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These are the user uploaded subtitles that are being translated: 1 00:00:00,440 --> 00:00:02,819 ANNOUNCER: Previously on Genius. 2 00:00:02,820 --> 00:00:04,819 JERRY: What kind of music do you really want to make, 3 00:00:04,820 --> 00:00:06,109 Ms. Franklin? 4 00:00:06,110 --> 00:00:08,449 ARETHA: I want to make hits, Mr. Wexler. 5 00:00:08,450 --> 00:00:09,739 JERRY: You'll get there when you realize you're 6 00:00:09,740 --> 00:00:12,510 Aretha Franklin and nobody else. 7 00:00:13,080 --> 00:00:16,140 I can help you find your sound, that's what I do. 8 00:00:16,460 --> 00:00:18,539 ARETHA: I'd like to join your tour, Dr. King. 9 00:00:18,540 --> 00:00:19,999 KING: We'd love to have you. 10 00:00:20,000 --> 00:00:22,129 CL: Detroit needs its favorite daughter now. 11 00:00:22,130 --> 00:00:24,339 KING: Your daughter is a start of international prominence, 12 00:00:24,340 --> 00:00:26,469 that comes with a certain responsibility. 13 00:00:26,470 --> 00:00:27,889 BARBARA: Why is there a second crib here with 14 00:00:27,890 --> 00:00:29,259 CL's name on it? 15 00:00:29,260 --> 00:00:31,410 WOMAN: Oh, I'm sure it's just a mistake. 16 00:00:31,680 --> 00:00:34,950 BARBARA: I always had suspicions but at your core, 17 00:00:35,520 --> 00:00:37,809 I thought you were a good, loving man. 18 00:00:37,810 --> 00:00:39,809 ARETHA: Her mother deserted the family and died; 19 00:00:39,810 --> 00:00:41,790 our mother never deserted us. 20 00:00:42,070 --> 00:00:43,569 How the hell did he know all this shit? 21 00:00:43,570 --> 00:00:44,859 Did you speak to him by yourself? 22 00:00:44,860 --> 00:00:46,359 TED: He called me, yeah. 23 00:00:46,360 --> 00:00:47,949 ARETHA: He was only acting friendly and you feel for it? 24 00:00:47,950 --> 00:00:49,369 TED: We all fell for it. 25 00:00:49,370 --> 00:00:50,949 KING CURTIS: You know he don't treat you right. 26 00:00:50,950 --> 00:00:52,039 ARETHA: He never has. 27 00:00:52,040 --> 00:00:53,239 KING CURTIS: You think you need him, 28 00:00:53,240 --> 00:00:55,789 but he knows deep inside you don't. 29 00:00:55,790 --> 00:00:57,249 TED: Look, we've been through a lot of stuff, 30 00:00:57,250 --> 00:00:58,120 we always make it through. 31 00:00:58,121 --> 00:00:59,289 ARETHA: Not this time. 32 00:00:59,290 --> 00:01:01,560 You have one choice; you can leave, or I can. 33 00:01:02,000 --> 00:01:03,089 TED: You need me, Re. 34 00:01:03,090 --> 00:01:04,440 ARETHA: Hell I do. 35 00:01:10,470 --> 00:01:12,849 ♪ It's a family affair ♪♪ 36 00:01:12,850 --> 00:01:14,240 CHILD: Cannon ball! 37 00:01:17,980 --> 00:01:19,450 Shark attack! 38 00:01:20,940 --> 00:01:23,290 ♪ It's a family affair ♪ 39 00:01:24,780 --> 00:01:26,359 ♪ It's a family affair ♪♪ 40 00:01:26,360 --> 00:01:27,649 ARETHA: Would you go on and take that 41 00:01:27,650 --> 00:01:29,590 over there now, please. 42 00:01:30,950 --> 00:01:32,909 CAROLYN: This is what I'm thinking for my album cover. 43 00:01:32,910 --> 00:01:35,970 ARETHA: Baby Dynamite, it's gorgeous. 44 00:01:39,580 --> 00:01:41,919 CAROLYN: Any chance you'd write the liner notes? 45 00:01:41,920 --> 00:01:43,499 It'd be a help. 46 00:01:43,500 --> 00:01:45,089 ARETHA: Is Erma still mad that I released 47 00:01:45,090 --> 00:01:46,549 "Son of a Preacher Man"? 48 00:01:46,550 --> 00:01:48,219 CAROLYN: Well, you did say you weren't going to release it. 49 00:01:48,220 --> 00:01:49,759 ARETHA: Well, she recorded it and it didn't chart. 50 00:01:49,760 --> 00:01:52,070 CAROLYN: And now she feels like you stole her thunder. 51 00:01:55,930 --> 00:01:57,059 ARETHA: This is a crazy business, 52 00:01:57,060 --> 00:01:58,620 we all just out here trying to make it. 53 00:01:59,850 --> 00:02:01,399 REPORTER (OVER TV): A riot broke out today in 54 00:02:01,400 --> 00:02:03,359 California Soledad State Prison. 55 00:02:03,360 --> 00:02:04,569 ARETHA: All right, I'll write your liner notes, 56 00:02:04,570 --> 00:02:05,609 no sweat. 57 00:02:05,610 --> 00:02:07,319 CAROLYN: Thank you. 58 00:02:07,320 --> 00:02:08,569 REPORTER (OVER TV): Three Negro inmates, while engaged in, 59 00:02:08,570 --> 00:02:10,199 what several reports say was a fistfight, 60 00:02:10,200 --> 00:02:12,699 were shot and killed by prison guards. 61 00:02:12,700 --> 00:02:15,789 Some think the violence is related to the racially 62 00:02:15,790 --> 00:02:19,289 charged riots that have rocked several American cities 63 00:02:19,290 --> 00:02:20,999 over the past few years. 64 00:02:21,000 --> 00:02:22,709 - CAROLYN: Let me turn this off. - ARETHA: Don't. 65 00:02:22,710 --> 00:02:24,749 REPORTER (OVER TV): Most notably in the months of 1967. 66 00:02:24,750 --> 00:02:26,879 CAROLYN: The world is going crazy, 67 00:02:26,880 --> 00:02:28,299 but you can only do so much. 68 00:02:28,300 --> 00:02:29,759 ARETHA: Well, the least I can do is listen. 69 00:02:29,760 --> 00:02:33,549 Mass incarceration, racial injustice; 70 00:02:33,550 --> 00:02:34,889 it just makes me want to holler. 71 00:02:34,890 --> 00:02:36,559 CAROLYN: I hear that. 72 00:02:36,560 --> 00:02:39,389 But you always getting tangled up in other people's messes. 73 00:02:39,390 --> 00:02:40,990 Don't. 74 00:02:41,440 --> 00:02:44,410 ARETHA: They shoot us down like dogs; 75 00:02:45,820 --> 00:02:47,880 like our lives ain't worth nothing. 76 00:02:51,990 --> 00:02:54,659 I'm going to record a protest album. 77 00:02:54,660 --> 00:02:56,720 It's time to take a stand. 78 00:03:00,000 --> 00:03:06,480 (THEME MUSIC PLAYS) 79 00:03:27,730 --> 00:03:33,500 ♪ ♪ 80 00:03:37,000 --> 00:03:42,500 Subtitle sync and corrections by awaqeded for www.addic7ed.com. 81 00:03:43,830 --> 00:03:45,169 CECIL: Well, Re, you wanted to meet the man who 82 00:03:45,170 --> 00:03:46,669 made my medallion. 83 00:03:46,670 --> 00:03:48,799 Ken Cunningham meet my sister Aretha Franklin. 84 00:03:48,800 --> 00:03:49,879 ARETHA: Pleasure to meet you. 85 00:03:49,880 --> 00:03:51,089 KEN: It's an honor. 86 00:03:51,090 --> 00:03:52,339 CECIL: I'll leave you two. 87 00:03:52,340 --> 00:03:53,469 ARETHA: Shall we sit? 88 00:03:53,470 --> 00:03:55,400 KEN: Sounds good. 89 00:03:58,180 --> 00:03:59,349 ARETHA: These are your designs? 90 00:03:59,350 --> 00:04:01,389 KEN: Yes, ma'am. 91 00:04:01,390 --> 00:04:03,729 Our designers are brothers and sisters who work 92 00:04:03,730 --> 00:04:06,080 with jewelers and seamstresses in Harlem. 93 00:04:06,900 --> 00:04:08,439 ARETHA: Everything is gorgeous. 94 00:04:08,440 --> 00:04:09,769 KEN: Yes, indeed. 95 00:04:09,770 --> 00:04:12,359 Gorgeous, comfortable, and instep with the time. 96 00:04:12,360 --> 00:04:14,399 Now, we going to be in runways and magazines, 97 00:04:14,400 --> 00:04:16,239 and we've got good word of mouth. 98 00:04:16,240 --> 00:04:17,640 ARETHA: And now you need investors. 99 00:04:18,990 --> 00:04:21,039 Cecil says that you're a self-made businessman who is 100 00:04:21,040 --> 00:04:22,329 socially conscious. 101 00:04:22,330 --> 00:04:23,959 KEN: Well, thank you, Cecil. 102 00:04:23,960 --> 00:04:26,039 ARETHA: Well, I like to empower people, 103 00:04:26,040 --> 00:04:27,959 but I have to thoroughly checkup on people before 104 00:04:27,960 --> 00:04:29,039 I meet them. 105 00:04:29,040 --> 00:04:30,669 KEN: Well, I certainly hope I rate. 106 00:04:30,670 --> 00:04:32,440 ARETHA: So far. 107 00:04:32,670 --> 00:04:34,879 Could I have a scotch, please? 108 00:04:34,880 --> 00:04:36,530 KEN: Just water for me, thanks. 109 00:04:38,010 --> 00:04:39,509 Hey, I have a gift for you. 110 00:04:39,510 --> 00:04:42,740 If you would allow me to flip to the back page. 111 00:04:43,930 --> 00:04:46,269 Ah, this, this is from Ghana. 112 00:04:46,270 --> 00:04:49,559 Now, if you look here the white symbolizes goodness and 113 00:04:49,560 --> 00:04:51,580 the gold is for prosperity. 114 00:04:52,730 --> 00:04:55,500 I thought it would be perfect for you. 115 00:04:57,200 --> 00:04:58,409 ARETHA: Thank you. 116 00:04:58,410 --> 00:04:59,619 You've got to come to the studio, 117 00:04:59,620 --> 00:05:01,470 see how I run my business. 