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1
00:00:16,890 --> 00:00:19,120
ARE YOU GONNA SWITCH
THE CARBURETOR BACK
AFTER YOU PASS EMISSIONS?
2
00:00:19,160 --> 00:00:20,800
WASN’T PLANNING ON IT.
3
00:00:20,830 --> 00:00:22,970
I’D PLAN ON IT
IF I WAS YOU.
4
00:00:22,990 --> 00:00:25,460
YOU’VE GOT A SERIOUS
DEFICIENCY IN HORSEPOWER.
5
00:00:25,500 --> 00:00:27,110
HOW DO YOU KNOW?
6
00:00:27,130 --> 00:00:30,870
A CAR SHOULD RUN
AT LEAST AS POWERFUL
AS THE AUTOMAKERS INTENDED.
7
00:00:30,900 --> 00:00:32,100
MINIMUM.
8
00:00:32,140 --> 00:00:33,480
JOEY, IF I CHECK
THE ODOMETER,
9
00:00:33,500 --> 00:00:35,570
IS IT GONNA READ
85,362?
10
00:00:35,610 --> 00:00:37,680
COULD BE 8 INSTEAD OF 2,
THE LAST NUMBER.
11
00:00:39,140 --> 00:00:41,040
SO ME ASKIN’ YOU
DON’T DRIVE IT
12
00:00:41,080 --> 00:00:42,940
TILL WE’RE TOTALLY
ROAD‐WORTHY WAS WHAT‐‐
13
00:00:42,980 --> 00:00:44,550
JUST BREEZE
IN YOUR FACE?
14
00:00:44,580 --> 00:00:45,950
I DRIVE A BUS, OK?
15
00:00:45,980 --> 00:00:47,980
I NEEDED
TO FEEL SOMETHING
WITH A LITTLE PUNCH.
16
00:00:48,020 --> 00:00:49,380
I’LL GIVE YOU
A LITTLE PUNCH.
17
00:00:49,420 --> 00:00:51,790
I KNOW ABOUT YOU COPS
AND YOUR STREET JUSTICE.
18
00:00:51,820 --> 00:00:53,620
YOU’RE STILL DRIVING HER
UP TO CAMP SMITH
THIS WEEKEND, RIGHT?
19
00:00:53,660 --> 00:00:55,620
MAYBE.
20
00:00:55,660 --> 00:00:56,790
WHAT THEY GOT YOU DOIN’?
21
00:00:56,830 --> 00:00:58,560
I GOTTA RUN AN M‐16 RANGE
22
00:00:58,600 --> 00:01:00,170
FOR MPs TRYING TO QUALIFY.
23
00:01:00,200 --> 00:01:01,300
YOU?
24
00:01:01,330 --> 00:01:04,300
OIL CHANGES
ON 40 HUMVEES.
25
00:01:06,140 --> 00:01:08,110
COME ON, JOEY,
YOU GOTTA WORK.
26
00:01:08,140 --> 00:01:10,240
WHAT’S THE BIG DEAL?
ONE GOOD PISS,
AND I’M FINE.
27
00:01:10,270 --> 00:01:12,440
YOU KNOW, YOU’RE NOT
GONNA BE SUCH A SMART‐ASS
28
00:01:12,480 --> 00:01:14,620
IF YOUR DISPATCHER
MAKES YOU DRUNK
AND YOU LOSE YOUR JOB.
29
00:01:14,650 --> 00:01:16,690
I BEEN GETTIN’ THIS GUY
EVERY DAY FOR A WHILE.
30
00:01:16,720 --> 00:01:19,830
HE GETS ON AT AMSTERDAM
AND 95th.
31
00:01:19,850 --> 00:01:21,420
HE STANDS IN THE MIDDLE
OF THE AISLE.
32
00:01:21,450 --> 00:01:24,150
TWICE NOW, SOME LADY
HAS SLAPPED HIM.
33
00:01:24,190 --> 00:01:27,320
THIS LAST TIME, I ASK
IF ANYTHING IS WRONG.
34
00:01:27,360 --> 00:01:30,760
SHE SAYS THIS GUY
JUST GROPED HER.
35
00:01:30,800 --> 00:01:32,940
HE GOES,
"THE BUS LURCHED."
36
00:01:32,960 --> 00:01:34,760
AND HE BUMPED INTO HER.
37
00:01:34,800 --> 00:01:36,630
WELL, I KNOW A GUY
IN TRANSIT DIVISION.
38
00:01:36,670 --> 00:01:38,770
YOU WANT ME
TO TALK TO HIM?
39
00:01:38,800 --> 00:01:42,340
IF ANYBODY’S GONNA
HANDLE THAT PERV,
IT’S ME.
40
00:01:42,370 --> 00:01:43,810
OK, DANNY?
41
00:01:45,040 --> 00:01:47,010
OK, MR.
LAW ENFORCEMENT?!
42
00:01:49,510 --> 00:01:52,780
JOEY, YOU GO GET YOURSELF
A COUPLE OF SLICES
AND A CUP OF COFFEE
43
00:01:52,820 --> 00:01:54,790
BEFORE YOU GO TO WORK.
44
00:01:54,820 --> 00:01:56,720
I’M SERIOUS, JOEY.
45
00:01:56,760 --> 00:01:58,300
THERE’S GONNA BE NO FIXIN’
THIS CAR TOMORROW MORNING.
46
00:01:58,320 --> 00:02:00,020
THERE’S GONNA BE NO
DRIVIN’ IT UP THERE.
47
00:02:00,060 --> 00:02:01,220
THERE’S GONNA BE NO FUN,
PERIOD.
48
00:02:05,530 --> 00:02:07,730
[TO "WIZARD OF OZ"]
♪ I’M OFF TO LENNY’S PIZZA ♪
49
00:02:07,770 --> 00:02:10,010
♪ TO GET MY 2 SLICES ♪
50
00:02:10,030 --> 00:02:13,570
♪ AND THE COFFEE
WE BOTH KNOW HE MAKES
THE NIGHT BEFORE ♪
51
00:02:13,610 --> 00:02:16,210
♪ AND WON’T THROW OUT,
THE CHEAP BASTARD! ♪
52
00:02:23,380 --> 00:02:25,410
SAME TIME
TOMORROW MORNING?
53
00:02:25,450 --> 00:02:27,650
YEAH. 5 A. M.
54
00:02:27,690 --> 00:02:31,330
I’LL BRING YOU
MY PIZZA CRUSTS
FOR PROOF.
55
00:02:31,360 --> 00:02:35,230
UNCHAIN THESE GIRLS
BEFORE YOU GO. PLEASE.
56
00:02:50,410 --> 00:02:51,810
[ELEVATOR BELL DINGS]
57
00:02:52,980 --> 00:02:54,450
WE’RE OFF THE ELEVATOR.
58
00:02:56,650 --> 00:02:59,010
THAT’S WHAT THAT DING
WAS ABOUT.
59
00:02:59,050 --> 00:03:00,620
Woman:
I HAVE NOTHING
TO CONTRIBUTE.
60
00:03:00,650 --> 00:03:02,220
Russell: IF WE COULD
JUST GET YOUR NAME?
61
00:03:02,250 --> 00:03:04,190
DORIS STEINMAN.
62
00:03:04,220 --> 00:03:08,620
I’M, UH,
37 YEARS OF AGE.
63
00:03:08,660 --> 00:03:10,630
D.O.A.’s FEMALE.
ESTHER EARLE.
64
00:03:10,660 --> 00:03:11,790
LIVED IN 4A.
65
00:03:11,830 --> 00:03:14,060
THAT LADY FOUND HER.
66
00:03:14,100 --> 00:03:17,030
I TAKE THE ELEVATOR
TO THE FIRST FLOOR
EVERY MORNING,
67
00:03:17,070 --> 00:03:19,200
AND THEN I RUN
UP THE STAIRS
TO MY FLOOR.
68
00:03:19,240 --> 00:03:20,610
Martinez: YOU LIVE
IN APARTMENT 12A?
69
00:03:20,640 --> 00:03:22,740
MORNING.
YEAH, MORNING.
70
00:03:22,770 --> 00:03:24,070
HEY, GREG.
71
00:03:24,110 --> 00:03:26,470
I’M ON FLOOR 12.
CORRECT.
72
00:03:26,510 --> 00:03:30,510
THE, UH, STAIRS IS
THE AEROBIC COMPONENT
OF MY EXERCISE REGIME.
73
00:03:34,620 --> 00:03:35,980
[SIGHS]
74
00:03:36,020 --> 00:03:37,920
CHOKED AND BEATEN.
75
00:03:37,960 --> 00:03:40,030
AND SHE WAS WRAPPED UP
AND DUMPED HERE.
76
00:03:42,830 --> 00:03:44,500
I GUESS WE OUGHT
TO CHECK HER APARTMENT.
77
00:03:49,330 --> 00:03:50,670
BEHIND YA.
78
00:03:53,300 --> 00:03:56,440
THAT AND A STRONG CUP
OF COFFEE EVERY MORNING,
79
00:03:56,470 --> 00:03:58,710
YOU’D HIT THE FLOOR RUNNIN’.
80
00:05:21,290 --> 00:05:23,760
WHAT ARE YOU DOIN’?
81
00:05:23,800 --> 00:05:25,540
CATCHIN’ MY BREATH.
82
00:05:32,240 --> 00:05:33,880
CAN I TALK TO YOU
ABOUT SOMETHIN’?
83
00:05:36,040 --> 00:05:38,340
I’M NOT SO SURE
I AIN’T GOT HALF
A SITUATION BREWIN’ UP
84
00:05:38,380 --> 00:05:39,920
WITH A FRIEND OF MINE
FROM THE SERVICE.
85
00:05:39,940 --> 00:05:41,580
WHAT TYPE SITUATION?
86
00:05:41,610 --> 00:05:43,210
I’M WORRIED FOR HIM,
YOU KNOW?
87
00:05:43,250 --> 00:05:44,420
FOR HIS EMOTIONAL
WELL‐BEING.
88
00:05:44,450 --> 00:05:46,050
WHAT’S HE DOING?
89
00:05:46,080 --> 00:05:48,250
HE’S GOT ANGER AND
DIFFICULTY ADJUSTING‐‐
90
00:05:48,290 --> 00:05:50,530
IT’S HARD FOR HIM
TO DEAL WITH.
91
00:05:50,560 --> 00:05:53,600
AND BEIN’
THE GOOD GUY HE IS,
HE LAUGHS IT OFF,
92
00:05:53,630 --> 00:05:55,430
HE TRIES MAKIN’ A JOKE
ABOUT EVERYTHING,
93
00:05:55,460 --> 00:05:57,190
BUT I CAN TELL
IT’S SNEAKIN’ IN ON HIM.
94
00:05:57,230 --> 00:06:00,600
YOU EVER SEEN HIM
LOSE HIS TEMPER?
95
00:06:00,630 --> 00:06:03,770
UPSET, WHEN WE SAW
SOME SAD THINGS
IN THE SERVICE,
96
00:06:03,800 --> 00:06:05,130
BUT I’VE NEVER
SEEN HIM BLOW.
97
00:06:07,610 --> 00:06:09,280
WE GOT RESERVE DUTY
THIS WEEKEND.
98
00:06:09,310 --> 00:06:11,820
I’M GONNA HAVE
A GOOD TALK WITH JOEY.
99
00:06:16,620 --> 00:06:18,290
THAT’S GOOD ADVICE,
ANDY.
100
00:06:19,820 --> 00:06:22,250
ANY REASON TO LIKE THE WOMAN
WHO FOUND THE D. O. A.?
