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1
00:00:13,056 --> 00:00:15,667
-YOU KNOW, THAT QUESTION
2
00:00:15,754 --> 00:00:19,454
OF WHEN I STARTED
THE FORGOTTEN PROJECT...
3
00:00:19,541 --> 00:00:21,673
WAS I NAIVE?
4
00:00:21,760 --> 00:00:25,286
AND, YEAH, I WAS.
5
00:00:25,373 --> 00:00:26,852
I WAS NAIVE TO THINK
6
00:00:26,939 --> 00:00:31,292
THAT I CAN APPROACH THESE ISSUES
IN THE WAY I DID
7
00:00:31,379 --> 00:00:34,773
WITHOUT...
8
00:00:34,860 --> 00:00:37,037
EXPERIENCING
THE KIND OF CONTROVERSY I HAVE.
9
00:00:37,124 --> 00:00:40,257
[LOUD RUBBING SOUND]
10
00:01:42,493 --> 00:01:45,931
-I WAS WORKING IN THE CENTRE,
AND I FOUND IN A DRAWER
11
00:01:46,018 --> 00:01:48,238
SOME PHOTOGRAPHS
BY LINCOLN CLARKES
12
00:01:48,325 --> 00:01:52,068
OF THE WOMEN
THAT CAME TO MY SHELTER.
13
00:01:52,155 --> 00:01:54,766
AND WHAT I LEARNED WAS
THAT HE DROPPED OFF SHOTS
14
00:01:54,853 --> 00:01:56,855
FOR THE WOMEN
THAT HE TOOK OF THEM,
15
00:01:56,942 --> 00:01:59,510
AND THE DEAL
WAS THEY WOULD PICK THEM UP,
16
00:01:59,597 --> 00:02:00,990
AND THE FIRST
THAT I LEARNED
17
00:02:01,077 --> 00:02:02,383
THAT A WOMAN WAS MISSING
18
00:02:02,470 --> 00:02:03,949
WAS SHEILA EGAN.
19
00:02:04,036 --> 00:02:05,951
SHE NEVER CAME TO PICK UP
HER PORTRAIT.
20
00:02:08,606 --> 00:02:11,043
IT REACHED
MORE OF A FEVERISH PITCH
21
00:02:11,131 --> 00:02:12,784
IN ABOUT 1999,
22
00:02:12,871 --> 00:02:15,222
WHEN THE MISSING WOMEN'S
TASK FORCE
23
00:02:15,309 --> 00:02:19,139
RELEASED A POSTER OF THE WOMEN
THAT WERE MISSING AT THAT TIME.
24
00:02:20,618 --> 00:02:22,925
-THAT YEAR,
WE HAD A DISAGREEMENT
25
00:02:23,012 --> 00:02:26,233
ABOUT SOME THINGS
THAT SHE WAS DOING,
26
00:02:26,320 --> 00:02:27,843
AND AT FIRST I THOUGHT
27
00:02:27,930 --> 00:02:29,323
THAT THAT WAS WHY
SHE WASN'T PHONING.
28
00:02:29,410 --> 00:02:31,455
SHE WAS STUBBORN.
I WAS STUBBORN.
29
00:02:31,542 --> 00:02:34,241
BUT AFTER A FEW MONTHS, I KNEW.
30
00:02:34,328 --> 00:02:38,158
I KNEW
THAT THERE WAS SOMETHING WRONG.
31
00:02:40,203 --> 00:02:42,423
-WHEN I HAD FINALLY TALKED
TO THE POLICE,
32
00:02:42,510 --> 00:02:44,947
I WAS UNDER THE UNDERSTANDING
33
00:02:45,034 --> 00:02:48,255
THAT MARNIE
WAS THE FIRST PERSON MISSING.
34
00:02:48,342 --> 00:02:51,606
LITTLE DID I KNOW
SHE WAS NUMBER 26.
35
00:02:53,303 --> 00:02:55,131
-THE NUMBERS
WERE JUST INCREDIBLE,
36
00:02:55,218 --> 00:02:56,567
AND MANY OF THE WOMEN, YOU KNOW,
37
00:02:56,654 --> 00:02:58,439
WE ALL KNEW ONE OR TWO,
AND, YOU KNOW,
38
00:02:58,526 --> 00:03:01,268
WOMEN THAT WERE WALKING WITH US
ONE YEAR,
39
00:03:01,355 --> 00:03:03,400
GONE MISSING THE NEXT YEAR.
40
00:03:03,487 --> 00:03:05,881
THEY KNEW AT THAT TIME
THAT THERE WAS A SERIAL KILLER.
41
00:03:05,968 --> 00:03:07,622
THEY ALREADY IDENTIFIED THAT,
42
00:03:07,709 --> 00:03:10,668
AND THEY WEREN'T TELLING
THE PUBLIC.
43
00:03:16,283 --> 00:03:19,982
-IT WENT FROM BAD TO WORSE...
44
00:03:20,069 --> 00:03:23,986
TO RIDICULOUS TO UNBELIEVABLE.
45
00:03:25,117 --> 00:03:27,816
WHAT WE HAVE
IS A NATIONAL DISGRACE
46
00:03:27,903 --> 00:03:29,296
THAT OCCURRED HERE IN VANCOUVER,
47
00:03:29,383 --> 00:03:31,472
AND WE DIDN'T STOP IT.
48
00:03:31,559 --> 00:03:34,257
[POLICE SIRENS WHINE]
49
00:03:38,392 --> 00:03:39,871
-IT WAS AROUND SUPPER TIME,
I THINK.
50
00:03:39,958 --> 00:03:42,178
I GOT A PAGE,
AND IT WAS MARK CHERNOFF,
51
00:03:42,265 --> 00:03:44,572
AND HE SAID,
"THEY'RE SEARCHING THE FARM,"
52
00:03:44,659 --> 00:03:47,314
AND I SAID, "WHAT FARM?"
53
00:03:47,401 --> 00:03:49,403
AND HE SAID,
"THE PICKTON FARM."
54
00:03:50,926 --> 00:03:52,406
I JUST SAID, "OH, MY GOD."
55
00:03:52,493 --> 00:03:54,190
WE SHOULD HAVE HAD HIM IN '99.
56
00:03:55,583 --> 00:03:56,975
WE DIDN'T HAVE ENOUGH IN '98,
57
00:03:57,062 --> 00:03:58,586
BUT WE HAD ENOUGH
IN AUGUST OF 1999,
58
00:03:58,673 --> 00:04:01,241
AND WE SHOULD HAVE HAD HIM.
59
00:04:04,069 --> 00:04:05,767
I JUST STARTED THINKING
OF NUMBERS,
60
00:04:05,854 --> 00:04:08,509
AND, YOU KNOW, I WAS THINKING
13, 12, 13, 14 WOMEN
61
00:04:08,596 --> 00:04:11,076
THAT PROBABLY DIED IN THAT TIME,
62
00:04:11,163 --> 00:04:14,079
WHEN HE REALLY SHOULD HAVE BEEN
IN CUSTODY.
63
00:04:17,126 --> 00:04:20,695
-THIS CASE IS NOW THE LARGEST
SERIAL KILLER INVESTIGATION
64
00:04:20,782 --> 00:04:23,350
IN CANADIAN HISTORY.
65
00:05:02,737 --> 00:05:04,086
-DURING THE TRIAL
66
00:05:04,173 --> 00:05:06,044
AND IN THE PRE-TRIAL
PROCEEDINGS,
67
00:05:06,131 --> 00:05:09,613
THERE WERE LITTLE GLIMPSES
OF THE LIVES OF THE VICTIMS,
68
00:05:09,700 --> 00:05:14,662
BUT THE FOCUS HAS BEEN ALMOST
EXCLUSIVELY ON ROBERT PICKTON.
69
00:05:14,749 --> 00:05:20,276
THE FOCUS ON THIS PERPETRATOR
EXCLUDES THE PUBLIC
70
00:05:20,363 --> 00:05:22,713
FROM WHAT HAPPENED
TO THESE WOMEN,
71
00:05:22,800 --> 00:05:24,628
AND THEY BECOME
SORT OF A CATALOGUE
72
00:05:24,715 --> 00:05:28,371
OF BODY PARTS AND DNA SMEARS
ON WALLS.
73
00:05:31,243 --> 00:05:33,681
WHEN SHE MAKES
THESE WORKS PUBLIC,
74
00:05:33,768 --> 00:05:37,249
THAT WILL CHANGE THE FOCUS BACK
TO WHERE IT NEEDS TO BE
75
00:05:37,337 --> 00:05:38,990
FOR US AS A SOCIETY,
76
00:05:39,077 --> 00:05:43,734
TO LOOK AT THE PROBLEMS
THAT LED TO THESE KILLINGS.
77
00:05:53,527 --> 00:05:55,224
SEEING THOSE PAINTINGS
IN THE BACK ROOM
78
00:05:55,311 --> 00:05:57,052
AND SEEING THE PAINTINGS
IN THE FRONT ROOM
79
00:05:57,139 --> 00:05:59,315
RAISED A LOT OF QUESTIONS FOR ME
ABOUT PAMELA.
80
00:05:59,402 --> 00:06:01,099
WHAT WOULD MAKE A PERSON
81
00:06:01,186 --> 00:06:04,581
WHO WAS BUILDING A CAREER
ON BEAUTIFUL PICTURES,
82
00:06:04,668 --> 00:06:06,670
WHAT WOULD POSSESS HER
TO TAKE ON THIS PROJECT
83
00:06:06,757 --> 00:06:10,761
THAT DREDGED UP
THE WORST POSSIBLE ASPECTS
84
00:06:10,848 --> 00:06:13,764
OF HUMAN BEHAVIOUR?
85
00:06:15,157 --> 00:06:19,770
-WE STARTED HEARING ALL
OF THIS INCREDIBLY BRUTAL STUFF.
86
00:06:19,857 --> 00:06:21,642
WE COULDN'T TELL THE STORY.
87
00:06:21,729 --> 00:06:23,644
I COULDN'T DO MY FULL JOB
BECAUSE OF THE PUBLICATION BANS
88
00:06:23,731 --> 00:06:25,341
THAT WERE IN PLACE,
89
00:06:25,428 --> 00:06:27,299
AND THEY WERE VERY STRICT.
90
00:06:27,387 --> 00:06:30,781
THEY FOUND, WHAT, THREE HEADS
IN BUCKETS OUT ON THE FARM.
91
00:06:30,868 --> 00:06:33,175
SOME OF THEM HAD...
92
00:06:33,262 --> 00:06:37,048
I THINK ALL OF THEM
HAD BULLET HOLES IN THEM.
93
00:06:37,135 --> 00:06:39,050
THE HEADS HAD BEEN BISECTED,
94
00:06:39,137 --> 00:06:41,357
PROBABLY
WITH A RECIPROCATING SAW.
95
00:06:41,444 --> 00:06:44,404
THEY HAD THE HANDS
INSIDE THE HALVES OF THE HEADS,
96
00:06:44,491 --> 00:06:47,407
AND THEY WERE RESTING
ON THE FEET.
97
00:06:48,582 --> 00:06:50,018
-THANK YOU VERY MUCH.
98
00:06:50,105 --> 00:06:52,542
-THANK YOU.
99
00:06:52,629 --> 00:06:55,502
-WELL, WE KNEW
SHE'D GONE MISSING, OF COURSE,
100
00:06:55,589 --> 00:06:59,157
SO THEN IT WAS ABOUT 2001.
101
00:07:00,332 --> 00:07:04,336
IF THEY FIND DNA
ON ANY OF THE WOMEN,
102
00:07:04,424 --> 00:07:07,514
THEY SEND THE VICTIM ASSISTANCE
SERVICES,
103
00:07:07,601 --> 00:07:09,167
ALONG WITH THE RCMP,
104
00:07:09,254 --> 00:07:10,691
AND THEY MAKE A PHONE CALL
TO YOU,
105
00:07:10,778 --> 00:07:12,301
AND THEY TELL YOU
106
00:07:12,388 --> 00:07:14,303
THAT THEY'RE COMING OUT
TO YOUR HOME
107
00:07:14,390 --> 00:07:16,784
AND THAT THEY'RE BRINGING
VICTIM SERVICES WITH THEM.
108
00:07:16,871 --> 00:07:18,220
THEY DON'T TELL YOU
ANYTHING ELSE
109
00:07:18,307 --> 00:07:19,700
UNTIL THEY GET THERE.
110
00:07:19,787 --> 00:07:21,702
AND THAT MORNING,
111
00:07:21,789 --> 00:07:23,399
WE SAT AT MY KITCHEN TABLE,
112
00:07:23,486 --> 00:07:27,142
AND THERE MUST HAVE BEEN
TWO RCMP, I BELIEVE,
113
00:07:27,229 --> 00:07:30,188
AND ABOUT
THREE VICTIM ASSISTANCE WOMEN,
114
00:07:30,275 --> 00:07:33,365
AND THE ONE RCMP SAID,
"HOW WOULD YOU LIKE IT?"
115
00:07:33,453 --> 00:07:35,411
AND I SAID, "GIVE IT TO ME
STRAIGHTFORWARD AND DIRECT.
116
00:07:35,498 --> 00:07:37,369
DON'T BEAT AROUND THE BUSH."
117
00:07:37,457 --> 00:07:41,156
AND HE SAID, "WE FOUND DNA
ON THE PICKTON FARM
118
00:07:41,243 --> 00:07:42,853
"OF YOUR SISTER,
119
00:07:42,940 --> 00:07:44,855
"AND AS IT STANDS,
120
00:07:44,942 --> 00:07:46,291
"ROBERT PICKTON'S
GOING TO BE CHARGED
121
00:07:46,378 --> 00:07:48,642
WITH YOUR SISTER'S MURDER."
122
00:07:52,428 --> 00:07:54,561
I THINK THE BIGGEST THING
WITH ME IS, YOU KNOW,
123
00:07:54,648 --> 00:07:56,301
I'VE LET GO OF MY SISTER.
124
00:07:56,388 --> 00:07:59,566
I KNOW SHE'S IN THE BEST HANDS
SHE COULD BE IN,
125
00:07:59,653 --> 00:08:03,570
BUT WHEN YOU THINK
ABOUT HOW THEY WERE MURDERED,
126
00:08:03,657 --> 00:08:05,441
AND WHEN YOU'RE SITTING
IN THAT COURTROOM
127
00:08:05,528 --> 00:08:06,834
AND YOU'RE BEING TOLD
128
00:08:06,921 --> 00:08:08,749
THAT THEY WERE STRUNG UP
ON MEAT CLEAVERS
129
00:08:08,836 --> 00:08:12,448
AND THEY'RE BEING CUT OPEN
FROM TOP TO BOTTOM
130
00:08:12,535 --> 00:08:15,277
AND THEY'RE BEING DEGUTTED
AND CHOPPED UP
131
00:08:15,364 --> 00:08:16,844
INTO SMALL LITTLE PIECES,
LIKE...
132
00:08:16,931 --> 00:08:19,803
THESE ARE REAL PEOPLE.
THESE WERE WOMEN.
133
00:08:19,890 --> 00:08:23,851
THEY WEREN'T JUST PROSTITUTES
AND DRUGGIES ON THE STREETS.
134
00:08:29,378 --> 00:08:32,381
-IN 1997,
135
00:08:32,468 --> 00:08:37,168
14 WOMEN WERE FOUND DEAD
136
00:08:37,255 --> 00:08:39,519
OR WENT MISSING
FROM THE EAST SIDE.
137
00:08:39,606 --> 00:08:42,173
14 WOMEN IN ONE YEAR.
138
00:08:42,260 --> 00:08:45,220
CAN YOU IMAGINE IF THAT HAPPENED
IN WEST VANCOUVER?
139
00:08:45,307 --> 00:08:47,788
YOU CAN'T.
140
00:08:55,709 --> 00:09:00,278
WELL, BEHIND THAT BRUSH STROKE
THAT MIGHT LOOK VIOLENT,
141
00:09:00,365 --> 00:09:02,672
VIOLENTLY EXECUTED,
142
00:09:02,759 --> 00:09:04,979
OR THAT SLASH IN THE CANVAS
143
00:09:05,066 --> 00:09:07,242
OR THE COLOUR OF BLOOD
144
00:09:07,329 --> 00:09:09,331
THAT MIGHT REPRESENT SOMETHING
145
00:09:09,418 --> 00:09:11,812
ALONG THE LINES
OF THE WOMAN'S DEATH,
146
00:09:11,899 --> 00:09:15,816
I THINK
THAT BECAUSE THERE'S A PERSON
147
00:09:15,903 --> 00:09:17,557
BEHIND THE ACT OF VIOLENCE,
148
00:09:17,644 --> 00:09:19,602
WHICH WOULD BE ME IN THIS CASE,
149
00:09:19,689 --> 00:09:23,345
THAT THERE'S GOING TO BE...
150
00:09:23,432 --> 00:09:25,782
NOT NECESSARILY A GOOD REACTION.
151
00:09:25,869 --> 00:09:30,570
IT'LL MIMIC THE IDEA
OF BEING ABLE TO BLAME SOMEONE.
152
00:09:32,310 --> 00:09:35,662
AND SO THAT WOULD BE ME
IN THIS CASE.
153
00:09:35,749 --> 00:09:37,664
AND, UH...
154
00:09:37,751 --> 00:09:40,188
[LOUD SCRAPING]
155
00:09:40,275 --> 00:09:42,364
SO, I DON'T THINK
IT'LL BE RECEIVED WELL,
156
00:09:42,451 --> 00:09:44,540
THAT PART FOR SURE.
157
00:09:44,627 --> 00:09:47,543
SOME PEOPLE REALLY NEED TO BE
WOKEN UP TO THE IDEA
158
00:09:47,630 --> 00:09:53,331
THAT THIS IS REALLY HAPPENING
AND THAT IT'S TIME TO CHANGE.
159
00:09:53,418 --> 00:09:57,684
IT'S NOT ABOUT MEMORIALIZING
A WOMAN OR ANY OF THESE WOMEN.
160
00:09:57,771 --> 00:10:01,557
I MEAN, I DON'T MEAN TO BE
SO HARSH WHEN I SAY THAT
161
00:10:01,644 --> 00:10:04,299
BECAUSE THAT'S NOT
WHY I'M REALLY PAINTING THEM.
162
00:10:04,386 --> 00:10:06,693
IT'S NOT TO MEMORIALIZE THEM.
163
00:10:06,780 --> 00:10:10,784
IT'S TO HAVE THEM STARE US BACK
AS A SOCIETY IN THE FACE,
164
00:10:10,871 --> 00:10:13,656
IN OUR FACES.
165
00:10:14,788 --> 00:10:15,702
I JUST HAVE THIS VISION,
YOU KNOW?
166
00:10:15,789 --> 00:10:17,268
I DON'T REALLY...
167
00:10:17,355 --> 00:10:20,489
I CAN'T ALWAYS CONVEY THINGS
WITH A WORD.
168
00:10:27,496 --> 00:10:30,978
I STARTED PAINTING THE FACES
FEBRUARY 2006.
169
00:10:33,894 --> 00:10:37,506
IT'S DAYS BEFORE JULY 2007,
170
00:10:37,593 --> 00:10:40,683
AND...
171
00:10:42,816 --> 00:10:44,426
I'M JUST BELOW 20,
172
00:10:44,513 --> 00:10:47,734
SO THERE ARE 69
THAT I'M PAINTING.
173
00:10:48,996 --> 00:10:50,432
I CAN'T SAY.
174
00:10:50,519 --> 00:10:52,521
I CAN'T SAY
WHEN I'LL HAVE THEM DONE.
175
00:10:54,523 --> 00:10:57,004
-VANCOUVER IS A VERY SMALL CITY.
176
00:10:57,091 --> 00:10:59,876
IT'S A MINUSCULE PLACE.
177
00:10:59,963 --> 00:11:02,749
YOU CAN DRIVE THROUGH IT
IN 15 MINUTES.
178
00:11:02,836 --> 00:11:04,838
IT'S NOT LONDON.
179
00:11:04,925 --> 00:11:07,928
IT'S NOT MARSEILLES
OR MEXICO CITY,
180
00:11:08,015 --> 00:11:10,800
THOUSANDS OF SQUARE MILES.
181
00:11:10,887 --> 00:11:14,456
WE'VE ONLY GOT 12 BLOCKS
TO WORRY ABOUT.
182
00:11:14,543 --> 00:11:16,153
-THE DOWNTOWN EASTSIDE,
183
00:11:16,240 --> 00:11:18,590
WHERE I WALK IN THE CAPACITY
OF A BEAT OFFICER,
184
00:11:18,678 --> 00:11:20,375
THE PLACE
IS LIKE A GOLDFISH BOWL
185
00:11:20,462 --> 00:11:22,943
OF SOCIETY'S PROBLEMS.
186
00:11:23,030 --> 00:11:26,686
DRUG ADDICTION, ALCOHOLISM,
MENTAL HEALTH PROBLEMS,
187
00:11:26,773 --> 00:11:29,427
CRIME, POVERTY...
188
00:11:29,514 --> 00:11:31,603
YOU NAME IT, IT'S THERE.
189
00:11:32,866 --> 00:11:36,043
-I THINK MOST URBAN SETTINGS
HAVE AREAS THAT ARE SIMILAR.
190
00:11:36,130 --> 00:11:38,741
HOWEVER, THAT NEIGHBOURHOOD,
YOU KNOW,
191
00:11:38,828 --> 00:11:43,006
HAS THE HIGHEST REPORTED NUMBER
OF SEXUAL ASSAULTS IN THE CITY,
192
00:11:43,093 --> 00:11:45,705
WHICH IS TO SAY THAT THE NUMBERS
ARE THROUGH THE ROOF.
193
00:11:47,576 --> 00:11:49,621
-WE HAD TWO PEOPLE
STABBED OVER HERE.
194
00:11:49,709 --> 00:11:52,624
WE HAD A GIRL STABBED
ON THE STEPS.
195
00:11:52,712 --> 00:11:55,410
AND THEN LAST WELFARE DAY,
196
00:11:55,497 --> 00:11:59,109
ANOTHER GIRL GOT STABBED
IN FRONT OF THE DOOR HERE,
197
00:11:59,196 --> 00:12:02,025
NOT THIS DOOR,
BUT THE OTHER DOOR.
198
00:12:03,853 --> 00:12:05,768
-I CALLED ON MY CELL PHONE
9-1-1
199
00:12:05,855 --> 00:12:08,075
AND SAID, "I WANT TO REPORT
A PERSON MISSING.
200
00:12:08,162 --> 00:12:09,816
IT'S A FRIEND OF MINE."
201
00:12:09,903 --> 00:12:11,905
THE MISSING PERSON'S DEPARTMENT
GIVES ME A CALL AT WORK
202
00:12:11,992 --> 00:12:13,733
AND I SAID, "LOOK, I KNOW SARAH.
203
00:12:13,820 --> 00:12:15,822
SHE'S MISSING.
SHE JUST DIDN'T RUN AWAY."
204
00:12:15,909 --> 00:12:17,954
AND THEN HE STARTED TALKING
ABOUT,
205
00:12:18,041 --> 00:12:20,087
"WELL, YOU KNOW, WOMEN, LIKE,
YOU KNOW,
206
00:12:20,174 --> 00:12:21,523
"THAT WORK THE STREETS
AND STUFF LIKE THAT,
207
00:12:21,610 --> 00:12:23,090
"THEY GO FROM CITY TO CITY.
208
00:12:23,177 --> 00:12:24,482
YOU KNOW, THEY SHOW UP AGAIN."
209
00:12:24,569 --> 00:12:25,527
THAT'S EXACTLY WHAT HE SAID.
210
00:12:25,614 --> 00:12:27,703
"THEY SHOW UP AGAIN."
