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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,440 --> 00:00:03,910 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:03,940 --> 00:00:05,610 Andy: WHAT’S THE MATTER? 3 00:00:05,640 --> 00:00:06,610 POP? 4 00:00:06,650 --> 00:00:07,850 OHH. 5 00:00:07,880 --> 00:00:09,380 COME ON. 6 00:00:09,410 --> 00:00:11,210 15th SQUAD TO CENTRAL "K"‐‐ 7 00:00:11,250 --> 00:00:13,580 HAVE AN AMBULANCE AND A 4‐5 SUPERVISOR RESPOND 8 00:00:13,620 --> 00:00:16,420 TO 8412 FORDHAM ROAD FORTHWITH. WE HAVE A D. O. A. 9 00:00:16,450 --> 00:00:17,950 THE LAST TIME I SAW HIM, WE FOUGHT. 10 00:00:17,990 --> 00:00:19,890 YOU DID EVERYTHING YOU COULD FOR HIM. 11 00:00:19,920 --> 00:00:21,090 I TURNED HIM AWAY. 12 00:00:21,130 --> 00:00:22,630 THIS HAS NOTHING TO DO WITH YOU, JOHN. 13 00:00:22,660 --> 00:00:24,230 YEAH. 14 00:00:24,260 --> 00:00:28,430 MOURN FOR HIM, GRIEVE FOR HIM, BUT DON’T TAKE ON THE GUILT. 15 00:00:28,470 --> 00:00:31,210 THIS IS STRANGE FOR ME, AS I’M SURE IT IS FOR YOU. 16 00:00:31,240 --> 00:00:33,440 I’M SORRY. I KNOW THIS IS WRONG, 17 00:00:33,470 --> 00:00:36,100 BUT I JUST DON’T HAVE ANY FIGHT LEFT IN ME ANYMORE. 18 00:00:36,140 --> 00:00:37,740 I LOVE YOU. 19 00:00:37,780 --> 00:00:39,280 KEEP MAKING ME PROUD. 20 00:00:58,660 --> 00:01:00,630 THIS IS REAL FRESH. 21 00:01:00,670 --> 00:01:02,770 UNIFORM WAS RIGHT AROUND THE CORNER WHEN THIS JUMPED OFF. 22 00:01:02,800 --> 00:01:04,600 D.O.A.’s KENNETH WILLIAMS. ONE IN THE CHEST. 23 00:01:04,640 --> 00:01:06,480 WITNESSES? 24 00:01:06,500 --> 00:01:08,570 WELL, THEY’RE SAYING THEY DIDN’T SEE ANYTHING, 25 00:01:08,610 --> 00:01:10,650 BUT WHEN UNIFORM ROLLED UP, 26 00:01:10,680 --> 00:01:14,150 THIS GUY, A LOCAL DEALER, WAS TRYING TO WHEEL AWAY. 27 00:01:14,180 --> 00:01:16,680 AND SHE WAS STANDING THERE STUNNED 28 00:01:16,720 --> 00:01:18,660 WITH A BAG OF GARBAGE IN HER HAND. 29 00:01:18,680 --> 00:01:21,150 UNIFORMS ALSO SPOTTED A BLACK FEMALE RUNNING THIS WAY. 30 00:01:21,190 --> 00:01:22,790 WE GOT A DESCRIPTION, SO WE’LL CHECK IT OUT. 31 00:01:22,820 --> 00:01:24,350 TAKE THE GIRL. I GOT HIM. 32 00:01:29,230 --> 00:01:31,170 I THOUGHT HE WAS TAKING THE WEEK. 33 00:01:31,200 --> 00:01:32,170 HEY. 34 00:01:32,200 --> 00:01:33,500 HEY. 35 00:01:33,530 --> 00:01:35,300 I WAS GOING STIR‐CRAZY. 36 00:01:35,330 --> 00:01:37,470 BOSS SAID IT WAS OKAY TO GET BACK TO WORK. 37 00:01:37,500 --> 00:01:38,830 WHAT WE GOT? 38 00:01:38,870 --> 00:01:41,870 UH, D. O. A.’s KENNETH WILLIAMS. 39 00:01:41,910 --> 00:01:43,820 POSSIBLE WITNESS. 40 00:01:43,840 --> 00:01:45,010 I’LL TAKE HIM. 41 00:01:45,040 --> 00:01:47,280 LEAD THE WAY. 42 00:01:47,310 --> 00:01:48,980 UM, HI. HEY. 43 00:01:49,010 --> 00:01:50,880 I JUST NEEDED TO GET BACK INTO IT. 44 00:01:52,650 --> 00:01:54,380 WE HAVEN’T SPOKEN IN THREE DAYS. 45 00:01:54,420 --> 00:01:55,550 IT’S A ROUGH TIME. 46 00:01:55,590 --> 00:01:57,630 WHAT’S YOUR NAME? 47 00:01:57,660 --> 00:01:59,460 CLIFTON SHAW. 48 00:01:59,490 --> 00:02:00,720 WHAT’D YOU SEE? NOTHING. 49 00:02:00,760 --> 00:02:02,990 THIS YOUR REGULAR SPOT? NO. 50 00:02:03,030 --> 00:02:05,670 YEAH, IT IS, AND YOU SAW WHAT HAPPENED, OR YOU WOULDN’T HAVE BEEN TRUCKING AWAY. 51 00:02:05,700 --> 00:02:07,010 I WAS DOZING. 52 00:02:07,030 --> 00:02:08,860 YEAH, WE TOSS THAT CHAIR, WE GONNA FIND A STASH? 53 00:02:08,900 --> 00:02:11,000 CHUMP ROLLED UP WITH A GUN, 54 00:02:11,040 --> 00:02:13,680 LOOKING TO TAKE OUT MY BOY TODD AND SOME DUDES HE WAS WITH. 55 00:02:13,710 --> 00:02:15,650 BUT TODD GOT THE JUMP ON ’EM‐‐ 56 00:02:15,670 --> 00:02:17,040 AND SHOT HIM? 57 00:02:17,080 --> 00:02:19,350 LET ME FINISH, PLEASE. 58 00:02:19,380 --> 00:02:21,490 HE GOT THE JUMP ON ’EM, WRESTLED ’EM, 59 00:02:21,510 --> 00:02:23,380 AND THE GUN WENT OFF IN THE SCUFFLE. 60 00:02:23,410 --> 00:02:24,880 WHERE’D TODD GO? NO IDEA. 61 00:02:24,920 --> 00:02:26,220 AND THE BUDDIES? NO IDEA. 62 00:02:26,250 --> 00:02:27,850 HOW ’BOUT THE D. O. A.’s GUN? 63 00:02:27,890 --> 00:02:29,830 I DIDN’T SEE. 64 00:02:29,850 --> 00:02:31,420 THIS WOULDN’T BE YOU LYING TO PROTECT YOUR BOY TODD? 65 00:02:31,460 --> 00:02:34,000 MAN, YOU ASKED WHAT I SAW, AND I TOLD YOU. 66 00:02:34,030 --> 00:02:35,830 IF WE START HEARING A DIFFERENT ACCOUNT, WE’RE COMING BACK. 67 00:02:35,860 --> 00:02:37,530 OOH, DON’T SCARE ME, NOW. 68 00:02:37,560 --> 00:02:38,990 HEY, ASSHOLE‐‐ 69 00:02:39,030 --> 00:02:41,100 TODD’S LAST NAME AND WHERE HE LIVES. 70 00:02:41,130 --> 00:02:43,230 GRADY, AND I DON’T KNOW. 71 00:02:43,270 --> 00:02:44,610 WHAT’S HE LOOK LIKE? 72 00:02:44,640 --> 00:02:45,480 BLACK. 73 00:02:47,770 --> 00:02:51,170 TALL, LIGHT‐SKINNED DUDE WITH CHIN WHISKERS. 74 00:02:51,210 --> 00:02:52,740 YOUR BOY NEEDS TO CHILL HIS ASS OUT. 75 00:02:52,780 --> 00:02:54,190 SHUT UP, ASSHOLE. 76 00:02:54,210 --> 00:02:56,850 YOU DIDN’T NOTICE ANYONE SITTING THERE? 77 00:02:56,880 --> 00:02:59,280 I WAS CARRYING OUT A BAG OF GARBAGE WHEN I HEARD THE SHOT. 78 00:02:59,320 --> 00:03:01,130 YOU SEE WHO FIRED? 79 00:03:01,150 --> 00:03:03,450 I DUCKED DOWN, AND I DIDN’T LOOK UP FOR, LIKE, A MINUTE, 80 00:03:03,490 --> 00:03:05,530 AND THEN ALL I SAW WAS THE GUY LYING THERE, 81 00:03:05,560 --> 00:03:07,100 AND THE COP SHOWED UP. 82 00:03:07,130 --> 00:03:08,970 GREG AND BALDWIN RADIOED. 83 00:03:08,990 --> 00:03:10,960 A GUY SAW A BLACK MALE SPRINT AROUND THE CORNER. 84 00:03:11,000 --> 00:03:12,370 SAID HE WAS TODD GRADY. 85 00:03:12,400 --> 00:03:14,070 SAID THAT GRADY LIVES AT 1203 RIDGE STREET. 86 00:03:14,100 --> 00:03:15,360 WHO’S TODD GRADY? 87 00:03:15,400 --> 00:03:16,460 IT COULD BE THE SHOOTER. 88 00:03:21,970 --> 00:03:23,440 [ KNOCK ON DOOR ] 89 00:03:23,470 --> 00:03:24,810 HEY, MR. GRADY, 90 00:03:24,840 --> 00:03:27,440 IF YOU’RE THERE, WE JUST WANT TO TALK TO YOU. 91 00:03:27,480 --> 00:03:29,780 [ SIGHS ] LET’S CHECK WITH THE NEIGHBORS. 92 00:03:34,920 --> 00:03:36,690 [ DOGS BARKING ] 93 00:03:40,990 --> 00:03:42,990 TODD? TODD GRADY? 94 00:03:44,100 --> 00:03:45,140 GREG. 95 00:03:47,300 --> 00:03:48,160 GUN! 96 00:03:56,010 --> 00:04:00,390 [ PANTING ] 97 00:04:02,280 --> 00:04:03,180 OH, MY GOD. 98 00:04:08,290 --> 00:04:10,360 YOU’RE GONNA BE OKAY, KID. JUST HOLD ON. 99 00:04:12,360 --> 00:04:14,470 15th SQUAD TO CENTRAL "K"‐‐ 100 00:04:14,490 --> 00:04:15,920 Go ahead, 15. 101 00:04:15,960 --> 00:04:18,690 HAVE AN AMBULANCE RESPOND FORTHWITH AT 1203 RIDGE. 102 00:04:18,730 --> 00:04:20,260 Andy: MEDAVOY, JONES, YOU ALL RIGHT?! 103 00:04:20,300 --> 00:04:22,200 WE’RE OKAY. 104 00:04:22,230 --> 00:04:23,800 WHAT HAPPENED? WHO FIRED? 105 00:04:23,840 --> 00:04:25,210 BOTH OF US. 106 00:04:25,240 --> 00:04:26,510 BULLET THROUGH THE WALL. 107 00:04:26,540 --> 00:04:27,710 THIS ONE OF YOURS? 108 00:04:27,740 --> 00:04:30,340 I DON’T KNOW. PROBABLY. 109 00:04:30,370 --> 00:04:32,640 Baldwin: PUT A RUSH ON THE AMBULANCE. WE GOT A SERIOUS BLEEDER. 110 00:04:32,680 --> 00:04:34,390 Copy that, 15. 111 00:04:36,510 --> 00:04:38,310 BACK INSIDE, MA’AM. 112 00:06:07,170 --> 00:06:08,770 KID’S IN SURGERY. 113 00:06:08,810 --> 00:06:10,920 PROGNOSIS GOING IN WAS GUARDED, 114 00:06:10,940 --> 00:06:12,640 WHICH COULD LAND ON EITHER SIDE OF THE FENCE. 115 00:06:12,680 --> 00:06:14,420 ANYTHING ON THE CAMERAS? NO ONE SAW IT. 116 00:06:14,450 --> 00:06:16,290 WHAT ABOUT THE OLD LADY? 117 00:06:16,310 --> 00:06:18,310 ALL SHE SAW WAS US STANDING OVER THE KID. 118 00:06:18,350 --> 00:06:19,950 WITH GUNS IN OUR HANDS. 119 00:06:19,980 --> 00:06:21,650 SHE RECOGNIZE HIM? 120 00:06:21,690 --> 00:06:23,460 THEODORE LAWSON. HE LIVES IN THE BUILDING. 121 00:06:23,490 --> 00:06:25,330 HOW OLD? 13. 122 00:06:25,360 --> 00:06:28,400 Woman on radio: 15th squad supervisor, on the air. 123 00:06:28,430 --> 00:06:31,100 Tony: 15th SQUAD SUPERVISOR. GO AHEAD. 124 00:06:31,130 --> 00:06:32,490 CONNIE AND RITA ARE SCOURING THE BUILDING. 125 00:06:32,530 --> 00:06:34,100 WE’LL FIND THIS GRADY. 