All language subtitles for Indecent Exposure (1981) 1080p Blu-ray AVC DTS-HD MA 1.0 Sub ENG

(upbeat funky music)

- Mama Mia, what is
wrong with you girls?

| want sweat, real sweat, you
know what l'm talking about?

Realism.

No, no, no, I don't want
any of this phony crap here.

- [WVoman] Okay.

- Layla.

You, you'Tre suppose to
be the actress here.

Tellme,howam!]
suppose to get these

9100 an hour bitches to sweat?

Hey Ted baby, hey,
whats happening?

- Hi Tony.
- | didnt see you come in.

- Okay girls, now we want
you to look your best.

Mr Rossini is a bit
Of a perfectionist,

but is only because he
wants you to look very well

and this is a disco layout.

We want to see everything
¡n the costume,

we wanna see the front,
we wanna see the back.

We wanna see the sides.

So when I say "move”,
please girls for me, move.

- Hey whats the matter?

You look like shit.

- | Just dropped by
to cheer myself up.

II stick around till
you're through okay?

- Sure, sure, ït's
good to see you.

I'II be right with you.

Hey Layla, Layla avanti avanti.

I need to see you.

June get the cameras
ready, we work all night.

Avanlti.

(upbeat music)

(camera clicking repeatedly)

- [Tony] Ah yes, now
keep it going girls.

You come here with me.

Want you to see yourself, now.

Right here, l want
you to look at me.

Tell me what you
think of this hey?

Tell me, yes you tell me, tell
me what you think of this.

(moaning)

Tell me, tell me what you think.

- [Woman] Whats on
your reputed mind?

- [Tony] ! think we get the
creative juices flowing,

what do you think baby?

- [Layla] My, my come
on girls, come on,

| want you to dance
till you're wet.

Come on move it, faster.

Now.

(upbeat funky music)

Thats it girls.

- [Tony] Yeah.

- [Layla] Come on.

- [Tony] Very good
girls, keep itup, yes.

Ah you bitch.

(woman moaning and panting)

- [Voman] Come on, shove itup.

(upbeat funky music)

- [Tony] Keep it dancing
up there, keep It dancing.

Dontt pull out, donft pull out.

Keep it dancing,

keep itup.

(upbeat funky music)

(man groaning)

- Here dear Teddy,
Is to old friends

and to new adventures.

So you're job gives you nothing,

and neither does that
nice middle-class girl

you're shacked up with.

- Joan's been faithful
and supportive and...

- And boring and truish,
et cetera, et cetera.

- Yeah that too.

- Reservations are all set,
I rented a van for morning

and I called and
confirmed all the girls

that are being interviewed.

Oh hello Mr. Perlis.

Gee you're not looking too well,

are you feeling all right?

- [Tony] Floyd here is
suffering from terminal boredom.

- Oh thats too bad, l
wish you could go along

with us on this trip.

Itwould be nice to have
someone intellectual

along for a change.

- Why don't you go wrap a set.

- Is nice to have seen
you Mr. Perlis, bye.

- Holy shit, holy
shit, thats It.

Thatisit, you,
you come with us.

- What the hell are
you talking about?

- Look man, look.

We've been friends
for years huh, right?

Look lve got lots of
bucks, l'll put you on,

at something, l
don't khow, anything.

IIl put you on.

- Hold ït, what are
you talking about?

- Let me explain, tomorrow,
we are leaving on a tour

of the state to photograph
girls, not professional models,

but girls that
Layla interviewed.

Model for a day,
Is an ad gimmick.

Look it doesn't matter,
you come with us, huh?

Itwould great Teddy,
Just like the old days.

- Cut it Tony.

| mean in the old days, you
weren't Antonio Rossini,

renowned fashion photographer.

You were just Tony
Ross, stud, fuck off

and all around hell raiser.

For that matter, so was I.

Now I got, mortgage payments,

ajob, a girlfriend, alimony.

- The entire catastrophe.

- Thanks anyway.

- Lots of fringe benefits man.

- Come on Tony, I
Just cantt take off.

- Why not?

Hey Teddy boy, come here.

Here.

This is my dear friend is to
adventure and your new job.

- Hey thank you.

- Excuse me.

One thing burger brain,

this Is a very big account.

The first time your dead
welight friend there fucks up,

Its either him or me.

The whole thing is Jjust
damn unprofessional.

- Hey look, maybe this
Isn't sụuch a good idea.

- No, no, no, don't worry.

Shelll get over it.

She always does.

Listen, listen, on
this trip my friend,

you are gonna see
more untamed pussy

than you ever thought possible.

(laughing)

Listen, don't worry
about Layla huh?

Ill take care of her.

- Mr. Perlis, I'm glad you're
coming with us on this trip.

- Well whatever happens,
Its gotta be better

than what I'm leaving behind.

- JJune] Lets
see, our first stop

¡s Jjust a few hours from here.

At a health food store?

- Oh come peach pussy, you
can' be that piSSed off

that Ted joined us.

- For the last three
years, Í have busted my ass

for you and this business.

