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1
00:00:01,235 --> 00:00:03,371
[BUS ENGINE RUNNING]
2
00:00:17,385 --> 00:00:21,021
[VIOLIN MUSIC]
3
00:02:11,799 --> 00:02:15,636
[SCATTERED APPLAUSE]
4
00:02:15,669 --> 00:02:18,372
NEW YORK IS PLACE
WHERE PEOPLE COME
5
00:02:18,406 --> 00:02:20,374
TO HAVE
THEIR DREAMS REALIZED.
6
00:02:20,408 --> 00:02:23,377
AND I THINK
THAT'S WHY SO MANY PEOPLE
7
00:02:23,411 --> 00:02:26,214
NOT ONLY COME
TO THIS CITY,
8
00:02:26,247 --> 00:02:28,482
BUT, ULTIMATELY,
MAKE THEIR WAY TO TIFFANY.
9
00:02:28,516 --> 00:02:30,384
DO I KNOW HOW TO GIVE
GOOD FUCKING BITES,
10
00:02:30,418 --> 00:02:31,819
-OR WHAT, PEOPLE?
-[LAUGHTER]
11
00:02:34,688 --> 00:02:36,390
LOOK, JUST ROLL AWAY
AND THEN I'LL BABBLE ON.
12
00:02:36,424 --> 00:02:37,791
TELL ME WHEN IT'S BORING.
13
00:02:37,825 --> 00:02:39,560
WELL, YOU KNOW, I MEAN
A COMPANY LIKE TIFFANY
14
00:02:39,593 --> 00:02:41,229
WHICH IS VERY OLD,
YOU KNOW,
15
00:02:41,262 --> 00:02:42,396
THERE'S A LOT
OF CONTEXT TO IT.
16
00:02:42,430 --> 00:02:43,897
I'M NOT UNINTERESTED IN IT.
17
00:02:43,931 --> 00:02:46,234
[DIRECTOR] DO YOU THINK
WE SHOULD CELEBRATE BRANDS?
18
00:02:46,267 --> 00:02:47,301
NO.
19
00:02:47,335 --> 00:02:48,702
I CALLED UP MY MANAGER
20
00:02:48,736 --> 00:02:51,405
AND I SAID, "I HAVE TO PAY
MY JEWELRY BILL."
21
00:02:51,439 --> 00:02:53,441
I SAID, "ANY MOVIE
THAT COMES DOWN THE PIKE,
22
00:02:53,474 --> 00:02:55,509
ANY HORRIBLE
PIECE OF CRAP."
23
00:02:55,543 --> 00:02:57,445
SO I DID
THIS HORRIBLE MOVIE--
24
00:02:57,478 --> 00:03:00,248
THERE ARE FEW AMERICAN
RETAIL OUTLETS
25
00:03:00,281 --> 00:03:02,816
THAT ARE TRUE INSTITUTIONS.
26
00:03:02,850 --> 00:03:04,218
BERGDORF,
27
00:03:04,252 --> 00:03:05,753
TIFFANY'S...
28
00:03:05,786 --> 00:03:07,388
7-ELEVEN.
29
00:03:07,421 --> 00:03:09,423
I'M WEARING
LOTS OF TIFFANY TODAY.
30
00:03:09,457 --> 00:03:10,758
[DIRECTOR]
ARE YOU?
31
00:03:10,791 --> 00:03:13,594
I'M WEARING THIS
JACKIE O CUFF,
32
00:03:13,627 --> 00:03:15,429
AND...
33
00:03:15,463 --> 00:03:16,764
MY ZIPPER NECKLACE.
34
00:03:16,797 --> 00:03:17,931
[WOMAN MURMURS]
35
00:03:17,965 --> 00:03:20,868
-FUCK! YES!
-[CREW LAUGHS]
36
00:03:20,901 --> 00:03:23,571
I WANT SOMETHING
THAT I FEEL AMAZING IN.
37
00:03:23,604 --> 00:03:24,972
LIKE, THE LOOK
WE'RE TRYING TO CREATE
38
00:03:25,005 --> 00:03:26,440
FOR THIS PARTICULAR--
39
00:03:26,474 --> 00:03:27,675
-EVENT.
-EVENT.
40
00:03:27,708 --> 00:03:31,345
[PAPARAZZI SHOUTING]
41
00:03:31,379 --> 00:03:33,447
* WOKE UP
IN NEW YORK CITY *
42
00:03:33,481 --> 00:03:36,317
* LYING ON THE FLOOR
43
00:03:41,489 --> 00:03:44,958
* YOU GONNA KNOW
MY NAME *
44
00:03:44,992 --> 00:03:49,397
* BY THE END OF THE NIGHT
45
00:03:49,430 --> 00:03:50,664
* YEAH
46
00:03:53,000 --> 00:03:56,504
* YOU GONNA KNOW
MY NAME *
47
00:03:56,537 --> 00:03:58,939
* BY THE END OF THE NIGHT
48
00:04:01,008 --> 00:04:02,943
* WOW
49
00:04:04,845 --> 00:04:07,815
* BRIGHT LIGHTS,
BIG CITY *
50
00:04:07,848 --> 00:04:10,784
* GOING TO MY HEAD
51
00:04:10,818 --> 00:04:13,754
* BRIGHT LIGHTS,
BIG CITY *
52
00:04:13,787 --> 00:04:16,624
* GOING TO MY HEAD
53
00:04:16,657 --> 00:04:19,527
* BRIGHT LIGHTS,
BIG CITY *
54
00:04:19,560 --> 00:04:22,463
* GOING TO MY HEAD
55
00:04:22,496 --> 00:04:24,898
* I DON'T CARE, NO
56
00:04:24,932 --> 00:04:28,001
* 'CAUSE YOU DON'T CARE, NO
57
00:04:28,035 --> 00:04:30,838
* OH, YOU GONNA KNOW
MY NAME *
58
00:04:30,871 --> 00:04:34,074
* BY THE END OF THE NIGHT
59
00:04:34,107 --> 00:04:36,043
* WOW *
60
00:04:47,054 --> 00:04:48,989
[GASPS]
61
00:04:52,893 --> 00:04:54,628
TIFFANY BOX.
62
00:04:54,662 --> 00:04:56,764
-YOU'RE GETTING--
-[BOTH] ENGAGED?
63
00:04:56,797 --> 00:04:59,967
-[SCREAMING]
-YOU'RE GETTING ENGAGED!
64
00:05:00,000 --> 00:05:02,035
-OH, MY GOD!
-OH, MY GOD--
65
00:05:02,069 --> 00:05:04,872
-NO, STOP IT.
-WHAT ARE YOU D--
66
00:05:04,905 --> 00:05:06,707
-STOP IT.
-NO! NO!
67
00:05:06,740 --> 00:05:08,342
[BOTH YELLING]
68
00:05:09,577 --> 00:05:11,812
-YOU CAN'T-- -[SCREAMING]
69
00:05:13,647 --> 00:05:16,450
THE BRANDING, THAT BLUE BOX
WITH THE WHITE RIBBON,
70
00:05:16,484 --> 00:05:17,885
IS UNEQUIVOCAL.
71
00:05:17,918 --> 00:05:19,887
IF YOU SEE THAT BOX
UNDER THE CHRISTMAS TREE,
72
00:05:19,920 --> 00:05:21,889
IF YOU SEE THAT BOX
ON A BIRTHDAY,
73
00:05:21,922 --> 00:05:23,391
YOU KNOW
YOU'RE GETTING SOMETHING
74
00:05:23,424 --> 00:05:24,892
REALLY, REALLY SPECIAL.
75
00:05:24,925 --> 00:05:26,594
AND THAT IS NOT AN ACCIDENT.
76
00:05:26,627 --> 00:05:28,962
THAT IS A LOT OF VERY,
VERY CLEVER PEOPLE
77
00:05:28,996 --> 00:05:31,399
SPENDING A LOT
OF TIME AND ENERGY
78
00:05:31,432 --> 00:05:33,401
THINKING ABOUT
THIS BRAND POSITIONING.
79
00:05:33,434 --> 00:05:34,568
WHERE THEY'RE GONNA SIT
IN RELATION
80
00:05:34,602 --> 00:05:35,736
TO THEIR COMPETITORS,
81
00:05:35,769 --> 00:05:37,738
AND EXACTLY WHERE
THEY WANT TO BE.
82
00:05:37,771 --> 00:05:40,774
IT'S OUR MOST RECOGNIZABLE
BRAND QUALITY
83
00:05:40,808 --> 00:05:42,643
AND THEREFORE,
IT HAS TO BE PERFECT
84
00:05:42,676 --> 00:05:43,977
AND IT HAS TO BE RIGHT.
85
00:05:44,011 --> 00:05:46,580
PEOPLE HAVE A BIG AFFINITY
WITH THAT COLOR.
86
00:05:46,614 --> 00:05:49,450
I THINK IT'S SUCH
A RECOGNIZABLE BRAND COLOR
87
00:05:49,483 --> 00:05:53,754
THAT, OF COURSE,
PEOPLE HAVE VERY POSITIVE
ASSOCIATIONS WITH IT.
88
00:05:53,787 --> 00:05:55,756
YOU KNOW WHAT? I'M JUST
GONNA TAKE IT ALL AWAY.
89
00:05:55,789 --> 00:05:58,091
'CAUSE THAT WAY, YOU'LL JUST
REALLY LEARN THE LESSON, OKAY?
90
00:05:58,125 --> 00:05:59,860
ALL RIGHTY.
91
00:05:59,893 --> 00:06:01,762
WELL, I'M GONNA RUN
A COUPLE OF ERRANDS
92
00:06:01,795 --> 00:06:03,130
AND I WILL SEE YOU
AT DINNER.
93
00:06:04,598 --> 00:06:05,533
[SIGHS]
94
00:06:07,435 --> 00:06:09,603
SHE TOOK ALL MY STUFF.
95
00:06:09,637 --> 00:06:11,104
YEAH...
96
00:06:11,138 --> 00:06:13,674
EVERYTHING BUT
THE LITTLE BLUE ONE.
97
00:06:13,707 --> 00:06:15,843
[GASPS]
THAT'S THE BEST ONE.
98
00:06:15,876 --> 00:06:18,646
OH, MY GOD.
THANK YOU SO MUCH.
99
00:06:18,679 --> 00:06:19,980
I WOULD LOVE TO HAVE
100
00:06:20,013 --> 00:06:21,982
MANY OF THOSE
LITTLE BLUE BOXES.
101
00:06:22,015 --> 00:06:24,585
SO, YES, AS A WOMAN
I DEFINITELY UNDERSTAND
102
00:06:24,618 --> 00:06:26,787
THE ADDICTION TO THOSE
LITTLE BLUE BOXES.
103
00:06:26,820 --> 00:06:28,989
IT HAPPENS TO BE
SUCH A BEAUTIFUL COLOR.
104
00:06:29,022 --> 00:06:31,959
THE TIFFANY BLUE
IS WHAT YOU WOULD CALL
105
00:06:31,992 --> 00:06:34,061
A "ROBIN'S EGG BLUE."
106
00:06:34,094 --> 00:06:35,629
IT'S A SOPHISTICATED COLOR
107
00:06:35,663 --> 00:06:37,765
BUT IT HAS
SOME GREEN UNDERTONE.
108
00:06:37,798 --> 00:06:38,799
[RICHARD] OBVIOUSLY,
WORKING FOR TIFFANY,
109
00:06:38,832 --> 00:06:40,100
WE USE IT
DAY IN, DAY OUT.
110
00:06:40,133 --> 00:06:42,102
WE APPLY IT
IN SO MANY DIFFERENT WAYS
111
00:06:42,135 --> 00:06:45,539
AND I THINK WE REALLY TRY
TO GET THAT RIGHT,
112
00:06:45,573 --> 00:06:47,207
IT'S A VERY DIFFICULT
COLOR TO MIX,
113
00:06:47,240 --> 00:06:49,777
IT'S A VERY DIFFICULT COLOR
FROM A PRODUCTION STANDPOINT
114
00:06:49,810 --> 00:06:50,844
TO GET RIGHT.
115
00:06:50,878 --> 00:06:52,680
IT CHANGES
DEPENDING UPON
116
00:06:52,713 --> 00:06:54,047
WHETHER
IT'S A PAINTED SURFACE,
117
00:06:54,081 --> 00:06:55,683
A PRINTED FABRIC SURFACE,
118
00:06:55,716 --> 00:06:57,451
A SPRAYED FINISH.
119
00:06:57,485 --> 00:06:58,919
[LISA HERBERT]
THE NUMBER OF TIFFANY BLUE
120
00:06:58,952 --> 00:07:00,554
IS 1837.
121
00:07:00,588 --> 00:07:04,658
AND THAT WAS SPECIFICALLY
REQUESTED BY TIFFANY
122
00:07:04,692 --> 00:07:07,194
AS THE TIME WHEN TIFFANY
FIRST STARTED.
123
00:07:07,227 --> 00:07:10,864
THE TIFFANY BLUE FORMULA
IS A CLOSELY GUARDED SECRET
124
00:07:10,898 --> 00:07:14,001
THAT PANTONE HAS DEVELOPED
SPECIFICALLY FOR TIFFANY,
125
00:07:14,034 --> 00:07:17,037
AND THAT'S SOMETHING
THAT IS ONLY SENT OUT
126
00:07:17,070 --> 00:07:19,773
BY TIFFANY
TO THEIR PRIVILEGED PARTNERS.
127
00:07:19,807 --> 00:07:22,142
PEOPLE ARE TRADE MARKING
DUMB STUFF THESE DAYS
128
00:07:22,175 --> 00:07:24,177
BUT AN INSTITUTION
LIKE TIFFANY'S
129
00:07:24,211 --> 00:07:27,615
DESERVES TO OWN
THAT COLOR BLUE.
130
00:07:27,648 --> 00:07:29,182
THEY MADE THAT BLUE.
131
00:07:29,216 --> 00:07:31,619
THAT BLUE WAS NOTHING
UNTIL TIFFANY'S CAME ALONG.
132
00:07:31,652 --> 00:07:36,690
WHEN TIFFANY WANTED TO CREATE
THIS IMAGE AND CONSISTENCY
133
00:07:36,724 --> 00:07:38,859
WITH ALL THEIR PACKAGING
AND MEDIA,
134
00:07:38,892 --> 00:07:41,962
WE KNEW THAT WE HAD
TO INFUSE THAT COLOR
135
00:07:41,995 --> 00:07:45,032
WITH SOME OF THE SAME
STRONG PIGMENTS,
136
00:07:45,065 --> 00:07:46,767
AND CONSISTENT PIGMENTS,
137
00:07:46,800 --> 00:07:49,937
INTO THAT COLOR
TO ALLOW CONSISTENCY.
138
00:07:49,970 --> 00:07:51,204
OTHERWISE, IT'LL FADE.
139
00:07:51,238 --> 00:07:53,874
COLOR IS SYNONYMOUS
WITH THE BRAND.
140
00:07:53,907 --> 00:07:55,743
SO WE'RE SEEING THIS
MORE AND MORE.
141
00:07:55,776 --> 00:07:57,878
EVEN CELEBRITIES TODAY
142
00:07:57,911 --> 00:07:59,813
ARE BRANDING THEMSELVES
143
00:07:59,847 --> 00:08:02,750
WITH, UH, WE PRODUCED
A COLOR FOR JAY-Z.
144
00:08:02,783 --> 00:08:04,685
HE HAS HIS OWN SIGNATURE BLUE.
145
00:08:04,718 --> 00:08:06,887
BUT KANYE WEST
HAD COME TO US--
146
00:08:06,920 --> 00:08:09,189
I DON'T KNOW, WE GOT--
WE GOT INTO THE RAP WORLD.
147
00:08:12,092 --> 00:08:13,561
* THAT SHIT CRAY
148
00:08:13,594 --> 00:08:14,928
I'M NOT TALKIN'
ABOUT "RICH,"
149
00:08:14,962 --> 00:08:17,631
I'M TALKIN'
ABOUT "WEALTH," OKAY?
150
00:08:17,665 --> 00:08:19,066
I'M TALKIN'
ABOUT THE WHITE FAMILY
151
00:08:19,099 --> 00:08:21,068
THAT OWNS
ALL THE FUCKIN' SIMILAC,
152
00:08:21,101 --> 00:08:23,070
THOSE RICH MOTHERFUCKERS,
OKAY?
153
00:08:23,103 --> 00:08:24,772
I'M TALKIN' ABOUT
THE WHITE FAMILY
154
00:08:24,805 --> 00:08:26,306
THAT OWNS THE COLOR BLUE.
155
00:08:26,339 --> 00:08:28,709
THOSE RICH BASTARDS,
OKAY?
156
00:08:28,742 --> 00:08:31,244
NO CHOICE OF COLOR
HAS EVER BEEN SO SUCCESSFUL
157
00:08:31,278 --> 00:08:32,946
IN THE HISTORY OF MARKETING.
158
00:08:32,980 --> 00:08:35,082
IN 1853,
THE EMPRESS EUGENIE
159
00:08:35,115 --> 00:08:37,751
WAS THE GREATEST FASHION ICON
OF HER PERIOD.
160
00:08:37,785 --> 00:08:40,120
SHE WAS OUR KIND
OF 19TH-CENTURY GRACE KELLY.
161
00:08:40,153 --> 00:08:43,591
AND, AS EMPRESS OF FRANCE,
SHE CHOSE AN OFFICIAL COLOR,
162
00:08:43,624 --> 00:08:46,026
THIS ROBIN'S EGG,
PALE TURQUOISE BLUE,
163
00:08:46,059 --> 00:08:47,761
AS HER OFFICIAL COLOR
164
00:08:47,795 --> 00:08:49,763
SINCE WHATEVER
THE EMPRESS EUGENIE DID
165
00:08:49,797 --> 00:08:51,765
WAS GOING TO BE
A WORLDWIDE SUCCESS
166
00:08:51,799 --> 00:08:53,266
AND FOLLOWED BY EVERYBODY.
167
00:08:53,300 --> 00:08:55,002
AND THAT BLUE
WAS GOING TO BECOME
168
00:08:55,035 --> 00:08:56,770
THE WORLD'S
NUMBER ONE COLOR.
169
00:08:56,804 --> 00:08:59,707
MR. TIFFANY BRILLIANTLY
JUMPED ON THE OPPORTUNITY
170
00:08:59,740 --> 00:09:02,643
AND IMMEDIATELY MADE IT
TIFFANY'S OFFICIAL COLOR.
171
00:09:02,676 --> 00:09:04,945
TIFFANY BLUE
IS SUCH A WELL-KNOWN COLOR.
172
00:09:04,978 --> 00:09:07,615
I ACTUALLY GOT
THE PANTONE SWATCHES
173
00:09:07,648 --> 00:09:09,650
AND HAD A FABRIC
MATCHED TO IT.
174
00:09:09,683 --> 00:09:11,619
I KEPT TRYING TO SAY,
"I WANT THIS BLUE,
175
00:09:11,652 --> 00:09:14,321
I WANT THIS LIGHT BLUE,
IT'S ALL ABOUT A LIGHT BLUE."
176
00:09:14,354 --> 00:09:17,124
AND THEY KEPT COMING BACK
WITH A ROBIN'S EGG.
177
00:09:17,157 --> 00:09:18,959
AND I KEPT SAYING,
"NO, NO, NO, NO.
178
00:09:18,992 --> 00:09:20,293
TIFFANY BLUE.
TIFFANY BLUE."
179
00:09:20,327 --> 00:09:22,229
AND THEN,
I FINALLY HAD TO GO
180
00:09:22,262 --> 00:09:25,633
AND WE DIP DYED, UM,
FABRIC AND A DRESS TO MATCH.
181
00:09:25,666 --> 00:09:27,134
AND YOU'LL BE SEEING IT
ON THE RED CARPET
182
00:09:27,167 --> 00:09:30,137
VERY SOON.
[LAUGHS]
183
00:09:30,170 --> 00:09:32,873
[ROCK MUSIC]
184
00:09:37,344 --> 00:09:38,879
* DEVIL WITH A BLUE DRESS
185
00:09:38,912 --> 00:09:40,147
* BLUE DRESS
BLUE DRESS *
186
00:09:40,180 --> 00:09:42,315
* DEVIL WITH
A BLUE DRESS ON *
187
00:09:42,349 --> 00:09:43,617
* OOH, YEAH
188
00:09:43,651 --> 00:09:44,952
* DEVIL WITH A BLUE DRESS
189
00:09:44,985 --> 00:09:46,319
* BLUE DRESS
BLUE DRESS *
190
00:09:46,353 --> 00:09:47,988
* DEVIL WITH
A BLUE DRESS ON...**
191
00:09:48,021 --> 00:09:49,356
ESTEE.
192
00:09:49,389 --> 00:09:51,825
[WOMAN GASPS]
THAT'S AMAZING.
193
00:09:51,859 --> 00:09:53,293
-GIVE IT TO ME.
-[LAUGHS]
194
00:09:53,326 --> 00:09:55,262
WITH THE--
WITH THE BATHING SUIT TAN.
195
00:09:55,295 --> 00:09:57,264
-THAT'S HILARIOUS.
-[JESSICA] I MEAN,
YOU HAVE TO JUST,
196
00:09:57,297 --> 00:09:59,366
-YOU HAVE TO JUST GO--
-YOU JUST HAVE TO GO--
197
00:09:59,399 --> 00:10:00,701
-OWN IT, AND BE LIKE--
-YES. YES.
198
00:10:00,734 --> 00:10:02,069
... "YEP, OFF I GO."
199
00:10:02,102 --> 00:10:03,270
-JEANS ARE INCRED--
-JEANS ARE BRILLIANT.
200
00:10:03,303 --> 00:10:04,672
THE RUBBER BAND AROUND THE--
201
00:10:04,705 --> 00:10:05,773
[JESSICA] LOOK AT MY WATCH.
202
00:10:05,806 --> 00:10:09,042
-WHOOPSIE.
-[LAUGHING]
203
00:10:09,076 --> 00:10:11,011
IT'S FUN, BUT IT'S...
IT IS INTENSE
204
00:10:11,044 --> 00:10:14,314
BECAUSE IT'S NOT--IT'S NOT
TO BE TAKEN LIGHTLY, YOU KNOW?
205
00:10:14,347 --> 00:10:15,949
-RIGHT.
-YOU'RE PRESENTING YOURSELF
206
00:10:15,983 --> 00:10:17,317
-IN A PARTICULAR WAY
-RIGHT.
207
00:10:17,350 --> 00:10:18,786
-BECAUSE IT'S MY BUSINESS.
-[ESTEE] RIGHT.
208
00:10:18,819 --> 00:10:20,353
[JESSICA]
BUT, YOU KNOW, I WAS 19--
209
00:10:20,387 --> 00:10:22,189
[ESTEE]
NOT WEARING HIGH HEEL
FLIP FLOPS ANYMORE.
210
00:10:22,222 --> 00:10:23,857
[JESSICA]
RIGHT, NO MORE
HIGH HEEL FLIP FLOPS
211
00:10:23,891 --> 00:10:26,359
-AND TAN LINES AND CROP TOPS.
-[ESTEE] RIGHT.
212
00:10:26,393 --> 00:10:28,228
[JESSICA]
I DIDN'T KNOW ANY BETTER.
213
00:10:28,261 --> 00:10:30,297
-[LAUGHS]
-MOST PEOPLE DON'T.
214
00:10:30,330 --> 00:10:32,199
[KATE] THIS IS NO EVENT
IN THE WHOLE WORLD
215
00:10:32,232 --> 00:10:33,867
AS IMPORTANT AS THE OSCARS
216
00:10:33,901 --> 00:10:35,936
IN TERMS OF CELEBRITY
PRODUCT PLACEMENT.
217
00:10:35,969 --> 00:10:37,871
[WOMAN] EVERYONE SEES IT.
218
00:10:37,905 --> 00:10:41,208
AND--AND WHEN
I DO MAGAZINES
219
00:10:41,241 --> 00:10:43,443
OR ADVERTISING,
MY MOM SEES IT,
220
00:10:43,476 --> 00:10:45,913
AND MY FRIENDS SEE IT,
MY PEERS SEE IT.
221
00:10:45,946 --> 00:10:48,916
BUT I DON'T THINK IT HAS
THIS SORT OF, LIKE, BROAD REACH.
222
00:10:48,949 --> 00:10:52,052
[MAN]
JEWELRY ON THE RED CARPET
IS A VERY COMPLICATED GAME.
223
00:10:52,085 --> 00:10:54,054
I THINK IT'S BIG
BECAUSE IT'S SO COMPETITIVE,
224
00:10:54,087 --> 00:10:55,823
IT'S SO VALUABLE
FOR BRANDS.
225
00:10:55,856 --> 00:10:57,090
IT'S DIFFERENT
WITH EVERYBODY.
226
00:10:57,124 --> 00:11:00,427
I MEAN, I HAVE
A HANDFUL OF JEWELERS
227
00:11:00,460 --> 00:11:02,963
THAT I WORK WITH
FOR A RED CARPET DRESSING.
228
00:11:02,996 --> 00:11:05,432
AND I'VE HAD
RELATIONSHIPS WITH THEM
FOR A VERY LONG TIME.
229
00:11:05,465 --> 00:11:07,134
I'VE HAD A RELATIONSHIP
WITH TIFFANY
230
00:11:07,167 --> 00:11:08,736
FOR MANY, MANY YEARS.
231
00:11:08,769 --> 00:11:10,804
I'VE HAD TREMENDOUS
SUCCESS WITH THEM--
232
00:11:10,838 --> 00:11:11,939
JEWELRY, THERE'S
A TREMENDOUS AMOUNT
233
00:11:11,972 --> 00:11:13,974
OF PAYOLA,
TREMENDOUS AMOUNT.
234
00:11:14,007 --> 00:11:18,111
IT IS NOT UNUSUAL
FOR JEWELERS
235
00:11:18,145 --> 00:11:20,413
TO BE COURTING THE TALENT
236
00:11:20,447 --> 00:11:22,950
WITH CHECKS.
237
00:11:22,983 --> 00:11:24,451
[WOMAN #2] THE STAKES ARE HIGH
AND THE PAYOFF IS GREAT.
238
00:11:24,484 --> 00:11:26,920
THE BRANDS WANT
THAT POSITIONING,
239
00:11:26,954 --> 00:11:29,089
AND THE ACTRESSES ALSO WANT
THAT EXCLUSIVITY
240
00:11:29,122 --> 00:11:31,424
OF BEING THE ONLY GIRL
IN THE BEST DRESS.
241
00:11:31,458 --> 00:11:34,127
THE ONLY GIRL
WITH THE BEST NECKLACE.
242
00:11:34,161 --> 00:11:36,296
OH, MY GOD,
IT'S SO GORGEOUS.
243
00:11:36,329 --> 00:11:38,231
YEAH, HAVE A LOOK.
PASS THE MIRROR
244
00:11:38,265 --> 00:11:41,234
AND LOOK AT THAT 'CAUSE
THAT'S REALLY FABULOUS.
