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These are the user uploaded subtitles that are being translated: 1 00:00:14,137 --> 00:00:17,724 Man: ONCE UPON A TIME IN THE BIG APPLE, 2 00:00:17,724 --> 00:00:19,896 IN A PLACE CALLED HARLEM... 3 00:00:19,896 --> 00:00:23,000 - [ bass thumping ] - [ car alarm beeping ] 4 00:00:23,000 --> 00:00:26,241 THERE LIVED A YOUNG MAN 5 00:00:26,241 --> 00:00:27,482 WHO HAD A DREAM. 6 00:00:35,344 --> 00:00:37,586 [ opera music playing ] 7 00:00:40,172 --> 00:00:42,310 [ man singing in Italian ] 8 00:01:07,689 --> 00:01:09,827 [ singing along ] 9 00:01:14,275 --> 00:01:16,172 [ record stops, starts again ] 10 00:01:25,689 --> 00:01:27,689 [ record stops, starts again ] 11 00:01:27,689 --> 00:01:29,655 [ music continues ] 12 00:01:34,482 --> 00:01:36,206 [ record stops, starts again ] 13 00:01:36,206 --> 00:01:38,379 [ singing continues ] 14 00:01:38,379 --> 00:01:40,965 - WHAT'’S THE MATTER WITH YOU, BOY? - [ music stops ] 15 00:01:40,965 --> 00:01:44,103 IF YOU DON'’T TURN OFF THIS LOUD MUSIC THIS TIME OF THE NIGHT AND GO TO BED, 16 00:01:44,103 --> 00:01:45,931 I'’M GONNA BE AFTER YOU, AS OLD AS I AM. 17 00:01:59,586 --> 00:02:01,931 [ dog barking ] 18 00:02:09,310 --> 00:02:11,241 [ opera music playing ] 19 00:02:11,241 --> 00:02:14,310 [ singing ] 20 00:02:18,896 --> 00:02:22,689 - ANTON! - [ music continues ] 21 00:02:29,068 --> 00:02:31,827 Woman: ANTON, DID YOU WASH YOUR FACE THIS MORNING? 22 00:02:31,827 --> 00:02:33,103 Anton: YES, MA'’AM. 23 00:02:33,103 --> 00:02:34,620 YOU DIDN'’T DO A VERY GOOD JOB. 24 00:02:34,620 --> 00:02:36,724 I CAN STILL SEE SLEEP IN YOUR EYE. 25 00:02:36,724 --> 00:02:39,310 IT'’S NO WONDER, STAYING UP HALF THE NIGHT 26 00:02:39,310 --> 00:02:41,000 PLAYING THAT OPERA MUSIC. 27 00:02:41,000 --> 00:02:43,655 I DON'’T KNOW HOW YOU GOT INTO THAT FOOLISHNESS. 28 00:02:43,655 --> 00:02:45,344 - WHERE'’S YOUR SWEATER? - RIGHT THERE. 29 00:02:45,344 --> 00:02:47,310 IT AIN'’T SUMMER YET. THIS KINDA WEATHER'’S 30 00:02:47,310 --> 00:02:48,896 AN EXACT WAY TO CATCH PNEUMONIA. 31 00:02:48,896 --> 00:02:50,931 YOU WANT TO GET SICK AND CATCH PNEUMONIA? 32 00:02:50,931 --> 00:02:52,689 - NO, MA'’AM. - HUH? ALL RIGHT. 33 00:02:52,689 --> 00:02:54,275 DID YOU BRUSH YOUR TEETH? 34 00:02:54,275 --> 00:02:56,206 YES, BOTH SIDES. 35 00:02:56,206 --> 00:02:59,034 ALL RIGHT, DID YOU PACK YOUR LUNCH IN YOUR BOOK BAG? 36 00:02:59,034 --> 00:03:01,172 - YES, MA'’AM. - GOOD. I DON'’T WANT TO BE 37 00:03:01,172 --> 00:03:04,448 FIXING LUNCH FOR YOU GOING OUT AND FORGETTING IT. 38 00:03:04,448 --> 00:03:07,172 ALL RIGHT. 39 00:03:07,172 --> 00:03:08,862 [ laughs ] GIVE AUNTIE A KISS. 40 00:03:08,862 --> 00:03:11,551 OH, COME ON, GIVE ME SOME SUGAR. 41 00:03:14,241 --> 00:03:17,379 "CLEAN YOUR ROOM, ANTON" "BRUSH YOUR TEETH, ANTON." 42 00:03:17,379 --> 00:03:20,000 "WASH YOUR FACE, ANTON." I'’M NOT A LITTLE BOY ANYMORE. 43 00:03:20,000 --> 00:03:21,206 GOOD GRIEF. 44 00:03:44,275 --> 00:03:47,068 [ rap music playing ] 45 00:03:56,172 --> 00:03:58,655 GIRL, I TOLD YOU SHE WAS PREGNANT. 46 00:03:58,655 --> 00:04:00,655 I DON'’T KNOW HOW YOU DO. 47 00:04:00,655 --> 00:04:02,931 - [ singing ] - HEY. 48 00:04:02,931 --> 00:04:05,000 ANTON, YOU'’RE WORKING TOO HARD, BABY. 49 00:04:05,000 --> 00:04:07,862 AIN'’T YOU GOING TO ENTERTAIN US TODAY? 50 00:04:07,862 --> 00:04:11,034 HOW COME YOU DON'’T SING LUTHER VANDROSS NO MORE? I LOVE HIM. 51 00:04:11,034 --> 00:04:14,206 I HAVE A FEW NEW SONGS I'’VE BEEN WORKING ON. 52 00:04:14,206 --> 00:04:15,724 - OPERA. - OPERA? 53 00:04:15,724 --> 00:04:17,965 AIN'’T NO BLACK FOLKS SINGING NO OPERA. 54 00:04:17,965 --> 00:04:20,586 WHAT ARE YOU TALKING ABOUT, MARTHA? 55 00:04:20,586 --> 00:04:22,586 I SAW THIS OPERA ON TELEVISION. 56 00:04:22,586 --> 00:04:25,275 BLACK SINGERS. AND THEY WAS GOOD TOO. 57 00:04:25,275 --> 00:04:28,137 THAT STILL DON'’T EXPLAIN HOW ANTON GOT INVOLVED IN THIS MESS. 58 00:04:28,137 --> 00:04:30,551 JIMMY SOLD ME SOME RECORDS. 59 00:04:30,551 --> 00:04:33,551 - HOW MUCH DID HE CHARGE FOR THIS OLD JUNK? - NOTHING. 60 00:04:33,551 --> 00:04:37,241 HE'’S LETTING ME WORK ON SATURDAY SO I CAN PAY HIM OFF. 61 00:04:37,241 --> 00:04:39,103 - YOU BELIEVE THIS? - $19.95 A DAY. 62 00:04:39,103 --> 00:04:40,241 WHA?! 63 00:04:40,241 --> 00:04:43,068 - YOU. - WHOA, WHOA. 64 00:04:43,068 --> 00:04:46,137 YOU OUGHT TO BE ASHAMED TAKING ADVANTAGE OF ANTON LIKE THAT. 65 00:04:46,137 --> 00:04:48,310 I'’LL CALL YOU BACK. WHAT'’RE YOU TALKING ABOUT? 66 00:04:48,310 --> 00:04:50,413 I'’M TALKING ABOUT WHY YOU'’RE USING ANTON 67 00:04:50,413 --> 00:04:51,862 TO CUT US OFF OUR OVERTIME. 68 00:04:51,862 --> 00:04:53,862 - YEAH! - THIS IS NONE OF YOUR BUSINESS. 69 00:04:53,862 --> 00:04:56,758 I WONDER WHAT HIS WELFARE PEOPLE WOULD HAVE TO SAY? 70 00:04:56,758 --> 00:04:58,827 DON'’T THREATEN ME, OR YOU'’LL FIND OUT 71 00:04:58,827 --> 00:05:02,137 WHAT WELFARE HAS TO SAY WHEN YOU GO DOWN TO APPLY. 72 00:05:02,137 --> 00:05:04,758 - GET BACK TO WORK. - YOU DON'’T SCARE ME, JIMMY. 73 00:05:04,758 --> 00:05:07,517 THIS IS FAR FROM OVER. I CAN TELL YOU THAT RIGHT NOW. 74 00:05:07,517 --> 00:05:09,620 - RIPPING US OFF. - GODDAMN IT. 75 00:05:09,620 --> 00:05:11,758 I GOTTA DEAL WITH THIS SHIT? 76 00:05:11,758 --> 00:05:13,965 I'’M TRYING TO BE THE GOOD GUY HERE. 77 00:05:13,965 --> 00:05:16,172 I'’M TRYING TO HELP THE GUY OUT! 78 00:05:16,172 --> 00:05:17,931 THAT RETARD HAS TO RUN HIS MOUTH! 79 00:05:17,931 --> 00:05:19,586 WHAT THE HELL-- 80 00:05:22,068 --> 00:05:25,344 ANTON! HEY, ANTON! 81 00:05:30,275 --> 00:05:31,862 - YO, ANTON. - [ mocking ] I'’M ANTON. 82 00:05:36,586 --> 00:05:39,241 [ whispering ] 83 00:05:51,275 --> 00:05:54,310 ♪ BORN TO LIVE, NOW I'’M LIVING TO DIE ♪ 84 00:05:54,310 --> 00:05:57,689 ♪ TRY TO DENY MY FATE, BUT THE TRUTH DON'’T LIE ♪ 85 00:05:57,689 --> 00:06:01,379 ♪ I NEVER GOT HIGH BUT I'’M STILL A BAD GUY ♪ 86 00:06:01,379 --> 00:06:04,896 ♪ TELL MY MOMMA DON'’T CRY, IT'’S NOT HER FAULT ♪ 87 00:06:04,896 --> 00:06:07,931 ♪ THESE STREETS IS CRAZY, AND DON'’T NOBODY GIVE A FUCK ♪ 88 00:06:07,931 --> 00:06:10,896 ♪ A LOT OF CATS GO BEFORE THEIR TIME IS UP ♪ 89 00:06:10,896 --> 00:06:13,896 ♪ THERE'’S MONEY TO BE MADE, AND THE GANG WILL TEMPT YA ♪ 90 00:06:13,896 --> 00:06:17,275 ♪ STAYING ALIVE IS A FULL-TIME JOB, NOT AN ADVENTURE... ♪ 91 00:06:54,965 --> 00:06:57,379 Jimmy: COME ON, LET'’S GO! BACK TO WORK! 92 00:06:57,379 --> 00:06:58,655 HEY. BUENOS. 93 00:06:58,655 --> 00:07:00,758 [ lighter clicks ] 94 00:07:00,758 --> 00:07:03,862 - WHY BOTHER? - "WHY BOTHER?" 95 00:07:03,862 --> 00:07:06,931 WHY YOU WANNA GO SOMEPLACE WHERE YOU AIN'’T APPRECIATED? 96 00:07:06,931 --> 00:07:08,344 KNOW WHAT I'’M SAYIN'? 97 00:07:08,344 --> 00:07:10,448 YOU WORK HARD EVERY DAY, RIGHT? 98 00:07:10,448 --> 00:07:13,379 - YEAH. - SO WHY BOTHER? 99 00:07:13,379 --> 00:07:17,034 WHY BOTHER? 100 00:07:17,034 --> 00:07:18,862 EXACTLY. 101 00:07:18,862 --> 00:07:20,862 [ laughs ] 102 00:07:20,862 --> 00:07:23,862 SO WHAT YOU WANT OUTTA LIFE, MAN? 103 00:07:23,862 --> 00:07:25,655 YOU GOT DREAMS AND SHIT? 104 00:07:25,655 --> 00:07:28,310 I WANT TO BE AN OPERA SINGER. 105 00:07:28,310 --> 00:07:30,586 [ laughs ] OPERA SINGER? 106 00:07:30,586 --> 00:07:32,793 [ laughing ] 107 00:07:32,793 --> 00:07:34,793 NIGGAS DON'’T DO THAT, MAN. 108 00:07:34,793 --> 00:07:38,172 BUT YOU KNOW WHAT? WHO THE FUCK AM I TO JUDGE, RIGHT? 109 00:07:39,586 --> 00:07:40,965 I'’LL TELL YOU WHAT-- 110 00:07:40,965 --> 00:07:42,517 LET ME HOOK YOU UP, MAN. 111 00:07:47,448 --> 00:07:49,517 [ hip hop music playing ] 112 00:08:06,137 --> 00:08:08,517 YOU LIKE THAT? 113 00:08:08,517 --> 00:08:09,862 I THOUGHT YOU MIGHT. 114 00:08:15,655 --> 00:08:18,482 - [ opera music playing ] - [ singing in Italian ] 115 00:08:55,275 --> 00:08:58,310 - WHAT UP? - LISTEN, MAN. 116 00:09:00,482 --> 00:09:02,482 WHAT'’S UP WITH THAT? 117 00:09:02,482 --> 00:09:04,344 MAN, WHAT THE FUCK? 118 00:09:04,344 --> 00:09:07,586 - [ opera music continues ] - [ singing continues ] 119 00:09:37,655 --> 00:09:40,275 YEAH. IT'’S NOT ALL BAD. 120 00:09:45,137 --> 00:09:47,965 - [ loud rap music playing ] - [ opera music continues ] 121 00:09:51,482 --> 00:09:53,137 WHO IS IT? 122 00:09:58,379 --> 00:10:00,172 WHAT UP? WHAT UP? WHAT UP? 123 00:10:00,172 --> 00:10:01,689 [ boys laughing ] 124 00:10:01,689 --> 00:10:04,931 [ singing continues ] 125 00:10:04,931 --> 00:10:07,172 [ loud rap music continues ] 126 00:10:12,137 --> 00:10:14,896 - [ glass shatters ] - [ record scratches, stops ] 127 00:10:14,896 --> 00:10:17,620 - Man: WHAT'’S UP, MAN?! - [ rap music continues ] 128 00:10:17,620 --> 00:10:20,137 - HEY! - THAT'’S MESSED UP! 129 00:10:22,379 --> 00:10:24,275 ANTON? PRECIOUS? 130 00:10:24,275 --> 00:10:26,068 PRECIOUS, ARE YOU OKAY? 131 00:10:26,068 --> 00:10:28,896 OH, COME HERE. OKAY. 132 00:10:28,896 --> 00:10:31,137 PRECIOUS, OH. 133 00:10:31,137 --> 00:10:33,448 - OH. - [ panting ] 134 00:10:37,689 --> 00:10:39,172 ANTON... 135 00:10:40,482 --> 00:10:43,758 WHERE DID YOU GET THIS TUXEDO? 136 00:10:43,758 --> 00:10:45,896 AND THOSE SHOES? 137 00:10:49,620 --> 00:10:53,275 WHERE DID YOU GET THE MONEY FOR ALL OF THIS STUFF? 138 00:10:53,275 --> 00:10:55,931 MY FRIEND BOUGHT IT FOR ME. 139 00:10:55,931 --> 00:10:57,517 - WHAT FRIEND? - LUKE. 140 00:10:57,517 --> 00:10:59,655 THE GUY WITH THE BLACK BMW. 141 00:10:59,655 --> 00:11:00,965 YOUR FRIEND? 142 00:11:00,965 --> 00:11:03,137 THAT MAN IS FULL OF THE DEVIL. 143 00:11:03,137 --> 00:11:05,793 HE'’S A DRUG DEALER, ANTON. HE'’S NOT YOUR FRIEND. 144 00:11:05,793 --> 00:11:07,689 YOU WON'’T LET ME HAVE ANY FRIENDS. 145 00:11:07,689 --> 00:11:11,793 IT'’S GOING BACK-- EVERY SINGLE THING. 146 00:11:11,793 --> 00:11:13,965 - NO. - THIS OPERA FOOLISHNESS CAUSED THIS, 147 00:11:13,965 --> 00:11:15,448 AND IT'’S GOING TO STOP. 148 00:11:15,448 --> 00:11:17,517 - NO, NO, NO, NO. - DON'’T TELL ME NO! 149 00:11:17,517 --> 00:11:21,413 - NO, NO, NO! - ANTON, I WON'’T HAVE YOU SASSING ME. 150 00:11:21,413 --> 00:11:23,379 ANTON, YOU TRUST EVERYBODY. 151 00:11:23,379 --> 00:11:26,689 THERE ARE SOME PEOPLE OUT THERE THAT DON'’T MEAN YOU NO GOOD. 152 00:11:26,689 --> 00:11:30,379 IT'’S MY RESPONSIBILITY TO LOOK AFTER YOU. 153 00:11:30,379 --> 00:11:33,034 NOW, TOMORROW, 154 00:11:33,034 --> 00:11:35,172 ALL THIS NONSENSE IS GOING BACK. 155 00:11:37,206 --> 00:11:39,551 YOU CAN'’T TELL ME WHAT TO DO ANYMORE. 156 00:11:39,551 --> 00:11:41,172 I'’M NOT A LITTLE KID. 157 00:11:41,172 --> 00:11:42,827 - [ scoffs ] - I'’M 28 YEARS OLD. 158 00:11:42,827 --> 00:11:45,034 - YOU CAN'’T TELL ME WHAT TO DO. - OH. 159 00:11:45,034 --> 00:11:47,413 I'’M GONNA DO WHAT I WANT. 160 00:11:54,103 --> 00:11:56,000 SHE CAN'’T TELL ME WHAT TO DO. 161 00:11:58,517 --> 00:12:01,965 I'’M GONNA DO JUST WHAT I WANT TO DO. 162 00:12:17,137 --> 00:12:19,586 WHAT'’S UP, BABY? 163 00:12:19,586 --> 00:12:21,344 ANTON, BRING YOUR ASS OVER HERE. 164 00:12:21,344 --> 00:12:23,000 YOU LOOK GOOD, DAWG. 165 00:12:23,000 --> 00:12:25,965 YOU GOT A LITTLE DATE? YOUR TIE IS FUCKED UP THOUGH. 166 00:12:25,965 --> 00:12:27,689 I'’M RUNNING AWAY FROM HOME. 167 00:12:27,689 --> 00:12:29,241 I CAN'’T DO NOTHING HERE. 168 00:12:29,241 --> 00:12:31,344 WHAT YOU TALKING ABOUT, SON? 169 00:12:31,344 --> 00:12:33,000 I THOUGHT WE HAD A DEAL? 170 00:12:33,000 --> 00:12:36,758 I THOUGHT YOU WAS GONNA COME WORK FOR ME. 171 00:12:36,758 --> 00:12:40,068 IT'’S JUST-- AUNTIE SAYS THAT YOU-- 172 00:12:40,068 --> 00:12:41,551 NEVER MIND. 173 00:12:41,551 --> 00:12:43,241 AHH. 174 00:12:45,517 --> 00:12:48,827 I KNOW WHAT SHE TOLD YOU-- THAT YOU'’RE TOO GOOD FOR ME, RIGHT? 175 00:12:48,827 --> 00:12:50,241 IF YOU BELIEVE THAT SHIT, 176 00:12:50,241 --> 00:12:53,241 THEN FUCK IT, MAN. I HAD BIG PLANS FOR YOU. 177 00:12:53,241 --> 00:12:56,724 KNOW WHAT I'’M SAYING? YOU AIN'’T GONNA DO SHIT WITH THAT OOO-PERA. 178 00:12:56,724 --> 00:12:58,379 [ laughs ] 179 00:12:58,379 --> 00:13:02,068 GO. YOU GONNA BE BACK THOUGH. MARK MY WORDS. 180 00:13:03,448 --> 00:13:05,965 REMEMBER THIS-- I MAY NOT BE AS NICE 181 00:13:05,965 --> 00:13:09,068 NEXT TIME YOU SEE ME. I'’LL SEE YOU AROUND. 182 00:13:09,068 --> 00:13:12,137 - [ door closes ] - [ car engine starts ] 183 00:13:21,068 --> 00:13:23,241 [ siren wailing ] 184 00:13:33,517 --> 00:13:35,275 Aunt: ANTON? 185 00:13:35,275 --> 00:13:38,482 ANTON, WHAT ARE YOU GONNA DO, SLEEP ALL DAY? 186 00:13:40,137 --> 00:13:41,724 ANTON? 187 00:14:07,517 --> 00:14:09,413 EXCUSE ME, MISTER. COULD YOU HELP ME 188 00:14:09,413 --> 00:14:11,689 GET SOMETHING TO EAT, PLEASE? 189 00:14:11,689 --> 00:14:14,827 COULD YOU SHOW SOME UNDESERVED KINDNESS 190 00:14:14,827 --> 00:14:16,758 AND HELP THE UNDESERVING PLEASE? 191 00:14:16,758 --> 00:14:19,310 I'’M STARVING. PLEASE, I HAVEN'’T EATEN IN THREE DAYS. 192 00:14:19,310 --> 00:14:20,965 - I'’M STARVING. - I'’M HUNGRY MYSELF. 193 00:14:20,965 --> 00:14:24,172 PLEASE? YOU WILL BE BLESSED IF YOU HELP ME. 194 00:14:24,172 --> 00:14:27,862 I'’M BEGGING YOU. I DON'’T EVEN DO THIS. THIS IS NOT ME. 195 00:14:27,862 --> 00:14:31,034 I'’M BEGGING FOR FOOD. PLEASE CAN I HAVE SOMETHING TO EAT? 196 00:14:31,034 --> 00:14:33,172 PLEASE? PRETTY PLEASE? 197 00:14:33,172 --> 00:14:35,103 PLEASE? PLEASE? 198 00:14:42,034 --> 00:14:45,448 THANKS. HERE, MAN, TAKE THAT SHIT. 199 00:14:53,344 --> 00:14:56,517 WHERE YOU HEADED ALL DRESSED UP-- A FASHION SHOW? 200 00:14:56,517 --> 00:14:59,068 I'’M GOING TO ITALY TO BECOME AN OPERA SINGER. 201 00:14:59,068 --> 00:15:00,827 YEAH, RIGHT. 202 00:15:00,827 --> 00:15:02,655 IT'’S A NEAPOLITAN CITY, YOU KNOW. 203 00:15:02,655 --> 00:15:05,413 NEAPOLITAN. NO DOUBT, YO. 204 00:15:05,413 --> 00:15:07,206 I WAS JUST OVER IN ITALY. 205 00:15:07,206 --> 00:15:09,068 I WAS THERE LIKE A MONTH AGO. 206 00:15:09,068 --> 00:15:11,103 I WAS HANGING OUT WITH THE MAFIA, 207 00:15:11,103 --> 00:15:13,931 EATING PIZZA AND SPAGHETTI AND SHIT. ALL THAT ITALIAN SHIT, YO. 208 00:15:13,931 --> 00:15:16,827 IT WAS DOPE. JUST SO EXPENSIVE TO GET THERE. 209 00:15:16,827 --> 00:15:19,655 - REALLY? - TRIP LIKE THAT'’LL COST YOU A COUPLE Gs. 210 00:15:19,655 --> 00:15:21,689 - A COUPLE OF Gs? - COUPLE THOUSAND DOLLARS. 211 00:15:21,689 --> 00:15:23,827 WHERE YOU BEEN, UNDER A ROCK AND SHIT? 212 00:15:23,827 --> 00:15:27,068 - YOU GOT IT LIKE THAT? - NO. NO. 213 00:15:27,068 --> 00:15:28,931 ALL I HAVE IS... 214 00:15:32,862 --> 00:15:34,482 #183. 215 00:15:34,482 --> 00:15:37,103 $183. 