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PREVIOUSLY ON "NYPD BLUE"...
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I'M STEVE McCLINTOCK.
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00:00:03,910 --> 00:00:05,140
WHERE WERE YOU LAST NIGHT?
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I WAS WITH MY GIRLFRIEND.
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00:00:06,440 --> 00:00:07,580
WHO IS SHE?
WHERE DO WE FIND HER?
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00:00:07,650 --> 00:00:09,620
CARLY LANDIS,
WHERE WAS STEVE LAST NIGHT?
7
00:00:09,680 --> 00:00:10,480
WITH ME, WHY?
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00:00:10,550 --> 00:00:12,550
THAT'S WHEN TINA MOST
WAS MURDERED.
9
00:00:12,620 --> 00:00:14,530
DO YOU HAVE ANY PHYSICAL
EVIDENCE TYING ME TO HER DEATH?
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00:00:14,590 --> 00:00:16,230
YOU'RE RUNNING A CON,
AND YOU REACT BAD
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00:00:16,290 --> 00:00:18,260
WHEN THE GIRLS GET
HINKY ABOUT IT.
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00:00:18,320 --> 00:00:19,860
WHY ARE YOU LYING
FOR THE GUY WHO DID IT?
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00:00:19,920 --> 00:00:23,060
HE SAID THAT IF I SAID
ANYTHING, HE WOULD KILL ME.
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00:00:23,130 --> 00:00:25,300
IS THERE ANY WAY YOU
COULD GIVE ME A RIDE HOME?
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00:00:25,360 --> 00:00:27,260
I LEFT MY THINGS
IN THE BACK.
16
00:00:27,330 --> 00:00:29,570
THAT'S ONE YOU DROP OFF
AND SPEED AWAY FROM.
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00:00:29,630 --> 00:00:32,370
THIS IS ANOTHER CASE OF YOUR
PAST GETTING DROPPED ON ME.
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00:00:32,440 --> 00:00:33,950
I BANGED PLENTY OF WHORES,
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BUT NEVER SOMEONE
INVOLVED IN A CASE.
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I WOULDN'T DO THAT.
NO ONE DOES.
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I'M JUST GIVING HER
A RIDE HOME.
GOOD.
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00:00:40,140 --> 00:00:42,510
I'M SORRY. I'M SCARED
TO BE ALONE RIGHT NOW.
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00:00:42,580 --> 00:00:45,350
MAYBE I'LL STICK AROUND
FOR A LITTLE WHILE.
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00:00:46,480 --> 00:00:48,620
YOU KNOW YOU ARE NEVER
SUPPOSED TO TALK TO STRANGERS.
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00:00:48,690 --> 00:00:50,330
BUT HE KNEW STUFF
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00:00:50,390 --> 00:00:53,120
ABOUT MATT HAVING A COLD
LAST WEEK AND MOM'S BIRTHDAY.
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00:00:53,190 --> 00:00:55,290
I KNOW IT'S BEEN BAD
BETWEEN US THE LAST FEW DAYS,
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00:00:55,360 --> 00:00:57,160
BUT YOU GOT A PROBLEM,
AND I WANT TO HELP.
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TELL ME WHAT I CAN DO.
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YOUR HEAD'S SOMEPLACE ELSE.
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00:00:59,500 --> 00:01:01,240
THIS IS MY FAMILY.
I CAN'T RISK IT.
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SEEMS TO ME LIKE
I'M GETTING THE JOB DONE.
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MOST DAYS YOU'RE HALF‐ASLEEP
AND HUNG OVER.
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00:01:05,640 --> 00:01:07,550
YOU GOTTA GET YOUR HEAD
BACK ON STRAIGHT, JOHN.
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UNTIL THEN,
I CAN'T TRUST YOU.
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00:01:29,490 --> 00:01:31,730
WERE YOU JUST GONNA LEAVE
WITHOUT SAYING ANYTHING?
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DIDN'T WANT TO WAKE YOU.
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I HATE WHEN GUYS
JUST LEAVE LIKE THAT.
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IT'S NOT LIKE IT'S
THE LAST TIME I'LL SEE YOU.
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RIGHT.
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00:01:37,870 --> 00:01:39,230
YOU SEEN MY OTHER SHOE?
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PLEASE DON'T TELL ME
YOU'RE GONNA CALL ME.
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THERE IT IS.
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I'D RATHER YOU
DIDN'T SAY ANYTHING.
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00:01:44,980 --> 00:01:48,120
I DON'T KNOW ABOUT YOU, BUT I
HAD A GREAT TIME LAST NIGHT.
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00:01:48,180 --> 00:01:50,310
BUT THAT WAS THEN,
AND THIS IS NOW, I KNOW.
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00:01:50,380 --> 00:01:51,310
NO, YOU DON'T KNOW.
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00:01:51,380 --> 00:01:52,580
I'D LOVE TO SLEEP IN,
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I'D LOVE TO HANG AROUND
WITH YOU ALL DAY,
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00:01:54,620 --> 00:01:56,990
BUT BECAUSE THIS IS NOW,
I HAVE TO GET HOME AND SHOWER.
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00:01:57,060 --> 00:01:58,330
YOU COULD SHOWER HERE.
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00:01:58,390 --> 00:02:00,460
...CHANGE MY CLOTHES
AND GET TO WORK ON TIME.
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I HAVE TO LEAVE.
DO YOU SEE WHAT I'M SAYING?
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YEAH.
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I'LL CALL YOU.
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HEY.
HEY.
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TRACY GILCHRIST, 20,
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00:02:21,350 --> 00:02:23,420
BLUNT FORCE TRAUMA
TO THE BACK OF THE HEAD.
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00:02:23,480 --> 00:02:24,650
WHO'S THAT OUT THERE?
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00:02:24,720 --> 00:02:26,730
NEIGHBOR FROM DOWN THE HALL,
TONYA KELLERMAN.
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00:02:26,790 --> 00:02:28,290
SHE WAS ON HER WAY
TO THE DISPOSAL,
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SEES THE DOOR CRACKED,
GOES INTO THE APARTMENT,
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SEES THE LEGS STICKING
OUT OF THE CLOSET.
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SHE KNOW ANYTHING?
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SHE'S PRETTY BROKEN UP.
WE WERE GIVING HER A MINUTE.
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00:02:36,760 --> 00:02:37,590
ALL RIGHT, WE GOT IT.
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YEAH, WE'LL
START A CANVASS.
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MORNING.
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D.O.A. IS IN THE CLOSET.
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A COP BROUGHT ME
UP TO SPEED.
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00:02:45,400 --> 00:02:46,640
THAT NEW A. D. A., LORI MUNSON,
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00:02:46,710 --> 00:02:48,680
CAME BY LOOKING FOR YOU
THIS MORNING.
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SHE GOT ME ON MY CELL.
McCLINTOCK'S PRE‐TRIAL
HEARING IS TODAY.
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SHE WANTED TO RUN
THROUGH MY TESTIMONY.
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00:02:52,380 --> 00:02:53,320
YOU ALL SET WITH THAT?
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00:02:53,380 --> 00:02:54,620
PIECE OF CAKE.
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'CAUSE I CAN
STILL COVER IT.
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I GOT IT.
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00:02:58,180 --> 00:02:59,720
THERE'S BLOOD
ON THE CLOSET WALL
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00:02:59,780 --> 00:03:01,850
LIKE SOMEBODY BANGED
HER HEAD AGAINST IT.
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00:03:01,920 --> 00:03:06,720
RECEIPT FROM A BODEGA
AT 4:00 THIS MORNING.
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LATE‐NIGHT GIRL.
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YEAH. LISTEN,
I GOT THE NEIGHBOR.
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00:03:10,560 --> 00:03:12,530
WHY DON'T YOU CHECK
WITH THE FIRST OFFICER,
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SEE DID MURPHY
AND ORTIZ GET EVERYTHING?
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00:03:14,600 --> 00:03:17,000
MAYBE I'LL HELP
WITH THE NEIGHBOR FIRST.
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[ SIGHS ]
88
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DETECTIVES SIPOWICZ
AND CLARK.
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00:03:21,540 --> 00:03:23,610
ALL THE WAY FROM SPOKANE
TO BE AN ARTIST,
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00:03:23,680 --> 00:03:25,280
AND SHE WINDS UP
LIKE THIS.
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00:03:25,340 --> 00:03:26,710
HOW WELL DID YOU KNOW HER?
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00:03:26,780 --> 00:03:29,580
SHE MOVED IN LAST YEAR,
LIKE A LOST PUPPY.
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00:03:29,650 --> 00:03:31,980
SHE HAD NO IDEA
HOW TO LIVE IN NEW YORK.
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00:03:32,050 --> 00:03:33,310
I TRIED TO HELP HER OUT.
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00:03:33,380 --> 00:03:34,380
ANY FAM‐‐
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00:03:34,450 --> 00:03:35,580
ANY FAMILY
YOU KNOW OF?
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00:03:35,650 --> 00:03:38,350
I THINK BOTH HER PARENTS
HAD PASSED WAY.
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00:03:38,420 --> 00:03:40,460
SHE HAVE ANY PROBLEMS
WITH ANYBODY?
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00:03:40,520 --> 00:03:41,820
NOT THAT I KNOW OF.
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00:03:41,890 --> 00:03:43,320
DRUGS?
OH, I DOUBT IT.
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WHAT ABOUT A ‐‐
SHE HAVE A BOYFRIEND?
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SHE WAS SEEING SOMEONE
'CAUSE I REMEMBER HER SAYING
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SHE DIDN'T WANT TO GO
TO HIM FOR MONEY.
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SHE NEEDED MONEY?
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SHE COULDN'T MAKE
AUGUST'S RENT
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UNTIL I LOANED IT TO HER,
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00:03:55,110 --> 00:03:58,250
AND THAT WAS AROUND THE TIME
THAT SHE GOT THIS AWFUL JOB
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TALKING TO MEN
ON THE PHONE.
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LIKE PHONE SEX?
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I GUESS THAT'S
WHAT YOU CALL IT.
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00:04:03,080 --> 00:04:04,450
I KNOW SHE HATED IT.
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00:04:04,520 --> 00:04:06,490
I KNOW IT EMBARRASSED HER.
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00:04:06,550 --> 00:04:09,450
I TOLD HER THAT I WOULD COVER
HER RENT FOR ANOTHER MONTH
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00:04:09,520 --> 00:04:11,890
JUST SO SHE COULD FIND
SOMETHING ELSE.
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[ Crying ] SHE WOULDN'T EVEN
HAVE TO PAY ME BACK.
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ALL RIGHT.
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[ SOBBING ]
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SHOULD I TALK
TO THE FIRST OFFICER NOW
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00:04:21,930 --> 00:04:24,530
OR CHECK INSPECTION STICKERS
ON CARS OUT FRONT?
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00:04:24,600 --> 00:04:26,200
YOU DON'T WANT
TO DO THIS, JOHN.
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00:04:26,270 --> 00:04:27,440
WHATEVER ISSUES WE GOT,
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00:04:27,510 --> 00:04:29,620
ICING ME OUT OF AN INTERVIEW
AIN'T GONNA SOLVE 'EM.
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00:04:29,670 --> 00:04:31,670
WE'RE PARTNERS.
LET ME UP SO I CAN DO MY JOB.
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00:04:31,740 --> 00:04:35,010
YOU WANT TO WORK THE CASE?
NOBODY'S STOPPING YOU.
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00:05:58,860 --> 00:06:02,200
AND HE NEEDS
A SIGNATURE, TOO.
126
00:06:02,270 --> 00:06:03,710
WHAT IS IT?
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00:06:03,770 --> 00:06:06,230
ALL I KNOW IS IT'S
REGISTERED AND INSURED,
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00:06:06,300 --> 00:06:07,640
SO I GOTTA GET IT SIGNED.
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00:06:07,710 --> 00:06:09,580
MAYBE SOMETHING
CONNIE ORDERED?
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00:06:09,640 --> 00:06:11,710
THIS IS YOU, RIGHT ‐‐
ANDY SIPOWICZ?
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00:06:11,780 --> 00:06:14,450
YEAH, I DON'T RECOGNIZE
THIS RETURN ADDRESS.
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00:06:14,510 --> 00:06:17,750
I JUST NEED YOU TO SIGN
THE TOP LINE THERE.
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00:06:25,820 --> 00:06:28,790
SPECIAL AGENT SILOS
OF THE FBI.
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00:06:28,860 --> 00:06:31,690
WHY DON'T WE GO
IN THE OTHER ROOM?
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00:06:33,060 --> 00:06:35,160
WHAT THE HELL IS THIS?
136
00:06:41,970 --> 00:06:44,670
WHO'S THIS NOW?
137
00:06:44,740 --> 00:06:46,780
SPECIAL AGENT WYCHOFF.
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00:06:46,850 --> 00:06:49,990
OPEN THE BOX,
DETECTIVE.
139
00:07:03,230 --> 00:07:06,740
YOU THINK
I ORDERED THESE?
THEY WERE ADDRESSED
TO YOU.
140
00:07:06,800 --> 00:07:09,230
YOUR CREDIT CARD WAS
USED OVER THE INTERNET
TO PURCHASE THEM.
141
00:07:09,300 --> 00:07:11,930
I TOLD 'EM THERE'D BEEN
INCIDENTS OF HARASSMENT
DIRECTED AT YOU.
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00:07:12,000 --> 00:07:14,670
DID YOU TELL THEM
THAT SINCE I DON'T KNOW HOW
143
00:07:14,740 --> 00:07:17,570
TO USE THE INTERNET, I PURCHASE
ALL MY CHILD PORNOGRAPHY
144
00:07:17,640 --> 00:07:18,770
OVER THE COUNTER?