You didn't even have the
decency to consult me

about bringing him along.

Getting real tired of being
treated like baggage Tony.

- Well my five fingered friend,

¡t looks like we're
gonna be spending

a lot of time together.

Alone, weve been cut off.

- You gotit

(yelps)

- Í can!t take It.

- God l wish you
didn't pay so well.

- | usually have to
listen to the two of them

going atit all of the time.

Im really glad you're along,

'cause l've someone
to talk with.

(bell ringing)

- There you are Karma, you look
absolutely wonderful today.

This is Antonio Rossini.

- Bonjourno.

- Antonio this is our earth
mother image, Karmaline.

- You might be a bitch
to work with love,

but you sure can pick them.

- Come stai miss lady,
Is a great great honor.

- Thank you.

Im]ust glad that
my energy and vibes

are right for your
photos Mr. Rossini.

Are you a Scorpio?

- Why yes, yes I am.

- Scorpios are so intense.

Is a good siơn.

- Karma, l'd like to introduce
you to my assistant Teddy.

- Hi, how do you do?

- Oh you're very sensitive.

You must be an Aquarius.

- No.

- Well yes, yes, Teddy
Is an Aquarius right?

Very sensitive boy.

Teddy is our costume
consultant, yes.

He wilill help pick out
the costume for you

and assist you in dressing.

- How perfect.

I Just know I can
trust you Teddy.

- Layla.

You select the settings,

and tell June which
lights to pick huh?

Now Karma tell me,
¡s there a place

that you can change quickly?

- Right back here
¡n my store room.

- Ah va bene, va bene.

- Tony look I can't do this.

- Oh sure you can, come on
look you wanted adventure.

- No, look, I donft
know the first

thing about wardrobe.
- This is an adventure,

t doesn't matter.

(clears throat)

(clears throat)

- | have your wardrobe.

- Can't you wait till
after working hours,

to get your friend laid?

- Hey look, what have
you got against Ted

having a good time?

The poor bastards been
tled down for years.

- Is amazing how you
make your own power trip

sound like concern.

Truth is you just like
manipulating people.

God Tony, you've changed.

You know I can
hardly remember why

| ever thought l loved you.

- Mama Mia.

- I m so flattered
that I was chosen

to be in these ads.

| want to show what a healthy
diet can do for the body.

Do you think you could
help me with this?

- Yeah, sure.

Here we go.

- |ll get that.

Help me with these buttons here.

- You think you should
try on the breast-

vest?

- |I try Iton later.

Ted, If you find me attractive,

| mean I think thats wonderful.

Sex is a healthy part of nature

and did you know that sex can be

most enjoyable
medlitation that there is.

And I think if we're going to be

really in tune with each other,

a sexual meditation is
very Important, don'tyou?

- Oh yeah.

- Can you believe it?

Tonys back there
with that Karma woman.

| think its disgusting.

All he ever thinks
about is sex, sex.

- Sex, someone call?

- Butwhoswith...

Ted.

- Hey June, June come on.

What is with you huh?

- You wouldn't
understand dildo head.

- Dildo head.

(Ted moaning)

- [Ted| Oh what is ït?

- [Xarma] Just coconut milk.

Doesnt it feel wonderful?

- [Ted]J Oh yeah, yeah it does.

Coconut milk huh?

(moaning)

(slow seductive music)

(moaning)

(heavy breathing)

- [Ted] How about a break?

Yeah.

Okay.

(squealing)

(heavy breathing and moaning)

(Ted moaning)

- All right, get this
down, lets get this down.

- Well l think she's ready now.

| did my best.

- I|maill set.

- Ah then lets hit It kids.

Va bene, now Í want this
natural, just natural.

Very good.

Now you Just action, action.

Karma you were magnificent.

- Can't you stay
for a little while?

You look like a man that
could use some meditation.

- No Í catch you
on the way back.

| always wanted to
get Into health foods.

Andiamo, come.

Well Karma was great hey?

You know if the rest of
these non-professionals

turn out as well,
Itll be a snap.

- Well what do you expect?

| mean after all, it was
my job to select the women.

- Yes and you are
the best aren't you?

- At some things.

- Šo what am I, chopped liver?

Where's my applause
for lugging and lifting

and lighting and
making it possible,

for Mr wonderful here,
to push his little button

and rake in all the money?

- How stupid, how
simply stupid of me

to forget your vital
contribution in this.

- You know, can you
put down the mask

for just once and say
something nice to me.

| do deserve it you know.

- Im sorry.

- Hey June, you know how
good you are at your job,

don't expect him to get serious.

| think he's forgotten how.

- Well lover boy,

tomorrow ought to be
Interesting don't you think?

Oh come off it,
for craps sake man.

You got a fun fuck out of it.

What do you care if its
avalilable to everybody?

- Maybe l do care,
so just lay off huh?

- Well you know,
maybe just some of us,

aren't cut out for meditation.

- Real good Tony, keep it
up and youll turn Ted here

into the same kind of
person its taken you

years to become.

- Öee that, there's
hope for you yet.

