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1
00:00:17,940 --> 00:00:19,440
LEAVING THE SCENE.
IT JUST HAPPENED.
2
00:00:19,500 --> 00:00:21,570
WE WERE IN THE AREA,
HEARD THE JOB OVER THE RADIO.
3
00:00:21,640 --> 00:00:23,870
THE GUY'S IFFY. THE GIRL'S GOING
OUT OF THE PICTURE.
4
00:00:23,940 --> 00:00:25,140
OH, WHERE IS THE AMBULANCE?!
5
00:00:25,200 --> 00:00:27,200
IT'S COMING, MA'AM.
ANYBODY SEE ANYTHING?
6
00:00:27,270 --> 00:00:30,670
NEIGHBOR SAW A LIGHT‐COLORED
SUV COME SPEEDING BY,
7
00:00:30,740 --> 00:00:32,200
HIT THE CYCLIST,
JUMPED THE CURB, HIT THE GIRL.
8
00:00:32,270 --> 00:00:33,900
SHE DIDN'T GET
A LICENSE PLATE.
9
00:00:33,970 --> 00:00:35,540
HEY, HER FIRST!
COME ON!
10
00:00:35,600 --> 00:00:36,970
TAKE IT EASY, HUH?
11
00:00:37,040 --> 00:00:40,540
[ Sobbing ] PLEASE.
12
00:00:40,600 --> 00:00:41,470
THAT TONY GRIMALDI?
13
00:00:41,540 --> 00:00:43,800
YEAH. IT'S HIS DAUGHTER
THAT'S D. O. A.
14
00:00:43,870 --> 00:00:45,000
HE'S A MOB GUY.
15
00:00:45,070 --> 00:00:46,170
DRIVER'S LUCKY
HE KEPT GOING.
16
00:00:46,240 --> 00:00:47,340
THIS CROWD WOULD HAVE
KILLED HIM.
17
00:00:47,400 --> 00:00:49,600
SHE'S DYING!
DO SOMETHING!
18
00:00:49,670 --> 00:00:50,700
WHOA! HELP HER!
19
00:00:50,770 --> 00:00:54,000
SIR, COME ON.
HE'S DOING EVERYTHING HE CAN.
20
00:00:54,070 --> 00:00:57,900
[ Sobbing ] HE LEFT HER.
PLEASE, PLEASE.
21
00:00:57,970 --> 00:01:00,100
[ AMBULANCE DOOR OPENING,
CLOSING ]
22
00:01:02,670 --> 00:01:05,370
GET THE LITTLE GIRL FIRST.
GET HER OVER TO THE HOSPITAL.
23
00:01:05,440 --> 00:01:06,970
CAR FITTING THE DESCRIPTION
24
00:01:07,040 --> 00:01:08,900
WAS JUST SPOTTED ON BROOME
AND LAFAYETTE.
25
00:01:08,970 --> 00:01:10,900
DRIVER WAS ATTACKED
AT THE SCENE.
26
00:01:10,970 --> 00:01:13,240
LET'S GO.
27
00:01:16,900 --> 00:01:18,770
[ INDISTINCT SHOUTING ]
28
00:01:18,840 --> 00:01:21,370
Man: HE DID IT, MAN.
IT WAS YOUR BOY THAT DID IT.
29
00:01:21,440 --> 00:01:23,240
COME ON.
30
00:01:23,300 --> 00:01:24,940
Man #2: FORGET ABOUT IT!
31
00:01:25,000 --> 00:01:27,500
ALL RIGHT,
KNOCK IT OFF!
COME ON.
32
00:01:27,570 --> 00:01:30,570
THESE TWO GROUPS OF GUYS WERE
GOING AT IT WHEN WE ROLLED UP.
33
00:01:30,640 --> 00:01:33,400
WE'RE STILL TRYING TO FIGURE OUT
WHAT WAS GOING DOWN.
34
00:01:33,470 --> 00:01:35,100
WHAT DID I SAY?!
GET BACK.
35
00:01:35,170 --> 00:01:37,340
HEY, YOU‐‐
YOU IN THE KNICKS JACKET.
36
00:01:37,400 --> 00:01:39,000
COME HERE.
WHAT'S YOUR NAME?
37
00:01:39,070 --> 00:01:40,700
PETE AMECHI.
38
00:01:40,770 --> 00:01:42,170
WHAT HAPPENED HERE, PETE?
39
00:01:42,240 --> 00:01:44,100
ME AND MY BUDDIES
WENT LOOKING FOR THAT GUY
40
00:01:44,170 --> 00:01:46,300
WHO RAN OVER THAT LITTLE GIRL‐‐
WE SPOT THE CAR.
41
00:01:46,370 --> 00:01:48,270
IT'S GOT DENTS ON THE BUMPER,
THE GRILLE.
42
00:01:48,340 --> 00:01:49,700
SO WE CUT THE GUY OFF,
43
00:01:49,770 --> 00:01:51,770
AND WE'RE HOLDING HIM
TILL THE POLICE SHOW.
44
00:01:51,840 --> 00:01:53,270
BUT THEN THESE NUMBNUTS
JUMP US
45
00:01:53,340 --> 00:01:55,500
BECAUSE THEY THINK WE'RE
ATTACKING SOMEONE INNOCENT.
46
00:01:55,570 --> 00:01:57,500
WHERE'S THE BLACK GUY
WHO WAS DRIVING THIS SUV?
47
00:01:57,570 --> 00:01:59,100
HE BOOGIED
DURING THE FIGHT, MAN.
48
00:01:59,170 --> 00:02:00,440
PETE, WHAT ARE YOU DOING?
49
00:02:00,500 --> 00:02:02,100
MIND YOUR OWN BUSINESS,
PAL.
50
00:02:02,170 --> 00:02:03,300
THAT'S ALL I KNOW, GUYS.
51
00:02:03,370 --> 00:02:05,700
LET US HANDLE THIS.
UNDERSTAND?
52
00:02:05,770 --> 00:02:07,200
WE'VE HAD ENOUGH LOSS
TODAY.
53
00:02:07,270 --> 00:02:09,870
WE DON'T WANT TO HAVE TO LOCK
ANY OF YOU GUYS UP.
54
00:02:09,940 --> 00:02:11,170
DO WHAT YOU GOT TO DO.
55
00:02:11,240 --> 00:02:13,670
WE NEED TO KNOW
WHO WAS DRIVING THIS SUV.
56
00:02:13,740 --> 00:02:16,240
WE NEED TO FIND HIM
BEFORE THEY DO.
57
00:03:29,840 --> 00:03:31,670
[ TELEPHONE RINGS ]
58
00:03:34,470 --> 00:03:37,040
[ Breathing heavily ]
15th SQUAD, P. A. A. IRVIN.
59
00:03:37,940 --> 00:03:41,570
OH, UH, ONE SECOND.
60
00:03:41,640 --> 00:03:44,500
ROBERTA BLANK FROM A.C.S.
CONFIRMING FOR TODAY.
61
00:03:44,570 --> 00:03:48,100
UH, TELL HER I'LL BE THERE.
OR DOES SHE WANT TO TALK TO ME?
62
00:03:48,170 --> 00:03:51,540
HE'LL BE THERE. OR WOULD YOU
LIKE TO SPEAK WITH HIM?
63
00:03:51,600 --> 00:03:53,040
OH, FINE.
64
00:03:53,100 --> 00:03:54,670
THANKS.
65
00:03:54,740 --> 00:03:57,170
SHE'LL SEE YOU AT 2:00.
66
00:03:57,240 --> 00:03:58,300
CHILD SERVICES?
67
00:03:58,370 --> 00:04:00,600
YEAH, MICHAEL'S BEEN STAYING
WITH ME.
68
00:04:00,670 --> 00:04:03,300
I JUST GO TO MAKE IT OFFICIAL
PAPERWORK‐WISE.
69
00:04:03,370 --> 00:04:04,740
ARE YOU ADOPTING HIM?
70
00:04:04,800 --> 00:04:07,900
NO, NO. I'M JUST GETTING
QUALIFIED AS A FOSTER PARENT.
71
00:04:07,970 --> 00:04:09,570
HOW'S IT GOING?
IT'S GOOD.
72
00:04:09,640 --> 00:04:11,900
HOW LONG IS HE GONNA STAY
WITH YOU?
73
00:04:11,970 --> 00:04:13,940
I DON'T KNOW.
AS LONG AS HE NEEDS.
74
00:04:14,000 --> 00:04:17,600
WHITE FEMALE OVER AT BELLEVUE
WAS RAPED IN HER APARTMENT.
75
00:04:17,670 --> 00:04:20,600
RITA, YOU AND GREG GO TALK
TO HER IN THE HOSPITAL.
76
00:04:20,670 --> 00:04:23,840
BALDWIN, YOU HEAD DOWN
TO HER APARTMENT BUILDING,
77
00:04:23,900 --> 00:04:24,940
START A CANVASS.
78
00:04:25,000 --> 00:04:25,970
WHAT'S THE LATEST?
79
00:04:26,040 --> 00:04:27,400
LITTLE GIRL'S D. O. A.
80
00:04:27,470 --> 00:04:29,370
THE GUY ON THE BIKE'S
GOING INTO THE O. R.
81
00:04:29,440 --> 00:04:30,970
[ SIGHS ]
ANYTHING ON THE SUV?
82
00:04:31,040 --> 00:04:33,900
BELONGS TO A 60‐YEAR‐OLD DOCTOR
FROM THE UPPER EAST SIDE.
83
00:04:33,970 --> 00:04:35,600
HE REPORTED IT STOLEN
LAST NIGHT.
84
00:04:35,670 --> 00:04:38,440
WHAT ABOUT THE DRIVER
THAT WAS BEAT UP AT THE SCENE?
85
00:04:38,500 --> 00:04:40,400
WE IDENTIFY HIM YET?
NOT YET.
86
00:04:40,470 --> 00:04:43,040
CRIME SCENE'S PROCESSING
THE SUV FOR PRINTS.
87
00:04:43,100 --> 00:04:45,540
THE FATHER OF THE D. O. A. GIRL,
HE'S MOBBED UP?
88
00:04:45,600 --> 00:04:48,870
YEAH, HE'S TONY GRIMALDI.
HE'S UNDERBOSS FOR THE GAMBINOS.
89
00:04:48,940 --> 00:04:52,370
WHICH MEANS WE'RE NOT GETTING
DICK AS FAR AS COOPERATION
FROM ANYBODY DOWN THERE.
90
00:04:52,440 --> 00:04:54,570
IF WE DON'T FIND THE DRIVER
OF THAT CAR BEFORE THEY DO,
91
00:04:54,640 --> 00:04:56,440
WE'RE GONNA WIND UP
WITH ANOTHER HOMICIDE.
92
00:04:56,500 --> 00:04:58,140
KEEP IN TOUCH
WITH BELLEVUE.
93
00:04:58,200 --> 00:05:00,170
IF THIS GUY ON THE BIKE
PULLS THROUGH,
94
00:05:00,240 --> 00:05:02,400
YOU WANT TO BE THE FIRST GUY
HE TALKS TO.
95
00:05:06,640 --> 00:05:08,500
RIGHT HERE.
96
00:05:08,570 --> 00:05:10,100
MR. AND MRS. FOSTER?
97
00:05:10,170 --> 00:05:12,240
DETECTIVES RITA ORTIZ
AND GREG MEDAVOY.
98
00:05:12,300 --> 00:05:14,970
IF WE COULD TALK TO YOU
A MINUTE IN PRIVATE.
99
00:05:15,040 --> 00:05:16,600
IF YOU'RE UP TO IT.
100
00:05:16,670 --> 00:05:18,040
IT'S ALL RIGHT.
101
00:05:23,870 --> 00:05:25,840
CAN YOU TELL US
WHAT HAPPENED?
102
00:05:25,900 --> 00:05:27,370
A MAN RANG THE DOORBELL.
103
00:05:27,440 --> 00:05:30,000
HE SAID HE WAS FROM
THE CABLE COMPANY,
104
00:05:30,070 --> 00:05:31,400
AND HE HAD THE HAT ON.
105
00:05:31,470 --> 00:05:33,870
SO I OPENED THE DOOR,
AND HE PUSHED ME IN.
106
00:05:33,940 --> 00:05:35,100
WHAT DID HE LOOK LIKE?
107
00:05:35,170 --> 00:05:38,740
30, WHITE, BROWN HAIR.
108
00:05:38,800 --> 00:05:41,040
HEAVYSET, SHORT GOATEE.
109
00:05:41,100 --> 00:05:44,840
AND HE DIDN'T HAVE
THE CABLE COMPANY UNIFORM ON,
110
00:05:44,900 --> 00:05:46,200
JUST THE HAT.
111
00:05:46,270 --> 00:05:47,900
WOULD YOU RECOGNIZE HIM
IF YOU SAW HIM AGAIN?
112
00:05:47,970 --> 00:05:51,070
WHAT HAPPENED AFTER HE PUSHED
YOU INTO YOUR APARTMENT?
113
00:05:51,140 --> 00:05:55,470
HE PUT A KNIFE TO MY THROAT
AND PINNED ME DOWN
114
00:05:55,540 --> 00:05:58,640
AND SAID HE WOULD KILL ME
IF I MADE ANY NOISE.
115
00:05:58,700 --> 00:06:00,240
DID HE SAY ANYTHING ELSE?
116
00:06:00,300 --> 00:06:04,000
JUST SICK,
SICK THINGS LIKE...
117
00:06:04,070 --> 00:06:05,570
LIKE WAS HE BIGGER
THAN MY HUSBAND.
118
00:06:05,640 --> 00:06:07,370
AND HE KNEW MY HUSBAND
WAS AT WORK
119
00:06:07,440 --> 00:06:09,570
AND THAT HE WOULDN'T BE
COMING HOME TO SAVE ME.
