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1
00:00:01,500 --> 00:00:02,740
PREVIOUSLY ON NYPD BLUE...
2
00:00:02,770 --> 00:00:05,370
GET SOMEONE IN HERE
WHO CAN WORK ME OUT A DEAL!
3
00:00:08,740 --> 00:00:10,200
THAT BODY YOU BURIED ‐‐
4
00:00:10,240 --> 00:00:13,070
THERE’S A GOOD CHANCE
THAT WAS MY PARTNER!
5
00:00:13,100 --> 00:00:14,940
HERE I AM, FRESH
FROM MY FIRST PRE‐OP
6
00:00:14,970 --> 00:00:16,070
AT THE CHIEF SURGEON’S.
7
00:00:16,100 --> 00:00:17,270
HOW’D IT GO?
8
00:00:17,300 --> 00:00:19,040
MONDAY, 8:00 A. M.,
GONNA CUT ME OPEN.
9
00:00:19,070 --> 00:00:20,500
DOCTORS DO WONDERS
THESE DAYS.
10
00:00:20,540 --> 00:00:23,440
IN MY SET OF CIRCUMSTANCES,
5‐YEAR SURVIVAL RATE, 62%.
11
00:00:23,470 --> 00:00:24,840
THAT DON’T SOUND SO BAD.
12
00:00:24,870 --> 00:00:26,440
I THINK I’M PREGNANT.
13
00:00:26,470 --> 00:00:27,270
"THINK"?
14
00:00:27,300 --> 00:00:29,270
I TOOK A TEST...TWICE.
15
00:00:29,300 --> 00:00:30,640
BOTH POSITIVE?
16
00:00:30,670 --> 00:00:33,000
OTHERWISE I WOULDN’T
THINK I’M PREGNANT.
17
00:00:33,040 --> 00:00:34,400
I KNOW ONE OF YOUR CODES IS
18
00:00:34,440 --> 00:00:36,600
THAT A COP NEVER GOES AFTER
ANOTHER COP’S WIFE.
19
00:00:36,640 --> 00:00:38,770
THAT SAME RULE APPARENTLY
DOESN’T APPLY
20
00:00:38,800 --> 00:00:40,170
FOR AN ASSISTANT D. A.’S WIFE.
21
00:00:40,200 --> 00:00:42,200
I’M NOT GONNA KEEP AN EYE
ON YOUR WIFE.
22
00:00:42,240 --> 00:00:44,740
I THINK MARTA HAS BEEN STEALING
FROM ME.
23
00:00:44,770 --> 00:00:46,200
THERE’S JEWELRY MISSING,
24
00:00:46,240 --> 00:00:48,200
AND I DON’T HAVE THAT MANY
VISITORS.
25
00:00:48,240 --> 00:00:49,600
[ SIGHS ]
26
00:00:49,640 --> 00:00:51,070
PLEASE TAKE CARE OF IT.
27
00:00:51,100 --> 00:00:53,170
I DON’T NEED TO KNOW
ANY DETAILS.
28
00:00:53,200 --> 00:00:54,300
HI, DADDY.
29
00:00:54,340 --> 00:00:56,270
HEY, SQUIRT.
DADDY’S GOT TO GO NOW.
30
00:00:58,770 --> 00:01:00,400
I HAD A LOT OF FUN TONIGHT.
31
00:01:00,440 --> 00:01:01,700
When are you coming back?
32
00:01:01,740 --> 00:01:02,700
NEXT MONDAY.
33
00:01:02,740 --> 00:01:03,640
Promise?
34
00:01:14,100 --> 00:01:15,440
[ SIGHS ]
35
00:01:15,470 --> 00:01:18,200
THERE HE IS.
HOW’S IT GOING, EDDIE?
36
00:01:18,240 --> 00:01:20,200
I BELIEVE THE WORD
THE DOCTORS USED
37
00:01:20,240 --> 00:01:21,600
TO DESCRIBE MY PROGNOSIS
WAS "EXCELLENT" ‐‐
38
00:01:21,640 --> 00:01:24,270
CONSIDERING THEY TOOK A FOOT
OUT OF MY COLON.
39
00:01:24,300 --> 00:01:25,800
WITH OR WITHOUT THE SHOE.
40
00:01:25,840 --> 00:01:26,870
HO‐HO.
41
00:01:26,900 --> 00:01:28,170
SO, WHEN YOU OUT OF HERE?
42
00:01:28,200 --> 00:01:30,200
AS SOON AS MY BOWELS START
MOVING AGAIN.
43
00:01:30,240 --> 00:01:31,770
[ SIGHS ]
44
00:01:31,800 --> 00:01:36,470
LISTEN, I, UH, I’VE BEEN WORKING
SECURITY FOR MRS. HORNBY,
45
00:01:36,500 --> 00:01:39,740
AND NOW SHE’S SAYING
SHE GOT A NECKLACE MISSING.
46
00:01:39,770 --> 00:01:41,240
YEAH? THAT AIN’T ALL
SHE’S MISSING.
47
00:01:41,270 --> 00:01:43,540
SHE EVER MENTION THAT
TO YOU? MISSING JEWELRY?
48
00:01:43,570 --> 00:01:45,140
SHE’S ALWAYS
MISPLACING SOMETHING.
49
00:01:45,170 --> 00:01:46,470
WHICH YOU NEVER LOOKED INTO.
50
00:01:46,500 --> 00:01:48,600
ANDY, THIS IS A WOMAN WHO CAN
KILL TWO HOURS
51
00:01:48,640 --> 00:01:50,670
PLAYING "GUESS WHICH HAND
THE CANDY’S IN?"
52
00:01:50,700 --> 00:01:53,440
I TALKED TO HER MAID.
SHE SEEMED CLEAN.
53
00:01:53,470 --> 00:01:54,500
MARTA WOULDN’T STEAL
ANYTHING.
54
00:01:54,540 --> 00:01:56,900
WHAT ABOUT HER BUSINESS MANAGER,
CORY BEACHAM?
55
00:01:56,940 --> 00:01:58,240
WHAT ABOUT HIM?
56
00:01:58,270 --> 00:01:59,400
WHAT’S HIS STORY?
HE ON THE UP AND UP?
57
00:01:59,440 --> 00:02:01,440
YOU’RE LOOKING TO STRANGLE
THE GOLDEN GOOSE
58
00:02:01,470 --> 00:02:03,200
THAT I DROPPED
IN YOUR LAP?
59
00:02:03,240 --> 00:02:05,700
MR. BEACHAM’S PAYING YOU
TO KEEP HER COMPANY.
60
00:02:05,740 --> 00:02:06,770
START GETTING SNOOPY
61
00:02:06,800 --> 00:02:09,440
AND MR. BEACHAM WILL BOUNCE YOU
OUT OF THERE.
62
00:02:09,470 --> 00:02:12,400
MRS. HORNBY’S PAYING ME $400
A SHIFT FOR SECURITY.
63
00:02:12,440 --> 00:02:13,600
$400?!
64
00:02:13,640 --> 00:02:14,940
I ONLY GOT $200.
65
00:02:14,970 --> 00:02:16,500
HOW’D YOU GET $400?!
66
00:02:16,540 --> 00:02:19,800
A LITTLE ACCIDENTAL
NEGOTIATION WENT ON.
67
00:02:19,840 --> 00:02:20,940
$400 A SHIFT.
68
00:02:20,970 --> 00:02:23,400
AND YOU’RE COMING TO GET ME
TO HELP YOU SCREW IT UP?
69
00:02:23,440 --> 00:02:24,840
EDDIE.
DON’T BE STUPID
AND GO RUINING
70
00:02:24,870 --> 00:02:27,570
THE ONLY GOLD MINE
YOU’LL EVER STUMBLE ON.
71
00:02:27,600 --> 00:02:29,100
GOOD‐BYE.
72
00:02:29,140 --> 00:02:32,770
[ MUSIC PLAYS ON TELEVISION ]
73
00:02:32,800 --> 00:02:35,170
Man:
YOU’RE WATCHING NEW YORK...
74
00:02:35,200 --> 00:02:37,100
GOOD LUCK
WITH YOUR FIRST CRAP.
75
00:02:37,140 --> 00:02:39,500
Woman: WE’LL HAVE MORE
ON THE DAY’S TOP STORIES...
76
00:03:52,670 --> 00:03:54,600
SO, UH, YOU AND RITA HAD
A CHANCE TO WORK TOGETHER?
77
00:03:54,640 --> 00:03:57,070
WE’VE SHARED A COUPLE
OF CASES, YEAH.
78
00:03:57,100 --> 00:03:58,440
HOW LONG YOU BEEN
AT THE 15th?
79
00:03:58,470 --> 00:04:00,740
WHAT? UH...
THREE MONTHS NOW.
80
00:04:00,770 --> 00:04:02,070
YOU MARRIED?
NO.
81
00:04:02,100 --> 00:04:03,200
TAKE YOUR TIME.
82
00:04:03,240 --> 00:04:04,670
PLAN ON IT.
83
00:04:04,700 --> 00:04:06,640
MUST BE OUT THERE TEARING IT UP,
I BET, HUH?
84
00:04:06,670 --> 00:04:09,640
I DON’T KNOW ABOUT THAT.
BUT, UH, NOT COMPLAINING.
85
00:04:14,070 --> 00:04:16,070
YOU WANT ME TO PAGE HER
FOR YOU OR...?
86
00:04:16,100 --> 00:04:18,370
SHE USUALLY LEAVES
HER CELL PHONE ON.
87
00:04:20,270 --> 00:04:21,340
HEY, HONEY.
88
00:04:21,370 --> 00:04:23,340
HEY. DON,
WHAT ARE YOU DOING HERE?
89
00:04:23,370 --> 00:04:26,270
OH, FORGOT TO HAVE YOU SIGN
THOSE REFINANCE PAPERS.
90
00:04:26,300 --> 00:04:28,370
OH, YOU SHOULD’VE LEFT THEM
ON MY DESK.
91
00:04:28,400 --> 00:04:29,270
YEAH.
92
00:04:30,900 --> 00:04:32,900
I’LL SEE YOU TONIGHT.
WHERE YOU BEEN?
93
00:04:32,940 --> 00:04:35,670
A FOLLOW‐UP INTERVIEW
WITH AN ASSAULT VICTIM.
94
00:04:35,700 --> 00:04:37,200
I’VE BEEN TRYING
YOUR PHONE.
95
00:04:37,240 --> 00:04:40,170
THEY MAKE YOU TURN PHONES OFF
IN HOSPITALS.
96
00:04:40,200 --> 00:04:41,800
I’LL SEE YOU TONIGHT.
97
00:04:41,840 --> 00:04:43,640
WHICH HOSPITAL WAS THIS?
98
00:04:43,670 --> 00:04:44,770
UH...
99
00:04:44,800 --> 00:04:46,740
COME HERE.
100
00:04:48,200 --> 00:04:49,940
WE’RE NOT GOING TO
DO THIS IN HERE.
101
00:04:49,970 --> 00:04:51,370
JUST TELL ME
WHERE YOU WERE.
102
00:04:51,400 --> 00:04:52,440
DON, YOU’RE BEING
PARANOID AGAIN.
103
00:04:52,470 --> 00:04:54,070
I CAN’T DEAL WITH IT
RIGHT NOW.
104
00:04:54,100 --> 00:04:57,940
IT’S JUST LIKE IT WAS
WHEN YOU WERE IN VICE.
105
00:04:57,970 --> 00:04:59,800
JUST TELL ME.
DON, I WILL NOT HAVE
THIS CONVERSATION.
106
00:04:59,840 --> 00:05:00,740
WHAT’S THAT ALL ABOUT?
107
00:05:00,770 --> 00:05:01,740
I DON’T KNOW.
108
00:05:01,770 --> 00:05:04,370
Rita: I’LL SEE YOU
AT HOME TONIGHT.
109
00:05:05,470 --> 00:05:06,700
MORNING.
110
00:05:06,740 --> 00:05:09,070
DON...
111
00:05:09,100 --> 00:05:11,740
I’M SORRY. JUST TRYING TO CLEAR
UP A MISUNDERSTANDING.
112
00:05:11,770 --> 00:05:12,800
CLEAR IT UP AT HOME.
113
00:05:12,840 --> 00:05:14,740
MAKING LIEUTENANT
GOING TO YOUR HEAD?
114
00:05:14,770 --> 00:05:17,570
YOU NEED TO LEAVE RITA ALONE,
AND GET YOUR ASS OUT OF HERE.
115
00:05:17,600 --> 00:05:19,400
WHY ARE YOU INTERESTED
IN MY WIFE?
116
00:05:19,440 --> 00:05:20,940
IS THERE SOMETHING GOING ON?
117
00:05:20,970 --> 00:05:22,240
DON...
118
00:05:22,270 --> 00:05:24,170
PLEASE GO.
I’LL CALL YOU LATER.
119
00:05:24,200 --> 00:05:26,840
15th SQUAD ‐‐
DETECTIVE CLARK.
120
00:05:26,870 --> 00:05:32,200
ALL RIGHT, THANKS.
121
00:05:32,240 --> 00:05:33,770
MY OFFICE.
122
00:05:33,800 --> 00:05:37,070
BOSS, TWO DOAs
ON FIRST AVENUE.
123
00:05:37,100 --> 00:05:38,370
ALL RIGHT. GO AHEAD.
124
00:05:38,400 --> 00:05:39,870
I’LL PAGE THE OTHERS AND
HAVE THEM MEET YOU THERE.
125
00:05:39,900 --> 00:05:41,740
FIND ME LATER.
126
00:05:45,670 --> 00:05:48,170
[ SIGHS ]
SORRY YOU HAD TO SEE THAT.
127
00:05:48,200 --> 00:05:49,940
NOT A PROBLEM.
YOU OKAY?
128
00:05:49,970 --> 00:05:51,370
YEAH. FINE.
129
00:05:57,400 --> 00:05:59,400
Clark: WATCH YOUR BACKS.