- That's what ll'm afraid of.

- No, no, no, no, girls,
that is not the way we do ït.

Now start again.

Oh Layla.

- Hello, Serena Zukov,
this is Antonio Rossini.

- Ah bonjourno, l can
see why Layla chose you.

You are indeed a tribute
to the art of dance

and the essence of
athletic femininity.

- Thank you Mr Rossini.

I'm certain that
what you see however

Is best discovered
without this bullshit.

- Smart lady huh?

- À very dedicated artist,

So you can forget about
getting laid here, sorry.

- The class is done.

Imready.

- No problem Ms Zukof, I have
your costume ready for you.

- Girls.

| told you not to
Observe this shooting.

- Oh pardon me Serena
but is it possible,

are these young
women your students?

- Yes, why you ask?

- Well I thought
that maybe they could

be in the shoot so
there is a background.

- Oh?

- That is of course if
you have no objections,

| Just thought ït might
set the mood more clearly.

- Oh please Ms Zukof.

- We just want to see what
a fashion shootis like.

Please.

- VVe wontt getin
the way, honestily.

- Well, itwould be
good for you, yes.

Well all right.

- Oh wov, this is so much
better than we hoped for.

- Now just be subtle
and lets hope

Ms Zukof doesn't catch us.

- You think it will work?

- Girls.

Come on with this time.

(gentle plano)

- He's very good.

- Oh God, ! think
he's wonderful.

- My, my you are
smitten aren't you?

- Öo what?

You wouldn't understand anyway.

- Oh yes.

Va bene, va bene,
oh yes, yes, yes.

Scusi, Scusi.

Oh va bene, yes okay.

I gOta great Idea.

Tu, tu.

- Yes.

- Yes, give me a tuxedo
out of wardrobe for Ted.

- What?

- A tuxedo avaniti.
tuxedo, you knows?

- | can see it coming now.

- What like a butterfly.

Very good, very good.

Marvelous, marvelous.

(dramatic music)

Very good, very good.

- Dorina, Dorina, you were
superb, magnificent, magnificent.

- Well thank you Mr
Rossini and my students

they did well I hope.

- Very well, very
well, but of course

not as professional as you.

I need to keep them to
make a few more shots.

But you did not
stay, you go home.

Í will lock up.

- Well that is very nice of you.

Because l do have a lecture
tonight at recital hall.

You are a gentleman so l see.

- Grazia.

- Thank you, goodbye.

- Oiao and bona note.

- Ohno, hes not gonna--

- Oh yes, what else?

Did you see the way they were
flashing during the shoot?

They deserve it

- Hey I don't khow how
you put up with it,

| mean the two of you
used to be lovers.

- | don't wanna talk about it.

So I'm going, you
wanna come along?

- Sure as hell donf
wanna stay here.

- Hey where the hell
are you two going?

- We didntwant to
Intrude on your creativity.

- Dont worry, wefll be back
to break down the equipment.

Wouldn't want you
to strain yourself.

- Good, I didntt
like them anyway.

And besides, they wouldnft
appreciate our little surprise.

- Surprise?

- Yeah, didn't
you say you wanted

some more shots of just us?

- Well what did you
girls have in mind?

- Just a little dance
routine of our own.

- Ready?

- What did you say to them?

- Nothing, nothing man.

| think they just like us.

And who could blame them.

(ftunky music)

(gentle plano)

(heavy breathing)

(gentle moaning)

- I didnt khow you were
that interested in Ted

Or anyone for that matter.

- Look just because l
don't go around undressing

for every guy that walks by,

doesn't meant that I--

- June thats not what I meant.

Look l khow we havent
been the best of friends

but give me a chance all right?

- SOrry.

You know the truth is,

lve always been a
little Jealous of you,

besides what chance
do Í have with Ted,

with Tony leading
him around by his,

you know, his thing.

(laughing)

- June, let me tell
you a few things.

Number one, just because Ted
wants to get his yayas out

after all these
years of boredom,

doesn't make him a
terrible human being.

You might notice, he's isnt
doing all that well anyway.

(laughing)

If you need any
help, Ilm awoman.

Underneath all those overalls
and Jjeans you are too.

We might wear different costumes

but weTre all in the same play.

- Thanks.
- Sure.

(gentle music and women moaning)

- [Tony] This was
very good, bravissimo.

- [Ted] Will you
cut the accent Tony?

- Look man, Im telling
you it was very good.

What do you want me to say?

So tell me, tell me,

is sex without romance
really so terrible?

- | think I could
learn to tolerate it.

- You could?

(laughing)

- You know l don't understand
what you ever saw in Tony.

Im SOrry, but Í Just dontt.

- Well he was different
once, before the fame

and the money got to him.

| think its gotten to me too.

If you two jall bait
suckers are ready,

maybe we can get going.

- You know what?

Somehow I donftt
think they approve.

- Hey waitup.

Excuse me.

IIm coming with you.

- Listen I told you,
you must call me

when l get back to the city,
now not now, go away, go away.

- Look you said we
had what it took

to become professional
models didn't you?

