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♪ MUSIC ♪
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♪ MUSIC ♪
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>HEY, ERIC, IT'S ME.
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GALLIA.
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YOU KNOW THAT, RIGHT?
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I THINK.
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♪ MUSIC ♪
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>ANYWAYS, I WAS JUST
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CALLING TO SAY HI.
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UM, WELL, NOT REALLY,
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I MEAN, NOT ONLY.
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I, UH--
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♪ MUSIC ♪
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>I WAS JUST WONDERING
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IF YOU FOUND MY
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FISHER SPINNER CD
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AT YOUR PLACE?
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I CAN'T FIND IT ANYWHERE
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AND SO I WAS JUST
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WONDERING, YOU KNOW.
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IF YOU FIND IT,
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GIVE ME A CALL.
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OR EVEN IF YOU DON'T.
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UM--
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♪ MUSIC ♪
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I MEAN, IF YOU WANT TO
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CATCH UP OR SOMETHING, UM--
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♪ MUSIC ♪
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♪ MUSIC ♪
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OKAY, I GOTTA GO.
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MY NUMBER IS--
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WELL, YOU STILL
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HAVE MY NUMBER, RIGHT?
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OKAY.
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OKAY, BYE.
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THAT WAS COOL AS HELL.
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♪ MUSIC ♪
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>COMING!
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GODDAMN IT!
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>COME INSIDE,
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YOU STUPID BITCH.
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YOU WANT SOMEONE
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TO CALL THE COPS?
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>>I'M SORRY.
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I WAS KNOCKING FOR A WHILE.
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YOU DIDN'T ANSWER.
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>>IT'S CALLED BEING ASLEEP.
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WHAT TIME IS IT, ANYWAY.
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>ONE.
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>>AM?
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>PM.
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>>RIGHT.
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HOW MUCH?
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>THE USUAL.
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>>YOU STILL OWE ME FROM
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THE LAST COUPLE TIMES.
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>I KNOW, BUT I JUST GOT
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A CALL FROM MY BROTHER
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AND I NEED THE MONEY
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TO BAIL HIM OUT.
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>>REALLY.
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>YEAH, HE'LL GO NUTS IN THERE.
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I'LL GIVE YOU THE
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REST NEXT MONTH.
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HEY!
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>>SORRY, NO CAN DO.
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>WHAT?
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>>I NEED THE MONEY NOW.
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NO MORE PAYING LATER.
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I KNOW JUNKIES.
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>I'M NOT A JUNKIE.
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IT'S JUST RECREATIONAL.
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>>YEAH. RIGHT.
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>LYLE, PLEASE GIVE
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IT BACK TO ME.
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IT'S ALL I'VE GOT.
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>>TOO BAD.
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>BUT MY BROTHER
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NEEDS TO GET OUT.
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>>DON'T REALLY GIVE A FUCK.
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>HOW AM I SUPPOSED
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TO EAT THIS MONTH?
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>>YOU COULD ALWAYS
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TURN A FEW TRICKS.
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>YOU KNOW, FORGET
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THE DRUGS THIS TIME.
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JUST GIVE ME MY MONEY BACK.
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>>IT'S TOO LATE.
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I'VE ALREADY CUT IT.
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>LYLE, I'M NOT KIDDING.
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GIVE IT BACK TO ME RIGHT NOW!
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>>DON'T YOU FUCKING RAISE
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YOUR VOICE TO ME EVER AGAIN!
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♪ MUSIC ♪
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NOW I'M GOING TO
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GIVE YOU YOUR SHIT,
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AND YOU'RE GOING TO QUIETLY
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GET THE FUCK OUTTA HERE.
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♪ MUSIC ♪
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MAYBE IF YOU BLOW ME,
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I'LL GIVE YOU A SANDWICH.
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I THINK THAT'S A FAIR DEAL.
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♪ MUSIC ♪
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> OH SHIT.
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OH, SHIT!
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♪ MUSIC ♪
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>OH SHIT.
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♪ MUSIC ♪
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>SHIT.
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OH, SHIT.
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SHIT.
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>>LYLE?
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♪ MUSIC ♪
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LYLE, COME HERE.
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I WANT MORE.
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DO YOU HEAR ME, YOU ASSHOLE?
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I'M NOT KIDDING!
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♪ MUSIC ♪
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YOU'RE NOT TOUCHING ME
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UNLESS YOU GET ME MORE!
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♪ MUSIC ♪
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♪ MUSIC ♪
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> SHIT.
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♪ MUSIC ♪
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♪ MUSIC ♪
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>DAMMIT.
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HELLO?
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>> SOTI, IT'S ME.
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I NEED YOU TO COME
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TO LYLE'S PLACE
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AND GET RID OF THE
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GUYS IN THE HALLWAY.
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RIGHT NOW.
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I'M NOT KIDDING.
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JUST DO WHATEVER YOU NEED
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TO DO AS LONG AS IT DOESN'T
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ATTRACT ATTENTION.
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I'LL BE INSIDE.
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>>LYLE, IT'S ME.
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COME ON, I KNOW
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YOU'RE IN THERE.
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I CAN SEE YOUR EYE.
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> SHIT.
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>>COME OUT, COME OUT.
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I KNOW WHERE YOU ARE.
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>HE'S NOT HERE.
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>>WHO ARE YOU?
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>I'M JUST A FRIEND.
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I'M SORRY, I CAN'T HELP YOU.
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>>I JUST WANT A LITTLE.
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>THERE'S NOTHING I CAN DO.
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>>BULLSHIT.
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HE'S ALWAYS GOT
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SOMETHING HERE.
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>NOT--
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FINE.
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I'LL GET YOU SOME.
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JUST STAY HERE.
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>>I KNEW YOU WERE
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FUCKING WITH ME.
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IT SMELLS IN HERE.
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DOES HE EVER CLEAN?
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WHAT'S YOUR NAME?
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>NADINE.
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>>ISN'T THAT FRENCH?
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MY NAME IS SOPHIE.
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IT'S ALSO FRENCH.
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>ACTUALLY, I THINK IT'S GREEK.
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>>NADINE?
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REALLY?
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COOL.
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>I MEANT SOPHIE.
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>>NO-NO-NO.
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I'M PRETTY SURE
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SOPHIE'S FRENCH.
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I WAS NAMED AFTER THAT
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ACTRESS, SOPHIE MARCEAU.
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DO YOU KNOW SOPHIE MARCEAU?
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MY MAMMA LOVES HER.
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PERFECT!
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HERE--
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>OH, THAT'S OKAY.
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YOU CAN PAY HIM LATER.
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>>UH, YOU'RE NEW AT THIS,
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AREN'T YOU?
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YOU'D BETTER TAKE IT,
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OR LYLE WILL BE REAL
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MAD AT YOU.
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>I THINK HE'S ALREADY
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MAD AT ME.
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FINE.
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I THOUGHT IT WAS 200.
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>>WELL--
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YEAH.
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NORMALLY.
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BUT LYLE GIVES ME A DISCOUNT.
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SINCE I SATISFY SOME OF
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HIS 'NEEDS' AS WELL.
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♪ MUSIC ♪
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>IT'S NOT LIKE HIS WIFE MINDS.
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>>HIS WIFE?
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>YEAH. I CAN NEVER
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REMEMBER HER NAME.
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IT SOUNDS LIKE SAMOSA--
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AMOROSA--
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ANYWAY, YEAH, SHE ONLY
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AGREED TO MARRY HIM SO SHE
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COULD STAY IN THE COUNTRY.
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IT'S NOT EVEN LOVE
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OR ANYTHING.
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>>RIGHT.
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>OH, SORRY.
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HE DIDN'T TELL YOU
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HE WAS MARRIED?
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MEN ARE PIGS.
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>>IT'S OKAY, I'LL LIVE.
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LISTEN, I'M SORRY,
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BUT YOU HAVE TO GO.
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>SURE. BUT CAN YOU TELL
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LYLE I DROPPED BY?
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>>I WILL.
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>AND OH, DON'T WORRY.
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I'M SURE HE HAS REAL
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FEELINGS FOR YOU.
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>>YEAH, ME TOO.
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♪ MUSIC ♪
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>WHERE ARE YOU?!
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OH, HI MOM.
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YEAH, NO, I'M WAITING
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FOR SOTI TO PICK ME UP.
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WHEN?
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NO, I DIDN'T FORGET, MOM.
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NO, FRANK WILL BE THERE TOO.
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YES.
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YES!
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OKAY, MOM, I GOTTA GO.
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OKAY, BYE.
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OH, COME ON!
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> HEY, 1986 CALLED.
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HE WANTS HIS JACKET BACK.
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>HOW MUCH?
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>>WHO ARE YOU?
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>NADINE.
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DO YOU WANT SOME OR NOT?
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>>YEAH.
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>WAIT HERE.
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I THOUGHT I TOLD YOU
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TO WAIT OUTSIDE?
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>>SO ANYONE CAN SEE ME?
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I'M NOT THAT STUPID.
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>FINE.
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WAIT HERE.
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>>WHY?
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>BECAUSE YOU'RE TALLER THAN
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ME, AND THERE ARE WINDOWS
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IN THE OTHER ROOMS
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WHERE PEOPLE CAN SEE YOU.
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>>THAT'S A GOOD IDEA.
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I'LL WAIT HERE.
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>YOU DO THAT.
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♪ MUSIC ♪
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>>WHAT IS THIS?
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>THAT'S SUPPOSEDLY A
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PIECE OF THE BERLIN WALL.
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>>WHOA.
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IT MUST BE WORTH A LOT.
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>IF IT'S REAL.
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>>YOU THINK IT'S FAKE?
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>WITH ALL THE PIECES THAT
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HAVE BEEN SOLD SINCE IT FELL,
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YOU COULD BUILD TWO
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OR THREE WALLS.
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>>THAT'S GOOD.
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SO YOU CAN PUT ALL
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THE JEWS INSIDE.
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>THAT'LL BE 200.
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CAN YOU PUT IT BACK PLEASE?
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>>WHY?
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>I'M ALLERGIC TO CONCRETE.
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>>OH.
281
00:16:09,867 --> 00:16:11,800
OKAY.
282
00:16:25,000 --> 00:16:26,900
SO...
283
00:16:26,900 --> 00:16:30,367
>YEAH?
284
00:16:30,367 --> 00:16:31,467
>>YOU THINK WE COULD
285
00:16:31,467 --> 00:16:33,100
GO OUT SOMETIME?
286
00:16:33,100 --> 00:16:37,100
>I'M SORTA SEEING LYLE.
287
00:16:37,100 --> 00:16:38,934
>>OH.
288
00:16:38,934 --> 00:16:40,767
ISN'T HE MARRIED?
289
00:16:41,567 --> 00:16:42,467
>SORRY, ANOTHER CLIENT.
290
00:16:42,467 --> 00:16:45,233
GOTTA GO.
291
00:16:49,066 --> 00:16:51,100
WHERE ARE YOU?
292
00:16:51,100 --> 00:16:53,066
WHAT?
293
00:16:55,600 --> 00:16:56,400
>>HEY, BUDDY,
294
00:16:56,400 --> 00:16:59,433
DON'T TOUCH ME.
295
00:17:01,767 --> 00:17:02,867
>WHO WAS THAT?
296
00:17:02,867 --> 00:17:03,533
>>YOU WERE SUPPOSED
297
00:17:03,533 --> 00:17:06,000
TO GET RID OF THOSE GUYS.
298
00:17:06,000 --> 00:17:08,500
>HELLO, SUNSHINE.
299
00:17:08,500 --> 00:17:09,233
LOOK, I TRIED,
300
00:17:09,233 --> 00:17:10,667
BUT THEY DIDN'T SEEM TO CARE
301
00:17:10,667 --> 00:17:12,066
THAT THE PLACE WAS ON FIRE.
302
00:17:12,066 --> 00:17:15,000
WHAT'S UP?
303
00:17:15,433 --> 00:17:18,367
WHAT HAPPENED TO YOUR NECK?
304
00:17:20,000 --> 00:17:22,967
>>IT'S PART OF THE PROBLEM.
305
00:17:23,300 --> 00:17:25,266
>DID LYLE DO THIS?
306
00:17:26,100 --> 00:17:28,100
WHERE IS HE?
307
00:17:41,867 --> 00:17:42,834
HE'S NOT--
308
00:17:42,834 --> 00:17:46,433
>>YEAH.
309
00:17:46,433 --> 00:17:47,066
>YOU--
310
00:17:47,066 --> 00:17:48,934
>>YEAH.
311
00:17:48,934 --> 00:17:50,800
>DID--
312
00:17:50,800 --> 00:17:52,967
DID HE TRY TO KILL YOU?
313
00:17:52,967 --> 00:17:54,967
>>KIND OF.
314
00:17:54,967 --> 00:17:59,133
MOSTLY HE TOOK MY MONEY.
315
00:17:59,133 --> 00:18:00,166
>AND THAT'S WHY
316
00:18:00,166 --> 00:18:01,233
YOU KILLED HIM?
317
00:18:01,233 --> 00:18:02,867
>>I DIDN'T MEAN TO.
318
00:18:02,867 --> 00:18:03,500
I JUST CONKED
319
00:18:03,500 --> 00:18:04,500
HIM ON THE HEAD.
320
00:18:04,500 --> 00:18:05,734
I NEED THE MONEY
321
00:18:05,734 --> 00:18:07,200
FOR FRANK.
322
00:18:07,200 --> 00:18:09,000
>WHAT HAS HE DONE NOW?
323
00:18:09,000 --> 00:18:10,600
>>HE'S IN JAIL.
324
00:18:12,233 --> 00:18:13,333
HE FELL ASLEEP
325
00:18:13,333 --> 00:18:14,433
DURING A ROBBERY.
326
00:18:14,433 --> 00:18:15,567
THE OTHERS DIDN'T WAKE
327
00:18:15,567 --> 00:18:18,567
HIM WHEN THEY LEFT.
328
00:18:18,567 --> 00:18:19,133
I KNOW.
329
00:18:19,133 --> 00:18:22,000
MY BROTHER'S A GENIUS.
330
00:18:22,000 --> 00:18:30,700
>HOW DID YOU DO THAT?
331
00:18:30,700 --> 00:18:31,900
OH.
332
00:18:31,900 --> 00:18:33,333
>>DON'T TOUCH IT!
333
00:18:33,333 --> 00:18:35,767
>I'M NOT STUPID.
334
00:18:35,767 --> 00:18:36,867
WOW.
335
00:18:36,867 --> 00:18:39,000
HIS MOST PRIZED POSSESSION.
336
00:18:39,000 --> 00:18:40,133
>>ACTUALLY, I THINK
337
00:18:40,133 --> 00:18:42,500
THAT'S THE PORSCHE.
338
00:18:44,533 --> 00:18:45,667
STAY IN HERE.
339
00:18:45,667 --> 00:18:46,233
>WHAT, WITH HIM?!
340
00:18:46,233 --> 00:18:47,400
>>HE'S NOT GOING
341
00:18:47,400 --> 00:18:48,533
TO BITE YOU.
342
00:18:48,533 --> 00:18:51,500
>WHAT ARE YOU DOING?
343
00:19:01,934 --> 00:19:03,767
>> WHO ARE YOU?
344
00:19:03,767 --> 00:19:05,567
WHERE IS LYLE.
345
00:19:05,567 --> 00:19:06,834
>LYLE'S NOT FEELING WELL.
346
00:19:06,834 --> 00:19:07,800
I'M FILLING IN.
347
00:19:07,800 --> 00:19:09,467
>>I WANT TO SPEAK WITH HIM.
