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1
00:00:21,060 --> 00:00:22,560
WHAT A MESS.
2
00:00:22,590 --> 00:00:24,830
NO SIGN
OF FORCED ENTRY.
3
00:00:27,930 --> 00:00:29,800
D.O.A.'s
IN THE BEDROOM ‐‐
4
00:00:29,830 --> 00:00:31,930
WHITE FEMALE, 18.
HER NAME'S KAT McELROY.
5
00:00:31,970 --> 00:00:33,530
ANY INDICATION
OF HOW THEY GOT IN?
6
00:00:33,570 --> 00:00:35,740
UNH‐UNH. SUPER CAME
TO FIX THE SINK,
7
00:00:35,770 --> 00:00:37,070
AND HE'S WHO FOUND
THE GIRL.
8
00:00:37,110 --> 00:00:39,470
HER OLD MAN'S PASSED OUT
COLD IN HIS ROOM.
9
00:00:39,510 --> 00:00:42,240
FATHER'S A DRUNK?
OUT LIKE A LIGHT.
DEAD TO THE WORLD.
10
00:00:42,280 --> 00:00:44,650
ALL RIGHT, WE GOT
THE PICTURE, SHANNON.
11
00:00:44,680 --> 00:00:46,880
GET HIM OVER
TO THE STATION HOUSE.
12
00:00:46,920 --> 00:00:47,980
WHAT'S YOUR NAME?
13
00:00:48,020 --> 00:00:48,980
DAVE TIERREZ.
14
00:00:49,020 --> 00:00:50,820
SO, DAVE, YOU KNOW
THAT GIRL?
15
00:00:50,860 --> 00:00:52,160
IT'S HER DAD'S PLACE.
16
00:00:52,190 --> 00:00:53,320
SHE'S BEEN LIVING HERE
ABOUT A MONTH.
17
00:00:53,360 --> 00:00:54,470
HER DAD THAT'S IN THERE
DRUNK?
18
00:00:54,490 --> 00:00:56,220
HER DAD THAT'S DRUNK,
LIKE, 24/7.
19
00:00:56,260 --> 00:00:58,490
THEY'VE BEEN RAGGING ME
TO FIX THE SINK.
20
00:00:58,530 --> 00:01:01,060
NO ONE ANSWERED,
SO I USED MY PASSKEY.
21
00:01:01,100 --> 00:01:03,130
I'M GUESSING THERE'S NO SINK
IN HER BEDROOM,
22
00:01:03,170 --> 00:01:05,310
SO HOW COME YOU HAPPENED
TO FIND HER IN THERE?
23
00:01:05,340 --> 00:01:07,280
HEY, I DIDN'T HAVE
NOTHING TO DO WITH THIS.
24
00:01:07,310 --> 00:01:09,310
I HEARD THE RADIO.
25
00:01:09,340 --> 00:01:12,170
OKAY, MAYBE I WENT SNOOPING,
BUT I DIDN'T KILL HER.
26
00:01:12,210 --> 00:01:13,940
YOU EVER HEAR THE GIRL
AND HER OLD MAN ARGUE?
27
00:01:13,980 --> 00:01:15,640
COUPLE TIMES.
28
00:01:15,680 --> 00:01:16,780
LIKE TWO WEEKS AGO,
29
00:01:16,820 --> 00:01:18,460
THEY WAS FIGHTING SO LOUD,
THE COPS CAME.
30
00:01:18,480 --> 00:01:21,320
ALL RIGHT, LEAVE YOUR NUMBER
WITH THE OFFICER.
31
00:01:21,350 --> 00:01:23,690
Man: WHAT'S GOING ON?
32
00:01:23,720 --> 00:01:25,690
WHAT ARE YOU DOING HERE?
33
00:01:25,720 --> 00:01:28,660
[ MUMBLING ]
34
00:01:38,000 --> 00:01:40,840
LIGATURE MARKS.
SHE'S BEEN STRANGLED.
35
00:01:40,870 --> 00:01:43,300
HANDS TAPED BEHIND.
36
00:01:43,340 --> 00:01:44,940
RIGOR MORTIS STARTED.
37
00:01:44,980 --> 00:01:47,690
SHE'S BEEN DEAD
AT LEAST SIX HOURS.
38
00:01:50,750 --> 00:01:53,380
SAID SHE WAS 18.
SHE LOOKS 15.
39
00:01:53,420 --> 00:01:56,330
MAKE SURE M.E. DOES
A RAPE KIT.
40
00:01:56,350 --> 00:02:00,520
CRACK PIPE. LET'S GET
THIS VOUCHERED, TOO.
41
00:02:00,560 --> 00:02:03,520
[ PILLS RATTLING ]
42
00:03:25,910 --> 00:03:27,540
CONNIE AND ME
RAN THE FATHER
43
00:03:27,580 --> 00:03:29,410
JIMMY McELROY
ON THE COMPUTER.
44
00:03:29,450 --> 00:03:31,060
CAME UP WITH A COUPLE COLLARS
FOR DISCON ‐‐
45
00:03:31,080 --> 00:03:33,280
PUBLIC INTOX
AND ONE FOR ASSAULT.
46
00:03:33,320 --> 00:03:35,790
LOOKS LIKE HE'S GOT
A TEMPER WHEN HE DRINKS.
47
00:03:35,820 --> 00:03:38,290
YOU FIND ANYTHING ON THAT
RADIO RUN TWO WEEKS AGO?
48
00:03:38,320 --> 00:03:39,720
COPY OF THE 61.
49
00:03:39,760 --> 00:03:41,960
UNIFORM SAW BRUISING
ON THE DAUGHTER,
50
00:03:41,990 --> 00:03:43,930
BUT SAID IT HAD NOTHING
TO DO WITH THE FATHER.
51
00:03:43,960 --> 00:03:45,460
ONE MORE THING ‐‐
THIS McELROY ‐‐
52
00:03:45,500 --> 00:03:47,610
HE WAS ON THE JOB
FOR FIVE YEARS IN BERGEN COUNTY.
53
00:03:47,630 --> 00:03:49,730
EXPLAINS THAT PHOTO
AT HIS PLACE.
54
00:03:49,770 --> 00:03:51,230
SO WE LIKE HIM
FOR THE HOMICIDE?
55
00:03:51,270 --> 00:03:53,470
THE GAL'S HANDS ARE TIED,
NO CLOTHES.
56
00:03:53,500 --> 00:03:56,640
DON'T SEEM LIKE HER FATHER,
UNLESS HE'S A SICK BASTARD.
57
00:03:56,680 --> 00:03:59,480
WELL, ON THE OTHER HAND,
HE WAS PASSED OUT DRUNK,
58
00:03:59,510 --> 00:04:01,310
PLUS HE HAD
EXCLUSIVE OPPORTUNITY.
59
00:04:01,350 --> 00:04:02,920
THE DOOR WAS LOCKED
WHEN THE SUPER CAME.
60
00:04:02,950 --> 00:04:04,260
COULD BE
THEY FOUGHT AGAIN,
61
00:04:04,280 --> 00:04:05,750
THIS TIME
IT GOT OUT OF CONTROL.
62
00:04:05,780 --> 00:04:07,450
FATHER FIXED IT TO LOOK
LIKE SEXUAL ASSAULT
63
00:04:07,490 --> 00:04:08,760
AND DRANK HIMSELF STUPID.
64
00:04:08,790 --> 00:04:13,770
ANYWAYS, WE GOT THE M. E.
TESTING FOR DNA OFF ANY SEMEN.
65
00:04:13,790 --> 00:04:15,820
ALSO FOUND A CRACK PIPE
IN THE ROOM.
66
00:04:15,860 --> 00:04:17,990
CRIME SCENE'S CHECKING
FOR PRINTS.
67
00:04:18,030 --> 00:04:19,700
SMOKING CRACK ‐‐ THAT'S MAYBE
WHAT THEY WERE FIGHTING ABOUT.
68
00:04:19,730 --> 00:04:21,830
WE'LL GO BACK ONLINE,
SEE IF THIS MATCHES ANY PATTERNS
69
00:04:21,870 --> 00:04:23,370
OF SEXUAL ASSAULTS
OR STRANGULATIONS.
70
00:04:23,400 --> 00:04:24,870
LET ME KNOW.
71
00:04:27,470 --> 00:04:29,770
LET HIM KNOW. WHAT'S HE THINK,
WE'RE GOING TO KEEP IT FROM HIM?
72
00:04:29,810 --> 00:04:31,940
NEW BOSS SEEMS
PRETTY SHARP.
73
00:04:31,980 --> 00:04:34,520
YEAH, SEEMS OKAY.
GUY'S GOING TO TELL US
HOW TO RUN A CASE.
74
00:04:34,550 --> 00:04:36,190
I DON'T THINK
THAT'S WHAT HE'S DOING.
75
00:04:36,210 --> 00:04:38,780
TOSSING OUT
HIS UNINFORMED OPINIONS
76
00:04:38,820 --> 00:04:40,230
WHETHER THIS McELROY'S
GOT A TEMPER
77
00:04:40,250 --> 00:04:41,450
AND DID HE GET HIS LOAD ON
78
00:04:41,490 --> 00:04:43,030
TO COVER UP
KILLING HIS DAUGHTER...
79
00:04:43,050 --> 00:04:45,390
ANDY, DON'T YOU THINK ANYTHING
THE BOSS THROWS OUT THERE
80
00:04:45,420 --> 00:04:47,020
IS JUST HIM
TRYING TO HELP OUT?
81
00:04:47,060 --> 00:04:48,160
I THINK HIM HELPING OUT
82
00:04:48,190 --> 00:04:49,520
WOULD BE KEEPING
HIS MOUTH SHUT.
83
00:04:49,560 --> 00:04:50,530
AND WHAT IS WITH THIS?
84
00:04:50,560 --> 00:04:52,730
I'M GOING TO GO
ON THE COMPUTER.
85
00:04:52,760 --> 00:04:55,530
OH, THIS IS ALL
I NEED.
86
00:04:55,570 --> 00:04:56,710
ANDY, YOU GOT A MINUTE?
87
00:04:56,740 --> 00:04:59,140
I HOPE THIS IS ABOUT
A CASE, GIBSON,
88
00:04:59,170 --> 00:05:01,700
OR YOU OFFER ME
TICKETS TO THE KNICKS.
89
00:05:01,740 --> 00:05:04,040
ANDY, I GOT
A TERRIBLE CONFESSION.
90
00:05:04,080 --> 00:05:05,720
THAT IT WAS YOU
WHO KILLED J. F. K.?
91
00:05:05,740 --> 00:05:07,410
THERE WAS NO GUY.
92
00:05:07,450 --> 00:05:08,820
GIBSON, WHAT THE HELL
ARE YOU TALKING ABOUT?
93
00:05:08,850 --> 00:05:10,420
WHEN I TOLD YOU THERE WAS
A GUY AT WORK
94
00:05:10,450 --> 00:05:12,310
WHO WANTED TO ASK OUT
CYNTHIA, THAT WAS A LIE.
95
00:05:12,350 --> 00:05:14,480
HEY, YOU WANT TO KEEP
YOUR VOICE DOWN?
96
00:05:14,520 --> 00:05:16,990
THAT WAS ME TRYING
TO GIVE YOU A LITTLE PUSH,
97
00:05:17,020 --> 00:05:18,420
SEE FOR SURE WHETHER
IT WAS OVER OR NOT.
98
00:05:18,460 --> 00:05:20,600
YOU DIDN'T CALL HER. I GUESS
THAT WAS YOUR ANSWER.
99
00:05:20,630 --> 00:05:21,830
I TOLD YOU THE LAST TIME.
100
00:05:21,860 --> 00:05:23,490
I DO NOT WANT
TO TALK TO YOU ABOUT THIS.
101
00:05:23,530 --> 00:05:27,070
I JUST WANT YOU TO KNOW
SHE HAD NOTHING TO DO WITH IT.
102
00:05:27,100 --> 00:05:28,430
THIS IS ON ME 100%.
103
00:05:28,470 --> 00:05:30,440
DO YOURSELF A FAVOR,
GIBSON.
104
00:05:30,470 --> 00:05:32,900
TURN AROUND
AND WALK AWAY NOW.
105
00:05:32,940 --> 00:05:34,910
ANYWAY,
SHE'S AT HOME NOW,
106
00:05:34,940 --> 00:05:36,710
CRYING HER EYES OUT,
107
00:05:36,740 --> 00:05:39,440
IN CASE YOU DID WANT
TO GIVE HER A CALL.
108
00:05:42,110 --> 00:05:43,240
MAY I HELP YOU?
109
00:05:43,280 --> 00:05:44,550
I'M MARY McELROY.
110
00:05:44,580 --> 00:05:47,120
I'M LOOKING
FOR DETECTIVE SORENSON.
111
00:05:47,150 --> 00:05:48,750
YEAH,
I'M DETECTIVE SORENSON.
112
00:05:48,790 --> 00:05:50,800
THIS IS MY PARTNER,
DETECTIVE SIPOWICZ.
113
00:05:50,820 --> 00:05:52,590
I WENT TO SEE MY DAUGHTER
AT HER FATHER'S.
114
00:05:52,620 --> 00:05:54,890
THE POLICE WOULDN'T LET ME IN.
THEY SAID TO COME HERE.
115
00:05:54,930 --> 00:05:56,900
HOW ABOUT WE GO TALK
IN HERE?
116
00:05:56,930 --> 00:05:58,390
NO, I DON'T WANT
TO GO SOMEPLACE ELSE.
117
00:05:58,430 --> 00:06:00,400
I JUST WANT TO KNOW
WHAT'S GOING ON.
118
00:06:00,430 --> 00:06:02,460
HERE, SIT DOWN
AT MY DESK.