211
00:12:27,790 --> 00:12:29,749
-IT STARTS FROM THE CHIEF
AND WORKS ITS WAY DOWN,
212
00:12:29,836 --> 00:12:31,838
SO YOU'VE GOT RANKING OFFICERS
213
00:12:31,925 --> 00:12:37,017
WHO ARE BEHAVING IN RACIST
AND SEXIST MANNERS,
214
00:12:37,104 --> 00:12:40,455
AND YOU FOLLOW THAT LEAD,
215
00:12:40,542 --> 00:12:42,544
BECAUSE IT'S BEEN DRILLED
INTO YOU
216
00:12:42,631 --> 00:12:44,633
AND INGRAINED INTO YOU
217
00:12:44,720 --> 00:12:47,027
THAT YOU DO
AS YOUR SUPERIORS DO.
218
00:12:47,114 --> 00:12:50,857
THE WOMEN WHO SELL
THEIR BODIES FOR SEX,
219
00:12:50,944 --> 00:12:53,990
THEY DID NOT DESERVE...
220
00:12:55,644 --> 00:12:58,865
THEY DID NOT DESERVE ANYTHING.
221
00:12:58,952 --> 00:13:01,084
-IN MY SEARCH FOR SARAH,
222
00:13:01,171 --> 00:13:02,651
I PUT OUT LOTS OF POSTERS.
223
00:13:02,738 --> 00:13:04,218
I WAS PUTTING THEM UP
EVERYWHERE.
224
00:13:04,305 --> 00:13:06,568
I WALKED THE STREETS
DAY IN AND DAY OUT.
225
00:13:06,655 --> 00:13:08,831
I HAD THEM ON MY CAR.
226
00:13:08,918 --> 00:13:10,572
I GOT A COUPLE OF TIPS,
227
00:13:10,659 --> 00:13:12,704
BUT THE ONE WE'RE TALKING ABOUT
NOW IS BILL HISCOX.
228
00:13:12,792 --> 00:13:17,405
HE CALLED AND HE SAID,
"WILLY, A PIG FARMER,
229
00:13:17,492 --> 00:13:18,885
"HAS ALL
OF THESE WOMEN'S CLOTHING
230
00:13:18,972 --> 00:13:20,887
WITH BLOOD ON THEM
ON THEIR FARM,"
231
00:13:20,974 --> 00:13:22,497
AND LISA YELDS,
232
00:13:22,584 --> 00:13:25,021
SHE IS THE ONE
THAT TOLD HIM THIS STORY.
233
00:13:26,196 --> 00:13:28,808
-I HAVE A STEPSISTER
WHO WAS VERY CLOSE WITH WILLY
234
00:13:28,895 --> 00:13:31,854
AND WAS ALSO DOING ODD JOBS
FOR WILLY AS WELL.
235
00:13:31,941 --> 00:13:35,510
ONE OF THEM WAS CLEANING
HIS TRAILER A LOT.
236
00:13:36,641 --> 00:13:38,121
SHE STARTED TO NOTICE THINGS...
237
00:13:38,208 --> 00:13:41,603
GIRLS' CLOTHING, I.D.s,
YOU KNOW, INHALERS,
238
00:13:41,690 --> 00:13:43,387
AND SHE SAYS, "YOU KNOW, BILL,
239
00:13:43,474 --> 00:13:45,912
I THINK THIS IS WHERE
ALL THOSE WOMEN ARE GOING."
240
00:13:47,696 --> 00:13:49,176
-WE HAD A NUMBER OF PROBLEMS.
241
00:13:49,263 --> 00:13:51,831
LISA YELDS,
WHO WAS MR. HISCOX'S FRIEND,
242
00:13:51,918 --> 00:13:54,572
WAS EXTREMELY ANTI-POLICE,
243
00:13:54,659 --> 00:13:56,096
IN NO UNCERTAIN TERMS,
244
00:13:56,183 --> 00:13:58,011
WOULD NOT COOPERATE
WITH THE POLICE.
245
00:13:58,098 --> 00:14:00,491
EVERYONE AGREED
THIS WAS EXTREMELY COMPELLING,
246
00:14:00,578 --> 00:14:02,058
BUT EVERYONE ALSO SAID,
247
00:14:02,145 --> 00:14:04,104
"YOU'LL NEVER GET
A WARRANT ON THAT."
248
00:14:04,191 --> 00:14:05,975
I RAN PICKTON
FOR A CRIMINAL RECORD,
249
00:14:06,062 --> 00:14:08,760
AND THE ONLY TWO ENTRIES
I GOT ON HIM
250
00:14:08,848 --> 00:14:10,632
WERE ATTEMPT MURDER,
FORCIBLE CONFINEMENT,
251
00:14:10,719 --> 00:14:12,939
AND THEY WERE
STAY OF PROCEEDINGS,
252
00:14:13,026 --> 00:14:14,854
AND I REMEMBER, I JUST THOUGHT,
253
00:14:14,941 --> 00:14:17,813
"THIS IS THE KIND OF GUY
I'M LOOKING FOR."
254
00:14:19,206 --> 00:14:20,555
-SHE ALREADY KNEW
255
00:14:20,642 --> 00:14:22,557
AND WAS ALREADY AWARE
OF PICKTON,
256
00:14:22,644 --> 00:14:24,864
AND SHE ALREADY KNEW
WHERE THE FARM WAS.
257
00:14:24,951 --> 00:14:28,519
IT WAS, "LET'S SEE
IF BILL KNOWS WHERE IT IS,"
258
00:14:28,606 --> 00:14:30,652
AND I TOOK HER STRAIGHT
TO THE FARM,
259
00:14:30,739 --> 00:14:33,960
AND I SAID, "THIS IS THE MAN
YOU NEED TO BE LOOKING AT,
260
00:14:34,047 --> 00:14:35,744
"NOBODY ELSE.
261
00:14:35,831 --> 00:14:39,008
LOOK AT THIS GUY BECAUSE
IT'S REALLY FREAKY IN THERE."
262
00:14:39,095 --> 00:14:40,880
-I FELT STRONGLY
263
00:14:40,967 --> 00:14:42,664
THAT AN UNDERCOVER OPERATION
WAS WHAT WE NEEDED TO DO,
264
00:14:42,751 --> 00:14:44,796
WHICH I COMMUNICATED
TO COQUITLAM RCMP
265
00:14:44,884 --> 00:14:46,624
AND SAID, "LOOK, WE'LL HELP YOU
WITH SURVEILLANCE.
266
00:14:46,711 --> 00:14:47,974
"WE JUST CAN'T INITIATE IT
OURSELVES
267
00:14:48,061 --> 00:14:50,280
BECAUSE IT'S IN YOUR BACKYARD,"
268
00:14:50,367 --> 00:14:51,978
AND SO THAT'S REALLY
WHERE IT WAS AT,
269
00:14:52,065 --> 00:14:54,241
AND THEN IT JUST DIED.
270
00:14:56,025 --> 00:14:57,853
I DIDN'T KNOW HOW TO TAKE IT
TO THE NEXT LEVEL,
271
00:14:57,940 --> 00:15:00,595
AND I EXPECTED,
AND THIS IS...
272
00:15:00,682 --> 00:15:02,336
I KNOW
I SAID THIS IN MY EVIDENCE,
273
00:15:02,423 --> 00:15:06,557
THERE WAS AN ABSENCE OF ANYONE
WHO I WORKED WITH,
274
00:15:06,644 --> 00:15:10,039
SAYING TO ME, "THIS IS HOW
WE TAKE IT TO THE NEXT LEVEL.
275
00:15:10,126 --> 00:15:11,519
"THIS IS WHAT WE DO.
276
00:15:11,606 --> 00:15:13,738
"WE'RE THE HOMICIDE GUYS SAYING,
277
00:15:13,825 --> 00:15:15,784
"'LORI,
THIS IS A SERIAL KILLER.
278
00:15:15,871 --> 00:15:17,220
"'YOU'RE RIGHT.
279
00:15:17,307 --> 00:15:18,569
LET'S TAKE IT
TO THE NEXT LEVEL.'"
280
00:15:18,656 --> 00:15:21,224
THERE JUST WASN'T
THAT LEADERSHIP.
281
00:15:24,053 --> 00:15:25,315
-THERE WAS JURISDICTIONAL
PROBLEMS
282
00:15:25,402 --> 00:15:28,753
BETWEEN THE RCMP AND THE VPD,
283
00:15:28,840 --> 00:15:32,018
AND THEY NEVER PROCEEDED,
284
00:15:32,105 --> 00:15:35,238
AND MORE WOMEN CONTINUED TO DIE.
285
00:15:41,201 --> 00:15:44,117
-I DECIDED THAT I WAS GOING
TO RE-ENACT THE KILLING
286
00:15:44,204 --> 00:15:48,034
OR THE DEATH OF THESE WOMEN,
287
00:15:48,121 --> 00:15:52,125
AND SOMETHING STRANGE HAPPENED
WHEN I DID THIS.
288
00:15:53,256 --> 00:15:56,607
IT FELT EMOTIONALLY
289
00:15:56,694 --> 00:16:01,351
LIKE I HAD PIERCED
THE SKIN OF AN INDIVIDUAL,
290
00:16:01,438 --> 00:16:03,049
LIKE, IT WAS JUST...
291
00:16:03,136 --> 00:16:06,139
I CARRIED A LOT OF THAT WITH ME
292
00:16:06,226 --> 00:16:09,098
TO THE POINT
WHERE IT REALLY DISTURBED ME.
293
00:16:10,839 --> 00:16:12,623
I GUESS THE WHOLE IDEA
BEHIND IT
294
00:16:12,710 --> 00:16:16,105
WAS TO GO BACK TO THOSE WOUNDS
295
00:16:16,192 --> 00:16:18,064
AND TO STITCH THEM UP,
296
00:16:18,151 --> 00:16:19,935
AND THEN COVER UP THE STITCHING,
297
00:16:20,022 --> 00:16:21,763
AND IT WOULD ONLY JUST
SHOW TRACES
298
00:16:21,850 --> 00:16:28,248
OF MAYBE SOME SORT OF STORY
ABOUT THAT INDIVIDUAL.
299
00:16:29,684 --> 00:16:31,077
I'M DOING THAT NOT JUST
WITH THE STITCHING,
300
00:16:31,164 --> 00:16:34,080
BUT ALSO WITH
NEWSPAPER CLIPPINGS,
301
00:16:34,167 --> 00:16:37,387
SO THE INFLUENCE OF MEDIA
IN THEIR LIFE.
302
00:16:39,172 --> 00:16:41,783
YOU KNOW,
THE PUBLIC WITH THE MEDIA
303
00:16:41,870 --> 00:16:45,830
AND THE STORIES
THAT HAVE BEEN TOLD,
304
00:16:45,917 --> 00:16:47,789
SO WHAT THE PUBLIC REALLY KNOWS,
305
00:16:47,876 --> 00:16:50,748
AND HOW THERE'S THIS PLACEMENT
OF RESPONSIBILITY
306
00:16:50,835 --> 00:16:53,751
ON THIS KILLER, YOU KNOW...
307
00:16:53,838 --> 00:16:58,191
IT'S ALMOST LIKE
THERE'S A REALLY BIG CHANCE
308
00:16:58,278 --> 00:17:02,325
OF SOCIETY IN GENERAL
JUST REALLY PLACING THE BLAME
309
00:17:02,412 --> 00:17:04,284
ON THAT PERSON,
THAT INDIVIDUAL,
310
00:17:04,371 --> 00:17:07,417
SO THAT THERE'S NO SOCIAL BLAME.
311
00:17:07,504 --> 00:17:11,117
WELL, WHY DID THIS HAPPEN
IN THE FIRST PLACE?
312
00:17:11,204 --> 00:17:13,641
IF A FAMILY MEMBER COMES TO ME,
313
00:17:13,728 --> 00:17:15,382
OR THERE'S A BEEN A FEW
314
00:17:15,469 --> 00:17:17,819
THAT HAVE SENT ME E-MAILS
WITH PICTURES,
315
00:17:17,906 --> 00:17:21,779
THEN I'M GOING TO RESPECT WHAT
THEY'RE TRYING TO DO, RIGHT,
316
00:17:21,866 --> 00:17:24,826
BUT I STILL HAVE TO MAKE
A FINE BALANCE
317
00:17:24,913 --> 00:17:29,135
BETWEEN THAT
AND THE CREATIVE PROCESS,
318
00:17:29,222 --> 00:17:32,051
WHICH SOMETIMES IS A CHALLENGE.
319
00:17:38,753 --> 00:17:40,233
EVEN THOUGH I DON'T MAKE, LIKE,
320
00:17:40,320 --> 00:17:43,018
REALLY MAKING THE DEALS
WITH MY COLLECTORS,
321
00:17:43,105 --> 00:17:44,541
I'M STILL MAKING THESE DEALS,
322
00:17:44,628 --> 00:17:47,849
AND I'M PURPOSELY MAKING
LARGE-SCALE WORKS
323
00:17:47,936 --> 00:17:52,027
SO THAT I COULD INCREASE
MY REVENUE
324
00:17:52,114 --> 00:17:55,248
TO PAY FOR THE FACES.
325
00:17:55,335 --> 00:17:58,294
$22,000.
THAT'S FOR THAT SIZE OF WORK.
326
00:17:58,381 --> 00:17:59,730
FOR SOMETHING BIGGER,
327
00:17:59,817 --> 00:18:01,080
FOR SOMETHING
THAT'S COMMISSIONED,
328
00:18:01,167 --> 00:18:02,864
IT WOULD NORMALLY BE ABOUT
$35,000,
329
00:18:02,951 --> 00:18:04,300
SO THAT'S ABOUT 70 GRAND,
330
00:18:04,387 --> 00:18:06,389
SO YOU GUYS ARE GOING FROM THAT
TO 50,
331
00:18:06,476 --> 00:18:08,261
SO YOU'RE...
NO, NO,
332
00:18:08,348 --> 00:18:11,177
BUT YOU'RE GETTING ALREADY
THE EXTRA 30% OFF FOR THAT.
333
00:18:11,264 --> 00:18:14,745
IF I BUY
ALL OF THE ALUMINUM FRAMES
334
00:18:14,832 --> 00:18:17,139
WITH THIS ONE COMPANY,
335
00:18:17,226 --> 00:18:20,186
WHAT WOULD NORMALLY BE ABOUT
$1,500 WOULD BE ABOUT $700,
336
00:18:20,273 --> 00:18:22,188
SO THAT TIMES 69.
337
00:18:22,275 --> 00:18:24,407
THEN THE PAINTS THEMSELVES
COST ME
338
00:18:24,494 --> 00:18:28,063
ABOUT $600 IN PAINT SUPPLIES
339
00:18:28,150 --> 00:18:30,152
TIMES 69.
340
00:18:30,239 --> 00:18:34,200
I'D SAY THIS PROJECT'S GOING
TO COST PROBABLY ABOUT...
341
00:18:34,287 --> 00:18:36,202
$150,000,
342
00:18:36,289 --> 00:18:40,075
AND BECAUSE
I ESTIMATED THAT MUCH,
343
00:18:40,162 --> 00:18:42,730
MURPHY'S LAW'S GOING TO BE,
YOU KNOW, $300,000?
344
00:18:42,817 --> 00:18:44,732
[LAUGHS]
345
00:18:44,819 --> 00:18:47,561
I'M NEVER REALLY GOOD
AT THAT WHOLE ESTIMATING THING.
346
00:18:56,178 --> 00:18:57,484
OH...
347
00:18:59,486 --> 00:19:03,011
IT'S JUST NOT WHAT WE AGREED
UPON, THE DOLLAR AMOUNT.
348
00:19:04,012 --> 00:19:05,883
[CAR ALARM BEEPS OFF]
349
00:19:12,151 --> 00:19:16,024
-THEY HAD A DETECTIVE
BY THE NAME OF KIM ROSSMO
350
00:19:16,111 --> 00:19:18,418
IN THEIR EMPLOYMENT,
351
00:19:18,505 --> 00:19:22,335
ONE OF THE MOST
RENOWNED CRIMINAL PROFILERS
352
00:19:22,422 --> 00:19:24,902
PROBABLY IN THE WORLD.
353
00:19:24,989 --> 00:19:27,078
-KIM ROSSMO FIRST BEGAN TO COME
TO MY ATTENTION
354
00:19:27,166 --> 00:19:29,951
WHEN WE STARTED HEARING
ABOUT THIS FORMER BEAT COP
355
00:19:30,038 --> 00:19:32,301
WHO WAS DOING A Ph.D.
IN, WHAT WAS IT,
356
00:19:32,388 --> 00:19:34,521
GEOGRAPHIC PROFILING
AT SIMON FRASER,
357
00:19:34,608 --> 00:19:37,306
AND HE WAS DEVELOPING
THIS METHOD
358
00:19:37,393 --> 00:19:42,181
OF IDENTIFYING CRIME
THROUGH MATHEMATICAL PROCESSES.
359
00:19:44,531 --> 00:19:47,011
-IN THE FIVE YEARS I WAS IN
THE VANCOUVER POLICE DEPARTMENT
360
00:19:47,098 --> 00:19:49,057
GEOGRAPHIC PROFILING SECTION,
361
00:19:49,144 --> 00:19:52,191
WE WORKED CASES FOR THE FBI,
362
00:19:52,278 --> 00:19:54,149
THE GERMAN POLICE,
363
00:19:54,236 --> 00:19:57,065
THE BELGIAN GENDARMERIE,
364
00:19:57,152 --> 00:19:58,240
NEW YORK POLICE DEPARTMENT,
365
00:19:58,327 --> 00:20:00,242
LOS ANGELES POLICE DEPARTMENT,
366
00:20:00,329 --> 00:20:01,939
LITERALLY ALL OVER THE WORLD.
367
00:20:04,028 --> 00:20:05,334
I WENT BACK 20 YEARS,
368
00:20:05,421 --> 00:20:07,554
FOUND THE NUMBER
OF UNFOUND MISSING WOMEN
369
00:20:07,641 --> 00:20:09,295
FROM THE SKID ROAD AREA,
WHICH IS QUITE SMALL,
370
00:20:09,382 --> 00:20:11,166
UNTIL WE GET TO '95,
371
00:20:11,253 --> 00:20:13,081
AND THEN THINGS SPIKE UP.
372
00:20:13,168 --> 00:20:14,517
ANY EXPLANATION FOR THIS
373
00:20:14,604 --> 00:20:16,389
HAS TO ACCOUNT
FOR THE FOLLOWING.
374
00:20:16,476 --> 00:20:18,347
WHY ARE WE SEEING THIS
IN VANCOUVER?
375
00:20:18,434 --> 00:20:19,740
WE'RE NOT SEEING IT
376
00:20:19,827 --> 00:20:21,350
IN OTHER SKID ROADS
IN OTHER CITIES.
377
00:20:21,437 --> 00:20:23,570
WHY ARE WE NOT FINDING
ANY BODIES?
378
00:20:23,657 --> 00:20:25,267
AND MOST IMPORTANT,
379
00:20:25,354 --> 00:20:28,183
WHY IS THIS JUST HAPPENING
WITH WOMEN AND NOT MEN?
380
00:20:28,270 --> 00:20:30,838
MAJOR CRIME PUT FORWARD
A NUMBER OF THEORIES,
381
00:20:30,925 --> 00:20:33,014
NONE OF WHICH COULD EXPLAIN
ALL OF THOSE QUESTIONS.
382
00:20:33,101 --> 00:20:36,539
THE ONLY ANSWER
THAT COULD EXPLAIN THEM ALL
383
00:20:36,626 --> 00:20:37,845
THAT WE COULD SEE
384
00:20:37,932 --> 00:20:39,890
WAS A SERIAL KILLER.
385
00:20:41,196 --> 00:20:43,024
THE RESPONSE
TO MY REPORT WAS THAT,
386
00:20:43,111 --> 00:20:46,854
"HEY, WE'VE HAD YEARS TO FIND
ALL THESE MISSING PEOPLE.
387
00:20:46,941 --> 00:20:48,769
"YOU GIVE US ANOTHER FIVE YEARS
388
00:20:48,856 --> 00:20:51,554
AND THIS SO-CALLED 'SPIKE'
OF ROSSMO'S WILL FLATTEN OUT."
389
00:20:55,297 --> 00:20:59,475
-IT WAS OBVIOUS THAT THERE WERE
SERIOUS PERSONALITY ISSUES
390
00:20:59,562 --> 00:21:01,651
IN THE VANCOUVER
POLICE DEPARTMENT.
391
00:21:01,738 --> 00:21:06,352
-IT WAS REALLY A STORY OF,
I THINK,
392
00:21:06,439 --> 00:21:08,092
VERY POOR SENIOR MANAGEMENT
393
00:21:08,179 --> 00:21:10,573
RUNNING A VERY IMPORTANT AGENCY.
394
00:21:10,660 --> 00:21:12,532
-THE PEOPLE IN OUR ORGANIZATION
395
00:21:12,619 --> 00:21:15,535
THAT COULD HAVE CHAMPIONED
PICKTON
396
00:21:15,622 --> 00:21:18,102
AS A VERY VIABLE SUSPECT,
397
00:21:18,189 --> 00:21:21,105
THEY WERE STILL SAYING, "WELL,
WHERE ELSE COULD THEY BE?"
398
00:21:22,106 --> 00:21:23,456
-THESE WOMEN ARE MISSING,
399
00:21:23,543 --> 00:21:25,458
BUT WE HAVEN'T FOUND
THEIR BODIES.
400
00:21:25,545 --> 00:21:28,374
WE DON'T KNOW THAT THEY'VE,
YOU KNOW,
401
00:21:28,461 --> 00:21:31,072
MET UP WITH FOUL PLAY.
402
00:21:31,159 --> 00:21:33,292
THEY'RE SIMPLY MISSING.
403
00:21:33,379 --> 00:21:34,858
-AT THE SAME TIME IN VANCOUVER,
404
00:21:34,945 --> 00:21:37,121
THERE WERE A SERIES
OF GARAGE ROBBERIES
405
00:21:37,208 --> 00:21:39,385
HAPPENING ON THE WEST SIDE.
406
00:21:39,472 --> 00:21:40,603
NOBODY WAS HURT.
407
00:21:40,690 --> 00:21:42,301
PEOPLE WERE FRIGHTENED,
408
00:21:42,388 --> 00:21:45,173
AND THE MAYOR AT THE TIME,
PHILIP OWEN,
409
00:21:45,260 --> 00:21:48,089
DECIDED TO OFFER
A $100,000 REWARD
410
00:21:48,176 --> 00:21:51,266
FOR INFORMATION IN THOSE CASES,
411
00:21:51,353 --> 00:21:54,400
BUT THEN
ON PUBLIC, ON TELEVISION,
412
00:21:54,487 --> 00:21:56,271
HE WAS ASKED ABOUT
THE MISSING WOMEN
413
00:21:56,358 --> 00:21:59,448
AND ABOUT A REWARD IN CASES
OF THE MISSING WOMEN.
414
00:21:59,535 --> 00:22:02,233
-WE'RE NOT GOING TO PUT UP
A $100,000 REWARD
415
00:22:02,321 --> 00:22:05,585
TO HAVE A LOCATION SERVICE.
416
00:22:05,672 --> 00:22:07,195
-IT'S NOT OUR JOB, YOU KNOW?
417
00:22:07,282 --> 00:22:08,501
PEOPLE ARE GOING
TO GO SOMEWHERE.
418
00:22:08,588 --> 00:22:09,719
THAT'S THEIR BUSINESS.
419
00:22:09,806 --> 00:22:11,504
IT'S NOT OUR JOB
TO LOCATE THEM.
420
00:22:13,070 --> 00:22:14,942
-I WAS MARGINALIZED
BY MAJOR CRIME.
