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(cheering) (trumpets blaring)
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>> Voiceover: Ladies and gentlemen,
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please welcome Olympic gold medalists
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Kristi Yamaguchi and Brian Boitano.
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(cheering)
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>> Good evening.
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You're probably wondering why Brian and I are here.
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It's because music is a big part
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of every skater's performance.
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>> Over the years, I have had to choose
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a lot of music for my routines and I
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noticed one name kept popping up
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over and over again.
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I was so drawn to his music,
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but I didn't know who this guy was.
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>> It was the same for me, Brian,
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but I also noticed that many of the
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themes and songs used at the opening
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and closing ceremonies of the Olympics
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were written by this same guy.
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Here to performance his magnificent
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theme from the 1988 Calgary Winter Olympics
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is the Hit Man himself.
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>> David Foster. >> David Foster.
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(cheering)
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(uplifting piano music) (accompanying orchestra)
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(cheering)
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>> Good evening, everyone, and welcome
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back to Mandalay Bay!
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Woo!
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It's really hard to imagine it's
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been two a half years since we
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were here in Vegas taping my first special.
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And guess what?
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We left out many great songs, many great stars,
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we just had to come here and do it again tonight.
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So I was always this guy that people knew,
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but they really didn't know because
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I was working behind the scenes,
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producing and writing the music.
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Sliding it under the door, they
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slid food back under the door,
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and I never saw the daylight for 30 years.
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Early in my career I was a piano player.
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Like most musicians, always looking for a gig.
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I found out that there was this
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band that needed a pianist, so I asked
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my neighbor Willy to give me a ride
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to the audition.
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We get there, my friend Willy
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jumps on the drums just to "help out,"
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and of course he gets the gig and I don't.
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I hate Willy.
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I hate him, I hate the band, I hate everyone.
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Oh, and the name of the band?
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Loggins and Messina, I hate them.
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(laughing)
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Fortunately, I got over it and
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years later I had the chance to
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write and produce for one of
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the all time great voices and talent,
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this California genius, doing a couple
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of songs we wrote and produced together,
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ladies and gentlemen, give it up
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for Kenny Loggins!
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(cheering)
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>> Yeah!
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♫ You ain't crazy, I don't lie anymore
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♫ What you're feeling, there's a reason for
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♫ I wanna do right
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♫ Oh, I gotta do right
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♫ Do I love you, mama, you know I've tried
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♫ Darling, what you're after
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♫ You won't find in my eyes
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♫ I wanna do right
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♫ But not tonight
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♫ Darling, tell the truth, don't turn away
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♫ This is our last chance, touch each other's hearts
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♫ Does anything last forever
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♫ I don't know
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♫ But maybe we're need the end
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♫ So darling tell me
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♫ Oh, how can we go on together
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♫ Now that we've grown apart
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♫ Well the only way to start
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♫ Is heart to heart
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(electric guitar solo)
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♫ One by one, we're collecting lies
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♫ When you can't give love, you give alibis
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♫ I wanna do right
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♫ Right here tonight
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♫ Darling, tell me the truth
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♫ Don't you turn away
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♫ This is our last chance
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♫ To touch each others heart
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♫ Does anything last forever
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♫ I don't know
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♫ Maybe we're near the end
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♫ So darling tell me
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♫ Oh, how can we go on together
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♫ Now that we've grown apart
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♫ I know the only way to start
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♫ Is heart to heart
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♫ Why are you so torn apart
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♫ I need a little more loving in my heart
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♫ People say that love will grow
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♫ So how was I to know
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♫ Love that's come through years and years
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♫ Can't find a way back home anymore
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(saxophone solo)
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>> David: Kenny G!
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♫ Yeah
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♫ Darling tell the truth
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♫ Don't you turn away
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♫ This is our last chance
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♫ To touch each others heart
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♫ Does anything last forever
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♫ Baby, I don't know
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♫ But maybe we're near the end
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♫ So darling tell me
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♫ Oh, how can we go on together
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♫ Now that we have grown apart
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♫ I know, the only way to start
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♫ Is heart to heart ♫
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(cheering)
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>> Kenny G!
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Kenny Loggins!
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Thank you, Kenny!
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Awesome, buddy.
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That brings back memories.
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>> Yes, here we are in one of your
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typical living room settings.
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>> Kenny and I have a long history together
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even though you fired me before
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I even got started way back in the 70s.
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>> I was just jealous.
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>> I really treasure the time that
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we spent writing together, we still write together,
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and we wrote what I think is one of my best songs.
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>> Well thank you, I remember the night
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we wrote this was a dinner party
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that we had, and we had what, an hour
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and a half to mess around in the studio
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while the ladies made dinner, and
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so we wrote a hit.
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>> That's beautiful, it goes like this.
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♫ Now, while we're here alone
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♫ And all is said and done
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♫ Now I can let you know
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♫ Because of all you've shown
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♫ I've grown enough to tell you
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♫ You'll always be inside of me
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♫ How many roads have gone by
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♫ So many words left unspoken
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♫ I needed to be by your side
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♫ If only to hold you
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♫ Forever in my heart
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♫ Forever we will be
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♫ And even when I'm gone
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♫ You'll be here in me
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♫ Forever
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♫ Once, I dreamed that you were gone
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♫ I cried out trying to find you
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♫ I begged the dream to fade away
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♫ And please awaken me
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♫ Night took a hold of my heart
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♫ And left me with no one to follow
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♫ The love that I'd lost to the dark
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♫ I'll always remember
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♫ Forever in my heart
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♫ Forever we will be
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♫ And even when I'm gone
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♫ You'll be here with me
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♫ Forever in my heart
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♫ You always thought I'd be
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♫ I'd be yours
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(piano solo music)
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♫ Forever ♫
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(cheering)
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>> David: Kenny Loggins!
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Thank you, Kenny.
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Awesome, buddy.
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>> Thank you!
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What a way to start out, man.
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Wow.
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Now I wanna go back to 1975.
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I was a piano player playing piano
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and arranging on a lot of sessions,
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including an album with George Harrison
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which was thrilling to me to actually
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be with a Beatle, so George called me
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and he asked me if I would play on an album
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with a friend of his from a band called Spooky Tooth.
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Now I never heard of a band called Spooky Tooth,
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but it just sounded kinda interesting to me.
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What ends up happening is the drummer,
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Jim Kellner and I, end up doing
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the whole album with this guy.
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I was mesmorized by his talent
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and especially by his wizardry,
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his machines, he was into synthesizers
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and it was amazing to me.
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Here he is, this song was such
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a mega mega mega hit.
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Please welcome my friend, singing
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Dream Weaver, Gary Wright!
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(cheering)
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♫ I've just closed my eyes again
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♫ Climbed aboard the dream weaver train
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♫ Driver take away my worries of today
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♫ And leave tomorrow behind
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>> Here we go.
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♫ Ooh dream weaver
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♫ I believe you can get me through the night
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♫ Ooh dream weaver
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♫ I believe we can reach the morning light
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♫ Fly me high through the starry skies
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♫ Or maybe to an astral plane
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♫ Cross the highways of fantasy
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♫ Help me to forget today's pain
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♫ Ooh dream weaver
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♫ I believe you can get me through the night
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♫ Ooh dream weaver
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♫ I believe we can reach the morning light
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♫ Though the dawn may be coming soon
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♫ There still may be some time
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♫ Fly me away to the bright side of the moon
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♫ And meet me on the other side
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♫ Ooh dream weaver
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♫ I believe you can get me through the night
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♫ Ooh dream weaver
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♫ I believe we can reach the morning light
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♫ Dream weaver
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♫ Help me through the night
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♫ Help me through the night
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♫ Yeah yeah ♫
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(cheering)
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>> Gary Wright!
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35 years, brother.
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So I often get asked, when you write a song,
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do you have someone in mind.
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And the answer is always no.
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Never.
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There's only one occasion ever
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where I actually had somebody in mind.
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I was so positive that that artist
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would do this song that when I wrote
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the instrumental with my friend
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Tom Keene, I actually called it Chaka.
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And then my friend, Cynthia Well,
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put a stunning lyric to it.
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Here to sing Through the Fire,
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the one, the only Chaka Khan!
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(cheering)
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>> Hi!
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Hi, darling.
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♫ I look in your eyes and I can see
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♫ We've loved so dangerously
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♫ You're not trusting your heart to anyone
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♫ You tell me you're gonna play it smart
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♫ We're through before we start
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♫ But I believe that we've only just begun
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♫ When it's this good, there's no saying no
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♫ I need you so, I'm ready to go
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♫ Through the fire
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♫ To the limit, to the wall
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♫ For a chance to be with you
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♫ I'd gladly risk it all
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♫ Through the fire
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♫ Through whatever, come what may
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♫ For a chance to be with you
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♫ Take it all the way
273
00:21:15,762 --> 00:21:18,312
♫ Right down to the wire
274
00:21:19,062 --> 00:21:23,692
♫ Even through a fire
275
00:21:28,442 --> 00:21:32,662
♫ I know you're afraid of what you feel
276
00:21:33,712 --> 00:21:36,792
♫ You still need time to heal
277
00:21:37,682 --> 00:21:42,072
♫ I can help if you'll only let me try
278
00:21:42,852 --> 00:21:47,312
♫ You touched me and something in me knew
279
00:21:48,292 --> 00:21:51,452
♫ What I have with you
280
00:21:52,202 --> 00:21:57,202
♫ I'm not willing to kiss that dream goodbye
281
00:21:58,502 --> 00:22:02,192
♫ When it's this sweet, there's no saying no
282
00:22:02,942 --> 00:22:04,762
♫ No no no no no
283
00:22:05,682 --> 00:22:10,332
♫ I need you so, I'm ready to go
284
00:22:11,982 --> 00:22:13,192
♫ Through the fire
285
00:22:13,592 --> 00:22:16,572
♫ To the limit, to the wall
286
00:22:18,722 --> 00:22:20,772
♫ For a chance to be with you
287
00:22:21,292 --> 00:22:24,352
♫ I'd rather risk it all
288
00:22:26,042 --> 00:22:27,672
♫ Through the fire
289
00:22:27,672 --> 00:22:31,352
♫ Through whatever come what may
290
00:22:36,442 --> 00:22:39,032
♫ I'd take it all the way
291
00:22:39,612 --> 00:22:42,562
♫ Right down to the wire
292
00:22:43,222 --> 00:22:46,232
♫ Even through the fire
293
00:22:55,422 --> 00:22:56,782
♫ Through the wire
294
00:22:57,202 --> 00:22:58,412
♫ To the limit
295
00:22:58,662 --> 00:23:00,282
♫ Can you feel the heat
296
00:23:00,602 --> 00:23:02,102
♫ Can you feel the (mumble)
297
00:23:03,972 --> 00:23:05,322
♫ To the limit
298
00:23:06,332 --> 00:23:07,492
♫ Through the fire
299
00:23:10,372 --> 00:23:13,862
♫ Baby baby baby
300
00:23:16,412 --> 00:23:18,632
♫ Ever through the fire
301
00:23:19,082 --> 00:23:20,372
♫ To the limit
302
00:23:21,492 --> 00:23:22,702
♫ Through the fire
303
00:23:25,492 --> 00:23:28,112
♫ Can't you see (mumble)
304
00:23:28,662 --> 00:23:29,632
♫ Through the fire
305
00:23:31,832 --> 00:23:33,182
♫ Through the fire
306
00:23:36,972 --> 00:23:38,622
♫ Through the fire ♫
307
00:23:39,302 --> 00:23:41,422
(cheering)
308
00:23:42,232 --> 00:23:43,262
>> Thank you!
309
00:23:44,242 --> 00:23:46,232
>> David: Chaka Khan!
310
00:23:46,652 --> 00:23:47,732
>> Thank you.
311
00:23:48,582 --> 00:23:50,062
>> Woohoo!
312
00:23:53,152 --> 00:23:54,242
Wow!
313
00:24:01,162 --> 00:24:06,162
After the 80s, my 90s were actually pretty good.
314
00:24:07,132 --> 00:24:08,472
I thought we might perform a couple
315
00:24:08,472 --> 00:24:09,732
of number one songs, but I had
316
00:24:09,732 --> 00:24:12,152
trouble figuring out who could perform them.
317
00:24:12,942 --> 00:24:15,052
Then like an idiot, I realized...
318
00:24:15,912 --> 00:24:20,132
Why not get the guys that did these two songs with me?
319
00:24:20,452 --> 00:24:21,702
Here's the funny thing.
320
00:24:22,082 --> 00:24:24,182
We made this record almost 20 years ago.
321
00:24:24,182 --> 00:24:26,872
These guys are still in their early 30s.
322
00:24:28,452 --> 00:24:31,322
They sound amazing still and we're gonna
323
00:24:31,322 --> 00:24:33,832
relive a little bit of our history together
324
00:24:33,832 --> 00:24:35,802
with a couple of hits that we did.
325
00:24:36,062 --> 00:24:38,282
Please welcome, from California,
326
00:24:39,272 --> 00:24:40,282
All-4-One.
327
00:24:40,962 --> 00:24:43,322
(cheering)
328
00:24:52,092 --> 00:24:54,422
♫ Ooooooh
329
00:24:57,982 --> 00:24:59,992
♫ I can love you love you love you
330
00:24:59,992 --> 00:25:02,062
♫ If you were my girl
331
00:25:03,292 --> 00:25:05,742
♫ They read you Cinderella
332
00:25:06,292 --> 00:25:08,332
♫ You hoped it would come true
333
00:25:08,332 --> 00:25:13,332
♫ That one day your prince charming would come rescue you
334
00:25:13,922 --> 00:25:16,272
♫ You like romantic movies
335
00:25:16,272 --> 00:25:18,892
♫ And you never will forget
336
00:25:19,342 --> 00:25:23,992
♫ The way you felt when Romeo kissed Juliet
337
00:25:24,512 --> 00:25:28,502
♫ And all this time that you've been waiting
338
00:25:29,652 --> 00:25:33,432
♫ You don't have to wait no more
339
00:25:35,792 --> 00:25:38,002
♫ I can love you like that
340
00:25:38,462 --> 00:25:40,812
♫ I would make you my world
341
00:25:41,462 --> 00:25:46,052
♫ Move Heaven and Earth if you were my girl
342
00:25:46,532 --> 00:25:48,652
♫ I would give you my heart
343
00:25:49,202 --> 00:25:51,722
♫ Be all that you need
344
00:25:52,262 --> 00:25:56,462
♫ Show you you're everything that's precious to me
345
00:25:57,042 --> 00:26:02,042
♫ If you give me a chance, I can love you like that
346
00:26:05,142 --> 00:26:07,272
♫ I love you like that
347
00:26:08,022 --> 00:26:10,872
♫ If you want tenderness
348
00:26:11,322 --> 00:26:13,632
♫ I've got tenderness
349
00:26:14,332 --> 00:26:19,132
♫ And I see through to the heart of you
350
00:26:19,132 --> 00:26:23,922
♫ If you want a man who will understand
351
00:26:25,072 --> 00:26:29,062
♫ You don't have to look very far
352
00:26:31,102 --> 00:26:32,562
♫ I can love you
353
00:26:33,652 --> 00:26:35,832
♫ I can love you, love you
354
00:26:36,482 --> 00:26:38,832
♫ I can love you like that
355
00:26:39,282 --> 00:26:41,772
♫ I would make you my world
356
00:26:42,392 --> 00:26:46,752
♫ Move Heaven and Earth if you were my girl
357
00:26:46,752 --> 00:26:49,442
♫ I would give you my heart
358
00:26:49,962 --> 00:26:52,412
♫ Be all that you need
359
00:26:52,962 --> 00:26:57,292
♫ Show you you're everything that's precious to me
360
00:26:57,842 --> 00:27:00,992
♫ I can love you like that ♫
361
00:27:06,282 --> 00:27:07,432
>> Oh man.
362
00:27:08,012 --> 00:27:10,502
(cheering) Oh man, now wait.
363
00:27:11,582 --> 00:27:13,032
Wait just a second.
364
00:27:13,552 --> 00:27:15,112
I gotta tell you a little story 'cause I'm just
365
00:27:15,112 --> 00:27:17,712
thinking about Alfred, the bass singer of the group.
366
00:27:18,192 --> 00:27:21,092
He says David, I'm never one to complain,
367
00:27:21,092 --> 00:27:23,462
but I want a solo line.
368
00:27:23,462 --> 00:27:26,112
Bass singers never get a solo line, right?
369
00:27:26,562 --> 00:27:27,822
So I gave him...
370
00:27:29,232 --> 00:27:30,572
♫ If you were my girl ♫
371
00:27:30,572 --> 00:27:32,072
>> I forgot about that, thank you, David.
372
00:27:32,072 --> 00:27:33,142
>> If you were my girl.
373
00:27:33,142 --> 00:27:34,792
>> If you were my girl.
374
00:27:35,212 --> 00:27:36,582
>> David: And that's how that worked.
375
00:27:36,942 --> 00:27:38,182
That was a great success, that song,
376
00:27:38,182 --> 00:27:40,202
but we had another hit together
377
00:27:40,202 --> 00:27:41,982
that I produced for you guys,
378
00:27:41,982 --> 00:27:43,282
and it was a great time for me,
379
00:27:43,282 --> 00:27:44,632
a great time for you.
380
00:27:45,282 --> 00:27:46,382
>> A very good time for us.
381
00:27:46,382 --> 00:27:47,052
>> Oh yeah.
382
00:27:47,052 --> 00:27:49,942
>> 11 weeks at number one.
383
00:28:04,872 --> 00:28:09,872
♫ I see the questions in your eyes
384
00:28:10,642 --> 00:28:15,622
♫ I know what's weighing on your mind
385
00:28:16,312 --> 00:28:21,312
♫ And you can be sure I know my part
386
00:28:23,152 --> 00:28:28,152
♫ And when just the two of us are there
387
00:28:30,852 --> 00:28:35,622
♫ You won't have to ask if I still care
388
00:28:36,432 --> 00:28:40,022
♫ 'Cause as time turns the page
389
00:28:40,572 --> 00:28:45,192
♫ My love won't age at all
390
00:28:46,012 --> 00:28:51,012
♫ And I swear, by the moon and the stars in the sky
391
00:28:54,052 --> 00:28:57,532
♫ I'll be there, I'll be there
392
00:28:57,562 --> 00:29:02,562
♫ And I swear, like the shadow that's by your side
393
00:29:05,632 --> 00:29:09,052
♫ I'll be there, I'll be there
394
00:29:09,862 --> 00:29:11,952
♫ For better or worse
395
00:29:12,542 --> 00:29:14,812
♫ 'Till death do us part
396
00:29:15,512 --> 00:29:19,982
♫ I'll love you with every beat of my heart
397
00:29:19,982 --> 00:29:22,232
♫ And I swear
398
00:29:23,152 --> 00:29:24,282
>> Come on, everybody, just raise
399
00:29:24,282 --> 00:29:26,252
one hand up from side to side like this!
400
00:29:26,252 --> 00:29:27,802
Come on, everybody!
401
00:29:29,692 --> 00:29:33,112
>> Everybody wave your hands in the air!
402
00:29:33,592 --> 00:29:35,212
Come on!