119
00:06:07,440 --> 00:06:11,470
UH, WE'RE SORRY TO HAVE
TO TELL YOU THIS,
120
00:06:11,510 --> 00:06:13,470
BUT YOUR DAUGHTER'S DEAD.
121
00:06:18,020 --> 00:06:19,490
HOW'D SHE DIE?
122
00:06:19,520 --> 00:06:21,130
SHE WAS MURDERED.
123
00:06:21,150 --> 00:06:24,090
OHH... MY GOD.
124
00:06:26,790 --> 00:06:29,890
DID HE DO THIS?
125
00:06:29,930 --> 00:06:31,290
Danny: WHO?
126
00:06:31,330 --> 00:06:35,160
JIMMY ‐‐ HER FATHER.
127
00:06:35,200 --> 00:06:36,300
WAS IT HIM?
128
00:06:36,330 --> 00:06:38,270
WHAT MAKES YOU ASK THAT?
129
00:06:38,300 --> 00:06:40,340
'CAUSE HE DRINKS TOO MUCH,
130
00:06:40,370 --> 00:06:43,610
AND WHEN HE DRINKS,
HE GETS MEAN AND...
131
00:06:43,640 --> 00:06:45,310
THEN HE HITS PEOPLE.
132
00:06:45,340 --> 00:06:49,480
HE EVER HIT YOUR DAUGHTER?
HE EVER HIT YOU?
133
00:06:49,510 --> 00:06:52,480
TOO MANY TIMES.
134
00:06:52,520 --> 00:06:54,460
I THREW HIM OUT
WHEN KAT WAS 9,
135
00:06:54,490 --> 00:06:56,460
AND I RAISED HER
ON MY OWN,
136
00:06:56,490 --> 00:06:58,830
BUT THE LAST TWO YEARS,
IT JUST GOT TOO HARD.
137
00:06:58,860 --> 00:07:02,030
SHE STOPPED GOING TO CLASS
AND SHE STAYED OUT LATE.
138
00:07:02,060 --> 00:07:03,990
SHE SAID SHE HATED ME
139
00:07:04,030 --> 00:07:05,860
AND SHE WANTED TO LIVE
WITH HIM.
140
00:07:05,900 --> 00:07:09,510
I COULDN'T STOP HER.
141
00:07:09,530 --> 00:07:12,170
SHE, UH, FIGURED HER DAD
WOULD BE LESS STRICT?
142
00:07:12,200 --> 00:07:15,040
SHE THOUGHT HE WOULD BE
TOO DRUNK TO GIVE A DAMN.
143
00:07:15,070 --> 00:07:17,210
BUT SHE HATED IT THERE,
TOO,
144
00:07:17,240 --> 00:07:19,510
AND JUST LAST WEEK
SHE ASKED ME
145
00:07:19,540 --> 00:07:24,510
IF SHE COULD COME HOME,
AND NOW SHE'S DEAD.
146
00:07:24,550 --> 00:07:28,380
YOU ASK HIM WHERE HE WAS
147
00:07:28,420 --> 00:07:31,550
WHEN MY LITTLE GIRL
GOT MURDERED.
148
00:07:31,590 --> 00:07:34,290
DON'T WORRY.
WE'LL ASK HIM.
149
00:07:34,330 --> 00:07:37,370
UH, ANYONE ELSE
THAT YOU KNOW OF
150
00:07:37,400 --> 00:07:38,970
MIGHT HAVE WANTED
TO HARM HER?
151
00:07:39,000 --> 00:07:40,240
NO. I‐I DON'T KNOW.
152
00:07:40,260 --> 00:07:42,860
DID SHE HAVE A BOYFRIEND,
BOYFRIENDS?
153
00:07:42,900 --> 00:07:45,170
I DON'T KNOW.
MARY, WHAT ARE YOU
DOING HERE?
154
00:07:45,200 --> 00:07:48,670
YOU BASTARD!
YOU KILLED OUR BABY!
155
00:07:48,710 --> 00:07:50,150
GET HIM OUT OF HERE.
GO ON, GO ON.
156
00:07:50,170 --> 00:07:51,470
YOU SON OF A BITCH!
157
00:07:51,510 --> 00:07:53,140
Andy: DID YOU EVER
THINK OF CHECKING
158
00:07:53,180 --> 00:07:55,720
IF THE COAST WAS CLEAR?
HE WANTED TO TAKE A PISS.
159
00:07:55,750 --> 00:07:57,160
WHAT'S SHE TALKING ABOUT?
160
00:07:57,180 --> 00:07:58,580
I HOPE THEY HANG YOU!
161
00:07:58,620 --> 00:08:00,490
MA'AM, SIT DOWN.
162
00:08:00,520 --> 00:08:04,250
MA'AM, WE'RE GOING TO GET
A UNIFORM TO TAKE YOU.
163
00:08:04,290 --> 00:08:07,560
I'M SO SORRY.
164
00:08:07,590 --> 00:08:10,590
HOW YOU FEELING, JIMMY?
165
00:08:10,630 --> 00:08:12,190
YOU AWAKE ENOUGH NOW
TO TALK?
166
00:08:12,230 --> 00:08:15,100
WHAT'S SHE SAYING OUT THERE?
WHAT HAPPENED TO MY DAUGHTER?
167
00:08:15,130 --> 00:08:16,800
SHE'S BEEN MURDERED.
168
00:08:19,640 --> 00:08:21,740
OH, GOD.
169
00:08:21,770 --> 00:08:24,240
WHO KILLED HER?
170
00:08:24,280 --> 00:08:25,880
WHY DON'T YOU TELL US?
171
00:08:25,910 --> 00:08:28,840
HEY, YOU CAN'T BE GOING
BY MARY ON THIS. SHE HATES ME.
172
00:08:28,880 --> 00:08:30,410
I'M NOT SAYING
SHE AIN'T GOT REASON.
173
00:08:30,450 --> 00:08:33,010
JIMMY, WE FOUND YOUR DAUGHTER
DEAD AT YOUR PLACE, OKAY?
174
00:08:33,050 --> 00:08:35,420
WE FOUND YOU THERE DRUNK.
THE FRONT DOOR WAS LOCKED.
175
00:08:35,450 --> 00:08:36,850
THERE WAS NO SIGN
OF FORCED ENTRY.
176
00:08:36,890 --> 00:08:38,090
NOT TWO WEEKS AGO,
177
00:08:38,120 --> 00:08:39,790
UNIFORMS WERE CALLED
TO YOUR HOUSE
178
00:08:39,820 --> 00:08:41,460
OVER A FIGHT
BETWEEN YOU AND HER.
179
00:08:41,490 --> 00:08:44,060
I WOULD KILL MYSELF BEFORE
I'D LAY A HAND ON MY BABY.
180
00:08:44,100 --> 00:08:46,870
BUT NOT BEFORE YOU'D LAY A HAND
ON YOUR WIFE.
181
00:08:46,900 --> 00:08:48,530
HEY, THAT WAS
A LONG TIME AGO.
182
00:08:48,570 --> 00:08:49,980
LOOK, YOU WERE PASSED OUT.
183
00:08:50,000 --> 00:08:52,270
MAYBE YOU KILLED HER,
AND MAYBE YOU DON'T REMEMBER.
184
00:08:52,300 --> 00:08:54,540
YOU WILLING TO GIVE US
A DNA SAMPLE?
185
00:08:54,570 --> 00:08:56,440
OF COURSE I AM.
WAS SHE RAPED?
186
00:08:56,470 --> 00:08:57,570
WE DIDN'T SAY THAT.
187
00:08:57,610 --> 00:09:00,210
HEY, LOOK, I AIN'T
LYING TO YOU.
188
00:09:00,240 --> 00:09:03,780
I WAS ON THE JOB FIVE YEARS
WALKING THE BEAT ‐‐
189
00:09:03,820 --> 00:09:06,220
IN HACKENSACK.
MY SON WAS A COP THERE.
190
00:09:06,250 --> 00:09:07,380
HOW COME YOU LEFT?
191
00:09:07,420 --> 00:09:08,950
I GOT A DRINKING PROBLEM.
192
00:09:08,990 --> 00:09:10,960
NO KIDDING.
193
00:09:10,990 --> 00:09:13,450
HEY, YOU CAN THINK
WHAT YOU WANT.
194
00:09:13,490 --> 00:09:15,960
I DID 2 TOURS IN VIETNAM ‐‐
82nd AIRBORNE.
195
00:09:15,990 --> 00:09:18,460
I GOT THE SILVER STAR.
I WAS A GOOD COP!
196
00:09:18,500 --> 00:09:20,810
NOW I'M A BROKEN‐DOWN DRUNK,
197
00:09:20,830 --> 00:09:24,130
BUT I DID NOT
KILL MY DAUGHTER.
198
00:09:24,170 --> 00:09:27,140
WHERE WERE YOU
LAST NIGHT?
199
00:09:27,170 --> 00:09:28,440
I GOT A JOB.
200
00:09:28,470 --> 00:09:30,570
I WORK TO 4:00 TO 12:00s
201
00:09:30,610 --> 00:09:33,510
STOCKING GROCERIES
AT PATHMARK.
202
00:09:33,550 --> 00:09:36,660
I COME HOME,
HER DOOR WAS CLOSED.
203
00:09:36,680 --> 00:09:38,480
I JUST HIT THE SACK.
204
00:09:38,520 --> 00:09:40,660
THAT'S AFTER
YOU GOT YOUR LOAD ON.
205
00:09:40,690 --> 00:09:42,760
I STOPPED BY O'LEARY'S
AFTER WORK
206
00:09:42,790 --> 00:09:44,130
FOR A COUPLE OF SHOTS.
207
00:09:44,160 --> 00:09:46,300
I FINISHED OFF A BOTTLE OF GIN
WHEN I GOT HOME.
208
00:09:46,320 --> 00:09:47,320
THE NEXT THING I KNOW,
209
00:09:47,360 --> 00:09:49,260
THE COPS WERE DRAGGING ME
OUT OF MY BED.
210
00:09:49,290 --> 00:09:50,530
FOR ARGUMENT'S SAKE,
211
00:09:50,560 --> 00:09:51,990
LET'S SAY IT WASN'T YOU
THAT KILLED YOUR DAUGHTER.
212
00:09:52,030 --> 00:09:53,830
YOU GOT ANY IDEA WHO ELSE
MIGHT HAVE DONE IT?
213
00:09:53,870 --> 00:09:56,780
I KNOW I'D BE ASKING CARLO.
214
00:09:56,800 --> 00:09:58,300
WHO'S CARLO?
215
00:09:58,340 --> 00:10:01,650
SCUMBAG SHE CALLED
HER BOYFRIEND.
216
00:10:01,670 --> 00:10:03,840
HE WAS TURNING HER OUT.
217
00:10:03,880 --> 00:10:05,850
IT COULD'VE BEEN HIM
218
00:10:05,880 --> 00:10:08,620
OR MAYBE
ONE OF HIS JOHNS.
219
00:10:08,650 --> 00:10:11,390
YOUR DAUGHTER
WAS HOOKIN'?
220
00:10:11,420 --> 00:10:12,560
YEAH.
221
00:10:12,580 --> 00:10:15,220
SHE USED MY PLACE
TO BRING HER TRICKS
222
00:10:15,250 --> 00:10:17,020
WHEN I WASN'T THERE.
223
00:10:17,060 --> 00:10:18,800
IS THAT WHAT THE FIGHT
WAS ABOUT TWO WEEKS AGO?
224
00:10:18,820 --> 00:10:20,720
IT WAS ABOUT ME
TRYING TO BE A PARENT.
225
00:10:20,760 --> 00:10:21,890
SHE SAID I HAD NO RIGHT
226
00:10:21,930 --> 00:10:23,530
TO TELL HER
WHAT SHE COULD DO.
227
00:10:23,560 --> 00:10:25,630
SHE SAID IT WAS TOO LATE.
228
00:10:25,660 --> 00:10:29,000
I HADN'T BEEN IN HER LIFE
SINCE SHE WAS A LITTLE GIRL.
229
00:10:29,030 --> 00:10:32,130
NOW I WAS BACK SAYING
HOW SHE SHOULD BE LIVING IT.
230
00:10:32,170 --> 00:10:35,700
LOOK, I DONE A LOT OF THINGS
I AIN'T PROUD OF,
231
00:10:35,740 --> 00:10:37,040
AND FOR THOSE,
232
00:10:37,080 --> 00:10:40,050
I'LL STAND UP
AND TAKE MY LUMPS,
233
00:10:40,080 --> 00:10:42,980
BUT I DID NOT
KILL MY DAUGHTER.
234
00:10:43,010 --> 00:10:45,910
WHATEVER ELSE I AM,
I'M NOT THAT.
235
00:10:45,950 --> 00:10:49,750
UH, HOW ABOUT YOU GIVE US
A LOCATION ON CARLO?
236
00:10:49,790 --> 00:10:50,750
MEANTIME,
237
00:10:50,790 --> 00:10:53,250
WE'RE GOING TO HAVE
TO HOLD YOU
238
00:10:53,290 --> 00:10:55,260
WHILE WE CHECK
THINGS OUT.
239
00:10:55,290 --> 00:10:57,560
HEY, WHAT'S THE DIFFERENCE?
240
00:10:57,600 --> 00:10:59,070
YOU CAN'T HURT ME
241
00:10:59,100 --> 00:11:01,540
ANY WORSE THAN I'VE
ALREADY HURT MYSELF.
242
00:11:17,780 --> 00:11:20,080
GO ON, CARLO. GET LOST.
243
00:11:20,120 --> 00:11:22,080
YOU FIND WHO DID THIS TO KAT,
244
00:11:22,120 --> 00:11:24,250
I'D APPRECIATE
YOU LETTING ME KNOW.
245
00:11:24,290 --> 00:11:26,520
ALL RIGHT, SHUT UP.
GET LOST.
246
00:11:26,560 --> 00:11:28,190
WHO WAS THAT?
