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1
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I love...
Baby!
2
00:00:08,342 --> 00:00:10,344
...the Season 20 Knockouts.
3
00:00:10,344 --> 00:00:11,970
Whooo!
Yep!
4
00:00:11,970 --> 00:00:14,014
We're just watching
these amazing artists
5
00:00:14,014 --> 00:00:15,432
who bring it every time.
6
00:00:15,432 --> 00:00:16,850
Kelly,
who do you think is
7
00:00:16,850 --> 00:00:18,519
the biggest threat to Team Kelly
of the guys?
8
00:00:18,519 --> 00:00:20,187
Well,
people keep stealing my team.
9
00:00:20,187 --> 00:00:22,189
I'll go, too.
10
00:00:22,189 --> 00:00:23,524
John.
Whoooo!
11
00:00:23,524 --> 00:00:25,025
Nick,
you did something cool.
12
00:00:25,025 --> 00:00:27,611
You stole back someone
who was on your team.
13
00:00:27,611 --> 00:00:29,363
I did that for Nick.
It was like ‐‐
14
00:00:29,363 --> 00:00:31,490
It was almost like
putting Andrew in layaway.
15
00:00:31,490 --> 00:00:33,033
Yeah, okay.
Layaway?
16
00:00:33,033 --> 00:00:34,284
Let me help you.
17
00:00:34,284 --> 00:00:36,537
Four‐way knockouts
coming up soon.
18
00:00:38,163 --> 00:00:41,083
We literally have
four very different styles,
19
00:00:41,083 --> 00:00:43,377
four great voices,
giving it their all.
20
00:00:43,377 --> 00:00:45,045
That's what this show's
all about.
21
00:00:45,045 --> 00:00:47,506
It's up to you at home to decide
22
00:00:47,506 --> 00:00:49,383
who stays in this thing.
23
00:00:49,383 --> 00:00:51,635
How you been?
How you been?
I got a gift for you, dawg.
24
00:00:51,635 --> 00:00:53,220
Uh‐oh. Uh‐oh.
It's a doggy bag.
25
00:00:53,220 --> 00:00:54,721
Snoop Dogg has an ability to get
26
00:00:54,721 --> 00:00:56,890
into the mind of the artist
and what they want to say
27
00:00:56,890 --> 00:00:58,392
and has given some really
incredible advice.
28
00:00:58,392 --> 00:01:00,018
I love it.
Yes, sir.
29
00:01:00,018 --> 00:01:01,478
I'll put this on
right after we wrap. Thank you.
30
00:01:01,478 --> 00:01:03,647
For my favorite Jonas.
So I am your favorite Jonas.
31
00:01:03,647 --> 00:01:04,898
I was ‐‐ I was hoping
you would say that.
32
00:01:04,898 --> 00:01:06,066
Man, quit playing with me,
man.
33
00:01:06,066 --> 00:01:07,401
He's like a music library.
34
00:01:07,401 --> 00:01:09,236
And that's what you need
for a Mega Mentor.
35
00:01:09,236 --> 00:01:11,405
So they get to pick their songs
this round.
36
00:01:11,405 --> 00:01:13,907
I'm very curious
to know what they picked.
Mm.
37
00:01:13,907 --> 00:01:17,744
This pairing is Zae
and Rachel Mac.
Mm.
38
00:01:17,744 --> 00:01:22,249
They're two of my youngest
and also two of my favorites,
39
00:01:22,249 --> 00:01:23,458
which makes me
feel like an idiot
40
00:01:23,458 --> 00:01:24,918
for putting them together.
41
00:01:24,918 --> 00:01:26,211
Oops.
42
00:01:26,211 --> 00:01:28,755
Oh!
Hey, guys.
43
00:01:28,755 --> 00:01:31,091
This is Snoop.
44
00:01:31,091 --> 00:01:32,759
I ‐‐
45
00:01:32,759 --> 00:01:34,595
Never have I thought
46
00:01:34,595 --> 00:01:37,598
I would say I met Snoop Dogg.
47
00:01:37,598 --> 00:01:39,600
Oh ‐‐
I'm thinking y'all on
"The Price Is Right"
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00:01:39,600 --> 00:01:41,768
the way y'all ‐‐
Come on down!
Uh...
49
00:01:41,768 --> 00:01:44,104
Rachel,
what song are you singing?
50
00:01:44,104 --> 00:01:46,273
"Foolish Games" by Jewel.
Very nice.
51
00:01:46,273 --> 00:01:48,191
I wanted to really show ‐‐
I may be young,
52
00:01:48,191 --> 00:01:50,444
but I can really make
the audience feel something.
53
00:01:50,444 --> 00:01:52,195
Well, you definitely
made everyone feel something
54
00:01:52,195 --> 00:01:53,739
in your battle round.
55
00:01:53,739 --> 00:01:57,117
♪ I hope you don't mind,
I hope you don't mind ♪
56
00:01:57,117 --> 00:02:02,164
It was the only standing ovation
of all the battles.
♪ That I put down in wo‐o‐rds ♪
57
00:02:02,164 --> 00:02:05,167
Whoo!
Rachel was a one‐chair turn,
58
00:02:05,167 --> 00:02:08,295
and she's kind of the one
to watch, in my opinion.
59
00:02:08,295 --> 00:02:12,257
♪ You were always crazy
like that ♪
Nice.
60
00:02:12,257 --> 00:02:16,762
To me, the song is about
toxic people and finding peace.
61
00:02:16,762 --> 00:02:18,305
I definitely connect
to this song.
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00:02:18,305 --> 00:02:20,641
I've had a lot of people
in my life come and go.
63
00:02:20,641 --> 00:02:22,601
I was 4 years old
when my mom left.
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00:02:22,601 --> 00:02:25,437
♪ Someone who gave a damn ♪
It was rough.
65
00:02:25,437 --> 00:02:27,481
♪ Someone more like myself ♪
My dad was working really hard,
66
00:02:27,481 --> 00:02:28,732
and so it was just us girls
67
00:02:28,732 --> 00:02:30,567
around the house
a lot of the time,
68
00:02:30,567 --> 00:02:34,321
ordering at food banks
and shopping at thrift stores.
69
00:02:34,321 --> 00:02:36,156
So, I've definitely
gone through a lot.
70
00:02:36,156 --> 00:02:37,824
But I mean, it brought me here.
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00:02:37,824 --> 00:02:40,827
♪ You're breaking my he‐e‐art ♪
Ooh!
72
00:02:40,827 --> 00:02:43,205
I was just in awe.
Like, I wanted to stand up.
73
00:02:43,205 --> 00:02:45,707
That's how much she moved me
with that voice.
74
00:02:45,707 --> 00:02:48,502
Wow. Wow, wow.
Pretty incredible.
75
00:02:48,502 --> 00:02:50,420
I heard some Teena Marie
up in there.
Thank you.
76
00:02:50,420 --> 00:02:52,506
You got a lot of soul in you,
little momma. That sound good.
77
00:02:52,506 --> 00:02:54,341
She can handle the song and ‐‐
and make you believe
78
00:02:54,341 --> 00:02:56,426
that she's the woman
who wrote the song.
79
00:02:56,426 --> 00:02:59,179
I love it. You're connecting it
to something emotional.
80
00:02:59,179 --> 00:03:01,598
One note ‐‐
sometimes when you sing
81
00:03:01,598 --> 00:03:06,186
closed "A" vowel sounds,
it can get a touch pitchy.
Okay.
82
00:03:06,186 --> 00:03:08,188
I don't know
if I like the ending.
83
00:03:08,188 --> 00:03:10,023
It's so big,
and it just felt like
84
00:03:10,023 --> 00:03:11,525
the ending is
just so little.
85
00:03:11,525 --> 00:03:13,694
When we get to the big crescendo
on the high note,
86
00:03:13,694 --> 00:03:15,529
I almost wish that was the end,
but I know it wouldn't ‐‐
87
00:03:15,529 --> 00:03:17,197
Yeah,
'cause that's what it felt like.
88
00:03:17,197 --> 00:03:21,201
What if you did...
♪ Breaking my heart ♪
89
00:03:21,201 --> 00:03:22,869
You banging us
all the way through the record
90
00:03:22,869 --> 00:03:25,080
so you got to end
with a bang.
Yeah, for sure.
91
00:03:25,080 --> 00:03:28,417
Take every preconceived notion
you have about Mr. Snoop,
92
00:03:28,417 --> 00:03:30,335
and it's the opposite.
93
00:03:30,335 --> 00:03:31,545
He's so humble.
94
00:03:31,545 --> 00:03:33,046
He's very knowledgeable.
95
00:03:33,046 --> 00:03:35,215
He completely changed
the end of my song.
96
00:03:35,215 --> 00:03:36,842
He might have saved me.
97
00:03:36,842 --> 00:03:39,553
♪ You're breaking my he‐e‐art ♪
98
00:03:39,553 --> 00:03:41,388
So good.
Thank you.
99
00:03:41,388 --> 00:03:43,223
The way you said
"breaking my heart" at the end,
100
00:03:43,223 --> 00:03:45,350
it felt like
you was finna cry.
Mm‐hmm.
101
00:03:45,350 --> 00:03:47,060
That was live.
Thank you.
102
00:03:47,060 --> 00:03:48,228
That's the right call.
103
00:03:48,228 --> 00:03:49,688
I have worked
104
00:03:49,688 --> 00:03:52,732
with some incredible artists
who were young.
105
00:03:52,732 --> 00:03:54,734
Demi Lovato comes to mind...
Thank you.
106
00:03:54,734 --> 00:03:56,403
...and Rachel
has elements of that.
107
00:03:56,403 --> 00:03:58,238
When I see that
she's coming up next to sing,
108
00:03:58,238 --> 00:03:59,823
I'm like, "Oh, I know
this is gonna be good."
109
00:03:59,823 --> 00:04:02,576
Today is Zae day.
110
00:04:02,576 --> 00:04:05,078
Zae, what song
are you singing?
111
00:04:05,078 --> 00:04:06,872
I'm singing "Electric Love."
Awesome.
112
00:04:06,872 --> 00:04:09,624
I did not anticipate that.
Why did you choose that song?
113
00:04:09,624 --> 00:04:12,335
My grandpa passed away
a few months ago.
114
00:04:12,335 --> 00:04:15,881
Him and my grandma had
this crazy, beautiful love.
115
00:04:15,881 --> 00:04:17,591
Actually,
his last words were that
116
00:04:17,591 --> 00:04:19,926
he wanted to give her a kiss,
117
00:04:19,926 --> 00:04:21,261
and he did.
118
00:04:21,261 --> 00:04:23,430
♪ Candy ♪
119
00:04:23,430 --> 00:04:24,890
He even wrote
in one of his letters
120
00:04:24,890 --> 00:04:26,767
when he was in the military,
"I feel a connection,
121
00:04:26,767 --> 00:04:28,268
and it's like an electric buzz
in the air
122
00:04:28,268 --> 00:04:29,603
whenever I'm near you."
123
00:04:29,603 --> 00:04:31,772
Being in the foster‐care system,
you don't really
124
00:04:31,772 --> 00:04:33,273
get to see that love.
♪ ...go now that I got it ♪
125
00:04:33,273 --> 00:04:35,442
♪ Lo‐ove ♪
Oooh!
126
00:04:35,442 --> 00:04:38,111
And so when I met them,
I was like, "This is love."
127
00:04:38,111 --> 00:04:39,905
♪ Electric lo‐ove ♪
128
00:04:39,905 --> 00:04:42,240
Zae reminds me
a little bit of Labrinth,
129
00:04:42,240 --> 00:04:43,450
a little John Legend in there.
130
00:04:43,450 --> 00:04:45,577
Four chairs!
131
00:04:45,577 --> 00:04:47,913
Which makes, you know,
him being a four‐chair turn
132
00:04:47,913 --> 00:04:51,333
and not picking John so sweet.
133
00:04:51,333 --> 00:04:52,918
Mm.
So sick.
134
00:04:52,918 --> 00:04:55,128
You sound good, dawg.
Thank you.
I appreciate that.
135
00:04:55,128 --> 00:04:57,464
The original, obviously,
is swung, up‐tempo.
136
00:04:57,464 --> 00:04:58,965
This is such
a cool flip on it,
137
00:04:58,965 --> 00:05:03,136
and I think it's gonna create
kind of a viral‐ish moment.
138
00:05:03,136 --> 00:05:05,472
You know,
this is a big, big song.
139
00:05:05,472 --> 00:05:08,475
Maintain your control.
Sort of sounds
like there's an accent,
140
00:05:08,475 --> 00:05:11,144
the first word of the song...
♪ Candy ♪
141
00:05:11,144 --> 00:05:12,437
I'm not, like,
British or anything.
142
00:05:12,437 --> 00:05:13,814
It just kinda ‐‐
You're not British?
143
00:05:13,814 --> 00:05:15,482
Mate, you sounded British
144
00:05:15,482 --> 00:05:17,651
on the first line, mate.
Yeah, well...
145
00:05:19,319 --> 00:05:22,322
I mean, it can sometimes be
a stylistic choice
146
00:05:22,322 --> 00:05:23,782
to sing
in a different accent.
147
00:05:23,782 --> 00:05:25,826
I've had...
friends do that.
148
00:05:25,826 --> 00:05:27,452
Yeah.
We got friends that do it.
149
00:05:27,452 --> 00:05:30,205
But, uh, as our friend,
you shouldn't do it.
150
00:05:30,205 --> 00:05:31,206
Yeah.
151
00:05:31,206 --> 00:05:32,707
When you're a young Black kid
152
00:05:32,707 --> 00:05:34,334
and you go to barbershops,
everyone in there,
153
00:05:34,334 --> 00:05:35,335
they have so much fun,
154
00:05:35,335 --> 00:05:36,503
They're, like, joking around.
155
00:05:36,503 --> 00:05:37,838
They're all talking.
156
00:05:37,838 --> 00:05:39,923
And Snoop just reminds me
of those moments.
157
00:05:39,923 --> 00:05:41,675
It just felt like home,
almost.
158
00:05:41,675 --> 00:05:43,635
I'd hate to be the one to have
to pick between these two.
159
00:05:43,635 --> 00:05:45,512
So would I.
160
00:05:45,512 --> 00:05:49,015
I am one performance away
from live playoffs.
161
00:05:49,015 --> 00:05:50,851
I definitely got to
step up to the plate...
Whoo! Whoo!
162
00:05:50,851 --> 00:05:52,978
...because this girl
can sang.
163
00:05:52,978 --> 00:05:54,855
And that's not with an "I."
That's with an "A."
164
00:05:54,855 --> 00:05:56,690
She can sang.
165
00:05:56,690 --> 00:05:58,859
Perform at your highest level
so in case you don't make it,
166
00:05:58,859 --> 00:06:00,652
somebody may be looking
in the wings
167
00:06:00,652 --> 00:06:01,987
and be like,
"You know what?"
Mm. Yeah. Mm‐hmm.
168
00:06:01,987 --> 00:06:03,530
"I ain't finna let
that person go home."
169
00:06:03,530 --> 00:06:05,365
I love Zae.
I love Rachel.
170
00:06:05,365 --> 00:06:08,535
I think this is gonna be
the toughest decision yet.
171
00:06:10,662 --> 00:06:12,247
It's knockout time.
172
00:06:12,247 --> 00:06:15,417
We're knocking out
the knockouts.
173
00:06:15,417 --> 00:06:16,835
Alright. Places.
Here we go.
174
00:06:18,545 --> 00:06:22,716
Singing "Foolish Games,"
here's Rachel Mac.
175
00:06:22,716 --> 00:06:32,559
♪ You took your coat off ♪
176
00:06:32,559 --> 00:06:36,396
♪ And stood in the rain ♪
177
00:06:36,396 --> 00:06:40,901
♪ You were always crazy
like that ♪
178
00:06:40,901 --> 00:06:47,407
♪ And I watched from my window ♪
179
00:06:47,407 --> 00:06:51,578
♪ Always felt I was outside ♪
180
00:06:51,578 --> 00:06:56,625
♪ Looking in on you ♪
181
00:06:56,625 --> 00:06:59,753
♪ You were always
the mysterious one ♪
182
00:06:59,753 --> 00:07:03,256
♪ With dark eyes
and careless hair ♪
183
00:07:03,256 --> 00:07:06,926
♪ You were
fashionably sensitive ♪
184
00:07:06,926 --> 00:07:11,765
♪ But too cool to care ♪
185
00:07:11,765 --> 00:07:15,101
♪ Excuse me,
think I've mistaken you ♪
186
00:07:15,101 --> 00:07:18,938
♪ For somebody else ♪
187
00:07:18,938 --> 00:07:22,776
Sing, girl!
♪ Someone who gave a damn ♪
188
00:07:22,776 --> 00:07:26,029
♪ Somebody more like myself ♪
189
00:07:26,029 --> 00:07:28,948
♪ And these ♪
190
00:07:28,948 --> 00:07:32,911
♪ Foolish games ♪
191
00:07:32,911 --> 00:07:35,664
♪ Are tearing me ♪
192
00:07:35,664 --> 00:07:37,666
♪ You're tearing me ♪
193
00:07:37,666 --> 00:07:40,794
♪ Tearing me apart ♪
194
00:07:40,794 --> 00:07:44,047
♪ And your ♪
195
00:07:44,047 --> 00:07:47,967
♪ Thoughtless words ♪
196
00:07:47,967 --> 00:07:55,433
♪ Are breaking my heart ♪
197
00:07:55,433 --> 00:08:03,983
♪ You're breaking my he‐e‐art ♪
198
00:08:03,983 --> 00:08:11,991
♪ Oh, aaaaah ♪
199
00:08:11,991 --> 00:08:16,913
♪ You're breaking my heart ♪
200
00:08:16,913 --> 00:08:19,541
Yeah!
201
00:08:19,541 --> 00:08:21,668
Beautiful.
Lovely.
202
00:08:24,504 --> 00:08:25,839
And now with "Electric Love,
203
00:08:25,839 --> 00:08:28,091
here is Zae Romeo.
204
00:08:35,098 --> 00:08:40,645
♪ Candy ♪
205
00:08:40,645 --> 00:08:46,151
♪ She's sweet like candy
in my veins ♪
206
00:08:46,151 --> 00:08:48,528
♪ Baby ♪
207
00:08:48,528 --> 00:08:54,367
♪ I'm dying for another taste ♪
208
00:08:54,367 --> 00:08:58,538
♪ Every night, my mind is
running around her ♪
209
00:08:58,538 --> 00:09:00,081
Dang.
210
00:09:00,081 --> 00:09:04,711
♪ It's getting louder,
louder and louder ♪
211
00:09:04,711 --> 00:09:06,212
Whoo!
212
00:09:06,212 --> 00:09:10,133
♪ Baby, you're like
lightning in a bottle ♪
213
00:09:10,133 --> 00:09:13,720
♪ I can't let you go now
that I got it ♪
214
00:09:13,720 --> 00:09:19,225
♪ And all I need is
to be struck ♪
215
00:09:19,225 --> 00:09:27,650
♪ By your electric love ♪
216
00:09:27,650 --> 00:09:34,407
♪ Baby, your electric lo‐o‐ve ♪
217
00:09:34,407 --> 00:09:39,037
♪ Rushing through me ♪
218
00:09:39,037 --> 00:09:40,246
Whoo!
219
00:09:40,246 --> 00:09:45,043
♪ Feel your energy rushing ♪
220
00:09:45,043 --> 00:09:48,088
♪ Rushing through me ♪
221
00:09:48,088 --> 00:09:52,258
♪ I feel your energy rushing ♪
222
00:09:52,258 --> 00:09:58,014
♪ Baby, you're like
lightning in a bottle ♪
223
00:09:58,014 --> 00:10:01,935
♪ I can't let you go
now that I got it ♪
224
00:10:01,935 --> 00:10:07,941
♪ All I need is
to be struck by ♪
225
00:10:07,941 --> 00:10:14,781
♪ Your electric lo‐o‐ve ♪
226
00:10:14,781 --> 00:10:16,616
Oh!
227
00:10:16,616 --> 00:10:31,631
♪ Baby, your electric love ♪
228
00:10:32,966 --> 00:10:35,135
Yeah!
229
00:10:39,472 --> 00:10:41,641
I have been moved.
230
00:10:41,641 --> 00:10:43,810
I have been moved,
as well.
231
00:10:43,810 --> 00:10:46,479
Rachel, when you were
hitting those high notes,
232
00:10:46,479 --> 00:10:49,983
it was, like,
really gorgeous.
Thank you.
233
00:10:49,983 --> 00:10:51,901
I find your vibrato
so interesting.
234
00:10:51,901 --> 00:10:54,779
It's such a part
of your vocal personality.
235
00:10:54,779 --> 00:10:57,157
Zae, I felt it.
236
00:10:57,157 --> 00:10:59,117
And I loved the way
you were doing your little step,
237
00:10:59,117 --> 00:11:00,827
and it had like an energy
238
00:11:00,827 --> 00:11:03,329
that felt very appropriate
for the song.
239
00:11:03,329 --> 00:11:04,998
I feel like you're showing
240
00:11:04,998 --> 00:11:07,542
even more of who you are.
Yeah.
241
00:11:07,542 --> 00:11:10,962
I would side with Zae
on this one.
242
00:11:10,962 --> 00:11:12,505
I'm gonna start
with you, Rachel.
243
00:11:12,505 --> 00:11:16,009
Your tone is incredible.
I cannot believe you're 16.
244
00:11:16,009 --> 00:11:17,635
It's outrageous.
Thank you.
245
00:11:17,635 --> 00:11:18,845
And your vibrato,
like John said,
246
00:11:18,845 --> 00:11:20,638
is really beautiful.
It's very slow.
