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In ancient traditions
around the world,
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powerful sacred sounds
were used
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to communicate
with the heavens.
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The whole universe resonates
with the sound "Aum."
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But was sound
also used
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to create
megalithic structures?
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They had a certain sound,
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a certain vibration,
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and the blocks
moved by themselves.
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And could seemingly
primitive rituals
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actually have been connected
to otherworldly technology?
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Within the harmonics
and overtones
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of a complex sound,
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you could impart
all kinds of information.
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Ancient Astronaut Theorist
Giorgio Tsoukalos
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and Author David Childress
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have gathered experts
in science, religion
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and mythology to explore
the mysterious power
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of sound.
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Monuments worldwide
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have acoustic properties,
and it's all harmonics.
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And the possibility
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that new discoveries
in acoustics
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could lead
to the next giant leap
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in human evolution.
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This is literally
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getting the right vibrations
to create
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the next experience
of reality.
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There is a doorway
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in the universe.
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Beyond it
is the promise of truth.
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It demands
we question everything
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we have
ever been taught.
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The evidence
is all around us.
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The future is
right before our eyes.
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We
are not alone.
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We have never been alone.
*ANCIENT ALIENS*
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*ANCIENT ALIENS*
Season 16 Episode 10
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Episode Title:
"The Harmonic Code"
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Aired on:
March 12, 2021
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I'm really delighted
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to be here
with you guys because
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I think that acoustics
is definitely something
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that needs to be explored
even further.
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As humans, music
and-and acoustics
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are very important to our lives.
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Remember, from the Bible,
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it says
God created the world how?
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- In the beginning was the word.
- By speaking. - He spoke!
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It's spoken, right?
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The oral tradition
is not just words or intellect.
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It's an entire tonal thing.
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When the universe
was created,
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it says that the whole Earth
has a grid of tones
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that founds everything.
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hat is the same thing
in ancient India with Aum.
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They're saying exactly
the same thing, that...
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that the universe started
with one note, a single note.
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- That's right. That's right.
- A vibration.
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And then it's the Aum sound.
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Aum is a sacred sound
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in the Eastern religions
of Hinduism,
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Buddhism and Jainism.
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Hindu concept of cosmic sound
is simply Aum.
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"Aum" is made of three letters:
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"A," "U" and "M."
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Those three letters combined
makes the sound "Aum."
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And the whole universe
resonates with the sound "Aum."
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Aum is not just found
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in Hinduism and Vedic tradition.
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It's very much used in Buddhism.
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It's utilized in Jainism
and also in Sikhism as well.
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And it is the most common
and most sacred of all mantras
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in all of these traditions.
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The concept of Aum
first appears in the Vedas,
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the religious texts that form
the foundation of Hinduism.
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According to the texts,
specific vibrations,
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created through ritualistic
chanting, singing and prayer,
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can provide a direct
connection between humans
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and the Gods themselves.
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The importance of sound
in Hinduism and Buddhism
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is very, very vital.
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Without sound, you cannot
pronounce a mantra.
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A mantra is combined words
made into invocation.
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As described in the Vedic texts,
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the Gods provided humankind
with a visual aid
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to remember these sacred sounds:
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Elaborate patterns
called mandalas.
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Mandalas are mnemonic devices
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used to aid meditation,
often in tandem with chanting.
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What's interesting is that
in Hindu temples,
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we have a visual
representation of mandalas.
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So, what they're doing
is they're essentially
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translating sound
into visual patterns.
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In modern technology, these
are called Chladni patterns.
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In 1787, German physicist
Ernst Chladni,
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known as
the father of acoustics,
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published his seminal work,
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discoveries in
the Theory of Sound.
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In it, Chladni describes
an experiment that shows
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how vibrations can create
exotic geometric shapes.
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We've got this thing
called a Chladni plate,
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after the scientist
who invented it.
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It's a thin metal plate,
like a sounding board,
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and we've got a transducer
attached to the bottom of it.
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And they spread sand
over the top of this plate.
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And we start playing
certain tones.
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And those sand particles start
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to bounce around
and dance around,
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and they start to form these
mathematical circular patterns.
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And as we move up
through these frequencies,
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the sand goes into kind of
a chaos in-between state,
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and then it arrives
at this next pattern.
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And the higher
the frequency you go,
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the more these patterns
become more complex.
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In the 1960s,
Swiss scientist Hans Jenny
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was experimenting
with Chladni patterns,
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when he noticed
an extraordinary connection.
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Jenny tried it with Aum.
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And it generated
an image of a circle
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with a dot in the middle.
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That itself is actually
very interesting
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because the most fundamental
elements of any mandala
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will usually be a circle
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with a dot marking
the cosmic center.
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Today, the patterns
made by frequencies
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are known as Cymatics.
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In modern technology,
we are able to create
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visual representations
of sounds.
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What is remarkable is that
we see the same patterns
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in Hindu temples,
in ancient Indian structures.
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At the Sri Ranganathaswamy
Temple in southern India
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are 40 ornate statues carved
from monolithic columns.
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The statues depict
leaping animals
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and, above them, vimanas,
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vehicles that, according
to ancient Hindu texts,
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were flown by the Gods.
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The word "vimana,"
in ancient Vedic texts,
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means flying machines.
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In Hinduism, it is
clearly established
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that the Gods come down
from the sky using vimanas.
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In the temple of Srirangam,
these carvings show
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many different types of vimanas.
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And what's really unique
is that, under these vimanas,
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we are able to see some very
interesting patterns of mandala.
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Some researchers believe
these mandalas represent
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more than just
an artistic flourish.
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According to legend,
each type of vimana
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can be activated with
a specific type of mandala.
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If we crack this visual code,
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if we crack
this cymatic pattern,
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we might actually unlock the
secret to power these vimanas.
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Think about... all this
is somehow connected
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to Cymatics and some of these
shapes that we see in, uh,
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the ancient hieroglyphics
and some of these structures,
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megalithic structures.
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And you can reproduce those
with sound waves.
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And so I wonder if,
when these patterns occur,
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when we create these sounds,
is this kind of like
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we're inserting the pin
to open up
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an encrypted PDF file
to the read the information?
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And what they're trying to tell
us with a mandala is that this
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is the cymatic code,
the shape, the vibration,
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the sound that's
going to levitate
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- or do whatever.
- Or whatever that...
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You make this picture
with sound, and you've done it.
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There is knowledge
of the ancients,
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which was concealed because
mankind was not considered
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ready for it.
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And this was that technology.
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What's interesting about this
whole harmonics and Cymatics
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is that this is
a universal thing.
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It's gonna be
throughout the universe.
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- It's every single planet.
- That's...
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that's called
the anthropic principle.
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It-it's, uh, like mathematics.
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We have discovered all these
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extreme amplitudes
of acoustic sounds.
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And right now, we're currently
working on how we might
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be using it
for future technologies.
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- I love it. This is great.
- So let me tell you a story
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a-about, uh, an event
that happened very recently.
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Two scientists
have done an experiment.
