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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:14,223 --> 00:00:15,431 "THE DEATH OF OPHELIA." 4 00:00:15,516 --> 00:00:18,225 PAINTED AROUND 1852 5 00:00:18,310 --> 00:00:20,102 BY SIR JOHN EVERETT MILLAIS. 6 00:00:20,187 --> 00:00:21,979 [ENGINE ROARING] 7 00:00:36,370 --> 00:00:37,494 YOU OKAY? 8 00:00:37,580 --> 00:00:40,664 THE PAINTING DEPICTS OPHELIA, 9 00:00:40,750 --> 00:00:42,166 A CHARACTER IN SHAKESPEARE'S PLAY "HAMLET," 10 00:00:42,251 --> 00:00:43,709 SINGING WHILE FLOATING IN A BROOK, 11 00:00:43,794 --> 00:00:46,128 JUST BEFORE SHE DROWNED 12 00:00:46,213 --> 00:00:47,337 [PLEADING IN TERROR] NO, PLEASE... 13 00:00:50,342 --> 00:00:52,217 [TEACHER]: NOW, MILLAIS PAINTED THE BACKGROUND FIRST... 14 00:00:52,303 --> 00:00:54,178 [KILLER WHISPERS]: SHH. 15 00:00:54,263 --> 00:00:54,928 [TEACHER]: AND THEN HAD A MODEL POSE FOR OPHELIA. 16 00:00:57,641 --> 00:00:59,683 DOES ANYONE KNOW WHO THAT MODEL WAS? 17 00:00:59,769 --> 00:01:01,226 LEOLA? 18 00:01:01,312 --> 00:01:02,352 IT'S OKAY. IT'S OKAY... 19 00:01:02,438 --> 00:01:03,520 [SOBBING IN TERROR] 20 00:01:03,606 --> 00:01:05,439 [LEOLA]: ELIZABETH SIDDAL. 21 00:01:05,524 --> 00:01:06,273 SHE WHO MODELED FOR THE PRE-RAPHAELITE BROTHERHOOD. 22 00:01:06,358 --> 00:01:07,775 SHE WAS THE WOMAN 23 00:01:07,860 --> 00:01:09,234 IN MOST ALL OF DANTE GABRIEL ROSSETTI'S 24 00:01:09,320 --> 00:01:10,778 EARLIEST PAINTINGS. 25 00:01:10,863 --> 00:01:11,695 VERY GOOD, LEOLA. 26 00:01:16,577 --> 00:01:18,285 COME ON, PUT THAT ON. 27 00:01:18,370 --> 00:01:20,162 PUT IT ON. 28 00:01:20,247 --> 00:01:21,997 COME ON! COME ON, COME ON. 29 00:01:22,083 --> 00:01:24,458 NEXT WEEK, WE'RE GOING TO MOVE ON TO GEORGIA O'KEEFE 30 00:01:24,543 --> 00:01:25,918 AND HER WORK IN NEW MEXICO. 31 00:01:26,003 --> 00:01:28,921 THAT'S CHAPTER EIGHT IN WORLD ART. 32 00:01:29,006 --> 00:01:30,380 PLEASE, DON'T JUST LOOK AT IT ONLINE. 33 00:01:32,927 --> 00:01:34,760 [SOBBING] 34 00:01:34,845 --> 00:01:36,095 YOU'RE GOING TO BE MAGNIFICENT. 35 00:01:36,180 --> 00:01:37,054 [GASPING FOR AIR] 36 00:01:37,139 --> 00:01:38,180 SHH... 37 00:01:38,265 --> 00:01:39,556 [SOBBING] NO... 38 00:01:39,642 --> 00:01:40,891 [STRANGLING AND CHOKING] 39 00:01:40,976 --> 00:01:41,809 [SOOTHINGLY] IT'S ALMOST DONE. 40 00:01:41,894 --> 00:01:43,852 SHH... IT'S OKAY. 41 00:01:43,938 --> 00:01:45,187 [CHOKING] 42 00:01:48,484 --> 00:01:52,319 [WHIMPERING AND STRANGLING] 43 00:01:56,450 --> 00:01:57,449 [GASPS IN FRIGHT] 44 00:02:00,162 --> 00:02:01,245 [SIGHS] 45 00:02:09,380 --> 00:02:11,463 [TAKES A SHAKY BREATH] 46 00:02:11,549 --> 00:02:14,216 [♪♪♪] 47 00:03:42,389 --> 00:03:44,348 [SHUTTER CLICKS] 48 00:04:09,500 --> 00:04:10,707 [DOOR CRASHES] 49 00:04:10,793 --> 00:04:12,125 PUT YOUR HANDS WHERE I CAN SEE 'EM! 50 00:04:12,211 --> 00:04:13,168 DO IT NOW! 51 00:04:13,254 --> 00:04:14,544 LET ME SEE YOUR HANDS! 52 00:04:14,630 --> 00:04:15,629 [HIDDEN RIFLES BLAST] 53 00:04:15,714 --> 00:04:16,713 [GROANING IN PAIN] 54 00:04:18,259 --> 00:04:19,174 GO, GO, GO! 55 00:04:19,260 --> 00:04:20,175 MAN DOWN! 56 00:04:20,261 --> 00:04:21,593 MAN DOWN! 57 00:04:21,679 --> 00:04:23,637 [WAILING SIRENS APPROACH] 58 00:04:30,229 --> 00:04:31,311 FREEZE! 59 00:04:31,397 --> 00:04:32,562 LET ME SEE YOUR HANDS! 60 00:04:32,648 --> 00:04:33,647 [LAUGHING MANIACALLY] 61 00:04:33,732 --> 00:04:35,482 GET ON THE GROUND! 62 00:04:35,567 --> 00:04:36,358 [HANDCUFFS SNAP SHUT] 63 00:04:36,443 --> 00:04:38,068 [COCKING GUN] 64 00:04:42,408 --> 00:04:45,033 SEVEN WOMEN. 65 00:04:45,119 --> 00:04:46,910 SEVEN INNOCENT YOUNG WOMEN 66 00:04:46,996 --> 00:04:49,413 WHOSE FAMILIES WAITED FOR THEM TO COME HOME, 67 00:04:49,498 --> 00:04:50,914 BUT THEY NEVER DID, 68 00:04:51,000 --> 00:04:53,458 BECAUSE THEY CROSSED PATHS WITH CRUISE. 69 00:04:53,544 --> 00:04:56,044 HE FANCIED HIMSELF AN ARTIST, 70 00:04:56,130 --> 00:04:59,548 AND SO, JUST AS HE HAD DONE SIX TIMES BEFORE, 71 00:04:59,633 --> 00:05:03,635 CLINT BURRELL CRUISE PUT HIS SIGNATURE 72 00:05:03,721 --> 00:05:06,722 ON WHAT WOULD BE HIS FINAL VICTIM, 73 00:05:06,807 --> 00:05:10,434 25-YEAR-OLD LEOLA SHELDON. 74 00:05:12,146 --> 00:05:16,523 BUT LACKING THE TALENT TO CREATE HIS OWN ART, 75 00:05:16,608 --> 00:05:19,109 HE USED THESE WOMEN 76 00:05:19,194 --> 00:05:20,444 TO RECREATE THE WORKS 77 00:05:20,529 --> 00:05:22,696 OF INFINITELY MORE TALENTED 78 00:05:22,781 --> 00:05:24,990 MEN AND WOMEN. 79 00:05:25,075 --> 00:05:27,492 GOYA, MOORE. 80 00:05:27,578 --> 00:05:29,619 FUSELI, 81 00:05:29,705 --> 00:05:33,248 AND, IN LEOLA'S CASE, 82 00:05:33,334 --> 00:05:35,751 MILLAIS' "THE DEATH OF OPHELIA." 83 00:05:41,175 --> 00:05:43,925 IT'S IN YOUR HANDS NOW. 84 00:05:44,011 --> 00:05:48,096 YOU ARE THE ONLY VOICE THOSE WOMEN HAVE. 85 00:05:48,182 --> 00:05:51,099 PLEASE, PLEASE, CONVICT THIS MAN. 86 00:05:51,185 --> 00:05:53,685 RETURN A VERDICT THAT SPEAKS THE TRUTH. 87 00:05:53,771 --> 00:05:56,688 SHOW HIM THE SAME MERCY THAT HE SHOWED HIS VICTIMS. 88 00:05:56,774 --> 00:05:58,190 NONE. 89 00:06:04,156 --> 00:06:06,114 THANK YOU. 90 00:06:13,374 --> 00:06:15,207 WELL, IT'S A NICE STORY, 91 00:06:15,292 --> 00:06:16,708 BUT I'VE GOT REASONABLE DOUBT 92 00:06:16,794 --> 00:06:18,502 ON THE CHAIN OF CUSTODY OF THE DNA EVIDENCE. 93 00:06:18,587 --> 00:06:20,462 YOU KNOW IT'S NOT CONSISTENT IN ALL SEVEN CASES. 94 00:06:20,547 --> 00:06:23,131 WELL, YOU MUDDIED THE WATER PRETTY WELL, 95 00:06:23,217 --> 00:06:24,966 BUT I HAVE FAITH IN THE JURY. 96 00:06:25,052 --> 00:06:27,344 I THINK I MAY BE ABOUT TO HAND THE GREAT HAILEY DEAN 97 00:06:27,429 --> 00:06:28,136 HER FIRST LOSS. 98 00:06:29,640 --> 00:06:30,847 THAT WOULD BE FUNNY, 99 00:06:30,933 --> 00:06:34,351 BECAUSE YOU GAVE HER HER MOST WINS. 100 00:06:39,566 --> 00:06:43,193 [DOOR OPENS] 101 00:06:49,576 --> 00:06:51,660 [GAVEL BANGS] 102 00:06:52,704 --> 00:06:53,662 YOU NEED TO STAND. 103 00:07:00,712 --> 00:07:01,711 WE FIND THE DEFENDANT, 104 00:07:01,797 --> 00:07:03,880 CLINT BURRELL CRUISE, 105 00:07:03,966 --> 00:07:07,092 GUILTY ON ALL SEVEN COUNTS OF MURDER IN THE FIRST DEGREE. 106 00:07:07,177 --> 00:07:08,385 [MURMURING OF SHOCK, SCATTERED APPLAUSE] 107 00:07:17,604 --> 00:07:18,895 DON'T WORRY. 108 00:07:18,981 --> 00:07:20,272 I'LL GET STARTED ON YOUR APPEAL. 109 00:07:20,357 --> 00:07:21,565 I'M SURE YOU WILL. 110 00:07:22,651 --> 00:07:23,233 YOU WERE VERY GOOD. 111 00:07:25,154 --> 00:07:26,695 I LOOK FORWARD TO SEEING YOU AGAIN. 112 00:07:26,780 --> 00:07:28,113 NOT WHERE YOU'RE GOING. 113 00:07:28,198 --> 00:07:29,531 [CHUCKLES] 114 00:07:29,616 --> 00:07:31,324 YOU THINK YOU'RE SENDING ME TO HELL? 115 00:07:31,410 --> 00:07:32,826 I THINK NOBODY DESERVES TO GO THERE MORE THAN YOU. 116 00:07:34,496 --> 00:07:35,245 FINCH! 117 00:07:38,459 --> 00:07:39,416 HOW ABOUT I SEND YOU TO HELL FIRST? 118 00:07:40,794 --> 00:07:42,377 [TASER CRACKLES] 119 00:07:42,463 --> 00:07:44,212 [SCREAMING] 120 00:07:44,298 --> 00:07:45,881 [GASPING FOR AIR] 121 00:07:45,966 --> 00:07:48,258 [GASPING IN FRIGHT] NO! NO! 122 00:07:48,343 --> 00:07:50,594 [BREATHING HARD] 123 00:08:00,731 --> 00:08:01,480 [CHEERING AND APPLAUSE] 124 00:08:01,565 --> 00:08:03,815 TOAST! TOAST! 125 00:08:03,901 --> 00:08:04,816 EVERYBODY, SETTLE DOWN. 126 00:08:04,902 --> 00:08:06,443 OKAY. 127 00:08:06,528 --> 00:08:09,196 THIS IS PARTICULARLY DIFFICULT FOR ME, 128 00:08:09,281 --> 00:08:12,491 TO SAY GOODBYE TO A GUY 129 00:08:12,576 --> 00:08:13,283 WHO HAS KEPT ME ON THE STRAIGHT AND NARROW... 130 00:08:15,204 --> 00:08:18,246 SAVED MY ASS ON MORE THAN ONE OCCASION. 131 00:08:18,332 --> 00:08:19,331 GARLAN FINCHER, 132 00:08:19,416 --> 00:08:21,625 WHO, UM, WHO HAS DECIDED 133 00:08:21,710 --> 00:08:24,461 TO LEAVE THE WILDS OF ATLANTA 134 00:08:24,546 --> 00:08:26,796 FOR THE MORE PLEASANT CLIMES OF AFGHANISTAN. 135 00:08:26,882 --> 00:08:27,672 [CROWD MURMURS IN SHOCK] 136 00:08:27,758 --> 00:08:28,798 AT YOUR AGE? 137 00:08:28,884 --> 00:08:31,635 HEY, I STILL GOT SKILLS. 138 00:08:31,720 --> 00:08:33,428 WE KNOW ABOUT YOUR SKILLS. 139 00:08:33,514 --> 00:08:34,513 [LAUGHTER AND HOOTING] 140 00:08:36,433 --> 00:08:39,309 TO OUR COLLEAGUE AND FRIEND, 141 00:08:39,394 --> 00:08:40,769 FINCH, 142 00:08:40,854 --> 00:08:42,729 YOU WILL BE MISSED. 143 00:08:42,814 --> 00:08:43,855 -CHEERS. -CHEERS. 144 00:08:43,941 --> 00:08:46,858 CHEERS. 145 00:08:49,363 --> 00:08:50,195 I'LL MISS YOU... 146 00:08:59,915 --> 00:09:00,497 [CHATTING PLEASANTLY] 147 00:09:10,884 --> 00:09:12,092 HEY. 148 00:09:14,846 --> 00:09:16,930 IT'S BEEN MONTHS SINCE THE TRIAL. 149 00:09:17,015 --> 00:09:18,014 AND HE'S STILL IN MY HEAD. 150 00:09:21,645 --> 00:09:24,604 I CAN'T DO IT ANYMORE, FINCH. 151 00:09:24,690 --> 00:09:25,855 I'M LEAVING THE DA'S OFFICE. 152 00:09:25,941 --> 00:09:27,774 YOU CAN'T QUIT BECAUSE OF 153 00:09:27,859 --> 00:09:29,609 ONE CRAZY SCUMBAG. 154 00:09:29,695 --> 00:09:31,278 TRY ONE TOO MANY CRAZY SCUMBAGS. 155 00:09:31,863 --> 00:09:34,030 I WANT TO HELP PEOPLE BEFORE THEY'RE KILLED. 156 00:09:34,116 --> 00:09:35,490 YOU'RE GOING BACK TO THERAPY. 157 00:09:35,576 --> 00:09:37,325 YEAH. 158 00:09:37,411 --> 00:09:38,493 I GOT AN OFFICE IN MANHATTAN. 159 00:09:38,579 --> 00:09:39,661 NEW YORK! 160 00:09:41,665 --> 00:09:42,956 THANKS FOR ALWAYS BEING THERE FOR ME, FINCH. 161 00:09:43,041 --> 00:09:45,208 HEY, I ALWAYS WILL BE. 162 00:09:49,673 --> 00:09:51,548 YOU BETTER. 163 00:09:51,633 --> 00:09:52,716 [CHUCKLES] 164 00:09:52,801 --> 00:09:55,260 [♪♪♪] 165 00:10:33,925 --> 00:10:35,759 [CLEARS THROAT] 166 00:10:35,844 --> 00:10:36,760 DOCTOR. 167 00:10:36,845 --> 00:10:37,927 DOCTOR. 168 00:10:46,688 --> 00:10:47,479 HAVE A GREAT DAY. 169 00:10:47,564 --> 00:10:48,938 YOU DO THE SAME. 170 00:11:26,061 --> 00:11:27,394 OH, DANA. YOU'RE HERE. 171 00:11:27,479 --> 00:11:28,978 YOU LOOK SHOCKED. I'M NOT ALWAYS LATE. 172 00:11:29,064 --> 00:11:30,522 YES, YOU ARE. 173 00:11:30,607 --> 00:11:32,023 OKAY, I AM. 174 00:11:32,109 --> 00:11:33,566 BUT LAST NIGHT, I WENT OUT FOR DINNER, 175 00:11:33,652 --> 00:11:35,527 AND IT WAS WONDERFUL, 176 00:11:35,612 --> 00:11:37,737 AND BREAKFAST WAS EVEN BETTER. 177 00:11:37,823 --> 00:11:38,905 NICE. WALTER? 178 00:11:38,990 --> 00:11:41,032 WALTER IS SO OVER. 179 00:11:41,118 --> 00:11:42,784 IT'S JUSTIN NOW. 180 00:11:42,869 --> 00:11:43,993 AND HE IS? 181 00:11:44,079 --> 00:11:46,246 A BROKER AT GOLDMAN'S. 182 00:11:46,456 --> 00:11:47,664 JUST MET HIM 183 00:11:47,749 --> 00:11:48,832 ON MANHATTANMATCH.COM. 184 00:11:48,917 --> 00:11:50,417 OH. 185 00:11:50,502 --> 00:11:51,710 ANOTHER DATING WEBSITE, I SEE. 186 00:11:51,795 --> 00:11:53,169 THIS ONE'S FOR PEOPLE 187 00:11:53,255 --> 00:11:54,838 LOOKING FOR THEIR JEWISH SOULMATE. 188 00:11:54,923 --> 00:11:57,465 AND YOU ARE LOOKING FOR YOUR JEWISH SOULMATE? 189 00:11:57,551 --> 00:11:59,092 THIS WEEK, I AM. 190 00:11:59,177 --> 00:12:02,929 THAT'S MY CUP. 191 00:12:03,014 --> 00:12:06,975 UH, I WAS, UH, MAKING IT FOR YOU. 192 00:12:07,060 --> 00:12:09,519 OH, UH, CELIA POLASKI IS YOUR FIRST PATIENT. 193 00:12:09,604 --> 00:12:10,353 THANKS. 194 00:12:13,734 --> 00:12:14,983 WHAT'S THE POINT? 195 00:12:15,068 --> 00:12:16,735 OF WHAT? 196 00:12:16,820 --> 00:12:18,069 OF TRYING! 197 00:12:18,155 --> 00:12:19,529 IF THE CAMPBELL GALLERY 198 00:12:19,614 --> 00:12:21,740 WAS PREPARED TO SHOW YOUR WORK, 199 00:12:21,825 --> 00:12:23,575 THEN IT STANDS TO REASON THAT ANOTHER GALLERY WILL. 200 00:12:23,660 --> 00:12:25,160 CLAYTON WAS MY PATRON 201 00:12:25,245 --> 00:12:26,995 EVER SINCE I GOT OUT OF PURCHASE. 202 00:12:27,080 --> 00:12:29,622 HE WAS THE ONLY ONE THAT REALLY BELIEVED IN MY ART. 203 00:12:29,708 --> 00:12:30,665 HE WAS YOUR CHAMPION. 204 00:12:32,210 --> 00:12:33,835 YEAH, BUT HE WENT AHEAD AND DIED 205 00:12:33,920 --> 00:12:35,879 BEFORE WE COULD GET THE SHOW OFF THE GROUND. 206 00:12:35,964 --> 00:12:37,714 YOU COULD PUT A SHOW UP ON YOUR OWN. 207 00:12:37,799 --> 00:12:39,257 HOW? 208 00:12:39,342 --> 00:12:40,633 ALL YOU NEED IS A SPACE, RIGHT? 