I want out of this
hick town now.

Take me with you.

- You creeps.

- Listen honey face
¡t, you've been had.

Let it be a lesson to you huh?

These two guys just
aren't worth the effort.

- Come on let's go, everybody,
come on June, lets go.

Put that stuff in
there, what is this?

- What a waste.

We went to all the trouble
to fuck a couple of old men,

pretending it was
fun for nothing.

Shit.

- Come on lets go
everybody, in the truck,

¡n the truck, in
the truck Layla, in.

- Is Tony with you?

- No he decided to turn
¡n early, are you okay?

- A little smashed,
Sslightly depressed,

completely disiliusioned,
almost suicidal.

Nothing serious.

Care to join me?

- Yeah for a drink I think.

Bartender, let me have a brandy.

- You know, after the
shoots wrapped, ll'm done.

| dont think I can
take It any longer.

You know, I keep thinking,

maybe Tony will change burt...

- lm part of that aren't I?

Part of the reason
that everybodys --

- Oh not anymore.

You know what?

Beginning to enjoy
having you around.

- Thanks Lavla.

- Dont let anybody
hear about it,

might ruin my image.

(laughing)

Maybe June doesn't have
such bad taste after all.

Never mind.

- Look I khow she likes
me, but I don't know.

- | like her too.

| guess she thinks
that sex is something

that only unintellectual
people engage in.

- Something like that.

- Thats too bad.

Other than that, she's
a damn fine lady.

- SO are vou:.

- Thanks Ted.

- | think l!ll go to bed.

This life in the fast lane is,

a little too much for me.

You all right?

- Me?

Well I'm still in first gear.

We do have to work
tomorrow though don't we?

Little trick I learned.

- One for the road.

- You gotit

- Here's your coat.

- Oh thanks.

- Hi.

- Hi Einstein.

What cha working on?

Tomorrow*ss lighting plan?

- No, its my diary.

I was just writing that,

never mind, you're drunk
you don't wanna hear it now.

- Oh llmnot as drunk
as l'd like to be.

| never am June.

Come on what are
you writing huh?

- Men can't please me.

Iwon'tlet them.

Even Ted has proven weak
and Layla is not the--

-Goon.

- Is the not the selfish
bitch l thought she was.

(laughing)

- Thats good.

- My only fear...-

Listen June, if there's something
you don't want to tell me

listen I understand completely.

- No, no l wanna say ït

Layla l trust you.

I want to say it.

My only fear is l will never
be able to get out of my mind

and into my body.

Im afraid to be passionate.

- Oh June, its okay.

Honey it will come in time.

Honestly.

- Please, l trust you.

- June |,

are you sure?

| dont wanna do anything.

(gentle seductive music)

I love your body June.

| Just want you to feel good.

Tell me if l do
anything you dont like.

- [June] Okay.
- [Layla] Okay.

(gentle plano)

- That was beaultiful.

Do the men that
you've been with,

make you feel that good?

- Sure knov the right
things to say don't you?

- Well do they?

- They used to.

Sometimes ! feel like
Its even better.

- | was having the
most amazing fantasy.

- | khow.

- Really?

- You were thinking about a man,

especlially when you were coming.

-| was.

But how did you know?

- Oh lve been there,
quite a few times before.

Who were you thinking of?

- Well, Just a man.

Its not important.

- No you're right.

You won't have any problems
when the right man comes along.

I can tell you that,
that's for sure.

You're a natural
born lover, lover.

(upbeat music)

- And after that | left home
and found the job with Tony.

- Gee, just one bad
turn after another.

(laughing)

- You two are in one hell
Of a good mood this morning.

- Well we got a good
nights sleep last night.

(upbeat music)

- Well we sure are proud
of our little Chrissy,

being chosen to model for your
ads and all aren'twe mother?

- We certainly are.

| only hope sheTll do well.

She's so young you know, only
Just graduated high school.

- [Man] Straight As.

- [Woman] Valedictorian.

- Oh thats wonderlul.

- [Man] Yes.

- Yes, yes l'm sure
that she will do fine.

You see our Layla here has
a wonderful eye for talent

and m sure that Chrissy--

Oh Chrissy.

- Hello Chrissy.

Dontt you look nice
today, you ready?

- Hi Miss Ford.

- Now dont you
worry about a thing,

we'll have Chrissy back in
about three or four hours.

- Oh thats fine, just fine.

- |I flnd my glasses

and weTl catch the Jeanette
Mcdonald Nelson Eddy festival.

Werre Just in time
for the matinee.

- Donftworry Mr.
and Mrs. Hudson,

Chrissy here she
IS a good hands.

Good.

- You lay one
finger on that girl,

and !Il have you by
your professional balls.

Got it?

- Ms Ford is right, she
said that Chrissy has

that certain Innocent appeal
that lve been looking for.

Avanlti.

Avanti ciao.

- Oiao.

Bye, bye bye dear.

(gentle plano)

- [Chrissy] God bless you.

- You did a splendidly Chrissy.

Your parents can be very proud.