421
00:22:15,029 --> 00:22:17,248
THEY DID FORM
THE ONE INVESTIGATIVE TEAM
422
00:22:17,336 --> 00:22:18,511
TO LOOK AT IT,
423
00:22:18,598 --> 00:22:20,382
BUT THEY WERE
UNDER-RESOURCED.
424
00:22:20,469 --> 00:22:24,255
NEITHER AGENCY WAS WILLING
TO PURSUE IT, VPD AND RCMP.
425
00:22:24,343 --> 00:22:27,955
AFTER THE WORK
ON THE MISSING WOMEN CASE,
426
00:22:28,042 --> 00:22:31,132
THEY DIDN'T ASK ME
FOR A SINGLE GEOPROFILE.
427
00:22:31,219 --> 00:22:36,137
-HE WAS SUMMARILY DISMISSED
BY THE VPD
428
00:22:36,224 --> 00:22:38,574
AND HE HAD TO TAKE
HIS ACTUALLY WORK ELSEWHERE,
429
00:22:38,661 --> 00:22:41,534
EVEN THOUGH SCOTLAND YARD,
FBI, AND OTHER PLACES
430
00:22:41,621 --> 00:22:43,536
WERE USING HIS WORK.
431
00:22:54,590 --> 00:22:58,028
-THE HEAD
OF THE POLICE DEPARTMENT SAID,
432
00:22:58,115 --> 00:23:00,161
"THE RESOURCES WILL BE THERE.
433
00:23:00,248 --> 00:23:03,164
"ALL THE RESOURCES
THAT YOU NEED WILL BE THERE
434
00:23:03,251 --> 00:23:05,471
AS SOON AS THERE'S EVIDENCE,"
435
00:23:05,558 --> 00:23:07,734
AND IT'S EXACTLY
WHAT HAPPENED.
436
00:23:07,821 --> 00:23:10,345
AS SOON AS THE PROPERTY
WAS IDENTIFIED
437
00:23:10,432 --> 00:23:12,347
AND THEY GOT ON THE PROPERTY,
438
00:23:12,434 --> 00:23:14,349
ALL THE RESOURCES
WERE THERE,
439
00:23:14,436 --> 00:23:17,265
BUT THE RESOURCES
WERE NEEDED TO GET THERE,
440
00:23:17,352 --> 00:23:19,528
AND THEY WEREN'T AVAILABLE.
441
00:23:21,269 --> 00:23:22,966
-IT'S VERY SAD
442
00:23:23,053 --> 00:23:25,404
THAT THEY DIDN'T TAKE ACTION
WITH KIM,
443
00:23:25,491 --> 00:23:28,494
WITH DETECTIVE ROSSMO'S
INFORMATION,
444
00:23:28,581 --> 00:23:32,019
BECAUSE I CAN TELL YOU
STRAIGHT UP,
445
00:23:32,106 --> 00:23:36,153
WE PROBABLY WOULD HAVE SAVED
ABOUT 15 WOMEN'S LIVES,
446
00:23:36,240 --> 00:23:40,462
AND ONE OF THEM WOULD HAVE BEEN
SEREENA ABOTSWAY'S LIFE,
447
00:23:40,549 --> 00:23:43,813
WHO WENT MISSING
IN THE SUMMER OF 2001.
448
00:23:48,775 --> 00:23:51,691
SHE CAME BY TO SEE ME
EVERY SINGLE NIGHT I WORKED.
449
00:23:51,778 --> 00:23:54,084
I KNEW HER
FROM THE HOLDING CELLS,
450
00:23:54,171 --> 00:23:56,043
AND I KNEW HER SUBSEQUENTLY ON
451
00:23:56,130 --> 00:23:59,176
WHEN I WENT TO WORK
ON THE HEALTH OUTREACH VAN.
452
00:23:59,263 --> 00:24:01,570
SEREENA WOULD SHOW UP
AND SAY HI.
453
00:24:01,657 --> 00:24:05,400
"HI, MOM,
JUST WANT TO TALK TO YOU."
454
00:24:05,487 --> 00:24:07,315
MY DAUGHTER KNEW HER.
455
00:24:07,402 --> 00:24:10,057
SHE WAS ACCEPTED.
456
00:24:10,144 --> 00:24:12,625
ON OCCASION,
I'D GO TO THE COQUITLAM CENTRE
457
00:24:12,712 --> 00:24:15,584
AND I'D HEAR THIS VOICE, "MOM!"
458
00:24:15,671 --> 00:24:17,804
AND I'D LOOK OVER,
AND THERE'S SEREENA.
459
00:24:17,891 --> 00:24:20,415
BLESS HER HEART, SHE'S RUNNING
TOWARDS ME FOR A HUG,
460
00:24:20,502 --> 00:24:22,548
AND I'M MORE THAN WILLING
TO GIVE HER A HUG,
461
00:24:22,635 --> 00:24:25,246
HER IN HER PINK SPANDEX,
462
00:24:25,333 --> 00:24:29,076
BUT THERE SHE IS, SHE WAS OUT
VISITING HER FOSTER PARENTS.
463
00:24:29,163 --> 00:24:31,426
WE BUMPED INTO EACH OTHER.
464
00:24:32,862 --> 00:24:35,778
OTHER PEOPLE MAY WONDER,
"WHO IS THIS GIRL?"
465
00:24:35,865 --> 00:24:39,260
SHE WAS MY GIRL
FOR SO MANY YEARS...
466
00:24:40,827 --> 00:24:45,614
AND TO SEE THIS GIRL'S PICTURE
APPEAR ON THAT POSTER
467
00:24:45,701 --> 00:24:48,487
WAS LIKE LOSING MY CHILD.
468
00:24:52,186 --> 00:24:54,797
MANY WILL ATTEST TO THAT,
469
00:24:54,884 --> 00:24:56,669
BECAUSE SHE WAS LIKE
A CHILD TO ME.
470
00:24:56,756 --> 00:24:58,627
SHE WROTE ME LETTERS.
471
00:25:01,674 --> 00:25:05,155
-SHE'S KIND OF A FUNNY GIRL,
GOOD SENSE OF HUMOUR,
472
00:25:05,242 --> 00:25:06,766
BUT HEAVILY ADDICTED TO DRUGS
473
00:25:06,853 --> 00:25:09,333
AND INTO THE PROSTITUTION SCENE
IN A BIG WAY,
474
00:25:09,420 --> 00:25:12,728
SO SHE WAS QUITE VULNERABLE.
475
00:25:16,210 --> 00:25:18,168
WHAT'S YOUR FAVOURITE SONG?
476
00:25:18,255 --> 00:25:19,605
-SPICE GIRLS.
477
00:25:19,692 --> 00:25:22,782
-WHICH ONE?
WHICH SONG, THOUGH?
478
00:25:23,783 --> 00:25:25,611
YOU LIKE THE SPICE GIRLS.
479
00:25:25,698 --> 00:25:28,570
-OH, YEAH, I LIKE THEM WELL,
BUT I CAN'T REMEMBER THE SONGS.
480
00:25:31,268 --> 00:25:32,966
-WHAT DO YOU WANT TO DO
IN FIVE YEARS?
481
00:25:33,053 --> 00:25:34,533
WHERE DO YOU WANT TO BE?
WHAT DO YOU WANT TO BE DOING?
482
00:25:34,620 --> 00:25:35,664
-I WANT TO GO BACK TO SCHOOL,
ACTUALLY,
483
00:25:35,751 --> 00:25:38,145
BECAUSE I QUIT SCHOOL
484
00:25:38,232 --> 00:25:39,494
WHEN I WAS IN,
485
00:25:39,581 --> 00:25:41,409
ACTUALLY, GRADE 8.
486
00:25:50,592 --> 00:25:53,160
-IF YOU LOOKED
AT HER MEDICAL RECORDS,
487
00:25:53,247 --> 00:25:57,207
IT WOULD SHOW YOU
THAT SHE WAS HUGELY TRAUMATIZED,
488
00:25:57,294 --> 00:26:00,646
BEATEN ALMOST TO DEATH,
AND, YOU KNOW,
489
00:26:00,733 --> 00:26:03,300
HAVING PLASTIC SURGERY
DONE TO HER HEAD
490
00:26:03,387 --> 00:26:06,216
AND PLATES PUT IN AND STUFF.
491
00:26:06,303 --> 00:26:08,349
SHE WAS,
YOU KNOW, SAVAGELY RAPED,
492
00:26:08,436 --> 00:26:11,526
AND IT'S A WONDER
SHE NEVER DIED EARLIER.
493
00:27:01,663 --> 00:27:03,230
-AREN'T YOU WORRIED ABOUT
SOME STRANGER PICKING YOU UP?
494
00:27:03,317 --> 00:27:04,971
LIKE, WHAT IF THERE IS SOMEBODY
GOING AROUND
495
00:27:05,058 --> 00:27:06,712
MURDERING ALL THESE GIRLS?
496
00:27:06,799 --> 00:27:07,887
AREN'T YOU WORRIED
ABOUT THE NEXT TRICK YOU PULL
497
00:27:07,974 --> 00:27:09,584
MIGHT BE HIM?
498
00:27:09,671 --> 00:27:12,848
-YEAH, BUT I ALWAYS GO
BY MY SIXTH SENSE.
499
00:27:12,935 --> 00:27:14,763
-INSTINCT.
-YEAH.
500
00:27:14,850 --> 00:27:16,852
IF I DON'T LIKE THE WAY
THE GUY IS,
501
00:27:16,939 --> 00:27:19,289
THEN I WON'T GO WITH HIM.
502
00:27:22,466 --> 00:27:25,513
-YOU KILLED SEREENA AND MONA,
AGREED?
503
00:27:27,820 --> 00:27:29,822
WELL, IT'S A SIMPLE QUESTION.
504
00:27:32,607 --> 00:27:34,957
ALL RIGHT.
505
00:27:36,698 --> 00:27:38,221
ALL RIGHT.
506
00:27:38,308 --> 00:27:39,658
-I WON'T ADMIT TO ANYTHING YET,
BUT GO AHEAD.
507
00:27:39,745 --> 00:27:41,355
-WOULD I BE RIGHT IN SAYING,
WILLY,
508
00:27:41,442 --> 00:27:43,749
THAT YOU HAD REACHED THE STAGE
509
00:27:43,836 --> 00:27:46,403
WHERE YOU JUST NO LONGER SORT
OF REALLY VIEWED THESE GIRLS
510
00:27:46,490 --> 00:27:47,927
AS BEING WORTH ANYTHING?
511
00:27:48,014 --> 00:27:49,232
-MM-HMM.
512
00:27:49,319 --> 00:27:50,538
-AND YOU'D KILL...
513
00:28:26,530 --> 00:28:28,532
-SHE DOESN'T WANT TO HARBOUR
ON WHAT HAPPENED
514
00:28:28,619 --> 00:28:30,099
IN HER PHYSICAL BODY
515
00:28:30,186 --> 00:28:32,319
BECAUSE SHE WANTS TO BE
REMEMBERED AS A SPIRIT,
516
00:28:32,406 --> 00:28:34,974
BUT SHE WANTS TO SAY
517
00:28:35,061 --> 00:28:39,369
THAT EVERY SORT
OF UNIMAGINABLE THING
518
00:28:39,456 --> 00:28:43,373
THAT YOU CAN IMAGINE
COULD HAPPEN TO A PHYSICAL BODY,
519
00:28:43,460 --> 00:28:45,549
HAPPENED TO HER,
520
00:28:45,636 --> 00:28:47,290
BUT HER SPIRIT SHINES LIGHTER,
521
00:28:47,377 --> 00:28:49,989
AND THAT'S WHAT SHE WANTS
TO GET OVER TO PEOPLE,
522
00:28:50,076 --> 00:28:52,818
THAT NO MATTER
WHAT THE PHYSICAL GOES THROUGH,
523
00:28:52,905 --> 00:28:53,993
THE SPIRIT SHINES.
524
00:28:54,080 --> 00:28:57,344
SHE'S SO EMPHATIC ABOUT THAT.
525
00:28:58,432 --> 00:28:59,912
SHE'S HERE.
526
00:28:59,999 --> 00:29:01,870
THEY'RE ALL HERE
WHEN YOU'RE WORKING ON THEM.
527
00:29:04,655 --> 00:29:06,222
[EXHALES]
528
00:29:11,010 --> 00:29:12,663
I'M SORRY,
I'VE GOT TO SAY THIS.
529
00:29:12,751 --> 00:29:14,491
"MIND YOUR OWN BUSINESS."
530
00:29:14,578 --> 00:29:15,841
THAT'S WHAT SHE SAYS.
531
00:29:15,928 --> 00:29:19,061
IT'S LIKE,
"GET OUT OF MY LIFE."
532
00:29:19,148 --> 00:29:20,671
WHEN SHE'S GOT LOVE,
533
00:29:20,759 --> 00:29:21,847
I'M SURE
IF SHE WAS IN LOVE,
534
00:29:21,934 --> 00:29:23,457
SHE'D LOVE THIS, BUT SHE'S NOT.
535
00:29:23,544 --> 00:29:25,633
SHE'S PISSED.
536
00:29:25,720 --> 00:29:27,809
THE PART OF THEM
THAT DOESN'T WANT TO BE REVEALED
537
00:29:27,896 --> 00:29:29,724
IS THEIR EGO,
538
00:29:29,811 --> 00:29:31,857
BUT YOU KNOW
WHAT YOUR JOB IS?
539
00:29:31,944 --> 00:29:34,598
THIS IS PART OF HER HEALING,
AND, AT LONG LAST,
540
00:29:34,685 --> 00:29:36,862
BOTH SIDES HAVE TO BE SHOWN.
541
00:29:36,949 --> 00:29:40,561
I'M GETTING BIG TINGLES
WITH THAT.
542
00:29:44,826 --> 00:29:46,959
THEY HAVEN'T GOT A LOT
OF CHOICE NOW, LOVE.
543
00:29:47,046 --> 00:29:49,526
ONE OF THE MANY REASONS
YOU'RE BEING ASKED TO DO THIS
544
00:29:49,613 --> 00:29:51,920
IS TO FACILITATE THEIR HEALING.
545
00:29:55,576 --> 00:29:57,752
OH, SOULS GO ON MANY JOURNEYS.
546
00:29:57,839 --> 00:29:59,928
YOU KNOW THAT.
YOU'VE DONE THAT.
547
00:30:00,015 --> 00:30:01,451
THAT'S BEEN YOUR JOURNEY.
548
00:30:01,538 --> 00:30:03,018
THAT'S WHY YOU'RE STRONG ENOUGH
TO DO THIS
549
00:30:03,105 --> 00:30:06,674
BECAUSE YOU'VE DONE IT
IN YOUR OWN LIFE.
550
00:30:08,719 --> 00:30:10,809
-MAYBE IT WAS
THE ABUSIVE RELATIONSHIPS
551
00:30:10,896 --> 00:30:12,375
THAT I USED TO ATTRACT
IN MY LIFE.
552
00:30:12,462 --> 00:30:15,030
LIKE, YOU KNOW,
MY FATHER WAS REALLY ABUSIVE,
553
00:30:15,117 --> 00:30:17,816
AND I DIDN'T REALLY HAVE...
554
00:30:19,513 --> 00:30:21,123
I DON'T REALLY KNOW
WHAT IT'S LIKE
555
00:30:21,210 --> 00:30:23,778
TO HAVE A FATHER, LIKE,
TO GROW UP WITH A FATHER,
556
00:30:23,865 --> 00:30:26,085
AND SO THE ROLE OF A MALE
IN MY LIFE
557
00:30:26,172 --> 00:30:28,130
HAS REALLY...
558
00:30:29,958 --> 00:30:32,613
IT WAS ALMOST LIKE THIS PATTERN
I HAD CREATED,
559
00:30:32,700 --> 00:30:37,400
SO I WOULD ATTRACT TO ME
THE SAME TYPE OF MAN,
560
00:30:37,487 --> 00:30:40,403
AN ABUSIVE MAN,
561
00:30:40,490 --> 00:30:43,929
AND I WOULD FEEL SHACKLED
AND BOUND TO THIS LOVE
562
00:30:44,016 --> 00:30:47,454
BECAUSE I THOUGHT THAT WAS LOVE,
YOU KNOW?
563
00:30:47,541 --> 00:30:53,503
I THOUGHT THAT I NEEDED
TO BE ABUSED TO BE LOVED.
564
00:30:53,590 --> 00:30:55,810
WAKING UP
AND YOU HAVE PURPLE ARMS
565
00:30:55,897 --> 00:30:59,031
BECAUSE YOU WERE BOUND TO A BED
AND BEATEN, YOU KNOW?
566
00:30:59,118 --> 00:31:00,946
LIKE, THINGS
THAT I'VE REALLY EXPERIENCED
567
00:31:01,033 --> 00:31:03,644
WHERE I HAD TO BE STRONG ENOUGH
TO BREAK OUT OF.
568
00:31:06,212 --> 00:31:08,388
I STARTED DOING THESE PHOTOS,
569
00:31:08,475 --> 00:31:12,653
THESE PHOTOS OF THE PHOTOGRAPHER
FRIEND OF MINE,
570
00:31:12,740 --> 00:31:15,917
AND I WOULD TALK ABOUT ISSUES
OF BOUNDARIES,
571
00:31:16,004 --> 00:31:19,486
AND I GUESS
SOME DEEP-SEATED ISSUES
572
00:31:19,573 --> 00:31:23,664
ABOUT LIFE AND DEATH AND...
573
00:31:25,622 --> 00:31:27,059
I'M REALLY AT THE BEGINNING
OF IT,
574
00:31:27,146 --> 00:31:28,669
SO I'M SHOWING YOU
SOMETHING RIGHT NOW
575
00:31:28,756 --> 00:31:32,020
THAT YOU WOULDN'T NORMALLY SEE
576
00:31:32,107 --> 00:31:33,369
IN THE END RESULT.
577
00:31:33,456 --> 00:31:36,024
LIKE, I WOULDN'T HAVE THIS
ON SHOW.
578
00:31:36,111 --> 00:31:37,634
I REALLY WANTED TO BECOME
579
00:31:37,721 --> 00:31:39,810
A LOT MORE PERSONAL
ABOUT MY WORK,
580
00:31:39,898 --> 00:31:42,509
LIKE, JUST REALLY GET
WHAT'S IN HERE.
581
00:31:42,596 --> 00:31:44,990
GET IT OUT.
582
00:31:45,077 --> 00:31:47,775
MY OWN SHIT, YOU KNOW?
583
00:31:54,042 --> 00:31:55,565
THIS WORK
IS MORE BLATANTLY SEXUAL
584
00:31:55,652 --> 00:31:57,219
THAN MY OTHER WORK.
585
00:31:57,306 --> 00:31:59,830
I GUESS THE RELATIONSHIP
TO THE WOMEN
586
00:31:59,918 --> 00:32:02,268
COULD BE SOMETHING TO DO
WITH POWER WITHIN SOCIETY,
587
00:32:02,355 --> 00:32:06,359
HOW WE USE IT AND ABUSE IT,
OURSELVES AND OTHERS.
588
00:32:07,795 --> 00:32:09,536
I FIND THAT A LOT
OF MY LANDSCAPES,
589
00:32:09,623 --> 00:32:12,887
MY REALLY, YOU KNOW,
THE ETHEREAL, YOU KNOW...
590
00:32:12,974 --> 00:32:17,022
I TEND TO CALL THEM
INNER LANDSCAPES.
591
00:32:17,109 --> 00:32:21,287
I FIND THEM TO BE
A LITTLE BIT PRETTY.
592
00:32:23,071 --> 00:32:27,554
AND PEOPLE WILL COMMENT
IN A SIMILAR CAPACITY,
593
00:32:27,641 --> 00:32:29,948
AND I JUST,
I THINK INSIDE OF ME,
594
00:32:30,035 --> 00:32:31,210
ARTISTICALLY,
595
00:32:31,297 --> 00:32:33,081
I FEEL
LIKE I WANT TO SAY MORE,
596
00:32:33,168 --> 00:32:34,648
LIKE SOMETHING MORE
597
00:32:34,735 --> 00:32:37,216
BENEATH THE SURFACE
OF THAT PRETTY PAINTING,
598
00:32:37,303 --> 00:32:42,090
YOU KNOW, THAT THERE'S THINGS
THAT ARE UNSAID
599
00:32:42,177 --> 00:32:45,311
AND HIDDEN AND EXPERIENCED
AND SECRETS.
600
00:32:50,838 --> 00:32:53,710
THE LAST YEAR OF MY CAREER
HAS BEEN SO BUSY,
601
00:32:53,797 --> 00:32:55,974
THAT I ACTUALLY TOOK A VACATION.
602
00:32:56,061 --> 00:32:57,497
WHEN I CAME BACK,
603
00:32:57,584 --> 00:33:00,587
I WENT INTO THE GALLERY
WHO I SIGNED WITH.
604
00:33:00,674 --> 00:33:04,156
LIKE, I JUST WENT IN TO SAY HI,
AND THEY OFFERED ME A SHOW.
605
00:33:04,243 --> 00:33:07,637
THE DIRECTOR IS ON THE WAY
TODAY, OF THE GALLERY,
606
00:33:07,724 --> 00:33:10,075
TO SEE WHAT I'VE BEEN DOING.
607
00:33:10,162 --> 00:33:12,816
OUR LAST CONVERSATION,
608
00:33:12,903 --> 00:33:14,644
SHE SAID THAT THERE'S WORK
609
00:33:14,731 --> 00:33:16,603
THAT SHE'S LIKELY NOT GOING
TO BE ABLE TO SHOW
610
00:33:16,690 --> 00:33:20,041
BECAUSE IT'S TOO EXPLICIT
IN NATURE,
611
00:33:20,128 --> 00:33:22,870
AND THERE'S THAT PART OF ME
THAT UNDERSTANDS, RIGHT,
612
00:33:22,957 --> 00:33:26,091
"OKAY, WELL, THEY WANT TO BE
ABLE TO SELL THE WORK.
613
00:33:26,178 --> 00:33:27,657
THEY WANT TO BE CONFIDENT
IN THAT."
614
00:33:27,744 --> 00:33:28,789
AND THE OTHER PART OF ME
WAS JUST LIKE,
615
00:33:28,876 --> 00:33:30,486
"YOU KNOW WHAT?
616
00:33:30,573 --> 00:33:33,881
I'M GOING TO PAINT
WHAT THE FUCK I WANT TO PAINT."
617
00:33:36,710 --> 00:33:37,972
IN THE END,
I HID A LOT OF THE IMAGES
618
00:33:38,059 --> 00:33:40,888
UNDERNEATH THE PAINTINGS.
619
00:33:42,803 --> 00:33:46,328
IT WAS LIKE I WAS PAINTING
THESE IMAGES OF MYSELF...
620
00:33:48,069 --> 00:33:50,767
AND WHAT LIVES UNDERNEATH.
621
00:33:50,854 --> 00:33:54,119
AND I JUST WONDER
WHAT'S IT ALL FOR, YOU KNOW?
622
00:33:54,206 --> 00:33:56,382
WHY AM I LIKE THIS?
623
00:34:01,387 --> 00:34:03,693
AND I JUST FEEL
LIKE I'M SEARCHING FOR MEANING
624
00:34:03,780 --> 00:34:06,305
OR SOMETHING STUPID.
625
00:34:06,392 --> 00:34:09,003
-WHEN YOU'VE GOT SOMETHING
626
00:34:09,090 --> 00:34:12,311
THAT'S THAT EVIL AND THAT DARK,
627
00:34:12,398 --> 00:34:15,923
YOU KNOW, YOU'RE CHOOSING
TO PAINT ABOUT IT...
628
00:34:18,926 --> 00:34:21,798
YOU'RE GOING TO ATTRACT,
629
00:34:21,885 --> 00:34:24,714
YOU KNOW, MORE DARKNESS.