403
00:29:35,732 --> 00:29:40,732
♫ And I swear, by the moon and the stars in the sky
404
00:29:43,232 --> 00:29:46,302
♫ I'll be there, I'll be there
405
00:29:46,302 --> 00:29:51,302
♫ And I swear, like the shadow that's by your side
406
00:29:54,812 --> 00:29:58,332
♫ I'll be there, I'll be there
407
00:29:59,082 --> 00:30:01,002
♫ For better or worse
408
00:30:01,622 --> 00:30:04,172
♫ 'Till death do us part
409
00:30:04,762 --> 00:30:09,702
♫ I'll love you with every single beat of my heart
410
00:30:10,302 --> 00:30:12,712
♫ And I swear
411
00:30:13,162 --> 00:30:15,152
♫ I swear
412
00:30:17,712 --> 00:30:22,712
♫ I swear ♫
413
00:30:26,042 --> 00:30:28,052
(cheering)
414
00:30:28,052 --> 00:30:29,362
>> Thank you.
415
00:30:29,982 --> 00:30:31,532
>> Thank you, thank you.
416
00:30:32,782 --> 00:30:34,172
>> All-4-One!
417
00:30:34,952 --> 00:30:39,772
Tony, Delious, Jamie, Alfred, thank you guys!
418
00:30:39,992 --> 00:30:41,042
Woo!
419
00:30:45,962 --> 00:30:48,102
You know, one of the greatest moments
420
00:30:48,102 --> 00:30:50,022
in my career came...
421
00:30:51,542 --> 00:30:53,592
When I got asked to work with our next guest.
422
00:30:54,142 --> 00:30:55,972
She was a superstar long before
423
00:30:55,972 --> 00:30:57,872
I got a hold of her, but we did manage
424
00:30:57,872 --> 00:31:01,602
to carve out a little piece of history together.
425
00:31:02,112 --> 00:31:03,762
And a few Grammys along the way.
426
00:31:04,682 --> 00:31:06,322
When we teamed her up with her father,
427
00:31:06,322 --> 00:31:08,802
the late great Nat King Cole.
428
00:31:11,722 --> 00:31:14,662
It remains a shining moment in
429
00:31:14,662 --> 00:31:16,312
both of our lives.
430
00:31:16,922 --> 00:31:19,962
Here to sing a duet from The Unforgettable Time,
431
00:31:19,962 --> 00:31:23,332
please welcome the awesome sexy voice
432
00:31:23,332 --> 00:31:25,702
of Reuben Studdard and of course
433
00:31:25,702 --> 00:31:29,462
the incomparable Natalie Cole!
434
00:31:29,842 --> 00:31:32,192
(cheering)
435
00:31:50,832 --> 00:31:55,832
♫ And the moment I can feel that
436
00:31:57,872 --> 00:32:01,662
♫ You feel that way too
437
00:32:04,202 --> 00:32:09,202
♫ Is when I fall in love with you
438
00:32:23,492 --> 00:32:26,452
♫ When I fall in love
439
00:32:28,162 --> 00:32:31,952
♫ It will be forever
440
00:32:32,902 --> 00:32:37,902
♫ Or I'll never fall in love
441
00:32:44,282 --> 00:32:49,282
♫ In a restless world, like this is
442
00:32:50,922 --> 00:32:55,742
♫ Love is ended before it's begun
443
00:32:57,262 --> 00:33:02,122
♫ And too many moonlight kisses
444
00:33:03,372 --> 00:33:08,372
♫ Seem to cool in the warmth of the sun
445
00:33:10,512 --> 00:33:13,892
♫ When I give my heart
446
00:33:14,282 --> 00:33:16,662
♫ Give my heart
447
00:33:17,312 --> 00:33:21,172
♫ It will be completely
448
00:33:21,522 --> 00:33:23,542
♫ Completely
449
00:33:24,062 --> 00:33:29,062
♫ Or I'll never give my heart
450
00:33:31,162 --> 00:33:33,682
♫ Give my heart
451
00:33:34,932 --> 00:33:39,932
♫ And the moment I can feel that
452
00:33:42,572 --> 00:33:46,392
♫ You feel that way too
453
00:33:48,012 --> 00:33:52,222
♫ Is when I fall in love
454
00:33:52,222 --> 00:33:54,012
♫ When I fall in love
455
00:33:54,012 --> 00:33:56,042
♫ With you
456
00:33:56,052 --> 00:33:59,202
(saxophone solo)
457
00:34:04,502 --> 00:34:08,122
♫ This love feels so right
458
00:34:20,312 --> 00:34:24,832
♫ Oh when I give my heart
459
00:34:25,082 --> 00:34:26,902
♫ Give my heart
460
00:34:27,452 --> 00:34:30,822
♫ It will be completely
461
00:34:30,822 --> 00:34:33,072
♫ Completely
462
00:34:33,622 --> 00:34:38,622
♫ Or I'll never give my heart
463
00:34:41,032 --> 00:34:44,082
♫ Never give my heart
464
00:34:44,802 --> 00:34:49,802
♫ And the moment I can feel that
465
00:34:52,142 --> 00:34:55,902
♫ You feel that way too
466
00:34:57,082 --> 00:35:02,082
♫ Is when I fall in love
467
00:35:03,922 --> 00:35:08,042
♫ When I fall in love
468
00:35:10,162 --> 00:35:15,162
♫ When I fall in love with you
469
00:35:29,852 --> 00:35:32,112
♫ I love you
470
00:35:32,112 --> 00:35:35,272
♫ I love you too ♫
471
00:35:36,752 --> 00:35:41,752
(cheering)
472
00:35:54,102 --> 00:35:55,462
>> I'm speechless.
473
00:35:55,772 --> 00:35:57,112
>> Thank you, David, he's divine.
474
00:35:57,112 --> 00:35:58,042
>> David: Isn't he?
475
00:35:58,042 --> 00:35:59,792
He really is divine.
476
00:36:00,112 --> 00:36:02,102
>> David: Reuben will be back, by the way.
477
00:36:03,782 --> 00:36:06,652
I love my own music, but...
478
00:36:06,652 --> 00:36:08,102
>> It's pretty obvious.
479
00:36:08,552 --> 00:36:09,392
>> I just...
480
00:36:09,392 --> 00:36:11,162
(laughing)
481
00:36:11,522 --> 00:36:12,612
Ta-da!
482
00:36:15,092 --> 00:36:17,192
But this next song, I had nothing
483
00:36:17,192 --> 00:36:20,232
to do with this song, I just love it so much.
484
00:36:20,232 --> 00:36:21,772
I love it so much, I just wanna watch,
485
00:36:21,772 --> 00:36:23,922
I don't even wanna play on it.
486
00:36:24,272 --> 00:36:26,882
I had nothing to do with it, I'm backing away.
487
00:36:27,202 --> 00:36:28,612
I'm gonna get my friend Mo Pleasure
488
00:36:28,612 --> 00:36:29,912
to play the piano on this, and you
489
00:36:29,912 --> 00:36:31,112
guys are just gonna rock out,
490
00:36:31,112 --> 00:36:32,762
Natalie Cole. >> All right, okay.
491
00:36:33,312 --> 00:36:35,562
(cheering)
492
00:36:41,222 --> 00:36:43,772
You can put some hands together if you feel like it.
493
00:36:47,462 --> 00:36:51,552
♫ Ooooh, aha
494
00:36:52,202 --> 00:36:54,822
♫ Ooooh, aha
495
00:37:02,542 --> 00:37:03,522
What?
496
00:37:07,142 --> 00:37:10,882
♫ This will be an everlasting love
497
00:37:10,882 --> 00:37:14,622
♫ This will be the one I've waited for
498
00:37:14,622 --> 00:37:19,622
♫ This will be the first time anyone has loved me
499
00:37:22,332 --> 00:37:26,132
♫ I'm so glad you found me in time
500
00:37:26,132 --> 00:37:29,972
♫ I'm so glad that you recrefied my mind
501
00:37:29,972 --> 00:37:34,972
♫ This will be an everlasting love for me
502
00:37:37,842 --> 00:37:41,382
♫ Loving you is some kind of wonderful
503
00:37:41,382 --> 00:37:45,252
♫ Because you've shown me just how much you care
504
00:37:45,252 --> 00:37:48,672
♫ You've given me the thrill of a lifetime
505
00:37:48,992 --> 00:37:52,392
♫ And made me believe you've got more thrills to spare
506
00:37:53,162 --> 00:37:57,912
♫ This will be an everlasting love
507
00:37:58,502 --> 00:38:00,382
♫ Oh, yes it will now
508
00:38:04,602 --> 00:38:07,722
♫ You brought a lot of a sunshine into my life
509
00:38:08,472 --> 00:38:12,092
♫ You filled me with happiness I never knew
510
00:38:12,442 --> 00:38:15,382
♫ You gave me more joy then I ever could've dreamed of
511
00:38:15,382 --> 00:38:19,232
♫ And no one, nobody can take the place of you
512
00:38:19,782 --> 00:38:22,972
♫ This will be, you and me
513
00:38:23,452 --> 00:38:26,672
♫ Yes sir-ee, eternally
514
00:38:27,122 --> 00:38:28,662
♫ Hugging and squeezing, and kissing and pleasing
515
00:38:28,662 --> 00:38:31,182
♫ Together forever through ever whatever.
516
00:38:31,632 --> 00:38:34,302
♫ Yeah yeah yeah, you and me
517
00:38:34,302 --> 00:38:35,962
♫ So long as I'm living true love I'll be giving
518
00:38:35,962 --> 00:38:38,752
♫ To you I'll be serving cause you're so deserving
519
00:38:39,372 --> 00:38:42,812
♫ Hey, you're so deserving, you're so deserving
520
00:38:42,812 --> 00:38:45,792
♫ Yeah yeah yeah whoa
521
00:38:46,582 --> 00:38:51,582
♫ Love, love, love, love, love love love
522
00:38:53,152 --> 00:38:54,372
♫ From now on
523
00:38:54,942 --> 00:38:56,502
♫ From now on
524
00:38:56,952 --> 00:38:58,022
♫ From now on
525
00:38:58,022 --> 00:38:59,152
♫ What you say
526
00:38:59,152 --> 00:39:00,492
♫ From now on
527
00:39:00,492 --> 00:39:01,662
♫ From now on
528
00:39:01,662 --> 00:39:02,892
♫ I can't hear you
529
00:39:02,892 --> 00:39:04,282
♫ From now on
530
00:39:04,702 --> 00:39:06,052
♫ From now on
531
00:39:06,432 --> 00:39:09,482
♫ From now on, yeah
532
00:39:11,102 --> 00:39:12,492
♫ (mumble)
533
00:39:13,072 --> 00:39:16,322
♫ From now oooooon
534
00:39:19,212 --> 00:39:21,802
♫ Yeeeeeah ♫
535
00:39:27,182 --> 00:39:29,442
(cheering)
536
00:39:32,092 --> 00:39:34,042
>> Now that's what I'm talking about!
537
00:39:35,192 --> 00:39:36,642
Natalie Cole!
538
00:39:52,082 --> 00:39:53,332
Thank you.
539
00:39:53,882 --> 00:39:55,832
Why am I standing on this box?
540
00:39:58,882 --> 00:40:00,922
When I discover somebody new,
541
00:40:00,922 --> 00:40:02,842
it is not a special talent.
542
00:40:03,352 --> 00:40:04,692
I just look at it and I go I think
543
00:40:04,692 --> 00:40:07,372
millions of people are gonna love this.
544
00:40:07,862 --> 00:40:10,032
Such is the case with our next performer,
545
00:40:10,032 --> 00:40:12,852
and I can't take credit for discovering her.
546
00:40:13,662 --> 00:40:16,032
She was born on America's Got Talent actually.
547
00:40:16,032 --> 00:40:18,352
(cheering)
548
00:40:20,072 --> 00:40:21,522
But I gotta tell you.
549
00:40:22,272 --> 00:40:25,402
Honest to God, in all my years
550
00:40:25,402 --> 00:40:28,612
of doing music, which is 45 years,
551
00:40:28,612 --> 00:40:33,612
I don't think I have ever seen anything quite like this.
552
00:40:35,652 --> 00:40:37,692
I hope you're as excited as I am to
553
00:40:37,692 --> 00:40:41,742
witness, first hand, this beautiful child...
554
00:40:42,332 --> 00:40:44,032
Jackie Evancho!
555
00:40:44,032 --> 00:40:46,782
(cheering)
556
00:41:01,412 --> 00:41:06,302
("Pie Jesu" by Celtic Woman)
557
00:42:54,829 --> 00:42:57,099
(cheering)
558
00:43:17,019 --> 00:43:18,549
>> You know, you and I met before
559
00:43:18,549 --> 00:43:19,689
America's Got Talent.
560
00:43:19,689 --> 00:43:21,209
You came and sang with me when
561
00:43:21,209 --> 00:43:22,959
I was on tour a year ago, is that right?
562
00:43:22,959 --> 00:43:25,499
>> It was one of the best experiences of my life.
563
00:43:25,829 --> 00:43:27,279
>> Aww, thank you.
564
00:43:27,759 --> 00:43:28,859
Of course you were born an hour ago,
565
00:43:28,859 --> 00:43:30,609
so you got a few more to come.
566
00:43:30,929 --> 00:43:32,269
(laughing)
567
00:43:32,269 --> 00:43:33,489
You know, she was only scheduled
568
00:43:33,489 --> 00:43:34,799
to do one song, but I think
569
00:43:34,799 --> 00:43:36,779
she should do a second song.
570
00:43:38,298 --> 00:43:39,868
Should we do that, we were fooling
571
00:43:39,868 --> 00:43:41,278
around on the piano with that piece,
572
00:43:41,278 --> 00:43:43,178
I hope I can play it the way
573
00:43:43,178 --> 00:43:44,178
you need it to be played, don't
574
00:43:44,178 --> 00:43:45,478
look at me and yell at me
575
00:43:45,478 --> 00:43:46,608
if I get it wrong, okay?
576
00:43:46,608 --> 00:43:48,768
>> Oh I won't, trust me, okay.
577
00:43:58,328 --> 00:44:03,328
("O Mio Babbino Caro" by Giacomo Puccini)
578
00:46:05,488 --> 00:46:07,698
(cheering)
579
00:46:13,088 --> 00:46:14,278
>> Thank you.
580
00:46:17,098 --> 00:46:18,578
>> Jackie Evanko!
581
00:46:18,998 --> 00:46:21,288
Do you think you'll hear more from her?
582
00:46:21,698 --> 00:46:22,718
Wow!
583
00:46:34,948 --> 00:46:37,018
If I stand on this box, can I sing like that?
584
00:46:37,018 --> 00:46:38,138
No.
585
00:46:38,578 --> 00:46:39,838
(laughing)
586
00:46:41,788 --> 00:46:44,468
I love when I'm in on something from the start.
587
00:46:45,558 --> 00:46:49,408
This next group, I ran into them about three years ago.
588
00:46:50,018 --> 00:46:52,198
They have been ripping it up all over the world
589
00:46:52,198 --> 00:46:54,038
singing for our president one day,
590
00:46:54,038 --> 00:46:55,198
the Queen of England the next,
591
00:46:55,198 --> 00:46:56,778
even Nelson Mandela.
592
00:46:57,468 --> 00:46:58,728
But the reason I really love them
593
00:46:58,728 --> 00:47:01,858
is because they record a lot of my songs.
594
00:47:03,238 --> 00:47:04,958
Feeds the ex-wives.
595
00:47:08,178 --> 00:47:10,418
Here to sing a song that I wrote
596
00:47:10,418 --> 00:47:12,818
for Andrea Bocelli at the Torino Olympics,
597
00:47:12,818 --> 00:47:14,958
a song called Because We Believe,
598
00:47:14,958 --> 00:47:19,738
and girls, girls, they are good looking.
599
00:47:21,298 --> 00:47:22,808
Please welcome...
600
00:47:23,458 --> 00:47:25,168
The Canadian Tenors!
601
00:47:25,168 --> 00:47:27,138
(cheering)
602
00:47:43,848 --> 00:47:47,498
(singing in French)
603
00:48:53,718 --> 00:48:58,718
♫ Like stars across the sky
604
00:49:00,858 --> 00:49:04,418
(singing in French)
605
00:49:10,398 --> 00:49:15,398
♫ We were born to shine
606
00:49:18,108 --> 00:49:23,108
♫ All of us here because we believe
607
00:49:25,908 --> 00:49:30,238
(singing in French)
608
00:50:02,418 --> 00:50:07,418
♫ Like stars across the sky
609
00:50:11,098 --> 00:50:16,098
♫ We were born to shine ♫
610
00:50:18,738 --> 00:50:23,188
(singing in French)
611
00:50:50,838 --> 00:50:53,388
(cheering)
612
00:50:56,938 --> 00:50:58,558
>> David: The Canadian Tenors!
613
00:51:04,518 --> 00:51:05,638
Yes!
614
00:51:10,718 --> 00:51:12,118
I've been working with this next
615
00:51:12,118 --> 00:51:14,128
artist for a few years, and I gotta tell you,
616
00:51:14,128 --> 00:51:17,478
once in awhile you really bond with somebody.
617
00:51:17,828 --> 00:51:20,028
We recorded a very successful album last year
618
00:51:20,028 --> 00:51:23,348
and we are releasing a new one as we speak.
619
00:51:23,898 --> 00:51:26,458
His sound is absolutely unique.
620
00:51:26,938 --> 00:51:29,858
You hear one bar and you know it's him.
621
00:51:30,308 --> 00:51:32,438
That is the unmistakable sound of
622
00:51:32,438 --> 00:51:34,868
a true genius at work.
623
00:51:35,318 --> 00:51:39,418
The truth is, I actually have a man crush on him as well.
624
00:51:39,418 --> 00:51:40,958
(laughing)
625
00:51:40,958 --> 00:51:43,968
And I have a man crush on his wife as well.
626
00:51:44,758 --> 00:51:47,288
And so do all of you, you just don't know it yet
627
00:51:47,288 --> 00:51:49,828
'cause you don't know exactly who I'm talking about.
628
00:51:49,828 --> 00:51:51,318
The one and only...
629
00:51:51,798 --> 00:51:52,798
Seal!
630
00:51:52,798 --> 00:51:55,148
(cheering)
631
00:52:15,518 --> 00:52:20,518
♫ You must know me, I'm one of your secrets
632
00:52:26,628 --> 00:52:31,628
♫ You must know me, I'm one of your secrets
633
00:52:36,038 --> 00:52:38,188
♫ I belong to you
634
00:52:41,778 --> 00:52:43,998
♫ I belong to you.
