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1
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[HIP HOP MUSIC PLAYING]
2
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IS THAT HIM?
3
00:00:24,692 --> 00:00:27,228
WALTER SHERMAN.
4
00:00:28,962 --> 00:00:33,534
HE 100% WHITE BOY. LOOK AT HOW HE DANCE.
5
00:00:33,567 --> 00:00:34,402
YES, 100%.
6
00:00:34,435 --> 00:00:36,904
BUT HE COMES HIGHLY RECOMMENDED.
7
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IT'S, UH, ALMOST TIME.
8
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[MUSIC STOPS]
9
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[INDISTINCT CHATTER]
10
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MR. SHERMAN!
11
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HEY, FOOL, SHE MEAN COME OVER HERE.
12
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RIGHT.
13
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OH. HUH.
14
00:01:01,995 --> 00:01:03,264
THAT'S ONE HELL OF A PARTY.
15
00:01:03,297 --> 00:01:06,300
THANK YOU FOR INVITING ME, BIG GLADE.
16
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I'M SORRY,
DO I-- DO I CALL YOU "BIG" OR "MR. GLADE"?
17
00:01:09,703 --> 00:01:11,472
CALL ME "GLADE."
18
00:01:11,505 --> 00:01:13,641
MY LAWYER HERE SAYS YOU CAN
STRAIGHT UP FIND ANYTHING.
19
00:01:13,674 --> 00:01:16,110
WELL, IF I WANT TO. I DON'T ALWAYS WANT TO.
20
00:01:16,144 --> 00:01:19,180
I NEED YOU TO LISTEN TO SOMETHING.
21
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PLAY THAT THING.
22
00:01:21,182 --> 00:01:23,184
Man: AS PROMISED,
23
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ONE OF THE NEWLY FOUND
UNRELEASED EXCLUSIVE TRACKS
24
00:01:25,986 --> 00:01:29,323
FROM THE LATE, GREAT J-STRYKE.
25
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I CAN'T TELL YOU WHERE I GOT IT,
26
00:01:31,192 --> 00:01:34,027
BUT I CAN TELL YOU THAT
OVER THE NEXT 4 DAYS,
27
00:01:34,061 --> 00:01:36,697
YOU ARE GOING TO HEAR MORE FROM J-STRYKE
28
00:01:36,730 --> 00:01:39,133
BEYOND THE GRAVE.
29
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WHY IN 4 DAYS?
30
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BECAUSE IN 4 DAYS,
31
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IT'LL BE 10 YEARS SINCE
J-STRYKE WAS MURDERED.
32
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REAL MUSIC IS STILL WHAT YOU WANT,
33
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SO HERE'S A LITTLE TASTE.
34
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[MUSIC GETS LOUDER]
35
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[PEOPLE GASPING]
36
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[SCREAMS]
37
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WOW.
38
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YOU REALLY HATE URBAN BEATS.
39
00:02:03,291 --> 00:02:06,327
I INVENTED URBAN BEATS.
40
00:02:07,695 --> 00:02:10,431
WHAT YOU HEARD BEFORE GLADE SHOT
A PERFECTLY GOOD PAIR OF SPEAKERS
41
00:02:10,464 --> 00:02:13,567
IS A LONG-LOST TRACK BY J-STRYKE.
42
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HE DIED 10 YEARS AGO AT THE AGE OF 19.
43
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OR DID HE?
44
00:02:17,305 --> 00:02:18,606
WHAT'D HE SAY?
45
00:02:18,639 --> 00:02:20,508
THOSE TRACKS ARE THE PROPERTY
OF GANGSTA GLADE RECORDS.
46
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THAT'S ME, GANGSTA GLADE.
47
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J-STRYKE WAS SIGNED TO GANGSTA
GLADE AT THE TIME OF HIS DEATH.
48
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THAT TRACK AND THE
PROCEEDS FROM IT ARE MINE.
49
00:02:29,049 --> 00:02:31,084
YOU FIND THAT TRACK AND ANY OTHERS
50
00:02:31,118 --> 00:02:32,853
BEFORE THEY LEAK OUT OVER THE INTERNET.
51
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NOT INTERESTED.
52
00:02:34,021 --> 00:02:35,923
DID HE JUST DENY ME?
53
00:02:35,956 --> 00:02:38,692
BECAUSE I DON'T GET DENIED,
NOT IN MY OWN HOUSE.
54
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DON'T TAKE IT PERSONALLY.
I'M JUST NOT INTERESTED.
55
00:02:41,195 --> 00:02:43,331
MR. SHERMAN, WE WILL PAY YOU WELL.
56
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WHY DON'T YOU JUST PAY OFF THE PIRATE?
57
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THE PIRATE?
THAT'S WHY WE GOT YOU, TO FIND THE PIRATE.
58
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HE'S TOUCHED IN HIS HEAD, MAN.
59
00:02:49,537 --> 00:02:51,305
LOOK. I CAN FIND THINGS IF I'M INTERESTED.
60
00:02:51,339 --> 00:02:53,874
BUT IF I'M NOT MOTIVATED, MEH.
61
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MR. SHERMAN...
62
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WOULD IT MOTIVATE YOU
63
00:02:57,678 --> 00:03:01,449
IF I TOLD YOU THAT I
KNOW LEO KNOX PERSONALLY?
64
00:03:01,482 --> 00:03:02,883
IF THAT WERE TRUE, THEN HOW COME YOU
65
00:03:02,916 --> 00:03:04,952
DIDN'T COME SEE US AT THE ENDS OF THE EARTH?
66
00:03:04,985 --> 00:03:08,456
BECAUSE THE LAST TIME THAT
LEO AND I...INTERFACED,
67
00:03:08,489 --> 00:03:10,591
HE WAS MARRIED. IT WAS BAD TIMING.
68
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SO YOU WANT TO KICK THE LEO CAN
69
00:03:13,327 --> 00:03:16,630
AND YOU WANT TO USE ME TO DO IT?
70
00:03:16,664 --> 00:03:18,198
YES.
71
00:03:21,201 --> 00:03:22,336
OH, I'M IN.
72
00:03:22,370 --> 00:03:23,971
I'LL HOOK YOU UP WITH LEO.
73
00:03:24,004 --> 00:03:26,540
ENOUGH ABOUT HER LOVE LIFE, MAN.
FIND THE TRACKS.
74
00:03:26,574 --> 00:03:28,309
YEAH, YEAH, YEAH, I'LL FIND J-STRYKE.
75
00:03:28,342 --> 00:03:30,010
J-STRYKE IS DEAD.
76
00:03:30,043 --> 00:03:31,279
I DON'T THINK SO.
77
00:03:31,312 --> 00:03:33,314
SEE, THAT CLIP FEATURED A DTK-7000 KEYBOARD.
78
00:03:33,347 --> 00:03:35,549
THAT DIDN'T EXIST 10 YEARS AGO.
79
00:03:35,583 --> 00:03:38,018
HOW COME A PRODUCER LIKE
YOU DIDN'T HEAR THAT?
80
00:03:38,051 --> 00:03:38,986
FOOL, I HEARD THE DTK.
81
00:03:39,019 --> 00:03:41,522
J-STRYKE WAS SAMPLED,
PROBABLY BY THE PIRATE.
82
00:03:41,555 --> 00:03:42,956
THAT DOESN'T MEAN HE'S STILL ALIVE.
83
00:03:42,990 --> 00:03:45,426
NEXT YOU'RE GONNA TELL
US WHERE TO FIND ELVIS.
84
00:03:45,459 --> 00:03:47,761
ELVIS LIVES ON BITRA ISLAND
IN THE LAKSHADWEEP SEA.
85
00:03:47,795 --> 00:03:49,129
MAN, WHY WE TALKING ABOUT ELVIS?
86
00:03:49,162 --> 00:03:52,333
I DON'T GIVE A DAMN ABOUT ELVIS.
87
00:03:52,366 --> 00:03:54,134
I'LL FIND J-STRYKE.
88
00:03:54,167 --> 00:03:56,937
HIS MUSIC.
89
00:03:56,970 --> 00:03:59,239
FIND THE MUSIC!
90
00:04:00,808 --> 00:04:02,710
HE WORK FOR ME NOW.
91
00:04:05,546 --> 00:04:08,482
J-STRYKE. HE'S FROM LIBERTY CITY.
92
00:04:08,516 --> 00:04:09,383
I NEVER HEARD OF HIM.
93
00:04:09,417 --> 00:04:10,551
WELL, THAT'S WHAT HAPPENS
94
00:04:10,584 --> 00:04:12,386
WHEN YOU STOP WORKING FOR 10 YEARS.
95
00:04:12,420 --> 00:04:13,687
"STOP WORKING"?
96
00:04:13,721 --> 00:04:15,289
THAT YOUR WAY OF SAYING "DEAD"?
97
00:04:15,323 --> 00:04:17,257
CAN YOU FIGURE OUT WHERE
THIS DJ W-SQUARED GUY
98
00:04:17,291 --> 00:04:19,760
IS BROADCASTING FROM?
99
00:04:19,793 --> 00:04:20,861
[SIGH]
100
00:04:20,894 --> 00:04:23,331
WELL, HE'S BROADCASTING FROM THE INTERNET.
101
00:04:23,364 --> 00:04:25,766
I MEAN, WHERE ON THE REAL PLANET EARTH.
102
00:04:25,799 --> 00:04:27,435
IT VIOLATES MY PROBATION
TO USE THE INTERNET.
103
00:04:27,468 --> 00:04:29,136
THAT'S BECAUSE YOU GOT CAUGHT
104
00:04:29,169 --> 00:04:30,638
SETTING UP A FAKE CHARITY WEB SITE.
105
00:04:30,671 --> 00:04:33,441
I NEVER GOT CAUGHT.
THEY COULDN'T PROVE IT WAS ME.
106
00:04:33,474 --> 00:04:34,708
SO YOU KNOW ALL THE TRICKS
107
00:04:34,742 --> 00:04:36,143
THIS GUY'S USING TO STAY HIDDEN.
108
00:04:36,176 --> 00:04:37,511
SO...TALK ME THROUGH IT,
109
00:04:37,545 --> 00:04:38,646
ONLY WITHOUT USING WORDS.
110
00:04:38,679 --> 00:04:41,114
WITHOUT USING WORDS? HOW?
111
00:04:41,148 --> 00:04:43,183
BY DEMONSTRATING ON THE KEYBOARD.
112
00:04:43,216 --> 00:04:44,885
COME ON.
113
00:04:44,918 --> 00:04:46,520
OK.
114
00:04:46,554 --> 00:04:51,759
FIRST,
USE TRACER-T TO FIND THE IP GEO-LOCATION.
115
00:04:53,861 --> 00:04:56,063
[BEEPING]
116
00:04:57,197 --> 00:04:58,432
SOFIA, BULGARIA.
117
00:04:58,466 --> 00:04:59,567
IS THAT REALLY A PLACE?
118
00:04:59,600 --> 00:05:01,569
AW, YOU SUCK AT THIS.
119
00:05:01,602 --> 00:05:02,870
OH, IT'S A DUCK BLIND.