630
00:34:24,801 --> 00:34:28,240
IT'S LIKE PULLING THE PIN
OFF A HAND GRENADE, I THINK.
631
00:34:38,989 --> 00:34:41,122
[LIGHT PARTY CHATTER]
632
00:35:00,794 --> 00:35:01,925
-IT FEELS GOOD TO HAVE
MY SHOW UP,
633
00:35:02,012 --> 00:35:03,623
BUT YOU KNOW WHAT?
634
00:35:03,710 --> 00:35:05,059
IT'S FUNNY BECAUSE
ALL I'VE BEEN TALKING ABOUT
635
00:35:05,146 --> 00:35:06,452
IS THE PROJECT,
THE FORGOTTEN PROJECT.
636
00:35:06,539 --> 00:35:10,020
EVEN THOUGH I'M HERE IN PERSON,
637
00:35:10,108 --> 00:35:12,632
I THINK THAT I'M ALWAYS, LIKE,
638
00:35:12,719 --> 00:35:15,243
ALMOST OBSESSIVE
ABOUT THE PROJECT,
639
00:35:15,330 --> 00:35:20,074
BECAUSE I REALLY WANT
TO FINISH IT.
640
00:35:20,161 --> 00:35:22,076
YEAH.
641
00:35:24,426 --> 00:35:26,472
-WASSUP?
642
00:35:27,821 --> 00:35:29,344
-WASSUP!
643
00:35:31,825 --> 00:35:33,131
I'M REALLY PROTECTIVE.
644
00:35:33,218 --> 00:35:35,220
LIKE, IT'S GREAT FOR HIM
TO BE THERE
645
00:35:35,307 --> 00:35:36,786
AT MY SHOWS AND STUFF,
646
00:35:36,873 --> 00:35:39,398
BUT I WANT TO BE PROTECTIVE
ABOUT IT,
647
00:35:39,485 --> 00:35:43,184
SO I JUST KIND OF TRY
TO SEPARATE THE TWO
648
00:35:43,271 --> 00:35:45,404
A LITTLE BIT.
649
00:35:47,145 --> 00:35:51,671
I WAS GOING THROUGH A BIT
OF A SEPARATION AND HAD A BABY.
650
00:35:51,758 --> 00:35:53,325
I FIGURED THAT IT WOULD GIVE ME
MORE STABILITY
651
00:35:53,412 --> 00:35:56,415
IF I WAS WORKING FOR A GALLERY.
652
00:35:56,502 --> 00:35:57,981
I WORE A SUIT EVERY DAY,
653
00:35:58,068 --> 00:36:00,201
AND I WAS TRYING TO SELL
OTHER PEOPLE'S ART,
654
00:36:00,288 --> 00:36:03,857
AND THEN IT JUST REALLY
GOT ME...
655
00:36:03,944 --> 00:36:05,815
INSPIRED, YOU KNOW,
656
00:36:05,902 --> 00:36:07,295
TO SEE ALL THAT AMAZING WORK,
657
00:36:07,382 --> 00:36:09,167
AND SO I WOULD GO HOME
658
00:36:09,254 --> 00:36:12,387
AND, YOU KNOW, I'D BE THERE
WITH MY TWO-YEAR-OLD,
659
00:36:12,474 --> 00:36:15,434
TRYING TO BE...
660
00:36:15,521 --> 00:36:17,958
TRYING TO WORK PART-TIME
AND BE A MOM
661
00:36:18,045 --> 00:36:20,134
AND ALL THAT KIND OF THING,
662
00:36:20,221 --> 00:36:22,136
AND HE WOULD GO TO SLEEP,
663
00:36:22,223 --> 00:36:26,749
AND I WOULD PAINT FEVERISHLY
UNTIL 3:00 IN THE MORNING,
664
00:36:26,836 --> 00:36:30,013
JUST NUTS,
665
00:36:30,100 --> 00:36:32,320
AND THAT'S WHAT GOT ME THROUGH.
666
00:36:43,897 --> 00:36:47,814
-I SAW A NEWS REPORT,
I BELIEVE IT WAS 1963,
667
00:36:47,901 --> 00:36:52,210
WHERE THERE WAS A CONCERN
BY THE MAYOR OF VANCOUVER,
668
00:36:52,297 --> 00:36:55,474
WHO, YOU KNOW,
WAS TALKING ABOUT NATIVE WOMEN
669
00:36:55,561 --> 00:36:58,303
BEING MURDERED
IN THE DOWNTOWN EASTSIDE,
670
00:36:58,390 --> 00:37:02,481
AND WANTED TO CONDUCT SOME KIND
OF INVESTIGATION OF THAT.
671
00:37:02,568 --> 00:37:05,527
THIS WAS 1963.
672
00:37:05,614 --> 00:37:08,226
THIS ISN'T NEW.
673
00:37:09,444 --> 00:37:10,837
-THE THING THAT STOOD OUT
TO ME THE MOST
674
00:37:10,924 --> 00:37:13,883
WAS THE NUMBER
OF FIRST NATION WOMEN
675
00:37:13,970 --> 00:37:16,234
THAT WERE ON THIS POSTER.
676
00:37:16,321 --> 00:37:19,280
-IT'S A WELL-RESEARCHED
POPULATION,
677
00:37:19,367 --> 00:37:22,240
AND IN DIFFERENT SAMPLES,
678
00:37:22,327 --> 00:37:24,154
THE PERCENTAGE
OF ABORIGINAL WOMEN
679
00:37:24,242 --> 00:37:26,766
FAR EXCEEDS THE PROPORTION
680
00:37:26,853 --> 00:37:30,291
IN THE POPULATION
OF STREET-INVOLVED WOMEN,
681
00:37:30,378 --> 00:37:32,032
AND THE TRUTH OF IT IS
682
00:37:32,119 --> 00:37:35,035
YOU'VE GOT THE EFFECT
OF 200 YEARS OF COLONIZATION
683
00:37:35,122 --> 00:37:37,864
ON ABORIGINAL PEOPLES.
684
00:37:37,951 --> 00:37:43,435
-WHAT I SEE THROUGH ANALYSIS
AND ACADEMIA
685
00:37:43,522 --> 00:37:48,222
STEMS FROM INTERFERENCE
OF SOME KIND.
686
00:37:48,309 --> 00:37:50,050
INTERFERENCE OF GOVERNMENT,
687
00:37:50,137 --> 00:37:51,878
EITHER THROUGH
RESIDENTIAL SCHOOL,
688
00:37:51,965 --> 00:37:54,837
THROUGH FORCED RELOCATION,
689
00:37:54,924 --> 00:37:58,363
THROUGH CHILDREN
BEING ADOPTED OUT.
690
00:37:58,450 --> 00:38:00,103
-BASICALLY, WHAT MY FATHER
WAS TELLING ME
691
00:38:00,190 --> 00:38:04,064
IS THAT IT WASN'T JUST
ABOUT CORPORAL PUNISHMENT
692
00:38:04,151 --> 00:38:06,849
AND BEING DEPRIVED
GOOD FOOD,
693
00:38:06,936 --> 00:38:10,026
BUT IT WAS AN ALL-OUT ASSAULT
ON THE CULTURE AND THE VALUES
694
00:38:10,113 --> 00:38:12,812
AND THE LIFESTYLES
OF ABORIGINAL PEOPLE.
695
00:38:12,899 --> 00:38:16,337
I THINK HE WAS MADE TO FEEL
ASHAMED OF WHO HE WAS.
696
00:38:16,424 --> 00:38:19,558
-AND THE MESSAGE
WAS VERY, VERY CLEAR,
697
00:38:19,645 --> 00:38:23,518
THAT IN ORDER TO CIVILIZE
THE SAVAGE OF THE COUNTRY,
698
00:38:23,605 --> 00:38:26,434
YOU NEEDED TO BREAK APART
699
00:38:26,521 --> 00:38:29,307
THE RESPECT
AND THE PLACE OF WOMEN,
700
00:38:29,394 --> 00:38:32,919
AND THE MEN ACQUIRED THE SKILL
OF DEMEANING THEIR WOMEN,
701
00:38:33,006 --> 00:38:35,051
OF PUTTING THEM IN A LOWER PLACE
THAN THEM,
702
00:38:35,138 --> 00:38:37,402
AND ACTUALLY PHYSICALLY
AND OTHER WAYS
703
00:38:37,489 --> 00:38:39,142
ABUSING THOSE WOMEN.
704
00:38:39,229 --> 00:38:41,014
SO, WHEN THESE YOUNG BOYS
AND THESE YOUNG GIRLS
705
00:38:41,101 --> 00:38:42,407
ARE WATCHING THIS,
706
00:38:42,494 --> 00:38:43,843
WHAT DO YOU THINK
THEY RELATE TO
707
00:38:43,930 --> 00:38:45,323
WHEN THEY GET INTO
A RELATIONSHIP?
708
00:38:45,410 --> 00:38:46,933
IT JUST KEEPS GETTING
HANDED DOWN,
709
00:38:47,020 --> 00:38:48,891
GENERATION TO GENERATION.
710
00:38:48,978 --> 00:38:51,024
I THINK
IT'S SOCIETY'S ACCEPTANCE
711
00:38:51,111 --> 00:38:54,462
THAT THE 500 MISSING WOMEN
FROM THE ABORIGINAL COMMUNITY
712
00:38:54,549 --> 00:38:55,942
ARE NOT IMPORTANT
713
00:38:56,029 --> 00:38:58,510
IN THE OVERALL GROWTH
OF THE COUNTRY.
714
00:39:13,089 --> 00:39:15,396
-WELL, IN THE VERY EARLY YEARS
WHEN SHE CAME TO LIVE WITH US,
715
00:39:15,483 --> 00:39:17,572
SHE WAS ALWAYS...
716
00:39:17,659 --> 00:39:20,314
SHE GREW INTO
A VERY BEAUTIFUL YOUNG WOMAN,
717
00:39:20,401 --> 00:39:23,448
BUT SHE WAS EXTREMELY CUTE
AS A LITTLE GIRL,
718
00:39:23,535 --> 00:39:27,365
AND VERY OUTGOING
AND VERY CREATIVE.
719
00:39:27,452 --> 00:39:29,628
SHE LOVED TO DRAW.
720
00:39:29,715 --> 00:39:33,371
SHE LOVED TO ACT, TO PERFORM,
721
00:39:33,458 --> 00:39:37,287
TO DO ANYTHING
THAT INVOLVED IMAGINATION.
722
00:39:37,375 --> 00:39:41,988
-I LOOKED AT SARAH AS
A VERY INTELLIGENT YOUNG LADY,
723
00:39:42,075 --> 00:39:44,294
AND SHE WAS.
724
00:39:44,382 --> 00:39:48,560
INTELLIGENT,
BRIGHT, WITTY.
725
00:39:49,561 --> 00:39:52,172
KNEW WHAT SHE WANTED.
726
00:39:52,259 --> 00:39:53,956
WAS WORKING.
727
00:39:54,043 --> 00:39:56,568
KNEW SHE WAS WORKING.
KNEW WHAT SHE WAS SELLING...
728
00:40:00,354 --> 00:40:02,487
AND SHE SOLD IT TO ME.
729
00:40:03,966 --> 00:40:07,274
THE MORE I GOT TO KNOW HER,
THE MORE I GOT TO LOVE HER,
730
00:40:07,361 --> 00:40:11,496
AND I WISH THIS WOULD HAVE
STARTED OUT DIFFERENT.
731
00:40:11,583 --> 00:40:15,064
I WISH I COULD HAVE MET HER
UNDER DIFFERENT CIRCUMSTANCES.
732
00:40:27,163 --> 00:40:29,078
-THIS IS HEROIN RIGHT HERE.
733
00:40:29,165 --> 00:40:34,040
I CAN DO THAT IN ONE FIX,
AND IT BARELY EVEN BOTHERS ME.
734
00:40:37,130 --> 00:40:39,393
I'M PRETTY MUCH NUMB TO IT,
I GUESS,
735
00:40:39,480 --> 00:40:41,047
BECAUSE I DON'T GET HIGH OFF IT
ANYMORE.
736
00:40:41,134 --> 00:40:43,310
IT JUST MAKES ME NORMAL.
737
00:40:43,397 --> 00:40:47,532
IT JUST MAKES ME ABLE
TO FUNCTION.
738
00:40:47,619 --> 00:40:51,623
I FEEL GOOD, BUT I'M NOT
PARTICULARLY TOTALLY HAPPY...
739
00:40:54,060 --> 00:40:56,715
BECAUSE IT'S LIKE CARRYING
740
00:40:56,802 --> 00:40:59,544
A BIG BALL AND CHAIN
AROUND WITH YOU
741
00:40:59,631 --> 00:41:01,284
FOR A PART OF YOUR LIFE.
742
00:41:02,808 --> 00:41:05,288
I WENT TO JAIL FOR A WHILE,
GO FOR SIX MONTHS,
743
00:41:05,375 --> 00:41:06,942
AND THEY MADE ME QUIT
COLD TURKEY,
744
00:41:07,029 --> 00:41:08,727
AND IT WAS...
745
00:41:08,814 --> 00:41:10,642
I WOULD RATHER HAVE BEEN DEAD.
746
00:41:14,036 --> 00:41:16,386
IT HURTS
WHEN YOU DON'T HAVE IT.
747
00:41:16,474 --> 00:41:18,476
IT PHYSICALLY HURTS.
748
00:41:20,652 --> 00:41:24,351
-YOUNG GIRLS IN PARTICULAR
WHO ENDED UP ON THE STREET
749
00:41:24,438 --> 00:41:27,441
INVARIABLY,
THROUGH MY INTERVIEWS WITH THEM,
750
00:41:27,528 --> 00:41:31,663
I FOUND THAT OVER 80% OF THEM
HAD BEEN SEXUALLY ABUSED,
751
00:41:31,750 --> 00:41:34,317
AND A LOT OF THEM CAME
FROM GROUP HOMES
752
00:41:34,404 --> 00:41:35,928
AND THINGS LIKE THAT.
753
00:41:36,015 --> 00:41:38,844
THEY PREFER THE STREET
OVER THEIR OWN HOME.
754
00:41:39,801 --> 00:41:42,021
IF YOU LOOK
AT THE "BAD DATE" LIST,
755
00:41:42,108 --> 00:41:43,892
THERE'S DOZENS...
756
00:41:43,979 --> 00:41:48,244
THERE'S SCORES OF TWISTED,
PERVERTED, VIOLENT MEN OUT THERE
757
00:41:48,331 --> 00:41:50,290
PREYING ON THESE WOMEN.
758
00:41:50,377 --> 00:41:52,466
IF THEY'RE NOT KILLING THEM,
THEY'RE KILLING THEIR SOUL,
759
00:41:52,553 --> 00:41:56,775
AND THEN THE DRUGS WERE A WAY
OF COPING WITH THAT ABUSE
760
00:41:56,862 --> 00:41:59,125
AND COPING WITH THE LIFESTYLE
761
00:41:59,212 --> 00:42:00,561
THAT THEY'D FOUND THEMSELVES
INTO
762
00:42:00,648 --> 00:42:03,651
TO SUSTAIN THEIR HABIT.
763
00:42:03,738 --> 00:42:05,218
I MEAN, THE BIGGEST PIMP
764
00:42:05,305 --> 00:42:08,221
OF ALL THE LOW-CLASS
WORKING GIRL DOWN THERE,
765
00:42:08,308 --> 00:42:10,702
THE LOW-CLASS STROLL,
766
00:42:10,789 --> 00:42:12,399
ARE DRUGS.
767
00:42:12,486 --> 00:42:13,792
-IT'S HARD TO PROCESS,
768
00:42:13,879 --> 00:42:16,577
AND SO YOU START TO USE DRUGS
TO COPE.
769
00:42:16,664 --> 00:42:18,623
THE AMAZING THING
ABOUT CRACK COCAINE
770
00:42:18,710 --> 00:42:21,277
IS THAT IT WILL WIPE YOUR MEMORY
RIGHT NOW.
771
00:42:21,364 --> 00:42:22,757
IT TOTALLY NUMBS YOU
772
00:42:22,844 --> 00:42:25,586
AND STOPS
THAT ANXIETY, THE PANIC,
773
00:42:25,673 --> 00:42:27,414
THE FEELINGS THAT COME
774
00:42:27,501 --> 00:42:31,157
WITH THAT KIND OF POST-TRAUMATIC
STRESS BEING TRIGGERED.
775
00:42:35,509 --> 00:42:36,771
-I CAN RELATE
TO THE MISSING WOMEN
776
00:42:36,858 --> 00:42:38,381
BECAUSE OF THE ADDICTION.
777
00:42:38,468 --> 00:42:40,775
A LOT OF PEOPLE WILL JUST LOOK
AT ADDICTION
778
00:42:40,862 --> 00:42:43,735
AS SOME KIND OF,
A PROBLEM OF WILLPOWER.
779
00:42:43,822 --> 00:42:46,259
"WELL, JUST STOP!"
780
00:42:46,346 --> 00:42:48,087
IT'S NOT THAT EASY.
781
00:42:48,174 --> 00:42:50,306
I'M THE GUY WHO'S WEARING
THE SUIT AND TIE TO COURT,
782
00:42:50,393 --> 00:42:54,397
BUT AS 2007 STARTED
AND THE PICKTON CASE STARTED,
783
00:42:54,484 --> 00:42:56,356
MY ADDICTION WAS DEEPENING.
784
00:42:56,443 --> 00:42:59,359
I WAS DOING HUNDREDS OF DOLLARS
WORTH OF CRACK COCAINE A DAY,
785
00:42:59,446 --> 00:43:02,536
AT TIMES HEROIN AS WELL.
786
00:43:02,623 --> 00:43:03,885
THERE WERE TIMES
787
00:43:03,972 --> 00:43:05,670
WHEN I WAS
SO OBSESSIVE-COMPULSIVE
788
00:43:05,757 --> 00:43:07,323
ABOUT MY CRACK COCAINE USE,
789
00:43:07,410 --> 00:43:09,587
THAT I WAS LEAVING
THIS COURTHOUSE BEHIND US,
790
00:43:09,674 --> 00:43:11,719
GOING DOWN TO THE DOCKS
AND SMOKING CRACK,
791
00:43:11,806 --> 00:43:15,505
AND THEN COMING BACK
AND COVERING THE COURT.
792
00:43:15,593 --> 00:43:18,683
TO LEAVE THE COURTROOM,
GO AND FILE MY STORY,
793
00:43:18,770 --> 00:43:21,207
AND THEN GO AND GET HIGH.
794
00:43:21,294 --> 00:43:23,252
I'M OUT
DOING HEAVY ILLICIT DRUGS,
795
00:43:23,339 --> 00:43:27,387
AND I'M SURROUNDED BY SHERIFFS,
POLICE, LAWYERS,
796
00:43:27,474 --> 00:43:29,171
AND A SUPREME COURT JUDGE,
797
00:43:29,258 --> 00:43:32,697
AND A SERIAL KILLER SITTING
RIGHT IN FRONT OF ME.
798
00:43:32,784 --> 00:43:35,830
A LOT OF TIMES,
IT GOT TO THE POINT
799
00:43:35,917 --> 00:43:38,441
WHERE IT JUST WASN'T COMPUTING
IN MY HEAD ANYMORE.
800
00:43:38,528 --> 00:43:40,661
IT WAS JUST SO CONFUSING.
801
00:43:40,748 --> 00:43:42,141
ONCE YOU START USING,
802
00:43:42,228 --> 00:43:44,578
YOU WILL OBSESSIVELY THINK
ABOUT IT,
803
00:43:44,665 --> 00:43:46,406
AND YOU WILL ACT COMPULSIVELY.
804
00:43:46,493 --> 00:43:51,106
YOU WILL VOID ALL VALUABLE
RELATIONSHIPS IN YOUR LIFE.
805
00:43:51,193 --> 00:43:54,457
YOU WILL NOT GIVE A DAMN
ABOUT ANYTHING.
806
00:43:54,544 --> 00:43:56,503
ALL YOU WANT IS THAT DRUG.
807
00:43:56,590 --> 00:43:58,592
SO, IF A BEAT-UP OLD TRUCK
808
00:43:58,679 --> 00:44:01,639
WITH SOME FILTHY MAN
STINKING OF PIG SHIT
809
00:44:01,726 --> 00:44:06,252
COMES UP AND OFFERS
A HANDFUL OF CRACK COCAINE,
810
00:44:06,339 --> 00:44:07,383
YOU'RE GOING TO DO
WHATEVER IT TAKES
811
00:44:07,470 --> 00:44:10,691
TO GET WHAT'S IN HIS HAND.
812
00:44:39,459 --> 00:44:42,288
-I DON'T REALLY CONSIDER MYSELF
A PORTRAIT ARTIST.
813
00:44:42,375 --> 00:44:43,898
I CAN LOOK AT ONE FACE
814
00:44:43,985 --> 00:44:46,684
AND LOOK AT EVERYTHING
THAT'S WRONG WITH IT
815
00:44:46,771 --> 00:44:50,731
ON A, LIKE, A TECHNICAL LEVEL,
816
00:44:50,818 --> 00:44:52,254
AND IT'S ALWAYS A QUESTION
FOR ME.
817
00:44:52,341 --> 00:44:56,258
AM I REALLY SAYING
WHAT I WANT TO SAY?
818
00:45:14,581 --> 00:45:17,715
-SOME PEOPLE HAVE BOUGHT
SOME STRANGER THINGS THAN THIS.
819
00:45:19,499 --> 00:45:24,678
-I'M KIND OF MAKING MY WORK
A BIT MORE CONTEMPORARY IN FEEL,
820
00:45:24,765 --> 00:45:25,897
YOU KNOW, AND CHANGING IT UP
A BIT,
821
00:45:25,984 --> 00:45:28,987
CHALLENGING THE VIEWER...
822
00:45:30,292 --> 00:45:34,644
TALKING ABOUT NOT BEING ABLE
TO SPEAK,
823
00:45:34,732 --> 00:45:36,908
YOU KNOW,
IF YOUR MOUTH IS STAPLED.
824
00:45:36,995 --> 00:45:38,561
I GUESS IT'S A PRETTY HARSH WAY
OF SAYING IT,
825
00:45:38,648 --> 00:45:42,304
BUT IN A WAY IT'S NOT SOMETHING
826
00:45:42,391 --> 00:45:44,089
THAT SOMEONE
WOULD RECOGNIZE EASILY,
827
00:45:44,176 --> 00:45:48,441
AND WHEN THEY DISCOVER
WHAT IT IS IN THE PAINTING,
828
00:45:48,528 --> 00:45:51,661
I THINK THE REACTION IS STRONGER
THAN WITHOUT IT.
829
00:45:57,798 --> 00:46:01,367
A LOT OF TIMES AS A YOUNGSTER,
AS A TEENAGER GROWING UP,
830
00:46:01,454 --> 00:46:04,805
I REMEMBER FEELING THIS
IN SO MANY WAYS,
831
00:46:04,892 --> 00:46:07,547
THAT SEXUALITY
AND A WOMAN'S WORTH
832
00:46:07,634 --> 00:46:10,637
WAS REALLY DEPENDENT
ON THE OUTER APPEARANCE,
833
00:46:10,724 --> 00:46:14,859
AND I THINK IN MEDIA
AND OUR CULTURE, POP CULTURE,
834
00:46:14,946 --> 00:46:19,689
WE REALLY HAVE A DISPLACEMENT
OF THOSE VALUES.
835
00:46:22,388 --> 00:46:23,693
YOU KNOW?
836
00:46:23,781 --> 00:46:25,695
THIS IS HOW SHE MADE A LIVING.