145
00:07:18,840 --> 00:07:20,140
WHAT KIND OF INCIDENTS
HAVE THERE BEEN?
146
00:07:20,210 --> 00:07:22,980
TIRES SLASHED, GETTING
SENT A RAT IN THE MAIL,
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00:07:23,050 --> 00:07:24,390
MOVING UP TO MY KID
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00:07:24,450 --> 00:07:26,480
GETTING TALKED
INTO A CAR BY A STRANGER.
149
00:07:26,550 --> 00:07:28,180
ANY IDEA
WHO'S DOING IT?
NOT YET.
150
00:07:28,250 --> 00:07:30,150
ANY IDEA HOW SOMEONE
COULD HAVE GOTTEN
YOUR CREDIT CARD?
151
00:07:30,220 --> 00:07:33,050
CREDIT CARD NUMBERS
GET LIFTED ALL THE TIME.
152
00:07:33,120 --> 00:07:36,190
PLACING AN ORDER REQUIRES
KNOWING A CERTAIN AMOUNT
OF PERSONAL HISTORY.
153
00:07:36,260 --> 00:07:40,130
LISTEN TO ME, I GOT THREE KIDS,
32 YEARS ON THIS JOB,
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00:07:40,200 --> 00:07:42,600
AND NO RECORD OF ANY DEVIANCY
OF ANY KIND.
155
00:07:42,670 --> 00:07:45,280
NOW, IF THIS ISN'T OBVIOUS
TO YOU WHAT THIS IS,
156
00:07:45,340 --> 00:07:48,080
THEN GET A SEARCH WARRANT
AND CONDUCT AN INVESTIGATION.
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00:07:48,140 --> 00:07:49,400
IS THAT NECESSARY?
158
00:07:49,470 --> 00:07:51,310
UNDER THE CIRCUMSTANCES,
PROBABLY NOT.
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00:07:51,380 --> 00:07:52,750
THEN AM I DONE HERE?
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00:07:52,810 --> 00:07:55,440
THANK YOU FOR YOUR TIME,
DETECTIVE.
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00:07:55,510 --> 00:07:58,150
[ DOOR OPENS, CLOSES ]
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00:08:00,480 --> 00:08:02,320
CONFIRMED
THE D. O. A.'s EMPLOYMENT
163
00:08:02,390 --> 00:08:03,600
AT THE DIAL‐A‐YANK SERVICE.
164
00:08:03,660 --> 00:08:04,860
THE OWNER'S COMING IN.
165
00:08:04,920 --> 00:08:06,820
CRIME SCENE
MOVED SOME CLOTHES,
166
00:08:06,890 --> 00:08:09,590
FOUND THE NAME SAM PARK
SCRATCHED INTO THE CLOSET WALL.
167
00:08:09,660 --> 00:08:10,930
D.O.A.'s HANDIWORK?
168
00:08:11,000 --> 00:08:12,670
WOOD SHAVINGS AND A BENT
WIRE HANGER ON THE FLOOR,
169
00:08:12,730 --> 00:08:13,860
SO IT COULD BE.
170
00:08:13,930 --> 00:08:16,500
WE'LL RUN THE NAME
THROUGH B.C.I.
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00:08:16,570 --> 00:08:18,270
I GOT COURT.
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00:08:18,340 --> 00:08:21,180
EXCUSE ME, IS THERE
SOMEONE HERE WE CAN TALK TO?
173
00:08:21,240 --> 00:08:22,270
WHAT'S THE PROBLEM?
174
00:08:22,340 --> 00:08:23,500
I'M AN ATTORNEY.
175
00:08:23,580 --> 00:08:25,050
THIS IS MY CLIENT,
SCOTT GARVIN.
176
00:08:25,110 --> 00:08:26,680
MR. GARVIN
HAS REASON TO BELIEVE
177
00:08:26,750 --> 00:08:28,290
HIS SON MAY HAVE
BEEN KIDNAPPED.
178
00:08:28,350 --> 00:08:29,520
YOU'RE NOT SURE?
179
00:08:29,580 --> 00:08:31,250
I GOT A CALL IN THE MIDDLE
OF THE NIGHT.
180
00:08:31,320 --> 00:08:33,390
THEY CALLED AGAIN THIS MORNING
TO ARRANGE A RANSOM.
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00:08:33,450 --> 00:08:34,950
LET'S GO TALK IN HERE.
182
00:08:35,020 --> 00:08:36,790
GREG, BALDWIN.
183
00:08:40,730 --> 00:08:42,930
I'M DETECTIVE SIPOWICZ.
184
00:08:42,990 --> 00:08:45,630
THESE ARE DETECTIVES
MEDAVOY AND JONES.
185
00:08:45,700 --> 00:08:48,010
WHY DON'T YOU TELL US
WHAT THEY SAID?
186
00:08:48,070 --> 00:08:50,680
THE FIRST CALL,
A MAN'S VOICE
187
00:08:50,740 --> 00:08:52,810
SAID THAT THEY WERE
HOLDING MY SON, TODD.
188
00:08:52,870 --> 00:08:55,740
THE SECOND CALL SAID TO LEAVE
A HALF‐MILLION DOLLARS
189
00:08:55,810 --> 00:08:57,980
IN A GARBAGE CAN
AT THE NORTHWEST CORNER
190
00:08:58,040 --> 00:08:59,610
OF SECOND AVENUE
AND 11th STREET AT NOON,
191
00:08:59,680 --> 00:09:01,380
OR I WOULD NEVER
SEE HIM AGAIN.
192
00:09:01,450 --> 00:09:04,120
HOW COME YOU DIDN'T
GET IN TOUCH WITH US
AFTER THE FIRST CALL?
193
00:09:04,180 --> 00:09:06,080
Man: IT'S NOT ALWAYS EASY TO
KNOW THE BEST APPROACH TO TAKE.
194
00:09:06,150 --> 00:09:08,420
WHY DON'T WE LET HIM
ANSWER THE QUESTION?
195
00:09:08,490 --> 00:09:10,360
MY SON IS ANGRY AT ME.
196
00:09:10,420 --> 00:09:12,690
I WAS AFRAID IT WAS
SOMETHING HE WAS DOING HIMSELF.
197
00:09:12,760 --> 00:09:14,700
WHY IS HE ANGRY?
I CUT HIM OFF.
198
00:09:14,760 --> 00:09:16,320
FINANCIALLY?
RIGHT.
199
00:09:16,390 --> 00:09:19,260
STAGING A KIDNAPPING
IS A PRETTY EXTREME REACTION.
200
00:09:19,330 --> 00:09:20,830
RIGHT, I PROBABLY NEVER
SHOULD HAVE THOUGHT
201
00:09:20,900 --> 00:09:22,000
IT WAS SOMETHING HE WOULD DO.
202
00:09:22,070 --> 00:09:23,880
TODD GAVE HIM CAUSE
TO THINK THAT.
203
00:09:23,940 --> 00:09:25,610
WHAT PROMPTED YOU
TO CUT HIM OFF?
204
00:09:25,670 --> 00:09:27,470
I THOUGHT IT WAS
THE BEST THING FOR HIM.
205
00:09:27,540 --> 00:09:28,940
HE WANTED TO GO
TO ARCHITECTURE SCHOOL.
206
00:09:29,010 --> 00:09:31,580
I GOT HIM IN,
PAID HIS TUITION.
207
00:09:31,640 --> 00:09:33,640
HE DROPS OUT IN THE MIDDLE
OF THE SEMESTER.
208
00:09:33,710 --> 00:09:35,940
HE WANTS TO BE AN ART DEALER,
I RENT A STOREFRONT,
209
00:09:36,010 --> 00:09:37,650
GIVE HIM
THE START‐UP MONEY.
210
00:09:37,720 --> 00:09:39,020
AFTER A MONTH, HE WALKS AWAY
211
00:09:39,080 --> 00:09:42,250
AND LEAVES ME
WITH A YEAR'S LEASE.
212
00:09:42,320 --> 00:09:44,150
WHEN HE HIT ME UP
THIS LAST TIME, I SAID NO.
213
00:09:44,220 --> 00:09:45,920
I TOLD HIM IT WAS TIME
TO GET A JOB.
214
00:09:45,990 --> 00:09:48,160
YOU DON'T HAVE
TO FEEL GUILTY ABOUT THAT.
215
00:09:48,230 --> 00:09:49,640
IN ANY CASE...
216
00:09:51,530 --> 00:09:53,560
THIS IS THE MONEY.
217
00:09:53,630 --> 00:09:55,700
YOU GOT A HALF
A MILLION DOLLARS IN THERE?
218
00:09:55,770 --> 00:09:58,980
WE HAVE AN HOUR.
219
00:10:02,770 --> 00:10:04,670
TRACY GILCHRIST
WORKED FOR YOU?
220
00:10:04,740 --> 00:10:06,210
TILL SHE STOLE FROM ME.
221
00:10:06,280 --> 00:10:07,850
HOW'D SHE MANAGE THAT?
222
00:10:07,910 --> 00:10:10,650
TRACY WAS SOMETHING
OF A LOST CAUSE AT FIRST ‐‐
223
00:10:10,720 --> 00:10:12,820
WOODEN, UNIMAGINATIVE.
224
00:10:12,880 --> 00:10:14,780
SHE COULD FOLLOW
A SCRIPT TO THE LETTER
225
00:10:14,850 --> 00:10:16,480
BUT HAD NO ABILITY
TO IMPROVISE.
226
00:10:16,560 --> 00:10:17,960
I WAS READY
TO LET HER GO
227
00:10:18,020 --> 00:10:20,420
WHEN SHE LANDED THE KIND OF
COMPULSIVE FANTASIST
228
00:10:20,490 --> 00:10:21,720
THE BUSINESS IS BUILT ON.
229
00:10:21,790 --> 00:10:24,160
HOW COMPULSIVE
WE TALKING ABOUT?
230
00:10:24,230 --> 00:10:27,830
ANYTHING OVER 100 MINUTES A WEEK
PUTS YOU IN THE V. I. P. CLUB.
231
00:10:27,900 --> 00:10:30,170
250 MINUTES A WEEK'S
PLAYERS' CLUB.
232
00:10:30,230 --> 00:10:32,770
THIS GUY WAS NORTH
OF 300 MINUTES A WEEK
233
00:10:32,840 --> 00:10:34,480
FOR SIX WEEKS RUNNING.
234
00:10:34,540 --> 00:10:35,840
THAT'S ONE YOU
DON'T WANT TO LOSE,
235
00:10:35,910 --> 00:10:37,050
WHICH IS EXACTLY
WHAT HAPPENED.
236
00:10:37,110 --> 00:10:38,740
YOU THINK TRACY
CUT HER OWN DEAL?
237
00:10:38,810 --> 00:10:41,410
I'VE CONTACTED THE PHONE
COMPANY, WHO VERIFIED IT.
238
00:10:41,480 --> 00:10:42,510
WHAT'D THEY VERIFY?
239
00:10:42,580 --> 00:10:44,050
THAT TRACY'S
SPECIAL SOMEONE
240
00:10:44,120 --> 00:10:46,220
HAD STARTED CALLING HER
ON HER HOME LINE.
241
00:10:46,280 --> 00:10:47,480
YOU CONFRONTED HER?
242
00:10:47,550 --> 00:10:48,750
OF COURSE I DID.
243
00:10:48,820 --> 00:10:50,190
SHE TOLD ME HE
HAD BECOME A FRIEND,
244
00:10:50,250 --> 00:10:51,790
AND SHE WASN'T CHARGING
HIM ANYMORE.
245
00:10:51,860 --> 00:10:52,800
WAS SHE LYING?
246
00:10:52,860 --> 00:10:54,200
IT DOESN'T MATTER.
247
00:10:54,260 --> 00:10:56,760
ANYTIME YOU HAVE SOMEONE WHO
RACKS UP THIS KIND OF TIME,
248
00:10:56,830 --> 00:10:57,890
YOU DON'T BECOME FRIENDS.
249
00:10:57,960 --> 00:10:59,130
WE'LL WANT HIS NAME.
250
00:10:59,200 --> 00:11:00,310
SORRY.
251
00:11:00,360 --> 00:11:02,400
I CAN'T VIOLATE
A CLIENT'S CONFIDENCE.
252
00:11:02,470 --> 00:11:03,710
TRACY'S DEAD.
253
00:11:03,770 --> 00:11:06,170
YOU'RE KIDDING.
254
00:11:06,240 --> 00:11:08,350
WE'RE NOT KIDDING,
AND WE DON'T CARE ABOUT
CLIENT'S CONFIDENCE.
255
00:11:08,410 --> 00:11:09,510
WE WANT HIS NAME.
256
00:11:09,570 --> 00:11:10,840
THEN GET A COURT ORDER.
257
00:11:10,910 --> 00:11:13,640
THAT WAY MY REPUTATION
IS PROTECTED,
258
00:11:13,710 --> 00:11:15,540
AND YOU GET
YOUR INFORMATION.
259
00:11:15,610 --> 00:11:17,150
WE'RE NOT GONNA DO THAT.
260
00:11:17,220 --> 00:11:18,990
THEN I'M NOT
GIVING OUT ANY NAMES.
