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1
00:00:06,083 --> 00:00:08,083
SPENCER: OK, OK,
LET ME EXPLAIN.
2
00:00:08,083 --> 00:00:10,208
LAYLA: EXPLAIN?
[SCOFFS]
3
00:00:10,208 --> 00:00:12,208
YOU TOLD OLIVIA,
4
00:00:12,208 --> 00:00:15,417
MY BEST FRIEND,
THAT YOU LOVE HER.
5
00:00:15,417 --> 00:00:18,375
LOVE HER, BEFORE
HOOKING UP WITH ME!
6
00:00:18,375 --> 00:00:20,375
I DON'T EVEN KNOW WHO
YOU ARE RIGHT NOW.
7
00:00:20,375 --> 00:00:23,208
I'M SORRY. LOOK, I
DIDN'T PLAN IT THAT WAY.
8
00:00:23,208 --> 00:00:25,500
LAYLA, I KNOW
I MESSED UP,
9
00:00:25,500 --> 00:00:27,708
AND I SHOULD HAVE SAID
SOMETHING TO YOU, BUT,
10
00:00:27,708 --> 00:00:30,125
LOOK, I MADE A PROMISE TO WAIT
UNTIL YOU WAS READY TO GET BACK
11
00:00:30,125 --> 00:00:32,542
TOGETHER, AND--AND I
DIDN'T WANT TO BREAK THAT.
12
00:00:32,542 --> 00:00:34,958
I KNEW HOW MUCH
IT MEANT TO YOU.
13
00:00:34,958 --> 00:00:36,958
RIGHT.
14
00:00:36,958 --> 00:00:39,875
HOW MUCH
IT MEANT TO ME.
15
00:00:39,875 --> 00:00:41,875
WAIT, WAIT, WAIT.
THAT'S NOT WHAT I MEANT.
16
00:00:41,875 --> 00:00:45,500
YOU KNOW, IT DOESN'T
MATTER. WE'RE DONE. [SIGHS]
17
00:00:45,500 --> 00:00:48,542
FOR GOOD THIS TIME.
I NEVER WANT TO SEE YOU AGAIN.
18
00:00:50,958 --> 00:00:53,958
[DOOR SLAM ECHOES]
19
00:00:53,958 --> 00:00:56,375
YOU GOOD?
20
00:00:57,708 --> 00:01:00,000
SPENCER: I MESSED UP.
DILLON: LIKE,
21
00:01:00,000 --> 00:01:02,000
"PUT CRANBERRIES
IN POTATO SALAD" MESSED UP,
22
00:01:02,000 --> 00:01:04,708
OR "CUSSED OUT
A BLACK MAMA" MESSED UP?
23
00:01:04,708 --> 00:01:07,333
"I WAS REAL CARELESS
WITH SOMEBODY FEELINGS" MESSED UP.
24
00:01:09,083 --> 00:01:11,708
YOU WANT TO GET OUT
OF HERE FOR A LITTLE WHILE?
25
00:01:11,708 --> 00:01:13,000
WHAT ABOUT SCHOOL?
26
00:01:13,000 --> 00:01:15,208
I'LL GET YOU THERE
ON TIME.
27
00:01:15,208 --> 00:01:18,208
GET DRESSED.
28
00:01:18,208 --> 00:01:20,417
DILLON:
YO, IT IS ABOUT TIME
29
00:01:20,417 --> 00:01:22,625
YOU TOOK ME ON ONE
OF YOUR WORKOUTS.
30
00:01:22,625 --> 00:01:24,625
DAMN, IT'S A DOPE-ASS DAY
FOR SOME FOOTBALL.
31
00:01:24,625 --> 00:01:26,833
BIRDS IS CHIRPIN'...
DILLON: HERE WE GO AGAIN.
32
00:01:26,833 --> 00:01:29,167
THE GRASS IS FRESHLY CUT,
AND LOOK--
33
00:01:29,167 --> 00:01:31,792
POWER-WALKIN' DEACONS
FROM OUR CHURCH ARE OUT IN FULL EFFECT.
34
00:01:31,792 --> 00:01:34,125
DILLON: HA HA HA!
SPENCER: WHAT'S GOOD, SIR? DEACON: GOOD TO SEE YOU, SON.
35
00:01:34,125 --> 00:01:36,125
MAN: HEY, YOU GETTING SOME
EARLY MORNING REPS IN, BRO?
36
00:01:36,125 --> 00:01:37,875
GOD KNOWS YOU NEED IT.
37
00:01:37,875 --> 00:01:39,542
AIN'T LIKE Y'ALL GOING
TO THE PLAYOFFS THIS YEAR.
38
00:01:39,542 --> 00:01:41,167
DILLON: HEY, YOU KNOW THIS DUDE?
SPENCER: NAH.
39
00:01:41,167 --> 00:01:43,000
MAN: NAH,
I KNOW YOU, THOUGH.
40
00:01:43,000 --> 00:01:45,833
YOU BLACK JESUS
IN CLEATS.
41
00:01:45,833 --> 00:01:47,708
OH, WAIT,
NO, NO, NO, NO.
42
00:01:47,708 --> 00:01:49,708
SHOULD I CALL YOU
THE RESOURCE?
43
00:01:49,708 --> 00:01:51,708
AIN'T THAT WHAT YOU
CALLED YOURSELF
44
00:01:51,708 --> 00:01:54,042
WHEN YOU PROMISED TO
LEAD SOUTH CRENSHAW TO A STATE TITLE?
45
00:01:54,042 --> 00:01:55,792
[DROPS BACKPACK]
YO, WHAT'S WRONG WITH YOU?
46
00:01:55,792 --> 00:01:57,542
IGNORE HIM, D.
COME ON.
47
00:01:57,542 --> 00:01:59,542
HEY, HOMIE, I'M JUST
SPEAKING FACTS.
48
00:01:59,542 --> 00:02:02,292
THE TEAM, YOU'RE
ALL TRASH THIS YEAR,
49
00:02:02,292 --> 00:02:05,333
AND THE RESOURCE,
AVERAGE AT BEST.
50
00:02:05,333 --> 00:02:07,333
IF I WAS PLAYING,
51
00:02:07,333 --> 00:02:08,958
YOU WOULDN'T CATCH
A BALL ON ME.
52
00:02:08,958 --> 00:02:10,542
I'D LOCK YOUR ASS UP.
53
00:02:10,542 --> 00:02:12,250
YOU NEED TO
FALL BACK, HOMIE.
54
00:02:12,250 --> 00:02:13,917
YOU DON'T WANT
THIS SMOKE.
55
00:02:13,917 --> 00:02:15,417
AH, I WANT ALL
THE SMOKE.
56
00:02:15,417 --> 00:02:18,000
YEAH, WE CAN PLAY
ONE-ON-ONE RIGHT NOW.
57
00:02:18,000 --> 00:02:20,000
MY MAN ERIC
COULD BE QB.
58
00:02:20,000 --> 00:02:21,542
ALL RIGHT, BET.
LET'S GO.
59
00:02:21,542 --> 00:02:23,167
A'IGHT.
60
00:02:23,167 --> 00:02:25,167
WE'LL RUN 5 PLAYS.
61
00:02:25,167 --> 00:02:27,708
IF I STOP YOU FROM CATCHING
AT LEAST 3 PASSES...
62
00:02:27,708 --> 00:02:29,583
YOU WON'T.
63
00:02:29,583 --> 00:02:31,500
VO WILLIAMS & KAIRO:
♪ I'MMA TURN UP THE POWER ♪
64
00:02:31,500 --> 00:02:33,708
♪ ENERGY BLAZIN',
I'M FEELIN' FINER... ♪
65
00:02:33,708 --> 00:02:35,167
LET'S GO! YEAH!
66
00:02:35,167 --> 00:02:36,625
HEY, YOU BETTER GET
IN SOME CLEATS.
67
00:02:36,625 --> 00:02:38,875
I FEEL LIKE MOSSIN'
SOMEBODY TODAY, HOMIE.
68
00:02:38,875 --> 00:02:40,250
NAH, I'M GOOD.
69
00:02:40,250 --> 00:02:41,958
KEEP THAT SAME ENERGY,
THOUGH.
70
00:02:41,958 --> 00:02:43,958
♪ ...THE RULES MADE,
NOW WE EVOLVING ♪
71
00:02:43,958 --> 00:02:46,292
♪ INTO A NEW AGE,
HERE WE GO, HERE WE GO ♪
72
00:02:46,292 --> 00:02:48,500
YES! THAT'S WHAT I'M
TALKIN' 'BOUT, BOY, YEAH!
73
00:02:48,500 --> 00:02:50,708
♪ YEAH, YOU READY OR NOT?
HERE WE GO ♪
74
00:02:50,708 --> 00:02:52,833
♪ HERE WE GO, GO, GO ♪
75
00:02:52,833 --> 00:02:54,750
♪ FEEL LIKE I'M BEING
SET FREE ♪
76
00:02:54,750 --> 00:02:57,417
♪ FEEL LIKE A BRAND-NEW ME,
ARE YOU READY OR NOT? ♪
77
00:02:57,417 --> 00:03:00,792
♪ HERE WE GO,
HERE WE GO, GO, GO ♪
78
00:03:00,792 --> 00:03:02,667
♪ HERE WE GO, HERE WE... ♪
79
00:03:02,667 --> 00:03:04,792
DILLON: ALL RIGHT,
IT'S ALL GOOD. COME ON, MAN.
80
00:03:04,792 --> 00:03:07,625
♪ HERE WE GO,
HERE WE GO, GO, GO ♪
81
00:03:09,042 --> 00:03:12,042
♪ HERE WE GO,
HERE WE GO, GO, GO ♪
82
00:03:12,042 --> 00:03:13,667
[BOTH GRUNT]
83
00:03:13,667 --> 00:03:15,667
HEY, MAN, YOU ALL RIGHT?
84
00:03:15,667 --> 00:03:19,042
THAT'S THE THIRD ONE,
HOMIE, AND WE OUT.
85
00:03:22,625 --> 00:03:24,667
[SIGHS]
86
00:03:26,667 --> 00:03:29,583
IT'S ALL GOOD, MAN.
YOU'LL GET 'EM NEXT TIME.
87
00:03:34,917 --> 00:03:38,250
WAIT.
HE GOES TO YOUR SCHOOL?
88
00:03:44,292 --> 00:03:46,042
[SCHOOL BELL RINGS]
89
00:03:46,042 --> 00:03:47,708
♪ I JUST GOT THAT PORSCHE,
I KNOW YOU ♪
90
00:03:47,708 --> 00:03:49,333
♪ LIKE IT, LIKE IT,
LIKE, IT, LIKE IT ♪
91
00:03:49,333 --> 00:03:52,000
YES, DJ RELISH,
NOT DJ MUSTARD.
92
00:03:52,000 --> 00:03:54,833
SO ARE WE JUST GOING DOWN
THE WHOLE REFRIGERATOR DOOR WITH THESE RAP NAMES OR WHAT?
93
00:03:54,833 --> 00:03:58,042
LOOK, THE POINT IS,
DJ RELISH DID PUT ON SO MANY DOPE ARTISTS,
94
00:03:58,042 --> 00:04:00,250
AND NOW HE WANTS
TO MEET LITTLE OLD ME.
95
00:04:00,250 --> 00:04:01,875
DUH! YOU'VE BEEN
KILLING IT.
96
00:04:01,875 --> 00:04:04,042
YOUR MUSIC'S DOPE.
OF COURSE HE DOES.
97
00:04:04,042 --> 00:04:06,875
WAIT, DON'T TRY TO BUTTER
ME UP NOW THAT YOUR GIRL ABOUT TO BE BIG TIME.
98
00:04:06,875 --> 00:04:08,917
UH-UH. DON'T DO THAT.
YOU KNOW I'VE BEEN
99
00:04:08,917 --> 00:04:11,917
YOU AND PATIENCE'S
NUMBER-ONE FAN AND FUTURE PUBLICIST.
100
00:04:11,917 --> 00:04:14,917
SPEAKING OF,
HOW'S PATIENCE DOING ON LIL JEWEL'S TOUR?
101
00:04:14,917 --> 00:04:16,750
MAN, SHE IS
SPAZZIN', OK?
102
00:04:16,750 --> 00:04:19,250
AND QUEEN NAIJA RETWEETED
A VIDEO OF HER NEW SINGLE.
103
00:04:19,250 --> 00:04:20,833
KIA: WHAT?
COOP: THAT'S WHY I GOT TO ACE
104
00:04:20,833 --> 00:04:22,458
THIS MEETING WITH
DJ RELISH, SO SHE CAN BE
105
00:04:22,458 --> 00:04:25,375
AS PROUD OF ME AS I AM OF HER.
KIA: AW!
106
00:04:25,375 --> 00:04:28,083
WELL, I HOPE YOU PLAN
ON ACING MISS JOHNSON'S MATH EXAM TODAY, TOO.
107
00:04:28,083 --> 00:04:30,417
COOP: WAIT. THAT'S TODAY?
KIA: COOP!
108
00:04:30,417 --> 00:04:32,417
GIRL ON P.A. SYSTEM:
GOOD MORNING, CHARGERS.
109
00:04:32,417 --> 00:04:35,833
ONLY 3 WEEKS TO HOMECOMING,
SO YOU KNOW WHAT THAT MEANS.
110
00:04:35,833 --> 00:04:38,042
IT'S TIME TO ANNOUNCE
THE FINALISTS
111
00:04:38,042 --> 00:04:39,833
FOR HOMECOMING COURT.
112
00:04:39,833 --> 00:04:42,250
THE TOP TWO LADIES UP FOR
THE COVETED TITLE...
113
00:04:42,250 --> 00:04:44,250
KIA: WHAT?
GIRL: OF MISS SOUTH CRENSHAW
114
00:04:44,250 --> 00:04:46,250
ARE...KIA WILLIAMS...