245
00:11:41,268 --> 00:11:44,104
-[ESTEE] YOU SEE?
-YES, I CAN.
246
00:11:44,137 --> 00:11:47,975
-[ESTEE] IT IS SO CRAZY.
-WHAT DO YOU THINK?
HOW DOES IT FEEL ON?
247
00:11:48,008 --> 00:11:51,444
-IT FEELS... PERFECT.
-I MEAN, IT FEELS
AMAZING, DOESN'T IT?
248
00:11:51,478 --> 00:11:54,114
AND JUST THE WAY IT SITS
AND THE WAY IT MOVES.
249
00:11:54,147 --> 00:11:56,516
-IT'S... AMAZING.
-[ESTEE] IT'S GORGEOUS.
250
00:11:56,549 --> 00:11:58,251
WOW.
251
00:11:58,285 --> 00:12:00,387
WHAT'S GREAT ABOUT THE OSCARS
IS ALL OF A SUDDEN
252
00:12:00,420 --> 00:12:03,156
THESE EXCITING PIECES
THAT YOU'VE NEVER SEEN BEFORE,
253
00:12:03,190 --> 00:12:05,492
YOU KNOW, MAGICALLY APPEAR
'CAUSE I THINK THEY...
254
00:12:05,525 --> 00:12:07,360
[LAUGHS]
EVERYONE KEEPS
LIKE, A LITTLE--
255
00:12:07,394 --> 00:12:11,098
THEIR LITTLE SPECIAL STASH
FOR THAT TIME OF YEAR.
256
00:12:11,131 --> 00:12:12,199
[WOMEN LAUGHING]
257
00:12:13,500 --> 00:12:16,169
GORGEOUS.
258
00:12:16,203 --> 00:12:17,971
-ISN'T IT? ISN'T IT?
-[WOMAN] IT'S SO BEAUTIFUL.
259
00:12:18,005 --> 00:12:19,973
I DON'T EVEN KNOW
WHAT TO SAY ABOUT IT.
260
00:12:20,007 --> 00:12:21,174
WHAT KIND OF STONE IS THAT?
261
00:12:21,208 --> 00:12:22,509
[WOMAN]
THAT'S AN AQUAMARINE.
262
00:12:22,542 --> 00:12:24,511
-SO BEAUTIFUL.
-MY BIRTHSTONE.
263
00:12:24,544 --> 00:12:26,179
-[WOMAN] IS IT?
-[WOMAN #2] WOW.
264
00:12:26,213 --> 00:12:28,215
-[CHATTER]
-SEE, I KNEW THIS WAS--
265
00:12:28,248 --> 00:12:29,482
I WAS KINDRED SPIRITS
WITH THIS JEWEL.
266
00:12:29,516 --> 00:12:31,151
[WOMAN] YOU KNEW
YOU COULD FEEL IT.
267
00:12:31,184 --> 00:12:33,253
-IT WAS CALLING YOU.
-GOD, I LOVE THIS.
268
00:12:33,286 --> 00:12:34,554
SO, JESSICA'S AMAZING.
269
00:12:34,587 --> 00:12:38,158
SHE HAS THAT MIXTURE
OF--OF GLAMOUR,
270
00:12:38,191 --> 00:12:39,559
WHICH CAN GO BACK
TO ANOTHER TIME,
271
00:12:39,592 --> 00:12:41,829
BUT SHE'S ALSO
VERY CONTEMPORARY.
272
00:12:41,862 --> 00:12:44,564
THIS IS WHERE I, SORT OF,
PUT ALL MY DESIGNS UP
273
00:12:44,597 --> 00:12:46,499
AND THIS SORT OF GIVES
A GOOD IDEA
274
00:12:46,533 --> 00:12:48,969
OF THE OVERALL FEELING
OF WHERE WE'RE GOING
275
00:12:49,002 --> 00:12:50,170
AS A DESIGN TEAM.
276
00:12:50,203 --> 00:12:52,172
AND THIS IS
THE INITIAL DRAWING
277
00:12:52,205 --> 00:12:53,841
FOR YOUR NECKLACE
THAT YOU HAVE ON.
278
00:12:53,874 --> 00:12:55,175
IT'S ALREADY YOURS.
279
00:12:55,208 --> 00:12:56,409
WE'VE BEEN LOOKING AT DOING
280
00:12:56,443 --> 00:12:58,578
THESE FABULOUS EARRINGS,
DROP EARRINGS,
281
00:12:58,611 --> 00:13:00,347
AND A BRACELET
WITH TASSELS
282
00:13:00,380 --> 00:13:03,450
THAT, AGAIN, WILL HAVE
THAT FLUID FEELING.
283
00:13:03,483 --> 00:13:05,118
WE DID A LOT OF WREATHS
IN THE PAST,
284
00:13:05,152 --> 00:13:06,453
BUT THE BEAUTY
ABOUT THIS PIECE
285
00:13:06,486 --> 00:13:08,188
IS THAT THERE ARE
PEAR-SHAPED DIAMONDS
286
00:13:08,221 --> 00:13:10,223
GOING IN ONE DIRECTION.
287
00:13:10,257 --> 00:13:12,860
IT'S HAVING A PRESENCE,
AND IT'S HAVING A PRESENCE
288
00:13:12,893 --> 00:13:15,595
ON SOMEBODY, YOU KNOW,
AS GORGEOUS AS HER.
289
00:13:15,628 --> 00:13:17,297
I MEAN, ESPECIALLY
AROUND "BLUE BOOK."
290
00:13:17,330 --> 00:13:19,199
ESPECIALLY WHEN PEOPLE
WILL COME TO "BLUE BOOK"
291
00:13:19,232 --> 00:13:20,567
AND THEY WILL SEE
SOME OF THE PIECES
292
00:13:20,600 --> 00:13:22,369
THAT SHE WORE AT THE OSCARS.
293
00:13:22,402 --> 00:13:24,838
IT ADDS AN ENORMOUS AMOUNT
OF VALUE.
294
00:13:24,872 --> 00:13:27,207
* I WONDER, WONDER
295
00:13:27,240 --> 00:13:29,542
* WHO OOH-OOH WHO
296
00:13:29,576 --> 00:13:33,413
* WHO WROTE
THE BOOK OF LOVE? *
297
00:13:33,446 --> 00:13:35,548
* TELL ME, TELL ME,
TELL ME *
298
00:13:35,582 --> 00:13:38,051
* OH, WHO WROTE
THE BOOK OF LOVE *
299
00:13:38,085 --> 00:13:40,053
* I'VE GOT TO KNOW
THE ANSWER *
300
00:13:40,087 --> 00:13:42,622
* WAS IT SOMEONE
FROM ABOVE? *
301
00:13:42,655 --> 00:13:44,391
* I WONDER, WONDER
302
00:13:44,424 --> 00:13:46,359
* WHO BA-DO-DO WHO
303
00:13:46,393 --> 00:13:50,563
* WHO WROTE
THE BOOK OF LOVE? *
304
00:13:50,597 --> 00:13:52,365
* I
305
00:13:52,399 --> 00:13:54,101
* WONDER WHO
306
00:13:54,134 --> 00:13:55,435
* YEAH
307
00:13:55,468 --> 00:13:58,038
* WHO WROTE
THE BOOK OF LOVE? **
308
00:13:58,071 --> 00:14:00,340
THE "BLUE BOOK" IS AN UPPER.
309
00:14:00,373 --> 00:14:01,875
YOU KNOW, WHEN IT COMES
IN THE MAIL
310
00:14:01,909 --> 00:14:03,476
NO ONE'S ALLOWED
TO THROW IT AWAY.
311
00:14:03,510 --> 00:14:06,146
YOU CAN JUST LOOK AT IT
AND YOU CAN DREAM WITH IT.
312
00:14:06,179 --> 00:14:08,581
[FRANCESCA] A LOT OF PEOPLE
JUST COLLECT TIFFANY, YOU KNOW,
313
00:14:08,615 --> 00:14:11,451
AND--AND LOOK FORWARD
TO "BLUE BOOK" ALL YEAR.
314
00:14:11,484 --> 00:14:13,253
"BLUE BOOK"
IS ABOUT STONES.
315
00:14:13,286 --> 00:14:16,389
IT'S ABOUT FINDING
THE MOST PHENOMENAL STONES.
316
00:14:16,423 --> 00:14:19,659
SOME OF THE PIECES
ARE JUST GONNA BE SO STUNNING
317
00:14:19,692 --> 00:14:21,494
AND SO SEDUCTIVE,
318
00:14:21,528 --> 00:14:25,432
I'M HOPING THAT I WILL
FALL IN LOVE WITH ONE OF THEM
319
00:14:25,465 --> 00:14:29,069
AND SO WILL, YOU KNOW,
ONE OF THE WEALTHIEST PEOPLE
IN THE WORLD.
320
00:14:30,637 --> 00:14:33,606
* HERE'S TO THE LADIES
321
00:14:33,640 --> 00:14:36,443
* WHO LUNCH
322
00:14:36,476 --> 00:14:39,546
* EVERYBODY LAUGH
323
00:14:42,349 --> 00:14:46,619
* LOUNGING IN THEIR CAFTANS
324
00:14:46,653 --> 00:14:50,323
* AND PLANNING A BRUNCH
325
00:14:50,357 --> 00:14:52,325
[JAZZ MUSIC PLAYS]
326
00:15:02,669 --> 00:15:04,537
NOW, BEING A MOTHER
OF TWIN 8-YEAR-OLDS
327
00:15:04,571 --> 00:15:06,974
I RARELY HAVE TIME
FOR THE CATHARTIC
328
00:15:07,007 --> 00:15:08,275
RETAIL EXPERIENCE.
329
00:15:08,308 --> 00:15:09,943
BUT THEY DO KNOW
ABOUT TIFFANY'S.
330
00:15:09,977 --> 00:15:12,479
THOSE WONDERFUL, BLUE BOOKS
THAT ARRIVE AT THE HOUSE
331
00:15:12,512 --> 00:15:13,680
AND THEY SEE MOMMY
LOOKING AT THE JEWELRY,
332
00:15:13,713 --> 00:15:15,282
AND I SHOW THEM
THE JEWELRY.
333
00:15:15,315 --> 00:15:17,550
AND, IN FACT,
THIS PAST VALENTINE'S DAY,
334
00:15:17,584 --> 00:15:19,319
ONE OF MY TWIN DAUGHTERS
CAME UP TO ME AND SAID,
335
00:15:19,352 --> 00:15:21,354
"MOMMY, WHAT DO YOU WANT
FROM TIFFANY'S
336
00:15:21,388 --> 00:15:23,356
FOR VALENTINE'S DAY?
I'LL TELL DADDY."
337
00:15:23,390 --> 00:15:24,992
AND--AND IT WAS
VERY CUTE.
338
00:15:25,025 --> 00:15:26,659
SHE TOLD HIM I WANTED
THE LOVE RING,
339
00:15:26,693 --> 00:15:28,661
ONLY MY HUSBAND
ENDED UP BUYING
340
00:15:28,695 --> 00:15:30,163
THE ELSA PERETTI LOVE RING
341
00:15:30,197 --> 00:15:31,431
AND I WAS ACTUALLY
TALKING ABOUT
342
00:15:31,464 --> 00:15:33,100
THE PALOMA PICASSO
LOVE RING.
343
00:15:33,133 --> 00:15:34,968
AND SO, I WAS
VERY FORTUNATE.
344
00:15:35,002 --> 00:15:36,269
AT THE END,
I GOT BOTH RINGS
345
00:15:36,303 --> 00:15:38,005
BECAUSE BOTH OF MY DAUGHTERS
346
00:15:38,038 --> 00:15:41,074
WANTED TO BE REPRESENTED
IN THIS VALENTINE'S MOMENT.
347
00:15:41,108 --> 00:15:44,644
WITH A SENSE OF FANTASY
AND LUXURY AND IMAGINATION.
348
00:15:44,677 --> 00:15:47,680
I HAVE A PIN
OF THE, UM, LITTLE BIRD
349
00:15:47,714 --> 00:15:50,217
STANDING ON--SITTING ON
A STONE, WHICH I LOVE.
350
00:15:50,250 --> 00:15:52,185
EVERY TIME I WEAR IT,
PEOPLE GO, "OH, MY GOODNESS.
351
00:15:52,219 --> 00:15:55,989
THAT'S AMAZING.
IT'S A REMARKABLE PIECE."
352
00:15:56,023 --> 00:15:58,691
I'M WEARING THIS RING NOW
THAT HAD BEEN MY GRANDMOTHER'S
353
00:15:58,725 --> 00:16:00,293
THAT, I THINK, IS FROM--
354
00:16:00,327 --> 00:16:02,095
IT'S PALOMA PICASSO
WHEN SHE FIRST STARTED.
355
00:16:02,129 --> 00:16:04,364
I THINK FROM
MID-SEVENTIES.
356
00:16:04,397 --> 00:16:08,235
IT'S TWO STONES.
IT'S A, UM, AN AMETHYST
357
00:16:08,268 --> 00:16:10,137
AND I THINK
IT'S AN AQUAMARINE,
358
00:16:10,170 --> 00:16:11,504
BUT IT MIGHT BE
A BLUE TOPAZ.
359
00:16:11,538 --> 00:16:13,106
MY GRANDMOTHER
GAVE IT TO ME.
360
00:16:13,140 --> 00:16:15,042
SHE OFTEN WOULD, YOU KNOW,
GIVE YOU A PIECE
361
00:16:15,075 --> 00:16:16,776
HERE OR THERE,
AND THIS SHE GAVE ME.
362
00:16:16,809 --> 00:16:18,245
-[GIRL] HI... OH!
-[DOG YELPS]
363
00:16:18,278 --> 00:16:21,048
-[GIRL GASPS] OH, NO!
-WHAT HAPPENED?
364
00:16:21,081 --> 00:16:23,050
[GIRL]
FLUFFY--OH, SORRY.
365
00:16:23,083 --> 00:16:25,385
[ALL LAUGHING]
366
00:16:25,418 --> 00:16:28,788
-[DIRECTOR] WHAT HAPPENED?
-IT'S MY DAUGHTER.
367
00:16:28,821 --> 00:16:30,590
ARE YOU WEARING
ANYTHING TIFFANY?
368
00:16:30,623 --> 00:16:33,160
[GIRL]
UH, NO, I'M NOT.
369
00:16:33,193 --> 00:16:35,062
SHE HAS, THOUGH.
370
00:16:35,095 --> 00:16:36,429
YEAH, SHE'S NEXT IN LINE
FOR EVERYTHING.
371
00:16:36,463 --> 00:16:38,031
-[CREW LAUGHS]
-EITHER SERENA OR FLUFFY,
372
00:16:38,065 --> 00:16:39,732
AND I DON'T THINK
FLUFFY WANTS IT, SO...
373
00:16:39,766 --> 00:16:41,334
[LAUGHING]
374
00:16:41,368 --> 00:16:44,104
-OH, HE CAN COME HERE.
-[DOG TAGS JINGLING]
375
00:16:44,137 --> 00:16:45,638
IT'S ALL RIGHT,
HE CAN COME IN.
COME IN, COME HERE.
376
00:16:45,672 --> 00:16:47,340
[CLAPPING]
377
00:16:47,374 --> 00:16:51,078
-[DIRECTOR] WOW, LOOK AT THAT.
-BIG BABY.
378
00:16:51,111 --> 00:16:53,580
[DIRECTOR]
SO FRANCESCA'S
BLUE BOOK THEME IS "WATER,"
379
00:16:53,613 --> 00:16:56,049
-DID YOU KNOW THAT?
-I DID HEAR IT, YEAH.
380
00:16:56,083 --> 00:16:57,450
-[DIRECTOR] YOU DID HEAR THAT?
-I DID HEAR THAT, YEAH.
381
00:16:57,484 --> 00:16:59,586
SHE CAN BE QUITE
SECRETIVE, FRANCESCA.
382
00:16:59,619 --> 00:17:02,589
SHE DEFINITELY CAN
'CAUSE I HAVEN'T SEEN A THING.
383
00:17:02,622 --> 00:17:04,124
IT'S MORE THAT SHE'S,
I THINK,
384
00:17:04,157 --> 00:17:06,126
FOCUSED ON SOMETHING
AND MAYBE, YOU KNOW,
385
00:17:06,159 --> 00:17:09,462
NOT READY TO SORT OF PULL
IT OUT AND BEAR IT JUST YET
386
00:17:09,496 --> 00:17:13,066
FOR ME TO GO, "UGH,"
OR ME TO GO, "WOW."
387
00:17:13,100 --> 00:17:14,434
OR ME TO GO,
"WHAT THE FUCK ARE YOU DOING?"
388
00:17:14,467 --> 00:17:16,136
OR, YOU KNOW,
OR ANY OF THOSE THINGS.
389
00:17:16,169 --> 00:17:18,771
BUT I DO REMEMBER
SORT OF HEARING WHISPERS
390
00:17:18,805 --> 00:17:21,741
THAT THERE WERE POSSIBILITIES
THAT SHE WAS GONNA GET THIS JOB
391
00:17:21,774 --> 00:17:25,278
AT TIFFANY, AND IT WAS ONE
OF THOSE ONES WHERE SUDDENLY
392
00:17:25,312 --> 00:17:27,814
IT JUST FELT ALL THE STARS
HAD ALIGNED IN THE RIGHT PLACE
393
00:17:27,847 --> 00:17:30,250
AND FRANCESCA WAS RIGHT
IN THE EPICENTER.
394
00:17:30,283 --> 00:17:33,620
IT FELT RIGHT, IT FELT LIKE
SHE HAD EARNED IT
395
00:17:33,653 --> 00:17:36,623
BECAUSE SHE HAS BEEN
DOING THIS FOR A LONG TIME.
396
00:17:36,656 --> 00:17:39,392
I THINK THERE'S
TWO THINGS THAT HELP ME.
ONE, I'M A WOMAN.
397
00:17:39,426 --> 00:17:41,461
SURPRISINGLY, THE FIRST
DESIGN DIRECTOR
398
00:17:41,494 --> 00:17:43,296
FOR TIFFANY
THAT'S A WOMAN.
399
00:17:43,330 --> 00:17:44,797
AND IT'S KINDA GREAT
400
00:17:44,831 --> 00:17:46,633
'CAUSE, YOU KNOW,
I TRY THE JEWELRY ON
401
00:17:46,666 --> 00:17:48,635
AND I WEAR IT,
AND I FEEL IT.
402
00:17:48,668 --> 00:17:50,503
I HAVE TO, I MEAN,
I WANT TO.
403
00:17:50,537 --> 00:17:53,106
IF I DON'T WEAR IT,
I CAN'T MAKE DECISIONS ON IT.
404
00:17:53,140 --> 00:17:55,308
THIS IS SOMETHING THAT NEEDS
TO SIT ON THE BODY.
405
00:17:55,342 --> 00:17:56,643
I HAVE TO WEAR IT.
406
00:17:56,676 --> 00:17:58,478
AND THEN, SECONDLY,
IS THE FACT
407
00:17:58,511 --> 00:17:59,879
THAT I'M-- I'M A TRAINED
JEWELER.
408
00:17:59,912 --> 00:18:02,149
SO I'M GONNA THINK
ABOUT THE CONSTRUCTION.
409
00:18:02,182 --> 00:18:04,351
IT'S JUST
RIDICULOUSLY PERFECT
410
00:18:04,384 --> 00:18:06,153
THAT SHE LOOKS
LIKE AUDREY HEPBURN,
411
00:18:06,186 --> 00:18:08,321
AND SHE'S DESIGNING
FOR TIFFANY.
412
00:18:08,355 --> 00:18:10,523
[TECHNO MUSIC PLAYING]
413
00:18:17,864 --> 00:18:19,299
THE WAY THAT I DESIGN
414
00:18:19,332 --> 00:18:21,368
IS I REALLY START
WITH A CONCEPT.
415
00:18:21,401 --> 00:18:24,504
AND THEN, FROM THE CONCEPT,
I CREATE A STORY.
416
00:18:24,537 --> 00:18:27,507
WHEN YOU'RE GOING THROUGH
"BLUE BOOK," YOU KNOW,
417
00:18:27,540 --> 00:18:31,244
YOU'D SORT OF FEEL
VERY HAPPY IN HERE,
"AREN'T THESE FUN?
418
00:18:31,278 --> 00:18:32,912
"AREN'T THESE GREAT?
OH, THESE ARE A BIT UNUSUAL."
419
00:18:32,945 --> 00:18:35,182
AND I THINK HERE YOU HAVE
AN ELEMENT OF SURPRISE
420
00:18:35,215 --> 00:18:37,317
THAT THEN LEADS YOU
ONTO HERE.
421
00:18:37,350 --> 00:18:39,686
WE'VE OBVIOUSLY PUSHED
THE BOUNDARIES THIS YEAR.
422
00:18:39,719 --> 00:18:41,388
YOU KNOW, THIS IS NOT
GOING TO BE
423
00:18:41,421 --> 00:18:43,490
YOUR EVERYDAY "BLUE BOOK."
424
00:18:43,523 --> 00:18:44,924
IT DOES HAVE
CLASSICAL PIECES,
425
00:18:44,957 --> 00:18:47,527
BUT IT ALSO HAS
SOME VERY UNUSUAL PIECES.
426
00:18:47,560 --> 00:18:50,163
WHICH, I THINK, IS WHY
WE'RE SO EXCITED ABOUT IT.
427
00:18:50,197 --> 00:18:53,200
THERE'S TWO THINGS
THAT I'M THINKING WHILE
I'M DOING THAT--
428
00:18:53,233 --> 00:18:55,768
SO ONE IS THE LOOK
AND FEEL OF IT,
429
00:18:55,802 --> 00:18:57,870
AND THE OTHER THING
WAS JUST TO FRAGMENT IT
430
00:18:57,904 --> 00:18:59,906
INTO, YOU KNOW, ICE,
431
00:18:59,939 --> 00:19:03,310
SNOW, DEW DROPS,
432
00:19:03,343 --> 00:19:04,911
TO CREATE THESE...
433
00:19:04,944 --> 00:19:07,180
THESE DIFFERENT SUBTHEMES,
IN A WAY.
434
00:19:07,214 --> 00:19:09,416
AND THEN HOW THEY'RE GONNA
RHYTHMICALLY SIT
435
00:19:09,449 --> 00:19:10,950
ONE NEXT TO THE OTHER.
436
00:19:10,983 --> 00:19:13,553
YOU CAN APPROACH IT WITH,
YOU KNOW, COLORED STONES.
437
00:19:13,586 --> 00:19:15,288
YOU CAN APPROACH IT
THROUGH DIAMONDS.
438
00:19:15,322 --> 00:19:17,924
YOU CAN APPROACH IT
THROUGH SOMETHING MUCH BIGGER.
439
00:19:17,957 --> 00:19:20,693
[SLOW ROCK MUSIC PLAYING]
440
00:19:33,406 --> 00:19:34,741
HERE WE HAVE ABOUT...
441
00:19:34,774 --> 00:19:37,410
I'D SAY OVER $20 MILLION
WORTH OF DIAMONDS.
442
00:19:37,444 --> 00:19:39,412
SO, THESE ARE ALL
FANCY COLORS.
443
00:19:39,446 --> 00:19:41,548
SO WE'VE GOT A BIT
TO PLAY AROUND WITH TODAY.
444
00:19:41,581 --> 00:19:44,251
THAT ONE... SO THIS
IS A SORT OF...
445
00:19:44,284 --> 00:19:47,220
BEAUTIFUL.
THIS IS LIKE RAIN.
446
00:19:47,254 --> 00:19:49,489
-NICE SPLASHES OF RAIN.
-[WOMAN] IT'S WONDERFUL.
447
00:19:49,522 --> 00:19:54,594
BUT WE DON'T WANNA GO DOWN
THE ROUTE OF FOUNTAINS
AND SHOWERS, YOU KNOW?
448
00:19:54,627 --> 00:19:56,929
WE WANT TO KEEP IT
REALLY PURE.
449
00:19:56,963 --> 00:20:00,900
AND THE STYLE HAS TO SIT WELL
WITH WHAT'S HAPPENING
450
00:20:00,933 --> 00:20:03,436
WITH WATCHES,
LET'S SAY FOR EXAMPLE.
451
00:20:03,470 --> 00:20:05,672
AND IT HAS TO ALSO REFLECT
WHAT WE'RE DOING
452
00:20:05,705 --> 00:20:08,408
IN THE FASHION JEWELRY,
SO THAT IT'S ONE VOICE.
453
00:20:08,441 --> 00:20:10,377
IT BECOMES-- IT BECOMES A
VOCABULARY,
454
00:20:10,410 --> 00:20:11,778
SO THAT IF YOU'RE WEARING
A TIFFANY WATCH
455
00:20:11,811 --> 00:20:12,945
WITH A TIFFANY NECKLACE,
456
00:20:12,979 --> 00:20:14,581
[SNAPS FINGERS]
I KNOW, YOU KNOW?
457
00:20:14,614 --> 00:20:16,616
I CAN SEE IT FROM
THE OTHER SIDE OF THE ROOM,
458
00:20:16,649 --> 00:20:17,817
THAT'S TIFFANY.
459
00:20:17,850 --> 00:20:19,852
* YOUR LOVE, YOUR LOVE
460
00:20:19,886 --> 00:20:22,689
* OUR LOVE
461
00:20:24,957 --> 00:20:29,462
* I CAN SEE
MY BABY SWINGING *
462
00:20:29,496 --> 00:20:31,631
* HIS PARLIAMENT'S
ON FIRE *
463
00:20:31,664 --> 00:20:34,467
* AND HIS HANDS ARE UP
464
00:20:34,501 --> 00:20:37,970
* ON THE BALCONY,
AND I'M SINGING *
465
00:20:38,004 --> 00:20:42,909
* MOVE BABY, MOVE BABY
I'M IN LOVE *
466
00:20:42,942 --> 00:20:45,244
[MUSIC CONTINUES
ON RADIO]
467
00:20:53,353 --> 00:20:55,288
[DRILLING]
468
00:21:03,863 --> 00:21:04,997
[FRANCESCA]
AND HOW LONG DID IT TAKE YOU
469
00:21:05,031 --> 00:21:06,999
TO SET THE TIFFANY DIAMOND?
470
00:21:07,033 --> 00:21:11,070
-I THINK ABOUT TWO HOURS.
-TWO HOURS.
471
00:21:11,103 --> 00:21:13,940
THAT MUST HAVE BEEN
QUITE A MOMENT.
472
00:21:13,973 --> 00:21:15,074
WELL, IT'S AMAZING
IF YOU THINK
473
00:21:15,107 --> 00:21:17,377
THE HISTORY
THAT STONE HAS.
474
00:21:17,410 --> 00:21:18,911
IT'S QUITE AMAZING.
475
00:21:27,053 --> 00:21:29,356
DON'T YOU JUST LOVE IT?
