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1
00:00:14,137 --> 00:00:17,724
Man:
ONCE UPON A TIME
IN THE BIG APPLE,
2
00:00:17,724 --> 00:00:19,896
IN A PLACE
CALLED HARLEM...
3
00:00:19,896 --> 00:00:23,000
- [ bass thumping ]
- [ car alarm beeping ]
4
00:00:23,000 --> 00:00:26,241
THERE LIVED
A YOUNG MAN
5
00:00:26,241 --> 00:00:27,482
WHO HAD A DREAM.
6
00:00:35,344 --> 00:00:37,586
[ opera music playing ]
7
00:00:40,172 --> 00:00:42,310
[ man singing
in Italian ]
8
00:01:07,689 --> 00:01:09,827
[ singing along ]
9
00:01:14,275 --> 00:01:16,172
[ record stops,
starts again ]
10
00:01:25,689 --> 00:01:27,689
[ record stops,
starts again ]
11
00:01:27,689 --> 00:01:29,655
[ music continues ]
12
00:01:34,482 --> 00:01:36,206
[ record stops,
starts again ]
13
00:01:36,206 --> 00:01:38,379
[ singing continues ]
14
00:01:38,379 --> 00:01:40,965
- WHAT'’S THE MATTER
WITH YOU, BOY?
- [ music stops ]
15
00:01:40,965 --> 00:01:44,103
IF YOU DON'’T TURN OFF
THIS LOUD MUSIC THIS TIME
OF THE NIGHT AND GO TO BED,
16
00:01:44,103 --> 00:01:45,931
I'’M GONNA BE AFTER YOU,
AS OLD AS I AM.
17
00:01:59,586 --> 00:02:01,931
[ dog barking ]
18
00:02:09,310 --> 00:02:11,241
[ opera music playing ]
19
00:02:11,241 --> 00:02:14,310
[ singing ]
20
00:02:18,896 --> 00:02:22,689
- ANTON!
- [ music continues ]
21
00:02:29,068 --> 00:02:31,827
Woman:
ANTON, DID YOU WASH
YOUR FACE THIS MORNING?
22
00:02:31,827 --> 00:02:33,103
Anton:
YES, MA'’AM.
23
00:02:33,103 --> 00:02:34,620
YOU DIDN'’T DO
A VERY GOOD JOB.
24
00:02:34,620 --> 00:02:36,724
I CAN STILL SEE
SLEEP IN YOUR EYE.
25
00:02:36,724 --> 00:02:39,310
IT'’S NO WONDER,
STAYING UP HALF
THE NIGHT
26
00:02:39,310 --> 00:02:41,000
PLAYING THAT
OPERA MUSIC.
27
00:02:41,000 --> 00:02:43,655
I DON'’T KNOW HOW
YOU GOT INTO THAT
FOOLISHNESS.
28
00:02:43,655 --> 00:02:45,344
- WHERE'’S YOUR SWEATER?
- RIGHT THERE.
29
00:02:45,344 --> 00:02:47,310
IT AIN'’T SUMMER YET.
THIS KINDA WEATHER'’S
30
00:02:47,310 --> 00:02:48,896
AN EXACT WAY
TO CATCH PNEUMONIA.
31
00:02:48,896 --> 00:02:50,931
YOU WANT TO GET SICK
AND CATCH PNEUMONIA?
32
00:02:50,931 --> 00:02:52,689
- NO, MA'’AM.
- HUH? ALL RIGHT.
33
00:02:52,689 --> 00:02:54,275
DID YOU BRUSH
YOUR TEETH?
34
00:02:54,275 --> 00:02:56,206
YES, BOTH SIDES.
35
00:02:56,206 --> 00:02:59,034
ALL RIGHT, DID YOU
PACK YOUR LUNCH IN
YOUR BOOK BAG?
36
00:02:59,034 --> 00:03:01,172
- YES, MA'’AM.
- GOOD. I DON'’T
WANT TO BE
37
00:03:01,172 --> 00:03:04,448
FIXING LUNCH FOR YOU
GOING OUT AND FORGETTING IT.
38
00:03:04,448 --> 00:03:07,172
ALL RIGHT.
39
00:03:07,172 --> 00:03:08,862
[ laughs ]
GIVE AUNTIE A KISS.
40
00:03:08,862 --> 00:03:11,551
OH, COME ON,
GIVE ME SOME SUGAR.
41
00:03:14,241 --> 00:03:17,379
"CLEAN YOUR ROOM, ANTON"
"BRUSH YOUR TEETH, ANTON."
42
00:03:17,379 --> 00:03:20,000
"WASH YOUR FACE, ANTON."
I'’M NOT A LITTLE BOY ANYMORE.
43
00:03:20,000 --> 00:03:21,206
GOOD GRIEF.
44
00:03:44,275 --> 00:03:47,068
[ rap music playing ]
45
00:03:56,172 --> 00:03:58,655
GIRL, I TOLD YOU
SHE WAS PREGNANT.
46
00:03:58,655 --> 00:04:00,655
I DON'’T KNOW HOW
YOU DO.
47
00:04:00,655 --> 00:04:02,931
- [ singing ]
- HEY.
48
00:04:02,931 --> 00:04:05,000
ANTON, YOU'’RE
WORKING TOO HARD,
BABY.
49
00:04:05,000 --> 00:04:07,862
AIN'’T YOU GOING
TO ENTERTAIN US
TODAY?
50
00:04:07,862 --> 00:04:11,034
HOW COME YOU DON'’T SING
LUTHER VANDROSS NO MORE?
I LOVE HIM.
51
00:04:11,034 --> 00:04:14,206
I HAVE A FEW NEW SONGS
I'’VE BEEN WORKING ON.
52
00:04:14,206 --> 00:04:15,724
- OPERA.
- OPERA?
53
00:04:15,724 --> 00:04:17,965
AIN'’T NO BLACK FOLKS
SINGING NO OPERA.
54
00:04:17,965 --> 00:04:20,586
WHAT ARE YOU TALKING
ABOUT, MARTHA?
55
00:04:20,586 --> 00:04:22,586
I SAW THIS OPERA
ON TELEVISION.
56
00:04:22,586 --> 00:04:25,275
BLACK SINGERS.
AND THEY WAS GOOD TOO.
57
00:04:25,275 --> 00:04:28,137
THAT STILL DON'’T EXPLAIN
HOW ANTON GOT INVOLVED
IN THIS MESS.
58
00:04:28,137 --> 00:04:30,551
JIMMY SOLD ME
SOME RECORDS.
59
00:04:30,551 --> 00:04:33,551
- HOW MUCH DID HE CHARGE
FOR THIS OLD JUNK?
- NOTHING.
60
00:04:33,551 --> 00:04:37,241
HE'’S LETTING ME
WORK ON SATURDAY
SO I CAN PAY HIM OFF.
61
00:04:37,241 --> 00:04:39,103
- YOU BELIEVE THIS?
- $19.95 A DAY.
62
00:04:39,103 --> 00:04:40,241
WHA?!
63
00:04:40,241 --> 00:04:43,068
- YOU.
- WHOA, WHOA.
64
00:04:43,068 --> 00:04:46,137
YOU OUGHT TO BE ASHAMED
TAKING ADVANTAGE OF ANTON
LIKE THAT.
65
00:04:46,137 --> 00:04:48,310
I'’LL CALL YOU BACK.
WHAT'’RE YOU TALKING ABOUT?
66
00:04:48,310 --> 00:04:50,413
I'’M TALKING ABOUT WHY
YOU'’RE USING ANTON
67
00:04:50,413 --> 00:04:51,862
TO CUT US OFF
OUR OVERTIME.
68
00:04:51,862 --> 00:04:53,862
- YEAH!
- THIS IS NONE
OF YOUR BUSINESS.
69
00:04:53,862 --> 00:04:56,758
I WONDER WHAT
HIS WELFARE PEOPLE
WOULD HAVE TO SAY?
70
00:04:56,758 --> 00:04:58,827
DON'’T THREATEN ME,
OR YOU'’LL FIND OUT
71
00:04:58,827 --> 00:05:02,137
WHAT WELFARE HAS TO SAY
WHEN YOU GO DOWN TO APPLY.
72
00:05:02,137 --> 00:05:04,758
- GET BACK TO WORK.
- YOU DON'’T SCARE ME, JIMMY.
73
00:05:04,758 --> 00:05:07,517
THIS IS FAR FROM OVER.
I CAN TELL YOU THAT RIGHT NOW.
74
00:05:07,517 --> 00:05:09,620
- RIPPING US OFF.
- GODDAMN IT.
75
00:05:09,620 --> 00:05:11,758
I GOTTA DEAL
WITH THIS SHIT?
76
00:05:11,758 --> 00:05:13,965
I'’M TRYING TO BE
THE GOOD GUY HERE.
77
00:05:13,965 --> 00:05:16,172
I'’M TRYING TO HELP
THE GUY OUT!
78
00:05:16,172 --> 00:05:17,931
THAT RETARD HAS
TO RUN HIS MOUTH!
79
00:05:17,931 --> 00:05:19,586
WHAT THE HELL--
80
00:05:22,068 --> 00:05:25,344
ANTON!
HEY, ANTON!
81
00:05:30,275 --> 00:05:31,862
- YO, ANTON.
- [ mocking ]
I'’M ANTON.
82
00:05:36,586 --> 00:05:39,241
[ whispering ]
83
00:05:51,275 --> 00:05:54,310
♪ BORN TO LIVE,
NOW I'’M LIVING TO DIE ♪
84
00:05:54,310 --> 00:05:57,689
♪ TRY TO DENY MY FATE,
BUT THE TRUTH DON'’T LIE ♪
85
00:05:57,689 --> 00:06:01,379
♪ I NEVER GOT HIGH
BUT I'’M STILL A BAD GUY ♪
86
00:06:01,379 --> 00:06:04,896
♪ TELL MY MOMMA DON'’T CRY,
IT'’S NOT HER FAULT ♪
87
00:06:04,896 --> 00:06:07,931
♪ THESE STREETS IS CRAZY,
AND DON'’T NOBODY GIVE A FUCK ♪
88
00:06:07,931 --> 00:06:10,896
♪ A LOT OF CATS GO
BEFORE THEIR TIME IS UP ♪
89
00:06:10,896 --> 00:06:13,896
♪ THERE'’S MONEY TO BE MADE,
AND THE GANG WILL TEMPT YA ♪
90
00:06:13,896 --> 00:06:17,275
♪ STAYING ALIVE
IS A FULL-TIME JOB,
NOT AN ADVENTURE... ♪
91
00:06:54,965 --> 00:06:57,379
Jimmy:
COME ON, LET'’S GO!
BACK TO WORK!
92
00:06:57,379 --> 00:06:58,655
HEY.
BUENOS.
93
00:06:58,655 --> 00:07:00,758
[ lighter clicks ]
94
00:07:00,758 --> 00:07:03,862
- WHY BOTHER?
- "WHY BOTHER?"
95
00:07:03,862 --> 00:07:06,931
WHY YOU WANNA GO
SOMEPLACE WHERE YOU
AIN'’T APPRECIATED?
96
00:07:06,931 --> 00:07:08,344
KNOW WHAT I'’M SAYIN'?
97
00:07:08,344 --> 00:07:10,448
YOU WORK HARD
EVERY DAY, RIGHT?
98
00:07:10,448 --> 00:07:13,379
- YEAH.
- SO WHY BOTHER?
99
00:07:13,379 --> 00:07:17,034
WHY BOTHER?
100
00:07:17,034 --> 00:07:18,862
EXACTLY.
101
00:07:18,862 --> 00:07:20,862
[ laughs ]
102
00:07:20,862 --> 00:07:23,862
SO WHAT YOU WANT
OUTTA LIFE, MAN?
103
00:07:23,862 --> 00:07:25,655
YOU GOT DREAMS
AND SHIT?
104
00:07:25,655 --> 00:07:28,310
I WANT TO BE
AN OPERA SINGER.
105
00:07:28,310 --> 00:07:30,586
[ laughs ]
OPERA SINGER?
106
00:07:30,586 --> 00:07:32,793
[ laughing ]
107
00:07:32,793 --> 00:07:34,793
NIGGAS DON'’T
DO THAT, MAN.
108
00:07:34,793 --> 00:07:38,172
BUT YOU KNOW WHAT?
WHO THE FUCK AM I
TO JUDGE, RIGHT?
109
00:07:39,586 --> 00:07:40,965
I'’LL TELL YOU WHAT--
110
00:07:40,965 --> 00:07:42,517
LET ME HOOK
YOU UP, MAN.
111
00:07:47,448 --> 00:07:49,517
[ hip hop music
playing ]
112
00:08:06,137 --> 00:08:08,517
YOU LIKE THAT?
113
00:08:08,517 --> 00:08:09,862
I THOUGHT
YOU MIGHT.
114
00:08:15,655 --> 00:08:18,482
- [ opera music playing ]
- [ singing in Italian ]
115
00:08:55,275 --> 00:08:58,310
- WHAT UP?
- LISTEN, MAN.
116
00:09:00,482 --> 00:09:02,482
WHAT'’S UP WITH THAT?
117
00:09:02,482 --> 00:09:04,344
MAN, WHAT THE FUCK?
118
00:09:04,344 --> 00:09:07,586
- [ opera music continues ]
- [ singing continues ]
119
00:09:37,655 --> 00:09:40,275
YEAH.
IT'’S NOT ALL BAD.
120
00:09:45,137 --> 00:09:47,965
- [ loud rap music playing ]
- [ opera music continues ]
121
00:09:51,482 --> 00:09:53,137
WHO IS IT?
122
00:09:58,379 --> 00:10:00,172
WHAT UP?
WHAT UP? WHAT UP?
123
00:10:00,172 --> 00:10:01,689
[ boys laughing ]
124
00:10:01,689 --> 00:10:04,931
[ singing continues ]
125
00:10:04,931 --> 00:10:07,172
[ loud rap music
continues ]
126
00:10:12,137 --> 00:10:14,896
- [ glass shatters ]
- [ record scratches, stops ]
127
00:10:14,896 --> 00:10:17,620
- Man: WHAT'’S UP, MAN?!
- [ rap music continues ]
128
00:10:17,620 --> 00:10:20,137
- HEY!
- THAT'’S MESSED UP!
129
00:10:22,379 --> 00:10:24,275
ANTON?
PRECIOUS?
130
00:10:24,275 --> 00:10:26,068
PRECIOUS,
ARE YOU OKAY?
131
00:10:26,068 --> 00:10:28,896
OH, COME HERE.
OKAY.
132
00:10:28,896 --> 00:10:31,137
PRECIOUS, OH.
133
00:10:31,137 --> 00:10:33,448
- OH.
- [ panting ]
134
00:10:37,689 --> 00:10:39,172
ANTON...
135
00:10:40,482 --> 00:10:43,758
WHERE DID YOU
GET THIS TUXEDO?
136
00:10:43,758 --> 00:10:45,896
AND THOSE SHOES?
137
00:10:49,620 --> 00:10:53,275
WHERE DID YOU
GET THE MONEY FOR ALL
OF THIS STUFF?
138
00:10:53,275 --> 00:10:55,931
MY FRIEND
BOUGHT IT FOR ME.
139
00:10:55,931 --> 00:10:57,517
- WHAT FRIEND?
- LUKE.
140
00:10:57,517 --> 00:10:59,655
THE GUY
WITH THE BLACK BMW.
141
00:10:59,655 --> 00:11:00,965
YOUR FRIEND?
142
00:11:00,965 --> 00:11:03,137
THAT MAN IS
FULL OF THE DEVIL.
143
00:11:03,137 --> 00:11:05,793
HE'’S A DRUG DEALER, ANTON.
HE'’S NOT YOUR FRIEND.
144
00:11:05,793 --> 00:11:07,689
YOU WON'’T LET ME
HAVE ANY FRIENDS.
145
00:11:07,689 --> 00:11:11,793
IT'’S GOING BACK--
EVERY SINGLE THING.
146
00:11:11,793 --> 00:11:13,965
- NO.
- THIS OPERA FOOLISHNESS
CAUSED THIS,
147
00:11:13,965 --> 00:11:15,448
AND IT'’S GOING
TO STOP.
148
00:11:15,448 --> 00:11:17,517
- NO, NO, NO, NO.
- DON'’T TELL ME NO!
149
00:11:17,517 --> 00:11:21,413
- NO, NO, NO!
- ANTON, I WON'’T
HAVE YOU SASSING ME.
150
00:11:21,413 --> 00:11:23,379
ANTON, YOU TRUST
EVERYBODY.
151
00:11:23,379 --> 00:11:26,689
THERE ARE SOME PEOPLE
OUT THERE THAT DON'’T
MEAN YOU NO GOOD.
152
00:11:26,689 --> 00:11:30,379
IT'’S MY RESPONSIBILITY
TO LOOK AFTER YOU.
153
00:11:30,379 --> 00:11:33,034
NOW, TOMORROW,
154
00:11:33,034 --> 00:11:35,172
ALL THIS NONSENSE
IS GOING BACK.
155
00:11:37,206 --> 00:11:39,551
YOU CAN'’T TELL ME
WHAT TO DO ANYMORE.
156
00:11:39,551 --> 00:11:41,172
I'’M NOT A LITTLE KID.
157
00:11:41,172 --> 00:11:42,827
- [ scoffs ]
- I'’M 28 YEARS OLD.
158
00:11:42,827 --> 00:11:45,034
- YOU CAN'’T TELL
ME WHAT TO DO.
- OH.
159
00:11:45,034 --> 00:11:47,413
I'’M GONNA DO
WHAT I WANT.
160
00:11:54,103 --> 00:11:56,000
SHE CAN'’T TELL ME
WHAT TO DO.
161
00:11:58,517 --> 00:12:01,965
I'’M GONNA DO
JUST WHAT I WANT TO DO.
162
00:12:17,137 --> 00:12:19,586
WHAT'’S UP, BABY?
163
00:12:19,586 --> 00:12:21,344
ANTON, BRING
YOUR ASS OVER HERE.
164
00:12:21,344 --> 00:12:23,000
YOU LOOK GOOD,
DAWG.
165
00:12:23,000 --> 00:12:25,965
YOU GOT A LITTLE DATE?
YOUR TIE IS FUCKED UP
THOUGH.
166
00:12:25,965 --> 00:12:27,689
I'’M RUNNING AWAY
FROM HOME.
167
00:12:27,689 --> 00:12:29,241
I CAN'’T DO NOTHING HERE.
168
00:12:29,241 --> 00:12:31,344
WHAT YOU
TALKING ABOUT, SON?
169
00:12:31,344 --> 00:12:33,000
I THOUGHT WE HAD
A DEAL?
170
00:12:33,000 --> 00:12:36,758
I THOUGHT YOU WAS
GONNA COME WORK FOR ME.
171
00:12:36,758 --> 00:12:40,068
IT'’S JUST--
AUNTIE SAYS THAT YOU--
172
00:12:40,068 --> 00:12:41,551
NEVER MIND.
173
00:12:41,551 --> 00:12:43,241
AHH.
174
00:12:45,517 --> 00:12:48,827
I KNOW WHAT SHE TOLD YOU--
THAT YOU'’RE TOO GOOD
FOR ME, RIGHT?
175
00:12:48,827 --> 00:12:50,241
IF YOU BELIEVE
THAT SHIT,
176
00:12:50,241 --> 00:12:53,241
THEN FUCK IT, MAN.
I HAD BIG PLANS
FOR YOU.
177
00:12:53,241 --> 00:12:56,724
KNOW WHAT I'’M SAYING?
YOU AIN'’T GONNA DO SHIT
WITH THAT OOO-PERA.
178
00:12:56,724 --> 00:12:58,379
[ laughs ]
179
00:12:58,379 --> 00:13:02,068
GO. YOU GONNA
BE BACK THOUGH.
MARK MY WORDS.
180
00:13:03,448 --> 00:13:05,965
REMEMBER THIS--
I MAY NOT BE AS NICE
181
00:13:05,965 --> 00:13:09,068
NEXT TIME YOU SEE ME.
I'’LL SEE YOU AROUND.
182
00:13:09,068 --> 00:13:12,137
- [ door closes ]
- [ car engine starts ]
183
00:13:21,068 --> 00:13:23,241
[ siren wailing ]
184
00:13:33,517 --> 00:13:35,275
Aunt:
ANTON?
185
00:13:35,275 --> 00:13:38,482
ANTON, WHAT ARE YOU
GONNA DO, SLEEP ALL DAY?
186
00:13:40,137 --> 00:13:41,724
ANTON?
187
00:14:07,517 --> 00:14:09,413
EXCUSE ME, MISTER.
COULD YOU HELP ME
188
00:14:09,413 --> 00:14:11,689
GET SOMETHING
TO EAT, PLEASE?
189
00:14:11,689 --> 00:14:14,827
COULD YOU SHOW
SOME UNDESERVED
KINDNESS
190
00:14:14,827 --> 00:14:16,758
AND HELP
THE UNDESERVING PLEASE?
191
00:14:16,758 --> 00:14:19,310
I'’M STARVING.
PLEASE, I HAVEN'’T
EATEN IN THREE DAYS.
192
00:14:19,310 --> 00:14:20,965
- I'’M STARVING.
- I'’M HUNGRY MYSELF.
193
00:14:20,965 --> 00:14:24,172
PLEASE?
YOU WILL BE BLESSED
IF YOU HELP ME.
194
00:14:24,172 --> 00:14:27,862
I'’M BEGGING YOU.
I DON'’T EVEN DO THIS.
THIS IS NOT ME.
195
00:14:27,862 --> 00:14:31,034
I'’M BEGGING FOR FOOD.
PLEASE CAN I HAVE
SOMETHING TO EAT?
196
00:14:31,034 --> 00:14:33,172
PLEASE?
PRETTY PLEASE?
197
00:14:33,172 --> 00:14:35,103
PLEASE?
PLEASE?
198
00:14:42,034 --> 00:14:45,448
THANKS.
HERE, MAN,
TAKE THAT SHIT.
199
00:14:53,344 --> 00:14:56,517
WHERE YOU HEADED
ALL DRESSED UP--
A FASHION SHOW?
200
00:14:56,517 --> 00:14:59,068
I'’M GOING TO ITALY
TO BECOME AN OPERA SINGER.
201
00:14:59,068 --> 00:15:00,827
YEAH, RIGHT.
202
00:15:00,827 --> 00:15:02,655
IT'’S A NEAPOLITAN CITY,
YOU KNOW.
203
00:15:02,655 --> 00:15:05,413
NEAPOLITAN.
NO DOUBT, YO.
204
00:15:05,413 --> 00:15:07,206
I WAS JUST OVER
IN ITALY.
205
00:15:07,206 --> 00:15:09,068
I WAS THERE LIKE
A MONTH AGO.
206
00:15:09,068 --> 00:15:11,103
I WAS HANGING OUT
WITH THE MAFIA,
207
00:15:11,103 --> 00:15:13,931
EATING PIZZA
AND SPAGHETTI AND SHIT.
ALL THAT ITALIAN SHIT, YO.
208
00:15:13,931 --> 00:15:16,827
IT WAS DOPE.
JUST SO EXPENSIVE
TO GET THERE.
209
00:15:16,827 --> 00:15:19,655
- REALLY?
- TRIP LIKE THAT'’LL
COST YOU A COUPLE Gs.
210
00:15:19,655 --> 00:15:21,689
- A COUPLE OF Gs?
- COUPLE THOUSAND DOLLARS.
211
00:15:21,689 --> 00:15:23,827
WHERE YOU BEEN,
UNDER A ROCK AND SHIT?
212
00:15:23,827 --> 00:15:27,068
- YOU GOT IT LIKE THAT?
- NO. NO.
213
00:15:27,068 --> 00:15:28,931
ALL I HAVE IS...
214
00:15:32,862 --> 00:15:34,482
#183.
215
00:15:34,482 --> 00:15:37,103
$183.
216
00:15:37,103 --> 00:15:39,517
YO, YOU'’LL
NEVER GET THERE
WITH THAT, MAN,
217
00:15:39,517 --> 00:15:42,758
UNLESS YOU GET
ONE OF THOSE DISCOUNT
TICKETS AND SHIT.
218
00:15:42,758 --> 00:15:45,172
DISCOUNT TICKETS?
H-HOW MUCH WOULD
THAT COST?
219
00:15:45,172 --> 00:15:47,931
I THINK TOWER AIR'’S
GOING THERE
220
00:15:47,931 --> 00:15:49,689
FOR LIKE
$250 NOW, MAN.