130
00:06:03,800 --> 00:06:06,240
CUSTOMER FROM THE TACO JOINT
MADE IT THIS FAR.
131
00:06:06,270 --> 00:06:07,540
ANOTHER DOA INSIDE.
132
00:06:07,570 --> 00:06:09,570
ANDY’S GOT A WITNESS
IN THERE.
133
00:06:09,600 --> 00:06:11,600
DOUBLE?
134
00:06:11,640 --> 00:06:13,540
YEAH.
135
00:06:13,570 --> 00:06:14,570
HEY.
136
00:06:20,940 --> 00:06:22,870
EXCUSE ME.
137
00:06:22,900 --> 00:06:26,240
PERDóN MOMENTO, SEñORA.
138
00:06:26,270 --> 00:06:27,470
YES, MA’AM?
139
00:06:27,500 --> 00:06:29,600
THERE’S A
TRAFFIC CONDITION OUT HERE.
140
00:06:29,640 --> 00:06:30,800
SHE WAS WEEPING.
141
00:06:30,840 --> 00:06:34,240
I UNDERSTAND, BUT THEY NEED HELP
MOVING THE TRAFFIC.
142
00:06:39,900 --> 00:06:40,940
Man: I PLAYED DEAD.
143
00:06:40,970 --> 00:06:42,540
Andy: YEAH, THAT SAVED
YOUR LIFE.
144
00:06:42,570 --> 00:06:45,000
WHAT DID THE GUY LOOK LIKE
WHO DID THE SHOOTING?
145
00:06:45,040 --> 00:06:47,500
A WHITE GUY. DARK HAIR.
146
00:06:47,540 --> 00:06:50,700
I J‐‐ I JUST‐‐
I LAID DOWN AND PLAYED DEAD.
147
00:06:50,740 --> 00:06:52,400
COULD YOU IDENTIFY HIM?
148
00:06:52,440 --> 00:06:53,870
WHO?
149
00:06:53,900 --> 00:06:55,140
HE’S STILL IN SHOCK.
150
00:06:55,170 --> 00:06:56,540
ALL RIGHT, JEFF.
151
00:06:56,570 --> 00:06:59,070
WE’RE GONNA HAVE YOU SIT
IN THE AMBULANCE FOR A WHILE.
152
00:06:59,100 --> 00:07:00,540
YOU CAN LAY DOWN
IF YOU WANT.
153
00:07:00,570 --> 00:07:01,940
I‐I DON’T WANT TO LAY DOWN.
154
00:07:01,970 --> 00:07:04,240
THEY JUST WANT TO MAKE SURE
THAT YOU’RE OKAY.
155
00:07:04,270 --> 00:07:06,370
THEN YOU COME OVER TO
THE STATION HOUSE WITH US
156
00:07:06,400 --> 00:07:08,040
AND HELP US FIND OUT
WHO DID IT.
157
00:07:08,070 --> 00:07:09,670
OKAY.
OKAY?
158
00:07:15,870 --> 00:07:18,740
HE’S THE NEPHEW OF THE OWNER.
HE WAS WORKING THE REGISTER.
159
00:07:18,770 --> 00:07:20,240
HE PROBABLY
WOULDN’T GIVE IT UP.
160
00:07:20,270 --> 00:07:21,970
HOW ABOUT THE ONE OUTSIDE?
161
00:07:22,000 --> 00:07:23,140
JUST EATING HERE.
162
00:07:23,170 --> 00:07:24,670
WE’LL START A CANVASS.
163
00:07:24,700 --> 00:07:25,770
YEAH.
164
00:07:28,500 --> 00:07:29,970
WHAT COULD THEY HAVE GOTTEN
AWAY WITH? 100 BUCKS?
165
00:07:30,000 --> 00:07:31,200
IF THAT.
166
00:07:34,300 --> 00:07:36,240
THIS TRAFFIC COP...
167
00:07:36,270 --> 00:07:38,540
ALL SHE DOES
IS HUG OLD LADIES.
168
00:07:38,570 --> 00:07:40,270
EXCUSE ME.
169
00:07:40,300 --> 00:07:41,540
CAN WE TALK TO YOU?
170
00:07:44,740 --> 00:07:45,840
FELNER...
171
00:07:45,870 --> 00:07:47,140
WHAT ARE YOU DOING?
172
00:07:47,170 --> 00:07:50,440
SHE WAS JUST...
BAWLING.
173
00:07:50,470 --> 00:07:51,700
YOUR JOB’S SUPPOSED TO KEEP
THE TRAFFIC MOVING.
174
00:07:51,740 --> 00:07:54,100
I WON’T FORGET THAT.
CHOO‐CHOO.
175
00:07:54,140 --> 00:07:56,500
ANYTHING IN THERE
ABOUT WITNESSES?
176
00:07:56,540 --> 00:07:59,200
UM...
177
00:07:59,240 --> 00:08:00,870
NOTHING CONCLUSIVE.
178
00:08:00,900 --> 00:08:01,870
WHERE’S YOUR RADIO?
179
00:08:01,900 --> 00:08:03,700
I FORGOT IT AT THE PRECINCT.
180
00:08:03,740 --> 00:08:04,770
WHICH IS WHERE?
181
00:08:04,800 --> 00:08:05,800
WHERE’S YOUR COMMAND?
182
00:08:05,840 --> 00:08:08,300
I SHOULD BE HELPING
WITH THE TRAFFIC.
183
00:08:08,340 --> 00:08:10,240
EXCUSE ME.
WHERE DO YOU WORK?
184
00:08:10,270 --> 00:08:11,900
I’M A TRAFFIC OFFICER.
185
00:08:11,940 --> 00:08:13,200
WHAT HOUSE?
186
00:08:13,240 --> 00:08:15,340
CAN I SEE YOUR I. D. CARD?
187
00:08:15,370 --> 00:08:18,000
[ CHUCKLES ]
IT’S WITH MY RADIO.
188
00:08:18,040 --> 00:08:19,000
WHAT’S YOUR TAX NUMBER?
189
00:08:19,040 --> 00:08:22,700
UH, 719...
190
00:08:22,740 --> 00:08:25,370
I HAVE IT IN MY CAR.
191
00:08:25,400 --> 00:08:26,340
I’LL BE RIGHT BACK.
192
00:08:26,370 --> 00:08:27,770
STAY RIGHT THERE.
193
00:08:29,940 --> 00:08:31,270
THIS IS A FAKE GUN.
194
00:08:31,300 --> 00:08:33,370
PLEASE LET ME GO.
PLEASE LET ME GO TO MY CAR.
195
00:08:33,400 --> 00:08:34,840
TAKE IT EASY.
JUST DON’T GRAB ME.
196
00:08:34,870 --> 00:08:36,070
JUST TAKE IT EASY
197
00:08:36,100 --> 00:08:37,940
AND THERE’LL BE NO REASON TO,
OKAY?
198
00:08:37,970 --> 00:08:39,340
I‐I’M JUST TRYING TO HELP.
199
00:08:39,370 --> 00:08:41,470
WE’LL TALK ABOUT IT
AT THE STATION HOUSE.
200
00:08:46,240 --> 00:08:49,800
TAKE A SEAT.
201
00:08:49,840 --> 00:08:53,100
I WANT TO START BY
SAYING I’M SORRY.
202
00:08:53,140 --> 00:08:54,340
I DON’T WANT YOU TO
THINK MY WEARING
203
00:08:54,370 --> 00:08:55,970
THIS UNIFORM WAS
A SIGN OF DISRESPECT.
204
00:08:56,000 --> 00:08:58,540
AND IF YOU FEEL
THAT WAY,
205
00:08:58,570 --> 00:09:00,040
I’M SORRY.
206
00:09:00,070 --> 00:09:01,370
HAVE A SEAT.
207
00:09:02,400 --> 00:09:04,370
IS YOUR REAL NAME FELNER?
208
00:09:04,400 --> 00:09:05,740
YES, LOUISE FELNER.
209
00:09:05,770 --> 00:09:08,370
TELL US WHAT YOU WERE DOING
ON THE STREET TODAY, LOUISE.
210
00:09:08,400 --> 00:09:10,700
WELL, LIKE I SAID BEFORE,
I WAS JUST TRYING TO HELP ‐‐
211
00:09:10,740 --> 00:09:12,070
WITH ALL RESPECT.
212
00:09:12,100 --> 00:09:13,900
WHERE’D YOU GET THE BADGE
AND UNIFORM?
213
00:09:13,940 --> 00:09:15,740
AT A STORE IN CHINATOWN.
214
00:09:15,770 --> 00:09:17,300
HOW’D YOU HAPPEN
ON THAT CRIME SCENE?
215
00:09:17,340 --> 00:09:19,440
I WAS MONITORING
MY POLICE SCANNER ‐‐
216
00:09:19,470 --> 00:09:21,370
WHICH I BOUGHT SECONDHAND
FOR $13.
217
00:09:21,400 --> 00:09:23,140
HOW LONG YOU BEEN
DRESSING AS A COP?
218
00:09:23,170 --> 00:09:25,240
A LITTLE WHILE.
219
00:09:25,270 --> 00:09:26,640
WHY ARE YOU DOING IT?
220
00:09:26,670 --> 00:09:27,900
TO EASE SUFFERING.
221
00:09:27,940 --> 00:09:31,040
ALTHOUGH I WOULD NEVER INTERFERE
WITH TRUE POLICE BUSINESS.
222
00:09:31,070 --> 00:09:33,000
I JUST WANTED TO TALK
TO PEOPLE
223
00:09:33,040 --> 00:09:35,040
AND WRITE DOWN HOW
THEY WERE FEELING.
224
00:09:35,070 --> 00:09:37,700
AND WHEN THEY FELT BETTER,
I WAS JUST GONNA WALK AWAY.
225
00:09:37,740 --> 00:09:39,740
HAVE YOU EVER BEEN LOCKED UP,
LOUISE?
226
00:09:39,770 --> 00:09:40,870
NO, MA’AM.
227
00:09:40,900 --> 00:09:42,270
EVER BEEN IN THE HOSPITAL?
228
00:09:42,300 --> 00:09:43,940
BEEN TREATED FOR DEPRESSION?
229
00:09:43,970 --> 00:09:45,200
NO.
230
00:09:45,240 --> 00:09:48,470
AM I GONNA BE ARRESTED?
231
00:09:48,500 --> 00:09:50,440
IMPERSONATING A COP’S
A SERIOUS OFFENSE.
232
00:09:50,470 --> 00:09:52,400
WHICH I RESPECT COMPLETELY.
233
00:09:52,440 --> 00:09:54,240
BUT DO YOU UNDERSTAND?
234
00:09:54,270 --> 00:09:56,840
I WAS REALLY ONLY
TRYING TO HELP.
235
00:09:56,870 --> 00:09:58,440
WE UNDERSTAND.
236
00:09:58,470 --> 00:10:01,200
MAYBE WE CAN WORK SOMETHING OUT
AFTER WE GET THINGS CONFIRMED.
237
00:10:01,240 --> 00:10:02,640
WHERE DO YOU LIVE?
WITH MY MOM.
238
00:10:02,670 --> 00:10:04,400
WRITE THE ADDRESS
AND THE NUMBER.
239
00:10:04,440 --> 00:10:05,940
WE’LL GIVE HER A CALL.
240
00:10:05,970 --> 00:10:07,970
SH‐‐ SHE NEVER ANSWERS
THE PHONE.
241
00:10:08,000 --> 00:10:09,540
WORK WITH US
OR GO TO JAIL.
242
00:10:09,570 --> 00:10:11,300
I AM WORKING WITH YOU,
OF COURSE.
243
00:10:11,340 --> 00:10:15,300
AND AGAIN, I AM...
SO SORRY.
244
00:10:24,740 --> 00:10:25,940
HOW’S OUR WITNESS?
245
00:10:25,970 --> 00:10:27,770
HE’S STILL PRETTY
TRAUMATIZED
246
00:10:27,800 --> 00:10:31,100
AFTER SEEING ONE OF THE DOAs
GET HIS BRAINS BLOWN OUT.
247
00:10:31,140 --> 00:10:33,440
PLUS, STARING DOWN
THE BARREL HIMSELF.
248
00:10:33,470 --> 00:10:35,470
NAME’S JEFF GAMBLE.
NO RECORD. WORKS AS A JANITOR.
249
00:10:35,500 --> 00:10:37,440
GREG AND BALDWIN
ARE BRINGING HIM IN.
250
00:10:37,470 --> 00:10:39,770
THINK HE’S GONNA BE ANY HELP
I.D.ing THE SHOOTER?
251
00:10:39,800 --> 00:10:41,840
YEAH, BUT WE’RE
LETTING HIM CALM DOWN ‐‐
252
00:10:41,870 --> 00:10:42,970
GET HIS HEAD STRAIGHT.
253
00:10:43,000 --> 00:10:44,500
YOU THINK HE COULD PROVIDE
A SKETCH?
254
00:10:44,540 --> 00:10:46,100
YEAH, PROBABLY WORTH
A SHOT.
255
00:10:46,140 --> 00:10:48,040
EVER SEE THE SKETCH
OF THE ZODIAC KILLER?
256
00:10:48,070 --> 00:10:49,540
IT WAS OF
A 300‐POUND BLACK GUY,
257
00:10:49,570 --> 00:10:51,770
AND IT TURNED OUT TO BE THAT
SKINNY WHITE PRICK.
258
00:10:51,800 --> 00:10:54,000
WHEN I TELL THE CHIEF THAT
WE’RE DOING EVERYTHING,
259
00:10:54,040 --> 00:10:55,700
I WANNA MEAN IT.
260
00:10:55,740 --> 00:10:57,040
WE’RE ON IT.
261
00:11:00,370 --> 00:11:03,270
JOSH, I’M TAKING HER UP
TO THE CRIB TO GET HER SITUATED.
262
00:11:03,300 --> 00:11:05,500
AND I NEED YOU TO KEEP
AN EYE ON HER.
