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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,040 --> 00:00:02,700 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,770 --> 00:00:03,840 I'M STEVE McCLINTOCK. 3 00:00:03,910 --> 00:00:05,140 WHERE WERE YOU LAST NIGHT? 4 00:00:05,210 --> 00:00:06,370 I WAS WITH MY GIRLFRIEND. 5 00:00:06,440 --> 00:00:07,580 WHO IS SHE? WHERE DO WE FIND HER? 6 00:00:07,650 --> 00:00:09,620 CARLY LANDIS, WHERE WAS STEVE LAST NIGHT? 7 00:00:09,680 --> 00:00:10,480 WITH ME, WHY? 8 00:00:10,550 --> 00:00:12,550 THAT'S WHEN TINA MOST WAS MURDERED. 9 00:00:12,620 --> 00:00:14,530 DO YOU HAVE ANY PHYSICAL EVIDENCE TYING ME TO HER DEATH? 10 00:00:14,590 --> 00:00:16,230 YOU'RE RUNNING A CON, AND YOU REACT BAD 11 00:00:16,290 --> 00:00:18,260 WHEN THE GIRLS GET HINKY ABOUT IT. 12 00:00:18,320 --> 00:00:19,860 WHY ARE YOU LYING FOR THE GUY WHO DID IT? 13 00:00:19,920 --> 00:00:23,060 HE SAID THAT IF I SAID ANYTHING, HE WOULD KILL ME. 14 00:00:23,130 --> 00:00:25,300 IS THERE ANY WAY YOU COULD GIVE ME A RIDE HOME? 15 00:00:25,360 --> 00:00:27,260 I LEFT MY THINGS IN THE BACK. 16 00:00:27,330 --> 00:00:29,570 THAT'S ONE YOU DROP OFF AND SPEED AWAY FROM. 17 00:00:29,630 --> 00:00:32,370 THIS IS ANOTHER CASE OF YOUR PAST GETTING DROPPED ON ME. 18 00:00:32,440 --> 00:00:33,950 I BANGED PLENTY OF WHORES, 19 00:00:34,010 --> 00:00:36,010 BUT NEVER SOMEONE INVOLVED IN A CASE. 20 00:00:36,070 --> 00:00:37,710 I WOULDN'T DO THAT. NO ONE DOES. 21 00:00:37,780 --> 00:00:40,090 I'M JUST GIVING HER A RIDE HOME. GOOD. 22 00:00:40,140 --> 00:00:42,510 I'M SORRY. I'M SCARED TO BE ALONE RIGHT NOW. 23 00:00:42,580 --> 00:00:45,350 MAYBE I'LL STICK AROUND FOR A LITTLE WHILE. 24 00:00:46,480 --> 00:00:48,620 YOU KNOW YOU ARE NEVER SUPPOSED TO TALK TO STRANGERS. 25 00:00:48,690 --> 00:00:50,330 BUT HE KNEW STUFF 26 00:00:50,390 --> 00:00:53,120 ABOUT MATT HAVING A COLD LAST WEEK AND MOM'S BIRTHDAY. 27 00:00:53,190 --> 00:00:55,290 I KNOW IT'S BEEN BAD BETWEEN US THE LAST FEW DAYS, 28 00:00:55,360 --> 00:00:57,160 BUT YOU GOT A PROBLEM, AND I WANT TO HELP. 29 00:00:57,230 --> 00:00:58,190 TELL ME WHAT I CAN DO. 30 00:00:58,260 --> 00:00:59,430 YOUR HEAD'S SOMEPLACE ELSE. 31 00:00:59,500 --> 00:01:01,240 THIS IS MY FAMILY. I CAN'T RISK IT. 32 00:01:01,300 --> 00:01:03,330 SEEMS TO ME LIKE I'M GETTING THE JOB DONE. 33 00:01:03,400 --> 00:01:05,570 MOST DAYS YOU'RE HALF‐ASLEEP AND HUNG OVER. 34 00:01:05,640 --> 00:01:07,550 YOU GOTTA GET YOUR HEAD BACK ON STRAIGHT, JOHN. 35 00:01:07,610 --> 00:01:09,580 UNTIL THEN, I CAN'T TRUST YOU. 36 00:01:29,490 --> 00:01:31,730 WERE YOU JUST GONNA LEAVE WITHOUT SAYING ANYTHING? 37 00:01:31,800 --> 00:01:33,040 DIDN'T WANT TO WAKE YOU. 38 00:01:33,100 --> 00:01:34,510 I HATE WHEN GUYS JUST LEAVE LIKE THAT. 39 00:01:34,570 --> 00:01:36,580 IT'S NOT LIKE IT'S THE LAST TIME I'LL SEE YOU. 40 00:01:36,640 --> 00:01:37,810 RIGHT. 41 00:01:37,870 --> 00:01:39,230 YOU SEEN MY OTHER SHOE? 42 00:01:39,300 --> 00:01:41,170 PLEASE DON'T TELL ME YOU'RE GONNA CALL ME. 43 00:01:41,240 --> 00:01:43,040 THERE IT IS. 44 00:01:43,110 --> 00:01:44,920 I'D RATHER YOU DIDN'T SAY ANYTHING. 45 00:01:44,980 --> 00:01:48,120 I DON'T KNOW ABOUT YOU, BUT I HAD A GREAT TIME LAST NIGHT. 46 00:01:48,180 --> 00:01:50,310 BUT THAT WAS THEN, AND THIS IS NOW, I KNOW. 47 00:01:50,380 --> 00:01:51,310 NO, YOU DON'T KNOW. 48 00:01:51,380 --> 00:01:52,580 I'D LOVE TO SLEEP IN, 49 00:01:52,650 --> 00:01:54,550 I'D LOVE TO HANG AROUND WITH YOU ALL DAY, 50 00:01:54,620 --> 00:01:56,990 BUT BECAUSE THIS IS NOW, I HAVE TO GET HOME AND SHOWER. 51 00:01:57,060 --> 00:01:58,330 YOU COULD SHOWER HERE. 52 00:01:58,390 --> 00:02:00,460 ...CHANGE MY CLOTHES AND GET TO WORK ON TIME. 53 00:02:00,520 --> 00:02:02,690 I HAVE TO LEAVE. DO YOU SEE WHAT I'M SAYING? 54 00:02:02,760 --> 00:02:03,730 YEAH. 55 00:02:03,800 --> 00:02:04,770 I'LL CALL YOU. 56 00:02:18,040 --> 00:02:19,740 HEY. HEY. 57 00:02:19,810 --> 00:02:21,280 TRACY GILCHRIST, 20, 58 00:02:21,350 --> 00:02:23,420 BLUNT FORCE TRAUMA TO THE BACK OF THE HEAD. 59 00:02:23,480 --> 00:02:24,650 WHO'S THAT OUT THERE? 60 00:02:24,720 --> 00:02:26,730 NEIGHBOR FROM DOWN THE HALL, TONYA KELLERMAN. 61 00:02:26,790 --> 00:02:28,290 SHE WAS ON HER WAY TO THE DISPOSAL, 62 00:02:28,350 --> 00:02:30,090 SEES THE DOOR CRACKED, GOES INTO THE APARTMENT, 63 00:02:30,150 --> 00:02:31,690 SEES THE LEGS STICKING OUT OF THE CLOSET. 64 00:02:31,760 --> 00:02:33,700 SHE KNOW ANYTHING? 65 00:02:33,760 --> 00:02:36,690 SHE'S PRETTY BROKEN UP. WE WERE GIVING HER A MINUTE. 66 00:02:36,760 --> 00:02:37,590 ALL RIGHT, WE GOT IT. 67 00:02:37,660 --> 00:02:40,660 YEAH, WE'LL START A CANVASS. 68 00:02:40,730 --> 00:02:42,460 MORNING. 69 00:02:42,530 --> 00:02:43,870 D.O.A. IS IN THE CLOSET. 70 00:02:43,940 --> 00:02:45,340 A COP BROUGHT ME UP TO SPEED. 71 00:02:45,400 --> 00:02:46,640 THAT NEW A. D. A., LORI MUNSON, 72 00:02:46,710 --> 00:02:48,680 CAME BY LOOKING FOR YOU THIS MORNING. 73 00:02:48,740 --> 00:02:50,810 SHE GOT ME ON MY CELL. McCLINTOCK'S PRE‐TRIAL HEARING IS TODAY. 74 00:02:50,880 --> 00:02:52,320 SHE WANTED TO RUN THROUGH MY TESTIMONY. 75 00:02:52,380 --> 00:02:53,320 YOU ALL SET WITH THAT? 76 00:02:53,380 --> 00:02:54,620 PIECE OF CAKE. 77 00:02:54,680 --> 00:02:56,280 'CAUSE I CAN STILL COVER IT. 78 00:02:56,350 --> 00:02:58,120 I GOT IT. 79 00:02:58,180 --> 00:02:59,720 THERE'S BLOOD ON THE CLOSET WALL 80 00:02:59,780 --> 00:03:01,850 LIKE SOMEBODY BANGED HER HEAD AGAINST IT. 81 00:03:01,920 --> 00:03:06,720 RECEIPT FROM A BODEGA AT 4:00 THIS MORNING. 82 00:03:06,790 --> 00:03:08,020 LATE‐NIGHT GIRL. 83 00:03:08,090 --> 00:03:10,490 YEAH. LISTEN, I GOT THE NEIGHBOR. 84 00:03:10,560 --> 00:03:12,530 WHY DON'T YOU CHECK WITH THE FIRST OFFICER, 85 00:03:12,600 --> 00:03:14,540 SEE DID MURPHY AND ORTIZ GET EVERYTHING? 86 00:03:14,600 --> 00:03:17,000 MAYBE I'LL HELP WITH THE NEIGHBOR FIRST. 87 00:03:17,070 --> 00:03:19,500 [ SIGHS ] 88 00:03:19,570 --> 00:03:21,470 DETECTIVES SIPOWICZ AND CLARK. 89 00:03:21,540 --> 00:03:23,610 ALL THE WAY FROM SPOKANE TO BE AN ARTIST, 90 00:03:23,680 --> 00:03:25,280 AND SHE WINDS UP LIKE THIS. 91 00:03:25,340 --> 00:03:26,710 HOW WELL DID YOU KNOW HER? 92 00:03:26,780 --> 00:03:29,580 SHE MOVED IN LAST YEAR, LIKE A LOST PUPPY. 93 00:03:29,650 --> 00:03:31,980 SHE HAD NO IDEA HOW TO LIVE IN NEW YORK. 94 00:03:32,050 --> 00:03:33,310 I TRIED TO HELP HER OUT. 95 00:03:33,380 --> 00:03:34,380 ANY FAM‐‐ 96 00:03:34,450 --> 00:03:35,580 ANY FAMILY YOU KNOW OF? 97 00:03:35,650 --> 00:03:38,350 I THINK BOTH HER PARENTS HAD PASSED WAY. 98 00:03:38,420 --> 00:03:40,460 SHE HAVE ANY PROBLEMS WITH ANYBODY? 99 00:03:40,520 --> 00:03:41,820 NOT THAT I KNOW OF. 100 00:03:41,890 --> 00:03:43,320 DRUGS? OH, I DOUBT IT. 101 00:03:43,390 --> 00:03:45,290 WHAT ABOUT A ‐‐ SHE HAVE A BOYFRIEND? 102 00:03:45,360 --> 00:03:47,600 SHE WAS SEEING SOMEONE 'CAUSE I REMEMBER HER SAYING 103 00:03:47,670 --> 00:03:49,470 SHE DIDN'T WANT TO GO TO HIM FOR MONEY. 104 00:03:49,530 --> 00:03:50,600 SHE NEEDED MONEY? 105 00:03:50,670 --> 00:03:53,030 SHE COULDN'T MAKE AUGUST'S RENT 106 00:03:53,100 --> 00:03:55,040 UNTIL I LOANED IT TO HER, 107 00:03:55,110 --> 00:03:58,250 AND THAT WAS AROUND THE TIME THAT SHE GOT THIS AWFUL JOB 108 00:03:58,310 --> 00:03:59,740 TALKING TO MEN ON THE PHONE. 109 00:03:59,810 --> 00:04:00,740 LIKE PHONE SEX? 110 00:04:00,810 --> 00:04:03,010 I GUESS THAT'S WHAT YOU CALL IT. 111 00:04:03,080 --> 00:04:04,450 I KNOW SHE HATED IT. 112 00:04:04,520 --> 00:04:06,490 I KNOW IT EMBARRASSED HER. 113 00:04:06,550 --> 00:04:09,450 I TOLD HER THAT I WOULD COVER HER RENT FOR ANOTHER MONTH 114 00:04:09,520 --> 00:04:11,890 JUST SO SHE COULD FIND SOMETHING ELSE. 115 00:04:11,960 --> 00:04:14,330 [ Crying ] SHE WOULDN'T EVEN HAVE TO PAY ME BACK. 116 00:04:14,390 --> 00:04:15,820 ALL RIGHT. 117 00:04:15,890 --> 00:04:19,630 [ SOBBING ] 118 00:04:19,700 --> 00:04:21,860 SHOULD I TALK TO THE FIRST OFFICER NOW 119 00:04:21,930 --> 00:04:24,530 OR CHECK INSPECTION STICKERS ON CARS OUT FRONT? 