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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,900 --> 00:00:29,730 MORNING. 2 00:00:29,770 --> 00:00:31,300 MORNING. 3 00:00:31,340 --> 00:00:33,240 WHAT TIME IS IT? 4 00:00:33,270 --> 00:00:35,240 6:30. 5 00:00:35,270 --> 00:00:37,240 [ YAWNS ] 6 00:00:37,280 --> 00:00:38,980 HOW ARE YOU DOING? 7 00:00:39,010 --> 00:00:41,480 OKAY. HOW ARE YOU DOING? 8 00:00:41,510 --> 00:00:46,080 OH, GOOD. I'M GOOD. 9 00:00:47,920 --> 00:00:50,090 UM, LOOK, DIANE, 10 00:00:50,120 --> 00:00:52,150 IF I PUSHED YOU INTO ANYTHING ‐‐ 11 00:00:52,190 --> 00:00:54,160 I'M A BIG GIRL, DANNY. 12 00:00:54,190 --> 00:00:57,090 I DIDN'T DO ANYTHING I DIDN'T WANT TO DO. 13 00:00:57,130 --> 00:01:00,260 WELL, I SURE AS HELL ENJOYED MYSELF. 14 00:01:04,340 --> 00:01:07,110 IT MIGHT BE GOOD 15 00:01:07,140 --> 00:01:09,140 IF WE DON'T LET ANYONE KNOW. 16 00:01:09,170 --> 00:01:11,410 NO, I WOULDN'T. 17 00:01:11,440 --> 00:01:13,170 I MEAN, THE JOB AND ALL. 18 00:01:13,210 --> 00:01:14,610 I UNDERSTAND. 19 00:01:19,980 --> 00:01:22,450 DIANE, AS CLOSE AS WE'VE GOT, 20 00:01:22,490 --> 00:01:25,030 I WOULDN'T WANT ANYTHING TO COME BETWEEN THAT. 21 00:01:25,060 --> 00:01:26,800 ME, EITHER. 22 00:01:26,830 --> 00:01:28,870 NOT SAYING I FEEL BAD ABOUT IT, 23 00:01:28,890 --> 00:01:31,190 BUT MAYBE IT'S A ONE‐TIME ONLY, 24 00:01:31,230 --> 00:01:33,190 BEING THAT THINGS ARE SO COMPLICATED. 25 00:01:33,230 --> 00:01:35,460 IF YOU THINK WE CAN DO THAT. 26 00:01:35,500 --> 00:01:38,330 ABSOLUTELY. 27 00:01:42,070 --> 00:01:44,640 YOU HUNGRY? GET SOME BREAKFAST? 28 00:01:44,680 --> 00:01:47,320 NO, I'LL JUST JUMP IN THE SHOWER MAYBE. 29 00:01:47,350 --> 00:01:48,950 SURE. 30 00:01:48,980 --> 00:01:52,550 YOU GO FIRST. 31 00:01:52,580 --> 00:01:56,820 GET A GOOD LOOK. 32 00:03:19,300 --> 00:03:21,270 WAITING 20 MINUTES ‐‐ 33 00:03:21,310 --> 00:03:23,880 THEY MUST TEACH YOU THAT IN MED SCHOOL. 34 00:03:23,910 --> 00:03:25,870 I'M SURE SHE'S DOING SOMETHING MEANINGFUL. 35 00:03:25,910 --> 00:03:28,380 THEY SAID THEY'D HAVE AN ANSWER THIS MORNING. 36 00:03:28,410 --> 00:03:30,450 DON'T THEY HAVE NO COMPASSION? 37 00:03:30,480 --> 00:03:34,050 BIG BOOK TEACHES US WE'RE NOT THE CENTER OF THE UNIVERSE. 38 00:03:34,090 --> 00:03:37,160 I KNOW. I GOT PROBLEMS BEING GRANDIOSE. 39 00:03:37,190 --> 00:03:40,390 SORRY I'M LATE. I HAD AN EMERGENCY. 40 00:03:40,420 --> 00:03:43,060 IT'S GOOD NEWS. 41 00:03:43,090 --> 00:03:44,560 UH‐HUH. 42 00:03:44,600 --> 00:03:46,670 THEO'S RED COUNT IS NEARLY NORMAL. 43 00:03:46,700 --> 00:03:47,900 NEARLY? 44 00:03:47,930 --> 00:03:49,570 IT'S WITHIN NORMAL RANGE. 45 00:03:49,600 --> 00:03:52,400 THAT MEANS THE RED CELLS HIS BODY IS MANUFACTURING 46 00:03:52,440 --> 00:03:53,910 ARE REACHING MATURITY. 47 00:03:53,940 --> 00:03:55,470 SO HE'S OKAY? 48 00:03:55,510 --> 00:03:58,920 HIS LEUKOCYTES ARE A LITTLE HIGH COMPARED WITH HIS LYMPHOCYTES, 49 00:03:58,940 --> 00:04:02,240 BUT THAT JUST SUGGESTS SOME RESIDUAL INFECTION. 50 00:04:02,280 --> 00:04:04,010 BUT NO CANCER? NO CANCER. 51 00:04:04,050 --> 00:04:07,820 OH, IT'S A MIRACLE. 52 00:04:07,850 --> 00:04:11,590 IT'S WHAT BRINGS ME BACK IN HERE EVERY DAY. 53 00:04:11,620 --> 00:04:14,260 GO HOME. BE A FAMILY. 54 00:04:14,290 --> 00:04:18,490 BRING HIM BACK IN SIX MONTHS TO BE SAFE. 55 00:04:18,530 --> 00:04:20,660 I HAVE TO GO. 56 00:04:20,700 --> 00:04:23,530 I ‐‐ THANKS. 57 00:04:23,570 --> 00:04:25,730 I REALLY APPRECIATE WHAT YOU'VE DONE. 58 00:04:33,510 --> 00:04:35,810 AUNT KATIE, WHAT'S WRONG? 59 00:04:35,850 --> 00:04:38,360 NOTHING'S WRONG, HONEY. I'M JUST HAPPY. 60 00:04:38,380 --> 00:04:42,420 NOTHING'S WRONG, BUDDY. YOU'RE NOT SICK. 61 00:04:45,060 --> 00:04:48,970 NO MORE SHOTS. 62 00:04:48,990 --> 00:04:50,790 NO MORE SHOTS. 63 00:04:50,830 --> 00:04:54,430 DONE WITH SHOTS. 64 00:05:06,180 --> 00:05:07,490 MORNING, ANDY. 65 00:05:07,510 --> 00:05:09,140 YEAH, MORNING. 66 00:05:09,180 --> 00:05:12,150 SPILLED COFFEE ON MY SLACKS IN A HURRY OFF THE RADIO RUN. 67 00:05:12,180 --> 00:05:14,150 GOOD MORNING, OFFICERS. 68 00:05:14,190 --> 00:05:16,490 AND A GOOD MORNING TO YOU, SIR. 69 00:05:16,520 --> 00:05:19,320 YOU'RE IN A GOOD MOOD. 70 00:05:19,360 --> 00:05:21,330 THAT'S BECAUSE I JUST COME FROM THE HOSPITAL 71 00:05:21,360 --> 00:05:23,830 WHERE THEO'S BLOOD TEST WAS NORMAL. 72 00:05:23,860 --> 00:05:26,090 "NORMAL" NORMAL? WITHIN NORMAL RANGE. 73 00:05:26,130 --> 00:05:27,600 ANDY, THAT'S FANTASTIC. 74 00:05:27,630 --> 00:05:29,600 OH, AT LEAST YOU GOT COFFEE. 75 00:05:29,630 --> 00:05:33,370 THE BEST I DID IS TAP WATER MOUTHED UP UNDER THE FAUCET. 76 00:05:33,400 --> 00:05:35,500 HERE'S THE FIRST COP ON THE SCENE. 77 00:05:35,540 --> 00:05:37,010 WHAT'S UP, NORTH? 78 00:05:37,040 --> 00:05:39,170 ANOTHER DEAD CABBY ‐‐ GUNSHOT TO THE HEAD. 79 00:05:39,210 --> 00:05:41,910 JOGGER OVER THERE COMES UP TO THE CAB, 80 00:05:41,950 --> 00:05:44,060 SEES THE DRIVER LYING THERE CROAKED. 81 00:05:44,080 --> 00:05:46,550 WHAT'S THAT, NORTH, SOME KIND OF FROG REFERENCE? 82 00:05:46,590 --> 00:05:49,130 FINDS THE CABBY DEAD, ANDY. QUIT BREAKING MY BALLS. 83 00:05:49,150 --> 00:05:52,350 HEY, I'M JUST KIDDING. YOU GOT TO LIGHTEN UP, PAL. 84 00:05:52,390 --> 00:05:54,360 SO, PROBABLY WENT DOWN LAST NIGHT. 85 00:05:54,390 --> 00:05:57,390 PERP HAS HIM DRIVE HIM HERE AND THEN HE SHOOTS HIM. 86 00:05:57,430 --> 00:06:00,400 YEAH, THAT MUST HAVE BEEN WHEN HE GOT CROAKED. 87 00:06:00,430 --> 00:06:02,100 IT'S A DANGEROUS OCCUPATION DRIVING A HACK. 88 00:06:02,130 --> 00:06:04,530 AND ME THINKING OF DOING THAT WHEN I RETIRE. 89 00:06:04,570 --> 00:06:06,600 ONE BEHIND HIS EAR ‐‐ THE USUAL FOR CABBIES. 90 00:06:06,640 --> 00:06:08,440 RIGOR MORTIS STARTED. 91 00:06:08,470 --> 00:06:11,610 HE'S DEAD THREE, FOUR HOURS PROBABLY. 92 00:06:11,640 --> 00:06:14,940 BIG HOLE ‐‐ I FIGURE A LARGE‐CALIBER BULLET. 93 00:06:14,980 --> 00:06:18,080 NO MONEY. 94 00:06:19,920 --> 00:06:21,550 LET'S GET HIM OUT OF THERE 95 00:06:21,590 --> 00:06:23,730 AS SOON AS CRIME SCENE'S FINISHED UP. 96 00:06:23,760 --> 00:06:25,660 I'LL GET HIM TO THE MORGUE. 97 00:06:25,690 --> 00:06:30,590 YOU KNOW, IT'S BEAUTIFUL DOWN HERE BY THE RIVER. 98 00:06:40,540 --> 00:06:42,170 DANNY. 99 00:06:42,210 --> 00:06:43,180 OH, HI. 100 00:06:43,210 --> 00:06:44,580 HEY. HOW'S IT GOING? 101 00:06:44,610 --> 00:06:47,240 HEY. I WAS DOWNSTAIRS TURNING IN SOME STUFF, 102 00:06:47,280 --> 00:06:49,680 AND I SAW YOU COME IN. 103 00:06:49,710 --> 00:06:51,580 WE CAUGHT A HOMICIDE ‐‐ CAB DRIVER. 104 00:06:51,620 --> 00:06:54,590 SO, ARE WE STILL ON FOR TONIGHT? 105 00:06:54,620 --> 00:06:56,250 I'M MAKING DINNER AT YOUR PLACE? 106 00:06:56,290 --> 00:06:58,600 SURE. HELL YEAH. 107 00:06:58,620 --> 00:07:01,690 OKAY. SEE YOU LATER. 108 00:07:05,730 --> 00:07:07,600 CHECK THIS OUT. 109 00:07:07,630 --> 00:07:09,770 NOW, WHAT THE HELL IS THIS? 110 00:07:09,800 --> 00:07:11,770 LOOKS LIKE A BROKERAGE FIRM. 111 00:07:11,800 --> 00:07:14,270 I THINK IT'S ABOUT YOUR CAB DRIVER HOMICIDE. 112 00:07:14,310 --> 00:07:16,780 HEY, YOU GOT YOUR EARS LOWERED. 113 00:07:16,810 --> 00:07:19,780 SIPOWICZ AND SORENSON WERE WORKING THE HOMICIDE 114 00:07:19,810 --> 00:07:21,110 THIS MORNING. 