263
00:11:05,540 --> 00:11:06,400
SURE.
264
00:11:07,900 --> 00:11:09,870
THIS THE POLICE IMPERSONATOR?
265
00:11:09,900 --> 00:11:11,540
CAME OFF PRETTY HARMLESS.
266
00:11:11,570 --> 00:11:13,770
WE’RE GONNA LOOK
INTO HER.
267
00:11:24,100 --> 00:11:26,300
I GOT SET UP
ON A BLIND DATE.
268
00:11:26,340 --> 00:11:28,340
HE PEN YOU A LOVE POEM?
269
00:11:28,370 --> 00:11:31,740
NO, HE, UH, HE LOOKS FORWARD
TO MEETING ME.
270
00:11:31,770 --> 00:11:33,740
WHAT’S HE DO?
271
00:11:33,770 --> 00:11:35,370
LAWYER.
[ SCOFFS ]
272
00:11:35,400 --> 00:11:36,870
YOU’RE STILL GOING OUT
WITH HIM?
273
00:11:36,900 --> 00:11:38,100
A FRIEND FIXED ME UP.
274
00:11:38,140 --> 00:11:39,700
SOME FRIEND.
275
00:11:39,740 --> 00:11:41,740
HEY!
276
00:11:41,770 --> 00:11:42,700
WHAT’S UP?
277
00:11:42,740 --> 00:11:44,770
Clark: WHAT THE HELL
ARE YOU DOING HERE?
278
00:11:44,800 --> 00:11:47,370
SELLING MAGAZINE SUBSCRIPTIONS.
WHAT DO YOU THINK?
279
00:11:47,400 --> 00:11:49,370
HOW ARE YOU STILL LIVING
IN THIS CITY?
280
00:11:49,400 --> 00:11:51,400
ONE DAY AT A TIME,
LIKE EVERYBODY ELSE.
281
00:11:51,440 --> 00:11:53,870
NONE OF THE PEOPLE THAT YOU GAVE
UP CAME AFTER YOU?
282
00:11:53,900 --> 00:11:56,770
OH, YOU KILLED AGAZZI, SO...
PROBLEM SOLVED.
283
00:11:56,800 --> 00:12:00,470
WHAT ABOUT THAT GUY, UH...
GIGLIO YOU DID THE ROBBERY WITH?
284
00:12:00,500 --> 00:12:01,940
DEAD ‐‐ HE GOT SHANKED
IN THE SHOWER
285
00:12:01,970 --> 00:12:03,440
THE SECOND DAY AT RIKERS.
286
00:12:03,470 --> 00:12:06,370
SURVIVING LIKE A COCKROACH.
287
00:12:06,400 --> 00:12:08,570
BUT WE’RE NOT FORGETTING YOU
HELPED BURY MY OLD PARTNER.
288
00:12:08,600 --> 00:12:10,340
I DIDN’T KNOW
THAT WAS YOUR PARTNER.
289
00:12:10,370 --> 00:12:12,170
LOOKING AT YOU
GIVES ME BAD MEMORIES.
290
00:12:12,200 --> 00:12:13,800
HIT THE BRICKS
OR THEY’LL HIT YOU.
291
00:12:13,840 --> 00:12:15,170
YOU GOT TWO GUYS WHACKED
292
00:12:15,200 --> 00:12:17,240
DOWN AT LUPE’S CANTINA
THIS MORNING?
293
00:12:18,270 --> 00:12:20,540
WHAT ABOUT IT?
294
00:12:20,570 --> 00:12:23,640
OH, WHY, YES,
I WOULD LOVE A CUP OF COFFEE.
295
00:12:26,840 --> 00:12:28,540
[ CLEARS THROAT ]
296
00:12:28,570 --> 00:12:29,770
COME ON.
297
00:12:29,800 --> 00:12:32,400
YOU SURE? I’D HATE TO GIVE YOU
BAD MEMORIES.
298
00:12:32,440 --> 00:12:35,270
YEAH, PUSH IT, JULIAN.
THAT’D BE A REALLY GOOD IDEA.
299
00:12:44,540 --> 00:12:46,740
DO YOU KNOW HOW MUCH MONEY
I LOST OUT ON
300
00:12:46,770 --> 00:12:49,440
WHEN I GAVE YOU AGAZZI
FOR KILLING YOUR PARTNER?
301
00:12:49,470 --> 00:12:51,600
YOU DON’T WANT TO REVISIT
THAT, JULIAN.
302
00:12:51,640 --> 00:12:53,500
IT HAS TO DO
WITH WHY I’M HERE ‐‐
303
00:12:53,540 --> 00:12:56,100
IN THAT,
WHEN SOMEONE GIVES INFORMATION
304
00:12:56,140 --> 00:12:57,740
ON A COP BEING KILLED,
305
00:12:57,770 --> 00:12:59,340
THAT PERSON COLLECTS MONEY
306
00:12:59,370 --> 00:13:01,900
FROM AN ORGANIZATION
CALLED "COP SHOT" ‐‐
307
00:13:01,940 --> 00:13:04,900
FROM THE MAYOR’S OFFICE,
FROM THE POLICE UNION,
308
00:13:04,940 --> 00:13:06,370
FROM THE NEWSPAPERS,
309
00:13:06,400 --> 00:13:09,340
FROM YOUR LOCAL BENEFACTORS,
LIKE YOUR DONALD TRUMPS.
310
00:13:09,370 --> 00:13:11,600
YEAH, YOU SAVED YOURSELF
FIVE YEARS IN PRISON
311
00:13:11,640 --> 00:13:13,500
FOR GIVING UP
THAT INFORMATION.
312
00:13:13,540 --> 00:13:15,700
YEAH, BUT IT ALSO
HAS OPENED MY EYES
313
00:13:15,740 --> 00:13:20,000
TO THE CASH THAT’S OUT THERE
FOR INFO ON HORRENDOUS CRIMES,
314
00:13:20,040 --> 00:13:24,740
WHICH I WILL ABSOLUTELY
NOT BE SHAFTED ON THIS TIME.
315
00:13:24,770 --> 00:13:29,200
I DID MY HOMEWORK, FELLAS,
SO DON’T EVEN TRY IT.
316
00:13:29,240 --> 00:13:32,040
TELL US WHAT YOU KNOW, JULIAN,
BEFORE YOU GET STRUCK.
317
00:13:32,070 --> 00:13:33,700
STRUCK, HUH?
LET ME TELL YOU...
318
00:13:33,740 --> 00:13:35,970
I HAD NOTHING TO DO
WITH THOSE MURDERS TODAY.
319
00:13:36,000 --> 00:13:38,200
I JUST HEARD SOME THINGS.
320
00:13:38,240 --> 00:13:42,040
SO YOU DON’T HAVE MY NUTS
IN A VISE THIS TIME.
321
00:13:42,070 --> 00:13:45,140
AND WHEN YOU REALIZE THAT...
322
00:13:45,170 --> 00:13:46,500
YOU CALL ME.
323
00:13:46,540 --> 00:13:49,100
THE OWNER OF THE RESTAURANT’S
NEPHEW WAS KILLED.
324
00:13:49,140 --> 00:13:50,900
HE’S PUTTING UP 15 GRAND.
325
00:13:50,940 --> 00:13:53,800
I’D LIKE TO SEE
WRITTEN CONFIRMATION OF THAT.
326
00:13:53,840 --> 00:13:54,970
STAY AWAY FROM ME.
327
00:13:55,000 --> 00:13:56,100
STAY AWAY FROM ME!
328
00:13:56,140 --> 00:13:57,500
THE OFFER’S VALID,
329
00:13:57,540 --> 00:14:00,400
AND IT’S YOURS IF YOU JUST TELL
US WHAT YOU KNOW.
330
00:14:00,440 --> 00:14:01,740
OKAY.
331
00:14:04,470 --> 00:14:06,270
AND I WANT $2,000
FROM CRIMESTOPPERS.
332
00:14:06,300 --> 00:14:07,870
JULIAN!
RIGHT, OKAY.
333
00:14:07,900 --> 00:14:11,870
SO THIS GUY THAT I KNOW
FROM DOWN ON BLEAKEY
334
00:14:11,900 --> 00:14:13,140
COMES IN THIS MORNING
335
00:14:13,170 --> 00:14:15,400
WITH A LOOK IN HIS EYES
OF SHEER TERROR.
336
00:14:15,440 --> 00:14:17,800
HE KEEPS SAYING,
"SOMETHING WENT DOWN, MAN."
337
00:14:17,840 --> 00:14:20,600
NOW, LUPE’S CANTINA COME UP
IN PRIOR CONVERSATION
338
00:14:20,640 --> 00:14:23,200
AS THE PLACE WHERE THIS GUY
WOULD EAT AT REGULARLY,
339
00:14:23,240 --> 00:14:24,270
AND WHICH I HAD HEARD,
AT THAT POINT,
340
00:14:24,300 --> 00:14:27,800
WAS EARLIER ROBBED
WITH TWO GUYS KILLED.
341
00:14:27,840 --> 00:14:29,240
SO I SAY,
342
00:14:29,270 --> 00:14:32,500
"OH, DID SOMETHING GO DOWN
AT LUPE’S?"
343
00:14:32,540 --> 00:14:35,400
HE’S SO STUNNED THAT LITERALLY
HIS MOUTH WAS OPEN
344
00:14:35,440 --> 00:14:37,500
THAT I HAD PUT
THE TWO TOGETHER.
345
00:14:37,540 --> 00:14:40,370
SO THEN HE GLARES ME
IN THE EYE,
346
00:14:40,400 --> 00:14:43,840
AND HE SAYS
I BETTER KEEP MY MOUTH SHUT...
347
00:14:43,870 --> 00:14:45,200
WHICH I DID UNTIL NOW.
348
00:14:45,240 --> 00:14:46,500
HIS NAME?
349
00:14:46,540 --> 00:14:49,870
IT’S GIO DELORIA.
HE LIVES OVER ON SEVENTH STREET.
350
00:14:49,900 --> 00:14:52,100
I USED TO GO BY THERE A LOT
351
00:14:52,140 --> 00:14:54,870
’CAUSE I HAD TO DROP
THINGS OFF.
352
00:14:54,900 --> 00:14:56,100
WAIT, OKAY!
353
00:14:58,770 --> 00:15:00,970
I’LL GET MEDAVOY AND JONES
TO MEET US.
354
00:15:01,000 --> 00:15:02,640
ALL RIGHT.
WE’LL BE DOWNSTAIRS.
355
00:15:02,670 --> 00:15:05,900
WE RAN LOUISE.
UH, NO PRIORS, NO WARRANTS.
356
00:15:05,940 --> 00:15:06,970
YOU CONTACT HER MOTHER?
357
00:15:07,000 --> 00:15:08,100
NO ANSWER
AT THE APARTMENT.
358
00:15:08,140 --> 00:15:09,870
BUT LOUISE SAID
SHE MIGHT NOT PICK UP.
359
00:15:09,900 --> 00:15:11,170
WE’RE GONNA RUN BY AND SEE
360
00:15:11,200 --> 00:15:12,370
IF SHE CAN GIVE US
A SENSE OF THE GIRL.
361
00:15:12,400 --> 00:15:14,240
IF SHE’S HARMLESS
AND JUST NUTTY,
362
00:15:14,270 --> 00:15:15,700
MAYBE WE’LL GIVE HER A WALK.
363
00:15:15,740 --> 00:15:16,940
WE DID GET HIP TO HER
364
00:15:16,970 --> 00:15:18,300
BECAUSE SHE WOULDN’T STOP
HUGGING PEOPLE.
365
00:15:18,340 --> 00:15:19,800
DETECTIVE McDOWELL?
366
00:15:19,840 --> 00:15:22,470
AT YOUR CALL, I’M KICKING HER,
BUT GET HER A CHANGE OF CLOTHES.
367
00:15:22,500 --> 00:15:24,700
I WANT HER BADGE, UNIFORM,
GUN VOUCHERED.
368
00:15:24,740 --> 00:15:27,570
WHEN WE TALK TO HER MOM,
WE’LL GET HER SOME CLOTHES.
369
00:15:29,200 --> 00:15:31,240
I GOT A MINUTE NOW,
IF YOU WANT.
370
00:15:31,270 --> 00:15:33,940
I GOT A QUICK CALL TO MAKE.
THEN WE’LL TALK.
371
00:15:33,970 --> 00:15:37,200
UH, I EAT ANYTHING, REALLY.
I...
372
00:15:37,240 --> 00:15:39,840
YOU MAKE THE CALL.
I‐I BETTER GET GOING.
373
00:15:39,870 --> 00:15:40,840
OKAY. [ CHUCKLES ]
374
00:15:40,870 --> 00:15:42,170
[ CLEARS THROAT ]
375
00:15:42,200 --> 00:15:43,770
I’LL ‐‐ I’LL SEE YOU THEN.
376
00:15:46,400 --> 00:15:48,140
DID JULIAN GIVE YOU
SOMETHING?
377
00:15:48,170 --> 00:15:50,170
MAYBE.
THAT THE LAWYER?
378
00:15:50,200 --> 00:15:52,140
PICKING A RESTAURANT.
379
00:15:52,170 --> 00:15:53,800
JUST MAKE SURE THE PLACE
IS WELL‐LIT
380
00:15:53,840 --> 00:15:56,240
OR THE SHYSTER WILL MAKE OFF
WITH YOUR WALLET.
381
00:15:56,270 --> 00:15:58,600
DO YOU HAVE A PROBLEM
WITH THIS BLIND DATE?
382
00:15:58,640 --> 00:15:59,940
NO. WHY?
383
00:15:59,970 --> 00:16:01,400
YOU’VE MADE A LOT OF COMMENTS.
384
00:16:01,440 --> 00:16:03,970
I DON’T LIKE THE IDEA OF YOU
BUILDING A RELATIONSHIP
385
00:16:04,000 --> 00:16:06,540
WITH MY SON THAT MAYBE GETS
TOSSED OUT THE WINDOW
386
00:16:06,570 --> 00:16:08,670
BECAUSE OF SOME GUY
WHO COMES ALONG.