247
00:11:20,638 --> 00:11:21,848
You just need to figure out
where to breathe
248
00:11:21,848 --> 00:11:23,141
to get
a little bit more air.
249
00:11:23,141 --> 00:11:25,018
Job well done.
Thank you.
250
00:11:25,018 --> 00:11:26,644
Hey, Zae!
251
00:11:26,644 --> 00:11:29,314
You lose yourself
in the song,
252
00:11:29,314 --> 00:11:31,024
and I have never
heard that song.
253
00:11:31,024 --> 00:11:32,859
You seriously have never heard
that song before? Wow.
254
00:11:32,859 --> 00:11:35,695
Oh, shut up, cowboy.
You don't know that song.
255
00:11:35,695 --> 00:11:37,697
Blake listens to it...
I can see him jamming
to "Electric Love" in his truck.
256
00:11:37,697 --> 00:11:40,533
...in the car every time
he's on his way here,
257
00:11:40,533 --> 00:11:42,035
He's always playing
"Electric Love."
Yeah. Back roads.
258
00:11:42,035 --> 00:11:43,870
Back roads.
Yeah, totally.
259
00:11:43,870 --> 00:11:45,830
I thought
it was incredible.
260
00:11:45,830 --> 00:11:48,249
That's why I'm picking you
this round.
261
00:11:48,249 --> 00:11:50,210
I'm interested
in what Nick's gonna do here,
262
00:11:50,210 --> 00:11:52,879
because on one hand,
he has Zae,
263
00:11:52,879 --> 00:11:55,048
who was, if my notes
are correct here ‐‐
264
00:11:55,048 --> 00:11:57,050
I keep notes. I've ‐‐ I write
them down the whole time.
265
00:11:57,050 --> 00:11:58,801
He calls them Blake's Notes.
Yeah.
266
00:11:58,801 --> 00:12:00,136
I'm just constantly ‐‐
It's his thing.
267
00:12:00,136 --> 00:12:01,721
And I study 'em.
It's his thing.
268
00:12:01,721 --> 00:12:02,889
No one else has notes
like Blake does.
269
00:12:02,889 --> 00:12:04,390
Right.
No one, yeah.
270
00:12:04,390 --> 00:12:07,018
You were a four‐chair turn,
if I remember correctly,
271
00:12:07,018 --> 00:12:08,728
I was.
You kinda set the bar.
272
00:12:08,728 --> 00:12:10,230
When you ‐‐
When that happens, it's like,
273
00:12:10,230 --> 00:12:12,732
"Well, he better win."
274
00:12:12,732 --> 00:12:16,069
One‐button artist,
which is what Rachel was.
275
00:12:16,069 --> 00:12:18,196
When they excel
like she is ‐‐
276
00:12:18,196 --> 00:12:20,073
We're seeing this growth
happen with you.
277
00:12:20,073 --> 00:12:21,741
Every time you get up there,
it's like,
278
00:12:21,741 --> 00:12:24,244
"Oh, my God.
Oh, my God."
Thank you.
279
00:12:24,244 --> 00:12:26,579
As a coach,
I'm always interested in knowing
280
00:12:26,579 --> 00:12:29,040
that I can effect change
with an artist.
281
00:12:29,040 --> 00:12:32,919
And I feel like, somehow,
Nick, of all people,
282
00:12:32,919 --> 00:12:35,588
is putting coaching into motion
with you.
283
00:12:35,588 --> 00:12:36,756
Thank you.
And that's really cool.
284
00:12:36,756 --> 00:12:38,049
Nick, give us
some thoughts
285
00:12:38,049 --> 00:12:39,425
before you tell us
who won the knockout.
286
00:12:39,425 --> 00:12:42,345
On one hand, Zae,
you sang the best
287
00:12:42,345 --> 00:12:43,763
I've ever heard you sing.
288
00:12:43,763 --> 00:12:45,765
You know,
you come ready for game time,
289
00:12:45,765 --> 00:12:47,267
and you put on a show.
290
00:12:47,267 --> 00:12:48,768
You've done it
each performance.
291
00:12:48,768 --> 00:12:51,396
On the other hand, Rachel,
you're growing
292
00:12:51,396 --> 00:12:53,439
exponentially every time we work together.
293
00:12:53,439 --> 00:12:57,110
And it's why, I think,
all of us love this job so much.
294
00:12:57,110 --> 00:12:59,237
Nick, who is the winner
of this knockout?
295
00:13:02,115 --> 00:13:05,910
This performance just
made this decision
296
00:13:05,910 --> 00:13:08,621
very, very difficult.
297
00:13:08,621 --> 00:13:12,000
The winner
of this knockout is...
298
00:13:12,000 --> 00:13:13,626
Rachel.
299
00:13:13,626 --> 00:13:15,295
Well, there you have it.
300
00:13:15,295 --> 00:13:17,797
Rachel Mac!
I picked Rachel
301
00:13:17,797 --> 00:13:19,799
because she's kind of
a dark horse,
302
00:13:19,799 --> 00:13:21,134
one‐chair turn,
303
00:13:21,134 --> 00:13:23,219
and here she is,
going into the live shows.
304
00:13:23,219 --> 00:13:25,054
I think she's one of the
strongest vocalists we have,
305
00:13:25,054 --> 00:13:26,806
and I know she can
get even better.
306
00:13:26,806 --> 00:13:28,808
Coaches, let me remind you
that Zae's available to steal.
307
00:13:28,808 --> 00:13:29,976
Zae, anything
you want to say ‐‐
308
00:13:29,976 --> 00:13:31,978
We got a steal!
309
00:13:31,978 --> 00:13:36,316
Kelly Clarkson uses her one and
only steal in the knockouts...
310
00:13:36,316 --> 00:13:39,068
Texas!
...for Zae Romeo.
311
00:13:39,068 --> 00:13:41,320
Kelly, why'd you want
to use your steal on Zae?
312
00:13:41,320 --> 00:13:43,156
That's a no‐brainer.
I turned for you in the blinds.
313
00:13:43,156 --> 00:13:45,658
I loved you in the battles
from home in my PJs.
314
00:13:45,658 --> 00:13:46,993
Honestly, this show's
called "The Voice,"
315
00:13:46,993 --> 00:13:48,661
and your voice, like,
gave me goosebumps
316
00:13:48,661 --> 00:13:50,038
the entire performance.
317
00:13:50,038 --> 00:13:52,206
Give it up.
Kelly steals Zae Romeo.
318
00:13:52,206 --> 00:13:54,876
Zae!
We will be seeing you
in the live playoffs,
319
00:13:54,876 --> 00:13:57,420
this time, on Team Kelly.
Yeah!
I'm so excited.
320
00:13:57,420 --> 00:13:59,839
All is good in the world.
Congrats, Kelly.
321
00:13:59,839 --> 00:14:01,132
Zae is incredible.
322
00:14:01,132 --> 00:14:03,176
I think Nick really
messed up there.
323
00:14:03,176 --> 00:14:05,261
What?
324
00:14:05,261 --> 00:14:06,846
Coming up...
You should write a book.
325
00:14:06,846 --> 00:14:08,848
"The Voice"
by Snoop Dogg.
326
00:14:08,848 --> 00:14:10,183
Gonna be a whole
lot of women
327
00:14:10,183 --> 00:14:11,476
screaming at you
in the front row.
328
00:14:11,476 --> 00:14:13,436
You dang right.
"You dang right."
329
00:14:13,436 --> 00:14:15,813
Snoop helps our coaches
prepare the artists.
330
00:14:15,813 --> 00:14:17,356
There's gotta be something
where she can ‐‐
331
00:14:17,356 --> 00:14:19,192
bam, ba‐ba, buh, bum!
332
00:14:19,192 --> 00:14:22,862
♪ Never, no, no ♪
Yes!
333
00:14:22,862 --> 00:14:26,491
♪ Stop loving you ♪
334
00:14:26,491 --> 00:14:27,533
Oh!
335
00:14:27,533 --> 00:14:29,035
That is the sound of a steal!
336
00:14:29,035 --> 00:14:30,703
Wait! What?!
And later...
337
00:14:30,703 --> 00:14:32,330
the artists compete
for your votes
338
00:14:32,330 --> 00:14:34,082
in our four‐way knockout.
339
00:14:34,082 --> 00:14:35,875
Whoo!
340
00:14:44,425 --> 00:14:45,843
♪ This is "The Voice" ♪
341
00:14:45,843 --> 00:14:47,011
Welcome back
to the knockout rounds
342
00:14:47,011 --> 00:14:49,472
at Universal Studios Hollywood.
343
00:14:49,472 --> 00:14:51,182
I'm planning
on having some fun today.
344
00:14:51,182 --> 00:14:52,725
Yeah. We are definitely
gonna have some fun today.
345
00:14:52,725 --> 00:14:54,060
Did you meet the band?
What's up, band?
346
00:14:54,060 --> 00:14:55,686
What's happening, y'all?
'Sup?!
347
00:14:55,686 --> 00:14:57,021
What I plan
on seeing today
348
00:14:57,021 --> 00:15:00,900
is some real funky
musical instrumentation.
349
00:15:00,900 --> 00:15:02,235
You dig?
Exactly.
350
00:15:02,235 --> 00:15:04,654
So, basically,
that's code for, "Don't suck."
351
00:15:06,072 --> 00:15:07,657
The first pairing
that's coming out ‐‐
352
00:15:07,657 --> 00:15:09,367
these are kinda more
my, like, country guys.
353
00:15:09,367 --> 00:15:11,202
Okay. Well, you know,
I love country music.
354
00:15:11,202 --> 00:15:12,703
When we do award shows,
355
00:15:12,703 --> 00:15:14,789
more country artists
and rappers hang out.
356
00:15:14,789 --> 00:15:16,290
It's a natural
combination.
357
00:15:16,290 --> 00:15:17,917
Alright. Alright.
What's up, guys?!
Oho!
358
00:15:17,917 --> 00:15:19,836
Snoop Dogg?
Snoop Dogg is here.
359
00:15:19,836 --> 00:15:22,713
Seeing Kelly and Snoop, it
completely threw me for a loop.
360
00:15:22,713 --> 00:15:25,091
That's crazy, man.
What's happening, fellas?
361
00:15:25,091 --> 00:15:26,425
He's worked
with Justin Bieber,
362
00:15:26,425 --> 00:15:28,261
Justin Timberlake, Dr. Dre.
363
00:15:28,261 --> 00:15:30,221
My grandma knows
who Snoop Dogg is.
364
00:15:30,221 --> 00:15:32,849
I have never been more excited
to show up to work
365
00:15:32,849 --> 00:15:34,934
'cause I knew that Snoop Dogg
was gonna be here.
366
00:15:34,934 --> 00:15:37,061
The hard thing for me
with Avery and Kenzie is,
367
00:15:37,061 --> 00:15:39,105
they fill the lane
in country music that I love.
368
00:15:39,105 --> 00:15:41,858
Both are four‐chair turns,
and so I just want to see
369
00:15:41,858 --> 00:15:43,734
which one kind of rises
to the top for me.
370
00:15:43,734 --> 00:15:45,778
I'm so sorry I couldn't be here
for the battles.
371
00:15:45,778 --> 00:15:47,405
No, you're good.
Kelsea did a great job.
372
00:15:47,405 --> 00:15:48,906
I stole Avery.
373
00:15:50,533 --> 00:15:53,119
Whoo!
Yes! Yes!
374
00:15:53,119 --> 00:15:55,079
You did it.
Oh, wow.
375
00:15:55,079 --> 00:15:56,497
So, he must be a treat
if you stole him...
376
00:15:56,497 --> 00:15:57,498
He is.
...and put him on your team.
377
00:15:57,498 --> 00:15:58,958
Well, thank you so much.
378
00:15:58,958 --> 00:16:00,251
What song are you singing,
Avery?
379
00:16:00,251 --> 00:16:01,961
I'm singing "Tomorrow"
by Chris Young.
380
00:16:01,961 --> 00:16:03,129
It's just, like,
one of those songs
381
00:16:03,129 --> 00:16:04,422
that you can really feel.
382
00:16:04,422 --> 00:16:05,798
That's one of my favorite things
to do,
383
00:16:05,798 --> 00:16:07,383
is, like, storytelling
in a song.
384
00:16:07,383 --> 00:16:08,968
The song is about
loving something
385
00:16:08,968 --> 00:16:09,969
and not wanting
to let it go.
386
00:16:09,969 --> 00:16:11,888
♪ Tomorrow ♪
387
00:16:11,888 --> 00:16:14,807
♪ I'm gonna leave here ♪
Yeah.
388
00:16:14,807 --> 00:16:16,976
You know, I'm just a country boy
from North Carolina.
389
00:16:16,976 --> 00:16:20,938
♪ I'm gonna let you go ♪
I ain't ever been away
from my family this far.
390
00:16:20,938 --> 00:16:23,274
I'm scared of change, but I want
to do this more than anything.
391
00:16:23,274 --> 00:16:24,817
♪ And tomorrow ♪
There he go.
392
00:16:24,817 --> 00:16:26,152
That's so nice.
♪ I'm gonna listen ♪
393
00:16:26,152 --> 00:16:28,446
I love this song,
and I thought it was
394
00:16:28,446 --> 00:16:31,324
a really solid pick
for a competition.
♪ We're like fire and gasoline ♪
395
00:16:31,324 --> 00:16:35,161
He just got a really cool
Tim McGraw storyteller vibe.
♪ I'm no good for you,
you're no good for me ♪
396
00:16:35,161 --> 00:16:38,164
That was nice.
♪ I'm no good for you ♪
397
00:16:38,164 --> 00:16:40,291
♪ You're no good for me ♪
I love it!
398
00:16:40,291 --> 00:16:42,835
When I seen Snoop Dogg
dancing in his chair,
399
00:16:42,835 --> 00:16:44,337
I would never thought
that would ever happen.
400
00:16:44,337 --> 00:16:45,838
You know, like,
that's like a dream.
401
00:16:45,838 --> 00:16:47,298
I know why you're
a four‐chair turn, Avery.
402
00:16:47,298 --> 00:16:50,092
Your tone is so beautiful.
Thank you.
403
00:16:50,092 --> 00:16:52,845
The only thing I heard
was just some pitchy parts.
404
00:16:52,845 --> 00:16:55,431
And that is all air.
That's my biggest problem
with this.
405
00:16:55,431 --> 00:16:57,183
The reason why
you have a lack of air
406
00:16:57,183 --> 00:16:59,435
is you don't sing
with vibrato.
407
00:16:59,435 --> 00:17:03,147
Just a little bit of, like...
408
00:17:03,147 --> 00:17:04,857
It needs to...
♪ Aah na ♪
409
00:17:04,857 --> 00:17:06,525
Especially any time
you go to those high notes.
410
00:17:06,525 --> 00:17:09,320
Yeah, add on some levels
and some layers to your game.
411
00:17:09,320 --> 00:17:11,948
Yeah.
The first verse,
you had me in a trance.
412
00:17:11,948 --> 00:17:13,366
You telling your story.
413
00:17:13,366 --> 00:17:14,951
That's where
you're breathing at.
414
00:17:14,951 --> 00:17:16,202
And then when
it went upbeat,
415
00:17:16,202 --> 00:17:18,037
I wanted it
to go more upbeat.
416
00:17:18,037 --> 00:17:19,997
Like, separate the two.
417
00:17:19,997 --> 00:17:21,332
Also adds
a little more soul.
418
00:17:21,332 --> 00:17:22,875
Country music
talks to people.
419
00:17:22,875 --> 00:17:24,126
We feel like
it's a connection.
420
00:17:24,126 --> 00:17:25,378
Like...
Yeah.
421
00:17:25,378 --> 00:17:26,796
...
I hear you, man.
422
00:17:26,796 --> 00:17:28,172
Let's try it
a little more sparse
423
00:17:28,172 --> 00:17:29,382
and, like, acoustic.
424
00:17:29,382 --> 00:17:31,342
I want to cry.
Make me cry, Avery.
425
00:17:31,342 --> 00:17:33,553
I'll try to make you cry.
It's not hard.
426
00:17:33,553 --> 00:17:37,014
♪ No good for you,
you're no good for me ♪
427
00:17:37,014 --> 00:17:41,394
♪ We only bring each other
tears and sorrow ♪
428
00:17:41,394 --> 00:17:43,521
You weren't pitchy
once there.
429
00:17:43,521 --> 00:17:45,147
It was, like,
a giant difference.
430
00:17:45,147 --> 00:17:48,067
I loved every minute
of it, baby.
431
00:17:48,067 --> 00:17:50,403
Once we gave him
information, he inserted it.
432
00:17:50,403 --> 00:17:51,904
He's got a lot of room
to work with,
433
00:17:51,904 --> 00:17:53,155
and he's got a great talent.
434
00:17:53,155 --> 00:17:54,991
Come on, Kenzie!
I'm anxious to see
435
00:17:54,991 --> 00:17:56,909
what he's gonna sound like
once he fine‐tunes everything.
436
00:17:56,909 --> 00:17:59,495
Snoop, I've been in love
with Kenzie since the blinds.
437
00:17:59,495 --> 00:18:01,247
And it's not
just the mullet.
438
00:18:01,247 --> 00:18:04,417
You remind me of George Strait,
and I'm Texan.
439
00:18:04,417 --> 00:18:05,918
That's blasphemous.
440
00:18:05,918 --> 00:18:07,420
I have one question.
441
00:18:07,420 --> 00:18:10,923
How incredibly mad
were you at me
442
00:18:10,923 --> 00:18:14,051
for blocking you
from getting on Blake's team?
443
00:18:14,051 --> 00:18:15,595
Please, pick me!
444
00:18:15,595 --> 00:18:17,555
I mean, he was my first choice,
you know, but...
445
00:18:17,555 --> 00:18:20,099
I know, but that's why
I used my block.
446
00:18:20,099 --> 00:18:21,601
So why did you
choose this song?
447
00:18:21,601 --> 00:18:23,519
"Beer Never Broke My Heart" ‐‐
it's kind of like a song
448
00:18:23,519 --> 00:18:25,104
I haven't sung on the show yet.
449
00:18:25,104 --> 00:18:26,606
I wanted to challenge myself.
450
00:18:26,606 --> 00:18:28,399
Come on.
451
00:18:28,399 --> 00:18:32,361
♪ Long neck, ice‐cold beer
never broke my heart ♪
452
00:18:32,361 --> 00:18:34,113
I've always been a country guy
453
00:18:34,113 --> 00:18:36,240
trying to get my voice heard
anywhere that I could.
454
00:18:36,240 --> 00:18:38,200
♪ Like a neon dream,
it just dawned on me ♪
455
00:18:38,200 --> 00:18:39,952
And this song's just,
like, a jam‐out song.
456
00:18:39,952 --> 00:18:41,621
Just get down
and have fun onstage.
457
00:18:41,621 --> 00:18:45,333
It's pretty much about a guy
that life let him down,
458
00:18:45,333 --> 00:18:49,086
girls and stuff like that,
so I can definitely relate.
459
00:18:49,086 --> 00:18:51,464
All my relationships have
pretty much been dead‐end roads.
460
00:18:51,464 --> 00:18:53,090
Yeah.
461
00:18:53,090 --> 00:18:54,383
Hey!
462
00:18:54,383 --> 00:18:55,885
♪ Long neck, ice‐cold beer ♪
463
00:18:55,885 --> 00:18:57,470
Kenzie is hittin'
these high notes,
464
00:18:57,470 --> 00:18:59,096
but it looks so effortless...
♪ Never broke my heart ♪
465
00:18:59,096 --> 00:19:01,057
...like he's not even
trying to hit 'em.
466
00:19:01,057 --> 00:19:02,308
♪ Long‐neck ice... ♪
I just know that
when I go out there,
467
00:19:02,308 --> 00:19:03,392
I'm gonna have to bring
everything I got
468
00:19:03,392 --> 00:19:04,894
'cause he's a killer singer.
469
00:19:04,894 --> 00:19:06,562
Man!
470
00:19:06,562 --> 00:19:11,400
♪ Long neck, ice‐cold beer
never broke my heart ♪
471
00:19:11,400 --> 00:19:13,653
I fell in love with the song
right then and there,
472
00:19:13,653 --> 00:19:15,154
and I'm not even
a heavy beer drinker,
473
00:19:15,154 --> 00:19:16,614
but I think
I'mma go get me a beer.
474
00:19:16,614 --> 00:19:19,325
From that song,
I can tell that you like Blake.
475
00:19:19,325 --> 00:19:21,452
I cannot wait...
I love you too, Kelly.
476
00:19:21,452 --> 00:19:23,162
...for him to hear that
and then be like,
477
00:19:23,162 --> 00:19:25,206
"Yeah, you suck
for blocking me."
478
00:19:25,206 --> 00:19:27,208
Gonna be
a whole lot of women
479
00:19:27,208 --> 00:19:28,334
screaming at you
in the front row.
480
00:19:28,334 --> 00:19:30,169
You dang right.
"You dang right."
481
00:19:30,169 --> 00:19:31,671
Oh, my God.
482
00:19:31,671 --> 00:19:35,299
He's so lovable.
He's charming. He's so talented.
483
00:19:35,299 --> 00:19:37,468
I'm really excited that
he was smart enough,
484
00:19:37,468 --> 00:19:39,011
as well, to choose a song
that really showed
485
00:19:39,011 --> 00:19:40,513
a different side of himself.
486
00:19:40,513 --> 00:19:42,973
After that first verse
when it go into that hook,
487
00:19:42,973 --> 00:19:44,642
give me some suspicion.
Okay.
488
00:19:44,642 --> 00:19:47,186
Hold me there
before you take me there.
489
00:19:47,186 --> 00:19:48,771
Right before it breaks off
into the hook,
490
00:19:48,771 --> 00:19:50,481
you did the, "Come on."