115 00:07:21,150 --> 00:07:23,120 THE TAXI AND LIMOUSINE COMMISSION'S 116 00:07:23,150 --> 00:07:24,790 PUTTING UP 100 GRAND ‐‐ 117 00:07:24,820 --> 00:07:27,290 INFORMATION LEADING TO THE ARREST AND CONVICTION 118 00:07:27,320 --> 00:07:30,120 OF ANYONE KILLING A CAB DRIVER OFF THE RECENT PATTERN. 119 00:07:30,150 --> 00:07:32,350 WE'RE ASSUMING COPS ARE INELIGIBLE. 120 00:07:32,390 --> 00:07:35,160 BUREAU HEAD CAPTAIN BASS PUT TOGETHER A TASK FORCE ‐‐ 121 00:07:35,190 --> 00:07:37,730 CABBY GOT SHOT LAST WEEK MIDTOWN SOUTH. 122 00:07:37,760 --> 00:07:39,490 PERP USED A .357 TIED TO SIX OTHER INCIDENTS. 123 00:07:39,530 --> 00:07:40,700 WHAT KIND OF INCIDENTS? 124 00:07:40,730 --> 00:07:42,130 THIS ONE GUN IS LINKED 125 00:07:42,170 --> 00:07:44,040 TO A CONVENIENCE STORE STICKUP AND A DRIVE‐BY. 126 00:07:44,070 --> 00:07:46,900 MIDTOWN SOUTH CABBY'S LUCKY HE'S STILL BREATHING. 127 00:07:46,940 --> 00:07:49,470 THAT ONE JUST NOW, THAT COULD HAVE BEEN A .357. 128 00:07:49,510 --> 00:07:51,980 WE GOT BALLISTICS STANDING BY 129 00:07:52,010 --> 00:07:53,980 WAITING ON A BULLET FROM THE MORGUE. 130 00:07:54,010 --> 00:07:56,480 WE SHOULD FIND OUT QUICK IF THERE'S A MATCH. 131 00:07:56,510 --> 00:07:58,510 BOTTOM LINE WORRIES, WE GOT A WACK JOB. 132 00:07:58,550 --> 00:08:00,980 WACK JOB WITH A GRUDGE AGAINST CAB DRIVERS. 133 00:08:01,020 --> 00:08:03,350 WE'VE BEEN ON THIS WEEKS, DETECTIVE ‐‐ 134 00:08:03,390 --> 00:08:05,430 HOMICIDE SQUAD, ROBBERY, INTELLIGENCE. 135 00:08:05,460 --> 00:08:06,770 IT'S YOUR CASE. 136 00:08:06,790 --> 00:08:08,990 NO ONE'S LOOKING TO JUMP YOUR PLAY. 137 00:08:09,030 --> 00:08:11,200 WE'RE JUST HOPING TO SHARE INFORMATION. 138 00:08:11,230 --> 00:08:13,390 ABSOLUTELY. 139 00:08:13,430 --> 00:08:16,000 I GOT MY TOP‐LEVEL PEOPLE, MY BEST INTERROGATORS. 140 00:08:16,030 --> 00:08:19,070 JOHN. OUR PAA WILL GET YOU SITUATED. 141 00:08:19,100 --> 00:08:21,600 EVERYBODY'S OKAY WITH THIS? 142 00:08:21,640 --> 00:08:24,540 ANYTHING WE CAN DO, CAPTAIN. 143 00:08:30,550 --> 00:08:32,210 OVER HERE, PLEASE. 144 00:08:33,820 --> 00:08:35,680 HEY, GUYS. 145 00:08:35,720 --> 00:08:37,790 YOU OKAY, ANDY? 146 00:08:37,820 --> 00:08:41,090 I'M FINE. WHY, DON'T I SEEM OKAY? 147 00:08:41,130 --> 00:08:43,370 WELL, YOU DON'T SEEM QUITE YOURSELF. 148 00:08:43,390 --> 00:08:45,360 THEN WHO WOULD I BE? 149 00:08:45,400 --> 00:08:48,370 I MEAN, IF I'M NOT MYSELF, I MUST BE SOMEBODY. 150 00:08:48,400 --> 00:08:50,370 THEO'S BLOOD TEST WAS NORMAL. 151 00:08:50,400 --> 00:08:53,430 HEY, THAT IS GREAT, ANDY. 152 00:08:53,470 --> 00:08:55,200 THANKS. 153 00:08:55,240 --> 00:08:58,540 LOOK, I WOULDN'T WORRY ABOUT THIS TASK FORCE THING. 154 00:08:58,580 --> 00:09:01,120 UM, CAB DRIVER SHOT OFF A SERIAL KILLER ‐‐ 155 00:09:01,150 --> 00:09:03,960 THIS IS HIGH PROFILE, SO YOU ‐‐ 156 00:09:03,980 --> 00:09:06,150 ANY MAJOR INTERVIEWS, THEY GET RUN BY US. 157 00:09:06,180 --> 00:09:09,550 HOW ABOUT WE GO GET CAUGHT UP ON THEM OTHER INCIDENTS? 158 00:09:09,590 --> 00:09:11,050 YEAH, OKAY. 159 00:09:11,090 --> 00:09:14,060 SEE MAYBE DID THEY MISS SOMETHING AT MIDTOWN SOUTH. 160 00:09:14,090 --> 00:09:15,160 OKAY, FINE. 161 00:09:16,760 --> 00:09:19,730 YEAH, LET'S GO AND TALK TO THESE TOP‐LEVEL PEOPLE, 162 00:09:19,760 --> 00:09:23,000 LET THEM EXPLAIN HOW IT'S DONE TO US POOR WORKING SLOBS. 163 00:09:23,030 --> 00:09:25,830 HOW ABOUT YOU, DANNY? ARE YOU OKAY? 164 00:09:25,870 --> 00:09:28,240 UM, DIANE AND ME, WE GOT TO LOCATE 165 00:09:28,270 --> 00:09:30,240 THIS GIRLFRIEND OF DENBY'S ‐‐ LAUREN ‐‐ 166 00:09:30,270 --> 00:09:32,410 BEFORE I. A. B. MOVES ON US. 167 00:09:32,440 --> 00:09:35,080 YOU FIGURE MEDAVOY GAVE AWAY THE STORE? 168 00:09:35,110 --> 00:09:37,650 NAH, GREG'S TOUGHER THAN HE LOOKS. 169 00:09:37,680 --> 00:09:39,850 MARTENZ MORE OR LESS TOLD HIM AND COHEN 170 00:09:39,880 --> 00:09:42,350 WE DON'T FIND THIS GIRL TO CONFIRM OUR VERSION, 171 00:09:42,390 --> 00:09:44,760 WE MIGHT AS WELL HAND IN OUR BADGES. 172 00:09:44,790 --> 00:09:48,590 LISTEN, NOTHING BAD IS GOING TO HAPPEN. 173 00:09:48,630 --> 00:09:51,040 YOU KNOW THIS? 174 00:09:51,060 --> 00:09:52,530 I DO. 175 00:09:53,970 --> 00:09:56,940 I'LL GET US CAUGHT UP BY THE EXPERTS, HUH? 176 00:09:56,970 --> 00:09:59,600 OKAY, ANDY. 177 00:09:59,640 --> 00:10:02,900 [ WHISTLING ] 178 00:10:15,350 --> 00:10:18,390 ANDY TOLD ME ABOUT THEO. THAT'S GREAT NEWS. 179 00:10:18,420 --> 00:10:20,320 YEAH, DEFINITELY. 180 00:10:20,360 --> 00:10:22,490 HOW'S IT GOING WITH YOU? 181 00:10:22,530 --> 00:10:25,300 GOOD. HOW'S IT GOING WITH YOU? 182 00:10:25,330 --> 00:10:26,830 GOOD. 183 00:10:26,870 --> 00:10:29,170 ME AND ANDY GET TO PLAY PATTY CAKE NOW 184 00:10:29,200 --> 00:10:32,400 WITH CAPTAIN BASS AND HIS TASK FORCE. 185 00:10:32,440 --> 00:10:35,410 I, UH, I TALKED TO DENBY'S DISPATCH. 186 00:10:35,440 --> 00:10:38,640 HE'S GOT A 2:00 P. M. PICKUP ON 2nd AVENUE AT 6th. 187 00:10:38,680 --> 00:10:40,650 I LEFT WORD I'D MEET HIM THERE. 188 00:10:40,680 --> 00:10:42,980 SO THAT WOULD BE ME MEETING HIM THERE. 189 00:10:43,010 --> 00:10:45,150 I GO, IT'S JUST HIM PLAYING GAMES. 190 00:10:45,180 --> 00:10:46,480 I'LL MEET HIM. 191 00:10:46,520 --> 00:10:49,330 I'LL GET THAT GIRL'S NUMBER, THEN SHE CAN CONFIRM 192 00:10:49,350 --> 00:10:52,190 THAT THEY HAD JILL'S BOY HOSTAGE. 193 00:10:59,530 --> 00:11:02,260 DETECTIVE RUSSELL... 194 00:11:02,300 --> 00:11:04,300 THIS CALL CAME FOR YOU. 195 00:11:06,540 --> 00:11:08,510 WHAT'S THIS NOW? 196 00:11:08,540 --> 00:11:10,510 THIS, UH, JERK RAY DE SALVO. 197 00:11:10,540 --> 00:11:13,370 HE'S DOING TIME AT RIKERS ‐‐ GREW UP WITH BOBBY. 198 00:11:13,410 --> 00:11:14,710 WHAT'S HE WANT? 199 00:11:14,750 --> 00:11:16,350 WANTS ME TO COME SEE HIM 200 00:11:16,380 --> 00:11:18,850 AS A FAVOR TO BOBBY'S MEMORY. 201 00:11:18,880 --> 00:11:20,950 THAT CABBY GOT SHOT MIDTOWN SOUTH, 202 00:11:20,990 --> 00:11:22,460 HE'S DOWNSTAIRS ‐‐ FIRST DAY BACK. 203 00:11:22,490 --> 00:11:24,960 HE DIDN'T WANT TO COME ALL THE WAY 204 00:11:24,990 --> 00:11:27,190 INTO THE STATION HOUSE, 205 00:11:27,230 --> 00:11:28,930 BUT I CHARMED HIM INTO IT. 206 00:11:28,960 --> 00:11:32,790 DIANE, SHE GOT SOME MESSAGE FROM A GUY ‐‐ RAY DE SALVO? 207 00:11:32,830 --> 00:11:34,300 DE SALVO? 208 00:11:34,330 --> 00:11:37,400 WASN'T IT HIM THAT, UH, SHOT BOBBY AT I. A. B.? 209 00:11:37,440 --> 00:11:39,780 WANTS ME TO COME SEE HIM AT RIKERS. 210 00:11:39,800 --> 00:11:41,440 OH, THIS HALF‐ASS LOWLIFE. 211 00:11:41,470 --> 00:11:43,200 HE GETS HIMSELF INTO A JACKPOT, 212 00:11:43,240 --> 00:11:44,870 ASKED BOBBY TO HELP HIM, 213 00:11:44,910 --> 00:11:47,380 AND THEN HE SHOPS HIM TO I. A. B. FOR HELPING. 214 00:11:47,410 --> 00:11:48,580 NO KIDDING. 215 00:11:48,610 --> 00:11:50,580 DE SALVO'S OUT AT RIKERS 216 00:11:50,620 --> 00:11:52,920 AND DON KIRKENDALL'S OUT AT RIKERS. 217 00:11:52,950 --> 00:11:54,580 THIS COULD ABSOLUTELY BE 218 00:11:54,620 --> 00:11:56,250 DE SALVO RUNNING ANOTHER NUMBER 219 00:11:56,290 --> 00:11:57,900 WITH THE RAT SQUAD. 220 00:11:57,920 --> 00:11:59,320 I GOT TO SEE DENBY AT 2:00. 