221
00:15:55,379 --> 00:15:57,517
BUT STILL, YO--
YOU STILL AIN'’T
GOT ENOUGH.
222
00:15:58,862 --> 00:16:02,103
UNLESS...
NAH.
223
00:16:02,103 --> 00:16:03,758
WHAT?
WHAT? WHAT?
224
00:16:03,758 --> 00:16:05,241
WHAT? WHAT?
225
00:16:05,241 --> 00:16:07,896
I GOT A FRIEND.
HE WORKS IN A TRAVEL
AGENCY.
226
00:16:07,896 --> 00:16:11,310
HE'’S THE ONE THAT
HOOKED ME UP SO I CAN
GO TO ITALY.
227
00:16:11,310 --> 00:16:13,137
MAYBE I CAN
GO TALK TO HIM,
SEE IF HE'’LL
228
00:16:13,137 --> 00:16:15,827
HOOK YOU UP, MAN,
WITH A DISCOUNT.
229
00:16:15,827 --> 00:16:19,275
R-REALLY?
YOU THINK H-HE WOULD
DO THAT FOR ME?
230
00:16:19,275 --> 00:16:21,896
I DON'’T SEE WHY NOT.
YOU'’RE GOOD PEOPLE
AND SHIT.
231
00:16:21,896 --> 00:16:24,517
LET ME GO TALK TO HIM.
GIVE ME THE MONEY,
232
00:16:24,517 --> 00:16:28,793
I'’LL GO TALK TO HIM. I'LL GO,
"I MET SOME GOOD PEOPLE.
THEY WANNA GO TO ITALY."
233
00:16:28,793 --> 00:16:30,448
- SEE WHAT HE CAN DO.
- [ laughs ]
234
00:16:30,448 --> 00:16:32,310
RE--
THANKS.
235
00:16:32,310 --> 00:16:34,448
NO DOUBT, MAN.
NO DOUBT, YO.
236
00:16:34,448 --> 00:16:36,379
[ laughs ]
THANKS.
237
00:16:36,379 --> 00:16:38,586
WHERE YOU GOING, MAN?
238
00:16:38,586 --> 00:16:41,241
YOU CAN'’T COME.
'’CAUSE IF HE SEES YOU,
239
00:16:41,241 --> 00:16:43,482
THEN HE'’S GONNA KNOW
IT'’S NOT FOR ME.
240
00:16:43,482 --> 00:16:45,241
HE DON'’T LIKE
GOOD PEOPLE.
241
00:16:45,241 --> 00:16:47,275
- ALL RIGHT?
- O-OKAY. OKAY.
242
00:16:47,275 --> 00:16:49,103
ALL RIGHT, DAWG.
I'’LL BE RIGHT BACK.
243
00:16:49,103 --> 00:16:50,758
Y'’ALL GIVE ME
A HUG, MAN.
244
00:16:50,758 --> 00:16:52,862
I LOVE YOU, MAN.
245
00:17:16,965 --> 00:17:20,689
♪ WITH ALL THIS FUCK
ON THESE STREETS, I'’M
IN A WHOLE NEW CLASS ♪
246
00:17:20,689 --> 00:17:24,206
♪ A TRUE ARTIST
IN THE MAKING '’CAUSE I
STARVE FOR MY CRAFT ♪
247
00:17:24,206 --> 00:17:26,551
♪ LEFT HOME AT A AGE
MOST CATS CONSIDER LATE ♪
248
00:17:26,551 --> 00:17:29,517
♪ PUTTING MATTERS IN MY
OWN HANDS, CONTROLLING
MY FATE ♪
249
00:17:29,517 --> 00:17:32,000
♪ ME, THE LOST SOUL
WHO REFUSES TO FOLD ♪
250
00:17:32,000 --> 00:17:35,379
♪ OUT HERE WITH ONLY
THE CLOTHES ON MY BACK
AND NO DOUGH ♪
251
00:17:35,379 --> 00:17:37,827
♪ DON'’T POSSESS ENOUGH SKILLS
TO ROB AND STEAL ♪
252
00:17:37,827 --> 00:17:41,034
♪ SO NOW I'’M REDUCED
TO BEGGING FOR MY MEALS ♪
253
00:17:41,034 --> 00:17:43,827
♪ THESE COLD NIGHTS
GOT ME MISSING MY BED ♪
254
00:17:43,827 --> 00:17:46,655
♪ BUT THE MUSIC I HEAR
PLAYING IN MY HEAD ♪
255
00:17:46,655 --> 00:17:49,724
♪ KEEPS ME FROM GOING
BACK TO THE LIFE I ONCE LEAD ♪
256
00:17:49,724 --> 00:17:52,241
♪ HELPS ME SEE THE FUTURE
AND WHY I FLED ♪
257
00:17:52,241 --> 00:17:55,275
♪ NO GIMMICKS TO THIS TRICK,
I FLIP IT UNCUT AND PURE ♪
258
00:17:55,275 --> 00:17:57,793
♪ NEVER MOVE IN THIS WORLD
UNLESS YOU ABSOLUTELY SURE ♪
259
00:17:57,793 --> 00:18:00,655
♪ TRUE ARE THE WORDS I SPEAK,
MORE PRECIOUS THAN JEWELRY ♪
260
00:18:00,655 --> 00:18:03,689
♪ GIVING YOU TOOLS YOU NEED
TO HELP YOU FOLLOW
THESE RULES... ♪
261
00:18:03,689 --> 00:18:06,379
- MA'’AM, IS HE RETARDED?
- NO!
262
00:18:06,379 --> 00:18:08,551
HE DOES GET CONFUSED
SOMETIMES,
263
00:18:08,551 --> 00:18:10,827
AND HE HAS A PROBLEM
HANDLING MONEY.
264
00:18:10,827 --> 00:18:14,965
HE TRUSTS EVERYBODY.
BUT HE'’S BRILLIANT IN WAYS
YOU'’LL NEVER UNDERSTAND.
265
00:18:14,965 --> 00:18:16,206
YES, MA'’AM.
266
00:18:16,206 --> 00:18:18,586
I'’LL POST THIS.
267
00:18:18,586 --> 00:18:20,896
I'’LL LET YOU KNOW
IF ANYTHING COMES IN.
268
00:18:20,896 --> 00:18:23,551
- IS THAT ALL?
- RIGHT NOW THAT'’S
ALL I CAN DO.
269
00:18:23,551 --> 00:18:26,517
[ sighs ]
WELL, THANK YOU.
270
00:18:26,517 --> 00:18:29,103
♪ SAY I
LOST MY MIND ♪
271
00:18:29,103 --> 00:18:32,620
♪ WHAT MAKE A MAN
STEP OUT IN THIS WORLD
TOTALLY BLIND? ♪
272
00:18:32,620 --> 00:18:35,758
♪ WHAT'’S BEHIND YOUR REASONS
FOR YOUR ASKIN'’ SUCH
A FOOLISH MOVE? ♪
273
00:18:35,758 --> 00:18:38,689
♪ WHAT'’RE YOU, STUPID?
WHAT THE FUCK YOU
TRYING TO PROVE? ♪
274
00:18:38,689 --> 00:18:41,862
- ♪ YOU GOT
NOTHING TO LOSE... ♪
- WHAT'’RE YOU LOOKING AT?!
275
00:18:41,862 --> 00:18:46,310
♪ I GOT DREAMS TO PURSUE
AND I CAN'’T DO IT AT HOME ♪
276
00:18:46,310 --> 00:18:49,793
♪ MY FAMILY DON'’T SEE MY VISION SO I GOTTA DO THIS ALONE ♪
277
00:18:49,793 --> 00:18:52,344
♪ ON MY OWN, SOLO,
BY MYSELF ♪
278
00:18:52,344 --> 00:18:55,206
♪ MAKE IT HAPPEN WITHOUT
THE HELP OF SOMEONE ELSE ♪
279
00:18:55,206 --> 00:18:58,379
♪ BUT I'’M WORKING
WITH THE SHIT THAT
SHAPES MEN, MAKES MEN ♪
280
00:18:58,379 --> 00:19:00,586
♪ SOMETIMES IT EVEN
BREAKS MEN ♪
281
00:19:00,586 --> 00:19:03,586
♪ WANT MY NAME
MENTIONED AMONG GREAT MEN,
MEN OF RESPECT...♪
282
00:19:11,586 --> 00:19:14,034
[ piano playing ]
283
00:19:43,724 --> 00:19:45,827
- [ music ends ]
- [ applause ]
284
00:19:45,827 --> 00:19:49,310
THANK YOU.
THANK YOU VERY,
VERY, VERY MUCH.
285
00:19:51,310 --> 00:19:52,758
AND NOW...
286
00:19:52,758 --> 00:19:55,344
FOR THE GAME SHOW
PORTION OF OUR PROGRAM,
287
00:19:55,344 --> 00:19:56,931
"NAME THAT SONG."
288
00:19:56,931 --> 00:19:58,379
IF YOU KNOW THE WORDS,
289
00:19:58,379 --> 00:20:00,586
JUST SING ALONG.
290
00:20:00,586 --> 00:20:02,482
[ opera music
playing ]
291
00:20:09,827 --> 00:20:12,620
- I-I KNOW THAT SONG.
- [ music stops ]
292
00:20:12,620 --> 00:20:15,931
YOU SEE THIS?
THERE'’S ONE IN EVERY CROWD.
293
00:20:15,931 --> 00:20:18,068
HE'’S EVEN WEARING
THE RIGHT UNIFORM.
294
00:20:18,068 --> 00:20:19,241
[ all laughing ]
295
00:20:19,241 --> 00:20:21,827
COME ON.
SING IT.
296
00:20:21,827 --> 00:20:23,448
[ opera music plays ]
297
00:20:26,620 --> 00:20:29,724
[ singing in Italian ]
298
00:20:54,275 --> 00:20:57,172
DAMN, MY MAN
CAN SING, HUH?
299
00:20:57,172 --> 00:21:01,034
OH, YES,
HE IS SIMPLY SUPERB.
300
00:21:03,758 --> 00:21:06,862
HEY, YO,
TELL TWEETY BIRD
I SAID, "WHAT'’S UP?"
301
00:21:06,862 --> 00:21:10,379
[ singing high notes ]
302
00:21:19,689 --> 00:21:20,793
- [ song ends ]
- [ applause ]
303
00:21:20,793 --> 00:21:23,103
- WHEW.
- [ whistling ]
304
00:21:24,724 --> 00:21:26,724
THAT WAS FANTASTIC.
305
00:21:26,724 --> 00:21:29,000
- WHO ARE YOU?
- ANTON.
306
00:21:29,000 --> 00:21:31,827
YO, THAT'’S IT?
MY MAN PUT IT DOWN
LIKE "NIGGARATTI"
307
00:21:31,827 --> 00:21:34,724
AND THAT'’S ALL
Y'’ALL GIVE IS PENNIES?
WHAT'’S UP WITH THAT?
308
00:21:34,724 --> 00:21:36,793
COME ON, NOW.
Y'’ALL GOTTA HELP OUT HERE.
309
00:21:36,793 --> 00:21:39,068
COME ON, MY MAN.
YOU-- YOU WAS CRYING.
310
00:21:39,068 --> 00:21:41,551
- WHO DO YOU SING FOR?
- MOSTLY MYSELF.
311
00:21:41,551 --> 00:21:44,103
- COME ON,
WE TAKE FOOD STAMPS.
- I DON'’T THINK SO.
312
00:21:44,103 --> 00:21:46,241
IT'’S ALL GOOD.
SUPPORT THE BLACK
ARTIST.
313
00:21:46,241 --> 00:21:49,517
- YOU MAY GROW
UP TO BE BLACK TOO.
- HE'’S VERY FUNNY.
314
00:21:49,517 --> 00:21:53,275
- HEY, YO!
- LET'’S GIVE SOME LOVE
TO THE PIANO MAN.
315
00:21:53,275 --> 00:21:55,931
- WE AIN'’T GIVE HIM NO LOVE.
SHOW HIM THE LOVE.
- [ applause ]
316
00:21:55,931 --> 00:21:58,931
- GIVE ME THE BUCKET.
- WHAT'’RE YOU UPTIGHT ABOUT?
317
00:21:58,931 --> 00:22:02,206
- I'’M TRYING TO HELP YOU.
- IT'’S ALL RIGHT, I'M
DOING FINE BY MYSELF.
318
00:22:02,206 --> 00:22:06,758
YO, MY MAN,
YOU WAS PUTTING IT DOWN.
YOU CAN SING, KID.
319
00:22:06,758 --> 00:22:10,344
- YOU'’RE VERY FUNNY.
- YOU GOT A WHOLE ROUTINE.
YOU'’RE REAL SLICK.
320
00:22:10,344 --> 00:22:12,275
WHAT'’S THAT
SUPPOSED TO MEAN?
321
00:22:12,275 --> 00:22:15,310
THAT MEANS I'’M ONTO YOU,
SO DON'’T COME LOOKING
TO ME FOR MONEY.
322
00:22:15,310 --> 00:22:18,413
WHAT YOU TALKING ABOUT?
LOOK AT ALL THE CABBAGE
I COLLECTED FOR YOU.
323
00:22:18,413 --> 00:22:21,137
YOU WOULD'’VE HAD
BUTTONS AND PENNIES
IF IT WASN'’T FOR ME.
324
00:22:21,137 --> 00:22:23,310
- YOU OWE ME, MAN.
- DON'’T I KNOW YOU?
325
00:22:23,310 --> 00:22:25,896
- I'’M HANDLING MY BUSINESS.
- I WOULDN'’T WANT IT SAID
326
00:22:25,896 --> 00:22:27,724
I DON'’T CARE
ABOUT THE UNDERPRIVILEGED.
327
00:22:27,724 --> 00:22:30,241
- HERE YOU GO.
- A DOLLAR?
328
00:22:30,241 --> 00:22:32,275
WHAT'’S THAT, A JOKE?
HA HA HA!
329
00:22:32,275 --> 00:22:34,724
YO, MAN, YOU BETTER
GET REAL, SON.
330
00:22:34,724 --> 00:22:37,137
YOU ABOUT TO BE A HEADLINE
IN "THE DAILY NEWS."
331
00:22:37,137 --> 00:22:39,413
"WHITE BOY GETS HIS ASS
STOMPED IN THE PARK."
332
00:22:39,413 --> 00:22:42,827
YEAH? YOU'’LL BE READING
THAT HEADLINE FROM YOUR CELL
AT RIKER'’S ISLAND.
333
00:22:42,827 --> 00:22:46,482
A COUPLE WEEKS OF TOSSING
SALADS MIGHT BE THE VACATION
A GUY LIKE YOU NEEDS.
334
00:22:46,482 --> 00:22:49,586
- WHERE DO I KNOW YOU FROM?
- SHUT THE FUCK UP!
335
00:22:49,586 --> 00:22:52,758
I ASKED FOR WHAT'’S MINE,
YOU GONNA CALL THE COPS
ON ME?
336
00:22:52,758 --> 00:22:56,655
IT'’S ALL GOOD.
YOU IN MY WORLD, SON.
I'’MA SEE YOU OUT HERE.
337
00:22:56,655 --> 00:22:59,413
YOU CAN COUNT ON IT...
MOTHERFUCKER!
338
00:23:04,000 --> 00:23:05,724
I KNOW HIM
FROM SOMEWHERE.
339
00:23:05,724 --> 00:23:08,034
LUCKY YOU.
340
00:23:12,655 --> 00:23:14,103
THANKS.
341
00:23:14,103 --> 00:23:16,103
THANKS FOR HELPING ME
GET THAT INSIDE.
342
00:23:16,103 --> 00:23:19,344
I CAN TAKE CARE OF IT
FROM THERE.
343
00:23:19,344 --> 00:23:21,275
HERE, WAIT.
344
00:23:21,275 --> 00:23:22,482
THAT'’S FOR YOU.
345
00:23:22,482 --> 00:23:24,517
$20.
346
00:23:24,517 --> 00:23:27,103
- YEAH.
- THANKS.
347
00:23:29,931 --> 00:23:31,655
YOU KNOW WHAT?
348
00:23:31,655 --> 00:23:34,137
C-CAN WE DO THIS
AGAIN TOMORROW?
349
00:23:34,137 --> 00:23:36,310
OKAY?
350
00:23:36,310 --> 00:23:38,137
YEAH, ALL RIGHT.
351
00:23:38,137 --> 00:23:39,689
YEAH.
352
00:23:39,689 --> 00:23:41,862
I CAN'’T QUITE
FIGURE YOU OUT YET.
353
00:23:41,862 --> 00:23:44,068
BUT YOU CERTAINLY
CAN SING, RIGHT?
354
00:23:50,206 --> 00:23:52,551
WHAT'’S UP, KID?
WHAT YOU ALL HAPPY ABOUT?
355
00:23:52,551 --> 00:23:54,448
HE SUCK YOUR DICK
OR SOME SHIT?
356
00:23:54,448 --> 00:23:57,137
HEY, YOU'’RE THAT GUY.
357
00:23:57,137 --> 00:24:00,827
YOU SAID YOU WERE
GONNA BUY ME A TICKET
AND YOU TOOK MY MONEY.
358
00:24:00,827 --> 00:24:03,965
- AND YOU DIDN'’T COME BACK.
- OH, THAT'’S YOU!
359
00:24:03,965 --> 00:24:06,413
OH, SHIT!
YOU KNOW WHAT HAPPENED?
360
00:24:06,413 --> 00:24:08,172
I HAD THE TICKET, RIGHT?
361
00:24:08,172 --> 00:24:10,862
BUT THEN I WAS LOOKING
FOR YOU FOR TWO DAYS.
362
00:24:10,862 --> 00:24:14,517
I COULDN'’T FIND YOU.
THE TICKET WAS ONLY GOOD
FOR ONE DAY.
363
00:24:14,517 --> 00:24:16,068
I DON'’T BELIEVE YOU.
364
00:24:16,068 --> 00:24:19,241
I WANTED TO GO TO ITALY
AND YOU TOOK MY MONEY.
365
00:24:19,241 --> 00:24:22,137
FORGET THAT,
ALL THAT MONEY
I COLLECTED FOR YOU TODAY.
366
00:24:22,137 --> 00:24:24,931
[ scoffs ]
YOU COULD BE OVER
IN CHINA.
367
00:24:24,931 --> 00:24:28,344
OR AFRICA,
OR WAY OUT THERE
IN BROOKLYN AND SHIT.
368
00:24:28,344 --> 00:24:30,482
SO HOW MUCH
HE GIVE YOU, YO?
369
00:24:31,551 --> 00:24:33,034
$20.
370
00:24:33,034 --> 00:24:35,931
$20? MAN, YOU THINK
THAT'’S FAIR?
371
00:24:35,931 --> 00:24:37,241
- HMM?
- YES.
372
00:24:37,241 --> 00:24:39,551
YOU SLOWER
THAN I THOUGHT, KID.
373
00:24:39,551 --> 00:24:41,965
- I'’M NOT SLOW.
- IT'’S ALL GOOD.
374
00:24:41,965 --> 00:24:44,241
YOU ARE SLOW.
DON'’T GET ME WRONG,
YOU'’RE SLOW.
375
00:24:44,241 --> 00:24:46,000
IT'’S ALL GOOD,
'’CAUSE YOU'RE GOOD PEOPLE.
376
00:24:46,000 --> 00:24:48,344
ALL RIGHT?
YOU'’RE JUST SLOW
GOOD PEOPLE.
377
00:24:48,344 --> 00:24:50,931
- WHAT'’S YOUR NAME, DAWG?
- I'’M NOT A DOG.
378
00:24:50,931 --> 00:24:52,862
MY NAME IS ANTON.
I'’M A PERSON.
379
00:24:52,862 --> 00:24:55,241
I MEANT LIKE, "DAWG,"
LIKE, "MAN'’S BEST FRIEND."
380
00:24:55,241 --> 00:24:58,206
LIKE DAWG.
"WHERE THE DAWGS AT?"
KNOW WHAT I'’M SAYING?
381
00:24:58,206 --> 00:25:00,862
YOU AIN'’T GONNA BE ABLE
TO CONNECT THAT SHIT.
382
00:25:00,862 --> 00:25:02,965
LISTEN, WHAT I WANT
TO TELL YOU IS
383
00:25:02,965 --> 00:25:05,620
WHILE YOU OUT THERE
IN THE PARK SINGING
AND SHIT,
384
00:25:05,620 --> 00:25:09,068
YOU THE SHOW.
YOU'’RE FUCKING
MICHAEL JACKSON OUT THERE.
385
00:25:09,068 --> 00:25:11,965
THAT MOTHERFUCKER
ON THE PIANO, HE AIN'’T
EVEN TITO.
386
00:25:11,965 --> 00:25:13,931
HE'’S LESS THAN RANDY.
387
00:25:13,931 --> 00:25:16,965
- RANDY?
- THE LITTLE FAT ONE
WITH THE TAMBOURINE
388
00:25:16,965 --> 00:25:19,068
AND THE BONGOS
AND SHIT.
389
00:25:19,068 --> 00:25:20,482
BUT LISTEN,
YOU KNOW WHAT?
390
00:25:20,482 --> 00:25:22,793
I WANT TO GIVE YOU
SOME BUSINESS ADVICE.
391
00:25:22,793 --> 00:25:24,586
- ALL RIGHT?
- OKAY.
392
00:25:24,586 --> 00:25:26,620
ASK FOR MORE MONEY.
393
00:25:28,344 --> 00:25:30,034
OKAY?
394
00:25:30,034 --> 00:25:31,724
- OKAY.
- COOL.
395
00:25:31,724 --> 00:25:34,137
LISTEN, MY
PROFESSIONAL ADVICE,
396
00:25:34,137 --> 00:25:35,551
LIKE ALL THINGS
IN LIFE,
397
00:25:35,551 --> 00:25:37,482
IS GONNA COST YOU
A LITTLE SOMETHING.
398
00:25:37,482 --> 00:25:39,724
SO I'’M JUST GONNA
TAKE A LITTLE SOMETHING.
399
00:25:39,724 --> 00:25:41,448
- THAT SOMETHING.
- THAT'’S MINE.
400
00:25:41,448 --> 00:25:42,896
THAT'’S NOT FAIR.
401
00:25:42,896 --> 00:25:46,000
YOU RIGHT, HERE.
OKAY.
402
00:25:47,103 --> 00:25:48,758
ALL RIGHT?
403
00:25:48,758 --> 00:25:50,689
- HEY, UM...
- NO, NO, NO, LISTEN.
404
00:25:50,689 --> 00:25:52,482
I KNOW WHAT
YOU'’RE THINKING, MAN.
405
00:25:52,482 --> 00:25:54,586
EXPENSES ARE
HIGH AND SHIT.
406
00:25:54,586 --> 00:25:58,206
THAT'’S WHY YOU'VE GOT
TO ASK HIM FOR MORE MONEY.
407
00:26:00,310 --> 00:26:01,827
YOU GOT IT?
408
00:26:23,931 --> 00:26:25,586
[ singing in Italian ]
409
00:27:22,862 --> 00:27:26,241
- [ applause ]
- [ whistling ]
410
00:27:27,379 --> 00:27:30,862
BRAVO!
411
00:27:30,862 --> 00:27:33,931
- I HAD A LOT
OF FUN TODAY.
- DID YOU? I DID TOO.
412
00:27:33,931 --> 00:27:36,275
LOOK AT THAT.
Y'’ALL RAKING IN
ALL THE CHEDDAR.
413
00:27:36,275 --> 00:27:38,413
I DON'’T WANT
ANY TROUBLE FROM
YOU TODAY.
414
00:27:38,413 --> 00:27:41,931
- EXCUSE ME. EXCUSE ME.
- HMM?
415
00:27:41,931 --> 00:27:44,896
IS THAT WHAT YOU SAID?
I THOUGHT YOU SAID,
"EXCUSE ME."
416
00:27:44,896 --> 00:27:47,379
COME ON, ANTON,
LET'’S GO.
417
00:27:47,379 --> 00:27:50,517
ANTON, DON'’T LET HIM
TALK TO YOU LIKE YOU
HIS BITCH.
418
00:27:50,517 --> 00:27:53,413
IS HE PAYING YOU EXTRA
FOR THE JANITORIAL
SERVICES?
419
00:27:53,413 --> 00:27:55,689
OR IS HE JUST RIPPING
YOU OFF AGAIN?
420
00:27:55,689 --> 00:27:57,206
HE THINKS YOU STUPID.
421
00:27:57,206 --> 00:28:00,103
WHITE BOY ALWAYS THINKS
THE BLACK MAN IS STUPID.