491
00:19:50,481 --> 00:19:52,692
I'm telling you, when you say,
"Come on," like that,
492
00:19:52,692 --> 00:19:54,360
ain't nobody
coming with you.
493
00:19:54,360 --> 00:19:55,528
Come on!
494
00:19:55,528 --> 00:19:57,196
Come on.
Come on!
495
00:19:57,196 --> 00:20:00,533
I know it's hard to play off
of no actual physical crowd,
496
00:20:00,533 --> 00:20:02,451
especially on, like,
a party song like this.
497
00:20:02,451 --> 00:20:05,621
But, I mean, you got to imagine
you're in a stadium.
498
00:20:05,621 --> 00:20:07,415
When you actually
in the moment,
499
00:20:07,415 --> 00:20:10,292
where it's 100,000 people
in the crowd...
Yeah.
500
00:20:10,292 --> 00:20:11,961
...you're training yourself
for that right now.
501
00:20:11,961 --> 00:20:14,213
So that way,
when they're actually there,
502
00:20:14,213 --> 00:20:15,673
you're gonna be calm
in the storm.
503
00:20:15,673 --> 00:20:17,007
Kind of like
I've been there before.
504
00:20:17,007 --> 00:20:18,134
Exactly.
Yeah.
505
00:20:18,134 --> 00:20:19,343
Act like you've been here,
man.
506
00:20:19,343 --> 00:20:20,678
Dream big, yeah.
507
00:20:20,678 --> 00:20:23,472
Big A, come on back
to the stage, baby.
508
00:20:23,472 --> 00:20:25,391
You both have completely
different songs,
509
00:20:25,391 --> 00:20:28,060
and they are both so important
for the show.
510
00:20:28,060 --> 00:20:30,229
You guys are young.
You guys are fresh.
511
00:20:30,229 --> 00:20:32,022
Stand on what
you guys believe.
512
00:20:32,022 --> 00:20:34,066
Don't let this moment,
you know, blind you
513
00:20:34,066 --> 00:20:35,985
from what your real goal
in life is.
514
00:20:35,985 --> 00:20:38,154
You're supposed to make music
to make people feel good.
515
00:20:38,154 --> 00:20:39,488
Okay.
You should write a book.
516
00:20:39,488 --> 00:20:41,490
"The Voice" by Snoop Dogg.
517
00:20:41,490 --> 00:20:44,577
Available.
Oh, my God, please.
518
00:20:44,577 --> 00:20:45,995
I love my country boys.
519
00:20:45,995 --> 00:20:48,372
This is gonna be
such a hard decision.
520
00:20:48,372 --> 00:20:51,584
♪ Long neck,
ice‐cold beer never... ♪
521
00:20:51,584 --> 00:20:53,419
He gonna catch me
in the dressing room singing it.
522
00:20:57,757 --> 00:20:59,258
I'm so excited.
523
00:20:59,258 --> 00:21:01,260
Now singing
"Beer Never Broke My Heart,"
524
00:21:01,260 --> 00:21:02,553
here's Kenzie Wheeler.
525
00:21:02,553 --> 00:21:04,263
If that ain't
a country title...
526
00:21:05,598 --> 00:21:15,274
♪ I've had a large‐mouth bass
bust my line ♪
527
00:21:15,274 --> 00:21:18,527
♪ A couple beautiful girls
tell me goodbye ♪
528
00:21:18,527 --> 00:21:21,864
♪ Trucks break down,
dogs run off ♪
529
00:21:21,864 --> 00:21:24,742
♪ Politicians lie,
been fired by the boss ♪
530
00:21:24,742 --> 00:21:27,077
♪ It takes one hand ♪
531
00:21:27,077 --> 00:21:30,289
♪ To count the things
I can count on ♪
532
00:21:30,289 --> 00:21:33,250
♪ No, there ain't much, man ♪
533
00:21:33,250 --> 00:21:35,753
♪ That ain't never let me down ♪
534
00:21:35,753 --> 00:21:37,588
Whoo!
535
00:21:37,588 --> 00:21:43,469
♪ 'Cause long neck, ice‐cold
beer never broke my heart ♪
536
00:21:43,469 --> 00:21:46,639
Whoo!
♪ Like diamond rings
and football teams ♪
537
00:21:46,639 --> 00:21:49,391
♪ Have torn this boy apart ♪
538
00:21:49,391 --> 00:21:53,229
♪ Like a neon dream,
it just dawned on me ♪
539
00:21:53,229 --> 00:21:56,148
♪ That bars and this guitar ♪
Whoo!
540
00:21:56,148 --> 00:22:03,280
♪ And long neck, ice‐cold beer
never broke my heart ♪
541
00:22:03,280 --> 00:22:07,159
♪ She was a Carolina
blue‐jean baby ♪
542
00:22:07,159 --> 00:22:10,162
♪ Fire in her eyes
that drove me crazy ♪
543
00:22:10,162 --> 00:22:13,207
♪ It was red taillights
when she left town ♪
544
00:22:13,207 --> 00:22:15,835
♪ If I didn't know then,
I sure know ♪
545
00:22:15,835 --> 00:22:18,337
♪ It takes one hand ♪
546
00:22:18,337 --> 00:22:21,590
♪ To count the things
I can count on ♪
547
00:22:21,590 --> 00:22:24,593
♪ And I've got one hand ♪
548
00:22:24,593 --> 00:22:27,513
♪ That's gripping down
on a cold one ♪
549
00:22:27,513 --> 00:22:30,474
Come on!
Hey! Whoo!
550
00:22:30,474 --> 00:22:36,313
♪ 'Cause long neck, ice‐cold
beer never broke my heart ♪
551
00:22:36,313 --> 00:22:39,525
♪ Like diamond rings
and football teams ♪
552
00:22:39,525 --> 00:22:42,486
♪ Have torn this boy apart ♪
553
00:22:42,486 --> 00:22:45,865
♪ Like a neon dream,
it just dawned on me ♪
554
00:22:45,865 --> 00:22:49,201
♪ That bars and this guitar ♪
555
00:22:49,201 --> 00:22:55,249
♪ And long neck, ice‐cold beer
never broke my heart ♪
556
00:22:55,249 --> 00:22:56,375
♪ No! ♪
557
00:22:56,375 --> 00:22:57,459
Whoo!
558
00:22:57,459 --> 00:22:59,879
♪ It never broke my heart ♪
559
00:23:03,465 --> 00:23:05,426
Yes, Kenzie!
560
00:23:13,475 --> 00:23:14,727
♪ This is "The Voice" ♪
561
00:23:14,727 --> 00:23:16,729
Welcome back to the knockouts.
562
00:23:20,482 --> 00:23:22,067
Alright, now.
563
00:23:22,067 --> 00:23:25,279
With "Tomorrow,"
here is Avery Roberson.
564
00:23:29,241 --> 00:23:34,455
♪ Tomorrow ♪
565
00:23:34,455 --> 00:23:38,125
♪ I'm gonna leave here ♪
566
00:23:38,125 --> 00:23:41,921
♪ And I'm gonna let you go
and walk away ♪
567
00:23:41,921 --> 00:23:45,090
♪ Like every day
I said I would ♪
568
00:23:45,090 --> 00:23:48,010
♪ And tomorrow ♪
569
00:23:48,010 --> 00:23:51,096
♪ I'm gonna listen ♪
570
00:23:51,096 --> 00:23:55,351
♪ To that voice of reason
inside my head ♪
571
00:23:55,351 --> 00:23:58,938
♪ Telling me that
we're no good ♪
572
00:23:58,938 --> 00:24:02,399
♪ But tonight I'm gonna give in
one last time ♪
573
00:24:02,399 --> 00:24:05,778
♪ Rock you strong
in these arms of mine ♪
574
00:24:05,778 --> 00:24:11,075
♪ Forget all the regrets
that are bound to follow ♪
575
00:24:11,075 --> 00:24:15,287
♪ We're like fire and gasoline ♪
576
00:24:15,287 --> 00:24:19,166
♪ I'm no good for you,
you're no good for me ♪
577
00:24:19,166 --> 00:24:25,255
♪ We only bring each other
tears and sorrow ♪
578
00:24:25,255 --> 00:24:27,132
♪ But tonight ♪
579
00:24:27,132 --> 00:24:32,137
♪ I'm gonna love you
like there's no ♪
580
00:24:32,137 --> 00:24:38,811
♪ Tomorrow ♪
581
00:24:38,811 --> 00:24:42,147
♪ Baby, when we're good,
you know we're great ♪
582
00:24:42,147 --> 00:24:45,150
♪ But there's too much bad
for us to think ♪
583
00:24:45,150 --> 00:24:52,324
♪ That there's anything worth
trying to save ♪
584
00:24:52,324 --> 00:24:55,285
♪ We're like fire and gasoline ♪
585
00:24:55,285 --> 00:24:59,206
♪ I'm no good for you,
you're no good for me ♪
586
00:24:59,206 --> 00:25:05,004
♪ We only bring each other
tears and sorrow ♪
587
00:25:05,004 --> 00:25:07,006
♪ But tonight ♪
588
00:25:07,006 --> 00:25:12,177
♪ I'm gonna love you
like there's no ♪
589
00:25:12,177 --> 00:25:14,471
♪ Tomorrow ♪
590
00:25:14,471 --> 00:25:18,183
♪ I'm gonna leave here ♪
591
00:25:18,183 --> 00:25:21,937
♪ I'm gonna let you go
and walk away ♪
592
00:25:21,937 --> 00:25:26,191
♪ Like every day I said
I would ♪
593
00:25:28,610 --> 00:25:30,029
Alright.
594
00:25:30,029 --> 00:25:31,196
Avery!
595
00:25:34,867 --> 00:25:36,285
I got to see
something here.
596
00:25:36,285 --> 00:25:37,661
I ‐‐
597
00:25:37,661 --> 00:25:40,164
You're probably gonna
win this show,
598
00:25:40,164 --> 00:25:43,250
and I want to know exactly
what's going on up in here,
599
00:25:43,250 --> 00:25:46,045
is what I want to know.
You ‐‐ You thought
of a unicorn, right?
600
00:25:46,045 --> 00:25:47,504
No, a widow's peak.
Widow's peak.
Widow's peak.
601
00:25:47,504 --> 00:25:49,882
It's what makes him
magical.
602
00:25:49,882 --> 00:25:51,216
You're probably gonna win
"The Voice,"
603
00:25:51,216 --> 00:25:53,385
and that haircut's
gonna be trending,
604
00:25:53,385 --> 00:25:54,720
and I want
to be in on it.
605
00:25:54,720 --> 00:25:56,221
You gonna grow one?
606
00:25:56,221 --> 00:25:57,723
That's why I'm getting
a good look at it.
607
00:25:59,224 --> 00:26:00,559
What's up, Avery?
What's up?
608
00:26:00,559 --> 00:26:02,186
Every time
you get on stage,
609
00:26:02,186 --> 00:26:04,396
it seems like you're
a little more comfortable.
610
00:26:04,396 --> 00:26:07,191
You're starting to just let
your voice do what it does,
611
00:26:07,191 --> 00:26:09,693
which is really incredible.
Thank you.
612
00:26:09,693 --> 00:26:11,403
Kenzie,
he's the real deal,
613
00:26:11,403 --> 00:26:14,073
and we can joke about the hairdo
and all that,
614
00:26:14,073 --> 00:26:17,409
but you're a talented...
SOB, okay?
615
00:26:17,409 --> 00:26:19,578
Thank you, bud.
You really are, man.
616
00:26:19,578 --> 00:26:21,622
I'd probably go
with Kenzie here,
617
00:26:21,622 --> 00:26:23,582
even though my man's
standing there.
618
00:26:23,582 --> 00:26:26,418
What a shame it is
Kelly blocked me,
619
00:26:26,418 --> 00:26:27,669
and I didn't get my chance.
Don't talk about it.
620
00:26:27,669 --> 00:26:30,172
Actually,
I feel bad about it now.
621
00:26:30,172 --> 00:26:31,757
She feels this bad.
622
00:26:31,757 --> 00:26:34,343
You're overcoming your coach,
okay?
623
00:26:34,343 --> 00:26:36,428
You ‐‐ You are ‐‐
You're finding your own way.
624
00:26:36,428 --> 00:26:38,013
And I'm proud of you.
Thank you, Blake.
625
00:26:38,013 --> 00:26:40,933
Avery, this was
your best performance yet.
626
00:26:40,933 --> 00:26:43,936
Thank you.
The emotional texture
in your performance,
627
00:26:43,936 --> 00:26:45,562
the fact that you tied it
to something that was real
628
00:26:45,562 --> 00:26:47,272
felt strong to me,
629
00:26:47,272 --> 00:26:48,440
and, Kenzie,
you brought the party.
630
00:26:48,440 --> 00:26:49,733
Well, the party
is in the back.
631
00:26:49,733 --> 00:26:51,735
The party's in the back.
632
00:26:51,735 --> 00:26:53,612
I think you've got
a great coach,
633
00:26:53,612 --> 00:26:55,614
way better than Blake would
have been for you, which is...
634
00:26:55,614 --> 00:26:58,450
You have a shot
to win this thing,
635
00:26:58,450 --> 00:27:00,619
'cause I think that the
country's gonna fall
in love with you.
636
00:27:00,619 --> 00:27:03,330
But for me,
I would go with Avery.
637
00:27:03,330 --> 00:27:07,709
Avery, I feel like
there's another level to you
638
00:27:07,709 --> 00:27:09,419
that you're holding back.
639
00:27:09,419 --> 00:27:10,754
If you were
able to convey
640
00:27:10,754 --> 00:27:13,132
a little more passionately
on stage,
641
00:27:13,132 --> 00:27:15,968
you're gonna be
such an indomitable force.
642
00:27:15,968 --> 00:27:17,136
Thank you very much.
643
00:27:17,136 --> 00:27:19,263
Kenzie,
you are a star.
644
00:27:19,263 --> 00:27:22,599
Your voice has depth and range
and presence.
645
00:27:22,599 --> 00:27:24,434
People will want
to hang out with you
646
00:27:24,434 --> 00:27:26,979
and have the Kenzie
experience.
647
00:27:26,979 --> 00:27:28,480
Thank you, Coaches.
648
00:27:28,480 --> 00:27:30,482
Kelly, what did you think
of the knockout?
649
00:27:30,482 --> 00:27:33,485
Avery, I love that you like
really intimate songs.
650
00:27:33,485 --> 00:27:35,487
There is a lane for exactly
what you're doing,
651
00:27:35,487 --> 00:27:37,489
but I don't think you know
how good you are.
652
00:27:37,489 --> 00:27:39,324
There's, like,
this untapped potential.
653
00:27:39,324 --> 00:27:41,285
You did a really
beautiful job.
654
00:27:41,285 --> 00:27:44,079
Kenzie, I watched you
in rehearsal sing this song.
655
00:27:44,079 --> 00:27:47,374
I was like, "Oh, no.
He's, like, a real Blake fan."
656
00:27:47,374 --> 00:27:49,668
I was like, "And I just, like,
totally took that dream..."
657
00:27:49,668 --> 00:27:52,170
We'll have
our moment one day.
"...that dream away."
658
00:27:52,170 --> 00:27:53,463
One day.
One.
You're captivating.
659
00:27:53,463 --> 00:27:55,173
I think you have
a natural gift,
660
00:27:55,173 --> 00:27:57,175
like, on stage
of drawing people in.
661
00:27:57,175 --> 00:27:58,343
And they want to be
friends with you,
662
00:27:58,343 --> 00:28:00,178
or want to get
a beer with you or...
663
00:28:00,178 --> 00:28:01,680
Kelly,
The time has come.
664
00:28:01,680 --> 00:28:04,308
Who is the winner
of this knockout?
665
00:28:09,187 --> 00:28:11,523
The winner of this knockout...
666
00:28:11,523 --> 00:28:13,191
is Kenzie.
667
00:28:13,191 --> 00:28:14,192
Thank you.
668
00:28:14,192 --> 00:28:15,527
Kenzie Wheeler,
669
00:28:15,527 --> 00:28:17,029
congratulations.
Thank you, guys.
670
00:28:17,029 --> 00:28:18,614
You're moving on
to the live playoffs.
671
00:28:18,614 --> 00:28:20,198
Great job, man.
672
00:28:20,198 --> 00:28:22,534
Going to the live playoffs ‐‐
Team Kelly.
673
00:28:22,534 --> 00:28:25,120
Let's get this. Mullet Gang,
you know what I'm saying.
674
00:28:25,120 --> 00:28:27,372
Avery, anything you want
to say to Kelly?
675
00:28:27,372 --> 00:28:29,207
I just want to thank you
for the whole experience.
676
00:28:29,207 --> 00:28:31,710
Got to work with you and you.
It's been a blessing.
677
00:28:31,710 --> 00:28:34,379
Thank you, Avery.
Give it up one more time
for Avery Roberson,
678
00:28:34,379 --> 00:28:35,714
ladies and gentlemen.
Thank you, Avery.
Thank y'all so much.
679
00:28:35,714 --> 00:28:36,882
Avery's gonna figure it out.
680
00:28:36,882 --> 00:28:38,550
Then he's going to be ready.
681
00:28:38,550 --> 00:28:41,553
But Kenzie is everything
I want in a country artist.
682
00:28:41,553 --> 00:28:44,473
He sounds like '90s country.
It's very authentic.
683
00:28:44,473 --> 00:28:46,850
And, yes,
the mullet is a big plus.
684
00:28:46,850 --> 00:28:48,226
I'm just gonna be honest
with you.
685
00:28:48,226 --> 00:28:50,145
I really love him.
686
00:28:50,145 --> 00:28:52,314
He's really good, though.
Like, I really love him.
687
00:28:52,314 --> 00:28:54,191
Yeah, but they say
if you really love somebody,
688
00:28:54,191 --> 00:28:56,193
to let them go.
It could ‐‐
It could work either way.
689
00:28:56,193 --> 00:28:57,569
If you really love somebody,
hold onto them.
690
00:28:57,569 --> 00:28:59,404
I don't know
if I'd agree with that.
691
00:29:02,741 --> 00:29:05,077
Download the "Voice"
official app now to vote
692
00:29:05,077 --> 00:29:08,246
for our four‐way knockout
later in the show.
693
00:29:17,464 --> 00:29:18,882
♪ This is "The Voice" ♪
694
00:29:18,882 --> 00:29:20,384
Welcome back.
695
00:29:20,384 --> 00:29:22,010
I blocked you on Kenzie.
696
00:29:22,010 --> 00:29:23,220
Oh, my God.
She stole him from you.
697
00:29:23,220 --> 00:29:24,554
I feel bad about it.
698
00:29:24,554 --> 00:29:26,264
Not when I'm gonna win
with him, possibly,
699
00:29:26,264 --> 00:29:29,184
but, like...
You feel so bad.
700
00:29:29,184 --> 00:29:32,688
Then I'll be doing my, like,
dance in front of your chair.
701
00:29:32,688 --> 00:29:34,606
Yeah, these other coaches
are just constantly
702
00:29:34,606 --> 00:29:36,608
messing around every season.
703
00:29:36,608 --> 00:29:39,403
I take this serious.
That's why I win a lot.
704
00:29:39,403 --> 00:29:41,363
Well,
I also have Rachel Mac,
705
00:29:41,363 --> 00:29:43,240
who's your biggest fan
in the world.
706
00:29:43,240 --> 00:29:45,075
She's the one
who did the presentation.
Presentation, yeah.
707
00:29:45,075 --> 00:29:46,702
So, we both got someone
to just rub in your face.
708
00:29:46,702 --> 00:29:48,704
I still have my steal
left, and I'm just looking
709
00:29:48,704 --> 00:29:50,330
for something
that's completely different
710
00:29:50,330 --> 00:29:51,957
than anything else on my team.
711
00:29:53,750 --> 00:29:55,377
So, you having a good time
over here?
712
00:29:55,377 --> 00:29:56,586
I'm having a great time,
man,
713
00:29:56,586 --> 00:29:58,588
listening to these
live vocalists.
714
00:29:58,588 --> 00:30:00,132
You understand me?
Like we used to.
715
00:30:00,132 --> 00:30:02,092
It's a good place to work.
I mean, for a vocalist,
716
00:30:02,092 --> 00:30:05,137
it's got to be
the best job in the world.
I love it.
717
00:30:05,137 --> 00:30:07,222
'Cause you remember
when you used to be that.
Yes.
718
00:30:07,222 --> 00:30:09,307
Well, we're honored
to have you here.
719
00:30:09,307 --> 00:30:12,602
You've been part of all
of our lives through your music.
720
00:30:12,602 --> 00:30:14,646
And now these artists
721
00:30:14,646 --> 00:30:17,482
are gonna benefit
from your wisdom.
Mm. I love it.
722
00:30:17,482 --> 00:30:21,278
The next two are actually
both from Detroit.
Oh, Detroit!
723
00:30:21,278 --> 00:30:23,655
Rio is my youngest artist
on my team.
Right.
724
00:30:23,655 --> 00:30:27,325
She has done mostly
kind of soulful pop songs.
725
00:30:27,325 --> 00:30:31,496
And then Zania is
a straight‐up soul singer.
Oh, hello.
726
00:30:31,496 --> 00:30:33,206
She's got that Anita Baker,
Motown energy.
727
00:30:33,206 --> 00:30:34,708
What?!
Yes.
728
00:30:34,708 --> 00:30:36,501
We got the young,
and then we got the vet.
Yes.
729
00:30:36,501 --> 00:30:38,962
Man, Detroit has been known
for having some
730
00:30:38,962 --> 00:30:40,130
of the greatest
vocalists...
731
00:30:40,130 --> 00:30:41,673
Of all time.