221 00:11:59,360 --> 00:12:01,330 I COULD SWING BY RIKERS FIRST. 222 00:12:01,360 --> 00:12:04,260 YOU ‐‐ YOU BE CAREFUL WITH THIS GUY. 223 00:12:04,300 --> 00:12:06,440 YOU NEED ME IN ON THAT CABBY? 224 00:12:06,460 --> 00:12:08,100 NO, YOU GO DO WHAT YOU HAVE TO. 225 00:12:08,130 --> 00:12:11,270 YEAH, GOOD. I'M GOING TO DO THAT. 226 00:12:11,300 --> 00:12:13,100 I'LL BE ON THE AIR. 227 00:12:13,140 --> 00:12:14,410 SURE. 228 00:12:14,440 --> 00:12:17,410 THAT IS ‐‐ THAT'S GREAT ABOUT THEO, ANDY. 229 00:12:17,440 --> 00:12:19,070 WE'RE SO HAPPY FOR YOU. 230 00:12:19,110 --> 00:12:21,040 THANKS. 231 00:12:23,880 --> 00:12:27,250 JOE RODRIGUEZ. I'M LOOKING FOR DETECTIVE SIPOWICZ. 232 00:12:27,290 --> 00:12:28,490 UH... 233 00:12:28,520 --> 00:12:30,090 HEY, HO, UH, BALDWIN, 234 00:12:30,120 --> 00:12:32,420 WANT TO SIT IN WITH ME ON THIS? 235 00:12:32,460 --> 00:12:34,500 SURE. 236 00:12:34,530 --> 00:12:36,500 BEING WE'RE LIKE A COUPLE OF ORPHANS 237 00:12:36,530 --> 00:12:38,840 WITH YOUR PARTNER THAT'S TIED UP IN COURT 238 00:12:38,860 --> 00:12:41,200 AND MINE'S OFF ON SOME SECRET MISSION. 239 00:12:44,570 --> 00:12:46,200 GET YOU A BEVERAGE? 240 00:12:46,240 --> 00:12:48,010 IT'S GUARANTEED THE STALEST COFFEE 241 00:12:48,040 --> 00:12:50,010 IN THE FIVE BOROUGHS. 242 00:12:50,040 --> 00:12:51,510 NO, THANKS. I'M ON SHIFT. 243 00:12:51,540 --> 00:12:52,940 HAD TO GIVE UP 244 00:12:52,980 --> 00:12:55,450 A BACK AND FORTH TO JFK FOR THIS. 245 00:12:55,480 --> 00:12:57,610 IS THAT WHERE YOU GOT SHOT? 246 00:12:57,650 --> 00:12:58,950 COULD WE DO THIS? 247 00:12:58,980 --> 00:13:00,550 I ALREADY TALKED TO DETECTIVES. 248 00:13:00,590 --> 00:13:02,560 THIS OTHER CABBY SHOT LAST NIGHT ‐‐ 249 00:13:02,590 --> 00:13:05,730 BALLISTICS MATCHED THE BULLET TO ONE THEY DUG OUT OF YOU. 250 00:13:05,760 --> 00:13:07,230 CABBIES ARE GETTING SHOT LEFT AND RIGHT. 251 00:13:07,260 --> 00:13:08,720 WHY DON'T YOU TALK TO THAT DUDE? 252 00:13:08,760 --> 00:13:11,390 KIND OF TIGHT‐LIPPED, RIGOR MORTIS AND ALL. 253 00:13:11,430 --> 00:13:14,230 TOOK ONE TO THE BACK OF THE HEAD. 254 00:13:14,270 --> 00:13:16,410 GUESS I GOT GOOD LUCK. 255 00:13:16,430 --> 00:13:18,400 YEAH, YOU MUST LIVE RIGHT. 256 00:13:18,440 --> 00:13:19,710 OUR LEADS WE GOT GO NOWHERE, JOE. 257 00:13:19,740 --> 00:13:22,370 YOU'RE OUR ONLY LIVE ONE, SO ANYTHING YOU REMEMBER 258 00:13:22,410 --> 00:13:24,380 MIGHT STOP ANOTHER CABBY GETTING SHOT. 259 00:13:24,410 --> 00:13:26,210 I PICKED UP TWO BLACK GUYS, 260 00:13:26,240 --> 00:13:28,640 BOTH HALF IN THE BAG OUTSIDE ELMO'S BAR, 261 00:13:28,680 --> 00:13:30,850 CORNER OF 9th AVENUE AND 48th. 262 00:13:30,880 --> 00:13:33,850 THEY JUMP IN, SAY TAKE THEM TO THE MOON ROOM. 263 00:13:33,890 --> 00:13:35,190 I DON'T KNOW THE PLACE. 264 00:13:35,220 --> 00:13:37,150 THEY SAY PULL OVER. ONE'S GOT OUT A PIECE. 265 00:13:37,190 --> 00:13:38,520 DID YOU RESIST? 266 00:13:38,560 --> 00:13:41,030 I GAVE THEM THE MONEY. 267 00:13:41,060 --> 00:13:42,320 FAT ONE BOOKED 268 00:13:42,360 --> 00:13:44,160 BEFORE THE OTHER ONE EVEN TOOK IT. 269 00:13:44,200 --> 00:13:46,670 THE ONE WITH THE MONEY BUSTS ONE IN MY ARM. 270 00:13:46,700 --> 00:13:48,000 YOU DESCRIBE HIM? 271 00:13:48,030 --> 00:13:49,360 MY AGE. 272 00:13:49,400 --> 00:13:52,530 THE ONE WAS OBESE IS NOT LIKE BIG PUN OBESE, 273 00:13:52,570 --> 00:13:55,170 JUST SAY, LIKE, 300 POUNDS. 274 00:13:55,210 --> 00:13:57,250 WHAT'S BIG PUN? 275 00:13:57,280 --> 00:13:59,720 BIG PUNISHER, MAN. 276 00:13:59,740 --> 00:14:02,240 RAP DUDE SO FAT HE COULDN'T LEAVE HIS HOUSE. 277 00:14:02,280 --> 00:14:04,180 DIED OF HIS HEART STOPPED. 278 00:14:04,220 --> 00:14:06,020 WHAT ABOUT THE OTHER ONE? 279 00:14:06,050 --> 00:14:08,350 LONG AND SKINNY IN BLACK LEATHER PORK PIE HAT. 280 00:14:08,390 --> 00:14:10,860 I OVERHEARD FATTY ASK HIM AFTER HE SHOT ME 281 00:14:10,890 --> 00:14:12,190 WHY HE DO IT. 282 00:14:12,220 --> 00:14:13,720 HE CALLED HIM BENNY. 283 00:14:13,760 --> 00:14:15,690 THIS, UH, BENNY THAT SHOT YOU 284 00:14:15,730 --> 00:14:17,600 EVEN THOUGH YOU WERE BEING COOPERATIVE, 285 00:14:17,630 --> 00:14:20,360 IS HE, LIKE, UH, MAYBE CRAZY OR SOMETHING? 286 00:14:20,400 --> 00:14:21,900 CRAZY OR HIGH. 287 00:14:21,930 --> 00:14:24,700 SAY, WHY DON'T YOU GO BRING THESE GUYS IN, HMM? 288 00:14:24,740 --> 00:14:26,950 YEAH, WHY DIDN'T WE THINK OF THAT? 289 00:14:26,970 --> 00:14:28,240 CAN I GO BACK TO WORK NOW? 290 00:14:28,270 --> 00:14:29,740 GO AHEAD. 291 00:14:31,340 --> 00:14:33,640 THANK YOU. 292 00:14:33,680 --> 00:14:36,650 YEAH. 293 00:14:36,680 --> 00:14:38,450 THAT'S A REAL ASSHOLE. 294 00:14:38,480 --> 00:14:40,320 NOW, NOW. 295 00:14:46,590 --> 00:14:49,590 [ DANCE MUSIC PLAYING ] 296 00:14:55,930 --> 00:14:57,400 YOU ELMO? 297 00:14:57,440 --> 00:14:59,610 SAYS SO ON THE SIGN. 298 00:14:59,640 --> 00:15:02,140 LIKE THAT MUSIC. 299 00:15:02,170 --> 00:15:03,740 MY MAN GOT TASTE. 300 00:15:03,780 --> 00:15:06,350 HOW'S ABOUT TWO SHOTS ON ME FOR NEW YORK'S FINEST? 301 00:15:06,380 --> 00:15:08,350 HOW ABOUT WE STICK WITH THE PROGRAM, ELMO? 302 00:15:08,380 --> 00:15:09,610 YOU ANSWER OUR QUESTIONS 303 00:15:09,650 --> 00:15:11,480 AND SAVE THE GREASE FOR SOMEONE ELSE. 304 00:15:11,520 --> 00:15:14,190 GREASE? MAN, THAT'S A SINCERE OFFER. 305 00:15:14,220 --> 00:15:16,750 SO, ELMO, THIS CABBY GOT SHOT LAST WEEK, 306 00:15:16,790 --> 00:15:19,690 HE SAYS HE PICKED UP TWO GUYS OUTSIDE OF YOUR BAR, 307 00:15:19,720 --> 00:15:21,690 BOTH OF THEM HALF IN THE BAG ‐‐ 308 00:15:21,730 --> 00:15:23,700 DESCRIBING ANY TWO OUT OF DOZENS OF GUYS 309 00:15:23,730 --> 00:15:25,830 COMING THROUGH HERE ON A DAILY BASIS ‐‐ 310 00:15:25,860 --> 00:15:27,700 ALLOWING US TO FINISH OUR THOUGHT, 311 00:15:27,730 --> 00:15:30,100 THESE TWO WERE BLACK. ONE OF THEM'S FAT, 312 00:15:30,130 --> 00:15:32,600 RUNS WITH A TALL SKINNY GUY IN A BLACK LEATHER HAT ‐‐ 313 00:15:32,640 --> 00:15:34,950 NAME MIGHT BE BENNY. THAT RING ANY BELLS? 314 00:15:34,970 --> 00:15:38,940 BENNY ‐‐ RIGHT, LIKE THEM OTHER DETECTIVES SAID. 315 00:15:38,980 --> 00:15:40,890 IT DON'T RING A BELL. 316 00:15:40,910 --> 00:15:42,780 THAT'S ALL YOU GOT FOR NEW YORK'S FINEST, 317 00:15:42,810 --> 00:15:44,780 CHEAP HOUSE DRINKS AND A HAND JOB? 318 00:15:44,820 --> 00:15:46,290 SEE, I DON'T THINK 319 00:15:46,320 --> 00:15:48,490 YOU'RE TRYING HARD ENOUGH THERE, ELMO. 320 00:15:48,520 --> 00:15:50,150 HOW ABOUT WE DO A SHAKE TEST 321 00:15:50,190 --> 00:15:52,150 ON ONE OF THEM BOTTLES UP THERE, 322 00:15:52,190 --> 00:15:54,220 SEE IF IT'S GOT THOSE LITTLE DEAD BUGS 323 00:15:54,260 --> 00:15:56,960 THAT SHOW IT'S BEEN REFILLED MAYBE NINE TIMES? 324 00:15:57,000 --> 00:15:58,740 WHY DON'T YOU HAND MY PARTNER 325 00:15:58,760 --> 00:16:00,630 THAT ONE THAT SAYS IT'S CHIVAS REGAL? 326 00:16:00,670 --> 00:16:02,970 I GOT MY MIND SET FOR REPLAY, DETECTIVE, 327 00:16:03,000 --> 00:16:05,300 BUT IT DON'T RING ANY BELLS. 328 00:16:05,340 --> 00:16:06,850 NOW YOU'RE WELCOME TO HANG OUT, 329 00:16:06,870 --> 00:16:09,970 SEE IF ANYONE COMES BY FITS THE PARAMETERS. 330 00:16:10,010 --> 00:16:13,310 IF WE FIND OUT YOU'RE HOLDING BACK, 331 00:16:13,340 --> 00:16:16,310 I'M PERSONALLY COMING TO KICK YOUR ASS. 332 00:16:16,350 --> 00:16:18,160 HE LIKE THIS WITH EVERYONE? 