115
00:04:46,250 --> 00:04:48,208
[SQUEALS]
116
00:04:48,208 --> 00:04:50,667
ME? OH, WHAT?
STOP.
117
00:04:50,667 --> 00:04:53,292
COOP: LIKE YOU AIN'T
KNOW THAT WAS COMING? KIA: HA HA! OK, STOP.
118
00:04:53,292 --> 00:04:55,292
GIRL ON P.A. SYSTEM:
AND TAMIA COOPER.
119
00:04:55,292 --> 00:04:57,292
KIA: WHAT?
COOP: WHAT?
120
00:04:57,292 --> 00:05:00,833
THAT'S YOUR GIRL COOP!
KIA: OK! GET IT, COOP!
121
00:05:00,833 --> 00:05:04,417
GIRL ON P.A. SYSTEM:
AND VYING FOR THE TITLE OF MR. SOUTH CRENSHAW,
122
00:05:04,417 --> 00:05:06,875
WE HAVE
CHRISTOPHER JACKSON...
123
00:05:06,875 --> 00:05:09,500
[APPLAUSE]
AND SPENCER JAMES.
124
00:05:09,500 --> 00:05:11,542
[STUDENTS CHEERING]
125
00:05:19,000 --> 00:05:25,458
FEMALE SINGER:
♪ TELL ME HOW TO SAVE YOU ♪
126
00:05:29,708 --> 00:05:32,708
♪ JUST TELL ME HOW TO ♪
127
00:05:32,708 --> 00:05:38,167
♪ SAVE YOU ♪
128
00:05:39,417 --> 00:05:42,083
♪ OOH ♪
129
00:05:44,625 --> 00:05:47,750
[KNOCK KNOCK]
BILLY: THERE HE IS,
130
00:05:47,750 --> 00:05:50,750
THE LEAD NOMINEE
FOR MR. SOUTH CRENSHAW.
131
00:05:50,750 --> 00:05:52,750
YOU KNOW WHAT?
I STILL REMEMBER
132
00:05:52,750 --> 00:05:55,500
MY NOMINATION SPEECH
BACK IN THE DAY.
133
00:05:55,500 --> 00:05:57,708
IF YOU NEED
ANY INSPIRATION,
134
00:05:57,708 --> 00:06:00,125
I KNOCKED THAT BAD BOY
OUT ON A TYPEWRITER--
135
00:06:00,125 --> 00:06:03,833
250 WORDS, DOUBLE-SPACED.
IT WAS POETRY.
136
00:06:03,833 --> 00:06:05,333
IS THAT GONNA BE
ENOUGH, COACH?
137
00:06:05,333 --> 00:06:07,042
BILLY: 250 WORDS? YEAH.
SPENCER: NO,
138
00:06:07,042 --> 00:06:10,042
ENOUGH PLAYERS ON OUR ROSTER.
BILLY: OH, YEAH,
139
00:06:10,042 --> 00:06:12,042
ABOUT A THIRD OF
OUR PLAYERS ARE INELIGIBLE
140
00:06:12,042 --> 00:06:15,042
BECAUSE OF CARTER'S
ELEVATED GPA REQUIREMENT,
141
00:06:15,042 --> 00:06:17,458
BUT WE'LL BE FINE.
142
00:06:17,458 --> 00:06:21,708
JUST SAY IT--IF WE DON'T
ADD MORE PLAYERS, WE AIN'T MAKING PLAYOFFS.
143
00:06:21,708 --> 00:06:26,500
I MEAN, YEAH, WE,
UH...WE COULD USE SOME DEPTH, YEAH.
144
00:06:26,500 --> 00:06:29,708
OK, LOOK, THIS MORNING
I WENT ONE-ON-ONE AGAINST A DUDE
145
00:06:29,708 --> 00:06:31,667
THAT COULD HELP US OUT
ON DEFENSE RIGHT NOW.
146
00:06:31,667 --> 00:06:33,458
BILLY: OK.
SPENCER: I CAN'T EVEN FRONT.
147
00:06:33,458 --> 00:06:35,292
THE DUDE'S A BEAST.
I LOOKED HIM UP.
148
00:06:35,292 --> 00:06:37,333
HIS NAME'S JABARI LONG.
149
00:06:37,333 --> 00:06:39,333
JABARI LONG.
150
00:06:40,833 --> 00:06:43,375
"JABARI LONG, JUNIOR."
151
00:06:43,375 --> 00:06:45,333
HIS GPA FOR LAST SEMESTER
152
00:06:45,333 --> 00:06:48,875
IS INCOMPLETE, SO THAT
MEANS HE IS INELIGIBLE.
153
00:06:48,875 --> 00:06:50,958
YOU GOT TO TALK
TO CARTER.
154
00:06:50,958 --> 00:06:53,708
[R&B MUSIC PLAYING]
155
00:06:53,708 --> 00:06:55,667
MALE SINGER: ♪ YEAH ♪
156
00:06:55,667 --> 00:06:57,625
♪ LOOK ♪
157
00:06:57,625 --> 00:07:01,417
♪ I'M NEVER INSECURE, I'M ALWAYS
SECURE IN ALL THINGS ♪
158
00:07:01,417 --> 00:07:04,208
♪ A TRUE ARTIST, THAT'S WHY IT
TOO HARD TO DRAW BLANKS... ♪
159
00:07:04,208 --> 00:07:06,417
UM, I HAD TO CANCEL
160
00:07:06,417 --> 00:07:09,583
YOUR MEETING WITH DJ RELISH.
COOP: I THOUGHT WE WERE GOOD.
161
00:07:09,583 --> 00:07:11,667
WELL, THE ONLY TIME
HE COULD MEET WAS DURING YOUR MATH TEST.
162
00:07:11,667 --> 00:07:13,167
MATH? WOULD HAVE
SKIPPED IT IF I HAD TO.
163
00:07:13,167 --> 00:07:14,583
I CAN'T BE MISSING OUT
ON MEETINGS LIKE THAT.
164
00:07:14,583 --> 00:07:15,875
DON'T WE LEAVE FOR TOUR
IN A FEW MONTHS?
165
00:07:15,875 --> 00:07:17,250
YES, BUT--
166
00:07:17,250 --> 00:07:18,875
BUT WHAT IF HE FINDS
ANOTHER ARTIST WHO
167
00:07:18,875 --> 00:07:20,500
DOESN'T HAVE TO WORRY
ABOUT TAKING SCHOOL TESTS
168
00:07:20,500 --> 00:07:21,833
AND RUNNING LAPS
IN P.E.?
169
00:07:21,833 --> 00:07:23,333
COOP, RELAX.
HE'S INTERESTED.
170
00:07:23,333 --> 00:07:24,833
HE THINKS YOU'RE DOPE.
HE JUST HAS TO
171
00:07:24,833 --> 00:07:26,250
UNDERSTAND THAT
SCHOOL COMES FIRST.
172
00:07:26,250 --> 00:07:27,625
LOOK, IF
MEG THEE STALLION
173
00:07:27,625 --> 00:07:29,708
CAN MAKE IT WORK,
SO CAN YOU.
174
00:07:31,292 --> 00:07:33,000
YOU NEED TO RELAX.
IT'S, LIKE, YOUR
175
00:07:33,000 --> 00:07:34,667
TENTH TIME YOU LOOKED
OVER AT THE DOOR.
176
00:07:34,667 --> 00:07:37,625
SPENCER IS IN PRACTICE.
YOU ARE GOOD.
177
00:07:37,625 --> 00:07:39,542
WHATEVER. I'M NOT
WORRIED ABOUT IT.
178
00:07:39,542 --> 00:07:42,500
LOOK, WE DON'T HAVE TO ACT
LIKE NOTHING HAPPENED.
179
00:07:42,500 --> 00:07:46,917
OK, WE BOTH BROKE UP
WITH HIM, SO IF YOU WANT TO TALK...
180
00:07:46,917 --> 00:07:49,167
HIM WHO?
181
00:07:50,667 --> 00:07:53,542
HEY, Y'ALL, WHAT YOU THINK?
182
00:07:53,542 --> 00:07:55,708
DAMN, THAT WAS
QUICK AS HELL.
183
00:07:55,708 --> 00:07:57,875
WHAT, YOU PRINTED
THESE UP IN SIXTH PERIOD? KIA: I GOT CONNECTS.
184
00:07:57,875 --> 00:07:59,375
YOU NEED TO GET
STARTED ON YOURS.
185
00:07:59,375 --> 00:08:00,583
OH, YOU ENCOURAGING
YOUR COMPETITION, HUH?
186
00:08:00,583 --> 00:08:02,083
OH, I'MMA STILL GO HARD.
187
00:08:02,083 --> 00:08:03,708
I AIN'T ABOUT TO HAND
YOU THE CROWN.
188
00:08:03,708 --> 00:08:05,542
BUT I CAN'T LIE, THOUGH.
HOW DOPE WOULD IT BE
189
00:08:05,542 --> 00:08:08,000
IF YOU AND SPENCER WON
AS BESTIES?
190
00:08:10,625 --> 00:08:13,208
I SHOULD GO.
UM, KIA'S RIGHT.
191
00:08:13,208 --> 00:08:14,792
YOU GOT
TO GET WORKING ON YOUR CAMPAIGN,
192
00:08:14,792 --> 00:08:17,792
AND I'VE GOT
MEETINGS AND STUFF,
193
00:08:17,792 --> 00:08:20,375
SO I WILL CATCH
YOU GUYS LATER.
194
00:08:20,375 --> 00:08:22,958
OK.
195
00:08:22,958 --> 00:08:25,542
OK, I'M GUESSING
I MISSED SOMETHING.
196
00:08:25,542 --> 00:08:27,458
THAT YOU DID.
HAVE A SEAT, SIS.
197
00:08:27,458 --> 00:08:29,167
I GOT A LOT
TO FILL YOU IN ON.
198
00:08:29,167 --> 00:08:30,708
CARTER:
I TOLD YOU, BILLY,
199
00:08:30,708 --> 00:08:33,125
THE GPA REQUIREMENT
IS NON-NEGOTIABLE.
200
00:08:33,125 --> 00:08:35,542
BUT COME ON, MAN.
I GAVE UP MY SALARY,
201
00:08:35,542 --> 00:08:37,750
WE'RE WORKING
WITH MINIMAL RESOURCES--
202
00:08:37,750 --> 00:08:39,708
WHOLE SCHOOL'S WORKING
ON MINIMAL RESOURCES. WHAT'S YOUR POINT?
203
00:08:39,708 --> 00:08:42,125
LOOK, LOOK, JUST
DO IT FOR THE KIDS.
204
00:08:42,125 --> 00:08:44,208
FOR A LOT OF THEM,
IT'S THEIR SENIOR YEAR,
205
00:08:44,208 --> 00:08:46,042
AND FOOTBALL COULD BE
THEIR LAST CHANCE TO--
206
00:08:46,042 --> 00:08:47,625
THAT, RIGHT THERE--
207
00:08:47,625 --> 00:08:49,542
THAT'S WHY I RAISED
THE GPA, OK?
208
00:08:49,542 --> 00:08:50,958
THEY SHOULDN'T HAVE
TO RELY ON SPORTS
209
00:08:50,958 --> 00:08:52,375
TO MAKE SOMETHING
OF THEMSELVES.
210
00:08:52,375 --> 00:08:54,083
DO YOU KNOW ANY OF
THESE KIDS PERSONALLY?
211
00:08:54,083 --> 00:08:56,875
HAVE YOU EVER HAD
ANY CONVERSATION WITH ANY OF 'EM?
212
00:08:56,875 --> 00:08:59,500
LAST TIME I CHECKED,
I'M THE PRINCIPAL,
213
00:08:59,500 --> 00:09:02,042
NOT YOU.
BILLY: WELL, INTERIM PRINCIPAL.
214
00:09:02,042 --> 00:09:03,208
OK, WELL, I KNOW
WHAT I'M DOING.
215
00:09:03,208 --> 00:09:04,667
AND WHAT IS THAT,
EXACTLY?
216
00:09:04,667 --> 00:09:06,917
MAKING THE ENTIRE
FOOTBALL TEAM SUFFER
217
00:09:06,917 --> 00:09:09,208
BECAUSE YOU'VE GOT
A PERSONAL VENDETTA AGAINST ME?
218
00:09:09,208 --> 00:09:11,458
THIS CONVERSATION'S OVER.
219
00:09:11,458 --> 00:09:13,458
BILLY: YOU JUST PROVED MY POINT.
CARTER: NO, YOU--YOU KNOW WHAT?
220
00:09:13,458 --> 00:09:16,417
I DON'T HAVE TO PROVE
ANYTHING TO YOU.
221
00:09:16,417 --> 00:09:18,583
YOU'RE NOT THE BIG MAN
ON CAMPUS ANYMORE.
222
00:09:18,583 --> 00:09:21,458
I'M DOING WHAT'S BEST
FOR SOUTH CRENSHAW, OK,
223
00:09:21,458 --> 00:09:24,792
AND I'M NOT GONNA
LET YOU OR ANYONE ELSE GET IN THE WAY OF THAT.
224
00:09:32,792 --> 00:09:34,542
CHORUS: ♪ LIVING BY FAITH ♪
225
00:09:34,542 --> 00:09:37,375
♪ I'M GONNA LIFT UP THE PRAISE ♪
226
00:09:37,375 --> 00:09:39,417
♪ IT'S A BEAUTIFUL DAY ♪
227
00:09:39,417 --> 00:09:41,750
♪ FOR MY SOUL TO BE SAVED ♪
228
00:09:41,750 --> 00:09:44,292
HEY, SON,
JUST IN TIME.
229
00:09:44,292 --> 00:09:45,875
WE'RE HAVING
EARL'S ON CRENSHAW.