101
00:06:22,290 --> 00:06:25,830
NAH. SHE FOUND HER ’CAUSE
SHE RUNS THE STAIRS
INSIDE THE BUILDING
102
00:06:25,860 --> 00:06:27,170
6:15 EVERY MORNING.
103
00:06:27,190 --> 00:06:28,490
WHAT’D THE NEIGHBORS SAY?
104
00:06:28,530 --> 00:06:30,940
THEY DIDN’T SEE THE D.O.A.
AROUND MUCH.
105
00:06:30,960 --> 00:06:33,660
FROM NOW ON, THEY AIN’T
GONNA BE SEEIN’ HER
AROUND AT ALL.
106
00:06:33,700 --> 00:06:36,160
AS FAR AS THAT GOES,
SHE WAS ON RESTRICTED
INCOME.
107
00:06:36,200 --> 00:06:39,770
HER HUSBAND WAS KILLED
A COUPLE OF YEARS AGO
BY A GYPSY CAB DRIVER.
108
00:06:39,800 --> 00:06:41,740
YEAH, HE LET
HIS LIFE INSURANCE
LAPSE.
109
00:06:41,770 --> 00:06:44,970
SO WE’LL DO FOLLOW‐UP CALLS
ON THE NOT‐AT‐HOMES?
110
00:06:45,010 --> 00:06:49,750
I DON’T KNOW. THERE’S
A LOT OF OTHER LIVE LEADS
TO PURSUE.
111
00:06:49,780 --> 00:06:52,310
CRIME SCENE’S PROCESSING
THE D. O. A.’s APARTMENT.
112
00:06:52,350 --> 00:06:53,850
WE’LL GO CHECK HOW
THEY’RE DOIN’ WITH THAT?
113
00:06:55,950 --> 00:06:58,150
WHY’D THEY CLOSE
THE DOOR?
114
00:06:58,190 --> 00:07:01,490
YOU WANNA GET A SUBPOENA
FROM THE D. A.’s OFFICE
FOR THE D. O. A.’s PHONE?
115
00:07:01,530 --> 00:07:02,870
YEAH.
116
00:07:07,000 --> 00:07:08,860
[CLEARING THROAT]
117
00:07:13,740 --> 00:07:15,970
Sipowicz:
THERE’S THAT FRIGHT WIG
FROM THE CRIME SCENE.
118
00:07:16,010 --> 00:07:19,220
HAS SOMETHING FOR
THE YOUNG DETECTIVE.
119
00:07:19,240 --> 00:07:21,610
OH, THE YOUNG
DETECTIVE.
120
00:07:21,650 --> 00:07:24,890
THE HANDSOME
YOUNG DETECTIVE
WITH THE SHORT HAIR.
121
00:07:30,250 --> 00:07:31,350
[SOBS]
122
00:07:37,830 --> 00:07:40,330
I’M DETECTIVE SORENSON.
123
00:07:40,360 --> 00:07:42,200
DORIS STEINMAN.
124
00:07:42,230 --> 00:07:45,000
MY COLLEAGUES SAID YOU’VE
GOT INFORMATION FOR ME.
125
00:07:45,040 --> 00:07:48,010
COULD WE TALK
SOMEWHERE...
SEQUESTERED?
126
00:07:48,040 --> 00:07:49,370
SURE.
127
00:07:59,520 --> 00:08:01,230
THANK YOU FOR TALKING
TO ME PRIVATELY.
128
00:08:08,560 --> 00:08:09,420
THANK YOU.
129
00:08:15,400 --> 00:08:16,770
YOU HAVE LOVELY MANNERS.
130
00:08:16,800 --> 00:08:18,300
THANK YOU.
131
00:08:20,070 --> 00:08:22,040
CERTAIN MATTERS
I’M MORE COMFORTABLE
132
00:08:22,070 --> 00:08:24,570
ADDRESSING WITH A YOUNG MAN
LIKE YOURSELF,
133
00:08:24,610 --> 00:08:28,410
STILL CONNECTED TO HIS
BODILY NEEDS AND DESIRES,
134
00:08:28,450 --> 00:08:31,390
WHICH PERHAPS AN OLDER MAN
LIKE YOUR PARTNER ISN’T.
135
00:08:31,420 --> 00:08:33,390
ALL RIGHT, MRS. STEINMAN,
136
00:08:33,420 --> 00:08:35,760
WHY DON’T YOU TELL ME
WHAT YOU NEED TO?
137
00:08:40,320 --> 00:08:42,720
[STIFLED SOB]
138
00:08:50,000 --> 00:08:54,240
THERE’S A TENANT IN 3B
139
00:08:54,270 --> 00:08:56,400
WHO’S BEEN ATTENDING
TO THE NEEDS AND DESIRES
140
00:08:56,440 --> 00:08:58,240
OF SOME OF THE WOMEN
IN THE BUILDING.
141
00:08:58,280 --> 00:09:01,750
WHEN HE SATISFIES THESE
WOMEN’S NEEDS AND DESIRES,
142
00:09:01,780 --> 00:09:03,580
DOES HE CHARGE THEM MONEY?
143
00:09:03,620 --> 00:09:05,590
YES.
144
00:09:05,620 --> 00:09:07,160
BUT THAT
DOESN’T KEEP HIM
145
00:09:07,190 --> 00:09:09,330
FROM SEEING YOU
AS A PERSON.
146
00:09:09,350 --> 00:09:10,750
WHAT’S
THIS TENANT’S NAME?
147
00:09:10,790 --> 00:09:12,590
RAUL.
148
00:09:12,620 --> 00:09:14,590
RAUL...
149
00:09:14,630 --> 00:09:17,940
RAUL MONTEZ OF 3B.
150
00:09:17,960 --> 00:09:22,500
DO YOU THINK RAUL MAY HAVE
BEEN INVOLVED IN THE DEATH
OF MRS. EARLE?
151
00:09:22,530 --> 00:09:24,430
WAS HE SERVICING HER,
DO YOU KNOW?
152
00:09:24,470 --> 00:09:28,800
WELL, WHAT RAUL TOLD ME
RECENTLY...
153
00:09:28,840 --> 00:09:33,010
HE‐‐HE TOLD ME HE WAS
ONLY SERVICING ME,
154
00:09:33,040 --> 00:09:35,240
BUT AFTER
A CONVERSATION I HAD
155
00:09:35,280 --> 00:09:37,650
WITH CLAUDIA FILMET,
IN 4F,
156
00:09:37,680 --> 00:09:40,680
I HAVE REASON
TO DOUBT HIS VERACITY.
157
00:09:40,720 --> 00:09:44,250
SO, IF YOU WERE TO ASK ME
TO GUESS THIS MORNING,
158
00:09:44,290 --> 00:09:48,020
I’D BET HE WAS STICKING IT
TO EVERY WOMAN
IN THE BUILDING.
159
00:09:48,060 --> 00:09:51,030
AND HE VERY WELL
MAY BE YOUR KILLER.
160
00:09:51,060 --> 00:09:54,430
SO YOU GONNA ARREST HIM?
161
00:09:54,470 --> 00:09:58,380
UM, IT’S A GOOD LEAD,
MRS. STEINMAN,
162
00:09:58,400 --> 00:10:00,470
BUT IT’S A LITTLE
PRELIMINARY FOR THAT.
163
00:10:00,500 --> 00:10:02,800
WELL, IF YOU DO
ARREST HIM,
164
00:10:02,840 --> 00:10:05,040
YOU MAKE SURE
165
00:10:05,080 --> 00:10:09,520
THAT YOU GIVE HIM
A GOOD BEATING
BEFORE YOU BRING HIM IN.
166
00:10:21,390 --> 00:10:22,890
YOU WANNA HEAR
SOMETHING FRIGHTENING?
167
00:10:22,930 --> 00:10:25,370
WHEN I WAS DRINKIN’,
168
00:10:25,400 --> 00:10:27,970
MANY EVENINGS I’D HAVE
THROWN A HUMP INTO HER.
169
00:10:28,000 --> 00:10:29,970
SHE SAYS A GIGOLO WAS
LIVING IN THE BUILDING.
170
00:10:30,000 --> 00:10:31,800
MIGHT’VE BEEN BANGING
THE D. O. A.
171
00:10:31,840 --> 00:10:35,150
SAYS HE WAS BANGING
THE BUILDING’S WHOLE
FEMALE POPULATION.
172
00:10:35,170 --> 00:10:36,170
IT’S A BIG BUILDING.
173
00:10:36,210 --> 00:10:37,680
3B. RAUL MONTEZ.
174
00:10:37,710 --> 00:10:40,140
[RING]
175
00:10:40,180 --> 00:10:41,280
15th SQUAD.
176
00:10:45,020 --> 00:10:46,160
SO YOU’RE AN ASSHOLE.
177
00:10:46,180 --> 00:10:48,280
WHAT ARE YOU
TELLIN’ ME FOR?
178
00:10:49,750 --> 00:10:51,990
OH, YOU’RE A GROPIST,
TOO?
179
00:10:52,020 --> 00:10:53,990
WHAT IS THAT,
A FARMERS’ GROUP?
180
00:10:54,030 --> 00:10:55,230
YOU GOT SOMETHIN’ ELSE
FOR ME?
181
00:10:59,100 --> 00:11:00,510
PERV?
182
00:11:00,530 --> 00:11:02,300
SECOND THOUGHTS.
CONFESSIN’ HIS SINS.
183
00:11:04,300 --> 00:11:08,400
NO ANSWER IN 3B
WHEN THEY CANVASSED.
184
00:11:08,440 --> 00:11:12,270
MAYBE, UH, RUN THIS GIGOLO
THROUGH B. C. I.?
185
00:11:12,310 --> 00:11:15,210
YEAH, YEAH,
LET ME FIND OUT
RAUL’S STORY.
186
00:11:17,620 --> 00:11:20,530
[RING]
187
00:11:20,550 --> 00:11:22,480
15th SQUAD.
188
00:11:25,890 --> 00:11:27,520
OH, YEAH?
189
00:11:27,560 --> 00:11:31,430
YOU’RE HIS AIDE AND
SPIRITUAL ADVISOR?
190
00:11:31,460 --> 00:11:32,760
HEY, THESE CALLS
ARE RECORDED,
191
00:11:32,800 --> 00:11:34,470
AND THEY CAN BE
TRACED, ALL RIGHT?
192
00:11:34,500 --> 00:11:36,200
YOU FOLLOW ME?
193
00:11:36,230 --> 00:11:38,870
NO, I DON’T EVEN WANT TO
THINK WHAT STUPID‐ASS
STUNT YOU PULLED
194
00:11:38,900 --> 00:11:40,700
PUT YOU ISSUIN’
THAT SICK TWITCH ORDERS,
195
00:11:40,740 --> 00:11:43,470
BUT YOU BETTER GET
THE HELL OFF THE PHONE
AND BEAT FEET,
196
00:11:43,510 --> 00:11:46,250
PUT SOME DISTANCE
BETWEEN YOU AND HIM
IMMEDIATELY.
197
00:11:48,850 --> 00:11:51,260
’CAUSE THE BOTH OF YOU
ARE BOTH ASSHOLES,
ALL RIGHT, PAL?
198
00:11:51,280 --> 00:11:53,480
AND YOU’RE A BIGGER ONE,
’CAUSE YOU OUGHT TO KNOW
BETTER,
199
00:11:53,520 --> 00:11:55,790
AND YOU’RE THE ONE
WHO’S GONNA GET JAMMED.
200
00:11:59,460 --> 00:12:00,670
[EXASPERATED SIGH]
201
00:12:00,690 --> 00:12:02,590
JERK’S PLAYIN’
PHONE GAMES.