118 00:05:02,700 --> 00:05:07,430 (PIANO). 119 00:05:10,170 --> 00:05:11,170 ARETHA: And after that, I come in. 120 00:05:11,171 --> 00:05:12,650 You got it? 121 00:05:14,260 --> 00:05:16,049 ARIF, I know I've been talking a mile a minute, 122 00:05:16,050 --> 00:05:17,610 are you getting everything down? 123 00:05:18,010 --> 00:05:19,469 ARIF: Just like you laid it out for me, 124 00:05:19,470 --> 00:05:21,200 hot off the press. 125 00:05:24,600 --> 00:05:26,429 ARETHA: Billy, can you give us more feel? 126 00:05:26,430 --> 00:05:28,099 BILLY: I'll take us all to church. 127 00:05:28,100 --> 00:05:29,769 ARETHA: Cornell, I want you to keep it greasy. 128 00:05:29,770 --> 00:05:31,870 CORNELL: Deep fried and laid to the side. 129 00:05:33,860 --> 00:05:35,500 ARETHA: And, Chuck and Ray won't rush. 130 00:05:35,740 --> 00:05:38,210 - CHUCK: I'm in. - RAY: Copy that. 131 00:05:39,110 --> 00:05:40,279 ARETHA: Ladies? 132 00:05:40,280 --> 00:05:42,130 WOMAN: Oh, we're good to go. 133 00:05:42,530 --> 00:05:43,659 (HARMONIZING) 134 00:05:43,660 --> 00:05:45,329 WOMAN: Wait a minute, wait a minute. 135 00:05:45,330 --> 00:05:47,329 ARETHA: Okay, let's take it from the top. 136 00:05:47,330 --> 00:05:48,810 MAN: Going to make a hit. 137 00:05:51,250 --> 00:05:53,140 We need to work on that pocket. 138 00:05:54,960 --> 00:05:56,730 ARETHA: All right. 139 00:05:57,880 --> 00:06:01,150 (PIANO). 140 00:06:06,810 --> 00:06:09,200 ARETHA: Wait a minute, now. 141 00:06:10,980 --> 00:06:13,580 There was a pizza box on the piano, where is it? 142 00:06:14,400 --> 00:06:16,069 There was a pizza box on the piano, where is it? 143 00:06:16,070 --> 00:06:17,399 ARIF: What, you want to order dinner, or? 144 00:06:17,400 --> 00:06:19,710 ARETHA: It makes the piano sound different. 145 00:06:23,240 --> 00:06:24,779 - MAN: Sorry. - MAN 2: Chop, chop. 146 00:06:24,780 --> 00:06:26,550 MAN: Thought it was garbage. 147 00:06:27,910 --> 00:06:31,640 (OVERLAPPING CHATTER) 148 00:06:35,340 --> 00:06:37,020 ARETHA: Let's take it from the top. 149 00:06:37,760 --> 00:06:43,990 (PIANO). 150 00:06:45,890 --> 00:06:50,280 ♪ Holy Moses, I have been removed ♪ 151 00:06:52,690 --> 00:06:57,460 ♪ I have seen the specter, he has been here too ♪ 152 00:06:59,610 --> 00:07:02,460 ♪ Distant cousin from down the line ♪ 153 00:07:03,070 --> 00:07:05,720 ♪ Brand of people who ain't my kind ♪ 154 00:07:08,580 --> 00:07:12,970 ♪ Holy Moses, I have been removed ♪♪ 155 00:07:18,550 --> 00:07:20,379 JERRY: How political is she going to get? 156 00:07:20,380 --> 00:07:21,669 RUTH: She hasn't said. 157 00:07:21,670 --> 00:07:23,679 CECIL: She's been listening to anti-war songs, 158 00:07:23,680 --> 00:07:25,139 migrant farmer songs. 159 00:07:25,140 --> 00:07:27,759 TOM: Hasn't she earned the right to do what she wants? 160 00:07:27,760 --> 00:07:30,479 ♪ Now the wind has changed directions ♪ 161 00:07:30,480 --> 00:07:32,700 ♪ I think I'll have to leave ♪♪ 162 00:07:32,850 --> 00:07:34,399 JERRY: I just don't want people to boycott her. 163 00:07:34,400 --> 00:07:37,710 You know, she could play the Fillmore West instead. 164 00:07:38,770 --> 00:07:40,489 You know, peace and drug loving hippies, 165 00:07:40,490 --> 00:07:41,939 they're radical but not in a way that would 166 00:07:41,940 --> 00:07:44,279 alienate her fanbase. 167 00:07:44,280 --> 00:07:45,949 Think hippies would get her? 168 00:07:45,950 --> 00:07:47,279 CECIL: Why wouldn't they get her? 169 00:07:47,280 --> 00:07:49,829 RUTH: What she should do is play the Fillmore 170 00:07:49,830 --> 00:07:51,079 and make this album. 171 00:07:51,080 --> 00:07:53,640 ♪ Yes I have now ♪ 172 00:07:54,250 --> 00:07:57,709 ♪ I'm going back to the border where my affairs ♪ 173 00:07:57,710 --> 00:08:01,009 ♪ My affairs ain't been abused ♪ 174 00:08:01,010 --> 00:08:03,770 ♪ I can't take any more bad water ♪ 175 00:08:04,220 --> 00:08:09,570 ♪ I've been poisoned from my head down to my shoes ♪♪ 176 00:08:11,930 --> 00:08:13,429 JERRY: Yeah, I don't know that this song is going 177 00:08:13,430 --> 00:08:15,240 to resonate with her hardcore fans. 178 00:08:15,650 --> 00:08:17,059 RUTH: Well, it resonates with me. 179 00:08:17,060 --> 00:08:18,859 JERRY: Well, if they all sound like this, great, 180 00:08:18,860 --> 00:08:21,279 but if not, we've got a dud on our hands. 181 00:08:21,280 --> 00:08:23,189 You know, she thinks those Soledad Brothers are 182 00:08:23,190 --> 00:08:25,630 folk heroes but I'm not so sure her fanbase does. 183 00:08:26,030 --> 00:08:27,739 RUTH: Look, it's not easy on my end either. 184 00:08:27,740 --> 00:08:30,329 Last summer, she sparks a riot in Denver and then 185 00:08:30,330 --> 00:08:31,909 she cancels in Las Vegas. 186 00:08:31,910 --> 00:08:33,930 I'm having trouble booking her. 187 00:08:34,330 --> 00:08:36,180 JERRY: Yeah. 188 00:08:36,580 --> 00:08:38,129 Who's this guy she's with? 189 00:08:38,130 --> 00:08:41,339 CECIL: It's Ken Cunningham, social activist, businessman. 190 00:08:41,340 --> 00:08:44,049 He's solid, I checked. 191 00:08:44,050 --> 00:08:46,440 JERRY: The divorce with Ted come through yet? 192 00:08:52,520 --> 00:08:53,929 Great. 193 00:08:53,930 --> 00:08:58,250 ♪ Holy Moses, can we live in peace? ♪ 194 00:08:59,940 --> 00:09:06,050 ♪ Let us strive to find a way to make all hatred cease ♪ 195 00:09:06,780 --> 00:09:09,739 ♪ There's a man standing over there ♪ 196 00:09:09,740 --> 00:09:12,640 ♪ What's his color, do you care? ♪ 197 00:09:13,620 --> 00:09:15,369 ♪ Holy ♪ 198 00:09:15,370 --> 00:09:17,619 ♪ Holy, holy, holy ♪ 199 00:09:17,620 --> 00:09:20,079 ♪ Holy Moses can we live in peace? ♪ 200 00:09:20,080 --> 00:09:21,749 ♪ Lord help me know ♪ 201 00:09:21,750 --> 00:09:24,259 ♪ Holy, holy Moses ♪ 202 00:09:24,260 --> 00:09:26,610 ♪ Can we live in peace? ♪ 203 00:09:27,170 --> 00:09:28,130 ♪ My brother ♪ 204 00:09:28,131 --> 00:09:30,360 ♪ Holy Moses ♪ 205 00:09:31,180 --> 00:09:35,450 ♪ Can we live ♪ 206 00:09:37,850 --> 00:09:39,950 ♪ I wonder can we? ♪ 207 00:09:40,350 --> 00:09:41,439 ♪ Can we ♪ 208 00:09:41,440 --> 00:09:45,210 ♪ Can we live in peace? ♪ ♪ 209 00:09:51,820 --> 00:09:53,159 ARETHA: I'm writing a new song. 210 00:09:53,160 --> 00:09:54,489 JERRY: What's it called? 211 00:09:54,490 --> 00:09:55,909 ARETHA: I don't know yet but it's, 212 00:09:55,910 --> 00:09:57,600 it's going to hit you hard, 213 00:09:58,330 --> 00:10:00,709 get under your skin right down to the bone. 214 00:10:00,710 --> 00:10:02,879 CECIL: I'm loving it already. 215 00:10:02,880 --> 00:10:04,770 MAN: Right on. 216 00:10:05,170 --> 00:10:07,589 ARETHA: It's going to be a protest song. 217 00:10:07,590 --> 00:10:08,929 The message is going to be there but it's going 218 00:10:08,930 --> 00:10:10,799 to be quiet. 219 00:10:10,800 --> 00:10:12,469 It's going to be fun to dance to. 220 00:10:12,470 --> 00:10:13,509 KEN: Subversive. 221 00:10:13,510 --> 00:10:15,179 ARETHA: Yeah, that's right. 222 00:10:15,180 --> 00:10:17,519 KEN: Anybody aside from me follow what's going on over 223 00:10:17,520 --> 00:10:19,599 there in Soledad? 224 00:10:19,600 --> 00:10:21,689 ARETHA: Angela Davis speaking out? 225 00:10:21,690 --> 00:10:23,479 KING CURTIS: Cause the incarceration has been unjust 226 00:10:23,480 --> 00:10:27,569 and unwarranted from jump. 227 00:10:27,570 --> 00:10:29,569 ARETHA: Angela Davis has my vote. 228 00:10:29,570 --> 00:10:31,859 RUTH: Maybe you could do a concert at Folsom. 229 00:10:31,860 --> 00:10:33,949 Johnny Cash did and B. B. King is planning to do one. 230 00:10:33,950 --> 00:10:35,869 I also like that idea about the Fillmore. 231 00:10:35,870 --> 00:10:37,369 ARETHA: It's nice to know that the world doesn't 232 00:10:37,370 --> 00:10:39,869 turn off when the signer starts telling it like it is. 233 00:10:39,870 --> 00:10:42,959 I'd sing any gig. 234 00:10:42,960 --> 00:10:44,640 I miss the energy of the audience. 235 00:10:44,920 --> 00:10:46,049 RUTH: I'll work on it. 236 00:10:46,050 --> 00:10:47,509 JERRY: Okay. 237 00:10:47,510 --> 00:10:51,030 Just a reminder that music is a business, all right. 