216 00:15:37,103 --> 00:15:39,517 YO, YOU'’LL NEVER GET THERE WITH THAT, MAN, 217 00:15:39,517 --> 00:15:42,758 UNLESS YOU GET ONE OF THOSE DISCOUNT TICKETS AND SHIT. 218 00:15:42,758 --> 00:15:45,172 DISCOUNT TICKETS? H-HOW MUCH WOULD THAT COST? 219 00:15:45,172 --> 00:15:47,931 I THINK TOWER AIR'’S GOING THERE 220 00:15:47,931 --> 00:15:49,689 FOR LIKE $250 NOW, MAN. 221 00:15:55,379 --> 00:15:57,517 BUT STILL, YO-- YOU STILL AIN'’T GOT ENOUGH. 222 00:15:58,862 --> 00:16:02,103 UNLESS... NAH. 223 00:16:02,103 --> 00:16:03,758 WHAT? WHAT? WHAT? 224 00:16:03,758 --> 00:16:05,241 WHAT? WHAT? 225 00:16:05,241 --> 00:16:07,896 I GOT A FRIEND. HE WORKS IN A TRAVEL AGENCY. 226 00:16:07,896 --> 00:16:11,310 HE'’S THE ONE THAT HOOKED ME UP SO I CAN GO TO ITALY. 227 00:16:11,310 --> 00:16:13,137 MAYBE I CAN GO TALK TO HIM, SEE IF HE'’LL 228 00:16:13,137 --> 00:16:15,827 HOOK YOU UP, MAN, WITH A DISCOUNT. 229 00:16:15,827 --> 00:16:19,275 R-REALLY? YOU THINK H-HE WOULD DO THAT FOR ME? 230 00:16:19,275 --> 00:16:21,896 I DON'’T SEE WHY NOT. YOU'’RE GOOD PEOPLE AND SHIT. 231 00:16:21,896 --> 00:16:24,517 LET ME GO TALK TO HIM. GIVE ME THE MONEY, 232 00:16:24,517 --> 00:16:28,793 I'’LL GO TALK TO HIM. I'LL GO, "I MET SOME GOOD PEOPLE. THEY WANNA GO TO ITALY." 233 00:16:28,793 --> 00:16:30,448 - SEE WHAT HE CAN DO. - [ laughs ] 234 00:16:30,448 --> 00:16:32,310 RE-- THANKS. 235 00:16:32,310 --> 00:16:34,448 NO DOUBT, MAN. NO DOUBT, YO. 236 00:16:34,448 --> 00:16:36,379 [ laughs ] THANKS. 237 00:16:36,379 --> 00:16:38,586 WHERE YOU GOING, MAN? 238 00:16:38,586 --> 00:16:41,241 YOU CAN'’T COME. '’CAUSE IF HE SEES YOU, 239 00:16:41,241 --> 00:16:43,482 THEN HE'’S GONNA KNOW IT'’S NOT FOR ME. 240 00:16:43,482 --> 00:16:45,241 HE DON'’T LIKE GOOD PEOPLE. 241 00:16:45,241 --> 00:16:47,275 - ALL RIGHT? - O-OKAY. OKAY. 242 00:16:47,275 --> 00:16:49,103 ALL RIGHT, DAWG. I'’LL BE RIGHT BACK. 243 00:16:49,103 --> 00:16:50,758 Y'’ALL GIVE ME A HUG, MAN. 244 00:16:50,758 --> 00:16:52,862 I LOVE YOU, MAN. 245 00:17:16,965 --> 00:17:20,689 ♪ WITH ALL THIS FUCK ON THESE STREETS, I'’M IN A WHOLE NEW CLASS ♪ 246 00:17:20,689 --> 00:17:24,206 ♪ A TRUE ARTIST IN THE MAKING '’CAUSE I STARVE FOR MY CRAFT ♪ 247 00:17:24,206 --> 00:17:26,551 ♪ LEFT HOME AT A AGE MOST CATS CONSIDER LATE ♪ 248 00:17:26,551 --> 00:17:29,517 ♪ PUTTING MATTERS IN MY OWN HANDS, CONTROLLING MY FATE ♪ 249 00:17:29,517 --> 00:17:32,000 ♪ ME, THE LOST SOUL WHO REFUSES TO FOLD ♪ 250 00:17:32,000 --> 00:17:35,379 ♪ OUT HERE WITH ONLY THE CLOTHES ON MY BACK AND NO DOUGH ♪ 251 00:17:35,379 --> 00:17:37,827 ♪ DON'’T POSSESS ENOUGH SKILLS TO ROB AND STEAL ♪ 252 00:17:37,827 --> 00:17:41,034 ♪ SO NOW I'’M REDUCED TO BEGGING FOR MY MEALS ♪ 253 00:17:41,034 --> 00:17:43,827 ♪ THESE COLD NIGHTS GOT ME MISSING MY BED ♪ 254 00:17:43,827 --> 00:17:46,655 ♪ BUT THE MUSIC I HEAR PLAYING IN MY HEAD ♪ 255 00:17:46,655 --> 00:17:49,724 ♪ KEEPS ME FROM GOING BACK TO THE LIFE I ONCE LEAD ♪ 256 00:17:49,724 --> 00:17:52,241 ♪ HELPS ME SEE THE FUTURE AND WHY I FLED ♪ 257 00:17:52,241 --> 00:17:55,275 ♪ NO GIMMICKS TO THIS TRICK, I FLIP IT UNCUT AND PURE ♪ 258 00:17:55,275 --> 00:17:57,793 ♪ NEVER MOVE IN THIS WORLD UNLESS YOU ABSOLUTELY SURE ♪ 259 00:17:57,793 --> 00:18:00,655 ♪ TRUE ARE THE WORDS I SPEAK, MORE PRECIOUS THAN JEWELRY ♪ 260 00:18:00,655 --> 00:18:03,689 ♪ GIVING YOU TOOLS YOU NEED TO HELP YOU FOLLOW THESE RULES... ♪ 261 00:18:03,689 --> 00:18:06,379 - MA'’AM, IS HE RETARDED? - NO! 262 00:18:06,379 --> 00:18:08,551 HE DOES GET CONFUSED SOMETIMES, 263 00:18:08,551 --> 00:18:10,827 AND HE HAS A PROBLEM HANDLING MONEY. 264 00:18:10,827 --> 00:18:14,965 HE TRUSTS EVERYBODY. BUT HE'’S BRILLIANT IN WAYS YOU'’LL NEVER UNDERSTAND. 265 00:18:14,965 --> 00:18:16,206 YES, MA'’AM. 266 00:18:16,206 --> 00:18:18,586 I'’LL POST THIS. 267 00:18:18,586 --> 00:18:20,896 I'’LL LET YOU KNOW IF ANYTHING COMES IN. 268 00:18:20,896 --> 00:18:23,551 - IS THAT ALL? - RIGHT NOW THAT'’S ALL I CAN DO. 269 00:18:23,551 --> 00:18:26,517 [ sighs ] WELL, THANK YOU. 270 00:18:26,517 --> 00:18:29,103 ♪ SAY I LOST MY MIND ♪ 271 00:18:29,103 --> 00:18:32,620 ♪ WHAT MAKE A MAN STEP OUT IN THIS WORLD TOTALLY BLIND? ♪ 272 00:18:32,620 --> 00:18:35,758 ♪ WHAT'’S BEHIND YOUR REASONS FOR YOUR ASKIN'’ SUCH A FOOLISH MOVE? ♪ 273 00:18:35,758 --> 00:18:38,689 ♪ WHAT'’RE YOU, STUPID? WHAT THE FUCK YOU TRYING TO PROVE? ♪ 274 00:18:38,689 --> 00:18:41,862 - ♪ YOU GOT NOTHING TO LOSE... ♪ - WHAT'’RE YOU LOOKING AT?! 275 00:18:41,862 --> 00:18:46,310 ♪ I GOT DREAMS TO PURSUE AND I CAN'’T DO IT AT HOME ♪ 276 00:18:46,310 --> 00:18:49,793 ♪ MY FAMILY DON'’T SEE MY VISION SO I GOTTA DO THIS ALONE ♪ 277 00:18:49,793 --> 00:18:52,344 ♪ ON MY OWN, SOLO, BY MYSELF ♪ 278 00:18:52,344 --> 00:18:55,206 ♪ MAKE IT HAPPEN WITHOUT THE HELP OF SOMEONE ELSE ♪ 279 00:18:55,206 --> 00:18:58,379 ♪ BUT I'’M WORKING WITH THE SHIT THAT SHAPES MEN, MAKES MEN ♪ 280 00:18:58,379 --> 00:19:00,586 ♪ SOMETIMES IT EVEN BREAKS MEN ♪ 281 00:19:00,586 --> 00:19:03,586 ♪ WANT MY NAME MENTIONED AMONG GREAT MEN, MEN OF RESPECT...♪ 282 00:19:11,586 --> 00:19:14,034 [ piano playing ] 283 00:19:43,724 --> 00:19:45,827 - [ music ends ] - [ applause ] 284 00:19:45,827 --> 00:19:49,310 THANK YOU. THANK YOU VERY, VERY, VERY MUCH. 285 00:19:51,310 --> 00:19:52,758 AND NOW... 286 00:19:52,758 --> 00:19:55,344 FOR THE GAME SHOW PORTION OF OUR PROGRAM, 287 00:19:55,344 --> 00:19:56,931 "NAME THAT SONG." 288 00:19:56,931 --> 00:19:58,379 IF YOU KNOW THE WORDS, 289 00:19:58,379 --> 00:20:00,586 JUST SING ALONG. 290 00:20:00,586 --> 00:20:02,482 [ opera music playing ] 291 00:20:09,827 --> 00:20:12,620 - I-I KNOW THAT SONG. - [ music stops ] 292 00:20:12,620 --> 00:20:15,931 YOU SEE THIS? THERE'’S ONE IN EVERY CROWD. 293 00:20:15,931 --> 00:20:18,068 HE'’S EVEN WEARING THE RIGHT UNIFORM. 294 00:20:18,068 --> 00:20:19,241 [ all laughing ] 295 00:20:19,241 --> 00:20:21,827 COME ON. SING IT. 296 00:20:21,827 --> 00:20:23,448 [ opera music plays ] 297 00:20:26,620 --> 00:20:29,724 [ singing in Italian ] 298 00:20:54,275 --> 00:20:57,172 DAMN, MY MAN CAN SING, HUH? 299 00:20:57,172 --> 00:21:01,034 OH, YES, HE IS SIMPLY SUPERB. 300 00:21:03,758 --> 00:21:06,862 HEY, YO, TELL TWEETY BIRD I SAID, "WHAT'’S UP?" 301 00:21:06,862 --> 00:21:10,379 [ singing high notes ] 302 00:21:19,689 --> 00:21:20,793 - [ song ends ] - [ applause ] 303 00:21:20,793 --> 00:21:23,103 - WHEW. - [ whistling ] 304 00:21:24,724 --> 00:21:26,724 THAT WAS FANTASTIC. 305 00:21:26,724 --> 00:21:29,000 - WHO ARE YOU? - ANTON. 306 00:21:29,000 --> 00:21:31,827 YO, THAT'’S IT? MY MAN PUT IT DOWN LIKE "NIGGARATTI" 307 00:21:31,827 --> 00:21:34,724 AND THAT'’S ALL Y'’ALL GIVE IS PENNIES? WHAT'’S UP WITH THAT? 308 00:21:34,724 --> 00:21:36,793 COME ON, NOW. Y'’ALL GOTTA HELP OUT HERE. 309 00:21:36,793 --> 00:21:39,068 COME ON, MY MAN. YOU-- YOU WAS CRYING. 310 00:21:39,068 --> 00:21:41,551 - WHO DO YOU SING FOR? - MOSTLY MYSELF. 311 00:21:41,551 --> 00:21:44,103 - COME ON, WE TAKE FOOD STAMPS. - I DON'’T THINK SO. 312 00:21:44,103 --> 00:21:46,241 IT'’S ALL GOOD. SUPPORT THE BLACK ARTIST. 313 00:21:46,241 --> 00:21:49,517 - YOU MAY GROW UP TO BE BLACK TOO. - HE'’S VERY FUNNY. 314 00:21:49,517 --> 00:21:53,275 - HEY, YO! - LET'’S GIVE SOME LOVE TO THE PIANO MAN. 315 00:21:53,275 --> 00:21:55,931 - WE AIN'’T GIVE HIM NO LOVE. SHOW HIM THE LOVE. - [ applause ] 316 00:21:55,931 --> 00:21:58,931 - GIVE ME THE BUCKET. - WHAT'’RE YOU UPTIGHT ABOUT? 317 00:21:58,931 --> 00:22:02,206 - I'’M TRYING TO HELP YOU. - IT'’S ALL RIGHT, I'M DOING FINE BY MYSELF. 318 00:22:02,206 --> 00:22:06,758 YO, MY MAN, YOU WAS PUTTING IT DOWN. YOU CAN SING, KID. 319 00:22:06,758 --> 00:22:10,344 - YOU'’RE VERY FUNNY. - YOU GOT A WHOLE ROUTINE. YOU'’RE REAL SLICK. 320 00:22:10,344 --> 00:22:12,275 WHAT'’S THAT SUPPOSED TO MEAN? 321 00:22:12,275 --> 00:22:15,310 THAT MEANS I'’M ONTO YOU, SO DON'’T COME LOOKING TO ME FOR MONEY. 322 00:22:15,310 --> 00:22:18,413 WHAT YOU TALKING ABOUT? LOOK AT ALL THE CABBAGE I COLLECTED FOR YOU. 323 00:22:18,413 --> 00:22:21,137 YOU WOULD'’VE HAD BUTTONS AND PENNIES IF IT WASN'’T FOR ME. 324 00:22:21,137 --> 00:22:23,310 - YOU OWE ME, MAN. - DON'’T I KNOW YOU? 325 00:22:23,310 --> 00:22:25,896 - I'’M HANDLING MY BUSINESS. - I WOULDN'’T WANT IT SAID 326 00:22:25,896 --> 00:22:27,724 I DON'’T CARE ABOUT THE UNDERPRIVILEGED. 327 00:22:27,724 --> 00:22:30,241 - HERE YOU GO. - A DOLLAR? 328 00:22:30,241 --> 00:22:32,275 WHAT'’S THAT, A JOKE? HA HA HA! 329 00:22:32,275 --> 00:22:34,724 YO, MAN, YOU BETTER GET REAL, SON. 330 00:22:34,724 --> 00:22:37,137 YOU ABOUT TO BE A HEADLINE IN "THE DAILY NEWS." 331 00:22:37,137 --> 00:22:39,413 "WHITE BOY GETS HIS ASS STOMPED IN THE PARK." 332 00:22:39,413 --> 00:22:42,827 YEAH? YOU'’LL BE READING THAT HEADLINE FROM YOUR CELL AT RIKER'’S ISLAND. 333 00:22:42,827 --> 00:22:46,482 A COUPLE WEEKS OF TOSSING SALADS MIGHT BE THE VACATION A GUY LIKE YOU NEEDS. 334 00:22:46,482 --> 00:22:49,586 - WHERE DO I KNOW YOU FROM? - SHUT THE FUCK UP! 335 00:22:49,586 --> 00:22:52,758 I ASKED FOR WHAT'’S MINE, YOU GONNA CALL THE COPS ON ME? 336 00:22:52,758 --> 00:22:56,655 IT'’S ALL GOOD. YOU IN MY WORLD, SON. I'’MA SEE YOU OUT HERE. 337 00:22:56,655 --> 00:22:59,413 YOU CAN COUNT ON IT... MOTHERFUCKER! 338 00:23:04,000 --> 00:23:05,724 I KNOW HIM FROM SOMEWHERE. 339 00:23:05,724 --> 00:23:08,034 LUCKY YOU. 340 00:23:12,655 --> 00:23:14,103 THANKS. 341 00:23:14,103 --> 00:23:16,103 THANKS FOR HELPING ME GET THAT INSIDE. 342 00:23:16,103 --> 00:23:19,344 I CAN TAKE CARE OF IT FROM THERE. 343 00:23:19,344 --> 00:23:21,275 HERE, WAIT. 344 00:23:21,275 --> 00:23:22,482 THAT'’S FOR YOU. 345 00:23:22,482 --> 00:23:24,517 $20. 346 00:23:24,517 --> 00:23:27,103 - YEAH. - THANKS. 347 00:23:29,931 --> 00:23:31,655 YOU KNOW WHAT? 348 00:23:31,655 --> 00:23:34,137 C-CAN WE DO THIS AGAIN TOMORROW? 349 00:23:34,137 --> 00:23:36,310 OKAY? 350 00:23:36,310 --> 00:23:38,137 YEAH, ALL RIGHT. 351 00:23:38,137 --> 00:23:39,689 YEAH. 352 00:23:39,689 --> 00:23:41,862 I CAN'’T QUITE FIGURE YOU OUT YET. 353 00:23:41,862 --> 00:23:44,068 BUT YOU CERTAINLY CAN SING, RIGHT? 354 00:23:50,206 --> 00:23:52,551 WHAT'’S UP, KID? WHAT YOU ALL HAPPY ABOUT? 355 00:23:52,551 --> 00:23:54,448 HE SUCK YOUR DICK OR SOME SHIT? 356 00:23:54,448 --> 00:23:57,137 HEY, YOU'’RE THAT GUY. 357 00:23:57,137 --> 00:24:00,827 YOU SAID YOU WERE GONNA BUY ME A TICKET AND YOU TOOK MY MONEY. 358 00:24:00,827 --> 00:24:03,965 - AND YOU DIDN'’T COME BACK. - OH, THAT'’S YOU! 359 00:24:03,965 --> 00:24:06,413 OH, SHIT! YOU KNOW WHAT HAPPENED? 360 00:24:06,413 --> 00:24:08,172 I HAD THE TICKET, RIGHT? 361 00:24:08,172 --> 00:24:10,862 BUT THEN I WAS LOOKING FOR YOU FOR TWO DAYS. 362 00:24:10,862 --> 00:24:14,517 I COULDN'’T FIND YOU. THE TICKET WAS ONLY GOOD FOR ONE DAY. 363 00:24:14,517 --> 00:24:16,068 I DON'’T BELIEVE YOU. 364 00:24:16,068 --> 00:24:19,241 I WANTED TO GO TO ITALY AND YOU TOOK MY MONEY. 365 00:24:19,241 --> 00:24:22,137 FORGET THAT, ALL THAT MONEY I COLLECTED FOR YOU TODAY. 366 00:24:22,137 --> 00:24:24,931 [ scoffs ] YOU COULD BE OVER IN CHINA. 367 00:24:24,931 --> 00:24:28,344 OR AFRICA, OR WAY OUT THERE IN BROOKLYN AND SHIT. 368 00:24:28,344 --> 00:24:30,482 SO HOW MUCH HE GIVE YOU, YO? 369 00:24:31,551 --> 00:24:33,034 $20. 370 00:24:33,034 --> 00:24:35,931 $20? MAN, YOU THINK THAT'’S FAIR? 371 00:24:35,931 --> 00:24:37,241 - HMM? - YES. 372 00:24:37,241 --> 00:24:39,551 YOU SLOWER THAN I THOUGHT, KID. 373 00:24:39,551 --> 00:24:41,965 - I'’M NOT SLOW. - IT'’S ALL GOOD. 374 00:24:41,965 --> 00:24:44,241 YOU ARE SLOW. DON'’T GET ME WRONG, YOU'’RE SLOW. 375 00:24:44,241 --> 00:24:46,000 IT'’S ALL GOOD, '’CAUSE YOU'RE GOOD PEOPLE. 376 00:24:46,000 --> 00:24:48,344 ALL RIGHT? YOU'’RE JUST SLOW GOOD PEOPLE. 377 00:24:48,344 --> 00:24:50,931 - WHAT'’S YOUR NAME, DAWG? - I'’M NOT A DOG. 378 00:24:50,931 --> 00:24:52,862 MY NAME IS ANTON. I'’M A PERSON. 379 00:24:52,862 --> 00:24:55,241 I MEANT LIKE, "DAWG," LIKE, "MAN'’S BEST FRIEND." 380 00:24:55,241 --> 00:24:58,206 LIKE DAWG. "WHERE THE DAWGS AT?" KNOW WHAT I'’M SAYING? 381 00:24:58,206 --> 00:25:00,862 YOU AIN'’T GONNA BE ABLE TO CONNECT THAT SHIT. 382 00:25:00,862 --> 00:25:02,965 LISTEN, WHAT I WANT TO TELL YOU IS 383 00:25:02,965 --> 00:25:05,620 WHILE YOU OUT THERE IN THE PARK SINGING AND SHIT, 384 00:25:05,620 --> 00:25:09,068 YOU THE SHOW. YOU'’RE FUCKING MICHAEL JACKSON OUT THERE. 385 00:25:09,068 --> 00:25:11,965 THAT MOTHERFUCKER ON THE PIANO, HE AIN'’T EVEN TITO. 386 00:25:11,965 --> 00:25:13,931 HE'’S LESS THAN RANDY. 387 00:25:13,931 --> 00:25:16,965 - RANDY? - THE LITTLE FAT ONE WITH THE TAMBOURINE 388 00:25:16,965 --> 00:25:19,068 AND THE BONGOS AND SHIT. 389 00:25:19,068 --> 00:25:20,482 BUT LISTEN, YOU KNOW WHAT? 390 00:25:20,482 --> 00:25:22,793 I WANT TO GIVE YOU SOME BUSINESS ADVICE. 391 00:25:22,793 --> 00:25:24,586 - ALL RIGHT? - OKAY. 392 00:25:24,586 --> 00:25:26,620 ASK FOR MORE MONEY. 393 00:25:28,344 --> 00:25:30,034 OKAY? 394 00:25:30,034 --> 00:25:31,724 - OKAY. - COOL. 395 00:25:31,724 --> 00:25:34,137 LISTEN, MY PROFESSIONAL ADVICE, 396 00:25:34,137 --> 00:25:35,551 LIKE ALL THINGS IN LIFE, 397 00:25:35,551 --> 00:25:37,482 IS GONNA COST YOU A LITTLE SOMETHING. 398 00:25:37,482 --> 00:25:39,724 SO I'’M JUST GONNA TAKE A LITTLE SOMETHING. 399 00:25:39,724 --> 00:25:41,448 - THAT SOMETHING. - THAT'’S MINE. 400 00:25:41,448 --> 00:25:42,896 THAT'’S NOT FAIR. 401 00:25:42,896 --> 00:25:46,000 YOU RIGHT, HERE. OKAY. 402 00:25:47,103 --> 00:25:48,758 ALL RIGHT? 403 00:25:48,758 --> 00:25:50,689 - HEY, UM... - NO, NO, NO, LISTEN. 404 00:25:50,689 --> 00:25:52,482 I KNOW WHAT YOU'’RE THINKING, MAN. 405 00:25:52,482 --> 00:25:54,586 EXPENSES ARE HIGH AND SHIT. 406 00:25:54,586 --> 00:25:58,206 THAT'’S WHY YOU'VE GOT TO ASK HIM FOR MORE MONEY. 407 00:26:00,310 --> 00:26:01,827 YOU GOT IT? 408 00:26:23,931 --> 00:26:25,586 [ singing in Italian ] 409 00:27:22,862 --> 00:27:26,241 - [ applause ] - [ whistling ] 410 00:27:27,379 --> 00:27:30,862 BRAVO! 411 00:27:30,862 --> 00:27:33,931 - I HAD A LOT OF FUN TODAY. - DID YOU? I DID TOO. 412 00:27:33,931 --> 00:27:36,275 LOOK AT THAT. Y'’ALL RAKING IN ALL THE CHEDDAR. 413 00:27:36,275 --> 00:27:38,413 I DON'’T WANT ANY TROUBLE FROM YOU TODAY. 414 00:27:38,413 --> 00:27:41,931 - EXCUSE ME. EXCUSE ME. - HMM? 415 00:27:41,931 --> 00:27:44,896 IS THAT WHAT YOU SAID? I THOUGHT YOU SAID, "EXCUSE ME." 416 00:27:44,896 --> 00:27:47,379 COME ON, ANTON, LET'’S GO. 417 00:27:47,379 --> 00:27:50,517 ANTON, DON'’T LET HIM TALK TO YOU LIKE YOU HIS BITCH. 418 00:27:50,517 --> 00:27:53,413 IS HE PAYING YOU EXTRA FOR THE JANITORIAL SERVICES? 419 00:27:53,413 --> 00:27:55,689 OR IS HE JUST RIPPING YOU OFF AGAIN? 420 00:27:55,689 --> 00:27:57,206 HE THINKS YOU STUPID. 