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They go into
the great detailed math
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of the quantum interaction,
with the sound interaction.
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And they call that
a phonon-photon interaction.
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Phonon is the particle
for sound.
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And discovered that sound
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can trigger
this negative mass effect.
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In March 2019,
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scientists
at Columbia University
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in New York City
made a shocking discovery
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that redefined
the known laws of physics.
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In an experiment,
physicist Angelo Esposito
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demonstrated that phonons
are affected by gravity
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but in a highly unexpected way.
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Instead of being forced
down towards the earth,
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phonons actually rise upwards.
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Scientists discovered that
the phonon itself has mass,
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which nobody thought
it had before.
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But the closer they looked,
they realized
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that it wasn't mass at all;
It was negative mass
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and negative gravity.
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It turns out that under
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certain conditions
with sound waves,
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sound waves can actually start
to rise rather than fall.
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And this was an anomaly, but
yes, it seems to be consistent
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with the laws of physics,
that certain vibrations,
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instead of falling down,
can actually fall up.
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To me,
that's experimental evidence
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that you can,
if you understand sound
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the right way, use it
to levitate heavy things.
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So, could this imply
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that the ancient stories
of levitation of stones,
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that some type
of technology like that
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- was im... was implemented?
- That's right.
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And that comes back
to this whole idea with,
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uh, Cymatics,
which is where we're taking, uh,
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certain sounds
and putting them in
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what we'll call standing waves.
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And they produce these
amazing geometric figures.
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And you could envision,
if you knew the way
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to manipulate this
the right way, you could put...
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you can make three-dimensional
figures with it, even. Right?
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You could have sound not just
underneath it but all around it.
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And, in fact, I've seen one
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where there are multiple
transducers in a way
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- and they can levitate
- Hm-mmm.
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little Styrofoam balls.
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- And Ping-Pong balls.
- Mm-hmm. Right.
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Just by having the sound
in the right way.
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And even do multiple ones
in-in configurations.
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So imagine if you could
amplify the power,
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if you could amplify
the-the principle,
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wouldn't that
or couldn't that apply?
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- Absolutely.
- Because we have ancient stories
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in ancient Egypt, in England.
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Some of the Stonehenge blocks,
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according to some
of the legends,
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- magician Merlin...
- Right.
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...was able to levitate
those stones
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across the plains of England.
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Right.
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00:13:23,063 --> 00:13:24,260
Is it possible
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that the same principles
utilized to move sand particles
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and larger objects
such as Ping-Pong balls
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could also be used
on a larger scale
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to lift and move
much heavier objects?
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Curiously,
a great number of stories
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00:13:40,130 --> 00:13:42,326
can be found
in the ancient world
251
00:13:42,411 --> 00:13:46,544
that involve the use of sound
to levitate massive stones.
252
00:13:47,880 --> 00:13:49,501
All the way around the world,
253
00:13:49,586 --> 00:13:53,716
there are myths and legends
relating to the movement
254
00:13:53,817 --> 00:13:57,118
of stone blocks
using sound technology.
255
00:13:57,202 --> 00:14:01,114
These are found
amongst the Maya of Mexico,
256
00:14:01,243 --> 00:14:03,553
the Phoenicians of the Near East
257
00:14:03,934 --> 00:14:05,817
and in Tibet.
258
00:14:05,902 --> 00:14:09,216
We have stories
in ancient Egypt, even,
259
00:14:09,301 --> 00:14:12,856
where they seem to be able
to move the stone effortlessly
260
00:14:13,001 --> 00:14:17,028
from one place to another,
some weighing hundreds of tons.
261
00:14:18,534 --> 00:14:20,590
In the tenth century AD,
262
00:14:20,791 --> 00:14:24,544
the Arab historian
Abul Hasan Ali al-Masudi
263
00:14:24,661 --> 00:14:27,410
wrote that the Egyptians
were visited by beings
264
00:14:27,494 --> 00:14:30,380
known as
the Guardians of the Sky,
265
00:14:30,666 --> 00:14:32,805
who gave them knowledge
that enabled them
266
00:14:32,890 --> 00:14:35,331
to levitate the massive
limestone blocks
267
00:14:35,415 --> 00:14:38,348
with which they built
the Great Pyramid.
268
00:14:40,897 --> 00:14:44,794
In old Egypt,
they had a certain sound,
269
00:14:44,919 --> 00:14:49,497
a certain vibration, and
the blocks moved by themselves.
270
00:14:49,582 --> 00:14:52,302
They show a technology
which we do not have.
271
00:14:53,414 --> 00:14:55,974
If acoustic technology was used
272
00:14:56,059 --> 00:14:58,136
to levitate massive stones,
273
00:14:58,220 --> 00:15:00,878
as ancient astronaut theorists
suggest,
274
00:15:00,962 --> 00:15:02,942
might knowledge
of this technology
275
00:15:03,027 --> 00:15:06,596
have been left for humankind
to rediscover?
276
00:15:08,093 --> 00:15:10,452
This levitation technology
277
00:15:10,537 --> 00:15:14,942
is exotic because we have
no idea how to do this today.
278
00:15:15,027 --> 00:15:18,529
For thousands of years now,
we've turned this
279
00:15:18,614 --> 00:15:22,028
into the realm
of legends and myths.
280
00:15:22,113 --> 00:15:25,293
The fact that we have stories
of these ancient Gods,
281
00:15:25,377 --> 00:15:28,795
in my opinion,
is that we are suggesting
282
00:15:28,880 --> 00:15:31,125
that our ancestors
misinterpreted
283
00:15:31,209 --> 00:15:34,872
these beings as Gods
because their technology
284
00:15:34,957 --> 00:15:38,404
far surpassed their current
frame of reference.
285
00:15:38,489 --> 00:15:40,810
- Right.
- So, these beings
286
00:15:40,895 --> 00:15:44,411
from our ancient past
had probably figured this out
287
00:15:44,505 --> 00:15:46,756
in order to do
whatever it was they did.
288
00:15:46,841 --> 00:15:49,753
And that lends us
down the road of,
289
00:15:49,837 --> 00:15:51,711
how do we figure it out?
290
00:15:52,028 --> 00:15:54,864
And that's something
that I'm really intrigued by.
291
00:15:55,200 --> 00:15:56,803
This technology
292
00:15:56,887 --> 00:16:00,067
will not only transform
our society;
293
00:16:00,158 --> 00:16:02,334
It'll change our world.
294
00:16:05,976 --> 00:16:10,187
To me, this is fascinating
that there seems to be
295
00:16:10,272 --> 00:16:15,484
acoustics and sound that reach
the realm of the Gods.
296
00:16:15,732 --> 00:16:17,737
The path of the ten sefirot
297
00:16:17,898 --> 00:16:21,648
in the kabbalah speak
of the energy vortexes
298
00:16:21,765 --> 00:16:23,962
which vibrate in five
different harmonics
299
00:16:24,047 --> 00:16:25,179
called vowels,
300
00:16:25,263 --> 00:16:27,500
which is called
Tonal Technology.