238 00:10:51,340 --> 00:10:53,429 What do you think pays for your vacation home? 239 00:10:53,430 --> 00:10:55,219 Or my boat in Miami? 240 00:10:55,220 --> 00:10:56,719 Hit records do. 241 00:10:56,720 --> 00:10:58,099 ARETHA: All right. 242 00:10:58,100 --> 00:11:00,269 So, my protest album's going to be a hit. 243 00:11:00,270 --> 00:11:01,309 JERRY: Okay. 244 00:11:01,310 --> 00:11:02,729 ARETHA: I'll tell you what, 245 00:11:02,730 --> 00:11:04,269 if you can't get your head around this concept album, 246 00:11:04,270 --> 00:11:06,319 Jerry, I, I'll produce it myself. 247 00:11:06,320 --> 00:11:09,420 JERRY: Okay. 248 00:11:09,570 --> 00:11:12,000 RUTH: Oh, oh, oh. 249 00:11:12,450 --> 00:11:15,489 KEN: You okay? 250 00:11:15,490 --> 00:11:16,909 ARETHA: Mm-hmm. 251 00:11:16,910 --> 00:11:18,449 JERRY: I'm just trying to be the voice of reason, 252 00:11:18,450 --> 00:11:19,999 is that a crime? 253 00:11:20,000 --> 00:11:22,260 ARETHA: Nope. 254 00:11:28,670 --> 00:11:31,070 JERRY: So, Ken, was it? 255 00:11:31,970 --> 00:11:34,509 You two talk politics a lot? 256 00:11:34,510 --> 00:11:36,049 KEN: Well, no, Mr. Wexler. 257 00:11:36,050 --> 00:11:38,429 I ain't putting no ideas in her head if that's what 258 00:11:38,430 --> 00:11:40,320 you was thinking. 259 00:11:41,520 --> 00:11:46,410 (OVERLAPPING CHATTER) 260 00:11:50,190 --> 00:11:53,880 (VOMIT) 261 00:12:13,130 --> 00:12:19,610 ♪ ♪ 262 00:12:36,700 --> 00:12:42,760 ♪ ♪ 263 00:12:48,210 --> 00:12:49,539 ARETHA: I'm going to call my album 264 00:12:49,540 --> 00:12:50,879 Young, Gifted and Black. 265 00:12:50,880 --> 00:12:52,459 RUTH: That's the title of Nina Simone's hit song. 266 00:12:52,460 --> 00:12:53,799 CECIL: And Hansberry's hit play. 267 00:12:53,800 --> 00:12:55,169 ARETHA: Mm-hmm. 268 00:12:55,170 --> 00:12:57,179 JERRY: Okay, now you want to be like Nina Simone. 269 00:12:57,180 --> 00:13:00,049 Can I remind everybody that Nina Simone is a head case? 270 00:13:00,050 --> 00:13:01,719 ARETHA: Can I remind you that Nina Simone fired 271 00:13:01,720 --> 00:13:02,849 her record label? 272 00:13:02,850 --> 00:13:04,269 You know why? 273 00:13:04,270 --> 00:13:05,479 Because she wanted to do what the hell she wanted to. 274 00:13:05,480 --> 00:13:08,649 And maybe I might fire you, Jerry, 275 00:13:08,650 --> 00:13:10,359 so I could do whatever the hell I want to do. 276 00:13:10,360 --> 00:13:13,029 Because, you know, you don't own me. 277 00:13:13,030 --> 00:13:16,859 You know that? 278 00:13:16,860 --> 00:13:18,449 Cause I'm free. 279 00:13:18,450 --> 00:13:19,909 JERRY: You're drunk. 280 00:13:19,910 --> 00:13:21,279 ARETHA: I'm free. 281 00:13:21,280 --> 00:13:22,829 You hear me? 282 00:13:22,830 --> 00:13:26,220 I am free. 283 00:13:26,370 --> 00:13:30,430 I'm free, God dammit, I'm free. 284 00:13:35,260 --> 00:13:38,150 ♪ Your love, liftin' me higher ♪ 285 00:13:39,390 --> 00:13:42,450 ♪ Than I've ever been lifted before ♪ 286 00:13:44,220 --> 00:13:46,269 ♪ So keep it up ♪ 287 00:13:46,270 --> 00:13:48,120 ♪ Quench my desire ♪ 288 00:13:49,440 --> 00:13:52,960 ♪ And I'll be at your side forevermore ♪ 289 00:13:53,980 --> 00:13:55,319 ♪ You know your love ♪ 290 00:13:55,320 --> 00:13:56,739 ♪ Your love keeps liftin' me ♪ 291 00:13:56,740 --> 00:13:57,949 ♪ Keeps on liftin' ♪ 292 00:13:57,950 --> 00:13:59,569 ♪ Your love keeps liftin' me ♪ 293 00:13:59,570 --> 00:14:00,410 ♪ Higher ♪ 294 00:14:00,411 --> 00:14:01,569 ♪ Lifting me ♪ 295 00:14:01,570 --> 00:14:03,680 ♪ Higher and higher ♪ 296 00:14:04,200 --> 00:14:06,199 I said your love ♪ 297 00:14:06,200 --> 00:14:07,329 ♪ Your love keeps liftin' me ♪ 298 00:14:07,330 --> 00:14:08,789 ♪ Keep on ♪♪ 299 00:14:08,790 --> 00:14:10,209 NEWS ANCHOR (OVER TV): In response to events at the 300 00:14:10,210 --> 00:14:11,919 California prison where inmates have been charged with 301 00:14:11,920 --> 00:14:14,810 the retaliation killing of a prison guard, 302 00:14:15,500 --> 00:14:18,629 Professor Angela Davis has joined the Soledad Brothers 303 00:14:18,630 --> 00:14:21,690 Defense Committee to advocate for the negro prisoners. 304 00:14:23,140 --> 00:14:25,679 ANGELA (OVER TV): This demonstration was organized by 305 00:14:25,680 --> 00:14:29,809 the Soledad Brothers Defense Committee in order to 306 00:14:29,810 --> 00:14:33,080 bring to light, to the public, 307 00:14:34,320 --> 00:14:36,439 the face of the Soledad Brothers and 308 00:14:36,440 --> 00:14:41,109 in order to begin to move on changing the oppressive 309 00:14:41,110 --> 00:14:43,510 conditions in the penal system of the States. 310 00:14:50,540 --> 00:14:54,230 KEN: Well, you know the way to a man's heart, I see. 311 00:14:54,840 --> 00:14:57,129 ARETHA: So, you like my pig's feet ala Re. 312 00:14:57,130 --> 00:15:01,049 KEN: I must admit I've never been offered pig feet at a 313 00:15:01,050 --> 00:15:02,549 business meeting before. 314 00:15:02,550 --> 00:15:04,469 ARETHA: Well, see, you wanted to take me to Silvia's, 315 00:15:04,470 --> 00:15:07,410 and I say why go outside for something you can get at home. 316 00:15:10,810 --> 00:15:13,309 KEN: Now, I hope you don't mind me asking, 317 00:15:13,310 --> 00:15:15,120 who picks your songs? 318 00:15:15,360 --> 00:15:16,729 ARETHA: I do. 319 00:15:16,730 --> 00:15:18,479 I hear something I want, and I give the idea to the 320 00:15:18,480 --> 00:15:20,569 guys and I pick the musicians, 321 00:15:20,570 --> 00:15:21,899 I pick the singers, 322 00:15:21,900 --> 00:15:23,659 and Jerry has input too, so does Tom. 323 00:15:23,660 --> 00:15:26,449 But I can't sing something I don't feel so I have to 324 00:15:26,450 --> 00:15:28,119 arrange it so I can feel it. 325 00:15:28,120 --> 00:15:30,869 KEN: Mmm, but what does the other guy do? 326 00:15:30,870 --> 00:15:32,619 - ARETHA: Arif? - KEN: Mm-hmm. 327 00:15:32,620 --> 00:15:35,209 ARETHA: He's a producer, a great producer. 328 00:15:35,210 --> 00:15:38,169 KEN: Well, sounds like you're the producer, too. 329 00:15:38,170 --> 00:15:39,759 ARETHA: No, I'm the artist. 330 00:15:39,760 --> 00:15:41,299 I'm the talent. 331 00:15:41,300 --> 00:15:42,969 KEN: Well, no, from what you just described it sounds like 332 00:15:42,970 --> 00:15:45,469 you're calling the shots, you're running the show, 333 00:15:45,470 --> 00:15:47,299 you're making the arrangements, 334 00:15:47,300 --> 00:15:48,469 you're setting up the music. 335 00:15:48,470 --> 00:15:51,269 You deserve a producer credit too, sugar. 336 00:15:51,270 --> 00:15:52,689 ARETHA: You're thinking what I'm thinking. 337 00:15:52,690 --> 00:15:55,910 KEN: Yeah, the movement starts at home with you, Re. 338 00:15:56,400 --> 00:15:58,729 You've got to claim your power. 339 00:15:58,730 --> 00:16:02,290 ARETHA: Well, all right, um, tomorrow... 340 00:16:02,740 --> 00:16:04,029 KEN: Uh-huh. 341 00:16:04,030 --> 00:16:05,319 ARETHA: I'm going to walk into Jerry's office. 342 00:16:05,320 --> 00:16:06,489 KEN: Okay. 343 00:16:06,490 --> 00:16:08,199 ARETHA: I'm going to roll up my sleeves. 344 00:16:08,200 --> 00:16:09,539 KEN: I can dig it. 345 00:16:09,540 --> 00:16:11,119 ARETHA: All right. I'm going to puff up my chest. 346 00:16:11,120 --> 00:16:13,159 - KEN: Uh-huh. Yeah. - ARETHA: And I will say Jerry. 347 00:16:13,160 --> 00:16:14,499 ARETHA: I am a producer. 348 00:16:14,500 --> 00:16:16,749 Aretha Franklin is now a producer. 349 00:16:16,750 --> 00:16:17,959 KEN: Get down! 350 00:16:17,960 --> 00:16:19,390 ARETHA: Yes. 351 00:16:19,590 --> 00:16:21,629 KEN: I tell you; I would pay top dollar to be able 352 00:16:21,630 --> 00:16:23,669 to be in there to see them uppity honkey's face 353 00:16:23,670 --> 00:16:24,929 when you say that. 354 00:16:24,930 --> 00:16:26,570 ARETHA: Me too. 355 00:16:27,970 --> 00:16:30,110 KEN: That would be something, I tell you. 356 00:16:34,440 --> 00:16:38,189 Now, I try not to listen to everything I hear but the word 357 00:16:38,190 --> 00:16:40,330 is you're still married... 358 00:16:41,230 --> 00:16:43,790 ARETHA: Well, the word is wrong. I'm getting divorced. 