202
00:12:02,630 --> 00:12:04,400
WELL, YOU GAVE HIM
A THOROUGH TALKIN’‐TO.
203
00:12:04,430 --> 00:12:07,830
YEAH, IT MAKES US
WASTE OUR TIME.
204
00:12:07,870 --> 00:12:10,010
YOU WANNA CONTACT B. C. I.?
205
00:12:10,030 --> 00:12:11,830
YEAH.
206
00:12:11,870 --> 00:12:14,040
YEAH, I WOULD.
207
00:12:16,110 --> 00:12:18,450
YOU KNOW WHAT, ANDY?
208
00:12:18,480 --> 00:12:19,990
WOULD YOU MIND DOIN’ IT?
209
00:12:20,010 --> 00:12:21,980
NO.
210
00:12:22,010 --> 00:12:24,110
YEAH, ’CAUSE I WANNA...
211
00:12:24,150 --> 00:12:26,110
I’M GONNA TAKE SOME
LOST TIME, YOU KNOW?
212
00:12:26,150 --> 00:12:29,520
I WAS GONNA SAY I WANNA
WALK AROUND THE BLOCK
AND CLEAR MY HEAD,
213
00:12:29,550 --> 00:12:33,760
BUT LET ME JUST GO AHEAD
AND TAKE A COUPLE HOURS
OF LOST TIME.
214
00:12:33,790 --> 00:12:36,460
YEAH, LET ME
GO TELL THE BOSS THAT.
215
00:12:38,330 --> 00:12:41,660
HOW SPECIFIC
DOES HE WANT YOU
ON YOUR REASONS?
216
00:12:41,700 --> 00:12:44,470
WE’RE WORKIN’ A MURDER.
HE PROBABLY DON’T WANT YOU
LEAVIN’ OFF A HEAD COLD.
217
00:12:44,500 --> 00:12:46,530
ANDY, BELIEVE ME‐‐
218
00:12:46,570 --> 00:12:49,000
MAYBE EXPLAIN TO HIM YOUR
ANTI‐CRANK CALL COUNSELING
219
00:12:49,040 --> 00:12:50,370
NEEDS PERSONAL FOLLOW‐UP.
220
00:12:54,410 --> 00:12:57,150
SAY YOU GOT
AN URGENT SITUATION.
221
00:12:57,180 --> 00:12:59,650
HE DON’T MAKE YOU GIVE
CHAPTER AND VERSE.
222
00:12:59,680 --> 00:13:01,350
YEAH? GOOD.
223
00:13:07,560 --> 00:13:08,720
YEAH?
224
00:13:08,760 --> 00:13:11,330
BOSS, I GOT A SITUATION
I NEED LOST TIME FOR.
225
00:13:11,360 --> 00:13:13,190
AN URGENT SITUATION.
226
00:13:13,230 --> 00:13:14,500
ANYTHING I CAN DO?
227
00:13:14,530 --> 00:13:16,330
IT SHOULD JUST BE
A COUPLE HOURS.
228
00:13:16,370 --> 00:13:18,510
ANDY’S GOT YOUR WORK?
229
00:13:18,540 --> 00:13:19,510
YEAH.
230
00:13:19,540 --> 00:13:22,480
THIS WON’T BE A HABIT.
231
00:13:22,510 --> 00:13:24,850
JUST AN URGENT THING
CAME UP SUDDENLY THAT
I GOT SOME CONCERN ABOUT.
232
00:13:29,880 --> 00:13:31,180
Sipowicz:
HOLD ON A SECOND.
233
00:13:31,220 --> 00:13:32,690
DON’T GET OVER YOUR HEAD.
234
00:13:32,720 --> 00:13:33,760
NO.
235
00:13:33,790 --> 00:13:34,760
YOU HEAR ME?
236
00:13:34,790 --> 00:13:35,860
YEAH, I UNDERSTAND.
237
00:13:52,070 --> 00:13:53,700
NYPD!
238
00:13:53,740 --> 00:13:56,370
WHAT HAPPENED, JOEY?
WHERE’S THE GUY?
239
00:13:56,410 --> 00:14:00,620
THE GROPIST TRIBUNAL
SENTENCED PASSENGER X
240
00:14:00,650 --> 00:14:03,190
TO DO AN EMISSIONS TEST
ON OUR CAR,
241
00:14:03,210 --> 00:14:04,680
AND HE PASSED US
WITH FLYING COLORS.
242
00:14:04,720 --> 00:14:06,890
YOU GRABBED HIM OFF YOUR BUS,
AND YOU BROUGHT HIM HERE?
243
00:14:06,920 --> 00:14:08,850
HE HAD EXITED MY BUS
244
00:14:08,890 --> 00:14:10,860
FOLLOWING ANOTHER
EPISODE OF GRAB‐ASS.
245
00:14:10,890 --> 00:14:13,190
THEN I BROUGHT HIM HERE
TO DO THE EMISSIONS TEST.
246
00:14:13,220 --> 00:14:14,690
WHAT HAPPENS TO YOUR BUS?
247
00:14:14,730 --> 00:14:16,740
PASSENGER X
AND I TAKE A CAB.
248
00:14:16,760 --> 00:14:19,030
WHAT HAPPENS TO YOUR BUS,
JOEY, WHILE YOU’RE
BRINGIN’ HIM OVER HERE?
249
00:14:19,060 --> 00:14:21,730
MY BUS IS AT THE CURB,
PARKED SAFELY.
250
00:14:21,770 --> 00:14:24,440
WITH THE PASSENGERS INSIDE
WONDERIN’ WHAT THE HELL
IS GOIN’ ON?
251
00:14:24,470 --> 00:14:26,670
THERE’S ALWAYS
ANOTHER BUS.
252
00:14:29,070 --> 00:14:30,710
WHAT’S IN
YOUR POCKET, JOEY?
253
00:14:30,740 --> 00:14:31,770
THAT...
254
00:14:31,810 --> 00:14:32,970
WOULD BE A WEAPON.
255
00:14:33,010 --> 00:14:36,710
FORMERLY
IN PASSENGER X’s
POSSESSION.
256
00:14:36,750 --> 00:14:38,410
GIVE IT TO ME.
NO.
257
00:14:38,450 --> 00:14:42,480
JOEY, CAN WE ELIMINATE
ONE OF THE JACKPOTS
YOU GOT WORKIN’?
258
00:14:42,520 --> 00:14:44,920
IF THIS IDIOT YOU LET GO
BRINGS THE COPS
THROUGH THE DOOR,
259
00:14:44,960 --> 00:14:46,500
I DON’T WANT YOU
HOLDIN’ A GUN.
260
00:14:46,520 --> 00:14:48,220
HE’S NOT BRINGIN’
THE COPS BACK.
261
00:14:48,260 --> 00:14:50,760
WHAT, THE GUN’S ILLEGAL?
HE DON’T WANT THE COPS
INVOLVED?
262
00:14:50,800 --> 00:14:51,940
DANNY...
263
00:14:51,960 --> 00:14:54,600
WHAT?
264
00:14:54,630 --> 00:14:57,470
STEP TO THE REAR
OF THE VEHICLE, PLEASE.
265
00:15:04,380 --> 00:15:06,650
OPEN THE TRUNK, OFFICER.
266
00:15:10,380 --> 00:15:13,110
HERE...IS PASSENGER X.
267
00:15:13,150 --> 00:15:15,020
WHERE HE’S OVERCOME HIMSELF
WITH REMORSE
268
00:15:15,050 --> 00:15:17,990
AND TRUSSED HIMSELF LIKE
AN UGLY GROPIST PIG.
269
00:15:18,020 --> 00:15:19,760
WHAT IS THE MATTER
WITH YOU?
270
00:15:19,790 --> 00:15:21,160
GIMME THE DAMN GUN,
JOEY!
271
00:15:21,190 --> 00:15:23,260
NO! ’CAUSE I GOTTA USE IT
AS A STARTER’S PISTOL,
272
00:15:23,290 --> 00:15:25,330
’CAUSE I’M ABOUT READY
TO BLOW MY HEAD OFF
273
00:15:25,360 --> 00:15:26,760
AND I NEED THE GUN
TO MAKE THE PLAN WORK.
274
00:15:26,800 --> 00:15:28,330
ALL RIGHT. STOP.
275
00:15:28,370 --> 00:15:30,440
STOP.
276
00:15:30,470 --> 00:15:32,030
DON’T DO NOTHIN’.
277
00:15:32,070 --> 00:15:34,900
AND I’M NOT
GONNA DO NOTHIN’.
ALL RIGHT, JOEY?
278
00:15:36,540 --> 00:15:38,140
ALL RIGHT?
279
00:15:38,180 --> 00:15:38,880
ALL RIGHT.
280
00:15:38,910 --> 00:15:40,380
RELAX.
281
00:15:40,410 --> 00:15:43,550
I’M NOT GONNA
DO NOTHIN’ YET.
282
00:15:43,580 --> 00:15:45,650
NOW YOU, PASSENGER X,
TALK AMONGST YOURSELF.
283
00:15:56,090 --> 00:15:57,360
[CLEARING THROAT]
284
00:16:00,570 --> 00:16:02,640
YOU KNOW
WHERE THIS KID IS?
285
00:16:02,670 --> 00:16:03,880
YOU SAID
HE TOOK LOST TIME.
286
00:16:03,900 --> 00:16:05,430
YEAH.
287
00:16:08,440 --> 00:16:09,610
PFFFT!
288
00:16:11,410 --> 00:16:13,010
[SIGHS]
289
00:16:13,040 --> 00:16:14,510
WHERE DO YOU THINK HE IS?
290
00:16:14,550 --> 00:16:17,920
INVOLVED
IN SOME QUAGMIRE
291
00:16:17,950 --> 00:16:20,320
WITH AN IDIOT FRIEND
HE’S GOT.
292
00:16:20,350 --> 00:16:21,950
[SIGHS]
293
00:16:25,260 --> 00:16:26,770
RAUL MONTEZ.
294
00:16:29,130 --> 00:16:32,100
RAUL,
I’M DETECTIVE SIPOWICZ.
295
00:16:32,130 --> 00:16:34,260
I DIDN’T REALIZE
YOU WERE COMING BY.
296
00:16:34,300 --> 00:16:38,700
A WOMAN WHERE I WORK OUT
SAID YOU WERE LOOKING
TO, UH, TALK TO ME?
297
00:16:38,740 --> 00:16:40,210
WHO WAS THAT?
298
00:16:40,240 --> 00:16:41,840
DORIS STEINMAN.
299
00:16:41,870 --> 00:16:44,740
COME ON.
LET’S TALK IN HERE.
300
00:16:47,880 --> 00:16:49,910
Sipowicz: HEY.
301
00:16:49,950 --> 00:16:52,250
EYES FRONT BEFORE YOU
FRACTURE YOUR SKULL.
302
00:16:59,090 --> 00:17:01,160
YOU SIT DOWN
OVER THERE.
303
00:17:03,430 --> 00:17:06,270
MRS. STEINMAN TOLD YOU
ABOUT YOUR NEIGHBOR
GETTIN’ MURDERED?
304
00:17:06,300 --> 00:17:08,640
[SIGHS] MRS. EARLE.
305
00:17:08,670 --> 00:17:10,780
SHE SAYS YOU WERE
TALKING TO EVERYONE
IN THE BUILDING.
306
00:17:10,800 --> 00:17:11,930
DID YOU KNOW
MRS. EARLE?
307
00:17:11,970 --> 00:17:14,240
CASUALLY.
308
00:17:14,270 --> 00:17:16,100
CASUALLY,
LIKE TO SAY HELLO TO?