422
00:28:00,103 --> 00:28:03,000
EVEN THOUGH YOU ARE
A LITTLE SLOW.
423
00:28:03,000 --> 00:28:05,517
WHY DO YOU ALWAYS
HAVE TO BE SO MEAN?
424
00:28:05,517 --> 00:28:07,206
I AIN'’T MEAN.
I'’M JUST REAL.
425
00:28:07,206 --> 00:28:09,137
I'’M THE REALEST
NIGGA YOU KNOW.
426
00:28:09,137 --> 00:28:11,758
THIS ONE HERE,
THAT'’S WHO YOU
GOTTA WORRY ABOUT.
427
00:28:11,758 --> 00:28:14,655
- HE THE ONE RIPPING YOU OFF.
- I'’M NOT RIPPING HIM OFF.
428
00:28:14,655 --> 00:28:17,310
YOU GAVE HIM $20.
WHAT'’S THAT?
429
00:28:17,310 --> 00:28:19,448
EVEN A YOUNG REPUBLICAN
LIKE YOURSELF
430
00:28:19,448 --> 00:28:21,896
OUGHTA FEEL SOME GUILT
BEHIND THAT TYPE OF SHIT.
431
00:28:21,896 --> 00:28:25,206
REPUBLICAN? I'’M SUCH
A BLEEDING HEART LIBERAL
I VOTED FOR JESSE JACKSON--
432
00:28:25,206 --> 00:28:27,310
TWICE.
STILL DOESN'’T MEAN
I'’M GONNA BEND OVER
433
00:28:27,310 --> 00:28:29,586
AND LET YOU FUCK ME
UP THE ASS.
434
00:28:29,586 --> 00:28:31,965
YEAH? YOU PROBABLY
LIKE IT LIKE THAT.
435
00:28:31,965 --> 00:28:34,620
I'’LL PULL YOUR HAIR
AND MAKE YOU CALL ME
"MANDINGO."
436
00:28:34,620 --> 00:28:36,965
- PUNK ASS WHITE BOY.
- HAVEN'’T YOU HEARD?
437
00:28:36,965 --> 00:28:39,034
THAT BLACK-WHITE STUFF
WENT OUT OF STYLE
438
00:28:39,034 --> 00:28:41,344
WITH PLATFORM SHOES
AND POLYESTER JUMP SUITS.
439
00:28:41,344 --> 00:28:45,275
YEAH? I KEPT MINE,
'’CAUSE THE ANGRY BLACK MAN
SHIT'’S MAKING A COMEBACK.
440
00:28:45,275 --> 00:28:47,689
WHY DON'’T YOU
FIND SOME OTHER WAY
TO WORK OUT YOUR SHIT?
441
00:28:47,689 --> 00:28:51,482
LIKE YOGA, MEDITATION,
ELECTROSHOCK THERAPY?
WHATEVER IT TAKES.
442
00:28:51,482 --> 00:28:53,724
- JUST LEAVE ME
THE FUCK ALONE.
- [ laughing ]
443
00:28:53,724 --> 00:28:55,448
WHAT THE FUCK
YOU LAUGHING AT?
444
00:28:55,448 --> 00:28:57,655
YOU TWO ARE
JUST ALIKE.
445
00:28:57,655 --> 00:29:00,655
OH YEAH?
THE JOKE IS
ON YOU, SON.
446
00:29:00,655 --> 00:29:02,482
'’CAUSE HE'S TRYING
TO BECOME ROCKEFELLER,
447
00:29:02,482 --> 00:29:05,068
AND HE'’S KEEPING YOU
STEPIN FETCHIT.
448
00:29:05,068 --> 00:29:07,172
YOU THE ONE
WITH THE TALENT,
ANTON.
449
00:29:07,172 --> 00:29:10,137
THIS MOTHERFUCKER HERE,
HE'’S LINUS FROM
THE PEANUT GANG.
450
00:29:10,137 --> 00:29:13,758
YOU THE MAN, ANTON,
REMEMBER THAT SHIT.
451
00:29:16,655 --> 00:29:19,068
YOU GET A RAISE.
[ laughs ]
452
00:29:22,689 --> 00:29:24,344
$40?
453
00:29:24,344 --> 00:29:26,000
THANKS.
454
00:29:26,000 --> 00:29:29,517
I-I-I KNEW HE WAS
WRONG ABOUT YOU.
455
00:29:29,517 --> 00:29:30,793
YOU'’RE A GOOD GUY.
456
00:29:30,793 --> 00:29:33,655
YEAH, WELL,
THANKS.
457
00:29:33,655 --> 00:29:36,931
HE TOOK MY MONEY
YESTERDAY.
458
00:29:39,000 --> 00:29:40,620
GOD, MAN,
THAT FIGURES.
459
00:29:40,620 --> 00:29:42,103
YOU GOTTA
BE CAREFUL, ANTON.
460
00:29:42,103 --> 00:29:43,827
EVERYBODY'’S
OUT FOR THEMSELF.
461
00:29:43,827 --> 00:29:46,275
- [ thunder rumbles ]
- EVERYBODY?
462
00:29:46,275 --> 00:29:48,000
YEAH.
463
00:29:48,000 --> 00:29:49,655
EVERYBODY.
464
00:29:49,655 --> 00:29:51,586
[ clears throat ]
465
00:29:51,586 --> 00:29:53,724
ANYWAY, I GOTTA GO,
466
00:29:53,724 --> 00:29:55,862
- SO...
- [ thunder rumbles ]
467
00:29:57,482 --> 00:30:00,172
BOY, THAT CAME DOWN
IN A HURRY.
468
00:30:00,172 --> 00:30:02,137
YOU SHOULD HAVE
AN UMBRELLA OR SOMETHING.
469
00:30:02,137 --> 00:30:04,965
- YEAH.
- YOU COULD CATCH A COLD
OR SOMETHING.
470
00:30:04,965 --> 00:30:06,379
YEAH.
471
00:30:07,448 --> 00:30:09,000
YOU BETTER RUN.
472
00:30:15,586 --> 00:30:17,310
YOU BETTER HURRY.
YOU'’RE GETTING WET.
473
00:30:19,724 --> 00:30:21,827
THE STREET'’S AROUND
TO THE LEFT, THAT WAY.
474
00:30:21,827 --> 00:30:23,896
[ thunder rumbles ]
475
00:30:31,068 --> 00:30:34,275
I-I DON'’T LIKE
LOUD NOISES.
476
00:30:41,724 --> 00:30:43,172
COME ON IN.
477
00:30:44,448 --> 00:30:46,206
IT'’S OKAY.
COME ON.
478
00:30:46,206 --> 00:30:49,482
A LITTLE FURTHER.
479
00:30:50,586 --> 00:30:52,068
WOW.
480
00:30:53,551 --> 00:30:56,000
THIS IS A REALLY
NICE PLACE YOU
HAVE HERE.
481
00:30:56,000 --> 00:30:57,620
THANKS.
482
00:30:59,586 --> 00:31:02,413
YOU SHOULD BE ON
"LIFESTYLES OF THE RICH
AND FAMOUS."
483
00:31:02,413 --> 00:31:03,586
[ laughs ]
484
00:31:03,586 --> 00:31:05,655
THIS IS MY
GIRLFRIEND'’S PLACE.
485
00:31:05,655 --> 00:31:07,068
SHE SINGS OPERA TOO.
486
00:31:07,068 --> 00:31:09,172
JULIA SIMONE.
487
00:31:09,172 --> 00:31:10,758
YOU'’VE HEARD
OF HER, RIGHT?
488
00:31:10,758 --> 00:31:12,206
- JULIA SIMONE?
- YEAH.
489
00:31:12,206 --> 00:31:14,241
NO.
490
00:31:14,241 --> 00:31:15,827
OH.
491
00:31:18,758 --> 00:31:21,482
I GUESS YOU WANT
TO GET OUT OF THOSE CLOTHES.
492
00:31:21,482 --> 00:31:24,241
- OH, UM...
- I'’LL PUT 'EM IN
THE DRYER FOR YOU.
493
00:31:24,241 --> 00:31:26,206
- THANKS.
- SIT DOWN.
494
00:31:26,206 --> 00:31:28,689
DON'’T WORRY
ABOUT GETTING IT WET.
IT'’S ALL RIGHT.
495
00:31:30,620 --> 00:31:31,931
THAT'’S A NICE
TUXEDO.
496
00:31:31,931 --> 00:31:35,379
I HAD ONE.
NOT AS NICE AS THAT,
BUT...
497
00:31:36,517 --> 00:31:37,586
[ thunder rumbles ]
498
00:31:37,586 --> 00:31:40,413
OH, MAN.
499
00:31:40,413 --> 00:31:44,586
- [ laughs ]
- OH, I'’M SORRY.
500
00:31:44,586 --> 00:31:47,241
MY SOCKS ARE
KINDA STINKY.
501
00:31:47,241 --> 00:31:49,482
YEAH.
502
00:31:49,482 --> 00:31:51,931
MAYBE I SHOULD PUT '’EM
IN THE WASHER
503
00:31:51,931 --> 00:31:53,827
BEFORE I PUT '’EM
IN THE DRIER.
504
00:31:54,896 --> 00:31:55,931
OHH.
505
00:31:57,827 --> 00:32:01,724
OH, UM...
I'’M SORRY.
506
00:32:03,413 --> 00:32:05,965
MY FEET ARE
KINDA STINKY TOO.
507
00:32:05,965 --> 00:32:08,827
YEAH. MAYBE YOU SHOULD
TAKE A SHOWER.
508
00:32:08,827 --> 00:32:11,448
IN FACT,
I INSIST.
509
00:32:11,448 --> 00:32:14,344
I CAN'’T TAKE SHOWERS.
510
00:32:14,344 --> 00:32:16,758
AUNTIE SAYS
I'’LL SLIP AND CRACK MY HEAD.
511
00:32:16,758 --> 00:32:20,000
CAN I TAKE
A BATH?
512
00:32:20,000 --> 00:32:22,551
I LOVE BATHS.
513
00:32:47,172 --> 00:32:48,931
[ classical music
playing ]
514
00:33:02,965 --> 00:33:05,241
- [ sprays ]
- [ sneezing ]
515
00:33:14,862 --> 00:33:17,310
[ vocalizes ]
516
00:33:23,793 --> 00:33:25,413
[ laughs ]
517
00:33:27,724 --> 00:33:30,482
[ vocalizes ]
518
00:34:00,896 --> 00:34:01,896
[ music ends ]
519
00:34:01,896 --> 00:34:03,724
WOW.
520
00:34:03,724 --> 00:34:05,241
THAT WAS AMAZING.
521
00:34:06,758 --> 00:34:09,206
YEAH, IT SOUNDS
EVEN BETTER WHEN YOU'’RE DRUNK.
522
00:34:09,206 --> 00:34:12,689
BUT I DON'’T THINK
THAT'’S GONNA HELP ME
IN THE COMPETITION.
523
00:34:12,689 --> 00:34:14,551
COMPETITION?
524
00:34:14,551 --> 00:34:17,724
LIKE YOU WIN PRIZES
AND STUFF IF YOU WIN?
525
00:34:17,724 --> 00:34:19,241
[ laughs ]
526
00:34:19,241 --> 00:34:21,068
YEAH, THE GRAND PRIZE
527
00:34:21,068 --> 00:34:23,206
IS YOU GET TO KISS
HIGH SOCIETY ASS
528
00:34:23,206 --> 00:34:24,931
FOR THE REST
OF YOUR LIFE.
529
00:34:24,931 --> 00:34:28,137
YOU DON'’T WANT TO KNOW
WHAT HAPPENS WHEN YOU LOSE.
530
00:34:28,137 --> 00:34:30,862
HEY, LOOK AT THAT.
THE RAIN STOPPED.
531
00:34:30,862 --> 00:34:32,448
YEAH.
532
00:34:32,448 --> 00:34:36,206
GUESS THAT MEANS
YOU CAN GO.
533
00:34:46,793 --> 00:34:48,517
WHAT'’S UP, MAN?
534
00:34:48,517 --> 00:34:50,793
YOU DON'’T LOOK
TOO HAPPY TO SEE ME.
535
00:34:50,793 --> 00:34:52,344
WHAT'’S THE DEAL, MAN?
536
00:34:52,344 --> 00:34:54,344
YOU AFRAID
OF BLACK PEOPLE NOW,
537
00:34:54,344 --> 00:34:56,931
'’CAUSE YOU WAS UP
IN THE MASTER'’S HOUSE
CHILLING?
538
00:34:56,931 --> 00:34:59,310
I DON'’T WANT YOU
TO TAKE MY MONEY.
539
00:34:59,310 --> 00:35:00,965
YO, MAN, I'’M NOT
THE GOVERNMENT.
540
00:35:00,965 --> 00:35:04,172
I'’M OUT HERE
TO LOOK OUT
FOR YOU, YO.
541
00:35:04,172 --> 00:35:06,793
HOW MUCH HE RIP YOU
OFF FOR THIS TIME?
542
00:35:06,793 --> 00:35:08,827
H-HE DIDN'’T
RIP ME OFF.
543
00:35:08,827 --> 00:35:10,137
HE GAVE ME $40.
544
00:35:10,137 --> 00:35:12,517
$40? YO, MAN,
THIS GUY IS MAKING
545
00:35:12,517 --> 00:35:15,000
HUNDREDS AND HUNDREDS
OF MILLIONS OF DOLLARS
OFF YOU.
546
00:35:15,000 --> 00:35:17,172
- REALLY?
- YEAH, AND THAT SHIT
HE GAVE YOU
547
00:35:17,172 --> 00:35:18,482
IS PROBABLY
COUNTERFEIT, MAN.
548
00:35:18,482 --> 00:35:21,000
LET ME SEE THE MONEY
AND I'’LL TELL YOU
549
00:35:21,000 --> 00:35:23,965
IF THAT SHIT IS FAKE.
I'’LL DO THE SPIT TEST
550
00:35:23,965 --> 00:35:25,931
AND TELL YOU IF IT'’S
TRUE OR FALSE.
551
00:35:25,931 --> 00:35:27,206
NO, I DON'’T WANT TO.
552
00:35:27,206 --> 00:35:29,137
YO, DON'’T DISRESPECT
ME OUT HERE, MAN.
553
00:35:29,137 --> 00:35:32,034
I'’LL BUST YOUR ASS
AND TAKE THAT SHIT.
LET ME SEE.
554
00:35:32,034 --> 00:35:34,517
- LET ME SEE THE MONEY.
- [ screams ]
555
00:35:36,137 --> 00:35:39,448
- [ screams ]
- COME BACK HERE, MAN.
556
00:35:39,448 --> 00:35:40,931
- COME BACK HERE, MAN!
- [ screaming ]
557
00:35:43,241 --> 00:35:46,448
- [ barking ]
- MOVE THAT DOG BEFORE I
THROW THAT SHIT ON THE ROOF.
558
00:35:46,448 --> 00:35:48,103
♪ ALL YOU MOTHERFUCKERS
LET'’S GO ♪
559
00:35:48,103 --> 00:35:50,034
♪ SO WHAT THE FUCK
YOU WAITING FOR? ♪
560
00:35:50,034 --> 00:35:51,862
- ♪ NIGGA, LET'’S ROLL ♪
- ♪ LET'’S GO ♪
561
00:35:51,862 --> 00:35:53,862
♪ YOU WON'’T RESOLVE
DRY HOPES ♪
562
00:35:53,862 --> 00:35:56,034
♪ RINGING IN YOUR SYSTEM,
GOT YOU HOOKED LIKE DOPE ♪
563
00:35:56,034 --> 00:35:58,724
♪ WE HERE TO LEAD
ALL YOU MOTHERFUCKERS,
LET'’S GO ♪
564
00:35:58,724 --> 00:36:00,551
♪ SO WHAT THE FUCK
YOU WAITING FOR? ♪
565
00:36:00,551 --> 00:36:02,310
ATTENTION!
SALUTE!
566
00:36:02,310 --> 00:36:04,344
AND MARCH!
567
00:36:04,344 --> 00:36:08,310
LEFT, LEFT,
LEFT, RIGHT, LEFT!
568
00:36:08,310 --> 00:36:09,724
WHO WANTS ICE CREAM?
569
00:36:09,724 --> 00:36:11,862
[ shouting ]
ICE CREAM! ICE CREAM!
570
00:36:11,862 --> 00:36:13,827
♪ LET'’S ROLL,
LET'’S ROLL... ♪
571
00:36:13,827 --> 00:36:16,379
[ kids shouting ]
ICE CREAM! ICE CREAM !
572
00:36:16,379 --> 00:36:18,724
♪ ALL YOU MOTHERFUCKERS,
LET'’S GO ♪
573
00:36:18,724 --> 00:36:21,517
♪ WHAT THE FUCK
YOU WAITING FOR?
NIGGA, LET'’S ROLL... ♪
574
00:36:21,517 --> 00:36:22,862
WHERE YOU THINK
YOU'’RE GOING?
575
00:36:22,862 --> 00:36:25,137
THERE'’S NOWHERE
TO GO, RIGHT?
576
00:36:25,137 --> 00:36:27,241
DIDN'’T I TELL YOU
TO PAY MY MONEY?
577
00:36:27,241 --> 00:36:29,344
- YO, COME HERE.
- YOU'’RE NOTHING BUT A BULLY.
578
00:36:29,344 --> 00:36:31,482
- COME HERE, MOTHERFUCKER.
- FIRST MY TICKET TO ITALY,
579
00:36:31,482 --> 00:36:33,586
- AND YOU TOOK MY MONEY.
- GIMME MY MONEY,
580
00:36:33,586 --> 00:36:34,827
YOU FUCKING
RETARDED IDIOT.
581
00:36:34,827 --> 00:36:36,551
MANAGER'’S SUPPOSED
TO HELP PEOPLE.
582
00:36:36,551 --> 00:36:38,965
I'’M GONNA MANAGE
TO KICK YOUR ASS.
COME HERE.
583
00:36:38,965 --> 00:36:42,724
NOW YOUR ASS IS GRASS.
COME HERE, YOU FUCKING
CORKY FROM "LIFE GOES ON."
584
00:36:42,724 --> 00:36:44,379
COME HERE.
WHERE'’S MY MONEY?
585
00:36:44,379 --> 00:36:47,206
WHAT'’RE YOU GONNA DO?
YOU GETTING ME DIRTY
AND SHIT?
586
00:36:47,206 --> 00:36:49,758
- GIMME MY MONEY.
- NO! YOU'’RE NOTHING
BUT A BULLY.
587
00:36:49,758 --> 00:36:54,000
GIMME MY MONEY, MAN!
YOU BETTER GIVE ME
MY FUCKING MONEY.
588
00:36:54,000 --> 00:36:55,862
YOU'’RE STILL NOTHING
BUT A BULLY.
589
00:36:55,862 --> 00:36:57,586
Girl:
YOU BETTER STOP THAT!
590
00:36:57,586 --> 00:37:01,344
WHAT Y'’ALL LOOKING AT?
BETTER GO GET AN EDUCATION.
591
00:37:10,896 --> 00:37:12,758
Teacher:
OKAY, KIDS, COME ON.
592
00:37:12,758 --> 00:37:15,068
COME ON, LET'’S GO.
EVERYBODY, LET'’S GO.
593
00:37:15,068 --> 00:37:17,241
GET GOING NOW.
594
00:37:17,241 --> 00:37:19,000
I WASN'’T GONNA
HURT YOU, MAN.
595
00:37:21,206 --> 00:37:23,586
IT'’S JUST ROUGH
OUT HERE, YOU KNOW?
596
00:37:23,586 --> 00:37:26,137
YOU KISSING UP
TO WHITE BOYS, MAN.
597
00:37:26,137 --> 00:37:29,206
WE'’RE BROTHERS.
WE GOTTA STICK TOGETHER.
598
00:37:35,310 --> 00:37:37,137
COME ON, LET'’S GO.
599
00:37:39,137 --> 00:37:40,655
COME ON.
600
00:37:41,724 --> 00:37:43,103
YO, COME ON, MAN.
601
00:37:50,655 --> 00:37:52,965
A-ARE WE REALLY BROTHERS?
602
00:37:52,965 --> 00:37:56,655
BECAUSE YOU WERE
VERY MEAN TO ME BEFORE.
603
00:37:56,655 --> 00:37:59,137
I TOLD YOU, MAN,
WE'’RE BROTHERS NOW,
ALL RIGHT?
604
00:37:59,137 --> 00:38:01,551
I'’M GONNA LOOK OUT
FOR YOU, YO.
605
00:38:01,551 --> 00:38:04,482
[ water running ]
606
00:38:04,482 --> 00:38:07,137
I NEVER REALLY
HAD A BROTHER.
607
00:38:07,137 --> 00:38:08,827
I NEVER HAD A SISTER.
608
00:38:08,827 --> 00:38:12,241
I DON'’T EVEN REMEMBER
MY FATHER,
609
00:38:12,241 --> 00:38:15,068
BUT I HAVE A PICTURE
OF HIM AT HOME.
610
00:38:15,068 --> 00:38:19,448
ALL I HAD WAS MY MOM--
MOTHER
611
00:38:19,448 --> 00:38:22,000
AND MY AUNTIE.
612
00:38:23,724 --> 00:38:27,034
AND MY MOTHER DIED
WHEN I WAS NINE.
613
00:38:31,275 --> 00:38:34,793
YO, MAN, STOP LOOKING
AT THE MONSTER, ALL RIGHT?
614
00:38:34,793 --> 00:38:38,000
YOU'’RE GONNA RUIN
YOUR CONFIDENCE WITH WOMEN.
615
00:38:38,000 --> 00:38:40,206
SPEAKING OF WHICH,
YOU EVER GET SOME PUSSY?
616
00:38:40,206 --> 00:38:42,862
I, UM...
617
00:38:42,862 --> 00:38:44,689
[ stuttering ]
618
00:38:44,689 --> 00:38:46,379
NEVER MIND.
REMIND ME,
619
00:38:46,379 --> 00:38:48,655
I GOTTA GET YOU
SOME PUSSY, ALL RIGHT?
620
00:38:48,655 --> 00:38:50,275
YO, LET ME HOLD
YOUR COLOGNE.
621
00:38:51,517 --> 00:38:53,379
MY BALLS STINK.
COME ON.
622
00:38:59,517 --> 00:39:01,310
YO, MAN, YOU EVER
GOT KIDS?
623
00:39:01,310 --> 00:39:02,896
NO.
624
00:39:02,896 --> 00:39:05,965
WHAT AM I THINKING?
HOW YOU GONNA CATCH KIDS
625
00:39:05,965 --> 00:39:09,034
WHEN YOU AIN'’T EVEN
CATCHED NO PUSSY YET?
626
00:39:09,034 --> 00:39:12,206
LET ME TELL YOU SOMETHING.
WHEN YOU DO GET A KID,
627
00:39:12,206 --> 00:39:14,379
IT'’S THE GREATEST
THING IN THE WORLD, SON.
628
00:39:16,724 --> 00:39:19,482
- ARE YOU WORKING?
- NO, BUT I GOT THIS
THING HAPPENING.
629
00:39:19,482 --> 00:39:22,517
THEN DON'’T EVEN THINK
ABOUT BRINGING YOUR ASS
INTO MY HOUSE.
630
00:39:22,517 --> 00:39:26,034
- I'’M NOT HERE TO SEE YOU.
I WANNA SEE MY DAUGHTER.
- YOUR DAUGHTER?
631
00:39:26,034 --> 00:39:28,517
YOU CAN START SEEING YOUR
DAUGHTER WHEN YOU START
SUPPORTING YOUR DAUGHTER.
632
00:39:28,517 --> 00:39:31,103
CAN I HAVE
JUST SOME TIME--
633
00:39:32,586 --> 00:39:35,206
MUST BE THAT TIME
OF THE MONTH, MAN.
634
00:39:35,206 --> 00:39:36,931
WHAT TIME?
635
00:39:36,931 --> 00:39:39,931
IF YOU GOT SOME PUSSY,
YOU WOULD KNOW WHAT TIME.
636
00:39:42,862 --> 00:39:45,206
CLARISSE, I'’M STRAIGHT.
I'’M NOT EVEN HIGH.
637
00:39:45,206 --> 00:39:47,586
I JUST WANNA SEE HER.
PLEASE?
638
00:39:47,586 --> 00:39:51,379
OKAY, BUT IF YOU START
ANY SHIT UP IN HERE,
639
00:39:51,379 --> 00:39:53,241
I'’M CALLING THE COPS
ON YOUR ASS.
640
00:39:53,241 --> 00:39:55,793
WHY YOU ALWAYS THINKING
I'’M GONNA START SOMETHING?