387
00:16:08,700 --> 00:16:10,270
WHAT ARE YOU TALKING ABOUT?
388
00:16:10,300 --> 00:16:12,570
HIS MOM DIED,
MY EX‐WIFE’S WORKING,
389
00:16:12,600 --> 00:16:15,040
SO SHE’S NOT AROUND
LIKE SHE WAS.
390
00:16:15,070 --> 00:16:16,770
AND HE FELT ABANDONED
BY THEM.
391
00:16:16,800 --> 00:16:18,740
I DON’T WANT THAT
HAPPENING WITH YOU.
392
00:16:18,770 --> 00:16:20,570
ANDY...
393
00:16:20,600 --> 00:16:22,600
I’M NOT EVEN SUPPOSED
TO BABYSIT TONIGHT.
394
00:16:22,640 --> 00:16:24,100
I’M TALKING ABOUT
DOWN THE LINE.
395
00:16:24,140 --> 00:16:26,370
I WILL ALWAYS HAVE TIME
FOR THEO.
396
00:16:26,400 --> 00:16:28,400
YOU KNOW WHAT?
DON’T PUT YOURSELF OUT.
397
00:16:28,440 --> 00:16:30,770
ANDY...
398
00:16:36,340 --> 00:16:39,100
WELL, I JUST WANTED TO LET YOU
KNOW WHAT WAS HAPPENING.
399
00:16:39,140 --> 00:16:40,770
OKAY. THANK YOU.
400
00:16:42,200 --> 00:16:44,940
[ SIGHS ]
401
00:16:44,970 --> 00:16:47,040
WHAT HAPPENED TODAY
WITH YOUR HUSBAND ‐‐
402
00:16:47,070 --> 00:16:48,440
IS THAT A RECENT OCCURRENCE?
403
00:16:48,470 --> 00:16:50,870
WE’RE WORKING IT OUT.
404
00:16:50,900 --> 00:16:52,070
IS THAT A RECENT OCCURRENCE?
405
00:16:52,100 --> 00:16:53,340
NO.
406
00:16:53,370 --> 00:16:55,440
BUT IT’S NOTHING
I CAN’T HANDLE.
407
00:16:55,470 --> 00:16:57,840
I KNOW YOU’RE FRIENDS.
I DON’T WANT YOU INVOLVED.
408
00:16:57,870 --> 00:16:59,200
INVOLVED?
409
00:16:59,240 --> 00:17:01,840
I COME IN TODAY, AND YOU
AND DON ARE CAUSING A SCENE
410
00:17:01,870 --> 00:17:02,940
IN THE HALLWAY.
411
00:17:02,970 --> 00:17:05,340
DON BEING THE GUY THAT
CALLED IN A FAVOR I OWED HIM.
412
00:17:05,370 --> 00:17:07,570
YOU BEING THAT FAVOR.
I’M INVOLVED, RITA.
413
00:17:07,600 --> 00:17:08,740
GOT IT.
414
00:17:08,770 --> 00:17:11,870
SO I WANNA KNOW
WHAT THE HELL’S GOING ON.
415
00:17:11,900 --> 00:17:15,640
DON’S OVERPROTECTIVE.
SOMETIMES HE CAN GET PARANOID.
416
00:17:15,670 --> 00:17:17,440
HE WANTS TO KNOW
WHERE I AM ALL THE TIME.
417
00:17:17,470 --> 00:17:19,300
DOES HE HAVE REASON
TO BE PARANOID?
418
00:17:19,340 --> 00:17:21,240
TO THE EXTENT THAT’S
ANY OF YOUR BUSINESS,
419
00:17:21,270 --> 00:17:22,340
NO, HE DOESN’T.
420
00:17:22,370 --> 00:17:23,840
MAYBE YOU GUYS
SHOULD GET SOME COUNSELING.
421
00:17:23,870 --> 00:17:25,200
WE ARE.
GOOD.
422
00:17:25,240 --> 00:17:26,470
CAUSE MARRIAGE PROBLEMS
ARE A LITTLE DIFFERENT
423
00:17:26,500 --> 00:17:28,670
WHEN ONE OF THE PEOPLE
INVOLVED CARRIES A GUN.
424
00:17:28,700 --> 00:17:30,140
I’M AWARE OF THAT.
425
00:17:30,170 --> 00:17:31,670
ARE YOU ALL RIGHT?
426
00:17:31,700 --> 00:17:32,800
OVERALL?
427
00:17:32,840 --> 00:17:33,840
YEAH.
428
00:17:33,870 --> 00:17:35,440
HAS DON HIT YOU?
429
00:17:35,470 --> 00:17:38,570
NO, THAT’S NOT US.
WE JUST HAVE OUR ARGUMENTS.
430
00:17:38,600 --> 00:17:40,940
WELL, I HOPE YOU GUYS
WORK IT OUT.
431
00:17:40,970 --> 00:17:43,270
BUT THAT FLARE‐UP
THIS MORNING,
432
00:17:43,300 --> 00:17:45,970
IT DOESN’T HAPPEN AGAIN
IN MY SQUAD.
433
00:17:46,000 --> 00:17:47,800
THAT’S ALL.
434
00:17:47,840 --> 00:17:51,200
IF DON PRESSURED YOU INTO
GETTING ME ASSIGNED HERE
435
00:17:51,240 --> 00:17:53,440
OR YOU’RE NOT HAPPY
WITH MY WORK,
436
00:17:53,470 --> 00:17:55,040
I’LL TRANSFER OUT...TODAY.
437
00:17:55,070 --> 00:17:57,100
YOUR WORK’S NOT THE PROBLEM.
438
00:18:07,040 --> 00:18:09,140
[ LOUD POUNDING ON DOOR ]
439
00:18:09,170 --> 00:18:11,740
[ SIGHS ]
440
00:18:11,770 --> 00:18:13,700
IF THIS IS A RUNAROUND
JULIAN SENT US ON
441
00:18:13,740 --> 00:18:15,740
’CAUSE HE GOT DOLLAR SIGNS
IN HIS EYES...
442
00:18:15,770 --> 00:18:17,070
[ LOUD POUNDING RESUMES ]
443
00:18:17,100 --> 00:18:18,470
DO WE HAVE ENOUGH
TO TAKE THE DOOR?
444
00:18:18,500 --> 00:18:20,300
NO. AND THERE’S NO USE
RISKING OUR JOBS
445
00:18:20,340 --> 00:18:22,640
AND THIS CASE OFF WHAT
JULIAN’S SPINNING.
446
00:18:22,670 --> 00:18:25,570
THIS GIO GUY’S GOT A GIRLFRIEND
OVER ON SIXTH.
447
00:18:25,600 --> 00:18:29,700
SHE’S HAD MULTIPLE COMPLAINTS
AGAINST HIM FOR BATTERY.
448
00:18:29,740 --> 00:18:31,600
LET’S TAKE A LOOK
AT THAT LOCATION.
449
00:18:31,640 --> 00:18:32,800
[ SIGHS ]
450
00:18:32,840 --> 00:18:34,200
ALL RIGHT.
451
00:18:35,440 --> 00:18:38,540
WE’LL SIT ON THIS PLACE
IN CASE HE SHOWS.
452
00:18:42,770 --> 00:18:45,840
NOT TAKING A DOOR DOWN
AT THE DROP OF A HAT?
453
00:18:45,870 --> 00:18:48,040
ANDY’S COME A LONG WAY.
454
00:18:48,070 --> 00:18:49,640
YEAH.
455
00:18:50,870 --> 00:18:54,140
YOU’RE AWFUL QUIET LATELY,
THERE, PARTNER.
456
00:18:54,170 --> 00:18:56,600
YEAH, I JUST GOT A LOT
GOING ON.
457
00:18:56,640 --> 00:18:58,470
BOYFRIEND/GIRLFRIEND‐TYPE
STUFF?
458
00:18:58,500 --> 00:19:00,540
THAT’S WHAT I’M SENSING.
459
00:19:00,570 --> 00:19:01,740
YEAH, THAT TYPE.
460
00:19:05,640 --> 00:19:08,470
[ SIGHS ]
461
00:19:08,500 --> 00:19:12,100
YOU KNOW, THERE WAS A SONG ‐‐
THIS IS BEFORE YOUR TIME ‐‐
462
00:19:12,140 --> 00:19:15,070
"WHEN YOU’RE IN LOVE
WITH A BEAUTIFUL WOMAN."
463
00:19:15,100 --> 00:19:17,200
LEO SAYER, I THINK,
SANG IT.
464
00:19:17,240 --> 00:19:20,400
AND ‐‐ AND THE SONG BASICALLY
TOLD IT LIKE IT IS.
465
00:19:20,440 --> 00:19:23,900
IT’S HARD ‐‐ INVOLVES A WHOLE
NEW SET OF CIRCUMSTANCES
466
00:19:23,940 --> 00:19:26,400
THAN DATING A PLAIN GAL.
[ CHUCKLES ]
467
00:19:26,440 --> 00:19:29,370
NO, DR. HOOK ‐‐
HE SANG IT.
468
00:19:29,400 --> 00:19:31,040
I’LL LOOK FOR IT.
469
00:19:31,070 --> 00:19:34,000
AND A BEAUTIFUL WOMAN
YOU WORK WITH,
470
00:19:34,040 --> 00:19:36,440
I’VE BEEN THERE.
471
00:19:36,470 --> 00:19:38,300
HAVE YOU?
472
00:19:38,340 --> 00:19:42,600
I DON’T KNOW IF ANYONE EVER TOLD
YOU ABOUT OUR FORMER PAA,
473
00:19:42,640 --> 00:19:45,440
DONNA ABANDANDO ‐‐
HOW BEAUTIFUL SHE WAS.
474
00:19:45,470 --> 00:19:47,540
NO.
475
00:19:47,570 --> 00:19:48,600
[ SIGHS ]
476
00:19:48,640 --> 00:19:50,100
KNOCKOUT.
477
00:19:50,140 --> 00:19:53,570
I MEAN, GIFTED...
478
00:19:53,600 --> 00:19:55,500
PHYSICALLY.
479
00:19:55,540 --> 00:20:00,200
AND HER AND ME,
YOU KNOW...
480
00:20:00,240 --> 00:20:01,940
I WAS GOING SOMEWHERE
WITH THAT.
481
00:20:01,970 --> 00:20:05,600
I GOT WHAT YOU’RE SAYING, GREG,
AND I APPRECIATE IT.
482
00:20:05,640 --> 00:20:07,100
JUST GIVE HER SPACE.
483
00:20:07,140 --> 00:20:08,640
YOU GUYS WILL BE ALL RIGHT.
484
00:20:15,140 --> 00:20:17,100
[ SIGHS ]
485
00:20:22,740 --> 00:20:23,840
MRS. FELNER?
486
00:20:23,870 --> 00:20:25,270
[ KNOCKS ON DOOR ]
487
00:20:25,300 --> 00:20:27,200
DO YOU SMELL SOMETHING?
488
00:20:30,270 --> 00:20:33,270
[ CLEARS THROAT ]
IS EVERYTHING OKAY?
489
00:20:33,300 --> 00:20:34,470
UH, POLICE, MA’AM.
490
00:20:34,500 --> 00:20:35,900
WE’D LIKE TO SPEAK
WITH MRS. FELNER.
491
00:20:35,940 --> 00:20:37,370
DO YOU KNOW WHERE SHE IS?
492
00:20:37,400 --> 00:20:38,740
I HAVEN’T SEEN HER
IN A WHILE.
493
00:20:38,770 --> 00:20:40,100
HOURS, DAYS?
494
00:20:40,140 --> 00:20:42,940
I GUESS, UH,
A COUPLE OF WEEKS.
495
00:20:42,970 --> 00:20:44,470
IS THE SUPER ON SITE?
496
00:20:44,500 --> 00:20:47,000
[ SCOFFS ] YOU NEED A KEY?
I‐I’VE GOT ONE.
497
00:20:47,040 --> 00:20:48,240
PLEASE.
498
00:20:48,270 --> 00:20:50,100
HER DAUGHTER’S ALWAYS
LOSING HER KEY,
499
00:20:50,140 --> 00:20:51,370
SO THEY GAVE ME A SPARE.
500
00:20:51,400 --> 00:20:53,270
DO THEY ‐‐
DO THEY KEEP IT PRETTY NEAT?
501
00:20:53,300 --> 00:20:55,100
OR DOES THE GARBAGE PILE UP
IN HERE?
502
00:20:55,140 --> 00:20:57,370
IT’S ALWAYS TIDY.
503
00:20:59,340 --> 00:21:00,670
UM, JUST STAY HERE.
504
00:21:01,940 --> 00:21:03,770
[ SNIFFS ]
505
00:21:13,000 --> 00:21:14,570
Hey.
506
00:21:16,770 --> 00:21:18,840
I HOPE IT’S
A DEAD CAT IN HERE.
507
00:21:18,870 --> 00:21:21,540
YEAH. [ SNIFFS ]
508
00:21:21,570 --> 00:21:22,770
Ugh.
509
00:21:24,940 --> 00:21:27,270
[ SIGHS ]
510
00:21:27,300 --> 00:21:29,100
[ COUGHS ] WHOA.
511
00:21:29,140 --> 00:21:30,800
[ INHALES ]
512
00:21:30,840 --> 00:21:32,240
[ EXHALES ]
513
00:21:51,510 --> 00:21:52,680
Woman: YEAH?
514
00:21:52,710 --> 00:21:54,080
OPEN THE DOOR.
515
00:21:54,110 --> 00:21:55,680
WHAT’S GOING ON?
516
00:21:55,710 --> 00:21:58,210
OPEN THE DOOR.
517
00:21:58,250 --> 00:22:00,010
LISA VERDECANA?
YEAH.
518
00:22:00,050 --> 00:22:01,650
WE’RE LOOKING
FOR GIOVANNI DELORIA.