309
00:17:16,140 --> 00:17:17,110
RIGHT.
310
00:17:17,140 --> 00:17:19,210
WHAT ABOUT
MRS. STEINMAN?
311
00:17:19,240 --> 00:17:20,610
THE SAME.
312
00:17:20,650 --> 00:17:21,950
A LITTLE BETTER.
313
00:17:21,980 --> 00:17:23,910
BUT YOU’D STILL PUT HER
UNDER "CASUAL."
314
00:17:23,950 --> 00:17:27,150
I MEAN...
YEAH.
315
00:17:27,190 --> 00:17:32,330
HMM. MRS. STEINMAN SAYS
YOU WERE BANGIN’ HER SILLY.
316
00:17:32,360 --> 00:17:34,000
THAT’S EXACTLY
WHY I CAME.
317
00:17:34,030 --> 00:17:35,930
SHE HAD THIS WACKY LOOK
ON HER FACE.
318
00:17:35,960 --> 00:17:37,560
CAME UP TO ME
ON THE TREADMILL.
319
00:17:37,600 --> 00:17:39,500
"THE POLICE ARE GONNA
WANNA TALK TO YOU,
RAUL."
320
00:17:39,530 --> 00:17:41,760
THIS MRS. STEINMAN
HARBORS A GRIEVANCE
TOWARDS YOU?
321
00:17:41,800 --> 00:17:42,760
OH, MAN.
322
00:17:42,800 --> 00:17:45,430
THE GREEN‐EYED
MONSTER.
323
00:17:45,470 --> 00:17:46,770
YOU KNOW
WHAT THAT MEANS?
324
00:17:49,540 --> 00:17:52,770
RAUL, DID YOU EVER
PUT YOUR LOVE WAND
325
00:17:52,810 --> 00:17:54,610
INTO MRS. EARLE
WHO WOUND UP DEAD?
326
00:17:54,650 --> 00:17:56,120
WHOA, WHOA, WHOA,
WHOA, WHOA.
327
00:17:56,150 --> 00:17:58,090
I DON’T COUNT THAT A CRIME.
328
00:17:58,120 --> 00:18:00,030
BUT I’D ALSO LIKE TO MAKE SURE
YOU DIDN’T CROAK HER,
329
00:18:00,050 --> 00:18:04,090
AND YOU BEIN’ CANDID
GOES A WAYS TOWARD
REASSURING ME.
330
00:18:04,120 --> 00:18:06,450
OK.
331
00:18:06,490 --> 00:18:07,990
LET ME BE HONEST
WITH YOU.
332
00:18:08,030 --> 00:18:09,300
PLEASE.
333
00:18:09,330 --> 00:18:11,440
I DID HAVE SEX
WITH WOMEN
IN THAT BUILDING.
334
00:18:11,460 --> 00:18:12,690
INCLUDING MRS. EARLE?
335
00:18:12,730 --> 00:18:13,830
NEVER.
336
00:18:17,470 --> 00:18:20,340
ON WHAT BASIS DIDN’T YOU
HAVE SEX WITH HER?
337
00:18:20,370 --> 00:18:21,500
WHAT DO
YOU MEAN?
338
00:18:21,540 --> 00:18:23,300
WHY’D SHE GET EXCLUDED?
339
00:18:23,340 --> 00:18:26,170
MRS. STEINMAN SAYS YOU BANGED
EVERY WOMAN IN THE BUILDING.
340
00:18:26,210 --> 00:18:28,110
DETECTIVE...
341
00:18:28,150 --> 00:18:29,790
THAT’S A BIG BUILDING.
342
00:18:29,810 --> 00:18:31,310
YOU’VE BEEN IN
THAT BUILDING, RIGHT?
343
00:18:31,350 --> 00:18:33,450
YEAH, IT’S GOOD‐SIZED.
344
00:18:33,480 --> 00:18:35,980
IT’S NOT REALISTIC.
345
00:18:36,020 --> 00:18:39,190
SO...YOU’RE SAYIN’
346
00:18:39,220 --> 00:18:43,790
MRS. EARLE WAS AMONG A LOT
OF WOMEN THAT YOU DIDN’T
HAVE RELATIONS WITH.
347
00:18:43,830 --> 00:18:46,130
THERE’S 10 WOMEN
IN THAT BUILDING
I HAD RELATIONS WITH...
348
00:18:46,160 --> 00:18:47,460
IT’S A LOT.
349
00:18:47,500 --> 00:18:50,400
I GOT IT.
350
00:18:50,430 --> 00:18:52,000
THAT’S THE WHOLE STORY.
351
00:18:52,040 --> 00:18:54,510
AND YOU COME IN HERE
TO TELL ME THAT.
352
00:18:54,540 --> 00:18:57,210
’CAUSE I HAD A SNEAKING
IDEA THAT THAT BITCH
WOULD PUT ME WRONG.
353
00:18:57,240 --> 00:19:00,980
RAUL, THANK YOU VERY MUCH.
354
00:19:01,010 --> 00:19:02,740
HEY...
BELIEVE ME.
355
00:19:05,520 --> 00:19:07,590
DETECTIVE.
356
00:19:07,620 --> 00:19:09,120
DO YOU LIKE
COCKTAIL NUTS?
357
00:19:11,860 --> 00:19:13,970
YEAH, I’LL HAVE
AN OCCASIONAL NUT.
358
00:19:15,790 --> 00:19:18,890
THIS IS FOR YOU...
AND YOUR ENTIRE FORCE.
359
00:19:20,600 --> 00:19:21,560
EH?
360
00:19:24,970 --> 00:19:26,530
RAUL,
361
00:19:26,570 --> 00:19:29,200
THANK YOU FROM MY FORCE
FOR THESE NUTS.
362
00:19:37,720 --> 00:19:40,390
OH. WHAT DID "RRRAUL"
HAVE?
363
00:19:40,420 --> 00:19:42,550
THAT’S WHO
THAT BATTLE‐AX
TOLD SORENSON ABOUT.
364
00:19:42,590 --> 00:19:44,100
THE CASANOVA?
365
00:19:44,120 --> 00:19:46,420
SAID HE DEFINITELY
DIDN’T BANG THE D. O. A.
366
00:19:46,460 --> 00:19:48,800
CAME IN TO VOLUNTEER THAT.
367
00:19:48,830 --> 00:19:50,970
YOU GOTTA WONDER,
IS THAT A GUILTY MIND?
368
00:19:51,000 --> 00:19:52,470
ALTHOUGH SHE WENT
TO BREAK HIS SHOES
AT THE GYM,
369
00:19:52,500 --> 00:19:54,070
THAT BATTLE‐AX
MRS. STEINMAN‐‐
370
00:19:54,100 --> 00:19:55,530
SAID THAT WE’D BE
WANTIN’ TO TALK TO HIM.
371
00:19:55,570 --> 00:19:57,410
SO HE MIGHT’VE COME IN
OFF THAT.
372
00:19:57,440 --> 00:19:59,410
HUH. WHAT’S THE PACKAGE?
373
00:20:01,670 --> 00:20:05,010
HE GIVE ME A COCKTAIL
PEANUT ASSORTMENT
FOR THE SQUAD.
374
00:20:08,310 --> 00:20:10,780
UM...I’M LOOKING
FOR DETECTIVE RUSSELL.
375
00:20:10,820 --> 00:20:12,260
I’M DIANE RUSSELL.
376
00:20:12,280 --> 00:20:12,980
I’M IRIS MONTEZ.
377
00:20:14,990 --> 00:20:17,400
YOU LEFT THIS
UNDER MY DOOR.
RIGHT.
378
00:20:17,420 --> 00:20:18,650
THANKS FOR COMING IN.
379
00:20:18,690 --> 00:20:21,220
THIS IS, UH, MY PARTNER
JILL KIRKENDALL.
380
00:20:21,260 --> 00:20:22,890
HOW DO YOU DO?
381
00:20:22,930 --> 00:20:24,000
WHY DON’T WE TALK
IN THE COFFEE ROOM?
382
00:20:24,030 --> 00:20:25,290
ALL RIGHT.
383
00:20:25,330 --> 00:20:26,760
UH, WAS ANYONE
LEAVING, IRIS,
384
00:20:26,800 --> 00:20:28,900
WHEN YOU WERE
COMING UP?
385
00:20:28,930 --> 00:20:30,670
Iris: UH, NO.
I DIDN’T SEE ANYONE.
386
00:20:35,710 --> 00:20:39,590
YOU KNOW WHAT SORENSON’S
LOST TIME IS ABOUT?
387
00:20:39,610 --> 00:20:40,810
NO.
388
00:20:47,220 --> 00:20:49,990
WHEN YOU LEFT THE CARD,
I KNEW YOU WANTED TO SPEAK.
389
00:20:50,020 --> 00:20:52,150
WHEN WE WERE
IN YOUR BUILDING
THIS MORNING,
390
00:20:52,190 --> 00:20:53,590
WHERE WERE YOU?
391
00:20:53,630 --> 00:20:55,330
I MUST’VE BEEN OUT
SOMEWHERE.
392
00:20:55,360 --> 00:20:57,160
I‐‐I WAS SEEING
MY MOTHER.
393
00:20:57,200 --> 00:20:59,370
OH. WHERE DOES
SHE LIVE?
THE BRONX.
394
00:20:59,400 --> 00:21:00,870
YOU WENT TO SEE HER
EARLY.
395
00:21:00,900 --> 00:21:03,330
I DIDN’T SEE ANY STRANGE
COMINGS OR GOINGS.
396
00:21:03,370 --> 00:21:06,380
SEVERAL NEIGHBORS,
I KNOW YOU ASKED THEM THAT.
397
00:21:06,400 --> 00:21:07,940
NO STRANGE MEN
AROUND THE BUILDING?
398
00:21:07,970 --> 00:21:08,970
NO.
399
00:21:09,010 --> 00:21:11,650
HOW WELL DID YOU
KNOW MRS. EARLE?
400
00:21:11,680 --> 00:21:13,990
TO SAY HELLO
IN THE LAUNDRY ROOM.
401
00:21:14,010 --> 00:21:15,980
DO YOU KNOW
IF YOUR HUSBAND
KNEW MRS. EARLE?
402
00:21:16,010 --> 00:21:18,480
HE’S VERY BUSY
WITH HIS NUT BUSINESS,
403
00:21:18,520 --> 00:21:20,560
SELLING RETAIL
VARIETY ASSORTMENTS.
404
00:21:20,590 --> 00:21:23,290
IN TERMS OF WHY
WE HAVEN’T BEEN ABLE
TO GET IN TOUCH WITH HIM?
405
00:21:23,320 --> 00:21:25,550
HOW HE MIGHT’VE
KNOWN HER.
406
00:21:25,590 --> 00:21:28,590
HE WAS ACTIVE
IN THE BUILDING,
SELLING HIS NUTS.
407
00:21:30,390 --> 00:21:32,160
OH.
408
00:21:32,200 --> 00:21:35,010
BUT YOU DON’T KNOW FOR CERTAIN
ONE WAY OR ANOTHER
409
00:21:35,030 --> 00:21:36,630
IF YOUR HUSBAND AND
MRS. EARLE WERE ACQUAINTED?
410
00:21:36,670 --> 00:21:39,470
NO, NOT FOR CERTAIN
IF RAUL KNEW HER.
411
00:21:39,500 --> 00:21:43,240
WELL, UM, THANKS FOR BEING
SO COOPERATIVE, MRS. MONTEZ.