301
00:16:27,666 --> 00:16:31,453
This knowledge
was considered too dangerous
302
00:16:31,601 --> 00:16:33,398
to be publicly displayed.
303
00:16:33,620 --> 00:16:36,820
And according to the stories
and the legends,
304
00:16:36,905 --> 00:16:40,836
this technology was unleashed,
and it destroyed the world.
305
00:16:41,014 --> 00:16:43,352
- And, I...
- So, well, first they destroyed Jericho.
306
00:16:43,437 --> 00:16:45,024
- Right? With their sound...
- Well, Jericho, Jericho...
307
00:16:45,109 --> 00:16:46,634
Jericho came later,
but actually,
308
00:16:46,719 --> 00:16:48,063
when you're bringing up Jericho,
309
00:16:48,148 --> 00:16:50,391
the whole story
of the Ark of the Covenant
310
00:16:50,476 --> 00:16:52,716
and the marching,
this is only just one
311
00:16:52,801 --> 00:16:55,238
simple biblical example.
312
00:16:56,329 --> 00:16:58,586
The Hebrew Bible's
Book of Joshua
313
00:16:58,671 --> 00:17:01,460
tells the story of how Israel
conquered Canaan
314
00:17:01,648 --> 00:17:04,346
beginning with
the Battle of Jericho.
315
00:17:05,530 --> 00:17:09,005
According to the story,
God commanded the Israelites
316
00:17:09,090 --> 00:17:12,575
to march around the seemingly
impenetrable walls of Jericho
317
00:17:12,659 --> 00:17:15,229
once a day
for six straight days,
318
00:17:15,313 --> 00:17:18,312
carrying with them
the Ark of the Covenant.
319
00:17:18,781 --> 00:17:21,868
But on the seventh day,
they were to circle Jericho
320
00:17:21,953 --> 00:17:25,344
seven times,
making tremendous noise.
321
00:17:26,639 --> 00:17:28,929
On the seventh day,
as they circle it,
322
00:17:29,031 --> 00:17:30,593
they blow the trumpets,
323
00:17:30,677 --> 00:17:34,419
and it's the sound
that brings the walls down.
324
00:17:37,687 --> 00:17:40,454
And you can think of that
from an engineering perspective.
325
00:17:40,539 --> 00:17:42,633
Is it the trumpets
and the vibration,
326
00:17:42,718 --> 00:17:44,890
the sound of the trumpets,
that somehow resonates
327
00:17:44,995 --> 00:17:47,914
with a particular frequency
in the brick of the walls
328
00:17:48,015 --> 00:17:51,047
that causes these walls
to collapse?
329
00:17:51,219 --> 00:17:53,746
Is it possible
that the story of Jericho
330
00:17:53,830 --> 00:17:56,662
is a historical account
of acoustic technology
331
00:17:56,746 --> 00:17:59,749
being used
thousands of years ago?
332
00:18:00,701 --> 00:18:03,533
Ancient astronaut theorists
say yes
333
00:18:03,618 --> 00:18:06,592
and point to other stories
that describe the power
334
00:18:06,677 --> 00:18:09,071
of the Ark of the Covenant.
335
00:18:11,716 --> 00:18:14,287
What I have always
found fascinating
336
00:18:14,372 --> 00:18:19,642
is that we have stories
of these magical incantations.
337
00:18:19,726 --> 00:18:21,211
- Right.
- But, you know,
338
00:18:21,296 --> 00:18:23,906
operating something
with voice commands,
339
00:18:23,991 --> 00:18:27,650
if you don't know what that is,
that's a magical incantation.
340
00:18:27,734 --> 00:18:30,000
This is the interesting thing,
because when you look at
341
00:18:30,084 --> 00:18:31,508
the Ark of the Covenant...
342
00:18:33,086 --> 00:18:35,134
...you look at the high priest.
343
00:18:35,219 --> 00:18:37,634
The high priest, of course,
would speak to God
344
00:18:37,719 --> 00:18:39,618
wearing the
Breastplate of Judgement
345
00:18:39,702 --> 00:18:41,375
that had the 12 stones on it.
346
00:18:41,460 --> 00:18:44,515
The high priest would approach
the Ark of the Covenant,
347
00:18:44,600 --> 00:18:49,547
and he would start
to recite certain tones, sounds.
348
00:18:51,279 --> 00:18:55,503
These were very deep,
tonal, throat-type chants.
349
00:18:55,587 --> 00:18:59,986
The tones were said to then
cause the stones to vibrate,
350
00:19:00,070 --> 00:19:02,249
and they would send out lights,
351
00:19:02,333 --> 00:19:07,080
and then the Ark somehow
would react to this.
352
00:19:07,164 --> 00:19:09,821
There's some
active energy there,
353
00:19:09,906 --> 00:19:12,912
which we call the glory,
or kavod, of God.
354
00:19:12,996 --> 00:19:16,312
It's not God, but it's
some actual energy field
355
00:19:16,445 --> 00:19:18,539
that if you would be
in the presence...
356
00:19:18,624 --> 00:19:20,031
Remember,
you couldn't go into
357
00:19:20,115 --> 00:19:20,964
- or a machine.
- The presence.
358
00:19:21,048 --> 00:19:22,705
- That's right.
- Something was there
359
00:19:22,789 --> 00:19:25,316
that if you went
too close, you died.
360
00:19:25,400 --> 00:19:27,187
I'll tell you exactly
what that sounds to me like.
361
00:19:27,271 --> 00:19:30,147
This breastplate has optical
362
00:19:30,231 --> 00:19:33,679
and/or acousto-optical
transceivers on it.
363
00:19:33,764 --> 00:19:36,313
And they're hand-shaking,
which is what
364
00:19:36,398 --> 00:19:38,509
the old-school acoustic
phone modems would do
365
00:19:38,594 --> 00:19:40,563
when you would call up...
Or the fax machine calls up...
366
00:19:40,648 --> 00:19:41,945
to connect to the other side.
367
00:19:42,030 --> 00:19:44,296
What we're seeing here
is that they would use sound
368
00:19:44,409 --> 00:19:46,890
to link Heaven and Earth.
369
00:19:49,293 --> 00:19:52,735
The idea that sound can
facilitate communication
370
00:19:52,819 --> 00:19:55,433
between man and divine beings...
371
00:19:55,517 --> 00:19:58,566
Like the Hindu use of Aum...
is a common theme
372
00:19:58,650 --> 00:20:01,890
in religious traditions
throughout the world.
373
00:20:02,237 --> 00:20:04,155
All religions really use music,
374
00:20:04,240 --> 00:20:07,820
and you see that
in worship services.
375
00:20:09,106 --> 00:20:12,656
So the cantor with the psalms
in the Jewish tradition...
376
00:20:14,275 --> 00:20:16,759
...choir in
Christian traditions.
377
00:20:16,843 --> 00:20:19,672
Even in the Islamic tradition,
where there's no formal music,
378
00:20:19,757 --> 00:20:23,640
there's a-a melody
to the recitation of the Koran.