476
00:21:29,389 --> 00:21:30,857
LOVE WHAT?
477
00:21:30,890 --> 00:21:32,725
TIFFANY'S.
478
00:21:42,569 --> 00:21:44,437
ISN'T IT WONDERFUL?
479
00:21:44,471 --> 00:21:45,872
DO YOU SEE WHAT I MEAN,
HOW NOTHING BAD
480
00:21:45,905 --> 00:21:47,874
COULD'VE HAPPENED TO YOU
IN A PLACE LIKE THIS?
481
00:21:47,907 --> 00:21:49,542
IT ISN'T THAT I GIVE A HOOT
ABOUT JEWELRY,
482
00:21:49,576 --> 00:21:51,511
EXCEPT DIAMONDS,
OF COURSE.
483
00:21:52,745 --> 00:21:54,514
LIKE THAT.
484
00:21:59,085 --> 00:22:01,388
THERE ARE ONLY TWO WOMEN
IN THE WORLD
485
00:22:01,421 --> 00:22:03,390
THAT HAVE WORN HER.
486
00:22:03,423 --> 00:22:06,125
UH, IN 1961,
487
00:22:06,158 --> 00:22:08,728
WALTER HOVING,
BEING THE ENTREPRENEUR
488
00:22:08,761 --> 00:22:10,963
AND THE PUBLICIST
THAT HE WAS,
489
00:22:10,997 --> 00:22:14,967
UH... DECIDED TO HAVE
SOME FILM SHOTS TAKEN
490
00:22:15,001 --> 00:22:16,403
HERE AT THE STORE.
491
00:22:16,436 --> 00:22:19,005
AND MS. HEPBURN
WORE THE NECKLACE,
492
00:22:19,038 --> 00:22:21,073
UH, WORE THE DIAMOND
IN A NECKLACE
493
00:22:21,107 --> 00:22:22,975
DESIGNED BY SCHLUMBERGER.
494
00:22:23,009 --> 00:22:27,814
IN ORDER FOR THE PRODUCTION
TO GET ACCESS TO TIFFANY'S,
495
00:22:27,847 --> 00:22:30,850
THEY GRANTED TIFFANY'S
A LITTLE PHOTO SHOOT
496
00:22:30,883 --> 00:22:34,587
WITH AUDREY WEARING
THE TIFFANY DIAMOND NECKLACE.
497
00:22:34,621 --> 00:22:36,756
SO THEY DID A LITTLE BIT
OF A TRADE.
498
00:22:36,789 --> 00:22:39,726
PARAMOUNT GOT
THE STORE AND...
499
00:22:39,759 --> 00:22:42,061
THE COMPANY GOT AUDREY.
500
00:22:44,697 --> 00:22:46,165
[DALE]
SO SHE WAS THE SECOND WOMAN.
501
00:22:46,198 --> 00:22:50,770
THE FIRST WOMAN
WAS A SOCIALITE IN 1957.
502
00:22:50,803 --> 00:22:54,474
TIFFANY AND COMPANY
WAS CO-HOSTING A CHARITY BALL
503
00:22:54,507 --> 00:22:56,609
UP IN NEWPORT, RHODE ISLAND.
504
00:22:56,643 --> 00:23:00,547
AND THE CO-HOSTESS,
MRS. SHELDON WHITEHOUSE,
505
00:23:00,580 --> 00:23:04,717
WAS ACTUALLY THE VERY FIRST
WOMAN TO EVER WEAR HER.
506
00:23:11,724 --> 00:23:13,460
[MAN]
HE FOUND THE DIAMOND,
THE ROUGH,
507
00:23:13,493 --> 00:23:16,696
IN THE KIMBERLY MINE
IN SOUTH AFRICA.
508
00:23:16,729 --> 00:23:19,699
IT WAS 287-CARATS,
HUGE ROUGH.
509
00:23:19,732 --> 00:23:21,901
AND HE HAD THE OPPORTUNITY
TO BUY IT.
510
00:23:21,934 --> 00:23:26,706
OF COURSE, ENORMOUS RISK
TO BUY SOMETHING LIKE THIS.
511
00:23:26,739 --> 00:23:29,476
ONE IS NEVER QUITE SURE,
WITH THAT SIZE OF ROUGH,
512
00:23:29,509 --> 00:23:31,511
TRULY WHAT YOU'RE GOING
TO GET OUT OF IT.
513
00:23:31,544 --> 00:23:35,014
WHEN YOU'RE CUTTING A ROUGH
TO A SMALLER DIAMOND,
514
00:23:35,047 --> 00:23:38,117
OFTEN MANY OF THE PIECES
YOU'RE CUTTING AWAY
515
00:23:38,150 --> 00:23:41,153
ARE SO INCLUDED
THAT THEY'RE NOT REALLY USABLE.
516
00:23:41,187 --> 00:23:43,823
MAYBE SOME
OF THE SMALLER PIECES WERE,
517
00:23:43,856 --> 00:23:46,993
BUT PREDOMINANTLY,
THAT IS ALL WEIGHT LOSS.
518
00:23:47,026 --> 00:23:49,662
SO HE TOOK THE RISK,
HE HAD A SENSE THAT THERE WAS
519
00:23:49,696 --> 00:23:52,599
SOMETHING WITHIN THAT
THAT WAS SPECIAL.
520
00:23:52,632 --> 00:23:54,834
SO HE BOUGHT THE ROUGH.
521
00:23:54,867 --> 00:23:56,936
THE ROUGH WAS SENT OVER
TO EUROPE
522
00:23:56,969 --> 00:23:58,738
AND THE FIRST CUT WAS MADE.
523
00:23:58,771 --> 00:24:01,941
BUT THERE CAME OUT
THE MOST INCREDIBLY BRILLIANT,
524
00:24:01,974 --> 00:24:04,043
BEAUTIFUL DIAMOND
WITH 82 FACETS.
525
00:24:04,076 --> 00:24:05,678
QUITE UNIQUE AT THAT TIME.
526
00:24:05,712 --> 00:24:08,014
DIAMONDS WERE NOT CUT
WITH THAT MANY FACETS.
527
00:24:08,047 --> 00:24:11,618
THE WONDERFUL THING
IS YOU LOOK AT THAT
TIFFANY DIAMOND NOW
528
00:24:11,651 --> 00:24:15,622
AND IT LOOKS AS MODERN
AS IF IT WERE CUT
529
00:24:15,655 --> 00:24:18,024
LAST WEEK, OR A MONTH AGO,
OR A YEAR AGO.
530
00:24:18,057 --> 00:24:19,926
IT'S INCREDIBLY ADVANCED.
531
00:24:19,959 --> 00:24:23,195
SO THAT'S VERY SPECIAL,
THIS IS A VERY SPECIAL DIAMOND.
532
00:24:23,229 --> 00:24:27,133
THE SECURITY OF HER
IS EXTREMELY TIGHT, OBVIOUSLY.
533
00:24:27,166 --> 00:24:29,869
BUT DURING MY TIME
ON THE MAIN FLOOR,
534
00:24:29,902 --> 00:24:31,904
WE HAD, UH, A PROCEDURE
535
00:24:31,938 --> 00:24:33,840
THAT AFTER THE STORE CLOSED
536
00:24:33,873 --> 00:24:37,109
AND THE STAINLESS
STEEL DOORS WERE LOCKED,
537
00:24:37,143 --> 00:24:39,211
SHE WAS WITHDRAWN
FROM THE VAULT
538
00:24:39,245 --> 00:24:40,747
ON THE MAIN FLOOR.
539
00:24:40,780 --> 00:24:42,715
YOU HAD TO WEAR
THE WHITE GLOVES,
540
00:24:42,749 --> 00:24:44,083
AND SHE WAS PUT
IN HER CARRIAGE
541
00:24:44,116 --> 00:24:46,052
AND WHISKED AWAY
FOR THE NIGHT.
542
00:24:46,085 --> 00:24:48,521
THERE IS A LITTLE SECRET.
543
00:24:48,555 --> 00:24:51,190
ONE NIGHT, WHEN I WAS REMOVING
HER FROM THE CASE,
544
00:24:51,223 --> 00:24:54,193
FOR JUST A MOMENT-- I THOUGHT
ABOUT MISS HEPBURN,
545
00:24:54,226 --> 00:24:56,062
I THOUGHT ABOUT
MRS. WHITEHOUSE,
546
00:24:56,095 --> 00:24:58,264
THEY HAD BOTH WORN IT
IN A NECKLACE.
547
00:24:58,297 --> 00:25:01,000
AND I THOUGHT... "A TIARA.
548
00:25:01,033 --> 00:25:03,836
I COULD BE THE FIRST PERSON,
THE FIRST WOMAN,
549
00:25:03,870 --> 00:25:06,973
THE FIRST EMPLOYEE
THAT WORE HER AS A TIARA."
550
00:25:07,006 --> 00:25:09,909
SO, FOR A SECOND,
I PUT HER IN MY QUAFF
551
00:25:09,942 --> 00:25:14,046
AND I STOOD THERE,
AND I WAS ACTUALLY TRANSFORMED.
552
00:25:14,080 --> 00:25:16,282
LIFE IS NOT MEASURED
553
00:25:16,315 --> 00:25:21,253
BY THE NUMBER OF BEATS
THAT YOUR HEART MAKES,
554
00:25:21,287 --> 00:25:22,955
LIFE IS TRULY MEASURED
555
00:25:22,989 --> 00:25:26,292
BY THE MOMENTS
THAT TAKE OUR BREATH WAY.
556
00:25:26,325 --> 00:25:30,262
-AND THAT MOMENT
I WILL NEVER FORGET.
-[DIRECTOR] IT TRULY DID?
557
00:25:30,296 --> 00:25:32,965
OH, IT DID.
I WAS BREATHLESS.
558
00:25:46,646 --> 00:25:48,114
[MAN]
THERE'S SOMETHING AMAZING
ABOUT THE FACT
559
00:25:48,147 --> 00:25:50,650
THAT THE FILM BEGINS
WITH THE WINDOWS.
560
00:25:50,683 --> 00:25:52,652
THE WINDOWS
ARE THE FIRST OPPORTUNITY
561
00:25:52,685 --> 00:25:54,220
TO SPREAD
THE TIFFANY MAGIC.
562
00:25:54,253 --> 00:25:55,955
AND THAT'S WHY THE FILM
BEGINS THAT WAY.
563
00:25:55,988 --> 00:25:57,356
YOU KNOW,
SHE GETS OUT OF THE CAR,
564
00:25:57,389 --> 00:25:59,158
SHE LOOK AT THE WINDOW
565
00:25:59,191 --> 00:26:00,960
AND SHE'S INSTANTLY
TRANSPORTED.
566
00:26:08,000 --> 00:26:13,005
IN WINDOW ONE, SHE WAS LOOKING
AT THESE TALL WOODEN STRUCTURES.
567
00:26:13,039 --> 00:26:16,275
THEY WERE KIND OF, LIKE,
MULTIFACETED WOODEN PIECES
568
00:26:16,308 --> 00:26:19,812
WITH BEAUTIFUL
SCHLUMBERGER BRACELETS ON THEM.
569
00:26:19,846 --> 00:26:23,783
IN WINDOW TWO,
IT'S MINIATURE CHANDELIERS
SUSPENDED BEAUTIFULLY
570
00:26:23,816 --> 00:26:25,985
WITH BROOCHES
SUSPENDED WITHIN THEM.
571
00:26:26,018 --> 00:26:27,687
THEY'RE TREMENDOUSLY
BEAUTIFUL WINDOWS
572
00:26:27,720 --> 00:26:30,957
AND THOSE WERE VERY ICONIC
GENE MOORE DISPLAYS.
573
00:26:30,990 --> 00:26:33,092
PERHAPS THAT WAS
THE FIRST TIME THAT PEOPLE
574
00:26:33,125 --> 00:26:36,028
SAW, ON A GLOBAL SCALE,
GENE MOORE'S WORK.
575
00:26:36,062 --> 00:26:40,867
[BIG BAND TRUMPET
MUSIC PLAYS]
576
00:26:53,780 --> 00:26:55,414
* UH!
577
00:26:55,447 --> 00:26:57,784
IT'S FUN.
IT'S ALL PART
OF THE WHOLE THING.
578
00:26:57,817 --> 00:26:59,318
IT'S FUN TO DO.
579
00:26:59,351 --> 00:27:04,090
I LOVE DOING IT EVEN,
UH, AFTER ALL THESE YEARS.
580
00:27:04,123 --> 00:27:07,193
GENE WAS REALLY A PIONEER
IN MODERN WINDOW DISPLAY.
581
00:27:07,226 --> 00:27:09,696
BECAUSE IN THE PAST,
THE IDEA WAS
582
00:27:09,729 --> 00:27:12,732
CRAM AS MUCH AS YOU COULD
INTO THE WINDOW
583
00:27:12,765 --> 00:27:14,266
AND HAVE
ALL THE PRICE TAGS ON IT
584
00:27:14,300 --> 00:27:16,836
AND IT'S ALL ABOUT
PUSHING THE MERCHANDISE,
585
00:27:16,869 --> 00:27:18,905
BUT GENE DISTILLED IT.
586
00:27:18,938 --> 00:27:20,773
HE WOULD SHOW ONE
OR TWO PIECES,
587
00:27:20,807 --> 00:27:23,109
BUT IT WAS THE WAY YOU GOT IN
WAS YOU WANTED TO SEE
588
00:27:23,142 --> 00:27:24,844
WHAT HE WAS GONNA DO
WITH THE WINDOWS.
589
00:27:24,877 --> 00:27:26,445
PEOPLE HAVE FORGOTTEN,
THE NEW GENERATION
590
00:27:26,478 --> 00:27:28,047
DOESN'T REALLY KNOW.
591
00:27:28,080 --> 00:27:31,050
I DON'T THINK THAT THEY KNOW
THE WHOLE STORY.
592
00:27:31,083 --> 00:27:32,752
[GLASS BREAKS]
593
00:27:32,785 --> 00:27:36,022
I'VE BEEN KNOWN TO BREAK
A GLASS IN THE WINDOW.
594
00:27:36,055 --> 00:27:41,227
AND THAT WAS FUN BECAUSE
PEOPLE WOULD CALL UP AND SAY,
595
00:27:41,260 --> 00:27:43,462
"YOU KNOW YOU HAVE
A BROKEN GLASS IN THE WINDOW?"
596
00:27:43,495 --> 00:27:47,834
I SAY, YES, I KNOW.
THERE'S THE HAMMER RIGHT
BESIDE IT THAT BROKE IT.
597
00:27:47,867 --> 00:27:52,071
I LEARNED TO DO
THINGS DIFFERENT--
598
00:27:52,104 --> 00:27:55,241
UH, TO MAKE A DIFFERENCE,
BECAUSE
599
00:27:55,274 --> 00:27:58,277
I WANTED TO SEE HOW MUCH
ATTENTION PEOPLE PAID TO IT.
600
00:27:58,310 --> 00:27:59,979
AND THEY WOULD
CALL UP AND SAY,
601
00:28:00,012 --> 00:28:02,148
"DO YOU KNOW YOU HAVE
ONE KNIFE TURNED BACKWARDS?
602
00:28:02,181 --> 00:28:04,884
OR ONE KEY
TURNED BACKWARDS?"
603
00:28:04,917 --> 00:28:06,252
I SAID, "YEAH."
604
00:28:06,285 --> 00:28:08,487
AND THEN I KNEW THAT
PEOPLE LOOKED AT IT.
605
00:28:08,520 --> 00:28:10,156
IT'S THE ONLY WAY
I COULD CHECK UP.
606
00:28:21,000 --> 00:28:26,472
[MAN]
GENE MOORE HAD A WONDERFUL
SENSE OF WIT IN PLACE.
607
00:28:26,505 --> 00:28:30,209
HE UNDERSTOOD THE WHOLE THEATRE
OF WINDOW DESIGN.
608
00:28:30,242 --> 00:28:32,845
HE TOOK IT TO A PLACE
THAT WOULD USE
609
00:28:32,879 --> 00:28:37,016
INCONGRUOUS OBJECTS
WITH BEAUTIFUL JEWELRY.
610
00:28:37,049 --> 00:28:39,418
[MUSIC PLAYS]
611
00:28:54,533 --> 00:28:56,969
I WOULD WALK AROUND
THE FLOOR WITH GENE,
612
00:28:57,003 --> 00:29:00,039
YOU KNOW, SELECTING PRODUCT
FOR THE WINDOW.
613
00:29:00,072 --> 00:29:02,108
HE USED TO LOVE TO USE EGGS.
614
00:29:02,141 --> 00:29:03,976
YOU KNOW,
HE USED TO BLOWOUT EGGS
615
00:29:04,010 --> 00:29:06,012
AND USE EGGS
A DIFFERENT WAY.
616
00:29:06,045 --> 00:29:07,479
[GENE]
EGGS, TO ME,
617
00:29:07,513 --> 00:29:09,949
IS THE MOST PERFECT SHAPE
IN THE WHOLE WORLD.
618
00:29:09,982 --> 00:29:11,951
I LIKE 'EM THE WAY
THEY COME RIGHT OUT OF THE HEN.
619
00:29:11,984 --> 00:29:13,786
I DON'T BELIEVE IN
PAINTED EGGS.
620
00:29:13,820 --> 00:29:15,487
EGGS ARE NOT TO BE PAINTED.
621
00:29:15,521 --> 00:29:17,990
THEY ARE SO BEAUTIFUL
IN THEMSELVES
622
00:29:18,024 --> 00:29:20,292
THAT I'D LEAVE THEM
THE WAY THEY ARE.
623
00:29:20,326 --> 00:29:24,831
IT WAS ALWAYS SORT
OF JUXTAPOSED JEWELRY
AND SOMETHING UNIQUE.
624
00:29:24,864 --> 00:29:26,833
HE JUST DID
WHATEVER HE WANTED.
625
00:29:26,866 --> 00:29:29,201
[CANDY]
THE LABOR THAT WENT INTO
CREATING THOSE THINGS
626
00:29:29,235 --> 00:29:30,903
AND THE ARTISTS HE ENGAGED
627
00:29:30,937 --> 00:29:33,405
BECAUSE HE DID ENGAGE PEOPLE
TO WORK WITH HIM.
628
00:29:33,439 --> 00:29:35,241
AND THEY WERE ON
HIS ROLODEX.
629
00:29:35,274 --> 00:29:37,376
THEY WERE NOT ON
ANYONE ELSE'S ROLODEX.
630
00:29:37,409 --> 00:29:39,245
YOU WERE NEV-- AND THEY WERE
VERY TRUE TO HIM.
631
00:29:39,278 --> 00:29:41,513
ONE OF HIS MOST
SPECTACULAR WINDOWS
632
00:29:41,547 --> 00:29:44,917
WAS A GIANT WHITE SPHERE
633
00:29:44,951 --> 00:29:47,253
HANGING OVER
A STRAND OF PEARLS.
634
00:29:47,286 --> 00:29:49,321
AND I'D PUT THEM IN
AND I THOUGHT,
635
00:29:49,355 --> 00:29:51,858
SOMETHING IS WRONG.
636
00:29:51,891 --> 00:29:54,193
YOU KNOW, IT'S-- IT'S TOO CLEAN.
637
00:29:54,226 --> 00:29:56,062
IT'S WRONG.
638
00:29:56,095 --> 00:29:59,065
SO, I BROKE A STRING OF PEARL--
I THOUGHT I'LL CATCH HELL,
639
00:29:59,098 --> 00:30:00,432
BUT I BROKE A STRING
OF PEARLS
640
00:30:00,466 --> 00:30:02,869
AND I HAD THE PEARLS,
YOU KNOW...
641
00:30:02,902 --> 00:30:04,203
AND IT HELPED THE WINDOW.
642
00:30:04,236 --> 00:30:06,405
IT MADE THE WINDOW
AS A MATTER OF FACT.
643
00:30:06,438 --> 00:30:08,440
AND ONLY GENE
WOULD HAVE BEEN ABLE
644
00:30:08,474 --> 00:30:10,943
TO GET AWAY WITH SHOWING
DAMAGED GOODS
645
00:30:10,977 --> 00:30:13,012
IN THE WINDOWS AT TIFFANY'S.
646
00:30:13,045 --> 00:30:15,882
THEY THE--TEASING GLIMPSE
647
00:30:15,915 --> 00:30:20,186
INTO A WORLD
THAT YOU WANT TO BE PART OF.
648
00:30:20,219 --> 00:30:22,088
IT WAS VERY HUMBLING
TO BE THINKING
649
00:30:22,121 --> 00:30:24,857
I'M PART OF SOMETHING
THAT'S ENDED UP
650
00:30:24,891 --> 00:30:28,060
IN A WINDOW AT TIFFANY'S
ON FIFTH AVENUE.
651
00:30:28,094 --> 00:30:29,495
[BAZ] I MEAN,
IT'S A PRIVILEGE AND A JOY.
652
00:30:29,528 --> 00:30:32,131
IMAGINE A HOUSE
OF TIFFANY'S SAYING,
653
00:30:32,164 --> 00:30:35,234
HEY, GO AND MAKE
ANYTHING YOU WANT,
654
00:30:35,267 --> 00:30:40,239
AND WORK WITH THESE
EXTRAORDINARY CRAFTS PEOPLE
UPSTAIRS
655
00:30:40,272 --> 00:30:44,476
WHO LITERALLY STILL
HAND MAKE THE ITEMS.
656
00:30:44,510 --> 00:30:47,880
[DAISY BUCHANAN]
IS THAT YOU, MY LOVELY?
657
00:30:51,283 --> 00:30:55,221
[NICK CARRAWAY]
DAISY BUCHANAN,
"THE GOLDEN GIRL."
658
00:30:55,254 --> 00:30:57,423
A BREATHLESS WARMTH
FLOWED FROM HER.
659
00:30:57,456 --> 00:31:00,359
A PROMISE THAT THERE WAS
NO ONE ELSE IN THE WORLD
660
00:31:00,392 --> 00:31:02,194
SHE SO WANTED TO SEE.
661
00:31:02,228 --> 00:31:04,363
DO THEY MISS ME IN CHICAGO?
662
00:31:04,396 --> 00:31:08,334
UH, YES. UM--UM,
AT LEAST A DOZEN PEOPLE
SEND THEIR LOVE.
663
00:31:08,367 --> 00:31:10,236
HOW GORGEOUS.
664
00:31:10,269 --> 00:31:12,004
I'VE JUST BEEN IN CHINA.
665
00:31:12,038 --> 00:31:14,941
I'VE JUST RELEASED
"THE GREAT GATSBY" IN CHINA.
666
00:31:14,974 --> 00:31:17,243
YES, THEY'RE DAZZLED
BY ALL THE LUXURY.
667
00:31:17,276 --> 00:31:21,513
BUT THEY'RE ALSO VERY AWARE
OF THE HEART ISSUE OF THE BOOK.
668
00:31:21,547 --> 00:31:25,952
AND THAT IS THIS PARADOX
BETWEEN THIS ROARING '20s,
669
00:31:25,985 --> 00:31:29,922
WHERE THERE'S "SUCH AN ORGY OF
MONEY," TO QUOTE FITZGERALD.
670
00:31:29,956 --> 00:31:33,025
AND THEN THERE'S
THIS KIND OF DEVASTATION
671
00:31:33,059 --> 00:31:36,328
IN THE AMERICAN DREAM,
IF YOU LIKE.
672
00:31:36,362 --> 00:31:38,697
THERE MUST BE A CENTER
AND THERE MUST BE MEANING.
673
00:31:38,730 --> 00:31:42,001
[WOMAN]
IN THE LAST TEN YEARS,
674
00:31:42,034 --> 00:31:44,103
THE PEOPLE
HAVE JUST EXPERIENCED
675
00:31:44,136 --> 00:31:45,437
A TREMENDOUS CHANGE.
676
00:31:45,471 --> 00:31:47,573
NOT JUST IN THEIR LIFESTYLE,
BUT IN THE--
677
00:31:47,606 --> 00:31:50,376
IN THE WAY THEY FEEL
ABOUT THEMSELVES.
678
00:31:50,409 --> 00:31:53,312
A LOT OF CHINESE
WERE STARTING TO GET WEALTHY
679
00:31:53,345 --> 00:31:55,114
AND THEY THOUGHT
WITH THAT WEALTH
680
00:31:55,147 --> 00:31:57,950
THEY SHOULD TREAT THEMSELVES
A LITTLE BIT BETTER.
681
00:31:57,984 --> 00:31:59,451
[MAN]
AND THEY'VE GOT
TO THIS POINT NOW
682
00:31:59,485 --> 00:32:02,989
WHERE, FINALLY, THEY CAN
LIVE A BEAUTIFUL LIFE
683
00:32:03,022 --> 00:32:07,026
AND THEY CAN START THINKING
ABOUT WHAT THEY REALLY WANT
684
00:32:07,059 --> 00:32:08,694
AND NOT JUST
WHAT THEY NEED.
685
00:32:08,727 --> 00:32:11,097
THIS IDEA
OF THE AMERICAN DREAM AND--
686
00:32:11,130 --> 00:32:14,266
AND WHEN YOU THINK
"AMERICAN DREAM,
"CHINESE DREAM,"
687
00:32:14,300 --> 00:32:17,003
AND THE VISION
THAT THEY BOTH SPEAK TO,
688
00:32:17,036 --> 00:32:19,538
YOU REALIZE
THAT ALL THE VALUES
689
00:32:19,571 --> 00:32:22,608
THAT THEY'RE SELLING
ARE UNIVERSAL.
690
00:32:22,641 --> 00:32:25,044
I DON'T EVEN WANT TO OWN
ANYTHING TILL I CAN FIND A PLACE
691
00:32:25,077 --> 00:32:26,712
WHERE A MILLION THINGS
GO TOGETHER.
692
00:32:26,745 --> 00:32:29,081
I'M NOT SURE
WHERE THAT IS, BUT--
693
00:32:29,115 --> 00:32:32,518
-[MEOW]
-I KNOW WHAT IT'S LIKE.
694
00:32:32,551 --> 00:32:35,387
-IT'S LIKE TIFFANY'S.
-TIFFANY'S?
695
00:32:35,421 --> 00:32:38,624
-YOU MEAN THE JEWELRY STORE?
-THAT'S RIGHT.
696
00:32:38,657 --> 00:32:41,027
I'M CRAZY
ABOUT TIFFANY'S.
697
00:32:41,060 --> 00:32:44,263
ALTHOUGH TIFFANY IN ITS-- ITS
CURRENT INCARNATION
698
00:32:44,296 --> 00:32:47,066
IS NOT
A CELEBRITY-DRIVEN BRAND,
699
00:32:47,099 --> 00:32:51,103
THE ONE CELEBRITY
WHO IS BEYOND REPROACH,
WHO IS ENDURINGLY POPULAR,
700
00:32:51,137 --> 00:32:52,471
WHO WILL ALWAYS
BE ASSOCIATED
701
00:32:52,504 --> 00:32:54,106
WITH THE BRAND
IS AUDREY HEPBURN.