120 00:04:24,600 --> 00:04:26,200 YOU DON'T WANT TO DO THIS, JOHN. 121 00:04:26,270 --> 00:04:27,440 WHATEVER ISSUES WE GOT, 122 00:04:27,510 --> 00:04:29,620 ICING ME OUT OF AN INTERVIEW AIN'T GONNA SOLVE 'EM. 123 00:04:29,670 --> 00:04:31,670 WE'RE PARTNERS. LET ME UP SO I CAN DO MY JOB. 124 00:04:31,740 --> 00:04:35,010 YOU WANT TO WORK THE CASE? NOBODY'S STOPPING YOU. 125 00:05:58,860 --> 00:06:02,200 AND HE NEEDS A SIGNATURE, TOO. 126 00:06:02,270 --> 00:06:03,710 WHAT IS IT? 127 00:06:03,770 --> 00:06:06,230 ALL I KNOW IS IT'S REGISTERED AND INSURED, 128 00:06:06,300 --> 00:06:07,640 SO I GOTTA GET IT SIGNED. 129 00:06:07,710 --> 00:06:09,580 MAYBE SOMETHING CONNIE ORDERED? 130 00:06:09,640 --> 00:06:11,710 THIS IS YOU, RIGHT ‐‐ ANDY SIPOWICZ? 131 00:06:11,780 --> 00:06:14,450 YEAH, I DON'T RECOGNIZE THIS RETURN ADDRESS. 132 00:06:14,510 --> 00:06:17,750 I JUST NEED YOU TO SIGN THE TOP LINE THERE. 133 00:06:25,820 --> 00:06:28,790 SPECIAL AGENT SILOS OF THE FBI. 134 00:06:28,860 --> 00:06:31,690 WHY DON'T WE GO IN THE OTHER ROOM? 135 00:06:33,060 --> 00:06:35,160 WHAT THE HELL IS THIS? 136 00:06:41,970 --> 00:06:44,670 WHO'S THIS NOW? 137 00:06:44,740 --> 00:06:46,780 SPECIAL AGENT WYCHOFF. 138 00:06:46,850 --> 00:06:49,990 OPEN THE BOX, DETECTIVE. 139 00:07:03,230 --> 00:07:06,740 YOU THINK I ORDERED THESE? THEY WERE ADDRESSED TO YOU. 140 00:07:06,800 --> 00:07:09,230 YOUR CREDIT CARD WAS USED OVER THE INTERNET TO PURCHASE THEM. 141 00:07:09,300 --> 00:07:11,930 I TOLD 'EM THERE'D BEEN INCIDENTS OF HARASSMENT DIRECTED AT YOU. 142 00:07:12,000 --> 00:07:14,670 DID YOU TELL THEM THAT SINCE I DON'T KNOW HOW 143 00:07:14,740 --> 00:07:17,570 TO USE THE INTERNET, I PURCHASE ALL MY CHILD PORNOGRAPHY 144 00:07:17,640 --> 00:07:18,770 OVER THE COUNTER? 145 00:07:18,840 --> 00:07:20,140 WHAT KIND OF INCIDENTS HAVE THERE BEEN? 146 00:07:20,210 --> 00:07:22,980 TIRES SLASHED, GETTING SENT A RAT IN THE MAIL, 147 00:07:23,050 --> 00:07:24,390 MOVING UP TO MY KID 148 00:07:24,450 --> 00:07:26,480 GETTING TALKED INTO A CAR BY A STRANGER. 149 00:07:26,550 --> 00:07:28,180 ANY IDEA WHO'S DOING IT? NOT YET. 150 00:07:28,250 --> 00:07:30,150 ANY IDEA HOW SOMEONE COULD HAVE GOTTEN YOUR CREDIT CARD? 151 00:07:30,220 --> 00:07:33,050 CREDIT CARD NUMBERS GET LIFTED ALL THE TIME. 152 00:07:33,120 --> 00:07:36,190 PLACING AN ORDER REQUIRES KNOWING A CERTAIN AMOUNT OF PERSONAL HISTORY. 153 00:07:36,260 --> 00:07:40,130 LISTEN TO ME, I GOT THREE KIDS, 32 YEARS ON THIS JOB, 154 00:07:40,200 --> 00:07:42,600 AND NO RECORD OF ANY DEVIANCY OF ANY KIND. 155 00:07:42,670 --> 00:07:45,280 NOW, IF THIS ISN'T OBVIOUS TO YOU WHAT THIS IS, 156 00:07:45,340 --> 00:07:48,080 THEN GET A SEARCH WARRANT AND CONDUCT AN INVESTIGATION. 157 00:07:48,140 --> 00:07:49,400 IS THAT NECESSARY? 158 00:07:49,470 --> 00:07:51,310 UNDER THE CIRCUMSTANCES, PROBABLY NOT. 159 00:07:51,380 --> 00:07:52,750 THEN AM I DONE HERE? 160 00:07:52,810 --> 00:07:55,440 THANK YOU FOR YOUR TIME, DETECTIVE. 161 00:07:55,510 --> 00:07:58,150 [ DOOR OPENS, CLOSES ] 162 00:08:00,480 --> 00:08:02,320 CONFIRMED THE D. O. A.'s EMPLOYMENT 163 00:08:02,390 --> 00:08:03,600 AT THE DIAL‐A‐YANK SERVICE. 164 00:08:03,660 --> 00:08:04,860 THE OWNER'S COMING IN. 165 00:08:04,920 --> 00:08:06,820 CRIME SCENE MOVED SOME CLOTHES, 166 00:08:06,890 --> 00:08:09,590 FOUND THE NAME SAM PARK SCRATCHED INTO THE CLOSET WALL. 167 00:08:09,660 --> 00:08:10,930 D.O.A.'s HANDIWORK? 168 00:08:11,000 --> 00:08:12,670 WOOD SHAVINGS AND A BENT WIRE HANGER ON THE FLOOR, 169 00:08:12,730 --> 00:08:13,860 SO IT COULD BE. 170 00:08:13,930 --> 00:08:16,500 WE'LL RUN THE NAME THROUGH B.C.I. 171 00:08:16,570 --> 00:08:18,270 I GOT COURT. 172 00:08:18,340 --> 00:08:21,180 EXCUSE ME, IS THERE SOMEONE HERE WE CAN TALK TO? 173 00:08:21,240 --> 00:08:22,270 WHAT'S THE PROBLEM? 174 00:08:22,340 --> 00:08:23,500 I'M AN ATTORNEY. 175 00:08:23,580 --> 00:08:25,050 THIS IS MY CLIENT, SCOTT GARVIN. 176 00:08:25,110 --> 00:08:26,680 MR. GARVIN HAS REASON TO BELIEVE 177 00:08:26,750 --> 00:08:28,290 HIS SON MAY HAVE BEEN KIDNAPPED. 178 00:08:28,350 --> 00:08:29,520 YOU'RE NOT SURE? 179 00:08:29,580 --> 00:08:31,250 I GOT A CALL IN THE MIDDLE OF THE NIGHT. 180 00:08:31,320 --> 00:08:33,390 THEY CALLED AGAIN THIS MORNING TO ARRANGE A RANSOM. 181 00:08:33,450 --> 00:08:34,950 LET'S GO TALK IN HERE. 182 00:08:35,020 --> 00:08:36,790 GREG, BALDWIN. 183 00:08:40,730 --> 00:08:42,930 I'M DETECTIVE SIPOWICZ. 184 00:08:42,990 --> 00:08:45,630 THESE ARE DETECTIVES MEDAVOY AND JONES. 185 00:08:45,700 --> 00:08:48,010 WHY DON'T YOU TELL US WHAT THEY SAID? 186 00:08:48,070 --> 00:08:50,680 THE FIRST CALL, A MAN'S VOICE 187 00:08:50,740 --> 00:08:52,810 SAID THAT THEY WERE HOLDING MY SON, TODD. 188 00:08:52,870 --> 00:08:55,740 THE SECOND CALL SAID TO LEAVE A HALF‐MILLION DOLLARS 189 00:08:55,810 --> 00:08:57,980 IN A GARBAGE CAN AT THE NORTHWEST CORNER 190 00:08:58,040 --> 00:08:59,610 OF SECOND AVENUE AND 11th STREET AT NOON, 191 00:08:59,680 --> 00:09:01,380 OR I WOULD NEVER SEE HIM AGAIN. 192 00:09:01,450 --> 00:09:04,120 HOW COME YOU DIDN'T GET IN TOUCH WITH US AFTER THE FIRST CALL? 193 00:09:04,180 --> 00:09:06,080 Man: IT'S NOT ALWAYS EASY TO KNOW THE BEST APPROACH TO TAKE. 194 00:09:06,150 --> 00:09:08,420 WHY DON'T WE LET HIM ANSWER THE QUESTION? 195 00:09:08,490 --> 00:09:10,360 MY SON IS ANGRY AT ME. 196 00:09:10,420 --> 00:09:12,690 I WAS AFRAID IT WAS SOMETHING HE WAS DOING HIMSELF. 197 00:09:12,760 --> 00:09:14,700 WHY IS HE ANGRY? I CUT HIM OFF. 198 00:09:14,760 --> 00:09:16,320 FINANCIALLY? RIGHT. 199 00:09:16,390 --> 00:09:19,260 STAGING A KIDNAPPING IS A PRETTY EXTREME REACTION. 200 00:09:19,330 --> 00:09:20,830 RIGHT, I PROBABLY NEVER SHOULD HAVE THOUGHT 201 00:09:20,900 --> 00:09:22,000 IT WAS SOMETHING HE WOULD DO. 202 00:09:22,070 --> 00:09:23,880 TODD GAVE HIM CAUSE TO THINK THAT. 203 00:09:23,940 --> 00:09:25,610 WHAT PROMPTED YOU TO CUT HIM OFF? 204 00:09:25,670 --> 00:09:27,470 I THOUGHT IT WAS THE BEST THING FOR HIM. 205 00:09:27,540 --> 00:09:28,940 HE WANTED TO GO TO ARCHITECTURE SCHOOL. 206 00:09:29,010 --> 00:09:31,580 I GOT HIM IN, PAID HIS TUITION. 207 00:09:31,640 --> 00:09:33,640 HE DROPS OUT IN THE MIDDLE OF THE SEMESTER. 208 00:09:33,710 --> 00:09:35,940 HE WANTS TO BE AN ART DEALER, I RENT A STOREFRONT, 209 00:09:36,010 --> 00:09:37,650 GIVE HIM THE START‐UP MONEY. 210 00:09:37,720 --> 00:09:39,020 AFTER A MONTH, HE WALKS AWAY 211 00:09:39,080 --> 00:09:42,250 AND LEAVES ME WITH A YEAR'S LEASE. 212 00:09:42,320 --> 00:09:44,150 WHEN HE HIT ME UP THIS LAST TIME, I SAID NO. 213 00:09:44,220 --> 00:09:45,920 I TOLD HIM IT WAS TIME TO GET A JOB. 214 00:09:45,990 --> 00:09:48,160 YOU DON'T HAVE TO FEEL GUILTY ABOUT THAT. 215 00:09:48,230 --> 00:09:49,640 IN ANY CASE... 216 00:09:51,530 --> 00:09:53,560 THIS IS THE MONEY. 217 00:09:53,630 --> 00:09:55,700 YOU GOT A HALF A MILLION DOLLARS IN THERE? 218 00:09:55,770 --> 00:09:58,980 WE HAVE AN HOUR. 219 00:10:02,770 --> 00:10:04,670 TRACY GILCHRIST WORKED FOR YOU? 220 00:10:04,740 --> 00:10:06,210 TILL SHE STOLE FROM ME. 221 00:10:06,280 --> 00:10:07,850 HOW'D SHE MANAGE THAT? 222 00:10:07,910 --> 00:10:10,650 TRACY WAS SOMETHING OF A LOST CAUSE AT FIRST ‐‐ 223 00:10:10,720 --> 00:10:12,820 WOODEN, UNIMAGINATIVE. 224 00:10:12,880 --> 00:10:14,780 SHE COULD FOLLOW A SCRIPT TO THE LETTER 225 00:10:14,850 --> 00:10:16,480 BUT HAD NO ABILITY TO IMPROVISE. 226 00:10:16,560 --> 00:10:17,960 I WAS READY TO LET HER GO 227 00:10:18,020 --> 00:10:20,420 WHEN SHE LANDED THE KIND OF COMPULSIVE FANTASIST 228 00:10:20,490 --> 00:10:21,720 THE BUSINESS IS BUILT ON. 229 00:10:21,790 --> 00:10:24,160 HOW COMPULSIVE WE TALKING ABOUT? 230 00:10:24,230 --> 00:10:27,830 ANYTHING OVER 100 MINUTES A WEEK PUTS YOU IN THE V. I. P. CLUB. 231 00:10:27,900 --> 00:10:30,170 250 MINUTES A WEEK'S PLAYERS' CLUB. 232 00:10:30,230 --> 00:10:32,770 THIS GUY WAS NORTH OF 300 MINUTES A WEEK 233 00:10:32,840 --> 00:10:34,480 FOR SIX WEEKS RUNNING. 234 00:10:34,540 --> 00:10:35,840 THAT'S ONE YOU DON'T WANT TO LOSE, 235 00:10:35,910 --> 00:10:37,050 WHICH IS EXACTLY WHAT HAPPENED. 236 00:10:37,110 --> 00:10:38,740 YOU THINK TRACY CUT HER OWN DEAL? 237 00:10:38,810 --> 00:10:41,410 I'VE CONTACTED THE PHONE COMPANY, WHO VERIFIED IT. 238 00:10:41,480 --> 00:10:42,510 WHAT'D THEY VERIFY? 239 00:10:42,580 --> 00:10:44,050 THAT TRACY'S SPECIAL SOMEONE 240 00:10:44,120 --> 00:10:46,220 HAD STARTED CALLING HER ON HER HOME LINE. 241 00:10:46,280 --> 00:10:47,480 YOU CONFRONTED HER? 242 00:10:47,550 --> 00:10:48,750 OF COURSE I DID. 243 00:10:48,820 --> 00:10:50,190 SHE TOLD ME HE HAD BECOME A FRIEND, 244 00:10:50,250 --> 00:10:51,790 AND SHE WASN'T CHARGING HIM ANYMORE. 