247
00:11:28,230 --> 00:11:30,100
OUR D. O. A.'s BOYFRIEND
OR PIMP,
248
00:11:30,130 --> 00:11:31,930
DEPENDING ON WHO
YOU BELIEVE.
249
00:11:31,960 --> 00:11:33,900
HE SAYS THAT SHE WAS
HANGING OUT
250
00:11:33,930 --> 00:11:36,260
WITH SOME LOWLIFES
TRADING SEX FOR CRACK.
251
00:11:36,300 --> 00:11:37,600
DID YOU ARREST
MR. McELROY?
252
00:11:37,640 --> 00:11:38,810
YEAH, WE GOT HIM IN CUSTODY,
253
00:11:38,840 --> 00:11:40,050
AND WE'RE HOLDING HIM
DOWNSTAIRS.
254
00:11:40,070 --> 00:11:41,540
WE'RE NOT SURE
HE DID IT.
255
00:11:41,570 --> 00:11:44,570
HE HAD MOTIVE, SEEING HIM
AND HIS DAUGHTER WERE FIGHTING,
256
00:11:44,610 --> 00:11:46,940
A HISTORY OF VIOLENCE
WHEN INTOXICATED.
257
00:11:46,980 --> 00:11:49,110
HE HAD OPPORTUNITY
AND HE HAD MEANS.
258
00:11:49,150 --> 00:11:50,790
STILL DON'T MEAN
HE DID IT.
259
00:11:50,820 --> 00:11:53,690
YOU FIND OUT DIFFERENT,
I'M ALL EARS.
260
00:11:58,320 --> 00:12:00,590
HEY, RAY,
WHAT'S GOING ON?
261
00:12:00,630 --> 00:12:02,300
CAME TO SEE
YOUR NEW LIEUTENANT.
262
00:12:02,330 --> 00:12:04,100
OH, YOU GOT BUSINESS?
HE'S AN OLD BUDDY.
263
00:12:04,130 --> 00:12:05,290
WORKED WITH HIM
264
00:12:05,330 --> 00:12:07,300
BACK WHEN HE WAS UNDERCOVER
IN THE BRONX,
265
00:12:07,330 --> 00:12:08,960
HELPED HIM TAKE DOWN
THE OCHOAS.
266
00:12:09,000 --> 00:12:10,400
NO KIDDING.
HE'S THAT RODRIGUEZ?
267
00:12:10,430 --> 00:12:11,830
I KNEW HE CAME OVER
FROM NARCOTICS.
268
00:12:11,870 --> 00:12:13,770
THERE'S A DOZEN RODRIGUEZES
WORKING NARCOTICS.
269
00:12:13,810 --> 00:12:15,810
WELL, HE DIDN'T MENTION NOTHING
ABOUT BEING A LEGEND.
270
00:12:15,840 --> 00:12:17,140
SOUNDS LIKE TONY.
271
00:12:17,180 --> 00:12:18,820
WHAT'S WITH HIS BEARD?
272
00:12:18,840 --> 00:12:20,510
THE BUREAU DON'T ALLOW
FACIAL HAIR.
273
00:12:20,550 --> 00:12:22,990
UNDERCOVER HE MADE ENEMIES.
BUREAU LET HIM GROW A BEARD
274
00:12:23,010 --> 00:12:24,810
SO HE COULDN'T GET RECOGNIZED
SO QUICK.
275
00:12:24,850 --> 00:12:26,650
ANYWAY, I'M OUT OF HERE.
276
00:12:26,690 --> 00:12:28,360
TAKE CARE.
277
00:12:28,390 --> 00:12:29,630
HOW ABOUT THAT, ANDY?
278
00:12:29,650 --> 00:12:31,820
NEW BOSS WAS A HEAVY HITTER
IN NARCOTICS,
279
00:12:31,860 --> 00:12:33,160
GOT THE MEDAL OF HONOR.
280
00:12:33,190 --> 00:12:34,660
YEAH, SO WHAT'S HE DOING
IN THE SQUAD,
281
00:12:34,690 --> 00:12:35,990
GETTING HIS TICKET
PUNCHED?
282
00:12:36,030 --> 00:12:38,000
I GUESS WHEN HE HAD
TO TESTIFY,
283
00:12:38,030 --> 00:12:40,000
HE BLEW HIS COVER.
284
00:12:40,030 --> 00:12:42,360
IT'S WRONG, A BOSS WEARING
A BEARD IN THE SQUAD.
285
00:12:42,400 --> 00:12:44,000
THEY WERE CONCERNED
ABOUT HIM,
286
00:12:44,040 --> 00:12:45,310
THEY SHOULD HAVE PUT HIM
287
00:12:45,340 --> 00:12:47,210
SOMEPLACE WHERE THE BEARD
DON'T MATTER.
288
00:12:47,240 --> 00:12:49,710
THEY GOT A PATTERN
ON FOUR HOMICIDES
289
00:12:49,740 --> 00:12:52,110
OVER IN BROOKLYN NORTH.
MIGHT BE A FIT WITH OUR D. O. A.
290
00:12:52,140 --> 00:12:55,040
GO TELL RODRIGUEZ?
291
00:12:56,410 --> 00:12:58,680
BOSS, WE MIGHT HAVE A PATTERN.
292
00:12:58,720 --> 00:13:00,030
FOUR HOMICIDES
IN BROOKLYN NORTH.
293
00:13:00,050 --> 00:13:01,350
VICTIMS WERE ALL PROSTS,
294
00:13:01,390 --> 00:13:03,190
ALL HAD THEIR HANDS
TAPED BEHIND,
295
00:13:03,220 --> 00:13:04,490
AND ALL OF THEM
SMOKED CRACK.
296
00:13:04,520 --> 00:13:05,720
FITS THAT CRACK PIPE
WE FOUND.
297
00:13:05,760 --> 00:13:07,530
ALSO FITS WHAT WE GOT
OFF HER BOYFRIEND.
298
00:13:07,560 --> 00:13:11,130
MAYBE THE SCUMBAG WHO DID THESE
MOVED HIS ACT ACROSS THE BRIDGE.
299
00:13:11,160 --> 00:13:12,690
LAST THREE VICTIMS
IN BROOKLYN
300
00:13:12,730 --> 00:13:15,060
ALL HAD THEIR FACES COVERED.
THIS ONE DIDN'T.
301
00:13:15,100 --> 00:13:17,500
I REMEMBER A COUPLE
OF THESE MURDERS IN BROOKLYN
302
00:13:17,540 --> 00:13:18,840
MADE THE PAPERS.
303
00:13:18,870 --> 00:13:20,170
THE DAD
BEING AN EX‐COP ‐‐
304
00:13:20,200 --> 00:13:22,000
COULD BE THIS GUY'S
SHARP ENOUGH
305
00:13:22,040 --> 00:13:23,140
TO TRY A COPYCAT.
306
00:13:23,170 --> 00:13:24,870
HE MADE THIS ONE
LOOKS LIKE IT FITS
307
00:13:24,910 --> 00:13:26,310
THE PATTERN IN BROOKLYN.
308
00:13:26,340 --> 00:13:28,340
AND THE FACES BEING COVERED
WOULDN'T MAKE THE PAPERS.
309
00:13:28,380 --> 00:13:30,210
EITHER WAY, IF THE DNA
FROM OUR GIRL HERE
310
00:13:30,250 --> 00:13:31,910
MATCHES UP WITH ANY
OF THEM OTHERS,
311
00:13:31,950 --> 00:13:33,580
THAT PRETTY MUCH
RULES THE DAD OUT,
312
00:13:33,620 --> 00:13:35,980
UNLESS YOU WANT TO TRY
AND TELL ME HE KILLED THEM ALL.
313
00:13:36,020 --> 00:13:38,090
I'LL CALL THE C.O.
AT BROOKLYN HOMICIDE,
314
00:13:38,120 --> 00:13:40,090
GET THEIR INPUT.
315
00:13:43,600 --> 00:13:46,400
HI. I'M LOOKING FOR
DETECTIVE SIPOWICZ.
316
00:13:46,430 --> 00:13:48,730
OH, UH,
HE'S IN A MEETING.
317
00:13:48,770 --> 00:13:51,210
MAY I TELL HIM
WHO'S ASKING FOR HIM?
318
00:13:51,240 --> 00:13:52,980
CYNTHIA BUNIN.
319
00:13:58,040 --> 00:13:59,780
WAS THAT RAY OLIVAR
I SAW BEFORE?
320
00:13:59,810 --> 00:14:01,910
YEAH, HIM AND RODRIGUEZ
WORKED TOGETHER.
321
00:14:01,950 --> 00:14:03,720
IT TURNS OUT
OUR NEW LIEUTENANT'S
322
00:14:03,750 --> 00:14:04,880
A LEGEND IN NARCOTICS.
323
00:14:04,920 --> 00:14:06,290
NO KIDDING?
324
00:14:06,320 --> 00:14:11,060
NO KIDDING. I GUESS THEY'RE
MAKING A MOVIE ABOUT HIM.
325
00:14:11,090 --> 00:14:13,020
CYNTHIA, WHAT ARE
YOU DOING HERE?
326
00:14:13,060 --> 00:14:15,200
CAN WE TALK, ANDY?
327
00:14:15,230 --> 00:14:17,500
YEAH. UM, NOT HERE.
328
00:14:19,930 --> 00:14:22,100
JOHN, I'M GOING OUT
A MINUTE.
329
00:14:22,130 --> 00:14:23,630
I'LL BE ON THE AIR.
330
00:14:26,610 --> 00:14:28,580
I'M SORRY
ABOUT THIS MORNING.
331
00:14:28,610 --> 00:14:31,080
I KNOW UNCLE EDDIE
CAME TO SEE YOU.
332
00:14:31,110 --> 00:14:33,780
YEAH, I GUESS HE TOLD YOU
WHAT I SAID.
333
00:14:33,810 --> 00:14:36,580
OH, DON'T BLAME HIM.
HE WAS COVERING FOR ME.
334
00:14:36,620 --> 00:14:39,320
THAT WASN'T HIS IDEA
TELLING YOU
335
00:14:39,350 --> 00:14:41,950
I HAD SOMEONE ELSE
INTERESTED IN ME.
336
00:14:41,990 --> 00:14:43,460
IT WAS MINE.
337
00:14:43,490 --> 00:14:45,800
YOU TOLD HIM
TO SAY THAT?
338
00:14:45,820 --> 00:14:49,060
I'VE BEEN OUT OF THE GAME
A LONG TIME, ANDY.
339
00:14:49,090 --> 00:14:51,660
SEEMS I'M NOT VERY GOOD
AT IT.
340
00:14:51,700 --> 00:14:53,170
AH, COME ON.
341
00:14:53,200 --> 00:14:55,170
I MEAN,
YOU'RE THE FIRST MAN
342
00:14:55,200 --> 00:14:58,270
I'VE MADE LOVE WITH
IN FIVE YEARS.
343
00:14:58,300 --> 00:15:02,500
GUESS THIS IS ME TRYING
TO FIND OUT WHERE WE STOOD.
344
00:15:02,540 --> 00:15:04,610
SO WHERE DO WE STAND?
345
00:15:04,640 --> 00:15:05,940
I DON'T KNOW.
346
00:15:05,980 --> 00:15:08,690
HOW COME WE GOT TO SAY
ONE WAY OR THE OTHER?
347
00:15:08,710 --> 00:15:10,680
I'M 42 YEARS OLD.
348
00:15:10,720 --> 00:15:13,320
"I DON'T KNOW"
IS NOT GOOD ENOUGH.
349
00:15:13,350 --> 00:15:17,420
WELL, I‐I CAN'T DO
ANY BETTER THAN THAT.
350
00:15:17,460 --> 00:15:21,270
IS THERE SOMETHING WRONG
WITH ME, ANDY?
351
00:15:21,290 --> 00:15:22,960
SOMETHING I DID?
352
00:15:22,990 --> 00:15:24,290
SOMETHING I COULD CHANGE?
353
00:15:24,330 --> 00:15:26,030
NAH, THERE'S NOTHING
TO CHANGE.
354
00:15:26,060 --> 00:15:29,970
YOU'RE A WONDERFUL WOMAN.
IT'S NOT ANYTHING YOU DID.
355
00:15:30,000 --> 00:15:33,170
OKAY, WELL, THEN IF
IT'S SOMETHING I DIDN'T DO,
356
00:15:33,200 --> 00:15:35,800
UM...TELL ME
AND I'LL TRY AND DO IT.
357
00:15:35,840 --> 00:15:39,340
IT'S NOTHING LIKE THAT.
358
00:15:39,380 --> 00:15:43,820
IT JUST DON'T SEEM LIKE
IT'S GOING TO WORK.
359
00:15:43,850 --> 00:15:45,550
HEY, COME ON.
360
00:15:45,580 --> 00:15:49,720
IT'S NOT JUST YOU.
IT'S THE WHOLE SITUATION.
361
00:15:49,750 --> 00:15:51,490
YOU AND GIBSON ‐‐
362
00:15:51,520 --> 00:15:53,790
YOU KNOW, I CAN'T SAY
A WORD TO EITHER ONE OF YOU
363
00:15:53,830 --> 00:15:55,500
WITHOUT IT GETS BACK
TO THE OTHER.
364
00:15:55,530 --> 00:15:57,700
WELL, WE'RE
A VERY CLOSE FAMILY, ANDY.
365
00:15:57,730 --> 00:16:00,200
HE'S LIKE A FATHER
TO ME.
366
00:16:00,230 --> 00:16:01,800
YEAH, I KNOW.
367
00:16:01,830 --> 00:16:05,970
SO THAT'S IT, THEN?
368
00:16:06,000 --> 00:16:08,400
I'M SORRY.
369
00:16:12,410 --> 00:16:17,250
DON'T GET MAD
AT UNCLE EDDIE.