421 00:27:57,206 --> 00:28:00,103 WHITE BOY ALWAYS THINKS THE BLACK MAN IS STUPID. 422 00:28:00,103 --> 00:28:03,000 EVEN THOUGH YOU ARE A LITTLE SLOW. 423 00:28:03,000 --> 00:28:05,517 WHY DO YOU ALWAYS HAVE TO BE SO MEAN? 424 00:28:05,517 --> 00:28:07,206 I AIN'’T MEAN. I'’M JUST REAL. 425 00:28:07,206 --> 00:28:09,137 I'’M THE REALEST NIGGA YOU KNOW. 426 00:28:09,137 --> 00:28:11,758 THIS ONE HERE, THAT'’S WHO YOU GOTTA WORRY ABOUT. 427 00:28:11,758 --> 00:28:14,655 - HE THE ONE RIPPING YOU OFF. - I'’M NOT RIPPING HIM OFF. 428 00:28:14,655 --> 00:28:17,310 YOU GAVE HIM $20. WHAT'’S THAT? 429 00:28:17,310 --> 00:28:19,448 EVEN A YOUNG REPUBLICAN LIKE YOURSELF 430 00:28:19,448 --> 00:28:21,896 OUGHTA FEEL SOME GUILT BEHIND THAT TYPE OF SHIT. 431 00:28:21,896 --> 00:28:25,206 REPUBLICAN? I'’M SUCH A BLEEDING HEART LIBERAL I VOTED FOR JESSE JACKSON-- 432 00:28:25,206 --> 00:28:27,310 TWICE. STILL DOESN'’T MEAN I'’M GONNA BEND OVER 433 00:28:27,310 --> 00:28:29,586 AND LET YOU FUCK ME UP THE ASS. 434 00:28:29,586 --> 00:28:31,965 YEAH? YOU PROBABLY LIKE IT LIKE THAT. 435 00:28:31,965 --> 00:28:34,620 I'’LL PULL YOUR HAIR AND MAKE YOU CALL ME "MANDINGO." 436 00:28:34,620 --> 00:28:36,965 - PUNK ASS WHITE BOY. - HAVEN'’T YOU HEARD? 437 00:28:36,965 --> 00:28:39,034 THAT BLACK-WHITE STUFF WENT OUT OF STYLE 438 00:28:39,034 --> 00:28:41,344 WITH PLATFORM SHOES AND POLYESTER JUMP SUITS. 439 00:28:41,344 --> 00:28:45,275 YEAH? I KEPT MINE, '’CAUSE THE ANGRY BLACK MAN SHIT'’S MAKING A COMEBACK. 440 00:28:45,275 --> 00:28:47,689 WHY DON'’T YOU FIND SOME OTHER WAY TO WORK OUT YOUR SHIT? 441 00:28:47,689 --> 00:28:51,482 LIKE YOGA, MEDITATION, ELECTROSHOCK THERAPY? WHATEVER IT TAKES. 442 00:28:51,482 --> 00:28:53,724 - JUST LEAVE ME THE FUCK ALONE. - [ laughing ] 443 00:28:53,724 --> 00:28:55,448 WHAT THE FUCK YOU LAUGHING AT? 444 00:28:55,448 --> 00:28:57,655 YOU TWO ARE JUST ALIKE. 445 00:28:57,655 --> 00:29:00,655 OH YEAH? THE JOKE IS ON YOU, SON. 446 00:29:00,655 --> 00:29:02,482 '’CAUSE HE'S TRYING TO BECOME ROCKEFELLER, 447 00:29:02,482 --> 00:29:05,068 AND HE'’S KEEPING YOU STEPIN FETCHIT. 448 00:29:05,068 --> 00:29:07,172 YOU THE ONE WITH THE TALENT, ANTON. 449 00:29:07,172 --> 00:29:10,137 THIS MOTHERFUCKER HERE, HE'’S LINUS FROM THE PEANUT GANG. 450 00:29:10,137 --> 00:29:13,758 YOU THE MAN, ANTON, REMEMBER THAT SHIT. 451 00:29:16,655 --> 00:29:19,068 YOU GET A RAISE. [ laughs ] 452 00:29:22,689 --> 00:29:24,344 $40? 453 00:29:24,344 --> 00:29:26,000 THANKS. 454 00:29:26,000 --> 00:29:29,517 I-I-I KNEW HE WAS WRONG ABOUT YOU. 455 00:29:29,517 --> 00:29:30,793 YOU'’RE A GOOD GUY. 456 00:29:30,793 --> 00:29:33,655 YEAH, WELL, THANKS. 457 00:29:33,655 --> 00:29:36,931 HE TOOK MY MONEY YESTERDAY. 458 00:29:39,000 --> 00:29:40,620 GOD, MAN, THAT FIGURES. 459 00:29:40,620 --> 00:29:42,103 YOU GOTTA BE CAREFUL, ANTON. 460 00:29:42,103 --> 00:29:43,827 EVERYBODY'’S OUT FOR THEMSELF. 461 00:29:43,827 --> 00:29:46,275 - [ thunder rumbles ] - EVERYBODY? 462 00:29:46,275 --> 00:29:48,000 YEAH. 463 00:29:48,000 --> 00:29:49,655 EVERYBODY. 464 00:29:49,655 --> 00:29:51,586 [ clears throat ] 465 00:29:51,586 --> 00:29:53,724 ANYWAY, I GOTTA GO, 466 00:29:53,724 --> 00:29:55,862 - SO... - [ thunder rumbles ] 467 00:29:57,482 --> 00:30:00,172 BOY, THAT CAME DOWN IN A HURRY. 468 00:30:00,172 --> 00:30:02,137 YOU SHOULD HAVE AN UMBRELLA OR SOMETHING. 469 00:30:02,137 --> 00:30:04,965 - YEAH. - YOU COULD CATCH A COLD OR SOMETHING. 470 00:30:04,965 --> 00:30:06,379 YEAH. 471 00:30:07,448 --> 00:30:09,000 YOU BETTER RUN. 472 00:30:15,586 --> 00:30:17,310 YOU BETTER HURRY. YOU'’RE GETTING WET. 473 00:30:19,724 --> 00:30:21,827 THE STREET'’S AROUND TO THE LEFT, THAT WAY. 474 00:30:21,827 --> 00:30:23,896 [ thunder rumbles ] 475 00:30:31,068 --> 00:30:34,275 I-I DON'’T LIKE LOUD NOISES. 476 00:30:41,724 --> 00:30:43,172 COME ON IN. 477 00:30:44,448 --> 00:30:46,206 IT'’S OKAY. COME ON. 478 00:30:46,206 --> 00:30:49,482 A LITTLE FURTHER. 479 00:30:50,586 --> 00:30:52,068 WOW. 480 00:30:53,551 --> 00:30:56,000 THIS IS A REALLY NICE PLACE YOU HAVE HERE. 481 00:30:56,000 --> 00:30:57,620 THANKS. 482 00:30:59,586 --> 00:31:02,413 YOU SHOULD BE ON "LIFESTYLES OF THE RICH AND FAMOUS." 483 00:31:02,413 --> 00:31:03,586 [ laughs ] 484 00:31:03,586 --> 00:31:05,655 THIS IS MY GIRLFRIEND'’S PLACE. 485 00:31:05,655 --> 00:31:07,068 SHE SINGS OPERA TOO. 486 00:31:07,068 --> 00:31:09,172 JULIA SIMONE. 487 00:31:09,172 --> 00:31:10,758 YOU'’VE HEARD OF HER, RIGHT? 488 00:31:10,758 --> 00:31:12,206 - JULIA SIMONE? - YEAH. 489 00:31:12,206 --> 00:31:14,241 NO. 490 00:31:14,241 --> 00:31:15,827 OH. 491 00:31:18,758 --> 00:31:21,482 I GUESS YOU WANT TO GET OUT OF THOSE CLOTHES. 492 00:31:21,482 --> 00:31:24,241 - OH, UM... - I'’LL PUT 'EM IN THE DRYER FOR YOU. 493 00:31:24,241 --> 00:31:26,206 - THANKS. - SIT DOWN. 494 00:31:26,206 --> 00:31:28,689 DON'’T WORRY ABOUT GETTING IT WET. IT'’S ALL RIGHT. 495 00:31:30,620 --> 00:31:31,931 THAT'’S A NICE TUXEDO. 496 00:31:31,931 --> 00:31:35,379 I HAD ONE. NOT AS NICE AS THAT, BUT... 497 00:31:36,517 --> 00:31:37,586 [ thunder rumbles ] 498 00:31:37,586 --> 00:31:40,413 OH, MAN. 499 00:31:40,413 --> 00:31:44,586 - [ laughs ] - OH, I'’M SORRY. 500 00:31:44,586 --> 00:31:47,241 MY SOCKS ARE KINDA STINKY. 501 00:31:47,241 --> 00:31:49,482 YEAH. 502 00:31:49,482 --> 00:31:51,931 MAYBE I SHOULD PUT '’EM IN THE WASHER 503 00:31:51,931 --> 00:31:53,827 BEFORE I PUT '’EM IN THE DRIER. 504 00:31:54,896 --> 00:31:55,931 OHH. 505 00:31:57,827 --> 00:32:01,724 OH, UM... I'’M SORRY. 506 00:32:03,413 --> 00:32:05,965 MY FEET ARE KINDA STINKY TOO. 507 00:32:05,965 --> 00:32:08,827 YEAH. MAYBE YOU SHOULD TAKE A SHOWER. 508 00:32:08,827 --> 00:32:11,448 IN FACT, I INSIST. 509 00:32:11,448 --> 00:32:14,344 I CAN'’T TAKE SHOWERS. 510 00:32:14,344 --> 00:32:16,758 AUNTIE SAYS I'’LL SLIP AND CRACK MY HEAD. 511 00:32:16,758 --> 00:32:20,000 CAN I TAKE A BATH? 512 00:32:20,000 --> 00:32:22,551 I LOVE BATHS. 513 00:32:47,172 --> 00:32:48,931 [ classical music playing ] 514 00:33:02,965 --> 00:33:05,241 - [ sprays ] - [ sneezing ] 515 00:33:14,862 --> 00:33:17,310 [ vocalizes ] 516 00:33:23,793 --> 00:33:25,413 [ laughs ] 517 00:33:27,724 --> 00:33:30,482 [ vocalizes ] 518 00:34:00,896 --> 00:34:01,896 [ music ends ] 519 00:34:01,896 --> 00:34:03,724 WOW. 520 00:34:03,724 --> 00:34:05,241 THAT WAS AMAZING. 521 00:34:06,758 --> 00:34:09,206 YEAH, IT SOUNDS EVEN BETTER WHEN YOU'’RE DRUNK. 522 00:34:09,206 --> 00:34:12,689 BUT I DON'’T THINK THAT'’S GONNA HELP ME IN THE COMPETITION. 523 00:34:12,689 --> 00:34:14,551 COMPETITION? 524 00:34:14,551 --> 00:34:17,724 LIKE YOU WIN PRIZES AND STUFF IF YOU WIN? 525 00:34:17,724 --> 00:34:19,241 [ laughs ] 526 00:34:19,241 --> 00:34:21,068 YEAH, THE GRAND PRIZE 527 00:34:21,068 --> 00:34:23,206 IS YOU GET TO KISS HIGH SOCIETY ASS 528 00:34:23,206 --> 00:34:24,931 FOR THE REST OF YOUR LIFE. 529 00:34:24,931 --> 00:34:28,137 YOU DON'’T WANT TO KNOW WHAT HAPPENS WHEN YOU LOSE. 530 00:34:28,137 --> 00:34:30,862 HEY, LOOK AT THAT. THE RAIN STOPPED. 531 00:34:30,862 --> 00:34:32,448 YEAH. 532 00:34:32,448 --> 00:34:36,206 GUESS THAT MEANS YOU CAN GO. 533 00:34:46,793 --> 00:34:48,517 WHAT'’S UP, MAN? 534 00:34:48,517 --> 00:34:50,793 YOU DON'’T LOOK TOO HAPPY TO SEE ME. 535 00:34:50,793 --> 00:34:52,344 WHAT'’S THE DEAL, MAN? 536 00:34:52,344 --> 00:34:54,344 YOU AFRAID OF BLACK PEOPLE NOW, 537 00:34:54,344 --> 00:34:56,931 '’CAUSE YOU WAS UP IN THE MASTER'’S HOUSE CHILLING? 538 00:34:56,931 --> 00:34:59,310 I DON'’T WANT YOU TO TAKE MY MONEY. 539 00:34:59,310 --> 00:35:00,965 YO, MAN, I'’M NOT THE GOVERNMENT. 540 00:35:00,965 --> 00:35:04,172 I'’M OUT HERE TO LOOK OUT FOR YOU, YO. 541 00:35:04,172 --> 00:35:06,793 HOW MUCH HE RIP YOU OFF FOR THIS TIME? 542 00:35:06,793 --> 00:35:08,827 H-HE DIDN'’T RIP ME OFF. 543 00:35:08,827 --> 00:35:10,137 HE GAVE ME $40. 544 00:35:10,137 --> 00:35:12,517 $40? YO, MAN, THIS GUY IS MAKING 545 00:35:12,517 --> 00:35:15,000 HUNDREDS AND HUNDREDS OF MILLIONS OF DOLLARS OFF YOU. 546 00:35:15,000 --> 00:35:17,172 - REALLY? - YEAH, AND THAT SHIT HE GAVE YOU 547 00:35:17,172 --> 00:35:18,482 IS PROBABLY COUNTERFEIT, MAN. 548 00:35:18,482 --> 00:35:21,000 LET ME SEE THE MONEY AND I'’LL TELL YOU 549 00:35:21,000 --> 00:35:23,965 IF THAT SHIT IS FAKE. I'’LL DO THE SPIT TEST 550 00:35:23,965 --> 00:35:25,931 AND TELL YOU IF IT'’S TRUE OR FALSE. 551 00:35:25,931 --> 00:35:27,206 NO, I DON'’T WANT TO. 552 00:35:27,206 --> 00:35:29,137 YO, DON'’T DISRESPECT ME OUT HERE, MAN. 553 00:35:29,137 --> 00:35:32,034 I'’LL BUST YOUR ASS AND TAKE THAT SHIT. LET ME SEE. 554 00:35:32,034 --> 00:35:34,517 - LET ME SEE THE MONEY. - [ screams ] 555 00:35:36,137 --> 00:35:39,448 - [ screams ] - COME BACK HERE, MAN. 556 00:35:39,448 --> 00:35:40,931 - COME BACK HERE, MAN! - [ screaming ] 557 00:35:43,241 --> 00:35:46,448 - [ barking ] - MOVE THAT DOG BEFORE I THROW THAT SHIT ON THE ROOF. 558 00:35:46,448 --> 00:35:48,103 ♪ ALL YOU MOTHERFUCKERS LET'’S GO ♪ 559 00:35:48,103 --> 00:35:50,034 ♪ SO WHAT THE FUCK YOU WAITING FOR? ♪ 560 00:35:50,034 --> 00:35:51,862 - ♪ NIGGA, LET'’S ROLL ♪ - ♪ LET'’S GO ♪ 561 00:35:51,862 --> 00:35:53,862 ♪ YOU WON'’T RESOLVE DRY HOPES ♪ 562 00:35:53,862 --> 00:35:56,034 ♪ RINGING IN YOUR SYSTEM, GOT YOU HOOKED LIKE DOPE ♪ 563 00:35:56,034 --> 00:35:58,724 ♪ WE HERE TO LEAD ALL YOU MOTHERFUCKERS, LET'’S GO ♪ 564 00:35:58,724 --> 00:36:00,551 ♪ SO WHAT THE FUCK YOU WAITING FOR? ♪ 565 00:36:00,551 --> 00:36:02,310 ATTENTION! SALUTE! 566 00:36:02,310 --> 00:36:04,344 AND MARCH! 567 00:36:04,344 --> 00:36:08,310 LEFT, LEFT, LEFT, RIGHT, LEFT! 568 00:36:08,310 --> 00:36:09,724 WHO WANTS ICE CREAM? 569 00:36:09,724 --> 00:36:11,862 [ shouting ] ICE CREAM! ICE CREAM! 570 00:36:11,862 --> 00:36:13,827 ♪ LET'’S ROLL, LET'’S ROLL... ♪ 571 00:36:13,827 --> 00:36:16,379 [ kids shouting ] ICE CREAM! ICE CREAM ! 572 00:36:16,379 --> 00:36:18,724 ♪ ALL YOU MOTHERFUCKERS, LET'’S GO ♪ 573 00:36:18,724 --> 00:36:21,517 ♪ WHAT THE FUCK YOU WAITING FOR? NIGGA, LET'’S ROLL... ♪ 574 00:36:21,517 --> 00:36:22,862 WHERE YOU THINK YOU'’RE GOING? 575 00:36:22,862 --> 00:36:25,137 THERE'’S NOWHERE TO GO, RIGHT? 576 00:36:25,137 --> 00:36:27,241 DIDN'’T I TELL YOU TO PAY MY MONEY? 577 00:36:27,241 --> 00:36:29,344 - YO, COME HERE. - YOU'’RE NOTHING BUT A BULLY. 578 00:36:29,344 --> 00:36:31,482 - COME HERE, MOTHERFUCKER. - FIRST MY TICKET TO ITALY, 579 00:36:31,482 --> 00:36:33,586 - AND YOU TOOK MY MONEY. - GIMME MY MONEY, 580 00:36:33,586 --> 00:36:34,827 YOU FUCKING RETARDED IDIOT. 581 00:36:34,827 --> 00:36:36,551 MANAGER'’S SUPPOSED TO HELP PEOPLE. 582 00:36:36,551 --> 00:36:38,965 I'’M GONNA MANAGE TO KICK YOUR ASS. COME HERE. 583 00:36:38,965 --> 00:36:42,724 NOW YOUR ASS IS GRASS. COME HERE, YOU FUCKING CORKY FROM "LIFE GOES ON." 584 00:36:42,724 --> 00:36:44,379 COME HERE. WHERE'’S MY MONEY? 585 00:36:44,379 --> 00:36:47,206 WHAT'’RE YOU GONNA DO? YOU GETTING ME DIRTY AND SHIT? 586 00:36:47,206 --> 00:36:49,758 - GIMME MY MONEY. - NO! YOU'’RE NOTHING BUT A BULLY. 587 00:36:49,758 --> 00:36:54,000 GIMME MY MONEY, MAN! YOU BETTER GIVE ME MY FUCKING MONEY. 588 00:36:54,000 --> 00:36:55,862 YOU'’RE STILL NOTHING BUT A BULLY. 589 00:36:55,862 --> 00:36:57,586 Girl: YOU BETTER STOP THAT! 590 00:36:57,586 --> 00:37:01,344 WHAT Y'’ALL LOOKING AT? BETTER GO GET AN EDUCATION. 591 00:37:10,896 --> 00:37:12,758 Teacher: OKAY, KIDS, COME ON. 592 00:37:12,758 --> 00:37:15,068 COME ON, LET'’S GO. EVERYBODY, LET'’S GO. 593 00:37:15,068 --> 00:37:17,241 GET GOING NOW. 594 00:37:17,241 --> 00:37:19,000 I WASN'’T GONNA HURT YOU, MAN. 595 00:37:21,206 --> 00:37:23,586 IT'’S JUST ROUGH OUT HERE, YOU KNOW? 596 00:37:23,586 --> 00:37:26,137 YOU KISSING UP TO WHITE BOYS, MAN. 597 00:37:26,137 --> 00:37:29,206 WE'’RE BROTHERS. WE GOTTA STICK TOGETHER. 598 00:37:35,310 --> 00:37:37,137 COME ON, LET'’S GO. 599 00:37:39,137 --> 00:37:40,655 COME ON. 600 00:37:41,724 --> 00:37:43,103 YO, COME ON, MAN. 601 00:37:50,655 --> 00:37:52,965 A-ARE WE REALLY BROTHERS? 602 00:37:52,965 --> 00:37:56,655 BECAUSE YOU WERE VERY MEAN TO ME BEFORE. 603 00:37:56,655 --> 00:37:59,137 I TOLD YOU, MAN, WE'’RE BROTHERS NOW, ALL RIGHT? 604 00:37:59,137 --> 00:38:01,551 I'’M GONNA LOOK OUT FOR YOU, YO. 605 00:38:01,551 --> 00:38:04,482 [ water running ] 606 00:38:04,482 --> 00:38:07,137 I NEVER REALLY HAD A BROTHER. 607 00:38:07,137 --> 00:38:08,827 I NEVER HAD A SISTER. 608 00:38:08,827 --> 00:38:12,241 I DON'’T EVEN REMEMBER MY FATHER, 609 00:38:12,241 --> 00:38:15,068 BUT I HAVE A PICTURE OF HIM AT HOME. 610 00:38:15,068 --> 00:38:19,448 ALL I HAD WAS MY MOM-- MOTHER 611 00:38:19,448 --> 00:38:22,000 AND MY AUNTIE. 612 00:38:23,724 --> 00:38:27,034 AND MY MOTHER DIED WHEN I WAS NINE. 613 00:38:31,275 --> 00:38:34,793 YO, MAN, STOP LOOKING AT THE MONSTER, ALL RIGHT? 614 00:38:34,793 --> 00:38:38,000 YOU'’RE GONNA RUIN YOUR CONFIDENCE WITH WOMEN. 615 00:38:38,000 --> 00:38:40,206 SPEAKING OF WHICH, YOU EVER GET SOME PUSSY? 616 00:38:40,206 --> 00:38:42,862 I, UM... 617 00:38:42,862 --> 00:38:44,689 [ stuttering ] 618 00:38:44,689 --> 00:38:46,379 NEVER MIND. REMIND ME, 619 00:38:46,379 --> 00:38:48,655 I GOTTA GET YOU SOME PUSSY, ALL RIGHT? 620 00:38:48,655 --> 00:38:50,275 YO, LET ME HOLD YOUR COLOGNE. 621 00:38:51,517 --> 00:38:53,379 MY BALLS STINK. COME ON. 622 00:38:59,517 --> 00:39:01,310 YO, MAN, YOU EVER GOT KIDS? 623 00:39:01,310 --> 00:39:02,896 NO. 624 00:39:02,896 --> 00:39:05,965 WHAT AM I THINKING? HOW YOU GONNA CATCH KIDS 625 00:39:05,965 --> 00:39:09,034 WHEN YOU AIN'’T EVEN CATCHED NO PUSSY YET? 626 00:39:09,034 --> 00:39:12,206 LET ME TELL YOU SOMETHING. WHEN YOU DO GET A KID, 627 00:39:12,206 --> 00:39:14,379 IT'’S THE GREATEST THING IN THE WORLD, SON. 628 00:39:16,724 --> 00:39:19,482 - ARE YOU WORKING? - NO, BUT I GOT THIS THING HAPPENING. 629 00:39:19,482 --> 00:39:22,517 THEN DON'’T EVEN THINK ABOUT BRINGING YOUR ASS INTO MY HOUSE. 630 00:39:22,517 --> 00:39:26,034 - I'’M NOT HERE TO SEE YOU. I WANNA SEE MY DAUGHTER. - YOUR DAUGHTER? 631 00:39:26,034 --> 00:39:28,517 YOU CAN START SEEING YOUR DAUGHTER WHEN YOU START SUPPORTING YOUR DAUGHTER. 632 00:39:28,517 --> 00:39:31,103 CAN I HAVE JUST SOME TIME-- 633 00:39:32,586 --> 00:39:35,206 MUST BE THAT TIME OF THE MONTH, MAN. 634 00:39:35,206 --> 00:39:36,931 WHAT TIME? 635 00:39:36,931 --> 00:39:39,931 IF YOU GOT SOME PUSSY, YOU WOULD KNOW WHAT TIME. 636 00:39:42,862 --> 00:39:45,206 CLARISSE, I'’M STRAIGHT. I'’M NOT EVEN HIGH. 637 00:39:45,206 --> 00:39:47,586 I JUST WANNA SEE HER. PLEASE? 