348
00:19:09,467 --> 00:19:10,433
>YOU CAN'T.
349
00:19:10,433 --> 00:19:11,967
>>WELL, I ONLY DO
350
00:19:11,967 --> 00:19:15,667
BUSINESS WITH LYLE.
351
00:19:15,667 --> 00:19:16,367
>FINE.
352
00:19:16,667 --> 00:19:18,967
>>OKAY, OKAY.
353
00:19:18,967 --> 00:19:20,500
>HOW MUCH?
354
00:19:20,500 --> 00:19:21,734
>> 12.
355
00:19:21,734 --> 00:19:23,100
>HAVING A PARTY?
356
00:19:23,100 --> 00:19:24,634
>>HEY, LYLE NEVER ASKS
357
00:19:24,634 --> 00:19:27,367
ANY QUESTIONS.
358
00:19:27,367 --> 00:19:30,900
>RIGHT.
359
00:19:30,900 --> 00:19:32,800
JUST WAIT HERE.
360
00:19:32,800 --> 00:19:33,667
>>ARE YOU TRYING
361
00:19:33,667 --> 00:19:35,600
TO PULL SOMETHING?
362
00:19:35,600 --> 00:19:36,500
>NO, I JUST WANT
363
00:19:36,500 --> 00:19:39,467
YOU TO WAIT HERE.
364
00:19:41,900 --> 00:19:42,734
>>FINE.
365
00:19:42,734 --> 00:19:44,200
BUT YOU'D BETTER NOT TRY
366
00:19:44,200 --> 00:19:46,266
TO PULL ANYTHING, OKAY?
367
00:19:47,734 --> 00:19:53,500
♪ MUSIC ♪
368
00:19:53,500 --> 00:19:54,967
I'LL KNOW IF YOU'RE TRYING
369
00:19:54,967 --> 00:19:57,100
TO PULL ANYTHING.
370
00:19:57,100 --> 00:20:19,467
♪ MUSIC ♪
371
00:20:25,500 --> 00:20:26,433
>SO YOU'VE TURNED
372
00:20:26,433 --> 00:20:29,000
DRUG DEALER NOW?
373
00:20:29,000 --> 00:20:29,433
>>THESE PEOPLE
374
00:20:29,433 --> 00:20:30,066
KEEP SHOWING UP.
375
00:20:30,066 --> 00:20:32,667
WHAT AM I SUPPOSED TO DO?
376
00:20:32,667 --> 00:20:34,433
>UM, HAVE YOU TRIED NOT
377
00:20:34,433 --> 00:20:35,467
SELLING THEM DRUGS?
378
00:20:35,467 --> 00:20:36,300
>>THEY'RE REGULARS.
379
00:20:36,300 --> 00:20:38,667
THEY EXPECT HIM TO BE HERE.
380
00:20:38,667 --> 00:20:39,767
I DIDN'T WANT TO
381
00:20:39,767 --> 00:20:40,367
RAISE SUSPICIONS.
382
00:20:40,367 --> 00:20:41,200
>ARE YOU NUTS?
383
00:20:41,200 --> 00:20:42,300
NOW THERE'S SEVERAL PEOPLE
384
00:20:42,300 --> 00:20:43,767
WHO CAN IDENTIFY YOU.
385
00:20:43,767 --> 00:20:44,100
>>CONSIDERING
386
00:20:44,100 --> 00:20:45,066
WHAT THEY CAME FOR,
387
00:20:45,066 --> 00:20:46,367
I DOUBT THEY'RE GOING TO
388
00:20:46,367 --> 00:20:47,900
WANT TO TALK TO THE POLICE.
389
00:20:47,900 --> 00:20:50,567
>LYLE, I NEED TO PEE.
390
00:20:50,567 --> 00:20:52,967
♪ MUSIC ♪
391
00:20:52,967 --> 00:20:53,667
>> YOU KILLED
392
00:20:53,667 --> 00:20:55,133
HIM IN FRONT OF A WITNESS?!
393
00:20:55,133 --> 00:20:57,433
>I DIDN'T KNOW SHE WAS HERE.
394
00:20:57,433 --> 00:20:58,567
SHE'S COMPLETELY OUT OF IT.
395
00:20:58,567 --> 00:21:00,066
SHE HAS NO IDEA.
396
00:21:00,066 --> 00:21:00,700
>> JODER PUTA,
397
00:21:00,700 --> 00:21:01,867
COME HELP ME UP,
398
00:21:01,867 --> 00:21:03,900
I NEED TO USE THE BATHROOM!
399
00:21:03,900 --> 00:21:06,967
>OKAY, LET'S NOT PANIC.
400
00:21:06,967 --> 00:21:08,066
WE NEED TO MOVE HIM.
401
00:21:08,066 --> 00:21:09,533
>>WE CAN'T TOUCH HIM.
402
00:21:09,533 --> 00:21:10,533
>NOW, GALLIA.
403
00:21:10,533 --> 00:21:11,567
>>WHAT ABOUT LIKE,
404
00:21:11,567 --> 00:21:13,066
DNA AND STUFF?
405
00:21:13,066 --> 00:21:14,000
>WHAT DO YOU SUGGEST?
406
00:21:14,000 --> 00:21:14,967
JUST LET HER STEP
407
00:21:14,967 --> 00:21:15,333
ON HIS CORPSE?
408
00:21:15,333 --> 00:21:16,000
>>SHE PROBABLY
409
00:21:16,000 --> 00:21:18,033
WON'T EVEN NOTICE.
410
00:21:18,033 --> 00:21:19,033
>LYLE, YOU'RE
411
00:21:19,033 --> 00:21:20,967
SUCH AN ASSHOLE!
412
00:21:20,967 --> 00:21:26,900
♪ MUSIC ♪
413
00:21:26,900 --> 00:21:29,467
YOU USELESS PIECE OF SHIT!
414
00:21:34,967 --> 00:21:36,033
>>WHY DID HE
415
00:21:36,033 --> 00:21:37,066
MARRY THAT WITCH?
416
00:21:37,066 --> 00:21:39,533
>WELL, LYLE ISN'T--
417
00:21:39,533 --> 00:21:40,533
WASN'T EXACTLY
418
00:21:40,533 --> 00:21:43,333
MR. PERSONALITY EITHER.
419
00:21:43,333 --> 00:21:46,000
PLUS SHE LOOKS PRETTY HOT.
420
00:21:46,000 --> 00:21:47,667
>>SHE IS SO NOT HOT.
421
00:21:47,667 --> 00:21:49,266
PLUS SHE'S A TOTAL DRUGGIE.
422
00:21:49,266 --> 00:21:50,333
>HELLO, POT AND
423
00:21:50,333 --> 00:21:51,066
KETTLE ANYONE?
424
00:21:51,066 --> 00:21:52,800
>>EXCUSE ME?
425
00:21:52,800 --> 00:21:53,867
>NEVER MIND.
426
00:21:53,867 --> 00:21:55,333
WE NEED TO GET OUTTA HERE.
427
00:21:55,333 --> 00:21:57,300
>>HOW?
428
00:21:59,800 --> 00:22:01,033
>YOU SHOULD AUDITION FOR,
429
00:22:01,033 --> 00:22:02,200
LIKE, MAMMA MIA ON
430
00:22:02,200 --> 00:22:03,066
ICE OR SOMETHING.
431
00:22:03,767 --> 00:22:05,900
>>IT'S XANADU, YOU DICK.
432
00:22:05,900 --> 00:22:07,133
>> ALRIGHT,
433
00:22:07,133 --> 00:22:09,233
LET ME THINK.
434
00:22:09,233 --> 00:22:12,934
>HAH, THAT'LL BE A FIRST.
435
00:22:12,934 --> 00:22:14,600
>>YOU KNOW WHAT,
436
00:22:14,600 --> 00:22:15,934
GIMME A BREAK.
437
00:22:15,934 --> 00:22:18,066
ERIC JUST BROKE UP WITH ME,
438
00:22:18,066 --> 00:22:19,433
FRANK IS IN JAIL,
439
00:22:19,433 --> 00:22:21,233
MOM IS EXPECTING US HOME
440
00:22:21,233 --> 00:22:22,266
FOR YOUR
441
00:22:22,266 --> 00:22:23,367
IN TWO HOURS,
442
00:22:23,367 --> 00:22:24,700
AND I JUST KILLED A GUY,
443
00:22:24,700 --> 00:22:26,333
SO FORGIVE ME IF I'M
444
00:22:26,333 --> 00:22:27,934
NOT THINKING CLEARLY!
445
00:22:27,934 --> 00:22:29,233
>YOU HAVEN'T BEEN THINKING
446
00:22:29,233 --> 00:22:30,233
CLEARLY FOR MONTHS!
447
00:22:30,233 --> 00:22:31,533
IT'S ALL THAT SHIT
448
00:22:31,533 --> 00:22:34,367
YOU'RE TAKING.
449
00:22:34,367 --> 00:22:35,400
>>I JUST NEED TO
450
00:22:35,400 --> 00:22:36,900
GET OVER ERIC.
451
00:22:36,900 --> 00:22:39,400
>GALIA, IT'S BEEN FOUR MONTHS.
452
00:22:39,400 --> 00:22:41,634
>>HE STILL TEXTS ME.
453
00:22:41,634 --> 00:22:42,900
I THINK HE WANTS TO
454
00:22:42,900 --> 00:22:44,533
GET BACK TOGETHER.
455
00:22:44,533 --> 00:22:45,433
>PLEASE TELL ME YOU'RE
456
00:22:45,433 --> 00:22:46,200
NOT THAT DESPERATE.
457
00:22:50,800 --> 00:22:51,567
>>GO HIDE IN THE BATHROOM.
458
00:22:51,567 --> 00:22:52,567
>I'M NOT GOING BACK IN THERE!
459
00:22:52,567 --> 00:22:53,100
>>THERE'S NOWHERE
460
00:22:53,100 --> 00:22:55,266
ELSE TO HIDE.
461
00:22:55,266 --> 00:22:57,100
WHAT ARE YOU DOING?
462
00:23:04,934 --> 00:23:06,133
>YOU GOT NICE HAIR, ASSHOLE.
463
00:23:07,567 --> 00:23:09,000
>>I USED TO WEAR PINK SHIRTS.
464
00:23:09,000 --> 00:23:10,000
WHEN I WAS GAY.
465
00:23:14,266 --> 00:23:15,567
>WHOA.
466
00:23:15,567 --> 00:23:16,867
WHO ARE YOU?
467
00:23:16,867 --> 00:23:18,133
THE NEW MRS?
468
00:23:18,133 --> 00:23:19,700
>>SORT OF.
469
00:23:19,700 --> 00:23:20,500
>DOES THAT MEAN
470
00:23:20,500 --> 00:23:21,600
CARDAMOSA'S FREE NOW?
471
00:23:21,600 --> 00:23:22,800
'CAUSE I'D REALLY LIKE
472
00:23:22,800 --> 00:23:24,000
TO HIT THAT.
473
00:23:24,000 --> 00:23:25,800
KNOW WHAT I MEAN?
474
00:23:25,800 --> 00:23:27,800
>>I THINK SO.
475
00:23:27,800 --> 00:23:30,100
HOW MUCH?
476
00:23:30,100 --> 00:23:32,600
>20.
477
00:23:32,600 --> 00:23:33,433
JUST KIDDING.
478
00:23:33,433 --> 00:23:35,200
THE USUAL.
479
00:23:35,200 --> 00:23:37,166
>>WAIT HERE.
480
00:23:39,700 --> 00:23:41,333
>HEY, IS LYLE REALLY
481
00:23:41,333 --> 00:23:43,400
HUNG LIKE A HORSE?
482
00:23:43,400 --> 00:23:45,700
>>HOW SHOULD--
483
00:23:45,700 --> 00:23:48,300
NOT REALLY.
484
00:23:48,300 --> 00:23:49,100
>I KNEW IT.
485
00:23:49,100 --> 00:23:52,033
HE'S SO FULL OF SHIT.
486
00:23:58,400 --> 00:24:00,700
♪ MUSIC ♪
487
00:24:00,700 --> 00:24:01,700
HEY, WHAT DRUG
488
00:24:01,700 --> 00:24:03,500
DOES A PORN STAR USE
489
00:24:03,500 --> 00:24:06,767
BEFORE GOING TO WORK?
490
00:24:06,767 --> 00:24:09,567
WANGPHETAMINES!
491
00:24:09,567 --> 00:24:10,934
HOW DOES A DRUG
492
00:24:10,934 --> 00:24:12,767
ADDICT HAVE SEX?
493
00:24:12,767 --> 00:24:15,734
WITH SPEED!
494
00:24:15,734 --> 00:24:18,100
WHAT'S ONE WORD FOR
495
00:24:18,100 --> 00:24:21,166
'CONTROL PEOPLE THROUGH SEX'?
496
00:24:21,166 --> 00:24:23,767
INDONGTRINATION!
497
00:24:25,200 --> 00:24:26,767
WHAT DO YOU CALL A
498
00:24:26,767 --> 00:24:29,900
DEALER WITH A BIG DICK?
499
00:24:29,900 --> 00:24:31,266
A DICKOTOMY!
500
00:24:46,634 --> 00:24:47,266
DO YOU KNOW
501
00:24:47,266 --> 00:24:49,166
WHERE CARDAMOSA IS?
502
00:24:49,166 --> 00:24:50,867
>>NO IDEA.
503
00:24:50,867 --> 00:24:53,000
>SHE MUST HAVE LEFT HIM.
504
00:24:53,000 --> 00:24:54,900
HE'S NUTS ABOUT HER.
505
00:24:54,900 --> 00:24:55,667
>>ONE TIME!
506
00:24:55,667 --> 00:24:56,400
ONE TIME!
507
00:24:56,400 --> 00:24:59,467
JUST ONCE.
508
00:25:11,900 --> 00:25:12,634
>SHE'S WAKING UP.
509
00:25:12,634 --> 00:25:15,066
WE NEED TO LEAVE.
510
00:25:15,066 --> 00:25:18,600
>>THEY'RE STILL OUT THERE.
511
00:25:18,600 --> 00:25:20,266
>YOU LOOK LIKE A SNOW GLOBE.
512
00:25:20,634 --> 00:25:21,400
ONE OF THOSE THINGS WHERE
513
00:25:21,400 --> 00:25:22,700
YOU GO BACK AND FORTH.
514
00:25:23,166 --> 00:25:24,700
>>WHOA!
515
00:25:26,333 --> 00:25:27,767
>WELL, THEY'VE SEEN US GO IN.
516
00:25:27,767 --> 00:25:30,433
WE MIGHT AS WELL JUST GO OUT.
517
00:25:30,433 --> 00:25:31,767
>>YEAH, AND WHEN THEY FIND
518
00:25:31,767 --> 00:25:32,800
THE BODY THOSE GUYS
519
00:25:32,800 --> 00:25:33,900
WILL REMBER THAT WE
520
00:25:33,900 --> 00:25:35,300
WERE THE LAST ONES OUT.
521
00:25:35,300 --> 00:25:36,533
>LET'S JUST START THE
522
00:25:36,533 --> 00:25:38,100
FIRE ALARM OR SOMETHING.
523
00:25:38,100 --> 00:25:38,767
>>OH, SURE.
524
00:25:38,767 --> 00:25:40,600
LET'S JUST BRING THE COPS
525
00:25:40,600 --> 00:25:42,100
DIRECTLY TO THE BODY.
526
00:25:42,100 --> 00:25:43,400
>I DON'T SEE YOU GETTING
527
00:25:43,400 --> 00:25:44,100
ANY BRIGHT IDEAS.