412
00:21:43,270 --> 00:21:45,370
AND I DON’T KNOW WHY
I GET THIS FEELING,
413
00:21:45,410 --> 00:21:47,380
BUT IF YOU WERE
IN YOUR APARTMENT
414
00:21:47,410 --> 00:21:48,710
WHEN WE WERE
IN THE BUILDING EARLIER
415
00:21:48,750 --> 00:21:50,720
AND YOU WERE AFRAID
TO TALK WITH US,
416
00:21:50,750 --> 00:21:52,550
DON’T BE EMBARRASSED
ABOUT THAT.
417
00:21:52,580 --> 00:21:55,420
SOME PEOPLE ARE AFRAID TO
HAVE TO DO WITH THE POLICE.
418
00:21:55,450 --> 00:21:57,490
OH, ONE REASON OR ANOTHER,
419
00:21:57,520 --> 00:22:00,660
SOME PEOPLE TAKE A LITTLE
WHILE COMING FORWARD
WITH WHAT THEY KNOW.
420
00:22:00,690 --> 00:22:03,320
AND WE NEVER HOLD THAT
AGAINST THEM, AS LONG
AS THEY WEREN’T INVOLVED.
421
00:22:03,360 --> 00:22:04,560
OK.
422
00:22:04,600 --> 00:22:05,700
THANK YOU.
423
00:22:16,440 --> 00:22:17,410
OK, IRIS.
424
00:22:17,440 --> 00:22:18,570
OK.
425
00:22:20,480 --> 00:22:22,880
THE ONLY THING
I CAN THINK OF
426
00:22:22,910 --> 00:22:25,380
IS HE WAS USING
THE DOWNSTAIRS JOHN
WHEN SHE WAS WALKING IN.
427
00:22:25,420 --> 00:22:26,890
THAT’S EXACTLY THE SCENARIO.
428
00:22:26,920 --> 00:22:28,950
HE’S PISSIN’
IN THE DOWNSTAIRS LAVATORY
429
00:22:28,990 --> 00:22:32,230
WHILE SHE’S MAKIN’ HER WAY IN,
AND THEIR PATHS NEVER CROSS.
430
00:22:32,260 --> 00:22:33,970
UNLESS THEY’RE
RUNNIN’ SOMETHIN’
431
00:22:33,990 --> 00:22:36,090
AND THEY’RE
IN COMPLETE COLLUSION.
432
00:22:36,130 --> 00:22:37,740
HE’D BE THE ONE
RUNNING IT.
433
00:22:37,760 --> 00:22:39,130
YEAH, SHE’S
SCARED TO DEATH.
434
00:22:39,160 --> 00:22:40,760
IF HE’S RUNNIN’ IT,
435
00:22:40,800 --> 00:22:43,130
HE’D BE A MORON
WALKIN’ HER IN
AS HE’S LEAVIN’
436
00:22:43,170 --> 00:22:45,040
AND NOT MAKIN’
NOTHIN’ OUT OF IT.
437
00:22:45,070 --> 00:22:46,130
WELL, IF THEY CAME IN
SEPARATE,
438
00:22:46,170 --> 00:22:47,400
HER BEING THAT AFRAID
439
00:22:47,440 --> 00:22:48,700
MEANS SHE THINKS
HE’S INVOLVED.
440
00:22:48,740 --> 00:22:52,610
[TELEPHONE RINGS]
441
00:22:52,640 --> 00:22:54,410
15th SQUAD.
442
00:22:56,780 --> 00:22:59,920
YEAH. YEAH,
WHAT CAN I DO FOR YA?
443
00:22:59,950 --> 00:23:02,120
[SIGHS]
444
00:23:02,150 --> 00:23:04,790
I’LL TELL YA, I’M SURPRISED
AS HELL TO HEAR THAT.
445
00:23:04,820 --> 00:23:07,560
THAT’S A TURN OF EVENTS
THAT WOULD BE TOTALLY
OUT OF LEFT FIELD
446
00:23:07,590 --> 00:23:11,090
AS LONG AS
YOU NEVER HAD A BRAIN
IN YOUR HEAD TO EXPECT IT.
447
00:23:11,130 --> 00:23:12,960
[SIGHS]
448
00:23:13,000 --> 00:23:16,470
ALL RIGHT. WHERE
WOULD YOU BE PRESENTLY?
449
00:23:18,540 --> 00:23:21,110
ALL RIGHT. LET ME
TAKE A RIDE OVER THERE.
450
00:23:21,140 --> 00:23:23,140
THANKS.
451
00:23:23,170 --> 00:23:25,140
YEAH.
452
00:23:25,180 --> 00:23:27,320
I’LL BE ARRIVING
AS A PRIVATE CITIZEN.
453
00:23:27,350 --> 00:23:29,020
MM‐HMM.
454
00:23:49,030 --> 00:23:50,870
WOULD YOU PLEASE
GET OUT OF THE CAR?
455
00:23:50,900 --> 00:23:53,170
I’M COMFORTABLE
IN THE VEHICLE,
456
00:23:53,200 --> 00:23:55,100
AND I BELIEVE
PASSENGER X
457
00:23:55,140 --> 00:23:58,540
IS COMFORTABLE
WITH ME IN HERE,
ISN’T THAT RIGHT?
458
00:23:58,580 --> 00:24:01,990
OH, NOW, THAT’S
A NASTY, NASTY LOOK.
459
00:24:02,010 --> 00:24:04,350
YOU BETTER TURN THAT
FROWN UPSIDE DOWN,
460
00:24:04,380 --> 00:24:05,950
OR YOU KNOW
WHAT’S GONNA HAPPEN?
461
00:24:05,980 --> 00:24:07,820
IT COULD
BE VISOR TIME.
462
00:24:10,050 --> 00:24:12,720
PASSENGER X IS ANGRY.
HE FEELS PUT‐UPON,
463
00:24:12,760 --> 00:24:15,200
BECAUSE HE WAS ENGAGED
IN SUCH CONSTRUCTIVE
ACTIVITY
464
00:24:15,230 --> 00:24:17,000
BEFORE I INTERRUPTED
HIS DAY,
465
00:24:17,030 --> 00:24:20,300
EXECUTING FAKE LURCHES
466
00:24:20,330 --> 00:24:22,900
IN THE MIDDLE OF
THE AISLE OF MY BUS
467
00:24:22,930 --> 00:24:26,500
SO HE COULD SLAP
THE LEFT AND RIGHT TITS
OF WORKING WOMEN.
468
00:24:28,110 --> 00:24:30,350
AND YOU KNOW SOMETHING,
DANNY?
469
00:24:30,370 --> 00:24:34,310
UNTIL I ADORN
MY BRAIN MATTER
OUTSIDE MY SKULL,
470
00:24:34,350 --> 00:24:36,990
I HAVE EVERY EXPECTATION
471
00:24:37,020 --> 00:24:39,760
THAT I WILL SPEND THE
REST OF MY WORKING LIFE
472
00:24:39,780 --> 00:24:42,420
TAKING ORDERS
FROM A DILDO LIKE HIM
473
00:24:42,450 --> 00:24:44,520
OR SOME BOZO‐NOSED COUSIN
474
00:24:44,560 --> 00:24:46,770
OF SOME ASSHOLE
ACQUAINTANCE OF HIS!
475
00:24:46,790 --> 00:24:48,990
JOEY, THERE’S
NOTHING HERE THAT
CANNOT BE FIXED.
476
00:24:49,030 --> 00:24:51,600
THIS CAN’T BE FIXED!
477
00:24:51,630 --> 00:24:53,530
WELL, MAYBE IF
IT WASN’T DRENCHED
WITH SO MUCH ALCOHOL.
478
00:24:53,570 --> 00:24:55,740
DRENCHING WAS GOOD FOR IT.
DRENCHING KEPT IT GREEN.
479
00:24:55,770 --> 00:24:56,510
[KNOCK ON DOOR]
480
00:24:56,530 --> 00:24:57,600
ANDY?
481
00:24:57,640 --> 00:24:59,040
YEAH.
482
00:24:59,070 --> 00:25:00,770
THIS IS MY PARTNER,
JOEY.
483
00:25:00,810 --> 00:25:02,780
THIS IS MY PARTNER.
484
00:25:02,810 --> 00:25:04,380
ADMIT HIM.
485
00:25:05,740 --> 00:25:07,080
HI, ANDY.
486
00:25:08,250 --> 00:25:09,150
YEAH, HI.
487
00:25:16,720 --> 00:25:18,620
THIS IS MY BUDDY JOEY.
488
00:25:18,660 --> 00:25:20,370
JOE DWYER.
489
00:25:20,390 --> 00:25:22,360
LET’S NOT BE THROWING
AROUND A LOT OF LAST NAMES.
490
00:25:22,390 --> 00:25:23,930
COME HERE.
491
00:25:23,960 --> 00:25:26,960
IS THIS GONNA BE SOMETHING
THAT THE WHOLE CLASS
CAN APPRECIATE?
492
00:25:27,000 --> 00:25:29,030
DO YOU THINK
THIS IS FUNNY, HUH?
493
00:25:29,070 --> 00:25:31,440
YOU THINK WE’RE DOWN HERE
PLAYING GAMES?
494
00:25:31,470 --> 00:25:32,800
JOEY’S UPSET.
495
00:25:32,840 --> 00:25:35,980
YEAH? JOEY THAT YOU WERE
TELLING ME WAS STAND‐UP
496
00:25:36,010 --> 00:25:38,420
AND IN THE MIDDLE OF THINGS
WITH YOU OVERSEAS.
497
00:25:38,440 --> 00:25:40,440
HOW I ALWAYS THOUGHT
ABOUT IT, PAL,
498
00:25:40,480 --> 00:25:42,610
IF I WAS LOOKIN’
TO HURT MYSELF,
499
00:25:42,650 --> 00:25:46,060
IT WOULDN’T BE PUTTIN’
MY FRIENDS LOSIN’ THEIR JOBS
WHILE I DID IT.
500
00:25:46,080 --> 00:25:49,150
BUT MAYBE YOU GOT
DIFFERENT IDEAS ABOUT
HOW TO TREAT YOUR BUDDIES.
501
00:25:49,190 --> 00:25:51,400
I’M NOT LOOKIN’
TO PUT DANNY IN TROUBLE.
502
00:25:51,420 --> 00:25:52,990
OH, OH, YOU’RE ONE
OF THOSE KIND OF MUTTS.
503
00:25:53,020 --> 00:25:56,590
"OH, WHAT HAPPENED?
WHAT HAPPENED THAT I DIDN’T
MEAN TO TAKE PLACE?"
504
00:25:56,630 --> 00:25:58,590
BELIEVE ME, ANDY,
JOEY’S A RIGHT GUY.
505
00:25:58,630 --> 00:26:01,330
YEAH. YEAH,
TAPING THIS GUY UP
LIKE A MAFIA HIT MAN
506
00:26:01,370 --> 00:26:03,470
AND CARRYING ON LIKE
THAT EXERCISE FRUIT.
507
00:26:03,500 --> 00:26:05,000
WHO?
508
00:26:05,040 --> 00:26:07,010
THAT EXERCISE FRUIT
WITH THE CURLY HAIR
509
00:26:07,040 --> 00:26:08,400
AND THE SLEEVELESS
T‐SHIRTS
510
00:26:08,440 --> 00:26:10,610
GETS ALL EMOTIONAL
ABOUT EVERYTHING,
511
00:26:10,640 --> 00:26:12,640
"OH, SHE LOST 80 POUNDS,
BOO HOO HOO."
512
00:26:20,180 --> 00:26:22,520
YOU WANT TO TRY
STRAIGHTENIN’
THINGS OUT OR NOT?