379
00:20:27,378 --> 00:20:29,547
Every culture has the idea
380
00:20:29,632 --> 00:20:34,234
that this music connects us
with the divine.
381
00:20:41,563 --> 00:20:43,611
For many religious practices,
382
00:20:43,695 --> 00:20:46,445
just as important
as musical traditions
383
00:20:46,530 --> 00:20:50,172
are the locations in which
the rituals are performed.
384
00:20:51,109 --> 00:20:54,447
A choir singing
in Chartres Cathedral
385
00:20:54,532 --> 00:20:58,367
is magical because
of the architectural space.
386
00:21:01,333 --> 00:21:04,204
And so these
architectural spaces
387
00:21:04,289 --> 00:21:06,111
in all these various cultures,
388
00:21:06,196 --> 00:21:10,695
from these kind of secret
monasteries in the Far East
389
00:21:10,828 --> 00:21:13,304
and in the Middle East,
390
00:21:13,508 --> 00:21:15,281
were famous for having
391
00:21:15,366 --> 00:21:18,445
architectural designed spaces
392
00:21:18,665 --> 00:21:21,867
that call up the sacred.
393
00:21:26,797 --> 00:21:30,484
Interestingly, a growing number
of archaeologists believe
394
00:21:30,568 --> 00:21:32,633
some of the world's
oldest structures
395
00:21:32,718 --> 00:21:36,797
were specifically designed to
accentuate acoustic properties.
396
00:21:38,054 --> 00:21:40,188
Like all of you,
I'm always keeping up
397
00:21:40,273 --> 00:21:43,383
on the latest archaeological
developments and research,
398
00:21:43,468 --> 00:21:45,517
and I think
it's really fascinating
399
00:21:45,602 --> 00:21:49,391
that monuments worldwide have
acoustic properties.
400
00:21:49,587 --> 00:21:52,158
What they're finding is
that these were chambers
401
00:21:52,242 --> 00:21:54,148
that were designed
where you would have this
402
00:21:54,258 --> 00:21:55,814
acoustic experience
that you heard,
403
00:21:55,898 --> 00:21:59,078
but you also felt it
in your bones, in your tissue.
404
00:21:59,162 --> 00:22:01,601
- Yeah, they call this archaeoacoustics.
- Mm-hmm.
405
00:22:01,773 --> 00:22:05,215
Archaeoacoustics is
an interdisciplinary
406
00:22:05,299 --> 00:22:08,052
field of archaeology
dedicated to examining
407
00:22:08,137 --> 00:22:12,513
how sound and acoustics were
utilized in the ancient world.
408
00:22:13,186 --> 00:22:15,017
It's a relatively new field,
409
00:22:15,102 --> 00:22:17,162
and archaeoacoustics
is looking at
410
00:22:17,247 --> 00:22:20,153
the sound quality
of ancient sites,
411
00:22:20,488 --> 00:22:23,724
historical sites,
archaeological sites
412
00:22:23,926 --> 00:22:27,505
where we see music
probably played a role.
413
00:22:28,104 --> 00:22:30,283
Stonehenge is one of those.
414
00:22:30,367 --> 00:22:33,243
Where you stand
in the middle of Stonehenge,
415
00:22:33,327 --> 00:22:37,186
you would create
the sound blast of music,
416
00:22:37,294 --> 00:22:39,380
whatever implements were used,
417
00:22:39,466 --> 00:22:42,692
'cause we're not really sure,
and it would bounce
418
00:22:42,777 --> 00:22:46,763
off the stones and create
this sort of echo chamber.
419
00:22:46,947 --> 00:22:50,942
Stonehenge functioned
as a sonic temple.
420
00:22:51,437 --> 00:22:54,052
By this, what I mean is that...
421
00:22:54,583 --> 00:22:58,044
individuals,
the center of the monument,
422
00:22:58,129 --> 00:23:01,638
would create musical sounds,
423
00:23:01,747 --> 00:23:04,294
particularly of a low frequency,
424
00:23:04,426 --> 00:23:08,989
that would be contained
actually inside the stones
425
00:23:09,145 --> 00:23:12,151
and build up an energy,
if you like,
426
00:23:12,427 --> 00:23:16,817
for a purpose which we can
only guess at right now.
427
00:23:17,260 --> 00:23:21,201
All around the world,
archaeologists have identified
428
00:23:21,286 --> 00:23:23,380
numerous ancient sites
that were designed
429
00:23:23,464 --> 00:23:25,425
according
to acoustic principles,
430
00:23:25,509 --> 00:23:28,420
such as Gobekli Tepe in Turkey,
431
00:23:28,505 --> 00:23:30,669
the Hypogeum in Malta
432
00:23:30,778 --> 00:23:34,060
and the Newgrange passage tomb
in Ireland.
433
00:23:34,214 --> 00:23:37,481
Newgrange has very strong
acoustic properties.
434
00:23:37,565 --> 00:23:41,311
What they found is,
is that the way the sound waves
435
00:23:41,395 --> 00:23:43,226
bounce around the chamber,
they create
436
00:23:43,310 --> 00:23:44,870
what's called standing waves.
437
00:23:44,955 --> 00:23:48,010
And they increase
in intensity and sound.
438
00:23:48,235 --> 00:23:50,440
According to some researchers,
439
00:23:50,665 --> 00:23:54,846
curious carvings found inside
Newgrange provide key evidence
440
00:23:54,930 --> 00:23:56,804
documenting that
the structure was
441
00:23:56,888 --> 00:24:00,464
purposely designed to have
elaborate acoustic properties.
442
00:24:00,679 --> 00:24:04,222
And it seems that these
standing waves were recorded
443
00:24:04,675 --> 00:24:05,552
actually within
the chamber itself,
444
00:24:05,636 --> 00:24:06,858
where you could see
these zigzags
445
00:24:06,942 --> 00:24:08,599
carved all over the place,
446
00:24:08,683 --> 00:24:11,808
suggesting that they
not only understood acoustics
447
00:24:11,893 --> 00:24:13,767
but they were recording
the experience
448
00:24:13,905 --> 00:24:15,965
within the chambers.
449
00:24:16,082 --> 00:24:18,911
The other thing of-of
real interest is the fact that
450
00:24:18,996 --> 00:24:22,019
when they investigated
the corbeled roof,
451
00:24:22,104 --> 00:24:24,614
which is like
multiple mega-size stones
452
00:24:24,699 --> 00:24:26,225
almost going around a spiral,
453
00:24:26,309 --> 00:24:28,271
they found that these
had been adjusted.
454
00:24:28,355 --> 00:24:30,882
And they found the reason
for that was because
455
00:24:30,973 --> 00:24:33,730
they were tuning the chamber
acoustically.
456
00:24:33,936 --> 00:24:35,898
Is it merely coincidence
457
00:24:36,015 --> 00:24:38,605
that ancient structures
all over the world
458
00:24:38,690 --> 00:24:41,479
appear to have been designed
by different civilizations
459
00:24:41,629 --> 00:24:45,027
that demonstrate such
similar acoustic properties?