528
00:25:44,100 --> 00:25:45,400
WHO'S BEEN STUCK IN HERE
529
00:25:45,400 --> 00:25:46,166
THIS WHOLE TIME?
530
00:25:46,166 --> 00:25:47,333
>>YOU WERE SUPPOSED TO
531
00:25:47,333 --> 00:25:49,734
GET RID OF THOSE GUYS!
532
00:25:49,734 --> 00:25:51,433
>EXCUSE ME FOR NOT BEING
533
00:25:51,433 --> 00:25:52,800
QUICK ENOUGH AND COVERING
534
00:25:52,800 --> 00:25:54,233
UP YOUR LITTLE MURDER!
535
00:25:54,233 --> 00:25:56,467
>>IT WAS AN ACCIDENT.
536
00:25:57,634 --> 00:25:58,300
RIGHT.
537
00:25:58,300 --> 00:25:59,133
I'LL JUST CONK HIM
538
00:25:59,133 --> 00:25:59,967
ON THE HEAD WITH
539
00:25:59,967 --> 00:26:00,900
A PIECE OF CONCRETE
540
00:26:00,900 --> 00:26:03,533
AND SEE WHAT HAPPENS.
541
00:26:03,533 --> 00:26:04,133
>>FINE.
542
00:26:04,133 --> 00:26:05,967
IT WAS STUPID.
543
00:26:05,967 --> 00:26:09,300
YOU'RE 100 % RIGHT, AS USUAL.
544
00:26:09,300 --> 00:26:12,000
ARE YOU HAPPY NOW?
545
00:26:12,000 --> 00:26:14,000
>YEAH.
546
00:26:15,634 --> 00:26:19,900
♪ MUSIC ♪
547
00:26:19,900 --> 00:26:20,834
THIS IS NOT HELPING.
548
00:26:20,834 --> 00:26:21,500
LET'S JUST GO.
549
00:26:21,500 --> 00:26:22,233
THAT SAMOSA CHICK
550
00:26:22,233 --> 00:26:22,967
IS STILL HERE.
551
00:26:22,967 --> 00:26:24,634
THEY'LL THINK SHE DID IT.
552
00:26:24,634 --> 00:26:26,467
>>LYLE'S WIFE?
553
00:26:26,467 --> 00:26:29,033
SHE WAS PASSED OUT.
554
00:26:29,033 --> 00:26:29,767
>SO WHAT?
555
00:26:29,767 --> 00:26:31,200
PERFECT.
556
00:26:31,200 --> 00:26:34,233
A DRUG DEALER KILLED BY WIFE
557
00:26:34,233 --> 00:26:37,767
IN DRUG INDUCED STUPOR.
558
00:26:37,767 --> 00:26:38,333
>>DO YOU THINK
559
00:26:38,333 --> 00:26:39,367
THEY'LL BUY THAT?
560
00:26:39,367 --> 00:26:40,333
>THE POLICE WON'T CARE.
561
00:26:40,333 --> 00:26:41,500
SHE NEVER EVEN SAW US.
562
00:26:41,500 --> 00:26:43,033
LET'S GO.
563
00:26:43,033 --> 00:26:44,900
♪ MUSIC ♪
564
00:26:44,900 --> 00:26:47,000
>>WHERE'S THE MONEY?
565
00:26:47,000 --> 00:26:47,533
>SHIT.
566
00:26:47,533 --> 00:26:49,400
THERE GOES THAT.
567
00:26:49,400 --> 00:26:50,400
>>THERE WAS ALMOST
568
00:26:50,400 --> 00:26:51,400
10, 000 THERE.
569
00:26:51,400 --> 00:26:52,767
DON'T FUCK WITH ME!
570
00:26:52,767 --> 00:26:53,800
>I DON'T KNOW WHAT
571
00:26:53,800 --> 00:26:54,600
YOU'RE TALKING ABOUT.
572
00:26:54,600 --> 00:27:00,734
>>IT'S RIGHT HERE.
573
00:27:00,734 --> 00:27:02,233
>YOU DIDN'T MENTION THAT PART.
574
00:27:02,233 --> 00:27:03,467
>>I COMPLETELY FORGOT.
575
00:27:03,467 --> 00:27:04,734
SOTI, I SWEAR.
576
00:27:04,734 --> 00:27:05,266
>YEAH, RIGHT.
577
00:27:05,266 --> 00:27:05,967
YOU DIDN'T FORGET
578
00:27:05,967 --> 00:27:07,033
TO HIDE THE MONEY.
579
00:27:07,033 --> 00:27:08,700
>>SHUT UP, AMAROSA!
580
00:27:08,700 --> 00:27:09,834
>IT'S CARDAMOSA.
581
00:27:09,834 --> 00:27:11,400
>>WHATEVER.
582
00:27:11,400 --> 00:27:12,600
>WHAT WERE YOU INTENDING
583
00:27:12,600 --> 00:27:13,867
TO DO WITH THAT?
584
00:27:13,867 --> 00:27:14,767
>>NOTHING.
585
00:27:14,767 --> 00:27:15,533
I DON'T KNOW.
586
00:27:15,533 --> 00:27:16,900
>WELL DON'T MAKE ANY PLANS,
587
00:27:16,900 --> 00:27:18,200
'CAUSE IT'S NOT YOUR MONEY.
588
00:27:18,200 --> 00:27:20,200
>>IT'S NOT YOUR MONEY EITHER.
589
00:27:20,200 --> 00:27:20,967
IT'S LYLE'S.
590
00:27:20,967 --> 00:27:22,734
>NO, BITCH, IT'S MY MONEY.
591
00:27:22,734 --> 00:27:25,200
100 FOR EVERY TIME HE FUCKS ME.
592
00:27:25,200 --> 00:27:28,200
AND THAT'S JUST JULY.
593
00:27:28,200 --> 00:27:29,867
YEAH, MANY TIMES A DAY.
594
00:27:29,867 --> 00:27:32,066
HE'S LIKE A RABBIT.
595
00:27:32,066 --> 00:27:36,900
♪ MUSIC ♪
596
00:27:36,900 --> 00:27:37,967
>>YEAH, BUT DIDN'T YOU GET
597
00:27:37,967 --> 00:27:39,300
A GREEN CARD OUT OF IT?
598
00:27:39,300 --> 00:27:40,467
>NO, I DIDN'T NEED HIM.
599
00:27:40,467 --> 00:27:41,667
HE SAID HE WAS GOING TO
600
00:27:41,667 --> 00:27:42,433
REPORT ME TO IMMIGRATION
601
00:27:42,433 --> 00:27:43,767
IF I DIDN'T MARRY HIM.
602
00:27:43,767 --> 00:27:45,734
>>SO HE PROPOSED BY THREATENING
603
00:27:45,734 --> 00:27:47,467
TO HAVE YOU DEPORTED?
604
00:27:47,467 --> 00:27:48,767
>YEAH, HE'S ROMANTIC.
605
00:27:48,767 --> 00:27:51,600
WHERE'S THE PERRO?
606
00:27:51,600 --> 00:27:54,200
♪ MUSIC ♪
607
00:27:58,867 --> 00:28:01,266
>> PUTA, YOU KILLED HIM?!
608
00:28:01,266 --> 00:28:05,500
>NOT ON PURPOSE.
609
00:28:05,500 --> 00:28:07,000
>>DO YOU KNOW HOW MANY
610
00:28:07,000 --> 00:28:08,500
TIMES I WISHED I HAD
611
00:28:08,500 --> 00:28:12,033
THE COJONES TO DO THAT?
612
00:28:12,033 --> 00:28:13,734
>NO.
613
00:28:13,734 --> 00:28:15,166
>>MANY.
614
00:28:15,166 --> 00:28:17,667
MANY MANY MANY MANY.
615
00:28:17,667 --> 00:28:20,967
>OKAY, WHAT DO WE DO NOW?
616
00:28:20,967 --> 00:28:22,166
>>WE TAKE THE CASH.
617
00:28:22,166 --> 00:28:24,133
>YOU ALREADY HAVE IT.
618
00:28:24,133 --> 00:28:24,800
>>THE--
619
00:28:24,800 --> 00:28:25,800
OH, NO, NOT THAT.
620
00:28:25,800 --> 00:28:28,333
THAT'S NOTHING.
621
00:28:28,333 --> 00:28:29,166
>TOLD YA.
622
00:28:29,166 --> 00:28:32,266
SHE'S HOT.
623
00:28:32,266 --> 00:28:34,500
SCARY, BUT HOT.
624
00:28:34,500 --> 00:28:35,934
>>IF YOU LIKE THAT STYLE.
625
00:28:35,934 --> 00:28:37,900
>YOU COMING?!
626
00:28:47,166 --> 00:28:48,300
OKAY, CAN YOU BEND
627
00:28:48,300 --> 00:28:49,433
YOUR PRECIOUS BACKS AND
628
00:28:49,433 --> 00:28:52,367
GIVE THE SLAVE A HAND?
629
00:28:57,133 --> 00:28:57,467
OKAY.
630
00:28:57,467 --> 00:28:59,467
OKAY, ENOUGH.
631
00:29:14,700 --> 00:29:16,400
>>YOU'RE KIDDING.
632
00:29:16,400 --> 00:29:18,166
>OKAY, HALF TO YOU TWO
633
00:29:18,166 --> 00:29:19,600
BECAUSE YOU KILLED HIM,
634
00:29:19,600 --> 00:29:20,500
AND HALF TO ME
635
00:29:20,500 --> 00:29:21,800
BECAUSE I HAD TO SLEEP WITH
636
00:29:21,800 --> 00:29:22,867
THE BASTARD FOR SIX MONTHS
637
00:29:22,867 --> 00:29:23,967
AND I DESERVE IT, OKAY?
638
00:29:23,967 --> 00:29:25,600
>>OKAY.
639
00:29:25,600 --> 00:29:26,700
>NO, WE'RE NOT TAKING
640
00:29:26,700 --> 00:29:27,734
ANY OF THIS MONEY.
641
00:29:27,734 --> 00:29:28,433
>WHAT?
642
00:29:28,433 --> 00:29:29,233
DO YOU KNOW WHAT WE
643
00:29:29,233 --> 00:29:29,834
COULD DO WITH THIS?
644
00:29:29,834 --> 00:29:30,433
WE'RE GOING TO NEED
645
00:29:30,433 --> 00:29:31,200
A LAWYER FOR FRANK.
646
00:29:31,200 --> 00:29:31,800
>>I DON'T CARE.
647
00:29:31,800 --> 00:29:32,567
DO YOU KNOW WHERE
648
00:29:32,567 --> 00:29:33,200
IT COMES FROM?
649
00:29:33,200 --> 00:29:33,700
>I KNOW.
650
00:29:33,700 --> 00:29:34,433
I DON'T CARE.
651
00:29:34,433 --> 00:29:35,834
>>WELL, I DO!
652
00:29:35,834 --> 00:29:37,000
GALIA, LET'S JUST LEAVE
653
00:29:37,000 --> 00:29:38,367
EVERYTHING AND GO NOW.
654
00:29:38,367 --> 00:29:38,533
>NO.
655
00:29:38,533 --> 00:29:39,066
FIRST WE HAVE
656
00:29:39,066 --> 00:29:40,567
TO HIDE THE BODY.
657
00:29:40,567 --> 00:29:41,967
>>NO, I'M NOT TOUCHING HIM.
658
00:29:41,967 --> 00:29:43,166
>OH, KILLING HIM IS OKAY
659
00:29:43,166 --> 00:29:44,100
BUT NOT TOUCHING HIM?
660
00:29:44,100 --> 00:29:45,367
>>LISTEN, KEEP ALL THE MONEY
661
00:29:45,367 --> 00:29:46,433
AND WE'LL JUST GO.
662
00:29:46,433 --> 00:29:47,266
>YOU THINK I'M TONTA?
663
00:29:47,266 --> 00:29:48,266
WHAT AM I GOING TO
664
00:29:48,266 --> 00:29:49,800
DO WITH IT IF I'M IN JAIL?
665
00:29:49,800 --> 00:29:50,800
I'M NOT TAKING THE FALL
666
00:29:50,800 --> 00:29:51,667
FOR TWO GRINGAS HERE.
667
00:29:51,667 --> 00:29:53,066
>>YEAH, I'M NOT LEAVING THIS.
668
00:29:53,066 --> 00:29:54,433
>GALIA, STOP IT.
669
00:29:54,433 --> 00:29:55,867
>>WHAT? I DESERVE IT.
670
00:29:55,867 --> 00:29:58,066
HE TRIED TO KILL ME.
671
00:29:58,066 --> 00:29:59,100
>THAT'S A BULLSHIT EXCUSE
672
00:29:59,100 --> 00:30:00,166
AND YOU KNOW IT.
673
00:30:00,166 --> 00:30:01,066
>>I THINK IT'S A
674
00:30:01,066 --> 00:30:04,033
PRETTY GOOD EXCUSE.
675
00:30:06,400 --> 00:30:07,433
>JESUS. DO THEY
676
00:30:07,433 --> 00:30:09,867
EVER TAKE A BREAK?
677
00:30:09,867 --> 00:30:11,367
>>I'M GONNA TAKE CARE OF IT.
678
00:30:11,367 --> 00:30:12,333
YOU TWO FINISH DEALING
679
00:30:12,333 --> 00:30:14,200
WITH THE MONEY.
680
00:30:14,200 --> 00:30:14,400
WHAT?
681
00:30:14,400 --> 00:30:15,033
I KILLED HIM.
682
00:30:15,033 --> 00:30:16,166
I MIGHT AS WELL GET
683
00:30:16,166 --> 00:30:19,100
SOMETHING OUT OF IT.
684
00:30:31,233 --> 00:30:32,667
>>WHO ARE YOU?
685
00:30:32,667 --> 00:30:34,667
>I'M NADINE.
686
00:30:36,734 --> 00:30:37,967
>WHERE IS LYLE?
687
00:30:37,967 --> 00:30:39,166
>>LYLE IS INDISPOSED.
688
00:30:39,166 --> 00:30:40,700
I'M HIS REPLACEMENT.
689
00:30:46,100 --> 00:30:47,367
>>HEY!
690
00:30:47,367 --> 00:30:50,100
LYLE IS GONE.
691
00:30:50,100 --> 00:30:52,533
DO YOU WANT COKE?
692
00:30:56,266 --> 00:30:58,100
>>YES, WE WANT COKE.
693
00:30:58,100 --> 00:31:02,667
>OKAY.
694
00:31:02,667 --> 00:31:04,734
WAIT HERE.
695
00:31:40,500 --> 00:31:42,600
>WE CAN PAY LATER?
696
00:31:42,600 --> 00:31:44,333
>>NO, WE PAY NOW.
697
00:31:46,600 --> 00:31:47,800
>>HALF?
698
00:31:47,800 --> 00:31:50,433
>200 CASH.
699
00:31:50,433 --> 00:31:51,600
YOU WANT THE DRUGS,
700
00:31:51,600 --> 00:31:52,800
YOU PAY ME NOW.
701
00:31:52,800 --> 00:31:54,567
>>HAS SHE DONE THIS BEFORE?
702
00:31:54,567 --> 00:31:57,300
>I'M BEGINNING TO WONDER.
703
00:32:04,734 --> 00:32:07,200
♪ MUSIC ♪
704
00:32:11,233 --> 00:32:21,400
♪ MUSIC ♪
705
00:32:26,233 --> 00:32:32,233
♪ MUSIC ♪
706
00:32:32,233 --> 00:32:34,100
>FANTASTIC.
707
00:32:34,100 --> 00:32:35,300
I HAVE A PIGGY BANK.