230
00:09:45,875 --> 00:09:48,250
WE NEVER HAVE EARL'S
FOR DINNER,
231
00:09:48,250 --> 00:09:51,458
AND WE ONLY LISTEN
TO MOM'S "GRACE FULL OF GRACE" GOSPEL PLAYLIST
232
00:09:51,458 --> 00:09:53,583
WHEN WE CELEBRATING SOMETHING.
DILLON: EXACTLY.
233
00:09:53,583 --> 00:09:55,792
CHORUS: ♪ ...LIVING BY FAITH ♪
SPENCER: YOU WON THE BID
234
00:09:55,792 --> 00:09:57,958
TO REDESIGN THE GARDEN
IN MY SCHOOL.
235
00:09:57,958 --> 00:09:59,750
GRACE: WHO, ME?
SPENCER: YEAH.
236
00:09:59,750 --> 00:10:01,208
FAITH: ♪ BEFORE
THE LIGHTS COME ON ♪
237
00:10:01,208 --> 00:10:04,833
GRACE: OK, I DID!
[ALL LAUGHING]
238
00:10:04,833 --> 00:10:06,625
GRACE: OH!
239
00:10:06,625 --> 00:10:08,625
HEY, YOU DID THAT, MA.
I'M PROUD OF YOU.
240
00:10:08,625 --> 00:10:10,250
HA HA!
THANK YOU, BABY.
241
00:10:10,250 --> 00:10:12,583
I'M JUST DOING MY PART
TO HELP OUR SCHOOL.
242
00:10:14,667 --> 00:10:16,125
YOU OK, SPENCER?
243
00:10:16,125 --> 00:10:17,542
YEAH, I'M GOOD.
244
00:10:17,542 --> 00:10:19,167
THIS ABOUT THE BREAKUP?
245
00:10:19,167 --> 00:10:20,833
[CHUCKLING]
WHICH ONE, RIGHT?
246
00:10:20,833 --> 00:10:23,333
IGNORE YOUR BROTHER.
247
00:10:23,333 --> 00:10:26,125
I SHOULD NEVER
HAVE CLAIMED TO BE
248
00:10:26,125 --> 00:10:28,417
THE RESOURCE
AT THAT SCHOOL BOARD MEETING.
249
00:10:28,417 --> 00:10:30,458
NOW MY PROMISE TO
SAVE SOUTH CRENSHAW THROUGH FOOTBALL
250
00:10:30,458 --> 00:10:32,125
AIN'T WORKING OUT
THAT GOOD.
251
00:10:32,125 --> 00:10:33,750
BUT YOU GUYS HAVE BEEN
WINNING GAMES.
252
00:10:33,750 --> 00:10:35,542
BARELY. WHAT?
253
00:10:35,542 --> 00:10:38,208
OK, THEY'RE MISSING
A BUNCH OF THEIR TOP PLAYERS.
254
00:10:38,208 --> 00:10:40,833
HE'S RIGHT.
AIN'T ELIGIBLE 'CAUSE OF THEIR GPAs.
255
00:10:40,833 --> 00:10:42,917
WITHOUT 'EM, WE AIN'T
MAKING THE PLAYOFFS,
256
00:10:42,917 --> 00:10:45,542
SO THAT'S A WRAP ON
MY PLAN AND THE SCHOOL AS WE KNOW IT.
257
00:10:45,542 --> 00:10:47,625
IT'S NOT YOUR FAULT, SON,
258
00:10:47,625 --> 00:10:50,292
AND BESIDES, YOU'RE ONLY
HALFWAY THROUGH THE SEASON.
259
00:10:50,292 --> 00:10:52,292
THERE'S STILL TIME
FOR THE TEAM TO TURN THINGS AROUND.
260
00:10:52,292 --> 00:10:54,375
DILLON: AND WHO KNOWS?
MAYBE THEY'LL STUDY REAL HARD,
261
00:10:54,375 --> 00:10:56,375
GET THEIR GPAs UP.
262
00:10:56,375 --> 00:10:58,417
ANYTHING'S POSSIBLE.
263
00:11:05,458 --> 00:11:07,458
HEY, MOM, YOU MIGHT WANT
TO CHECK ON LIV,
264
00:11:07,458 --> 00:11:10,625
MAKE SURE SHE DIDN'T
DROWN. SHE'S BEEN IN THAT SHOWER FOREVER.
265
00:11:10,625 --> 00:11:12,625
LEAVE YOUR SISTER
ALONE. SHE'S HAVING A HARD ENOUGH TIME
266
00:11:12,625 --> 00:11:16,000
AS IT IS, POST-THE BREAKUP.
JORDAN: OH, YEAH.
267
00:11:16,000 --> 00:11:18,042
WOW. AALIYAH.
268
00:11:18,042 --> 00:11:20,083
NICE SHIRT.
JORDAN: HEH HEH!
269
00:11:20,083 --> 00:11:22,250
BIT OF A BOLD CHOICE
FOR YOU.
270
00:11:22,250 --> 00:11:24,833
IT GETS BOLDER.
I GOT ONE FOR LIV, TOO.
271
00:11:24,833 --> 00:11:26,500
I KNOW AALIYAH'S
HER FAVORITE.
272
00:11:26,500 --> 00:11:28,667
IS THIS, LIKE,
A TWIN THING?
273
00:11:28,667 --> 00:11:30,458
EXACTLY.
IT'S TWIN TUESDAY.
274
00:11:30,458 --> 00:11:32,583
I FIGURED WE COULD
DRESS ALIKE TOGETHER
275
00:11:32,583 --> 00:11:35,083
AT SCHOOL, YOU KNOW,
SINCE IT'S SPIRIT WEEK.
276
00:11:35,083 --> 00:11:38,750
I FIGURED IT MIGHT CHEER HER UP.
LAURA: OR TRAUMATIZE HER.
277
00:11:38,750 --> 00:11:41,750
I'M JUST KIDDING, HONEY.
THAT'S--IT'S VERY, VERY SWEET.
278
00:11:41,750 --> 00:11:44,000
I DON'T KNOW. I JUST KNOW
SHE HASN'T REALLY BEEN FEELING SCHOOL LATELY.
279
00:11:44,000 --> 00:11:46,500
YOU KNOW,
RUNNING INTO ASHER AND SEEING LAYLA
280
00:11:46,500 --> 00:11:48,958
AND JUST HEARING
ALL THE RUMORS, IT CAN'T BE FUN.
281
00:11:48,958 --> 00:11:52,083
MMM. MAYBE SHE SHOULD TAKE
A MENTAL HEALTH DAY.
282
00:11:52,083 --> 00:11:55,625
WAIT, S-SERIOUSLY?
YOU MEAN, LIKE, DITCH SCHOOL?
283
00:11:55,625 --> 00:11:58,458
WELL, I MEAN, SACRIFICING
A DAY OF CLASSES TO FOCUS
284
00:11:58,458 --> 00:12:00,458
ON YOUR MENTAL HEALTH
IS MORE IMPORTANT,
285
00:12:00,458 --> 00:12:03,292
SO YEAH, SERIOUSLY.
286
00:12:03,292 --> 00:12:05,333
YEAH, YEAH, HEH!
YEAH, YEAH. UH,
287
00:12:05,333 --> 00:12:08,292
YOU KNOW WHAT ELSE
IS I SHOULD BE THERE TO SUPPORT HER.
288
00:12:08,292 --> 00:12:10,542
[SCOFFS]
NICE TRY, BUDDY.
289
00:12:10,542 --> 00:12:13,125
LIV NEEDS THIS. YOU DON'T.
YOU'RE GOING TO SCHOOL.
290
00:12:13,125 --> 00:12:15,708
JORDAN: OK, HOLD ON.
WHAT ABOUT MY NEEDS? LAURA: JORDAN.
291
00:12:15,708 --> 00:12:18,125
LOOK, I HEAR YOU.
LIV NEEDS A MENTAL HEALTH DAY, ALL RIGHT?
292
00:12:18,125 --> 00:12:20,333
BUT, LOOK, I NEED...
[TAPS COUNTER]
293
00:12:20,333 --> 00:12:23,208
[WHISPERING]
a "taking care of my sister day," too.
294
00:12:23,208 --> 00:12:25,042
Please?
295
00:12:25,042 --> 00:12:28,000
FINE,
BUT YOU MAKE IT BACK
296
00:12:28,000 --> 00:12:30,292
TO SCHOOL IN TIME FOR PRACTICE.
JORDAN: [SNAPS FINGERS] DEAL!
297
00:12:30,292 --> 00:12:32,917
DEAL, DEAL, DEAL,
DEAL, DEAL. THANK YOU.
298
00:12:32,917 --> 00:12:35,875
LAURA: BYE.
JORDAN: LIV!
299
00:12:35,875 --> 00:12:38,125
[OVERLAPPING CHATTER]
300
00:12:40,875 --> 00:12:42,500
VANESSA: HEY, YOU.
301
00:12:42,500 --> 00:12:44,083
HEY.
302
00:12:44,083 --> 00:12:47,083
SO, FOR WHAT IT'S WORTH,
I MANAGED TO FIND
303
00:12:47,083 --> 00:12:49,542
A PIECE OF OUR SUMMER AT
THE BAKERY THIS MORNING.
304
00:12:55,708 --> 00:12:57,708
PAN DULCE?
305
00:12:57,708 --> 00:12:59,250
VANESSA: YEAH. HEH!
ASHER: HA HA!
306
00:12:59,250 --> 00:13:03,083
WOW, THIS IS--
THIS IS AWESOME.
307
00:13:03,083 --> 00:13:05,083
WHERE'S THE REST
OF IT?
308
00:13:05,083 --> 00:13:08,000
I MEAN, I DID SAY A PIECE
OF OUR SUMMER, RIGHT?
309
00:13:08,000 --> 00:13:10,708
HEH HEH! TASTES JUST
LIKE THE ONES WE USED
310
00:13:10,708 --> 00:13:12,583
TO HAVE AT THE PANADERIA
IN MEXICO.
311
00:13:12,583 --> 00:13:14,917
EVERY MORNING
AFTER OUR JOG,
312
00:13:14,917 --> 00:13:17,250
WHICH KIND OF DEFEATED
THE PURPOSE.
313
00:13:17,250 --> 00:13:20,083
IT WAS NEVER REALLY
ABOUT THE JOG.
314
00:13:20,083 --> 00:13:22,708
LOOK, I'M--I'M SORRY
315
00:13:22,708 --> 00:13:25,333
FOR BEING SO DISTANT
THE PAST TWO WEEKS.
316
00:13:25,333 --> 00:13:27,542
BETWEEN FOOTBALL
AND MY BREAKUP
317
00:13:27,542 --> 00:13:29,542
WITH LIV, I JUST NEEDED
A MINUTE TO CLEAR MY HEAD.
318
00:13:29,542 --> 00:13:31,792
ALL GOOD.
YOU HOLDING UP OK?
319
00:13:31,792 --> 00:13:34,000
I AM NOW. HEH!
320
00:13:34,000 --> 00:13:37,417
REMIND ME TO GET YOU
A BIB NEXT TIME, OK?
321
00:13:37,417 --> 00:13:39,458
[GIGGLES]
322
00:13:40,833 --> 00:13:44,250
SO, LISTEN,
I HEARD ABOUT THIS REALLY COOL DRIVE-IN
323
00:13:44,250 --> 00:13:47,542
THAT IS SHOWING
OLD-SCHOOL MOVIES FROM, LIKE, MID-2000s.
324
00:13:47,542 --> 00:13:50,375
"THE HOT CHICK" IS
PLAYING THERE. MAYBE WE CAN GO THIS SATURDAY?
325
00:13:50,375 --> 00:13:52,333
UH...
[CLOSES PAPER BAG]
326
00:13:52,333 --> 00:13:54,292
I--I CAN'T
THIS SATURDAY.
327
00:13:54,292 --> 00:13:56,167
VANESSA: OK. WHAT ABOUT--
ASHER: YOU KNOW, ACTUALLY,
328
00:13:56,167 --> 00:13:58,708
MY WHOLE WEEKEND
IS KINDA HECTIC.
329
00:13:58,708 --> 00:14:01,750
UM, I'M SORRY.
I NEED TO GET TO CLASS. I'LL TALK TO YOU LATER.
330
00:14:06,500 --> 00:14:08,833
[SCHOOL BELL RINGS]
331
00:14:10,292 --> 00:14:11,875
[TEXTING]
332
00:14:17,750 --> 00:14:19,917
AHEM. IS THAT MY TEXT
YOU'RE ABOUT TO RESPOND TO?
333
00:14:19,917 --> 00:14:21,542
OF COURSE, YUP.
334
00:14:21,542 --> 00:14:24,167
LIAR. I SENT YOU
A REMINDER THAT WE'RE
335
00:14:24,167 --> 00:14:27,292
RECORDING OUR NOMINATION
SPEECHES FOR HOMECOMING AT SLAUSON CAFE TONIGHT.
336
00:14:27,292 --> 00:14:29,917
SPENCER: OK, BET.
KIA: I'LL MAKE SURE THAT YOU
337
00:14:29,917 --> 00:14:33,167
AND COOP DON'T GO
BACK-TO-BACK TO GIVE Y'ALL A LITTLE MORE SPACE.
338
00:14:33,167 --> 00:14:36,167
BUT YOU KNOW HOW I ROLL.
I'M KEEPING THE FAITH
339
00:14:36,167 --> 00:14:38,375
'CAUSE
YOU ARE THE PATRICK TO HER SPONGEBOB,
340
00:14:38,375 --> 00:14:41,250
THE FLAMING HOTS TO
HER BRISK ICED TEA. HEH!
341
00:14:41,250 --> 00:14:43,750
Y'ALL NEED EACH OTHER
FOR REAL, FOR REAL.
342
00:14:43,750 --> 00:14:45,458
SPENCER: FLAMING HOTS?
KIA: OK, YEAH.
343
00:14:45,458 --> 00:14:48,000
THAT WAS A LITTLE
CHEESY. HA HA!