261
00:11:19,050 --> 00:11:20,480
IN WHICH CASE THE FBI
262
00:11:20,550 --> 00:11:23,350
WILL BE ARRESTING YOU AND YOUR
CONTACT IN THE PHONE COMPANY
263
00:11:23,420 --> 00:11:25,920
FOR VIOLATING FEDERAL LAWS
REGARDING PHONE RECORDS.
264
00:11:25,990 --> 00:11:29,990
WHICH MIGHT ALSO AFFECT
YOUR REPUTATION.
265
00:11:32,760 --> 00:11:34,460
HIS NAME IS BARRY HENNING.
266
00:11:40,300 --> 00:11:43,100
DETECTIVE CLARK, IN THE COURSE
OF YOUR INVESTIGATION,
267
00:11:43,170 --> 00:11:45,940
DID YOU HAVE OCCASION
TO INTERVIEW A CARLY LANDIS?
268
00:11:46,010 --> 00:11:46,880
YES.
269
00:11:46,950 --> 00:11:48,420
WHAT PROMPTED
THAT INTERVIEW?
270
00:11:48,480 --> 00:11:51,050
THE DEFENDANT HAD INDICATED
THAT MS. LANDIS WAS WITH HIM
271
00:11:51,120 --> 00:11:52,290
WHEN TINA MOST WAS KILLED.
272
00:11:52,350 --> 00:11:54,120
DID MS. LANDIS
CORROBORATE THAT ALIBI?
273
00:11:54,190 --> 00:11:55,330
INITIALLY.
274
00:11:55,390 --> 00:11:57,900
WE LATER DETERMINED
THAT THE ALIBI WAS FALSE.
275
00:11:57,960 --> 00:11:59,100
HOW DID YOU MAKE
THAT DETERMINATION?
276
00:11:59,160 --> 00:12:00,900
AS A RESULT
OF OUR INVESTIGATION,
277
00:12:00,960 --> 00:12:02,860
WE LEARNED THE DEFENDANT'S
CREDIT CARD
278
00:12:02,930 --> 00:12:04,970
WAS USED LATE NIGHT
AT A MARKET DOWNTOWN.
279
00:12:05,030 --> 00:12:06,490
DID YOU CONFRONT MS. LANDIS
WITH THIS FACT?
280
00:12:06,570 --> 00:12:09,980
WE DID, AND SHE RECANTED
HER INITIAL STATEMENT.
281
00:12:10,030 --> 00:12:12,230
WAS ANY REASON GIVEN
AS TO WHY SHE LIED?
282
00:12:12,300 --> 00:12:15,240
SHE SAID THE DEFENDANT HAD
INTIMIDATED HER INTO DOING SO.
283
00:12:15,310 --> 00:12:17,880
WAS SHE SPECIFIC AS TO THE
NATURE OF THAT INTIMIDATION?
284
00:12:17,940 --> 00:12:20,610
SHE SAID THE DEFENDANT
HAD THREATENED HER LIFE.
285
00:12:20,680 --> 00:12:22,780
I HAVE NOTHING FURTHER.
286
00:12:24,320 --> 00:12:27,460
DETECTIVE, HAVE YOU HAD OCCASION
TO SPEND TIME WITH MISS LANDIS
287
00:12:27,520 --> 00:12:29,950
OUTSIDE THE CONTEXT
OF YOUR INVESTIGATION?
288
00:12:30,020 --> 00:12:32,450
MIGHT HAVE HAD
A CUP OF COFFEE TOGETHER.
289
00:12:32,520 --> 00:12:33,490
EVER HAVE DINNER?
290
00:12:33,560 --> 00:12:34,890
OBJECTION,
IT'S IRRELEVANT.
291
00:12:34,960 --> 00:12:37,660
MS. LANDIS HAS INVOKED
HER FIFTH AMENDMENT RIGHTS
292
00:12:37,730 --> 00:12:39,230
AND WILL NOT BE TESTIFYING.
293
00:12:39,300 --> 00:12:42,340
SINCE DETECTIVE CLARK
IS THE SOURCE OF HER STATEMENTS,
294
00:12:42,400 --> 00:12:45,100
STATEMENTS WHICH INCRIMINATE
MR. McCLINTOCK,
295
00:12:45,170 --> 00:12:47,600
I'M ENTITLED
TO PROBE HIS CREDIBILITY.
296
00:12:47,670 --> 00:12:50,140
I'LL ALLOW IT.
WITNESS WILL ANSWER.
297
00:12:50,210 --> 00:12:52,570
I THINK WE MIGHT HAVE
HAD DINNER ONCE.
298
00:12:52,640 --> 00:12:53,880
EVER BEEN TO HER APARTMENT?
299
00:12:53,950 --> 00:12:55,790
WHEN I DROVE HER HOME
FROM THE SQUAD,
300
00:12:55,850 --> 00:12:57,220
I TOOK HER
TO HER APARTMENT.
301
00:12:57,280 --> 00:12:59,780
DID YOU LEAVE HER
AT THE FRONT DOOR,
302
00:12:59,850 --> 00:13:01,720
OR DID YOU TAKE HER UPSTAIRS?
303
00:13:01,790 --> 00:13:03,830
SHE WAS FEELING
A LITTLE APPREHENSIVE.
304
00:13:03,890 --> 00:13:05,720
I MIGHT HAVE WALKED HER
UPSTAIRS.
305
00:13:05,790 --> 00:13:07,390
HOW LONG DID YOU STAY?
NO IDEA.
306
00:13:07,460 --> 00:13:09,420
DID YOU HAVE SEXUAL INTERCOURSE
WHILE YOU WERE THERE?
307
00:13:09,490 --> 00:13:10,560
OBJECTION.
308
00:13:10,630 --> 00:13:12,060
OVERRULED.
309
00:13:12,130 --> 00:13:14,700
COUNSELOR, YOU'RE IMPLYING
SOMETHING THAT'S NOT TRUE.
310
00:13:14,770 --> 00:13:16,880
ASK THAT THE COURT
INSTRUCT THE WITNESS
311
00:13:16,940 --> 00:13:19,340
TO ANSWER THE QUESTION,
NOT CHARACTERIZE IT.
312
00:13:19,400 --> 00:13:21,000
YES OR NO, DETECTIVE?
313
00:13:21,070 --> 00:13:22,900
IT WAS ONE TIME.
314
00:13:24,380 --> 00:13:25,750
YES OR NO?
315
00:13:25,810 --> 00:13:27,640
YES.
THANK YOU.
316
00:13:27,710 --> 00:13:31,080
DID YOU MEET WITH
MS. MUNSON IN PREPARATION
FOR YOUR TESTIMONY?
317
00:13:31,150 --> 00:13:32,310
YES.
318
00:13:32,380 --> 00:13:34,980
DID YOU TELL HER ABOUT YOUR
RELATIONS WITH THE WOMAN
319
00:13:35,050 --> 00:13:37,250
WHO'S OUT‐OF‐COURT STATEMENTS
YOU'RE TESTIFYING TO?
320
00:13:37,320 --> 00:13:38,950
I DIDN'T THINK
IT WAS RELEVANT.
321
00:13:39,020 --> 00:13:40,890
IF MR. McCLINTOCK
IS INCARCERATED,
322
00:13:40,960 --> 00:13:43,290
THE CHIEF IMPEDIMENT
TO YOUR TRYSTS WITH MS. LANDIS
323
00:13:43,360 --> 00:13:45,090
WOULD BE REMOVED,
WOULD IT NOT?
324
00:13:45,160 --> 00:13:46,900
OBJECTION,
THAT IS SPECULATIVE.
325
00:13:46,970 --> 00:13:49,340
JUST TRYING TO DEMONSTRATE
RELEVANCE, YOUR HONOR,
326
00:13:49,400 --> 00:13:52,630
BUT I'LL WITHDRAW
THE QUESTION.
327
00:13:52,700 --> 00:13:55,200
NOTHING FURTHER.
328
00:14:06,120 --> 00:14:08,690
WHAT'S THE THINKING
BEHIND THE MIC?
329
00:14:08,750 --> 00:14:10,320
SO WE CAN HEAR.
330
00:14:10,390 --> 00:14:12,350
IF THEY GIVE INSTRUCTION?
HEAR THEM OUT.
331
00:14:12,420 --> 00:14:14,460
BUT DON'T NECESSARILY
DO WHAT THEY TELL ME?
332
00:14:14,530 --> 00:14:16,800
Jones: CHANCES ARE, THEY'LL
TAKE THE MONEY AND SPLIT.
333
00:14:16,860 --> 00:14:18,390
THEY'RE NOT LOOKING TO STICK
AROUND THERE.
334
00:14:18,460 --> 00:14:20,000
WE'LL BE
IN CONSTANT COMMUNICATION.
335
00:14:20,060 --> 00:14:22,900
NOTHING HAPPENS TO MY SON.
336
00:14:22,970 --> 00:14:24,380
SURVEILLANCE VAN'S
IN ISLIP.
337
00:14:24,440 --> 00:14:25,940
WE CAN'T GET IT
BACK IN TIME.
338
00:14:26,000 --> 00:14:27,140
WHAT DOES
THAT MEAN?
339
00:14:27,210 --> 00:14:28,280
WE'LL HAVE TO IMPROVISE.
340
00:14:28,340 --> 00:14:30,040
WE'LL USE
DEPARTMENT CARS.
341
00:14:30,110 --> 00:14:31,610
'CAUSE I DIDN'T COME IN
RIGHT AWAY.
342
00:14:31,680 --> 00:14:33,790
IT'S NOT THE FIRST TIME WE'VE
DONE THIS KIND OF THING.
343
00:14:33,850 --> 00:14:35,450
BUT YOU USUALLY
HAVE A VAN?
344
00:14:35,510 --> 00:14:38,050
WE'LL BE FINE. WHY DON'T
YOU TAKE MR. GARVIN
OUT TO THE CAR?
345
00:14:38,120 --> 00:14:39,630
I'D LIKE TO GO
ALONG ON THIS.
346
00:14:39,680 --> 00:14:41,150
SORRY, THAT'S
NOT POSSIBLE.
347
00:14:41,220 --> 00:14:44,390
MR. COFFMAN, YOU CAN WAIT
UPSTAIRS IN THE SQUAD ROOM.
348
00:14:49,230 --> 00:14:52,100
WHOEVER SHOWS UP, WE'RE
GONNA TAKE HIM DOWN, RIGHT?
349
00:14:52,160 --> 00:14:54,000
ON KIDNAPPINGS,
I GO BY FEDERAL GUIDELINES.
350
00:14:54,070 --> 00:14:55,170
WHICH ARE WHAT?
351
00:14:55,230 --> 00:14:56,830
TRY TO MAINTAIN
A VISUAL CONTACT
352
00:14:56,900 --> 00:14:58,730
UNTIL THERE'S
A TACTICAL ADVANTAGE,
353
00:14:58,800 --> 00:15:00,170
AT WHICH POINT
WE MAKE AN ARREST.
354
00:15:00,240 --> 00:15:01,700
YOU RUN THE RISK
OF LOSING HIM,
355
00:15:01,770 --> 00:15:04,340
AT WHICH POINT YOU GOT NO
MONEY, NO VICTIM, AND NO PERP.
356
00:15:04,410 --> 00:15:06,140
KIDNAPPING'S
A FEDERAL OFFENSE.
357
00:15:06,210 --> 00:15:07,680
I GO BY FEDERAL GUIDELINES.
358
00:15:21,290 --> 00:15:22,890
Baldwin: Still negative.
359
00:15:22,960 --> 00:15:24,660
Nothing suspicious.
360
00:15:24,730 --> 00:15:26,530
THIS YOUR REGULAR CAR?
361
00:15:26,600 --> 00:15:27,830
YEAH.
362
00:15:27,900 --> 00:15:32,170
YOU KNOW YOU'RE OVER 500 MILES
PAST DUE FOR AN OIL CHANGE?
363
00:15:32,240 --> 00:15:33,410
I DIDN'T KNOW THAT.
364
00:15:33,470 --> 00:15:35,600
MAKE SURE IT GETS
INTO THE SHOP.
365
00:15:35,670 --> 00:15:36,770
YES, SIR, LIEUTENANT.
366
00:15:36,840 --> 00:15:38,670
TODAY.
367
00:15:39,980 --> 00:15:42,410
He's dropping the money now.
368
00:15:49,490 --> 00:15:53,160
BE ADVISED WE GOT A GUY ON
A MOTORCYCLE END OF THE BLOCK.
369
00:15:54,860 --> 00:15:56,630
WE GOT HIM.
370
00:15:58,130 --> 00:15:59,760
WHY IS HE STOPPING THERE?
371
00:15:59,830 --> 00:16:01,830
KEEP WALKING, MR. GARVIN.
372
00:16:01,900 --> 00:16:03,530
LET HIM GO AND RETURN
TO THE CAR, SIR.
373
00:16:03,600 --> 00:16:06,200
WHERE IS HE?!
COME ON, TELL ME WHERE HE IS.
374
00:16:07,540 --> 00:16:08,500
STAY RIGHT HERE.
375
00:16:08,570 --> 00:16:09,470
HE'S GETTING AWAY.
376
00:16:09,540 --> 00:16:10,970
THAT'S 'CAUSE HE'S MADE
THAT THERE'S COPS.
377
00:16:11,040 --> 00:16:12,210
I DON'T WANT
TO COMPROMISE THE SITUATION.
378
00:16:12,280 --> 00:16:13,420
SO WE JUST SIT HERE?
379
00:16:13,480 --> 00:16:14,720
THAT'S RIGHT.
380
00:16:14,780 --> 00:16:16,010
BYE‐BYE!