370
00:16:31,230 --> 00:16:33,230
AHEM.
371
00:16:33,260 --> 00:16:36,230
LIEUTENANT JIM WALTERS
OUT OF BROOKLYN NORTH.
372
00:16:36,270 --> 00:16:37,840
TONY RODRIGUEZ.
DETECTIVES EATON
AND KENT.
373
00:16:37,870 --> 00:16:40,070
THANKS FOR CALLING US IN.
374
00:16:40,100 --> 00:16:42,370
DANNY SORENSON, ANDY SIPOWICZ ‐‐
THEY CAUGHT THE CASE.
375
00:16:42,410 --> 00:16:44,520
OUR GUYS BROUGHT FILES
ON THE PREVIOUS HOMICIDES.
376
00:16:44,540 --> 00:16:47,880
ALL RIGHT, WE CAN GIVE YOU
WHAT WE GOT ON OUR D. O. A.
377
00:16:47,910 --> 00:16:50,080
FACE DOWN,
HANDS TIED BACK.
378
00:16:50,110 --> 00:16:52,250
NOTHING COVERING
HER HEAD.
379
00:16:52,280 --> 00:16:53,950
WE'RE WAITING
ON DNA COMPARISON.
380
00:16:53,990 --> 00:16:55,960
M.E.'s OFFICE
SAYS IT COULD BE TOMORROW.
381
00:16:55,990 --> 00:16:57,060
MIND CATCHING US UP?
382
00:16:57,090 --> 00:16:58,220
SURE.
383
00:16:58,260 --> 00:17:00,400
WE FIGURED
THE FIRST VICTIM
384
00:17:00,420 --> 00:17:03,190
WAS A SKELETON
FOUND UNDER THE BRIDGE,
385
00:17:03,230 --> 00:17:04,440
LIVED IN
THE MARCY PROJECTS,
386
00:17:04,460 --> 00:17:06,130
WENT MISSING TWO YEARS AGO.
IN EACH CASE,
387
00:17:06,160 --> 00:17:08,060
WITNESS EITHER SAW
THE VICTIM WITH A BLACK MAN
388
00:17:08,100 --> 00:17:09,800
OR SAW A BLACK MAN
LEAVING THE SCENE.
389
00:17:09,830 --> 00:17:11,470
YEAH, THOSE WERE
ALL KNOWN PROSTS ‐‐
390
00:17:11,500 --> 00:17:13,070
TWO WHITE, ONE LATIN,
ONE BLACK.
391
00:17:13,100 --> 00:17:14,900
EQUAL OPPORTUNITY KILLER.
392
00:17:14,940 --> 00:17:16,710
RIGHT? THE ONE THAT
TURNED US ON TO THE PATTERN
393
00:17:16,740 --> 00:17:17,870
LIVED IN THOSE SAME PROJECTS.
394
00:17:17,910 --> 00:17:20,210
THEN FOUND HER STRANGLED
IN THEIR APARTMENT NAKED,
395
00:17:20,240 --> 00:17:21,780
PILLOWCASE OVER THE HEAD.
396
00:17:21,810 --> 00:17:23,110
WE GOT DNA OFF HER.
397
00:17:23,150 --> 00:17:25,790
ALSO, M.E. FOUND
LARGE TRACES OF COCAINE,
398
00:17:25,820 --> 00:17:28,060
WHICH FIGURES
FOR A CRACK SMOKER.
399
00:17:28,090 --> 00:17:30,130
DO ANY GOOD
WE RE‐INTERVIEW THE PIMP?
400
00:17:30,150 --> 00:17:33,660
FOR WHAT? WE GOT IT RIGHT
THE FIRST TIME.
401
00:17:33,690 --> 00:17:36,460
NO ONE'S SAYING DIFFERENT.
402
00:17:36,490 --> 00:17:38,730
THIRD VICTIM ALSO LIVED
IN THE MARCY PROJECTS.
403
00:17:38,760 --> 00:17:40,560
WE FOUND THE LAST ONE
ON THE ROOF
404
00:17:40,600 --> 00:17:42,230
SIX MONTHS AGO
A COUPLE OF BLOCKS FROM THERE.
405
00:17:42,270 --> 00:17:44,480
ALL INDICATIONS VICTIMS
EITHER KNEW THE PERP
406
00:17:44,500 --> 00:17:45,670
OR IT WAS A JOHN.
407
00:17:45,700 --> 00:17:47,640
SOME WACK JOB
LIKES TO SMOKE CRACK
408
00:17:47,670 --> 00:17:50,140
AND TIE UP HIS PROSTITUTES.
409
00:17:50,170 --> 00:17:52,010
BEEN THROUGH
A SLEW OF THEM.
410
00:17:52,040 --> 00:17:53,340
NONE OF THEM'S BEEN
THE RIGHT GUY.
411
00:17:53,380 --> 00:17:54,590
NO VICTIMS LAST SIX MONTHS.
412
00:17:54,610 --> 00:17:56,140
COULD BE WHOEVER'S DOING THIS
BEEN IN THE JOINT.
413
00:17:56,180 --> 00:17:57,350
LET'S CHECK WITH PAROLE,
414
00:17:57,380 --> 00:17:58,850
SEE IF ANYONE GOT OUT RECENTLY
FITS THE PROFILE.
415
00:17:58,880 --> 00:18:01,320
UM, BEING I'VE BEEN
RUNNING THIS INVESTIGATION
416
00:18:01,350 --> 00:18:03,450
AS A TASK FORCE
FOR BROOKLYN HOMICIDE,
417
00:18:03,490 --> 00:18:06,000
I FIGURED I COULD STICK AROUND,
WATCH OVER THINGS
418
00:18:06,020 --> 00:18:08,820
TILL WE DETERMINE IS THIS
NEW ONE PART OF THE PATTERN.
419
00:18:08,860 --> 00:18:10,960
HOMICIDE IN THIS PRECINCT,
LIEUTENANT,
420
00:18:11,000 --> 00:18:12,100
GETS RUN BY MY SQUAD.
421
00:18:12,130 --> 00:18:14,660
TONY, FROM WHAT I HEARD,
YOU JUST TOOK OVER HERE.
422
00:18:14,700 --> 00:18:16,830
SO WHAT'S THAT,
LIKE, STEP ASIDE, HOMICIDE?
423
00:18:16,870 --> 00:18:19,300
I GOT MY GUYS HERE
TO HELP ME OUT.
424
00:18:19,340 --> 00:18:22,210
I PROMISE,
FIRST POTHOLE WE RUN INTO,
425
00:18:22,240 --> 00:18:23,870
I'LL SEND UP A FLARE.
426
00:18:23,910 --> 00:18:26,440
YEAH. CHIEF SAYS
YOU GET 10 DAYS,
427
00:18:26,480 --> 00:18:28,690
THEN IT GOES
TO THE TASK FORCE.
428
00:18:28,710 --> 00:18:32,180
10 DAYS. YOUR GUYS WANT
TO STAY, THEY REPORT TO ME.
429
00:18:32,220 --> 00:18:34,190
LIKE YOU SAID,
IT'S YOUR SQUAD.
430
00:18:34,220 --> 00:18:35,980
KEEP ME POSTED, HUH?
431
00:18:36,020 --> 00:18:38,050
ABSOLUTELY.
432
00:18:44,360 --> 00:18:46,360
LOOKS LIKE THIS GUY'S GOT
SOME BALLS AS A BOSS.
433
00:18:46,400 --> 00:18:48,170
HE'S GOING TO HAVE
TO DO MORE
434
00:18:48,200 --> 00:18:50,030
THAN CHASE OFF
SOME CHESTY LIEUTENANT
435
00:18:50,070 --> 00:18:51,730
TO SHOW ME HOW BIG
HIS BALLS ARE.
436
00:19:04,850 --> 00:19:07,720
IT'S DAYS LIKE THIS
YOU GOT TO LOVE BEING A COP.
437
00:19:07,750 --> 00:19:09,380
COMBING RAT HOLES,
438
00:19:09,420 --> 00:19:10,920
TALKING TO EVERY DEALER,
JUNKIE,
439
00:19:10,960 --> 00:19:12,060
AND HOSEBAG IN MANHATTAN.
440
00:19:12,090 --> 00:19:13,490
YEAH, THAT'S SOMETHING,
HUH,
441
00:19:13,520 --> 00:19:15,260
NEW BOSS BEING SOME KIND
OF COP LEGEND?
442
00:19:15,290 --> 00:19:17,730
TELL YOU THIS ‐‐ HE'S NOT
TOO HARD ON THE EYE.
443
00:19:17,760 --> 00:19:19,530
NO, ESPECIALLY
FOR A COP LEGEND.
444
00:19:19,560 --> 00:19:21,700
PROBABLY NOT YOUR BEST
CAREER MOVE, HUH,
445
00:19:21,730 --> 00:19:23,400
HAVING A THING
WITH YOUR BOSS?
446
00:19:23,430 --> 00:19:24,600
THAT'S NOT SHORTY BOAM.
447
00:19:24,640 --> 00:19:26,580
HEADING RIGHT FOR US.
448
00:19:26,610 --> 00:19:28,250
LADIES. OFFICERS.
449
00:19:28,270 --> 00:19:29,940
SHORTY. WHY AREN'T YOU
IN JAIL?
450
00:19:29,970 --> 00:19:31,570
DON'T TELL US
YOU MADE BAIL.
451
00:19:31,610 --> 00:19:33,410
KNEW IT WOULDN'T GO
TO NO GRAND JURY.
452
00:19:33,440 --> 00:19:35,940
TOLD THE D. A. WHAT HAPPENED
TO HIS JOHNSON WAS BLESSING.
453
00:19:35,980 --> 00:19:37,680
WORD IS YOU'RE LOOKING
FOR SOMEBODY.
454
00:19:37,720 --> 00:19:39,120
WHO TOLD YOU THAT?
455
00:19:39,150 --> 00:19:41,120
BUSINESS ASSOCIATE.
DON'T MATTER.
456
00:19:41,150 --> 00:19:43,120
WHAT I WAS THINKING ‐‐
WE COULD WORK
457
00:19:43,150 --> 00:19:44,950
TO OUR MUTUAL
ADVANTAGEOUSNESS.
458
00:19:44,990 --> 00:19:46,450
WHY? YOU KNOW THIS GUY?
459
00:19:46,490 --> 00:19:48,890
DON'T EVEN KNOW
WHO YOU'RE LOOKING FOR.
460
00:19:48,930 --> 00:19:50,100
JUST KNOW YOU LOOKING.
461
00:19:50,130 --> 00:19:51,230
SO WHAT'S THE PITCH?
462
00:19:51,260 --> 00:19:53,190
I HELP YOU LOCATING
THIS INDIVIDUAL,
463
00:19:53,230 --> 00:19:54,860
THERE'LL BE SOME PAPER
IN IT?
464
00:19:54,900 --> 00:19:56,870
'CAUSE YOU KNOW
I'M ALL ABOUT THE BENJAMINS.
465
00:19:56,900 --> 00:19:58,700
YOU HELP US FIND HIM,
THERE COULD BE MONEY IN IT.
466
00:19:58,740 --> 00:20:01,380
A'IGHT. IN THAT CASE,
WHO WE LOOKING FOR?
467
00:20:01,410 --> 00:20:03,380
GUY WE'RE LOOKING FOR
IS BLACK.
468
00:20:03,410 --> 00:20:05,620
HIS ACT IS HE LIKES
TO SMOKE CRACK WITH PROSTS
469
00:20:05,640 --> 00:20:06,780
AND TIE THEM UP.
470
00:20:06,810 --> 00:20:07,780
THAT'S IT?
471
00:20:07,810 --> 00:20:09,780
MAYBE ONE OR TWO
OF THE GIRLS GOT HURT.
472
00:20:09,810 --> 00:20:11,810
EW. THAT'S
A NASTY ACT, MAN.
473
00:20:11,850 --> 00:20:15,150
THIS COMING FROM SOMEONE
SLICED OFF A GUY'S PENIS.
THIS GUY STARTED IN BROOKLYN.
474
00:20:15,190 --> 00:20:17,160
COULD BE NOW HE'S MOVED IT
OVER THE BRIDGE.
475
00:20:17,190 --> 00:20:18,920
I'LL PUT MY EAR
TO THE GROUND.
476
00:20:18,960 --> 00:20:21,130
IF YOU FIND SOMETHING,
COME SEE US.
477
00:20:21,160 --> 00:20:23,460
THIS MAKE ME
LIKE SOME KIND OF DEPUTY?
478
00:20:23,490 --> 00:20:25,790
HA. WHAT A WORLD,
HUH, SHORTY?
479
00:20:25,830 --> 00:20:27,600
RIGHT. A'IGHT.
480
00:20:39,040 --> 00:20:42,840
DETECTIVE, KATIE SIPOWICZ
ON LINE ONE.
481
00:20:45,820 --> 00:20:47,590
AHEM.
482
00:20:47,620 --> 00:20:49,280
HI, KATIE, IT'S ME.
483
00:20:50,790 --> 00:20:52,190
PLANETARIUM?
484
00:20:52,220 --> 00:20:54,860
NO, NO, THAT SOUNDS GOOD.
485
00:20:54,890 --> 00:20:56,960
NO, WE HAVEN'T
BEEN THERE.
486
00:20:57,000 --> 00:20:58,670
LISTEN, UH,
WHEN YOU BRING HIM BACK,
487
00:20:58,700 --> 00:21:00,670
WHY DON'T YOU STAY
AND HAVE DINNER WITH US?
488
00:21:00,700 --> 00:21:02,030
I KNOW
THEO WOULD LIKE THAT.
489
00:21:02,070 --> 00:21:05,810
THAT'S OKAY, I'LL STOP
AND PICK SOMETHING UP.
490
00:21:05,840 --> 00:21:09,210
ALL RIGHT,
I'LL SEE YOU THEN.