344
00:14:48,000 --> 00:14:51,208
[SIGHS]
I CAN'T WITH THEM.
345
00:14:51,208 --> 00:14:55,042
KIA: OUR RESOURCE COPS STAY
HARASSING JABARI EVER SINCE HE GOT RELEASED FROM JUVIE.
346
00:14:55,042 --> 00:14:57,042
WHAT HE GET
LOCKED UP FOR?
347
00:14:57,042 --> 00:14:59,917
HE GOT CAUGHT UP IN SOME
BLING-RING NONSENSE.
348
00:14:59,917 --> 00:15:03,083
JABARI WAS A LOOKOUT
WHILE SOME OLDER DUDES ROBBED A HOUSE.
349
00:15:03,083 --> 00:15:05,083
YOU KNOW, HE WAS
SUPPOSED TO GET OUT IN A YEAR, BUT HE GOT OUT
350
00:15:05,083 --> 00:15:08,042
IN 3 MONTHS
ON GOOD BEHAVIOR. THEY DON'T CARE, THOUGH.
351
00:15:08,042 --> 00:15:11,083
KIA: ALL THOSE COPS
SEE IS A THREAT TO THEIR FRAGILITY.
352
00:15:13,208 --> 00:15:14,458
YEAH, I'LL SEE
YOU TONIGHT.
353
00:15:14,458 --> 00:15:16,125
YEAH.
354
00:15:21,875 --> 00:15:23,667
HEY, JABARI...
355
00:15:25,542 --> 00:15:27,292
SEEN WHAT WENT DOWN
WITH THAT COP, MAN.
356
00:15:27,292 --> 00:15:29,167
IF YOU WANT,
I COULD TALK TO COACH BAKER.
357
00:15:29,167 --> 00:15:30,875
NAW, I'M COOL, MAN.
358
00:15:30,875 --> 00:15:33,208
I MEAN, I AIN'T GOT
NOTHING TO HIDE.
359
00:15:33,208 --> 00:15:36,250
YOU KNOW, IN FACT--HEH!--
I KIND OF LIKE MAKING THEM COPS LOOK STUPID.
360
00:15:36,250 --> 00:15:39,250
HEY, LISTEN, MY BAD
FOR HOW I CAME AT YOU YESTERDAY.
361
00:15:39,250 --> 00:15:42,375
YOU'RE A LOT
NICER ON THE FIELD THAN I THOUGHT.
362
00:15:42,375 --> 00:15:45,292
HEH! YEAH, YOU, TOO.
IT'S BEEN A MINUTE SINCE I WAS COVERED LIKE THAT.
363
00:15:45,292 --> 00:15:49,083
OH, I DID THAT IN SOME J's
AND SOME SKINNY JEANS. IMAGINE IF I HAD CLEATS.
364
00:15:49,083 --> 00:15:51,542
HEY, YOU NEED TO
CHILL OUT, HOMIE. [CHUCKLING]
365
00:15:51,542 --> 00:15:54,583
I MEAN, IF YOU'RE FEELING
YOURSELF THAT MUCH, WHY NOT JOIN THE TEAM?
366
00:15:54,583 --> 00:15:57,583
OH, NAH, I'M COOL, MAN.
367
00:15:57,583 --> 00:16:01,208
HEY, LOOK, LOOK, WE
THIS CLOSE TO TURNING THINGS AROUND, BRO.
368
00:16:01,208 --> 00:16:03,958
WE COULD USE A BEAST
LIKE YOU ON D, AND IF THIS IS ABOUT
369
00:16:03,958 --> 00:16:06,167
YOUR GPA, THEN DON'T
EVEN TRIP, ALL RIGHT? I'VE GOT YOU.
370
00:16:06,167 --> 00:16:08,792
I'MMA START TUTORING
MY TEAMMATES, WE GOT, LIKE, WHAT,
371
00:16:08,792 --> 00:16:11,042
3 WEEKS TILL THE END
OF SEMESTER? ON GOD,
372
00:16:11,042 --> 00:16:12,625
I'MMA GET Y'ALL RIGHT
BEFORE HOMECOMING.
373
00:16:12,625 --> 00:16:14,500
HEY, MY GRADES
AIN'T THE ISSUE.
374
00:16:14,500 --> 00:16:16,333
I TOOK CLASSES
IN JUVIE, HOMIE.
375
00:16:16,333 --> 00:16:18,167
MY GPA's SOLID
ENOUGH TO PASS.
376
00:16:18,167 --> 00:16:19,625
BUT WHEN COACH
LOOKED YOU UP, HE SAID
377
00:16:19,625 --> 00:16:20,875
YOUR LAST SEMESTER
WAS INCOMPLETE.
378
00:16:20,875 --> 00:16:22,875
THAT'S BECAUSE
PRINCIPAL CARTER
379
00:16:22,875 --> 00:16:25,750
AIN'T IN NO RUSH TO
GET MY TRANSCRIPTS TRANSFERRED.
380
00:16:25,750 --> 00:16:28,583
NOW HOW 'BOUT YOU
STAY OUT MY BUSINESS,
381
00:16:28,583 --> 00:16:31,250
BLACK JESUS?
[SHUTS LOCKER]
382
00:16:44,708 --> 00:16:47,333
GRACE: ANYTHING ELSE?
CARTER: THAT'S ABOUT IT.
383
00:16:47,333 --> 00:16:49,333
ONCE YOU MAKE
THOSE SMALL CHANGES, I'LL GET YOU THE BUDGET,
384
00:16:49,333 --> 00:16:51,542
AND WE'LL DISCUSS
THE NEXT STEPS.
385
00:16:51,542 --> 00:16:53,750
NOT BAD, MS. JAMES.
386
00:16:53,750 --> 00:16:55,625
THANKS.
I'LL GET RIGHT ON IT.
387
00:16:55,625 --> 00:16:59,958
OH, ONE MORE THING--
THIS NEW GPA REQUIREMENT FOR ATHLETICS.
388
00:16:59,958 --> 00:17:02,292
DOESN'T AFFECT SPENCER.
HE'S GOT GOOD GRADES.
389
00:17:02,292 --> 00:17:04,958
BUT IT AFFECTS HIS TEAM,
SO IT DOES AFFECT HIM.
390
00:17:04,958 --> 00:17:07,333
LOOK, I KNOW YOU AND
BILLY HAVE HISTORY WITH
391
00:17:07,333 --> 00:17:09,667
SOME KID-LIKE BULLYING
BACK IN THE DAY--
392
00:17:09,667 --> 00:17:11,208
THERE WAS NOTHING
KID-LIKE ABOUT IT.
393
00:17:11,208 --> 00:17:12,917
WELL, MAYBE YOU'RE NOT
REMEMBERING IT CORRECTLY
394
00:17:12,917 --> 00:17:14,875
BECAUSE THAT DOESN'T EVEN
SOUND LIKE THE BILLY I KNOW.
395
00:17:14,875 --> 00:17:17,333
WELL, MAYBE YOU DON'T KNOW HIM
AS WELL AS YOU THINK YOU DO.
396
00:17:17,333 --> 00:17:20,208
SPENCER: 'SCUSE ME.
I'M SORRY TO INTERRUPT.
397
00:17:20,208 --> 00:17:23,167
SIR, WHY WON'T YOU LET
JABARI LONG'S CREDITS TRANSFER OVER FROM JUVIE?
398
00:17:23,167 --> 00:17:27,000
I DON'T DISCUSS STUDENTS'
PERSONAL INFORMATION WITH OTHER STUDENTS.
399
00:17:27,000 --> 00:17:29,000
LOOK, HE WAS
15 YEARS OLD,
400
00:17:29,000 --> 00:17:31,792
AND HE MADE A BAD CHOICE,
LIKE TEENS DO EVERYWHERE,
401
00:17:31,792 --> 00:17:34,417
EVERY DAY. HE GOT TO
PAY FOR THAT FOREVER?
402
00:17:34,417 --> 00:17:37,417
HE MADE HIS OWN BED,
AND DESPITE HOW BADLY
403
00:17:37,417 --> 00:17:40,042
YOU AND COACH BAKER
WANT TO WIN GAMES,
404
00:17:40,042 --> 00:17:43,250
JABARI DOESN'T GET
SPECIAL TREATMENT JUST TO BENEFIT THE FOOTBALL PROGRAM.
405
00:17:43,250 --> 00:17:45,917
IT'S NOT SPECIAL TREATMENT.
HE TOOK THE CLASSES.
406
00:17:45,917 --> 00:17:47,917
OH, LET ME GUESS: HE DON'T
FIT YOUR IMAGE OF WHAT
407
00:17:47,917 --> 00:17:49,958
A YOUNG BLACK MALE
SHOULD BE, SO THE HELL WITH HIM AND HIS FUTURE?
408
00:17:49,958 --> 00:17:51,625
GRACE:
SPENCER JAMES.
409
00:17:51,625 --> 00:17:55,250
SORRY, MOM. I'MMA--
I'MMA GET TO CLASS.
410
00:17:55,250 --> 00:17:57,458
[FOOTSTEPS RETREAT]
411
00:17:57,458 --> 00:18:00,458
THIS NEW GENERATION
IS...PASSIONATE.
412
00:18:00,458 --> 00:18:02,083
MY SON IS RIGHT.
413
00:18:02,083 --> 00:18:04,708
YOU KEEP TALKING
ACADEMIC EXCELLENCE
414
00:18:04,708 --> 00:18:07,333
AND CREATING
AN ENVIRONMENT FULL OF OPPORTUNITIES
415
00:18:07,333 --> 00:18:10,667
FOR THESE KIDS,
BUT YOUR UNWILLINGNESS TO HELP THIS JABARI KID
416
00:18:10,667 --> 00:18:13,917
IS TELLING ME EXACTLY
WHAT I NEED TO KNOW ABOUT YOU.
417
00:18:17,667 --> 00:18:22,125
[KARAOKE VERSION OF AALIYAH'S
"TRY AGAIN" PLAYING]
418
00:18:22,125 --> 00:18:26,125
[OFF-KEY]
♪ AND IF AT FIRST YOU DON'T SUCCEED ♪
419
00:18:26,125 --> 00:18:29,167
♪ THEN DUST YOURSELF OFF
AND TRY AGAIN ♪
420
00:18:29,167 --> 00:18:32,583
♪ YOU CAN DUST IT OFF
AND TRY AGAIN, TRY AGAIN ♪
421
00:18:32,583 --> 00:18:35,583
♪ AND IF AT FIRST
YOU DON'T SUCCEED ♪
422
00:18:35,583 --> 00:18:37,792
GUESS WHAT.
♪ YOU CAN DUST IT OFF ♪
423
00:18:37,792 --> 00:18:40,083
♪ AND TRY AGAIN ♪
ALL RIGHT, THAT'S IT.
424
00:18:40,083 --> 00:18:41,625
OLIVIA: HA HA HA!
JORDAN: THAT--THAT'LL DO.
425
00:18:41,625 --> 00:18:43,000
[MUSIC STOPS]
OLIVIA: I'M HONESTLY
426
00:18:43,000 --> 00:18:44,500
IMPRESSED THAT YOU
REMEMBER THAT MUCH.
427
00:18:44,500 --> 00:18:46,000
WELL, CONSIDERING
THAT THIS WAS THE
428
00:18:46,000 --> 00:18:47,292
SAME SONG THAT YOU
MADE ME SING EVERY
429
00:18:47,292 --> 00:18:48,958
SINGLE TIME
WE CAME HERE,
430
00:18:48,958 --> 00:18:50,292
[WHISPERS]
I'm not so much surprised.
431
00:18:50,292 --> 00:18:52,167
BUT--OH, OK,
WE GOT 5 MINUTES
432
00:18:52,167 --> 00:18:53,583
LEFT IN THE ROOM.
OLIVIA: PERFECT.
433
00:18:53,583 --> 00:18:54,833
ENOUGH TIME FOR ME
TO SING ONE MORE SONG.
434
00:18:54,833 --> 00:18:56,458
ACTUALLY,
I WAS THINKING
435
00:18:56,458 --> 00:18:58,250
MAYBE WE COULD
JUST TALK.
436
00:18:58,250 --> 00:18:59,583
HERE WE GO.
[SIGHS]
437
00:18:59,583 --> 00:19:02,208
JORDAN,
I'M FINE, OK?
438
00:19:02,208 --> 00:19:04,042
JORDAN: MM-HMM.
OLIVIA: YEAH,
439
00:19:04,042 --> 00:19:06,042
LAYLA'S STILL GIVING ME
THE COLD SHOULDER,
440
00:19:06,042 --> 00:19:08,667
AND EVERY RUN-IN
WITH ASHER IS AWKWARD,
441
00:19:08,667 --> 00:19:11,833
TO SAY THE LEAST,
BUT I AM FINE.
442
00:19:11,833 --> 00:19:13,833
YOU STILL WISH YOU
WERE WITH HIM?
443
00:19:13,833 --> 00:19:16,833
MMM, IT WAS INEVITABLE.
444
00:19:16,833 --> 00:19:19,625
JUST DIDN'T EXPECT US
TO BREAK UP THE WAY THAT WE DID.
445
00:19:19,625 --> 00:19:22,625
UH, YEAH, THE WEEKEND
AT SPENCER'S CABIN WAS
446
00:19:22,625 --> 00:19:26,500
A LOT, BUT MAYBE
IT WASN'T A BAD THING.
447
00:19:26,500 --> 00:19:29,667
MAYBE IT WAS
THE PERFECT STORM OF DESTRUCTION TO...
448
00:19:29,667 --> 00:19:32,667
ALLOW YOU TO PUT
THE PIECES BACK TOGETHER THE RIGHT WAY.
449
00:19:32,667 --> 00:19:35,042
OK, JORDAN PINKETT.
[SCOFFS]
450
00:19:35,042 --> 00:19:37,417
WHAT DOES THAT MEAN?
