Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,780 --> 00:00:02,529
ANNOUNCER: Previously on Genius.
2
00:00:02,530 --> 00:00:03,609
ARETHA: Wait a minute now,
3
00:00:03,610 --> 00:00:06,069
there was a pizza box on the piano.
4
00:00:06,070 --> 00:00:07,590
MAN: Sorry.
5
00:00:08,160 --> 00:00:09,829
ARETHA: It makes the
piano sound different.
6
00:00:09,830 --> 00:00:11,159
JERRY: Who's this guy she's with?
7
00:00:11,160 --> 00:00:12,869
CECIL: It's Ken Cunningham, he's solid.
8
00:00:12,870 --> 00:00:13,909
I checked.
9
00:00:13,910 --> 00:00:15,289
KEN: You're calling the shots;
10
00:00:15,290 --> 00:00:16,709
you're making the arrangements.
11
00:00:16,710 --> 00:00:18,249
Sounds like you're the producer too.
12
00:00:18,250 --> 00:00:19,959
ARETHA: Where's my
producer credit, Jerry?
13
00:00:19,960 --> 00:00:21,839
JERRY: No artist gets producer credit.
14
00:00:21,840 --> 00:00:23,669
Not The Who, not The Stones,
not even The Beatles.
15
00:00:23,670 --> 00:00:24,919
MAN: It just isn't done.
16
00:00:24,920 --> 00:00:26,339
CL: Powder blue!
17
00:00:26,340 --> 00:00:28,339
Reverend James is going to
be our new choir director.
18
00:00:28,340 --> 00:00:29,849
CLEVELAND: I've heard a lot about you.
19
00:00:29,850 --> 00:00:31,559
ARETHA: I haven't played too
much since having the baby.
20
00:00:31,560 --> 00:00:33,280
CLEVELAND: It's time
to start playing again.
21
00:00:34,480 --> 00:00:36,019
ARETHA: King Curtis, when you play,
22
00:00:36,020 --> 00:00:37,349
you're my second voice.
23
00:00:37,350 --> 00:00:39,149
KING CURTIS: Second
voice to Aretha Franklin,
24
00:00:39,150 --> 00:00:40,269
I'll take that.
25
00:00:40,270 --> 00:00:41,439
OFFICER: Keep your hands visible, sir.
26
00:00:41,440 --> 00:00:42,979
CL: It's because I'm CL Franklin.
27
00:00:42,980 --> 00:00:44,439
ARETHA: How much help
do ya'll need from me?
28
00:00:44,440 --> 00:00:46,359
CL: You just got to flaunt
your power, don't you?
29
00:00:46,360 --> 00:00:47,819
ARETHA: Because I'm
my mother's daughter.
30
00:00:47,820 --> 00:00:49,029
Miss you, Mommy.
31
00:00:49,030 --> 00:00:51,029
I want to go live with Mommy in Buffalo.
32
00:00:51,030 --> 00:00:52,659
You're not being fair!
33
00:00:52,660 --> 00:00:54,249
She waited too long to
stand up for herself and
34
00:00:54,250 --> 00:00:55,659
it killed her.
35
00:00:55,660 --> 00:00:56,869
And I refuse to let that be me.
36
00:00:56,870 --> 00:00:58,369
DOCTOR: You're burning
the candle at both ends.
37
00:00:58,370 --> 00:01:00,629
My advice is to slow down.
38
00:01:00,630 --> 00:01:01,850
(VOMIT)
39
00:01:08,180 --> 00:01:09,339
- BARBARA: Love you.
- ARETHA: Love you, too.
40
00:01:09,340 --> 00:01:10,599
No! No!
41
00:01:10,600 --> 00:01:11,759
BARBARA: You broke my heart.
42
00:01:11,760 --> 00:01:13,179
ARETHA: You said you
we're gonna help me.
43
00:01:13,180 --> 00:01:15,099
CL: Stop that crying!
44
00:01:15,100 --> 00:01:16,740
CL (OVER PA): Will you trust him?
45
00:01:16,940 --> 00:01:17,979
(GRUNT)
46
00:01:17,980 --> 00:01:19,019
(SHATTERING GLASS).
47
00:01:19,020 --> 00:01:21,080
(OVERLAPPING VOICES)
48
00:01:21,480 --> 00:01:23,460
(GASPING)
49
00:01:24,570 --> 00:01:26,279
KEN: Hey, hey, hey, hey, hey.
50
00:01:26,280 --> 00:01:27,750
Hey, it's all right.
51
00:01:28,150 --> 00:01:29,659
It's all right, it's just a bad dream.
52
00:01:29,660 --> 00:01:30,949
That's all.
53
00:01:30,950 --> 00:01:33,220
Everything's going to be okay.
54
00:01:34,950 --> 00:01:36,909
ARETHA: How many more
am I going to have?
55
00:01:36,910 --> 00:01:39,329
KEN: Well, the doctor
says it's not uncommon,
56
00:01:39,330 --> 00:01:40,709
but you came here to
get well and that's what
57
00:01:40,710 --> 00:01:43,100
you're going to do, just give it time.
58
00:01:44,210 --> 00:01:46,709
ARETHA: I keep, I keep dreaming
about my mother and I can't,
59
00:01:46,710 --> 00:01:47,969
I can't get to her.
60
00:01:47,970 --> 00:01:49,799
I can't, I can't see her face.
61
00:01:49,800 --> 00:01:52,799
It'll be 20 years this spring.
62
00:01:52,800 --> 00:01:56,099
And, well, with King Curtis dying I,
63
00:01:56,100 --> 00:01:58,660
I feel like I lost my way.
64
00:02:01,810 --> 00:02:04,250
I have to find a way
to get back to myself.
65
00:02:04,610 --> 00:02:05,729
KEN: Now, listen.
66
00:02:05,730 --> 00:02:07,239
Don't, don't be so
hard on yourself, sugar.
67
00:02:07,240 --> 00:02:10,109
Remember, you've been running
hard for a really long time.
68
00:02:10,110 --> 00:02:13,409
It's only right you have
some feelings when you stop.
69
00:02:13,410 --> 00:02:14,619
How bout you get dressed.
70
00:02:14,620 --> 00:02:16,539
You want to get dressed, huh?
71
00:02:16,540 --> 00:02:19,579
You know your father
will be here soon unless
72
00:02:19,580 --> 00:02:21,770
you need me to hold him off.
73
00:02:22,170 --> 00:02:23,669
I mean it's only been a
couple weeks and I know it
74
00:02:23,670 --> 00:02:25,169
takes a lot of energy from you.
75
00:02:25,170 --> 00:02:26,669
ARETHA: No, it's all right.
76
00:02:26,670 --> 00:02:27,879
KEN: You sure?
77
00:02:27,880 --> 00:02:29,549
ARETHA: Mm-hmm,
I don't want him to worry.
78
00:02:29,550 --> 00:02:31,230
KEN: Look at you.
79
00:02:37,350 --> 00:02:41,580
CL: Hey, baby. You eating all right?
80
00:02:43,900 --> 00:02:47,109
They, they got someone
for you to talk to,
81
00:02:47,110 --> 00:02:49,540
you know, with the,
the therapy and whatnot.
82
00:02:51,490 --> 00:02:54,720
Hey, I like that, that Ken fella.
83
00:02:55,200 --> 00:02:57,699
You done finally found a good one.
84
00:02:57,700 --> 00:02:59,260
Keep him.
85
00:02:59,830 --> 00:03:02,100
ARETHA: Why didn't
you let Momma take us?
86
00:03:03,460 --> 00:03:04,709
CL: What, what?
87
00:03:04,710 --> 00:03:06,980
ARETHA: Why didn't
you let Momma take us?
88
00:03:07,840 --> 00:03:09,629
CL: She, she, she didn't
want to take you, babe.
89
00:03:09,630 --> 00:03:11,299
ARETHA: That's, that's not true.
90
00:03:11,300 --> 00:03:13,049
CL: Do you have any idea
what the people would have said
91
00:03:13,050 --> 00:03:14,839
if the pastor's wife
took the, the children?
92
00:03:14,840 --> 00:03:16,429
ARETHA: So, you were worried
about what people would say?
93
00:03:16,430 --> 00:03:18,349
CL: What happened between
your mom and I is none
94
00:03:18,350 --> 00:03:19,679
of your concern, baby.
95
00:03:19,680 --> 00:03:22,229
This is, is this what
they're teaching you here?
96
00:03:22,230 --> 00:03:24,540
This, oh, damnit.
97
00:03:26,610 --> 00:03:27,480
Come on, Retha.
98
00:03:27,481 --> 00:03:29,109
ARETHA: I'm not going in.
99
00:03:29,110 --> 00:03:32,210
CL: What? Retha?
100
00:03:32,740 --> 00:03:36,369
ARETHA: Can you, can you,
you take this inside and,
101
00:03:36,370 --> 00:03:39,159
and light a candle for King Curtis?
102
00:03:39,160 --> 00:03:41,449
I just need a minute.
103
00:03:41,450 --> 00:03:44,930
- CL: Baby come...
- ARETHA: Please? Please.
104
00:03:56,970 --> 00:03:58,179
CL (OVER PA): Hallelujah.
105
00:03:58,180 --> 00:04:00,620
I'm going to put my trust in the Lord.
106
00:04:01,640 --> 00:04:02,889
(CRYING).
107
00:04:02,890 --> 00:04:04,229
BOTH: Now I lay me down to sleep,
108
00:04:04,230 --> 00:04:06,160
I pray the Lord my soul to keep.
109
00:04:12,530 --> 00:04:18,720
(THEME MUSIC PLAYS)
110
00:04:40,100 --> 00:04:46,160
♪ ♪
111
00:04:48,087 --> 00:04:54,587
Subtitle sync and corrections by
awaqeded for www.addic7ed.com.
112
00:04:57,910 --> 00:04:59,300
MAN (OVER PA): Now, let's go back!
113
00:04:59,450 --> 00:05:00,829
♪ Now let us all. All go back ♪
114
00:05:00,830 --> 00:05:02,739
♪ Back to the old. Old landmark. ♪
115
00:05:02,740 --> 00:05:04,869
♪ Now let us all. All go back ♪
116
00:05:04,870 --> 00:05:06,159
♪ Back to the old. Old landmark. ♪
117
00:05:06,160 --> 00:05:08,169
♪ Let us all. Back to the old ♪
118
00:05:08,170 --> 00:05:09,579
♪ Old landmark ♪
119
00:05:09,580 --> 00:05:11,310
♪ Let us stay in the
service of the Lord. ♪
120
00:05:11,840 --> 00:05:13,169
♪ Heal and pray ♪
121
00:05:13,170 --> 00:05:14,299
♪ Heal and pray. ♪
122
00:05:14,300 --> 00:05:15,879
♪ In the old. Old landmark ♪
123
00:05:15,880 --> 00:05:18,089
♪ Heal and pray, in the old ♪
124
00:05:18,090 --> 00:05:19,179
♪ Old landmark. ♪
125
00:05:19,180 --> 00:05:21,429
♪ Heal and pray, in the old ♪
126
00:05:21,430 --> 00:05:22,849
♪ Hear our prayer. ♪
127
00:05:22,850 --> 00:05:24,519
♪ Glory, glory. ♪
128
00:05:24,520 --> 00:05:26,780
♪ Glory, oh, hey! ♪
129
00:05:27,060 --> 00:05:28,389
♪ Let us stay in the
service of the Lord ♪
130
00:05:28,390 --> 00:05:30,479
♪ Whoa, let us all. All go back. ♪
131
00:05:30,480 --> 00:05:31,979
♪ All go back. Old landmark. ♪
132
00:05:31,980 --> 00:05:33,609
♪ Let us all. All go back ♪
133
00:05:33,610 --> 00:05:35,489
♪ Go back. Old landmark ♪
134
00:05:35,490 --> 00:05:37,109
♪ Let us all. All go back ♪
135
00:05:37,110 --> 00:05:38,659
♪ Go back. Old landmark ♪
136
00:05:38,660 --> 00:05:43,840
(SCATTING)
137
00:05:44,240 --> 00:05:47,140
CLEVELAND: Father, God,
we come here today!