209 00:12:40,719 --> 00:12:42,385 I HAVE A FRIEND-- 210 00:12:42,471 --> 00:12:44,429 WHO HAS A BIG HOME FURNISHING STORE 211 00:12:44,514 --> 00:12:45,805 DOWN ON HOUSTON. 212 00:12:45,891 --> 00:12:48,224 MAYBE YOU COULD PUT YOUR ART UP THERE. 213 00:12:48,310 --> 00:12:51,102 I'M SURE SHE'D BE WILLING TO TAKE A LOOK AT YOUR STUFF. 214 00:12:51,188 --> 00:12:52,771 YOU KNOW WHAT, 215 00:12:52,856 --> 00:12:53,897 AFTER WE'RE FINISHED HERE, 216 00:12:53,982 --> 00:12:55,982 I'LL TEXT HER. 217 00:12:56,067 --> 00:12:57,525 WHAT IF SHE HATES THEM? 218 00:12:57,611 --> 00:13:00,028 WHAT IF SHE DOESN'T? 219 00:13:00,113 --> 00:13:01,696 YOU CAN'T GIVE UP 220 00:13:01,782 --> 00:13:03,031 ON YOUR ART. 221 00:13:03,116 --> 00:13:04,240 IT'S THE THING YOU DO BEST. 222 00:13:07,287 --> 00:13:09,037 YOU GAVE UP THE LAW, 223 00:13:09,122 --> 00:13:11,039 AND THAT WAS THE THING THAT YOU DID BEST. 224 00:13:11,124 --> 00:13:15,543 THE LAW WAS A TEMPORARY DETOUR FOR ME. 225 00:13:16,588 --> 00:13:19,214 THIS IS WHAT I LOVE. 226 00:13:19,299 --> 00:13:20,423 THIS IS WHAT I DO BEST. 227 00:13:22,052 --> 00:13:23,843 ISN'T IT? 228 00:13:26,681 --> 00:13:27,514 MAYBE. 229 00:13:27,599 --> 00:13:28,681 [CHUCKLES] 230 00:13:28,767 --> 00:13:29,891 THANKS. 231 00:13:29,976 --> 00:13:31,643 [PILLS RATTLING] 232 00:13:44,825 --> 00:13:45,907 [CELL PHONE CHIMES] 233 00:13:47,536 --> 00:13:49,661 HEY, FINCH! 234 00:13:49,746 --> 00:13:51,871 HEY, COUNSELOR! 235 00:13:51,957 --> 00:13:53,456 YOU KNOW I LIKE THAT I CAN STILL CALL YOU THAT. 236 00:13:53,542 --> 00:13:55,792 WHAT ARE YOU WORKING ON TODAY 237 00:13:55,877 --> 00:13:56,876 YOU CAN'T TELL ME ABOUT? 238 00:13:56,962 --> 00:13:58,628 SAME OLD, SAME OLD. 239 00:13:58,713 --> 00:14:01,005 KEEPING THE WORLD SAFE FOR DEMOCRACY. 240 00:14:01,091 --> 00:14:02,465 YOU OKAY? 241 00:14:04,052 --> 00:14:06,052 YEAH, JUST... 242 00:14:06,137 --> 00:14:07,345 I HAD THE DREAM AGAIN. 243 00:14:09,182 --> 00:14:11,641 I WAKE UP, AND I CAN'T BREATHE. 244 00:14:11,726 --> 00:14:15,144 I JUST FEEL HIS HANDS AROUND MY NECK, YOU KNOW? 245 00:14:15,230 --> 00:14:17,230 IT'S BEEN TWO YEARS. 246 00:14:17,315 --> 00:14:18,940 YOU'D THINK I'D BE OVER IT BY NOW. 247 00:14:19,025 --> 00:14:20,733 THE THERAPIST NEEDS A THERAPIST. 248 00:14:20,819 --> 00:14:23,069 GUESS SO. 249 00:14:23,154 --> 00:14:24,904 LISTEN, HAIL. 250 00:14:24,990 --> 00:14:25,989 WHEN CRUISE IS EXECUTED NEXT MONTH, 251 00:14:26,074 --> 00:14:27,991 YOU WILL HAVE CLOSURE. 252 00:14:29,995 --> 00:14:34,163 AT LEAST I WON'T HAVE TO SEE HIS FACE ANYMORE. 253 00:14:40,171 --> 00:14:41,880 EXCUSE ME, JUDGE CARTER? 254 00:14:43,967 --> 00:14:45,967 MR. LEONARD. 255 00:14:46,052 --> 00:14:48,845 WHAT YOU GOT THERE, MATTHEW? 256 00:14:48,930 --> 00:14:50,263 PETITION FOR A NEW TRIAL. 257 00:14:50,348 --> 00:14:52,473 I'M EATING MY LUNCH HERE, SON. 258 00:14:52,559 --> 00:14:54,309 I KNOW, SIR, AND I AM SORRY ABOUT THAT, 259 00:14:54,394 --> 00:14:55,435 BUT MY CLIENT'S LIFE IS ON THE LINE. 260 00:14:57,689 --> 00:15:00,273 ALL RIGHT, SIT DOWN. LET'S SEE IT. 261 00:15:00,358 --> 00:15:01,566 THANK YOU. 262 00:15:02,903 --> 00:15:04,360 I'M OKAY, THANK YOU. 263 00:15:24,799 --> 00:15:27,383 CRUISE. 264 00:15:27,469 --> 00:15:28,384 CRUISE! 265 00:15:28,470 --> 00:15:29,844 WHAT IS IT? 266 00:15:29,930 --> 00:15:30,637 SOMEONE TO SEE YOU. 267 00:15:33,391 --> 00:15:34,933 I'M BUSY. 268 00:15:36,686 --> 00:15:37,685 WELL... 269 00:15:37,771 --> 00:15:39,604 IS IT ENOUGH? 270 00:15:39,689 --> 00:15:41,606 YOU'RE ASKING ME MY OPINION ON MY OWN BRIEF? 271 00:15:41,691 --> 00:15:43,399 I'M ASKING IF YOU THINK THIS BOY IS INNOCENT. 272 00:15:43,485 --> 00:15:44,275 YOU KNOW I CAN'T ANSWER THAT. 273 00:15:46,321 --> 00:15:48,738 OPEN 36. 274 00:15:48,823 --> 00:15:49,864 [DOOR LOCKS BUZZ] 275 00:15:51,618 --> 00:15:52,909 LET'S GO. 276 00:15:52,994 --> 00:15:54,494 [MATT]: I BELIEVE THERE IS PROOF 277 00:15:54,579 --> 00:15:55,495 THAT THERE WAS INCONSISTENCIES 278 00:15:55,580 --> 00:15:56,996 WITH THE DNA EVIDENCE. 279 00:15:57,082 --> 00:15:58,456 HELL, THREE CASES GOT THROWN OUT 280 00:15:58,541 --> 00:16:00,124 OVER EVIDENCE THAT WAS MISHANDLED 281 00:16:00,210 --> 00:16:00,708 WITH THE EXACT SAME ATLANTA P.D. OFFICERS. 282 00:16:06,967 --> 00:16:09,092 ALL RIGHT, MATTHEW. 283 00:16:09,177 --> 00:16:10,385 GIVE ME TIME TO READ IT THROUGH. 284 00:16:10,470 --> 00:16:11,302 I'LL HAVE A DECISION 285 00:16:11,388 --> 00:16:14,847 LATER TODAY. 286 00:16:14,933 --> 00:16:16,432 THANK YOU, YOUR HONOR. 287 00:16:20,105 --> 00:16:21,396 [DOOR LOCKS BUZZ] 288 00:16:22,941 --> 00:16:24,399 I'LL SEE HIM LATER ON TODAY... 289 00:16:24,484 --> 00:16:25,400 IT'S GOING TO BE AT LEAST 90 MINUTES. 290 00:16:25,485 --> 00:16:27,485 OKAY, JENNY... 291 00:16:27,570 --> 00:16:28,486 CRUISE, 292 00:16:28,571 --> 00:16:30,947 HOW ARE YOU DOING? 293 00:16:31,032 --> 00:16:33,157 THEY DROP A NEEDLE ON ME IN THREE WEEKS-- 294 00:16:33,243 --> 00:16:35,576 HOW DO YOU THINK I'M DOING? 295 00:16:35,662 --> 00:16:37,495 OH, NOBODY TOLD YOU. 296 00:16:37,580 --> 00:16:38,538 OKAY, LISTEN-- 297 00:16:38,790 --> 00:16:40,581 NO, MAN, YOU LISTEN. 298 00:16:40,667 --> 00:16:42,417 YOU LISTEN. 299 00:16:42,502 --> 00:16:43,835 I'VE DONE EVERYTHING THAT YOU TOLD ME TO DO. 300 00:16:43,920 --> 00:16:44,627 I WAITED, I WAITED THROUGH THAT TRIAL. 301 00:16:44,713 --> 00:16:45,545 I'VE BEEN WAITING 302 00:16:45,630 --> 00:16:47,255 IN THAT STINKING CELL. 303 00:16:47,340 --> 00:16:48,047 WHY? BECAUSE YOU TOLD ME THAT EVERYTHING WOULD BE OKAY. 304 00:16:48,133 --> 00:16:49,048 THE APPEAL-- 305 00:16:49,134 --> 00:16:51,217 NO MORE TALK OF APPEALS. 306 00:16:53,638 --> 00:16:54,846 I HAVE BEEN LISTENING TO YOU 307 00:16:54,931 --> 00:16:56,180 FOR TWO YEARS, 308 00:16:56,266 --> 00:16:57,473 AND WHAT DO WE HAVE TO SHOW FOR IT? 309 00:16:57,559 --> 00:16:59,767 YOU GET YOUR FANCY LIMOUSINE, 310 00:16:59,853 --> 00:17:00,935 ME, I GET POTASSIUM CHLORIDE, 311 00:17:01,021 --> 00:17:02,228 SO DON'T YOU TALK TO ME-- 312 00:17:02,313 --> 00:17:03,980 THEY'RE NOT EXECUTING YOU. 313 00:17:06,693 --> 00:17:08,818 WHAT? 314 00:17:08,903 --> 00:17:10,528 [BAILIFF]: CRUISE, IF YOU COULD JUST SIGN HERE, 315 00:17:10,613 --> 00:17:13,322 WE'LL GET YOU PROCESSED AS QUICKLY AS POSSIBLE. 316 00:17:13,408 --> 00:17:14,782 THEY'RE LETTING YOU GO. 317 00:17:14,868 --> 00:17:15,825 YOU'RE A FREE MAN. 318 00:17:26,963 --> 00:17:28,504 [CHUCKLES IN DISBELIEF] 319 00:17:41,061 --> 00:17:41,976 WHERE IS EVERYBODY? 320 00:17:42,062 --> 00:17:44,353 WHO? 321 00:17:44,439 --> 00:17:46,898 THE TV, REPORTERS, PROTESTERS. 322 00:17:46,983 --> 00:17:49,192 NO ONE KNOWS YOU'RE GETTING OUT TODAY. 323 00:17:49,277 --> 00:17:51,611 THE COURT WENT ALONG WITH THAT? 324 00:17:51,696 --> 00:17:53,071 IT'S FOR YOU OWN SAFETY. 325 00:17:53,156 --> 00:17:55,406 WE KEEP OUT OF THE PRESS FOR A FEW DAYS, 326 00:17:55,492 --> 00:17:58,034 YOU FIND SOMEWHERE TO STAY, 327 00:17:58,119 --> 00:17:59,118 AND WE MAKE A NEW TRIAL DATE. 328 00:17:59,454 --> 00:18:00,870 THERE ARE A LOT OF PEOPLE 329 00:18:00,955 --> 00:18:01,829 WHO WOULD LIKE TO SEE YOU DEAD, CRUISE. 330 00:18:01,915 --> 00:18:02,872 RELATIVES, BOYFRIENDS. 331 00:18:02,957 --> 00:18:05,166 THEY SHOULD THANK ME. 332 00:18:05,251 --> 00:18:06,584 JUST WATCH WHAT YOU SAY. 333 00:18:06,669 --> 00:18:07,627 OKAY, REMEMBER, YOU ARE INNOCENT 334 00:18:07,712 --> 00:18:08,711 UNTIL PROVEN GUILTY, 335 00:18:08,797 --> 00:18:10,713 AGAIN. 336 00:18:12,050 --> 00:18:13,132 YOU REALLY DID IT. 337 00:18:13,218 --> 00:18:14,592 YOU GOT ME OUT. 338 00:18:14,677 --> 00:18:15,676 YEAH. 339 00:18:15,762 --> 00:18:17,512 I OWE YOU. 340 00:18:17,597 --> 00:18:19,097 YOU'RE DAMN RIGHT. 341 00:18:19,182 --> 00:18:20,765 BUT SHE OWES ME MORE. 342 00:18:20,850 --> 00:18:23,267 WAIT, WHAT ARE YOU GOING TO DO? 343 00:18:23,353 --> 00:18:25,353 DON'T YOU WORRY ABOUT THAT. 344 00:18:25,438 --> 00:18:26,437 YOU JUST GET THAT NEW TRIAL READY. 345 00:18:26,523 --> 00:18:29,065 YOU CAN'T LEAVE THE STATE. 346 00:18:29,150 --> 00:18:30,858 WAIT A MINUTE-- 347 00:18:30,985 --> 00:18:31,901 CRUISE-- 348 00:18:32,946 --> 00:18:34,445 IT'S OKAY. 349 00:18:35,824 --> 00:18:38,407 IT'S OKAY. 350 00:18:38,493 --> 00:18:39,075 IT'S OKAY! 351 00:18:47,585 --> 00:18:49,001 YOU'VE GOT A SECOND CHANCE HERE, OKAY? 352 00:18:49,087 --> 00:18:51,087 A REAL SECOND CHANCE. 353 00:18:51,172 --> 00:18:52,588 YOU HEAR ME? 354 00:18:52,674 --> 00:18:53,381 DON'T SCREW THAT UP. 355 00:18:55,969 --> 00:18:58,803 I WON'T SCREW IT UP. 356 00:19:25,915 --> 00:19:28,040 [BUS ENGINE STARTS] 357 00:19:28,126 --> 00:19:30,793 [DOOR HISSES OPEN] 358 00:19:50,690 --> 00:19:53,232 WE'LL BE STOPPING HERE FOR A SHORT BREAK IN FLORENCE. 359 00:19:53,318 --> 00:19:55,151 PLEASE KEEP YOUR TICKETS HANDY, FOLKS. 360 00:19:56,446 --> 00:19:57,361 [ENGINE STOPS] 361 00:20:21,971 --> 00:20:23,095 HI. 362 00:20:23,181 --> 00:20:24,931 [SHAKES BOX OF MATCHES] 363 00:20:25,016 --> 00:20:25,681 YOU NEED A LIGHT? 364 00:20:25,767 --> 00:20:27,516 OH, SURE. 365 00:20:29,270 --> 00:20:31,395 [STRIKES MATCH] 366 00:20:31,481 --> 00:20:33,940 WHERE YOU HEADED, UP TO RALEIGH? 367 00:20:34,025 --> 00:20:36,984 NO, MY SISTER IN OHIO. 368 00:20:37,070 --> 00:20:38,277 YOU? 369 00:20:38,363 --> 00:20:40,112 NEW YORK CITY. 370 00:20:40,198 --> 00:20:42,073 HMM. FAMILY? 371 00:20:42,158 --> 00:20:43,199 NO. NO, NO FAMILY. 372 00:20:43,284 --> 00:20:44,533 I'M AN ARTIST. 373 00:20:44,619 --> 00:20:46,285 I'VE GOT A JOB THAT I'M DOING. 374 00:20:46,371 --> 00:20:48,162 WISH I WAS GOING TO NEW YORK INSTEAD OF COLUMBUS. 375 00:20:48,248 --> 00:20:50,998 OH, GOD, YOU'D LOVE IT, YOU REALLY WOULD. 376 00:20:51,084 --> 00:20:53,876 BEAUTIFUL WOMAN LIKE YOURSELF, I THINK YOU'D FIT RIGHT IN. 377 00:20:53,962 --> 00:20:55,419 [CHUCKLING] 378 00:20:55,505 --> 00:20:56,921 MAYBE 10 YEARS AGO. 379 00:20:57,006 --> 00:20:58,214 BEFORE I HAD MY KIDS. 380 00:20:58,299 --> 00:21:00,591 NO. ARE YOU SERIOUS? 381 00:21:00,677 --> 00:21:01,467 YOU'RE KIDDING, RIGHT? 382 00:21:01,552 --> 00:21:04,178 YOU'RE BEAUTIFUL. 383 00:21:04,264 --> 00:21:05,221 I DON'T WANT TO BE INAPPROPRIATE, 384 00:21:05,306 --> 00:21:08,224 BUT THE GRACEFUL LINES 385 00:21:08,309 --> 00:21:09,433 OF YOUR NECK AND YOUR SHOULDERS IS... 386 00:21:09,519 --> 00:21:11,602 PERFECT. 387 00:21:11,688 --> 00:21:13,145 HOW ABOUT THAT? 388 00:21:13,314 --> 00:21:14,313 YOU REALLY ARE. 389 00:21:14,399 --> 00:21:16,315 YOU'RE LIKE... 390 00:21:16,401 --> 00:21:18,192 YOU'RE LIKE BOTTICELLI'S "VENUS," YOU KNOW? 391 00:21:18,278 --> 00:21:19,110 YOU KNOW BOTTICELLI? 392 00:21:19,195 --> 00:21:20,444 NO. 393 00:21:20,530 --> 00:21:21,821 OH, MY GOODNESS, HE'S AMAZING. 394 00:21:21,906 --> 00:21:22,571 WHAT YOU'RE SAYING SOUNDS GREAT. 395 00:21:22,657 --> 00:21:24,115 KEEP GOING. 396 00:21:24,200 --> 00:21:25,574 KEEP GOING. 397 00:21:25,743 --> 00:21:26,993 [GASPS IN FRIGHT] 398 00:21:28,830 --> 00:21:30,621 [MUFFLED SHOUTS] 399 00:21:32,500 --> 00:21:34,750 [CALLING OUT] 400 00:21:34,836 --> 00:21:37,211 [CHOKING AND GASPING] 401 00:21:37,297 --> 00:21:38,004 YOU THINK YOU CAN KILL MY ART, YOU BITCH? 402 00:21:38,131 --> 00:21:39,380 HUH? 403 00:21:39,465 --> 00:21:40,298 YOU THINK YOU CAN-- 404 00:21:40,383 --> 00:21:42,300 MY WORK! 405 00:21:42,385 --> 00:21:43,426 MY ART'S ETERNAL, YOU UNDERSTAND THAT? 406 00:21:43,511 --> 00:21:45,219 [CHOKING] 407 00:21:45,305 --> 00:21:47,555 DON'T YOU UNDERSTAND THAT? DON'T YOU UNDERSTAND THAT? 408 00:21:47,640 --> 00:21:48,806 WHY WON'T YOU TRY-- 409 00:21:48,891 --> 00:21:49,598 [BUS HORN BLARES, MUFFLING SCREAM] 410 00:21:49,684 --> 00:21:51,475 [DAYDREAM FADES] 411 00:21:51,561 --> 00:21:52,476 WHAT? 412 00:21:52,562 --> 00:21:53,853 I SAID, "KEEP GOING." 413 00:21:53,938 --> 00:21:57,023 OH. YES. 414 00:21:57,108 --> 00:21:58,441 ARE YOU ALL RIGHT? 415 00:22:05,533 --> 00:22:05,990 THANKS. 416 00:22:13,750 --> 00:22:14,999 SHE'S DONE IT AGAIN. 417 00:22:15,084 --> 00:22:18,669 I THOUGHT THE INTERVIEW WAS GOING WELL, 418 00:22:18,755 --> 00:22:20,212 BUT THEN I HEAR MY SISTER'S VOICE IN MY HEAD. 419 00:22:20,298 --> 00:22:22,757 "YOU'LL SCREW IT UP, 420 00:22:22,842 --> 00:22:24,133 YOU ALWAYS DO." 421 00:22:24,218 --> 00:22:26,635 AND I DID. 422 00:22:26,721 --> 00:22:29,055 AND THERE WAS TAMMY, GLOATING. 