120
00:06:09,640 --> 00:06:10,940
EXCUSE ME.
121
00:06:11,000 --> 00:06:13,240
IF YOU'RE DONE,
WE NEED TO FINISH THE KIT.
122
00:06:13,300 --> 00:06:16,300
PLEASE DON'T TELL MY HUSBAND.
IT WOULD JUST MAKE HIM UPSET.
123
00:06:16,370 --> 00:06:17,200
SURE.
124
00:06:22,870 --> 00:06:24,200
YOU THINK SHE'S OKAY?
125
00:06:24,270 --> 00:06:26,100
SHE'S PRETTY SHOOK UP.
126
00:06:26,170 --> 00:06:29,000
MR. FOSTER, DO YOU KEEP
A SET SCHEDULE?
127
00:06:29,070 --> 00:06:30,270
I GUESS, YEAH.
128
00:06:30,340 --> 00:06:31,800
ANY PROBLEMS WITH PEOPLE
AT WORK?
129
00:06:31,870 --> 00:06:33,270
SOMEONE AT MY WORK
DID THIS?
130
00:06:33,340 --> 00:06:35,700
IT JUST SOUNDS LIKE THE GUY
WHO DID IT KNOWS YOUR SCHEDULE.
131
00:06:35,770 --> 00:06:38,270
SHOULD I BE TALKING TO PEOPLE
AT MY WORK, ASKING QUESTIONS?
132
00:06:38,340 --> 00:06:40,570
YOU SHOULD BE DIRECTING YOUR
ENERGY TOWARD HELPING YOUR WIFE.
133
00:06:40,640 --> 00:06:42,270
LET US HANDLE FINDING
WHO DID THIS.
134
00:06:42,340 --> 00:06:43,770
YOU'RE NOT THE TYPE
TO JUMP THE GUN
135
00:06:43,840 --> 00:06:46,040
AND START LOOKING INTO PEOPLE,
ARE YOU, MR. FOSTER?
136
00:06:46,100 --> 00:06:49,240
NO, I'M NOT
THE VIGILANTE TYPE.
137
00:06:49,300 --> 00:06:51,670
GOOD. WE'LL BE IN TOUCH.
138
00:06:55,740 --> 00:06:57,470
DO YOU KNOW HIM AT ALL?
139
00:06:57,540 --> 00:06:59,540
LISTEN TO ME.
HERE'S WHAT YOU GOT TO DO.
140
00:06:59,600 --> 00:07:01,770
YOU GOT TO GET HIM
TO TURN HIMSELF IN.
141
00:07:01,840 --> 00:07:03,700
UH...GONE.
142
00:07:03,770 --> 00:07:05,070
Rodriguez:
WHO WAS THAT?
143
00:07:05,140 --> 00:07:07,640
ANONYMOUS CALLER
ON OUR HIT‐AND‐RUN THIS MORNING.
144
00:07:07,700 --> 00:07:10,540
HE SAID THE BLACK GUY
THE ITALIANS WERE BEATING ON
145
00:07:10,600 --> 00:07:12,040
IS CALVIN GEORGE.
146
00:07:12,100 --> 00:07:13,940
THEY GIVE ANYTHING
PAST THE NAME?
NOTHING.
147
00:07:14,000 --> 00:07:15,340
Andy: I'M CHECKING
THE PHONE BOOK.
148
00:07:15,400 --> 00:07:17,940
OFF CHANCE THE GUY
WHO RAPED MICHELLE FOSTER
149
00:07:18,000 --> 00:07:20,300
KNOWS HER OR THE HUSBAND,
MAYBE A STALKER.
150
00:07:20,370 --> 00:07:22,670
I'M GONNA CALL INTO
THE HUSBAND'S WORK,
151
00:07:22,740 --> 00:07:24,070
SEE IF ANYONE HAD A BEEF.
152
00:07:24,140 --> 00:07:25,400
AROUND THE TIME OF THE RAPE,
153
00:07:25,470 --> 00:07:27,400
A NEIGHBOR SAW
A SUSPICIOUS‐LOOKING GUY
154
00:07:27,470 --> 00:07:29,540
SPEED OFF IN A TAURUS‐‐
SHE GOT THE PLATE.
155
00:07:29,600 --> 00:07:32,370
IT'S REGISTERED TO NORMAN REESE,
BATTERY PARK CITY.
156
00:07:32,440 --> 00:07:33,370
LET'S DO IT.
157
00:07:33,440 --> 00:07:34,700
GOT IT.
158
00:07:34,770 --> 00:07:35,600
WHERE YOU GOING?
159
00:07:35,670 --> 00:07:39,240
CALVIN GEORGE IS LISTED,
ADDRESS IN RED HOOK.
160
00:07:53,870 --> 00:07:55,740
JUNIOR, LOOK AT THIS.
161
00:07:55,800 --> 00:07:57,800
COME HERE.
OUT OF THE CAR.
162
00:07:57,870 --> 00:07:59,670
COME ON.
EVERYBODY, OUT.
163
00:08:02,100 --> 00:08:03,770
WHAT'S GOING ON, GUYS?
164
00:08:03,840 --> 00:08:05,470
ENGINE WAS OVERHEATING.
165
00:08:05,540 --> 00:08:06,640
COME HERE.
166
00:08:06,700 --> 00:08:09,540
YOUR OTHER BUDDIES LAYING
INTO THAT GUY AT THE SCENE,
167
00:08:09,600 --> 00:08:10,600
THAT'S ONE THING.
168
00:08:10,670 --> 00:08:13,170
BUT IF ANYTHING HAPPENS TO HIM
NOW AFTER THE FACT,
169
00:08:13,240 --> 00:08:15,400
THAT'S PREMEDITATED,
AND I WILL HOLD YOU RESPONSIBLE,
170
00:08:15,470 --> 00:08:16,770
AND YOU WILL GET
LOCKED UP.
171
00:08:16,840 --> 00:08:18,900
JUST LETTING THE ENGINE
COOL DOWN, DETECTIVE.
172
00:08:18,970 --> 00:08:20,500
BEAT IT.
173
00:08:20,570 --> 00:08:22,840
GOT A CALL ABOUT A GROUP
OF GUYS MAKING THREATS.
174
00:08:22,900 --> 00:08:23,800
YEAH, WE HANDLED IT.
175
00:08:25,770 --> 00:08:26,700
WHAT'S GOING ON?
176
00:08:26,770 --> 00:08:27,940
YOU KNOW A CALVIN GEORGE?
177
00:08:28,000 --> 00:08:29,000
YEAH, I'M HIS MOTHER.
178
00:08:29,070 --> 00:08:30,540
WHERE IS HE?
I DON'T KNOW.
179
00:08:30,600 --> 00:08:32,540
HE'S NOT
IN THE APARTMENT?
NO.
180
00:08:32,600 --> 00:08:35,170
GO AHEAD AND LOOK IF YOU WANT.
THE DOOR'S UNLOCKED.
181
00:08:35,240 --> 00:08:37,440
COULD YOU CHECK IT OUT?
APARTMENT 1F.
182
00:08:37,500 --> 00:08:38,900
WE NEED TO TALK
TO YOUR SON, MA'AM.
183
00:08:38,970 --> 00:08:41,100
HE MIGHT HAVE BEEN INVOLVED
IN AN ACCIDENT THIS MORNING.
184
00:08:41,170 --> 00:08:42,600
I DON'T KNOW NOTHING
ABOUT THAT.
185
00:08:42,670 --> 00:08:45,140
THOSE MEN THAT WERE ACROSS
THE STREET, THEY DO ANYTHING?
186
00:08:45,200 --> 00:08:46,670
THEY WERE POUNDING
ON THE DOOR,
187
00:08:46,740 --> 00:08:48,840
YELLING, "CALVIN,
GET YOUR ASS OUT HERE."
188
00:08:48,900 --> 00:08:49,870
WHAT KIND OF ACCIDENT?
189
00:08:49,940 --> 00:08:51,270
A HIT‐AND‐RUN.
190
00:08:51,340 --> 00:08:54,300
BELIEVE ME WHEN I TELL YOU
CALVIN IS BETTER OFF WITH US
191
00:08:54,370 --> 00:08:56,900
THAN HE IS WITH THOSE GUYS
WHO JUST LEFT HERE.
192
00:08:56,970 --> 00:08:58,540
YOU UNDERSTAND ME?
YEAH.
193
00:08:58,600 --> 00:09:01,740
IF CALVIN CALLS OR SHOWS UP,
YOU LET US KNOW, FOR HIS SAKE.
194
00:09:01,800 --> 00:09:02,870
NOBODY INSIDE.
195
00:09:02,940 --> 00:09:05,040
YOU DO LIKE I SAY.
196
00:09:12,600 --> 00:09:15,370
SO, MR. REESE,
WHAT'S A C. N. A. DO?
197
00:09:15,440 --> 00:09:17,500
IS THAT COMPUTER‐RELATED?
198
00:09:17,570 --> 00:09:20,000
CERTIFIED
NETWORK ADMINISTRATOR.
199
00:09:20,070 --> 00:09:22,300
WHEN ALL YOUR COMPUTERS
FREEZE UP,
200
00:09:22,370 --> 00:09:24,870
AND PEOPLE START YELLING
AT EACH OTHER,
201
00:09:24,940 --> 00:09:28,400
I'M THE GUY WHO GETS CALLED,
AND THEN YOU YELL AT ME.
202
00:09:28,470 --> 00:09:29,700
[ LAUGHS ]
203
00:09:29,770 --> 00:09:33,000
SO, UH, YOUR SYSTEM DOWN?
IS THAT WHY YOU BROUGHT ME IN?
204
00:09:33,070 --> 00:09:35,800
WHERE WERE YOU
THIS MORNING, 8:00?
205
00:09:35,870 --> 00:09:38,000
UM, HOME
INSTALLING A COOLER
206
00:09:38,070 --> 00:09:41,100
TO OVER‐CLOCK THE PROCESSOR
ON MY RIG.
207
00:09:41,170 --> 00:09:43,800
WE'LL JUST ASSUME THAT'S
SOMETHING COMPUTER‐ORIENTED.
208
00:09:43,870 --> 00:09:45,240
YEAH, SEE,
HOW IT WORKS IS‐‐
209
00:09:45,300 --> 00:09:47,440
YOU KNOW A WOMAN NAMED
MICHELLE FOSTER?
NO.
210
00:09:47,500 --> 00:09:50,300
YOU EVER BEEN TO 742
EAST 12th STREET?
I DON'T THINK SO.
211
00:09:50,370 --> 00:09:52,040
NO?
212
00:09:52,100 --> 00:09:54,770
YOU DRIVE A TAURUS
WITH THAT PLATE NUMBER?
213
00:09:56,100 --> 00:09:59,170
[ CLEARING THROAT ]
214
00:09:59,240 --> 00:10:01,270
SEE, SOMEBODY SAW YOU
DRIVE AWAY FROM THERE,
215
00:10:01,340 --> 00:10:03,140
AND THEY WROTE DOWN
YOUR PLATE NUMBER.
216
00:10:03,200 --> 00:10:07,200
SO...HOW WE GONNA
HANDLE THIS?
217
00:10:07,270 --> 00:10:09,440
I DON'T UNDERSTAND
WHAT THE PROBLEM IS.
218
00:10:09,500 --> 00:10:12,070
MICHELLE FOSTER
SAW YOUR FACE.
YEAH, SO WHAT?
219
00:10:12,140 --> 00:10:14,200
SO YOU RAPED HER,
YOU TECHIE ASSHOLE,
220
00:10:14,270 --> 00:10:17,240
IN YOUR LITTLE CABLE GUY HAT
WITH A KNIFE AT HER THROAT.
221
00:10:17,300 --> 00:10:20,040
NO, I‐I DID NOT RAPE HER.
I MEAN, NOT TECHNICALLY.
222
00:10:20,100 --> 00:10:22,100
LITERALLY,
I DID WHAT SHE WANTED.
223
00:10:22,170 --> 00:10:24,940
HOW DID SHE MAKE IT KNOWN
TO YOU WHAT SHE WANTED‐‐
224
00:10:25,000 --> 00:10:27,170
TELEPATHY THROUGH A PEEPHOLE
OF A DOOR?
225
00:10:27,240 --> 00:10:28,740
OVER INSTANT MESSAGING, MAN.
226
00:10:28,800 --> 00:10:32,070
SHE LAID IT OUT HOW SHE LIKED
IT, AND ALL I DID WAS RESPOND.
227
00:10:32,140 --> 00:10:33,740
WHAT ARE YOU
TALKING ABOUT?
228
00:10:33,800 --> 00:10:37,900
ME AND THIS MICHELLE
WHO GOES BY "NASTY GIRL,"
229
00:10:37,970 --> 00:10:41,000
MET IN A CHAT ROOM ON‐LINE,
OKAY?
230
00:10:41,070 --> 00:10:44,800
A RAPE FANTASY CHAT ROOM,
OKAY.
231
00:10:44,870 --> 00:10:47,740
SHE TOLD ME SHE WASN'T GETTING
IT ROUGH FROM HER HUSBAND,
232
00:10:47,800 --> 00:10:48,840
AND SHE WENT ON‐LINE.
233
00:10:48,900 --> 00:10:50,070
ALL I DID WAS RESPOND.
234
00:10:50,140 --> 00:10:51,970
I GOT TO ADMIT, NORMAN,
THAT'S A NEW ONE.
235
00:10:52,040 --> 00:10:53,200
I SAVED THE I. M.'s.
236
00:10:53,270 --> 00:10:55,670
SHE GAVE ME INSTRUCTIONS
ON WHAT TO WEAR,
237
00:10:55,740 --> 00:10:57,070
WHAT TO SAY, HER ADDRESS.
238
00:10:57,140 --> 00:10:58,940
I‐I EVEN GOT
HER PHONE NUMBER
239
00:10:59,000 --> 00:11:00,970
TO CONFIRM
THAT IT WASN'T A PUT‐ON.