451
00:19:37,417 --> 00:19:39,333
IT'S TIME YOU GO
FOR WHAT YOU WANT
452
00:19:39,333 --> 00:19:41,792
OR...WHO.
453
00:19:41,792 --> 00:19:44,250
YOU TALK TO SPENCER?
454
00:19:44,250 --> 00:19:46,250
THERE'S NO FUTURE
FOR ME AND SPENCER.
455
00:19:46,250 --> 00:19:48,667
I MEAN, YOU SEE HOW MUCH
COLLATERAL DAMAGE WE'VE
456
00:19:48,667 --> 00:19:51,375
ALREADY CAUSED WITH
JUST ONE VEGAS KISS.
457
00:19:51,375 --> 00:19:53,750
LOOK AT ME
AND SIMONE, RIGHT?
458
00:19:53,750 --> 00:19:55,917
WE MADE A VERY
UNPOPULAR DECISION, BUT IT WORKED.
459
00:19:55,917 --> 00:19:58,042
IT TURNED OUT GREAT.
460
00:19:58,042 --> 00:20:00,250
I'VE NEVER BEEN
HAPPIER.
461
00:20:00,250 --> 00:20:02,542
YEAH, FOR NOW,
462
00:20:02,542 --> 00:20:05,083
UNTIL BOTH PARENTS
FIND OUT THAT NOT ONLY ARE YOU MARRIED,
463
00:20:05,083 --> 00:20:07,708
BUT YOU ALSO STOLE
MOM'S SIGNATURE TO MAKE IT HAPPEN.
464
00:20:07,708 --> 00:20:09,750
LOOK, WE'LL CROSS
THAT BRIDGE WHEN WE GET THERE, ALL RIGHT?
465
00:20:09,750 --> 00:20:12,542
BUT IN THE MEANTIME,
YOU HAVE BRIDGES YOURSELF TO MEND.
466
00:20:12,542 --> 00:20:14,542
YEAH.
467
00:20:14,542 --> 00:20:17,167
I'LL REACH OUT
TO SPENCER...
468
00:20:17,167 --> 00:20:18,792
EVENTUALLY.
469
00:20:18,792 --> 00:20:20,667
I MEANT LAYLA.
470
00:20:20,667 --> 00:20:23,500
CLEAR THE AIR,
ONCE AND FOR ALL,
471
00:20:23,500 --> 00:20:28,333
AND THEN, MAYBE,
YOU KNOW, YOU AND SPENCER CAN...
472
00:20:28,333 --> 00:20:31,792
[OFF-KEY]
♪ DUST YOURSELVES OFF AND TRY AGAIN ♪
473
00:20:31,792 --> 00:20:34,833
MALE SINGER: ♪ I DON'T WANT
TO WAIT TOO LONG... ♪
474
00:20:34,833 --> 00:20:37,250
PREACH: I LEAVE FOR
A MONTH AND THIS IS WHAT YOU DOING?
475
00:20:37,250 --> 00:20:39,375
FAKE-ASS MICHELLE OBAMA
CAMPAIGN FLYERS?
476
00:20:39,375 --> 00:20:41,583
YO, OK, I'M HONORED
THAT YOU'RE COMPARING ME
477
00:20:41,583 --> 00:20:44,792
TO MY FOREVER FIRST LADY,
BUT YOU TRIED IT.
478
00:20:44,792 --> 00:20:48,000
BESIDES, BEEN A MINUTE.
THOUGHT YOU WAS DONE WITH ME.
479
00:20:48,000 --> 00:20:50,417
I JUST GOT BACK FROM
PHILLY, WENT TO GO DO
480
00:20:50,417 --> 00:20:53,625
SOME ON-THE-GROUND
RESEARCH, SEE WHAT MO'S BEEN UP TO SINCE
481
00:20:53,625 --> 00:20:56,375
LEAVING CRENSHAW 10 YEARS AGO.
COOP: AND?
482
00:20:56,375 --> 00:20:59,000
I MEAN, I TALKED
TO SOME FOLKS, AND APPARENTLY,
483
00:20:59,000 --> 00:21:02,042
SHE'S HEAVILY INVESTED
IN THE SOCIAL JUSTICE COMMUNITY OUT THERE.
484
00:21:02,042 --> 00:21:04,583
I MEAN,
SHE'S WELL-RESPECTED, BEEN DOING ALL THIS
485
00:21:04,583 --> 00:21:07,708
GROUNDBREAKING STUFF,
SO TO ME, IT'S LOOKING LIKE SHE CHECKS OUT.
486
00:21:07,708 --> 00:21:09,208
HMM.
487
00:21:09,208 --> 00:21:11,125
TOLD YOU AIN'T GOT
TO WORRY ABOUT IT.
488
00:21:11,125 --> 00:21:13,000
WHAT'S WRONG WITH YOU?
489
00:21:13,000 --> 00:21:14,750
WHO SAYS
SOMETHING'S WRONG?
490
00:21:14,750 --> 00:21:16,750
I FLEW ACROSS COUNTRY
TO GET THIS INFORMATION
491
00:21:16,750 --> 00:21:18,750
ON MO, AND ALL YOU'VE
GOT TO SAY IS, "HUH"?
492
00:21:18,750 --> 00:21:21,167
PLUS YOU GOT THAT
SAD-ASS PUPPY LOOK YOU BE DOING
493
00:21:21,167 --> 00:21:22,917
WHENEVER YOU STRESSING
OVER SOMETHING.
494
00:21:22,917 --> 00:21:24,875
LOOK, SPENCER AND I CUT
EACH OTHER OFF, ALL RIGHT?
495
00:21:24,875 --> 00:21:27,125
IT'S BEEN HARDER THAN I
THOUGHT TO LET GO.
496
00:21:27,125 --> 00:21:29,458
LIKE, SEEING HIM
EVERY DAY IS--IS ROUGH.
497
00:21:29,458 --> 00:21:31,083
IT'S REALLY ROUGH.
498
00:21:31,083 --> 00:21:33,708
LOOK, I'MMA KEEP IT
A BUCK.
499
00:21:33,708 --> 00:21:36,708
YOU AND SPENCER
MIGHT MAKE UP OR YOU MIGHT NOT,
500
00:21:36,708 --> 00:21:39,375
BUT DON'T PUT YOUR LIFE
ON HOLD FOR NOBODY,
501
00:21:39,375 --> 00:21:40,625
AS HARD AS IT IS.
502
00:21:40,625 --> 00:21:42,333
IS THAT HOW YOU
GOT OVER MO?
503
00:21:42,333 --> 00:21:44,333
UH-UH, WE AIN'T
GOING THERE.
504
00:21:44,333 --> 00:21:46,042
WHAT I LOOK LIKE,
RICKI LAKE?
505
00:21:46,042 --> 00:21:47,292
WHO?
506
00:21:47,292 --> 00:21:49,292
LOOK, IT DON'T
EVEN MATTER.
507
00:21:49,292 --> 00:21:50,917
THIS AIN'T ABOUT ME.
508
00:21:50,917 --> 00:21:53,292
YOU GOT TO DO YOU,
AND DON'T NOBODY ELSE
509
00:21:53,292 --> 00:21:56,333
KNOW WHAT THAT LOOK
LIKE BUT YOU.
510
00:22:04,542 --> 00:22:06,583
[POP MUSIC PLAYING]
511
00:22:11,000 --> 00:22:13,625
UH, DIDN'T EXPECT
TO SEE YOU HERE.
512
00:22:13,625 --> 00:22:15,667
YEAH, AND I WAS HOPING
NOT TO SEE YOU.
513
00:22:15,667 --> 00:22:17,667
OK.
514
00:22:19,125 --> 00:22:20,958
YOU KNOW WHAT HURT
THE MOST? THE FACT
515
00:22:20,958 --> 00:22:23,083
THAT YOU STRUNG ME
ALONG OUT OF PITY 'CAUSE YOU THOUGHT
516
00:22:23,083 --> 00:22:24,917
I WAS TOO FRAGILE
TO HANDLE THE TRUTH.
517
00:22:24,917 --> 00:22:26,625
SPENCER: LAYLA, I NEVER--
LAYLA: YES, I SPENT SOME TIME
518
00:22:26,625 --> 00:22:28,292
IN A MENTAL FACILITY,
BUT I OWNED THAT, AND I
519
00:22:28,292 --> 00:22:30,375
ACTUALLY LEARNED A LOT
FROM THAT EXPERIENCE,
520
00:22:30,375 --> 00:22:32,125
AND I LEARNED A LOT
FROM MY TIME ON TOUR
521
00:22:32,125 --> 00:22:33,375
'CAUSE YOU KNOW WHAT,
SPENCER?
522
00:22:33,375 --> 00:22:34,625
THAT'S WHAT PEOPLE DO.
523
00:22:34,625 --> 00:22:37,250
WE GROW AND WE EVOLVE.
524
00:22:37,250 --> 00:22:39,833
YOU'D BE SURPRISED WHAT
MY BAD ASS CAN HANDLE,
525
00:22:39,833 --> 00:22:41,875
BUT YOU'LL NEVER KNOW.
526
00:22:43,542 --> 00:22:46,125
YOU KNOW, THAT NIGHT IN
VEGAS, YOU WERE SO BUSY
527
00:22:46,125 --> 00:22:48,750
TRYING TO BE
THE SUPERHERO...
528
00:22:48,750 --> 00:22:51,792
BUT YOU ACTUALLY
ENDED UP CAUSING THE MOST DAMAGE.
529
00:23:00,625 --> 00:23:03,583
[KNOCK ON DOOR]
530
00:23:03,583 --> 00:23:05,625
COOP: WHAT'S UP, MAN?
DILLON: COOP.
531
00:23:05,625 --> 00:23:07,250
YOU MOVING BACK IN?
532
00:23:07,250 --> 00:23:09,208
NAH, LITTLE MAN.
533
00:23:09,208 --> 00:23:11,167
THIS FOR SPENCE.
534
00:23:11,167 --> 00:23:13,583
WHAT IS IT?
535
00:23:13,583 --> 00:23:16,083
IT'S, UH...
536
00:23:16,083 --> 00:23:19,750
IT'S JUST
SOME STUFF I WANTED HIM TO HAVE BACK.
537
00:23:19,750 --> 00:23:21,375
GRACE: UH-UH!
538
00:23:21,375 --> 00:23:23,083
YOU NOT LEAVING
THAT HERE, GIRL.
539
00:23:23,083 --> 00:23:24,875
I RECOGNIZE THAT BOX.
540
00:23:24,875 --> 00:23:27,417
I GAVE MICAH THAT SAME BOX
WHEN WE BROKE UP.
541
00:23:27,417 --> 00:23:29,667
DILLON AND I ARE NOT GETTING
IN THE MIDDLE OF YOU
542
00:23:29,667 --> 00:23:32,250
AND SPENCER'S FRIENDSHIP.
Y'ALL FIGURE IT OUT.
543
00:23:32,250 --> 00:23:33,917
COME ON, MS. GRACE.
YOU DON'T UNDERSTAND.
544
00:23:33,917 --> 00:23:35,917
I UNDERSTAND THAT YOU
AND SPENCER HAVE BEEN FRIENDS
545
00:23:35,917 --> 00:23:38,167
WAY TOO LONG
TO GO OUT LIKE THIS.
546
00:23:38,167 --> 00:23:40,167
REAL FRIENDS DON'T TAKE
THE EASY WAY OUT
547
00:23:40,167 --> 00:23:42,417
BY RUNNING AWAY FROM
THEIR PROBLEMS, TAMIA.
548
00:23:42,417 --> 00:23:44,667
IF YOU WANT TO THROW
YOUR FRIENDSHIP AWAY,
549
00:23:44,667 --> 00:23:47,333
YOU GIVE SPENCER
THAT BOX YOURSELF.
550
00:23:47,333 --> 00:23:50,000
YES, MA'AM.
551
00:24:00,375 --> 00:24:03,000
SHE'S LIKE AN ANGEL.
552
00:24:03,000 --> 00:24:06,000
YO, YO, DUDE,
CHECK THIS OUT, HUH?
553
00:24:06,000 --> 00:24:08,000
IT'S A PIC OF ME
AND VANESSA.
554
00:24:08,000 --> 00:24:11,292
WE'RE PRACTICALLY
TWINNING ON TWIN DAY.
555
00:24:11,292 --> 00:24:13,833
PROGRESS,
BRO, PROGRESS.
556
00:24:13,833 --> 00:24:16,250
CATCH YOU
ON THE FIELD.
557
00:24:16,250 --> 00:24:18,625
MONTES:
CHANGE OF PLANS, ADAMS.
558
00:24:18,625 --> 00:24:21,292
I'M GONNA HAVE YOU
RUN WITH THE SECOND-TEAM OFFENSE DURING PRACTICE.
559
00:24:21,292 --> 00:24:23,417
WAIT, WHAT?
U-UH, COACH,
560
00:24:23,417 --> 00:24:25,042
NO DISRESPECT,
BUT I'VE BEEN RUNNING
561
00:24:25,042 --> 00:24:26,667
WITH FIRST TEAM
SINCE I CAME BACK.
562
00:24:26,667 --> 00:24:28,292
AND YOU'VE BEEN
CRUSHING IT.
563
00:24:28,292 --> 00:24:30,292
OK, SO IF IT'S
NOT BROKEN,
564
00:24:30,292 --> 00:24:32,292
WHY ARE YOU
MAKING A CHANGE?
565
00:24:32,292 --> 00:24:33,917
IS THIS, LIKE,
A PUNISHMENT THING
566
00:24:33,917 --> 00:24:37,042
'CAUSE OF ME AND VANESSA?
MONTES: YOU AND VANESSA?
567
00:24:37,042 --> 00:24:39,250
I'M SWITCHING PETERSON
TO OFFENSE, AND I NEED
568
00:24:39,250 --> 00:24:41,000
SOMEBODY TO HELP HIM
WITH THE PLAYBOOK.