423 00:22:33,353 --> 00:22:34,352 WHAT? 424 00:22:36,647 --> 00:22:38,022 I WANT TO YOU TO APOLOGIZE TO TAMMY. 425 00:22:38,107 --> 00:22:40,316 WHAT? 426 00:22:40,401 --> 00:22:43,069 I HAVEN'T DONE ANYTHING TO HER. 427 00:22:43,154 --> 00:22:45,613 SHE RUINED MY WHOLE CHILDHOOD. 428 00:22:45,698 --> 00:22:47,239 WHAT DO I HAVE TO APOLOGIZE TO HER FOR? 429 00:22:47,325 --> 00:22:49,950 SHE MAY HAVE MADE YOUR CHILDHOOD TERRIBLE, 430 00:22:50,036 --> 00:22:51,911 BUT IT'S YOU WHO'S GIVING THOSE MEMORIES 431 00:22:51,996 --> 00:22:52,912 SO MUCH CONTROL 432 00:22:52,997 --> 00:22:54,830 OVER YOUR LIFE TODAY. 433 00:22:54,916 --> 00:22:55,623 I MEAN, IT'S JUST CREATED A WEDGE 434 00:22:55,708 --> 00:22:57,666 BETWEEN YOU TWO. 435 00:22:57,752 --> 00:23:00,378 THOSE KIDS DON'T EXIST ANYMORE. 436 00:23:00,463 --> 00:23:01,796 YOU CAN'T LET YOUR PAST 437 00:23:01,881 --> 00:23:04,965 HAVE THIS MUCH POWER OVER YOU NOW. 438 00:23:10,014 --> 00:23:10,805 I'LL TRY. 439 00:23:12,683 --> 00:23:16,560 THAT'S ALL YOU CAN DO. 440 00:23:16,646 --> 00:23:18,521 LET ME KNOW HOW IT GOES. 441 00:23:21,442 --> 00:23:23,484 [♪♪♪] 442 00:24:02,483 --> 00:24:03,566 [CHAINS BREAK] 443 00:24:19,917 --> 00:24:21,000 [REBAR WHOOSHES THROUGH THE AIR] 444 00:24:21,085 --> 00:24:22,877 [REBAR CLATTERING DISTANTLY] 445 00:24:42,315 --> 00:24:44,940 PERFECT. 446 00:24:45,026 --> 00:24:47,401 [TYPING RAPIDLY] 447 00:24:52,325 --> 00:24:54,742 YOU HAVE ONE MORE TO SEE TODAY. 448 00:24:54,827 --> 00:24:55,951 WHAT? 449 00:24:56,037 --> 00:24:56,744 NO, I DON'T HAVE ANYBODY ELSE-- 450 00:24:56,829 --> 00:24:58,329 6'1", 185 POUNDS, 451 00:24:58,414 --> 00:24:59,747 BROWN HAIR, 452 00:24:59,832 --> 00:25:00,664 BLUE EYES... 453 00:25:00,750 --> 00:25:02,458 -DOCTOR. -DOCTOR. 454 00:25:02,543 --> 00:25:03,250 READY TO GET SWEATY? 455 00:25:03,336 --> 00:25:04,418 OH, YEAH. 456 00:25:24,690 --> 00:25:26,440 ...SO LITTLE LEXI REICE SAYS, 457 00:25:26,526 --> 00:25:27,691 "I KNOW, THAT'S WHY I DO IT!" 458 00:25:27,777 --> 00:25:28,526 AND SHE LAUNCHES HER ELASTIC BANDS 459 00:25:28,611 --> 00:25:29,610 FROM HER BRACES 460 00:25:29,695 --> 00:25:31,612 ACROSS THE ROOM, 461 00:25:31,697 --> 00:25:33,531 HITTING HER BROTHER, MAX, RIGHT IN THE SIDE OF THE HEAD. 462 00:25:33,616 --> 00:25:35,533 OH, HE'S GOING TO BE IN THERAPY. 463 00:25:35,618 --> 00:25:37,493 I'M SURE A LOT OF FUTURE THERAPY PATIENTS 464 00:25:37,620 --> 00:25:39,537 GET THEIR START IN THE DENTIST'S CHAIR. 465 00:25:39,622 --> 00:25:41,789 YEAH, GETTING MY PATIENTS TO TALK 466 00:25:41,874 --> 00:25:43,582 IS SOMETIMES LIKE PULLING TEETH. 467 00:25:43,668 --> 00:25:45,876 CAREFUL, I'LL TELL MY UNION. 468 00:25:45,962 --> 00:25:47,545 AT LEAST I DON'T HAVE TO SEDATE MY PATIENTS. 469 00:25:47,630 --> 00:25:49,588 WELL, OFTEN. 470 00:25:49,674 --> 00:25:50,506 [CELL PHONE RINGS] 471 00:25:50,591 --> 00:25:51,674 OKAY, HANG ON. 472 00:25:51,759 --> 00:25:53,384 PATIENT EMERGENCY? 473 00:25:53,469 --> 00:25:54,927 UH, NO, IT'S DANA. 474 00:25:55,012 --> 00:25:57,429 "HOW IS IT GOING?" 475 00:25:57,515 --> 00:25:58,973 SHE'S VERY CONCERNED ABOUT MY SOCIAL LIFE. 476 00:26:00,268 --> 00:26:01,308 HOLD ON. 477 00:26:01,394 --> 00:26:02,476 SHOELACE UNTIED. 478 00:26:02,562 --> 00:26:03,519 [LACE SNAPS] 479 00:26:03,604 --> 00:26:04,311 UGH. 480 00:26:04,438 --> 00:26:06,772 DAMN. 481 00:26:06,857 --> 00:26:07,398 [HAILEY SCREAMS] FINCH! 482 00:26:07,483 --> 00:26:08,983 [CHOKING] 483 00:26:09,068 --> 00:26:10,359 HOW ABOUT I SEND YOU TO HELL FIRST? 484 00:26:13,698 --> 00:26:14,530 WHAT'S WRONG? 485 00:26:14,615 --> 00:26:18,325 UH, NOTHING. 486 00:26:18,411 --> 00:26:20,202 I JUST GOT A REALLY BAD HEADACHE. 487 00:26:20,288 --> 00:26:20,828 CAN WE CALL IT A NIGHT? 488 00:26:22,123 --> 00:26:24,373 YEAH. OKAY. 489 00:26:24,458 --> 00:26:26,542 TAMMY? 490 00:26:29,171 --> 00:26:30,212 I DIDN'T WAKE YOU UP, DID I? 491 00:26:30,298 --> 00:26:32,798 NO, I'M NOT IN ANY TROUBLE. 492 00:26:32,883 --> 00:26:33,716 I... 493 00:26:33,801 --> 00:26:35,551 I DON'T NEED MONEY. 494 00:26:35,636 --> 00:26:40,222 LISTEN, I JUST WANTED TO SAY SOMETHING TO YOU. 495 00:26:40,308 --> 00:26:43,183 I'M SORRY. 496 00:26:43,269 --> 00:26:46,604 FOR WHAT? 497 00:26:46,689 --> 00:26:50,024 FOR EVERYTHING. 498 00:26:50,109 --> 00:26:54,820 FOR BLAMING YOU FOR EVERYTHING THAT'S GONE WRONG IN MY LIFE. 499 00:26:56,157 --> 00:26:57,197 [LAUGHS] 500 00:26:57,283 --> 00:26:59,575 NO, I HAVEN'T BEEN DRINKING. 501 00:26:59,660 --> 00:27:04,371 I'M SERIOUS. 502 00:27:04,457 --> 00:27:08,542 I LOVE YOU, 503 00:27:08,628 --> 00:27:10,336 AND I JUST WANT US TO BE SISTERS AGAIN, 504 00:27:10,421 --> 00:27:12,504 THAT'S ALL. 505 00:27:16,969 --> 00:27:21,889 SO I'LL SEE YOU AT MOM'S ON SATURDAY, RIGHT? 506 00:27:24,185 --> 00:27:25,267 [CHUCKLES] 507 00:27:25,353 --> 00:27:26,226 YES, I'LL BE THERE THIS TIME. 508 00:27:28,689 --> 00:27:30,272 [BEEPS PHONE OFF] 509 00:27:30,358 --> 00:27:31,690 [DIALS NEW NUMBER] 510 00:27:31,776 --> 00:27:34,401 [CHUCKLES HAPPILY] 511 00:27:34,487 --> 00:27:35,402 [HAILEY'S VOICEMAIL]: YOU HAVE REACHED 512 00:27:35,488 --> 00:27:36,570 MID-TOWN THERAPY. 513 00:27:36,656 --> 00:27:38,197 THE OFFICE IS CLOSED. 514 00:27:38,282 --> 00:27:39,698 PLEASE LEAVE A MESSAGE. 515 00:27:39,784 --> 00:27:40,824 DOCTOR DEAN? 516 00:27:40,910 --> 00:27:42,368 HAILEY? 517 00:27:42,453 --> 00:27:44,578 I DID WHAT YOU SAID, AND... 518 00:27:44,664 --> 00:27:46,538 [LAUGHING] 519 00:27:46,624 --> 00:27:47,623 I CAN'T BELIEVE HOW GOOD I FEEL RIGHT NOW. 520 00:27:48,876 --> 00:27:49,667 [SCREAMING IN TERROR] 521 00:27:49,752 --> 00:27:50,834 [MUFFLED CRIES] 522 00:27:50,920 --> 00:27:53,337 [CHOKING AND STRUGGLING] 523 00:27:58,552 --> 00:27:59,218 [MELISSA FALLS SILENT] 524 00:28:12,733 --> 00:28:15,067 [SHUTTER CLICKS] 525 00:28:45,349 --> 00:28:46,598 MORNING! 526 00:28:46,684 --> 00:28:47,975 HEY. 527 00:28:48,060 --> 00:28:48,684 HOW WAS YOUR RUN? 528 00:28:48,769 --> 00:28:49,643 IT WAS GOOD. 529 00:28:49,729 --> 00:28:50,602 YOU TEXTED ME LAST NIGHT. 530 00:28:50,688 --> 00:28:52,020 WHAT WAS GOING ON? 531 00:28:52,106 --> 00:28:53,814 I WAS OUT AT FINNEGAN'S WITH JUSTIN 532 00:28:53,899 --> 00:28:54,773 AND NEEDED A RESCUE. 533 00:28:54,859 --> 00:28:56,734 IT'S NOT GOING WELL? 534 00:28:56,819 --> 00:28:58,152 ALL HE COULD TALK ABOUT 535 00:28:58,237 --> 00:28:59,570 WAS HIS ACTION FIGURE COLLECTION. 536 00:28:59,655 --> 00:29:00,654 ON TO THE NEXT! 537 00:29:00,823 --> 00:29:01,530 GOOD ATTITUDE. 538 00:29:04,201 --> 00:29:05,701 HOLD ON. 539 00:29:05,786 --> 00:29:07,703 YOU WERE THE LAST ONE OUT LAST NIGHT, RIGHT? 540 00:29:07,788 --> 00:29:11,373 I TOTALLY LOCKED IT. 541 00:29:15,963 --> 00:29:17,713 OH, MY GOD. 542 00:29:19,675 --> 00:29:22,926 OKAY, DON'T TOUCH ANYTHING. 543 00:29:23,012 --> 00:29:24,720 -WHAT'S GOING ON? -WE'VE BEEN BROKEN INTO. 544 00:29:24,805 --> 00:29:26,472 I LOCKED IT WHEN I LEFT, I SWEAR-- 545 00:29:26,557 --> 00:29:27,890 OKAY, 546 00:29:27,975 --> 00:29:29,057 JUST CALL THE POLICE. 547 00:29:39,612 --> 00:29:41,195 HEY. 548 00:29:41,280 --> 00:29:42,529 YOU GOING TO BE ALL RIGHT? 549 00:29:42,615 --> 00:29:43,864 YEAH, I'M GOOD. GO AHEAD AND GO. 550 00:29:43,949 --> 00:29:44,865 I KNOW YOU HAVE PATIENTS WAITING. 551 00:29:44,950 --> 00:29:47,075 LOOK, ABOUT LAST NIGHT. 552 00:29:47,161 --> 00:29:48,035 I'M SORRY IF I SAID ANYTHING THAT UPSET YOU-- 553 00:29:48,120 --> 00:29:50,537 NO, YOU WERE GREAT. 554 00:29:50,623 --> 00:29:52,998 IT'S JUST... HEADACHES, 555 00:29:53,083 --> 00:29:54,041 AND THE WEATHER CHANGE KIND OF MADE IT WORSE. 556 00:29:54,210 --> 00:29:55,542 ALL RIGHT. 557 00:29:55,628 --> 00:29:57,461 WELL, IF YOU NEED ME, YOU KNOW WHERE I AM. 558 00:29:57,546 --> 00:29:59,213 JUST ACROSS THE HALL, TORTURING CHILDREN. 559 00:29:59,298 --> 00:30:00,506 CORRECT. JUST FOLLOW THE SCREAMING. 560 00:30:03,552 --> 00:30:05,135 THANKS. 561 00:30:05,763 --> 00:30:06,845 BOSS? 562 00:30:07,056 --> 00:30:08,514 YEAH? 563 00:30:08,599 --> 00:30:11,517 THESE GENTLEMEN ARE HERE TO SEE YOU. 564 00:30:11,602 --> 00:30:13,060 OH, TWO DETECTIVES. 565 00:30:13,145 --> 00:30:14,978 I MUST RATE. 566 00:30:15,064 --> 00:30:16,647 I'M SORRY, HAVE WE MET BEFORE? 567 00:30:16,732 --> 00:30:18,357 UH, NO. 568 00:30:18,442 --> 00:30:20,567 I'VE JUST WORKED AROUND DETECTIVES 569 00:30:20,653 --> 00:30:21,235 LONG ENOUGH TO KNOW WHAT YOU LOOK LIKE. 570 00:30:21,320 --> 00:30:23,111 REALLY? 571 00:30:23,197 --> 00:30:25,030 I DIDN'T THINK WE WERE THAT OBVIOUS. 572 00:30:25,115 --> 00:30:27,115 YOU CAN'T HELP IT. 573 00:30:27,409 --> 00:30:29,868 OKAY, SO I CAME IN AROUND 8:45, 574 00:30:29,954 --> 00:30:31,286 SAW THE PLACE WAS TOSSED. 575 00:30:31,372 --> 00:30:33,413 THE FRONT DOOR WAS OPEN, IT WAS UNLOCKED-- 576 00:30:33,499 --> 00:30:35,290 UH, SORRY, EXCUSE ME. 577 00:30:35,376 --> 00:30:36,291 WE DIDN'T COME HERE FOR THAT. 578 00:30:36,377 --> 00:30:38,460 THEN WHY ARE YOU HERE? 579 00:30:40,589 --> 00:30:42,297 UM... [CLEARS THROAT AWKWARDLY] 580 00:30:42,383 --> 00:30:43,340 DO YOU MIND IF WE TALK ALONE FOR A MINUTE, PLEASE? 581 00:30:44,969 --> 00:30:46,176 I'LL BE AT MY DESK. 582 00:30:46,262 --> 00:30:47,719 NOT TOUCHING ANYTHING. 583 00:30:47,805 --> 00:30:49,429 OKAY, WHAT DO YOU WANT, DETECTIVE..? 584 00:30:49,515 --> 00:30:50,848 KOLKER. ETHAN KOLKER, 585 00:30:50,933 --> 00:30:52,558 MID-TOWN DIVISION. 586 00:30:52,643 --> 00:30:54,101 UH, MISS DEAN, 587 00:30:54,186 --> 00:30:55,102 A WOMAN WAS FOUND DEAD THIS MORNING 588 00:30:55,187 --> 00:30:57,646 IN THE EAST SIDE PARK. 589 00:30:57,731 --> 00:30:59,231 I'M SORRY TO TELL YOU THIS, 590 00:30:59,316 --> 00:31:01,066 BUT THE VICTIM WAS YOUR PATIENT, MELISSA EVERETT. 591 00:31:01,151 --> 00:31:02,609 WHAT? 592 00:31:04,989 --> 00:31:05,737 HOW? 593 00:31:05,823 --> 00:31:06,989 WELL, 594 00:31:07,074 --> 00:31:08,156 DO YOU REALLY-- 595 00:31:08,242 --> 00:31:09,825 NO, I'D LIKE TO KNOW. HOW? 596 00:31:09,910 --> 00:31:12,703 SHE WAS STRANGLED. 597 00:31:17,585 --> 00:31:18,834 WHO WOULD WANT TO KILL MELISSA? 598 00:31:18,919 --> 00:31:21,295 WELL, WE WERE, UH, 599 00:31:21,380 --> 00:31:24,006 KIND OF HOPING YOU MIGHT HAVE A LITTLE INSIGHT. 600 00:31:24,091 --> 00:31:27,593 THE LAST ITEM IN HER DATE BOOK WAS AN APPOINTMENT WITH YOU. 601 00:31:27,678 --> 00:31:29,386 DID YOU HAPPEN TO SEE HER AFTER THAT? 602 00:31:29,471 --> 00:31:30,387 NO. MM-MM. 603 00:31:32,600 --> 00:31:33,932 YOUR OFFICE WAS ALSO THE LAST NUMBER 604 00:31:34,018 --> 00:31:35,100 CALLED FROM HER CELL PHONE. 605 00:31:36,937 --> 00:31:39,688 DO YOU MIND? 606 00:31:42,568 --> 00:31:45,027 [BEEPS PLAYBACK BUTTON] 607 00:31:45,112 --> 00:31:46,862 [MACHINE VOICE]: YOU HAVE ONE NEW MESSAGE. 608 00:31:46,947 --> 00:31:48,280 [BEEP] 609 00:31:48,365 --> 00:31:49,990 [MELISSA]: DR. DEAN? HAILEY? 610 00:31:50,075 --> 00:31:52,117 I DID WHAT YOU SAID, AND... 611 00:31:52,202 --> 00:31:53,827 [LAUGHS GIDDILY] 612 00:31:53,913 --> 00:31:55,996 I CAN'T BELIEVE HOW GOOD I FEEL RIGHT NOW. 613 00:31:57,625 --> 00:31:59,041 [SCREAMS OF TERROR] 614 00:31:59,126 --> 00:32:01,043 [STATIC CRACKLING] 615 00:32:01,128 --> 00:32:02,377 [BEEP] 616 00:32:02,463 --> 00:32:03,003 [CLEARS THROAT AWKWARDLY] 617 00:32:03,088 --> 00:32:04,671 UH... 618 00:32:04,757 --> 00:32:06,840 DO YOU HAVE ANY IDEA WHAT WAS SHE TALKING ABOUT? 619 00:32:06,926 --> 00:32:08,508 WHAT WAS THAT THING THAT YOU ASKED HER TO DO? 620 00:32:08,594 --> 00:32:09,176 IF YOU DON'T MIND. 621 00:32:10,721 --> 00:32:12,179 IT WAS JUST PART OF HER THERAPY. 622 00:32:12,264 --> 00:32:14,056 YOU KNOW THAT I DON'T HAVE TO GIVE YOU 623 00:32:14,141 --> 00:32:15,807 ANY INFORMATION WITHOUT A SUBPOENA. 624 00:32:15,893 --> 00:32:17,184 YEAH, I-I KNOW. 625 00:32:17,311 --> 00:32:18,852 DOCTOR-PATIENT PRIVILEGE. 626 00:32:18,938 --> 00:32:21,396 I WAS JUST KIND OF HOPING YOU'D SPARE ME THAT. 627 00:32:21,482 --> 00:32:24,483 BUT, ALL RIGHT, JUST THE FACTS, THEN. 628 00:32:24,568 --> 00:32:26,234 WHAT TIME DID SHE LEAVE HERE, DO YOU KNOW? 629 00:32:26,362 --> 00:32:28,195 NO, UH... 630 00:32:28,280 --> 00:32:31,448 IT WILL BE ON MY CLIENT CALENDAR. 