120
00:05:02,903 --> 00:05:05,205
THIS GUY IS TECH-SAVVY, MAYBE A PROGRAMMER.
121
00:05:05,238 --> 00:05:09,343
GO! DO IT. CYBERHACK HIM TO BITS.
122
00:05:09,377 --> 00:05:11,178
LEO GETS MAD WHEN I BREAK PROBATION.
123
00:05:11,211 --> 00:05:13,246
WE'RE NOT GONNA TELL HIM.
124
00:05:13,280 --> 00:05:14,715
WHAT'S IN IT FOR ME?
125
00:05:14,748 --> 00:05:17,317
YOU CAN HELP LEO IMPRESS A VERY
PRETTY WOMAN FROM HIS PAST.
126
00:05:17,351 --> 00:05:20,320
IMAGINE HOW HIS MOOD WILL IMPROVE.
127
00:05:20,354 --> 00:05:22,523
EW.
128
00:05:23,557 --> 00:05:26,326
OK. I'M GONNA NEED AN HOUR,
3 CUPS OF ESPRESSO,
129
00:05:26,360 --> 00:05:27,895
AND LEO OUT OF MY WAY.
130
00:05:27,928 --> 00:05:30,464
YOU GET 3 HOURS, ONE CUP OF ESPRESSO,
131
00:05:30,498 --> 00:05:33,066
AND I'LL KEEP LEO OUT OF YOUR WAY.
132
00:05:33,100 --> 00:05:35,803
[HIP HOP MUSIC PLAYING]
133
00:05:43,444 --> 00:05:46,414
THIS IS GOOD. THIS KID'S A REAL POET.
134
00:05:46,447 --> 00:05:47,681
I THOUGHT YOU WERE MR. JAZZ.
135
00:05:47,715 --> 00:05:50,451
GIL SCOTT-HERON STARTED RAP OFF OF JAZZ.
136
00:05:50,484 --> 00:05:52,285
HE'S THE ORIGINATOR.
137
00:05:52,319 --> 00:05:53,787
I THINK HE'S STILL ALIVE.
138
00:05:53,821 --> 00:05:55,723
GIL SCOTT-HERON IS NOT ALIVE.
139
00:05:55,756 --> 00:05:56,757
NO, J-STRYKE IS STILL ALIVE.
140
00:05:56,790 --> 00:06:00,728
J-STRYKE GOT SHOT AND DIED
IN HIS BROTHER'S ARMS.
141
00:06:00,761 --> 00:06:03,230
BLED OUT THROUGH HIS FEMORAL ARTERY.
142
00:06:03,263 --> 00:06:04,264
I CAN PROVE HE'S ALIVE.
143
00:06:04,297 --> 00:06:05,599
HOW?
144
00:06:05,633 --> 00:06:08,902
WE'LL DIG UP HIS COFFIN.
HIS BODY WON'T BE THERE.
145
00:06:08,936 --> 00:06:10,237
NO.
146
00:06:10,270 --> 00:06:11,672
IT'LL BE QUICK, I PROMISE.
147
00:06:11,705 --> 00:06:13,741
IT'S ILLEGAL WITHOUT A COURT ORDER.
148
00:06:13,774 --> 00:06:16,744
NOT IF THE COFFIN'S EMPTY.
THEN IT'S JUST GOOD EXERCISE.
149
00:06:16,777 --> 00:06:18,278
NOT GONNA HAPPEN, WALTER.
150
00:06:18,311 --> 00:06:19,980
WHY WOULD J-STRYKE WAIT ALL THIS TIME
151
00:06:20,013 --> 00:06:21,281
TO SUDDENLY RESURFACE?
152
00:06:21,314 --> 00:06:23,383
10-YEAR ANNIVERSARY OF HIS DEATH.
153
00:06:23,417 --> 00:06:24,585
BIG COMEBACK.
154
00:06:24,618 --> 00:06:26,620
IF WE DON'T DIG UP J-STRYKE'S COFFIN,
155
00:06:26,654 --> 00:06:28,288
THEN WE'LL HAVE TO GO TALK TO HIS FAMILY,
156
00:06:28,321 --> 00:06:30,924
WHICH WILL BE NO KIND OF EXERCISE.
157
00:06:30,958 --> 00:06:33,627
IF YOU WANT EXERCISE, GO FOR A SWIM.
158
00:06:35,463 --> 00:06:38,131
[MUSIC CONTINUES]
159
00:06:46,440 --> 00:06:48,442
OOH.
160
00:06:48,476 --> 00:06:49,843
I'M NOT SURE I WANT TO HELP YOU
161
00:06:49,877 --> 00:06:50,878
IF YOU'RE WORKING FOR BIG GLADE.
162
00:06:50,911 --> 00:06:53,380
WALTER REALLY DOESN'T WORK FOR ANYONE.
163
00:06:53,413 --> 00:06:54,582
NO, I FIND THINGS.
164
00:06:54,615 --> 00:06:56,684
SO WHY DO YOU HATE BIG GLADE?
165
00:06:56,717 --> 00:06:58,619
GLADE AND HIS DRAGON LADY LAWYER
166
00:06:58,652 --> 00:07:01,021
GOT ALL MY BROTHER'S PUBLISHING RIGHTS.
167
00:07:01,054 --> 00:07:04,257
MOM DIDN'T GET ANYTHING WHEN HE DIED.
168
00:07:04,291 --> 00:07:05,559
THIS IS MY SON TREY.
169
00:07:05,593 --> 00:07:07,294
IT'S NICE TO MEET YOU.
170
00:07:07,327 --> 00:07:08,529
YOU GUYS NEED ANYTHING ELSE?
171
00:07:08,562 --> 00:07:11,098
NO THANK YOU, TREY.
172
00:07:11,131 --> 00:07:12,432
[SNIFFS]
173
00:07:12,466 --> 00:07:14,935
HUH.
174
00:07:16,804 --> 00:07:19,239
ARE YOU AWARE THAT TREY IS AN ALCOHOLIC?
175
00:07:19,272 --> 00:07:20,574
WALTER. WHAT?
176
00:07:20,608 --> 00:07:23,276
NOBODY RATTLES AROUND ICE CUBES IN WATER.
177
00:07:23,310 --> 00:07:23,844
THAT'S VODKA.
178
00:07:23,877 --> 00:07:25,779
MR. SHERMAN, I'M AWARE,
179
00:07:25,813 --> 00:07:27,314
BUT YOU BRINGING IT UP
180
00:07:27,347 --> 00:07:29,116
AND WORKING FOR BIG GLADE,
181
00:07:29,149 --> 00:07:29,983
THAT'S TWO STRIKES.
182
00:07:30,017 --> 00:07:31,819
I'M SURE IT MUST BE HARD ON YOUR BOY
183
00:07:31,852 --> 00:07:34,855
WITNESSING HIS BROTHER'S MURDER.
184
00:07:34,888 --> 00:07:37,758
TREY WAS ALL RIGHT FOR A FEW YEARS.
185
00:07:37,791 --> 00:07:39,760
HE GOT A SCHOLARSHIP TO MIT.
186
00:07:39,793 --> 00:07:42,730
GRADUATED THE TOP OF HIS CLASS.
187
00:07:42,763 --> 00:07:46,133
THEN THINGS WENT WRONG.
188
00:07:46,166 --> 00:07:48,101
MIT--A SMART BOY.
189
00:07:48,135 --> 00:07:51,805
I'VE BEEN HIRED TO FIND A
LONG-LOST TRACK FROM J-STRYKE.
190
00:07:51,839 --> 00:07:55,175
YOU MIND CALLING MY SON BY HIS GIVEN NAME?
191
00:07:55,208 --> 00:07:57,410
IT'S BOOKER.
192
00:07:57,444 --> 00:08:00,648
FINE, STRONG NAME.
193
00:08:00,681 --> 00:08:02,983
AHEM. I JUST HAVE ONE QUESTION.
194
00:08:03,016 --> 00:08:04,284
WALTER.
195
00:08:04,317 --> 00:08:05,485
LET ME ASK.
196
00:08:05,519 --> 00:08:09,389
MS. ESTELLE, IS THERE ANY CHANCE
197
00:08:09,422 --> 00:08:12,726
YOUR SON BOOKER MIGHT STILL BE ALIVE?
198
00:08:15,028 --> 00:08:20,734
10 YEARS AGO, I IDENTIFIED MY BOY'S REMAINS.
199
00:08:20,768 --> 00:08:26,439
I TOUCHED HIS COLD HAND
AND FELT HIS SPIRIT LEAVE.
200
00:08:26,473 --> 00:08:28,709
THEN I BURIED HIM.
201
00:08:28,742 --> 00:08:34,982
NO,
THERE IS NO CHANCE MY SON IS STILL ALIVE.
202
00:08:35,515 --> 00:08:37,350
NOW EXCUSE ME.
203
00:08:37,384 --> 00:08:39,119
I HAVE A BUSINESS TO RUN.
204
00:09:19,827 --> 00:09:22,029
[SOUL MUSIC PLAYING]
205
00:09:29,102 --> 00:09:31,171
ATHENA.
206
00:09:31,204 --> 00:09:32,105
WHAT ARE YOU DOING?
207
00:09:32,139 --> 00:09:35,609
DON'T WORRY. I PUT MY MONEY IN THE JAR.
208
00:09:35,643 --> 00:09:36,576
MY, LEO.
209
00:09:36,610 --> 00:09:38,712
YOU WERE FINE WHEN YOU WERE FAT,
210
00:09:38,746 --> 00:09:40,480
BUT NOW LOOK AT YOU.
211
00:09:40,513 --> 00:09:42,215
YOU HAVEN'T CHANGED ONE BIT.
212
00:09:42,249 --> 00:09:43,751
WHAT ARE YOU DOING HERE?
213
00:09:43,784 --> 00:09:46,586
WALTER DIDN'T MENTION ME?
214
00:09:46,620 --> 00:09:47,655
WHY WOULD HE?
215
00:09:47,688 --> 00:09:51,759
I'M BIG GLADE'S LAWYER.
GANGSTA GLADE RECORDS.
216
00:09:51,792 --> 00:09:56,329
BASICALLY, I'M WALTER'S CLIENT.
217
00:09:56,363 --> 00:09:57,264
SMALL WORLD.
218
00:09:57,297 --> 00:09:58,465
YEAH. NOT REALLY.
219
00:09:58,498 --> 00:10:02,836
I KNOW ABOUT WALTER BECAUSE
I'VE KEPT ONE EYE ON YOU.
220
00:10:05,505 --> 00:10:06,774
YOU'RE SINGLE NOW.
221
00:10:06,807 --> 00:10:08,676
I THINK IT'S OK FOR YOU TO TALK TO ME.
222
00:10:08,709 --> 00:10:12,379
PLUS WE NEVER DID ANYTHING.
223
00:10:12,412 --> 00:10:14,715
I WAS TEMPTED, ATHENA,
224
00:10:14,748 --> 00:10:16,717
AND I HAVE SOME GUILT ABOUT THAT.