381
00:16:16,080 --> 00:16:17,750
WE'LL REGROUP
AT THE STATION HOUSE.
382
00:16:20,590 --> 00:16:23,290
[ SIGHS ]
383
00:16:27,160 --> 00:16:31,160
WHERE WERE YOU LAST NIGHT,
MR. HENNING?
384
00:16:31,230 --> 00:16:33,700
I ATTENDED A PERFORMANCE
OF "AWAKE AND SING!"
385
00:16:33,770 --> 00:16:35,110
AT MY DAUGHTER'S SCHOOL.
386
00:16:35,170 --> 00:16:36,740
WHAT TIME
WOULD THAT HAVE BEEN?
387
00:16:36,800 --> 00:16:40,100
THE PLAY STARTED AT 7:30.
IT WAS OVER ABOUT 9:30.
388
00:16:40,170 --> 00:16:41,900
CAN I ASK WHAT THIS
IS ALL ABOUT?
389
00:16:41,970 --> 00:16:44,070
WE'RE TRYING TO UNDERSTAND
THE REASON FOR THE PHONE CALLS.
390
00:16:44,140 --> 00:16:45,640
WHAT PHONE CALLS?
391
00:16:45,710 --> 00:16:48,940
SEE, NOW, THAT'S A SILLY
QUESTION, WITH ALL DUE RESPECT.
392
00:16:49,010 --> 00:16:50,710
THE PHONE CALLS
TO TRACY GILCHRIST,
393
00:16:50,780 --> 00:16:52,180
THE PHONE‐SEX PHONE CALLS.
394
00:16:52,250 --> 00:16:54,650
WHAT ABOUT 'EM?
395
00:16:54,720 --> 00:16:57,890
JUDGING BY THE VOLUME OF CALLS,
YOU GOT IN A LITTLE DEEP.
396
00:16:57,960 --> 00:16:59,770
IS SHE CLAIMING HARASSMENT?
397
00:16:59,820 --> 00:17:00,820
SHE'S DEAD.
398
00:17:03,600 --> 00:17:05,840
WHAT WAS GOING ON
BETWEEN YOU TWO, BARRY?
399
00:17:05,900 --> 00:17:09,210
WHAT WAS GOING ON WAS
I FOUND SOMEONE I CARED ABOUT.
400
00:17:09,270 --> 00:17:10,840
STARTING
WITH THE PHONE SEX?
401
00:17:10,900 --> 00:17:13,740
THERE'S NO WAY I'M GOING
TO ERASE THE STIGMA OF THAT,
402
00:17:13,810 --> 00:17:14,980
SO I WON'T EVEN TRY.
403
00:17:15,040 --> 00:17:17,870
YES, IT STARTED
WITH THE PHONE SEX.
404
00:17:17,940 --> 00:17:19,710
CLEARLY, SHE
MADE AN IMPRESSION.
405
00:17:19,780 --> 00:17:22,180
I'D BEEN THROUGH
THE USUAL RITUALIZED BLATHER
406
00:17:22,250 --> 00:17:23,720
WITH OTHER GIRLS ‐‐
407
00:17:23,780 --> 00:17:27,120
"I'M IN MY BRA AND THONG.
I'M TOUCHING MYSELF."
408
00:17:27,190 --> 00:17:29,660
I HATED ALL THAT.
409
00:17:29,720 --> 00:17:32,750
TRACY ‐‐ TIFFANY, AS
SHE WAS CALLING HERSELF ‐‐
410
00:17:32,820 --> 00:17:34,390
USED TO SAY THE SAME THINGS,
411
00:17:34,460 --> 00:17:37,290
BUT I ALWAYS SENSED IT WAS
HER PRETENDING TO SAY THEM,
412
00:17:37,360 --> 00:17:42,430
THAT SHE WAS IMAGINING HERSELF
IN A BRA AND THONG.
413
00:17:42,500 --> 00:17:44,700
I DON'T EXPECT YOU
TO UNDERSTAND THAT.
414
00:17:44,770 --> 00:17:46,970
WHEN'D YOU FIND OUT
SHE HAD A BOYFRIEND?
415
00:17:47,040 --> 00:17:49,200
THE FIRST TIME
SHE AGREED TO MEET ME.
416
00:17:49,270 --> 00:17:51,940
AND STILL, SHE'S LETTING YOU
RACK UP BIG CHARGES
417
00:17:52,010 --> 00:17:54,010
FOR THE PHONE CALLS,
RESTAURANTS.
418
00:17:54,080 --> 00:17:56,010
YOU MUST HAVE GONE
FOR SOME PRICEY GIFTS,
419
00:17:56,080 --> 00:17:57,680
GIVEN THE DEPTH
OF YOUR FEELING.
420
00:17:57,750 --> 00:18:00,150
I SEE WHERE YOU'RE GOING
WITH THIS, BUT IT'S NOT TRUE.
421
00:18:00,220 --> 00:18:01,450
I SPENT MONEY ON HER.
422
00:18:01,520 --> 00:18:03,420
I BOUGHT
HER PAINTING MATERIALS.
423
00:18:03,490 --> 00:18:05,900
I PAID HER TUITION
AT THE ART STUDENTS LEAGUE,
424
00:18:05,960 --> 00:18:09,070
BUT I GOT EXACTLY WHAT I WANTED
OUT OF THE RELATIONSHIP.
425
00:18:09,130 --> 00:18:10,370
WHERE'D YOU GO
AFTER THE PLAY?
426
00:18:10,430 --> 00:18:12,030
WENT TO DINNER AT SHUN LEE,
427
00:18:12,100 --> 00:18:13,710
THEN I WENT BACK
TO MY APARTMENT.
428
00:18:13,770 --> 00:18:16,310
I GOT UP AT 7:30 THIS MORNING
TO GO TO WORK.
429
00:18:16,370 --> 00:18:18,980
I'LL BE HAPPY TO PROVIDE NAMES
AND CONTACT INFORMATION
430
00:18:19,040 --> 00:18:19,980
TO VERIFY THAT.
431
00:18:20,040 --> 00:18:21,200
THAT'D BE GOOD.
432
00:18:21,270 --> 00:18:24,240
SHE DREW ME
A LITTLE PICTURE, TRACY.
433
00:18:24,310 --> 00:18:25,370
IT WAS A SKETCH SHE DID
434
00:18:25,440 --> 00:18:27,380
WHILE WE WERE ON A BENCH
IN CENTRAL PARK.
435
00:18:27,450 --> 00:18:29,150
I WAS AFRAID MY WIFE
WOULD FIND IT,
436
00:18:29,210 --> 00:18:32,350
SO I THREW IT AWAY.
437
00:18:35,590 --> 00:18:38,160
[ Voice breaking ]
WHY'D I DO THAT?
438
00:18:59,310 --> 00:19:00,580
HOW'D IT GO?
439
00:19:00,650 --> 00:19:03,520
GOOD. WHAT HAPPENED
WITH THE DROP?
440
00:19:03,580 --> 00:19:04,610
BOTCHED.
441
00:19:04,680 --> 00:19:07,020
WE GET A DUMP
ON THE FATHER'S PHONE YET?
442
00:19:07,090 --> 00:19:09,560
RAN SOME CALLS, COME BACK
TO A PAY PHONE IN BROOKLYN.
443
00:19:09,620 --> 00:19:11,490
YOU GONNA GET THAT CAR
IN FOR SERVICING?
444
00:19:11,560 --> 00:19:13,160
I'LL MAKE THE CALL RIGHT NOW.
445
00:19:13,220 --> 00:19:14,790
WHERE ARE WE
ON THE D. O. A.?
446
00:19:14,860 --> 00:19:16,590
WE TALKED TO HER PHONE‐SEX
CUSTOMER, BARRY HENNING.
447
00:19:16,660 --> 00:19:18,190
WE'RE LOOKING INTO
HIS ALIBI.
448
00:19:18,260 --> 00:19:20,130
WHAT ABOUT THOSE NAMES
SCRATCHED ON THE WALL?
449
00:19:20,200 --> 00:19:21,200
NOTHING YET.
450
00:19:21,270 --> 00:19:22,910
HOW'D YOUR TESTIMONY GO?
451
00:19:22,970 --> 00:19:24,510
GOOD.
452
00:19:24,570 --> 00:19:27,170
I JUST GOT A MESSAGE
FROM MARTY PAPPUS AT MAJOR CASE.
453
00:19:27,240 --> 00:19:28,470
HE'LL PROVIDE
TACTICAL SUPPORT.
454
00:19:28,540 --> 00:19:30,570
PAPPUS, WHO USED TO BE
IN MISSING PERSONS?
455
00:19:30,640 --> 00:19:31,970
RIGHT.
456
00:19:32,040 --> 00:19:33,740
WHAT'S HE GONNA DO FOR US?
457
00:19:33,810 --> 00:19:36,410
HELP US.
458
00:19:40,150 --> 00:19:41,620
ANDY...
459
00:19:41,690 --> 00:19:43,960
HE'S GONNA DO
WHAT HE'S GONNA DO, LAURA.
460
00:19:44,020 --> 00:19:45,320
GET USED TO IT.
461
00:19:45,390 --> 00:19:47,560
A LITTLE EARLY TO BE
CALLING IN THE CAVALRY.
462
00:19:47,630 --> 00:19:49,640
THERE'S A PROTOCOL.
YOU FOLLOW PROTOCOL.
463
00:19:49,690 --> 00:19:52,290
I GOTTA SAY SOMETHING
BECAUSE IF I DON'T SAY IT,
464
00:19:52,360 --> 00:19:53,660
I'M NOT DOING MY JOB.
465
00:19:53,730 --> 00:19:56,670
WHATEVER PROTOCOLS
YOU MIGHT BE TRYING TO FOLLOW,
466
00:19:56,740 --> 00:19:58,640
LETTING THAT GUY GET AWAY
SET US BACK
467
00:19:58,700 --> 00:20:00,570
AND DID NOTHING FOR THE KID
BEING HELD.
468
00:20:00,640 --> 00:20:02,900
LET'S SAY WE DO IT YOUR WAY.
469
00:20:02,970 --> 00:20:04,510
WE TRY TO TAKE THE GUY DOWN.
470
00:20:04,580 --> 00:20:06,920
WE WIND UP IN A GUN BATTLE,
LOSE THE GUY,
471
00:20:06,980 --> 00:20:08,240
AND HAVE THE VICTIM KILLED.
472
00:20:08,310 --> 00:20:09,880
THAT WOULD BE
A WORST‐CASE SCENARIO.
473
00:20:09,950 --> 00:20:12,650
I HAVE TO WORRY
ABOUT WORST‐CASE SCENARIOS.
474
00:20:12,720 --> 00:20:14,890
TO THE POINT OF BEING RENDERED
COMPLETELY INEFFECTIVE?
475
00:20:14,950 --> 00:20:17,250
THIS WAS A COMMAND DECISION,
AND IT'S BEEN MADE.
476
00:20:17,320 --> 00:20:18,320
SITTING ON OUR HANDS
477
00:20:18,390 --> 00:20:20,320
WHILE THE PERP BEATS
FEET WITH THE MONEY.
478
00:20:20,390 --> 00:20:21,690
THAT'S SOME COMMAND DECISION.
479
00:20:21,760 --> 00:20:24,490
THAT REMARK CONSTITUTES
INSUBORDINATION, DETECTIVE.
480
00:20:24,560 --> 00:20:27,700
NOW, IF RIPS DON'T WORK,
I'LL TAKE IT TO THE NEXT LEVEL,
481
00:20:27,770 --> 00:20:30,310
BUT I WILL NOT TOLERATE
INSUBORDINATION.
482
00:20:30,370 --> 00:20:32,630
YOU WANT ME OUTTA HERE,
MAKE THE CALL.
483
00:20:35,040 --> 00:20:36,970
YOU GOT A CASE TO WORK.
484
00:20:39,310 --> 00:20:41,440
UH...
485
00:20:41,510 --> 00:20:42,940
I ‐‐ I CAN COME BACK.
486
00:20:43,010 --> 00:20:44,750
WHAT IS IT?
487
00:20:44,820 --> 00:20:48,930
UM, JUST TO KEEP YOU CURRENT,
WE'VE RUN THE NAMES
488
00:20:48,990 --> 00:20:52,060
THAT WERE SCRATCHED INTO THE
WALL OF THE D. O. A.'s APARTMENT
489
00:20:52,120 --> 00:20:54,290
WITH B. C. I., THE DMV,
490
00:20:54,360 --> 00:20:56,490
THROUGH THE NICKNAME FILE,
THE SAFIS SYSTEM.
491
00:20:56,560 --> 00:20:57,760
AND?
492
00:20:57,830 --> 00:21:00,300
THIS IS WITH WHATEVER
PERMUTATIONS OF THOSE NAMES
493
00:21:00,360 --> 00:21:01,500
WE COULD THINK OF ‐‐
494
00:21:01,570 --> 00:21:04,940
SAM PARKS, SAMUEL PARKS,
PARKER SAMUELS ‐‐
495
00:21:05,000 --> 00:21:06,430
I GET IT, MEDAVOY.
496
00:21:06,500 --> 00:21:07,800
WHAT DO WE HAVE?
497
00:21:07,870 --> 00:21:09,140
SO FAR, NOTHING.
498
00:21:09,210 --> 00:21:11,050
STAY WITH IT.
499
00:21:11,110 --> 00:21:12,610
WE'RE A LONG WAY
FROM BEING DONE.
500
00:21:12,680 --> 00:21:14,550
GOOD.
501
00:21:14,610 --> 00:21:16,010
YEAH.