631 00:32:31,533 --> 00:32:32,491 WHICH IS MISSING. 632 00:32:32,576 --> 00:32:33,784 I HAVE... 633 00:32:34,078 --> 00:32:35,827 PATIENT FILES... 634 00:32:37,790 --> 00:32:38,288 SOME OF THEM ARE MISSING. 635 00:32:39,541 --> 00:32:40,123 MISS EVERETT'S? 636 00:32:45,339 --> 00:32:47,214 YEAH. 637 00:32:47,299 --> 00:32:48,090 SO ITS POSSIBLE THAT THE PERSON THAT BROKE IN HERE 638 00:32:48,175 --> 00:32:49,257 WANTED THAT FILE. 639 00:32:51,428 --> 00:32:52,886 DO YOU HAVE ANY BACK-UPS? 640 00:32:52,972 --> 00:32:56,014 I HAVE PERSONAL NOTES AT HOME. 641 00:32:56,100 --> 00:32:57,391 I COULD GO THROUGH THEM 642 00:32:57,476 --> 00:32:58,767 AND SEE IF THERE'S ANYTHING IN THERE 643 00:32:58,852 --> 00:32:59,977 THAT COULD HELP YOU. 644 00:33:00,062 --> 00:33:00,936 OKAY. ALL RIGHT. 645 00:33:01,021 --> 00:33:02,604 THANK YOU. 646 00:33:02,690 --> 00:33:04,564 HERE. 647 00:33:04,650 --> 00:33:06,149 MY OFFICE E-MAIL'S ON THERE. 648 00:33:06,235 --> 00:33:07,693 SO, UH, LET ME KNOW IF YOU FIND ANYTHING. 649 00:33:09,989 --> 00:33:11,697 THANK YOU. 650 00:33:13,325 --> 00:33:15,784 MY GOD. 651 00:33:15,869 --> 00:33:17,452 MELISSA. 652 00:33:17,538 --> 00:33:18,078 WHO WOULD DO SOMETHING LIKE THAT. 653 00:33:18,163 --> 00:33:19,997 WHY HER? 654 00:33:20,082 --> 00:33:22,916 I WISH I KNEW. 655 00:34:50,297 --> 00:34:51,046 [CHOKING] 656 00:34:51,131 --> 00:34:53,256 [GASPS IN FRIGHT] 657 00:34:53,342 --> 00:34:54,549 [BREATHING HEAVILY] 658 00:35:17,407 --> 00:35:18,448 WHAT IS THIS? 659 00:35:18,534 --> 00:35:20,033 NAMES AND ADDRESSES 660 00:35:20,119 --> 00:35:21,952 OF MY PATIENTS WHOSE FILES ARE MISSING. 661 00:35:23,497 --> 00:35:24,454 WHAT ABOUT THE FILES? 662 00:35:26,542 --> 00:35:27,707 YOU'RE LUCKY I GAVE YOU THAT MUCH INFORMATION 663 00:35:27,793 --> 00:35:28,959 WITHOUT THEIR PERMISSION. 664 00:35:29,044 --> 00:35:31,753 [CLEARS THROAT] 665 00:35:31,839 --> 00:35:34,047 SO, WHY DID YOU? 666 00:35:34,133 --> 00:35:35,924 BECAUSE I'M WORRIED ABOUT THEIR SAFETY. 667 00:35:36,009 --> 00:35:37,676 WHAT ARE YOU GOING TO DO ABOUT THAT? 668 00:35:37,761 --> 00:35:39,052 UH... 669 00:35:39,138 --> 00:35:41,221 WHAT WOULD YOU LIKE ME TO DO? 670 00:35:41,306 --> 00:35:43,390 I'D LIKE YOU TO POST MEN OUTSIDE MY OFFICE, 671 00:35:43,475 --> 00:35:44,641 THEIR HOMES. 672 00:35:44,726 --> 00:35:47,102 OKAY, I'LL SEE WHAT I CAN DO. 673 00:35:47,187 --> 00:35:48,812 GOOD. 674 00:35:48,897 --> 00:35:50,355 DID YOU, UH, GET A CHANCE 675 00:35:50,440 --> 00:35:51,648 TO LOOK AT YOUR PERSONAL FILES? 676 00:35:51,733 --> 00:35:53,316 DID YOU COME UP WITH ANY IDEAS 677 00:35:53,402 --> 00:35:55,026 ON WHO MIGHT HAVE WANTED TO KILL MISS EVERETT? 678 00:35:55,112 --> 00:35:56,194 YES, I LOOKED THROUGH MY NOTES. 679 00:35:56,280 --> 00:35:59,030 SHE NEVER MENTIONED ANYTHING 680 00:35:59,116 --> 00:36:00,073 ABOUT A CONFLICT OR A GRUDGE WITH ANYBODY. 681 00:36:00,159 --> 00:36:01,449 EXCEPT HER SISTER. 682 00:36:01,535 --> 00:36:04,911 SO, SHE HAD A FIGHT WITH HER SISTER? 683 00:36:04,997 --> 00:36:06,413 NO, SHE WAS JUST WORKING THROUGH 684 00:36:06,498 --> 00:36:08,623 SOME CHILDHOOD ISSUES. 685 00:36:08,709 --> 00:36:11,459 WHAT ABOUT YOU GUYS, HAVE YOU COME UP WITH ANY LEADS? 686 00:36:11,545 --> 00:36:12,669 [CLEARS THROAT AWKWARDLY] 687 00:36:12,838 --> 00:36:15,005 WE'RE, UH... 688 00:36:15,090 --> 00:36:15,797 YOU KNOW, WE'RE WORKING ON A... WORKING ON A THEORY. 689 00:36:19,511 --> 00:36:20,385 YOU LIKE ME FOR THIS, 690 00:36:20,512 --> 00:36:22,137 DON'T YOU? 691 00:36:22,222 --> 00:36:23,763 EXCUSE ME? WHAT ARE YOU TALKING ABOUT? 692 00:36:23,849 --> 00:36:25,473 YOU KNOW EXACTLY WHAT I'M TALKING ABOUT. 693 00:36:25,559 --> 00:36:27,184 YOU THINK I KILLED MELISSA. 694 00:36:27,269 --> 00:36:29,394 IS THERE ANY REASON WHY I SHOULD THINK THAT? 695 00:36:29,479 --> 00:36:32,689 WHY WOULD I DO THAT? 696 00:36:32,774 --> 00:36:34,649 I DON'T KNOW. I'M NOT A PSYCHOLOGIST. 697 00:36:34,735 --> 00:36:37,569 YOU'RE NOT MUCH OF A DETECTIVE, EITHER. 698 00:36:37,654 --> 00:36:39,905 HEY. NOW, THERE'S NO NEED FOR THAT. 699 00:36:39,990 --> 00:36:41,072 YOU JUST ACCUSED ME OF KILLING A PATIENT, 700 00:36:41,158 --> 00:36:42,449 A FRIEND! 701 00:36:42,534 --> 00:36:43,950 I'VE DONE NO SUCH THING. 702 00:36:44,036 --> 00:36:44,868 I'M MERELY DOING MY JOB. 703 00:36:44,953 --> 00:36:46,536 THAT'S ALL. 704 00:36:46,622 --> 00:36:48,121 YOU, OF ALL, SHOULD KNOW I'D BE REMISS 705 00:36:48,207 --> 00:36:50,248 IF I DIDN'T FOLLOW UP ON EVERY POSSIBILITY. 706 00:36:52,336 --> 00:36:54,336 [SIGHING] 707 00:36:54,421 --> 00:36:55,837 LOOK, IF, UH, 708 00:36:55,923 --> 00:36:57,339 IF YOU CAN THINK OF ANYTHING ELSE 709 00:36:57,424 --> 00:36:58,924 YOU MIGHT HAVE FORGOTTEN... 710 00:36:59,009 --> 00:37:01,760 YEAH, I'LL CALL YOU. 711 00:37:01,845 --> 00:37:03,303 I'D LIKE TO BE KEPT IN THE LOOP ON THIS, DETECTIVE. 712 00:37:03,388 --> 00:37:05,055 OF COURSE. I'LL BE IN TOUCH. 713 00:37:05,140 --> 00:37:06,932 GOOD. 714 00:37:27,120 --> 00:37:27,911 HI. 715 00:37:31,124 --> 00:37:32,207 HI. 716 00:37:32,292 --> 00:37:34,459 WE NEED TO TALK. 717 00:37:36,004 --> 00:37:38,171 HAILEY, THE POLICE HAVE BEEN HERE. 718 00:37:38,257 --> 00:37:39,714 WHAT DID THEY TELL YOU? 719 00:37:39,800 --> 00:37:41,591 THEY SAID A PATIENT OF YOURS WAS KILLED, 720 00:37:41,677 --> 00:37:42,801 THAT IT MIGHT BE CONNECTED 721 00:37:42,886 --> 00:37:44,344 TO A BREAK-IN AT YOUR OFFICE, 722 00:37:44,429 --> 00:37:45,679 THAT FILES WERE TAKEN, INCLUDING MINE. 723 00:37:45,764 --> 00:37:46,805 HER NAME WAS MELISSA. 724 00:37:46,890 --> 00:37:48,807 I TOLD THEM, JUST A DAY AGO, 725 00:37:48,892 --> 00:37:49,808 I THOUGHT I SAW HER LEAVING YOUR OFFICE AS I WAS COMING IN. 726 00:37:49,893 --> 00:37:51,434 THE DAY BEFORE SHE... 727 00:37:51,520 --> 00:37:53,144 [FIGHTING TEARS] 728 00:37:53,355 --> 00:37:55,480 AM I A TERRIBLE PERSON BECAUSE I WAS WORRIED 729 00:37:55,565 --> 00:37:57,107 IT COULD HAVE BEEN ME? 730 00:37:57,192 --> 00:37:58,400 IF SOMEONE'S COMING AFTER YOUR PATIENTS, 731 00:37:58,485 --> 00:38:00,443 THEY HAVE MY FILE, TOO. 732 00:38:00,529 --> 00:38:02,237 CELIA, THAT DOES NOT MEAN 733 00:38:02,322 --> 00:38:03,280 THAT ANYTHING IS GOING TO HAPPEN TO YOU. 734 00:38:03,365 --> 00:38:05,448 BUT IT COULD. 735 00:38:05,534 --> 00:38:07,117 I DON'T HAVE ANY MONEY TO LEAVE TOWN. 736 00:38:07,327 --> 00:38:08,576 WHAT AM I SUPPOSED TO DO? 737 00:38:08,662 --> 00:38:09,953 LISTEN TO ME, 738 00:38:10,038 --> 00:38:11,871 YOU CANNOT LIVE YOUR LIFE IN FEAR, OKAY? 739 00:38:11,957 --> 00:38:13,456 THINGS LIKE THAT DON'T JUST HAPPEN. 740 00:38:13,542 --> 00:38:16,376 THEY DO. 741 00:38:16,461 --> 00:38:19,546 THEY HAPPEN ALL THE TIME, HAILEY. 742 00:39:00,630 --> 00:39:03,798 [♪♪♪] 743 00:39:39,878 --> 00:39:41,252 [CROWD MURMURING IN CONCERN] 744 00:39:41,463 --> 00:39:42,670 [SIREN WAILS] 745 00:40:00,440 --> 00:40:01,940 MISS DEAN? 746 00:40:02,025 --> 00:40:02,232 I'M SO SORRY, BUT THERE'S BEEN A SHOOTING. 747 00:40:42,649 --> 00:40:43,857 [SOBBING QUIETLY] 748 00:40:49,322 --> 00:40:50,905 OKAY, BRING IN YOUR ART, 749 00:40:50,991 --> 00:40:53,450 AND WE'LL PUT UP A DISPLAY NEXT WEEK. 750 00:40:53,535 --> 00:40:54,826 OKAY. 751 00:40:54,911 --> 00:40:55,368 THANK YOU. 752 00:41:05,505 --> 00:41:06,254 [CAR SPEEDING, HORN BLARES] 753 00:41:06,339 --> 00:41:08,590 HEY! 754 00:41:15,599 --> 00:41:16,890 [MUFFLED SCREAMS] 755 00:41:16,975 --> 00:41:18,224 IT'S OKAY, IT'S OKAY, IT'S OKAY. 756 00:41:18,310 --> 00:41:20,518 IT'S OKAY. SHH... 757 00:41:20,604 --> 00:41:21,561 NO, NO, NO, NO.... 758 00:41:21,646 --> 00:41:23,146 [CHOKING] 759 00:41:23,231 --> 00:41:25,440 IT'S OKAY, IT'S OKAY, IT'S OKAY. 760 00:41:25,525 --> 00:41:26,649 SHH. SHH. IT'S OKAY... 761 00:41:26,735 --> 00:41:29,027 IT'S OKAY. IT'S OKAY... 762 00:41:29,112 --> 00:41:31,446 SHH, IT'S OKAY. 763 00:41:31,531 --> 00:41:33,490 SHH, SHH. NO, NO, NO. 764 00:41:33,575 --> 00:41:35,700 [HUSHING AND SHUSHING AS CELIA FALLS SILENT AND DIES] 765 00:41:50,634 --> 00:41:51,799 [SHUTTER CLICKING] 766 00:42:11,446 --> 00:42:13,071 I DIDN'T SEE YOU AROUND THE OFFICE ALL DAY. 767 00:42:13,156 --> 00:42:14,447 YEAH, I CANCELED MY APPOINTMENTS. 768 00:42:14,533 --> 00:42:16,908 I WENT TO SOME OF MY PATIENTS' HOMES, 769 00:42:16,993 --> 00:42:19,744 THE ONES WHOSE FILES WERE TAKEN. 770 00:42:19,829 --> 00:42:21,538 HOW DID THAT GO? 771 00:42:21,623 --> 00:42:23,915 WELL, THE MEN ALL WANTED REFERRALS FOR NEW THERAPISTS, 772 00:42:24,000 --> 00:42:25,667 BUT THE WOMEN ARE STICKING WITH ME. 773 00:42:26,836 --> 00:42:28,419 THAT'S GREAT. 774 00:42:30,590 --> 00:42:33,466 HAILEY, ARE YOU DOING OKAY? 775 00:42:37,097 --> 00:42:38,972 ADAM, YOU KNOW WHEN WE FIRST MET, 776 00:42:39,057 --> 00:42:40,807 I TOLD YOU THERE WERE SOME THINGS 777 00:42:40,892 --> 00:42:41,724 THAT I DIDN'T WANT TO TALK ABOUT? 778 00:42:41,810 --> 00:42:43,768 YOU DON'T HAVE TO. 779 00:42:43,853 --> 00:42:44,602 YOU KNOW YOU NEVER HAVE TO DO ANYTHING YOU DON'T WANT TO. 780 00:42:44,688 --> 00:42:46,104 NO. I HAVE TO. 781 00:42:46,189 --> 00:42:48,356 I... 782 00:42:50,986 --> 00:42:54,153 I WAS ENGAGED WHEN I WAS IN COLLEGE. 783 00:42:54,239 --> 00:42:55,780 WILL BATTEN. 784 00:42:55,865 --> 00:42:58,950 AND, UH, THREE WEEKS BEFORE OUR WEDDING... 785 00:43:00,537 --> 00:43:04,497 MY WHOLE WORLD CHANGED. 786 00:43:04,583 --> 00:43:05,873 WILL WAS MURDERED. 787 00:43:07,669 --> 00:43:09,043 MURDERED... 788 00:43:09,129 --> 00:43:10,795 A SHOOTING. 789 00:43:10,880 --> 00:43:14,465 HE WALKED IN ON SOME GUYS ROBBING OUR APARTMENT. 790 00:43:14,551 --> 00:43:17,135 HAILEY, I'M SO SORRY. 791 00:43:17,220 --> 00:43:19,679 SO I TURNED TO LAW. 792 00:43:19,764 --> 00:43:22,056 BECAME A PROSECUTOR. 793 00:43:22,142 --> 00:43:24,225 AND WHY DID YOU STOP? 794 00:43:24,311 --> 00:43:26,394 MY LAST CASE. 795 00:43:26,479 --> 00:43:28,313 CLINT BURRELL CRUISE. 796 00:43:28,398 --> 00:43:31,941 HE WAS A FAILED ARTIST, TURNED MURDERER. 797 00:43:32,027 --> 00:43:34,527 HE WAS THE WORST THING I EVER TRIED. 798 00:43:34,613 --> 00:43:36,946 HE KILLED SEVEN WOMEN. STRANGLED THEM. 799 00:43:37,032 --> 00:43:39,282 MY GOD. 800 00:43:39,367 --> 00:43:41,367 WHEN CRUISE WAS CONVICTED, 801 00:43:41,453 --> 00:43:43,161 I REALIZED... 802 00:43:43,246 --> 00:43:46,372 I DIDN'T WANT TO SPEND MY DAYS LOOKING AT CRIME SCENES, 803 00:43:46,458 --> 00:43:48,499 AND MY NIGHTS READING AUTOPSY REPORTS ANYMORE. 804 00:43:48,585 --> 00:43:50,209 THAT'S WHEN I DECIDED TO COME UP HERE 805 00:43:50,295 --> 00:43:51,711 AND TO DO WHAT I HAD ALWAYS WANTED TO DO, 806 00:43:51,796 --> 00:43:54,631 BECOME A THERAPIST. 807 00:43:54,716 --> 00:43:56,716 I THOUGHT THAT, YOU KNOW, 808 00:43:56,801 --> 00:43:59,302 I THOUGHT I PUT ALL THAT PAIN AND DEATH BEHIND ME, 809 00:43:59,387 --> 00:44:00,595 BUT... 810 00:44:00,680 --> 00:44:05,099 NOW, WITH MELISSA'S KILLING, 811 00:44:05,185 --> 00:44:08,811 ALL THOSE OLD FEELINGS JUST KEEP COMING UP. 812 00:44:12,942 --> 00:44:13,775 DETECTIVE KOLKER. 813 00:44:13,860 --> 00:44:14,942 EXCUSE ME, I'M SORRY. 814 00:44:15,028 --> 00:44:16,986 CAN I TALK TO YOU FOR A SECOND? 815 00:44:17,072 --> 00:44:18,321 CAN IT WAIT UNTIL TOMORROW? 816 00:44:18,406 --> 00:44:19,489 NO. 817 00:44:19,574 --> 00:44:21,282 I'M AFRAID NOT. 818 00:44:25,997 --> 00:44:29,791 OKAY, DETECTIVE, WHAT HAVE YOU GOT? 819 00:44:29,876 --> 00:44:31,250 I GOT A SECOND VICTIM. 820 00:44:31,336 --> 00:44:33,336 IT'S CELIA POLOSKI. 821 00:44:33,421 --> 00:44:35,463 CELIA? 822 00:44:35,548 --> 00:44:37,173 NO... 823 00:44:37,258 --> 00:44:38,299 NOW, YOU DIDN'T SHOW UP AT WORK TODAY. 824 00:44:38,385 --> 00:44:39,717 CAN YOU TELL ME WHERE YOU WERE 825 00:44:39,803 --> 00:44:40,718 FOR THE LAST EIGHT HOURS, PLEASE? 826 00:44:40,804 --> 00:44:42,887 I... I SAW YOU, 827 00:44:42,972 --> 00:44:46,057 AND I... I WENT AND SAW SOME PATIENTS OUT OF THE OFFICE, 828 00:44:46,142 --> 00:44:47,850 AND ADAM AND I WENT TO THE GYM. 829 00:44:47,936 --> 00:44:49,185 MIDTOWN HEALTH CLUB. 830 00:44:49,270 --> 00:44:49,936 WE SIGNED IN, YOU CAN CHECK. 