333 00:16:18,180 --> 00:16:20,250 AH, YOU KNOW HOW SOME GUYS ARE. 334 00:16:20,280 --> 00:16:22,750 TRYING TO GET HIM INTO A PROGRAM 335 00:16:22,790 --> 00:16:24,300 FOR AGGRESSION AVOIDANCE. 336 00:16:42,240 --> 00:16:44,970 YEAH, I'LL GIVE YOU A YELL WHEN I'M FINISHED. 337 00:16:47,150 --> 00:16:48,790 I DON'T KNOW YOU. 338 00:16:48,810 --> 00:16:51,550 I'M DANNY SORENSON. I'M A DETECTIVE AT THE 15th. 339 00:16:51,580 --> 00:16:53,280 OH, RIGHT, YOU'RE SIPOWICZ'S NEW PARTNER. 340 00:16:53,320 --> 00:16:55,260 SO HOW DO YOU KNOW THAT? 341 00:16:55,290 --> 00:16:59,300 RELAX, MAN. IT'S NOT LIKE I'M WEARING A WIRE. 342 00:16:59,320 --> 00:17:01,390 WANT TO CHECK? 343 00:17:01,430 --> 00:17:04,770 15th IS WHERE MY PAL BOBBY SIMONE WORKED, 344 00:17:04,800 --> 00:17:06,770 GOD REST HIS SOUL. 345 00:17:06,800 --> 00:17:08,430 I WAS EXPECTING BOBBY'S WIFE. 346 00:17:08,470 --> 00:17:10,240 DETECTIVE RUSSELL, SHE'S STILL UPSET. 347 00:17:10,270 --> 00:17:12,230 SHE DOESN'T WANT TO OPEN THAT DOOR. 348 00:17:12,270 --> 00:17:15,400 ME AND BOBBY ‐‐ COMES AT ME, TOO, 349 00:17:15,440 --> 00:17:17,270 BEING UPSET HE'S GONE. 350 00:17:17,310 --> 00:17:19,440 ME AND HIM GREW UP TOGETHER. 351 00:17:19,480 --> 00:17:20,790 WHAT DO YOU WANT? 352 00:17:20,810 --> 00:17:23,710 IF BOBBY WERE STILL WITH US, HE COULD TELL YOU. 353 00:17:23,750 --> 00:17:25,210 I'M HERE ON A BAD RAP. 354 00:17:25,250 --> 00:17:26,720 HE WOULD, HUH? 355 00:17:26,750 --> 00:17:27,880 THAT BAR I WORKED IN, 356 00:17:27,920 --> 00:17:29,820 I WASN'T AWARE IT WAS A MOB THING. 357 00:17:29,850 --> 00:17:32,050 DE SALVO, YOU KNOW, YOU WANT TO CHAT, 358 00:17:32,090 --> 00:17:34,060 MAYBE YOU SHOULD CALL DON IMUS. 359 00:17:34,090 --> 00:17:36,560 DANNY, RIGHT? 360 00:17:36,600 --> 00:17:38,070 CALL ME RAY. 361 00:17:38,100 --> 00:17:41,670 I NEED HELP. I'M GOING STIR CRAZY IN HERE. 362 00:17:41,700 --> 00:17:44,000 SO YOU'RE LOOKING TO GET SOME PLAY. 363 00:17:44,040 --> 00:17:46,180 YOU KNOW, THERE'S THIS ASSHOLE IN HERE 364 00:17:46,200 --> 00:17:47,840 SPRAYING CRAP ON YOUR SQUAD ‐‐ 365 00:17:47,870 --> 00:17:49,240 DON KIRKENDALL. 366 00:17:49,270 --> 00:17:51,240 HE'S LOOKING AT SOME KIND OF DEAL 367 00:17:51,280 --> 00:17:53,020 IN EXCHANGE FOR BRINGING YOU DOWN. 368 00:17:53,040 --> 00:17:54,180 SO? 369 00:17:54,210 --> 00:17:56,510 SO I FIGURED YOU'RE TAKING SOME HEAT, 370 00:17:56,550 --> 00:17:59,510 YOU COULD USE SOME HELP. YOU GUYS ARE RIGHT GUYS. 371 00:17:59,550 --> 00:18:02,020 MAYBE SOMETHING GOOD COME OUT OF THIS FOR EVERYONE. 372 00:18:02,050 --> 00:18:03,380 MEANING WHAT, RAY? 373 00:18:05,220 --> 00:18:07,690 I BRING THIS UP ON A POSSIBILITY LIKE THAT. 374 00:18:07,730 --> 00:18:10,700 NOT LIKE ANYBODY'S EVER GOING TO KNOW WHERE IT CAME FROM, 375 00:18:10,730 --> 00:18:12,860 BUT SOMETHING COULD BEFALL THIS GUY, 376 00:18:12,900 --> 00:18:16,010 ACCIDENT‐WISE OR SO FORTH. 377 00:18:16,030 --> 00:18:17,670 FORGET IT, RAY. 378 00:18:17,700 --> 00:18:20,100 I THOUGHT WE WERE TALKING ABOUT YOU WANTING HELP 379 00:18:20,140 --> 00:18:21,600 GETTING TIME OFF YOUR STRETCH. 380 00:18:21,640 --> 00:18:23,940 WE WERE. DOES THAT MEAN YOU'LL HELP? 381 00:18:23,980 --> 00:18:25,950 I'D HAVE TO LOOK INTO IT. 382 00:18:25,980 --> 00:18:28,220 HERE'S MY CARD. 383 00:18:28,250 --> 00:18:30,660 ANYTHING I COULD DO TO HELP, DANNY, 384 00:18:30,680 --> 00:18:31,980 I'M THERE. 385 00:18:32,020 --> 00:18:33,730 ON THE GATE. 386 00:18:45,730 --> 00:18:47,960 John: HERE YOU GO. 387 00:18:48,000 --> 00:18:50,170 ALL RIGHT. THANKS, JOHN. 388 00:18:50,200 --> 00:18:52,630 LIEUTENANT, I WISH THEY COULD SOLVE THIS HOMICIDE 389 00:18:52,670 --> 00:18:54,970 SO YOU COULD GET YOUR OFFICE BACK. 390 00:18:55,010 --> 00:18:56,350 YEAH. 391 00:19:00,440 --> 00:19:03,210 DETECTIVES. 392 00:19:03,250 --> 00:19:05,220 WHAT? 393 00:19:09,020 --> 00:19:11,720 WHY'S HE LOOKING LIKE SOME SICK GIRAFFE? 394 00:19:11,760 --> 00:19:14,230 THE FELLOW IN THE COFFEE ROOM WITH DETECTIVE RUSSELL 395 00:19:14,260 --> 00:19:16,220 SAYS HE'S GOT INFORMATION ON YOUR CASE. 396 00:19:16,260 --> 00:19:19,930 I THOUGHT YOU GUYS WOULD WANT TO TALK TO HIM FIRST. 397 00:19:19,960 --> 00:19:21,200 THAT'S REAL DEVIOUS, JOHN. 398 00:19:21,230 --> 00:19:22,600 THANK YOU. 399 00:19:22,630 --> 00:19:24,700 GOOD WORK THERE, JOHN. 400 00:19:30,040 --> 00:19:31,840 UH, THIS IS, UH, FREDDY. 401 00:19:31,880 --> 00:19:34,250 SAYS HE'S GOT INFORMATION RELEVANT 402 00:19:34,280 --> 00:19:36,710 TO A CAB DRIVER SHOOTING. 403 00:19:36,750 --> 00:19:37,880 HE DIDN'T TELL YOU WHAT? 404 00:19:37,920 --> 00:19:40,090 NO, HE'S PRETTY CLOSED‐MOUTHED. 405 00:19:40,120 --> 00:19:41,520 WHAT'S UP, FREDDY, YOU DIDN'T TELL 406 00:19:41,550 --> 00:19:43,020 DETECTIVE RUSSELL WHAT YOU KNOW? 407 00:19:43,050 --> 00:19:44,690 I'M ALL ABOUT THE REWARD MONEY. 408 00:19:44,720 --> 00:19:46,350 JUST WANT TO MAKE FOR CERTAIN 409 00:19:46,390 --> 00:19:48,260 I'M TALKING WITH THE RIGHT PEOPLE. 410 00:19:48,290 --> 00:19:49,360 HAVE YOU GOT INFORMATION? 411 00:19:49,390 --> 00:19:51,230 YOU GOT TO DO WITH THE REWARD? 412 00:19:51,260 --> 00:19:52,790 THE REWARD IS BASED ON INFORMATION 413 00:19:52,830 --> 00:19:54,460 LEADS TO ARREST AND CONVICTION. 414 00:19:54,500 --> 00:19:56,360 GOT TO EAT, MAN. 415 00:19:56,400 --> 00:19:58,430 HOW ABOUT SOME KIND OF ADVANCE? 416 00:19:58,470 --> 00:20:00,470 LET'S SEE WHAT YOU GOT TO OFFER. 417 00:20:00,500 --> 00:20:03,140 FREDDY, IF WE CAN'T TRUST EACH OTHER, 418 00:20:03,170 --> 00:20:06,240 WHERE DOES THAT LEAVE US? 419 00:20:06,280 --> 00:20:09,250 LAST WEEK BROTHER WEARS A LEATHER HAT 420 00:20:09,280 --> 00:20:11,080 AND HIS FAT‐ASS DRINKING BUDDY 421 00:20:11,120 --> 00:20:12,920 NEXT SEAT AT THE BAR. 422 00:20:12,950 --> 00:20:14,920 THEY'S BRAGGING ON TO THE BARTENDER 423 00:20:14,950 --> 00:20:16,920 HOW THEY CAPPED SOME CABBY. 424 00:20:16,960 --> 00:20:18,160 WHAT'S THE BAR? 425 00:20:18,190 --> 00:20:20,290 MY USUAL ‐‐ ELMO'S. 426 00:20:20,320 --> 00:20:21,620 ELMO'S? 427 00:20:21,660 --> 00:20:22,890 YOU BET. 428 00:20:22,930 --> 00:20:25,070 SEEMED LIKE THEY AND ELMO WAS TIGHT. 429 00:20:25,100 --> 00:20:28,070 YOU KNOW, UH, ELMO IS A BROKER. 430 00:20:28,100 --> 00:20:29,430 HE RENTS GUNS. 431 00:20:29,470 --> 00:20:32,410 THESE TWO CLOWNS WAS TALKING ABOUT GETTING ANOTHER PIECE, 432 00:20:32,440 --> 00:20:34,510 TAKING OFF A LIQUOR STORE. 433 00:20:37,510 --> 00:20:39,310 THERE'S YOUR ADVANCE. 434 00:20:39,340 --> 00:20:40,810 ALL RIGHT. 435 00:20:40,850 --> 00:20:43,760 THIS MEAN I GOT A SHOT AT THE BIG PRIZE? 436 00:20:43,780 --> 00:20:45,580 MAN'S GOT A RIGHT TO HOPE. 437 00:20:45,620 --> 00:20:48,760 WRITE YOUR NAME AND A CONTACT NUMBER. 438 00:20:48,790 --> 00:20:51,430 ELMO'S DAY JUST TOOK ONE UGLY TURN. 439 00:20:51,460 --> 00:20:53,430 YEAH, HE'S A REAL BEAUTY. 440 00:20:53,460 --> 00:20:56,170 DON'T RING A BELL? I'M GOING TO RING HIS BELL. 441 00:20:56,190 --> 00:20:58,490 HEY, HEY, BALDWIN, YOU GOT TO CALM DOWN. 442 00:20:58,530 --> 00:21:01,360 YOU KNOW, LEARN TO ROLL WITH THE PUNCHES. 