240
00:11:01,040 --> 00:11:02,370
I CALLED AND I CONFIRMED.
241
00:11:02,440 --> 00:11:04,640
YOU TALKED
TO MICHELLE FOSTER?
YES.
242
00:11:04,700 --> 00:11:07,970
YOU GOT ALL THE CORRESPONDENCE
ON THE COMPUTER AT HOME?
YES.
243
00:11:08,040 --> 00:11:09,400
THEN WHY DID YOU LIE TO US
244
00:11:09,470 --> 00:11:12,140
WHEN WE ASKED YOU IF YOU KNEW
MICHELLE FOSTER?
245
00:11:12,200 --> 00:11:14,770
'CAUSE I GUESS I KNEW
IT WAS TOO GOOD TO BE TRUE.
246
00:11:18,140 --> 00:11:20,340
THIS IDIOT IS CLAIMING
THAT MICHELLE FOSTER
247
00:11:20,400 --> 00:11:22,470
WANTED HIM TO COME OVER
AND RAPE HER.
248
00:11:22,540 --> 00:11:23,700
WHAT?
249
00:11:23,770 --> 00:11:26,340
HE SAYS HE'S GOT CORRESPONDENCE
THAT'LL PROVE IT.
250
00:11:26,400 --> 00:11:29,040
WE'RE HEADING OVER
TO HIS PLACE.
TOSS IT GOOD.
251
00:11:29,100 --> 00:11:31,470
RITA, WILL YOU LOOK
INTO THIS WITH GREG?
252
00:11:31,540 --> 00:11:33,770
I GOT THAT 2:00
I NEED TO GET TO.
253
00:11:33,840 --> 00:11:34,840
NO PROBLEM.
254
00:11:34,900 --> 00:11:36,540
[ TELEPHONE RINGS ]
255
00:11:36,600 --> 00:11:37,900
15th SQUAD.
256
00:11:37,970 --> 00:11:40,000
OH, ONE MOMENT, PLEASE.
257
00:11:40,070 --> 00:11:43,100
FLORENCE GEORGE,
CALVIN'S MOTHER.
258
00:11:43,170 --> 00:11:45,140
DETECTIVE SIPOWICZ.
259
00:11:47,100 --> 00:11:48,200
[ CLEARS THROAT ]
260
00:11:48,270 --> 00:11:50,370
OKAY, CALM DOWN.
YOU ALL RIGHT?
261
00:11:50,440 --> 00:11:52,170
WE'LL BE RIGHT OVER THERE.
262
00:11:52,240 --> 00:11:53,340
WHAT'S GOING ON?
263
00:11:53,400 --> 00:11:56,200
SOMEBODY JUST FIRED SHOTS
INTO HER APARTMENT.
264
00:12:14,610 --> 00:12:16,410
ANY WITNESSES?
265
00:12:16,480 --> 00:12:17,620
NOTHING SOLID.
266
00:12:17,680 --> 00:12:19,050
A COUPLE PEOPLE
SAW TWO WHITE GUYS
267
00:12:19,110 --> 00:12:20,670
SPEEDING OFF
ON A MOTORCYCLE,
268
00:12:20,740 --> 00:12:23,870
BUT NOBODY GOT THE LICENSE‐PLATE
NUMBER OR MAKE OF THE BIKE.
269
00:12:23,940 --> 00:12:26,040
IF I HAD BEEN IN THE FRONT ROOM,
I'D BE DEAD.
270
00:12:26,110 --> 00:12:28,510
HAS CALVIN CONTACTED
YOU YET?
ABOUT FIVE MINUTES AGO.
271
00:12:28,580 --> 00:12:30,880
HE SWEARS HE DIDN'T RUN OVER
NO KIDS THIS MORNING.
272
00:12:30,940 --> 00:12:32,610
IS HE
ON HIS WAY IN?
NO.
273
00:12:32,680 --> 00:12:33,850
WHY NOT?
274
00:12:33,910 --> 00:12:35,940
HE'S GOT A WARRANT OUT
ON A POT POSSESSION CHARGE,
275
00:12:36,010 --> 00:12:37,870
AND HE KNOWS Y'ALL GONNA
PUT HIM IN JAIL.
276
00:12:37,940 --> 00:12:39,910
DID YOU TELL HIM YOU ALMOST GOT
KILLED OVER THIS?
277
00:12:39,980 --> 00:12:41,950
HE'S SCARED.
HE DON'T KNOW WHAT TO DO.
278
00:12:42,010 --> 00:12:44,610
YOUR SON IS WALKING AROUND WITH
A BULL'S‐EYE ON HIS CHEST.
279
00:12:44,680 --> 00:12:46,180
HE DIDN'T DO
NO HIT‐AND‐RUN.
280
00:12:46,240 --> 00:12:49,070
THEN HE NEEDS TO GET HIS ASS IN
RIGHT NOW AND EXPLAIN HIMSELF.
281
00:12:49,140 --> 00:12:51,770
AS LONG AS HE'S ON THE STREET,
THERE'S NOTHING WE CAN DO.
282
00:12:51,840 --> 00:12:53,410
YOU COULD ARREST
THOSE ITALIANS
283
00:12:53,480 --> 00:12:55,920
THAT WAS PARKED ACROSS
THE STREET THIS MORNING.
284
00:12:55,980 --> 00:12:58,020
FOR WHAT? FOR PARKING
ACROSS THE STREET?
285
00:12:58,080 --> 00:13:00,520
THEY'RE PROBABLY THE ONES
WHO SHOT MY APARTMENT.
286
00:13:00,580 --> 00:13:01,950
IF YOU WANT YOUR SON TO LIVE,
287
00:13:02,010 --> 00:13:04,210
YOU NEED TO GET HIM
TO TURN HIMSELF IN.
288
00:13:10,110 --> 00:13:11,510
YOU'RE NOT MARRIED,
CORRECT?
289
00:13:11,580 --> 00:13:14,150
NO, BUT I AM INVOLVED IN
A RELATIONSHIP WITH SOMEONE.
290
00:13:14,210 --> 00:13:16,170
ARE YOU HETEROSEXUAL?
YES, VERY MUCH SO.
291
00:13:16,240 --> 00:13:18,840
AS A SQUAD DETECTIVE,
ARE THOSE HOURS PRETTY REGULAR?
292
00:13:18,910 --> 00:13:21,140
IF IT BECOMES AN ISSUE,
I CAN MAKE ALTERNATE PLANS
293
00:13:21,210 --> 00:13:23,110
TO HAVE SOMEONE
LOOK AFTER MICHAEL.
294
00:13:23,180 --> 00:13:24,180
WHO?
295
00:13:24,240 --> 00:13:27,040
MY GIRLFRIEND,
WHO'S AN ASSISTANT D. A.,
296
00:13:27,110 --> 00:13:30,040
OR FELLOW DETECTIVES
WHO ARE PARENTS, ALSO.
297
00:13:30,110 --> 00:13:32,840
I ASSUME YOU HAVE WEAPONS
IN THE HOME.
298
00:13:32,910 --> 00:13:35,040
JUST ONE, AND I'M USUALLY
ATTACHED TO IT.
299
00:13:35,110 --> 00:13:37,840
YOU HAVE ANY EXPERIENCE
AT RAISING CHILDREN, MR. JONES?
300
00:13:37,910 --> 00:13:39,970
I'VE BEEN INVOLVED
IN A MENTORING PROGRAM
301
00:13:40,040 --> 00:13:41,940
AS YOU CAN SEE
FROM MY APPLICATION.
302
00:13:42,010 --> 00:13:44,370
IN TERMS OF MANAGING BEHAVIOR
OR DISCIPLINE‐‐
303
00:13:44,440 --> 00:13:46,940
I WASN'T GIVEN THE IMPRESSION
THAT THERE A WHOLE LOT OF PEOPLE
304
00:13:47,010 --> 00:13:48,810
JUMPING AT THE CHANCE
TO TAKE MICHAEL IN.
305
00:13:48,880 --> 00:13:50,880
HE'S NOT A STRAY DOG,
MR. JONES.
306
00:13:50,940 --> 00:13:53,870
HE'S A CHILD DEALING WITH
SOME VERY SERIOUS ISSUES.
307
00:13:53,940 --> 00:13:56,470
I'VE KNOW MICHAEL GORMAN
A COUPLE OF MONTHS NOW.
308
00:13:56,540 --> 00:13:59,210
I'VE BEEN WITH HIM
THROUGH THE DEATH OF HIS MOM
309
00:13:59,280 --> 00:14:01,350
AND HIS DAD
GETTING LOCKED UP.
310
00:14:01,410 --> 00:14:02,370
MM‐HMM, I RESPECT THAT.
311
00:14:02,440 --> 00:14:04,640
BUT I'VE WORKED HUNDREDS
OF CASES LIKE THIS.
312
00:14:04,710 --> 00:14:06,640
WHEN SOMEONE WHO'S CLOSE
TO THE CHILD
313
00:14:06,710 --> 00:14:08,410
DISCOVERS
THAT THEY'RE ILL‐EQUIPPED
314
00:14:08,480 --> 00:14:11,080
TO DEAL WITH BAD BEHAVIOR,
SOMETIMES EXTREME BEHAVIOR,
315
00:14:11,140 --> 00:14:13,510
THEY COME BACK TO ME
SAYING THEY CAN'T DO IT ANYMORE,
316
00:14:13,580 --> 00:14:16,450
WHICH LEAVES THE CHILD CRUSHED
WHEN THEY HAVE TO MOVE OUT.
317
00:14:18,480 --> 00:14:20,720
I WAS RAISED
BY MY GRANDMA.
318
00:14:20,780 --> 00:14:22,450
SHE GOT SICK
WHEN I WAS 14,
319
00:14:22,510 --> 00:14:25,710
AND I WAS BASICALLY ON MY OWN,
STAYING WITH FRIENDS.
320
00:14:25,780 --> 00:14:28,280
THIS ONE BUDDY OF MINE,
HIS DAD WAS A COP.
321
00:14:28,340 --> 00:14:30,540
I STARTED HAVING DINNER
A LOT AT THEIR HOME,
322
00:14:30,610 --> 00:14:32,470
AND I ENDED UP MOVING IN
WITH THEM
323
00:14:32,540 --> 00:14:33,870
UNTIL MY GRANDMA
GOT BETTER.
324
00:14:33,940 --> 00:14:39,070
BUT MY FRIEND'S DAD WAS
THE ONLY GUY I COULD GO TO,
325
00:14:39,140 --> 00:14:43,910
THE ONLY GUY I COULD CONFIDE IN,
THAT I COULD TRUST.
326
00:14:43,980 --> 00:14:46,280
I'M NOT SOME DO‐GOODER
WITH HIS HEAD IN THE CLOUDS.
327
00:14:46,340 --> 00:14:48,710
I'VE BEEN THERE.
I KNOW WHAT MICHAEL NEEDS.
328
00:14:48,780 --> 00:14:50,720
AND IF YOU GIVE ME
THE OPPORTUNITY,
329
00:14:50,780 --> 00:14:52,280
I CAN PROVIDE THAT
FOR HIM.
330
00:14:52,340 --> 00:14:55,510
WE'LL SCHEDULE A VISIT
TO YOUR HOME,
331
00:14:55,580 --> 00:14:56,980
REVIEW YOUR REFERENCES
332
00:14:57,040 --> 00:14:59,510
AND THE REST
OF YOUR APPLICATION.
333
00:14:59,580 --> 00:15:00,780
GOOD LUCK.
334
00:15:00,840 --> 00:15:02,340
THANK YOU.
335
00:15:08,540 --> 00:15:10,940
RIGHT THIS WAY.
336
00:15:14,940 --> 00:15:16,840
THAT'S MICHELLE FOSTER
FROM THIS MORNING.
337
00:15:16,910 --> 00:15:18,240
THE RAPE VICTIM?
338
00:15:18,310 --> 00:15:22,610
WE CHECKED INTO
THIS NORMAN REESE'S STORY.
339
00:15:22,680 --> 00:15:24,150
HE'S GOT ALL KINDS
OF DOCUMENTATION
340
00:15:24,210 --> 00:15:25,970
SHOWING
THAT SHE INVITED HIM OVER.
341
00:15:26,040 --> 00:15:28,810
ANY EVIDENCE THAT THEY SPOKE
ON THE PHONE BEFOREHAND?
342
00:15:28,880 --> 00:15:30,780
HE GAVE US A NUMBER
HE CALLED,
343
00:15:30,840 --> 00:15:33,540
AND IT WAS FOR A COFFEE PLACE
IN THE EAST VILLAGE.
344
00:15:33,610 --> 00:15:35,270
THEY SAID
IT'S NOT THAT UNUSUAL
345
00:15:35,340 --> 00:15:37,510
FOR CUSTOMERS
TO TAKE CALLS THERE.
346
00:15:37,580 --> 00:15:39,250
YOU RUN REESE WITH B. C. I.?
347
00:15:39,310 --> 00:15:42,240
NO RECORD.
NOT EVEN A PARKING TICKET.
348
00:15:42,310 --> 00:15:43,510
SEE WHAT SHE SAYS.
349
00:15:50,840 --> 00:15:54,610
SO, MICHELLE, JUST A COUPLE
OF QUESTIONS FOR YOU.
350
00:15:54,680 --> 00:15:57,180
DO YOU USE
THE INTERNET MUCH?
351
00:15:57,240 --> 00:15:58,270
SURE.
352
00:15:58,340 --> 00:16:00,840
YOU EVER GO INTO
CHAT ROOMS?
SOMETIMES.
353
00:16:00,910 --> 00:16:03,170
WHAT KIND OF CHAT ROOMS
DO YOU GO INTO?
354
00:16:03,240 --> 00:16:05,410
UH...
