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1
00:00:01,418 --> 00:00:02,920
PREVIOUSLY ON "ALL AMERICAN"...
2
00:00:02,920 --> 00:00:03,962
JORDAN: I GOT A GIRL PREGNANT.
3
00:00:03,962 --> 00:00:05,339
JORDAN: ♪ TA-DA ♪
SIMONE: JORDAN.
4
00:00:05,339 --> 00:00:06,340
JORDAN: ROOM FOR OUR BABY.
SIMONE: IT'S NOT YOURS.
5
00:00:06,340 --> 00:00:07,966
I KNOW WHY YOU DID IT.
6
00:00:07,966 --> 00:00:10,219
AND I ALSO KNOW HOW ALONE
YOU MUST FEEL RIGHT NOW.
7
00:00:10,219 --> 00:00:11,929
I'M GONNA BE THERE
FOR THE BABY.
8
00:00:11,929 --> 00:00:13,805
I'M IN LOVE WITH YOU,
SIMONE.
9
00:00:13,805 --> 00:00:16,266
J.P.: I GOT MAD ARTISTS
LIKE COOP ALREADY ON MY LABEL.
10
00:00:16,266 --> 00:00:18,018
WHAT I DON'T HAVE IS SOMEONE
LIKE PATIENCE.
11
00:00:18,018 --> 00:00:19,978
WHY'D YOU LEAVE ME
BEHIND ON THE ROAD?
12
00:00:19,978 --> 00:00:22,064
AND DON'T GIVE ME
NO B.S. ABOUT YOU
JUST WANTING TO GET HOME.
13
00:00:22,064 --> 00:00:23,982
MAYBE SCREWING ARTISTS
OVER RUNS IN YOUR FAMILY.
14
00:00:23,982 --> 00:00:25,484
WHAT IS THAT
SUPPOSED TO MEAN?
15
00:00:25,484 --> 00:00:27,110
ASK YOUR POPS ABOUT
WHAT HE DID TO PATIENCE.
16
00:00:27,110 --> 00:00:28,612
YOU KNOW HIS NEW
SINGER LIL JEWEL?
17
00:00:28,612 --> 00:00:30,197
YEAH.
18
00:00:30,197 --> 00:00:31,698
WELL, YOU SHOULD
CHECK OUT HER NEW SONG.
19
00:00:31,698 --> 00:00:33,784
YOU MIGHT FIND IT
SUPER INTERESTING.
20
00:00:33,784 --> 00:00:35,535
IF YOU CAN HONESTLY SAY THAT
YOU IN THE RIGHT HEAD SPACE
21
00:00:35,535 --> 00:00:37,162
TO MAKE THIS WORK,
THEN I'M ALL IN.
22
00:00:37,162 --> 00:00:39,164
I SHOULD FOCUS ON MYSELF
DURING RECOVERY.
23
00:00:39,164 --> 00:00:40,499
HOWEVER LONG IT IS,
I'LL WAIT.
24
00:00:40,499 --> 00:00:41,875
WHEN SOMEBODY YOU
LOVE IS HURTING,
25
00:00:41,875 --> 00:00:43,418
WE DO WHATEVER
IT TAKES.
26
00:00:43,418 --> 00:00:45,128
ABOUT VEGAS,
IT WASN'T A BIG DEAL.
27
00:00:45,128 --> 00:00:47,506
IT WAS A BIG DEAL
TO ME.
28
00:00:47,506 --> 00:00:49,716
OLIVIA: I HAVEN'T BEEN
ABLE TO SLEEP MUCH
SINCE THE SHOOTING.
29
00:00:49,716 --> 00:00:52,094
SPENCER: TELL ME ABOUT IT.
30
00:00:52,094 --> 00:00:53,804
THERE'S ALWAYS A SPOT
NEXT TO ME ON THIS COUCH,
SAME TIME EVERY NIGHT.
31
00:00:53,804 --> 00:00:55,639
I'LL BE HERE.
32
00:00:55,639 --> 00:00:57,391
WE'RE JUST NOT
GONNA TALK ABOUT
WHAT HAPPENED THIS SUMMER?
33
00:00:58,934 --> 00:01:01,395
SPENCER, I'M ONLY GOING
TO ASK YOU THIS ONE TIME,
34
00:01:01,395 --> 00:01:04,606
AND PLEASE RESPECT ME
ENOUGH NOT TO LIE ABOUT IT.
35
00:01:04,606 --> 00:01:07,985
WHAT REALLY HAPPENED
IN VEGAS THIS SUMMER?
36
00:01:10,279 --> 00:01:12,531
♪ BOUNCE THAT--IN THE--
BOUNCE THAT ♪
37
00:01:12,531 --> 00:01:15,242
♪ IN THE--BOUNCE THAT--
IN THE AIR, AIR ♪
38
00:01:15,242 --> 00:01:17,286
♪ BOUNCE THAT--IN THE--
BOUNCE THAT-- ♪
39
00:01:17,286 --> 00:01:19,621
♪ IN THE--BOUNCE THAT
EVERYWHERE-ERE... ♪
40
00:01:19,621 --> 00:01:22,249
-WOW.
-WHOA.
41
00:01:22,249 --> 00:01:24,001
SPENCER: YO, THIS REALLY
OUR SPOT FOR THE WEEKEND?
42
00:01:24,001 --> 00:01:26,003
LAYLA: YEAH, YOU CAN
THANK MY DAD.
43
00:01:26,003 --> 00:01:27,462
JORDAN: THANK YOU,
MR. KEATING.
44
00:01:27,462 --> 00:01:30,007
J.J.: VEGAS, BABY.
45
00:01:30,007 --> 00:01:31,591
NEVER THOUGHT
I'D MISS STATE CHAMPS.
46
00:01:31,591 --> 00:01:34,678
J.J.: STATE CHAMPS
IN VEGAS, BABY! HA HA!
47
00:01:34,678 --> 00:01:36,513
SPENCER: BETTER LEAVE IT ALONE.
PATIENCE: WOW.
48
00:01:36,513 --> 00:01:37,764
HE'S JUST EXCITED.
49
00:01:37,764 --> 00:01:39,308
WELL, SO AM I,
ALL RIGHT,
50
00:01:39,308 --> 00:01:40,726
BUT THAT'S ALL HE'S SAID
FOR THE LAST 4 HOURS.
51
00:01:40,726 --> 00:01:42,227
I'M VEGAS BABY'D OUT.
52
00:01:42,227 --> 00:01:43,645
WELL, WHAT IF I DO THIS?
53
00:01:43,645 --> 00:01:47,524
BABY, VEGAS.
VEGAS, BABY.
54
00:01:47,524 --> 00:01:49,526
JORDAN: THEN I'D SAY
THAT'S CUTE,
55
00:01:49,526 --> 00:01:51,695
BUT EVERYTHING
YOU SAY IS CUTE.
56
00:01:55,282 --> 00:01:57,951
HEY, COME ON. LET'S
GET YOU INTO BED
57
00:01:57,951 --> 00:02:00,203
BEFORE J.J. JUMPS
ON IT LITERALLY.
58
00:02:00,203 --> 00:02:01,371
SEE YOU.
59
00:02:01,371 --> 00:02:02,581
[CHUCKLES SOFTLY]
60
00:02:02,581 --> 00:02:03,623
[PATIENCE CHUCKLING]
61
00:02:03,623 --> 00:02:05,542
UM, SO YOU LIKE THE ROOM?
62
00:02:05,542 --> 00:02:07,210
I MEAN, I KNEW
VEGAS WAS FANCY,
63
00:02:07,210 --> 00:02:09,129
BUT I WASN'T
EXPECTING ALL THIS.
64
00:02:09,129 --> 00:02:11,923
WELL, MY DAD INSISTED
MY FRIENDS GET
THE ROYAL TREATMENT.
65
00:02:11,923 --> 00:02:14,217
WELL, I'M YOUR FRIEND
AND YOUR ARTIST.
66
00:02:14,217 --> 00:02:15,927
WHERE IS MY SUITE?
67
00:02:15,927 --> 00:02:17,888
WE'RE NOT LETTING HIM
HELP US, REMEMBER?
68
00:02:17,888 --> 00:02:19,431
MAYBE I SIGNED TO
THE WRONG KEATING.
69
00:02:19,431 --> 00:02:20,766
OH, MY GOD. YOU JUST
CAME TO MY ROOM.
70
00:02:20,766 --> 00:02:22,017
IT'S FAR FROM A SUITE.
71
00:02:22,017 --> 00:02:23,685
YEAH. HELLO, BRUTUS.
72
00:02:23,685 --> 00:02:25,687
THE WRONG KEATING GOT YOU
A SOLD-OUT SHOW IN VEGAS.
73
00:02:25,687 --> 00:02:27,981
AND MY DAD ARRANGED
FOR US TO HAVE OUR OWN
PRIVATE GAMING SUITE.
74
00:02:27,981 --> 00:02:29,900
DAMN. YOUR POPS REALLY
BALLED OUT.
75
00:02:29,900 --> 00:02:33,028
WELL, HE KNEW
HOW IMPORTANT IT WAS
FOR ME TO HAVE YOU HERE.
76
00:02:33,028 --> 00:02:34,654
ALL OF YOU--
77
00:02:34,654 --> 00:02:35,739
HOW IMPORTANT ALL
OF YOU ARE.
78
00:02:35,739 --> 00:02:37,449
RIGHT.
[CHUCKLES]
79
00:02:37,449 --> 00:02:39,076
COOP: DEFINITELY SIGNED
TO THE WRONG KEATING.
80
00:02:39,076 --> 00:02:41,328
HA HA! TRUST ME.
YOU DIDN'T.
81
00:02:41,328 --> 00:02:44,122
J.J.: HEY, UH, Y'ALL
KNOW WHAT TIME IT IS?
82
00:02:46,333 --> 00:02:50,712
J.J.: HA HA HA!
IT'S VEGAS TIME, BABY!
83
00:02:50,712 --> 00:02:52,714
♪ SMILE FOR THE CAMERA ♪
84
00:02:52,714 --> 00:02:54,466
♪ I KNOW IT'S ON THE SPOT,
BUT SHOW ME WHAT YOU GOT ♪
85
00:02:54,466 --> 00:02:56,843
♪ GET YOURSELF TOGETHER,
WHAT IS YOUR BEST SIDE? ♪
86
00:02:56,843 --> 00:02:59,179
♪ IS IT YOUR RIGHT,
OR IS YOUR LEFT SIDE? ♪
87
00:02:59,179 --> 00:03:00,514
♪ COME ON... ♪
88
00:03:00,514 --> 00:03:02,140
BLACKJACK AIN'T
REALLY MY GAME, MAN.
89
00:03:02,140 --> 00:03:04,726
MY DAD'S A WHALE, BRO.
THAT MAKES ME A BABY WHALE,
90
00:03:04,726 --> 00:03:07,479
ALL RIGHT? I GOT A SYSTEM.
IT NEVER FAILS. TRUST ME.
91
00:03:07,479 --> 00:03:08,688
OK.
92
00:03:10,440 --> 00:03:12,484
♪ WOULD YOU EVER GIVE ME LOVE ♪
93
00:03:12,484 --> 00:03:13,735
♪ WOULD YOU EVER GIVE ME LOVE
LIKE THAT? ♪
94
00:03:13,735 --> 00:03:15,153
♪ LOVE LIKE THAT... ♪
95
00:03:15,153 --> 00:03:17,823
COOP: MAN. WHAT?
HIGH ROLLER'S SUITE,
96
00:03:17,823 --> 00:03:20,534
A PRIVATE GAMING ROOM,
MY OWN PERSONAL DEALER?
97
00:03:20,534 --> 00:03:23,245
MAN. J.P. IS FLEXING
TONIGHT, BABY.
98
00:03:23,245 --> 00:03:26,248
MM-HMM. J.P. DOES
LOVE A GOOD FLEX.
99
00:03:26,248 --> 00:03:27,666
WHAT, YOU ALL TWO
BEEFING OR SOMETHING?
100
00:03:27,666 --> 00:03:29,793
MM-MM. NO BEEF.
101
00:03:29,793 --> 00:03:33,213
I AM PERFECTLY HAPPY
PERFORMING BUBBLEGUM POP
FOR 8 YEAR OLDS.
102
00:03:33,213 --> 00:03:34,965
HAVE YOU TOLD HIM YOU
WANT TO PERFORM
YOUR OWN MUSIC?
103
00:03:34,965 --> 00:03:36,675
OH, NO. YOU DON'T TELL
J.P. KEATING.
104
00:03:36,675 --> 00:03:38,385
J.P. KEATING TELLS YOU.
105
00:03:38,385 --> 00:03:39,719
COME ON, BABE. HAVE
YOU AT LEAST TRIED?
106
00:03:39,719 --> 00:03:41,721
CAN WE NOT TALK
ABOUT THIS, PLEASE?
107
00:03:41,721 --> 00:03:43,723
I JUST WANT TO ENJOY
THE NIGHT, OK?
108
00:03:43,723 --> 00:03:45,725
AH AH AH.
DOES THAT WORK?
109
00:03:45,725 --> 00:03:49,938
OH, YES! THAT'S
A START. OK.
110
00:03:57,821 --> 00:03:59,072
AND I CAN'T BELIEVE I
GET TO WATCH YOU
111
00:03:59,072 --> 00:04:00,782
PERFORM IN VEGAS.
112
00:04:00,782 --> 00:04:02,951
I CAN'T BELIEVE IT TOOK
ME PERFORMING IN VEGAS
113
00:04:02,951 --> 00:04:04,828
TO GET YOUR SORRY ASS
OUT TO MY TOUR.
114
00:04:04,828 --> 00:04:06,371
WHAT, SPENCER JAMES
IS TOO BIG-TIME
115
00:04:06,371 --> 00:04:08,290
TO JOIN THE COOP TROOP?
116
00:04:08,290 --> 00:04:09,791
-THE COOP TROOP?
-YEAH. GIVE IT TIME.
117
00:04:09,791 --> 00:04:12,627
IT'LL GROW ON YOU.
[LAUGHTER]
118
00:04:12,627 --> 00:04:14,713
FOR REAL, MAN, WHAT
YOU BEEN DOING?