519
00:22:01,680 --> 00:22:02,780
DON’T KNOW HIM.
520
00:22:02,810 --> 00:22:04,750
NO?
SORRY.
521
00:22:04,780 --> 00:22:07,310
SO, THE FOUR TIMES
YOU CALLED THE COPS LAST YEAR
522
00:22:07,350 --> 00:22:09,350
’CAUSE HE WAS BEATING YOU,
THAT WAS WHAT?
523
00:22:09,380 --> 00:22:11,710
SO, YOU’RE POLICE,
AND YOU’RE LOOKING FOR GIO ‐‐
524
00:22:11,750 --> 00:22:12,880
SHUT YOUR MOUTH!
525
00:22:12,910 --> 00:22:14,280
GIO, NO, NO!
526
00:22:14,310 --> 00:22:15,680
GET HIM DOWN!
527
00:22:15,710 --> 00:22:17,380
DON’T MOVE! FREEZE!
528
00:22:22,450 --> 00:22:24,550
DROP IT!
529
00:22:24,580 --> 00:22:27,480
SON OF A BITCH.
530
00:22:27,510 --> 00:22:28,510
YOU GOT HIM?
531
00:22:28,550 --> 00:22:29,550
YEAH.
532
00:22:29,580 --> 00:22:30,910
LET GO OF ME!
533
00:22:30,950 --> 00:22:31,910
SHUT UP!
534
00:22:31,950 --> 00:22:33,180
MOMMY?
535
00:22:48,150 --> 00:22:50,580
WHO’S SITTING ON
LOUISE FELNER?
536
00:22:50,610 --> 00:22:51,580
SHE’S SLEEPING.
537
00:22:55,410 --> 00:22:56,450
SON OF A BITCH.
538
00:22:56,480 --> 00:22:57,580
JOSH?
539
00:22:57,610 --> 00:23:00,580
I WAS JUST GONE A MINUTE.
I HAD TO GO TO THE CAN.
540
00:23:00,610 --> 00:23:02,610
I’LL LOOK DOWNSTAIRS.
541
00:23:02,650 --> 00:23:04,680
YEAH.
542
00:23:04,710 --> 00:23:06,110
ANY PARTICULAR REASON
543
00:23:06,150 --> 00:23:08,210
YOU’D WANT TO RUN
FROM THE COPS TODAY, GIO?
544
00:23:08,250 --> 00:23:09,550
I WASN’T RUNNING.
545
00:23:09,580 --> 00:23:11,580
TWO KNOTS ON YOUR HEAD
SAY OTHERWISE.
546
00:23:11,610 --> 00:23:13,010
I WAS BRUSHING MY TEETH.
547
00:23:13,050 --> 00:23:15,650
THE ONLY THING I HEARD
WAS LISA SCREAM MY NAME,
548
00:23:15,680 --> 00:23:16,880
SO I WENT FOR MY GUN.
549
00:23:16,910 --> 00:23:19,180
IF I KNEW YOU WERE COPS,
I WOULD HAVE LAID DOWN.
550
00:23:19,210 --> 00:23:20,280
I’M GONNA KILL COPS?
551
00:23:20,310 --> 00:23:22,080
WHERE WERE YOU THIS MORNING
AT 10:00?
552
00:23:22,110 --> 00:23:23,280
AT LISA’S.
553
00:23:23,310 --> 00:23:26,280
YOU STOP BY LUPE’S CANTINA?
NO.
554
00:23:26,310 --> 00:23:28,550
GIO, NOW’S THE TIME
TO TALK ABOUT WHAT HAPPENED,
555
00:23:28,580 --> 00:23:30,710
NOT AFTER WE BRING IN OUR
WITNESSES
556
00:23:30,750 --> 00:23:31,810
AND THEY PICK YOU OUT
OF A LINEUP.
557
00:23:31,850 --> 00:23:33,450
PICK ME OUT FOR WHAT?
558
00:23:33,480 --> 00:23:36,510
ROBBING THAT RESTAURANT,
KILLING THOSE TWO PEOPLE.
559
00:23:36,550 --> 00:23:37,550
THAT’S CRAZY.
560
00:23:37,580 --> 00:23:40,050
AND WHOEVER’S SAYING I DID IT
IS LYING.
561
00:23:40,080 --> 00:23:43,010
YOU MAKE US DO A LINEUP
562
00:23:43,050 --> 00:23:45,380
WE WILL MAKE SURE
THAT EVERY CHARGE STICKS TO YOU
563
00:23:45,410 --> 00:23:47,410
DOWN TO CRIMINAL POSSESSION
OF A WEAPON,
564
00:23:47,450 --> 00:23:48,580
AND WE WILL MAKE SURE
565
00:23:48,610 --> 00:23:50,850
THAT YOU SERVE EVERY CHARGE
CONSECUTIVELY!
566
00:23:50,880 --> 00:23:54,110
I HAVE BEEN IN MY GIRLFRIEND’S
APARTMENT ALL DAY,
567
00:23:54,150 --> 00:23:57,050
HELPING HER PUT TOGETHER
STUPID‐ASS GIFT FAVORS
568
00:23:57,080 --> 00:23:58,610
FOR HER SISTER’S WEDDING.
569
00:23:58,650 --> 00:24:01,550
I DIDN’T ROB NOBODY,
I DIDN’T KILL NOBODY,
570
00:24:01,580 --> 00:24:02,910
AND THAT’S THE TRUTH.
571
00:24:07,850 --> 00:24:09,910
GET IN. COME ON.
572
00:24:17,750 --> 00:24:21,250
[ DOOR CLOSES ]
573
00:24:21,280 --> 00:24:22,980
OH, A JIM POWER TO SEE YOU,
DETECTIVE.
574
00:24:23,010 --> 00:24:24,410
HEY, JIM.
ANDY.
575
00:24:24,450 --> 00:24:26,450
THIS IS MY PARTNER,
JOHN CLARK.
576
00:24:26,480 --> 00:24:27,450
JIM’S RETIRED.
577
00:24:27,480 --> 00:24:29,450
HE WORKS SECURITY
AT CITY TRUST BANK.
578
00:24:29,480 --> 00:24:30,410
THIS IS ON HORNBY?
579
00:24:30,450 --> 00:24:32,550
YEAH, HE PULLED SOME RECORDS
FOR ME.
580
00:24:32,580 --> 00:24:33,580
CAN YOU SAY IT LOUDER?
581
00:24:33,610 --> 00:24:35,610
GIVE ME A BREAK.
YOU GOT THE LINEUP?
582
00:24:35,650 --> 00:24:36,780
YEAH, GO AHEAD.
583
00:24:36,810 --> 00:24:38,550
DETECTIVE,
EDDIE GIBSON CALLED.
584
00:24:38,580 --> 00:24:41,250
HE SAID, "THE LOAF HAS LANDED.
I’M HEADING HOME."
585
00:24:41,280 --> 00:24:43,350
HE SAID YOU’D KNOW
WHAT THAT MEANT.
586
00:24:43,380 --> 00:24:44,210
GREAT.
587
00:24:44,250 --> 00:24:46,350
WHAT HAPPENED WITH GIO?
588
00:24:46,380 --> 00:24:47,450
COME ON, JIM.
589
00:24:47,480 --> 00:24:48,680
GIO?
590
00:24:48,710 --> 00:24:49,880
OH, HE WOULDN’T GO.
591
00:24:49,910 --> 00:24:51,810
I’M CALLING IN HAYWOOD
TO RUN A LINEUP.
592
00:24:51,850 --> 00:24:52,880
FELNER’S IN THE WIND.
593
00:24:52,910 --> 00:24:54,510
HOW?
594
00:24:54,550 --> 00:24:56,680
JOSH WAS SUPPOSED TO BE
WATCHING HER.
595
00:24:56,710 --> 00:24:58,050
HE STEPPED OUT FOR A SECOND.
596
00:24:58,080 --> 00:24:59,450
ANYONE SEE HER LEAVE?
597
00:24:59,480 --> 00:25:00,510
SHE HAD HER COP GEAR.
598
00:25:00,550 --> 00:25:02,380
AND SHE SNAGGED A RADIO.
599
00:25:02,410 --> 00:25:04,150
WE PUT OUT AN F. A. T.
AND MESSAGE
600
00:25:04,180 --> 00:25:06,180
TO LOOK FOR A FEMALE
IN A POLICE UNIFORM.
601
00:25:06,210 --> 00:25:07,450
THE PRESS WILL EAT IT UP.
602
00:25:07,480 --> 00:25:10,010
WE SAID IT’S NOT TO GO OUT
OVER THE AIR.
603
00:25:10,050 --> 00:25:12,010
ANY WORD FROM THE M. E.
ON HER MOTHER?
604
00:25:12,050 --> 00:25:13,610
IT’S LOOKING LIKE A HEART
ATTACK,
605
00:25:13,650 --> 00:25:15,080
BUT HE CAN’T RULE OUT TRAUMA
UNTIL THE AUTOPSY.
606
00:25:15,110 --> 00:25:17,050
THE NEIGHBOR SAY IF FELNER HAD
A HISTORY OF VIOLENCE?
607
00:25:17,080 --> 00:25:19,250
SHE DID SAY FELNER’S BEEN
IN AND OUT
608
00:25:19,280 --> 00:25:21,550
OF MENTAL INSTITUTIONS
HER WHOLE LIFE.
609
00:25:21,580 --> 00:25:23,910
I HOPE JOSH ASTRACHAN’S
WEARING HIS SHOES OUT
610
00:25:23,950 --> 00:25:24,980
LOOKING FOR THIS LADY.
611
00:25:25,010 --> 00:25:26,050
HE’S ON THE STREET.
612
00:25:26,080 --> 00:25:27,210
WE’RE GONNA JOIN HIM.
613
00:25:27,250 --> 00:25:28,680
GO.
614
00:25:28,710 --> 00:25:30,010
THIS IS ILLEGAL.
615
00:25:30,050 --> 00:25:31,950
I KNOW.
LET ME SEE WHAT YOU GOT.
616
00:25:31,980 --> 00:25:33,180
AND I DON’T KNOW THAT KID.
617
00:25:33,210 --> 00:25:34,410
HE’S MY PARTNER.
618
00:25:34,450 --> 00:25:37,080
HOW ABOUT MR. FEATHERFINGERS
ANSWERING THE PHONE?
619
00:25:37,110 --> 00:25:39,450
JIM, I’M TELLING YOU,
DON’T WORRY ABOUT IT.
620
00:25:42,880 --> 00:25:45,750
AND YOU SAY THIS LADY
HASN’T BEEN OUT OF HER APARTMENT
621
00:25:45,780 --> 00:25:48,150
SINCE THE ATTACKS?
RIGHT.
622
00:25:48,180 --> 00:25:51,210
SHE’S HAD MAJOR ATM ACTIVITY
SINCE THEN,
623
00:25:51,250 --> 00:25:55,050
PLUS TWO CREDITS CARDS AVERAGING
15 GRAND A MONTH IN CHARGES.
624
00:25:55,080 --> 00:25:56,850
WHO’S USING
THE CREDIT CARDS?
625
00:25:56,880 --> 00:25:58,110
CORY BEACHAM.
626
00:25:58,150 --> 00:26:00,350
HOW LONG’S HE BEEN
HER BUSINESS MANAGER?
627
00:26:00,380 --> 00:26:01,350
I DON’T KNOW.
628
00:26:01,380 --> 00:26:03,350
PLUS, THERE’S SOME
DECENT‐SIZE CHECKS
629
00:26:03,380 --> 00:26:06,510
WRITTEN FOR CASH AND ENDORSED
BY BEACHAM ON THE BACK.
630
00:26:06,550 --> 00:26:09,550
WHAT’S THESE WIRE TRANSFERS TO
HOUSTON BROWNSTONE PARTNERSHIP?
631
00:26:09,580 --> 00:26:12,110
A REAL‐ESTATE DEAL SET UP
BY BEACHAM FOR YOUR CLIENT.
632
00:26:12,150 --> 00:26:13,410
HOW MUCH
HAS BEEN WIRED TO IT?
633
00:26:13,450 --> 00:26:16,180
A MILLION AND A HALF
OVER THE LAST YEAR.
634
00:26:16,210 --> 00:26:17,980
HE’S MANAGING PARTNER.
SHE’S LIMITED.
635
00:26:18,010 --> 00:26:19,880
THAT A RED FLAG?
636
00:26:19,910 --> 00:26:21,110
WORTH LOOKING INTO.
637
00:26:21,150 --> 00:26:23,110
CAN YOU LOOK INTO IT
FOR ME?
638
00:26:23,150 --> 00:26:25,210
YEAH.
DIDN’T WANT THIS JOB ANYWAY.
639
00:26:25,250 --> 00:26:27,050
GREAT SALARY, FULL BENEFITS.
640
00:26:27,080 --> 00:26:29,180
JUST DO ME THIS FAVOR,
ALL RIGHT?
641
00:26:29,210 --> 00:26:32,150
I’LL SEE IF I CAN GET
SOME DETAIL ON THE ACCOUNT.
642
00:26:32,180 --> 00:26:33,550
I’LL PULL THE TITLE.
643
00:26:33,580 --> 00:26:34,550
I APPRECIATE IT.
644
00:26:34,580 --> 00:26:35,680
CAN I KEEP THESE?
645
00:26:35,710 --> 00:26:38,210
IF YOU LOSE THEM,
I LOSE MY JOB.
646
00:26:38,250 --> 00:26:39,950
THEY CAN HAVE THESE DOCUMENTS
647
00:26:39,980 --> 00:26:41,680
WHEN THEY CAN PRY THEM
FROM MY COLD, DEAD HANDS.
648
00:26:41,710 --> 00:26:42,880
JUST DON’T LOSE THEM.
649
00:26:42,910 --> 00:26:44,280
MM‐HMM. ALL RIGHT.
650
00:26:44,310 --> 00:26:47,050
THIS GUY COMING DOWN ‐‐
HE’S OUR ONLY WITNESS?