641
00:39:57,586 --> 00:39:59,586
LETICIA,
YOUR DADDY'’S HERE.
642
00:40:03,000 --> 00:40:06,241
THERE'’S MY LITTLE GIRL.
COME HERE, BABY.
643
00:40:06,241 --> 00:40:08,241
- OHH!
- HI, DADDY.
644
00:40:08,241 --> 00:40:09,724
HI, HOW YOU DOING?
645
00:40:09,724 --> 00:40:11,965
- GOOD, I MISS YOU.
- HI, I'’M ANTON.
646
00:40:11,965 --> 00:40:14,241
- I MISS YOU TOO.
- A PLEASURE TO MEET YOU.
647
00:40:14,241 --> 00:40:17,310
- HELLO.
- COME HERE, I WANNA
SHOW YOU SOMETHING.
648
00:40:18,965 --> 00:40:21,758
THIS IS A PICTURE
I MADE IN SCHOOL.
649
00:40:21,758 --> 00:40:24,068
THIS IS ME AND MOMMY
INSIDE OUR HOUSE
650
00:40:24,068 --> 00:40:25,551
AND YOU INSIDE
YOUR HOUSE.
651
00:40:25,551 --> 00:40:27,241
WOW, THAT'’S
BEAUTIFUL.
652
00:40:27,241 --> 00:40:29,896
CAN I HAVE THIS?
I'’M GONNA PUT IN MY HOUSE.
653
00:40:29,896 --> 00:40:31,482
OKAY.
654
00:40:33,206 --> 00:40:35,310
WHAT DO YOU HAVE
INSIDE YOUR COAT?
655
00:40:35,310 --> 00:40:37,620
I DON'’T KNOW
IF I WANNA SHOW YOU.
656
00:40:37,620 --> 00:40:39,586
- YOU WANT ME TO SHOW YOU?
- MM-HMM.
657
00:40:39,586 --> 00:40:41,482
OKAY, TAKE A PEEK.
BOW!
658
00:40:41,482 --> 00:40:44,758
- IT'’S A LION.
- YEAH, THAT'’S A LION.
659
00:40:44,758 --> 00:40:47,275
- THIS IS THE BADDEST MOTHER--
- [ clears throat ]
660
00:40:47,275 --> 00:40:50,827
THE BADDEST CAT
IN THE WHOLE JUNGLE.
661
00:40:50,827 --> 00:40:52,413
HE KICKS
EVERYBODY'’S BUTT.
662
00:40:52,413 --> 00:40:54,517
- EVERYBODY'’S?
- EVERYBODY. ANYBODY.
663
00:40:54,517 --> 00:40:57,137
IS IT A GIRL LION
OR THE BOY LION?
664
00:40:57,137 --> 00:40:58,965
THIS ONE IS
A DADDY LION.
665
00:40:58,965 --> 00:41:01,620
WAY YOU CAN TELL
IS BY THE MANE,
YOU SEE?
666
00:41:01,620 --> 00:41:04,103
HE'’S GOT THE MANE HERE,
LIKE DADDY'’S GOT THE MANE.
667
00:41:04,103 --> 00:41:05,413
FEEL THAT.
[ growls ]
668
00:41:05,413 --> 00:41:08,482
HIS JOB IS TO PROTECT
THE FAMILY.
669
00:41:08,482 --> 00:41:10,689
'’CAUSE IF SOMEBODY TRIES
TO BOTHER THE FAMILY,
670
00:41:10,689 --> 00:41:12,310
HE GOES CRAZY.
HE GOES LIKE,
671
00:41:12,310 --> 00:41:14,862
"PUT '’EM UP,
PUT '’EM UP!
672
00:41:14,862 --> 00:41:17,448
I'’LL FIGHT YOU
WITH ONE HAND.
PUT '’EM UP!"
673
00:41:17,448 --> 00:41:20,517
SEE? EVEN THOUGH
THE MOMMY, SHE KICKS
A LITTLE BUTT TOO.
674
00:41:20,517 --> 00:41:23,517
ON THE REAL, YOU KNOW?
BUT THINGS WORK BETTER
675
00:41:23,517 --> 00:41:26,310
WHEN THE MOMMY LION
TAKES CARE OF THE BABIES
676
00:41:26,310 --> 00:41:28,689
AND THE DADDY LIONS
TAKE CARE OF THE BUSINESS.
677
00:41:28,689 --> 00:41:30,000
- THE BUSINESS?
- THE BUSINESS.
678
00:41:30,000 --> 00:41:31,827
YOU WANT
TO TALK IN CODE?
679
00:41:31,827 --> 00:41:33,931
WHY DON'’T YOU TRY
BRINGING HOME SOME
GAZELLE?
680
00:41:33,931 --> 00:41:35,896
I'’M JUST TRYING
TO EXPLAIN TO HER
681
00:41:35,896 --> 00:41:37,827
THAT THERE'’S RULES
EVEN IN THE WILDERNESS.
682
00:41:37,827 --> 00:41:39,724
HAKUNA MATATA
AND GOODBYE TO YOU.
683
00:41:39,724 --> 00:41:42,000
LETICIA, YOUR DADDY
HAS TO GO.
684
00:41:42,000 --> 00:41:43,827
BYE, DADDY.
685
00:41:43,827 --> 00:41:45,896
BYE, BABY.
I LOVE YOU, OKAY?
686
00:41:45,896 --> 00:41:48,620
- LOVE YOU TOO.
- BE GOOD FOR YOUR MOMMY,
ALL RIGHT?
687
00:41:48,620 --> 00:41:49,931
- OKAY.
- I'’LL SEE YOU SOON.
688
00:41:49,931 --> 00:41:52,172
ALL RIGHT.
689
00:41:52,172 --> 00:41:53,965
LOOK, CLARISSE,
COME HERE.
690
00:41:53,965 --> 00:41:56,344
WHY DON'’T YOU GIVE US
A LITTLE SPACE, YO?
691
00:41:56,344 --> 00:41:58,862
HUH?
692
00:41:58,862 --> 00:42:00,137
YEAH.
693
00:42:02,689 --> 00:42:04,241
HEY, CLARISSE,
LISTEN,
694
00:42:04,241 --> 00:42:06,896
I'’M SORRY ABOUT HER.
I WASN'’T TRYING
695
00:42:06,896 --> 00:42:08,551
TO PISS YOU OFF
OR NOTHING.
696
00:42:08,551 --> 00:42:11,172
I'’M TRYING TO MAKE
THINGS RIGHT WITH US,
ALL RIGHT?
697
00:42:11,172 --> 00:42:13,482
- YES.
- I GOT THIS THING
DOWN AT THE PARK
698
00:42:13,482 --> 00:42:15,172
WITH MY MAN.
I LIKE MANAGE HIM.
699
00:42:15,172 --> 00:42:16,689
- WOW.
- I'’M SERIOUS.
700
00:42:16,689 --> 00:42:19,551
THIS GUY, HE CAN SING.
HE'’S LIKE CHICO, DEBARGE
701
00:42:19,551 --> 00:42:21,724
AND FUCKING PAVAROTTI
ALL MIXED UP IN ONE.
702
00:42:21,724 --> 00:42:23,689
WHOOPTY-DAMN-DO,
OKAY?
703
00:42:23,689 --> 00:42:25,862
YOU'’VE HAD YOUR VISIT.
YOU CAN LEAVE NOW.
704
00:42:25,862 --> 00:42:28,724
WHY YOU CUTTING ME OFF?
YOU DON'’T EVEN HEAR ME OUT.
705
00:42:28,724 --> 00:42:30,896
- YOU DON'’T
RESPECT WHAT I SAY.
- WESLEY, STOP IT.
706
00:42:30,896 --> 00:42:33,620
- YOU SAID YOU WEREN'’T
GONNA START ANY SHIT.
- FINE.
707
00:42:38,517 --> 00:42:40,448
HOW THE FUCK
WE END UP HERE?
708
00:42:42,241 --> 00:42:44,931
HUH?
709
00:42:53,655 --> 00:42:55,137
NICE MEETING YOU.
710
00:42:56,551 --> 00:42:58,310
OKAY.
711
00:43:05,448 --> 00:43:09,206
- WHY AREN'’T YOU WITH--
- I DON'’T WANT TO TALK
ABOUT IT.
712
00:43:12,310 --> 00:43:14,793
BUT WHY DON'’T YOU
JUST TRY TO TALK--
713
00:43:14,793 --> 00:43:17,448
BECAUSE SHE DON'’T
WANT TO BE WITH ME, OKAY?
714
00:43:17,448 --> 00:43:20,206
I THINK
SHE REALLY DOES.
715
00:43:20,206 --> 00:43:22,724
WHO ASKED YOU
WHAT YOU THINK?
JUST SHUT UP.
716
00:43:26,655 --> 00:43:29,137
Y-YOUR DAUGHTER'’S
REALLY BEAUTIFUL.
717
00:43:32,206 --> 00:43:34,517
YEAH, SHE TAKES
AFTER HER MOM.
718
00:43:39,551 --> 00:43:41,586
YO, BE CAREFUL
COMING IN, ALL RIGHT?
719
00:43:41,586 --> 00:43:44,413
'’CAUSE I HAVEN'T FINISHED
BUILDING THE REST
OF THE STEPS.
720
00:43:48,172 --> 00:43:50,137
CAREFUL, YO.
CAREFUL.
721
00:43:50,137 --> 00:43:53,931
LEAVE THAT OPEN, MAN.
THAT'’S A FRENCH DOOR.
722
00:43:56,000 --> 00:43:57,827
IS THIS WHERE YOU LIVE?
723
00:43:57,827 --> 00:44:01,344
NO, MAN, I JUST
KEEP A LITTLE STASH
HERE, YOU KNOW?
724
00:44:01,344 --> 00:44:05,172
GRAB A SEAT, YO.
MAKE YOURSELF AT HOME
AND SHIT.
725
00:44:07,275 --> 00:44:10,137
YO, YOU SEE
THIS SHIRT?
726
00:44:10,137 --> 00:44:13,517
I WORKED AT MIDNIGHT EXPRESS.
I WAS MAKING $12.50 AN HOUR.
727
00:44:13,517 --> 00:44:15,413
WORD.
ME AND CLARISSE,
728
00:44:15,413 --> 00:44:17,103
WE WERE ALL RIGHT
BACK THEN.
729
00:44:17,103 --> 00:44:18,793
SHIT WAS TIGHT,
YOU KNOW?
730
00:44:18,793 --> 00:44:20,655
THIS MOTHERFUCKER
FIRED ME
731
00:44:20,655 --> 00:44:23,310
FOR COMING IN LATE
A COUPLE TIMES AND SHIT.
732
00:44:23,310 --> 00:44:25,862
TALKING ABOUT,
"YOU LOOK HUNG OVER."
733
00:44:25,862 --> 00:44:27,793
GETTING ALL UP
IN MY BUSINESS.
734
00:44:27,793 --> 00:44:30,379
WHAT THAT GOT TO DO
WITH ANYTHING, HOW I LOOK?
735
00:44:30,379 --> 00:44:32,551
I'’M THERE AT LEAST,
RIGHT?
736
00:44:32,551 --> 00:44:34,517
YEAH.
YEAH, I GUESS.
737
00:44:34,517 --> 00:44:36,275
I KNOW I'’M RIGHT, MAN.
738
00:44:36,275 --> 00:44:38,137
'’CAUSE THE WHITE BOYS,
THEY COME IN,
739
00:44:38,137 --> 00:44:39,827
BE LAUGHING AND GIGGLING
AND SHIT.
740
00:44:39,827 --> 00:44:43,275
ALL BY THE COFFEE MACHINE.
NOBODY SAY NOTHING TO THEM.
741
00:44:43,275 --> 00:44:45,448
I TAKE A NAP
ON THE CONVEYOR BELT,
742
00:44:45,448 --> 00:44:47,827
MOTHERFUCKER GOT ME
BOUNCED OUT THE DOOR
AND SHIT.
743
00:44:47,827 --> 00:44:49,275
THAT AIN'’T EVEN
RIGHT, YO.
744
00:44:49,275 --> 00:44:51,965
THAT SHIT AIN'’T
EVEN RIGHT.
745
00:44:51,965 --> 00:44:54,137
I SHOULD'’VE PUNCHED HIM
IN THE FUCKING FACE
746
00:44:54,137 --> 00:44:56,068
AS SOON
AS I SAW HIM, MAN.
747
00:44:56,068 --> 00:44:58,689
DURING THE FIRST DAY,
JUST TO NEUTRALIZE HIS ASS.
748
00:44:58,689 --> 00:45:01,758
THEN I WOULDN'’T
BE HAVING THESE TYPE
OF PROBLEMS AND SHIT.
749
00:45:01,758 --> 00:45:05,379
I GET PISSED OFF
JUST TALKING ABOUT IT, MAN.
750
00:45:05,379 --> 00:45:08,206
PULL UP A ROCK
AND GET COMFORTABLE, MAN.
751
00:45:08,206 --> 00:45:09,793
HERE.
752
00:45:09,793 --> 00:45:11,620
CATCH SOME Zs, MAN.
753
00:45:13,172 --> 00:45:15,103
- [ sniffs ]
- IT STINKS A LITTLE.
754
00:45:15,103 --> 00:45:16,862
- [ coughs ]
- JUST BREATHE THROUGH
YOUR MOUTH.
755
00:45:16,862 --> 00:45:18,620
IT MAKES IT
MORE BETTER AND SHIT.
756
00:45:19,827 --> 00:45:20,758
[ sighs ]
757
00:45:23,551 --> 00:45:26,206
NO WAY, ANTON.
HE'’S JUST TRYING
TO RIP YOU OFF.
758
00:45:26,206 --> 00:45:28,758
WHY YOU TALKING TO HIM
LIKE HE'’S STUPID?
759
00:45:28,758 --> 00:45:30,965
HE AIN'’T STUPID.
GO AHEAD, ANTON.
760
00:45:30,965 --> 00:45:32,896
- TELL HIM YOUR BIG PLAN.
- OKAY.
761
00:45:32,896 --> 00:45:35,413
YOU COULD PLAY
THE PIANO,
762
00:45:35,413 --> 00:45:37,896
I COULD SING,
AND UM...
763
00:45:37,896 --> 00:45:40,620
AND WES CAN MAKE US
A LOT OF MONEY.
764
00:45:40,620 --> 00:45:42,517
TELL HIM WHY, YO.
TELL HIM WHY.
765
00:45:42,517 --> 00:45:45,931
- '’CAUSE HE'S VERY FUNNY.
- MM-HMM.
766
00:45:45,931 --> 00:45:48,448
YOU TOLD ME YOURSELF
HE STOLE MONEY FROM YOU.
767
00:45:48,448 --> 00:45:51,034
THAT WAS BEFORE.
HE'’S DIFFERENT NOW.
768
00:45:51,034 --> 00:45:52,931
TELL HIM WHY, YO.
TELL HIM WHY.
769
00:45:52,931 --> 00:45:54,379
- '’CAUSE WE'RE BROTHERS.
- YUP.
770
00:45:54,379 --> 00:45:55,586
'’CAUSE WE'RE BROTHERS.
771
00:45:55,586 --> 00:45:57,379
YOU'’RE UNBELIEVABLE,
YOU KNOW THAT?
772
00:45:57,379 --> 00:45:59,275
ANTON, YOU CAN'’T
TRUST PEOPLE LIKE THAT.
773
00:45:59,275 --> 00:46:02,620
I'’M SURPRISED YOU'RE
TRYING TO GET OVER
ON THIS YOUNG MAN.
774
00:46:02,620 --> 00:46:05,000
LOOK AT THAT FACE--
WITH A SMILE.
775
00:46:05,000 --> 00:46:06,862
HOW COULD YOU
GET OVER ON THAT?
776
00:46:06,862 --> 00:46:08,965
I THINK YOU GOT
THIS CONFUSED.
777
00:46:08,965 --> 00:46:11,000
I'’M LINUS
FROM THE PEANUTS GANG,
REMEMBER?
778
00:46:11,000 --> 00:46:13,275
YOU'’RE THE ONE
THAT'’S TRYING TO GET OVER.
779
00:46:13,275 --> 00:46:15,379
FORGET THIS.
I DON'’T NEED THIS SHIT.
780
00:46:15,379 --> 00:46:17,482
FINE, GET OUTTA HERE.
WE DON'’T NEED YOU.
781
00:46:17,482 --> 00:46:20,241
- WE DO OUR OWN THING, ANTON.
- WAIT, WAIT, WAIT. OKAY.
782
00:46:20,241 --> 00:46:22,862
OKAY, I'’LL SING,
783
00:46:22,862 --> 00:46:26,068
AND YOU CAN
PLAY THE PIANO
784
00:46:26,068 --> 00:46:29,344
AND I'’LL GIVE WES
MY MONEY.
785
00:46:31,482 --> 00:46:33,620
I JUST WANT TO SING.
786
00:46:33,620 --> 00:46:35,724
YOU WOULD DO THAT?
YOU WOULD GIVE HIM
787
00:46:35,724 --> 00:46:37,758
YOUR SHARE JUST SO
YOU COULD SING?
788
00:46:37,758 --> 00:46:40,379
YES.
789
00:46:41,724 --> 00:46:43,103
HE'’S JUST LIKE ME.
790
00:46:43,103 --> 00:46:45,379
HE DOESN'’T HAVE
NOTHING.
791
00:46:50,965 --> 00:46:52,827
OKAY, WE'’LL DO IT.
792
00:46:52,827 --> 00:46:55,241
BUT DON'’T
GIVE HIM ANY MONEY.
I'’LL PAY HIM.
793
00:46:55,241 --> 00:46:57,551
- ALL RIGHT?
- [ laughing ]
794
00:47:04,068 --> 00:47:06,172
DON'’T DO THE SMILE
SO MUCH.
795
00:47:09,448 --> 00:47:11,862
[ piano playing ]
796
00:47:12,965 --> 00:47:14,724
[ singing in Italian ]
797
00:47:26,758 --> 00:47:28,689
MY LAST DOLLAR.
798
00:47:30,000 --> 00:47:33,000
I WAS GONNA
BUY SUSHI WITH THIS.
799
00:47:33,000 --> 00:47:35,206
WHO NEEDS FRESH FISH
800
00:47:35,206 --> 00:47:37,275
WHEN YOU HAVE NOURISHMENT
TO THE SOUL?
801
00:47:37,275 --> 00:47:38,517
THAT'’S RIGHT.
802
00:47:38,517 --> 00:47:41,448
EXCUSE ME.
I HAVE TO SUPPORT THIS.
803
00:47:42,827 --> 00:47:44,103
Woman:
YEAH, HE'’S GOOD.
804
00:47:54,793 --> 00:47:57,758
DO THE RIGHT THING.
805
00:48:05,724 --> 00:48:08,379
THIS KINDA MUSIC
BRINGS BLACK PEOPLE TOGETHER.
806
00:48:10,896 --> 00:48:12,655
I LOVE YOU GUYS.
807
00:48:12,655 --> 00:48:15,103
I'’M NOT AFRAID
TO SAY IT.
808
00:48:15,103 --> 00:48:17,586
FINALLY,
BLACK UNITY.
809
00:48:39,931 --> 00:48:41,344
[ applause ]
810
00:48:46,517 --> 00:48:48,275
Wes:
YO, SLOW DOWN, SON.
811
00:48:48,275 --> 00:48:50,344
YOU GOT TO TREAT
THAT LIKE THE TITTY.
812
00:48:50,344 --> 00:48:51,655
YOU JUST TAKE
LITTLE PULLS.
813
00:48:51,655 --> 00:48:52,586
YO!
814
00:48:54,172 --> 00:48:56,758
SO, YO, IS LIKE,
PLAYING THE PIANO IN THE PARK
815
00:48:56,758 --> 00:48:58,206
YOUR ONLY GIG OR WHAT?
816
00:48:58,206 --> 00:49:00,172
YEAH, DO YOU DO
CONCERTS AND STUFF?
817
00:49:00,172 --> 00:49:01,862
I USED TO, MAN.
818
00:49:01,862 --> 00:49:05,344
I USED TO.
I'’D BE INVITED TO GIVE
PRIVATE RECITALS.
819
00:49:05,344 --> 00:49:07,655
THESE RICH OLD LADIES
WOULD COME UP TO ME
820
00:49:07,655 --> 00:49:09,310
AND TELL ME
HOW GOOD I WAS
821
00:49:09,310 --> 00:49:12,896
AND WHAT A PROMISING
CAREER I HAD IN STORE.
822
00:49:12,896 --> 00:49:15,931
BUT THEY WERE
NEVER INTERESTED IN
MY PIANO PLAYING.
823
00:49:15,931 --> 00:49:18,551
WHAT WERE THEY
INTERESTED IN?
824
00:49:18,551 --> 00:49:21,793
MAN, THEY WANNA HAVE
SEX WITH HIM, YO.
825
00:49:21,793 --> 00:49:23,379
OH.
826
00:49:23,379 --> 00:49:25,620
SO YOU BUSTED OUT
THOSE OLD BITCHES, YO?
827
00:49:25,620 --> 00:49:27,896
- YEAH.
- HA HA!
828
00:49:27,896 --> 00:49:30,413
- [ laughing ]
- A COUPLE TIMES,
A COUPLE TIMES.
829
00:49:30,413 --> 00:49:34,068
BUT FOR SOME OF THOSE HAGS,
NO AMOUNT OF MONEY
IN THE WORLD
830
00:49:34,068 --> 00:49:35,620
COULD MAKE IT
WORTH IT.
831
00:49:35,620 --> 00:49:37,793
THAT'’S WEAK, YO.
LET ME TELL YOU SOMETHING--
832
00:49:37,793 --> 00:49:40,137
MONEY ITSELF IS ENOUGH
TO MAKE MY DICK HARD.
833
00:49:40,137 --> 00:49:43,103
FOR THE RIGHT AMOUNT OF MONEY,
I'’LL EAT OUT THAT BITCH
834
00:49:43,103 --> 00:49:45,758
- ON "MURDER, SHE WROTE."
AND BE LOVING IT.
- [ laughing ]
835
00:49:45,758 --> 00:49:49,793
I'’LL BE DRIVING
AROUND IN HER MERCEDES,
ROCKING RONNIE'’S ROLEX.
836
00:49:49,793 --> 00:49:51,241
I DON'’T NEED ALL THAT.
837
00:49:51,241 --> 00:49:53,413
I DON'’T HAVE ANYTHING,
838
00:49:53,413 --> 00:49:55,241
AND I'’M HAPPY.
839
00:49:55,241 --> 00:49:57,448
I GOT TWO GOOD FRIENDS,
840
00:49:57,448 --> 00:50:00,827
AND EVEN THOUGH
I THOUGHT YOU WERE
A DOOKIE HEAD--
841
00:50:00,827 --> 00:50:02,620
[ laughs ]
842
00:50:02,620 --> 00:50:04,724
GIVE ME THAT BOTTLE.
YOU'’RE CUT OFF, MAN.
843
00:50:04,724 --> 00:50:06,275
"DOOKIE HEAD," SHIT.
844
00:50:06,275 --> 00:50:08,482
- WHY YOU DO THAT?
- YOU ON PUNISHMENT, MAN.
845
00:50:08,482 --> 00:50:10,172
- YOU'’RE DRUNK.
- I'’M DRUNK, REALLY?
846
00:50:10,172 --> 00:50:12,724
- I'’M DRUNK?
- I GUESS SO.
847
00:50:15,586 --> 00:50:18,344
I-I-I'’VE NEVER
BEEN DRUNK BEFORE.
848
00:50:18,344 --> 00:50:20,517
[ laughing ]
849
00:50:22,034 --> 00:50:23,827
MAN, THIS HAS
BEEN REAL.
850
00:50:23,827 --> 00:50:25,655
YO, MAN,
WHERE YOU GOING?
HANG OUT.
851
00:50:25,655 --> 00:50:27,379
- CHILL AWHILE, Y'’ALL.
- YEAH, YEAH.
852
00:50:27,379 --> 00:50:30,379
- NO, I GOTTA GO.
- LET ME USE YOUR BATHROOM.
853
00:50:30,379 --> 00:50:33,310
COME ON, I'’M NOT GONNA
STEAL NOTHING.
854
00:50:33,310 --> 00:50:36,000
IN FACT, I MIGHT LEAVE
A LITTLE SOMETHING BEHIND.
855
00:50:36,000 --> 00:50:38,862
- YOU'’LL LEAVE SOMETHING?
- TAKE A SHIT, MAN.