225
00:10:16,750 --> 00:10:19,419
I'D LIKE TO POINT OUT AGAIN, COUNSELOR,
226
00:10:19,452 --> 00:10:21,789
WE'RE BOTH FREE AND CLEAR.
227
00:10:21,822 --> 00:10:25,759
MS. ESTELLE MENTIONED A DRAGON LADY LAWYER.
228
00:10:25,793 --> 00:10:27,761
SHE MEANT YOU, DIDN'T SHE?
229
00:10:27,795 --> 00:10:29,629
I FIGURED YOU'D TALK TO HER,
230
00:10:29,663 --> 00:10:33,901
SO I BROUGHT YOU A CONTRACT.
231
00:10:33,934 --> 00:10:37,838
DON'T WORRY.
WE WILL KEEP EVERYTHING STRICTLY BUSINESS.
232
00:10:37,871 --> 00:10:39,707
WE WILL GO OVER THIS CONTRACT
233
00:10:39,740 --> 00:10:42,075
LIKE STONE-COLD LAWYERS.
234
00:10:42,109 --> 00:10:45,746
IF THE CAMEL ONCE GETS HIS NOSE IN THE TENT,
235
00:10:45,779 --> 00:10:50,751
HIS BODY WILL SOON FOLLOW.
236
00:10:50,784 --> 00:10:53,687
HONEY, DO I LOOK LIKE A CAMEL?
237
00:10:53,721 --> 00:10:57,190
NO, YOU DO NOT.
238
00:10:59,159 --> 00:11:00,427
AH. EXCUSE ME,
239
00:11:00,460 --> 00:11:04,031
GROSS OLD PEOPLE LOOKING
ALL GOO-GOO AT EACH OTHER.
240
00:11:04,064 --> 00:11:06,834
WALTER WANTS TO KNOW IF
HE CAN BORROW THE JUKEBOX.
241
00:11:10,437 --> 00:11:13,273
WORD.
242
00:11:13,306 --> 00:11:14,908
CHECK IT. AHH.
243
00:11:14,942 --> 00:11:18,411
* LITTLE TOMMY TUCKER SINGS FOR HIS SUPPER *
244
00:11:18,445 --> 00:11:19,913
[SPUTTERING]
245
00:11:19,947 --> 00:11:22,850
* WHAT SHALL WE GIVE HIM?
BROWN BREAD AND BUTTER *
246
00:11:22,883 --> 00:11:24,818
* HOW SHALL WE CUT IT WITHOUT A KNIFE?
247
00:11:24,852 --> 00:11:27,721
* HOW SHALL WE MARRY YOU WITHOUT A WIFE? *
248
00:11:27,755 --> 00:11:30,423
[SPUTTERING]
249
00:11:34,094 --> 00:11:35,829
ON BEHALF OF WHITE PEOPLE EVERYWHERE,
250
00:11:35,863 --> 00:11:37,264
I APOLOGIZE FOR THAT.
251
00:11:37,297 --> 00:11:38,966
ALL RIGHT. I DOWNLOADED THE PIRATE'S VOICE.
252
00:11:38,999 --> 00:11:42,836
I PLAY IT THROUGH THIS GIZMO HERE.
253
00:11:42,870 --> 00:11:45,605
KICKING IT ONE TIME. * DJ
254
00:11:45,638 --> 00:11:46,874
DJ W-Squared: AS PROMISED,
255
00:11:46,907 --> 00:11:50,677
ONE OF THE NEWLY FOUND
UNRELEASED EXCLUSIVE TRACKS
256
00:11:50,710 --> 00:11:53,213
FROM THE LATE, GREAT J-STRYKE.
257
00:11:53,246 --> 00:11:55,182
I CAN'T TELL YOU WHERE I GOT IT,
258
00:11:55,215 --> 00:11:57,617
BUT I CAN TELL YOU THAT
OVER THE NEXT 4 DAYS,
259
00:11:57,650 --> 00:12:00,420
YOU ARE GOING TO HEAR MORE FROM J-STRYKE
260
00:12:00,453 --> 00:12:03,824
BEYOND THE GRAVE.
261
00:12:03,857 --> 00:12:04,892
WHAT HAVE WE LEARNED?
262
00:12:04,925 --> 00:12:06,827
HE'S DISGUISING HIS VOICE
263
00:12:06,860 --> 00:12:07,961
WITH A PITCH SHIFTER.
264
00:12:07,995 --> 00:12:09,229
HOW CAN YOU TELL?
265
00:12:09,262 --> 00:12:11,865
FOURIER TRANSFORM ANALYSIS
MEASURES THE ENERGY
266
00:12:11,899 --> 00:12:14,534
WITHIN TIME DOMAIN WAVEFORMS.
267
00:12:14,567 --> 00:12:15,869
WHAT?
268
00:12:15,903 --> 00:12:17,537
A NATURAL VOICE SHOULDN'T
HAVE FLASHED YELLOW.
269
00:12:17,570 --> 00:12:19,106
SO OUR PIRATE'S A LITTLE MAN,
270
00:12:19,139 --> 00:12:20,908
LITTLE VOICE, LACKS CONFIDENCE.
271
00:12:20,941 --> 00:12:24,144
SO...NOT J-STRYKE,
IF THAT'S WHAT YOU WERE THINKING.
272
00:12:24,177 --> 00:12:26,947
I DID NOT THINK THAT,
BECAUSE J-STRYKE IS DEAD.
273
00:12:26,980 --> 00:12:31,718
IF YOU'LL EXCUSE ME,
I'M GONNA GET BACK TO LEO.
274
00:12:31,751 --> 00:12:33,787
WORD TO YOUR MOTHER. WHAT?
275
00:12:33,821 --> 00:12:37,224
OK. GOOD JOB FIGURING OUT NOTHING USEFUL
276
00:12:37,257 --> 00:12:38,892
ON THE PIRATE.
277
00:12:38,926 --> 00:12:39,827
I FOUND HIS ACTUAL ADDRESS.
278
00:12:39,860 --> 00:12:42,295
WHERE, ON A SOFA IN BULGARIA?
279
00:12:42,329 --> 00:12:42,863
NOPE.
280
00:12:42,896 --> 00:12:43,964
OK, WHERE?
281
00:12:43,997 --> 00:12:48,235
OH, IT'S A LOVELY NIGHT FOR A DRIVE.
282
00:12:51,038 --> 00:12:53,941
OK, IS THIS THE MOST YOU CAN NARROW IT DOWN?
283
00:12:53,974 --> 00:12:56,676
IT'S AN ADDRESS. THERE'S NOTHING NARROWER.
284
00:12:56,709 --> 00:12:57,945
WHAT DO YOU WANT, A ROOM?
285
00:12:57,978 --> 00:13:00,247
I ONCE FOUND A WHITE CAT IN A SNOWSTORM.
286
00:13:00,280 --> 00:13:01,714
WHAT YOU DO IS LOOK FOR EYES AND A BUTT.
287
00:13:01,748 --> 00:13:02,983
IT'S CHILD'S PLAY.
288
00:13:03,016 --> 00:13:06,019
HEY, AT LEAST IT'S SMALLER THAN BULGARIA.
289
00:13:06,053 --> 00:13:10,223
THIS IS GONNA TAKE A
LITTLE MORE NARROWING DOWN.
290
00:13:17,998 --> 00:13:21,034
I SWEAR JUDGE HALLIDAY'S
HEAD WAS GOING TO EXPLODE.
291
00:13:21,068 --> 00:13:22,235
SHE WAS NOT GONNA RULE MY WAY.
292
00:13:22,269 --> 00:13:24,204
OH, YOU OUTED HER AS AN ADULTERER,
293
00:13:24,237 --> 00:13:26,907
AND SHE SHOUTED AT YOU IN COURT. MISTRIAL.
294
00:13:26,940 --> 00:13:29,209
NOT ONE OF MY FINER MOMENTS.
295
00:13:29,242 --> 00:13:31,778
WELL, ALL'S FAIR IN LOVE, WAR, AND COURT.
296
00:13:31,811 --> 00:13:32,980
YOU TAUGHT ME THAT.
297
00:13:33,013 --> 00:13:35,382
A LEGACY I'M NOT PROUD OF.
298
00:13:35,415 --> 00:13:36,884
I'VE CHANGED.
299
00:13:36,917 --> 00:13:39,352
I CAN SEE THAT.
300
00:13:39,386 --> 00:13:41,989
I MEAN ON THE INSIDE.
301
00:13:42,022 --> 00:13:43,156
YES, YOU HAVE TURNED INTO A MAN
302
00:13:43,190 --> 00:13:46,159
THAT OWNS A BAR CALLED
"THE ENDS OF THE EARTH"
303
00:13:46,193 --> 00:13:48,195
ON A KEY THAT NOBODY HAS EVER HEARD OF.
304
00:13:48,228 --> 00:13:51,965
AND YOU TURNED INTO A LAWYER
FOR A MAN WHO BULLIES PEOPLE
305
00:13:51,999 --> 00:13:54,101
AND WAVES AROUND GUNS
306
00:13:54,134 --> 00:13:58,438
AND RETAINS THE RIGHTS TO ALL THE MUSIC.
307
00:13:59,873 --> 00:14:01,942
HEH. SO...
308
00:14:01,975 --> 00:14:04,777
YOU HIRED WALTER AND FOUND ME, HUH?
309
00:14:04,811 --> 00:14:09,116
LIKE I SAID, THE WHOLE J-STRYKE THING...
310
00:14:09,149 --> 00:14:11,184
JUST AN EXCUSE TO SEE YOU AGAIN.
311
00:14:12,585 --> 00:14:13,586
WHY?
312
00:14:21,094 --> 00:14:25,298
BECAUSE I'VE ALWAYS WANTED TO DO THAT.
313
00:14:28,435 --> 00:14:30,337
[BZZT]
314
00:14:30,370 --> 00:14:33,073
DOES ANYTHING HERE NEED AN EXPLANATION?
315
00:14:33,106 --> 00:14:36,576
AH...NO, EXCEPT FOR EVERYTHING.
316
00:14:36,609 --> 00:14:39,146
WHAT, YOU PONGED A P.I., CALLED THE I.N.S.,
317
00:14:39,179 --> 00:14:41,214
AND CLICKETY-CLICKED TO FIND
THAT THE PIRATE'S WEB SITE
318
00:14:41,248 --> 00:14:42,849
IS RUN OUT OF SOUTH BEACH UNIVERSITY.
319
00:14:42,882 --> 00:14:45,919
STAFF, FACULTY, STUDENTS-- 20,000 PEEPS.
320
00:14:45,953 --> 00:14:48,021
THIS IS HOW WE NARROW IT DOWN.
321
00:14:48,055 --> 00:14:49,589
WE'RE GONNA LISTEN TO
THE PIRATE'S BROADCAST,
322
00:14:49,622 --> 00:14:52,926
AND WE'RE GONNA SUCK EVERY
LAST CLUE WE CAN OUT OF IT.
323
00:14:52,960 --> 00:14:55,128
USING A GIANT EYEBALL?