245 00:10:51,860 --> 00:10:52,800 WAS SHE LYING? 246 00:10:52,860 --> 00:10:54,200 IT DOESN'T MATTER. 247 00:10:54,260 --> 00:10:56,760 ANYTIME YOU HAVE SOMEONE WHO RACKS UP THIS KIND OF TIME, 248 00:10:56,830 --> 00:10:57,890 YOU DON'T BECOME FRIENDS. 249 00:10:57,960 --> 00:10:59,130 WE'LL WANT HIS NAME. 250 00:10:59,200 --> 00:11:00,310 SORRY. 251 00:11:00,360 --> 00:11:02,400 I CAN'T VIOLATE A CLIENT'S CONFIDENCE. 252 00:11:02,470 --> 00:11:03,710 TRACY'S DEAD. 253 00:11:03,770 --> 00:11:06,170 YOU'RE KIDDING. 254 00:11:06,240 --> 00:11:08,350 WE'RE NOT KIDDING, AND WE DON'T CARE ABOUT CLIENT'S CONFIDENCE. 255 00:11:08,410 --> 00:11:09,510 WE WANT HIS NAME. 256 00:11:09,570 --> 00:11:10,840 THEN GET A COURT ORDER. 257 00:11:10,910 --> 00:11:13,640 THAT WAY MY REPUTATION IS PROTECTED, 258 00:11:13,710 --> 00:11:15,540 AND YOU GET YOUR INFORMATION. 259 00:11:15,610 --> 00:11:17,150 WE'RE NOT GONNA DO THAT. 260 00:11:17,220 --> 00:11:18,990 THEN I'M NOT GIVING OUT ANY NAMES. 261 00:11:19,050 --> 00:11:20,480 IN WHICH CASE THE FBI 262 00:11:20,550 --> 00:11:23,350 WILL BE ARRESTING YOU AND YOUR CONTACT IN THE PHONE COMPANY 263 00:11:23,420 --> 00:11:25,920 FOR VIOLATING FEDERAL LAWS REGARDING PHONE RECORDS. 264 00:11:25,990 --> 00:11:29,990 WHICH MIGHT ALSO AFFECT YOUR REPUTATION. 265 00:11:32,760 --> 00:11:34,460 HIS NAME IS BARRY HENNING. 266 00:11:40,300 --> 00:11:43,100 DETECTIVE CLARK, IN THE COURSE OF YOUR INVESTIGATION, 267 00:11:43,170 --> 00:11:45,940 DID YOU HAVE OCCASION TO INTERVIEW A CARLY LANDIS? 268 00:11:46,010 --> 00:11:46,880 YES. 269 00:11:46,950 --> 00:11:48,420 WHAT PROMPTED THAT INTERVIEW? 270 00:11:48,480 --> 00:11:51,050 THE DEFENDANT HAD INDICATED THAT MS. LANDIS WAS WITH HIM 271 00:11:51,120 --> 00:11:52,290 WHEN TINA MOST WAS KILLED. 272 00:11:52,350 --> 00:11:54,120 DID MS. LANDIS CORROBORATE THAT ALIBI? 273 00:11:54,190 --> 00:11:55,330 INITIALLY. 274 00:11:55,390 --> 00:11:57,900 WE LATER DETERMINED THAT THE ALIBI WAS FALSE. 275 00:11:57,960 --> 00:11:59,100 HOW DID YOU MAKE THAT DETERMINATION? 276 00:11:59,160 --> 00:12:00,900 AS A RESULT OF OUR INVESTIGATION, 277 00:12:00,960 --> 00:12:02,860 WE LEARNED THE DEFENDANT'S CREDIT CARD 278 00:12:02,930 --> 00:12:04,970 WAS USED LATE NIGHT AT A MARKET DOWNTOWN. 279 00:12:05,030 --> 00:12:06,490 DID YOU CONFRONT MS. LANDIS WITH THIS FACT? 280 00:12:06,570 --> 00:12:09,980 WE DID, AND SHE RECANTED HER INITIAL STATEMENT. 281 00:12:10,030 --> 00:12:12,230 WAS ANY REASON GIVEN AS TO WHY SHE LIED? 282 00:12:12,300 --> 00:12:15,240 SHE SAID THE DEFENDANT HAD INTIMIDATED HER INTO DOING SO. 283 00:12:15,310 --> 00:12:17,880 WAS SHE SPECIFIC AS TO THE NATURE OF THAT INTIMIDATION? 284 00:12:17,940 --> 00:12:20,610 SHE SAID THE DEFENDANT HAD THREATENED HER LIFE. 285 00:12:20,680 --> 00:12:22,780 I HAVE NOTHING FURTHER. 286 00:12:24,320 --> 00:12:27,460 DETECTIVE, HAVE YOU HAD OCCASION TO SPEND TIME WITH MISS LANDIS 287 00:12:27,520 --> 00:12:29,950 OUTSIDE THE CONTEXT OF YOUR INVESTIGATION? 288 00:12:30,020 --> 00:12:32,450 MIGHT HAVE HAD A CUP OF COFFEE TOGETHER. 289 00:12:32,520 --> 00:12:33,490 EVER HAVE DINNER? 290 00:12:33,560 --> 00:12:34,890 OBJECTION, IT'S IRRELEVANT. 291 00:12:34,960 --> 00:12:37,660 MS. LANDIS HAS INVOKED HER FIFTH AMENDMENT RIGHTS 292 00:12:37,730 --> 00:12:39,230 AND WILL NOT BE TESTIFYING. 293 00:12:39,300 --> 00:12:42,340 SINCE DETECTIVE CLARK IS THE SOURCE OF HER STATEMENTS, 294 00:12:42,400 --> 00:12:45,100 STATEMENTS WHICH INCRIMINATE MR. McCLINTOCK, 295 00:12:45,170 --> 00:12:47,600 I'M ENTITLED TO PROBE HIS CREDIBILITY. 296 00:12:47,670 --> 00:12:50,140 I'LL ALLOW IT. WITNESS WILL ANSWER. 297 00:12:50,210 --> 00:12:52,570 I THINK WE MIGHT HAVE HAD DINNER ONCE. 298 00:12:52,640 --> 00:12:53,880 EVER BEEN TO HER APARTMENT? 299 00:12:53,950 --> 00:12:55,790 WHEN I DROVE HER HOME FROM THE SQUAD, 300 00:12:55,850 --> 00:12:57,220 I TOOK HER TO HER APARTMENT. 301 00:12:57,280 --> 00:12:59,780 DID YOU LEAVE HER AT THE FRONT DOOR, 302 00:12:59,850 --> 00:13:01,720 OR DID YOU TAKE HER UPSTAIRS? 303 00:13:01,790 --> 00:13:03,830 SHE WAS FEELING A LITTLE APPREHENSIVE. 304 00:13:03,890 --> 00:13:05,720 I MIGHT HAVE WALKED HER UPSTAIRS. 305 00:13:05,790 --> 00:13:07,390 HOW LONG DID YOU STAY? NO IDEA. 306 00:13:07,460 --> 00:13:09,420 DID YOU HAVE SEXUAL INTERCOURSE WHILE YOU WERE THERE? 307 00:13:09,490 --> 00:13:10,560 OBJECTION. 308 00:13:10,630 --> 00:13:12,060 OVERRULED. 309 00:13:12,130 --> 00:13:14,700 COUNSELOR, YOU'RE IMPLYING SOMETHING THAT'S NOT TRUE. 310 00:13:14,770 --> 00:13:16,880 ASK THAT THE COURT INSTRUCT THE WITNESS 311 00:13:16,940 --> 00:13:19,340 TO ANSWER THE QUESTION, NOT CHARACTERIZE IT. 312 00:13:19,400 --> 00:13:21,000 YES OR NO, DETECTIVE? 313 00:13:21,070 --> 00:13:22,900 IT WAS ONE TIME. 314 00:13:24,380 --> 00:13:25,750 YES OR NO? 315 00:13:25,810 --> 00:13:27,640 YES. THANK YOU. 316 00:13:27,710 --> 00:13:31,080 DID YOU MEET WITH MS. MUNSON IN PREPARATION FOR YOUR TESTIMONY? 317 00:13:31,150 --> 00:13:32,310 YES. 318 00:13:32,380 --> 00:13:34,980 DID YOU TELL HER ABOUT YOUR RELATIONS WITH THE WOMAN 319 00:13:35,050 --> 00:13:37,250 WHO'S OUT‐OF‐COURT STATEMENTS YOU'RE TESTIFYING TO? 320 00:13:37,320 --> 00:13:38,950 I DIDN'T THINK IT WAS RELEVANT. 321 00:13:39,020 --> 00:13:40,890 IF MR. McCLINTOCK IS INCARCERATED, 322 00:13:40,960 --> 00:13:43,290 THE CHIEF IMPEDIMENT TO YOUR TRYSTS WITH MS. LANDIS 323 00:13:43,360 --> 00:13:45,090 WOULD BE REMOVED, WOULD IT NOT? 324 00:13:45,160 --> 00:13:46,900 OBJECTION, THAT IS SPECULATIVE. 325 00:13:46,970 --> 00:13:49,340 JUST TRYING TO DEMONSTRATE RELEVANCE, YOUR HONOR, 326 00:13:49,400 --> 00:13:52,630 BUT I'LL WITHDRAW THE QUESTION. 327 00:13:52,700 --> 00:13:55,200 NOTHING FURTHER. 328 00:14:06,120 --> 00:14:08,690 WHAT'S THE THINKING BEHIND THE MIC? 329 00:14:08,750 --> 00:14:10,320 SO WE CAN HEAR. 330 00:14:10,390 --> 00:14:12,350 IF THEY GIVE INSTRUCTION? HEAR THEM OUT. 331 00:14:12,420 --> 00:14:14,460 BUT DON'T NECESSARILY DO WHAT THEY TELL ME? 332 00:14:14,530 --> 00:14:16,800 Jones: CHANCES ARE, THEY'LL TAKE THE MONEY AND SPLIT. 333 00:14:16,860 --> 00:14:18,390 THEY'RE NOT LOOKING TO STICK AROUND THERE. 334 00:14:18,460 --> 00:14:20,000 WE'LL BE IN CONSTANT COMMUNICATION. 335 00:14:20,060 --> 00:14:22,900 NOTHING HAPPENS TO MY SON. 336 00:14:22,970 --> 00:14:24,380 SURVEILLANCE VAN'S IN ISLIP. 337 00:14:24,440 --> 00:14:25,940 WE CAN'T GET IT BACK IN TIME. 338 00:14:26,000 --> 00:14:27,140 WHAT DOES THAT MEAN? 339 00:14:27,210 --> 00:14:28,280 WE'LL HAVE TO IMPROVISE. 340 00:14:28,340 --> 00:14:30,040 WE'LL USE DEPARTMENT CARS. 341 00:14:30,110 --> 00:14:31,610 'CAUSE I DIDN'T COME IN RIGHT AWAY. 342 00:14:31,680 --> 00:14:33,790 IT'S NOT THE FIRST TIME WE'VE DONE THIS KIND OF THING. 343 00:14:33,850 --> 00:14:35,450 BUT YOU USUALLY HAVE A VAN? 344 00:14:35,510 --> 00:14:38,050 WE'LL BE FINE. WHY DON'T YOU TAKE MR. GARVIN OUT TO THE CAR? 345 00:14:38,120 --> 00:14:39,630 I'D LIKE TO GO ALONG ON THIS. 346 00:14:39,680 --> 00:14:41,150 SORRY, THAT'S NOT POSSIBLE. 347 00:14:41,220 --> 00:14:44,390 MR. COFFMAN, YOU CAN WAIT UPSTAIRS IN THE SQUAD ROOM. 348 00:14:49,230 --> 00:14:52,100 WHOEVER SHOWS UP, WE'RE GONNA TAKE HIM DOWN, RIGHT? 349 00:14:52,160 --> 00:14:54,000 ON KIDNAPPINGS, I GO BY FEDERAL GUIDELINES. 350 00:14:54,070 --> 00:14:55,170 WHICH ARE WHAT? 351 00:14:55,230 --> 00:14:56,830 TRY TO MAINTAIN A VISUAL CONTACT 352 00:14:56,900 --> 00:14:58,730 UNTIL THERE'S A TACTICAL ADVANTAGE, 353 00:14:58,800 --> 00:15:00,170 AT WHICH POINT WE MAKE AN ARREST. 354 00:15:00,240 --> 00:15:01,700 YOU RUN THE RISK OF LOSING HIM, 355 00:15:01,770 --> 00:15:04,340 AT WHICH POINT YOU GOT NO MONEY, NO VICTIM, AND NO PERP. 356 00:15:04,410 --> 00:15:06,140 KIDNAPPING'S A FEDERAL OFFENSE. 357 00:15:06,210 --> 00:15:07,680 I GO BY FEDERAL GUIDELINES. 358 00:15:21,290 --> 00:15:22,890 Baldwin: Still negative. 359 00:15:22,960 --> 00:15:24,660 Nothing suspicious. 360 00:15:24,730 --> 00:15:26,530 THIS YOUR REGULAR CAR? 361 00:15:26,600 --> 00:15:27,830 YEAH. 362 00:15:27,900 --> 00:15:32,170 YOU KNOW YOU'RE OVER 500 MILES PAST DUE FOR AN OIL CHANGE? 