837
00:46:26,740 --> 00:46:28,786
THE FACT THAT I'M PREPARING
TWO CANVASES,
838
00:46:28,873 --> 00:46:31,789
ONE THAT HAS PORNOGRAPHIC IMAGES
839
00:46:31,876 --> 00:46:35,618
BESIDE THIS RELIGIOUS-FEELING,
840
00:46:35,705 --> 00:46:39,884
RIGHT AND WRONG KIND OF THING,
841
00:46:39,971 --> 00:46:43,539
YEAH, IT MAKES ME QUESTION
A LOT OF THINGS ABOUT, WELL,
842
00:46:43,626 --> 00:46:44,845
EVEN SOCIETY, RIGHT?
843
00:46:44,932 --> 00:46:46,455
LIKE, THIS IS RIGHT.
844
00:46:46,542 --> 00:46:49,894
IT HAS TO BE RIGHT
BECAUSE WE VALIDATE IT.
845
00:46:51,504 --> 00:46:52,853
AND SO WHAT I'M DOING
846
00:46:52,940 --> 00:46:55,421
IS I'M KIND OF MAKING
THIS WHITE VEIL
847
00:46:55,508 --> 00:46:57,597
BENEATH THOSE IMAGES
848
00:46:57,684 --> 00:46:59,904
AND THE FACE
THAT I'LL PAINT.
849
00:46:59,991 --> 00:47:03,821
I'M TRYING TO TELL
THE VIEWER SOMETHING.
850
00:47:13,613 --> 00:47:16,007
-WITH PAMELA'S PAINTINGS,
851
00:47:16,094 --> 00:47:19,053
THE WAY I FOUND OUT ABOUT THEM
WAS REALLY UNFORTUNATE.
852
00:47:19,140 --> 00:47:20,925
I WAS CALLED BY 16:9,
853
00:47:21,012 --> 00:47:23,971
AND THEY TOLD ME
ABOUT THE PAINTINGS,
854
00:47:24,058 --> 00:47:26,539
WHICH I HAD NEVER HEARD
ABOUT BEFORE,
855
00:47:26,626 --> 00:47:30,848
AND THEY WANTED ME
TO GO AND SEE THEM,
856
00:47:30,935 --> 00:47:33,894
AND THEY WANTED TO FILM ME
SEEING THEM FOR THE FIRST TIME,
857
00:47:33,981 --> 00:47:35,940
AND I JUST THOUGHT
THAT WAS DISGUSTING,
858
00:47:36,027 --> 00:47:38,116
AND I HAD NO INTEREST
IN DOING THAT,
859
00:47:38,203 --> 00:47:40,945
AND THAT GAVE ME THE FEELING
860
00:47:41,032 --> 00:47:43,817
THAT THIS WASN'T
ABOUT THE WOMEN,
861
00:47:43,904 --> 00:47:46,515
THAT THESE PAINTINGS WERE...
862
00:47:46,602 --> 00:47:48,953
IT MADE ME MISTRUST THE ARTIST
AS WELL,
863
00:47:49,040 --> 00:47:53,000
BECAUSE HOW DID THAT HAPPEN?
864
00:47:53,087 --> 00:47:56,134
-THEY WERE 69 INNOCENT WOMEN
WHO WENT MISSING,
865
00:47:56,221 --> 00:47:59,615
MANY OF THEM VICTIMS
OF SERIAL KILLER ROBERT PICKTON.
866
00:47:59,702 --> 00:48:01,139
SOME WERE SHUNNED BY SOCIETY,
867
00:48:01,226 --> 00:48:04,011
OTHERS SIMPLY IGNORED
BY THEIR FAMILIES,
868
00:48:04,098 --> 00:48:06,840
AND EVEN IN DEATH,
THEY WERE FORGOTTEN...
869
00:48:06,927 --> 00:48:09,451
UNTIL NOW.
870
00:48:10,148 --> 00:48:11,976
[SOBS]
871
00:48:12,063 --> 00:48:13,891
-OH, DEAR.
872
00:48:13,978 --> 00:48:15,501
I DON'T WANT TO MAKE YOU CRY.
873
00:48:15,588 --> 00:48:17,024
I'M SORRY.
874
00:48:17,111 --> 00:48:20,593
-THEY ARE TEARS
TO REMEMBER THE FORGOTTEN.
875
00:48:20,680 --> 00:48:25,119
-THE IDEA OF THEIR MUG SHOTS,
IN MANY CASES,
876
00:48:25,206 --> 00:48:28,993
OF HAVING THEM BE REMEMBERED
IN AN EXHIBIT
877
00:48:29,080 --> 00:48:31,691
CALLED "THE FORGOTTEN"
878
00:48:31,778 --> 00:48:38,089
AS HUGE,
ONE-DIMENSIONAL VICTIMS,
879
00:48:38,176 --> 00:48:40,569
MADE US SICK.
880
00:48:41,744 --> 00:48:44,704
-YOU CAN'T HELP BUT HAVE
PERSONAL THOUGHTS AND FEELINGS
881
00:48:44,791 --> 00:48:47,837
TRIGGER STUFF IN YOU,
AND WE REACT.
882
00:48:47,925 --> 00:48:49,622
AND OF COURSE,
I'M GOING TO BECOME DEFENSIVE
883
00:48:49,709 --> 00:48:51,885
AND I'M GOING TO, YOU KNOW,
"HOW DARE YOU DO THAT?"
884
00:48:51,972 --> 00:48:54,714
YOU KNOW, "I'M ANGRY, MAD,
UPSET, PISSED OFF."
885
00:48:54,801 --> 00:48:57,847
YOU KNOW,
MORE HURT THAN ANYTHING,
886
00:48:57,935 --> 00:49:01,025
BECAUSE I SEE THAT,
AND THAT'S A REMINDER
887
00:49:01,112 --> 00:49:02,722
OF WHAT THE WOMEN
HAD GONE THROUGH.
888
00:49:02,809 --> 00:49:04,593
THAT'S A REMINDER
WHAT HAD HAPPENED TO ME.
889
00:49:04,680 --> 00:49:08,641
THAT'S A REMINDER ABOUT WHAT
STILL CONTINUES TO GO ON.
890
00:49:13,994 --> 00:49:17,519
-YEAH, I'M PRETTY ATTACHED.
891
00:49:17,606 --> 00:49:19,739
[LAUGHS]
892
00:49:19,826 --> 00:49:22,089
I DON'T WANT TO BE, BUT...
893
00:49:22,176 --> 00:49:24,048
YOU KNOW WHEN YOU WANT
SOMETHING SO BAD,
894
00:49:24,135 --> 00:49:25,484
AND YOU THINK THAT,
895
00:49:25,571 --> 00:49:28,443
"OKAY, WELL,
WHAT WILL BE WILL BE,"
896
00:49:28,530 --> 00:49:30,054
BUT I DON'T KNOW,
897
00:49:30,141 --> 00:49:31,925
IT WOULD JUST BE SO GREAT
898
00:49:32,012 --> 00:49:34,406
TO BE ABLE TO SHOW
WHAT I'VE BEEN WORKING ON,
899
00:49:34,493 --> 00:49:37,583
YOU KNOW,
AT THE VANCOUVER ART GALLERY.
900
00:49:37,670 --> 00:49:39,759
THIS IS A MOMENT
I HAVE NO CONTROL OVER NOW.
901
00:49:39,846 --> 00:49:42,501
LIKE, I'VE ALREADY PAINTED
HOW MANY, YOU KNOW,
902
00:49:42,588 --> 00:49:43,850
AND THEY'RE COMING IN...
BY THE TIME THEY COME IN,
903
00:49:43,937 --> 00:49:45,852
THERE'S GOING TO BE
ALMOST 50.
904
00:49:45,939 --> 00:49:47,288
I'M JUST GOING TO SHOW MY WORK
905
00:49:47,375 --> 00:49:50,074
AND TALK ABOUT
WHAT IT MEANS TO ME
906
00:49:50,161 --> 00:49:52,598
AND, UH...
907
00:49:52,685 --> 00:49:54,992
TELL HER HOW MUCH I THINK
IT BELONGS AT THE VAG.
908
00:49:56,950 --> 00:49:58,343
IT'S EXHAUSTING EMOTIONALLY.
909
00:49:58,430 --> 00:49:59,953
LIKE, IT'S BEEN AFFECTING
MY STOMACH
910
00:50:00,040 --> 00:50:01,476
AND I JUST, WHEN I START,
911
00:50:01,563 --> 00:50:03,087
SOMETIMES, I'LL PASS OUT
IN THE STUDIO,
912
00:50:03,174 --> 00:50:05,654
AND IT'S NOT
THE LACK OF WATER.
913
00:50:05,741 --> 00:50:08,005
I THINK IT'S JUST
THE EMOTIONAL BURDEN SOMETIMES,
914
00:50:08,092 --> 00:50:09,876
THAT I JUST GO THROUGH THIS.
915
00:50:09,963 --> 00:50:13,097
LIKE, I'LL SEE VISIONS OF,
YOU KNOW, THE TRAUMA AND STUFF,
916
00:50:13,184 --> 00:50:15,751
AND I JUST...
917
00:50:15,838 --> 00:50:17,884
JUST START CRYING,
LIKE, IT'S SO...
918
00:50:21,844 --> 00:50:23,281
SORRY.
919
00:50:26,066 --> 00:50:28,590
SHE CAME IN HERE
AND BASICALLY SAID, YOU KNOW,
920
00:50:28,677 --> 00:50:30,853
"WE'RE BOOKED UP
UNTIL 2/13,
921
00:50:30,940 --> 00:50:33,117
"SO EVEN THE TALK OF THIS IS,
YOU KNOW,
922
00:50:33,204 --> 00:50:34,770
"PROBABLY TOO LATE FOR YOU,
923
00:50:34,857 --> 00:50:37,164
BUT LET ME SEND
THE CURATORS BY."
924
00:50:37,251 --> 00:50:39,123
I DIDN'T GET A SENSE
925
00:50:39,210 --> 00:50:40,689
THAT SHE REALLY UNDERSTOOD
THE SCOPE OF IT,
926
00:50:40,776 --> 00:50:42,517
AND SHE BASICALLY SAID,
927
00:50:42,604 --> 00:50:44,215
"WELL, YOU KNOW, I CAN SEE US
SHOWING ONE OF THESE,"
928
00:50:44,302 --> 00:50:46,652
AND AS SOON AS SHE SAID THAT,
I KNEW,
929
00:50:46,739 --> 00:50:47,957
"YOU DON'T GET IT.
930
00:50:48,045 --> 00:50:49,394
"YOU'RE NOT GOING TO GET THIS
931
00:50:49,481 --> 00:50:50,873
"UNTIL IT'S 20 YEARS
DOWN THE ROAD,
932
00:50:50,960 --> 00:50:52,701
"AND YOU GO, 'OH, MY GOD.
933
00:50:52,788 --> 00:50:54,877
"'WE TOTALLY LOST SIGHT OF THAT,
934
00:50:54,964 --> 00:50:56,836
"'THE CULTURAL AND
THE HISTORICAL SIGNIFICANCE
935
00:50:56,923 --> 00:50:58,533
OF THAT BODY OF WORK.'"
936
00:50:58,620 --> 00:51:01,014
AND I TRULY BELIEVE THAT.
937
00:51:01,101 --> 00:51:02,146
SO, THE GALLERY DIDN'T WORK OUT,
938
00:51:02,233 --> 00:51:04,148
BUT, YOU KNOW, A FEW DAYS LATER,
939
00:51:04,235 --> 00:51:05,888
LITERALLY A FEW DAYS LATER,
940
00:51:05,975 --> 00:51:07,977
I WAS CONNECTED
WITH THE DIRECTOR
941
00:51:08,065 --> 00:51:10,154
OF THE MUSEUM OF ANTHROPOLOGY.
942
00:51:10,241 --> 00:51:12,721
THEY CAME IN AND, YOU KNOW,
943
00:51:12,808 --> 00:51:15,028
IT WAS JUST
A DIFFERENT EXPERIENCE,
944
00:51:15,115 --> 00:51:16,812
YOU KNOW, WHEN SOMEONE
COMES IN
945
00:51:16,899 --> 00:51:18,423
AND YOU'RE SHOWING THE WORK,
946
00:51:18,510 --> 00:51:20,990
AND AFTER YOU SHOW ABOUT 20,
30 PAINTINGS,
947
00:51:21,078 --> 00:51:22,949
YOU CAN SEE THAT THEY'RE
ACTUALLY...
948
00:51:23,036 --> 00:51:24,385
HAVE BECOME DISTURBED.
949
00:51:24,472 --> 00:51:26,039
THEY'VE BEEN AFFECTED
EMOTIONALLY,
950
00:51:26,126 --> 00:51:28,824
AND THEY SAY,
"STOP. WE WANT TO HAVE A SHOW."
951
00:51:28,911 --> 00:51:31,958
-I THINK IT'S ONE THING
TO BE AWARE OF SOMETHING
952
00:51:32,045 --> 00:51:33,873
AND SOMETHING QUITE DIFFERENT
953
00:51:33,960 --> 00:51:36,963
TO ACTUALLY FEEL EMOTIONALLY
ENGAGED WITH IT, CERTAINLY,
954
00:51:37,050 --> 00:51:39,008
AND THAT'S WHAT PAMELA'S WORKS
DID FOR ME.
955
00:51:39,096 --> 00:51:43,230
SUDDENLY FROM STATISTICS
AND NEWS STORIES,
956
00:51:43,317 --> 00:51:46,277
THERE WAS A REALITY THAT EMERGED
FROM THE CANVASES,
957
00:51:46,364 --> 00:51:47,887
AND THIS IS WHAT HIT ME.
958
00:51:47,974 --> 00:51:50,107
OUR CHALLENGE IS TO GET OUT
TO THE PUBLIC
959
00:51:50,194 --> 00:51:53,197
THAT WE ARE MORE THAN JUST
A NORTHWEST COAST ART MUSEUM.
960
00:51:53,284 --> 00:51:56,069
WE'RE A FORUM,
961
00:51:56,156 --> 00:51:58,332
AND, YOU KNOW,
962
00:51:58,419 --> 00:52:00,595
WE'RE VANCOUVER'S INSTITUTION,
963
00:52:00,682 --> 00:52:03,946
WHICH ISN'T AFRAID TO EXPLORE
SOME AREAS
964
00:52:04,033 --> 00:52:06,253
THAT OTHER INSTITUTIONS
965
00:52:06,340 --> 00:52:09,735
MIGHT BE A LITTLE BIT
MORE RELUCTANT TO EXPLORE
966
00:52:09,822 --> 00:52:12,390
BECAUSE OF THE CONTROVERSY
AROUND THEM.
967
00:52:18,831 --> 00:52:21,225
-I EXTENDED AN INVITATION
TO FRIENDS AND FAMILY
968
00:52:21,312 --> 00:52:23,792
BECAUSE I HAVEN'T CONNECTED
WITH THEM OVER THE YEARS SO MUCH
969
00:52:23,879 --> 00:52:25,664
BECAUSE I HAD TO FOCUS
ON MY WORK
970
00:52:25,751 --> 00:52:27,231
AND THE TRUTH OF THE PROJECT,
971
00:52:27,318 --> 00:52:29,233
THAT JUST TO SAY,
"OKAY, YOU KNOW WHAT?
972
00:52:29,320 --> 00:52:30,930
"MY DOOR'S OPEN TO YOU.
973
00:52:31,017 --> 00:52:32,627
"I WOULD LOVE TO TALK TO YOU
ABOUT THE PROJECT.
974
00:52:32,714 --> 00:52:34,499
I WOULD LOVE TO SHOW YOU
THE PAINTINGS."
975
00:52:34,586 --> 00:52:38,242
I'M NOT TRYING TO OPEN UP
ANY WOUNDS WITH THE PROJECT,
976
00:52:38,329 --> 00:52:43,247
BUT I THINK THAT A LOT OF THE,
977
00:52:43,334 --> 00:52:45,249
OR SOME OF THE FAMILIES
978
00:52:45,336 --> 00:52:48,252
WILL FEEL THAT CONNECTION AGAIN
979
00:52:48,339 --> 00:52:49,644
WHEN THEY SEE THE PAINTINGS,
980
00:52:49,731 --> 00:52:53,300
AND SO IT'S KIND OF...
981
00:52:53,387 --> 00:52:54,910
JUST...
982
00:52:54,997 --> 00:52:58,044
I JUST WANT TO BE REALLY GENTLE,
YOU KNOW?
983
00:53:34,385 --> 00:53:36,735
-TWO WEEKS FROM RIGHT NOW,
984
00:53:36,822 --> 00:53:38,824
THERE WILL BE ABOUT
THREE BILLION PEOPLE
985
00:53:38,911 --> 00:53:44,133
TUNED IN RIGHT HERE,
RIGHT AROUND US IN VANCOUVER,
986
00:53:44,221 --> 00:53:46,310
TUNED IN TO WHAT OUR CITY
REPRESENTS,
987
00:53:46,397 --> 00:53:49,704
TUNED IN TO THE ATHLETES,
988
00:53:49,791 --> 00:53:51,140
WHO ARE VERY, VERY IMPORTANT,
989
00:53:51,228 --> 00:53:52,490
AND SHOULD BE THE CENTRE
OF ATTENTION,
990
00:53:52,577 --> 00:53:54,883
AND THAT'S GREAT.
WE LOVE IT.
991
00:53:54,970 --> 00:53:56,450
WE NEED TO ALSO BALANCE THAT
992
00:53:56,537 --> 00:53:59,845
WITH WHAT ART AND CREATIVITY
REPRESENTS,
993
00:53:59,932 --> 00:54:02,151
AND I WANT TO RECOGNIZE
PAMELA
994
00:54:02,239 --> 00:54:06,852
FOR AN UNBELIEVABLE...
995
00:54:06,939 --> 00:54:10,029
GIFT TO ALL OF US,
996
00:54:10,116 --> 00:54:14,076
TO ALL OF THESE WOMEN
AND THEIR FAMILIES.
997
00:54:14,163 --> 00:54:16,209
SHE'S DONE
AN EXTRAORDINARY THING.
998
00:54:16,296 --> 00:54:17,428
[APPLAUSE]
999
00:54:17,515 --> 00:54:19,995
-SO, IN FEBRUARY OF 2011,
1000
00:54:20,082 --> 00:54:23,260
WE'RE GOING TO BE SHOWING
PAMELA'S "THE FORGOTTEN,"
1001
00:54:23,347 --> 00:54:25,871
AND I THINK
THAT WILL REALLY MARK
1002
00:54:25,958 --> 00:54:28,787
A NEW JUNCTURE IN THE HISTORY
OF THE MUSEUM,
1003
00:54:28,874 --> 00:54:31,355
AND A LEVEL OF SOCIAL COMMITMENT
1004
00:54:31,442 --> 00:54:36,838
THAT I HOPE WE'LL BE ABLE
TO PRESERVE OVER THE FUTURE.
1005
00:54:36,925 --> 00:54:38,971
[PUMPING CLUB MUSIC]
1006
00:54:43,105 --> 00:54:44,281
HELLO.
1007
00:54:44,368 --> 00:54:45,804
IT'S A PLEASURE TO MEET YOU.
1008
00:54:45,891 --> 00:54:47,545
-PLEASURE TO MEET YOU, TOO.
1009
00:54:52,071 --> 00:54:54,769
-PAMELA'S PREVIEW
WAS INTERESTING
1010
00:54:54,856 --> 00:54:58,425
IN THAT IT BROUGHT OUT
SORT OF TWO SETS OF PEOPLE.
1011
00:54:58,512 --> 00:54:59,948
IT BROUGHT OUT, YOU KNOW,
1012
00:55:00,035 --> 00:55:01,950
I GUESS WHAT YOU'D CALL
THE GLITTERATI,
1013
00:55:02,037 --> 00:55:04,997
AND THERE ARE THE OTHER PEOPLE.
1014
00:55:05,084 --> 00:55:06,738
-THERE WERE PEOPLE THERE
1015
00:55:06,825 --> 00:55:10,263
THAT HAD ZERO INTEREST
IN THOSE FORGOTTEN WOMEN,
1016
00:55:10,350 --> 00:55:11,830
ABSOLUTELY ZERO.
1017
00:55:11,917 --> 00:55:14,876
THE REASON WHY WE WERE THERE,
1018
00:55:14,963 --> 00:55:16,269
THE SOLE REASON,
1019
00:55:16,356 --> 00:55:19,446
WAS PRECISELY FOR THESE WOMEN,
1020
00:55:19,533 --> 00:55:21,448
AND AS I RECALL,
1021
00:55:21,535 --> 00:55:25,104
I BELIEVE PAMELA WAS TRYING
TO STATE THAT THAT NIGHT,
1022
00:55:25,191 --> 00:55:28,150
AND I'M NOT SURE
IF EVERYBODY GOT IT.
1023
00:55:28,237 --> 00:55:31,023
SHE EVEN HAD THIS ONE LADY
COME UP
1024
00:55:31,110 --> 00:55:33,417
WHO TALKED ABOUT THE SITUATION
1025
00:55:33,504 --> 00:55:35,027
BECAUSE SHE WAS CONNECTED
TO ONE OF THE LADIES
1026
00:55:35,114 --> 00:55:37,246
THAT HAD BEEN MURDERED.
1027
00:55:37,334 --> 00:55:40,946
-I JUST KNOW A LOT OF THEM
FROM DRINKING
1028
00:55:41,033 --> 00:55:43,905
AND WORKING THE STREETS
WITH THEM.
1029
00:55:43,992 --> 00:55:46,821
SHE SHOULD'VE HAD
A LITTLE SCAR.
1030
00:55:46,908 --> 00:55:48,388
I DON'T KNOW IF YOU CAN SEE IT
IN THE PICTURE,
1031
00:55:48,475 --> 00:55:52,000
BUT SHE HAD, LIKE, A LITTLE SCAR
ON HER LIP.
1032
00:55:52,087 --> 00:55:55,047
BUT THAT'S NOT IMPORTANT.
1033
00:55:55,134 --> 00:55:59,443
WE USED TO HAVE A TARP,
TIE IT ON HERE,
1034
00:55:59,530 --> 00:56:03,447
HOOK IT UP,
HAVE A COUPLE OF BLANKETS,
1035
00:56:03,534 --> 00:56:05,144
AND SLEEP HERE
1036
00:56:05,231 --> 00:56:08,887
UNTIL THE GUY IN THERE
USED TO CHASE US AWAY,
1037
00:56:08,974 --> 00:56:10,454
BUT SOMETIMES HE DIDN'T.
1038
00:56:10,541 --> 00:56:14,545
FOR TWO YOUNG GIRLS,
IT'S DANGEROUS.
1039
00:56:16,155 --> 00:56:22,596
MY MOM WOULD BRING HOME GUYS
THAT WILL SEXUALLY ABUSE ME.
1040
00:56:22,683 --> 00:56:26,339
ONE TIME I HOLLERED TO HER,
AND SHE STOOD IN THE DOOR,
1041
00:56:26,426 --> 00:56:29,124
AND I STILL CAN HEAR HER SAY,
1042
00:56:29,211 --> 00:56:32,563
"BE A BIG GIRL.
BE A BIG GIRL."
1043
00:56:40,440 --> 00:56:43,835
-TONIGHT IS THE SHOW
FOR THE WOMEN OF THE SHELTER.
1044
00:56:43,922 --> 00:56:46,228
WE HAVE A SHOW HERE
ON MAIN STREET
1045
00:56:46,315 --> 00:56:47,665
OUTSIDE
OF THE DOWNTOWN EASTSIDE.
