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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,423 --> 00:00:08,342 I love... Baby! 2 00:00:08,342 --> 00:00:10,344 ...the Season 20 Knockouts. 3 00:00:10,344 --> 00:00:11,970 Whooo! Yep! 4 00:00:11,970 --> 00:00:14,014 We're just watching these amazing artists 5 00:00:14,014 --> 00:00:15,432 who bring it every time. 6 00:00:15,432 --> 00:00:16,850 Kelly, who do you think is 7 00:00:16,850 --> 00:00:18,519 the biggest threat to Team Kelly of the guys? 8 00:00:18,519 --> 00:00:20,187 Well, people keep stealing my team. 9 00:00:20,187 --> 00:00:22,189 I'll go, too. 10 00:00:22,189 --> 00:00:23,524 John. Whoooo! 11 00:00:23,524 --> 00:00:25,025 Nick, you did something cool. 12 00:00:25,025 --> 00:00:27,611 You stole back someone who was on your team. 13 00:00:27,611 --> 00:00:29,363 I did that for Nick. It was like ‐‐ 14 00:00:29,363 --> 00:00:31,490 It was almost like putting Andrew in layaway. 15 00:00:31,490 --> 00:00:33,033 Yeah, okay. Layaway? 16 00:00:33,033 --> 00:00:34,284 Let me help you. 17 00:00:34,284 --> 00:00:36,537 Four‐way knockouts coming up soon. 18 00:00:38,163 --> 00:00:41,083 We literally have four very different styles, 19 00:00:41,083 --> 00:00:43,377 four great voices, giving it their all. 20 00:00:43,377 --> 00:00:45,045 That's what this show's all about. 21 00:00:45,045 --> 00:00:47,506 It's up to you at home to decide 22 00:00:47,506 --> 00:00:49,383 who stays in this thing. 23 00:00:49,383 --> 00:00:51,635 How you been? How you been? I got a gift for you, dawg. 24 00:00:51,635 --> 00:00:53,220 Uh‐oh. Uh‐oh. It's a doggy bag. 25 00:00:53,220 --> 00:00:54,721 Snoop Dogg has an ability to get 26 00:00:54,721 --> 00:00:56,890 into the mind of the artist and what they want to say 27 00:00:56,890 --> 00:00:58,392 and has given some really incredible advice. 28 00:00:58,392 --> 00:01:00,018 I love it. Yes, sir. 29 00:01:00,018 --> 00:01:01,478 I'll put this on right after we wrap. Thank you. 30 00:01:01,478 --> 00:01:03,647 For my favorite Jonas. So I am your favorite Jonas. 31 00:01:03,647 --> 00:01:04,898 I was ‐‐ I was hoping you would say that. 32 00:01:04,898 --> 00:01:06,066 Man, quit playing with me, man. 33 00:01:06,066 --> 00:01:07,401 He's like a music library. 34 00:01:07,401 --> 00:01:09,236 And that's what you need for a Mega Mentor. 35 00:01:09,236 --> 00:01:11,405 So they get to pick their songs this round. 36 00:01:11,405 --> 00:01:13,907 I'm very curious to know what they picked. Mm. 37 00:01:13,907 --> 00:01:17,744 This pairing is Zae and Rachel Mac. Mm. 38 00:01:17,744 --> 00:01:22,249 They're two of my youngest and also two of my favorites, 39 00:01:22,249 --> 00:01:23,458 which makes me feel like an idiot 40 00:01:23,458 --> 00:01:24,918 for putting them together. 41 00:01:24,918 --> 00:01:26,211 Oops. 42 00:01:26,211 --> 00:01:28,755 Oh! Hey, guys. 43 00:01:28,755 --> 00:01:31,091 This is Snoop. 44 00:01:31,091 --> 00:01:32,759 I ‐‐ 45 00:01:32,759 --> 00:01:34,595 Never have I thought 46 00:01:34,595 --> 00:01:37,598 I would say I met Snoop Dogg. 47 00:01:37,598 --> 00:01:39,600 Oh ‐‐ I'm thinking y'all on "The Price Is Right" 48 00:01:39,600 --> 00:01:41,768 the way y'all ‐‐ Come on down! Uh... 49 00:01:41,768 --> 00:01:44,104 Rachel, what song are you singing? 50 00:01:44,104 --> 00:01:46,273 "Foolish Games" by Jewel. Very nice. 51 00:01:46,273 --> 00:01:48,191 I wanted to really show ‐‐ I may be young, 52 00:01:48,191 --> 00:01:50,444 but I can really make the audience feel something. 53 00:01:50,444 --> 00:01:52,195 Well, you definitely made everyone feel something 54 00:01:52,195 --> 00:01:53,739 in your battle round. 55 00:01:53,739 --> 00:01:57,117 ♪ I hope you don't mind, I hope you don't mind ♪ 56 00:01:57,117 --> 00:02:02,164 It was the only standing ovation of all the battles. ♪ That I put down in wo‐o‐rds ♪ 57 00:02:02,164 --> 00:02:05,167 Whoo! Rachel was a one‐chair turn, 58 00:02:05,167 --> 00:02:08,295 and she's kind of the one to watch, in my opinion. 59 00:02:08,295 --> 00:02:12,257 ♪ You were always crazy like that ♪ Nice. 60 00:02:12,257 --> 00:02:16,762 To me, the song is about toxic people and finding peace. 61 00:02:16,762 --> 00:02:18,305 I definitely connect to this song. 62 00:02:18,305 --> 00:02:20,641 I've had a lot of people in my life come and go. 63 00:02:20,641 --> 00:02:22,601 I was 4 years old when my mom left. 64 00:02:22,601 --> 00:02:25,437 ♪ Someone who gave a damn ♪ It was rough. 65 00:02:25,437 --> 00:02:27,481 ♪ Someone more like myself ♪ My dad was working really hard, 66 00:02:27,481 --> 00:02:28,732 and so it was just us girls 67 00:02:28,732 --> 00:02:30,567 around the house a lot of the time, 68 00:02:30,567 --> 00:02:34,321 ordering at food banks and shopping at thrift stores. 69 00:02:34,321 --> 00:02:36,156 So, I've definitely gone through a lot. 70 00:02:36,156 --> 00:02:37,824 But I mean, it brought me here. 71 00:02:37,824 --> 00:02:40,827 ♪ You're breaking my he‐e‐art ♪ Ooh! 72 00:02:40,827 --> 00:02:43,205 I was just in awe. Like, I wanted to stand up. 73 00:02:43,205 --> 00:02:45,707 That's how much she moved me with that voice. 74 00:02:45,707 --> 00:02:48,502 Wow. Wow, wow. Pretty incredible. 75 00:02:48,502 --> 00:02:50,420 I heard some Teena Marie up in there. Thank you. 76 00:02:50,420 --> 00:02:52,506 You got a lot of soul in you, little momma. That sound good. 77 00:02:52,506 --> 00:02:54,341 She can handle the song and ‐‐ and make you believe 78 00:02:54,341 --> 00:02:56,426 that she's the woman who wrote the song. 79 00:02:56,426 --> 00:02:59,179 I love it. You're connecting it to something emotional. 80 00:02:59,179 --> 00:03:01,598 One note ‐‐ sometimes when you sing 81 00:03:01,598 --> 00:03:06,186 closed "A" vowel sounds, it can get a touch pitchy. Okay. 82 00:03:06,186 --> 00:03:08,188 I don't know if I like the ending. 83 00:03:08,188 --> 00:03:10,023 It's so big, and it just felt like 84 00:03:10,023 --> 00:03:11,525 the ending is just so little. 85 00:03:11,525 --> 00:03:13,694 When we get to the big crescendo on the high note, 86 00:03:13,694 --> 00:03:15,529 I almost wish that was the end, but I know it wouldn't ‐‐ 87 00:03:15,529 --> 00:03:17,197 Yeah, 'cause that's what it felt like. 88 00:03:17,197 --> 00:03:21,201 What if you did... ♪ Breaking my heart ♪ 89 00:03:21,201 --> 00:03:22,869 You banging us all the way through the record 90 00:03:22,869 --> 00:03:25,080 so you got to end with a bang. Yeah, for sure. 91 00:03:25,080 --> 00:03:28,417 Take every preconceived notion you have about Mr. Snoop, 92 00:03:28,417 --> 00:03:30,335 and it's the opposite. 93 00:03:30,335 --> 00:03:31,545 He's so humble. 94 00:03:31,545 --> 00:03:33,046 He's very knowledgeable. 95 00:03:33,046 --> 00:03:35,215 He completely changed the end of my song. 96 00:03:35,215 --> 00:03:36,842 He might have saved me. 97 00:03:36,842 --> 00:03:39,553 ♪ You're breaking my he‐e‐art ♪ 98 00:03:39,553 --> 00:03:41,388 So good. Thank you. 99 00:03:41,388 --> 00:03:43,223 The way you said "breaking my heart" at the end, 100 00:03:43,223 --> 00:03:45,350 it felt like you was finna cry. Mm‐hmm. 101 00:03:45,350 --> 00:03:47,060 That was live. Thank you. 102 00:03:47,060 --> 00:03:48,228 That's the right call. 103 00:03:48,228 --> 00:03:49,688 I have worked 104 00:03:49,688 --> 00:03:52,732 with some incredible artists who were young. 105 00:03:52,732 --> 00:03:54,734 Demi Lovato comes to mind... Thank you. 106 00:03:54,734 --> 00:03:56,403 ...and Rachel has elements of that. 107 00:03:56,403 --> 00:03:58,238 When I see that she's coming up next to sing, 108 00:03:58,238 --> 00:03:59,823 I'm like, "Oh, I know this is gonna be good." 109 00:03:59,823 --> 00:04:02,576 Today is Zae day. 110 00:04:02,576 --> 00:04:05,078 Zae, what song are you singing? 111 00:04:05,078 --> 00:04:06,872 I'm singing "Electric Love." Awesome. 112 00:04:06,872 --> 00:04:09,624 I did not anticipate that. Why did you choose that song? 113 00:04:09,624 --> 00:04:12,335 My grandpa passed away a few months ago. 114 00:04:12,335 --> 00:04:15,881 Him and my grandma had this crazy, beautiful love. 115 00:04:15,881 --> 00:04:17,591 Actually, his last words were that 116 00:04:17,591 --> 00:04:19,926 he wanted to give her a kiss, 117 00:04:19,926 --> 00:04:21,261 and he did. 118 00:04:21,261 --> 00:04:23,430 ♪ Candy ♪ 119 00:04:23,430 --> 00:04:24,890 He even wrote in one of his letters 120 00:04:24,890 --> 00:04:26,767 when he was in the military, "I feel a connection, 121 00:04:26,767 --> 00:04:28,268 and it's like an electric buzz in the air 122 00:04:28,268 --> 00:04:29,603 whenever I'm near you." 123 00:04:29,603 --> 00:04:31,772 Being in the foster‐care system, you don't really 124 00:04:31,772 --> 00:04:33,273 get to see that love. ♪ ...go now that I got it ♪ 125 00:04:33,273 --> 00:04:35,442 ♪ Lo‐ove ♪ Oooh! 126 00:04:35,442 --> 00:04:38,111 And so when I met them, I was like, "This is love." 127 00:04:38,111 --> 00:04:39,905 ♪ Electric lo‐ove ♪ 128 00:04:39,905 --> 00:04:42,240 Zae reminds me a little bit of Labrinth, 129 00:04:42,240 --> 00:04:43,450 a little John Legend in there. 130 00:04:43,450 --> 00:04:45,577 Four chairs! 131 00:04:45,577 --> 00:04:47,913 Which makes, you know, him being a four‐chair turn 132 00:04:47,913 --> 00:04:51,333 and not picking John so sweet. 133 00:04:51,333 --> 00:04:52,918 Mm. So sick. 134 00:04:52,918 --> 00:04:55,128 You sound good, dawg. Thank you. I appreciate that. 135 00:04:55,128 --> 00:04:57,464 The original, obviously, is swung, up‐tempo. 136 00:04:57,464 --> 00:04:58,965 This is such a cool flip on it, 137 00:04:58,965 --> 00:05:03,136 and I think it's gonna create kind of a viral‐ish moment. 138 00:05:03,136 --> 00:05:05,472 You know, this is a big, big song. 139 00:05:05,472 --> 00:05:08,475 Maintain your control. Sort of sounds like there's an accent, 140 00:05:08,475 --> 00:05:11,144 the first word of the song... ♪ Candy ♪ 141 00:05:11,144 --> 00:05:12,437 I'm not, like, British or anything. 142 00:05:12,437 --> 00:05:13,814 It just kinda ‐‐ You're not British? 143 00:05:13,814 --> 00:05:15,482 Mate, you sounded British 144 00:05:15,482 --> 00:05:17,651 on the first line, mate. Yeah, well... 145 00:05:19,319 --> 00:05:22,322 I mean, it can sometimes be a stylistic choice 146 00:05:22,322 --> 00:05:23,782 to sing in a different accent. 147 00:05:23,782 --> 00:05:25,826 I've had... friends do that. 148 00:05:25,826 --> 00:05:27,452 Yeah. We got friends that do it. 149 00:05:27,452 --> 00:05:30,205 But, uh, as our friend, you shouldn't do it. 150 00:05:30,205 --> 00:05:31,206 Yeah. 151 00:05:31,206 --> 00:05:32,707 When you're a young Black kid 152 00:05:32,707 --> 00:05:34,334 and you go to barbershops, everyone in there, 153 00:05:34,334 --> 00:05:35,335 they have so much fun, 154 00:05:35,335 --> 00:05:36,503 They're, like, joking around. 155 00:05:36,503 --> 00:05:37,838 They're all talking. 156 00:05:37,838 --> 00:05:39,923 And Snoop just reminds me of those moments. 157 00:05:39,923 --> 00:05:41,675 It just felt like home, almost. 158 00:05:41,675 --> 00:05:43,635 I'd hate to be the one to have to pick between these two. 159 00:05:43,635 --> 00:05:45,512 So would I. 160 00:05:45,512 --> 00:05:49,015 I am one performance away from live playoffs. 161 00:05:49,015 --> 00:05:50,851 I definitely got to step up to the plate... Whoo! Whoo! 162 00:05:50,851 --> 00:05:52,978 ...because this girl can sang. 163 00:05:52,978 --> 00:05:54,855 And that's not with an "I." That's with an "A." 164 00:05:54,855 --> 00:05:56,690 She can sang. 165 00:05:56,690 --> 00:05:58,859 Perform at your highest level so in case you don't make it, 166 00:05:58,859 --> 00:06:00,652 somebody may be looking in the wings 167 00:06:00,652 --> 00:06:01,987 and be like, "You know what?" Mm. Yeah. Mm‐hmm. 168 00:06:01,987 --> 00:06:03,530 "I ain't finna let that person go home." 169 00:06:03,530 --> 00:06:05,365 I love Zae. I love Rachel. 170 00:06:05,365 --> 00:06:08,535 I think this is gonna be the toughest decision yet. 171 00:06:10,662 --> 00:06:12,247 It's knockout time. 172 00:06:12,247 --> 00:06:15,417 We're knocking out the knockouts. 173 00:06:15,417 --> 00:06:16,835 Alright. Places. Here we go. 174 00:06:18,545 --> 00:06:22,716 Singing "Foolish Games," here's Rachel Mac. 175 00:06:22,716 --> 00:06:32,559 ♪ You took your coat off ♪ 176 00:06:32,559 --> 00:06:36,396 ♪ And stood in the rain ♪ 177 00:06:36,396 --> 00:06:40,901 ♪ You were always crazy like that ♪ 178 00:06:40,901 --> 00:06:47,407 ♪ And I watched from my window ♪ 179 00:06:47,407 --> 00:06:51,578 ♪ Always felt I was outside ♪ 180 00:06:51,578 --> 00:06:56,625 ♪ Looking in on you ♪ 181 00:06:56,625 --> 00:06:59,753 ♪ You were always the mysterious one ♪ 182 00:06:59,753 --> 00:07:03,256 ♪ With dark eyes and careless hair ♪ 183 00:07:03,256 --> 00:07:06,926 ♪ You were fashionably sensitive ♪ 184 00:07:06,926 --> 00:07:11,765 ♪ But too cool to care ♪ 185 00:07:11,765 --> 00:07:15,101 ♪ Excuse me, think I've mistaken you ♪ 186 00:07:15,101 --> 00:07:18,938 ♪ For somebody else ♪ 187 00:07:18,938 --> 00:07:22,776 Sing, girl! ♪ Someone who gave a damn ♪ 188 00:07:22,776 --> 00:07:26,029 ♪ Somebody more like myself ♪ 189 00:07:26,029 --> 00:07:28,948 ♪ And these ♪ 190 00:07:28,948 --> 00:07:32,911 ♪ Foolish games ♪ 191 00:07:32,911 --> 00:07:35,664 ♪ Are tearing me ♪ 192 00:07:35,664 --> 00:07:37,666 ♪ You're tearing me ♪ 193 00:07:37,666 --> 00:07:40,794 ♪ Tearing me apart ♪ 194 00:07:40,794 --> 00:07:44,047 ♪ And your ♪ 195 00:07:44,047 --> 00:07:47,967 ♪ Thoughtless words ♪ 196 00:07:47,967 --> 00:07:55,433 ♪ Are breaking my heart ♪ 197 00:07:55,433 --> 00:08:03,983 ♪ You're breaking my he‐e‐art ♪ 198 00:08:03,983 --> 00:08:11,991 ♪ Oh, aaaaah ♪ 199 00:08:11,991 --> 00:08:16,913 ♪ You're breaking my heart ♪ 200 00:08:16,913 --> 00:08:19,541 Yeah! 201 00:08:19,541 --> 00:08:21,668 Beautiful. Lovely. 202 00:08:24,504 --> 00:08:25,839 And now with "Electric Love, 203 00:08:25,839 --> 00:08:28,091 here is Zae Romeo. 204 00:08:35,098 --> 00:08:40,645 ♪ Candy ♪ 205 00:08:40,645 --> 00:08:46,151 ♪ She's sweet like candy in my veins ♪ 206 00:08:46,151 --> 00:08:48,528 ♪ Baby ♪ 207 00:08:48,528 --> 00:08:54,367 ♪ I'm dying for another taste ♪ 208 00:08:54,367 --> 00:08:58,538 ♪ Every night, my mind is running around her ♪ 209 00:08:58,538 --> 00:09:00,081 Dang. 210 00:09:00,081 --> 00:09:04,711 ♪ It's getting louder, louder and louder ♪ 211 00:09:04,711 --> 00:09:06,212 Whoo! 212 00:09:06,212 --> 00:09:10,133 ♪ Baby, you're like lightning in a bottle ♪ 213 00:09:10,133 --> 00:09:13,720 ♪ I can't let you go now that I got it ♪ 214 00:09:13,720 --> 00:09:19,225 ♪ And all I need is to be struck ♪ 215 00:09:19,225 --> 00:09:27,650 ♪ By your electric love ♪ 216 00:09:27,650 --> 00:09:34,407 ♪ Baby, your electric lo‐o‐ve ♪ 217 00:09:34,407 --> 00:09:39,037 ♪ Rushing through me ♪ 218 00:09:39,037 --> 00:09:40,246 Whoo! 219 00:09:40,246 --> 00:09:45,043 ♪ Feel your energy rushing ♪ 220 00:09:45,043 --> 00:09:48,088 ♪ Rushing through me ♪ 221 00:09:48,088 --> 00:09:52,258 ♪ I feel your energy rushing ♪ 222 00:09:52,258 --> 00:09:58,014 ♪ Baby, you're like lightning in a bottle ♪ 223 00:09:58,014 --> 00:10:01,935 ♪ I can't let you go now that I got it ♪ 224 00:10:01,935 --> 00:10:07,941 ♪ All I need is to be struck by ♪ 225 00:10:07,941 --> 00:10:14,781 ♪ Your electric lo‐o‐ve ♪ 226 00:10:14,781 --> 00:10:16,616 Oh! 227 00:10:16,616 --> 00:10:31,631 ♪ Baby, your electric love ♪ 228 00:10:32,966 --> 00:10:35,135 Yeah! 229 00:10:39,472 --> 00:10:41,641 I have been moved. 230 00:10:41,641 --> 00:10:43,810 I have been moved, as well. 231 00:10:43,810 --> 00:10:46,479 Rachel, when you were hitting those high notes, 232 00:10:46,479 --> 00:10:49,983 it was, like, really gorgeous. Thank you. 233 00:10:49,983 --> 00:10:51,901 I find your vibrato so interesting. 234 00:10:51,901 --> 00:10:54,779 It's such a part of your vocal personality. 235 00:10:54,779 --> 00:10:57,157 Zae, I felt it. 236 00:10:57,157 --> 00:10:59,117 And I loved the way you were doing your little step, 237 00:10:59,117 --> 00:11:00,827 and it had like an energy 238 00:11:00,827 --> 00:11:03,329 that felt very appropriate for the song. 239 00:11:03,329 --> 00:11:04,998 I feel like you're showing 240 00:11:04,998 --> 00:11:07,542 even more of who you are. Yeah. 241 00:11:07,542 --> 00:11:10,962 I would side with Zae on this one. 242 00:11:10,962 --> 00:11:12,505 I'm gonna start with you, Rachel. 243 00:11:12,505 --> 00:11:16,009 Your tone is incredible. I cannot believe you're 16. 