119
00:04:14,713 --> 00:04:17,048
WORKING. NOT ALL OF US
GET TO SPEND OUR SUMMER
120
00:04:17,048 --> 00:04:18,842
JET-SETTING AROUND
THE COUNTRY.
121
00:04:18,842 --> 00:04:20,260
NO. VAN-SETTING, OK?
122
00:04:20,260 --> 00:04:22,095
LAYLA GOT US ON
A STRICT BUDGET.
123
00:04:22,095 --> 00:04:23,763
YOU ALL TWO GETTING
PRETTY CLOSE?
124
00:04:23,763 --> 00:04:26,433
WHY? YOU WORRIED I'MMA
MOVE IN ON YOUR GIRL?
125
00:04:26,433 --> 00:04:28,101
SHUT UP.
126
00:04:28,101 --> 00:04:29,853
I MEAN, ALL THAT TIME
ON THE ROAD TOGETHER,
127
00:04:29,853 --> 00:04:31,438
JUST THE TWO OF US.
128
00:04:31,438 --> 00:04:32,856
SHE AIN'T MY GIRL.
129
00:04:32,856 --> 00:04:34,399
AND SHE GOT WAY
BETTER TASTE THAN THAT.
130
00:04:34,399 --> 00:04:36,026
YEAH. OK. THAT SOUND
LIKE A CHALLENGE.
131
00:04:36,026 --> 00:04:37,819
YOU LUCKY I GOT
PATIENCE.
132
00:04:37,819 --> 00:04:39,738
YO, I MISS HANGING
WITH YOU COOP.
133
00:04:39,738 --> 00:04:42,157
YOU KNOW WE AIN'T
NEVER SPENT A WHOLE
SUMMER APART?
134
00:04:42,157 --> 00:04:45,118
I KNOW. IT'S GOOD TO SEE
YOU, TOO, FAM.
135
00:04:45,118 --> 00:04:46,661
[BALL SETTLES IN
ROULETTE WHEEL SLOT]
136
00:04:49,539 --> 00:04:51,541
BUT YOU GOT TO GO, BRO.
137
00:04:51,541 --> 00:04:53,376
YOU BAD LUCK.
COME ON, MAN.
138
00:04:53,376 --> 00:04:55,212
DAMN.
139
00:04:58,757 --> 00:05:01,051
OOH. NICE PURSE.
DESIGNER?
140
00:05:01,051 --> 00:05:03,220
HEH. SIMONE
DOESN'T LIKE
141
00:05:03,220 --> 00:05:04,804
TAKING IT TO THE
RESTROOM WITH HER.
142
00:05:04,804 --> 00:05:07,265
AND NOW THAT SHE'S
PEEING FOR TWO,
143
00:05:07,265 --> 00:05:09,559
SHE GOES A LOT.
BUT IT'S ALL RIGHT.
144
00:05:09,559 --> 00:05:11,269
I MEAN, I'M
COMFORTABLE ENOUGH
145
00:05:11,269 --> 00:05:13,855
WITH MY MASCULINITY
TO HANDLE IT, SO...
146
00:05:13,855 --> 00:05:15,524
THAT'S TRUE LOVE.
147
00:05:15,524 --> 00:05:17,025
WELL, DON'T
TELL ANYONE.
148
00:05:17,025 --> 00:05:19,152
ACTUALLY, TELL EVERYONE.
149
00:05:19,152 --> 00:05:21,071
I LOVE HER.
150
00:05:21,071 --> 00:05:23,281
I MEAN, I MISS HER
WHENEVER SHE'S NOT AROUND.
151
00:05:23,281 --> 00:05:25,033
I EVEN MISS HER NOW.
152
00:05:25,033 --> 00:05:26,785
HOW WEIRD IS THAT?
153
00:05:26,785 --> 00:05:28,995
IT'S NOT WEIRD AT ALL.
154
00:05:33,041 --> 00:05:37,170
♪ MMM, 5 A.M., ARE YOU OUT? ♪
155
00:05:37,170 --> 00:05:38,880
♪ WHERE YOU AT... ♪
156
00:05:38,880 --> 00:05:40,131
[CHUCKLES]
157
00:05:40,131 --> 00:05:41,716
I DON'T THINK
VEGAS LIKES ME.
158
00:05:41,716 --> 00:05:43,760
WHAT? NO. SHE JUST HAS
TO WARM UP TO YOU.
159
00:05:43,760 --> 00:05:46,012
YOU SHOULD, YOU KNOW,
WHISPER SOMETHING
SWEET TO HER.
160
00:05:46,012 --> 00:05:48,014
-OK.
-MM-HMM.
161
00:05:48,014 --> 00:05:49,474
COME ON, BABY.
162
00:05:49,474 --> 00:05:50,725
YEAH.
163
00:05:50,725 --> 00:05:52,686
DON'T BE LIKE THAT.
164
00:05:52,686 --> 00:05:55,355
I KNOW YOU THE FINEST
SLOT MACHINE IN HERE.
165
00:05:55,355 --> 00:05:56,648
[CHUCKLES]
166
00:05:59,651 --> 00:06:02,028
THAT'S BETTER.
HA HA!
167
00:06:02,028 --> 00:06:04,030
THERE'S THAT LAUGH.
168
00:06:05,282 --> 00:06:07,534
IT'S GOOD TO SEE YOU
IN PERSON.
169
00:06:07,534 --> 00:06:11,037
FACETIME AND TEXTS HAVE
NOTHING ON THE REAL THING.
170
00:06:11,037 --> 00:06:12,706
I CAN'T DO THE SHAQ
SHUFFLE MEME IN PERSON.
171
00:06:12,706 --> 00:06:13,957
YOU DON'T WANT TO SEE
THAT IN VEGAS?
172
00:06:13,957 --> 00:06:15,208
-NO.
-NO?
173
00:06:15,208 --> 00:06:16,418
BABE, YOU DON'T
NEED TO.
174
00:06:16,418 --> 00:06:18,878
[LAUGHTER]
175
00:06:18,878 --> 00:06:21,256
UM, I'M BUMMED
OLIVIA COULDN'T COME.
176
00:06:21,256 --> 00:06:23,049
IS SHE DOING OK?
177
00:06:23,049 --> 00:06:25,677
YEAH. SHE BE KEEPING
BUSY WITH HER PODCAST,
178
00:06:25,677 --> 00:06:27,304
BUT SHE SEEMS HAPPY.
179
00:06:27,304 --> 00:06:28,305
MM.
180
00:06:28,305 --> 00:06:29,848
SO DO YOU.
181
00:06:29,848 --> 00:06:32,392
UM, WELL,
182
00:06:32,392 --> 00:06:34,352
COOP'S BLOWING UP.
183
00:06:34,352 --> 00:06:36,980
MY FATHER IS BEING
AN ACTUAL FATHER.
184
00:06:36,980 --> 00:06:39,816
SO THINGS ARE--
THINGS ARE GOOD.
185
00:06:41,359 --> 00:06:43,528
HOW ABOUT YOU?
ARE YOU HAPPY?
186
00:06:43,528 --> 00:06:45,238
NOT RIGHT NOW.
187
00:06:45,238 --> 00:06:47,907
NIGHT ONE, AND I'M
ALREADY BROKE AS HELL.
188
00:06:47,907 --> 00:06:51,036
WELL, I HAVE A FEELING YOUR
LUCK'S ABOUT TO TURN AROUND.
189
00:06:51,036 --> 00:06:53,330
YOU JUST GOT TO BET
ON THE RIGHT THING.
190
00:06:57,292 --> 00:07:00,045
PRETTY GOOD NIGHT,
HUH, RIGHT?
191
00:07:00,045 --> 00:07:02,505
I CAN'T BELIEVE LAYLA'S POPS
HOOKED THIS ALL UP FOR US.
192
00:07:02,505 --> 00:07:04,049
US?
193
00:07:04,049 --> 00:07:06,051
MY MAN, HE HOOKED
THIS UP FOR YOU.
194
00:07:06,051 --> 00:07:07,636
ALL RIGHT. LOOK,
I'VE KNOWN MR. KEATING
MY WHOLE LIFE.
195
00:07:07,636 --> 00:07:09,220
HE'S NEVER
EVEN LOOKED AT ME.
196
00:07:09,220 --> 00:07:11,181
BUT HIS BABY GIRL BATS
HER EYES AND SAYS
197
00:07:11,181 --> 00:07:13,600
SPENCER'S COMING
TO TOWN, AND, BOOM,
ROLL OUT THE RED CARPET.
198
00:07:13,600 --> 00:07:16,186
SO WHEN ARE YOU GONNA
MAKE YOUR MOVE?
199
00:07:16,186 --> 00:07:17,771
IT AIN'T
LIKE THAT, MAN.
200
00:07:17,771 --> 00:07:19,439
I'M JUST HERE TO TURN UP
WITH MY PEEPS,
201
00:07:19,439 --> 00:07:21,608
REP THE COOP TROOP.
202
00:07:21,608 --> 00:07:23,360
SHE'S RIGHT.
IT DID GROW ON ME.
203
00:07:23,360 --> 00:07:25,195
OK. WELL, YOU CAN DO THAT
WITH LAYLA, CAN'T YOU?
204
00:07:25,195 --> 00:07:26,863
OH, I GET IT.
205
00:07:26,863 --> 00:07:29,074
YOU WIFED UP NOW, SO
EVERYBODY ELSE GOT TO BE.
206
00:07:29,074 --> 00:07:30,700
NO, NO.
IT'S NOT LIKE THAT.
207
00:07:30,700 --> 00:07:33,328
LOOK, I KNOW YOU TWO
ARE ENDGAME.
208
00:07:33,328 --> 00:07:35,121
ALL RIGHT? WHY FIGHT
THE INEVITABLE?
209
00:07:35,121 --> 00:07:36,623
SIMONE: HEY.
210
00:07:36,623 --> 00:07:37,999
HEY. HOW ARE YOU?
211
00:07:40,210 --> 00:07:42,212
UNLESS YOU'RE HAPPY
BEING SINGLE
212
00:07:42,212 --> 00:07:43,880
AND WATCHING DUMB MOVIES
WITH MY SISTER.
213
00:07:43,880 --> 00:07:46,174
SIMONE: THIS WEEKEND IS
GONNA BE INCREDIBLE.
214
00:07:46,174 --> 00:07:48,009
I'VE NEVER SEEN COOP,
LIKE, DO HER THING.
215
00:07:48,009 --> 00:07:50,053
WELL, IF I HAVE IT
MY WAY,
216
00:07:50,053 --> 00:07:51,554
YOU WON'T BE SEEING
MUCH OF HER THIS
WEEKEND, YOU KNOW?
217
00:07:51,554 --> 00:07:53,098
MM. REALLY?
218
00:07:53,098 --> 00:07:54,808
I'M FEELING LUCKY.
219
00:07:54,808 --> 00:07:56,685
SIMONE: OK. MM. HA HA!
JORDAN: MMM MMM.
220
00:07:56,685 --> 00:07:59,104
HEY. PRE-PARTY'S OVER.
LET'S HIT THE TOWN.
221
00:07:59,104 --> 00:08:00,563
DID YOUR DAD GET US
OUR OWN CLUB?
222
00:08:00,563 --> 00:08:02,732
UH, NOT
THAT I KNOW OF.
223
00:08:02,732 --> 00:08:04,234
LOOKS LIKE I'M
THE CAPTAIN NOW.
224
00:08:04,234 --> 00:08:05,694
THINK IT'S TIME
TO ABANDON SHIP.
225
00:08:05,694 --> 00:08:06,861
GOOD NIGHT,
GOOD PEOPLE.
226
00:08:06,861 --> 00:08:07,946
PEACE.
227
00:08:07,946 --> 00:08:09,698
WHAT ABOUT YOU, SPENCE?
228
00:08:09,698 --> 00:08:11,408
NO. THIS IS THE PRE-PARTY,
PARTY, AND POST-PARTY
229
00:08:11,408 --> 00:08:12,992
FOR ME, BRUH.
230
00:08:12,992 --> 00:08:14,953
I GUESS IT'S JUST ME
AND YOU, LAYLA.
231
00:08:14,953 --> 00:08:17,622
MM, N--NO.
232
00:08:17,622 --> 00:08:19,374
J.J.: I NEED NEW FRIENDS.
SPENCER: MM-HMM.
233
00:08:21,042 --> 00:08:23,044
HOLLA AT YOU.
234
00:08:23,044 --> 00:08:25,255
UM, WELL, I WAS GONNA GO
CATCH UP WITH COOP
235
00:08:25,255 --> 00:08:27,424
UNLESS YOU WANT TO GO
FOR ONE MORE DRINK?
236
00:08:27,424 --> 00:08:31,261
I'M BEAT. PLUS, I GOT
TO CHECK IN WITH MY MOMS.
237
00:08:31,261 --> 00:08:33,471
I PRACTICALLY HAD TO BEG
HER TO LET ME COME OUT HERE,
238
00:08:33,471 --> 00:08:35,223
SO SEE YOU TOMORROW?
239
00:08:35,223 --> 00:08:36,599
YEAH.
240
00:08:36,599 --> 00:08:37,892
ALL RIGHT.
241
00:08:45,108 --> 00:08:47,986
PLEASE TELL ME I'M YOUR
ONE PHONE CALL FROM JAIL.
242
00:08:47,986 --> 00:08:49,529
[CHUCKLING]
NO.
243
00:08:49,529 --> 00:08:50,947
BUT YOU MIGHT J.J.'S
IN A FEW HOURS.
244
00:08:50,947 --> 00:08:52,615
OLIVIA: THANKS FOR
THE HEADS-UP.
245
00:08:52,615 --> 00:08:54,784
TURNING MY PHONE OFF
FOR THE REST OF THE NIGHT.
246
00:08:54,784 --> 00:08:56,786
SO YOU HAVING
A GOOD TIME?
247
00:08:56,786 --> 00:08:58,872
UH, YEAH,
IT'S ALL RIGHT.
248
00:08:58,872 --> 00:09:00,457
I STILL THINK YOU
SHOULD'VE COME.
249
00:09:00,457 --> 00:09:02,751
SO I CAN DAY DRINK WITH J.J.