569
00:24:41,000 --> 00:24:42,583
THAT PERSON
WOULD BE YOU,
570
00:24:42,583 --> 00:24:44,458
YOU GOT
A COACH'S INSTINCT,
571
00:24:44,458 --> 00:24:46,083
YOUR LEADERSHIP SKILLS
HAVE BEEN OFF THE CHART
572
00:24:46,083 --> 00:24:48,292
SINCE YOU RETURNED,
SO THIS IS MORE OF
573
00:24:48,292 --> 00:24:50,458
A, UM,
COMPLIMENT THING?
574
00:24:50,458 --> 00:24:54,083
I AM--I'M SORRY.
I'LL GO CHECK ON PETERSON REAL QUICK.
575
00:24:54,083 --> 00:24:56,083
NOT SO FAST,
ADAMS.
576
00:24:56,083 --> 00:24:59,083
AFTER PRACTICE, I'M
GONNA NEED AN ANSWER
577
00:24:59,083 --> 00:25:01,458
TO THAT "YOU
AND VANESSA" THING.
578
00:25:01,458 --> 00:25:03,667
YOU'RE GONNA WALK ME
THROUGH EVERYTHING.
579
00:25:03,667 --> 00:25:06,708
I WANT ALL THE TEA,
ALL OF IT.
580
00:25:08,708 --> 00:25:10,750
[KNOCK ON DOOR]
581
00:25:14,917 --> 00:25:16,958
[CLEARS THROAT]
582
00:25:18,500 --> 00:25:20,500
SO YOU IGNORING
MY CALLS NOW, HUH?
583
00:25:20,500 --> 00:25:22,125
MY BAD, COACH.
WHAT'S UP?
584
00:25:22,125 --> 00:25:25,125
WHAT'S UP? LOOK, I THINK
I MAY HAVE SOLVED
585
00:25:25,125 --> 00:25:27,708
PART OF OUR
DEPTH PROBLEM. UM,
586
00:25:27,708 --> 00:25:31,000
I'M GONNA BRING UP
5 KIDS FROM JV.
587
00:25:31,000 --> 00:25:34,292
OK, NOW HEAR ME OUT.
I'VE BEEN THINKING THAT--
588
00:25:34,292 --> 00:25:36,708
UH, WHAT'S GOING ON?
HOW COME YOU'RE NOT LISTENING TO ME?
589
00:25:36,708 --> 00:25:39,375
SORRY. I'M GOOD.
I'M GOOD.
590
00:25:39,375 --> 00:25:41,375
AREN'T YOU SUPPOSED
TO BE RECORDING YOUR
591
00:25:41,375 --> 00:25:43,375
NOMINATION SPEECH
FOR HOMECOMING KING TONIGHT?
592
00:25:43,375 --> 00:25:45,375
YEAH. REAL TALK?
593
00:25:45,375 --> 00:25:47,792
I AIN'T BEEN FEELING
ALL THAT KING-LIKE LATELY.
594
00:25:47,792 --> 00:25:49,833
HUH. WELL...
595
00:25:49,833 --> 00:25:52,375
WHAT IS A KING,
ANYWAY?
596
00:25:53,833 --> 00:25:55,833
HEH!
597
00:25:55,833 --> 00:25:58,458
YOU KNOW, I CAME BACK HOME
TO MAKE A DIFFERENCE,
598
00:25:58,458 --> 00:26:01,000
BUT SO FAR,
IT'S JUST BEEN MESSY.
599
00:26:02,500 --> 00:26:05,125
I MEAN, I WANT
TO TUTOR MY TEAMMATES AND HELP JABARI,
600
00:26:05,125 --> 00:26:07,125
BUT I CAN'T EVEN
MAKE THAT HAPPEN.
601
00:26:07,125 --> 00:26:09,125
I MEAN, MAYBE
EVERYBODY'S RIGHT.
602
00:26:09,125 --> 00:26:11,208
MAYBE I SHOULD STOP
TRYING TO BE A SUPERHERO.
603
00:26:11,208 --> 00:26:12,875
ABSOLUTELY NOT.
604
00:26:12,875 --> 00:26:14,792
THAT IS ONE
OF YOUR GIFTS.
605
00:26:14,792 --> 00:26:17,417
LOOK, IF ANYBODY'S
TO BLAME, IT'S PROBABLY ME.
606
00:26:17,417 --> 00:26:20,042
I KNOW THERE ARE
TIMES I PUT
607
00:26:20,042 --> 00:26:22,000
PROBABLY TOO MUCH
ON YOUR SHOULDERS,
608
00:26:22,000 --> 00:26:24,500
MORE THAN I SHOULD
HAVE, LIKE RIGHT NOW.
609
00:26:24,500 --> 00:26:27,792
NO, NO, THIS AIN'T
ABOUT YOU, COACH. IT'S ON ME.
610
00:26:27,792 --> 00:26:29,875
YOU PUT
TOO MUCH PRESSURE ON YOURSELF, MAN.
611
00:26:29,875 --> 00:26:32,750
YOU CAN'T DO
ALL THIS ALONE.
612
00:26:32,750 --> 00:26:36,375
MY MOTHER USED TO SAY,
"IF YOU WANT TO GO FAST, GO ALONE.
613
00:26:36,375 --> 00:26:40,167
IF YOU WANT TO GO FAR,
GO TOGETHER."
614
00:26:40,167 --> 00:26:41,583
[EXHALES]
615
00:26:41,583 --> 00:26:43,875
DON'T BE AFRAID
TO ASK FOR HELP.
616
00:26:43,875 --> 00:26:46,542
THERE'S HONOR IN THAT.
617
00:26:57,042 --> 00:26:59,042
[OLIVIA SIGHS]
618
00:26:59,042 --> 00:27:01,042
[WHISPERING]
I can do this, I can do this,
619
00:27:01,042 --> 00:27:04,458
I can do this, I can
do this, I can do this.
620
00:27:07,333 --> 00:27:09,250
UHH! OK.
621
00:27:09,250 --> 00:27:11,917
[POP MUSIC PLAYING]
622
00:27:17,250 --> 00:27:18,917
HEY.
623
00:27:20,417 --> 00:27:22,417
I KNOW THINGS ARE,
LIKE, A LITTLE WEIRD,
624
00:27:22,417 --> 00:27:25,208
BUT I WAS REALLY
HOPING TO TALK TO YOU.
625
00:27:25,208 --> 00:27:28,583
HONESTLY, LIV, I'VE HAD
ALL THE CONFRONTATIONS I CAN HAVE FOR ONE DAY.
626
00:27:28,583 --> 00:27:31,583
I'M NOT--I'M NOT HERE
TO CONFRONT YOU. I JUST--
627
00:27:31,583 --> 00:27:34,042
OK, I UNDERSTAND
WHY YOU'RE UPSET,
628
00:27:34,042 --> 00:27:36,042
BUT I DIDN'T--
I DIDN'T DO ANYTHING.
629
00:27:36,042 --> 00:27:39,042
"DIDN'T DO ANYTHING"?
ARE YOU SERIOUS?
630
00:27:39,042 --> 00:27:40,500
SPENCER TOLD ME
HE LOVED ME.
631
00:27:40,500 --> 00:27:41,917
I DIDN'T TELL HIM
TO SAY THAT.
632
00:27:41,917 --> 00:27:44,125
RIGHT, AND THE,
UM, LYING TO ME
633
00:27:44,125 --> 00:27:46,333
FOR MONTHS WHILE SPENCER
MADE A FOOL OUT OF ME, WHAT WAS THAT?
634
00:27:46,333 --> 00:27:48,792
SPENCER GENUINELY
CARES FOR YOU, LAYLA. THAT WASN'T A LIE.
635
00:27:48,792 --> 00:27:51,375
SO CARES FOR ME,
BUT LOVES YOU.
636
00:27:51,375 --> 00:27:53,083
I'M OVER IT.
637
00:27:53,083 --> 00:27:54,708
I REFUSE TO BE
A CLICHE STANDING
638
00:27:54,708 --> 00:27:57,083
AROUND FIGHTING
OVER A BOY.
639
00:27:57,083 --> 00:28:00,917
I MEAN, IT'S NOT LIKE
YOU AND SPENCER WERE EVEN TOGETHER AT THE TIME.
640
00:28:00,917 --> 00:28:02,917
WHAT, YOU WANT
TO ARGUE TECHNICALITIES?
641
00:28:02,917 --> 00:28:04,917
YOU DON'T GET IT.
IT'S NOT ABOUT SPENCER
642
00:28:04,917 --> 00:28:07,208
OR ASHER OR ANY OF
MY OTHER EXES YOU WANT
643
00:28:07,208 --> 00:28:09,208
TO GO FOR, IT'S
ABOUT LOYALTY, OK?
644
00:28:09,208 --> 00:28:11,542
AND THE FACT IS,
YOU SUCK AS A FRIEND.
645
00:28:11,542 --> 00:28:14,750
LAYLA, YOU WOULDN'T
KNOW LOYALTY IF IT HAD A PRICE TAG BECAUSE YOU
646
00:28:14,750 --> 00:28:17,250
DON'T VALUE ANYONE
OR ANYTHING ONCE IT GETS
647
00:28:17,250 --> 00:28:19,292
IN THE WAY OF WHAT YOU WANT.
LAYLA: THAT'S NOT TRUE.
648
00:28:19,292 --> 00:28:21,583
REALLY? BECAUSE
WHEN SPENCER FIRST GOT TO BEVERLY, YOU
649
00:28:21,583 --> 00:28:24,583
INTENTIONALLY GOT HIM
DRUNK AND ALMOST RUINED HIS FOOTBALL DREAMS,
650
00:28:24,583 --> 00:28:27,208
AND THEN YOU TRIED TO
GET ME TO HOOK UP WITH HIM UNTIL YOU REALIZED
651
00:28:27,208 --> 00:28:30,042
THAT YOU JUST WANTED HIM
FOR YOURSELF, AND THEN SUDDENLY MY FEELINGS
652
00:28:30,042 --> 00:28:33,167
JUST DIDN'T MATTER
ANYMORE, AND DESPITE ALL OF THAT,
653
00:28:33,167 --> 00:28:35,875
I STILL SUPPORTED YOU
AT YOUR LOWEST POINT, WHEN YOU WERE BATTLING
654
00:28:35,875 --> 00:28:38,375
YOUR DEPRESSION,
UNLIKE YOU, WHO,
655
00:28:38,375 --> 00:28:40,792
IF I REMEMBER CORRECTLY,
TOLD ME THAT YOU DIDN'T
656
00:28:40,792 --> 00:28:43,792
EVEN REALIZE THAT MY
ADDICTION WAS "THAT BAD"
657
00:28:43,792 --> 00:28:46,708
AFTER I GOT BACK
FROM REHAB LAST YEAR.
658
00:28:46,708 --> 00:28:49,917
I MEAN, WHAT KIND
OF FRIEND IS THAT?
659
00:28:51,833 --> 00:28:56,875
UM, THE KIND WHO KNOWS
WHEN TO PULL THE DAGGER OUT OF HER BACK AND WALK AWAY.
660
00:28:59,125 --> 00:29:01,542
[SNIFFS]
YOU KNOW, UM,
661
00:29:01,542 --> 00:29:04,167
I'M NOT GONNA STAND
IN YOUR WAY ANYMORE,
662
00:29:04,167 --> 00:29:06,167
SO YOU CAN HAVE
SPENCER.
663
00:29:06,167 --> 00:29:08,792
I'M DONE WITH HIM...
664
00:29:08,792 --> 00:29:10,833
AND YOU.
665
00:29:20,500 --> 00:29:22,125
[SIGHS]
666
00:29:22,125 --> 00:29:23,750
HAVE YOU HEARD
FROM SPENCE?
667
00:29:23,750 --> 00:29:25,375
HE'S NEXT.
668
00:29:25,375 --> 00:29:28,167
NEVER MIND.
I WILL TEXT HIM.
669
00:29:28,167 --> 00:29:30,583
LOOK, WE CAN GO AHEAD
AND JUST DO MINE, SINCE WE'RE WAITING.
670
00:29:30,583 --> 00:29:32,625
THAT WAY, I AIN'T
GOT TO SEE HIM.
671
00:29:32,625 --> 00:29:34,000
UP TO YOU.
672
00:29:36,125 --> 00:29:38,125
SPENCER: KIA.
673
00:29:38,125 --> 00:29:40,125
KIA: YOU'RE LATE!
SPENCER: I KNOW.
674
00:29:40,125 --> 00:29:41,708
I KNOW. MY BAD--
KIA: I DON'T CARE.
675
00:29:41,708 --> 00:29:43,792
JUST GET YOUR BUTT ONSTAGE.
I'M HITTING RECORD.
676
00:29:55,625 --> 00:29:57,958
[SIGHS]
UH,
677
00:29:57,958 --> 00:30:00,292
LOOK, I WASN'T GONNA RECORD
MY SPEECH TONIGHT,
678
00:30:00,292 --> 00:30:03,292
BUT THEN A, UH...
679
00:30:03,292 --> 00:30:05,500
A SMART MAN ASKED ME,
680
00:30:05,500 --> 00:30:07,708
"WHAT IS A KING,
ANYWAY?"
681
00:30:07,708 --> 00:30:09,583
[BILLY CHUCKLES]
SPENCER: LOOK, I DON'T KNOW
682
00:30:09,583 --> 00:30:12,583
WHAT A KING IS, BUT I KNOW
EVERYBODY WATCHING THIS
683
00:30:12,583 --> 00:30:16,208
HAS SOMETHING THAT MAKES
THEM KING- AND QUEEN-LIKE,
684
00:30:16,208 --> 00:30:19,792
WHETHER IT'S KIA'S LOVE
FOR THE CULTURE,
685
00:30:19,792 --> 00:30:24,417
OR MY HOMIE CHRIS'
LOYALTY, OR...