1046
00:56:47,752 --> 00:56:49,362
WHAT I WANTED TO DO
WAS INTEGRATE
1047
00:56:49,449 --> 00:56:51,625
THE WOMEN OUTSIDE OF THE CORE
OF THE DOWNTOWN EASTSIDE
1048
00:56:51,712 --> 00:56:53,584
INTO ANOTHER AREA OF THE CITY
1049
00:56:53,671 --> 00:56:57,501
AND GET THEM TO, YOU KNOW,
FEEL A SENSE OF ACCOMPLISHMENT
1050
00:56:57,588 --> 00:56:58,850
BY HAVING THEIR OWN SHOW,
1051
00:56:58,937 --> 00:57:00,634
HAVING THEIR WORK
UP ON THE WALL,
1052
00:57:00,721 --> 00:57:03,594
AND LETTING THEM SHINE.
1053
00:57:03,681 --> 00:57:06,335
-I WANT TO SHOW PEOPLE
WHAT I CAN DO
1054
00:57:06,423 --> 00:57:10,296
WITHOUT DOING DRUGS AND ALCOHOL.
1055
00:57:11,428 --> 00:57:13,386
THIS IS SOLD?
1056
00:57:13,473 --> 00:57:16,041
HOLY...
1057
00:57:16,128 --> 00:57:16,998
MOLY!
1058
00:57:17,085 --> 00:57:18,957
[LAUGHS]
1059
00:57:19,044 --> 00:57:20,567
WOW!
1060
00:57:20,654 --> 00:57:22,308
I AM IN SHOCK!
1061
00:57:22,395 --> 00:57:23,570
-YAY!
1062
00:57:23,657 --> 00:57:25,659
WHOO!
1063
00:57:25,746 --> 00:57:29,054
-DAMN!
1064
00:57:29,141 --> 00:57:30,882
-DON'T WORRY.
IT'S NOT A SWEAR.
1065
00:57:30,969 --> 00:57:32,187
"SHIT" IS.
1066
00:57:32,274 --> 00:57:34,146
[BOTH LAUGH]
1067
00:57:38,498 --> 00:57:41,632
[DRUMMING,
WOMEN SINGING ABORIGINAL SONGS]
1068
00:57:44,199 --> 00:57:48,116
-WHEN THE FIRST FEBRUARY 14th
WOMEN'S MEMORIAL MARCH BEGAN,
1069
00:57:48,203 --> 00:57:53,078
THERE WERE ABOUT 28 WOMEN
THAT WALKED IN THAT MARCH,
1070
00:57:53,165 --> 00:57:57,256
AND LAST YEAR THERE WERE 4,000
TO 5,000 PEOPLE.
1071
00:57:57,343 --> 00:58:00,041
FEBRUARY 14th UNIVERSALLY
IS A DAY
1072
00:58:00,128 --> 00:58:04,481
OF SHOWING LOVE, CARING,
COMPASSION,
1073
00:58:04,568 --> 00:58:08,093
AND WE WANTED TO HAVE
FEBRUARY 14th AS THE DAY
1074
00:58:08,180 --> 00:58:11,444
TO EXPRESS OUR LOVE
FROM THE COMMUNITY
1075
00:58:11,531 --> 00:58:14,273
FOR THE MURDERED
AND MISSING WOMEN.
1076
00:58:14,360 --> 00:58:17,581
WHEN WE FOUND OUT
THAT PAMELA MASIK'S DISPLAY
1077
00:58:17,668 --> 00:58:21,933
WAS GOING TO BE SHOWN
AT THE MUSEUM OF ANTHROPOLOGY,
1078
00:58:22,020 --> 00:58:25,023
IT WAS REALLY SURPRISING
1079
00:58:25,110 --> 00:58:26,590
THAT THE MUSEUM...
1080
00:58:26,677 --> 00:58:29,506
FIRST,
IT'S ON FIRST NATIONS LAND...
1081
00:58:29,593 --> 00:58:34,075
WOULD ALLOW SOMETHING
LIKE THAT TO BE DISPLAYED,
1082
00:58:34,162 --> 00:58:37,122
THAT HORRIFIC.
1083
00:58:37,209 --> 00:58:39,211
-WE HAD ALWAYS TAKEN GREAT CARE
1084
00:58:39,298 --> 00:58:42,083
TO HONOUR THE MEMORIES OF WOMEN
THAT WE KNEW
1085
00:58:42,170 --> 00:58:43,563
AND THAT HAVE GONE MISSING
1086
00:58:43,650 --> 00:58:45,043
FROM THE DOWNTOWN
EASTSIDE COMMUNITY
1087
00:58:45,130 --> 00:58:46,305
AND WOMEN
THAT HAD BEEN MURDERED,
1088
00:58:46,392 --> 00:58:48,568
VERY CAREFUL ATTENTION TO THAT,
1089
00:58:48,655 --> 00:58:50,135
TO THE PROTOCOL AND CARE,
1090
00:58:50,222 --> 00:58:53,051
AND IT WAS VERY CLEAR
THAT THIS ARTIST
1091
00:58:53,138 --> 00:58:55,575
THAT, YOU KNOW, HAD NOT TAKEN
THAT CARE.
1092
00:58:55,662 --> 00:58:58,578
-OUR ISSUES WERE VERY POINTED
1093
00:58:58,665 --> 00:59:02,626
AT THE WHOLE RACIAL DISCUSSION
WITHIN,
1094
00:59:02,713 --> 00:59:06,804
WITH WHAT THE ARTWORK
WAS PURPORTING TO REPRESENT.
1095
00:59:06,891 --> 00:59:09,676
WAS MASIK, AS AN ARTIST,
THE RIGHT PERSON
1096
00:59:09,763 --> 00:59:12,026
TO ADDRESS ABORIGINAL WOMEN
ISSUES?
1097
00:59:12,113 --> 00:59:13,767
THAT WAS MY QUESTION.
1098
00:59:13,854 --> 00:59:16,422
DID MOA PROVIDE
THE CORRECT CONSULTATION PROCESS
1099
00:59:16,509 --> 00:59:20,165
FOR THOSE ABORIGINAL FAMILIES
WITHIN THE PAINTINGS?
1100
00:59:20,252 --> 00:59:22,428
-ANTHONY BECAME...
I SAID THAT, YOU KNOW,
1101
00:59:22,515 --> 00:59:24,386
THERE'S LIKELY
THAT IF THE EXHIBIT WENT AHEAD,
1102
00:59:24,473 --> 00:59:26,301
THAT THERE WOULD BE
A PROTEST,
1103
00:59:26,388 --> 00:59:29,174
A PRETTY STRONG PROTEST,
1104
00:59:29,261 --> 00:59:31,655
AND HE WAS REALLY EXCITED
ABOUT THAT.
1105
00:59:31,742 --> 00:59:34,440
HE THOUGHT THAT WOULD HEIGHTEN
THE INTEREST
1106
00:59:34,527 --> 00:59:36,573
IN THE WHOLE EXHIBIT.
1107
00:59:36,660 --> 00:59:38,096
-THE FUNCTION OF A MUSEUM
1108
00:59:38,183 --> 00:59:39,924
IS NOT JUST TO SHOW
BEAUTIFUL THINGS.
1109
00:59:40,011 --> 00:59:42,579
THE TASK OF A MUSEUM, I THINK,
IS TO ENCOURAGE DEBATE
1110
00:59:42,666 --> 00:59:46,539
AND TO BRING THE ARTS
AND CULTURE TOGETHER,
1111
00:59:46,626 --> 00:59:49,586
AND, CERTAINLY, THAT IDEA
OF THE MUSEUM AS A FORUM
1112
00:59:49,673 --> 00:59:52,458
IS WHERE WE'RE TRYING
TO DRIVE MOA.
1113
00:59:52,545 --> 00:59:54,547
PAMELA HAS KIND OF ALLOWED US,
1114
00:59:54,634 --> 00:59:56,375
SHE'S GIVEN US A STARTING POINT
1115
00:59:56,462 --> 00:59:59,204
WHERE WE CAN LOOK
AT THESE ISSUES WORLDWIDE,
1116
00:59:59,291 --> 01:00:02,033
AND WE CAN SEE JUST
WHAT AN IMPORTANT PROBLEM IT IS
1117
01:00:02,120 --> 01:00:05,079
AND WHY WE NEED TO ACT
AND TAKE IT SERIOUSLY,
1118
01:00:05,166 --> 01:00:07,429
NOT JUST IN VANCOUVER,
NOT JUST IN CANADA,
1119
01:00:07,516 --> 01:00:08,953
BUT WORLDWIDE.
1120
01:00:09,040 --> 01:00:11,390
THIS IS SOMETHING
THAT SHOULDN'T EXIST
1121
01:00:11,477 --> 01:00:13,522
IN THE BEGINNING
OF THE 21st CENTURY.
1122
01:00:13,610 --> 01:00:16,569
IT'S A CRIME, OR CRIMES,
AGAINST HUMANITY,
1123
01:00:16,656 --> 01:00:20,486
AND IT'S BEING PERPETRATED
ON SUCH A LARGE SCALE,
1124
01:00:20,573 --> 01:00:22,140
IN SO MANY DIFFERENT PLACES,
1125
01:00:22,227 --> 01:00:23,750
THAT IT'S GOT TO BE TAKEN
SERIOUSLY,
1126
01:00:23,837 --> 01:00:25,491
AND IT'S GOT TO BE ENGAGED WITH,
1127
01:00:25,578 --> 01:00:28,276
AND IT'S GOT TO END.
1128
01:00:28,363 --> 01:00:32,367
-IF WE LOOK AT THE ORIGIN
OF PROSTITUTION IN LAW,
1129
01:00:32,454 --> 01:00:35,327
THE LAWS THAT WERE WRITTEN
AT THE TURN OF THE CENTURY
1130
01:00:35,414 --> 01:00:39,636
WERE THOSE THAT PREVAILED
UP UNTIL ABOUT 1972.
1131
01:00:39,723 --> 01:00:43,204
IT BECAME WHAT WAS CALLED
"THE SOLICITING LAW."
1132
01:00:43,291 --> 01:00:44,858
BASICALLY, WHAT IT SAID
1133
01:00:44,945 --> 01:00:46,294
WAS THAT YOU CAN'T SOLICIT
IN A PUBLIC PLACE
1134
01:00:46,381 --> 01:00:48,732
FOR THE PURPOSE
OF PROSTITUTION.
1135
01:00:48,819 --> 01:00:50,559
-YOU KNOW,
THE TRADITIONAL PICTURE YOU SEE
1136
01:00:50,647 --> 01:00:52,605
OF THE SEX WORKER, LEANING IN
THE WINDOW OF THE CAR,
1137
01:00:52,692 --> 01:00:55,521
NEGOTIATING HER TERMS
OF EMPLOYMENT, IF YOU WILL...
1138
01:00:55,608 --> 01:00:58,132
IN THAT TIME, SHE'S DOING
AN ENVIRONMENTAL SCAN
1139
01:00:58,219 --> 01:00:59,873
TO SEE IF THE GUY'S GOT A GUN,
YOU KNOW...
1140
01:00:59,960 --> 01:01:02,484
IS HE SOBER?
IS HE LIVING IN HIS CAR?
1141
01:01:02,571 --> 01:01:04,748
YOU KNOW, SHE'S ASSESSING
THE DANGER LEVEL.
1142
01:01:04,835 --> 01:01:06,663
UNDER THIS LAW,
THAT'S ILLEGAL,
1143
01:01:06,750 --> 01:01:09,578
SO YOU HAVE TO GET IN THE CAR
AND CLOSE THE DOOR
1144
01:01:09,666 --> 01:01:11,755
IN ORDER TO HAVE
A PRIVATE CONVERSATION.
1145
01:01:11,842 --> 01:01:14,758
-PROSTITUTION THEN MOVED
AROUND THE CITY.
1146
01:01:14,845 --> 01:01:19,197
IT WAS DISPLACED DELIBERATELY
AND ACCIDENTALLY
1147
01:01:19,284 --> 01:01:20,589
AS A RESULT OF A SERIES
1148
01:01:20,677 --> 01:01:23,462
OF DIFFERENT LAW
ENFORCEMENT INITIATIVES.
1149
01:01:23,549 --> 01:01:25,116
-WHERE WE GO,
IT'S COLD OVER THERE.
1150
01:01:25,203 --> 01:01:26,552
I MEAN,
IT'S AN INDUSTRIAL SPRAWL.
1151
01:01:26,639 --> 01:01:29,120
IT'S DARK.
THERE'S NO TRAFFIC.
1152
01:01:29,207 --> 01:01:30,861
YOU'RE FREEZING.
1153
01:01:30,948 --> 01:01:32,645
-AND IT'S IN THOSE CIRCUMSTANCES
1154
01:01:32,732 --> 01:01:35,735
WHEN WOMEN ARE ISOLATED
ON A CORNER,
1155
01:01:35,822 --> 01:01:39,130
THAT THEY CAN BE PICKED UP,
UNSEEN.
1156
01:01:39,217 --> 01:01:40,653
ALL ONE HAS TO DO
1157
01:01:40,740 --> 01:01:42,481
IS LOOK AT THE PATTERNS
OF SERIAL KILLING
1158
01:01:42,568 --> 01:01:44,701
OF WOMEN INVOLVED IN SEX WORK.
1159
01:01:44,788 --> 01:01:46,398
IT'S ALMOST ALWAYS
1160
01:01:46,485 --> 01:01:48,487
STREET PROSTITUTES
WHO ARE SELECTED.
1161
01:01:48,574 --> 01:01:51,185
I MEAN, YOU CAN GO
TO THE GREEN RIVER KILLER,
1162
01:01:51,272 --> 01:01:52,621
THE YORKSHIRE RIPPER.
1163
01:01:52,709 --> 01:01:54,536
ANY NUMBER OF OTHER KILLERS
1164
01:01:54,623 --> 01:01:56,756
OF PEOPLE
INVOLVED IN PROSTITUTION
1165
01:01:56,843 --> 01:01:58,976
CHOOSE STREET PROSTITUTES.
1166
01:02:12,772 --> 01:02:16,341
-TO THE FAMILIES
OF THE MISSING WOMEN,
1167
01:02:16,428 --> 01:02:19,300
I WOULD SAY TO YOU THAT I WISH
FROM THE BOTTOM OF MY HEART
1168
01:02:19,387 --> 01:02:22,260
THAT WE WOULD HAVE CAUGHT HIM
SOONER.
1169
01:02:22,347 --> 01:02:26,264
I WISH THAT THE SEVERAL AGENCIES
INVOLVED,
1170
01:02:26,351 --> 01:02:29,528
THAT WE COULD HAVE DONE BETTER
IN SO MANY WAYS.
1171
01:02:29,615 --> 01:02:32,357
I WISH THAT ALL THE MISTAKES
THAT WERE MADE
1172
01:02:32,444 --> 01:02:34,185
WE COULD UNDO,
1173
01:02:34,272 --> 01:02:38,276
AND I WISH THAT MORE LIVES
WOULD HAVE BEEN SAVED.
1174
01:02:52,420 --> 01:02:54,379
-SO, THIS IS THE AUDAIN GALLERY.
1175
01:02:54,466 --> 01:02:57,208
IT'S OUR NEW, TEMPORARY
EXHIBITION SPACE.
1176
01:02:57,295 --> 01:03:00,646
IT MEASURES
ABOUT 6,000 SQUARE FEET,
1177
01:03:00,733 --> 01:03:04,389
AND WE'RE GOING TO NEED
EVERY SQUARE FOOT OF THAT
1178
01:03:04,476 --> 01:03:07,653
FOR THE MASIK EXHIBITION.
1179
01:03:08,828 --> 01:03:10,830
UNIVERSITIES
ARE OPEN INSTITUTIONS.
1180
01:03:10,917 --> 01:03:12,571
THEY'RE INSTITUTIONS
OF DIALOGUE.
1181
01:03:12,658 --> 01:03:16,357
THEY'RE INSTITUTIONS
THAT ARE CRUCIAL FOR LIFE
1182
01:03:16,444 --> 01:03:19,230
IN ANY DEMOCRATIC SOCIETY.
1183
01:03:19,317 --> 01:03:22,886
WE HAVE AN OBLIGATION,
AN ETHICAL OBLIGATION,
1184
01:03:22,973 --> 01:03:25,453
TO MOUNT SHOWS LIKE THIS.
1185
01:03:26,846 --> 01:03:29,588
-THE OVERALL FEEL
THAT I WOULD LIKE TO ACHIEVE
1186
01:03:29,675 --> 01:03:34,245
IS TO HAVE THE VIEWER FEEL
LIKE THEY'RE ON EXHIBITION,
1187
01:03:34,332 --> 01:03:38,379
AND THAT'S WHY THEY'RE SO LARGE
AND DEMANDING, IN A WAY.
1188
01:03:38,466 --> 01:03:40,773
THERE'S THAT QUESTION OF
WHO'S LOOKING AT WHO,
1189
01:03:40,860 --> 01:03:42,470
KIND OF THING.
1190
01:03:42,557 --> 01:03:43,994
-WE THOUGHT THAT THE IMPACT
OF THE EXHIBITION
1191
01:03:44,081 --> 01:03:45,865
IS GOING TO BE EXTREMELY STRONG.
1192
01:03:45,952 --> 01:03:47,432
IN FACT, WHAT WE'VE BEEN TRYING
TO DO
1193
01:03:47,519 --> 01:03:50,261
IS COME UP WITH SOME SCHEMES,
1194
01:03:50,348 --> 01:03:52,785
AND IN ORDER NOT TO MAKE IT
SO SPECTACULAR,
1195
01:03:52,872 --> 01:03:55,570
BUT TO TONE IT DOWN SOMEWHAT,
AS A PART OF THIS,
1196
01:03:55,657 --> 01:03:59,270
WE'VE BEEN LOOKING AT CREATING
A SECOND ROOM, A SECOND GALLERY,
1197
01:03:59,357 --> 01:04:03,752
WHICH WILL BE ALMOST LIKE
A DECOMPRESSION ROOM.
1198
01:04:03,840 --> 01:04:06,059
-I THINK IT'S A GREAT IDEA.
1199
01:04:16,591 --> 01:04:18,985
-BECAUSE THE MUSEUM SHOW
IS IN PLACE,
1200
01:04:19,072 --> 01:04:21,770
BECAUSE THERE'S A SENSE OF HOPE
1201
01:04:21,858 --> 01:04:23,990
THAT THE SHOW AND THE WORK
1202
01:04:24,077 --> 01:04:26,993
IS GOING TO BE TAKEN
QUITE SERIOUSLY, YOU KNOW,
1203
01:04:27,080 --> 01:04:28,995
I'M PRETTY HAPPY ABOUT THAT.
1204
01:04:29,082 --> 01:04:32,042
SO, I'M IN A GOOD HEAD SPACE
RIGHT NOW,
1205
01:04:32,129 --> 01:04:35,784
BUT, YOU KNOW, IT'S BEEN A RIDE.
1206
01:04:35,872 --> 01:04:36,960
IT'S BEEN A JOURNEY.
1207
01:04:37,047 --> 01:04:39,310
IT'S BEEN...
1208
01:04:39,397 --> 01:04:42,052
CHALLENGING,
YOU KNOW?
1209
01:04:52,889 --> 01:04:54,542
♪ CKNW ♪
1210
01:04:54,629 --> 01:04:56,805
♪ NEWS TALK 980 ♪
1211
01:04:56,893 --> 01:04:59,330
♪ VANCOUVER ♪
1212
01:04:59,417 --> 01:05:02,681
-AN EXHIBITION OF PORTRAITS
OF MISSING AND MURDERED WOMEN
1213
01:05:02,768 --> 01:05:06,032
HAS BEEN CANCELLED
BY THE MUSEUM OF ANTHROPOLOGY.
1214
01:05:06,119 --> 01:05:08,295
THEY APPARENTLY ARE CONCERNED
1215
01:05:08,382 --> 01:05:11,472
THAT THE WORKS WILL BE
DISTRESSING TO THE PUBLIC.
1216
01:05:42,025 --> 01:05:43,069
-IN THIS CASE,
YOU HAVE A MUSEUM
1217
01:05:43,156 --> 01:05:45,028
THAT WAS REBRANDING ITSELF
1218
01:05:45,115 --> 01:05:47,987
AS AN INSTITUTION
WITH A SOCIAL CONSCIENCE
1219
01:05:48,074 --> 01:05:50,816
THAT WAS GOING TO PUT ON
CONTROVERSIAL SHOWS,
1220
01:05:50,903 --> 01:05:53,688
THAT HAD REALLY IMPORTANT THINGS
TO SAY TO THE PUBLIC
1221
01:05:53,775 --> 01:05:56,865
ABOUT ISSUES THAT WERE
VERY IMPORTANT TO OUR SOCIETY,
1222
01:05:56,953 --> 01:06:00,434
AND WHEN THEY CENSOR AN EXHIBIT
LIKE THAT,
1223
01:06:00,521 --> 01:06:02,045
IT BECOMES
WORSE THAN CENSORSHIP.
1224
01:06:02,132 --> 01:06:04,438
IT'S CENSORSHIP WITH HYPOCRISY.
1225
01:06:04,525 --> 01:06:06,223
-THERE WAS NO CENSORSHIP
WHATSOEVER.
1226
01:06:06,310 --> 01:06:10,401
CENSORSHIP, IT WAS NEVER EVEN
REMOTELY CONSIDERED.
1227
01:06:10,488 --> 01:06:12,620
-JUST TO GO THROUGH
ALL THAT BULLSHIT.
1228
01:06:12,707 --> 01:06:14,753
IT'S CRAZY BECAUSE
IT HASN'T EVEN BEEN SEEN,
1229
01:06:14,840 --> 01:06:16,973
YOU KNOW, LIKE, IN PERSON.
1230
01:06:17,060 --> 01:06:21,064
-MARLENE GEORGE IS COORDINATOR
WITH THE MEMORIAL MARCH.
1231
01:06:21,151 --> 01:06:24,632
-PAMELA MASIK'S DISPLAY
OF THE 69 PORTRAITS,
1232
01:06:24,719 --> 01:06:26,547
THEY'RE NOT VERY FLATTERING
PICTURES.
1233
01:06:26,634 --> 01:06:29,594
SHE HAD FURTHER DEFACED
THE PORTRAITS
1234
01:06:29,681 --> 01:06:32,771
TO MAKE IT EVEN MORE GROTESQUE.
1235
01:06:32,858 --> 01:06:35,208
-SHE'S A FAIRLY RICH,
MIDDLE-CLASS WHITE WOMAN,
1236
01:06:35,295 --> 01:06:38,646
PAINTING PICTURES OF SOME
OF THE POOREST OF OUR SOCIETY.
1237
01:06:38,733 --> 01:06:40,605
IF SHE'D JUST TAKEN THE TIME
TO GO TO THE FAMILIES
1238
01:06:40,692 --> 01:06:41,998
AND SAY, "IS THIS OKAY?"
1239
01:06:42,085 --> 01:06:44,522
SHE WOULDN'T HAVE THIS PROBLEM.
1240
01:06:44,609 --> 01:06:48,569
-I THINK THAT PAMELA'S MESSAGE
IS NOT TO FORGET THESE WOMEN.
1241
01:06:48,656 --> 01:06:50,876
A LOT OF PEOPLE
JUST DON'T WANT TO SEE IT.
1242
01:06:50,963 --> 01:06:52,443
THEY THINK
IT'S GOING TO GO AWAY.
1243
01:06:52,530 --> 01:06:54,793
THAT'S GOING TO MAKE IT
GO AWAY,
1244
01:06:54,880 --> 01:06:57,448
BUT I THINK IT'S SOMETHING
THAT EVERYBODY SHOULD SEE.
1245
01:06:57,535 --> 01:07:00,799
-ANTHONY SHELTON WAS TALKING
ABOUT HOW IMPORTANT THIS WAS
1246
01:07:00,886 --> 01:07:02,192
TO GET OUT THERE.
1247
01:07:02,279 --> 01:07:03,889
THE MAYOR HERE,
MAYOR GREGOR ROBERTSON,
1248
01:07:03,976 --> 01:07:05,804
WAS TALKING ABOUT HOW IMPORTANT
IT WAS
1249
01:07:05,891 --> 01:07:08,459
NOT TO COVER THIS UP, YOU KNOW?