...of all time.
732
00:30:41,673 --> 00:30:45,469
Hopefully, the apple
didn't fall far from the tree.
733
00:30:45,469 --> 00:30:47,304
Nuh‐uh!
Hello. Look who's here.
734
00:30:47,304 --> 00:30:48,472
Nuh‐uh!
No.
735
00:30:48,472 --> 00:30:51,099
What's up, girls?
Oh, my goodness.
736
00:30:51,099 --> 00:30:53,018
Finding out that
it was Snoop Dogg...
737
00:30:53,018 --> 00:30:55,187
This is crazy.
738
00:30:55,187 --> 00:30:57,981
You're two beautiful women
from Detroit
739
00:30:57,981 --> 00:31:00,150
getting at it
on Team Legend.
740
00:31:00,150 --> 00:31:01,359
I mean. I mean.
741
00:31:01,359 --> 00:31:02,319
I love Snoop.
742
00:31:02,319 --> 00:31:03,361
He's an artist,
743
00:31:03,361 --> 00:31:05,530
a rapper, businessman.
744
00:31:05,530 --> 00:31:06,990
He has many hats.
745
00:31:06,990 --> 00:31:08,992
So, Rio, what are you
gonna perform?
746
00:31:08,992 --> 00:31:10,368
"Issues" by Julia Michaels.
747
00:31:10,368 --> 00:31:13,413
Julia! I love Julia.
I've written with her.
748
00:31:13,413 --> 00:31:15,165
She's a fantastic
songwriter,
749
00:31:15,165 --> 00:31:17,209
but also a great artist
herself.
Oh, yeah.
750
00:31:17,209 --> 00:31:19,461
I definitely enjoy her music,
and I ‐‐ it's totally relatable.
Yeah.
751
00:31:19,461 --> 00:31:21,505
Like, I have issues.
And you got them, too.
752
00:31:21,505 --> 00:31:23,131
We got him.
We all got him.
Exactly. Right!
753
00:31:23,131 --> 00:31:25,133
I'm walk around
with a bag of issues.
754
00:31:25,133 --> 00:31:26,510
What are you
talking about?
755
00:31:26,510 --> 00:31:29,137
I think this
is a cool choice for Rio.
756
00:31:29,137 --> 00:31:31,515
It's got vibe. It's got
a really modern edge to it.
♪ But you don't judge me ♪
757
00:31:31,515 --> 00:31:33,558
♪ 'Cause if you did,
baby, I would judge you, too ♪
Right. Right. Right.
758
00:31:33,558 --> 00:31:36,061
You have to be
a really good practitioner...
759
00:31:36,061 --> 00:31:37,395
of pop vocals...
Yes, Rio.
760
00:31:37,395 --> 00:31:39,397
...to be able to pull off
one of Julia's songs,
761
00:31:39,397 --> 00:31:40,565
and I think Rio's up
to the challenge.
♪ And if you did, baby ♪
762
00:31:40,565 --> 00:31:42,067
♪ I would judge you, too ♪
763
00:31:42,067 --> 00:31:44,236
Come on.
♪ 'Cause I got issues ♪
764
00:31:44,236 --> 00:31:46,071
Being in high school,
it's not always easy.
♪ But you got 'em, too ♪
765
00:31:46,071 --> 00:31:48,573
Talk to me.
I get to deal
with high‐school drama
766
00:31:48,573 --> 00:31:50,075
and high‐school relationships.
767
00:31:50,075 --> 00:31:51,409
So I have to balance schoolwork
768
00:31:51,409 --> 00:31:53,370
along with a job
and my dream of music.
769
00:31:53,370 --> 00:31:55,455
I definitely feel like
I'm living two different lives.
770
00:31:55,455 --> 00:31:57,749
♪ Bask in the glory ♪
Yeah.
771
00:31:57,749 --> 00:31:59,709
♪ Of all our problems ♪
Being here at "The Voice"
has really provided me
772
00:31:59,709 --> 00:32:02,712
a safe home with
other musicians.
773
00:32:02,712 --> 00:32:05,340
I'm very thankful
to be where I'm at.
774
00:32:05,340 --> 00:32:07,175
Alright.
That was really good.
775
00:32:07,175 --> 00:32:09,094
I didn't think
that big voice
776
00:32:09,094 --> 00:32:10,762
was gonna come out
of that little body like that.
777
00:32:10,762 --> 00:32:12,430
You got such
a cool voice,
778
00:32:12,430 --> 00:32:14,391
and I love your approach
and your tone,
779
00:32:14,391 --> 00:32:16,560
but just make sure
you're enunciating.
780
00:32:16,560 --> 00:32:18,520
Open up some of
your vowel sounds
781
00:32:18,520 --> 00:32:20,230
and make them
a little more clear.
782
00:32:20,230 --> 00:32:21,398
We should be able
to understand it.
783
00:32:21,398 --> 00:32:22,774
So just take your time
784
00:32:22,774 --> 00:32:25,235
and be more controlled
with how you deliver it.
785
00:32:25,235 --> 00:32:26,778
'Cause by the time you got
to that middle,
786
00:32:26,778 --> 00:32:29,573
I was riding with you, like,
"Okay. She feeling it now,"
787
00:32:29,573 --> 00:32:31,241
but you got to
maintain the control
788
00:32:31,241 --> 00:32:33,243
from the beginning
till you get to that point.
789
00:32:33,243 --> 00:32:35,078
When it's supposed
to be kind of staccato,
790
00:32:35,078 --> 00:32:36,580
make sure you stay
staccato.
Right.
791
00:32:36,580 --> 00:32:38,165
At the beginning, you're giving
us the information.
792
00:32:38,165 --> 00:32:40,667
♪ Ba ba‐da‐ba‐da, ba ba ♪
793
00:32:40,667 --> 00:32:42,794
And then at the end,
let notes ring out,
794
00:32:42,794 --> 00:32:44,421
and you be the star.
Thank you.
795
00:32:44,421 --> 00:32:45,630
Let's go, Rio!
Thank you!
796
00:32:45,630 --> 00:32:46,798
I see a lot
of potential in her.
797
00:32:46,798 --> 00:32:49,092
She's got a lot of room
to grow.
798
00:32:49,092 --> 00:32:50,802
That's a beautiful song.
That's a dope song.
799
00:32:50,802 --> 00:32:53,138
If she goes and practices
and gets her thing together,
800
00:32:53,138 --> 00:32:54,431
she'll have
a stellar performance.
801
00:32:54,431 --> 00:32:55,390
Good job.
Zania!
802
00:32:55,390 --> 00:32:56,600
Thank you.
Yes.
803
00:32:56,600 --> 00:32:57,559
Go get 'em, girl.
This outfit.
804
00:32:57,559 --> 00:32:58,602
This is not rehearsal.
805
00:32:58,602 --> 00:33:00,103
This is like
a stage outfit.
806
00:33:00,103 --> 00:33:01,229
Well, you know.
This is Detroit.
807
00:33:01,229 --> 00:33:02,814
You hear me?
Up out the D!
808
00:33:02,814 --> 00:33:04,608
You hear me?
I know.
809
00:33:04,608 --> 00:33:06,318
What are you gonna sing for us,
Zania?
810
00:33:06,318 --> 00:33:07,777
"If I Were Your Woman"
by Gladys Knight.
811
00:33:07,777 --> 00:33:10,155
Oh, Gladys!
No, she didn't.
No, she didn't.
812
00:33:10,155 --> 00:33:11,823
Yes, I did.
Well, this is a classic.
813
00:33:11,823 --> 00:33:13,617
I love this song.
814
00:33:13,617 --> 00:33:15,118
Sometimes you hear a song,
and you're like,
815
00:33:15,118 --> 00:33:16,453
"Oh, my God.
That's me."
816
00:33:16,453 --> 00:33:18,371
♪ If I were your woman ♪
817
00:33:18,371 --> 00:33:20,207
I am not with my kids' father.
♪ And you were my man ♪
818
00:33:20,207 --> 00:33:22,167
We were middle‐school
sweethearts,
819
00:33:22,167 --> 00:33:23,501
but I think we just grew up
820
00:33:23,501 --> 00:33:25,420
and just kind of grew apart.
821
00:33:25,420 --> 00:33:28,340
♪ You're like a diamond ♪
♪ You're like a diamond ♪
822
00:33:28,340 --> 00:33:31,134
♪ But she treats you
like glass ♪
This is very painful ‐‐ to just
put your all into someone
823
00:33:31,134 --> 00:33:33,178
and you don't get
that same love in return.
824
00:33:33,178 --> 00:33:35,305
It's exhausting.
♪ If I were your woman ♪
825
00:33:35,305 --> 00:33:37,265
But, sometimes,
you gotta get through the pain
826
00:33:37,265 --> 00:33:38,683
to kind of get
to the other side.
♪ If I were your woman ♪
827
00:33:38,683 --> 00:33:40,685
So I just want people
to feel that.
828
00:33:40,685 --> 00:33:45,440
♪ I'd never, no, no,
stop loving you ♪
829
00:33:45,440 --> 00:33:48,818
Whoo!
Alright, Zania.
Thank you.
830
00:33:48,818 --> 00:33:50,528
Everything you're doing
is supporting
831
00:33:50,528 --> 00:33:52,197
the emotion of the song,
832
00:33:52,197 --> 00:33:53,365
but low notes are
harder to sing,
833
00:33:53,365 --> 00:33:54,824
so the key
is just gonna be
834
00:33:54,824 --> 00:33:57,494
getting those out in a way
that's still convincing,
835
00:33:57,494 --> 00:34:00,914
'cause you only got a couple
minutes to win this knockout...
Right. Right.
836
00:34:00,914 --> 00:34:02,999
...and you don't want
to waste any of that time
837
00:34:02,999 --> 00:34:04,709
not being at your best.
838
00:34:04,709 --> 00:34:07,212
The way you end it is
missing something.
Yeah.
839
00:34:07,212 --> 00:34:09,673
So you think ‐‐
would Gladys end it like that?
Mnh.
840
00:34:09,673 --> 00:34:11,508
No. It's got to be something
where she can...
841
00:34:14,386 --> 00:34:16,846
♪ I'd never, never ♪
842
00:34:16,846 --> 00:34:20,558
♪ Never ♪
♪ Never, no, no! ♪
843
00:34:20,558 --> 00:34:23,520
♪ Stop loving you ♪
844
00:34:23,520 --> 00:34:24,562
Okay.
Yes, yes!
845
00:34:24,562 --> 00:34:25,897
To redo a Gladys Knight song,
846
00:34:25,897 --> 00:34:27,691
you got to have pipes,
and she got 'em.
847
00:34:27,691 --> 00:34:29,192
Yes!
♪ Oh, yeah ♪
848
00:34:29,192 --> 00:34:30,568
And I think that
she needed to hear
849
00:34:30,568 --> 00:34:31,903
what we gave her,
as far as information
850
00:34:31,903 --> 00:34:34,739
on how to make it A1,
buttoned up to a T.
851
00:34:34,739 --> 00:34:36,366
Yes!
There we go.
852
00:34:36,366 --> 00:34:38,535
Rio, come on.
Rio, get on back up here, gal.
853
00:34:38,535 --> 00:34:41,246
I'm coming! Oh!
I'm looking forward to seeing
what y'all gonna do.
854
00:34:41,246 --> 00:34:43,623
Absolutely.
'Cause I feel like
y'all got a career at this.
855
00:34:43,623 --> 00:34:46,001
I'm rooting for you both, okay?
Thank you.
856
00:34:46,001 --> 00:34:48,253
They both have the ability
to be compelling,
857
00:34:48,253 --> 00:34:50,588
to be effective, to be moving.
858
00:34:50,588 --> 00:34:54,342
So I'm going to see whether
Rio brings it or Zania does.
859
00:34:54,342 --> 00:34:55,885
That ending is ripe.
You're like a diamond.
860
00:34:55,885 --> 00:34:57,387
But she treats you like glass.
Like glass.
861
00:34:57,387 --> 00:34:59,431
Yes.
You hear me?
862
00:34:59,431 --> 00:35:02,225
She was writing, boy.
They was writing back then.
Writing that song.
863
00:35:06,771 --> 00:35:09,524
Singing "Issues,"
here is Rio Doyle.
864
00:35:11,776 --> 00:35:20,243
♪ I'm jealous,
I'm overzealous ♪
865
00:35:20,243 --> 00:35:22,537
♪ When I'm down,
I get real down ♪
866
00:35:22,537 --> 00:35:24,623
♪ When I'm high,
I don't come down ♪
867
00:35:24,623 --> 00:35:28,752
♪ I get angry,
baby, believe me ♪
868
00:35:28,752 --> 00:35:30,962
♪ I could love you
just like that ♪
869
00:35:30,962 --> 00:35:33,423
♪ And I could leave you
just as fast ♪
870
00:35:33,423 --> 00:35:37,302
♪ But you don't judge me ♪
871
00:35:37,302 --> 00:35:40,722
♪ 'And if you did, baby,
I would judge you, too ♪
872
00:35:40,722 --> 00:35:41,931
Okay!
873
00:35:41,931 --> 00:35:45,769
♪ No, you don't judge me ♪
874
00:35:45,769 --> 00:35:49,898
♪ And if you did, baby,
I would judge you, too ♪
875
00:35:49,898 --> 00:35:53,985
♪ 'Cause I got issues,
you got 'em, too ♪
876
00:35:53,985 --> 00:35:57,989
♪ So give 'em all to me,
and I'll give mine to you ♪
877
00:35:57,989 --> 00:36:02,744
♪ Bask in the glory
of all our problems ♪
878
00:36:02,744 --> 00:36:06,706
♪ 'Cause we got the kind of love
it takes to solve 'em ♪
879
00:36:06,706 --> 00:36:08,667
♪ See, I got issues ♪
880
00:36:08,667 --> 00:36:10,293
Yes, Rio!
881
00:36:10,293 --> 00:36:13,630
♪ And one of them is
how bad I need you ♪
882
00:36:13,630 --> 00:36:18,343
♪ I got issues,
you got 'em, too ♪
♪ Oooo ♪
883
00:36:18,343 --> 00:36:20,679
♪ One of them is how bad
I need ♪
884
00:36:20,679 --> 00:36:24,432
♪ I got issues ♪
♪ You ♪
885
00:36:24,432 --> 00:36:27,977
♪ You got 'em, too ♪
♪ You ♪
886
00:36:27,977 --> 00:36:29,813
♪ I got issues ♪
887
00:36:29,813 --> 00:36:32,440
♪ You got 'em, too ♪
Yeah!
888
00:36:32,440 --> 00:36:36,027
♪ You got 'em, too ♪
♪ So give 'em all to me,
and I'll give mine to you ♪
889
00:36:36,027 --> 00:36:40,532
♪ I got issues ♪
♪ Bask in the glory
of all our problems ♪
890
00:36:40,532 --> 00:36:44,703
♪ You got 'em, too ♪
♪ 'Cause we got the kind of love
it takes to solve 'em ♪
891
00:36:44,703 --> 00:36:46,371
♪ See, I got issues ♪
892
00:36:46,371 --> 00:36:47,914
♪ I got issues ♪
893
00:36:47,914 --> 00:36:49,916
♪ And one of them
is how bad I need you ♪
894
00:36:49,916 --> 00:36:52,127
♪ You got 'em, too ♪
895
00:36:52,127 --> 00:36:54,713
♪ Oh, I got issues ♪
896
00:36:54,713 --> 00:36:57,841
♪ I got issues ♪
♪ Ohhhh ♪
897
00:36:57,841 --> 00:37:00,969
♪ You got 'em, too ♪
898
00:37:00,969 --> 00:37:03,054
♪ Yeah, and I got issues ♪
899
00:37:03,054 --> 00:37:04,723
♪ Ah ah ah ♪
900
00:37:04,723 --> 00:37:07,016
♪ And one of them is
how bad I need you ♪
901
00:37:07,016 --> 00:37:09,561
Hey!
Hey!
902
00:37:09,561 --> 00:37:12,689
Yes, Rio! Fantastic.
903
00:37:21,448 --> 00:37:22,866
♪ This is "The Voice" ♪
904
00:37:22,866 --> 00:37:24,701
Welcome back to Night 2
of the knockouts.
905
00:37:26,244 --> 00:37:28,872
I like that suit.
Yeah.
906
00:37:28,872 --> 00:37:30,790
I love it.
That's a cool color.
Yeah.
907
00:37:30,790 --> 00:37:32,292
We do you call that color,
John?
908
00:37:32,292 --> 00:37:34,002
Rose gold.
Rosé.
909
00:37:34,002 --> 00:37:35,712
Now singing
"If I Were Your Woman,"
910
00:37:35,712 --> 00:37:37,213
here is Zania Alaké.
911
00:37:39,215 --> 00:37:49,601
♪ If I were your woman ♪
912
00:37:49,601 --> 00:37:52,771
♪ And you were my man ♪
913
00:37:52,771 --> 00:37:55,607
♪ You'd have no other woman ♪
914
00:37:55,607 --> 00:37:59,068
♪ You'd be weak as a lamb ♪
915
00:37:59,068 --> 00:38:02,238
♪ If you had the strength ♪
916
00:38:02,238 --> 00:38:05,200
♪ To walk out that door ♪
917
00:38:05,200 --> 00:38:08,286
♪ My love would over rule
my sense ♪
918
00:38:08,286 --> 00:38:10,330
♪ And I'd call you
back for more ♪
919
00:38:10,330 --> 00:38:12,081
♪ If I were your woman ♪
920
00:38:12,081 --> 00:38:13,666
♪ If you were my woman ♪
921
00:38:13,666 --> 00:38:15,084
♪ If I were your woman ♪
922
00:38:15,084 --> 00:38:16,586
♪ If you were my woman ♪
923
00:38:16,586 --> 00:38:19,756
♪ And you were my man ♪
924
00:38:19,756 --> 00:38:24,302
♪ Ahh ♪
♪ Oh, yeah ♪
925
00:38:24,302 --> 00:38:27,263
♪ She tears you down, darlin' ♪
926
00:38:27,263 --> 00:38:30,725
♪ Nothing at all ♪
♪ Says you're nothing at all ♪
927
00:38:30,725 --> 00:38:33,603
♪ Pick you up when you ♪
♪ But I'll pick you up,
darling ♪
928
00:38:33,603 --> 00:38:37,315
♪ Fall, fall, fall ♪
♪ When she lets you fall ♪
929
00:38:37,315 --> 00:38:39,943
♪ Shine ♪
♪ You're like a diamond ♪
930
00:38:39,943 --> 00:38:43,154
♪ But she treats you
like glass ♪
931
00:38:43,154 --> 00:38:46,324
♪ Yet you beg her to love you ♪
932
00:38:46,324 --> 00:38:48,618
♪ Ooo ♪
♪ But me, you don't ask ♪
933
00:38:48,618 --> 00:38:49,994
♪ If I were your woman ♪
934
00:38:49,994 --> 00:38:51,830
♪ If you were my woman ♪
Hey!
935
00:38:51,830 --> 00:38:57,335
♪ If you were my woman ♪
♪ If I were your woman ♪
936
00:38:57,335 --> 00:38:59,838
♪ What would you do? ♪
♪ Here's what I'd do ♪
937
00:38:59,838 --> 00:39:01,756
♪ What would you do,
what would you do? ♪
938
00:39:01,756 --> 00:39:07,262
♪ I'd never, no, no,
stop loving you ♪
Whoo!
939
00:39:07,262 --> 00:39:10,807
♪ Oh, yeah ♪
940
00:39:10,807 --> 00:39:12,183
♪ If I were your woman ♪
941
00:39:12,183 --> 00:39:13,852
♪ If you were my woman ♪
942
00:39:13,852 --> 00:39:15,311
♪ If I were your woman ♪
943
00:39:15,311 --> 00:39:17,146
♪ If you were my woman ♪
944
00:39:17,146 --> 00:39:18,648
♪ If I were your woman ♪
945
00:39:18,648 --> 00:39:20,316
♪ If you were my woman ♪
946
00:39:20,316 --> 00:39:22,151
♪ What would you do? ♪
♪ Here's what I'd do ♪
947
00:39:22,151 --> 00:39:23,987
♪ What would you do,
what would you do? ♪
948
00:39:23,987 --> 00:39:30,952
♪ I'd never, never,
never, never, never ♪
949
00:39:30,952 --> 00:39:35,373
♪ Stop loving you ♪
♪ If you were my woman ♪
950
00:39:35,373 --> 00:39:43,965
♪ Loving you ♪
951
00:39:43,965 --> 00:39:46,301
Yes, Zania, yes!
You better sing!
952
00:39:46,301 --> 00:39:47,844
Yes!
953
00:39:50,972 --> 00:39:54,058
Oh, my God!
Yes!
954
00:39:54,058 --> 00:39:57,186
You just sang the word
I shouldn't say on this show
955
00:39:57,186 --> 00:39:58,396
out of that song.
956
00:39:58,396 --> 00:40:00,231
That felt like it
was on your record.
957
00:40:00,231 --> 00:40:02,817
Oh. Thank you.
I could tell
you've been there.
958
00:40:02,817 --> 00:40:05,028
Oh, yeah.
Oh, girl.
959
00:40:05,028 --> 00:40:08,239
I loved it.
Now I got to cover that song.
960
00:40:08,239 --> 00:40:10,074
I think you did
a really good job, Rio.
961
00:40:10,074 --> 00:40:13,036
Sometimes it's the song
and the moment.
962
00:40:13,036 --> 00:40:15,413
Mm‐hmm.
I just ‐‐ What?
963
00:40:15,413 --> 00:40:16,956
Like...
964
00:40:16,956 --> 00:40:20,209
I was like,
"I pick you."