363 00:15:32,240 --> 00:15:33,410 I DIDN'T KNOW THAT. 364 00:15:33,470 --> 00:15:35,600 MAKE SURE IT GETS INTO THE SHOP. 365 00:15:35,670 --> 00:15:36,770 YES, SIR, LIEUTENANT. 366 00:15:36,840 --> 00:15:38,670 TODAY. 367 00:15:39,980 --> 00:15:42,410 He's dropping the money now. 368 00:15:49,490 --> 00:15:53,160 BE ADVISED WE GOT A GUY ON A MOTORCYCLE END OF THE BLOCK. 369 00:15:54,860 --> 00:15:56,630 WE GOT HIM. 370 00:15:58,130 --> 00:15:59,760 WHY IS HE STOPPING THERE? 371 00:15:59,830 --> 00:16:01,830 KEEP WALKING, MR. GARVIN. 372 00:16:01,900 --> 00:16:03,530 LET HIM GO AND RETURN TO THE CAR, SIR. 373 00:16:03,600 --> 00:16:06,200 WHERE IS HE?! COME ON, TELL ME WHERE HE IS. 374 00:16:07,540 --> 00:16:08,500 STAY RIGHT HERE. 375 00:16:08,570 --> 00:16:09,470 HE'S GETTING AWAY. 376 00:16:09,540 --> 00:16:10,970 THAT'S 'CAUSE HE'S MADE THAT THERE'S COPS. 377 00:16:11,040 --> 00:16:12,210 I DON'T WANT TO COMPROMISE THE SITUATION. 378 00:16:12,280 --> 00:16:13,420 SO WE JUST SIT HERE? 379 00:16:13,480 --> 00:16:14,720 THAT'S RIGHT. 380 00:16:14,780 --> 00:16:16,010 BYE‐BYE! 381 00:16:16,080 --> 00:16:17,750 WE'LL REGROUP AT THE STATION HOUSE. 382 00:16:20,590 --> 00:16:23,290 [ SIGHS ] 383 00:16:27,160 --> 00:16:31,160 WHERE WERE YOU LAST NIGHT, MR. HENNING? 384 00:16:31,230 --> 00:16:33,700 I ATTENDED A PERFORMANCE OF "AWAKE AND SING!" 385 00:16:33,770 --> 00:16:35,110 AT MY DAUGHTER'S SCHOOL. 386 00:16:35,170 --> 00:16:36,740 WHAT TIME WOULD THAT HAVE BEEN? 387 00:16:36,800 --> 00:16:40,100 THE PLAY STARTED AT 7:30. IT WAS OVER ABOUT 9:30. 388 00:16:40,170 --> 00:16:41,900 CAN I ASK WHAT THIS IS ALL ABOUT? 389 00:16:41,970 --> 00:16:44,070 WE'RE TRYING TO UNDERSTAND THE REASON FOR THE PHONE CALLS. 390 00:16:44,140 --> 00:16:45,640 WHAT PHONE CALLS? 391 00:16:45,710 --> 00:16:48,940 SEE, NOW, THAT'S A SILLY QUESTION, WITH ALL DUE RESPECT. 392 00:16:49,010 --> 00:16:50,710 THE PHONE CALLS TO TRACY GILCHRIST, 393 00:16:50,780 --> 00:16:52,180 THE PHONE‐SEX PHONE CALLS. 394 00:16:52,250 --> 00:16:54,650 WHAT ABOUT 'EM? 395 00:16:54,720 --> 00:16:57,890 JUDGING BY THE VOLUME OF CALLS, YOU GOT IN A LITTLE DEEP. 396 00:16:57,960 --> 00:16:59,770 IS SHE CLAIMING HARASSMENT? 397 00:16:59,820 --> 00:17:00,820 SHE'S DEAD. 398 00:17:03,600 --> 00:17:05,840 WHAT WAS GOING ON BETWEEN YOU TWO, BARRY? 399 00:17:05,900 --> 00:17:09,210 WHAT WAS GOING ON WAS I FOUND SOMEONE I CARED ABOUT. 400 00:17:09,270 --> 00:17:10,840 STARTING WITH THE PHONE SEX? 401 00:17:10,900 --> 00:17:13,740 THERE'S NO WAY I'M GOING TO ERASE THE STIGMA OF THAT, 402 00:17:13,810 --> 00:17:14,980 SO I WON'T EVEN TRY. 403 00:17:15,040 --> 00:17:17,870 YES, IT STARTED WITH THE PHONE SEX. 404 00:17:17,940 --> 00:17:19,710 CLEARLY, SHE MADE AN IMPRESSION. 405 00:17:19,780 --> 00:17:22,180 I'D BEEN THROUGH THE USUAL RITUALIZED BLATHER 406 00:17:22,250 --> 00:17:23,720 WITH OTHER GIRLS ‐‐ 407 00:17:23,780 --> 00:17:27,120 "I'M IN MY BRA AND THONG. I'M TOUCHING MYSELF." 408 00:17:27,190 --> 00:17:29,660 I HATED ALL THAT. 409 00:17:29,720 --> 00:17:32,750 TRACY ‐‐ TIFFANY, AS SHE WAS CALLING HERSELF ‐‐ 410 00:17:32,820 --> 00:17:34,390 USED TO SAY THE SAME THINGS, 411 00:17:34,460 --> 00:17:37,290 BUT I ALWAYS SENSED IT WAS HER PRETENDING TO SAY THEM, 412 00:17:37,360 --> 00:17:42,430 THAT SHE WAS IMAGINING HERSELF IN A BRA AND THONG. 413 00:17:42,500 --> 00:17:44,700 I DON'T EXPECT YOU TO UNDERSTAND THAT. 414 00:17:44,770 --> 00:17:46,970 WHEN'D YOU FIND OUT SHE HAD A BOYFRIEND? 415 00:17:47,040 --> 00:17:49,200 THE FIRST TIME SHE AGREED TO MEET ME. 416 00:17:49,270 --> 00:17:51,940 AND STILL, SHE'S LETTING YOU RACK UP BIG CHARGES 417 00:17:52,010 --> 00:17:54,010 FOR THE PHONE CALLS, RESTAURANTS. 418 00:17:54,080 --> 00:17:56,010 YOU MUST HAVE GONE FOR SOME PRICEY GIFTS, 419 00:17:56,080 --> 00:17:57,680 GIVEN THE DEPTH OF YOUR FEELING. 420 00:17:57,750 --> 00:18:00,150 I SEE WHERE YOU'RE GOING WITH THIS, BUT IT'S NOT TRUE. 421 00:18:00,220 --> 00:18:01,450 I SPENT MONEY ON HER. 422 00:18:01,520 --> 00:18:03,420 I BOUGHT HER PAINTING MATERIALS. 423 00:18:03,490 --> 00:18:05,900 I PAID HER TUITION AT THE ART STUDENTS LEAGUE, 424 00:18:05,960 --> 00:18:09,070 BUT I GOT EXACTLY WHAT I WANTED OUT OF THE RELATIONSHIP. 425 00:18:09,130 --> 00:18:10,370 WHERE'D YOU GO AFTER THE PLAY? 426 00:18:10,430 --> 00:18:12,030 WENT TO DINNER AT SHUN LEE, 427 00:18:12,100 --> 00:18:13,710 THEN I WENT BACK TO MY APARTMENT. 428 00:18:13,770 --> 00:18:16,310 I GOT UP AT 7:30 THIS MORNING TO GO TO WORK. 429 00:18:16,370 --> 00:18:18,980 I'LL BE HAPPY TO PROVIDE NAMES AND CONTACT INFORMATION 430 00:18:19,040 --> 00:18:19,980 TO VERIFY THAT. 431 00:18:20,040 --> 00:18:21,200 THAT'D BE GOOD. 432 00:18:21,270 --> 00:18:24,240 SHE DREW ME A LITTLE PICTURE, TRACY. 433 00:18:24,310 --> 00:18:25,370 IT WAS A SKETCH SHE DID 434 00:18:25,440 --> 00:18:27,380 WHILE WE WERE ON A BENCH IN CENTRAL PARK. 435 00:18:27,450 --> 00:18:29,150 I WAS AFRAID MY WIFE WOULD FIND IT, 436 00:18:29,210 --> 00:18:32,350 SO I THREW IT AWAY. 437 00:18:35,590 --> 00:18:38,160 [ Voice breaking ] WHY'D I DO THAT? 438 00:18:59,310 --> 00:19:00,580 HOW'D IT GO? 439 00:19:00,650 --> 00:19:03,520 GOOD. WHAT HAPPENED WITH THE DROP? 440 00:19:03,580 --> 00:19:04,610 BOTCHED. 441 00:19:04,680 --> 00:19:07,020 WE GET A DUMP ON THE FATHER'S PHONE YET? 442 00:19:07,090 --> 00:19:09,560 RAN SOME CALLS, COME BACK TO A PAY PHONE IN BROOKLYN. 443 00:19:09,620 --> 00:19:11,490 YOU GONNA GET THAT CAR IN FOR SERVICING? 444 00:19:11,560 --> 00:19:13,160 I'LL MAKE THE CALL RIGHT NOW. 445 00:19:13,220 --> 00:19:14,790 WHERE ARE WE ON THE D. O. A.? 446 00:19:14,860 --> 00:19:16,590 WE TALKED TO HER PHONE‐SEX CUSTOMER, BARRY HENNING. 447 00:19:16,660 --> 00:19:18,190 WE'RE LOOKING INTO HIS ALIBI. 448 00:19:18,260 --> 00:19:20,130 WHAT ABOUT THOSE NAMES SCRATCHED ON THE WALL? 449 00:19:20,200 --> 00:19:21,200 NOTHING YET. 450 00:19:21,270 --> 00:19:22,910 HOW'D YOUR TESTIMONY GO? 451 00:19:22,970 --> 00:19:24,510 GOOD. 452 00:19:24,570 --> 00:19:27,170 I JUST GOT A MESSAGE FROM MARTY PAPPUS AT MAJOR CASE. 453 00:19:27,240 --> 00:19:28,470 HE'LL PROVIDE TACTICAL SUPPORT. 454 00:19:28,540 --> 00:19:30,570 PAPPUS, WHO USED TO BE IN MISSING PERSONS? 455 00:19:30,640 --> 00:19:31,970 RIGHT. 456 00:19:32,040 --> 00:19:33,740 WHAT'S HE GONNA DO FOR US? 457 00:19:33,810 --> 00:19:36,410 HELP US. 458 00:19:40,150 --> 00:19:41,620 ANDY... 459 00:19:41,690 --> 00:19:43,960 HE'S GONNA DO WHAT HE'S GONNA DO, LAURA. 460 00:19:44,020 --> 00:19:45,320 GET USED TO IT. 461 00:19:45,390 --> 00:19:47,560 A LITTLE EARLY TO BE CALLING IN THE CAVALRY. 462 00:19:47,630 --> 00:19:49,640 THERE'S A PROTOCOL. YOU FOLLOW PROTOCOL. 463 00:19:49,690 --> 00:19:52,290 I GOTTA SAY SOMETHING BECAUSE IF I DON'T SAY IT, 464 00:19:52,360 --> 00:19:53,660 I'M NOT DOING MY JOB. 465 00:19:53,730 --> 00:19:56,670 WHATEVER PROTOCOLS YOU MIGHT BE TRYING TO FOLLOW, 466 00:19:56,740 --> 00:19:58,640 LETTING THAT GUY GET AWAY SET US BACK 467 00:19:58,700 --> 00:20:00,570 AND DID NOTHING FOR THE KID BEING HELD. 468 00:20:00,640 --> 00:20:02,900 LET'S SAY WE DO IT YOUR WAY. 469 00:20:02,970 --> 00:20:04,510 WE TRY TO TAKE THE GUY DOWN. 470 00:20:04,580 --> 00:20:06,920 WE WIND UP IN A GUN BATTLE, LOSE THE GUY, 471 00:20:06,980 --> 00:20:08,240 AND HAVE THE VICTIM KILLED. 472 00:20:08,310 --> 00:20:09,880 THAT WOULD BE A WORST‐CASE SCENARIO. 473 00:20:09,950 --> 00:20:12,650 I HAVE TO WORRY ABOUT WORST‐CASE SCENARIOS. 474 00:20:12,720 --> 00:20:14,890 TO THE POINT OF BEING RENDERED COMPLETELY INEFFECTIVE? 475 00:20:14,950 --> 00:20:17,250 THIS WAS A COMMAND DECISION, AND IT'S BEEN MADE. 476 00:20:17,320 --> 00:20:18,320 SITTING ON OUR HANDS 477 00:20:18,390 --> 00:20:20,320 WHILE THE PERP BEATS FEET WITH THE MONEY. 478 00:20:20,390 --> 00:20:21,690 THAT'S SOME COMMAND DECISION. 479 00:20:21,760 --> 00:20:24,490 THAT REMARK CONSTITUTES INSUBORDINATION, DETECTIVE. 480 00:20:24,560 --> 00:20:27,700 NOW, IF RIPS DON'T WORK, I'LL TAKE IT TO THE NEXT LEVEL, 481 00:20:27,770 --> 00:20:30,310 BUT I WILL NOT TOLERATE INSUBORDINATION. 482 00:20:30,370 --> 00:20:32,630 YOU WANT ME OUTTA HERE, MAKE THE CALL. 483 00:20:35,040 --> 00:20:36,970 YOU GOT A CASE TO WORK. 484 00:20:39,310 --> 00:20:41,440 UH... 485 00:20:41,510 --> 00:20:42,940 I ‐‐ I CAN COME BACK. 486 00:20:43,010 --> 00:20:44,750 WHAT IS IT? 487 00:20:44,820 --> 00:20:48,930 UM, JUST TO KEEP YOU CURRENT, WE'VE RUN THE NAMES 488 00:20:48,990 --> 00:20:52,060 THAT WERE SCRATCHED INTO THE WALL OF THE D. O. A.'s APARTMENT 489 00:20:52,120 --> 00:20:54,290 WITH B. C. I., THE DMV, 490 00:20:54,360 --> 00:20:56,490 THROUGH THE NICKNAME FILE, THE SAFIS SYSTEM. 