1250
01:07:08,546 --> 01:07:10,548
NOBODY WANTS TO SEE THIS
BRUSHED UNDER THE CARPET,
1251
01:07:10,635 --> 01:07:12,419
AND THAT'S EXACTLY
WHAT THEY'VE DONE.
1252
01:07:12,506 --> 01:07:16,119
ALL I GOT FROM ANTHONY
WAS ACADEMIC GOBBLEDYGOOK.
1253
01:07:16,206 --> 01:07:19,600
-WE'D BEEN TRYING TO CREATE
THIS CONSENSUS
1254
01:07:19,687 --> 01:07:24,649
AND PUT THIS CONGLOMERATE
OF DIFFERENT INTERESTS TOGETHER,
1255
01:07:24,736 --> 01:07:26,825
AND WHEREAS SOMETIMES
IT HAD COME,
1256
01:07:26,912 --> 01:07:29,523
IT STARTED TO LOOK
AS IF IT WAS TAKING PLACE,
1257
01:07:29,610 --> 01:07:31,221
IT THEN DISSOLVED AGAIN,
1258
01:07:31,308 --> 01:07:33,614
AND REALLY, WE WERE UNABLE
TO CREATE
1259
01:07:33,701 --> 01:07:38,054
THIS BROAD, UM...
1260
01:07:40,230 --> 01:07:44,495
THIS BROAD ARRANGEMENT
OF DIFFERENT ORGANIZATIONS
1261
01:07:44,582 --> 01:07:48,455
WITH CONSENSUS
THAT WE WOULD USE IT TO DO
1262
01:07:48,542 --> 01:07:51,937
ALL THESE DIFFERENT KINDS
OF EVENTS AROUND THE EXHIBITION.
1263
01:07:54,070 --> 01:07:56,507
-IT SADDENS ME
THAT IT WAS CANCELLED,
1264
01:07:56,594 --> 01:07:59,597
BUT FROM THE BEGINNING,
WITH THE INTENTION I HAD,
1265
01:07:59,684 --> 01:08:02,643
I TRULY REALLY WANTED TO SPEAK
FOR PEOPLE WHO COULDN'T SPEAK.
1266
01:08:02,730 --> 01:08:04,297
LIKE I SAID BEFORE,
1267
01:08:04,384 --> 01:08:06,038
THIS ISN'T MEANT TO BE
A MEMORIAL COLLECTION.
1268
01:08:06,125 --> 01:08:09,259
IT'S MEANT TO CONFRONT
THE ISSUES
1269
01:08:09,346 --> 01:08:11,043
THAT I'M TALKING ABOUT,
1270
01:08:11,130 --> 01:08:14,090
AND I SAW MY ART AS A WAY
TO REACH PEOPLE
1271
01:08:14,177 --> 01:08:16,179
THAT MIGHT NOT NECESSARILY
HAVE LOOKED AT THE ISSUES
1272
01:08:16,266 --> 01:08:20,052
THAT WERE IGNORED
FOR SO MANY YEARS.
1273
01:08:20,139 --> 01:08:21,749
[TAKES SHAKY BREATH]
1274
01:08:21,836 --> 01:08:23,186
MY VISION FOR THAT PROJECT
1275
01:08:23,273 --> 01:08:26,145
AND WHERE...
1276
01:08:26,232 --> 01:08:28,843
WHERE IT NEEDS TO GO
AND WHAT I FEEL...
1277
01:08:30,280 --> 01:08:33,544
IT'S NOT NECESSARILY
ABOUT HAVING A MUSEUM SHOW
1278
01:08:33,631 --> 01:08:35,807
ON MY RESUME OR, YOU KNOW...
1279
01:08:35,894 --> 01:08:37,417
IT'S ABSOLUTELY NOT THAT
AT ALL.
1280
01:08:37,504 --> 01:08:40,725
THAT'S NOT WHY I DID IT,
AND REMEMBERING THAT.
1281
01:08:40,812 --> 01:08:44,294
-IT JUST BECAME MORE AND MORE
SHOCKING FOR US,
1282
01:08:44,381 --> 01:08:46,165
AND WE WERE UNABLE
1283
01:08:46,252 --> 01:08:51,301
TO LET THAT KIND
OF EXPLOITATION HAPPEN.
1284
01:08:52,867 --> 01:08:56,871
-WE WERE AWARE OF THOSE ATTACKS
ON PAMELA
1285
01:08:56,958 --> 01:09:01,615
AND THE REASON FOR DOING THIS
PARTICULAR BODY OF WORKS.
1286
01:09:01,702 --> 01:09:04,183
THEY WERE NOT PRESENTED
IN A FORMAL WAY
1287
01:09:04,270 --> 01:09:06,664
BY ANY OF THOSE GROUPS
TO THE MUSEUM.
1288
01:09:06,751 --> 01:09:09,971
-I WROTE A FORMAL LETTER
TO ANTHONY SHELTON
1289
01:09:10,058 --> 01:09:13,627
TELLING THEM ABOUT THE CONCERNS
THAT THE MEMORIAL MARCH HAD
1290
01:09:13,714 --> 01:09:15,760
ABOUT THIS EXHIBIT.
1291
01:09:15,847 --> 01:09:17,588
-I HAVE IT RIGHT HERE.
1292
01:09:17,675 --> 01:09:19,590
"IT WAS VERY OFFENSIVE
TO MANY OF THESE FAMILIES
1293
01:09:19,677 --> 01:09:21,244
"THAT THE IMAGE OF THEIR BELOVED
DAUGHTERS, MOTHERS,
1294
01:09:21,331 --> 01:09:23,594
"SISTERS, AND AUNTIES HAS BEEN
STOLEN AND USED
1295
01:09:23,681 --> 01:09:25,117
"BY THIS AMBITIOUS ARTIST
1296
01:09:25,204 --> 01:09:27,075
"TO FURTHER HER OWN CAREER.
1297
01:09:27,163 --> 01:09:28,990
"SHE CASTS HERSELF AS A HEROINE
TO THIS COMMUNITY
1298
01:09:29,077 --> 01:09:30,470
"AND TO THESE WOMEN.
1299
01:09:30,557 --> 01:09:32,168
"IN FACT,
SHE'S PAINTED THESE IMAGES
1300
01:09:32,255 --> 01:09:33,647
"LARGELY WITHOUT THE CONSENT
OF THEIR FAMILIES
1301
01:09:33,734 --> 01:09:35,954
"AND SHOWN THEM
LITTLE TANGIBLE RESPECT.
1302
01:09:36,041 --> 01:09:38,086
"MS. MASIK'S WORK
VIOLATES THESE WOMEN.
1303
01:09:38,174 --> 01:09:40,132
"HER IMAGES SHOW THE WOMEN
WITH FACES SLASHED,
1304
01:09:40,219 --> 01:09:41,699
"STITCHED TOGETHER,
1305
01:09:41,786 --> 01:09:43,135
"AND OVERLAID WITH LANGUAGE
AND IMAGERY
1306
01:09:43,222 --> 01:09:44,658
"THAT IS VERY DISTURBING
TO THE PEOPLE
1307
01:09:44,745 --> 01:09:46,573
WHOSE VOICES
SHE CLAIMS TO REPRESENT."
1308
01:09:46,660 --> 01:09:49,794
THE MEDIA HAS BEEN USING
THOSE IMAGES FOR YEARS.
1309
01:09:49,881 --> 01:09:52,188
I'VE USED THEM OVER AND OVER
AND OVER AGAIN
1310
01:09:52,275 --> 01:09:54,364
WITH CONTENT ASSOCIATED
1311
01:09:54,451 --> 01:09:57,976
MUCH MORE DISTURBING
THAN PAMELA'S SHOW.
1312
01:10:05,766 --> 01:10:07,203
-WE HAVE REASON TO BELIEVE
1313
01:10:07,290 --> 01:10:09,292
THAT THERE IS
A STRONG POSSIBILITY
1314
01:10:09,379 --> 01:10:13,165
THAT SOME OF THE PRODUCT
FROM THE PICKTON FARMS
1315
01:10:13,252 --> 01:10:16,821
MAY STILL BE SITTING
IN SOME PEOPLE'S FREEZERS
1316
01:10:16,908 --> 01:10:18,518
IN THE LOWER MAINLAND,
1317
01:10:18,605 --> 01:10:20,738
BUT THERE IS NO EVIDENCE
THAT ANY OF THIS MATERIAL
1318
01:10:20,825 --> 01:10:24,176
WENT INTO
THE COMMERCIAL FOOD TRAY.
1319
01:10:24,263 --> 01:10:25,917
-WE ARE ASKING THAT ANYONE
1320
01:10:26,004 --> 01:10:27,658
WHO IS STILL PERHAPS
IN POSSESSION
1321
01:10:27,745 --> 01:10:30,182
OF ANY MEAT THEY OBTAINED
FROM THAT PROPERTY
1322
01:10:30,269 --> 01:10:33,316
TO PLEASE CONTACT
THE MISSING WOMEN TASK FORCE.
1323
01:10:33,403 --> 01:10:34,926
[PLAYING ACCORDION]
1324
01:10:35,013 --> 01:10:37,320
-THE ROPE WAS TIGHT.
THE KNIFE WAS SHARP.
1325
01:10:37,407 --> 01:10:40,758
SHE BARELY FELT A THING.
1326
01:10:40,845 --> 01:10:43,064
BOBBY KICKED UP THE GENERATOR
1327
01:10:43,151 --> 01:10:45,284
AND BEGAN PROCESSING.
1328
01:10:45,371 --> 01:10:46,851
[HORRIFIED LAUGHTER]
1329
01:10:46,938 --> 01:10:49,201
THIS LITTLE PIGGY
WENT TO MARKET.
1330
01:10:49,288 --> 01:10:51,856
THIS LITTLE PIGGY STAYED HOME.
1331
01:10:51,943 --> 01:10:54,250
THIS LITTLE PIGGY
ATE MARGARET,
1332
01:10:54,337 --> 01:10:56,643
AND THIS ONE
SUCKED ON THE BONE.
1333
01:10:56,730 --> 01:10:58,471
[SCANDALIZED LAUGHTER]
1334
01:10:59,951 --> 01:11:00,995
-AT FIRST, YOU ASK YOURSELF
WHAT KIND OF MONSTER
1335
01:11:01,082 --> 01:11:02,910
IS DOING THIS PERFORMANCE
1336
01:11:02,997 --> 01:11:04,869
AND MAKING LITTLE
OF THESE WOMEN'S EXPERIENCE?
1337
01:11:04,956 --> 01:11:06,827
THEN YOU ASK YOURSELF WHAT KIND
OF MONSTERS ARE IN THE CROWD
1338
01:11:06,914 --> 01:11:08,655
ACTUALLY RESPONDING TO IT?
1339
01:11:08,742 --> 01:11:10,309
BUT AT THE SAME TIME,
1340
01:11:10,396 --> 01:11:12,703
THERE'S PLENTY OF SUBJECTS
IN MODERN SOCIETY
1341
01:11:12,790 --> 01:11:16,184
THAT ARE TOO UNPLEASANT
TO BE PART OF EVERYDAY DISCOURSE
1342
01:11:16,272 --> 01:11:18,404
AND OFTEN THROUGH COMEDY,
1343
01:11:18,491 --> 01:11:20,145
EVEN BLACK COMEDY,
1344
01:11:20,232 --> 01:11:22,800
IT'S THE ONLY WAY THESE MATTERS
ARE ALLOWED TO SURFACE.
1345
01:11:22,887 --> 01:11:24,802
NOBODY REALLY CARED
ABOUT WHAT WAS GOING ON
1346
01:11:24,889 --> 01:11:26,456
FOR YEARS AND YEARS
1347
01:11:26,543 --> 01:11:28,240
UNTIL THEY FOUND A SCAPEGOAT,
BUT IT'S OKAY
1348
01:11:28,327 --> 01:11:30,416
BECAUSE NOW WE FOUND
THE ONE GUY WHO'S THE PROBLEM,
1349
01:11:30,503 --> 01:11:32,723
AND HE'S IN JAIL,
1350
01:11:32,810 --> 01:11:35,813
SO NO SEX WORKERS
ARE GOING TO BE VULNERABLE
1351
01:11:35,900 --> 01:11:37,902
EVER AGAIN, RIGHT?
1352
01:11:37,989 --> 01:11:39,338
-THE ARTIST'S MOTIVATIONS
DON'T MATTER.
1353
01:11:39,425 --> 01:11:41,253
WHAT MATTERS IS THE ART
THAT'S PRODUCED,
1354
01:11:41,340 --> 01:11:43,342
WHAT IT SAYS,
HOW IMPORTANT THAT IS.
1355
01:11:43,429 --> 01:11:46,302
-I DO UNDERSTAND WHY
IT'S UPSETTING FOR THE FAMILIES
1356
01:11:46,389 --> 01:11:49,043
AND FOR OTHER RESIDENTS
IN THE COMMUNITY,
1357
01:11:49,130 --> 01:11:50,915
BUT THAT'S
WHAT ART IS SUPPOSED TO DO.
1358
01:11:51,002 --> 01:11:53,787
IT'S SUPPOSED TO MAKE YOU THINK.
IT'S SUPPOSED TO MAKE YOU FEEL.
1359
01:11:53,874 --> 01:11:55,354
-PART OF WHAT'S ALWAYS HAPPENED
1360
01:11:55,441 --> 01:11:57,225
WITH THE DOWNTOWN EASTSIDE
NEIGHBOURHOOD
1361
01:11:57,313 --> 01:12:00,272
AND WITH INDIGENOUS WOMEN
AND WITH WOMEN, SEX WORKERS,
1362
01:12:00,359 --> 01:12:01,969
WITH SEX WORKERS,
1363
01:12:02,056 --> 01:12:03,884
HAS BEEN THAT OTHER PEOPLE
WHO AREN'T INVOLVED
1364
01:12:03,971 --> 01:12:05,712
TELL THE STORY.
1365
01:12:05,799 --> 01:12:08,541
YOU KNOW, IT'S ALWAYS BEEN
THE CASE OF SPEAKING FOR.
1366
01:12:08,628 --> 01:12:12,763
-WHEN THE MOST MARGINALIZED
PEOPLE IN OUR SOCIETY
1367
01:12:12,850 --> 01:12:17,420
ARE SAYING, "HEY,
DON'T TALK ABOUT US THAT WAY,"
1368
01:12:17,507 --> 01:12:20,205
IS THAT CENSORSHIP?
1369
01:12:20,292 --> 01:12:22,163
AND WHEN THE MUSEUM
OF ANTHROPOLOGY
1370
01:12:22,250 --> 01:12:24,775
LISTENS TO THOSE VOICES,
1371
01:12:24,862 --> 01:12:26,429
IS THAT CENSORSHIP,
1372
01:12:26,516 --> 01:12:29,301
OR IS THAT FINALLY SOMEONE
HEARING THE VOICES
1373
01:12:29,388 --> 01:12:32,348
THAT ARE NOT HEARD SO MUCH?
1374
01:12:32,435 --> 01:12:36,439
-OUR QUESTIONS AND OUR ANALYSIS
ALWAYS STAND ON,
1375
01:12:36,526 --> 01:12:38,266
"WELL, WHAT ABOUT THE VIEWER?"
1376
01:12:38,354 --> 01:12:41,052
THE HISTORY OF CANADA
IS NOT WELL KNOWN
1377
01:12:41,139 --> 01:12:42,836
REGARDING ABORIGINAL PEOPLE,
1378
01:12:42,923 --> 01:12:45,143
SO IF I LOOKED AT AND EXAMINED
1379
01:12:45,230 --> 01:12:46,797
WHO WOULD BE WALKING THROUGH
THOSE DOORS,
1380
01:12:46,884 --> 01:12:50,148
WOULD THEY HAVE
THE CORRECT INFORMATION
1381
01:12:50,235 --> 01:12:53,151
TO VIEW THESE PAINTINGS,
PARTICULARLY ABORIGINAL WOMEN,
1382
01:12:53,238 --> 01:12:55,849
AND KNOW EXACTLY
WHAT BROUGHT THEM TO THE STREET?
1383
01:12:55,936 --> 01:12:59,331
-CERTAINLY, I THINK
1384
01:12:59,418 --> 01:13:01,594
THAT COMMUNITIES
1385
01:13:01,681 --> 01:13:03,901
AND A NUMBER OF PEOPLE
1386
01:13:03,988 --> 01:13:07,208
HELPED US UNDERSTAND
SOME OF THE ISSUES
1387
01:13:07,295 --> 01:13:10,777
THAT THE EXHIBITION
1388
01:13:10,864 --> 01:13:15,565
MIGHT PROVOKE IN THE COMMUNITY.
1389
01:13:17,436 --> 01:13:20,483
-I WAS REALLY STUNNED,
ACTUALLY.
1390
01:13:20,570 --> 01:13:23,181
WHAT ANTHONY SHELTON TOLD US,
1391
01:13:23,268 --> 01:13:26,184
HE LEARNED A LOT
THAT HE DIDN'T KNOW BEFORE.
1392
01:13:26,271 --> 01:13:27,968
HE WANTED TO DO SOMETHING
1393
01:13:28,055 --> 01:13:30,231
THAT WOULD
REALLY RAISE AWARENESS,
1394
01:13:30,318 --> 01:13:34,235
AND HE REALIZED
THAT WHAT THEY WERE DOING
1395
01:13:34,322 --> 01:13:36,890
WASN'T GOING TO ACHIEVE THAT.
1396
01:13:36,977 --> 01:13:40,198
-I THOUGHT IT WAS A FORM
OF CHICKEN SHIT IS,
1397
01:13:40,285 --> 01:13:43,288
QUITE HONESTLY,
WHAT I THINK IT WAS,
1398
01:13:43,375 --> 01:13:47,118
AS MUCH AS IT WAS AN ISSUE
OF CENSORSHIP.
1399
01:13:47,205 --> 01:13:50,382
I TOLD THE FOLKS
AT THE MUSEUM OF ANTHROPOLOGY,
1400
01:13:50,469 --> 01:13:53,864
"I FIND IT A LITTLE IRONIC
THAT WE'RE HERE, ACTUALLY,"
1401
01:13:53,951 --> 01:13:55,474
AND I POINTED AROUND
1402
01:13:55,561 --> 01:13:58,172
TO ALL THESE ANCIENT CARVINGS
AND WORKS OF ART
1403
01:13:58,259 --> 01:14:02,438
THAT WERE ONCE PANNED AND CALLED
"EVIL WORKS,"
1404
01:14:02,525 --> 01:14:05,397
WERE "THE WORK OF SAVAGES,"
1405
01:14:05,484 --> 01:14:07,660
AND NOW A BUNCH OF PEOPLE
SHOW UP HERE SAYING,
1406
01:14:07,747 --> 01:14:11,229
"HER WORK ISN'T
WORTH A PINCH OF COON SHIT."
1407
01:14:11,316 --> 01:14:14,928
THAT REALLY OFFENDED ME
AND REALLY GOT ME ANGRY.
1408
01:14:16,452 --> 01:14:19,324
-WHEN I FIRST SAW
ANYTHING ON THE PAINTINGS,
1409
01:14:19,411 --> 01:14:20,978
THERE WERE
A COUPLE OF THEM THERE
1410
01:14:21,065 --> 01:14:22,893
THAT JUST REALLY UPSET ME,
1411
01:14:22,980 --> 01:14:26,157
AND WHEN SHE EXPLAINED IT TO ME,
I COULD KIND OF UNDERSTAND,
1412
01:14:26,244 --> 01:14:28,072
BUT I THOUGHT,
1413
01:14:28,159 --> 01:14:30,291
"OOH, I DON'T THINK I'D EVEN
WANT THE FAMILY MEMBERS
1414
01:14:30,378 --> 01:14:32,293
TO SEE THESE."
1415
01:14:32,380 --> 01:14:33,904
-TO LOSE A LOVED ONE
1416
01:14:33,991 --> 01:14:36,559
AND THEN TO HAVE YOUR LOVED ONE
PORTRAYED
1417
01:14:36,646 --> 01:14:39,170
IN SUCH A HORRIBLE, UGLY WAY
1418
01:14:39,257 --> 01:14:43,087
IS BEYOND IMAGINABLE.
1419
01:14:43,174 --> 01:14:46,264
I DON'T KNOW
HOW MY DAUGHTER WAS MURDERED.
1420
01:14:46,351 --> 01:14:48,353
I ENVISION ALL KINDS
OF HORRIBLE THINGS
1421
01:14:48,440 --> 01:14:49,920
HAPPENING TO HER,
1422
01:14:50,007 --> 01:14:54,272
SO TO SEE THAT UGLINESS
WOULD JUST...
1423
01:14:54,359 --> 01:14:56,404
INTENSIFY, YOU KNOW,
1424
01:14:56,492 --> 01:15:01,061
THE THOUGHT OF HOW
YOUR DAUGHTER DIED.
1425
01:15:01,148 --> 01:15:04,064
-WELL, I'M SURE WITH
SOME OF THEM BEING SO ABSTRACT,
1426
01:15:04,151 --> 01:15:05,892
THAT, YOU KNOW,
1427
01:15:05,979 --> 01:15:08,155
MAYBE IT IS GOING TO HURT
SOME OF THE FAMILY MEMBERS
1428
01:15:08,242 --> 01:15:11,115
BECAUSE THEY'RE LOOKING AT
A PORTRAIT OF THEIR LOVED ONE,
1429
01:15:11,202 --> 01:15:12,943
BUT I'M REALLY
HOPING AND PRAYING
1430
01:15:13,030 --> 01:15:15,119
THAT THEY LOOK AT THIS
1431
01:15:15,206 --> 01:15:18,470
AS PAMELA DRAWING OUT THE HURT
AND THE PAIN
1432
01:15:18,557 --> 01:15:20,603
SO THAT WE CAN SHOW
THE REST OF THE WORLD
1433
01:15:20,690 --> 01:15:26,391
THAT THESE WOMEN WENT THROUGH
HORRIFIC THINGS IN THEIR LIFE.
1434
01:15:33,311 --> 01:15:37,968
-I STILL FEEL LIKE
1435
01:15:38,055 --> 01:15:42,276
MAYBE WE SHOULD HAVE
REALLY LOOKED AT HER WORK.
1436
01:15:42,363 --> 01:15:44,496
MAYBE
WE COULD HAVE REALLY LOOKED
1437
01:15:44,583 --> 01:15:48,195
AND SEEN WHAT SHE HAD TO SAY
ABOUT IT.
1438
01:15:48,282 --> 01:15:51,416
MAYBE WE COULD HAVE USED IT
TO BRING ATTENTION
1439
01:15:51,503 --> 01:15:53,461
TO MORE ABOUT WHAT WAS GOING ON.
1440
01:15:53,549 --> 01:15:56,290
YOU KNOW,
THERE'S ALL THESE MAYBES,
1441
01:15:56,377 --> 01:15:58,510
SO WHY DO WE REACT SO QUICKLY?
1442
01:15:58,597 --> 01:16:01,339
WHY DO WE... WHY DO WE...
1443
01:16:01,426 --> 01:16:04,342
WHEN, YOU KNOW,
1444
01:16:04,429 --> 01:16:05,517
WHEN IT'S STILL HAPPENING,
1445
01:16:05,604 --> 01:16:07,084
BUT WITH OTHER GROUPS?
1446
01:16:07,171 --> 01:16:10,000
WHY DO WE CHOOSE
AND PICK ONLY ONE PERSON?
1447
01:16:22,316 --> 01:16:25,363
-I GOT PNEUMONIA.