460
00:24:45,111 --> 00:24:48,207
Or might they share
a very common purpose?
461
00:24:48,375 --> 00:24:50,605
And if so, why?
462
00:24:50,707 --> 00:24:53,861
I mean, it's fascinating
the whole idea of
463
00:24:53,945 --> 00:24:57,489
these vibrations and acoustics
within these ancient sites
464
00:24:57,574 --> 00:25:00,364
and that they were
purposely created that way.
465
00:25:00,449 --> 00:25:01,869
Yeah, they were set up for,
466
00:25:01,953 --> 00:25:03,959
uh, an extraordinary
human experience
467
00:25:04,043 --> 00:25:07,527
that potentially then
this can enable an experience
468
00:25:07,611 --> 00:25:10,704
with an otherworldly being,
even a... like a Godlike being.
469
00:25:10,788 --> 00:25:13,185
They were signifying
it was a place,
470
00:25:13,269 --> 00:25:15,666
that they were opening up
a spiritual portal
471
00:25:15,750 --> 00:25:17,856
by doing ceremony, chanting...
472
00:25:17,941 --> 00:25:19,887
You know, maybe
beating drums or something...
473
00:25:19,972 --> 00:25:23,891
to their ancestor Gods
or to their sky Gods.
474
00:25:23,975 --> 00:25:26,082
What we're seeing here
is that these were
475
00:25:26,167 --> 00:25:29,613
meeting grounds
of humans and the Gods.
476
00:25:32,824 --> 00:25:35,832
The interesting thing about
these resonance chambers...
477
00:25:35,949 --> 00:25:38,613
One thing we have discovered
at these low frequencies...
478
00:25:38,698 --> 00:25:41,035
You actually can be in a...
479
00:25:41,120 --> 00:25:43,734
in sort of a trancelike
state from it.
480
00:25:43,819 --> 00:25:45,700
Apparently, there is
a psychological
481
00:25:45,785 --> 00:25:46,879
or spiritual effect.
482
00:25:46,964 --> 00:25:50,551
This was used
with Shamanistic practices.
483
00:25:51,250 --> 00:25:55,395
Ancient religious leaders,
commonly known as Shamans,
484
00:25:55,512 --> 00:25:59,449
were seen as links between
humans and a higher realm.
485
00:26:00,371 --> 00:26:03,097
For the Shamans,
sound was not used
486
00:26:03,182 --> 00:26:06,028
merely to make a spiritual
connection with the divine
487
00:26:06,113 --> 00:26:10,065
but to actually interact
with otherworldly beings.
488
00:26:11,458 --> 00:26:13,028
The term "Shaman"
489
00:26:13,112 --> 00:26:16,335
comes from Siberian
religious practices,
490
00:26:16,419 --> 00:26:18,120
and it means
somebody who can see
491
00:26:18,204 --> 00:26:21,949
the underlying fabric
of the world around them.
492
00:26:22,033 --> 00:26:23,777
These are the negotiators
493
00:26:23,861 --> 00:26:26,551
between this world
and the other world.
494
00:26:26,731 --> 00:26:29,913
They could step
into the other world
495
00:26:29,998 --> 00:26:32,621
to negotiate
with otherworldly forces.
496
00:26:35,525 --> 00:26:37,332
Individuals, Shamans,
497
00:26:37,417 --> 00:26:40,302
when they chanted,
when they sung,
498
00:26:40,387 --> 00:26:42,824
when they used the instruments,
499
00:26:43,001 --> 00:26:47,816
it was to enter into
altered states of consciousness
500
00:26:47,929 --> 00:26:51,588
so that they could communicate
with spirit entities
501
00:26:51,672 --> 00:26:53,459
and perhaps connect with
502
00:26:53,543 --> 00:26:56,582
what we might describe
as ancient aliens.
503
00:26:58,635 --> 00:27:01,879
The point is that
the Shamanistic practices
504
00:27:01,964 --> 00:27:04,100
are all built upon what?
505
00:27:04,250 --> 00:27:08,411
Chants, sounds,
altered states of consciousness
506
00:27:08,496 --> 00:27:11,303
which bring you
into connection with...
507
00:27:11,387 --> 00:27:14,613
extraterrestrials, aliens,
whatever is out there.
508
00:27:14,912 --> 00:27:17,411
That's a really
interesting point, Rabbi.
509
00:27:17,496 --> 00:27:19,832
You know, we have discovered
that sound waves
510
00:27:19,917 --> 00:27:22,816
can actually control our brain.
511
00:27:25,232 --> 00:27:28,450
In the 1960s,
neuroscientists discovered
512
00:27:28,535 --> 00:27:31,062
that rhythm and acoustics
can produce
513
00:27:31,146 --> 00:27:33,786
a physiological change
in the human brain
514
00:27:33,879 --> 00:27:37,072
through a process
known as Entrainment.
515
00:27:38,806 --> 00:27:41,681
If I can create a pulsing
516
00:27:41,765 --> 00:27:43,205
in the external environment
517
00:27:43,289 --> 00:27:45,457
that's pulsing
at a brain wave speed,
518
00:27:45,542 --> 00:27:49,808
my brain waves will try to match
that speed to save energy,
519
00:27:49,904 --> 00:27:53,574
and my conscious will...
will change in the process.
520
00:27:54,789 --> 00:27:57,105
So we can do that
using just a drum
521
00:27:57,259 --> 00:28:00,222
to change consciousness at will.
522
00:28:00,387 --> 00:28:03,660
If I hook you up
to an EEG machine
523
00:28:03,744 --> 00:28:05,801
so I can look at
your brain waves...
524
00:28:05,886 --> 00:28:07,967
And normally, when we're awake,
525
00:28:08,052 --> 00:28:10,710
my brain waves are
generating beta function,
526
00:28:10,794 --> 00:28:15,519
which is rapid,
between 13 hertz and 38.
527
00:28:15,712 --> 00:28:18,022
And the drumbeat is at five.
528
00:28:18,106 --> 00:28:21,068
And my brain waves are
gonna start slowing down
529
00:28:21,152 --> 00:28:23,636
and slowing down,
slower, slower,
530
00:28:23,720 --> 00:28:26,394
to take my consciousness
from a waking state
531
00:28:26,479 --> 00:28:29,685
into a dream state
without going to sleep first,
532
00:28:29,770 --> 00:28:33,644
which means that's a classic
definition of a trance.
533
00:28:35,078 --> 00:28:37,941
The earliest examples
of brain entrainment
534
00:28:38,026 --> 00:28:40,771
would be Shamanic drumming.
535
00:28:40,998 --> 00:28:45,005
The speed of the drumbeat tends
to be around five hertz.
536
00:28:45,089 --> 00:28:47,027
And that's about like this.
537
00:28:50,800 --> 00:28:53,496
You know, that's about it.
That's about five hertz.
538
00:28:53,597 --> 00:28:55,497
And five hertz is
where your brain goes
539
00:28:55,582 --> 00:28:57,332
when you're dreaming at night.