359 00:16:44,450 --> 00:16:47,609 KEN: Well, the word is quite similar to my word because 360 00:16:47,610 --> 00:16:49,319 I'm getting a divorce, too. 361 00:16:49,320 --> 00:16:50,989 ARETHA: Oh, very good to know. 362 00:16:50,990 --> 00:16:52,949 KEN: That wouldn't stop anything now would it? 363 00:16:52,950 --> 00:16:55,249 ARETHA: Absolutely not. 364 00:16:55,250 --> 00:16:59,180 KEN: Well, I happen to be very, very serious, 365 00:17:00,340 --> 00:17:02,770 just so you know. 366 00:17:19,440 --> 00:17:21,569 - BARBARA: You're my heart. - ARETHA: And you're mine. 367 00:17:21,570 --> 00:17:24,000 BARBARA: Mmmm. Love you. 368 00:17:24,570 --> 00:17:27,590 ARETHA: Love you, too. Is it past my bedtime yet? 369 00:17:28,110 --> 00:17:29,529 BARBARA: Yes. 370 00:17:29,530 --> 00:17:31,699 Your brother and sisters are already in bed. 371 00:17:31,700 --> 00:17:33,579 Go on, head on upstairs. 372 00:17:33,580 --> 00:17:35,289 CL: Where's my favorite women folk who make me 373 00:17:35,290 --> 00:17:38,310 the most blessed man in the whole, wide world. 374 00:17:40,790 --> 00:17:42,560 I'll see you later. 375 00:17:43,300 --> 00:17:45,049 ARETHA: Are you planning your pastor's anniversary? 376 00:17:45,050 --> 00:17:48,379 CL: Yes, I am, with Sister Helen and a few others. 377 00:17:48,380 --> 00:17:51,099 It's not too bad for a little country preacher 378 00:17:51,100 --> 00:17:53,910 now running a big Detroit, Michigan church. 379 00:17:54,100 --> 00:17:55,889 BARBARA: New Bethel is blessed to have you. 380 00:17:55,890 --> 00:17:57,389 They've improved themselves quite a bit since 381 00:17:57,390 --> 00:17:58,519 you took over. 382 00:17:58,520 --> 00:18:00,099 CL: Indeed, they have. 383 00:18:00,100 --> 00:18:02,290 I'll see you later. 384 00:18:02,440 --> 00:18:05,580 You going to wait up for me? 385 00:18:05,780 --> 00:18:07,210 I'll have something for you. 386 00:18:07,400 --> 00:18:08,609 Little Re, I'll see you later. 387 00:18:08,610 --> 00:18:10,210 ARETHA: Bye, Daddy. 388 00:18:10,820 --> 00:18:12,569 Can I stay up 'til Daddy comes back? 389 00:18:12,570 --> 00:18:13,949 BARBARA: He won't be back until late. 390 00:18:13,950 --> 00:18:15,760 (HORN HONKING). 391 00:18:16,200 --> 00:18:17,869 (DOG BARKING). 392 00:18:17,870 --> 00:18:19,249 ARETHA: But can I wait up with you? 393 00:18:19,250 --> 00:18:21,430 BARBARA: I'd like that. 394 00:18:40,890 --> 00:18:44,189 ♪ ♪ 395 00:18:44,190 --> 00:18:46,290 ARETHA: What's Daddy doing? 396 00:18:47,480 --> 00:18:49,170 BARBARA: Oh. 397 00:19:07,420 --> 00:19:10,440 (TORN CLOTH) 398 00:19:10,720 --> 00:19:13,280 ARETHA: Mommy? Mom? 399 00:19:20,180 --> 00:19:21,599 ERMA: Mommy, can I help you? 400 00:19:21,600 --> 00:19:23,849 BARBARA: No, sweetie, just sit down and stay quiet. 401 00:19:23,850 --> 00:19:24,770 CAROLYN: Where are we going? 402 00:19:24,771 --> 00:19:25,939 ARETHA: Stay quiet I said. 403 00:19:25,940 --> 00:19:27,439 CAROLYN: Is Daddy coming with us? 404 00:19:27,440 --> 00:19:29,279 BARBARA: No, and we going to be gone before he gets here. 405 00:19:29,280 --> 00:19:31,069 ARETHA: How come we have to be gone before Daddy comes back? 406 00:19:31,070 --> 00:19:33,210 BARBARA: I said hush. 407 00:19:33,950 --> 00:19:35,319 CECIL: Mommy! 408 00:19:35,320 --> 00:19:37,279 CAROLYN: What is happening? 409 00:19:37,280 --> 00:19:38,699 BARBARA: Shh. 410 00:19:38,700 --> 00:19:40,390 ERMA: Come here. 411 00:19:40,620 --> 00:19:42,209 Carolyn. 412 00:19:42,210 --> 00:19:44,100 CAROLYN: What is... 413 00:19:45,630 --> 00:19:47,919 CL: What the hell is going on here? 414 00:19:47,920 --> 00:19:50,089 What are you doing? 415 00:19:50,090 --> 00:19:51,969 Where the hell she taking you? 416 00:19:51,970 --> 00:19:54,440 You ain't going to answer me? 417 00:19:54,840 --> 00:19:57,469 BARBARA: I'm tired of washing your dirty laundry, Frank. 418 00:19:57,470 --> 00:20:00,320 Tired of making sure your mess looks clean. 419 00:20:00,560 --> 00:20:02,729 Going to live with my sister and I'm taking 420 00:20:02,730 --> 00:20:04,099 the children with me. 421 00:20:04,100 --> 00:20:06,939 CL: You don't like me spending time with Sister Helen? 422 00:20:06,940 --> 00:20:09,899 She, she just my secretary. 423 00:20:09,900 --> 00:20:12,069 BARBARA: Your tongue ought to be forked you lie so much. 424 00:20:12,070 --> 00:20:15,420 You made a vow to me when Aretha Louise was born. 425 00:20:15,820 --> 00:20:18,159 CL: Yelling, for what, so that all the neighborhood 426 00:20:18,160 --> 00:20:19,199 can hear you? 427 00:20:19,200 --> 00:20:20,489 BARBARA: I don't care who hears me! 428 00:20:20,490 --> 00:20:22,159 CL: You just need us to be a storybook family, 429 00:20:22,160 --> 00:20:23,579 that' ain't who we are, baby. 430 00:20:23,580 --> 00:20:24,999 BARBARA: Don't put that on me. 431 00:20:25,000 --> 00:20:27,749 It is Pastor Franklin who needs to look good or else 432 00:20:27,750 --> 00:20:29,589 you'd get run out of town. 433 00:20:29,590 --> 00:20:31,209 You're going to lose your church. 434 00:20:31,210 --> 00:20:32,839 Just like in Memphis. 435 00:20:32,840 --> 00:20:34,759 They going to kick you out and you're going to have 436 00:20:34,760 --> 00:20:36,679 to leave town again with your tail between your 437 00:20:36,680 --> 00:20:38,650 legs dragging your family behind you. 438 00:20:38,800 --> 00:20:39,969 CL: Shout it, girl, shout it! 439 00:20:39,970 --> 00:20:41,139 Yeah, shout it. 440 00:20:41,140 --> 00:20:42,429 You like everybody to hear you, why, 441 00:20:42,430 --> 00:20:43,929 why don't you run down the street shouting. 442 00:20:43,930 --> 00:20:46,500 Come on, run down the street shouting, yeah, yeah, yeah. 443 00:20:46,690 --> 00:20:49,689 Hey, everybody, hey, hey. 444 00:20:49,690 --> 00:20:51,939 You done took a stand. 445 00:20:51,940 --> 00:20:54,029 You take your children, but did you ever stop and think 446 00:20:54,030 --> 00:20:55,819 about how you going to provide for them children? 447 00:20:55,820 --> 00:20:57,819 You ain't got no money, you ain't got no job, 448 00:20:57,820 --> 00:21:01,760 you ain't got no home, you ain't got no Goddamn sense. 449 00:21:02,790 --> 00:21:05,289 BARBARA: You broke my heart. 450 00:21:05,290 --> 00:21:06,829 And I won't let you treat me like this, 451 00:21:06,830 --> 00:21:07,959 and I won't let the children... 452 00:21:07,960 --> 00:21:09,249 - CL: If you think... - BARBARA: Quit it. 453 00:21:09,250 --> 00:21:11,629 CL: That I would let you take my damn children? 454 00:21:11,630 --> 00:21:12,709 Never! 455 00:21:12,710 --> 00:21:13,919 Put that down. 456 00:21:13,920 --> 00:21:15,049 CHILDREN: No. Mommy! 457 00:21:15,050 --> 00:21:16,299 CL: Put that down. 458 00:21:16,300 --> 00:21:17,879 BARBARA: No! No! 459 00:21:17,880 --> 00:21:19,599 CHILDREN: Mommy, Daddy. 460 00:21:19,600 --> 00:21:20,929 Mommy! 461 00:21:20,930 --> 00:21:22,349 CL: Put them clothes down! 462 00:21:22,350 --> 00:21:25,639 (SCREAMING). 463 00:21:25,640 --> 00:21:28,099 CL: No, no, no. 464 00:21:28,100 --> 00:21:29,439 ARETHA: Leave me alone. 465 00:21:29,440 --> 00:21:31,399 CL: No, no, no. 466 00:21:31,400 --> 00:21:37,460 (SCREAMING AND CRYING). 467 00:21:37,740 --> 00:21:39,090 CL: Stop that crying. 468 00:21:43,450 --> 00:21:45,789 Leave her be, leave her be. 469 00:21:45,790 --> 00:21:47,829 ARETHA: Let go of me. 470 00:21:47,830 --> 00:21:49,709 Let go of me. 471 00:21:49,710 --> 00:21:51,560 CL: Stop that crying! 472 00:21:51,880 --> 00:21:54,049 Or I'm going to give you something to cry about. 473 00:21:54,050 --> 00:21:55,459 Stop that crying. 474 00:21:55,460 --> 00:21:57,219 BARBARA: I've got to leave your father. 475 00:21:57,220 --> 00:21:58,469 I can't live otherwise. 476 00:21:58,470 --> 00:22:00,219 ARETHA: Take my hand. 477 00:22:00,220 --> 00:22:01,889 BARBARA: I would never leave you all, 478 00:22:01,890 --> 00:22:04,139 I would never leave my babies ever. 479 00:22:04,140 --> 00:22:06,320 CL: Go on, go on. 480 00:22:06,890 --> 00:22:09,899 BARBARA: Don't you ever just wait for something bad 481 00:22:09,900 --> 00:22:11,019 to turn good. 482 00:22:11,020 --> 00:22:13,290 CL: Go on. 483 00:22:13,610 --> 00:22:16,080 (CRYING). 