491 00:20:56,560 --> 00:20:57,760 AND? 492 00:20:57,830 --> 00:21:00,300 THIS IS WITH WHATEVER PERMUTATIONS OF THOSE NAMES 493 00:21:00,360 --> 00:21:01,500 WE COULD THINK OF ‐‐ 494 00:21:01,570 --> 00:21:04,940 SAM PARKS, SAMUEL PARKS, PARKER SAMUELS ‐‐ 495 00:21:05,000 --> 00:21:06,430 I GET IT, MEDAVOY. 496 00:21:06,500 --> 00:21:07,800 WHAT DO WE HAVE? 497 00:21:07,870 --> 00:21:09,140 SO FAR, NOTHING. 498 00:21:09,210 --> 00:21:11,050 STAY WITH IT. 499 00:21:11,110 --> 00:21:12,610 WE'RE A LONG WAY FROM BEING DONE. 500 00:21:12,680 --> 00:21:14,550 GOOD. 501 00:21:14,610 --> 00:21:16,010 YEAH. 502 00:21:25,760 --> 00:21:28,600 PHONE DUMP ON OUR KIDNAP VICTIM JUST CAME BACK. 503 00:21:28,660 --> 00:21:30,290 THERE'S CALLS INTO YOUR D. O. A. 504 00:21:30,360 --> 00:21:32,290 OUR D. O. A., TRACY GILCHRIST? 505 00:21:32,360 --> 00:21:33,600 GOING BACK AND FORTH FOR MONTHS. 506 00:21:33,670 --> 00:21:35,010 THAT CAN'T BE A COINCIDENCE. 507 00:21:35,070 --> 00:21:36,510 THIS KID, TODD GARVIN, 508 00:21:36,570 --> 00:21:38,770 JUST FLAGGED DOWN A RADIO CAR ON DELANCEY STREET. 509 00:21:38,840 --> 00:21:41,610 TODD GARVIN? NAME HASN'T COME UP. 510 00:21:41,670 --> 00:21:44,870 DOESN'T MATTER. THEY GOTTA BE RELATED. 511 00:21:46,340 --> 00:21:47,840 I'M DETECTIVE ORTIZ, MR. GARVIN. 512 00:21:47,910 --> 00:21:50,210 DID YOUR SON EVER MENTION THE NAME "TRACY GILCHRIST"? 513 00:21:50,280 --> 00:21:51,410 NO, WHY? 514 00:21:51,480 --> 00:21:52,550 HER NAME CAME UP. 515 00:21:52,620 --> 00:21:54,330 THERE HASN'T BEEN A LOT OF COMMUNICATION 516 00:21:54,390 --> 00:21:55,760 BETWEEN MYSELF AND MY SON RECENTLY. 517 00:21:55,820 --> 00:21:57,690 GOT SOME GOOD NEWS FOR YOU, SIR. 518 00:21:57,760 --> 00:21:59,970 YOUR SON'S IN A POLICE CAR. HE'S ON HIS WAY OVER. 519 00:22:00,020 --> 00:22:02,020 DO WE KNOW WHAT KIND OF SHAPE HE'S IN? 520 00:22:02,090 --> 00:22:04,530 HE'S GOT A FEW BRUISES. OTHER THAN THAT, HE'S FINE. 521 00:22:04,600 --> 00:22:07,110 SOMEONE WANT TO FILL IN THE HIGH COMMAND IN ALL THIS? 522 00:22:07,170 --> 00:22:09,740 I GOT IT. 523 00:22:09,800 --> 00:22:11,000 COUNSELOR? 524 00:22:11,070 --> 00:22:12,330 WE NEED TO TALK. 525 00:22:12,400 --> 00:22:14,440 YOU MIGHT WANT TO HEAR THIS, TOO. 526 00:22:25,180 --> 00:22:27,980 YOU LEFT COURT EARLY, SO I FIGURED YOU'D WANT TO KNOW. 527 00:22:28,050 --> 00:22:30,490 JUDGE EXCLUDED CARLY LANDIS' STATEMENT. 528 00:22:30,560 --> 00:22:32,400 I THOUGHT YOU SAID THE MOTION WAS A LONG SHOT. 529 00:22:32,460 --> 00:22:34,000 IT WAS, TILL IT CAME OUT IN OPEN COURT 530 00:22:34,060 --> 00:22:36,390 THAT YOUR PARTNER SLEPT WITH THE DEFENDANT'S GIRLFRIEND, 531 00:22:36,460 --> 00:22:38,260 OR WAS THAT SOMETHING THE TWO OF YOU 532 00:22:38,330 --> 00:22:39,730 DIDN'T THINK I NEEDED TO KNOW? 533 00:22:39,800 --> 00:22:41,700 I DIDN'T THINK IT WAS RELEVANT. 534 00:22:41,770 --> 00:22:43,580 YOU COMPROMISED A MURDER CASE. 535 00:22:43,640 --> 00:22:45,540 I DID NOT COMPROMISE A MURDER CASE. 536 00:22:45,600 --> 00:22:47,500 THE DEFENSE LAWYER GOT LUCKY. 537 00:22:47,570 --> 00:22:49,770 I DON'T LIKE IT, BUT YOU CAN'T TAKE IT PERSONALLY. 538 00:22:49,840 --> 00:22:51,640 I AM TAKING IT PROFESSIONALLY. 539 00:22:51,710 --> 00:22:54,210 CONSORTING WITH A WITNESS WAS INAPPROPRIATE ENOUGH. 540 00:22:54,280 --> 00:22:56,650 KEEPING IT FROM ME SO I COULDN'T TAKE THE STINK OFF YOU ‐‐ 541 00:22:56,720 --> 00:22:57,720 THAT IS UNFORGIVABLE. 542 00:22:57,780 --> 00:22:59,410 IT HAPPEN THE WAY SHE SAID? 543 00:22:59,480 --> 00:23:00,980 SHE'D ALREADY RECANTED THE ALIBI. 544 00:23:01,050 --> 00:23:03,280 THE JUDGE SAID YOUR PARTNER WASN'T CREDIBLE. 545 00:23:03,350 --> 00:23:04,990 OUR BEST EVIDENCE IS GONE. 546 00:23:05,060 --> 00:23:06,260 TAKE IT UP ON APPEAL. 547 00:23:06,320 --> 00:23:07,990 THANKS FOR THE TIP. 548 00:23:08,060 --> 00:23:09,830 I'M SORRY, ALL RIGHT? 549 00:23:09,890 --> 00:23:11,990 I DON'T KNOW HOW MY PREDECESSOR DID THINGS, 550 00:23:12,060 --> 00:23:13,700 BUT HERE'S MY DEAL. 551 00:23:13,770 --> 00:23:16,910 YOU NEED SOMETHING ‐‐ SEARCH WARRANT, WIRE TAP ‐‐ I'M ON IT. 552 00:23:16,970 --> 00:23:18,830 I EXPECT THE SAME COOPERATION FROM YOU, 553 00:23:18,900 --> 00:23:20,540 AND I EXPECT YOU TO GIVE A DAMN. 554 00:23:20,610 --> 00:23:22,350 I GOT IT. GOOD. 555 00:23:22,410 --> 00:23:23,920 NOW I HAVE TO ANSWER TO MY BOSS, 556 00:23:23,980 --> 00:23:26,080 WHICH I WILL DO BY PUTTING IT ON MYSELF... 557 00:23:26,140 --> 00:23:27,580 THIS TIME. 558 00:23:27,650 --> 00:23:30,060 NEXT TIME, IT'S YOUR ASS. 559 00:23:33,920 --> 00:23:36,450 WOW. TALK ABOUT TIGHTLY WRAPPED. 560 00:23:36,520 --> 00:23:37,890 DID WE NOT HAVE A CONVERSATION 561 00:23:37,960 --> 00:23:39,830 ABOUT YOU STEERING CLEAR OF THAT GIRL? 562 00:23:39,890 --> 00:23:42,290 SHE WAS BAD OFF THAT NIGHT. I ERRED IN JUDGMENT. 563 00:23:42,360 --> 00:23:43,930 SHE WASN'T BAD OFF. SHE SET YOU UP. 564 00:23:44,000 --> 00:23:46,070 SHE SAW YOU COMING, AND SHE PLAYED YOU. 565 00:23:46,130 --> 00:23:47,400 I DON'T THINK YOU'RE RIGHT. 566 00:23:47,470 --> 00:23:48,670 IT DOESN'T MATTER BECAUSE THE CASE'LL MAKE, 567 00:23:48,730 --> 00:23:49,900 WITH OR WITHOUT MY TESTIMONY. 568 00:23:49,970 --> 00:23:51,830 YOU FEEL QUALIFIED TO MAKE THAT STATEMENT? 569 00:23:51,900 --> 00:23:53,100 YES, I DO. 570 00:23:53,170 --> 00:23:54,400 OKAY, JOHN. 571 00:23:54,470 --> 00:23:56,710 IT'S NOT A BIG DEAL, ANDY. 572 00:24:00,550 --> 00:24:02,550 [ EXHALES SHARPLY ] 573 00:24:17,060 --> 00:24:19,130 Sipowicz: YOU GOTTA CHECK THE STATEMENT WHEN IT COMES, 574 00:24:19,200 --> 00:24:21,870 SEE IF THERE'S ANYTHING BESIDES CHILD PORNOGRAPHY 575 00:24:21,930 --> 00:24:23,430 THAT THEY MIGHT HAVE CHARGED. 576 00:24:23,500 --> 00:24:26,900 THEY SAID THEY COULD ISSUE NEW CARDS BY THE END OF THE WEEK. 577 00:24:26,970 --> 00:24:29,570 FOR NOW, WE'LL JUST HAVE TO MAKE DO WITHOUT 'EM. 578 00:24:29,640 --> 00:24:31,570 ALL RIGHT, CONNIE. 579 00:24:31,640 --> 00:24:33,470 YEAH, I'LL SEE YOU WHEN I GET HOME. 580 00:24:33,550 --> 00:24:35,050 BYE. 581 00:24:35,110 --> 00:24:36,310 POT WAS ALMOST DONE. 582 00:24:36,380 --> 00:24:38,380 I FIGURED I'D SNAG THE LAST TWO CUPS. 583 00:24:38,450 --> 00:24:40,520 I'M GOOD. SAVE IT FOR LATER. 584 00:24:40,590 --> 00:24:42,360 COFFEE? 585 00:24:42,420 --> 00:24:44,150 OH, THANK YOU. 586 00:24:44,220 --> 00:24:45,720 DETECTIVE? 587 00:24:47,130 --> 00:24:48,330 HEY, DAD. 588 00:24:48,390 --> 00:24:50,190 TODD. 589 00:24:50,260 --> 00:24:52,490 MR. GARVIN, WE'RE GONNA NEED TO TALK TO HIM. 590 00:24:52,560 --> 00:24:54,560 I UNDERSTAND. YOU ALL RIGHT? 591 00:24:54,630 --> 00:24:56,160 YEAH, UNDER THE CIRCUMSTANCES. 592 00:24:56,230 --> 00:24:58,830 ALL YOUR FINGERS, ALL YOUR TOES, RIGHT? RIGHT. 593 00:24:58,900 --> 00:25:01,400 WE'LL FINISH UP WITH HIM, THEN YOU CAN HAVE HIM. 594 00:25:01,470 --> 00:25:02,970 TODD? 595 00:25:03,040 --> 00:25:05,540 ALL RIGHT. 596 00:25:10,510 --> 00:25:13,150 YOU HAD LUNCH, MR. GARVIN? NO. 597 00:25:13,220 --> 00:25:15,390 THERE'S A COFFEE SHOP AROUND THE CORNER. 598 00:25:15,450 --> 00:25:18,320 I'LL JUST WAIT HERE. 599 00:25:21,090 --> 00:25:23,020 WHERE ARE WE? 600 00:25:23,090 --> 00:25:25,060 THE PHONE‐SEX BUDDY LOOKS LIKE HE'LL ALIBI OUT. 601 00:25:25,130 --> 00:25:27,160 WE GOT PHONE LOGS WITH WHOEVER ELSE SHE TALKED TO. 602 00:25:27,230 --> 00:25:29,030 WE'RE RUNNING THE NAMES THROUGH B.C.I. 603 00:25:29,100 --> 00:25:31,930 LET'S SEE IF WE CAN ESTABLISH A LINK WITH THE KIDNAPPINGS. 604 00:25:32,000 --> 00:25:34,370 ANY WAY YOU WANT TO PROCEED IS FINE WITH ME. 605 00:25:34,440 --> 00:25:36,270 JUST LET ME KNOW WHAT YOU NEED. 606 00:25:38,140 --> 00:25:41,340 [ DOOR CLOSES ] 607 00:25:41,410 --> 00:25:43,340 ANY WAY WE WANT TO PROCEED? 608 00:25:43,410 --> 00:25:45,350 LET HIM KNOW WHAT WE NEED? 609 00:25:45,420 --> 00:25:48,090 ANDY MUST HAVE SOFTENED HIM UP. 610 00:25:50,960 --> 00:25:52,560 IF YOU NEED TO GET LOOKED AT, 611 00:25:52,620 --> 00:25:54,360 WE CAN RUN YOU OVER TO EMERGENCY ROOM. 612 00:25:54,430 --> 00:25:56,740 I'M OKAY. 613 00:25:56,800 --> 00:25:58,200 JUST AS SOON TALK TO YOU GUYS, 614 00:25:58,260 --> 00:26:00,230 TELL YOU WHATEVER I CAN ABOUT THIS MESS. 615 00:26:00,300 --> 00:26:01,330 PLEASE. 