443 00:21:01,400 --> 00:21:03,030 IS THAT SO? 444 00:21:03,070 --> 00:21:05,640 YEAH, TAKE IT FROM ME, PAL. 445 00:21:17,920 --> 00:21:21,060 DETECTIVE RUSSELL COULDN'T MAKE IT. 446 00:21:21,090 --> 00:21:23,030 OH. 447 00:21:23,050 --> 00:21:25,190 SO SHE PICKED YOU. 448 00:21:25,220 --> 00:21:27,890 YEAH, SHE ASKED ME TO COME SEE YOU. 449 00:21:27,930 --> 00:21:29,900 ONE OF MY CUSTOMARY STOPS HERE. 450 00:21:29,930 --> 00:21:31,960 YOU'D BE SURPRISED. DURING THE HOLIDAYS, 451 00:21:32,000 --> 00:21:34,040 THIS IS A MECCA OF INDUSTRIAL COMMUNION. 452 00:21:34,070 --> 00:21:35,710 I'M ASSUMING JUST A STOPGAP FOR YOU, 453 00:21:35,730 --> 00:21:37,170 WAITING ON YOUR TRIAL. 454 00:21:37,200 --> 00:21:39,500 IT'S SURPRISINGLY SATISFYING COMPLETING A SIMPLE TASK. 455 00:21:39,540 --> 00:21:42,650 I TRY NOT TO THINK ABOUT THE FUTURE. 456 00:21:42,670 --> 00:21:45,040 CAN WE JUST GET TO THE POINT? 457 00:21:45,080 --> 00:21:47,490 A QUALITY I ADMIRE IN OTHERS. 458 00:21:47,510 --> 00:21:50,880 SADLY, ONE OF MY OWN SHORTCOMINGS, 459 00:21:50,920 --> 00:21:52,990 WHICH I'LL NEVER WRITE IN MY PERSONAL INVENTORY. 460 00:21:53,020 --> 00:21:54,660 YOU TOLD DETECTIVE RUSSELL 461 00:21:54,690 --> 00:21:56,560 YOU WERE GOING TO TRY TO GET IN TOUCH 462 00:21:56,590 --> 00:21:58,050 WITH THIS LAUREN WHO WAS WATCHING 463 00:21:58,090 --> 00:21:59,560 JILL KIRKENDALL'S LITTLE BOY FRANK. 464 00:21:59,590 --> 00:22:00,990 LAUREN, RIGHT. 465 00:22:01,030 --> 00:22:04,170 HERE'S MY PITCH, DENBY. WE GOT COPS IN TROUBLE 466 00:22:04,200 --> 00:22:05,840 FOR SOMETHING THEY DIDN'T DO. 467 00:22:05,860 --> 00:22:07,700 YOU'RE A COP. YOU WERE A COP. 468 00:22:07,730 --> 00:22:09,730 I SHOULD DO THE RIGHT THING. 469 00:22:09,770 --> 00:22:13,330 THE PROBLEM IS I'M NOT SURE I CAN HELP YOU. 470 00:22:13,370 --> 00:22:14,770 AH. 471 00:22:16,580 --> 00:22:19,080 I COULDN'T TELL THIS TO DETECTIVE RUSSELL, 472 00:22:19,110 --> 00:22:22,010 BUT LAUREN HAPPENED TO WALK IN ON ME. 473 00:22:22,050 --> 00:22:25,690 I WAS THROWING A HUMP INTO HER TWIN SISTER WENDY. 474 00:22:25,720 --> 00:22:27,360 I SWEAR IT WAS MISTAKEN IDENTITY ‐‐ 475 00:22:27,390 --> 00:22:28,930 THE SISTER DECEIVING ME, 476 00:22:28,950 --> 00:22:31,050 ME TOO HIGH TO KNOW THE DIFFERENCE. 477 00:22:31,090 --> 00:22:32,250 IDENTICAL TWINS? 478 00:22:32,290 --> 00:22:34,690 MY MISTAKE WAS PROBABLY TAKING THE SITUATION 479 00:22:34,730 --> 00:22:37,200 AS AN OPPORTUNITY TO INVITE HER TO PARTICIPATE 480 00:22:37,230 --> 00:22:39,630 AS OPPOSED TO CLAIMING OUTRAGE AT THE DECEIT. 481 00:22:39,660 --> 00:22:41,630 YOU FIGURED, WHAT THE HELL? 482 00:22:41,670 --> 00:22:43,810 I AM, HOWEVER, ON BETTER TERMS 483 00:22:43,840 --> 00:22:45,210 WITH THE SISTER. 484 00:22:45,240 --> 00:22:47,210 A SIMPLE SOLUTION MIGHT BE USE HER, 485 00:22:47,240 --> 00:22:48,970 SAY IT'S THE REAL GIRL. 486 00:22:49,010 --> 00:22:50,980 NO ONE WOULD EVER KNOW THE DIFFERENCE. 487 00:22:51,010 --> 00:22:53,370 OR HOW ABOUT WE JUST STICK TO THE TRUTH? 488 00:22:53,410 --> 00:22:57,880 THAT'S ANOTHER WAY TO GO. 489 00:22:57,920 --> 00:23:00,730 AN ADDRESS ON WENDY AND PHONE NUMBER. 490 00:23:00,750 --> 00:23:02,720 I DON'T KNOW WHERE LAUREN IS. 491 00:23:02,750 --> 00:23:04,620 THANKS. 492 00:23:04,660 --> 00:23:06,500 SEND MY DEEPEST APOLOGIES TO DETECTIVE RUSSELL 493 00:23:06,520 --> 00:23:08,560 IF I MISINTERPRETED HER MOTIVES 494 00:23:08,590 --> 00:23:10,890 OR I WAS TOO FORWARD. SHE'S BEEN AGREEABLE 495 00:23:10,930 --> 00:23:12,560 TO MY NEGOTIATIONS IN THE PAST. 496 00:23:12,600 --> 00:23:14,140 WHAT DOES THAT MEAN? 497 00:23:14,170 --> 00:23:16,940 I'M SORRY. I SHOULDN'T KISS AND TELL. 498 00:23:28,110 --> 00:23:29,610 ONCE MORE, ELMO. 499 00:23:29,650 --> 00:23:31,750 TALL SKINNY GUY IN A BLACK LEATHER CAP 500 00:23:31,780 --> 00:23:33,250 NAMED BENNY AND HIS PORKY BUDDY. 501 00:23:33,280 --> 00:23:35,250 THAT STILL DON'T RING A BELL? 502 00:23:35,290 --> 00:23:38,100 NO, I DON'T KNOW NO ONE CALLED BENNY. 503 00:23:38,120 --> 00:23:41,020 YOU KNOW ABOUT A .357 THAT THESE GUYS USED 504 00:23:41,060 --> 00:23:44,260 TO SHOOT A CABBY LAST WEEK? 505 00:23:44,300 --> 00:23:47,270 YOU MUST HAVE THOUGHT I WAS KIDDING BACK THERE, ELMO. 506 00:23:47,300 --> 00:23:49,100 HOLDING OUT YOU'RE A CANDIDATE FOR A BEATING. 507 00:23:49,130 --> 00:23:51,470 COME ON, MAN. GET HIM OFF ME. 508 00:23:51,500 --> 00:23:53,270 I'M NOT HEARING NOTHING THAT'S GOING TO GET ME OFF YOU. 509 00:23:53,300 --> 00:23:55,770 WE KNOW WHERE THOSE BOYS GOT THAT .357. 510 00:23:55,810 --> 00:23:57,550 MAN, I CAN'T SAY NOTHING ABOUT THAT. 511 00:23:57,580 --> 00:23:59,550 IT WOULD BE WRONG. 512 00:23:59,580 --> 00:24:01,110 WRONG? WHAT, IT'S LIKE, UH, 513 00:24:01,150 --> 00:24:04,460 PRIVILEGED COMMUNICATION, A GUN DEALER AND HIS CLIENT? 514 00:24:04,480 --> 00:24:06,950 WRONG, LIKE IT'S THE PEOPLE'S RIGHT BEARING ARMS. 515 00:24:06,990 --> 00:24:11,800 WHOA. SO WE'RE TALKING ABOUT THE SECOND AMENDMENT. 516 00:24:11,820 --> 00:24:14,060 BIG WORLD OUT THERE, RIGHT, ELMO? 517 00:24:14,090 --> 00:24:16,390 FOLKS LIKE BENNY GOT A RECORD. 518 00:24:16,430 --> 00:24:18,470 THEY CAN'T JUST STROLL INTO SOME GUN SHOP 519 00:24:18,500 --> 00:24:20,810 AND COME OUT WITH A SHINY NEW GLOCK. 520 00:24:20,830 --> 00:24:22,800 NO, SIR. 521 00:24:22,830 --> 00:24:24,800 SO YOU PERFORM A PUBLIC SERVICE. 522 00:24:24,840 --> 00:24:29,080 HOW ABOUT WE REEL THIS BACK IN TO WHERE BENNY GOT THAT .357? 523 00:24:29,110 --> 00:24:31,920 MY MAN'S NAME IS LENNY, 524 00:24:31,940 --> 00:24:34,380 AND HE DID RENT THAT .357 OFF ME. 525 00:24:34,410 --> 00:24:36,650 WE ALREADY KNEW THAT, ELMO. 526 00:24:36,680 --> 00:24:38,310 I RENT THEM. 527 00:24:38,350 --> 00:24:40,320 WHAT PEOPLE DO WITH THEM AFTER, 528 00:24:40,350 --> 00:24:41,820 I GOT NO IDEA. 529 00:24:41,850 --> 00:24:44,490 NO, NO, THAT'S NOT ELMO'S PROBLEM. 530 00:24:44,520 --> 00:24:46,990 YOU RENT A CAR. LOOK, YOU DON'T KNOW 531 00:24:47,030 --> 00:24:50,340 THAT SOMEONE DECIDES TO DRIVE IT OFF SOME CLIFF. 532 00:24:50,360 --> 00:24:52,860 WELL, I'M IN THE RENTAL BUSINESS, TOO. 533 00:24:52,900 --> 00:24:54,570 YOU'RE AN ENTREPRENEUR. 534 00:24:54,600 --> 00:24:55,860 THAT'S IT. 535 00:24:55,900 --> 00:24:58,230 AND THAT'S HOW COME WE KNOW YOU TAKE A CUT 536 00:24:58,270 --> 00:25:00,740 OUT OF ANY MONEY GETS TAKEN IN WITH YOUR GUNS 537 00:25:00,770 --> 00:25:03,240 BY THOSE POOR FELONS THAT RUN AFOUL OF THE SYSTEM. 538 00:25:03,270 --> 00:25:05,510 AND FOR WHICH WE'RE GOING TO LOCK YOU UP 539 00:25:05,540 --> 00:25:08,280 UNLESS YOU START HELPING US NOW. 540 00:25:08,310 --> 00:25:11,910 LENNY, ELMO ‐‐ WRITE WHERE WE COULD FIND HIM. 541 00:25:18,660 --> 00:25:21,130 CAN I GO NOW? 542 00:25:21,160 --> 00:25:23,420 NO, I THINK MAYBE YOU WANT TO STICK AROUND, 543 00:25:23,460 --> 00:25:24,930 SEE HOW IT COMES OUT. 544 00:25:24,960 --> 00:25:26,460 CALL US MISTRUSTFUL, 545 00:25:26,500 --> 00:25:29,680 AND AFTER YOU'VE PROVED TO BE SO TRUSTWORTHY. 546 00:25:42,480 --> 00:25:45,150 GOT TO BE THE NEXT BUILDING. 547 00:25:46,850 --> 00:25:48,720 YO, WHAT'S UP? 548 00:25:48,750 --> 00:25:49,950 LENNY. 549 00:25:51,590 --> 00:25:54,290 LENNY, LENNY, HEY, HEY, HEY. WHAT'S YOUR HURRY, PAL? 550 00:25:54,330 --> 00:25:56,300 YOUR LEGS ARE MOVING FASTER THAN YOUR BRAIN. 