638 00:39:47,586 --> 00:39:51,379 OKAY, BUT IF YOU START ANY SHIT UP IN HERE, 639 00:39:51,379 --> 00:39:53,241 I'’M CALLING THE COPS ON YOUR ASS. 640 00:39:53,241 --> 00:39:55,793 WHY YOU ALWAYS THINKING I'’M GONNA START SOMETHING? 641 00:39:57,586 --> 00:39:59,586 LETICIA, YOUR DADDY'’S HERE. 642 00:40:03,000 --> 00:40:06,241 THERE'’S MY LITTLE GIRL. COME HERE, BABY. 643 00:40:06,241 --> 00:40:08,241 - OHH! - HI, DADDY. 644 00:40:08,241 --> 00:40:09,724 HI, HOW YOU DOING? 645 00:40:09,724 --> 00:40:11,965 - GOOD, I MISS YOU. - HI, I'’M ANTON. 646 00:40:11,965 --> 00:40:14,241 - I MISS YOU TOO. - A PLEASURE TO MEET YOU. 647 00:40:14,241 --> 00:40:17,310 - HELLO. - COME HERE, I WANNA SHOW YOU SOMETHING. 648 00:40:18,965 --> 00:40:21,758 THIS IS A PICTURE I MADE IN SCHOOL. 649 00:40:21,758 --> 00:40:24,068 THIS IS ME AND MOMMY INSIDE OUR HOUSE 650 00:40:24,068 --> 00:40:25,551 AND YOU INSIDE YOUR HOUSE. 651 00:40:25,551 --> 00:40:27,241 WOW, THAT'’S BEAUTIFUL. 652 00:40:27,241 --> 00:40:29,896 CAN I HAVE THIS? I'’M GONNA PUT IN MY HOUSE. 653 00:40:29,896 --> 00:40:31,482 OKAY. 654 00:40:33,206 --> 00:40:35,310 WHAT DO YOU HAVE INSIDE YOUR COAT? 655 00:40:35,310 --> 00:40:37,620 I DON'’T KNOW IF I WANNA SHOW YOU. 656 00:40:37,620 --> 00:40:39,586 - YOU WANT ME TO SHOW YOU? - MM-HMM. 657 00:40:39,586 --> 00:40:41,482 OKAY, TAKE A PEEK. BOW! 658 00:40:41,482 --> 00:40:44,758 - IT'’S A LION. - YEAH, THAT'’S A LION. 659 00:40:44,758 --> 00:40:47,275 - THIS IS THE BADDEST MOTHER-- - [ clears throat ] 660 00:40:47,275 --> 00:40:50,827 THE BADDEST CAT IN THE WHOLE JUNGLE. 661 00:40:50,827 --> 00:40:52,413 HE KICKS EVERYBODY'’S BUTT. 662 00:40:52,413 --> 00:40:54,517 - EVERYBODY'’S? - EVERYBODY. ANYBODY. 663 00:40:54,517 --> 00:40:57,137 IS IT A GIRL LION OR THE BOY LION? 664 00:40:57,137 --> 00:40:58,965 THIS ONE IS A DADDY LION. 665 00:40:58,965 --> 00:41:01,620 WAY YOU CAN TELL IS BY THE MANE, YOU SEE? 666 00:41:01,620 --> 00:41:04,103 HE'’S GOT THE MANE HERE, LIKE DADDY'’S GOT THE MANE. 667 00:41:04,103 --> 00:41:05,413 FEEL THAT. [ growls ] 668 00:41:05,413 --> 00:41:08,482 HIS JOB IS TO PROTECT THE FAMILY. 669 00:41:08,482 --> 00:41:10,689 '’CAUSE IF SOMEBODY TRIES TO BOTHER THE FAMILY, 670 00:41:10,689 --> 00:41:12,310 HE GOES CRAZY. HE GOES LIKE, 671 00:41:12,310 --> 00:41:14,862 "PUT '’EM UP, PUT '’EM UP! 672 00:41:14,862 --> 00:41:17,448 I'’LL FIGHT YOU WITH ONE HAND. PUT '’EM UP!" 673 00:41:17,448 --> 00:41:20,517 SEE? EVEN THOUGH THE MOMMY, SHE KICKS A LITTLE BUTT TOO. 674 00:41:20,517 --> 00:41:23,517 ON THE REAL, YOU KNOW? BUT THINGS WORK BETTER 675 00:41:23,517 --> 00:41:26,310 WHEN THE MOMMY LION TAKES CARE OF THE BABIES 676 00:41:26,310 --> 00:41:28,689 AND THE DADDY LIONS TAKE CARE OF THE BUSINESS. 677 00:41:28,689 --> 00:41:30,000 - THE BUSINESS? - THE BUSINESS. 678 00:41:30,000 --> 00:41:31,827 YOU WANT TO TALK IN CODE? 679 00:41:31,827 --> 00:41:33,931 WHY DON'’T YOU TRY BRINGING HOME SOME GAZELLE? 680 00:41:33,931 --> 00:41:35,896 I'’M JUST TRYING TO EXPLAIN TO HER 681 00:41:35,896 --> 00:41:37,827 THAT THERE'’S RULES EVEN IN THE WILDERNESS. 682 00:41:37,827 --> 00:41:39,724 HAKUNA MATATA AND GOODBYE TO YOU. 683 00:41:39,724 --> 00:41:42,000 LETICIA, YOUR DADDY HAS TO GO. 684 00:41:42,000 --> 00:41:43,827 BYE, DADDY. 685 00:41:43,827 --> 00:41:45,896 BYE, BABY. I LOVE YOU, OKAY? 686 00:41:45,896 --> 00:41:48,620 - LOVE YOU TOO. - BE GOOD FOR YOUR MOMMY, ALL RIGHT? 687 00:41:48,620 --> 00:41:49,931 - OKAY. - I'’LL SEE YOU SOON. 688 00:41:49,931 --> 00:41:52,172 ALL RIGHT. 689 00:41:52,172 --> 00:41:53,965 LOOK, CLARISSE, COME HERE. 690 00:41:53,965 --> 00:41:56,344 WHY DON'’T YOU GIVE US A LITTLE SPACE, YO? 691 00:41:56,344 --> 00:41:58,862 HUH? 692 00:41:58,862 --> 00:42:00,137 YEAH. 693 00:42:02,689 --> 00:42:04,241 HEY, CLARISSE, LISTEN, 694 00:42:04,241 --> 00:42:06,896 I'’M SORRY ABOUT HER. I WASN'’T TRYING 695 00:42:06,896 --> 00:42:08,551 TO PISS YOU OFF OR NOTHING. 696 00:42:08,551 --> 00:42:11,172 I'’M TRYING TO MAKE THINGS RIGHT WITH US, ALL RIGHT? 697 00:42:11,172 --> 00:42:13,482 - YES. - I GOT THIS THING DOWN AT THE PARK 698 00:42:13,482 --> 00:42:15,172 WITH MY MAN. I LIKE MANAGE HIM. 699 00:42:15,172 --> 00:42:16,689 - WOW. - I'’M SERIOUS. 700 00:42:16,689 --> 00:42:19,551 THIS GUY, HE CAN SING. HE'’S LIKE CHICO, DEBARGE 701 00:42:19,551 --> 00:42:21,724 AND FUCKING PAVAROTTI ALL MIXED UP IN ONE. 702 00:42:21,724 --> 00:42:23,689 WHOOPTY-DAMN-DO, OKAY? 703 00:42:23,689 --> 00:42:25,862 YOU'’VE HAD YOUR VISIT. YOU CAN LEAVE NOW. 704 00:42:25,862 --> 00:42:28,724 WHY YOU CUTTING ME OFF? YOU DON'’T EVEN HEAR ME OUT. 705 00:42:28,724 --> 00:42:30,896 - YOU DON'’T RESPECT WHAT I SAY. - WESLEY, STOP IT. 706 00:42:30,896 --> 00:42:33,620 - YOU SAID YOU WEREN'’T GONNA START ANY SHIT. - FINE. 707 00:42:38,517 --> 00:42:40,448 HOW THE FUCK WE END UP HERE? 708 00:42:42,241 --> 00:42:44,931 HUH? 709 00:42:53,655 --> 00:42:55,137 NICE MEETING YOU. 710 00:42:56,551 --> 00:42:58,310 OKAY. 711 00:43:05,448 --> 00:43:09,206 - WHY AREN'’T YOU WITH-- - I DON'’T WANT TO TALK ABOUT IT. 712 00:43:12,310 --> 00:43:14,793 BUT WHY DON'’T YOU JUST TRY TO TALK-- 713 00:43:14,793 --> 00:43:17,448 BECAUSE SHE DON'’T WANT TO BE WITH ME, OKAY? 714 00:43:17,448 --> 00:43:20,206 I THINK SHE REALLY DOES. 715 00:43:20,206 --> 00:43:22,724 WHO ASKED YOU WHAT YOU THINK? JUST SHUT UP. 716 00:43:26,655 --> 00:43:29,137 Y-YOUR DAUGHTER'’S REALLY BEAUTIFUL. 717 00:43:32,206 --> 00:43:34,517 YEAH, SHE TAKES AFTER HER MOM. 718 00:43:39,551 --> 00:43:41,586 YO, BE CAREFUL COMING IN, ALL RIGHT? 719 00:43:41,586 --> 00:43:44,413 '’CAUSE I HAVEN'T FINISHED BUILDING THE REST OF THE STEPS. 720 00:43:48,172 --> 00:43:50,137 CAREFUL, YO. CAREFUL. 721 00:43:50,137 --> 00:43:53,931 LEAVE THAT OPEN, MAN. THAT'’S A FRENCH DOOR. 722 00:43:56,000 --> 00:43:57,827 IS THIS WHERE YOU LIVE? 723 00:43:57,827 --> 00:44:01,344 NO, MAN, I JUST KEEP A LITTLE STASH HERE, YOU KNOW? 724 00:44:01,344 --> 00:44:05,172 GRAB A SEAT, YO. MAKE YOURSELF AT HOME AND SHIT. 725 00:44:07,275 --> 00:44:10,137 YO, YOU SEE THIS SHIRT? 726 00:44:10,137 --> 00:44:13,517 I WORKED AT MIDNIGHT EXPRESS. I WAS MAKING $12.50 AN HOUR. 727 00:44:13,517 --> 00:44:15,413 WORD. ME AND CLARISSE, 728 00:44:15,413 --> 00:44:17,103 WE WERE ALL RIGHT BACK THEN. 729 00:44:17,103 --> 00:44:18,793 SHIT WAS TIGHT, YOU KNOW? 730 00:44:18,793 --> 00:44:20,655 THIS MOTHERFUCKER FIRED ME 731 00:44:20,655 --> 00:44:23,310 FOR COMING IN LATE A COUPLE TIMES AND SHIT. 732 00:44:23,310 --> 00:44:25,862 TALKING ABOUT, "YOU LOOK HUNG OVER." 733 00:44:25,862 --> 00:44:27,793 GETTING ALL UP IN MY BUSINESS. 734 00:44:27,793 --> 00:44:30,379 WHAT THAT GOT TO DO WITH ANYTHING, HOW I LOOK? 735 00:44:30,379 --> 00:44:32,551 I'’M THERE AT LEAST, RIGHT? 736 00:44:32,551 --> 00:44:34,517 YEAH. YEAH, I GUESS. 737 00:44:34,517 --> 00:44:36,275 I KNOW I'’M RIGHT, MAN. 738 00:44:36,275 --> 00:44:38,137 '’CAUSE THE WHITE BOYS, THEY COME IN, 739 00:44:38,137 --> 00:44:39,827 BE LAUGHING AND GIGGLING AND SHIT. 740 00:44:39,827 --> 00:44:43,275 ALL BY THE COFFEE MACHINE. NOBODY SAY NOTHING TO THEM. 741 00:44:43,275 --> 00:44:45,448 I TAKE A NAP ON THE CONVEYOR BELT, 742 00:44:45,448 --> 00:44:47,827 MOTHERFUCKER GOT ME BOUNCED OUT THE DOOR AND SHIT. 743 00:44:47,827 --> 00:44:49,275 THAT AIN'’T EVEN RIGHT, YO. 744 00:44:49,275 --> 00:44:51,965 THAT SHIT AIN'’T EVEN RIGHT. 745 00:44:51,965 --> 00:44:54,137 I SHOULD'’VE PUNCHED HIM IN THE FUCKING FACE 746 00:44:54,137 --> 00:44:56,068 AS SOON AS I SAW HIM, MAN. 747 00:44:56,068 --> 00:44:58,689 DURING THE FIRST DAY, JUST TO NEUTRALIZE HIS ASS. 748 00:44:58,689 --> 00:45:01,758 THEN I WOULDN'’T BE HAVING THESE TYPE OF PROBLEMS AND SHIT. 749 00:45:01,758 --> 00:45:05,379 I GET PISSED OFF JUST TALKING ABOUT IT, MAN. 750 00:45:05,379 --> 00:45:08,206 PULL UP A ROCK AND GET COMFORTABLE, MAN. 751 00:45:08,206 --> 00:45:09,793 HERE. 752 00:45:09,793 --> 00:45:11,620 CATCH SOME Zs, MAN. 753 00:45:13,172 --> 00:45:15,103 - [ sniffs ] - IT STINKS A LITTLE. 754 00:45:15,103 --> 00:45:16,862 - [ coughs ] - JUST BREATHE THROUGH YOUR MOUTH. 755 00:45:16,862 --> 00:45:18,620 IT MAKES IT MORE BETTER AND SHIT. 756 00:45:19,827 --> 00:45:20,758 [ sighs ] 757 00:45:23,551 --> 00:45:26,206 NO WAY, ANTON. HE'’S JUST TRYING TO RIP YOU OFF. 758 00:45:26,206 --> 00:45:28,758 WHY YOU TALKING TO HIM LIKE HE'’S STUPID? 759 00:45:28,758 --> 00:45:30,965 HE AIN'’T STUPID. GO AHEAD, ANTON. 760 00:45:30,965 --> 00:45:32,896 - TELL HIM YOUR BIG PLAN. - OKAY. 761 00:45:32,896 --> 00:45:35,413 YOU COULD PLAY THE PIANO, 762 00:45:35,413 --> 00:45:37,896 I COULD SING, AND UM... 763 00:45:37,896 --> 00:45:40,620 AND WES CAN MAKE US A LOT OF MONEY. 764 00:45:40,620 --> 00:45:42,517 TELL HIM WHY, YO. TELL HIM WHY. 765 00:45:42,517 --> 00:45:45,931 - '’CAUSE HE'S VERY FUNNY. - MM-HMM. 766 00:45:45,931 --> 00:45:48,448 YOU TOLD ME YOURSELF HE STOLE MONEY FROM YOU. 767 00:45:48,448 --> 00:45:51,034 THAT WAS BEFORE. HE'’S DIFFERENT NOW. 768 00:45:51,034 --> 00:45:52,931 TELL HIM WHY, YO. TELL HIM WHY. 769 00:45:52,931 --> 00:45:54,379 - '’CAUSE WE'RE BROTHERS. - YUP. 770 00:45:54,379 --> 00:45:55,586 '’CAUSE WE'RE BROTHERS. 771 00:45:55,586 --> 00:45:57,379 YOU'’RE UNBELIEVABLE, YOU KNOW THAT? 772 00:45:57,379 --> 00:45:59,275 ANTON, YOU CAN'’T TRUST PEOPLE LIKE THAT. 773 00:45:59,275 --> 00:46:02,620 I'’M SURPRISED YOU'RE TRYING TO GET OVER ON THIS YOUNG MAN. 774 00:46:02,620 --> 00:46:05,000 LOOK AT THAT FACE-- WITH A SMILE. 775 00:46:05,000 --> 00:46:06,862 HOW COULD YOU GET OVER ON THAT? 776 00:46:06,862 --> 00:46:08,965 I THINK YOU GOT THIS CONFUSED. 777 00:46:08,965 --> 00:46:11,000 I'’M LINUS FROM THE PEANUTS GANG, REMEMBER? 778 00:46:11,000 --> 00:46:13,275 YOU'’RE THE ONE THAT'’S TRYING TO GET OVER. 779 00:46:13,275 --> 00:46:15,379 FORGET THIS. I DON'’T NEED THIS SHIT. 780 00:46:15,379 --> 00:46:17,482 FINE, GET OUTTA HERE. WE DON'’T NEED YOU. 781 00:46:17,482 --> 00:46:20,241 - WE DO OUR OWN THING, ANTON. - WAIT, WAIT, WAIT. OKAY. 782 00:46:20,241 --> 00:46:22,862 OKAY, I'’LL SING, 783 00:46:22,862 --> 00:46:26,068 AND YOU CAN PLAY THE PIANO 784 00:46:26,068 --> 00:46:29,344 AND I'’LL GIVE WES MY MONEY. 785 00:46:31,482 --> 00:46:33,620 I JUST WANT TO SING. 786 00:46:33,620 --> 00:46:35,724 YOU WOULD DO THAT? YOU WOULD GIVE HIM 787 00:46:35,724 --> 00:46:37,758 YOUR SHARE JUST SO YOU COULD SING? 788 00:46:37,758 --> 00:46:40,379 YES. 789 00:46:41,724 --> 00:46:43,103 HE'’S JUST LIKE ME. 790 00:46:43,103 --> 00:46:45,379 HE DOESN'’T HAVE NOTHING. 791 00:46:50,965 --> 00:46:52,827 OKAY, WE'’LL DO IT. 792 00:46:52,827 --> 00:46:55,241 BUT DON'’T GIVE HIM ANY MONEY. I'’LL PAY HIM. 793 00:46:55,241 --> 00:46:57,551 - ALL RIGHT? - [ laughing ] 794 00:47:04,068 --> 00:47:06,172 DON'’T DO THE SMILE SO MUCH. 795 00:47:09,448 --> 00:47:11,862 [ piano playing ] 796 00:47:12,965 --> 00:47:14,724 [ singing in Italian ] 797 00:47:26,758 --> 00:47:28,689 MY LAST DOLLAR. 798 00:47:30,000 --> 00:47:33,000 I WAS GONNA BUY SUSHI WITH THIS. 799 00:47:33,000 --> 00:47:35,206 WHO NEEDS FRESH FISH 800 00:47:35,206 --> 00:47:37,275 WHEN YOU HAVE NOURISHMENT TO THE SOUL? 801 00:47:37,275 --> 00:47:38,517 THAT'’S RIGHT. 802 00:47:38,517 --> 00:47:41,448 EXCUSE ME. I HAVE TO SUPPORT THIS. 803 00:47:42,827 --> 00:47:44,103 Woman: YEAH, HE'’S GOOD. 804 00:47:54,793 --> 00:47:57,758 DO THE RIGHT THING. 805 00:48:05,724 --> 00:48:08,379 THIS KINDA MUSIC BRINGS BLACK PEOPLE TOGETHER. 806 00:48:10,896 --> 00:48:12,655 I LOVE YOU GUYS. 807 00:48:12,655 --> 00:48:15,103 I'’M NOT AFRAID TO SAY IT. 808 00:48:15,103 --> 00:48:17,586 FINALLY, BLACK UNITY. 809 00:48:39,931 --> 00:48:41,344 [ applause ] 810 00:48:46,517 --> 00:48:48,275 Wes: YO, SLOW DOWN, SON. 811 00:48:48,275 --> 00:48:50,344 YOU GOT TO TREAT THAT LIKE THE TITTY. 812 00:48:50,344 --> 00:48:51,655 YOU JUST TAKE LITTLE PULLS. 813 00:48:51,655 --> 00:48:52,586 YO! 814 00:48:54,172 --> 00:48:56,758 SO, YO, IS LIKE, PLAYING THE PIANO IN THE PARK 815 00:48:56,758 --> 00:48:58,206 YOUR ONLY GIG OR WHAT? 816 00:48:58,206 --> 00:49:00,172 YEAH, DO YOU DO CONCERTS AND STUFF? 817 00:49:00,172 --> 00:49:01,862 I USED TO, MAN. 818 00:49:01,862 --> 00:49:05,344 I USED TO. I'’D BE INVITED TO GIVE PRIVATE RECITALS. 819 00:49:05,344 --> 00:49:07,655 THESE RICH OLD LADIES WOULD COME UP TO ME 820 00:49:07,655 --> 00:49:09,310 AND TELL ME HOW GOOD I WAS 821 00:49:09,310 --> 00:49:12,896 AND WHAT A PROMISING CAREER I HAD IN STORE. 822 00:49:12,896 --> 00:49:15,931 BUT THEY WERE NEVER INTERESTED IN MY PIANO PLAYING. 823 00:49:15,931 --> 00:49:18,551 WHAT WERE THEY INTERESTED IN? 824 00:49:18,551 --> 00:49:21,793 MAN, THEY WANNA HAVE SEX WITH HIM, YO. 825 00:49:21,793 --> 00:49:23,379 OH. 826 00:49:23,379 --> 00:49:25,620 SO YOU BUSTED OUT THOSE OLD BITCHES, YO? 827 00:49:25,620 --> 00:49:27,896 - YEAH. - HA HA! 828 00:49:27,896 --> 00:49:30,413 - [ laughing ] - A COUPLE TIMES, A COUPLE TIMES. 829 00:49:30,413 --> 00:49:34,068 BUT FOR SOME OF THOSE HAGS, NO AMOUNT OF MONEY IN THE WORLD 830 00:49:34,068 --> 00:49:35,620 COULD MAKE IT WORTH IT. 831 00:49:35,620 --> 00:49:37,793 THAT'’S WEAK, YO. LET ME TELL YOU SOMETHING-- 832 00:49:37,793 --> 00:49:40,137 MONEY ITSELF IS ENOUGH TO MAKE MY DICK HARD. 833 00:49:40,137 --> 00:49:43,103 FOR THE RIGHT AMOUNT OF MONEY, I'’LL EAT OUT THAT BITCH 834 00:49:43,103 --> 00:49:45,758 - ON "MURDER, SHE WROTE." AND BE LOVING IT. - [ laughing ] 835 00:49:45,758 --> 00:49:49,793 I'’LL BE DRIVING AROUND IN HER MERCEDES, ROCKING RONNIE'’S ROLEX. 836 00:49:49,793 --> 00:49:51,241 I DON'’T NEED ALL THAT. 837 00:49:51,241 --> 00:49:53,413 I DON'’T HAVE ANYTHING, 838 00:49:53,413 --> 00:49:55,241 AND I'’M HAPPY. 839 00:49:55,241 --> 00:49:57,448 I GOT TWO GOOD FRIENDS, 840 00:49:57,448 --> 00:50:00,827 AND EVEN THOUGH I THOUGHT YOU WERE A DOOKIE HEAD-- 841 00:50:00,827 --> 00:50:02,620 [ laughs ] 842 00:50:02,620 --> 00:50:04,724 GIVE ME THAT BOTTLE. YOU'’RE CUT OFF, MAN. 843 00:50:04,724 --> 00:50:06,275 "DOOKIE HEAD," SHIT. 844 00:50:06,275 --> 00:50:08,482 - WHY YOU DO THAT? - YOU ON PUNISHMENT, MAN. 845 00:50:08,482 --> 00:50:10,172 - YOU'’RE DRUNK. - I'’M DRUNK, REALLY? 846 00:50:10,172 --> 00:50:12,724 - I'’M DRUNK? - I GUESS SO. 847 00:50:15,586 --> 00:50:18,344 I-I-I'’VE NEVER BEEN DRUNK BEFORE. 848 00:50:18,344 --> 00:50:20,517 [ laughing ] 849 00:50:22,034 --> 00:50:23,827 MAN, THIS HAS BEEN REAL. 850 00:50:23,827 --> 00:50:25,655 YO, MAN, WHERE YOU GOING? HANG OUT. 851 00:50:25,655 --> 00:50:27,379 - CHILL AWHILE, Y'’ALL. - YEAH, YEAH. 852 00:50:27,379 --> 00:50:30,379 - NO, I GOTTA GO. - LET ME USE YOUR BATHROOM. 853 00:50:30,379 --> 00:50:33,310 COME ON, I'’M NOT GONNA STEAL NOTHING. 854 00:50:33,310 --> 00:50:36,000 IN FACT, I MIGHT LEAVE A LITTLE SOMETHING BEHIND. 