616 00:26:01,400 --> 00:26:05,030 MY GIRLFRIEND AND I WERE AT GORKY'S ON AVENUE B. 617 00:26:05,100 --> 00:26:07,440 WE STARTED TALKING TO THIS OTHER COUPLE. 618 00:26:07,510 --> 00:26:09,310 HE DOES SCULPTURE. 619 00:26:09,370 --> 00:26:12,710 SHE WANTS TO OPEN UP A CLUB. 620 00:26:12,780 --> 00:26:14,920 WE HAD A FEW DRINKS. 621 00:26:14,980 --> 00:26:17,710 HE ASKED ME IF I WANTED TO GO SEE SOME OF HIS WORK, 622 00:26:17,780 --> 00:26:18,880 I SAY, "YEAH." 623 00:26:18,950 --> 00:26:20,350 THEY SAY THEIR NAMES? 624 00:26:20,420 --> 00:26:21,480 HIS NAME WAS DEREK. 625 00:26:21,550 --> 00:26:23,280 HE SAID HIS NAME WAS DEREK. 626 00:26:23,350 --> 00:26:24,990 HER NAME WAS YVONNE. 627 00:26:25,060 --> 00:26:27,430 I DIDN'T GET A LAST NAME ON EITHER ONE OF THEM. 628 00:26:27,490 --> 00:26:28,460 SO THE FOUR OF YOU LEFT TOGETHER? 629 00:26:28,530 --> 00:26:29,640 THE THREE OF US. 630 00:26:29,690 --> 00:26:31,660 TRACY WAS TIRED. SHE WENT HOME. 631 00:26:31,730 --> 00:26:32,790 THEY HAVE A CAR? 632 00:26:32,860 --> 00:26:33,960 YEAH, LIKE A VAN. 633 00:26:34,030 --> 00:26:35,160 MAKE, MODEL? 634 00:26:35,230 --> 00:26:37,900 I'M NOT A CAR PERSON. I DIDN'T TAKE NOTICE. 635 00:26:37,970 --> 00:26:39,570 WHERE'D THE THREE OF YOU GO? 636 00:26:39,640 --> 00:26:41,200 SOME PLACE IN BROOKLYN. 637 00:26:41,270 --> 00:26:44,240 WE WENT OVER THE MANHATTAN BRIDGE, CAME DOWN FLATBUSH. 638 00:26:44,310 --> 00:26:46,680 AT SOME POINT, I THINK WE WERE ON MYRTLE. 639 00:26:46,750 --> 00:26:48,920 I DON'T KNOW. I DON'T KNOW BROOKLYN THAT WELL. 640 00:26:48,980 --> 00:26:50,750 WHAT WAS THE PLACE THEY TOOK YOU TO? 641 00:26:50,820 --> 00:26:53,390 SOME PLACE THAT HE WORKED, LIKE A CONVERTED GARAGE. 642 00:26:53,450 --> 00:26:56,720 THERE WERE ALL THESE WELDING TANKS, METAL RODS. 643 00:26:56,790 --> 00:26:59,120 I WILL TELL YOU, WE SMOKED SOME HASH. 644 00:26:59,190 --> 00:27:01,660 SHE HAD THESE TEMPLE BALLS AND A CHILLUM. 645 00:27:01,730 --> 00:27:02,930 WHAT CAN I SAY? 646 00:27:02,990 --> 00:27:04,490 IS THAT THE ONLY DRUG YOU DID? 647 00:27:04,560 --> 00:27:06,460 YEAH, BUT I WAS PRETTY ZONED OUT, 648 00:27:06,530 --> 00:27:07,830 AND THEN ALL OF A SUDDEN, 649 00:27:07,900 --> 00:27:09,770 I GET HIT BY A PIPE OR SOMETHING. 650 00:27:09,830 --> 00:27:11,400 THE NEXT THING I KNOW, 651 00:27:11,470 --> 00:27:13,940 I'M ON THE FLOOR, MY HANDS ARE TIED, MY ANKLES ARE TIED, 652 00:27:14,010 --> 00:27:15,780 THE TWO OF THEM ARE STANDING OVER ME. 653 00:27:15,840 --> 00:27:19,040 SO, WHAT, YOU GAVE THEM YOUR FATHER'S NUMBER? 654 00:27:19,110 --> 00:27:20,780 HE FIRED UP A WELDING TORCH, 655 00:27:20,850 --> 00:27:23,690 SAID HE'D BURN A HOLE THROUGH MY HAND IF I DIDN'T. 656 00:27:23,750 --> 00:27:26,350 ANY IDEA HOW THEY KNEW YOUR FATHER HAD MONEY? 657 00:27:26,420 --> 00:27:28,160 I TOLD 'EM. 658 00:27:28,220 --> 00:27:31,520 PART OF BEING AN ASSHOLE IS THAT YOU WANT TO IMPRESS PEOPLE. 659 00:27:31,590 --> 00:27:32,990 I KIND OF LET IT SLIP 660 00:27:33,060 --> 00:27:35,070 THAT MY FAMILY HAS A HOUSE IN THE HAMPTONS, 661 00:27:35,130 --> 00:27:37,000 A TOWN HOUSE ON EAST 83rd STREET. 662 00:27:37,060 --> 00:27:38,290 I DIDN'T LEAVE MUCH TO CHANCE. 663 00:27:38,360 --> 00:27:40,200 THEY'D PICK UP ON MY FATHER HAVING MONEY. 664 00:27:40,260 --> 00:27:42,500 WHAT'S THE RELATIONSHIP WITH YOU AND YOUR FATHER? 665 00:27:42,570 --> 00:27:43,980 GOOD. 666 00:27:44,040 --> 00:27:46,410 WE KNOW YOU HAD CONFLICTS ABOUT MONEY. 667 00:27:46,470 --> 00:27:47,540 HE SAID THAT? 668 00:27:47,610 --> 00:27:49,080 WORDS TO THAT EFFECT. 669 00:27:49,140 --> 00:27:52,610 YEAH. I DON'T BLAME THE GUY. 670 00:27:52,680 --> 00:27:54,590 HE'S BEEN WORKING HIS WHOLE LIFE. 671 00:27:54,650 --> 00:27:56,420 HE SEES ME GO THROUGH ALL THIS MONEY. 672 00:27:56,480 --> 00:27:59,380 DO YOU KNOW HE DOESN'T EVEN FLY FIRST CLASS? 673 00:27:59,450 --> 00:28:00,920 TODD, JUST SO YOU KNOW, 674 00:28:00,990 --> 00:28:04,030 IF YOU DID ARRANGE THIS, THAT'S A FAMILY MATTER. 675 00:28:04,090 --> 00:28:06,590 YOU CAN TELL US. IT'S BETWEEN YOU AND YOUR DAD. 676 00:28:06,660 --> 00:28:09,120 I DID NOT ARRANGE THIS, NO WAY. 677 00:28:09,190 --> 00:28:12,330 LAST TIME YOU SPOKE TO YOUR GIRLFRIEND WAS WHEN? 678 00:28:12,400 --> 00:28:13,640 GORKY'S. 679 00:28:13,700 --> 00:28:15,600 SORRY TO HAVE TO TELL YOU THIS, 680 00:28:15,670 --> 00:28:18,910 BUT UNFORTUNATELY SHE'S BEEN THE VICTIM OF A HOMICIDE. 681 00:28:18,970 --> 00:28:22,140 THAT'S IMPOSSIBLE. 682 00:28:22,210 --> 00:28:26,280 SHE WAS FOUND IN HER APARTMENT THIS MORNING. 683 00:28:29,980 --> 00:28:31,810 I WAS JUST WITH HER. 684 00:28:31,880 --> 00:28:33,820 WE'RE GONNA NEED YOU TO LOOK THROUGH SOME MUG SHOTS. 685 00:28:33,890 --> 00:28:35,030 [ KNOCK ON DOOR ] 686 00:28:35,090 --> 00:28:36,130 YEAH? 687 00:28:36,190 --> 00:28:38,360 CAN I SEE YOU GUYS A MINUTE? 688 00:28:43,800 --> 00:28:46,300 WHY DON'T YOU TAKE SOME TIME? 689 00:28:46,360 --> 00:28:49,260 DO YOU WANT SOMETHING, COFFEE OR SODA? 690 00:28:49,330 --> 00:28:52,200 NO, THANK YOU. 691 00:28:56,440 --> 00:28:59,410 B.C.I. SAYS A PARKS BENTON TOOK A FORGERY COLLAR 692 00:28:59,480 --> 00:29:02,890 A FEW YEARS BACK WITH A SAMANTHA LUITIS. 693 00:29:02,950 --> 00:29:05,320 CALLS HERSELF SAM. GET IT? 694 00:29:05,380 --> 00:29:07,120 SAM, PARKS. 695 00:29:07,190 --> 00:29:08,890 LIKE THE NAME IN YOUR D. O. A.'s CLOSET. 696 00:29:08,950 --> 00:29:10,220 THERE'S NO ADDRESS ON BENTON, 697 00:29:10,290 --> 00:29:11,990 BUT LUITIS LIVES AT 5th AND C. 698 00:29:12,060 --> 00:29:15,400 JOSH, GET THIS KID SET UP WITH SOME MUG BOOKS. 699 00:29:15,460 --> 00:29:17,330 SURE. 700 00:29:30,270 --> 00:29:32,310 THIS IS BAD BETWEEN ANDY AND JOHN. 701 00:29:32,380 --> 00:29:35,720 ANDY'S NOT THE EASIEST GUY IN THE WORLD TO GET ALONG WITH. 702 00:29:35,780 --> 00:29:37,580 JOHN'S BEEN PUSHING A LITTLE BIT. 703 00:29:37,650 --> 00:29:41,250 FROM WHAT I HEAR, HE ISN'T DOING ANYTHING ANDY HASN'T DONE, 704 00:29:41,320 --> 00:29:42,620 AND THEN SOME. 705 00:29:42,690 --> 00:29:44,200 ANDY CAME THROUGH ALL THAT, THOUGH. 706 00:29:44,260 --> 00:29:46,600 YOU CAN'T EXPECT HIM NOT TO HAVE A REACTION. 707 00:29:46,660 --> 00:29:48,490 WE GONNA KEEP GOING WITH THIS? 708 00:29:48,560 --> 00:29:50,190 NO. 709 00:29:50,260 --> 00:29:53,030 LET'S NOT TALK ABOUT IT ANYMORE. 710 00:29:53,100 --> 00:29:54,540 WHATEVER YOU SAY. 711 00:29:54,600 --> 00:29:56,930 [ SHUFFLING ] 712 00:30:00,570 --> 00:30:02,300 THAT LOOKS LIKE THEM. 713 00:30:02,370 --> 00:30:03,910 IT'S THEM. 714 00:30:03,980 --> 00:30:05,620 GET OUT MY FACE! 715 00:30:12,820 --> 00:30:14,930 [ TIRES SQUEALING ] 716 00:30:22,930 --> 00:30:24,270 GET OUT OF THE CAR. 717 00:30:24,330 --> 00:30:27,030 GET OUT. COME ON, COME ON. 718 00:30:30,740 --> 00:30:31,840 WHAT'S THIS? 719 00:30:31,900 --> 00:30:33,300 WHAT? 720 00:30:33,370 --> 00:30:34,540 THIS. 721 00:30:34,610 --> 00:30:36,580 I WON IT PLAYING POKER. 722 00:30:36,640 --> 00:30:39,610 THINK OF A BETTER STORY BEFORE WE GET TO THE STATION HOUSE. 723 00:30:51,120 --> 00:30:54,320 IN MY OFFICE A SECOND, SIPOWICZ. 724 00:31:05,840 --> 00:31:06,910 WHEN THEY WERE SERVICING THE CAR, 725 00:31:06,970 --> 00:31:08,040 THEY FOUND A LISTENING DEVICE. 726 00:31:08,110 --> 00:31:09,920 IT'D BEEN INSTALLED BEHIND THE DASH. 727 00:31:09,970 --> 00:31:11,110 FROM WHAT THEY TELL ME, 728 00:31:11,180 --> 00:31:13,020 IT PROBABLY HADN'T BEEN IN THERE THAT LONG. 729 00:31:13,080 --> 00:31:14,350 WHO INSTALLED IT? 730 00:31:14,410 --> 00:31:16,110 I CHECKED WITH INTERNAL AFFAIRS. IT WASN'T THEM. 731 00:31:16,180 --> 00:31:17,910 GIVEN MY RELATIONSHIP WITH THEM, 732 00:31:17,980 --> 00:31:19,580 I TRUST I GOT A STRAIGHT ANSWER. 733 00:31:19,650 --> 00:31:22,450 I CHECKED WITH THE D. A.'s OFFICE AND THE U. S. ATTORNEY. 734 00:31:22,520 --> 00:31:23,690 IT WASN'T THEM, EITHER. 735 00:31:23,760 --> 00:31:27,170 WHOEVER TALKED MY SON INTO THAT CAR KNEW THINGS TO SAY TO HIM. 736 00:31:27,230 --> 00:31:28,330 THIS IS HOW THEY KNEW. 737 00:31:28,390 --> 00:31:29,930 I SPOKE TO LIEUTENANT GRECO AT TARU. 738 00:31:29,990 --> 00:31:31,260 THEY'RE GONNA GO THROUGH THE CAR, 739 00:31:31,330 --> 00:31:32,760 SEE WHAT THEY CAN COME UP WITH. 740 00:31:32,830 --> 00:31:34,030 I'D LIKE TO HOLD ONTO THIS. 741 00:31:34,100 --> 00:31:36,130 I DON'T WANT YOU RUNNING WITH THIS YOURSELF. 