635
00:52:46,818 --> 00:52:49,438
♫ And you belong to me
636
00:52:54,858 --> 00:52:59,858
♫ You must know me, I'm one of your secrets
637
00:53:05,998 --> 00:53:10,998
♫ From what I see, you're trying to hard to keep it
638
00:53:13,048 --> 00:53:14,898
♫ Oh yes you are
639
00:53:15,678 --> 00:53:17,798
♫ Well I belong to you
640
00:53:21,058 --> 00:53:23,568
♫ Yes, I belong to you
641
00:53:26,588 --> 00:53:28,878
♫ I belong to you
642
00:53:31,728 --> 00:53:35,878
♫ And you belong to me, yeah
643
00:53:40,168 --> 00:53:45,168
♫ Look at me, I'm your heart's keeper
644
00:53:50,978 --> 00:53:55,978
♫ Meant for 3:21 AM, she will be here
645
00:53:57,928 --> 00:53:59,578
♫ Oh yes she will
646
00:54:00,688 --> 00:54:02,548
♫ 'Cause I belong to you
647
00:54:05,998 --> 00:54:08,388
♫ Yes, I belong to you
648
00:54:11,338 --> 00:54:13,918
♫ I belong to you
649
00:54:16,638 --> 00:54:19,098
♫ And you belong to me
650
00:54:30,618 --> 00:54:35,618
♫ Look at me, I'm one of your secrets
651
00:54:41,668 --> 00:54:46,668
♫ From what I see, you're trying hard to keep it
652
00:54:48,538 --> 00:54:50,088
♫ Oh yeah
653
00:54:51,078 --> 00:54:53,258
♫ But I belong to you
654
00:54:56,778 --> 00:54:59,058
♫ Yes, I belong to you
655
00:55:02,418 --> 00:55:04,978
♫ I belong to you
656
00:55:07,458 --> 00:55:10,068
♫ And you belong to me
657
00:55:13,568 --> 00:55:15,948
♫ You belong to me
658
00:55:19,038 --> 00:55:22,858
♫ You belong to me ♫
659
00:55:25,278 --> 00:55:26,958
(cheering)
660
00:55:28,048 --> 00:55:29,138
>> Thank you.
661
00:55:29,678 --> 00:55:32,338
>> Seal, and he'll be back!
662
00:55:40,258 --> 00:55:42,128
Surely there could not be a person
663
00:55:42,128 --> 00:55:44,098
on this planet that has not been touched
664
00:55:44,098 --> 00:55:47,418
in some way by the voice of our next guest.
665
00:55:48,338 --> 00:55:50,228
He and I worked together first in 1991
666
00:55:50,228 --> 00:55:51,538
and I'll always remember that moment
667
00:55:51,538 --> 00:55:52,738
when he stepped up to the microphone
668
00:55:52,738 --> 00:55:54,608
and completely blew my mind.
669
00:55:54,608 --> 00:55:56,208
I thought wow, I'm getting paid
670
00:55:56,208 --> 00:55:58,128
to hear this guy sing.
671
00:55:58,608 --> 00:56:01,868
What a voice, what a great guy, what a friend.
672
00:56:02,178 --> 00:56:05,238
Please welcome the one and only...
673
00:56:07,328 --> 00:56:09,248
Michael Bolton!
674
00:56:09,248 --> 00:56:11,908
(cheering)
675
00:56:33,778 --> 00:56:38,298
♫ When a man loves a woman
676
00:56:40,288 --> 00:56:43,838
♫ He can't keep his mind on nothing else
677
00:56:45,228 --> 00:56:50,228
♫ He'd trade the world for the good thing he's found
678
00:56:53,068 --> 00:56:57,308
♫ If she's bad, he can't see it
679
00:57:00,068 --> 00:57:03,628
♫ She can do no wrong
680
00:57:04,878 --> 00:57:09,878
♫ Turns his back on his best friend if he puts her down
681
00:57:12,548 --> 00:57:17,368
♫ When a man loves a woman
682
00:57:19,388 --> 00:57:22,908
♫ He spend his very last dime
683
00:57:23,958 --> 00:57:28,958
♫ Just trying to hold on, hold on to what he needs
684
00:57:31,508 --> 00:57:36,488
♫ He'd give up all his comforts
685
00:57:38,408 --> 00:57:42,498
♫ And sleep out in the rain
686
00:57:43,278 --> 00:57:45,798
♫ If she said that's the way
687
00:57:46,218 --> 00:57:49,108
♫ Baby, that's the way it oughta be
688
00:57:53,758 --> 00:57:58,758
♫ When this man loves, when this man really loves a woman
689
00:58:02,968 --> 00:58:07,458
♫ I gave you everything, I mean everything
690
00:58:08,038 --> 00:58:10,948
♫ Baby, everything I've got
691
00:58:11,938 --> 00:58:14,298
♫ Just trying to hold on
692
00:58:15,848 --> 00:58:19,298
♫ To your precious love
693
00:58:20,148 --> 00:58:25,148
♫ Baby, baby please, don't treat me bad ♫
694
00:58:31,598 --> 00:58:33,008
>> Seal: Wow, Michael.
695
00:58:33,328 --> 00:58:34,798
You know, that was pretty sensational,
696
00:58:34,798 --> 00:58:36,898
but I have a slightly different take on things.
697
00:58:36,898 --> 00:58:39,258
>> David: Ladies and gentlemen, Seal!
698
00:58:40,388 --> 00:58:41,758
>> Bring it, Seal.
699
00:58:53,188 --> 00:58:55,868
♫ This is a man's world
700
00:58:58,988 --> 00:59:01,838
♫ This is a man's world
701
00:59:04,798 --> 00:59:07,038
♫ But it wouldn't be nothing
702
00:59:08,538 --> 00:59:13,538
♫ Nothing without a woman or a girl
703
00:59:19,808 --> 00:59:24,528
♫ You see, man made the car
704
00:59:26,908 --> 00:59:29,168
♫ To take us over the road
705
00:59:31,428 --> 00:59:36,428
♫ Man made the train to carry the heavy load
706
00:59:40,288 --> 00:59:42,388
♫ Man made the electric light
707
00:59:44,668 --> 00:59:47,518
♫ To take us out of the dark
708
00:59:49,138 --> 00:59:54,138
♫ A man made the boat for the water, like Noah made the ark
709
00:59:56,278 --> 01:00:01,128
♫ This is a man's world, a man's world
710
01:00:01,548 --> 01:00:05,438
♫ But it would mean nothing, nothing
711
01:00:06,928 --> 01:00:09,748
♫ Without a woman or a girl
712
01:00:11,218 --> 01:00:14,178
♫ Oooooh yeah
713
01:00:16,958 --> 01:00:20,558
♫ When a man loves a woman
714
01:00:25,478 --> 01:00:27,728
♫ Man makes them happy
715
01:00:28,718 --> 01:00:32,198
♫ 'Cause you know that man makes them toys
716
01:00:33,588 --> 01:00:38,538
♫ When a man loves a woman
717
01:00:42,098 --> 01:00:45,448
♫ You know that man makes the bread
718
01:00:46,528 --> 01:00:48,818
♫ To buy from another man
719
01:00:49,668 --> 01:00:54,668
♫ The world would mean nothing without a woman
720
01:00:57,508 --> 01:00:59,718
♫ Woman or a girl
721
01:01:01,618 --> 01:01:04,198
♫ When a man loves
722
01:01:06,888 --> 01:01:09,008
♫ This is a man's world
723
01:01:09,618 --> 01:01:11,418
♫ Oh, it's a man's world
724
01:01:11,418 --> 01:01:13,538
♫ (mumble) of man
725
01:01:14,148 --> 01:01:16,508
♫ Not one in fact
726
01:01:18,028 --> 01:01:23,028
♫ When a man loves a woman
727
01:01:24,458 --> 01:01:26,788
♫ You never need
728
01:01:27,268 --> 01:01:29,288
♫ Don't need
729
01:01:32,108 --> 01:01:33,998
♫ Not one in fact
730
01:01:35,248 --> 01:01:39,768
♫ When a man loves a woman ♫
731
01:01:41,778 --> 01:01:45,008
(cheering)
732
01:02:00,768 --> 01:02:02,658
>> I think we got a little trouble here.
733
01:02:09,148 --> 01:02:13,048
>> There's just way too much testosterone up here.
734
01:02:13,048 --> 01:02:14,938
(laughing)
735
01:02:15,978 --> 01:02:17,908
>> One, two, three!
736
01:02:21,958 --> 01:02:25,868
>> This is for all the sisters, all the mothers,
737
01:02:25,868 --> 01:02:29,318
all the grandmothers, all the aunties!
738
01:02:30,158 --> 01:02:31,888
You know who you are, girls.
739
01:02:34,568 --> 01:02:39,568
♫ I'm every woman, it's all in me
740
01:02:41,148 --> 01:02:45,298
♫ Anything you want done, baby, I'll do it naturally
741
01:02:49,218 --> 01:02:54,218
♫ I'm every woman, it's all in me
742
01:02:55,958 --> 01:02:57,898
♫ I can read your thoughts right now
743
01:02:57,898 --> 01:03:00,378
♫ Every one from A to Z
744
01:03:00,968 --> 01:03:05,968
♫ Whoa whoa whoa, whoa whoa whoa
745
01:03:08,138 --> 01:03:12,358
♫ I can cast a spell, secrets you can tell
746
01:03:12,908 --> 01:03:16,928
♫ Mix a special brew, put fire inside of you
747
01:03:17,418 --> 01:03:20,298
♫ Anytime you feel danger or fear
748
01:03:20,718 --> 01:03:24,618
♫ Instantly I will appear 'cause
749
01:03:24,618 --> 01:03:29,618
♫ I'm every woman, it's all in me
750
01:03:31,158 --> 01:03:35,988
♫ Anything you want done, baby, I'll do it naturally
751
01:03:36,438 --> 01:03:41,438
♫ Whoa whoa whoa, whoa whoa whoa
752
01:03:43,278 --> 01:03:46,008
♫ I can sense your needs
753
01:03:46,008 --> 01:03:48,358
♫ Like rain unto the seeds
754
01:03:48,778 --> 01:03:52,268
♫ I can make a rhyme of confusion in your mind
755
01:03:52,718 --> 01:03:55,658
♫ And when it comes down to some good old-fashioned love
756
01:03:55,658 --> 01:03:57,138
♫ That's what I've got
757
01:04:00,568 --> 01:04:05,568
♫ I'm every woman, it's all in me
758
01:04:06,468 --> 01:04:10,748
♫ Anything you want done, baby, I'll do it naturally
759
01:04:11,138 --> 01:04:16,138
♫ Whoa whoa whoa, whoa whoa whoa
760
01:04:18,038 --> 01:04:19,158
♫ Now listen
761
01:04:19,878 --> 01:04:23,958
♫ I ain't bragging 'cause I'm the one
762
01:04:24,448 --> 01:04:28,138
♫ You just ask me, ooh, it shall be done
763
01:04:28,518 --> 01:04:33,518
♫ And don't bother to compare, I've got it
764
01:04:35,618 --> 01:04:38,878
♫ I'm every woman
765
01:04:39,928 --> 01:04:42,978
♫ I'm every woman
766
01:04:43,938 --> 01:04:47,178
♫ I'm every woman
767
01:04:48,108 --> 01:04:51,388
♫ I'm every woman
768
01:04:52,498 --> 01:04:55,498
♫ I'm every woman
769
01:04:56,478 --> 01:04:59,668
♫ I'm every woman
770
01:05:00,688 --> 01:05:03,798
♫ I'm every woman
771
01:05:04,758 --> 01:05:08,008
♫ I'm every woman
772
01:05:09,398 --> 01:05:12,518
♫ I'm every woman ♫
773
01:05:33,118 --> 01:05:35,708
(cheering)
774
01:05:44,698 --> 01:05:49,698
(uplifting trumpet music)
775
01:05:56,108 --> 01:05:58,138
>> You can't believe how excited I am
776
01:05:58,138 --> 01:06:03,138
to introduce my favorite band of all time,
777
01:06:04,178 --> 01:06:06,938
Earth, Wind, and Fire!
778
01:06:07,448 --> 01:06:10,308
(cheering)
779
01:06:38,588 --> 01:06:40,898
♫ I found that love provides the key
780
01:06:42,248 --> 01:06:45,268
♫ Unlocks the heart and souls of you and me
781
01:06:46,658 --> 01:06:49,708
♫ Love will learn to sing your song
782
01:06:51,058 --> 01:06:52,728
♫ Love is written in the stone
783
01:06:52,728 --> 01:06:54,418
♫ Is written in the stone
784
01:06:54,998 --> 01:06:57,878
♫ Every man I meet is walking time
785
01:06:59,168 --> 01:07:02,288
♫ Free to wander, past his conscious mind
786
01:07:03,408 --> 01:07:06,358
♫ Love will come and take you home
787
01:07:07,408 --> 01:07:09,178
♫ Love is written in the stone
788
01:07:09,178 --> 01:07:10,858
♫ It's written in the stone
789
01:07:11,348 --> 01:07:14,988
♫ In the stone, you'll find the meaning
790
01:07:14,988 --> 01:07:18,438
♫ You're not standing tall
791
01:07:19,788 --> 01:07:23,258
♫ In the stone the light is shining
792
01:07:23,258 --> 01:07:27,178
♫ Ever touching all
793
01:07:27,968 --> 01:07:32,968
♫ Never, never my darling, never you'll be alone
794
01:07:36,408 --> 01:07:39,928
♫ Ever forever my darling
795
01:07:40,448 --> 01:07:44,028
♫ True love is written in the stone
796
01:07:44,718 --> 01:07:49,718
♫ Never, never my darling, never you'll be alone
797
01:07:52,988 --> 01:07:56,708
♫ Ever forever my darling
798
01:07:57,198 --> 01:08:00,748
♫ True love is written in the stone ♫
799
01:08:02,668 --> 01:08:04,448
>> Two, three, four!
800
01:08:05,768 --> 01:08:07,288
>> Come on, everybody!
801
01:08:08,338 --> 01:08:10,118
Come on and get on your feet!
802
01:08:22,658 --> 01:08:24,308
♫ Do you remember
803
01:08:25,158 --> 01:08:27,908
♫ The 21st night of September
804
01:08:28,758 --> 01:08:31,978
♫ Love was changing the minds of pretenders
805
01:08:32,888 --> 01:08:36,418
♫ While chasing the clouds away
806
01:08:38,198 --> 01:08:39,948
♫ Our hearts were ringing
807
01:08:40,468 --> 01:08:43,618
♫ In the key that our souls were singing
808
01:08:44,478 --> 01:08:47,498
♫ As we dance through the night, remember
809
01:08:48,678 --> 01:08:51,368
♫ True love is shared today
810
01:08:51,778 --> 01:08:53,568
>> Now everybody sing!
811
01:08:54,348 --> 01:08:58,018
♫ Ba de ya, say do you remember
812
01:08:58,018 --> 01:09:01,888
♫ Ba de ya, dancing in September
813
01:09:01,888 --> 01:09:06,888
♫ Ba de ya, never was a cloudy day
814
01:09:09,198 --> 01:09:11,088
♫ My thoughts are with you
815
01:09:11,538 --> 01:09:14,658
♫ Holding hands with your heart to see you
816
01:09:15,378 --> 01:09:17,078
♫ Only blue talk and love
817
01:09:17,078 --> 01:09:22,078
♫ Remember we knew love was here to stay
818
01:09:24,948 --> 01:09:29,948
♫ Now September, found the love we shared in September
819
01:09:30,758 --> 01:09:33,238
♫ Only blue talk and love
820
01:09:34,318 --> 01:09:39,318
♫ Remember the true love we shared today
821
01:09:40,868 --> 01:09:44,468
♫ Ba de ya, say do you remember
822
01:09:44,468 --> 01:09:48,308
♫ Ba de ya, dancing in September
823
01:09:48,308 --> 01:09:53,308
♫ Ba de ya, never was a cloudy day
824
01:09:56,648 --> 01:10:00,348
♫ The bells was ringing, aha
825
01:10:00,348 --> 01:10:03,728
♫ Our souls were singing
826
01:10:04,388 --> 01:10:05,978
♫ Do you remember
827
01:10:06,428 --> 01:10:09,908
♫ Never was a cloudy day
828
01:10:10,758 --> 01:10:11,798
>> Everybody sing!
829
01:10:11,798 --> 01:10:14,978
♫ Ba de ya de ya de ya
830
01:10:14,978 --> 01:10:18,538
>> Sing the song with me! ♫ Ba de ya de ya de ya
831
01:10:18,538 --> 01:10:22,988
♫ Ba de ya de ya de ya ♫
832
01:10:26,248 --> 01:10:27,918
>> Make some noise!
833
01:10:28,448 --> 01:10:31,368
(cheering)
834
01:10:32,618 --> 01:10:35,708
>> Earth, Wind, and Fire!
835
01:10:36,988 --> 01:10:39,638
Ralph, Phillip, Verdine!
836
01:10:41,128 --> 01:10:42,338
Oh man.
837
01:10:47,528 --> 01:10:48,938
(laughing)
838
01:10:49,368 --> 01:10:51,618
My God, wow!
839
01:10:53,408 --> 01:10:56,238
Ralph Johnson, Verdine White, Philip Bailey,
840
01:10:56,238 --> 01:10:59,928
Philip Bailey Jr, you got second generation going now.
841
01:11:02,608 --> 01:11:06,288
And the band, I mean okay, there's not a person in
842
01:11:06,288 --> 01:11:09,238
the world that doesn't love Earth, Wind, and Fire, or...
843
01:11:09,238 --> 01:11:11,228
(cheering)
844
01:11:11,688 --> 01:11:14,958
Tonight, as we wanna call it, Earth, Wind, and Foster.
845
01:11:14,958 --> 01:11:16,228
>> Hey, perfect.
846
01:11:16,228 --> 01:11:17,298
>> That's a good one.
847
01:11:17,298 --> 01:11:18,258
>> That works.
848
01:11:18,258 --> 01:11:20,678
>> But I wanna take a little time right now
849
01:11:21,468 --> 01:11:24,498
because my songwriting and producing career
850
01:11:24,498 --> 01:11:28,228
really started with you guys, and in 1978
851
01:11:28,228 --> 01:11:32,278
I went very nervously to Sunset Sound Studios
852
01:11:32,278 --> 01:11:34,708
and played this song for you guys
853
01:11:34,708 --> 01:11:37,278
that I wrote with my buddies Jay Gradin
854
01:11:37,278 --> 01:11:39,668
and Bill Champell and it goes...
855
01:11:40,188 --> 01:11:43,138
♫ Something happened along the way
856
01:11:43,588 --> 01:11:46,138
♫ Yesterday was all we had
857
01:11:47,188 --> 01:11:50,838
♫ Something happened along the way
858
01:11:51,158 --> 01:11:52,828
♫ We used to be happy
859
01:11:52,828 --> 01:11:56,788
>> Help me guys, please, two, three, four.
860
01:11:57,328 --> 01:12:01,618
♫ Oh, after the love has gone
861
01:12:02,778 --> 01:12:05,558
♫ How could you lead me on
862
01:12:06,608 --> 01:12:09,868
♫ And not let me stay around
863
01:12:10,648 --> 01:12:15,648
♫ Oh oh oh, after the love has gone
864
01:12:18,318 --> 01:12:21,198
♫ What used to be right is wrong
865
01:12:22,228 --> 01:12:24,498
♫ Can love that's lost be found
866
01:12:24,498 --> 01:12:25,518
>> Come on and help us take it up!
867
01:12:25,518 --> 01:12:26,428
>> Come on!
868
01:12:26,428 --> 01:12:31,428
♫ Oh oh oh oh oh oh after the love has gone
869
01:12:35,308 --> 01:12:37,478
♫ After the love is gone
870
01:12:37,478 --> 01:12:39,108
♫ What used to be right is wrong
871
01:12:39,108 --> 01:12:41,408
♫ What used to be right is wrong
872
01:12:41,408 --> 01:12:44,148
♫ Can love that's lost be found
873
01:12:44,148 --> 01:12:49,148
♫ Oh whoa whoa ♫
874
01:12:54,188 --> 01:12:56,538
(cheering)
875
01:12:56,758 --> 01:12:58,078
>> What a song!
876
01:12:58,528 --> 01:13:00,018
What a song!