708
00:32:35,300 --> 00:32:37,333
GREAT.
709
00:32:41,700 --> 00:32:44,700
>>NO MORE OF THIS!
710
00:32:51,333 --> 00:32:52,734
>I GOT IT!
711
00:32:52,734 --> 00:32:54,500
YOU KNOW THAT MOVIE NIKITA?
712
00:32:54,500 --> 00:32:56,233
>>THE ONE WHERE THE GOVERNMENT
713
00:32:56,233 --> 00:32:58,400
FORCES A CHICK TO KILL PEOPLE?
714
00:32:58,400 --> 00:32:59,467
>EXACTLY.
715
00:32:59,467 --> 00:33:00,700
WE JUST HIRE A CLEANER
716
00:33:00,700 --> 00:33:04,033
LIKE SHE DID.
717
00:33:04,033 --> 00:33:05,200
>>I DON'T THINK A CLEANING
718
00:33:05,200 --> 00:33:06,467
LADY'S GOING TO HELP.
719
00:33:06,467 --> 00:33:09,734
>NO, NOT A CLEANING LADY.
720
00:33:09,734 --> 00:33:11,000
IN THE MOVIE SHE KILLS
721
00:33:11,000 --> 00:33:11,734
SOMEBODY BY ACCIDENT
722
00:33:11,734 --> 00:33:12,734
AND THEN SHE HIRES
723
00:33:12,734 --> 00:33:13,767
A SPECIALIST TO MAKE
724
00:33:13,767 --> 00:33:16,734
THE BODY DISAPPEAR.
725
00:33:17,734 --> 00:33:19,600
>>OF COURSE.
726
00:33:19,600 --> 00:33:20,734
AND HOW MANY OF THOSE
727
00:33:20,734 --> 00:33:21,600
SPECIALISTS DO YOU KNOW,
728
00:33:21,600 --> 00:33:22,767
'CAUSE I DON'T THINK THEY'LL
729
00:33:22,767 --> 00:33:23,900
BE IN THE YELLOW PAGES.
730
00:33:23,900 --> 00:33:25,100
>YEAH, THAT'S ONE OF THE
731
00:33:25,100 --> 00:33:26,300
DUMBEST THINGS I EVER HEARD.
732
00:33:26,300 --> 00:33:27,367
>>WELL EXCUSE ME.
733
00:33:27,367 --> 00:33:29,433
DO YOU HAVE A BETTER IDEA?
734
00:33:29,433 --> 00:33:31,400
>YEAH, WE DUMP HIS BODY
735
00:33:31,400 --> 00:33:33,634
IN A CARGA DE BASURA.
736
00:33:33,634 --> 00:33:36,233
YOU HAVE A CAR, RIGHT?
737
00:33:36,233 --> 00:33:36,433
GOOD,
738
00:33:36,433 --> 00:33:37,033
'CAUSE WE CAN'T
739
00:33:37,033 --> 00:33:39,200
CARRY HIM ON THE BUS.
740
00:33:39,200 --> 00:33:41,033
>>UH, WHAT'S A DE CARGA?
741
00:33:41,033 --> 00:33:42,567
>IT'S A PLACE WHERE THEY
742
00:33:42,567 --> 00:33:44,100
DUMP OLD TRASH AND STUFF.
743
00:33:44,100 --> 00:33:45,634
IT'S PERFECT FOR LYLE.
744
00:33:45,634 --> 00:33:47,400
>>HOW DO WE GET HIM IN THE
745
00:33:47,400 --> 00:33:48,400
CAR WITHOUT ANYBODY SEEING,
746
00:33:48,400 --> 00:33:49,400
BECAUSE I DON'T THINK
747
00:33:49,400 --> 00:33:50,433
HE'S GOING TO FIT
748
00:33:50,433 --> 00:33:53,066
IN YOUR SUITCASE.
749
00:33:53,066 --> 00:33:55,433
>WE ROLL HIM IN THE CARPET.
750
00:33:55,433 --> 00:33:57,867
>>YOU'RE NOT SERIOUS.
751
00:33:57,867 --> 00:34:00,867
>HELP ME MOVE THE TABLE.
752
00:34:11,133 --> 00:34:12,600
>OKAY, I GET THE FEET,
753
00:34:12,600 --> 00:34:14,266
YOU GET THE HEAD.
754
00:34:14,266 --> 00:34:15,834
>>I DON'T WANT TO TOUCH HIM.
755
00:34:15,834 --> 00:34:16,867
> TOMA. NOW YOU DON'T
756
00:34:16,867 --> 00:34:17,967
HAVE TO TOUCH HIM.
757
00:34:17,967 --> 00:34:19,934
LET'S GO.
758
00:34:25,100 --> 00:34:26,233
>>JESUS, GALIA, COULD
759
00:34:26,233 --> 00:34:27,767
YOU CUT THE CRAP?
760
00:34:27,767 --> 00:34:29,100
I DON'T WANT TO BE STUCK
761
00:34:29,100 --> 00:34:31,000
HERE UNTIL TOMORROW.
762
00:34:31,000 --> 00:34:32,967
>FINE.
763
00:34:35,100 --> 00:34:36,066
YOU TAKE THE HEAD,
764
00:34:36,066 --> 00:34:37,000
I'LL TAKE THIS.
765
00:34:37,000 --> 00:34:38,800
>>YOU THINK HIS HEAD IS MORE
766
00:34:38,800 --> 00:34:40,233
DISGUSTING THAN HIS ASS?
767
00:34:40,233 --> 00:34:41,767
YOU HAVE NOT SEEN IT.
768
00:34:41,767 --> 00:34:42,934
>WELL AT LEAST THERE'S
769
00:34:42,934 --> 00:34:44,100
NO BLOOD ON IT.
770
00:34:44,100 --> 00:34:45,166
>>OKAY, READY?
771
00:34:45,166 --> 00:34:46,533
ON THREE.
772
00:34:46,533 --> 00:34:49,000
ONE, TWO, THREE.
773
00:34:52,767 --> 00:34:54,367
WHAT THE HELL ARE YOU DOING?
774
00:34:54,367 --> 00:34:54,867
>I'M SORRY.
775
00:34:54,867 --> 00:34:56,000
I COULDN'T HOLD HIM.
776
00:34:56,500 --> 00:34:57,066
>>LISTEN, BARBIES,
777
00:34:57,066 --> 00:34:57,934
COULD WE GET
778
00:34:57,934 --> 00:34:59,233
A MOVE ON, HERE?
779
00:34:59,233 --> 00:35:00,300
AT THIS RATE WE'RE GOING TO
780
00:35:00,300 --> 00:35:01,433
BE TOO OLD TO LIFT HIM BY
781
00:35:01,433 --> 00:35:04,333
THE TIME WE GET TO THE DOOR.
782
00:35:04,333 --> 00:35:04,567
>OKAY.
783
00:35:04,567 --> 00:35:06,500
I'M ALL RIGHT.
784
00:35:06,500 --> 00:35:08,767
>>ONE, TWO--
785
00:35:08,767 --> 00:35:10,734
THREE!
786
00:35:18,433 --> 00:35:19,066
> OH, I THINK
787
00:35:19,066 --> 00:35:20,834
I THREW MY BACK OUT.
788
00:35:20,834 --> 00:35:21,700
>>LOOK, WE'RE ALL
789
00:35:21,700 --> 00:35:22,867
HERE BECAUSE OF YOU,
790
00:35:22,867 --> 00:35:23,734
SO COULD YOU
791
00:35:23,734 --> 00:35:24,600
PLEASE STOP WHING?
792
00:35:24,600 --> 00:35:25,734
>I'M NOT WHINING.
793
00:35:25,734 --> 00:35:26,834
I'M JUST SAYING,
794
00:35:26,834 --> 00:35:28,300
I FELT A CRACK.
795
00:35:28,300 --> 00:35:28,900
>>HEY!
796
00:35:28,900 --> 00:35:31,867
LET'S ROLL HIM.
797
00:35:34,333 --> 00:35:35,834
>WAIT-WAIT-WAIT.
798
00:35:35,834 --> 00:35:36,567
SHOULDN'T WE ROLL HIM
799
00:35:36,567 --> 00:35:37,834
THE OTHER WAY?
800
00:35:37,834 --> 00:35:38,567
>>YOU CAN'T ROLL
801
00:35:38,567 --> 00:35:39,367
A CARPET INSIDE-OUT.
802
00:35:39,367 --> 00:35:40,367
IT WOULD LOOK WEIRD.
803
00:35:40,367 --> 00:35:41,033
>I KNOW, BUT HE'LL
804
00:35:41,033 --> 00:35:42,033
PUT BLOOD ON IT.
805
00:35:42,033 --> 00:35:43,000
>>DO YOU INTEND
806
00:35:43,000 --> 00:35:44,300
TO TAKE IT HOME?
807
00:35:44,300 --> 00:35:44,567
>NO.
808
00:35:44,567 --> 00:35:46,533
>>THEN WHO CARES?!
809
00:35:46,533 --> 00:35:47,700
SERIOUSLY, GALIA,
810
00:35:47,700 --> 00:35:50,500
SOMETIMES I WORRY ABOUT YOU.
811
00:36:02,934 --> 00:36:03,934
>I DIDN'T KNOW
812
00:36:03,934 --> 00:36:05,967
YOU WERE SO HEAVY.
813
00:36:05,967 --> 00:36:06,734
>>I KNOW.
814
00:36:06,734 --> 00:36:07,934
HE'S SO SKINNY.
815
00:36:07,934 --> 00:36:09,066
>YEAH, AND THEY SAY YOU
816
00:36:09,066 --> 00:36:12,767
LOSE WEIGHT WHEN YOU DIE.
817
00:36:12,767 --> 00:36:14,467
IT'S TRUE.
818
00:36:14,467 --> 00:36:16,233
I SAW IT IN A MOVIE.
819
00:36:16,233 --> 00:36:17,000
>>OH, WELL THEN
820
00:36:17,000 --> 00:36:18,667
IT MUST BE TRUE.
821
00:36:18,667 --> 00:36:20,800
>WHY ARE YOU SO PISSY TODAY?
822
00:36:20,800 --> 00:36:22,100
>>UM, I DON'T KNOW.
823
00:36:22,100 --> 00:36:23,400
MAYBE BECAUSE YOU'RE MAKING
824
00:36:23,400 --> 00:36:25,400
ME CARRY A DEAD BODY?
825
00:36:25,400 --> 00:36:26,834
>NO ONE IS MAKING
826
00:36:26,834 --> 00:36:27,967
YOU DO ANYTHING.
827
00:36:27,967 --> 00:36:28,667
>>OH YEAH?
828
00:36:28,667 --> 00:36:29,433
WELL I'LL JUST GO
829
00:36:29,433 --> 00:36:30,734
AND LEAVE YOU TO IT.
830
00:36:30,734 --> 00:36:31,500
> PUTA, YOU'RE NOT
831
00:36:31,500 --> 00:36:32,000
GOING ANYWHERE.
832
00:36:32,000 --> 00:36:33,000
YOU SHUT UP, OKAY?
833
00:36:33,000 --> 00:36:34,367
WE'RE GOING TO CARRY THIS
834
00:36:34,367 --> 00:36:35,667
BODY DOWN TO THE CAR,
835
00:36:35,667 --> 00:36:38,467
AND IF YOU DROP IT,
836
00:36:40,066 --> 00:36:41,467
>>WHAT DID SHE SAY?
837
00:36:41,467 --> 00:36:42,233
>I DON'T KNOW,
838
00:36:42,233 --> 00:36:43,634
BUT IT SOUNDED SCARY.
839
00:36:43,634 --> 00:36:45,667
>>THANKS, SOTI.
840
00:36:45,667 --> 00:36:47,500
>WHAT KIND OF NAME IS SOTI?
841
00:36:47,500 --> 00:36:48,934
>>WHAT KIND OF NAME
842
00:36:48,934 --> 00:36:49,667
IS AMAROSA?
843
00:36:49,667 --> 00:36:50,767
>CARDAMOSA!
844
00:36:50,767 --> 00:36:52,567
>>SOTI IS SHORT FOR SOTIRIA.
845
00:36:52,567 --> 00:36:55,066
IT MEANS SALVATION IN GREEK.
846
00:36:55,066 --> 00:36:56,567
>YOU'RE GREEK.
847
00:36:56,567 --> 00:36:57,734
>>MY PARENTS ARE.
848
00:36:57,734 --> 00:36:59,900
>WHAT DOES CARDAMOSA MEAN?
849
00:36:59,900 --> 00:37:02,066
>>SPICY.
850
00:37:02,066 --> 00:37:02,867
>IT FITS.
851
00:37:02,867 --> 00:37:04,834
>>I KNOW.
852
00:37:15,166 --> 00:37:16,700
OKAY.
853
00:37:16,700 --> 00:37:17,467
FIRST WE TAKE THE
854
00:37:17,467 --> 00:37:19,000
CARPET DOWN TO THE CAR.
855
00:37:19,000 --> 00:37:19,834
ONE OF YOU STAYS BY
856
00:37:19,834 --> 00:37:20,834
THE CAR AND THE OTHER ONE
857
00:37:20,834 --> 00:37:21,667
COMES BACK UP HERE WITH
858
00:37:21,667 --> 00:37:22,667
ME TO GET THE BAGS, YEAH?
859
00:37:22,667 --> 00:37:25,000
>WHY CAN'T WE ALL COME BACK?
860
00:37:25,000 --> 00:37:25,667
>>NO, AROUND HERE THEY'RE
861
00:37:25,667 --> 00:37:26,567
GOING TO TAKE THE CARPET
862
00:37:26,567 --> 00:37:27,967
RIGHT OUT OF THE TRUNK.
863
00:37:27,967 --> 00:37:29,800
>THERE'S A LOT OF STAIRS.
864
00:37:29,800 --> 00:37:31,300
>>WE'LL STOP AT EACH--
865
00:37:31,300 --> 00:37:32,634
PISO.
866
00:37:32,634 --> 00:37:34,567
AND NO DROPPING HIM.
867
00:37:37,867 --> 00:37:39,266
OH, I ALMOST FORGOT THE SNOW!
868
00:37:39,266 --> 00:37:44,300
>OH, WE'RE NOT TAKING THAT.
869
00:37:44,300 --> 00:37:45,066
>>DO YOU KNOW HOW
870
00:37:45,066 --> 00:37:45,700
MUCH THAT'S WORTH?
871
00:37:45,700 --> 00:37:46,367
>I DON'T CARE.
872
00:37:46,367 --> 00:37:47,567
MY CAR'S A DRUG-FREE CAR.
873
00:37:47,567 --> 00:37:48,533
YOU WANNA USE IT,
874
00:37:48,533 --> 00:37:49,533
THE BLOW STAYS HERE.
875
00:37:49,533 --> 00:37:50,367
>>NO, THAT'S THROWING
876
00:37:50,367 --> 00:37:52,333
MONEY AWAY.
877
00:37:54,166 --> 00:37:54,533
FINE.
878
00:37:54,533 --> 00:37:56,500
LET'S GO.
879
00:37:57,000 --> 00:37:57,900
>HOW ABOUT WE JUST
880
00:37:57,900 --> 00:37:58,800
DO ONE LAST LINE?
881
00:37:58,800 --> 00:37:59,967
>>GALIA?
882
00:37:59,967 --> 00:38:01,033
YOU WANT ME TO
883
00:38:01,033 --> 00:38:02,100
HELP YOU WITH THIS,
884
00:38:02,100 --> 00:38:04,367
YOU DON'T EVER DO COKE AGAIN.