855 00:50:36,000 --> 00:50:38,862 - YOU'’LL LEAVE SOMETHING? - TAKE A SHIT, MAN. 856 00:50:38,862 --> 00:50:40,275 [ laughing ] 857 00:50:40,275 --> 00:50:42,137 LET THE DOGS LOOSE. 858 00:50:42,137 --> 00:50:44,655 THAT'’S WHERE YOU GOTTA GO TO THE BATHROOM SO BAD, 859 00:50:44,655 --> 00:50:48,344 SOON AS YOU SIT DOWN IT COMES OUT LIKE THIS-- [ barking ] 860 00:50:48,344 --> 00:50:50,862 JUST FULL UP THE TOILET, Y'’ALL. 861 00:50:50,862 --> 00:50:52,931 - [ laughing ] - ALL RIGHT, BUT JUST FOR A MINUTE. 862 00:50:52,931 --> 00:50:53,931 A MINUTE. 863 00:50:55,344 --> 00:50:57,172 YOU REALLY LET THE DOGS LOOSE. 864 00:50:57,172 --> 00:50:59,310 [ laughing ] 865 00:50:59,310 --> 00:51:00,827 SHUT UP, MAN. 866 00:51:00,827 --> 00:51:02,965 YO, MAN, YOUR PLACE IS TIGHT. 867 00:51:02,965 --> 00:51:05,689 YOU LIVING UP HERE ALL BIG WILLY STYLE. 868 00:51:05,689 --> 00:51:09,344 - SHIT IS ROCKEFELLER, MAN. - NO, THIS IS MY LADY'’S PLACE. 869 00:51:09,344 --> 00:51:12,551 MATTHEW'’S GIRLFRIEND IS THE ONE IN THE PICTURE. 870 00:51:12,551 --> 00:51:14,310 SHE'’S SINGING IN EUROPE. 871 00:51:14,310 --> 00:51:16,793 WORD. YO, SHE'’S BLACK. 872 00:51:16,793 --> 00:51:18,206 REALLY? 873 00:51:18,206 --> 00:51:20,482 NO. 874 00:51:20,482 --> 00:51:22,241 MAN, YOU'’RE RIGHT. 875 00:51:23,551 --> 00:51:25,137 MAN, WHAT YOU DRINKING, YO? 876 00:51:25,137 --> 00:51:27,172 SCOTCH. WOULD YOU LIKE SOME? 877 00:51:27,172 --> 00:51:28,896 I'’D OFFER YOU SOME MALT LIQUOR, 878 00:51:28,896 --> 00:51:31,931 BUT BILLY DEE DRANK IT ALL LAST TIME HE WAS UP. 879 00:51:31,931 --> 00:51:35,758 THEN I GUESS I'’M GONNA HAVE TO HAVE SOME OF THE GOOD SHIT THEN. 880 00:51:35,758 --> 00:51:37,551 I WANT SOME GOOD SHIT TOO. 881 00:51:37,551 --> 00:51:39,827 GO CHECK THE TOILET, I THINK I MIGHT'’VE 882 00:51:39,827 --> 00:51:41,413 LEFT SOMETHING IN THERE. 883 00:51:41,413 --> 00:51:44,586 SO, YO, THIS YOUR GIRL'’S PLACE, HUH? 884 00:51:44,586 --> 00:51:46,586 - YEAH. - SHE GOT IT LIKE THAT, HUH? 885 00:51:46,586 --> 00:51:48,275 YEAH, SHE'’S GOT IT LIKE THAT. 886 00:51:48,275 --> 00:51:51,172 SO WHAT YOU GOT GOING ON, MAN? 887 00:51:51,172 --> 00:51:54,896 YOU LIKE HER GIGOLO OR SOME TYPE OF SHIT? 888 00:51:54,896 --> 00:51:57,172 - I'’M NOT A GIGOLO. - DON'’T KNOCK IT, YO. 889 00:51:57,172 --> 00:51:59,586 GIGOLOING IS A HARD FIELD TO BREAK INTO, MAN. 890 00:51:59,586 --> 00:52:02,551 NOT LIKE YOU CAN GO DOWN TO DEVRY TECHNICAL INSTITUTE 891 00:52:02,551 --> 00:52:04,551 AND TAKE THAT SHIT UP. 892 00:52:04,551 --> 00:52:06,379 THAT'’S AN ART. PERSONALLY, 893 00:52:06,379 --> 00:52:08,206 I THINK I'’D BE GOOD AT IT. 894 00:52:08,206 --> 00:52:10,482 '’CAUSE I GOT THIS BIG OL'’ MONSTER HERE. 895 00:52:10,482 --> 00:52:13,689 HE LIKE TO COME OUT AND PLAY AND SHIT. 896 00:52:13,689 --> 00:52:14,931 W-WHAT'’S A GIGOLO? 897 00:52:14,931 --> 00:52:16,689 WHERE BITCHES PAY FOR YOUR DICK. 898 00:52:16,689 --> 00:52:18,310 FOR SEX, RIGHT? 899 00:52:18,310 --> 00:52:20,275 NO, TO PLAY BACKGAMMON. 900 00:52:20,275 --> 00:52:23,482 - YEAH, OF COURSE FOR SEX, MAN. - [ laughs ] 901 00:52:23,482 --> 00:52:25,103 YO, KILL THE SMILE, MAN. 902 00:52:25,103 --> 00:52:27,068 THAT SHIT'’S TOO BIG. 903 00:52:27,068 --> 00:52:31,034 LET ME ASK YOU, MAN. THIS GIGOLOING THING-- DOES IT PAY ONCE A WEEK, 904 00:52:31,034 --> 00:52:33,310 OR IS THAT LIKE WELFARE, COMES ONCE A MONTH? 905 00:52:33,310 --> 00:52:34,620 I'’M NOT A GIGOLO. 906 00:52:34,620 --> 00:52:36,517 WHAT DO YOU CALL ALL THIS SHIT? 907 00:52:37,931 --> 00:52:40,448 JULIA IS HELPING ME WITH MY CAREER. 908 00:52:40,448 --> 00:52:42,724 I'’M GOING THROUGH A SLOW PERIOD RIGHT NOW. 909 00:52:42,724 --> 00:52:45,103 MATTHEW'’S REALLY GOOD AT THE PIANO. 910 00:52:45,103 --> 00:52:46,689 YOU NEVER REALLY HEARD HIM PLAY. 911 00:52:46,689 --> 00:52:48,482 - [ hiccups ] - WHY DON'’T WE PARTNER? 912 00:52:48,482 --> 00:52:51,413 YOU HIT IT FROM THE FRONT, I'’LL DICK IT FROM THE BACK, 913 00:52:51,413 --> 00:52:53,965 WE BOTH GET THROUGH THIS SLOW PERIOD. 914 00:52:53,965 --> 00:52:56,620 YOU KNOW WHAT? I DON'’T HAVE TIME FOR THIS. 915 00:52:56,620 --> 00:52:59,827 - YOU GUYS GOTTA GO. - I WAS JUST FUCKING WITH YOU. 916 00:52:59,827 --> 00:53:01,862 WHY YOU GETTING ALL "ATTITUDINAL," MAN? 917 00:53:01,862 --> 00:53:04,448 BUT YOU SAID I COULD LISTEN TO YOUR RECORDS. 918 00:53:04,448 --> 00:53:07,310 ANTON, I DON'’T HAVE TIME. WE'’LL DO THIS LATER. 919 00:53:07,310 --> 00:53:09,620 - TOMORROW. - FINE. 920 00:53:09,620 --> 00:53:11,448 Anton: SO WE'’RE GONNA GET TOGETHER TOMORROW? 921 00:53:11,448 --> 00:53:12,862 YEAH, YEAH, TOMORROW. 922 00:53:19,000 --> 00:53:22,310 - [ vomiting ] - YOU SEE THE WAY THAT MOTHERFUCKER'’S LIVING? 923 00:53:22,310 --> 00:53:24,034 FUCK, I DON'’T BELIEVE THAT SHIT. 924 00:53:24,034 --> 00:53:25,862 LOOK AT THAT MOTHERFUCKER. 925 00:53:25,862 --> 00:53:29,379 YOU CAN TELL HE'’S NEVER WORKED A DAY IN HIS LIFE. 926 00:53:29,379 --> 00:53:32,931 I HAD A NICE HOME. 927 00:53:32,931 --> 00:53:36,482 IT WASN'’T AS FANCY AS MATTHEW'’S, 928 00:53:36,482 --> 00:53:37,793 BUT IT WAS NICE. 929 00:53:37,793 --> 00:53:39,862 IF YOUR HOUSE WAS SO LOVEY-DOVEY, 930 00:53:39,862 --> 00:53:42,000 WHAT THE FUCK YOU DOING OUT HERE FOR? 931 00:53:42,000 --> 00:53:43,862 TAKE YOUR ASS ON BACK HOME, MAN. 932 00:53:43,862 --> 00:53:46,000 I DON'’T WANT TO GO HOME LIKE THIS. 933 00:53:46,000 --> 00:53:50,000 THEN THEY'’LL SAY, "YOU SEE? I TOLD YOU SO. 934 00:53:50,000 --> 00:53:52,482 I TOLD YOU YOU WERE STUPID. 935 00:53:52,482 --> 00:53:55,620 I TOLD YOU YOU WASN'’T GONNA BE NOTHING." 936 00:53:55,620 --> 00:53:59,620 BUT WHEN I BECOME A BIG AND FAMOUS OPERA STAR, 937 00:53:59,620 --> 00:54:02,793 AND I'’M BIG 938 00:54:02,793 --> 00:54:04,379 AND I'’M FAMOUS, 939 00:54:04,379 --> 00:54:07,034 THAT'’S WHEN I'’LL GO HOME. 940 00:54:07,034 --> 00:54:10,655 YOU KNOW WHAT? I WISH YOU GOOD LUCK, MAN. 941 00:54:10,655 --> 00:54:13,827 '’CAUSE YOU CAN SING, SON. YOU SING YOUR ASS OFF, KID. 942 00:54:13,827 --> 00:54:16,758 I DON'’T EVEN LIKE THAT SHIT, AND I BE LIKING THAT SHIT. 943 00:54:18,551 --> 00:54:20,310 - [ groans ] - COME ON. 944 00:54:20,310 --> 00:54:23,034 LET'’S BOUNCE. YOU NEED TO LAY DOWN YOUR HEAD. 945 00:54:23,034 --> 00:54:24,379 COME ON. 946 00:54:34,620 --> 00:54:36,379 WHAT'’S UP, DAWG? YOU ALL RIGHT? 947 00:54:36,379 --> 00:54:38,827 DON'’T WORRY, I'’M GONNA HOOK YOU UP. 948 00:54:38,827 --> 00:54:40,241 [ burps ] 949 00:54:40,241 --> 00:54:42,827 IT'’S ALL RIGHT. HOLD ON, BABY. 950 00:54:42,827 --> 00:54:45,206 I'’M GONNA HOOK YOU UP WITH THIS. 951 00:54:45,206 --> 00:54:47,862 IT'’LL PULL ALL THOSE TOXINS OUT OF YOUR SYSTEM. 952 00:54:49,896 --> 00:54:51,517 HERE, DRINK THAT. 953 00:54:51,517 --> 00:54:53,448 WAIT, LET ME PUT A LITTLE SOMETHING 954 00:54:53,448 --> 00:54:55,275 TO GET RID OF THE NASTY TASTE. 955 00:54:55,275 --> 00:54:56,689 - YOU SURE? - YEAH. 956 00:54:56,689 --> 00:54:58,793 THAT'’S THE WAY WE SPELL RELIEF OUT HERE. 957 00:54:58,793 --> 00:55:01,965 I GOT THE RECIPE FROM MY MAN ETERNAL DEVINE RIGHT THERE. 958 00:55:03,275 --> 00:55:05,862 HURRY, BEFORE THE FIZZ STARTS TO FUZZLE. 959 00:55:10,379 --> 00:55:12,310 OH. 960 00:55:12,310 --> 00:55:16,103 I GUESS YOUR BOY MATTHEW'’S GONNA DISS US, HUH? 961 00:55:16,103 --> 00:55:19,689 HIS TRUE COLORS-- OR SHOULD I SAY HIS TRUE COLOR? 962 00:55:19,689 --> 00:55:21,758 --IS STARTING TO SHOW. 963 00:55:21,758 --> 00:55:25,379 WHY DO YOU ALWAYS THINK THE WORST ABOUT PEOPLE? 964 00:55:25,379 --> 00:55:27,620 IT'’S EXPERIENCE, YO. 965 00:55:27,620 --> 00:55:29,965 I GOT EXPERIENCE IN LIFE, MAN. 966 00:55:32,068 --> 00:55:34,724 YOU KNOW WHAT THEY SAY, 967 00:55:34,724 --> 00:55:38,000 "YOU GET WHAT YOU GIVE IN THIS LIFE." 968 00:55:38,000 --> 00:55:41,448 MAN, THAT'’S THE STUPIDEST SHIT I EVER DONE HEARD. 969 00:55:41,448 --> 00:55:45,413 I'’VE BEEN GETTING MY ASS KICKED SINCE I CRAWLED OUT THE PUSSY, MAN. 970 00:55:45,413 --> 00:55:48,689 JUST ONCE I WISH I COULD KICK A LITTLE ASS BACK. 971 00:55:48,689 --> 00:55:51,379 I'’D KICK EVERYBODY'S ASS THAT EVER PISSED ME OFF. 972 00:55:53,310 --> 00:55:55,862 I'’M GONNA GO SEE FOR MYSELF. 973 00:55:58,172 --> 00:56:00,000 I'’D KICK NEWT GINGRICH'’S ASS. 974 00:56:00,000 --> 00:56:03,068 I'’D KICK CHRISTOPHER DARDEN'’S ASS. 975 00:56:03,068 --> 00:56:04,827 I'’D KICK RONALD REAGAN'’S ASS-- 976 00:56:04,827 --> 00:56:07,241 I'’D DO THAT SHIT TWICE '’CAUSE HE GOT ALZHEIMER'S 977 00:56:07,241 --> 00:56:09,517 AND HE'’D FORGET THE FIRST TIME. 978 00:56:09,517 --> 00:56:12,034 I'’D KICK GARY COLEMAN'’S ASS, 979 00:56:12,034 --> 00:56:14,482 '’CAUSE IT'S THE RIGHT HEIGHT TO KICK AN ASS. 980 00:56:14,482 --> 00:56:16,310 I'’D KICK BOB DOLE'S ASS. 981 00:56:16,310 --> 00:56:19,482 I'’D TAKE THAT PLASTIC ARM OFF AND BEAT HIM WITH THAT SHIT. 982 00:56:19,482 --> 00:56:21,482 I'’D KICK WILE E. COYOTE'’S ASS 983 00:56:21,482 --> 00:56:24,965 FOR TRYING TO GET THE ROADRUNNER WHEN HE KNEW HE WAS TOO SLOW. 984 00:56:24,965 --> 00:56:26,931 I'’D KICK MONICA LEWINSKY'’S ASS 985 00:56:26,931 --> 00:56:29,034 FOR NOT SWALLOWING THE EVIDENCE. 986 00:56:29,034 --> 00:56:32,379 I'’D KICK FRED FLINTSTONE'S ASS FOR HAVING THREE TOES 987 00:56:32,379 --> 00:56:34,620 AND THINKING NOBODY WOULD NOTICE THAT SHIT. 988 00:56:34,620 --> 00:56:37,482 - [ knocking ] - ALL RIGHT, ALL RIGHT! 989 00:56:37,482 --> 00:56:39,000 JESUS. 990 00:56:39,000 --> 00:56:41,068 - WHAT? - HI, MATTHEW. 991 00:56:41,068 --> 00:56:43,448 - WHAT'’S UP, MAN? - I THOUGHT THIS WAS A DELIVERY. 992 00:56:43,448 --> 00:56:45,724 IT IS, YOU GOT TWO BROTHERS TO GO. 993 00:56:45,724 --> 00:56:47,517 AREN'’T YOU COMING DOWN TO PLAY? 994 00:56:47,517 --> 00:56:50,827 ANTON, I DON'’T FEEL UP TO IT TODAY, ALL RIGHT? 995 00:56:50,827 --> 00:56:53,206 NO DOUBT. I'’M GLAD YOU THOUGHT ENOUGH OF US 996 00:56:53,206 --> 00:56:55,655 TO COME DOWN AND SAY SOME SHIT LIKE THAT. 997 00:56:55,655 --> 00:56:57,206 YEAH, WHERE'’S MY HEAD BEEN LATELY? 998 00:56:57,206 --> 00:56:58,965 I'’VE BEEN TAKING CARE OF MY OWN NEEDS 999 00:56:58,965 --> 00:57:00,896 OVER THOSE OF A COUPLE OF GUYS I BARELY KNOW. 1000 00:57:00,896 --> 00:57:02,517 I MUST GET MY PRIORITIES STRAIGHT. 1001 00:57:02,517 --> 00:57:05,586 T-THAT'’S OKAY, MATTHEW. WE CAN PLAY TOMORROW. 1002 00:57:05,586 --> 00:57:08,448 ANTON, I DON'’T HAVE TIME TO DO THIS EVERY DAY, OKAY? 1003 00:57:08,448 --> 00:57:11,068 OH. 1004 00:57:13,241 --> 00:57:15,000 W-WHAT'’S GOING ON? 1005 00:57:15,000 --> 00:57:16,758 WE'’RE STILL GONNA BE FRIENDS, RIGHT? 1006 00:57:16,758 --> 00:57:20,034 DON'’T YOU GET IT, MAN? HE'’S NOT OUR FRIEND. 1007 00:57:20,034 --> 00:57:22,551 HE'’S NEVER GONNA BE OUR FRIEND. 1008 00:57:22,551 --> 00:57:24,862 I'’M YOUR FRIEND. COME ON, LET'’S BOMB OUT. 1009 00:57:24,862 --> 00:57:27,068 - WE'’RE FRIENDS, RIGHT? - YEAH, WE'’RE STILL FRIENDS. 1010 00:57:27,068 --> 00:57:28,620 SO I'’LL SEE YOU TOMORROW, RIGHT? 1011 00:57:28,620 --> 00:57:29,827 SURE, TOMORROW. 1012 00:57:29,827 --> 00:57:31,241 [ mocking ] "SURE, TOMORROW." 1013 00:57:31,241 --> 00:57:34,689 DON'’T WORRY, WE KNOW OUR WAY OUT. COME ON. 1014 00:57:40,275 --> 00:57:42,724 - [ bell rings ] - YO, LISTEN, 1015 00:57:42,724 --> 00:57:45,103 YOU GO AHEAD. I FORGOT SOMETHING UPSTAIRS, ALL RIGHT? 1016 00:57:45,103 --> 00:57:46,482 GOTTA GO DO SOMETHING. 1017 00:57:50,586 --> 00:57:53,655 - [ Matthew singing in italian ] - [ shower running ] 1018 00:58:00,172 --> 00:58:02,482 [ phone ringing ] 1019 00:58:04,862 --> 00:58:07,344 - Machine: Hi, leave a message. - [ beeps ] 1020 00:58:07,344 --> 00:58:09,379 Woman: Hey, baby. Sorry I missed you. 1021 00:58:09,379 --> 00:58:11,586 Barcelona'’s been canceled. 1022 00:58:11,586 --> 00:58:14,241 So I'’m coming home early. I arrive tomorrow 1023 00:58:14,241 --> 00:58:17,586 at JFK at 9:20 on American flight 203. 1024 00:58:17,586 --> 00:58:19,172 I miss you. 1025 00:58:26,448 --> 00:58:29,655 - [ singing ] - THAT'’S ALL THE DICK YOU GOT? 1026 00:58:29,655 --> 00:58:33,000 - JESUS. - I THOUGHT A GIGOLO HAD SHIT THAT JIGGLED LOW. 1027 00:58:33,000 --> 00:58:34,862 - WHAT? - YOU SPECIALIZE IN MIDGETS AND SHIT? 1028 00:58:34,862 --> 00:58:36,931 HOW THE FUCK DID YOU GET IN HERE? 1029 00:58:36,931 --> 00:58:38,586 SOMEBODY LEFT THE DOOR OPEN, MAN. 1030 00:58:38,586 --> 00:58:41,310 I CAME BY TO TELL YOU THERE'’S NO HARD FEELINGS, 1031 00:58:41,310 --> 00:58:44,448 AND THAT YOU AND I, WE GOTTA TRY AND GET ALONG AND SHIT. 1032 00:58:44,448 --> 00:58:46,275 DON'’T FUCKING BULLSHIT ME. 1033 00:58:46,275 --> 00:58:48,068 YOU'’RE NOT INTERESTED IN GETTING ALONG. 1034 00:58:48,068 --> 00:58:49,827 SO CUT THE BULLSHIT. 1035 00:58:49,827 --> 00:58:51,862 OKAY. 1036 00:58:51,862 --> 00:58:54,103 I AIN'’T INTERESTED IN BEING YOUR FRIEND. 1037 00:58:54,103 --> 00:58:57,000 WE GOTTA KISS TOO MUCH ASS TO BE DOWN WITH YOU. 1038 00:58:57,000 --> 00:58:59,862 YOU'’RE A FUNNY MOTHERFUCKER, YOU KNOW THAT? 1039 00:58:59,862 --> 00:59:02,137 YOUR LIBERAL GUILT KICKS IN FOR ONE MINUTE, 1040 00:59:02,137 --> 00:59:05,034 AND YOU GOT ANTON THINKING YOU'’RE SUPER WHITEY AND SHIT. 1041 00:59:05,034 --> 00:59:08,137 THEN YOU GET TIRED OF PLAYING "SUPPORT YOUR LOCAL NEGRO," 1042 00:59:08,137 --> 00:59:10,689 SO NOW YOU'’RE READY TO KICK HIS ASS TO THE CURB 1043 00:59:10,689 --> 00:59:12,931 LIKE SOME DOGSHIT ON YOUR BRUNO MAGLIS. 1044 00:59:12,931 --> 00:59:16,137 YOU KNOW WHAT? HIS SILLY ASS DON'’T KNOW THE DIFFERENCE. 1045 00:59:16,137 --> 00:59:19,068 TOMORROW HE'’S GONNA BE OUT IN THE PARK WAITING ON YOU 1046 00:59:19,068 --> 00:59:22,310 '’CAUSE HE THINKS YOU'’RE HIS FRIEND. 1047 00:59:22,310 --> 00:59:25,689 I JUST WANTED TO LOOK YOU IN YOUR EYE AND TELL YOU THAT SHIT. 1048 00:59:27,689 --> 00:59:30,448 YOU'’RE GOOD. 1049 00:59:30,448 --> 00:59:32,551 YOU'’RE REAL GOOD. 1050 00:59:32,551 --> 00:59:35,448 I'’M A LITTLE CHOKED UP RIGHT HERE. 1051 00:59:37,206 --> 00:59:39,793 YOU REALLY AREN'’T LIVING TO YOUR FULL POTENTIAL. 1052 00:59:39,793 --> 00:59:42,137 YOU COULD BE LIKE A BIG TIME HUSTLER. 1053 00:59:42,137 --> 00:59:45,517 SORT OF STOREFRONT PREACHER, COTTON COMES TO HARLEM KIND OF HUSTLER. 1054 00:59:45,517 --> 00:59:48,137 YOU REALLY AREN'’T LIVING UP TO YOUR FULL POTENTIAL. 1055 00:59:48,137 --> 00:59:51,344 MAYBE I NEED TO TAKE SOME LESSONS FROM YOU IN "POTENTIAL-NISM." 1056 00:59:51,344 --> 00:59:54,206 YOU SEEM TO GOT IT ALL DOWN. LOOK AT THIS. 1057 00:59:54,206 --> 00:59:56,482 YOU'’RE LIVING UP TO YOUR POTENTIAL, HUH? 1058 00:59:56,482 --> 00:59:57,896 THERE'’S THE DOOR. USE IT. 1059 00:59:57,896 --> 00:59:59,724 I KNOW WHERE THE DOOR IS. I LIVE OUT THERE. 1060 00:59:59,724 --> 01:00:02,379 THAT'’S MY HOME OUTSIDE. 