324
00:14:57,364 --> 00:14:59,566
EVERY TIME HE SAYS "LISTEN," I MOVE THE EAR.
325
00:14:59,599 --> 00:15:01,969
EVERY TIME HE SAYS "LOOK,"
I MOVE THE EYEBALL.
326
00:15:02,002 --> 00:15:03,937
EVERY TIME HE SAYS "I FEEL,"
327
00:15:03,971 --> 00:15:05,038
I MOVE THE HEART.
328
00:15:05,072 --> 00:15:06,306
- WHY?
- PERSONALITY TYPES.
329
00:15:06,339 --> 00:15:08,942
DIDN'T THEY TEACH YOU
ANYTHING IN GYPSY SCHOOL?
330
00:15:08,976 --> 00:15:10,343
WHAT DO YOU NEED ME FOR?
331
00:15:10,377 --> 00:15:13,680
I NEED YOU TO LOOK FOR
EVERY METAPHOR AND SIMILE,
332
00:15:13,713 --> 00:15:16,049
ESPECIALLY ANIMALS.
333
00:15:16,083 --> 00:15:16,916
SAME GOES WITH COLORS.
334
00:15:16,950 --> 00:15:18,418
USE THESE TO KEEP SCORE.
335
00:15:18,451 --> 00:15:21,989
ANYTIME HE USES ANY
NON-ENGLISH-SPEAKING WORDS OR PHRASES...
336
00:15:22,022 --> 00:15:24,291
[DING DING DING]
337
00:15:30,763 --> 00:15:31,731
ALL RIGHT. YOU READY?
338
00:15:31,764 --> 00:15:34,101
YEAH, EXCEPT FOR EVERYTHING.
339
00:15:36,269 --> 00:15:37,670
GO.
340
00:15:37,704 --> 00:15:42,909
DJ W-Squared:
BIENVENIDO TO THE DJ W-SQUARED SHOW.
341
00:15:42,942 --> 00:15:45,012
I AM DJ W-SQUARED,
342
00:15:45,045 --> 00:15:46,379
THE ONLY PLACE YOU CAN LISTEN
343
00:15:46,413 --> 00:15:50,083
TO A RAINBOW OF AUTHENTIC RAP AND HIP-HOP
344
00:15:50,117 --> 00:15:51,284
THAT WILL MOVE YOU.
345
00:15:51,318 --> 00:15:52,652
FIRST UP TODAY, I'VE DECIDED
346
00:15:52,685 --> 00:15:56,489
I'M GONNA PLAY A NEW J-STRYKE
TRACK EACH DAY THIS WEEK.
347
00:15:56,523 --> 00:15:59,826
NEXT ONE IS UP TONIGHT,
AND THEN ANOTHER ONE TOMORROW.
348
00:15:59,859 --> 00:16:04,064
NOW LET YOUR HEART BE TOUCHED...
[HIP-HOP MUSIC PLAYING]
349
00:16:09,436 --> 00:16:12,205
[HIP HOP MUSIC]
350
00:16:24,584 --> 00:16:27,220
THIS IS DJ W-SQUARED, CALLING IT A NIGHT.
351
00:16:27,254 --> 00:16:29,722
REMEMBER, THEY ARE AFTER YOU.
352
00:16:29,756 --> 00:16:31,291
THEY DO WANT TO TAKE YOUR MONEY.
353
00:16:31,324 --> 00:16:34,127
THEY ARE CONSPIRING AGAINST YOU,
354
00:16:34,161 --> 00:16:36,163
BUT MUSIC IS WHERE FREEDOM LIVES.
355
00:16:36,196 --> 00:16:39,466
IT FREES OUR MINDS AND SOOTHES OUR SOULS.
356
00:16:39,499 --> 00:16:47,107
AND REMEMBER, THIS IS THE PLACE
WHERE REAL MUSIC NEVER DIES.
357
00:16:47,140 --> 00:16:49,209
SAMSARA, Y'ALL. PEACE!
358
00:17:01,988 --> 00:17:06,126
HA HA HA!
359
00:17:06,159 --> 00:17:08,027
SO THIS IS WHERE THE PARTY AT.
360
00:17:08,061 --> 00:17:10,997
MUST HAVE LOST MY INVITATION.
361
00:17:11,030 --> 00:17:13,800
LEO, THIS IS MY BOSS, BIG GLADE.
362
00:17:13,833 --> 00:17:16,069
IF I'D BEEN LIVING IT UP IN HERE LIKE Y'ALL,
363
00:17:16,103 --> 00:17:17,504
I WOULDN'T BE SO MAD
364
00:17:17,537 --> 00:17:19,472
DJ W-SQUARED DROPPED ANOTHER
J-STRYKE SONG TONIGHT.
365
00:17:19,506 --> 00:17:21,974
HE SAY HE GONNA DROP ANOTHER ONE TOMORROW.
366
00:17:22,008 --> 00:17:23,276
EACH ONE OF THEM COSTS ME WHAT, ATHENA?
367
00:17:23,310 --> 00:17:24,544
A MILLION, GIVE OR TAKE.
368
00:17:24,577 --> 00:17:27,480
THAT'S $2 MILLION.
MY MATH GOOD ON THAT, 2 MILLION?
369
00:17:27,514 --> 00:17:30,217
BECAUSE THAT'S WHAT I WAS CALLING YOU FOR.
370
00:17:30,250 --> 00:17:34,387
BUT YOU SEEM TO BE TOO BUSY
TO ANSWER YOUR DAMN PHONE.
371
00:17:35,355 --> 00:17:39,659
I'M LEO KNOX. WELCOME TO MY PLACE.
372
00:17:42,529 --> 00:17:44,063
WHAT YOU GOT HERE IS A DUMP.
373
00:17:44,097 --> 00:17:49,035
THING IS, THE LAW SAYS I HAVE THE
RIGHT TO REFUSE SERVICE TO ANYONE.
374
00:17:49,068 --> 00:17:50,503
SEE MY FACE?
375
00:17:50,537 --> 00:17:53,673
I'M GUESSING THIS IS YOUR
REFUSING-SERVICES FACE.
376
00:17:53,706 --> 00:17:55,908
BUT HERE'S THE THING:
377
00:17:55,942 --> 00:17:57,677
I GOT PEOPLE TRYING TO TAKE ME DOWN,
378
00:17:57,710 --> 00:17:59,912
STEALING MY TRACKS, COSTING ME MONEY.
379
00:17:59,946 --> 00:18:03,516
AND Y'ALL ACTING LIKE THIS IS A JOKE.
380
00:18:03,550 --> 00:18:06,686
YOU EITHER USE THAT GUN...
381
00:18:06,719 --> 00:18:09,822
OR PUT IT AWAY.
382
00:18:12,959 --> 00:18:14,794
OK. UM...
383
00:18:14,827 --> 00:18:19,166
UM, LET'S GO, GLADE.
384
00:18:35,582 --> 00:18:37,417
Man on video: WHAT'S UP, J?
385
00:18:37,450 --> 00:18:38,451
YO, WHAT UP? WHAT UP? WHAT UP?
386
00:18:38,485 --> 00:18:39,652
HOW WE LIVING, BROTHER?
387
00:18:39,686 --> 00:18:40,753
I'M GOOD, BABY. I'M LIVING LARGE.
388
00:18:40,787 --> 00:18:42,522
HEY, LISTEN, MAN. BY THE TIME I'M DONE,
389
00:18:42,555 --> 00:18:45,258
AIN'T NO RAPPER GONNA HAVE NOTHING ON ME.
390
00:18:45,292 --> 00:18:48,228
I'M GONNA HAVE MORE HITS, MORE MONEY,
391
00:18:48,261 --> 00:18:49,696
AND MORE DIME PIECES.
392
00:18:49,729 --> 00:18:52,699
LADIES GONNA LOVE J-STRYKE,
YOU KNOW WHAT I MEAN?
393
00:18:52,732 --> 00:18:55,302
STRAIGHT UP, BRO.
394
00:18:56,503 --> 00:19:01,208
Walter: "WHERE POP MUSIC ALWAYS LIVES."
395
00:19:21,628 --> 00:19:26,766
AND REMEMBER, THIS IS THE PLACE
WHERE REAL MUSIC NEVER DIES.
396
00:19:26,799 --> 00:19:31,771
SAMSARA, Y'ALL. PEACE!
397
00:19:40,880 --> 00:19:43,082
THIS IS DEPUTY U.S. MARSHAL ISABEL ZAMBADA.
398
00:19:43,115 --> 00:19:44,784
PLEASE LEAVE A MESSAGE.
399
00:19:44,817 --> 00:19:45,952
[BEEP]
400
00:19:45,985 --> 00:19:48,488
ISABEL,
I NEED A FEDERAL LAW ENFORCEMENT OFFICER
401
00:19:48,521 --> 00:19:51,190
TO UPHOLD JUSTICE IN A CRUEL WORLD.
402
00:19:53,025 --> 00:19:54,794
Woman: WNKW, HOLD PLEASE.
403
00:20:01,501 --> 00:20:03,236
WHAT DO YOU NEED ME TO DO?
404
00:20:03,270 --> 00:20:05,137
JUST STAND UP STRAIGHT AND LOOK FEDERAL.
405
00:20:05,171 --> 00:20:07,240
HELLO. LOOKING FOR A YOUNG MAN--
406
00:20:07,274 --> 00:20:09,108
SLIGHT, NO FRIENDS, INSECURE, HARD WORKER,
407
00:20:09,141 --> 00:20:10,977
PARENTS IMMIGRATED FROM INDIA.
408
00:20:11,010 --> 00:20:13,580
HE'S EITHER A PART-TIME
STUDENT AT SBU OR A DROPOUT.
409
00:20:13,613 --> 00:20:14,747
LOVES THE WORLD, HATES HIMSELF,
410
00:20:14,781 --> 00:20:17,384
SO SOMETHING ALONG THE LINES
OF A SMOKING VEGETARIAN
411
00:20:17,417 --> 00:20:18,651
AND A SURPRISINGLY GOOD DANCER.
412
00:20:18,685 --> 00:20:22,054
GOT ANYONE HERE LIKE THAT?
413
00:20:22,088 --> 00:20:23,723
COME ON, GUYS. I GOT A SHOW TO DO.
414
00:20:23,756 --> 00:20:26,926
AND BESIDES,
I HAVE NO IDEA WHY THE U.S. MARSHALS
415
00:20:26,959 --> 00:20:29,696
WOULD WANT TO TALK TO ME.
416
00:20:29,729 --> 00:20:31,531
REALLY?
417
00:20:31,564 --> 00:20:32,732
[BEEP]
418
00:20:32,765 --> 00:20:36,235
AND REMEMBER, THIS IS THE PLACE
WHERE REAL MUSIC NEVER DIES.
419
00:20:36,269 --> 00:20:40,072
SAMSARA, Y'ALL. PEACE!
420
00:20:40,106 --> 00:20:41,173
WELL, YOU SAID "SAMSARA" PERFECTLY,
421
00:20:41,207 --> 00:20:44,076
SO I KNOW YOUR PARENTS ARE INDIAN.