513
00:26:22,550 --> 00:26:24,820
WHAT HAVE YOU
GOT IN MIND?
514
00:26:27,060 --> 00:26:28,860
MMM.
515
00:26:32,800 --> 00:26:34,510
LET’S FIGURE
SOMETHING OUT.
516
00:26:50,410 --> 00:26:52,510
Mrs. Steinman: HELLO.
517
00:26:55,350 --> 00:26:56,950
CAN I HELP YOU?
518
00:26:56,990 --> 00:26:59,320
I’M NOT CERTAIN.
519
00:26:59,360 --> 00:27:02,870
ARE YOU INVOLVED
WITH THE DETECTIVE WORK?
520
00:27:02,890 --> 00:27:06,060
I’M ARTHUR FANCY,
I’M THE LIEUTENANT
IN CHARGE OF THE SQUAD.
521
00:27:06,100 --> 00:27:09,740
SO YOU WOULD BE THAT
YOUNG DETECTIVE’S
SUPERVISOR?
522
00:27:09,770 --> 00:27:12,700
DETECTIVE SORENSON.
YES, I THINK
THAT’S HIS NAME.
523
00:27:12,740 --> 00:27:14,650
WHERE WOULD I FIND HIM?
524
00:27:14,670 --> 00:27:17,010
DETECTIVE SORENSON’S
NOT IN.
525
00:27:17,040 --> 00:27:19,210
OH, WELL, COULD YOU GET HIM
TO COME BACK, PLEASE?
526
00:27:19,240 --> 00:27:20,840
WHAT’S YOUR NAME, PLEASE?
527
00:27:20,880 --> 00:27:22,240
DORIS STEINMAN.
528
00:27:22,280 --> 00:27:23,880
HE INTERVIEWED ME.
529
00:27:23,920 --> 00:27:27,490
YEAH, I’M NOT SURE
WHEN DETECTIVE SORENSON
WILL BE BACK,
530
00:27:27,520 --> 00:27:31,190
BUT, UH, YOU CAN
TALK TO ONE OF THE OTHER
DETECTIVES ON THAT CASE.
531
00:27:31,220 --> 00:27:33,890
NO. NO, NO, NO, I‐‐
532
00:27:33,930 --> 00:27:36,700
I DON’T THINK SO.
533
00:27:36,730 --> 00:27:38,330
WHAT IS IT?
534
00:27:38,360 --> 00:27:40,060
OH, MY GOD!
535
00:27:40,100 --> 00:27:42,230
DO YOU WANT
SOME WATER?
536
00:27:44,700 --> 00:27:48,340
I WANT THAT IMAGE
OUT OF MY HEAD,
DO YOU UNDERSTAND?
537
00:27:48,370 --> 00:27:52,540
HIS TUSH, NAKED,
PUMPING UP AND DOWN
538
00:27:52,580 --> 00:27:57,390
IN THE MIDDLE OF ALL
THOSE NICKELS AND DIMES.
539
00:27:57,420 --> 00:28:00,230
WHERE DID THIS HAPPEN?
540
00:28:00,250 --> 00:28:02,780
HE WAS...
541
00:28:02,820 --> 00:28:04,890
SERVICING HER
542
00:28:04,920 --> 00:28:08,790
ON THE CHEAP SHAG CARPET
IN HER LIVING ROOM.
543
00:28:08,830 --> 00:28:11,800
THE NICKELS AND DIMES
FROM THE PIGGY BANK
544
00:28:11,830 --> 00:28:14,800
SHE BROKE TO PAY HIM
545
00:28:14,830 --> 00:28:18,130
WERE STICKING
TO THE BACK OF HER LEGS,
546
00:28:18,170 --> 00:28:20,140
WHICH WERE
FLAILING AROUND
547
00:28:20,170 --> 00:28:23,300
LIKE SHE WAS
AN UPSIDE DOWN TURTLE.
548
00:28:23,340 --> 00:28:26,880
UM, THE WOMAN
BEING SERVICED...
549
00:28:26,910 --> 00:28:27,980
WHAT ABOUT HER?
550
00:28:28,010 --> 00:28:31,050
UM, WHO WAS SHE?
551
00:28:31,080 --> 00:28:32,950
YOUR VICTIM,
552
00:28:32,980 --> 00:28:37,920
AND THE CALLOUS GREASEBALL
HUMPING HER WAS RAUL MONTEZ,
553
00:28:37,960 --> 00:28:42,330
WHOM I PREVIOUSLY TOLD
THE YOUNG DETECTIVE
HE SHOULD ARREST,
554
00:28:42,360 --> 00:28:45,930
BUT I‐‐I WASN’T
COMPLETELY FORTHCOMING
555
00:28:45,960 --> 00:28:49,330
WITH ALL
THE SUPPORTING DETAILS,
556
00:28:49,370 --> 00:28:52,340
INSOFAR AS...
557
00:28:52,370 --> 00:28:55,770
SEEING HIS NAKED ASS
IN HER APARTMENT
558
00:28:55,810 --> 00:28:58,320
SHORTLY BEFORE
SHE WAS KILLED.
559
00:29:01,210 --> 00:29:04,180
UM, DO YOU THINK
HE KILLED HER?
560
00:29:04,220 --> 00:29:06,630
SHE SOUNDED LIKE
SHE WAS NEAR DEATH
561
00:29:06,650 --> 00:29:10,020
WITH THE WAR WHOOPS SHE WAS
LETTIN’ OUT ON THE CARPET
WHEN HE BANGED HER.
562
00:29:10,050 --> 00:29:12,520
MRS. STEINMAN,
I’M GONNA SIT DOWN,
563
00:29:12,560 --> 00:29:14,200
I’M GONNA TAKE
SOME INFORMATION,
564
00:29:14,230 --> 00:29:17,740
AND I NEED YOU
TO SIT DOWN THERE,
PLEASE.
565
00:29:24,800 --> 00:29:27,170
MRS. STEINMAN,
THE FACT THIS RAUL
566
00:29:27,210 --> 00:29:29,880
WAS CARRYING ON
AN AFFAIR WITH‐‐
567
00:29:29,910 --> 00:29:32,340
YOU HAD HIM IN CUSTODY
IN THIS BUILDING,
AND YOU LET HIM GO.
568
00:29:32,380 --> 00:29:35,020
RAUL CAME IN VOLUNTARILY
TO BE INTERVIEWED,
569
00:29:35,050 --> 00:29:38,160
BUT WE ARE
ABSOLUTELY GONNA HAVE
A SECOND CONVERSATION.
570
00:29:38,180 --> 00:29:40,820
YOU’RE NOT GONNA
ARREST HIM?
571
00:29:40,850 --> 00:29:42,450
NOT THIS MINUTE,
572
00:29:42,490 --> 00:29:44,200
BUT WE’RE DEFINITELY
GONNA LOOK AT HIM
HARD.
573
00:29:49,660 --> 00:29:51,460
YEAH.
574
00:29:51,500 --> 00:29:53,710
THAT’S WHAT GOT ME
INTO TROUBLE.
575
00:30:22,290 --> 00:30:24,030
LET’S‐‐LET’S GET YOU
SITTING UP HERE.
576
00:30:24,060 --> 00:30:25,890
SIT UP STRAIGHT,
WILL YOU?
577
00:30:25,930 --> 00:30:27,300
LET’S GO.
578
00:30:30,300 --> 00:30:33,530
WHAT HAPPENED
ON THAT BUS‐‐
579
00:30:33,570 --> 00:30:36,540
YOU SHOWED HIM A GUN
YOU FOUND
UNDER YOUR SEAT
580
00:30:36,580 --> 00:30:40,020
THAT YOU REALIZED
COULD GET YOU A YEAR
IN JAIL MINIMUM,
581
00:30:40,040 --> 00:30:42,340
THAT YOU
SIGNALED TO HIM
FRANTICALLY ABOUT
582
00:30:42,380 --> 00:30:44,050
IN THE REARVIEW MIRROR
583
00:30:44,080 --> 00:30:46,110
TO WHERE HE PULLED OVER
AND PARKED
584
00:30:46,150 --> 00:30:47,680
AND CAME BACK
TO ASK YOU
585
00:30:47,720 --> 00:30:49,080
WHAT YOU WERE
SIGNALING FOR.
586
00:30:49,120 --> 00:30:51,250
BUT, IN YOUR
FRANTIC STATE,
587
00:30:51,290 --> 00:30:53,920
YOU, UH, YOU BOLTED
OFF THE BUS
588
00:30:53,960 --> 00:30:55,690
WHEN HE COME TO YOU.
589
00:30:55,730 --> 00:30:57,940
SO HE DID HIS‐‐
HIS CITIZEN’S DUTY,
590
00:30:57,960 --> 00:30:59,960
AND HE GOT OFF, TOO,
591
00:31:00,000 --> 00:31:03,770
AND HE FOLLOWED YOU
TO REASSURE AND
CALM YOU DOWN
592
00:31:03,800 --> 00:31:06,570
AND BROUGHT YOU HERE
SO HE COULD CALL
593
00:31:06,610 --> 00:31:09,280
HIS FRIEND ON THE JOB
TO ASK ADVICE,
594
00:31:09,310 --> 00:31:12,580
AND HIS FRIEND DANNY
THEN CALLED ME.
595
00:31:16,680 --> 00:31:19,450
THE THREE OF US ARE
GONNA BACK EACH OTHER
ON THAT.
596
00:31:21,590 --> 00:31:23,960
WHAT DO YOU SAY? HMM?
597
00:31:23,990 --> 00:31:25,590
MAKE IT A FOURSOME,
598
00:31:25,620 --> 00:31:27,260
YOU DON’T
GET CHARGED WITH
FOR CONCEALING A WEAPON
599
00:31:27,290 --> 00:31:28,920
OR PINCHING TIT.
600
00:31:28,960 --> 00:31:30,490
AREN’T YOU GONNA
BOIL ME AND EAT ME?
601
00:31:30,530 --> 00:31:32,330
ISN’T THAT WHAT
THIS IS ABOUT, HUH?
HEY, HEY, PAL, PAL,
602
00:31:32,360 --> 00:31:34,230
IF WE WERE CANNIBALS,
THIS WHOLE SITUATION
603
00:31:34,270 --> 00:31:36,240
WOULD BE A LOT LESS
COMPLICATED.
604
00:31:36,270 --> 00:31:37,680
WE’D JUST CUT YOU UP
INTO STEAKS.
605
00:31:37,700 --> 00:31:39,330
NOBODY IS SAYING
606
00:31:39,370 --> 00:31:41,640
THAT YOU DIDN’T HAVE
A ROUGH AFTERNOON.
607
00:31:47,380 --> 00:31:49,140
CLOSE THE TRUNK, DRIVE
THE CAR OFF THE PIER.
608
00:31:49,180 --> 00:31:50,150
[MUMBLING]
609
00:31:57,490 --> 00:31:58,820
ALL RIGHT,
610
00:31:58,860 --> 00:32:02,470
I WON’T PRESS CHARGES.
611
00:32:02,490 --> 00:32:05,190
ALL RIGHT. NOW, LAY BACK
DOWN THERE. COME ON.
612
00:32:05,230 --> 00:32:06,930
JOEY, YOU HEAR THAT?
613
00:32:06,970 --> 00:32:09,710
WE’RE GONNA BE
ALL RIGHT.
614
00:32:09,730 --> 00:32:12,330
I GOT A CHORUS FULL
OF VULTURES IN MY HEAD.
615
00:32:12,370 --> 00:32:14,340
GIVE YOUR GUN
TO YOUR BUDDY, JOEY.