965
00:40:22,378 --> 00:40:24,213
I'm done.
Okay.
966
00:40:24,213 --> 00:40:25,882
Do you agree? Did y'all not
think that was incredible?
967
00:40:25,882 --> 00:40:27,842
No, I was just ‐‐
I mean, you're so fired up.
968
00:40:27,842 --> 00:40:29,260
I haven't seen you that fired up
in a while.
969
00:40:29,260 --> 00:40:31,930
'Cause it's a big song,
and I love that song.
970
00:40:31,930 --> 00:40:36,726
Rio, I've seen people try
to do that song on the show,
971
00:40:36,726 --> 00:40:39,437
and I don't think I've ever
seen it done that well.
972
00:40:39,437 --> 00:40:42,023
I agree.
I mean, it's a very
specific pocket,
973
00:40:42,023 --> 00:40:44,025
and that can't be easy,
974
00:40:44,025 --> 00:40:45,443
and I thought
you did a great job.
975
00:40:45,443 --> 00:40:47,904
Thank you so much.
But the truth is, Zania,
976
00:40:47,904 --> 00:40:50,907
great timing to have a moment
like you just had,
977
00:40:50,907 --> 00:40:52,784
because the next time
we see you,
978
00:40:52,784 --> 00:40:54,118
America's gonna
be voting,
979
00:40:54,118 --> 00:40:55,870
and they're gonna be going,
"Oh, my gosh."
980
00:40:55,870 --> 00:40:57,497
Thank you, Blake.
981
00:40:57,497 --> 00:40:59,165
Rio, have you ever
done any acting?
982
00:40:59,165 --> 00:41:02,126
Yes, I've been doing theater
since I was 5.
983
00:41:02,126 --> 00:41:04,420
He has special
musical‐theater senses.
984
00:41:04,420 --> 00:41:05,922
Like, he ‐‐ he reads it.
Yeah, I just ‐‐
985
00:41:05,922 --> 00:41:07,215
I feel like
we've all heard
986
00:41:07,215 --> 00:41:09,050
a lot of people sing this song
on the show.
987
00:41:09,050 --> 00:41:11,052
But in your case, it showed
something else I've not seen.
988
00:41:11,052 --> 00:41:12,804
You kind of approached it
989
00:41:12,804 --> 00:41:15,264
with this storyteller mentality
like an actor would.
990
00:41:15,264 --> 00:41:19,060
And to be 16 and to have
the vocal maturity you've had,
991
00:41:19,060 --> 00:41:21,145
it's impressed me from
the moment I heard your voice.
992
00:41:21,145 --> 00:41:24,816
Thank you so much.
Zania, you just had
a special moment on this show.
993
00:41:24,816 --> 00:41:26,985
Thank you.
I don't know what
your story is.
994
00:41:26,985 --> 00:41:29,445
It connected with me, and
I think everybody felt it here.
995
00:41:29,445 --> 00:41:32,240
So, wow!
You are certainly one to watch.
996
00:41:32,240 --> 00:41:34,784
Thank you, Coaches.
997
00:41:34,784 --> 00:41:36,244
Alright, John. Give us
some thoughts on that knockout
998
00:41:36,244 --> 00:41:37,829
before you tell us who won.
999
00:41:37,829 --> 00:41:40,498
My goodness.
You both made me so proud.
1000
00:41:40,498 --> 00:41:42,542
Rio, ah!
1001
00:41:42,542 --> 00:41:45,253
You sold that song.
Everything about you ‐‐
1002
00:41:45,253 --> 00:41:47,797
it just seems so credible
coming from you,
1003
00:41:47,797 --> 00:41:50,133
despite the fact
that you're a kid.
1004
00:41:50,133 --> 00:41:52,010
You should be so proud
of yourself,
1005
00:41:52,010 --> 00:41:53,511
and I was so impressed.
1006
00:41:53,511 --> 00:41:56,431
Zania, Snoop is
gonna be so proud.
1007
00:41:56,431 --> 00:41:58,474
He said we got to do
something at the end
1008
00:41:58,474 --> 00:42:00,309
to make it
more emphatic.
1009
00:42:00,309 --> 00:42:02,020
And I'm so glad
he had that note.
1010
00:42:02,020 --> 00:42:03,521
Whoo!
You sang that.
1011
00:42:03,521 --> 00:42:05,106
You just made
Snoop Dogg happy.
1012
00:42:05,106 --> 00:42:06,524
Yes.
What's that feel like?
1013
00:42:06,524 --> 00:42:08,151
I mean, you know...
What's that feel like?
1014
00:42:08,151 --> 00:42:09,986
Who knew vocal coaching
from Snoop Dogg
1015
00:42:09,986 --> 00:42:11,529
was the secret?
Exactly.
1016
00:42:11,529 --> 00:42:13,031
I think both of you
1017
00:42:13,031 --> 00:42:15,199
took really great things
from that rehearsal
1018
00:42:15,199 --> 00:42:18,202
and just delivered
a masterful moment.
1019
00:42:18,202 --> 00:42:19,537
John, the time has come.
1020
00:42:19,537 --> 00:42:21,998
Who is the winner
of this knockout?
1021
00:42:29,130 --> 00:42:32,050
The winner of this knockout
is Zania.
1022
00:42:32,050 --> 00:42:33,301
Thank you. Thank you.
Zania, congratulations.
1023
00:42:33,301 --> 00:42:35,303
You're moving on
to the live playoffs.
1024
00:42:35,303 --> 00:42:37,180
Whoo!
1025
00:42:37,180 --> 00:42:38,890
Zania came
1026
00:42:38,890 --> 00:42:40,391
with the perfect performance
at the perfect moment.
1027
00:42:40,391 --> 00:42:42,226
When she had to
establish herself
1028
00:42:42,226 --> 00:42:45,188
as a force to be reckoned with
as we go into the live playoffs,
1029
00:42:45,188 --> 00:42:46,898
Zania did that and more.
1030
00:42:46,898 --> 00:42:49,067
Rio, anything you want
to say to your coach?
1031
00:42:49,067 --> 00:42:50,568
Thank you for believing in me
1032
00:42:50,568 --> 00:42:52,487
and for taking me this far,
and I'm just so thankful.
1033
00:42:52,487 --> 00:42:54,197
So lucky
to have coached you.
1034
00:42:54,197 --> 00:42:56,032
Thank you so much.
Give it up one more time.
1035
00:42:56,032 --> 00:42:59,035
A big "thank you"
to Rio Doyle.
1036
00:43:01,496 --> 00:43:04,248
Zania...
I love her.
1037
00:43:04,248 --> 00:43:05,958
She is fantastic.
1038
00:43:14,300 --> 00:43:15,551
♪ This is "The Voice" ♪
1039
00:43:15,551 --> 00:43:18,054
Welcome back to the knockouts.
1040
00:43:20,014 --> 00:43:21,766
You fall asleep
when she's doing that?
1041
00:43:21,766 --> 00:43:23,935
I be ready to just fall over
right now.
1042
00:43:23,935 --> 00:43:25,728
The soft care
1043
00:43:25,728 --> 00:43:27,230
and then the ‐‐ the way the
brush feel and the smell.
1044
00:43:27,230 --> 00:43:29,023
You be like...
1045
00:43:29,023 --> 00:43:32,276
I sleep on the set all the time.
"And action."
"Hold on."
1046
00:43:32,276 --> 00:43:35,279
I'm in the middle of a facial
massage. What do you mean?
1047
00:43:35,279 --> 00:43:36,864
I think working
with Blake is like ‐‐
1048
00:43:36,864 --> 00:43:38,783
It's not an odd couple.
It's even a couple,
1049
00:43:38,783 --> 00:43:40,243
'cause it's
a buddy‐buddy relationship
1050
00:43:40,243 --> 00:43:42,120
that feels like it's been there
for many years.
1051
00:43:42,120 --> 00:43:44,664
Team Blake
in the house.
1052
00:43:44,664 --> 00:43:46,290
What?!
1053
00:43:46,290 --> 00:43:47,834
This is my new friend,
Snoop Dogg.
1054
00:43:47,834 --> 00:43:49,252
How you doing?
D‐O‐Double‐G.
1055
00:43:49,252 --> 00:43:51,963
I know if you on his team,
you got to be top tier.
1056
00:43:51,963 --> 00:43:53,214
You understand me?
That's the facts.
1057
00:43:53,214 --> 00:43:54,799
I'm jealous
of Martha Stewart.
1058
00:43:56,759 --> 00:43:58,261
I paired Connor and Cam
together
1059
00:43:58,261 --> 00:44:00,263
'cause these guys both
have so much soul.
1060
00:44:00,263 --> 00:44:02,265
I just think it's gonna be
an incredible knockout.
1061
00:44:02,265 --> 00:44:03,975
Alright, Connor,
what are you gonna be doing?
1062
00:44:03,975 --> 00:44:05,810
"Youngblood"
by 5 Seconds of Summer.
1063
00:44:05,810 --> 00:44:07,311
I just wanted to challenge
myself a little more,
1064
00:44:07,311 --> 00:44:08,813
and I'm excited for it.
1065
00:44:08,813 --> 00:44:10,648
Connor in the battle rounds,
he was the one
1066
00:44:10,648 --> 00:44:12,275
I was most worried about
in our rehearsals.
1067
00:44:12,275 --> 00:44:14,652
But after he had the time
and put the work in,
1068
00:44:14,652 --> 00:44:17,238
he was the one that shocked
everybody in the moment.
Right.
1069
00:44:17,238 --> 00:44:19,115
Thinking about my fiancée
when I'm doing this song
1070
00:44:19,115 --> 00:44:20,950
gives me a lot of hope,
'cause it's basically about
1071
00:44:20,950 --> 00:44:23,161
this guy that's feeling this
push and pull in a relationship.
1072
00:44:23,161 --> 00:44:26,164
♪ "Love me 'til the day I die" ♪
And I think after doing,
like, long distance
1073
00:44:26,164 --> 00:44:29,000
with my soon‐to‐be wife,
that tension's always there.
1074
00:44:29,000 --> 00:44:30,626
It really kept us strong
and together
1075
00:44:30,626 --> 00:44:32,128
and committed to one another.
1076
00:44:32,128 --> 00:44:33,838
♪ You push and you push,
and I'm pulling away ♪
1077
00:44:33,838 --> 00:44:36,299
♪ Pulling away ♪
♪ Pulling away ♪
1078
00:44:36,299 --> 00:44:37,925
♪ I give and I give and I give ♪
I like the fact that
he's trying to do something
1079
00:44:37,925 --> 00:44:39,844
that is a stretch,
that's making him work.
1080
00:44:39,844 --> 00:44:41,762
♪ Youngblood, say you want me ♪
You know, show that he has
1081
00:44:41,762 --> 00:44:43,097
more than one trick in his bag.
1082
00:44:43,097 --> 00:44:44,849
Cool.
I love that song
right there.
1083
00:44:44,849 --> 00:44:46,017
You do? Good?
1084
00:44:46,017 --> 00:44:48,019
I'm singing with you,
like...
1085
00:44:48,019 --> 00:44:50,646
Energy's never your problem
on stage, you know?
1086
00:44:50,646 --> 00:44:52,190
No. Yeah.
But I think
1087
00:44:52,190 --> 00:44:54,317
you're affecting your voice
with a tone
1088
00:44:54,317 --> 00:44:55,818
that you want it
to sound like,
1089
00:44:55,818 --> 00:44:57,278
that ‐‐ that smoky,
gravelly thing,
1090
00:44:57,278 --> 00:44:59,780
and I feel like
if you try to interject
1091
00:44:59,780 --> 00:45:02,033
that sound too much
into your singing,
1092
00:45:02,033 --> 00:45:04,368
it restricts how much
you can open up.
Yeah.
1093
00:45:04,368 --> 00:45:06,037
I got to take
a little sips of air.
1094
00:45:06,037 --> 00:45:07,914
See, that's why
I chose to be a rapper,
1095
00:45:07,914 --> 00:45:09,248
'cause we ain't got to go
through all that breathin'.
1096
00:45:11,167 --> 00:45:13,211
So, put your energy
into the singing
1097
00:45:13,211 --> 00:45:15,129
where it feels
most comfortable to you,
1098
00:45:15,129 --> 00:45:17,048
'cause I hear the greatness
in it.
1099
00:45:17,048 --> 00:45:18,883
Okay.
It's just a matter of making it
all comes together.
1100
00:45:18,883 --> 00:45:20,343
Still polishing it a little bit.
Yes, sir.
1101
00:45:20,343 --> 00:45:22,011
Yeah.
Shine your wheels up
so you can roll right.
1102
00:45:22,011 --> 00:45:23,971
Songs that beat
the hell out of you,
1103
00:45:23,971 --> 00:45:25,723
those are the ones
that make you better.
1104
00:45:25,723 --> 00:45:28,851
Thanks so much, guys.
♪ Dead man walking tonight ♪
1105
00:45:28,851 --> 00:45:30,353
See, he didn't know
I know that song.
1106
00:45:32,146 --> 00:45:33,356
I like your natural,
dawg, like...
1107
00:45:33,356 --> 00:45:35,233
You know.
I had one back in the day.
1108
00:45:35,233 --> 00:45:36,734
There's just something
about that natural.
1109
00:45:36,734 --> 00:45:38,903
You got to pat it.
Yeah, pat it, man.
1110
00:45:38,903 --> 00:45:40,363
Pat it together.
Little something ‐‐ Little
something right here, you know?
1111
00:45:40,363 --> 00:45:41,864
Hello!
What song
you gonna be doing?
1112
00:45:41,864 --> 00:45:43,241
Nina Simone,
"Feeling Good."
1113
00:45:43,241 --> 00:45:44,992
I like that song.
1114
00:45:44,992 --> 00:45:46,744
My main thing for this round
was to find something
1115
00:45:46,744 --> 00:45:48,329
that I could lose myself in,
1116
00:45:48,329 --> 00:45:50,790
and if you watch Nina Simone
when she's performing that song,
1117
00:45:50,790 --> 00:45:52,792
she literally
has left the scene.
1118
00:45:52,792 --> 00:45:54,752
And it's just like channeling
through her.
1119
00:45:54,752 --> 00:45:56,837
Man, that's some mighty
big shoes to fill.
Right.
1120
00:45:56,837 --> 00:45:58,214
How old are you?
I'm 19.
1121
00:45:58,214 --> 00:45:59,757
How do you know
about Nina Simone?
1122
00:45:59,757 --> 00:46:01,926
I grew up on that sultry,
that deep soul.
1123
00:46:01,926 --> 00:46:03,386
I can dig it.
1124
00:46:03,386 --> 00:46:05,179
Now, we actually used to work
with the same person.
1125
00:46:05,179 --> 00:46:06,389
You know, I worked with Dre
a little bit, so...
1126
00:46:06,389 --> 00:46:07,723
Oh, for real?
Yes, sir. Yes, sir.
1127
00:46:07,723 --> 00:46:08,933
Well, you got it
in you, then.
1128
00:46:08,933 --> 00:46:10,059
Let me see what
you working with.
1129
00:46:10,059 --> 00:46:13,771
♪ Breeze driftin' on by ♪
1130
00:46:13,771 --> 00:46:16,274
This song is about
new beginnings.
1131
00:46:16,274 --> 00:46:19,193
My situation is quite unique.
I started out very young.
1132
00:46:19,193 --> 00:46:22,697
I performed at the White House,
worked with Dr. Dre,
1133
00:46:22,697 --> 00:46:24,282
and then I got stuck,
1134
00:46:24,282 --> 00:46:25,408
wasn't able to really
put anything out.
1135
00:46:25,408 --> 00:46:26,909
♪ Freedom is mine ♪
1136
00:46:26,909 --> 00:46:29,036
I feel extremely blessed
to start over,
1137
00:46:29,036 --> 00:46:31,414
basically, on "The Voice."
♪ And I know how I feel ♪
1138
00:46:31,414 --> 00:46:33,332
And so it's a new dawn.
♪ It's a new dawn ♪
1139
00:46:33,332 --> 00:46:34,959
♪ It's a new day ♪
It's a new day.
1140
00:46:34,959 --> 00:46:37,753
♪ It's a new life ♪
1141
00:46:37,753 --> 00:46:39,755
I'm starting over,
Cam Anthony 2.0.
1142
00:46:39,755 --> 00:46:41,132
You sure
you ain't 29?
1143
00:46:41,132 --> 00:46:42,925
Nah. 19.
You lyin'.
1144
00:46:42,925 --> 00:46:44,427
Show me your
birth certificate.
1145
00:46:44,427 --> 00:46:48,306
That's such an incredible idea
to do this song.
1146
00:46:48,306 --> 00:46:49,890
And you sound great on it.
Thank you.
1147
00:46:49,890 --> 00:46:52,101
You do tons of movement
vocally.
Mm‐hmm.
1148
00:46:52,101 --> 00:46:53,811
I just wonder
if there's a place
1149
00:46:53,811 --> 00:46:55,313
where you can hit a note
and hold it.
Okay.
1150
00:46:55,313 --> 00:46:56,897
People at home,
even though they're not
1151
00:46:56,897 --> 00:46:58,274
voting on the knockouts...
Right.
1152
00:46:58,274 --> 00:47:00,151
...I want you just
to remind them
1153
00:47:00,151 --> 00:47:02,778
every chance you get
that you're here to stay.
For sure.
1154
00:47:02,778 --> 00:47:04,447
One thing about soul,
1155
00:47:04,447 --> 00:47:06,157
you don't hear it ‐‐
you feel it.
1156
00:47:06,157 --> 00:47:07,908
Just shake up
the building.
1157
00:47:07,908 --> 00:47:09,285
Alrighty.
But you got to hold it,
though.
1158
00:47:09,285 --> 00:47:10,911
I'mma work on it,
for sure.
1159
00:47:10,911 --> 00:47:12,204
I can't help you hold it.
You can't.
1160
00:47:12,204 --> 00:47:14,373
I want to see Cam
really showcase
1161
00:47:14,373 --> 00:47:16,876
the power and the range
that he has in his voice.
1162
00:47:16,876 --> 00:47:19,128
Let's see something
big, explosive.
1163
00:47:19,128 --> 00:47:21,005
Well,
I'm sad for both of y'all.
1164
00:47:21,005 --> 00:47:23,424
You don't get to hang out
with Snoop Dogg every day.
I know, man.
1165
00:47:23,424 --> 00:47:25,343
Thank you, Brother Blake,
for having me on Team Blake.
1166
00:47:25,343 --> 00:47:26,427
Let's go, man.
1167
00:47:26,427 --> 00:47:28,262
See you in the ring.
1168
00:47:29,847 --> 00:47:31,182
Hey!
Alright, Connor.
1169
00:47:31,182 --> 00:47:33,267
Whoo!
Alright.
1170
00:47:33,267 --> 00:47:34,852
Oh, yeah!
1171
00:47:34,852 --> 00:47:37,021
Now with "Youngblood,"
here's Connor Christian.
1172
00:47:39,815 --> 00:47:43,444
♪ Remember the words
you told me ♪
1173
00:47:43,444 --> 00:47:47,365
♪ "Love me 'til the day I die" ♪
1174
00:47:47,365 --> 00:47:49,825
Alright.
1175
00:47:49,825 --> 00:47:51,369
♪ Surrender my everything ♪
1176
00:47:51,369 --> 00:47:56,999
♪ 'Cause you made me believe
you're mine ♪
1177
00:47:56,999 --> 00:47:59,877
Okay.
♪ Yeah, you used
to call me baby ♪
1178
00:47:59,877 --> 00:48:03,297
♪ Now you're calling me
by name ♪
1179
00:48:03,297 --> 00:48:07,843
♪ Takes one to know one ♪
1180
00:48:07,843 --> 00:48:12,223
♪ You beat me
at my own damn game ♪
1181
00:48:13,516 --> 00:48:15,976
♪ I push and I push,
and I'm pulling away ♪
1182
00:48:15,976 --> 00:48:17,520
♪ Pulling away from you ♪
1183
00:48:17,520 --> 00:48:21,065
♪ I give and I give and I give
and I take ♪
1184
00:48:21,065 --> 00:48:22,233
♪ Youngblood ♪
1185
00:48:22,233 --> 00:48:23,859
♪ Say you want me ♪
1186
00:48:23,859 --> 00:48:26,237
♪ Say you want me
out of your life ♪
1187
00:48:26,237 --> 00:48:30,241
♪ I'm just
a dead man walking tonight ♪
1188
00:48:30,241 --> 00:48:32,535
♪ Yeah, you need it,
yeah, you need it ♪
1189
00:48:32,535 --> 00:48:37,289
♪ All of the time ♪
1190
00:48:37,289 --> 00:48:38,958
♪ Youngblood ♪
1191
00:48:38,958 --> 00:48:40,835
♪ Say you want me,
say you want me ♪
1192
00:48:40,835 --> 00:48:42,336
♪ Out of your life ♪
1193
00:48:42,336 --> 00:48:46,549
♪ I'm just
a dead man walking tonight ♪
1194
00:48:46,549 --> 00:48:48,551
♪ Yeah, you need it,
yeah, you need it ♪
1195
00:48:48,551 --> 00:48:53,597
♪ All of the time ♪
1196
00:48:53,597 --> 00:48:55,558
♪ I push and I push,
and I'm pulling away ♪
1197
00:48:55,558 --> 00:48:57,560
♪ I'm pulling away from you ♪
1198
00:48:57,560 --> 00:48:59,895
♪ I give and I give and I give
and I take ♪
1199
00:48:59,895 --> 00:49:01,230
♪ Give and I take ♪
1200
00:49:01,230 --> 00:49:02,565
♪ Youngblood ♪
1201
00:49:02,565 --> 00:49:04,525
♪ Say you want me,
say you want me ♪
1202
00:49:04,525 --> 00:49:06,277
♪ Out of your life ♪
1203
00:49:06,277 --> 00:49:10,614
♪ I'm just a dead man
walking tonight ♪
1204
00:49:10,614 --> 00:49:13,576
Yeah!