831 00:44:50,021 --> 00:44:51,938 MISS DEAN, 832 00:44:52,023 --> 00:44:53,356 YOU MIND TELLING ME WHERE YOU WERE 833 00:44:53,441 --> 00:44:54,524 THE NIGHT MELISSA EVERETT WAS KILLED? 834 00:44:54,609 --> 00:44:55,483 WHAT THE HELL ARE YOU SAYING, 835 00:44:55,568 --> 00:44:56,234 YOU THINK SHE DID IT? 836 00:44:58,113 --> 00:45:00,321 I CARE ABOUT MELISSA AND CELIA. 837 00:45:00,407 --> 00:45:01,155 I'M SURE YOU DID. 838 00:45:02,742 --> 00:45:03,157 I'M AFRAID YOU'RE COMING WITH US. 839 00:45:07,789 --> 00:45:09,539 [HANDCUFFS RATTLE] 840 00:45:20,593 --> 00:45:22,343 [CLUB MUSIC PLAYS] 841 00:45:32,480 --> 00:45:33,855 KEVIN? 842 00:45:35,567 --> 00:45:36,691 DANA! 843 00:45:36,776 --> 00:45:37,984 IT IS SUCH A PLEASURE 844 00:45:38,069 --> 00:45:40,528 TO FINALLY MEET YOU. 845 00:45:40,613 --> 00:45:41,738 YEAH. 846 00:45:41,823 --> 00:45:43,865 YOUR-YOUR EMAILS... 847 00:45:43,992 --> 00:45:44,866 [EXHALES] 848 00:45:44,951 --> 00:45:48,411 [CHUCKLING] 849 00:45:48,496 --> 00:45:49,454 YEAH. 850 00:45:49,539 --> 00:45:50,621 WOW. MAY I? 851 00:45:50,707 --> 00:45:53,708 JUST... JUST... 852 00:45:55,754 --> 00:45:56,544 YOU NEED TO CHANGE YOUR PROFILE PICTURE. 853 00:45:56,629 --> 00:45:57,670 I DO? 854 00:45:57,756 --> 00:45:58,796 YES, YOU DO. 855 00:45:58,882 --> 00:46:00,381 YOU ABSOLUTELY DO. 856 00:46:00,467 --> 00:46:02,508 IT DOES NOT DO YOU JUSTICE. 857 00:46:02,594 --> 00:46:04,719 YOU ARE ABSOLUTELY BEAUTIFUL. 858 00:46:04,804 --> 00:46:06,596 WOW! SERIOUSLY, UM... 859 00:46:06,681 --> 00:46:08,014 YOU'RE INCREDIBLE. 860 00:46:08,099 --> 00:46:09,766 I DON'T THINK I WOULD CALL MYSELF THAT. 861 00:46:11,060 --> 00:46:12,018 WHY NOT? 862 00:46:13,521 --> 00:46:15,021 I DON'T UNDERSTAND 863 00:46:15,106 --> 00:46:16,481 WHY PEOPLE DON'T APPRECIATE THEIR OWN APPEARANCE. 864 00:46:16,566 --> 00:46:17,273 I MEAN, YOU ARE EXCEPTIONALLY BEAUTIFUL. 865 00:46:17,358 --> 00:46:18,858 TRUST ME, I KNOW. 866 00:46:18,943 --> 00:46:20,610 THIS IS-THIS IS WHAT I DO. I'M AN ARTIST. 867 00:46:20,695 --> 00:46:22,779 I-I KNOW 868 00:46:22,864 --> 00:46:25,740 WHAT REAL BEAUTY IS. 869 00:46:27,744 --> 00:46:28,534 YOU'RE PERFECTION. 870 00:46:29,871 --> 00:46:31,496 THANK YOU. 871 00:46:31,581 --> 00:46:33,414 DON'T THANK ME, THANK YOUR MOM AND DAD. 872 00:46:33,500 --> 00:46:34,832 [LAUGHS] 873 00:46:34,918 --> 00:46:37,001 THEY'VE GOT THE GENES, RIGHT? 874 00:46:37,086 --> 00:46:38,544 EXCUSE ME. 875 00:46:38,630 --> 00:46:40,713 HI. CAN I HAVE WHAT SHE'S HAVING? 876 00:46:40,799 --> 00:46:43,132 THANK YOU. 877 00:46:43,218 --> 00:46:44,550 I WANT TO KNOW EVERYTHING, OKAY? 878 00:46:44,636 --> 00:46:45,927 YOU'RE AN EXECUTIVE ASSISTANT..? 879 00:46:46,012 --> 00:46:48,679 TO A THERAPIST. 880 00:46:48,765 --> 00:46:50,640 WOW. THAT'S A GOOD THING, THAT'S MAYBE NOT A GOOD THING. 881 00:46:50,725 --> 00:46:51,891 [LAUGHS] 882 00:46:51,976 --> 00:46:52,767 TELL ME ABOUT YOUR BOSS. 883 00:46:52,852 --> 00:46:54,477 SHE'S-- 884 00:46:54,562 --> 00:46:55,353 [GLASSES CLINKING] 885 00:46:55,438 --> 00:46:55,937 [LAUGHS] CHEERS. 886 00:46:56,022 --> 00:46:57,605 CHEERS. 887 00:47:22,382 --> 00:47:24,090 [REMEMBERING FINCH]: FOR EVERY 20 WE CATCH, 888 00:47:24,175 --> 00:47:25,675 ONLY ONE WILL MAKE IT TO TRIAL. 889 00:47:25,760 --> 00:47:28,761 MOST WILL CUT A DEAL WITH THE DA'S OFFICE. 890 00:47:28,847 --> 00:47:30,972 I'M NOT INTERESTED IN MAKING DEALS WITH CRIMINALS. 891 00:47:31,057 --> 00:47:32,557 YOU'RE SAYING YOU'RE GOING TO CHANGE 892 00:47:32,642 --> 00:47:33,724 THE WAY THE PROSECUTOR'S OFFICE WORKS? 893 00:47:33,810 --> 00:47:35,351 THAT'S RIGHT. 894 00:47:35,436 --> 00:47:37,103 DOES IT ALWAYS SMELL LIKE THAT IN HERE? 895 00:47:37,188 --> 00:47:38,646 YOU SHOULD SMELL IT IN AUGUST. 896 00:47:38,731 --> 00:47:39,689 IF YOU MAKE IT THAT LONG. 897 00:47:39,774 --> 00:47:41,023 I'LL BE HERE. 898 00:47:41,109 --> 00:47:43,317 YOU KNOW, I THINK YOU WILL BE. 899 00:47:45,864 --> 00:47:47,989 [DOOR OPENS] 900 00:47:54,122 --> 00:47:55,413 MISS DEAN? 901 00:47:55,498 --> 00:47:57,707 THAT WAS CUTE. 902 00:47:57,834 --> 00:47:59,417 WHAT? 903 00:47:59,502 --> 00:48:01,878 MAKING ME WAIT HERE FOR THREE HOURS. 904 00:48:01,963 --> 00:48:04,463 OH, WELL, I WAS... I WAS BUSY. 905 00:48:04,549 --> 00:48:05,882 HMM. 906 00:48:05,967 --> 00:48:07,633 I THINK YOU WERE TRYING TO RATTLE ME. 907 00:48:07,719 --> 00:48:08,759 REALLY? 908 00:48:08,845 --> 00:48:09,927 DID IT WORK? 909 00:48:10,013 --> 00:48:11,470 NO. 910 00:48:11,556 --> 00:48:13,556 OKAY. 911 00:48:13,641 --> 00:48:17,518 LET'S SEE IF THIS CAN SHAKE YOU UP A LITTLE. 912 00:48:30,825 --> 00:48:31,657 MISS DEAN? 913 00:48:33,995 --> 00:48:35,494 CELIA POLOSKI, 914 00:48:35,580 --> 00:48:38,497 MELISSA EVERETT. 915 00:48:38,583 --> 00:48:39,665 NOW, EACH WOMAN WAS KILLED 916 00:48:39,751 --> 00:48:42,501 SHORTLY AFTER MEETING WITH YOU. 917 00:48:42,587 --> 00:48:47,048 BOTH THESE WOMEN TRUSTED YOU. 918 00:48:47,133 --> 00:48:49,717 KIND OF MAKES THEM EASY VICTIMS. 919 00:48:49,802 --> 00:48:50,718 THAT DOESN'T MEAN I KILLED THEM. 920 00:48:52,805 --> 00:48:54,847 BOTH STRANGLED... 921 00:49:00,897 --> 00:49:02,021 AND THIS-- 922 00:49:02,106 --> 00:49:04,231 A KNOT OF STRING, 923 00:49:04,317 --> 00:49:06,651 TIED AROUND THEIR RING FINGER. 924 00:49:06,736 --> 00:49:09,820 YOU EVER SEE ANYTHING LIKE THIS BEFORE? 925 00:49:09,906 --> 00:49:11,614 YOU'D BETTER WATCH 926 00:49:11,699 --> 00:49:12,573 YOUR CHAIN OF CUSTODY ON THAT EVIDENCE, DETECTIVE. 927 00:49:17,789 --> 00:49:18,996 COME ON. 928 00:49:19,082 --> 00:49:20,915 WE BOTH KNOW WHAT THIS IS. 929 00:49:21,000 --> 00:49:22,750 EACH WOMAN KILLED WITH THE SAME MODUS OPERANDI 930 00:49:22,835 --> 00:49:24,919 AS YOUR MOST FAMOUS CASE. 931 00:49:25,004 --> 00:49:26,504 CLINT CRUISE. 932 00:49:26,589 --> 00:49:28,089 HAVE YOU CHECKED HIS WHEREABOUTS? 933 00:49:28,174 --> 00:49:29,715 YEAH. 934 00:49:29,801 --> 00:49:30,758 HE'S STILL ON DEATH ROW IN ATLANTA, 935 00:49:30,843 --> 00:49:32,510 WHERE YOU PUT HIM. 936 00:49:32,595 --> 00:49:34,971 SO, WHO ELSE COULD BE SO OBSESSED 937 00:49:35,056 --> 00:49:36,347 WITH YOUR LAST CASE? 938 00:49:36,432 --> 00:49:37,390 I DON'T KNOW. YOU TELL ME. 939 00:49:37,475 --> 00:49:38,557 I'LL ASK THE QUESTIONS. 940 00:49:38,643 --> 00:49:40,351 ALL RIGHT, THEN START. 941 00:49:40,436 --> 00:49:42,103 ALL I'VE BEEN HEARING IS DECLARATORY STATEMENTS SO FAR. 942 00:49:43,314 --> 00:49:44,689 OH, I'M SORRY. 943 00:49:44,774 --> 00:49:46,941 IS THIS MOVING TOO FAST FOR YOU? 944 00:49:49,278 --> 00:49:50,611 OKAY, WELL, 945 00:49:50,697 --> 00:49:54,865 LET'S TAKE MISS POLOSKI. 946 00:49:54,951 --> 00:49:56,367 YOU DO ADMIT 947 00:49:56,452 --> 00:49:57,618 THAT YOU WENT TO VISIT HER AT HER WORKPLACE 948 00:49:57,704 --> 00:49:58,452 ON THE DAY THAT SHE WAS MURDERED. 949 00:49:58,538 --> 00:49:59,996 YES. 950 00:50:00,081 --> 00:50:02,957 WELL, ISN'T THAT A LITTLE UNUSUAL, MISS DEAN? 951 00:50:03,042 --> 00:50:05,209 'CAUSE, I MEAN, I'VE NEVER HAD A DOCTOR 952 00:50:05,294 --> 00:50:07,294 VISIT ME AT WORK BEFORE. 953 00:50:07,380 --> 00:50:08,629 MAYBE YOU'VE NEVER HAD A DOCTOR 954 00:50:08,715 --> 00:50:09,672 WHO CARED IF YOU GOT BETTER OR NOT. 955 00:50:13,678 --> 00:50:14,969 YOU RECOGNIZE 956 00:50:15,054 --> 00:50:16,095 THE POSITIONING OF THEIR BODIES. 957 00:50:16,180 --> 00:50:17,346 FAMOUS ARTWORK. 958 00:50:19,267 --> 00:50:21,892 IT TOOK A DAY TO FIGURE THESE TWO OUT. 959 00:50:23,730 --> 00:50:26,147 SO FREDERIC LEIGHTON'S "FLAMING JUNE," 960 00:50:26,232 --> 00:50:29,275 AND GUSTAVE COURBET'S 961 00:50:29,360 --> 00:50:31,819 "SLEEPING WOMAN ON A HAMMOCK." 962 00:50:38,494 --> 00:50:40,870 WHAT EXACTLY WAS THE NATURE 963 00:50:40,955 --> 00:50:42,705 OF YOUR RELATIONSHIP WITH MISS POLOSKI? 964 00:50:44,459 --> 00:50:47,793 WHAT ARE YOU FISHING FOR, DETECTIVE? 965 00:50:47,879 --> 00:50:49,712 WHAT, DO YOU GET SOME SORT OF SEX THRILL 966 00:50:49,797 --> 00:50:51,297 OUT OF IT? 967 00:50:51,382 --> 00:50:53,674 IS THAT WHAT IT WAS FOR YOU, WITH THESE WOMEN? 968 00:50:53,760 --> 00:50:56,093 SOME WEIRD SEX THING? 969 00:50:56,179 --> 00:50:57,136 OKAY, YOU KNOW WHAT, YOU ARE A MORON. 970 00:50:57,221 --> 00:50:58,054 WHY ARE YOU WASTING TIME 971 00:50:58,139 --> 00:51:00,056 INTERROGATING ME 972 00:51:00,141 --> 00:51:01,807 WHEN THERE IS SOME KILLER OUT THERE 973 00:51:01,893 --> 00:51:03,184 STALKING MY PATIENTS! 974 00:51:03,269 --> 00:51:04,518 JUST CALM DOWN, MISS DEAN. 975 00:51:04,604 --> 00:51:06,270 PLEASE. 976 00:51:06,355 --> 00:51:08,147 OKAY, YOU KNOW WHAT, DETECTIVE KOLKER? 977 00:51:08,232 --> 00:51:09,899 I'M IN HERE. 978 00:51:09,984 --> 00:51:12,693 I ASSUME YOU'VE WORKED UP A MOTIVE FOR ME? 979 00:51:12,779 --> 00:51:14,820 SO, LET'S HEAR IT. 980 00:51:19,744 --> 00:51:20,701 THE PSYCH BOYS THINK YOU'VE CRACKED. 981 00:51:20,787 --> 00:51:22,453 KILLED YOUR OWN PATIENTS 982 00:51:22,538 --> 00:51:24,455 USING THE EXACT METHODS OF CRUISE, 983 00:51:24,540 --> 00:51:26,999 WHO YOU BECAME OBSESSED WITH DURING THE COURSE OF YOUR CASE. 984 00:51:27,085 --> 00:51:28,542 HUH. 985 00:51:28,628 --> 00:51:30,628 THIN. 986 00:51:30,713 --> 00:51:32,838 YOU DENY HAVING ANY EMOTIONAL PROBLEMS? 987 00:51:32,924 --> 00:51:34,173 YOU'VE BEEN ON PRESCRIPTION ANTIDEPRESSANTS 988 00:51:34,258 --> 00:51:35,758 SINCE THE TRIAL. 989 00:51:35,843 --> 00:51:38,010 YOU GONNA BRING IN HALF OF NEW YORK? 990 00:51:38,096 --> 00:51:39,261 THERE'S ALSO 991 00:51:39,347 --> 00:51:40,179 THE POSITIONING OF THE BODIES, 992 00:51:40,264 --> 00:51:41,972 THE KNOT OF TWINE. 993 00:51:42,058 --> 00:51:43,140 PULL STRING. 994 00:51:43,226 --> 00:51:44,308 RIGHT. FROM AN ARTIST'S PENCIL. 995 00:51:44,393 --> 00:51:45,935 STUFF ONLY YOU WOULD KNOW. 996 00:51:46,020 --> 00:51:47,853 STUFF ANYBODY WHO FOLLOWED THE TRIALS 997 00:51:47,939 --> 00:51:49,105 IN THE ATLANTA NEWSPAPER WOULD KNOW. 998 00:51:50,983 --> 00:51:51,941 [SIGHS] 999 00:51:54,403 --> 00:51:57,738 THE STRING WAS FROM A DAVIE WRAP CHARCOAL PENCIL. 1000 00:51:57,824 --> 00:51:58,823 YOU EVER OWN ONE BEFORE? 1001 00:51:58,908 --> 00:52:00,533 NO. 1002 00:52:00,618 --> 00:52:02,159 IT WAS WRAPPED AROUND THEIR RING FINGER, 1003 00:52:02,245 --> 00:52:03,994 LIKE AN ENGAGEMENT RING. 1004 00:52:04,080 --> 00:52:05,538 YOU... 1005 00:52:05,623 --> 00:52:07,748 YOU SPENT SOME TIME IN TREATMENT 1006 00:52:07,834 --> 00:52:09,416 AFTER YOUR FIANCE DIED, DIDN'T YOU? 1007 00:52:11,129 --> 00:52:12,419 WAS MURDERED. 1008 00:52:14,132 --> 00:52:15,548 WOULDN'T YOU? 1009 00:52:17,885 --> 00:52:19,426 THIS IS RIDICULOUS. 1010 00:52:19,512 --> 00:52:20,970 I JUST WANT TO SAY SOMETHING, 1011 00:52:21,055 --> 00:52:24,056 THIS IS THE KIND OF INVESTIGATION 1012 00:52:24,142 --> 00:52:26,100 THAT USED TO MAKE ME CRINGE WHEN I WAS A PROSECUTOR. 1013 00:52:26,185 --> 00:52:27,518 YOUR DETECTIVE OVER HERE, 1014 00:52:27,603 --> 00:52:29,228 HE QUESTIONED ME IN THE RESTAURANT 1015 00:52:29,313 --> 00:52:30,896 WITHOUT READING ME MY RIGHTS, 1016 00:52:30,982 --> 00:52:33,357 SO THAT'LL BE SUPPRESSED IN COURT FOR SURE. 1017 00:52:33,442 --> 00:52:35,317 YOU GUYS ARE FAMILIAR WITH 1018 00:52:35,403 --> 00:52:37,945 THE "THE FRUIT OF THE POISONOUS TREE" CONCEPT, 1019 00:52:38,030 --> 00:52:39,113 AREN'T YOU? 1020 00:52:39,198 --> 00:52:40,906 YEAH. ANY EVIDENCE 1021 00:52:40,992 --> 00:52:42,366 THAT FLOWS FROM ILLEGAL BEGINNINGS 1022 00:52:42,451 --> 00:52:44,493 IS NO GOOD? 1023 00:52:44,579 --> 00:52:50,207 SO, UNLESS YOU FELLAS HAVE ANY CONCRETE EVIDENCE 1024 00:52:50,293 --> 00:52:51,250 THAT LINKS ME TO THESE CRIMES, 1025 00:52:51,335 --> 00:52:52,877 I SUGGEST YOU LET ME GO. 1026 00:52:52,962 --> 00:52:54,003 NOW. 1027 00:52:54,088 --> 00:52:55,004 NOT YET. 1028 00:53:03,389 --> 00:53:07,808 DO YOU RECOGNIZE THIS? 1029 00:53:11,647 --> 00:53:16,358 "HAILEY, ALWAYS SEEKING SANITY, LOVE WILL." 1030 00:53:16,444 --> 00:53:18,444 THIS PEN, 1031 00:53:18,529 --> 00:53:20,404 GIVEN TO YOU BY YOUR FIANCE, 1032 00:53:20,489 --> 00:53:22,239 WAS FOUND IN CELIA POLOSKI'S HAND. 1033 00:53:24,952 --> 00:53:28,954 THIS IS YOUR PEN, ISN'T IT, MISS DEAN? 1034 00:53:29,040 --> 00:53:30,331 YES. 1035 00:53:30,416 --> 00:53:32,124 CAN YOU EXPLAIN 1036 00:53:32,210 --> 00:53:33,375 HOW IT CAME TO BE IN THE VICTIM'S HAND 1037 00:53:33,461 --> 00:53:34,668 AT THE TIME OF HER DEATH? 