126 00:06:34,130 --> 00:06:36,930 WHAT THE HELL WAS THIS GUY DOING PULLING A GUN ON US? 127 00:06:36,970 --> 00:06:38,500 WASN’T HE THE ONE GETTING ROBBED THIS MORNING? 128 00:06:38,540 --> 00:06:39,810 THAT’S DEBATABLE. 129 00:06:39,840 --> 00:06:40,840 D.O.A. ON OLIVER. 130 00:06:42,470 --> 00:06:44,340 CALL CONNIE AND RITA. HAVE ’EM RESPOND. 131 00:06:48,480 --> 00:06:52,310 15th SQUAD HOSPITAL TO 15th SQUAD BASE. 132 00:06:52,350 --> 00:06:53,650 Woman: Go ahead, 15th squad. 133 00:06:53,690 --> 00:06:55,630 Woman over P. A.: Wheelchair to cardiology checkout. 134 00:06:55,650 --> 00:06:57,120 Wheelchair to cardiology checkout. 135 00:06:57,160 --> 00:06:58,730 KID DIED. 136 00:07:01,530 --> 00:07:03,770 THEY GET A SLUG OUT OF HIM? 137 00:07:03,800 --> 00:07:05,270 IT’S ON ITS WAY TO BALLISTICS. 138 00:07:05,300 --> 00:07:07,310 SO IT’S INTACT ENOUGH FOR COMPARISON? 139 00:07:07,330 --> 00:07:08,800 APPEARED TO BE. I NEED YOUR GUNS. 140 00:07:18,710 --> 00:07:21,310 [ CLEARS THROAT ] 141 00:07:21,350 --> 00:07:22,820 HEAD BACK DOWN TO SQUAD. 142 00:07:22,850 --> 00:07:24,790 DON’T DO A THING TILL YOU HEAR FROM ME. 143 00:07:24,820 --> 00:07:26,390 AND DON’T TALK TO ANYBODY. 144 00:07:26,420 --> 00:07:27,790 THE PARENTS BEEN CONTACTED? 145 00:07:27,820 --> 00:07:30,520 THE FATHER. GET GOING. 146 00:07:30,560 --> 00:07:32,660 DIG UP EVERYTHING YOU CAN ON THIS GRADY. 147 00:07:32,690 --> 00:07:34,890 I DON’T CARE WHAT IT TAKES. GET HIM IN. 148 00:07:34,930 --> 00:07:36,840 THIS IS WHAT WE HAVE SO FAR... 149 00:07:51,680 --> 00:07:52,880 HEY. 150 00:07:52,910 --> 00:07:54,380 WHO FOUND HIM? 151 00:07:54,410 --> 00:07:56,750 OCCUPANT ON HIS WAY TO WORK. THAT’S HIS PUKE. 152 00:07:59,380 --> 00:08:01,680 HEY. UH, SO YOU RECOGNIZE HIM? 153 00:08:01,720 --> 00:08:03,820 ANY IDEA HOW LONG HE’S BEEN HERE? 154 00:08:03,860 --> 00:08:05,900 UH, I WAS IN ALL NIGHT PAST 8:00, 155 00:08:05,920 --> 00:08:08,860 AND HE WASN’T THERE THEN. 156 00:08:08,890 --> 00:08:11,190 I‐IS HE REALLY, UH... 157 00:08:11,230 --> 00:08:12,830 YEAH, HE IS. 158 00:08:12,860 --> 00:08:15,830 UH, UH, I’M GONNA BE SICK AGAIN. 159 00:08:15,870 --> 00:08:17,910 WHY DON’T YOU WAIT ACROSS THE STREET? 160 00:08:17,940 --> 00:08:20,750 I HEARD ABOUT THE SHOOTING THIS MORNING‐‐ 8‐YEAR‐OLD KID? 161 00:08:20,770 --> 00:08:22,370 MORE LIKE 13. 162 00:08:22,410 --> 00:08:24,120 [ SIGHS ] 163 00:08:24,140 --> 00:08:25,670 ANY WOUNDS? 164 00:08:25,710 --> 00:08:27,740 A LITTLE CUT ON THE BACK OF HIS HEAD. 165 00:08:27,780 --> 00:08:29,040 PAST THAT, NOTHING. 166 00:08:29,080 --> 00:08:30,710 I.D.? 167 00:08:30,750 --> 00:08:34,180 YEAH, UH, FRANK MALVOYN, QUEENS. 168 00:08:34,220 --> 00:08:35,880 HE’S A LITTLE OUT OF HIS NEIGHBORHOOD. 169 00:08:35,920 --> 00:08:37,920 THE GUYS IN THIS SECTOR SEE ANYTHING? 170 00:08:37,960 --> 00:08:41,030 THEY WENT AROUND THIS BLOCK 10 TIMES‐‐DIDN’T SEE A THING. 171 00:08:41,060 --> 00:08:43,630 IS IT TRUE THE KID GOT IT THROUGH THE WALL? 172 00:08:43,660 --> 00:08:45,390 WOULD YOU MIND KEEPING AN EYE ON HIM? 173 00:08:45,430 --> 00:08:46,760 SURE. 174 00:08:48,170 --> 00:08:50,810 IT’S GONNA BE A LONG DAY. 175 00:08:58,240 --> 00:08:59,910 I NEED THE CHIEF OF DETECTIVES ON THE PHONE. 176 00:08:59,940 --> 00:09:01,410 ANY WORD FROM BALLISTICS? 177 00:09:01,450 --> 00:09:02,450 NOTHING YET. 178 00:09:02,480 --> 00:09:04,110 WHERE IS EVERYBODY? 179 00:09:04,150 --> 00:09:05,780 DETECTIVE MEDAVOY’S WITH THE DUTY CAPTAIN. 180 00:09:05,820 --> 00:09:08,060 DETECTIVE JONES IS WRITING UP HIS NOTES. 181 00:09:08,090 --> 00:09:09,430 THE REST ARE ON THEIR WAY IN. 182 00:09:09,450 --> 00:09:11,590 THIS IS REV. HARRISON WALKER TO SEE YOU. 183 00:09:11,620 --> 00:09:15,120 UH, FIRST PENTECOSTAL ON RIVINGTON, LIEUTENANT. 184 00:09:15,160 --> 00:09:17,290 HAVE YOU GOT A MINUTE REGARDING THIS SHOOTING? 185 00:09:17,330 --> 00:09:18,790 LITERALLY ONE MINUTE. 186 00:09:18,830 --> 00:09:21,000 CHIEF OF D’s AS SOON AS YOU CAN. 187 00:09:26,270 --> 00:09:28,540 [ DOOR CLOSES ] 188 00:09:28,970 --> 00:09:31,310 I’M HERE ON BEHALF OF JERMAINE LAWSON, 189 00:09:31,340 --> 00:09:34,110 FATHER OF THEODORE LAWSON, THE BOY WHO WAS KILLED TODAY. 190 00:09:34,150 --> 00:09:35,690 PLEASE HAVE A SEAT. 191 00:09:36,150 --> 00:09:37,960 HE’S GOT SOME QUESTIONS, UNDERSTANDABLY. 192 00:09:37,980 --> 00:09:42,280 AND ANY INFORMATION I CAN PASS ON WOULD BE HELPFUL. 193 00:09:42,320 --> 00:09:44,420 WE’RE EARLY IN THE INVESTIGATION, 194 00:09:44,460 --> 00:09:46,030 BUT IT LOOKS LIKE THE BOY WAS AN INNOCENT BYSTANDER. 195 00:09:46,060 --> 00:09:48,100 SHOT THROUGH A WALL? THAT’S RIGHT. 196 00:09:48,130 --> 00:09:50,600 RUMOR IS THE BULLET CAME FROM THE GUN OF A WHITE COP. 197 00:09:50,630 --> 00:09:52,960 THAT’S NOT A RUMOR TO FLOAT LIGHTLY, REVEREND. 198 00:09:53,000 --> 00:09:55,040 DOESN’T COME FROM ME. 199 00:09:55,070 --> 00:09:57,040 BUT I DO NEED IT TO BE CONFIRMED OR DENIED. 200 00:09:57,070 --> 00:10:00,270 THIS COULD BECOME SOMETHING IT HAS NO REASON BEING. 201 00:10:00,300 --> 00:10:02,040 PEOPLE WANT TO KNOW. 202 00:10:02,070 --> 00:10:04,440 SO THIS ISN’T YOU LOOKING TO STIR SOMETHING UP FOR PUBLICITY? 203 00:10:04,480 --> 00:10:06,620 A GRIEVING FATHER CAME TO ME 204 00:10:06,650 --> 00:10:09,350 WITH OTHER SCARED AND FRUSTRATED PARISHIONERS. 205 00:10:09,380 --> 00:10:11,550 I NEED TO GIVE THEM THE FACTS. 206 00:10:11,580 --> 00:10:13,720 WE DON’T KNOW WHOSE BULLET IT WAS YET. 207 00:10:13,750 --> 00:10:15,650 DO YOU KNOW HOW MANY BULLETS WERE FIRED? 208 00:10:15,690 --> 00:10:17,330 FROM MY DETECTIVES? TWO APIECE. 209 00:10:17,360 --> 00:10:18,700 AND FROM THE PERPETRATOR? 210 00:10:18,720 --> 00:10:19,890 WE’RE NOT SURE. 211 00:10:22,260 --> 00:10:23,990 I HAVE TO TAKE THIS, REVEREND. 212 00:10:26,200 --> 00:10:28,570 BETTER IF FOLKS GET INFORMATION FROM ME 213 00:10:28,600 --> 00:10:30,730 THAN RUMORS ON THE STREET. 214 00:10:30,770 --> 00:10:32,070 I’LL KEEP YOU UP TO SPEED. 215 00:10:34,270 --> 00:10:35,900 YES? 216 00:10:37,710 --> 00:10:39,210 WHAT’S GOING ON? 217 00:10:39,240 --> 00:10:42,080 HE’S ON THE PHONE WITH THE CHIEF OF D’s. 218 00:10:42,110 --> 00:10:43,880 I‐‐I DIDN’T KNOW YOU WERE BACK SO SOON. 219 00:10:43,920 --> 00:10:46,060 I WAS GOING STIR‐CRAZY. 220 00:10:46,080 --> 00:10:50,190 I GOT SOME INFO ON TODD GRADY. 221 00:10:50,220 --> 00:10:53,150 UH, SORRY I DIDN’T CALL YOU BACK THE LAST COUPLE DAYS. 222 00:10:53,190 --> 00:10:55,190 I WAS JUST CALLING TO OFFER MY HELP. 223 00:10:55,230 --> 00:10:57,170 YEAH, IT TURNED OUT TO BE EASIER 224 00:10:57,200 --> 00:10:58,940 TAKING CARE OF THIS STUFF MYSELF. 225 00:10:58,960 --> 00:11:00,860 UH... 226 00:11:00,900 --> 00:11:03,330 WE SHOULD TALK SOON. 227 00:11:03,370 --> 00:11:05,840 WHAT DO WE GOT ON GRADY? 228 00:11:05,870 --> 00:11:09,610 UH, TWO POSSESSION COLLARS, ANOTHER FOR SALES, 229 00:11:09,640 --> 00:11:12,340 AND A COLLAR FOR ASSAULT, BUT NO OUTSTANDING WARRANTS. 230 00:11:12,380 --> 00:11:13,590 WHERE DO WE FIND HIM? 231 00:11:13,610 --> 00:11:15,380 ON TWO OF HIS COLLARS, HE WAS BAILED OUT 232 00:11:15,410 --> 00:11:19,010 BY A LASHANDA HARRIS‐‐ LONG SHEET FOR PROSS AND HEROIN. 233 00:11:19,050 --> 00:11:21,420 WE SHOWED HER PHOTO TO THE COP WHO WAS FIRST ON THE SCENE. 234 00:11:21,450 --> 00:11:23,120 HE SAW HER RUNNING OFF. 235 00:11:23,150 --> 00:11:24,950 P.O. SAID SHE GETS HER METHADONE ON "D" IN AN HOUR. 236 00:11:24,990 --> 00:11:26,860 ANYTHING ON KENNETH WILLIAMS? 237 00:11:26,890 --> 00:11:29,220 ANOTHER CITIZEN, JUST DID A YEAR FOR DEALING. 238 00:11:29,260 --> 00:11:30,590 ANY CONNECTION BETWEEN HIM AND GRADY? 239 00:11:30,630 --> 00:11:31,790 NONE SO FAR. 240 00:11:31,830 --> 00:11:33,430 WHERE ARE YOU GUYS? 241 00:11:33,460 --> 00:11:35,200 D.O.A.’s FRANK MALVOYN. 242 00:11:35,230 --> 00:11:37,270 PAY STUB IN HIS POCKET FROM LANCER TRUCKING. 243 00:11:37,300 --> 00:11:39,940 A COWORKER SAID THEY WENT OUT BOOZING LAST NIGHT. 244 00:11:39,970 --> 00:11:42,100 FRANK SPLIT OFF TO SEE HIS GIRLFRIEND, HELEN CALODNER‐‐ 245 00:11:42,140 --> 00:11:43,270 LIVES IN PARK SLOPE. 