856
00:50:38,862 --> 00:50:40,275
[ laughing ]
857
00:50:40,275 --> 00:50:42,137
LET THE DOGS LOOSE.
858
00:50:42,137 --> 00:50:44,655
THAT'’S WHERE YOU GOTTA
GO TO THE BATHROOM
SO BAD,
859
00:50:44,655 --> 00:50:48,344
SOON AS YOU SIT DOWN
IT COMES OUT LIKE THIS--
[ barking ]
860
00:50:48,344 --> 00:50:50,862
JUST FULL UP
THE TOILET, Y'’ALL.
861
00:50:50,862 --> 00:50:52,931
- [ laughing ]
- ALL RIGHT, BUT JUST
FOR A MINUTE.
862
00:50:52,931 --> 00:50:53,931
A MINUTE.
863
00:50:55,344 --> 00:50:57,172
YOU REALLY
LET THE DOGS LOOSE.
864
00:50:57,172 --> 00:50:59,310
[ laughing ]
865
00:50:59,310 --> 00:51:00,827
SHUT UP, MAN.
866
00:51:00,827 --> 00:51:02,965
YO, MAN,
YOUR PLACE IS TIGHT.
867
00:51:02,965 --> 00:51:05,689
YOU LIVING UP HERE
ALL BIG WILLY STYLE.
868
00:51:05,689 --> 00:51:09,344
- SHIT IS ROCKEFELLER, MAN.
- NO, THIS IS MY LADY'’S PLACE.
869
00:51:09,344 --> 00:51:12,551
MATTHEW'’S GIRLFRIEND
IS THE ONE IN THE PICTURE.
870
00:51:12,551 --> 00:51:14,310
SHE'’S SINGING
IN EUROPE.
871
00:51:14,310 --> 00:51:16,793
WORD. YO,
SHE'’S BLACK.
872
00:51:16,793 --> 00:51:18,206
REALLY?
873
00:51:18,206 --> 00:51:20,482
NO.
874
00:51:20,482 --> 00:51:22,241
MAN, YOU'’RE RIGHT.
875
00:51:23,551 --> 00:51:25,137
MAN, WHAT YOU
DRINKING, YO?
876
00:51:25,137 --> 00:51:27,172
SCOTCH.
WOULD YOU LIKE SOME?
877
00:51:27,172 --> 00:51:28,896
I'’D OFFER YOU SOME
MALT LIQUOR,
878
00:51:28,896 --> 00:51:31,931
BUT BILLY DEE DRANK
IT ALL LAST TIME HE WAS UP.
879
00:51:31,931 --> 00:51:35,758
THEN I GUESS I'’M
GONNA HAVE TO HAVE SOME
OF THE GOOD SHIT THEN.
880
00:51:35,758 --> 00:51:37,551
I WANT SOME
GOOD SHIT TOO.
881
00:51:37,551 --> 00:51:39,827
GO CHECK THE TOILET,
I THINK I MIGHT'’VE
882
00:51:39,827 --> 00:51:41,413
LEFT SOMETHING
IN THERE.
883
00:51:41,413 --> 00:51:44,586
SO, YO, THIS YOUR
GIRL'’S PLACE, HUH?
884
00:51:44,586 --> 00:51:46,586
- YEAH.
- SHE GOT IT
LIKE THAT, HUH?
885
00:51:46,586 --> 00:51:48,275
YEAH, SHE'’S
GOT IT LIKE THAT.
886
00:51:48,275 --> 00:51:51,172
SO WHAT YOU
GOT GOING ON, MAN?
887
00:51:51,172 --> 00:51:54,896
YOU LIKE HER
GIGOLO OR SOME
TYPE OF SHIT?
888
00:51:54,896 --> 00:51:57,172
- I'’M NOT A GIGOLO.
- DON'’T KNOCK IT, YO.
889
00:51:57,172 --> 00:51:59,586
GIGOLOING IS A HARD
FIELD TO BREAK INTO, MAN.
890
00:51:59,586 --> 00:52:02,551
NOT LIKE YOU CAN GO DOWN
TO DEVRY TECHNICAL INSTITUTE
891
00:52:02,551 --> 00:52:04,551
AND TAKE THAT SHIT UP.
892
00:52:04,551 --> 00:52:06,379
THAT'’S AN ART.
PERSONALLY,
893
00:52:06,379 --> 00:52:08,206
I THINK I'’D
BE GOOD AT IT.
894
00:52:08,206 --> 00:52:10,482
'’CAUSE I GOT THIS
BIG OL'’ MONSTER HERE.
895
00:52:10,482 --> 00:52:13,689
HE LIKE TO COME OUT
AND PLAY AND SHIT.
896
00:52:13,689 --> 00:52:14,931
W-WHAT'’S A GIGOLO?
897
00:52:14,931 --> 00:52:16,689
WHERE BITCHES PAY
FOR YOUR DICK.
898
00:52:16,689 --> 00:52:18,310
FOR SEX, RIGHT?
899
00:52:18,310 --> 00:52:20,275
NO, TO PLAY BACKGAMMON.
900
00:52:20,275 --> 00:52:23,482
- YEAH, OF COURSE
FOR SEX, MAN.
- [ laughs ]
901
00:52:23,482 --> 00:52:25,103
YO, KILL THE SMILE, MAN.
902
00:52:25,103 --> 00:52:27,068
THAT SHIT'’S
TOO BIG.
903
00:52:27,068 --> 00:52:31,034
LET ME ASK YOU, MAN.
THIS GIGOLOING THING--
DOES IT PAY ONCE A WEEK,
904
00:52:31,034 --> 00:52:33,310
OR IS THAT LIKE WELFARE,
COMES ONCE A MONTH?
905
00:52:33,310 --> 00:52:34,620
I'’M NOT A GIGOLO.
906
00:52:34,620 --> 00:52:36,517
WHAT DO YOU CALL
ALL THIS SHIT?
907
00:52:37,931 --> 00:52:40,448
JULIA IS HELPING ME
WITH MY CAREER.
908
00:52:40,448 --> 00:52:42,724
I'’M GOING THROUGH
A SLOW PERIOD RIGHT NOW.
909
00:52:42,724 --> 00:52:45,103
MATTHEW'’S REALLY GOOD
AT THE PIANO.
910
00:52:45,103 --> 00:52:46,689
YOU NEVER REALLY
HEARD HIM PLAY.
911
00:52:46,689 --> 00:52:48,482
- [ hiccups ]
- WHY DON'’T WE PARTNER?
912
00:52:48,482 --> 00:52:51,413
YOU HIT IT FROM THE FRONT,
I'’LL DICK IT FROM THE BACK,
913
00:52:51,413 --> 00:52:53,965
WE BOTH GET THROUGH
THIS SLOW PERIOD.
914
00:52:53,965 --> 00:52:56,620
YOU KNOW WHAT?
I DON'’T HAVE TIME FOR THIS.
915
00:52:56,620 --> 00:52:59,827
- YOU GUYS GOTTA GO.
- I WAS JUST FUCKING
WITH YOU.
916
00:52:59,827 --> 00:53:01,862
WHY YOU GETTING ALL
"ATTITUDINAL," MAN?
917
00:53:01,862 --> 00:53:04,448
BUT YOU SAID I COULD
LISTEN TO YOUR RECORDS.
918
00:53:04,448 --> 00:53:07,310
ANTON,
I DON'’T HAVE TIME.
WE'’LL DO THIS LATER.
919
00:53:07,310 --> 00:53:09,620
- TOMORROW.
- FINE.
920
00:53:09,620 --> 00:53:11,448
Anton:
SO WE'’RE GONNA
GET TOGETHER TOMORROW?
921
00:53:11,448 --> 00:53:12,862
YEAH, YEAH,
TOMORROW.
922
00:53:19,000 --> 00:53:22,310
- [ vomiting ]
- YOU SEE THE WAY THAT
MOTHERFUCKER'’S LIVING?
923
00:53:22,310 --> 00:53:24,034
FUCK, I DON'’T
BELIEVE THAT SHIT.
924
00:53:24,034 --> 00:53:25,862
LOOK AT THAT
MOTHERFUCKER.
925
00:53:25,862 --> 00:53:29,379
YOU CAN TELL HE'’S NEVER
WORKED A DAY IN HIS LIFE.
926
00:53:29,379 --> 00:53:32,931
I HAD A NICE HOME.
927
00:53:32,931 --> 00:53:36,482
IT WASN'’T AS FANCY
AS MATTHEW'’S,
928
00:53:36,482 --> 00:53:37,793
BUT IT WAS NICE.
929
00:53:37,793 --> 00:53:39,862
IF YOUR HOUSE WAS
SO LOVEY-DOVEY,
930
00:53:39,862 --> 00:53:42,000
WHAT THE FUCK
YOU DOING OUT HERE FOR?
931
00:53:42,000 --> 00:53:43,862
TAKE YOUR ASS
ON BACK HOME, MAN.
932
00:53:43,862 --> 00:53:46,000
I DON'’T WANT TO GO
HOME LIKE THIS.
933
00:53:46,000 --> 00:53:50,000
THEN THEY'’LL SAY,
"YOU SEE? I TOLD YOU SO.
934
00:53:50,000 --> 00:53:52,482
I TOLD YOU
YOU WERE STUPID.
935
00:53:52,482 --> 00:53:55,620
I TOLD YOU
YOU WASN'’T GONNA
BE NOTHING."
936
00:53:55,620 --> 00:53:59,620
BUT WHEN I BECOME
A BIG AND FAMOUS OPERA STAR,
937
00:53:59,620 --> 00:54:02,793
AND I'’M BIG
938
00:54:02,793 --> 00:54:04,379
AND I'’M FAMOUS,
939
00:54:04,379 --> 00:54:07,034
THAT'’S WHEN
I'’LL GO HOME.
940
00:54:07,034 --> 00:54:10,655
YOU KNOW WHAT?
I WISH YOU GOOD LUCK, MAN.
941
00:54:10,655 --> 00:54:13,827
'’CAUSE YOU CAN SING, SON.
YOU SING YOUR ASS OFF, KID.
942
00:54:13,827 --> 00:54:16,758
I DON'’T EVEN LIKE THAT SHIT,
AND I BE LIKING THAT SHIT.
943
00:54:18,551 --> 00:54:20,310
- [ groans ]
- COME ON.
944
00:54:20,310 --> 00:54:23,034
LET'’S BOUNCE.
YOU NEED TO LAY DOWN
YOUR HEAD.
945
00:54:23,034 --> 00:54:24,379
COME ON.
946
00:54:34,620 --> 00:54:36,379
WHAT'’S UP, DAWG?
YOU ALL RIGHT?
947
00:54:36,379 --> 00:54:38,827
DON'’T WORRY,
I'’M GONNA HOOK YOU UP.
948
00:54:38,827 --> 00:54:40,241
[ burps ]
949
00:54:40,241 --> 00:54:42,827
IT'’S ALL RIGHT.
HOLD ON, BABY.
950
00:54:42,827 --> 00:54:45,206
I'’M GONNA HOOK YOU
UP WITH THIS.
951
00:54:45,206 --> 00:54:47,862
IT'’LL PULL ALL THOSE
TOXINS OUT OF YOUR SYSTEM.
952
00:54:49,896 --> 00:54:51,517
HERE, DRINK THAT.
953
00:54:51,517 --> 00:54:53,448
WAIT, LET ME PUT
A LITTLE SOMETHING
954
00:54:53,448 --> 00:54:55,275
TO GET RID
OF THE NASTY TASTE.
955
00:54:55,275 --> 00:54:56,689
- YOU SURE?
- YEAH.
956
00:54:56,689 --> 00:54:58,793
THAT'’S THE WAY
WE SPELL RELIEF OUT HERE.
957
00:54:58,793 --> 00:55:01,965
I GOT THE RECIPE
FROM MY MAN ETERNAL DEVINE
RIGHT THERE.
958
00:55:03,275 --> 00:55:05,862
HURRY, BEFORE THE FIZZ
STARTS TO FUZZLE.
959
00:55:10,379 --> 00:55:12,310
OH.
960
00:55:12,310 --> 00:55:16,103
I GUESS YOUR BOY MATTHEW'’S
GONNA DISS US, HUH?
961
00:55:16,103 --> 00:55:19,689
HIS TRUE COLORS--
OR SHOULD I SAY
HIS TRUE COLOR?
962
00:55:19,689 --> 00:55:21,758
--IS STARTING TO SHOW.
963
00:55:21,758 --> 00:55:25,379
WHY DO YOU ALWAYS
THINK THE WORST
ABOUT PEOPLE?
964
00:55:25,379 --> 00:55:27,620
IT'’S EXPERIENCE, YO.
965
00:55:27,620 --> 00:55:29,965
I GOT EXPERIENCE
IN LIFE, MAN.
966
00:55:32,068 --> 00:55:34,724
YOU KNOW WHAT THEY SAY,
967
00:55:34,724 --> 00:55:38,000
"YOU GET WHAT YOU GIVE
IN THIS LIFE."
968
00:55:38,000 --> 00:55:41,448
MAN, THAT'’S THE STUPIDEST
SHIT I EVER DONE HEARD.
969
00:55:41,448 --> 00:55:45,413
I'’VE BEEN GETTING MY ASS
KICKED SINCE I CRAWLED OUT
THE PUSSY, MAN.
970
00:55:45,413 --> 00:55:48,689
JUST ONCE I WISH I COULD
KICK A LITTLE ASS BACK.
971
00:55:48,689 --> 00:55:51,379
I'’D KICK EVERYBODY'S ASS
THAT EVER PISSED ME OFF.
972
00:55:53,310 --> 00:55:55,862
I'’M GONNA GO
SEE FOR MYSELF.
973
00:55:58,172 --> 00:56:00,000
I'’D KICK
NEWT GINGRICH'’S ASS.
974
00:56:00,000 --> 00:56:03,068
I'’D KICK CHRISTOPHER
DARDEN'’S ASS.
975
00:56:03,068 --> 00:56:04,827
I'’D KICK
RONALD REAGAN'’S ASS--
976
00:56:04,827 --> 00:56:07,241
I'’D DO THAT SHIT TWICE
'’CAUSE HE GOT ALZHEIMER'S
977
00:56:07,241 --> 00:56:09,517
AND HE'’D FORGET
THE FIRST TIME.
978
00:56:09,517 --> 00:56:12,034
I'’D KICK
GARY COLEMAN'’S ASS,
979
00:56:12,034 --> 00:56:14,482
'’CAUSE IT'S
THE RIGHT HEIGHT
TO KICK AN ASS.
980
00:56:14,482 --> 00:56:16,310
I'’D KICK BOB DOLE'S ASS.
981
00:56:16,310 --> 00:56:19,482
I'’D TAKE THAT PLASTIC
ARM OFF AND BEAT HIM
WITH THAT SHIT.
982
00:56:19,482 --> 00:56:21,482
I'’D KICK
WILE E. COYOTE'’S ASS
983
00:56:21,482 --> 00:56:24,965
FOR TRYING TO GET
THE ROADRUNNER WHEN HE
KNEW HE WAS TOO SLOW.
984
00:56:24,965 --> 00:56:26,931
I'’D KICK
MONICA LEWINSKY'’S ASS
985
00:56:26,931 --> 00:56:29,034
FOR NOT SWALLOWING
THE EVIDENCE.
986
00:56:29,034 --> 00:56:32,379
I'’D KICK FRED FLINTSTONE'S
ASS FOR HAVING THREE TOES
987
00:56:32,379 --> 00:56:34,620
AND THINKING NOBODY
WOULD NOTICE THAT SHIT.
988
00:56:34,620 --> 00:56:37,482
- [ knocking ]
- ALL RIGHT, ALL RIGHT!
989
00:56:37,482 --> 00:56:39,000
JESUS.
990
00:56:39,000 --> 00:56:41,068
- WHAT?
- HI, MATTHEW.
991
00:56:41,068 --> 00:56:43,448
- WHAT'’S UP, MAN?
- I THOUGHT THIS WAS
A DELIVERY.
992
00:56:43,448 --> 00:56:45,724
IT IS, YOU GOT
TWO BROTHERS TO GO.
993
00:56:45,724 --> 00:56:47,517
AREN'’T YOU COMING
DOWN TO PLAY?
994
00:56:47,517 --> 00:56:50,827
ANTON, I DON'’T
FEEL UP TO IT TODAY,
ALL RIGHT?
995
00:56:50,827 --> 00:56:53,206
NO DOUBT.
I'’M GLAD YOU THOUGHT
ENOUGH OF US
996
00:56:53,206 --> 00:56:55,655
TO COME DOWN
AND SAY SOME SHIT LIKE THAT.
997
00:56:55,655 --> 00:56:57,206
YEAH, WHERE'’S MY HEAD
BEEN LATELY?
998
00:56:57,206 --> 00:56:58,965
I'’VE BEEN TAKING CARE
OF MY OWN NEEDS
999
00:56:58,965 --> 00:57:00,896
OVER THOSE OF A COUPLE
OF GUYS I BARELY KNOW.
1000
00:57:00,896 --> 00:57:02,517
I MUST GET
MY PRIORITIES STRAIGHT.
1001
00:57:02,517 --> 00:57:05,586
T-THAT'’S OKAY, MATTHEW.
WE CAN PLAY TOMORROW.
1002
00:57:05,586 --> 00:57:08,448
ANTON, I DON'’T HAVE TIME
TO DO THIS EVERY DAY, OKAY?
1003
00:57:08,448 --> 00:57:11,068
OH.
1004
00:57:13,241 --> 00:57:15,000
W-WHAT'’S GOING ON?
1005
00:57:15,000 --> 00:57:16,758
WE'’RE STILL GONNA
BE FRIENDS, RIGHT?
1006
00:57:16,758 --> 00:57:20,034
DON'’T YOU GET IT, MAN?
HE'’S NOT OUR FRIEND.
1007
00:57:20,034 --> 00:57:22,551
HE'’S NEVER GONNA
BE OUR FRIEND.
1008
00:57:22,551 --> 00:57:24,862
I'’M YOUR FRIEND.
COME ON, LET'’S BOMB OUT.
1009
00:57:24,862 --> 00:57:27,068
- WE'’RE FRIENDS, RIGHT?
- YEAH, WE'’RE STILL FRIENDS.
1010
00:57:27,068 --> 00:57:28,620
SO I'’LL SEE YOU
TOMORROW, RIGHT?
1011
00:57:28,620 --> 00:57:29,827
SURE, TOMORROW.
1012
00:57:29,827 --> 00:57:31,241
[ mocking ]
"SURE, TOMORROW."
1013
00:57:31,241 --> 00:57:34,689
DON'’T WORRY,
WE KNOW OUR WAY OUT.
COME ON.
1014
00:57:40,275 --> 00:57:42,724
- [ bell rings ]
- YO, LISTEN,
1015
00:57:42,724 --> 00:57:45,103
YOU GO AHEAD.
I FORGOT SOMETHING
UPSTAIRS, ALL RIGHT?
1016
00:57:45,103 --> 00:57:46,482
GOTTA GO DO SOMETHING.
1017
00:57:50,586 --> 00:57:53,655
- [ Matthew
singing in italian ]
- [ shower running ]
1018
00:58:00,172 --> 00:58:02,482
[ phone ringing ]
1019
00:58:04,862 --> 00:58:07,344
- Machine: Hi,
leave a message.
- [ beeps ]
1020
00:58:07,344 --> 00:58:09,379
Woman:
Hey, baby.
Sorry I missed you.
1021
00:58:09,379 --> 00:58:11,586
Barcelona'’s been
canceled.
1022
00:58:11,586 --> 00:58:14,241
So I'’m coming home early.
I arrive tomorrow
1023
00:58:14,241 --> 00:58:17,586
at JFK at 9:20
on American flight 203.
1024
00:58:17,586 --> 00:58:19,172
I miss you.
1025
00:58:26,448 --> 00:58:29,655
- [ singing ]
- THAT'’S ALL THE DICK
YOU GOT?
1026
00:58:29,655 --> 00:58:33,000
- JESUS.
- I THOUGHT A GIGOLO HAD
SHIT THAT JIGGLED LOW.
1027
00:58:33,000 --> 00:58:34,862
- WHAT?
- YOU SPECIALIZE
IN MIDGETS AND SHIT?
1028
00:58:34,862 --> 00:58:36,931
HOW THE FUCK
DID YOU GET IN HERE?
1029
00:58:36,931 --> 00:58:38,586
SOMEBODY LEFT
THE DOOR OPEN, MAN.
1030
00:58:38,586 --> 00:58:41,310
I CAME BY TO TELL YOU
THERE'’S NO HARD FEELINGS,
1031
00:58:41,310 --> 00:58:44,448
AND THAT YOU AND I,
WE GOTTA TRY AND GET
ALONG AND SHIT.
1032
00:58:44,448 --> 00:58:46,275
DON'’T FUCKING
BULLSHIT ME.
1033
00:58:46,275 --> 00:58:48,068
YOU'’RE NOT INTERESTED
IN GETTING ALONG.
1034
00:58:48,068 --> 00:58:49,827
SO CUT THE BULLSHIT.
1035
00:58:49,827 --> 00:58:51,862
OKAY.
1036
00:58:51,862 --> 00:58:54,103
I AIN'’T INTERESTED
IN BEING YOUR FRIEND.
1037
00:58:54,103 --> 00:58:57,000
WE GOTTA KISS TOO MUCH ASS
TO BE DOWN WITH YOU.
1038
00:58:57,000 --> 00:58:59,862
YOU'’RE A FUNNY
MOTHERFUCKER,
YOU KNOW THAT?
1039
00:58:59,862 --> 00:59:02,137
YOUR LIBERAL GUILT
KICKS IN FOR ONE MINUTE,
1040
00:59:02,137 --> 00:59:05,034
AND YOU GOT ANTON THINKING
YOU'’RE SUPER WHITEY AND SHIT.
1041
00:59:05,034 --> 00:59:08,137
THEN YOU GET TIRED
OF PLAYING "SUPPORT
YOUR LOCAL NEGRO,"
1042
00:59:08,137 --> 00:59:10,689
SO NOW YOU'’RE READY
TO KICK HIS ASS TO THE CURB
1043
00:59:10,689 --> 00:59:12,931
LIKE SOME DOGSHIT
ON YOUR BRUNO MAGLIS.
1044
00:59:12,931 --> 00:59:16,137
YOU KNOW WHAT?
HIS SILLY ASS DON'’T
KNOW THE DIFFERENCE.
1045
00:59:16,137 --> 00:59:19,068
TOMORROW HE'’S GONNA BE
OUT IN THE PARK
WAITING ON YOU
1046
00:59:19,068 --> 00:59:22,310
'’CAUSE HE THINKS
YOU'’RE HIS FRIEND.
1047
00:59:22,310 --> 00:59:25,689
I JUST WANTED
TO LOOK YOU IN YOUR EYE
AND TELL YOU THAT SHIT.
1048
00:59:27,689 --> 00:59:30,448
YOU'’RE GOOD.
1049
00:59:30,448 --> 00:59:32,551
YOU'’RE REAL GOOD.
1050
00:59:32,551 --> 00:59:35,448
I'’M A LITTLE
CHOKED UP RIGHT HERE.
1051
00:59:37,206 --> 00:59:39,793
YOU REALLY AREN'’T
LIVING TO YOUR FULL POTENTIAL.
1052
00:59:39,793 --> 00:59:42,137
YOU COULD BE LIKE
A BIG TIME HUSTLER.
1053
00:59:42,137 --> 00:59:45,517
SORT OF STOREFRONT PREACHER,
COTTON COMES TO HARLEM
KIND OF HUSTLER.
1054
00:59:45,517 --> 00:59:48,137
YOU REALLY AREN'’T
LIVING UP TO YOUR
FULL POTENTIAL.
1055
00:59:48,137 --> 00:59:51,344
MAYBE I NEED TO TAKE
SOME LESSONS FROM YOU
IN "POTENTIAL-NISM."
1056
00:59:51,344 --> 00:59:54,206
YOU SEEM TO GOT IT ALL DOWN.
LOOK AT THIS.
1057
00:59:54,206 --> 00:59:56,482
YOU'’RE LIVING UP
TO YOUR POTENTIAL, HUH?
1058
00:59:56,482 --> 00:59:57,896
THERE'’S THE DOOR.
USE IT.
1059
00:59:57,896 --> 00:59:59,724
I KNOW WHERE THE DOOR IS.
I LIVE OUT THERE.
1060
00:59:59,724 --> 01:00:02,379
THAT'’S MY HOME OUTSIDE.
1061
01:00:02,379 --> 01:00:04,482
I'’M GOING HOME
TO THE STREET, SON.