877
01:13:00,598 --> 01:13:04,788
>> Well for you guys, another hit.
878
01:13:05,028 --> 01:13:06,258
For me...
879
01:13:06,708 --> 01:13:08,918
The real start of my career.
880
01:13:09,378 --> 01:13:10,528
So thank you.
881
01:13:12,478 --> 01:13:15,798
The band, as you know, were truly trendsetters.
882
01:13:16,318 --> 01:13:19,098
They paved the way for so many people.
883
01:13:19,488 --> 01:13:21,188
As I already mentioned, Verdine and Philip
884
01:13:21,188 --> 01:13:24,068
and Ralph, I am so indebted to you guys.
885
01:13:25,158 --> 01:13:27,078
There's also someone here tonight.
886
01:13:28,158 --> 01:13:30,698
A man who taught me more about making music,
887
01:13:30,698 --> 01:13:35,298
about decency, about calmness, about wellbeing,
888
01:13:35,298 --> 01:13:38,398
and about the true spirit of music than
889
01:13:38,398 --> 01:13:42,558
any other human being on the planet.
890
01:13:43,168 --> 01:13:45,278
The least of his many accomplishments
891
01:13:45,278 --> 01:13:47,428
is that he is my mentor.
892
01:13:48,208 --> 01:13:53,208
His fusion of rock, R&B, jazz, and soul
893
01:13:53,248 --> 01:13:56,088
has been cemented into the history books,
894
01:13:56,088 --> 01:13:58,568
documented forever.
895
01:13:59,458 --> 01:14:01,528
And every single artist that had a
896
01:14:01,528 --> 01:14:05,768
career since this man trailblazed owes him a debt,
897
01:14:05,768 --> 01:14:08,828
whether it's Lionel Richie, Prince, Luther Vandross,
898
01:14:08,828 --> 01:14:12,558
Jay-Z, Kanye, Michael Jackson, you name him.
899
01:14:13,408 --> 01:14:16,738
I finally get to publicly thank the man
900
01:14:16,738 --> 01:14:19,048
who has given the world so much with
901
01:14:19,048 --> 01:14:22,308
every musical fiber of his body, he gave me
902
01:14:22,308 --> 01:14:25,718
the chance to explore way beyond what
903
01:14:25,718 --> 01:14:27,998
I thought I was capable of doing.
904
01:14:28,588 --> 01:14:30,358
Tonight, this is selfish for me because he
905
01:14:30,358 --> 01:14:32,068
doesn't want the accolades.
906
01:14:32,988 --> 01:14:37,008
But I have to tell him how much he has meant to me.
907
01:14:37,758 --> 01:14:39,218
And to the world.
908
01:14:39,688 --> 01:14:41,378
One thing I know for sure.
909
01:14:42,028 --> 01:14:43,758
If he hadn't been born, pop music
910
01:14:43,758 --> 01:14:46,688
would sound a lot different today.
911
01:14:47,208 --> 01:14:50,938
That man is the genius behind Earth, Wind, and Fire.
912
01:14:50,938 --> 01:14:53,498
Ladies and gentlemen, he's here with us tonight.
913
01:14:54,008 --> 01:14:58,578
In a rare public appearance, lead singer Maurice White.
914
01:14:58,578 --> 01:15:01,698
(cheering)
915
01:15:04,718 --> 01:15:09,548
My hero, my mentor, and a true American treasure!
916
01:15:26,178 --> 01:15:29,628
Ladies and gentlemen, Earth, Wind, and Fire!
917
01:15:40,628 --> 01:15:42,528
I am gonna introduce you to someone
918
01:15:42,528 --> 01:15:44,378
that's gonna blow your mind.
919
01:15:44,828 --> 01:15:48,048
Her voice will, I can only describe it as heavenly.
920
01:15:48,568 --> 01:15:50,238
When she burst onto the scene,
921
01:15:50,238 --> 01:15:52,548
we couldn't believe what we were hearing.
922
01:15:52,568 --> 01:15:55,388
It was a voice like from another planet or something.
923
01:15:55,808 --> 01:15:57,308
She made her mark here, and then she
924
01:15:57,308 --> 01:15:59,408
conquered Europe where she has
925
01:15:59,408 --> 01:16:01,328
lived for most of her life.
926
01:16:01,908 --> 01:16:03,538
I'm so fortunate to have lived in a world
927
01:16:03,538 --> 01:16:04,908
of great voices, but believe me,
928
01:16:04,908 --> 01:16:07,748
this voice is at the top of the heap of great voices
929
01:16:07,748 --> 01:16:09,858
and she is going to put her own mark
930
01:16:09,858 --> 01:16:11,788
on a song that I actually once produced
931
01:16:11,788 --> 01:16:16,608
for Josh Grobin, and wait 'till you hear this woman sing.
932
01:16:17,028 --> 01:16:20,618
Please welcome Lara Fabian!
933
01:16:21,328 --> 01:16:24,308
(cheering)
934
01:16:37,448 --> 01:16:42,448
("Caruso" by Lucio Dalla")
935
01:20:03,024 --> 01:20:05,504
(cheering)
936
01:20:09,094 --> 01:20:10,214
Wow!
937
01:20:12,364 --> 01:20:13,844
Lara Fabian!
938
01:20:20,034 --> 01:20:22,504
Let's hear it for Lara Fabian, amazing!
939
01:20:22,504 --> 01:20:23,724
>> Thank you!
940
01:20:24,104 --> 01:20:25,294
Grazie!
941
01:20:27,814 --> 01:20:28,764
>> Wow!
942
01:20:31,744 --> 01:20:33,244
Everyone is always asking me
943
01:20:33,244 --> 01:20:34,514
what are you gonna do next,
944
01:20:34,514 --> 01:20:35,614
it's like you're only as good
945
01:20:35,614 --> 01:20:37,234
as your last three minutes, okay.
946
01:20:37,684 --> 01:20:38,694
Well for one thing I have been
947
01:20:38,694 --> 01:20:40,654
writing a broadway musical
948
01:20:40,654 --> 01:20:44,474
for the last two years called Betty Boop.
949
01:20:45,524 --> 01:20:46,994
I thought it would be fun if we
950
01:20:46,994 --> 01:20:49,654
gave you a little preview tonight.
951
01:20:52,504 --> 01:20:54,324
Now here's the setup.
952
01:20:54,774 --> 01:20:56,664
Betty Boop's grandfather Marvin
953
01:20:56,664 --> 01:20:58,724
is a failed inventor.
954
01:20:59,364 --> 01:21:02,694
He fell in love in his 20s with Sally.
955
01:21:03,384 --> 01:21:05,384
But he disappear from her life suddenly
956
01:21:05,384 --> 01:21:07,534
for no apparent reason.
957
01:21:08,154 --> 01:21:12,644
So in this scene, they meet again, but with a catch.
958
01:21:13,424 --> 01:21:16,074
Poor Marvin's memory is all but gone.
959
01:21:16,624 --> 01:21:19,344
So for her, the spark is still there.
960
01:21:20,124 --> 01:21:22,364
For him, well, I'm sure it would be
961
01:21:22,364 --> 01:21:25,114
if he could just remember.
962
01:21:25,634 --> 01:21:27,834
Now to play the part of their younger selves,
963
01:21:27,834 --> 01:21:30,574
two up and comers with incredible voices,
964
01:21:30,574 --> 01:21:33,134
Mark Masri and Megan Hilty who
965
01:21:33,134 --> 01:21:35,524
was in Wicked not too long ago.
966
01:21:35,914 --> 01:21:38,184
For the older couple, this is so cool,
967
01:21:38,184 --> 01:21:40,784
she is the lovable but nosy neighbor
968
01:21:40,784 --> 01:21:43,764
on the hit show Desperate Housewives.
969
01:21:44,284 --> 01:21:46,724
And he is her new TV husband on
970
01:21:46,724 --> 01:21:48,254
that same show and they're both
971
01:21:48,254 --> 01:21:50,984
so delightful, both television legends,
972
01:21:50,984 --> 01:21:55,984
please welcome Catherine Joosten and Orson Bean.
973
01:21:56,464 --> 01:21:59,354
(cheering)
974
01:22:03,044 --> 01:22:04,244
>> Are you saying that you don't
975
01:22:04,244 --> 01:22:06,154
remember me, I'm Sally.
976
01:22:06,574 --> 01:22:09,954
>> Your perfume smells familiar.
977
01:22:10,214 --> 01:22:11,594
>> Nothing else?
978
01:22:12,004 --> 01:22:15,674
>> Are you saying that we've met before?
979
01:22:23,364 --> 01:22:28,364
♫ Everything stopped and smiled the day we met
980
01:22:30,334 --> 01:22:35,334
♫ Please say you remember it too
981
01:22:37,244 --> 01:22:42,244
♫ Yours is a face that no one should forget
982
01:22:44,574 --> 01:22:49,574
♫ Please say you remember it too
983
01:22:51,554 --> 01:22:56,554
♫ Seems to me I've felt this way before
984
01:22:58,494 --> 01:23:03,494
♫ There was this girl that I once knew
985
01:23:06,434 --> 01:23:11,434
♫ Please say you remember her too
986
01:23:13,744 --> 01:23:18,744
♫ Time can pass before you know it
987
01:23:19,114 --> 01:23:24,114
♫ And before you know it, memories can fade
988
01:23:29,424 --> 01:23:30,614
>> Sit down?
989
01:23:30,794 --> 01:23:31,944
Come on.
990
01:23:35,964 --> 01:23:40,964
♫ Here that I have the world most perfect life
991
01:23:42,734 --> 01:23:47,394
♫ Please say you believe in it too
992
01:23:49,514 --> 01:23:54,514
♫ I'm gonna be the world's most perfect wife
993
01:23:56,954 --> 01:24:01,954
♫ And yes, I believe in it too
994
01:24:04,364 --> 01:24:09,364
♫ We will make the world a better place
995
01:24:10,564 --> 01:24:15,564
♫ Instead of merely passing through
996
01:24:18,804 --> 01:24:23,804
♫ Please say you believe in it too
997
01:24:26,414 --> 01:24:31,334
♫ I'll have all my life to be with
998
01:24:31,884 --> 01:24:36,884
♫ Kiss or disagree with, love and comfort you
999
01:24:40,194 --> 01:24:45,194
♫ People, everywhere who see us
1000
01:24:45,404 --> 01:24:48,924
♫ Wish that they could be us
1001
01:24:49,444 --> 01:24:53,094
♫ Guess that I would too
1002
01:25:02,484 --> 01:25:07,484
♫ And people everywhere who see us
1003
01:25:08,854 --> 01:25:12,334
♫ Wish that they could be us
1004
01:25:12,334 --> 01:25:16,504
♫ Guess that I would too
1005
01:25:17,834 --> 01:25:22,654
♫ Time can pass before you know it
1006
01:25:23,174 --> 01:25:28,174
♫ And before you know it, memories can fade
1007
01:25:31,984 --> 01:25:35,674
♫ Awaaaaaay
1008
01:25:46,064 --> 01:25:50,884
♫ Everything stopped and smiled the day we met
1009
01:25:53,074 --> 01:25:58,014
♫ Please say you remember it too
1010
01:25:59,974 --> 01:26:04,974
♫ Yours is a face that no one should forget
1011
01:26:06,814 --> 01:26:10,844
♫ Please, say you remember it
1012
01:26:10,844 --> 01:26:14,844
♫ Wish I could remember
1013
01:26:15,694 --> 01:26:20,694
♫ Please says I'll remember it too ♫
1014
01:26:27,974 --> 01:26:30,824
(cheering)
1015
01:26:48,014 --> 01:26:51,594
>> Megan, Mark, Kathy, and Orson,
1016
01:26:51,594 --> 01:26:53,414
thank you guys so much!
1017
01:26:53,434 --> 01:26:54,944
Give it up for them!
1018
01:27:00,204 --> 01:27:02,004
This next artist has an immense talent
1019
01:27:02,004 --> 01:27:04,154
and he's really only getting started.
1020
01:27:04,504 --> 01:27:06,544
You tell your kids that you saw him tonight
1021
01:27:06,544 --> 01:27:10,434
and your hip factor will go up a thousand points.
1022
01:27:11,114 --> 01:27:12,974
He is the current rage all over the radio,
1023
01:27:12,974 --> 01:27:15,284
all over the world, and I gotta tell you,
1024
01:27:15,284 --> 01:27:17,454
I spent some time with him and you really
1025
01:27:17,454 --> 01:27:19,494
get to see a guy that's gonna be around
1026
01:27:19,494 --> 01:27:21,324
50 years from now because he really
1027
01:27:21,324 --> 01:27:24,894
really cares and he really is taking his time
1028
01:27:24,894 --> 01:27:27,354
with his career, this guy is amazing.
1029
01:27:27,354 --> 01:27:28,834
I'm going outside my box again,
1030
01:27:28,834 --> 01:27:30,334
I had nothing to do with this song,
1031
01:27:30,334 --> 01:27:31,914
I just want you to enjoy it.
1032
01:27:32,634 --> 01:27:34,724
Please welcome Ne-Yo!
1033
01:27:48,374 --> 01:27:49,704
♫ Let's go let's go
1034
01:27:51,014 --> 01:27:55,804
♫ Yeah, yeah, yeah, yeah
1035
01:27:57,564 --> 01:28:00,184
>> A dedication to the independent woman.
1036
01:28:01,554 --> 01:28:03,004
♫ There's something about
1037
01:28:03,004 --> 01:28:06,184
♫ Just something about the way she move
1038
01:28:06,934 --> 01:28:10,954
♫ I can't figure it out, there's something about her
1039
01:28:12,044 --> 01:28:14,144
♫ Said ooh there's something about a
1040
01:28:14,144 --> 01:28:17,394
♫ Kind of woman that want you but don't need you
1041
01:28:18,044 --> 01:28:22,234
♫ Hey, I can't figure it out, it's something about her
1042
01:28:23,154 --> 01:28:24,984
♫ Cause she walk like a boss, hold on
1043
01:28:27,864 --> 01:28:30,224
♫ Talk like a boss, manicured nails
1044
01:28:30,224 --> 01:28:32,174
♫ Set the pedicure off
1045
01:28:32,954 --> 01:28:35,614
♫ She fly effortlessly
1046
01:28:37,164 --> 01:28:40,174
♫ And she move like a boss, do what a boss
1047
01:28:40,174 --> 01:28:43,154
♫ Do she got me thinking about getting involved
1048
01:28:43,804 --> 01:28:46,894
♫ That's the kind of girl I need
1049
01:28:47,844 --> 01:28:52,844
♫ She got her own thing, that's why I love her
1050
01:28:53,554 --> 01:28:55,754
♫ Miss Independent
1051
01:28:55,754 --> 01:28:59,004
♫ Won't you come and spend a little time
1052
01:28:59,194 --> 01:29:03,914
♫ She got her own thing, that's why I love her
1053
01:29:04,524 --> 01:29:06,644
♫ Miss Independent
1054
01:29:07,164 --> 01:29:09,144
♫ Ooh the way you shine
1055
01:29:09,604 --> 01:29:11,514
♫ Miss Independent
1056
01:29:12,204 --> 01:29:17,204
♫ Yeah yeah, yeah yeah, yeah yeah
1057
01:29:22,524 --> 01:29:24,044
♫ Ooh there's something about
1058
01:29:24,044 --> 01:29:27,134
♫ Kind of woman that can do for herself
1059
01:29:27,714 --> 01:29:29,724
♫ I look at her and it makes me proud
1060
01:29:29,724 --> 01:29:31,934
♫ There's something about her
1061
01:29:32,694 --> 01:29:34,994
♫ Something oh so sexy about
1062
01:29:34,994 --> 01:29:38,444
♫ Kind of woman that don't even need my help
1063
01:29:38,824 --> 01:29:40,164
♫ She said she got it she got it
1064
01:29:40,164 --> 01:29:43,084
♫ No doubt, it's something about her
1065
01:29:43,764 --> 01:29:47,004
♫ Cause she work like a boss play like a boss
1066
01:29:47,004 --> 01:29:50,244
♫ Car and a crib, 'bout to pay them both off
1067
01:29:51,094 --> 01:29:53,924
♫ And her bills are paid on time
1068
01:29:55,374 --> 01:29:58,384
♫ She made for a boss, only a boss
1069
01:29:58,384 --> 01:30:01,434
♫ Anything less, telling them to get lost
1070
01:30:02,054 --> 01:30:05,174
♫ That's the girl that's on my mind
1071
01:30:05,814 --> 01:30:10,814
♫ She got her own thing, that's why I love her
1072
01:30:11,524 --> 01:30:13,874
♫ Miss Independent
1073
01:30:14,334 --> 01:30:16,964
♫ Won't you come and spend a little time
1074
01:30:16,964 --> 01:30:21,964
♫ She got her own thing, that's why I love her
1075
01:30:22,644 --> 01:30:24,954
♫ Miss Independent
1076
01:30:26,074 --> 01:30:27,594
♫ Ooh the way you shine
1077
01:30:28,044 --> 01:30:29,934
♫ Miss Independent
1078
01:30:31,704 --> 01:30:35,204
♫ Her favorite thing to say, don't worry I got it
1079
01:30:37,354 --> 01:30:40,974
♫ And everything she got best believe she bought it
1080
01:30:42,254 --> 01:30:46,114
♫ She gonna steal my heart, ain't no doubt about it
1081
01:30:46,654 --> 01:30:49,714
♫ Girl, you're everything I need
1082
01:30:50,204 --> 01:30:52,784
♫ Said you're everything I need
1083
01:31:01,514 --> 01:31:06,514
♫ She got her own thing, that's why I love her
1084
01:31:07,454 --> 01:31:09,774
♫ Miss Independent
1085
01:31:10,174 --> 01:31:12,724
♫ Won't you come and spend a little time
1086
01:31:12,724 --> 01:31:17,724
♫ She got her own thing, that's why I love her
1087
01:31:18,424 --> 01:31:20,644
♫ Miss Independent
1088
01:31:21,064 --> 01:31:23,114
♫ Ooh the way you shine
1089
01:31:23,594 --> 01:31:28,594
♫ Miss Independent, that's why I love her ♫
1090
01:31:30,804 --> 01:31:33,894
>> David: Las Vegas's own Ne-Yo!
1091
01:31:34,114 --> 01:31:36,294
(cheering)
1092
01:31:36,544 --> 01:31:37,764
He'll be back!
1093
01:31:38,214 --> 01:31:39,434
Give it up!
1094
01:31:41,684 --> 01:31:43,034
Thank you, buddy.
1095
01:31:48,714 --> 01:31:53,244
The world mourned when Michael Jackson passed away.
1096
01:31:53,834 --> 01:31:54,884
For sure.
1097
01:31:55,394 --> 01:31:57,704
For me, there'll always be special memories
1098
01:31:57,704 --> 01:32:00,004
because we worked together a lot over the years.
1099
01:32:00,004 --> 01:32:02,204
I wrote a song with my friend Carole Bayer Sager
1100
01:32:02,204 --> 01:32:04,554
on his breakout album Off The Wall.