540
00:28:57,426 --> 00:29:01,652
The whole idea is
to transform consciousness.
541
00:29:02,855 --> 00:29:05,948
They were trying
to achieve a connection
542
00:29:06,095 --> 00:29:09,597
with the divine,
with the otherworldly.
543
00:29:10,146 --> 00:29:12,597
If modern science has proven
544
00:29:12,682 --> 00:29:15,297
that Shamanic drumming
does, in fact,
545
00:29:15,381 --> 00:29:17,777
induce a state of trance,
546
00:29:17,861 --> 00:29:20,258
could it also be true
that it enables
547
00:29:20,342 --> 00:29:22,434
extrasensory abilities
548
00:29:22,518 --> 00:29:26,740
and even allows for
communication with other realms?
549
00:29:28,350 --> 00:29:31,443
While it may sound
like a far-fetched notion,
550
00:29:31,527 --> 00:29:35,100
in 1995,
the U.S. government revealed
551
00:29:35,185 --> 00:29:39,105
that brain entrainment was part
of its top secret spy program
552
00:29:39,190 --> 00:29:41,410
called Project Stargate.
553
00:29:42,664 --> 00:29:45,085
Operatives in
this clandestine unit
554
00:29:45,236 --> 00:29:49,331
gathered intelligence about
persons, places and events
555
00:29:49,530 --> 00:29:53,241
from great distances
by sensing with their minds,
556
00:29:53,667 --> 00:29:56,491
a practice called
remote viewing.
557
00:29:57,734 --> 00:30:00,262
During the 1970s,
558
00:30:00,426 --> 00:30:02,605
President Jimmy Carter's
administration
559
00:30:02,689 --> 00:30:04,054
used remote viewers to locate
560
00:30:04,139 --> 00:30:07,640
a downed Russian spy plane
in Africa.
561
00:30:08,825 --> 00:30:11,178
You talk to any of
the old remote viewers,
562
00:30:11,262 --> 00:30:13,180
the ones from
the Stargate program,
563
00:30:13,264 --> 00:30:17,038
they'll tell you how accurate
and how important
564
00:30:17,123 --> 00:30:19,186
and how relevant
their information was.
565
00:30:20,240 --> 00:30:22,624
John Vivanco has been working
566
00:30:22,709 --> 00:30:24,540
in the field of remote viewing
567
00:30:24,624 --> 00:30:27,369
as both a teacher
and practitioner
568
00:30:27,453 --> 00:30:29,288
for more than 20 years.
569
00:30:29,858 --> 00:30:33,331
I worked with corporations,
intelligence,
570
00:30:33,415 --> 00:30:36,890
uh, counterterror
for the FBI after 9/11.
571
00:30:38,171 --> 00:30:41,468
At the start of every
remote viewing session,
572
00:30:41,697 --> 00:30:45,356
John uses specific sounds
to entrain his brain waves
573
00:30:45,558 --> 00:30:48,038
and create a trancelike state.
574
00:30:49,606 --> 00:30:51,208
What we do with remote viewing
575
00:30:51,293 --> 00:30:53,249
before we do a session
is a cooldown.
576
00:30:53,334 --> 00:30:55,700
Uh, we will meditate,
577
00:30:55,792 --> 00:30:59,421
and one of the aides that
we'll use are binaural beats.
578
00:30:59,506 --> 00:31:03,169
So, if you think about
frequencies in the ear,
579
00:31:03,254 --> 00:31:05,390
we'll listen to these sounds.
580
00:31:05,491 --> 00:31:07,890
So, if one ear
is pulsing a sound
581
00:31:07,975 --> 00:31:11,366
of let's just say... six hertz
582
00:31:11,499 --> 00:31:16,311
and in another ear it's pulsing
a sound of four hertz,
583
00:31:16,396 --> 00:31:18,575
your brain waves
will synchronize
584
00:31:18,660 --> 00:31:20,752
to around five hertz.
585
00:31:20,837 --> 00:31:23,756
And we like to stay in that zone
586
00:31:23,944 --> 00:31:26,132
in order to get
the best information.
587
00:31:26,591 --> 00:31:29,771
John claims that by entering
this Trance State
588
00:31:29,895 --> 00:31:33,765
remote viewers have gathered
more than just information.
589
00:31:33,850 --> 00:31:37,390
They have also encountered
otherworldly beings.
590
00:31:37,624 --> 00:31:38,913
We were working a project
591
00:31:38,998 --> 00:31:41,789
around the
Arecibo Radio Observatory,
592
00:31:41,874 --> 00:31:46,311
and I was the first viewer
on this particular tasking,
593
00:31:46,532 --> 00:31:50,055
and I start to get
these beings, these aliens.
594
00:31:50,140 --> 00:31:52,889
And I just remember
during the session,
595
00:31:52,973 --> 00:31:54,648
uh, I kept saying,
"They're coming,
596
00:31:54,733 --> 00:31:56,283
they're coming, they're coming."
597
00:31:56,367 --> 00:31:59,257
And they started
to take notice of me.
598
00:32:00,023 --> 00:32:02,115
And I'm starting to freak out
because I've got
599
00:32:02,199 --> 00:32:04,085
tons of adrenaline
flowing through me.
600
00:32:04,241 --> 00:32:06,374
I-I'm in fight-or-flight.
601
00:32:06,929 --> 00:32:10,471
It telepathically communicated
with me, and it said,
602
00:32:10,556 --> 00:32:15,125
"We are here to help you,
and we want you to help us."
603
00:32:16,058 --> 00:32:19,569
The other viewers started
to experience the same thing.
604
00:32:19,665 --> 00:32:22,236
And so that's when
we started to, okay,
605
00:32:22,515 --> 00:32:24,983
now you know
I'm not hallucinating.
606
00:32:25,875 --> 00:32:27,660
This is absolutely real.
607
00:32:29,531 --> 00:32:31,547
Travis, you could speak to this
probably in more detail,
608
00:32:31,632 --> 00:32:33,625
but we-we live
in a spectrum, right?
609
00:32:33,709 --> 00:32:37,414
- We see a very tiny sliver of reality.
- Oh...
610
00:32:37,499 --> 00:32:38,804
And what if these frequencies...
611
00:32:38,888 --> 00:32:40,577
What if they're like dials...
You know, you can...
612
00:32:40,662 --> 00:32:42,275
like you're tuning
the radio dial?
613
00:32:42,360 --> 00:32:44,250
"Oh, I'm not in
Earth frequency anymore.
614
00:32:44,335 --> 00:32:46,085
"I'm just gonna tune it
a little bit in this space,
615
00:32:46,170 --> 00:32:48,306
and I'm gonna be able to see
what's actually there."
616
00:32:48,391 --> 00:32:51,294
So, what if...
And this is a what-if...
617
00:32:51,379 --> 00:32:54,472
You're in this perfect spot,
what if that shifts you
618
00:32:54,556 --> 00:32:58,867
slightly, uh, in the spectrum
that you can, uh, perceive?