491
00:21:12,240 --> 00:21:13,980
HERE TO SEE
DETECTIVE RUSSELL.
492
00:21:14,010 --> 00:21:16,040
IS SHE EXPECTING YOU?
493
00:21:16,080 --> 00:21:17,480
GAVE ME THIS CARD.
494
00:21:17,520 --> 00:21:19,860
AND THAT BLONDE ONE
DEPUTIZED ME.
495
00:21:19,880 --> 00:21:21,680
CAN I GIVE HER YOUR NAME?
496
00:21:21,720 --> 00:21:23,020
SHORTY BOAM.
497
00:21:23,050 --> 00:21:24,450
SHORTY BOOM?
498
00:21:24,490 --> 00:21:25,790
SHORTY BOAM.
499
00:21:25,820 --> 00:21:27,390
BEEN HERE BEFORE.
500
00:21:27,430 --> 00:21:29,300
I WAS INVOLVED IN THAT
UNFORTUNATE INCIDENT
501
00:21:29,330 --> 00:21:31,540
WITH THE MAN WHO LOST
HIS JOHNSON.
502
00:21:31,560 --> 00:21:33,290
OH, THAT SHORTY BOOM.
503
00:21:33,330 --> 00:21:36,300
UM, DETECTIVE RUSSELL
AND DETECTIVE McDOWELL
504
00:21:36,330 --> 00:21:37,470
ARE BUSY AT THE MOMENT.
505
00:21:37,500 --> 00:21:39,800
WOULD YOU CARE TO WAIT?
506
00:21:39,840 --> 00:21:42,570
TELL THEM SHORTY GOT
THE 411.
507
00:21:43,940 --> 00:21:45,040
DETECTIVE ‐‐
508
00:21:45,080 --> 00:21:46,250
SHORTY.
509
00:21:46,280 --> 00:21:47,490
WHAT ARE YOU
DOING HERE?
510
00:21:47,510 --> 00:21:48,840
ON THAT MATTER
WE DISCUSSED,
511
00:21:48,880 --> 00:21:51,580
I GOT THE 411.
DEFINITELY WORTH $200.
512
00:21:51,620 --> 00:21:53,360
COME ON, TAKE A HIKE.
WE LEFT YOU AN HOUR AGO.
513
00:21:53,380 --> 00:21:55,550
AND I GOT A NAME.
SHORTY, I HOPE
YOU'RE NOT THINKING
514
00:21:55,590 --> 00:21:57,060
YOU CAN JUST, LIKE,
THROW A NAME AT US
515
00:21:57,090 --> 00:21:58,190
PICKED OUT OF A PHONE BOOK,
516
00:21:58,220 --> 00:21:59,520
AND WE'RE GONNA HAND YOU
200 BUCKS.
517
00:21:59,560 --> 00:22:01,190
SAYING I'M RUNNING
A NUMBER ON YOU?
518
00:22:01,230 --> 00:22:02,730
NAH, WHAT I GOT'S
THE REAL DEAL.
519
00:22:02,760 --> 00:22:04,360
AND THE PRICE AT HAND
IS TWO BILLS.
520
00:22:04,400 --> 00:22:05,870
TAKE IT OR LEAVE IT.
521
00:22:05,900 --> 00:22:08,910
WE GOT TO TALK
TO OUR BOSS.
YEAH.
522
00:22:08,930 --> 00:22:10,400
JOHN, YOU WANT TO STICK
SHORTY HERE
523
00:22:10,430 --> 00:22:12,100
IN THE, UH, COFFEE ROOM?
524
00:22:18,280 --> 00:22:20,720
THAT YOUR NEW SNITCH ‐‐
MR. SLICE‐AND‐DICE?
525
00:22:20,750 --> 00:22:23,090
WE FIGURED
LOOKING FOR A PERVERT...
526
00:22:23,110 --> 00:22:26,920
WHEN IN ROME, RIGHT?
527
00:22:26,950 --> 00:22:30,590
BOSS, WE'VE GOT A SNITCH SAYS
HE'S GOT SOMETHING FOR US.
528
00:22:30,620 --> 00:22:32,590
WHAT'S HE GOT?
HE WON'T SAY
TILL HE GETS SOME MONEY.
529
00:22:32,620 --> 00:22:34,020
HE WANTS 200 BUCKS.
530
00:22:34,060 --> 00:22:36,090
HE A REGISTERED C. I.?
WE COLLARED HIM
LAST MONTH.
531
00:22:36,130 --> 00:22:38,370
TODAY HE HEARS
WE'RE LOOKING FOR SOMEONE,
532
00:22:38,400 --> 00:22:39,870
VOLUNTEERS HIS SERVICES.
533
00:22:39,900 --> 00:22:41,100
WHAT DID YOU
COLLAR HIM FOR?
534
00:22:41,130 --> 00:22:43,770
UH, YOU SURE
YOU WANT TO KNOW?
535
00:22:43,800 --> 00:22:45,870
WELL, NOW I GOT TO KNOW.
536
00:22:45,900 --> 00:22:48,270
HE LOPPED OFF
HALF A GUY'S JOHNSON.
537
00:22:48,310 --> 00:22:50,920
GUY DIDN'T WANT
TO PRESS CHARGES.
538
00:22:50,940 --> 00:22:54,540
GUESS IT TAKES
A WACK JOB TO FIND ONE.
539
00:22:54,580 --> 00:22:55,940
HERE'S $200.
540
00:22:55,980 --> 00:22:58,280
YOU GIVE HIM THIS,
HE'D BETTER HAVE SOMETHING.
541
00:22:58,320 --> 00:22:59,420
SURE.
542
00:22:59,450 --> 00:23:01,420
AND NOT HALF OF SOMETHING.
543
00:23:03,420 --> 00:23:04,720
IF IT PANS OUT,
544
00:23:04,760 --> 00:23:07,700
SEE DOES HE WANT
TO REGISTER AS A C.I.
545
00:23:12,260 --> 00:23:13,730
YOU GET MY MONEY?
546
00:23:13,770 --> 00:23:15,910
MONEY'S CONTINGENT ON US
CONFIRMING YOUR INFORMATION.
547
00:23:15,930 --> 00:23:17,970
THAT MEANS
YOU DON'T GET A DIME
548
00:23:18,000 --> 00:23:19,640
TILL WE HEAR
WHAT YOU'VE GOT.
549
00:23:19,670 --> 00:23:21,640
TAKE IT OR LEAVE IT.
550
00:23:21,670 --> 00:23:23,570
I GOT A SIGN
PINNED TO MY BACK
551
00:23:23,610 --> 00:23:25,840
THAT SAY "EASY MARK"?
552
00:23:25,880 --> 00:23:28,750
OKAY, A'IGHT.
I PUT MY EAR OUT,
553
00:23:28,780 --> 00:23:30,150
FOUND THERE'S
A BROTHER FROM BROOKLYN
554
00:23:30,180 --> 00:23:32,250
WHO LIKES TO TIE UP
CRACK HOS.
555
00:23:32,280 --> 00:23:33,920
MIND YOU,
HE DIDN'T LET GO
556
00:23:33,950 --> 00:23:35,180
HE WAS PUTTING
ANY HURT ON THEM,
557
00:23:35,220 --> 00:23:36,750
BUT HE WAS FREE WITH
HE GETS OFF TYING THEM UP.
558
00:23:36,790 --> 00:23:38,020
YOU SAID YOU HAD
A NAME.
559
00:23:38,060 --> 00:23:39,330
VANCE DAVIS.
560
00:23:39,360 --> 00:23:41,330
KIND OF DARK,
MEDIUM HEIGHT,
561
00:23:41,360 --> 00:23:42,660
SKINNY BUT CUT.
562
00:23:42,690 --> 00:23:44,660
AND THIS VANCE DAVIS
TOLD YOU
563
00:23:44,700 --> 00:23:46,340
HE LIKED TO TIE UP
CRACK WHORES.
564
00:23:46,360 --> 00:23:47,500
NAH, I DIDN'T ACTUALLY
565
00:23:47,530 --> 00:23:49,500
INTERACT
WITH THE BROTHER MYSELF.
566
00:23:49,530 --> 00:23:52,000
SO HOW CAN YOU TELL US
WHAT HE LOOKS LIKE?
567
00:23:52,040 --> 00:23:54,680
BROTHER BUYS ROCK FROM FLEA
DOWN ON AVENUE D ‐‐
568
00:23:54,710 --> 00:23:56,780
SAME AS ME ‐‐
WHEN I GOT THE CASH.
569
00:23:56,810 --> 00:23:58,940
OR ELSE HE TAKES IT
OFF ME IN TRADE.
570
00:23:58,980 --> 00:24:00,690
IF THIS DAVIS
IS A CUSTOMER,
571
00:24:00,710 --> 00:24:02,680
HOW COME YOUR DEALER
GIVE HIM UP TO YOU?
572
00:24:02,710 --> 00:24:04,680
HEY,
NOW YOU DON'T WANT ME
573
00:24:04,720 --> 00:24:06,690
GOING INTO
NO GRAPHICAL DETAILS.
574
00:24:06,720 --> 00:24:09,350
CONCERNS ANY METHOD
OF PERSUASION AT MY DISPOSAL.
575
00:24:09,390 --> 00:24:10,630
NO, HE'S GOT A POINT.
576
00:24:10,660 --> 00:24:12,560
WHERE WE GONNA FIND
THIS GUY?
577
00:24:12,590 --> 00:24:14,460
FLEA SAYS HE'S MADE FRIENDS
WITH SOME GIRLS
578
00:24:14,490 --> 00:24:15,620
AROUND 9th STREET.
579
00:24:15,660 --> 00:24:17,160
NOW, HOW ABOUT
WE SEE THAT GREEN?
580
00:24:17,200 --> 00:24:19,070
SHORTY, HAVE YOU
CONSIDERED THE POSSIBILITY
581
00:24:19,100 --> 00:24:21,040
THAT VANCE DAVIS MIGHT NOT
BE HIS REAL NAME?
582
00:24:21,070 --> 00:24:22,840
I DON'T FIGURE
YOUR DEALER CHECKS I. D.
583
00:24:22,870 --> 00:24:24,840
GUESS WE COULD
SIT ON FLEA'S PLACE
584
00:24:24,870 --> 00:24:27,370
TO SEE IF HE SHOWS UP ‐‐
EXCEPT YOU BUST FLEA,
585
00:24:27,410 --> 00:24:28,910
HE GONNA FIGURE
WHO GAVE HIM UP.
586
00:24:28,940 --> 00:24:31,170
IF THIS PANS OUT,
587
00:24:31,210 --> 00:24:32,870
YOU'LL GET THE OTHER $100.
588
00:24:32,910 --> 00:24:34,810
A'IGHT.
589
00:24:34,850 --> 00:24:37,060
OKAY I TAKE A DOUGHNUT?
590
00:24:37,080 --> 00:24:38,910
OH, TAKE TWO.
591
00:24:41,390 --> 00:24:42,990
POSSIBLE I. D.
ON OUR SUSPECT.
592
00:24:43,020 --> 00:24:44,590
THE C.I. THERE
GIVE YOU THAT?
593
00:24:44,620 --> 00:24:46,220
NAME'S VANCE DAVIS.
594
00:24:46,260 --> 00:24:48,770
I'M GOING TO RUN IT,
SEE WHAT COMES UP.
595
00:24:48,790 --> 00:24:51,260
Connie:
LATER, SHORTY.
Shorty: BYE.
596
00:24:55,870 --> 00:24:59,010
VANCE DAVIS CAME OUT
OF RIKERS THREE WEEKS AGO.
597
00:24:59,040 --> 00:25:01,180
SERVED FIVE MONTHS
ON POSSESSION.
598
00:25:01,210 --> 00:25:02,780
LAST KNOWN ADDRESS ‐‐
599
00:25:02,810 --> 00:25:05,120
1209 MARCY AVENUE,
BROOKLYN.
600
00:25:05,140 --> 00:25:07,040
BINGO.
601
00:25:07,080 --> 00:25:10,380
NO SEX OFFENSES,
JUST THE POSSESSION,
602
00:25:10,410 --> 00:25:11,880
OLD COLLAR
FOR ATTEMPTED BURGLARY.
603
00:25:11,920 --> 00:25:14,230
WE GET A PICTURE?
IT'S PRINTING UP.
604
00:25:14,250 --> 00:25:17,750
[ PRINTER WHIRRING ]
605
00:25:17,790 --> 00:25:20,720
Tony: THAT WHO THE SNITCH
GAVE YOU?
606
00:25:20,760 --> 00:25:23,260
VANCE DAVIS.
607
00:25:23,290 --> 00:25:25,730
YOU GOT PLACES
TO LOOK FOR HIM?
608
00:25:25,760 --> 00:25:26,800
MM‐HMM.
609
00:25:26,830 --> 00:25:28,760
GO LOOK FOR HIM.
610
00:25:39,140 --> 00:25:42,440
HEY, YOU. SWEETIE.
611
00:25:42,480 --> 00:25:44,450
SWEETIE. HEY, COME HERE.
612
00:25:44,480 --> 00:25:46,580
WHY ARE YOU HASSLING US?
613
00:25:46,620 --> 00:25:48,050
AIN'T NOBODY
TOLD YOU PEOPLE
614
00:25:48,090 --> 00:25:50,000
THAT PROSTITUTION
IS A VICTIMLESS CRIME?
615
00:25:50,020 --> 00:25:52,120
ARE YOU SURE YOUR JOHNS
WOULD SAY THAT?
DISSED AND DISMISSED.
616
00:25:52,160 --> 00:25:54,470
Diane: YOU SEEN
THIS GUY AROUND?
WHO, ME?
617
00:25:54,490 --> 00:25:57,560
JUST LOOK AT THE PICTURE.