1205
00:49:13,576 --> 00:49:14,910
Alright.
1206
00:49:23,419 --> 00:49:24,628
♪ This is "The Voice" ♪
1207
00:49:24,628 --> 00:49:26,213
Welcome back to the knockouts.
1208
00:49:27,631 --> 00:49:29,216
I'm excited for this.
1209
00:49:29,216 --> 00:49:31,719
With "Feeling Good,"
here's Cam Anthony.
1210
00:49:31,719 --> 00:49:39,268
♪ Birds flying high ♪
1211
00:49:39,268 --> 00:49:43,105
♪ You know how I feel ♪
1212
00:49:43,105 --> 00:49:45,566
♪ Sun in the sky ♪
1213
00:49:45,566 --> 00:49:50,488
♪ You know how I feel ♪
1214
00:49:51,655 --> 00:49:54,783
♪ Breeze ♪
1215
00:49:54,783 --> 00:49:56,994
♪ Driftin' on by ♪
1216
00:49:56,994 --> 00:49:59,538
♪ You know how I feel ♪
1217
00:49:59,538 --> 00:50:00,873
Alright.
1218
00:50:00,873 --> 00:50:03,876
♪ It's a new dawn,
it's a new day ♪
1219
00:50:03,876 --> 00:50:07,421
♪ It's a new life ♪
1220
00:50:07,421 --> 00:50:10,799
♪ For me ♪
1221
00:50:10,799 --> 00:50:12,843
Oh.
Okay!
1222
00:50:12,843 --> 00:50:15,513
♪ And ♪
1223
00:50:15,513 --> 00:50:17,848
♪ I'm feeling ♪
1224
00:50:17,848 --> 00:50:20,851
♪ Good ♪
1225
00:50:20,851 --> 00:50:23,020
Alright!
1226
00:50:23,020 --> 00:50:29,318
♪ And I'm feeling good ♪
1227
00:50:29,318 --> 00:50:34,365
♪ Listen ♪
1228
00:50:34,365 --> 00:50:36,367
♪ Stars, when you shine ♪
1229
00:50:36,367 --> 00:50:40,371
♪ You know how I feel ♪
1230
00:50:40,371 --> 00:50:42,831
♪ Scent of the pine ♪
1231
00:50:42,831 --> 00:50:45,167
♪ You know how I feel ♪
1232
00:50:45,167 --> 00:50:48,003
♪ Oh, freedom is mine ♪
1233
00:50:48,003 --> 00:50:51,840
♪ And I know how I feel ♪
1234
00:50:51,840 --> 00:50:54,552
♪ It's a new dawn,
it's a new day ♪
1235
00:50:54,552 --> 00:50:57,721
♪ It's a new li‐i‐i‐fe ♪
1236
00:50:57,721 --> 00:51:00,391
♪ It's a new dawn,
it's a new day ♪
1237
00:51:00,391 --> 00:51:01,559
Hey!
1238
00:51:01,559 --> 00:51:04,395
♪ It's a new li‐i‐i‐fe ♪
1239
00:51:04,395 --> 00:51:07,356
♪ It's a new dawn,
it's a new day ♪
1240
00:51:07,356 --> 00:51:09,900
♪ It's a new li‐i‐i‐fe ♪
1241
00:51:09,900 --> 00:51:12,236
♪ For me ♪
1242
00:51:14,488 --> 00:51:16,532
Hey!
♪ Oh ♪
1243
00:51:16,532 --> 00:51:23,289
♪ I'm feeling good ♪
1244
00:51:23,289 --> 00:51:27,376
♪ Yeaah! ♪
1245
00:51:27,376 --> 00:51:28,419
♪ I'm ♪
1246
00:51:28,419 --> 00:51:29,587
♪ Feeling ♪
1247
00:51:29,587 --> 00:51:35,926
♪ Feeling good ♪
1248
00:51:35,926 --> 00:51:37,761
What?! Whoo!
1249
00:51:37,761 --> 00:51:39,263
Yes, Cam!
1250
00:51:40,598 --> 00:51:42,766
Oh, my God!
1251
00:51:45,269 --> 00:51:46,770
Alright.
1252
00:51:46,770 --> 00:51:48,606
Connor,
I always love your tone.
1253
00:51:48,606 --> 00:51:50,941
I love your vibe, your intensity
when you perform,
1254
00:51:50,941 --> 00:51:52,943
and I think would
lend itself really well
1255
00:51:52,943 --> 00:51:54,862
to being the lead singer
of a band.
1256
00:51:54,862 --> 00:51:57,448
This song was a good choice
in the sense that it showed us
1257
00:51:57,448 --> 00:51:59,742
what you can do in that
kind of pop rock setting,
1258
00:51:59,742 --> 00:52:01,452
and you should be proud.
1259
00:52:01,452 --> 00:52:02,953
And then, Cam,
you just did your thing.
1260
00:52:02,953 --> 00:52:05,831
I was looking back at this,
and I blocked John...
1261
00:52:05,831 --> 00:52:08,000
Don't even look at me, Nick.
I remember.
...back at the blinds.
1262
00:52:08,000 --> 00:52:10,461
And then I didn't get picked,
so it kind of backfired.
1263
00:52:10,461 --> 00:52:12,463
I learned my lesson
the hard way,
1264
00:52:12,463 --> 00:52:14,632
but it was flawless
1265
00:52:14,632 --> 00:52:17,968
and creative
and kind of bizarre.
1266
00:52:17,968 --> 00:52:19,803
I mean, it seemed like
you tapped into something
1267
00:52:19,803 --> 00:52:22,306
at the beginning
that was just otherworldly.
1268
00:52:22,306 --> 00:52:23,932
I was very impressed.
1269
00:52:23,932 --> 00:52:26,644
Also now,
I'm nervous for Team Nick.
1270
00:52:26,644 --> 00:52:28,979
Blake, how did this ‐‐
Let me tell you
how it happened, Nick.
1271
00:52:28,979 --> 00:52:30,981
"Let me tell you."
1272
00:52:30,981 --> 00:52:33,609
I like to tell myself
it wouldn't have mattered.
1273
00:52:33,609 --> 00:52:36,320
You can tell yourself things
all the time.
You know what?
1274
00:52:36,320 --> 00:52:38,489
Don't make it real.
We'll ‐‐ We'll get to ‐‐
We'll get to you, Blake.
1275
00:52:38,489 --> 00:52:41,825
Cam, the principal emotion
I felt during this was
1276
00:52:41,825 --> 00:52:45,913
deep‐seated hatred toward
Nick Jonas for depriving me
1277
00:52:45,913 --> 00:52:48,874
of the opportunity
of working with you.
1278
00:52:48,874 --> 00:52:50,626
Nick...
I deprived myself, too.
1279
00:52:50,626 --> 00:52:52,586
We're in the same boat here,
buddy.
1280
00:52:52,586 --> 00:52:54,505
Cam, I just sang that song
1281
00:52:54,505 --> 00:52:56,131
in a pretty big moment
in my life,
1282
00:52:56,131 --> 00:52:57,841
at the inauguration.
1283
00:52:57,841 --> 00:52:59,843
And what I loved
about your performance
1284
00:52:59,843 --> 00:53:03,013
was I heard things
I was jealous of that you did
1285
00:53:03,013 --> 00:53:05,683
that I would have
never thought to do.
1286
00:53:05,683 --> 00:53:07,184
I really believe in you.
1287
00:53:07,184 --> 00:53:10,354
I think you have the ability
to be a true artist
1288
00:53:10,354 --> 00:53:12,690
beyond this show,
beyond anything.
1289
00:53:12,690 --> 00:53:15,025
Connor,
I really like your tone.
1290
00:53:15,025 --> 00:53:17,778
Your energy
is really contagious.
1291
00:53:17,778 --> 00:53:19,697
You just
have a lot of fire.
1292
00:53:19,697 --> 00:53:21,865
This wasn't your best
vocal work today,
1293
00:53:21,865 --> 00:53:24,535
but I really think
you have something special.
1294
00:53:24,535 --> 00:53:27,871
Thank you.
Connor, I think your tone
is really cool.
1295
00:53:27,871 --> 00:53:29,540
The reason why
you made it this far
1296
00:53:29,540 --> 00:53:30,874
is 'cause you are talented.
Thank you.
1297
00:53:30,874 --> 00:53:32,626
And you came out here, sir.
1298
00:53:32,626 --> 00:53:35,045
First of all, just walking
on the stage, looking like that.
1299
00:53:35,045 --> 00:53:38,048
♪ Why'd you come in here lookin'
like that? ♪
Don't do that to me,
now, Kelly.
1300
00:53:38,048 --> 00:53:41,051
Your choice in starting
a cappella ‐‐
1301
00:53:41,051 --> 00:53:44,054
that was really smart
and competitive.
1302
00:53:44,054 --> 00:53:45,514
You're really special,
1303
00:53:45,514 --> 00:53:46,890
and you did
a really great job, Cam.
1304
00:53:46,890 --> 00:53:48,016
Thank you so much.
Thank you, Coaches.
1305
00:53:48,016 --> 00:53:49,560
Blake, give us some thoughts.
1306
00:53:49,560 --> 00:53:51,562
Connor, the way
you kind of create
1307
00:53:51,562 --> 00:53:54,732
your sound, your tone,
you have to use a lot of air.
1308
00:53:54,732 --> 00:53:56,567
And I think,
because of that,
1309
00:53:56,567 --> 00:53:59,069
it keeps you this much
under the note sometimes.
1310
00:53:59,069 --> 00:54:01,572
And then, Cam,
always figure out
1311
00:54:01,572 --> 00:54:04,825
how to tap in to that deal
right there,
1312
00:54:04,825 --> 00:54:07,995
because if you do that
for the rest of your life,
1313
00:54:07,995 --> 00:54:09,663
you'll be king
of the mountain.
1314
00:54:09,663 --> 00:54:12,541
You have a gift,
and I'm very happy for you.
1315
00:54:12,541 --> 00:54:14,209
Blake, who is the winner
of this knockout?
1316
00:54:17,713 --> 00:54:19,923
The winner
of this knockout...
1317
00:54:22,009 --> 00:54:23,093
...is Cam.
1318
00:54:23,093 --> 00:54:24,845
Cam Anthony,
congratulations.
1319
00:54:24,845 --> 00:54:26,930
You're moving on
to the live playoffs.
Yes!
1320
00:54:26,930 --> 00:54:29,099
You know, Cam,
he's just a star.
1321
00:54:29,099 --> 00:54:31,935
I want to keep pushing him
as a singer and as a performer
1322
00:54:31,935 --> 00:54:33,437
because I don't think
we've begun
1323
00:54:33,437 --> 00:54:35,606
to even scratch the surface yet.
1324
00:54:35,606 --> 00:54:37,107
I love Cam, dude.
1325
00:54:37,107 --> 00:54:38,525
Did you not try
to get him, John?
1326
00:54:38,525 --> 00:54:39,943
I didn't have a chance!
1327
00:54:39,943 --> 00:54:41,779
I'll never forgive Nick
for that.
1328
00:54:41,779 --> 00:54:44,114
Well, and then he comes in here,
wearing that Easter egg suit
1329
00:54:44,114 --> 00:54:46,033
and just rubbing it
in your face.
Yeah.
1330
00:54:46,033 --> 00:54:47,951
Like a damn Peep.
1331
00:54:47,951 --> 00:54:49,119
As the night continued,
1332
00:54:49,119 --> 00:54:50,787
Team Nick gave it their all.
1333
00:54:50,787 --> 00:54:55,125
♪ I hear the chains ♪
1334
00:54:55,125 --> 00:54:59,129
♪ Oh, yeah, yeah, yeah, yeah ♪
1335
00:54:59,129 --> 00:55:03,133
♪ I wanna run through the halls
of my high school ♪
1336
00:55:03,133 --> 00:55:06,637
♪ I wanna scream
at the top of my lungs ♪
1337
00:55:06,637 --> 00:55:09,806
Jose, you are one of
my favorite people on my team.
1338
00:55:09,806 --> 00:55:12,809
You have been solid
in every performance.
1339
00:55:12,809 --> 00:55:14,144
Certainly not easy,
1340
00:55:14,144 --> 00:55:15,979
but the winner
of this knockout
1341
00:55:15,979 --> 00:55:17,272
is Jose.
1342
00:55:19,066 --> 00:55:20,776
Coming up...
1343
00:55:20,776 --> 00:55:23,654
I'm trying to hold this tear
from falling from my eye.
1344
00:55:23,654 --> 00:55:25,155
I literally have tears
1345
00:55:25,155 --> 00:55:27,824
streaming down my face.
1346
00:55:27,824 --> 00:55:29,993
I'm tripping off
of the maturity of your voice.
1347
00:55:36,041 --> 00:55:37,626
Wait! What?!
1348
00:55:46,426 --> 00:55:47,678
♪ This is "The Voice" ♪
1349
00:55:47,678 --> 00:55:49,429
Welcome back to the knockouts.
1350
00:55:51,265 --> 00:55:53,517
So, next up,
we have Gihanna and Anna.
1351
00:55:53,517 --> 00:55:56,645
Gihanna's more of, like,
a soulful songstress,
1352
00:55:56,645 --> 00:55:58,814
and Anna is very quirky,
1353
00:55:58,814 --> 00:56:00,357
does all these,
like, fairy riffs,
1354
00:56:00,357 --> 00:56:01,692
and it's really beautiful.
1355
00:56:01,692 --> 00:56:03,527
Let's get 'em out here.
Let's go.
1356
00:56:03,527 --> 00:56:05,696
Come on, ladies.
Ladies.
1357
00:56:05,696 --> 00:56:07,823
Ladies!
What's up, guys.
Snoop Dogg!
1358
00:56:07,823 --> 00:56:10,200
Hi!
Well, hello, girls.
1359
00:56:10,200 --> 00:56:12,703
Seeing, Snoop Dogg ‐‐
my mind went boom.
1360
00:56:14,371 --> 00:56:15,747
That was just super exciting.
1361
00:56:15,747 --> 00:56:17,749
So, Anna,
why did you pick country?
1362
00:56:17,749 --> 00:56:19,960
Yeah, I'm doing
"If I Die Young,"
1363
00:56:19,960 --> 00:56:22,004
but it's a completely,
like, different version
1364
00:56:22,004 --> 00:56:23,547
than the original.
Oh.
1365
00:56:23,547 --> 00:56:25,966
I picked it because,
when I was 17,
1366
00:56:25,966 --> 00:56:28,844
I got really sick with,
like, a bunch of infections
1367
00:56:28,844 --> 00:56:31,471
and almost lost my life
to that.
Wow.
1368
00:56:31,471 --> 00:56:34,224
And music was the only thing
that got me through that.
1369
00:56:34,224 --> 00:56:36,226
I'm ready to hear
some emotions.
1370
00:56:36,226 --> 00:56:39,229
♪ If I die young ♪
1371
00:56:39,229 --> 00:56:40,856
♪ Bury me in satin ♪
That was almost me,
1372
00:56:40,856 --> 00:56:44,401
and one of the lines
that hits me every time is,
1373
00:56:44,401 --> 00:56:45,819
"Lord, make me a rainbow.
1374
00:56:45,819 --> 00:56:47,237
I'll shine down on my mother."
1375
00:56:47,237 --> 00:56:49,573
♪ I'll shine down
on my mother ♪
1376
00:56:49,573 --> 00:56:52,326
Because me and my mom
are so close.
1377
00:56:52,326 --> 00:56:54,328
I remember just being like,
1378
00:56:54,328 --> 00:56:56,038
if something happened to me
1379
00:56:56,038 --> 00:56:58,415
what would happen to my mom?
1380
00:56:58,415 --> 00:57:00,792
It's just...
1381
00:57:00,792 --> 00:57:03,754
That's still my biggest fear
every day.
1382
00:57:03,754 --> 00:57:05,839
She's just my biggest supporter,
1383
00:57:05,839 --> 00:57:08,550
and I love her so much.
1384
00:57:08,550 --> 00:57:11,261
Well, this song is
just an intense song,
1385
00:57:11,261 --> 00:57:12,929
and then your story layered
on top of that.
Yeah.
1386
00:57:12,929 --> 00:57:16,892
Your story is amazing
because you overcame.
Yeah.
1387
00:57:16,892 --> 00:57:19,770
I'm trying to hold this tear
from falling from my eye.
1388
00:57:19,770 --> 00:57:22,272
Look what you just did
to Snoop Dogg.
1389
00:57:22,272 --> 00:57:23,940
Your voice is like
a little magical unicorn
1390
00:57:23,940 --> 00:57:26,401
with all those little
effortless little runs you do.
1391
00:57:26,401 --> 00:57:28,028
But there is
something in you
1392
00:57:28,028 --> 00:57:30,030
that you have not
even tapped into yet.
1393
00:57:30,030 --> 00:57:31,782
♪ If I die young ♪
1394
00:57:31,782 --> 00:57:33,909
Where you got really big,
I just almost wanted you
1395
00:57:33,909 --> 00:57:36,286
to open up
a little bit bigger.
Yeah.
1396
00:57:36,286 --> 00:57:38,497
It sounded like
you were singing the song,
1397
00:57:38,497 --> 00:57:40,457
but I want to be able
to feel what you're saying.
Yeah.
1398
00:57:40,457 --> 00:57:42,376
You on stage ‐‐
let it go.
Yeah.
1399
00:57:42,376 --> 00:57:43,794
I think her voice
is very strong,
1400
00:57:43,794 --> 00:57:45,629
but you've got to grow
into knowing
1401
00:57:45,629 --> 00:57:47,464
how to master who you are,
1402
00:57:47,464 --> 00:57:49,466
and I think this experience
is going to teach her that.
1403
00:57:49,466 --> 00:57:51,301
You're holding back
a tiny bit.
1404
00:57:51,301 --> 00:57:52,886
I don't know if you're afraid
you're gonna cry ‐‐
1405
00:57:52,886 --> 00:57:54,471
you're not gonna
be able to sing.
1406
00:57:54,471 --> 00:57:55,889
That happens to me
all the time.
1407
00:57:55,889 --> 00:57:57,641
Yeah, it's a lot. Yeah.
But it's important, though.
1408
00:57:57,641 --> 00:57:58,975
Like, I have this life,
1409
00:57:58,975 --> 00:58:01,478
and I have been shown
how precious it is.
1410
00:58:01,478 --> 00:58:03,772
I love Anna because
she's kind of genre‐less.
1411
00:58:03,772 --> 00:58:05,440
You never know
what she's gonna sing next.
1412
00:58:05,440 --> 00:58:06,775
Thank you for singing that.
Thank you.
1413
00:58:06,775 --> 00:58:07,943
It was beautiful,
and sharing your story.
1414
00:58:07,943 --> 00:58:09,569
Great work.
Thank you.
1415
00:58:09,569 --> 00:58:11,321
If Anna can let us
into this story with her,
1416
00:58:11,321 --> 00:58:12,572
it's going to be hard to beat.
1417
00:58:12,572 --> 00:58:14,116
She almost got
the Dogg to cry.
1418
00:58:14,116 --> 00:58:15,826
It wouldn't fall out.
Yeah.
1419
00:58:15,826 --> 00:58:17,828
I had to push 'im back in there.
Get on back in there.
1420
00:58:17,828 --> 00:58:20,539
You told her to let go.
You let go.
I can't.
1421
00:58:20,539 --> 00:58:22,708
Alright, Gihanna!
1422
00:58:22,708 --> 00:58:23,709
Hi!
1423
00:58:23,709 --> 00:58:24,960
We love your song selection.
1424
00:58:24,960 --> 00:58:26,670
Why'd you pick
"Glitter in the Air"?
1425
00:58:26,670 --> 00:58:29,005
I've gone through so much
in my life, good and bad,
1426
00:58:29,005 --> 00:58:32,092
and being able to go back
and remember those times
1427
00:58:32,092 --> 00:58:34,469
and kind of see
what I've learned from it...
Mm.
1428
00:58:34,469 --> 00:58:36,972
...I think that's just what's
so special to me about the song.
1429
00:58:36,972 --> 00:58:38,974
♪ Close your eyes and trust it ♪
1430
00:58:38,974 --> 00:58:40,517
The song "Glitter in the Air"
1431
00:58:40,517 --> 00:58:42,102
really talks about
taking the bad things
1432
00:58:42,102 --> 00:58:44,604
that have happened in your life
and applying it
1433
00:58:44,604 --> 00:58:46,481
to your growth as a person.
♪ Just trust it, mmmm ♪
1434
00:58:46,481 --> 00:58:48,442
There was a point in my life
where I didn't think
1435
00:58:48,442 --> 00:58:49,985
I wanted to do music anymore.
1436
00:58:49,985 --> 00:58:53,363
I did choir from ages 6 to 15.
1437
00:58:53,363 --> 00:58:56,032
All that classical training
really helped me.
1438
00:58:56,032 --> 00:58:59,870
But finding a way to emote
1439
00:58:59,870 --> 00:59:01,621
has probably been
the hardest struggle with me.
1440
00:59:01,621 --> 00:59:04,082
Having that small, little idea
in your head
1441
00:59:04,082 --> 00:59:07,002
that you may not make it
sometimes holds me back.
♪ Woah ♪
1442
00:59:07,002 --> 00:59:09,546
But this song is
a perfect example
1443
00:59:09,546 --> 00:59:10,714
of who I want to be
as an artist.
1444
00:59:10,714 --> 00:59:13,467
♪ Woah ♪
Mm.