1448
01:16:26,799 --> 01:16:28,453
I DON'T EVEN WANT TO THINK
ABOUT THE PROJECT GOING ON
1449
01:16:28,540 --> 01:16:30,150
ANOTHER YEAR.
1450
01:16:30,237 --> 01:16:32,631
I WANT IT TO DO SOME GOOD,
1451
01:16:32,718 --> 01:16:37,941
AND I DON'T KNOW
HOW I'M GOING TO PULL OFF
1452
01:16:38,028 --> 01:16:39,638
WHAT I NEED TO.
1453
01:16:39,725 --> 01:16:43,337
I'M GOING TO TRY MY BEST
TO DO IT.
1454
01:16:43,424 --> 01:16:47,646
I CAN'T EVEN THINK ABOUT
THE PROJECT GOING ON WITHOUT,
1455
01:16:47,733 --> 01:16:49,692
I DON'T KNOW...
1456
01:16:53,434 --> 01:16:56,176
[SNIFFLES, WEEPING]
1457
01:17:06,317 --> 01:17:07,318
[WHIMPERS INDISTINCTLY]
1458
01:17:23,073 --> 01:17:27,077
-PEOPLE CONFLATE THE MURDER
AND THE LIFE THAT SHE LIVED
1459
01:17:27,164 --> 01:17:29,427
AS IF THEY ARE EXACTLY
THE SAME THING.
1460
01:17:29,514 --> 01:17:30,950
THEY ARE NOT.
1461
01:17:31,037 --> 01:17:33,474
AS IF SHE STARTED TO DIE
WHEN SHE RAN AWAY,
1462
01:17:33,561 --> 01:17:35,128
OR WHEN SHE STARTED USING DRUGS,
1463
01:17:35,215 --> 01:17:37,261
OR WHEN
SHE STARTED SELLING SEX, OR...
1464
01:17:37,348 --> 01:17:39,045
NO.
1465
01:17:39,132 --> 01:17:41,178
SHE DIED WHEN SHE WAS MURDERED.
THAT'S WHEN SHE DIED.
1466
01:17:41,265 --> 01:17:42,440
SHE WAS ALIVE.
1467
01:17:42,527 --> 01:17:43,833
SHE WAS LIVING,
1468
01:17:43,920 --> 01:17:48,185
AND HER LIFE
WAS FILLED WITH MEANING,
1469
01:17:48,272 --> 01:17:51,231
AND IT HAD LOVE IN IT
ALL THE WAY THROUGH
1470
01:17:51,318 --> 01:17:53,581
UNTIL IT WAS TAKEN FROM HER.
1471
01:17:53,669 --> 01:17:57,194
I THINK THAT'S REALLY IMPORTANT
FOR PEOPLE TO UNDERSTAND.
1472
01:17:58,543 --> 01:18:02,112
-HE, PICKTON, NOT ONLY RUINED
OUR LIVES,
1473
01:18:02,199 --> 01:18:05,855
HE'S RUINED 78 CHILDREN'S LIVES.
1474
01:18:07,378 --> 01:18:09,597
THOSE CHILDREN,
WHEN THEY GROW UP,
1475
01:18:09,685 --> 01:18:13,297
THEY'RE NOT GOING TO HAVE
GRANDMOTHERS,
1476
01:18:13,384 --> 01:18:16,300
SO HE'S RUINED GENERATIONS
TO COME,
1477
01:18:16,387 --> 01:18:19,651
NOT JUST THE PEOPLE HERE NOW.
1478
01:18:19,738 --> 01:18:22,698
HE'S RUINED A LOT OF LIVES.
1479
01:18:24,308 --> 01:18:27,790
-THIS IS WHAT THE CORONER
HAD GAVE US TODAY.
1480
01:18:27,877 --> 01:18:30,706
THIS IS ALL WE HAVE OF MARNIE.
1481
01:18:30,793 --> 01:18:34,579
AS PARENTS AND CARING PEOPLE
AND RELATIVES
1482
01:18:34,666 --> 01:18:38,409
WHO KNEW AND LOVED MARNIE,
1483
01:18:38,496 --> 01:18:40,454
AT LEAST
WE HAVE SOMETHING.
1484
01:18:40,541 --> 01:18:44,589
A LOT OF THE FAMILIES
HAVE ABSOLUTELY NOTHING.
1485
01:18:44,676 --> 01:18:46,417
-I'M A LITTLE BIT JEALOUS.
1486
01:18:46,504 --> 01:18:50,769
IT'S STUPID TO SAY THAT,
BUT FOR THE FACT IS,
1487
01:18:50,856 --> 01:18:52,553
THEY HAVE REMAINS.
1488
01:18:52,640 --> 01:18:55,687
THEY HAVE SOMETHING THAT
THEY WERE ABLE TO BRING HOME,
1489
01:18:55,774 --> 01:18:59,822
LIKE, JUST A FRAGMENT OF A BONE,
THE TIP OF A FINGER.
1490
01:18:59,909 --> 01:19:03,173
ANYTHING WOULD HAVE BEEN
SATISFACT...
1491
01:19:03,260 --> 01:19:04,870
THAT I COULD HAVE HAD AT LEAST
THAT,
1492
01:19:04,957 --> 01:19:07,699
BUT I HAVE NOTHING,
AND THAT'S HARD, WHEN YOU...
1493
01:19:09,483 --> 01:19:11,616
MY MOTHER ALWAYS TOLD ME
AND ALWAYS FELT
1494
01:19:11,703 --> 01:19:14,706
THAT IT'S HARD TO ACCEPT
SOMEONE'S DEATH
1495
01:19:14,793 --> 01:19:17,578
WHEN THERE IS NO FUNERAL.
1496
01:19:19,798 --> 01:19:21,800
-I HAD TO SLOWLY PUZZLE PIECES
BACK TOGETHER
1497
01:19:21,887 --> 01:19:24,672
BECAUSE I WAS STILL LIVING
IN THE FOSTER HOME,
1498
01:19:24,760 --> 01:19:26,762
SO A LOT OF THINGS
WERE HIDDEN FROM ME.
1499
01:19:26,849 --> 01:19:30,853
EVERY ARTICLE, ANYTHING
THAT HAD MY MOM'S NAME IN IT,
1500
01:19:30,940 --> 01:19:34,813
ANYTHING TO DO WITH PICKTON
I WOULD KEEP,
1501
01:19:34,900 --> 01:19:38,948
AND I ENDED UP HAVING A REALLY,
REALLY LARGE SCRAPBOOK.
1502
01:19:40,297 --> 01:19:41,733
I FINALLY REALIZED
I WAS GETTING REALLY SICK
1503
01:19:41,820 --> 01:19:43,735
AND, LIKE, JUST OBSESSED
WITH IT.
1504
01:19:43,822 --> 01:19:45,432
I'M NOT REALLY GETTING
TOO MANY ANSWERS.
1505
01:19:45,519 --> 01:19:47,870
I'M JUST OBSESSING
OVER THE WRONG THINGS.
1506
01:19:47,957 --> 01:19:49,567
THE LAST TIME I SAW MY MOM,
I WAS FIVE,
1507
01:19:49,654 --> 01:19:51,787
AND THEN AT EIGHT,
I FIND OUT SHE'S DEAD,
1508
01:19:51,874 --> 01:19:53,484
AND I'M NEVER GOING TO SEE HER
AGAIN,
1509
01:19:53,571 --> 01:19:55,703
SO FOR THAT, BURNING THE BOOK,
1510
01:19:55,791 --> 01:19:57,618
IT WAS REALLY, REALLY GOOD
FOR ME,
1511
01:19:57,705 --> 01:20:00,796
LIKE, JUST HEALING EVERYTHING.
1512
01:20:02,319 --> 01:20:04,277
SAIL ON CHILDREN,
SAIL ON BY
1513
01:20:04,364 --> 01:20:07,715
'CAUSE TIME IS AN OCEAN
AND IT ENDS UP ASHORE.
1514
01:20:07,803 --> 01:20:10,718
SHE'S BEEN GONE FROM OUR TOUCH,
BUT NEVER OUR MEMORIES.
1515
01:20:10,806 --> 01:20:14,679
GONE FROM OUR SIGHT,
BUT NEVER OUR HEARTS.
1516
01:20:15,723 --> 01:20:17,987
SO, I WROTE THAT FOR MY MOMMY.
1517
01:20:19,640 --> 01:20:20,772
-WELL, I GREW UP
IN THE COUNTRY.
1518
01:20:20,859 --> 01:20:22,905
WE HAD 11 ACRES OF LAND,
1519
01:20:22,992 --> 01:20:27,387
AND I WOULD SPEND
A LOT OF MY LIFE IN THE FOREST
1520
01:20:27,474 --> 01:20:29,607
JUST IN TREES,
AROUND NATURE,
1521
01:20:29,694 --> 01:20:32,479
LYING IN THE GRASS.
1522
01:20:32,566 --> 01:20:34,699
AND THE FOREST
TAUGHT ME ONE THING.
1523
01:20:34,786 --> 01:20:38,659
THERE ARE NO ENDS.
THERE'S JUST BEGINNINGS.
1524
01:20:38,746 --> 01:20:41,488
MY MOTHER LIVES ON EVERY DAY
IN ME.
1525
01:20:41,575 --> 01:20:43,490
WE LOOK ALMOST IDENTICAL,
1526
01:20:43,577 --> 01:20:46,929
SO SHE LIVES ON
IN EVERYTHING I DO.
1527
01:20:47,016 --> 01:20:50,628
I'M LIVING THE LIFE
SHE SHOULD HAVE HAD
1528
01:20:50,715 --> 01:20:52,935
BUT SHE COULDN'T HAVE,
1529
01:20:53,022 --> 01:20:55,763
AND I EMBRACE THAT EVERY DAY.
1530
01:21:06,905 --> 01:21:08,733
-I KNOW
IT'S BEEN SO MANY YEARS,
1531
01:21:08,820 --> 01:21:10,213
AND THEY'VE DUG UP THE DIRT
AND THEY'VE DONE EVERYTHING,
1532
01:21:10,300 --> 01:21:11,779
BUT FOR SOME STRANGE REASON...
1533
01:21:11,867 --> 01:21:13,912
I CAN'T EXPLAIN IT,
SOME SPIRITUAL REASON...
1534
01:21:13,999 --> 01:21:17,524
I NEED TO WALK ON THAT FARM.
1535
01:21:17,611 --> 01:21:19,787
-I'VE ALWAYS WANTED
TO GO OUT TO THE FARM.
1536
01:21:19,875 --> 01:21:22,486
IT WAS JUST AN INNER THING
WITH ME,
1537
01:21:22,573 --> 01:21:25,228
THAT ONCE I SAW THAT OPPORTUNITY
WITH THAT HOLE IN THAT GATE,
1538
01:21:25,315 --> 01:21:27,491
I WAS GONE.
1539
01:21:40,721 --> 01:21:42,245
-I'M STANDING AT THE FENCE,
1540
01:21:42,332 --> 01:21:46,727
AND I KNEW THAT I COULDN'T GO ON
THE PROPERTY.
1541
01:21:46,814 --> 01:21:49,992
I THINK THAT WOULD CAUSE ME
TO BREAK DOWN.
1542
01:21:50,079 --> 01:21:52,342
ALTHOUGH WE'VE BEEN THROUGH
SO MUCH,
1543
01:21:52,429 --> 01:21:53,778
THERE'S A LITTLE PART OF YOU,
1544
01:21:53,865 --> 01:21:56,563
JUST A LITTLE SPARK LEFT
IN YOUR HEART
1545
01:21:56,650 --> 01:21:59,915
THAT HOPES YOU'LL TURN A CORNER
AND YOU'LL SEE THEM THERE.
1546
01:22:02,091 --> 01:22:03,570
-GO A LITTLE BIT CLOSER
SO YOU CAN GET THE OTHER PART
1547
01:22:03,657 --> 01:22:05,355
OF THE CONVEYOR BELT.
1548
01:22:05,442 --> 01:22:07,139
WALKING OVER THE MOUND
1549
01:22:07,226 --> 01:22:08,706
AND FINDING ALL THOSE THINGS
THAT WE DID SEE THERE,
1550
01:22:08,793 --> 01:22:11,578
KNOWING THAT
THAT'S HIS PROPERTY,
1551
01:22:11,665 --> 01:22:13,276
THAT'S HIS THINGS...
1552
01:22:13,363 --> 01:22:14,799
LIKE, TO ME, I ALWAYS ASSUMED
1553
01:22:14,886 --> 01:22:17,889
THAT THAT PROPERTY
WAS ALL CLEARED UP.
1554
01:22:19,108 --> 01:22:21,545
GARBAGE,
IT'S BASICALLY GARBAGE, BUT...
1555
01:22:21,632 --> 01:22:23,634
GARBAGE TO MOST PEOPLE,
1556
01:22:23,721 --> 01:22:25,418
BUT THERE COULD BE TREASURES
FOR ME IN THERE,
1557
01:22:25,505 --> 01:22:27,464
SO I'M GOING DOWN THERE
TO LOOK.
1558
01:22:41,913 --> 01:22:44,133
ARE YOU COMING, LILLIANE?
1559
01:22:47,658 --> 01:22:49,312
AND IT'S BEEN BURNED
NOT THAT LONG AGO,
1560
01:22:49,399 --> 01:22:50,791
BECAUSE
I CAN STILL SMELL THE HEAT.
1561
01:22:50,878 --> 01:22:52,750
I CAN STILL SMELL BURNED ASHES.
1562
01:22:52,837 --> 01:22:54,621
OH, MY GOD.
1563
01:22:54,708 --> 01:22:56,058
OKAY, THERE'S A SHIRT HERE.
1564
01:22:56,145 --> 01:22:57,363
-OH, YES.
1565
01:22:57,450 --> 01:22:59,017
-A WHITE SHIRT.
A MAN'S SHIRT.
1566
01:22:59,104 --> 01:23:02,629
A DIRTY OLD SHIRT,
PROBABLY WILLY PICKTON'S.
1567
01:23:09,419 --> 01:23:11,638
OKAY...
STAY CALM, LYNN.
1568
01:23:33,530 --> 01:23:35,793
MARNIE
WAS ON THAT PIECE OF LAND,
1569
01:23:35,880 --> 01:23:37,229
AND AT LEAST I CAN BE SAYING,
1570
01:23:37,316 --> 01:23:38,622
"I WAS THERE LOOKING FOR YOU,
MARNIE,
1571
01:23:38,709 --> 01:23:41,451
AND I WALKED IN YOUR SHOES,
MARNIE."
1572
01:23:41,538 --> 01:23:42,974
NOT THE TRAGEDY THAT HAPPENED
TO HER,
1573
01:23:43,061 --> 01:23:45,803
BUT AT LEAST
I WALKED THE SAME DIRT.
1574
01:23:45,890 --> 01:23:48,588
-I FELT THAT THIS IS
WHAT I NEEDED TO DO.
1575
01:23:48,675 --> 01:23:53,115
THIS IS WHAT I NEEDED TO BRING
MYSELF CLOSER TO MY SISTER,
1576
01:23:53,202 --> 01:23:55,421
WOULD BE TO BE ON THE GROUNDS
THAT SHE WALKED.
1577
01:23:57,554 --> 01:24:00,818
-OUR FATHER, WHO ART IN HEAVEN,
HALLOWED BE THY NAME,
1578
01:24:00,905 --> 01:24:03,908
THY KINGDOM COME,
THY WILL BE DONE...
1579
01:24:07,955 --> 01:24:11,655
-WE SMILED, AND WE LAUGHED,
AND WE CRIED, AND...
1580
01:24:11,742 --> 01:24:14,875
AND WE SAID GOODBYE.
1581
01:24:32,589 --> 01:24:35,505
-AFTER THE MUSEUM SHOW
WAS CANCELLED,
1582
01:24:35,592 --> 01:24:37,811
I STORED THE PAINTINGS,
1583
01:24:37,898 --> 01:24:41,554
AND THEY'LL CONTINUE
TO BE IN STORAGE
1584
01:24:41,641 --> 01:24:42,816
UNTIL THEY'RE SHOWN
IN THE RIGHT PLACE,
1585
01:24:42,903 --> 01:24:44,340
IN THE RIGHT LIGHT,
1586
01:24:44,427 --> 01:24:46,646
AND FOR ME,
IT NEEDS TO BE IN A PLACE
1587
01:24:46,733 --> 01:24:48,518
THAT'S VERY WELL RESPECTED
1588
01:24:48,605 --> 01:24:52,435
AND THAT THE WORK GETS RESPECTED
AND THE WOMEN GET RESPECT.
1589
01:24:52,522 --> 01:24:54,089
AT THE TIME WHEN I STARTED IT,
1590
01:24:54,176 --> 01:24:56,482
I WAS DOING A LOT
OF PERFORMANCE WORK.
1591
01:24:56,569 --> 01:24:58,789
I HAD SOME RECORD YEARS
WITH SALES,
1592
01:24:58,876 --> 01:25:02,706
AND INSTEAD OF DOING SOMETHING
WITH THAT INCOME
1593
01:25:02,793 --> 01:25:06,797
TO EITHER FURTHER MY POSITION
IN MY INDUSTRY
1594
01:25:06,884 --> 01:25:08,886
OR MY PERSONAL LIFE,
1595
01:25:08,973 --> 01:25:11,193
I ESSENTIALLY TOOK EVERY PENNY
1596
01:25:11,280 --> 01:25:13,891
AND PUT IT
INTO THIS COLLECTION.
1597
01:25:13,978 --> 01:25:15,110
WAS IT WORTH IT?
1598
01:25:15,197 --> 01:25:16,894
YEAH, IT WAS WORTH IT.
1599
01:25:16,981 --> 01:25:19,679
IT ALLOWED ME TO GROW AS WELL.
1600
01:25:19,766 --> 01:25:21,899
LIKE, IT GAVE ME A GIFT
1601
01:25:21,986 --> 01:25:24,902
TO, FIRST OF ALL,
1602
01:25:24,989 --> 01:25:30,647
ACCEPT AND LET GO
OF WHERE I'VE COME FROM.
1603
01:25:44,878 --> 01:25:46,228
THERE IS A MOMENT
WHERE I REMEMBER
1604
01:25:46,315 --> 01:25:47,925
WRITING A LETTER TO MY MOM,
1605
01:25:48,012 --> 01:25:50,101
AND IT WASN'T
A NICE LETTER,
1606
01:25:50,188 --> 01:25:51,929
AND IT WAS A MOMENT
1607
01:25:52,016 --> 01:25:54,018
WHEN I STOPPED TALKING TO HER,
AND I WAS VERY ANGRY.
1608
01:25:54,105 --> 01:25:56,890
I WAS SO ANGRY WITH HER
BECAUSE...
1609
01:25:58,327 --> 01:26:01,939
I SAW THIS WOMAN
WHO WOULDN'T SPEAK UP
1610
01:26:02,026 --> 01:26:04,855
AND PROTECT HER CHILDREN.
1611
01:26:04,942 --> 01:26:06,813
AND THEN THERE CAME A POINT
IN THE COLLECTION
1612
01:26:06,900 --> 01:26:08,772
AS I WAS PAINTING,
1613
01:26:08,859 --> 01:26:13,516
THAT I UNDERSTOOD
1614
01:26:13,603 --> 01:26:17,824
THAT JUST LIKE ME
AND THESE WOMEN,
1615
01:26:17,911 --> 01:26:21,176
THAT MY MOTHER IS A WOMAN, TOO,
1616
01:26:21,263 --> 01:26:23,090
AND SHE HAD HER FEARS,
1617
01:26:23,178 --> 01:26:28,618
AND SHE HAD HER LIFE EXPERIENCES
THAT WEREN'T NECESSARILY PRETTY,
1618
01:26:28,705 --> 01:26:31,534
AND SHE WAS SCARED,
1619
01:26:31,621 --> 01:26:34,276
AND MY FATHER SCARED HER.
1620
01:26:34,363 --> 01:26:38,497
SO, I LEARNED HOW TO FORGIVE,
1621
01:26:38,584 --> 01:26:44,982
AND I LEARNED HOW TO UNDERSTAND
THAT IT WASN'T HER FAULT.
1622
01:26:47,724 --> 01:26:50,596
I CAN'T TAKE BACK
WHAT I'VE DONE.
1623
01:26:50,683 --> 01:26:54,774
THE WORK IS GOING TO SPEAK
FOR ITSELF.
1624
01:26:55,906 --> 01:27:00,911
BUT IF I CAN TAKE BACK
ANY OF THE HURT,
1625
01:27:00,998 --> 01:27:03,218
I WOULD, YOU KNOW,
1626
01:27:03,305 --> 01:27:06,917
BECAUSE THE FAMILIES HAVE
ALREADY BEEN THROUGH A LOT.
1627
01:27:09,311 --> 01:27:12,227
AND EVERY DAY, THEY HAVE TO LIVE
WITH WHAT HAPPENED.
1628
01:27:14,185 --> 01:27:17,101
AND WHEN
I WAS CREATING THIS WORK,
1629
01:27:17,188 --> 01:27:19,930
AND ESPECIALLY AT THE BEGINNING,
YOU KNOW,
1630
01:27:20,017 --> 01:27:23,847
I REALLY THOUGHT
THAT THEY WOULD BE SEEING
1631
01:27:23,934 --> 01:27:28,199
THAT I WAS DOING
SOMETHING FOR THEM,
1632
01:27:28,286 --> 01:27:31,898
BUT BECAUSE OF THE PAINTINGS
NOT BEING MEMORIALIZED,
1633
01:27:31,985 --> 01:27:34,249
THEY'RE... YOU KNOW,
I'M TALKING ABOUT VIOLENCE.
1634
01:27:34,336 --> 01:27:36,729
I'M TALKING
ABOUT NOT HAVING A VOICE.
1635
01:27:36,816 --> 01:27:40,124
I'M TALKING ABOUT
NOT BEING SEEN, NOT BEING HEARD.
1636
01:27:40,211 --> 01:27:44,215
THEY'RE NOT GOING TO BE PRETTY
BECAUSE IT'S NOT PRETTY.
1637
01:27:44,302 --> 01:27:48,219
THIS IS, TO ME,
WHAT NEEDS TO BE CONFRONTED.
1638
01:28:23,472 --> 01:28:26,301
-THIS INQUIRY
HAS BEEN CHALLENGING.
1639
01:28:26,388 --> 01:28:28,738
WE KNEW FROM THE BEGINNING
IT WOULD NOT BE EASY.
1640
01:28:28,825 --> 01:28:30,305
HOW COULD IT BE?
1641
01:28:30,392 --> 01:28:31,393
WE'RE DEALING
WITH THE WORST MASS MURDER
1642
01:28:31,480 --> 01:28:33,264
IN CANADIAN HISTORY.
1643
01:28:33,351 --> 01:28:35,788
KEEP IN MIND THAT THESE WOMEN,
1644
01:28:35,875 --> 01:28:37,224
MISSING AND MURDERED WOMEN,
1645
01:28:37,312 --> 01:28:39,618
WERE FORSAKEN TWICE,
1646
01:28:39,705 --> 01:28:42,665
ONCE BY SOCIETY AT LARGE
AND AGAIN BY THE POLICE.
1647
01:28:42,752 --> 01:28:45,885
I'VE REVIEWED IN GREAT DETAIL
THE EVIDENCE
1648
01:28:45,972 --> 01:28:48,975
THAT THE CRITICAL
POLICE FAILINGS WERE MANIFEST
1649
01:28:49,062 --> 01:28:52,675
IN RECURRING PATTERNS OF ERROR,
AND THE RESULTS...
1650
01:28:52,762 --> 01:28:56,026
[WOMEN SINGING ABORIGINAL SONG]
1651
01:29:05,862 --> 01:29:07,385
I...
1652
01:29:07,472 --> 01:29:11,868
[WOMEN SINGING ABORIGINAL SONG]
118612
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