- Thank you Mr. Rossini.

- [Layla] Ve have to get
you right home and into bed.

- Oh absolutely Layla.

We can't have our Chrissy here
getting sick on us can we?

And since our hotel
Is right on the way

and we must pack anyway,
IIl drop you all off

and I take Chrissy home.

- How thoughtful of you Tony.

- Ohitis nothing.

- But l have a better idea.

- Damn ït woman, now why
the hell did you do that?

Yourre starting to piss me off.

- We have work to do
Tony and you know it.

Besides Ted I trust, gotit?

- You know what | got?

| got a good mind to go fire
you, thats what l got Layla.

- You donft have a good
mind to do anything.

- Tony.

- What?

- Are you really that
upset about losing a chance

to screw Chrissy?

- No, no I'm not but
Im the boss here.

I'm in control and
I dont want anybody

telling me what to
do, especially her

and that includes you.

- Im really sorry
you caught a cold.

I hope your parents
will understand.

- Is not your fault, really.

| was getting a cold
anyway before today.

- Well look here's your
bag, l'm sorry about this.

- You're nice thank you but
really Ill be all right.

- Yeah good.

Hey, let me take you inside.

I hope you feel better,
Im really sorry.

- Its all right, honest.

Maybe some hot tea or something.

The kitchen's over there.

- Tea?

Yeah, yeah sure, l'll make
you some hot tea before l go.

But I have to leave very soon.

- Thank you.

- Very, very soon.

Chrissy, Chrissy.

Hello?

Chrissy.

- Oh gosh, I must
of fallen asleep,

| guess I dontt feel so good.

- | have your tea here.

- Oh would you bring
¡t to me please?

- Bring itto you?

Certainly sure.

- Thanks.

Im sure glad you're here
to help me Mr. Perlis.

Really.

- Yeah well I really
have to go now.

That is if youll be okay?

- Of course, l'll be
okay once l put some

of that vapor rub on.

Would you get it for me please?

- Yeah, yeah sure.

- II hold this up ïf
you'll put some on me.

- Yeah just a little bit.

- Oome on silly
bastard lets play.

(gentle seductive music)

Thats fun.

- Í shouldn't be doing
this you know that.

- [Chrissy] Oh yeah,
bite my nipples.

Bite them, bite them.

(moaning)

- [Ted] What if your
parents come home?

- [Chrissy] He's beautiful.

- [Ted] Take this off.

- [Chrissy] Get your pants off.

(heavy breathing and moaning)

I want it so bad from you.

So bad.

(heavy breathing and moaning)

- [Ted] Where did
you learn to do that?

- [Chrissy] I read a lot.

Come here, yeah.

Put your cock in my pussy.

Real deep.

- [Ted] Oh yeah.

- [Chrissy] Push itin, come on.

Oh I loveit

Oh yeah.

Oh its so good,
your cock is so good.

(heavy breathing and panting)

Come on fuck me, come on.

Oh yeah.

(groaning)

Oh yeah.

With tongue, with tongue.

Oh yeah, yeah.

With tongue, lick
my clit, my chit.

(groaning)

Yeah.

Yeah.

Come on top of me,
let me see you come.

- [Ted] Oh yeah?

- [Chrissy] l wanna see you.

- [Ted| Okay.

- [Chrissy] I
wanna see you come.

(Ted groaning)

Ted, can we play a game?

Just one game.

You don't have to do anything
but just lie still okay?

- [Ted] Yeah sure,
whatever you want.

(upbeat playful music)

- [Chrissy] Hey Ted, Ted.

- [Mother] Chrissy.

- So until we actually
Ssee thiS wOman3S house,

there's no way we can--

- Is a mansion, a mansion.

The lady lives in a mansion.

- Mansion or whatever,
until we actually get there,

| can't give you anything
more than a general idea

of a lighting plan.

- June, June so why the
hell do you work with me?

- What?

- Oome on you heard me.

- Lots of reasons.

- OCome on June, Layla and
| dont do anything more

than trade insults.

Ted wants to leave, right?

And you're the
only one left, why?

- Thanks.

- OCome on you know what I mean.

Why are you here?

- At first l thought
you were a genius.

| sĩll do, but you
are an asshole genius.

- Well that mụch we know.

- Well then l thought if
| could make any sense

out of what was going
on in that studio,

I could understand anything.

- And?

- No way, now Í dont
know why I stay.

Sorry l just wish I could help.

- Yeah me too.

Fuck it, it doesn't matter,
¡t all stinks lately.

- Im really sorry Tony.

- Yeah.

Don't worry.

Thanks.

- [Tony] How you
doing boy scout?

- Oh ñne.

- [Tony] Hey listen Ted, I might
have to go away for a while

I don't knovw, Í wanna go to
SpPain for a couple of months

or Greece, wanna come along?

- No l cant.

| gotta find a new job.

A real Job.

- [Tony] Yeah.

- By the way, Chrissy
wasntt so innocent.

- You're shitting me?

Oh you gotta tell me, this
has gotta be a classic.

Come on.