355
00:16:05,480 --> 00:16:08,250
I WENT INTO ONE ABOUT
VACATIONING IN THE BAHAMAS.
356
00:16:08,310 --> 00:16:10,210
HAVE YOU EVER BEEN
IN A CHAT ROOM
357
00:16:10,280 --> 00:16:13,150
CALLED "FEMALE FOR MALE
ROUGH PLAY"?
NO.
358
00:16:13,210 --> 00:16:15,910
DO YOU KNOW A MAN
NAMED NORMAN REESE?
NO.
359
00:16:15,980 --> 00:16:18,880
YOU DIDN'T MEET MR. REESE
IN THE ROUGH‐PLAY ROOM?
360
00:16:18,940 --> 00:16:22,010
I ALREADY TOLD YOU I HAVEN'T
BEEN IN THAT CHAT ROOM.
361
00:16:22,080 --> 00:16:24,780
WHEN YOU DO GO INTO ROOMS,
WHAT'S THE NAME YOU USE?
362
00:16:24,840 --> 00:16:26,110
"MICHELLE F."
363
00:16:26,180 --> 00:16:28,650
HAVE YOU EVER USED THE NAME
"NASTY GIRL"?
364
00:16:28,710 --> 00:16:31,040
WHAT ON EARTH
ARE YOU TALKING ABOUT?
365
00:16:31,110 --> 00:16:33,040
THE MAN WHO ATTACKED YOU
THIS MORNING,
366
00:16:33,110 --> 00:16:35,070
HE SAYS THAT HE MET YOU
IN A CHAT ROOM
367
00:16:35,140 --> 00:16:37,210
AND THAT YOU INVITED HIM
TO COME OVER.
368
00:16:37,280 --> 00:16:39,750
THAT IS OUTRAGEOUS.
369
00:16:39,810 --> 00:16:41,970
HE HAS A LOT OF EVIDENCE
TO BACK IT UP,
370
00:16:42,040 --> 00:16:44,840
INCLUDING A PHONE CALL TO YOU,
CONFIRMING YOUR INTEREST.
371
00:16:44,910 --> 00:16:46,370
IT'S A TOTAL LIE.
372
00:16:46,440 --> 00:16:49,840
IS THERE ANY POSSIBILITY
YOU WENT INTO A CHAT ROOM,
373
00:16:49,910 --> 00:16:52,810
INVITED THIS GUY OVER,
AND IT GOT OUT OF HAND?
374
00:16:52,880 --> 00:16:54,250
NO! NO! ABSOLUTELY NOT.
375
00:16:54,310 --> 00:16:56,370
I DON'T KNOW ANY...
NORMAN REESE?
376
00:16:56,440 --> 00:16:59,340
AND I HAVE NEVER BEEN IN
ANY ROUGH‐PLAY CHAT ROOM.
377
00:16:59,410 --> 00:17:01,810
I ANSWERED MY DOOR
FOR THE CABLE COMPANY,
378
00:17:01,880 --> 00:17:03,020
AND I WAS RAPED!
379
00:17:03,080 --> 00:17:04,920
I CANNOT BELIEVE THIS
IS HAPPENING,
380
00:17:04,980 --> 00:17:07,280
AND I CAN'T BELIEVE
YOU'RE DOING THIS TO ME!
381
00:17:07,340 --> 00:17:09,840
WE'LL LOOK INTO IT
SOME MORE.
YOU DO THAT.
382
00:17:16,980 --> 00:17:19,650
I TEND TO BUY HER STORY.
383
00:17:19,710 --> 00:17:22,440
YEAH, ME TOO.
384
00:17:25,940 --> 00:17:28,470
WE GOT MORE DIGGING TO DO.
I'LL FILL YOU IN.
385
00:17:28,540 --> 00:17:29,470
ALL RIGHT.
386
00:17:31,310 --> 00:17:32,840
WE GOT TO GET
THIS CALVIN GEORGE IN
387
00:17:32,910 --> 00:17:34,370
BEFORE THOSE LOONY ITALIANS
KILL HIM.
388
00:17:34,440 --> 00:17:36,840
WE'RE RUNNING GUYS
HE'S BEEN COLLARED WITH.
389
00:17:36,910 --> 00:17:38,640
I'LL PITCH IN ON THAT.
390
00:17:38,710 --> 00:17:41,840
BEFORE YOU GET GOING, I HAVE
A QUICK ANNOUNCEMENT TO MAKE.
391
00:17:45,580 --> 00:17:47,150
JUST WANT
TO LET YOU ALL KNOW
392
00:17:47,210 --> 00:17:50,470
THAT I'M PUTTING IN MY PAPERS
FOR RETIREMENT.
393
00:17:51,510 --> 00:17:53,040
WHEN?
394
00:17:53,110 --> 00:17:56,570
I GOT MY APPOINTMENT WITH
THE PENSION BOARD IN A FEW DAYS,
395
00:17:56,640 --> 00:17:58,770
SO SOON AFTER THAT‐‐
MAYBE A WEEK.
396
00:17:58,840 --> 00:18:00,410
YOU LEAVING TO SOMETHING?
397
00:18:00,480 --> 00:18:01,850
SECURITY DIRECTOR JOB.
398
00:18:01,910 --> 00:18:04,440
WHICH YOU ACCEPTED WHEN?
ANDY.
399
00:18:04,510 --> 00:18:07,310
I INTERVIEWED FOR IT
LAST WEEK.
400
00:18:07,380 --> 00:18:09,280
I ACCEPTED YESTERDAY.
401
00:18:09,340 --> 00:18:11,140
SO...
402
00:18:11,210 --> 00:18:12,910
CONGRATULATIONS.
403
00:18:12,980 --> 00:18:15,150
YEAH, ABSOLUTELY.
404
00:18:15,210 --> 00:18:17,040
WE'LL MISS YOU.
405
00:18:17,110 --> 00:18:20,210
AS SOON AS MY LAST DAY'S
FIRMED UP, I'LL PASS IT ON.
406
00:18:22,580 --> 00:18:23,680
WELL, HOW ABOUT THAT?
407
00:18:23,740 --> 00:18:26,470
YEAH.
WELL, WE GOT WORK TO DO.
408
00:18:46,310 --> 00:18:49,210
BOSS, WE RAN THE SCREEN NAME
"NASTY GIRL"
409
00:18:49,280 --> 00:18:50,620
THROUGH
THE INTERNET PROVIDER.
410
00:18:50,680 --> 00:18:52,820
IT CAME BACK
TO A COURTNEY BATES.
411
00:18:52,880 --> 00:18:53,550
NOT MICHELLE FOSTER?
412
00:18:53,610 --> 00:18:54,740
COURTNEY BATES.
413
00:18:54,810 --> 00:18:56,710
THAT WASN'T SOMETHING
WE SHOULD HAVE CHECKED
414
00:18:56,780 --> 00:18:58,180
BEFORE LEANING
ON THE VICTIM?
415
00:18:58,240 --> 00:19:00,370
THE I. S. P. WAS BEING A REAL PAIN
IN THE ASS EARLIER
416
00:19:00,440 --> 00:19:02,670
ABOUT OPENING THEIR RECORDS
WITHOUT A COURT ORDER.
417
00:19:02,740 --> 00:19:04,010
THEY FINALLY RELENTED.
418
00:19:04,080 --> 00:19:05,650
IT TOOK SOME CONVINCING.
419
00:19:05,710 --> 00:19:07,910
MAYBE THREATENING'S
A BETTER WORD.
420
00:19:07,980 --> 00:19:11,120
I DON'T WANT TO KNOW.
JUST GET THIS COURTNEY BATES IN.
421
00:19:11,180 --> 00:19:13,180
SO, UH, BOSS?
422
00:19:13,240 --> 00:19:14,840
YEAH?
423
00:19:14,910 --> 00:19:17,770
ANY PARTICULAR REASON
FOR THE SUDDEN DEPARTURE?
424
00:19:17,840 --> 00:19:19,770
I KNOW
THE SQUAD'S CURIOUS.
425
00:19:19,840 --> 00:19:21,840
SPEAK FOR YOURSELF,
MEDAVOY.
426
00:19:21,910 --> 00:19:23,470
IT WAS TIME FOR ME TO GO.
427
00:19:23,540 --> 00:19:26,570
THE OUTCOME OF THE TRIAL,
DID THAT FACTOR IN?
428
00:19:26,640 --> 00:19:28,810
NEXT, ARE YOU GONNA ASK HIM
TO TURN HIS HEAD AND COUGH?
429
00:19:28,880 --> 00:19:30,120
IT'S OKAY, ANDY.
430
00:19:30,180 --> 00:19:32,180
NO, IT WAS TIME TO GO.
YOU SAID IT ALREADY.
431
00:19:32,240 --> 00:19:34,340
HE DON'T NEED TO PUT YOU
UNDER THE HOT LIGHT.
432
00:19:34,410 --> 00:19:36,310
I CAN'T SAY THE TRIAL
DIDN'T FACTOR IN,
433
00:19:36,380 --> 00:19:38,250
BUT, UH, IT'S JUST TIME
FOR ME TO GO.
434
00:19:38,310 --> 00:19:39,340
WHERE YOU GUYS AT?
435
00:19:39,410 --> 00:19:41,640
GOING TO HAVE A CONVERSATION
WITH TONY GRIMALDI,
436
00:19:41,710 --> 00:19:42,840
THE FATHER OF THE D. O. A.
437
00:19:42,910 --> 00:19:44,740
SEE IF HE CAN GET HIS BOYS
TO BACK OFF
438
00:19:44,810 --> 00:19:46,340
FROM HUNTING DOWN
CALVIN GEORGE.
439
00:19:50,740 --> 00:19:52,540
I WAS JUST CURIOUS.
440
00:19:52,610 --> 00:19:53,810
YOU'RE NOSY.
441
00:19:53,880 --> 00:19:55,480
I'M JUST CURIOUS.
442
00:20:09,740 --> 00:20:10,970
MR. GRIMALDI.
443
00:20:11,040 --> 00:20:13,070
YOU HAVE OUR
DEEPEST SYMPATHIES.
444
00:20:13,140 --> 00:20:14,270
THANK YOU.
445
00:20:14,340 --> 00:20:16,370
I KNOW THIS IS THE LAST THING
YOU WANT TO DO,
446
00:20:16,440 --> 00:20:18,510
BUT WE NEED TO TALK TO YOU
ABOUT THIS MORNING.
447
00:20:18,580 --> 00:20:19,980
DID YOU SEE WHAT HAPPENED?
448
00:20:20,040 --> 00:20:21,870
NO.
I WAS IN THE KITCHEN.
449
00:20:21,940 --> 00:20:24,510
WE KNOW PEOPLE IN THIS
NEIGHBORHOOD LOOK UP TO YOU.
450
00:20:24,580 --> 00:20:27,450
HAS ANYBODY GIVEN YOU
INFORMATION THAT COULD HELP US?
451
00:20:27,510 --> 00:20:30,410
WE WERE OUT OF COFFEE.
452
00:20:30,480 --> 00:20:33,680
SO I SENT THERESA TO GET SOME
FROM THE CORNER MARKET.
453
00:20:33,740 --> 00:20:36,570
IF I WOULD HAVE GOT UP OFF
MY LAZY ASS AND DONE IT MYSELF,
454
00:20:36,640 --> 00:20:37,740
SHE'D STILL BE ALIVE.
455
00:20:37,810 --> 00:20:40,310
WE'RE VERY SORRY, SIR.
456
00:20:40,380 --> 00:20:43,580
MR. GRIMALDI...
457
00:20:43,640 --> 00:20:45,510
THERE'S PEOPLE OUT THERE
RIGHT NOW,
458
00:20:45,580 --> 00:20:46,920
PEOPLE ASSOCIATED WITH YOU,
459
00:20:46,980 --> 00:20:49,180
WHO ARE LOOKING
FOR THE DRIVER OF THAT CAR.
460
00:20:49,240 --> 00:20:51,810
THEY ALREADY FIRED SHOTS
INTO HIS MOTHER'S APARTMENT.
461
00:20:51,880 --> 00:20:53,220
MY DAUGHTER'S DEAD.
462
00:20:53,280 --> 00:20:55,620
YOU THINK I GIVE A RAT'S ASS
ABOUT THE SON OF A BITCH?
463
00:20:55,680 --> 00:20:58,450
WE KNOW YOU CARE ABOUT THE OTHER
GUYS OUT THERE LOOKING FOR HIM.
464
00:20:58,510 --> 00:21:01,140
WE TRIED TO LET THEM KNOW IF
ANYTHING HAPPENS TO OUR SUSPECT,
465
00:21:01,210 --> 00:21:03,740
THEY'RE GOING TO JAIL,
BUT THEY'RE NOT LISTENING TO US.
466
00:21:03,810 --> 00:21:05,870
THAT'S 'CAUSE THEY KNOW
THIS SON OF A BITCH
467
00:21:05,940 --> 00:21:07,270
AIN'T GONNA DO
ANY REAL TIME.
468
00:21:07,340 --> 00:21:09,870
VEHICULAR MANSLAUGHTER,
POSSIBLY TWO COUNTS,
469
00:21:09,940 --> 00:21:12,140
AND FLEEING THE SCENE
OF AN ACCIDENT?
470
00:21:12,210 --> 00:21:13,540
HE'LL DO TIME.
471
00:21:13,610 --> 00:21:16,240
LET US DO OUR JOB AND LET EACH
OF YOUR GUYS STAY OUT OF JAIL.
472
00:21:16,310 --> 00:21:20,040
IF THIS GUY DON'T PAY
A FAIR PRICE
473
00:21:20,110 --> 00:21:22,240
FOR TAKING
MY DAUGHTER'S LIFE,
474
00:21:22,310 --> 00:21:25,640
WHEN HE HITS THE STREET AGAIN...
ALL BETS ARE OFF.