1061 01:00:02,379 --> 01:00:04,482 I'’M GOING HOME TO THE STREET, SON. 1062 01:00:08,862 --> 01:00:10,172 [ door slams ] 1063 01:00:10,172 --> 01:00:12,379 LET ME GET A TASTE OF THAT APPLE. 1064 01:00:12,379 --> 01:00:13,482 YOU HAD YOURS ALREADY. 1065 01:00:13,482 --> 01:00:15,482 I KNOW, BUT AS YOUR MANAGER, 1066 01:00:15,482 --> 01:00:18,379 I GOTTA TEST YOURS TO MAKE SURE THAT SHIT AIN'’T POISON. 1067 01:00:18,379 --> 01:00:20,068 - REALLY? - YEAH. 1068 01:00:20,068 --> 01:00:22,137 YOU'’RE AN IMPORTANT GUY NOW. 1069 01:00:22,137 --> 01:00:24,103 PEOPLE'’LL BE TRYING TO ASSASSINATE YOU. 1070 01:00:24,103 --> 01:00:26,344 YOU REMEMBER WHAT HAPPENED TO KENNEDY, RIGHT? 1071 01:00:26,344 --> 01:00:28,620 I WAS BEGINNING TO THINK YOU WEREN'’T GONNA SHOW UP. 1072 01:00:28,620 --> 01:00:30,758 SEE, WES, I TOLD YOU. 1073 01:00:30,758 --> 01:00:33,862 YEAH, IT'’S A GOOD THING I'’M NOT A GAMBLING MAN. 1074 01:00:33,862 --> 01:00:36,689 IF YOU BET, YOU'’D BE POORER THAN YOU ARE NOW. 1075 01:00:36,689 --> 01:00:38,413 GET THE FUCK OUTTA HERE, YO. 1076 01:00:38,413 --> 01:00:40,517 [ mutters, laughs ] 1077 01:00:40,517 --> 01:00:43,413 IS THE APPLE POISONED? 1078 01:00:43,413 --> 01:00:47,206 I DON'’T KNOW, MAN. I GOTTA FINISH THE OTHER HALF. 1079 01:00:47,206 --> 01:00:49,448 GOTTA GET IT IN MY SYSTEM. 1080 01:00:49,448 --> 01:00:52,000 I'’LL LET YOU KNOW. 1081 01:00:52,000 --> 01:00:53,758 I GUESS YOU'’RE FEELING FUNNY, HUH? 1082 01:00:53,758 --> 01:00:55,379 HERE YOU GO. 1083 01:00:55,379 --> 01:00:57,103 I'’LL LET YOU TASTE ITS SEED. 1084 01:00:59,517 --> 01:01:02,241 - HOW DO YOU FEEL? - I FEEL GOOD. HERE. 1085 01:01:02,241 --> 01:01:05,379 START OUT SLOW WITH THE SEED, 1086 01:01:05,379 --> 01:01:08,000 SEE IF THAT SHIT AFFECTS YOU. 1087 01:01:08,000 --> 01:01:09,862 COME ON. 1088 01:01:09,862 --> 01:01:11,793 [ laughs ] 1089 01:01:17,896 --> 01:01:19,655 [ clapping rhythmically ] 1090 01:01:21,103 --> 01:01:23,862 [ singing in Italian ] 1091 01:02:26,275 --> 01:02:28,862 [ cheering, applause ] 1092 01:02:28,862 --> 01:02:30,517 LET'’S GO BACK TO YOUR PLACE 1093 01:02:30,517 --> 01:02:31,827 AND HAVE A PARTY, MAN. 1094 01:02:31,827 --> 01:02:33,517 MY PLACE? NO WAY, MAN. 1095 01:02:33,517 --> 01:02:36,448 COME ON, MAN. SOMETHING TO WRITE IN YOUR JOURNAL. 1096 01:02:36,448 --> 01:02:39,034 YOU KNOW, THE DAY YOU HUNG OUT WITH THE NIGGAS. 1097 01:02:41,206 --> 01:02:45,137 - FUCK IT. ALL RIGHT. - NO DOUBT. 1098 01:02:45,137 --> 01:02:48,206 I DON'’T WANT TO DRINK ANY MORE BEER THOUGH. I WANT ICE CREAM. 1099 01:02:48,206 --> 01:02:50,517 - YOU GET WHATEVER YOU WANT. - NO DOUBT. 1100 01:02:50,517 --> 01:02:52,758 EVERYBODY GONNA GET A LITTLE SOMETHING WHAT THEY WANT. 1101 01:02:52,758 --> 01:02:54,482 EVERYBODY. 1102 01:02:54,482 --> 01:02:56,172 - LET ME HELP Y'’ALL. - ALL RIGHT. 1103 01:02:56,172 --> 01:02:58,103 - GOT THE BUCKET. - GIVE ME THE CASH. 1104 01:02:58,103 --> 01:03:00,206 - [ music playing ] - WHOOO! 1105 01:03:00,206 --> 01:03:01,551 OW! 1106 01:03:01,551 --> 01:03:04,034 YO, TAKE A HIT OF THIS. 1107 01:03:04,034 --> 01:03:05,758 THIS SHIT'’LL STOP YOUR HEART. 1108 01:03:05,758 --> 01:03:07,344 - [ giggling ] - IT'’S THE GOOD SHIT. 1109 01:03:07,344 --> 01:03:09,827 YO, YO, YO, 1110 01:03:09,827 --> 01:03:12,000 BE CAREFUL WITH THOSE FINGERS, YO. 1111 01:03:12,000 --> 01:03:13,655 HE'’S A WORLD CLASS PENIS-- 1112 01:03:13,655 --> 01:03:15,862 AND A GIGOLO TO GO. 1113 01:03:15,862 --> 01:03:18,206 WHY DON'’T YOU TRY "PIANIST?" PIANIST! 1114 01:03:18,206 --> 01:03:20,206 PIANIST. ALL RIGHT, I'’LL BE THE PENIS. 1115 01:03:20,206 --> 01:03:22,034 WHAT DO YOU THINK? I'’M THE PENIS? 1116 01:03:22,034 --> 01:03:24,034 Woman: OH, DADDY, YOU THE PENIS. 1117 01:03:24,034 --> 01:03:26,793 OOH, I GOT THE HOT DOG! 1118 01:03:26,793 --> 01:03:31,758 YOU GOT THE MUSCLE! 1119 01:03:31,758 --> 01:03:33,586 OOH, WHAT'’S THE MATTER WITH HIM? 1120 01:03:33,586 --> 01:03:37,103 HE'’S JUST QUIET. WHY DON'’T YOU GO TALK TO HIM? 1121 01:03:37,103 --> 01:03:38,758 HEY. 1122 01:03:38,758 --> 01:03:40,172 HEY. 1123 01:03:40,172 --> 01:03:41,482 WHAT'’S UP? 1124 01:03:43,068 --> 01:03:45,000 WANT A HIT OF THIS? 1125 01:03:46,206 --> 01:03:47,758 NO, THAT'’S DRUGS. 1126 01:03:47,758 --> 01:03:50,103 YEAH, IT'’S DRUGS. YOU WANT A HIT OF THIS? 1127 01:03:50,103 --> 01:03:52,551 HE LIKES ICE CREAM. HE ONLY LIKES ICE CREAM. 1128 01:03:52,551 --> 01:03:54,586 COME HERE. YOU LIKE ICE CREAM, RIGHT? 1129 01:03:54,586 --> 01:03:56,413 YOU LIKE ICE CREAM. HERE. 1130 01:03:56,413 --> 01:03:58,379 LOOK, ICE CREAM. YOU LIKE THAT, RIGHT? 1131 01:03:58,379 --> 01:04:01,172 - OH, YOU LIKE ICE CREAM? - Y-YEAH. 1132 01:04:01,172 --> 01:04:03,068 - ICE CREAM, MM-MMM. - GO ON, GET THAT. 1133 01:04:03,068 --> 01:04:05,482 COME ON, BABY. 1134 01:04:07,862 --> 01:04:09,586 OH, HE'’S A HAPPY MAN NOW. 1135 01:04:10,931 --> 01:04:14,620 MISS SIMONE, HOW NICE TO SEE YOU. 1136 01:04:14,620 --> 01:04:16,724 OH, MANNY. 1137 01:04:16,724 --> 01:04:19,586 [ laughing ] OOH-WEE! 1138 01:04:19,586 --> 01:04:21,724 YOU LIKE THAT, DON'’T YOU? 1139 01:04:23,482 --> 01:04:24,724 COME ON, BABY, COME ON. 1140 01:04:27,137 --> 01:04:29,034 COME ON, MOVE YOUR THING. HOW'’S THAT? 1141 01:04:29,034 --> 01:04:31,241 COME ON, GET IT ON. 1142 01:04:31,241 --> 01:04:34,413 - HIT IT! HIT IT! - RAISE THE ROOF UP IN THIS MOTHERFUCKER. 1143 01:04:34,413 --> 01:04:36,275 YO, YO, HERE. YOU HIT ON THIS. 1144 01:04:36,275 --> 01:04:38,413 LET ME HIT ON THIS FOR A MINUTE. 1145 01:04:38,413 --> 01:04:40,275 YEAH, SHAKE THAT LITTLE ASS, GIRL. 1146 01:04:40,275 --> 01:04:41,793 THAT'’S WHAT I'M TALKING ABOUT. 1147 01:04:45,931 --> 01:04:48,172 Woman: OOH, HE LIKED THAT. 1148 01:04:48,172 --> 01:04:51,000 YO, MATT. YO, MATT. 1149 01:04:52,551 --> 01:04:54,862 WE GOT COMPANY, YO. 1150 01:04:56,448 --> 01:04:58,068 JULIE, WHAT ARE YOU DOING HERE? 1151 01:04:58,068 --> 01:05:00,482 WHAT AM I DOING HERE? YOU BASTARD! 1152 01:05:00,482 --> 01:05:01,896 JULIE, THIS IS NOTHING. 1153 01:05:01,896 --> 01:05:03,827 - THIS IS NOTHING?! - IT'’S NOTHING. 1154 01:05:03,827 --> 01:05:06,034 YOU'’RE SMOKING POT, FOOLING AROUND WITH FLOOZIES 1155 01:05:06,034 --> 01:05:07,862 AND YOU CALL THIS NOTHING?! 1156 01:05:07,862 --> 01:05:11,241 I KNOW SHE'’S NOT CALLING ME A FLOOZY. '’CAUSE I'LL WHIP HER ASS! 1157 01:05:11,241 --> 01:05:13,241 - SHUT UP! - WHAT?! 1158 01:05:13,241 --> 01:05:16,000 DON'’T TELL MY SISTER TO SHUT UP. I'’LL WHIP YOUR ASS. 1159 01:05:16,000 --> 01:05:17,896 - DON'’T TAKE THAT. - CAN I HAVE AN AUTOGRAPH? 1160 01:05:17,896 --> 01:05:20,448 I WANT THIS TRASH OUT OF MY HOUSE! 1161 01:05:20,448 --> 01:05:23,655 - I'’M GONNA WHIP THIS-- - Matthew: SHUT UP! 1162 01:05:23,655 --> 01:05:25,448 [ shouting, screaming ] 1163 01:05:26,758 --> 01:05:28,862 Matthew: COME ON, HOLD UP! 1164 01:05:28,862 --> 01:05:31,586 Y'’ALL COULD USE SOME DRINKS AND SHIT UP IN HERE. 1165 01:05:33,655 --> 01:05:36,000 - Matthew: HOLD ON! - CAN I HAVE AN AUTOGRAPH? 1166 01:05:36,000 --> 01:05:37,655 WHAT'’RE YOU TALKING ABOUT AUTOGRAPH?! 1167 01:05:37,655 --> 01:05:39,793 CAN'’T WE ALL GET ALONG? 1168 01:05:39,793 --> 01:05:41,275 - [ glass shatters ] - [ woman screams ] 1169 01:05:41,275 --> 01:05:43,827 [ groans ] 1170 01:05:43,827 --> 01:05:46,758 WHAT YOU DOING, MAN? YOU'’RE DISTURBING MY THOUGHT PROGRESS. 1171 01:05:48,862 --> 01:05:51,655 Y-YOU THINK MATTHEW'’S IN A LOT OF TROUBLE? 1172 01:05:51,655 --> 01:05:53,448 NO DOUBT. 1173 01:05:53,448 --> 01:05:56,103 THAT'’S A SISTER HE WAS FUCKING WITH UP THERE, MAN. 1174 01:05:56,103 --> 01:05:58,000 I DON'’T KNOW WHAT TO TELL YOU. 1175 01:05:58,000 --> 01:06:00,655 IT SEEMS LIKE YOU INSIST ON THROWING YOUR LIFE AWAY. 1176 01:06:00,655 --> 01:06:03,517 IF THAT'’S WHAT YOU WANT, GO RIGHT AHEAD AND DO IT! 1177 01:06:03,517 --> 01:06:06,793 I CAN'’T STOP YOU. I CAN'’T TELL YOU HOW TO BE A MAN. 1178 01:06:06,793 --> 01:06:10,586 - UNTIL YOU KNOW, THERE'’S NO WAY YOU'’RE GONNA LOVE ME. - I'’M NOT MAN ENOUGH, JULIA? 1179 01:06:10,586 --> 01:06:13,724 I GOT NEWS FOR YOU-- NO MAN IS GOOD ENOUGH FOR YOU! 1180 01:06:13,724 --> 01:06:16,758 YOU WANT A FAN CLUB. YOU WANT THOUSANDS OF PEOPLE RUNNING AROUND 1181 01:06:16,758 --> 01:06:18,689 - CALLING YOUR NAME, KISSING YOUR ASS! - THAT'’S NOT TRUE. 1182 01:06:18,689 --> 01:06:21,310 AS CUTE AN ASS AS IT MAY BE, 1183 01:06:21,310 --> 01:06:24,206 I DID HAVE SLIGHTLY HIGHER EXPECTATIONS OF MYSELF. 1184 01:06:24,206 --> 01:06:25,482 TAKE THAT. 1185 01:06:31,758 --> 01:06:33,586 I DON'’T WANT TO DRAG YOU DOWN 1186 01:06:33,586 --> 01:06:35,965 OR STAND IN THE WAY OF YOUR BRILLIANT CAREER. 1187 01:06:35,965 --> 01:06:39,551 WHY DON'’T YOU JUST DO WHAT YOU KNOW YOU SHOULD DO, 1188 01:06:39,551 --> 01:06:42,862 AND GET YOUR SHIT AND LEAVE? 1189 01:06:49,758 --> 01:06:51,206 SPEAKING OF THE DEVIL. 1190 01:06:51,206 --> 01:06:54,724 ARE YOU RUNNING AWAY FROM HOME TOO? 1191 01:06:54,724 --> 01:06:56,793 [ exhales ] 1192 01:06:56,793 --> 01:06:59,379 YEAH. YEAH, MY MAMA GAVE ME A SPANKING. 1193 01:06:59,379 --> 01:07:01,103 REALLY? 1194 01:07:01,103 --> 01:07:03,758 I'’M SORRY ABOUT WHAT WENT DOWN UP THERE, PLAYBOY. 1195 01:07:03,758 --> 01:07:05,758 WOMAN COMING HOME AND EVERYTHING. 1196 01:07:05,758 --> 01:07:07,862 I THOUGHT YOU HAD HER IN CHECK, YO. 1197 01:07:07,862 --> 01:07:10,000 IT'’LL BLOW OVER. IT'’LL BLOW OVER. 1198 01:07:12,275 --> 01:07:14,724 Y-YOU CAN STAY WITH ME AND WES. 1199 01:07:14,724 --> 01:07:16,310 WE'’LL TAKE CARE OF YOU. 1200 01:07:16,310 --> 01:07:18,965 THAT'’S ALL RIGHT. 1201 01:07:18,965 --> 01:07:21,620 I'’VE STILL GOT HER PLASTIC. 1202 01:07:21,620 --> 01:07:23,620 - [ car stops ] - [ chuckles ] 1203 01:07:23,620 --> 01:07:25,758 YOU KNOW, YOU'’RE LIKE A CAT, PIANO MAN. 1204 01:07:25,758 --> 01:07:29,137 NO MATTER WHAT HAPPENS YOU SEEM TO LAND ON YOUR FEET. 1205 01:07:29,137 --> 01:07:30,793 Y-YOU GONNA BE OKAY? 1206 01:07:30,793 --> 01:07:33,034 WHY YOU ASKING IF HE GONNA BE OKAY? 1207 01:07:33,034 --> 01:07:35,482 YOU THE ONE WALKING WITH SKATEBOARD SHOES ON. 1208 01:07:35,482 --> 01:07:38,000 COME ON, LET'’S BOUNCE. WE AIN'’T GOT NO PLASTIC. 1209 01:07:38,000 --> 01:07:40,862 YO, ANTON, HOW WOULD YOU GUYS LIKE TO SPEND A NIGHT 1210 01:07:40,862 --> 01:07:42,137 IN A REALLY NICE HOTEL? 1211 01:07:45,137 --> 01:07:48,241 NO DOUBT. LET'’S DO THAT. 1212 01:07:50,068 --> 01:07:51,931 Man: HERE IS YOUR SUITE, MR. ROLAND. 1213 01:07:51,931 --> 01:07:53,827 ON YOUR RIGHT WE HAVE THE MASTER BEDROOM 1214 01:07:53,827 --> 01:07:56,275 WITH AN ADJOINING BATH, WHICH IS EQUIPPED WITH WHIRLPOOL 1215 01:07:56,275 --> 01:07:58,448 - AND SAUNA FOR YOUR CONVENIENCE. - THAT'’S MY ROOM. 1216 01:07:58,448 --> 01:08:00,310 AHEAD WE HAVE THE PARLOR WHICH CONVERTS 1217 01:08:00,310 --> 01:08:02,931 TO AN ADDITIONAL BEDROOM, ALSO WITH AN ADJOINING BATH. 1218 01:08:02,931 --> 01:08:04,931 - YOU SLEEP THERE. - CONTINUING ON, GENTLEMEN, 1219 01:08:04,931 --> 01:08:07,482 ON OUR LEFT WE HAVE THE DINING ROOM AND FULL SERVICE KITCHEN 1220 01:08:07,482 --> 01:08:09,620 WHICH IS STOCKED WITH A VARIETY OF LIGHT FARE 1221 01:08:09,620 --> 01:08:11,344 - COMPLIMENTS OF THE HOTEL... - WHAT'’S FARE? 1222 01:08:11,344 --> 01:08:14,137 - FOOD. - FOOD, MAN, FOOD. 1223 01:08:14,137 --> 01:08:16,344 ...AND CUBAN SEED CIGARS. 1224 01:08:16,344 --> 01:08:18,793 - FOOD IS FARE? - FARE IS FOOD. 1225 01:08:18,793 --> 01:08:20,655 OUR EXTENSIVE SELECTION OF INTERNATIONAL CUISINE 1226 01:08:20,655 --> 01:08:22,413 IS AVAILABLE 24 HOURS A DAY. 1227 01:08:22,413 --> 01:08:25,206 WHOO! THAT'’S WHAT I'M TALKING ABOUT. 1228 01:08:25,206 --> 01:08:27,137 "FREEDNESS." FREE THE WORLD, YO. 1229 01:08:27,137 --> 01:08:29,482 - WHAT'’RE YOU DOING? - THIS IS FREE. 1230 01:08:29,482 --> 01:08:31,103 IT'’S NOT FREE. I PAID FOR THIS. 1231 01:08:31,103 --> 01:08:33,655 IT'’S STILL FREE TO ME. 1232 01:08:33,655 --> 01:08:35,827 ...A LARGE SELECTION OF MOVIE FARE 1233 01:08:35,827 --> 01:08:37,862 INCLUDING ADULT ENTERTAINMENT. 1234 01:08:37,862 --> 01:08:40,275 YOU MEAN LIKE WITH TITTIES AND SHIT? 1235 01:08:40,275 --> 01:08:42,482 YES, SIR, I IMAGINE SO. 1236 01:08:42,482 --> 01:08:44,931 [ chuckles ] I KNOW WHAT I'’M DOING LATER. 1237 01:08:44,931 --> 01:08:47,172 GENTLEMEN, MY NAME IS BRIAN. 1238 01:08:47,172 --> 01:08:48,827 IF YOU SHOULD REQUIRE ANYTHING ELSE, 1239 01:08:48,827 --> 01:08:50,379 PLEASE DON'’T HESITATE TO CALL. 1240 01:08:50,379 --> 01:08:52,448 - THANKS A LOT, BRIAN. - THANK YOU, SIR. 1241 01:08:52,448 --> 01:08:54,275 YO, BRIAN, THAT'’S FROM ALL OF US. 1242 01:08:54,275 --> 01:08:55,517 - WE APPRECIATE IT. - THAN-- 1243 01:08:55,517 --> 01:08:56,724 - THANK YOU. - GOOD LOOKING OUT. 1244 01:08:56,724 --> 01:08:58,172 - THANK YOU, SIR. - TAKE CARE. 1245 01:08:58,172 --> 01:09:00,000 GET YOURSELF A BRIM FOR THAT HAT. 1246 01:09:00,000 --> 01:09:01,241 YES, SIR, THANK YOU. 1247 01:09:01,241 --> 01:09:04,000 YOU GAVE BRIAN $5, MAN. 1248 01:09:04,000 --> 01:09:07,068 TO BE VANNA WHITE. I COULD'’VE DONE THAT SHIT FOR YOU. 1249 01:09:07,068 --> 01:09:09,034 BEEN LIKE, "THAT'’S THE TV RIGHT THERE. 1250 01:09:09,034 --> 01:09:12,482 THAT'’S THE THING AND THAT'’S A BOOK." GIVE ME $5. 1251 01:09:12,482 --> 01:09:13,758 YOU DON'’T HAVE THE ACCENT. 1252 01:09:13,758 --> 01:09:15,379 IT TAKES YEARS TO CULTIVATE THAT. 1253 01:09:15,379 --> 01:09:17,413 YOU WORK ON IT. YOU MIGHT GET IT. 1254 01:09:17,413 --> 01:09:19,793 - CULTIVATE IT. - I GOT A ACCENT. I GOT A "BLACKCENT." 1255 01:09:24,172 --> 01:09:26,068 RIGHT. 1256 01:09:26,068 --> 01:09:27,551 [ farts ] 1257 01:09:29,310 --> 01:09:31,172 WHERE'’S THE DRAIN? 1258 01:09:31,172 --> 01:09:33,344 LET'’S SEE HOW YOU DO THIS SHIT. 1259 01:09:34,413 --> 01:09:37,068 [ gagging ] 1260 01:09:37,068 --> 01:09:40,965 THEY GOT AN ELECTRIC ASS WASHER UP IN THIS PIECE, MAN. 1261 01:09:44,241 --> 01:09:47,482 - HE'’S VERY FUNNY. - YEAH. 1262 01:09:51,551 --> 01:09:53,448 [ water running ] 1263 01:09:54,551 --> 01:09:56,000 [ shrieking ] 1264 01:10:00,241 --> 01:10:02,448 [ shrieking continues ] 1265 01:10:04,689 --> 01:10:06,931 OH, SHIT, I GOTTA GET ONE OF THESE SHITS. 1266 01:10:08,448 --> 01:10:10,896 I-I BET JULIE'’S BEEN A LOT OF PLACES, HUH? 1267 01:10:10,896 --> 01:10:13,517 YUP, ALL OVER THE WORLD. 1268 01:10:15,448 --> 01:10:17,862 I BET SHE'’S BEEN TO ITALY, HUH? 1269 01:10:17,862 --> 01:10:21,034 YEAH, SHE'’S BEEN TO ITALY. 1270 01:10:21,034 --> 01:10:22,551 OH. 1271 01:10:24,034 --> 01:10:26,448 I WANT TO GO TO ITALY. 1272 01:10:26,448 --> 01:10:28,034 YEAH. 1273 01:10:28,034 --> 01:10:30,896 I-I BET SHE'’S BEEN TO FRANCE, HUH? 1274 01:10:30,896 --> 01:10:33,275 YES, ANTON, SHE'’S BEEN TO FRANCE. 