138
00:05:48,120 --> 00:05:50,310
Lord there is a,
there's a saint among us.
139
00:05:51,210 --> 00:05:52,669
WOMAN: Amen!
140
00:05:52,670 --> 00:05:53,959
CLEVELAND: Who may feel
like they've been mistreated,
141
00:05:53,960 --> 00:05:55,509
Father, God.
142
00:05:55,510 --> 00:05:57,710
Not because they have done
something wrong, Father, God.
143
00:05:58,420 --> 00:06:01,469
But because there's something
extremely right about them.
144
00:06:01,470 --> 00:06:02,969
CONGREGATION: Yeah!
145
00:06:02,970 --> 00:06:04,509
CLEVELAND: Isaiah 53:5
146
00:06:04,510 --> 00:06:07,639
tells us the pierce in your side
147
00:06:07,640 --> 00:06:09,269
is from our transgressions.
148
00:06:09,270 --> 00:06:10,559
CONGREGATION: Yes!
149
00:06:10,560 --> 00:06:12,960
CLEVELAND: He was crushed
for our iniquities.
150
00:06:13,360 --> 00:06:14,939
CONGREGATION: Yes!
151
00:06:14,940 --> 00:06:17,739
CLEVELAND: The punishment
that brought us peace
152
00:06:17,740 --> 00:06:19,960
is on Him.
153
00:06:21,360 --> 00:06:24,470
By these wounds we are
made whole, Father, God.
154
00:06:25,280 --> 00:06:29,390
God is working things out for
you even if you don't feel it.
155
00:06:30,250 --> 00:06:32,390
Have faith. Be faithful.
156
00:06:34,170 --> 00:06:35,879
For where there is faith,
157
00:06:35,880 --> 00:06:39,270
hope grows, and miracles blossom.
158
00:06:39,880 --> 00:06:41,730
Father, God, thank you!
159
00:06:42,550 --> 00:06:43,830
Thank you for this congregation!
160
00:06:44,100 --> 00:06:47,530
♪ Come on and shout, shout, shout it ♪
161
00:06:47,890 --> 00:06:50,099
♪ Ho, you gotta shout it ♪
162
00:06:50,100 --> 00:06:53,080
♪ He healed you, you
better run and shout ♪
163
00:06:53,600 --> 00:06:55,960
♪ He saved you, you
better run and shout ♪
164
00:06:56,940 --> 00:06:58,399
♪ Shout, shout, shout,
shout-shout-shout ♪
165
00:06:58,400 --> 00:06:59,836
♪ Shout, shout, shout,
shout-shout-shout ♪
166
00:06:59,860 --> 00:07:03,029
♪ Glory, glory, glory, glory. ♪
167
00:07:03,030 --> 00:07:05,760
♪ Oh, oh, oh, oh, oh,
shout it, shout it. ♪
168
00:07:06,410 --> 00:07:09,010
♪ Oh, oh, oh, oh, oh,
shout it, shout it. ♪
169
00:07:09,580 --> 00:07:12,140
♪ Oh, oh, oh, oh, oh,
shout it, shout it. ♪
170
00:07:12,540 --> 00:07:14,850
♪ Shout, shout, shout
Shout-shout-shout-shout. ♪
171
00:07:15,040 --> 00:07:18,440
♪ Shout-shout-shout-shout-shout-
shout-shout ♪
172
00:07:18,710 --> 00:07:20,520
♪ Glory, glory, glory, glory ♪
♪
173
00:07:21,050 --> 00:07:24,190
(OVERLAPPING CHATTER).
174
00:07:25,220 --> 00:07:26,509
CLEVELAND: Lord ain't
gonna be waitin' for you,
175
00:07:26,510 --> 00:07:28,490
but I will be.
176
00:07:29,470 --> 00:07:31,929
I knew it was you the
moment you walked in here.
177
00:07:31,930 --> 00:07:34,080
That scarf and them
glasses ain't fooling nobody.
178
00:07:34,900 --> 00:07:36,309
You could come in here with
a paper bag over your head,
179
00:07:36,310 --> 00:07:37,519
I'd know it was you.
180
00:07:37,520 --> 00:07:38,899
ARETHA: I wasn't trying
to hide from you now.
181
00:07:38,900 --> 00:07:40,189
CLEVELAND: You know you
should have called me before
182
00:07:40,190 --> 00:07:41,689
you did that Andy Williams Show.
183
00:07:41,690 --> 00:07:43,109
ARETHA: Now, why I need to
call you about Andy Williams?
184
00:07:43,110 --> 00:07:45,880
CLEVELAND: That terrible,
red feather duster thing.
185
00:07:46,240 --> 00:07:48,380
I mean I could have saved
you a whole mess of trouble.
186
00:07:48,830 --> 00:07:50,749
ARETHA: I stand by my
red feather duster.
187
00:07:50,750 --> 00:07:51,869
CLEVELAND: Well, all right.
188
00:07:51,870 --> 00:07:53,249
I ain't here to argue with the Queen.
189
00:07:53,250 --> 00:07:55,220
I hear you're taking a break.
190
00:07:56,670 --> 00:07:58,339
You, you earn that vacation.
191
00:07:58,340 --> 00:08:00,350
ARETHA: It's not that kind of time off.
192
00:08:08,850 --> 00:08:10,719
CLEVELAND: Are you okay, Re?
193
00:08:10,720 --> 00:08:12,139
ARETHA: I will be.
194
00:08:12,140 --> 00:08:14,950
I feel like I, I feel like I got lost.
195
00:08:15,690 --> 00:08:18,500
Maybe I, I got to where I was going,
196
00:08:19,110 --> 00:08:20,569
and it was nowhere I wanted to be.
197
00:08:20,570 --> 00:08:21,819
CLEVELAND: Well, you know,
198
00:08:21,820 --> 00:08:22,989
you always have a
home in the House of God.
199
00:08:22,990 --> 00:08:24,239
ARETHA: I know, I know.
200
00:08:24,240 --> 00:08:26,510
I, I want to record a Gospel album.
201
00:08:27,240 --> 00:08:31,159
- CLEVELAND: Back to your roots.
- ARETHA: Not exactly.
202
00:08:31,160 --> 00:08:33,850
I want to record it here with you,
203
00:08:34,210 --> 00:08:36,140
your choir, your church.
204
00:08:36,750 --> 00:08:38,379
CLEVELAND: Not your daddy's church?
205
00:08:38,380 --> 00:08:40,230
ARETHA: No.
206
00:08:42,300 --> 00:08:43,629
CLEVELAND: Does he know about this yet?
207
00:08:43,630 --> 00:08:45,089
ARETHA: No.
208
00:08:45,090 --> 00:08:46,679
I want to find my own
way and I can't do that with
209
00:08:46,680 --> 00:08:48,339
my daddy around.
210
00:08:48,340 --> 00:08:50,849
He's part of the reason
I was pulled apart
211
00:08:50,850 --> 00:08:52,269
in the first place.
212
00:08:52,270 --> 00:08:55,280
CLEVELAND: I know.
I was there, I saw it.
213
00:08:57,060 --> 00:08:58,729
Well, you know he ain't
going to take this laying down.
214
00:08:58,730 --> 00:09:02,920
ARETHA: That's okay.
It's how it has to be.
215
00:09:03,150 --> 00:09:05,109
CLEVELAND: Okay.
216
00:09:05,110 --> 00:09:07,279
Let's do it, let's make a Gospel album.
217
00:09:07,280 --> 00:09:08,319
Well, all right.
218
00:09:08,320 --> 00:09:09,739
ARETHA: Mm-hmm.
219
00:09:09,740 --> 00:09:11,739
CLEVELAND: If you ready, I'm ready.
220
00:09:11,740 --> 00:09:13,510
(SCHOOL BELL RINGING).
221
00:09:14,330 --> 00:09:15,789
MRS. LOWREY: Everyone,
don't forget to do your
222
00:09:15,790 --> 00:09:17,119
reading for tomorrow.
223
00:09:17,120 --> 00:09:19,579
And I've graded some of your essays.
224
00:09:19,580 --> 00:09:21,879
Do better next time, yes?
225
00:09:21,880 --> 00:09:22,919
See you tomorrow.
226
00:09:22,920 --> 00:09:24,759
STUDENT: Thank you, Ms. Lowrey.
227
00:09:24,760 --> 00:09:27,679
MRS. LOWREY: Oh, Aretha.
Come here for a second.
228
00:09:27,680 --> 00:09:29,650
You did a beautiful job on your essay.
229
00:09:29,840 --> 00:09:31,259
ARETHA: Thank you, Mrs. Lowrey.
230
00:09:31,260 --> 00:09:32,889
MRS. LOWREY: I'm going to
show it to Mrs. Drake this
231
00:09:32,890 --> 00:09:34,349
afternoon and propose
that you be one of our
232
00:09:34,350 --> 00:09:36,019
ninth grade graduation speakers.
233
00:09:36,020 --> 00:09:37,309
ARETHA: Thank you, Mrs. Lowrey.
234
00:09:37,310 --> 00:09:39,149
MRS. LOWREY: You can
maybe start with a little
235
00:09:39,150 --> 00:09:40,229
welcome to everyone.
236
00:09:40,230 --> 00:09:41,230
ARETHA: Like this?
237
00:09:41,231 --> 00:09:42,859
(CLEARS THROAT)
238
00:09:42,860 --> 00:09:44,399
Good afternoon ladies and gentlemen.
239
00:09:44,400 --> 00:09:45,569
First of all,
240
00:09:45,570 --> 00:09:47,529
I'd like to congratulate
my fellow graduates.
241
00:09:47,530 --> 00:09:48,739
MRS. LOWREY: Exactly.
242
00:09:48,740 --> 00:09:50,699
You know, I used to
sing in the choir with
243
00:09:50,700 --> 00:09:52,199
your mother, Barbara.
244
00:09:52,200 --> 00:09:54,789
She was very smart, just like you.
245
00:09:54,790 --> 00:09:58,140
She would be so proud of
the student that you've become.
246
00:09:58,750 --> 00:10:00,329
You'll be a natural
as one of our speakers.
247
00:10:00,330 --> 00:10:01,709
ARETHA: Thank you, Mrs. Lowrey.
248
00:10:01,710 --> 00:10:03,499
Sorry, I've gotta run,
249
00:10:03,500 --> 00:10:05,299
I'm going to be late for choir practice.
250
00:10:05,300 --> 00:10:07,190
MRS. LOWREY: Okay. Keep practicing.
251
00:10:07,720 --> 00:10:09,009
♪ Back to the old landmark ♪
252
00:10:09,010 --> 00:10:10,259
♪ Old landmark ♪
253
00:10:10,260 --> 00:10:11,929
CLEVELAND: No, no, no, no, no, no.
254
00:10:11,930 --> 00:10:15,059
Come on Rufus, what ya
doing back there, huh?
255
00:10:15,060 --> 00:10:16,820
Naomi, you're making the altos look bad.