422
00:20:44,110 --> 00:20:45,678
MY PARENTS ARE KASHMIRI.
423
00:20:45,712 --> 00:20:47,414
WE HAVE VOICE-OVER ANALYSIS PROVING
424
00:20:47,447 --> 00:20:49,382
THAT YOU ARE DJ W-SQUARED.
425
00:20:49,416 --> 00:20:50,817
MY NAME IS KARIM RYAZ,
426
00:20:50,850 --> 00:20:52,385
AND SINCE WHEN DO THE U.S. MARSHALS
427
00:20:52,419 --> 00:20:54,287
HAVE JURISDICTION OVER INTERNET BROADCASTS?
428
00:20:54,321 --> 00:20:55,722
THE FIRST THING WE'LL TELL YOUR BOSS
429
00:20:55,755 --> 00:20:58,591
IS THAT YOU'RE USING THIS
FACILITY WITHOUT THEIR PERMISSION.
430
00:20:58,625 --> 00:21:01,761
CAN YOU LIVE ON YOUR PODCAST?
431
00:21:07,033 --> 00:21:08,801
WHAT DO YOU WANT TO KNOW?
432
00:21:08,835 --> 00:21:09,569
WHERE'S J-STRYKE?
433
00:21:09,602 --> 00:21:11,738
6 FEET UNDER, DEAD. READ A PAPER.
434
00:21:11,771 --> 00:21:12,972
THE TRACKS YOU'RE PLAYING ARE NEW.
435
00:21:13,005 --> 00:21:14,040
WHERE ARE THEY COMING FROM?
436
00:21:14,073 --> 00:21:17,310
I GET A CALL.
I PICK UP THE TRACKS AT A DROP SITE.
437
00:21:17,344 --> 00:21:18,511
ON THE INTERNET?
438
00:21:18,545 --> 00:21:19,779
NO, AN ACTUAL PLACE.
439
00:21:19,812 --> 00:21:22,749
THE PLAYGROUND WHERE
J-STRYKE GOT GUNNED DOWN.
440
00:21:29,789 --> 00:21:32,158
I DON'T GET WHY YOU DO WHAT YOU DO.
441
00:21:32,191 --> 00:21:33,159
I MEAN, YOU'RE A BRILLIANT GUY.
442
00:21:33,192 --> 00:21:34,427
ROUTING YOUR WEB BROADCAST
443
00:21:34,461 --> 00:21:36,829
THROUGH THE SOUTH BEACH UNIVERSITY NETWORK?
444
00:21:36,863 --> 00:21:38,765
WHAT I DO IS GOOD.
I BRING MUSIC TO THE PEOPLE.
445
00:21:38,798 --> 00:21:41,768
IT'S FREE OF CORPORATE CONSTRAINT AND TAINT.
446
00:21:41,801 --> 00:21:42,569
IT'S PURE.
447
00:21:42,602 --> 00:21:44,371
PLEASE. YOU SIT IN A DARK ROOM,
448
00:21:44,404 --> 00:21:46,339
AND YOU RANT IN THE MIDDLE OF THE NIGHT,
449
00:21:46,373 --> 00:21:47,707
AND YOU PLAY MUSIC.
450
00:21:47,740 --> 00:21:48,941
GET A JOB.
451
00:21:48,975 --> 00:21:50,577
HATE TO BREAK UP THE
CAREER COUNSELING SESSION,
452
00:21:50,610 --> 00:21:51,678
BUT WHERE'S THE PICKUP?
453
00:21:51,711 --> 00:21:53,446
IT'S USB DRIVE WITH ONE TRACK
454
00:21:53,480 --> 00:21:57,316
TAPED TO THE BOTTOM OF THAT YELLOW HORSE.
455
00:22:03,189 --> 00:22:04,691
WHY HERE?
456
00:22:04,724 --> 00:22:06,325
SYMBOLIC?
457
00:22:06,359 --> 00:22:09,596
WHAT'S SYMBOLIC ABOUT A YELLOW HORSE?
458
00:22:09,629 --> 00:22:10,797
I MEAN, IT'S ALMOST THE EXACT SPOT
459
00:22:10,830 --> 00:22:12,365
WHERE J-STRYKE GOT KILLED, WALTER.
460
00:22:12,399 --> 00:22:14,266
EXACTLY. YOU KNOW HOW WE KNOW THAT?
461
00:22:14,300 --> 00:22:16,636
J-STRYKE.
462
00:22:16,669 --> 00:22:19,539
[HIP HOP MUSIC PLAYING]
463
00:22:29,816 --> 00:22:31,451
WHAT DO YOU THINK, BIG GLADE?
464
00:22:31,484 --> 00:22:32,819
OBVIOUSLY FOLLOWED US.
465
00:22:32,852 --> 00:22:35,321
IT'S NOT LIKE THIS VEHICLE IS STEALTHY.
466
00:22:35,354 --> 00:22:37,690
IT'S VERY ROOMY.
467
00:22:37,724 --> 00:22:41,027
COME ON, WE'RE LOSING HIM.
468
00:22:41,060 --> 00:22:43,229
THIS IS A TERRIBLE CHASE VEHICLE. COME ON.
469
00:22:43,262 --> 00:22:45,498
ALL OF A SUDDEN, YOU DON'T LIKE MY VAN?
470
00:22:45,532 --> 00:22:47,500
GONE. WE LOST HIM.
471
00:22:47,534 --> 00:22:52,472
JUST SLOW DOWN BEFORE
THIS RUST BUCKET IMPLODES.
472
00:22:55,442 --> 00:22:56,709
YOU KNOW--
473
00:22:56,743 --> 00:22:59,011
[THUD]
474
00:23:04,517 --> 00:23:06,185
Walter: FOUND HIM.
475
00:23:06,218 --> 00:23:09,456
AH, HE DOESN'T LOOK SO GOOD.
476
00:23:14,661 --> 00:23:16,763
YOU USUALLY GET ME OUT OF
THESE SORT OF SITUATIONS.
477
00:23:16,796 --> 00:23:17,897
I'M AN OFF-DUTY FEDERAL AGENT
478
00:23:17,930 --> 00:23:19,832
INVOLVED IN WHATEVER THE HELL THIS IS.
479
00:23:19,866 --> 00:23:21,400
IT'S OUT OF MY JURISDICTION.
480
00:23:21,434 --> 00:23:24,804
WE'LL JUST HAVE TO WAIT FOR THE
LOCAL COPS TO PLAY IT BY THE BOOK.
481
00:23:24,837 --> 00:23:26,005
I HOPE YOU PACKED YOUR TOOTHBRUSH,
482
00:23:26,038 --> 00:23:29,876
BECAUSE WE ARE GONNA BE IN
HERE FOR AT LEAST 24 HOURS.
483
00:23:29,909 --> 00:23:32,211
ALL RIGHT. YOU ARE FREE TO GO.
484
00:23:32,244 --> 00:23:33,079
TERRIFIC!
485
00:23:33,112 --> 00:23:35,982
MEET LEO'S BOO, ATHENA. SHE'S A LAWYER.
486
00:23:36,015 --> 00:23:36,783
HI. HI.
487
00:23:36,816 --> 00:23:39,385
WAIT A MINUTE. HOW'S KARIM?
488
00:23:39,418 --> 00:23:40,453
THE PIRATE DJ IS OK.
489
00:23:40,487 --> 00:23:43,289
HE'S GOT A BROKEN ARM, BONK ON THE HEAD.
490
00:23:43,322 --> 00:23:44,824
HUH. TERRIFIC.
491
00:23:44,857 --> 00:23:45,391
WAIT A MINUTE.
492
00:23:45,424 --> 00:23:46,693
HOW'D YOU SPRING US?
493
00:23:46,726 --> 00:23:49,862
I TOLD THE POLICE THAT MY
CLIENTS WERE TRAUMATIZED
494
00:23:49,896 --> 00:23:51,531
BY THE ASSAULT ON KARIM RYAZ
495
00:23:51,564 --> 00:23:52,965
AND WERE DENIED PROFESSIONAL COUNSELING,
496
00:23:52,999 --> 00:23:54,400
WHICH COULD IMPAIR THEM IRREPARABLY.
497
00:23:54,433 --> 00:23:58,370
SO IF ANYONE ASKS,
YOUR REPEATED REQUESTS FOR COUNSELING
498
00:23:58,404 --> 00:23:59,071
FELL ON DEAF EARS.
499
00:23:59,105 --> 00:24:00,640
GOT IT.
500
00:24:00,673 --> 00:24:06,012
NO. I WILL NOT SLANDER FELLOW
LAW ENFORCEMENT AGENCIES.
501
00:24:06,045 --> 00:24:08,615
FINE. STAY.
502
00:24:08,648 --> 00:24:11,450
DID YOU GET THE J-STRYKE
TRACKS FROM THE PIRATE?
503
00:24:11,484 --> 00:24:14,420
- NO. DID YOU?
- I BEG YOUR PARDON?
504
00:24:14,453 --> 00:24:16,288
OH, COME ON. IT'S OBVIOUS IT WAS YOUR BOSS
505
00:24:16,322 --> 00:24:18,324
WHO KIDNAPPED THE GUY,
THREW HIM OFF THE OVERPASS.
506
00:24:18,357 --> 00:24:20,226
NO, INCORRECT.
507
00:24:20,259 --> 00:24:23,663
BIG GLADE IS ALL NOISE AND SHOW.
508
00:24:23,696 --> 00:24:26,098
I THOUGHT YOU MIGHT WANT THIS.
509
00:24:28,100 --> 00:24:29,368
J-STRYKE'S HOMICIDE FILE.
510
00:24:29,401 --> 00:24:30,870
I WAS GONNA GET THIS FOR YOU.
511
00:24:30,903 --> 00:24:34,173
IT'S PRETTY THIN.
J-STRYKE'S LITTLE BROTHER WAS WITH HIM,
512
00:24:34,206 --> 00:24:35,775
DRIVE-BY SITUATION.
513
00:24:35,808 --> 00:24:37,510
J-STRYKE TOOK ONE ROUND TO THE LEG.
514
00:24:37,544 --> 00:24:39,579
BAD LUCK-- HIT THE FEMORAL ARTERY.
515
00:24:39,612 --> 00:24:41,914
ANYWAY, YOU ARE FREE TO GO.
516
00:24:41,948 --> 00:24:45,552
I'M OFF TO DINNER WITH LEO.
517
00:24:48,788 --> 00:24:51,090
GOD, I HATE HER FOR LEO.
518
00:24:51,123 --> 00:24:53,292
WHAT GANG WAS J-STRYKE AFFILIATED WITH?
519
00:24:53,325 --> 00:24:54,561
HE WASN'T.
520
00:24:54,594 --> 00:24:56,228
WELL,
DID HE KNUCKLE UP WITH SOME OTHER RAPPER
521
00:24:56,262 --> 00:24:57,463
WHO WAS GANG-BANGING?
522
00:24:57,496 --> 00:24:59,966
J-STRYKE'S LYRICS WERE MOSTLY INSPIRATIONAL.