1275 01:10:35,896 --> 01:10:38,758 HOW ABOUT... 1276 01:10:38,758 --> 01:10:40,655 ENGLAND? HAS SHE BEEN TO ENGLAND? 1277 01:10:40,655 --> 01:10:43,827 ANTON, LIKE I SAID, SHE'’S BEEN ALL OVER THE FUCKING WORLD. 1278 01:10:47,620 --> 01:10:49,655 HOW COME YOU DON'’T GO WITH JULIA? 1279 01:10:49,655 --> 01:10:53,586 I MEAN, SHE'’S SO PRETTY AND SHE SINGS SO GREAT. 1280 01:10:53,586 --> 01:10:56,827 I WOULD WANT TO BE AROUND HER ALL THE TIME. 1281 01:10:56,827 --> 01:11:00,172 SOMETIMES YOU GET TIRED OF BEING "MR. SIMONE," 1282 01:11:00,172 --> 01:11:01,896 IF YOU KNOW WHAT I MEAN. 1283 01:11:01,896 --> 01:11:03,862 WELL... 1284 01:11:06,137 --> 01:11:07,620 NOT REALLY. 1285 01:11:07,620 --> 01:11:11,137 MAYBE WE COULD TALK TO JULIA TOMORROW. 1286 01:11:11,137 --> 01:11:12,827 OKAY? I'’LL TELL HER-- 1287 01:11:12,827 --> 01:11:15,793 ANTON, THIS HAD NOTHING TO DO WITH YOU, OKAY? 1288 01:11:15,793 --> 01:11:18,137 OKAY. 1289 01:11:20,137 --> 01:11:23,000 BUT IF YOU DON'’T HAVE A PLACE TO GO, 1290 01:11:23,000 --> 01:11:24,862 OR IF YOU CAN'’T GO HOME, 1291 01:11:24,862 --> 01:11:27,137 MAYBE WE CAN GET A HOUSE 1292 01:11:27,137 --> 01:11:29,689 AND WE CAN ALL LIVE TOGETHER. 1293 01:11:29,689 --> 01:11:31,724 [ laughing ] 1294 01:11:40,517 --> 01:11:42,896 W-W-WHAT'’S SO FUNNY? 1295 01:11:44,793 --> 01:11:46,862 NOTHING. NOTHING. [ chuckles ] 1296 01:11:48,965 --> 01:11:52,000 NO. YOU NEVER KNOW. 1297 01:11:52,000 --> 01:11:55,620 - MAYBE. - [ banging on door ] 1298 01:11:55,620 --> 01:11:58,206 WILL SOMEBODY GET THE DOOR, MAN? 1299 01:11:58,206 --> 01:12:00,586 COME ON, I ORDERED SOME PANCAKES AND SHIT. 1300 01:12:00,586 --> 01:12:02,551 - WE GOT A FEAST COMING. - ALL RIGHT. 1301 01:12:03,827 --> 01:12:06,068 WASSUP? 1302 01:12:06,068 --> 01:12:07,482 HURRY UP. 1303 01:12:07,482 --> 01:12:09,310 - YES? - MR. ROLAND, 1304 01:12:09,310 --> 01:12:11,172 I AM SORRY TO DISTURB YOU, 1305 01:12:11,172 --> 01:12:13,172 BUT YOUR CREDIT CARD HAS BEEN REFUSED. 1306 01:12:13,172 --> 01:12:17,034 IT HAS, IN FACT, BEEN LISTED AS STOLEN. 1307 01:12:17,034 --> 01:12:19,655 THERE MUST BE A MISTAKE. 1308 01:12:19,655 --> 01:12:22,965 I'’LL BE RIGHT DOWN TO CLEAR THIS UP. 1309 01:12:22,965 --> 01:12:24,689 THANK YOU. 1310 01:12:24,689 --> 01:12:26,793 ♪ THIS IS A MAN'’S WORLD... ♪ 1311 01:12:28,379 --> 01:12:30,413 - HEY! - SORRY. 1312 01:12:30,413 --> 01:12:32,551 SHE NEEDS SOME SIT-UPS, YO. 1313 01:12:32,551 --> 01:12:35,000 YO, GIVE ME ANOTHER ONE OF THOSE. 1314 01:12:35,000 --> 01:12:37,344 SLOW DOWN, MAN. 1315 01:12:37,344 --> 01:12:39,517 YOU DRINKING YOURS AND THROW THAT SHIT AWAY. 1316 01:12:39,517 --> 01:12:42,103 YOU SHOULD'’VE GOT MORE WHEN YOU WAS AT THE HOTEL. 1317 01:12:42,103 --> 01:12:44,275 FUCK YOU, I PAID FOR THE ROOM, EH? 1318 01:12:44,275 --> 01:12:46,000 NO, FUCK YOU, BECAUSE TECHNICALLY, 1319 01:12:46,000 --> 01:12:47,551 THESE ARE JULIA'’S. 1320 01:12:47,551 --> 01:12:50,793 SO THE NEXT TIME I SEE JULIA, I OWE HER A SIP. 1321 01:12:50,793 --> 01:12:53,965 SO I GUESS I GOTTA ADD UNGRATEFUL SON OF A BITCH 1322 01:12:53,965 --> 01:12:57,275 TO YOUR ALREADY EXCESSIVE LIST OF CHARACTER FAULTS. 1323 01:12:57,275 --> 01:13:00,758 IF YOU'’RE GONNA START ACTING ALL BABYISH AND SHIT, 1324 01:13:00,758 --> 01:13:02,793 HERE, TAKE ONE. 1325 01:13:02,793 --> 01:13:05,758 DON'’T LET IT BE SAID I DON'’T GIVE TO THE UNDERPRIVILEGED. 1326 01:13:05,758 --> 01:13:07,586 I HOPE THAT SHIT MAKES YOU VOMIT. 1327 01:13:09,724 --> 01:13:12,931 WHAT DID ONE BALLOON SAY TO THE OTHER BALLOON? 1328 01:13:12,931 --> 01:13:14,862 Both: SHUT THE FUCK UP. 1329 01:13:14,862 --> 01:13:16,758 NO. 1330 01:13:16,758 --> 01:13:20,482 "MY POP IS BIGGER THAN YOUR POP." 1331 01:13:22,379 --> 01:13:24,413 MY DICK IS BIGGER THAN YOUR DICK, 1332 01:13:24,413 --> 01:13:27,482 AND I'’M GONNA HIT YOU WITH IT IF YOU DON'’T SHUT THE FUCK UP. 1333 01:13:28,724 --> 01:13:30,620 YOU GUYS ARGUE TOO MUCH. 1334 01:13:30,620 --> 01:13:32,896 WE'’RE BROTHERS. WE SHOULD TAKE CARE OF EACH OTHER. 1335 01:13:32,896 --> 01:13:34,758 HOW MANY TIMES I GOTTA TELL YOU? 1336 01:13:34,758 --> 01:13:36,206 WE'’RE THE BROTHERS, ALL RIGHT? 1337 01:13:36,206 --> 01:13:38,137 SEE? THE BLACK SKIN, THE BLACK SKIN. 1338 01:13:38,137 --> 01:13:39,931 SEE THAT? THAT'’S WHITE SKIN. 1339 01:13:39,931 --> 01:13:42,758 ONE OF THESE THINGS IS NOT LIKE THE '’NOTHER. 1340 01:13:42,758 --> 01:13:46,482 MAN, AREN'’T YOU TIRED OF THIS BLACK AND WHITE SHIT ALREADY? 1341 01:13:46,482 --> 01:13:49,586 NOPE, NOT TIRED OF THE BLACK-WHITE SHIT. 1342 01:13:49,586 --> 01:13:53,068 BECAUSE AS LONG AS YOU MOTHERFUCKERS GOT ME OUT HERE ASSED OUT, 1343 01:13:53,068 --> 01:13:55,448 AND YOU CAN GO WHEREVER YOU WANNA GO 1344 01:13:55,448 --> 01:13:57,586 AND BUY WHATEVER THE FUCK YOU WANNA BUY 1345 01:13:57,586 --> 01:13:59,965 AND FUCK WHO THE FUCK YOU WANNA FUCK, 1346 01:13:59,965 --> 01:14:01,758 I'’M NOT TIRED OF IT. 1347 01:14:01,758 --> 01:14:05,000 YOU MOTHERFUCKERS? WHO ARE YOU TALKING ABOUT? 1348 01:14:05,000 --> 01:14:08,586 I AIN'’T GOT SHIT. AT LEAST YOU'’RE BLACK. YOU GOT AN EXCUSE. 1349 01:14:08,586 --> 01:14:10,655 NO ONE'’S EVER GIVEN ME A SECOND OF SLACK IN THIS WORLD 1350 01:14:10,655 --> 01:14:12,137 WITHOUT ME PAYING FOR IT ONE WAY OR THE OTHER. 1351 01:14:12,137 --> 01:14:15,000 YOU SEE THE TEARS? I FEEL SORRY FOR YOU. 1352 01:14:15,000 --> 01:14:17,586 WHITE GUY LIVING IN A FANCY APARTMENT 1353 01:14:17,586 --> 01:14:19,344 OFF OF SOME BEAUTIFUL-ASSED SISTER. 1354 01:14:19,344 --> 01:14:21,586 OH DAMN, THE TEARS KEEP FALLING. 1355 01:14:21,586 --> 01:14:23,689 I CAN'’T KEEP THIS SHIT INSIDE MY EYEBALLS. 1356 01:14:23,689 --> 01:14:25,379 I DON'’T NEED THIS SHIT. 1357 01:14:25,379 --> 01:14:29,172 FUCK THIS. I UNDERSTAND YOU DON'’T APPROVE 1358 01:14:29,172 --> 01:14:31,827 OF A WHITE BOY LIKE ME BEING WITH A SISTER, 1359 01:14:31,827 --> 01:14:33,896 BUT YOU KNOW WHAT? I DON'’T GIVE A FUCK. 1360 01:14:33,896 --> 01:14:36,379 JULIE IS THE ONLY GOOD THING THAT'’S EVER HAPPENED TO ME 1361 01:14:36,379 --> 01:14:39,689 AND I DON'’T HAVE THAT. YOU DON'’T HAVE A CLUE WHAT IT MEANS. 1362 01:14:39,689 --> 01:14:42,655 TO ANSWER YOUR QUESTION, I DON'’T EXPECT YOU TO FEEL SHIT. 1363 01:14:42,655 --> 01:14:45,275 GOOD, '’CAUSE I DON'T EVEN FEEL A LITTLE TURD. 1364 01:14:45,275 --> 01:14:47,103 - FUCK YOU. FUCK YOU! - FUCK YOU. 1365 01:14:47,103 --> 01:14:48,793 - FUCK YOU. - I FEEL FOR YOU, MAN. 1366 01:14:48,793 --> 01:14:50,862 SIT YOUR ASS DOWN. YOU SUPPOSED TO FEEL FOR ME. 1367 01:14:50,862 --> 01:14:53,034 HOW MANY TIMES I GOTTA TELL YOU THAT? 1368 01:14:53,034 --> 01:14:56,551 IT'’S KIND OF OUR FAULT HE'’S HOMELESS AND EVERYTHING. 1369 01:14:56,551 --> 01:14:59,241 DAMN STRAIGHT IT'’S OUR FAULT. I PLANTED THAT SHIT. 1370 01:14:59,241 --> 01:15:01,517 I DON'’T UNDERSTAND. WHAT DO YOU MEAN? 1371 01:15:01,517 --> 01:15:04,000 I KNEW JULIA WAS COMING BACK. 1372 01:15:04,000 --> 01:15:06,827 I BROUGHT THEM STANK HOS UP THERE JUST TO THROW HIS SHIT OFF. 1373 01:15:08,827 --> 01:15:11,379 W-W-WHY WOULD YOU DO THAT? 1374 01:15:11,379 --> 01:15:14,379 WHY? BECAUSE THAT'’S A SELFISH 1375 01:15:14,379 --> 01:15:16,379 MOTHERFUCKER 1376 01:15:16,379 --> 01:15:17,965 THAT LOOKS DOWN ON US. 1377 01:15:19,862 --> 01:15:21,827 THAT'’S NOT TRUE. 1378 01:15:28,586 --> 01:15:31,896 ♪ I KNOW YOU IN HERE, ARE YOU IN HERE? ♪ 1379 01:15:31,896 --> 01:15:35,034 ♪ I KNOW YOU FEEL THIS, FEEL THIS... ♪ 1380 01:15:35,034 --> 01:15:38,620 - ♪ THIS IS A MAN'’S WORLD... ♪ - [ man muttering ] 1381 01:15:44,758 --> 01:15:45,689 GODDAMN IT. 1382 01:15:49,172 --> 01:15:52,241 NO! M-MATTHEW, NO! THAT'’S WRONG! 1383 01:15:52,241 --> 01:15:54,655 STOP IT! STOP IT! 1384 01:15:54,655 --> 01:15:56,896 - STOP IT! - [ shouting ] 1385 01:15:56,896 --> 01:15:59,551 - NO! - Matthew: FUCK OFF! 1386 01:15:59,551 --> 01:16:02,517 GET BACK HERE HELP! 1387 01:16:02,517 --> 01:16:04,827 POLICE! 1388 01:16:04,827 --> 01:16:07,862 HELP! POLICE! 1389 01:16:07,862 --> 01:16:10,310 ♪ CALL IT FEMALE INTUITION ♪ 1390 01:16:10,310 --> 01:16:13,034 ♪ I STAY INDEPENDENT AND I KNOW THAT KEEP YOU FISHIN'’ ♪ 1391 01:16:13,034 --> 01:16:15,137 ♪ TRYING TO GET ME HOOKED, BABY, LOOK ♪ 1392 01:16:15,137 --> 01:16:17,896 ♪ ONCE I TOUCH YOUR SOUL, YOU GONNA BE SHUSHED ♪ 1393 01:16:17,896 --> 01:16:20,551 ♪ THIS IS A MAN'’S WORLD... ♪ 1394 01:16:21,620 --> 01:16:23,137 [ groaning ] 1395 01:16:25,137 --> 01:16:27,551 - GIVE ME THE MONEY. - CHILL OUT, MAN. 1396 01:16:27,551 --> 01:16:30,034 - GIVE ME THE MONEY! - EVERYBODY'’S GONNA GET PAID. 1397 01:16:30,034 --> 01:16:32,068 CHILL OUT. YO, MATTHEW, MAN, 1398 01:16:32,068 --> 01:16:34,241 THAT WAS SOME BEAUTIFUL WHITE ON WHITE CRIME. 1399 01:16:34,241 --> 01:16:36,655 WE DON'’T SEE ENOUGH OF THAT IN THE COMMUNITY. 1400 01:16:36,655 --> 01:16:39,241 GIVE ME THE MONEY. WE HAVE TO GIVE IT BACK. 1401 01:16:39,241 --> 01:16:41,896 YOU CRAZY SON? I AIN'’T GIVING THIS-- LOOK AT THAT. 1402 01:16:41,896 --> 01:16:44,931 THAT'’S $100 BILLS. YO, YOU BETTER GET IN A TIME CAPSULE 1403 01:16:44,931 --> 01:16:47,068 AND BACK THE MOTHERFUCK UP, SON. 1404 01:16:47,068 --> 01:16:50,344 JUST CHILL. RELAX. 1405 01:16:50,344 --> 01:16:52,965 LOOK, YOU JUST A LITTLE NERVOUS, MAN. 1406 01:16:52,965 --> 01:16:55,793 COME ON, LET'’S GET OUTTA HERE BEFORE THE COPS COME. 1407 01:16:55,793 --> 01:16:57,241 NO! 1408 01:16:57,241 --> 01:17:01,620 - ANTON, COME ON, MAN. - I SAID NO. 1409 01:17:01,620 --> 01:17:04,310 I'’M NOT GOING WITH YOU GUYS. 1410 01:17:04,310 --> 01:17:07,068 I DON'’T WANT TO BE FRIENDS WITH PEOPLE 1411 01:17:07,068 --> 01:17:09,000 WHO DO STUFF LIKE THIS. 1412 01:17:11,965 --> 01:17:14,000 YOU'’RE SOME STRANGE MOTHERFUCKER. 1413 01:17:14,000 --> 01:17:17,068 - YOU KNOW WHAT? FUCK YOU THEN. - GIVE HIM THE MONEY. 1414 01:17:17,068 --> 01:17:18,896 FUCK YOU TOO. YOU THE ONE THAT ROBBED HIM. 1415 01:17:18,896 --> 01:17:21,137 - NOW YOU'’RE GETTING HIGH AND MIGHTY? - THAT'’S RIGHT. 1416 01:17:21,137 --> 01:17:22,931 SO GIVE HIM THE FUCKIN'’ MONEY. 1417 01:17:22,931 --> 01:17:25,482 YOU BETTER GET OUTTA MY FACE! 1418 01:17:25,482 --> 01:17:27,862 - WHAT YOU GONNA DO? - STOP IT! 1419 01:17:27,862 --> 01:17:31,482 - STOP IT! STOP! - YO, MAN. 1420 01:17:31,482 --> 01:17:34,344 WHAT THE FUCK IS WRONG WITH YOU, SON? 1421 01:17:34,344 --> 01:17:38,896 DON'’T YOU NEVER STEP TO ME LIKE THAT, MOTHERFUCKER! 1422 01:17:45,344 --> 01:17:47,275 HERE, TAKE THE FUCKING MONEY. 1423 01:17:50,655 --> 01:17:53,275 LET'’S GO BACK TO THE PARK. 1424 01:17:53,275 --> 01:17:56,310 EVERYTHING WAS GREAT WHEN WE WERE SINGING IN THE PARK. 1425 01:17:56,310 --> 01:17:58,758 I CAN'’T GO BACK THERE, MAN. 1426 01:18:02,689 --> 01:18:05,344 CAN'’T WE JUST GET JOBS OR SOMETHING? 1427 01:18:05,344 --> 01:18:07,344 WHAT KIND OF JOBS, MAN? 1428 01:18:07,344 --> 01:18:10,862 HUH? MOPPING UP A PORNO HOUSE? 1429 01:18:10,862 --> 01:18:13,413 FLIPPIN'’ BURGERS? 1430 01:18:13,413 --> 01:18:16,206 TONGUE KISSIN'’ SOME CRACKER'’S ASS FOR MINIMUM WAGE? 1431 01:18:16,206 --> 01:18:20,137 SHIT. BEEN THERE, DONE THAT, KID. 1432 01:18:20,137 --> 01:18:22,379 THAT AIN'’T NO WAY TO LIVE LIFE, YO. 1433 01:18:24,551 --> 01:18:26,448 THIS IS NO WAY TO LIVE, EITHER. 1434 01:18:28,689 --> 01:18:31,482 I WANTED TO BE AN OPERA SINGER. 1435 01:18:33,379 --> 01:18:37,413 BUT WE'’RE LIVING ON THE STREETSBEGGING AND STEALING. 1436 01:18:37,413 --> 01:18:39,310 IT'’S LIKE WE'RE GIVING UP. 1437 01:18:41,620 --> 01:18:45,068 AND I'’M ASHAMED OF MYSELF. 1438 01:18:45,068 --> 01:18:48,482 AND YOU, YOU'’RE ASHAMED OF YOURSELF TOO. 1439 01:18:48,482 --> 01:18:50,068 AND YOU. 1440 01:19:00,758 --> 01:19:04,551 I DON'’T KNOW WHY YOU TWO GUYS FIGHT SO MUCH. 1441 01:19:04,551 --> 01:19:06,655 YOU TWO ARE JUST ALIKE. 1442 01:19:30,103 --> 01:19:31,965 [ siren wails ] 1443 01:19:33,034 --> 01:19:34,827 HANDS IN THE AIR! 1444 01:19:34,827 --> 01:19:37,413 - DOWN ON THE GROUND. - DAMN, 5-0 GOT HIM. 1445 01:19:37,413 --> 01:19:40,586 YOU WANNA GET YOUR ASS KICKED IN THE BACK OF A POLICE CAR? 1446 01:19:40,586 --> 01:19:43,448 THAT WOULD FEEL ALL RIGHT ABOUT NOW. 1447 01:19:43,448 --> 01:19:46,275 - YEAH? WELL, I DON'’T. - [ police radio chatter ] 1448 01:19:46,275 --> 01:19:48,517 YES, CAN I HELP YOU? 1449 01:19:48,517 --> 01:19:50,482 HE HAS SOMETHING TO SAY. 1450 01:19:50,482 --> 01:19:51,827 GO AHEAD, TELL HIM. 1451 01:19:51,827 --> 01:19:53,931 EXCUSE ME, MISTER... 1452 01:19:53,931 --> 01:19:55,758 OFFICER. MR. OFFICER, SIR. 1453 01:19:55,758 --> 01:19:57,448 OFFICER, SIR. 1454 01:19:57,448 --> 01:20:00,310 THERE WAS A GUY WHO WAS ROBBED LAST NIGHT. 1455 01:20:00,310 --> 01:20:01,620 YEAH, YEAH, WHAT ABOUT IT? 1456 01:20:01,620 --> 01:20:04,965 - ALMOST. ALMOST. - YEAH. 1457 01:20:04,965 --> 01:20:08,137 - HE WAS ALMOST ROBBED. - WHAT ARE YOU TRYING TO SAY? 1458 01:20:08,137 --> 01:20:11,724 WHAT HE'’S TRYING TO SAY IS ONCE AGAIN YOU ARRESTED THE WRONG BLACK MAN. 1459 01:20:11,724 --> 01:20:13,965 IS THAT A FACT? 1460 01:20:13,965 --> 01:20:16,551 PERHAPS YOU WOULD LIKE TO ELABORATE. 1461 01:20:16,551 --> 01:20:18,000 - ME? - YEAH, YOU. 1462 01:20:18,000 --> 01:20:20,103 YEAH, GO AHEAD. YOU TALK NOW. 1463 01:20:20,103 --> 01:20:23,103 [ clears throat ] OKAY. 1464 01:20:23,103 --> 01:20:26,034 THERE WAS THIS GUYS AT THE "M.T.M." MACHINE. 1465 01:20:26,034 --> 01:20:28,724 AS THE YOUNG GENTLEMEN WAS DESCRIBING. 1466 01:20:28,724 --> 01:20:30,862 - YEAH? - THERE WAS ALCOHOL INVOLVED, 1467 01:20:30,862 --> 01:20:34,103 BECAUSE THERE WAS DRUNKENNESS IN HIS MOUTH. 1468 01:20:34,103 --> 01:20:36,655 THEN HE HAD MONEY IN HIS HAND. 1469 01:20:36,655 --> 01:20:40,655 HE SAW US WALKING DOWN THE STREET MINDING OUR OWN BUSINESS-- 1470 01:20:40,655 --> 01:20:42,482 '’CAUSE THAT'S HOW WE DO THINGS. 1471 01:20:42,482 --> 01:20:45,103 WE WAS ON OUR WAY TO A PEACE RALLY. 1472 01:20:45,103 --> 01:20:46,551 - A PEACE RALLY? - YES. 1473 01:20:46,551 --> 01:20:48,793 TO HELP ALL THE KIDS IN THE NEIGHBORHOODS. 1474 01:20:48,793 --> 01:20:50,655 - REALLY? - YEAH. 1475 01:20:50,655 --> 01:20:53,931 HE SAID, "COULD YOU FINE SAMARITANS HELP US OUT? 1476 01:20:53,931 --> 01:20:55,689 '’CAUSE I'M TRYING TO CATCH A CAB 1477 01:20:55,689 --> 01:20:57,862 TO GET HOME WITH MY $700." 1478 01:20:57,862 --> 01:21:00,758 - UH-HUH. - THERE WAS A NORTH-EASTERLY FLOW OF WIND 1479 01:21:00,758 --> 01:21:03,241 THAT CAME AND PUSHED THE MONEY DOWN THE STREET. 1480 01:21:03,241 --> 01:21:05,000 WE SAID, "HEY, LET'’S GO GET 1481 01:21:05,000 --> 01:21:07,379 THE POOR MAN'’S MONEY AND GIVE IT BACK." 1482 01:21:07,379 --> 01:21:10,655 WE STARTED HEARING SOUNDS OF BOOM, BOOM, BOOM. 1483 01:21:10,655 --> 01:21:12,344 HIS HEAD WAS GETTING BANGED-- 1484 01:21:12,344 --> 01:21:15,413 MATTHEW, WES. WHAT ARE YOU GUYS DOING HERE? 1485 01:21:15,413 --> 01:21:18,482 - HOLD ON A SECOND. - THOSE ARE MY FRIENDS. THEY CAME TO GET ME OUT. 1486 01:21:18,482 --> 01:21:20,482 YOU WERE SAYING? 