742 00:31:36,200 --> 00:31:38,200 LET ME CALL THE MANUFACTURER, SEE WHERE THEY SELL THEM. 743 00:31:38,270 --> 00:31:40,500 I'VE GOTTEN THE BALL ROLLING WITH AN INVESTIGATION 744 00:31:40,570 --> 00:31:42,840 BECAUSE I TAKE THIS MATTER AS SERIOUSLY AS YOU DO. 745 00:31:42,910 --> 00:31:43,980 I APPRECIATE THAT. 746 00:31:44,040 --> 00:31:45,440 AND BECAUSE I DON'T WANT YOU 747 00:31:45,510 --> 00:31:48,240 TO FEEL AS THOUGH IT REQUIRES YOUR PERSONAL INTERVENTION. 748 00:31:48,310 --> 00:31:50,950 THE ONLY THING IS I REALLY CAN'T SIT BACK 749 00:31:51,020 --> 00:31:53,260 ON SOMETHING THAT INVOLVES MY FAMILY. 750 00:31:53,320 --> 00:31:54,830 I CAN'T BE ALL THAT CONFIDENT 751 00:31:54,890 --> 00:31:56,900 THAT OTHER PEOPLE ARE TAKING CARE OF IT. 752 00:31:56,960 --> 00:31:59,060 OTHER PEOPLE ARE TAKING CARE OF IT. 753 00:31:59,120 --> 00:32:00,720 MAYBE I COULD JUST HOLD ONTO THIS 754 00:32:00,790 --> 00:32:03,490 SO WHEN I'M WORKING THE PHONES, I GOT IT IN FRONT OF ME. 755 00:32:03,560 --> 00:32:06,460 SURE. 756 00:32:24,650 --> 00:32:27,280 HOW DO YOU KNOW I DIDN'T FIND THE MONEY IN A DUMPSTER? 757 00:32:27,350 --> 00:32:28,850 WE DO THIS FOR A LIVING, PARKS. 758 00:32:28,920 --> 00:32:30,920 PLUS, WE GOT YOU GOING TO A DRUGSTORE 759 00:32:30,990 --> 00:32:33,520 WITH TRACY GILCHRIST AT 3:00 IN THE MORNING. 760 00:32:33,590 --> 00:32:35,820 SHE NEEDED SALINE SOLUTION FOR HER CONTACTS. 761 00:32:35,890 --> 00:32:37,160 I TOOK HER TO GET IT. 762 00:32:37,230 --> 00:32:39,630 THAT AND THE MONEY TIE YOU TO THE KIDNAPPING. 763 00:32:39,700 --> 00:32:42,200 THERE WASN'T ANY KIDNAPPING. IT WAS A SETUP. 764 00:32:42,270 --> 00:32:44,680 IF THAT'S TRUE, THEN ALL WE HAVE TO DEAL WITH IS THE GIRL. 765 00:32:44,740 --> 00:32:45,680 WHAT ABOUT THE GIRL? 766 00:32:45,740 --> 00:32:47,010 THE GIRL'S DEAD. 767 00:32:49,610 --> 00:32:51,040 OH, NO, YOU DON'T. 768 00:32:51,110 --> 00:32:53,340 WE'RE OPEN TO HEARING AN EXPLANATION FOR IT. 769 00:32:53,410 --> 00:32:55,110 YOU JUST GOTTA BE STRAIGHT WITH US. 770 00:32:55,180 --> 00:32:57,510 I'M NOT TAKING A RAP FOR A MURDER. 771 00:32:57,580 --> 00:33:00,420 YOUR GIRLFRIEND'S UPSTAIRS LOOKING TO HELP HERSELF. 772 00:33:00,480 --> 00:33:02,720 YOU MIGHT WANT TO THINK ABOUT HOW TO HELP YOURSELF. 773 00:33:02,790 --> 00:33:05,560 THIS WAS SUPPOSED TO BE EASY. 774 00:33:05,620 --> 00:33:07,490 THIS GUY, TODD, MAPS OUT A SITUATION 775 00:33:07,560 --> 00:33:10,730 WHERE WE CAN MAKE SOME MONEY, WASN'T EVEN CRIMINAL. 776 00:33:10,800 --> 00:33:13,770 NEXT THING, THE CHICK TRIPS A CIRCUIT, AND SAM WENT OFF. 777 00:33:13,830 --> 00:33:15,030 HOW'D SHE DO THAT? 778 00:33:15,100 --> 00:33:17,600 WE SMOKED THIS HASH, 779 00:33:17,670 --> 00:33:19,970 STARTED TALKING ABOUT THESE DIFFERENT WEIRD JOBS 780 00:33:20,040 --> 00:33:21,200 THAT WE ALL HAD. 781 00:33:21,270 --> 00:33:23,810 IT GOT AROUND TO THIS PHONE‐SEX THING THAT ‐‐ 782 00:33:23,880 --> 00:33:24,980 WHAT'S HER NAME? 783 00:33:25,040 --> 00:33:26,840 TRACY. TRACY DID. 784 00:33:26,910 --> 00:33:28,640 TODD SAYS, "GIVE US A SAMPLE." 785 00:33:28,710 --> 00:33:30,110 SHE SAYS SOME STUPID LINES 786 00:33:30,180 --> 00:33:32,480 THAT THEY HAVE HER SAY TO THESE LOSERS THAT CALL. 787 00:33:32,550 --> 00:33:35,050 NEXT THING I KNOW, SAM ON ACCOUNT OF SHE'S NUTS 788 00:33:35,120 --> 00:33:36,790 THINKS I'M GETTING OFF ON IT. 789 00:33:36,860 --> 00:33:38,130 WHAT HAPPENED THEN? 790 00:33:38,190 --> 00:33:39,760 SHE TELLS ME TO TAKE TODD TO THIS PLACE IN BROOKLYN, 791 00:33:39,820 --> 00:33:41,490 SO IF THEY FOLLOW US FROM PICKING UP THE MONEY, 792 00:33:41,560 --> 00:33:43,320 WE'RE NOT COMING BACK TO HIS GIRLFRIEND'S APARTMENT. 793 00:33:43,390 --> 00:33:45,130 MADE SENSE TO ME, SO I DID IT. 794 00:33:45,200 --> 00:33:47,240 SHE MUST HAVE KILLED HER AFTER WE LEFT. 795 00:33:47,300 --> 00:33:49,630 AND THE KIDNAPPING WAS TODD'S IDEA? 796 00:33:49,700 --> 00:33:52,030 RIGHT FROM THE JUMP. 797 00:33:52,100 --> 00:33:53,670 CORRECT ME IF I'M WRONG, 798 00:33:53,740 --> 00:33:55,870 BUT THE KIDNAPPING WASN'T A KIDNAPPING, 799 00:33:55,940 --> 00:33:57,540 AND THE MURDER WASN'T DONE BY ME 800 00:33:57,610 --> 00:34:00,010 WITH ME NOT ON THE PREMISES AT THE TIME IT WAS DONE, 801 00:34:00,080 --> 00:34:01,240 I'M GOOD TO GO, NO? 802 00:34:01,310 --> 00:34:03,480 I WOULDN'T WANT TO MAKE ANY IRONCLAD ASSURANCES, 803 00:34:03,550 --> 00:34:05,280 BUT CERTAINLY THERE'S NOTHING WRONG 804 00:34:05,350 --> 00:34:07,280 WITH TAKING THAT POSITION AT THE OUTSET. 805 00:34:11,860 --> 00:34:12,800 [ SIGHS ] 806 00:34:16,630 --> 00:34:19,330 HEY, HOW'D IT GO? 807 00:34:19,400 --> 00:34:21,370 PUTS THE HOMICIDE ON THE GIRL, 808 00:34:21,430 --> 00:34:22,800 SAID THE KIDNAPPING WAS A HOAX. 809 00:34:22,870 --> 00:34:23,840 TODD'S IDEA. 810 00:34:23,900 --> 00:34:24,970 RIGHT. 811 00:34:25,040 --> 00:34:26,850 LIKE YOU SAID ALL ALONG. 812 00:34:29,210 --> 00:34:31,380 YOU TWO GONNA WORK THINGS OUT? 813 00:34:31,440 --> 00:34:32,770 EVENTUALLY, PROBABLY. 814 00:34:32,840 --> 00:34:34,010 BE A SHAME IF YOU DIDN'T. 815 00:34:34,080 --> 00:34:35,810 NO, WE WILL. 816 00:34:38,750 --> 00:34:40,520 WHAT'D YOU FIND OUT? 817 00:34:40,590 --> 00:34:43,330 It's manufactured in western Massachusetts. 818 00:34:43,390 --> 00:34:45,130 It is the top of the line microphone transmitter 819 00:34:45,190 --> 00:34:46,120 this company makes. 820 00:34:46,190 --> 00:34:47,760 WHERE IS IT SOLD, JOHN? 821 00:34:47,830 --> 00:34:49,570 There's a number of places, unfortunately. 822 00:34:49,630 --> 00:34:50,660 HOW MANY? 823 00:34:50,730 --> 00:34:52,090 In New York? 824 00:34:52,160 --> 00:34:53,490 LET'S START WITH NEW YORK. 825 00:34:53,570 --> 00:34:56,070 There are 14. Would you like me to list them? 826 00:34:56,130 --> 00:34:57,300 SURE, THANKS. 827 00:35:03,370 --> 00:35:05,440 WE HAVE A FEELING THE IDEA FOR THE KIDNAPPING 828 00:35:05,510 --> 00:35:06,880 DIDN'T START WITH YOU. 829 00:35:06,950 --> 00:35:07,950 YOU GOT THAT RIGHT. 830 00:35:08,010 --> 00:35:08,980 SO IT WAS PARKS? 831 00:35:09,050 --> 00:35:10,320 PARKS GETS A HEADACHE 832 00:35:10,380 --> 00:35:12,380 HE THINKS OF ANYTHING THAT COMPLICATED. 833 00:35:12,450 --> 00:35:14,520 THAT YUPPIE ASSHOLE, TODD, THOUGHT IT UP, 834 00:35:14,590 --> 00:35:16,460 WALKED US THROUGH IT, AND WE WENT FOR IT. 835 00:35:16,520 --> 00:35:18,150 HOW DOES THE GIRL FIGURE INTO ALL OF THIS? 836 00:35:18,220 --> 00:35:19,520 SHE'S TODD'S GIRLFRIEND. 837 00:35:19,590 --> 00:35:20,890 HOW'D SHE WIND UP BEING KILLED? 838 00:35:20,960 --> 00:35:22,590 I DON'T KNOW ANYTHING ABOUT THAT. 839 00:35:22,660 --> 00:35:24,860 SO IT WAS OUTSIDE THE SCOPE OF THE PLAN? 840 00:35:24,930 --> 00:35:28,300 UNTIL RIGHT NOW, I DIDN'T EVEN REALIZE IT HAPPENED. 841 00:35:28,370 --> 00:35:30,610 WHO WOULD BE RESPONSIBLE, YOU THINK? 842 00:35:30,670 --> 00:35:33,200 MAYBE HER BOYFRIEND DID IT, I DON'T KNOW. 843 00:35:33,270 --> 00:35:34,600 YOU'RE IN A BAD SPOT RIGHT NOW. 844 00:35:34,670 --> 00:35:36,470 YOUR BOYFRIEND SAID HE LEFT YOU ALONE 845 00:35:36,540 --> 00:35:38,070 WITH TRACY IN HER APARTMENT, 846 00:35:38,140 --> 00:35:39,910 AND I SUSPECT TODD'S GONNA BACK HIM UP. 847 00:35:39,980 --> 00:35:42,380 WHICH MEANS YOU GET STUCK TAKING THE RAP FOR BOTH OF 'EM. 848 00:35:42,450 --> 00:35:44,520 IF IT WAS A STRUGGLE BETWEEN YOU AND TRACY, 849 00:35:44,580 --> 00:35:46,850 AND IT GOT OUT OF HAND, THAT'S A LOT LESS OF A RAP. 850 00:35:46,920 --> 00:35:49,250 BUT YOU GOTTA TELL US THAT'S WHAT HAPPENED. 851 00:35:52,590 --> 00:35:55,390 I WOULD HAVE LIKED TO DO IT ON THE PHONE. 852 00:35:55,460 --> 00:35:58,090 SIT IN YOUR KITCHEN, SAY SOME DIRTY WORDS 853 00:35:58,160 --> 00:36:01,330 TO SOMEBODY WHO AIN'T EVEN THERE AND GET PAID FOR IT? 854 00:36:01,400 --> 00:36:03,570 I HAD TO GO INTO MOTEL ROOMS WITH 'EM. 855 00:36:03,640 --> 00:36:05,410 I HAD TO GO IN CARS WITH 'EM. 856 00:36:05,470 --> 00:36:07,470 I HAD TO GO WHEREVER THAT STUPID BASTARD 857 00:36:07,540 --> 00:36:09,000 SET IT UP FOR ME TO GO. 858 00:36:09,070 --> 00:36:11,470 NOW SOME ARTSY‐FARTSY COLLEGE GIRL'S 859 00:36:11,540 --> 00:36:14,540 GONNA HUMILIATE ME BY GETTING HIM TURNED ON? 860 00:36:14,610 --> 00:36:16,310 HIM AND HIS NEW YUPPIE FRIEND? 