244 00:11:16,009 --> 00:11:17,635 It's outrageous. Thank you. 245 00:11:17,635 --> 00:11:18,845 And your vibrato, like John said, 246 00:11:18,845 --> 00:11:20,638 is really beautiful. It's very slow. 247 00:11:20,638 --> 00:11:21,848 You just need to figure out where to breathe 248 00:11:21,848 --> 00:11:23,141 to get a little bit more air. 249 00:11:23,141 --> 00:11:25,018 Job well done. Thank you. 250 00:11:25,018 --> 00:11:26,644 Hey, Zae! 251 00:11:26,644 --> 00:11:29,314 You lose yourself in the song, 252 00:11:29,314 --> 00:11:31,024 and I have never heard that song. 253 00:11:31,024 --> 00:11:32,859 You seriously have never heard that song before? Wow. 254 00:11:32,859 --> 00:11:35,695 Oh, shut up, cowboy. You don't know that song. 255 00:11:35,695 --> 00:11:37,697 Blake listens to it... I can see him jamming to "Electric Love" in his truck. 256 00:11:37,697 --> 00:11:40,533 ...in the car every time he's on his way here, 257 00:11:40,533 --> 00:11:42,035 He's always playing "Electric Love." Yeah. Back roads. 258 00:11:42,035 --> 00:11:43,870 Back roads. Yeah, totally. 259 00:11:43,870 --> 00:11:45,830 I thought it was incredible. 260 00:11:45,830 --> 00:11:48,249 That's why I'm picking you this round. 261 00:11:48,249 --> 00:11:50,210 I'm interested in what Nick's gonna do here, 262 00:11:50,210 --> 00:11:52,879 because on one hand, he has Zae, 263 00:11:52,879 --> 00:11:55,048 who was, if my notes are correct here ‐‐ 264 00:11:55,048 --> 00:11:57,050 I keep notes. I've ‐‐ I write them down the whole time. 265 00:11:57,050 --> 00:11:58,801 He calls them Blake's Notes. Yeah. 266 00:11:58,801 --> 00:12:00,136 I'm just constantly ‐‐ It's his thing. 267 00:12:00,136 --> 00:12:01,721 And I study 'em. It's his thing. 268 00:12:01,721 --> 00:12:02,889 No one else has notes like Blake does. 269 00:12:02,889 --> 00:12:04,390 Right. No one, yeah. 270 00:12:04,390 --> 00:12:07,018 You were a four‐chair turn, if I remember correctly, 271 00:12:07,018 --> 00:12:08,728 I was. You kinda set the bar. 272 00:12:08,728 --> 00:12:10,230 When you ‐‐ When that happens, it's like, 273 00:12:10,230 --> 00:12:12,732 "Well, he better win." 274 00:12:12,732 --> 00:12:16,069 One‐button artist, which is what Rachel was. 275 00:12:16,069 --> 00:12:18,196 When they excel like she is ‐‐ 276 00:12:18,196 --> 00:12:20,073 We're seeing this growth happen with you. 277 00:12:20,073 --> 00:12:21,741 Every time you get up there, it's like, 278 00:12:21,741 --> 00:12:24,244 "Oh, my God. Oh, my God." Thank you. 279 00:12:24,244 --> 00:12:26,579 As a coach, I'm always interested in knowing 280 00:12:26,579 --> 00:12:29,040 that I can effect change with an artist. 281 00:12:29,040 --> 00:12:32,919 And I feel like, somehow, Nick, of all people, 282 00:12:32,919 --> 00:12:35,588 is putting coaching into motion with you. 283 00:12:35,588 --> 00:12:36,756 Thank you. And that's really cool. 284 00:12:36,756 --> 00:12:38,049 Nick, give us some thoughts 285 00:12:38,049 --> 00:12:39,425 before you tell us who won the knockout. 286 00:12:39,425 --> 00:12:42,345 On one hand, Zae, you sang the best 287 00:12:42,345 --> 00:12:43,763 I've ever heard you sing. 288 00:12:43,763 --> 00:12:45,765 You know, you come ready for game time, 289 00:12:45,765 --> 00:12:47,267 and you put on a show. 290 00:12:47,267 --> 00:12:48,768 You've done it each performance. 291 00:12:48,768 --> 00:12:51,396 On the other hand, Rachel, you're growing 292 00:12:51,396 --> 00:12:53,439 exponentially every time we work together. 293 00:12:53,439 --> 00:12:57,110 And it's why, I think, all of us love this job so much. 294 00:12:57,110 --> 00:12:59,237 Nick, who is the winner of this knockout? 295 00:13:02,115 --> 00:13:05,910 This performance just made this decision 296 00:13:05,910 --> 00:13:08,621 very, very difficult. 297 00:13:08,621 --> 00:13:12,000 The winner of this knockout is... 298 00:13:12,000 --> 00:13:13,626 Rachel. 299 00:13:13,626 --> 00:13:15,295 Well, there you have it. 300 00:13:15,295 --> 00:13:17,797 Rachel Mac! I picked Rachel 301 00:13:17,797 --> 00:13:19,799 because she's kind of a dark horse, 302 00:13:19,799 --> 00:13:21,134 one‐chair turn, 303 00:13:21,134 --> 00:13:23,219 and here she is, going into the live shows. 304 00:13:23,219 --> 00:13:25,054 I think she's one of the strongest vocalists we have, 305 00:13:25,054 --> 00:13:26,806 and I know she can get even better. 306 00:13:26,806 --> 00:13:28,808 Coaches, let me remind you that Zae's available to steal. 307 00:13:28,808 --> 00:13:29,976 Zae, anything you want to say ‐‐ 308 00:13:29,976 --> 00:13:31,978 We got a steal! 309 00:13:31,978 --> 00:13:36,316 Kelly Clarkson uses her one and only steal in the knockouts... 310 00:13:36,316 --> 00:13:39,068 Texas! ...for Zae Romeo. 311 00:13:39,068 --> 00:13:41,320 Kelly, why'd you want to use your steal on Zae? 312 00:13:41,320 --> 00:13:43,156 That's a no‐brainer. I turned for you in the blinds. 313 00:13:43,156 --> 00:13:45,658 I loved you in the battles from home in my PJs. 314 00:13:45,658 --> 00:13:46,993 Honestly, this show's called "The Voice," 315 00:13:46,993 --> 00:13:48,661 and your voice, like, gave me goosebumps 316 00:13:48,661 --> 00:13:50,038 the entire performance. 317 00:13:50,038 --> 00:13:52,206 Give it up. Kelly steals Zae Romeo. 318 00:13:52,206 --> 00:13:54,876 Zae! We will be seeing you in the live playoffs, 319 00:13:54,876 --> 00:13:57,420 this time, on Team Kelly. Yeah! I'm so excited. 320 00:13:57,420 --> 00:13:59,839 All is good in the world. Congrats, Kelly. 321 00:13:59,839 --> 00:14:01,132 Zae is incredible. 322 00:14:01,132 --> 00:14:03,176 I think Nick really messed up there. 323 00:14:03,176 --> 00:14:05,261 What? 324 00:14:05,261 --> 00:14:06,846 Coming up... You should write a book. 325 00:14:06,846 --> 00:14:08,848 "The Voice" by Snoop Dogg. 326 00:14:08,848 --> 00:14:10,183 Gonna be a whole lot of women 327 00:14:10,183 --> 00:14:11,476 screaming at you in the front row. 328 00:14:11,476 --> 00:14:13,436 You dang right. "You dang right." 329 00:14:13,436 --> 00:14:15,813 Snoop helps our coaches prepare the artists. 330 00:14:15,813 --> 00:14:17,356 There's gotta be something where she can ‐‐ 331 00:14:17,356 --> 00:14:19,192 bam, ba‐ba, buh, bum! 332 00:14:19,192 --> 00:14:22,862 ♪ Never, no, no ♪ Yes! 333 00:14:22,862 --> 00:14:26,491 ♪ Stop loving you ♪ 334 00:14:26,491 --> 00:14:27,533 Oh! 335 00:14:27,533 --> 00:14:29,035 That is the sound of a steal! 336 00:14:29,035 --> 00:14:30,703 Wait! What?! And later... 337 00:14:30,703 --> 00:14:32,330 the artists compete for your votes 338 00:14:32,330 --> 00:14:34,082 in our four‐way knockout. 339 00:14:34,082 --> 00:14:35,875 Whoo! 340 00:14:44,425 --> 00:14:45,843 ♪ This is "The Voice" ♪ 341 00:14:45,843 --> 00:14:47,011 Welcome back to the knockout rounds 342 00:14:47,011 --> 00:14:49,472 at Universal Studios Hollywood. 343 00:14:49,472 --> 00:14:51,182 I'm planning on having some fun today. 344 00:14:51,182 --> 00:14:52,725 Yeah. We are definitely gonna have some fun today. 345 00:14:52,725 --> 00:14:54,060 Did you meet the band? What's up, band? 346 00:14:54,060 --> 00:14:55,686 What's happening, y'all? 'Sup?! 347 00:14:55,686 --> 00:14:57,021 What I plan on seeing today 348 00:14:57,021 --> 00:15:00,900 is some real funky musical instrumentation. 349 00:15:00,900 --> 00:15:02,235 You dig? Exactly. 350 00:15:02,235 --> 00:15:04,654 So, basically, that's code for, "Don't suck." 351 00:15:06,072 --> 00:15:07,657 The first pairing that's coming out ‐‐ 352 00:15:07,657 --> 00:15:09,367 these are kinda more my, like, country guys. 353 00:15:09,367 --> 00:15:11,202 Okay. Well, you know, I love country music. 354 00:15:11,202 --> 00:15:12,703 When we do award shows, 355 00:15:12,703 --> 00:15:14,789 more country artists and rappers hang out. 356 00:15:14,789 --> 00:15:16,290 It's a natural combination. 357 00:15:16,290 --> 00:15:17,917 Alright. Alright. What's up, guys?! Oho! 358 00:15:17,917 --> 00:15:19,836 Snoop Dogg? Snoop Dogg is here. 359 00:15:19,836 --> 00:15:22,713 Seeing Kelly and Snoop, it completely threw me for a loop. 360 00:15:22,713 --> 00:15:25,091 That's crazy, man. What's happening, fellas? 361 00:15:25,091 --> 00:15:26,425 He's worked with Justin Bieber, 362 00:15:26,425 --> 00:15:28,261 Justin Timberlake, Dr. Dre. 363 00:15:28,261 --> 00:15:30,221 My grandma knows who Snoop Dogg is. 364 00:15:30,221 --> 00:15:32,849 I have never been more excited to show up to work 365 00:15:32,849 --> 00:15:34,934 'cause I knew that Snoop Dogg was gonna be here. 366 00:15:34,934 --> 00:15:37,061 The hard thing for me with Avery and Kenzie is, 367 00:15:37,061 --> 00:15:39,105 they fill the lane in country music that I love. 368 00:15:39,105 --> 00:15:41,858 Both are four‐chair turns, and so I just want to see 369 00:15:41,858 --> 00:15:43,734 which one kind of rises to the top for me. 370 00:15:43,734 --> 00:15:45,778 I'm so sorry I couldn't be here for the battles. 371 00:15:45,778 --> 00:15:47,405 No, you're good. Kelsea did a great job. 372 00:15:47,405 --> 00:15:48,906 I stole Avery. 373 00:15:50,533 --> 00:15:53,119 Whoo! Yes! Yes! 374 00:15:53,119 --> 00:15:55,079 You did it. Oh, wow. 375 00:15:55,079 --> 00:15:56,497 So, he must be a treat if you stole him... 376 00:15:56,497 --> 00:15:57,498 He is. ...and put him on your team. 377 00:15:57,498 --> 00:15:58,958 Well, thank you so much. 378 00:15:58,958 --> 00:16:00,251 What song are you singing, Avery? 379 00:16:00,251 --> 00:16:01,961 I'm singing "Tomorrow" by Chris Young. 380 00:16:01,961 --> 00:16:03,129 It's just, like, one of those songs 381 00:16:03,129 --> 00:16:04,422 that you can really feel. 382 00:16:04,422 --> 00:16:05,798 That's one of my favorite things to do, 383 00:16:05,798 --> 00:16:07,383 is, like, storytelling in a song. 384 00:16:07,383 --> 00:16:08,968 The song is about loving something 385 00:16:08,968 --> 00:16:09,969 and not wanting to let it go. 386 00:16:09,969 --> 00:16:11,888 ♪ Tomorrow ♪ 387 00:16:11,888 --> 00:16:14,807 ♪ I'm gonna leave here ♪ Yeah. 388 00:16:14,807 --> 00:16:16,976 You know, I'm just a country boy from North Carolina. 389 00:16:16,976 --> 00:16:20,938 ♪ I'm gonna let you go ♪ I ain't ever been away from my family this far. 390 00:16:20,938 --> 00:16:23,274 I'm scared of change, but I want to do this more than anything. 391 00:16:23,274 --> 00:16:24,817 ♪ And tomorrow ♪ There he go. 392 00:16:24,817 --> 00:16:26,152 That's so nice. ♪ I'm gonna listen ♪ 393 00:16:26,152 --> 00:16:28,446 I love this song, and I thought it was 394 00:16:28,446 --> 00:16:31,324 a really solid pick for a competition. ♪ We're like fire and gasoline ♪ 395 00:16:31,324 --> 00:16:35,161 He just got a really cool Tim McGraw storyteller vibe. ♪ I'm no good for you, you're no good for me ♪ 396 00:16:35,161 --> 00:16:38,164 That was nice. ♪ I'm no good for you ♪ 397 00:16:38,164 --> 00:16:40,291 ♪ You're no good for me ♪ I love it! 398 00:16:40,291 --> 00:16:42,835 When I seen Snoop Dogg dancing in his chair, 399 00:16:42,835 --> 00:16:44,337 I would never thought that would ever happen. 400 00:16:44,337 --> 00:16:45,838 You know, like, that's like a dream. 401 00:16:45,838 --> 00:16:47,298 I know why you're a four‐chair turn, Avery. 402 00:16:47,298 --> 00:16:50,092 Your tone is so beautiful. Thank you. 403 00:16:50,092 --> 00:16:52,845 The only thing I heard was just some pitchy parts. 404 00:16:52,845 --> 00:16:55,431 And that is all air. That's my biggest problem with this. 405 00:16:55,431 --> 00:16:57,183 The reason why you have a lack of air 406 00:16:57,183 --> 00:16:59,435 is you don't sing with vibrato. 407 00:16:59,435 --> 00:17:03,147 Just a little bit of, like... 408 00:17:03,147 --> 00:17:04,857 It needs to... ♪ Aah na ♪ 409 00:17:04,857 --> 00:17:06,525 Especially any time you go to those high notes. 410 00:17:06,525 --> 00:17:09,320 Yeah, add on some levels and some layers to your game. 411 00:17:09,320 --> 00:17:11,948 Yeah. The first verse, you had me in a trance. 412 00:17:11,948 --> 00:17:13,366 You telling your story. 413 00:17:13,366 --> 00:17:14,951 That's where you're breathing at. 414 00:17:14,951 --> 00:17:16,202 And then when it went upbeat, 415 00:17:16,202 --> 00:17:18,037 I wanted it to go more upbeat. 416 00:17:18,037 --> 00:17:19,997 Like, separate the two. 417 00:17:19,997 --> 00:17:21,332 Also adds a little more soul. 418 00:17:21,332 --> 00:17:22,875 Country music talks to people. 419 00:17:22,875 --> 00:17:24,126 We feel like it's a connection. 420 00:17:24,126 --> 00:17:25,378 Like... Yeah. 421 00:17:25,378 --> 00:17:26,796 ... I hear you, man. 422 00:17:26,796 --> 00:17:28,172 Let's try it a little more sparse 423 00:17:28,172 --> 00:17:29,382 and, like, acoustic. 424 00:17:29,382 --> 00:17:31,342 I want to cry. Make me cry, Avery. 425 00:17:31,342 --> 00:17:33,553 I'll try to make you cry. It's not hard. 426 00:17:33,553 --> 00:17:37,014 ♪ No good for you, you're no good for me ♪ 427 00:17:37,014 --> 00:17:41,394 ♪ We only bring each other tears and sorrow ♪ 428 00:17:41,394 --> 00:17:43,521 You weren't pitchy once there. 429 00:17:43,521 --> 00:17:45,147 It was, like, a giant difference. 430 00:17:45,147 --> 00:17:48,067 I loved every minute of it, baby. 431 00:17:48,067 --> 00:17:50,403 Once we gave him information, he inserted it. 432 00:17:50,403 --> 00:17:51,904 He's got a lot of room to work with, 433 00:17:51,904 --> 00:17:53,155 and he's got a great talent. 434 00:17:53,155 --> 00:17:54,991 Come on, Kenzie! I'm anxious to see 435 00:17:54,991 --> 00:17:56,909 what he's gonna sound like once he fine‐tunes everything. 436 00:17:56,909 --> 00:17:59,495 Snoop, I've been in love with Kenzie since the blinds. 437 00:17:59,495 --> 00:18:01,247 And it's not just the mullet. 438 00:18:01,247 --> 00:18:04,417 You remind me of George Strait, and I'm Texan. 439 00:18:04,417 --> 00:18:05,918 That's blasphemous. 440 00:18:05,918 --> 00:18:07,420 I have one question. 441 00:18:07,420 --> 00:18:10,923 How incredibly mad were you at me 442 00:18:10,923 --> 00:18:14,051 for blocking you from getting on Blake's team? 443 00:18:14,051 --> 00:18:15,595 Please, pick me! 444 00:18:15,595 --> 00:18:17,555 I mean, he was my first choice, you know, but... 445 00:18:17,555 --> 00:18:20,099 I know, but that's why I used my block. 446 00:18:20,099 --> 00:18:21,601 So why did you choose this song? 447 00:18:21,601 --> 00:18:23,519 "Beer Never Broke My Heart" ‐‐ it's kind of like a song 448 00:18:23,519 --> 00:18:25,104 I haven't sung on the show yet. 449 00:18:25,104 --> 00:18:26,606 I wanted to challenge myself. 450 00:18:26,606 --> 00:18:28,399 Come on. 451 00:18:28,399 --> 00:18:32,361 ♪ Long neck, ice‐cold beer never broke my heart ♪ 452 00:18:32,361 --> 00:18:34,113 I've always been a country guy 453 00:18:34,113 --> 00:18:36,240 trying to get my voice heard anywhere that I could. 454 00:18:36,240 --> 00:18:38,200 ♪ Like a neon dream, it just dawned on me ♪ 455 00:18:38,200 --> 00:18:39,952 And this song's just, like, a jam‐out song. 456 00:18:39,952 --> 00:18:41,621 Just get down and have fun onstage. 457 00:18:41,621 --> 00:18:45,333 It's pretty much about a guy that life let him down, 458 00:18:45,333 --> 00:18:49,086 girls and stuff like that, so I can definitely relate. 459 00:18:49,086 --> 00:18:51,464 All my relationships have pretty much been dead‐end roads. 460 00:18:51,464 --> 00:18:53,090 Yeah. 461 00:18:53,090 --> 00:18:54,383 Hey! 462 00:18:54,383 --> 00:18:55,885 ♪ Long neck, ice‐cold beer ♪ 463 00:18:55,885 --> 00:18:57,470 Kenzie is hittin' these high notes, 464 00:18:57,470 --> 00:18:59,096 but it looks so effortless... ♪ Never broke my heart ♪ 465 00:18:59,096 --> 00:19:01,057 ...like he's not even trying to hit 'em. 466 00:19:01,057 --> 00:19:02,308 ♪ Long‐neck ice... ♪ I just know that when I go out there, 467 00:19:02,308 --> 00:19:03,392 I'm gonna have to bring everything I got 468 00:19:03,392 --> 00:19:04,894 'cause he's a killer singer. 469 00:19:04,894 --> 00:19:06,562 Man! 470 00:19:06,562 --> 00:19:11,400 ♪ Long neck, ice‐cold beer never broke my heart ♪ 471 00:19:11,400 --> 00:19:13,653 I fell in love with the song right then and there, 472 00:19:13,653 --> 00:19:15,154 and I'm not even a heavy beer drinker, 473 00:19:15,154 --> 00:19:16,614 but I think I'mma go get me a beer. 474 00:19:16,614 --> 00:19:19,325 From that song, I can tell that you like Blake. 475 00:19:19,325 --> 00:19:21,452 I cannot wait... I love you too, Kelly. 476 00:19:21,452 --> 00:19:23,162 ...for him to hear that and then be like, 477 00:19:23,162 --> 00:19:25,206 "Yeah, you suck for blocking me." 478 00:19:25,206 --> 00:19:27,208 Gonna be a whole lot of women 479 00:19:27,208 --> 00:19:28,334 screaming at you in the front row. 480 00:19:28,334 --> 00:19:30,169 You dang right. "You dang right." 