246 00:11:43,310 --> 00:11:45,080 NO ANSWER AT HER PLACE, 247 00:11:45,110 --> 00:11:46,910 BUT A NEIGHBOR SAYS THE COPS WERE THERE LAST NIGHT. 248 00:11:46,950 --> 00:11:49,150 SHE LIVES IN BROOKLYN. HE’S DEAD ON THE LOW EAST SIDE. 249 00:11:49,180 --> 00:11:50,810 THAT’S 5 MILES. 250 00:11:50,850 --> 00:11:52,810 THE COPS WHO RESPONDED TO THE GIRLFRIEND’S PLACE 251 00:11:52,850 --> 00:11:54,050 ARE ON THEIR WAY IN. 252 00:11:54,090 --> 00:11:57,100 LIEUTENANT, BALLISTICS ON THREE. 253 00:12:01,660 --> 00:12:02,960 HE’S ON WITH BALLISTICS. 254 00:12:13,610 --> 00:12:16,050 GREG, BALDWIN. 255 00:12:30,890 --> 00:12:32,650 IT WAS JONES’ BULLET. 256 00:12:32,690 --> 00:12:33,820 Clark: SON OF A BITCH. 257 00:12:33,860 --> 00:12:35,420 BETTER HIM THAN MEDAVOY. 258 00:12:35,460 --> 00:12:37,160 NOT FOR JONES. 259 00:12:37,200 --> 00:12:40,040 I’M SAYING IT’S BETTER ALL AROUND IT’S A BLACK COP. 260 00:12:40,060 --> 00:12:41,400 BUT, YEAH, NOT FOR JONES. 261 00:12:47,140 --> 00:12:48,540 ANYONE’D DONE THE SAME. 262 00:12:48,570 --> 00:12:50,870 DON’T LET IT GET YOU DOWN. 263 00:13:19,170 --> 00:13:21,200 WHOA, WHOA, WHOA. WHERE YOU GOING, LASHANDA? 264 00:13:21,240 --> 00:13:22,470 I CAN’T LOSE MY PLACE IN LINE. 265 00:13:22,510 --> 00:13:24,050 SHE’LL BE BACK. 266 00:13:24,080 --> 00:13:26,020 WHERE WERE YOU THIS MORNING? GETTING READY FOR WORK. 267 00:13:26,040 --> 00:13:28,140 YOU WEREN’T ON THE STREET WITH TODD GRADY? 268 00:13:28,180 --> 00:13:29,340 HELL, NO. 269 00:13:29,380 --> 00:13:31,380 WE GOT A WITNESS PUTS YOU THERE‐‐A COP. 270 00:13:31,420 --> 00:13:32,720 THE LINE’S MOVING. 271 00:13:32,750 --> 00:13:34,520 LET’S TALK AT THE STATION HOUSE. 272 00:13:34,550 --> 00:13:36,480 TODD OWES ME MONEY. I WENT TO GET IT. 273 00:13:36,520 --> 00:13:38,020 HE WOULDN’T GIVE IT UP. I SPLIT. 274 00:13:38,060 --> 00:13:39,330 TALK ABOUT THE SHOOTOUT. 275 00:13:39,360 --> 00:13:41,270 I DIDN’T SEE IT. I SWEAR. 276 00:13:41,290 --> 00:13:43,260 I HEARD IT OVER MY SHOULDER, LOOKED BACK, 277 00:13:43,290 --> 00:13:45,060 SAW SOMETHING GOING DOWN, 278 00:13:45,100 --> 00:13:46,940 AND DID NOT WANT TO GET INVOLVED, SO I SPLIT. 279 00:13:46,970 --> 00:13:48,370 WHAT’D YOU SEE GOING DOWN? 280 00:13:48,400 --> 00:13:50,070 JUST TODD AND HIS LITTLE PILE OF IDIOTS 281 00:13:50,100 --> 00:13:51,830 RUNNING OUT OF THE STREET. 282 00:13:51,870 --> 00:13:54,040 AND KENNETH WILLIAMS ON THE GROUND. THAT’S WHO IT WAS? 283 00:13:54,070 --> 00:13:55,700 HOW DO YOU KNOW HIM? 284 00:13:55,740 --> 00:13:58,070 FROM THE PAST. HE’S BEEN IN JAIL THE LAST YEAR. 285 00:13:58,110 --> 00:14:00,910 ANY REASON HE MIGHT HAVE COME BY TO TRY AND RIP TODD OFF? 286 00:14:00,950 --> 00:14:03,920 ONLY IF SOMEBODY SCOOPED OUT HIS BRAIN AND PUT A TURD INSIDE. 287 00:14:03,950 --> 00:14:06,880 EXPLAIN THAT. TODD’S ON HIS STOOP, HE’S DEALING. 288 00:14:06,920 --> 00:14:09,850 AND IF HE’S DEALING, THERE’S GUNS AROUND. KENNY WOULD KNOW THAT. 289 00:14:09,890 --> 00:14:12,120 ALSO, SINCE KENNY GOT SPRUNG, I HEARD HE WAS CLEAN. 290 00:14:12,160 --> 00:14:13,930 SO WHAT WAS KENNY DOING THERE? 291 00:14:13,960 --> 00:14:15,720 MAYBE SAME AS ME‐‐ LOOKING TO GET HIS MONEY. 292 00:14:15,760 --> 00:14:17,590 SO THEY GOT AN OLD BEEF, TODD AND KENNY? 293 00:14:17,630 --> 00:14:19,260 KENNY WAS A DEALER. 294 00:14:19,300 --> 00:14:21,910 TODD TOOK A PIECE OF HIS TURF WITHOUT PAYING NO TRIBUTE. 295 00:14:21,930 --> 00:14:24,530 THEY WAS GONNA BATTLE OVER IT, BUT KENNY GOT PINCHED. 296 00:14:24,570 --> 00:14:26,300 NOW, CAN I PLEASE GET BACK ON LINE? 297 00:14:26,340 --> 00:14:27,910 WHO WAS WITH TODD? 298 00:14:27,940 --> 00:14:29,870 COST YOU 20 BUCKS. 299 00:14:29,910 --> 00:14:31,540 GET IN THE CAR. 300 00:14:31,580 --> 00:14:33,750 DANTE KELLY’S THE ONLY ONE I KNOW, OKAY? 301 00:14:33,780 --> 00:14:36,180 CAN I TAKE CARE OF MYSELF NOW, PLEASE? 302 00:14:38,520 --> 00:14:40,160 I DON’T NEED YOUR DAMN MONEY. 303 00:14:40,180 --> 00:14:42,020 I’LL TAKE IT ANYWAY. 304 00:14:48,360 --> 00:14:50,230 Rita: HEY, THANKS FOR COMING IN. 305 00:14:50,260 --> 00:14:52,260 WAS IT BALDWIN JONES SHOT THAT KID THIS MORNING? 306 00:14:52,300 --> 00:14:53,770 YEAH. 307 00:14:53,800 --> 00:14:55,630 MY OLD PARTNER KNOWS HIM FROM THE ACADEMY. 308 00:14:55,670 --> 00:14:57,010 HE GONNA GET JAMMED UP? 309 00:14:57,040 --> 00:14:58,780 IT’S STILL PRETTY FRESH. 310 00:14:58,800 --> 00:15:00,770 DID YOU GUYS HANDLE A JOB AT 234 16th STREET LAST NIGHT, 311 00:15:00,810 --> 00:15:02,450 HELEN CALODNER’S RESIDENCE? 312 00:15:02,470 --> 00:15:05,240 DOMESTIC DISPUTE, BUT NOBODY THERE, AND NOBODY HAD SEEN ’EM. 313 00:15:05,280 --> 00:15:06,350 THEM BEING? 314 00:15:06,380 --> 00:15:07,790 HELEN AND HER BOYFRIEND FRANK. 315 00:15:07,810 --> 00:15:08,940 MALVOYN. 316 00:15:08,980 --> 00:15:10,810 ANY DETAILS ON THE DISPUTE? 317 00:15:10,850 --> 00:15:12,750 FRANK WAS DRUNK AGAIN, YELLING, BREAKING FURNITURE. 318 00:15:12,780 --> 00:15:14,780 BUT, AGAIN, NO ONE WAS HOME. 319 00:15:14,820 --> 00:15:16,650 YOU GET HER CALLBACK NUMBER FROM THE DISPATCHER? 320 00:15:16,690 --> 00:15:19,520 THEY’RE PRETTY BUSY. WE SHOULD HAVE CHECKED UP AGAIN. 321 00:15:19,560 --> 00:15:21,320 BUT THIS ISN’T THE FIRST TIME WE’VE RESPONDED THERE. 322 00:15:21,360 --> 00:15:22,990 THERE A PROBLEM? 323 00:15:23,030 --> 00:15:25,470 FRANK MALVOYN TURNED UP D. O. A. IN OUR PRECINCT. 324 00:15:25,500 --> 00:15:27,310 YEAH? HUH. 325 00:15:27,330 --> 00:15:29,100 HE WAS A NASTY DRUNK. 326 00:15:29,130 --> 00:15:31,000 WELL, DURING ANY OF YOUR VISITS TO THE GIRLFRIEND’S PLACE, 327 00:15:31,040 --> 00:15:33,280 YOU EVER HEAR ANYTHING 328 00:15:33,300 --> 00:15:35,670 ABOUT FRANK HAVING BUSINESS IN THE LOWER EAST SIDE? IS THAT WHERE HE GO IT? 329 00:15:35,710 --> 00:15:37,320 OLIVER STREET‐‐ IT EVER COME UP? 330 00:15:37,340 --> 00:15:39,110 SORRY, NO. NEVER CAME UP. 331 00:15:39,140 --> 00:15:42,310 HEY, THE JOB CAN’T GIVE HIM MUCH FOR A MISTAKE, RIGHT? 332 00:15:42,350 --> 00:15:44,060 JONES, I MEAN. 333 00:15:44,080 --> 00:15:45,980 LIKE I SAID, IT’S STILL PRETTY FRESH. 334 00:15:46,020 --> 00:15:48,330 WELL, WE’RE DONE, SO THANKS FOR YOUR TIME. 335 00:15:53,730 --> 00:15:56,700 WE TURNED FROM THE DOOR TO TALK TO GRADY’S NEIGHBORS 336 00:15:56,730 --> 00:15:59,030 WHEN I SAW GRADY TURN THE CORNER. 337 00:15:59,060 --> 00:16:00,160 WHERE WAS DETECTIVE MEDAVOY? 338 00:16:00,200 --> 00:16:01,700 BEHIND ME. 339 00:16:01,730 --> 00:16:03,530 I CALLED TO GRADY, WHO TURNED IN THE DIRECTION HE CAME IN. 340 00:16:03,570 --> 00:16:05,330 HE WENT AROUND THE CORNER, 341 00:16:05,370 --> 00:16:07,200 THEN CAME BACK A SECOND LATER WITH A GUN. 342 00:16:07,240 --> 00:16:08,670 THAT’S WHEN YOU FIRED? 343 00:16:08,710 --> 00:16:09,680 TWO SHOTS. 344 00:16:09,710 --> 00:16:10,970 AND YOUR PARTNER? 345 00:16:11,010 --> 00:16:13,010 I THINK HE ALSO FIRED TWICE. 346 00:16:13,040 --> 00:16:14,880 WHAT KIND OF GUN THE PERP HAVE ON HIM? 347 00:16:14,910 --> 00:16:16,210 IT LOOKED LIKE AN AUTOMATIC. 348 00:16:16,250 --> 00:16:18,720 YOUR PARTNER SAID REVOLVER. 349 00:16:18,750 --> 00:16:21,420 ALL I SAW WAS A GUN. 350 00:16:21,450 --> 00:16:22,880 DID YOU HIT THE PERP? 351 00:16:22,920 --> 00:16:26,860 I DON’T KNOW. THERE WASN’T A BLOOD TRAIL. 352 00:16:26,890 --> 00:16:29,420 THE BOY AROUND THE CORNER‐‐ DID YOU KNOW HE WAS THERE? 353 00:16:29,460 --> 00:16:30,560 OF COURSE NOT. 354 00:16:30,600 --> 00:16:32,500 SO THAT SHOT WAS SIMPLY ERRANT? 355 00:16:32,530 --> 00:16:34,000 I FIRED TWICE. 356 00:16:34,030 --> 00:16:36,100 I DIDN’T JUST SPRAY THE HALL WITH BULLETS. 357 00:16:36,130 --> 00:16:37,930 STILL, YOU COULDN’T HAVE BEEN AIMING FOR THE WALL. 358 00:16:37,970 --> 00:16:40,170 I’VE BEEN THINKING ABOUT THIS. 359 00:16:40,200 --> 00:16:43,570 WHEN GRADY TURNED THE CORNER, I FOLLOWED HIS NATURAL PATH. 360 00:16:43,610 --> 00:16:45,870 SO YOU AIMED TO SHOOT THROUGH THE WALL? 361 00:16:45,910 --> 00:16:48,410 I’M SAYING, INSTINCTIVELY, I MIGHT HAVE FOLLOWED HIS TRAIL. 