861 00:36:16,380 --> 00:36:18,850 I DON'T THINK SO. 862 00:36:18,920 --> 00:36:20,660 THAT'S WHY YOU SENT YOUR BOYFRIEND AND TODD AWAY? 863 00:36:20,720 --> 00:36:21,820 THAT'S RIGHT. 864 00:36:21,890 --> 00:36:23,430 AS FAR AS I'M CONCERNED, 865 00:36:23,490 --> 00:36:26,830 IT'S ON THEM WHAT I DID WHETHER THEY WERE THERE OR NOT. 866 00:36:30,390 --> 00:36:32,830 WHY'D YOU LIE ABOUT TRACY, TODD? 867 00:36:32,900 --> 00:36:36,010 BECAUSE I FELT GUILTY THAT I EXPOSED HER TO THESE PEOPLE. 868 00:36:36,070 --> 00:36:38,810 EVEN THOUGH SHE WAS GONE BEFORE I GOT HIT WITH THE PIPE, 869 00:36:38,870 --> 00:36:40,100 I JUST DIDN'T WANT HER 870 00:36:40,170 --> 00:36:43,470 TO BE INVOLVED WITH ANY TRIALS OR INQUIRIES OR WHATEVER. 871 00:36:43,540 --> 00:36:45,610 IT MUST BE EVEN WORSE WHEN YOU FOUND OUT SHE WAS DEAD. 872 00:36:45,680 --> 00:36:48,090 YOU CAN'T IMAGINE WHAT I'M GOING THROUGH RIGHT NOW. 873 00:36:48,150 --> 00:36:49,790 THE PROBLEM IS WHAT WE'RE GETTING 874 00:36:49,850 --> 00:36:51,750 IS THAT THE KIDNAPPING WAS YOUR IDEA. 875 00:36:51,820 --> 00:36:53,630 THAT'S WHAT THEY'RE TELLING YOU 876 00:36:53,690 --> 00:36:56,060 BECAUSE IT GETS THEM OFF THE HOOK, OBVIOUSLY. 877 00:36:56,120 --> 00:36:58,150 HARD AS THIS MAY BE TO BELIEVE, 878 00:36:58,220 --> 00:37:01,960 BUT EVEN A COUPLE OF DUMB COPS LIKE US MIGHT SUSPECT THAT. 879 00:37:02,030 --> 00:37:03,330 BUT WHEN WE GET TWO PEOPLE 880 00:37:03,390 --> 00:37:05,390 TELLING THE SAME STORY INDEPENDENTLY, 881 00:37:05,460 --> 00:37:07,460 AND ONE OF THEM CONFESSES TO A HOMICIDE, 882 00:37:07,530 --> 00:37:09,260 WE'RE INCLINED TO BELIEVE THEM. 883 00:37:09,330 --> 00:37:11,470 ALL RIGHT, LOOK. 884 00:37:11,540 --> 00:37:16,080 MY FATHER AND I HAVE A VERY COMPLICATED RELATIONSHIP. 885 00:37:16,140 --> 00:37:18,710 HE SETS HIMSELF UP 886 00:37:18,780 --> 00:37:22,750 AS THIS CARING "I CAN'T DO ENOUGH FOR MY KIDS" KIND OF FATHER, 887 00:37:22,810 --> 00:37:25,180 BUT HE LETS YOU KNOW WHEN YOU DISAPPOINT HIM. 888 00:37:25,250 --> 00:37:26,780 HE LETS YOU KNOW WHEN YOU'RE NOT LIVING UP 889 00:37:26,850 --> 00:37:28,520 TO HIS IDEAL OF THE PERFECT SON. 890 00:37:28,590 --> 00:37:30,160 YOU MUST HAVE BEEN PRETTY HURT 891 00:37:30,220 --> 00:37:31,620 TO GO TO THE LENGTHS YOU WENT TO. 892 00:37:31,690 --> 00:37:32,920 I WAS JUST SICK AND TIRED 893 00:37:32,990 --> 00:37:35,260 OF HIM LOOKING AT ME LIKE I WAS WORTHLESS. 894 00:37:35,330 --> 00:37:36,670 SO YOU CAME UP WITH THIS PLAN 895 00:37:36,730 --> 00:37:38,230 AND BROUGHT YOUR GIRLFRIEND ALONG? 896 00:37:38,300 --> 00:37:42,370 AND THAT IS SOMETHING FOR WHICH I WILL NEVER FORGIVE MYSELF. 897 00:37:42,430 --> 00:37:46,030 [ SIGHS ] 898 00:37:50,810 --> 00:37:52,770 PROGRESS? 899 00:37:54,110 --> 00:37:55,810 KID'S A COLLAR. 900 00:37:55,880 --> 00:37:56,750 HE WENT FOR IT? 901 00:37:56,820 --> 00:37:58,790 HE WENT FOR SETTING UP THE KIDNAPPING. 902 00:37:58,850 --> 00:38:00,050 THEN HE GOES FOR THE HOMICIDE. 903 00:38:00,120 --> 00:38:01,820 SINCE HE WASN'T THERE WHEN THE GIRL WAS KILLED, 904 00:38:01,890 --> 00:38:03,260 THERE'S A HALF SHOT HE'LL BEAT IT. 905 00:38:03,320 --> 00:38:04,420 WHICH'D BE A SHAME. 906 00:38:04,490 --> 00:38:06,490 ONE OF YOU WILL FILL IN THE FATHER? 907 00:38:06,560 --> 00:38:10,030 I'LL TAKE CARE OF IT. 908 00:38:10,090 --> 00:38:11,690 [ SIGHS ] 909 00:38:11,760 --> 00:38:13,260 MR. GARVIN? 910 00:38:13,330 --> 00:38:15,360 WHERE'S TODD? 911 00:38:15,430 --> 00:38:18,830 THE KIDNAPPING WAS YOUR SON'S IDEA, MR. GARVIN. 912 00:38:18,900 --> 00:38:20,140 HE'S UNDER ARREST. 913 00:38:20,200 --> 00:38:21,940 WE SAID WE DIDN'T WANT TO PROSECUTE. 914 00:38:22,010 --> 00:38:25,480 HIS GIRLFRIEND WAS MURDERED BY ONE OF THE PEOPLE HE ENLISTED. 915 00:38:25,540 --> 00:38:27,480 THAT MAKES HIM RESPONSIBLE, AS WELL. 916 00:38:27,550 --> 00:38:29,220 HIS GIRLFRIEND WAS MURDERED? 917 00:38:29,280 --> 00:38:31,110 DID TODD PARTICIPATE IN HER MURDER? 918 00:38:31,180 --> 00:38:34,120 I'M NOT GONNA GO INTO ANY SPECIFICS WITH YOU, COUNSELOR. 919 00:38:34,190 --> 00:38:36,490 IF HE DIDN'T PARTICIPATE, AND IT WASN'T FORESEEABLE, 920 00:38:36,560 --> 00:38:40,470 CHANCES ARE NOBODY'S GONNA HANG A MURDER CHARGE ON HIM. 921 00:38:40,520 --> 00:38:42,160 CAN I SEE HIM? 922 00:38:42,230 --> 00:38:43,470 HE'S BEING PROCESSED NOW. 923 00:38:43,530 --> 00:38:45,470 WHEN WE TAKE HIM TO COURT, I'LL LET YOU KNOW. 924 00:38:45,530 --> 00:38:46,460 YOU CAN SEE HIM THEN. 925 00:38:46,530 --> 00:38:48,360 Clark: IT'S NOT YOUR FAULT. 926 00:38:48,430 --> 00:38:50,430 WHATEVER YOU DID, WHATEVER YOU DIDN'T DO, 927 00:38:50,500 --> 00:38:52,530 YOUR SON BROUGHT IT UPON HIMSELF. 928 00:38:52,600 --> 00:38:53,870 CALL FOR YOU, DETECTIVE. 929 00:39:02,250 --> 00:39:04,760 SIPOWICZ. 930 00:39:08,650 --> 00:39:10,550 ALL RIGHT, THANKS. 931 00:39:13,060 --> 00:39:16,100 THAT WAS MUNSON ABOUT YOUR HEARING THIS MORNING. 932 00:39:16,160 --> 00:39:19,160 MURDER CHARGES AGAINST McCLINTOCK HAVE BEEN DROPPED. 933 00:39:19,230 --> 00:39:21,460 EL FOLDO. 934 00:39:21,530 --> 00:39:23,630 WHAT HAPPENS WHEN YOUR STAR WITNESS 935 00:39:23,700 --> 00:39:25,400 GETS KNOCKED OUT OF THE BOX. 936 00:39:25,470 --> 00:39:27,400 SOME SYSTEM, HUH? 937 00:39:39,580 --> 00:39:41,520 DID YOU JUST WALK AWAY FROM ME? 938 00:39:41,590 --> 00:39:44,060 YEAH, JOHN, I WALKED AWAY FROM YOU. 939 00:39:44,120 --> 00:39:46,620 I WENT FOR SOME TRIM I SHOULDN'T HAVE GONE FOR. 940 00:39:46,690 --> 00:39:49,060 HOW LONG I GOTTA HANG ON THE CROSS FOR THAT? 941 00:39:49,130 --> 00:39:50,170 I DON'T KNOW. 942 00:39:50,230 --> 00:39:51,230 I FEEL BAD IT HAPPENED. 943 00:39:51,300 --> 00:39:52,770 YOU KNOW I FEEL BAD IT HAPPENED. 944 00:39:52,830 --> 00:39:55,560 HOW BAD ARE YOU GONNA FEEL WHEN THIS ASSHOLE, McCLINTOCK, 945 00:39:55,630 --> 00:39:57,470 BEATS SOME OTHER POOR GIRL TO DEATH? 946 00:39:57,540 --> 00:40:00,450 AND THAT'S ON ME, RIGHT? 947 00:40:00,500 --> 00:40:02,770 LISTEN, JOHN... 948 00:40:02,840 --> 00:40:05,840 I DON'T WANT TO WORK WITH YOU NO MORE. 949 00:40:05,910 --> 00:40:07,340 HOW ABOUT I SEE YOU IN THE MORNING? 950 00:40:07,410 --> 00:40:08,610 YOU CAN TELL ME ALL ABOUT IT. 951 00:40:08,680 --> 00:40:11,550 I'M NOT KIDDING AROUND WITH YOU, JOHN. 952 00:40:11,620 --> 00:40:13,590 YOU GONNA DUMP ME AS A PARTNER OVER THIS? 953 00:40:13,650 --> 00:40:15,220 YEAH. SHAME ON YOU. 954 00:40:15,290 --> 00:40:16,800 IT'S NOT SOMETHING I WANNA DO. 955 00:40:16,860 --> 00:40:18,860 IT'S EXACTLY WHAT YOU WANNA DO. 956 00:40:18,920 --> 00:40:20,460 THAT WAY YOU CAN HOLD YOURSELF OUT, 957 00:40:20,520 --> 00:40:22,560 HOLIER THAN THOU, ST. ANDY OF ASSISI. 958 00:40:22,630 --> 00:40:24,540 YOU MIGHT WANT TO LOOK AT YOUR OWN PART IN IT. 959 00:40:24,600 --> 00:40:26,240 YOU'RE CUTTING ME LOOSE FOR NOTHING 960 00:40:26,300 --> 00:40:29,780 BECAUSE YOU WANT TO, BECAUSE IT MAKES YOU FEEL BETTER. 961 00:40:29,830 --> 00:40:32,300 YOU'RE A PHONY, ANDY, AND I'M ONTO YOU. 962 00:40:32,370 --> 00:40:33,430 I'M HAVING A TOUGH TIME, 963 00:40:33,500 --> 00:40:34,740 AND YOU DON'T WANT TO DEAL WITH IT, 964 00:40:34,810 --> 00:40:35,750 SO HERE'S YOUR EASY OUT. 965 00:40:35,810 --> 00:40:36,820 YEAH. WELL, GOOD. 966 00:40:36,880 --> 00:40:38,380 YOU DON'T WANT ME AS A PARTNER? 967 00:40:38,440 --> 00:40:39,640 I DON'T WANT YOU AS A PARTNER. 968 00:40:39,710 --> 00:40:40,780 SIMPLE, WE GET A DIVORCE. 969 00:40:40,850 --> 00:40:42,190 LET'S LET IT GO AT THAT. 970 00:40:42,250 --> 00:40:44,690 DROP DEAD! 971 00:40:45,820 --> 00:40:48,690 [ DOOR OPENS, CLOSES ] 972 00:41:22,650 --> 00:41:25,320 HIYA, CONNIE. 973 00:41:25,390 --> 00:41:27,720 LISTEN, I HAVEN'T LEFT WORK YET, 974 00:41:27,790 --> 00:41:30,660 AND I WAS WONDERING WHAT ARE YOU DOING NOW? 975 00:41:30,730 --> 00:41:34,560 CAN YOU MAYBE CALL NEXT DOOR TO TERESA TO WATCH THE KIDS? 976 00:41:34,630 --> 00:41:37,530 NO, EVERYTHING'S ALL RIGHT. 977 00:41:37,600 --> 00:41:40,040 I JUST DON'T WANT TO DRIVE MYSELF RIGHT NOW. 978 00:41:42,470 --> 00:41:44,370 I HAVEN'T BEEN DRINKING. 979 00:41:44,440 --> 00:41:48,810 WHAT I'M AFRAID OF, IF I DRIVE MYSELF HOME, I'LL STOP, 980 00:41:48,880 --> 00:41:51,510 AND I WILL DRINK, AND THAT'S WHY I'M CALLING YOU. 981 00:41:51,580 --> 00:41:54,520 I'LL WAIT RIGHT HERE. 982 00:41:54,590 --> 00:41:57,260 YEAH. 72321

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