1038 00:53:37,215 --> 00:53:39,006 NO, I CAN'T. 1039 00:53:42,929 --> 00:53:44,386 THERE YOU GO. 1040 00:53:44,472 --> 00:53:45,888 HAILEY DEAN, 1041 00:53:45,973 --> 00:53:47,348 WE'RE OFFICIALLY CHARGING YOU 1042 00:53:47,433 --> 00:53:48,265 WITH THE MURDERS OF MELISSA EVERETT 1043 00:53:48,351 --> 00:53:48,891 AND CELIA POLOSKI. 1044 00:53:48,976 --> 00:53:50,684 OFFICERS? 1045 00:53:50,770 --> 00:53:52,478 YOU'LL HAVE TIME TO LOOK FOR SANITY 1046 00:53:52,563 --> 00:53:55,231 ON YOUR RIDE OVER TO RIKERS. 1047 00:53:55,316 --> 00:53:56,857 YOU HAVE THE RIGHT TO REMAIN SILENT. 1048 00:53:56,943 --> 00:53:58,609 IF YOU GIVE UP THAT RIGHT, 1049 00:53:58,694 --> 00:54:00,361 ANYTHING YOU SAY CAN AND WILL BE HELD AGAINST YOU 1050 00:54:00,446 --> 00:54:02,321 IN A COURT OF LAW... 1051 00:54:02,406 --> 00:54:04,615 [HANDCUFFS SNAP SHUT] 1052 00:54:05,952 --> 00:54:07,201 [SIGHS HEAVILY] 1053 00:54:15,169 --> 00:54:16,210 PHONE CALL? 1054 00:54:16,295 --> 00:54:18,170 [MUMBLES] MM. 1055 00:54:19,715 --> 00:54:21,090 YOU GONNA CALL YOUR LAWYER? 1056 00:54:21,175 --> 00:54:22,132 I AM A LAWYER. 1057 00:54:22,218 --> 00:54:24,218 AT LEAST, I USED TO BE. 1058 00:54:28,140 --> 00:54:30,891 [CALL RINGING] 1059 00:54:32,228 --> 00:54:33,352 COME ON... 1060 00:54:33,437 --> 00:54:34,895 [VOICEMAIL]: THIS IS FINCH. 1061 00:54:34,981 --> 00:54:36,647 IF YOU KNOW ME, YOU KNOW WHERE I AM, 1062 00:54:36,732 --> 00:54:38,232 AND THAT YOU SHOULDN'T BE CALLING ME NOW. 1063 00:54:38,317 --> 00:54:39,733 THE REST OF YOU CAN LEAVE A MESSAGE. 1064 00:54:39,819 --> 00:54:41,151 IF I LIVE, I'LL CALL YOU BACK. 1065 00:54:41,237 --> 00:54:42,278 FINCH, 1066 00:54:42,363 --> 00:54:44,405 I'M IN TROUBLE. 1067 00:54:44,490 --> 00:54:45,906 SOMEBODY IS SCREWING WITH ME. 1068 00:54:45,992 --> 00:54:47,741 SOMEBODY WHO KNOWS MY PAST. 1069 00:54:47,827 --> 00:54:51,453 AND IT HAS TO DO WITH THE CRUISE CASE. 1070 00:54:51,539 --> 00:54:53,122 CALL DANA IN MY OFFICE. 1071 00:54:53,207 --> 00:54:54,623 SHE KNOWS WHERE I AM. 1072 00:55:00,423 --> 00:55:01,338 YOU'RE VERY GOOD. 1073 00:55:04,010 --> 00:55:07,511 HE HAD TO BE THERE. 1074 00:55:07,596 --> 00:55:09,221 HE'S HERE. 1075 00:55:09,307 --> 00:55:10,264 OKAY, I'VE GOT TO TALK TO DETECTIVE KOLKER-- 1076 00:55:10,349 --> 00:55:11,348 YOU GOT YOUR PHONE CALL. 1077 00:55:11,434 --> 00:55:12,850 NO, YOU DON'T UNDERSTAND-- 1078 00:55:12,935 --> 00:55:14,476 NO, ALL I KNOW IS YOU'VE BEEN PROCESSED 1079 00:55:14,562 --> 00:55:15,978 AND I HAVE TO TAKE YOU BACK TO YOUR CELL-- 1080 00:55:16,063 --> 00:55:17,354 NO, LISTEN TO ME, IT'S REALLY IMPORTANT. 1081 00:55:17,440 --> 00:55:18,522 CAN YOU JUST GIVE HIM A MESSAGE? 1082 00:55:18,607 --> 00:55:19,231 I'LL PASS IT ALONG. LET'S GO. 1083 00:55:29,160 --> 00:55:30,909 [PUNCHING IN NUMBER] 1084 00:55:30,995 --> 00:55:32,703 [RINGING] 1085 00:55:32,788 --> 00:55:33,495 [VOICE OVER INTERCOM]: HELLO? 1086 00:55:33,581 --> 00:55:35,080 HELLO! 1087 00:55:35,166 --> 00:55:38,083 I'VE GOT A PACKAGE HERE FOR HAILEY DEAN, 1088 00:55:38,169 --> 00:55:40,377 BUT I CAN'T READ THIS SUITE NUMBER. 1089 00:55:40,463 --> 00:55:41,420 [VOICE]: MISS DEAN'S IN 506. 1090 00:55:41,505 --> 00:55:43,088 506! 1091 00:55:43,174 --> 00:55:45,215 LISTEN, YOU WANT ME TO LEAVE IT OUT HERE? 1092 00:55:45,301 --> 00:55:47,426 OUT FRONT? 1093 00:55:47,511 --> 00:55:49,386 [VOICE]: I'LL BUZZ YOU IN, SIR. 1094 00:55:49,472 --> 00:55:50,471 THANK YOU. 1095 00:55:50,556 --> 00:55:53,265 [DOOR LOCKS BUZZ] 1096 00:56:01,025 --> 00:56:02,316 OPEN 10. 1097 00:56:02,401 --> 00:56:04,318 [DOOR LOCKS BUZZ] 1098 00:57:14,473 --> 00:57:16,265 [SNIFFING] 1099 00:57:35,619 --> 00:57:37,202 [MUTTERING]: HAILEY... 1100 00:57:48,466 --> 00:57:49,381 E IS FREE. 1101 00:57:49,467 --> 00:57:51,467 WHAT? 1102 00:57:51,552 --> 00:57:53,260 HOW? WHEN? 1103 00:57:53,345 --> 00:57:54,470 FOUR DAYS AGO. 1104 00:57:54,555 --> 00:57:56,180 [SCOFFS IN DISBELIEF] 1105 00:57:56,265 --> 00:57:58,849 ATLANTA DOJ HAD A GAG ORDER ON IT 1106 00:57:58,934 --> 00:58:00,934 BECAUSE OF THE DEATH THREATS. 1107 00:58:01,020 --> 00:58:03,061 THEY JUST RELEASED THIS INFORMATION. 1108 00:58:03,147 --> 00:58:04,897 RIGHT NOW WE'RE WAITING FOR A REPORT 1109 00:58:04,982 --> 00:58:07,983 ON HIS CURRENT WHEREABOUTS FROM HIS PAROLE OFFICER. 1110 00:58:08,068 --> 00:58:09,610 SO, THAT WOULD MAKE HIM 1111 00:58:09,695 --> 00:58:10,486 PRIME SUSPECT IN THESE HOMICIDES, RIGHT? 1112 00:58:11,739 --> 00:58:12,696 YES, IT WOULD. 1113 00:58:14,658 --> 00:58:16,116 AND THE CITY OF NEW YORK 1114 00:58:16,202 --> 00:58:18,035 IS OFFICIALLY SORRY 1115 00:58:18,120 --> 00:58:19,536 FOR THEIR MISTAKE. 1116 00:58:19,622 --> 00:58:21,163 [CLEARS THROAT AWKWARDLY] 1117 00:58:21,248 --> 00:58:22,456 WHY DON'T YOU JUST WALK ME TO THE DOOR, DETECTIVE-- 1118 00:58:22,541 --> 00:58:23,457 WHOA, WHOA, WAIT. WAIT A MINUTE. 1119 00:58:23,542 --> 00:58:24,249 JUST ONE MORE THING. 1120 00:58:24,335 --> 00:58:25,959 WHAT? 1121 00:58:26,045 --> 00:58:27,628 HOW DID YOUR PEN END UP AT THE CRIME SCENE? 1122 00:58:27,713 --> 00:58:31,715 I LOST THAT PEN YEARS AGO AT CRUISE'S TRIAL. 1123 00:58:31,800 --> 00:58:33,717 HE MUST HAVE PICKED IT UP, 1124 00:58:33,802 --> 00:58:35,552 PUT IT BY CELIA'S BODY, SENDING A MESSAGE. 1125 00:58:35,638 --> 00:58:37,554 A MESSAGE? 1126 00:58:37,640 --> 00:58:39,640 NOT FOR YOU, FOR ME. 1127 00:58:39,725 --> 00:58:42,601 HE'S COMING AFTER ME. 1128 00:58:51,445 --> 00:58:53,111 ARE YOU OKAY? 1129 00:58:53,197 --> 00:58:55,280 UH, YEAH, THANK YOU FOR COMING TO GET ME. 1130 00:58:55,366 --> 00:58:56,615 WELL, IT'S BEATS HEARING LITTLE DEBBIE GREENE WAIL 1131 00:58:56,700 --> 00:58:58,367 WHILE I DRILL HER TEETH. 1132 00:58:58,452 --> 00:58:59,535 MY HERO. 1133 00:58:59,620 --> 00:59:01,453 CHIVALRY IS NOT DEAD. 1134 00:59:01,539 --> 00:59:03,372 I GUESS NOT. 1135 00:59:03,457 --> 00:59:04,831 TAKE YOU HOME? 1136 00:59:04,917 --> 00:59:06,542 LET ME JUST STOP BY MY HOUSE FIRST, 1137 00:59:06,627 --> 00:59:07,417 THEN I NEED TO GO TO THE OFFICE. 1138 00:59:07,503 --> 00:59:08,710 ARE YOU SURE? 1139 00:59:08,796 --> 00:59:10,045 YEAH, I HAVE WORK TO DO. 1140 00:59:10,130 --> 00:59:10,837 OKAY. 1141 00:59:12,258 --> 00:59:13,382 KEEP THE CHANGE. 1142 00:59:15,594 --> 00:59:16,468 HEY, CAN I COME IN? 1143 00:59:16,554 --> 00:59:17,970 NO, I'M OKAY. 1144 00:59:18,055 --> 00:59:19,555 OH. OKAY. 1145 00:59:19,640 --> 00:59:21,056 ADAM, I THINK IT WOULD BE BEST 1146 00:59:21,141 --> 00:59:22,307 IF YOU STAYED AWAY FROM ME FOR A WHILE. 1147 00:59:24,144 --> 00:59:25,102 WHY? 1148 00:59:27,064 --> 00:59:29,231 LOOK, IF SOMEBODY IS TARGETING MY PATIENTS, 1149 00:59:29,316 --> 00:59:30,899 THEN NOBODY IN MY LIFE IS SAFE. 1150 00:59:30,985 --> 00:59:33,735 WELL, WHAT ARE THE POLICE GOING TO DO ABOUT IT? 1151 00:59:33,821 --> 00:59:35,696 I'VE ASKED FOR SURVEILLANCE. 1152 00:59:35,781 --> 00:59:38,156 HAILEY, I'M WORRIED ABOUT YOU. 1153 00:59:38,242 --> 00:59:39,241 DON'T BE. I CAN HANDLE IT, OKAY? 1154 00:59:39,326 --> 00:59:40,826 I JUST... 1155 00:59:40,911 --> 00:59:42,578 I JUST DON'T WANT YOU TO GET INVOLVED IN THIS. 1156 00:59:42,663 --> 00:59:44,329 I AM INVOLVED, LADY, 1157 00:59:44,415 --> 00:59:46,290 AND UNTIL THE POLICE GIVE YOU SOME PROTECTION, 1158 00:59:46,375 --> 00:59:47,541 I'M NOT LETTING YOU OUT OF MY SIGHT. 1159 00:59:51,255 --> 00:59:53,714 THANK YOU. 1160 01:00:04,059 --> 01:00:05,517 I'LL JUST BE ANOTHER MINUTE, OKAY? 1161 01:00:05,603 --> 01:00:06,310 GET YOURSELF A DRINK. 1162 01:00:06,395 --> 01:00:07,352 THANKS. 1163 01:00:27,124 --> 01:00:29,583 DAMN IT, FINCHER, WHERE ARE YOU? 1164 01:00:39,136 --> 01:00:40,218 [DIALING RAPIDLY] 1165 01:00:43,724 --> 01:00:46,266 [CELL PHONE RINGS] 1166 01:00:48,479 --> 01:00:49,728 HAILEY DEAN? 1167 01:00:49,813 --> 01:00:51,313 HOW'S LIFE IN THE BIG APPLE? 1168 01:00:51,398 --> 01:00:53,148 WHO LET CRUISE OUT OF JAIL? 1169 01:00:53,233 --> 01:00:54,191 WELL, HE WAS GRANTED A NEW TRIAL ON APPEAL. 1170 01:00:54,276 --> 01:00:55,567 YOU DID THAT? 1171 01:00:55,653 --> 01:00:56,818 I WAS DOING MY JOB. 1172 01:00:56,904 --> 01:00:59,738 HE'S A KILLER, MATT. 1173 01:00:59,823 --> 01:01:00,906 WELL, THE JUDGE DIDN'T AGREE. 1174 01:01:00,991 --> 01:01:02,449 HE TRIED TO KILL ME 1175 01:01:02,534 --> 01:01:03,617 IN OPEN COURT. 1176 01:01:03,702 --> 01:01:04,868 WHY DIDN'T ANYBODY INFORM ME? 1177 01:01:04,953 --> 01:01:06,244 [SIGHS] 1178 01:01:06,330 --> 01:01:08,121 GOD, HAILEY, LOOK, 1179 01:01:08,207 --> 01:01:09,081 SOMEONE FROM THE DA'S OFFICE SHOULD HAVE CONTACTED YOU. 1180 01:01:09,166 --> 01:01:10,791 AT THE VERY LEAST, MATT, 1181 01:01:10,876 --> 01:01:11,750 YOU SHOULD HAVE CALLED ME. 1182 01:01:11,835 --> 01:01:13,126 YOU'RE RIGHT. I'M SORRY. 1183 01:01:14,672 --> 01:01:15,295 LOOK, WHERE IS HE NOW? 1184 01:01:16,674 --> 01:01:18,590 UNKNOWN. 1185 01:01:18,676 --> 01:01:21,343 HE DIDN'T REPORT IN TO HIS PAROLE OFFICER. 1186 01:01:21,428 --> 01:01:23,011 WELL, 1187 01:01:23,097 --> 01:01:24,638 WE HAVE TWO HOMICIDES HERE THAT MATCH HIS M.O. 1188 01:01:26,558 --> 01:01:28,767 MY GOD. 1189 01:01:28,852 --> 01:01:30,602 YOU THINK IT'S HIM. 1190 01:01:30,688 --> 01:01:33,730 I THINK HE'S PLAYING SOME SICK GAME WITH ME. 1191 01:01:33,816 --> 01:01:35,148 OKAY, WHAT CAN I DO FROM HERE? 1192 01:01:37,069 --> 01:01:38,527 THE POLICE ARE DRAGGING THEIR FEET 1193 01:01:38,612 --> 01:01:40,487 ON GETTING ME AN ORDER OF PROTECTION. 1194 01:01:40,572 --> 01:01:41,655 I'LL CALL, SEE WHAT I CAN DO. 1195 01:01:41,740 --> 01:01:43,156 OKAY. 1196 01:01:43,242 --> 01:01:43,990 MIDTOWN DIVISION. 1197 01:01:44,076 --> 01:01:44,866 DETECTIVE KOLKER. 1198 01:01:44,952 --> 01:01:46,576 KOLKER. GOT IT. 1199 01:01:46,662 --> 01:01:47,786 I'LL CALL RIGHT AWAY. 1200 01:01:48,831 --> 01:01:49,663 THANKS. 1201 01:01:51,250 --> 01:01:52,499 [BEEPS PHONE OFF] 1202 01:02:22,698 --> 01:02:23,405 [REMEMBERING FINCH]: OKAY, LIKE I SHOWED YOU. 1203 01:02:23,490 --> 01:02:24,197 [SHOTS BLASTING] 1204 01:02:25,534 --> 01:02:26,908 DON'T AIM FOR THE HEAD, 1205 01:02:26,994 --> 01:02:28,243 YOU'RE NOT FREAKING ANNIE OAKLEY. 1206 01:02:28,328 --> 01:02:29,786 AIM BETWEEN THE BELLY AND THE NECK, 1207 01:02:29,872 --> 01:02:30,829 AND KEEP SHOOTING 1208 01:02:30,914 --> 01:02:32,330 UNTIL HE GOES DOWN. 1209 01:02:32,416 --> 01:02:33,582 I DON'T EVEN KNOW WHY I'M DOING THIS. 1210 01:02:33,667 --> 01:02:34,833 I HAVE YOU. 1211 01:02:34,918 --> 01:02:36,418 YOU'RE A PROSECUTOR. 1212 01:02:36,503 --> 01:02:38,044 THERE'S GONNA BE PEOPLE THAT WANT TO HURT YOU, 1213 01:02:38,130 --> 01:02:38,628 AND I'M NOT GOING TO BE AROUND ALL THE TIME. 1214 01:02:38,756 --> 01:02:40,464 AGAIN. 1215 01:02:42,843 --> 01:02:44,342 RELOAD. 1216 01:02:48,056 --> 01:02:48,847 FINCH... 1217 01:02:49,933 --> 01:02:50,849 IN THE MARINES... 1218 01:02:50,934 --> 01:02:51,892 YEAH? 1219 01:02:53,353 --> 01:02:54,686 YOU KILLED PEOPLE, RIGHT? 1220 01:02:54,772 --> 01:02:57,689 BECAUSE I HAD TO. 1221 01:02:57,775 --> 01:03:00,525 NOT BECAUSE I WANTED TO. 1222 01:03:00,611 --> 01:03:02,652 I DON'T KNOW IF I COULD DO THAT. 1223 01:03:04,823 --> 01:03:07,324 IF YOU HAD BEEN THERE... 1224 01:03:10,454 --> 01:03:12,162 WILL? 1225 01:03:12,247 --> 01:03:13,580 COULD YOU HAVE PULLED THE TRIGGER TO SAVE HIS LIFE? 1226 01:03:17,711 --> 01:03:18,627 TO SAVE A LIFE? 1227 01:03:18,712 --> 01:03:19,795 YEAH. I COULD KILL. 1228 01:03:19,880 --> 01:03:20,837 YOU JUST HAVE TO REMEMBER, 1229 01:03:20,923 --> 01:03:23,256 NOBODY WANTS TO KILL-- 1230 01:03:23,342 --> 01:03:24,633 EXCEPT THE PEOPLE YOU PROSECUTE. 1231 01:03:24,718 --> 01:03:25,717 AGAIN. 1232 01:03:34,812 --> 01:03:35,602 [SHOTS BLASTING] 1233 01:03:48,700 --> 01:03:50,700 ALL SET. 1234 01:03:50,786 --> 01:03:52,369 ARE YOU SURE YOU WANT TO GO TO THE OFFICE TODAY? 1235 01:03:52,454 --> 01:03:53,912 YEAH, I'M SURE. 1236 01:03:53,997 --> 01:03:54,746 ALL RIGHT, WELL, I'M JUST DOWN THE HALL 1237 01:03:54,832 --> 01:03:55,747 IF YOU NEED ME. 1238 01:03:55,833 --> 01:03:57,040 OKAY. 1239 01:03:57,125 --> 01:03:58,124 DINNER TONIGHT? ASTI'S? 1240 01:03:58,210 --> 01:03:59,125 YEAH. I'LL MEET YOU THERE. 