1062
01:00:08,862 --> 01:00:10,172
[ door slams ]
1063
01:00:10,172 --> 01:00:12,379
LET ME GET A TASTE
OF THAT APPLE.
1064
01:00:12,379 --> 01:00:13,482
YOU HAD YOURS
ALREADY.
1065
01:00:13,482 --> 01:00:15,482
I KNOW, BUT AS
YOUR MANAGER,
1066
01:00:15,482 --> 01:00:18,379
I GOTTA TEST YOURS
TO MAKE SURE THAT SHIT
AIN'’T POISON.
1067
01:00:18,379 --> 01:00:20,068
- REALLY?
- YEAH.
1068
01:00:20,068 --> 01:00:22,137
YOU'’RE AN IMPORTANT
GUY NOW.
1069
01:00:22,137 --> 01:00:24,103
PEOPLE'’LL BE TRYING
TO ASSASSINATE YOU.
1070
01:00:24,103 --> 01:00:26,344
YOU REMEMBER WHAT HAPPENED
TO KENNEDY, RIGHT?
1071
01:00:26,344 --> 01:00:28,620
I WAS BEGINNING TO THINK
YOU WEREN'’T GONNA SHOW UP.
1072
01:00:28,620 --> 01:00:30,758
SEE, WES,
I TOLD YOU.
1073
01:00:30,758 --> 01:00:33,862
YEAH, IT'’S A GOOD THING
I'’M NOT A GAMBLING MAN.
1074
01:00:33,862 --> 01:00:36,689
IF YOU BET, YOU'’D BE
POORER THAN YOU ARE NOW.
1075
01:00:36,689 --> 01:00:38,413
GET THE FUCK
OUTTA HERE, YO.
1076
01:00:38,413 --> 01:00:40,517
[ mutters,
laughs ]
1077
01:00:40,517 --> 01:00:43,413
IS THE APPLE POISONED?
1078
01:00:43,413 --> 01:00:47,206
I DON'’T KNOW, MAN.
I GOTTA FINISH
THE OTHER HALF.
1079
01:00:47,206 --> 01:00:49,448
GOTTA GET IT
IN MY SYSTEM.
1080
01:00:49,448 --> 01:00:52,000
I'’LL LET YOU KNOW.
1081
01:00:52,000 --> 01:00:53,758
I GUESS YOU'’RE
FEELING FUNNY, HUH?
1082
01:00:53,758 --> 01:00:55,379
HERE YOU GO.
1083
01:00:55,379 --> 01:00:57,103
I'’LL LET YOU
TASTE ITS SEED.
1084
01:00:59,517 --> 01:01:02,241
- HOW DO YOU FEEL?
- I FEEL GOOD. HERE.
1085
01:01:02,241 --> 01:01:05,379
START OUT SLOW
WITH THE SEED,
1086
01:01:05,379 --> 01:01:08,000
SEE IF THAT SHIT
AFFECTS YOU.
1087
01:01:08,000 --> 01:01:09,862
COME ON.
1088
01:01:09,862 --> 01:01:11,793
[ laughs ]
1089
01:01:17,896 --> 01:01:19,655
[ clapping rhythmically ]
1090
01:01:21,103 --> 01:01:23,862
[ singing in Italian ]
1091
01:02:26,275 --> 01:02:28,862
[ cheering,
applause ]
1092
01:02:28,862 --> 01:02:30,517
LET'’S GO BACK
TO YOUR PLACE
1093
01:02:30,517 --> 01:02:31,827
AND HAVE
A PARTY, MAN.
1094
01:02:31,827 --> 01:02:33,517
MY PLACE?
NO WAY, MAN.
1095
01:02:33,517 --> 01:02:36,448
COME ON, MAN.
SOMETHING TO WRITE
IN YOUR JOURNAL.
1096
01:02:36,448 --> 01:02:39,034
YOU KNOW,
THE DAY YOU HUNG OUT
WITH THE NIGGAS.
1097
01:02:41,206 --> 01:02:45,137
- FUCK IT. ALL RIGHT.
- NO DOUBT.
1098
01:02:45,137 --> 01:02:48,206
I DON'’T WANT TO DRINK
ANY MORE BEER THOUGH.
I WANT ICE CREAM.
1099
01:02:48,206 --> 01:02:50,517
- YOU GET
WHATEVER YOU WANT.
- NO DOUBT.
1100
01:02:50,517 --> 01:02:52,758
EVERYBODY GONNA GET
A LITTLE SOMETHING
WHAT THEY WANT.
1101
01:02:52,758 --> 01:02:54,482
EVERYBODY.
1102
01:02:54,482 --> 01:02:56,172
- LET ME HELP Y'’ALL.
- ALL RIGHT.
1103
01:02:56,172 --> 01:02:58,103
- GOT THE BUCKET.
- GIVE ME THE CASH.
1104
01:02:58,103 --> 01:03:00,206
- [ music playing ]
- WHOOO!
1105
01:03:00,206 --> 01:03:01,551
OW!
1106
01:03:01,551 --> 01:03:04,034
YO, TAKE A HIT
OF THIS.
1107
01:03:04,034 --> 01:03:05,758
THIS SHIT'’LL
STOP YOUR HEART.
1108
01:03:05,758 --> 01:03:07,344
- [ giggling ]
- IT'’S THE GOOD SHIT.
1109
01:03:07,344 --> 01:03:09,827
YO, YO, YO,
1110
01:03:09,827 --> 01:03:12,000
BE CAREFUL
WITH THOSE FINGERS, YO.
1111
01:03:12,000 --> 01:03:13,655
HE'’S A WORLD CLASS
PENIS--
1112
01:03:13,655 --> 01:03:15,862
AND A GIGOLO
TO GO.
1113
01:03:15,862 --> 01:03:18,206
WHY DON'’T YOU TRY
"PIANIST?" PIANIST!
1114
01:03:18,206 --> 01:03:20,206
PIANIST.
ALL RIGHT,
I'’LL BE THE PENIS.
1115
01:03:20,206 --> 01:03:22,034
WHAT DO YOU THINK?
I'’M THE PENIS?
1116
01:03:22,034 --> 01:03:24,034
Woman:
OH, DADDY, YOU THE PENIS.
1117
01:03:24,034 --> 01:03:26,793
OOH, I GOT
THE HOT DOG!
1118
01:03:26,793 --> 01:03:31,758
YOU GOT THE MUSCLE!
1119
01:03:31,758 --> 01:03:33,586
OOH, WHAT'’S THE MATTER
WITH HIM?
1120
01:03:33,586 --> 01:03:37,103
HE'’S JUST QUIET.
WHY DON'’T YOU GO
TALK TO HIM?
1121
01:03:37,103 --> 01:03:38,758
HEY.
1122
01:03:38,758 --> 01:03:40,172
HEY.
1123
01:03:40,172 --> 01:03:41,482
WHAT'’S UP?
1124
01:03:43,068 --> 01:03:45,000
WANT A HIT OF THIS?
1125
01:03:46,206 --> 01:03:47,758
NO, THAT'’S DRUGS.
1126
01:03:47,758 --> 01:03:50,103
YEAH, IT'’S DRUGS.
YOU WANT A HIT OF THIS?
1127
01:03:50,103 --> 01:03:52,551
HE LIKES ICE CREAM.
HE ONLY LIKES ICE CREAM.
1128
01:03:52,551 --> 01:03:54,586
COME HERE.
YOU LIKE ICE CREAM,
RIGHT?
1129
01:03:54,586 --> 01:03:56,413
YOU LIKE ICE CREAM.
HERE.
1130
01:03:56,413 --> 01:03:58,379
LOOK, ICE CREAM.
YOU LIKE THAT, RIGHT?
1131
01:03:58,379 --> 01:04:01,172
- OH, YOU LIKE ICE CREAM?
- Y-YEAH.
1132
01:04:01,172 --> 01:04:03,068
- ICE CREAM, MM-MMM.
- GO ON, GET THAT.
1133
01:04:03,068 --> 01:04:05,482
COME ON, BABY.
1134
01:04:07,862 --> 01:04:09,586
OH, HE'’S A HAPPY
MAN NOW.
1135
01:04:10,931 --> 01:04:14,620
MISS SIMONE,
HOW NICE TO SEE YOU.
1136
01:04:14,620 --> 01:04:16,724
OH, MANNY.
1137
01:04:16,724 --> 01:04:19,586
[ laughing ]
OOH-WEE!
1138
01:04:19,586 --> 01:04:21,724
YOU LIKE THAT,
DON'’T YOU?
1139
01:04:23,482 --> 01:04:24,724
COME ON, BABY,
COME ON.
1140
01:04:27,137 --> 01:04:29,034
COME ON,
MOVE YOUR THING.
HOW'’S THAT?
1141
01:04:29,034 --> 01:04:31,241
COME ON,
GET IT ON.
1142
01:04:31,241 --> 01:04:34,413
- HIT IT! HIT IT!
- RAISE THE ROOF UP
IN THIS MOTHERFUCKER.
1143
01:04:34,413 --> 01:04:36,275
YO, YO, HERE.
YOU HIT ON THIS.
1144
01:04:36,275 --> 01:04:38,413
LET ME HIT ON THIS
FOR A MINUTE.
1145
01:04:38,413 --> 01:04:40,275
YEAH, SHAKE THAT
LITTLE ASS, GIRL.
1146
01:04:40,275 --> 01:04:41,793
THAT'’S WHAT I'M
TALKING ABOUT.
1147
01:04:45,931 --> 01:04:48,172
Woman:
OOH, HE LIKED THAT.
1148
01:04:48,172 --> 01:04:51,000
YO, MATT.
YO, MATT.
1149
01:04:52,551 --> 01:04:54,862
WE GOT COMPANY, YO.
1150
01:04:56,448 --> 01:04:58,068
JULIE, WHAT ARE
YOU DOING HERE?
1151
01:04:58,068 --> 01:05:00,482
WHAT AM I DOING HERE?
YOU BASTARD!
1152
01:05:00,482 --> 01:05:01,896
JULIE, THIS IS NOTHING.
1153
01:05:01,896 --> 01:05:03,827
- THIS IS NOTHING?!
- IT'’S NOTHING.
1154
01:05:03,827 --> 01:05:06,034
YOU'’RE SMOKING POT,
FOOLING AROUND WITH FLOOZIES
1155
01:05:06,034 --> 01:05:07,862
AND YOU CALL THIS
NOTHING?!
1156
01:05:07,862 --> 01:05:11,241
I KNOW SHE'’S NOT
CALLING ME A FLOOZY.
'’CAUSE I'LL WHIP HER ASS!
1157
01:05:11,241 --> 01:05:13,241
- SHUT UP!
- WHAT?!
1158
01:05:13,241 --> 01:05:16,000
DON'’T TELL
MY SISTER TO SHUT UP.
I'’LL WHIP YOUR ASS.
1159
01:05:16,000 --> 01:05:17,896
- DON'’T TAKE THAT.
- CAN I HAVE AN AUTOGRAPH?
1160
01:05:17,896 --> 01:05:20,448
I WANT THIS TRASH
OUT OF MY HOUSE!
1161
01:05:20,448 --> 01:05:23,655
- I'’M GONNA WHIP THIS--
- Matthew: SHUT UP!
1162
01:05:23,655 --> 01:05:25,448
[ shouting,
screaming ]
1163
01:05:26,758 --> 01:05:28,862
Matthew:
COME ON, HOLD UP!
1164
01:05:28,862 --> 01:05:31,586
Y'’ALL COULD USE
SOME DRINKS AND SHIT
UP IN HERE.
1165
01:05:33,655 --> 01:05:36,000
- Matthew: HOLD ON!
- CAN I HAVE AN AUTOGRAPH?
1166
01:05:36,000 --> 01:05:37,655
WHAT'’RE YOU TALKING
ABOUT AUTOGRAPH?!
1167
01:05:37,655 --> 01:05:39,793
CAN'’T WE ALL
GET ALONG?
1168
01:05:39,793 --> 01:05:41,275
- [ glass shatters ]
- [ woman screams ]
1169
01:05:41,275 --> 01:05:43,827
[ groans ]
1170
01:05:43,827 --> 01:05:46,758
WHAT YOU DOING, MAN?
YOU'’RE DISTURBING MY
THOUGHT PROGRESS.
1171
01:05:48,862 --> 01:05:51,655
Y-YOU THINK MATTHEW'’S
IN A LOT OF TROUBLE?
1172
01:05:51,655 --> 01:05:53,448
NO DOUBT.
1173
01:05:53,448 --> 01:05:56,103
THAT'’S A SISTER
HE WAS FUCKING WITH
UP THERE, MAN.
1174
01:05:56,103 --> 01:05:58,000
I DON'’T KNOW
WHAT TO TELL YOU.
1175
01:05:58,000 --> 01:06:00,655
IT SEEMS LIKE YOU INSIST
ON THROWING YOUR LIFE AWAY.
1176
01:06:00,655 --> 01:06:03,517
IF THAT'’S WHAT YOU WANT,
GO RIGHT AHEAD AND DO IT!
1177
01:06:03,517 --> 01:06:06,793
I CAN'’T STOP YOU.
I CAN'’T TELL YOU HOW
TO BE A MAN.
1178
01:06:06,793 --> 01:06:10,586
- UNTIL YOU KNOW, THERE'’S NO
WAY YOU'’RE GONNA LOVE ME.
- I'’M NOT MAN ENOUGH, JULIA?
1179
01:06:10,586 --> 01:06:13,724
I GOT NEWS FOR YOU--
NO MAN IS GOOD ENOUGH
FOR YOU!
1180
01:06:13,724 --> 01:06:16,758
YOU WANT A FAN CLUB.
YOU WANT THOUSANDS OF PEOPLE
RUNNING AROUND
1181
01:06:16,758 --> 01:06:18,689
- CALLING YOUR NAME,
KISSING YOUR ASS!
- THAT'’S NOT TRUE.
1182
01:06:18,689 --> 01:06:21,310
AS CUTE AN ASS
AS IT MAY BE,
1183
01:06:21,310 --> 01:06:24,206
I DID HAVE SLIGHTLY
HIGHER EXPECTATIONS
OF MYSELF.
1184
01:06:24,206 --> 01:06:25,482
TAKE THAT.
1185
01:06:31,758 --> 01:06:33,586
I DON'’T WANT
TO DRAG YOU DOWN
1186
01:06:33,586 --> 01:06:35,965
OR STAND IN THE WAY
OF YOUR BRILLIANT CAREER.
1187
01:06:35,965 --> 01:06:39,551
WHY DON'’T YOU JUST
DO WHAT YOU KNOW
YOU SHOULD DO,
1188
01:06:39,551 --> 01:06:42,862
AND GET YOUR SHIT
AND LEAVE?
1189
01:06:49,758 --> 01:06:51,206
SPEAKING
OF THE DEVIL.
1190
01:06:51,206 --> 01:06:54,724
ARE YOU RUNNING AWAY
FROM HOME TOO?
1191
01:06:54,724 --> 01:06:56,793
[ exhales ]
1192
01:06:56,793 --> 01:06:59,379
YEAH.
YEAH, MY MAMA
GAVE ME A SPANKING.
1193
01:06:59,379 --> 01:07:01,103
REALLY?
1194
01:07:01,103 --> 01:07:03,758
I'’M SORRY ABOUT WHAT WENT
DOWN UP THERE, PLAYBOY.
1195
01:07:03,758 --> 01:07:05,758
WOMAN COMING HOME
AND EVERYTHING.
1196
01:07:05,758 --> 01:07:07,862
I THOUGHT YOU HAD
HER IN CHECK, YO.
1197
01:07:07,862 --> 01:07:10,000
IT'’LL BLOW OVER.
IT'’LL BLOW OVER.
1198
01:07:12,275 --> 01:07:14,724
Y-YOU CAN STAY
WITH ME AND WES.
1199
01:07:14,724 --> 01:07:16,310
WE'’LL TAKE CARE
OF YOU.
1200
01:07:16,310 --> 01:07:18,965
THAT'’S ALL RIGHT.
1201
01:07:18,965 --> 01:07:21,620
I'’VE STILL GOT
HER PLASTIC.
1202
01:07:21,620 --> 01:07:23,620
- [ car stops ]
- [ chuckles ]
1203
01:07:23,620 --> 01:07:25,758
YOU KNOW, YOU'’RE LIKE
A CAT, PIANO MAN.
1204
01:07:25,758 --> 01:07:29,137
NO MATTER WHAT HAPPENS
YOU SEEM TO LAND
ON YOUR FEET.
1205
01:07:29,137 --> 01:07:30,793
Y-YOU GONNA
BE OKAY?
1206
01:07:30,793 --> 01:07:33,034
WHY YOU ASKING
IF HE GONNA BE OKAY?
1207
01:07:33,034 --> 01:07:35,482
YOU THE ONE WALKING
WITH SKATEBOARD SHOES ON.
1208
01:07:35,482 --> 01:07:38,000
COME ON, LET'’S BOUNCE.
WE AIN'’T GOT NO PLASTIC.
1209
01:07:38,000 --> 01:07:40,862
YO, ANTON, HOW WOULD YOU
GUYS LIKE TO SPEND A NIGHT
1210
01:07:40,862 --> 01:07:42,137
IN A REALLY NICE HOTEL?
1211
01:07:45,137 --> 01:07:48,241
NO DOUBT.
LET'’S DO THAT.
1212
01:07:50,068 --> 01:07:51,931
Man:
HERE IS YOUR SUITE,
MR. ROLAND.
1213
01:07:51,931 --> 01:07:53,827
ON YOUR RIGHT
WE HAVE THE MASTER
BEDROOM
1214
01:07:53,827 --> 01:07:56,275
WITH AN ADJOINING BATH,
WHICH IS EQUIPPED
WITH WHIRLPOOL
1215
01:07:56,275 --> 01:07:58,448
- AND SAUNA
FOR YOUR CONVENIENCE.
- THAT'’S MY ROOM.
1216
01:07:58,448 --> 01:08:00,310
AHEAD WE HAVE THE PARLOR
WHICH CONVERTS
1217
01:08:00,310 --> 01:08:02,931
TO AN ADDITIONAL BEDROOM,
ALSO WITH AN ADJOINING BATH.
1218
01:08:02,931 --> 01:08:04,931
- YOU SLEEP THERE.
- CONTINUING ON,
GENTLEMEN,
1219
01:08:04,931 --> 01:08:07,482
ON OUR LEFT WE HAVE
THE DINING ROOM AND FULL
SERVICE KITCHEN
1220
01:08:07,482 --> 01:08:09,620
WHICH IS STOCKED
WITH A VARIETY OF LIGHT FARE
1221
01:08:09,620 --> 01:08:11,344
- COMPLIMENTS OF THE HOTEL...
- WHAT'’S FARE?
1222
01:08:11,344 --> 01:08:14,137
- FOOD.
- FOOD, MAN, FOOD.
1223
01:08:14,137 --> 01:08:16,344
...AND CUBAN SEED
CIGARS.
1224
01:08:16,344 --> 01:08:18,793
- FOOD IS FARE?
- FARE IS FOOD.
1225
01:08:18,793 --> 01:08:20,655
OUR EXTENSIVE SELECTION
OF INTERNATIONAL CUISINE
1226
01:08:20,655 --> 01:08:22,413
IS AVAILABLE
24 HOURS A DAY.
1227
01:08:22,413 --> 01:08:25,206
WHOO!
THAT'’S WHAT I'M
TALKING ABOUT.
1228
01:08:25,206 --> 01:08:27,137
"FREEDNESS."
FREE THE WORLD, YO.
1229
01:08:27,137 --> 01:08:29,482
- WHAT'’RE YOU DOING?
- THIS IS FREE.
1230
01:08:29,482 --> 01:08:31,103
IT'’S NOT FREE.
I PAID FOR THIS.
1231
01:08:31,103 --> 01:08:33,655
IT'’S STILL
FREE TO ME.
1232
01:08:33,655 --> 01:08:35,827
...A LARGE SELECTION
OF MOVIE FARE
1233
01:08:35,827 --> 01:08:37,862
INCLUDING ADULT
ENTERTAINMENT.
1234
01:08:37,862 --> 01:08:40,275
YOU MEAN LIKE
WITH TITTIES AND SHIT?
1235
01:08:40,275 --> 01:08:42,482
YES, SIR,
I IMAGINE SO.
1236
01:08:42,482 --> 01:08:44,931
[ chuckles ]
I KNOW WHAT I'’M
DOING LATER.
1237
01:08:44,931 --> 01:08:47,172
GENTLEMEN, MY NAME
IS BRIAN.
1238
01:08:47,172 --> 01:08:48,827
IF YOU SHOULD REQUIRE
ANYTHING ELSE,
1239
01:08:48,827 --> 01:08:50,379
PLEASE DON'’T HESITATE
TO CALL.
1240
01:08:50,379 --> 01:08:52,448
- THANKS A LOT, BRIAN.
- THANK YOU, SIR.
1241
01:08:52,448 --> 01:08:54,275
YO, BRIAN,
THAT'’S FROM ALL OF US.
1242
01:08:54,275 --> 01:08:55,517
- WE APPRECIATE IT.
- THAN--
1243
01:08:55,517 --> 01:08:56,724
- THANK YOU.
- GOOD LOOKING OUT.
1244
01:08:56,724 --> 01:08:58,172
- THANK YOU, SIR.
- TAKE CARE.
1245
01:08:58,172 --> 01:09:00,000
GET YOURSELF A BRIM
FOR THAT HAT.
1246
01:09:00,000 --> 01:09:01,241
YES, SIR,
THANK YOU.
1247
01:09:01,241 --> 01:09:04,000
YOU GAVE BRIAN
$5, MAN.
1248
01:09:04,000 --> 01:09:07,068
TO BE VANNA WHITE.
I COULD'’VE DONE THAT
SHIT FOR YOU.
1249
01:09:07,068 --> 01:09:09,034
BEEN LIKE, "THAT'’S
THE TV RIGHT THERE.
1250
01:09:09,034 --> 01:09:12,482
THAT'’S THE THING
AND THAT'’S A BOOK."
GIVE ME $5.
1251
01:09:12,482 --> 01:09:13,758
YOU DON'’T HAVE
THE ACCENT.
1252
01:09:13,758 --> 01:09:15,379
IT TAKES YEARS
TO CULTIVATE THAT.
1253
01:09:15,379 --> 01:09:17,413
YOU WORK ON IT.
YOU MIGHT GET IT.
1254
01:09:17,413 --> 01:09:19,793
- CULTIVATE IT.
- I GOT A ACCENT.
I GOT A "BLACKCENT."
1255
01:09:24,172 --> 01:09:26,068
RIGHT.
1256
01:09:26,068 --> 01:09:27,551
[ farts ]
1257
01:09:29,310 --> 01:09:31,172
WHERE'’S THE DRAIN?
1258
01:09:31,172 --> 01:09:33,344
LET'’S SEE HOW
YOU DO THIS SHIT.
1259
01:09:34,413 --> 01:09:37,068
[ gagging ]
1260
01:09:37,068 --> 01:09:40,965
THEY GOT AN ELECTRIC
ASS WASHER UP IN
THIS PIECE, MAN.
1261
01:09:44,241 --> 01:09:47,482
- HE'’S VERY FUNNY.
- YEAH.
1262
01:09:51,551 --> 01:09:53,448
[ water running ]
1263
01:09:54,551 --> 01:09:56,000
[ shrieking ]
1264
01:10:00,241 --> 01:10:02,448
[ shrieking continues ]
1265
01:10:04,689 --> 01:10:06,931
OH, SHIT, I GOTTA
GET ONE OF THESE SHITS.
1266
01:10:08,448 --> 01:10:10,896
I-I BET JULIE'’S
BEEN A LOT OF PLACES, HUH?
1267
01:10:10,896 --> 01:10:13,517
YUP, ALL OVER
THE WORLD.
1268
01:10:15,448 --> 01:10:17,862
I BET SHE'’S BEEN
TO ITALY, HUH?
1269
01:10:17,862 --> 01:10:21,034
YEAH, SHE'’S BEEN
TO ITALY.
1270
01:10:21,034 --> 01:10:22,551
OH.
1271
01:10:24,034 --> 01:10:26,448
I WANT TO GO
TO ITALY.
1272
01:10:26,448 --> 01:10:28,034
YEAH.
1273
01:10:28,034 --> 01:10:30,896
I-I BET SHE'’S
BEEN TO FRANCE, HUH?
1274
01:10:30,896 --> 01:10:33,275
YES, ANTON,
SHE'’S BEEN TO FRANCE.
1275
01:10:35,896 --> 01:10:38,758
HOW ABOUT...