618
00:25:57,600 --> 00:26:00,340
OUCH. UNH‐UNH, HONEY.
HE'S EVEN TOO UGLY FOR ME.
619
00:26:00,360 --> 00:26:02,730
LEE LEE, AIN'T NO ONE'S
TOO UGLY FOR YOU.
620
00:26:02,770 --> 00:26:04,810
YOU NEED TO SHUT
YOUR HOLE, TANIKA.
621
00:26:04,840 --> 00:26:06,750
WHY DON'T YOU COME OVER HERE
AND SHUT IT FOR ME?
622
00:26:06,770 --> 00:26:08,500
DON'T START SOMETHING
THAT YOU CAN'T FINISH.
623
00:26:08,540 --> 00:26:10,610
THAT'S ENOUGH!
624
00:26:10,640 --> 00:26:13,440
UNLESS YOU WANT TO GO DOWN
TO THE STATION HOUSE.
625
00:26:13,480 --> 00:26:16,120
HOW ABOUT YOU TWO
TAKE THE DAY OFF, HUH?
626
00:26:25,020 --> 00:26:27,960
HEY. WHAT'S YOUR NAME?
627
00:26:27,990 --> 00:26:29,320
TIFFANY.
628
00:26:29,360 --> 00:26:31,690
OKAY, TIFFANY, EITHER OF YOU
EVER SEE THIS GUY?
629
00:26:31,730 --> 00:26:33,330
THAT'S MR. ROCK 'N' ROLL.
630
00:26:33,360 --> 00:26:35,960
HE'S BEEN COMING AROUND HERE
THE LAST COUPLE WEEKS.
631
00:26:36,000 --> 00:26:37,470
ROCK 'N' ROLL?
632
00:26:37,500 --> 00:26:39,470
WE CALL HIM THAT
'CAUSE THAT'S WHAT HE LIKES.
633
00:26:39,500 --> 00:26:41,040
SMOKE SOME ROCK,
THEN HAVE A ROLL.
634
00:26:41,070 --> 00:26:42,500
THAT'S REALLY FUNNY.
635
00:26:42,540 --> 00:26:44,440
ANY IDEA
WHERE WE CAN FIND HIM?
636
00:26:44,480 --> 00:26:47,120
OR WE COULD GO LOOKING
FOR WHAT YOU JUST STASHED
637
00:26:47,150 --> 00:26:48,490
IN THEM GARBAGE BAGS.
638
00:26:48,510 --> 00:26:50,650
NO, DON'T DO THAT.
639
00:26:50,680 --> 00:26:53,280
I'VE BEEN TO HIS PLACE.
640
00:26:53,320 --> 00:26:57,330
FIRST FLOOR RIGHT
OVER THE NEWSSTAND ON 3rd.
641
00:26:57,360 --> 00:26:59,400
THANKS.
642
00:27:03,360 --> 00:27:05,790
WE'RE IN POSITION.
643
00:27:05,830 --> 00:27:07,960
Baldwin: WE'RE IN POSITION
OUT FRONT.
644
00:27:08,000 --> 00:27:09,630
ANTICRIME'S AROUND BACK.
645
00:27:09,670 --> 00:27:11,670
OKAY, WE'RE GOING IN.
646
00:27:18,540 --> 00:27:21,340
Andy: DON'T MOVE!
DON'T MOVE!
647
00:27:21,380 --> 00:27:23,180
WHAT THE HELL'S
GOING ON?
648
00:27:23,210 --> 00:27:24,380
FREEZE! POLICE!
649
00:27:24,420 --> 00:27:25,560
AW, CRAP!
650
00:27:25,580 --> 00:27:27,880
[ WOMAN SCREAMS ]
651
00:27:29,190 --> 00:27:33,570
EASY, PAL, EASY.
652
00:27:33,590 --> 00:27:35,820
YOU GOT HIM?
YEAH, WE GOT HIM.
653
00:27:35,860 --> 00:27:37,830
I THINK YOU CALL THAT
THE 2 1/2 TUCK,
654
00:27:37,860 --> 00:27:39,700
WITH THE EMPHASIS
ON "TUCK."
655
00:27:39,730 --> 00:27:42,760
HEY, LET'S GET
SOME CLOTHES DOWN HERE.
656
00:27:53,780 --> 00:27:55,240
SO, VANCE,
YOU JUMPED NAKED
657
00:27:55,280 --> 00:27:56,750
RIGHT THROUGH
A CLOSED WINDOW.
658
00:27:56,780 --> 00:27:58,250
YOU MUST BE PRETTY SCARED
659
00:27:58,280 --> 00:28:00,080
OF WHAT WE WANTED
TO ASK YOU ABOUT.
660
00:28:00,120 --> 00:28:02,080
LOOK, I JUST COME
OUT OF JAIL, ALL RIGHT?
661
00:28:02,120 --> 00:28:03,550
I DON'T WANT TO GO BACK.
662
00:28:03,590 --> 00:28:05,850
THAT'S FUNNY, 'CAUSE YOU'RE
DEFINITELY GOING BACK.
663
00:28:05,890 --> 00:28:07,260
SO WHY WE TALKING?
664
00:28:07,290 --> 00:28:09,560
RELAX. YOU SURE WE CAN'T
GET YOU A SODA?
665
00:28:09,590 --> 00:28:11,890
UNH‐UNH.
I AIN'T DRINKING NOTHING.
666
00:28:11,930 --> 00:28:14,400
IT SAYS HERE
YOU'RE FROM BROOKLYN.
667
00:28:14,430 --> 00:28:17,030
YOU EVER BEEN
TO THE MARCY PROJECTS?
668
00:28:17,070 --> 00:28:19,200
MAYBE.
MAYBE? YOU LIVE
RIGHT DOWN THE BLOCK.
669
00:28:19,240 --> 00:28:21,950
YOU FREQUENT
PROSTITUTES, VANCE?
670
00:28:21,970 --> 00:28:23,910
LOOK, I AIN'T GOT
TO ANSWER THAT.
671
00:28:23,940 --> 00:28:26,810
THAT'S RITA COREAL.
YOU KNOW HER?
672
00:28:26,850 --> 00:28:29,390
HOW ABOUT WANDA BARRETT?
673
00:28:29,410 --> 00:28:30,910
LOOK, WHY YOU
ASKING ME THIS?
674
00:28:30,950 --> 00:28:32,780
DON'T GIVE US
THAT CRAP.
675
00:28:32,820 --> 00:28:35,790
YOU KNOW WHY
WE'RE ASKING YOU.
676
00:28:35,820 --> 00:28:38,620
UM, HOW ABOUT KAT McELROY?
677
00:28:38,660 --> 00:28:40,300
SOMEONE WHO FITS
YOUR DESCRIPTION
678
00:28:40,320 --> 00:28:42,160
WAS SEEN LEAVING
HER PLACE LAST NIGHT.
679
00:28:42,190 --> 00:28:43,320
IT WASN'T ME.
680
00:28:43,360 --> 00:28:45,290
YOU SEE, WHAT WE'RE
THINKING HERE
681
00:28:45,330 --> 00:28:47,300
IS THAT MAYBE YOU COULD
HELP US FIGURE OUT
682
00:28:47,330 --> 00:28:48,800
WHAT HAPPENED
TO THESE GIRLS.
683
00:28:48,830 --> 00:28:51,400
NOW WHAT WE HEARD
AROUND 9th STREET
684
00:28:51,440 --> 00:28:53,440
IS YOU LIKE SMOKING CRACK
WITH PROSTITUTES,
685
00:28:53,470 --> 00:28:54,970
AND SOME OF THESE
GIRLS HERE ‐‐
686
00:28:55,010 --> 00:28:56,980
THEY'D BE THE SAME KIND
YOU HANG OUT WITH.
687
00:28:57,010 --> 00:28:58,910
I SAID
I DON'T KNOW THEM.
688
00:28:58,940 --> 00:29:00,480
YOU SAID
YOU DON'T REMEMBER
689
00:29:00,510 --> 00:29:02,140
THAT PICTURE
OF WANDA BARRETT.
690
00:29:02,180 --> 00:29:03,810
MAYBE YOU'D REMEMBER
THIS ONE.
691
00:29:03,850 --> 00:29:05,950
MAN, WHAT YOU SHOWING ME
THAT FOR, MAN?
692
00:29:05,980 --> 00:29:07,780
'CAUSE YOU'RE THE SICK BASTARD
THAT KILLED HER ‐‐
693
00:29:07,820 --> 00:29:10,150
SOME QUEER PERVERT SICKO
HALF A MAN
694
00:29:10,190 --> 00:29:13,150
WHO ONLY GETS OFF
KILLING WOMEN.
GET OFF ME!
695
00:29:13,190 --> 00:29:14,320
WE'RE GETTING
ON THE WRONG FOOT HERE.
696
00:29:14,360 --> 00:29:15,820
ALL WE WANT IS TO TALK.
697
00:29:15,860 --> 00:29:17,130
LOOK, I'M DONE TALKING.
698
00:29:17,160 --> 00:29:19,090
MAYBE I'LL JUST GET
A DAMN LAWYER.
699
00:29:19,130 --> 00:29:21,860
IT'S A GOOD THING
YOU SAID "MAYBE."
700
00:29:21,900 --> 00:29:26,000
COULD MEAN THE DIFFERENCE
YOU LIVING OR DYING.
701
00:29:26,040 --> 00:29:27,210
HOW'S THAT?
702
00:29:27,240 --> 00:29:29,670
JUST, UH, GIVE US
A MINUTE, HMM?
703
00:29:31,980 --> 00:29:36,960
HANK, WANT TO KEEP
AN EYE ON THE POKEY?
704
00:29:36,980 --> 00:29:39,480
YOU WANT TO TELL US
705
00:29:39,520 --> 00:29:41,530
WHAT THE HELL
IS GOING ON IN THERE?
706
00:29:41,550 --> 00:29:42,820
WHAT ARE YOU
TALKING ABOUT?
707
00:29:42,850 --> 00:29:44,350
ARE YOU TRYING
TO BLOW THIS CASE?
708
00:29:44,390 --> 00:29:46,150
WHAT IF THAT'S OUR GUY,
AND HE LAWYERS UP?
709
00:29:46,190 --> 00:29:47,490
WE'RE ON THIS 18 MONTHS.
710
00:29:47,530 --> 00:29:48,970
YOU'RE GONNA TELL US
WHO OUR GUY IS?
711
00:29:48,990 --> 00:29:50,990
HE LAWYERS UP,
WE WILL NEVER KNOW,
712
00:29:51,030 --> 00:29:52,830
BEING WE GOT
NO PROBABLE CAUSE
713
00:29:52,860 --> 00:29:54,830
FOR A DNA SAMPLE,
AND HE WON'T GIVE US ONE.
714
00:29:54,870 --> 00:29:56,540
SO NOW YOU'RE TELLING US
HOW TO DO OUR JOB.
IS THERE A PROBLEM?
715
00:29:56,570 --> 00:29:58,530
IT DON'T SEEM LIKE
CLEARING THE CASE
716
00:29:58,570 --> 00:30:00,700
IS NECESSARILY THESE GUYS'
TOP PRIORITY.
717
00:30:00,740 --> 00:30:03,040
IT SEEMS LIKE
IT'S WHO CLEARS IT.
718
00:30:03,070 --> 00:30:06,070
LET'S TAKE THIS
SOMEPLACE ELSE.
719
00:30:10,750 --> 00:30:12,710
LET MY PEOPLE TAKE A SHOT
AT THIS GUY ALONE.
720
00:30:12,750 --> 00:30:14,680
WE DON'T GET ANYWHERE,
THEN YOU CAN TAKE A SHOT.
721
00:30:14,720 --> 00:30:16,690
WE GOT A YEAR AND A HALF
IN THIS,
722
00:30:16,720 --> 00:30:19,320
AND THIS GUY DOES TURN OUT
TO BE SOMETHING,
723
00:30:19,360 --> 00:30:21,330
YOU WANT TO CUT US
OUT OF THE COLLAR?
724
00:30:21,360 --> 00:30:22,820
HE LAWYERS UP,
MAYBE NO ONE GETS A COLLAR.
725
00:30:22,860 --> 00:30:25,260
IT'S YOUR TONE IN THERE THAT'S
GOT HIM TALKING ABOUT IT.
726
00:30:25,300 --> 00:30:26,940
YOU'RE SAYING
LET THE SUSPECT DECIDE
727
00:30:26,970 --> 00:30:28,440
WHO HE WANTS
TO TALK TO, HUH?
728
00:30:28,470 --> 00:30:30,580
IF I THOUGHT THAT YOU
HAD THE BEST SHOT,
729
00:30:30,600 --> 00:30:32,400
I'D SAY YOU GO AT HIM.
730
00:30:32,440 --> 00:30:34,880
THE ONLY THING MATTERS HERE
IS CLEARING THE CASE.
731
00:30:34,910 --> 00:30:37,350
IF YOU DON'T BELIEVE THAT,
THEN WE GOT A PROBLEM.
732
00:30:37,380 --> 00:30:40,390
THERE'S NO PROBLEM.
733
00:30:46,550 --> 00:30:49,590
SHH. DON'T SAY A WORD
TILL YOU HEAR US OUT.
734
00:30:51,620 --> 00:30:53,690
WE'RE GOING
TO DO YOU A FAVOR.
735
00:30:53,730 --> 00:30:55,300
SO YOU DON'T GET A NEEDLE,
736
00:30:55,330 --> 00:30:57,940
WE'RE GOING TO GIVE YOU A CHANCE
TO CONFESS ALL YOUR SINS
737
00:30:57,960 --> 00:31:00,430
AND SHOW SOME REMORSE FOR RAPING
AND STRANGLING THOSE GIRLS.
738
00:31:00,460 --> 00:31:01,930
I DIDN'T KILL NO ONE!
739
00:31:01,970 --> 00:31:03,310
HEAR US OUT.