484 00:22:19,240 --> 00:22:24,220 - ARETHA: Mommy! Mommy! - CL: Stop that crying. 485 00:22:25,790 --> 00:22:27,930 ARETHA: Mommy. 486 00:22:28,960 --> 00:22:32,140 (CRYING). 487 00:22:33,500 --> 00:22:40,030 ARETHA: Mommy. Don't leave. Come back. 488 00:22:45,180 --> 00:22:46,769 ♪ Say it loud ♪ 489 00:22:46,770 --> 00:22:48,410 ♪ I'm black and I'm proud ♪ 490 00:22:49,560 --> 00:22:51,019 ♪ Say it loud ♪ 491 00:22:51,020 --> 00:22:53,000 ♪ I'm black and I'm proud ♪ 492 00:22:53,610 --> 00:22:56,609 ♪ Well, some people say we've got a lot of malice ♪ 493 00:22:56,610 --> 00:22:58,149 ♪ Some say it's a lot of nerve ♪ 494 00:22:58,150 --> 00:23:00,609 ♪ But I say we won't quit moving until we get ♪ 495 00:23:00,610 --> 00:23:02,569 ♪ What we deserve ♪ 496 00:23:02,570 --> 00:23:05,199 ♪ We've been 'buked and ♪♪ 497 00:23:05,200 --> 00:23:07,199 - ARETHA: James Baldwin. - KEN: Mm-hmm. 498 00:23:07,200 --> 00:23:10,249 - ARETHA: Zora Neale Hurston. - KEN: Yup. 499 00:23:10,250 --> 00:23:11,619 - ARETHA: Frantz. - KEN: Fanon. 500 00:23:11,620 --> 00:23:12,959 - ARETHA: Fanon? - KEN: Uh-huh. 501 00:23:12,960 --> 00:23:15,539 ARETHA: Frantz Fanon, and Lorraine Hansberry. 502 00:23:15,540 --> 00:23:17,549 KEN: These are some of the essentials. 503 00:23:17,550 --> 00:23:20,440 ARETHA: I'm be a scholar and a revolutionary. 504 00:23:21,800 --> 00:23:23,299 KEN: Right on, sister. 505 00:23:23,300 --> 00:23:24,549 I'll get you some more books. 506 00:23:24,550 --> 00:23:25,820 ARETHA: Thank you. 507 00:23:26,850 --> 00:23:28,349 CAROLYN: You didn't have time to come with me to the 508 00:23:28,350 --> 00:23:29,769 Gay Pride March. 509 00:23:29,770 --> 00:23:32,059 That's all cool but now you up here trying to save 510 00:23:32,060 --> 00:23:34,859 the world and you've been AWOL in the studio. 511 00:23:34,860 --> 00:23:36,569 ARETHA: And I didn't write your liner notes 512 00:23:36,570 --> 00:23:37,939 for your record. 513 00:23:37,940 --> 00:23:39,819 CAROLYN: Daddy wrote them, they turned out great. 514 00:23:39,820 --> 00:23:41,859 ARETHA: I'm sorry. 515 00:23:41,860 --> 00:23:43,590 Really. 516 00:23:43,820 --> 00:23:45,619 MAN: Welcome to Harlem, Queen. 517 00:23:45,620 --> 00:23:47,949 Can I get your autograph? 518 00:23:47,950 --> 00:23:49,409 ARETHA: Yeah, of course you can. 519 00:23:49,410 --> 00:23:53,350 You've got two Franklin sisters for the price of one. 520 00:23:53,710 --> 00:23:54,829 Have a good day now. 521 00:23:54,830 --> 00:23:55,980 MAN: You too. 522 00:23:56,420 --> 00:23:58,560 ARETHA: Thank you. 523 00:23:58,960 --> 00:24:00,629 (CROWD CHATTER). 524 00:24:00,630 --> 00:24:02,169 OFFICER (OVER SPEAKER): Detroit PD, step out of the car 525 00:24:02,170 --> 00:24:03,759 CL: Now, you know this is an illegal search. 526 00:24:03,760 --> 00:24:05,139 Come on now, this is an illegal search. 527 00:24:05,140 --> 00:24:06,549 OFFICER: You ran a stop sign. 528 00:24:06,550 --> 00:24:07,599 CL: Ya'll need to call somebody and you ain't need to 529 00:24:07,600 --> 00:24:08,560 come here and get me. 530 00:24:08,561 --> 00:24:09,679 What did I do? 531 00:24:09,680 --> 00:24:11,179 OFFICER: Keep your hands visible, sir. 532 00:24:11,180 --> 00:24:13,479 CL: It's because I'm, it's because I'm CL Franklin, huh, 533 00:24:13,480 --> 00:24:15,750 Aretha Franklin's father you going to do that to me. 534 00:24:16,190 --> 00:24:17,729 This is ridiculous. 535 00:24:17,730 --> 00:24:19,779 Oh, see now you done planted that. 536 00:24:19,780 --> 00:24:21,189 You done planted that. 537 00:24:21,190 --> 00:24:23,779 You don't never want to see a black person succeed. 538 00:24:23,780 --> 00:24:25,949 You're always trying to drag us down. 539 00:24:25,950 --> 00:24:27,449 You know this ain't right. 540 00:24:27,450 --> 00:24:29,369 JERRY: I, I like your haircut. It suits you. 541 00:24:29,370 --> 00:24:30,699 ARETHA: Thank you. 542 00:24:30,700 --> 00:24:32,930 JERRY: But you've been AWOL for two whole months. 543 00:24:34,040 --> 00:24:35,789 ARETHA: I've been dealing with family stuff. 544 00:24:35,790 --> 00:24:37,459 My dad was in jail, I had to bail him out. 545 00:24:37,460 --> 00:24:39,169 JERRY: Yeah, I heard. 546 00:24:39,170 --> 00:24:40,629 ARETHA: Black people everywhere from my, 547 00:24:40,630 --> 00:24:42,259 my father to the Soledad Brothers are under the thumb 548 00:24:42,260 --> 00:24:44,089 of a system that's completely rigged. 549 00:24:44,090 --> 00:24:46,530 That's what I've been focusing on. 550 00:24:49,050 --> 00:24:50,889 JERRY: The hypocrisy of justice, 551 00:24:50,890 --> 00:24:53,389 black folks can't get a fair shake. 552 00:24:53,390 --> 00:24:55,189 I hear ya. 553 00:24:55,190 --> 00:24:56,809 Is your dad going to be all right? 554 00:24:56,810 --> 00:24:58,809 ARETHA: He always lands on his feet. 555 00:24:58,810 --> 00:25:03,279 JERRY: You know, supporting Dr. King was one thing but 556 00:25:03,280 --> 00:25:06,760 I don't know, these times feel more risky. 557 00:25:08,620 --> 00:25:11,449 You know, Nina recorded "Mississippi God Damn", 558 00:25:11,450 --> 00:25:15,039 a great song, but then the radio stations boycotted her, 559 00:25:15,040 --> 00:25:17,539 and the people went into the record stores and they smashed 560 00:25:17,540 --> 00:25:19,850 her albums to bits. 561 00:25:20,290 --> 00:25:22,350 ARETHA: I'm not drinking. 562 00:25:25,300 --> 00:25:28,129 Look, make me a producer on my new album. 563 00:25:28,130 --> 00:25:30,219 Let the world, everywhere, read in the trades that 564 00:25:30,220 --> 00:25:33,889 Atlantic has named Aretha Franklin a producer on 565 00:25:33,890 --> 00:25:36,370 Young, Gifted and Black. 566 00:25:37,560 --> 00:25:39,019 JERRY: Okay. 567 00:25:39,020 --> 00:25:40,769 I'll think about that. 568 00:25:40,770 --> 00:25:43,649 But three sessions in a row I organized for you on 569 00:25:43,650 --> 00:25:46,250 dates that you chose, and you missed them all. 570 00:25:46,990 --> 00:25:49,069 And last year you were a no show in Las Vegas 571 00:25:49,070 --> 00:25:51,449 at Caesar's Palace for crying out loud. 572 00:25:51,450 --> 00:25:53,949 And how much did that cost you? 573 00:25:53,950 --> 00:25:56,600 100-grand, 100-grand. 574 00:25:56,960 --> 00:25:59,039 And Ruth says she's got to jump through hoops to book 575 00:25:59,040 --> 00:26:01,289 you cause people say you are a problem. 576 00:26:01,290 --> 00:26:02,669 ARETHA: People are just bad mouthing me to try and 577 00:26:02,670 --> 00:26:04,049 keep me in my place. 578 00:26:04,050 --> 00:26:05,459 JERRY: And what are you doing to prove them wrong? 579 00:26:05,460 --> 00:26:07,169 ARETHA: Give me a real seat at the table and I can 580 00:26:07,170 --> 00:26:08,679 show you how I can prove them wrong. 581 00:26:08,680 --> 00:26:11,009 JERRY: Aretha, you're out there acting like a hot head. 582 00:26:11,010 --> 00:26:12,929 You're worrying about these young men in jail when you 583 00:26:12,930 --> 00:26:15,059 should be worrying about the bottom line. 584 00:26:15,060 --> 00:26:17,389 In, in what universe are you a producer? 585 00:26:17,390 --> 00:26:18,889 ARETHA: I do all the work. 586 00:26:18,890 --> 00:26:20,519 JERRY: You don't know half of what I do. 587 00:26:20,520 --> 00:26:22,479 ARETHA: Well, I do know that I deserve more credit and 588 00:26:22,480 --> 00:26:24,189 that you are standing in my way. 589 00:26:24,190 --> 00:26:27,090 JERRY: I'm standing, I'm... 590 00:26:27,570 --> 00:26:31,779 Look, I'm glad you're laying off the sauce and I'm very 591 00:26:31,780 --> 00:26:33,369 glad you're back. 592 00:26:33,370 --> 00:26:35,659 ARETHA: But you like me better when I'm drinking, don't you? 593 00:26:35,660 --> 00:26:38,119 JERRY: No, I don't. And that's not fair. 594 00:26:38,120 --> 00:26:40,119 ARETHA: If I don't get what I need from you, 595 00:26:40,120 --> 00:26:43,940 I'm going to find a way to get it myself. 