250
00:09:02,751 --> 00:09:04,878
AND WATCH JORDAN AND SIMONE
PLAY KISSY FACE?
251
00:09:04,878 --> 00:09:06,546
HARD PASS.
252
00:09:06,546 --> 00:09:08,548
BESIDES, YOU DON'T WANT
A THIRD WHEEL HANGING AROUND
253
00:09:08,548 --> 00:09:10,467
WHILE YOU PUT
THE MOVES ON LAYLA.
254
00:09:10,467 --> 00:09:12,135
AIN'T NOBODY PUTTING
ANY MOVES ON ANYONE.
255
00:09:12,135 --> 00:09:13,428
LAYLA AND I
AREN'T TOGETHER.
256
00:09:13,428 --> 00:09:14,554
I KNOW, BUT COME ON.
257
00:09:14,554 --> 00:09:16,389
YOU BOTH WANT TO BE, RIGHT?
258
00:09:16,389 --> 00:09:17,807
IT WAS TOTALLY OBVIOUS
259
00:09:17,807 --> 00:09:18,933
BEFORE LAYLA LEFT
FOR THE SUMMER.
260
00:09:18,933 --> 00:09:21,227
THIS WEEKEND'S YOUR CHANCE.
261
00:09:21,227 --> 00:09:23,480
DID I MISS THE PART
WHEN Y'ALL BAKER
TWINS BECAME PIMPS?
262
00:09:23,480 --> 00:09:25,440
YOU KNOW I'M RIGHT.
263
00:09:25,440 --> 00:09:27,317
MAYBE. I DON'T KNOW.
264
00:09:27,317 --> 00:09:29,068
SOMETHING FELT KIND OF
OFF TONIGHT, THOUGH.
265
00:09:29,068 --> 00:09:32,155
YEAH. WELL, PROBABLY BECAUSE
SHE'S BEEN GONE FOR SO LONG.
266
00:09:32,155 --> 00:09:33,907
I MEAN, EVERYTHING
WILL GO BACK TO NORMAL
267
00:09:33,907 --> 00:09:35,450
WHEN YOU SEE HER TOMORROW.
268
00:09:35,450 --> 00:09:39,245
OR LATER TONIGHT.
269
00:09:39,245 --> 00:09:41,289
HEY, IT'S NOT
HAPPENING TONIGHT.
270
00:09:41,289 --> 00:09:42,749
AND SHE BUSY WITH COOP
ALL DAY TOMORROW
271
00:09:42,749 --> 00:09:44,709
UNTIL THE SHOW, SO...
272
00:09:44,709 --> 00:09:46,753
SO WHAT ARE YOU
GONNA DO ALL DAY?
273
00:09:46,753 --> 00:09:48,671
I DON'T KNOW.
PROBABLY CHILL IN
THIS CRAZY-ASS SUITE,
274
00:09:48,671 --> 00:09:50,215
WATCH DUMB MOVIES.
275
00:09:50,215 --> 00:09:51,966
WITHOUT ME?
276
00:09:51,966 --> 00:09:53,718
[CLICKS TONGUE]
NOT COOL.
277
00:09:53,718 --> 00:09:55,512
YEAH, WELL, I GUESS
YOU SHOULD'VE COME THEN.
278
00:09:55,512 --> 00:09:58,389
I'LL HOLLA AT YOU. BYE.
279
00:10:15,323 --> 00:10:16,825
LIV?
280
00:10:16,825 --> 00:10:20,119
LET'S HAVE SOME FUN.
IT'S VEGAS, BABY.
281
00:10:20,119 --> 00:10:21,996
[BOTH CHUCKLING]
282
00:10:27,001 --> 00:10:29,838
YOU KNOW, AS MUCH AS I
LOVE ROOM SERVICE,
283
00:10:29,838 --> 00:10:32,507
I CAN'T JUSTIFY PAYING
20 BUCKS FOR TOAST.
284
00:10:32,507 --> 00:10:35,093
HA HA. YOU KNOW, I THINK
MR. KEATING'S COVERING
OUR ROOM EXPENSES.
285
00:10:35,093 --> 00:10:37,512
MAN. THIS PLACE
WAS DESTROYED.
286
00:10:37,512 --> 00:10:39,848
IT WAS ALL J.J.
I GUESS HE MET
SOME NEW FRIENDS.
287
00:10:39,848 --> 00:10:42,559
OH. THAT EXPLAINS
THE MANNEQUIN.
288
00:10:42,559 --> 00:10:44,227
NICE HAIR, BY THE WAY.
289
00:10:44,227 --> 00:10:46,813
NICE OF YOU TO NOTICE.
290
00:10:46,813 --> 00:10:49,858
BET. MY HEAD'S STILL IN
A FOG AFTER LAST NIGHT.
291
00:10:49,858 --> 00:10:51,860
SIMONE: WHAT ARE
YOU DOING HERE?
292
00:10:51,860 --> 00:10:53,945
WELL, GOOD MORNING
TO YOU, TOO.
293
00:10:53,945 --> 00:10:55,947
SORRY. I JUST WASN'T
EXPECTING TO SEE YOU.
294
00:10:55,947 --> 00:10:57,615
DOES JORDAN KNOW
YOU'RE HERE?
295
00:10:57,615 --> 00:10:59,409
UM, PROBABLY NOT.
296
00:10:59,409 --> 00:11:02,078
SPENCER TALKED ME
INTO FLYING OUT.
297
00:11:02,078 --> 00:11:04,038
OH, COOL. I SHOULD GO.
298
00:11:06,624 --> 00:11:08,877
JORDAN'S HOLDING A TABLE
AT THE RESTAURANT.
299
00:11:08,877 --> 00:11:11,379
OLIVIA: REALLY? I WAS JUST DOWN
THERE, AND I DIDN'T SEE HIM.
300
00:11:11,379 --> 00:11:14,424
SPENCER: YEAH. WHAT YOU
ALL TWO DOING LATER?
WE SHOULD MEET UP.
301
00:11:14,424 --> 00:11:16,509
YEAH. MAYBE, BUT WE KIND OF
ALREADY MADE PLANS, THOUGH...
302
00:11:16,509 --> 00:11:18,094
WHAT KIND OF PLANS?
303
00:11:18,094 --> 00:11:19,721
PLANS THAT DON'T
INCLUDE YOU TWO.
304
00:11:19,721 --> 00:11:21,389
BUT I'LL TALK TO JORDAN.
305
00:11:23,057 --> 00:11:26,477
YOU KNOW, THERE'S A NICER
WAY TO SAY THAT.
306
00:11:26,477 --> 00:11:28,855
SHE WAS--SHE WAS
ACTING WEIRD, RIGHT?
307
00:11:28,855 --> 00:11:31,691
EVERYBODY ACTS WEIRD
WHEN THEY'RE IN LOVE.
308
00:11:31,691 --> 00:11:34,485
SPEAKING OF LOVE, GIVE ME
THE REAL ON WHAT HAPPENED
WITH YOU AND LAYLA.
309
00:11:34,485 --> 00:11:36,112
NOTHING'S HAPPENING.
310
00:11:36,112 --> 00:11:37,947
WHY NOT? DON'T YOU GUYS
WANT TO GET BACK TOGETHER?
311
00:11:37,947 --> 00:11:39,949
LOOK, I DON'T EVEN KNOW
IF SHE'S READY, LIV.
312
00:11:39,949 --> 00:11:41,701
WHAT IF THE TIMING
AIN'T RIGHT?
313
00:11:41,701 --> 00:11:44,037
OR MAYBE SHE'S WAITING FOR
YOUR DUMB ASS TO MAKE A MOVE.
314
00:11:44,037 --> 00:11:45,914
THERE'S A NICER WAY
TO SAY THAT.
315
00:11:45,914 --> 00:11:48,124
YOU'RE A TAKE CHARGE
KIND OF GUY, SPENCER.
316
00:11:48,124 --> 00:11:50,168
SO TAKE CHARGE, LET HER
KNOW HOW YOU'RE FEELING.
317
00:11:50,168 --> 00:11:51,794
GET HER A GIFT
OR SOMETHING.
318
00:11:51,794 --> 00:11:53,338
IT'S GONNA HAVE TO BE
A PRETTY CHEAP GIFT.
319
00:11:53,338 --> 00:11:54,881
I BLEW ALMOST ALL
MY MONEY LAST NIGHT.
320
00:11:54,881 --> 00:11:57,425
WELL, LUCKY FOR YOU,
VEGAS HAS PLENTY OF SHOPS
321
00:11:57,425 --> 00:11:59,761
FOR PEOPLE WHO SPENT
THEIR MONEY ON NIGHT ONE.
322
00:11:59,761 --> 00:12:02,597
BESIDES, LAYLA WILL LIKE
WHATEVER YOU GET HER.
323
00:12:02,597 --> 00:12:04,807
COOP: WHENEVER
I GOT A ISSUE,
324
00:12:04,807 --> 00:12:06,976
I JUST TELL LAYLA,
LET HER DEAL WITH IT.
325
00:12:06,976 --> 00:12:09,520
YEAH, BUT IT'S
DIFFERENT 'CAUSE YOU
AND LAYLA ARE TIGHT.
326
00:12:09,520 --> 00:12:12,607
I CAN'T TELL MEGA PRODUCER
J.P. KEATING THAT I'M
327
00:12:12,607 --> 00:12:14,442
NOT TRYING TO BE
THE NEXT SPICE GIRL.
328
00:12:14,442 --> 00:12:16,194
WELL, HOW ELSE IS HE SUPPOSED
TO KNOW WHAT YOU WANT?
329
00:12:16,194 --> 00:12:18,821
WHAT YOU REALLY,
REALLY WANT.
330
00:12:18,821 --> 00:12:20,114
[CHUCKLING]
OK. STOP!
331
00:12:20,114 --> 00:12:21,407
THAT'S NOT FUNNY.
332
00:12:21,407 --> 00:12:23,034
LOOK. LISTEN, BABE,
333
00:12:23,034 --> 00:12:25,036
I GOT YOUR BACK
NO MATTER WHAT.
334
00:12:25,036 --> 00:12:27,455
ALL RIGHT? LOOK, PEOPLE
LIKE THE SPICE GIRLS.
335
00:12:27,455 --> 00:12:29,082
NO. I MEAN, I LOVE
THE SPICE GIRLS.
336
00:12:29,082 --> 00:12:30,917
I'M JUST--I'M NOT
TRYING TO BE ONE.
337
00:12:30,917 --> 00:12:33,670
AND I DON'T KNOW. J.P.
HAS DONE A LOT FOR ME,
338
00:12:33,670 --> 00:12:35,338
AND I DON'T WANT
TO BE A PROBLEM.
339
00:12:35,338 --> 00:12:36,965
YOU'RE NOT A PROBLEM.
340
00:12:36,965 --> 00:12:39,217
YOU'RE A ARTIST, AND YOU
DESERVE TO BE HAPPY, TOO.
341
00:12:39,217 --> 00:12:41,552
REMEMBER WHEN I WAS THINKING
ABOUT SIGNING WITH J.P.,
342
00:12:41,552 --> 00:12:43,388
AND I WAS ALL WORRIED HE
WAS GONNA TRY TO CHANGE ME?
343
00:12:43,388 --> 00:12:45,264
YEAH.
344
00:12:45,264 --> 00:12:48,017
WHAT IS THIS,
AN "I TOLD YOU"
KIND OF THING?
345
00:12:48,017 --> 00:12:50,853
NO. IT'S ACTUALLY A BEAUTIFUL
STORY IF YOU LET ME FINISH.
346
00:12:50,853 --> 00:12:52,480
OK.
347
00:12:52,480 --> 00:12:54,399
ANYWAYS, I WAS ALL CONCERNED
THAT HE WAS GONNA TRY
348
00:12:54,399 --> 00:12:56,067
TO CHANGE ME,
349
00:12:56,067 --> 00:12:58,528
AND THEN THIS SEXY GIRL
NAMED PATIENCE CAME ALONG
350
00:12:58,528 --> 00:13:01,114
AND TOLD ME THAT I SHOULD
JUST BE UPFRONT WITH HIM
351
00:13:01,114 --> 00:13:03,449
AND THAT I NEEDED SOMEONE
WHO LOVED ME FOR ME.
352
00:13:03,449 --> 00:13:05,743
THAT IS
A BEAUTIFUL STORY.
353
00:13:05,743 --> 00:13:09,956
AND I DON'T KNOW. THIS
PATIENCE SOUNDS WISE.
354
00:13:09,956 --> 00:13:12,291
THEN SHE SHOULD TAKE
HER OWN ADVICE
355
00:13:12,291 --> 00:13:15,545
AND TAKE THAT FLY-ASS SONG
YOU BEEN WORKING ON
OVER TO J.P.
356
00:13:15,545 --> 00:13:17,255
HE NEEDS TO HEAR THAT
357
00:13:17,255 --> 00:13:18,673
AND HOW MUCH IT
MEANS TO YOU.
358
00:13:18,673 --> 00:13:21,259
AND IF THAT DON'T WORK,
THEN YOU JUST
359
00:13:21,259 --> 00:13:22,927
SEND IN THE BIG DOG.
360
00:13:22,927 --> 00:13:25,221
OH, ARE YOU--ARE YOU
THE BIG DOG?
361
00:13:25,221 --> 00:13:28,224
-LOOK, I AM THE BIG DOG.
-OK. HA HA.
362
00:13:28,224 --> 00:13:31,477
NO. BUT, FOR REAL, OR WE
JUST SAVE OURSELVES SOME TIME
363
00:13:31,477 --> 00:13:33,146
AND SEND IN LAYLA.
364
00:13:33,146 --> 00:13:35,940
I MEAN, J.P. IS
PUTTY IN HER HANDS.
365
00:13:37,316 --> 00:13:39,110
GOOD MORNING, SWEETHEART.
366
00:13:39,110 --> 00:13:40,528
HEY, DAD.
367
00:13:40,528 --> 00:13:41,779
OOH, AT LEAST IT WAS.
368
00:13:41,779 --> 00:13:43,156
DON'T BE SO DRAMATIC.
369
00:13:43,156 --> 00:13:44,741
I DO THIS BECAUSE
I LOVE YOU.