- Hey now look, dont
tell Layla all right?

| mean Í feel really
shitty about that.

- Im not gonna say anything.

Look this is the great Antonio
Rossini speaking to you.

So you gotta tell
me, what happened?

- You wanna know what happened?

- I want to khow what happened
right from the beginning.

- You want to khow
what happened?

- What happened?

- Tony Rossini wants
to khow what happened.

- Yes.

- II tell you.

I was raped.

- You were raped?

- Raped.

- He was raped, he was raped.

(laughing)

- She raped me.

She raped me.

- You were raped?
- Yes.

- By this?

(laughing)

- Did you hear that?

| wonder what those two--

- l khow what kind
of laughter that is.

Thank God tomorrow's
our last day.

- Oh Harmon our guests
are arriving a bit early,

I do hope weTe prepared.

- Of course madame.

- Of course, after so
many adventures together,

how could I even ask.

Or of the mid once this
time, tall quite intelligent.

This should be a true test
Of your theories Ariellanna.

(suspenseful music)

- Holy shit.

Hey Layla why
didn't you tell me?

- | hadn't seen it myself.

| met her in New York
at the ad agency,

she's a stockholder.

She offered herself and her
home for one of the layouts.

| had the impression
they couldnft say no.

- Who the hell is this woman?

- Arielanna Vanlearn Devain

Hieress of the Devain
publishing empire.

Degrees in psychology,
art and science.

Quite reclusive since the death

of her husband nine years ago.

Stockholder and--

- Thank you Ms Britannica.

Well troops lets get a going.

- Welcome, Mrs. Devain will
be Joining you for cocktails

after you've freshened up.

- | do not think its
necessary to freshen up.

- After you've freshened up Sir.

- I think weTre going to
have to freshen up hey?

Andiammo come on.

The women first.

- Well well my how handsome.

| hope you found
everything you needed.

- Yes, yes.

- Thank you very
much for the clothes.

- Oh yes, you seem to have
thought of everything.

- One of my little
quirks, perfection.

| provided some clothes
for the ladies too.

Here they come.

- Wow.

- Mama Mia.

- Hey, thats nice.

- Perfection.

- Thank you very much.

- Harmond, would you
seat our guests please?

- Mrs. Ford.

- Dont believe.

An yes.

- Šo l simply decided
to please myself

and study those aspects of
psychology and human behavior

that interested me.

Oh its been lonely at times,
but never never boring.

- Look I don't mean
to be pushy but--

- Oh of course, of course.

Harmon.

- Yes madame,
everything is in order.

- Wonderful, now if you
all would indulge me

for Jjust a little while longer.

You see l know a great
deal more about you,

each of you, than Ive leton.

AẢnd how should I put this?

Well, III put it decentily,

you see for the past nine years,

lve been engaged
¡n an experiment.

Well a study actually
of human behavior.

- Ariel l don'tsee
how this is any--

- Let her finish.

- Thank you June.

Really there's nothing
mysterious aboutit.

Simply stated I need your
help for a short time,

that of a few hours
and in exchange

I think II be able
to help each of you.

Thatis, if you're willling.

(suspenseful music)

- | really don't understand
why Layla's getting so upset.

I think its all
really exciting.

- | khow and its that
sense of trust you have.

Its going to make this a
very Important night for you.

- How do you know
so much about us?

- Well a combination of
Intuition and intelligence,

research and a great
deal of money to get

whatever l wantwith.

Now just enjoy yourself.

Relax, browse and IIl be
back in a little while.

- LiSten Harmon, If Ariel
wants me to play games

I'd like to khow why.

What the hell is going on here?

- | am sorry If
you'rre confused sir,

but llm sure madame
will explain.

- Well she had better.

- In here SIr.

- In here.

Yes but this is a dark room.

- Thatis the
master bedroom sir.

- Well youre lucky Harmon,

'cause the only darker room
| go into, is a bedroom.

(rapid knocking)

Shit.

All right Harmon, I getit.

Is a little Joke huh?

You're actually count
Dracula in disguise.

Right?

Right?

Right?

- Wrong.

(seductive music)

(nervously laughing)

- | like your outfit.

Is this a part of the experiment

Or just a pleasant distraction?

-A little bit of both.

Per favore.

- Si, SI.

Oh la la.

Oh this is nice,
this Is very nice.

Is a very difficult to open

but yes,

oh its very good.

Suck it.

Suck it.

Oh yes.

Very nice.

(moaning)

Walit wait wait what is this,

what is this?

- [Ariel] VWVhat's the matter?

Did Ì do something wrong?

- [Tony] Oh no no nG
Just I donrttlike,

I dont like being tied up,
| mean its a bit awkward.

- [Ariel] Oh its just a
game, its just for fun.

You see l've never
tried it before.

- Well maybe, maybe
just a little bit.

- [Ariel] Just a little bit.

- [Tony] Oh yes, its very nice.

Oh its very nice, yes.

Is nice.

No, no, no wait no, wait
a second, wait, wait.

- [Ariel] Oh no no no no.

Try it.

- [Tony] Yes.