1101
01:32:05,204 --> 01:32:07,044
I played and arranged on the Thriller
1102
01:32:07,044 --> 01:32:09,074
album with my friend Quincy Jones
1103
01:32:09,074 --> 01:32:10,584
and I produced some songs on the
1104
01:32:10,584 --> 01:32:14,254
History album, my biggest regret with
1105
01:32:14,254 --> 01:32:16,154
Michael was in all the time that
1106
01:32:16,154 --> 01:32:18,154
I spent with him, I didn't
1107
01:32:18,154 --> 01:32:20,194
cherish those moments more because
1108
01:32:20,194 --> 01:32:21,914
we were sitting at the piano together,
1109
01:32:21,914 --> 01:32:23,094
we were writing, we were thinking,
1110
01:32:23,094 --> 01:32:24,724
we were planning, even something
1111
01:32:24,724 --> 01:32:26,094
as simple as when we went to
1112
01:32:26,094 --> 01:32:28,064
the movies together, none of us
1113
01:32:28,064 --> 01:32:30,964
could possibly have known that
1114
01:32:30,964 --> 01:32:32,954
he wouldn't be with us today.
1115
01:32:33,474 --> 01:32:35,634
So I thought I would pay my own homage
1116
01:32:35,634 --> 01:32:37,104
to probably the greatest song and dance
1117
01:32:37,104 --> 01:32:39,674
man of the last 50 years by performing
1118
01:32:39,674 --> 01:32:43,564
a couple of songs that I produced for Michael.
1119
01:32:44,144 --> 01:32:46,514
Here to help me perform is pop sensation
1120
01:32:46,514 --> 01:32:48,554
Ne-Yo and the extraordinary
1121
01:32:48,554 --> 01:32:50,574
slide guitarist Robert Randolph.
1122
01:32:50,954 --> 01:32:52,804
Robert Randolph and Ne-Yo!
1123
01:32:53,254 --> 01:32:55,644
(cheering)
1124
01:33:12,944 --> 01:33:15,564
♫ What about sunrise
1125
01:33:16,404 --> 01:33:18,394
♫ What about rain
1126
01:33:19,814 --> 01:33:21,814
♫ What about all the things
1127
01:33:21,814 --> 01:33:24,834
♫ That you said we were to gain
1128
01:33:26,554 --> 01:33:29,404
♫ What about killing fields
1129
01:33:30,164 --> 01:33:32,044
♫ Is there a time
1130
01:33:33,484 --> 01:33:35,494
♫ What about all the things
1131
01:33:35,494 --> 01:33:38,454
♫ That you said were yours and mine
1132
01:33:39,434 --> 01:33:41,984
♫ Did you ever stop to notice
1133
01:33:42,604 --> 01:33:45,494
♫ All the blood we've shed before
1134
01:33:46,314 --> 01:33:48,924
♫ Did you ever stop to notice
1135
01:33:49,544 --> 01:33:52,434
♫ This crying Earth, its weeping shores
1136
01:33:53,154 --> 01:33:57,194
♫ Aaaaaaaaah
1137
01:33:59,224 --> 01:34:02,974
♫ Oooooooooh
1138
01:34:06,934 --> 01:34:08,684
♫ I used to dream
1139
01:34:10,064 --> 01:34:12,914
♫ I used to glance beyond the stars
1140
01:34:13,834 --> 01:34:16,394
♫ Now I don't know where we are
1141
01:34:17,104 --> 01:34:20,724
♫ Although I know we've drifted far
1142
01:34:21,314 --> 01:34:24,554
♫ Aaaaaaaaah
1143
01:34:27,014 --> 01:34:30,204
♫ Oooooooooh
1144
01:34:33,624 --> 01:34:37,744
♫ Aaaaaaaaah
1145
01:34:40,634 --> 01:34:44,784
♫ Oooooooooh
1146
01:34:46,904 --> 01:34:48,424
♫ Hey, hey
1147
01:34:50,754 --> 01:34:52,394
♫ What about us
1148
01:34:54,014 --> 01:34:55,764
♫ What about us
1149
01:34:57,314 --> 01:34:59,134
♫ What about us
1150
01:35:00,914 --> 01:35:02,564
♫ What about us
1151
01:35:04,184 --> 01:35:05,834
♫ What about us
1152
01:35:07,624 --> 01:35:09,164
♫ What about us
1153
01:35:14,584 --> 01:35:16,184
♫ What about us
1154
01:35:16,564 --> 01:35:18,064
♫ What about yesterday
1155
01:35:19,654 --> 01:35:21,984
♫ What about the seas
1156
01:35:23,204 --> 01:35:25,754
♫ The heavens are falling down
1157
01:35:26,444 --> 01:35:28,764
♫ I can't even breathe
1158
01:35:30,004 --> 01:35:32,154
♫ Hey, what about yesterday
1159
01:35:33,184 --> 01:35:36,134
♫ What about the seas
1160
01:35:36,884 --> 01:35:39,134
♫ What about about the joy
1161
01:35:40,054 --> 01:35:42,904
♫ (mumble)
1162
01:35:43,694 --> 01:35:46,744
♫ Aaaaaaaaah
1163
01:35:49,034 --> 01:35:52,814
♫ Oooooooooh
1164
01:35:55,964 --> 01:36:00,364
♫ Aaaaaaaaah
1165
01:36:02,644 --> 01:36:07,264
♫ Oooooooooh
1166
01:36:14,384 --> 01:36:15,204
♫ Hey
1167
01:36:17,424 --> 01:36:19,944
♫ What about us ♫
1168
01:36:22,194 --> 01:36:24,914
(cheering)
1169
01:36:25,264 --> 01:36:27,684
>> Ne-Yo and Charice!
1170
01:36:31,874 --> 01:36:33,224
Robert Randolph!
1171
01:36:33,744 --> 01:36:34,624
Woo!
1172
01:36:46,834 --> 01:36:50,964
I was actually shocked when Michael Jackson
1173
01:36:50,964 --> 01:36:53,434
told me that the favorite song he ever
1174
01:36:53,434 --> 01:36:56,234
recorded was a song I produced for him,
1175
01:36:56,234 --> 01:36:58,714
Charlie Chaplin's Smile.
1176
01:37:00,134 --> 01:37:01,474
It was meaningful to him I guess
1177
01:37:01,474 --> 01:37:03,494
in a way that we'll never understand.
1178
01:37:03,904 --> 01:37:05,004
I thought it would be interesting
1179
01:37:05,004 --> 01:37:06,534
if we went a different way with it tonight,
1180
01:37:06,534 --> 01:37:08,344
so I presented it to our next performer
1181
01:37:08,344 --> 01:37:10,984
and she said I was hoping that you'd
1182
01:37:10,984 --> 01:37:13,554
ask me to sing something outside
1183
01:37:13,554 --> 01:37:15,434
of what I normally do.
1184
01:37:15,914 --> 01:37:18,304
And Smile is perfect.
1185
01:37:18,824 --> 01:37:22,704
She has had the perfect career in country music.
1186
01:37:23,224 --> 01:37:26,194
Every award possible, millions of fans,
1187
01:37:26,194 --> 01:37:29,844
millions of albums sold, she is a country icon.
1188
01:37:30,324 --> 01:37:32,564
But like every true superstar, she dared
1189
01:37:32,564 --> 01:37:34,634
to go outside of the box trusting me
1190
01:37:34,634 --> 01:37:37,554
to make this great for her.
1191
01:37:39,044 --> 01:37:40,544
And what a job she does and what
1192
01:37:40,544 --> 01:37:42,274
a treat for all of us, ladies and gentlemen,
1193
01:37:42,274 --> 01:37:45,944
please welcome the one and only
1194
01:37:45,944 --> 01:37:47,654
Martina McBride!
1195
01:37:47,654 --> 01:37:50,034
(cheering)
1196
01:37:52,824 --> 01:37:53,904
Woo!
1197
01:38:12,504 --> 01:38:17,504
♫ Smile though your heart is aching
1198
01:38:19,384 --> 01:38:24,384
♫ Smile even though it's breaking
1199
01:38:25,584 --> 01:38:30,584
♫ When there are clouds in the sky, you'll get by
1200
01:38:36,224 --> 01:38:41,224
♫ If you smile through your fear and sorrow
1201
01:38:43,604 --> 01:38:48,604
♫ Smile and maybe tomorrow
1202
01:38:50,344 --> 01:38:55,344
♫ You'll see the sun come shining through for you
1203
01:39:05,324 --> 01:39:10,324
♫ Light up your face with gladness
1204
01:39:12,904 --> 01:39:17,554
♫ Hide every trace of sadness
1205
01:39:18,544 --> 01:39:23,544
♫ Although a tear may be ever so near
1206
01:39:28,854 --> 01:39:33,854
♫ That's the time you must keep on trying
1207
01:39:36,624 --> 01:39:41,574
♫ Smile, what's the use of crying
1208
01:39:42,464 --> 01:39:47,464
♫ You'll find that life is still worthwhile
1209
01:39:50,444 --> 01:39:55,444
♫ If you just smile
1210
01:39:55,574 --> 01:39:59,294
♫ Though your heart is aching
1211
01:40:00,114 --> 01:40:05,114
♫ Smile even though it's breaking
1212
01:40:06,054 --> 01:40:11,054
♫ When there are clouds in the sky, you'll get by
1213
01:40:16,934 --> 01:40:21,934
♫ That's the time you must keep on trying
1214
01:40:25,504 --> 01:40:30,504
♫ Smile, what's the use of crying
1215
01:40:32,014 --> 01:40:37,014
♫ You'll find that life is still worthwhile
1216
01:40:41,694 --> 01:40:46,694
♫ If you just smile ♫
1217
01:40:57,174 --> 01:40:59,664
(cheering)
1218
01:41:08,254 --> 01:41:09,954
>> Thank you very much, wow, thank you.
1219
01:41:09,954 --> 01:41:11,304
>> Dang, wow!
1220
01:41:17,864 --> 01:41:19,524
I think Michael would be very very proud
1221
01:41:19,524 --> 01:41:21,254
of that rendition, and it just brought me
1222
01:41:21,254 --> 01:41:22,734
right back to when we did that song
1223
01:41:22,734 --> 01:41:25,474
in New York City, thank you for that.
1224
01:41:25,934 --> 01:41:28,004
So I did another song that I produced back
1225
01:41:28,004 --> 01:41:32,754
around that time for Sheena Easton and Kenny Rogers.
1226
01:41:33,544 --> 01:41:35,924
We just talked about it today in rehersal
1227
01:41:35,924 --> 01:41:37,744
And out of nowhere Martina said
1228
01:41:37,744 --> 01:41:39,344
I wouldn't mind singing that song,
1229
01:41:39,344 --> 01:41:41,354
so we ran it down a couple
1230
01:41:41,354 --> 01:41:43,314
of times in rehearsal and she said
1231
01:41:43,314 --> 01:41:45,234
let's do it and I said yeah, let's do it.
1232
01:41:45,904 --> 01:41:47,064
>> Let's do it.
1233
01:42:01,734 --> 01:42:06,734
♫ I know it's late, I know you're weary
1234
01:42:08,974 --> 01:42:13,974
♫ I know your plans don't include me
1235
01:42:16,454 --> 01:42:21,454
♫ Still here we are, both of us lonely
1236
01:42:25,194 --> 01:42:30,194
♫ Longing for shelter from all that we see
1237
01:42:33,134 --> 01:42:38,134
♫ Why should we worry, no one will care
1238
01:42:41,514 --> 01:42:46,514
♫ Look at the stars now so far away
1239
01:42:49,914 --> 01:42:54,914
♫ We've got tonight, who needs tomorrow
1240
01:42:58,324 --> 01:43:01,644
♫ We've got tonight babe
1241
01:43:02,434 --> 01:43:05,474
♫ Why don't you stay
1242
01:43:06,524 --> 01:43:11,524
♫ Deep in my soul, I've been so lonely
1243
01:43:14,814 --> 01:43:19,814
♫ All of my hopes fading away
1244
01:43:22,914 --> 01:43:27,914
♫ I've longed for love, like everyone else does
1245
01:43:30,894 --> 01:43:35,894
♫ I know I'll keep searching after today
1246
01:43:39,164 --> 01:43:44,164
♫ We've got tonight, who needs tomorrow
1247
01:43:47,044 --> 01:43:50,194
♫ We've got tonight babe
1248
01:43:51,044 --> 01:43:53,964
♫ Why don't you stay
1249
01:43:57,454 --> 01:44:02,454
♫ I know it's late, I know you're weary
1250
01:44:05,224 --> 01:44:09,644
♫ I know your plans don't include me
1251
01:44:10,264 --> 01:44:15,264
♫ Still here we are, both of us lonely
1252
01:44:18,904 --> 01:44:22,294
♫ Both of us lonely
1253
01:44:27,814 --> 01:44:32,814
♫ We've got tonight, who needs tomorrow
1254
01:44:36,154 --> 01:44:41,154
♫ Let's make it last, let's find a way
1255
01:44:43,664 --> 01:44:48,664
♫ Turn out the light, come take my hand now
1256
01:44:52,204 --> 01:44:55,824
♫ We've got tonight babe
1257
01:44:56,544 --> 01:44:59,454
♫ Why don't we stay
1258
01:45:00,684 --> 01:45:05,204
♫ We've got tonight babe
1259
01:45:06,584 --> 01:45:11,584
♫ Why don't we stay ♫
1260
01:45:16,034 --> 01:45:18,854
(cheering)
1261
01:45:23,004 --> 01:45:24,504
>> Martina McBride!
1262
01:45:24,504 --> 01:45:25,854
>> Thank you so much.
1263
01:45:42,994 --> 01:45:44,964
>> There's a song that I produced for Michael Buble
1264
01:45:44,964 --> 01:45:47,034
that actually my daughter wrote with him,
1265
01:45:47,034 --> 01:45:48,784
a song called Home.
1266
01:45:49,794 --> 01:45:51,814
(cheering) Yeah, a great song.
1267
01:45:53,304 --> 01:45:54,934
So when I toured with Ruben Studdard,
1268
01:45:54,934 --> 01:45:56,974
he said that he really loved that song
1269
01:45:56,974 --> 01:45:59,194
and he wanted to give it a shot.
1270
01:46:00,644 --> 01:46:02,234
It was amazing, every night we
1271
01:46:02,234 --> 01:46:04,514
did this song and it brought the house
1272
01:46:04,514 --> 01:46:06,784
down because of course he put his
1273
01:46:06,784 --> 01:46:10,534
own unbelievable spin to it.
1274
01:46:11,054 --> 01:46:12,984
So here back to sing again,
1275
01:46:12,984 --> 01:46:16,154
this beautiful song with his own R&B twist,
1276
01:46:16,154 --> 01:46:19,494
the one and only Ruben Studdard!
1277
01:46:19,494 --> 01:46:21,644
(cheering)
1278
01:46:37,644 --> 01:46:39,394
♫ Another summer day
1279
01:46:40,414 --> 01:46:42,234
♫ Has come and gone away
1280
01:46:43,684 --> 01:46:45,674
♫ Maybe in Paris and Rome
1281
01:46:46,654 --> 01:46:49,044
♫ But I wanna go home
1282
01:46:52,324 --> 01:46:54,484
♫ Let me go home
1283
01:46:59,064 --> 01:47:00,944
♫ Maybe surrounded by
1284
01:47:02,074 --> 01:47:03,984
♫ A million people I
1285
01:47:04,944 --> 01:47:07,824
♫ Just feel so alone
1286
01:47:08,974 --> 01:47:11,334
♫ I wanna go home
1287
01:47:13,244 --> 01:47:16,564
♫ Oh I miss you, you know
1288
01:47:19,384 --> 01:47:23,504
♫ And I've been keeping all the letters
1289
01:47:25,464 --> 01:47:27,384
♫ That I wrote to you
1290
01:47:29,054 --> 01:47:31,774
♫ Each one a line or two
1291
01:47:33,734 --> 01:47:36,854
♫ I'm fine baby, how are you
1292
01:47:39,144 --> 01:47:44,144
♫ I would send them but I know that it's just not enough
1293
01:47:48,584 --> 01:47:52,434
♫ My words were cold and flat
1294
01:47:53,324 --> 01:47:57,574
♫ And you deserve more than that
1295
01:48:02,264 --> 01:48:03,884
♫ Another summer day
1296
01:48:04,304 --> 01:48:06,284
♫ Has come and gone away
1297
01:48:06,734 --> 01:48:08,914
♫ Maybe in Paris and Rome
1298
01:48:09,504 --> 01:48:12,954
♫ But I wanna go home
1299
01:48:13,974 --> 01:48:16,094
♫ Let me go home
1300
01:48:16,374 --> 01:48:18,384
>> If y'all know this song, sing it with me, come on!
1301
01:48:18,384 --> 01:48:20,964
♫ Let me go home
1302
01:48:23,584 --> 01:48:25,634
♫ Oh yeah
1303
01:48:27,224 --> 01:48:31,234
♫ I'm much too far from where you are
1304
01:48:31,724 --> 01:48:33,474
♫ Let me go home
1305
01:48:33,864 --> 01:48:36,984
♫ Let the band play, play it, y'all
1306
01:48:37,664 --> 01:48:40,684
(electric guitar solo)
1307
01:48:45,944 --> 01:48:50,944
♫ Oooooooooh yeah
1308
01:48:53,284 --> 01:48:56,634
♫ I've been keeping all the letters
1309
01:48:57,784 --> 01:48:59,634
♫ That I wrote to you
1310
01:49:01,624 --> 01:49:04,074
♫ Each one a line or two
1311
01:49:04,554 --> 01:49:08,884
♫ Listen, I'm fine baby, how are you
1312
01:49:10,254 --> 01:49:15,254
♫ Now I would send them but I know that it's just not enough
1313
01:49:18,444 --> 01:49:21,214
♫ My words were cold and flat
1314
01:49:22,374 --> 01:49:27,164
♫ And you deserve more than that
1315
01:49:30,654 --> 01:49:32,534
♫ Another summer day
1316
01:49:33,084 --> 01:49:35,074
♫ Has come and gone away
1317
01:49:35,694 --> 01:49:37,724
♫ Maybe in Paris and Rome
1318
01:49:37,724 --> 01:49:40,944
♫ But I wanna go home
1319
01:49:42,554 --> 01:49:45,414
♫ Let me go home
1320
01:49:46,234 --> 01:49:47,454
♫ Listen, y'all
1321
01:49:48,234 --> 01:49:50,054
♫ I may be surrounded by
1322
01:49:50,544 --> 01:49:52,324
♫ A million people I
1323
01:49:52,774 --> 01:49:54,994
♫ Still feel so alone
1324
01:49:55,474 --> 01:49:59,364
♫ But I wanna go, I gotta go
1325
01:49:59,784 --> 01:50:01,634
♫ Let me go home
1326
01:50:03,554 --> 01:50:05,994
♫ Let me go home
1327
01:50:12,264 --> 01:50:14,214
♫ I'm much too far
1328
01:50:15,434 --> 01:50:17,754
♫ From where you are
1329
01:50:21,304 --> 01:50:26,304
♫ Let me go home
1330
01:50:30,144 --> 01:50:35,144
♫ Oooooh yeeeeeah
1331
01:50:36,574 --> 01:50:37,534
♫ Yeah ♫
1332
01:50:40,794 --> 01:50:42,244
>> Ruben Studdard!
1333
01:50:42,494 --> 01:50:43,324
>> Thank you.
1334
01:50:43,324 --> 01:50:44,474
>> Woo!
1335
01:50:45,564 --> 01:50:46,744
Ruben!
1336
01:50:53,464 --> 01:50:56,314
If Oprah and I had a love child...