481 00:19:30,169 --> 00:19:31,671 Oh, my God. 482 00:19:31,671 --> 00:19:35,299 He's so lovable. He's charming. He's so talented. 483 00:19:35,299 --> 00:19:37,468 I'm really excited that he was smart enough, 484 00:19:37,468 --> 00:19:39,011 as well, to choose a song that really showed 485 00:19:39,011 --> 00:19:40,513 a different side of himself. 486 00:19:40,513 --> 00:19:42,973 After that first verse when it go into that hook, 487 00:19:42,973 --> 00:19:44,642 give me some suspicion. Okay. 488 00:19:44,642 --> 00:19:47,186 Hold me there before you take me there. 489 00:19:47,186 --> 00:19:48,771 Right before it breaks off into the hook, 490 00:19:48,771 --> 00:19:50,481 you did the, "Come on." 491 00:19:50,481 --> 00:19:52,692 I'm telling you, when you say, "Come on," like that, 492 00:19:52,692 --> 00:19:54,360 ain't nobody coming with you. 493 00:19:54,360 --> 00:19:55,528 Come on! 494 00:19:55,528 --> 00:19:57,196 Come on. Come on! 495 00:19:57,196 --> 00:20:00,533 I know it's hard to play off of no actual physical crowd, 496 00:20:00,533 --> 00:20:02,451 especially on, like, a party song like this. 497 00:20:02,451 --> 00:20:05,621 But, I mean, you got to imagine you're in a stadium. 498 00:20:05,621 --> 00:20:07,415 When you actually in the moment, 499 00:20:07,415 --> 00:20:10,292 where it's 100,000 people in the crowd... Yeah. 500 00:20:10,292 --> 00:20:11,961 ...you're training yourself for that right now. 501 00:20:11,961 --> 00:20:14,213 So that way, when they're actually there, 502 00:20:14,213 --> 00:20:15,673 you're gonna be calm in the storm. 503 00:20:15,673 --> 00:20:17,007 Kind of like I've been there before. 504 00:20:17,007 --> 00:20:18,134 Exactly. Yeah. 505 00:20:18,134 --> 00:20:19,343 Act like you've been here, man. 506 00:20:19,343 --> 00:20:20,678 Dream big, yeah. 507 00:20:20,678 --> 00:20:23,472 Big A, come on back to the stage, baby. 508 00:20:23,472 --> 00:20:25,391 You both have completely different songs, 509 00:20:25,391 --> 00:20:28,060 and they are both so important for the show. 510 00:20:28,060 --> 00:20:30,229 You guys are young. You guys are fresh. 511 00:20:30,229 --> 00:20:32,022 Stand on what you guys believe. 512 00:20:32,022 --> 00:20:34,066 Don't let this moment, you know, blind you 513 00:20:34,066 --> 00:20:35,985 from what your real goal in life is. 514 00:20:35,985 --> 00:20:38,154 You're supposed to make music to make people feel good. 515 00:20:38,154 --> 00:20:39,488 Okay. You should write a book. 516 00:20:39,488 --> 00:20:41,490 "The Voice" by Snoop Dogg. 517 00:20:41,490 --> 00:20:44,577 Available. Oh, my God, please. 518 00:20:44,577 --> 00:20:45,995 I love my country boys. 519 00:20:45,995 --> 00:20:48,372 This is gonna be such a hard decision. 520 00:20:48,372 --> 00:20:51,584 ♪ Long neck, ice‐cold beer never... ♪ 521 00:20:51,584 --> 00:20:53,419 He gonna catch me in the dressing room singing it. 522 00:20:57,757 --> 00:20:59,258 I'm so excited. 523 00:20:59,258 --> 00:21:01,260 Now singing "Beer Never Broke My Heart," 524 00:21:01,260 --> 00:21:02,553 here's Kenzie Wheeler. 525 00:21:02,553 --> 00:21:04,263 If that ain't a country title... 526 00:21:05,598 --> 00:21:15,274 ♪ I've had a large‐mouth bass bust my line ♪ 527 00:21:15,274 --> 00:21:18,527 ♪ A couple beautiful girls tell me goodbye ♪ 528 00:21:18,527 --> 00:21:21,864 ♪ Trucks break down, dogs run off ♪ 529 00:21:21,864 --> 00:21:24,742 ♪ Politicians lie, been fired by the boss ♪ 530 00:21:24,742 --> 00:21:27,077 ♪ It takes one hand ♪ 531 00:21:27,077 --> 00:21:30,289 ♪ To count the things I can count on ♪ 532 00:21:30,289 --> 00:21:33,250 ♪ No, there ain't much, man ♪ 533 00:21:33,250 --> 00:21:35,753 ♪ That ain't never let me down ♪ 534 00:21:35,753 --> 00:21:37,588 Whoo! 535 00:21:37,588 --> 00:21:43,469 ♪ 'Cause long neck, ice‐cold beer never broke my heart ♪ 536 00:21:43,469 --> 00:21:46,639 Whoo! ♪ Like diamond rings and football teams ♪ 537 00:21:46,639 --> 00:21:49,391 ♪ Have torn this boy apart ♪ 538 00:21:49,391 --> 00:21:53,229 ♪ Like a neon dream, it just dawned on me ♪ 539 00:21:53,229 --> 00:21:56,148 ♪ That bars and this guitar ♪ Whoo! 540 00:21:56,148 --> 00:22:03,280 ♪ And long neck, ice‐cold beer never broke my heart ♪ 541 00:22:03,280 --> 00:22:07,159 ♪ She was a Carolina blue‐jean baby ♪ 542 00:22:07,159 --> 00:22:10,162 ♪ Fire in her eyes that drove me crazy ♪ 543 00:22:10,162 --> 00:22:13,207 ♪ It was red taillights when she left town ♪ 544 00:22:13,207 --> 00:22:15,835 ♪ If I didn't know then, I sure know ♪ 545 00:22:15,835 --> 00:22:18,337 ♪ It takes one hand ♪ 546 00:22:18,337 --> 00:22:21,590 ♪ To count the things I can count on ♪ 547 00:22:21,590 --> 00:22:24,593 ♪ And I've got one hand ♪ 548 00:22:24,593 --> 00:22:27,513 ♪ That's gripping down on a cold one ♪ 549 00:22:27,513 --> 00:22:30,474 Come on! Hey! Whoo! 550 00:22:30,474 --> 00:22:36,313 ♪ 'Cause long neck, ice‐cold beer never broke my heart ♪ 551 00:22:36,313 --> 00:22:39,525 ♪ Like diamond rings and football teams ♪ 552 00:22:39,525 --> 00:22:42,486 ♪ Have torn this boy apart ♪ 553 00:22:42,486 --> 00:22:45,865 ♪ Like a neon dream, it just dawned on me ♪ 554 00:22:45,865 --> 00:22:49,201 ♪ That bars and this guitar ♪ 555 00:22:49,201 --> 00:22:55,249 ♪ And long neck, ice‐cold beer never broke my heart ♪ 556 00:22:55,249 --> 00:22:56,375 ♪ No! ♪ 557 00:22:56,375 --> 00:22:57,459 Whoo! 558 00:22:57,459 --> 00:22:59,879 ♪ It never broke my heart ♪ 559 00:23:03,465 --> 00:23:05,426 Yes, Kenzie! 560 00:23:13,475 --> 00:23:14,727 ♪ This is "The Voice" ♪ 561 00:23:14,727 --> 00:23:16,729 Welcome back to the knockouts. 562 00:23:20,482 --> 00:23:22,067 Alright, now. 563 00:23:22,067 --> 00:23:25,279 With "Tomorrow," here is Avery Roberson. 564 00:23:29,241 --> 00:23:34,455 ♪ Tomorrow ♪ 565 00:23:34,455 --> 00:23:38,125 ♪ I'm gonna leave here ♪ 566 00:23:38,125 --> 00:23:41,921 ♪ And I'm gonna let you go and walk away ♪ 567 00:23:41,921 --> 00:23:45,090 ♪ Like every day I said I would ♪ 568 00:23:45,090 --> 00:23:48,010 ♪ And tomorrow ♪ 569 00:23:48,010 --> 00:23:51,096 ♪ I'm gonna listen ♪ 570 00:23:51,096 --> 00:23:55,351 ♪ To that voice of reason inside my head ♪ 571 00:23:55,351 --> 00:23:58,938 ♪ Telling me that we're no good ♪ 572 00:23:58,938 --> 00:24:02,399 ♪ But tonight I'm gonna give in one last time ♪ 573 00:24:02,399 --> 00:24:05,778 ♪ Rock you strong in these arms of mine ♪ 574 00:24:05,778 --> 00:24:11,075 ♪ Forget all the regrets that are bound to follow ♪ 575 00:24:11,075 --> 00:24:15,287 ♪ We're like fire and gasoline ♪ 576 00:24:15,287 --> 00:24:19,166 ♪ I'm no good for you, you're no good for me ♪ 577 00:24:19,166 --> 00:24:25,255 ♪ We only bring each other tears and sorrow ♪ 578 00:24:25,255 --> 00:24:27,132 ♪ But tonight ♪ 579 00:24:27,132 --> 00:24:32,137 ♪ I'm gonna love you like there's no ♪ 580 00:24:32,137 --> 00:24:38,811 ♪ Tomorrow ♪ 581 00:24:38,811 --> 00:24:42,147 ♪ Baby, when we're good, you know we're great ♪ 582 00:24:42,147 --> 00:24:45,150 ♪ But there's too much bad for us to think ♪ 583 00:24:45,150 --> 00:24:52,324 ♪ That there's anything worth trying to save ♪ 584 00:24:52,324 --> 00:24:55,285 ♪ We're like fire and gasoline ♪ 585 00:24:55,285 --> 00:24:59,206 ♪ I'm no good for you, you're no good for me ♪ 586 00:24:59,206 --> 00:25:05,004 ♪ We only bring each other tears and sorrow ♪ 587 00:25:05,004 --> 00:25:07,006 ♪ But tonight ♪ 588 00:25:07,006 --> 00:25:12,177 ♪ I'm gonna love you like there's no ♪ 589 00:25:12,177 --> 00:25:14,471 ♪ Tomorrow ♪ 590 00:25:14,471 --> 00:25:18,183 ♪ I'm gonna leave here ♪ 591 00:25:18,183 --> 00:25:21,937 ♪ I'm gonna let you go and walk away ♪ 592 00:25:21,937 --> 00:25:26,191 ♪ Like every day I said I would ♪ 593 00:25:28,610 --> 00:25:30,029 Alright. 594 00:25:30,029 --> 00:25:31,196 Avery! 595 00:25:34,867 --> 00:25:36,285 I got to see something here. 596 00:25:36,285 --> 00:25:37,661 I ‐‐ 597 00:25:37,661 --> 00:25:40,164 You're probably gonna win this show, 598 00:25:40,164 --> 00:25:43,250 and I want to know exactly what's going on up in here, 599 00:25:43,250 --> 00:25:46,045 is what I want to know. You ‐‐ You thought of a unicorn, right? 600 00:25:46,045 --> 00:25:47,504 No, a widow's peak. Widow's peak. Widow's peak. 601 00:25:47,504 --> 00:25:49,882 It's what makes him magical. 602 00:25:49,882 --> 00:25:51,216 You're probably gonna win "The Voice," 603 00:25:51,216 --> 00:25:53,385 and that haircut's gonna be trending, 604 00:25:53,385 --> 00:25:54,720 and I want to be in on it. 605 00:25:54,720 --> 00:25:56,221 You gonna grow one? 606 00:25:56,221 --> 00:25:57,723 That's why I'm getting a good look at it. 607 00:25:59,224 --> 00:26:00,559 What's up, Avery? What's up? 608 00:26:00,559 --> 00:26:02,186 Every time you get on stage, 609 00:26:02,186 --> 00:26:04,396 it seems like you're a little more comfortable. 610 00:26:04,396 --> 00:26:07,191 You're starting to just let your voice do what it does, 611 00:26:07,191 --> 00:26:09,693 which is really incredible. Thank you. 612 00:26:09,693 --> 00:26:11,403 Kenzie, he's the real deal, 613 00:26:11,403 --> 00:26:14,073 and we can joke about the hairdo and all that, 614 00:26:14,073 --> 00:26:17,409 but you're a talented... SOB, okay? 615 00:26:17,409 --> 00:26:19,578 Thank you, bud. You really are, man. 616 00:26:19,578 --> 00:26:21,622 I'd probably go with Kenzie here, 617 00:26:21,622 --> 00:26:23,582 even though my man's standing there. 618 00:26:23,582 --> 00:26:26,418 What a shame it is Kelly blocked me, 619 00:26:26,418 --> 00:26:27,669 and I didn't get my chance. Don't talk about it. 620 00:26:27,669 --> 00:26:30,172 Actually, I feel bad about it now. 621 00:26:30,172 --> 00:26:31,757 She feels this bad. 622 00:26:31,757 --> 00:26:34,343 You're overcoming your coach, okay? 623 00:26:34,343 --> 00:26:36,428 You ‐‐ You are ‐‐ You're finding your own way. 624 00:26:36,428 --> 00:26:38,013 And I'm proud of you. Thank you, Blake. 625 00:26:38,013 --> 00:26:40,933 Avery, this was your best performance yet. 626 00:26:40,933 --> 00:26:43,936 Thank you. The emotional texture in your performance, 627 00:26:43,936 --> 00:26:45,562 the fact that you tied it to something that was real 628 00:26:45,562 --> 00:26:47,272 felt strong to me, 629 00:26:47,272 --> 00:26:48,440 and, Kenzie, you brought the party. 630 00:26:48,440 --> 00:26:49,733 Well, the party is in the back. 631 00:26:49,733 --> 00:26:51,735 The party's in the back. 632 00:26:51,735 --> 00:26:53,612 I think you've got a great coach, 633 00:26:53,612 --> 00:26:55,614 way better than Blake would have been for you, which is... 634 00:26:55,614 --> 00:26:58,450 You have a shot to win this thing, 635 00:26:58,450 --> 00:27:00,619 'cause I think that the country's gonna fall in love with you. 636 00:27:00,619 --> 00:27:03,330 But for me, I would go with Avery. 637 00:27:03,330 --> 00:27:07,709 Avery, I feel like there's another level to you 638 00:27:07,709 --> 00:27:09,419 that you're holding back. 639 00:27:09,419 --> 00:27:10,754 If you were able to convey 640 00:27:10,754 --> 00:27:13,132 a little more passionately on stage, 641 00:27:13,132 --> 00:27:15,968 you're gonna be such an indomitable force. 642 00:27:15,968 --> 00:27:17,136 Thank you very much. 643 00:27:17,136 --> 00:27:19,263 Kenzie, you are a star. 644 00:27:19,263 --> 00:27:22,599 Your voice has depth and range and presence. 645 00:27:22,599 --> 00:27:24,434 People will want to hang out with you 646 00:27:24,434 --> 00:27:26,979 and have the Kenzie experience. 647 00:27:26,979 --> 00:27:28,480 Thank you, Coaches. 648 00:27:28,480 --> 00:27:30,482 Kelly, what did you think of the knockout? 649 00:27:30,482 --> 00:27:33,485 Avery, I love that you like really intimate songs. 650 00:27:33,485 --> 00:27:35,487 There is a lane for exactly what you're doing, 651 00:27:35,487 --> 00:27:37,489 but I don't think you know how good you are. 652 00:27:37,489 --> 00:27:39,324 There's, like, this untapped potential. 653 00:27:39,324 --> 00:27:41,285 You did a really beautiful job. 654 00:27:41,285 --> 00:27:44,079 Kenzie, I watched you in rehearsal sing this song. 655 00:27:44,079 --> 00:27:47,374 I was like, "Oh, no. He's, like, a real Blake fan." 656 00:27:47,374 --> 00:27:49,668 I was like, "And I just, like, totally took that dream..." 657 00:27:49,668 --> 00:27:52,170 We'll have our moment one day. "...that dream away." 658 00:27:52,170 --> 00:27:53,463 One day. One. You're captivating. 659 00:27:53,463 --> 00:27:55,173 I think you have a natural gift, 660 00:27:55,173 --> 00:27:57,175 like, on stage of drawing people in. 661 00:27:57,175 --> 00:27:58,343 And they want to be friends with you, 662 00:27:58,343 --> 00:28:00,178 or want to get a beer with you or... 663 00:28:00,178 --> 00:28:01,680 Kelly, The time has come. 664 00:28:01,680 --> 00:28:04,308 Who is the winner of this knockout? 665 00:28:09,187 --> 00:28:11,523 The winner of this knockout... 666 00:28:11,523 --> 00:28:13,191 is Kenzie. 667 00:28:13,191 --> 00:28:14,192 Thank you. 668 00:28:14,192 --> 00:28:15,527 Kenzie Wheeler, 669 00:28:15,527 --> 00:28:17,029 congratulations. Thank you, guys. 670 00:28:17,029 --> 00:28:18,614 You're moving on to the live playoffs. 671 00:28:18,614 --> 00:28:20,198 Great job, man. 672 00:28:20,198 --> 00:28:22,534 Going to the live playoffs ‐‐ Team Kelly. 673 00:28:22,534 --> 00:28:25,120 Let's get this. Mullet Gang, you know what I'm saying. 674 00:28:25,120 --> 00:28:27,372 Avery, anything you want to say to Kelly? 675 00:28:27,372 --> 00:28:29,207 I just want to thank you for the whole experience. 676 00:28:29,207 --> 00:28:31,710 Got to work with you and you. It's been a blessing. 677 00:28:31,710 --> 00:28:34,379 Thank you, Avery. Give it up one more time for Avery Roberson, 678 00:28:34,379 --> 00:28:35,714 ladies and gentlemen. Thank you, Avery. Thank y'all so much. 679 00:28:35,714 --> 00:28:36,882 Avery's gonna figure it out. 680 00:28:36,882 --> 00:28:38,550 Then he's going to be ready. 681 00:28:38,550 --> 00:28:41,553 But Kenzie is everything I want in a country artist. 682 00:28:41,553 --> 00:28:44,473 He sounds like '90s country. It's very authentic. 683 00:28:44,473 --> 00:28:46,850 And, yes, the mullet is a big plus. 684 00:28:46,850 --> 00:28:48,226 I'm just gonna be honest with you. 685 00:28:48,226 --> 00:28:50,145 I really love him. 686 00:28:50,145 --> 00:28:52,314 He's really good, though. Like, I really love him. 687 00:28:52,314 --> 00:28:54,191 Yeah, but they say if you really love somebody, 688 00:28:54,191 --> 00:28:56,193 to let them go. It could ‐‐ It could work either way. 689 00:28:56,193 --> 00:28:57,569 If you really love somebody, hold onto them. 690 00:28:57,569 --> 00:28:59,404 I don't know if I'd agree with that. 691 00:29:02,741 --> 00:29:05,077 Download the "Voice" official app now to vote 692 00:29:05,077 --> 00:29:08,246 for our four‐way knockout later in the show. 693 00:29:17,464 --> 00:29:18,882 ♪ This is "The Voice" ♪ 694 00:29:18,882 --> 00:29:20,384 Welcome back. 695 00:29:20,384 --> 00:29:22,010 I blocked you on Kenzie. 696 00:29:22,010 --> 00:29:23,220 Oh, my God. She stole him from you. 697 00:29:23,220 --> 00:29:24,554 I feel bad about it. 698 00:29:24,554 --> 00:29:26,264 Not when I'm gonna win with him, possibly, 699 00:29:26,264 --> 00:29:29,184 but, like... You feel so bad. 700 00:29:29,184 --> 00:29:32,688 Then I'll be doing my, like, dance in front of your chair. 701 00:29:32,688 --> 00:29:34,606 Yeah, these other coaches are just constantly 702 00:29:34,606 --> 00:29:36,608 messing around every season. 703 00:29:36,608 --> 00:29:39,403 I take this serious. That's why I win a lot. 704 00:29:39,403 --> 00:29:41,363 Well, I also have Rachel Mac, 705 00:29:41,363 --> 00:29:43,240 who's your biggest fan in the world. 706 00:29:43,240 --> 00:29:45,075 She's the one who did the presentation. Presentation, yeah. 707 00:29:45,075 --> 00:29:46,702 So, we both got someone to just rub in your face. 708 00:29:46,702 --> 00:29:48,704 I still have my steal left, and I'm just looking 709 00:29:48,704 --> 00:29:50,330 for something that's completely different 710 00:29:50,330 --> 00:29:51,957 than anything else on my team. 711 00:29:53,750 --> 00:29:55,377 So, you having a good time over here? 712 00:29:55,377 --> 00:29:56,586 I'm having a great time, man, 713 00:29:56,586 --> 00:29:58,588 listening to these live vocalists. 714 00:29:58,588 --> 00:30:00,132 You understand me? Like we used to. 715 00:30:00,132 --> 00:30:02,092 It's a good place to work. I mean, for a vocalist, 716 00:30:02,092 --> 00:30:05,137 it's got to be the best job in the world. I love it. 717 00:30:05,137 --> 00:30:07,222 'Cause you remember when you used to be that. Yes. 718 00:30:07,222 --> 00:30:09,307 Well, we're honored to have you here. 719 00:30:09,307 --> 00:30:12,602 You've been part of all of our lives through your music. 