475
00:21:25,710 --> 00:21:29,510
YEAH,
WE'LL TAKE CARE OF THAT.
476
00:21:29,580 --> 00:21:31,520
I'LL PUT OUT THE WORD.
477
00:21:43,880 --> 00:21:46,250
HE'S RIGHT HERE.
DON'T HANG UP.
478
00:21:46,310 --> 00:21:47,110
IT'S CALVIN GEORGE.
479
00:21:47,180 --> 00:21:49,120
I'M PUTTING HIM ON THE PHONE
RIGHT NOW.
480
00:21:49,180 --> 00:21:50,980
NO, IT'S HIM.
YOU HAVE MY WORD.
481
00:21:52,640 --> 00:21:55,110
DETECTIVE SIPOWICZ.
482
00:21:55,180 --> 00:21:57,420
COME IN AND TELL ME
WHERE YOU WERE THIS MORNING.
483
00:21:57,480 --> 00:21:59,820
CALVIN, HOW CAN I SAY
I BELIEVE YOU'RE NOT
484
00:21:59,880 --> 00:22:01,450
BASED ON A PHONE
CONVERSATION, HUH?
485
00:22:01,510 --> 00:22:03,810
DON'T WORRY ABOUT YOUR DAMN
POT POSSESSION.
486
00:22:03,880 --> 00:22:05,820
WORRY ABOUT YOUR MOM
WHO GOT SHOT AT.
487
00:22:05,880 --> 00:22:08,120
WORRY ABOUT NOT GETTING
KILLED BY THAT LYNCH MOB
488
00:22:08,180 --> 00:22:10,120
WHO'S OUT THERE
LOOKING FOR YOU RIGHT NOW.
489
00:22:10,180 --> 00:22:12,420
NOW, WHERE CAN WE MEET YOU?
490
00:22:12,480 --> 00:22:16,350
I'M GONNA GET THE CAR.
I'LL MEET YOU IN FRONT.
491
00:22:16,410 --> 00:22:17,540
YEAH. UH‐HUH.
492
00:22:17,610 --> 00:22:19,210
HAVE A SEAT, COURTNEY.
493
00:22:19,280 --> 00:22:20,250
OKAY.
494
00:22:21,740 --> 00:22:22,910
YOU A STUDENT?
495
00:22:22,980 --> 00:22:25,550
YEAH, BUT I'M TAKING
A SEMESTER OFF.
496
00:22:25,610 --> 00:22:27,870
YOU KNOW
MICHELLE FOSTER?
NO.
497
00:22:27,940 --> 00:22:29,370
YOU DIDN'T GO
ON THE INTERNET
498
00:22:29,440 --> 00:22:31,610
PRETENDING TO BE
MICHELLE FOSTER?
PARDON ME?
499
00:22:31,680 --> 00:22:34,780
WE GOT INFORMATION THAT YOU'VE
BEEN GOING INTO CHAT ROOMS
500
00:22:34,840 --> 00:22:36,610
UNDER THE MONIKER
"NASTY GIRL"
501
00:22:36,680 --> 00:22:38,980
AND CLAIMING TO BE
MICHELLE FOSTER.
502
00:22:39,040 --> 00:22:41,440
WELL, I, UH,
DON'T KNOW THAT PERSON,
503
00:22:41,510 --> 00:22:44,910
AND I'VE NEVER IN MY LIFE
CALLED MYSELF "NASTY GIRL."
504
00:22:44,980 --> 00:22:47,520
MICHELLE FOSTER WAS RAPED
THIS MORNING
505
00:22:47,580 --> 00:22:51,350
BY A GUY WHO THOUGHT SHE WAS
INVITING HIM OVER FOR ROUGH SEX.
506
00:22:51,410 --> 00:22:53,840
BECAUSE OF WHAT
THIS "NASTY GIRL" SAID
507
00:22:53,910 --> 00:22:54,870
IN A CHAT ROOM?
508
00:22:54,940 --> 00:22:56,170
THERE YOU GO.
509
00:22:56,240 --> 00:22:58,070
WELL, I'M SORRY
TO HEAR THAT,
510
00:22:58,140 --> 00:23:00,110
BUT I HAD NOTHING TO DO
WITH IT.
511
00:23:00,180 --> 00:23:02,920
THEN HOW'S THE NAME "NASTY GIRL"
GET BACK TO YOUR ACCOUNT?
512
00:23:02,980 --> 00:23:04,720
I BOUGHT MY COMPUTER
SECONDHAND.
513
00:23:04,780 --> 00:23:06,580
IT WAS SOMEBODY ELSE'S
BEFORE THAT.
514
00:23:06,640 --> 00:23:09,270
I SOMETIMES LEND IT TO
THE SPACE CADET DOWN THE HALL.
515
00:23:09,340 --> 00:23:11,870
THERE'S A THOUSAND WAYS
I COULD HAVE BEEN HACKED.
516
00:23:11,940 --> 00:23:14,370
ALL OF WHICH
WE'LL BE LOOKING INTO.
517
00:23:14,440 --> 00:23:15,570
FINE.
518
00:23:15,640 --> 00:23:16,910
WE NEED YOUR COMPUTER.
519
00:23:16,980 --> 00:23:19,250
AND THE NAME OF THE SPACE CADET
DOWN THE HALL
520
00:23:19,310 --> 00:23:21,370
AND WHO YOU BOUGHT
THE COMPUTER FROM.
521
00:23:22,640 --> 00:23:25,470
LET ME GET THIS STRAIGHT.
YOU STOLE THE CAR?
RIGHT.
522
00:23:25,540 --> 00:23:28,040
BUT YOU DIDN'T DO
THE HIT‐AND‐RUN?
EXACTLY.
523
00:23:28,110 --> 00:23:29,670
[ SCOFFS ]
HOW'S THAT WORK?
524
00:23:29,740 --> 00:23:31,140
I'M WALKING DOWN THE STREET,
525
00:23:31,210 --> 00:23:33,410
AND I SEE THIS WHITE BOY
PULL UP IN THIS DOPE SUV...
526
00:23:33,480 --> 00:23:35,750
AND HE HOPPED OUT AND HEADED
AROUND THE CORNER...
527
00:23:35,810 --> 00:23:37,910
WITH THE DOORS OPEN,
THE KEYS IN IT.
528
00:23:37,980 --> 00:23:40,250
IT'S LIKE HE WAS ASKING ME
TO STEAL IT.
529
00:23:40,310 --> 00:23:41,240
SO I DID.
530
00:23:41,310 --> 00:23:43,910
AND YOU WERE DRIVING,
AND THESE ITALIANS CUT YOU OFF.
531
00:23:43,980 --> 00:23:45,850
AND START BEATING THE HELL
OUT OF ME.
532
00:23:45,910 --> 00:23:47,910
I FIGURE IT'S 'CAUSE
I STOLE THE TRUCK.
533
00:23:47,980 --> 00:23:50,520
IF YOU BOOSTED THIS CAR ON
ELIZABETH STREET, LIKE YOU SAY,
534
00:23:50,580 --> 00:23:53,120
WHAT WERE YOU DOING
IN LITTLE ITALY TO BEGIN WITH?
535
00:23:53,180 --> 00:23:55,480
I WAS LOOKING
FOR MY WALLET.
YEAH, HUH?
536
00:23:55,540 --> 00:23:58,470
I'M AT A BAR DOWN IN THE VILLAGE
LAST NIGHT‐‐ TRICKY'S.
537
00:23:58,540 --> 00:24:01,270
I START TALKING TO
THIS WHITE CHICK‐‐ ANNE MARIE.
538
00:24:01,340 --> 00:24:03,270
SHE INVITES ME BACK
TO HER PLACE.
539
00:24:03,340 --> 00:24:05,470
I'M THINKING MAYBE SHE GOT
THE FEVER.
540
00:24:05,540 --> 00:24:08,210
BUT WE GET THERE,
AND I'M ALREADY DRUNK AS IT IS,
541
00:24:08,280 --> 00:24:10,820
BUT NOW SHE LIGHTS UP
SOME WEED‐‐ THAT WAS IT.
542
00:24:10,880 --> 00:24:12,420
I PASSED OUT ON THE FUTON.
543
00:24:12,480 --> 00:24:13,750
WHEN'D YOU LEAVE HER PLACE?
544
00:24:13,810 --> 00:24:15,170
ABOUT 5:00 A. M.
545
00:24:15,240 --> 00:24:18,010
IT WAS STILL DARK OUT,
WHICH IS GONNA FACTOR IN LATER.
546
00:24:18,080 --> 00:24:20,080
SO I HEAD HOME,
BUT WHEN I GET THERE,
547
00:24:20,140 --> 00:24:22,210
I REALIZE I DON'T HAVE
MY WALLET ON ME.
548
00:24:22,280 --> 00:24:24,950
SO I GO ALL THE WAY BACK
TO ANNE MARIE'S.
549
00:24:25,010 --> 00:24:27,970
THE PROBLEM IS, I DON'T KNOW
WHERE SHE LIVE EXACTLY
550
00:24:28,040 --> 00:24:30,170
'CAUSE IT WAS DARK OUT
WHEN I LEFT,
551
00:24:30,240 --> 00:24:32,510
AND I WAS STILL HALF DRUNK
ANYHOW.
552
00:24:32,580 --> 00:24:35,820
THE NEXT THING I SEE IS THE SUV
WITH THE KEYS IN IT.
553
00:24:35,880 --> 00:24:37,580
WHAT'S THIS ANNE MARIE'S
LAST NAME?
554
00:24:37,640 --> 00:24:39,070
I DON'T KNOW.
I NEVER GOT IT.
555
00:24:39,140 --> 00:24:41,310
WHAT ARE THE CROSS STREETS
WHERE ANNE MARIE LIVES?
556
00:24:41,380 --> 00:24:43,450
I DON'T KNOW THAT, EITHER.
I WISH TO HELL I DID.
557
00:24:43,510 --> 00:24:46,540
BUT YOUR WALLET'S STILL GONNA BE
AT THIS ANNE MARIE'S APARTMENT.
558
00:24:46,610 --> 00:24:47,940
NO, SEE,
'CAUSE HERE'S THE THING.
559
00:24:48,010 --> 00:24:50,170
AFTER I GOT ATTACKED
AND WAS WALKING AROUND
560
00:24:50,240 --> 00:24:52,070
TRYING TO FIGURE OUT
WHAT TO DO,
561
00:24:52,140 --> 00:24:54,740
I FELT SOMETHING IN MY JACKET
IN THIS POCKET UP HERE,
562
00:24:54,810 --> 00:24:56,010
AND IT WAS MY WALLET.
563
00:24:56,080 --> 00:24:56,880
AMAZING.
564
00:24:56,940 --> 00:24:58,610
SEE, I NEVER PUT IT THERE.
565
00:24:58,680 --> 00:25:00,850
SO I MUST'VE BEEN DRUNK
LAST NIGHT.
566
00:25:00,910 --> 00:25:03,140
THERE'S NO WAY
OF PROVING THAT STORY.
567
00:25:03,210 --> 00:25:05,510
IT'S THE TRUTH.
I'M STARTING TO THINK
IT AIN'T, CALVIN.
568
00:25:05,580 --> 00:25:08,120
WE GOT A WITNESS WHO PUTS YOU
BEHIND THE WHEEL OF THAT SUV
569
00:25:08,180 --> 00:25:09,220
AT THE SCENE
OF THE ACCIDENT.
570
00:25:09,280 --> 00:25:11,350
THEY GOT THE WRONG BROTHER,
PLAIN AND SIMPLE.
571
00:25:11,410 --> 00:25:13,110
'CAUSE YOU'RE JUST
AN INNOCENT BYSTANDER
572
00:25:13,180 --> 00:25:14,720
LOOKING FOR
A MYSTERY APARTMENT
573
00:25:14,780 --> 00:25:16,180
SO YOU CAN FIND
YOUR LOST WALLET
574
00:25:16,240 --> 00:25:17,840
WHICH WASN'T REALLY LOST
TO BEGIN WITH.
575
00:25:17,910 --> 00:25:20,370
YO, IS THIS A RIDE?
576
00:25:20,440 --> 00:25:23,010
IS THIS GETTING SHOVED DOWN
MY THROAT NO MATTER WHAT I SAY?
577
00:25:23,080 --> 00:25:25,380
CALVIN, YOU NEED TO KEEP
IN MIND ONE THING.
578
00:25:25,440 --> 00:25:28,070
IF YOU KEEP LYING, THE FAMILY
OF THAT LITTLE GIRL
579
00:25:28,140 --> 00:25:30,110
ARE GONNA STAY PISSED OFF
AT YOU.
580
00:25:30,180 --> 00:25:32,720
AND WE'RE NOT GONNA BE THERE
TO WATCH YOUR BACK
581
00:25:32,780 --> 00:25:34,650
EVERY DAY
THE REST OF YOUR LIFE.
582
00:25:34,710 --> 00:25:37,540
SO SHOW REMORSE,
ADMIT WHAT YOU DID.
583
00:25:37,610 --> 00:25:38,570
IT'S THE BEST WAY.
584
00:25:38,640 --> 00:25:40,270
AND IF YOU DON'T BELIEVE US,
CALVIN,
585
00:25:40,340 --> 00:25:42,570
ASK YOUR MOM
IF THOSE WERE REAL BULLETS
586
00:25:42,640 --> 00:25:44,370
SHOT THROUGH HER WINDOW
THIS MORNING.
587
00:25:44,440 --> 00:25:46,770
I WAS LOOKING FOR A GIRL
NAMED ANNE MARIE'S‐‐
588
00:25:46,840 --> 00:25:49,010
I DON'T WANT TO HEAR
THAT BULLSHIT STORY AGAIN.
589
00:25:49,080 --> 00:25:51,750
IF I DID IT, I'D TELL YOU.
BUT IT WASN'T ME.