370
00:13:44,741 --> 00:13:46,242
YOU KNOW, IF YOU SKIPPED
A DAY OR EVEN A WEEK,
371
00:13:46,242 --> 00:13:47,827
I WOULD STILL KNOW
THAT YOU LOVE ME.
372
00:13:47,827 --> 00:13:49,412
HI. SORRY. IF I KNEW
YOU WERE HERE,
373
00:13:49,412 --> 00:13:50,663
I WOULD'VE BROUGHT
YOU SOMETHING.
374
00:13:50,663 --> 00:13:51,664
SHE CAN HAVE MINE.
375
00:13:51,664 --> 00:13:53,124
OOH, BE QUIET.
376
00:13:53,124 --> 00:13:54,667
I'D GIVE ANYTHING
IF MY HUSBAND SPOILED ME
377
00:13:54,667 --> 00:13:56,961
HALF THE WAY YOUR
DAUGHTER SPOILS YOU.
378
00:13:56,961 --> 00:13:59,672
WE WERE JUST DISCUSSING
LIL JEWEL'S ALBUM,
379
00:13:59,672 --> 00:14:01,257
TRYING TO FIND
SOME NEW TRACKS.
380
00:14:01,257 --> 00:14:03,259
HEY. YOUR FRIENDS MADE
IT OK LAST NIGHT?
381
00:14:03,259 --> 00:14:05,386
YEAH, THEY DID. THEY WERE
BLOWN AWAY BY THE SUITE.
382
00:14:05,386 --> 00:14:07,513
I THINK THEY LIKE YOU
MORE THAN ME NOW.
383
00:14:07,513 --> 00:14:09,891
OH. WELL, I'LL BET
SPENCER STILL LIKES
YOU MORE, THOUGH.
384
00:14:09,891 --> 00:14:12,602
MAYBE US GETTING CLOSE
WAS A BAD IDEA.
385
00:14:12,602 --> 00:14:13,811
[CHUCKLING]
386
00:14:13,811 --> 00:14:15,271
GOOD LUCK WITH THE ALBUM.
387
00:14:15,271 --> 00:14:16,856
PLEASE MAKE SURE HE EATS.
388
00:14:16,856 --> 00:14:18,524
-SEE YOU, DAD.
-BYE.
389
00:14:34,665 --> 00:14:36,959
THIS LOOKS LIKE THE WAND SHOP
FROM "HARRY POTTER."
390
00:14:36,959 --> 00:14:39,754
OLLIVANDER'S. WHAT?
391
00:14:39,754 --> 00:14:41,547
YOU'RE NOT
THE ONLY POTTERHEAD.
392
00:14:43,299 --> 00:14:44,926
AND THIS PLACE IS
NOTHING LIKE IT.
393
00:14:44,926 --> 00:14:46,803
NO WANDS,
ONLY CRYSTALS.
394
00:14:46,803 --> 00:14:49,931
I THINK LAYLA WOULD
LOVE SOME OF THIS STUFF.
395
00:14:53,309 --> 00:14:56,604
MY GOSH. THIS
NECKLACE IS BEAUTIFUL.
396
00:14:56,604 --> 00:14:59,232
YOU THINK SHE'D LIKE IT?
397
00:14:59,232 --> 00:15:02,235
HMM, NAH. IT'S TOO
NEW AGEY FOR LAYLA.
398
00:15:02,235 --> 00:15:05,404
WOMAN: HE ISN'T LOOKING
FOR A GIFT.
399
00:15:05,404 --> 00:15:07,615
HE'S LOOKING FOR CLARITY.
400
00:15:07,615 --> 00:15:09,492
CLARITY ABOUT WHAT?
401
00:15:09,492 --> 00:15:11,869
I DIDN'T SAY IT. SHE DID.
402
00:15:11,869 --> 00:15:14,622
CLARITY ABOUT WHAT?
403
00:15:16,958 --> 00:15:18,376
[SPENCER CHUCKLES]
OK.
404
00:15:18,376 --> 00:15:20,837
I THINK IT'S TIME TO GO.
405
00:15:20,837 --> 00:15:22,171
MISS CLEO HERE IS A SCAM.
406
00:15:22,171 --> 00:15:23,256
YOU DON'T KNOW THAT.
407
00:15:23,256 --> 00:15:25,508
YES, I DO.
408
00:15:25,508 --> 00:15:28,344
LOOK, WHEN I WAS A KID,
MY NANNA KEPT THIS CREEPY
VOODOO DOLL ON HER SHELF.
409
00:15:28,344 --> 00:15:29,679
I HATED IT.
410
00:15:29,679 --> 00:15:32,181
SO ONE DAY, I HID IT.
411
00:15:32,181 --> 00:15:34,183
WHEN SHE ASKED
WHERE IT WAS, I LIED.
412
00:15:34,183 --> 00:15:36,060
I TOLD HER I AIN'T KNOW.
413
00:15:36,060 --> 00:15:39,105
SHE TOLD ME SHE
CURSED THE THIEF
WITH A SPANKING FROM GOD
414
00:15:39,105 --> 00:15:42,108
THAT WOULD ONLY HEAL WHEN
THAT PERSON TOLD THE TRUTH.
415
00:15:42,108 --> 00:15:44,777
THE NEXT DAY, I WOKE
UP WITH A WEIRD RASH
ON MY BACKSIDE,
416
00:15:44,777 --> 00:15:47,196
AND I CONFESSED.
417
00:15:47,196 --> 00:15:50,074
IT TURNS OUT SHE PUT
ITCHING POWDER IN MY DRAWERS.
418
00:15:50,074 --> 00:15:51,534
YOUR NANNA'S A GENIUS.
419
00:15:51,534 --> 00:15:53,327
NO. MY NANNA'S A CON ARTIST.
CAN WE GO NOW?
420
00:15:53,327 --> 00:15:55,121
NOT WITHOUT GETTING
SOME CLARITY.
421
00:16:02,003 --> 00:16:04,547
THERE'S
SO MUCH ENERGY HERE.
422
00:16:04,547 --> 00:16:07,133
I SEE A FOREVER LOVE.
423
00:16:09,510 --> 00:16:11,012
HE'S HERE FOR A GIRL.
424
00:16:11,012 --> 00:16:13,931
AND A GIRL IS HERE FOR HIM.
425
00:16:13,931 --> 00:16:15,892
SHE'S JUST DOING
"GAME OF THRONES."
426
00:16:15,892 --> 00:16:19,145
SOMEBODY CLOSE TO YOU
IS HIDING SOMETHING
OF GREAT IMPORTANCE.
427
00:16:19,145 --> 00:16:20,563
SOMEBODY HE KNOWS OR I KNOW?
428
00:16:20,563 --> 00:16:22,148
THAT ISN'T CLEAR.
429
00:16:22,148 --> 00:16:26,027
BUT WHEN IT'S REVEALED,
EVERYTHING WILL CHANGE.
430
00:16:26,027 --> 00:16:28,237
SPENCER: SO YOU CAN SEE
SOMEBODY HIDING SOMETHING,
431
00:16:28,237 --> 00:16:30,072
BUT YOU CAN'T SEE
WHO THEY ARE OR WHAT
THEY'RE HIDING.
432
00:16:30,072 --> 00:16:32,200
THAT MAKES SENSE.
433
00:16:32,200 --> 00:16:34,118
I SEE WHAT I SEE.
434
00:16:34,118 --> 00:16:36,454
YOU'RE GONNA
TAKE A CHANCE ON
SOMETHING AND LOSE.
435
00:16:36,454 --> 00:16:38,372
YEAH, LIKE US
GIVING YOU 10 BUCKS.
436
00:16:38,372 --> 00:16:40,374
COME ON, SPENCER. AT LEAST
TRY TO TAKE IT SERIOUSLY.
437
00:16:40,374 --> 00:16:42,293
LIV, WE'RE IN VEGAS.
438
00:16:42,293 --> 00:16:45,254
EVERYBODY TAKES
A CHANCE ON SOMETHING
AND LOSES.
439
00:16:45,254 --> 00:16:47,006
YOU KNOW WHAT?
I'LL BE OUTSIDE.
440
00:16:50,343 --> 00:16:51,594
[OLIVIA SIGHS]
441
00:16:54,305 --> 00:16:55,765
OLIVIA?
442
00:16:55,765 --> 00:16:57,934
YOU'LL NEVER FIND WHAT
YOU'RE LOOKING FOR
443
00:16:57,934 --> 00:17:00,061
UNTIL YOU START
BEING HONEST.
444
00:17:02,647 --> 00:17:05,024
[GUITAR MUSIC]
445
00:17:08,986 --> 00:17:11,739
♪ I CAN'T HELP IF YOU STAY
ON MY MIND ♪
446
00:17:11,739 --> 00:17:15,368
♪ IF I SAID I DIDN'T NEED YOU,
I'D BE LYIN' ♪
447
00:17:15,368 --> 00:17:18,913
♪ THESE HARMONIES
WERE MADE FOR LOVE ♪
448
00:17:18,913 --> 00:17:22,917
♪ THESE HARMONIES WERE
MADE FOR US ♪
449
00:17:22,917 --> 00:17:26,254
♪ IF YOU'RE ALL ALONE ♪
450
00:17:26,254 --> 00:17:29,632
♪ REMEMBER THIS SONG ♪
451
00:17:29,632 --> 00:17:32,260
♪ A SWEET MELODY FOR YOU ♪
452
00:17:32,260 --> 00:17:34,053
♪ AND ME FOREVER ♪
453
00:17:34,053 --> 00:17:37,765
♪ IF MUSIC CAN BREAK US ♪
454
00:17:37,765 --> 00:17:40,851
♪ YEAH ♪
455
00:17:40,851 --> 00:17:43,312
♪ THEN WHY CAN'T IT SAVE US? ♪
456
00:17:45,606 --> 00:17:49,443
♪ OH, IF MUSIC CAN BREAK US ♪
457
00:17:53,406 --> 00:17:55,533
♪ THEN WHY CAN'T IT SAVE US? ♪
458
00:18:00,621 --> 00:18:02,206
[J.P. CHUCKLES]
459
00:18:02,206 --> 00:18:05,334
IT'S QUITE A BIT DIFFERENT
FROM YOUR USUAL STUFF.
460
00:18:05,334 --> 00:18:08,004
YEAH. BUT,
UM, I DON'T KNOW.
461
00:18:08,004 --> 00:18:09,714
I THINK THAT COULD BE
A GOOD THING.
462
00:18:09,714 --> 00:18:13,634
IT'S GOOD. IT COULD BE GREAT
WITH A COUPLE OF CHANGES.
463
00:18:13,634 --> 00:18:15,177
NOW, YOUR HOOK IS STRONG.
464
00:18:15,177 --> 00:18:16,804
IT JUST TAKES TOO LONG
TO GET THERE.
465
00:18:16,804 --> 00:18:18,389
I THINK YOU SHOULD
REWORK THE VERSES
466
00:18:18,389 --> 00:18:19,849
AND BRING THE CHORUS
IN EARLIER
467
00:18:19,849 --> 00:18:21,225
AND PUMP IT UP A FEW BPM.
468
00:18:21,225 --> 00:18:22,768
RADIO IS DIGGING
ON TEMPO RIGHT NOW.
469
00:18:22,768 --> 00:18:24,645
YOU THINK YOU
CAN SEND ME A COPY?
470
00:18:24,645 --> 00:18:26,772
YEAH, DEFINITELY.
I CAN DO THAT.
471
00:18:26,772 --> 00:18:28,983
THANK YOU.
472
00:18:28,983 --> 00:18:30,401
YEAH.
473
00:18:33,988 --> 00:18:35,573
LIV, YOU GOT TO
LET IT GO.
474
00:18:35,573 --> 00:18:37,283
YOU ACTING REAL
CRAZY RIGHT NOW.
475
00:18:37,283 --> 00:18:39,368
NO, I'M NOT.
476
00:18:39,368 --> 00:18:42,371
I MEAN, HOW DID
SHE KNOW SO MUCH?
477
00:18:42,371 --> 00:18:44,707
I MEAN, THAT FOREVER LOVE
WITH YOU AND LAYLA?
478
00:18:44,707 --> 00:18:46,667
ALL SHE SAID WAS
"FOREVER LOVE."
479
00:18:46,667 --> 00:18:48,836
AND YOU IMMEDIATELY
ASSUMED SHE MEANT
ME AND LAYLA
480
00:18:48,836 --> 00:18:50,713
BECAUSE THAT'S ALL YOU
BEEN TALKING ABOUT
SINCE YOU GOT HERE.
481
00:18:50,713 --> 00:18:51,839
SHE COULD'VE MEANT
ANYONE.
482
00:18:51,839 --> 00:18:53,507
MAYBE YOU AND ASHER.
483
00:18:53,507 --> 00:18:55,134
NAH, I DON'T THINK SO.
484
00:18:55,134 --> 00:18:57,678
YEAH, ME NEITHER,
'CAUSE IT'S ALL A SCAM.
485
00:18:57,678 --> 00:18:59,221
OK, WELL, WHAT ABOUT
EVERYTHING ELSE THAT SHE SAID?
486
00:18:59,221 --> 00:19:00,598
LIKE, WHAT, SOMEBODY
HIDING SOMETHING?
487
00:19:00,598 --> 00:19:02,516
ARE YOU?
'CAUSE I'M NOT.
488
00:19:02,516 --> 00:19:05,353
NO. I DON'T KNOW. MAYBE
JORDAN AND SIMONE ARE.
489
00:19:05,353 --> 00:19:07,438
[SIGHS]
490
00:19:11,901 --> 00:19:13,110
WHAT?
491
00:19:13,110 --> 00:19:15,821
DON'T DO IT. LIV.
492
00:19:17,698 --> 00:19:18,991
OLIVIA, DON'T.
493
00:19:18,991 --> 00:19:20,576
I MEAN,
THAT WOULD EXPLAIN
494
00:19:20,576 --> 00:19:21,994
WHY SIMONE WAS ACTING
SO WEIRD EARLIER.
495
00:19:21,994 --> 00:19:24,288
SO YOU REALLY THINK
A $10 VEGAS PSYCHIC
496
00:19:24,288 --> 00:19:28,501
PREDICTED JORDAN'S
HIDING SOMETHING
IN HIS BACKPACK?