702
00:32:54,140 --> 00:32:56,608
I WAS DEFINITELY
FAMILIARIZED WITH--
703
00:32:56,642 --> 00:32:58,577
WITH THE WHOLE NOTION
OF TIFFANY'S
704
00:32:58,610 --> 00:33:00,779
THROUGH THE MOVIE
"BREAKFAST AT TIFFANY'S."
705
00:33:00,812 --> 00:33:03,382
FOR ME WHEN I WAS YOUNGER
SEEING THAT MOVIE,
706
00:33:03,415 --> 00:33:06,652
SEEING HER AND SEEING
THE NAME "TIFFANY'S,"
707
00:33:06,685 --> 00:33:09,788
EMBODIED EVERYTHING
THAT WAS GLAMOROUS,
708
00:33:09,821 --> 00:33:12,758
AND SLIGHTLY UNATTAINABLE,
ABOUT NEW YORK.
709
00:33:12,791 --> 00:33:14,460
WELL, NO, BECAUSE
OF THE TITLE,
710
00:33:14,493 --> 00:33:15,761
GREAT PRODUCT PLACEMENT
711
00:33:15,794 --> 00:33:17,629
WITHOUT NEEDING-- WITHOUT
MEANING IT.
712
00:33:17,663 --> 00:33:21,300
TIFFANY GOT LUCKY,
SORT OF IN THE SAME WAY THAT
713
00:33:21,333 --> 00:33:23,769
CAMPBELL'S SOUP GOT LUCKY
WITH ANDY WARHOL.
714
00:33:23,802 --> 00:33:26,538
IT JUST HAPPENED
THAT THIS FILM WAS MADE.
715
00:33:26,572 --> 00:33:29,708
IT WAS NOT MADE FOR ANY KIND
OF ADVERTORIAL PURPOSE.
716
00:33:29,741 --> 00:33:32,211
IT'S PERFECT.
IT'S A PERFECT IMAGE.
717
00:33:32,244 --> 00:33:35,347
A LOT OF PEOPLE CONFUSE ME
WITH AUDREY HEPBURN. UM...
718
00:33:35,381 --> 00:33:37,416
THERE ARE GOOD THINGS ABOUT IT,
THERE ARE HORRIBLE THINGS
ABOUT IT.
719
00:33:37,449 --> 00:33:39,051
-[DIRECTOR] WHAT'S HORRIBLE?
-MICKEY ROONEY.
720
00:33:39,085 --> 00:33:42,421
-[DOORBELL BUZZES]
-UGH! OOH!
721
00:33:42,454 --> 00:33:44,356
MICKEY ROONEY,
"BREAKFAST AT TIFFANY'S"?
722
00:33:44,390 --> 00:33:47,259
WHERE'S HIS OSCAR?
COME ON!
723
00:33:47,293 --> 00:33:50,196
IN 30 SECONDS
I GOT TO CALL THE POLICE!
724
00:33:50,229 --> 00:33:52,064
THAT'S GROTESQUE.
AND, OF COURSE,
725
00:33:52,098 --> 00:33:54,266
IT WAS NEVER ACTUALLY "OKAY."
IT WAS JUST ALLOWED.
726
00:33:54,300 --> 00:33:55,801
YOU KNOW, ALL KINDS OF THINGS
WERE ALLOWED,
727
00:33:55,834 --> 00:33:57,069
DOESN'T MEAN THEY'RE OKAY.
728
00:33:57,103 --> 00:33:58,837
I GENUINELY ADMIRE THE MOVIE.
729
00:33:58,870 --> 00:34:01,740
I ADMIRE THE RISKS
THAT WERE TAKEN
730
00:34:01,773 --> 00:34:03,842
BY AUDREY HEPBURN,
BY BLAKE EDWARDS.
731
00:34:03,875 --> 00:34:07,079
MANCINI AND, UH, GIVENCHY.
732
00:34:07,113 --> 00:34:10,782
[MUSIC PLAYS]
733
00:34:12,684 --> 00:34:14,420
[MAN] YOU WANT A CHARACTER
YOU'RE GONNA LOVE.
734
00:34:14,453 --> 00:34:16,455
WELL, AT THE TIME,
I--I--
735
00:34:16,488 --> 00:34:18,457
I THOUGHT IT WAS A VERY
INTERESTING CHOICE.
736
00:34:18,490 --> 00:34:21,593
I MEAN, SHE HAD STYLE.
SHE HAD CLASS.
737
00:34:21,627 --> 00:34:24,563
SHE HAD A QUALITY, I THINK,
THAT--THAT WORKED.
738
00:34:24,596 --> 00:34:27,466
I DON'T THINK PEOPLE KNOW
THAT SHE WAS SORT OF LIKE, UH,
739
00:34:27,499 --> 00:34:30,869
A PROSTITUTE-- HIGH END KINDA
PROSTITUTE IN NEW YORK CITY,
740
00:34:30,902 --> 00:34:33,339
TRYING TO CLAW HER WAY
UP TO THE TOP.
741
00:34:33,372 --> 00:34:37,309
I THINK WHEN NOW THEY SEE IT,
SHE LOOKS LIKE A SOCIALITE.
742
00:34:37,343 --> 00:34:38,410
THEY THINK SHE IS A SOCIALITE.
743
00:34:48,187 --> 00:34:49,655
WON'T YOU JOIN ME?
744
00:34:49,688 --> 00:34:51,657
[ANNOUNCER]
YES, JOIN AUDREY HEPBURN
745
00:34:51,690 --> 00:34:53,325
AS YOU'VE NEVER
SEEN HER BEFORE--
746
00:34:53,359 --> 00:34:55,394
KICKING OVER THE TRACES
AND BRINGING TO LIFE
747
00:34:55,427 --> 00:34:58,197
TRUMAN CAPOTE'S
"BREAKFAST AT TIFFANY'S."
748
00:34:58,230 --> 00:35:00,199
[WHISTLES]
749
00:35:00,232 --> 00:35:01,900
WELL, THE FIRST TIME I SAW
"BREAKFAST AT TIFFANY'S,"
750
00:35:01,933 --> 00:35:03,335
IT DIDN'T-- DIDN'T CROSS MY MIND
751
00:35:03,369 --> 00:35:05,304
THAT SHE WAS A PROSTITUTE.
752
00:35:05,337 --> 00:35:08,340
[SAM]
CAPOTE DOESN'T COME
RIGHT OUT AND SAY IT,
753
00:35:08,374 --> 00:35:11,177
BUT IF YOU READ
BETWEEN THE LINES
754
00:35:11,210 --> 00:35:14,813
IT'S SOMETHING THAT
HE WANTED YOU TO CONSIDER.
755
00:35:14,846 --> 00:35:17,516
MY MOM TOLD ME AFTERWARDS,
AND I WAS LIKE, "WHAT?"
756
00:35:17,549 --> 00:35:19,685
[DIRECTOR]
REALLY? WHAT'D SHE SAY?
SHE WAS LIKE, "BY THE WAY--"
757
00:35:19,718 --> 00:35:22,154
[AMANDA] YEAH, SHE WAS LIKE,
"YOU KNOW THAT SHE'S
A CALL-GIRL?"
758
00:35:22,188 --> 00:35:25,524
AND I'M LIKE, "WH--WHY?"
[LAUGHS]
759
00:35:25,557 --> 00:35:27,859
"WHAT GAVE YOU THAT SENSE?"
760
00:35:27,893 --> 00:35:29,861
BUT, YEAH, I MEAN,
IN RETROSPECT,
761
00:35:29,895 --> 00:35:32,298
I'M LIKE, "OKAY,
IT'S A BIT OBVIOUS
762
00:35:32,331 --> 00:35:33,899
ONCE YOU HAVE THAT
IN YOUR MIND."
763
00:35:33,932 --> 00:35:35,901
-[GIRL] SHE'S A HOOKER?
-[DIRECTOR] ARE YOU SURPRISED
764
00:35:35,934 --> 00:35:37,436
THEY WOULD MAKE A DOLL
OUT OF A HOOKER?
765
00:35:37,469 --> 00:35:38,937
WHY'D THEY DO THAT?
766
00:35:38,970 --> 00:35:41,273
-SERIOUSLY? SHE'S A HOOKER?
-[DIRECTOR] YEAH.
767
00:35:41,307 --> 00:35:42,574
THEN WHY IS SHE
DRESSED LIKE THAT
768
00:35:42,608 --> 00:35:44,576
GOING TO TIFFANY'S
FOR BREAKFAST?
769
00:35:44,610 --> 00:35:47,879
THINK ABOUT WHAT
YOU'RE SEEING ON SCREEN.
770
00:35:47,913 --> 00:35:50,849
THE SUN IS COMING UP...
771
00:35:50,882 --> 00:35:54,553
A BEAUTIFUL GIRL,
IN EVENING DRESS,
772
00:35:54,586 --> 00:35:56,888
IS GETTING OUT OF CAB.
773
00:35:56,922 --> 00:35:58,924
WHY? WHAT IS SHE DOING
774
00:35:58,957 --> 00:36:01,627
IN AN EVENING DRESS
AT THAT HOUR?
775
00:36:01,660 --> 00:36:04,363
IS SHE GOING OUT
TO A PARTY AT SUNRISE?
776
00:36:04,396 --> 00:36:06,732
PROBABLY NOT. MORE LIKELY,
777
00:36:06,765 --> 00:36:09,835
SHE'S COMING HOME
FROM A PARTY AT SUNRISE.
778
00:36:09,868 --> 00:36:11,737
-AND THEN THE NEXT--
-THIS IS NOT A GOOD EXAMP--
779
00:36:11,770 --> 00:36:15,407
-AND THE NEXT MORNING...
-OH! SO SHE... OH!
780
00:36:15,441 --> 00:36:17,343
SO SHE HOOKED UP
WITH A RICH GUY,
781
00:36:17,376 --> 00:36:19,745
-AND SHE WANTS THAT GUY--
-NO. WELL, NOT EXACTLY.
782
00:36:19,778 --> 00:36:21,247
THEN WHAT'S UP
WITH HER OUTFIT?
783
00:36:21,280 --> 00:36:23,415
SHE WANTS EXTRA CASH
ON THE SIDE,
784
00:36:23,449 --> 00:36:25,417
SO SHE'S ALWAYS
HOOKING UP WITH MEN, RIGHT?
785
00:36:25,451 --> 00:36:26,785
[MARVIN]
WELL, YEAH, I MEAN--
786
00:36:26,818 --> 00:36:28,920
SHE WAS... A GAL
787
00:36:28,954 --> 00:36:31,823
WHO DID TAKE MONEY
FOR ENTERTAINING GUYS,
788
00:36:31,857 --> 00:36:33,825
IT DIDN'T--IT DIDN'T
SPECIFICALLY SAY
789
00:36:33,859 --> 00:36:37,829
IT BECAME A SEXUAL
SITUATION OR NOT. BUT, UH...
790
00:36:37,863 --> 00:36:40,599
I DON'T THINK,
IN THE FILM,
791
00:36:40,632 --> 00:36:42,368
YOU LOOK AT HER AS
AN OUT-AND-OUT HOOKER.
792
00:36:43,802 --> 00:36:45,537
SHE'S GOT TOO MANY
OTHER ELEMENTS.
793
00:36:45,571 --> 00:36:47,606
YOU LOVE HER KOOKINESS.
794
00:36:47,639 --> 00:36:49,808
[SAM]
"KOOK" WAS ONE OF THE WORDS--
IT WAS KIND OF A CODE WORD.
795
00:36:49,841 --> 00:36:51,943
IT WAS A-- IT WAS A EUPHEMISM
796
00:36:51,977 --> 00:36:55,281
TO, UM, COMFORT
NERVOUS AUDIENCES
797
00:36:55,314 --> 00:36:59,485
WHO KNEW A LITTLE BIT ABOUT
WHAT CAPOTE'S NOVEL WAS ABOUT,
798
00:36:59,518 --> 00:37:01,720
AND GET THEM TO FEEL,
SORT OF, MORE COMFORTABLE
799
00:37:01,753 --> 00:37:04,022
WITH THE IDEA THAT
THEY WERE SEEING
800
00:37:04,055 --> 00:37:06,592
A FRIENDLY MOVIE,
A SAFE MOVIE.
801
00:37:06,625 --> 00:37:10,028
[MARVIN]
IT MAY NOT HAVE BEEN
CAPOTE'S ORIGINAL CONCEPT,
802
00:37:10,061 --> 00:37:12,531
THEN I GUESS THAT
WAS A STUDIO DECISION
803
00:37:12,564 --> 00:37:16,268
FOR WHAT THEY WANTED
HOLLY GOLIGHTLY TO BE LIKE.
804
00:37:16,302 --> 00:37:18,737
[SAM]
MARILYN IS CLOSER
805
00:37:18,770 --> 00:37:20,972
TO THE HOLLY GOLIGHTLY
IN THE NOVEL.
806
00:37:21,006 --> 00:37:22,908
SO, ON A CERTAIN LEVEL,
807
00:37:22,941 --> 00:37:27,413
IT MAKES SENSE THAT TRUMAN
WOULD WANT HER.
808
00:37:27,446 --> 00:37:29,648
MAN, YOU GUYS-- YOU GUYS
ARE LUCKY THAT WE JUST WOKE UP.
809
00:37:29,681 --> 00:37:32,618
-WE'RE REALLY RAW
-YEAH, WE'RE REALLY RAW.
810
00:37:33,852 --> 00:37:35,487
CAN WE--CAN WE TALK ABOUT
811
00:37:35,521 --> 00:37:36,788
THE SONG,
"BREAKFAST AT TIFFANY'S"?
812
00:37:36,822 --> 00:37:38,424
SURE, GO AHEAD.
813
00:37:38,457 --> 00:37:40,826
BUT WE WERE OUT IN MONTAUK
A COUPLE YEARS AGO,
814
00:37:40,859 --> 00:37:43,462
WE WERE DEEJAYING
OUR FRIEND'S WEDDING,
815
00:37:43,495 --> 00:37:45,831
AND WE FOUND OURSELVES
ON THE BEACH
816
00:37:45,864 --> 00:37:48,667
TRYING TO START
A BONFIRE.
817
00:37:48,700 --> 00:37:51,337
AND, UH...
BEFORE WE KNEW IT,
818
00:37:51,370 --> 00:37:54,340
WE WERE JOINED BY A BUNCH
OF UKRAINIAN OR...
819
00:37:54,373 --> 00:37:56,675
-EASTERN EUROPEAN, UKRAINIAN
-EASTERN--EASTERN, YEAH.
820
00:37:56,708 --> 00:38:00,679
LIKE, REALLY GOOD-LOOKING,
EASTERN EUROPEAN TEENAGERS
821
00:38:00,712 --> 00:38:03,014
BECAUSE THAT'S WHO WORKS
IN MONTAUK FOR THE SUMMER.
822
00:38:03,048 --> 00:38:04,883
AND SUDDENLY, ONE OF THEM,
THE YOUNG BOY,
823
00:38:04,916 --> 00:38:06,618
-BREAKS OUT A GUITAR--
-YEAH.
824
00:38:06,652 --> 00:38:08,687
AND STARTS SINGING
ACOUSTICALLY
825
00:38:08,720 --> 00:38:12,758
"BREAKFAST AT TIFFANY'S"
WITH A HEAVY UKRAINIAN ACCENT...
826
00:38:12,791 --> 00:38:15,361
IN A SLOW JAM,
IT WAS AMAZING.
827
00:38:15,394 --> 00:38:18,697
IN THIS VERY BROKEN
SORT OF ENGLISH, UM--
828
00:38:18,730 --> 00:38:20,799
WHICH MADE IT
KIND OF BETTER, SOMEHOW--
829
00:38:20,832 --> 00:38:24,102
HE'S SINGING IT
AND EVERYONE'S SINGING ALONG.
830
00:38:24,135 --> 00:38:25,837
AND I'M LOOKING AT THEM
AND I'M LIKE,
831
00:38:25,871 --> 00:38:27,773
"YOU GUYS ARE 16,
AND 17, AND 18.
832
00:38:27,806 --> 00:38:29,641
FIRST OF ALL,
YOU'RE WAY TOO YOUNG
833
00:38:29,675 --> 00:38:32,544
-TO KNOW THIS SONG--
-ALSO, THEY'RE UKRANIAN.
834
00:38:32,578 --> 00:38:36,047
-YEAH, LIKE, HOW DID YOU--
-THEY WERE COMMUNIST
A FEW YEARS AGO,
835
00:38:36,081 --> 00:38:38,384
AND NOW THEY'RE SINGING
A CAPITALIST SONG
836
00:38:38,417 --> 00:38:40,051
ABOUT BREAKFAST AT TIFFANY'S.
837
00:38:40,085 --> 00:38:43,389
I THOUGHT IF I COULD
GET THAT PHRASE,
838
00:38:43,422 --> 00:38:45,724
"BREAKFAST AT TIFFANY'S,"
INTO A SONG
839
00:38:45,757 --> 00:38:47,626
THAT PEOPLE MIGHT LIKE IT.
840
00:38:47,659 --> 00:38:51,062
IT SOUNDS GREAT,
BUT YOU CAN'T JUST SAY...
841
00:38:51,096 --> 00:38:53,632
* BREAKFAST AT TIFFANY'S,
BREAKFAST AT TIFFANY'S, *
842
00:38:53,665 --> 00:38:55,501
YOU KNOW?
IT'S A WEIRD SONG.
843
00:38:55,534 --> 00:38:58,069
"AND I SAID, WHAT ABOUT
'BREAKFAST AT TIFFANY'S?'
844
00:38:58,103 --> 00:39:00,706
SHE SAID, I THINK
I REMEMBER THE FILM
845
00:39:00,739 --> 00:39:04,776
AND, AS I RECALL, I THINK
WE BOTH KINDA LIKED IT.
846
00:39:04,810 --> 00:39:08,480
WELL, THEN, I GUESS THAT'S
THE ONE THING WE'VE GOT."
847
00:39:08,514 --> 00:39:10,816
ALMOST NOTHING POETIC
ABOUT IT.
848
00:39:10,849 --> 00:39:12,751
[DIRECTOR LAUGHS]
849
00:39:12,784 --> 00:39:14,420
[DIRECTOR]
IT'S THE INFLECTIONS.
850
00:39:14,453 --> 00:39:15,954
YEAH. YEAH.
851
00:39:15,987 --> 00:39:19,558
[PLAYING "BREAKFAST
AT TIFFANY'S"]
852
00:39:25,431 --> 00:39:28,767
* YOU SAY
853
00:39:28,800 --> 00:39:33,439
* WE'VE GOT
NOTHING IN COMMON *
854
00:39:33,472 --> 00:39:38,710
* NO COMMON GROUND
TO START FROM *
855
00:39:38,744 --> 00:39:42,581
* AND WE'RE FALLING APART
856
00:39:46,151 --> 00:39:47,786
* YOU'LL... *
857
00:39:47,819 --> 00:39:49,455
WHAT'S THE NEXT VERSE?
858
00:39:49,488 --> 00:39:52,758
I HAVE HAD PEOPLE
WHO I WENT OUT WITH
859
00:39:52,791 --> 00:39:55,561
SWEAR UP AND DOWN,
"OH, NO, THIS IS ABOUT ME
860
00:39:55,594 --> 00:39:56,795
BECAUSE WE WATCHED
THAT MOVIE."
861
00:39:56,828 --> 00:39:58,196
I'M LIKE, "NO, WE DIDN'T."
862
00:39:58,229 --> 00:39:59,665
AND SO ALL THESE PEOPLE THINK
863
00:39:59,698 --> 00:40:00,999
THAT IT'S SOMEHOW
ABOUT THEM
864
00:40:01,032 --> 00:40:02,834
AND IT'S COMPLETELY
FABRICATED.
865
00:40:02,868 --> 00:40:06,805
* DIAMONDS
ARE GIRL'S BEST FRIEND *
866
00:40:09,174 --> 00:40:10,509
* TIFFANY'S *
867
00:40:10,542 --> 00:40:11,677
[DIRECTOR]
THE SIZE OF THE DIAMOND
868
00:40:11,710 --> 00:40:13,011
OR THE QUALITY
OF THE DIAMOND?
869
00:40:13,044 --> 00:40:14,680
THE QUALITY.
870
00:40:14,713 --> 00:40:17,015
-[DIRECTOR] SCARLETT?
-MAYBE THE SIZE.
871
00:40:17,048 --> 00:40:20,018
NO, I THINK THE SIZE--
I MEAN, WHAT IF IT'S LIKE
872
00:40:20,051 --> 00:40:22,921
A REALLY UGLY DIAMOND,
AND IT'S, LIKE, SO BIG
873
00:40:22,954 --> 00:40:25,123
-THAT YOU JUST
CAN'T STAND IT?
-THEN YOU RETURN IT.
874
00:40:25,156 --> 00:40:29,094
[HIP-HOP MUSIC PLAYS]
875
00:40:44,710 --> 00:40:46,712
* FUCK LOVE,
GIVE ME DIAMONDS *
876
00:40:46,745 --> 00:40:49,014
* FUCK LOVE,
GIVE ME DIAMONDS *
877
00:40:49,047 --> 00:40:51,182
* FUCK LOVE,
GIVE ME DIAMONDS *
878
00:40:51,216 --> 00:40:53,184
* FUCK LOVE,
GIVE ME DIAMONDS *
879
00:40:53,218 --> 00:40:55,787
* I'M ALREADY IN LOVE
WITH MYSELF *
880
00:40:55,821 --> 00:40:57,255
* SO IN LOVE WITH MYSELF
881
00:40:57,288 --> 00:40:59,591
* I'M ALREADY IN LOVE
WITH MYSELF *
882
00:40:59,625 --> 00:41:00,826
* FUCK LOVE,
GIVE ME DIAMONDS *
883
00:41:00,859 --> 00:41:02,661
[TECHNO BEATS]
884
00:41:08,066 --> 00:41:10,502
I THINK WE SHOULD
STOP HERE FOR A MINUTE.
885
00:41:13,238 --> 00:41:15,774
[TREY MACDOUGAL]
MAYBE WE SHOULD GO
IN THERE AND FIND YOU
886
00:41:15,807 --> 00:41:17,509
THE MOST BEAUTIFUL RING
THAT THEY HAVE.
887
00:41:18,910 --> 00:41:21,513
-ALL RIGHTY!
-[LAUGHS]
888
00:41:21,547 --> 00:41:23,114
[CARRIE BRADSHAW]
FROM THAT MOMENT ON,
889
00:41:23,148 --> 00:41:24,883
CHARLOTTE WOULD TELL EVERYONE
890
00:41:24,916 --> 00:41:26,652
THAT RIGHT IN FRONT
OF TIFFANY'S,
891
00:41:26,685 --> 00:41:29,521
OUT OF NOWHERE
TREY POPPED THE QUESTION
892
00:41:29,555 --> 00:41:31,857
AND SHE SAID, "ALL RIGHTY."
893
00:41:33,592 --> 00:41:37,629
THE ENGAGEMENT RING
AS WE KNOW IT
894
00:41:37,663 --> 00:41:39,665
WAS INTRODUCED
BY TIFFANY HIMSELF.
895
00:41:39,698 --> 00:41:41,700
CHARLES TIFFANY
CREATED A RING
896
00:41:41,733 --> 00:41:43,969
THAT WAS MORE BRILLIANT
THAN ALL OTHERS.
897
00:41:44,002 --> 00:41:45,771
IT WAS A BEAUTIFUL RING
898
00:41:45,804 --> 00:41:48,306
WHERE THE STONE WAS LIFTED
UP OFF THE BAND
899
00:41:48,339 --> 00:41:51,242
AND HELD UP SO THAT
THE LIGHT COULD SCINTILLATE.
900
00:41:51,276 --> 00:41:53,278
THIS IS THE ONE
YOU SEE IN CARTOONS.
901
00:41:53,311 --> 00:41:54,946
I GOT A SURPRISE
FOR BETTY.
902
00:41:54,980 --> 00:41:57,248
GET A LOAD OF THIS.
903
00:41:57,282 --> 00:41:58,684
WOW!
904
00:41:58,717 --> 00:42:02,921
OOH-WOO-WOO-WOO-WOO,
WHAT A SPARKLER.
905
00:42:02,954 --> 00:42:04,690
I REMEMBER WHEN
WE FIRST GOT ENGAGED,
906
00:42:04,723 --> 00:42:06,925
WALKING IN THERE
AND BEING SO SHOCKED
AT THE PRICES.
907
00:42:06,958 --> 00:42:09,094
I SAID, "WE GOTTA LOOK
SOMEWHERE ELSE."
908
00:42:09,127 --> 00:42:11,096
-[DIRECTOR] IS THAT RIGHT?
-YES. [LAUGHING]
909
00:42:11,129 --> 00:42:13,799
I THINK I WAS 20-- 24,
25-YEARS-OLD AT THE TIME.
910
00:42:13,832 --> 00:42:15,567
I COULDN'T QUITE
AFFORD TIFFANY'S, SO--
911
00:42:15,601 --> 00:42:16,735
[FEMALE CREW MEMBER]
REALLY? YOU'RE A MARA.
912
00:42:16,768 --> 00:42:18,136
I--YEAH, BUT...
913
00:42:18,169 --> 00:42:20,071
I WAS A STRUGGLING
YOUNG LAWYER AT THE TIME.
914
00:42:20,105 --> 00:42:21,873
I--I THINK IT
WAS SOME PLACE
915
00:42:21,907 --> 00:42:23,675
-ON 47TH STREET AT THE TIME.
-[DIRECTOR] 47TH STREET?
916
00:42:23,709 --> 00:42:25,711
-[JOHN MARA] YEAH, YEAH.
-[DIRECTOR] THAT'LL GET YOU.
917
00:42:25,744 --> 00:42:27,813
[JOHN MARA]
YES, YES.
918
00:42:27,846 --> 00:42:29,748
THE WHOLE ENGAGEMENT THING
AT TIFFANY'S
919
00:42:29,781 --> 00:42:31,617
-IS JUST A STORY IN ITSELF.
-[DIRECTOR] WHAT DO YOU MEAN?
920
00:42:31,650 --> 00:42:33,619
IT'S A MYSTERY.
I JUST SEE PEOPLE THERE
921
00:42:33,652 --> 00:42:35,654
AND KIDS
AND GROWNUPS, LIKE--
922
00:42:35,687 --> 00:42:38,256
-DOES ANYONE EVER BUY
AN ENGAGEMENT RING THERE?
-[CREW LAUGHS]
923
00:42:38,289 --> 00:42:42,794
NO, ACTUALLY, TODAY WE HAVE
A LOT OF SELF-PURCHASERS.
924
00:42:42,828 --> 00:42:45,897
AND SO, THE LARGER,
THE PURER,
925
00:42:45,931 --> 00:42:47,833
THE RARER, THE BETTER.