256
00:10:17,140 --> 00:10:18,429
Hey, hey, hey, Ruth,
257
00:10:18,430 --> 00:10:19,889
you ain't even open up your mouth.
258
00:10:19,890 --> 00:10:21,750
From the top, let's go.
259
00:10:22,150 --> 00:10:24,830
(PIANO).
260
00:10:26,440 --> 00:10:27,609
♪ Now let us all ♪
261
00:10:27,610 --> 00:10:28,689
♪ All go back ♪
262
00:10:28,690 --> 00:10:29,949
♪ Back to the old landmark ♪
263
00:10:29,950 --> 00:10:31,199
♪ Old landmark ♪
264
00:10:31,200 --> 00:10:32,449
♪ Let us all go back ♪
265
00:10:32,450 --> 00:10:33,450
♪ All go back. ♪
266
00:10:33,451 --> 00:10:34,779
♪ To the old landmark. ♪
267
00:10:34,780 --> 00:10:36,039
♪ Old landmark ♪
268
00:10:36,040 --> 00:10:37,659
♪ Now let us all ♪
269
00:10:37,660 --> 00:10:38,580
♪ All go back ♪
270
00:10:38,581 --> 00:10:40,329
♪ Old landmark ♪
271
00:10:40,330 --> 00:10:44,129
♪ And we'll stay in
the service of the Lord ♪
♪
272
00:10:44,130 --> 00:10:46,459
CLEVELAND: Yes, hey, hey, hey.
All right now, all right now.
273
00:10:46,460 --> 00:10:47,879
All right now, Re, this
is what I need you to do.
274
00:10:47,880 --> 00:10:49,969
I need you to come in
after the second bar, right,
275
00:10:49,970 --> 00:10:52,990
I need you to sing out loud
throughout the bridge, okay?
276
00:10:53,180 --> 00:10:55,299
CL: Reverend Brother Cleveland, if, if,
277
00:10:55,300 --> 00:10:57,559
if my daughter needs any instruction,
278
00:10:57,560 --> 00:10:59,059
she'll get it from me, not from you.
279
00:10:59,060 --> 00:11:00,479
Understood?
280
00:11:00,480 --> 00:11:02,750
CLEVELAND: Yeah, I get it.
281
00:11:03,060 --> 00:11:04,479
Reverend Franklin, I'm just trying to.
282
00:11:04,480 --> 00:11:06,729
CL: Aretha's voice is
a gift from the Lord.
283
00:11:06,730 --> 00:11:08,630
The less we do with it, the better.
284
00:11:10,150 --> 00:11:11,649
CLARA: Now, if you were wise CL,
285
00:11:11,650 --> 00:11:13,359
you'd remember the heavenly
source of Aretha's gift
286
00:11:13,360 --> 00:11:15,659
yourself from time to time.
287
00:11:15,660 --> 00:11:17,489
- CL: Mm-hmm.
- CLARA: Mm-hmm.
288
00:11:17,490 --> 00:11:19,050
CLEVELAND: Let's go from the top.
289
00:11:19,410 --> 00:11:21,499
(CLAPPING).
290
00:11:21,500 --> 00:11:23,560
JERRY: Pow! Pop!
291
00:11:23,750 --> 00:11:25,079
ARETHA: It's a great idea, right?
292
00:11:25,080 --> 00:11:27,799
And, and James has
been kind enough to let us
293
00:11:27,800 --> 00:11:30,009
have his church.
294
00:11:30,010 --> 00:11:32,150
JERRY: Yeah, absolutely.
295
00:11:32,930 --> 00:11:35,299
ARETHA: So, what's that look?
296
00:11:35,300 --> 00:11:37,530
JERRY: Well, the acoustics
in here are not the best.
297
00:11:37,720 --> 00:11:39,469
ARETHA: I've been here
plenty of times and listen
298
00:11:39,470 --> 00:11:40,929
to the choir without any problems.
299
00:11:40,930 --> 00:11:41,930
JERRY: Okay.
300
00:11:41,931 --> 00:11:43,729
Well, a bigger issue is the size.
301
00:11:43,730 --> 00:11:46,399
I mean how many people can
fit in here; 30, 40, max?
302
00:11:46,400 --> 00:11:48,189
ARETHA: Well, James and I
were thinking of maybe doing
303
00:11:48,190 --> 00:11:49,319
this over two nights.
304
00:11:49,320 --> 00:11:50,899
JERRY: Okay, so now we're up to 80.
305
00:11:50,900 --> 00:11:53,489
I mean I'm concerned about the scope.
306
00:11:53,490 --> 00:11:55,409
I mean do you really want
to go from playing huge
307
00:11:55,410 --> 00:11:58,829
amphitheaters to recording a
bunch of old-time Gospel songs
308
00:11:58,830 --> 00:12:01,039
in a place the size of my living room?
309
00:12:01,040 --> 00:12:02,959
ARETHA: Old-time?
310
00:12:02,960 --> 00:12:04,709
I'm going to be singing
popular songs and weaving it
311
00:12:04,710 --> 00:12:05,999
with Gospel music in a way that you've
312
00:12:06,000 --> 00:12:07,249
never heard before.
313
00:12:07,250 --> 00:12:08,709
JERRY: I know, I know.
314
00:12:08,710 --> 00:12:11,440
I, I just don't want us to
be moving backwards is all.
315
00:12:11,630 --> 00:12:14,860
ARETHA: Well, maybe sometimes you've
got to move backwards to move forwards.
316
00:12:15,590 --> 00:12:17,429
Listen, I even got the cover on press.
317
00:12:17,430 --> 00:12:19,009
- JERRY: Another one of Ken's?
- ARETHA: Mm-hmm.
318
00:12:19,010 --> 00:12:20,719
JERRY: People love what he did
for the cover of Greatest Hits.
319
00:12:20,720 --> 00:12:22,679
ARETHA: Check it out.
320
00:12:22,680 --> 00:12:25,229
JERRY: Oh.
That's great, that's beautiful.
321
00:12:25,230 --> 00:12:27,000
Okay.
322
00:12:27,310 --> 00:12:30,019
ARETHA: Listen, I, I know
that The Rolling Stones
323
00:12:30,020 --> 00:12:31,939
didn't get producer
credit on their album and
324
00:12:31,940 --> 00:12:33,529
I know that The Beatles
325
00:12:33,530 --> 00:12:36,489
didn't either but
that is not my concern.
326
00:12:36,490 --> 00:12:38,659
I'm going to produce this album,
327
00:12:38,660 --> 00:12:41,180
it's the only way it can happen.
328
00:12:42,040 --> 00:12:43,619
I can see it now, Jerry.
329
00:12:43,620 --> 00:12:47,220
It's beautiful and I'm going
to call it Amazing Grace.
330
00:12:49,840 --> 00:12:52,060
JERRY: Aretha...
331
00:12:55,380 --> 00:12:57,480
Then that's how we'll do it.
332
00:12:58,760 --> 00:13:00,700
ARETHA: Good, all right.
333
00:13:01,100 --> 00:13:03,370
- JERRY: All right? All right.
- ARETHA: All right.
334
00:13:03,640 --> 00:13:05,280
ARETHA: Mm-hmm.
335
00:13:11,360 --> 00:13:12,710
♪ I'm climbing ♪
336
00:13:12,900 --> 00:13:14,380
♪ Climbing ♪
337
00:13:14,690 --> 00:13:15,739
♪ Oh. Lord ♪
338
00:13:15,740 --> 00:13:16,650
♪ Climbing. ♪
339
00:13:16,651 --> 00:13:17,699
♪ Every day ♪
340
00:13:17,700 --> 00:13:18,660
♪ Climbing ♪
341
00:13:18,660 --> 00:13:19,660
♪ Oh, I'm climbing. ♪
342
00:13:19,661 --> 00:13:20,779
♪ I'm climbing ♪
343
00:13:20,780 --> 00:13:21,700
♪ High mountains ♪
344
00:13:21,701 --> 00:13:22,789
♪ High mountains ♪
345
00:13:22,790 --> 00:13:23,909
♪ Trying to get home. ♪
346
00:13:23,910 --> 00:13:25,720
♪ Trying to get home. ♪
347
00:13:26,000 --> 00:13:28,810
♪ I'm going up the side
of the mountain ♪
348
00:13:29,670 --> 00:13:30,749
♪ All the way home ♪
349
00:13:30,750 --> 00:13:32,560
♪ Trying to get home. ♪
350
00:13:32,750 --> 00:13:36,400
♪ I'm going up the side
of the mountain ♪
351
00:13:37,090 --> 00:13:39,070
♪
All the way home ♪
352
00:13:39,340 --> 00:13:40,889
♪ Trying to get home. ♪
353
00:13:40,890 --> 00:13:43,530
♪ I'm going up the side
of the mountain ♪
354
00:13:44,520 --> 00:13:46,349
♪ Meet my Jesus ♪
355
00:13:46,350 --> 00:13:47,809
♪ All the way home ♪
356
00:13:47,810 --> 00:13:48,810
♪ Climbing ♪
357
00:13:48,810 --> 00:13:49,650
♪ I'm going up. ♪
358
00:13:49,651 --> 00:13:51,149
♪ Hey-hey-hey ♪
359
00:13:51,150 --> 00:13:52,399
♪ Climbing higher ♪
360
00:13:52,400 --> 00:13:54,399
♪ Climbing, yeah ♪
361
00:13:54,400 --> 00:13:56,040
♪ Climbing higher ♪
362
00:13:56,190 --> 00:13:57,030
♪ Higher ♪
363
00:13:57,031 --> 00:13:58,449
♪ Yeah-yeah ♪
364
00:13:58,450 --> 00:13:59,779
♪ Climbing higher ♪
365
00:13:59,780 --> 00:14:00,780
♪ Higher ♪
366
00:14:00,781 --> 00:14:02,159
♪ Climbing higher, woop. ♪
367
00:14:02,160 --> 00:14:03,949
♪ Going up ♪
368
00:14:03,950 --> 00:14:05,539
♪ Climbing higher, woop ♪
369
00:14:05,540 --> 00:14:07,749
♪ Hey, meet my Jesus ♪
370
00:14:07,750 --> 00:14:10,329
♪ Climbing higher, woop ♪
371
00:14:10,330 --> 00:14:11,579
♪ Higher ♪
372
00:14:11,580 --> 00:14:12,919
♪ Climbing higher. ♪
373
00:14:12,920 --> 00:14:14,089
♪ Yeah ♪
374
00:14:14,090 --> 00:14:15,050
♪ Climbing higher. ♪
375
00:14:15,051 --> 00:14:17,230
♪ Higher, yeah-yeah. ♪
376
00:14:17,380 --> 00:14:18,719
♪ Climbing higher, woop ♪
377
00:14:18,720 --> 00:14:20,629
♪ Higher, yeah. ♪
378
00:14:20,630 --> 00:14:22,139
♪ Climbing higher ♪
379
00:14:22,140 --> 00:14:23,990
♪ Higher, yeah. ♪
380
00:14:24,260 --> 00:14:25,599
♪ Climbing higher ♪
381
00:14:25,600 --> 00:14:27,599
♪ Higher, yeah. ♪
382
00:14:27,600 --> 00:14:28,979
♪ Climbing higher ♪
383
00:14:28,980 --> 00:14:30,979
♪ Higher, yeah. ♪
384
00:14:30,980 --> 00:14:32,689
♪ Climbing higher woop ♪
385
00:14:32,690 --> 00:14:35,330
♪ Climbing higher ♪
386
00:14:35,690 --> 00:14:38,529
♪ Climbing higher woop ♪
387
00:14:38,530 --> 00:14:40,199
♪ Climbing higher ♪
388
00:14:40,200 --> 00:14:41,489
♪ Climbing! ♪
389
00:14:41,490 --> 00:14:43,619
♪ I'm climbing higher mountains ♪
390
00:14:43,620 --> 00:14:44,989
♪ All the way home ♪
391
00:14:44,990 --> 00:14:48,039
♪ Trying to get home. ♪
392
00:14:48,040 --> 00:14:50,760
♪ Home... ♪
393
00:14:51,330 --> 00:14:54,230
♪
Home... ♪ ♪
394
00:14:55,340 --> 00:14:58,770
(APPLAUSE AND CHEERING).