885
00:38:04,367 --> 00:38:05,767
>NEVER?
886
00:38:05,767 --> 00:38:06,567
BUT I JUST-
887
00:38:06,567 --> 00:38:07,266
>>SWEAR IT OR
888
00:38:07,266 --> 00:38:09,233
I'M OUTTA HERE.
889
00:38:11,033 --> 00:38:12,600
>FINE, I SWEAR.
890
00:38:12,600 --> 00:38:13,033
>> YOU
891
00:38:13,033 --> 00:38:13,867
CAN'T TRUST A JUNKIE.
892
00:38:13,867 --> 00:38:16,100
>I'M NOT A JUNKIE.
893
00:38:16,100 --> 00:38:18,800
>>I TRUST GALIA.
894
00:38:18,800 --> 00:38:22,700
♪ MUSIC ♪
895
00:38:35,266 --> 00:38:38,533
>ONE, TWO, THREE.
896
00:38:38,533 --> 00:38:40,066
>>HEY LADIES,
897
00:38:40,066 --> 00:38:41,066
YOU NEED A HAND?
898
00:38:41,066 --> 00:38:42,433
>NO, THANK YOU, WE'RE OKAY.
899
00:38:42,433 --> 00:38:43,900
>>YES, WE COULD USE SOME
900
00:38:43,900 --> 00:38:46,900
STRONG MEN OVER HERE.
901
00:38:46,900 --> 00:38:48,333
>WHAT ARE YOU DOING?
902
00:38:48,333 --> 00:38:49,100
>>NO PROBLEMO.
903
00:38:49,100 --> 00:38:50,100
>OH, WE WOULD NEVER
904
00:38:50,100 --> 00:38:51,400
MAKE IT ON OUR OWN.
905
00:38:51,400 --> 00:38:52,700
>>I'LL GET THE MIDDLE.
906
00:38:52,700 --> 00:38:53,100
>OKAY.
907
00:38:53,100 --> 00:38:56,400
LET'S DO THAT.
908
00:38:58,033 --> 00:38:59,233
THAT'S SOME CARPET.
909
00:38:59,233 --> 00:39:00,500
>>IT'S VERY OLD.
910
00:39:00,500 --> 00:39:01,200
>IT'S PROBABLY THE
911
00:39:01,200 --> 00:39:02,433
WEIGHT OF ALL THAT DUST.
912
00:39:04,266 --> 00:39:05,700
>>SO YOU GOING FAR?
913
00:39:05,700 --> 00:39:07,500
>OH, JUST TO THE CAR.
914
00:39:07,500 --> 00:39:08,600
>>WHICH IS?
915
00:39:08,600 --> 00:39:11,700
>ABOUT TWO BLOCKS AWAY.
916
00:39:11,700 --> 00:39:12,433
BUT I COULD BRING
917
00:39:12,433 --> 00:39:14,100
IT TO THE DOOR.
918
00:39:14,100 --> 00:39:14,834
>>YOU DO THAT,
919
00:39:14,834 --> 00:39:16,033
I'LL GO GET THE BAGS,
920
00:39:16,033 --> 00:39:20,433
AND I HAVE TO USE THE BATHROOM.
921
00:39:20,433 --> 00:39:21,634
>I THINK ONE OF US
922
00:39:21,634 --> 00:39:22,400
SHOULD PROBABLY GET
923
00:39:22,400 --> 00:39:24,300
DOWN THERE TO RECEIVE IT.
924
00:39:24,300 --> 00:39:26,133
>OKAY.
925
00:39:26,133 --> 00:39:26,834
>>OKAY, SO WHY DON'T
926
00:39:26,834 --> 00:39:27,700
MAYBE YOU GO DOWN AND
927
00:39:27,700 --> 00:39:29,033
THEN I'LL FEED IT TO YOU.
928
00:39:29,033 --> 00:39:30,834
>LIFT IT OVER THE RAILING.
929
00:39:30,834 --> 00:39:32,800
>>YEAH, IT WON'T BEND.
930
00:39:38,567 --> 00:39:40,200
>ALL RIGHT, YOU READY?
931
00:39:40,200 --> 00:39:40,667
>>YEAH.
932
00:39:40,667 --> 00:39:42,133
>ONE, TWO, THREE.
933
00:39:42,133 --> 00:39:43,600
YOU'RE LOSING IT!
934
00:39:43,600 --> 00:39:44,467
>>SLOW DOWN, SLOW DOWN!
935
00:39:44,467 --> 00:39:47,500
>SLOW DOWN!
936
00:39:47,500 --> 00:39:49,333
>>ARE YOU OKAY?
937
00:39:49,333 --> 00:39:51,000
>YEAH, THIS CARPET JUST
938
00:39:51,000 --> 00:39:55,700
WEIGHS 300 POUNDS.
939
00:39:55,700 --> 00:39:58,467
>>WHOSE SHOE IS THIS?
940
00:39:58,467 --> 00:39:59,467
>IT'S NOT MINE.
941
00:39:59,467 --> 00:40:02,634
>>IT'S NOT MINE EITHER.
942
00:40:02,634 --> 00:40:03,266
>WHERE THE HELL
943
00:40:03,266 --> 00:40:06,200
DID IT COME FROM?
944
00:40:07,000 --> 00:40:13,200
>>IT'S MINE!
945
00:40:13,200 --> 00:40:14,400
I TOOK LYLE'S
946
00:40:14,400 --> 00:40:16,333
SHOE BY MISTAKE.
947
00:40:18,133 --> 00:40:20,100
NO WONDER IT FELL OFF.
948
00:40:20,100 --> 00:40:20,867
>HERE, LET ME HELP--
949
00:40:20,867 --> 00:40:24,300
>>NO! IT'S NOT HEAVY.
950
00:40:24,300 --> 00:40:26,333
> GEEZ.
951
00:40:26,333 --> 00:40:32,834
>>SHALL WE?
952
00:40:32,834 --> 00:40:35,800
>WE GOT IT, THANKS.
953
00:40:56,200 --> 00:40:57,567
>>WELL THAT'S WHAT I HAVE.
954
00:40:57,567 --> 00:40:59,200
I GOT IT AT A POLICE AUCTION,
955
00:40:59,200 --> 00:41:01,266
SO BLAME THE PREVIOUS OWNER.
956
00:41:01,266 --> 00:41:03,066
>UMM, HMM.
957
00:41:03,066 --> 00:41:03,900
YEAH, IT'S NEVER GOING
958
00:41:03,900 --> 00:41:05,033
TO FIT IN THAT TRUNK.
959
00:41:05,033 --> 00:41:05,934
>>IT WON'T EVEN FIT
960
00:41:05,934 --> 00:41:08,667
IN THE CAR.
961
00:41:08,667 --> 00:41:09,867
>DO YOU STILL HAVE THE STUFF
962
00:41:09,867 --> 00:41:10,467
FROM STEPHAN'S CHRISTMAS
963
00:41:10,467 --> 00:41:13,166
PARTY IN YOUR TRUNK?
964
00:41:13,166 --> 00:41:15,100
GOOD.
965
00:41:39,333 --> 00:41:41,266
>>HEY!
966
00:41:56,634 --> 00:42:20,166
♪ MUSIC ♪
967
00:42:20,166 --> 00:42:22,000
>QUICK THINKING.
968
00:42:22,000 --> 00:42:23,333
>>WHAT?
969
00:42:23,333 --> 00:42:25,634
>THE THING WITH YOUR SHOE.
970
00:42:25,634 --> 00:42:29,000
>>EASY.
971
00:42:29,000 --> 00:42:30,567
>WHOSE SHOE IS THIS?
972
00:42:30,567 --> 00:42:33,533
>>IT'S NOT MINE, DUDE.
973
00:42:33,533 --> 00:42:36,100
>IT'S MINE!
974
00:42:36,100 --> 00:42:37,266
>>SO WHERE IS YOUR
975
00:42:37,266 --> 00:42:38,634
BLOODY DE CARGA?
976
00:42:38,634 --> 00:42:40,767
>UH, NEXT LEFT.
977
00:42:40,767 --> 00:42:41,900
>>NO, LET'S GO PICK
978
00:42:41,900 --> 00:42:43,333
UP FRANK FIRST.
979
00:42:43,333 --> 00:42:44,400
>NOT NOW, GALIA. FIRST
980
00:42:44,400 --> 00:42:45,934
WE MUST GET RID OF HIM.
981
00:42:45,934 --> 00:42:46,967
>>SOTI, YOU KNOW HOW HE GETS.
982
00:42:46,967 --> 00:42:49,600
I HAVE TO GET HIM OUT OF THERE.
983
00:42:49,600 --> 00:42:51,533
>WE'LL GET FRANK OUT JUST
984
00:42:51,533 --> 00:42:53,967
AFTER WE'VE DUMPED LYLE.
985
00:42:53,967 --> 00:42:55,300
>>WE CAN ONLY BAIL THEM OUT
986
00:42:55,300 --> 00:42:56,400
UNTIL THREE AND THEN IT'LL
987
00:42:56,400 --> 00:42:57,800
BE TOO LATE AND HE'LL HAVE
988
00:42:57,800 --> 00:42:59,433
TO STAY THE WHOLE WEEKEND.
989
00:42:59,433 --> 00:43:00,166
>GALIA!
990
00:43:00,166 --> 00:43:02,000
>>SOTI!
991
00:43:02,000 --> 00:43:02,900
♪ MUSIC ♪
992
00:43:02,900 --> 00:43:04,634
>OKAY, FINE.
993
00:43:06,200 --> 00:43:07,166
♪ MUSIC ♪
994
00:43:07,166 --> 00:43:09,200
>>WHAT ARE YOU DOING?
995
00:43:09,200 --> 00:43:10,634
>WE JUST NEED TO PICK UP
996
00:43:10,634 --> 00:43:13,600
HER BROTHER FIRST.
997
00:43:15,700 --> 00:43:29,033
♪ MUSIC ♪
998
00:43:29,033 --> 00:43:29,834
>> PUTA, YOU GIRLS
999
00:43:29,834 --> 00:43:31,233
GET OFF ON THIS?
1000
00:43:31,233 --> 00:43:33,200
>I'LL BE RIGHT BACK.
1001
00:43:49,600 --> 00:43:50,967
>>SHE JUST NEEDS TO GET HER
1002
00:43:50,967 --> 00:43:52,533
BROTHER OUT THEN WE'LL GO.
1003
00:43:52,533 --> 00:43:54,700
IT'LL BE FINE.
1004
00:43:55,166 --> 00:43:56,900
>YOU'RE BOTH LOCAS.
1005
00:43:56,900 --> 00:43:59,867
OR YOU HAVE A DEATH WISH.
1006
00:43:59,867 --> 00:44:02,900
♪ MUSIC ♪
1007
00:44:03,767 --> 00:44:04,467
>>I'M WARNING YOU,
1008
00:44:04,467 --> 00:44:05,433
IF HE FINDS LYLE,
1009
00:44:05,433 --> 00:44:06,867
YOU'RE ON YOUR OWN.
1010
00:44:06,867 --> 00:44:08,100
>HE'S NOT GONNA FIND LYLE.
1011
00:44:08,100 --> 00:44:09,867
>>IT'S NOT A DEATH WISH,
1012
00:44:09,867 --> 00:44:11,834
YOU'RE JUST DELUSIONAL.
1013
00:44:11,834 --> 00:44:12,600
WHY IS HE COMING
1014
00:44:12,600 --> 00:44:13,400
THIS WAY, THEN?
1015
00:44:13,400 --> 00:44:14,367
>MAYBE HE JUST
1016
00:44:14,367 --> 00:44:16,066
THINKS YOU'RE HOT.
1017
00:44:16,066 --> 00:44:17,834
>>OH, I KNEW IT.
1018
00:44:17,834 --> 00:44:19,867
YOU PLAY FOR THE OTHER TEAM.
1019
00:44:19,867 --> 00:44:20,834
>WHAT?
1020
00:44:20,834 --> 00:44:22,200
>>YOU LIKE YOUR FRIEND,
1021
00:44:22,200 --> 00:44:23,233
DON'T YOU?
1022
00:44:23,233 --> 00:44:23,700
>WHO, GALIA?
1023
00:44:23,700 --> 00:44:24,834
OF COURSE I LIKE HER.
1024
00:44:24,834 --> 00:44:25,533
SHE'S MY FRIEND.
1025
00:44:25,533 --> 00:44:26,600
>>NO, I MEAN YOU
1026
00:44:26,600 --> 00:44:28,867
LIKE HER, LIKE HER.
1027
00:44:28,867 --> 00:44:31,033
>GOOD AFTERNOON, MA'AM.
1028
00:44:31,033 --> 00:44:32,200
>>HELLO, OFFICER.
1029
00:44:32,200 --> 00:44:34,600
>DO YOU KNOW WHY I'M HERE?
1030
00:44:34,600 --> 00:44:36,133
>>NOT REALLY.
1031
00:44:36,133 --> 00:44:37,133
>FIRST OF ALL,
1032
00:44:37,133 --> 00:44:38,900
YOU CANNOT PARK HERE.
1033
00:44:38,900 --> 00:44:39,967
>>OH, I'M SORRY, WE JUST--
1034
00:44:39,967 --> 00:44:41,233
>I'M NOT DONE.
1035
00:44:41,233 --> 00:44:42,934
>>SORRY.
1036
00:44:42,934 --> 00:44:43,900
>SECOND, THAT CARPET'S
1037
00:44:43,900 --> 00:44:45,867
A HAZARD TIED LIKE THAT.
1038
00:44:45,867 --> 00:44:46,667
>>IT'S JUST FOR A
1039
00:44:46,667 --> 00:44:47,300
COUPLE HUNDRED YARDS.
1040
00:44:47,300 --> 00:44:48,066
I'M HAVING IT CLEANED
1041
00:44:48,066 --> 00:44:48,934
FOR MY AUNT.
1042
00:44:48,934 --> 00:44:50,066
>THAT MAY BE, MA'AM,
1043
00:44:50,066 --> 00:44:51,233
BUT IT'S STILL ILLEGAL.
1044
00:44:51,233 --> 00:44:55,867
>>NO KIDDING.
1045
00:44:55,867 --> 00:44:59,433
I TOLD HER SO.
1046
00:44:59,433 --> 00:45:01,300
I HAVE A GREEN CARD.
1047
00:45:01,300 --> 00:45:02,433
>I'M VERY SORRY, OFFICER.
1048
00:45:02,433 --> 00:45:04,634
I PROMISE I'LL BE VERY CAREFUL.
1049
00:45:04,634 --> 00:45:05,800
>>LUCKILY FOR YOU I
1050
00:45:05,800 --> 00:45:06,967
HAVE SOME EXTRA ROPE.
1051
00:45:06,967 --> 00:45:09,934
STAY HERE.
1052
00:45:09,934 --> 00:45:11,266
>OKAY, WE'RE LEAVING NOW,
1053
00:45:11,266 --> 00:45:12,734
BEFORE HE COMES BACK.
1054
00:45:12,734 --> 00:45:15,266
>>I'M NOT LEAVING GALIA HERE.
1055
00:45:15,266 --> 00:45:16,333
>OH, SO YOU CAN SHARE
1056
00:45:16,333 --> 00:45:17,934
THE SAME CELL AS HER?
1057
00:45:17,934 --> 00:45:19,300
>>HE'S GOING TO BE EXTRA
1058
00:45:19,300 --> 00:45:20,667
SUSPICIOUS IF WE JUST VANISH.