740
00:31:03,330 --> 00:31:04,700
SEE, IT'S SIMPLE.
741
00:31:04,740 --> 00:31:07,110
ALL WE GOT TO DO
SO YOU GET THAT NEEDLE
742
00:31:07,140 --> 00:31:09,970
IS MATCH UP YOUR DNA
WITH DNA FROM THE SEMEN
743
00:31:10,010 --> 00:31:12,310
THAT YOU LEFT
IN THOSE DEAD GIRLS.
744
00:31:12,340 --> 00:31:14,110
CAN I TALK NOW?
745
00:31:14,150 --> 00:31:16,320
FIRST OF ALL,
746
00:31:16,350 --> 00:31:18,490
I AIN'T GIVING YOU
NO DNA.
747
00:31:18,520 --> 00:31:21,490
AND SECOND, YOU AIN'T GOT
NO CAUSE TO TAKE IT OFF ME.
748
00:31:21,520 --> 00:31:23,320
YEAH, WE SAW HOW CAREFUL
YOU WERE BEFORE,
749
00:31:23,350 --> 00:31:24,790
GETTING RID
OF THAT CRACK PIPE,
750
00:31:24,820 --> 00:31:26,150
NOT TAKING ANYTHING
TO DRINK.
751
00:31:26,190 --> 00:31:27,720
YOU LEARN THAT
IN THE JOINT, VANCE?
752
00:31:27,760 --> 00:31:29,830
ALL RIGHT,
NOW YOU PICTURE THIS.
753
00:31:29,860 --> 00:31:31,830
THAT GIRL
THAT WE FOUND YOU WITH?
754
00:31:31,860 --> 00:31:33,830
WE JUST SENT HER
OVER TO BELLEVUE
755
00:31:33,870 --> 00:31:35,810
SO THEY COULD TAKE
A RAPE KIT.
756
00:31:35,830 --> 00:31:37,800
WE FIND YOUR SEMEN
IN HER AS A MATCH,
757
00:31:37,840 --> 00:31:39,010
THAT'S THE BALL GAME.
758
00:31:39,040 --> 00:31:41,010
AIN'T NONE OF MY SEMEN
IN THAT HO.
759
00:31:41,040 --> 00:31:43,140
WHEN I HAD SEX ON HER,
I WORE ME A CONDOM.
760
00:31:43,170 --> 00:31:44,810
NOW, YOU SEE,
WE HAPPEN TO KNOW
761
00:31:44,840 --> 00:31:46,740
THAT YOU WERE NOT
PRACTICING SAFE SEX.
762
00:31:46,780 --> 00:31:48,740
HOW YOU KNOW THAT?
WHAT, YOU WERE HIDING
763
00:31:48,780 --> 00:31:50,250
UNDERNEATH THE BED
WHEN WE WERE DOING IT?
764
00:31:50,280 --> 00:31:51,480
WE KNOW
'CAUSE WE CHASED YOU
765
00:31:51,520 --> 00:31:52,590
OUT INTO THE STREET
BUCK‐NAKED.
766
00:31:52,620 --> 00:31:54,090
OF COURSE,
IF IT'S NOT YOU
767
00:31:54,120 --> 00:31:55,480
WHO KILLED THEM GIRLS,
768
00:31:55,520 --> 00:31:57,350
THEN YOU GOT NOTHING
TO WORRY ABOUT.
769
00:31:57,390 --> 00:31:59,520
THAT BITCH COULD HAVE
SCREWED NINE GUYS TODAY.
770
00:31:59,560 --> 00:32:01,590
HOW YOU GONNA FIND MY DNA
IN ALL THAT MESS?
771
00:32:01,630 --> 00:32:03,600
IT'S UP TO YOU.
YOU WANT TO ROLL THE DICE?
772
00:32:03,630 --> 00:32:05,090
EITHER WAY,
I'M GOING HOME.
773
00:32:05,130 --> 00:32:07,460
I'M GOING TO HAVE DINNER
WITH MY KID.
774
00:32:09,400 --> 00:32:11,630
I LOCKED UP
A THOUSAND GUYS.
775
00:32:11,670 --> 00:32:15,170
I KNOW A STONE‐COLD KILLER
WHEN I SEE ONE, VANCE,
776
00:32:15,210 --> 00:32:16,650
AND THAT'S NOT YOU.
777
00:32:16,680 --> 00:32:19,050
YOU DID THESE THINGS,
THERE'S GOT TO BE A REASON.
778
00:32:19,080 --> 00:32:21,490
AND YOU TELLING US
WHAT THAT REASON IS,
779
00:32:21,510 --> 00:32:24,180
THAT'S THE ONLY THING
THAT'S GOING TO KEEP YOU
780
00:32:24,220 --> 00:32:26,020
FROM THAT NEEDLE.
781
00:32:31,420 --> 00:32:34,820
I'M 14.
782
00:32:34,860 --> 00:32:37,730
MY SISTER TANYA
COME IN MY ROOM,
783
00:32:37,760 --> 00:32:39,330
OPENS UP HER ROBE.
784
00:32:39,360 --> 00:32:41,360
SHE'S BUCK‐NAKED.
785
00:32:41,400 --> 00:32:44,700
STICKS HER TONGUE
DOWN MY THROAT.
786
00:32:44,740 --> 00:32:47,880
HOW OLD IS TANYA?
787
00:32:47,910 --> 00:32:50,380
11.
788
00:32:50,410 --> 00:32:53,880
I KNOW WHAT SHE WANTS,
SO I GIVE IT TO HER.
789
00:32:53,910 --> 00:32:55,710
WHILE WE'RE IN THE MIDDLE,
790
00:32:55,750 --> 00:32:58,720
MY MAMA COME HOME
WITH HER MEAN...
791
00:32:58,750 --> 00:33:01,880
UGLY BOYFRIEND JELLYBEAN.
792
00:33:01,920 --> 00:33:03,180
THEY CAUGHT YOU.
793
00:33:03,220 --> 00:33:06,090
RIGHT AS I FINISH.
794
00:33:06,120 --> 00:33:08,560
AND TANYA STARTS SHOUTING
795
00:33:08,590 --> 00:33:10,730
ABOUT HOW I WAS
RAPING HER,
796
00:33:10,760 --> 00:33:12,890
AND HOW I FORCED HER
TO DO IT.
797
00:33:12,930 --> 00:33:15,400
AND JELLYBEAN,
HE YANKED ME OFF OF HER
798
00:33:15,430 --> 00:33:17,700
AND HE STARTED BEATING
THE CRAP OUT OF ME.
799
00:33:17,740 --> 00:33:20,550
HE KICKED ME
IN MY BALLS.
800
00:33:20,570 --> 00:33:22,540
HE SAID HE WAS GOING
TO BEAT MY BALLS OFF
801
00:33:22,570 --> 00:33:24,510
SO I DON'T DO
THAT NASTY THING AGAIN.
802
00:33:24,540 --> 00:33:26,580
THEN THEY CALLED
THE COPS.
803
00:33:26,610 --> 00:33:28,780
TOOK ME AWAY
TO A BOYS HOME.
804
00:33:28,810 --> 00:33:30,280
YOU KNOW
WHAT THAT'S LIKE?
805
00:33:30,310 --> 00:33:31,910
YOU WERE A KID.
806
00:33:33,990 --> 00:33:37,130
WHEN I SMOKE MY CRACK,
807
00:33:37,160 --> 00:33:39,670
THINGS COME IN MY MIND.
808
00:33:42,990 --> 00:33:45,560
I ACT CRAZY.
809
00:33:45,600 --> 00:33:47,270
AND, UH...
810
00:33:47,300 --> 00:33:50,170
THAT'S WHY YOU KILLED
THOSE WOMEN?
811
00:33:51,970 --> 00:33:54,500
THAT ONE LAST NIGHT?
812
00:33:56,810 --> 00:33:58,970
DO YOU COVER THEIR HEADS?
813
00:33:59,010 --> 00:34:01,780
THE PILLOWCASE.
814
00:34:01,810 --> 00:34:05,150
SOMETIMES I TURN THEM
UPSIDE DOWN.
815
00:34:05,180 --> 00:34:07,520
I CAN'T LOOK AT THEM
IN THE FACE.
816
00:34:18,530 --> 00:34:20,330
THINK VANCE
WOULD APPRECIATE KNOWING
817
00:34:20,360 --> 00:34:22,230
HOW WE GOT OVER ON HIM ‐‐
818
00:34:22,270 --> 00:34:24,940
TELLING HIM WE WERE SENDING
THAT PROST FOR A RAPE KIT?
819
00:34:24,970 --> 00:34:27,440
IMAGINE THE D. A.'s OFFICE
IF WE GAVE HIM THAT ONE.
820
00:34:27,470 --> 00:34:29,670
I'D HATE TO TRY AND PROVE
CHAIN OF CUSTODY
821
00:34:29,710 --> 00:34:31,140
ON THAT SEMEN.
822
00:34:31,180 --> 00:34:32,980
YOU SHOULD FEEL GOOD,
SHORTY.
823
00:34:33,010 --> 00:34:34,980
YOU HELPED TAKE A MURDERER
OFF THE STREETS.
824
00:34:35,010 --> 00:34:36,310
I FEEL GOOD
I GOT MY MONEY.
825
00:34:36,350 --> 00:34:38,120
PLEASURE DOING BUSINESS
WITH YOU LADIES.
826
00:34:38,150 --> 00:34:40,150
DON'T HESITATE TO CALL
ON MY SERVICES IN THE FUTURE.
827
00:34:40,180 --> 00:34:42,150
NEXT TIME WE'RE LOOKING
FOR A PERVERT,
828
00:34:42,190 --> 00:34:44,130
YOU'RE OUR FIRST CALL.
829
00:34:44,160 --> 00:34:46,030
GO WITH GOD, SHORTY.
830
00:34:49,960 --> 00:34:51,930
I HEAR
THE CHIEF OF DETECTIVES
831
00:34:51,960 --> 00:34:54,330
ALREADY KNOWS
YOU MADE THE COLLAR.
832
00:34:54,370 --> 00:34:56,680
I NOTIFIED CHIEF OF D's,
HAD YOUR MEN NOTIFY YOU.
833
00:34:56,700 --> 00:34:59,170
YOU CALL DCPI, TOO,
GET YOUR NAME IN THE PAPER?
834
00:34:59,200 --> 00:35:02,000
TRYING TO MAKE YOUR BONES?
I DON'T HAVE TO MAKE MY BONES.
835
00:35:02,040 --> 00:35:05,370
WHY DON'T WE TALK
IN MY OFFICE?
836
00:35:07,050 --> 00:35:09,520
YOU COME INTO MY HOUSE
WITH THAT ATTITUDE
837
00:35:09,550 --> 00:35:11,150
IN FRONT OF MY SQUAD?
838
00:35:11,180 --> 00:35:13,180
MY ATTITUDE?
YOU GET LUCKY THIS SCUMBAG
839
00:35:13,220 --> 00:35:15,160
MOVES HIS ACT
TO YOUR PRECINCT,
840
00:35:15,190 --> 00:35:17,160
AND NOW YOU CLEAR THE CASE
AND YOU'RE DICK TRACY?
841
00:35:17,190 --> 00:35:19,860
WHAT'S THIS ABOUT? YOUR BALLS
ARE CLEARING SIX HOMICIDES
842
00:35:19,890 --> 00:35:21,390
AND TAKING THIS GUY
OFF THE STREET.
843
00:35:21,430 --> 00:35:22,870
WE BENT OVER BACKWARDS
TO BE RESPECTFUL
844
00:35:22,890 --> 00:35:24,560
TO YOU AND YOUR MEN,
AS I'D HOPE YOU'D DO FOR US.
845
00:35:24,600 --> 00:35:25,970
THAT'S MY MEN
YOU KEPT OUT OF THE ROOM
846
00:35:26,000 --> 00:35:27,210
WHILE YOUR GUYS
CLEARED THE CASE.
847
00:35:27,230 --> 00:35:28,400
THAT'S YOUR MEN
WHO HAD THE PERP
848
00:35:28,430 --> 00:35:29,630
FIVE SECONDS
FROM LAWYERING UP,
849
00:35:29,670 --> 00:35:31,300
OR ELSE THE CASE WOULD
NEVER HAVE BEEN CLEARED.
850
00:35:31,340 --> 00:35:33,750
WHY DON'T YOU HANDLE THIS
LIKE A PROFESSIONAL
851
00:35:33,770 --> 00:35:35,300
LIKE THEY PAY US TO BE?
852
00:35:35,340 --> 00:35:36,400
YEAH.
853
00:35:36,440 --> 00:35:38,410
WHAT'S THE POINT?
854
00:35:38,440 --> 00:35:40,710
PRESS IS GOING TO WANT
A WALK‐OUT.
855
00:35:40,750 --> 00:35:42,890
YOU GOING TO CUT US
OUT OF THAT, TOO?
856
00:35:42,910 --> 00:35:46,010
NO. YOUR GUYS CAN GO
WITH SIPOWICZ.
857
00:35:56,260 --> 00:35:57,560
I GOT TO CALL DCPI.
858
00:35:57,600 --> 00:35:59,740
WE'RE GOING TO DO
THE PERP WALK‐OUT ‐‐
859
00:35:59,760 --> 00:36:01,230
US AND SIPOWICZ.
860
00:36:01,270 --> 00:36:03,270
NAH, THAT'S OKAY.
YOU GUYS GO.
861
00:36:03,300 --> 00:36:05,430
I'D RATHER DO
THE PAPERWORK.
862
00:36:13,880 --> 00:36:16,040
LET'S GET THEM CUFFS
OFF HIM.
863
00:36:17,750 --> 00:36:19,950
WHAT'S GOING ON?
864
00:36:19,980 --> 00:36:22,980
HOW ABOUT WE GO TALK
IN THERE?