1241 01:03:59,211 --> 01:03:59,876 I CAN WALK YOU THERE. 1242 01:03:59,962 --> 01:04:01,461 IT'S OKAY. 1243 01:04:01,547 --> 01:04:02,754 IT'S JUST ACROSS THE STREET. I'LL BE FINE. 1244 01:04:02,840 --> 01:04:04,589 OKAY. 1245 01:04:04,675 --> 01:04:06,132 OKAY. 1246 01:04:10,889 --> 01:04:13,056 OH, MY GOD, HAIL, ARE YOU OKAY? 1247 01:04:13,141 --> 01:04:13,974 YEAH. 1248 01:04:14,059 --> 01:04:15,976 I GOT YOUR MESSAGE. 1249 01:04:16,061 --> 01:04:16,977 I CANCELED EVERYONE ON THE SCHEDULE TODAY. 1250 01:04:17,062 --> 01:04:18,603 OH, HEY, 1251 01:04:18,689 --> 01:04:19,729 I WENT OUT WITH THAT GUY, KEVIN, LAST NIGHT. 1252 01:04:19,815 --> 01:04:21,731 I HAD THE BEST TIME-- 1253 01:04:21,817 --> 01:04:23,441 DANA, IT'S NOT THAT I DON'T CARE. 1254 01:04:23,527 --> 01:04:25,277 IT'S JUST THAT I DON'T HAVE TIME RIGHT NOW. 1255 01:04:43,797 --> 01:04:46,798 [♪♪♪] 1256 01:06:11,635 --> 01:06:12,759 [KNOCKS HESITANTLY] 1257 01:06:12,886 --> 01:06:13,969 YEAH? 1258 01:06:14,054 --> 01:06:15,595 CAN I GO NOW? 1259 01:06:17,140 --> 01:06:18,473 OH. YEAH, I'M SORRY. 1260 01:06:18,558 --> 01:06:19,724 I DIDN'T KNOW YOU WERE STILL HERE. 1261 01:06:19,810 --> 01:06:21,142 I'M SUPPOSED TO SEE KEVIN-- 1262 01:06:21,228 --> 01:06:22,060 YOU DON'T WANT TO SEE HIM, I FORGOT. 1263 01:06:24,064 --> 01:06:26,106 I'M SORRY, DANA. 1264 01:06:26,191 --> 01:06:27,607 I'VE JUST BEEN REALLY BUSY. 1265 01:06:27,693 --> 01:06:29,109 KEVIN... ARE YOU HAPPY? 1266 01:06:29,194 --> 01:06:30,819 YEAH. 1267 01:06:30,904 --> 01:06:33,446 HE REALLY APPRECIATES WHAT'S SPECIAL ABOUT ME, 1268 01:06:33,532 --> 01:06:36,700 AND I'VE NEVER BEEN WITH AN ARTIST BEFORE. 1269 01:06:36,785 --> 01:06:38,034 AN ARTIST? 1270 01:06:38,120 --> 01:06:40,912 YEAH, HE EVEN DREW ME. 1271 01:06:40,998 --> 01:06:41,913 CAN YOU IMAGINE? 1272 01:06:41,999 --> 01:06:44,791 LIKE HOW LEO DREW KATE, 1273 01:06:44,876 --> 01:06:46,668 EXCEPT IN MY APARTMENT, NOT ON THE TITANIC. 1274 01:06:47,838 --> 01:06:48,962 SHOW ME. 1275 01:06:49,047 --> 01:06:50,547 THE PICTURE? 1276 01:06:50,632 --> 01:06:51,756 I KINDA DIDN'T HAVE ANY CLOTHES ON-- 1277 01:06:51,842 --> 01:06:52,924 HIM. 1278 01:06:53,010 --> 01:06:53,717 SHOW ME HIM. 1279 01:06:56,054 --> 01:06:56,928 THAT'S KEVIN. 1280 01:07:01,143 --> 01:07:03,893 DANA. 1281 01:07:03,979 --> 01:07:05,395 I WANT YOU TO GO TO MIDTOWN POLICE STATION, OKAY? 1282 01:07:05,480 --> 01:07:07,313 I WANT YOU TO SEE DETECTIVE KOLKER. 1283 01:07:07,399 --> 01:07:08,898 YOU REMEMBER THE MAN THAT CAME HERE THE OTHER DAY? 1284 01:07:08,984 --> 01:07:09,941 AND DO WHAT? 1285 01:07:10,027 --> 01:07:11,401 SHOW HIM THIS. 1286 01:07:11,486 --> 01:07:12,444 STAY THERE WITH HIM, DON'T GO HOME. 1287 01:07:12,529 --> 01:07:13,403 DON'T GO ANYWHERE ELSE, 1288 01:07:13,488 --> 01:07:14,320 DO YOU UNDERSTAND ME? 1289 01:07:14,406 --> 01:07:15,113 I DON'T UNDERSTAND. 1290 01:07:15,198 --> 01:07:17,157 LISTEN TO ME, 1291 01:07:17,242 --> 01:07:18,074 I DON'T WANT YOU TEXTING KEVIN. I DON'T WANT YOU CALLING HIM-- 1292 01:07:18,160 --> 01:07:19,034 YOU'RE SCARING ME! 1293 01:07:19,119 --> 01:07:20,994 YOU SHOULD BE SCARED. 1294 01:07:21,079 --> 01:07:22,787 HE IS NOT WHO YOU THINK HE IS. HE IS EXTREMELY DANGEROUS, OKAY? 1295 01:07:22,873 --> 01:07:24,664 GO TO THE POLICE STATION. GO. 1296 01:07:30,839 --> 01:07:32,505 [DIALING RAPIDLY] 1297 01:07:34,134 --> 01:07:35,175 DETECTIVE KOLKER. 1298 01:07:37,679 --> 01:07:39,929 NO. CAN YOU GET HIM? 1299 01:07:40,015 --> 01:07:42,307 NO, DON'T GIVE ME HIS VOICE MAIL. 1300 01:07:42,392 --> 01:07:43,892 GIVE HIM THIS MESSAGE, OKAY? PERSONALLY. 1301 01:07:43,977 --> 01:07:45,143 TELL HIM TO CALL HAILEY DEAN. 1302 01:07:45,228 --> 01:07:47,020 IMPORTANT? 1303 01:07:47,105 --> 01:07:48,521 LIFE OR DEATH. 1304 01:08:07,292 --> 01:08:09,000 NO... 1305 01:08:13,048 --> 01:08:14,005 NO. 1306 01:08:14,091 --> 01:08:16,674 NO... 1307 01:08:16,760 --> 01:08:17,675 [SCREAMS] 1308 01:08:19,930 --> 01:08:21,012 NO, NO-- 1309 01:08:21,098 --> 01:08:22,347 [MUFFLED SCREAMS] 1310 01:08:22,432 --> 01:08:23,973 [SHUSHING HER IMPATIENTLY] 1311 01:08:24,059 --> 01:08:25,433 SHH, SHH... 1312 01:08:27,395 --> 01:08:29,187 [HAILEY FALLS SILENT] 1313 01:08:31,233 --> 01:08:33,149 SHH... 1314 01:08:33,235 --> 01:08:34,567 HELLO, COUNSELLOR. 1315 01:08:36,279 --> 01:08:37,612 GOOD. 1316 01:08:37,697 --> 01:08:39,405 VERY GOOD. 1317 01:08:52,504 --> 01:08:54,838 SHOULD I PUT IN THE ROLLATINI? 1318 01:08:54,923 --> 01:08:56,089 JUST GIVE HER A FEW MORE MINUTES. 1319 01:09:09,146 --> 01:09:11,479 [DIALING NUMBER] 1320 01:09:14,234 --> 01:09:16,860 [CELL PHONE RINGS NEARBY] 1321 01:09:28,707 --> 01:09:32,083 [GROANS GROGGILY] 1322 01:09:32,169 --> 01:09:35,253 [CELL PHONE'S RING SHARPENS] 1323 01:09:46,224 --> 01:09:47,432 [GASPS IN HORROR] 1324 01:09:47,517 --> 01:09:48,933 [STRUGGLING] 1325 01:09:49,019 --> 01:09:50,643 IF IT'S IMPORTANT... 1326 01:09:53,481 --> 01:09:55,690 I'M SURE THEY'LL LEAVE A MESSAGE. 1327 01:09:58,278 --> 01:10:02,405 FOUND THIS. 1328 01:10:02,490 --> 01:10:07,118 A SMITH AND WESSON CHIEFS SPECIAL. 1329 01:10:07,204 --> 01:10:08,995 I THOUGHT GUNS WEREN'T YOUR STYLE. 1330 01:10:09,080 --> 01:10:12,248 I PREFER A BRUSH, THAT'S TRUE, 1331 01:10:12,334 --> 01:10:14,375 BUT DIFFERENT TOOLS 1332 01:10:14,461 --> 01:10:16,336 FOR DIFFERENT JOBS. 1333 01:10:16,421 --> 01:10:20,340 I'VE ALWAYS FANCIED MYSELF MORE OF A RENAISSANCE MAN. 1334 01:10:20,425 --> 01:10:21,966 BUT I'VE ALSO ALWAYS FELT 1335 01:10:22,052 --> 01:10:26,512 THAT EVERY ARTIST SHOULD BE ABLE TO ADAPT. 1336 01:10:26,598 --> 01:10:28,389 I CAN BE WHOEVER I WANT TO BE. 1337 01:10:30,018 --> 01:10:31,976 YOU SURE CAN'T BE AN ARTIST. 1338 01:10:32,062 --> 01:10:32,727 I'VE SEEN YOUR WORK. 1339 01:10:34,481 --> 01:10:36,231 WHAT IS THAT SUPPOSED TO BE? 1340 01:10:39,402 --> 01:10:40,401 YOU LIKE IT? 1341 01:10:42,405 --> 01:10:43,988 THIS IS MY PASSION. 1342 01:10:48,078 --> 01:10:49,077 THIS, 1343 01:10:49,162 --> 01:10:52,538 THIS IS MY MAGNUM OPUS. 1344 01:10:53,458 --> 01:10:55,208 LOOK AT THIS. 1345 01:10:57,254 --> 01:10:59,045 THIS... 1346 01:10:59,130 --> 01:11:01,464 THIS, MISS DEAN, 1347 01:11:01,549 --> 01:11:03,091 THIS IS MY MASTERPIECE. 1348 01:11:05,095 --> 01:11:06,386 "THE DEATH OF CLEOPATRA." 1349 01:11:09,557 --> 01:11:11,891 AND I'M SUPPOSED TO BE CLEOPATRA? 1350 01:11:15,230 --> 01:11:16,229 IT'S MY ART. 1351 01:11:16,314 --> 01:11:17,647 YOU'RE A PART OF MY ART-- 1352 01:11:17,732 --> 01:11:19,857 NO, I DON'T WANT TO BE A PART OF YOUR ART. 1353 01:11:19,943 --> 01:11:21,276 YOU'RE A HACK, AND YOU KNOW IT. 1354 01:11:26,992 --> 01:11:28,658 WHAT DO YOU KNOW? 1355 01:11:30,120 --> 01:11:32,078 YOU AND... 1356 01:11:32,163 --> 01:11:33,579 AND YOUR FANCY CARS 1357 01:11:33,665 --> 01:11:34,706 AND YOUR PENTHOUSE SUITES... 1358 01:11:37,043 --> 01:11:40,003 THE PURPOSE OF LIFE, MISS DEAN... 1359 01:11:42,299 --> 01:11:43,715 IS TO LEAVE BEHIND SOMETHING 1360 01:11:43,800 --> 01:11:45,758 THAT PROVED YOU WERE HERE. 1361 01:11:47,470 --> 01:11:49,721 WELL, THIS IS MINE! 1362 01:11:53,184 --> 01:11:54,767 NO... 1363 01:11:54,853 --> 01:11:56,060 NO, NO, NO, DANA. 1364 01:11:56,146 --> 01:11:57,103 DANA, DANA... 1365 01:11:57,188 --> 01:11:58,271 OH, NO. 1366 01:11:58,356 --> 01:11:59,522 WHY DID YOU HAVE TO KILL HER? 1367 01:11:59,607 --> 01:12:01,399 THIS WAS ABOUT ME. 1368 01:12:01,484 --> 01:12:02,567 WHY DID YOU HAVE TO KILL HER-- 1369 01:12:02,652 --> 01:12:03,776 TO HURT YOU! 1370 01:12:13,705 --> 01:12:15,079 I THOUGHT IT WAS HILARIOUS 1371 01:12:15,165 --> 01:12:16,122 THAT THE POLICE, THOSE STUPID COPS, 1372 01:12:16,207 --> 01:12:17,957 ACTUALLY PULLED YOU IN. 1373 01:12:18,043 --> 01:12:19,917 [LAUGHS] 1374 01:12:21,379 --> 01:12:24,380 WHEN I THINK ABOUT... 1375 01:12:24,466 --> 01:12:26,424 ALL THOSE PEOPLE 1376 01:12:26,509 --> 01:12:27,925 YOU PUT AWAY FOR LIFE. 1377 01:12:28,011 --> 01:12:30,011 ABOUT WHAT A BONUS, 1378 01:12:30,096 --> 01:12:31,512 YOU KNOW, 1379 01:12:31,598 --> 01:12:34,557 THE GRAND AND GLORIOUS HAILEY DEAN, 1380 01:12:34,642 --> 01:12:36,893 ACTUALLY SPENDING SOME TIME BEHIND BARS HERSELF. 1381 01:12:36,978 --> 01:12:38,311 HOW DID THAT FEEL? 1382 01:12:38,396 --> 01:12:40,188 ANYBODY WHO I PUT IN JAIL WAS GUILTY, 1383 01:12:40,273 --> 01:12:41,147 INCLUDING YOU-- 1384 01:12:41,232 --> 01:12:42,315 WHO ARE YOU TO JUDGE ME? 1385 01:12:43,610 --> 01:12:44,817 [WHIMPERING IN TERROR] 1386 01:12:48,448 --> 01:12:50,948 WHEN I AM FINISHED, 1387 01:12:51,034 --> 01:12:53,493 YOU'LL UNDERSTAND. 1388 01:12:53,578 --> 01:12:55,453 [MUMBLING IN PROTEST] 1389 01:12:55,538 --> 01:12:56,412 [CHOKING AND STRANGLING] 1390 01:12:56,498 --> 01:12:59,374 [GASPING IN TERROR] 1391 01:12:59,459 --> 01:13:00,875 [CHOKING AND GASPING] 1392 01:13:04,547 --> 01:13:06,464 [SCREAMING IN PAIN] 1393 01:13:08,176 --> 01:13:09,300 [CHAIR SMASHING] 1394 01:13:12,555 --> 01:13:13,304 [SCREAMS, KICKS THUD] 1395 01:13:23,525 --> 01:13:26,150 [RIPPING OFF TAPE] 1396 01:13:31,449 --> 01:13:34,409 YOU'RE A REAL BALL-BUSTER, DEAN! 1397 01:13:34,494 --> 01:13:36,994 [LAUGHING] I'LL GIVE YOU THAT. 1398 01:13:38,164 --> 01:13:39,080 WHOO! 1399 01:13:39,165 --> 01:13:39,956 [LAUGHING IN TRIUMPH] 1400 01:13:44,421 --> 01:13:45,211 [SMASHING PANEL] 1401 01:13:48,716 --> 01:13:51,968 [BREATHING HARD] 1402 01:13:52,053 --> 01:13:54,470 [WHISTLES, TEASING] 1403 01:13:54,556 --> 01:13:56,806 THERE'S NO SENSE 1404 01:13:56,891 --> 01:13:58,433 IN DELAYING THE INEVITABLE ANY LONGER! 1405 01:14:04,107 --> 01:14:07,400 YOU SHOULD THANK ME, YOU KNOW! 1406 01:14:08,528 --> 01:14:10,278 YOU AND ME, 1407 01:14:10,363 --> 01:14:14,824 I'D SAY WE HAD THIS... 1408 01:14:14,909 --> 01:14:18,911 THIS DATE COMING FOR A VERY LONG TIME. 1409 01:14:20,582 --> 01:14:22,540 HAILEY! 1410 01:14:26,087 --> 01:14:27,211 YOU'RE BEAUTIFUL, 1411 01:14:27,297 --> 01:14:28,296 JUST LIKE ALL THOSE OTHER WOMEN! 1412 01:14:30,758 --> 01:14:32,049 THEY THOUGHT THEY WERE BEAUTIFUL! 1413 01:14:32,135 --> 01:14:34,385 THOUGHT THEY KNEW WHAT LOVE MEANT! 1414 01:14:34,471 --> 01:14:36,304 BUT THEY WERE WRONG! 1415 01:14:37,682 --> 01:14:39,557 IT'S JUST SOME 1416 01:14:39,642 --> 01:14:43,769 SHALLOW MISUNDERSTANDING 1417 01:14:43,855 --> 01:14:47,398 OF THE TRANSIENT VALUE OF THEIR FLESH! 1418 01:14:50,904 --> 01:14:52,361 I SHOWED THEM WHAT REAL BEAUTY IS. 1419 01:14:52,447 --> 01:14:55,281 FOREVER BEAUTY, ETERNAL BEAUTY. 1420 01:14:55,366 --> 01:14:57,408 NOW THE WORLD WILL ALWAYS REMEMBER THEM. 1421 01:15:00,663 --> 01:15:01,454 THEY'LL NEVER FORGET THEM. 1422 01:15:03,666 --> 01:15:06,000 I GAVE THEM FOREVER! 1423 01:15:07,879 --> 01:15:09,795 I CAN GIVE YOU THAT GIFT. 1424 01:15:11,841 --> 01:15:13,674 THE WORLD WILL NEVER FORGET THEM! 1425 01:15:13,760 --> 01:15:16,302 THEY'LL NEVER GROW OLD! 1426 01:15:16,387 --> 01:15:17,720 TODAY'S YOUR DAY! 1427 01:15:17,805 --> 01:15:19,055 [STABBING] 1428 01:15:19,140 --> 01:15:20,973 [GROANING IN PAIN] 1429 01:15:23,228 --> 01:15:24,310 [SHOT BLASTS] 1430 01:15:26,523 --> 01:15:28,606 [GROANING] 1431 01:15:30,235 --> 01:15:31,442 I DON'T PLAN ON DYING ANYTIME SOON. 1432 01:15:34,531 --> 01:15:37,406 THERE WILL BE MORE. 1433 01:15:37,492 --> 01:15:38,199 WE'RE NOT FINISHED. 1434 01:15:40,328 --> 01:15:41,577 WHAT "WE"? 1435 01:15:41,663 --> 01:15:45,498 YOU CAN'T STOP US. 1436 01:15:45,583 --> 01:15:46,832 YOU CAN'T STOP US... 1437 01:16:03,434 --> 01:16:05,226 [SIRENS WAILING] 1438 01:16:06,688 --> 01:16:07,645 HEY. 1439 01:16:07,730 --> 01:16:09,689 YOU GOT HIM. 1440 01:16:09,774 --> 01:16:10,773 WHAT? 1441 01:16:10,858 --> 01:16:12,358 IT'S OVER. YOU GOT HIM. 1442 01:16:12,443 --> 01:16:13,818 YEAH. 1443 01:16:13,903 --> 01:16:15,236 I GUESS SO. 1444 01:16:29,460 --> 01:16:31,419 MISS DEAN. 1445 01:16:32,755 --> 01:16:33,754 YOU WANT TO TELL ME WHAT HAPPENED? 1446 01:16:35,550 --> 01:16:37,174 CAUGHT YOUR KILLER. 1447 01:16:37,260 --> 01:16:38,551 YOU'RE WELCOME. 1448 01:16:38,636 --> 01:16:41,387 [CHUCKLES RUEFULLY] 1449 01:16:41,472 --> 01:16:43,264 I'M STILL GONNA NEED A FULL STATEMENT IN MY OFFICE. 1450 01:16:43,349 --> 01:16:45,641 TOMORROW MORNING. 