395
00:14:59,050 --> 00:15:00,480
WOMAN: Yes!
396
00:15:04,430 --> 00:15:06,349
ARETHA: Everybody
take a break, thank you.
397
00:15:06,350 --> 00:15:08,120
Thank you.
398
00:15:09,520 --> 00:15:11,479
JERRY: It's great guys, great.
399
00:15:11,480 --> 00:15:14,099
That's great. Really, really good.
400
00:15:14,100 --> 00:15:15,750
I think we need a bigger church.
401
00:15:16,980 --> 00:15:19,319
I'm just a little
concerned about the impact.
402
00:15:19,320 --> 00:15:21,920
I want you to check out
New Zion in Pasadena.
403
00:15:22,450 --> 00:15:24,420
Big, beautiful church,
seats about 1,000.
404
00:15:24,660 --> 00:15:26,329
ARETHA: Tell me what you're thinking.
405
00:15:26,330 --> 00:15:28,199
JERRY: Okay, ready for this?
406
00:15:28,200 --> 00:15:30,390
I think we should make a
documentary of the show.
407
00:15:31,000 --> 00:15:33,289
It's going to be epic, why not film it?
408
00:15:33,290 --> 00:15:34,579
The Rolling Stones did it,
409
00:15:34,580 --> 00:15:36,419
James Brown, Elvis Presley.
410
00:15:36,420 --> 00:15:38,459
You want to make inroads
on your acting career,
411
00:15:38,460 --> 00:15:39,669
this'll put you on the map.
412
00:15:39,670 --> 00:15:41,089
ARETHA: It's not really
what I had in mind.
413
00:15:41,090 --> 00:15:42,379
CLEVELAND: Yeah,
she really wants to have
414
00:15:42,380 --> 00:15:43,839
a church service.
415
00:15:43,840 --> 00:15:45,719
JERRY: It's still going to be,
just bigger and better.
416
00:15:45,720 --> 00:15:48,889
And, and, and this way think
about how many more people you
417
00:15:48,890 --> 00:15:50,559
can take to church.
418
00:15:50,560 --> 00:15:52,200
Impact.
419
00:15:54,020 --> 00:15:56,290
CLEVELAND: It's about what you want, Re.
420
00:15:57,270 --> 00:15:58,920
This is for you.
421
00:15:59,070 --> 00:16:02,210
JERRY: You'll still call all the shots.
422
00:16:02,860 --> 00:16:03,949
ARETHA: If we're gonna do this,
423
00:16:03,950 --> 00:16:05,449
I want to do it in the community.
424
00:16:05,450 --> 00:16:07,840
CLEVELAND: What about we do it in Watts?
425
00:16:08,830 --> 00:16:09,949
New Temple Missionary.
426
00:16:09,950 --> 00:16:11,199
JERRY: How many does it seat?
427
00:16:11,200 --> 00:16:12,659
WOMAN: Excuse me, Reverend.
428
00:16:12,660 --> 00:16:14,619
Ms. Franklin, your sister
Erma's on the line.
429
00:16:14,620 --> 00:16:16,329
She said she's been trying to reach you.
430
00:16:16,330 --> 00:16:18,230
ARETHA: Tell her I'll get back to her.
431
00:16:22,720 --> 00:16:24,339
Take a look at New Temple?
432
00:16:24,340 --> 00:16:25,730
JERRY: I'm on my way.
433
00:16:27,800 --> 00:16:29,990
CLEVELAND: They sanctified
up there at New Temple.
434
00:16:32,350 --> 00:16:36,580
♪ ♪
435
00:16:44,030 --> 00:16:46,989
♪ May-ay-be ♪
436
00:16:46,990 --> 00:16:50,470
♪ If I pray every night ♪
437
00:16:51,660 --> 00:16:56,430
♪ You'll come back to me ♪
438
00:16:57,420 --> 00:17:00,810
♪ And may-ay-be ♪
439
00:17:01,170 --> 00:17:04,520
♪ If I cried everyday ♪
440
00:17:05,670 --> 00:17:10,030
♪ You'd come back to stay ♪
441
00:17:10,430 --> 00:17:14,780
♪ Oh-oh-oh-oh-oh, maybe ♪
442
00:17:17,730 --> 00:17:18,769
ERMA: You okay, Re?
443
00:17:18,770 --> 00:17:19,939
BIG MOMMA: What's going on in here?
444
00:17:19,940 --> 00:17:22,880
Girls, we're going
to be late for church.
445
00:17:24,030 --> 00:17:25,359
You all right little Re?
446
00:17:25,360 --> 00:17:27,710
ARETHA: Yeah, I'm coming.
447
00:17:42,130 --> 00:17:43,589
CLEVELAND: These are the stages, right.
448
00:17:43,590 --> 00:17:47,169
From what you told me;
this picture right here
449
00:17:47,170 --> 00:17:49,719
is probably where you are.
450
00:17:49,720 --> 00:17:51,549
Three months pregnant.
451
00:17:51,550 --> 00:17:54,780
ARETHA: I'm going to have another baby.
452
00:17:55,140 --> 00:17:56,809
I wish my mother was here.
453
00:17:56,810 --> 00:17:59,269
CLEVELAND: I know you do.
454
00:17:59,270 --> 00:18:02,000
On that circuit this summer,
455
00:18:03,520 --> 00:18:05,960
girl, you were running wild.
456
00:18:06,650 --> 00:18:09,760
Which one of those boys did that to you?
457
00:18:11,410 --> 00:18:13,829
Never mind, I should
of did a better job of
458
00:18:13,830 --> 00:18:16,579
looking out for you.
459
00:18:16,580 --> 00:18:18,159
Your father should have did a better job
460
00:18:18,160 --> 00:18:19,369
looking out for you.
461
00:18:19,370 --> 00:18:22,270
ARETHA: Daddy's going
to be so ashamed of me.
462
00:18:22,460 --> 00:18:25,350
CLEVELAND: Just don't tell
him until you have to, okay?
463
00:18:25,670 --> 00:18:29,690
And remember he's your father, not God.
464
00:18:31,340 --> 00:18:33,700
It's going to be all right, Re.
465
00:18:36,180 --> 00:18:39,330
♪ Holy ♪
466
00:18:40,440 --> 00:18:43,960
♪ Holy ♪
467
00:18:45,150 --> 00:18:48,840
♪ Holy ♪
468
00:18:50,200 --> 00:18:54,590
♪ Holy ♪
469
00:18:55,950 --> 00:18:57,289
MAN: Next thing you know we'll be doing
470
00:18:57,290 --> 00:18:58,449
"Heard it Through the Grapevine".
471
00:18:58,450 --> 00:19:00,159
ARETHA: Yes, this is a Marvin Gaye song.
472
00:19:00,160 --> 00:19:02,539
As you know, he is the son
of a sanctified minister.
473
00:19:02,540 --> 00:19:05,020
MAN: I don't see how this is
the Lords music, Ms. Franklin.
474
00:19:05,210 --> 00:19:07,049
ARETHA: All music is God's music.
475
00:19:07,050 --> 00:19:08,339
We are sharing the gift he gave us.
476
00:19:08,340 --> 00:19:11,179
CLEVELAND: All right,
everybody, take ten.
477
00:19:11,180 --> 00:19:13,969
And if anybody feels
like this is beneath them,
478
00:19:13,970 --> 00:19:17,030
I have 100 people ready
to take your place.
479
00:19:19,020 --> 00:19:20,479
ARETHA: I don't blame them.
480
00:19:20,480 --> 00:19:21,769
We promised them a church
service and I don't want to
481
00:19:21,770 --> 00:19:23,830
lose sight of that.
482
00:19:25,060 --> 00:19:26,319
JERRY: Okay, couple of things.
483
00:19:26,320 --> 00:19:27,729
Great news.
484
00:19:27,730 --> 00:19:30,149
Joe Boyd at Warner Brothers
got Sydney Pollack
485
00:19:30,150 --> 00:19:31,279
to direct the film.
486
00:19:31,280 --> 00:19:32,110
CLEVELAND: Who's that?
487
00:19:32,111 --> 00:19:33,489
JERRY: He's a big director.
488
00:19:33,490 --> 00:19:35,069
He's shooting Streisand
and Redford's next movie,
489
00:19:35,070 --> 00:19:36,489
nominated for an Oscar two years ago.
490
00:19:36,490 --> 00:19:38,010
This is monumental for us.
491
00:19:38,950 --> 00:19:40,829
ARETHA: What else?
492
00:19:40,830 --> 00:19:42,289
JERRY: Right.
493
00:19:42,290 --> 00:19:44,850
Your father called me; he's upset.
494
00:19:46,290 --> 00:19:48,959
Wants us to record the
album at New Bethel.
495
00:19:48,960 --> 00:19:50,610
ARETHA: No.
496
00:19:50,920 --> 00:19:52,219
JERRY: I know it's a big pivot,
497
00:19:52,220 --> 00:19:54,259
but I don't think it's a bad idea.
498
00:19:54,260 --> 00:19:55,679
CLEVELAND: She said no.
499
00:19:55,680 --> 00:19:56,889
ARETHA: That's probably
why my sister called and now
500
00:19:56,890 --> 00:19:58,559
he calls you.
501
00:19:58,560 --> 00:20:00,139
JERRY: Look, I don't know
what's going on between you
502
00:20:00,140 --> 00:20:01,479
and your father, Aretha.
503
00:20:01,480 --> 00:20:05,349
But as your producing
partner I have to tell you
504
00:20:05,350 --> 00:20:08,330
that recording this at
New Bethel is a good idea.
505
00:20:08,980 --> 00:20:11,319
Okay, from a marketing
perspective it's a home run.
506
00:20:11,320 --> 00:20:12,779
The acoustics are fantastic.
507
00:20:12,780 --> 00:20:15,569
ARETHA: The acoustics,
I know what the acoustics are
508
00:20:15,570 --> 00:20:17,720
like at New Bethel, Jerry.
509
00:20:17,870 --> 00:20:20,289
I recorded my first record
there and I don't care.
510
00:20:20,290 --> 00:20:22,720
I'm not recording this album there.
511
00:20:26,710 --> 00:20:28,379
CLEVELAND: Stay the course.
512
00:20:28,380 --> 00:20:30,310
You hear me?
513
00:20:33,630 --> 00:20:36,230
KEN: Re! Wait up! Re!
514
00:20:36,680 --> 00:20:37,680
Where are you going?
515
00:20:37,681 --> 00:20:40,509
Re, hold up, just wait a minute.
516
00:20:40,510 --> 00:20:42,639
ARETHA: I, I, I'm done.
This isn't working.
517
00:20:42,640 --> 00:20:44,179
I need to go back to New York tonight.
518
00:20:44,180 --> 00:20:45,729
KEN: Come on, sugar.
You've got to at least sleep...
519
00:20:45,730 --> 00:20:47,229
ARETHA: I don't want to sleep on it.
520
00:20:47,230 --> 00:20:48,399
I don't need to sleep on it.