Itryit

- [Ariel] You like?

- [Tony] Its not bad.

Interesting.

Thats very good.

- Ms.Lamb.

- Yes?

Where's Ariel?

- She will be with
you very soon.

She asked that you
change clothes.

These are yours.

- But where IS everybodyv?

- TheyTe all having
a wonderftul time,

and wish only the same for you.

Please Ms. Lamp, relax.

There's nothing here for you
but pleasure and enjoyment.

Here these are for you to wear.

- Thank you.

Its all so strange.

But you have made me
feel better Harmon.

- [Tony] Oh thats very good
Ariel, thats very good.

Thats very good,
oh that's very good,

oh yes, yes, very good, Im--

- [Ariel] No.

- [Tony] Damnit
woman, how many times

are you gonna do that huh?

Look all right, all right,

lets cut these God
damn scarves off,

lets get back on
the right track.

- [Ariel] The right track Tony?

Oh you mean where you're
¡n control all the time,

telling everybody else
what to do and when.

- [Tony] Look Ariel just cut
the fucking scarves off huh?

- [Ariel] Tony, please
don't make me mad,

because then Í might decide
to Just leave you here,

for Harmon, who has rather
bizarre tastes I'm afraid.

- [Tony] Its Just that
this Is not my thing,

| got carried away,
I didnt mean--

- [Ariel] Tony, lve got
a lot to teach you Tony,

but you've got to
shut up and listen.

You talk all the time so
you never hear anything.

- [Tony] Okay Ariel,
please l just want--

- [Ariel] One more
word and I'm leaving.

Understand?

Good because I
really like you Tony.

Nowv, for the first lesson,
well call it cunnilingus 101.

You see Tony, l want
you to make me come.

Starting to like not
being Iin control Tony?

Tony, I haven't come
¡n a very long time,

this Is not going to be easy,

but the better you
make it for me,

the better l'll make it for you.

(heavy breathing)

Oh yes, thats not bad.

Thats the way, lightly
lightly, yes, yes,

now you can take your
tongue down further

and then you can run
¡n deeper and deeper,

now you can go in there
where you want to go.

See now its open
and wet and flowing,

now put your nose up there
against that spot on top.

Thats the way, thats the way,

yes now youTre
hitting them both.

Oh good Tony, oh
good, oh good Tony.

(moaning)

Oh Tony.

That was very good.

Nov...

- [Tony] Dont
strangle me please?

- [Ariel] Now this is
Just more of the game,

put your head up,
thats a good boy.

Can you see it,
tell me the truth?

- [Tony] Oh I cant see.

| can't see that.

- [Ariel] Now you just lie here

and !Ïl be right back.
- Where are you going?

Walit, wait, wait.

Wa--

Shit.

- Where the hell is everyone?

Its all damn crap,
this whole thing.

I Just wanna get home.

You fucked her didn't you?

- Who?

- You khow damn well who.

Chrissy.

You didn't think you'd
slip that one by me.

- Look, look I told
Tony not to tell you.

Itwasn't my fault Layla.

- Tony didn't have
to say anything.

I heard you come in last night.

Ive heard that kind of
locker room laughter before.

- And where did you
get so damn holy?

I mean ! the truth makes
any difference to you,

Chrissy was a little Lolita
who bullshitted me like a pro.

- Oh did she force you
to fuck her at gunpoint?

- T doesn't make
any difference.

She was just like
all the others.

Selfish, pushy, conniving.

| mean Í felt nothing
but used ever since

this whole trip started.

- Honey, you dont
know what used is.

- Pardon me but, well are you
two through pitying yourselves

or should I come back later?

- Listen your impression of
anti-maim is very entertaining.

But l'm getting tired of
your self-indulgent bullshit.

- Layla what are
you so afraid of?

- I!m not afraid.

I would Just like to
know, Ariel sweetheart,

lf we are going to
find out exactly

whatis going on around here.

- | dontknow, Í
hope, l truly hope

that you will see
whatis here for you,

but well your attitude
Isn't helping I'm afraid.

- No more psychology games.

Now where are Tony and June?

What in the hell do
you want from me?

- L|am Just trying to help you.

(thwack)

- Layla for Christs sake.

- Oh Layla, you are so
used to being hostile

and sarcastic that you
cant feel anymore.

- No.

- You've let your
Impressions of Tony,

Interfere with, come
between you and any man

that might want to love you.

| dont know, if ever feel again
anything except resentment.

(sobbing)

- Why the hell did you
do that to her huh?

- Why you simple
minded little worm.

- What?

- You insignificant
cock-minded piss head.

You run around everywhere
trying to find someone

to give you, what you
think you deserve.

Oh poor poor Teddy.

- | don't khow what the
hell you're talking about.

- Oh yes you do.

YOu' re afraid to reach out.

You want it all handed to you.

You haventt got the spine to
stand on your own two feet

and go after what you want.

Oh you simpering wimp,
hiding behind your romance--

- Leave him alone Arielanna.

- Huh? Enter the heroine,

you both disgust me with
your petty bullshit

- What the hell
was all that about?