551 00:25:56,330 --> 00:25:57,640 WHAT'S THIS ABOUT, MAN? 552 00:25:57,660 --> 00:25:59,560 DAMN, I JUST CAME FROM JAIL. 553 00:25:59,600 --> 00:26:01,730 YOU JUST COME FROM JAIL? JUST LEFT. 554 00:26:01,770 --> 00:26:04,310 GOT POPPED JUMPING A TURNSTILE TRYING TO GET UPTOWN. 555 00:26:04,340 --> 00:26:05,640 WHEN WAS THIS? 556 00:26:05,670 --> 00:26:06,640 LAST NIGHT. 557 00:26:06,670 --> 00:26:08,240 YOU WERE IN JAIL LAST NIGHT? 558 00:26:08,270 --> 00:26:10,340 THAT'S WHAT I JUST SAID. 559 00:26:11,840 --> 00:26:13,140 COME ON. 560 00:26:16,350 --> 00:26:17,660 YOU OKAY? 561 00:26:17,680 --> 00:26:19,280 I'M ALL RIGHT. 562 00:26:24,560 --> 00:26:26,330 MM‐HMM, YES. 563 00:26:26,360 --> 00:26:27,830 YES. 564 00:26:27,860 --> 00:26:29,830 NO, I'D BE HAPPY TO. 565 00:26:29,860 --> 00:26:31,960 HE'LL GET THE MESSAGE. 566 00:26:36,500 --> 00:26:39,600 DENBY, HE COULDN'T LOCATE THAT GIRL LAUREN. 567 00:26:39,640 --> 00:26:41,470 BEING SHE HATES HIS GUTS? 568 00:26:41,510 --> 00:26:44,120 BEST HE COULD DO WAS AN ADDRESS AND PHONE NUMBER 569 00:26:44,140 --> 00:26:45,610 FOR HER SISTER WENDY. 570 00:26:45,640 --> 00:26:48,780 HE ALSO SENT ALONG AN APOLOGY FOR YESTERDAY. 571 00:26:48,810 --> 00:26:51,950 DID YOU SEE DE SALVO? 572 00:26:51,980 --> 00:26:53,450 HEY, BOBBY WASN'T FRIENDS WITH THAT GUY? 573 00:26:53,480 --> 00:26:54,950 I THINK WHEN THEY WERE KIDS, 574 00:26:54,990 --> 00:26:56,860 BOBBY USED TO KEEP HIM FROM GETTING HIS ASS KICKED. 575 00:26:56,890 --> 00:26:59,020 THEN I COULD HAVE USED BOBBY THERE TODAY 576 00:26:59,060 --> 00:27:01,600 BECAUSE I WANTED TO KICK HIS ASS MYSELF. 577 00:27:03,230 --> 00:27:05,340 HE OFFERED TO HAVE DON WHACKED. 578 00:27:05,360 --> 00:27:07,360 I MOSTLY JUST LISTENED. 579 00:27:07,400 --> 00:27:11,030 DO YOU THINK IT WAS I. A. B., SEE IF WE TOOK THE BAIT? 580 00:27:11,070 --> 00:27:12,530 IT'S HARD TO SAY. 581 00:27:12,570 --> 00:27:14,540 THIS GUY, IT COULD HAVE BEEN FREELANCE. 582 00:27:14,570 --> 00:27:16,540 I'LL REACH OUT TO THIS WENDY, 583 00:27:16,580 --> 00:27:18,880 SEE IF SHE CAN PUT ME ONTO HER SISTER. 584 00:27:18,910 --> 00:27:21,310 I WOULDN'T USE DENBY AS A REFERENCE. 585 00:27:21,350 --> 00:27:23,390 MAYBE I'LL REACH OUT BASED ON MUTUAL ABUSE. 586 00:27:23,410 --> 00:27:25,750 WE COULD START AN "I HATE HARRY" CLUB. 587 00:27:29,350 --> 00:27:31,520 HI. 588 00:27:40,530 --> 00:27:42,930 WE PICKED UP THIS LENNY SHELTON. 589 00:27:42,970 --> 00:27:45,380 MINIMUM, HE'S WHO PROBABLY SHOT THAT CABBY IN MIDTOWN SOUTH. 590 00:27:45,400 --> 00:27:47,600 I'D LIKE TO HAVE MY CLOSER IN ON THAT INTERVIEW. 591 00:27:47,640 --> 00:27:49,500 ABSOLUTELY. WE GOT LENNY IN THE POKEY. 592 00:27:49,540 --> 00:27:51,840 YOU WANT, YOUR MAN CAN DO THE INTERVIEW HIMSELF. 593 00:27:51,880 --> 00:27:54,190 WE COULD COME IN BEHIND IF HE NEEDS HELP. 594 00:27:54,210 --> 00:27:55,910 IS THAT OKAY WITH YOU? 595 00:27:55,950 --> 00:27:57,890 LET US KNOW IF YOU NEED US. 596 00:28:06,420 --> 00:28:09,960 WHAT'S THAT ABOUT? 597 00:28:09,990 --> 00:28:12,430 THAT IS ABOUT... 598 00:28:12,460 --> 00:28:14,400 HOW LENNY DON'T MEAN DICK 599 00:28:14,430 --> 00:28:17,770 EXCEPT HE IS WHO SHOT THE CABBY IN MIDTOWN SOUTH. 600 00:28:17,800 --> 00:28:20,470 WHO IT'S NOT IS WHOEVER WHACKED THAT CABBY LAST NIGHT. 601 00:28:20,500 --> 00:28:23,100 NO. THE KEY TO THAT IS THIS SLEAZY BARTENDER 602 00:28:23,140 --> 00:28:24,640 WE GOT IN INTERVIEW THREE. 603 00:28:24,680 --> 00:28:26,720 HOW DO WE KNOW THAT? 604 00:28:26,750 --> 00:28:28,620 WE KNOW IT WASN'T LENNY WHO PULLED THE TRIGGER 605 00:28:28,650 --> 00:28:31,160 ON THAT .357 LAST NIGHT BECAUSE HE WAS IN THE SYSTEM. 606 00:28:31,180 --> 00:28:33,550 NO, LENNY ONLY RENTED THAT GUN FROM THIS ELMO 607 00:28:33,590 --> 00:28:36,060 THAT DON'T KNOW THE '70s ARE OVER, 608 00:28:36,090 --> 00:28:38,560 AND HE HAS BEEN LYING TO US 609 00:28:38,590 --> 00:28:41,090 EITHER DIRECTLY OR BY OMISSION ALL DAY. 610 00:28:48,800 --> 00:28:50,230 DETECTIVE SORENSON, 611 00:28:50,270 --> 00:28:52,570 FORMER A. D. A. COHEN RETURNING YOUR CALL. 612 00:28:52,600 --> 00:28:54,600 WE GOT THIS. 613 00:28:57,780 --> 00:28:59,250 YOU FIND LENNY? 614 00:28:59,280 --> 00:29:00,920 WE FOUND HIM. 615 00:29:00,950 --> 00:29:02,790 NOTHING PERSONAL, ELMO. 616 00:29:02,810 --> 00:29:04,910 WHAT WAS THAT FOR? 617 00:29:04,950 --> 00:29:07,080 JUST DOING MY JOB, YOU KNOW, YOU GIVING US INFORMATION 618 00:29:07,120 --> 00:29:08,920 IN DRIPS AND DRABS LIKE YOU BEEN, 619 00:29:08,950 --> 00:29:10,450 LYING BY OMISSION. 620 00:29:10,490 --> 00:29:12,350 YOU ASKED WHO I RENTED THAT GUN TO 621 00:29:12,390 --> 00:29:14,590 WHO SHOT THAT CABBY, I GAVE YOU LENNY. 622 00:29:14,630 --> 00:29:16,770 ELMO, I'M HAVING A GREAT DAY. 623 00:29:16,800 --> 00:29:18,270 PLEASE DON'T MESS IT UP. 624 00:29:18,300 --> 00:29:20,270 YOU KNOW THE SAYING, "FOOL ME ONCE"? 625 00:29:20,300 --> 00:29:23,630 WHO DID YOU RENT THAT GUN TO LAST, ELMO? 626 00:29:27,310 --> 00:29:28,780 LAST CHANCE. 627 00:29:28,810 --> 00:29:32,320 A LITTLE JAIL TIME WILL DO WONDERS WIDENING UP 628 00:29:32,340 --> 00:29:35,040 THAT BIG WORLD VIEW OF YOURS EVEN MORE. 629 00:29:35,080 --> 00:29:37,610 NO, MAN, I CAN'T BE GOING TO NO JAIL. 630 00:29:37,650 --> 00:29:40,650 WHAT ABOUT MY BAR? I GOT NO ONE TO WATCH IT. 631 00:29:40,690 --> 00:29:42,130 WE'LL PADLOCK IT. 632 00:29:42,150 --> 00:29:45,120 YOU CAN OPEN IT BACK UP IN THREE TO FIVE. 633 00:29:45,160 --> 00:29:46,300 FIVE DAYS? 634 00:29:46,320 --> 00:29:47,790 CHECK ELMO, MR. POSITIVE THINKING. 635 00:29:47,830 --> 00:29:49,300 THREE TO FIVE YEARS, NITWIT. 636 00:29:49,330 --> 00:29:52,640 OKAY, LISTEN... 637 00:29:52,660 --> 00:29:55,130 I DIDN'T WANT TO CROSS THIS WACK JOB. 638 00:29:55,170 --> 00:29:56,710 HIS NAME IS HECTOR, 639 00:29:56,740 --> 00:29:59,710 ONE OF THEM BUTT‐CRAZY NICARAGUA CONTRA CATS 640 00:29:59,740 --> 00:30:01,470 TRAINED FOR COMBAT. 641 00:30:01,510 --> 00:30:03,550 I RENTED HIM THAT .357 YESTERDAY. 642 00:30:03,580 --> 00:30:05,680 WHERE ARE WE GOING TO FIND THIS HECTOR? 643 00:30:05,710 --> 00:30:09,240 HE'S SUPPOSED TO BRING IT BACK BY THE BAR IN AN HOUR. 644 00:30:09,280 --> 00:30:12,180 TELL YOU WHAT, ELMO. 645 00:30:12,220 --> 00:30:13,730 BEING YOU'VE BEEN SO DAMN COOPERATIVE, 646 00:30:13,750 --> 00:30:15,550 WE'RE GOING TO OFFER YOU THE OPPORTUNITY 647 00:30:15,590 --> 00:30:17,000 TO HELP YOURSELF. 648 00:30:17,020 --> 00:30:18,550 HELP MYSELF? 649 00:30:18,590 --> 00:30:20,890 I DON'T LIKE THE SOUND OF THAT. 650 00:30:34,710 --> 00:30:37,120 WAIT ALL DAY IN COURT TO TESTIFY 651 00:30:37,140 --> 00:30:38,610 AND NEVER GET CALLED 652 00:30:38,640 --> 00:30:42,080 AND THEN YESTERDAY AT I. A. B. 653 00:30:42,110 --> 00:30:45,180 YOU PROBABLY FORGOT YOU EVEN HAD A PARTNER. 654 00:30:45,220 --> 00:30:48,360 YOU'RE KIND OF UNFORGETTABLE, GREG. 655 00:30:48,390 --> 00:30:51,200 ELMO, SAY HI TO CAPTAIN BASS OUT IN THE VAN. 656 00:30:51,220 --> 00:30:54,190 YO, CAPTAIN, I'D JUST LIKE TO SAY 657 00:30:54,230 --> 00:30:56,700 THIS IS MOST VERY IRRESPONSIBLE. 