720 00:30:12,602 --> 00:30:14,646 And now these artists 721 00:30:14,646 --> 00:30:17,482 are gonna benefit from your wisdom. Mm. I love it. 722 00:30:17,482 --> 00:30:21,278 The next two are actually both from Detroit. Oh, Detroit! 723 00:30:21,278 --> 00:30:23,655 Rio is my youngest artist on my team. Right. 724 00:30:23,655 --> 00:30:27,325 She has done mostly kind of soulful pop songs. 725 00:30:27,325 --> 00:30:31,496 And then Zania is a straight‐up soul singer. Oh, hello. 726 00:30:31,496 --> 00:30:33,206 She's got that Anita Baker, Motown energy. 727 00:30:33,206 --> 00:30:34,708 What?! Yes. 728 00:30:34,708 --> 00:30:36,501 We got the young, and then we got the vet. Yes. 729 00:30:36,501 --> 00:30:38,962 Man, Detroit has been known for having some 730 00:30:38,962 --> 00:30:40,130 of the greatest vocalists... 731 00:30:40,130 --> 00:30:41,673 Of all time. ...of all time. 732 00:30:41,673 --> 00:30:45,469 Hopefully, the apple didn't fall far from the tree. 733 00:30:45,469 --> 00:30:47,304 Nuh‐uh! Hello. Look who's here. 734 00:30:47,304 --> 00:30:48,472 Nuh‐uh! No. 735 00:30:48,472 --> 00:30:51,099 What's up, girls? Oh, my goodness. 736 00:30:51,099 --> 00:30:53,018 Finding out that it was Snoop Dogg... 737 00:30:53,018 --> 00:30:55,187 This is crazy. 738 00:30:55,187 --> 00:30:57,981 You're two beautiful women from Detroit 739 00:30:57,981 --> 00:31:00,150 getting at it on Team Legend. 740 00:31:00,150 --> 00:31:01,359 I mean. I mean. 741 00:31:01,359 --> 00:31:02,319 I love Snoop. 742 00:31:02,319 --> 00:31:03,361 He's an artist, 743 00:31:03,361 --> 00:31:05,530 a rapper, businessman. 744 00:31:05,530 --> 00:31:06,990 He has many hats. 745 00:31:06,990 --> 00:31:08,992 So, Rio, what are you gonna perform? 746 00:31:08,992 --> 00:31:10,368 "Issues" by Julia Michaels. 747 00:31:10,368 --> 00:31:13,413 Julia! I love Julia. I've written with her. 748 00:31:13,413 --> 00:31:15,165 She's a fantastic songwriter, 749 00:31:15,165 --> 00:31:17,209 but also a great artist herself. Oh, yeah. 750 00:31:17,209 --> 00:31:19,461 I definitely enjoy her music, and I ‐‐ it's totally relatable. Yeah. 751 00:31:19,461 --> 00:31:21,505 Like, I have issues. And you got them, too. 752 00:31:21,505 --> 00:31:23,131 We got him. We all got him. Exactly. Right! 753 00:31:23,131 --> 00:31:25,133 I'm walk around with a bag of issues. 754 00:31:25,133 --> 00:31:26,510 What are you talking about? 755 00:31:26,510 --> 00:31:29,137 I think this is a cool choice for Rio. 756 00:31:29,137 --> 00:31:31,515 It's got vibe. It's got a really modern edge to it. ♪ But you don't judge me ♪ 757 00:31:31,515 --> 00:31:33,558 ♪ 'Cause if you did, baby, I would judge you, too ♪ Right. Right. Right. 758 00:31:33,558 --> 00:31:36,061 You have to be a really good practitioner... 759 00:31:36,061 --> 00:31:37,395 of pop vocals... Yes, Rio. 760 00:31:37,395 --> 00:31:39,397 ...to be able to pull off one of Julia's songs, 761 00:31:39,397 --> 00:31:40,565 and I think Rio's up to the challenge. ♪ And if you did, baby ♪ 762 00:31:40,565 --> 00:31:42,067 ♪ I would judge you, too ♪ 763 00:31:42,067 --> 00:31:44,236 Come on. ♪ 'Cause I got issues ♪ 764 00:31:44,236 --> 00:31:46,071 Being in high school, it's not always easy. ♪ But you got 'em, too ♪ 765 00:31:46,071 --> 00:31:48,573 Talk to me. I get to deal with high‐school drama 766 00:31:48,573 --> 00:31:50,075 and high‐school relationships. 767 00:31:50,075 --> 00:31:51,409 So I have to balance schoolwork 768 00:31:51,409 --> 00:31:53,370 along with a job and my dream of music. 769 00:31:53,370 --> 00:31:55,455 I definitely feel like I'm living two different lives. 770 00:31:55,455 --> 00:31:57,749 ♪ Bask in the glory ♪ Yeah. 771 00:31:57,749 --> 00:31:59,709 ♪ Of all our problems ♪ Being here at "The Voice" has really provided me 772 00:31:59,709 --> 00:32:02,712 a safe home with other musicians. 773 00:32:02,712 --> 00:32:05,340 I'm very thankful to be where I'm at. 774 00:32:05,340 --> 00:32:07,175 Alright. That was really good. 775 00:32:07,175 --> 00:32:09,094 I didn't think that big voice 776 00:32:09,094 --> 00:32:10,762 was gonna come out of that little body like that. 777 00:32:10,762 --> 00:32:12,430 You got such a cool voice, 778 00:32:12,430 --> 00:32:14,391 and I love your approach and your tone, 779 00:32:14,391 --> 00:32:16,560 but just make sure you're enunciating. 780 00:32:16,560 --> 00:32:18,520 Open up some of your vowel sounds 781 00:32:18,520 --> 00:32:20,230 and make them a little more clear. 782 00:32:20,230 --> 00:32:21,398 We should be able to understand it. 783 00:32:21,398 --> 00:32:22,774 So just take your time 784 00:32:22,774 --> 00:32:25,235 and be more controlled with how you deliver it. 785 00:32:25,235 --> 00:32:26,778 'Cause by the time you got to that middle, 786 00:32:26,778 --> 00:32:29,573 I was riding with you, like, "Okay. She feeling it now," 787 00:32:29,573 --> 00:32:31,241 but you got to maintain the control 788 00:32:31,241 --> 00:32:33,243 from the beginning till you get to that point. 789 00:32:33,243 --> 00:32:35,078 When it's supposed to be kind of staccato, 790 00:32:35,078 --> 00:32:36,580 make sure you stay staccato. Right. 791 00:32:36,580 --> 00:32:38,165 At the beginning, you're giving us the information. 792 00:32:38,165 --> 00:32:40,667 ♪ Ba ba‐da‐ba‐da, ba ba ♪ 793 00:32:40,667 --> 00:32:42,794 And then at the end, let notes ring out, 794 00:32:42,794 --> 00:32:44,421 and you be the star. Thank you. 795 00:32:44,421 --> 00:32:45,630 Let's go, Rio! Thank you! 796 00:32:45,630 --> 00:32:46,798 I see a lot of potential in her. 797 00:32:46,798 --> 00:32:49,092 She's got a lot of room to grow. 798 00:32:49,092 --> 00:32:50,802 That's a beautiful song. That's a dope song. 799 00:32:50,802 --> 00:32:53,138 If she goes and practices and gets her thing together, 800 00:32:53,138 --> 00:32:54,431 she'll have a stellar performance. 801 00:32:54,431 --> 00:32:55,390 Good job. Zania! 802 00:32:55,390 --> 00:32:56,600 Thank you. Yes. 803 00:32:56,600 --> 00:32:57,559 Go get 'em, girl. This outfit. 804 00:32:57,559 --> 00:32:58,602 This is not rehearsal. 805 00:32:58,602 --> 00:33:00,103 This is like a stage outfit. 806 00:33:00,103 --> 00:33:01,229 Well, you know. This is Detroit. 807 00:33:01,229 --> 00:33:02,814 You hear me? Up out the D! 808 00:33:02,814 --> 00:33:04,608 You hear me? I know. 809 00:33:04,608 --> 00:33:06,318 What are you gonna sing for us, Zania? 810 00:33:06,318 --> 00:33:07,777 "If I Were Your Woman" by Gladys Knight. 811 00:33:07,777 --> 00:33:10,155 Oh, Gladys! No, she didn't. No, she didn't. 812 00:33:10,155 --> 00:33:11,823 Yes, I did. Well, this is a classic. 813 00:33:11,823 --> 00:33:13,617 I love this song. 814 00:33:13,617 --> 00:33:15,118 Sometimes you hear a song, and you're like, 815 00:33:15,118 --> 00:33:16,453 "Oh, my God. That's me." 816 00:33:16,453 --> 00:33:18,371 ♪ If I were your woman ♪ 817 00:33:18,371 --> 00:33:20,207 I am not with my kids' father. ♪ And you were my man ♪ 818 00:33:20,207 --> 00:33:22,167 We were middle‐school sweethearts, 819 00:33:22,167 --> 00:33:23,501 but I think we just grew up 820 00:33:23,501 --> 00:33:25,420 and just kind of grew apart. 821 00:33:25,420 --> 00:33:28,340 ♪ You're like a diamond ♪ ♪ You're like a diamond ♪ 822 00:33:28,340 --> 00:33:31,134 ♪ But she treats you like glass ♪ This is very painful ‐‐ to just put your all into someone 823 00:33:31,134 --> 00:33:33,178 and you don't get that same love in return. 824 00:33:33,178 --> 00:33:35,305 It's exhausting. ♪ If I were your woman ♪ 825 00:33:35,305 --> 00:33:37,265 But, sometimes, you gotta get through the pain 826 00:33:37,265 --> 00:33:38,683 to kind of get to the other side. ♪ If I were your woman ♪ 827 00:33:38,683 --> 00:33:40,685 So I just want people to feel that. 828 00:33:40,685 --> 00:33:45,440 ♪ I'd never, no, no, stop loving you ♪ 829 00:33:45,440 --> 00:33:48,818 Whoo! Alright, Zania. Thank you. 830 00:33:48,818 --> 00:33:50,528 Everything you're doing is supporting 831 00:33:50,528 --> 00:33:52,197 the emotion of the song, 832 00:33:52,197 --> 00:33:53,365 but low notes are harder to sing, 833 00:33:53,365 --> 00:33:54,824 so the key is just gonna be 834 00:33:54,824 --> 00:33:57,494 getting those out in a way that's still convincing, 835 00:33:57,494 --> 00:34:00,914 'cause you only got a couple minutes to win this knockout... Right. Right. 836 00:34:00,914 --> 00:34:02,999 ...and you don't want to waste any of that time 837 00:34:02,999 --> 00:34:04,709 not being at your best. 838 00:34:04,709 --> 00:34:07,212 The way you end it is missing something. Yeah. 839 00:34:07,212 --> 00:34:09,673 So you think ‐‐ would Gladys end it like that? Mnh. 840 00:34:09,673 --> 00:34:11,508 No. It's got to be something where she can... 841 00:34:14,386 --> 00:34:16,846 ♪ I'd never, never ♪ 842 00:34:16,846 --> 00:34:20,558 ♪ Never ♪ ♪ Never, no, no! ♪ 843 00:34:20,558 --> 00:34:23,520 ♪ Stop loving you ♪ 844 00:34:23,520 --> 00:34:24,562 Okay. Yes, yes! 845 00:34:24,562 --> 00:34:25,897 To redo a Gladys Knight song, 846 00:34:25,897 --> 00:34:27,691 you got to have pipes, and she got 'em. 847 00:34:27,691 --> 00:34:29,192 Yes! ♪ Oh, yeah ♪ 848 00:34:29,192 --> 00:34:30,568 And I think that she needed to hear 849 00:34:30,568 --> 00:34:31,903 what we gave her, as far as information 850 00:34:31,903 --> 00:34:34,739 on how to make it A1, buttoned up to a T. 851 00:34:34,739 --> 00:34:36,366 Yes! There we go. 852 00:34:36,366 --> 00:34:38,535 Rio, come on. Rio, get on back up here, gal. 853 00:34:38,535 --> 00:34:41,246 I'm coming! Oh! I'm looking forward to seeing what y'all gonna do. 854 00:34:41,246 --> 00:34:43,623 Absolutely. 'Cause I feel like y'all got a career at this. 855 00:34:43,623 --> 00:34:46,001 I'm rooting for you both, okay? Thank you. 856 00:34:46,001 --> 00:34:48,253 They both have the ability to be compelling, 857 00:34:48,253 --> 00:34:50,588 to be effective, to be moving. 858 00:34:50,588 --> 00:34:54,342 So I'm going to see whether Rio brings it or Zania does. 859 00:34:54,342 --> 00:34:55,885 That ending is ripe. You're like a diamond. 860 00:34:55,885 --> 00:34:57,387 But she treats you like glass. Like glass. 861 00:34:57,387 --> 00:34:59,431 Yes. You hear me? 862 00:34:59,431 --> 00:35:02,225 She was writing, boy. They was writing back then. Writing that song. 863 00:35:06,771 --> 00:35:09,524 Singing "Issues," here is Rio Doyle. 864 00:35:11,776 --> 00:35:20,243 ♪ I'm jealous, I'm overzealous ♪ 865 00:35:20,243 --> 00:35:22,537 ♪ When I'm down, I get real down ♪ 866 00:35:22,537 --> 00:35:24,623 ♪ When I'm high, I don't come down ♪ 867 00:35:24,623 --> 00:35:28,752 ♪ I get angry, baby, believe me ♪ 868 00:35:28,752 --> 00:35:30,962 ♪ I could love you just like that ♪ 869 00:35:30,962 --> 00:35:33,423 ♪ And I could leave you just as fast ♪ 870 00:35:33,423 --> 00:35:37,302 ♪ But you don't judge me ♪ 871 00:35:37,302 --> 00:35:40,722 ♪ 'And if you did, baby, I would judge you, too ♪ 872 00:35:40,722 --> 00:35:41,931 Okay! 873 00:35:41,931 --> 00:35:45,769 ♪ No, you don't judge me ♪ 874 00:35:45,769 --> 00:35:49,898 ♪ And if you did, baby, I would judge you, too ♪ 875 00:35:49,898 --> 00:35:53,985 ♪ 'Cause I got issues, you got 'em, too ♪ 876 00:35:53,985 --> 00:35:57,989 ♪ So give 'em all to me, and I'll give mine to you ♪ 877 00:35:57,989 --> 00:36:02,744 ♪ Bask in the glory of all our problems ♪ 878 00:36:02,744 --> 00:36:06,706 ♪ 'Cause we got the kind of love it takes to solve 'em ♪ 879 00:36:06,706 --> 00:36:08,667 ♪ See, I got issues ♪ 880 00:36:08,667 --> 00:36:10,293 Yes, Rio! 881 00:36:10,293 --> 00:36:13,630 ♪ And one of them is how bad I need you ♪ 882 00:36:13,630 --> 00:36:18,343 ♪ I got issues, you got 'em, too ♪ ♪ Oooo ♪ 883 00:36:18,343 --> 00:36:20,679 ♪ One of them is how bad I need ♪ 884 00:36:20,679 --> 00:36:24,432 ♪ I got issues ♪ ♪ You ♪ 885 00:36:24,432 --> 00:36:27,977 ♪ You got 'em, too ♪ ♪ You ♪ 886 00:36:27,977 --> 00:36:29,813 ♪ I got issues ♪ 887 00:36:29,813 --> 00:36:32,440 ♪ You got 'em, too ♪ Yeah! 888 00:36:32,440 --> 00:36:36,027 ♪ You got 'em, too ♪ ♪ So give 'em all to me, and I'll give mine to you ♪ 889 00:36:36,027 --> 00:36:40,532 ♪ I got issues ♪ ♪ Bask in the glory of all our problems ♪ 890 00:36:40,532 --> 00:36:44,703 ♪ You got 'em, too ♪ ♪ 'Cause we got the kind of love it takes to solve 'em ♪ 891 00:36:44,703 --> 00:36:46,371 ♪ See, I got issues ♪ 892 00:36:46,371 --> 00:36:47,914 ♪ I got issues ♪ 893 00:36:47,914 --> 00:36:49,916 ♪ And one of them is how bad I need you ♪ 894 00:36:49,916 --> 00:36:52,127 ♪ You got 'em, too ♪ 895 00:36:52,127 --> 00:36:54,713 ♪ Oh, I got issues ♪ 896 00:36:54,713 --> 00:36:57,841 ♪ I got issues ♪ ♪ Ohhhh ♪ 897 00:36:57,841 --> 00:37:00,969 ♪ You got 'em, too ♪ 898 00:37:00,969 --> 00:37:03,054 ♪ Yeah, and I got issues ♪ 899 00:37:03,054 --> 00:37:04,723 ♪ Ah ah ah ♪ 900 00:37:04,723 --> 00:37:07,016 ♪ And one of them is how bad I need you ♪ 901 00:37:07,016 --> 00:37:09,561 Hey! Hey! 902 00:37:09,561 --> 00:37:12,689 Yes, Rio! Fantastic. 903 00:37:21,448 --> 00:37:22,866 ♪ This is "The Voice" ♪ 904 00:37:22,866 --> 00:37:24,701 Welcome back to Night 2 of the knockouts. 905 00:37:26,244 --> 00:37:28,872 I like that suit. Yeah. 906 00:37:28,872 --> 00:37:30,790 I love it. That's a cool color. Yeah. 907 00:37:30,790 --> 00:37:32,292 We do you call that color, John? 908 00:37:32,292 --> 00:37:34,002 Rose gold. Rosé. 909 00:37:34,002 --> 00:37:35,712 Now singing "If I Were Your Woman," 910 00:37:35,712 --> 00:37:37,213 here is Zania Alaké. 911 00:37:39,215 --> 00:37:49,601 ♪ If I were your woman ♪ 912 00:37:49,601 --> 00:37:52,771 ♪ And you were my man ♪ 913 00:37:52,771 --> 00:37:55,607 ♪ You'd have no other woman ♪ 914 00:37:55,607 --> 00:37:59,068 ♪ You'd be weak as a lamb ♪ 915 00:37:59,068 --> 00:38:02,238 ♪ If you had the strength ♪ 916 00:38:02,238 --> 00:38:05,200 ♪ To walk out that door ♪ 917 00:38:05,200 --> 00:38:08,286 ♪ My love would over rule my sense ♪ 918 00:38:08,286 --> 00:38:10,330 ♪ And I'd call you back for more ♪ 919 00:38:10,330 --> 00:38:12,081 ♪ If I were your woman ♪ 920 00:38:12,081 --> 00:38:13,666 ♪ If you were my woman ♪ 921 00:38:13,666 --> 00:38:15,084 ♪ If I were your woman ♪ 922 00:38:15,084 --> 00:38:16,586 ♪ If you were my woman ♪ 923 00:38:16,586 --> 00:38:19,756 ♪ And you were my man ♪ 924 00:38:19,756 --> 00:38:24,302 ♪ Ahh ♪ ♪ Oh, yeah ♪ 925 00:38:24,302 --> 00:38:27,263 ♪ She tears you down, darlin' ♪ 926 00:38:27,263 --> 00:38:30,725 ♪ Nothing at all ♪ ♪ Says you're nothing at all ♪ 927 00:38:30,725 --> 00:38:33,603 ♪ Pick you up when you ♪ ♪ But I'll pick you up, darling ♪ 928 00:38:33,603 --> 00:38:37,315 ♪ Fall, fall, fall ♪ ♪ When she lets you fall ♪ 929 00:38:37,315 --> 00:38:39,943 ♪ Shine ♪ ♪ You're like a diamond ♪ 930 00:38:39,943 --> 00:38:43,154 ♪ But she treats you like glass ♪ 931 00:38:43,154 --> 00:38:46,324 ♪ Yet you beg her to love you ♪ 932 00:38:46,324 --> 00:38:48,618 ♪ Ooo ♪ ♪ But me, you don't ask ♪ 933 00:38:48,618 --> 00:38:49,994 ♪ If I were your woman ♪ 934 00:38:49,994 --> 00:38:51,830 ♪ If you were my woman ♪ Hey! 935 00:38:51,830 --> 00:38:57,335 ♪ If you were my woman ♪ ♪ If I were your woman ♪ 936 00:38:57,335 --> 00:38:59,838 ♪ What would you do? ♪ ♪ Here's what I'd do ♪ 937 00:38:59,838 --> 00:39:01,756 ♪ What would you do, what would you do? ♪ 938 00:39:01,756 --> 00:39:07,262 ♪ I'd never, no, no, stop loving you ♪ Whoo! 939 00:39:07,262 --> 00:39:10,807 ♪ Oh, yeah ♪ 940 00:39:10,807 --> 00:39:12,183 ♪ If I were your woman ♪ 941 00:39:12,183 --> 00:39:13,852 ♪ If you were my woman ♪ 942 00:39:13,852 --> 00:39:15,311 ♪ If I were your woman ♪ 943 00:39:15,311 --> 00:39:17,146 ♪ If you were my woman ♪ 944 00:39:17,146 --> 00:39:18,648 ♪ If I were your woman ♪ 945 00:39:18,648 --> 00:39:20,316 ♪ If you were my woman ♪ 946 00:39:20,316 --> 00:39:22,151 ♪ What would you do? ♪ ♪ Here's what I'd do ♪ 947 00:39:22,151 --> 00:39:23,987 ♪ What would you do, what would you do? ♪ 948 00:39:23,987 --> 00:39:30,952 ♪ I'd never, never, never, never, never ♪ 949 00:39:30,952 --> 00:39:35,373 ♪ Stop loving you ♪ ♪ If you were my woman ♪ 950 00:39:35,373 --> 00:39:43,965 ♪ Loving you ♪ 951 00:39:43,965 --> 00:39:46,301 Yes, Zania, yes! You better sing! 952 00:39:46,301 --> 00:39:47,844 Yes! 953 00:39:50,972 --> 00:39:54,058 Oh, my God! Yes! 954 00:39:54,058 --> 00:39:57,186 You just sang the word I shouldn't say on this show 955 00:39:57,186 --> 00:39:58,396 out of that song. 956 00:39:58,396 --> 00:40:00,231 That felt like it was on your record. 