:27,551
♪ If tonight is the wrong time
206
00:10:27,551 --> 00:10:30,896
♪ Please tell me when
207
00:10:30,896 --> 00:10:35,896
♪ And I can wait for
what is to come ♪
208
00:10:36,551 --> 00:10:38,275
♪ Oh baby
209
00:10:41,103 --> 00:10:43,551
♪ Oh
14361
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