1337
01:50:56,734 --> 01:50:58,724
(laughing)
1338
01:50:59,264 --> 01:51:01,724
It could very well be our next guest.
1339
01:51:04,304 --> 01:51:06,584
None of us, none of us could have
1340
01:51:06,584 --> 01:51:09,614
predicted or guessed at the laser beam
1341
01:51:09,614 --> 01:51:12,234
trajectory of her career.
1342
01:51:13,024 --> 01:51:15,524
You cannot deny this immense talent
1343
01:51:15,524 --> 01:51:18,274
in this little little body.
1344
01:51:19,094 --> 01:51:21,184
Now a lot of you know and she was
1345
01:51:21,184 --> 01:51:22,434
on the show last time, I have a
1346
01:51:22,434 --> 01:51:25,084
long history with Celine Dion.
1347
01:51:25,904 --> 01:51:29,434
Finding someone to do justice to
1348
01:51:29,434 --> 01:51:33,914
those songs is almost impossible until
1349
01:51:33,914 --> 01:51:36,974
we found this dynamo from the Philippines.
1350
01:51:36,974 --> 01:51:39,294
(cheering)
1351
01:51:39,944 --> 01:51:42,914
Now this first song that she's gonna do
1352
01:51:42,914 --> 01:51:45,384
is a song that I actually wrote with
1353
01:51:45,384 --> 01:51:47,394
my friend Edgar Bronfman, Jr, now for
1354
01:51:47,394 --> 01:51:49,594
those of you who don't know, at the time
1355
01:51:49,594 --> 01:51:53,594
Edgar Bronfman Jr owned Universal Pictures
1356
01:51:53,594 --> 01:51:55,064
and it was so surreal to be sitting in
1357
01:51:55,064 --> 01:51:57,764
the studio working with Celine and Edgar Bronfman
1358
01:51:57,764 --> 01:51:59,304
is sitting there working on lyrics
1359
01:51:59,304 --> 01:52:00,634
at 2 o'clock in the morning, I said
1360
01:52:00,634 --> 01:52:03,684
don't you have this huge thing you're running?
1361
01:52:04,044 --> 01:52:07,044
But he loves to write songs, so here she is,
1362
01:52:07,044 --> 01:52:09,914
with Edgar's and my song that we wrote for Celine,
1363
01:52:09,914 --> 01:52:13,784
the new star of Glee, you saw her here first, Charice!
1364
01:52:13,784 --> 01:52:16,604
(cheering)
1365
01:52:34,174 --> 01:52:39,174
♫ Take me back into the arms I love
1366
01:52:42,074 --> 01:52:47,074
♫ Need me like you did before
1367
01:52:49,014 --> 01:52:52,234
♫ Touch me once again
1368
01:52:53,154 --> 01:52:56,504
♫ And remember when
1369
01:52:57,224 --> 01:53:02,224
♫ There was no one that you wanted more
1370
01:53:05,834 --> 01:53:10,834
♫ Don't go, you know you'll break my heart
1371
01:53:13,864 --> 01:53:18,864
♫ She won't love you like I will
1372
01:53:21,284 --> 01:53:24,604
♫ I'm the one who'll stay
1373
01:53:25,554 --> 01:53:28,604
♫ When she walks away
1374
01:53:29,324 --> 01:53:34,324
♫ And you know I'll be standing here still
1375
01:53:37,034 --> 01:53:40,924
♫ I'll be waiting for you
1376
01:53:41,974 --> 01:53:44,714
♫ Here inside my heart
1377
01:53:45,304 --> 01:53:50,304
♫ I'm the one who wants to love you more
1378
01:53:53,144 --> 01:53:56,964
♫ You will see I can give you
1379
01:53:57,954 --> 01:54:00,634
♫ Everything you need
1380
01:54:01,224 --> 01:54:06,224
♫ Let me be the one to love you more
1381
01:54:09,894 --> 01:54:14,894
♫ And some way all the love that we had can be saved
1382
01:54:18,674 --> 01:54:23,674
♫ Whatever it takes, we'll find a way
1383
01:54:26,744 --> 01:54:29,964
(solo violin music)
1384
01:54:42,034 --> 01:54:43,844
♫ Believe me
1385
01:54:45,064 --> 01:54:48,054
♫ I will make you see
1386
01:54:49,134 --> 01:54:54,134
♫ All the things that your heart needs to know
1387
01:54:57,014 --> 01:55:01,524
♫ I'll be waiting for you
1388
01:55:02,884 --> 01:55:05,574
♫ Here inside my heart
1389
01:55:06,224 --> 01:55:11,224
♫ I'm the one who wants to love you more
1390
01:55:13,924 --> 01:55:17,954
♫ Can't you see I can give you
1391
01:55:18,934 --> 01:55:21,754
♫ Everything you need
1392
01:55:22,294 --> 01:55:27,294
♫ Let me be the one to love you more
1393
01:55:31,044 --> 01:55:34,194
♫ Ooooooh
1394
01:55:39,454 --> 01:55:44,454
♫ Ooooooh
1395
01:55:46,994 --> 01:55:50,744
♫ Ooooooh
1396
01:55:55,534 --> 01:56:00,534
♫ Ooooooh ♫
1397
01:56:07,014 --> 01:56:09,304
(cheering)
1398
01:56:31,844 --> 01:56:33,714
>> You are all grown up now!
1399
01:56:36,274 --> 01:56:37,194
Wow.
1400
01:56:40,114 --> 01:56:42,084
It's just wonderful to see what's
1401
01:56:42,084 --> 01:56:43,814
been happening with you, and now
1402
01:56:43,814 --> 01:56:46,234
with Glee, it's just, it's endless.
1403
01:56:50,854 --> 01:56:53,324
I produced a song for Celine a few years ago
1404
01:56:53,324 --> 01:56:55,164
that I really am proud of this song,
1405
01:56:55,164 --> 01:56:56,964
the way it turned out and the way
1406
01:56:56,964 --> 01:56:59,134
we changed it around, it was the only
1407
01:56:59,134 --> 01:57:00,664
time that I recalled that Celine
1408
01:57:00,664 --> 01:57:02,674
actually got really, well she may have got
1409
01:57:02,674 --> 01:57:04,504
annoyed with me a lot, but she
1410
01:57:04,504 --> 01:57:05,774
really got annoyed with me because there's
1411
01:57:05,774 --> 01:57:07,704
a particularly high note in this song
1412
01:57:07,704 --> 01:57:09,774
which is ridiculously high, she sang it
1413
01:57:09,774 --> 01:57:11,084
perfect the first time, I made her
1414
01:57:11,084 --> 01:57:12,934
do it seven more times.
1415
01:57:13,284 --> 01:57:14,674
Why, I don't know, but then of course
1416
01:57:14,674 --> 01:57:16,014
I told her not to sing the Titanic song,
1417
01:57:16,014 --> 01:57:17,364
so what do I know?
1418
01:57:17,584 --> 01:57:18,784
(laughing)
1419
01:57:18,784 --> 01:57:20,534
Anyway, should we give it a try?
1420
01:57:22,254 --> 01:57:24,544
(cheering)
1421
01:57:37,204 --> 01:57:39,024
♫ When I was young
1422
01:57:41,174 --> 01:57:44,364
♫ I never needed anyone
1423
01:57:47,784 --> 01:57:51,134
♫ And making love was just for fun
1424
01:57:52,724 --> 01:57:55,344
♫ Those days are gone
1425
01:57:59,594 --> 01:58:01,814
♫ Living alone
1426
01:58:03,094 --> 01:58:06,754
♫ I think of all the friends I've known
1427
01:58:09,434 --> 01:58:13,524
♫ But when I dial the telephone
1428
01:58:14,774 --> 01:58:17,624
♫ Nobody's home
1429
01:58:25,724 --> 01:58:30,724
♫ All by myself
1430
01:58:31,794 --> 01:58:33,424
♫ Don't wanna be
1431
01:58:33,424 --> 01:58:38,044
♫ All by myself
1432
01:58:38,664 --> 01:58:40,984
♫ Anymore
1433
01:58:41,774 --> 01:58:43,554
♫ Hard to be sure
1434
01:58:45,304 --> 01:58:48,424
♫ Sometimes I feel so insecure
1435
01:58:50,634 --> 01:58:54,694
♫ And love so distant and obscure
1436
01:58:55,714 --> 01:58:58,834
♫ Remains the cure
1437
01:59:05,924 --> 01:59:10,924
♫ All by myself
1438
01:59:12,104 --> 01:59:13,804
♫ Don't wanna be
1439
01:59:13,804 --> 01:59:18,554
♫ All by myself
1440
01:59:19,044 --> 01:59:21,364
♫ Anymore
1441
01:59:22,044 --> 01:59:27,044
♫ All by myself
1442
01:59:28,254 --> 01:59:29,874
♫ Don't wanna live
1443
01:59:29,874 --> 01:59:34,274
♫ All by myself
1444
01:59:35,344 --> 01:59:37,204
♫ Anymore
1445
01:59:40,494 --> 01:59:43,504
(solo piano music)
1446
02:00:12,164 --> 02:00:16,884
♫ All by myself
1447
02:00:18,234 --> 02:00:20,004
♫ Don't wanna be
1448
02:00:20,004 --> 02:00:24,594
♫ All by myself
1449
02:00:25,104 --> 02:00:27,794
♫ Anymore
1450
02:00:37,214 --> 02:00:40,634
♫ Don't wanna be by myself
1451
02:00:46,224 --> 02:00:51,224
♫ All by myself
1452
02:00:52,334 --> 02:00:54,414
♫ Don't wanna live
1453
02:00:57,634 --> 02:01:01,174
♫ Don't wanna live by myself, by myself
1454
02:01:01,174 --> 02:01:04,764
♫ Anymore
1455
02:01:08,914 --> 02:01:11,164
♫ All by myself
1456
02:01:13,524 --> 02:01:16,994
♫ Don't wanna live by myself anymore
1457
02:01:16,994 --> 02:01:18,964
♫ By myself any more
1458
02:01:18,964 --> 02:01:21,444
♫ By myself any
1459
02:01:22,964 --> 02:01:26,884
♫ Mooooore ♫
1460
02:01:31,464 --> 02:01:34,594
(cheering)
1461
02:01:39,674 --> 02:01:40,964
>> Charice!
1462
02:01:54,634 --> 02:01:55,614
Wow.
1463
02:02:02,304 --> 02:02:04,134
I got a call from my friend Michael Bolton,
1464
02:02:04,134 --> 02:02:07,194
he said I'd really love to sing The Prayer.
1465
02:02:07,644 --> 02:02:09,364
Who should I sing it with?
1466
02:02:10,014 --> 02:02:12,684
And I said well the best person
1467
02:02:12,684 --> 02:02:17,054
on the planet to sing it with is Lara Fabien,
1468
02:02:17,054 --> 02:02:19,624
but she lives in Europe, so we had
1469
02:02:19,624 --> 02:02:20,884
to figure that one out and we actually
1470
02:02:20,884 --> 02:02:23,294
recorded it over the internet,
1471
02:02:23,294 --> 02:02:25,864
but they're here to sing it live tonight,
1472
02:02:25,864 --> 02:02:29,834
please welcome back Michael Bolton and Lara Fabian!
1473
02:02:29,834 --> 02:02:32,814
(cheering)
1474
02:02:54,894 --> 02:02:59,364
♫ I pray you'll be our eyes
1475
02:03:01,764 --> 02:03:05,814
♫ And watch us where we go
1476
02:03:08,094 --> 02:03:12,284
♫ And help us to be wise
1477
02:03:14,204 --> 02:03:17,964
♫ In times when we don't know
1478
02:03:20,584 --> 02:03:24,534
♫ Let this be our prayer
1479
02:03:27,284 --> 02:03:31,244
♫ When we lose our way
1480
02:03:35,234 --> 02:03:38,584
♫ Lead us to the place
1481
02:03:39,234 --> 02:03:42,784
♫ Guide us with your grace
1482
02:03:43,404 --> 02:03:48,404
♫ To a place where we'll be safe
1483
02:03:52,544 --> 02:03:55,854
♫ La luce che tu hai
1484
02:03:55,854 --> 02:03:58,774
♫ I pray we'll find your light
1485
02:03:58,774 --> 02:04:01,584
♫ Nel cuore resterà
1486
02:04:01,584 --> 02:04:04,694
♫ And hold it in our hearts
1487
02:04:04,694 --> 02:04:07,694
♫ A ricordarci che
1488
02:04:07,694 --> 02:04:11,134
♫ When stars go out each night
1489
02:04:11,134 --> 02:04:13,984
♫ L'eterna stella sei
1490
02:04:13,984 --> 02:04:17,214
♫ And lights up where you are
1491
02:04:17,214 --> 02:04:20,544
♫ Nella mia preghiera
1492
02:04:20,544 --> 02:04:23,614
♫ Let this be our prayer
1493
02:04:23,614 --> 02:04:26,614
♫ Quanta fede c'è
1494
02:04:26,614 --> 02:04:30,064
♫ When shadows fill our day
1495
02:04:31,954 --> 02:04:35,374
♫ Lead us to a place
1496
02:04:36,054 --> 02:04:39,674
♫ Guide us with your grace
1497
02:04:40,394 --> 02:04:45,394
♫ Give us faith so we'll be safe
1498
02:04:49,674 --> 02:04:54,424
(singing in Italian)
1499
02:05:25,104 --> 02:05:28,424
♫ La forza che ci dà
1500
02:05:28,914 --> 02:05:31,744
♫ We ask that life be kind
1501
02:05:31,744 --> 02:05:34,654
♫ È il desiderio che
1502
02:05:34,654 --> 02:05:37,884
♫ And watch us from above
1503
02:05:37,884 --> 02:05:41,054
♫ Ognuno trovi amor
1504
02:05:41,054 --> 02:05:44,254
♫ We hope each soul will find
1505
02:05:44,254 --> 02:05:47,324
♫ Intorno e dentro a sé
1506
02:05:47,324 --> 02:05:50,844
♫ Another soul to love
1507
02:05:51,434 --> 02:05:54,264
♫ Let this be our prayer
1508
02:05:54,264 --> 02:05:57,734
♫ Let this be our prayer
1509
02:05:57,734 --> 02:06:00,774
♫ Just like every child
1510
02:06:00,774 --> 02:06:04,324
♫ Just like every child
1511
02:06:06,584 --> 02:06:09,904
♫ Need to find a place
1512
02:06:10,584 --> 02:06:13,934
♫ Guide us with your grace
1513
02:06:14,754 --> 02:06:19,754
♫ Give us faith so we'll be safe
1514
02:06:22,234 --> 02:06:25,984
♫ È la fede che
1515
02:06:26,804 --> 02:06:30,754
♫ Hai acceso in noi
1516
02:06:35,274 --> 02:06:40,274
♫ Sento che ci salverà ♫
1517
02:06:53,164 --> 02:06:55,984
(cheering)
1518
02:07:00,264 --> 02:07:03,124
>> Lara Fabian and Michael Bolton!
1519
02:07:04,034 --> 02:07:04,954
Fabulous!
1520
02:07:05,474 --> 02:07:06,254
Wow!
1521
02:07:06,644 --> 02:07:08,594
>> The one and only David Foster.
1522
02:07:16,554 --> 02:07:17,804
>> Dang.
1523
02:07:19,554 --> 02:07:21,854
Speaking of friends, my friend Diane Warren
1524
02:07:21,854 --> 02:07:24,654
who's sitting here and I have had a lot
1525
02:07:24,654 --> 02:07:26,544
of success over the years.
1526
02:07:27,094 --> 02:07:29,814
She writes them and I produce them.
1527
02:07:30,364 --> 02:07:31,534
Some of them you might remember,
1528
02:07:31,534 --> 02:07:33,764
Have You Ever for Brandy, Because You Love Me
1529
02:07:33,764 --> 02:07:36,204
for Celine Dion, Can I Have This Kiss Forever
1530
02:07:36,204 --> 02:07:38,454
for Whitney and Enrique Iglesias.
1531
02:07:39,004 --> 02:07:42,254
But this next song was one of our biggest, you and I.
1532
02:07:42,744 --> 02:07:47,034
11 weeks at number one for Toni Braxton.
1533
02:07:47,584 --> 02:07:49,944
Now I wondered who on Earth could tackle this song
1534
02:07:49,944 --> 02:07:52,264
and make a meal out of it.
1535
02:07:53,324 --> 02:07:57,924
I truly cannot find the words to introduce her,
1536
02:07:57,924 --> 02:08:00,314
so I will simply say...
1537
02:08:02,494 --> 02:08:04,864
Ladies and gentlemen, with a little help
1538
02:08:04,864 --> 02:08:07,014
from someone you saw earlier...
1539
02:08:08,694 --> 02:08:10,804
Donna Summer!
1540
02:08:10,804 --> 02:08:13,124
(cheering)
1541
02:08:24,114 --> 02:08:27,834
♫ Unbreak my heart
1542
02:08:28,844 --> 02:08:32,474
♫ Say you'll love me again
1543
02:08:33,784 --> 02:08:37,604
♫ Undo this hurt you caused
1544
02:08:37,604 --> 02:08:39,764
♫ When you walked out the door
1545
02:08:39,764 --> 02:08:42,784
♫ And walked out of my life
1546
02:08:43,504 --> 02:08:46,894
♫ Uncry these tears
1547
02:08:48,004 --> 02:08:52,494
♫ I cried so many nights
1548
02:08:53,314 --> 02:08:57,634
♫ Unbreak my heart
1549
02:09:00,854 --> 02:09:03,304
♫ My heart
1550
02:09:06,784 --> 02:09:09,394
♫ Don't leave me in all this pain
1551
02:09:11,214 --> 02:09:14,354
♫ Don't leave me out in the rain
1552
02:09:15,404 --> 02:09:17,804
♫ Come back and bring back my smile
1553
02:09:17,804 --> 02:09:21,594
♫ Come and take these tears away
1554
02:09:22,744 --> 02:09:26,594
♫ I need your love to hold me now
1555
02:09:27,244 --> 02:09:30,504
♫ The nights are so unkind
1556
02:09:32,844 --> 02:09:37,204
♫ Bring back those nights that I held you beside me
1557
02:09:38,264 --> 02:09:41,444
♫ Unbreak my heart
1558
02:09:42,464 --> 02:09:45,814
♫ Say you'll love me again
1559
02:09:46,934 --> 02:09:50,434
♫ Undo this hurt you caused
1560
02:09:50,434 --> 02:09:52,604
♫ When you walked out of the door
1561
02:09:52,604 --> 02:09:55,444
♫ And walked out of my life
1562
02:09:55,444 --> 02:09:58,934
♫ Uncry these tears
1563
02:10:00,144 --> 02:10:03,204
♫ I cried so many nights
1564
02:10:04,584 --> 02:10:09,404
♫ Unbreak my heart
1565
02:10:10,654 --> 02:10:13,474
♫ Unbreak me ♫
1566
02:10:16,534 --> 02:10:19,504
>> You know David, you are so fantastic
1567
02:10:19,504 --> 02:10:21,554
and I love all of your songs.
1568
02:10:22,004 --> 02:10:24,224
And Seal, you are amazing.
1569
02:10:24,224 --> 02:10:25,204
>> Thank you.
1570
02:10:25,204 --> 02:10:28,194
>> I mean don't you wanna see him get a little crazy?