596 00:26:44,170 --> 00:26:46,480 I'm gonna do what I gotta do. 597 00:26:52,140 --> 00:26:57,320 ♪ ♪ 598 00:27:07,150 --> 00:27:09,069 ♪ Rock steady, baby ♪ 599 00:27:09,070 --> 00:27:11,710 ♪ That's what I feel now ♪ 600 00:27:12,110 --> 00:27:15,470 ♪ Let's call this song exactly what it is ♪ 601 00:27:16,620 --> 00:27:18,079 ♪ Step and move your hips ♪ 602 00:27:18,080 --> 00:27:20,560 ♪ With a feelin' from side to side ♪ 603 00:27:21,250 --> 00:27:24,180 ♪ Sit yourself down in your car and take a ride ♪ 604 00:27:24,830 --> 00:27:27,270 ♪ And while you're moving, rock steady ♪ 605 00:27:27,920 --> 00:27:30,629 ♪ Rock steady, baby ♪ 606 00:27:30,630 --> 00:27:33,320 ♪ Let's call this song exactly what it is ♪ 607 00:27:33,890 --> 00:27:35,599 ♪ What it is, what it is, what it is ♪ 608 00:27:35,600 --> 00:27:36,889 ♪ It's a funky and lowdown feeling ♪ 609 00:27:36,890 --> 00:27:38,219 ♪ What it is ♪ 610 00:27:38,220 --> 00:27:39,100 ♪ Move your hips from left to right ♪ 611 00:27:39,101 --> 00:27:40,349 ♪ What it is ♪ 612 00:27:40,350 --> 00:27:41,559 ♪ What it is, is I might be doin' ♪ 613 00:27:41,560 --> 00:27:44,689 ♪ This funky dance all night, ah ♪ 614 00:27:44,690 --> 00:27:46,819 ♪ Put your hands up in the air ♪ 615 00:27:46,820 --> 00:27:48,649 ♪ Got a feelin' you ain't got a care ♪ 616 00:27:48,650 --> 00:27:51,149 ♪ Wouldn't you wanna take this burn? ♪ 617 00:27:51,150 --> 00:27:53,170 ♪ That sail us all inside ♪ 618 00:27:53,320 --> 00:27:56,130 ♪ Rock steady, rock steady baby ♪ 619 00:27:57,700 --> 00:28:00,890 ♪ Rock steady, rock steady baby ♪ ♪ 620 00:28:06,460 --> 00:28:11,190 ♪ ♪ 621 00:28:11,840 --> 00:28:13,879 ♪ Jump and move your hips with a feelin' from ♪ 622 00:28:13,880 --> 00:28:16,009 ♪ side to side ♪ 623 00:28:16,010 --> 00:28:18,740 ♪ Sit yourself down in your car and take a ride ♪ 624 00:28:19,760 --> 00:28:22,200 And while you're movin', rock steady ♪ 625 00:28:22,810 --> 00:28:25,099 ♪ Rock steady, baby ♪ 626 00:28:25,100 --> 00:28:28,000 ♪ Let's call this song exactly what it is ♪ 627 00:28:28,570 --> 00:28:29,979 ♪ What it is, what it is, what it is ♪ 628 00:28:29,980 --> 00:28:31,529 ♪ It's a funky and lowdown feelin' ♪ 629 00:28:31,530 --> 00:28:32,859 ♪ What it is ♪ 630 00:28:32,860 --> 00:28:33,860 ♪ Move your hips from left to right ♪ 631 00:28:33,861 --> 00:28:35,159 ♪ What it is ♪ 632 00:28:35,160 --> 00:28:36,359 ♪ What it is, is I might be doin' ♪ 633 00:28:36,360 --> 00:28:39,529 ♪ This funky dance all night, ah ♪ 634 00:28:39,530 --> 00:28:41,329 ♪ Put your hands up in the air ♪ 635 00:28:41,330 --> 00:28:43,539 ♪ Got a feelin' you ain't got a care ♪ 636 00:28:43,540 --> 00:28:45,789 ♪ Wouldn't you want to take this burn? ♪ 637 00:28:45,790 --> 00:28:47,560 ♪ That sail us all inside ♪ 638 00:28:50,210 --> 00:28:52,270 ♪ Rock steady, baby ♪ 639 00:28:52,710 --> 00:28:55,650 ♪ Rock steady, baby, rock steady ♪ ♪ 640 00:28:59,510 --> 00:29:05,370 ♪ ♪ 641 00:29:15,530 --> 00:29:17,010 ♪ Rock ♪ 642 00:29:17,450 --> 00:29:18,760 ♪ Steady ♪ 643 00:29:19,570 --> 00:29:20,840 ♪ Rock ♪ 644 00:29:21,700 --> 00:29:22,930 ♪ Steady ♪ 645 00:29:23,620 --> 00:29:24,909 ♪ What it is ♪ 646 00:29:24,910 --> 00:29:26,249 ♪ It's a funky and lowdown feelin' ♪ 647 00:29:26,250 --> 00:29:28,329 ♪ Move your hips from left to right ♪ 648 00:29:28,330 --> 00:29:30,789 ♪ What it is, is I might be doin' ♪ 649 00:29:30,790 --> 00:29:33,350 ♪ This funky dance all night, ah ♪ 650 00:29:34,630 --> 00:29:35,969 ♪ Put your hands up in the air ♪ 651 00:29:35,970 --> 00:29:37,679 ♪ Got a feelin' you ain't got a care ♪ 652 00:29:37,680 --> 00:29:40,089 ♪ Wouldn't you want to take this burn? ♪ 653 00:29:40,090 --> 00:29:42,679 ♪ That sail us all inside ♪ 654 00:29:42,680 --> 00:29:45,280 ♪ Rock steady, steady baby ♪ 655 00:29:46,480 --> 00:29:47,540 ♪ Rock ♪ 656 00:29:48,770 --> 00:29:50,460 ♪ Rock steady, baby ♪ 657 00:29:51,060 --> 00:29:52,819 ♪ Baby ♪ 658 00:29:52,820 --> 00:29:53,979 ♪ What it is ♪♪ 659 00:29:53,980 --> 00:29:55,489 ERMA: Okay, say something, Re, or give me. 660 00:29:55,490 --> 00:29:56,859 BARBARA (OVER PHONE): Baby tell Mommy 661 00:29:56,860 --> 00:29:58,569 about your piano playing or your singing. 662 00:29:58,570 --> 00:30:00,449 Has your father let you solo in church yet? 663 00:30:00,450 --> 00:30:01,989 ERMA (OVER PHONE): She ain't soloed yet, Mom. 664 00:30:01,990 --> 00:30:03,949 Give it to me, say something. 665 00:30:03,950 --> 00:30:05,369 CECIL: I want my turn. 666 00:30:05,370 --> 00:30:06,789 ARETHA: I miss you, Mommy. 667 00:30:06,790 --> 00:30:08,159 Big Momma pressed my hair. 668 00:30:08,160 --> 00:30:10,480 BARBARA: Aretha Louise, I bet you look so pretty. 669 00:30:11,040 --> 00:30:13,799 ERMA: Do you like living in Buffalo better than Detroit? 670 00:30:13,800 --> 00:30:15,879 BARBARA: Erma, you ask me that every week. 671 00:30:15,880 --> 00:30:17,169 ERMA: Well, then how come you're staying there if 672 00:30:17,170 --> 00:30:18,090 you don't like it? 673 00:30:18,091 --> 00:30:19,299 CECIL: Oh. 674 00:30:19,300 --> 00:30:20,589 CAROLYN: Cecil. 675 00:30:20,590 --> 00:30:22,429 CECIL: Will you come home for spring so we can 676 00:30:22,430 --> 00:30:23,929 have a picnic? 677 00:30:23,930 --> 00:30:25,769 CAROLYN: Or we could go to a ballgame! 678 00:30:25,770 --> 00:30:27,389 ARETHA: Give it to me. 679 00:30:27,390 --> 00:30:29,019 ERMA: I'm the older one. 680 00:30:29,020 --> 00:30:31,939 ARETHA: I can hear you breathing, Mommy. 681 00:30:31,940 --> 00:30:33,979 BARBARA: I hear you too, baby. 682 00:30:33,980 --> 00:30:35,399 ERMA (OVER PHONE): Well, we love you, Mommy. 683 00:30:35,400 --> 00:30:37,319 Okay? 684 00:30:37,320 --> 00:30:39,546 - CAROLYN: Lots and lots! Love you more! - CECIL: We love you, a lot. 685 00:30:39,570 --> 00:30:41,239 BIG MOMMA: We'll speak with you next week, honey. 686 00:30:41,240 --> 00:30:42,529 BARBARA (OVER PHONE): Yes, ma'am. 687 00:30:42,530 --> 00:30:43,739 BIG MOMMA: All right, goodbye. 688 00:30:43,740 --> 00:30:45,390 ARETHA: Love you, Mommy. 689 00:30:49,620 --> 00:30:52,140 I want to go live with Mommy in Buffalo. 690 00:30:52,290 --> 00:30:53,459 CL: You already live here, baby. 691 00:30:53,460 --> 00:30:54,589 ARETHA: You're not being fair. 692 00:30:54,590 --> 00:30:57,940 CL: The world ain't fair, Aretha. 693 00:31:09,100 --> 00:31:13,160 ♪ ♪ 694 00:31:14,190 --> 00:31:15,359 ARETHA: Could I get a glass of water? 695 00:31:15,360 --> 00:31:16,519 MAN: Yes, ma'am. Just water? 696 00:31:16,520 --> 00:31:18,399 ARETHA: Mm-hmm. Thank you, honey. 697 00:31:18,400 --> 00:31:21,649 ♪ It's getting to the point where I'm no ♪♪ 698 00:31:21,650 --> 00:31:23,319 MAN: Hey, hey, take our photo here. 699 00:31:23,320 --> 00:31:26,550 Oh, oh, better yet let's get all four of you together. 700 00:31:26,740 --> 00:31:29,220 MAN: Great, there we go. 701 00:31:31,870 --> 00:31:34,310 Great, thank you. 702 00:31:34,880 --> 00:31:36,960 MAN 2: That's something you don't see every day, huh? 703 00:31:37,630 --> 00:31:39,089 JERRY: Thanks for being here. 704 00:31:39,090 --> 00:31:41,839 ARETHA: I'm trying to show up in more ways than one. 705 00:31:41,840 --> 00:31:45,450 Nobody like me seems to have come. 706 00:31:45,680 --> 00:31:47,349 JERRY: Yeah, well, these industry parties are 707 00:31:47,350 --> 00:31:48,469 boring as hell. 708 00:31:48,470 --> 00:31:49,809 But if you'd have ditched it, 709 00:31:49,810 --> 00:31:51,599 it might not look like we were on the same team. 710 00:31:51,600 --> 00:31:53,620 ARETHA: Well, maybe we're not. 711 00:31:54,350 --> 00:31:56,149 MAN: Congratulations, Arif. 712 00:31:56,150 --> 00:31:57,569 Well-deserved producer credit. 713 00:31:57,570 --> 00:31:58,779 MAN 2: "Don't Play that Song" 714 00:31:58,780 --> 00:31:59,780 wouldn't have that sound wouldn't have that sound 715 00:31:59,781 --> 00:32:00,819 without your touch. 716 00:32:00,820 --> 00:32:01,949 MAN: Plus "Spirit in the Dark", 717 00:32:01,950 --> 00:32:03,399 the whole album is brilliant. 718 00:32:03,400 --> 00:32:05,819 Beautiful singing, Ms. Franklin, as always. 719 00:32:05,820 --> 00:32:08,159 MAN: She's the magic touch, made it timeless. 720 00:32:08,160 --> 00:32:10,119 ARIF: Well, I wasn't in there alone, guys. 721 00:32:10,120 --> 00:32:12,909 I mean Jerry was in there with me. 722 00:32:12,910 --> 00:32:14,669 MAN: Come on, man. 723 00:32:14,670 --> 00:32:16,629 MAN 2: We heard the roughs for "Border Song". 