616
00:32:14,370 --> 00:32:16,270
THEN YOU COME OVER
TO MY PLACE SOMETIME,
617
00:32:16,310 --> 00:32:19,620
AND WE’LL
COMPARE BIRDCALLS.
618
00:32:19,640 --> 00:32:22,280
JOEY,
BEING MY BEST MAN
WHEN I GET MARRIED,
619
00:32:22,310 --> 00:32:25,310
HAVING OUR KIDS
PLAY TOGETHER,
620
00:32:25,350 --> 00:32:28,720
WORKING ON THIS
BUCKET OF BOLTS,
TELLING JOKES‐‐
621
00:32:28,750 --> 00:32:31,220
YOU’RE NOT GONNA
TAKE THAT AWAY
FROM ME, ARE YOU?
622
00:32:36,900 --> 00:32:38,000
NO!
623
00:32:50,070 --> 00:32:52,170
I’M SORRY PUTTING
EVERYONE OUT.
624
00:32:54,080 --> 00:32:55,640
IT’S ALL RIGHT, JOEY.
625
00:32:55,680 --> 00:32:56,750
IT’S ALL RIGHT.
626
00:33:16,270 --> 00:33:18,610
Russell: IRIS, YOU WERE
UPSET WHEN WE TALKED BEFORE,
627
00:33:18,640 --> 00:33:21,410
AND WE PUT THAT OFF
TO YOU HAVING TO DEAL
WITH THE POLICE.
628
00:33:21,440 --> 00:33:23,770
I AM UPSET
ABOUT EVERYTHING.
629
00:33:23,810 --> 00:33:26,540
NOW WE HAVE TO WONDER
IF IT WASN’T FOR
THIS OTHER REASON.
630
00:33:31,580 --> 00:33:34,680
THAT HE
WAS WITH WOMEN
631
00:33:34,720 --> 00:33:37,450
DOESN’T MEAN
HE DID MURDER.
632
00:33:37,490 --> 00:33:39,450
NO, IT DOESN’T.
633
00:33:39,490 --> 00:33:41,860
WAS RAUL WITH YOU
ALL LAST NIGHT?
634
00:33:41,890 --> 00:33:44,730
AFTER HE DELIVERED
HIS ORDERS.
635
00:33:44,760 --> 00:33:49,400
DO YOU THINK RAUL MIGHT
HAVE BEEN WITH MRS. EARLE
LAST NIGHT,
636
00:33:49,430 --> 00:33:51,170
NOT JUST DELIVERING
AN ORDER?
637
00:33:54,270 --> 00:33:57,310
IF I DID THINK SO...
638
00:33:57,340 --> 00:33:58,910
THAT WOULDN’T MEAN
HE DID MURDER.
639
00:33:58,940 --> 00:34:01,210
ABSOLUTELY NOT.
640
00:34:01,250 --> 00:34:03,320
BECAUSE HE MIGHT
HAVE BEEN WITH HER.
641
00:34:05,650 --> 00:34:08,650
HE HAD $23 OF CHANGE
IN HIS POCKET,
642
00:34:08,690 --> 00:34:12,300
AND HE WAS ANGRY
ABOUT HIS WHOLE LIFE.
643
00:34:12,320 --> 00:34:14,920
HE SAID
LOOK WHAT HE WAS DOING
FOR NICKELS AND DIMES.
644
00:34:39,150 --> 00:34:40,680
MY KEEPING
RADIO SILENCE,
645
00:34:40,720 --> 00:34:43,790
I HOPE YOU DON’T FEEL
I’M UNGRATEFUL.
646
00:34:43,820 --> 00:34:46,190
AND I HOPE YOU’RE NOT
EXPECTING EVERY TIME
YOU TURN AROUND NOW
647
00:34:46,220 --> 00:34:48,120
IT’S GONNA BE,
"ANDY, I’M JAMMED."
648
00:34:48,160 --> 00:34:50,290
NO, I DON’T.
649
00:34:50,330 --> 00:34:52,260
THANKS A LOT, ANDY.
650
00:34:52,300 --> 00:34:53,040
YOU’RE WELCOME.
651
00:35:01,710 --> 00:35:03,010
Raul: DO YOU
BELIEVE THIS?
652
00:35:03,040 --> 00:35:04,170
WHAT’S GOING ON?
653
00:35:04,210 --> 00:35:06,270
THEY BROUGHT ME BACK FOR YOU
TO TALK TO ME AGAIN,
654
00:35:06,310 --> 00:35:08,680
BUT THAT DORIS BITCH IS
SPREADING THOSE FURTHER LIES.
655
00:35:08,710 --> 00:35:12,110
Sipowicz: GIVE US
JUST A SECOND.
656
00:35:12,150 --> 00:35:15,850
YOU SEE WHO’S PEEKING
OUT OF THE COFFEE ROOM?
657
00:35:15,890 --> 00:35:18,360
THE TWO OF YOU
GOT A LATE DATE?
658
00:35:20,660 --> 00:35:21,990
GLAD YOU’RE BACK.
659
00:35:22,030 --> 00:35:23,530
WHAT’S THIS?
660
00:35:23,560 --> 00:35:25,830
WHAT’S THAT DINGBAT
DOING PEEKING OUT
OF THE COFFEE ROOM?
661
00:35:25,860 --> 00:35:27,200
SHE CAME BACK IN
A FEW HOURS AGO,
662
00:35:27,230 --> 00:35:29,460
PUT RAUL IN
THE D. O. A.’s APARTMENT.
663
00:35:29,500 --> 00:35:32,030
BOSS, ON THE SUBJECT OF RAUL,
I DON’T MAKE THIS WOMAN
THAT RELIABLE.
664
00:35:32,070 --> 00:35:34,540
DIANE AND JILL
RE‐INTERVIEWED
RAUL’S WIFE,
665
00:35:34,570 --> 00:35:37,510
AND SHE VERIFIED THAT
RAUL HAD HAD SEX WITH
THE D. O. A. LAST NIGHT,
666
00:35:37,540 --> 00:35:40,880
PAID HIM $23, IN COINS.
667
00:35:40,910 --> 00:35:42,510
RAUL TOLD HIS WIFE
THE D. O. A. PAID HIM?
668
00:35:42,550 --> 00:35:44,020
MM‐HMM.
669
00:35:44,050 --> 00:35:46,010
HE HAPPEN TO TELL HER
IF HE KILLED HER?
670
00:35:46,050 --> 00:35:47,920
HE’S GONNA
TELL YOU THAT.
671
00:35:53,790 --> 00:35:56,860
YOU TALK AGAIN
TO MRS. STEINMAN.
672
00:35:56,900 --> 00:36:01,340
BOSS, BONING THE D.O.A.
DON’T GET THIS RAUL ACROSS
THE GOAL LINE FOR KILLING HER,
673
00:36:01,370 --> 00:36:03,010
AND I THINK THERE’S
PLENTY MORE THAN HALF A SHOT
674
00:36:03,030 --> 00:36:05,000
THIS LADY’S GOT
A PERSONAL VENDETTA GOING.
675
00:36:05,040 --> 00:36:06,950
SHE’S GONNA
TELL YOU THAT.
676
00:36:08,070 --> 00:36:11,070
I HAVE TO USE
THE LITTLE GIRLS’ ROOM.
677
00:36:23,890 --> 00:36:24,920
[SIGHS]
678
00:36:24,960 --> 00:36:27,630
WHERE WE ARE NOW,
RAUL,
679
00:36:27,660 --> 00:36:30,960
YOU’RE CAUGHT LYIN’
YOU WEREN’T BANGIN’
THE DEAD WOMAN.
680
00:36:31,000 --> 00:36:33,400
THIS DORIS STEINMAN
WANTS TO RUIN MY LIFE.
681
00:36:33,430 --> 00:36:36,100
YOUR WIFE CORROBORATES
WHAT MRS. STEINMAN’S
TELLING US.
682
00:36:36,130 --> 00:36:38,700
YOU BANGED THIS WOMAN
FOR $23.
683
00:36:38,740 --> 00:36:40,710
23 IS THE AMOUNT
OF COIN SHE HAD.
684
00:36:40,740 --> 00:36:42,740
23 IS NOT MY FEE.
685
00:36:42,770 --> 00:36:45,470
WE’RE NOT REAL
INTERESTED IF THIS
WAS A CUT‐RATE HUMP.
686
00:36:45,510 --> 00:36:48,410
THE POINT IS,
YOU NOW ADMIT YOU
WERE IN HER APARTMENT
687
00:36:48,450 --> 00:36:51,420
BANGIN’ THIS WOMAN
A FEW HOURS BEFORE
SHE WAS KILLED.
688
00:36:51,450 --> 00:36:53,310
SEX DON’T PUT ME
KILLING HER.
689
00:36:53,350 --> 00:36:55,420
MAYBE NOW SHE’D
EMPTIED HER PIGGY BANK,
690
00:36:55,450 --> 00:36:58,120
SHE KNOWS SHE’S OFF
YOUR DELIVERY ROUTE.
691
00:36:58,160 --> 00:37:00,800
MAYBE SHE’S READY
TO DO VIOLENCE WITH YOU,
692
00:37:00,830 --> 00:37:02,970
YOU CROAK HER
IN SELF‐DEFENSE.
693
00:37:02,990 --> 00:37:06,060
THAT WOMAN GOT SOCIAL SECURITY
THE FIRST OF EVERY MONTH, OK?
694
00:37:06,100 --> 00:37:08,470
IT’S NOT LIKE SHE’S
PERMANENTLY DESTITUTE.
695
00:37:08,500 --> 00:37:10,470
I DIDN’T DO IT, DETECTIVE.
696
00:37:10,500 --> 00:37:13,670
THIS IS A FRAME JOB I’M
SITTING FOR A PORTRAIT OF.
697
00:37:13,710 --> 00:37:16,410
BY THIS JEALOUS
MRS. STEINMAN?
698
00:37:16,440 --> 00:37:18,240
DORIS COMES
PROWLING DOWN THE HALL
699
00:37:18,280 --> 00:37:20,520
’CAUSE I’M 10 MINUTES LATE
GETTING TO HER APARTMENT,
700
00:37:20,550 --> 00:37:25,260
WHICH ESTHER DRAGGED ME
INTO HER PLACE OFF
SOME ELECTRICAL PRETEXT.
701
00:37:25,280 --> 00:37:29,250
WHY’D YOU LEAVE, UH,
ESTHER’S DOOR OPEN
FOR DORIS TO FIND YOU?
702
00:37:29,290 --> 00:37:31,500
I DIDN’T LEAVE THE DOOR OPEN
FOR DORIS TO FIND ME.
703
00:37:31,520 --> 00:37:35,260
I LEFT THE DOOR OPEN
TO PROTECT MYSELF FROM
EXACTLY WHAT TRANSPIRED.
704
00:37:35,290 --> 00:37:37,430
ESTHER TEMPTING YOU
WITH HER PIGGY BANK?
705
00:37:37,460 --> 00:37:39,160
YEAH.
706
00:37:39,200 --> 00:37:41,640
23 BUCKS IS 23 BUCKS.
707
00:37:41,670 --> 00:37:43,810
THAT MOMENT, DORIS
HATCHED HER EVIL PLAN
708
00:37:43,840 --> 00:37:45,840
SEEING ESTHER AND ME
ON THE CARPET.
709
00:37:53,010 --> 00:37:54,380
[NO‐NONSENSE]
SIT DOWN.
710
00:37:54,410 --> 00:37:55,410
[FLIRTATIOUSLY]
YES, SIR.
711
00:38:02,020 --> 00:38:04,350
YOU WERE GONE BEFORE.