1059
00:45:20,667 --> 00:45:21,667
>YOU DON'T THINK HE'S GOING
1060
00:45:21,667 --> 00:45:22,500
TO BE SUSPICIOUS WHEN
1061
00:45:22,500 --> 00:45:24,734
HE GRABS LYLE'S FOOT?
1062
00:45:24,734 --> 00:45:25,834
>>IT'S TOO LATE, ANYWAY.
1063
00:45:34,166 --> 00:45:35,367
>>CAN YOU STOP MUTTERING?
1064
00:45:35,367 --> 00:45:36,900
IT'S VERY UNNERVING.
1065
00:45:36,900 --> 00:45:38,367
> POR FAVOR, POR FAVOR,
1066
00:45:46,734 --> 00:45:48,333
OOH, I KNEW IT.
1067
00:45:48,333 --> 00:45:50,166
>>SHUT UP.
1068
00:45:50,166 --> 00:45:51,166
>COULD YOU STEP OUT
1069
00:45:51,166 --> 00:45:54,934
OF THE VEHICLE, MA'AM?
1070
00:45:54,934 --> 00:45:56,967
>>SURE.
1071
00:45:56,967 --> 00:45:58,967
>YOU TOO, MA'AM.
1072
00:45:58,967 --> 00:46:09,433
♪ MUSIC ♪
1073
00:46:09,433 --> 00:46:13,800
STEP ASIDE, MA'AM.
1074
00:46:13,800 --> 00:46:14,100
MA'AM?
1075
00:46:14,100 --> 00:46:14,800
>>SOTI!
1076
00:46:17,266 --> 00:46:17,867
>TOSS THE ROPE
1077
00:46:17,867 --> 00:46:20,834
BACK UNDER TO ME.
1078
00:46:23,033 --> 00:46:24,700
GOOD.
1079
00:46:24,700 --> 00:46:25,400
ONCE MORE.
1080
00:46:25,400 --> 00:46:27,433
THERE YOU GO.
1081
00:46:27,433 --> 00:46:28,100
GOOD, GOOD.
1082
00:46:28,100 --> 00:46:30,367
I GOT IT.
1083
00:46:30,367 --> 00:46:31,200
LET ME GO AHEAD
1084
00:46:31,200 --> 00:46:36,266
AND TIE IT NOW.
1085
00:46:36,266 --> 00:46:36,834
THERE.
1086
00:46:36,834 --> 00:46:39,033
THAT SHOULD HOLD.
1087
00:46:39,033 --> 00:46:40,166
BUT ONLY FOR A
1088
00:46:40,166 --> 00:46:40,900
SHORT DISTANCE.
1089
00:46:40,900 --> 00:46:41,800
>YES, OFFICER.
1090
00:46:41,800 --> 00:46:44,500
THANK YOU VERY MUCH.
1091
00:46:44,500 --> 00:46:45,567
>>SERIOUSLY, ARE YOU RETARDED?
1092
00:46:45,834 --> 00:46:46,967
>DO I LOOK RETARDED?
1093
00:46:46,967 --> 00:46:48,667
>>YEAH, YOU KINDA DO A LITTLE.
1094
00:46:48,667 --> 00:46:49,600
>YOU STILL NEED TO
1095
00:46:49,600 --> 00:46:50,567
MOVE YOUR CAR, THOUGH.
1096
00:46:50,567 --> 00:46:51,166
>>OF COURSE.
1097
00:46:51,166 --> 00:46:52,667
WE'RE WAITING FOR A FRIEND
1098
00:46:52,667 --> 00:46:54,567
TO PICK UP HER BROTHER.
1099
00:46:54,567 --> 00:46:56,066
>IS HE AN OFFICER?
1100
00:46:56,066 --> 00:46:59,066
>>NO, ACTUALLY HE'S--
1101
00:47:01,934 --> 00:47:03,266
>HOWDY, FRANKY.
1102
00:47:03,266 --> 00:47:04,634
>>HE KNOWS YOU?
1103
00:47:04,634 --> 00:47:05,400
>HE'S THE JERK
1104
00:47:05,400 --> 00:47:07,333
WHO ARRESTED ME.
1105
00:47:13,400 --> 00:47:13,934
>>CAREFUL, FRANKY.
1106
00:47:13,934 --> 00:47:15,033
I COULD ALWAYS BOOK
1107
00:47:15,033 --> 00:47:15,800
YOU FOR CONTEMPT.
1108
00:47:15,800 --> 00:47:16,967
>NO, SIR, HE DIDN'T MEAN IT.
1109
00:47:16,967 --> 00:47:18,166
>>YES, I DID.
1110
00:47:18,166 --> 00:47:19,500
>GET IN THE CAR, FRANKY!
1111
00:47:19,500 --> 00:47:20,500
>>NEXT TIME YOU FEEL
1112
00:47:20,500 --> 00:47:21,867
LIKE TAKING A NAP, FRANKY,
1113
00:47:21,867 --> 00:47:23,567
DO IT IN YOUR OWN HOUSE.
1114
00:47:23,567 --> 00:47:25,500
>THE NAME IS FRANK.
1115
00:47:25,500 --> 00:47:26,600
>>WHEN YOU STOP GETTING INTO
1116
00:47:26,600 --> 00:47:27,467
OTHER PEOPLE'S HOMES, I'LL
1117
00:47:27,467 --> 00:47:28,900
CALL YOU WHATEVER YOU LIKE,
1118
00:47:28,900 --> 00:47:29,634
FRANKY.
1119
00:47:29,634 --> 00:47:32,600
>YEAH, I'D LIKE TO SEE--
1120
00:47:33,600 --> 00:47:35,100
>>I'LL BE WATCHING YOU.
1121
00:47:35,100 --> 00:47:35,900
REMEMBER THAT,
1122
00:47:35,900 --> 00:47:37,867
SLEEPING BEAUTY.
1123
00:47:38,266 --> 00:47:39,767
>REMBER THIS, YOU ASSHOLE.
1124
00:47:39,767 --> 00:47:41,767
>>SHUT UP, FRANK.
1125
00:47:44,867 --> 00:47:45,734
>NOW, QUIET UNTIL
1126
00:47:45,734 --> 00:47:48,500
WE'RE FAR FROM HERE!
1127
00:47:48,500 --> 00:47:58,600
♪ MUSIC ♪
1128
00:47:58,600 --> 00:47:59,467
>>SOTI, WE HAVE TO
1129
00:47:59,467 --> 00:48:01,834
GET HOME NOW.
1130
00:48:01,834 --> 00:48:03,200
>JESUS, GALIA.
1131
00:48:03,200 --> 00:48:05,367
THAT COP ACTUALLY
1132
00:48:05,367 --> 00:48:07,400
PATTED LYLE'S--
1133
00:48:07,400 --> 00:48:08,233
CARPET.
1134
00:48:08,233 --> 00:48:10,834
>>IT'S A COOL CARPET.
1135
00:48:10,834 --> 00:48:11,867
IS IT WORTH ANYTHING?
1136
00:48:11,867 --> 00:48:13,166
> NO!
1137
00:48:13,500 --> 00:48:14,533
STARTS IN 30 MINUTES.
1138
00:48:14,533 --> 00:48:16,233
WE HAVE TO GET HOME NOW.
1139
00:48:16,233 --> 00:48:17,133
>LISTEN, CHICA, YOU CAN
1140
00:48:17,133 --> 00:48:18,300
GO HOME WHEN WE'RE DONE.
1141
00:48:18,300 --> 00:48:19,333
>>CAN YOU CUT THE
1142
00:48:19,333 --> 00:48:21,300
'PUTA CHICA ' THING?
1143
00:48:21,300 --> 00:48:22,800
ATTENDING A BRIS ISN'T EXACTLY
1144
00:48:22,800 --> 00:48:23,967
OPTIONAL IN MY FAMILY.
1145
00:48:23,967 --> 00:48:27,000
>GALIA, WE GOTTA GET RID OF--
1146
00:48:27,000 --> 00:48:28,934
WE GOTTA DO THIS DROP.
1147
00:48:28,934 --> 00:48:30,533
IT CANNOT WAIT!
1148
00:48:30,533 --> 00:48:32,533
>>YES IT CAN.
1149
00:48:32,533 --> 00:48:34,100
HE'S GONE, BUT MY MOM ISN'T
1150
00:48:34,100 --> 00:48:35,700
AND SHE'S GONNA KILL US IF
1151
00:48:35,700 --> 00:48:37,367
WE'RE NOT BACK IN TIME.
1152
00:48:37,367 --> 00:48:39,367
>WHO'S GONE?
1153
00:48:39,367 --> 00:48:40,567
>>NO ONE, FRANK.
1154
00:48:40,567 --> 00:48:41,400
SOTI, YOU KNOW
1155
00:48:41,400 --> 00:48:42,500
HOW MY MOM GETS.
1156
00:48:42,500 --> 00:48:44,000
>LISTEN, WHAT'S YOUR NAME?
1157
00:48:44,000 --> 00:48:44,333
>>GALIA.
1158
00:48:44,333 --> 00:48:44,700
>FRANK.
1159
00:48:44,700 --> 00:48:45,133
>>GALIA.
1160
00:48:45,133 --> 00:48:46,567
I KNOW YOUR NICE LITTLE LIFE
1161
00:48:46,567 --> 00:48:47,333
HASN'T PREPARED YOU
1162
00:48:47,333 --> 00:48:48,333
FOR SOMETHING LIKE THIS--
1163
00:48:48,333 --> 00:48:48,734
>>HEY-HEY-HEY.
1164
00:48:48,734 --> 00:48:49,967
THERE IS NOTHING
1165
00:48:49,967 --> 00:48:51,567
NICE ABOUT MY LIFE.
1166
00:48:51,567 --> 00:48:52,834
DOES THIS LOOK LIKE
1167
00:48:52,834 --> 00:48:54,967
A NICE LIFE TO YOU?
1168
00:48:54,967 --> 00:48:56,100
THE ONLY THING NICE
1169
00:48:56,100 --> 00:48:59,700
ABOUT IT IS MY MOM.
1170
00:48:59,700 --> 00:49:03,433
SO WE ARE GOING TO THE BRIS.
1171
00:49:03,433 --> 00:49:04,700
> HOLA.
1172
00:49:04,700 --> 00:49:06,266
I'M NICE.
1173
00:49:06,266 --> 00:49:07,100
WHAT'S YOUR NAME?
1174
00:49:07,100 --> 00:49:10,100
>>KEEP HIM AWAY FROM ME.
1175
00:49:10,433 --> 00:49:12,033
>LISTEN,
1176
00:49:12,033 --> 00:49:13,567
YOU CAN DROP US OFF
1177
00:49:13,567 --> 00:49:14,767
AND THEN GO TAKE
1178
00:49:14,767 --> 00:49:16,066
CARE OF THE PROBLEM.
1179
00:49:16,066 --> 00:49:17,533
YOU DON'T NEED ME.
1180
00:49:17,533 --> 00:49:18,900
>>NO. LISTEN, YOU ARE
1181
00:49:18,900 --> 00:49:20,567
NOT GETTING OFF THAT EASILY,
1182
00:49:20,567 --> 00:49:21,600
ESPECIALLY SINCE IT'S
1183
00:49:21,600 --> 00:49:22,567
MOSTLY YOUR PROBLEM.
1184
00:49:22,567 --> 00:49:22,767
>FINE.
1185
00:49:22,767 --> 00:49:24,066
I'LL BE MORE THAN HAPPY
1186
00:49:24,066 --> 00:49:25,100
TO HELP, JUST AFTERWARDS.
1187
00:49:25,100 --> 00:49:26,700
IF YOU DON'T GET ME HOME
1188
00:49:26,700 --> 00:49:28,033
BY FOUR, I'M NOT DOING
1189
00:49:28,033 --> 00:49:29,567
ANYTHING ABOUT--
1190
00:49:29,567 --> 00:49:30,700
IT.
1191
00:49:30,700 --> 00:49:32,300
>>OKAY, FINE.
1192
00:49:32,300 --> 00:49:33,800
STOP THE CAR.
1193
00:49:33,800 --> 00:49:34,734
>WHAT?
1194
00:49:34,734 --> 00:49:35,600
>>JUST STOP THE
1195
00:49:35,600 --> 00:49:37,800
PUTA MADRE CAR!
1196
00:49:53,433 --> 00:49:55,400
OKAY. DRIVE.
1197
00:49:57,033 --> 00:49:58,867
WHAT?
1198
00:49:58,867 --> 00:50:00,533
I WAS TIRED OF WEARING HIS
1199
00:50:00,533 --> 00:50:01,767
STINKING SHOE, ALRIGHT?
1200
00:50:01,767 --> 00:50:02,734
IT'S PROBABLY BEST TO
1201
00:50:02,734 --> 00:50:04,233
DO IT AT NIGHT ANYWAY.
1202
00:50:04,233 --> 00:50:06,066
>YOU KNOW WHAT WE COULD--
1203
00:50:06,066 --> 00:50:07,266
DO--
1204
00:50:07,266 --> 00:50:07,600
RIGHT NOW?
1205
00:50:07,600 --> 00:50:09,734
>>WHAT DID I SAY?
1206
00:50:09,734 --> 00:50:10,467
>CUT IT OUT, FRANK.
1207
00:50:10,467 --> 00:50:12,066
SHE'S NOT INTERESTED,
1208
00:50:12,066 --> 00:50:14,033
THANK GOD.
1209
00:50:15,600 --> 00:50:15,934
WHAT?
1210
00:50:15,934 --> 00:50:17,400
YOU'RE MARRIED ALREADY.
1211
00:50:17,400 --> 00:50:19,200
>>YOU CHANGED THAT, REMEMBER?
1212
00:50:19,200 --> 00:50:20,734
>DID YOU SLEEP WITH HER
1213
00:50:20,734 --> 00:50:22,100
HUSBAND OR SOMETHING?
1214
00:50:22,100 --> 00:50:24,066
>SOMETHING.
1215
00:50:34,400 --> 00:50:35,300
>>WELL, THIS LOOKS
1216
00:50:35,300 --> 00:50:37,200
LIKE A NICE LIFE.
1217
00:50:37,200 --> 00:50:37,934
>YOU'RE SURE THIS ISN'T
1218
00:50:37,934 --> 00:50:38,300
WORTH ANYTHING?
1219
00:50:38,533 --> 00:50:39,634
>>DON'T TOUCH IT, FRANK.
1220
00:50:39,634 --> 00:50:40,533
LET'S GO.
1221
00:50:40,533 --> 00:50:41,900
>HEY, WE CAN'T JUST
1222
00:50:41,900 --> 00:50:43,433
LEAVE THE CARPET HERE.
1223
00:50:43,433 --> 00:50:45,033
>>I'M NOT BRINGING THAT
1224
00:50:45,033 --> 00:50:46,100
TO 'S BRIS.
1225
00:50:46,100 --> 00:50:46,934
>THIS DOESN'T LOOK
1226
00:50:46,934 --> 00:50:47,767
LIKE A NEIGHBOURHOOD
1227
00:50:47,767 --> 00:50:49,100
WHERE THEY STEAL MUCH.
1228
00:50:49,100 --> 00:50:50,400
>>SO IT IS WORTH SOMETHING.
1229
00:50:50,400 --> 00:50:51,400
>FRANK, IT'S LYLE,
1230
00:50:51,400 --> 00:50:54,233
SO STAY AWAY FROM IT.
1231
00:50:54,233 --> 00:50:57,233
>>YOU MEAN IT'S LYLE'S.
1232
00:50:57,233 --> 00:50:57,900
>RIGHT.
1233
00:50:57,900 --> 00:50:58,934
WHATEVER.