724 00:32:16,630 --> 00:32:18,539 MAN 3: The sound you got with the keys. 725 00:32:18,540 --> 00:32:21,379 MAN 4: We heard you put an empty pizza box on top 726 00:32:21,380 --> 00:32:22,879 of a piano. 727 00:32:22,880 --> 00:32:25,389 ARETHA: That was my idea. 728 00:32:25,390 --> 00:32:27,259 MAN: Wow, great. 729 00:32:27,260 --> 00:32:29,759 And "Rock Steady," it's really hot. 730 00:32:29,760 --> 00:32:33,179 ARETHA: Where's my producer credit, Jerry? 731 00:32:33,180 --> 00:32:36,479 JERRY: You're talent, you're, you're the artist. 732 00:32:36,480 --> 00:32:38,559 No artist gets producer credit. 733 00:32:38,560 --> 00:32:41,109 Not The Who, not The Stones, not even The Beatles. 734 00:32:41,110 --> 00:32:42,399 MAN: It just isn't done. 735 00:32:42,400 --> 00:32:44,500 ARETHA: You full of shit. 736 00:32:44,990 --> 00:32:47,199 I'm the type of person that brings people together. 737 00:32:47,200 --> 00:32:49,239 I don't divide them. 738 00:32:49,240 --> 00:32:51,800 So, why am I being left out on the outside? 739 00:32:52,250 --> 00:32:54,659 JERRY: I can't give you something just because 740 00:32:54,660 --> 00:32:56,669 you want it. 741 00:32:56,670 --> 00:33:00,039 This is the world, okay, I can't change the rules. 742 00:33:00,040 --> 00:33:02,339 ARETHA: You want me to think that you hear me. 743 00:33:02,340 --> 00:33:04,379 You want me to think that you care. 744 00:33:04,380 --> 00:33:06,089 JERRY: I do. 745 00:33:06,090 --> 00:33:10,280 ARETHA: But you don't, not really, not for real. 746 00:33:10,930 --> 00:33:15,700 ♪ There's something inside is telling me that I ♪♪ 747 00:33:16,730 --> 00:33:19,689 JERRY: Would you like something to drink? 748 00:33:19,690 --> 00:33:21,670 ARETHA: I'm not drinking. 749 00:33:23,110 --> 00:33:25,739 ♪ Fear is the lock ♪ 750 00:33:25,740 --> 00:33:29,630 ♪ And laughter the key to your heart ♪♪ 751 00:33:32,540 --> 00:33:38,560 (FLASH BULBS) 752 00:33:49,720 --> 00:33:52,599 ♪ ♪ 753 00:33:52,600 --> 00:33:54,870 ♪ Gotta change around here ♪ 754 00:33:56,140 --> 00:33:59,250 ♪ Gotta change around here ♪ 755 00:33:59,940 --> 00:34:02,460 ♪ Can't go on this way ♪ 756 00:34:03,860 --> 00:34:06,630 ♪ Things gotta change around here ♪ 757 00:34:07,900 --> 00:34:09,529 ♪ Say it loud ♪ 758 00:34:09,530 --> 00:34:11,029 ARETHA (OVER PA): A young man, George Jackson, 759 00:34:11,030 --> 00:34:13,239 was thrown into jail on a trumped-up charge. 760 00:34:13,240 --> 00:34:15,199 His kid brother, Jonathan, does everything he can to get 761 00:34:15,200 --> 00:34:17,640 him a fair trial but the world just ain't fair for us. 762 00:34:17,910 --> 00:34:19,270 WOMAN: Amen! 763 00:34:19,870 --> 00:34:22,089 ARETHA (OVER PA): They said George stole $70.00 from a gas station. 764 00:34:22,090 --> 00:34:24,169 And after years of not being granted parole, 765 00:34:24,170 --> 00:34:27,020 they accused George of killing a prison guard. 766 00:34:27,720 --> 00:34:29,129 MAN: That ain't right. 767 00:34:29,130 --> 00:34:30,759 ARETHA (OVER PA): So, he gets locked up for life. 768 00:34:30,760 --> 00:34:32,860 What does his little brother Jonathan do? 769 00:34:33,390 --> 00:34:34,910 JONATHAN: Freeze. 770 00:34:35,640 --> 00:34:38,660 My brother, George, is locked up for no good reason. 771 00:34:39,310 --> 00:34:41,059 ARETHA: He smuggles guns into a courthouse demanding 772 00:34:41,060 --> 00:34:43,410 justice and gets killed. 773 00:34:44,270 --> 00:34:46,750 Other folks were killed, too. 774 00:34:47,110 --> 00:34:49,359 ♪ What good is freedom? ♪ 775 00:34:49,360 --> 00:34:50,859 ♪ If we haven't learned ♪♪ 776 00:34:50,860 --> 00:34:53,800 ARETHA: Change is not going to come, it's already here. 777 00:34:56,370 --> 00:34:58,329 Angela was trying to help the Soledad Brothers and 778 00:34:58,330 --> 00:35:00,079 now I'm trying to help Angela. 779 00:35:00,080 --> 00:35:02,310 She was charged with murder, kidnapping, and conspiracy. 780 00:35:02,630 --> 00:35:06,600 And I'm here in support of inmate number 02G0964. 781 00:35:08,380 --> 00:35:10,440 You know her as Professor Angela Davis. 782 00:35:10,680 --> 00:35:12,009 REPORTER: You're joining her legal defense team? 783 00:35:12,010 --> 00:35:13,339 ARETHA: I'm offering to post her bail. 784 00:35:13,340 --> 00:35:14,759 REPORTER: You'll contribute to her legal fund? 785 00:35:14,760 --> 00:35:15,889 ARETHA (OVER PA): I'll do anything I can to help. 786 00:35:15,890 --> 00:35:17,639 REPORTER: Do you believe in communism? 787 00:35:17,640 --> 00:35:19,019 REPORTER 2: Are you suggesting we riot against the establishment? 788 00:35:19,020 --> 00:35:20,809 ARETHA (OVER PA): I believe in freedom. 789 00:35:20,810 --> 00:35:22,939 And I believe in the right of black people to assert their rights. 790 00:35:22,940 --> 00:35:24,309 Angela Davis must go free. 791 00:35:24,310 --> 00:35:26,689 Black people will be free. 792 00:35:26,690 --> 00:35:29,439 You got to disturb the peace when you can't get no peace. 793 00:35:29,440 --> 00:35:33,449 I'm going to see her free if this court system has any 794 00:35:33,450 --> 00:35:34,949 justice at all. 795 00:35:34,950 --> 00:35:37,079 Not because I believe in communism but because she is a 796 00:35:37,080 --> 00:35:39,869 black woman who believes in the freedom of black people. 797 00:35:39,870 --> 00:35:42,749 I intend to use all my money and power that my people have 798 00:35:42,750 --> 00:35:44,730 given to me to free Angela. 799 00:35:45,000 --> 00:35:46,379 REPORTER: Are you afraid of alienating your fans? 800 00:35:46,380 --> 00:35:47,549 REPORTER 2: Are you advocating violence 801 00:35:47,550 --> 00:35:49,009 against the establishment? 802 00:35:49,010 --> 00:35:50,129 ARETHA (OVER PA): I have said all I need to say. 803 00:35:50,130 --> 00:35:51,400 Thank you. 804 00:35:51,590 --> 00:35:53,650 (APPLAUSE). 805 00:35:53,930 --> 00:35:55,339 CL: How the hell can you do this to me? 806 00:35:55,340 --> 00:35:56,429 ARETHA: Cause it ain't about you, 807 00:35:56,430 --> 00:35:57,929 it's about doing what's right. 808 00:35:57,930 --> 00:35:59,559 CL: You support a communist who buys guns for criminals. 809 00:35:59,560 --> 00:36:01,139 ARETHA: Angela didn't mean for them to get her guns. 810 00:36:01,140 --> 00:36:02,559 CL: You believe that? 811 00:36:02,560 --> 00:36:03,599 ARETHA: George Jackson was not supposed to be in jail 812 00:36:03,600 --> 00:36:04,600 in the first place. 813 00:36:04,601 --> 00:36:05,809 He was wrongfully incarcerated. 814 00:36:05,810 --> 00:36:07,019 CL: Well, the newspapers are saying something. 815 00:36:07,020 --> 00:36:08,399 ARETHA: I'm doing what you taught me to do, 816 00:36:08,400 --> 00:36:09,729 to stand up for our people. 817 00:36:09,730 --> 00:36:11,149 CL: I never stood up for no criminals. 818 00:36:11,150 --> 00:36:12,449 ARETHA: Except for those hot heads that walked in the 819 00:36:12,450 --> 00:36:13,909 church with guns and shot out with the police. 820 00:36:13,910 --> 00:36:15,619 CL: And you raked me over the coals for that and for 821 00:36:15,620 --> 00:36:16,989 involving you in that. 822 00:36:16,990 --> 00:36:18,369 ARETHA: I'm involved in this because I want to be, 823 00:36:18,370 --> 00:36:19,869 not because of you. 824 00:36:19,870 --> 00:36:21,949 I get to support who I want to on my terms. 825 00:36:21,950 --> 00:36:23,159 CL: But you make me look bad in the process. 826 00:36:23,160 --> 00:36:25,470 ARETHA: You can do that all by yourself. 827 00:36:30,130 --> 00:36:34,339 CL: You know, you talk about black empowerment but when I 828 00:36:34,340 --> 00:36:36,469 suggest you use one of my sermons in my protest record, 829 00:36:36,470 --> 00:36:37,929 you turn your nose up. 830 00:36:37,930 --> 00:36:39,929 Now, I've been protesting since before you were born. 831 00:36:39,930 --> 00:36:41,889 Carolyn asked you to write the liner notes in her 832 00:36:41,890 --> 00:36:44,410 new record and you ain't got the time to empower her. 833 00:36:44,980 --> 00:36:47,149 When you heard Erma was recording "Preacher Man", 834 00:36:47,150 --> 00:36:48,859 you went and released your own version to 835 00:36:48,860 --> 00:36:50,189 undercut her chance. 