619
00:32:58,952 --> 00:33:00,609
How about this?
620
00:33:00,693 --> 00:33:03,525
If we could actually,
through science,
621
00:33:03,609 --> 00:33:06,615
find the proper
resonances, tones
622
00:33:06,699 --> 00:33:11,141
that'll actually put us
in contact with... with whom?
623
00:33:11,343 --> 00:33:14,228
- The ancestors.
- The only way to find out...
624
00:33:15,252 --> 00:33:19,858
...is to knock on the door
and go through and say,
625
00:33:19,943 --> 00:33:21,538
"Who's there?"
626
00:33:25,318 --> 00:33:29,600
There is an ancient book
called Perek Shirah
627
00:33:29,685 --> 00:33:32,553
with a chapter of song
where in which it's revealed
628
00:33:32,638 --> 00:33:35,913
that everything in nature
has its own vibration.
629
00:33:35,998 --> 00:33:37,464
- Right.
- Which means it has
630
00:33:37,588 --> 00:33:38,725
- its own consciousness.
- Right.
631
00:33:38,810 --> 00:33:40,125
We call that
mechanical resonance.
632
00:33:40,210 --> 00:33:41,561
Everything is alive.
633
00:33:41,646 --> 00:33:43,564
And that comes back to...
634
00:33:43,649 --> 00:33:48,613
The universe itself has
this mishmash of vibrations.
635
00:33:48,697 --> 00:33:50,471
- Right.
- And it's singing a song,
636
00:33:50,555 --> 00:33:51,495
so to speak.
637
00:33:51,580 --> 00:33:55,010
And if we learn how to interpret
and/or manipulate the song,
638
00:33:55,095 --> 00:33:57,409
then we can interpret and/or
manipulate the universe.
639
00:33:57,494 --> 00:33:59,655
- And it's all harmonics.
- It's all harmonics.
640
00:33:59,740 --> 00:34:01,266
We've got to go back
to Pythagoras
641
00:34:01,351 --> 00:34:03,758
with his "music
of the spheres" concept
642
00:34:03,843 --> 00:34:07,110
because he comes up with
the idea of the musical scale
643
00:34:07,194 --> 00:34:09,456
and, uh, musical ratios.
644
00:34:12,010 --> 00:34:15,277
In the sixth century BC,
Pythagoras,
645
00:34:15,550 --> 00:34:18,251
the famous Greek mathematician
and philosopher,
646
00:34:18,335 --> 00:34:20,297
made an acoustic discovery
647
00:34:20,381 --> 00:34:23,128
that would reverberate
through history.
648
00:34:23,340 --> 00:34:25,607
Pythagoras was,
in a certain sense,
649
00:34:25,691 --> 00:34:28,215
the father
of modern mathematics.
650
00:34:29,307 --> 00:34:31,386
He gave us the base-ten formula
651
00:34:31,479 --> 00:34:34,253
for our Western
system of numbers,
652
00:34:34,483 --> 00:34:38,098
and he discovered
a divine symmetry, so to speak,
653
00:34:38,229 --> 00:34:40,362
in all things that exist.
654
00:34:43,317 --> 00:34:44,885
One day, Pythagoras is
655
00:34:44,970 --> 00:34:46,757
walking by the blacksmith's,
656
00:34:46,858 --> 00:34:49,342
and he's hearing some harmony
657
00:34:49,497 --> 00:34:52,042
coming out from
the smithy area there.
658
00:34:53,066 --> 00:34:56,893
And so, with the kind of
a persistence of a scientist,
659
00:34:56,978 --> 00:35:02,119
he figures out that if
a hammer is twice the weight
660
00:35:02,204 --> 00:35:06,037
of another hammer and they both
strike at the same time,
661
00:35:06,122 --> 00:35:08,495
the notes they make are harmony.
662
00:35:11,519 --> 00:35:13,729
The great discovery he made
663
00:35:14,130 --> 00:35:16,788
is that the waves generated,
664
00:35:16,872 --> 00:35:19,008
say, by strings
or wind instruments
665
00:35:19,092 --> 00:35:21,924
could be converted
into clear notes and scales
666
00:35:22,008 --> 00:35:24,796
by using fractions
and discrete ratios.
667
00:35:24,881 --> 00:35:29,438
So, Pythagoras did this amazing
job of taking math and geometry
668
00:35:29,523 --> 00:35:32,020
and tying it to music,
which then led to
669
00:35:32,105 --> 00:35:34,107
the entire Western
musical scale.
670
00:35:37,853 --> 00:35:41,251
Pythagoras's study of harmonics
led him to theorize
671
00:35:41,336 --> 00:35:45,299
that everything in the universe,
including planets and stars,
672
00:35:45,398 --> 00:35:49,057
exists in a constant state
of vibration.
673
00:35:49,142 --> 00:35:51,604
Incredibly, he was right.
674
00:35:53,429 --> 00:35:58,394
2,000 years ago, the Greeks
asked an elemental question:
675
00:35:58,479 --> 00:36:00,566
What paradigm can explain
676
00:36:00,651 --> 00:36:04,120
the entire complexity
of the universe?
677
00:36:04,790 --> 00:36:08,231
Pythagoras said
music has the complexity
678
00:36:08,315 --> 00:36:12,096
to explain the diversity
of the universe itself.
679
00:36:12,856 --> 00:36:15,193
So, in other words,
our universe resonates
680
00:36:15,278 --> 00:36:17,716
with the notes from music.
681
00:36:19,543 --> 00:36:22,839
Pythagoras said that
everything is based on music,
682
00:36:22,924 --> 00:36:25,146
which, in turn, is based
on certain ratios:
683
00:36:25,273 --> 00:36:27,471
Thirds, fifths, octaves.
684
00:36:28,128 --> 00:36:31,004
So, why not explain
the solar system this way?
685
00:36:31,229 --> 00:36:34,931
If you look at Mercury, Venus,
Earth, Mars, Jupiter, Saturn,
686
00:36:35,171 --> 00:36:38,177
they are aligned
according to certain ratios.
687
00:36:38,301 --> 00:36:42,112
Maybe these ratios are
the ratios of strings.
688
00:36:42,197 --> 00:36:45,418
And so he called it
"music of the spheres."
689
00:36:47,571 --> 00:36:50,360
When planets move
around the solar system,
690
00:36:50,444 --> 00:36:52,841
he thought
they must create music,
691
00:36:52,925 --> 00:36:54,651
music that we cannot hear.
692
00:36:54,753 --> 00:36:57,604
This is heavenly music,
music of the angels,
693
00:36:57,690 --> 00:37:00,914
but nonetheless, that would
explain the regularity
694
00:37:01,029 --> 00:37:03,513
of the solar system itself.
695
00:37:03,699 --> 00:37:05,573
And so he thought
you could explain
696
00:37:05,658 --> 00:37:07,965
the universe through music.
697
00:37:08,767 --> 00:37:10,555
Pythagoras felt he was
698
00:37:10,640 --> 00:37:13,689
unlocking a kind of code
of creation.