497
00:19:28,501 --> 00:19:31,170
LIV, COME ON. THAT'S CRAZY.
498
00:19:32,546 --> 00:19:34,215
WELL, NOT
AS CRAZY AS THIS.
499
00:19:40,888 --> 00:19:43,015
[JORDAN SPEAKING INDISTINCTLY]
500
00:19:43,015 --> 00:19:46,811
-RIDICULOUS.
-HEY. YOU'RE--I MEAN--
501
00:19:46,811 --> 00:19:50,064
JORDAN: UH--
OLIVIA: UH...
502
00:19:50,064 --> 00:19:52,191
DO YOU WANT TO
EXPLAIN THIS?
503
00:19:52,191 --> 00:19:53,776
[EXHALES]
504
00:19:53,776 --> 00:19:55,778
WHAT, YOU GUYS WENT
THROUGH MY STUFF?
505
00:19:55,778 --> 00:19:57,780
OLIVIA: JORDAN,
WHAT THE HELL IS THIS?
506
00:19:59,281 --> 00:20:01,784
IT'S A MARRIAGE LICENSE.
507
00:20:01,784 --> 00:20:04,578
SIMONE AND I ARE GETTING
MARRIED TONIGHT.
508
00:20:09,458 --> 00:20:11,669
LISTEN, JUST HEAR ME
OUT, ALL RIGHT?
I KNOW IT SOUNDS CRAZY.
509
00:20:11,669 --> 00:20:13,129
OLIVIA:
"SOUNDS" CRAZY?
510
00:20:13,129 --> 00:20:16,382
WHAT PART OF "JUST
HEAR ME OUT" DIDN'T
YOU UNDERSTAND?
511
00:20:16,382 --> 00:20:18,551
ALL RIGHT. SINCE WE
WERE GONNA BE IN VEGAS
512
00:20:18,551 --> 00:20:21,011
FOR COOP'S SHOW ANYWAY,
I SAID THAT WE SHOULD
GET ELVIS TO MARRY US.
513
00:20:21,011 --> 00:20:24,473
I MEAN, THAT'S WHAT
COUPLES DO IN VEGAS,
RIGHT? THEY GET MARRIED.
514
00:20:24,473 --> 00:20:26,434
AND THEN SIMONE SAID THAT HER
PARENTS WOULD BE PISSED.
515
00:20:26,434 --> 00:20:28,018
YOU THINK?
516
00:20:28,018 --> 00:20:29,728
SIMONE: I MEAN, MY DAD
REALLY HATES ELVIS. HA HA.
517
00:20:29,728 --> 00:20:32,648
JORDAN: AND AFTER JOKING ABOUT
IT FOR A WHILE,
518
00:20:32,648 --> 00:20:35,901
I DON'T KNOW. IT JUST--
IT DIDN'T FEEL LIKE
A JOKE ANYMORE.
519
00:20:35,901 --> 00:20:37,403
WE BOTH KIND OF STARED
AT EACH OTHER AND JUST SAID...
520
00:20:37,403 --> 00:20:38,779
BOTH: WHY NOT?
521
00:20:38,779 --> 00:20:40,281
WELL, I'LL
GIVE YOU 3 REASONS--
522
00:20:40,281 --> 00:20:42,283
TOO YOUNG, TOO FAST,
TOO STUPID.
523
00:20:42,283 --> 00:20:44,118
TOO MUCH.
524
00:20:44,118 --> 00:20:46,120
JORDAN: BELIEVE ME, LIV,
THERE'S NOTHING THAT YOU
525
00:20:46,120 --> 00:20:47,955
CAN SAY THAT WE HAVEN'T
THOUGHT OF ALREADY.
526
00:20:47,955 --> 00:20:50,416
WELL, I'LL BET MOM
AND DAD WILL HAVE
PLENTY TO SAY.
527
00:20:50,416 --> 00:20:53,377
I MEAN, I DON'T KNOW
HOW YOU PULLED OFF
MOM'S SIGNATURE,
528
00:20:53,377 --> 00:20:55,087
BUT I BET IF WE
CALLED HER, SHE--
529
00:20:55,087 --> 00:20:57,506
SIMONE: YOU WOULD
SERIOUSLY DO THAT?
530
00:20:57,506 --> 00:20:59,758
DO YOU WANT TO JUMP
IN HERE OR...?
531
00:20:59,758 --> 00:21:02,720
SOUNDS LIKE A FAMILY
MATTER TO ME.
532
00:21:02,720 --> 00:21:05,473
YOU ARE FAMILY,
SPENCE.
533
00:21:05,473 --> 00:21:06,932
ALL RIGHT? AND, HONESTLY,
534
00:21:06,932 --> 00:21:08,267
I'M HAPPY YOU GUYS
FOUND OUT.
535
00:21:08,267 --> 00:21:10,102
ME, TOO.
536
00:21:10,102 --> 00:21:12,563
I MEAN, WE REALLY HATED
NOT TELLING ANYBODY.
537
00:21:12,563 --> 00:21:14,607
AND NOW WE DON'T HAVE
TO GET MARRIED ALONE.
538
00:21:14,607 --> 00:21:17,818
I GET TO HAVE
MY SISTER THERE
539
00:21:17,818 --> 00:21:19,445
AND MY BROTHER.
540
00:21:19,445 --> 00:21:21,989
WHAT DO YOU SAY,
SPENCE? BEST MAN?
541
00:21:24,074 --> 00:21:25,826
NO.
542
00:21:27,411 --> 00:21:29,663
OF COURSE, J.
543
00:21:33,125 --> 00:21:36,128
JORDAN: LIV, YOU'VE
BEEN THERE FOR ME
544
00:21:36,128 --> 00:21:38,672
LITERALLY SINCE DAY ZERO.
545
00:21:38,672 --> 00:21:41,133
WILL YOU BE THERE
FOR ME TODAY?
546
00:21:44,929 --> 00:21:47,056
[SIGHS]
547
00:21:47,056 --> 00:21:48,349
OK.
548
00:21:51,101 --> 00:21:55,105
ALL RIGHT. UH,
BACKSTAGE PASSES.
549
00:21:55,105 --> 00:21:56,732
WHEN DO YOU WANT ME TO
TELL EVERYONE TO BE HERE?
550
00:21:56,732 --> 00:21:58,734
UH, WHENEVER THEY WANT.
551
00:21:58,734 --> 00:22:01,028
OK. UM, I CAN TELL SPENCER
TO COME EARLY IF YOU WANT
552
00:22:01,028 --> 00:22:02,571
TO, LIKE, SHOW HIM
AROUND OR SOMETHING.
553
00:22:02,571 --> 00:22:04,198
GIRL, YOU AIN'T SUBTLE.
554
00:22:04,198 --> 00:22:05,699
CLEARLY, YOU WANT TO
SHOW HIM SOMETHING.
555
00:22:05,699 --> 00:22:08,327
WHATEVER. I JUST THOUGHT
IT'D BE NICE FOR YOU
556
00:22:08,327 --> 00:22:10,371
TO SPEND TIME WITH HIM
SINCE HE CAME ALL
THIS WAY TO SEE YOU.
557
00:22:10,371 --> 00:22:11,956
KEEP TELLING
YOURSELF THAT.
558
00:22:11,956 --> 00:22:14,500
I MEAN, SPENCER
TREKKED OVER 4 HOURS
559
00:22:14,500 --> 00:22:16,502
THROUGH THE HOT DESERT
TO COME SEE ME?
560
00:22:16,502 --> 00:22:19,463
COME ON. I KNOW
I'M PRETTY, BUT I
AIN'T THAT PRETTY.
561
00:22:19,463 --> 00:22:20,965
WHY IS EVERYONE SO FOCUSED
ON ME AND SPENCER?
562
00:22:20,965 --> 00:22:23,050
SHOOT. I DON'T KNOW.
563
00:22:23,050 --> 00:22:25,511
MAYBE IT'S
BECAUSE YOU'RE CLEARLY
STILL IN LOVE WITH HIM.
564
00:22:25,511 --> 00:22:27,429
AND YOU'VE BEEN ACTING
WEIRD SINCE HE GOT HERE.
565
00:22:27,429 --> 00:22:29,098
THE REST OF US ARE
TRYING TO UNDERSTAND
566
00:22:29,098 --> 00:22:31,642
WHY Y'ALL ASSES AIN'T
BACK TOGETHER ALREADY.
567
00:22:31,642 --> 00:22:33,602
WELL, WHATEVER.
568
00:22:33,602 --> 00:22:34,979
IF YOU DON'T MIND,
I'M GONNA GET BACK
TO LISTENING
569
00:22:34,979 --> 00:22:37,898
TO MY NEW
FAVORITE ARTIST--ME.
570
00:22:37,898 --> 00:22:40,109
[CHUCKLES]
571
00:22:40,109 --> 00:22:41,944
OLIVIA: OK, SO WHEN YOU
SAID YOU NEEDED SHOES
FOR THE WEDDING,
572
00:22:41,944 --> 00:22:43,445
I DIDN'T THINK WE'D
BE SEARCHING FOR
573
00:22:43,445 --> 00:22:45,030
SOME UNDERGROUND
SNEAKER SHOP.
574
00:22:45,030 --> 00:22:47,074
WELL, I'M LOW-KEY
A SNEAKERHEAD.
575
00:22:47,074 --> 00:22:50,452
PLUS, JORDAN'S GONNA
LOOK HOT IN THEM.
576
00:22:50,452 --> 00:22:53,038
SORRY. YOU PROBABLY
DON'T WANT TO HEAR THAT.
577
00:22:53,038 --> 00:22:54,582
WELL, IT'S FINE.
578
00:22:54,582 --> 00:22:58,168
I'M JUST NEVER
WEARING SNEAKERS AGAIN.
579
00:22:58,168 --> 00:23:00,838
I'VE ALWAYS DREAMED
OF WEARING SNEAKERS
AT MY WEDDING
580
00:23:00,838 --> 00:23:02,673
EVER SINCE I WAS
A LITTLE GIRL,
581
00:23:02,673 --> 00:23:04,717
ONLY THE STYLES
HAVE CHANGED.
582
00:23:04,717 --> 00:23:07,970
IN KINDERGARTEN, IT WAS
THE ADIDAS SUPERSTAR.
583
00:23:07,970 --> 00:23:10,306
THEN IT WAS
THE OLD-SCHOOL REEBOKS.
584
00:23:10,306 --> 00:23:11,599
PUMP OR NO PUMP?
585
00:23:11,599 --> 00:23:13,809
GIRL, NO PUMP.
IT'S MORE ELEGANT.
586
00:23:13,809 --> 00:23:15,436
AGREED.
587
00:23:15,436 --> 00:23:17,229
BUT FOR JORDAN,
I'M THINKING
588
00:23:17,229 --> 00:23:19,148
CLASSIC AIR JORDANS.
589
00:23:21,609 --> 00:23:23,444
SO...
[SIGHS]
590
00:23:23,444 --> 00:23:25,070
I HAVE TO ASK...
591
00:23:25,070 --> 00:23:26,947
WHEN YOU DREAMED OF
YOUR WEDDING,
592
00:23:26,947 --> 00:23:29,366
I MEAN, WERE YOU
STILL IN HIGH SCHOOL?
593
00:23:29,366 --> 00:23:30,701
I MEAN, WAS IT
IN VEGAS?
594
00:23:30,701 --> 00:23:31,827
OK.
[CHUCKLES]
595
00:23:31,827 --> 00:23:34,622
THERE IT IS.
596
00:23:34,622 --> 00:23:36,248
OLIVIA, I KNEW YOU
WEREN'T FINISHED,
597
00:23:36,248 --> 00:23:37,750
SO JUST COME WITH IT.
598
00:23:37,750 --> 00:23:40,794
IT'S JUST SO QUICK,
SIMONE, OK?
599
00:23:40,794 --> 00:23:42,588
I MEAN, IS IT
ABOUT THE BABY?
600
00:23:42,588 --> 00:23:44,048
I MEAN, DID YOU CHANGE
YOUR MIND ABOUT
601
00:23:44,048 --> 00:23:45,049
GIVING HIM UP
FOR ADOPTION?
602
00:23:45,049 --> 00:23:46,759
NOTHING HAS CHANGED.
603
00:23:46,759 --> 00:23:48,510
OK. SO THEN WHY ARE YOU
RUSHING INTO MARRIAGE?
604
00:23:48,510 --> 00:23:49,762
I MEAN, CAN'T YOU
AT LEAST WAIT
605
00:23:49,762 --> 00:23:51,513
UNTIL YOU FINISH
HIGH SCHOOL?
606
00:23:51,513 --> 00:23:53,807
OLIVIA, WE LOVE EACH OTHER,
AND TOMORROW ISN'T PROMISED.
607
00:23:53,807 --> 00:23:55,476
LOOK, I KNOW THIS
ISN'T EASY FOR YOU,
608
00:23:55,476 --> 00:23:57,686
BUT THIS ISN'T ABOUT YOU.
609
00:23:57,686 --> 00:23:59,188
HE'S MY TWIN BROTHER.
610
00:23:59,188 --> 00:24:01,482
I KNOW HIM BETTER
THAN ANYONE.
611
00:24:01,482 --> 00:24:04,234
HE'S IMPULSIVE, OK?
HE DOES THINGS
WITHOUT THINKING.
612
00:24:04,234 --> 00:24:06,487
SO WHAT ABOUT ME?
AM I NOT THINKING, TOO?
613
00:24:06,487 --> 00:24:08,739
I DON'T KNOW.
I BARELY KNOW YOU.
614
00:24:08,739 --> 00:24:10,699
AND NEITHER DOES JORDAN.
615
00:24:10,699 --> 00:24:12,785
I MEAN, YOU GUYS
HAVE BEEN DATING,
WHAT, 5 MONTHS,
616
00:24:12,785 --> 00:24:14,870
3 IF YOU DON'T
COUNT THE ONES
YOU WERE FIGHTING.
617
00:24:14,870 --> 00:24:16,747
AND WE GOT THROUGH IT
JUST LIKE WE'LL GET THROUGH
618
00:24:16,747 --> 00:24:18,624
WHATEVER ELSE
COMES AT US.