836 00:36:50,190 --> 00:36:51,859 ARETHA: How much help do ya'll need from me? 837 00:36:51,860 --> 00:36:53,949 CL: You just got to flaunt your power, don't you? 838 00:36:53,950 --> 00:36:57,010 ARETHA: Yes, maybe I do. 839 00:36:58,410 --> 00:36:59,739 Because I'm my mother's daughter. 840 00:36:59,740 --> 00:37:01,199 CL: Don't you start about your mother. 841 00:37:01,200 --> 00:37:02,789 ARETHA: And she waited too long to stand up for herself 842 00:37:02,790 --> 00:37:05,289 and it killed her, and I refuse to let that be me. 843 00:37:05,290 --> 00:37:09,100 So, yes, even if it makes you look bad. 844 00:37:21,850 --> 00:37:24,780 KEN: Fighting the power begins at home, huh? 845 00:37:26,810 --> 00:37:29,040 Still glad you brought me here to meet him. 846 00:37:31,110 --> 00:37:34,540 ARETHA: Seems like we fighting all the time. 847 00:37:34,860 --> 00:37:38,489 Maybe wanting to help Angela is not the smartest move. 848 00:37:38,490 --> 00:37:41,329 KEN: Hey, standing up for what you believe in is 849 00:37:41,330 --> 00:37:44,539 always the right call. 850 00:37:44,540 --> 00:37:49,270 Now, I may not be royalty like you, but I can help. 851 00:37:53,750 --> 00:37:57,150 CL: My daughter and I don't always see eye to eye. 852 00:38:00,010 --> 00:38:02,509 But I'm glad you visiting with us. 853 00:38:02,510 --> 00:38:05,139 KEN: I thank you for that welcome, Reverend Franklin. 854 00:38:05,140 --> 00:38:06,950 CL: Bless you. 855 00:38:08,600 --> 00:38:10,609 You have a good evening. 856 00:38:10,610 --> 00:38:13,250 - ARETHA: Bye, Daddy. - CL: Mm-hmm. 857 00:38:18,200 --> 00:38:20,199 ARETHA: I'm performing at the Fillmore West. 858 00:38:20,200 --> 00:38:21,449 KEN: Huh, are you now? 859 00:38:21,450 --> 00:38:23,409 ARETHA: Coming? 860 00:38:23,410 --> 00:38:26,220 KEN: Yes, indeed. I will be there. 861 00:38:30,420 --> 00:38:31,999 This is beautiful. 862 00:38:32,000 --> 00:38:34,230 ARETHA: It's all right. 863 00:38:34,590 --> 00:38:37,110 KEN: So are you, come here. 864 00:38:41,590 --> 00:38:43,240 ARETHA: I... 865 00:38:44,100 --> 00:38:46,490 KEN: What? 866 00:38:56,530 --> 00:38:58,340 What's wrong? 867 00:39:00,360 --> 00:39:03,090 ARETHA: I don't know how to. 868 00:39:04,990 --> 00:39:08,260 KEN: I love you. 869 00:39:10,250 --> 00:39:14,850 (THUNDER) 870 00:39:23,470 --> 00:39:29,240 (PIANO). 871 00:39:39,150 --> 00:39:45,470 ♪ ♪ 872 00:39:49,500 --> 00:39:51,039 BARBARA: What's the matter, sunshine? 873 00:39:51,040 --> 00:39:54,379 ARETHA: It's just that this time tomorrow our bus will be 874 00:39:54,380 --> 00:39:56,669 headed back to Detroit. 875 00:39:56,670 --> 00:39:59,060 BARBARA: But you've enjoyed your visit, right? 876 00:39:59,260 --> 00:40:01,759 ARETHA: Me and Erma and Cecil and Carolyn, 877 00:40:01,760 --> 00:40:04,570 we all want to stay here with you. 878 00:40:06,510 --> 00:40:08,509 BARBARA: Your daddy's going to let you visit this summer. 879 00:40:08,510 --> 00:40:09,559 ARETHA: For the whole summer? 880 00:40:09,560 --> 00:40:11,990 BARBARA: We'll have to see. 881 00:40:12,350 --> 00:40:15,290 ARETHA: When we're at home, we miss you. 882 00:40:16,650 --> 00:40:18,580 What's the matter? 883 00:40:18,730 --> 00:40:21,340 BARBARA: I'm just tired. 884 00:40:22,450 --> 00:40:27,170 I miss you all too. 885 00:40:28,120 --> 00:40:30,340 Let's play make it up as we go. 886 00:40:31,040 --> 00:40:32,680 ARETHA: Okay. 887 00:40:34,830 --> 00:40:37,419 (PIANO). 888 00:40:37,420 --> 00:40:41,810 (HUMMING). 889 00:40:57,940 --> 00:41:01,710 (PHONE RINGING). 890 00:41:02,320 --> 00:41:04,170 CL: Hello? 891 00:41:04,650 --> 00:41:06,460 Mm-hmm. 892 00:41:12,540 --> 00:41:14,470 Thank you. 893 00:41:23,340 --> 00:41:25,320 Momma! 894 00:41:33,100 --> 00:41:35,030 ERMA: Re? 895 00:41:51,080 --> 00:41:53,550 ARETHA: No, no. 896 00:41:56,410 --> 00:42:00,520 (CRYING). 897 00:42:06,670 --> 00:42:08,730 ERMA: I know. 898 00:42:10,340 --> 00:42:15,200 (CRYING). 899 00:42:29,110 --> 00:42:34,590 (CRYING). 900 00:42:48,920 --> 00:42:55,110 (CRYING). 901 00:43:02,190 --> 00:43:04,269 SISTER HELEN: Do you want something to eat, honey? 902 00:43:04,270 --> 00:43:06,670 ARETHA: No, Sister Helen. 903 00:43:07,440 --> 00:43:09,029 SISTER HELEN: Your mother loved her children more than 904 00:43:09,030 --> 00:43:12,260 anything else in this world. 905 00:43:13,450 --> 00:43:15,529 Your mother's in a better place now. 906 00:43:15,530 --> 00:43:16,829 She's with the Lord, child. 907 00:43:16,830 --> 00:43:19,180 ARETHA: You don't need to talk to me. 908 00:43:19,710 --> 00:43:21,249 SISTER HELEN: I'm sure your daddy gave your momma a 909 00:43:21,250 --> 00:43:23,560 beautiful home going speech. 910 00:43:25,590 --> 00:43:28,009 ARETHA: Daddy didn't go to Momma's funeral. 911 00:43:28,010 --> 00:43:31,219 We buried her in Buffalo, and he wasn't even there. 912 00:43:31,220 --> 00:43:32,780 You best leave me be. 913 00:43:47,940 --> 00:43:50,670 (CHEERING AND APPLAUSE). 914 00:43:50,820 --> 00:43:52,149 ARETHA (OVER PA): Ladies and gentlemen, 915 00:43:52,150 --> 00:43:55,199 I would like to say before we leave that 916 00:43:55,200 --> 00:43:59,220 you have been much more than I could have ever expected. 917 00:44:00,540 --> 00:44:02,119 I'd like to leave you saying... 918 00:44:02,120 --> 00:44:07,520 ♪ Reach out and touch somebody's hand ♪ 919 00:44:09,550 --> 00:44:13,320 ♪ Make this a better world, if you can ♪ 920 00:44:15,010 --> 00:44:16,849 ♪ We love you ♪ 921 00:44:16,850 --> 00:44:19,679 ♪ Reach out and touch ♪ 922 00:44:19,680 --> 00:44:22,580 ♪ Somebody's hand ♪ 923 00:44:23,190 --> 00:44:26,189 ♪ Why don't you make it a better world ♪ 924 00:44:26,190 --> 00:44:27,899 ♪ If you can ♪ 925 00:44:27,900 --> 00:44:30,029 ARETHA (OVER PA): Turn around and touch your brother, 926 00:44:30,030 --> 00:44:31,069 touch your sister. 927 00:44:31,070 --> 00:44:32,819 Reach out and touch. 928 00:44:32,820 --> 00:44:34,029 Extend your hand. 929 00:44:34,030 --> 00:44:36,340 ♪ Somebody's hand ♪ 930 00:44:36,990 --> 00:44:39,739 ♪ Make this a better world ♪ 931 00:44:39,740 --> 00:44:41,930 ♪ If you can ♪ 932 00:44:42,370 --> 00:44:44,869 ♪ Reach out and touch ♪ 933 00:44:44,870 --> 00:44:48,589 ♪ Somebody's hand ♪ 934 00:44:48,590 --> 00:44:51,610 ♪ Make this a better world ♪♪ 935 00:44:52,130 --> 00:44:54,230 ARETHA (OVER PA): Need I say more, no. 936 00:44:54,470 --> 00:44:55,799 ♪ If you can ♪♪ 937 00:44:55,800 --> 00:44:57,429 ARETHA (OVER PA): Reach out and touch. 938 00:44:57,430 --> 00:44:59,639 ♪ Reach out and touch ♪ 939 00:44:59,640 --> 00:45:02,200 ♪ Grab hold of somebody's hand ♪ 940 00:45:02,890 --> 00:45:05,689 ♪ Go on make it a better world ♪ 941 00:45:05,690 --> 00:45:07,149 ♪ I know you ♪ ♪ 942 00:45:07,150 --> 00:45:09,689 JERRY: She really does bring people together. 943 00:45:09,690 --> 00:45:11,569 RUTH: She's at her best out there. 944 00:45:11,570 --> 00:45:13,880 ARETHA (OVER PA): I love you and I love you. 945 00:45:15,490 --> 00:45:19,630 Call me the mother you didn't have. 946 00:45:21,040 --> 00:45:22,329 I love you. 947 00:45:22,330 --> 00:45:23,850 KING CURTIS: I love you. 948 00:45:24,000 --> 00:45:26,970 ♪ Go on and reach out ♪♪ 949 00:45:33,460 --> 00:45:39,570 ♪ ♪ 950 00:45:39,720 --> 00:45:40,849 ♪ Wo ♪ 951 00:45:40,850 --> 00:45:43,320 ♪ Woo-oo-oo-oo ♪ 952 00:45:47,850 --> 00:45:51,460 ♪ Ahhh-oh ♪ 953 00:45:52,110 --> 00:45:56,460 ♪ Reach out and reach out and ♪ 954 00:45:58,360 --> 00:46:01,720 ♪ Yeah ♪ 955 00:46:03,830 --> 00:46:05,720 ♪ Reach out ♪ 956 00:46:08,670 --> 00:46:11,390 ♪ Reach out ♪ 957 00:46:12,340 --> 00:46:16,860 ♪ Reach out and touch somebody's hand ♪♪ 958 00:46:21,550 --> 00:46:28,050 _ 959 00:46:31,268 --> 00:46:37,696 _ 960 00:46:42,864 --> 00:46:48,864 Subtitle sync and corrections by awaqeded for www.addic7ed.com. 961 00:46:49,161 --> 00:46:52,801 (MUSIC PLAYS THROUGH CREDITS) 70840

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