957 00:40:00,231 --> 00:40:02,817 Oh. Thank you. I could tell you've been there. 958 00:40:02,817 --> 00:40:05,028 Oh, yeah. Oh, girl. 959 00:40:05,028 --> 00:40:08,239 I loved it. Now I got to cover that song. 960 00:40:08,239 --> 00:40:10,074 I think you did a really good job, Rio. 961 00:40:10,074 --> 00:40:13,036 Sometimes it's the song and the moment. 962 00:40:13,036 --> 00:40:15,413 Mm‐hmm. I just ‐‐ What? 963 00:40:15,413 --> 00:40:16,956 Like... 964 00:40:16,956 --> 00:40:20,209 I was like, "I pick you." 965 00:40:22,378 --> 00:40:24,213 I'm done. Okay. 966 00:40:24,213 --> 00:40:25,882 Do you agree? Did y'all not think that was incredible? 967 00:40:25,882 --> 00:40:27,842 No, I was just ‐‐ I mean, you're so fired up. 968 00:40:27,842 --> 00:40:29,260 I haven't seen you that fired up in a while. 969 00:40:29,260 --> 00:40:31,930 'Cause it's a big song, and I love that song. 970 00:40:31,930 --> 00:40:36,726 Rio, I've seen people try to do that song on the show, 971 00:40:36,726 --> 00:40:39,437 and I don't think I've ever seen it done that well. 972 00:40:39,437 --> 00:40:42,023 I agree. I mean, it's a very specific pocket, 973 00:40:42,023 --> 00:40:44,025 and that can't be easy, 974 00:40:44,025 --> 00:40:45,443 and I thought you did a great job. 975 00:40:45,443 --> 00:40:47,904 Thank you so much. But the truth is, Zania, 976 00:40:47,904 --> 00:40:50,907 great timing to have a moment like you just had, 977 00:40:50,907 --> 00:40:52,784 because the next time we see you, 978 00:40:52,784 --> 00:40:54,118 America's gonna be voting, 979 00:40:54,118 --> 00:40:55,870 and they're gonna be going, "Oh, my gosh." 980 00:40:55,870 --> 00:40:57,497 Thank you, Blake. 981 00:40:57,497 --> 00:40:59,165 Rio, have you ever done any acting? 982 00:40:59,165 --> 00:41:02,126 Yes, I've been doing theater since I was 5. 983 00:41:02,126 --> 00:41:04,420 He has special musical‐theater senses. 984 00:41:04,420 --> 00:41:05,922 Like, he ‐‐ he reads it. Yeah, I just ‐‐ 985 00:41:05,922 --> 00:41:07,215 I feel like we've all heard 986 00:41:07,215 --> 00:41:09,050 a lot of people sing this song on the show. 987 00:41:09,050 --> 00:41:11,052 But in your case, it showed something else I've not seen. 988 00:41:11,052 --> 00:41:12,804 You kind of approached it 989 00:41:12,804 --> 00:41:15,264 with this storyteller mentality like an actor would. 990 00:41:15,264 --> 00:41:19,060 And to be 16 and to have the vocal maturity you've had, 991 00:41:19,060 --> 00:41:21,145 it's impressed me from the moment I heard your voice. 992 00:41:21,145 --> 00:41:24,816 Thank you so much. Zania, you just had a special moment on this show. 993 00:41:24,816 --> 00:41:26,985 Thank you. I don't know what your story is. 994 00:41:26,985 --> 00:41:29,445 It connected with me, and I think everybody felt it here. 995 00:41:29,445 --> 00:41:32,240 So, wow! You are certainly one to watch. 996 00:41:32,240 --> 00:41:34,784 Thank you, Coaches. 997 00:41:34,784 --> 00:41:36,244 Alright, John. Give us some thoughts on that knockout 998 00:41:36,244 --> 00:41:37,829 before you tell us who won. 999 00:41:37,829 --> 00:41:40,498 My goodness. You both made me so proud. 1000 00:41:40,498 --> 00:41:42,542 Rio, ah! 1001 00:41:42,542 --> 00:41:45,253 You sold that song. Everything about you ‐‐ 1002 00:41:45,253 --> 00:41:47,797 it just seems so credible coming from you, 1003 00:41:47,797 --> 00:41:50,133 despite the fact that you're a kid. 1004 00:41:50,133 --> 00:41:52,010 You should be so proud of yourself, 1005 00:41:52,010 --> 00:41:53,511 and I was so impressed. 1006 00:41:53,511 --> 00:41:56,431 Zania, Snoop is gonna be so proud. 1007 00:41:56,431 --> 00:41:58,474 He said we got to do something at the end 1008 00:41:58,474 --> 00:42:00,309 to make it more emphatic. 1009 00:42:00,309 --> 00:42:02,020 And I'm so glad he had that note. 1010 00:42:02,020 --> 00:42:03,521 Whoo! You sang that. 1011 00:42:03,521 --> 00:42:05,106 You just made Snoop Dogg happy. 1012 00:42:05,106 --> 00:42:06,524 Yes. What's that feel like? 1013 00:42:06,524 --> 00:42:08,151 I mean, you know... What's that feel like? 1014 00:42:08,151 --> 00:42:09,986 Who knew vocal coaching from Snoop Dogg 1015 00:42:09,986 --> 00:42:11,529 was the secret? Exactly. 1016 00:42:11,529 --> 00:42:13,031 I think both of you 1017 00:42:13,031 --> 00:42:15,199 took really great things from that rehearsal 1018 00:42:15,199 --> 00:42:18,202 and just delivered a masterful moment. 1019 00:42:18,202 --> 00:42:19,537 John, the time has come. 1020 00:42:19,537 --> 00:42:21,998 Who is the winner of this knockout? 1021 00:42:29,130 --> 00:42:32,050 The winner of this knockout is Zania. 1022 00:42:32,050 --> 00:42:33,301 Thank you. Thank you. Zania, congratulations. 1023 00:42:33,301 --> 00:42:35,303 You're moving on to the live playoffs. 1024 00:42:35,303 --> 00:42:37,180 Whoo! 1025 00:42:37,180 --> 00:42:38,890 Zania came 1026 00:42:38,890 --> 00:42:40,391 with the perfect performance at the perfect moment. 1027 00:42:40,391 --> 00:42:42,226 When she had to establish herself 1028 00:42:42,226 --> 00:42:45,188 as a force to be reckoned with as we go into the live playoffs, 1029 00:42:45,188 --> 00:42:46,898 Zania did that and more. 1030 00:42:46,898 --> 00:42:49,067 Rio, anything you want to say to your coach? 1031 00:42:49,067 --> 00:42:50,568 Thank you for believing in me 1032 00:42:50,568 --> 00:42:52,487 and for taking me this far, and I'm just so thankful. 1033 00:42:52,487 --> 00:42:54,197 So lucky to have coached you. 1034 00:42:54,197 --> 00:42:56,032 Thank you so much. Give it up one more time. 1035 00:42:56,032 --> 00:42:59,035 A big "thank you" to Rio Doyle. 1036 00:43:01,496 --> 00:43:04,248 Zania... I love her. 1037 00:43:04,248 --> 00:43:05,958 She is fantastic. 1038 00:43:14,300 --> 00:43:15,551 ♪ This is "The Voice" ♪ 1039 00:43:15,551 --> 00:43:18,054 Welcome back to the knockouts. 1040 00:43:20,014 --> 00:43:21,766 You fall asleep when she's doing that? 1041 00:43:21,766 --> 00:43:23,935 I be ready to just fall over right now. 1042 00:43:23,935 --> 00:43:25,728 The soft care 1043 00:43:25,728 --> 00:43:27,230 and then the ‐‐ the way the brush feel and the smell. 1044 00:43:27,230 --> 00:43:29,023 You be like... 1045 00:43:29,023 --> 00:43:32,276 I sleep on the set all the time. "And action." "Hold on." 1046 00:43:32,276 --> 00:43:35,279 I'm in the middle of a facial massage. What do you mean? 1047 00:43:35,279 --> 00:43:36,864 I think working with Blake is like ‐‐ 1048 00:43:36,864 --> 00:43:38,783 It's not an odd couple. It's even a couple, 1049 00:43:38,783 --> 00:43:40,243 'cause it's a buddy‐buddy relationship 1050 00:43:40,243 --> 00:43:42,120 that feels like it's been there for many years. 1051 00:43:42,120 --> 00:43:44,664 Team Blake in the house. 1052 00:43:44,664 --> 00:43:46,290 What?! 1053 00:43:46,290 --> 00:43:47,834 This is my new friend, Snoop Dogg. 1054 00:43:47,834 --> 00:43:49,252 How you doing? D‐O‐Double‐G. 1055 00:43:49,252 --> 00:43:51,963 I know if you on his team, you got to be top tier. 1056 00:43:51,963 --> 00:43:53,214 You understand me? That's the facts. 1057 00:43:53,214 --> 00:43:54,799 I'm jealous of Martha Stewart. 1058 00:43:56,759 --> 00:43:58,261 I paired Connor and Cam together 1059 00:43:58,261 --> 00:44:00,263 'cause these guys both have so much soul. 1060 00:44:00,263 --> 00:44:02,265 I just think it's gonna be an incredible knockout. 1061 00:44:02,265 --> 00:44:03,975 Alright, Connor, what are you gonna be doing? 1062 00:44:03,975 --> 00:44:05,810 "Youngblood" by 5 Seconds of Summer. 1063 00:44:05,810 --> 00:44:07,311 I just wanted to challenge myself a little more, 1064 00:44:07,311 --> 00:44:08,813 and I'm excited for it. 1065 00:44:08,813 --> 00:44:10,648 Connor in the battle rounds, he was the one 1066 00:44:10,648 --> 00:44:12,275 I was most worried about in our rehearsals. 1067 00:44:12,275 --> 00:44:14,652 But after he had the time and put the work in, 1068 00:44:14,652 --> 00:44:17,238 he was the one that shocked everybody in the moment. Right. 1069 00:44:17,238 --> 00:44:19,115 Thinking about my fiancée when I'm doing this song 1070 00:44:19,115 --> 00:44:20,950 gives me a lot of hope, 'cause it's basically about 1071 00:44:20,950 --> 00:44:23,161 this guy that's feeling this push and pull in a relationship. 1072 00:44:23,161 --> 00:44:26,164 ♪ "Love me 'til the day I die" ♪ And I think after doing, like, long distance 1073 00:44:26,164 --> 00:44:29,000 with my soon‐to‐be wife, that tension's always there. 1074 00:44:29,000 --> 00:44:30,626 It really kept us strong and together 1075 00:44:30,626 --> 00:44:32,128 and committed to one another. 1076 00:44:32,128 --> 00:44:33,838 ♪ You push and you push, and I'm pulling away ♪ 1077 00:44:33,838 --> 00:44:36,299 ♪ Pulling away ♪ ♪ Pulling away ♪ 1078 00:44:36,299 --> 00:44:37,925 ♪ I give and I give and I give ♪ I like the fact that he's trying to do something 1079 00:44:37,925 --> 00:44:39,844 that is a stretch, that's making him work. 1080 00:44:39,844 --> 00:44:41,762 ♪ Youngblood, say you want me ♪ You know, show that he has 1081 00:44:41,762 --> 00:44:43,097 more than one trick in his bag. 1082 00:44:43,097 --> 00:44:44,849 Cool. I love that song right there. 1083 00:44:44,849 --> 00:44:46,017 You do? Good? 1084 00:44:46,017 --> 00:44:48,019 I'm singing with you, like... 1085 00:44:48,019 --> 00:44:50,646 Energy's never your problem on stage, you know? 1086 00:44:50,646 --> 00:44:52,190 No. Yeah. But I think 1087 00:44:52,190 --> 00:44:54,317 you're affecting your voice with a tone 1088 00:44:54,317 --> 00:44:55,818 that you want it to sound like, 1089 00:44:55,818 --> 00:44:57,278 that ‐‐ that smoky, gravelly thing, 1090 00:44:57,278 --> 00:44:59,780 and I feel like if you try to interject 1091 00:44:59,780 --> 00:45:02,033 that sound too much into your singing, 1092 00:45:02,033 --> 00:45:04,368 it restricts how much you can open up. Yeah. 1093 00:45:04,368 --> 00:45:06,037 I got to take a little sips of air. 1094 00:45:06,037 --> 00:45:07,914 See, that's why I chose to be a rapper, 1095 00:45:07,914 --> 00:45:09,248 'cause we ain't got to go through all that breathin'. 1096 00:45:11,167 --> 00:45:13,211 So, put your energy into the singing 1097 00:45:13,211 --> 00:45:15,129 where it feels most comfortable to you, 1098 00:45:15,129 --> 00:45:17,048 'cause I hear the greatness in it. 1099 00:45:17,048 --> 00:45:18,883 Okay. It's just a matter of making it all comes together. 1100 00:45:18,883 --> 00:45:20,343 Still polishing it a little bit. Yes, sir. 1101 00:45:20,343 --> 00:45:22,011 Yeah. Shine your wheels up so you can roll right. 1102 00:45:22,011 --> 00:45:23,971 Songs that beat the hell out of you, 1103 00:45:23,971 --> 00:45:25,723 those are the ones that make you better. 1104 00:45:25,723 --> 00:45:28,851 Thanks so much, guys. ♪ Dead man walking tonight ♪ 1105 00:45:28,851 --> 00:45:30,353 See, he didn't know I know that song. 1106 00:45:32,146 --> 00:45:33,356 I like your natural, dawg, like... 1107 00:45:33,356 --> 00:45:35,233 You know. I had one back in the day. 1108 00:45:35,233 --> 00:45:36,734 There's just something about that natural. 1109 00:45:36,734 --> 00:45:38,903 You got to pat it. Yeah, pat it, man. 1110 00:45:38,903 --> 00:45:40,363 Pat it together. Little something ‐‐ Little something right here, you know? 1111 00:45:40,363 --> 00:45:41,864 Hello! What song you gonna be doing? 1112 00:45:41,864 --> 00:45:43,241 Nina Simone, "Feeling Good." 1113 00:45:43,241 --> 00:45:44,992 I like that song. 1114 00:45:44,992 --> 00:45:46,744 My main thing for this round was to find something 1115 00:45:46,744 --> 00:45:48,329 that I could lose myself in, 1116 00:45:48,329 --> 00:45:50,790 and if you watch Nina Simone when she's performing that song, 1117 00:45:50,790 --> 00:45:52,792 she literally has left the scene. 1118 00:45:52,792 --> 00:45:54,752 And it's just like channeling through her. 1119 00:45:54,752 --> 00:45:56,837 Man, that's some mighty big shoes to fill. Right. 1120 00:45:56,837 --> 00:45:58,214 How old are you? I'm 19. 1121 00:45:58,214 --> 00:45:59,757 How do you know about Nina Simone? 1122 00:45:59,757 --> 00:46:01,926 I grew up on that sultry, that deep soul. 1123 00:46:01,926 --> 00:46:03,386 I can dig it. 1124 00:46:03,386 --> 00:46:05,179 Now, we actually used to work with the same person. 1125 00:46:05,179 --> 00:46:06,389 You know, I worked with Dre a little bit, so... 1126 00:46:06,389 --> 00:46:07,723 Oh, for real? Yes, sir. Yes, sir. 1127 00:46:07,723 --> 00:46:08,933 Well, you got it in you, then. 1128 00:46:08,933 --> 00:46:10,059 Let me see what you working with. 1129 00:46:10,059 --> 00:46:13,771 ♪ Breeze driftin' on by ♪ 1130 00:46:13,771 --> 00:46:16,274 This song is about new beginnings. 1131 00:46:16,274 --> 00:46:19,193 My situation is quite unique. I started out very young. 1132 00:46:19,193 --> 00:46:22,697 I performed at the White House, worked with Dr. Dre, 1133 00:46:22,697 --> 00:46:24,282 and then I got stuck, 1134 00:46:24,282 --> 00:46:25,408 wasn't able to really put anything out. 1135 00:46:25,408 --> 00:46:26,909 ♪ Freedom is mine ♪ 1136 00:46:26,909 --> 00:46:29,036 I feel extremely blessed to start over, 1137 00:46:29,036 --> 00:46:31,414 basically, on "The Voice." ♪ And I know how I feel ♪ 1138 00:46:31,414 --> 00:46:33,332 And so it's a new dawn. ♪ It's a new dawn ♪ 1139 00:46:33,332 --> 00:46:34,959 ♪ It's a new day ♪ It's a new day. 1140 00:46:34,959 --> 00:46:37,753 ♪ It's a new life ♪ 1141 00:46:37,753 --> 00:46:39,755 I'm starting over, Cam Anthony 2.0. 1142 00:46:39,755 --> 00:46:41,132 You sure you ain't 29? 1143 00:46:41,132 --> 00:46:42,925 Nah. 19. You lyin'. 1144 00:46:42,925 --> 00:46:44,427 Show me your birth certificate. 1145 00:46:44,427 --> 00:46:48,306 That's such an incredible idea to do this song. 1146 00:46:48,306 --> 00:46:49,890 And you sound great on it. Thank you. 1147 00:46:49,890 --> 00:46:52,101 You do tons of movement vocally. Mm‐hmm. 1148 00:46:52,101 --> 00:46:53,811 I just wonder if there's a place 1149 00:46:53,811 --> 00:46:55,313 where you can hit a note and hold it. Okay. 1150 00:46:55,313 --> 00:46:56,897 People at home, even though they're not 1151 00:46:56,897 --> 00:46:58,274 voting on the knockouts... Right. 1152 00:46:58,274 --> 00:47:00,151 ...I want you just to remind them 1153 00:47:00,151 --> 00:47:02,778 every chance you get that you're here to stay. For sure. 1154 00:47:02,778 --> 00:47:04,447 One thing about soul, 1155 00:47:04,447 --> 00:47:06,157 you don't hear it ‐‐ you feel it. 1156 00:47:06,157 --> 00:47:07,908 Just shake up the building. 1157 00:47:07,908 --> 00:47:09,285 Alrighty. But you got to hold it, though. 1158 00:47:09,285 --> 00:47:10,911 I'mma work on it, for sure. 1159 00:47:10,911 --> 00:47:12,204 I can't help you hold it. You can't. 1160 00:47:12,204 --> 00:47:14,373 I want to see Cam really showcase 1161 00:47:14,373 --> 00:47:16,876 the power and the range that he has in his voice. 1162 00:47:16,876 --> 00:47:19,128 Let's see something big, explosive. 1163 00:47:19,128 --> 00:47:21,005 Well, I'm sad for both of y'all. 1164 00:47:21,005 --> 00:47:23,424 You don't get to hang out with Snoop Dogg every day. I know, man. 1165 00:47:23,424 --> 00:47:25,343 Thank you, Brother Blake, for having me on Team Blake. 1166 00:47:25,343 --> 00:47:26,427 Let's go, man. 1167 00:47:26,427 --> 00:47:28,262 See you in the ring. 1168 00:47:29,847 --> 00:47:31,182 Hey! Alright, Connor. 1169 00:47:31,182 --> 00:47:33,267 Whoo! Alright. 1170 00:47:33,267 --> 00:47:34,852 Oh, yeah! 1171 00:47:34,852 --> 00:47:37,021 Now with "Youngblood," here's Connor Christian. 1172 00:47:39,815 --> 00:47:43,444 ♪ Remember the words you told me ♪ 1173 00:47:43,444 --> 00:47:47,365 ♪ "Love me 'til the day I die" ♪ 1174 00:47:47,365 --> 00:47:49,825 Alright. 