523
00:24:59,999 --> 00:25:02,935
DID J-STRYKE GANK HIS LINES FROM
ANOTHER RAPPER OR G HIS WOMAN?
524
00:25:02,969 --> 00:25:04,671
WALTER, DON'T TALK HIP-HOP.
525
00:25:04,704 --> 00:25:06,539
IT HARMS BOTH YOU AND HIP-HOP.
526
00:25:06,573 --> 00:25:08,240
J-STRYKE DIED IN HIS BROTHER'S ARMS.
527
00:25:08,274 --> 00:25:09,375
WHAT WERE HIS LAST WORDS?
528
00:25:09,408 --> 00:25:10,777
HE DIDN'T HAVE ANY LAST WORDS.
529
00:25:10,810 --> 00:25:14,246
A RAPPER BLEEDING TO DEATH
SLOWLY DOESN'T HAVE LAST WORDS?
530
00:25:14,280 --> 00:25:16,415
MAYBE HE WAS IN SHOCK. ONE THING'S FOR SURE.
531
00:25:16,448 --> 00:25:18,651
HE GETS MURDERED, IT MAKES HIM FAMOUS,
532
00:25:18,685 --> 00:25:19,786
AT LEAST FOR A WHILE.
533
00:25:19,819 --> 00:25:21,487
GET SHOT, GO PLATINUM.
534
00:25:21,520 --> 00:25:22,555
BA DONKA DONK.
535
00:25:22,589 --> 00:25:24,223
"BA DONKA DONK"? WHAT DOES THAT MEAN?
536
00:25:24,256 --> 00:25:26,358
OH, IT'S A COMPLIMENT.
537
00:25:26,392 --> 00:25:27,727
OH.
538
00:25:30,029 --> 00:25:33,866
DON'T TELL ME YOU DON'T MISS THE COURTROOM.
539
00:25:33,900 --> 00:25:36,603
MOST OF MY WORK WAS DONE IN BACK ROOMS,
540
00:25:36,636 --> 00:25:37,503
AND I DO NOT MISS IT.
541
00:25:37,536 --> 00:25:39,806
WHAT ABOUT YOUR WARDROBE?
542
00:25:39,839 --> 00:25:42,041
I KNOW YOU MISS YOUR WARDROBE.
543
00:25:42,074 --> 00:25:43,309
HEH HEH!
544
00:25:43,342 --> 00:25:46,245
OK, YOU GOT ME.
545
00:25:49,081 --> 00:25:51,718
THANKS FOR DINNER.
546
00:25:52,785 --> 00:25:55,855
YOU DON'T WANT ME TO COME IN?
547
00:25:55,888 --> 00:25:59,158
I GOT TO CHECK ON WILLA.
548
00:26:10,703 --> 00:26:15,407
I THINK THAT I ENJOYED THAT
A LOT MORE THAN YOU DID.
549
00:26:15,441 --> 00:26:20,012
BUT...I UNDERSTAND.
550
00:26:20,980 --> 00:26:24,216
LEO, I WANT YOU TO THINK ABOUT
551
00:26:24,250 --> 00:26:27,654
COMING BACK TO THE REAL WORLD WITH ME.
552
00:26:27,687 --> 00:26:30,422
HIDING OUT HERE, IT'S LIKE YOU'RE IN EXILE.
553
00:26:30,456 --> 00:26:32,024
THAT'S NOT THE CASE.
554
00:26:32,058 --> 00:26:33,960
WE COULD START OUR OWN FIRM TOGETHER.
555
00:26:33,993 --> 00:26:36,228
I'VE ALREADY DONE THAT ONCE IN MY LIFE.
556
00:26:36,262 --> 00:26:38,898
YES, VERY SUCCESSFULLY.
557
00:26:38,931 --> 00:26:40,299
COME ON, JOIN ME IN BUSINESS.
558
00:26:40,332 --> 00:26:44,603
YOU COULD--
YOU COULD BUY THIS WHOLE ISLAND IN A YEAR.
559
00:26:44,637 --> 00:26:48,074
THINK ABOUT THE WARDROBE.
560
00:26:49,075 --> 00:26:52,745
I'VE CHANGED A LOT, ATHENA,
561
00:26:52,779 --> 00:26:54,681
AND YOU HAVEN'T CHANGED AT ALL.
562
00:26:54,714 --> 00:26:56,048
HA HA HA!
563
00:26:56,082 --> 00:27:00,687
SEE, THAT'S EXACTLY WHAT
MAKES YOU THE PERFECT MAN.
564
00:27:00,720 --> 00:27:02,989
YOU DO ALL THE CHANGING.
565
00:27:05,191 --> 00:27:09,228
YOU'RE LIKE A DREAM COME TRUE, LEO.
566
00:27:15,067 --> 00:27:16,836
Boy: * SEE, I'M A TEAM PLAYER
567
00:27:16,869 --> 00:27:18,971
* I DO IT ALL FOR THE FAMILY
568
00:27:19,005 --> 00:27:20,106
* I TELL YOU LIKE SWEET
569
00:27:20,139 --> 00:27:22,041
* AND NOW I'M SPONSORING CANDY
570
00:27:22,074 --> 00:27:23,910
* I CAN'T WAIT UNTIL THE PLATINUM *
571
00:27:23,943 --> 00:27:26,078
* I'M WALKING OFF WITH A GRAMMY *
572
00:27:26,112 --> 00:27:27,013
[PHONOGRAPH NEEDLE SCRATCHES]
573
00:27:27,046 --> 00:27:29,215
MAN, WRITE. WHAT'S UP?
574
00:27:29,248 --> 00:27:33,052
* THE CHILDREN,
THEY LOOK UP TO ME LIKE A ORPHAN TO ANNIE *
575
00:27:33,085 --> 00:27:34,086
* 'CAUSE I'M THE MAN
576
00:27:34,120 --> 00:27:35,788
* GOT A LOT AND NOW THEY TRY [INDISTINCT] *
577
00:27:35,822 --> 00:27:40,592
* SO I'VE GOT TO GET IT AND TAKE
THIS ALL TO THE PROMISED LAND *
578
00:27:40,626 --> 00:27:41,393
* WANT TO BE
579
00:27:41,427 --> 00:27:42,695
[PHONOGRAPH NEEDLE SKIPS]
580
00:27:42,729 --> 00:27:44,063
WRITE, MAN! WRITE!
581
00:27:44,096 --> 00:27:45,131
* WANT TO BE A FIGHTER
582
00:27:45,164 --> 00:27:47,099
* I REEL THEM IN AND BACK THEM DOWN *
583
00:27:47,133 --> 00:27:48,901
* I FEEL LIKE A MAYWEATHER
584
00:27:48,935 --> 00:27:51,303
* AND I THINK I'M PACQUIAO
585
00:27:51,337 --> 00:27:52,104
* I GO WHERE I WANT
586
00:27:52,138 --> 00:27:54,040
* SECURITY DON'T EVEN PAT ME DOWN *
587
00:27:54,073 --> 00:27:55,041
* PEOPLE USED TO SLEEP
588
00:27:55,074 --> 00:27:57,744
* BUT I DON'T LET IT GET ME DOWN *
589
00:27:57,777 --> 00:27:58,945
* 'CAUSE EVERYBODY KNOWS
590
00:27:58,978 --> 00:28:00,880
* I'M A, I'M A, I'M A MONSTER *
591
00:28:02,749 --> 00:28:06,685
[MUSIC FADES]
592
00:28:33,179 --> 00:28:35,982
I KNEW IT. J-STRYKE'S ALIVE.
593
00:28:39,852 --> 00:28:42,221
J-Stryke:
AIN'T NO RAPPER GONNA HAVE NOTHING ON ME.
594
00:28:42,254 --> 00:28:44,156
I'M GONNA HAVE MORE HITS, MORE MONEY...
595
00:28:44,190 --> 00:28:46,425
HEY, MAN, J-STRYKE IS DEEP.
596
00:28:46,458 --> 00:28:48,094
IT'S HARD TO BELIEVE THIS SHALLOW BRAGGART
597
00:28:48,127 --> 00:28:49,862
IS THE GUY THAT WROTE THAT GREAT POETRY.
598
00:28:49,896 --> 00:28:53,499
WHAT HAPPENS WHEN AN
ARTIST IS DENIED HIS VOICE?
599
00:28:53,532 --> 00:28:56,202
GIVE ME MY LIFE FOR ALL LIES.
600
00:28:56,235 --> 00:28:58,070
GIVE ME ALL THE PAIN OF EVERYONE.
601
00:28:58,104 --> 00:29:01,373
I'M GONNA TURN IT INTO HOPE.
602
00:29:07,346 --> 00:29:09,148
WELL, SO THEY DIE?
603
00:29:09,181 --> 00:29:12,584
SLOW OR FAST, YEAH, THEY DIE.
604
00:29:12,618 --> 00:29:15,054
WE'RE NOT OPEN YET.
605
00:29:15,087 --> 00:29:17,990
J-Stryke: WHAT'S THE USE OF
LIVING WHEN YOU'RE LIVING DEAD?
606
00:29:18,024 --> 00:29:23,295
FORGIVENESS ELUDES YOU
EVEN IN YOUR OWN HEAD.
607
00:29:23,329 --> 00:29:24,363
THAT'S MY BROTHER,
608
00:29:24,396 --> 00:29:29,001
AND IF YOU HAVEN'T NOTICED,
HE'S ALREADY DEAD.
609
00:29:29,035 --> 00:29:30,803
ONLY HALF-DEAD, REALLY.
610
00:29:30,837 --> 00:29:32,538
YOU'RE THE OTHER HALF NOBODY KNOWS ABOUT.
611
00:29:32,571 --> 00:29:35,908
THE HALF THAT READS NERUDA
AND GIL SCOTT-HERON.
612
00:29:35,942 --> 00:29:37,409
YOU WROTE ALL J-STRYKE'S LYRICS.
613
00:29:37,443 --> 00:29:40,179
YOU AND YOUR BROTHER HAVE
THE SAME VOCAL QUALITIES.
614
00:29:40,212 --> 00:29:41,180
YOU RECORDED THE NEW TRACKS,
615
00:29:41,213 --> 00:29:43,415
AND THEN YOU LEAKED THEM TO THE PIRATE.
616
00:29:43,449 --> 00:29:46,118
THEN...
617
00:29:46,152 --> 00:29:49,488
YOU DROPPED THEM OFF HERE.
618
00:29:52,892 --> 00:29:57,263
LOOK.
FOR A COUPLE YEARS AFTER MY BROTHER DIED,
619
00:29:57,296 --> 00:29:59,731
HE WAS HUGE.
620
00:29:59,765 --> 00:30:02,969
BUT 10 YEARS ON, HE'S MOSTLY FORGOTTEN.
621
00:30:03,002 --> 00:30:03,970
YOU LEAKED ALL THOSE TRACKS
622
00:30:04,003 --> 00:30:06,105
TO KEEP YOUR BROTHER'S MEMORY ALIVE?
623
00:30:06,138 --> 00:30:08,274
ALL HE WANTED WAS IMMORTALITY.