502
00:21:25,760 --> 00:21:28,600
PHONE DUMP ON OUR KIDNAP VICTIM
JUST CAME BACK.
503
00:21:28,660 --> 00:21:30,290
THERE'S CALLS
INTO YOUR D. O. A.
504
00:21:30,360 --> 00:21:32,290
OUR D. O. A.,
TRACY GILCHRIST?
505
00:21:32,360 --> 00:21:33,600
GOING BACK AND FORTH
FOR MONTHS.
506
00:21:33,670 --> 00:21:35,010
THAT CAN'T BE
A COINCIDENCE.
507
00:21:35,070 --> 00:21:36,510
THIS KID, TODD GARVIN,
508
00:21:36,570 --> 00:21:38,770
JUST FLAGGED DOWN A RADIO CAR
ON DELANCEY STREET.
509
00:21:38,840 --> 00:21:41,610
TODD GARVIN?
NAME HASN'T COME UP.
510
00:21:41,670 --> 00:21:44,870
DOESN'T MATTER.
THEY GOTTA BE RELATED.
511
00:21:46,340 --> 00:21:47,840
I'M DETECTIVE ORTIZ,
MR. GARVIN.
512
00:21:47,910 --> 00:21:50,210
DID YOUR SON EVER MENTION
THE NAME "TRACY GILCHRIST"?
513
00:21:50,280 --> 00:21:51,410
NO, WHY?
514
00:21:51,480 --> 00:21:52,550
HER NAME CAME UP.
515
00:21:52,620 --> 00:21:54,330
THERE HASN'T BEEN
A LOT OF COMMUNICATION
516
00:21:54,390 --> 00:21:55,760
BETWEEN MYSELF
AND MY SON RECENTLY.
517
00:21:55,820 --> 00:21:57,690
GOT SOME GOOD NEWS
FOR YOU, SIR.
518
00:21:57,760 --> 00:21:59,970
YOUR SON'S IN A POLICE CAR.
HE'S ON HIS WAY OVER.
519
00:22:00,020 --> 00:22:02,020
DO WE KNOW WHAT KIND
OF SHAPE HE'S IN?
520
00:22:02,090 --> 00:22:04,530
HE'S GOT A FEW BRUISES.
OTHER THAN THAT, HE'S FINE.
521
00:22:04,600 --> 00:22:07,110
SOMEONE WANT TO FILL IN
THE HIGH COMMAND IN ALL THIS?
522
00:22:07,170 --> 00:22:09,740
I GOT IT.
523
00:22:09,800 --> 00:22:11,000
COUNSELOR?
524
00:22:11,070 --> 00:22:12,330
WE NEED TO TALK.
525
00:22:12,400 --> 00:22:14,440
YOU MIGHT WANT
TO HEAR THIS, TOO.
526
00:22:25,180 --> 00:22:27,980
YOU LEFT COURT EARLY, SO I
FIGURED YOU'D WANT TO KNOW.
527
00:22:28,050 --> 00:22:30,490
JUDGE EXCLUDED
CARLY LANDIS' STATEMENT.
528
00:22:30,560 --> 00:22:32,400
I THOUGHT YOU SAID
THE MOTION WAS A LONG SHOT.
529
00:22:32,460 --> 00:22:34,000
IT WAS, TILL IT CAME OUT
IN OPEN COURT
530
00:22:34,060 --> 00:22:36,390
THAT YOUR PARTNER SLEPT
WITH THE DEFENDANT'S GIRLFRIEND,
531
00:22:36,460 --> 00:22:38,260
OR WAS THAT SOMETHING
THE TWO OF YOU
532
00:22:38,330 --> 00:22:39,730
DIDN'T THINK
I NEEDED TO KNOW?
533
00:22:39,800 --> 00:22:41,700
I DIDN'T THINK
IT WAS RELEVANT.
534
00:22:41,770 --> 00:22:43,580
YOU COMPROMISED
A MURDER CASE.
535
00:22:43,640 --> 00:22:45,540
I DID NOT COMPROMISE
A MURDER CASE.
536
00:22:45,600 --> 00:22:47,500
THE DEFENSE LAWYER
GOT LUCKY.
537
00:22:47,570 --> 00:22:49,770
I DON'T LIKE IT, BUT YOU
CAN'T TAKE IT PERSONALLY.
538
00:22:49,840 --> 00:22:51,640
I AM TAKING IT PROFESSIONALLY.
539
00:22:51,710 --> 00:22:54,210
CONSORTING WITH A WITNESS
WAS INAPPROPRIATE ENOUGH.
540
00:22:54,280 --> 00:22:56,650
KEEPING IT FROM ME
SO I COULDN'T TAKE
THE STINK OFF YOU ‐‐
541
00:22:56,720 --> 00:22:57,720
THAT IS UNFORGIVABLE.
542
00:22:57,780 --> 00:22:59,410
IT HAPPEN
THE WAY SHE SAID?
543
00:22:59,480 --> 00:23:00,980
SHE'D ALREADY
RECANTED THE ALIBI.
544
00:23:01,050 --> 00:23:03,280
THE JUDGE SAID YOUR PARTNER
WASN'T CREDIBLE.
545
00:23:03,350 --> 00:23:04,990
OUR BEST EVIDENCE IS GONE.
546
00:23:05,060 --> 00:23:06,260
TAKE IT UP ON APPEAL.
547
00:23:06,320 --> 00:23:07,990
THANKS FOR THE TIP.
548
00:23:08,060 --> 00:23:09,830
I'M SORRY, ALL RIGHT?
549
00:23:09,890 --> 00:23:11,990
I DON'T KNOW HOW
MY PREDECESSOR DID THINGS,
550
00:23:12,060 --> 00:23:13,700
BUT HERE'S MY DEAL.
551
00:23:13,770 --> 00:23:16,910
YOU NEED SOMETHING ‐‐ SEARCH
WARRANT, WIRE TAP ‐‐ I'M ON IT.
552
00:23:16,970 --> 00:23:18,830
I EXPECT THE SAME COOPERATION
FROM YOU,
553
00:23:18,900 --> 00:23:20,540
AND I EXPECT YOU
TO GIVE A DAMN.
554
00:23:20,610 --> 00:23:22,350
I GOT IT.
GOOD.
555
00:23:22,410 --> 00:23:23,920
NOW I HAVE TO ANSWER
TO MY BOSS,
556
00:23:23,980 --> 00:23:26,080
WHICH I WILL DO
BY PUTTING IT ON MYSELF...
557
00:23:26,140 --> 00:23:27,580
THIS TIME.
558
00:23:27,650 --> 00:23:30,060
NEXT TIME, IT'S YOUR ASS.
559
00:23:33,920 --> 00:23:36,450
WOW.
TALK ABOUT TIGHTLY WRAPPED.
560
00:23:36,520 --> 00:23:37,890
DID WE NOT HAVE
A CONVERSATION
561
00:23:37,960 --> 00:23:39,830
ABOUT YOU STEERING CLEAR
OF THAT GIRL?
562
00:23:39,890 --> 00:23:42,290
SHE WAS BAD OFF THAT NIGHT.
I ERRED IN JUDGMENT.
563
00:23:42,360 --> 00:23:43,930
SHE WASN'T BAD OFF.
SHE SET YOU UP.
564
00:23:44,000 --> 00:23:46,070
SHE SAW YOU COMING,
AND SHE PLAYED YOU.
565
00:23:46,130 --> 00:23:47,400
I DON'T THINK YOU'RE RIGHT.
566
00:23:47,470 --> 00:23:48,670
IT DOESN'T MATTER
BECAUSE THE CASE'LL MAKE,
567
00:23:48,730 --> 00:23:49,900
WITH OR
WITHOUT MY TESTIMONY.
568
00:23:49,970 --> 00:23:51,830
YOU FEEL QUALIFIED
TO MAKE THAT STATEMENT?
569
00:23:51,900 --> 00:23:53,100
YES, I DO.
570
00:23:53,170 --> 00:23:54,400
OKAY, JOHN.
571
00:23:54,470 --> 00:23:56,710
IT'S NOT A BIG DEAL, ANDY.
572
00:24:00,550 --> 00:24:02,550
[ EXHALES SHARPLY ]
573
00:24:17,060 --> 00:24:19,130
Sipowicz: YOU GOTTA CHECK
THE STATEMENT WHEN IT COMES,
574
00:24:19,200 --> 00:24:21,870
SEE IF THERE'S ANYTHING
BESIDES CHILD PORNOGRAPHY
575
00:24:21,930 --> 00:24:23,430
THAT THEY MIGHT HAVE CHARGED.
576
00:24:23,500 --> 00:24:26,900
THEY SAID THEY COULD ISSUE NEW
CARDS BY THE END OF THE WEEK.
577
00:24:26,970 --> 00:24:29,570
FOR NOW, WE'LL JUST HAVE
TO MAKE DO WITHOUT 'EM.
578
00:24:29,640 --> 00:24:31,570
ALL RIGHT, CONNIE.
579
00:24:31,640 --> 00:24:33,470
YEAH, I'LL SEE YOU
WHEN I GET HOME.
580
00:24:33,550 --> 00:24:35,050
BYE.
581
00:24:35,110 --> 00:24:36,310
POT WAS ALMOST DONE.
582
00:24:36,380 --> 00:24:38,380
I FIGURED I'D SNAG
THE LAST TWO CUPS.
583
00:24:38,450 --> 00:24:40,520
I'M GOOD.
SAVE IT FOR LATER.
584
00:24:40,590 --> 00:24:42,360
COFFEE?
585
00:24:42,420 --> 00:24:44,150
OH, THANK YOU.
586
00:24:44,220 --> 00:24:45,720
DETECTIVE?
587
00:24:47,130 --> 00:24:48,330
HEY, DAD.
588
00:24:48,390 --> 00:24:50,190
TODD.
589
00:24:50,260 --> 00:24:52,490
MR. GARVIN, WE'RE GONNA
NEED TO TALK TO HIM.
590
00:24:52,560 --> 00:24:54,560
I UNDERSTAND.
YOU ALL RIGHT?
591
00:24:54,630 --> 00:24:56,160
YEAH,
UNDER THE CIRCUMSTANCES.
592
00:24:56,230 --> 00:24:58,830
ALL YOUR FINGERS,
ALL YOUR TOES, RIGHT?
RIGHT.
593
00:24:58,900 --> 00:25:01,400
WE'LL FINISH UP WITH HIM,
THEN YOU CAN HAVE HIM.
594
00:25:01,470 --> 00:25:02,970
TODD?
595
00:25:03,040 --> 00:25:05,540
ALL RIGHT.
596
00:25:10,510 --> 00:25:13,150
YOU HAD LUNCH,
MR. GARVIN?
NO.
597
00:25:13,220 --> 00:25:15,390
THERE'S A COFFEE SHOP
AROUND THE CORNER.
598
00:25:15,450 --> 00:25:18,320
I'LL JUST WAIT HERE.
599
00:25:21,090 --> 00:25:23,020
WHERE ARE WE?
600
00:25:23,090 --> 00:25:25,060
THE PHONE‐SEX BUDDY LOOKS
LIKE HE'LL ALIBI OUT.
601
00:25:25,130 --> 00:25:27,160
WE GOT PHONE LOGS WITH
WHOEVER ELSE SHE TALKED TO.
602
00:25:27,230 --> 00:25:29,030
WE'RE RUNNING THE NAMES
THROUGH B.C.I.
603
00:25:29,100 --> 00:25:31,930
LET'S SEE IF WE CAN ESTABLISH
A LINK WITH THE KIDNAPPINGS.
604
00:25:32,000 --> 00:25:34,370
ANY WAY YOU WANT
TO PROCEED IS FINE WITH ME.
605
00:25:34,440 --> 00:25:36,270
JUST LET ME
KNOW WHAT YOU NEED.
606
00:25:38,140 --> 00:25:41,340
[ DOOR CLOSES ]
607
00:25:41,410 --> 00:25:43,340
ANY WAY
WE WANT TO PROCEED?
608
00:25:43,410 --> 00:25:45,350
LET HIM KNOW WHAT WE NEED?
609
00:25:45,420 --> 00:25:48,090
ANDY MUST HAVE
SOFTENED HIM UP.
610
00:25:50,960 --> 00:25:52,560
IF YOU NEED
TO GET LOOKED AT,
611
00:25:52,620 --> 00:25:54,360
WE CAN RUN YOU OVER
TO EMERGENCY ROOM.
612
00:25:54,430 --> 00:25:56,740
I'M OKAY.
613
00:25:56,800 --> 00:25:58,200
JUST AS SOON
TALK TO YOU GUYS,
614
00:25:58,260 --> 00:26:00,230
TELL YOU WHATEVER
I CAN ABOUT THIS MESS.
615
00:26:00,300 --> 00:26:01,330
PLEASE.
616
00:26:01,400 --> 00:26:05,030
MY GIRLFRIEND AND I WERE
AT GORKY'S ON AVENUE B.
617
00:26:05,100 --> 00:26:07,440
WE STARTED TALKING
TO THIS OTHER COUPLE.
618
00:26:07,510 --> 00:26:09,310
HE DOES SCULPTURE.
619
00:26:09,370 --> 00:26:12,710
SHE WANTS TO OPEN UP
A CLUB.
620
00:26:12,780 --> 00:26:14,920
WE HAD A FEW DRINKS.
621
00:26:14,980 --> 00:26:17,710
HE ASKED ME IF I WANTED
TO GO SEE SOME OF HIS WORK,
622
00:26:17,780 --> 00:26:18,880
I SAY, "YEAH."