658 00:30:56,730 --> 00:30:59,600 SO THIS HECTOR, IS HE USUALLY EARLY OR LATE? 659 00:30:59,630 --> 00:31:01,530 MAN, I HARDLY KNOW THE CAT. 660 00:31:01,570 --> 00:31:03,040 TIME BEFORE, HE WAS PUNCTUAL. 661 00:31:03,070 --> 00:31:06,910 JUST MIGHT PISS MY PANTS BEFORE IT'S DONE. 662 00:31:09,740 --> 00:31:12,110 YO, HECTOR. 663 00:31:12,140 --> 00:31:14,140 WHAT'S UP, MAN? 664 00:31:15,780 --> 00:31:17,950 GET YOU A DRINK? 665 00:31:17,980 --> 00:31:20,650 WHAT, YOU THINK I'M SOME KIND OF HOMO? 666 00:31:20,690 --> 00:31:22,460 MAYBE HE LIKES BLONDS, HUH? 667 00:31:22,490 --> 00:31:24,460 I JUST DON'T FEEL LIKE CHATTING IS ALL. 668 00:31:24,490 --> 00:31:26,890 SO WHAT CAN I GET FOR YOU, MAN? 669 00:31:26,930 --> 00:31:29,430 GIN. 670 00:31:36,430 --> 00:31:38,330 YOU GOT SOMETHING FOR ME? 671 00:31:44,610 --> 00:31:47,410 KEEP MY DEPOSIT. 672 00:31:47,450 --> 00:31:50,290 I'M GOING TO NEED IT ANOTHER DAY. 673 00:31:52,350 --> 00:31:54,580 FREEZE! 674 00:31:54,620 --> 00:31:56,650 GET DOWN! YOU, GET DOWN! 675 00:31:56,690 --> 00:31:57,650 GET DOWN! 676 00:31:57,690 --> 00:31:58,590 WHAT? 677 00:31:58,620 --> 00:32:00,090 Elmo: DAMN! 678 00:32:00,120 --> 00:32:02,420 GREG, GET AN AMBULANCE FOR THIS GUY. 679 00:32:02,460 --> 00:32:03,990 WE GET ANYONE SHOT? 680 00:32:04,030 --> 00:32:05,660 YEAH, WE GOT ONE PERP DOWN. 681 00:32:05,700 --> 00:32:07,340 LET'S GET CRIME SCENE 682 00:32:07,370 --> 00:32:09,370 AND THE SHOOTING TEAM DOWN HERE. 683 00:32:09,400 --> 00:32:12,030 15th SQUAD TO CENTRAL, HAVE AN AMBULANCE RESPOND 684 00:32:12,070 --> 00:32:13,670 TO ELMO'S BAR. 685 00:32:13,710 --> 00:32:15,180 YOU OKAY, ANDY? 686 00:32:15,210 --> 00:32:17,180 ABSOLUTELY. 687 00:32:26,690 --> 00:32:29,660 YOU LAUREN SKY? 688 00:32:29,690 --> 00:32:31,290 WHY? WHAT DO YOU WANT? 689 00:32:31,320 --> 00:32:33,620 OH, MAN. 690 00:32:33,660 --> 00:32:36,660 NO, NO. 691 00:32:38,330 --> 00:32:40,460 WHY ARE YOU HASSLING ME? 692 00:32:40,500 --> 00:32:42,730 I TALKED WITH YOUR SISTER. SHE GAVE ME YOUR ADDRESS. 693 00:32:42,770 --> 00:32:43,910 I'M NOT HERE TO HASSLE YOU. 694 00:32:43,940 --> 00:32:45,480 THEN WHY ARE YOU HERE? 695 00:32:45,500 --> 00:32:46,970 JILL KIRKENDALL WAS MY PARTNER. 696 00:32:47,010 --> 00:32:49,150 THAT WAS HER SON YOU WERE WATCHING UPSTATE 697 00:32:49,170 --> 00:32:50,640 IN CANANDAIGUA. 698 00:32:50,680 --> 00:32:53,080 WHAT? JILL WHO? 699 00:32:53,110 --> 00:32:54,810 JILL KIRKENDALL. 700 00:32:54,850 --> 00:32:56,660 THAT WAS HER SCUMBAG EX‐HUSBAND DON 701 00:32:56,680 --> 00:32:58,210 IN BUSINESS WITH HARRY DENBY ‐‐ 702 00:32:58,250 --> 00:33:00,380 BLEACHED HAIR, BIG TEETH. 703 00:33:00,420 --> 00:33:02,380 DENBY? SCREW HIM. YOU FRIENDS WITH DENBY? 704 00:33:02,420 --> 00:33:04,650 YEAH, SCREW DENBY. I'M NOT A FRIEND OF HIS. 705 00:33:04,690 --> 00:33:06,990 BECAUSE IF HE'S BANGING YOU, LET ME TELL YOU ‐‐ 706 00:33:07,030 --> 00:33:08,400 YOU WANT TO GET BACK AT DENBY? 707 00:33:08,430 --> 00:33:10,840 I NEED YOU TO TELL SOME PEOPLE WHAT WAS GOING ON UPSTATE. 708 00:33:10,860 --> 00:33:12,990 WHAT PEOPLE, COPS? 709 00:33:13,030 --> 00:33:15,330 NO ONE'S LOOKING TO JAM YOU UP. 710 00:33:15,370 --> 00:33:16,740 SURE, I HEARD THAT ONE. 711 00:33:16,770 --> 00:33:18,730 I NEED YOU TO TELL THESE PEOPLE HOW DENBY AND DON 712 00:33:18,770 --> 00:33:20,670 WERE KEEPING MY PARTNER'S SON IN THAT HOUSE 713 00:33:20,710 --> 00:33:22,080 AND HOW THEY TOLD HER THEY'D KILL HIM 714 00:33:22,110 --> 00:33:23,450 IF SHE DIDN'T HELP THEM GET AWAY. 715 00:33:23,470 --> 00:33:25,440 AND WHAT IF I DON'T? 716 00:33:25,480 --> 00:33:27,920 THEN I TAKE YOU IN AS A MATERIAL WITNESS, 717 00:33:27,950 --> 00:33:29,560 MEANTIME CHECK FOR OUTSTANDING WARRANTS, 718 00:33:29,580 --> 00:33:31,680 AND WHILE YOU SPEND THE NIGHT IN JAIL, 719 00:33:31,720 --> 00:33:33,190 WE TOSS YOUR PLACE. 720 00:33:33,220 --> 00:33:35,260 YOU DON'T HAVE TO DO THAT. 721 00:33:35,290 --> 00:33:39,200 SO, ABOUT MY PARTNER'S SON. 722 00:33:39,220 --> 00:33:42,520 I REMEMBER SOMETHING ABOUT A KID IN THE HOUSE. 723 00:33:42,560 --> 00:33:44,530 DID YOU SAY IT WAS A BOY? 724 00:33:44,560 --> 00:33:46,190 FRANK, ABOUT 11. 725 00:33:46,230 --> 00:33:47,700 RING ANY BELLS? 726 00:33:47,730 --> 00:33:50,530 MY MEMORY'S NOT SO GOOD, 727 00:33:50,570 --> 00:33:53,030 BUT I COULD SAY ANYTHING YOU WANT 728 00:33:53,070 --> 00:33:54,470 FOR 100 BUCKS. 729 00:33:54,510 --> 00:33:56,280 AND YOU DON'T REMEMBER THEM CALLING YOU UP 730 00:33:56,310 --> 00:33:58,120 TELLING YOU NOT TO LET THAT BOY GO 731 00:33:58,140 --> 00:33:59,610 UNTIL THEY SAID IT WAS OKAY? 732 00:33:59,640 --> 00:34:02,240 THAT'S WHAT YOU WANT ME TO SAY, I'LL SAY THAT. 733 00:34:02,280 --> 00:34:04,480 LOOK, DO YOU REMEMBER OR NOT? 734 00:34:04,520 --> 00:34:07,960 HARRY BROUGHT UP SOME AMAZING STUFF. 735 00:34:07,990 --> 00:34:10,460 I WAS SO LOADED THAT WEEK. 736 00:34:10,490 --> 00:34:12,790 THE WHOLE THING'S A BLUR. 737 00:34:20,030 --> 00:34:21,960 HEY, KATIE, IT'S ME, YEAH. 738 00:34:22,000 --> 00:34:24,270 CAN I SAY HI TO HIM? 739 00:34:26,000 --> 00:34:28,970 HEY, HEY, SQUIRT, HOW ARE YOU FEELING? 740 00:34:29,010 --> 00:34:31,750 YEAH? HOW WAS SCHOOL? 741 00:34:31,780 --> 00:34:34,250 WELL, DADDY WILL SEE YOU REAL SOON. YEAH. 742 00:34:34,280 --> 00:34:36,580 WE CAN READ OUR CHAPTER BOOK. 743 00:34:36,620 --> 00:34:38,590 AND I WAS COMPLAINING 744 00:34:38,620 --> 00:34:41,090 ABOUT HOW BORING SQUAD WORK IS. 745 00:34:41,120 --> 00:34:44,320 THAT WAS ENOUGH EXCITEMENT FOR A YEAR. 746 00:34:44,360 --> 00:34:46,130 YEAH, OKAY, BYE‐BYE. 747 00:34:49,130 --> 00:34:50,270 HEY. 748 00:34:50,290 --> 00:34:52,260 HEY, GOOD THING THAT GUY MISSED. 749 00:34:52,300 --> 00:34:54,240 I KIND OF LIKE YOU LIKE THIS. 750 00:34:57,900 --> 00:35:00,340 BALLISTICS MATCHED THAT .357 WITH YOUR CASE. 751 00:35:00,370 --> 00:35:01,940 YEAH, I FIGURED THAT. 752 00:35:01,970 --> 00:35:03,370 WE'RE GOING TO MOVE BACK DOWN 753 00:35:03,410 --> 00:35:04,680 TO THE BOROUGH WITH THIS THING. 754 00:35:04,710 --> 00:35:06,110 I GUESS THAT BREAKS YOUR HEART. 755 00:35:06,140 --> 00:35:07,840 NO, IT'S BEEN FUN HAVING YOU. 756 00:35:10,050 --> 00:35:11,550 GOOD NIGHT. 757 00:35:11,580 --> 00:35:13,850 GOOD NIGHT, BOSS. 758 00:35:16,560 --> 00:35:19,530 THANKS FOR THE USE OF YOUR OFFICE. 759 00:35:19,560 --> 00:35:21,020 SURE. 760 00:35:38,680 --> 00:35:40,090 COHEN. 761 00:35:42,850 --> 00:35:45,320 THE GIRL, THAT'S A DEAD END. 762 00:35:45,350 --> 00:35:46,820 YOU TALKED TO HER? 763 00:35:46,850 --> 00:35:48,480 SHE WAS SO STONED, 764 00:35:48,520 --> 00:35:50,150 SHE HARDLY REMEMBERS BEING UPSTATE. 765 00:35:50,190 --> 00:35:52,550 SHE VAGUELY REMEMBERS FRANK BEING THERE, 766 00:35:52,590 --> 00:35:54,490 BUT SHE COULDN'T SAY ONE WAY OR THE OTHER 767 00:35:54,530 --> 00:35:55,900 IF THEY WERE KEEPING HIM. 768 00:35:55,930 --> 00:35:58,840 LOOK, D. A. HAS ENOUGH TO THROW AT THE GRAND JURY, 769 00:35:58,860 --> 00:36:00,660 FIGURE LET THE COURT SORT IT OUT. 770 00:36:00,700 --> 00:36:02,500 SO WE GET INDICTED. 