619
00:24:18,624 --> 00:24:21,835
IF YOU REALLY LOVE
JORDAN, THEN YOU
WOULD BE HAPPY FOR HIM.
620
00:24:21,835 --> 00:24:23,337
THIS IS WHAT HE WANTS.
621
00:24:23,337 --> 00:24:25,172
[CHUCKLING]
WHAT HE WANTS?
622
00:24:25,172 --> 00:24:27,591
LAST YEAR, HE WANTED
TO DRIVE HIS SEGWAY
DOWN THE STAIRS.
623
00:24:27,591 --> 00:24:30,094
OK. YOU KNOW WHAT?
YOU DON'T HAVE
TO AGREE WITH ME.
624
00:24:30,094 --> 00:24:32,262
YOU DON'T
EVEN HAVE
TO SHOP WITH ME,
625
00:24:32,262 --> 00:24:33,597
BUT YOU'RE DEFINITELY
GONNA STOP DISRESPECTING
626
00:24:33,597 --> 00:24:36,016
YOUR BROTHER'S
AND MY DECISION.
627
00:24:36,016 --> 00:24:38,560
THE WEDDING'S
HAPPENING...SIS.
628
00:24:39,937 --> 00:24:41,605
JORDAN: ALL RIGHT,
BEST MAN.
629
00:24:41,605 --> 00:24:43,399
YOU WANT TO TELL ME WHY I
SHOULDN'T GET MARRIED NOW,
630
00:24:43,399 --> 00:24:45,025
OR ARE WE GONNA WAIT TILL
WE'VE HAD A FEW DRINKS?
631
00:24:45,025 --> 00:24:46,402
I DIDN'T KNOW THAT WAS
PART OF THE BEST MAN DUTIES.
632
00:24:46,402 --> 00:24:48,112
WELL, IT IS WHEN
THE BEST MAN IS YOU.
633
00:24:48,112 --> 00:24:49,530
LOOK, TELLING OTHER
PEOPLE WHAT TO DO IS
634
00:24:49,530 --> 00:24:51,448
LIKE A SPORT
FOR YOU AND OLIVIA.
635
00:24:51,448 --> 00:24:52,825
AND THERE'S NO WAY
YOU'RE TOTALLY
FINE WITH THIS.
636
00:24:52,825 --> 00:24:56,412
OK. COME ON.
LAY IT ON ME.
637
00:24:56,412 --> 00:24:59,206
TELL ME I'M TOO YOUNG OR
THAT I'M RUSHING THINGS
638
00:24:59,206 --> 00:25:01,083
OR THAT I DON'T KNOW
WHAT THE HELL I'M DOING.
639
00:25:01,083 --> 00:25:02,584
J., IF YOU ALREADY
KNOW ALL THIS,
640
00:25:02,584 --> 00:25:04,461
WHY THE HELL YOU
GETTING MARRIED?
641
00:25:04,461 --> 00:25:05,713
BECAUSE NONE OF THOSE
THINGS MATTER.
ALL RIGHT?
642
00:25:05,713 --> 00:25:08,132
WHEN YOU KNOW,
YOU KNOW.
643
00:25:08,132 --> 00:25:11,009
SO COULD WE JUST SQUASH
IT AND HAVE A GREAT TIME?
644
00:25:11,009 --> 00:25:12,219
[KNOCK ON DOOR]
645
00:25:12,219 --> 00:25:14,555
WOMAN: HEY, GUYS.
646
00:25:14,555 --> 00:25:16,056
YOU READY TO PARTY?
647
00:25:16,056 --> 00:25:17,099
YEAH.
648
00:25:17,099 --> 00:25:19,184
UH...
649
00:25:19,184 --> 00:25:20,519
RIGHT.
650
00:25:20,519 --> 00:25:22,271
WE'RE THE DANCERS
YOU HIRED.
651
00:25:22,271 --> 00:25:23,772
THE STRIPPERS.
652
00:25:23,772 --> 00:25:26,608
THAT'S COCO. I'M
TIFANY WITH ONE "F."
653
00:25:26,608 --> 00:25:31,029
HEH. RIGHT. SO,
SPENCE, WHEN I ASKED
FOR A BACHELOR PARTY,
654
00:25:31,029 --> 00:25:34,408
I WAS THINKING SOMETHING
MAYBE A LITTLE BIT
MORE MELLOW.
655
00:25:34,408 --> 00:25:35,826
SPENCE?
656
00:25:35,826 --> 00:25:37,745
WHAT? NO.
THIS WASN'T ME. UH...
657
00:25:37,745 --> 00:25:39,913
LOOK, I THINK
Y'ALL GOT THE WRONG
ROOM, TIFANY.
658
00:25:39,913 --> 00:25:42,249
ONE "F."
659
00:25:42,249 --> 00:25:43,375
WHICH ONE OF YOU
IS J.J.?
660
00:25:43,375 --> 00:25:45,544
MM. OF COURSE IT WAS J.J.
661
00:25:45,544 --> 00:25:47,004
J.J. KNOWS YOU'RE
GETTING MARRIED?
662
00:25:47,004 --> 00:25:48,797
NO, NO, NO, NO. HE JUST--
663
00:25:48,797 --> 00:25:51,300
HE JUST LIKES STRIPPERS.
[EXHALES SHARPLY]
664
00:25:51,300 --> 00:25:54,344
UH, LOOK, LADIES,
WE HAVEN'T SEEN HIM
SINCE LAST NIGHT, ACTUALLY.
665
00:25:54,344 --> 00:25:56,180
I'M--I'M SORRY.
666
00:25:56,180 --> 00:25:57,848
WELL, HE PAID US
FOR THE HOUR.
667
00:25:57,848 --> 00:26:00,392
I MEAN, YOU MIGHT AS WELL
GET SOMETHING FOR IT.
668
00:26:00,392 --> 00:26:04,271
WE DON'T JUST STRIP.
THERE ARE OTHER THINGS
WE COULD DO.
669
00:26:04,271 --> 00:26:06,398
[TIFANY CHUCKLES]
670
00:26:06,398 --> 00:26:08,901
OK.
[CHUCKLES]
671
00:26:12,237 --> 00:26:14,239
TIFANY: I THINK
THEY'RE TOO YOUNG.
672
00:26:14,239 --> 00:26:15,783
JORDAN BARELY
KNOWS SIMONE.
673
00:26:15,783 --> 00:26:17,618
SPENCER: YOU AIN'T GOT
TO TELL ME.
674
00:26:17,618 --> 00:26:19,578
JORDAN: THIS HAS TO BE THE
WORST BACHELOR PARTY EVER.
675
00:26:19,578 --> 00:26:21,497
BILLY AND LAURA KNEW
EACH OTHER FOR YEARS,
676
00:26:21,497 --> 00:26:23,373
AND LOOK HOW WELL THAT
WORKED OUT FOR THEM.
677
00:26:23,373 --> 00:26:25,042
THANK YOU. EXACTLY.
678
00:26:25,042 --> 00:26:26,752
AND LIKE I WAS TELLING
MY BUDDY OVER HERE,
679
00:26:26,752 --> 00:26:28,629
WHEN YOU KNOW, YOU KNOW.
680
00:26:28,629 --> 00:26:30,297
YOU GOT YOUR WHOLE LIFE
AHEAD OF YOU, MAN.
681
00:26:30,297 --> 00:26:32,341
YOU AIN'T EVEN GOT
TO COLLEGE YET.
682
00:26:32,341 --> 00:26:35,677
A HANDSOME COLLEGE
QUARTERBACK. YUMMY.
683
00:26:35,677 --> 00:26:37,721
THE GIRLS ARE GONNA
EAT YOU ALIVE.
684
00:26:37,721 --> 00:26:39,723
UH, WHAT I THINK
SHE MEANS IS
685
00:26:39,723 --> 00:26:41,350
YOU DON'T KNOW ALL
THE OPPORTUNITIES YOU
GONNA BE MISSING OUT ON.
686
00:26:41,350 --> 00:26:42,726
TIFANY: NO. I WAS TALKING
ABOUT WOMEN WANTING
687
00:26:42,726 --> 00:26:44,228
TO HAVE SEX WITH HIM.
688
00:26:44,228 --> 00:26:45,729
OK. UH, LOOK,
689
00:26:45,729 --> 00:26:47,606
I DON'T WANT ANY OF
THAT, ALL RIGHT?
690
00:26:47,606 --> 00:26:49,566
I'VE DONE
ENOUGH PARTYING
TO LAST A LIFETIME.
691
00:26:49,566 --> 00:26:52,152
AND BESIDES, SIMONE'S
THE ONLY GIRL FOR ME.
692
00:26:52,152 --> 00:26:54,154
MAYBE IT'S A GOOD THING
THAT THEY'RE SO YOUNG.
693
00:26:54,154 --> 00:26:56,281
HE KNOWS FOR SURE THAT
SHE ISN'T MARRYING HIM
FOR HIS MONEY.
694
00:26:56,281 --> 00:26:57,658
IT'S PURE LOVE.
695
00:26:57,658 --> 00:26:58,659
THANK YOU, COCO.
696
00:26:58,659 --> 00:26:59,993
YOU GOT RICH PARENTS.
697
00:26:59,993 --> 00:27:02,079
[EXHALES]
SCREW YOU, SPENCE.
698
00:27:02,079 --> 00:27:03,872
TIFANY: DO YOU THINK
THEIR LOVE IS PURE?
699
00:27:03,872 --> 00:27:05,707
SIMONE LIED TO HIM
FROM THE BEGINNING,
700
00:27:05,707 --> 00:27:08,293
TRIED TO TRAP HIM
INTO BELIEVING HE
WAS HER BABY DADDY.
701
00:27:08,293 --> 00:27:09,545
ARE YOU EVER GONNA
LET THAT GO?
702
00:27:09,545 --> 00:27:11,672
SHE SAID SHE WAS SORRY.
703
00:27:11,672 --> 00:27:13,257
[SARCASTICALLY]
OH, SHE'S SORRY.
NOW I'M CONVINCED.
704
00:27:13,257 --> 00:27:14,758
JORDAN: OHH. WELL,
I REALLY DON'T CARE
705
00:27:14,758 --> 00:27:16,301
IF YOU'RE CONVINCED
OR NOT, TIFANY.
706
00:27:16,301 --> 00:27:17,761
ONE "F."
707
00:27:17,761 --> 00:27:19,137
HMM, I THINK I KNOW
708
00:27:19,137 --> 00:27:20,889
WHERE THE OTHER ONE
SHOULD GO.
709
00:27:22,307 --> 00:27:23,559
[GUITAR MUSIC,
KNOCK ON DOOR]
710
00:27:23,559 --> 00:27:25,143
[MUSIC STOPS]
711
00:27:28,939 --> 00:27:30,566
-HEY.
-HEY.
712
00:27:30,566 --> 00:27:32,150
ARE YOU BUSY?
713
00:27:32,150 --> 00:27:33,986
UH, NO. I'M JUST
WORKING ON A FEW NOTES
714
00:27:33,986 --> 00:27:35,654
J.P. GAVE ME. WHAT'S UP?
715
00:27:35,654 --> 00:27:37,364
I HOPE THEY AREN'T
FOR "TOUGH LOVE."
716
00:27:37,364 --> 00:27:39,157
THAT SONG IS DOPE. IT
DON'T NEED A DAMN THING.
717
00:27:39,157 --> 00:27:40,659
YOU'RE A GENIUS, GIRL.
718
00:27:40,659 --> 00:27:42,077
J.P. PLAYED YOU MY SONG?
719
00:27:42,077 --> 00:27:43,537
HE WANTS ME
IN THE STUDIO ASAP
720
00:27:43,537 --> 00:27:45,289
SO WE CAN GET IT
ON THE NEW ALBUM.
721
00:27:45,289 --> 00:27:47,165
I PROMISE I WON'T
LET YOU DOWN.
IT'S GONNA BE A HIT!
722
00:27:47,165 --> 00:27:48,375
[CHUCKLES]
723
00:27:50,836 --> 00:27:53,630
HEY. HOW'D THE
SHOPPING TRIP GO?
724
00:27:53,630 --> 00:27:56,049
GREAT. GOT A PAIR OF
AIR JORDANS
725
00:27:56,049 --> 00:27:57,676
AND A LECTURE FROM OLIVIA
726
00:27:57,676 --> 00:27:59,177
ABOUT WHY WE SHOULDN'T
GET MARRIED.
727
00:27:59,177 --> 00:28:00,554
JORDAN: OH.
728
00:28:00,554 --> 00:28:02,222
SIMONE: HOW WAS YOUR
BACHELOR PARTY?
729
00:28:02,222 --> 00:28:05,058
BASICALLY THE SAME
MINUS THE SHOES.
730
00:28:05,058 --> 00:28:07,019
SIMONE: WELL,
I GOT YOU SOME.
731
00:28:07,019 --> 00:28:09,104
-THANK YOU, BABY.
-YOU'RE WELCOME.
732
00:28:09,104 --> 00:28:11,648
JORDAN, LISTEN--
733
00:28:11,648 --> 00:28:14,067
I THINK YOU BOTH HAVE
SAID ENOUGH ALREADY.
ALL RIGHT?
734
00:28:14,067 --> 00:28:15,736
THIS IS EXACTLY WHY
I WANTED TO KEEP IT
A SECRET.
735
00:28:15,736 --> 00:28:17,905
SIMONE: WE DIDN'T WANT
ALL THIS NEGATIVE ENERGY
736
00:28:17,905 --> 00:28:19,907
FROM PEOPLE WHO
JUST DON'T GET IT.
737
00:28:19,907 --> 00:28:22,409
LOOK, WE LOVE
EACH OTHER.
ALL RIGHT?
738
00:28:22,409 --> 00:28:24,077
AND WE'RE GETTING MARRIED.
IT'S THAT SIMPLE.
739
00:28:24,077 --> 00:28:25,621
ALL RIGHT. IF YOU GUYS
CAN'T BE HAPPY FOR US,
740
00:28:25,621 --> 00:28:27,164
THEN THE SOLUTION
IS EVEN SIMPLER.
741
00:28:27,164 --> 00:28:28,999
YOU'RE NO LONGER
INVITED.