1175 00:47:49,825 --> 00:47:51,369 ♪ Surrender my everything ♪ 1176 00:47:51,369 --> 00:47:56,999 ♪ 'Cause you made me believe you're mine ♪ 1177 00:47:56,999 --> 00:47:59,877 Okay. ♪ Yeah, you used to call me baby ♪ 1178 00:47:59,877 --> 00:48:03,297 ♪ Now you're calling me by name ♪ 1179 00:48:03,297 --> 00:48:07,843 ♪ Takes one to know one ♪ 1180 00:48:07,843 --> 00:48:12,223 ♪ You beat me at my own damn game ♪ 1181 00:48:13,516 --> 00:48:15,976 ♪ I push and I push, and I'm pulling away ♪ 1182 00:48:15,976 --> 00:48:17,520 ♪ Pulling away from you ♪ 1183 00:48:17,520 --> 00:48:21,065 ♪ I give and I give and I give and I take ♪ 1184 00:48:21,065 --> 00:48:22,233 ♪ Youngblood ♪ 1185 00:48:22,233 --> 00:48:23,859 ♪ Say you want me ♪ 1186 00:48:23,859 --> 00:48:26,237 ♪ Say you want me out of your life ♪ 1187 00:48:26,237 --> 00:48:30,241 ♪ I'm just a dead man walking tonight ♪ 1188 00:48:30,241 --> 00:48:32,535 ♪ Yeah, you need it, yeah, you need it ♪ 1189 00:48:32,535 --> 00:48:37,289 ♪ All of the time ♪ 1190 00:48:37,289 --> 00:48:38,958 ♪ Youngblood ♪ 1191 00:48:38,958 --> 00:48:40,835 ♪ Say you want me, say you want me ♪ 1192 00:48:40,835 --> 00:48:42,336 ♪ Out of your life ♪ 1193 00:48:42,336 --> 00:48:46,549 ♪ I'm just a dead man walking tonight ♪ 1194 00:48:46,549 --> 00:48:48,551 ♪ Yeah, you need it, yeah, you need it ♪ 1195 00:48:48,551 --> 00:48:53,597 ♪ All of the time ♪ 1196 00:48:53,597 --> 00:48:55,558 ♪ I push and I push, and I'm pulling away ♪ 1197 00:48:55,558 --> 00:48:57,560 ♪ I'm pulling away from you ♪ 1198 00:48:57,560 --> 00:48:59,895 ♪ I give and I give and I give and I take ♪ 1199 00:48:59,895 --> 00:49:01,230 ♪ Give and I take ♪ 1200 00:49:01,230 --> 00:49:02,565 ♪ Youngblood ♪ 1201 00:49:02,565 --> 00:49:04,525 ♪ Say you want me, say you want me ♪ 1202 00:49:04,525 --> 00:49:06,277 ♪ Out of your life ♪ 1203 00:49:06,277 --> 00:49:10,614 ♪ I'm just a dead man walking tonight ♪ 1204 00:49:10,614 --> 00:49:13,576 Yeah! 1205 00:49:13,576 --> 00:49:14,910 Alright. 1206 00:49:23,419 --> 00:49:24,628 ♪ This is "The Voice" ♪ 1207 00:49:24,628 --> 00:49:26,213 Welcome back to the knockouts. 1208 00:49:27,631 --> 00:49:29,216 I'm excited for this. 1209 00:49:29,216 --> 00:49:31,719 With "Feeling Good," here's Cam Anthony. 1210 00:49:31,719 --> 00:49:39,268 ♪ Birds flying high ♪ 1211 00:49:39,268 --> 00:49:43,105 ♪ You know how I feel ♪ 1212 00:49:43,105 --> 00:49:45,566 ♪ Sun in the sky ♪ 1213 00:49:45,566 --> 00:49:50,488 ♪ You know how I feel ♪ 1214 00:49:51,655 --> 00:49:54,783 ♪ Breeze ♪ 1215 00:49:54,783 --> 00:49:56,994 ♪ Driftin' on by ♪ 1216 00:49:56,994 --> 00:49:59,538 ♪ You know how I feel ♪ 1217 00:49:59,538 --> 00:50:00,873 Alright. 1218 00:50:00,873 --> 00:50:03,876 ♪ It's a new dawn, it's a new day ♪ 1219 00:50:03,876 --> 00:50:07,421 ♪ It's a new life ♪ 1220 00:50:07,421 --> 00:50:10,799 ♪ For me ♪ 1221 00:50:10,799 --> 00:50:12,843 Oh. Okay! 1222 00:50:12,843 --> 00:50:15,513 ♪ And ♪ 1223 00:50:15,513 --> 00:50:17,848 ♪ I'm feeling ♪ 1224 00:50:17,848 --> 00:50:20,851 ♪ Good ♪ 1225 00:50:20,851 --> 00:50:23,020 Alright! 1226 00:50:23,020 --> 00:50:29,318 ♪ And I'm feeling good ♪ 1227 00:50:29,318 --> 00:50:34,365 ♪ Listen ♪ 1228 00:50:34,365 --> 00:50:36,367 ♪ Stars, when you shine ♪ 1229 00:50:36,367 --> 00:50:40,371 ♪ You know how I feel ♪ 1230 00:50:40,371 --> 00:50:42,831 ♪ Scent of the pine ♪ 1231 00:50:42,831 --> 00:50:45,167 ♪ You know how I feel ♪ 1232 00:50:45,167 --> 00:50:48,003 ♪ Oh, freedom is mine ♪ 1233 00:50:48,003 --> 00:50:51,840 ♪ And I know how I feel ♪ 1234 00:50:51,840 --> 00:50:54,552 ♪ It's a new dawn, it's a new day ♪ 1235 00:50:54,552 --> 00:50:57,721 ♪ It's a new li‐i‐i‐fe ♪ 1236 00:50:57,721 --> 00:51:00,391 ♪ It's a new dawn, it's a new day ♪ 1237 00:51:00,391 --> 00:51:01,559 Hey! 1238 00:51:01,559 --> 00:51:04,395 ♪ It's a new li‐i‐i‐fe ♪ 1239 00:51:04,395 --> 00:51:07,356 ♪ It's a new dawn, it's a new day ♪ 1240 00:51:07,356 --> 00:51:09,900 ♪ It's a new li‐i‐i‐fe ♪ 1241 00:51:09,900 --> 00:51:12,236 ♪ For me ♪ 1242 00:51:14,488 --> 00:51:16,532 Hey! ♪ Oh ♪ 1243 00:51:16,532 --> 00:51:23,289 ♪ I'm feeling good ♪ 1244 00:51:23,289 --> 00:51:27,376 ♪ Yeaah! ♪ 1245 00:51:27,376 --> 00:51:28,419 ♪ I'm ♪ 1246 00:51:28,419 --> 00:51:29,587 ♪ Feeling ♪ 1247 00:51:29,587 --> 00:51:35,926 ♪ Feeling good ♪ 1248 00:51:35,926 --> 00:51:37,761 What?! Whoo! 1249 00:51:37,761 --> 00:51:39,263 Yes, Cam! 1250 00:51:40,598 --> 00:51:42,766 Oh, my God! 1251 00:51:45,269 --> 00:51:46,770 Alright. 1252 00:51:46,770 --> 00:51:48,606 Connor, I always love your tone. 1253 00:51:48,606 --> 00:51:50,941 I love your vibe, your intensity when you perform, 1254 00:51:50,941 --> 00:51:52,943 and I think would lend itself really well 1255 00:51:52,943 --> 00:51:54,862 to being the lead singer of a band. 1256 00:51:54,862 --> 00:51:57,448 This song was a good choice in the sense that it showed us 1257 00:51:57,448 --> 00:51:59,742 what you can do in that kind of pop rock setting, 1258 00:51:59,742 --> 00:52:01,452 and you should be proud. 1259 00:52:01,452 --> 00:52:02,953 And then, Cam, you just did your thing. 1260 00:52:02,953 --> 00:52:05,831 I was looking back at this, and I blocked John... 1261 00:52:05,831 --> 00:52:08,000 Don't even look at me, Nick. I remember. ...back at the blinds. 1262 00:52:08,000 --> 00:52:10,461 And then I didn't get picked, so it kind of backfired. 1263 00:52:10,461 --> 00:52:12,463 I learned my lesson the hard way, 1264 00:52:12,463 --> 00:52:14,632 but it was flawless 1265 00:52:14,632 --> 00:52:17,968 and creative and kind of bizarre. 1266 00:52:17,968 --> 00:52:19,803 I mean, it seemed like you tapped into something 1267 00:52:19,803 --> 00:52:22,306 at the beginning that was just otherworldly. 1268 00:52:22,306 --> 00:52:23,932 I was very impressed. 1269 00:52:23,932 --> 00:52:26,644 Also now, I'm nervous for Team Nick. 1270 00:52:26,644 --> 00:52:28,979 Blake, how did this ‐‐ Let me tell you how it happened, Nick. 1271 00:52:28,979 --> 00:52:30,981 "Let me tell you." 1272 00:52:30,981 --> 00:52:33,609 I like to tell myself it wouldn't have mattered. 1273 00:52:33,609 --> 00:52:36,320 You can tell yourself things all the time. You know what? 1274 00:52:36,320 --> 00:52:38,489 Don't make it real. We'll ‐‐ We'll get to ‐‐ We'll get to you, Blake. 1275 00:52:38,489 --> 00:52:41,825 Cam, the principal emotion I felt during this was 1276 00:52:41,825 --> 00:52:45,913 deep‐seated hatred toward Nick Jonas for depriving me 1277 00:52:45,913 --> 00:52:48,874 of the opportunity of working with you. 1278 00:52:48,874 --> 00:52:50,626 Nick... I deprived myself, too. 1279 00:52:50,626 --> 00:52:52,586 We're in the same boat here, buddy. 1280 00:52:52,586 --> 00:52:54,505 Cam, I just sang that song 1281 00:52:54,505 --> 00:52:56,131 in a pretty big moment in my life, 1282 00:52:56,131 --> 00:52:57,841 at the inauguration. 1283 00:52:57,841 --> 00:52:59,843 And what I loved about your performance 1284 00:52:59,843 --> 00:53:03,013 was I heard things I was jealous of that you did 1285 00:53:03,013 --> 00:53:05,683 that I would have never thought to do. 1286 00:53:05,683 --> 00:53:07,184 I really believe in you. 1287 00:53:07,184 --> 00:53:10,354 I think you have the ability to be a true artist 1288 00:53:10,354 --> 00:53:12,690 beyond this show, beyond anything. 1289 00:53:12,690 --> 00:53:15,025 Connor, I really like your tone. 1290 00:53:15,025 --> 00:53:17,778 Your energy is really contagious. 1291 00:53:17,778 --> 00:53:19,697 You just have a lot of fire. 1292 00:53:19,697 --> 00:53:21,865 This wasn't your best vocal work today, 1293 00:53:21,865 --> 00:53:24,535 but I really think you have something special. 1294 00:53:24,535 --> 00:53:27,871 Thank you. Connor, I think your tone is really cool. 1295 00:53:27,871 --> 00:53:29,540 The reason why you made it this far 1296 00:53:29,540 --> 00:53:30,874 is 'cause you are talented. Thank you. 1297 00:53:30,874 --> 00:53:32,626 And you came out here, sir. 1298 00:53:32,626 --> 00:53:35,045 First of all, just walking on the stage, looking like that. 1299 00:53:35,045 --> 00:53:38,048 ♪ Why'd you come in here lookin' like that? ♪ Don't do that to me, now, Kelly. 1300 00:53:38,048 --> 00:53:41,051 Your choice in starting a cappella ‐‐ 1301 00:53:41,051 --> 00:53:44,054 that was really smart and competitive. 1302 00:53:44,054 --> 00:53:45,514 You're really special, 1303 00:53:45,514 --> 00:53:46,890 and you did a really great job, Cam. 1304 00:53:46,890 --> 00:53:48,016 Thank you so much. Thank you, Coaches. 1305 00:53:48,016 --> 00:53:49,560 Blake, give us some thoughts. 1306 00:53:49,560 --> 00:53:51,562 Connor, the way you kind of create 1307 00:53:51,562 --> 00:53:54,732 your sound, your tone, you have to use a lot of air. 1308 00:53:54,732 --> 00:53:56,567 And I think, because of that, 1309 00:53:56,567 --> 00:53:59,069 it keeps you this much under the note sometimes. 1310 00:53:59,069 --> 00:54:01,572 And then, Cam, always figure out 1311 00:54:01,572 --> 00:54:04,825 how to tap in to that deal right there, 1312 00:54:04,825 --> 00:54:07,995 because if you do that for the rest of your life, 1313 00:54:07,995 --> 00:54:09,663 you'll be king of the mountain. 1314 00:54:09,663 --> 00:54:12,541 You have a gift, and I'm very happy for you. 1315 00:54:12,541 --> 00:54:14,209 Blake, who is the winner of this knockout? 1316 00:54:17,713 --> 00:54:19,923 The winner of this knockout... 1317 00:54:22,009 --> 00:54:23,093 ...is Cam. 1318 00:54:23,093 --> 00:54:24,845 Cam Anthony, congratulations. 1319 00:54:24,845 --> 00:54:26,930 You're moving on to the live playoffs. Yes! 1320 00:54:26,930 --> 00:54:29,099 You know, Cam, he's just a star. 1321 00:54:29,099 --> 00:54:31,935 I want to keep pushing him as a singer and as a performer 1322 00:54:31,935 --> 00:54:33,437 because I don't think we've begun 1323 00:54:33,437 --> 00:54:35,606 to even scratch the surface yet. 1324 00:54:35,606 --> 00:54:37,107 I love Cam, dude. 1325 00:54:37,107 --> 00:54:38,525 Did you not try to get him, John? 1326 00:54:38,525 --> 00:54:39,943 I didn't have a chance! 1327 00:54:39,943 --> 00:54:41,779 I'll never forgive Nick for that. 1328 00:54:41,779 --> 00:54:44,114 Well, and then he comes in here, wearing that Easter egg suit 1329 00:54:44,114 --> 00:54:46,033 and just rubbing it in your face. Yeah. 1330 00:54:46,033 --> 00:54:47,951 Like a damn Peep. 1331 00:54:47,951 --> 00:54:49,119 As the night continued, 1332 00:54:49,119 --> 00:54:50,787 Team Nick gave it their all. 1333 00:54:50,787 --> 00:54:55,125 ♪ I hear the chains ♪ 1334 00:54:55,125 --> 00:54:59,129 ♪ Oh, yeah, yeah, yeah, yeah ♪ 1335 00:54:59,129 --> 00:55:03,133 ♪ I wanna run through the halls of my high school ♪ 1336 00:55:03,133 --> 00:55:06,637 ♪ I wanna scream at the top of my lungs ♪ 1337 00:55:06,637 --> 00:55:09,806 Jose, you are one of my favorite people on my team. 1338 00:55:09,806 --> 00:55:12,809 You have been solid in every performance. 1339 00:55:12,809 --> 00:55:14,144 Certainly not easy, 1340 00:55:14,144 --> 00:55:15,979 but the winner of this knockout 1341 00:55:15,979 --> 00:55:17,272 is Jose. 1342 00:55:19,066 --> 00:55:20,776 Coming up... 1343 00:55:20,776 --> 00:55:23,654 I'm trying to hold this tear from falling from my eye. 1344 00:55:23,654 --> 00:55:25,155 I literally have tears 1345 00:55:25,155 --> 00:55:27,824 streaming down my face. 1346 00:55:27,824 --> 00:55:29,993 I'm tripping off of the maturity of your voice. 1347 00:55:36,041 --> 00:55:37,626 Wait! What?! 1348 00:55:46,426 --> 00:55:47,678 ♪ This is "The Voice" ♪ 1349 00:55:47,678 --> 00:55:49,429 Welcome back to the knockouts. 1350 00:55:51,265 --> 00:55:53,517 So, next up, we have Gihanna and Anna. 1351 00:55:53,517 --> 00:55:56,645 Gihanna's more of, like, a soulful songstress, 1352 00:55:56,645 --> 00:55:58,814 and Anna is very quirky, 1353 00:55:58,814 --> 00:56:00,357 does all these, like, fairy riffs, 1354 00:56:00,357 --> 00:56:01,692 and it's really beautiful. 1355 00:56:01,692 --> 00:56:03,527 Let's get 'em out here. Let's go. 1356 00:56:03,527 --> 00:56:05,696 Come on, ladies. Ladies. 1357 00:56:05,696 --> 00:56:07,823 Ladies! What's up, guys. Snoop Dogg! 1358 00:56:07,823 --> 00:56:10,200 Hi! Well, hello, girls. 1359 00:56:10,200 --> 00:56:12,703 Seeing, Snoop Dogg ‐‐ my mind went boom. 1360 00:56:14,371 --> 00:56:15,747 That was just super exciting. 1361 00:56:15,747 --> 00:56:17,749 So, Anna, why did you pick country? 1362 00:56:17,749 --> 00:56:19,960 Yeah, I'm doing "If I Die Young," 1363 00:56:19,960 --> 00:56:22,004 but it's a completely, like, different version 1364 00:56:22,004 --> 00:56:23,547 than the original. Oh. 1365 00:56:23,547 --> 00:56:25,966 I picked it because, when I was 17, 1366 00:56:25,966 --> 00:56:28,844 I got really sick with, like, a bunch of infections 1367 00:56:28,844 --> 00:56:31,471 and almost lost my life to that. Wow. 1368 00:56:31,471 --> 00:56:34,224 And music was the only thing that got me through that. 1369 00:56:34,224 --> 00:56:36,226 I'm ready to hear some emotions. 1370 00:56:36,226 --> 00:56:39,229 ♪ If I die young ♪ 1371 00:56:39,229 --> 00:56:40,856 ♪ Bury me in satin ♪ That was almost me, 1372 00:56:40,856 --> 00:56:44,401 and one of the lines that hits me every time is, 1373 00:56:44,401 --> 00:56:45,819 "Lord, make me a rainbow. 1374 00:56:45,819 --> 00:56:47,237 I'll shine down on my mother." 1375 00:56:47,237 --> 00:56:49,573 ♪ I'll shine down on my mother ♪ 1376 00:56:49,573 --> 00:56:52,326 Because me and my mom are so close. 1377 00:56:52,326 --> 00:56:54,328 I remember just being like, 1378 00:56:54,328 --> 00:56:56,038 if something happened to me 1379 00:56:56,038 --> 00:56:58,415 what would happen to my mom? 1380 00:56:58,415 --> 00:57:00,792 It's just... 1381 00:57:00,792 --> 00:57:03,754 That's still my biggest fear every day. 1382 00:57:03,754 --> 00:57:05,839 She's just my biggest supporter, 1383 00:57:05,839 --> 00:57:08,550 and I love her so much. 1384 00:57:08,550 --> 00:57:11,261 Well, this song is just an intense song, 1385 00:57:11,261 --> 00:57:12,929 and then your story layered on top of that. Yeah. 1386 00:57:12,929 --> 00:57:16,892 Your story is amazing because you overcame. Yeah. 1387 00:57:16,892 --> 00:57:19,770 I'm trying to hold this tear from falling from my eye. 1388 00:57:19,770 --> 00:57:22,272 Look what you just did to Snoop Dogg. 1389 00:57:22,272 --> 00:57:23,940 Your voice is like a little magical unicorn 1390 00:57:23,940 --> 00:57:26,401 with all those little effortless little runs you do. 1391 00:57:26,401 --> 00:57:28,028 But there is something in you 1392 00:57:28,028 --> 00:57:30,030 that you have not even tapped into yet. 1393 00:57:30,030 --> 00:57:31,782 ♪ If I die young ♪ 1394 00:57:31,782 --> 00:57:33,909 Where you got really big, I just almost wanted you 1395 00:57:33,909 --> 00:57:36,286 to open up a little bit bigger. Yeah. 1396 00:57:36,286 --> 00:57:38,497 It sounded like you were singing the song, 1397 00:57:38,497 --> 00:57:40,457 but I want to be able to feel what you're saying. Yeah. 1398 00:57:40,457 --> 00:57:42,376 You on stage ‐‐ let it go. Yeah. 1399 00:57:42,376 --> 00:57:43,794 I think her voice is very strong, 1400 00:57:43,794 --> 00:57:45,629 but you've got to grow into knowing 1401 00:57:45,629 --> 00:57:47,464 how to master who you are, 1402 00:57:47,464 --> 00:57:49,466 and I think this experience is going to teach her that. 1403 00:57:49,466 --> 00:57:51,301 You're holding back a tiny bit. 1404 00:57:51,301 --> 00:57:52,886 I don't know if you're afraid you're gonna cry ‐‐ 1405 00:57:52,886 --> 00:57:54,471 you're not gonna be able to sing. 1406 00:57:54,471 --> 00:57:55,889 That happens to me all the time. 1407 00:57:55,889 --> 00:57:57,641 Yeah, it's a lot. Yeah. But it's important, though. 1408 00:57:57,641 --> 00:57:58,975 Like, I have this life, 1409 00:57:58,975 --> 00:58:01,478 and I have been shown how precious it is. 1410 00:58:01,478 --> 00:58:03,772 I love Anna because she's kind of genre‐less. 1411 00:58:03,772 --> 00:58:05,440 You never know what she's gonna sing next. 1412 00:58:05,440 --> 00:58:06,775 Thank you for singing that. Thank you. 1413 00:58:06,775 --> 00:58:07,943 It was beautiful, and sharing your story. 1414 00:58:07,943 --> 00:58:09,569 Great work. Thank you. 1415 00:58:09,569 --> 00:58:11,321 If Anna can let us into this story with her, 1416 00:58:11,321 --> 00:58:12,572 it's going to be hard to beat. 1417 00:58:12,572 --> 00:58:14,116 She almost got the Dogg to cry. 1418 00:58:14,116 --> 00:58:15,826 It wouldn't fall out. Yeah. 1419 00:58:15,826 --> 00:58:17,828 I had to push 'im back in there. Get on back in there. 1420 00:58:17,828 --> 00:58:20,539 You told her to let go. You let go. I can't. 1421 00:58:20,539 --> 00:58:22,708 Alright, Gihanna! 1422 00:58:22,708 --> 00:58:23,709 Hi! 1423 00:58:23,709 --> 00:58:24,960 We love your song selection. 1424 00:58:24,960 --> 00:58:26,670 Why'd you pick "Glitter in the Air"? 1425 00:58:26,670 --> 00:58:29,005 I've gone through so much in my life, good and bad, 1426 00:58:29,005 --> 00:58:32,092 and being able to go back and remember those times 1427 00:58:32,092 --> 00:58:34,469 and kind of see what I've learned from it... Mm. 1428 00:58:34,469 --> 00:58:36,972 ...I think that's just what's so special to me about the song. 1429 00:58:36,972 --> 00:58:38,974 ♪ Close your eyes and trust it ♪ 1430 00:58:38,974 --> 00:58:40,517 The song "Glitter in the Air" 1431 00:58:40,517 --> 00:58:42,102 really talks about taking the bad things 1432 00:58:42,102 --> 00:58:44,604 that have happened in your life and applying it 1433 00:58:44,604 --> 00:58:46,481 to your growth as a person. ♪ Just trust it, mmmm ♪ 1434 00:58:46,481 --> 00:58:48,442 There was a point in my life where I didn't think 1435 00:58:48,442 --> 00:58:49,985 I wanted to do music anymore. 