623
00:26:18,950 --> 00:26:20,350
THEY SAY THEIR NAMES?
624
00:26:20,420 --> 00:26:21,480
HIS NAME WAS DEREK.
625
00:26:21,550 --> 00:26:23,280
HE SAID HIS NAME WAS DEREK.
626
00:26:23,350 --> 00:26:24,990
HER NAME WAS YVONNE.
627
00:26:25,060 --> 00:26:27,430
I DIDN'T GET A LAST NAME
ON EITHER ONE OF THEM.
628
00:26:27,490 --> 00:26:28,460
SO THE FOUR OF YOU
LEFT TOGETHER?
629
00:26:28,530 --> 00:26:29,640
THE THREE OF US.
630
00:26:29,690 --> 00:26:31,660
TRACY WAS TIRED.
SHE WENT HOME.
631
00:26:31,730 --> 00:26:32,790
THEY HAVE A CAR?
632
00:26:32,860 --> 00:26:33,960
YEAH, LIKE A VAN.
633
00:26:34,030 --> 00:26:35,160
MAKE, MODEL?
634
00:26:35,230 --> 00:26:37,900
I'M NOT A CAR PERSON.
I DIDN'T TAKE NOTICE.
635
00:26:37,970 --> 00:26:39,570
WHERE'D THE THREE
OF YOU GO?
636
00:26:39,640 --> 00:26:41,200
SOME PLACE IN BROOKLYN.
637
00:26:41,270 --> 00:26:44,240
WE WENT OVER THE MANHATTAN
BRIDGE, CAME DOWN FLATBUSH.
638
00:26:44,310 --> 00:26:46,680
AT SOME POINT,
I THINK WE WERE ON MYRTLE.
639
00:26:46,750 --> 00:26:48,920
I DON'T KNOW. I DON'T KNOW
BROOKLYN THAT WELL.
640
00:26:48,980 --> 00:26:50,750
WHAT WAS THE PLACE
THEY TOOK YOU TO?
641
00:26:50,820 --> 00:26:53,390
SOME PLACE THAT HE WORKED,
LIKE A CONVERTED GARAGE.
642
00:26:53,450 --> 00:26:56,720
THERE WERE ALL THESE
WELDING TANKS, METAL RODS.
643
00:26:56,790 --> 00:26:59,120
I WILL TELL YOU,
WE SMOKED SOME HASH.
644
00:26:59,190 --> 00:27:01,660
SHE HAD THESE TEMPLE BALLS
AND A CHILLUM.
645
00:27:01,730 --> 00:27:02,930
WHAT CAN I SAY?
646
00:27:02,990 --> 00:27:04,490
IS THAT THE ONLY DRUG
YOU DID?
647
00:27:04,560 --> 00:27:06,460
YEAH, BUT I
WAS PRETTY ZONED OUT,
648
00:27:06,530 --> 00:27:07,830
AND THEN ALL OF A SUDDEN,
649
00:27:07,900 --> 00:27:09,770
I GET HIT BY A PIPE
OR SOMETHING.
650
00:27:09,830 --> 00:27:11,400
THE NEXT THING I KNOW,
651
00:27:11,470 --> 00:27:13,940
I'M ON THE FLOOR, MY HANDS
ARE TIED, MY ANKLES ARE TIED,
652
00:27:14,010 --> 00:27:15,780
THE TWO OF THEM
ARE STANDING OVER ME.
653
00:27:15,840 --> 00:27:19,040
SO, WHAT, YOU GAVE THEM
YOUR FATHER'S NUMBER?
654
00:27:19,110 --> 00:27:20,780
HE FIRED UP
A WELDING TORCH,
655
00:27:20,850 --> 00:27:23,690
SAID HE'D BURN A HOLE
THROUGH MY HAND IF I DIDN'T.
656
00:27:23,750 --> 00:27:26,350
ANY IDEA HOW THEY KNEW
YOUR FATHER HAD MONEY?
657
00:27:26,420 --> 00:27:28,160
I TOLD 'EM.
658
00:27:28,220 --> 00:27:31,520
PART OF BEING AN ASSHOLE IS
THAT YOU WANT TO IMPRESS PEOPLE.
659
00:27:31,590 --> 00:27:32,990
I KIND OF LET IT SLIP
660
00:27:33,060 --> 00:27:35,070
THAT MY FAMILY HAS A HOUSE
IN THE HAMPTONS,
661
00:27:35,130 --> 00:27:37,000
A TOWN HOUSE
ON EAST 83rd STREET.
662
00:27:37,060 --> 00:27:38,290
I DIDN'T LEAVE MUCH TO CHANCE.
663
00:27:38,360 --> 00:27:40,200
THEY'D PICK UP
ON MY FATHER HAVING MONEY.
664
00:27:40,260 --> 00:27:42,500
WHAT'S THE RELATIONSHIP
WITH YOU AND YOUR FATHER?
665
00:27:42,570 --> 00:27:43,980
GOOD.
666
00:27:44,040 --> 00:27:46,410
WE KNOW YOU HAD
CONFLICTS ABOUT MONEY.
667
00:27:46,470 --> 00:27:47,540
HE SAID THAT?
668
00:27:47,610 --> 00:27:49,080
WORDS TO THAT EFFECT.
669
00:27:49,140 --> 00:27:52,610
YEAH.
I DON'T BLAME THE GUY.
670
00:27:52,680 --> 00:27:54,590
HE'S BEEN WORKING
HIS WHOLE LIFE.
671
00:27:54,650 --> 00:27:56,420
HE SEES ME
GO THROUGH ALL THIS MONEY.
672
00:27:56,480 --> 00:27:59,380
DO YOU KNOW HE DOESN'T
EVEN FLY FIRST CLASS?
673
00:27:59,450 --> 00:28:00,920
TODD, JUST SO YOU KNOW,
674
00:28:00,990 --> 00:28:04,030
IF YOU DID ARRANGE THIS,
THAT'S A FAMILY MATTER.
675
00:28:04,090 --> 00:28:06,590
YOU CAN TELL US.
IT'S BETWEEN YOU AND YOUR DAD.
676
00:28:06,660 --> 00:28:09,120
I DID NOT ARRANGE THIS,
NO WAY.
677
00:28:09,190 --> 00:28:12,330
LAST TIME YOU SPOKE
TO YOUR GIRLFRIEND WAS WHEN?
678
00:28:12,400 --> 00:28:13,640
GORKY'S.
679
00:28:13,700 --> 00:28:15,600
SORRY TO HAVE
TO TELL YOU THIS,
680
00:28:15,670 --> 00:28:18,910
BUT UNFORTUNATELY SHE'S BEEN
THE VICTIM OF A HOMICIDE.
681
00:28:18,970 --> 00:28:22,140
THAT'S IMPOSSIBLE.
682
00:28:22,210 --> 00:28:26,280
SHE WAS FOUND
IN HER APARTMENT THIS MORNING.
683
00:28:29,980 --> 00:28:31,810
I WAS JUST WITH HER.
684
00:28:31,880 --> 00:28:33,820
WE'RE GONNA NEED YOU TO LOOK
THROUGH SOME MUG SHOTS.
685
00:28:33,890 --> 00:28:35,030
[ KNOCK ON DOOR ]
686
00:28:35,090 --> 00:28:36,130
YEAH?
687
00:28:36,190 --> 00:28:38,360
CAN I SEE YOU GUYS
A MINUTE?
688
00:28:43,800 --> 00:28:46,300
WHY DON'T YOU TAKE SOME TIME?
689
00:28:46,360 --> 00:28:49,260
DO YOU WANT SOMETHING,
COFFEE OR SODA?
690
00:28:49,330 --> 00:28:52,200
NO, THANK YOU.
691
00:28:56,440 --> 00:28:59,410
B.C.I. SAYS A PARKS BENTON
TOOK A FORGERY COLLAR
692
00:28:59,480 --> 00:29:02,890
A FEW YEARS BACK
WITH A SAMANTHA LUITIS.
693
00:29:02,950 --> 00:29:05,320
CALLS HERSELF SAM.
GET IT?
694
00:29:05,380 --> 00:29:07,120
SAM, PARKS.
695
00:29:07,190 --> 00:29:08,890
LIKE THE NAME
IN YOUR D. O. A.'s CLOSET.
696
00:29:08,950 --> 00:29:10,220
THERE'S NO ADDRESS
ON BENTON,
697
00:29:10,290 --> 00:29:11,990
BUT LUITIS
LIVES AT 5th AND C.
698
00:29:12,060 --> 00:29:15,400
JOSH, GET THIS KID SET UP
WITH SOME MUG BOOKS.
699
00:29:15,460 --> 00:29:17,330
SURE.
700
00:29:30,270 --> 00:29:32,310
THIS IS BAD
BETWEEN ANDY AND JOHN.
701
00:29:32,380 --> 00:29:35,720
ANDY'S NOT THE EASIEST GUY
IN THE WORLD TO GET ALONG WITH.
702
00:29:35,780 --> 00:29:37,580
JOHN'S BEEN PUSHING
A LITTLE BIT.
703
00:29:37,650 --> 00:29:41,250
FROM WHAT I HEAR, HE ISN'T DOING
ANYTHING ANDY HASN'T DONE,
704
00:29:41,320 --> 00:29:42,620
AND THEN SOME.
705
00:29:42,690 --> 00:29:44,200
ANDY CAME THROUGH
ALL THAT, THOUGH.
706
00:29:44,260 --> 00:29:46,600
YOU CAN'T EXPECT HIM
NOT TO HAVE A REACTION.
707
00:29:46,660 --> 00:29:48,490
WE GONNA KEEP GOING
WITH THIS?
708
00:29:48,560 --> 00:29:50,190
NO.
709
00:29:50,260 --> 00:29:53,030
LET'S NOT TALK
ABOUT IT ANYMORE.
710
00:29:53,100 --> 00:29:54,540
WHATEVER YOU SAY.
711
00:29:54,600 --> 00:29:56,930
[ SHUFFLING ]
712
00:30:00,570 --> 00:30:02,300
THAT LOOKS LIKE THEM.
713
00:30:02,370 --> 00:30:03,910
IT'S THEM.
714
00:30:03,980 --> 00:30:05,620
GET OUT MY FACE!
715
00:30:12,820 --> 00:30:14,930
[ TIRES SQUEALING ]
716
00:30:22,930 --> 00:30:24,270
GET OUT OF THE CAR.
717
00:30:24,330 --> 00:30:27,030
GET OUT.
COME ON, COME ON.
718
00:30:30,740 --> 00:30:31,840
WHAT'S THIS?
719
00:30:31,900 --> 00:30:33,300
WHAT?
720
00:30:33,370 --> 00:30:34,540
THIS.
721
00:30:34,610 --> 00:30:36,580
I WON IT PLAYING POKER.
722
00:30:36,640 --> 00:30:39,610
THINK OF A BETTER STORY BEFORE
WE GET TO THE STATION HOUSE.
723
00:30:51,120 --> 00:30:54,320
IN MY OFFICE A SECOND,
SIPOWICZ.
724
00:31:05,840 --> 00:31:06,910
WHEN THEY
WERE SERVICING THE CAR,
725
00:31:06,970 --> 00:31:08,040
THEY FOUND
A LISTENING DEVICE.
726
00:31:08,110 --> 00:31:09,920
IT'D BEEN INSTALLED
BEHIND THE DASH.
727
00:31:09,970 --> 00:31:11,110
FROM WHAT THEY TELL ME,
728
00:31:11,180 --> 00:31:13,020
IT PROBABLY HADN'T BEEN
IN THERE THAT LONG.
729
00:31:13,080 --> 00:31:14,350
WHO INSTALLED IT?
730
00:31:14,410 --> 00:31:16,110
I CHECKED WITH INTERNAL
AFFAIRS. IT WASN'T THEM.
731
00:31:16,180 --> 00:31:17,910
GIVEN MY RELATIONSHIP
WITH THEM,
732
00:31:17,980 --> 00:31:19,580
I TRUST
I GOT A STRAIGHT ANSWER.
733
00:31:19,650 --> 00:31:22,450
I CHECKED WITH THE D. A.'s
OFFICE AND THE U. S. ATTORNEY.
734
00:31:22,520 --> 00:31:23,690
IT WASN'T THEM, EITHER.
735
00:31:23,760 --> 00:31:27,170
WHOEVER TALKED MY SON INTO THAT
CAR KNEW THINGS TO SAY TO HIM.
736
00:31:27,230 --> 00:31:28,330
THIS IS HOW THEY KNEW.
737
00:31:28,390 --> 00:31:29,930
I SPOKE TO LIEUTENANT GRECO
AT TARU.
738
00:31:29,990 --> 00:31:31,260
THEY'RE GONNA
GO THROUGH THE CAR,
739
00:31:31,330 --> 00:31:32,760
SEE WHAT THEY
CAN COME UP WITH.
740
00:31:32,830 --> 00:31:34,030
I'D LIKE TO HOLD ONTO THIS.
741
00:31:34,100 --> 00:31:36,130
I DON'T WANT YOU RUNNING
WITH THIS YOURSELF.
742
00:31:36,200 --> 00:31:38,200
LET ME CALL THE MANUFACTURER,
SEE WHERE THEY SELL THEM.
743
00:31:38,270 --> 00:31:40,500
I'VE GOTTEN THE BALL
ROLLING WITH AN INVESTIGATION
744
00:31:40,570 --> 00:31:42,840
BECAUSE I TAKE THIS MATTER
AS SERIOUSLY AS YOU DO.