362 00:16:48,450 --> 00:16:52,020 THAT’D BE AWFULLY JAMES BOND, SHOOTING A GUY THROUGH A WALL. 363 00:16:52,050 --> 00:16:53,280 WHICH I SAID I DIDN’T TRY TO DO. 364 00:16:53,320 --> 00:16:55,790 I’M NOT TRYING TO FRUSTRATE YOU, DETECTIVE. 365 00:16:55,820 --> 00:16:59,920 I WASN’T BEING FANCY OR CARELESS. 366 00:16:59,960 --> 00:17:02,260 IT WAS AN ACCIDENT. 367 00:17:02,290 --> 00:17:04,230 HOW FAR FROM THE PERP WHERE YOU WHEN YOU FIRED? 368 00:17:04,260 --> 00:17:05,560 25 FEET. 369 00:17:05,600 --> 00:17:08,210 HOW’S YOUR VISION? IT’S PERFECT. WHY? 370 00:17:08,230 --> 00:17:10,630 I NEED TO KNOW HOW CERTAIN YOU WERE THAT THE PERP HAD A GUN IN HIS HAND. 371 00:17:10,670 --> 00:17:12,100 100%. 372 00:17:12,140 --> 00:17:14,250 ALL RIGHT. 373 00:17:14,270 --> 00:17:15,740 IS THERE SOME QUESTION? 374 00:17:15,770 --> 00:17:17,070 NOT FROM ME. 375 00:17:17,110 --> 00:17:19,580 BUT YOU AND YOUR PARTNER DESCRIBED DIFFERENT GUNS. 376 00:17:19,610 --> 00:17:21,640 THE PERP NEVER FIRED, AND THE GUN HASN’T BEEN RECOVERED. 377 00:17:21,680 --> 00:17:24,380 HE BROUGHT THE GUN UP AND AIMED AT ME. 378 00:17:24,420 --> 00:17:25,960 GOT IT. 379 00:17:30,820 --> 00:17:32,220 DANTE KELLY? 380 00:17:32,260 --> 00:17:34,500 POSSESSION COLLAR, SALES COLLARS, 381 00:17:34,530 --> 00:17:36,600 WARRANT FOR PAROLE VIOLATION. 382 00:17:36,630 --> 00:17:38,630 ADDRESS OVER ON STANTON. WE’RE GONNA GO SIT ON IT. 383 00:17:40,160 --> 00:17:42,460 YOU BOTH DO A LEFT‐RIGHT SITTING. 384 00:17:42,500 --> 00:17:43,670 YOU ALL RIGHT? 385 00:17:46,610 --> 00:17:48,180 HOW’D IT GO? 386 00:17:48,210 --> 00:17:51,020 WHAT KIND OF GUN YOU SEE IN GRADY’S HAND? 387 00:17:51,040 --> 00:17:52,740 I THOUGHT IT WAS A REVOLVER. 388 00:17:52,780 --> 00:17:53,790 I SAW AN AUTOMATIC. 389 00:17:55,710 --> 00:17:58,450 DIDN’T THE M.E. GET A .38 SLUG OUT OF WILLIAMS? 390 00:17:58,480 --> 00:18:01,320 THAT’S WHAT THEY THOUGHT AT FIRST, BUT AN HOUR AGO, 391 00:18:01,350 --> 00:18:04,920 CRIME SCENE FOUND A 9‐MILLIMETER CASING IN THE GUTTER. MAYBE IT WAS A 9. 392 00:18:04,960 --> 00:18:06,600 MAYBE WE SHOULD HAVE GOT OUR STORIES STRAIGHT. 393 00:18:06,630 --> 00:18:08,670 I‐‐I JUST DIDN’T GET THAT GOOD A LOOK AT IT. 394 00:18:08,690 --> 00:18:10,160 BUT YOU DID SEE A GUN. 395 00:18:10,190 --> 00:18:11,190 OF COURSE I DID. 396 00:18:12,900 --> 00:18:15,570 I’LL GRAB SOME WATER, AND WE’LL HEAD OUT. 397 00:18:23,910 --> 00:18:24,740 WHAT, MEDAVOY? 398 00:18:27,250 --> 00:18:28,390 YOU DIDN’T SEE A GUN. 399 00:18:30,050 --> 00:18:33,010 BACKING HIM UP‐‐THAT WAS THE RIGHT THING TO DO. 400 00:18:33,050 --> 00:18:35,220 DID I JAM US UP WITH THE DISCREPANCY ON THE GUN? 401 00:18:35,250 --> 00:18:37,020 JUST BE VAGUE FROM NOW ON. 402 00:18:42,030 --> 00:18:43,170 YOU’RE JONES? 403 00:18:43,190 --> 00:18:44,730 YEAH. CAN I HELP YOU? 404 00:18:44,760 --> 00:18:46,360 JUST PUTTING A FACE WITH THE NAME. 405 00:18:46,400 --> 00:18:48,910 Tony: GET GOING. 406 00:18:48,930 --> 00:18:50,730 WHAT DO YOU NEED, REVEREND? 407 00:18:50,770 --> 00:18:51,930 A MOMENT OF YOUR TIME. 408 00:18:58,580 --> 00:19:00,320 FIRST THING, LIEUTENANT, 409 00:19:00,340 --> 00:19:02,310 I WANT YOU TO KNOW THAT I AM VERY PRO‐POLICE. 410 00:19:02,350 --> 00:19:03,720 WHAT’S ON YOUR MIND? 411 00:19:03,750 --> 00:19:05,880 WHEN PEOPLE SHOUT "EXCESSIVE FORCE," I SAY, 412 00:19:05,920 --> 00:19:07,830 "SPEND A DAY IN A COP’S SHOES, SEE WHAT THEY SEE." 413 00:19:07,850 --> 00:19:09,590 WE APPRECIATE THAT. 414 00:19:09,620 --> 00:19:11,090 AND PEOPLE GENERALLY LISTEN. 415 00:19:11,120 --> 00:19:13,020 BUT QUESTIONS ARE COMING UP, 416 00:19:13,060 --> 00:19:16,170 AND WITHOUT ANSWERS, I’LL LOSE MY CREDIBILITY. 417 00:19:16,190 --> 00:19:18,390 IS IT TRUE TODD GRADY WAS ROBBED 418 00:19:18,430 --> 00:19:20,200 PRIOR TO BEING SHOT AT BY YOUR DETECTIVES? 419 00:19:20,230 --> 00:19:22,560 THE SOURCE FOR THAT WAS GRADY’S DRUG‐DEALING ASSOCIATE. 420 00:19:22,600 --> 00:19:24,900 DO YOU HAVE EVIDENCE TO REFUTE IT? 421 00:19:24,940 --> 00:19:26,910 NOT YET, BUT WE WILL. IT’S ALSO CIRCULATING 422 00:19:26,940 --> 00:19:29,940 THAT TODD GRADY NEVER FIRED A SHOT AT YOUR POLICE. 423 00:19:29,970 --> 00:19:32,170 NO, BUT HE DID AIM A GUN AT ’EM. 424 00:19:32,210 --> 00:19:34,280 I’VE HEARD THAT GRADY MAY NEVER HAVE HAD A GUN ON HIM AT ALL. 425 00:19:34,310 --> 00:19:36,510 DON’T KNOW WHO YOU GOT THAT FROM, BUT THAT’S A LIE. 426 00:19:36,550 --> 00:19:38,380 TELL ME THAT YOU CAN PROVE IT. 427 00:19:38,420 --> 00:19:40,460 SO FAR, ALL I HAVE IS THE WORD OF MY DETECTIVES. 428 00:19:43,220 --> 00:19:45,420 PEOPLE ARE TALKING TO JERMAINE LAWSON 429 00:19:45,460 --> 00:19:48,230 ABOUT CALLING THE PRESS, CALLING IN A TEAM OF LAWYERS. 430 00:19:48,260 --> 00:19:50,390 IF I HAVE TO STAND IN FRONT OF THAT WAVE, 431 00:19:50,430 --> 00:19:54,800 I NEED YOUR WORD THAT DETECTIVE JONES DIDN’T DO WRONG. 432 00:19:54,830 --> 00:19:55,960 YOU HAVE IT. 433 00:19:57,670 --> 00:20:00,470 AGAIN, THANK YOU FOR YOUR TIME. 434 00:20:13,950 --> 00:20:17,550 ALL THE RELATIVES GO HOME? 435 00:20:17,590 --> 00:20:20,320 THERE WERE ONLY A FEW‐‐ PRETTY DISTANT. 436 00:20:22,460 --> 00:20:24,830 YOU BEEN TALKING TO ANYBODY ABOUT WHAT HAPPENED? 437 00:20:24,860 --> 00:20:26,900 LIKE A SHRINK? 438 00:20:26,930 --> 00:20:28,460 ANYBODY. 439 00:20:28,500 --> 00:20:30,170 NOT REALLY. 440 00:20:30,200 --> 00:20:31,570 NOT ORTIZ? 441 00:20:31,600 --> 00:20:34,840 I’VE BEEN HANDLING THINGS MYSELF. 442 00:20:34,870 --> 00:20:37,640 OUR GUY DOESN’T HAVE DREADS, BUT THAT’S A SHADY‐LOOKING RASTA. 443 00:20:37,680 --> 00:20:39,750 I GOT MY EYE ON HIM. 444 00:20:39,780 --> 00:20:42,810 SHE’S A DECENT GIRL, ORTIZ. 445 00:20:42,850 --> 00:20:44,460 I NEVER SAID SHE WASN’T. 446 00:20:44,480 --> 00:20:46,510 I’M JUST SAYING CONSIDER LETTING HER HELP. 447 00:20:46,550 --> 00:20:48,120 WITH WHAT, ANDY? HUH? 448 00:20:48,150 --> 00:20:49,790 THE UNPAID BILLS HE LEFT 449 00:20:49,820 --> 00:20:52,750 OR THE QUESTIONS FROM THE INSURANCE COMPANY? 450 00:20:52,790 --> 00:20:56,020 OR HOW ABOUT THE HOUSE I GOT TO PUT ON THE MARKET NOW 451 00:20:56,060 --> 00:20:57,860 BECAUSE I CAN’T STEP FOOT IN IT AGAIN? 452 00:20:57,900 --> 00:20:59,840 OR SHOULD I HAVE CALLED HER THE DAY WE FOUND HIM, 453 00:20:59,860 --> 00:21:01,830 BECAUSE AFTER THE M.E. TOOK THE BODY AWAY, 454 00:21:01,870 --> 00:21:04,380 I HAD A HELL OF TIME TRYING TO FIND SOMEONE TO COME OVER 455 00:21:04,400 --> 00:21:06,370 AND CLEAN THE BLOOD OFF THE WALLS AND FLOOR. 456 00:21:06,400 --> 00:21:08,540 SELF‐CENTERED, SPINELESS ASSHOLE. 457 00:21:08,570 --> 00:21:11,170 DIDN’T THINK FOR A SECOND WHAT HE WAS LEAVING BEHIND. 458 00:21:11,210 --> 00:21:13,270 AND, NO, I CAN’T SHARE IT WITH ANYBODY, 459 00:21:13,310 --> 00:21:15,640 BECAUSE THE SECOND I START TALKING ABOUT IT, 460 00:21:15,680 --> 00:21:17,710 I WANT TO SMASH SOMETHING. 461 00:21:17,750 --> 00:21:20,520 THAT’S NOT A REAL RASTAMAN. THAT ASSHOLE’S WEARING A WIG. 462 00:21:22,320 --> 00:21:24,020 HEY! 463 00:21:24,060 --> 00:21:26,230 WHERE YOU GOING? 464 00:21:26,260 --> 00:21:27,730 HEY! 465 00:21:33,030 --> 00:21:35,330 [ GRUNTING ] 466 00:21:35,370 --> 00:21:37,310 GET YOUR HANDS UP! 467 00:21:37,340 --> 00:21:39,380 DON’T SHOOT ME! DON’T SHOOT ME! 468 00:21:39,400 --> 00:21:41,070 MAN, I CAN’T MOVE! I’M STUCK! 469 00:21:41,110 --> 00:21:42,180 WHAT ARE YOU RUNNING FOR, DANTE? 470 00:21:42,210 --> 00:21:43,650 I THOUGHT YOU WERE SOMEBODY ELSE. 471 00:21:43,680 --> 00:21:45,520 CIA, AL QUAEDA, OR JUST THE RASTA COPS? 472 00:21:45,540 --> 00:21:47,040 CAN YOU PLEASE GET ME OUT OF HERE?! 473 00:21:47,080 --> 00:21:48,680 WHERE WERE YOU THIS MORNING? 474 00:21:48,710 --> 00:21:50,850 LOOK, MAN, I DIDN’T SHOOT KENNY WILLIAMS. 475 00:21:50,880 --> 00:21:53,080 AAH! COME ON, MAN! IT HURTS! 476 00:21:53,120 --> 00:21:55,390 NOW THAT YOU BROUGHT IT UP, HOW’D KENNY WIND UP SHOT? 477 00:21:55,420 --> 00:21:57,090 TALK TO TODD GRADY ABOUT THAT. 478 00:21:57,120 --> 00:21:59,050 SINCE TODD’S NOT LIKELY TO BE HONEST, 479 00:21:59,090 --> 00:22:01,020 WHY DON’T WE GET YOUR SIDE FIRST? 