521
00:20:48,400 --> 00:20:50,069
I can't record this album at his church.
522
00:20:50,070 --> 00:20:52,460
I, I, I've done that once.
523
00:20:53,070 --> 00:20:55,779
KEN: First of all, no one
can force you to record at
524
00:20:55,780 --> 00:20:58,069
New Bethel or anywhere
else for that matter.
525
00:20:58,070 --> 00:20:59,449
As far as I'm concerned,
you don't have to record it
526
00:20:59,450 --> 00:21:00,829
at a church at all.
527
00:21:00,830 --> 00:21:03,079
This is about your personal
relationship with God.
528
00:21:03,080 --> 00:21:04,499
ARETHA: I don't know
what it's about anymore.
529
00:21:04,500 --> 00:21:05,829
KEN: I'll tell you what it's about.
530
00:21:05,830 --> 00:21:09,249
It's about your father
calling Jerry, that's it.
531
00:21:09,250 --> 00:21:12,150
Why do you keep giving him your power?
532
00:21:13,260 --> 00:21:14,799
ARETHA: I, I just.
533
00:21:14,800 --> 00:21:17,179
KEN: This isn't going to work
if you keep shutting me out.
534
00:21:17,180 --> 00:21:19,389
ARETHA: I, I love my father.
535
00:21:19,390 --> 00:21:21,259
He made me who I am but this,
536
00:21:21,260 --> 00:21:23,200
this was supposed to be for me.
537
00:21:24,730 --> 00:21:26,700
And he took that away.
538
00:21:33,780 --> 00:21:36,449
♪ Feelings gone ♪
539
00:21:36,450 --> 00:21:38,409
JERRY: Hey, I'm, I'm sorry.
540
00:21:38,410 --> 00:21:39,449
ARETHA: Ken's pulling the car around.
541
00:21:39,450 --> 00:21:40,819
I'm just getting my things.
542
00:21:40,820 --> 00:21:41,909
JERRY: I screwed up.
543
00:21:41,910 --> 00:21:43,039
ARETHA: I appreciate you saying that.
544
00:21:43,040 --> 00:21:44,699
I'm so sorry I wasted your time.
545
00:21:44,700 --> 00:21:46,459
I really should have known better.
546
00:21:46,460 --> 00:21:50,350
JERRY: Aretha, wait, wait,
wait, wait, wait, wait.
547
00:21:50,500 --> 00:21:53,940
You know, a lot of people
ask me what my job is.
548
00:21:54,500 --> 00:21:56,610
What does a producer do anyway?
549
00:21:57,130 --> 00:21:59,009
And, and for the longest
time I never knew exactly
550
00:21:59,010 --> 00:22:00,799
how to answer that, you know,
551
00:22:00,800 --> 00:22:02,929
because it's different
with every artist.
552
00:22:02,930 --> 00:22:05,639
You know, sometimes I've got
to build a road so they can
553
00:22:05,640 --> 00:22:09,019
drive on it and sometimes
I just got to point them
554
00:22:09,020 --> 00:22:10,649
in the right direction.
555
00:22:10,650 --> 00:22:12,479
But the number one thing that I always
556
00:22:12,480 --> 00:22:15,939
got to make sure to do,
no matter who it is;
557
00:22:15,940 --> 00:22:18,130
do not get in the way.
558
00:22:20,110 --> 00:22:22,239
You know who taught me that?
559
00:22:22,240 --> 00:22:24,029
ARETHA: Me.
560
00:22:24,030 --> 00:22:25,199
JERRY: That's right.
561
00:22:25,200 --> 00:22:27,829
And I got in the way
and I'm sorry for that.
562
00:22:27,830 --> 00:22:29,829
You're producing this record, too, and,
563
00:22:29,830 --> 00:22:32,709
and maybe I should have
helped that happen before now.
564
00:22:32,710 --> 00:22:36,770
But I didn't because I'm a Neanderthal.
565
00:22:39,090 --> 00:22:41,219
But you're brilliant.
566
00:22:41,220 --> 00:22:43,219
You came out here,
you kicked the door down,
567
00:22:43,220 --> 00:22:45,929
and you're making the
opportunity for yourself.
568
00:22:45,930 --> 00:22:47,969
And I'm here to help you.
569
00:22:47,970 --> 00:22:50,540
So, don't, don't turn back now.
570
00:22:51,770 --> 00:22:53,710
ARETHA: Thank you.
571
00:22:53,900 --> 00:22:56,859
But you can't help my father
and he won't be satisfied
572
00:22:56,860 --> 00:22:58,609
until he takes over this whole thing.
573
00:22:58,610 --> 00:23:01,109
So, I...
574
00:23:01,110 --> 00:23:02,630
I'm done.
575
00:23:03,320 --> 00:23:05,329
♪ Free ♪
576
00:23:05,330 --> 00:23:07,869
♪ I'm free, I'm free,
I'm free, I'm free ♪
577
00:23:07,870 --> 00:23:10,310
♪ Hey, yeah ♪
578
00:23:11,670 --> 00:23:14,770
♪ Free at last ♪
579
00:23:30,560 --> 00:23:32,229
CLEVELAND: I really wish
you didn't have to leave
580
00:23:32,230 --> 00:23:35,160
but thank you for coming to say goodbye.
581
00:23:36,610 --> 00:23:39,290
Why don't we go inside?
582
00:23:39,440 --> 00:23:41,609
I know everyone would love
to see you before you leave,
583
00:23:41,610 --> 00:23:43,710
let them say they goodbye.
584
00:23:44,240 --> 00:23:45,699
Come on.
585
00:23:45,700 --> 00:23:48,050
ARETHA: Maybe just for a moment.
586
00:23:49,410 --> 00:23:50,749
I'll be right back, baby.
587
00:23:50,750 --> 00:23:52,180
KEN: Take your time, sugar.
588
00:23:52,710 --> 00:23:54,079
♪ Lead me on ♪
589
00:23:54,080 --> 00:23:55,669
♪ To the light ♪
590
00:23:55,670 --> 00:23:57,919
♪ To the light and ♪
591
00:23:57,920 --> 00:24:00,110
♪ Take my hand ♪
592
00:24:00,300 --> 00:24:02,009
♪ Precious Lord ♪
593
00:24:02,010 --> 00:24:03,839
♪ Precious Lord ♪
594
00:24:03,840 --> 00:24:06,400
♪ Lead me on ♪
595
00:24:11,770 --> 00:24:16,080
♪ When my way groweth drear ♪
596
00:24:16,310 --> 00:24:18,149
CLEVELAND: You can't just out sing them,
597
00:24:18,150 --> 00:24:19,649
you've got to outshine them, too.
598
00:24:19,650 --> 00:24:23,420
♪ Precious Lord, linger near ♪
599
00:24:24,700 --> 00:24:30,430
♪ When my light is almost gone ♪
600
00:24:31,870 --> 00:24:34,970
- BARBARA: Love you.
- ARETHA: Love you too.
601
00:24:38,630 --> 00:24:41,560
♪ Hear my cry ♪
602
00:24:41,920 --> 00:24:44,520
♪ Lord, hear my call ♪
603
00:24:45,470 --> 00:24:48,679
♪ Hold my hand ♪
604
00:24:48,680 --> 00:24:50,860
♪ Lest I fall ♪
605
00:24:51,260 --> 00:24:54,349
♪ And take my hand ♪
606
00:24:54,350 --> 00:24:56,229
ARETHA: They sound good.
607
00:24:56,230 --> 00:24:57,479
Real good.
608
00:24:57,480 --> 00:24:59,819
CLEVELAND: Welcome back, Ms. Franklin.
609
00:24:59,820 --> 00:25:01,330
ARETHA: I never left.
610
00:25:02,780 --> 00:25:05,210
♪ Oh ♪
611
00:25:06,400 --> 00:25:08,420
ARETHA: Let's take it
from the top one more time.
612
00:25:13,040 --> 00:25:15,930
♪ Climbing higher mountains ♪
613
00:25:16,460 --> 00:25:18,709
♪ Trying to get ♪
614
00:25:18,710 --> 00:25:21,549
Chuck, Chuck, Chuck I
know you have a problem but
615
00:25:21,550 --> 00:25:23,919
you speeding up a little bit,
keep it real steady for me.
616
00:25:23,920 --> 00:25:25,980
CHUCK: Yes, ma'am.
617
00:25:27,840 --> 00:25:29,690
MAN: Hold on, one second.
618
00:25:29,930 --> 00:25:33,219
♪ Climbing higher mountains ♪
619
00:25:33,220 --> 00:25:35,080
♪ Trying to get home ♪
620
00:25:37,390 --> 00:25:40,500
♪ Climbing higher mountains ♪
621
00:25:40,980 --> 00:25:43,040
♪ Trying to get home ♪
622
00:25:52,740 --> 00:25:54,949
ARETHA: Mr. Pollack,
it's nice to meet you.
623
00:25:54,950 --> 00:25:56,619
It's an honor to have you onboard.
624
00:25:56,620 --> 00:25:58,959
SYDNEY: The honor is
mine, I'm a huge fan.
625
00:25:58,960 --> 00:26:00,789
Now, Reverend Cleveland
gave me a tentative list
626
00:26:00,790 --> 00:26:02,379
of the songs but I
was wondering if we could
627
00:26:02,380 --> 00:26:04,249
do a cue to cue so we can get an idea of
628
00:26:04,250 --> 00:26:06,169
where you're going to
be during the performance.
629
00:26:06,170 --> 00:26:08,129
ARETHA: I'm sure Jerry told
you this is more of a church
630
00:26:08,130 --> 00:26:10,469
service than a concert
so if we move at all,
631
00:26:10,470 --> 00:26:11,889
it'll be because the spirit moves us.
632
00:26:11,890 --> 00:26:13,469
MAN: Excuse me, Sydney.
633
00:26:13,470 --> 00:26:14,889
Can we get some seats removed
from the center of the church?
634
00:26:14,890 --> 00:26:16,269
We need a holding space for the rig.
635
00:26:16,270 --> 00:26:17,849
ARETHA: Oh, no, no, no, baby.
That won't do.
636
00:26:17,850 --> 00:26:20,410
Praise first, production second.
637
00:26:20,690 --> 00:26:23,080
SYDNEY: Jerry.
638
00:26:23,570 --> 00:26:26,189
JERRY: You should know that
Aretha's producing this album
639
00:26:26,190 --> 00:26:28,340
too so we're going to
defer to her on this.
640
00:26:29,200 --> 00:26:31,670
- SYDNEY: Copy that.
- ARETHA: You all right?
641
00:26:32,200 --> 00:26:34,340
- MAN: Yes, ma'am.
- ARETHA: Thank you.
642
00:26:34,660 --> 00:26:36,329
MAN 2: Walk that aisle,
tell me if I'm lined up.
643
00:26:36,330 --> 00:26:38,100
ARETHA: Thank you, Jerry.
644
00:26:38,410 --> 00:26:40,289
What if we put "How I Got Over" after
645
00:26:40,290 --> 00:26:41,709
"Holy, Holy"?
646
00:26:41,710 --> 00:26:42,999
CLEVELAND: Where we going
to put "Precious Memory"?
647
00:26:43,000 --> 00:26:44,459
ARETHA: Well, we could put it...
648
00:26:44,460 --> 00:26:45,999
(THUD AND WOODEN CLANG)
649
00:26:46,000 --> 00:26:47,730
MAN: Dammit!
650
00:26:48,470 --> 00:26:49,799
CLEVELAND: I'm guessing
this ain't the healing vibe
651
00:26:49,800 --> 00:26:51,780
you had in mind.