651
00:26:47,080 --> 00:26:48,710
WELL, WE GOT AN INFORMANT,
652
00:26:48,750 --> 00:26:52,050
BUT I WOULDN’T LOOK FOR HIM
TO DO MUCH ON THE STAND.
653
00:26:52,080 --> 00:26:53,350
HEY, HOW IS HE?
654
00:26:53,380 --> 00:26:54,310
STILL SHOOK UP.
655
00:26:54,350 --> 00:26:57,050
THIS WITNESS SAW
THE TWO GUYS GET KILLED
656
00:26:57,080 --> 00:26:58,650
RIGHT IN FRONT OF HIM,
657
00:26:58,680 --> 00:27:00,350
PLUS HE GOT SHOT HIMSELF.
658
00:27:00,380 --> 00:27:01,780
HEY.
659
00:27:01,810 --> 00:27:03,310
JEFF GAMBLE.
660
00:27:03,350 --> 00:27:06,180
JEFF, I’M VALERIE HAYWOOD
WITH THE D. A.’S OFFICE.
661
00:27:06,210 --> 00:27:07,450
HEY.
662
00:27:07,480 --> 00:27:09,950
WE’RE GONNA ASK YOU
TO TAKE A LOOK AT THE SUSPECTS.
663
00:27:09,980 --> 00:27:11,450
YEAH, THEY ALREADY TOLD ME.
664
00:27:11,480 --> 00:27:12,910
OKAY.
665
00:27:12,950 --> 00:27:14,510
YOU READY?
666
00:27:14,550 --> 00:27:15,480
YEAH.
667
00:27:19,580 --> 00:27:22,750
TAKE YOUR TIME.
668
00:27:22,780 --> 00:27:24,650
HIM.
669
00:27:24,680 --> 00:27:26,580
HE SHOT THOSE PEOPLE.
670
00:27:26,610 --> 00:27:28,180
WHICH NUMBER?
671
00:27:28,210 --> 00:27:29,550
3.
672
00:27:29,580 --> 00:27:31,710
HE ‐‐ HE SHOT ME, TOO.
673
00:27:31,750 --> 00:27:34,050
OKAY.
674
00:27:34,080 --> 00:27:36,910
KEEP NUMBER 3.
KICK EVERYBODY ELSE.
675
00:27:48,550 --> 00:27:50,650
HOW YOU DOING?
676
00:27:50,680 --> 00:27:52,550
I’M OKAY.
677
00:27:52,580 --> 00:27:53,910
WHAT’S GOING ON?
678
00:27:53,950 --> 00:27:55,810
I STILL HAVE SOME TIME
TO MAKE A DECISION,
679
00:27:55,850 --> 00:27:57,180
AND I’M USING THAT TIME.
680
00:27:57,210 --> 00:27:59,910
WHEN YOU FIGURE OUT
HOW MUCH MY LIFE’S GONNA CHANGE,
681
00:27:59,950 --> 00:28:01,280
YOU’LL LET ME KNOW, RIGHT?
682
00:28:04,650 --> 00:28:06,450
[ SIGHS ]
683
00:28:06,480 --> 00:28:08,280
WAIT HERE, JOSH. HEY.
684
00:28:12,480 --> 00:28:15,810
KID WENT RIGHT TO HIM.
DIDN’T HESITATE.
685
00:28:15,850 --> 00:28:18,550
HIS I. D. GONNA BE ENOUGH
IN CASE THE PERP DOESN’T GO?
686
00:28:18,580 --> 00:28:20,680
I HOPE SO.
SO, THE INFORMANT’S NO GOOD?
687
00:28:20,710 --> 00:28:23,450
THAT’S THE GUY THAT HELPED US
WITH THAT SORENSEN THING.
688
00:28:23,480 --> 00:28:27,050
JULIAN PISANO?
WHAT’D HE GIVE US ON THIS?
689
00:28:27,080 --> 00:28:28,980
OUR PERP LET IT SLIP
THAT HE DID IT.
690
00:28:29,010 --> 00:28:30,810
BUT IF WE CAN KEEP JULIAN
OUT OF IT,
691
00:28:30,850 --> 00:28:33,550
IT’D BE WORTH OUR WHILE
NOT TO BURN HIM OUT IN COURT.
692
00:28:33,580 --> 00:28:35,850
IF WE NEED JULIAN’S TESTIMONY,
WE USE HIM.
693
00:28:35,880 --> 00:28:37,550
NOT GONNA LET
A DOUBLE MURDERER GO
694
00:28:37,580 --> 00:28:39,880
BECAUSE YOU THINK
JULIAN MIGHT HELP US OUT
695
00:28:39,910 --> 00:28:40,910
WITH SOMETHING ELSE.
696
00:28:40,950 --> 00:28:42,150
WE’RE CLEAR ON THAT.
697
00:28:42,180 --> 00:28:43,250
Gamble: HEY, DAD.
698
00:28:43,280 --> 00:28:44,610
Man: WHAT’S GOING ON?
699
00:28:44,650 --> 00:28:47,450
TWO PEOPLE GOT KILLED, DAD,
AND HE SHOT ME.
700
00:28:47,480 --> 00:28:48,510
WHAT’S GOING ON?
701
00:28:48,550 --> 00:28:49,950
LIEUTENANT RODRIGUEZ.
702
00:28:49,980 --> 00:28:51,050
MARK GAMBLE.
703
00:28:51,080 --> 00:28:52,480
YOU RAISED A FINE SON.
704
00:28:52,510 --> 00:28:55,510
DAD, I HAD TO PLAY DEAD
SO HE WOULDN’T KILL ME.
705
00:28:55,550 --> 00:28:57,280
CAN I TAKE HIM HOME NOW?
706
00:28:57,310 --> 00:29:00,050
WHY DON’T YOU HAVE A SEAT
A SECOND, JEFF?
707
00:29:02,680 --> 00:29:04,280
JEFF SAW A DOUBLE MURDER.
708
00:29:04,310 --> 00:29:07,980
HE STEPPED UP
AND I.D.ed THE SHOOTER.
709
00:29:08,010 --> 00:29:09,450
GLAD HE COULD HELP.
710
00:29:09,480 --> 00:29:12,350
HE GOT GRAZED HIMSELF,
SO HE’S TRAUMATIZED.
711
00:29:12,380 --> 00:29:15,580
IT MIGHT BE A LITTLE WHILE
BEFORE HE CALMS DOWN.
712
00:29:16,950 --> 00:29:18,280
HE’S FINE.
713
00:29:18,310 --> 00:29:19,880
NO, HE’S STILL
A LITTLE SHAKEN UP.
714
00:29:19,910 --> 00:29:21,310
YOU MEAN, NOT ALL THERE?
715
00:29:21,350 --> 00:29:22,580
YEAH.
716
00:29:22,610 --> 00:29:25,050
HE FRIED HIS BRAIN OUT
SNIFFING GLUE WHEN HE WAS 16.
717
00:29:25,080 --> 00:29:26,380
THAT’S ALL YOU’RE GONNA GET.
718
00:29:26,410 --> 00:29:29,580
ASK HIM WHAT DAY IT IS.
GO AHEAD.
719
00:29:37,280 --> 00:29:41,280
JEFF, WHAT DAY IS IT TODAY?
720
00:29:41,310 --> 00:29:42,250
FUN DAY.
721
00:29:42,280 --> 00:29:44,580
BUT WHAT DAY OF THE WEEK
IS IT?
722
00:29:44,610 --> 00:29:46,050
MONDAY, TUESDAY...
723
00:29:50,910 --> 00:29:52,450
OH, MAN.
724
00:29:54,710 --> 00:29:56,450
CAN I TAKE HIM HOME NOW?
725
00:29:56,480 --> 00:29:58,910
SURE. WE’LL GET IN TOUCH
IF WE NEED ANYTHING.
726
00:30:05,750 --> 00:30:08,310
YOU GOT A SECOND?
727
00:30:16,080 --> 00:30:19,210
IF IT SOUNDED LIKE I’M UNAWARE
OF YOUR PART IN THIS
728
00:30:19,250 --> 00:30:22,210
OR THAT I DON’T CARE,
THEN I CAME ACROSS WRONG.
729
00:30:22,250 --> 00:30:23,580
HOW SHOULD I TAKE IT?
730
00:30:23,610 --> 00:30:25,780
I’M WAITING EACH DAY,
TOTALLY OUT OF THE LOOP,
731
00:30:25,810 --> 00:30:28,450
WHILE YOU DECIDE WHETHER
YOU’RE GONNA KEEP OUR KID.
732
00:30:30,410 --> 00:30:33,180
CAN YOU JUST
BE THERE FOR ME?
733
00:30:36,780 --> 00:30:38,580
YEAH.
734
00:30:38,610 --> 00:30:41,580
ALL RIGHT, I’M HERE.
735
00:30:56,550 --> 00:30:58,750
YOU GOT PICKED OUT, GIO.
736
00:30:58,780 --> 00:30:59,910
SO?
737
00:30:59,950 --> 00:31:01,550
COME ON, SIT DOWN.
738
00:31:03,380 --> 00:31:05,650
GONNA GIVE YOU YOUR CHANCE
TO TALK ABOUT IT NOW.
739
00:31:05,680 --> 00:31:09,250
I THOUGHT IF I GOT PICKED OUT
I WASN’T GONNA GET ANY CHANCES.
740
00:31:09,280 --> 00:31:11,210
THAT MUST HAVE CHANGED,
I GUESS, HUH?
741
00:31:11,250 --> 00:31:12,580
WHAT’S YOUR GIRLFRIEND’S NAME
742
00:31:12,610 --> 00:31:14,950
WHO ASSAULTED ME AT THE
APARTMENT ‐‐ LISA?
743
00:31:14,980 --> 00:31:16,280
ASSAULTED YOU? COME ON.
744
00:31:16,310 --> 00:31:18,750
THE LITTLE GIRL ‐‐
IS SHE YOU AND LISA’S DAUGHTER?
745
00:31:18,780 --> 00:31:19,910
YEAH.
746
00:31:19,950 --> 00:31:21,310
WHAT YOUR DAUGHTER’S NAME?
747
00:31:21,350 --> 00:31:22,650
HAYLEY.
748
00:31:22,680 --> 00:31:24,450
LISA A GOOD MOM TO HAYLEY?
749
00:31:26,680 --> 00:31:28,280
YOU LOVE YOUR DAUGHTER?
750
00:31:28,310 --> 00:31:31,410
YOU WANT LISA TO CONTINUE
BEING HER MOM?
751
00:31:31,450 --> 00:31:34,950
YOU’RE NOT ACTUALLY BRINGING
MY DAUGHTER INTO THIS, ARE YOU?
752
00:31:34,980 --> 00:31:36,780
WE GOT YOU RESISTING ARREST
753
00:31:36,810 --> 00:31:39,150
AND HOLDING AN UNLICENSED
FIREARM.
754
00:31:39,180 --> 00:31:41,850
WE GOT LISA LOCKED UP
FOR ASSAULTING ME.
755
00:31:41,880 --> 00:31:43,180
AND IF THAT AIN’T ENOUGH,
756
00:31:43,210 --> 00:31:45,310
I’LL NOTIFY
THE BUREAU OF CHILD WELFARE
757
00:31:45,350 --> 00:31:47,810
WITH ALLEGATIONS OF ABUSE
ON BOTH YOU AND LISA
758
00:31:47,850 --> 00:31:49,010
AGAINST YOUR DAUGHTER,
759
00:31:49,050 --> 00:31:50,850
AND HAYLEY WILL BE IN
FOSTER CARE
760
00:31:50,880 --> 00:31:54,180
BY THE END OF BUSINESS TODAY,
AND SHE WILL STAY IN THE SYSTEM,
761
00:31:54,210 --> 00:31:56,550
AND NEITHER ONE OF YOU WILL EVER
GET HER BACK.
762
00:31:56,580 --> 00:31:59,250
WE KNOW YOU KILLED
TWO PEOPLE TODAY, GIO.
763
00:31:59,280 --> 00:32:01,650
YOU MADE YOUR MOVE.
WE’LL MAKE OURS.
764
00:32:01,680 --> 00:32:03,010
YOU CAN’T DO THAT.
765
00:32:03,050 --> 00:32:04,310
WATCH ME.
766
00:32:04,350 --> 00:32:06,550
THE ONLY WAY YOUR DAUGHTER
STAYS OUT OF THIS IS
767
00:32:06,580 --> 00:32:08,710
BY YOU TELLING US
WHAT WENT WRONG TODAY.
768
00:32:08,750 --> 00:32:11,450
HOW DO I KNOW YOU WON’T GO
AFTER HER IF I DO TALK?
769
00:32:11,480 --> 00:32:13,510
ALL WE CARE ABOUT
IS THE TWO GUYS THAT YOU KILLED.
770
00:32:13,550 --> 00:32:16,610
ONCE THAT’S TIED UP, LISA GETS
RELEASED AND TAKES HAYLEY HOME.
771
00:32:20,080 --> 00:32:22,680
WHAT HAPPENED?
772
00:32:22,710 --> 00:32:24,850
I EAT THERE.
773
00:32:24,880 --> 00:32:26,150
THE OWNER DON’T MAKE
THE BANK DROP
774
00:32:26,180 --> 00:32:27,580
TILL THE NEXT DAY.
775
00:32:27,610 --> 00:32:29,380
I GOT DEBTS.
776
00:32:29,410 --> 00:32:32,850
KID AT THE REGISTER ‐‐
NEVER SEEN HIM BEFORE ‐‐
777
00:32:32,880 --> 00:32:35,110
STARTS SCREAMING,
FREAKING OUT.
778
00:32:35,150 --> 00:32:36,550
WOULDN’T GIVE IT UP.
779
00:32:36,580 --> 00:32:37,580
I WAS HIGH.
780
00:32:37,610 --> 00:32:40,910
I GOT PISSED OFF.
IT GOT OUT OF HAND.