865
00:36:31,660 --> 00:36:35,460
WE MADE A COLLAR
ON WHO KILLED YOUR GIRL.
866
00:36:35,500 --> 00:36:38,970
SAME GUY STRANGLED
FOUR WOMEN IN BROOKLYN.
867
00:36:39,000 --> 00:36:41,370
I APPRECIATE
YOUR FINDING OUT
868
00:36:41,410 --> 00:36:42,980
WHO DID THIS.
869
00:36:43,010 --> 00:36:45,620
BOTH OF YOU.
870
00:36:45,640 --> 00:36:47,940
IT'S TOUGH LOSING A KID.
871
00:36:47,980 --> 00:36:50,280
YOU GOT PEOPLE
TO TALK TO?
872
00:36:50,310 --> 00:36:53,480
DON'T WORRY ABOUT ME.
I CAN PADDLE MY OWN CANOE.
873
00:36:55,620 --> 00:36:57,620
I HAD A SON
GOT MURDERED ‐‐
874
00:36:57,660 --> 00:36:58,960
24 YEARS OLD.
875
00:36:58,990 --> 00:37:01,790
I WASN'T THERE FOR HIM
GROWING UP, EITHER.
876
00:37:01,830 --> 00:37:04,600
WE WERE JUST GETTING CLOSE
WHEN HE DIED.
877
00:37:04,630 --> 00:37:06,900
UH, YOU KNOW
HOW IT FEELS.
878
00:37:06,930 --> 00:37:09,130
MAYBE THIS IS
YOUR CHANCE
879
00:37:09,170 --> 00:37:11,440
TO TURN YOUR OWN LIFE
AROUND.
880
00:37:11,470 --> 00:37:14,670
THE ONLY WAY YOU CAN
DO THAT IS TO STOP DRINKING.
881
00:37:14,710 --> 00:37:17,120
I'VE TRIED TO STOP.
882
00:37:17,140 --> 00:37:19,170
LET ME HELP YOU.
883
00:37:19,210 --> 00:37:22,180
I'M A DRUNK
HASN'T TAKEN A DRINK
884
00:37:22,210 --> 00:37:23,910
IN 4 1/2 YEARS.
885
00:37:23,950 --> 00:37:25,850
LAST TIME I TOOK A DRINK
886
00:37:25,880 --> 00:37:28,850
WAS RIGHT AFTER
MY SON GOT MURDERED.
887
00:37:28,890 --> 00:37:30,960
HOW CAN YOU HELP ME?
888
00:37:30,990 --> 00:37:35,220
WE'LL GO
TO A MEETING TOGETHER.
889
00:37:38,400 --> 00:37:40,170
YEAH, I'D LIKE THAT.
890
00:37:40,200 --> 00:37:42,300
I'M GETTING OFF DUTY.
WE'LL GO RIGHT AFTER.
891
00:37:42,330 --> 00:37:45,170
I GOT TO DROP BY WORK
SO I DON'T LOSE MY JOB.
892
00:37:45,200 --> 00:37:46,670
I COULD GET OFF TOMORROW.
893
00:37:46,710 --> 00:37:48,680
IT'S THE LEAST
THEY COULD DO FOR ME.
894
00:37:48,710 --> 00:37:50,180
MY DAUGHTER'S KILLED.
895
00:37:50,210 --> 00:37:52,310
JIMMY, IT'S IMPORTANT YOU GO
TO A MEETING TONIGHT.
896
00:37:52,340 --> 00:37:55,510
YEAH, BUT I CAN'T
LOSE MY JOB.
897
00:37:55,550 --> 00:37:57,520
I'LL CALL YOU TOMORROW.
898
00:37:57,550 --> 00:38:00,850
YOU PROBABLY HEARD THAT
BEFORE, BUT I SWEAR,
899
00:38:00,890 --> 00:38:04,160
I'M GOING TO CALL YOU
TOMORROW.
900
00:38:04,190 --> 00:38:05,550
SURE.
901
00:38:17,570 --> 00:38:19,870
I GOT A CALL
FROM DETECTIVE SIPOWICZ.
902
00:38:19,900 --> 00:38:22,040
THEY FOUND
WHO KILLED KAT.
903
00:38:22,070 --> 00:38:24,570
WAS IT THAT SERIAL KILLER
YOU MENTIONED?
904
00:38:24,610 --> 00:38:26,410
HE'S CONFESSED TO KILLING
YOUR DAUGHTER
905
00:38:26,440 --> 00:38:27,740
AND FOUR OTHER GIRLS.
906
00:38:27,780 --> 00:38:29,910
SO JIMMY HAD NOTHING
TO DO WITH IT.
907
00:38:29,950 --> 00:38:30,910
NO.
908
00:38:30,950 --> 00:38:32,080
I'M SORRY, MARY.
909
00:38:32,120 --> 00:38:34,090
I CAN'T TELL YOU
HOW SORRY I AM.
910
00:38:34,120 --> 00:38:36,520
WHAT DIFFERENCE
DOES THAT MAKE NOW?
911
00:38:36,560 --> 00:38:38,530
I WANT YOU TO KNOW
THAT DETECTIVE SIPOWICZ
912
00:38:38,560 --> 00:38:40,530
HAS BEEN KIND ENOUGH
TO OFFER TO TAKE ME TOMORROW
913
00:38:40,560 --> 00:38:41,920
TO AN A. A. MEETING.
914
00:38:41,960 --> 00:38:43,320
IS THAT RIGHT?
915
00:38:43,360 --> 00:38:45,830
I'M GETTING SOBER.
916
00:38:45,860 --> 00:38:48,930
I'M DOING IT FOR KAT.
917
00:38:48,970 --> 00:38:51,680
ANYWAY, I GOT TO GET
TO WORK.
918
00:38:51,700 --> 00:38:54,440
OH, COME ON.
919
00:38:54,470 --> 00:38:56,670
I'LL DROP YOU OFF.
920
00:38:56,710 --> 00:38:59,140
CALL YOU TOMORROW.
921
00:39:13,220 --> 00:39:15,620
EIGHT YEARS AGO
THAT COULD HAVE BEEN ME.
922
00:39:15,660 --> 00:39:17,930
I WASN'T TOO FAR
FROM THAT.
923
00:39:17,960 --> 00:39:19,390
BUT YOU CAME THROUGH.
924
00:39:19,430 --> 00:39:21,630
I GOT LUCKY.
925
00:39:21,670 --> 00:39:24,480
PROBABLY BLEW
A DOZEN CHANCES FIRST.
926
00:39:24,500 --> 00:39:26,870
THINK HE'LL CALL?
927
00:39:26,910 --> 00:39:29,150
NO.
928
00:39:29,170 --> 00:39:31,170
HE'S NOT READY.
929
00:39:36,450 --> 00:39:38,290
GOOD JOB TODAY.
930
00:39:38,320 --> 00:39:39,760
HEY, THANKS, BOSS.
931
00:39:39,780 --> 00:39:42,150
Diane: GOOD NIGHT.
932
00:39:42,190 --> 00:39:46,400
THANKS FOR STICKING UP FOR US
WITH THEM BROOKLYN GUYS.
933
00:39:46,420 --> 00:39:48,790
GOOD NIGHT, JOHN.
934
00:39:48,830 --> 00:39:51,000
GOOD NIGHT, LIEUTENANT.
935
00:39:53,000 --> 00:39:56,310
COULD BE HE'S GOT BALLS.
936
00:40:08,950 --> 00:40:12,020
HERE'S ANOTHER
GLASS OF MILK.
937
00:40:12,050 --> 00:40:13,820
MORE SPARE RIBS.
938
00:40:13,850 --> 00:40:16,850
YOU ATE
ALL THE SPARE RIBS.
939
00:40:16,890 --> 00:40:19,190
THERE'S NOTHING LEFT
BUT BEAN SPROUTS.
940
00:40:19,220 --> 00:40:20,790
NO, THANK YOU.
941
00:40:20,830 --> 00:40:24,770
YEAH, DADDY ATE
ALL THE REST.
942
00:40:24,800 --> 00:40:27,670
I'M FINISHED NOW.
CAN I WATCH TV?
943
00:40:27,700 --> 00:40:29,330
DID YOU CLEAN UP
YOUR TOYS?
944
00:40:29,370 --> 00:40:31,640
AUNT KATIE AND ME DID IT.
945
00:40:31,670 --> 00:40:33,670
OKAY, THEN YOU CAN
WATCH TV.
946
00:40:33,710 --> 00:40:35,510
TILL TWO COMMERCIALS,
THEN BED.
947
00:40:35,540 --> 00:40:37,410
YOU GOT SCHOOL TOMORROW.
948
00:40:40,550 --> 00:40:42,890
I'LL DO THAT.
949
00:40:42,910 --> 00:40:44,680
IT'S NO TROUBLE.
950
00:40:44,720 --> 00:40:47,130
[ TELEVISION PLAYING ]
951
00:40:47,150 --> 00:40:49,520
THEO REALLY LOVES YOU.
952
00:40:49,550 --> 00:40:51,520
I LOVE HIM, TOO.
953
00:40:51,560 --> 00:40:54,870
I DON'T KNOW WHAT I'D DO
WITHOUT HIM.
954
00:40:54,890 --> 00:40:57,160
IT'S AWFUL LONELY
OUT THERE.
955
00:40:57,200 --> 00:40:59,070
TELL ME ABOUT IT.
956
00:40:59,100 --> 00:41:01,640
I THOUGHT YOU WERE
SEEING SOMEONE.
957
00:41:01,670 --> 00:41:03,370
IT'S TOO HARD
958
00:41:03,400 --> 00:41:06,700
TRYING TO WORK ALL THAT OUT
WITH SOMEONE NEW.
959
00:41:06,740 --> 00:41:08,370
TOO MUCH BAGGAGE.
960
00:41:10,210 --> 00:41:12,870
ANYWAY, I SHOULD BE
GETTING HOME.
961
00:41:12,910 --> 00:41:15,740
IT'S A LONG DRIVE.
962
00:41:19,020 --> 00:41:22,230
HOW ABOUT
YOU SPEND THE NIGHT?
963
00:41:22,250 --> 00:41:25,120
NO, I CAN'T.
964
00:41:27,260 --> 00:41:29,690
IT'S TOO HARD FOR ME,
ANDY.
965
00:41:33,100 --> 00:41:36,070
FOUR MONTHS I SLEPT
IN THAT BED WITH THEO
966
00:41:36,100 --> 00:41:37,600
WHEN HE WAS SICK
967
00:41:37,640 --> 00:41:40,280
WHILE YOU SLEPT OUT HERE
ON THE COUCH.
968
00:41:40,300 --> 00:41:42,400
I DID IT
BECAUSE I LOVE HIM.
969
00:41:42,440 --> 00:41:45,410
BUT I ALSO DID IT
BECAUSE SOMEWHERE IN ME
970
00:41:45,440 --> 00:41:46,940
I MADE MYSELF BELIEVE
971
00:41:46,980 --> 00:41:50,110
THAT WE COULD BE
A FAMILY AGAIN ‐‐
972
00:41:50,150 --> 00:41:53,410
A REAL FAMILY ‐‐
YOU, ME, AND THEO.
973
00:41:53,450 --> 00:41:57,250
I GUESS I WAS WAITING
FOR YOU TO REALIZE IT, TOO.
974
00:41:57,290 --> 00:41:59,590
AND THEN WHEN THEO
WAS OKAY,
975
00:41:59,620 --> 00:42:01,920
YOU WANTED TO MOVE ON
WITH YOUR LIFE,
976
00:42:01,960 --> 00:42:04,590
WHICH YOU HAVE EVERY RIGHT
IN THE WORLD TO DO.
977
00:42:04,630 --> 00:42:10,030
BUT, UH, I JUST CAN'T
PUT MYSELF BACK THERE.
978
00:42:10,070 --> 00:42:12,770
WHEN THEO WAS BORN,
979
00:42:12,800 --> 00:42:15,600
I LET HIS MOM
DO MOST OF THE WORK
980
00:42:15,640 --> 00:42:17,440
BRINGING HIM UP.
981
00:42:17,480 --> 00:42:21,320
IT WASN'T UNTIL
I HAD HIM ON MY OWN,
982
00:42:21,350 --> 00:42:24,160
AND THEN YOU COME BACK
INTO OUR LIVES,
983
00:42:24,180 --> 00:42:26,980
THAT I SAW
WHAT'S IMPORTANT.
984
00:42:27,020 --> 00:42:28,980
THAT'S FAMILY ‐‐
985
00:42:29,020 --> 00:42:31,650
A MOMMY AND A DADDY.
986
00:42:31,690 --> 00:42:35,590
11 YEARS
THAT WE WERE MARRIED,
987
00:42:35,630 --> 00:42:39,500
I WAS A LOUSY HUSBAND,
988
00:42:39,530 --> 00:42:41,500
A LOUSY FATHER,
989
00:42:41,530 --> 00:42:43,530
AND A DRUNK.
990
00:42:49,370 --> 00:42:52,970
I'M NOT ASKING YOU
TO STAY TONIGHT.
991
00:42:53,010 --> 00:42:56,010
I'M ASKING YOU TO STAY.
992
00:42:56,050 --> 00:42:58,490
NOT AS THEO'S BABYSITTER
OR HOUSEKEEPER,
993
00:42:58,520 --> 00:43:01,660
BUT AS A PART
OF THIS FAMILY.
994
00:43:01,690 --> 00:43:03,360
A REAL FAMILY.
995
00:43:03,390 --> 00:43:06,670
YOU MEAN THIS, ANDY?
996
00:43:06,690 --> 00:43:10,430
THIS IS WHAT
YOU REALLY WANT?
997
00:43:10,460 --> 00:43:12,860
YEAH.
998
00:43:14,530 --> 00:43:16,360
THIS IS WHAT I WANT.
71829
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