590
00:25:51,810 --> 00:25:53,570
YOU'RE MAKING A BIG MISTAKE,
CALVIN.
591
00:25:53,640 --> 00:25:54,810
ONLY GOD CAN JUDGE ME.
592
00:25:54,880 --> 00:25:57,180
WELL,
YOU HOLD ON TO THAT.
593
00:25:57,240 --> 00:25:59,240
HEY.
594
00:25:59,310 --> 00:26:01,340
[ CAMERA SHUTTER CLICKS,
FILM WINDING ]
595
00:26:02,580 --> 00:26:04,680
[ KNOCK ON DOOR ]
596
00:26:04,740 --> 00:26:05,770
CALVIN GEORGE?
597
00:26:05,840 --> 00:26:07,640
HE'S DENYING IT.
BIG SURPRISE.
598
00:26:07,710 --> 00:26:09,840
WE'LL GO BACK AT HIM
IN A BIT.
GOOD.
599
00:26:14,340 --> 00:26:15,270
WHAT'S THE STORY?
600
00:26:15,340 --> 00:26:16,340
RETIRING?
601
00:26:16,410 --> 00:26:18,340
NO, YOUR CHOICE OF TIE.
602
00:26:18,410 --> 00:26:19,810
IT'S JUST TIME.
603
00:26:19,880 --> 00:26:21,750
DON'T GO SELLING
THAT WEAK CRAP TO ME.
604
00:26:21,810 --> 00:26:23,440
THERE'S NO HOODWINK HERE,
ANDY.
605
00:26:23,510 --> 00:26:24,510
IS IT ORTIZ?
606
00:26:24,580 --> 00:26:26,120
WHAT DO YOU KNOW
ABOUT THAT?
607
00:26:26,180 --> 00:26:28,580
IT WAS A HUNCH I HAD,
BUT YOU JUST CONFIRMED IT.
608
00:26:28,640 --> 00:26:29,870
THERE'S NOTHING GOING ON,
609
00:26:29,940 --> 00:26:31,970
BUT IF IT WERE,
IT'D BE A PRIVATE MATTER.
610
00:26:32,040 --> 00:26:33,310
AND THIS SECURITY GIG,
611
00:26:33,380 --> 00:26:35,580
I'M SURE HE WAS REAL SWEET
AT THE INTERVIEW,
612
00:26:35,640 --> 00:26:37,110
BUT IT'S JUST
A MATTER OF TIME
613
00:26:37,180 --> 00:26:39,180
BEFORE YOU'RE SNAPPING UP
WHORES FOR HIM.
614
00:26:39,240 --> 00:26:40,440
WHO KNOWS?
615
00:26:40,510 --> 00:26:43,110
I'M ALREADY SIGNED ON,
SO...
616
00:26:43,180 --> 00:26:46,380
THEN THIS IS 'CAUSE
YOU GOT DROPPED OFF THE LIST
617
00:26:46,440 --> 00:26:47,540
FOR CAPTAIN'S PAY?
618
00:26:47,610 --> 00:26:50,270
IT TELLS ME I'M NOT GETTING
ANY FURTHER ON THE JOB.
619
00:26:50,340 --> 00:26:51,440
THAT'S A PUNK MOVE.
620
00:26:51,510 --> 00:26:55,810
NEVER ONCE IN MY LIFE HAVE
I PUNKED OUT OF ANYTHING.
621
00:26:55,880 --> 00:26:57,550
IF YOU CARED
ABOUT THIS JOB,
622
00:26:57,610 --> 00:26:59,270
IF IT HAD ANY MEANING
TO YOU AT ALL,
623
00:26:59,340 --> 00:27:01,440
YOU'D TURN IT BACK ON THEM
AND FIGHT.
624
00:27:01,510 --> 00:27:02,510
I DON'T WANT TO LEAVE.
625
00:27:02,580 --> 00:27:05,120
BUT I GAVE THE DEPARTMENT
EVERYTHING FOR 18 YEARS.
626
00:27:05,180 --> 00:27:07,780
I TOOK A BULLET,
AND THEY LET ME DOWN.
627
00:27:07,840 --> 00:27:09,640
[ KNOCK ON DOOR ]
628
00:27:09,710 --> 00:27:11,070
GOT A CALL FROM BELLEVUE.
629
00:27:11,140 --> 00:27:13,070
RAY ESPINOZA,
THE GUY ON THE BIKE,
630
00:27:13,140 --> 00:27:14,670
HE'S IN RECOVERY AND ALERT.
631
00:27:14,740 --> 00:27:17,210
[ DOOR CLOSES ]
632
00:27:19,310 --> 00:27:22,240
YOU STILL WANT TO BE UPDATED,
OR DID THE BUS ALREADY LEAVE?
633
00:27:22,310 --> 00:27:25,210
YES, I WANT TO BE UPDATED.
AND DON'T PUSH ME ANY MORE.
634
00:27:33,240 --> 00:27:34,740
RAY ESPINOZA?
635
00:27:34,810 --> 00:27:37,270
DETECTIVES
FROM THE 15th SQUAD.
636
00:27:37,340 --> 00:27:38,410
YOU MADE IT.
637
00:27:38,480 --> 00:27:41,220
YOU THINK I'M BAD?
YOU SHOULD SEE THE TRUCK.
638
00:27:41,280 --> 00:27:42,350
[ CHUCKLES ]
639
00:27:42,410 --> 00:27:44,970
YOU GOT A LOT OF FAMILY OUTSIDE
WAITING TO SEE YOU.
640
00:27:45,040 --> 00:27:46,210
FIRST, REAL QUICK,
THOUGH,
641
00:27:46,280 --> 00:27:48,820
DID YOU GET A LOOK
AT THE GUY DRIVING THE SUV?
642
00:27:48,880 --> 00:27:50,680
YEAH.
ALL RIGHT.
643
00:27:50,740 --> 00:27:53,070
WE GOT A PHOTO ARRAY
WE'RE GONNA SHOW YOU.
644
00:27:53,140 --> 00:27:55,340
TELL US IF YOU RECOGNIZE
THE GUY, OKAY?
645
00:27:56,740 --> 00:27:58,070
DRIVER WAS A WHITE GUY.
646
00:27:58,140 --> 00:28:00,140
WE'RE TALKING ABOUT THE DRIVER
OF THE SUV WHO HIT YOU.
647
00:28:00,210 --> 00:28:03,310
YEAH, WHITE GUY, YOUNG,
DARK HAIR.
648
00:28:03,380 --> 00:28:05,450
YOU'RE SURE?
POSITIVE.
649
00:28:05,510 --> 00:28:07,940
I LOOKED RIGHT AT HIM
WHEN HE WAS COMING AT ME.
650
00:28:08,010 --> 00:28:09,910
WAS THERE A BLACK GUY
IN THE CAR AT ALL?
651
00:28:09,980 --> 00:28:11,220
NO, NOT IN THE FRONT.
652
00:28:11,280 --> 00:28:14,350
ONLY GUY I SAW WAS THE DRIVER,
AND HE WAS WHITE.
653
00:28:28,030 --> 00:28:29,490
I'D JUST LIKE YOU TO KNOW
654
00:28:29,560 --> 00:28:32,360
THAT MY WIFE HASN'T STOPPED
CRYING ALL TODAY.
655
00:28:32,430 --> 00:28:33,930
WE'RE SORRY TO HEAR THAT.
656
00:28:34,000 --> 00:28:36,300
THERE'S A LOT OF WAYS
TO DO THINGS IN THE WORLD.
657
00:28:36,360 --> 00:28:38,360
YOU GOT A CASE TO SOLVE.
I RESPECT THAT.
658
00:28:38,430 --> 00:28:40,960
BUT STOMPING ON THE VICTIM?
YOU GOT A LOT OF BALLS.
659
00:28:41,030 --> 00:28:42,630
TELL US
ABOUT COURTNEY BATES.
660
00:28:42,700 --> 00:28:44,570
I DON'T THINK
YOU'RE LISTENING TO ME.
661
00:28:44,630 --> 00:28:46,860
YOU KNOW THE NAME?
I CAN'T PLACE IT.
662
00:28:46,930 --> 00:28:48,390
COURTNEY BATES,
BLOND HAIR,
663
00:28:48,460 --> 00:28:50,890
CALLED YOUR OFFICE 19 TIMES
THE LAST TWO WEEKS.
664
00:28:50,960 --> 00:28:52,160
PLACE IT NOW?
665
00:28:52,230 --> 00:28:53,830
[ CHUCKLES ]
666
00:28:53,900 --> 00:28:54,900
WHAT'S GOING ON?
667
00:28:54,960 --> 00:28:56,260
YOU HAVING AN AFFAIR
WITH HER?
668
00:28:56,330 --> 00:28:57,360
HOW DOES THIS PERTAIN
669
00:28:57,430 --> 00:28:59,160
TO CATCHING THE GUY
WHO RAPED MY WIFE?
670
00:28:59,230 --> 00:29:01,590
WE GOT THE GUY
WHO RAPED YOUR WIFE.
671
00:29:01,660 --> 00:29:05,330
BUT HE WAS DUPED ON‐LINE INTO
THINKING HE HAD HER CONSENT.
672
00:29:05,400 --> 00:29:08,000
WHAT WE NEED TO FIGURE OUT NOW
IS WHO PUT HIM UP TO IT‐‐
673
00:29:08,060 --> 00:29:09,660
YOU AND COURTNEY
OR COURTNEY ALONE?
674
00:29:09,730 --> 00:29:12,030
THIS GUY THOUGHT HE HAD CONSENT,
AND YOU BELIEVE THAT?
675
00:29:12,100 --> 00:29:14,600
MR. FOSTER, IF YOU WANT TO KEEP
YOURSELF OUT OF JAIL,
676
00:29:14,660 --> 00:29:16,990
YOU NEED TO STOP SLAPPING BACK
EVERYTHING WE SAY
677
00:29:17,060 --> 00:29:18,390
AND JUST ANSWER
THE QUESTIONS.
678
00:29:18,460 --> 00:29:21,730
ARE YOU SCREWING COURTNEY BATES?
YES OR NO.
679
00:29:23,260 --> 00:29:25,830
IT'S MORE OF
AN EMOTIONAL INTIMACY.
680
00:29:27,530 --> 00:29:29,690
WHAT'D I JUST SAY ABOUT
ANSWERING THE QUESTIONS?
681
00:29:29,760 --> 00:29:31,760
OKAY, YES, FINE.
682
00:29:31,830 --> 00:29:33,860
BUT I HAD NO IDEA SHE WOULD DO
SOMETHING LIKE THIS.
683
00:29:33,930 --> 00:29:36,530
SHE EVER SHOWN CRAZY
BEHAVIOR BEFORE?
NO.
684
00:29:36,600 --> 00:29:39,640
HAS SHE EVER THREATENED TO DO
HARM TO YOUR WIFE IN ANY WAY?
NO.
685
00:29:39,700 --> 00:29:41,470
DID YOU PUT THOUGHTS
INTO COURTNEY'S HEAD ABOUT
686
00:29:41,530 --> 00:29:43,730
WHAT LIFE WOULD BE LIKE IF YOUR
WIFE WAS OUT OF THE PICTURE?
687
00:29:43,800 --> 00:29:45,440
NO, NO WAY.
688
00:29:45,500 --> 00:29:47,140
YOU UNDERSTAND,
IF THAT WERE TRUE,
689
00:29:47,200 --> 00:29:50,070
YOU'D BE THE FIRST GUY BANGING
AROUND ON HIS WIFE WHO DIDN'T.
690
00:29:50,130 --> 00:29:52,930
I SWEAR TO YOU, COURTNEY AND I
HAD A MUTUAL AGREEMENT‐‐
691
00:29:53,000 --> 00:29:54,200
SEX AND NOTHING ELSE.
692
00:29:55,030 --> 00:29:56,960
LOOK, I LOVE MY WIFE.
693
00:29:57,030 --> 00:29:59,290
SHE'S JUST OLD‐FASHIONED.
694
00:29:59,360 --> 00:30:01,060
AS FAR AS FIDELITY
AND WHATNOT?
695
00:30:01,130 --> 00:30:04,090
IN THE BEDROOM.
696
00:30:04,160 --> 00:30:05,890
SHE'S PURITANICAL.
697
00:30:05,960 --> 00:30:08,160
BUT I NEVER MEANT FOR HER
TO BE RAPED, AND...
698
00:30:08,230 --> 00:30:09,660
[ SIGHS ]
699
00:30:09,730 --> 00:30:12,530
IF COURTNEY HAD ANYTHING TO DO
WITH THIS, SHE CAN GO TO HELL.
700
00:30:12,600 --> 00:30:14,470
ALL RIGHT.
GO BE WITH YOUR WIFE.
701
00:30:14,530 --> 00:30:17,090
BUT IF WE CALL
AND YOU'RE NOT THERE,
702
00:30:17,160 --> 00:30:18,930
SHE HEARS ABOUT COURTNEY.
703
00:30:29,760 --> 00:30:32,090
EXCUSE US, MA'AM.
MAY I HELP YOU?
704
00:30:32,160 --> 00:30:34,960
DETECTIVES CLARK AND SIPOWICZ.
HAVE YOU BEEN HERE ALL DAY?
705
00:30:35,030 --> 00:30:36,560
YES.
706
00:30:36,630 --> 00:30:39,490
WE'VE BEEN TOLD THAT THERE WAS
A CAR STOLEN THIS MORNING‐‐
707
00:30:39,560 --> 00:30:41,860
A BIG, SILVER SUV‐‐
FROM RIGHT OUT FRONT HERE.
708
00:30:41,930 --> 00:30:44,190
TO STAY IN BUSINESS
IN THIS NEIGHBORHOOD,
709
00:30:44,260 --> 00:30:46,190
YOU GOT TO MIND
YOUR OWN BUSINESS.