480 00:22:01,060 --> 00:22:03,220 LOOK, I GOT NOTHING TO SAY UNTIL I SEE A LAWYER. 481 00:22:03,260 --> 00:22:05,660 YOU WANT TO KNOW WHO KILLED KENNY, TALK TO TODD! 482 00:22:05,700 --> 00:22:07,610 NOW, PLEASE, GET ME OUT OF HERE! 483 00:22:09,570 --> 00:22:10,900 [ LAUGHS ] 484 00:22:10,940 --> 00:22:12,780 NOW, CAN YOU HELP ME, PLEASE?! 485 00:22:13,870 --> 00:22:16,370 MAN, THIS AIN’T FUNNY! 486 00:22:16,410 --> 00:22:18,750 COME ON, MAN! IT HURTS! JOHN, PUSH. 487 00:22:18,780 --> 00:22:20,190 [ LAUGHING ] 488 00:22:20,210 --> 00:22:21,340 AAH! 489 00:22:21,380 --> 00:22:23,410 ALL RIGHT. 490 00:22:23,450 --> 00:22:25,220 [ LAUGHING ] 491 00:22:25,250 --> 00:22:26,950 APPRECIATE IT. 492 00:22:26,990 --> 00:22:29,030 SHUT UP. YOU ALL RIGHT? 493 00:22:29,050 --> 00:22:30,250 YEAH. 494 00:22:45,670 --> 00:22:48,470 A GRAVE INJUSTICE HAS BEEN DONE TO THIS MAN, 495 00:22:48,510 --> 00:22:50,050 JERMAINE LAWSON‐‐ 496 00:22:50,070 --> 00:22:52,640 FATHER OF 13‐YEAR‐OLD THEODORE LAWSON. 497 00:22:52,680 --> 00:22:54,950 MR. LAWSON BELIEVES THAT HIS SON THEODORE 498 00:22:54,980 --> 00:22:58,150 LEFT THE APARTMENT IN ORDER TO BUY MEDICATION... 499 00:22:58,180 --> 00:23:00,280 A TURN FOR THE WORSE. 500 00:23:00,320 --> 00:23:02,220 WHAT’S SHE DOING HERE? 501 00:23:02,250 --> 00:23:04,590 AND THIS GUY? 502 00:23:04,620 --> 00:23:08,460 YEAH, YOU DON’T WANT TO BE LOOKING AT ME, ASSHOLE. 503 00:23:08,490 --> 00:23:11,290 HEY, AM I GONNA BE ON TV? SHUT YOUR MOUTH. COME ON. 504 00:23:11,330 --> 00:23:15,100 MR. SHAW SAW TODD GRADY ROBBED THIS MORNING 505 00:23:15,130 --> 00:23:17,600 PRIOR TO BEING FIRED UPON BY POLICE. 506 00:23:17,640 --> 00:23:21,350 ELEANOR HEWITT WAS ON THE SCENE SECONDS AFTER THE SHOOTING 507 00:23:21,370 --> 00:23:23,740 AND NEVER SAW TODD GRADY WITH A GUN. 508 00:23:23,780 --> 00:23:26,320 SHE POKED HER HEAD OUT AFTER HE WAS GONE. 509 00:23:26,340 --> 00:23:28,310 FROM THESE EYEWITNESSES, 510 00:23:28,350 --> 00:23:32,160 OUR ONLY CONCLUSION CAN BE THAT THEODORE LAWSON, 511 00:23:32,180 --> 00:23:35,520 AN HONOR STUDENT WITH DREAMS OF BEING A SCHOOLTEACHER, 512 00:23:35,550 --> 00:23:38,290 WAS GUNNED DOWN IN AN ACT OF NEGLIGENCE 513 00:23:38,320 --> 00:23:39,690 AND EXCESSIVE FORCE. 514 00:23:39,720 --> 00:23:41,990 THE REVEREND SOLD OUT. 515 00:23:42,030 --> 00:23:44,170 WE’LL GET THAT OLD LADY IN, SHE’LL RECANT EVERYTHING. 516 00:23:44,200 --> 00:23:45,970 Andy: AND THAT DICKHEAD IN THE WHEELCHAIR‐‐ 517 00:23:46,000 --> 00:23:47,870 THREATEN HIM WITH PERJURY‐‐ HE’LL FOLD. 518 00:23:47,900 --> 00:23:50,500 THE NEWS IS GONNA PLAY THIS OVER EVERY 10 MINUTES. 519 00:23:50,530 --> 00:23:52,770 WE JUST GOT AN ANONYMOUS CALL‐‐ SOMEONE SAYING, 520 00:23:52,800 --> 00:23:55,040 "TALK TO THE CHINESE GIRL. SHE SAW IT." WHO’S THIS? 521 00:23:55,070 --> 00:23:56,770 WE TALKED TO A GIRL WHO WORKS IN A RESTAURANT 522 00:23:56,810 --> 00:23:58,270 NEAR THE CRIME SCENE‐‐ GAVE US A DECENT STORY. 523 00:23:58,310 --> 00:24:00,610 WE NEED A CREDIBLE ACCOUNT OF WHAT HAPPENED. 524 00:24:00,650 --> 00:24:04,020 TALK TO THE GIRL. LEAN ON HER IF YOU HAVE TO. 525 00:24:04,050 --> 00:24:06,720 CONNIE, OUR D. O. A.’s GIRLFRIEND SHOWED UP. 526 00:24:06,750 --> 00:24:09,380 AND, LIEUTENANT, THERE’S PEOPLE HERE FOR YOU. 527 00:24:09,420 --> 00:24:10,990 I.A.B. 528 00:24:11,020 --> 00:24:13,020 ALL RIGHT, GET GOING, EVERYONE. 529 00:24:15,890 --> 00:24:18,360 DON’T WORRY. 530 00:24:19,900 --> 00:24:20,730 YEAH. 531 00:24:23,430 --> 00:24:26,330 TAKE A SEAT, MRS. CALODNER. 532 00:24:26,370 --> 00:24:28,570 WHAT’S GOING ON OUT FRONT? IT’S A MADHOUSE. 533 00:24:28,610 --> 00:24:31,320 SORRY ABOUT THAT. LET’S GET TO WHY YOU’RE HERE. 534 00:24:31,340 --> 00:24:33,840 YOUR CARD SAID "URGENT." WHAT’S URGENT? 535 00:24:33,880 --> 00:24:37,010 WE GOT SOME QUESTIONS ABOUT FRANK MALVOYN. 536 00:24:37,050 --> 00:24:38,980 OH, MY GOD. WHAT DID HE DO NOW? 537 00:24:39,020 --> 00:24:40,190 WAS HE WITH YOU LAST NIGHT? 538 00:24:40,220 --> 00:24:41,250 PART OF IT. 539 00:24:41,290 --> 00:24:42,260 TELL US WHAT HAPPENED. 540 00:24:42,290 --> 00:24:44,000 HE CAME OVER DRUNK. 541 00:24:44,020 --> 00:24:46,690 THEN HE HIT MY LIQUOR, AND HE GOT MORE DRUNK. 542 00:24:46,730 --> 00:24:49,230 THEN HE WANTED TO SCREW, AND I TOLD HIM TO GO TO HELL. 543 00:24:49,260 --> 00:24:50,830 IT GOT HIM VIOLENT. 544 00:24:50,860 --> 00:24:52,490 DID YOU CALL THE POLICE? 545 00:24:52,530 --> 00:24:54,730 HE SMASHED THE DINETTE, GAVE ME A POP ON THE CHIN, 546 00:24:54,770 --> 00:24:56,270 SO, YEAH, I CALLED THE COPS. 547 00:24:56,300 --> 00:24:57,530 WHERE DID HE GO THEN? 548 00:24:57,570 --> 00:25:00,270 WITH THE COPS. 549 00:25:00,300 --> 00:25:03,040 YOU WERE THERE WHEN THE POLICE SHOWED UP? 550 00:25:03,070 --> 00:25:06,340 YEAH, THEY CALMED FRANK DOWN, AND THEY TOOK HIM AWAY. 551 00:25:06,380 --> 00:25:07,850 DID THE POLICE ARREST FRANK? 552 00:25:07,880 --> 00:25:09,610 I ASKED THEM NOT TO. I BEGGED. 553 00:25:09,650 --> 00:25:12,610 FRANK’S NOT SO BAD WHEN HE’S SOBER, 554 00:25:12,650 --> 00:25:15,950 AND HE HELPS WITH MY RENT, SO I BEGGED. 555 00:25:15,990 --> 00:25:17,630 WHAT DID THEY LOOK LIKE‐‐ THE COPS? 556 00:25:17,660 --> 00:25:20,070 A BLACK FELLA AND A WHITE GUY. 557 00:25:20,090 --> 00:25:22,590 WHAT’S THE PROBLEM? WE GOT TWO DIFFERENT STORIES HERE. 558 00:25:22,630 --> 00:25:24,800 ARE YOU SURE THIS WAS LAST NIGHT? 559 00:25:24,830 --> 00:25:28,230 I MIGHT TAKE A DRINK OR TWO, BUT I GOT MY FACILITIES. 560 00:25:28,270 --> 00:25:30,380 AM I IN SOME KIND OF TROUBLE? 561 00:25:30,400 --> 00:25:31,770 ONLY IF YOU’RE LYING. 562 00:25:31,800 --> 00:25:33,770 I SWEAR ON THE BIBLE THEY CAME AND TOOK FRANK! 563 00:25:33,810 --> 00:25:35,310 DID THEY SAY WHERE THEY WERE TAKING HIM? 564 00:25:35,340 --> 00:25:37,570 TO CHILL OUT. HE WASN’T UNDER ARREST. 565 00:25:37,610 --> 00:25:40,640 THEY WERE JUST GONNA TAKE HIM SOMEWHERE TO CHILL OUT. 566 00:25:40,680 --> 00:25:43,140 I SWEAR TO GOD. SWEAR TO GOD. 567 00:25:44,780 --> 00:25:46,620 IS FRANK OKAY? 568 00:25:46,650 --> 00:25:48,480 [ Sighing ] HELEN... 569 00:25:48,520 --> 00:25:50,650 WE’VE GOT SOME BAD NEWS. 570 00:26:02,970 --> 00:26:04,910 MISS LU... WE NEED A MINUTE. 571 00:26:04,940 --> 00:26:06,310 I’M WORKING. 572 00:26:06,340 --> 00:26:08,510 SHE NEEDS TO TALK TO US. YOU WATCH THE REGISTER. 573 00:26:08,540 --> 00:26:10,070 COME ON. 574 00:26:10,110 --> 00:26:12,840 I ALREADY TOLD YOU I DIDN’T SEE ANYTHING. 575 00:26:12,880 --> 00:26:14,350 WE GOT INFORMATION SAYS YOU DID. 576 00:26:14,380 --> 00:26:16,010 I HAD MY BACK TURNED, AND THEN I DUCKED. 577 00:26:16,050 --> 00:26:17,490 Clark: DO YOU KNOW TODD GRADY? 578 00:26:17,520 --> 00:26:19,020 NO. 579 00:26:19,050 --> 00:26:20,680 HE DEALS DRUGS ON THAT STOOP EVERY DAY, 580 00:26:20,720 --> 00:26:22,280 AND YOU DON’T RECOGNIZE HIM? 581 00:26:22,320 --> 00:26:23,990 WE DON’T PAY MUCH ATTENTION TO THEM. 582 00:26:24,020 --> 00:26:26,290 ’CAUSE IF YOU DID, THEY’D FIREBOMB YOU? 583 00:26:26,320 --> 00:26:28,460 WE FOUND OUT YOU GOT TORCHED LAST YEAR. 584 00:26:28,490 --> 00:26:29,990 JUST RANDOM. 585 00:26:30,030 --> 00:26:32,030 ARE YOU AFRAID IF YOU TALK, THEY’LL DO IT AGAIN? 586 00:26:32,060 --> 00:26:33,130 I DIDN’T SEE ANYTHING. 587 00:26:33,160 --> 00:26:35,100 DO YOU REALIZE STONEWALLING US 588 00:26:35,130 --> 00:26:37,370 JUST KEEPS A KILLER ON THE STREETS? 589 00:26:37,400 --> 00:26:39,600 A DECENT COP’S CAREER RESTS ON IT. 590 00:26:39,640 --> 00:26:41,170 I WISH I COULD HELP YOU. 591 00:26:41,210 --> 00:26:42,380 IF YOU DON’T HELP US, 592 00:26:42,410 --> 00:26:46,050 WORD ON THE STREET WILL BE THAT YOU DID. 593 00:26:46,080 --> 00:26:48,290 YOU’D TELL THEM? 594 00:26:48,310 --> 00:26:49,850 THAT YOU COOPERATED WITH THE POLICE. 595 00:26:49,880 --> 00:26:51,780 THEY’LL BOMB US AGAIN. 596 00:26:51,820 --> 00:26:53,490 THEY CAN’T IF THEY’RE IN JAIL. 597 00:26:53,520 --> 00:26:54,890 WHAT’S IT GONNA BE? 598 00:27:02,390 --> 00:27:05,330 THE ONE WHO WAS KILLED, HE WASN’T DOING ANYTHING. 599 00:27:05,360 --> 00:27:06,830 WHAT HAPPENED? 