781
00:32:40,950 --> 00:32:43,050
WRITE IT DOWN.
782
00:32:44,810 --> 00:32:46,980
DID JULIAN GIVE ME UP?
783
00:32:47,010 --> 00:32:49,210
JULIAN SOMEBODY IN ON THIS
WITH YOU?
784
00:32:49,250 --> 00:32:50,710
JUST SOME GUY I KNOW.
785
00:32:50,750 --> 00:32:54,080
BUT THE ONLY GUY WHO KNEW
I WAS PLANNING ON DOING IT.
786
00:32:54,110 --> 00:32:56,350
WHAT DIFFERENCE DOES IT MAKE
NOW, RIGHT?
787
00:32:56,380 --> 00:32:58,580
I DID THE RIGHT THING
AND COPPED TO IT.
788
00:32:58,610 --> 00:33:01,080
JUST TELL ME IF IT WAS HIM
WHO GAVE ME UP.
789
00:33:01,110 --> 00:33:04,050
I DON’T KNOW NO JULIAN.
790
00:33:04,080 --> 00:33:06,610
WHAT’S UP?
791
00:33:06,650 --> 00:33:08,010
TELL US AGAIN
792
00:33:08,050 --> 00:33:10,680
HOW YOU CAME TO FIND OUT
ABOUT THE MURDERS TODAY.
793
00:33:10,710 --> 00:33:13,410
I TOLD YOU ALL THIS ALREADY.
794
00:33:13,450 --> 00:33:15,450
STAY AWAY FROM ME!
795
00:33:15,480 --> 00:33:16,550
I MEAN IT!
796
00:33:16,580 --> 00:33:17,550
GIO WAS SAYING
797
00:33:17,580 --> 00:33:19,950
THAT HE TOLD YOU ABOUT IT
BEFORE IT WENT DOWN.
798
00:33:19,980 --> 00:33:20,980
WELL, HE’S LYING.
799
00:33:21,010 --> 00:33:22,310
OH, YOU KNOW WHAT ‐‐
800
00:33:22,350 --> 00:33:24,750
ONE DAY WE WAS SITTING AROUND
BETWEEN RACES
801
00:33:24,780 --> 00:33:26,680
TALKING ABOUT
OUR DREAM SCORES ‐‐
802
00:33:26,710 --> 00:33:27,980
YOU KNOW, LIKE GUYS DO.
803
00:33:28,010 --> 00:33:30,010
AND ONE OF THE DOZEN
OR SO PLACES
804
00:33:30,050 --> 00:33:32,250
THAT HE TALKED ABOUT
WAS LUPE’S CANTINA,
805
00:33:32,280 --> 00:33:34,280
BECAUSE HE NOTICED
THAT THE OWNER
806
00:33:34,310 --> 00:33:36,810
DIDN’T DO THE BANK DROP
UNTIL THE NEXT DAY.
807
00:33:36,850 --> 00:33:38,410
WHEN I HEARD LUPE’S
HAD GOTTEN HIT
808
00:33:38,450 --> 00:33:40,450
AND TWO GUYS WERE DEAD,
I CAME RIGHT DOWN.
809
00:33:40,480 --> 00:33:42,810
SO, YOU LIED ABOUT SEEING HIM
TODAY?
810
00:33:42,850 --> 00:33:45,310
NO, I DID SEE HIM TODAY,
AND HE WAS FREAKED,
811
00:33:45,350 --> 00:33:47,550
AND I DID ASK HIM
IF HE HIT LUPE’S.
812
00:33:47,580 --> 00:33:48,810
I DID NOT LIE ABOUT THAT.
813
00:33:48,850 --> 00:33:50,610
YOU SEE...
814
00:33:50,650 --> 00:33:53,650
THE PROBLEM IS YOU KNOWING ABOUT
A CRIME BEFORE IT HAPPENS!
815
00:33:53,680 --> 00:33:56,650
HE MENTIONED ONE DAY
THAT IT WOULD BE AN EASY SCORE.
816
00:33:56,680 --> 00:33:59,650
HE DIDN’T TELL ME WHAT DAY OR
WHAT TIME HE WAS GONNA DO IT.
817
00:33:59,680 --> 00:34:02,350
AND HE SURE DIDN’T SAY
THAT HE WAS GONNA TAKE OUT
818
00:34:02,380 --> 00:34:04,610
EVERYBODY IN THE PLACE
WHEN HE DID IT!
819
00:34:04,650 --> 00:34:07,350
IF I FIND OUT THAT YOU KNEW
MORE THAN YOU’RE SAYING...
820
00:34:07,380 --> 00:34:08,850
I DON’T!
821
00:34:13,180 --> 00:34:14,680
AND HERE I AM THINKING
822
00:34:14,710 --> 00:34:17,780
THAT I’M GONNA GET AN ACCOLADE
OR SOMETHING FROM YOU GUYS
823
00:34:17,810 --> 00:34:18,810
FOR HELPING OUT.
824
00:34:18,850 --> 00:34:20,180
SO, WHAT’S UP?
825
00:34:20,210 --> 00:34:23,210
AM I GONNA GET THE REWARD MONEY
THAT IS RIGHTFULLY MINE?
826
00:34:23,250 --> 00:34:25,350
WE’LL GET IN TOUCH
WITH THE OWNER’S ATTORNEY.
827
00:34:25,380 --> 00:34:27,510
HE MAY WANT US
TO DEAL WITH YOU DIRECTLY.
828
00:34:27,550 --> 00:34:28,610
15 GRAND?
829
00:34:28,650 --> 00:34:29,510
THAT’S RIGHT.
830
00:34:29,550 --> 00:34:31,610
AND THE $2,000
FROM CRIMESTOPPERS?
831
00:34:31,650 --> 00:34:34,180
YOU’LL GET THAT, ALL RIGHT,
IN A DAY OR TWO.
832
00:34:34,210 --> 00:34:36,050
YOU KNOW, I WOKE UP TODAY
833
00:34:36,080 --> 00:34:38,810
KNOWING SOMETHING GOOD
WAS GONNA HAPPEN.
834
00:34:38,850 --> 00:34:40,550
GET THIS GUY OUT OF HERE.
835
00:34:43,850 --> 00:34:46,410
15th SQUAD. PAA IRVIN.
836
00:34:46,450 --> 00:34:48,050
LIEUTENANT?
837
00:34:49,980 --> 00:34:52,650
SO, TOMORROW, LIKE, A. M.?
838
00:34:52,680 --> 00:34:54,250
WE’LL CALL YOU.
839
00:34:54,280 --> 00:34:56,680
DO YOU HAVE THE CORRECT SPELLING
OF MY NAME
840
00:34:56,710 --> 00:34:58,050
FOR WHEN
THEY CUT THE CHECKS?
841
00:34:58,080 --> 00:35:00,180
WE’LL GET IT
OFF YOUR LENGTHY RAP SHEET.
842
00:35:02,210 --> 00:35:04,310
I’M GONNA BE IN THE AREA
TOMORROW ANYHOW.
843
00:35:04,350 --> 00:35:06,210
SO I’LL JUST DROP BY,
SAY, 11:00.
844
00:35:06,250 --> 00:35:08,110
DOES THAT WORK FOR YOU GUYS?
845
00:35:08,150 --> 00:35:10,450
EACH WORD OUT OF YOUR MOUTH
FROM HERE ON OUT IS
846
00:35:10,480 --> 00:35:12,580
AN EXTRA WEEK
TILL YOU GET THE CHECKS.
847
00:35:12,610 --> 00:35:16,310
WE GOT A 10‐13 ‐‐
COP SHOT AT 5th STREET MARKET.
848
00:35:19,280 --> 00:35:21,480
LET’S BE CAREFUL OUT THERE.
849
00:35:41,260 --> 00:35:43,860
POLICE IMPERSONATOR
FROM THIS MORNING.
850
00:35:43,900 --> 00:35:45,070
WHAT HAPPENED?
851
00:35:45,100 --> 00:35:46,700
WE RESPONDED
TO A SILENT ALARM,
852
00:35:46,730 --> 00:35:47,960
BUT THE PERP ALREADY BOOGIED.
853
00:35:48,000 --> 00:35:49,240
SHE’S NOT A COP.
854
00:35:49,260 --> 00:35:50,130
WE KNOW THAT.
855
00:35:50,160 --> 00:35:51,960
THE OWNER
WAS GETTING STUCK UP.
856
00:35:52,000 --> 00:35:53,670
SHE RAN IN THE MIDDLE OF IT.
857
00:35:53,700 --> 00:35:54,900
SHE SAVED MY LIFE.
858
00:35:54,930 --> 00:35:56,730
THE GUY WAS PSYCHO,
TWITCHING HIS GUN
859
00:35:56,760 --> 00:35:58,330
WHILE I GOT THE MONEY
TOGETHER.
860
00:35:58,360 --> 00:36:00,460
THEN SHE COMES IN,
TRYING TO STOP IT.
861
00:36:00,500 --> 00:36:02,440
THAT COULD BE ME.
862
00:36:02,460 --> 00:36:04,490
SHE TRIED TO STOP A ROBBERY.
863
00:36:04,530 --> 00:36:06,090
OH, MY GOD.
864
00:36:06,130 --> 00:36:08,430
LOUISE?
865
00:36:08,460 --> 00:36:10,390
I JUST WANTED TO HELP.
866
00:36:10,430 --> 00:36:12,030
[ BREATHING HEAVILY ]
867
00:36:12,060 --> 00:36:13,790
DID YOU SEE MY MOM?
868
00:36:13,830 --> 00:36:15,390
YEAH, WE WENT BY.
869
00:36:15,430 --> 00:36:18,260
[ Crying ] I DIDN’T
HURT HER.
870
00:36:18,300 --> 00:36:21,870
I TRIED TO HELP HER,
BUT SHE JUST DIED.
871
00:36:21,900 --> 00:36:24,100
I’M SURE YOU DID
ALL YOU COULD.
872
00:36:24,130 --> 00:36:26,230
I DIDN’T KNOW WHAT TO DO.
873
00:36:26,260 --> 00:36:29,960
I JUST...
WANTED TO HELP SOMEONE.
874
00:36:30,000 --> 00:36:31,940
YOU SAVED THAT MAN’S LIFE.
875
00:36:31,960 --> 00:36:33,660
WE GOT TO GET HER
OUT OF HERE.
876
00:36:33,700 --> 00:36:34,870
AM I GONNA DIE?
877
00:36:34,900 --> 00:36:36,870
NO, YOU’RE GONNA BE FINE.
878
00:36:36,900 --> 00:36:39,800
I...JUST WANTED TO DO...
SOMETHING RIGHT.
879
00:36:39,830 --> 00:36:41,560
YOU DID.
880
00:36:41,600 --> 00:36:43,800
YOU DID GOOD.
881
00:36:43,830 --> 00:36:46,290
I CAN’T GET A PULSE!
LET’S GO!
882
00:36:46,330 --> 00:36:48,330
ON 3 ‐‐ 1, 2, 3.
883
00:36:55,830 --> 00:36:57,930
[ SIGHS ]
884
00:37:06,500 --> 00:37:08,740
HEY, GOOD‐LOOKIN’,
WHATCHA GOT COOKIN’?
885
00:37:08,760 --> 00:37:09,690
HOW’S IT GOING?
886
00:37:09,730 --> 00:37:10,930
TAKE OFF YOUR SHOES.
887
00:37:10,960 --> 00:37:13,730
WE ARE HAVING
A SOCK HOP TONIGHT.
888
00:37:13,760 --> 00:37:15,890
I LOOKED INTO YOUR
MISSING NECKLACE.
889
00:37:15,930 --> 00:37:18,230
I FOUND IT.
IT WAS BEHIND THE DRESSER.
890
00:37:18,260 --> 00:37:19,190
UM...ALL RIGHT.
891
00:37:19,230 --> 00:37:21,960
UH, NO, JUST STOP DANCING
FOR A SECOND,
892
00:37:22,000 --> 00:37:23,940
AND LISTEN TO ME, ALL RIGHT?
893
00:37:23,960 --> 00:37:25,860
HOW IT WORKS IS,
WHEN YOU COME TO ME
894
00:37:25,900 --> 00:37:27,900
SAYING THAT YOU GOT
STUFF MISSING,
895
00:37:27,930 --> 00:37:30,230
I LOOK INTO EVERYBODY ‐‐
NOT JUST WHO YOU THINK IT IS.
896
00:37:30,260 --> 00:37:33,230
LIKE A GOOD DETECTIVE SHOULD,
BUT I FOUND THE NECKLACE.
897
00:37:33,260 --> 00:37:35,230
YEAH, GOOD,
AND [CLEARS THROAT]
898
00:37:35,260 --> 00:37:38,460
IN LOOKING INTO EVERYBODY
WHO HAD ACCESS TO YOUR APARTMENT
899
00:37:38,500 --> 00:37:40,100
WHEN I THOUGHT IT WAS STOLEN,
900
00:37:40,130 --> 00:37:42,090
I LOOKED INTO YOUR
BUSINESS MANAGER.
901
00:37:42,130 --> 00:37:43,630
I FOUND THE NECKLACE.
902
00:37:43,660 --> 00:37:46,930
I APPRECIATE YOUR THOROUGHNESS.
IT’S VERY REASSURING.
903
00:37:46,960 --> 00:37:48,360
TAKE OFF YOUR SHOES.
904
00:37:48,400 --> 00:37:51,170
IN LOOKING AT CORY,
I MADE SOME PHONE CALLS,
905
00:37:51,200 --> 00:37:53,800
AND I GOT ACCESS
TO YOUR BANK RECORDS.
906
00:37:53,830 --> 00:37:55,630
THERE’S
SOME INCONSISTENCIES.
907
00:37:55,660 --> 00:37:57,390
WITH WHAT?
908
00:37:57,430 --> 00:37:59,060
WITH YOUR MONEY.
909
00:37:59,100 --> 00:38:00,340
BUT CORY HANDLES ALL THAT.