745
00:31:42,910 --> 00:31:43,980
I APPRECIATE THAT.
746
00:31:44,040 --> 00:31:45,440
AND BECAUSE I DON'T WANT YOU
747
00:31:45,510 --> 00:31:48,240
TO FEEL AS THOUGH IT REQUIRES
YOUR PERSONAL INTERVENTION.
748
00:31:48,310 --> 00:31:50,950
THE ONLY THING IS
I REALLY CAN'T SIT BACK
749
00:31:51,020 --> 00:31:53,260
ON SOMETHING
THAT INVOLVES MY FAMILY.
750
00:31:53,320 --> 00:31:54,830
I CAN'T BE
ALL THAT CONFIDENT
751
00:31:54,890 --> 00:31:56,900
THAT OTHER PEOPLE
ARE TAKING CARE OF IT.
752
00:31:56,960 --> 00:31:59,060
OTHER PEOPLE
ARE TAKING CARE OF IT.
753
00:31:59,120 --> 00:32:00,720
MAYBE I COULD JUST
HOLD ONTO THIS
754
00:32:00,790 --> 00:32:03,490
SO WHEN I'M WORKING THE PHONES,
I GOT IT IN FRONT OF ME.
755
00:32:03,560 --> 00:32:06,460
SURE.
756
00:32:24,650 --> 00:32:27,280
HOW DO YOU KNOW I DIDN'T FIND
THE MONEY IN A DUMPSTER?
757
00:32:27,350 --> 00:32:28,850
WE DO THIS
FOR A LIVING, PARKS.
758
00:32:28,920 --> 00:32:30,920
PLUS, WE GOT YOU GOING
TO A DRUGSTORE
759
00:32:30,990 --> 00:32:33,520
WITH TRACY GILCHRIST
AT 3:00 IN THE MORNING.
760
00:32:33,590 --> 00:32:35,820
SHE NEEDED SALINE SOLUTION
FOR HER CONTACTS.
761
00:32:35,890 --> 00:32:37,160
I TOOK HER TO GET IT.
762
00:32:37,230 --> 00:32:39,630
THAT AND THE MONEY
TIE YOU TO THE KIDNAPPING.
763
00:32:39,700 --> 00:32:42,200
THERE WASN'T ANY KIDNAPPING.
IT WAS A SETUP.
764
00:32:42,270 --> 00:32:44,680
IF THAT'S TRUE, THEN ALL WE HAVE
TO DEAL WITH IS THE GIRL.
765
00:32:44,740 --> 00:32:45,680
WHAT ABOUT THE GIRL?
766
00:32:45,740 --> 00:32:47,010
THE GIRL'S DEAD.
767
00:32:49,610 --> 00:32:51,040
OH, NO, YOU DON'T.
768
00:32:51,110 --> 00:32:53,340
WE'RE OPEN TO HEARING
AN EXPLANATION FOR IT.
769
00:32:53,410 --> 00:32:55,110
YOU JUST GOTTA BE
STRAIGHT WITH US.
770
00:32:55,180 --> 00:32:57,510
I'M NOT TAKING A RAP
FOR A MURDER.
771
00:32:57,580 --> 00:33:00,420
YOUR GIRLFRIEND'S UPSTAIRS
LOOKING TO HELP HERSELF.
772
00:33:00,480 --> 00:33:02,720
YOU MIGHT WANT TO THINK
ABOUT HOW TO HELP YOURSELF.
773
00:33:02,790 --> 00:33:05,560
THIS WAS SUPPOSED TO BE EASY.
774
00:33:05,620 --> 00:33:07,490
THIS GUY, TODD,
MAPS OUT A SITUATION
775
00:33:07,560 --> 00:33:10,730
WHERE WE CAN MAKE SOME MONEY,
WASN'T EVEN CRIMINAL.
776
00:33:10,800 --> 00:33:13,770
NEXT THING, THE CHICK TRIPS
A CIRCUIT, AND SAM WENT OFF.
777
00:33:13,830 --> 00:33:15,030
HOW'D SHE DO THAT?
778
00:33:15,100 --> 00:33:17,600
WE SMOKED THIS HASH,
779
00:33:17,670 --> 00:33:19,970
STARTED TALKING ABOUT
THESE DIFFERENT WEIRD JOBS
780
00:33:20,040 --> 00:33:21,200
THAT WE ALL HAD.
781
00:33:21,270 --> 00:33:23,810
IT GOT AROUND
TO THIS PHONE‐SEX THING THAT ‐‐
782
00:33:23,880 --> 00:33:24,980
WHAT'S HER NAME?
783
00:33:25,040 --> 00:33:26,840
TRACY.
TRACY DID.
784
00:33:26,910 --> 00:33:28,640
TODD SAYS, "GIVE US A SAMPLE."
785
00:33:28,710 --> 00:33:30,110
SHE SAYS SOME STUPID LINES
786
00:33:30,180 --> 00:33:32,480
THAT THEY HAVE HER SAY
TO THESE LOSERS THAT CALL.
787
00:33:32,550 --> 00:33:35,050
NEXT THING I KNOW, SAM
ON ACCOUNT OF SHE'S NUTS
788
00:33:35,120 --> 00:33:36,790
THINKS I'M GETTING OFF
ON IT.
789
00:33:36,860 --> 00:33:38,130
WHAT HAPPENED THEN?
790
00:33:38,190 --> 00:33:39,760
SHE TELLS ME TO TAKE TODD
TO THIS PLACE IN BROOKLYN,
791
00:33:39,820 --> 00:33:41,490
SO IF THEY FOLLOW US FROM
PICKING UP THE MONEY,
792
00:33:41,560 --> 00:33:43,320
WE'RE NOT COMING BACK
TO HIS GIRLFRIEND'S APARTMENT.
793
00:33:43,390 --> 00:33:45,130
MADE SENSE TO ME,
SO I DID IT.
794
00:33:45,200 --> 00:33:47,240
SHE MUST HAVE KILLED HER
AFTER WE LEFT.
795
00:33:47,300 --> 00:33:49,630
AND THE KIDNAPPING
WAS TODD'S IDEA?
796
00:33:49,700 --> 00:33:52,030
RIGHT FROM THE JUMP.
797
00:33:52,100 --> 00:33:53,670
CORRECT ME IF I'M WRONG,
798
00:33:53,740 --> 00:33:55,870
BUT THE KIDNAPPING
WASN'T A KIDNAPPING,
799
00:33:55,940 --> 00:33:57,540
AND THE MURDER
WASN'T DONE BY ME
800
00:33:57,610 --> 00:34:00,010
WITH ME NOT ON THE PREMISES
AT THE TIME IT WAS DONE,
801
00:34:00,080 --> 00:34:01,240
I'M GOOD TO GO, NO?
802
00:34:01,310 --> 00:34:03,480
I WOULDN'T WANT TO MAKE
ANY IRONCLAD ASSURANCES,
803
00:34:03,550 --> 00:34:05,280
BUT CERTAINLY
THERE'S NOTHING WRONG
804
00:34:05,350 --> 00:34:07,280
WITH TAKING THAT POSITION
AT THE OUTSET.
805
00:34:11,860 --> 00:34:12,800
[ SIGHS ]
806
00:34:16,630 --> 00:34:19,330
HEY, HOW'D IT GO?
807
00:34:19,400 --> 00:34:21,370
PUTS THE HOMICIDE
ON THE GIRL,
808
00:34:21,430 --> 00:34:22,800
SAID THE KIDNAPPING
WAS A HOAX.
809
00:34:22,870 --> 00:34:23,840
TODD'S IDEA.
810
00:34:23,900 --> 00:34:24,970
RIGHT.
811
00:34:25,040 --> 00:34:26,850
LIKE YOU SAID ALL ALONG.
812
00:34:29,210 --> 00:34:31,380
YOU TWO GONNA WORK
THINGS OUT?
813
00:34:31,440 --> 00:34:32,770
EVENTUALLY, PROBABLY.
814
00:34:32,840 --> 00:34:34,010
BE A SHAME IF YOU DIDN'T.
815
00:34:34,080 --> 00:34:35,810
NO, WE WILL.
816
00:34:38,750 --> 00:34:40,520
WHAT'D YOU FIND OUT?
817
00:34:40,590 --> 00:34:43,330
It's manufactured
in western Massachusetts.
818
00:34:43,390 --> 00:34:45,130
It is the top of the line
microphone transmitter
819
00:34:45,190 --> 00:34:46,120
this company makes.
820
00:34:46,190 --> 00:34:47,760
WHERE IS IT SOLD, JOHN?
821
00:34:47,830 --> 00:34:49,570
There's a number of places,
unfortunately.
822
00:34:49,630 --> 00:34:50,660
HOW MANY?
823
00:34:50,730 --> 00:34:52,090
In New York?
824
00:34:52,160 --> 00:34:53,490
LET'S START
WITH NEW YORK.
825
00:34:53,570 --> 00:34:56,070
There are 14.
Would you like me to list them?
826
00:34:56,130 --> 00:34:57,300
SURE, THANKS.
827
00:35:03,370 --> 00:35:05,440
WE HAVE A FEELING
THE IDEA FOR THE KIDNAPPING
828
00:35:05,510 --> 00:35:06,880
DIDN'T START
WITH YOU.
829
00:35:06,950 --> 00:35:07,950
YOU GOT THAT RIGHT.
830
00:35:08,010 --> 00:35:08,980
SO IT WAS PARKS?
831
00:35:09,050 --> 00:35:10,320
PARKS GETS A HEADACHE
832
00:35:10,380 --> 00:35:12,380
HE THINKS OF ANYTHING
THAT COMPLICATED.
833
00:35:12,450 --> 00:35:14,520
THAT YUPPIE ASSHOLE, TODD,
THOUGHT IT UP,
834
00:35:14,590 --> 00:35:16,460
WALKED US THROUGH IT,
AND WE WENT FOR IT.
835
00:35:16,520 --> 00:35:18,150
HOW DOES THE GIRL FIGURE
INTO ALL OF THIS?
836
00:35:18,220 --> 00:35:19,520
SHE'S TODD'S GIRLFRIEND.
837
00:35:19,590 --> 00:35:20,890
HOW'D SHE WIND UP
BEING KILLED?
838
00:35:20,960 --> 00:35:22,590
I DON'T KNOW
ANYTHING ABOUT THAT.
839
00:35:22,660 --> 00:35:24,860
SO IT WAS OUTSIDE
THE SCOPE OF THE PLAN?
840
00:35:24,930 --> 00:35:28,300
UNTIL RIGHT NOW, I DIDN'T
EVEN REALIZE IT HAPPENED.
841
00:35:28,370 --> 00:35:30,610
WHO WOULD BE RESPONSIBLE,
YOU THINK?
842
00:35:30,670 --> 00:35:33,200
MAYBE HER BOYFRIEND DID IT,
I DON'T KNOW.
843
00:35:33,270 --> 00:35:34,600
YOU'RE
IN A BAD SPOT RIGHT NOW.
844
00:35:34,670 --> 00:35:36,470
YOUR BOYFRIEND
SAID HE LEFT YOU ALONE
845
00:35:36,540 --> 00:35:38,070
WITH TRACY
IN HER APARTMENT,
846
00:35:38,140 --> 00:35:39,910
AND I SUSPECT TODD'S
GONNA BACK HIM UP.
847
00:35:39,980 --> 00:35:42,380
WHICH MEANS YOU GET STUCK TAKING
THE RAP FOR BOTH OF 'EM.
848
00:35:42,450 --> 00:35:44,520
IF IT WAS A STRUGGLE
BETWEEN YOU AND TRACY,
849
00:35:44,580 --> 00:35:46,850
AND IT GOT OUT OF HAND,
THAT'S A LOT LESS OF A RAP.
850
00:35:46,920 --> 00:35:49,250
BUT YOU GOTTA TELL US
THAT'S WHAT HAPPENED.
851
00:35:52,590 --> 00:35:55,390
I WOULD HAVE LIKED
TO DO IT ON THE PHONE.
852
00:35:55,460 --> 00:35:58,090
SIT IN YOUR KITCHEN,
SAY SOME DIRTY WORDS
853
00:35:58,160 --> 00:36:01,330
TO SOMEBODY WHO AIN'T EVEN
THERE AND GET PAID FOR IT?
854
00:36:01,400 --> 00:36:03,570
I HAD TO GO INTO MOTEL ROOMS
WITH 'EM.
855
00:36:03,640 --> 00:36:05,410
I HAD TO GO IN CARS
WITH 'EM.
856
00:36:05,470 --> 00:36:07,470
I HAD TO GO WHEREVER
THAT STUPID BASTARD
857
00:36:07,540 --> 00:36:09,000
SET IT UP FOR ME TO GO.
858
00:36:09,070 --> 00:36:11,470
NOW SOME ARTSY‐FARTSY
COLLEGE GIRL'S
859
00:36:11,540 --> 00:36:14,540
GONNA HUMILIATE ME
BY GETTING HIM TURNED ON?
860
00:36:14,610 --> 00:36:16,310
HIM AND
HIS NEW YUPPIE FRIEND?
861
00:36:16,380 --> 00:36:18,850
I DON'T THINK SO.
862
00:36:18,920 --> 00:36:20,660
THAT'S WHY YOU SENT YOUR
BOYFRIEND AND TODD AWAY?
863
00:36:20,720 --> 00:36:21,820
THAT'S RIGHT.