652
00:26:52,180 --> 00:26:54,009
You holding up okay?
653
00:26:54,010 --> 00:26:55,700
ARETHA: Yeah.
654
00:26:57,600 --> 00:27:00,019
CLEVELAND: Blessed
is the man that remains
655
00:27:00,020 --> 00:27:02,000
steadfast under trial.
656
00:27:02,520 --> 00:27:05,069
For when he has stood the test,
657
00:27:05,070 --> 00:27:07,670
he shall receive the crown of life.
658
00:27:08,400 --> 00:27:11,460
For the Lord has promised
those that love Him.
659
00:27:11,740 --> 00:27:13,739
ARETHA: James Chapter 1, Verse 12.
660
00:27:13,740 --> 00:27:16,130
- CLEVELAND: Amen.
- ARETHA: Amen.
661
00:27:21,670 --> 00:27:24,560
(DRUMS TUNING)
662
00:27:26,630 --> 00:27:30,270
(WARM UPS)
663
00:27:30,470 --> 00:27:31,860
(AMP BUZZES)
664
00:27:33,130 --> 00:27:36,360
(OVERLAPPING CHATTER).
665
00:27:43,690 --> 00:27:47,960
(OVERLAPPING CHATTER).
666
00:27:49,940 --> 00:27:55,550
(OVERLAPPING CHATTER).
667
00:27:57,030 --> 00:27:58,369
(GUITAR)
668
00:27:58,370 --> 00:28:00,680
MAN: Doors are open, doors are open.
669
00:28:00,830 --> 00:28:02,560
JERRY: I'm on my way.
670
00:28:03,120 --> 00:28:04,850
SYDNEY: Okay, they're coming in guys.
671
00:28:05,290 --> 00:28:09,600
(OVERLAPPING CHATTER).
672
00:28:15,140 --> 00:28:19,910
(WARM UPS AND CHATTER)
673
00:28:22,640 --> 00:28:25,399
CLEVELAND (OVER PA): I'd like to
say good evening to everybody.
674
00:28:25,400 --> 00:28:27,019
CROWD: Good evening.
675
00:28:27,020 --> 00:28:28,359
CLEVELAND (OVER PA): I'd like
to thank you for coming out
676
00:28:28,360 --> 00:28:30,670
to the first religious
recording of the Lady of Soul,
677
00:28:31,230 --> 00:28:32,710
Ms. Aretha Franklin.
678
00:28:32,940 --> 00:28:36,109
(CLAPPING).
679
00:28:36,110 --> 00:28:38,119
CLEVELAND (OVER PA):
Many of you have not had the
680
00:28:38,120 --> 00:28:41,079
opportunity to hear Aretha sing Gospel.
681
00:28:41,080 --> 00:28:43,100
Tonight, you're in for a thrill
682
00:28:43,790 --> 00:28:45,709
Yeah baby, she can sing anything.
683
00:28:45,710 --> 00:28:48,730
She can sing,
"Three Blind Mice", anything.
684
00:28:50,250 --> 00:28:53,839
I'd like you to be mindful
that this is a church and
685
00:28:53,840 --> 00:28:56,110
we're here for a religious service.
686
00:28:57,140 --> 00:28:58,509
And whatever you hear tonight,
687
00:28:58,510 --> 00:29:01,160
just remember tomorrow
night's going to even be better
688
00:29:01,510 --> 00:29:04,280
(CLAPPING).
689
00:29:07,810 --> 00:29:09,410
♪ Amen ♪
690
00:29:10,570 --> 00:29:11,859
CLEVELAND (OVER PA):
Will you please receive the
691
00:29:11,860 --> 00:29:14,340
Southern California Community Choir.
692
00:29:16,400 --> 00:29:21,590
♪ We are on our way ♪
693
00:29:21,950 --> 00:29:26,350
♪ We're on our journey home ♪
694
00:29:28,000 --> 00:29:32,270
♪ When we get to glory ♪
695
00:29:33,710 --> 00:29:36,009
♪ We will shout ♪
696
00:29:36,010 --> 00:29:39,110
♪ And tell the story ♪
697
00:29:39,720 --> 00:29:44,160
♪ How we made it over ♪
698
00:29:45,430 --> 00:29:48,849
♪ We're on our journey ♪
699
00:29:48,850 --> 00:29:53,670
♪ Home ♪
700
00:29:54,400 --> 00:29:58,380
(CHEERING).
701
00:29:59,280 --> 00:30:02,869
CLEVELAND (OVER PA): She is
known by many names and deservedly so
702
00:30:02,870 --> 00:30:04,739
earned every title.
703
00:30:04,740 --> 00:30:08,260
But I call her my sister,
Aretha Franklin.
704
00:30:09,000 --> 00:30:12,690
(APPLAUSE AND CHEERING).
705
00:30:13,250 --> 00:30:14,770
WOMAN: Aretha!
706
00:30:15,260 --> 00:30:20,990
(APPLAUSE AND CHEERING).
707
00:30:21,260 --> 00:30:27,370
(OVERLAPPING CHATTER)
708
00:30:28,350 --> 00:30:32,870
(APPLAUSE AND CHEERING).
709
00:30:36,360 --> 00:30:40,050
CLEVELAND (OVER PA): Now, as
you know this is a recording session.
710
00:30:40,610 --> 00:30:42,909
And if things should happen,
711
00:30:42,910 --> 00:30:44,829
we should have to take it over,
712
00:30:44,830 --> 00:30:46,329
you understand.
713
00:30:46,330 --> 00:30:48,539
If you said amen the first time,
714
00:30:48,540 --> 00:30:50,419
I'm going to need to you
say amen a second time.
715
00:30:50,420 --> 00:30:51,420
Amen?
716
00:30:51,421 --> 00:30:52,499
CROWD: Amen.
717
00:30:52,500 --> 00:30:55,980
CLEVELAND (OVER PA): Amen. Amen
718
00:31:00,380 --> 00:31:02,740
♪ This little light of mine ♪
719
00:31:03,300 --> 00:31:05,280
♪ I'm gonna let it shine ♪
720
00:31:05,720 --> 00:31:07,849
♪ This little light of mine ♪
721
00:31:07,850 --> 00:31:09,479
♪ I'm gonna let it shine ♪
♪
722
00:31:09,480 --> 00:31:12,200
CL: Aretha Louise,
I want to talk to you, baby.
723
00:31:14,980 --> 00:31:17,960
(MUMBLED CHATTER)
724
00:31:18,360 --> 00:31:21,130
You got something
that you want to tell me?
725
00:31:21,400 --> 00:31:24,130
How long did you think you
could keep that from me?
726
00:31:24,700 --> 00:31:27,470
I had to find out about
it from your sister, Erma.
727
00:31:27,620 --> 00:31:29,039
ARETHA: I was going to tell you, Daddy.
728
00:31:29,040 --> 00:31:30,459
CL: You going to have two
babies now, is that right?
729
00:31:30,460 --> 00:31:31,999
You going to have two babies.
What you going to do?
730
00:31:32,000 --> 00:31:33,579
You going to take two
babies on the road with you,
731
00:31:33,580 --> 00:31:34,580
is that what you going to do?
732
00:31:34,581 --> 00:31:36,640
ARETHA: I'm sorry, Daddy.
733
00:31:38,670 --> 00:31:40,150
CL: Did you know?
734
00:31:41,470 --> 00:31:43,219
I'm-a ask you again.
735
00:31:43,220 --> 00:31:46,740
Did you know? Did you know?
736
00:31:47,470 --> 00:31:49,929
I want you to get out my church.
737
00:31:49,930 --> 00:31:52,620
I done extended my
hospitality as long as I can.
738
00:31:53,060 --> 00:31:56,149
I can't allow you to be up
underneath my roof no more.
739
00:31:56,150 --> 00:31:57,150
ARETHA: Daddy, no!
740
00:31:57,151 --> 00:31:58,269
CL: Get yourself out of my house.
741
00:31:58,270 --> 00:31:59,689
ARETHA: It's my fault!
742
00:31:59,690 --> 00:32:01,189
CLEVELAND: You need to take
better care of your kids.
743
00:32:01,190 --> 00:32:03,449
CL: You take your bags and
get yourself out of my house.
744
00:32:03,450 --> 00:32:04,920
ARETHA: He didn't do anything!
745
00:32:05,660 --> 00:32:08,619
CLEVELAND: One day you
going to fly out of this cage,
746
00:32:08,620 --> 00:32:10,449
little bird.
747
00:32:10,450 --> 00:32:12,260
Be good till then, all right?
748
00:32:14,120 --> 00:32:15,770
CL: Go on now.
749
00:32:17,710 --> 00:32:22,610
♪ A... ♪
750
00:32:23,340 --> 00:32:27,950
♪ Ma... ♪
751
00:32:29,890 --> 00:32:34,370
♪ Zing ♪
752
00:32:36,520 --> 00:32:41,170
♪ Amazing grace ♪
753
00:32:42,360 --> 00:32:46,590
♪ How sweet ♪
754
00:32:49,950 --> 00:32:54,119
♪ The... ♪
755
00:32:54,120 --> 00:32:57,390
♪ Sound ♪
756
00:32:59,590 --> 00:33:02,400
♪ That ♪
757
00:33:03,880 --> 00:33:06,900
♪ That saved ♪
758
00:33:09,930 --> 00:33:12,780
♪ A wretch ♪
759
00:33:14,430 --> 00:33:19,790
♪ Like me... ♪
760
00:33:25,700 --> 00:33:30,760
♪ I, I once... ♪
♪
761
00:33:35,330 --> 00:33:37,079
WOMAN: Sing Aretha!
762
00:33:37,080 --> 00:33:39,520
♪ Was lost ♪
763
00:33:40,630 --> 00:33:44,089
(CHEERING AND APPLAUSE)
764
00:33:44,090 --> 00:33:47,480
♪ But now ♪
765
00:33:49,640 --> 00:33:52,200
♪ I'm ♪
766
00:33:53,140 --> 00:33:56,030
♪ I'm found ♪
767
00:34:00,400 --> 00:34:04,170
♪ Was ♪
768
00:34:04,940 --> 00:34:08,800
♪ Was blind ♪
769
00:34:10,820 --> 00:34:14,720
♪ But now... ♪
770
00:34:15,870 --> 00:34:22,230
♪ Now I, I see... ♪
771
00:34:27,010 --> 00:34:28,570
WOMAN: Sing it!
772
00:34:29,680 --> 00:34:31,570
♪ It was ♪
773
00:34:32,300 --> 00:34:33,860
♪ It was ♪
774
00:34:34,680 --> 00:34:37,410
♪ I want the world to know that it was ♪
775
00:34:37,730 --> 00:34:39,240
♪ It was ♪
776
00:34:39,560 --> 00:34:41,790
♪ It was ♪
777
00:34:42,020 --> 00:34:43,269
♪ It was ♪
778
00:34:43,270 --> 00:34:47,460
♪ Grace, y'all ♪
779
00:34:48,150 --> 00:34:50,149
♪ Woo-ooh-ooh ♪
780
00:34:50,150 --> 00:34:53,029
♪ It was grace Lord ♪
781
00:34:53,030 --> 00:34:56,079
♪ Oh Lord ♪
782
00:34:56,080 --> 00:34:58,850
♪ That hath brought me so safe ♪
783
00:34:59,290 --> 00:35:00,970
♪ So safe ♪
784
00:35:01,920 --> 00:35:03,940
♪ So safe ♪
785
00:35:04,290 --> 00:35:06,060
♪ So safe ♪
786
00:35:06,300 --> 00:35:07,879
♪ So safe ♪
787
00:35:07,880 --> 00:35:10,339
♪ So, so, so safe ♪
788
00:35:10,340 --> 00:35:13,280
♪ That's why ♪
789
00:35:14,220 --> 00:35:20,200
♪ And it won't be
nothin but that same Grace ♪
790
00:35:22,560 --> 00:35:26,460
♪ That's gonna lead me right ♪
791
00:35:28,110 --> 00:35:29,790
♪ I know that it won't ♪
792
00:35:30,490 --> 00:35:35,010
♪ That's gonna lead me right. ♪
793
00:35:35,410 --> 00:35:37,760
♪ Right on ♪ ♪
794
00:35:38,290 --> 00:35:39,720
MAN: Right on.