926
00:42:47,866 --> 00:42:49,735
THEY ALL WANT PICASSOS,
BUT ON THEIR FINGERS.
927
00:42:49,768 --> 00:42:51,803
[TECHNO BEATS PLAYING]
928
00:43:00,345 --> 00:43:03,281
UM, HERE I HAVE...
929
00:43:06,217 --> 00:43:08,253
I ONLY HAVE ONE--
ACTUALLY, I HAVE ABOUT
930
00:43:08,286 --> 00:43:10,922
TWO AND A HALF MILLION
DOLLARS RIGHT HERE,
2.5 MILLION.
931
00:43:10,956 --> 00:43:12,323
IT ALLOWS YOU
TO GET A RING
932
00:43:12,357 --> 00:43:14,225
FOR HER FOR EVERY OCCASION.
933
00:43:14,259 --> 00:43:16,227
SO, ONE FOR EVERY DAY.
934
00:43:16,261 --> 00:43:17,829
THIS, ACTUALLY,
IS VERY REASONABLE.
935
00:43:17,863 --> 00:43:18,997
$306,000.
936
00:43:20,365 --> 00:43:21,800
ONE FOR DINNER--
937
00:43:23,702 --> 00:43:26,004
THIS IS A TIFFANY LUCIDA.
938
00:43:26,037 --> 00:43:29,140
THIS IS A 5-CARAT,
IT'S A D-20 FLAWLESS.
939
00:43:29,174 --> 00:43:31,176
AND ONE FOR THE GALA--
940
00:43:31,209 --> 00:43:33,211
AND THIS ALSO IS 5-CARATS.
941
00:43:33,244 --> 00:43:36,114
SO TIFFANY'S SETTING
THE 5-CARATS AT D, VVS1
942
00:43:36,147 --> 00:43:38,016
AND IT'S $923,000.
943
00:43:38,049 --> 00:43:40,151
STILL A BARGAIN,
JUST SUB-ONE MILLION.
944
00:43:40,185 --> 00:43:42,821
BY THE WAY,
WE DO ACCEPT CASH.
945
00:43:42,854 --> 00:43:45,824
THINK THAT MOST PEOPLE THERE
ALL ASPIRE TO HAVE THAT,
946
00:43:45,857 --> 00:43:47,192
AND THEN GIRLS TRY IT ON,
947
00:43:47,225 --> 00:43:48,894
BUT I WOULD THINK
IT'S DISAPPOINTING,
948
00:43:48,927 --> 00:43:50,696
'CAUSE THEN I DON'T KNOW
IF THEY ACTUALLY BUY IT.
949
00:43:50,729 --> 00:43:52,931
AND THEN THEY WILL
HAVE TO WALK DOWN 15 BLOCKS
950
00:43:52,964 --> 00:43:55,300
TO GO GET
A COPY OF THE...
951
00:43:55,333 --> 00:43:57,068
-[DIRECTOR LAUGHS]
-RING.
952
00:43:57,102 --> 00:43:58,704
[TED]
IT ALWAYS GOES LIKE THIS--
953
00:43:58,737 --> 00:44:04,042
"OH, MY COUSIN KNOWS
SOMEONE ON 47TH STREET."
954
00:44:04,075 --> 00:44:05,043
[DIRECTOR]
DID YOU GET A BLUE BOX
955
00:44:05,076 --> 00:44:06,878
WHEN YOU GOT ENGAGED?
956
00:44:06,912 --> 00:44:08,714
-I DIDN'T.
-[DIRECTOR] YOU DIDN'T?
957
00:44:08,747 --> 00:44:12,317
NO, AND I ASKED WHY NOT.
958
00:44:12,350 --> 00:44:13,985
-BUT, YOU KNOW, THIS IS-- -
DIRECTOR] AT THAT MOMENT?
959
00:44:14,019 --> 00:44:16,054
-LISTEN--NO, NO.
-BEFORE HE EVEN ASKED YOU?
960
00:44:16,087 --> 00:44:19,057
[RACHEL]
I DIDN'T. I DIDN'T,
BUT WE WERE VERY YOUNG
961
00:44:19,090 --> 00:44:21,860
[LAUGHS]
AND HE WAS A WAITER, AND...
962
00:44:21,893 --> 00:44:23,294
YOU KNOW, I DON'T THINK
BLUE BOXES REALLY CAME
963
00:44:23,328 --> 00:44:27,098
A LOT VERY OFTEN
AT THAT TIME-- I WAS, LIKE, 22.
964
00:44:27,132 --> 00:44:29,935
IF WE EVER DID GET MARRIED
WHICH, WE DON'T BELIEVE IN
MARRIAGE,
965
00:44:29,968 --> 00:44:34,740
-IT'S A GREAT INSTITUTION.
-YEAH, BUT WHO WANTS TO BE
PART OF AN INSTITUTION?
966
00:44:34,773 --> 00:44:37,408
-TIFFANY. RIGHT HERE.
-[DIRECTOR] IS THAT RIGHT?
967
00:44:37,442 --> 00:44:39,410
-[DIRECTOR] SO THEN
LET ME ASK YOU THIS.
-MY WEDDING RING.
968
00:44:39,444 --> 00:44:41,079
[DIRECTOR]
SO THEN, OBVIOUSLY,
YOU KNOW THAT
969
00:44:41,112 --> 00:44:43,782
-THEY PUT OUT
THIS GAY AD, RIGHT?
-NO.
970
00:44:43,815 --> 00:44:45,116
THE FAMED TIFFANY AND COMPANY
971
00:44:45,150 --> 00:44:47,418
THINKING OUTSIDE
OF THE LITTLE BLUE BOX TONIGHT.
972
00:44:47,452 --> 00:44:49,354
CHECK OUT THIS NEW AD
FOR ENGAGEMENT RINGS
973
00:44:49,387 --> 00:44:51,489
FEATURING A REAL-LIFE
GAY COUPLE.
974
00:44:51,522 --> 00:44:53,091
IT'S GOING VIRAL TONIGHT.
975
00:44:53,124 --> 00:44:55,927
TIFFANY SAYS, "IT'S PART
OF A MODERN APPROACH
976
00:44:55,961 --> 00:44:57,162
TO LOVE AND ROMANCE."
977
00:44:57,195 --> 00:44:58,764
OH, HOW GREAT.
978
00:44:58,797 --> 00:45:00,098
[DIRECTOR]
NOW, WHY IS THAT GREAT?
979
00:45:00,131 --> 00:45:02,100
WELL, BECAUSE
IT'S ABOUT TIME.
980
00:45:02,133 --> 00:45:04,302
A SPOKESMAN FOR TIFFANY'S
SAID THAT EVERYONE,
981
00:45:04,335 --> 00:45:06,437
WHETHER THEY ARE
GAY OR STRAIGHT,
SHOULD HAVE THE RIGHT
982
00:45:06,471 --> 00:45:10,108
-TO GROSSLY OVERPAY
FOR JEWELRY.
-[AUDIENCE LAUGHS]
983
00:45:10,141 --> 00:45:11,877
IT'S A RIGHT WE ALL HAVE.
984
00:45:11,910 --> 00:45:13,111
WELL, YEAH,
BUT THEY'RE ALSO
985
00:45:13,144 --> 00:45:14,512
SUPPORTING
THEIR BOTTOM LINE.
986
00:45:14,545 --> 00:45:17,916
THEY REALIZE THERE IS
THIS WHOLE NEW CATEGORY
987
00:45:17,949 --> 00:45:20,952
OF PEOPLE
WHO CAN GET MARRIED.
988
00:45:20,986 --> 00:45:24,289
THEY WANNA SEE THOSE PEOPLE
WEARING TIFFANY RINGS.
989
00:45:24,322 --> 00:45:25,991
'CAUSE WHENEVER YOU GET
A TIFFANY RING,
990
00:45:26,024 --> 00:45:27,492
YOU, LIKE, "KNOW"
IT'S FROM TIFFANY'S.
991
00:45:27,525 --> 00:45:29,294
-[DIRECTOR] HOW DO YOU KNOW?
-I MEAN, 'CAUSE--
992
00:45:29,327 --> 00:45:32,463
FIRST OF ALL, THE STYLE
AND THE COLOR OF THE BOX.
993
00:45:32,497 --> 00:45:34,299
BUT EVEN IF YOU DIDN'T
HAVE THE BOX,
994
00:45:34,332 --> 00:45:36,134
JUST SOMETHING
IN THE DIAMOND--
995
00:45:36,167 --> 00:45:38,369
THEY'RE REALLY WHITE,
THEY'RE REALLY BEAUTIFUL.
996
00:45:38,403 --> 00:45:40,972
I THINK THAT IF YOU
GET IT FROM, LIKE--
997
00:45:41,006 --> 00:45:44,009
UM, OTHER JEWELRY BRANDS--
SEE, I DON'T KNOW THAT MANY.
998
00:45:44,042 --> 00:45:46,044
'CAUSE I KNOW TIFFANY,
THAT'S IT.
999
00:45:46,077 --> 00:45:48,379
[DIRECTOR]
AND THE MORE HE SPENDS...
WHAT DOES THAT MEAN?
1000
00:45:48,413 --> 00:45:50,315
THE MORE HE LOVES YOU.
1001
00:45:50,348 --> 00:45:52,317
-OR THE MORE HE'S RICH.
-[DIRECTOR] DO YOU
BELIEVE THAT?
1002
00:45:52,350 --> 00:45:55,153
-WELL, THE MORE HE SPENDS--
-THE MORE HE WANTS
TO WIN YOU OVER.
1003
00:45:55,186 --> 00:45:57,823
[BOTH] THE MORE HE WANTS
TO WIN YOU OVER.
1004
00:45:57,856 --> 00:45:59,490
SO I WAS FIRST INTRODUCED
TO TIFFANY AND COMPANY
1005
00:45:59,524 --> 00:46:00,992
WHEN I WAS IN
THE EIGHTH GRADE.
1006
00:46:01,026 --> 00:46:02,994
MY NANA TOOK ME TO PICK OUT
1007
00:46:03,028 --> 00:46:04,329
MY FIRST PIECE OF TIFFANY'S
1008
00:46:04,362 --> 00:46:06,531
AND FROM THERE ON,
I BECAME OBSESSED.
1009
00:46:06,564 --> 00:46:09,835
UH, THEN I MET
MY NOW-HUSBAND
1010
00:46:09,868 --> 00:46:12,971
AND HE PROPOSED TO ME
AT THE TIFFANY AND COMPANY
IN BOSTON.
1011
00:46:13,004 --> 00:46:15,106
SO WE WERE WATCHING
"SWEET HOME ALABAMA" ONE NIGHT
1012
00:46:15,140 --> 00:46:16,441
WHEN WE FIRST
STARTED DATING.
1013
00:46:16,474 --> 00:46:18,944
AND I JUST,
OFFHANDED COMMENT, SAID,
1014
00:46:18,977 --> 00:46:20,912
"THAT WOULD BE
THE MOST MAGICAL,
1015
00:46:20,946 --> 00:46:22,180
AMAZING PROPOSAL."
1016
00:46:22,213 --> 00:46:24,382
AND HE SOMEHOW REMEMBERED.
1017
00:46:24,415 --> 00:46:27,252
AND SO, FROM THERE,
I DECIDED TO FOLLOW THE THEME.
1018
00:46:27,285 --> 00:46:30,288
AND WE DID A TIFFANY
AND COMPANY-THEMED WEDDING,
1019
00:46:30,321 --> 00:46:33,258
I DID A TIFFANY
AND COMPANY-THEMED
BRIDAL SHOWER,
1020
00:46:33,291 --> 00:46:35,193
BACHELORETTE PARTY.
1021
00:46:35,226 --> 00:46:37,028
I'M PRETTY SURE,
WHEN I HAVE CHILDREN,
1022
00:46:37,062 --> 00:46:39,865
I'LL PROBABLY DO A TIFFANY
AND COMPANY-THEMED BABY SHOWER.
1023
00:46:39,898 --> 00:46:42,367
[LAUGHS]
THANKS, NOW PEOPLE
ARE GONNA THINK I'M CRAZY.
1024
00:46:42,400 --> 00:46:45,470
THEY'RE GONNA, LIKE, TAKE ME
TO TIFFANY-REHAB AFTER THIS.
1025
00:46:45,503 --> 00:46:47,873
[MAN]
WHEN I FIRST WROTE
"SWEET HOME ALABAMA,"
1026
00:46:47,906 --> 00:46:49,407
I WROTE A NORMAL SCENE
WHERE A GUY
1027
00:46:49,440 --> 00:46:51,209
JUST, UH, PROPOSED
TO HIS GIRLFRIEND.
1028
00:46:51,242 --> 00:46:53,144
AND THAT, I THINK,
WAS A VERY PRIVATE MOMENT.
1029
00:46:53,178 --> 00:46:55,613
SO, WROTE THE MOVIE,
TURNED IT INTO THE STUDIO.
1030
00:46:55,646 --> 00:46:57,348
THE STUDIO SAID,
"WE LOVE THE SCRIPT,
1031
00:46:57,382 --> 00:47:00,151
BUT WE THINK YOU COULD
DO BETTER WITH THE PROPOSAL."
1032
00:47:00,185 --> 00:47:04,089
CAN WE COME UP WITH SOMETHING
JUST A LITTLE MORE DAZZLING
1033
00:47:04,122 --> 00:47:06,892
BECAUSE THE PATRICK DEMPSEY
CHARACTER WAS SUPPOSED
1034
00:47:06,925 --> 00:47:08,459
TO BE THIS KIND OF
REALLY COOL GUY.
1035
00:47:08,493 --> 00:47:11,062
AND HE WAS THE, YOU KNOW,
"THE MOST ELIGIBLE BACHELOR"
1036
00:47:11,096 --> 00:47:13,131
DATING REESE WITHERSPOON'S
CHARACTER.
1037
00:47:13,164 --> 00:47:14,900
SO, I WENT HOME THAT NIGHT
1038
00:47:14,933 --> 00:47:17,002
AND MY WIFE SAID, "SO HOW DID
IT GO AT THE STUDIO?"
1039
00:47:17,035 --> 00:47:19,304
AND I SAID, "WELL,
IT'S ALL REALLY GOOD
1040
00:47:19,337 --> 00:47:21,506
BUT THEY NOW WANT ME
TO COME UP WITH
1041
00:47:21,539 --> 00:47:24,976
THE BEST, YOU KNOW, PROPOSAL
THAT'S EVER BEEN ON FILM."
1042
00:47:25,010 --> 00:47:27,412
SO WE STARTED THROWING IDEAS
AROUND AT THE DINNER TABLE,
1043
00:47:27,445 --> 00:47:30,081
AND SHE SAID, "WELL, YOU KNOW,
I WAS PROPOSED TO ONCE
1044
00:47:30,115 --> 00:47:32,350
AT TIFFANY'S."
1045
00:47:32,383 --> 00:47:34,585
AND I WAS LIKE,
"WAIT, WHAT?"
1046
00:47:34,619 --> 00:47:36,587
AND SO I FOUND OUT
THAT NIGHT THAT MY WIFE
1047
00:47:36,621 --> 00:47:39,124
HAD BEEN PROPOSED TO
ABOUT FIVE TIMES.
1048
00:47:39,157 --> 00:47:41,026
-[DIRECTOR] WHAT?
-AND, UM...
1049
00:47:41,059 --> 00:47:43,261
SO I WAS LIKE, "HUH."
1050
00:47:43,294 --> 00:47:45,363
SO I SAY, "WELL,
SO, WHAT HAPPENED?
YOU MEAN HE WALKED YOU--"
1051
00:47:45,396 --> 00:47:48,433
AND THEN SHE SAID, "WELL,
HE WALKED ME INTO TIFFANY'S,
1052
00:47:48,466 --> 00:47:50,936
AND HE SAID 'PICK ONE.'"
1053
00:47:50,969 --> 00:47:53,271
AND I WAS LIKE,
"WHY DIDN'T YOU SAY YES?"
1054
00:47:53,304 --> 00:47:56,107
[LAUGHING]
ANDREW, ARE YOU ON
SOME SORT OF MEDICATION?
1055
00:47:56,141 --> 00:47:58,576
WHAT'S GOING ON?
WHERE ARE WE?
1056
00:48:20,331 --> 00:48:22,433
[GASPS]
OH, MY GOD.
1057
00:48:22,467 --> 00:48:24,435
OH--OH, MY GOD.
1058
00:48:31,176 --> 00:48:33,044
OH, MY GOD.
1059
00:48:33,078 --> 00:48:34,312
I THINK THE SCENE
IN TIFFANY'S
1060
00:48:34,345 --> 00:48:35,713
IS ONE OF MY MOST
RECOGNIZED SCENES.
1061
00:48:35,746 --> 00:48:38,083
I MEAN, THAT'S WHY MY WALL
IS TIFFANY BLUE.
1062
00:48:38,116 --> 00:48:40,651
I MEAN, I LITERALLY--WHEN
I WAS MOVING INTO THIS OFFICE
1063
00:48:40,685 --> 00:48:43,488
AND MY, YOU KNOW, THE GUY
WHO WAS DECORATING IT.
1064
00:48:43,521 --> 00:48:46,391
I JUST SAID,
"THERE'S GOTTA BE SOME SORTA
TIFFANY COLOR IN HERE."
1065
00:48:46,424 --> 00:48:49,160
HAS TO BE A TIP OF A HAT
TO A VERY SUCCESSFUL MOVIE
1066
00:48:49,194 --> 00:48:50,561
AND A VERY SUCCESSFUL SCENE.
1067
00:48:50,595 --> 00:48:52,563
YES.
1068
00:48:52,597 --> 00:48:54,532
YES! YES!
1069
00:48:54,565 --> 00:48:56,234
[GIGGLING]
YES!
1070
00:49:00,538 --> 00:49:02,340
PICK ONE.
1071
00:49:02,373 --> 00:49:04,275
COME ON, COME ON.
1072
00:49:11,049 --> 00:49:15,220
I ACTUALLY WENT
TO BORA BORA WITH MY WIFE
1073
00:49:15,253 --> 00:49:17,222
AS SORT OF
A SECOND HONEYMOON,
1074
00:49:17,255 --> 00:49:20,425
AND WE RAN IN--YOU KNOW,
WE RAN INTO HONEYMOONERS,
1075
00:49:20,458 --> 00:49:22,593
AND AS WE STARTED TALKING
AND GETTING TO KNOW THEM,
1076
00:49:22,627 --> 00:49:24,062
THEY FOUND OUT
I WAS A FILM DIRECTOR
1077
00:49:24,095 --> 00:49:25,363
AND WHEN I SAID
"SWEET HOME ALABAMA,"
1078
00:49:25,396 --> 00:49:27,032
THEY WERE LIKE,
"OH, MY GOD! TIFFANY'S!"
1079
00:49:27,065 --> 00:49:29,000
[ELVIS PRESLEY'S
"A LITTLE LESS CONVERSATION"]
1080
00:49:32,403 --> 00:49:34,539
[JERRY]
WELL, I NEEDED
TO USE JEWELRY
1081
00:49:34,572 --> 00:49:37,042
IN THE "OCEAN'S" TRILOGY,
1082
00:49:37,075 --> 00:49:41,112
AND I HAD TO DRESS
SOME OF THE MOST BEAUTIFUL
WOMEN IN THE WORLD
1083
00:49:41,146 --> 00:49:43,214
WITH SOME OF THE HANDSOMEST
MEN IN THE WORLD.
1084
00:49:43,248 --> 00:49:45,550
SO I FIGURED I'D BETTER GO
TO THE MOST IMPORTANT
1085
00:49:45,583 --> 00:49:47,652
JEWELRY COMPANY
IN THE WORLD.
1086
00:49:47,685 --> 00:49:51,156
WHEN A PERSON PUTS ON
A GREAT PIECE OF JEWELRY,
1087
00:49:51,189 --> 00:49:53,724
AND A TIFFANY JEWELRY,
THEY FEEL A CERTAIN WAY.
1088
00:49:53,758 --> 00:49:55,393
IT GIVES THEM A CERTAIN
JOIE DE VIVRE
1089
00:49:55,426 --> 00:49:57,728
THAT THEY DON'T--MIGHT NOT
HAVE WITHOUT THAT.
1090
00:49:57,762 --> 00:50:00,065
I MEAN, JULIA HAS IT
EITHER WAY.
1091
00:50:00,098 --> 00:50:02,067
BUT IT MAKES HER FEEL GOOD,
1092
00:50:02,100 --> 00:50:04,735
MAKES HER FEEL LIKE SHE HAS
SOMETHING IMPORTANT ON,
WHICH SHE DOES.
1093
00:50:04,769 --> 00:50:08,206
WITH MOVIE STARS
LIKE JULIA ROBERTS
AND SO ON AND SO FORTH,
1094
00:50:08,239 --> 00:50:11,609
I DON'T SAY, "WEAR THIS,
AND WEAR IT NOW!"
1095
00:50:11,642 --> 00:50:13,278
I SIT DOWN WITH THEM
AND I SAY,
1096
00:50:13,311 --> 00:50:14,812
"THIS IS JEWELRY
FROM TIFFANY'S.
1097
00:50:14,845 --> 00:50:17,715
TAKE A LOOK AT IT AND SEE
WHAT CATCHES YOUR EYE,
1098
00:50:17,748 --> 00:50:19,417
SEE WHAT YOU ENJOY."
1099
00:50:19,450 --> 00:50:21,286
AND THEN THEY FIND THINGS
THAT THEY LIKE
1100
00:50:21,319 --> 00:50:23,121
AND THEY TRY 'EM ON.
1101
00:50:23,154 --> 00:50:25,090
AND THEY TRY 'EM ON
WITH THE DRESS THEY'RE WEARING
1102
00:50:25,123 --> 00:50:26,491
AND THEY TRY 'EM ON AGAIN
AND AGAIN AND AGAIN.
1103
00:50:26,524 --> 00:50:28,759
AND THEY CHANGE THEIR MIND
FOUR, FIVE TIMES.
1104
00:50:28,793 --> 00:50:32,697
[CHUCKLES]
SO... AND THEN THEY FINALLY
SETTLE IN ON A PIECE.
1105
00:50:32,730 --> 00:50:34,765
YOU ARE UP TO SOMETHING,
DANNY. WHAT?
1106
00:50:34,799 --> 00:50:36,434
AND DON'T SAY
"YOU CAME HERE FOR ME."
1107
00:50:36,467 --> 00:50:37,768
YOU'RE PULLING A JOB,
AREN'T YOU?
1108
00:50:37,802 --> 00:50:40,438
WELL, KNOW THIS.
NO MATTER WHAT IT IS,
1109
00:50:40,471 --> 00:50:42,773
YOU WON'T WIN ME BACK.
1110
00:50:42,807 --> 00:50:45,243
TESS, I JUST CAME
TO SAY GOODBYE.
1111
00:50:45,276 --> 00:50:47,312
I GOT YOU SOMETHING,
AND, UM--
1112
00:50:47,345 --> 00:50:48,779
-AW, IT'S A TIFFANY BOX.
-THANK YOU, YEAH.
1113
00:50:48,813 --> 00:50:51,449
I WASN'T--I WASN'T INVITED
TO THE WEDDING.
1114
00:50:51,482 --> 00:50:53,784
-[AUDIENCE LAUGHS]
-NO.
1115
00:50:53,818 --> 00:50:55,453
YEAH, WE DON'T KNOW
EACH OTHER.
1116
00:50:55,486 --> 00:50:57,455
NOT WELL ENOUGH FOR YOU
TO COME TO THE WEDDING, NO.
1117
00:50:57,488 --> 00:50:59,457
-[AUDIENCE LAUGHS]
-IT WOULD'VE BEEN REALLY ODD.
1118
00:50:59,490 --> 00:51:01,859
I KNOW I DON'T KNOW YOU,
BUT I JUST WANTED
1119
00:51:01,892 --> 00:51:04,129
-TO GIVE YOU SOMETHING.
-OKAY. WELL, THANK YOU.
1120
00:51:04,162 --> 00:51:06,464
-YOU CAN SHARE THAT
WITH YOUR WIFE.
-CAN I OPEN IT NOW?
1121
00:51:06,497 --> 00:51:08,133
[STEPHEN COLBERT]
YEAH, GO AHEAD.
PLEASE, PLEASE DO.
1122
00:51:08,166 --> 00:51:10,135
IS IT, UH...
1123
00:51:10,168 --> 00:51:13,471
WOW, IT'S--WOW, IT IS
REALLY A TIFFANY THING--
1124
00:51:13,504 --> 00:51:15,806
OH, COME ON.
I'M ON NETWORK, NOW, MAN.
1125
00:51:15,840 --> 00:51:17,308
OF COURSE IT'S GONNA
BE A TIFFANY.
1126
00:51:17,342 --> 00:51:19,477
THIS ISN'T
COMEDY CENTRAL SWAG.
1127
00:51:19,510 --> 00:51:21,146
-[STEPHEN] IT'S ENGRAVED.
-IT'S ENGRAVED.
1128
00:51:21,179 --> 00:51:22,247
[STEPHEN]
WHAT DOES IT SAY?
1129
00:51:22,280 --> 00:51:23,614
IT SAYS, "I DON'T KNOW YOU."
1130
00:51:23,648 --> 00:51:26,117
[AUDIENCE LAUGHS]
1131
00:51:26,151 --> 00:51:28,085
[TED PETTUS READING]
1132
00:51:32,323 --> 00:51:34,325
"SOMEONE WILL MOVE AWAY,
1133
00:51:34,359 --> 00:51:35,860
SOMEONE WILL COME HOME,
1134
00:51:35,893 --> 00:51:38,496
SOMEONE WILL
FINALLY GRADUATE..."
1135
00:51:43,534 --> 00:51:45,336
WHAT WE'RE DOING
WHEN WE DO THIS
1136
00:51:45,370 --> 00:51:48,906
IS TO EXPLAIN TIFFANY'S
PURPOSE IN THE WORLD
1137
00:51:48,939 --> 00:51:51,142
TO, MAYBE,
A YOUNGER GENERATION
1138
00:51:51,176 --> 00:51:52,610
THAT IS NOT FAMILIAR WITH IT.
1139
00:51:52,643 --> 00:51:54,512
IT'S A LITTLE LOST
ON MY GENERATION
1140
00:51:54,545 --> 00:51:57,548
'CAUSE I THINK
IT'S A BIT... TIRED.
1141
00:51:57,582 --> 00:52:01,652
AND THERE'S A LOT
OF PSYCHOLOGICAL COMPONENTS
TO TIFFANY'S.
1142
00:52:01,686 --> 00:52:03,354
WE TOUCH ON
THE PRODUCTS WE SELL,
1143
00:52:03,388 --> 00:52:07,758
LIKE ENGAGEMENT RINGS
AND GIFTS FOR SPECIAL OCCASIONS,
1144
00:52:07,792 --> 00:52:09,760
BUT THERE'S
NO DIRECT SELLING HERE.