1451 01:16:45,727 --> 01:16:46,767 I KNOW HOW TO FIND YOU. 1452 01:16:46,853 --> 01:16:48,352 LISTEN, UH, MISS DEAN, 1453 01:16:48,438 --> 01:16:50,730 I WANTED TO SAY, 1454 01:16:50,815 --> 01:16:52,607 I... 1455 01:16:52,692 --> 01:16:56,402 I JUST WANT YOU TO KNOW THAT I'M VERY SORRY FOR... 1456 01:16:56,487 --> 01:16:58,237 YOU KNOW, EVERYTHING I PUT YOU THROUGH. 1457 01:16:59,949 --> 01:17:01,282 AND, UH... 1458 01:17:04,495 --> 01:17:06,078 I THINK THIS BELONGS TO YOU. 1459 01:17:22,388 --> 01:17:25,139 WHAT? 1460 01:17:25,224 --> 01:17:26,641 I'M JUST, I'M JUST HAPPY YOU'RE ALIVE. 1461 01:17:46,621 --> 01:17:47,787 HAILEY? 1462 01:17:47,872 --> 01:17:49,497 IN HERE! 1463 01:17:52,919 --> 01:17:54,168 HAILEY, 1464 01:17:54,253 --> 01:17:55,836 I'M SO GLAD YOU COULD SEE ME. 1465 01:17:55,922 --> 01:17:57,505 MY GOD, SO, YOU'RE OKAY, THEN? 1466 01:17:57,590 --> 01:17:58,506 OH, YEAH. HAVE A SEAT. 1467 01:18:01,052 --> 01:18:03,469 I HEARD ABOUT YOUR HARROWING ORDEAL. 1468 01:18:03,554 --> 01:18:05,221 I'M JUST GLAD YOU MADE IT. 1469 01:18:05,306 --> 01:18:06,681 HAVE YOU TALKED TO CRUISE YET? 1470 01:18:06,766 --> 01:18:09,225 NO. HE STILL CAN'T TALK. 1471 01:18:09,310 --> 01:18:10,393 HE'S LOST A LOT OF BLOOD, 1472 01:18:10,478 --> 01:18:11,519 BUT... 1473 01:18:11,604 --> 01:18:13,688 HE'S GOING TO MAKE IT. 1474 01:18:13,773 --> 01:18:15,648 THAT'S TOO BAD. 1475 01:18:15,733 --> 01:18:16,649 IT WOULD HAVE BEEN EASIER FOR YOU IF HE DIDN'T. 1476 01:18:16,734 --> 01:18:18,484 WHAT DO YOU MEAN? 1477 01:18:18,569 --> 01:18:20,069 THE EXTRADITION. 1478 01:18:20,154 --> 01:18:21,821 IT'S GOING TO BE A TOUGH ONE, RIGHT? 1479 01:18:21,906 --> 01:18:23,364 YEAH. 1480 01:18:23,449 --> 01:18:24,699 NEW YORK AND ATLANTA BOTH WANT HIM. 1481 01:18:24,784 --> 01:18:26,617 IT'LL BE UGLY, 1482 01:18:26,703 --> 01:18:29,245 BUT I GUESS I'LL JUST WORK IT OUT. 1483 01:18:29,330 --> 01:18:30,413 YEAH, YOU ALWAYS DO. 1484 01:18:30,498 --> 01:18:33,708 ANYWAY, HAILEY, LIKE I SAID, 1485 01:18:33,793 --> 01:18:34,834 I'M JUST GLAD HE DIDN'T HURT YOU-- 1486 01:18:38,005 --> 01:18:40,256 BEFORE CRUISE PASSED OUT, HE SAID SOMETHING. 1487 01:18:40,341 --> 01:18:42,383 HE SAID, "WE GAVE THEM IMMORTALITY." 1488 01:18:44,345 --> 01:18:45,594 "WE." 1489 01:18:45,680 --> 01:18:47,847 WHY WOULD HE SAY THAT? 1490 01:18:47,932 --> 01:18:50,266 BECAUSE CRUISE IS CRAZY. 1491 01:18:50,351 --> 01:18:54,353 HE... HE THOUGHT OF HIMSELF AS ROYALTY. 1492 01:18:54,439 --> 01:18:57,273 YOU KNOW, HE WOULD USE THE IMPERIAL "WE." 1493 01:18:57,358 --> 01:18:59,775 HE WAS ALWAYS REFERRING TO HIMSELF IN THE THIRD PERSON. 1494 01:19:01,612 --> 01:19:03,320 I DON'T THINK SO. 1495 01:19:03,406 --> 01:19:05,656 YOU WANT TO HEAR MY THEORY? 1496 01:19:05,742 --> 01:19:06,824 I THINK HE HAD AN ACCOMPLICE. 1497 01:19:06,909 --> 01:19:08,200 I THINK HE HAD SOMEBODY 1498 01:19:08,286 --> 01:19:11,620 THAT MADE IT POSSIBLE FOR HIM TO KILL. 1499 01:19:11,706 --> 01:19:13,581 SOMEBODY THAT KNEW THE SYSTEM. 1500 01:19:13,666 --> 01:19:15,916 SOMEBODY WHO KILLED WITH HIM, PROTECTED HIM. 1501 01:19:16,002 --> 01:19:17,877 AND CRUISE TOLD YOU THIS? 1502 01:19:17,962 --> 01:19:19,754 HAILEY, HE'S TRYING TO CONFUSE YOU. 1503 01:19:19,839 --> 01:19:21,046 OBFUSCATE. 1504 01:19:21,132 --> 01:19:23,507 NO, MATT, THAT'S WHAT YOU DO. 1505 01:19:23,593 --> 01:19:25,760 YOU WOULD HAVE GOTTEN AWAY WITH IT, 1506 01:19:25,845 --> 01:19:27,344 IF IT HADN'T BEEN... 1507 01:19:29,766 --> 01:19:30,723 FOR THIS-- 1508 01:19:33,144 --> 01:19:36,771 CRUISE PLANTED MY PEN AT ONE OF THE CRIME SCENES. 1509 01:19:36,856 --> 01:19:38,814 THERE'S NO WAY 1510 01:19:38,900 --> 01:19:39,690 HE COULD HAVE GOTTEN IT OUT OF THE COURTROOM THAT DAY 1511 01:19:39,776 --> 01:19:41,984 UNDETECTED. 1512 01:19:42,069 --> 01:19:44,236 HE WENT TO JAIL AND THEY SEARCHED HIM. 1513 01:19:45,823 --> 01:19:47,490 THAT LEAVES YOU. 1514 01:19:47,575 --> 01:19:48,991 YOU'RE THE ONLY ONE 1515 01:19:49,076 --> 01:19:50,785 WHO COULD HAVE PICKED IT UP THAT DAY. 1516 01:19:52,371 --> 01:19:53,746 I REMEMBER THE LOOK I SAW ON YOUR FACE 1517 01:19:53,831 --> 01:19:55,122 WHEN THE VERDICT WAS READ-- 1518 01:19:55,208 --> 01:19:56,916 I DIDN'T REALIZE IT AT THE TIME, 1519 01:19:57,001 --> 01:19:58,709 BUT YOU WERE HAPPY. 1520 01:19:58,795 --> 01:20:00,503 YOU WANTED HIM CONVICTED. 1521 01:20:19,690 --> 01:20:21,732 YOU GAVE CRUISE MY PEN. 1522 01:20:21,818 --> 01:20:23,567 [SCOFFING IN INDIGNATION] 1523 01:20:23,653 --> 01:20:24,735 OKAY, LOOK. 1524 01:20:24,821 --> 01:20:26,570 HE JUST... 1525 01:20:26,656 --> 01:20:27,947 WANTED A SOUVENIR. 1526 01:20:30,535 --> 01:20:32,159 YOU GAVE CRUISE MY PEN 1527 01:20:32,245 --> 01:20:33,828 BECAUSE YOU WERE HIS PARTNER. 1528 01:20:37,124 --> 01:20:38,582 PROVE IT. 1529 01:20:42,004 --> 01:20:44,880 YOU WERE HIS LAWYER ON AN ASSAULT RAP 10 YEARS AGO. 1530 01:20:46,926 --> 01:20:48,968 HIS FIRST ARREST. 1531 01:20:49,053 --> 01:20:50,177 IT WAS SOME HOOKER. 1532 01:20:52,723 --> 01:20:56,016 I WAS PREPARING HIS DEFENSE AND HE JUST... 1533 01:20:56,102 --> 01:20:58,394 ADMITTED THAT HE WAS TRYING 1534 01:20:58,479 --> 01:21:00,771 TO WORK UP THE NERVE TO KILL HER. 1535 01:21:00,857 --> 01:21:02,982 THEN HE STARTED TALKING ABOUT HIS THEORY, 1536 01:21:03,067 --> 01:21:04,024 THE GREAT WORKS OF ART-- 1537 01:21:04,110 --> 01:21:05,985 BUT YOU THOUGHT 1538 01:21:06,070 --> 01:21:07,403 YOU WOULD TEACH HIM BETTER, HUH? 1539 01:21:08,906 --> 01:21:11,031 [SHUTTER CLICKS] 1540 01:21:26,507 --> 01:21:27,840 [SHUTTER CLICKS] 1541 01:21:32,555 --> 01:21:35,055 IT'S PERFECT. 1542 01:21:41,147 --> 01:21:42,730 LET'S GO. 1543 01:21:44,775 --> 01:21:46,692 [HAILEY]: YOU TEAMED UP. 1544 01:21:51,949 --> 01:21:53,407 YOU'D LOVE TO TRY AND PROVE THAT, WOULDN'T YOU? 1545 01:21:53,492 --> 01:21:55,409 I WILL. 1546 01:21:55,494 --> 01:21:57,036 ACTUALLY, 1547 01:21:57,121 --> 01:21:57,995 I'M THINKING ABOUT COMING OUT OF RETIREMENT 1548 01:21:58,080 --> 01:22:00,789 JUST TO TRY BOTH OF YOU. 1549 01:22:00,875 --> 01:22:04,001 CRUISE FOR DANA, MELISSA AND CELIA. 1550 01:22:04,086 --> 01:22:07,129 AND YOU, FOR THE OTHER SEVEN WOMEN 1551 01:22:07,214 --> 01:22:08,881 YOU GUYS KILLED IN ATLANTA. 1552 01:22:08,966 --> 01:22:10,925 HOW EXACTLY? 1553 01:22:11,010 --> 01:22:13,093 YOU DON'T HAVE ANY HARD EVIDENCE AGAINST ME. 1554 01:22:13,179 --> 01:22:14,178 CRUISE DOES, THOUGH. 1555 01:22:15,723 --> 01:22:17,056 HE THREATENED TO GO PUBLIC WITH IT 1556 01:22:17,141 --> 01:22:19,183 IF YOU DIDN'T GET HIM OUT OF JAIL. 1557 01:22:19,268 --> 01:22:20,100 SO YOU GOT HIM OUT OF JAIL. 1558 01:22:21,896 --> 01:22:23,896 BUT YOU STILL HAD A PROBLEM. 1559 01:22:23,981 --> 01:22:27,107 A NEW TRIAL MIGHT TURN UP SOME DNA 1560 01:22:27,193 --> 01:22:30,903 THAT BELONGS TO YOU ON THOSE THE CRIME SCENES. 1561 01:22:30,988 --> 01:22:33,489 SO YOU HAD TO KILL CRUISE. 1562 01:22:33,574 --> 01:22:36,659 BUT FIRST, YOU NEEDED HIM TO KILL ME. 1563 01:22:36,744 --> 01:22:39,370 WOW. 1564 01:22:39,455 --> 01:22:45,250 I WOULD LOVE TO SEE YOU TRY TO MAKE THAT FLY IN COURT. 1565 01:22:45,336 --> 01:22:47,419 ONLY PROBLEM IS, CRUISE ISN'T DEAD. 1566 01:22:47,505 --> 01:22:49,838 I'M PRETTY SURE I CAN CONVINCE HIM 1567 01:22:49,924 --> 01:22:51,090 THAT HE SHOULDN'T TAKE THE FALL ON THIS 1568 01:22:51,175 --> 01:22:55,803 ALONE AGAIN. 1569 01:22:55,888 --> 01:22:57,262 ANOTHER ROUND OF DNA TESTING, MATT, 1570 01:22:57,348 --> 01:22:58,472 YOU'RE DONE. 1571 01:23:00,017 --> 01:23:01,558 [SUCKS TEETH RESIGNEDLY] 1572 01:23:01,644 --> 01:23:03,268 WELL, THAT'S TOO BAD. 1573 01:23:06,023 --> 01:23:09,942 YOU KNOW... 1574 01:23:10,027 --> 01:23:13,070 I STARTED OFF... 1575 01:23:13,155 --> 01:23:16,448 WITH SMALL ANIMALS. 1576 01:23:16,534 --> 01:23:17,408 THEN I PROGRESSED TO YOUNG GIRLS, 1577 01:23:17,493 --> 01:23:18,242 JUST HOMELESS, SO... 1578 01:23:20,454 --> 01:23:23,580 YOU KNOW WHAT I FIND FASCINATING? 1579 01:23:23,666 --> 01:23:26,667 IS WHAT YOU CAN GET AWAY WITH IN SOCIETY 1580 01:23:26,752 --> 01:23:27,960 WHEN YOU MAKE MORE THAN 200K A YEAR. 1581 01:23:28,045 --> 01:23:29,211 IT'S LIKE... 1582 01:23:29,296 --> 01:23:34,049 PEOPLE JUST WANT TO TRUST YOU. 1583 01:23:34,135 --> 01:23:36,135 SO, WHAT, YOU'RE GOING TO KILL ME 1584 01:23:36,220 --> 01:23:38,512 RIGHT HERE IN MY OFFICE? 1585 01:23:38,597 --> 01:23:40,723 WHAT'S THE NARRATIVE ON THAT? 1586 01:23:45,021 --> 01:23:47,855 [VOICE HEAVY WITH TEARS] IT'S REALLY QUITE SAD, OFFICER. 1587 01:23:47,940 --> 01:23:52,192 I MEAN, I CAME IN HERE, AND SHE JUST GOT VIOLENT. 1588 01:23:52,278 --> 01:23:54,278 SHE BLAMED ME FOR HER PATIENTS' DEATHS. 1589 01:23:54,363 --> 01:23:55,821 AND, UH, I MEAN, 1590 01:23:55,906 --> 01:23:58,323 I WAS THE ONE THAT GOT CRUISE HIS APPEAL, 1591 01:23:58,409 --> 01:24:00,743 AND I GUESS SHE WAS OVERCOME 1592 01:24:00,828 --> 01:24:04,163 WITH GRIEF, OR GUILT, OR... 1593 01:24:04,248 --> 01:24:06,540 I MEAN, SHE ATTACKED ME. 1594 01:24:06,625 --> 01:24:07,249 THEN SHE PULLS OUT THIS GUN, AND THERE'S A STRUGGLE, 1595 01:24:07,334 --> 01:24:08,751 AND IT JUST-- 1596 01:24:10,671 --> 01:24:13,297 IT JUST WENT OFF. 1597 01:24:13,382 --> 01:24:14,798 NOBODY'S GOING TO BUY THAT. 1598 01:24:14,884 --> 01:24:17,551 OH, ANGEL, I'M A LAWYER, REMEMBER? 1599 01:24:19,346 --> 01:24:21,889 YOU'RE A KILLER. 1600 01:24:21,974 --> 01:24:23,390 YEAH, WELL, 1601 01:24:23,476 --> 01:24:24,850 THERE'S NO SENSE IN DENYING THAT NOW. 1602 01:24:24,935 --> 01:24:26,477 ONLY YOU AND I ARE GOING TO KNOW... 1603 01:24:28,272 --> 01:24:29,897 YOU ARE THE 11th VICTIM. 1604 01:24:34,945 --> 01:24:36,153 [SHOTS BLASTING] 1605 01:24:36,238 --> 01:24:38,238 [GROANING IN PAIN] 1606 01:24:38,365 --> 01:24:39,364 YOU OKAY? 1607 01:24:39,450 --> 01:24:40,240 YEAH. 1608 01:24:40,367 --> 01:24:41,825 I THINK I'M DEAF. 1609 01:24:41,911 --> 01:24:42,743 BUT ALIVE. 1610 01:24:42,828 --> 01:24:43,660 [GROANING] 1611 01:24:43,746 --> 01:24:44,870 DID YOU GET ALL THAT? 1612 01:24:44,955 --> 01:24:46,246 ARE YOU KIDDING ME? 1613 01:24:46,332 --> 01:24:46,914 CLEAREST CONFESSION I EVER RECORDED. 1614 01:24:46,999 --> 01:24:48,248 [SIGHS] 1615 01:24:48,334 --> 01:24:50,084 THANK YOU, JUDGE, FOR THE WARRANT. 1616 01:24:50,169 --> 01:24:51,710 PICK HIM UP. 1617 01:24:53,172 --> 01:24:54,171 YOU GOT THE RIGHT TO REMAIN SILENT. 1618 01:24:54,256 --> 01:24:55,047 IF YOU GIVE UP THAT RIGHT, 1619 01:24:55,132 --> 01:24:56,423 ANYTHING YOU SAY 1620 01:24:56,509 --> 01:24:57,341 CAN AND WILL BE USED AGAINST YOU 1621 01:24:57,426 --> 01:25:00,511 IN A COURT OF LAW. 1622 01:25:00,596 --> 01:25:01,887 IF YOU DON'T HAVE AN ATTORNEY, ON WILL BE ASSIGNED TO YOU. 1623 01:25:01,972 --> 01:25:03,305 TOOK YOU LONG ENOUGH. 1624 01:25:03,390 --> 01:25:05,557 I HAD TO TRAVEL 7,000 MILES 1625 01:25:05,643 --> 01:25:07,017 IN THE BACK OF A TRANSPORT PLANE. 1626 01:25:07,103 --> 01:25:09,895 CUT ME SOME SLACK. 1627 01:25:09,980 --> 01:25:10,604 SLACK CUT. 1628 01:25:12,525 --> 01:25:14,274 SO, WHAT ARE YOU GOING TO DO? 1629 01:25:14,360 --> 01:25:15,943 YOU READY TO GO BACK TO LAW? 1630 01:25:16,028 --> 01:25:17,027 MAYBE. 1631 01:25:17,113 --> 01:25:18,946 BUT FIRST, 1632 01:25:19,031 --> 01:25:21,281 I HAVE AN APPOINTMENT WITH MY DENTIST. 1633 01:25:23,160 --> 01:25:23,951 YOUR DENTIST? 1634 01:25:24,995 --> 01:25:26,620 YEAH. 1635 01:25:29,125 --> 01:25:30,082 THANKS. 1636 01:25:34,296 --> 01:25:36,213 I JUST HAVE TO PUT SOMETHING AWAY, 1637 01:25:36,298 --> 01:25:37,256 THEN I'M ALL YOURS. 1638 01:25:47,226 --> 01:25:49,309 [♪♪♪] 1639 01:26:42,448 --> 01:26:44,698 [MONITORS BEEP STEADILY] 1640 01:26:54,126 --> 01:26:55,375 [TELEPHONE RINGS] 1641 01:26:55,461 --> 01:26:57,336 DETECTIVE KOLKER. 1642 01:26:59,006 --> 01:27:00,047 WHAT? 1643 01:27:00,132 --> 01:27:00,881 WHEN? 1644 01:27:02,009 --> 01:27:03,175 CRUISE ESCAPED! 1645 01:27:03,260 --> 01:27:04,134 HE KILLED A DOCTOR. 1646 01:27:04,220 --> 01:27:05,719 LISTEN UP! 1647 01:27:05,804 --> 01:27:08,096 I NEED AN APB FOR CLINTON BURRELL CRUISE! 1648 01:27:08,182 --> 01:27:08,931 EXTREMELY DANGEROUS! 1649 01:27:11,310 --> 01:27:14,561 [SIRENS WAIL PAST] 1650 01:27:54,228 --> 01:27:57,980 [♪♪♪] 99274