710
00:30:46,260 --> 00:30:48,630
SEE, THE THING IS, MA'AM,
THE OWNER OF THE CAR,
711
00:30:48,700 --> 00:30:51,240
HE'S AN ELDERLY MAN
WHO BOUGHT IT FOR HIS KIDS,
712
00:30:51,300 --> 00:30:53,540
AND THE INSURANCE COMPANY
IS REFUSING TO PAY
713
00:30:53,600 --> 00:30:55,470
BECAUSE THE STORY
DOESN'T ADD UP.
714
00:30:55,530 --> 00:30:57,590
HE'S SAYING THAT
A WHITE KID STOLE IT,
715
00:30:57,660 --> 00:31:00,230
BUT ULTIMATELY A BLACK GUY
WAS FOUND DRIVING IT.
716
00:31:00,300 --> 00:31:02,800
WE'RE JUST TRYING TO
STRAIGHTEN EVERYTHING OUT.
717
00:31:02,860 --> 00:31:04,130
SO THIS HAS NOTHING TO DO
718
00:31:04,200 --> 00:31:06,400
WITH TONY GRIMALDI'S DAUGHTER
BEING KILLED?
719
00:31:06,460 --> 00:31:08,290
[ CLEARS THROAT ]
UH, IT MIGHT.
720
00:31:08,360 --> 00:31:10,590
THEN WHY DIDN'T YOU JUST
COME OUT AND SAY IT?
721
00:31:10,660 --> 00:31:13,160
BECAUSE EVERYBODY'S BEEN LYING
TO US TODAY.
722
00:31:13,230 --> 00:31:15,290
AND IF EVERYBODY
KEEPS ON LYING,
723
00:31:15,360 --> 00:31:17,590
AN INNOCENT GUY
IS GONNA GET KILLED.
724
00:31:17,660 --> 00:31:20,630
A BOY FROM THE NEIGHBORHOOD,
SOMETHING OF A HOODLUM,
725
00:31:20,700 --> 00:31:23,270
PARKED IT OUT FRONT HERE,
AND THEN HE RAN OFF.
726
00:31:23,330 --> 00:31:24,560
A MINUTE OR SO LATER,
727
00:31:24,630 --> 00:31:26,930
A YOUNG BLACK MAN GOT IN
AND DROVE AWAY.
728
00:31:27,000 --> 00:31:29,800
THE BOY FROM THE NEIGHBORHOOD,
WHAT'S HIS NAME?
729
00:31:29,860 --> 00:31:32,890
THE OLD MAN AND HIS INSURANCE‐‐
YOU'RE A GOOD LIAR.
730
00:31:32,960 --> 00:31:36,590
I APOLOGIZE FOR NOT BEING
COMPLETELY UP FRONT.
731
00:31:36,660 --> 00:31:39,790
THERESA GRIMALDI WAS
A BEAUTIFUL YOUNG GIRL.
732
00:31:39,860 --> 00:31:43,330
OUT OF RESPECT FOR HER MEMORY,
I'M GONNA TELL YOU WHAT I KNOW.
733
00:31:43,400 --> 00:31:45,700
BUT I'LL NEVER TALK
ABOUT IT AGAIN.
734
00:31:47,260 --> 00:31:48,760
DANNY PUGLIESI.
735
00:31:48,830 --> 00:31:50,130
THANKS, MA'AM.
736
00:31:50,200 --> 00:31:52,200
APPRECIATE YOUR HELP.
737
00:31:58,960 --> 00:32:01,290
YOU NEVER BEEN IN A POLICE
STATION BEFORE THIS MORNING,
738
00:32:01,360 --> 00:32:02,660
HAVE YOU, COURTNEY?
NO.
739
00:32:02,730 --> 00:32:06,090
THEN WE'LL JUST CHALK UP
ALL THE LYING YOU DID THEN
740
00:32:06,160 --> 00:32:08,330
TO AN IGNORANCE
OF THE PROCESS.
741
00:32:08,400 --> 00:32:10,740
I'M SORRY,
BUT WHAT ARE YOU TALKING ABOUT?
742
00:32:10,800 --> 00:32:13,140
YOU SLEEPING WITH JASON FOSTER,
FOR ONE.
743
00:32:13,200 --> 00:32:16,440
YOU CAN'T SAY I LIED ABOUT
SOMETHING YOU NEVER BROUGHT UP.
744
00:32:16,500 --> 00:32:18,300
WHAT,
ARE YOU 3 YEARS OLD?
745
00:32:18,360 --> 00:32:19,390
WELL, YOU DIDN'T.
746
00:32:19,460 --> 00:32:21,030
WE'LL MAKE THIS SIMPLE,
THEN.
747
00:32:21,100 --> 00:32:22,540
YOU CHOOSE BETWEEN "A"‐‐
748
00:32:22,600 --> 00:32:25,400
YOU PLOTTED MICHELLE FOSTER'S
RAPE AND DON'T GIVE A DAMN.
749
00:32:25,460 --> 00:32:27,890
OR "B"‐‐ IT WAS A PRANK
THAT GOT OUT OF CONTROL.
750
00:32:29,560 --> 00:32:30,360
"B."
751
00:32:30,430 --> 00:32:32,190
HOW'D IT START?
752
00:32:32,260 --> 00:32:34,330
WELL, SHE'S CONTROLLING
AND MANIPULATIVE,
753
00:32:34,400 --> 00:32:36,740
AND SHE USES THE FACT
THAT HE'S A DECENT GUY
754
00:32:36,800 --> 00:32:37,940
TO GET WHAT SHE WANTS.
755
00:32:38,000 --> 00:32:40,340
YOU KNOW ALL THIS ABOUT
A WOMAN YOU'VE NEVER MET?
756
00:32:40,400 --> 00:32:41,840
JASON TOLD ME.
GOT IT.
757
00:32:41,900 --> 00:32:45,570
HE'S A SUCCESSFUL STOCKBROKER,
AND HE NEEDS TO BE IN NEW YORK.
758
00:32:45,630 --> 00:32:48,790
BUT SHE KEEPS WHINING ABOUT
MOVING BACK TO NORTH CAROLINA.
759
00:32:48,860 --> 00:32:50,760
WHAT ELSE DID JASON SAY
ABOUT HIS WIFE?
760
00:32:50,830 --> 00:32:54,560
THEY STOPPED HAVING SEX
A MONTH AFTER GETTING MARRIED.
761
00:32:54,630 --> 00:32:57,290
SHE TAKES PILLS,
DRINKS ALL THE TIME.
762
00:32:57,360 --> 00:32:58,660
HE'S MISERABLE.
763
00:32:58,730 --> 00:33:00,960
HOW'D YOU GET THE IDEA
OF THE RAPE CHAT ROOM?
764
00:33:01,030 --> 00:33:02,890
ONE NIGHT I, UM...
765
00:33:02,960 --> 00:33:05,260
I HAD TOO MUCH SANGRIA
WITH SOME GIRLFRIENDS,
766
00:33:05,330 --> 00:33:07,230
AND I JUST THOUGHT
MAYBE A LITTLE SCARE
767
00:33:07,300 --> 00:33:09,000
MIGHT GIVE HER
SOME MOTIVATION.
768
00:33:09,060 --> 00:33:11,790
SO I WENT ON‐LINE.
IT WAS A JOKE.
769
00:33:11,860 --> 00:33:14,330
DID YOU DISCUSS YOUR JOKE
WITH JASON?
770
00:33:14,400 --> 00:33:17,400
IF IT WORKED AND SHE MOVED OUT,
I WAS GONNA TELL HIM.
771
00:33:17,460 --> 00:33:20,930
AND THEN YOU'D GET MARRIED
AND BE HAPPY TOGETHER?
772
00:33:21,000 --> 00:33:22,370
I DON'T KNOW. MAYBE.
773
00:33:22,430 --> 00:33:25,160
I DIDN'T MEAN FOR HER
TO GET RAPED.
774
00:33:25,230 --> 00:33:27,960
THAT WAS ABSOLUTELY NOT
MY INTENTION.
775
00:33:28,030 --> 00:33:30,260
I'M SORRY
IF IT WENT TOO FAR.
776
00:33:30,330 --> 00:33:33,030
I'LL DO WHATEVER YOU WANT ME
TO DO.
777
00:33:33,100 --> 00:33:35,700
I'LL WRITE A NOTE,
APOLOGIZE, OKAY?
778
00:33:35,760 --> 00:33:37,090
CAN I LEAVE NOW?
779
00:33:37,160 --> 00:33:40,030
COURTNEY,
YOU'RE NOT GOING ANYWHERE.
780
00:33:40,100 --> 00:33:41,740
YOU'RE UNDER ARREST.
781
00:33:41,800 --> 00:33:42,900
WHAT?!
782
00:33:42,960 --> 00:33:44,360
GET UP.
783
00:33:50,160 --> 00:33:51,660
[ KNOCK ON DOOR ]
784
00:33:54,160 --> 00:33:55,290
WHAT DO YOU WANT?
785
00:33:55,360 --> 00:33:57,590
WE'RE LOOKING FOR
DANNY PUGLIESI.
786
00:33:57,660 --> 00:33:58,690
YOU HIS DAD?
787
00:33:58,760 --> 00:34:00,360
YEAH. WHAT DO YOU
NEED DANNY FOR?
788
00:34:00,430 --> 00:34:02,490
WE HEARD HE MIGHT BE A WITNESS
TO THE HIT‐AND‐RUN.
789
00:34:02,560 --> 00:34:04,330
HE WOULD'VE SAID SOMETHING
TO ME IF HE DID.
790
00:34:04,400 --> 00:34:05,800
WE NEED TO TALK
TO YOUR KID.
791
00:34:05,860 --> 00:34:07,630
COME IN.
792
00:34:10,000 --> 00:34:11,300
DANNY, GET OUT HERE!
793
00:34:11,360 --> 00:34:13,930
HEARD YOU GOT CALVIN GEORGE
IN CUSTODY.
794
00:34:14,000 --> 00:34:16,100
HE BETTER STAY THERE IF HE
KNOWS WHAT'S GOOD FOR HIM.
795
00:34:16,160 --> 00:34:17,490
CALVIN DIDN'T DO
THE HIT‐AND‐RUN.
796
00:34:17,560 --> 00:34:20,690
WHAT, AL SHARPTON HAVE
A PROTEST MARCH OR SOMETHING?
797
00:34:20,760 --> 00:34:23,460
YOU DIDN'T SEE THAT
HIT‐AND‐RUN, DID YOU?
NO.
798
00:34:23,530 --> 00:34:25,430
BEEN BUSTED BEFORE‐‐
GRAND LARCENY AUTO?
799
00:34:25,500 --> 00:34:27,040
OH, WHAT'S THAT ABOUT?
800
00:34:27,100 --> 00:34:28,640
WE GOT A WITNESS
SAW YOU DUMP THAT SUV
801
00:34:28,700 --> 00:34:30,570
ON BROOME OFF LAFAYETTE
THIS MORNING.
802
00:34:30,630 --> 00:34:32,660
THEN CALVIN HOPPED IN
AND TOOK IT FROM THERE.
803
00:34:32,730 --> 00:34:35,030
BUT IT WAS YOU
THAT HIT THERESA GRIMALDI
804
00:34:35,100 --> 00:34:36,470
AND THAT GUY ON THE BIKE.
805
00:34:36,530 --> 00:34:38,930
DON'T EVEN THINK ABOUT
PINNING THIS ON MY SON.
806
00:34:39,000 --> 00:34:41,870
HE DIDN'T DO NOTHING.
DANNY, RIGHT?
RIGHT.
807
00:34:41,930 --> 00:34:44,530
OKAY, THEN THE NEXT STEP
IS RUNNING A LINEUP‐‐
808
00:34:44,600 --> 00:34:46,340
MATCHING YOUR SON'S
FINGERPRINTS
809
00:34:46,400 --> 00:34:47,970
WITH WHAT WE GOT
OFF THE CAR,
810
00:34:48,030 --> 00:34:50,590
COMPARING DNA FROM HAIR
WE GOT OFF THE DRIVER'S SEAT.
811
00:34:50,660 --> 00:34:52,830
YOU'RE GONNA WANT TO AVOID
ALL THAT.
812
00:34:52,900 --> 00:34:54,200
DANNY, YOU DIDN'T DO THIS.
813
00:34:54,260 --> 00:34:56,230
HE DID DO IT, AND ALL YOUR
DOUCHE‐BAG BUDDIES
814
00:34:56,300 --> 00:34:58,300
THAT YOU WERE GOING AFTER
CALVIN GEORGE WITH
815
00:34:58,360 --> 00:35:00,230
ARE GONNA KNOW DANNY'S
WHO WE'RE LOOKING AT.
816
00:35:00,300 --> 00:35:01,540
SO IF HE DON'T COME CLEAN
817
00:35:01,600 --> 00:35:03,800
AND START PROTECTING HIMSELF
RIGHT NOW,
818
00:35:03,860 --> 00:35:04,830
IT'S GONNA BE OPEN SEASON.
819
00:35:08,260 --> 00:35:09,530
IT WAS AN ACCIDENT.
820
00:35:09,600 --> 00:35:11,070
OH, MY GOD.
821
00:35:11,130 --> 00:35:12,890
I WAS PARTYING UPTOWN
WITH SOME GUYS.
822
00:35:12,960 --> 00:35:14,930
WE TOOK THE CAR FOR FUN.
823
00:35:15,000 --> 00:35:18,100
I WAS ON MY WAY HOME, AND
I THOUGHT I SAW A COP BEHIND ME.
824
00:35:18,160 --> 00:35:20,090
SO I TURNED ONTO BROOME
AND I GUNNED IT.
825
00:35:20,160 --> 00:35:21,830
IT WAS AN ACCIDENT.
826
00:35:21,900 --> 00:35:24,200
WE'RE GONNA HAVE TO
TAKE HIM IN, MR. PUGLIESI.