795
00:35:39,870 --> 00:35:42,499
♪ Right on. ♪
796
00:35:42,500 --> 00:35:44,930
♪ Right on ♪
797
00:35:45,210 --> 00:35:48,400
♪ Oh, right on, right on. ♪
798
00:35:49,090 --> 00:35:52,280
♪ Right on ♪
799
00:35:54,140 --> 00:35:57,150
♪ Oh, yeah ♪ ♪
800
00:35:59,600 --> 00:36:04,200
(APPLAUSE AND CHEERING).
801
00:36:16,120 --> 00:36:19,199
(APPLAUSE AND CHEERING).
802
00:36:19,200 --> 00:36:22,369
(FLASH BULBS)
803
00:36:22,370 --> 00:36:27,850
(OVERLAPPING CHATTER)
804
00:36:28,960 --> 00:36:31,520
JERRY: Thank you, thank you very much.
805
00:36:32,880 --> 00:36:34,339
Boy, you brought the house down but
806
00:36:34,340 --> 00:36:35,589
listen, listen, listen.
807
00:36:35,590 --> 00:36:37,599
Sydney is losing his mind, all right.
808
00:36:37,600 --> 00:36:39,599
His crew can't shoot around
the people in the aisle.
809
00:36:39,600 --> 00:36:41,099
So, he's going to bring
a couple more guys and
810
00:36:41,100 --> 00:36:42,429
some more equipment tomorrow.
811
00:36:42,430 --> 00:36:43,479
ARETHA: Oh, no, no.
812
00:36:43,480 --> 00:36:45,189
Absolutely not. That's impossible.
813
00:36:45,190 --> 00:36:47,099
Do they even know what they're doing?
814
00:36:47,100 --> 00:36:49,769
I don't even see that little
clapper thing which usually
815
00:36:49,770 --> 00:36:51,819
they use when I sing on TV
816
00:36:51,820 --> 00:36:54,069
JERRY: It's Sydney Pollack.
I think he's got it covered.
817
00:36:54,070 --> 00:36:56,199
ARETHA: I don't care
if it's Sydney Pollack.
818
00:36:56,200 --> 00:36:57,739
JERRY: All right, I'll follow up.
819
00:36:57,740 --> 00:36:59,119
- ARETHA: Thank you.
- JERRY: I'll follow up.
820
00:36:59,120 --> 00:37:00,369
Goodnight.
821
00:37:00,370 --> 00:37:01,699
ERMA: I just got off
the phone with Daddy and
822
00:37:01,700 --> 00:37:02,749
told him how great you were.
823
00:37:02,750 --> 00:37:03,959
And guess what he said?
824
00:37:03,960 --> 00:37:05,869
You didn't call to invite him.
825
00:37:05,870 --> 00:37:07,079
ARETHA: I forgot.
826
00:37:07,080 --> 00:37:09,520
CAROLYN: Well, he's
coming tomorrow night.
827
00:37:11,300 --> 00:37:13,310
KEN: Come on, sugar.
Let's, let's get you home.
828
00:37:13,510 --> 00:37:15,900
ERMA: Alright now, Re.
829
00:37:27,600 --> 00:37:30,670
(CHEERING).
830
00:37:34,190 --> 00:37:36,149
(APPLAUSE AND CHEERING).
831
00:37:36,150 --> 00:37:41,090
(FLASH BULBS)
832
00:37:43,950 --> 00:37:46,039
ERMA: Let me help
you with your dress, Re.
833
00:37:46,040 --> 00:37:47,539
ARETHA: I'll finish it by myself.
834
00:37:47,540 --> 00:37:49,560
- ERMA: You sure?
- ARETHA: Yeah.
835
00:37:54,510 --> 00:37:56,820
- CAROLYN: You okay, Re?
- ARETHA: Mm-hmm.
836
00:37:58,590 --> 00:38:00,759
CAROLYN: You know it'd be
worse if he wasn't coming.
837
00:38:00,760 --> 00:38:02,320
ARETHA: Mm-hmm.
838
00:38:12,770 --> 00:38:18,710
♪ ♪
839
00:38:22,370 --> 00:38:23,619
CLEVELAND (OVER PA):
Ladies and gentlemen,
840
00:38:23,620 --> 00:38:25,579
we have a legend in God's house tonight.
841
00:38:25,580 --> 00:38:27,619
One of the people who inspired Aretha,
842
00:38:27,620 --> 00:38:29,709
a great Gospel singer herself.
843
00:38:29,710 --> 00:38:30,710
Ladies and gentlemen,
844
00:38:30,711 --> 00:38:32,289
Sister Clara Ward.
845
00:38:32,290 --> 00:38:36,020
(APPLAUSE AND CHEERING).
846
00:38:39,590 --> 00:38:42,469
CLEVELAND (OVER PA): And now
we want to present the man who
847
00:38:42,470 --> 00:38:44,929
made this one here possible,
848
00:38:44,930 --> 00:38:48,139
her father, the Reverend CL Franklin
849
00:38:48,140 --> 00:38:50,439
from Detroit, Michigan.
850
00:38:50,440 --> 00:38:55,710
(APPLAUSE AND CHEERING).
851
00:38:55,860 --> 00:39:01,010
CL: Yes, sir. Yes, sir.
Yes, sir. Yes, sir.
852
00:39:02,910 --> 00:39:04,489
Yes, how are you?
853
00:39:04,490 --> 00:39:05,659
How are you people?
854
00:39:05,660 --> 00:39:07,300
Yes.
855
00:39:18,340 --> 00:39:22,469
(OVERLAPPING CHATTER)
856
00:39:22,470 --> 00:39:24,509
CLEVELAND (OVER PA): Bear
with us for one more second.
857
00:39:24,510 --> 00:39:28,320
We've got a cup of water that spilled
on a great deal of electrical wires.
858
00:39:28,930 --> 00:39:30,769
Can you hear this microphone?
859
00:39:30,770 --> 00:39:31,889
CROWD: Yeah.
860
00:39:31,890 --> 00:39:32,979
CLEVELAND (OVER PA): Okay, you can.
861
00:39:32,980 --> 00:39:36,620
WOMAN: It's a beautiful service.
862
00:39:36,980 --> 00:39:38,279
ARETHA: You didn't have to
come all the way from home
863
00:39:38,280 --> 00:39:39,689
just for this, Daddy.
864
00:39:39,690 --> 00:39:42,300
CL: You really think
you can keep me away?
865
00:39:44,240 --> 00:39:45,369
CLEVELAND (OVER PA): All right
let's give the technician a
866
00:39:45,370 --> 00:39:47,720
big hand for fixing the difficulties.
867
00:39:47,910 --> 00:39:49,249
And now let's get back to church.
868
00:39:49,250 --> 00:39:51,930
(CLAPPING).
869
00:39:55,040 --> 00:39:57,230
- CLEVELAND: You okay?
- ARETHA: Mm-hmm.
870
00:39:57,590 --> 00:39:59,419
CLEVELAND: All right, all right.
871
00:39:59,420 --> 00:40:00,509
CLEVELAND (OVER PA): We going
to do a little song we borrowed from
872
00:40:00,510 --> 00:40:01,839
Reverend CL Franklin.
873
00:40:01,840 --> 00:40:03,799
One of his old numbers,
a little song called
874
00:40:03,800 --> 00:40:05,509
"Climbing Higher Mountains"
875
00:40:05,510 --> 00:40:08,530
trying to get home.
876
00:40:09,140 --> 00:40:10,349
(APPLAUSE).
877
00:40:10,350 --> 00:40:11,870
Amen.
878
00:40:15,600 --> 00:40:19,290
♪ ♪
879
00:40:25,240 --> 00:40:28,180
ARETHA (OVER PA): Wait a minute
880
00:40:39,000 --> 00:40:43,610
We'll start again.
881
00:40:50,930 --> 00:40:52,370
♪ I'm climbing ♪
882
00:40:52,600 --> 00:40:53,520
♪ I'm climbing ♪
883
00:40:53,520 --> 00:40:54,520
♪ Higher mountains ♪
884
00:40:54,520 --> 00:40:55,480
♪ Higher mountains ♪
885
00:40:55,480 --> 00:40:56,480
♪ Trying to get home ♪
886
00:40:56,481 --> 00:40:57,979
♪ Trying to get home ♪
887
00:40:57,980 --> 00:40:59,439
♪ I'm climbing ♪
888
00:40:59,440 --> 00:41:00,609
♪ I'm climbing ♪
889
00:41:00,610 --> 00:41:01,610
♪ Higher mountains ♪
890
00:41:01,611 --> 00:41:02,779
♪ Higher mountains ♪
891
00:41:02,780 --> 00:41:03,939
♪ Trying to get home ♪
892
00:41:03,940 --> 00:41:06,050
♪ Trying to get home ♪
893
00:41:06,360 --> 00:41:08,029
♪ I'm climbing ♪
894
00:41:08,030 --> 00:41:09,699
♪ Higher mountains ♪
895
00:41:09,700 --> 00:41:10,700
♪ Climbing ♪
896
00:41:10,701 --> 00:41:11,829
♪ Whoa climbing ♪
897
00:41:11,830 --> 00:41:13,619
♪ Everyday ♪
898
00:41:13,620 --> 00:41:15,499
♪ Oh, I'm climbing ♪
899
00:41:15,500 --> 00:41:17,829
♪ Higher mountains ♪
900
00:41:17,830 --> 00:41:19,890
♪ Trying to get home ♪
901
00:41:21,630 --> 00:41:24,570
♪ Well my road, been a little rocky ♪
902
00:41:25,470 --> 00:41:26,929
♪ All the way home ♪
903
00:41:26,930 --> 00:41:28,940
♪ Trying to get home ♪
904
00:41:29,350 --> 00:41:32,490
♪ Well my roads, been a little rocky ♪
905
00:41:33,220 --> 00:41:34,639
♪ On my way home ♪
906
00:41:34,640 --> 00:41:36,660
♪ Trying to get home ♪
907
00:41:36,890 --> 00:41:39,710
♪ Well my roads, been a little rocky ♪
908
00:41:40,400 --> 00:41:43,830
♪ Goin up a mountain,
goin on up the mountain ♪
909
00:41:44,150 --> 00:41:47,340
♪ Well my roads, been a little rocky ♪
910
00:41:47,910 --> 00:41:49,319
♪ All the way home ♪
911
00:41:49,320 --> 00:41:51,090
♪ Trying to get home ♪
912
00:41:51,370 --> 00:41:53,539
CL: Well, of course
we want Aretha to graduate
913
00:41:53,540 --> 00:41:55,600
with her class.
914
00:41:56,500 --> 00:41:58,419
But Mrs. Lowrey, can you
tell me how she's going to
915
00:41:58,420 --> 00:42:01,129
keep up with her schooling,
study for her tests,
916
00:42:01,130 --> 00:42:02,959
and take care of one
baby at home and another
917
00:42:02,960 --> 00:42:04,589
one on the way?