910
00:38:00,360 --> 00:38:02,990
DO YOU KNOW HE’S USING
AN ATM CARD IN YOUR NAME?
911
00:38:03,030 --> 00:38:05,860
HE’S GOT TWO CREDIT CARDS
THAT YOU’RE PAYING FOR.
912
00:38:05,900 --> 00:38:07,270
CORY WOULDN’T DO THAT.
913
00:38:07,300 --> 00:38:09,700
DID YOU EVER HEAR OF A
HOUSTON BROWNSTONE PARTNERSHIP?
914
00:38:09,730 --> 00:38:11,430
NO. THIS IS GETTING
VERY TEDIOUS.
915
00:38:11,460 --> 00:38:13,290
IT’S AN ACCOUNT THAT
CORY FUNNELED
916
00:38:13,330 --> 00:38:16,030
A MILLION AND A HALF
OF YOUR DOLLARS INTO LAST YEAR.
917
00:38:16,060 --> 00:38:18,830
HOW LONG HAS THIS GUY BEEN
IN YOUR LIFE?
918
00:38:18,860 --> 00:38:20,130
THREE YEARS.
919
00:38:20,160 --> 00:38:21,560
AND HOW’D HE GET
INTO YOUR LIFE?
920
00:38:21,600 --> 00:38:24,400
HE’S MY LATE HUSBAND’S NEPHEW.
HE WENT TO BUSINESS SCHOOL.
921
00:38:24,430 --> 00:38:26,760
HE’S VERY SMART.
HE TAKES CARE OF ME.
922
00:38:26,800 --> 00:38:28,600
WELL, I’M GONNA BE
LOOKING INTO HIM.
923
00:38:28,630 --> 00:38:30,360
NO, YOU WON’T!
924
00:38:30,400 --> 00:38:34,540
MRS. HORNBY, YOUR STEPNEPHEW
IS LEECHING MONEY OFF OF YOU.
925
00:38:34,560 --> 00:38:37,660
YOU JUST DO NOT COME
INTO MY APARTMENT ‐‐ A COP ‐‐
926
00:38:37,700 --> 00:38:39,770
AND TRY TO TURN MY LIFE
UPSIDE DOWN!
927
00:38:39,800 --> 00:38:41,800
YOU WANT TO
STICK YOUR HEAD IN THE SAND,
928
00:38:41,830 --> 00:38:43,860
YOU GO AHEAD,
BUT ANOTHER YEAR OF THIS,
929
00:38:43,900 --> 00:38:45,600
AND YOU BETTER MAKE
AN APPOINTMENT
930
00:38:45,630 --> 00:38:48,230
TO PLAY PIANO AT THE
KING SOLOMON HOME FOR THE AGED.
931
00:38:48,260 --> 00:38:50,660
WHEN’S THE LAST TIME
YOU SIGNED ANYTHING?
932
00:38:50,700 --> 00:38:51,640
THERE’S NO MAIL COMING IN.
933
00:38:51,660 --> 00:38:52,830
BECAUSE OF THE ANTHRAX.
934
00:38:52,860 --> 00:38:54,160
WHO TOLD YOU THIS ‐‐ CORY?
935
00:38:54,200 --> 00:38:55,740
YOU’RE MAKING ME VERY UPSET!
936
00:38:55,760 --> 00:38:57,290
GOOD, YOU NEED TO BE.
937
00:38:57,330 --> 00:38:59,390
YOU NEED TO STEP UP
938
00:38:59,430 --> 00:39:02,860
AND TAKE ACCOUNT
OF YOUR FINANCES, YOUR LIFE.
939
00:39:02,900 --> 00:39:04,900
AND YOU NEED TO GO SIT
BY THE DOOR.
940
00:39:04,930 --> 00:39:06,290
SO, YOU DON’T WANT ME
LOOKING INTO THIS?
941
00:39:06,330 --> 00:39:08,890
YOU’RE WILLING TO TAKE
YOUR CHANCES, HUH?
942
00:39:08,930 --> 00:39:10,330
OH, JUST GO AHEAD THEN!
943
00:39:18,800 --> 00:39:21,040
SO I SAID, "GO AHEAD,
TAKE YOUR SHOT."
944
00:39:21,060 --> 00:39:21,960
EVEN THOUGH I KNOW
WHAT’S COMING,
945
00:39:22,000 --> 00:39:23,500
WHEN I HEAR "260,"
946
00:39:23,530 --> 00:39:26,630
STILL, IT’S NOT INSULTING,
BUT IT’S DISCOURAGING.
947
00:39:26,660 --> 00:39:28,460
RIGHT.
948
00:39:30,730 --> 00:39:32,390
ANYWAY, IT WORKED OUT,
949
00:39:32,430 --> 00:39:35,160
AND THAT’S ENOUGH
CORPORATE TALK.
950
00:39:35,200 --> 00:39:38,270
TELL ME ABOUT YOUR DAY.
ANY SHOOT’EM‐UPS?
951
00:39:42,200 --> 00:39:44,870
I ACTUALLY HAD A TOUGH CASE
TODAY.
952
00:39:44,900 --> 00:39:46,170
LET’S HEAR IT.
953
00:39:46,200 --> 00:39:48,140
WE HAD AN EMOTIONALLY DISTURBED
WOMAN IN
954
00:39:48,160 --> 00:39:50,290
FOR IMPERSONATING A POLICE
OFFICER.
955
00:39:50,330 --> 00:39:53,190
AND LATER IN THE DAY,
SHE GOT SHOT IN A STICKUP.
956
00:39:53,230 --> 00:39:54,990
HMM.
957
00:39:55,030 --> 00:39:57,960
SHE WAS A REAL SAD CASE.
958
00:39:58,000 --> 00:39:59,470
WAS SHE REALLY NUTS?
959
00:39:59,500 --> 00:40:01,340
I GUESS.
960
00:40:01,360 --> 00:40:03,260
I IMAGINE SHE WAS
HEADING FOR TROUBLE,
961
00:40:03,300 --> 00:40:04,200
DRESSING LIKE A COP.
962
00:40:04,230 --> 00:40:06,990
YEAH, BUT SHE MIGHT
HAVE BEEN OKAY
963
00:40:07,030 --> 00:40:09,930
IF ‐‐ IF WE HANDLED HER
DIFFERENTLY.
964
00:40:09,960 --> 00:40:12,790
HINDSIGHT ‐‐ IT’S ALWAYS 20/20,
RIGHT?
965
00:40:12,830 --> 00:40:13,890
RIGHT.
966
00:40:13,930 --> 00:40:15,260
IT’S THE SAME
IN CORPORATE LAW.
967
00:40:15,300 --> 00:40:16,640
THE WOMAN OKAY?
968
00:40:16,660 --> 00:40:18,790
SHE DIED.
969
00:40:21,930 --> 00:40:25,890
YOU KNOW,
I HAD A CASE LAST YEAR ‐‐
970
00:40:25,930 --> 00:40:27,690
GIVEN A FEW
DIFFERENT JUDGMENT CALLS
971
00:40:27,730 --> 00:40:29,060
MIGHT HAVE REALLY CHANGED
972
00:40:29,100 --> 00:40:31,340
THE WAY WE THINK ABOUT
TELECOMMUNICATIONS.
973
00:40:34,030 --> 00:40:35,460
ARE YOU ALL RIGHT?
974
00:40:35,500 --> 00:40:38,440
ACTUALLY, I, UH, I’M NOT FEELING
TOO WELL RIGHT NOW.
975
00:40:38,460 --> 00:40:39,830
ARE YOU FEELING SICK?
976
00:40:39,860 --> 00:40:41,690
I GOT A REALLY BAD HEADACHE.
977
00:40:41,730 --> 00:40:43,360
I DON’T MEAN TO BE RUDE,
978
00:40:43,400 --> 00:40:47,200
BUT I THINK I’D BETTER HEAD HOME
AND JUST, UM, CRAWL INTO BED.
979
00:40:47,230 --> 00:40:49,630
YOU MIGHT FEEL BETTER
IF YOU EAT.
980
00:40:49,660 --> 00:40:51,390
SORRY.
981
00:40:51,430 --> 00:40:53,130
UM, LET ME, UH,
LET ME KICK IN FOR THE WINE.
982
00:40:53,160 --> 00:40:55,090
I’LL STAY AND FINISH IT.
983
00:40:55,130 --> 00:40:56,530
OKAY.
984
00:40:56,560 --> 00:40:58,230
YOU NEED A CAB?
985
00:40:58,260 --> 00:40:59,430
NO. THANKS.
986
00:40:59,460 --> 00:41:01,790
[ CHUCKLES ] I’M SORRY.
987
00:41:01,830 --> 00:41:04,090
IT’S OKAY.
988
00:41:04,130 --> 00:41:06,060
FEEL BETTER.
989
00:41:11,560 --> 00:41:14,730
[ TELEPHONE RINGS ]
990
00:41:14,760 --> 00:41:16,060
CAN I GET IT?
991
00:41:16,100 --> 00:41:19,600
ALL RIGHT, "SIPOWICZ RESIDENCE,"
REMEMBER.
992
00:41:19,630 --> 00:41:22,290
SIPOWICZ RESIDENCE.
993
00:41:22,330 --> 00:41:24,730
HI, SWEETHEART.
IT’S CONNIE.
994
00:41:24,760 --> 00:41:26,890
HI, CONNIE.
ARE YOU COMING OVER SOON?
995
00:41:26,930 --> 00:41:29,030
I WANT YOU TO COME
AND TICKLE ME.
996
00:41:29,060 --> 00:41:31,030
I’LL BE THERE
TOMORROW NIGHT.
997
00:41:31,060 --> 00:41:32,430
Is your dad there?
998
00:41:32,460 --> 00:41:33,760
HE’S RIGHT HERE. BYE‐BYE.
999
00:41:33,800 --> 00:41:35,200
BYE‐BYE.
1000
00:41:35,230 --> 00:41:37,390
NO. HEY.
1001
00:41:37,430 --> 00:41:39,330
IT WAS CONNIE.
1002
00:41:39,360 --> 00:41:41,960
WHY DID YOU HANG UP?
1003
00:41:42,560 --> 00:41:44,190
[ SIGHS ]
1004
00:41:44,230 --> 00:41:46,390
ALL RIGHT, I GOT IT.
I’LL GET IT.
1005
00:41:46,430 --> 00:41:48,090
HELLO.
Hi.
1006
00:41:48,130 --> 00:41:49,860
NO, I KNEW
HE WAS GONNA HANG UP
1007
00:41:49,900 --> 00:41:52,670
AS SOON AS I SAID,
"BYE‐BYE."
1008
00:41:52,700 --> 00:41:54,370
ARE YOU ALL RIGHT?
1009
00:41:54,400 --> 00:41:56,140
YEAH, I JUST WANTED
TO CHECK IN.
1010
00:41:56,160 --> 00:42:00,460
UH...[CLEARS THROAT]
YOUR DATE GO OKAY?
1011
00:42:00,500 --> 00:42:01,800
I BAILED OUT IN THE MIDDLE.
1012
00:42:01,830 --> 00:42:04,030
DID I SOUR IT?
1013
00:42:04,060 --> 00:42:05,590
NO, BUT THAT’S SORT OF
WHY I’M CALLING.
1014
00:42:05,630 --> 00:42:08,730
UM...[ SIGHS ]
1015
00:42:08,760 --> 00:42:11,760
ARE WE FIGHTING
ABOUT SOMETHING?
1016
00:42:11,800 --> 00:42:13,870
HANG ON A MINUTE, OKAY?
1017
00:42:13,900 --> 00:42:15,770
OKAY, KIDDO, TIME FOR BED.
1018
00:42:15,800 --> 00:42:17,170
10 MINUTES.
1019
00:42:17,200 --> 00:42:19,640
NO, NO, NO, NO, NO.
COME ON, LET’S GO.
1020
00:42:19,660 --> 00:42:21,190
I’LL COME IN AND WE’LL READ.
1021
00:42:24,900 --> 00:42:26,440
[ CLEARS THROAT ]
1022
00:42:26,460 --> 00:42:28,030
LISTEN, CONNIE, UH,
1023
00:42:28,060 --> 00:42:31,090
I’M ‐‐ I’M SORRY
ABOUT THIS AFTERNOON.
1024
00:42:31,130 --> 00:42:33,660
I got no right
making you guilty,
1025
00:42:33,700 --> 00:42:35,200
having a social life.
1026
00:42:35,230 --> 00:42:37,930
ANDY...I DIDN’T CALL
LOOKING FOR AN APOLOGY.
1027
00:42:37,960 --> 00:42:42,290
I KNOW, BUT...
I ‐‐ I HAD A WRONG REACTION.
1028
00:42:42,330 --> 00:42:45,790
WAS THAT MAYBE ON ACCOUNT
OF YOU CONSIDERING ME
1029
00:42:45,830 --> 00:42:47,760
A GOOD PART OF YOUR LIVES?
1030
00:42:47,800 --> 00:42:50,700
AND NOT WANTING TO SEE IT
GO AWAY.
1031
00:42:50,730 --> 00:42:53,130
THAT’S GOOD TO HEAR.
1032
00:42:53,160 --> 00:42:55,360
WHERE ARE YOU?
DO YOU NEED A RIDE HOME?
1033
00:42:55,400 --> 00:42:56,300
I GOT MY CAR.
1034
00:42:56,330 --> 00:42:58,860
I JUST WANTED
TO MAKE THE CALL.
1035
00:42:58,900 --> 00:43:01,840
I NEEDED SOMETHING
TO MAKE ME FEEL GOOD.
1036
00:43:01,860 --> 00:43:03,790
I’M ‐‐ I’M GONNA HEAD HOME.
1037
00:43:03,830 --> 00:43:06,690
I’LL, UH,
I’LL SEE YOU TOMORROW.
1038
00:43:06,730 --> 00:43:07,960
SEE YOU TOMORROW.
1039
00:43:08,000 --> 00:43:10,070
ALL RIGHT. BYE.
73477
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