1145
00:52:09,794 --> 00:52:11,429
IT'S JUST AN ATTITUDE.
1146
00:52:11,462 --> 00:52:14,765
IT'S A FEELING
ABOUT OUR CUSTOMER,
1147
00:52:14,799 --> 00:52:16,667
AND WHO WE ARE.
1148
00:52:16,701 --> 00:52:18,669
I THINK IT IS
A LITTLE BIT OF A BRAINWASH.
1149
00:52:18,703 --> 00:52:22,807
A LOT OF THE ADS
ARE WHITE FAMILIES.
1150
00:52:22,840 --> 00:52:26,911
IT'S--IT'S A LITTLE BIT
OF A 1950s KIND OF FEEL TO IT.
1151
00:52:26,944 --> 00:52:29,614
[TED] WE WANT TO SPEAK
TO OUR CUSTOMER
1152
00:52:29,647 --> 00:52:32,883
AS A HUMAN BEING,
AS SOMEONE WHO HAS A FAMILY.
1153
00:52:32,917 --> 00:52:35,386
MAYBE HAVE CHILDREN,
MAYBE WANTS TO GET MARRIED.
1154
00:52:35,420 --> 00:52:38,656
IT STRETCHES TRUE LOVE
SO MUCH,
1155
00:52:38,689 --> 00:52:40,725
IT'S SUCH AN UNREALISTIC
TRUE LOVE.
1156
00:52:40,758 --> 00:52:43,228
WHICH ALSO, I THINK,
GIVES US
1157
00:52:43,261 --> 00:52:44,895
A LITTLE BIT
OF A "YUCK."
1158
00:52:44,929 --> 00:52:47,398
* CHAIN CHAIN CHAIN
1159
00:52:47,432 --> 00:52:49,467
* CHAIN CHAIN CHAIN
1160
00:52:49,500 --> 00:52:51,436
* CHAIN OF FOOLS
1161
00:52:53,604 --> 00:52:55,473
* EVERY CHAIN
1162
00:52:57,542 --> 00:52:59,410
* HAS GOT A WEAK LINK
1163
00:53:00,678 --> 00:53:03,648
* I MIGHT BE WEAK
1164
00:53:03,681 --> 00:53:08,353
* YEAH, BUT I'LL
GIVE YOU STRENGTH *
1165
00:53:08,386 --> 00:53:09,654
* OH, HEY
1166
00:53:11,956 --> 00:53:13,791
-* OOH, OOH, OOH
-* YOU TOLD ME
1167
00:53:13,824 --> 00:53:16,794
-* OOH, OOH, OOH
-* TO LEAVE YOU ALONE
1168
00:53:16,827 --> 00:53:18,496
-* OOH, OOH, OOH
-* MY FATHER SAID
1169
00:53:18,529 --> 00:53:20,865
-* OOH, OOH, OOH
-* COME ON HOME
1170
00:53:20,898 --> 00:53:22,567
-* OOH, OOH, OOH
-* MY DOCTOR SAID
1171
00:53:22,600 --> 00:53:24,835
-* OOH, OOH, OOH
-* TAKE IT EASY
1172
00:53:24,869 --> 00:53:27,872
-* OOH, OOH, OOH
-* OH, BUT YOUR LOVING
IS MUCH TOO STRONG *
1173
00:53:27,905 --> 00:53:31,609
-* I'M ADDED TO YOUR
-[ALL] * CHAIN CHAIN CHAIN
1174
00:53:31,642 --> 00:53:33,778
* CHAIN CHAIN CHAIN
1175
00:53:33,811 --> 00:53:35,780
* CHAIN CHAIN CHAIN
1176
00:53:35,813 --> 00:53:37,782
* CHAIN CHAIN CHAIN
1177
00:53:37,815 --> 00:53:39,450
* CHAIN CHAIN CHAIN
1178
00:53:39,484 --> 00:53:41,952
* CHAIN CHAIN CHAIN
1179
00:53:41,986 --> 00:53:44,455
* CHAIN OF FOOLS *
1180
00:53:46,824 --> 00:53:48,793
[MAN]
I WAS ABOUT 11 YEARS OLD
1181
00:53:48,826 --> 00:53:51,028
AND I SAW THE AD
IN THE "NEW YORK TIMES,"
1182
00:53:51,061 --> 00:53:52,530
WHERE TIFFANY'S ADS
HAVE ALWAYS BEEN,
1183
00:53:52,563 --> 00:53:54,031
I SAW AN AD FOR A RING.
1184
00:53:54,064 --> 00:53:57,702
AND THE RING WAS--
COST $176,000.
1185
00:53:57,735 --> 00:53:59,036
I REMEMBER THINKING
THAT WAS JUST
1186
00:53:59,069 --> 00:54:00,971
AN INCONCEIVABLE AMOUNT
OF MONEY.
1187
00:54:01,005 --> 00:54:02,907
I WAS THE SON
OF TWO WRITERS,
1188
00:54:02,940 --> 00:54:05,343
WE WERE NOT RICH BY ANY STRETCH
OF THE IMAGINATION,
1189
00:54:05,376 --> 00:54:06,844
AND THAT JUST
SEEMED INCREDIBLE.
1190
00:54:06,877 --> 00:54:09,480
AND SO I WROTE THIS LETTER.
AND, ON THE ONE HAND,
1191
00:54:09,514 --> 00:54:11,316
IT WAS... I COULD
DO THE MATH, AND SO
1192
00:54:11,349 --> 00:54:13,518
IT WAS A SLIGHTLY
SNARKY LETTER, I SUPPOSE,
1193
00:54:13,551 --> 00:54:14,852
BUT AT THE SAME TIME
I WAS 11 YEARS OLD.
1194
00:54:14,885 --> 00:54:17,422
I REMEMBER THINKING,
"WELL, YOU NEVER KNOW."
1195
00:54:17,455 --> 00:54:18,456
"DEAR TIFFANY'S...
1196
00:54:18,489 --> 00:54:20,425
[CHILD READING]
1197
00:54:30,535 --> 00:54:32,637
[DAVID READING]
"SINCERELY, DAVID JOBLANSKI."
1198
00:54:34,539 --> 00:54:35,573
"DEAR DAVID..."
1199
00:54:35,606 --> 00:54:37,542
[DAVID READING]
1200
00:54:55,125 --> 00:54:57,428
WELL, THERE'S ONE MAN
WHO AGREES WITH THAT.
1201
00:54:57,462 --> 00:54:58,763
HIS NAME
IS WALTER HOVING
1202
00:54:58,796 --> 00:55:01,532
AND HE IS THE PRESIDENT,
CHIEF EXECUTIVE OFFICER
1203
00:55:01,566 --> 00:55:03,868
OF TIFFANY, A STORE
OF WHICH YOU MAY HAVE HEARD.
1204
00:55:03,901 --> 00:55:05,803
-AND HERE'S TOM BROKAW.
-THANK YOU, GENE.
1205
00:55:05,836 --> 00:55:07,805
WALTER HOVING HAS BEEN
IN RETAILING
1206
00:55:07,838 --> 00:55:09,807
FOR 60 YEARS NOW,
AND HE HAS BEEN AFFILIATED
1207
00:55:09,840 --> 00:55:11,976
WITH PLACES AS DIFFERENT
AS MONTGOMERY WARD'S
1208
00:55:12,009 --> 00:55:14,379
AND BONWITT AND TELLER
AND LORD AND TAYLOR.
1209
00:55:14,412 --> 00:55:16,947
AND FOR THE PAST 23 YEARS,
HE'S BEEN THE CHAIRMAN
OF TIFFANY'S.
1210
00:55:16,981 --> 00:55:18,583
LAST WEEK HE PLACED AN AD
1211
00:55:18,616 --> 00:55:20,385
IN A NEWSPAPER, IT SAID...
1212
00:55:20,418 --> 00:55:22,019
[TOM BROKAW READING]
1213
00:55:26,090 --> 00:55:28,493
MR. HOVING, WHY AREN'T YOU
OPEN ON SUNDAYS?
1214
00:55:28,526 --> 00:55:30,628
AFTER ALL, THIS IS
THE BIGGEST TIME OF THE YEAR,
I WOULD SUSPECT,
1215
00:55:30,661 --> 00:55:32,897
-FOR TIFFANY'S.
-WE THINK OUR CUSTOMERS
NEED A REST.
1216
00:55:32,930 --> 00:55:35,400
SO WE KEEP CLOSED
ON SUNDAYS.
1217
00:55:35,433 --> 00:55:37,902
[TOM BROKAW]
MR. HOVING, YOU HAVE
ON SALE AT TIFFANY'S
1218
00:55:37,935 --> 00:55:40,905
AN EMERALD NECKLACE
THAT IS WORTH $1,700,000
1219
00:55:40,938 --> 00:55:43,741
AND YOU HAVE A DIAMOND
THAT IS WORTH $7 MILLION,
1220
00:55:43,774 --> 00:55:45,075
-I THINK, ALL TOGETHER.
-[WALTER HOVING] THAT'S RIGHT.
1221
00:55:45,109 --> 00:55:46,911
WHAT IF SOMEONE
WERE PASSING THROUGH TOWN,
1222
00:55:46,944 --> 00:55:49,780
AND DECIDED THAT THEY WANTED
TO BUY ONE OF THOSE TWO ITEMS,
1223
00:55:49,814 --> 00:55:51,582
BUT THEY WERE ONLY
AVAILABLE ON SUNDAY.
1224
00:55:51,616 --> 00:55:53,751
WOULD YOU OPEN THE STORE TO SELL
THEM ONE OF THOSE TWO ITEMS?
1225
00:55:53,784 --> 00:55:56,921
-NO, WE WOULD NOT. NO.
-[TOM BROKAW] YOU'D PASS
ON THAT SALE?
1226
00:55:56,954 --> 00:55:58,756
-THAT'S RIGHT.
-[TOM BROKAW] WALTER HOVING,
1227
00:55:58,789 --> 00:56:00,591
OUTSPOKEN CHAIRMAN
OF THE BOARD
OF A LITTLE STORE,
1228
00:56:00,625 --> 00:56:02,159
AS WE LIKE TO SAY ON
THE CORNER HERE IN NEW YORK,
1229
00:56:02,192 --> 00:56:03,628
CALLED TIFFANY'S.
1230
00:56:03,661 --> 00:56:06,130
[HORNS PLAYING]
1231
00:56:11,636 --> 00:56:13,404
[CAMERAS SHUTTERING]
1232
00:56:19,844 --> 00:56:21,779
[CLAPPING]
1233
00:56:28,786 --> 00:56:30,621
[DIRECTOR] IS IT HEAVY
WHEN YOU PICK IT UP?
1234
00:56:30,655 --> 00:56:32,623
UH, NOT REALLY, NO.
BUT I REMEMBER
1235
00:56:32,657 --> 00:56:35,192
BEING HANDED THE TROPHY
AND REMEMBER THINKING
1236
00:56:35,225 --> 00:56:37,795
"PLEASE DON'T DROP IT,
YOU'RE ON NATIONAL TELEVISION.
1237
00:56:37,828 --> 00:56:39,797
YOU GOT MILLIONS
OF PEOPLE WATCHING."
1238
00:56:39,830 --> 00:56:41,131
SO I THINK I HELD IT
WITH TWO HANDS,
1239
00:56:41,165 --> 00:56:42,600
BUT IT'S REALLY
NOT VERY HEAVY AT ALL.
1240
00:56:42,633 --> 00:56:44,001
BUT IT IS--IT IS BEAUTIFUL
1241
00:56:44,034 --> 00:56:46,971
AND, UH, WE SURE LIKE
THE FOUR THAT WE HAVE
1242
00:56:47,004 --> 00:56:50,608
AND THAT'S YOUR GOAL.
AND IT'S A TOUGH GOAL
TO ACHIEVE
1243
00:56:50,641 --> 00:56:53,177
'CAUSE THERE ARE 31
OTHER CLUBS OUT THERE
TRYING TO DO THE SAME THING.
1244
00:56:53,210 --> 00:56:55,012
BY THE TIME
THE TROPHY IS COMING OUT,
1245
00:56:55,045 --> 00:56:57,682
USUALLY WE'RE, LIKE,
DIVVYING UP, YOU KNOW,
1246
00:56:57,715 --> 00:56:59,817
OUR WINNINGS OR OUR LOSSES
1247
00:56:59,850 --> 00:57:01,986
AND NOT PAYING
A LOT OF ATTENTION
1248
00:57:02,019 --> 00:57:04,989
TO THAT SUPER BOWL TROPHY,
BUT I BET THE PLAYERS ARE.
1249
00:57:05,022 --> 00:57:07,658
AND I BET WHEN THOSE PLAYERS
GET THAT TROPHY,
1250
00:57:07,692 --> 00:57:09,159
AND THEIR WIVES
OR THEIR GIRLFRIENDS
1251
00:57:09,193 --> 00:57:11,161
ARE STANDING
JUST OFF THE SIDE,
1252
00:57:11,195 --> 00:57:12,897
THEY SAY,
"I WANT MY TROPHY."
1253
00:57:12,930 --> 00:57:15,866
[ELECTRONIC MUSIC PLAYS]
1254
00:57:34,652 --> 00:57:36,821
[MUSIC PLAYS]
1255
00:58:00,244 --> 00:58:01,646
[MUSIC CONTINUES]
1256
00:58:20,264 --> 00:58:24,068
GEORGE STEINBRENNER BOUGHT
THE YANKEES IN 1973.
1257
00:58:24,101 --> 00:58:27,738
AT THAT TIME, I THINK
THE TOP HAT LOGO
WAS MORE IN USE.
1258
00:58:27,772 --> 00:58:30,074
IT ADORNED
EVERY TEAM PUBLICATION,
1259
00:58:30,107 --> 00:58:31,909
IT WAS MORE COMMONLY USED.
1260
00:58:31,942 --> 00:58:35,179
HE WAS MORE ATTRACTED
TO THE INTERLOCKING "N-Y."
1261
00:58:35,212 --> 00:58:37,582
HE THOUGHT THERE WAS SOMETHING
VERY CLASSY ABOUT IT.
1262
00:58:37,615 --> 00:58:40,084
SO, ALMOST IMMEDIATELY FROM
THE TIME HE OWNED THE TEAM,
1263
00:58:40,117 --> 00:58:42,186
THAT WAS THE LOGO OF CHOICE.
1264
00:58:42,219 --> 00:58:45,756
TIFFANY HAD DESIGNED
THAT INTERLOCKING "N-Y"
1265
00:58:45,790 --> 00:58:49,326
ON A POLICE MEDAL
THAT WAS GIVEN IN 1877
1266
00:58:49,359 --> 00:58:52,262
TO A WOUNDED NEW YORK CITY
POLICE OFFICER.
1267
00:58:52,296 --> 00:58:54,098
ONE OF THE YANKEES'
TWO OWNERS
1268
00:58:54,131 --> 00:58:56,767
IN THEIR FIRST DECADE
OF EXISTENCE
1269
00:58:56,801 --> 00:58:58,603
WAS WILLIAM DEVERY,
1270
00:58:58,636 --> 00:59:01,972
WHO HAD BEEN CHIEF OF POLICE
OF NEW YORK CITY.
1271
00:59:02,006 --> 00:59:06,076
WILLIAM DEVERY PROBABLY KEPT
THAT "N-Y" DESIGN
1272
00:59:06,110 --> 00:59:08,779
IN SOME FORM
OF CIRCULATION
1273
00:59:08,813 --> 00:59:11,949
AND HE WAS STILL HALF-OWNER
OF THE TEAM IN 1909
1274
00:59:11,982 --> 00:59:14,051
WHEN IT FIRST APPEARED
ON THE YANKEE UNIFORM.
1275
00:59:14,084 --> 00:59:15,352
* I MADE THE YANKEE HAT
1276
00:59:15,385 --> 00:59:16,854
* MORE FAMOUS
THAN A YANKEE CAN *
1277
00:59:16,887 --> 00:59:18,155
* YOU SHOULD KNOW
I BLEED BLUE *
1278
00:59:18,188 --> 00:59:19,690
* BUT I AIN'T
A CRIP THOUGH *
1279
00:59:19,724 --> 00:59:20,991
* BUT I GOT A GANG
1280
00:59:21,025 --> 00:59:22,292
* WALKIN'
WITH MY CLIQUE THOUGH *
1281
00:59:22,326 --> 00:59:23,628
* STATUE OF LIBERTY
1282
00:59:23,661 --> 00:59:25,062
* LONG LIVE THE WORLD TRADE
1283
00:59:25,095 --> 00:59:26,631
* LONG LIVE
THE KING, YO *
1284
00:59:26,664 --> 00:59:28,198
* I'M FROM
THE EMPIRE STATE *
1285
00:59:28,232 --> 00:59:31,301
* NEW YORK
1286
00:59:31,335 --> 00:59:35,139
* CONCRETE JUNGLE
WHERE DREAMS ARE MADE OF *
1287
00:59:35,172 --> 00:59:38,142
* THERE'S NOTHING
YOU CAN'T DO *
1288
00:59:38,175 --> 00:59:42,312
* NOW YOU'RE IN NEW YORK
1289
00:59:42,346 --> 00:59:46,216
* THESE STREETS WILL
MAKE YOU FEEL BRAND NEW *
1290
00:59:46,250 --> 00:59:48,986
* BIG LIGHTS WILL
INSPIRE YOU *
1291
00:59:49,019 --> 00:59:51,822
* LET'S HEAR IT
FOR NEW YORK *
1292
00:59:51,856 --> 00:59:54,792
* NEW YORK, NEW YORK *
1293
00:59:56,293 --> 00:59:58,228
[ANNOUNCER ON P.A. SYSTEM]
1294
01:00:01,198 --> 01:00:04,334
YOU MAY GET ANOTHER
ANNOUNCEMENT IN A SECOND.
YEAH, SHOOT--SAY IT AGAIN?
1295
01:00:04,368 --> 01:00:07,004
[DIRECTOR] WHEN THE CLOCK
WAS FIRST INSTALLED,
WHY WAS TIFFANY CHOSEN?
1296
01:00:07,037 --> 01:00:08,806
GOT IT. OKAY.
1297
01:00:08,839 --> 01:00:10,808
[DANIEL] HERE IN
GRAND CENTRAL TERMINAL,
1298
01:00:10,841 --> 01:00:12,977
MANY PEOPLE BELIEVE
AND TESTIFY
1299
01:00:13,010 --> 01:00:17,715
THAT OUR MAGNIFICENT OCTOBER,
STARLIT, ZODIAC CEILING--
1300
01:00:17,748 --> 01:00:20,918
WHICH HAPPENS TO BE MADE
OF TIFFANY BLUE
1301
01:00:20,951 --> 01:00:22,352
TO REPRESENT THE SKY--
1302
01:00:22,386 --> 01:00:24,354
THAT THERE MAY
BE A CORRELATION.
1303
01:00:24,388 --> 01:00:26,991
IT'S ONE WE'RE PERFECTLY
WILLING TO ACCEPT.
1304
01:00:27,024 --> 01:00:30,027
IT'S ALL SURROUNDED
BY THE WORLD'S LARGEST,
1305
01:00:30,060 --> 01:00:33,197
MOST MAGNIFICENT PIECE
OF TIFFANY GLASS,
1306
01:00:33,230 --> 01:00:36,834
THE CLOCK, THAT JUST
IDENTIFIES THIS TERMINAL.
1307
01:00:46,076 --> 01:00:48,212
[FRAN]
THERE'S BEEN A BILLION MOVIES
MADE ABOUT NEW YORK.
1308
01:00:48,245 --> 01:00:52,182
EVERY POSSIBLE BUILDING,
STATUE, HAS BEEN IN A MOVIE.
1309
01:00:52,216 --> 01:00:53,918
THIS HAS NEVER BEEN
IN A MOVIE.
1310
01:00:53,951 --> 01:00:55,285
THAT'S HOW I CONVINCED
MARTY TO DO IT.
1311
01:00:55,319 --> 01:00:57,888
IT'S SO BEAUTIFUL,
THAT CLOCK,
1312
01:00:57,922 --> 01:01:00,357
THAT FROM THE BACK
THAT CLOCK IS BEAUTIFUL.
1313
01:01:00,390 --> 01:01:02,159
AND PEOPLE, YOU KNOW,
DON'T REALLY SEE
1314
01:01:02,192 --> 01:01:03,393
THE CLOCK
THAT I CAME OUT OF
1315
01:01:03,427 --> 01:01:05,796
BECAUSE YOU CAN ONLY SEE IT
1316
01:01:05,830 --> 01:01:07,898
IF YOU'RE GOING
UP PARK AVENUE.
1317
01:01:07,932 --> 01:01:11,168
OUR TIFFANY CLOCK,
ALL THE ORIGINAL PARTS
ARE STILL THERE.
1318
01:01:11,201 --> 01:01:13,070
THE ORIGINAL MOTORS,
THE ORIGINAL GEARS.
1319
01:01:13,103 --> 01:01:15,740
WITH ALL THESE PIECES
A HUNDRED YEARS OLD,
1320
01:01:15,773 --> 01:01:18,242
IT'S ACCURATE
TO WITHIN ONE SECOND
1321
01:01:18,275 --> 01:01:22,012
EVERY 1,400,000 YEARS.
1322
01:01:22,046 --> 01:01:26,383
[ELECTRONIC MUSIC PLAYING]
1323
01:01:37,294 --> 01:01:39,296
[WOMAN]
WELL, I CAN SAY
THAT I WAS THRILLED
1324
01:01:39,329 --> 01:01:42,967
TO READ THE BIOGRAPHY
OF STEVE JOBS
1325
01:01:43,000 --> 01:01:45,435
BECAUSE I HAD NOT REALIZED
THAT STEVE JOBS
1326
01:01:45,469 --> 01:01:49,774
HAD APPRECIATED THE DESIGN
AND THE WORK OF LOUIS TIFFANY.
1327
01:01:49,807 --> 01:01:51,375
ONE OF THE ILLUSTRATIONS
IN THAT BOOK,
1328
01:01:51,408 --> 01:01:54,111
IT DEPICTED STEVE JOBS
SITTING ON THE FLOOR
1329
01:01:54,144 --> 01:01:56,446
IN A VIRTUALLY EMPTY
ROOM IN HIS HOME
1330
01:01:56,480 --> 01:01:59,449
WHERE THE ONLY OBJECT
WAS A FLOOR LAMP.
1331
01:01:59,483 --> 01:02:00,951
WHAT THE BOOK
WENT ON TO SAY
1332
01:02:00,985 --> 01:02:02,887
IS THAT HE COULDN'T
FURNISH HIS HOME
1333
01:02:02,920 --> 01:02:05,823
BECAUSE HE COULDN'T FIND
ANYTHING THAT MET HIS STANDARDS
1334
01:02:05,856 --> 01:02:07,257
AND THERE YOU HAVE
A TIFFANY LAMP.
1335
01:02:07,291 --> 01:02:08,926
[ELECTRONIC MUSIC PLAYS]
1336
01:02:18,068 --> 01:02:20,037
HE APPRECIATED
THE BEAUTY IN IT
AND THE CLEANL--
1337
01:02:20,070 --> 01:02:21,471
WHAT HE WAS
TRYING TO SAY.
1338
01:02:21,505 --> 01:02:24,541
WELL, TIFFANY WAS ABOUT
BEAUTY, AND HE WAS TOO.
1339
01:02:24,574 --> 01:02:27,812
IT WAS ABOUT DESIGN-- AND
PERFECT DESIGN.
1340
01:02:27,845 --> 01:02:29,413
[WOMAN]
WHEN YOU THINK
OF THE MAGNOLIA,
1341
01:02:29,446 --> 01:02:31,315
YOU HARKEN BACK
TO NATURE.
1342
01:02:31,348 --> 01:02:32,482
AND THEN,
EVEN IF YOU GO FURTHER,
1343
01:02:32,516 --> 01:02:34,151
YOU THINK
OF JAPANESE CULTURE
1344
01:02:34,184 --> 01:02:36,153
BECAUSE TIFFANY
TRAVELLED TREMENDOUSLY
1345
01:02:36,186 --> 01:02:37,822
THROUGHOUT THE WORLD
AND HE BROUGHT
1346
01:02:37,855 --> 01:02:40,157
MANY OF HIS INFLUENCES
FROM TRAVELING
1347
01:02:40,190 --> 01:02:42,159
INTO HIS DESIGN AESTHETIC.
1348
01:02:42,192 --> 01:02:45,062
SO YOU CAN RELATE TO IT
IN VERY DIFFERENT WAYS.
1349
01:02:45,095 --> 01:02:47,832
ONE OF HIS QUOTES WAS
"NATURE IS ALWAYS BEAUTIFUL."
1350
01:02:47,865 --> 01:02:50,067
I THINK THAT
WAS VERY INSPIRATIONAL.
1351
01:02:50,100 --> 01:02:52,402
COLOR WAS
SO IMPORTANT TO HIM.
1352
01:02:52,436 --> 01:02:54,905
HE WAS--HE CONSIDERED
HIMSELF A COLORIST
1353
01:02:54,939 --> 01:02:58,542
AND IT COMES THROUGH
IN EVERYTHING THAT WAS MADE.
1354
01:02:58,575 --> 01:03:00,544
* I'VE BEEN FEELING OLD
1355
01:03:00,577 --> 01:03:03,447
* I'VE BEEN FEELING COLD
1356
01:03:03,480 --> 01:03:06,516
* YOU'RE THE HEAT
THAT I KNOW *
1357
01:03:06,550 --> 01:03:08,485
* LISTEN, YOU ARE MY SUN *
1358
01:03:10,888 --> 01:03:13,290
[WOMAN] BY THE TIME THAT
CHARLES LEWIS TIFFANY DIES,
1359
01:03:13,323 --> 01:03:16,861
LOUIS HAS REALLY MASTERED
ALL OF THESE DIFFERENT FORMS.
1360
01:03:16,894 --> 01:03:18,195
AND I THINK THAT
THE JEWELRY REALLY
1361
01:03:18,228 --> 01:03:20,364
IS SUCH A CONTINUATION
OF HIS AESTHETIC.
1362
01:03:20,397 --> 01:03:22,867
AGAIN, THE EMPHASIS ON COLOR.
1363
01:03:22,900 --> 01:03:24,869
THE EMPHASIS ON NATURE.
1364
01:03:24,902 --> 01:03:28,038
LOUIS WENT ON TO DO
VERY MUCH THE SAME
AS HIS FATHER DID,
1365
01:03:28,072 --> 01:03:29,907
WHICH WAS TO CREATE A BRAND
1366
01:03:29,940 --> 01:03:34,044
AND TO OPEN THIS
INCREDIBLE LUXURY, SORT OF,
RETAIL EMPORIUM,
1367
01:03:34,078 --> 01:03:37,381
AND VERY MUCH FOLLOWED
IN HIS FATHER'S FOOTSTEPS.