1436 00:58:49,985 --> 00:58:53,363 I did choir from ages 6 to 15. 1437 00:58:53,363 --> 00:58:56,032 All that classical training really helped me. 1438 00:58:56,032 --> 00:58:59,870 But finding a way to emote 1439 00:58:59,870 --> 00:59:01,621 has probably been the hardest struggle with me. 1440 00:59:01,621 --> 00:59:04,082 Having that small, little idea in your head 1441 00:59:04,082 --> 00:59:07,002 that you may not make it sometimes holds me back. ♪ Woah ♪ 1442 00:59:07,002 --> 00:59:09,546 But this song is a perfect example 1443 00:59:09,546 --> 00:59:10,714 of who I want to be as an artist. 1444 00:59:10,714 --> 00:59:13,467 ♪ Woah ♪ Mm. 1445 00:59:13,467 --> 00:59:16,511 Listening to Gihanna sing, she made me cry. ♪ Will it ever get better than tonight? ♪ 1446 00:59:16,511 --> 00:59:19,681 It's definitely gonna be hard going up against her. 1447 00:59:19,681 --> 00:59:20,891 I literally have tears 1448 00:59:20,891 --> 00:59:24,019 streaming down my face. My God! 1449 00:59:24,019 --> 00:59:26,730 I'm tripping off of the maturity of your voice. 1450 00:59:26,730 --> 00:59:30,025 When you started talking, that Oh, my God. 1451 00:59:30,025 --> 00:59:31,693 The vibrato. Mm! Mm! 1452 00:59:31,693 --> 00:59:32,986 How quick your vibrato is and how sweet it is 1453 00:59:32,986 --> 00:59:36,156 reminds me of Beyoncé, but your ache reminds me 1454 00:59:36,156 --> 00:59:37,908 of how P! nk sings. Ah! Thank you! 1455 00:59:37,908 --> 00:59:40,035 You just passed the P! nk challenge. Yeah. 1456 00:59:42,204 --> 00:59:45,791 How would it sound if you did a 1457 00:59:45,791 --> 00:59:48,043 ♪ Toni‐i‐ight ♪ 1458 00:59:48,043 --> 00:59:50,712 I want it to be almost quieter. Uh‐huh. 1459 00:59:50,712 --> 00:59:52,672 Like, just something very sweet... Yeah. 1460 00:59:52,672 --> 00:59:54,382 ...and, like, left everyone like this. 1461 00:59:54,382 --> 00:59:56,051 Aaah! What? 1462 00:59:56,051 --> 00:59:58,428 Yeah. Give us a cliffhanger. 1463 00:59:58,428 --> 01:00:00,597 That's your best performance on this show. 1464 01:00:00,597 --> 01:00:03,099 Do it exactly like that. Thank you. Okay. 1465 01:00:03,099 --> 01:00:05,435 These girls are both so emotional, 1466 01:00:05,435 --> 01:00:07,604 and they brought out all the emotions in me. Thank you. 1467 01:00:07,604 --> 01:00:09,773 So just, you know... 1468 01:00:09,773 --> 01:00:11,942 Just gonna have tissues in my chair. 1469 01:00:11,942 --> 01:00:14,069 Well, y'all didn't tell me I was gonna be crying on the show. 1470 01:00:17,739 --> 01:00:20,075 Whoo! 1471 01:00:20,075 --> 01:00:22,077 Gihanna! Yeah! 1472 01:00:22,077 --> 01:00:24,871 Anna's doing a country song. Cool. 1473 01:00:24,871 --> 01:00:27,123 Singing "If I Die Young," here's Anna Grace. 1474 01:00:29,084 --> 01:00:36,633 ♪ If I die young ♪ 1475 01:00:36,633 --> 01:00:39,261 ♪ Bury me in satin ♪ 1476 01:00:39,261 --> 01:00:41,638 ♪ Lay me down ♪ 1477 01:00:41,638 --> 01:00:45,141 ♪ On a bed of roses ♪ 1478 01:00:45,141 --> 01:00:48,645 ♪ Sink me in the river ♪ 1479 01:00:48,645 --> 01:00:50,814 ♪ At dawn ♪ 1480 01:00:50,814 --> 01:00:53,775 ♪ Send me away ♪ 1481 01:00:53,775 --> 01:00:59,823 ♪ With the words of a love song ♪ 1482 01:00:59,823 --> 01:01:02,909 ♪ Lord, make me a rainbow ♪ 1483 01:01:02,909 --> 01:01:05,787 ♪ I'll shine down on my mother ♪ 1484 01:01:05,787 --> 01:01:08,164 ♪ She'll know I'm safe with you ♪ 1485 01:01:08,164 --> 01:01:12,127 ♪ When she stands under my colors ♪ 1486 01:01:12,127 --> 01:01:14,170 ♪ No ♪ 1487 01:01:14,170 --> 01:01:19,801 ♪ Life ain't always what you think it ought to be, no ♪ 1488 01:01:19,801 --> 01:01:25,974 ♪ Ain't even gray, but she buries her baby ♪ 1489 01:01:25,974 --> 01:01:29,269 ♪ The sharp knife ♪ 1490 01:01:29,269 --> 01:01:35,942 ♪ Of a short li‐i‐fe ♪ 1491 01:01:35,942 --> 01:01:37,986 ♪ Oh, well ♪ 1492 01:01:37,986 --> 01:01:40,864 ♪ But I've had ♪ 1493 01:01:40,864 --> 01:01:45,702 ♪ Just enough time ♪ 1494 01:01:45,702 --> 01:01:50,916 ♪ Ohh, ohh ♪ 1495 01:01:50,916 --> 01:01:53,168 Pretty. 1496 01:01:53,168 --> 01:01:59,007 ♪ If I die young ♪ 1497 01:01:59,007 --> 01:02:01,801 ♪ Lay me down ♪ 1498 01:02:01,801 --> 01:02:04,888 ♪ On a bed of roses ♪ 1499 01:02:04,888 --> 01:02:08,683 ♪ Sink me in the river ♪ 1500 01:02:08,683 --> 01:02:10,852 ♪ At dawn ♪ 1501 01:02:10,852 --> 01:02:13,730 ♪ Send me away ♪ 1502 01:02:13,730 --> 01:02:20,737 ♪ With the words of a love song ♪ 1503 01:02:20,737 --> 01:02:21,905 Yeah. 1504 01:02:21,905 --> 01:02:24,074 Wow. 1505 01:02:24,074 --> 01:02:26,076 ♪ Hmmm ♪ 1506 01:02:26,076 --> 01:02:33,208 ♪ If I die young ♪ 1507 01:02:33,208 --> 01:02:35,085 Wow! 1508 01:02:35,085 --> 01:02:38,755 Thank you. Great job! 1509 01:02:38,755 --> 01:02:40,048 Lovely. Lovely. 1510 01:02:50,392 --> 01:02:51,434 ♪ This is "The Voice" ♪ 1511 01:02:51,434 --> 01:02:53,269 Welcome back. 1512 01:02:55,563 --> 01:02:57,399 Alright, Gihanna. 1513 01:02:57,399 --> 01:03:00,193 She's singing P! nk. That's bold. I like that. 1514 01:03:00,193 --> 01:03:01,403 And now with "Glitter in the Air," 1515 01:03:01,403 --> 01:03:03,279 here is Gihanna Zoe. 1516 01:03:05,699 --> 01:03:14,332 ♪ Have you ever fed a lover ♪ 1517 01:03:14,332 --> 01:03:19,587 ♪ With just your hands? ♪ 1518 01:03:19,587 --> 01:03:24,300 ♪ Close your eyes and trust it ♪ 1519 01:03:24,300 --> 01:03:28,263 ♪ Just trust it ♪ 1520 01:03:28,263 --> 01:03:29,597 ♪ Mmmm ♪ 1521 01:03:29,597 --> 01:03:32,100 ♪ Have you ever thrown ♪ 1522 01:03:32,100 --> 01:03:36,980 ♪ A fist full of glitter in the air? ♪ 1523 01:03:39,232 --> 01:03:44,070 ♪ It's only half past the point of oblivion ♪ 1524 01:03:44,070 --> 01:03:48,992 ♪ The hourglass on the table, the walk before the run ♪ 1525 01:03:48,992 --> 01:03:53,538 ♪ The breath before the kiss, the fear before the flames ♪ 1526 01:03:53,538 --> 01:04:02,088 ♪ Have you ever felt this way? ♪ 1527 01:04:02,088 --> 01:04:03,631 ♪ Oh, woah ♪ 1528 01:04:03,631 --> 01:04:06,259 ♪ La, la, la, la ♪ 1529 01:04:06,259 --> 01:04:13,433 ♪ La, la, la, la, la, la, la, la, la, la, la, la ♪ ♪ La, la, laaaaa ♪ 1530 01:04:13,433 --> 01:04:18,188 ♪ There you are, sitting in the garden ♪ 1531 01:04:18,188 --> 01:04:21,524 ♪ Clutching my coffee ♪ 1532 01:04:21,524 --> 01:04:26,362 ♪ Calling me sugar ♪ 1533 01:04:26,362 --> 01:04:34,788 ♪ You called me sugar ♪ 1534 01:04:34,788 --> 01:04:42,879 ♪ Oh, woah, woah, woah ♪ 1535 01:04:42,879 --> 01:04:45,215 ♪ Have you ever ♪ 1536 01:04:45,215 --> 01:04:47,133 ♪ Held your breath ♪ 1537 01:04:47,133 --> 01:04:49,677 ♪ And asked yourself ♪ 1538 01:04:49,677 --> 01:04:58,228 ♪ Will it ever get better than tonight? ♪ 1539 01:04:58,228 --> 01:05:05,235 ♪ Tonight ♪ 1540 01:05:05,235 --> 01:05:06,402 Wow. 1541 01:05:08,530 --> 01:05:10,573 Whoo! Yes, Gihanna. 1542 01:05:10,573 --> 01:05:12,325 Wow. 1543 01:05:12,325 --> 01:05:15,078 Man, this is not gonna be a fun one for you, Kelly. 1544 01:05:15,078 --> 01:05:16,579 Anna, you probably heard me. 1545 01:05:16,579 --> 01:05:18,540 "Oh, my God! Anna's doing a country song." 1546 01:05:18,540 --> 01:05:19,916 People like you 1547 01:05:19,916 --> 01:05:22,377 are really important to have on the show 1548 01:05:22,377 --> 01:05:24,170 because you're so different. 1549 01:05:24,170 --> 01:05:25,880 Wow. What a cool voice you have. 1550 01:05:25,880 --> 01:05:28,758 Thank you. But Kelly's struggle is now... 1551 01:05:28,758 --> 01:05:32,428 we've never had anybody quite like Gihanna, either. 1552 01:05:32,428 --> 01:05:35,390 Thank you. At this point, there's really nothing you can't do. 1553 01:05:35,390 --> 01:05:36,766 Thank you. I mean, look at your pants. 1554 01:05:36,766 --> 01:05:37,934 They probably said, "Which this pair of pants 1555 01:05:37,934 --> 01:05:39,102 do you want to wear? 1556 01:05:39,102 --> 01:05:39,936 Which pair?" 1557 01:05:39,936 --> 01:05:40,895 "Both." "Both." 1558 01:05:40,895 --> 01:05:42,230 Watch this. 1559 01:05:42,230 --> 01:05:43,898 The sky is the limit for you. 1560 01:05:43,898 --> 01:05:45,441 Thank you. 1561 01:05:45,441 --> 01:05:47,443 Anna, I've always loved that song. 1562 01:05:47,443 --> 01:05:49,445 Thank you. To actually take a song like this 1563 01:05:49,445 --> 01:05:52,282 and make it your own in this way I thought was the right move. 1564 01:05:52,282 --> 01:05:54,534 Thank you. And I thought you did a really good job with it. 1565 01:05:54,534 --> 01:05:57,412 Gihanna, there's just something unique about you. 1566 01:05:57,412 --> 01:05:59,622 And you show up each week with ‐‐ with kind of 1567 01:05:59,622 --> 01:06:01,666 a different thing for all of us to hear, 1568 01:06:01,666 --> 01:06:04,419 which is really incredible to be so good at so much. 1569 01:06:04,419 --> 01:06:06,462 Thank you. I got to go with Gihanna on this one. 1570 01:06:06,462 --> 01:06:08,631 I love how much personality both of you have. 1571 01:06:08,631 --> 01:06:11,134 When you perform, it feels very confident. 1572 01:06:11,134 --> 01:06:15,597 Anna, when you did these little graceful falsetto things, 1573 01:06:15,597 --> 01:06:16,764 I‐I looked at Kelly, and I was like ‐‐ 1574 01:06:16,764 --> 01:06:19,309 It was just so pretty. I got chills. 1575 01:06:19,309 --> 01:06:21,436 And then, Gihanna, 1576 01:06:21,436 --> 01:06:23,605 I just had to keep reminding myself you were 17 1577 01:06:23,605 --> 01:06:26,649 because it sounded so confident and sure. 1578 01:06:26,649 --> 01:06:29,277 And, like, I got to check the birth certificate. 1579 01:06:29,277 --> 01:06:30,945 "I got to check the birth certificate." 1580 01:06:30,945 --> 01:06:34,657 I got to see this for myself because it was so good. 1581 01:06:34,657 --> 01:06:36,492 Thank you. Kelly, you've got the final say. 1582 01:06:36,492 --> 01:06:38,161 Give us some thoughts on the knockout. 1583 01:06:38,161 --> 01:06:39,829 I actually believe that you're both very powerful 1584 01:06:39,829 --> 01:06:41,706 in different ways. 1585 01:06:41,706 --> 01:06:44,542 Anna, I'm so glad that you did more that ethereal stuff, 1586 01:06:44,542 --> 01:06:46,336 'cause it gives people chills. 1587 01:06:46,336 --> 01:06:48,630 It feels, like, spiritual. 1588 01:06:48,630 --> 01:06:51,925 It's ‐‐ It's a beautiful, beautiful gift that you have. Thank you. 1589 01:06:51,925 --> 01:06:54,802 Gihanna, you have such a big presence for anyone, 1590 01:06:54,802 --> 01:06:56,804 but especially a 17‐year‐old. Mm‐hmm. 1591 01:06:56,804 --> 01:06:59,682 And so, honestly, it's just gonna come down to, like, 1592 01:06:59,682 --> 01:07:01,351 who in this moment I feel like is 1593 01:07:01,351 --> 01:07:04,520 gonna be able to navigate this competition better. 1594 01:07:04,520 --> 01:07:06,522 Kelly, who is the winner of this knockout? 1595 01:07:13,613 --> 01:07:15,365 The winner of this knockout 1596 01:07:15,365 --> 01:07:16,532 is Gihanna. 1597 01:07:16,532 --> 01:07:19,535 Gihanna Zoe, congratulations. 1598 01:07:19,535 --> 01:07:21,496 Gihanna has this huge presence. Ah! 1599 01:07:21,496 --> 01:07:23,373 She's more of a competitive vocalist, 1600 01:07:23,373 --> 01:07:25,750 and I think that she's perfect for this environment. 1601 01:07:25,750 --> 01:07:28,461 I'm very excited to see what she wants to do next. 1602 01:07:28,461 --> 01:07:31,047 Coaches, let me remind you Anna's available to steal. 1603 01:07:31,047 --> 01:07:33,383 Anna, what would you like to say to your coach? 1604 01:07:33,383 --> 01:07:35,551 I'm so grateful I got to share my story with you. 1605 01:07:35,551 --> 01:07:37,971 That was a really big deal for me. Yeah. 1606 01:07:37,971 --> 01:07:39,347 I just want to say thank you. 1607 01:07:39,347 --> 01:07:40,556 Oh, this is hard. 1608 01:07:40,556 --> 01:07:42,225 Give it up one more time for Anna Grace, 1609 01:07:42,225 --> 01:07:43,559 ladies and gentlemen. 1610 01:07:43,559 --> 01:07:46,396 Alright. 1611 01:07:46,396 --> 01:07:48,731 Whoa! I'll take her. 1612 01:07:48,731 --> 01:07:50,566 Wait! What?! I'll take Anna! 1613 01:07:50,566 --> 01:07:52,652 That is the sound of a steal from Blake Shelton! 1614 01:07:52,652 --> 01:07:54,654 I stole Anna because I think she's got 1615 01:07:54,654 --> 01:07:57,532 a wide‐open lane on my team. 1616 01:07:57,532 --> 01:07:59,492 If I could hug you, I would hug you. 1617 01:07:59,492 --> 01:08:01,035 It's full of mostly all dudes, 1618 01:08:01,035 --> 01:08:04,539 so it was nice to actually add a female to my roster. 1619 01:08:04,539 --> 01:08:08,751 This is hardcore competition. These are world‐class vocalists. 1620 01:08:08,751 --> 01:08:11,045 And I happen to think that you're one of them. 1621 01:08:11,045 --> 01:08:12,880 Thank you so much. There you have it! 1622 01:08:12,880 --> 01:08:16,592 The cowboy, Blake, steals Anna Grace. 1623 01:08:16,592 --> 01:08:18,386 Oh, my gosh. 1624 01:08:18,386 --> 01:08:20,513 I can't believe what just happened. 1625 01:08:30,231 --> 01:08:31,607 ♪ This is "The Voice" ♪ 1626 01:08:31,607 --> 01:08:34,027 Welcome back to Night 2 of the knockouts. 1627 01:08:34,027 --> 01:08:36,112 The most stressful part of this whole process 1628 01:08:36,112 --> 01:08:37,697 is this four‐way knockout. 1629 01:08:37,697 --> 01:08:39,782 Each of us has somebody going up there, 1630 01:08:39,782 --> 01:08:41,117 waiting for America to vote on them. 1631 01:08:41,117 --> 01:08:42,785 I'm nervous about it. I'm nervous, too. 1632 01:08:42,785 --> 01:08:44,078 They're all different. Very different. 1633 01:08:44,078 --> 01:08:46,664 Devan, my guy, is singing Harry Styles' 1634 01:08:46,664 --> 01:08:47,832 "Sign of the Times." Ooh. 1635 01:08:47,832 --> 01:08:49,751 Like, that's no joke. 1636 01:08:49,751 --> 01:08:53,087 Whoa! We've got a save! 1637 01:08:53,087 --> 01:08:55,089 I really thought I was going home. 1638 01:08:55,089 --> 01:08:57,300 I never thought that I was gonna... 1639 01:08:57,300 --> 01:08:59,635 see one of my dreams come true like this. 1640 01:08:59,635 --> 01:09:05,141 And I just feel this, like, huge heaviness gone. 1641 01:09:05,141 --> 01:09:10,104 ♪ Just stop your crying, it's a sign of the times ♪ 1642 01:09:10,104 --> 01:09:12,148 You got to give us a little bit of body language. Okay. 1643 01:09:12,148 --> 01:09:14,817 Don't be shy! This is your house, man. 1644 01:09:14,817 --> 01:09:17,153 That's your stage. You got to command that. Like... 1645 01:09:17,153 --> 01:09:18,821 I feel you. I feel you. 1646 01:09:18,821 --> 01:09:22,158 Just lean into that. Okay. 1647 01:09:22,158 --> 01:09:23,910 To be the save... ♪ We've got to get away ♪ 1648 01:09:23,910 --> 01:09:25,328 ...it boosted my confidence a little bit. 1649 01:09:25,328 --> 01:09:27,038 A lot. Yeah! 1650 01:09:27,038 --> 01:09:28,498 Devan deserves to be here. Mm! 1651 01:09:28,498 --> 01:09:31,167 And he's got even more to prove and to show us. 1652 01:09:31,167 --> 01:09:33,169 Mine's Savanna. She's a rock‐'n'‐roller. 1653 01:09:33,169 --> 01:09:36,839 She sings the hell out of "Black Hole Sun." 1654 01:09:36,839 --> 01:09:38,007 Why this song? 1655 01:09:38,007 --> 01:09:39,342 I think it shows something different. 1656 01:09:39,342 --> 01:09:42,345 It might be cool, instead of going hard, 1657 01:09:42,345 --> 01:09:44,472 go intense, like, in a small way. 1658 01:09:44,472 --> 01:09:45,973 Let's get it, girl. 1659 01:09:45,973 --> 01:09:47,850 ♪ Boiling heat ♪ 1660 01:09:47,850 --> 01:09:49,185 There are so many great artists 1661 01:09:49,185 --> 01:09:51,187 in the four‐way knockout, but I really do feel 1662 01:09:51,187 --> 01:09:52,980 like Savanna has an edge on them. 1663 01:09:52,980 --> 01:09:55,358 Whoa! We got a steal! Yes! 1664 01:09:55,358 --> 01:09:57,860 Kelly saving me was quite an honor. 1665 01:09:57,860 --> 01:10:01,197 ♪ Black hole sun, won't you come ♪ 1666 01:10:01,197 --> 01:10:02,865 I grew up singing with three sisters. 1667 01:10:02,865 --> 01:10:04,951 Once we all graduated and left, 1668 01:10:04,951 --> 01:10:07,036 my parents started fostering kids. ♪ Won't you come? ♪ 1669 01:10:07,036 --> 01:10:11,082 Being a foster child is hard, and this song really embodies 1670 01:10:11,082 --> 01:10:13,126 the expression of pain... 1671 01:10:13,126 --> 01:10:16,212 ...and wanting it all to just go away. 1672 01:10:16,212 --> 01:10:18,840 I thought I was watching the end of a Spider‐Man movie. 1673 01:10:18,840 --> 01:10:20,216 Man, like, big. 1674 01:10:20,216 --> 01:10:22,385 Like motion‐picture, like, soundtrack. 