712
00:38:04,390 --> 00:38:06,320
YES, I WAS.
713
00:38:06,360 --> 00:38:09,870
I GAVE THE ADDED INFORMATION
ABOUT RAUL TO YOUR LIEUTENANT,
714
00:38:09,890 --> 00:38:13,160
BUT I WANTED TO GIVE IT TO YOU
SO YOU COULD GET THE CREDIT.
715
00:38:13,200 --> 00:38:15,410
OH, WELL, THAT’S
VERY NICE OF YOU,
MRS. STEINMAN.
716
00:38:15,430 --> 00:38:17,800
ALTHOUGH WHY IS IT
WHEN YOU AND I
FIRST SPOKE,
717
00:38:17,840 --> 00:38:20,680
YOU DIDN’T TELL ME ABOUT
SEEING RAUL MAKING LOVE
TO MRS. EARLE
718
00:38:20,710 --> 00:38:22,250
IN HER APARTMENT?
719
00:38:22,270 --> 00:38:25,170
I‐‐I‐‐I TOLD YOU TO ASSUME
THE TWO OF THEM WERE INVOLVED.
720
00:38:25,210 --> 00:38:26,580
NO, WHAT YOU TOLD ME WAS
721
00:38:26,610 --> 00:38:27,980
I SHOULD ASSUME
RAUL WAS INVOLVED
722
00:38:28,010 --> 00:38:29,410
WITH EVERY WOMAN
IN MANHATTAN.
723
00:38:29,450 --> 00:38:32,720
WELL, IF YOU’RE ACCUSING ME
OF RELUCTANCE TO RELIVE
724
00:38:32,750 --> 00:38:35,480
SEEING THE TWO OF THEM
FLAILING AROUND
ON THE CARPET,
725
00:38:35,520 --> 00:38:37,850
I‐‐I‐‐I PLEAD GUILTY.
726
00:38:37,890 --> 00:38:39,560
WHAT I’M ACCUSING YOU
OF, MRS. STEINMAN,
727
00:38:39,590 --> 00:38:42,590
IS WHAT WE GET IN
A LOT OF THIS CASES:
YOUR HOLDING A GRUDGE.
728
00:38:42,630 --> 00:38:45,270
AND YOU WANT TO JACK UP
RAUL AS BAD AS POSSIBLE
729
00:38:45,300 --> 00:38:48,670
OVER HIM NOT BANGING
YOU EXCLUSIVELY LIKE YOU
THOUGHT HE WAS DOING.
730
00:38:48,700 --> 00:38:51,030
SO THAT MAKES YOU COME
WITH SOME GENERAL
INFORMATION
731
00:38:51,070 --> 00:38:53,700
THAT HE’S
THE BUILDING STICK‐MAN,
732
00:38:53,740 --> 00:38:55,040
AND THEN
SOME MORE INFORMATION
733
00:38:55,070 --> 00:38:56,710
THAT TURNED OUT TO BE
A LITTLE MORE USEFUL:
734
00:38:56,740 --> 00:39:00,710
THAT HE’D HAD SEX
WITH THE VICTIM, LIKE,
6 HOURS BEFORE SHE DIED.
735
00:39:00,750 --> 00:39:03,390
BUT, SEE,
BY YOUR OWN ACCOUNT,
MRS. STEINMAN,
736
00:39:03,410 --> 00:39:05,250
THAT SEX WAS CONSENSUAL.
737
00:39:05,280 --> 00:39:07,950
SO WE’VE GOT NO MOTIVE
FOR WHY RAUL WOULD WANT
TO KILL MRS. EARLE.
738
00:39:10,050 --> 00:39:12,620
AND YOU HAVING
YOUR PERSONAL GRIEVANCE
AGAINST HIM LIKE YOU DO,
739
00:39:12,660 --> 00:39:15,030
AT THIS POINT,
I FORESEE YOU
TURNING INTO
740
00:39:15,060 --> 00:39:17,860
WHAT WE DETECTIVES
CONDUCTING THESE TYPES
OF INVESTIGATIONS
741
00:39:17,900 --> 00:39:19,610
CALL ROYAL PAINS
IN THE BALLS.
742
00:39:26,570 --> 00:39:28,270
YOU DON’T NEED ME FOR
THE GASPING‐FOR‐AIR
PERFORMANCE,
743
00:39:28,310 --> 00:39:29,720
DO YOU, MRS. STEINMAN?
744
00:39:29,740 --> 00:39:32,270
’CAUSE UNLESS YOU GOT
SOMETHING ELSE FOR ME,
745
00:39:32,310 --> 00:39:34,640
YOU KNOW,
HAVE A FEW GASPS
AND LET YOURSELF OUT.
746
00:39:35,980 --> 00:39:38,810
I DID IT COMPLETELY
IN SELF‐DEFENSE.
747
00:39:38,850 --> 00:39:40,750
YOU DID IT?
748
00:39:40,790 --> 00:39:45,060
SHE‐‐SHE THREATENED ME
WITH SCISSORS WHEN
I WENT BACK TO REBUKE HER.
749
00:39:45,090 --> 00:39:48,420
I STRANGLED HER
TO PROTECT MYSELF,
750
00:39:48,460 --> 00:39:51,860
AND THEN I GAVE HER HEAD
A FEW GOOD BANGS
OFF THE WALL.
751
00:39:53,870 --> 00:39:56,980
I WANTED RAUL TO GET
GOOD AND DEEP IN TROUBLE
752
00:39:57,000 --> 00:40:00,140
BEFORE I LET HIM
OFF THE HOT SEAT.
753
00:40:22,990 --> 00:40:25,590
INVOLUNTARY MANSLAUGHTER,
RIGHT?
754
00:40:25,630 --> 00:40:28,330
LET’S JUST GET IT DOWN.
755
00:40:28,370 --> 00:40:30,680
I WOULD SAY, LIKE...
756
00:40:30,700 --> 00:40:33,000
LIKE, 18 MONTHS,
757
00:40:33,040 --> 00:40:35,010
AND‐‐AND BY THAT TIME,
758
00:40:35,040 --> 00:40:38,010
WHEN I GET OUT, HE’LL
HAVE LEFT THAT LITTLE MOUSE,
759
00:40:38,040 --> 00:40:41,840
AND HE’LL REALIZE WHO IT WAS
SAVED HIS LIFE.
760
00:41:08,410 --> 00:41:10,180
THE TWO OF YOU
GONNA ELOPE?
761
00:41:10,210 --> 00:41:12,170
OH, MRS. STEINMAN
WILL DO HER TIME,
762
00:41:12,210 --> 00:41:14,180
AND THEN ME AND RAUL
WILL COMPETE
FOR HER HAND.
763
00:41:17,520 --> 00:41:19,360
YOU GOT A MESSAGE THERE.
764
00:41:19,380 --> 00:41:20,350
I’M GONNA GO
SEE JOEY OVER AT
THE V. A. HOSPITAL,
765
00:41:20,380 --> 00:41:21,580
ALL RIGHT, ANDY?
766
00:41:21,620 --> 00:41:23,080
DANNY‐‐
YOU KNOW,
767
00:41:23,120 --> 00:41:25,190
HE MAY NEED SOME
DEPRESSION MEDICATION‐‐
JOEY‐‐
768
00:41:25,220 --> 00:41:27,690
TO GET HIS THINKING
GOIN’ STRAIGHT AGAIN.
769
00:41:27,730 --> 00:41:29,430
JOEY IS WHO
THE MESSAGE IS FROM.
770
00:41:34,100 --> 00:41:36,230
HE WOULDN’T TELL YOU
WHERE HE WAS GOIN’?
771
00:41:36,270 --> 00:41:38,710
NO, I COULDN’T GET HIM
TO TELL ME THAT.
772
00:41:40,640 --> 00:41:43,000
WELL, HOW AM I SUPPOSED
TO FIND HIM, ANDY?
773
00:41:43,040 --> 00:41:47,210
SOMEONE LEAVIN’ TOWN
TENDS NOT TO WANT
TO BE LOOKED FOR.
774
00:41:47,250 --> 00:41:50,090
HOW CAN THEM DOCTORS
JUST LET HIM LEAVE
LIKE THAT?
775
00:41:51,880 --> 00:41:53,950
HEY, MAYBE YOU GOT
A MILLION FRIENDS.
776
00:41:53,990 --> 00:41:55,190
CONSERVATIVELY.
777
00:41:55,220 --> 00:41:57,750
YEAH, WELL, I DON’T,
ALL RIGHT?
778
00:41:57,790 --> 00:41:59,520
SO THIS UPSETS ME,
IT STIRS ME UP.
779
00:41:59,560 --> 00:42:01,620
WHO DO YOU TALK TO?
780
00:42:01,660 --> 00:42:03,460
HOW CAN I TALK TO HIM,
ANDY, IF I DON’T KNOW
WHERE HE IS?
781
00:42:03,490 --> 00:42:05,590
I’M SAYIN’ WHO DO YOU TALK TO
WHEN YOU GET STIRRED UP?
782
00:42:05,630 --> 00:42:06,930
I DON’T LIKE
BEIN’ STIRRED UP.
783
00:42:06,970 --> 00:42:08,770
WHAT, DO YOU GET STUPID
AFTER WORKING HOURS?
784
00:42:16,010 --> 00:42:17,750
I APOLOGIZE.
785
00:42:21,950 --> 00:42:23,960
WANT SOME COMPANY
LOOKIN’ FOR YOUR FRIEND?
786
00:42:29,620 --> 00:42:30,920
WHAT I’M HOPIN’ IS,
787
00:42:30,960 --> 00:42:33,670
MAYBE HE HEADED OFF
EARLY TO PEEKSKILL.
788
00:42:33,690 --> 00:42:35,790
THAT’S WHERE YOU’RE
DOIN’ YOUR RESERVE DUTY?
789
00:42:35,830 --> 00:42:37,470
YEAH.
790
00:42:37,500 --> 00:42:39,770
SO LET ME LOOK AROUND
OUR USUAL PLACES
TONIGHT,
791
00:42:39,800 --> 00:42:42,300
SEE IF HE MAYBE
CHANGED HIS MIND,
792
00:42:42,330 --> 00:42:43,900
OR OTHERWISE,
I’LL HOPE WE FIND HIM
793
00:42:43,940 --> 00:42:45,680
UP AT RESERVE DUTY
THIS WEEKEND.
794
00:42:47,270 --> 00:42:49,140
NO, HE’S GONE.
HE’S GONE.
795
00:42:49,170 --> 00:42:50,970
HE’S NOT GONNA SHOW UP
IN PEEKSKILL.
796
00:42:51,010 --> 00:42:52,570
HE’S GOTTEN ON A BUS
TO CRAZY,
797
00:42:52,610 --> 00:42:54,840
AND HE’S PROBABLY
GONNA HURT HIMSELF.
798
00:42:56,950 --> 00:43:00,250
SOMETIMES YOU
LOSE PEOPLE YOU LOVE.
799
00:43:00,280 --> 00:43:01,980
YEAH.
800
00:43:05,220 --> 00:43:06,690
I UNDERSTAND THAT.
801
00:43:09,560 --> 00:43:11,960
I APOLOGIZE FOR
BEIN’ DISRESPECTFUL.
802
00:43:12,000 --> 00:43:14,670
DON’T WORRY ABOUT IT.
803
00:43:16,070 --> 00:43:17,810
ALL RIGHT, ANDY,
I’LL SEE YOU TOMORROW.
804
00:43:17,840 --> 00:43:19,340
YEAH, I’LL SEE YOU.
805
00:43:35,820 --> 00:43:37,720
SEE YOU TOMORROW.
60222
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