742
00:28:28,999 --> 00:28:30,500
COME ON.
743
00:28:35,547 --> 00:28:37,925
[BOTH SIGH]
744
00:28:37,925 --> 00:28:39,551
YOU WANT TO FLEX, J.P.?
745
00:28:39,551 --> 00:28:41,345
YOU'RE MESSING
WITH THE WRONG ONE.
746
00:28:54,900 --> 00:28:57,486
OLIVIA: I CAN'T STOP
THINKING ABOUT
THE LOOK ON THEIR FACES.
747
00:28:57,486 --> 00:28:59,780
SPENCER: YEAH.
THAT WAS WORSE THAN
DISAPPOINTED MOM FACE.
748
00:28:59,780 --> 00:29:02,157
I NEVER SEEN THEM LIKE THAT.
AND WE DID THAT TO THEM.
749
00:29:02,157 --> 00:29:05,077
I MEAN, WHO ARE WE TO
TELL THEM WHAT TO DO?
750
00:29:05,077 --> 00:29:07,204
AND THEY'RE OBVIOUSLY
IN LOVE.
751
00:29:07,204 --> 00:29:10,540
WE SHOULD ALL BE
SO LUCKY.
752
00:29:10,540 --> 00:29:12,501
AND IT'S NOT LIKE WE
HAVE IT ALL FIGURED OUT.
753
00:29:12,501 --> 00:29:16,254
I JUST PAID 10 BUCKS
TO GET YOU CLARITY.
754
00:29:16,254 --> 00:29:18,715
MY PARENTS
DEFINITELY DON'T.
755
00:29:18,715 --> 00:29:20,884
HEY, OBVIOUSLY,
MINE DIDN'T EITHER.
756
00:29:20,884 --> 00:29:23,053
BUT MAYBE JORDAN
AND SIMONE DO.
757
00:29:23,053 --> 00:29:24,596
THAT'S WHAT COCO SAID.
758
00:29:24,596 --> 00:29:26,723
THEY'RE GONNA HAVE ENOUGH
PEOPLE TELLING THEM
759
00:29:26,723 --> 00:29:30,352
THEY MADE A MISTAKE,
LIKE YOUR MOM AND POPS.
760
00:29:30,352 --> 00:29:33,105
NOT TO MENTION
SIMONE'S PARENTS
761
00:29:33,105 --> 00:29:35,565
AND PRETTY MUCH
EVERYONE ELSE.
762
00:29:35,565 --> 00:29:37,818
YEAH, ESPECIALLY J.J.,
WHEN HE REALIZES
763
00:29:37,818 --> 00:29:39,403
HIS WINGMAN'S GONE
FOR GOOD.
764
00:29:39,403 --> 00:29:40,821
[CHUCKLES]
765
00:29:43,323 --> 00:29:45,951
I MEAN, THEY'RE GONNA
BE ALL ALONE IN THIS.
766
00:29:45,951 --> 00:29:48,245
MAYBE HIS SISTER
AND BEST FRIEND
767
00:29:48,245 --> 00:29:49,913
SHOULD HAVE
THEIR BACK.
768
00:29:51,415 --> 00:29:54,167
YEAH. MAYBE IT'S
NOT TOO LATE.
769
00:30:03,010 --> 00:30:06,930
I THINK ALL FAMILIES
FIGHT BEFORE WEDDINGS.
770
00:30:06,930 --> 00:30:09,391
IT MIGHT EVEN BE
A RITE OF PASSAGE.
771
00:30:09,391 --> 00:30:11,727
YEAH, AND WE
DEFINITELY PASSED.
772
00:30:11,727 --> 00:30:13,854
[INHALES AND EXHALES]
773
00:30:13,854 --> 00:30:16,523
YOU DON'T THINK
THAT WE'RE MAKING
A MISTAKE, DO YOU?
774
00:30:16,523 --> 00:30:20,027
I MEAN, WE BOTH HAVE
SAID "THIS IS CRAZY"
MORE THAN ONCE.
775
00:30:20,027 --> 00:30:22,029
'CAUSE IT IS CRAZY.
776
00:30:22,029 --> 00:30:25,532
BUT I DON'T THINK
WE'RE MAKING A MISTAKE.
777
00:30:27,576 --> 00:30:30,495
I THINK PEOPLE FREAK OUT
ABOUT THE WORD "MARRIED,"
778
00:30:30,495 --> 00:30:33,290
AND ALL WE'RE SAYING IS
THAT WE LOVE EACH OTHER
779
00:30:33,290 --> 00:30:36,126
AND WE WANT TO BE
TOGETHER IN A REAL WAY.
780
00:30:36,126 --> 00:30:38,503
HOW COULD THAT BE
A MISTAKE?
781
00:30:38,503 --> 00:30:42,257
HUH. YEAH.
THAT'S WHAT COCO SAID.
782
00:30:42,257 --> 00:30:45,552
OK. DEVIL'S ADVOCATE.
783
00:30:45,552 --> 00:30:48,430
WE CAN STILL BE TOGETHER
AND NOT BE MARRIED.
784
00:30:48,430 --> 00:30:50,057
I MEAN, THAT'S WHAT
MOST COUPLES DO,
785
00:30:50,057 --> 00:30:51,808
ESPECIALLY COUPLES
OUR AGE.
786
00:30:54,728 --> 00:30:57,064
IS THAT WHAT YOU WANT?
787
00:30:57,064 --> 00:30:59,357
MARRIAGE OFFICIANT:
...YOUR LOVELY WEDDED WIFE
788
00:30:59,357 --> 00:31:00,984
TO HAVE AND TO HOLD
789
00:31:00,984 --> 00:31:03,320
IN SICKNESS AND IN HEALTH
790
00:31:03,320 --> 00:31:05,197
FOR BETTER OR FOR WORSE...
791
00:31:07,699 --> 00:31:09,951
NO. YOU KNOW WHAT?
SCREW WHAT
EVERYONE ELSE THINKS.
792
00:31:09,951 --> 00:31:12,913
EVEN IF IT IS A MISTAKE,
IT'S OUR MISTAKE TO MAKE.
793
00:31:12,913 --> 00:31:16,500
I WANT TO MARRY YOU,
SIMONE.
794
00:31:16,500 --> 00:31:18,835
I WANT TO START
SPENDING THE REST OF MY
LIFE WITH YOU TODAY
795
00:31:18,835 --> 00:31:21,213
IN A REAL WAY.
796
00:31:21,213 --> 00:31:23,131
DO YOU WANT TO MARRY ME?
797
00:31:23,131 --> 00:31:27,385
I THINK THAT'S THE FIRST
TIME YOU PROPOSED FOR REAL.
798
00:31:27,385 --> 00:31:29,930
UP UNTIL NOW,
WE'VE BEEN SAYING,
799
00:31:29,930 --> 00:31:31,640
"WHY NOT?"
800
00:31:34,142 --> 00:31:36,103
SO WHAT'S YOUR ANSWER?
801
00:31:36,103 --> 00:31:37,646
WHY NOT?
802
00:31:37,646 --> 00:31:39,606
[CHUCKLES]
803
00:31:39,606 --> 00:31:42,109
YES.
804
00:31:42,109 --> 00:31:44,653
JORDAN BAKER...
805
00:31:44,653 --> 00:31:47,114
I WANT TO MARRY YOU.
806
00:31:50,158 --> 00:31:51,618
OK.
807
00:31:51,618 --> 00:31:56,498
COME ON.
THEN LET'S DO THIS.
808
00:31:56,498 --> 00:31:58,375
LET'S GET MARRIED,
809
00:31:58,375 --> 00:32:00,460
EVEN IF IT IS JUST YOU
AND ME AGAINST THE WORLD.
810
00:32:02,838 --> 00:32:04,840
OLIVIA:
NOT THE WHOLE WORLD.
811
00:32:04,840 --> 00:32:07,676
DON'T WORRY. WE'RE
NOT HERE TO OBJECT.
812
00:32:07,676 --> 00:32:09,553
ANY MORE THAN
WE ALREADY HAVE.
813
00:32:12,389 --> 00:32:15,183
OLIVIA: LOOK, WE WANT
YOU TWO TO BE HAPPY.
814
00:32:15,183 --> 00:32:19,855
AND IF THIS MAKES YOU
HAPPY, THEN WE WANT
TO BE THERE FOR YOU.
815
00:32:19,855 --> 00:32:21,857
SPENCER: YEAH. WE DON'T
WANT TO STAND IN YOUR WAY.
816
00:32:21,857 --> 00:32:23,859
WE WANT TO STAND
BESIDE YOU.
817
00:32:23,859 --> 00:32:26,945
OLIVIA: IF YOU'LL
STILL HAVE US, OBVIOUSLY.
818
00:32:28,780 --> 00:32:33,160
♪ WON'T YOU CONSIDER ME? ♪
819
00:33:00,395 --> 00:33:02,564
HEY.
820
00:33:02,564 --> 00:33:03,899
WHAT'S UP, BABY?
EVERYTHING OK?
821
00:33:03,899 --> 00:33:05,567
YEAH, THIS IS
REALLY COOL.
822
00:33:05,567 --> 00:33:07,569
I'M REALLY
PROUD OF YOU.
823
00:33:07,569 --> 00:33:09,321
HEY, WAIT TILL TONIGHT,
WHEN ALL MY FRIENDS
ARE IN THE CROWD.
824
00:33:09,321 --> 00:33:10,906
THIS ABOUT TO BE
THE BEST SHOW YET.
825
00:33:10,906 --> 00:33:12,532
I KNOW.
826
00:33:12,532 --> 00:33:15,243
UM, HEY, LIL JEWEL,
SHE'S MARRIED, RIGHT?
827
00:33:15,243 --> 00:33:17,579
YEAH. WHY?
828
00:33:17,579 --> 00:33:19,497
NO. I WAS JUST CURIOUS.
I WAS JUST ASKING.
829
00:33:19,497 --> 00:33:22,375
OK. SO WHAT'S UP?
HOW'D IT GO WITH J.P.?
830
00:33:22,375 --> 00:33:24,044
WHAT DOES HE THINK
OF THE NEW SONG?
831
00:33:24,044 --> 00:33:27,005
YEAH, HE LIKED IT.
HE LIKED IT A LOT.
832
00:33:27,005 --> 00:33:30,842
SO THERE'S NO NEED TO
BRING IN THE BIG DOGS.
YOU'RE FINE.
833
00:33:30,842 --> 00:33:32,761
OF COURSE HE DID.
834
00:33:32,761 --> 00:33:35,263
BECAUSE IF HE DIDN'T,
I WAS READY TO GO
JUNKYARD ON HIS ASS.
835
00:33:35,263 --> 00:33:36,514
STRAIGHT UP.
836
00:33:36,514 --> 00:33:38,308
I KNOW YOU WOULD'VE.
837
00:33:38,308 --> 00:33:39,559
I LOVE YOU.
838
00:33:39,559 --> 00:33:41,228
I'M REALLY
PROUD OF YOU.
839
00:33:42,604 --> 00:33:45,065
THERE ARE ALWAYS
GONNA BE PEOPLE
840
00:33:45,065 --> 00:33:48,193
WHO ASK WHY WE GOT
MARRIED SO YOUNG.
841
00:33:48,193 --> 00:33:51,947
AND MY ANSWER WILL
ALWAYS BE THE SAME.
842
00:33:51,947 --> 00:33:54,991
WHEN YOU KNOW,
YOU KNOW.
843
00:33:56,576 --> 00:33:58,954
AND THIS IS
HOW I KNOW.
844
00:33:58,954 --> 00:34:03,959
I KNOW BECAUSE I'M
A DIFFERENT MAN
AROUND YOU, SIMONE.
845
00:34:03,959 --> 00:34:05,752
A BETTER MAN,
846
00:34:05,752 --> 00:34:09,089
THE MAN I'VE ALWAYS
WANTED TO BE.
847
00:34:09,089 --> 00:34:10,924
SPENCER: YOU KNOW,
YOU'RE GOOD AT THIS--
848
00:34:10,924 --> 00:34:14,177
MAKING PEOPLE
FEEL BETTER.
849
00:34:14,177 --> 00:34:16,388
JORDAN: I KNOW BECAUSE
I THINK ABOUT YOU
850
00:34:16,388 --> 00:34:18,223
EVEN WHEN YOU'RE
NOT AROUND.
851
00:34:20,642 --> 00:34:24,562
JORDAN: AND I KNOW THAT
YOU'LL ALWAYS LOVE ME,
852
00:34:24,562 --> 00:34:26,731
EVEN AT MY WORST.
853
00:34:26,731 --> 00:34:31,611
OLIVIA: HELP!
STOP, STOP...
854
00:34:31,611 --> 00:34:35,824
JORDAN: YOU'RE THE ONE
FOR ME, SIMONE.
855
00:34:35,824 --> 00:34:38,034
I KNOW THAT.
856
00:34:38,034 --> 00:34:41,663
TIANA MAJOR9 & EARTHGANG: ♪ WHEN
I CRASH INTO YOU, YOU... ♪
857
00:34:41,663 --> 00:34:44,165
SIMONE: JORDAN,
WHEN I FIRST MET YOU,
858
00:34:44,165 --> 00:34:47,210
MY LIFE, IT WAS A MESS.
859
00:34:47,210 --> 00:34:50,922
AND I NEVER FELT SO ALONE.
860
00:34:50,922 --> 00:34:53,133
♪ LET ME TELL YOU... ♪
861
00:34:53,133 --> 00:34:55,844
SIMONE: BUT ONCE I LET
YOU INTO MY LIFE,
862
00:34:55,844 --> 00:35:00,307
I HAD NEVER FELT
SO SAFE AND SO LOVED.
863
00:35:00,307 --> 00:35:02,392
♪ AND I DON'T CARE ABOUT
THE FUTURE OR THE PAST ♪
864
00:35:02,392 --> 00:35:04,686
♪ I DON'T CARE,
I DON'T CARE, NO, NO ♪
865
00:35:04,686 --> 00:35:06,187
♪ RIDING SLOW
'CAUSE YOU KNOW... ♪
866
00:35:06,187 --> 00:35:08,064
SIMONE: AND YOU PROBABLY
DON'T KNOW THIS,
867
00:35:08,064 --> 00:35:11,067
BUT BEING WITH YOU,
IT SAVED MY LIFE.