864
00:36:21,890 --> 00:36:23,430
AS FAR AS I'M CONCERNED,
865
00:36:23,490 --> 00:36:26,830
IT'S ON THEM WHAT I DID
WHETHER THEY WERE THERE OR NOT.
866
00:36:30,390 --> 00:36:32,830
WHY'D YOU LIE
ABOUT TRACY, TODD?
867
00:36:32,900 --> 00:36:36,010
BECAUSE I FELT GUILTY THAT
I EXPOSED HER TO THESE PEOPLE.
868
00:36:36,070 --> 00:36:38,810
EVEN THOUGH SHE WAS GONE
BEFORE I GOT HIT WITH THE PIPE,
869
00:36:38,870 --> 00:36:40,100
I JUST DIDN'T WANT HER
870
00:36:40,170 --> 00:36:43,470
TO BE INVOLVED WITH ANY TRIALS
OR INQUIRIES OR WHATEVER.
871
00:36:43,540 --> 00:36:45,610
IT MUST BE EVEN WORSE WHEN
YOU FOUND OUT SHE WAS DEAD.
872
00:36:45,680 --> 00:36:48,090
YOU CAN'T IMAGINE WHAT I'M
GOING THROUGH RIGHT NOW.
873
00:36:48,150 --> 00:36:49,790
THE PROBLEM IS
WHAT WE'RE GETTING
874
00:36:49,850 --> 00:36:51,750
IS THAT THE KIDNAPPING
WAS YOUR IDEA.
875
00:36:51,820 --> 00:36:53,630
THAT'S WHAT THEY'RE
TELLING YOU
876
00:36:53,690 --> 00:36:56,060
BECAUSE IT GETS THEM
OFF THE HOOK, OBVIOUSLY.
877
00:36:56,120 --> 00:36:58,150
HARD AS THIS
MAY BE TO BELIEVE,
878
00:36:58,220 --> 00:37:01,960
BUT EVEN A COUPLE OF DUMB COPS
LIKE US MIGHT SUSPECT THAT.
879
00:37:02,030 --> 00:37:03,330
BUT WHEN WE GET TWO PEOPLE
880
00:37:03,390 --> 00:37:05,390
TELLING THE SAME STORY
INDEPENDENTLY,
881
00:37:05,460 --> 00:37:07,460
AND ONE OF THEM
CONFESSES TO A HOMICIDE,
882
00:37:07,530 --> 00:37:09,260
WE'RE INCLINED
TO BELIEVE THEM.
883
00:37:09,330 --> 00:37:11,470
ALL RIGHT, LOOK.
884
00:37:11,540 --> 00:37:16,080
MY FATHER AND I HAVE A VERY
COMPLICATED RELATIONSHIP.
885
00:37:16,140 --> 00:37:18,710
HE SETS HIMSELF UP
886
00:37:18,780 --> 00:37:22,750
AS THIS CARING "I CAN'T
DO ENOUGH FOR MY KIDS"
KIND OF FATHER,
887
00:37:22,810 --> 00:37:25,180
BUT HE LETS YOU KNOW
WHEN YOU DISAPPOINT HIM.
888
00:37:25,250 --> 00:37:26,780
HE LETS YOU KNOW
WHEN YOU'RE NOT LIVING UP
889
00:37:26,850 --> 00:37:28,520
TO HIS IDEAL
OF THE PERFECT SON.
890
00:37:28,590 --> 00:37:30,160
YOU MUST HAVE BEEN
PRETTY HURT
891
00:37:30,220 --> 00:37:31,620
TO GO TO THE LENGTHS
YOU WENT TO.
892
00:37:31,690 --> 00:37:32,920
I WAS JUST SICK AND TIRED
893
00:37:32,990 --> 00:37:35,260
OF HIM LOOKING AT ME
LIKE I WAS WORTHLESS.
894
00:37:35,330 --> 00:37:36,670
SO YOU CAME UP
WITH THIS PLAN
895
00:37:36,730 --> 00:37:38,230
AND BROUGHT
YOUR GIRLFRIEND ALONG?
896
00:37:38,300 --> 00:37:42,370
AND THAT IS SOMETHING FOR WHICH
I WILL NEVER FORGIVE MYSELF.
897
00:37:42,430 --> 00:37:46,030
[ SIGHS ]
898
00:37:50,810 --> 00:37:52,770
PROGRESS?
899
00:37:54,110 --> 00:37:55,810
KID'S A COLLAR.
900
00:37:55,880 --> 00:37:56,750
HE WENT FOR IT?
901
00:37:56,820 --> 00:37:58,790
HE WENT FOR SETTING UP
THE KIDNAPPING.
902
00:37:58,850 --> 00:38:00,050
THEN HE GOES
FOR THE HOMICIDE.
903
00:38:00,120 --> 00:38:01,820
SINCE HE WASN'T THERE
WHEN THE GIRL WAS KILLED,
904
00:38:01,890 --> 00:38:03,260
THERE'S A HALF SHOT
HE'LL BEAT IT.
905
00:38:03,320 --> 00:38:04,420
WHICH'D BE A SHAME.
906
00:38:04,490 --> 00:38:06,490
ONE OF YOU WILL
FILL IN THE FATHER?
907
00:38:06,560 --> 00:38:10,030
I'LL TAKE CARE OF IT.
908
00:38:10,090 --> 00:38:11,690
[ SIGHS ]
909
00:38:11,760 --> 00:38:13,260
MR. GARVIN?
910
00:38:13,330 --> 00:38:15,360
WHERE'S TODD?
911
00:38:15,430 --> 00:38:18,830
THE KIDNAPPING WAS
YOUR SON'S IDEA, MR. GARVIN.
912
00:38:18,900 --> 00:38:20,140
HE'S UNDER ARREST.
913
00:38:20,200 --> 00:38:21,940
WE SAID WE DIDN'T WANT
TO PROSECUTE.
914
00:38:22,010 --> 00:38:25,480
HIS GIRLFRIEND WAS MURDERED BY
ONE OF THE PEOPLE HE ENLISTED.
915
00:38:25,540 --> 00:38:27,480
THAT MAKES HIM RESPONSIBLE,
AS WELL.
916
00:38:27,550 --> 00:38:29,220
HIS GIRLFRIEND
WAS MURDERED?
917
00:38:29,280 --> 00:38:31,110
DID TODD PARTICIPATE
IN HER MURDER?
918
00:38:31,180 --> 00:38:34,120
I'M NOT GONNA GO INTO ANY
SPECIFICS WITH YOU, COUNSELOR.
919
00:38:34,190 --> 00:38:36,490
IF HE DIDN'T PARTICIPATE,
AND IT WASN'T FORESEEABLE,
920
00:38:36,560 --> 00:38:40,470
CHANCES ARE NOBODY'S GONNA HANG
A MURDER CHARGE ON HIM.
921
00:38:40,520 --> 00:38:42,160
CAN I SEE HIM?
922
00:38:42,230 --> 00:38:43,470
HE'S BEING PROCESSED NOW.
923
00:38:43,530 --> 00:38:45,470
WHEN WE TAKE HIM TO COURT,
I'LL LET YOU KNOW.
924
00:38:45,530 --> 00:38:46,460
YOU CAN SEE HIM THEN.
925
00:38:46,530 --> 00:38:48,360
Clark:
IT'S NOT YOUR FAULT.
926
00:38:48,430 --> 00:38:50,430
WHATEVER YOU DID,
WHATEVER YOU DIDN'T DO,
927
00:38:50,500 --> 00:38:52,530
YOUR SON BROUGHT IT
UPON HIMSELF.
928
00:38:52,600 --> 00:38:53,870
CALL FOR YOU, DETECTIVE.
929
00:39:02,250 --> 00:39:04,760
SIPOWICZ.
930
00:39:08,650 --> 00:39:10,550
ALL RIGHT, THANKS.
931
00:39:13,060 --> 00:39:16,100
THAT WAS MUNSON ABOUT
YOUR HEARING THIS MORNING.
932
00:39:16,160 --> 00:39:19,160
MURDER CHARGES AGAINST
McCLINTOCK HAVE BEEN DROPPED.
933
00:39:19,230 --> 00:39:21,460
EL FOLDO.
934
00:39:21,530 --> 00:39:23,630
WHAT HAPPENS
WHEN YOUR STAR WITNESS
935
00:39:23,700 --> 00:39:25,400
GETS KNOCKED OUT OF THE BOX.
936
00:39:25,470 --> 00:39:27,400
SOME SYSTEM, HUH?
937
00:39:39,580 --> 00:39:41,520
DID YOU JUST WALK AWAY
FROM ME?
938
00:39:41,590 --> 00:39:44,060
YEAH, JOHN,
I WALKED AWAY FROM YOU.
939
00:39:44,120 --> 00:39:46,620
I WENT FOR SOME TRIM
I SHOULDN'T HAVE GONE FOR.
940
00:39:46,690 --> 00:39:49,060
HOW LONG I GOTTA HANG
ON THE CROSS FOR THAT?
941
00:39:49,130 --> 00:39:50,170
I DON'T KNOW.
942
00:39:50,230 --> 00:39:51,230
I FEEL BAD IT HAPPENED.
943
00:39:51,300 --> 00:39:52,770
YOU KNOW I FEEL BAD
IT HAPPENED.
944
00:39:52,830 --> 00:39:55,560
HOW BAD ARE YOU GONNA FEEL
WHEN THIS ASSHOLE, McCLINTOCK,
945
00:39:55,630 --> 00:39:57,470
BEATS SOME OTHER POOR GIRL
TO DEATH?
946
00:39:57,540 --> 00:40:00,450
AND THAT'S ON ME, RIGHT?
947
00:40:00,500 --> 00:40:02,770
LISTEN, JOHN...
948
00:40:02,840 --> 00:40:05,840
I DON'T WANT
TO WORK WITH YOU NO MORE.
949
00:40:05,910 --> 00:40:07,340
HOW ABOUT I SEE YOU
IN THE MORNING?
950
00:40:07,410 --> 00:40:08,610
YOU CAN TELL ME
ALL ABOUT IT.
951
00:40:08,680 --> 00:40:11,550
I'M NOT KIDDING
AROUND WITH YOU, JOHN.
952
00:40:11,620 --> 00:40:13,590
YOU GONNA DUMP ME
AS A PARTNER OVER THIS?
953
00:40:13,650 --> 00:40:15,220
YEAH.
SHAME ON YOU.
954
00:40:15,290 --> 00:40:16,800
IT'S NOT SOMETHING
I WANNA DO.
955
00:40:16,860 --> 00:40:18,860
IT'S EXACTLY
WHAT YOU WANNA DO.
956
00:40:18,920 --> 00:40:20,460
THAT WAY YOU CAN HOLD
YOURSELF OUT,
957
00:40:20,520 --> 00:40:22,560
HOLIER THAN THOU,
ST. ANDY OF ASSISI.
958
00:40:22,630 --> 00:40:24,540
YOU MIGHT WANT TO LOOK
AT YOUR OWN PART IN IT.
959
00:40:24,600 --> 00:40:26,240
YOU'RE CUTTING ME LOOSE
FOR NOTHING
960
00:40:26,300 --> 00:40:29,780
BECAUSE YOU WANT TO, BECAUSE
IT MAKES YOU FEEL BETTER.
961
00:40:29,830 --> 00:40:32,300
YOU'RE A PHONY, ANDY,
AND I'M ONTO YOU.
962
00:40:32,370 --> 00:40:33,430
I'M HAVING A TOUGH TIME,
963
00:40:33,500 --> 00:40:34,740
AND YOU DON'T WANT
TO DEAL WITH IT,
964
00:40:34,810 --> 00:40:35,750
SO HERE'S YOUR EASY OUT.
965
00:40:35,810 --> 00:40:36,820
YEAH.
WELL, GOOD.
966
00:40:36,880 --> 00:40:38,380
YOU DON'T WANT ME
AS A PARTNER?
967
00:40:38,440 --> 00:40:39,640
I DON'T WANT YOU
AS A PARTNER.
968
00:40:39,710 --> 00:40:40,780
SIMPLE, WE GET A DIVORCE.
969
00:40:40,850 --> 00:40:42,190
LET'S LET IT GO
AT THAT.
970
00:40:42,250 --> 00:40:44,690
DROP DEAD!
971
00:40:45,820 --> 00:40:48,690
[ DOOR OPENS, CLOSES ]
972
00:41:22,650 --> 00:41:25,320
HIYA, CONNIE.
973
00:41:25,390 --> 00:41:27,720
LISTEN, I HAVEN'T LEFT
WORK YET,
974
00:41:27,790 --> 00:41:30,660
AND I WAS WONDERING
WHAT ARE YOU DOING NOW?
975
00:41:30,730 --> 00:41:34,560
CAN YOU MAYBE CALL NEXT DOOR
TO TERESA TO WATCH THE KIDS?
976
00:41:34,630 --> 00:41:37,530
NO, EVERYTHING'S ALL RIGHT.
977
00:41:37,600 --> 00:41:40,040
I JUST DON'T WANT TO DRIVE
MYSELF RIGHT NOW.
978
00:41:42,470 --> 00:41:44,370
I HAVEN'T BEEN DRINKING.
979
00:41:44,440 --> 00:41:48,810
WHAT I'M AFRAID OF, IF I DRIVE
MYSELF HOME, I'LL STOP,
980
00:41:48,880 --> 00:41:51,510
AND I WILL DRINK,
AND THAT'S WHY I'M CALLING YOU.
981
00:41:51,580 --> 00:41:54,520
I'LL WAIT RIGHT HERE.
982
00:41:54,590 --> 00:41:57,260
YEAH.
72321
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