600 00:27:06,870 --> 00:27:09,880 THE LIGHT‐SKINNED GUY WITH THE GOATEE WALKED UP, 601 00:27:09,900 --> 00:27:12,070 SHOT HIM, AND RAN. 602 00:27:12,100 --> 00:27:14,500 SO TODD GRADY KILLED HIM FOR NO REASON? 603 00:27:14,540 --> 00:27:16,870 AND THEN HE RAN AND POINTED THE GUN AT ME. 604 00:27:16,910 --> 00:27:19,170 WE’LL DO EVERYTHING WE CAN 605 00:27:19,210 --> 00:27:21,910 TO KEEP YOU AND YOUR FAMILY OUT OF IT. 606 00:27:26,080 --> 00:27:29,420 HELEN CALODNER SAYS YOU CAME TO HER PLACE LAST NIGHT 607 00:27:29,450 --> 00:27:32,490 AND LEFT WITH HER BOYFRIEND, FRANK MALVOYN. 608 00:27:32,520 --> 00:27:34,090 DON’T LOOK AT HIM. LOOK AT US. 609 00:27:34,130 --> 00:27:35,730 YOU DIDN’T THINK WE’D TALK TO HER? 610 00:27:35,760 --> 00:27:37,990 WE HOPED THE CASE WOULD CLEAR WITHOUT YOU HAVING TO. 611 00:27:38,030 --> 00:27:39,490 WELL, WE DID. 612 00:27:39,530 --> 00:27:40,560 OH, GOD. 613 00:27:40,600 --> 00:27:42,230 WHAT HAPPENED LAST NIGHT? 614 00:27:42,270 --> 00:27:44,440 WE GOT THERE, AND SHE BEGGED US NOT TO LOCK HIM UP. 615 00:27:44,470 --> 00:27:46,030 SHE WAS CRYING HER EYES OUT. 616 00:27:46,070 --> 00:27:47,200 HE SMACKED HER. 617 00:27:47,240 --> 00:27:48,570 SHE WAS BEGGING. 618 00:27:48,610 --> 00:27:50,920 IT DOESN’T MATTER. IT’S A MUST ARREST. 619 00:27:50,940 --> 00:27:53,910 [ SIGHS ] START WITH WHEN YOU GOT TO THE APARTMENT. 620 00:27:53,950 --> 00:27:55,920 MALVOYN HAD BUSTED HER TABLE. 621 00:27:55,950 --> 00:27:58,290 THE WOMAN HAD A BAG OF ICE ON HER FACE, CRYING. 622 00:27:58,320 --> 00:27:59,930 HE GAVE IT UP PRETTY EASY, 623 00:27:59,950 --> 00:28:01,880 SO IT SEEMED LIKE HE WAS CALMING DOWN. 624 00:28:01,920 --> 00:28:03,380 AND ’CAUSE SHE WAS BEGGING US, WE SAID‐‐ 625 00:28:05,420 --> 00:28:06,920 [ SIGHS ] 626 00:28:06,960 --> 00:28:08,860 WE SAID WE’D TAKE CARE OF IT OUTSIDE THE SYSTEM. 627 00:28:08,890 --> 00:28:10,890 WHERE DID YOU TAKE HIM? HENRY AND PIKE. 628 00:28:10,930 --> 00:28:12,690 FOUR BLOCKS FROM WHERE WE’VE BEEN CANVASSING. 629 00:28:12,730 --> 00:28:14,800 DID YOU EVER PUT YOUR HANDS ON HIM? 630 00:28:14,830 --> 00:28:16,700 NOT AT ALL. HOW DID HE HIT HIS HEAD? 631 00:28:16,740 --> 00:28:18,310 HE WAS FINE WHEN WE DROPPED HIM OFF. 632 00:28:18,340 --> 00:28:19,910 WE HAD NOTHING TO DO WITH THAT. 633 00:28:19,940 --> 00:28:21,570 IF YOU DID, NOW’S THE TIME TO GET IN FRONT OF IT. 634 00:28:21,610 --> 00:28:23,780 WHEN WE PUT HIM ON THE STREET, HE WAS FINE. 635 00:28:23,810 --> 00:28:25,310 WHY DID YOU LIE BEFORE? 636 00:28:25,340 --> 00:28:27,240 WE’D ALREADY PUT THE JOB BACK AS GONE ON ARRIVAL, 637 00:28:27,280 --> 00:28:29,550 AND SINCE WE DROPPED HIM OFF HEALTHY, 638 00:28:29,580 --> 00:28:31,050 WE DIDN’T THINK IT WAS WORTH THE HASSLE. 639 00:28:31,080 --> 00:28:32,880 IF YOU’D BEEN HONEST WITH US UP FRONT, 640 00:28:32,920 --> 00:28:34,760 WE NEVER WOULD HAVE THOUGHT OF GIVING YOU ONE. 641 00:28:34,790 --> 00:28:36,490 [ SIGHS ] 642 00:28:36,520 --> 00:28:38,720 HENRY AND PIKE‐‐ YOU SURE? 643 00:28:38,760 --> 00:28:40,730 SOUTHWEST CORNER. THERE’S A BAR THERE. 644 00:28:40,760 --> 00:28:42,490 YOU LEFT AN ANGRY DRUNK IN FRONT OF A BAR. 645 00:28:42,530 --> 00:28:43,840 THEY WERE CLOSED. 646 00:28:43,860 --> 00:28:46,430 ARE WE LOOKING AT A MAJOR PROBLEM HERE? 647 00:28:46,460 --> 00:28:48,460 FOR NOW, WORRY ABOUT STAYING AVAILABLE. 648 00:28:48,500 --> 00:28:50,370 [ SIGHS ] 649 00:28:54,340 --> 00:28:55,640 [ HANGS UP RECEIVER ] 650 00:28:55,670 --> 00:28:57,170 GOT YOUR MESSAGE. 651 00:28:57,210 --> 00:28:58,140 SAW YOUR NEWS CONFERENCE. 652 00:28:58,180 --> 00:28:59,750 YES. 653 00:28:59,780 --> 00:29:01,940 COULDN’T FIND IT IN YOU TO FIGHT THE TIDE, HUH? 654 00:29:01,980 --> 00:29:04,080 OR DID THE CAMERA LIGHTS DRAW YOU LIKE A MOTH? 655 00:29:04,120 --> 00:29:06,020 I BELIEVE YOU HAVE QUESTIONS TO ANSWER. 656 00:29:06,050 --> 00:29:08,420 BUT YOU DON’T HAVE THE PATIENCE TO WAIT FOR THEM? 657 00:29:08,450 --> 00:29:10,320 WE HAVE A WITNESS WHO SAW TODD GRADY 658 00:29:10,350 --> 00:29:12,420 DO A COLD‐BLOODED MURDER THIS MORNING. 659 00:29:12,460 --> 00:29:14,500 I HAVE ONE WHO SAYS HE WAS ROBBED. 660 00:29:14,530 --> 00:29:16,800 OURS AIN’T A DOPE DEALER WITH A COP BULLET IN HIS SPINE. 661 00:29:16,830 --> 00:29:18,460 THIS IS A LEGIT WITNESS. 662 00:29:18,500 --> 00:29:20,270 GRADY AND KENNETH WILLIAMS HAD AN OLD BEEF. 663 00:29:20,300 --> 00:29:22,430 GRADY SETTLED IT AND RAN OFF WITH A GUN IN HIS HAND. 664 00:29:22,470 --> 00:29:25,010 SAME GUN HE AIMED AT OUR COLLEAGUE. 665 00:29:25,040 --> 00:29:27,780 SAME GUN THAT WE RECOVERED OUT OF A DUMPSTER 666 00:29:27,810 --> 00:29:31,880 TWO BLOCKS FROM GRADY’S BUILDING WITH GRADY’S PRINTS ON IT. 667 00:29:31,910 --> 00:29:35,610 ELEANOR HEWITT, THE OLD WOMAN, SAW GRADY WASN’T ARMED. 668 00:29:35,650 --> 00:29:36,860 Clark: THE OLD WOMAN DIDN’T SEE ANYTHING. 669 00:29:36,880 --> 00:29:38,550 SHE CAME OUT AFTER THE FACT. 670 00:29:38,580 --> 00:29:40,550 YOU BACKED THE WRONG HORSE, REVEREND. 671 00:29:40,590 --> 00:29:43,390 YOU WANT TO MAKE UP FOR IT? TAKE US TO TODD GRADY. 672 00:29:43,420 --> 00:29:45,120 HOW WOULD I KNOW WHERE HE IS? 673 00:29:45,160 --> 00:29:46,330 Andy: FIND OUT. 674 00:29:46,360 --> 00:29:48,400 I KNOW WHERE HIS MOTHER’S STAYING. 675 00:29:48,430 --> 00:29:49,700 I’LL SEE IF SHE KNOWS. 676 00:29:49,730 --> 00:29:50,560 THEN GET MOVING. 677 00:29:57,870 --> 00:29:59,500 YOU LIED TO A HOLY MAN. 678 00:29:59,540 --> 00:30:01,350 [ SCOFFS ] I’LL LIVE. 679 00:30:01,370 --> 00:30:03,500 YOU FOLLOWING HIM, OR ARE YOU SITTING HERE TALKING? 680 00:30:03,540 --> 00:30:05,170 GIVING HIM A LEAD. 681 00:30:05,210 --> 00:30:06,710 THAT’S ENOUGH LEAD. GO. 682 00:30:15,750 --> 00:30:17,520 [ INDISTINCT CHATTERING ] 683 00:30:24,800 --> 00:30:26,240 WHAT IS THIS? 684 00:30:26,260 --> 00:30:27,260 LET’S GO, TODD. 685 00:30:27,300 --> 00:30:29,200 I DIDN’T DO NOTHING! 686 00:30:29,230 --> 00:30:30,900 DID YOU FOLLOW ME HERE? 687 00:30:30,940 --> 00:30:32,240 WE’LL TALK ABOUT IT AT THE STATION HOUSE. 688 00:30:32,270 --> 00:30:33,670 DON’T LET THEM TAKE ME. THEY’LL KILL ME! 689 00:30:33,710 --> 00:30:35,780 YOU TALK TO HIM, I’M IN THE ROOM. 690 00:30:35,810 --> 00:30:38,050 YOU HAD YOUR CHANCE TO DO THE RIGHT THING. YOU BLEW IT. 691 00:30:38,080 --> 00:30:40,790 IT’S OUR TURN NOW. OUT OF THE WAY. COME ON. 692 00:30:40,810 --> 00:30:42,440 I’LL BE RIGHT DOWN THERE. 693 00:30:42,480 --> 00:30:44,110 REVEREND! 694 00:30:52,790 --> 00:30:55,890 I THINK I KNOW WHY I’M HERE, AND I’M GLAD YOU CALLED ME IN. 695 00:30:55,930 --> 00:30:58,540 LAST NIGHT OUTSIDE McDUFFY’S, RIGHT? 696 00:30:58,560 --> 00:31:00,100 WE HEARD YOU LEFT AROUND CLOSING TIME. 697 00:31:00,130 --> 00:31:02,060 WE GOT A REPORT OF AN INCIDENT AROUND THEN. 698 00:31:02,100 --> 00:31:05,470 RIGHT. I WAS ASSAULTED. THAT GUY ASSAULTED ME. 699 00:31:05,500 --> 00:31:07,140 TELL US WHAT HAPPENED. 700 00:31:07,170 --> 00:31:10,040 I’M COMING HOME FROM WORK, WHERE I’VE BEEN STEADY THE LAST SIX MONTHS. 701 00:31:10,070 --> 00:31:11,440 SINCE YOU GOT OUT OF JAIL. 702 00:31:11,480 --> 00:31:13,790 STEADY AND PAYING MY BILLS. 703 00:31:13,810 --> 00:31:15,410 MY FRIEND CALLED, WHO’S HAVING TROUBLES AT HOME, 704 00:31:15,450 --> 00:31:16,620 WANTED TO TALK. 705 00:31:16,650 --> 00:31:19,080 I SAID, "McDUFFY’S," BUT I DIDN’T DRINK. 706 00:31:19,120 --> 00:31:20,490 YEAH, YOU WERE BEING A GOOD GUY. 707 00:31:20,520 --> 00:31:22,050 LET’S MOVE AHEAD TO THE ASSAULT. 708 00:31:22,090 --> 00:31:24,160 I’M HEADING HOME. THIS GUY RUNS INTO ME. 709 00:31:24,190 --> 00:31:25,650 SHOVES ME, CALLS ME "ASSHOLE." 710 00:31:26,930 --> 00:31:29,100 DID YOU PUT YOUR HANDS ON HIM? 711 00:31:29,130 --> 00:31:31,400 I SHOVED HIM OUT OF THE WAY, HE FELL ON HIS ASS. 712 00:31:31,430 --> 00:31:33,060 DID HIS HEAD HIT THE GROUND? 