1571
02:10:35,274 --> 02:10:36,404
Come on now.
1572
02:10:39,484 --> 02:10:42,544
♫ A man decides after seventy years
1573
02:10:42,924 --> 02:10:44,924
♫ That what he goes there for
1574
02:10:44,924 --> 02:10:47,774
♫ Is to unlock the door
1575
02:10:48,934 --> 02:10:52,384
♫ While those around him criticize and sleep
1576
02:10:58,304 --> 02:11:01,304
♫ And through a fracture on that breaking wall
1577
02:11:01,304 --> 02:11:06,224
♫ I see you my friend and touch your face again
1578
02:11:07,444 --> 02:11:10,604
♫ Miracles will happen as we trip
1579
02:11:17,194 --> 02:11:21,744
♫ But we're never gonna survive unless
1580
02:11:22,364 --> 02:11:25,254
♫ We get a little crazy
1581
02:11:26,324 --> 02:11:31,114
♫ No we're never gonna survive unless
1582
02:11:31,674 --> 02:11:35,194
♫ We get a little crazy
1583
02:11:35,244 --> 02:11:37,794
♫ Crazy
1584
02:11:38,144 --> 02:11:41,044
♫ Are the people walking through my head
1585
02:11:41,044 --> 02:11:46,044
♫ One of them got a gun to shoot the other one
1586
02:11:46,984 --> 02:11:50,424
♫ And yet together they were friends at school
1587
02:11:50,424 --> 02:11:55,424
♫ Yeah yeah yeah, no no no
1588
02:11:56,494 --> 02:11:59,534
♫ If all were there when we first took the pill
1589
02:11:59,534 --> 02:12:04,534
♫ Then maybe, maybe, maybe, maybe
1590
02:12:05,874 --> 02:12:09,114
♫ Miracles will happen as we speak
1591
02:12:10,634 --> 02:12:13,994
♫ Miracles will happen when they speak
1592
02:12:15,414 --> 02:12:19,974
♫ No we're never gonna survive unless
1593
02:12:20,584 --> 02:12:23,404
♫ We get a little crazy
1594
02:12:24,554 --> 02:12:29,414
♫ No we're never gonna survive unless
1595
02:12:29,864 --> 02:12:33,114
♫ We are a little crazy
1596
02:12:34,004 --> 02:12:36,924
♫ Oh no, we'll never survive
1597
02:12:37,474 --> 02:12:42,194
♫ Unless we get a little crazy
1598
02:12:42,714 --> 02:12:45,434
♫ Crazy ♫
1599
02:12:48,484 --> 02:12:49,604
>> All right.
1600
02:12:50,414 --> 02:12:52,034
>> Well done, that was...
1601
02:12:52,224 --> 02:12:53,304
>> Thank you.
1602
02:12:53,654 --> 02:12:55,054
>> That was quite something, but you know what,
1603
02:12:55,054 --> 02:12:57,344
I think I should sing one of your songs.
1604
02:12:57,794 --> 02:12:59,434
>> Which one do you wanna sing?
1605
02:13:01,124 --> 02:13:06,124
♫ Someone found a letter you wrote me on the radio
1606
02:13:09,504 --> 02:13:13,824
♫ And they told the world just how you felt
1607
02:13:16,774 --> 02:13:18,784
♫ It must have fallen out of
1608
02:13:18,784 --> 02:13:22,894
♫ A hole in your old brown overcoat
1609
02:13:25,124 --> 02:13:30,124
♫ They never said your name, I knew who they meant
1610
02:13:34,094 --> 02:13:39,094
♫ I was so surprised and shocked, and I wondered too
1611
02:13:42,374 --> 02:13:46,584
♫ If by chance you heard it for yourself
1612
02:13:50,414 --> 02:13:55,414
♫ I never told a soul just how I've been feeling about you
1613
02:13:58,524 --> 02:14:00,384
♫ But they said it really loud
1614
02:14:00,384 --> 02:14:04,004
♫ They said it on the air, on the radio
1615
02:14:04,494 --> 02:14:07,714
♫ Whoa, on the radio
1616
02:14:08,224 --> 02:14:11,444
♫ Whoa, on the radio
1617
02:14:11,964 --> 02:14:15,154
♫ Whoa, on the radio
1618
02:14:15,674 --> 02:14:17,624
♫ Whoa
1619
02:14:18,544 --> 02:14:21,004
♫ Don't it kinda strike you sad
1620
02:14:21,004 --> 02:14:22,914
♫ When you hear our song
1621
02:14:22,914 --> 02:14:25,264
♫ Oh yeah, baby
1622
02:14:25,944 --> 02:14:30,054
♫ Things are not the same since we broke up last June
1623
02:14:30,054 --> 02:14:32,774
♫ Ooh baby, ooh baby, ooh baby
1624
02:14:33,414 --> 02:14:38,174
♫ The only thing that I wanna hear is that you love me still
1625
02:14:40,824 --> 02:14:45,084
♫ And that you think you'll be coming home real soon
1626
02:14:47,424 --> 02:14:50,634
♫ Whoa oh yeah and it made me feel
1627
02:14:50,634 --> 02:14:53,294
♫ Proud when I heard them say
1628
02:14:55,844 --> 02:14:59,994
♫ You couldn't find the words to say it yourself
1629
02:15:02,984 --> 02:15:07,984
♫ And now in my heart I hear, I can see what I really feel
1630
02:15:10,094 --> 02:15:11,894
♫ 'Cause they said it really loud
1631
02:15:11,894 --> 02:15:13,524
♫ They said it on the air
1632
02:15:13,524 --> 02:15:18,524
♫ On the radio, whoa, on the radio
1633
02:15:19,534 --> 02:15:22,834
♫ Whoa, on the radio
1634
02:15:22,834 --> 02:15:26,504
♫ Whoa, on the radio
1635
02:15:26,504 --> 02:15:30,314
♫ Whoa, on the radio
1636
02:15:30,314 --> 02:15:33,914
♫ Whoa, on the radio
1637
02:15:33,914 --> 02:15:37,614
♫ Whoa, on the radio
1638
02:15:37,614 --> 02:15:42,614
♫ Whoa, on the radio
1639
02:15:42,894 --> 02:15:45,264
♫ Radio radio radio radio radio ♫
1640
02:15:45,264 --> 02:15:46,614
>> Thank you!
1641
02:15:47,364 --> 02:15:49,184
(cheering)
1642
02:16:11,354 --> 02:16:13,684
>> In 1975, I got a call to play on a record
1643
02:16:13,684 --> 02:16:16,354
and the producer, which wasn't me,
1644
02:16:16,354 --> 02:16:20,274
he said we're gonna start this song out...
1645
02:16:20,924 --> 02:16:22,404
>> Slow. >> Like a ballad.
1646
02:16:22,824 --> 02:16:24,244
Then we're gonna go into up tempo.
1647
02:16:24,764 --> 02:16:26,604
I thought that is the stupidest idea
1648
02:16:26,604 --> 02:16:28,554
I've ever heard in my life.
1649
02:16:29,204 --> 02:16:30,584
(laughing)
1650
02:16:31,374 --> 02:16:32,844
But we did it, and that was my
1651
02:16:32,844 --> 02:16:36,674
first connection with you and I'd love it
1652
02:16:36,674 --> 02:16:40,144
if we could relive that moment right now.
1653
02:16:40,144 --> 02:16:41,194
>> Okay.
1654
02:16:46,644 --> 02:16:47,774
Thank you.
1655
02:16:59,334 --> 02:17:01,184
♫ Last dance
1656
02:17:02,394 --> 02:17:07,394
♫ Last chance for love
1657
02:17:09,474 --> 02:17:14,474
♫ Yes it's my last chance for romance
1658
02:17:17,584 --> 02:17:20,104
♫ Tonight
1659
02:17:22,924 --> 02:17:26,944
♫ I need you by me
1660
02:17:28,464 --> 02:17:33,214
♫ Beside me, to guide me
1661
02:17:34,324 --> 02:17:39,124
♫ To hold me, and scold me
1662
02:17:39,804 --> 02:17:44,804
♫ 'Cause when I'm bad, I'm so so bad
1663
02:17:53,284 --> 02:17:57,404
♫ So let's dance the last dance
1664
02:17:58,154 --> 02:18:01,144
♫ Let's dance the last dance
1665
02:18:01,894 --> 02:18:06,894
♫ Let's dance the last dance tonight
1666
02:18:09,434 --> 02:18:14,434
♫ Last dance is my last chance for love
1667
02:18:16,234 --> 02:18:21,234
♫ Yes, it's my last chance for romance tonight
1668
02:18:23,654 --> 02:18:27,904
♫ Oh I need you by me
1669
02:18:28,424 --> 02:18:31,644
♫ Beside me, to guide me
1670
02:18:32,224 --> 02:18:35,544
♫ And to hold me and to scold me
1671
02:18:35,964 --> 02:18:39,514
♫ 'Cause when I'm bad I'm so so bad
1672
02:18:40,064 --> 02:18:43,284
♫ So let's dance the last dance
1673
02:18:43,904 --> 02:18:47,054
♫ So let's dance the last dance
1674
02:18:47,774 --> 02:18:52,774
♫ Let's dance the last dance tonight
1675
02:19:07,794 --> 02:19:12,454
♫ I can be sure that you're the one for me
1676
02:19:13,204 --> 02:19:14,814
♫ Well well well well
1677
02:19:15,574 --> 02:19:19,954
♫ All that I ask is that you dance with me
1678
02:19:20,674 --> 02:19:23,994
♫ Dance with me, dance with me
1679
02:19:24,444 --> 02:19:26,894
♫ Yeeeeeeeah
1680
02:19:33,254 --> 02:19:35,744
♫ Oh I need you
1681
02:19:37,854 --> 02:19:39,244
♫ By me
1682
02:19:40,784 --> 02:19:45,784
♫ Beside me, to guide me
1683
02:19:46,464 --> 02:19:51,464
♫ Ooooooh hold me, scold me, scold me, scold me daddy
1684
02:19:54,974 --> 02:19:59,974
♫ I'm so, so so very baaaaad
1685
02:20:09,224 --> 02:20:12,774
♫ Soooooooo
1686
02:20:13,564 --> 02:20:16,434
♫ Let's dance the last dance
1687
02:20:16,434 --> 02:20:18,314
♫ Come on people now
1688
02:20:19,024 --> 02:20:20,784
♫ Your very last chance
1689
02:20:21,224 --> 02:20:24,104
♫ Let's dance the last dance
1690
02:20:24,104 --> 02:20:26,294
♫ Tonight
1691
02:20:36,484 --> 02:20:38,294
>> Come on, sing it with me now!
1692
02:20:39,224 --> 02:20:43,944
♫ Ooooh, ooooh, oooh
1693
02:20:46,354 --> 02:20:50,514
♫ Oh I need you by me
1694
02:20:51,164 --> 02:20:54,484
♫ Beside me, to guide me
1695
02:20:55,204 --> 02:20:58,684
♫ Oh hold me, scold me
1696
02:20:59,844 --> 02:21:02,894
♫ I'm so so, so so bad
1697
02:21:03,414 --> 02:21:06,894
♫ Come on baby, do the last dance
1698
02:21:07,444 --> 02:21:10,934
♫ Come on baby, one more last chance
1699
02:21:11,384 --> 02:21:16,384
♫ Come on baby, last dance tonight ♫
1700
02:21:26,604 --> 02:21:28,434
(cheering)
1701
02:21:28,434 --> 02:21:29,684
>> Thank you
1702
02:21:32,384 --> 02:21:33,594
David!
1703
02:21:39,644 --> 02:21:42,264
♫ Oh I need you
1704
02:21:42,784 --> 02:21:44,334
♫ To guide me
1705
02:21:45,854 --> 02:21:47,904
♫ Beside me
1706
02:21:48,684 --> 02:21:51,664
♫ To hold me, to scold me
1707
02:21:55,884 --> 02:21:57,184
♫ Come on, baby
1708
02:21:57,764 --> 02:21:59,274
♫ Come on, sugar
1709
02:21:59,864 --> 02:22:01,084
♫ Pump it up
1710
02:22:01,534 --> 02:22:03,084
♫ Come on now
1711
02:22:07,304 --> 02:22:10,024
♫ Tonight ♫
1712
02:22:19,184 --> 02:22:21,634
>> Thank you all very much and goodnight!
1713
02:22:22,924 --> 02:22:24,774
Woo, what a night!
1714
02:22:25,894 --> 02:22:27,374
Thank you so much!
1715
02:22:37,074 --> 02:22:39,524
Thank you all very much and goodnight!
1716
02:22:40,874 --> 02:22:42,664
Woo, what a night!
1717
02:22:43,014 --> 02:22:45,294
(tape rewinding)
1718
02:22:45,984 --> 02:22:50,984
(uplifting piano music)
1719
02:23:00,484 --> 02:23:05,294
(transition guitar music)
1720
02:23:05,294 --> 02:23:07,764
>> All right, so we're here at center staging in Burbank
1721
02:23:07,764 --> 02:23:11,454
rehearsing madly for the big show on Friday night.
1722
02:23:11,804 --> 02:23:12,854
Let's just try it.
1723
02:23:13,564 --> 02:23:15,964
We're heading out to Vegas actually tonight.
1724
02:23:16,474 --> 02:23:18,364
Two more days of mad rehearsing.
1725
02:23:18,774 --> 02:23:20,714
Friday night, it's like turkey dinner
1726
02:23:20,714 --> 02:23:22,684
at Christmas, you spend days preparing it,
1727
02:23:22,684 --> 02:23:24,554
only in this case it's a couple months,
1728
02:23:24,554 --> 02:23:26,904
and then it's over in three hours.
1729
02:23:27,384 --> 02:23:32,274
(transition guitar music)
1730
02:23:34,564 --> 02:23:36,264
When we had done The Hit Man two and
1731
02:23:36,264 --> 02:23:38,334
a half years ago, and the response was so great
1732
02:23:38,334 --> 02:23:41,054
it exceeded I think everyone's expectations.
1733
02:23:41,404 --> 02:23:43,734
For the second Hit Man, I had to dig
1734
02:23:43,734 --> 02:23:45,394
a little deeper, so I did unique things
1735
02:23:45,394 --> 02:23:47,574
like invite Gary Wright to play on the
1736
02:23:47,574 --> 02:23:49,474
show, now he had a hit called Dream Weaver
1737
02:23:49,474 --> 02:23:51,744
which I played and helped him arrange,
1738
02:23:51,744 --> 02:23:53,184
so it was a little bit of a cheat
1739
02:23:53,184 --> 02:23:54,444
to have him on the show, but it was,
1740
02:23:54,444 --> 02:23:56,304
it's a piece of my past.
1741
02:23:56,704 --> 02:23:58,114
>> You can sing that way twice
1742
02:23:58,114 --> 02:24:00,534
and then I say (mumble).
1743
02:24:01,044 --> 02:24:03,354
>> And then we went to Chaka Khan who
1744
02:24:03,354 --> 02:24:05,724
was not able to make the first show,
1745
02:24:05,724 --> 02:24:07,294
I wrote the song Through The Fire
1746
02:24:07,294 --> 02:24:10,794
for her and produced it, but we did
1747
02:24:10,794 --> 02:24:12,194
dig a little deeper and we cheated
1748
02:24:12,194 --> 02:24:13,404
a few times, but I cheated a couple
1749
02:24:13,404 --> 02:24:14,834
of times on the first show, I had
1750
02:24:14,834 --> 02:24:16,034
Brian McKnight and Josh Grobin
1751
02:24:16,034 --> 02:24:17,274
sing Bridge over Troubled Water,
1752
02:24:17,274 --> 02:24:19,384
now everybody knows I didn't write that song.
1753
02:24:20,254 --> 02:24:21,324
Or did I?
1754
02:24:22,844 --> 02:24:24,274
>> Voiceover: Ladies and gentlemen,
1755
02:24:24,274 --> 02:24:27,514
please welcome Olympic gold medalists
1756
02:24:27,514 --> 02:24:31,304
Kristi Yamaguchi and Brian Boitano.
1757
02:24:31,784 --> 02:24:33,384
>> It kinda made sense, last time Andre Agassi
1758
02:24:33,384 --> 02:24:34,784
introduced me and I thought let's just
1759
02:24:34,784 --> 02:24:36,444
keep that sports theme going.
1760
02:24:36,854 --> 02:24:38,424
I wanted to open the show with my
1761
02:24:38,424 --> 02:24:40,124
'88 Winter Olympics theme anyway,
1762
02:24:40,124 --> 02:24:41,854
so I thought that would be great
1763
02:24:41,854 --> 02:24:44,124
to have two gold medalists who
1764
02:24:44,124 --> 02:24:45,804
have actually skated to a lot
1765
02:24:45,804 --> 02:24:47,504
of my music to intro me.
1766
02:24:47,504 --> 02:24:48,704
>> Voiceover: Okay David, here we go, David.
1767
02:24:48,704 --> 02:24:50,074
He's making his entrance.
1768
02:24:50,074 --> 02:24:53,594
>> The Hit Man himself, David Foster.
1769
02:24:54,704 --> 02:24:56,694
(cheering)
1770
02:24:57,814 --> 02:24:59,384
>> Good evening everyone, and welcome
1771
02:24:59,384 --> 02:25:01,364
back to Mandalay Bay!
1772
02:25:02,014 --> 02:25:03,374
We shot the show at the Mandalay Bay
1773
02:25:03,374 --> 02:25:06,554
which is a great arena, that's where
1774
02:25:06,554 --> 02:25:07,724
we did the first show.
1775
02:25:07,724 --> 02:25:08,744
It's really hard to imagine it's been
1776
02:25:08,744 --> 02:25:10,284
two and a half years since we were
1777
02:25:10,284 --> 02:25:12,974
here in Vegas taping my first special.
1778
02:25:13,424 --> 02:25:14,474
Guess what?
1779
02:25:14,864 --> 02:25:17,064
We left out many great songs, many great stars,
1780
02:25:17,064 --> 02:25:20,204
we just had to come here and do it again.
1781
02:25:20,204 --> 02:25:25,204
(transition jazz music)
1782
02:25:26,874 --> 02:25:27,674
Can I have a little string help
1783
02:25:27,674 --> 02:25:29,264
with this, do you know, do you have a chart?
1784
02:25:29,264 --> 02:25:31,244
We were rehearsing in Los Angeles mostly,
1785
02:25:31,244 --> 02:25:32,914
but then we got to Vegas on Wednesday
1786
02:25:32,914 --> 02:25:35,394
and then just crammed on Thursday and Friday.
1787
02:25:35,784 --> 02:25:37,754
The repeat is good, but not really.
1788
02:25:37,754 --> 02:25:39,644
When I go into rehearsal mode where
1789
02:25:39,644 --> 02:25:41,484
everything just stops and all I know
1790
02:25:41,484 --> 02:25:43,924
is I gotta get through 31 pieces of music
1791
02:25:43,924 --> 02:25:45,454
and they've all gotta be done,
1792
02:25:45,454 --> 02:25:46,464
they've all gotta be played,
1793
02:25:46,464 --> 02:25:48,044
they've all gotta be right.
1794
02:25:48,324 --> 02:25:49,234
It's a slugfest.