1234
00:50:58,934 --> 00:51:01,000
SO DON'T EVEN THINK ABOUT IT.
1235
00:51:01,266 --> 00:51:02,700
>>I WASN'T THINKING ANYTHING.
1236
00:51:02,700 --> 00:51:05,867
I WAS JUST SAYING.
1237
00:51:05,867 --> 00:51:07,100
>WHAT IF A COP STARTS, YOU
1238
00:51:07,100 --> 00:51:09,133
KNOW, CHECKING UP ON IT?
1239
00:51:09,133 --> 00:51:11,000
>>WHAT FOR?
1240
00:51:11,000 --> 00:51:13,133
ILLEGAL CARPETING?
1241
00:51:14,367 --> 00:51:15,967
>NO. MORE LIKE
1242
00:51:15,967 --> 00:51:18,834
HAZARDOUS MATERIAL.
1243
00:51:18,834 --> 00:51:19,667
>>YOU WANT TO WALK AROUND
1244
00:51:19,667 --> 00:51:20,367
WITH IT SOME MORE?
1245
00:51:20,367 --> 00:51:21,300
IT TOOK US THREE GUYS
1246
00:51:21,300 --> 00:51:22,834
TO GET IT TO THE CAR.
1247
00:51:22,834 --> 00:51:24,066
>FRANK COULD HELP.
1248
00:51:24,066 --> 00:51:25,500
>>OH, SO NOW YOU WANT ME
1249
00:51:25,500 --> 00:51:26,500
TO TOUCH THE CARPET?
1250
00:51:26,500 --> 00:51:27,500
>NO, FRANK, WE DON'T.
1251
00:51:27,500 --> 00:51:30,266
SOTI, MY MOTHER LOVES CARPETS.
1252
00:51:30,266 --> 00:51:31,367
>>OH. RIGHT.
1253
00:51:31,367 --> 00:51:32,333
I GUESS IT'S SAFER TO
1254
00:51:32,333 --> 00:51:33,166
LEAVE IT HERE THEN.
1255
00:51:33,166 --> 00:51:33,467
>GOOD.
1256
00:51:33,467 --> 00:51:35,333
NOW LET'S GO.
1257
00:51:35,333 --> 00:51:36,000
>>OH, BAGS!
1258
00:51:36,000 --> 00:51:36,967
BAGS!
1259
00:51:36,967 --> 00:51:37,934
>RIGHT.
1260
00:51:55,967 --> 00:51:56,634
>>WHAT HAPPENED
1261
00:51:56,634 --> 00:51:58,000
TO YOUR NECK?
1262
00:51:58,000 --> 00:51:58,667
>NOTHING, MOM.
1263
00:51:58,667 --> 00:51:59,700
MY SCARF JUST
1264
00:51:59,700 --> 00:52:01,033
CAUGHT ON SOMETHING.
1265
00:52:01,033 --> 00:52:05,133
>>SOMETHING WITH TWO HANDS?
1266
00:52:05,133 --> 00:52:06,200
WHY DO YOU LOOK LIKE YOU
1267
00:52:06,200 --> 00:52:07,367
SLEPT IN YOUR CLOTHES?
1268
00:52:07,367 --> 00:52:08,700
>WOW, SHE'S GOOD.
1269
00:52:08,700 --> 00:52:10,500
>>WHO'S YOUR FRIEND, SOTIRIA?
1270
00:52:10,500 --> 00:52:11,500
>OH HI, I'M CARDAMOSA.
1271
00:52:11,500 --> 00:52:13,000
IT'S VERY NICE TO MEET YOU.
1272
00:52:13,000 --> 00:52:14,600
YOU HAVE A LOVELY HOME.
1273
00:52:14,600 --> 00:52:16,667
>>YOU HAVEN'T SEEN IT YET.
1274
00:52:16,667 --> 00:52:17,767
WE'LL TALK ABOUT THIS
1275
00:52:17,767 --> 00:52:18,367
AFTERWARDS, OKAY?
1276
00:52:18,367 --> 00:52:18,934
YOU'RE LATE.
1277
00:52:18,934 --> 00:52:20,166
>NO WE'RE NOT.
1278
00:52:20,166 --> 00:52:21,600
>>IF YOU'RE NOT EARLY,
1279
00:52:21,600 --> 00:52:23,600
YOU'RE LATE.
1280
00:52:32,533 --> 00:52:44,233
♪ MUSIC ♪
1281
00:52:47,367 --> 00:52:50,767
♪ MUSIC ♪
1282
00:52:50,767 --> 00:52:51,600
>I'M NOT SURE
1283
00:52:51,600 --> 00:52:52,767
I CAN WATCH THIS.
1284
00:52:52,767 --> 00:52:53,834
>>HOW CAN THEY DO
1285
00:52:53,834 --> 00:52:54,667
SUCH BARBARIC THINGS?
1286
00:52:54,667 --> 00:52:56,166
>IT'S NOT BARBARIC,
1287
00:52:56,166 --> 00:52:57,433
IT'S TRADITION.
1288
00:52:57,433 --> 00:52:59,166
ANYWAY, IT'S CLEANER.
1289
00:52:59,166 --> 00:53:00,133
>>WELL, I PREFER
1290
00:53:00,133 --> 00:53:01,100
MY MEN DIRTY.
1291
00:53:01,100 --> 00:53:03,734
>NOBODY ASKED YOU.
1292
00:53:03,734 --> 00:53:13,934
♪ MUSIC ♪
1293
00:53:13,934 --> 00:53:15,000
>>WHY IS HE SO MUCH
1294
00:53:15,000 --> 00:53:16,433
YOUNGER THAN YOU?
1295
00:53:16,433 --> 00:53:17,500
>HE'S FROM MY MOM'S
1296
00:53:17,500 --> 00:53:18,567
SECOND MARRIAGE.
1297
00:53:18,567 --> 00:53:19,567
MY DAD BAILED WHEN
1298
00:53:19,567 --> 00:53:20,900
FRANK WAS TWO.
1299
00:53:20,900 --> 00:53:22,667
>>BUT YOU HAVE A GREAT MOM.
1300
00:53:22,667 --> 00:53:24,066
>YEAH, WELL I THINK IT STILL
1301
00:53:24,066 --> 00:53:25,300
SCREWED US UP ANYWAY.
1302
00:53:25,300 --> 00:53:26,467
>>WHATEVER YOU SAY, CHICA.
1303
00:53:26,467 --> 00:53:27,367
YOU'RE PRETTY WHACKED,
1304
00:53:27,367 --> 00:53:29,000
SO YOU'RE PROBABLY RIGHT.
1305
00:53:29,000 --> 00:53:30,834
>THANK YOU.
1306
00:53:30,834 --> 00:53:32,800
>>SHH!
1307
00:53:37,066 --> 00:53:39,133
>UGH, I'M GONNA WAIT OUTSIDE.
1308
00:53:39,133 --> 00:53:43,600
♪ MUSIC ♪
1309
00:53:49,900 --> 00:54:12,367
♪ MUSIC ♪
1310
00:54:12,367 --> 00:54:14,967
>>SO YOU'RE GOING TO TELL HER?
1311
00:54:14,967 --> 00:54:16,867
>TELL WHAT TO WHOM?
1312
00:54:16,867 --> 00:54:17,634
>>THE ANNOYING CHICK.
1313
00:54:17,634 --> 00:54:18,667
THAT YOU LIKE HER.
1314
00:54:18,667 --> 00:54:20,634
>I DON'T LIKE HER.
1315
00:54:21,834 --> 00:54:23,467
WHY DO YOU CARE, ANYWAY?
1316
00:54:23,467 --> 00:54:24,834
>>I DON'T.
1317
00:54:24,834 --> 00:54:25,700
I JUST THINK YOU
1318
00:54:25,700 --> 00:54:27,667
SHOULD TELL HER.
1319
00:54:27,667 --> 00:54:28,867
>WHY?
1320
00:54:28,867 --> 00:54:32,467
SHE'S LIKE 99 % STRAIGHT.
1321
00:54:32,467 --> 00:54:34,634
>>AND THE 1 %.
1322
00:54:34,634 --> 00:54:35,667
>SHE'S JUST NOT
1323
00:54:35,667 --> 00:54:36,433
INTERESTED, OKAY?
1324
00:54:36,433 --> 00:54:37,266
>>HOW DO YOU KNOW,
1325
00:54:37,266 --> 00:54:38,734
YOU HAVEN'T ASKED.
1326
00:54:38,734 --> 00:54:39,667
>WE'RE FRIENDS.
1327
00:54:39,667 --> 00:54:42,266
IT WOULD BE WEIRD.
1328
00:54:42,266 --> 00:54:43,467
WHAT IF SHE COMPLETELY
1329
00:54:43,467 --> 00:54:44,066
FREAKS OUT?
1330
00:54:44,066 --> 00:54:45,300
>>WHAT IF SHE DOESN'T?
1331
00:54:45,300 --> 00:54:46,533
>LOOK, THIS IS NONE
1332
00:54:46,533 --> 00:54:48,367
OF YOUR BUSINESS.
1333
00:54:48,367 --> 00:54:49,333
>>IF IT WAS ME,
1334
00:54:49,333 --> 00:54:52,033
I'D WANNA KNOW.
1335
00:54:52,033 --> 00:54:54,166
>IF YOU WERE ME OR GALIA?
1336
00:54:54,166 --> 00:54:54,500
>>BOTH.
1337
00:54:54,500 --> 00:54:55,967
WHERE'S THE BATHROOM.
1338
00:54:55,967 --> 00:54:59,000
>RIGHT THERE ON THE LEFT.
1339
00:55:13,533 --> 00:55:15,433
GALIA, CAN WE TALK?
1340
00:55:15,433 --> 00:55:15,934
>>SURE.
1341
00:55:15,934 --> 00:55:18,367
>NOT HERE.
1342
00:55:18,367 --> 00:55:29,066
♪ MUSIC ♪
1343
00:55:38,367 --> 00:55:39,767
GALIA, I KNOW THIS IS GOING
1344
00:55:39,767 --> 00:55:40,700
TO SOUND COMPLETELY CRAZY,
1345
00:55:40,700 --> 00:55:43,634
BUT I'VE BEEN--
1346
00:55:45,100 --> 00:55:47,033
FOR QUITE A WHILE NOW,
1347
00:55:47,033 --> 00:55:48,600
I'VE HAD THIS FEELING
1348
00:55:48,600 --> 00:55:50,567
AND I THOUGHT, YOU KNOW,
1349
00:55:50,567 --> 00:55:52,767
WHAT'S THE POINT?
1350
00:55:52,767 --> 00:55:53,634
BUT THEN I THOUGHT,
1351
00:55:53,634 --> 00:55:56,700
WELL, WHAT IF?
1352
00:55:56,700 --> 00:55:59,233
AND I THINK CARDAMOSA'S RIGHT.
1353
00:55:59,233 --> 00:56:03,133
I WANNA KNOW, EVEN IF IT'S NO.
1354
00:56:03,133 --> 00:56:04,567
>>WHAT THE HELL ARE
1355
00:56:04,567 --> 00:56:05,600
YOU TALKING ABOUT?
1356
00:56:05,600 --> 00:56:07,200
PLEASE DON'T TELL ME THAT
1357
00:56:07,200 --> 00:56:08,567
YOU'VE BEEN TAKING ADVICE
1358
00:56:08,567 --> 00:56:11,400
FROM SAMOSA OF ALL PEOPLE.
1359
00:56:11,400 --> 00:56:12,700
>GALIA, WHAT I'M TRYING TO SAY--
1360
00:56:13,200 --> 00:56:15,166
>>WAIT.
1361
00:56:16,400 --> 00:56:19,100
IT'S FROM ERIC.
1362
00:56:19,100 --> 00:56:20,667
I KNEW HE WAS HAVING
1363
00:56:20,667 --> 00:56:21,834
SECOND THOUGHTS.
1364
00:56:21,834 --> 00:56:24,667
>HE WROTE THAT IN A TEXT?
1365
00:56:24,667 --> 00:56:26,767
>>WELL, NOT WORD FOR WORD,
1366
00:56:26,767 --> 00:56:28,166
BUT HE HAS TO FIND
1367
00:56:28,166 --> 00:56:29,500
HIS KNICKERS CAP.
1368
00:56:29,500 --> 00:56:30,500
>OH.
1369
00:56:30,500 --> 00:56:32,166
>>OH COME ON. IT'S LIKE THE
1370
00:56:32,166 --> 00:56:35,133
LAMEST EXCUSE IN THE BOOK.
1371
00:56:44,000 --> 00:56:47,133
>SORRY, I DIDN'T--
1372
00:56:47,133 --> 00:56:48,567
IS THAT COKE?
1373
00:56:48,567 --> 00:56:50,200
>>YES, NOW GET OUT.
1374
00:56:50,200 --> 00:56:51,667
>CAN I HAVE SOME?
1375
00:56:51,667 --> 00:56:52,567
>>NO. GET OUT.
1376
00:56:52,567 --> 00:56:55,333
>COME ON, JUST A LITTLE.
1377
00:57:06,834 --> 00:57:07,567
>>--WITH THREE GIRLS
1378
00:57:07,567 --> 00:57:08,667
AT THE SAME TIME!
1379
00:57:08,667 --> 00:57:09,934
HE DIDN'T CARE.
1380
00:57:09,934 --> 00:57:11,667
>ERIC DID CARE ABOUT ME.
1381
00:57:11,667 --> 00:57:13,000
>>FOR WHAT, A WEEK?
1382
00:57:13,000 --> 00:57:16,000
HE TREATED YOU LIKE SHIT!
1383
00:57:19,266 --> 00:57:20,467
>HEY, YOUR HOT FRIEND IS
1384
00:57:20,467 --> 00:57:21,667
DOING BLOW IN THE BATHROOM.
1385
00:57:21,667 --> 00:57:24,100
>>SHE'S NOT THAT HOT!
1386
00:57:24,100 --> 00:57:25,900
>GODDAMN IT!
1387
00:57:25,900 --> 00:57:29,233
♪ MUSIC ♪
1388
00:57:30,867 --> 00:57:31,767
>>OKAY, WHY ARE THERE
1389
00:57:31,767 --> 00:57:33,000
NO LOCKS ON THE DOORS,
1390
00:57:33,000 --> 00:57:34,000
AND DOESN'T ANYONE EVER
1391
00:57:34,000 --> 00:57:35,000
KNOCK IN THIS HOUSE?
1392
00:57:35,000 --> 00:57:36,200
>MOM LIKES DOORS TO
1393
00:57:36,200 --> 00:57:38,533
REMAIN OPEN, AND NO.
1394
00:57:38,533 --> 00:57:40,634
>>SO YOU'RE DOING BLOW.
1395
00:57:40,634 --> 00:57:41,100
>YES.
1396
00:57:41,100 --> 00:57:42,400
YOU WANT SOME?
1397
00:57:42,400 --> 00:57:43,900
>>I TOLD YOU NOT TO TAKE IT.
1398
00:57:43,900 --> 00:57:44,333
>I KNOW.
1399
00:57:44,333 --> 00:57:46,200
I TOOK IT ANYWAY.
1400
00:57:46,200 --> 00:57:47,467
>YOU HAD IT ALL ALONG?
1401
00:57:47,467 --> 00:57:49,000
EVEN WHILE THAT COP WAS
1402
00:57:49,000 --> 00:57:50,233
FIXING THE CARPET?
1403
00:57:50,233 --> 00:57:53,233
♪ MUSIC ♪
1404
00:57:53,233 --> 00:57:54,166
>>YES.
1405
00:57:54,166 --> 00:57:56,100
>JESUS, ARE YOU INSANE?