1445
00:59:13,467 --> 00:59:16,511
Listening to Gihanna sing,
she made me cry.
♪ Will it ever get better
than tonight? ♪
1446
00:59:16,511 --> 00:59:19,681
It's definitely gonna be hard
going up against her.
1447
00:59:19,681 --> 00:59:20,891
I literally have tears
1448
00:59:20,891 --> 00:59:24,019
streaming down my face.
My God!
1449
00:59:24,019 --> 00:59:26,730
I'm tripping off
of the maturity of your voice.
1450
00:59:26,730 --> 00:59:30,025
When you started talking,
that
Oh, my God.
1451
00:59:30,025 --> 00:59:31,693
The vibrato.
Mm! Mm!
1452
00:59:31,693 --> 00:59:32,986
How quick your vibrato is
and how sweet it is
1453
00:59:32,986 --> 00:59:36,156
reminds me of Beyoncé,
but your ache reminds me
1454
00:59:36,156 --> 00:59:37,908
of how P! nk sings.
Ah! Thank you!
1455
00:59:37,908 --> 00:59:40,035
You just passed
the P! nk challenge.
Yeah.
1456
00:59:42,204 --> 00:59:45,791
How would it sound
if you did a
1457
00:59:45,791 --> 00:59:48,043
♪ Toni‐i‐ight ♪
1458
00:59:48,043 --> 00:59:50,712
I want it to be
almost quieter.
Uh‐huh.
1459
00:59:50,712 --> 00:59:52,672
Like, just something
very sweet...
Yeah.
1460
00:59:52,672 --> 00:59:54,382
...and, like,
left everyone like this.
1461
00:59:54,382 --> 00:59:56,051
Aaah! What?
1462
00:59:56,051 --> 00:59:58,428
Yeah.
Give us a cliffhanger.
1463
00:59:58,428 --> 01:00:00,597
That's your best performance
on this show.
1464
01:00:00,597 --> 01:00:03,099
Do it exactly like that.
Thank you.
Okay.
1465
01:00:03,099 --> 01:00:05,435
These girls are both
so emotional,
1466
01:00:05,435 --> 01:00:07,604
and they brought out
all the emotions in me.
Thank you.
1467
01:00:07,604 --> 01:00:09,773
So just, you know...
1468
01:00:09,773 --> 01:00:11,942
Just gonna have tissues
in my chair.
1469
01:00:11,942 --> 01:00:14,069
Well, y'all didn't tell me I was
gonna be crying on the show.
1470
01:00:17,739 --> 01:00:20,075
Whoo!
1471
01:00:20,075 --> 01:00:22,077
Gihanna!
Yeah!
1472
01:00:22,077 --> 01:00:24,871
Anna's doing
a country song.
Cool.
1473
01:00:24,871 --> 01:00:27,123
Singing "If I Die Young,"
here's Anna Grace.
1474
01:00:29,084 --> 01:00:36,633
♪ If I die young ♪
1475
01:00:36,633 --> 01:00:39,261
♪ Bury me in satin ♪
1476
01:00:39,261 --> 01:00:41,638
♪ Lay me down ♪
1477
01:00:41,638 --> 01:00:45,141
♪ On a bed of roses ♪
1478
01:00:45,141 --> 01:00:48,645
♪ Sink me in the river ♪
1479
01:00:48,645 --> 01:00:50,814
♪ At dawn ♪
1480
01:00:50,814 --> 01:00:53,775
♪ Send me away ♪
1481
01:00:53,775 --> 01:00:59,823
♪ With the words
of a love song ♪
1482
01:00:59,823 --> 01:01:02,909
♪ Lord, make me a rainbow ♪
1483
01:01:02,909 --> 01:01:05,787
♪ I'll shine down on my mother ♪
1484
01:01:05,787 --> 01:01:08,164
♪ She'll know
I'm safe with you ♪
1485
01:01:08,164 --> 01:01:12,127
♪ When she stands
under my colors ♪
1486
01:01:12,127 --> 01:01:14,170
♪ No ♪
1487
01:01:14,170 --> 01:01:19,801
♪ Life ain't always what
you think it ought to be, no ♪
1488
01:01:19,801 --> 01:01:25,974
♪ Ain't even gray,
but she buries her baby ♪
1489
01:01:25,974 --> 01:01:29,269
♪ The sharp knife ♪
1490
01:01:29,269 --> 01:01:35,942
♪ Of a short li‐i‐fe ♪
1491
01:01:35,942 --> 01:01:37,986
♪ Oh, well ♪
1492
01:01:37,986 --> 01:01:40,864
♪ But I've had ♪
1493
01:01:40,864 --> 01:01:45,702
♪ Just enough time ♪
1494
01:01:45,702 --> 01:01:50,916
♪ Ohh, ohh ♪
1495
01:01:50,916 --> 01:01:53,168
Pretty.
1496
01:01:53,168 --> 01:01:59,007
♪ If I die young ♪
1497
01:01:59,007 --> 01:02:01,801
♪ Lay me down ♪
1498
01:02:01,801 --> 01:02:04,888
♪ On a bed of roses ♪
1499
01:02:04,888 --> 01:02:08,683
♪ Sink me in the river ♪
1500
01:02:08,683 --> 01:02:10,852
♪ At dawn ♪
1501
01:02:10,852 --> 01:02:13,730
♪ Send me away ♪
1502
01:02:13,730 --> 01:02:20,737
♪ With the words
of a love song ♪
1503
01:02:20,737 --> 01:02:21,905
Yeah.
1504
01:02:21,905 --> 01:02:24,074
Wow.
1505
01:02:24,074 --> 01:02:26,076
♪ Hmmm ♪
1506
01:02:26,076 --> 01:02:33,208
♪ If I die young ♪
1507
01:02:33,208 --> 01:02:35,085
Wow!
1508
01:02:35,085 --> 01:02:38,755
Thank you.
Great job!
1509
01:02:38,755 --> 01:02:40,048
Lovely. Lovely.
1510
01:02:50,392 --> 01:02:51,434
♪ This is "The Voice" ♪
1511
01:02:51,434 --> 01:02:53,269
Welcome back.
1512
01:02:55,563 --> 01:02:57,399
Alright, Gihanna.
1513
01:02:57,399 --> 01:03:00,193
She's singing P! nk.
That's bold. I like that.
1514
01:03:00,193 --> 01:03:01,403
And now with
"Glitter in the Air,"
1515
01:03:01,403 --> 01:03:03,279
here is Gihanna Zoe.
1516
01:03:05,699 --> 01:03:14,332
♪ Have you ever fed a lover ♪
1517
01:03:14,332 --> 01:03:19,587
♪ With just your hands? ♪
1518
01:03:19,587 --> 01:03:24,300
♪ Close your eyes and trust it ♪
1519
01:03:24,300 --> 01:03:28,263
♪ Just trust it ♪
1520
01:03:28,263 --> 01:03:29,597
♪ Mmmm ♪
1521
01:03:29,597 --> 01:03:32,100
♪ Have you ever thrown ♪
1522
01:03:32,100 --> 01:03:36,980
♪ A fist full of glitter
in the air? ♪
1523
01:03:39,232 --> 01:03:44,070
♪ It's only half past
the point of oblivion ♪
1524
01:03:44,070 --> 01:03:48,992
♪ The hourglass on the table,
the walk before the run ♪
1525
01:03:48,992 --> 01:03:53,538
♪ The breath before the kiss,
the fear before the flames ♪
1526
01:03:53,538 --> 01:04:02,088
♪ Have you ever felt this way? ♪
1527
01:04:02,088 --> 01:04:03,631
♪ Oh, woah ♪
1528
01:04:03,631 --> 01:04:06,259
♪ La, la, la, la ♪
1529
01:04:06,259 --> 01:04:13,433
♪ La, la, la, la, la, la, la,
la, la, la, la, la ♪
♪ La, la, laaaaa ♪
1530
01:04:13,433 --> 01:04:18,188
♪ There you are,
sitting in the garden ♪
1531
01:04:18,188 --> 01:04:21,524
♪ Clutching my coffee ♪
1532
01:04:21,524 --> 01:04:26,362
♪ Calling me sugar ♪
1533
01:04:26,362 --> 01:04:34,788
♪ You called me sugar ♪
1534
01:04:34,788 --> 01:04:42,879
♪ Oh, woah, woah, woah ♪
1535
01:04:42,879 --> 01:04:45,215
♪ Have you ever ♪
1536
01:04:45,215 --> 01:04:47,133
♪ Held your breath ♪
1537
01:04:47,133 --> 01:04:49,677
♪ And asked yourself ♪
1538
01:04:49,677 --> 01:04:58,228
♪ Will it ever get better
than tonight? ♪
1539
01:04:58,228 --> 01:05:05,235
♪ Tonight ♪
1540
01:05:05,235 --> 01:05:06,402
Wow.
1541
01:05:08,530 --> 01:05:10,573
Whoo!
Yes, Gihanna.
1542
01:05:10,573 --> 01:05:12,325
Wow.
1543
01:05:12,325 --> 01:05:15,078
Man, this is not gonna be
a fun one for you, Kelly.
1544
01:05:15,078 --> 01:05:16,579
Anna,
you probably heard me.
1545
01:05:16,579 --> 01:05:18,540
"Oh, my God!
Anna's doing a country song."
1546
01:05:18,540 --> 01:05:19,916
People like you
1547
01:05:19,916 --> 01:05:22,377
are really important
to have on the show
1548
01:05:22,377 --> 01:05:24,170
because you're
so different.
1549
01:05:24,170 --> 01:05:25,880
Wow.
What a cool voice you have.
1550
01:05:25,880 --> 01:05:28,758
Thank you.
But Kelly's struggle is now...
1551
01:05:28,758 --> 01:05:32,428
we've never had anybody
quite like Gihanna, either.
1552
01:05:32,428 --> 01:05:35,390
Thank you.
At this point, there's really
nothing you can't do.
1553
01:05:35,390 --> 01:05:36,766
Thank you.
I mean, look at your pants.
1554
01:05:36,766 --> 01:05:37,934
They probably said,
"Which this pair of pants
1555
01:05:37,934 --> 01:05:39,102
do you want to wear?
1556
01:05:39,102 --> 01:05:39,936
Which pair?"
1557
01:05:39,936 --> 01:05:40,895
"Both."
"Both."
1558
01:05:40,895 --> 01:05:42,230
Watch this.
1559
01:05:42,230 --> 01:05:43,898
The sky is the limit
for you.
1560
01:05:43,898 --> 01:05:45,441
Thank you.
1561
01:05:45,441 --> 01:05:47,443
Anna,
I've always loved that song.
1562
01:05:47,443 --> 01:05:49,445
Thank you.
To actually
take a song like this
1563
01:05:49,445 --> 01:05:52,282
and make it your own in this way
I thought was the right move.
1564
01:05:52,282 --> 01:05:54,534
Thank you.
And I thought you did
a really good job with it.
1565
01:05:54,534 --> 01:05:57,412
Gihanna, there's just something
unique about you.
1566
01:05:57,412 --> 01:05:59,622
And you show up each week
with ‐‐ with kind of
1567
01:05:59,622 --> 01:06:01,666
a different thing
for all of us to hear,
1568
01:06:01,666 --> 01:06:04,419
which is really incredible
to be so good at so much.
1569
01:06:04,419 --> 01:06:06,462
Thank you.
I got to go with Gihanna
on this one.
1570
01:06:06,462 --> 01:06:08,631
I love how much
personality both of you have.
1571
01:06:08,631 --> 01:06:11,134
When you perform,
it feels very confident.
1572
01:06:11,134 --> 01:06:15,597
Anna, when you did these
little graceful falsetto things,
1573
01:06:15,597 --> 01:06:16,764
I‐I looked at Kelly,
and I was like ‐‐
1574
01:06:16,764 --> 01:06:19,309
It was just so pretty.
I got chills.
1575
01:06:19,309 --> 01:06:21,436
And then, Gihanna,
1576
01:06:21,436 --> 01:06:23,605
I just had to keep
reminding myself you were 17
1577
01:06:23,605 --> 01:06:26,649
because it sounded
so confident and sure.
1578
01:06:26,649 --> 01:06:29,277
And, like, I got to check
the birth certificate.
1579
01:06:29,277 --> 01:06:30,945
"I got to check
the birth certificate."
1580
01:06:30,945 --> 01:06:34,657
I got to see this for myself
because it was so good.
1581
01:06:34,657 --> 01:06:36,492
Thank you.
Kelly,
you've got the final say.
1582
01:06:36,492 --> 01:06:38,161
Give us some thoughts
on the knockout.
1583
01:06:38,161 --> 01:06:39,829
I actually believe that
you're both very powerful
1584
01:06:39,829 --> 01:06:41,706
in different ways.
1585
01:06:41,706 --> 01:06:44,542
Anna, I'm so glad that you did
more that ethereal stuff,
1586
01:06:44,542 --> 01:06:46,336
'cause it gives people chills.
1587
01:06:46,336 --> 01:06:48,630
It feels, like, spiritual.
1588
01:06:48,630 --> 01:06:51,925
It's ‐‐ It's a beautiful,
beautiful gift that you have.
Thank you.
1589
01:06:51,925 --> 01:06:54,802
Gihanna, you have such
a big presence for anyone,
1590
01:06:54,802 --> 01:06:56,804
but especially
a 17‐year‐old.
Mm‐hmm.
1591
01:06:56,804 --> 01:06:59,682
And so, honestly, it's just
gonna come down to, like,
1592
01:06:59,682 --> 01:07:01,351
who in this moment
I feel like is
1593
01:07:01,351 --> 01:07:04,520
gonna be able to navigate
this competition better.
1594
01:07:04,520 --> 01:07:06,522
Kelly, who is the winner
of this knockout?
1595
01:07:13,613 --> 01:07:15,365
The winner of this knockout
1596
01:07:15,365 --> 01:07:16,532
is Gihanna.
1597
01:07:16,532 --> 01:07:19,535
Gihanna Zoe,
congratulations.
1598
01:07:19,535 --> 01:07:21,496
Gihanna has
this huge presence.
Ah!
1599
01:07:21,496 --> 01:07:23,373
She's more of
a competitive vocalist,
1600
01:07:23,373 --> 01:07:25,750
and I think that she's perfect
for this environment.
1601
01:07:25,750 --> 01:07:28,461
I'm very excited to see
what she wants to do next.
1602
01:07:28,461 --> 01:07:31,047
Coaches, let me remind you
Anna's available to steal.
1603
01:07:31,047 --> 01:07:33,383
Anna, what would you like
to say to your coach?
1604
01:07:33,383 --> 01:07:35,551
I'm so grateful I got
to share my story with you.
1605
01:07:35,551 --> 01:07:37,971
That was a really big deal
for me.
Yeah.
1606
01:07:37,971 --> 01:07:39,347
I just want to say thank you.
1607
01:07:39,347 --> 01:07:40,556
Oh, this is hard.
1608
01:07:40,556 --> 01:07:42,225
Give it up one more time
for Anna Grace,
1609
01:07:42,225 --> 01:07:43,559
ladies and gentlemen.
1610
01:07:43,559 --> 01:07:46,396
Alright.
1611
01:07:46,396 --> 01:07:48,731
Whoa!
I'll take her.
1612
01:07:48,731 --> 01:07:50,566
Wait! What?!
I'll take Anna!
1613
01:07:50,566 --> 01:07:52,652
That is the sound of a steal
from Blake Shelton!
1614
01:07:52,652 --> 01:07:54,654
I stole Anna
because I think she's got
1615
01:07:54,654 --> 01:07:57,532
a wide‐open lane on my team.
1616
01:07:57,532 --> 01:07:59,492
If I could hug you,
I would hug you.
1617
01:07:59,492 --> 01:08:01,035
It's full of mostly all dudes,
1618
01:08:01,035 --> 01:08:04,539
so it was nice to actually add
a female to my roster.
1619
01:08:04,539 --> 01:08:08,751
This is hardcore competition.
These are world‐class vocalists.
1620
01:08:08,751 --> 01:08:11,045
And I happen to think
that you're one of them.
1621
01:08:11,045 --> 01:08:12,880
Thank you so much.
There you have it!
1622
01:08:12,880 --> 01:08:16,592
The cowboy, Blake,
steals Anna Grace.
1623
01:08:16,592 --> 01:08:18,386
Oh, my gosh.
1624
01:08:18,386 --> 01:08:20,513
I can't believe
what just happened.
1625
01:08:30,231 --> 01:08:31,607
♪ This is "The Voice" ♪
1626
01:08:31,607 --> 01:08:34,027
Welcome back to
Night 2 of the knockouts.
1627
01:08:34,027 --> 01:08:36,112
The most stressful part
of this whole process
1628
01:08:36,112 --> 01:08:37,697
is this four‐way knockout.
1629
01:08:37,697 --> 01:08:39,782
Each of us has somebody
going up there,
1630
01:08:39,782 --> 01:08:41,117
waiting for America
to vote on them.
1631
01:08:41,117 --> 01:08:42,785
I'm nervous about it.
I'm nervous, too.
1632
01:08:42,785 --> 01:08:44,078
They're all different.
Very different.
1633
01:08:44,078 --> 01:08:46,664
Devan, my guy,
is singing Harry Styles'
1634
01:08:46,664 --> 01:08:47,832
"Sign of the Times."
Ooh.
1635
01:08:47,832 --> 01:08:49,751
Like, that's no joke.
1636
01:08:49,751 --> 01:08:53,087
Whoa!
We've got a save!
1637
01:08:53,087 --> 01:08:55,089
I really thought
I was going home.
1638
01:08:55,089 --> 01:08:57,300
I never thought
that I was gonna...
1639
01:08:57,300 --> 01:08:59,635
see one of my dreams
come true like this.
1640
01:08:59,635 --> 01:09:05,141
And I just feel this,
like, huge heaviness gone.
1641
01:09:05,141 --> 01:09:10,104
♪ Just stop your crying,
it's a sign of the times ♪
1642
01:09:10,104 --> 01:09:12,148
You got to give us a little bit
of body language.
Okay.
1643
01:09:12,148 --> 01:09:14,817
Don't be shy!
This is your house, man.
1644
01:09:14,817 --> 01:09:17,153
That's your stage.
You got to command that. Like...
1645
01:09:17,153 --> 01:09:18,821
I feel you.
I feel you.
1646
01:09:18,821 --> 01:09:22,158
Just lean into that.
Okay.
1647
01:09:22,158 --> 01:09:23,910
To be the save...
♪ We've got to get away ♪
1648
01:09:23,910 --> 01:09:25,328
...it boosted
my confidence a little bit.
1649
01:09:25,328 --> 01:09:27,038
A lot.
Yeah!
1650
01:09:27,038 --> 01:09:28,498
Devan deserves to be here.
Mm!
1651
01:09:28,498 --> 01:09:31,167
And he's got even more to prove
and to show us.
1652
01:09:31,167 --> 01:09:33,169
Mine's Savanna.
She's a rock‐'n'‐roller.
1653
01:09:33,169 --> 01:09:36,839
She sings the hell
out of "Black Hole Sun."
1654
01:09:36,839 --> 01:09:38,007
Why this song?
1655
01:09:38,007 --> 01:09:39,342
I think it shows
something different.
1656
01:09:39,342 --> 01:09:42,345
It might be cool,
instead of going hard,
1657
01:09:42,345 --> 01:09:44,472
go intense, like,
in a small way.
1658
01:09:44,472 --> 01:09:45,973
Let's get it, girl.
1659
01:09:45,973 --> 01:09:47,850
♪ Boiling heat ♪
1660
01:09:47,850 --> 01:09:49,185
There are so many great artists
1661
01:09:49,185 --> 01:09:51,187
in the four‐way knockout,
but I really do feel
1662
01:09:51,187 --> 01:09:52,980
like Savanna has an edge
on them.
1663
01:09:52,980 --> 01:09:55,358
Whoa! We got a steal!
Yes!
1664
01:09:55,358 --> 01:09:57,860
Kelly saving me
was quite an honor.
1665
01:09:57,860 --> 01:10:01,197
♪ Black hole sun,
won't you come ♪
1666
01:10:01,197 --> 01:10:02,865
I grew up singing
with three sisters.
1667
01:10:02,865 --> 01:10:04,951
Once we all graduated and left,
1668
01:10:04,951 --> 01:10:07,036
my parents started
fostering kids.
♪ Won't you come? ♪
1669
01:10:07,036 --> 01:10:11,082
Being a foster child is hard,
and this song really embodies
1670
01:10:11,082 --> 01:10:13,126
the expression of pain...
1671
01:10:13,126 --> 01:10:16,212
...and wanting it all
to just go away.
1672
01:10:16,212 --> 01:10:18,840
I thought I was watching
the end of a Spider‐Man movie.
1673
01:10:18,840 --> 01:10:20,216
Man, like, big.
1674
01:10:20,216 --> 01:10:22,385
Like motion‐picture,
like, soundtrack.
1675
01:10:22,385 --> 01:10:24,220
You understand
what I'm saying?
Yeah. Yeah.
1676
01:10:24,220 --> 01:10:26,013
It was so cool.
For real.
1677
01:10:26,013 --> 01:10:28,725
Thank you.
Those soulful runs
can make an audience
1678
01:10:28,725 --> 01:10:30,059
that never knew
about that song
1679
01:10:30,059 --> 01:10:32,061
become interested
in that song.
Yeah.
1680
01:10:32,061 --> 01:10:33,521
'Cause you
made it yours.
1681
01:10:33,521 --> 01:10:36,023
Emma's gonna be doing
"Neon Moon."
1682
01:10:36,023 --> 01:10:39,026
I learned to two‐step
to the Brooks & Dunn version.