699
00:37:14,077 --> 00:37:15,745
He was providing humanity
700
00:37:16,150 --> 00:37:18,587
with the language of the Gods,
so to speak.
701
00:37:20,256 --> 00:37:23,001
Pythagoras said it was Apollo,
the-the Sun God,
702
00:37:23,085 --> 00:37:25,534
who taught him about
all of these advanced concepts
703
00:37:25,619 --> 00:37:28,410
and laying down the basis
for modern music
704
00:37:28,495 --> 00:37:30,400
and everything
that we know about music.
705
00:37:30,484 --> 00:37:32,776
So, there's an
extraterrestrial connection here
706
00:37:32,861 --> 00:37:34,925
that is very important
for us to think about.
707
00:37:35,099 --> 00:37:39,651
All this talk about music
and frequencies and harmonics
708
00:37:39,736 --> 00:37:42,620
all boils down
to mathematics, correct?
709
00:37:42,705 --> 00:37:45,495
According to the ancient
kabbalistic texts,
710
00:37:45,613 --> 00:37:50,491
math, complemented with
the appropriate harmonics,
711
00:37:50,614 --> 00:37:53,824
are going to align
with the natural harmonic
712
00:37:53,909 --> 00:37:56,885
or universal pattern
of the universe.
713
00:37:57,016 --> 00:37:59,674
We are talking about the hidden,
714
00:37:59,759 --> 00:38:02,025
sacred knowledge
of the ancients,
715
00:38:02,211 --> 00:38:05,948
which was
their secret technology,
716
00:38:06,077 --> 00:38:09,293
their way of reaching out
to the higher dimensions,
717
00:38:09,378 --> 00:38:14,245
whether they be to angels
or Gods or ancient aliens.
718
00:38:17,440 --> 00:38:20,378
This is a really interesting,
uh, conversation
719
00:38:20,463 --> 00:38:22,276
about all these different
acoustic properties.
720
00:38:22,362 --> 00:38:26,195
I've always thought that there's
a... a different pattern.
721
00:38:26,279 --> 00:38:28,370
I call... I've always called it
the God fractal...
722
00:38:28,477 --> 00:38:29,854
That, I think, if you found it,
723
00:38:29,939 --> 00:38:31,846
it would be like
the mathematical instructions
724
00:38:31,931 --> 00:38:33,631
to building
the universe or whatever.
725
00:38:33,716 --> 00:38:37,206
Have you seen diagrams
throughout history or whatever
726
00:38:37,290 --> 00:38:40,511
that, to you,
suggest the pattern?
727
00:38:40,596 --> 00:38:41,932
- The Flower of Life.
- I was just about to say.
728
00:38:42,017 --> 00:38:44,128
It has to be the Flower of Life,
729
00:38:44,252 --> 00:38:46,307
the-the symbol
of creation itself.
730
00:38:47,503 --> 00:38:50,253
Constructed of
overlapping circles,
731
00:38:50,346 --> 00:38:53,479
the Flower of Life holds
all geometric forms
732
00:38:53,564 --> 00:38:55,198
within its design.
733
00:38:56,360 --> 00:38:59,802
One of the oldest known examples
of this sacred geometry
734
00:38:59,965 --> 00:39:03,144
can be found at
the Temple of Osiris in Egypt,
735
00:39:03,229 --> 00:39:07,854
a structure archaeologists
claim is 6,000 years old.
736
00:39:08,190 --> 00:39:10,326
The Flower of Life symbol
is considered
737
00:39:10,410 --> 00:39:12,760
the seed symbol of all symbols.
738
00:39:13,717 --> 00:39:15,815
The ancient Egyptians understood
739
00:39:15,956 --> 00:39:18,003
this symbol came
from the heavens.
740
00:39:18,425 --> 00:39:20,097
The Flower of Life
is very special.
741
00:39:20,182 --> 00:39:22,487
It's really a... a mandala.
742
00:39:22,572 --> 00:39:24,708
And it may have something to do
743
00:39:24,793 --> 00:39:29,885
with the geometric nature
of the-the universe.
744
00:39:30,734 --> 00:39:32,760
We don't know
exactly what it did.
745
00:39:32,874 --> 00:39:37,708
Perhaps it was really
symbolizing some device
746
00:39:37,861 --> 00:39:41,041
that's a sound device,
a harmonic device,
747
00:39:41,165 --> 00:39:43,474
something that's
highly technical
748
00:39:43,565 --> 00:39:46,417
and was used by
these ancient cultures.
749
00:39:46,771 --> 00:39:49,429
Is it possible
that extraterrestrials
750
00:39:49,545 --> 00:39:52,246
have used acoustics
to guide humankind
751
00:39:52,331 --> 00:39:54,471
for thousands of years?
752
00:39:55,020 --> 00:39:59,706
And if so, did they hide clues
in ancient traditions,
753
00:39:59,903 --> 00:40:04,041
structures that create
altered states of consciousness,
754
00:40:04,290 --> 00:40:08,993
and sacred shapes in the form
of cymatic patterns?
755
00:40:09,565 --> 00:40:11,604
Perhaps the next
great leap forward
756
00:40:11,807 --> 00:40:13,956
will occur once we tune in
757
00:40:14,046 --> 00:40:17,425
to the extraterrestrial
messages around us.
758
00:40:19,128 --> 00:40:21,876
I think, too,
the opportunity we have here
759
00:40:21,960 --> 00:40:24,443
for cracking
this harmonic code is...
760
00:40:24,527 --> 00:40:28,526
We all talk about a golden age
and a time when we're gonna see
761
00:40:28,659 --> 00:40:31,129
extraterrestrial presence
on this planet,
762
00:40:31,214 --> 00:40:32,644
and this could be the key to it.
763
00:40:32,729 --> 00:40:34,832
"Harmony" is the right,
uh, key word there.
764
00:40:34,917 --> 00:40:35,846
- Exactly.
- Yeah, right.
765
00:40:35,930 --> 00:40:37,761
For the whole universe
to be in harmony, yeah.
766
00:40:37,845 --> 00:40:41,591
So, this is literally
getting the right vibrations
767
00:40:41,807 --> 00:40:44,028
to match with
the right vibrations
768
00:40:44,112 --> 00:40:47,425
to create the next
experience of reality.
769
00:40:47,596 --> 00:40:49,738
I like that.
Guys, look, this has been
770
00:40:49,823 --> 00:40:53,385
absolutely incredible
conversation.
771
00:40:53,469 --> 00:40:56,519
And I think we've established
that there is
772
00:40:56,870 --> 00:40:59,783
way more to the world
that we know of,
773
00:40:59,867 --> 00:41:02,090
there's way more to our reality
774
00:41:02,174 --> 00:41:05,932
and also what we can perceive
with our senses.
775
00:41:06,017 --> 00:41:11,065
and I can't wait to continue
this at some other time.
776
00:41:11,214 --> 00:41:12,531
To be continued.
777
00:41:12,616 --> 00:41:15,289
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