1675 01:10:22,385 --> 01:10:24,220 You understand what I'm saying? Yeah. Yeah. 1676 01:10:24,220 --> 01:10:26,013 It was so cool. For real. 1677 01:10:26,013 --> 01:10:28,725 Thank you. Those soulful runs can make an audience 1678 01:10:28,725 --> 01:10:30,059 that never knew about that song 1679 01:10:30,059 --> 01:10:32,061 become interested in that song. Yeah. 1680 01:10:32,061 --> 01:10:33,521 'Cause you made it yours. 1681 01:10:33,521 --> 01:10:36,023 Emma's gonna be doing "Neon Moon." 1682 01:10:36,023 --> 01:10:39,026 I learned to two‐step to the Brooks & Dunn version. 1683 01:10:39,026 --> 01:10:40,862 ♪ I'll be alright as long as there's light ♪ 1684 01:10:40,862 --> 01:10:42,739 I saved Emma because I really do think 1685 01:10:42,739 --> 01:10:45,199 she is an incredible vocalist. ♪ From a neon moon ♪ 1686 01:10:45,199 --> 01:10:47,243 I just felt like she needs to learn to loosen up 1687 01:10:47,243 --> 01:10:48,911 and have some fun on stage. 1688 01:10:48,911 --> 01:10:52,290 Whoa! We've got a save! 1689 01:10:52,290 --> 01:10:53,916 Why'd you have to do that to me? 1690 01:10:53,916 --> 01:10:56,085 I wanted to scare some stage presence into you. 1691 01:10:56,085 --> 01:10:57,545 You did. You did it. 1692 01:10:57,545 --> 01:10:59,922 My battle performance, I think I looked scared 1693 01:10:59,922 --> 01:11:02,258 and felt a little nervous ‐‐ or a lotta nervous. 1694 01:11:02,258 --> 01:11:04,051 ♪ No telling how many tears I've sat here and cried ♪ 1695 01:11:04,051 --> 01:11:06,429 But I'm beyond grateful that Blake believed in me enough 1696 01:11:06,429 --> 01:11:08,890 to give me a second opportunity. 1697 01:11:08,890 --> 01:11:11,267 Your voice just floats. It's unbelievable. 1698 01:11:11,267 --> 01:11:14,020 Don't hold nothing in. Let it become natural. 1699 01:11:14,020 --> 01:11:15,772 Your flow, your singing, your movement. 1700 01:11:15,772 --> 01:11:17,273 When you ‐‐ That's beautiful. 1701 01:11:17,273 --> 01:11:19,192 That's what people want to see. 1702 01:11:19,192 --> 01:11:22,195 ♪ Oh, if you lose your one and only ♪ Yes. Yes. 1703 01:11:22,195 --> 01:11:23,946 If Emma can just let go... Whoo! 1704 01:11:23,946 --> 01:11:25,948 ...I have no doubt that she can win this knockout. 1705 01:11:25,948 --> 01:11:29,035 Carolina picked a Demi Lovato song ‐‐ 1706 01:11:29,035 --> 01:11:30,411 lot of power. 1707 01:11:30,411 --> 01:11:33,331 ♪ I tried to talk to my piano ♪ 1708 01:11:33,331 --> 01:11:36,250 With the save, you have to be kind of strategic. ♪ I tried to talk to my guitar ♪ 1709 01:11:36,250 --> 01:11:38,127 You want somebody with a big voice, 1710 01:11:38,127 --> 01:11:41,297 somebody that can dazzle the American people. 1711 01:11:41,297 --> 01:11:43,299 Whoa! Carolina, come back! 1712 01:11:43,299 --> 01:11:44,967 We got a save. 1713 01:11:44,967 --> 01:11:48,095 John's save represents everything. 1714 01:11:48,095 --> 01:11:49,806 So I want to show John and America 1715 01:11:49,806 --> 01:11:52,058 that I'm more than just a 17‐year‐old singer. 1716 01:11:52,058 --> 01:11:53,810 ♪ Anyone ♪ 1717 01:11:53,810 --> 01:11:55,311 Mm! ♪ Please send me anyone ♪ 1718 01:11:55,311 --> 01:11:57,980 "Anyone" is a really special song to me. 1719 01:11:57,980 --> 01:12:01,567 I remember when I first sang the song, I just felt my dad 1720 01:12:01,567 --> 01:12:03,486 and my grandmother with me, so... 1721 01:12:03,486 --> 01:12:05,488 ♪ A hundred million stories ♪ 1722 01:12:05,488 --> 01:12:08,491 I want to be able to show that if you've lost somebody, 1723 01:12:08,491 --> 01:12:10,368 there's always a light at the end of that tunnel. 1724 01:12:12,620 --> 01:12:15,540 Oh, my goodness. Wow! Wow! 1725 01:12:15,540 --> 01:12:18,334 You felt the emotion. I felt it, too. Wow. 1726 01:12:18,334 --> 01:12:21,337 Oh, wow. I felt that one, buddy. You hear me? 1727 01:12:21,337 --> 01:12:24,006 What a song. I had to close my eyes and hold on to my chest. 1728 01:12:24,006 --> 01:12:27,510 Yeah. Obviously, the lower notes are a little more challenging. 1729 01:12:27,510 --> 01:12:29,345 If you kind of talk the line a little bit, 1730 01:12:29,345 --> 01:12:31,347 you can kind of throw off the line 1731 01:12:31,347 --> 01:12:32,515 without putting the pressure on yourself 1732 01:12:32,515 --> 01:12:34,183 to sing all those low notes. 1733 01:12:34,183 --> 01:12:35,977 If you put that feeling into your performance, 1734 01:12:35,977 --> 01:12:38,479 America will make the right decision. 1735 01:12:40,189 --> 01:12:41,524 Voting is open now 1736 01:12:41,524 --> 01:12:43,985 on the "Voice" official app and NBC.com. 1737 01:12:43,985 --> 01:12:45,611 Let's get to it. 1738 01:12:45,611 --> 01:12:47,363 First up with "Neon Moon, 1739 01:12:47,363 --> 01:12:50,366 here's Team Blake's Emma Caroline. 1740 01:12:50,366 --> 01:13:00,042 ♪ When the sun goes down on my side of town ♪ 1741 01:13:00,042 --> 01:13:05,006 ♪ That lonesome feeling comes to my door ♪ 1742 01:13:05,006 --> 01:13:08,384 ♪ And the whole world ♪ 1743 01:13:08,384 --> 01:13:12,263 ♪ Ooh, turns blue ♪ 1744 01:13:13,890 --> 01:13:19,228 ♪ No telling how many tears I've sat here and cried ♪ 1745 01:13:19,228 --> 01:13:23,691 ♪ Or how many lies that I've lied ♪ 1746 01:13:23,691 --> 01:13:27,904 ♪ Telling my poor heart ♪ 1747 01:13:27,904 --> 01:13:32,909 ♪ He'll come back someday, yeah ♪ 1748 01:13:32,909 --> 01:13:35,995 ♪ Oh, but I'll be alright ♪ 1749 01:13:35,995 --> 01:13:42,335 ♪ As long as there's light from a neon moon, yeah ♪ 1750 01:13:42,335 --> 01:13:47,048 ♪ Oh, if you lose your one and only ♪ 1751 01:13:47,048 --> 01:13:51,677 ♪ There's always room here for the lonely ♪ 1752 01:13:51,677 --> 01:13:56,933 ♪ To watch your broken dreams dance in and out of the beams ♪ 1753 01:13:56,933 --> 01:14:02,104 ♪ Of a neon moon ♪ 1754 01:14:02,104 --> 01:14:06,442 ♪ The jukebox plays on drink by drink ♪ 1755 01:14:06,442 --> 01:14:11,280 ♪ And the words to every sad song seem to say what I think ♪ 1756 01:14:11,280 --> 01:14:15,409 ♪ And this pain inside of me ♪ 1757 01:14:15,409 --> 01:14:20,164 ♪ It ain't never gonna end, no ♪ 1758 01:14:20,164 --> 01:14:23,250 ♪ Oh, and I'll be alright ♪ 1759 01:14:23,250 --> 01:14:25,628 ♪ As long as there's light ♪ 1760 01:14:25,628 --> 01:14:29,632 ♪ From a neon moon ♪ 1761 01:14:29,632 --> 01:14:34,470 ♪ Ooh, if you lose your one and only ♪ 1762 01:14:34,470 --> 01:14:39,141 ♪ There's always room here for the lonely ♪ 1763 01:14:39,141 --> 01:14:45,064 ♪ To watch your broken dreams dance in and out of the beams ♪ 1764 01:14:45,064 --> 01:14:50,987 ♪ Of a neon moon ♪ 1765 01:14:52,655 --> 01:14:56,492 Yes, Emma! Yes! 1766 01:14:56,492 --> 01:14:58,285 Now with "Sign of the Times," 1767 01:14:58,285 --> 01:15:01,038 here's Team Nicks's Devan Blake Jones. 1768 01:15:01,038 --> 01:15:02,707 This outfit is too fresh. 1769 01:15:02,707 --> 01:15:04,125 Fire. 1770 01:15:04,125 --> 01:15:14,802 ♪ Just stop your crying, it's a sign of the times ♪ 1771 01:15:16,345 --> 01:15:20,266 ♪ Welcome to the final show ♪ 1772 01:15:20,266 --> 01:15:24,228 ♪ I hope you're wearing your best clothes ♪ 1773 01:15:25,771 --> 01:15:31,027 ♪ You can't bribe the door on your way to the sky ♪ 1774 01:15:31,027 --> 01:15:32,361 Yeah. 1775 01:15:32,361 --> 01:15:36,032 ♪ You look pretty good down here ♪ 1776 01:15:36,032 --> 01:15:39,368 ♪ But you ain't really good ♪ 1777 01:15:39,368 --> 01:15:45,374 ♪ We never learn, we've been here before ♪ 1778 01:15:45,374 --> 01:15:48,544 ♪ Why are we always stuck and running from ♪ 1779 01:15:48,544 --> 01:15:54,675 ♪ The bullets? ♪ 1780 01:15:57,219 --> 01:16:02,558 ♪ Just stop your crying it's a sign of the times ♪ Okay. 1781 01:16:03,392 --> 01:16:07,396 ♪ We've gotta get away from here ♪ 1782 01:16:07,396 --> 01:16:12,735 ♪ We've gotta get away from here, yeah ♪ 1783 01:16:12,735 --> 01:16:17,239 ♪ We don't talk enough ♪ 1784 01:16:17,239 --> 01:16:21,410 ♪ We should open up ♪ 1785 01:16:21,410 --> 01:16:29,085 ♪ Before it's all too much ♪ 1786 01:16:29,085 --> 01:16:32,588 ♪ Stop your crying, baby, it's a sign of ♪ Hey! 1787 01:16:32,588 --> 01:16:34,757 ♪ The times, yeah ♪ 1788 01:16:34,757 --> 01:16:38,511 ♪ We've got to get away ♪ 1789 01:16:38,511 --> 01:16:41,430 ♪ Get away, away, away ♪ 1790 01:16:41,430 --> 01:16:42,765 ♪ Get away ♪ 1791 01:16:42,765 --> 01:16:50,606 ♪ We've got to get away ♪ 1792 01:16:50,606 --> 01:16:58,531 ♪ We've got to get awaa‐a‐a‐y ♪ 1793 01:16:58,531 --> 01:17:05,621 ♪ We've got to get awaaaay ♪ 1794 01:17:05,621 --> 01:17:08,332 Fantastic. Yeah! 1795 01:17:08,332 --> 01:17:09,667 That was his best performance yet. 1796 01:17:09,667 --> 01:17:12,253 Let's go! Rock star. Okay. 1797 01:17:23,264 --> 01:17:24,306 ♪ This is "The Voice" ♪ 1798 01:17:24,306 --> 01:17:26,225 Welcome back. 1799 01:17:26,225 --> 01:17:28,644 Come on, Carolina. Two more performances to go. 1800 01:17:28,644 --> 01:17:30,104 Now singing "Anyone," 1801 01:17:30,104 --> 01:17:33,149 here is Team Legend's Carolina Rial. 1802 01:17:33,149 --> 01:17:34,275 Yes. 1803 01:17:34,275 --> 01:17:44,785 ♪ I tried to talk to my piano ♪ 1804 01:17:44,785 --> 01:17:48,539 ♪ I tried to talk to my guitar ♪ 1805 01:17:48,539 --> 01:17:52,334 ♪ Talk to my imagination ♪ 1806 01:17:52,334 --> 01:17:55,754 ♪ Confided into alcohol ♪ 1807 01:17:55,754 --> 01:17:59,508 ♪ I tried and tried and tried some more ♪ 1808 01:17:59,508 --> 01:18:03,512 ♪ Told secrets till my voice was sore ♪ 1809 01:18:03,512 --> 01:18:07,099 ♪ Tired of empty conversation ♪ 1810 01:18:07,099 --> 01:18:10,686 ♪ 'Cause no one hears me anymore ♪ 1811 01:18:10,686 --> 01:18:14,356 ♪ A hundred million stories and a hundred million songs ♪ 1812 01:18:14,356 --> 01:18:17,318 ♪ I feel stupid when I sing ♪ 1813 01:18:17,318 --> 01:18:21,030 ♪ Nobody's listening to me ♪ 1814 01:18:21,030 --> 01:18:25,367 ♪ Nobody's listening ♪ 1815 01:18:25,367 --> 01:18:29,246 ♪ I talk to shooting stars, but they always get it wrong ♪ 1816 01:18:29,246 --> 01:18:31,832 ♪ I feel stupid when I pray ♪ 1817 01:18:31,832 --> 01:18:35,711 ♪ So why am I praying anyway ♪ 1818 01:18:35,711 --> 01:18:40,382 ♪ If nobody's listening? ♪ 1819 01:18:40,382 --> 01:18:42,551 ♪ Anyone ♪ 1820 01:18:42,551 --> 01:18:46,347 ♪ Please send me anyone ♪ 1821 01:18:46,347 --> 01:18:50,559 ♪ Lord, is there anyone? ♪ 1822 01:18:50,559 --> 01:18:54,063 ♪ I need someone ♪ 1823 01:18:54,063 --> 01:18:58,067 ♪ Oh, anyone ♪ 1824 01:18:58,067 --> 01:19:01,237 ♪ I need anyone ♪ 1825 01:19:01,237 --> 01:19:05,407 ♪ Oh, anyone ♪ 1826 01:19:05,407 --> 01:19:12,623 ♪ I need someo‐o‐o‐ne ♪ 1827 01:19:14,625 --> 01:19:18,754 ♪ A hundred million stories and a hundred million songs ♪ 1828 01:19:18,754 --> 01:19:22,341 ♪ I feel stupid when I sing ♪ 1829 01:19:22,341 --> 01:19:26,595 ♪ Nobody's listening to me ♪ 1830 01:19:26,595 --> 01:19:32,768 ♪ Nobody's listening ♪ 1831 01:19:32,768 --> 01:19:34,728 Whoo! 1832 01:19:34,728 --> 01:19:38,274 Beautiful. 1833 01:19:38,274 --> 01:19:39,858 Yes! Yes. 1834 01:19:39,858 --> 01:19:41,277 Beautiful! 1835 01:19:41,277 --> 01:19:43,362 And finally, with "Black Hole Sun," 1836 01:19:43,362 --> 01:19:45,614 here's Team Kelly's Savanna Woods. 1837 01:19:45,614 --> 01:19:46,740 Oh, wow. 1838 01:19:48,450 --> 01:19:58,627 ♪ In my eyes, indisposed ♪ 1839 01:19:58,627 --> 01:20:02,631 ♪ In disguise, as no one knows ♪ 1840 01:20:02,631 --> 01:20:07,469 ♪ Hides the face, lies the snake ♪ 1841 01:20:07,469 --> 01:20:12,308 ♪ And the sun in my disgrace ♪ 1842 01:20:12,308 --> 01:20:16,645 ♪ Boiling heat, summer stench ♪ 1843 01:20:16,645 --> 01:20:20,649 ♪ 'Neath the black, the sky looks dead ♪ 1844 01:20:20,649 --> 01:20:25,487 ♪ Call my name through the cream ♪ 1845 01:20:25,487 --> 01:20:30,826 ♪ And I'll hear you scream again ♪ 1846 01:20:30,826 --> 01:20:32,161 Whoo! 1847 01:20:32,161 --> 01:20:37,541 ♪ Black hole sun, won't you come ♪ 1848 01:20:37,541 --> 01:20:40,836 ♪ And wash away the rain? ♪ 1849 01:20:40,836 --> 01:20:45,424 ♪ Black hole sun, won't you come? ♪ 1850 01:20:45,424 --> 01:20:50,679 ♪ Won't you come? ♪ 1851 01:20:50,679 --> 01:20:52,431 Sing, girl! 1852 01:20:52,431 --> 01:20:57,269 ♪ Hang my head, drown my fears ♪ 1853 01:20:57,269 --> 01:21:03,484 ♪ 'Til you all just disappear ♪ 1854 01:21:03,484 --> 01:21:08,697 ♪ Black hole sun, won't you come ♪ 1855 01:21:08,697 --> 01:21:12,368 ♪ And wash away the rain? ♪ 1856 01:21:12,368 --> 01:21:16,914 ♪ Black hole sun, won't you come? ♪ 1857 01:21:16,914 --> 01:21:19,249 ♪ Won't you come? ♪ 1858 01:21:19,249 --> 01:21:23,545 ♪ Black hole sun ♪ 1859 01:21:23,545 --> 01:21:25,714 ♪ Won't you come? ♪ 1860 01:21:25,714 --> 01:21:30,302 ♪ Black hole sun ♪ 1861 01:21:30,302 --> 01:21:35,724 ♪ Won't you coooo‐o‐o‐me? ♪ 1862 01:21:35,724 --> 01:21:44,733 ♪ Cooooooome ♪ 1863 01:21:48,028 --> 01:21:49,738 You better sing! Okay. 1864 01:21:49,738 --> 01:21:52,574 You better get it! Okay. 1865 01:21:52,574 --> 01:21:53,909 How about a big hand 1866 01:21:53,909 --> 01:21:58,038 for Savanna, Devan, Carolina, and Emma? 1867 01:21:58,038 --> 01:21:59,706 Let's hear what your coaches thought 1868 01:21:59,706 --> 01:22:01,458 about the big four‐way knockout. 1869 01:22:01,458 --> 01:22:02,918 Well, Emma, I couldn't be happier 1870 01:22:02,918 --> 01:22:04,586 with your performance tonight. 1871 01:22:04,586 --> 01:22:08,590 I feel like I really need you on my team. 1872 01:22:08,590 --> 01:22:10,050 I need somebody representing 1873 01:22:10,050 --> 01:22:12,719 some hardcore mainstream country music. 1874 01:22:12,719 --> 01:22:14,930 It's always hard to make these decisions. 1875 01:22:14,930 --> 01:22:16,932 But the winner of this knockout... 1876 01:22:16,932 --> 01:22:19,351 ...is Emma. 1877 01:22:19,351 --> 01:22:21,437 The king of "The Voice" has spoken. 1878 01:22:21,437 --> 01:22:23,272 Your heart's in the right place, Blake. Good luck. 1879 01:22:23,272 --> 01:22:24,898 Nick, what'd you think about Devan's performance tonight? 1880 01:22:24,898 --> 01:22:27,609 We talked a lot in our rehearsal... Whoo! Devan. 1881 01:22:27,609 --> 01:22:30,446 ...with Snoop about you coming out of your shell, 1882 01:22:30,446 --> 01:22:32,614 and you are like a different person. 1883 01:22:32,614 --> 01:22:34,950 Thank you. By far ‐‐ and John said it, too ‐‐ 1884 01:22:34,950 --> 01:22:37,744 your best vocal performance we've heard from you so far. 1885 01:22:37,744 --> 01:22:40,330 Thank you so much. So, please, let's keep Devan in this thing. 1886 01:22:40,330 --> 01:22:41,665 Thanks. Good luck to you. 1887 01:22:41,665 --> 01:22:42,958 John, how about Carolina? 1888 01:22:42,958 --> 01:22:44,460 Carolina, that was wonderful. 1889 01:22:44,460 --> 01:22:46,753 Thank you. I felt every single emotion. 1890 01:22:46,753 --> 01:22:48,464 I could tell you felt it, too. 1891 01:22:48,464 --> 01:22:52,634 What a plea to America, saying, support Carolina. 1892 01:22:52,634 --> 01:22:54,803 Send her to the lives. 1893 01:22:54,803 --> 01:22:57,639 Kelly, thoughts on Savanna's performance. 1894 01:22:57,639 --> 01:23:02,060 Savanna, you're insane, and your range is incredible. 1895 01:23:02,060 --> 01:23:03,812 The highest and lowest I've ever sang. 1896 01:23:03,812 --> 01:23:05,939 Yeah, I was gonna say, I can't do what you just did. 1897 01:23:05,939 --> 01:23:08,650 I can't go that low. You're just so rock and roll. 1898 01:23:08,650 --> 01:23:10,777 And "The Voice" is about representation 1899 01:23:10,777 --> 01:23:12,738 in all those genres, 1900 01:23:12,738 --> 01:23:13,947 and I feel it's really important. 1901 01:23:13,947 --> 01:23:15,616 And I hope America heard that 1902 01:23:15,616 --> 01:23:16,992 and got excited and inspired. 1903 01:23:16,992 --> 01:23:19,828 So please, America, vote for Savanna right now. 1904 01:23:19,828 --> 01:23:21,538 Whoo! That was good. 1905 01:23:21,538 --> 01:23:23,499 Alright. Only one of these artists 1906 01:23:23,499 --> 01:23:24,708 will move on to the live playoffs. 1907 01:23:24,708 --> 01:23:27,336 And, of course, it all depends on you. 1908 01:23:27,336 --> 01:23:28,754 Remember, voting is open now 1909 01:23:28,754 --> 01:23:30,672 on the "Voice" official app and NBC.com. 1910 01:23:30,672 --> 01:23:33,008 It closes 7:00 a. m. Eastern tomorrow. 1911 01:23:33,008 --> 01:23:34,843 We're gonna reveal your winner 1912 01:23:34,843 --> 01:23:37,137 at the beginning of our first live playoff show. 1913 01:23:37,137 --> 01:23:39,848 How about a big hand for these four incredible artists? 1914 01:23:39,848 --> 01:23:41,850 Whoo! Beautiful job! 1915 01:23:41,850 --> 01:23:43,352 Beautiful! 1916 01:23:43,352 --> 01:23:44,686 Thank you, and best of luck to you. 1917 01:23:44,686 --> 01:23:45,854 Fantastic. 139855

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