1683
01:10:39,026 --> 01:10:40,862
♪ I'll be alright
as long as there's light ♪
1684
01:10:40,862 --> 01:10:42,739
I saved Emma
because I really do think
1685
01:10:42,739 --> 01:10:45,199
she is an incredible vocalist.
♪ From a neon moon ♪
1686
01:10:45,199 --> 01:10:47,243
I just felt like she needs
to learn to loosen up
1687
01:10:47,243 --> 01:10:48,911
and have some fun on stage.
1688
01:10:48,911 --> 01:10:52,290
Whoa!
We've got a save!
1689
01:10:52,290 --> 01:10:53,916
Why'd you have to do that
to me?
1690
01:10:53,916 --> 01:10:56,085
I wanted to scare
some stage presence into you.
1691
01:10:56,085 --> 01:10:57,545
You did.
You did it.
1692
01:10:57,545 --> 01:10:59,922
My battle performance,
I think I looked scared
1693
01:10:59,922 --> 01:11:02,258
and felt a little nervous ‐‐
or a lotta nervous.
1694
01:11:02,258 --> 01:11:04,051
♪ No telling how many tears
I've sat here and cried ♪
1695
01:11:04,051 --> 01:11:06,429
But I'm beyond grateful
that Blake believed in me enough
1696
01:11:06,429 --> 01:11:08,890
to give me a second opportunity.
1697
01:11:08,890 --> 01:11:11,267
Your voice just floats.
It's unbelievable.
1698
01:11:11,267 --> 01:11:14,020
Don't hold nothing in.
Let it become natural.
1699
01:11:14,020 --> 01:11:15,772
Your flow, your singing,
your movement.
1700
01:11:15,772 --> 01:11:17,273
When you ‐‐
That's beautiful.
1701
01:11:17,273 --> 01:11:19,192
That's what people
want to see.
1702
01:11:19,192 --> 01:11:22,195
♪ Oh, if you lose
your one and only ♪
Yes. Yes.
1703
01:11:22,195 --> 01:11:23,946
If Emma can just let go...
Whoo!
1704
01:11:23,946 --> 01:11:25,948
...I have no doubt that
she can win this knockout.
1705
01:11:25,948 --> 01:11:29,035
Carolina picked
a Demi Lovato song ‐‐
1706
01:11:29,035 --> 01:11:30,411
lot of power.
1707
01:11:30,411 --> 01:11:33,331
♪ I tried to talk
to my piano ♪
1708
01:11:33,331 --> 01:11:36,250
With the save, you have
to be kind of strategic.
♪ I tried to talk
to my guitar ♪
1709
01:11:36,250 --> 01:11:38,127
You want somebody
with a big voice,
1710
01:11:38,127 --> 01:11:41,297
somebody that can dazzle
the American people.
1711
01:11:41,297 --> 01:11:43,299
Whoa!
Carolina, come back!
1712
01:11:43,299 --> 01:11:44,967
We got a save.
1713
01:11:44,967 --> 01:11:48,095
John's save
represents everything.
1714
01:11:48,095 --> 01:11:49,806
So I want to show John
and America
1715
01:11:49,806 --> 01:11:52,058
that I'm more
than just a 17‐year‐old singer.
1716
01:11:52,058 --> 01:11:53,810
♪ Anyone ♪
1717
01:11:53,810 --> 01:11:55,311
Mm!
♪ Please send me anyone ♪
1718
01:11:55,311 --> 01:11:57,980
"Anyone" is a really special
song to me.
1719
01:11:57,980 --> 01:12:01,567
I remember when I first sang
the song, I just felt my dad
1720
01:12:01,567 --> 01:12:03,486
and my grandmother with me,
so...
1721
01:12:03,486 --> 01:12:05,488
♪ A hundred million stories ♪
1722
01:12:05,488 --> 01:12:08,491
I want to be able to show
that if you've lost somebody,
1723
01:12:08,491 --> 01:12:10,368
there's always a light
at the end of that tunnel.
1724
01:12:12,620 --> 01:12:15,540
Oh, my goodness.
Wow! Wow!
1725
01:12:15,540 --> 01:12:18,334
You felt the emotion.
I felt it, too.
Wow.
1726
01:12:18,334 --> 01:12:21,337
Oh, wow.
I felt that one, buddy.
You hear me?
1727
01:12:21,337 --> 01:12:24,006
What a song.
I had to close my eyes
and hold on to my chest.
1728
01:12:24,006 --> 01:12:27,510
Yeah. Obviously, the lower notes
are a little more challenging.
1729
01:12:27,510 --> 01:12:29,345
If you kind of talk the line
a little bit,
1730
01:12:29,345 --> 01:12:31,347
you can kind of
throw off the line
1731
01:12:31,347 --> 01:12:32,515
without putting the pressure
on yourself
1732
01:12:32,515 --> 01:12:34,183
to sing all
those low notes.
1733
01:12:34,183 --> 01:12:35,977
If you put that feeling
into your performance,
1734
01:12:35,977 --> 01:12:38,479
America will make
the right decision.
1735
01:12:40,189 --> 01:12:41,524
Voting is open now
1736
01:12:41,524 --> 01:12:43,985
on the "Voice" official app
and NBC.com.
1737
01:12:43,985 --> 01:12:45,611
Let's get to it.
1738
01:12:45,611 --> 01:12:47,363
First up with "Neon Moon,
1739
01:12:47,363 --> 01:12:50,366
here's Team Blake's
Emma Caroline.
1740
01:12:50,366 --> 01:13:00,042
♪ When the sun goes down
on my side of town ♪
1741
01:13:00,042 --> 01:13:05,006
♪ That lonesome feeling
comes to my door ♪
1742
01:13:05,006 --> 01:13:08,384
♪ And the whole world ♪
1743
01:13:08,384 --> 01:13:12,263
♪ Ooh, turns blue ♪
1744
01:13:13,890 --> 01:13:19,228
♪ No telling how many tears
I've sat here and cried ♪
1745
01:13:19,228 --> 01:13:23,691
♪ Or how many lies
that I've lied ♪
1746
01:13:23,691 --> 01:13:27,904
♪ Telling my poor heart ♪
1747
01:13:27,904 --> 01:13:32,909
♪ He'll come back someday,
yeah ♪
1748
01:13:32,909 --> 01:13:35,995
♪ Oh, but I'll be alright ♪
1749
01:13:35,995 --> 01:13:42,335
♪ As long as there's light
from a neon moon, yeah ♪
1750
01:13:42,335 --> 01:13:47,048
♪ Oh, if you lose
your one and only ♪
1751
01:13:47,048 --> 01:13:51,677
♪ There's always room here
for the lonely ♪
1752
01:13:51,677 --> 01:13:56,933
♪ To watch your broken dreams
dance in and out of the beams ♪
1753
01:13:56,933 --> 01:14:02,104
♪ Of a neon moon ♪
1754
01:14:02,104 --> 01:14:06,442
♪ The jukebox plays on
drink by drink ♪
1755
01:14:06,442 --> 01:14:11,280
♪ And the words to every sad
song seem to say what I think ♪
1756
01:14:11,280 --> 01:14:15,409
♪ And this pain inside of me ♪
1757
01:14:15,409 --> 01:14:20,164
♪ It ain't never gonna end, no ♪
1758
01:14:20,164 --> 01:14:23,250
♪ Oh, and I'll be alright ♪
1759
01:14:23,250 --> 01:14:25,628
♪ As long as there's light ♪
1760
01:14:25,628 --> 01:14:29,632
♪ From a neon moon ♪
1761
01:14:29,632 --> 01:14:34,470
♪ Ooh, if you lose
your one and only ♪
1762
01:14:34,470 --> 01:14:39,141
♪ There's always room here
for the lonely ♪
1763
01:14:39,141 --> 01:14:45,064
♪ To watch your broken dreams
dance in and out of the beams ♪
1764
01:14:45,064 --> 01:14:50,987
♪ Of a neon moon ♪
1765
01:14:52,655 --> 01:14:56,492
Yes, Emma! Yes!
1766
01:14:56,492 --> 01:14:58,285
Now with "Sign of the Times,"
1767
01:14:58,285 --> 01:15:01,038
here's Team Nicks's
Devan Blake Jones.
1768
01:15:01,038 --> 01:15:02,707
This outfit
is too fresh.
1769
01:15:02,707 --> 01:15:04,125
Fire.
1770
01:15:04,125 --> 01:15:14,802
♪ Just stop your crying,
it's a sign of the times ♪
1771
01:15:16,345 --> 01:15:20,266
♪ Welcome to the final show ♪
1772
01:15:20,266 --> 01:15:24,228
♪ I hope you're wearing
your best clothes ♪
1773
01:15:25,771 --> 01:15:31,027
♪ You can't bribe the door
on your way to the sky ♪
1774
01:15:31,027 --> 01:15:32,361
Yeah.
1775
01:15:32,361 --> 01:15:36,032
♪ You look pretty good
down here ♪
1776
01:15:36,032 --> 01:15:39,368
♪ But you ain't really good ♪
1777
01:15:39,368 --> 01:15:45,374
♪ We never learn,
we've been here before ♪
1778
01:15:45,374 --> 01:15:48,544
♪ Why are we always stuck
and running from ♪
1779
01:15:48,544 --> 01:15:54,675
♪ The bullets? ♪
1780
01:15:57,219 --> 01:16:02,558
♪ Just stop your crying
it's a sign of the times ♪
Okay.
1781
01:16:03,392 --> 01:16:07,396
♪ We've gotta get away
from here ♪
1782
01:16:07,396 --> 01:16:12,735
♪ We've gotta get away
from here, yeah ♪
1783
01:16:12,735 --> 01:16:17,239
♪ We don't talk enough ♪
1784
01:16:17,239 --> 01:16:21,410
♪ We should open up ♪
1785
01:16:21,410 --> 01:16:29,085
♪ Before it's all too much ♪
1786
01:16:29,085 --> 01:16:32,588
♪ Stop your crying, baby,
it's a sign of ♪
Hey!
1787
01:16:32,588 --> 01:16:34,757
♪ The times, yeah ♪
1788
01:16:34,757 --> 01:16:38,511
♪ We've got to get away ♪
1789
01:16:38,511 --> 01:16:41,430
♪ Get away, away, away ♪
1790
01:16:41,430 --> 01:16:42,765
♪ Get away ♪
1791
01:16:42,765 --> 01:16:50,606
♪ We've got to get away ♪
1792
01:16:50,606 --> 01:16:58,531
♪ We've got to get awaa‐a‐a‐y ♪
1793
01:16:58,531 --> 01:17:05,621
♪ We've got to get awaaaay ♪
1794
01:17:05,621 --> 01:17:08,332
Fantastic.
Yeah!
1795
01:17:08,332 --> 01:17:09,667
That was his best performance
yet.
1796
01:17:09,667 --> 01:17:12,253
Let's go!
Rock star. Okay.
1797
01:17:23,264 --> 01:17:24,306
♪ This is "The Voice" ♪
1798
01:17:24,306 --> 01:17:26,225
Welcome back.
1799
01:17:26,225 --> 01:17:28,644
Come on, Carolina.
Two more performances to go.
1800
01:17:28,644 --> 01:17:30,104
Now singing "Anyone,"
1801
01:17:30,104 --> 01:17:33,149
here is Team Legend's
Carolina Rial.
1802
01:17:33,149 --> 01:17:34,275
Yes.
1803
01:17:34,275 --> 01:17:44,785
♪ I tried to talk to my piano ♪
1804
01:17:44,785 --> 01:17:48,539
♪ I tried to talk to my guitar ♪
1805
01:17:48,539 --> 01:17:52,334
♪ Talk to my imagination ♪
1806
01:17:52,334 --> 01:17:55,754
♪ Confided into alcohol ♪
1807
01:17:55,754 --> 01:17:59,508
♪ I tried and tried
and tried some more ♪
1808
01:17:59,508 --> 01:18:03,512
♪ Told secrets till
my voice was sore ♪
1809
01:18:03,512 --> 01:18:07,099
♪ Tired of empty conversation ♪
1810
01:18:07,099 --> 01:18:10,686
♪ 'Cause no one hears me
anymore ♪
1811
01:18:10,686 --> 01:18:14,356
♪ A hundred million stories
and a hundred million songs ♪
1812
01:18:14,356 --> 01:18:17,318
♪ I feel stupid when I sing ♪
1813
01:18:17,318 --> 01:18:21,030
♪ Nobody's listening to me ♪
1814
01:18:21,030 --> 01:18:25,367
♪ Nobody's listening ♪
1815
01:18:25,367 --> 01:18:29,246
♪ I talk to shooting stars,
but they always get it wrong ♪
1816
01:18:29,246 --> 01:18:31,832
♪ I feel stupid when I pray ♪
1817
01:18:31,832 --> 01:18:35,711
♪ So why am I praying anyway ♪
1818
01:18:35,711 --> 01:18:40,382
♪ If nobody's listening? ♪
1819
01:18:40,382 --> 01:18:42,551
♪ Anyone ♪
1820
01:18:42,551 --> 01:18:46,347
♪ Please send me anyone ♪
1821
01:18:46,347 --> 01:18:50,559
♪ Lord, is there anyone? ♪
1822
01:18:50,559 --> 01:18:54,063
♪ I need someone ♪
1823
01:18:54,063 --> 01:18:58,067
♪ Oh, anyone ♪
1824
01:18:58,067 --> 01:19:01,237
♪ I need anyone ♪
1825
01:19:01,237 --> 01:19:05,407
♪ Oh, anyone ♪
1826
01:19:05,407 --> 01:19:12,623
♪ I need someo‐o‐o‐ne ♪
1827
01:19:14,625 --> 01:19:18,754
♪ A hundred million stories
and a hundred million songs ♪
1828
01:19:18,754 --> 01:19:22,341
♪ I feel stupid when I sing ♪
1829
01:19:22,341 --> 01:19:26,595
♪ Nobody's listening to me ♪
1830
01:19:26,595 --> 01:19:32,768
♪ Nobody's listening ♪
1831
01:19:32,768 --> 01:19:34,728
Whoo!
1832
01:19:34,728 --> 01:19:38,274
Beautiful.
1833
01:19:38,274 --> 01:19:39,858
Yes!
Yes.
1834
01:19:39,858 --> 01:19:41,277
Beautiful!
1835
01:19:41,277 --> 01:19:43,362
And finally,
with "Black Hole Sun,"
1836
01:19:43,362 --> 01:19:45,614
here's Team Kelly's
Savanna Woods.
1837
01:19:45,614 --> 01:19:46,740
Oh, wow.
1838
01:19:48,450 --> 01:19:58,627
♪ In my eyes, indisposed ♪
1839
01:19:58,627 --> 01:20:02,631
♪ In disguise, as no one knows ♪
1840
01:20:02,631 --> 01:20:07,469
♪ Hides the face,
lies the snake ♪
1841
01:20:07,469 --> 01:20:12,308
♪ And the sun in my disgrace ♪
1842
01:20:12,308 --> 01:20:16,645
♪ Boiling heat, summer stench ♪
1843
01:20:16,645 --> 01:20:20,649
♪ 'Neath the black,
the sky looks dead ♪
1844
01:20:20,649 --> 01:20:25,487
♪ Call my name
through the cream ♪
1845
01:20:25,487 --> 01:20:30,826
♪ And I'll hear you
scream again ♪
1846
01:20:30,826 --> 01:20:32,161
Whoo!
1847
01:20:32,161 --> 01:20:37,541
♪ Black hole sun,
won't you come ♪
1848
01:20:37,541 --> 01:20:40,836
♪ And wash away the rain? ♪
1849
01:20:40,836 --> 01:20:45,424
♪ Black hole sun,
won't you come? ♪
1850
01:20:45,424 --> 01:20:50,679
♪ Won't you come? ♪
1851
01:20:50,679 --> 01:20:52,431
Sing, girl!
1852
01:20:52,431 --> 01:20:57,269
♪ Hang my head, drown my fears ♪
1853
01:20:57,269 --> 01:21:03,484
♪ 'Til you all just disappear ♪
1854
01:21:03,484 --> 01:21:08,697
♪ Black hole sun,
won't you come ♪
1855
01:21:08,697 --> 01:21:12,368
♪ And wash away the rain? ♪
1856
01:21:12,368 --> 01:21:16,914
♪ Black hole sun,
won't you come? ♪
1857
01:21:16,914 --> 01:21:19,249
♪ Won't you come? ♪
1858
01:21:19,249 --> 01:21:23,545
♪ Black hole sun ♪
1859
01:21:23,545 --> 01:21:25,714
♪ Won't you come? ♪
1860
01:21:25,714 --> 01:21:30,302
♪ Black hole sun ♪
1861
01:21:30,302 --> 01:21:35,724
♪ Won't you coooo‐o‐o‐me? ♪
1862
01:21:35,724 --> 01:21:44,733
♪ Cooooooome ♪
1863
01:21:48,028 --> 01:21:49,738
You better sing!
Okay.
1864
01:21:49,738 --> 01:21:52,574
You better get it!
Okay.
1865
01:21:52,574 --> 01:21:53,909
How about a big hand
1866
01:21:53,909 --> 01:21:58,038
for Savanna, Devan,
Carolina, and Emma?
1867
01:21:58,038 --> 01:21:59,706
Let's hear what
your coaches thought
1868
01:21:59,706 --> 01:22:01,458
about the big four‐way knockout.
1869
01:22:01,458 --> 01:22:02,918
Well, Emma,
I couldn't be happier
1870
01:22:02,918 --> 01:22:04,586
with your performance
tonight.
1871
01:22:04,586 --> 01:22:08,590
I feel like I really need you
on my team.
1872
01:22:08,590 --> 01:22:10,050
I need somebody
representing
1873
01:22:10,050 --> 01:22:12,719
some hardcore mainstream
country music.
1874
01:22:12,719 --> 01:22:14,930
It's always hard
to make these decisions.
1875
01:22:14,930 --> 01:22:16,932
But the winner of
this knockout...
1876
01:22:16,932 --> 01:22:19,351
...is Emma.
1877
01:22:19,351 --> 01:22:21,437
The king of "The Voice"
has spoken.
1878
01:22:21,437 --> 01:22:23,272
Your heart's in the
right place, Blake. Good luck.
1879
01:22:23,272 --> 01:22:24,898
Nick, what'd you think about
Devan's performance tonight?
1880
01:22:24,898 --> 01:22:27,609
We talked a lot
in our rehearsal...
Whoo! Devan.
1881
01:22:27,609 --> 01:22:30,446
...with Snoop about you
coming out of your shell,
1882
01:22:30,446 --> 01:22:32,614
and you are like
a different person.
1883
01:22:32,614 --> 01:22:34,950
Thank you.
By far ‐‐
and John said it, too ‐‐
1884
01:22:34,950 --> 01:22:37,744
your best vocal performance
we've heard from you so far.
1885
01:22:37,744 --> 01:22:40,330
Thank you so much.
So, please,
let's keep Devan in this thing.
1886
01:22:40,330 --> 01:22:41,665
Thanks.
Good luck to you.
1887
01:22:41,665 --> 01:22:42,958
John, how about Carolina?
1888
01:22:42,958 --> 01:22:44,460
Carolina,
that was wonderful.
1889
01:22:44,460 --> 01:22:46,753
Thank you.
I felt every
single emotion.
1890
01:22:46,753 --> 01:22:48,464
I could tell
you felt it, too.
1891
01:22:48,464 --> 01:22:52,634
What a plea to America,
saying, support Carolina.
1892
01:22:52,634 --> 01:22:54,803
Send her to the lives.
1893
01:22:54,803 --> 01:22:57,639
Kelly, thoughts
on Savanna's performance.
1894
01:22:57,639 --> 01:23:02,060
Savanna, you're insane,
and your range is incredible.
1895
01:23:02,060 --> 01:23:03,812
The highest and lowest
I've ever sang.
1896
01:23:03,812 --> 01:23:05,939
Yeah, I was gonna say,
I can't do what you just did.
1897
01:23:05,939 --> 01:23:08,650
I can't go that low.
You're just so rock and roll.
1898
01:23:08,650 --> 01:23:10,777
And "The Voice"
is about representation
1899
01:23:10,777 --> 01:23:12,738
in all those genres,
1900
01:23:12,738 --> 01:23:13,947
and I feel
it's really important.
1901
01:23:13,947 --> 01:23:15,616
And I hope
America heard that
1902
01:23:15,616 --> 01:23:16,992
and got excited
and inspired.
1903
01:23:16,992 --> 01:23:19,828
So please, America,
vote for Savanna right now.
1904
01:23:19,828 --> 01:23:21,538
Whoo! That was good.
1905
01:23:21,538 --> 01:23:23,499
Alright.
Only one of these artists
1906
01:23:23,499 --> 01:23:24,708
will move on
to the live playoffs.
1907
01:23:24,708 --> 01:23:27,336
And, of course,
it all depends on you.
1908
01:23:27,336 --> 01:23:28,754
Remember, voting is open now
1909
01:23:28,754 --> 01:23:30,672
on the "Voice" official app
and NBC.com.
1910
01:23:30,672 --> 01:23:33,008
It closes 7:00 a. m. Eastern
tomorrow.
1911
01:23:33,008 --> 01:23:34,843
We're gonna reveal your winner
1912
01:23:34,843 --> 01:23:37,137
at the beginning of
our first live playoff show.
1913
01:23:37,137 --> 01:23:39,848
How about a big hand for these
four incredible artists?
1914
01:23:39,848 --> 01:23:41,850
Whoo! Beautiful job!
1915
01:23:41,850 --> 01:23:43,352
Beautiful!
1916
01:23:43,352 --> 01:23:44,686
Thank you,
and best of luck to you.
1917
01:23:44,686 --> 01:23:45,854
Fantastic.
139855
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