- She was right.

- What?

- Thank you for
defending me Ted.

- Hey thank you.

| thought she was gonna
tear my throat out.

(sobbing)

Hey, are you okay?

- God damn her.

She was right.

(sobbing)

- Perfect.

- Ariel.

- Hello June, my
you look beautiful.

- Thank you.

- Are you ready?

- | dont know whatl!
should be ready for.

- Why to be released June.

First put some of this on.

This Is what lve
been wearing all day.

And we have a little
secret to keep from a man

with a very sensitive nose.

- Oantt you tell me more
about what's going on here?

I| mean, where's
Tony and the others?

- Well perhaps we should
have a little talk

before you spread your wings.

(smooth music)

- God, l'm sorry Ted.

I haventt cried like that
since l was a little girl.

Weas Ariel right
about what she said?

That you were afraid to
go after what you wanted?

- Yeah, yeah.

Hell l expected some perfect
woman just to turn up

and offer herself
to me, its true.

- Maybe its time
you stop walting

and did something about it.

Oh no you don't Teddy, you
have to go after what you want.

- What about you?

If | catch you, willl
you be able to feel?

Will you be able to feel me,

or will you be
thinking about Tony?

- Tony who?

- | need a serious answer Lavla.

- Well thats a chance
youlill Just have to take.

- Ted, I don't want
you to fuck me,

| want you to make love to me.

| want you to make me
feel something Ted.

Yes.

- You ready June?

- | guess so.

- NGv, !'ll stay with you,
Just trust your Instincts

you'll be fine.

- [Tony] Who's there?

- [Ariel] Tony.

- [Tony] Oh there you are,
am I happy to see you.

- [Ariel] You're
beginning to enjoy it

not being in the drivers seat.

- [Tony] Oh you know
¡t baby, but listen

Im gonna explode, I'm gonna
come nowv, I gotta come.

- [Ariel] Oh Tony, well perhaps

I should get you a new partner.

June for instance.

- [Tony] June?

(laughing)

Don'ft make me laugh,
hey look, I mean June.

June is a lot more
than I thought she was,

June really thinks that sex Is
an act of mental retardation

at an early age.

Come on, now what about us?

(moaning)

Oh thats great.

Now do you think
June would do that?

Oh come on, oh thats
great, oh yes baby.

Oh yes, oh yes.

Oh yes, oh yes I needed that,

Im coming, I'm coming,
Im gonna come soon.

God damn it, you did it,
what you got four hands?

What goes on here?

- [June] Nov, Just relax Tony.

- [Tony] Oh come
on, what the hell.

- [June] Just relax,
now comes the hard part.

You see, you have
to fuck me Tony

and you have to make me come
before you do, understand?

Dont let yourself
come Tony or else.

- [Tony] Oh yes, all right.

Yes.

(moaning)

Oh thats so good, thats it.

- [Ariel] Thats right
Tony, tell me how to move.

- [Tony] Yes.

- [Ariel] Now Tony you
tell me, what you want.

- [Tony] Oh yes,

not so fast, not so
fast, oh thats nice,

oh yeah thats great.

Oh yeah.

(moaning)

Oh yeah.

Oh that is--

yeah.

(heavy breathing)

Oh yeah.

- [June] Oh God.

Oh God.

(moaning)

Oh God.

(heavy breathing)

- [Tony] That was great.

Oh Ariel.

- [June] Surprise.

- [Tony] When did you?

You?

- [June] Youll
never know wÏll you?

- [Tony] And Ill never care.

(smooth music)

(moaning and heavy breathing)

- [June] Oh yeah.

Oh yeah.

(moaning)

Look atme.

- [Tony] HowsSs that?

Slip these off then.

(moaning)

- [June] l wanna taste you.

(heavy breathing)

(moaning)

(gentle sweeping music)

- [Tony] June.

I dont khow how
to tell you this.

- [June] You Just did.

(moaning)

Come on.

Oh that's so good
Ted, please come.

(heavy breathing)

- | canftfind anybody, I
couldntt find him anywhere.

There's this note.

Thank you for helping
me with my studies.

Please all l ask is that
you share this experience

with no one beyond yourself.

My love to you all, Ariel.

- Well l for one think she
was some kind of witch.

- Not at all, shes
a psychologist,

who figured out how to get
past our fears thats all.

- Thats all?

- Thats all.
- Thats all.

(laughing)

- Thats all, simple.

- Is simple.
- Yes.

Well lets hit the
road, or should I say,

avanti, avanti.

- Avanti.

- The best yet, donftt
you think so Harmon?

- 'Oourse madame,
I'm rather sorry

to see them leave actually.

- There will be others Harmon

but we did learn
so much from these.

- [Tony] I have a
suggestion, a quick trip home

and four plane tickets to
Greece for the weekend.

- [Ted] Oh I dont
knov, I think perhaps

the Caribpbean would
be more to my taste.

- [June] IÏl settle for the
first motel with a waterbed,

| always wanted to try it out.

(laughing)

(upbeat music)