868
00:35:11,067 --> 00:35:15,113
♪ WHEN WE COLLIDE ♪
869
00:35:15,113 --> 00:35:18,033
♪ WHEN WE
COLLIDE ♪
870
00:35:18,033 --> 00:35:21,161
♪ IT'S A BEAUTIFUL
DISASTER ♪
871
00:35:21,161 --> 00:35:23,997
♪ WHEN I CRASH INTO YOU ♪
872
00:35:23,997 --> 00:35:26,374
♪ YOU, YOU... ♪
873
00:35:26,374 --> 00:35:27,625
MARRIAGE OFFICIANT: RINGS?
874
00:35:27,625 --> 00:35:29,252
IT'S IN HERE
SOMEWHERE.
875
00:35:29,252 --> 00:35:30,754
HERE WE ARE.
876
00:35:30,754 --> 00:35:31,796
[CLEARS THROAT]
877
00:35:33,423 --> 00:35:34,966
[SIMONE AND JORDAN EXHALE]
878
00:35:34,966 --> 00:35:37,302
[SIMONE CHUCKLES]
879
00:35:37,302 --> 00:35:38,678
TIANA MAJOR9 & EARTHGANG:
♪ WITHOUT YOU ♪
880
00:35:38,678 --> 00:35:43,016
♪ I'M JUST A FRACTION ♪
881
00:35:43,016 --> 00:35:45,268
♪ CLOSING IN
ON MY DEMISE... ♪
882
00:35:45,268 --> 00:35:46,936
WEDDING OFFICIANT: JORDAN,
DO YOU TAKE SIMONE--
883
00:35:46,936 --> 00:35:49,356
UH, DO YOU MIND IF WE
JUST SKIP TO THE PART
884
00:35:49,356 --> 00:35:50,899
WHERE I GET TO KISS
HER, BOSS? IS THAT COOL?
885
00:35:50,899 --> 00:35:52,484
I NOW PRONOUNCE YOU
MAN AND WIFE.
886
00:35:52,484 --> 00:35:53,526
YOU MAY KISS THE BRIDE.
887
00:35:53,526 --> 00:35:55,278
THANK YOU.
888
00:35:55,278 --> 00:35:57,405
TIANA MAJOR9 & EARTHGANG:
♪ WHEN WE COLLIDE ♪
889
00:35:57,405 --> 00:36:00,408
♪ IT'S A BEAUTIFUL
DISASTER ♪
890
00:36:00,408 --> 00:36:03,119
♪ WHEN I CRASH INTO YOU ♪
891
00:36:03,119 --> 00:36:07,123
♪ YOU, YOU ♪
892
00:36:07,123 --> 00:36:09,793
♪ CRASH INTO YOU ♪
893
00:36:09,793 --> 00:36:12,837
♪ YOU, YOU ♪
894
00:36:18,885 --> 00:36:21,096
[DOOR OPENS AND SHUTS]
895
00:36:21,096 --> 00:36:23,014
I'M SORRY
I SLIPPED OUT.
896
00:36:23,014 --> 00:36:24,974
I HAD TO MAKE A STOP.
897
00:36:27,519 --> 00:36:29,896
YOU GOING SOMEWHERE?
898
00:36:29,896 --> 00:36:32,732
COMING HERE WAS
A MISTAKE.
899
00:36:32,732 --> 00:36:34,442
I WANTED YOU HERE.
900
00:36:36,486 --> 00:36:38,154
THAT'S WHY I CALLED YOU.
901
00:36:42,117 --> 00:36:44,119
OK, THIS HAS
GOT TO STOP.
902
00:36:44,119 --> 00:36:46,204
YOU'VE BEEN REARRANGING
MY MAKEUP TABLE ALL DAY,
903
00:36:46,204 --> 00:36:47,831
AND I ONLY GOT
3 THINGS ON IT.
904
00:36:47,831 --> 00:36:50,708
SIX. I ADDED ONE FOR BALANCE.
905
00:36:50,708 --> 00:36:52,877
IT DOES LOOK NICE.
906
00:36:52,877 --> 00:36:55,755
LOOK--DAMN. NOW YOU
GOT ME DOING IT. ALL RIGHT.
907
00:36:55,755 --> 00:36:58,091
ENOUGH, BECAUSE WE
BOTH KNOW WHAT THIS
IS REALLY ABOUT.
908
00:36:58,091 --> 00:37:00,260
SPENCER.
909
00:37:00,260 --> 00:37:03,388
EH, BEFORE YOU ACT THE FOOL
AND TRY TO DENY IT,
910
00:37:03,388 --> 00:37:05,682
JUST NOD BECAUSE
YOU KNOW I'M RIGHT.
911
00:37:06,975 --> 00:37:09,227
OK, THEN.
912
00:37:09,227 --> 00:37:10,562
GO AND GET YOUR MAN
ALREADY.
913
00:37:10,562 --> 00:37:12,397
NOW?
914
00:37:12,397 --> 00:37:14,107
YES, NOW! 'CAUSE
ALL YOUR FIDGETING
GETTING ON MY NERVES.
915
00:37:14,107 --> 00:37:16,151
WELL, WHAT--WHAT IF
SPENCER DOESN'T WANT THIS?
916
00:37:16,151 --> 00:37:18,069
OF COURSE
IT'S WHAT HE WANTS.
917
00:37:18,069 --> 00:37:20,947
HE TOLD YOU HISSELF
THAT HE WOULD WAIT
UNTIL YOU WERE READY.
918
00:37:20,947 --> 00:37:23,283
AND YOU LOOK READY TO ME.
919
00:37:23,283 --> 00:37:25,910
WELL, I CAN'T LEAVE
BEFORE SOUNDCHECK.
920
00:37:25,910 --> 00:37:27,787
OK.
921
00:37:27,787 --> 00:37:30,915
[TURNS ON MICROPHONE]
MIC CHECK. 1, 2.
922
00:37:30,915 --> 00:37:32,125
[TAPS MICROPHONE]
923
00:37:32,125 --> 00:37:35,420
MIC CHECK. 1, 2, 1, 2.
924
00:37:35,420 --> 00:37:38,798
NOW GO GET SPENCER.
925
00:37:38,798 --> 00:37:41,634
YES. NOW. GO.
926
00:37:43,636 --> 00:37:46,097
[SIGHS]
927
00:37:57,233 --> 00:38:00,487
THE PSYCHIC WAS RIGHT
ABOUT ONE THING.
928
00:38:00,487 --> 00:38:02,906
I NEEDED CLARITY.
929
00:38:04,908 --> 00:38:06,576
I GOT IT NOW.
930
00:38:10,622 --> 00:38:12,540
SPENCER.
931
00:38:33,728 --> 00:38:36,105
I LOVE YOU.
932
00:38:36,105 --> 00:38:39,651
I AIN'T EVEN SURE
WHEN IT HAPPENED.
933
00:38:39,651 --> 00:38:41,361
MAYBE IT WAS THE NIGHT
I GOT SHOT
934
00:38:41,361 --> 00:38:45,823
OR WATCHING MOVIES
WITH YOU ALL SUMMER
935
00:38:45,823 --> 00:38:48,451
OR MAYBE IT'S BEEN SINCE
MY FIRST DAY AT BEVERLY
936
00:38:48,451 --> 00:38:51,287
AND I JUST AIN'T REALIZED
IT, BUT I KNOW NOW.
937
00:38:51,287 --> 00:38:56,084
I'M IN LOVE WITH YOU.
938
00:38:56,084 --> 00:38:57,877
WE CAN'T.
939
00:38:57,877 --> 00:39:00,046
WHAT ABOUT LAYLA
AND ASHER?
940
00:39:00,046 --> 00:39:02,799
OH, I KNOW. I KNOW. I KNOW.
I CARE ABOUT LAYLA. I DO.
941
00:39:02,799 --> 00:39:06,469
BUT THERE'S A REASON YOU'RE
HERE WITH ME NOW, OK?
942
00:39:06,469 --> 00:39:09,097
THERE'S A REASON
WE'RE TOGETHER.
943
00:39:10,306 --> 00:39:12,767
LOOK AT JORDAN AND SIMONE.
944
00:39:12,767 --> 00:39:14,894
IF TODAY TOLD ME ANYTHING,
945
00:39:14,894 --> 00:39:17,480
IT CLARIFIED FOR ME THAT
IF YOU GOT A CHANCE AT
946
00:39:17,480 --> 00:39:21,609
REAL HAPPINESS,
YOU GOT TO TAKE IT...
947
00:39:21,609 --> 00:39:23,903
WAFIA: ♪ HOW DO YOU GO FROM
TALKING EVERY DAY... ♪
948
00:39:23,903 --> 00:39:25,363
NO MATTER WHAT.
949
00:39:25,363 --> 00:39:27,740
♪ TO WILL WE EVER
SPEAK AGAIN ♪
950
00:39:27,740 --> 00:39:31,619
♪ WITH SOMEONE
YOU KNOW SO WELL ♪
951
00:39:31,619 --> 00:39:32,870
♪ SO WELL ♪
952
00:39:32,870 --> 00:39:34,664
I'M SORRY,
SPENCER.
953
00:39:34,664 --> 00:39:37,000
♪ STILL EXISTS,
BUT IT'S SOMEBODY ELSE ♪
954
00:39:37,000 --> 00:39:39,544
♪ AND NOBODY TELLS YOU ♪
955
00:39:39,544 --> 00:39:43,881
♪ HOW IT'S SUPPOSED
TO END? ♪
956
00:39:43,881 --> 00:39:46,092
♪ HOW TO LOSE A FRIEND ♪
957
00:39:51,890 --> 00:39:54,100
♪ NOW WE'RE STRANGERS ♪
958
00:39:54,100 --> 00:39:56,227
♪ WITH THE SAME MEMORIES ♪
959
00:39:56,227 --> 00:39:58,229
♪ I REMEMBER ♪
960
00:39:58,229 --> 00:40:02,358
♪ THIS PAST NEW YEAR'S EVE,
WE WERE LYING IN YOUR BED ♪
961
00:40:02,358 --> 00:40:04,485
♪ TALKING 'BOUT OUR DREAMS ♪
962
00:40:04,485 --> 00:40:07,155
♪ AND I THOUGHT THAT WAS THE
WAY IT WAS ALWAYS GONNA BE... ♪
963
00:40:07,155 --> 00:40:08,823
JUST DON'T LEAVE
THINGS LIKE THIS.
964
00:40:21,502 --> 00:40:23,087
WAFIA:
♪ NOBODY TELLS YOU... ♪
965
00:40:23,087 --> 00:40:24,464
[KNOCK ON DOOR]
966
00:40:24,464 --> 00:40:27,550
♪ HOW IT'S SUPPOSED
TO END ♪
967
00:40:27,550 --> 00:40:29,928
♪ HOW DO YOU GO FROM... ♪
968
00:40:29,928 --> 00:40:31,137
SPENCER: LAYLA.
969
00:40:31,137 --> 00:40:32,847
-HEY.
-HEY.
970
00:40:32,847 --> 00:40:34,349
WHAT YOU DOING HERE?
971
00:40:34,349 --> 00:40:35,725
AIN'T COOP'S SHOW
ABOUT TO START?
972
00:40:35,725 --> 00:40:38,519
YEAH. UM, I JUST WANTED
TO THANK YOU.
973
00:40:38,519 --> 00:40:40,146
FOR WHAT?
974
00:40:40,146 --> 00:40:43,441
FOR BEING THERE FOR ME
THROUGH EVERYTHING,
975
00:40:43,441 --> 00:40:45,860
HAVING PATIENCE,
976
00:40:45,860 --> 00:40:49,030
FOR LOVING ME ENOUGH
TO WAIT TILL I WAS READY.
977
00:40:49,030 --> 00:40:52,033
I'M READY NOW.
978
00:40:52,033 --> 00:40:55,286
I LOVE YOU, SPENCER.
979
00:40:55,286 --> 00:40:56,996
I NEVER STOPPED
LOVING YOU.
980
00:40:56,996 --> 00:40:58,831
♪ I STILL MISS YOU ♪
981
00:40:58,831 --> 00:41:00,875
-♪ STILL MISS YOU ♪
-♪ HOW DO YOU... ♪
982
00:41:00,875 --> 00:41:03,878
♪ OOH OOH OOH OOH ♪
983
00:41:03,878 --> 00:41:05,880
SPENCER, VOICE-OVER:
LISTEN TO ME.
984
00:41:05,880 --> 00:41:09,217
YOU COMING HERE WAS NOT
A MISTAKE,
985
00:41:09,217 --> 00:41:12,095
AND ME KISSING YOU
WAS NOT A MISTAKE.
986
00:41:12,095 --> 00:41:16,140
US BEING TOGETHER WOULD NOT
BE A MISTAKE, LIV.
987
00:41:18,518 --> 00:41:21,729
SPENCER, VOICE-OVER: LOOK,
I KNOW YOU FEEL THE SAME WAY.
988
00:41:21,729 --> 00:41:25,233
SO PLEASE DON'T LEAVE
THINGS LIKE THIS.
989
00:41:25,233 --> 00:41:28,653
WAFIA: ♪ ...HOW IT'S
SUPPOSED TO END ♪
990
00:41:28,653 --> 00:41:32,198
♪ HOW DO YOU GO FROM
TALKING EVERY DAY... ♪
991
00:41:32,198 --> 00:41:34,200
♪ TO WILL WE EVER
SPEAK AGAIN? ♪
992
00:41:34,200 --> 00:41:36,077
[CAR HORN HONKS TWICE]
993
00:41:36,077 --> 00:41:39,539
♪ STILL EXISTS,
BUT IT'S SOMEBODY ELSE ♪
994
00:41:39,539 --> 00:41:41,791
♪ AND NOBODY TELLS YOU ♪
995
00:41:41,791 --> 00:41:45,378
♪ HOW IT'S SUPPOSED TO END ♪
996
00:41:45,378 --> 00:41:49,590
♪ HOW TO LOSE A FRIEND ♪
997
00:42:19,662 --> 00:42:21,122
GREG, MOVE YOUR HEAD.
72993
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