918
00:42:04,590 --> 00:42:07,320
And, you know, she's,
she's singing in my choir, too.
919
00:42:08,300 --> 00:42:10,719
MRS. LOWREY:
Mr. Franklin, all due respect,
920
00:42:10,720 --> 00:42:13,740
Aretha is so much
more than just a singer.
921
00:42:13,930 --> 00:42:15,769
She is a gifted student.
922
00:42:15,770 --> 00:42:18,939
CL: More than a singer?
923
00:42:18,940 --> 00:42:21,269
Mrs. Lowrey, have you seen Aretha sing?
924
00:42:21,270 --> 00:42:22,519
MRS. LOWREY: Of course.
925
00:42:22,520 --> 00:42:25,569
I just, it is so important for our
926
00:42:25,570 --> 00:42:27,149
young women to stay in school.
927
00:42:27,150 --> 00:42:29,069
It is their path to self-reliance.
928
00:42:29,070 --> 00:42:31,739
CL: In my humble opinion,
929
00:42:31,740 --> 00:42:34,510
self-reliance is an overrated notion.
930
00:42:35,040 --> 00:42:38,390
We must rely on our
God for our guidance.
931
00:42:38,580 --> 00:42:40,169
MRS. LOWREY: Indeed.
932
00:42:40,170 --> 00:42:42,850
But I believe the
Lord smiles on learning.
933
00:42:43,630 --> 00:42:46,650
"Study to show thyself
approved unto God.
934
00:42:47,170 --> 00:42:50,339
A workman that needeth
not to be ashamed."
935
00:42:50,340 --> 00:42:51,969
Timothy 2:15.
936
00:42:51,970 --> 00:42:54,679
Now, I've made a list
of all the work that Aretha
937
00:42:54,680 --> 00:42:57,019
needs to complete for graduation.
938
00:42:57,020 --> 00:42:58,889
And I would be more
than happy to spend as much
939
00:42:58,890 --> 00:43:00,979
extra time with her as she needs.
940
00:43:00,980 --> 00:43:03,580
Please, she has so much potential.
941
00:43:04,190 --> 00:43:08,819
CL: We gonna see what
God is going to do and then
942
00:43:08,820 --> 00:43:10,300
we'll get back to you.
943
00:43:10,740 --> 00:43:13,050
Okay.
944
00:43:15,490 --> 00:43:17,470
Let me see that.
945
00:43:19,660 --> 00:43:22,560
No, I don't think this is going to work.
946
00:43:23,380 --> 00:43:24,629
It's okay, baby.
947
00:43:24,630 --> 00:43:26,520
I have something else for you.
948
00:43:26,670 --> 00:43:27,670
ARETHA: Going back on tour?
949
00:43:27,671 --> 00:43:29,089
CL: Oh, no, no, no.
950
00:43:29,090 --> 00:43:32,400
Even better, you have
better things waiting for you!
951
00:43:33,470 --> 00:43:36,860
(APPLAUSE AND CHEERING).
952
00:43:37,510 --> 00:43:41,139
CL (OVER PA): Now, I think
that Reverend Cleveland picked
953
00:43:41,140 --> 00:43:44,250
a bad time for me to make a talk.
954
00:43:46,190 --> 00:43:51,449
Behind all the spirit
and enthusiasm that Aretha
955
00:43:51,450 --> 00:43:53,590
has engendered here tonight.
956
00:43:53,950 --> 00:43:55,970
CROWD: Yes!
957
00:43:56,330 --> 00:43:57,789
WOMAN: Yes, sir. Yes, sir.
958
00:43:57,790 --> 00:44:00,619
CL (OVER PA): You all were
overwhelmed with the magnificent
959
00:44:00,620 --> 00:44:02,850
gift of her voice.
960
00:44:06,630 --> 00:44:10,919
But I couldn't help but
remember the first time
961
00:44:10,920 --> 00:44:15,190
I took her with me on
the road to sing Gospel.
962
00:44:17,350 --> 00:44:21,830
You all were crying, you all were moved,
963
00:44:23,850 --> 00:44:29,040
but as her father I was
about to bust wide open.
964
00:44:30,230 --> 00:44:31,989
(APPLAUSE AND CHEERING).
965
00:44:31,990 --> 00:44:33,699
WOMAN: My, my, my.
966
00:44:33,700 --> 00:44:37,260
CL (OVER PA): Not only
because Aretha is my daughter.
967
00:44:38,530 --> 00:44:43,140
I wouldn't be all right upstairs
if I didn't appreciate that.
968
00:44:45,330 --> 00:44:50,770
But I saw with pride
that Aretha is not only
969
00:44:51,170 --> 00:44:53,320
just my daughter,
970
00:44:54,720 --> 00:44:59,490
but Aretha is just a stone singer.
971
00:45:00,140 --> 00:45:04,830
(APPLAUSE AND CHEERING).
972
00:45:07,480 --> 00:45:09,580
CL: God bless you.
973
00:45:15,320 --> 00:45:17,670
CLEVELAND: You can do this.
974
00:45:20,780 --> 00:45:23,829
CLEVELAND (OVER PA): Now,
the first time we heard Aretha Franklin
975
00:45:23,830 --> 00:45:28,350
many years ago,
we heard her sing this song.
976
00:45:30,340 --> 00:45:33,129
I have heard of a land that we shall
977
00:45:33,130 --> 00:45:34,719
"Never Grow Old".
978
00:45:34,720 --> 00:45:36,320
CROWD: Yes, sir.
979
00:45:45,480 --> 00:45:50,500
♪ I had... ♪
980
00:45:54,150 --> 00:45:59,050
♪ Heard ♪
981
00:46:05,620 --> 00:46:09,980
♪ Of a land ♪
982
00:46:18,260 --> 00:46:22,030
♪ On far ♪ ♪
983
00:46:26,270 --> 00:46:30,580
- CROWD: All right, now.
- CL FRANKLIN: Yes, hallelujah.
984
00:46:30,900 --> 00:46:34,080
♪ Far away strand ♪
985
00:46:35,900 --> 00:46:37,130
WOMAN: Yes, sir.
986
00:46:38,110 --> 00:46:40,880
(CLAPPING).
987
00:46:41,070 --> 00:46:47,260
♪ This a beauti... ♪
988
00:46:54,040 --> 00:46:57,690
♪ ...Ful home ♪
989
00:47:03,350 --> 00:47:05,599
♪ Of the soul ♪
990
00:47:05,600 --> 00:47:08,950
CL: Yes, Lord. Ha-ha!
991
00:47:09,940 --> 00:47:12,019
She's may she had
to leave school to do it,
992
00:47:12,020 --> 00:47:16,880
but I believe Aretha may have
found her higher calling.
993
00:47:17,360 --> 00:47:22,970
♪ Built by Jesus ♪
994
00:47:24,830 --> 00:47:27,470
♪ On high ♪
995
00:47:27,950 --> 00:47:29,970
MAN: Yes, sir.
996
00:47:33,920 --> 00:47:38,900
♪ There, there we'll never ♪
997
00:47:39,630 --> 00:47:42,860
(OVERLAPPING CHATTER)
998
00:47:43,470 --> 00:47:47,320
♪ Never will die ♪
999
00:47:47,680 --> 00:47:50,660
- CLEVELAND: Woo!
- WOMAN: Yes!
1000
00:47:54,020 --> 00:47:56,189
♪ This is a land where ♪
1001
00:47:56,190 --> 00:48:00,130
- CECIL: Woo, yes, come on.
- WOMAN: Praise him.
1002
00:48:02,240 --> 00:48:04,069
♪ Never... ♪
1003
00:48:04,070 --> 00:48:06,010
WOMAN: Alright!
1004
00:48:08,410 --> 00:48:12,760
♪ Grow... ♪
1005
00:48:14,460 --> 00:48:17,980
♪ Grow old ♪
1006
00:48:18,920 --> 00:48:22,759
(APPLAUSE AND CHEERING).
1007
00:48:22,760 --> 00:48:26,150
♪ We'll, we'll never... ♪
1008
00:48:26,600 --> 00:48:28,309
CROWD: Sing Aretha!
1009
00:48:28,310 --> 00:48:30,280
♪ Can I get you to help me say that ♪
1010
00:48:30,560 --> 00:48:33,200
♪ We'll never ♪
1011
00:48:33,440 --> 00:48:34,790
WOMAN: Never!
1012
00:48:35,100 --> 00:48:39,710
♪ Never grow old ♪
1013
00:48:43,030 --> 00:48:47,590
♪ Old, we'll never ♪
1014
00:48:47,820 --> 00:48:50,619
CLEVELAND: Sing it! Yes, Lord!
1015
00:48:50,620 --> 00:48:53,140
♪ Never ♪
1016
00:48:54,290 --> 00:48:57,850
♪ Never grow old ♪
1017
00:48:58,090 --> 00:48:59,730
CAROLYN: Come on, Re!
1018
00:48:59,920 --> 00:49:02,259
♪ When you get through doing down here ♪
1019
00:49:02,260 --> 00:49:03,919
♪ There is a land ♪
1020
00:49:03,920 --> 00:49:06,360
MAN: Woo, Jesus!
1021
00:49:06,890 --> 00:49:10,740
♪ He done laid out a land ♪
1022
00:49:11,770 --> 00:49:13,870
♪ Oh, Lord ♪
1023
00:49:14,730 --> 00:49:16,559
♪ Where we'll never ♪
1024
00:49:16,560 --> 00:49:17,899
MAN: Never!
1025
00:49:17,900 --> 00:49:19,229
♪ We'll never ♪
1026
00:49:19,230 --> 00:49:20,319
WOMAN: Never!
1027
00:49:20,320 --> 00:49:21,779
♪ Never ♪
1028
00:49:21,780 --> 00:49:22,939
CROWD: Never!
1029
00:49:22,940 --> 00:49:24,399
♪ We'll never ♪
1030
00:49:24,400 --> 00:49:30,220
♪ Grow old ♪
1031
00:49:35,370 --> 00:49:40,270
♪ Mmmm-mmm-mm-mm ♪
1032
00:49:46,510 --> 00:49:51,200
(APPLAUSE AND CHEERING).
1033
00:49:51,810 --> 00:49:53,870
MAN: Amen!
1034
00:49:55,390 --> 00:49:58,870
(OVERLAPPING CHATTER)
1035
00:50:01,400 --> 00:50:03,580
(APPLAUSE AND CHEERING).
1036
00:50:15,660 --> 00:50:18,970
♪ Because the Lord is my shepherd ♪
1037
00:50:21,130 --> 00:50:26,190
♪ I have every-thing I need ♪
1038
00:50:27,670 --> 00:50:30,820
♪ He's gonna help me
rest in the meadow's grass ♪
1039
00:50:32,260 --> 00:50:35,950
♪ And he's gonna lead me
beside the quiet streams ♪
1040
00:50:38,390 --> 00:50:42,210
♪ He's restoring my failing health. ♪
1041
00:50:44,150 --> 00:50:48,630
♪ Lord's gonna help me do
what honors Him the most. ♪
1042
00:50:49,700 --> 00:50:51,210
♪ Safe. ♪
1043
00:50:52,740 --> 00:50:55,289
♪ You're safe ♪
1044
00:50:55,290 --> 00:50:58,560
♪ Everyone of us is safe ♪
1045
00:50:59,250 --> 00:51:00,850
♪ We're safe ♪
1046
00:51:01,000 --> 00:51:07,000
Subtitle sync and corrections by
awaqeded for www.addic7ed.com.
74556
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