771 00:36:02,530 --> 00:36:03,870 WE'VE GOT TO HOPE IT DOESN'T COME TO THAT. 772 00:36:03,900 --> 00:36:06,900 WE'D NEVER GET CONVICTED. HAVE WE GOT A CASE? SURE ‐‐ 773 00:36:06,940 --> 00:36:09,670 COPS' CREDIBILITY AGAINST A SCUMBAG LIKE DON, 774 00:36:09,710 --> 00:36:11,070 BUT YOU NEVER KNOW ABOUT A JURY. 775 00:36:11,110 --> 00:36:13,370 MAYBE THREE YEARS AGO IT WOULD HAVE BEEN A SLAM DUNK, 776 00:36:13,410 --> 00:36:15,580 BUT AFTER CENTRAL PARK ‐‐ 777 00:36:15,610 --> 00:36:18,080 EVEN IF WE DO GET AN ACQUITTAL, 778 00:36:18,120 --> 00:36:19,590 THERE'S PROFOUND CAREER DAMAGE 779 00:36:19,620 --> 00:36:21,020 PLUS THE DEPARTMENTAL TRIAL. 780 00:36:21,050 --> 00:36:22,880 AND THIS IS WHAT I. A. B. WANTS? 781 00:36:22,920 --> 00:36:24,190 IT COULD BE OUT OF THEIR HANDS. 782 00:36:24,220 --> 00:36:25,550 LOOK, YOU NEED SOMETHING 783 00:36:25,590 --> 00:36:29,360 TO PROVE YOUR STORY'S RIGHT AND DON'S IS WRONG. 784 00:36:29,390 --> 00:36:31,890 UNBELIEVABLE. 785 00:36:45,580 --> 00:36:49,150 HEY, I'M REALLY HAPPY FOR YOU, ANDY. 786 00:36:50,750 --> 00:36:53,750 IT'S GOING TO BE ALL RIGHT, DANNY. 787 00:37:24,150 --> 00:37:26,650 THAT WAS REAL GOOD, MARY. 788 00:37:26,690 --> 00:37:29,160 YOU ALWAYS MAKE A GOOD MEAL. 789 00:37:29,190 --> 00:37:31,460 YEAH, THANKS. 790 00:37:33,290 --> 00:37:35,520 SORRY I SEEM PREOCCUPIED. 791 00:37:35,560 --> 00:37:37,990 GUESS YOU GOT A LOT ON YOUR MIND. 792 00:37:41,970 --> 00:37:44,140 HOW'S IT GOING WITH I. A. B.? 793 00:37:44,170 --> 00:37:46,100 MARY, YOU DON'T WANT TO GET TOO INVOLVED. 794 00:37:46,140 --> 00:37:47,780 THEY COULD COME LOOKING TO TALK TO YOU, 795 00:37:47,810 --> 00:37:49,780 AND YOU'D WANT TO BE HONEST 796 00:37:49,810 --> 00:37:51,940 SAYING YOU DON'T KNOW NOTHING ABOUT ALL THAT. 797 00:37:51,980 --> 00:37:54,550 I'M NOT SNITCHING FOR THE RAT SQUAD, DANNY. 798 00:37:54,580 --> 00:37:58,180 I'M JUST TRYING TO BE A PART OF YOUR LIFE. 799 00:37:58,220 --> 00:38:00,190 I KNOW. 800 00:38:00,220 --> 00:38:02,720 I APPRECIATE THAT. 801 00:38:11,260 --> 00:38:15,730 I MEAN, IF WE CAN'T BE IN EACH OTHER'S LIVES ‐‐ 802 00:38:15,770 --> 00:38:17,710 [ PAGER BEEPS ] 803 00:38:17,740 --> 00:38:18,810 WHAT'S THAT? 804 00:38:18,840 --> 00:38:20,210 911 FROM RIKERS. 805 00:38:20,240 --> 00:38:23,200 IT'S THIS RAY DE SALVO I SAW BEFORE. 806 00:38:23,240 --> 00:38:26,140 LISTEN, MARY, I GOT TO GO CHECK THIS OUT. 807 00:38:26,180 --> 00:38:28,350 NOW? 8:00? 808 00:38:28,380 --> 00:38:31,310 LOOK, I GOT TO GO DEAL WITH THIS. I'M SORRY. 809 00:38:31,350 --> 00:38:33,010 WHEN ARE YOU COMING BACK? 810 00:38:33,050 --> 00:38:35,580 I DON'T KNOW. 811 00:38:35,620 --> 00:38:38,320 YOU MIGHT WANT TO GO HOME, 812 00:38:38,360 --> 00:38:40,030 WHATEVER YOU WANT. 813 00:38:58,810 --> 00:39:01,840 SO, DON KIRKENDALL IS DEAD. 814 00:39:01,880 --> 00:39:03,210 DING‐DONG. 815 00:39:03,250 --> 00:39:04,760 YEAH, HUH? 816 00:39:04,780 --> 00:39:06,920 IT SHOULD MAKE YOU HAPPIER THAN YOU LOOK. 817 00:39:06,950 --> 00:39:08,580 WHAT'S THIS ABOUT, DE SALVO? 818 00:39:08,620 --> 00:39:10,190 WHAT'S IT ABOUT? 819 00:39:10,220 --> 00:39:12,690 IT'S ABOUT OUR LITTLE CONVERSATION FROM BEFORE. 820 00:39:12,720 --> 00:39:14,860 IT'S ABOUT HOW I DONE MY PART. 821 00:39:14,890 --> 00:39:16,630 YOU DID WHAT PART? 822 00:39:16,660 --> 00:39:18,930 I TOOK CARE OF HIM. 823 00:39:18,960 --> 00:39:21,530 YOU TOOK CARE OF HIM HOW? 824 00:39:21,570 --> 00:39:22,910 HEY... 825 00:39:24,400 --> 00:39:26,370 I CAN'T SAY MORE THAN THAT. 826 00:39:26,400 --> 00:39:27,900 YOU'RE DAMN RIGHT YOU CAN'T 827 00:39:27,940 --> 00:39:30,370 BECAUSE DON KIRKENDALL GOT SHANKED IN THE SHOWER 828 00:39:30,410 --> 00:39:32,370 BY THOSE COLOMBIANS HE RIPPED OFF. 829 00:39:32,410 --> 00:39:34,410 YOU DIDN'T HAVE DICK TO DO WITH IT. 830 00:39:34,450 --> 00:39:36,920 WHO'S YOUR NEWS SERVICE, YOU'RE SO SURE? 831 00:39:36,950 --> 00:39:39,650 I CAME HERE PASSING A WHOLE GAUNTLET 832 00:39:39,680 --> 00:39:41,050 OF CORRECTIONS OFFICERS, YOU PRICK. 833 00:39:41,090 --> 00:39:42,930 YOU DON'T THINK I HEARD WHAT WENT DOWN? 834 00:39:42,950 --> 00:39:45,120 PROBABLY YOU CALLED DIANE TO START WITH 835 00:39:45,160 --> 00:39:47,570 AFTER HEARING THE COLOMBIANS WERE PLANNING A MOVE ON DON, 836 00:39:47,590 --> 00:39:49,490 AND YOU THOUGHT YOU'D GET OUT IN FRONT OF IT. 837 00:39:49,530 --> 00:39:51,240 CAREFUL CALLING ME A PRICK, DANNY, 838 00:39:51,260 --> 00:39:53,230 BECAUSE YOU AND ME, WE TALKED BEFORE, 839 00:39:53,260 --> 00:39:55,630 AND I'M PREPARED TO TELL THOSE INTERNAL AFFAIRS GUYS 840 00:39:55,670 --> 00:39:57,140 ALL ABOUT IT. 841 00:39:57,170 --> 00:39:58,500 HOW ABOUT I TAPED 842 00:39:58,540 --> 00:40:00,250 OUR LITTLE CONVERSATION BEFORE WITH THIS 843 00:40:00,270 --> 00:40:02,900 LIKE I'VE BEEN TAPING OUR CONVERSATION NOW, 844 00:40:02,940 --> 00:40:05,140 YOU WEASELY LITTLE SCUMBAG. 845 00:40:05,180 --> 00:40:06,920 YOU THINK WE'RE STUPID? 846 00:40:06,950 --> 00:40:08,820 AFTER YOU RAN THAT I.A.B. NUMBER ON BOBBY SIMONE, 847 00:40:08,850 --> 00:40:10,690 WE WOULDN'T FIGURE YOU TO TRY IT AGAIN? 848 00:40:10,720 --> 00:40:12,320 NO, DANNY, YOU GOT THAT WRONG. 849 00:40:12,350 --> 00:40:13,780 BOBBY SIMONE WAS MY FRIEND. 850 00:40:15,350 --> 00:40:17,320 I WOULDN'T BE HOLDING OUT MUCH HOPE 851 00:40:17,360 --> 00:40:18,830 FOR YOU KNOCKING TIME OFF YOUR SENTENCE, RAY. 852 00:40:18,860 --> 00:40:21,670 I'D BE WORKING TO FIND MORE WAYS TO PASS THE TIME. 853 00:40:21,690 --> 00:40:24,960 OH, LOOK, DON'T GO LIKE THAT. 854 00:40:25,000 --> 00:40:27,010 ON THE GATE. 855 00:40:27,030 --> 00:40:29,460 LOOK, I WAS JUST RUNNING MY MOUTH. 856 00:40:29,500 --> 00:40:31,630 IT ALL WORKED OUT, RIGHT? 857 00:40:37,810 --> 00:40:40,180 HI, DANNY. 858 00:40:40,210 --> 00:40:41,780 DON KIRKENDALL'S DEAD. 859 00:40:41,810 --> 00:40:43,950 HE GOT SHANKED IN THE SHOWER. 860 00:40:43,980 --> 00:40:45,850 I HEARD. LEO TALKED TO MARTENZ. 861 00:40:45,880 --> 00:40:47,550 WE'RE OFF THE HOOK. 862 00:40:47,590 --> 00:40:49,730 SO IT'S NO DON, IT'S NO CASE. 863 00:40:49,750 --> 00:40:51,950 MARTENZ SAYS THE BOOKS ARE CLOSED. 864 00:40:51,990 --> 00:40:53,620 DON'S DEAD, CASE FALLS APART. 865 00:40:53,660 --> 00:40:55,560 YOU KNOW, THIS PROBABLY MEANS 866 00:40:55,590 --> 00:40:58,460 THAT DENBY GETS A WALK, TOO. 867 00:40:58,500 --> 00:41:01,370 THAT IS ONE DARK CLOUD ON A SILVER LINING, HUH? 868 00:41:01,400 --> 00:41:02,900 YEAH, TALK ABOUT NINE LIVES. 869 00:41:06,070 --> 00:41:08,540 IT'S GOING TO BE TOUGH ON JILL. 870 00:41:08,570 --> 00:41:10,840 JILL'S BETTER OFF WITH THAT JERK DEAD. 871 00:41:10,880 --> 00:41:12,380 I GUESS THAT'S RIGHT. 872 00:41:15,850 --> 00:41:18,160 AM I KEEPING YOU FROM SOMETHING? 873 00:41:18,180 --> 00:41:21,380 I'D RATHER BE HERE. 874 00:41:21,420 --> 00:41:24,220 THEN BE HERE. 875 00:42:37,600 --> 00:42:39,070 DADDY... 876 00:42:39,100 --> 00:42:40,570 SHH. 877 00:42:40,600 --> 00:42:43,060 IS IT TIME TO GO TO SCHOOL? 878 00:42:43,100 --> 00:42:44,400 NO. 879 00:42:44,440 --> 00:42:47,180 THEN WHY DID YOU WAKE ME? 880 00:42:47,210 --> 00:42:51,650 I JUST WANTED TO GIVE YOU A HUG. 881 00:42:57,520 --> 00:42:59,490 OKAY. 882 00:42:59,520 --> 00:43:01,490 I LOVE YOU, SON. 883 00:43:01,520 --> 00:43:04,020 I LOVE YOU, TOO, DADDY. 884 00:43:10,860 --> 00:43:12,490 I'M TIRED NOW. 885 00:43:12,530 --> 00:43:14,460 GO BACK TO SLEEP. 62492

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