624
00:30:08,307 --> 00:30:11,277
I TRIED TO GIVE HIM THAT. THAT'S ALL.
625
00:30:11,310 --> 00:30:14,346
WHAT WERE YOUR BROTHER'S LAST WORDS?
626
00:30:14,380 --> 00:30:16,282
HE DIDN'T HAVE ANY.
627
00:30:16,315 --> 00:30:18,084
WHY? BECAUSE YOU DIDN'T WRITE THEM FOR HIM?
628
00:30:18,117 --> 00:30:21,120
OR BECAUSE YOU WERE THE ONE THAT SHOT HIM?
629
00:30:21,153 --> 00:30:25,925
AH. YOU'RE THE BRAINS. HE'S THE FACE.
630
00:30:25,958 --> 00:30:28,260
JEALOUSY, CAIN AND ABEL.
631
00:30:28,294 --> 00:30:30,396
YOU GOT IN AN ARGUMENT, AND YOU KILLED HIM.
632
00:30:30,429 --> 00:30:33,532
YOU KNOW, THAT'S WHY HE DRINKS. IT'S GUILT.
633
00:30:33,565 --> 00:30:36,068
THAT IT, TREY?
634
00:30:36,102 --> 00:30:39,371
YOU LIVING A LIFE OF PENANCE?
635
00:30:41,273 --> 00:30:43,409
YOU DON'T TELL US THE TRUTH,
636
00:30:43,442 --> 00:30:47,213
I'M GONNA TELL ON YOU TO YOUR MOTHER.
637
00:30:49,215 --> 00:30:51,550
AND THAT WILL KILL HER.
638
00:30:51,583 --> 00:30:52,551
DO YOU EVEN CARE?
639
00:30:52,584 --> 00:30:54,386
YOUR CHOICE.
640
00:31:04,663 --> 00:31:06,933
YEAH.
641
00:31:08,634 --> 00:31:12,704
I KILLED MY OWN BROTHER.
642
00:31:12,738 --> 00:31:15,241
BUT I DID NOT MURDER MY BROTHER.
643
00:31:18,577 --> 00:31:20,812
STOP PLAYING AROUND.
644
00:31:20,846 --> 00:31:22,314
IT AIN'T FUNNY. I'M NOT DOING IT.
645
00:31:22,348 --> 00:31:23,950
JUST--JUST-- JUST TAKE IT, TREY.
646
00:31:23,983 --> 00:31:25,817
STOP ACTING LIKE A PUNK.
IT'S JUST A GUN, MAN.
647
00:31:25,851 --> 00:31:27,086
HERE.
648
00:31:29,989 --> 00:31:31,690
ALL RIGHT.
649
00:31:31,723 --> 00:31:33,325
DO IT. SHOOT ME IN THE LEG.
650
00:31:33,359 --> 00:31:35,827
I NEVER KNEW WHERE HE GOT THE GUN.
651
00:31:35,861 --> 00:31:37,964
I JUST TOLD HIM THAT IT WAS A STUPID IDEA.
652
00:31:37,997 --> 00:31:39,298
AND HE TOLD ME...
653
00:31:39,331 --> 00:31:41,133
SACK UP, BOY!
654
00:31:41,167 --> 00:31:43,970
STOP BEING SO WEAK, MAN. GET SOME COURAGE.
655
00:31:45,871 --> 00:31:47,173
I CAN'T DO IT.
656
00:31:47,206 --> 00:31:48,607
LISTEN. LISTEN. LISTEN, BABY BOY.
657
00:31:48,640 --> 00:31:50,276
JUST SHOOT ME IN THE LEG.
658
00:31:50,309 --> 00:31:51,710
IT'LL BE A FLESH WOUND, NOTHING TO IT.
659
00:31:51,743 --> 00:31:53,112
ALL RIGHT?
660
00:31:53,145 --> 00:31:54,646
HE SAID HE'D WALK WITH A CANE,
661
00:31:54,680 --> 00:31:56,448
SHOW OFF HIS SCAR TO WOMEN,
662
00:31:56,482 --> 00:31:58,150
GET HIS STREET CRED.
663
00:31:58,184 --> 00:32:00,386
SALES WOULD SKYROCKET.
664
00:32:00,419 --> 00:32:03,522
MY BROTHER WAS ALWAYS
WORRIED ABOUT STREET CRED.
665
00:32:05,724 --> 00:32:08,260
HE WORE ME DOWN.
666
00:32:08,294 --> 00:32:11,230
I CAN'T. DO IT, TREY. DO IT!
667
00:32:11,263 --> 00:32:13,632
AAH!
668
00:32:13,665 --> 00:32:15,034
UNH!
669
00:32:15,067 --> 00:32:19,771
OH, J. J.
670
00:32:19,805 --> 00:32:23,309
Trey, voice-over: HE BLED SO MUCH,
671
00:32:23,342 --> 00:32:25,777
AND I COULDN'T STOP THE BLEEDING.
672
00:32:25,811 --> 00:32:30,182
WE BOTH KNEW HE WAS DYING.
673
00:32:32,251 --> 00:32:34,686
WHAT DID YOU DO WITH THE GUN?
674
00:32:34,720 --> 00:32:37,556
I WIPED IT,
675
00:32:37,589 --> 00:32:41,360
AND I BURIED IT UNDER THAT
HORSE AS FAR AS I COULD.
676
00:32:41,393 --> 00:32:44,830
TOLD THE COPS IT WAS A DRIVE-BY.
677
00:32:44,863 --> 00:32:48,034
THEY DIDN'T EVEN LOOK FOR THE GUN.
678
00:32:49,735 --> 00:32:52,571
WHAT WERE HIS LAST WORDS?
679
00:32:55,874 --> 00:32:59,178
"THIS IS NOT OUR FAULT, TREY."
680
00:32:59,211 --> 00:33:04,083
"YOU REMEMBER, THIS IS NOT OUR FAULT."
681
00:33:06,785 --> 00:33:11,057
BUT IT WAS MY FAULT.
682
00:33:11,090 --> 00:33:16,195
KILLING YOUR OWN BROTHER? CAIN AND ABEL?
683
00:33:19,165 --> 00:33:22,068
EVEN GOD DOESN'T FORGIVE THAT ONE.
684
00:33:32,978 --> 00:33:34,946
THERE'S ALL THE TRACKS.
685
00:33:34,980 --> 00:33:36,715
TAKE THEM.
686
00:33:38,117 --> 00:33:40,386
I'M SICK OF IT ALL.
687
00:33:42,288 --> 00:33:46,125
SON, CAIN LIED ABOUT KILLING HIS BROTHER.
688
00:33:46,158 --> 00:33:48,894
THAT'S WHY GOD PUT THE MARK ON HIM.
689
00:33:48,927 --> 00:33:50,862
IF YOU WANT FORGIVENESS,
690
00:33:50,896 --> 00:33:53,031
YOU HAVE TO ADMIT WHAT YOU DONE.
691
00:34:04,776 --> 00:34:06,978
SINCE TREY IS THE SOURCE OF
THE INTELLECTUAL PROPERTY
692
00:34:07,012 --> 00:34:08,347
KNOWN AS J-STRYKE,
693
00:34:08,380 --> 00:34:11,117
IT COULD BE TIED UP IN THE COURTS FOR YEARS.
694
00:34:11,150 --> 00:34:13,085
THAT'S FULL-ON LAWYER MODE.
695
00:34:13,119 --> 00:34:16,422
THAT'S WHAT ATHENA LIKES, RIGHT?
696
00:34:16,455 --> 00:34:18,657
ASK WHAT YOU WANT TO ASK.
697
00:34:18,690 --> 00:34:21,960
IS THIS GOING SOMEWHERE? ROMANCE REKINDLED?
698
00:34:21,993 --> 00:34:25,131
DID YOU TAKE THIS CASE SO I
COULD HOOK UP WITH ATHENA?
699
00:34:25,164 --> 00:34:27,199
SHE'S A BEAUTIFUL, SMART WOMAN.
700
00:34:27,233 --> 00:34:29,168
YOU'VE HAD FEELINGS FOR HER IN THE PAST.
701
00:34:31,137 --> 00:34:33,839
I DON'T LIKE TO SEE YOU LONELY, OK?
702
00:34:33,872 --> 00:34:35,641
I'M NOT LONELY.
703
00:34:35,674 --> 00:34:37,443
YOU'RE THE LONELIEST MAN I EVER MET.
704
00:34:37,476 --> 00:34:39,878
I APPRECIATE YOUR CONCERN.
705
00:34:39,911 --> 00:34:43,282
I FELT LIKE YOU WERE GIVING
SOMETHING UP BECAUSE OF ME.
706
00:34:43,315 --> 00:34:45,251
I CHOOSE MY OWN LIFE.
707
00:34:45,284 --> 00:34:47,619
HOW I LIVE ISN'T YOUR FAULT.
708
00:34:51,290 --> 00:34:54,226
J-STRYKE'S LAST WORDS WERE,
"IT WASN'T OUR FAULT."
709
00:34:54,260 --> 00:34:55,727
BEING KIND TO HIS BROTHER.
710
00:34:55,761 --> 00:34:58,230
NO, NOT "IT WASN'T YOUR FAULT,"
LIKE YOU JUST SAID.
711
00:34:58,264 --> 00:35:00,399
"IT WASN'T OUR FAULT."
712
00:35:00,432 --> 00:35:04,803
IT WASN'T J-STRYKE'S IDEA TO
GET HIMSELF SHOT IN THE LEG.
713
00:35:07,673 --> 00:35:08,774
NO.
714
00:35:08,807 --> 00:35:10,776
WHO'D MAKE THE KIND OF
PROMISE THAT WOULD TEMPT
715
00:35:10,809 --> 00:35:12,711
A BOY LIKE THAT?
716
00:35:20,186 --> 00:35:21,553
GOT WHAT'S MINE?
717
00:35:21,587 --> 00:35:24,590
OOH, HOLD ON A SECOND THERE. AHEM.
718
00:35:24,623 --> 00:35:27,326
OK. YOU WANT TO NEGOTIATE THE PRICE?
719
00:35:27,359 --> 00:35:30,128
THAT'S FINE. WE'LL CALL IT A FINDER'S FEE.
720
00:35:30,162 --> 00:35:32,231
6%. 3.
721
00:35:32,264 --> 00:35:34,400
THAT'S MY LAWYER. SHE'S TOUGH.
722
00:35:34,433 --> 00:35:37,636
THERE ARE SOME OUTSTANDING EXPENSES.
723
00:35:37,669 --> 00:35:39,205
WHAT EXPENSES?
724
00:35:39,238 --> 00:35:40,672
THEY DENTED MY VAN.
725
00:35:40,706 --> 00:35:42,441
WHAT YOU MEAN, WE DENTED YOUR VAN?
726
00:35:42,474 --> 00:35:44,476
HOW COULD YOU EVEN TELL?
727
00:35:44,510 --> 00:35:46,645
WHEN YOU THREW KARIM RYAZ
OFF THE OVERPASS ONTO MY VAN,
728
00:35:46,678 --> 00:35:48,880
THERE WAS DAMAGE. ALSO TO KARIM.