827
00:35:24,260 --> 00:35:26,260
WHAT'S MR. GRIMALDI
GONNA DO TO ME, DAD?
828
00:35:26,330 --> 00:35:28,730
I'LL TALK TO TONY.
I'LL MAKE IT RIGHT WITH HIM...
829
00:35:28,800 --> 00:35:30,740
BEFORE HE HEARS
FROM SOMEONE ELSE.
830
00:35:32,600 --> 00:35:35,200
YOUR SON WILL BE AT
THE 15th PRECINCT, MR. PUGLIESI.
831
00:35:35,260 --> 00:35:36,830
I'M SORRY, DAD.
832
00:35:36,900 --> 00:35:37,870
COME ON.
833
00:35:37,930 --> 00:35:38,990
KEEP HIM SAFE?
834
00:35:39,060 --> 00:35:41,690
YOU HAVE OUR WORD.
835
00:35:45,960 --> 00:35:47,360
ANY QUESTION
AS TO WHETHER
836
00:35:47,430 --> 00:35:49,290
COURTNEY BATES
ACTED WITH MALICE?
837
00:35:49,360 --> 00:35:50,730
GOING INTO THAT CHAT ROOM,
838
00:35:50,800 --> 00:35:53,240
SHE ABSOLUTELY EXPECTED
THAT SOMETHING BAD
839
00:35:53,300 --> 00:35:55,440
WAS GOING TO HAPPEN
TO MICHELLE FOSTER.
840
00:35:55,500 --> 00:35:58,270
THEN IT'S CONSPIRACY TO COMMIT
RAPE OR RAPE BY PROXY.
841
00:35:58,330 --> 00:35:59,690
EITHER WAY, SHE'S A COLLAR.
842
00:35:59,760 --> 00:36:01,760
IS IT WORTH
PURSUING THE HUSBAND?
843
00:36:01,830 --> 00:36:05,190
SOUNDS LIKE HE WAS TELLING
COURTNEY LIES ABOUT HIS WIFE
844
00:36:05,260 --> 00:36:06,630
TO KEEP HER IN THE SACK.
845
00:36:06,700 --> 00:36:09,070
HE'S A DOG,
BUT IT'S NOT CRIMINAL.
846
00:36:09,130 --> 00:36:11,030
WHAT ABOUT THE GUY
WHO DID THE RAPE?
847
00:36:11,100 --> 00:36:12,700
THIS IS A BAD GUY
WITH BAD INSTINCTS.
848
00:36:12,760 --> 00:36:14,690
STILL, IT BOILS DOWN
TO CONSENT.
849
00:36:14,760 --> 00:36:16,890
AND FROM EVERYTHING
YOU'RE TELLING ME,
850
00:36:16,960 --> 00:36:18,130
REESE THOUGHT HE HAD IT.
851
00:36:18,200 --> 00:36:19,840
SO WE GET HIM
ON THE NEXT ONE?
852
00:36:19,900 --> 00:36:23,300
I'LL SEE THAT IT'S PUT
IN FRONT OF THE GRAND JURY.
853
00:36:23,360 --> 00:36:24,930
STILL, HE COULD WALK.
854
00:36:25,000 --> 00:36:28,100
DANNY PUGLIESI WENT FOR IT.
JUNIOR'S TAKING HIS STATEMENT.
855
00:36:28,160 --> 00:36:29,290
PAGE ME WHEN HE'S DONE.
856
00:36:29,360 --> 00:36:31,190
AND WE WANT TO KICK
CALVIN GEORGE.
857
00:36:31,260 --> 00:36:33,190
FOR THE FAILURE‐TO‐APPEAR
WARRANT?
858
00:36:33,260 --> 00:36:35,430
IT'S OUR THINKING
HE'S HAD A BAD ENOUGH DAY.
859
00:36:35,500 --> 00:36:37,070
I'LL HAVE THE WARRANT
VACATED.
860
00:36:37,130 --> 00:36:38,490
AND GET
WITH TONY GRIMALDI.
861
00:36:38,560 --> 00:36:41,130
MAKE SURE HE KNOWS
WHO REALLY KILLED HIS DAUGHTER
862
00:36:41,200 --> 00:36:43,300
AND TO KEEP HIS GOONS
OFF OF CALVIN GEORGE.
863
00:36:43,360 --> 00:36:44,660
HEADING THERE RIGHT NOW.
864
00:36:44,730 --> 00:36:46,860
WE'LL BREAK THE NEWS TO COURTNEY
AND GET HER TO BOOKING.
865
00:36:46,930 --> 00:36:48,660
[ TELEPHONE RINGS ]
866
00:36:48,730 --> 00:36:49,760
15th SQUAD.
867
00:36:49,830 --> 00:36:53,730
HEY, I'M GONNA HEAD HOME
FIRST AND CHANGE.
868
00:36:53,800 --> 00:36:57,070
THERE'S A D. O. A.
OVER ON RIVINGTON.
869
00:36:57,130 --> 00:36:59,430
WHO'S UP?
WE GOT IT COVERED.
870
00:37:05,100 --> 00:37:06,570
[ SIREN WAILS ]
871
00:37:14,330 --> 00:37:16,660
TWO IN THE HEAD
EXECUTION‐STYLE.
872
00:37:16,730 --> 00:37:17,930
NO I. D. ON HIM.
873
00:37:18,000 --> 00:37:19,700
HIS NAME'S GIO PUGLIESI.
874
00:37:19,760 --> 00:37:22,090
WE'LL NOTIFY OCCB,
SEE IF THEM OR THE FEDS
875
00:37:22,160 --> 00:37:24,190
HAVE GOTTEN ANYTHING
OVER THEIR WIRES.
876
00:37:24,260 --> 00:37:25,490
SO, A MOB HIT?
YEAH.
877
00:37:25,560 --> 00:37:27,930
COME ON.
WE'LL BE BACK.
878
00:37:39,660 --> 00:37:43,960
WE'RE WITH OUR PRIEST.
IF YOU COULD KEEP IT SHORT.
879
00:37:44,030 --> 00:37:46,660
WE FOUND
GIO PUGLIESI'S BODY.
880
00:37:46,730 --> 00:37:48,130
GIO'S DEAD NOW?
881
00:37:48,200 --> 00:37:51,270
YEAH. AND WE KNOW
HE CAME TO TALK TO YOU.
882
00:37:51,330 --> 00:37:54,190
[ EXHALES SHARPLY ]
I CAN'T BELIEVE IT.
883
00:37:54,260 --> 00:37:55,690
ALL THIS IN ONE DAY.
884
00:37:55,760 --> 00:37:58,460
WHERE'S IT STAND
WITH GIO'S SON?
885
00:38:00,560 --> 00:38:03,560
I SUPPOSE WHOEVER DID THIS
FELT IT WAS BETTER PUNISHMENT
886
00:38:03,630 --> 00:38:05,830
FOR THE SON
TO SPEND THE REST OF HIS LIFE
887
00:38:05,900 --> 00:38:08,870
KNOWING HE WAS RESPONSIBLE
FOR HIS FATHER'S DEATH,
888
00:38:08,930 --> 00:38:14,190
JUST LIKE I HAVE TO SPEND MY
LIFE THINKING ABOUT WHAT I LOST.
889
00:38:14,260 --> 00:38:17,630
WE'LL BE LOOKING
AT THIS HARD, TONY.
890
00:38:17,700 --> 00:38:21,300
I'D LIKE TO GET BACK
WITH FATHER DEBENIDETTI,
891
00:38:21,360 --> 00:38:22,960
IF YOU DON'T MIND.
892
00:38:38,730 --> 00:38:42,190
SO, THIS LADY AT CHILD SERVICES,
IS SHE GONNA TALK TO ME?
893
00:38:42,260 --> 00:38:43,290
PROBABLY.
894
00:38:43,360 --> 00:38:46,160
I'LL TELL HER
THIS IS WHERE I WANT TO BE.
895
00:38:46,230 --> 00:38:47,660
[ SIGHS ]
896
00:38:47,730 --> 00:38:49,990
WHEN DO THEY DECIDE?
897
00:38:50,060 --> 00:38:51,360
THEY DIDN'T GIVE ME
A TIME FRAME,
898
00:38:51,430 --> 00:38:53,060
BUT I DON'T THINK
IT'LL BE A PROBLEM.
899
00:38:53,130 --> 00:38:54,530
SHE SAID IT WOULDN'T BE
A PROBLEM?
900
00:38:54,600 --> 00:38:55,940
THAT'S THE IMPRESSION
I GOT.
901
00:38:56,000 --> 00:38:59,740
AND IF SHE TURNS US DOWN,
WE CAN GO TO SOMEBODY ELSE?
902
00:38:59,800 --> 00:39:01,340
DON'T WORRY, MICHAEL.
903
00:39:01,400 --> 00:39:04,400
ONE OF THE THINGS THEY WERE
ASKING WAS WHO'D WATCH YOU
904
00:39:04,460 --> 00:39:06,860
IF I GOT STUCK ON A CASE
THAT WENT LATE.
905
00:39:06,930 --> 00:39:07,990
WHAT'D YOU TELL THEM?
906
00:39:08,060 --> 00:39:10,190
'CAUSE I'LL BE ALL RIGHT
ON MY OWN.
907
00:39:10,260 --> 00:39:12,260
JUST TO BE SAFE, VALERIE
VOLUNTEERED TO BE BACKUP
908
00:39:12,330 --> 00:39:13,690
IF I CAN'T GET HOME
AT NIGHT.
909
00:39:13,760 --> 00:39:15,960
YOU COME HERE
OR I GO TO YOUR PLACE?
910
00:39:16,030 --> 00:39:18,160
UH, EITHER.
WE'D WORK IT OUT.
911
00:39:18,230 --> 00:39:20,830
OKAY.
912
00:39:20,900 --> 00:39:22,400
IT'S GOOD. THANKS.
913
00:39:22,460 --> 00:39:24,990
I GOT TO FINISH MY HOMEWORK.
914
00:39:25,060 --> 00:39:25,930
HIT IT.
915
00:39:30,600 --> 00:39:32,770
AND I REALLY APPRECIATE
YOUR HELP.
916
00:39:32,830 --> 00:39:34,030
YOU'RE GONNA NEED IT.
917
00:39:34,100 --> 00:39:36,100
I'M NOT SAYING THAT
IN A BAD WAY,
918
00:39:36,160 --> 00:39:38,030
BUT THIS MAY GET
OVERWHELMING.
919
00:39:38,100 --> 00:39:39,900
SO JUST CALL ME
WHEN IT DOES.
920
00:39:39,960 --> 00:39:41,260
YEAH.
921
00:39:42,360 --> 00:39:43,960
EVERYTHING'S GONNA
WORK OUT.
922
00:39:44,030 --> 00:39:44,930
ABSOLUTELY.
923
00:39:56,660 --> 00:39:59,360
SO, WHEN'S THE NEW JOB
START?
924
00:39:59,430 --> 00:40:03,230
I THINK NEXT FRIDAY
IS MY LAST DAY IN THE SQUAD,
925
00:40:03,300 --> 00:40:05,270
SO A WEEK OR SO
AFTER THAT.
926
00:40:05,330 --> 00:40:07,030
NO DOWNTIME.
927
00:40:07,100 --> 00:40:08,240
I DON'T WANT ANY.
928
00:40:08,300 --> 00:40:11,970
I GOT TO ADMIT, THE TRANSITION
TO PRIVATE SECTOR...
929
00:40:12,030 --> 00:40:14,390
YOU'RE WEARING IT
PRETTY GOOD.
930
00:40:14,460 --> 00:40:18,230
THE DECISION'S MADE.
IT'S PUBLIC KNOWLEDGE.
931
00:40:18,300 --> 00:40:20,140
IT'S A WEIGHT OFF.
932
00:40:20,200 --> 00:40:23,300
AND IT'S GIVEN ME
A LITTLE PERSPECTIVE.
933
00:40:23,360 --> 00:40:26,230
I MIGHT HAVE TAKEN THE JOB
A LITTLE TOO SERIOUSLY.
934
00:40:26,300 --> 00:40:28,800
IT'S SERIOUS WORK.
935
00:40:28,860 --> 00:40:32,360
STILL, THERE'S NOTHING WRONG
WITH A SMILE NOW AND THEN...
936
00:40:32,430 --> 00:40:33,830
AND HAVING A LIFE.
937
00:40:33,900 --> 00:40:35,670
IS THAT WHERE I COME IN?
938
00:40:35,730 --> 00:40:37,190
I HOPE SO.
939
00:40:37,260 --> 00:40:41,390
BEING HONEST,
I'M A LITTLE SCARED BY IT.
940
00:40:42,400 --> 00:40:44,140
I DON'T DATE AROUND
A LOT.
941
00:40:44,200 --> 00:40:47,000
WHEN I GET INVOLVED,
I TAKE IT SERIOUSLY.
942
00:40:47,060 --> 00:40:50,630
RITA, FOR ONE,
YOU'RE BEAUTIFUL.
943
00:40:50,700 --> 00:40:54,200
YOU'RE A GREAT DETECTIVE.
AND YOU'RE EASY TO TALK TO.
944
00:40:54,260 --> 00:40:55,660
I HAVEN'T COME ACROSS
SOMEONE
945
00:40:55,730 --> 00:40:58,060
WITH ALL THAT GOING FOR THEM
MUCH IN MY LIFE.
946
00:40:58,130 --> 00:41:00,190
IT'S NOT SOMETHING
I WOULD TAKE LIGHTLY.
947
00:41:00,260 --> 00:41:01,830
EXCUSE ME.
948
00:41:04,000 --> 00:41:07,470
I‐I GOT THAT. THANKS.
949
00:41:07,530 --> 00:41:09,660
WAIT.
950
00:41:10,930 --> 00:41:12,560
THIS IS A HOTEL, RIGHT?
71647
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