1276
01:10:38,758 --> 01:10:40,655
ENGLAND?
HAS SHE BEEN TO ENGLAND?
1277
01:10:40,655 --> 01:10:43,827
ANTON, LIKE I SAID,
SHE'’S BEEN ALL OVER
THE FUCKING WORLD.
1278
01:10:47,620 --> 01:10:49,655
HOW COME YOU DON'’T
GO WITH JULIA?
1279
01:10:49,655 --> 01:10:53,586
I MEAN, SHE'’S SO PRETTY
AND SHE SINGS SO GREAT.
1280
01:10:53,586 --> 01:10:56,827
I WOULD WANT TO BE
AROUND HER ALL THE TIME.
1281
01:10:56,827 --> 01:11:00,172
SOMETIMES YOU GET TIRED
OF BEING "MR. SIMONE,"
1282
01:11:00,172 --> 01:11:01,896
IF YOU KNOW WHAT I MEAN.
1283
01:11:01,896 --> 01:11:03,862
WELL...
1284
01:11:06,137 --> 01:11:07,620
NOT REALLY.
1285
01:11:07,620 --> 01:11:11,137
MAYBE WE COULD
TALK TO JULIA TOMORROW.
1286
01:11:11,137 --> 01:11:12,827
OKAY? I'’LL TELL HER--
1287
01:11:12,827 --> 01:11:15,793
ANTON, THIS HAD
NOTHING TO DO WITH YOU,
OKAY?
1288
01:11:15,793 --> 01:11:18,137
OKAY.
1289
01:11:20,137 --> 01:11:23,000
BUT IF YOU DON'’T
HAVE A PLACE TO GO,
1290
01:11:23,000 --> 01:11:24,862
OR IF YOU
CAN'’T GO HOME,
1291
01:11:24,862 --> 01:11:27,137
MAYBE WE CAN
GET A HOUSE
1292
01:11:27,137 --> 01:11:29,689
AND WE CAN ALL
LIVE TOGETHER.
1293
01:11:29,689 --> 01:11:31,724
[ laughing ]
1294
01:11:40,517 --> 01:11:42,896
W-W-WHAT'’S
SO FUNNY?
1295
01:11:44,793 --> 01:11:46,862
NOTHING. NOTHING.
[ chuckles ]
1296
01:11:48,965 --> 01:11:52,000
NO.
YOU NEVER KNOW.
1297
01:11:52,000 --> 01:11:55,620
- MAYBE.
- [ banging on door ]
1298
01:11:55,620 --> 01:11:58,206
WILL SOMEBODY
GET THE DOOR, MAN?
1299
01:11:58,206 --> 01:12:00,586
COME ON, I ORDERED
SOME PANCAKES AND SHIT.
1300
01:12:00,586 --> 01:12:02,551
- WE GOT A FEAST COMING.
- ALL RIGHT.
1301
01:12:03,827 --> 01:12:06,068
WASSUP?
1302
01:12:06,068 --> 01:12:07,482
HURRY UP.
1303
01:12:07,482 --> 01:12:09,310
- YES?
- MR. ROLAND,
1304
01:12:09,310 --> 01:12:11,172
I AM SORRY
TO DISTURB YOU,
1305
01:12:11,172 --> 01:12:13,172
BUT YOUR CREDIT CARD
HAS BEEN REFUSED.
1306
01:12:13,172 --> 01:12:17,034
IT HAS, IN FACT,
BEEN LISTED AS STOLEN.
1307
01:12:17,034 --> 01:12:19,655
THERE MUST BE
A MISTAKE.
1308
01:12:19,655 --> 01:12:22,965
I'’LL BE RIGHT DOWN
TO CLEAR THIS UP.
1309
01:12:22,965 --> 01:12:24,689
THANK YOU.
1310
01:12:24,689 --> 01:12:26,793
♪ THIS IS
A MAN'’S WORLD... ♪
1311
01:12:28,379 --> 01:12:30,413
- HEY!
- SORRY.
1312
01:12:30,413 --> 01:12:32,551
SHE NEEDS SOME
SIT-UPS, YO.
1313
01:12:32,551 --> 01:12:35,000
YO, GIVE ME
ANOTHER ONE OF THOSE.
1314
01:12:35,000 --> 01:12:37,344
SLOW DOWN, MAN.
1315
01:12:37,344 --> 01:12:39,517
YOU DRINKING YOURS
AND THROW THAT SHIT AWAY.
1316
01:12:39,517 --> 01:12:42,103
YOU SHOULD'’VE GOT MORE
WHEN YOU WAS AT THE HOTEL.
1317
01:12:42,103 --> 01:12:44,275
FUCK YOU, I PAID
FOR THE ROOM, EH?
1318
01:12:44,275 --> 01:12:46,000
NO, FUCK YOU,
BECAUSE TECHNICALLY,
1319
01:12:46,000 --> 01:12:47,551
THESE ARE JULIA'’S.
1320
01:12:47,551 --> 01:12:50,793
SO THE NEXT TIME I SEE JULIA,
I OWE HER A SIP.
1321
01:12:50,793 --> 01:12:53,965
SO I GUESS I GOTTA ADD
UNGRATEFUL SON OF A BITCH
1322
01:12:53,965 --> 01:12:57,275
TO YOUR ALREADY EXCESSIVE LIST
OF CHARACTER FAULTS.
1323
01:12:57,275 --> 01:13:00,758
IF YOU'’RE GONNA START
ACTING ALL BABYISH AND SHIT,
1324
01:13:00,758 --> 01:13:02,793
HERE, TAKE ONE.
1325
01:13:02,793 --> 01:13:05,758
DON'’T LET IT BE
SAID I DON'’T GIVE
TO THE UNDERPRIVILEGED.
1326
01:13:05,758 --> 01:13:07,586
I HOPE THAT SHIT
MAKES YOU VOMIT.
1327
01:13:09,724 --> 01:13:12,931
WHAT DID ONE BALLOON
SAY TO THE OTHER BALLOON?
1328
01:13:12,931 --> 01:13:14,862
Both:
SHUT THE FUCK UP.
1329
01:13:14,862 --> 01:13:16,758
NO.
1330
01:13:16,758 --> 01:13:20,482
"MY POP IS BIGGER
THAN YOUR POP."
1331
01:13:22,379 --> 01:13:24,413
MY DICK IS BIGGER
THAN YOUR DICK,
1332
01:13:24,413 --> 01:13:27,482
AND I'’M GONNA HIT YOU
WITH IT IF YOU DON'’T
SHUT THE FUCK UP.
1333
01:13:28,724 --> 01:13:30,620
YOU GUYS ARGUE
TOO MUCH.
1334
01:13:30,620 --> 01:13:32,896
WE'’RE BROTHERS.
WE SHOULD TAKE CARE
OF EACH OTHER.
1335
01:13:32,896 --> 01:13:34,758
HOW MANY TIMES
I GOTTA TELL YOU?
1336
01:13:34,758 --> 01:13:36,206
WE'’RE THE BROTHERS,
ALL RIGHT?
1337
01:13:36,206 --> 01:13:38,137
SEE? THE BLACK SKIN,
THE BLACK SKIN.
1338
01:13:38,137 --> 01:13:39,931
SEE THAT?
THAT'’S WHITE SKIN.
1339
01:13:39,931 --> 01:13:42,758
ONE OF THESE THINGS
IS NOT LIKE THE '’NOTHER.
1340
01:13:42,758 --> 01:13:46,482
MAN, AREN'’T YOU TIRED
OF THIS BLACK AND WHITE
SHIT ALREADY?
1341
01:13:46,482 --> 01:13:49,586
NOPE, NOT TIRED
OF THE BLACK-WHITE SHIT.
1342
01:13:49,586 --> 01:13:53,068
BECAUSE AS LONG AS YOU
MOTHERFUCKERS GOT ME
OUT HERE ASSED OUT,
1343
01:13:53,068 --> 01:13:55,448
AND YOU CAN GO
WHEREVER YOU WANNA GO
1344
01:13:55,448 --> 01:13:57,586
AND BUY WHATEVER
THE FUCK YOU WANNA BUY
1345
01:13:57,586 --> 01:13:59,965
AND FUCK WHO THE FUCK
YOU WANNA FUCK,
1346
01:13:59,965 --> 01:14:01,758
I'’M NOT TIRED
OF IT.
1347
01:14:01,758 --> 01:14:05,000
YOU MOTHERFUCKERS?
WHO ARE YOU TALKING ABOUT?
1348
01:14:05,000 --> 01:14:08,586
I AIN'’T GOT SHIT.
AT LEAST YOU'’RE BLACK.
YOU GOT AN EXCUSE.
1349
01:14:08,586 --> 01:14:10,655
NO ONE'’S EVER GIVEN ME
A SECOND OF SLACK IN
THIS WORLD
1350
01:14:10,655 --> 01:14:12,137
WITHOUT ME PAYING FOR IT
ONE WAY OR THE OTHER.
1351
01:14:12,137 --> 01:14:15,000
YOU SEE THE TEARS?
I FEEL SORRY FOR YOU.
1352
01:14:15,000 --> 01:14:17,586
WHITE GUY LIVING
IN A FANCY APARTMENT
1353
01:14:17,586 --> 01:14:19,344
OFF OF SOME
BEAUTIFUL-ASSED SISTER.
1354
01:14:19,344 --> 01:14:21,586
OH DAMN,
THE TEARS KEEP FALLING.
1355
01:14:21,586 --> 01:14:23,689
I CAN'’T KEEP THIS SHIT
INSIDE MY EYEBALLS.
1356
01:14:23,689 --> 01:14:25,379
I DON'’T NEED
THIS SHIT.
1357
01:14:25,379 --> 01:14:29,172
FUCK THIS.
I UNDERSTAND YOU
DON'’T APPROVE
1358
01:14:29,172 --> 01:14:31,827
OF A WHITE BOY LIKE ME
BEING WITH A SISTER,
1359
01:14:31,827 --> 01:14:33,896
BUT YOU KNOW WHAT?
I DON'’T GIVE A FUCK.
1360
01:14:33,896 --> 01:14:36,379
JULIE IS THE ONLY
GOOD THING THAT'’S
EVER HAPPENED TO ME
1361
01:14:36,379 --> 01:14:39,689
AND I DON'’T HAVE THAT.
YOU DON'’T HAVE A CLUE
WHAT IT MEANS.
1362
01:14:39,689 --> 01:14:42,655
TO ANSWER YOUR QUESTION,
I DON'’T EXPECT YOU
TO FEEL SHIT.
1363
01:14:42,655 --> 01:14:45,275
GOOD, '’CAUSE I DON'T
EVEN FEEL A LITTLE TURD.
1364
01:14:45,275 --> 01:14:47,103
- FUCK YOU. FUCK YOU!
- FUCK YOU.
1365
01:14:47,103 --> 01:14:48,793
- FUCK YOU.
- I FEEL FOR YOU, MAN.
1366
01:14:48,793 --> 01:14:50,862
SIT YOUR ASS DOWN.
YOU SUPPOSED TO FEEL FOR ME.
1367
01:14:50,862 --> 01:14:53,034
HOW MANY TIMES
I GOTTA TELL YOU THAT?
1368
01:14:53,034 --> 01:14:56,551
IT'’S KIND OF OUR FAULT
HE'’S HOMELESS AND EVERYTHING.
1369
01:14:56,551 --> 01:14:59,241
DAMN STRAIGHT
IT'’S OUR FAULT.
I PLANTED THAT SHIT.
1370
01:14:59,241 --> 01:15:01,517
I DON'’T UNDERSTAND.
WHAT DO YOU MEAN?
1371
01:15:01,517 --> 01:15:04,000
I KNEW JULIA WAS
COMING BACK.
1372
01:15:04,000 --> 01:15:06,827
I BROUGHT THEM STANK HOS
UP THERE JUST TO THROW
HIS SHIT OFF.
1373
01:15:08,827 --> 01:15:11,379
W-W-WHY WOULD
YOU DO THAT?
1374
01:15:11,379 --> 01:15:14,379
WHY? BECAUSE THAT'’S
A SELFISH
1375
01:15:14,379 --> 01:15:16,379
MOTHERFUCKER
1376
01:15:16,379 --> 01:15:17,965
THAT LOOKS DOWN
ON US.
1377
01:15:19,862 --> 01:15:21,827
THAT'’S NOT TRUE.
1378
01:15:28,586 --> 01:15:31,896
♪ I KNOW YOU IN HERE,
ARE YOU IN HERE? ♪
1379
01:15:31,896 --> 01:15:35,034
♪ I KNOW YOU FEEL THIS,
FEEL THIS... ♪
1380
01:15:35,034 --> 01:15:38,620
- ♪ THIS IS A MAN'’S WORLD... ♪
- [ man muttering ]
1381
01:15:44,758 --> 01:15:45,689
GODDAMN IT.
1382
01:15:49,172 --> 01:15:52,241
NO! M-MATTHEW, NO!
THAT'’S WRONG!
1383
01:15:52,241 --> 01:15:54,655
STOP IT!
STOP IT!
1384
01:15:54,655 --> 01:15:56,896
- STOP IT!
- [ shouting ]
1385
01:15:56,896 --> 01:15:59,551
- NO!
- Matthew: FUCK OFF!
1386
01:15:59,551 --> 01:16:02,517
GET BACK HERE
HELP!
1387
01:16:02,517 --> 01:16:04,827
POLICE!
1388
01:16:04,827 --> 01:16:07,862
HELP! POLICE!
1389
01:16:07,862 --> 01:16:10,310
♪ CALL IT FEMALE
INTUITION ♪
1390
01:16:10,310 --> 01:16:13,034
♪ I STAY INDEPENDENT
AND I KNOW THAT KEEP
YOU FISHIN'’ ♪
1391
01:16:13,034 --> 01:16:15,137
♪ TRYING TO GET ME HOOKED,
BABY, LOOK ♪
1392
01:16:15,137 --> 01:16:17,896
♪ ONCE I TOUCH YOUR SOUL,
YOU GONNA BE SHUSHED ♪
1393
01:16:17,896 --> 01:16:20,551
♪ THIS IS A MAN'’S WORLD... ♪
1394
01:16:21,620 --> 01:16:23,137
[ groaning ]
1395
01:16:25,137 --> 01:16:27,551
- GIVE ME THE MONEY.
- CHILL OUT, MAN.
1396
01:16:27,551 --> 01:16:30,034
- GIVE ME THE MONEY!
- EVERYBODY'’S GONNA
GET PAID.
1397
01:16:30,034 --> 01:16:32,068
CHILL OUT.
YO, MATTHEW, MAN,
1398
01:16:32,068 --> 01:16:34,241
THAT WAS SOME BEAUTIFUL
WHITE ON WHITE CRIME.
1399
01:16:34,241 --> 01:16:36,655
WE DON'’T SEE ENOUGH
OF THAT IN THE COMMUNITY.
1400
01:16:36,655 --> 01:16:39,241
GIVE ME THE MONEY.
WE HAVE TO GIVE IT BACK.
1401
01:16:39,241 --> 01:16:41,896
YOU CRAZY SON?
I AIN'’T GIVING THIS--
LOOK AT THAT.
1402
01:16:41,896 --> 01:16:44,931
THAT'’S $100 BILLS.
YO, YOU BETTER GET
IN A TIME CAPSULE
1403
01:16:44,931 --> 01:16:47,068
AND BACK
THE MOTHERFUCK UP, SON.
1404
01:16:47,068 --> 01:16:50,344
JUST CHILL.
RELAX.
1405
01:16:50,344 --> 01:16:52,965
LOOK, YOU JUST
A LITTLE NERVOUS, MAN.
1406
01:16:52,965 --> 01:16:55,793
COME ON,
LET'’S GET OUTTA HERE
BEFORE THE COPS COME.
1407
01:16:55,793 --> 01:16:57,241
NO!
1408
01:16:57,241 --> 01:17:01,620
- ANTON, COME ON, MAN.
- I SAID NO.
1409
01:17:01,620 --> 01:17:04,310
I'’M NOT GOING
WITH YOU GUYS.
1410
01:17:04,310 --> 01:17:07,068
I DON'’T WANT TO BE
FRIENDS WITH PEOPLE
1411
01:17:07,068 --> 01:17:09,000
WHO DO STUFF
LIKE THIS.
1412
01:17:11,965 --> 01:17:14,000
YOU'’RE SOME STRANGE
MOTHERFUCKER.
1413
01:17:14,000 --> 01:17:17,068
- YOU KNOW WHAT?
FUCK YOU THEN.
- GIVE HIM THE MONEY.
1414
01:17:17,068 --> 01:17:18,896
FUCK YOU TOO.
YOU THE ONE THAT
ROBBED HIM.
1415
01:17:18,896 --> 01:17:21,137
- NOW YOU'’RE GETTING
HIGH AND MIGHTY?
- THAT'’S RIGHT.
1416
01:17:21,137 --> 01:17:22,931
SO GIVE HIM
THE FUCKIN'’ MONEY.
1417
01:17:22,931 --> 01:17:25,482
YOU BETTER GET
OUTTA MY FACE!
1418
01:17:25,482 --> 01:17:27,862
- WHAT YOU GONNA DO?
- STOP IT!
1419
01:17:27,862 --> 01:17:31,482
- STOP IT! STOP!
- YO, MAN.
1420
01:17:31,482 --> 01:17:34,344
WHAT THE FUCK
IS WRONG WITH YOU, SON?
1421
01:17:34,344 --> 01:17:38,896
DON'’T YOU NEVER
STEP TO ME LIKE THAT,
MOTHERFUCKER!
1422
01:17:45,344 --> 01:17:47,275
HERE, TAKE
THE FUCKING MONEY.
1423
01:17:50,655 --> 01:17:53,275
LET'’S GO BACK
TO THE PARK.
1424
01:17:53,275 --> 01:17:56,310
EVERYTHING WAS GREAT
WHEN WE WERE SINGING
IN THE PARK.
1425
01:17:56,310 --> 01:17:58,758
I CAN'’T GO
BACK THERE, MAN.
1426
01:18:02,689 --> 01:18:05,344
CAN'’T WE JUST
GET JOBS OR SOMETHING?
1427
01:18:05,344 --> 01:18:07,344
WHAT KIND OF JOBS,
MAN?
1428
01:18:07,344 --> 01:18:10,862
HUH? MOPPING UP
A PORNO HOUSE?
1429
01:18:10,862 --> 01:18:13,413
FLIPPIN'’ BURGERS?
1430
01:18:13,413 --> 01:18:16,206
TONGUE KISSIN'’
SOME CRACKER'’S ASS
FOR MINIMUM WAGE?
1431
01:18:16,206 --> 01:18:20,137
SHIT.
BEEN THERE, DONE THAT, KID.
1432
01:18:20,137 --> 01:18:22,379
THAT AIN'’T NO WAY
TO LIVE LIFE, YO.
1433
01:18:24,551 --> 01:18:26,448
THIS IS NO WAY
TO LIVE, EITHER.
1434
01:18:28,689 --> 01:18:31,482
I WANTED TO BE
AN OPERA SINGER.
1435
01:18:33,379 --> 01:18:37,413
BUT WE'’RE LIVING ON THE STREETSBEGGING AND STEALING.
1436
01:18:37,413 --> 01:18:39,310
IT'’S LIKE WE'RE
GIVING UP.
1437
01:18:41,620 --> 01:18:45,068
AND I'’M ASHAMED
OF MYSELF.
1438
01:18:45,068 --> 01:18:48,482
AND YOU, YOU'’RE ASHAMED
OF YOURSELF TOO.
1439
01:18:48,482 --> 01:18:50,068
AND YOU.
1440
01:19:00,758 --> 01:19:04,551
I DON'’T KNOW WHY
YOU TWO GUYS FIGHT SO MUCH.
1441
01:19:04,551 --> 01:19:06,655
YOU TWO ARE
JUST ALIKE.
1442
01:19:30,103 --> 01:19:31,965
[ siren wails ]
1443
01:19:33,034 --> 01:19:34,827
HANDS IN THE AIR!
1444
01:19:34,827 --> 01:19:37,413
- DOWN ON THE GROUND.
- DAMN, 5-0 GOT HIM.
1445
01:19:37,413 --> 01:19:40,586
YOU WANNA GET YOUR ASS KICKED
IN THE BACK OF A POLICE CAR?
1446
01:19:40,586 --> 01:19:43,448
THAT WOULD FEEL
ALL RIGHT ABOUT NOW.
1447
01:19:43,448 --> 01:19:46,275
- YEAH? WELL, I DON'’T.
- [ police radio chatter ]
1448
01:19:46,275 --> 01:19:48,517
YES, CAN I HELP YOU?
1449
01:19:48,517 --> 01:19:50,482
HE HAS SOMETHING
TO SAY.
1450
01:19:50,482 --> 01:19:51,827
GO AHEAD, TELL HIM.
1451
01:19:51,827 --> 01:19:53,931
EXCUSE ME, MISTER...
1452
01:19:53,931 --> 01:19:55,758
OFFICER.
MR. OFFICER, SIR.
1453
01:19:55,758 --> 01:19:57,448
OFFICER, SIR.
1454
01:19:57,448 --> 01:20:00,310
THERE WAS A GUY
WHO WAS ROBBED LAST NIGHT.
1455
01:20:00,310 --> 01:20:01,620
YEAH, YEAH,
WHAT ABOUT IT?
1456
01:20:01,620 --> 01:20:04,965
- ALMOST. ALMOST.
- YEAH.
1457
01:20:04,965 --> 01:20:08,137
- HE WAS ALMOST ROBBED.
- WHAT ARE YOU TRYING TO SAY?
1458
01:20:08,137 --> 01:20:11,724
WHAT HE'’S TRYING TO SAY
IS ONCE AGAIN YOU ARRESTED
THE WRONG BLACK MAN.
1459
01:20:11,724 --> 01:20:13,965
IS THAT A FACT?
1460
01:20:13,965 --> 01:20:16,551
PERHAPS YOU WOULD
LIKE TO ELABORATE.
1461
01:20:16,551 --> 01:20:18,000
- ME?
- YEAH, YOU.
1462
01:20:18,000 --> 01:20:20,103
YEAH, GO AHEAD.
YOU TALK NOW.
1463
01:20:20,103 --> 01:20:23,103
[ clears throat ]
OKAY.
1464
01:20:23,103 --> 01:20:26,034
THERE WAS THIS GUYS
AT THE "M.T.M." MACHINE.
1465
01:20:26,034 --> 01:20:28,724
AS THE YOUNG GENTLEMEN
WAS DESCRIBING.
1466
01:20:28,724 --> 01:20:30,862
- YEAH?
- THERE WAS ALCOHOL
INVOLVED,
1467
01:20:30,862 --> 01:20:34,103
BECAUSE THERE WAS
DRUNKENNESS IN HIS MOUTH.
1468
01:20:34,103 --> 01:20:36,655
THEN HE HAD
MONEY IN HIS HAND.
1469
01:20:36,655 --> 01:20:40,655
HE SAW US WALKING
DOWN THE STREET MINDING
OUR OWN BUSINESS--
1470
01:20:40,655 --> 01:20:42,482
'’CAUSE THAT'S HOW
WE DO THINGS.
1471
01:20:42,482 --> 01:20:45,103
WE WAS ON OUR WAY
TO A PEACE RALLY.
1472
01:20:45,103 --> 01:20:46,551
- A PEACE RALLY?
- YES.
1473
01:20:46,551 --> 01:20:48,793
TO HELP ALL THE KIDS
IN THE NEIGHBORHOODS.
1474
01:20:48,793 --> 01:20:50,655
- REALLY?
- YEAH.
1475
01:20:50,655 --> 01:20:53,931
HE SAID, "COULD YOU
FINE SAMARITANS
HELP US OUT?
1476
01:20:53,931 --> 01:20:55,689
'’CAUSE I'M TRYING
TO CATCH A CAB
1477
01:20:55,689 --> 01:20:57,862
TO GET HOME
WITH MY $700."
1478
01:20:57,862 --> 01:21:00,758
- UH-HUH.
- THERE WAS A NORTH-EASTERLY
FLOW OF WIND
1479
01:21:00,758 --> 01:21:03,241
THAT CAME AND PUSHED
THE MONEY DOWN THE STREET.
1480
01:21:03,241 --> 01:21:05,000
WE SAID,
"HEY, LET'’S GO GET
1481
01:21:05,000 --> 01:21:07,379
THE POOR MAN'’S MONEY
AND GIVE IT BACK."
1482
01:21:07,379 --> 01:21:10,655
WE STARTED HEARING
SOUNDS OF BOOM, BOOM, BOOM.