729
00:35:48,914 --> 00:35:51,617
WE'LL BE TACKING ON COMPENSATION FOR HIM,
TOO.
730
00:35:51,650 --> 00:35:53,084
WHAT THE HELL ARE THEY TALKING ABOUT?
731
00:35:53,118 --> 00:35:54,420
YOU'D WANT TO SHUT UP NOW, GLADE.
732
00:35:54,453 --> 00:35:57,223
LET THE GROWN-UPS TALK.
733
00:35:57,256 --> 00:35:59,591
SHE WANTED TO MAKE US THINK THAT YOU DID IT.
734
00:35:59,625 --> 00:36:02,328
MAN, I AIN'T THROWN NO
INDIAN PEEPS OFF NO OVERPASS.
735
00:36:02,361 --> 00:36:03,329
ANYTHING ELSE?
736
00:36:03,362 --> 00:36:05,797
MMM... RUINING TREY'S LIFE.
737
00:36:05,831 --> 00:36:07,533
RUINING IT HOW?
738
00:36:07,566 --> 00:36:12,037
BY TALKING HIS BROTHER INTO
TAKING A SHOT IN THE LEG.
739
00:36:12,070 --> 00:36:13,705
AND MAKING YOU A MILLIONAIRE.
740
00:36:17,175 --> 00:36:19,077
OH, BABY, THAT'S COLD.
741
00:36:19,110 --> 00:36:20,512
OK, NOW WOULD BE THE TIME FOR YOU
742
00:36:20,546 --> 00:36:22,248
TO BE WAVING YOUR GUN AROUND.
743
00:36:22,281 --> 00:36:24,650
CALL YOUR BOYS AND GET YOUR PROPERTY BACK.
744
00:36:24,683 --> 00:36:28,520
TOLD YOU SHE WAS THE ONE
THAT CALLED ALL THE SHOTS.
745
00:36:33,024 --> 00:36:36,362
BABY,
YOU HEADING DOWN A ROAD I AIN'T HEADING DOWN.
746
00:36:36,395 --> 00:36:39,398
YOU CROSSING LINES I AIN'T CROSSING.
747
00:36:41,467 --> 00:36:44,336
GIVE ME THE HARD DRIVE, LEO.
748
00:36:44,370 --> 00:36:48,006
I'M SERIOUS, AND YOU KNOW I MEAN IT.
749
00:36:48,039 --> 00:36:51,943
YEAH, I KNOW YOU DO.
750
00:36:54,346 --> 00:36:56,181
COME ON, LEO.
751
00:36:56,214 --> 00:36:58,917
BE THE MAN YOU ONCE WERE.
752
00:36:58,950 --> 00:37:01,653
GIVE ME THAT HARD DRIVE.
753
00:37:01,687 --> 00:37:03,722
[WHISPERING] PSST. WATCH OUT.
754
00:37:03,755 --> 00:37:06,425
SHE'S TRYING TO DARTH VADER YOU.
755
00:37:07,359 --> 00:37:10,329
IF REDEMPTION WAS REVERSIBLE,
756
00:37:10,362 --> 00:37:13,265
IT WOULDN'T BE REDEMPTION.
757
00:37:13,299 --> 00:37:16,201
OH, SNAP!
758
00:37:16,234 --> 00:37:18,704
YOU JUST GOT SKYWALKERED, LADY.
759
00:37:18,737 --> 00:37:20,439
HELL, NOW,
THAT'S THE BIGGEST MISTAKE I EVER MADE,
760
00:37:20,472 --> 00:37:22,173
HOOKING UP WITH YOU.
761
00:37:22,207 --> 00:37:25,076
GANGSTA GLADE WAS ALL ABOUT THE MUSIC.
762
00:37:25,110 --> 00:37:28,947
YOU WOULD LOVE FOR ME TO DO
SOMETHING STUPID WITH THIS GUN.
763
00:37:33,184 --> 00:37:35,787
BUT I'M SMARTER THAN THAT.
764
00:37:38,590 --> 00:37:41,527
I'M SMARTER THAN ALL OF YOU.
765
00:37:48,099 --> 00:37:49,401
I SHOULD HAVE KNOWN.
766
00:37:49,435 --> 00:37:51,770
BOOKER AND TREY TOGETHER MADE THAT MUSIC.
767
00:37:51,803 --> 00:37:54,673
I GOT A GOOD EAR, AND I COULDN'T HEAR IT.
768
00:37:54,706 --> 00:37:57,275
I'M SORRY I DIDN'T TELL YOU, MOM.
769
00:37:57,309 --> 00:38:00,679
BOOKER WOULDN'T LET YOU. I KNOW.
770
00:38:00,712 --> 00:38:03,415
AS A LAWYER, I BELIEVE YOUR SMARTEST MOVE
771
00:38:03,449 --> 00:38:05,784
IS TO STAY IN BUSINESS WITH GANGSTA GLADE.
772
00:38:05,817 --> 00:38:06,985
EXCUSE ME?
773
00:38:07,018 --> 00:38:10,622
ONCE A LONG TIME AGO,
I WAS A PRETTY GOOD MUSIC MAN.
774
00:38:10,656 --> 00:38:14,860
IT'S HOW I FOUND YOUR BOYS,
AND WHAT I HEARD WAS GENIUS.
775
00:38:14,893 --> 00:38:16,728
IT STILL IS.
776
00:38:16,762 --> 00:38:20,165
TREY'S NOT A PERFORMER, NEVER WAS,
777
00:38:20,198 --> 00:38:22,434
BUT HE'S A HELL OF A POET.
778
00:38:22,468 --> 00:38:27,072
PEOPLE CHANGE.
SOMETIMES IT'S FOR THE BETTER.
779
00:38:27,105 --> 00:38:32,378
USUALLY THAT CHANGE INVOLVES
FACING SOME KIND OF HARD TRUTH.
780
00:38:32,411 --> 00:38:35,514
VERY HARD TRUTHS.
781
00:38:39,885 --> 00:38:42,754
WHAT HARD TRUTH?
782
00:38:46,257 --> 00:38:50,696
I NEED TO BE ALONE WITH MY MOTHER.
783
00:39:08,414 --> 00:39:12,350
[MAN SINGING HIP-HOP]
784
00:40:21,887 --> 00:40:25,524
MELODY IS THE COMBINATION
OF PITCH AND RHYTHM.
785
00:40:25,557 --> 00:40:28,627
BEAT--THAT'S ONLY RHYTHM, SO NO CONTEST.
786
00:40:28,660 --> 00:40:29,928
BEAT IS YOUR HEART.
787
00:40:29,961 --> 00:40:31,597
IT'S WHAT MAKES THE WORLD TURN
788
00:40:31,630 --> 00:40:32,798
AND HOLDS UP THE SKY.
789
00:40:32,831 --> 00:40:34,766
DON'T TELL ME, NO CONTEST.
790
00:40:34,800 --> 00:40:36,868
I'LL TELL YOU ONE THING.
791
00:40:36,902 --> 00:40:38,670
I GUESS YOU GUYS DON'T
MIND TALKING ABOUT STUFF
792
00:40:38,704 --> 00:40:40,906
THAT ISN'T YOUR MAIN BUSINESS.
793
00:40:40,939 --> 00:40:43,509
WELL, EVENTUALLY,
EVERYTHING BECOMES OUR MAIN BUSINESS.
794
00:40:43,542 --> 00:40:44,776
TREY, YOU LOOK GOOD.
795
00:40:44,810 --> 00:40:47,312
WHAT ARE YOU DOING HERE
AT THE ENDS OF THE EARTH?
796
00:40:47,345 --> 00:40:48,980
NOT LOOKING FOR A DRINK, I HOPE.
797
00:40:49,014 --> 00:40:49,815
WALTER.
798
00:40:49,848 --> 00:40:51,650
I'M COMING UP ON A MONTH SOBER.
799
00:40:51,683 --> 00:40:54,586
I, UH, GOT AN ADVANCE ON MY ROYALTIES,
800
00:40:54,620 --> 00:40:56,722
AND SO I JUST CAME TO PAY WHAT I OWE.
801
00:40:56,755 --> 00:40:58,690
GANGSTA GLADE RECORDS WAS OUR CLIENT.
802
00:40:58,724 --> 00:41:01,560
THEY PAID UP ALREADY.
YOU DON'T OWE US ANYTHING.
803
00:41:01,593 --> 00:41:04,062
WELL, WALTER SAID OTHERWISE.
804
00:41:04,095 --> 00:41:05,831
EH. THAT'S WHY I DON'T HANDLE THE MONEY.
805
00:41:05,864 --> 00:41:09,200
KARIM! OH, YOU LOOK GOOD.
806
00:41:09,234 --> 00:41:11,002
WHAT BRINGS YOU OUT TO
THE ENDS OF THE EARTH?
807
00:41:11,036 --> 00:41:13,639
YOU WERE GONNA INTRODUCE ME
TO THE ARTIST BEHIND J-STRYKE.
808
00:41:13,672 --> 00:41:18,409
KARIM, MEET TREY, FACE TO FACE.
809
00:41:18,443 --> 00:41:19,711
I'M A HUGE FAN.
810
00:41:19,745 --> 00:41:20,912
I KNOW THAT ALREADY.
811
00:41:20,946 --> 00:41:23,949
THAT'S WHY I CHOSE YOU TO PLAY MY STUFF.
812
00:41:23,982 --> 00:41:27,185
NOW, YOU KNOW KARIM JUST
GRADUATED IN MUSIC MANAGEMENT.
813
00:41:27,218 --> 00:41:28,419
NO KIDDING?
814
00:41:28,453 --> 00:41:31,489
I'VE BEEN THINKING ABOUT A MANAGER.
815
00:41:31,523 --> 00:41:35,093
HAVE A SEAT. I'LL BRING YOU SOME LUNCH.
816
00:41:37,095 --> 00:41:41,199
DON'T EVER TELL ME YOU
DON'T CARE ABOUT CLIENTS.
817
00:41:41,232 --> 00:41:43,535
I DON'T, NOT ONE BIT.
818
00:41:43,569 --> 00:41:48,073
BUT I ASKED MYSELF, "WHAT'D MADE
LEO HAPPY AT THE END OF THIS CASE?"
819
00:41:48,106 --> 00:41:51,009
BECAUSE I TRIED TO SET
YOU UP WITH AN EVIL WOMAN.
820
00:41:51,042 --> 00:41:54,045
DO ME A FAVOR. STOP TRYING TO MAKE ME HAPPY.
821
00:41:54,079 --> 00:41:55,681
NOT GONNA HAPPEN, PAL,
822
00:41:55,714 --> 00:41:58,049
BECAUSE IF THE BIG MAN AIN'T HAPPY,
823
00:41:58,083 --> 00:41:59,150
AIN'T NOBODY HAPPY.
824
00:42:11,630 --> 00:42:15,867
[HIP HOP MUSIC PLAYING]
825
00:43:00,211 --> 00:43:01,647
WHAT'S THAT MEAN?
58357
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