1795
02:25:49,234 --> 02:25:50,864
Michael Bolton comes in, Seal slides out,
1796
02:25:50,864 --> 02:25:52,434
Martina McBridge comes in,
1797
02:25:52,434 --> 02:25:53,834
Donna Summer goes out and for me
1798
02:25:53,834 --> 02:25:56,864
it's like it's day and night focus.
1799
02:25:56,864 --> 02:26:01,864
(transition piano music)
1800
02:26:05,414 --> 02:26:06,434
We're going good now, we're picking
1801
02:26:06,434 --> 02:26:08,034
up steam now, I think we're doing good.
1802
02:26:08,644 --> 02:26:10,704
Bit of a scene, but we're rocking.
1803
02:26:11,154 --> 02:26:12,944
We've got 34 minutes to get this right.
1804
02:26:12,944 --> 02:26:14,514
I have this saying that you get it
1805
02:26:14,514 --> 02:26:16,594
done in the time you're given.
1806
02:26:16,594 --> 02:26:17,854
Had we been given another week
1807
02:26:17,854 --> 02:26:18,994
it would've been great, had we been
1808
02:26:18,994 --> 02:26:21,864
given one day less, we would've
1809
02:26:21,864 --> 02:26:23,154
made it work somehow.
1810
02:26:23,154 --> 02:26:25,374
Let's try to top that, steal the cameras.
1811
02:26:26,334 --> 02:26:27,634
God help you if you get it wrong.
1812
02:26:27,634 --> 02:26:29,264
(laughing) My band, well I say
1813
02:26:29,264 --> 02:26:30,434
my band, but they're not my band,
1814
02:26:30,434 --> 02:26:31,704
it's just the band that I'm lucky
1815
02:26:31,704 --> 02:26:33,204
enough to get to use and these are guys
1816
02:26:33,204 --> 02:26:36,344
that have been with me, basically I
1817
02:26:36,344 --> 02:26:38,744
played sessions with some of them in the 70s,
1818
02:26:38,744 --> 02:26:40,634
so 30 plus years.
1819
02:26:41,284 --> 02:26:43,114
You think about Nathan East on bass,
1820
02:26:43,114 --> 02:26:45,184
arguably the greatest bass player on the planet.
1821
02:26:45,184 --> 02:26:48,284
Dean Parks and Tark Aconi on guitar,
1822
02:26:48,284 --> 02:26:50,954
it's just all veterans, and JR the drummer
1823
02:26:50,954 --> 02:26:52,294
who was Michael Jackson's drummer
1824
02:26:52,294 --> 02:26:54,024
back in the day, Quincy's drummer.
1825
02:26:54,024 --> 02:26:55,394
Then a couple of great keyboard players,
1826
02:26:55,394 --> 02:26:57,654
Bo Cooper and Mo Pleasure, both
1827
02:26:57,654 --> 02:26:59,764
incredible players, both better than
1828
02:26:59,764 --> 02:27:01,834
me by the way by a long stretch.
1829
02:27:01,834 --> 02:27:04,204
Can one of you guys cover the...
1830
02:27:04,204 --> 02:27:06,614
(plays piano tune)
1831
02:27:07,304 --> 02:27:09,624
'Cause I think I might talk instead of play.
1832
02:27:09,714 --> 02:27:11,314
Musically, I was definitely the weak
1833
02:27:11,314 --> 02:27:13,244
link up on stage, and I really mean this
1834
02:27:13,244 --> 02:27:16,784
because I had so much traffic cop stuff to do.
1835
02:27:16,784 --> 02:27:18,654
The entire time that I was playing a song,
1836
02:27:18,654 --> 02:27:20,714
all my brain was doing was thinking
1837
02:27:20,714 --> 02:27:22,724
what's coming next, who's coming on next,
1838
02:27:22,724 --> 02:27:24,894
how do I introduce them, what do I say,
1839
02:27:24,894 --> 02:27:26,974
how do I get this person out on stage.
1840
02:27:27,464 --> 02:27:28,824
The strings, there was just so much
1841
02:27:28,824 --> 02:27:30,654
going on in my head and trying to
1842
02:27:30,654 --> 02:27:32,334
look cool which is hard to do sometimes,
1843
02:27:32,334 --> 02:27:34,954
so my playing suffered.
1844
02:27:35,464 --> 02:27:40,464
(transition rock music)
1845
02:27:42,244 --> 02:27:43,414
David Horn, we're gonna try running it,
1846
02:27:43,414 --> 02:27:45,194
can we have a little stage help?
1847
02:27:45,574 --> 02:27:46,784
Poor David Horn, the director,
1848
02:27:46,784 --> 02:27:48,714
who's magnificent, really didn't
1849
02:27:48,714 --> 02:27:51,084
get a dress rehearsal and I think it's
1850
02:27:51,084 --> 02:27:53,524
to his testament that he made this
1851
02:27:53,524 --> 02:27:55,654
show look as beautiful as it does,
1852
02:27:55,654 --> 02:27:58,194
there's the occasional crane shot where
1853
02:27:58,194 --> 02:27:59,794
you can see the crane in the shot
1854
02:27:59,794 --> 02:28:01,524
and we just didn't have any other choices,
1855
02:28:01,524 --> 02:28:03,794
but it's because he didn't get a rehearsal,
1856
02:28:03,794 --> 02:28:06,454
I mean he literally did not get a dress rehearsal.
1857
02:28:06,864 --> 02:28:08,664
He was calling the show on the fly.
1858
02:28:08,664 --> 02:28:09,834
>> Just tell David he surprised me,
1859
02:28:09,834 --> 02:28:11,234
I didn't know he was gonna talk.
1860
02:28:11,234 --> 02:28:12,504
>> You know with me, things always
1861
02:28:12,504 --> 02:28:14,644
happen out there, the unexpected always happens.
1862
02:28:14,644 --> 02:28:17,624
>> Good evening everybody, guess what just happened!
1863
02:28:18,404 --> 02:28:20,534
I already screwed up!
1864
02:28:20,884 --> 02:28:22,084
>> Yeah, the beginning of the show was
1865
02:28:22,084 --> 02:28:23,414
really rocky, adjusting for monitors
1866
02:28:23,414 --> 02:28:26,304
and clicks in the ear and entrances and exits.
1867
02:28:26,754 --> 02:28:28,954
Somebody said to go out, so I went out
1868
02:28:28,954 --> 02:28:31,024
in the middle of your speech, so
1869
02:28:31,024 --> 02:28:33,294
we're gonna do that one more time, okay?
1870
02:28:33,294 --> 02:28:35,594
The song, it's a great song which
1871
02:28:35,594 --> 02:28:38,684
I can't take credit for, it's called...
1872
02:28:40,124 --> 02:28:41,104
What's it called?
1873
02:28:41,104 --> 02:28:42,304
♫ That's the ♫
1874
02:28:47,644 --> 02:28:48,874
>> Can you imagine anything worse
1875
02:28:48,874 --> 02:28:50,414
than having to stop a superstar
1876
02:28:50,414 --> 02:28:51,714
while she's singing a song?
1877
02:28:51,714 --> 02:28:53,084
She will never speak to me again,
1878
02:28:53,084 --> 02:28:54,314
but when she watches this back
1879
02:28:54,314 --> 02:28:56,184
in the March pledge of PBS, she'll
1880
02:28:56,184 --> 02:28:57,984
be very happy that I stopped her.
1881
02:28:57,984 --> 02:28:58,684
>> Okay.
1882
02:28:58,684 --> 02:29:00,084
>> And it was nothing you did,
1883
02:29:00,084 --> 02:29:01,254
it was something I did, I was
1884
02:29:01,254 --> 02:29:02,824
actually playing it in the wrong key.
1885
02:29:02,824 --> 02:29:04,194
But we got rolling, and the magic
1886
02:29:04,194 --> 02:29:05,894
of television is you can make it perfect.
1887
02:29:05,894 --> 02:29:08,624
I don't like to leave any mistakes in the show anywhere.
1888
02:29:08,624 --> 02:29:10,264
They're all cut out, but it was great
1889
02:29:10,264 --> 02:29:12,844
and it's editing down into a beautiful show.
1890
02:29:13,264 --> 02:29:16,334
Ladies and gentlemen, give it up for Kenny Loggins!
1891
02:29:16,894 --> 02:29:19,294
Kenny Loggins and I have had a long history together.
1892
02:29:19,294 --> 02:29:20,244
>> Were you there --
1893
02:29:20,244 --> 02:29:21,204
>> Hi, I'm David.
1894
02:29:21,204 --> 02:29:22,344
(laughing)
1895
02:29:22,344 --> 02:29:23,814
It got cut out of the show, but the story
1896
02:29:23,814 --> 02:29:25,614
that I told about I auditioned for his
1897
02:29:25,614 --> 02:29:27,164
band when it was Loggins Messina
1898
02:29:28,454 --> 02:29:29,584
and my drummer friend next door gave
1899
02:29:29,584 --> 02:29:31,384
me a ride up there and he jumped
1900
02:29:31,384 --> 02:29:32,714
on the drums, he ended up getting
1901
02:29:32,714 --> 02:29:34,224
the gig and I didn't get the gig,
1902
02:29:34,224 --> 02:29:36,234
so I hated Kenny Loggins for years.
1903
02:29:41,094 --> 02:29:42,224
I always walk the fine line with
1904
02:29:42,224 --> 02:29:44,264
artists of no, it's gotta be this way,
1905
02:29:44,264 --> 02:29:48,004
this is my show or whatever power trip you wanna pull,
1906
02:29:48,004 --> 02:29:49,764
but I could never do that because
1907
02:29:49,764 --> 02:29:52,084
it's, really, it's their face.
1908
02:29:52,494 --> 02:29:53,924
>> It's just in the middle (mumble).
1909
02:29:54,704 --> 02:29:56,074
>> So on that particular instance, a thing
1910
02:29:56,074 --> 02:29:57,644
we had to change, that took about
1911
02:29:57,644 --> 02:29:59,544
half an hour to change that one thing
1912
02:29:59,544 --> 02:30:01,614
because I had, in editing his song,
1913
02:30:01,614 --> 02:30:05,254
I cut his lyric in half, something
1914
02:30:05,254 --> 02:30:06,654
that I don't pay that close
1915
02:30:06,654 --> 02:30:08,224
attention to, but obviously he does,
1916
02:30:08,224 --> 02:30:09,624
they're his lyrics, I had written
1917
02:30:09,624 --> 02:30:11,124
the music, he wrote the lyrics.
1918
02:30:11,124 --> 02:30:12,254
It just didn't work for him,
1919
02:30:12,254 --> 02:30:14,324
so we had to drill down and that
1920
02:30:14,324 --> 02:30:16,834
took a half hour of super super valuable
1921
02:30:16,834 --> 02:30:19,564
rehearsal time, but he needed to be
1922
02:30:19,564 --> 02:30:21,054
the way he wanted it.
1923
02:30:21,504 --> 02:30:23,274
♫ Forever
1924
02:30:23,274 --> 02:30:24,724
>> Three, four.
1925
02:30:32,044 --> 02:30:33,834
♫ Ooooh ♫
1926
02:30:35,014 --> 02:30:36,224
>> So you go...
1927
02:30:38,354 --> 02:30:42,004
♫ When a man loves a woman ♫
1928
02:30:42,974 --> 02:30:45,044
>> Five, six.
1929
02:30:45,894 --> 02:30:47,794
Well with the pairings, you know, if you
1930
02:30:47,794 --> 02:30:49,164
could imagine, I was like a kid
1931
02:30:49,164 --> 02:30:50,494
in the candy store, okay I've got
1932
02:30:50,494 --> 02:30:53,204
20 artists and basically any of them
1933
02:30:53,204 --> 02:30:55,864
are pretty much willing to sing with anyone.
1934
02:30:55,864 --> 02:30:56,874
These are the kind of things that
1935
02:30:56,874 --> 02:30:58,134
kept me awake at night laying in bed,
1936
02:30:58,134 --> 02:31:00,444
I literally woke up at 6 o'clock one morning
1937
02:31:00,444 --> 02:31:03,014
think wow, Bolton and Seal,
1938
02:31:03,014 --> 02:31:05,364
that's just too good.
1939
02:31:05,814 --> 02:31:09,864
♫ When a man loves a woman
1940
02:31:12,924 --> 02:31:15,524
♫ You're gonna (mumble) ♫
1941
02:31:15,524 --> 02:31:16,684
>> But then how does that end,
1942
02:31:16,684 --> 02:31:18,154
it just ends that's not gonna be right,
1943
02:31:18,154 --> 02:31:19,584
so then that's when I came up
1944
02:31:19,584 --> 02:31:20,844
with the Chaka thing.
1945
02:31:21,194 --> 02:31:22,844
>> I think we got a little trouble here.
1946
02:31:23,134 --> 02:31:24,494
What I told Chaka is I said well
1947
02:31:24,494 --> 02:31:25,794
you come out and interrupt them.
1948
02:31:25,794 --> 02:31:26,834
I want you to come up there
1949
02:31:26,834 --> 02:31:27,964
and just bust out and interrupt them
1950
02:31:27,964 --> 02:31:30,554
and go wait a minute, I got a different take on this.
1951
02:31:30,934 --> 02:31:32,304
Then go into I'm Every Woman.
1952
02:31:32,304 --> 02:31:33,404
She busts out and she goes
1953
02:31:33,404 --> 02:31:34,644
with the great line that I could
1954
02:31:34,644 --> 02:31:35,774
have never thought of.
1955
02:31:35,774 --> 02:31:39,594
>> There's just way too much testosterone up here.
1956
02:31:39,944 --> 02:31:41,514
>> And I planned that in my mind,
1957
02:31:41,514 --> 02:31:44,414
Bolton into Seal into Chaka in this
1958
02:31:44,414 --> 02:31:46,354
great 10 minute piece of theater.
1959
02:31:46,354 --> 02:31:48,404
It's just fun, I mean it's what I do.
1960
02:31:48,924 --> 02:31:50,824
>> Voiceover: Okay here we go guys, stand by.
1961
02:31:50,824 --> 02:31:52,204
>> So second half opens.
1962
02:31:54,594 --> 02:31:55,664
Yeah, well when we were trying to
1963
02:31:55,664 --> 02:31:56,794
build the show we were thinking,
1964
02:31:56,794 --> 02:31:58,094
we knew we had to have an intermission
1965
02:31:58,094 --> 02:31:59,564
and I wanted to end big and I wanted
1966
02:31:59,564 --> 02:32:02,184
to start the second half big.
1967
02:32:03,064 --> 02:32:05,004
You can't believe how excited I am
1968
02:32:05,004 --> 02:32:09,074
to introduce my favorite band of all
1969
02:32:09,074 --> 02:32:13,834
time, Earth, Wind, and Fire!
1970
02:32:14,244 --> 02:32:15,514
I was the guy that would stand in
1971
02:32:15,514 --> 02:32:17,054
line at midnight at Tower Records
1972
02:32:17,054 --> 02:32:18,524
waiting for their new album.
1973
02:32:18,984 --> 02:32:20,084
So I was a super fan.
1974
02:32:21,694 --> 02:32:24,104
♫ Hey hey hey hey ♫
1975
02:32:24,624 --> 02:32:25,814
>> They started my career.
1976
02:32:25,814 --> 02:32:27,764
I mean really, I had been a successful
1977
02:32:27,764 --> 02:32:29,864
keyboard player and session player
1978
02:32:29,864 --> 02:32:34,864
and arranger a little bit, but in 1978,
1979
02:32:35,134 --> 02:32:38,634
when I was brought to them by my friend Carol Childs
1980
02:32:38,634 --> 02:32:40,454
and I sat down and I played...
1981
02:32:40,944 --> 02:32:42,704
(plays "After The Love is Gone")
1982
02:32:42,704 --> 02:32:44,964
♫ After the love is gone
1983
02:32:46,174 --> 02:32:48,934
♫ How could you lead me on ♫
1984
02:32:49,314 --> 02:32:50,814
>> And they went yeah, we'll record that.
1985
02:32:50,814 --> 02:32:52,114
We'll record that right now.
1986
02:32:52,114 --> 02:32:53,924
That started me off on a journey
1987
02:32:53,924 --> 02:32:55,324
with them and I learned so much
1988
02:32:55,324 --> 02:32:56,354
from them because they were
1989
02:32:56,354 --> 02:32:57,524
my favorite band.
1990
02:33:06,064 --> 02:33:07,784
I'll be when...
1991
02:33:08,834 --> 02:33:10,034
It's just always hard when you're
1992
02:33:10,034 --> 02:33:11,604
in the moment, and I did my share
1993
02:33:11,604 --> 02:33:13,174
of cursings, like oh I can't do it,
1994
02:33:13,174 --> 02:33:14,244
I'll never do this again 'cause
1995
02:33:14,244 --> 02:33:15,744
it's like moving a giant wall,
1996
02:33:15,744 --> 02:33:17,574
it's like moving a mountain.
1997
02:33:17,574 --> 02:33:18,894
I don't remember.
1998
02:33:19,684 --> 02:33:20,934
Oh, I see.
1999
02:33:24,654 --> 02:33:26,434
>> Oooh, I'll be.
2000
02:33:29,834 --> 02:33:33,314
>> Artists by nature are particular.
2001
02:33:33,884 --> 02:33:35,524
Artists by nature are peculiar, and that's
2002
02:33:35,524 --> 02:33:36,564
what makes them wanna get
2003
02:33:36,564 --> 02:33:37,834
up in front of 20,000 people
2004
02:33:37,834 --> 02:33:39,154
and pull it off, it was just amazing
2005
02:33:39,154 --> 02:33:40,324
that they all came out for me
2006
02:33:40,324 --> 02:33:41,734
and the camaraderie and the,
2007
02:33:41,734 --> 02:33:43,774
I mean they were just all so willing
2008
02:33:43,774 --> 02:33:45,224
to try and make it work.
2009
02:33:45,564 --> 02:33:47,564
They knew that I was putting in the work.
2010
02:33:47,564 --> 02:33:49,144
That I wanted it to be great and
2011
02:33:49,144 --> 02:33:50,464
I wanted it to be great for them because
2012
02:33:50,464 --> 02:33:51,844
in the end, when you're watching the show,
2013
02:33:51,844 --> 02:33:53,214
you're not watching me play piano.
2014
02:33:53,214 --> 02:33:54,614
You're watching Donna Summer sing,
2015
02:33:54,614 --> 02:33:56,484
you're watching Seal, you're watching Martina McBride,
2016
02:33:56,484 --> 02:33:57,884
you're not watching me playing the piano.
2017
02:33:57,884 --> 02:34:00,024
I am still the guy behind the scenes
2018
02:34:00,024 --> 02:34:01,484
that gets to jump up from the
2019
02:34:01,484 --> 02:34:02,624
piano and introduce everybody
2020
02:34:02,624 --> 02:34:04,474
and sing their praises, so all in all
2021
02:34:05,464 --> 02:34:07,774
I think it was a job well done.
2022
02:34:08,194 --> 02:34:11,364
It was a team effort and when people see the
2023
02:34:11,364 --> 02:34:13,354
final show, I think they're gonna be thrilled.
2024
02:34:13,764 --> 02:34:14,814
I know I am.
2025
02:34:15,064 --> 02:34:16,484
And I'm a hard guy to please.
2026
02:34:18,234 --> 02:34:20,354
Thank you all very much and goodnight!
2027
02:34:21,974 --> 02:34:23,694
Woo, what a night!
2028
02:34:24,904 --> 02:34:26,694
Thank you so much!
136001
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