686
00:30:24,417 --> 00:30:26,958
OR COOP'S RESILIENCE.
687
00:30:26,958 --> 00:30:29,583
WE ALL GOT
A SUPERPOWER,
688
00:30:29,583 --> 00:30:32,208
AND BEING MR. SOUTH CRENSHAW
IS ABOUT RECOGNIZING
689
00:30:32,208 --> 00:30:34,375
ANOTHER PERSON'S
SUPERPOWER,
690
00:30:34,375 --> 00:30:37,042
IT'S ABOUT LEANING ON 'EM
WHEN YOU NEED HELP.
691
00:30:37,042 --> 00:30:40,042
THIS WHOLE TIME, I THOUGHT
I NEEDED TO BE THE RESOURCE,
692
00:30:40,042 --> 00:30:43,500
BUT TRUTHFULLY,
WE ALL THE RESOURCE, MAN.
693
00:30:44,958 --> 00:30:47,750
SPENCER: AND IF WE WANT ALL
OF US SOUTH CRENSHAW CHARGERS TO PROSPER,
694
00:30:47,750 --> 00:30:50,375
IT'S GONNA TAKE
EVERYBODY...
695
00:30:50,375 --> 00:30:51,750
EVERYBODY.
696
00:30:54,208 --> 00:30:56,875
THIS AIN'T
ABOUT ONE OF US.
697
00:30:59,417 --> 00:31:02,083
IT'S ABOUT ALL OF US.
698
00:31:02,083 --> 00:31:04,333
[FOOTSTEPS DESCEND]
699
00:31:04,333 --> 00:31:06,292
KIA: GOOD JOB. MM-HMM.
SPENCER: LATER.
700
00:31:07,833 --> 00:31:09,542
"SMART MAN," HUH?
701
00:31:09,542 --> 00:31:11,500
YEAH, I MIGHT
HAVE EMBELLISHED A LITTLE BIT.
702
00:31:11,500 --> 00:31:13,208
HA HA HA! OH, FYI. UH,
703
00:31:13,208 --> 00:31:15,625
I HEARD BACK FROM 3
OF OUR BEST TEACHERS,
704
00:31:15,625 --> 00:31:17,625
AND THEY'RE ALL DOWN
TO HELP YOU TUTOR
705
00:31:17,625 --> 00:31:19,875
OUR BOYS BEFORE SCHOOL
SO, BETWEEN THEM
706
00:31:19,875 --> 00:31:22,500
AND THE KIDS FROM JV,
WE MIGHT ACTUALLY HAVE A SHOT AT SOMETHING.
707
00:31:22,500 --> 00:31:25,333
SPENCER: PRAYERS UP.
JABARI: HEY, MY BAD.
708
00:31:25,333 --> 00:31:27,417
KIA MENTIONED I WOULD
FIND Y'ALL HERE.
709
00:31:27,417 --> 00:31:28,792
BILLY: WHAT'S UP?
710
00:31:28,792 --> 00:31:30,417
I JUST WANTED
TO SAY THANK YOU
711
00:31:30,417 --> 00:31:32,333
FOR GETTING MY JUVIE
CREDITS TRANSFERRED.
712
00:31:32,333 --> 00:31:34,292
UH, THAT--
THAT'S DOPE, MAN,
713
00:31:34,292 --> 00:31:36,250
BUT THAT AIN'T HAD
NOTHING TO DO WITH ME.
714
00:31:36,250 --> 00:31:38,000
- YEAH, ME, NEITHER.
- WELL, WHOEVER IT WAS,
715
00:31:38,000 --> 00:31:39,875
THEY DID ME A SOLID.
716
00:31:39,875 --> 00:31:41,167
HUH.
717
00:31:41,167 --> 00:31:43,167
IF YOU STILL GOT
A SPOT FOR ME,
718
00:31:43,167 --> 00:31:45,292
I'D LIKE TO JOIN
THE TEAM, COACH.
719
00:31:45,292 --> 00:31:47,500
I'VE BEEN HEARING
SOME GOOD THINGS, SOME REAL GOOD THINGS,
720
00:31:47,500 --> 00:31:50,500
BUT LOOK, DON'T
EXPECT ME TO START YOU RIGHT OUT THE GATE.
721
00:31:50,500 --> 00:31:52,833
YOU'RE GONNA HAVE
TO EARN YOUR SPOT, JUST LIKE EVERYBODY ELSE.
722
00:31:52,833 --> 00:31:55,292
I GOT YOU, COACH.
723
00:31:55,292 --> 00:31:57,250
HEY, YOU STILL
TUTORING?
724
00:31:57,250 --> 00:31:58,833
YEAH, YEAH, YOU
SHOULD SLIDE THROUGH.
725
00:31:58,833 --> 00:32:01,667
I WILL, BUT NOT
AS NO STUDENT.
726
00:32:01,667 --> 00:32:04,292
YOU GOT YOURSELF
ANOTHER TUTOR.
727
00:32:04,292 --> 00:32:06,667
YEAH, I'M
A SCIENCE WIZ.
728
00:32:06,667 --> 00:32:08,625
BILLY: FOR REAL?
JABARI: 3.4 GPA.
729
00:32:08,625 --> 00:32:10,958
BILLY: UH-OH.
JABARI: I MEAN, IT'S LIKE YOU SAID.
730
00:32:10,958 --> 00:32:12,500
WE ALL
THE RESOURCE, RIGHT?
731
00:32:12,500 --> 00:32:14,208
YES, WE ARE.
[SHAKE HANDS]
732
00:32:14,208 --> 00:32:15,875
APPRECIATE YOU.
733
00:32:15,875 --> 00:32:17,083
I'MMA STICK AROUND.
734
00:32:17,083 --> 00:32:18,333
GOOD SPEECH.
735
00:32:18,333 --> 00:32:19,958
A SCIENCE WIZ?
736
00:32:19,958 --> 00:32:22,667
[BILLY AND JABARI
CHATTER INDISTINCTLY]
737
00:32:25,625 --> 00:32:27,750
[POP MUSIC PLAYING]
738
00:32:27,750 --> 00:32:30,208
JJ: WHAT IS THAT?
ASHER: CLOSE GAME.
739
00:32:30,208 --> 00:32:31,542
CLOSE GAME.
740
00:32:31,542 --> 00:32:32,833
JORDAN: HA HA!
741
00:32:32,833 --> 00:32:34,708
HEY, GOT A MINUTE?
742
00:32:36,708 --> 00:32:39,583
UH, SURE.
743
00:32:39,583 --> 00:32:41,208
SO, WHAT YOU THINK?
744
00:32:41,208 --> 00:32:42,833
HER SHOES ARE WHITE.
YOURS AREN'T.
745
00:32:42,833 --> 00:32:44,250
DEFINITELY NOT
A MATCH.
746
00:32:44,250 --> 00:32:45,875
YOU'RE RIGHT.
747
00:32:45,875 --> 00:32:48,167
NO, MINE ARE MORE OF
AN ALABASTER.
748
00:32:48,167 --> 00:32:50,167
YOU KNOW,
HONESTLY, DUDE,
749
00:32:50,167 --> 00:32:52,792
V AND I DON'T
NEED TWIN DAY TO VALIDATE OUR THING.
750
00:32:52,792 --> 00:32:54,792
I MEAN, WHAT WE HAVE
IS DEFINITELY
751
00:32:54,792 --> 00:32:56,667
TRENDING IN
THE RIGHT DIRECTION.
752
00:32:56,667 --> 00:32:58,417
YEAH, YOU THINK SO?
753
00:32:58,417 --> 00:33:01,333
THEN WHY IS SHE
TALKING TO ASH RIGHT NOW AND NOT YOU?
754
00:33:01,333 --> 00:33:05,250
WELL, 'CAUSE
THEY'RE FRIENDS. [SCOFFS]
755
00:33:05,250 --> 00:33:07,875
VANESSA:
I CAN'T BELIEVE YOU TOLD MY MOM ABOUT THIS SUMMER.
756
00:33:07,875 --> 00:33:11,333
AND DID YOU ACTUALLY
THINK I WAS ASKING YOU TO THE MOVIES AS A DATE?
757
00:33:11,333 --> 00:33:13,792
I MEAN, YOU'VE BEEN SINGLE
FOR WHAT, TWO SECONDS?
758
00:33:13,792 --> 00:33:16,625
MY BAD. I--I MISREAD
THE MOMENT WITH YOU THIS MORNING.
759
00:33:16,625 --> 00:33:19,833
AND APPARENTLY YOU
MISREAD THE MOMENT WITH MY MOM THIS AFTERNOON.
760
00:33:19,833 --> 00:33:21,625
YOU SUCK
AT READING WOMEN.
761
00:33:21,625 --> 00:33:23,917
ASHER: DAMN. HARSH, BUT OK.
VANESSA: LOOK,
762
00:33:23,917 --> 00:33:26,125
I HAVE NO INTEREST
IN DATING YOU.
763
00:33:26,125 --> 00:33:28,417
I'M NOT SOME REBOUND.
I KNOW MY WORTH.
764
00:33:28,417 --> 00:33:30,875
I WAS LEGIT ASKING YOU
OUT AS A FRIEND,
765
00:33:30,875 --> 00:33:33,750
NO STRINGS ATTACHED.
I'VE MISSED THAT.
766
00:33:35,208 --> 00:33:37,083
I'VE MISSED IT,
TOO.
767
00:33:37,083 --> 00:33:38,542
ALL RIGHT.
768
00:33:38,542 --> 00:33:40,542
WE NEED A DO-OVER.
769
00:33:40,542 --> 00:33:42,542
CLEAN SLATE.
770
00:33:42,542 --> 00:33:44,583
JUST FRIENDS?
771
00:33:44,583 --> 00:33:46,625
DEAL.
772
00:33:46,625 --> 00:33:48,333
YOU STILL WANT TO SEE
"THE HOT CHICK"?
773
00:33:48,333 --> 00:33:49,625
ACTUALLY,
I'M GOING WITH JJ.
774
00:33:49,625 --> 00:33:51,375
HEH HEH!
775
00:33:54,792 --> 00:33:56,542
HEY, FOR REAL?
776
00:33:58,042 --> 00:34:00,458
KIA: DANG, GIRL. CAN YOU
LOOK A LITTLE LESS DEAD?
777
00:34:00,458 --> 00:34:02,875
THIS IS YOUR BIG MOMENT.
COOP: BUT IT'S NOT.
778
00:34:02,875 --> 00:34:05,417
MY BIG MOMENT IS OUT THERE
ON A DIFFERENT STAGE.
779
00:34:05,417 --> 00:34:08,042
CAN WE JUST GET THIS OVER WITH?
KIA: OK, GO.
780
00:34:08,042 --> 00:34:10,042
COOP: LOOK, I KNOW
Y'ALL EXPECTING ME TO
781
00:34:10,042 --> 00:34:12,250
GET UP HERE AND MAKE
A BUNCH OF PROMISES,
782
00:34:12,250 --> 00:34:16,875
PROMISES THAT I
CAN'T KEEP IF CHOSEN AS MS. SOUTH CRENSHAW.
783
00:34:16,875 --> 00:34:19,583
SPENCER WAS RIGHT,
AND A QUEEN RECOGNIZES
784
00:34:19,583 --> 00:34:22,000
THE SUPERPOWERS
IN OTHERS, BUT
785
00:34:22,000 --> 00:34:24,875
ALSO HAS TO RECOGNIZE
HER OWN FIRST.
786
00:34:26,542 --> 00:34:29,542
SHE HAS TO RECOGNIZE
WHAT'S BEST FOR HER AND WHAT'S NOT.
787
00:34:29,542 --> 00:34:32,542
BEING A QUEEN MEANS
LEADING MY EXAMPLE,
788
00:34:32,542 --> 00:34:35,542
AND SOMETIMES
WINNING MEANS MOVING OUT THE WAY
789
00:34:35,542 --> 00:34:38,167
SO THE RIGHT PERSON
CAN TAKE THE ROLE
790
00:34:38,167 --> 00:34:41,000
'CAUSE YOU WIN WHEN
YOU DO WHAT'S BEST
791
00:34:41,000 --> 00:34:44,042
FOR YOU, NOT WHAT
OTHERS THINK IS BEST.
792
00:34:45,625 --> 00:34:48,458
PLUS, YOU CAN'T BE
A QUEEN
793
00:34:48,458 --> 00:34:50,500
IF YOU AIN'T STAYING
IN THE KINGDOM.
794
00:34:50,500 --> 00:34:53,500
SO I APPRECIATE
THE NOMINATION,
795
00:34:53,500 --> 00:34:55,750
BUT I RESPECTFULLY
DECLINE.
796
00:34:57,458 --> 00:35:01,083
I'M GONNA TAKE
MY SUPERPOWERS WHERE THEY'RE NEEDED MOST.
797
00:35:01,083 --> 00:35:02,750
THANK YOU.
798
00:35:05,292 --> 00:35:07,208
WAIT. COOP,
799
00:35:07,208 --> 00:35:09,125
WHY DOES IT SOUND LIKE
YOU JUST QUIT SCHOOL?
800
00:35:09,125 --> 00:35:11,000
'CAUSE I DID.
801
00:35:11,000 --> 00:35:13,417
I'M OFFICIALLY
QUITTING
802
00:35:13,417 --> 00:35:15,875
EVERYTHING THAT'S
HOLDING ME BACK.
803
00:35:17,708 --> 00:35:20,375
KIA: ARE YOU NOT
GONNA TRY TO STOP HER?
804
00:35:31,500 --> 00:35:32,958
FEMALE SINGER:
♪ BREAKING MY BACK ♪
805
00:35:32,958 --> 00:35:36,583
♪ BITING MY TONGUE ♪
LAYLA: THANK YOU. HEH HEH!