713 00:31:33,100 --> 00:31:35,110 MAYBE, BUT LIKE I SAID, I’M STONE SOBER, 714 00:31:35,130 --> 00:31:36,930 HE’S WASTED, AND HE RAN INTO ME. 715 00:31:36,970 --> 00:31:38,430 WHAT HAPPENED THEN? 716 00:31:38,470 --> 00:31:39,970 GOT UP, CALLED ME AN ASSHOLE AGAIN, 717 00:31:40,000 --> 00:31:41,240 AND HE WALKED AWAY. 718 00:31:41,270 --> 00:31:42,800 WAS HE BLEEDING FROM HIS HEAD? 719 00:31:42,840 --> 00:31:44,140 NO. 720 00:31:44,180 --> 00:31:46,850 MAYBE A LITTLE. 721 00:31:48,480 --> 00:31:50,850 I DON’T KNOW WHAT THIS GUY IS SAYING, BUT HE ASSAULTED ME. 722 00:31:52,980 --> 00:31:54,750 WHAT’S HE SAYING? 723 00:31:54,790 --> 00:31:56,860 HE’S DEAD, PETE‐‐ BRAIN HEMORRHAGE. 724 00:31:57,820 --> 00:31:58,920 FROM FALLING DOWN? 725 00:31:58,960 --> 00:32:00,930 FROM BEING PUSHED. 726 00:32:00,960 --> 00:32:03,290 NO. NO, NO, NO. HE RAN INTO ME. 727 00:32:03,330 --> 00:32:04,500 HE WOUND UP DEAD. 728 00:32:04,530 --> 00:32:05,990 I’VE BEEN KEEPING CLEAN. 729 00:32:06,030 --> 00:32:07,760 I’VE BEEN WORKING, PAYING MY BILLS. 730 00:32:07,800 --> 00:32:08,860 I’M NOT OUT LOOKING FOR TROUBLE ANYMORE. 731 00:32:09,400 --> 00:32:11,500 WELL, YOU NEED TO PUT THAT IN YOUR STATEMENT. 732 00:32:11,540 --> 00:32:13,180 I NEVER EVEN HIT THE GUY. 733 00:32:13,200 --> 00:32:15,270 I WASN’T EVEN DRINKING! I QUIT DRINKING! 734 00:32:15,310 --> 00:32:16,920 PUT THAT IN, TOO. 735 00:32:20,340 --> 00:32:22,340 I GOT A WITNESS WHO SAW IT. WE LEFT TOGETHER. 736 00:32:22,380 --> 00:32:24,050 BARTENDER SAID YOU LEFT ALONE, 737 00:32:24,080 --> 00:32:25,810 AND YOU WERE ALONE ALL NIGHT. 738 00:32:25,850 --> 00:32:27,780 HE WOULDN’T SAY NOTHING ON ACCOUNT OF WE’RE FRIENDS. 739 00:32:27,820 --> 00:32:30,150 SHE’S MARRIED, I’M MARRIED. YOU GET IT? 740 00:32:30,190 --> 00:32:31,820 THIS PERSON SAW YOU GET ATTACKED? 741 00:32:31,860 --> 00:32:34,400 HER NAME. 742 00:32:34,430 --> 00:32:36,130 COULD YOU JUST TAKE MY WORD FOR IT? 743 00:32:36,160 --> 00:32:38,790 I MEAN, IF HER HUSBAND FINDS OUT... OH, MY GOD. 744 00:32:38,830 --> 00:32:41,130 PETE, YOU’RE LOOKING AT A MANSLAUGHTER CHARGE. 745 00:32:41,170 --> 00:32:43,240 THAT’S PRISON TIME. HER NAME. 746 00:32:43,270 --> 00:32:46,540 [ SIGHS ] LOIS CARMICHAEL. 747 00:32:46,570 --> 00:32:48,400 WHERE CAN WE FIND HER? 748 00:32:52,440 --> 00:32:54,310 HAULING ME IN FOR NOTHING, 749 00:32:54,350 --> 00:32:56,020 FIRING SHOTS AT ME. 750 00:32:56,050 --> 00:32:58,660 I GOT THE PEOPLE ON MY SIDE, FELLAS. 751 00:32:58,680 --> 00:33:00,250 Y’ALL GONNA GET BIT. 752 00:33:00,280 --> 00:33:01,380 Andy: PEOPLE, HUH? 753 00:33:01,420 --> 00:33:03,220 SIT DOWN. 754 00:33:04,020 --> 00:33:05,150 DID YOU FORGET ABOUT WHAT HAPPENED 755 00:33:05,190 --> 00:33:06,520 WITH KENNETH WILLIAMS THIS MORNING? 756 00:33:06,560 --> 00:33:08,060 I DEFENDED MYSELF. 757 00:33:08,090 --> 00:33:10,560 FROM KENNY, WHO WAS LIVING CLEAN AND HOLDING DOWN A JOB, 758 00:33:10,600 --> 00:33:12,740 ON HIS WAY TO SEE HIS SISTER AND BABY NEPHEW 759 00:33:12,760 --> 00:33:15,030 A BLOCK AWAY FROM WHERE YOU WALKED UP AND SHOT HIM? 760 00:33:15,070 --> 00:33:16,340 HE TRIED TO ROB ME. 761 00:33:16,370 --> 00:33:18,180 WELL, OUR RELIABLE, PERFECT‐EYESIGHT, 762 00:33:18,200 --> 00:33:20,770 NO‐CRIMINAL‐HISTORY WITNESS SAYS DIFFERENT. 763 00:33:23,110 --> 00:33:25,850 YOU THOUGHT YOUR TOUGH‐GUY REP WAS GONNA KEEP PEOPLE QUIET? 764 00:33:25,880 --> 00:33:28,590 LET’S START TALLYING UP THE SCORECARD HERE. 765 00:33:28,610 --> 00:33:31,850 KILLING KENNY WILLIAMS‐‐ THAT’S A BIG CHECK ON THE NEGATIVE SIDE. 766 00:33:31,880 --> 00:33:33,380 ANOTHER ONE’S THEODORE LAWSON GETTING KILLED. 767 00:33:33,420 --> 00:33:35,390 YOU COPS SHOT HIM. 768 00:33:35,420 --> 00:33:38,690 YOU WERE SPRINTING FROM A CRIME AND PULLED A GUN ON POLICE? THAT MEANS YOU KILLED HIM. 769 00:33:38,720 --> 00:33:40,790 TWO INNOCENT GUYS DEAD IN YOUR PATH, 770 00:33:40,830 --> 00:33:42,570 AND YOU PULL A GUN ON COPS? 771 00:33:42,590 --> 00:33:44,260 BIG CHECKS AGAINST YOU. 772 00:33:44,300 --> 00:33:45,900 THE THING TO DO NOW 773 00:33:45,930 --> 00:33:48,260 IS START PUTTING CHECKS IN THE POSITIVE COLUMN‐‐ 774 00:33:48,300 --> 00:33:50,270 THINGS THAT WILL HELP YOU OUT AT TRIAL 775 00:33:50,300 --> 00:33:51,930 AND FOOL A JUDGE INTO THINKING YOU GAVE A DAMN. 776 00:33:51,970 --> 00:33:53,470 YOU TALLY THEM UP, 777 00:33:53,500 --> 00:33:54,970 YOU GOT A GOOD SHOT AT DOING MINIMAL TIME. 778 00:33:55,010 --> 00:33:56,950 DO YOU WANT TO HEAR HOW? 779 00:33:56,980 --> 00:33:58,820 WILLIAMS HAD A LONG SHEET. YOU HAD A PRIOR BEEF. 780 00:33:58,840 --> 00:34:00,240 THERE’S AN ARGUMENT 781 00:34:00,280 --> 00:34:01,480 THAT YOU THOUGHT HE WAS STILL GUNNING FOR YOU. 782 00:34:01,510 --> 00:34:04,210 AND RAISING THAT GUN AT COPS‐‐ IT WAS THE HEAT OF THE MOMENT. 783 00:34:04,250 --> 00:34:05,380 YOU MADE A MISTAKE. 784 00:34:05,420 --> 00:34:08,160 YOU FEEL AWFUL ABOUT THAT INNOCENT KID GETTING KILLED. 785 00:34:09,350 --> 00:34:10,650 I GOT THE PEOPLE ON MY SIDE. 786 00:34:10,690 --> 00:34:13,720 NO "THE PEOPLE" IN HERE. JUST US... 787 00:34:13,760 --> 00:34:15,990 WHO GOT A WITNESS. GET INSIDE. 788 00:34:18,130 --> 00:34:19,530 GOOD LUCK AT TRIAL. 789 00:34:20,360 --> 00:34:21,360 HEY. 790 00:34:22,270 --> 00:34:23,110 HEY! 791 00:34:25,440 --> 00:34:27,550 HEY, DAMN IT! 792 00:34:30,210 --> 00:34:31,940 JUST CURIOUS. 793 00:34:31,980 --> 00:34:34,150 HOW’S IT WORK IF THAT KID WASN’T SO INNOCENT? 794 00:34:34,180 --> 00:34:36,010 IS THAT POSITIVE OR NEGATIVE? 795 00:34:36,050 --> 00:34:37,420 LIKE HE WAS INVOLVED? 796 00:34:37,450 --> 00:34:38,850 LIKE HE WAS HOLDING MY GUN. 797 00:34:38,880 --> 00:34:40,450 LIKE THAT WAS HIS JOB FOR ME. 798 00:34:40,480 --> 00:34:41,950 THAT’S THE RIGHT DIRECTION. 799 00:34:41,990 --> 00:34:43,830 BUT WE NEED TO GET THE WHOLE PICTURE FIRST 800 00:34:43,860 --> 00:34:45,600 FROM THE STREET TO THE HALLWAY. 801 00:34:45,620 --> 00:34:47,790 I’M ON THE STOOP DOING MY THING. 802 00:34:47,830 --> 00:34:49,670 SEE KENNY WILLIAMS ROLL UP. 803 00:34:49,690 --> 00:34:51,190 NOW, YOU SAY HE’S GOING TO HIS SISTER’S. 804 00:34:51,230 --> 00:34:53,090 I SAY HE GUNNING FOR ME. 805 00:34:53,130 --> 00:34:55,260 I TURN TO LAWSON, SAY, "GIVE ME THE PIECE." 806 00:34:55,300 --> 00:34:57,930 HE’S A MINOR. HE GETS BUSTED WITH IT, IT’S A SLAP ON THE WRIST. 807 00:34:57,970 --> 00:34:59,670 Y’ALL GOT HIM SHOT IN HIS COMMUNION SUIT 808 00:34:59,700 --> 00:35:01,270 WITH A BIBLE IN HIS HAND. 809 00:35:01,310 --> 00:35:02,680 THE KID WAS A THUG. 810 00:35:02,710 --> 00:35:05,020 KEEP GOIN’. SO I MOVE UP ON KENNY‐‐ 811 00:35:05,040 --> 00:35:06,540 BECAUSE, LIKE, WHAT THEY SAY IN FOOTBALL, 812 00:35:06,580 --> 00:35:08,540 "THE BEST DEFENSE IS A GOOD OFFENSE." 813 00:35:08,580 --> 00:35:10,350 SORT OF, YEAH. 814 00:35:10,380 --> 00:35:11,950 SO YOU DROPPED KENNY? 815 00:35:11,980 --> 00:35:14,120 AND HIT THE ROAD, LAWSON BEHIND ME. 816 00:35:14,150 --> 00:35:15,720 WE RUN AROUND THE CORNER OF MY BUILDING, 817 00:35:15,750 --> 00:35:18,350 DOWN THE ALLEY, SIT COOL A WHILE. 818 00:35:18,390 --> 00:35:19,690 THEN WHEN THE SIRENS DIE DOWN, 819 00:35:19,720 --> 00:35:21,560 WE HEAD UP TO MY PLACE TO STASH THE PIECE. 820 00:35:21,590 --> 00:35:23,560 I KEEP IT WITH ME AT HOME FOR PROTECTION. 821 00:35:23,600 --> 00:35:24,800 NOW YOU’RE GONNA STASH THE PIECE. 822 00:35:24,830 --> 00:35:26,360 WHO’S HOLDING IT? LAWSON. 823 00:35:26,400 --> 00:35:28,570 BUT I TURN THE CORNER, THERE’S YOUR BOYS. 824 00:35:28,600 --> 00:35:30,370 I TURN BACK, LAWSON GOT THE GUN OUT. 825 00:35:30,400 --> 00:35:32,630 I GRAB IT, FIGURE, "FLASH IT AND SLOW THEM DOWN," 826 00:35:32,670 --> 00:35:34,300 BUT THEY FAST. 827 00:35:34,340 --> 00:35:35,670 THEY WERE PROBABLY UNDER THE IMPRESSION 828 00:35:35,710 --> 00:35:37,250 THAT YOU MIGHT ACTUALLY USE IT TO KILL THEM. 829 00:35:39,510 --> 00:35:42,010 YEAH, I COULD SEE THAT. 830 00:35:42,050 --> 00:35:45,420 SO...WHAT I SAID‐‐ POSITIVE OR NEGATIVE? 831 00:35:45,450 --> 00:35:47,480 Clark: WE’LL PUT ALL THAT IN THE POSITIVE COLUMN, 832 00:35:47,520 --> 00:35:49,420 BUT YOU WANT TO GO BIG, YOU TELL US WHERE YOU’RE KEEPING THE GUN. 833 00:35:50,290 --> 00:35:52,890 FREEZER WHERE Y’ALL GRABBED ME UP. 834 00:35:52,920 --> 00:35:55,760 NOW, THAT’S, LIKE, 6 IN THE POSITIVE COLUMN, 835 00:35:55,790 --> 00:35:59,430 TWO NEGATIVE. MAYBE I WON’T DO NO TIME AT ALL? 836 00:35:59,460 --> 00:36:02,200 YOU READY TO COME OUT, TALLY ALL THIS UP? 837 00:36:08,370 --> 00:36:09,940 I OWE YOU BOTH AN APOLOGY. 