1487 01:21:20,482 --> 01:21:21,965 - THE GUY... - THE GUY. 1488 01:21:21,965 --> 01:21:23,931 THE GUY YOU'’RE REALLY LOOKING FOR 1489 01:21:23,931 --> 01:21:26,413 - HE'’S CHINESE. - HE'’S REALLY J-JAPANESE. 1490 01:21:26,413 --> 01:21:29,000 - COMBINATION. MIXTURE. - REALLY? 1491 01:21:29,000 --> 01:21:30,551 - SORT OF ASIAN. - REALLY? 1492 01:21:30,551 --> 01:21:32,206 MRS. POTTS, WE HAVE SOME PAPERWORK 1493 01:21:32,206 --> 01:21:33,931 FOR YOU TO FILL OUT, PLEASE. 1494 01:21:41,000 --> 01:21:43,068 H-HI, AUNTIE. 1495 01:21:45,862 --> 01:21:48,551 THIS IS REALLY ALL MY FAULT, MRS. POTTS. 1496 01:21:48,551 --> 01:21:49,862 YUP. 1497 01:21:49,862 --> 01:21:51,724 NO, IT'’S NOT YOUR FAULT. 1498 01:21:51,724 --> 01:21:53,103 OF COURSE IT IS, RIGHT? 1499 01:21:53,103 --> 01:21:55,206 - YEAH, ANTON. - I TOLD YOU. 1500 01:21:55,206 --> 01:21:57,206 I WAS JUST THINKING OF MYSELF, YOU KNOW? 1501 01:21:57,206 --> 01:21:59,724 HE'’S A SELFISH MAN. HE NEEDS TO WORK ON THAT. 1502 01:21:59,724 --> 01:22:02,827 - THIS IS OUR BUS. - TAKE CARE, ANTON, OKAY? 1503 01:22:02,827 --> 01:22:04,586 [ bus door hisses ] 1504 01:22:04,586 --> 01:22:06,172 YO, ANTON, 1505 01:22:06,172 --> 01:22:07,482 YOU THE MAN, KID. 1506 01:22:07,482 --> 01:22:10,137 NO DOUBT, DAWG. 1507 01:22:10,137 --> 01:22:12,275 [ laughs ] 1508 01:22:24,103 --> 01:22:26,586 ANTON, WHAT DID I EVER DO EXCEPT 1509 01:22:26,586 --> 01:22:28,896 LOVE YOU AND TAKE CARE OF YOU 1510 01:22:28,896 --> 01:22:31,379 THAT'’D MAKE YOU WANT TO LEAVE YOUR HOME? 1511 01:22:31,379 --> 01:22:33,241 NOTHING. 1512 01:22:33,241 --> 01:22:35,448 I-I JUST-- 1513 01:22:35,448 --> 01:22:38,517 I JUST WANTED TO DO THINGS FOR MYSELF. 1514 01:22:46,551 --> 01:22:48,931 HERE YOU GO, DAWG. 1515 01:22:48,931 --> 01:22:50,758 GOOD LOOKING OUT. 1516 01:22:52,448 --> 01:22:55,896 ANTON CRACKS ME UP, TALKS ABOUT WE BOTH ALIKE. 1517 01:22:55,896 --> 01:22:58,793 YOU GOTTA USE YOUR IMAGINATION. 1518 01:22:58,793 --> 01:23:02,310 SHIT, IT TAKES MORE THAN IMAGINATION FOR THAT. 1519 01:23:02,310 --> 01:23:05,586 IT TAKES SOME SPRAY PAINT AND A HARRY CONNICK, JR. HAIRCUT FOR ME. 1520 01:23:05,586 --> 01:23:07,413 [ laughs ] 1521 01:23:08,689 --> 01:23:11,275 WHAT YOU GONNA DO FROM HERE, YO? 1522 01:23:11,275 --> 01:23:13,931 I DON'’T KNOW. 1523 01:23:15,724 --> 01:23:17,413 TRY TO GET MY LIFE BACK. 1524 01:23:20,413 --> 01:23:22,103 WHAT ABOUT YOU? 1525 01:23:23,689 --> 01:23:26,448 NOT ME. I DON'’T WANT MY LIFE BACK. 1526 01:23:26,448 --> 01:23:29,137 MAYBE I'’LL GO TRY AND GET YOUR LIFE BACK. 1527 01:23:29,137 --> 01:23:31,068 YOU WERE DOING ALL RIGHT, KID. 1528 01:24:08,551 --> 01:24:10,827 - I GOT A BEAUTIFUL-- - JULIA. JULIA. 1529 01:24:10,827 --> 01:24:12,689 STEP OFF BEFORE YOU GET HURT. 1530 01:24:12,689 --> 01:24:14,241 COME ON, MANNY, JUST LAY OFF. 1531 01:24:14,241 --> 01:24:16,206 YOU'’RE NOTHING BUT A LOWLIFE PIECE OF TRASH. 1532 01:24:16,206 --> 01:24:19,793 - SHOW SOME LOVE, MANNY. - MANNY, IT'’S OKAY. 1533 01:24:22,655 --> 01:24:24,965 I'’M SORRY. 1534 01:24:28,689 --> 01:24:30,931 HI. 1535 01:24:33,034 --> 01:24:35,344 YO, ANTON, WHAT'’S UP, BABY? 1536 01:24:35,344 --> 01:24:37,620 HOW YOU LIVING, SON? 1537 01:24:37,620 --> 01:24:40,241 IT'’S ME, MAN. WHAT THE FUCK I TOLD YOU? 1538 01:24:40,241 --> 01:24:42,413 AIN'’T EVEN LISTENING TO ME. 1539 01:24:42,413 --> 01:24:45,620 DIDN'’T I TELL YOU YOU WAS GONNA END UP RIGHT BACK WHERE YOU STARTED? 1540 01:24:45,620 --> 01:24:49,034 I'’M NOT RIGHT BACK WHERE I STARTED. 1541 01:24:49,034 --> 01:24:51,724 BECAUSE I'’M NOT THE SAME PERSON. 1542 01:24:51,724 --> 01:24:53,344 I'’M VERY DIFFERENT. 1543 01:24:53,344 --> 01:24:57,034 T-TOO BAD FOR YOU YOU'’RE THE SAME PERSON. 1544 01:24:57,034 --> 01:25:00,206 SIR, WOULD YOU LIKE TO BUY SOME CALVIN KLEIN SOCKS? 1545 01:25:00,206 --> 01:25:03,862 THEY'’RE 100% NATURAL FIBERS. GUARANTEED TO ABSORB 1546 01:25:03,862 --> 01:25:06,206 LIKE, TOXIC ODORS AND STUFF 1547 01:25:06,206 --> 01:25:07,931 THAT COULD BE IN THE SNEAKERS. 1548 01:25:07,931 --> 01:25:10,310 EXCUSE ME, BUT ARE THESE REALLY CALVINS? 1549 01:25:10,310 --> 01:25:13,068 HEY, CLARISSE, HOW YOU DOING? 1550 01:25:13,068 --> 01:25:14,448 FINE. 1551 01:25:16,068 --> 01:25:19,137 IT'’S GOOD TO SEE YOU DOING YOUR THING. 1552 01:25:19,137 --> 01:25:22,275 I'’M TRYING TO MAINTAIN AND VISUALIZE 1553 01:25:22,275 --> 01:25:24,862 ON WHOLE '’NOTHER LEVELS. 1554 01:25:49,827 --> 01:25:53,241 I'’M TRYING TO HOOK UP WITH MY OLD LADY TOO, MAN. 1555 01:25:53,241 --> 01:25:54,931 - OH, YEAH? - I MISS HER, YO. 1556 01:25:54,931 --> 01:25:56,965 - I DIDN'’T KNOW THAT. - I MISS MY FAMILY. 1557 01:25:56,965 --> 01:25:59,758 THAT'’S COOL, THAT'’S COOL. 1558 01:25:59,758 --> 01:26:02,758 WE USED TO LIGHT THIS SHIT UP, REMEMBER? 1559 01:26:02,758 --> 01:26:04,103 YEAH, MAN. 1560 01:26:04,103 --> 01:26:05,620 WE SURE DID. 1561 01:26:05,620 --> 01:26:07,827 YOU SEE ANTON, MAN? 1562 01:26:07,827 --> 01:26:10,310 YEAH, HE'’S WORKING IN A LAUNDRY OR SOMETHING. 1563 01:26:10,310 --> 01:26:12,310 HE'’S WORKING IN A DAMN LAUNDROMAT? 1564 01:26:12,310 --> 01:26:14,793 - YEAH. - THAT'’S SOME FUCKED UP SHIT. 1565 01:26:14,793 --> 01:26:16,344 YEAH, I KNOW, MAN. 1566 01:26:16,344 --> 01:26:19,689 [ laughs ] DOESN'’T SEEM RIGHT. 1567 01:26:30,620 --> 01:26:32,103 Wes: YO, WHAT'’S UP, PUDDIN'’ HEAD? 1568 01:26:32,103 --> 01:26:33,482 WHAT'’RE YOU GUYS DOING HERE? 1569 01:26:33,482 --> 01:26:35,793 QUESTION IS, WHAT'’RE YOU STILL DOING HERE? 1570 01:26:35,793 --> 01:26:39,000 - I-I-I WORK HERE. - YOU GONNA WORK HERE THE REST OF YOUR LIFE, 1571 01:26:39,000 --> 01:26:40,724 OR YOU READY TO GET OUT? 1572 01:26:40,724 --> 01:26:43,344 IF YOU'’RE READY TO GET OUT, WE GOT A JOB FOR YOU. 1573 01:26:43,344 --> 01:26:45,517 - WHAT KIND OF JOB? - YOU WANT TO SHOW HIM? 1574 01:26:45,517 --> 01:26:47,896 - NO, YOU SHOW HIM. - COME ON, YOU SHOW HIM. 1575 01:26:47,896 --> 01:26:50,413 - Both: WE BOTH SHOW HIM. - YOU GET THE LEGS. 1576 01:26:50,413 --> 01:26:52,137 - CARLA? - WHAT? 1577 01:26:52,137 --> 01:26:54,793 THIS IS ANTON, THE GUY I WAS TELLING YOU ABOUT. 1578 01:26:54,793 --> 01:26:56,310 - THAT'’S MY MAN. - I'’M SORRY. 1579 01:26:56,310 --> 01:26:58,344 HE MISSED REHEARSAL, I PUT SOMEBODY ELSE IN HIS SPOT. 1580 01:26:58,344 --> 01:27:00,379 - WHAT? - WHAT'’S THE BIG DEAL? HE JUST STANDS THERE. 1581 01:27:00,379 --> 01:27:02,310 THIS IS MY ASS, ALL RIGHT? 1582 01:27:02,310 --> 01:27:03,620 YO, YOU CAN'’T SMOKE ON THE SET. 1583 01:27:03,620 --> 01:27:06,034 CAN'’T YOU SEE THE FUCKING NO SMOKING SIGN? 1584 01:27:06,034 --> 01:27:08,137 - CARLA, COME ON, LISTEN. - GUYS, I'’M SORRY. 1585 01:27:08,137 --> 01:27:10,896 - THERE'’S NOTHING I CAN DO. - JUST PUT HIM IN. 1586 01:27:10,896 --> 01:27:13,068 - I'’M SORRY. - SORRY? 1587 01:27:13,068 --> 01:27:15,275 - WHY YOU GONNA WALK AWAY? - TALK TO YOU LATER, OKAY? 1588 01:27:15,275 --> 01:27:18,137 - LET'’S GO. I'’M SORRY, CARLA. - THIS IS BULLSHIT. 1589 01:27:18,137 --> 01:27:19,793 YO, YOU WAIT HERE, MAN. 1590 01:27:19,793 --> 01:27:21,551 COME ON, LET'’S WALK. 1591 01:27:25,068 --> 01:27:26,724 YO, VIKING. 1592 01:27:26,724 --> 01:27:29,103 YOU KNOW AL B. SURE'’S IN TOWN? 1593 01:27:29,103 --> 01:27:32,586 - HE'’S PLAYING OVER HERE ON THE OTHER SIDE OF THE PARK. - YOU LOOK FAMILIAR. 1594 01:27:32,586 --> 01:27:34,793 REALLY? YOU EVER BEEN DOWN ON CHRISTOPHER STREET? 1595 01:27:36,931 --> 01:27:39,034 I'’M MISSING A WARRIOR. THERE'’RE ONLY THREE WARRIORS. 1596 01:27:39,034 --> 01:27:40,551 THERE'’S SUPPOSED TO BE FOUR WARRIORS-- 1597 01:27:40,551 --> 01:27:42,655 WHAT-- 1598 01:27:42,655 --> 01:27:45,068 YOU, GET OVER HERE! 1599 01:27:45,068 --> 01:27:47,241 WARRIOR! COME ON! 1600 01:27:47,241 --> 01:27:49,068 JESUS. 1601 01:27:50,448 --> 01:27:52,689 COME ON, YOU'’RE A WARRIOR. 1602 01:27:52,689 --> 01:27:55,310 [ muttering ] YOU A MAN OR WARRIOR? LET'’S GO. 1603 01:28:00,310 --> 01:28:02,034 OVER THERE. 1604 01:28:12,931 --> 01:28:16,034 [ singing in Italian ] 1605 01:28:36,379 --> 01:28:37,965 HEY. 1606 01:28:41,310 --> 01:28:43,758 COME ON, COME ON. DO YOUR CHANGE, IT'’S GREAT. 1607 01:28:43,758 --> 01:28:45,034 COME ON. 1608 01:28:53,931 --> 01:28:55,586 [ softly ] COME ON, COME ON. PSST! 1609 01:28:59,586 --> 01:29:02,379 [ singing in Italian ] 1610 01:29:09,000 --> 01:29:10,655 YO, MAN, IS HE SUPPOSED 1611 01:29:10,655 --> 01:29:12,103 TO BE THERE LIKE THAT? 1612 01:29:12,103 --> 01:29:13,241 I... 1613 01:29:15,827 --> 01:29:18,275 - I DON'’T THINK SO. - THINK HE'’S SUPPOSED TO LEAVE 1614 01:29:18,275 --> 01:29:20,172 WITH THE OTHER RUSSIANS. 1615 01:29:20,172 --> 01:29:21,827 RUSSIANS? 1616 01:29:21,827 --> 01:29:23,517 OR PUERTO RICANS, I DON'’T KNOW. 1617 01:29:34,379 --> 01:29:36,275 IS HE SINGING? 1618 01:29:40,000 --> 01:29:42,206 I DON'’T THINK HE'S SUPPOSED TO BE DOING THAT. 1619 01:29:42,206 --> 01:29:44,000 HE'’S SINGING THE FAT GUY'’S LINES, MAN. 1620 01:29:44,000 --> 01:29:46,034 [ singing in Italian ] 1621 01:29:48,137 --> 01:29:49,689 [ stops singing ] 1622 01:29:58,793 --> 01:30:00,413 OH MY GOD. 1623 01:30:09,827 --> 01:30:11,689 HE'’S RIPPING SHIT, YO. 1624 01:30:11,689 --> 01:30:13,689 LISTEN TO THAT MOTHERFUCKER SING, KID. 1625 01:30:13,689 --> 01:30:15,068 THAT'’S MY MAN. 1626 01:30:22,551 --> 01:30:24,310 [ crowd whispering ] 1627 01:30:42,448 --> 01:30:44,586 5-0 IS UP HERE. 5-0. 1628 01:30:44,586 --> 01:30:47,000 TWO GUYS JUST CAME AND TOOK MY CLOTHES! 1629 01:30:53,586 --> 01:30:55,862 THAT'’S THE GUY RIGHT THERE. THAT'’S THE GUY. 1630 01:31:01,034 --> 01:31:04,689 [ both singing in Italian ] 1631 01:31:39,103 --> 01:31:41,724 - [ singing finishes ] - [ applause ] 1632 01:32:00,310 --> 01:32:03,413 - ENCORE! - [ applause continues ] 1633 01:32:10,517 --> 01:32:13,586 I WISH AUNTIE AND THE FOLKS BACK HOME COULD SEE ME NOW. 1634 01:32:13,586 --> 01:32:16,172 NO ONE WOULD BE ABLE TO MAKE FUN OF ME, 1635 01:32:16,172 --> 01:32:18,517 BECAUSE I SANG ON A BIG STAGE WITH FABIANO GRAZZI 1636 01:32:18,517 --> 01:32:20,758 AND THERE WAS LIGHTS AND EVERYTHING. 1637 01:32:20,758 --> 01:32:22,344 AND EVERYBODY LOVED ME. 1638 01:32:22,344 --> 01:32:25,206 DON'’T YOU THINK WE SHOULD DO SOMETHING? 1639 01:32:25,206 --> 01:32:28,551 I AM. I'’M PRAYING RIGHT NOW. 1640 01:32:28,551 --> 01:32:31,517 MR. ROCKWELL, IT LOOKS LIKE YOU AND YOUR BUDDIES ARE GETTING OUT. 1641 01:32:33,206 --> 01:32:34,862 OH, I'’M SORRY. 1642 01:32:34,862 --> 01:32:37,862 WOULD THE CAST OF "GAYWATCH" PLEASE MOVE OUT THE WAY? 1643 01:32:39,206 --> 01:32:41,517 BYE, SWEET BABIES. 1644 01:32:41,517 --> 01:32:43,862 WHY DON'’T YOU TAKE THAT STUPID OUTFIT OFF? 1645 01:32:43,862 --> 01:32:46,172 YOU LOOK LIKE A GAY NINJA TURTLE. 1646 01:32:46,172 --> 01:32:48,620 - I LIKE MY HAT. - COME ON, MAN. 1647 01:32:50,344 --> 01:32:51,758 [ Italian accent ] YOU. 1648 01:32:51,758 --> 01:32:53,655 FABIANO GRAZZI! 1649 01:32:53,655 --> 01:32:56,620 I WANTED TO MEET YOU BUT THE POLICE TOOK ME AWAY. 1650 01:32:56,620 --> 01:32:59,758 THE POLICE SHOULD PUT YOU AWAY ON ONE LIFE SENTENCE CONSECUTIVE. 1651 01:32:59,758 --> 01:33:03,000 YOU ARE THE ONLY MAN IN THE WORLD TO EVER UPSTAGE FABIANO GRAZZI. 1652 01:33:03,000 --> 01:33:04,724 WHO THEY ARE? 1653 01:33:04,724 --> 01:33:07,068 THESE ARE MY FRIENDS. THIS IS MATTHEW AND WES. 1654 01:33:07,068 --> 01:33:08,724 I'’M A HUGE FAN. HUGE FAN. 1655 01:33:08,724 --> 01:33:11,206 - VERY INTELLIGENT. - NO DOUBT. LOVE YOUR WORK. 1656 01:33:11,206 --> 01:33:14,034 WHEN I WAS LITTLE, MY MOTHER TALKED ITALIAN TO US. 1657 01:33:14,034 --> 01:33:17,896 SHE USED TO SAY, "YOU WANT MORE PARMESAN ON YOUR RAVIOLI, BENNY?" 1658 01:33:17,896 --> 01:33:19,862 BENNY WAS MY COUSIN. 1659 01:33:19,862 --> 01:33:22,896 BEAUTIFUL. COME ON, WE TAKE A RIDE, WE TALK ABOUT. 1660 01:33:22,896 --> 01:33:24,896 IN THE LIMO? WHAT'’RE YOU WAITING ON, KID? 1661 01:33:24,896 --> 01:33:27,379 GET IN THE LIMO. 1662 01:33:27,379 --> 01:33:29,689 YOU TAKE A TAXI. I TIRED OF YOU. 1663 01:33:29,689 --> 01:33:32,344 GET THE HELL OUTTA HERE. GO ON. VAI! VAI! VAI! 1664 01:33:32,344 --> 01:33:35,517 NOW WE HAVE A LITTLE FUN. 1665 01:33:38,655 --> 01:33:40,241 WHAT TRIO YOU ARE, EH? 1666 01:33:40,241 --> 01:33:41,724 YOU '’CAUSE BIG BUDS AROUND TOWN. 1667 01:33:41,724 --> 01:33:44,517 - BUDS? - BUDS, LIKE WEED. 1668 01:33:44,517 --> 01:33:46,241 NO, HOW YOU SAY? THE BUDS. BUDS. 1669 01:33:46,241 --> 01:33:47,896 - BZZZ. BZZZ. - OH, BUZZ, BUZZ. 1670 01:33:47,896 --> 01:33:49,689 OH, BUZZ. THAT'’S NOT WEED. 1671 01:33:49,689 --> 01:33:51,586 LAST NIGHT PERFORMANCE WAS A SENSATION. 1672 01:33:51,586 --> 01:33:54,241 - REALLY? - YOU MEAN I'’M GONNA BE FAMOUS? 1673 01:33:54,241 --> 01:33:55,931 NO, YOU ALREADY ARE FAMOUS. 1674 01:33:55,931 --> 01:33:58,068 YOU ARE THE TALKING OF THE WHOLE TOWN. 1675 01:33:58,068 --> 01:34:01,413 HOW HE GONNA BE FAMOUS? HE'’S A YOUNG BLACK KID FROM HARLEM THAT SINGS OPERA. 1676 01:34:01,413 --> 01:34:03,413 WHAT KINDA CHANCE THAT GUY GOT, MAN? 1677 01:34:03,413 --> 01:34:05,724 I PROPOSE ANOTHER QUESTION FOR YOU. 1678 01:34:05,724 --> 01:34:07,724 YOUNG BLACK KID FROM HARLEM, 1679 01:34:07,724 --> 01:34:09,724 WHAT CHANCE HE HAVE? 1680 01:34:09,724 --> 01:34:12,310 [ Brooklyn accent ] WHAT CHANCE DOES A YOUNG KID FROM BROOKLYN 1681 01:34:12,310 --> 01:34:15,379 HAVE FROM BENSONHURST? GOT AN ANSWER FOR THAT ONE? 1682 01:34:15,379 --> 01:34:17,206 - SHIT. - OH, SHIT. 1683 01:34:17,206 --> 01:34:20,103 SEE? YOUS NEVER KNOW UNTIL YOU TRY. 1684 01:34:20,103 --> 01:34:23,103 THIS KID'’S DESTINY AIN'’T BEEN WRITTEN YET. 1685 01:34:23,103 --> 01:34:26,586 I'’M GONNA TEACH YOU HOW TO SAY THAT IN ITALIAN. 1686 01:34:26,586 --> 01:34:30,517 [ speaks Italian ] 1687 01:34:32,448 --> 01:34:34,551 [ Anton repeating Italian ] 1688 01:34:37,620 --> 01:34:39,551 Fabiano: ZI BELLA. 1689 01:34:39,551 --> 01:34:42,137 LET ME ASK YOU A QUESTION, MAN. 1690 01:34:42,137 --> 01:34:44,965 WHEN THE NINO HITS THE STREET-N-O, 1691 01:34:44,965 --> 01:34:47,000 WHAT KINDA CASHO FLOW-O 1692 01:34:47,000 --> 01:34:48,448 TO THE WALLITO? 1693 01:34:48,448 --> 01:34:50,000 IF HE SINGO REALLY LOUD-O 1694 01:34:50,000 --> 01:34:51,965 LOTS OF CASHO GO IN THE WALLITO. 1695 01:34:51,965 --> 01:34:54,517 [ laughing ] 1696 01:34:57,172 --> 01:34:59,172 [ speaking Italian ] 1697 01:35:01,068 --> 01:35:03,517 [ shouting Italian ] 1698 01:35:21,517 --> 01:35:24,034 [ rap music playing ] 122391

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