1368
01:03:37,414 --> 01:03:40,184
[VOCALIZING]
1369
01:03:48,926 --> 01:03:50,594
[NARRATOR]
THE SIDEWALKS
ALONG FIFTH AVENUE
1370
01:03:50,627 --> 01:03:52,562
ARE ALWAYS CROWDED
WITH SHOPPERS.
1371
01:03:55,632 --> 01:03:58,235
FRAN AND SALLY
DID SOME SHOPPING, TOO.
1372
01:03:58,268 --> 01:04:00,370
THEY WERE JUST
WINDOW SHOPPING HERE, THOUGH.
1373
01:04:02,106 --> 01:04:04,241
YES, THIS IS "THE" TIFFANY'S,
1374
01:04:04,274 --> 01:04:07,177
THE WORLD FAMOUS
JEWELRY STORE.
1375
01:04:07,211 --> 01:04:10,915
[WOMAN]
WELL, THIS WAS, OF COURSE,
THE SUMMER OF 1945.
1376
01:04:10,948 --> 01:04:14,251
AND WE WERE LOOKING
FOR A SUMMER JOB.
1377
01:04:14,284 --> 01:04:19,256
WE HAD BEEN TURNED DOWN BY
MOST OF THE DEPARTMENT STORES
1378
01:04:19,289 --> 01:04:22,426
AND WHEN WE WENT
UP THE AVENUE,
1379
01:04:22,459 --> 01:04:26,263
SUDDENLY-- THERE
WE SAW TIFFANY'S.
1380
01:04:26,296 --> 01:04:28,265
WE LOVED TO BE
ON THE MAIN FLOOR
1381
01:04:28,298 --> 01:04:31,101
BECAUSE WE WANTED
TO WATCH THE DOOR
1382
01:04:31,135 --> 01:04:32,669
FOR ALL THE CELEBRITIES.
1383
01:04:32,702 --> 01:04:36,473
THAT WAS A DAZZLING MOMENT,
TO SEE JUDY GARLAND.
1384
01:04:36,506 --> 01:04:40,945
WHEN SHE WALKED IN
WITH HER NEW HUSBAND,
1385
01:04:40,978 --> 01:04:45,282
SHE LOOKED SO HAPPY,
AND TO HEAR THAT FAMOUS LAUGH
1386
01:04:45,315 --> 01:04:47,117
RING THROUGH THE STORE...
1387
01:04:47,151 --> 01:04:49,119
WHO KNOWS WHAT
SHE WAS LAUGHING ABOUT?
1388
01:04:49,153 --> 01:04:53,958
BUT WHAT SHE PURCHASED
AS A GIFT FROM MGM
1389
01:04:53,991 --> 01:04:58,062
WERE EMERALDS, WHICH MADE ME
THINK OF "THE WIZARD OF OZ."
1390
01:04:58,095 --> 01:05:00,464
THEY SAID THAT WAS
HER WEDDING PRESENT,
1391
01:05:00,497 --> 01:05:05,035
SHE COULD CHOOSE ANYTHING
SHE WANTED AT TIFFANY.
1392
01:05:05,069 --> 01:05:09,373
[CUT CHEMIST'S
"(MY 1st) BIG BREAK" PLAYS]
1393
01:05:09,406 --> 01:05:12,342
**
1394
01:06:09,333 --> 01:06:10,467
THIS WATCH IS INCREDIBLE.
1395
01:06:10,500 --> 01:06:12,202
THIS IS, UM, QUITE AMAZING.
1396
01:06:12,236 --> 01:06:13,370
THIS IS FROM
OUR ARCHIVE.
1397
01:06:13,403 --> 01:06:15,539
THIS IS FDR'S LAST WATCH.
1398
01:06:15,572 --> 01:06:17,707
NOW, WE'VE MADE A LOT
OF WATCHES FOR PRESIDENTS
1399
01:06:17,741 --> 01:06:20,577
AND IT'S SURPRISINGLY SMALL,
I HAVE TO SAY.
1400
01:06:20,610 --> 01:06:22,079
WHEN YOU WEAR IT,
1401
01:06:22,112 --> 01:06:24,281
IT LITERALLY SENDS
SHIVERS DOWN YOUR SPINE.
1402
01:06:24,314 --> 01:06:26,150
YOU CAN SEE HERE
HOW MUCH HE LOVED IT
1403
01:06:26,183 --> 01:06:28,485
AND HOW MUCH HE WORE IT
'CAUSE ALL OF THE STITCHING
1404
01:06:28,518 --> 01:06:30,620
ON THIS SIDE
IS COMPLETELY WORN OFF.
1405
01:06:30,654 --> 01:06:32,622
WE HAVE THIS AMAZING HISTORY
OF WATCH MAKING.
1406
01:06:32,656 --> 01:06:35,092
I FOUND IT
EXTREMELY INSPIRING.
1407
01:06:35,125 --> 01:06:36,226
[HIP-HOP MUSIC PLAYS]
1408
01:06:48,238 --> 01:06:49,539
**
1409
01:07:55,539 --> 01:07:57,441
**
1410
01:08:25,235 --> 01:08:26,536
I THINK MY FIRST BLUE BOX
1411
01:08:26,570 --> 01:08:29,173
WAS AROUND WHEN
I WAS 12 OR 13.
1412
01:08:29,206 --> 01:08:30,840
AND I REMEMBER BEING
RATHER DISAPPOINTED
1413
01:08:30,874 --> 01:08:33,677
ON MY 16th BIRTHDAY WHEN
THERE WERE MULTIPLE BLUE BOXES.
1414
01:08:33,710 --> 01:08:36,346
AND THERE WAS A LARGE ONE,
AND I WAS REALLY EXCITED
1415
01:08:36,380 --> 01:08:38,682
TO OPEN IT UP
AND SEE WHAT WAS INSIDE.
1416
01:08:38,715 --> 01:08:40,650
IT WAS, OF COURSE,
THE FIRST BOX THAT I WENT FOR.
1417
01:08:40,684 --> 01:08:41,851
AND WHEN I STARTED
OPENING IT UP,
1418
01:08:41,885 --> 01:08:43,887
INSIDE I FOUND
AN ETIQUETTE BOOK.
1419
01:08:43,920 --> 01:08:45,522
[WOMAN] I THINK MY
FIRST EXPOSURE WAS
1420
01:08:45,555 --> 01:08:49,159
THE TIFFANY'S ETIQUETTE BOOK
FOR TEENAGERS.
1421
01:08:49,193 --> 01:08:51,161
I CAME TO THE U.S.
WHEN I WAS EIGHT OR NINE,
1422
01:08:51,195 --> 01:08:54,464
SO WE WEREN'T SO WELL-SCHOOLED
ON AMERICAN ETIQUETTE.
1423
01:08:54,498 --> 01:08:56,566
THEY WERE LIKE,
"THIS IS A GOOD BOOK
TO LEARN FROM."
1424
01:08:56,600 --> 01:08:57,667
BEYOND CHOPSTICKS.
1425
01:08:57,701 --> 01:08:59,669
MY FIRST MEMORY OF TIFFANY'S
1426
01:08:59,703 --> 01:09:01,738
IS... THEY HAVE
AN ETIQUETTE GUIDE
FOR TEENAGERS--
1427
01:09:01,771 --> 01:09:03,773
"TIFFANY'S TABLE MANNERS
FOR TEENAGERS."
1428
01:09:03,807 --> 01:09:05,375
I REMEMBER THE CHRISTMAS.
1429
01:09:05,409 --> 01:09:07,544
I WAS PROBABLY 13,
MAYBE 14 AT THE TIME.
1430
01:09:07,577 --> 01:09:09,879
AN ETIQUETTE BOOK ISN'T
WHAT EVERY TEENAGER WANTS
FOR CHRISTMAS.
1431
01:09:09,913 --> 01:09:12,882
I THINK IT'S SUCH AN ICONIC,
RESPECTED AMERICAN BRAND
1432
01:09:12,916 --> 01:09:14,951
SO, I THINK PARENTS
MIGHT THINK
1433
01:09:14,984 --> 01:09:17,554
THAT'S IT'S A GREAT THING
TO GIVE TO A YOUNG GIRL.
1434
01:09:17,587 --> 01:09:20,890
-SO THAT WAS A LITTLE BIT
OF A DISAPPOINTMENT, BUT-- -
DIRECTOR] THE ETIQUETTE BOOK?
1435
01:09:20,924 --> 01:09:22,559
[MONIQUE] YES,
THE TIFFANY ETIQUETTE BOOK.
1436
01:09:22,592 --> 01:09:24,828
BUT APPARENTLY, I GUESS
I LEARNED A FEW THINGS FROM IT.
1437
01:09:24,861 --> 01:09:26,563
[DEREK]
AND IT WASN'T UNTIL
I WAS OLDER
1438
01:09:26,596 --> 01:09:29,399
WHEN I REALIZED THAT
I'M GONNA MOVE TO NEW YORK,
1439
01:09:29,433 --> 01:09:30,900
IF I'M GONNA MAKE IT
IN THE BIG CITY,
1440
01:09:30,934 --> 01:09:33,403
I SHOULD KNOW
WHICH ONE IS A SALAD FORK,
1441
01:09:33,437 --> 01:09:35,239
WHICH ONE
IS THE SOUP SPOON.
1442
01:09:35,272 --> 01:09:38,342
AND SO, I FOUND MYSELF,
SNEAKILY, STEALTHILY,
1443
01:09:38,375 --> 01:09:40,844
LOOKING FOR THAT BOOK
AND READING A FEW CHAPTERS.
1444
01:09:40,877 --> 01:09:43,613
AND I ACTUALLY JUST
BOUGHT IT FOR MY SON,
1445
01:09:43,647 --> 01:09:45,615
AND HE'S NINE,
AND WE WERE AT BREAKFAST
1446
01:09:45,649 --> 01:09:47,284
AND I GAVE IT TO HIM
AND HE LOOKED AT IT.
1447
01:09:47,317 --> 01:09:49,419
AND HE LOOKED AT ME,
HE GOES,
1448
01:09:49,453 --> 01:09:51,755
"MY NAME IS NOT TIFFANY
AND I'M NOT A TEENAGER.
1449
01:09:51,788 --> 01:09:54,758
HERE YOU GO,
YOU CAN HAVE IT BACK."
1450
01:09:54,791 --> 01:09:58,928
I WAS SUPER LUCKY
THAT FOR ONE OF MY BIRTHDAYS
1451
01:09:58,962 --> 01:10:02,566
MY TEAM LITERALLY
CAPTURED ME, BLINDFOLDED ME--
1452
01:10:02,599 --> 01:10:05,435
THEY ACTUALLY TOOK ME
ON THIS SURPRISE TRIP
1453
01:10:05,469 --> 01:10:07,304
AND WHEN I OPENED MY EYES
1454
01:10:07,337 --> 01:10:10,240
I WAS ON THE SECOND FLOOR
OF THIS TIFFANY'S
1455
01:10:10,274 --> 01:10:12,909
AND THEY HAD CREATED THIS
WONDERFUL BREAKFAST FOR ME.
1456
01:10:12,942 --> 01:10:16,613
SO I LITERALLY HAD
BREAKFAST AT TIFFANY'S.
1457
01:10:16,646 --> 01:10:19,616
-[DIRECTOR OFF-SCREEN]
-WHO--WHO ELSE HAD
A BIRTHDAY?
1458
01:10:19,649 --> 01:10:21,785
[DIRECTOR]
I THINK KATIE COURIC
HAD HER BIRTHDAY THERE.
1459
01:10:21,818 --> 01:10:24,321
-DID YOU KNOW ABOUT THAT?
-KATIE COURIC? NO, I DON'T.
1460
01:10:24,354 --> 01:10:26,856
BUT I'M VERY HAPPY TO SHARE
THAT EXPERIENCE WITH KATIE.
1461
01:10:26,890 --> 01:10:28,858
KATIE'S A VERY JOLLY LADY.
1462
01:10:28,892 --> 01:10:31,595
THEY LET GLENDA BAILY
HAVE A PARTY AT TIFFANY'S?
1463
01:10:31,628 --> 01:10:33,363
I THOUGHT
I WAS THE ONLY ONE.
1464
01:10:33,397 --> 01:10:34,998
I WAS TURNING 50
1465
01:10:35,031 --> 01:10:39,303
AND UNLIKE A LOT OF PEOPLE,
I LOVE BIRTHDAYS.
1466
01:10:39,336 --> 01:10:40,670
AND I LOVE PARTIES.
1467
01:10:40,704 --> 01:10:44,774
[HIP-HOP MUSIC PLAYS]
1468
01:10:55,819 --> 01:10:57,587
IT WAS AN INSIDE JOB
BASICALLY,
1469
01:10:57,621 --> 01:11:00,390
MY FRIEND CAROLE
WORKS AT TIFFANY.
1470
01:11:00,424 --> 01:11:03,627
I WAS TRYING TO FIND
A REALLY COOL, FUN,
DIFFERENT SPACE.
1471
01:11:03,660 --> 01:11:06,730
WE HAD A COCKTAIL PARTY
ON THE FIRST FLOOR.
1472
01:11:06,763 --> 01:11:08,632
WE SERVED TIFFANINIS,
1473
01:11:08,665 --> 01:11:12,336
WHICH LOOKED
DANGEROUSLY LIKE,
UM TY-D-BOL.
1474
01:11:12,369 --> 01:11:14,671
BUT THEY WERE DELICIOUS.
AND STRONG.
1475
01:11:14,704 --> 01:11:17,407
I THINK IT WILL PROBABLY
GO DOWN IN HISTORY,
1476
01:11:17,441 --> 01:11:18,808
MY PERSONAL HISTORY,
1477
01:11:18,842 --> 01:11:20,677
AS MY BEST BIRTHDAY EVER.
1478
01:11:20,710 --> 01:11:23,913
* WHEN I DIE BURY ME
INSIDE THE JEWELRY STORE *
1479
01:11:25,549 --> 01:11:28,452
I AM A SCORPIO,
JUST LIKE ELSA PERETTI.
1480
01:11:28,485 --> 01:11:31,521
AND ELSA PERETTI
OF COURSE DESIGNED
THIS BEAUTIFUL NECKLACE
1481
01:11:31,555 --> 01:11:33,423
WHICH WAS A PRESENT
FROM MY TEAM.
1482
01:11:33,457 --> 01:11:35,692
AND IT REMINDS
EVERYBODY
1483
01:11:35,725 --> 01:11:38,595
THAT THE QUALITIES A SCORPIO
IS SUPPOSED TO HAVE.
1484
01:11:38,628 --> 01:11:40,630
AND ALL I CAN TELL YOU
IS THAT ELSA
1485
01:11:40,664 --> 01:11:43,533
IS ONE OF THE MOST
PASSIONATE, STRONG,
1486
01:11:43,567 --> 01:11:46,336
AND FOCUSED INDIVIDUALS
1487
01:11:46,370 --> 01:11:48,472
I'VE EVER HAD
THE PLEASURE TO MEET.
1488
01:11:48,505 --> 01:11:51,074
[MUSIC PLAYS]
1489
01:11:51,107 --> 01:11:55,445
ON MY WISH LIST,
OF COURSE IS THE SCORPIO.
1490
01:11:55,479 --> 01:11:57,581
J'ADORE.
SHE'S DIVINE.
1491
01:11:57,614 --> 01:11:59,483
MY FIRST PIECE
I WANTED
1492
01:11:59,516 --> 01:12:03,953
WAS THE BONE CUFF
FROM ELSA PERETTI.
1493
01:12:03,987 --> 01:12:07,824
[STAMMERS]
OH, EVERYBODY SHOULD HAVE
A PERETTI STERLING CUFF.
1494
01:12:07,857 --> 01:12:09,859
I MEAN, I HAD CLIENT
IN HERE EARLIER TODAY
1495
01:12:09,893 --> 01:12:13,062
WHO COLLECTS PERETTI
AND WAS WEARING A PAIR
OF PERETTI EARRINGS.
1496
01:12:13,096 --> 01:12:15,565
AND IT'S JUST LIKE,
IT'S ALWAYS GOOD.
1497
01:12:15,599 --> 01:12:20,103
WHEN ELSA STARTED AT TIFFANY,
IT WAS THE MID 1970s.
1498
01:12:20,136 --> 01:12:23,907
AND ELSA PERETTI
WAS HOT, YOU KNOW?
1499
01:12:23,940 --> 01:12:26,943
I MEAN, SHE WAS PART
OF HALSTON'S ENTOURAGE,
1500
01:12:26,976 --> 01:12:28,512
SHE WAS A MODEL.
1501
01:12:28,545 --> 01:12:30,680
SHE HAD BEEN
DESIGNING JEWELRY
1502
01:12:30,714 --> 01:12:33,617
THAT WAS ON THE CATWALKS
WITH HALSTON
1503
01:12:33,650 --> 01:12:35,752
AND GIORGIO DI SANT' ANGELO.
1504
01:12:35,785 --> 01:12:37,421
AND THE JEWELRY
WAS A HIT.
1505
01:12:37,454 --> 01:12:39,856
I REALLY LIKE THE DESIGN
OF THE ELSA PERETTI PIECES.
1506
01:12:39,889 --> 01:12:42,892
SO FOR MY EDITORIAL WORK,
AND ALSO WITH FASHION SHOWS
1507
01:12:42,926 --> 01:12:44,494
I'VE USED IT A LOT
1508
01:12:44,528 --> 01:12:46,796
'CAUSE IT'S SOME
OF MY FAVORITE JEWELRY
1509
01:12:46,830 --> 01:12:48,131
THAT EXISTS.
1510
01:12:48,164 --> 01:12:50,166
WELL, THIS IS
THE FIRST PIECE OF JEWELRY
1511
01:12:50,199 --> 01:12:52,736
THAT ELSA PERETTI
DESIGNED AT TIFFANY--
1512
01:12:52,769 --> 01:12:56,740
ONE OF THE FIRST PIECES
BUT SHE REALLY DESIGNED
IT BEFORE SHE STARTED.
1513
01:12:56,773 --> 01:12:59,643
YOU KNOW THERE'S A NECKLACE
THAT'S LIKE A BUD BASE.
1514
01:12:59,676 --> 01:13:01,044
THAT AN ORCHID
COULD FIT IN.
1515
01:13:01,077 --> 01:13:02,646
SHE SAID
SHE DESIGNED IT
1516
01:13:02,679 --> 01:13:06,550
BECAUSE WHEN SHE SAW
THE GIRLS IN CAPRI
1517
01:13:06,583 --> 01:13:08,452
WEARING FLOWERS
IN THEIR HAIR,
1518
01:13:08,485 --> 01:13:10,954
SHE THOUGHT THAT WAS
THE MOST BEAUTIFUL THING
IN THE WORLD.
1519
01:13:10,987 --> 01:13:13,890
BUT SHE DIDN'T WANT
HER FLOWER TO DIE.
1520
01:13:13,923 --> 01:13:17,727
SO SHE MADE
A BOTTLE PENDANT TO PUT
THE FLOWER IN.
1521
01:13:17,761 --> 01:13:19,696
AND THAT'S
WHAT IT'S FOR.
1522
01:13:19,729 --> 01:13:22,165
BUT LIKE, THERE'S
SORT OF A SUGGESTION
1523
01:13:22,198 --> 01:13:25,034
THAT YOU COULD ALSO KEEP
YOUR DRUGS IN THERE.
1524
01:13:25,068 --> 01:13:27,170
[LAUGHS]
1525
01:13:27,203 --> 01:13:29,506
I MEAN...
1526
01:13:29,539 --> 01:13:31,174
NO, LIKE, YOU KNOW.
1527
01:13:31,207 --> 01:13:32,876
IT'S COOL.
1528
01:13:32,909 --> 01:13:34,511
* COCAINE
1529
01:13:42,151 --> 01:13:44,087
* IF YOU'VE GOT BAD NEWS
1530
01:13:44,120 --> 01:13:46,790
* YOU WANNA KICK THE BLUES
1531
01:13:46,823 --> 01:13:48,492
* COCAINE
1532
01:13:51,194 --> 01:13:53,663
* WHEN YOUR DAY IS DONE
1533
01:13:53,697 --> 01:13:55,832
* AND YOU WANT
TO RIDE ON *
1534
01:13:55,865 --> 01:14:00,003
* COCAINE
1535
01:14:00,036 --> 01:14:02,606
* SHE DON'T LIE,
SHE DON'T LIE *
1536
01:14:02,639 --> 01:14:04,641
* SHE DON'T LIE.
1537
01:14:04,674 --> 01:14:06,142
WHAT SHE ABLE TO DO
1538
01:14:06,175 --> 01:14:08,645
IN TERMS OF COMMUNICATING
HER LANGUAGE
1539
01:14:08,678 --> 01:14:11,047
AND HER AESTHETIC
THROUGH JEWELRY,
1540
01:14:11,080 --> 01:14:13,750
SHE CERTAINLY
PAVED THE WAY
1541
01:14:13,783 --> 01:14:15,819
FOR PEOPLE LIKE MYSELF
1542
01:14:15,852 --> 01:14:18,522
AND OTHER JEWELRY
DESIGNERS TODAY.
1543
01:14:18,555 --> 01:14:21,057
AND THERE'S NOT A LOT
OF PLACES THAT WANNA
1544
01:14:21,090 --> 01:14:24,828
BRING OTHER DESIGNERS
IN UNDER THEIR UMBRELLA.
1545
01:14:24,861 --> 01:14:27,897
BEING A PART OF VOGUE
AND BEING A PART
OF THE C.F.D.A.
1546
01:14:27,931 --> 01:14:31,701
IS WONDERFUL BECAUSE
THEY REALLY DO FOSTER
NEW DESIGNERS
1547
01:14:31,735 --> 01:14:32,969
AND HELP COMPANIES.
1548
01:14:33,002 --> 01:14:35,038
YOU KNOW,
I CAN'T EVEN TELL YOU
1549
01:14:35,071 --> 01:14:37,674
WHAT THE LAST YEAR
HAS DONE FOR MY BUSINESS,
JUST BEING A PART OF IT.
1550
01:14:37,707 --> 01:14:38,875
WHEN I WON RUNNER-UP,
1551
01:14:38,908 --> 01:14:40,510
I GOT A REALLY NICE GIFT
FROM TIFFANY
1552
01:14:40,544 --> 01:14:41,911
AND I WAS IN HEAVEN.
1553
01:14:41,945 --> 01:14:43,179
THE IDEA OF JEWELRY,
1554
01:14:43,212 --> 01:14:46,282
AND TO SUCCEED
AS A JEWELRY DESIGNER,
1555
01:14:46,315 --> 01:14:50,654
I THINK IS SOMETHING
THAT EVEN CLOTHING DESIGNERS
HAVE ASPIRATIONS FOR.
1556
01:14:50,687 --> 01:14:53,990
THE YEAR MONIQUE PEAN WON,
SHE WAS A RUNNER-UP WINNER
1557
01:14:54,023 --> 01:14:57,827
SHE WON $100,000
AND HER CHOICE OF MENTOR.
1558
01:14:57,861 --> 01:14:59,729
[MONIQUE PEAN]
WENT INTO
ANNA WINTOUR'S OFFICE
1559
01:14:59,763 --> 01:15:01,565
AND SHE SAID IF YOU COULD
HAVE ANY MENTOR,
1560
01:15:01,598 --> 01:15:02,932
WHO WOULD YOU CHOOSE?
1561
01:15:02,966 --> 01:15:04,601
AND I SAID, "YOU KNOW
IF I COULD HAVE ANYONE,
1562
01:15:04,634 --> 01:15:06,570
I WOULD LOVE
TO BE ABLE TO WORK
1563
01:15:06,603 --> 01:15:08,705
WITH MICHAEL KOWALSKI,
THE CEO OF TIFFANY."
1564
01:15:08,738 --> 01:15:11,608
WHAT INTRIGUED ME OF COURSE,
WAS HER INTENSE INTEREST
1565
01:15:11,641 --> 01:15:13,710
IN THE MATERIALS
THAT SHE USES.
1566
01:15:13,743 --> 01:15:16,145
AND HER COMMITMENT
TO--TO SUSTAINABILITY
1567
01:15:16,179 --> 01:15:18,047
NOT ONLY
IN TERMS OF MATERIALS,
1568
01:15:18,081 --> 01:15:19,649
BUT IN TERMS OF THE FOLKS
1569
01:15:19,683 --> 01:15:21,017
WHO PROVIDE THOSE MATERIALS.
1570
01:15:21,050 --> 01:15:23,620
AND I THOUGHT IT WAS
A--A WONDERFUL STORY,
1571
01:15:23,653 --> 01:15:25,889
AND I THINK IT'S RELEVANT
FOR LUXURY TODAY.
1572
01:15:25,922 --> 01:15:27,624
[PEAN]
RATHER THAN
TAKING FROM THE EARTH,
1573
01:15:27,657 --> 01:15:29,893
FINDING THINGS
THAT YOU CAN REINVENT,
1574
01:15:29,926 --> 01:15:31,595
FOSSILS ARE SO INCREDIBLE
BECAUSE THEY'RE
1575
01:15:31,628 --> 01:15:33,697
ALMOST LIKE NATURE'S
PHOTOGRAPHS.
1576
01:15:33,730 --> 01:15:35,965
AND THAT THEY'RE ABLE
TO TELL A STORY THROUGH TIME.
1577
01:15:35,999 --> 01:15:38,702
AND I USE A LOT
OF FOSSILIZED WOOLLY MAMMOTH
1578
01:15:38,735 --> 01:15:40,136
AND FOSSILIZED
DINOSAUR BONE.
1579
01:15:40,169 --> 01:15:41,838
THIS IS FOSSILIZED
WOOLLY MAMMOTH,
1580
01:15:41,871 --> 01:15:43,039
THE CREAM PARTS
1581
01:15:43,072 --> 01:15:44,273
THAT HAVE BEEN
TRAPPED IN THE ICE
1582
01:15:44,307 --> 01:15:46,776
OVER TENS OF THOUSANDS
OF YEARS.
1583
01:15:46,810 --> 01:15:49,813
AND THEN IN THE CENTER
IS FOSSILIZED WOOLLY MAMMOTH
1584
01:15:49,846 --> 01:15:51,147
THE ROOT OF THE TOOTH
1585
01:15:51,180 --> 01:15:53,583
AND THE SALT MINERALS
OVER 35,000 YEARS
1586
01:15:53,617 --> 01:15:55,284
CHANGED THE COLOR
TO THESE DEEP BLUES.
1587
01:15:55,318 --> 01:15:57,887
AND THEN IN THE MIDDLE
IS FOSSILIZED DINOSAUR BONE.
1588
01:15:57,921 --> 01:15:59,122
THAT'S FROM
THE JURASSIC PERIOD
1589
01:15:59,155 --> 01:16:01,124
AND 150 MILLION YEARS OLD.