838 00:36:13,210 --> 00:36:14,980 YOU CAN LET YOURSELF OUT, REVEREND. 839 00:36:22,150 --> 00:36:24,850 HEARD YOU COLLARED THE GUY WHO KILLED FRANK MALVOYN. 840 00:36:24,890 --> 00:36:26,720 FRANK PICKED A FIGHT WITH A PATRON AT THE BAR 841 00:36:26,760 --> 00:36:28,190 WHERE YOU DROPPED HIM OFF. 842 00:36:28,230 --> 00:36:29,530 WE THOUGHT THE BAR WAS CLOSED. 843 00:36:29,560 --> 00:36:31,390 IT WAS CLOSING. 844 00:36:31,430 --> 00:36:33,630 THE PATRON WAS LEAVING, FRANK SHOVED HIM. 845 00:36:33,670 --> 00:36:34,710 THE PATRON WAS DRUNK? 846 00:36:34,730 --> 00:36:36,060 SOBER. 847 00:36:36,100 --> 00:36:38,930 SO WE GOT FRANK MALVOYN KILLED? IS THAT WHERE WE’RE GOING? 848 00:36:38,970 --> 00:36:40,970 HARD TO DENY YOU PUT THE BALL IN MOTION. 849 00:36:41,010 --> 00:36:42,450 [ Sighing ] OH, MAN. 850 00:36:44,010 --> 00:36:45,910 HOW MANY YEARS YOU GOT ON THE JOB? 851 00:36:45,940 --> 00:36:47,810 SIX. 852 00:36:47,850 --> 00:36:49,120 THREE. 853 00:36:49,150 --> 00:36:50,390 YOU’RE NOT THAT GREEN. 854 00:36:50,410 --> 00:36:52,580 IF IT’S A MUST ARREST, HOW COULD YOU NOT? 855 00:36:52,620 --> 00:36:54,290 WE THOUGHT WE WERE USING OUR JUDGMENT. 856 00:36:54,320 --> 00:36:57,090 YOU HAD A DRUNK, VIOLENT GUY WHO SMACKED HIS GIRLFRIEND, 857 00:36:57,120 --> 00:36:58,950 AND YOU DROP HIM IN FRONT OF A BAR. 858 00:36:58,990 --> 00:37:01,120 THAT’S YOUR JUDGMENT? 859 00:37:01,160 --> 00:37:03,060 THE GUY WHO FOUGHT WITH MALVOYN‐‐IS HE LOCKED UP? 860 00:37:03,090 --> 00:37:06,130 THE PATRON HAD A WITNESS WHO CORROBORATED THAT FRANK PICKED THE FIGHT. 861 00:37:06,160 --> 00:37:08,000 GONNA GO TO THE GRAND JURY, AND HE’LL PROBABLY GET A WALK. 862 00:37:08,030 --> 00:37:09,600 THAT’S GOOD. 863 00:37:09,630 --> 00:37:12,400 AND US? IS THIS GONNA COST US OUR JOBS? 864 00:37:12,440 --> 00:37:14,650 IT DEPENDS HOW CLEAR IT IS YOU SCREWED UP. 865 00:37:14,670 --> 00:37:16,470 I THINK IT’S PRETTY CLEAR WE BLEW IT. 866 00:37:18,440 --> 00:37:20,410 [ SIGHS ] IF WE KEPT YOUR SIDE OUT OF IT 867 00:37:20,440 --> 00:37:22,180 AND YOU RAN YOUR MOUTHS, 868 00:37:22,210 --> 00:37:24,280 WE COULD GET FLOPPED BACK TO UNIFORM. 869 00:37:24,320 --> 00:37:26,690 THAT WOULDN’T HAPPEN. 870 00:37:27,820 --> 00:37:29,450 BEAT IT. 871 00:37:29,490 --> 00:37:30,100 [ SIGHS ] 872 00:37:30,120 --> 00:37:32,290 WE OWE YOU ONE. 873 00:37:41,830 --> 00:37:43,460 TODD FINISH WRITING? 874 00:37:43,500 --> 00:37:44,870 YEAH, THEY GET HIM TO CENTRAL BOOKING. 875 00:37:44,900 --> 00:37:46,230 I’M GONNA HEAD DOWN WITH THEM. 876 00:37:47,570 --> 00:37:48,970 [ SIGHS ] 877 00:37:49,010 --> 00:37:50,450 ROUGH DAY. 878 00:37:50,470 --> 00:37:51,940 ENDED RIGHT. 879 00:37:51,980 --> 00:37:53,380 WAY TO HANG IN THERE. 880 00:38:04,090 --> 00:38:06,290 I APPRECIATE YOU BACKING ME UP THIS MORNING. 881 00:38:06,320 --> 00:38:07,820 THAT’S WHAT I’M HERE FOR. 882 00:38:07,860 --> 00:38:09,990 I MEAN, ABOUT THE GUN. 883 00:38:10,030 --> 00:38:12,730 YOU NEVER SAW IT, DID YOU? 884 00:38:14,030 --> 00:38:16,330 I KNOW YOU, BALDWIN. 885 00:38:16,370 --> 00:38:20,580 I DIDN’T HAVE TO SEE IT TO KNOW HE HAD ONE. 886 00:38:20,610 --> 00:38:21,610 THANKS, GREG. 887 00:38:23,440 --> 00:38:24,570 SEE YOU TOMORROW, PARTNER. 888 00:38:30,880 --> 00:38:32,250 GOOD NIGHT, COUNSELOR. 889 00:38:32,280 --> 00:38:33,980 GOOD NIGHT, GREG. 890 00:38:34,020 --> 00:38:35,680 HEY. 891 00:38:35,720 --> 00:38:36,520 HEY. 892 00:38:36,560 --> 00:38:38,200 HOW YOU DOING? 893 00:38:38,220 --> 00:38:39,890 I’M ALL RIGHT. 894 00:38:39,920 --> 00:38:41,860 DO YOU KNOW WHAT TIME I’M DUE AT THE GRAND JURY TOMORROW? 895 00:38:41,890 --> 00:38:43,830 9:00. AND YOU HAVE NOTHING TO WORRY ABOUT. 896 00:38:43,860 --> 00:38:45,760 I KNOW. 897 00:38:45,800 --> 00:38:47,040 YOU’RE NOT ACTING LIKE IT. 898 00:38:48,770 --> 00:38:50,780 I GOT AN IMAGE IN MY HEAD I CAN’T GET RID OF. 899 00:38:52,570 --> 00:38:54,100 WHY DON’T YOU LET ME TAKE YOU OUT? 900 00:38:55,140 --> 00:38:56,270 NO, I’M NOT IN THE MOOD. 901 00:39:03,580 --> 00:39:05,250 YOU KNOW, A COP’S WORST NIGHTMARE 902 00:39:05,280 --> 00:39:08,250 IS KILLING AN INNOCENT PERSON‐‐ 903 00:39:08,290 --> 00:39:11,460 OR WORSE‐‐ KILLING A KID. 904 00:39:11,490 --> 00:39:14,790 IF HE WAS AN INNOCENT KID, HE WOULD HAVE BEEN IN SCHOOL. 905 00:39:14,830 --> 00:39:17,200 HE HAD A GUN ON HIM. HE WAS A CRIMINAL. 906 00:39:17,230 --> 00:39:18,730 CRIMINAL OR NOT, 907 00:39:18,760 --> 00:39:21,060 13‐YEAR‐OLDS NEED LUCK TO GET RIGHT IN LIFE. 908 00:39:21,100 --> 00:39:22,700 THAT’S TRUE, 909 00:39:22,730 --> 00:39:25,070 BUT YOU CAN’T BEAT YOURSELF UP OVER DOING YOUR JOB. 910 00:39:25,100 --> 00:39:26,570 I KNOW. 911 00:39:26,610 --> 00:39:28,710 YOU’RE RIGHT. 912 00:39:28,740 --> 00:39:30,210 COME HOME WITH ME. 913 00:39:30,240 --> 00:39:33,640 I’LL MAKE YOU DINNER, WE’LL DRINK SOME WINE. 914 00:39:33,680 --> 00:39:36,480 LET ME TAKE YOUR MIND OFF THE DAY. 915 00:39:50,700 --> 00:39:51,800 HEY. HEY. 916 00:39:51,830 --> 00:39:53,490 COME ON IN. 917 00:39:55,930 --> 00:39:58,000 YOU CLEANING UP? 918 00:39:58,040 --> 00:40:01,110 YEAH, I LET THE PLACE SLIDE LAST WEEK. 919 00:40:01,140 --> 00:40:03,400 YOU CAN GUESS WHY. 920 00:40:03,440 --> 00:40:06,210 IT’S A LOT TO DEAL WITH, A FUNERAL AND FAMILY. 921 00:40:08,180 --> 00:40:09,650 I COULD HAVE HELPED OUT. 922 00:40:09,680 --> 00:40:13,110 I DIDN’T SEE THE POINT OF US BOTH BEING MISERABLE. 923 00:40:13,150 --> 00:40:14,450 PEOPLE WHO ARE TOGETHER 924 00:40:14,490 --> 00:40:15,730 HELP EACH OTHER THROUGH THINGS LIKE THIS. 925 00:40:18,520 --> 00:40:19,820 JOHN, WHAT’S GOING ON? 926 00:40:19,860 --> 00:40:21,920 A LOT, RITA. YOU KNOW THAT. 927 00:40:21,960 --> 00:40:24,260 BUT WHERE DO I FIT IN? OR DO I? 928 00:40:24,300 --> 00:40:25,370 I HAVEN’T THOUGHT ABOUT IT. 929 00:40:25,400 --> 00:40:26,710 SURE YOU HAVE. 930 00:40:28,570 --> 00:40:31,010 I JUST CAN’T SHARE THIS. 931 00:40:31,040 --> 00:40:33,780 BECAUSE YOU DON’T TRUST ME? 932 00:40:33,810 --> 00:40:35,650 OR BECAUSE YOU DON’T LOVE ME ANYMORE? 933 00:40:35,670 --> 00:40:37,110 ’CAUSE, UH... 934 00:40:37,140 --> 00:40:38,710 THIS ISN’T JUST ABOUT YOUR DAD. 935 00:40:38,740 --> 00:40:41,210 IT’S BEEN CREEPING UP. 936 00:40:41,250 --> 00:40:43,390 I’VE HAD A LOT GOING ON RECENTLY. 937 00:40:43,410 --> 00:40:45,650 AND YOU KEPT IT ALL TO YOURSELF, BOTTLED UP, 938 00:40:45,680 --> 00:40:46,780 JUST LIKE THIS. 939 00:40:46,820 --> 00:40:49,620 BECAUSE THIS IS HOW I HANDLE THINGS. 940 00:40:49,650 --> 00:40:53,290 NOT IF YOU WANT TO BE WITH ME. 941 00:40:53,320 --> 00:40:54,720 AND I GET THE FEELING YOU DON’T. 942 00:40:56,390 --> 00:40:58,130 I WISH I FELT THE WAY THAT YOU WANT ME TO, 943 00:40:58,160 --> 00:40:59,730 BUT I JUST CAN’T. 944 00:40:59,760 --> 00:41:02,200 THEN BE STRAIGHT WITH ME AND BE HONEST. 945 00:41:02,230 --> 00:41:04,030 I’M NOT A KID. I CAN HANDLE IT. 946 00:41:06,440 --> 00:41:09,150 THEN MAYBE IT’S A GOOD IDEA... 947 00:41:09,170 --> 00:41:11,210 IF WE STOP SEEING EACH OTHER FOR A WHILE. 948 00:41:11,240 --> 00:41:13,440 [ EXHALES SHARPLY ] 949 00:41:16,450 --> 00:41:18,060 I’M SORRY. 950 00:41:20,280 --> 00:41:22,550 I GUESS IT’S A RELIEF TO GET IT OUT. 951 00:41:22,590 --> 00:41:24,460 YEAH. 952 00:41:27,790 --> 00:41:29,520 WE GONNA BE OKAY AT WORK? 953 00:41:31,730 --> 00:41:33,930 I’LL DO WHAT YOU WANT. IF‐‐IF THAT MEANS TRANSFER‐‐ 954 00:41:33,970 --> 00:41:36,410 NO. I’M FINE. 955 00:41:38,100 --> 00:41:39,870 WE’LL BE FINE. 956 00:41:56,660 --> 00:41:57,460 [ CLEARS THROAT ] 957 00:41:58,420 --> 00:41:59,790 I’M GONNA GO. 958 00:42:18,240 --> 00:42:19,640 [ LOCK ENGAGES ] 959 00:42:21,310 --> 00:42:23,580 [ SIGHS DEEPLY ] 960 00:43:03,790 --> 00:43:06,620 [ CLASSICAL MUSIC PLAYING ] 70339

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