806
00:35:36,583 --> 00:35:38,000
HEY, LAYLA.
807
00:35:38,000 --> 00:35:40,542
LAYLA: HEY.
JORDAN: HEY. YOU OK?
808
00:35:40,542 --> 00:35:43,792
UH, YEAH, I JUST FORGOT
MY WALLET. I'M FINE.
809
00:35:43,792 --> 00:35:46,417
LOOK, JORDAN,
I DON'T WANT TO PUT YOU IN THE MIDDLE OF IT.
810
00:35:46,417 --> 00:35:49,083
SHE'S YOUR SISTER.
JORDAN: AND YOU'RE MY FRIEND.
811
00:35:49,083 --> 00:35:51,917
I TAKE IT THINGS DIDN'T
GO GREAT WITH LIV?
812
00:35:51,917 --> 00:35:54,958
LAYLA: UH, YEAH, NOT EXACTLY.
JORDAN: I'M SORRY.
813
00:35:54,958 --> 00:35:56,958
YOU DON'T HAVE
TO APOLOGIZE, JORDAN. I'M OK.
814
00:35:56,958 --> 00:35:58,958
HONESTLY,
I'M JUST...
815
00:35:58,958 --> 00:36:01,167
I'M JUST TIRED
OF THE LIES AND EVERYONE THINKING
816
00:36:01,167 --> 00:36:04,250
I'M NOT MENTALLY
STABLE ENOUGH TO HANDLE ANYTHING.
817
00:36:04,250 --> 00:36:06,667
I SHOULD GO.
818
00:36:06,667 --> 00:36:09,208
FOR THE RECORD, LAYLA...
819
00:36:11,083 --> 00:36:14,083
YOU'RE ONE
OF THE STRONGEST PEOPLE I KNOW.
820
00:36:14,083 --> 00:36:16,125
NEVER DOUBTED IT.
821
00:36:18,917 --> 00:36:21,542
LAYLA: THANKS.
JORDAN: YEAH.
822
00:36:21,542 --> 00:36:25,417
SEE YA.
823
00:36:28,583 --> 00:36:30,583
[ZIPS BRIEFCASE]
824
00:36:30,583 --> 00:36:32,583
OH, HEY,
MR. CARTER. AHEM.
825
00:36:32,583 --> 00:36:34,792
I, UH, I JUST WANTED
TO THANK YOU, FOR, UH,
826
00:36:34,792 --> 00:36:37,417
RECONSIDERING THE--THE CONVERSATION
827
00:36:37,417 --> 00:36:40,583
AND TRANSFERRING
JABARI'S CREDITS.
828
00:36:40,583 --> 00:36:43,708
MY DECISION HAD NOTHING
TO DO WITH YOU.
829
00:36:43,708 --> 00:36:46,333
GRACE AND SPENCER
REMINDED ME THE VALUE
830
00:36:46,333 --> 00:36:49,958
OF FIGHTING TO MAKE A
PLACE FOR EVERY STUDENT HERE AT SOUTH CRENSHAW.
831
00:36:49,958 --> 00:36:52,083
MY MAN...
832
00:36:52,083 --> 00:36:56,292
WHAT I GOT TO DO TO DEAD
THIS HIGH-SCHOOL BEEF THING WE GOT BETWEEN US?
833
00:36:56,292 --> 00:36:58,500
THERE'S NO "DEADING"
THE FACT
834
00:36:58,500 --> 00:37:00,500
THAT YOU PUNCHED ME
SO HARD, I ENDED UP
835
00:37:00,500 --> 00:37:02,792
IN THE E.R.
WITH 7 STITCHES.
836
00:37:04,292 --> 00:37:07,000
THAT NEVER HAPPENED.
837
00:37:07,000 --> 00:37:09,667
YOU SEE,
THAT'S THE PROBLEM.
838
00:37:09,667 --> 00:37:12,667
YOU GOT
TO MOVE ON, CAREFREE,
839
00:37:12,667 --> 00:37:14,583
WIPE IT FROM YOUR
MEMORY, AND GO ON AND BE
840
00:37:14,583 --> 00:37:16,708
THE BIG SHOT WHILE
MY LIFE GOT BLOWN UP.
841
00:37:16,708 --> 00:37:19,250
OK, MY PARENTS PULLED ME
OUT OF SOUTH CRENSHAW
842
00:37:19,250 --> 00:37:22,250
BECAUSE THEY FEARED
FOR MY SAFETY.
843
00:37:22,250 --> 00:37:24,875
THAT'S HOW REAL IT WAS.
844
00:37:24,875 --> 00:37:28,083
YOU'RE THE REASON
THAT I WAS SENT TO BOARDING SCHOOL
845
00:37:28,083 --> 00:37:30,708
AND TAKEN AWAY
FROM MY FAMILY.
846
00:37:30,708 --> 00:37:33,375
THAT CHANGED MY LIFE.
847
00:37:36,333 --> 00:37:40,125
LOOK, MAN, I'M SORRY
THAT ALL THAT HAPPENED TO YOU, UM...
848
00:37:40,125 --> 00:37:42,750
BUT I'M TELLING YOU,
849
00:37:42,750 --> 00:37:44,792
YOU'RE REMEMBERING
IT WRONG.
850
00:37:52,417 --> 00:37:53,958
CAN YOU HURRY
YOUR BUTT, PLEASE?
851
00:37:53,958 --> 00:37:55,500
I TOLD MR. DRAYMOND I
WOULD HAVE EVERYTHING
852
00:37:55,500 --> 00:37:57,042
CLEANED UP AND BACK
IN PLACE BY 10:00.
853
00:37:57,042 --> 00:37:59,125
SPENCER: MY BAD.
[DOOR OPENS]
854
00:37:59,125 --> 00:38:01,167
DANG!
IT'S 10:00 ALREADY?
855
00:38:01,167 --> 00:38:03,167
[DOOR CLOSES]
856
00:38:10,958 --> 00:38:13,958
HEY.
857
00:38:17,250 --> 00:38:20,083
YOU KNOW WHAT?
I'M JUST GONNA GO DO, UM,
858
00:38:20,083 --> 00:38:23,708
WHATEVER,
IN THE BACK, SO...
859
00:38:23,708 --> 00:38:27,917
I'M SORRY THAT I
DIDN'T RESPOND TO YOUR TEXT EARLIER.
860
00:38:27,917 --> 00:38:32,333
I DIDN'T MEAN TO--HEH!--
LEAVE YOU IN SOME WEIRD 3-DOT RANSOM ALL DAY.
861
00:38:32,333 --> 00:38:34,750
SPENCER: IT'S ALL GOOD.
OLIVIA: IT'S NOT,
862
00:38:34,750 --> 00:38:36,750
BUT...
863
00:38:36,750 --> 00:38:39,250
I'M GONNA FIX IT.
864
00:38:39,250 --> 00:38:41,292
[TEXTING]
865
00:38:43,208 --> 00:38:45,375
[SENDS TEXT]
866
00:38:45,375 --> 00:38:47,875
[CELL PHONE VIBRATES]
867
00:38:54,417 --> 00:38:56,500
OH, YOU'RE GONNA
MAKE ME WAIT.
868
00:38:56,500 --> 00:38:58,125
SPENCER: HELL YEAH.
OLIVIA: OK.
869
00:38:58,125 --> 00:38:59,167
SPENCER: YEAH.
OLIVIA: OK.
870
00:38:59,167 --> 00:39:00,417
LET'S GO.
871
00:39:00,417 --> 00:39:02,417
HA HA HA! LET'S GO.
872
00:39:02,417 --> 00:39:06,083
["COLLIDE" BY TIANA MAJOR9
AND EARTHGANG PLAYING]
873
00:39:08,167 --> 00:39:10,375
TIANA: ♪ I'VE BEEN
SO FRUSTRATED ♪
874
00:39:10,375 --> 00:39:12,375
♪ HAVE TO LET IT OUT ♪
875
00:39:12,375 --> 00:39:15,000
BACKGROUND SINGER:
♪ HAVE TO LET IT OUT ♪
876
00:39:15,000 --> 00:39:17,000
SO I WAS THINKING,
877
00:39:17,000 --> 00:39:19,000
YOU KNOW HOW WE'RE
ALWAYS TELLING PEOPLE
878
00:39:19,000 --> 00:39:22,000
THAT WE'RE NOT
TOGETHER AND...
879
00:39:22,000 --> 00:39:24,250
HOW THERE'S NOTHING
THERE BETWEEN US?
880
00:39:24,250 --> 00:39:26,208
YEAH.
881
00:39:27,792 --> 00:39:31,417
[SIGHS]
WELL...
882
00:39:31,417 --> 00:39:33,625
WHAT IF THERE
WAS SOMETHING?
883
00:39:33,625 --> 00:39:37,250
♪ COLLIDE ♪
884
00:39:37,250 --> 00:39:40,542
LIV, I ALREADY TOLD YOU
HOW I FELT IN VEGAS, AND YOU RAN AWAY.
885
00:39:40,542 --> 00:39:42,375
♪ IT'S A BEAUTIFUL... ♪
886
00:39:42,375 --> 00:39:44,167
AND I DON'T KNOW
IF IT'S 'CAUSE YOU AIN'T FEEL THE SAME,
887
00:39:44,167 --> 00:39:45,917
OR YOU WERE SCARED.
888
00:39:45,917 --> 00:39:48,333
IT'S DEFINITELY
NOT THE FORMER.
889
00:39:48,333 --> 00:39:50,333
♪ YOU, YOU, YOU ♪
890
00:39:50,333 --> 00:39:53,292
HEY, JUST SAY WHAT
YOU'RE TRYING TO SAY.
891
00:39:53,292 --> 00:39:55,917
[SIGHS] THERE WAS
JUST, LIKE, A LOT
892
00:39:55,917 --> 00:39:58,917
GOING ON
AT THE TIME...
893
00:39:58,917 --> 00:40:01,917
BUT THAT WAS THEN,
894
00:40:01,917 --> 00:40:06,583
AND...RIGHT HERE,
RIGHT NOW...
895
00:40:09,542 --> 00:40:13,583
I HAVE NEVER BEEN
MORE CERTAIN ABOUT MY FEELINGS FOR YOU...
896
00:40:15,000 --> 00:40:18,208
FEELINGS THAT I'VE
HAD SINCE YOU FIRST CAME TO BEVERLY
897
00:40:18,208 --> 00:40:22,000
AND...HAVE ONLY
GOTTEN DEEPER SINCE.
898
00:40:23,958 --> 00:40:27,167
AND--AND YEAH, HEH!
US BEING TOGETHER
899
00:40:27,167 --> 00:40:31,167
MAY NOT BE...THE
MOST POPULAR CHOICE,
900
00:40:31,167 --> 00:40:36,000
BUT, I MEAN,
WE CAN'T WORRY ABOUT ALL OF THAT.
901
00:40:36,000 --> 00:40:39,458
ALL WE CAN WORRY
ABOUT IS US,
902
00:40:39,458 --> 00:40:41,500
THIS.
903
00:40:47,083 --> 00:40:49,708
I LOVE YOU, TOO,
SPENCER.
904
00:40:49,708 --> 00:40:55,708
TIANA: ♪ WHEN WE COLLIDE ♪
905
00:40:55,708 --> 00:40:59,125
♪ WHEN WE COLLIDE ♪
906
00:40:59,125 --> 00:41:02,583
♪ IT'S A BEAUTIFUL
DISASTER ♪
907
00:41:02,583 --> 00:41:05,000
♪ WHEN I CRASH ♪
SPENCER: WHY THE HELL YOU STILL DRIVING?
908
00:41:05,000 --> 00:41:06,458
OLIVIA: HA HA!
TIANA: ♪ YOU, YOU ♪
909
00:41:06,458 --> 00:41:07,875
PULL THIS CAR OVER, GIRL.
910
00:41:07,875 --> 00:41:10,042
I AIN'T WAITING
ANOTHER SECOND FOR THIS.
911
00:41:10,042 --> 00:41:11,833
♪ CRASH INTO YOU ♪
912
00:41:11,833 --> 00:41:15,042
♪ YOU, YOU, YOU ♪
913
00:41:15,042 --> 00:41:17,208
♪ CRASH INTO-- ♪
SPENCER: LIV.
914
00:41:17,208 --> 00:41:18,500
LIV!
915
00:41:18,500 --> 00:41:20,708
[LOUD CRASH]
916
00:41:20,708 --> 00:41:24,292
[BREATHLESSLY]
OH, NO. OH, MY GOD.
917
00:41:24,292 --> 00:41:26,625
ARE YOU OK?
918
00:41:26,625 --> 00:41:28,667
YEAH, YEAH.
ARE YOU OK?
919
00:41:28,667 --> 00:41:30,750
SPENCER: I THINK SO.
OLIVIA: YOU OK?
920
00:41:30,750 --> 00:41:33,375
[DISTANT SIRENS APPROACHING]
OH, NO.
921
00:41:33,375 --> 00:41:34,917
OH, MY GOD.
[ENGINE SPUTTERS]
922
00:41:34,917 --> 00:41:37,250
NO, NO, NO, NO, NO.
MY GOD. [WHIMPERS]
923
00:41:37,250 --> 00:41:40,250
OH, MY GOD! YOU HAVE
TO SWITCH SEATS WITH ME BEFORE THE COPS COME!
924
00:41:40,250 --> 00:41:41,875
SPENCER: WHAT?
OLIVIA: PLEASE, SPENCER!
925
00:41:41,875 --> 00:41:43,875
YOU HAVE TO SWITCH
SEATS WITH ME!
926
00:41:43,875 --> 00:41:48,000
[EXHALES SHARPLY]
I'M NOT GONNA PASS A SOBRIETY TEST.
927
00:42:17,250 --> 00:42:18,750
MAN: GREG, MOVE YOUR HEAD!
928
00:42:18,800 --> 00:42:23,350
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