1483
01:21:10,655 --> 01:21:12,344
HIS HEAD WAS
GETTING BANGED--
1484
01:21:12,344 --> 01:21:15,413
MATTHEW, WES.
WHAT ARE YOU GUYS
DOING HERE?
1485
01:21:15,413 --> 01:21:18,482
- HOLD ON A SECOND.
- THOSE ARE MY FRIENDS.
THEY CAME TO GET ME OUT.
1486
01:21:18,482 --> 01:21:20,482
YOU WERE SAYING?
1487
01:21:20,482 --> 01:21:21,965
- THE GUY...
- THE GUY.
1488
01:21:21,965 --> 01:21:23,931
THE GUY YOU'’RE
REALLY LOOKING FOR
1489
01:21:23,931 --> 01:21:26,413
- HE'’S CHINESE.
- HE'’S REALLY J-JAPANESE.
1490
01:21:26,413 --> 01:21:29,000
- COMBINATION.
MIXTURE.
- REALLY?
1491
01:21:29,000 --> 01:21:30,551
- SORT OF ASIAN.
- REALLY?
1492
01:21:30,551 --> 01:21:32,206
MRS. POTTS, WE HAVE
SOME PAPERWORK
1493
01:21:32,206 --> 01:21:33,931
FOR YOU
TO FILL OUT, PLEASE.
1494
01:21:41,000 --> 01:21:43,068
H-HI, AUNTIE.
1495
01:21:45,862 --> 01:21:48,551
THIS IS REALLY
ALL MY FAULT, MRS. POTTS.
1496
01:21:48,551 --> 01:21:49,862
YUP.
1497
01:21:49,862 --> 01:21:51,724
NO, IT'’S NOT YOUR FAULT.
1498
01:21:51,724 --> 01:21:53,103
OF COURSE IT IS,
RIGHT?
1499
01:21:53,103 --> 01:21:55,206
- YEAH, ANTON.
- I TOLD YOU.
1500
01:21:55,206 --> 01:21:57,206
I WAS JUST THINKING
OF MYSELF, YOU KNOW?
1501
01:21:57,206 --> 01:21:59,724
HE'’S A SELFISH MAN.
HE NEEDS TO WORK ON THAT.
1502
01:21:59,724 --> 01:22:02,827
- THIS IS OUR BUS.
- TAKE CARE, ANTON, OKAY?
1503
01:22:02,827 --> 01:22:04,586
[ bus door hisses ]
1504
01:22:04,586 --> 01:22:06,172
YO, ANTON,
1505
01:22:06,172 --> 01:22:07,482
YOU THE MAN, KID.
1506
01:22:07,482 --> 01:22:10,137
NO DOUBT, DAWG.
1507
01:22:10,137 --> 01:22:12,275
[ laughs ]
1508
01:22:24,103 --> 01:22:26,586
ANTON, WHAT DID I
EVER DO EXCEPT
1509
01:22:26,586 --> 01:22:28,896
LOVE YOU
AND TAKE CARE OF YOU
1510
01:22:28,896 --> 01:22:31,379
THAT'’D MAKE YOU
WANT TO LEAVE YOUR HOME?
1511
01:22:31,379 --> 01:22:33,241
NOTHING.
1512
01:22:33,241 --> 01:22:35,448
I-I JUST--
1513
01:22:35,448 --> 01:22:38,517
I JUST WANTED TO DO THINGS
FOR MYSELF.
1514
01:22:46,551 --> 01:22:48,931
HERE YOU GO, DAWG.
1515
01:22:48,931 --> 01:22:50,758
GOOD LOOKING OUT.
1516
01:22:52,448 --> 01:22:55,896
ANTON CRACKS ME UP,
TALKS ABOUT WE BOTH ALIKE.
1517
01:22:55,896 --> 01:22:58,793
YOU GOTTA USE
YOUR IMAGINATION.
1518
01:22:58,793 --> 01:23:02,310
SHIT, IT TAKES
MORE THAN IMAGINATION
FOR THAT.
1519
01:23:02,310 --> 01:23:05,586
IT TAKES SOME SPRAY PAINT
AND A HARRY CONNICK, JR.
HAIRCUT FOR ME.
1520
01:23:05,586 --> 01:23:07,413
[ laughs ]
1521
01:23:08,689 --> 01:23:11,275
WHAT YOU GONNA DO
FROM HERE, YO?
1522
01:23:11,275 --> 01:23:13,931
I DON'’T KNOW.
1523
01:23:15,724 --> 01:23:17,413
TRY TO GET
MY LIFE BACK.
1524
01:23:20,413 --> 01:23:22,103
WHAT ABOUT YOU?
1525
01:23:23,689 --> 01:23:26,448
NOT ME.
I DON'’T WANT MY LIFE BACK.
1526
01:23:26,448 --> 01:23:29,137
MAYBE I'’LL GO TRY
AND GET YOUR LIFE BACK.
1527
01:23:29,137 --> 01:23:31,068
YOU WERE DOING
ALL RIGHT, KID.
1528
01:24:08,551 --> 01:24:10,827
- I GOT A BEAUTIFUL--
- JULIA. JULIA.
1529
01:24:10,827 --> 01:24:12,689
STEP OFF
BEFORE YOU GET HURT.
1530
01:24:12,689 --> 01:24:14,241
COME ON, MANNY,
JUST LAY OFF.
1531
01:24:14,241 --> 01:24:16,206
YOU'’RE NOTHING
BUT A LOWLIFE PIECE
OF TRASH.
1532
01:24:16,206 --> 01:24:19,793
- SHOW SOME LOVE, MANNY.
- MANNY, IT'’S OKAY.
1533
01:24:22,655 --> 01:24:24,965
I'’M SORRY.
1534
01:24:28,689 --> 01:24:30,931
HI.
1535
01:24:33,034 --> 01:24:35,344
YO, ANTON,
WHAT'’S UP, BABY?
1536
01:24:35,344 --> 01:24:37,620
HOW YOU LIVING,
SON?
1537
01:24:37,620 --> 01:24:40,241
IT'’S ME, MAN.
WHAT THE FUCK
I TOLD YOU?
1538
01:24:40,241 --> 01:24:42,413
AIN'’T EVEN
LISTENING TO ME.
1539
01:24:42,413 --> 01:24:45,620
DIDN'’T I TELL YOU
YOU WAS GONNA END UP RIGHT
BACK WHERE YOU STARTED?
1540
01:24:45,620 --> 01:24:49,034
I'’M NOT RIGHT BACK
WHERE I STARTED.
1541
01:24:49,034 --> 01:24:51,724
BECAUSE I'’M
NOT THE SAME PERSON.
1542
01:24:51,724 --> 01:24:53,344
I'’M VERY DIFFERENT.
1543
01:24:53,344 --> 01:24:57,034
T-TOO BAD FOR YOU
YOU'’RE THE SAME PERSON.
1544
01:24:57,034 --> 01:25:00,206
SIR, WOULD YOU LIKE TO BUY
SOME CALVIN KLEIN SOCKS?
1545
01:25:00,206 --> 01:25:03,862
THEY'’RE 100% NATURAL FIBERS.
GUARANTEED TO ABSORB
1546
01:25:03,862 --> 01:25:06,206
LIKE, TOXIC ODORS
AND STUFF
1547
01:25:06,206 --> 01:25:07,931
THAT COULD BE
IN THE SNEAKERS.
1548
01:25:07,931 --> 01:25:10,310
EXCUSE ME,
BUT ARE THESE
REALLY CALVINS?
1549
01:25:10,310 --> 01:25:13,068
HEY, CLARISSE,
HOW YOU DOING?
1550
01:25:13,068 --> 01:25:14,448
FINE.
1551
01:25:16,068 --> 01:25:19,137
IT'’S GOOD TO SEE YOU
DOING YOUR THING.
1552
01:25:19,137 --> 01:25:22,275
I'’M TRYING TO MAINTAIN
AND VISUALIZE
1553
01:25:22,275 --> 01:25:24,862
ON WHOLE '’NOTHER LEVELS.
1554
01:25:49,827 --> 01:25:53,241
I'’M TRYING TO HOOK UP
WITH MY OLD LADY TOO, MAN.
1555
01:25:53,241 --> 01:25:54,931
- OH, YEAH?
- I MISS HER, YO.
1556
01:25:54,931 --> 01:25:56,965
- I DIDN'’T KNOW THAT.
- I MISS MY FAMILY.
1557
01:25:56,965 --> 01:25:59,758
THAT'’S COOL,
THAT'’S COOL.
1558
01:25:59,758 --> 01:26:02,758
WE USED TO LIGHT
THIS SHIT UP,
REMEMBER?
1559
01:26:02,758 --> 01:26:04,103
YEAH, MAN.
1560
01:26:04,103 --> 01:26:05,620
WE SURE DID.
1561
01:26:05,620 --> 01:26:07,827
YOU SEE ANTON, MAN?
1562
01:26:07,827 --> 01:26:10,310
YEAH, HE'’S
WORKING IN A LAUNDRY
OR SOMETHING.
1563
01:26:10,310 --> 01:26:12,310
HE'’S WORKING
IN A DAMN LAUNDROMAT?
1564
01:26:12,310 --> 01:26:14,793
- YEAH.
- THAT'’S SOME
FUCKED UP SHIT.
1565
01:26:14,793 --> 01:26:16,344
YEAH, I KNOW, MAN.
1566
01:26:16,344 --> 01:26:19,689
[ laughs ]
DOESN'’T SEEM RIGHT.
1567
01:26:30,620 --> 01:26:32,103
Wes:
YO, WHAT'’S UP,
PUDDIN'’ HEAD?
1568
01:26:32,103 --> 01:26:33,482
WHAT'’RE YOU GUYS
DOING HERE?
1569
01:26:33,482 --> 01:26:35,793
QUESTION IS, WHAT'’RE YOU
STILL DOING HERE?
1570
01:26:35,793 --> 01:26:39,000
- I-I-I WORK HERE.
- YOU GONNA WORK HERE
THE REST OF YOUR LIFE,
1571
01:26:39,000 --> 01:26:40,724
OR YOU READY
TO GET OUT?
1572
01:26:40,724 --> 01:26:43,344
IF YOU'’RE READY TO GET OUT,
WE GOT A JOB FOR YOU.
1573
01:26:43,344 --> 01:26:45,517
- WHAT KIND OF JOB?
- YOU WANT TO SHOW HIM?
1574
01:26:45,517 --> 01:26:47,896
- NO, YOU SHOW HIM.
- COME ON, YOU SHOW HIM.
1575
01:26:47,896 --> 01:26:50,413
- Both: WE BOTH SHOW HIM.
- YOU GET THE LEGS.
1576
01:26:50,413 --> 01:26:52,137
- CARLA?
- WHAT?
1577
01:26:52,137 --> 01:26:54,793
THIS IS ANTON,
THE GUY I WAS TELLING
YOU ABOUT.
1578
01:26:54,793 --> 01:26:56,310
- THAT'’S MY MAN.
- I'’M SORRY.
1579
01:26:56,310 --> 01:26:58,344
HE MISSED REHEARSAL,
I PUT SOMEBODY ELSE IN
HIS SPOT.
1580
01:26:58,344 --> 01:27:00,379
- WHAT?
- WHAT'’S THE BIG DEAL?
HE JUST STANDS THERE.
1581
01:27:00,379 --> 01:27:02,310
THIS IS MY ASS,
ALL RIGHT?
1582
01:27:02,310 --> 01:27:03,620
YO, YOU CAN'’T SMOKE
ON THE SET.
1583
01:27:03,620 --> 01:27:06,034
CAN'’T YOU SEE
THE FUCKING NO SMOKING SIGN?
1584
01:27:06,034 --> 01:27:08,137
- CARLA, COME ON, LISTEN.
- GUYS, I'’M SORRY.
1585
01:27:08,137 --> 01:27:10,896
- THERE'’S NOTHING I CAN DO.
- JUST PUT HIM IN.
1586
01:27:10,896 --> 01:27:13,068
- I'’M SORRY.
- SORRY?
1587
01:27:13,068 --> 01:27:15,275
- WHY YOU GONNA WALK AWAY?
- TALK TO YOU LATER, OKAY?
1588
01:27:15,275 --> 01:27:18,137
- LET'’S GO.
I'’M SORRY, CARLA.
- THIS IS BULLSHIT.
1589
01:27:18,137 --> 01:27:19,793
YO, YOU WAIT
HERE, MAN.
1590
01:27:19,793 --> 01:27:21,551
COME ON,
LET'’S WALK.
1591
01:27:25,068 --> 01:27:26,724
YO, VIKING.
1592
01:27:26,724 --> 01:27:29,103
YOU KNOW AL B. SURE'’S
IN TOWN?
1593
01:27:29,103 --> 01:27:32,586
- HE'’S PLAYING OVER HERE
ON THE OTHER SIDE OF THE PARK.
- YOU LOOK FAMILIAR.
1594
01:27:32,586 --> 01:27:34,793
REALLY?
YOU EVER BEEN DOWN
ON CHRISTOPHER STREET?
1595
01:27:36,931 --> 01:27:39,034
I'’M MISSING A WARRIOR.
THERE'’RE ONLY THREE WARRIORS.
1596
01:27:39,034 --> 01:27:40,551
THERE'’S SUPPOSED
TO BE FOUR WARRIORS--
1597
01:27:40,551 --> 01:27:42,655
WHAT--
1598
01:27:42,655 --> 01:27:45,068
YOU, GET OVER HERE!
1599
01:27:45,068 --> 01:27:47,241
WARRIOR!
COME ON!
1600
01:27:47,241 --> 01:27:49,068
JESUS.
1601
01:27:50,448 --> 01:27:52,689
COME ON,
YOU'’RE A WARRIOR.
1602
01:27:52,689 --> 01:27:55,310
[ muttering ]
YOU A MAN OR WARRIOR?
LET'’S GO.
1603
01:28:00,310 --> 01:28:02,034
OVER THERE.
1604
01:28:12,931 --> 01:28:16,034
[ singing in Italian ]
1605
01:28:36,379 --> 01:28:37,965
HEY.
1606
01:28:41,310 --> 01:28:43,758
COME ON, COME ON.
DO YOUR CHANGE, IT'’S GREAT.
1607
01:28:43,758 --> 01:28:45,034
COME ON.
1608
01:28:53,931 --> 01:28:55,586
[ softly ]
COME ON, COME ON.
PSST!
1609
01:28:59,586 --> 01:29:02,379
[ singing in Italian ]
1610
01:29:09,000 --> 01:29:10,655
YO, MAN,
IS HE SUPPOSED
1611
01:29:10,655 --> 01:29:12,103
TO BE THERE
LIKE THAT?
1612
01:29:12,103 --> 01:29:13,241
I...
1613
01:29:15,827 --> 01:29:18,275
- I DON'’T THINK SO.
- THINK HE'’S SUPPOSED
TO LEAVE
1614
01:29:18,275 --> 01:29:20,172
WITH THE OTHER RUSSIANS.
1615
01:29:20,172 --> 01:29:21,827
RUSSIANS?
1616
01:29:21,827 --> 01:29:23,517
OR PUERTO RICANS,
I DON'’T KNOW.
1617
01:29:34,379 --> 01:29:36,275
IS HE SINGING?
1618
01:29:40,000 --> 01:29:42,206
I DON'’T THINK HE'S
SUPPOSED TO BE DOING THAT.
1619
01:29:42,206 --> 01:29:44,000
HE'’S SINGING
THE FAT GUY'’S
LINES, MAN.
1620
01:29:44,000 --> 01:29:46,034
[ singing in Italian ]
1621
01:29:48,137 --> 01:29:49,689
[ stops singing ]
1622
01:29:58,793 --> 01:30:00,413
OH MY GOD.
1623
01:30:09,827 --> 01:30:11,689
HE'’S RIPPING SHIT, YO.
1624
01:30:11,689 --> 01:30:13,689
LISTEN TO THAT
MOTHERFUCKER SING, KID.
1625
01:30:13,689 --> 01:30:15,068
THAT'’S MY MAN.
1626
01:30:22,551 --> 01:30:24,310
[ crowd whispering ]
1627
01:30:42,448 --> 01:30:44,586
5-0 IS UP HERE.
5-0.
1628
01:30:44,586 --> 01:30:47,000
TWO GUYS JUST CAME
AND TOOK MY CLOTHES!
1629
01:30:53,586 --> 01:30:55,862
THAT'’S THE GUY RIGHT THERE.
THAT'’S THE GUY.
1630
01:31:01,034 --> 01:31:04,689
[ both singing
in Italian ]
1631
01:31:39,103 --> 01:31:41,724
- [ singing finishes ]
- [ applause ]
1632
01:32:00,310 --> 01:32:03,413
- ENCORE!
- [ applause continues ]
1633
01:32:10,517 --> 01:32:13,586
I WISH AUNTIE
AND THE FOLKS BACK HOME
COULD SEE ME NOW.
1634
01:32:13,586 --> 01:32:16,172
NO ONE WOULD BE ABLE
TO MAKE FUN OF ME,
1635
01:32:16,172 --> 01:32:18,517
BECAUSE I SANG ON A BIG STAGE
WITH FABIANO GRAZZI
1636
01:32:18,517 --> 01:32:20,758
AND THERE WAS LIGHTS
AND EVERYTHING.
1637
01:32:20,758 --> 01:32:22,344
AND EVERYBODY LOVED ME.
1638
01:32:22,344 --> 01:32:25,206
DON'’T YOU THINK
WE SHOULD DO SOMETHING?
1639
01:32:25,206 --> 01:32:28,551
I AM.
I'’M PRAYING
RIGHT NOW.
1640
01:32:28,551 --> 01:32:31,517
MR. ROCKWELL, IT LOOKS
LIKE YOU AND YOUR BUDDIES
ARE GETTING OUT.
1641
01:32:33,206 --> 01:32:34,862
OH, I'’M SORRY.
1642
01:32:34,862 --> 01:32:37,862
WOULD THE CAST
OF "GAYWATCH" PLEASE
MOVE OUT THE WAY?
1643
01:32:39,206 --> 01:32:41,517
BYE, SWEET BABIES.
1644
01:32:41,517 --> 01:32:43,862
WHY DON'’T YOU TAKE
THAT STUPID OUTFIT OFF?
1645
01:32:43,862 --> 01:32:46,172
YOU LOOK LIKE
A GAY NINJA TURTLE.
1646
01:32:46,172 --> 01:32:48,620
- I LIKE MY HAT.
- COME ON, MAN.
1647
01:32:50,344 --> 01:32:51,758
[ Italian accent ]
YOU.
1648
01:32:51,758 --> 01:32:53,655
FABIANO GRAZZI!
1649
01:32:53,655 --> 01:32:56,620
I WANTED TO MEET YOU
BUT THE POLICE TOOK
ME AWAY.
1650
01:32:56,620 --> 01:32:59,758
THE POLICE SHOULD PUT YOU
AWAY ON ONE LIFE SENTENCE
CONSECUTIVE.
1651
01:32:59,758 --> 01:33:03,000
YOU ARE THE ONLY MAN
IN THE WORLD TO EVER
UPSTAGE FABIANO GRAZZI.
1652
01:33:03,000 --> 01:33:04,724
WHO THEY ARE?
1653
01:33:04,724 --> 01:33:07,068
THESE ARE MY FRIENDS.
THIS IS MATTHEW AND WES.
1654
01:33:07,068 --> 01:33:08,724
I'’M A HUGE FAN.
HUGE FAN.
1655
01:33:08,724 --> 01:33:11,206
- VERY INTELLIGENT.
- NO DOUBT. LOVE YOUR WORK.
1656
01:33:11,206 --> 01:33:14,034
WHEN I WAS LITTLE,
MY MOTHER TALKED
ITALIAN TO US.
1657
01:33:14,034 --> 01:33:17,896
SHE USED TO SAY,
"YOU WANT MORE PARMESAN
ON YOUR RAVIOLI, BENNY?"
1658
01:33:17,896 --> 01:33:19,862
BENNY WAS MY COUSIN.
1659
01:33:19,862 --> 01:33:22,896
BEAUTIFUL.
COME ON, WE TAKE A RIDE,
WE TALK ABOUT.
1660
01:33:22,896 --> 01:33:24,896
IN THE LIMO?
WHAT'’RE YOU
WAITING ON, KID?
1661
01:33:24,896 --> 01:33:27,379
GET IN THE LIMO.
1662
01:33:27,379 --> 01:33:29,689
YOU TAKE A TAXI.
I TIRED OF YOU.
1663
01:33:29,689 --> 01:33:32,344
GET THE HELL OUTTA HERE.
GO ON. VAI! VAI! VAI!
1664
01:33:32,344 --> 01:33:35,517
NOW WE HAVE
A LITTLE FUN.
1665
01:33:38,655 --> 01:33:40,241
WHAT TRIO
YOU ARE, EH?
1666
01:33:40,241 --> 01:33:41,724
YOU '’CAUSE BIG
BUDS AROUND TOWN.
1667
01:33:41,724 --> 01:33:44,517
- BUDS?
- BUDS, LIKE WEED.
1668
01:33:44,517 --> 01:33:46,241
NO, HOW YOU SAY?
THE BUDS. BUDS.
1669
01:33:46,241 --> 01:33:47,896
- BZZZ. BZZZ.
- OH, BUZZ, BUZZ.
1670
01:33:47,896 --> 01:33:49,689
OH, BUZZ.
THAT'’S NOT WEED.
1671
01:33:49,689 --> 01:33:51,586
LAST NIGHT PERFORMANCE
WAS A SENSATION.
1672
01:33:51,586 --> 01:33:54,241
- REALLY?
- YOU MEAN I'’M
GONNA BE FAMOUS?
1673
01:33:54,241 --> 01:33:55,931
NO, YOU ALREADY
ARE FAMOUS.
1674
01:33:55,931 --> 01:33:58,068
YOU ARE THE TALKING
OF THE WHOLE TOWN.
1675
01:33:58,068 --> 01:34:01,413
HOW HE GONNA BE FAMOUS?
HE'’S A YOUNG BLACK KID FROM
HARLEM THAT SINGS OPERA.
1676
01:34:01,413 --> 01:34:03,413
WHAT KINDA CHANCE
THAT GUY GOT, MAN?
1677
01:34:03,413 --> 01:34:05,724
I PROPOSE ANOTHER QUESTION
FOR YOU.
1678
01:34:05,724 --> 01:34:07,724
YOUNG BLACK KID
FROM HARLEM,
1679
01:34:07,724 --> 01:34:09,724
WHAT CHANCE HE HAVE?
1680
01:34:09,724 --> 01:34:12,310
[ Brooklyn accent ]
WHAT CHANCE DOES A YOUNG
KID FROM BROOKLYN
1681
01:34:12,310 --> 01:34:15,379
HAVE FROM BENSONHURST?
GOT AN ANSWER FOR THAT ONE?
1682
01:34:15,379 --> 01:34:17,206
- SHIT.
- OH, SHIT.
1683
01:34:17,206 --> 01:34:20,103
SEE? YOUS NEVER KNOW
UNTIL YOU TRY.
1684
01:34:20,103 --> 01:34:23,103
THIS KID'’S DESTINY
AIN'’T BEEN WRITTEN YET.
1685
01:34:23,103 --> 01:34:26,586
I'’M GONNA TEACH YOU
HOW TO SAY THAT
IN ITALIAN.
1686
01:34:26,586 --> 01:34:30,517
[ speaks Italian ]
1687
01:34:32,448 --> 01:34:34,551
[ Anton repeating
Italian ]
1688
01:34:37,620 --> 01:34:39,551
Fabiano:
ZI BELLA.
1689
01:34:39,551 --> 01:34:42,137
LET ME ASK YOU
A QUESTION, MAN.
1690
01:34:42,137 --> 01:34:44,965
WHEN THE NINO
HITS THE STREET-N-O,
1691
01:34:44,965 --> 01:34:47,000
WHAT KINDA CASHO
FLOW-O
1692
01:34:47,000 --> 01:34:48,448
TO THE WALLITO?
1693
01:34:48,448 --> 01:34:50,000
IF HE SINGO
REALLY LOUD-O
1694
01:34:50,000 --> 01:34:51,965
LOTS OF CASHO
GO IN THE WALLITO.
1695
01:34:51,965 --> 01:34:54,517
[ laughing ]
1696
01:34:57,172 --> 01:34:59,172
[ speaking Italian ]
1697
01:35:01,068 --> 01:35:03,517
[ shouting Italian ]
1698
01:35:21,517 --> 01:35:24,034
[ rap music playing ]
122391
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