1590
01:16:01,157 --> 01:16:03,126
[ANNOUNCER]
IN JEWELRY DESIGNING,
1591
01:16:03,159 --> 01:16:05,929
TALENTED NEW ARTISTS LIKE
JEAN SCHLUMBERGER
1592
01:16:05,962 --> 01:16:07,363
ORIGINATED LABYRINTH IDEAS,
1593
01:16:07,396 --> 01:16:09,232
WHICH ARE THE DESPAIR
OF MANUFACTURERS
1594
01:16:09,265 --> 01:16:11,300
WHO SERVE THE MASS MARKET.
1595
01:16:14,203 --> 01:16:16,172
I LOVE THE, UM...
1596
01:16:16,205 --> 01:16:17,741
ONE OF MY FAVORITES
IS THE--SHIT.
1597
01:16:17,774 --> 01:16:18,975
I CAN--CAN NEVER
PRONOUNCE HIM.
1598
01:16:19,008 --> 01:16:20,343
"SCHLUM--SUMBERGER."
1599
01:16:20,376 --> 01:16:22,378
-[MAN] "SCHLUM-BER-JAY."
-SCHLUMBERGER. MM-HMM.
1600
01:16:22,411 --> 01:16:23,780
YUP, MAKE THEM JEWISH.
1601
01:16:23,813 --> 01:16:26,215
-"SCHLUM-BURGER."
-[LAUGHING]
1602
01:16:26,249 --> 01:16:28,985
"SCHLUM-BURGER?"
OH, MY GOD. THAT'S
SO EMBARRASSING.
1603
01:16:29,018 --> 01:16:31,254
-YOU CORRECTED HER, RIGHT?
-[DIRECTOR MUMBLES]
1604
01:16:31,287 --> 01:16:34,624
I MEAN, YOU GOT-- [STUTTERS]
OF COURSE, THE...
1605
01:16:34,658 --> 01:16:36,793
[MUFFLED] OH, MY GOD,
WHY AM I THINKING
OF "CHO-BA-JAY"?
1606
01:16:36,826 --> 01:16:38,695
"SHOW-BA-JAY."
I'M SAYING IT WRONG.
1607
01:16:38,728 --> 01:16:40,930
-WELL, IT'S LIKE--
-[MAN] IT'S CLOSE.
1608
01:16:40,964 --> 01:16:43,733
-[WOMAN] "SCHLUM-BER-JAY."
-AND THEY BROUGHT OUT
THE BROACH, AND THEY SAID,
1609
01:16:43,767 --> 01:16:44,834
"THIS IS "SCHLUM-BER-JAY."
1610
01:16:44,868 --> 01:16:46,269
IS THAT HOW IT'S PRONOUNCED?
1611
01:16:46,302 --> 01:16:47,871
-WELL, IT'S LIKE--
-[MAN] IT'S CLOSE.
1612
01:16:47,904 --> 01:16:49,673
-[WOMAN] "SCHLUM-BER-JAY."
-SCHLUMBERGER.
1613
01:16:49,706 --> 01:16:51,074
"SEAN--SCHLUMBERGER."
1614
01:16:51,107 --> 01:16:53,209
[STUTTERS] THE SCHLUMBERGER--
[CLEARS THROAT]
1615
01:16:53,242 --> 01:16:55,111
THESE ARE HEIRLOOMS.
1616
01:16:55,144 --> 01:17:00,349
THESE ARE FAMILY HEIRLOOMS,
AND THEY ARE FROM THE 1940'S.
1617
01:17:00,383 --> 01:17:01,951
THEY'RE EARLY SCHLUMBERGER.
1618
01:17:01,985 --> 01:17:04,020
I LOVE
THE SCHLUMBERGER PIECES.
1619
01:17:04,053 --> 01:17:05,655
WHENEVER I GO IN
TO THE TIFFANY STORE,
1620
01:17:05,689 --> 01:17:06,856
THAT'S WHERE I GO AND JUST
1621
01:17:06,890 --> 01:17:08,725
SORT OF
PET THE CABINETS AND...
1622
01:17:08,758 --> 01:17:11,327
[LAUGHS]
AND DROOL.
1623
01:17:11,360 --> 01:17:14,798
* YOU BETTER GET BACK
HONKY CAT *
1624
01:17:14,831 --> 01:17:17,266
* LIVING IN THE CITY
AIN'T WHERE IT'S AT *
1625
01:17:17,300 --> 01:17:19,903
* IT'S LIKE TRYING
TO FIND GOLD *
1626
01:17:19,936 --> 01:17:22,772
* IN A SILVER MINE
1627
01:17:22,806 --> 01:17:26,910
* IT'S LIKE TRYING
TO DRINK WHISKEY *
1628
01:17:26,943 --> 01:17:30,680
* OH,
FROM A BOTTLE OF WINE *
1629
01:17:34,483 --> 01:17:36,152
-* WELL, I READ...
-[TILLY] THE SEAHORSE
1630
01:17:36,185 --> 01:17:37,386
IS ONE OF THE VERY FIRST
1631
01:17:37,420 --> 01:17:39,288
SCHLUMBERGER PIECES
THAT I BOUGHT.
1632
01:17:39,322 --> 01:17:42,358
HE REALLY WAS ATTRACTED
TO THEMES IN NATURE.
1633
01:17:42,391 --> 01:17:43,893
WHAT HE'S MOST KNOWN FOR
1634
01:17:43,927 --> 01:17:45,428
ARE THE SCHLUMBERGER
ENAMEL BRACELETS.
1635
01:17:45,461 --> 01:17:46,863
JACKIE KENNEDY
USED TO WEAR THEM
1636
01:17:46,896 --> 01:17:47,864
ALL THE TIME.
1637
01:17:47,897 --> 01:17:49,398
AND THOSE ARE FANTASTIC.
1638
01:17:49,432 --> 01:17:53,202
I'M REALLY A FAN
OF BIG, BIG, BIG PIECES.
1639
01:17:53,236 --> 01:17:56,072
THIS BROACH I'M SUP--
I'M REALLY PARTIAL TO.
1640
01:17:56,105 --> 01:17:57,741
I USED TO READ
1641
01:17:57,774 --> 01:17:59,442
ELIZABETH TAYLOR,
MY LOVE AFFAIR WITH JEWELRY."
1642
01:17:59,475 --> 01:18:01,144
IT WAS
MY VERY FAVORITE PIECE
1643
01:18:01,177 --> 01:18:02,779
IN THE BOOK,
AND I THOUGHT
1644
01:18:02,812 --> 01:18:04,113
I ALWAYS WANTED IT,
1645
01:18:04,147 --> 01:18:05,849
AND THEN WHEN THIS CAME UP
FOR AUCTION--
1646
01:18:05,882 --> 01:18:08,217
I THINK IT WENT
FOR ABOUT $1 MILLION.
1647
01:18:08,251 --> 01:18:10,754
-YES.
-[AUCTIONEER]
$550,000 THEN, AND SELLING.
1648
01:18:10,787 --> 01:18:12,756
$550,000.
1649
01:18:12,789 --> 01:18:15,424
AT $6,300,000 THEN.
HERE WE ARE...
1650
01:18:15,458 --> 01:18:18,094
SOLD FOR YOU, SIR.
$7,800,000.
1651
01:18:18,127 --> 01:18:22,298
-[AUDIENCE CLAPPING]
-THANK YOU VERY MUCH.
1652
01:18:22,331 --> 01:18:23,833
I THOUGHT,
"WELL, I'M NEVER GONNA GET
1653
01:18:23,867 --> 01:18:25,168
THE ELIZABETH TAYLOR ONE."
1654
01:18:25,201 --> 01:18:28,872
AND SO, I GOT THIS
AND I THINK IT WAS...
1655
01:18:28,905 --> 01:18:31,307
DON'T QUOTE ME.
LIKE $60,000 OR $70,000.
1656
01:18:31,340 --> 01:18:32,475
BUT THERE'S ONLY
SIX OF THESE.
1657
01:18:32,508 --> 01:18:34,077
THIS ONE WAS MADE
IN THE 80S.
1658
01:18:34,110 --> 01:18:38,347
* KARMA KARMA KARMA
KARMA KARMA CHAMELEON *
1659
01:18:38,381 --> 01:18:40,984
* YOU COME AND GO
1660
01:18:41,017 --> 01:18:44,153
* YOU COME AND GO
1661
01:18:44,187 --> 01:18:45,488
* LOVING WOULD BE EASY
1662
01:18:45,521 --> 01:18:48,892
* IF YOUR COLORS
WERE LIKE MY DREAMS *
1663
01:18:48,925 --> 01:18:51,327
* RED, GOLD, AND GREEN
1664
01:18:51,360 --> 01:18:56,065
* RED, GOLD, AND GREEN
1665
01:18:56,099 --> 01:18:58,334
[FINE-COLLINS]
THE DESIGNS THAT WE HAVE,
WE DON'T CHANGE.
1666
01:18:58,367 --> 01:18:59,402
WE TRY AND RECREATE.
1667
01:18:59,435 --> 01:19:01,037
SOME DESIGNS
WERE NEVER MADE.
1668
01:19:01,070 --> 01:19:03,472
SOME SKETCHES
WERE ONLY PART-SKETCHED.
1669
01:19:03,506 --> 01:19:05,508
AND SOMETIMES
YOU HAVE TO GUESS.
1670
01:19:05,541 --> 01:19:07,376
BUT IT'S ALL IN
WHAT HE LEFT.
1671
01:19:07,410 --> 01:19:08,878
THERE'S NOTHING
1672
01:19:08,912 --> 01:19:12,181
THAT'S BEING ADAPTED
OR CHANGED.
1673
01:19:12,215 --> 01:19:15,318
-DIAMONDS...
ARE A GIRL'S BEST FRIEND.
-ARE A GIRL'S BEST FRIEND,
1674
01:19:15,351 --> 01:19:17,987
AND WHAT BETTER NIGHT
TO SPARKLE THAN ON OSCAR'S?
1675
01:19:18,021 --> 01:19:19,889
THANK GOODNESS.
1676
01:19:19,923 --> 01:19:21,958
THANK GOODNESS
FOR TIFFANY AND CO.
1677
01:19:21,991 --> 01:19:23,059
LOOK AT THIS.
1678
01:19:23,092 --> 01:19:24,060
LOOK HOW GORGEOUS.
1679
01:19:24,093 --> 01:19:25,461
[BUCKLEY]
TO DIE.
1680
01:19:25,494 --> 01:19:27,230
-AND BY THE WAY--
-YOU CAN'T TAKE IT--
1681
01:19:27,263 --> 01:19:29,298
-...THIS IS ONE
OF HER FAVORITE PIECES.
-...FROM HER.
1682
01:19:29,332 --> 01:19:31,067
I KNOW, WELL WE BROUGHT THAT
AFTER SHE WAS, UH--
1683
01:19:31,100 --> 01:19:32,435
-YEAH, SHE WAS--
-SHE WENT RIGHT TO THAT
1684
01:19:32,468 --> 01:19:33,903
AND WAS
REALLY DRAWN TO THAT.
1685
01:19:33,937 --> 01:19:35,338
YEAH, SHE'LL BE
VERY EXCITED ABOUT THAT.
1686
01:19:35,371 --> 01:19:36,940
-SO, WE WANTED TO MAKE-- -AND SO
AM I.
1687
01:19:36,973 --> 01:19:38,541
WHICH WE, OF COURSE,
ARE ALSO PARTIAL TO
1688
01:19:38,574 --> 01:19:41,244
BECAUSE IT'S SO CLOSE
TO THE TIFFANY BLUE COLOR.
1689
01:19:41,277 --> 01:19:42,511
OH, RIGHT, GOT IT.
1690
01:19:42,545 --> 01:19:45,414
JESSICA BIEL HERE
ON THE RED CARPET.
1691
01:19:45,448 --> 01:19:47,316
HI. HOW ARE YOU?
THERE YOU ARE.
1692
01:19:47,350 --> 01:19:49,052
-HOW ARE YOU?
-I'M WELL, THANK YOU.
1693
01:19:49,085 --> 01:19:50,586
-GOOD TO SEE YOU.
-GOOD TO SEE YOU TOO.
1694
01:19:50,619 --> 01:19:51,921
SO, TELL ME
ABOUT YOUR DRESS.
1695
01:19:51,955 --> 01:19:53,522
LET'S START WITH
THE E! FASHION.
1696
01:19:53,556 --> 01:19:54,590
-OKAY.
-YES.
1697
01:19:54,623 --> 01:19:56,492
-THIS IS CHANEL COUTURE.
-MM-HMM.
1698
01:19:56,525 --> 01:19:58,494
AND I'M BASICALLY
JUST DECKED
1699
01:19:58,527 --> 01:20:01,097
-HEAD TO TOE IN TIFFANY'S.
-YOU'VE GOT ARM CANDY
1700
01:20:01,130 --> 01:20:02,498
BUT NOT
YOUR OTHER ARM CANDY.
1701
01:20:02,531 --> 01:20:03,933
-HE'S OUT ON TOUR, ISN'T HE?
-YES.
1702
01:20:03,967 --> 01:20:06,235
YES, OUT ON TOUR,
BUSY WORKING.
1703
01:20:06,269 --> 01:20:07,470
[MARTIN]
I'M WATCHING IT ON TV
1704
01:20:07,503 --> 01:20:10,139
WITH PR'S
AND OTHER STYLISTS.
1705
01:20:10,173 --> 01:20:11,507
-YEAH.
-[DIRECTOR] WITH OTHER STYLISTS?
1706
01:20:11,540 --> 01:20:12,909
YEAH, I HAVE
A COUPLE STYLISTS
1707
01:20:12,942 --> 01:20:14,110
I'M FRIENDS WITH
IN L.A.
1708
01:20:14,143 --> 01:20:15,444
SO WE USUALLY
WATCH IT TOGETHER.
1709
01:20:15,478 --> 01:20:18,547
OH, IT'S SO MEAN.
IT'S AWESOME.
1710
01:20:18,581 --> 01:20:21,885
EVERYBODY'S TRASHING EVERYBODY
EXCEPT THEIR CLIENTS.
1711
01:20:21,918 --> 01:20:24,988
-[DIRECTOR] EVERYONE? REALLY?
-YEAH, YOU HAVE TO BE
REALLY CAREFUL.
1712
01:20:25,021 --> 01:20:26,289
LET'S JUST GET IT
ON THE TABLE,
1713
01:20:26,322 --> 01:20:28,224
WHO DID WHO,
AND LET'S ALL BE NICE.
1714
01:20:28,257 --> 01:20:30,626
[LAUGHING]
1715
01:20:30,659 --> 01:20:33,062
YEAH, I MEAN, WHAT DO YOU DO
WHEN YOU WATCH THE OSCARS?
1716
01:20:33,096 --> 01:20:35,064
YOU COMMENT ON
WHAT EVERYBODY'S WEARING.
1717
01:20:35,098 --> 01:20:41,637
YOU KNOW? AND IT'S-- IT'S A
GREAT, FUN TV MOMENT.
1718
01:20:41,670 --> 01:20:45,408
OH, IT'S AMAZING.
I'M A GREAT COMMENTATOR.
1719
01:20:45,441 --> 01:20:47,410
-AND I DO HAVE--
-[DIRECTOR] YOU'RE A HATER, TOO?
1720
01:20:47,443 --> 01:20:50,079
I AM NOT A HATER.
IT'S NOT FROM HATE.
1721
01:20:50,113 --> 01:20:54,583
IT'S FROM THE DESIRE
TO NOT BE MEDIOCRE
1722
01:20:54,617 --> 01:20:58,254
AND TO REALLY HAVE
INCREDIBLE STYLE.
1723
01:20:58,287 --> 01:21:02,258
AND TO TAKE ALL THESE
INCREDIBLY BEAUTIFUL
1724
01:21:02,291 --> 01:21:04,660
PIECES AND THINGS
THAT PEOPLE ARE CREATING
1725
01:21:04,693 --> 01:21:06,595
AND TO REALLY
CELEBRATE THEM.
1726
01:21:06,629 --> 01:21:08,564
AND NOT IN A SILLY WAY.
1727
01:21:08,597 --> 01:21:11,267
IN THE OLD DAYS WHEN
THEY DID CELEBRATE BEAUTY,
1728
01:21:11,300 --> 01:21:14,270
I MEAN, WHEN LIZ TAYLOR
WON AN AWARD,
1729
01:21:14,303 --> 01:21:16,906
LIZ WAS FABULOUS
AND I WOULD HOPE
1730
01:21:16,940 --> 01:21:18,908
THAT WE WOULD
GET BACK TO THAT DAY.
1731
01:21:18,942 --> 01:21:20,309
'CAUSE THOSE
WERE INCREDIBLE DAYS.
1732
01:21:24,380 --> 01:21:26,615
[NARRATOR]
AT HOLLYWOOD'S
PANTAGES THEATRE
1733
01:21:26,649 --> 01:21:29,152
IT'S THE MOTION PICTURE
INDUSTRY'S NIGHT OF NIGHTS,
1734
01:21:29,185 --> 01:21:31,620
AND THE FILM CAPITAL'S
TOP STARS TURN OUT
1735
01:21:31,654 --> 01:21:36,092
FOR THE ANNUAL PRESENTATION
OF THE COVETED OSCARS.
1736
01:21:36,125 --> 01:21:39,062
[PAPARAZZI CLAMORING]
JESSICA! JESS!
1737
01:21:40,396 --> 01:21:42,631
[CAMERAS SHUTTERING]
1738
01:21:42,665 --> 01:21:44,968
[WOMAN]
JESSICA, I NEED THOSE EYES!
1739
01:21:45,001 --> 01:21:48,304
[CLAMORING CONTINUES]
1740
01:21:48,337 --> 01:21:50,473
[MAN]
THE RIGHT PIECE
1741
01:21:50,506 --> 01:21:52,308
ON THE RIGHT CELEBRITY
1742
01:21:52,341 --> 01:21:55,644
IS THE BEST P.R.
1743
01:21:55,678 --> 01:21:57,981
YOU CAN'T BUY THAT P.R.
1744
01:21:58,014 --> 01:22:02,051
IT'S, UH, A PHOTOGRAPH
THAT IS SEEN WORLDWIDE.
1745
01:22:02,085 --> 01:22:06,055
UM, ONE PHOTOGRAPH
IS PICKED UP
BY COUNTLESS BLOGS
1746
01:22:06,089 --> 01:22:09,092
AND YOU ARE FOCUSING
ON THAT JEWELRY.
1747
01:22:09,125 --> 01:22:11,160
THE DRESS, YES,
BUT THE JEWELRY
1748
01:22:11,194 --> 01:22:12,996
REALLY MAKES
THAT PHOTOGRAPH.
1749
01:22:13,029 --> 01:22:15,331
AND THE ACCESSORIES
REALLY MAKE THAT OUTFIT.
1750
01:22:15,364 --> 01:22:17,500
AND AT THE END OF THE DAY,
1751
01:22:17,533 --> 01:22:20,336
THE DRESS IS EASILY
KNOCKED OFF.
1752
01:22:20,369 --> 01:22:23,339
THE JEWELRY IS PRICELESS,
IT'S INVALUABLE.
1753
01:22:23,372 --> 01:22:24,974
AND PEOPLE KNOW
THAT JEWELER.
1754
01:22:25,008 --> 01:22:28,077
[PIANO PLAYING]
1755
01:23:13,656 --> 01:23:15,391
[GIRL]
IT'S LIKE--IT REMINDS ME
1756
01:23:15,424 --> 01:23:16,725
OF MINERAL IN THE OCEAN.
1757
01:23:16,759 --> 01:23:19,028
IT'S DIFFERENT
'CAUSE...
1758
01:23:19,062 --> 01:23:20,496
IT'S KIND OF LIKE A MOTTO.
1759
01:23:20,529 --> 01:23:22,698
JEWELRY STORES DON'T REALLY
HAVE A THEME
1760
01:23:22,731 --> 01:23:24,733
TO WHAT THEY DO.
1761
01:23:24,767 --> 01:23:27,403
BESIDES TIFFANY,
NO OTHER STORES
1762
01:23:27,436 --> 01:23:31,740
REALLY HAVE, LIKE,
A THEME TO THEIR JEWELRY.
IT'S ALL JUST TROPICAL.
1763
01:23:31,774 --> 01:23:37,246
WHEN YOU'RE YOUNG,
YOU WANT TO WEAR A DIAMOND.
YOU'RE GONNA WANT TO WEAR--
1764
01:23:37,280 --> 01:23:39,582
WHEN YOU'RE OLD AND YOU GET
DIVORCED, LIKE, FIVE TIMES,
1765
01:23:39,615 --> 01:23:41,317
YOU DON'T--YOU DON'T NEED
ANY OF THAT STUFF.
1766
01:23:41,350 --> 01:23:43,186
WELL, ULTIMATELY,
WE'RE TALKING ABOUT
1767
01:23:43,219 --> 01:23:44,787
A JEWELRY STORE.
1768
01:23:44,820 --> 01:23:49,292
HOW IT IS THIS POP-CULTURE
KIND OF... CIRCULAR WEIRDNESS.
1769
01:23:49,325 --> 01:23:51,294
ALL WOMEN EVERYWHERE
KNOW THAT SONG.
1770
01:23:51,327 --> 01:23:53,496
-[DIRECTOR] DO THEY REALLY?
-YEAH.
1771
01:23:53,529 --> 01:23:56,265
YOU CAN GO ASK ANY WOMAN
YOU PASS ON THE STREET
1772
01:23:56,299 --> 01:23:58,101
AND THEY'LL--THEY KNOW
THAT SONG.
1773
01:23:58,134 --> 01:24:00,736
* YOU'LL SAY
1774
01:24:00,769 --> 01:24:05,208
* THE WORLD
HAS COME BETWEEN US *
1775
01:24:05,241 --> 01:24:10,613
* OUR LIVES HAVE COME
BETWEEN US *
1776
01:24:10,646 --> 01:24:14,717
* STILL I KNOW
YOU JUST DON'T CARE *
1777
01:24:16,585 --> 01:24:21,490
* AND I SAID, WHAT ABOUT
BREAKFAST AT TIFFANY'S *
1778
01:24:21,524 --> 01:24:26,095
* SHE SAID, I THINK
I REMEMBER THE FILM *
1779
01:24:26,129 --> 01:24:28,364
* AND AS I RECALL
I THINK *
1780
01:24:28,397 --> 01:24:30,499
* WE BOTH KINDA LIKED IT
1781
01:24:30,533 --> 01:24:35,471
* AND I SAID, WELL THAT'S
ONE THING WE GOT *
1782
01:24:35,504 --> 01:24:37,673
-[MUSIC FADES]
-[ARGUING]
1783
01:24:37,706 --> 01:24:40,243
SO WHEN THIS ENDS UP
ON THE CUTTING ROOM FLOOR
OF THIS FILM--
1784
01:24:40,276 --> 01:24:41,810
[DIRECTOR]
THIS'LL MAKE IT.
1785
01:24:41,844 --> 01:24:43,412
JUST LET US KNOW 'CAUSE
WE GOT STORIES ABOUT CARLYLE.
1786
01:24:43,446 --> 01:24:44,847
THE CARLY--[GROANS]
1787
01:24:44,880 --> 01:24:46,482
YEAH, I LOST MY VIRGINITY
IN THE CARLYLE.
1788
01:24:46,515 --> 01:24:48,151
-OH, SHUT UP.
-WITH ELAINE STRITCH.
1789
01:24:48,184 --> 01:24:50,186
* KNEW ME
1790
01:24:50,219 --> 01:24:54,657
* BUT NOW YOUR EYES
SEE THROUGH ME *
1791
01:24:54,690 --> 01:24:58,427
* I GUESS I WAS WRONG
1792
01:24:58,461 --> 01:25:00,596
THE MUSIC VIDEO WAS FILMED,
LIKE, RIGHT HERE
1793
01:25:00,629 --> 01:25:03,166
I ACTUALLY WROTE IT
ON THIS GUITAR.
1794
01:25:03,199 --> 01:25:07,336
-* IT'S PLAIN TO
SEE WE'RE OVER *
-[CLAPPING]
1795
01:25:07,370 --> 01:25:11,540
* AND I HATE WHEN
THINGS ARE OVER *
1796
01:25:11,574 --> 01:25:14,710
* WHEN SO MUCH
IS LEFT UNDONE *
1797
01:25:17,713 --> 01:25:22,485
* AND I SAID, WHAT ABOUT
BREAKFAST AT TIFFANY'S *
1798
01:25:22,518 --> 01:25:27,156
* SHE SAID, I THINK
I REMEMBER THE FILM *
1799
01:25:27,190 --> 01:25:29,258
* AND AS I RECALL
I THINK *
1800
01:25:29,292 --> 01:25:31,460
* WE BOTH KINDA LIKED IT
1801
01:25:31,494 --> 01:25:35,831
* AND I SAID, WELL THAT'S
ONE THING WE GOT *
1802
01:25:35,864 --> 01:25:38,834
I HAD AN ACTRESS THROW OUT
A PAIR OF EARRINGS.
1803
01:25:40,469 --> 01:25:44,273
LIKE, IT MAKES ME
SICK TO MY STOMACH.
1804
01:25:44,307 --> 01:25:47,210
THEY WERE IN TISSUE,
AND SHE CLEANED HER ROOM
1805
01:25:47,243 --> 01:25:49,345
AND LOOKED EVERYWHERE AND SAID,
"I THINK I THREW THEM OUT."
1806
01:25:49,378 --> 01:25:51,614
'CAUSE SHE'S PARANOID
THAT SHE'S A CELEBRITY
1807
01:25:51,647 --> 01:25:53,582
AND DOESN'T WANT TO LEAVE
A MESSY ROOM
1808
01:25:53,616 --> 01:25:55,884
'CAUSE THEN THE HOUSEKEEPING
WILL SAY SHE'S A SLOB.
1809
01:25:55,918 --> 01:25:58,287
AND SHE TOTALLY
THREW THEM OUT.
1810
01:25:58,321 --> 01:26:00,189
WELL, THERE AREN'T
MANY WAYS
1811
01:26:00,223 --> 01:26:03,459
YOU CAN GET A LOTTA,
LIKE, WELL-KNOWN NAMES...
1812
01:26:04,993 --> 01:26:08,231
-FREE IN A FILM.
-[ALL LAUGHING]
1813
01:26:08,264 --> 01:26:09,932
[MUSIC PLAYING]
1814
01:26:09,965 --> 01:26:14,570
* AND I SAID, WHAT ABOUT
BREAKFAST AT TIFFANY'S *
1815
01:26:14,603 --> 01:26:19,242
* SHE SAID, I THINK
I REMEMBER THE FILM *
1816
01:26:19,275 --> 01:26:21,610
* AND AS I RECALL
I THINK *
1817
01:26:21,644 --> 01:26:23,579
* WE BOTH KINDA LIKED IT
1818
01:26:23,612 --> 01:26:27,750
* AND I SAID, WELL THAT'S
ONE THING WE GOT *
1819
01:26:27,783 --> 01:26:29,885
[GUITAR SOLO]
1820
01:26:45,801 --> 01:26:47,903
[SONG ENDS]
132685
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