1406
00:57:56,100 --> 00:57:57,367
>>HOW WAS I SUPPOSED TO
1407
00:57:57,367 --> 00:57:58,266
KNOW YOU WERE GOING
1408
00:57:58,266 --> 00:57:59,233
TO DRIVE US DIRECTLY
1409
00:57:59,233 --> 00:58:00,467
TO A POLICE STATION?
1410
00:58:00,467 --> 00:58:02,066
>THE POINT IS YOU WERE
1411
00:58:02,066 --> 00:58:03,533
TOTALLY DISHONEST WITH ME!
1412
00:58:03,533 --> 00:58:04,300
>>OKAY, NOTHING PERSONAL,
1413
00:58:04,300 --> 00:58:05,600
BUT IT'S NOT LIKE WE'RE
1414
00:58:05,600 --> 00:58:07,066
FRIENDS HERE OR ANYTHING.
1415
00:58:07,066 --> 00:58:08,900
>SOTI, WHAT DID YOU EXPECT?
1416
00:58:08,900 --> 00:58:10,767
>>AND THERE'S NO USE GETTING
1417
00:58:10,767 --> 00:58:12,734
ALL WORKED UP ABOUT IT.
1418
00:58:12,734 --> 00:58:13,467
IT'S OVER.
1419
00:58:13,467 --> 00:58:15,100
NOTHING HAPPENED.
1420
00:58:15,100 --> 00:58:16,166
>DO YOU KNOW WHAT'LL HAPPEN
1421
00:58:16,166 --> 00:58:17,266
IF MY MOTHER FINDS OUT?
1422
00:58:17,266 --> 00:58:18,133
SHE'LL TAKE ALL THREE
1423
00:58:18,133 --> 00:58:19,066
OF US TO JAIL HERSELF.
1424
00:58:19,066 --> 00:58:20,433
>>OKAY FINE.
1425
00:58:20,433 --> 00:58:21,533
LET'S DROP OFF LYLE,
1426
00:58:21,533 --> 00:58:23,133
YOU TAKE ME TO THE STATION,
1427
00:58:23,133 --> 00:58:24,533
AND YOU DON'T SEE ME
1428
00:58:24,533 --> 00:58:25,900
OR THE DRUGS EVER AGAIN.
1429
00:58:25,900 --> 00:58:27,834
PROBLEM SOLVED.
1430
00:58:32,166 --> 00:58:34,333
>RIGHT, THAT'S IT!
1431
00:58:34,333 --> 00:58:36,000
>>HEY!
1432
00:58:36,000 --> 00:58:36,333
NO!
1433
00:58:36,333 --> 00:58:38,634
THAT BELONGED TO ME!
1434
00:58:39,133 --> 00:58:40,300
>NOW IT BELONGS TO THE
1435
00:58:40,300 --> 00:58:41,266
CITY OF LA'S SEWERS,
1436
00:58:41,266 --> 00:58:42,533
RIGHT WHERE IT SHOULD.
1437
00:58:42,533 --> 00:58:43,433
>>HEY GUYS?
1438
00:58:43,433 --> 00:58:45,100
>NOT NOW, FRANK!
1439
00:58:45,100 --> 00:58:46,233
>>OKAY, JUST THOUGHT YOU
1440
00:58:46,233 --> 00:58:47,634
GUYS MIGHT WANT TO KNOW
1441
00:58:47,634 --> 00:58:48,834
MOM BORROWED SOTI'S CAR.
1442
00:58:48,834 --> 00:58:49,934
>FINE. WAIT, WHAT?!
1443
00:58:49,934 --> 00:58:52,900
>>COME BACK HERE.
1444
00:58:53,133 --> 00:58:53,834
>I THOUGHT YOU DIDN'T
1445
00:58:53,834 --> 00:58:54,900
WANT TO HEAR IT.
1446
00:58:54,900 --> 00:58:55,700
>>WHAT DID YOU SAY
1447
00:58:55,700 --> 00:58:57,133
ABOUT MOM?
1448
00:58:57,133 --> 00:59:02,767
>SHE BORROWED SOTI'S CAR.
1449
00:59:02,767 --> 00:59:03,300
DON'T WORRY.
1450
00:59:03,300 --> 00:59:04,700
SHE'LL BRING IT RIGHT BACK.
1451
00:59:04,700 --> 00:59:05,166
>>FRANK, WHERE
1452
00:59:05,166 --> 00:59:06,533
IS SHE TAKING IT?
1453
00:59:06,533 --> 00:59:07,133
>SHE JUST NEED
1454
00:59:07,133 --> 00:59:07,533
SOME GROCERIES.
1455
00:59:07,533 --> 00:59:08,900
SHE WENT DOWN TO THE MARKET.
1456
00:59:08,900 --> 00:59:10,634
>>WHAT'S WRONG WITH HER CAR.
1457
00:59:10,634 --> 00:59:11,767
>UH, SOTI'S CAR
1458
00:59:11,767 --> 00:59:13,400
WAS BLOCKING IT.
1459
00:59:13,400 --> 00:59:17,166
♪ MUSIC ♪
1460
00:59:17,166 --> 00:59:19,166
>>THIS IS A NIGHTMARE.
1461
00:59:38,333 --> 00:59:39,000
>MAYBE WE SHOULD
1462
00:59:39,000 --> 00:59:40,400
JUST WALK OVER THERE.
1463
00:59:40,400 --> 00:59:41,166
>>SHE'S HARDLY GOING
1464
00:59:41,166 --> 00:59:42,166
TO UNROLL THE CARPET
1465
00:59:42,166 --> 00:59:42,900
AT THE SUPERMARKET.
1466
00:59:42,900 --> 00:59:45,867
IT SHOULD BE FINE.
1467
00:59:49,634 --> 00:59:51,233
>SOTI,
1468
00:59:51,233 --> 00:59:52,467
IF I GO TO JAIL WILL
1469
00:59:52,467 --> 00:59:53,967
YOU COME VISIT ME?
1470
00:59:53,967 --> 00:59:54,967
>>YOU'RE NOT GOING TO JAIL.
1471
00:59:54,967 --> 00:59:55,967
>BUT WHAT IF I DO?
1472
00:59:55,967 --> 00:59:58,066
WILL YOU COME VISIT ME?
1473
00:59:58,066 --> 00:59:58,700
>>DON'T WORRY, CHICA,
1474
00:59:58,700 --> 01:00:01,667
WE'LL ALL BE IN THE SAME CELL.
1475
01:00:02,500 --> 01:00:03,800
>I'M NOT GOING TO LET
1476
01:00:03,800 --> 01:00:04,767
ANYTHING HAPPEN TO YOU,
1477
01:00:04,767 --> 01:00:06,767
OKAY?
1478
01:00:09,000 --> 01:00:10,967
>AH, HERE SHE COMES.
1479
01:00:27,900 --> 01:00:28,667
>>WHAT IS EVERYONE
1480
01:00:28,667 --> 01:00:30,467
DOING IN THE STREET?
1481
01:00:30,467 --> 01:00:31,967
>UH, WE NEED TO TAKE
1482
01:00:31,967 --> 01:00:33,200
CARDAMOSA TO THE STATION.
1483
01:00:33,200 --> 01:00:34,800
>>OH, WHERE ARE YOU OFF TO?
1484
01:00:34,800 --> 01:00:38,333
>TO SEE MY FAMILY.
1485
01:00:38,333 --> 01:00:40,300
IN CONNECTICUT.
1486
01:00:43,133 --> 01:00:43,867
>>THIS IS A BEAUTIFUL
1487
01:00:43,867 --> 01:00:44,233
CARPET, SOOTERIA.
1488
01:00:44,233 --> 01:00:46,367
ARE YOU TRYING TO SELL IT?
1489
01:00:46,367 --> 01:00:47,367
>NO, MRS. ZEITOUNI.
1490
01:00:47,367 --> 01:00:49,200
IT BELONGS TO MY AUNT.
1491
01:00:49,200 --> 01:00:51,700
>>OH. WHAT A SHAME.
1492
01:00:51,700 --> 01:00:52,533
WELL YOU TELL HER IF SHE
1493
01:00:52,533 --> 01:00:53,300
EVER WANTS TO SELL IT,
1494
01:00:53,300 --> 01:00:54,033
I'LL TAKE IT.
1495
01:00:54,033 --> 01:01:00,066
>SURE, MRS. ZEITOUNI.
1496
01:01:00,066 --> 01:01:00,734
>>GOODBYE, GIRL.
1497
01:01:00,734 --> 01:01:02,367
I DIDN'T GET YOUR NAME.
1498
01:01:02,367 --> 01:01:02,700
>CARDAMOSA.
1499
01:01:02,700 --> 01:01:04,033
>>IT WAS NICE TO MEET YOU.
1500
01:01:04,033 --> 01:01:05,200
AT LEAST YOU DIDN'T THROW UP
1501
01:01:05,200 --> 01:01:06,200
IN MY BATHROOM LIKE SOME
1502
01:01:06,200 --> 01:01:09,133
OTHER OF GALIA'S FRIENDS.
1503
01:01:09,767 --> 01:01:11,734
>WAS THAT ERIC?
1504
01:01:12,200 --> 01:01:13,133
>>HE LIKES TO DRINK
1505
01:01:13,133 --> 01:01:15,133
A LITTLE BIT.
1506
01:01:18,367 --> 01:01:19,266
>DE CARGA!
1507
01:01:19,266 --> 01:01:20,667
NOW!
1508
01:01:20,667 --> 01:01:26,367
♪ MUSIC ♪
1509
01:01:28,233 --> 01:01:42,033
♪ MUSIC ♪
1510
01:01:57,066 --> 01:01:58,200
>>MAYBE WE SHOULD TAKE
1511
01:01:58,200 --> 01:01:59,934
THE CHRISTMAS LIGHTS.
1512
01:01:59,934 --> 01:02:01,300
>YOU WANT TO DECORATE A
1513
01:02:01,300 --> 01:02:04,100
CHRISTMAS TREE IN AUGUST?
1514
01:02:04,100 --> 01:02:05,133
>>WHAT IF THEY CAN BE
1515
01:02:05,133 --> 01:02:08,033
TRACED BACK TO YOU?
1516
01:02:08,033 --> 01:02:09,767
>I'LL LEAVE IT IN THE CAR
1517
01:02:09,767 --> 01:02:11,900
AND DECLARE IT STOLEN.
1518
01:02:11,900 --> 01:02:15,767
>>THEN YOU WON'T HAVE A CAR.
1519
01:02:15,767 --> 01:02:18,200
>IT DOESN'T MATTER.
1520
01:02:18,200 --> 01:02:21,100
>>SOTI, I AM SO SORRY.
1521
01:02:21,100 --> 01:02:22,900
>DON'T WORRY ABOUT IT.
1522
01:02:22,900 --> 01:02:23,967
>>NO, I DIDN'T THINK BEFORE
1523
01:02:23,967 --> 01:02:24,834
DRAGGING YOU INTO THIS.
1524
01:02:24,834 --> 01:02:25,734
I'M NEVER GOING TO
1525
01:02:25,734 --> 01:02:28,133
BE ABLE TO REPAY YOU.
1526
01:02:28,133 --> 01:02:29,166
>GALIA, YOU DON'T
1527
01:02:29,166 --> 01:02:30,734
OWE ME ANYTHING.
1528
01:02:30,734 --> 01:02:31,500
JUST DON'T KILL
1529
01:02:31,500 --> 01:02:32,333
ANYONE ELSE, OKAY?
1530
01:02:32,333 --> 01:02:33,667
I DON'T THINK I CAN
1531
01:02:33,667 --> 01:02:34,467
DO THIS TWICE.
1532
01:02:34,467 --> 01:02:35,834
EVEN FOR YOU.
1533
01:02:35,834 --> 01:02:37,800
>>OH, SOTI.
1534
01:02:40,166 --> 01:02:41,333
>OKAY, CAN WE CONTINUE
1535
01:02:41,333 --> 01:02:42,500
THIS MATING RITUAL ONCE
1536
01:02:42,500 --> 01:02:45,667
YOU'VE DROPPED ME OFF?
1537
01:02:45,667 --> 01:02:47,000
>>WHAT MATING RITUAL?
1538
01:02:47,000 --> 01:02:48,333
>JUST IGNORE HER.
1539
01:02:48,333 --> 01:02:49,634
>>WHAT MATING RITUAL?
1540
01:02:49,634 --> 01:02:50,367
> SANTA MUERTE,
1541
01:02:50,367 --> 01:02:52,033
GIVE ME PATIENCE.
1542
01:02:52,033 --> 01:02:53,734
WHITE CHICK IN LOVE WITH
1543
01:02:53,734 --> 01:02:54,734
ANOTHER WHITE CHICK.
1544
01:02:54,734 --> 01:02:57,200
CAN WE GO NOW?
1545
01:02:57,200 --> 01:03:00,200
>>WHAT?
1546
01:03:00,200 --> 01:03:03,166
>IT'S JUST, I'M NOT--
1547
01:03:03,834 --> 01:03:04,433
WE'RE FRIENDS.
1548
01:03:04,433 --> 01:03:05,400
I KNOW IT.
1549
01:03:05,400 --> 01:03:06,400
I GET IT.
1550
01:03:06,400 --> 01:03:08,367
NO PROBLEM.
1551
01:03:09,200 --> 01:03:12,000
>>I THOUGHT I WASN'T YOUR TYPE.
1552
01:03:12,000 --> 01:03:13,066
>I JUST SAID THAT
1553
01:03:13,066 --> 01:03:14,200
SO YOU WOULDN'T BE
1554
01:03:14,200 --> 01:03:17,166
UNCOMFORTABLE AROUND ME.
1555
01:03:18,667 --> 01:03:20,700
LET'S GO.
1556
01:03:20,700 --> 01:03:35,233
♪ MUSIC ♪
1557
01:03:35,233 --> 01:03:35,600
>>HELLO?
1558
01:03:35,600 --> 01:03:37,700
I SAID LATER.
1559
01:03:37,700 --> 01:04:04,033
♪ MUSIC ♪
1560
01:04:04,033 --> 01:04:05,567
OKAY, LEAVE THE CAR THERE
1561
01:04:05,567 --> 01:04:08,500
AND IT'LL BE GONE BY TOMORROW.
1562
01:04:09,400 --> 01:04:11,600
>WELL, HAVE A GOOD TRIP.
1563
01:04:11,600 --> 01:04:12,767
>>YOU DON'T HAVE TO DO THAT.
1564
01:04:12,767 --> 01:04:13,767
IT'S NOT LIKE WE'RE FRIENDS
1565
01:04:13,767 --> 01:04:14,600
OR ANYTHING, YEAH?
1566
01:04:14,600 --> 01:04:14,967
>RIGHT.
1567
01:04:14,967 --> 01:04:16,166
COME ON, SOTI.
1568
01:04:16,166 --> 01:04:16,967
BYE, SAMOSA.
1569
01:04:16,967 --> 01:04:18,166
>>BYE, KATYA.
1570
01:04:18,166 --> 01:04:20,133
>GALIA.
1571
01:04:21,133 --> 01:04:23,333
>>BE CAREFUL, OKAY?
1572
01:04:23,333 --> 01:04:24,066
> MIRA, FINE,
1573
01:04:24,066 --> 01:04:26,033
COME HERE.
1574
01:04:28,400 --> 01:04:29,133
>>OKAY.
1575
01:04:29,133 --> 01:04:30,567
OKAY.
1576
01:04:30,567 --> 01:04:31,233
OKAY!
1577
01:04:31,233 --> 01:04:33,166
BYE NOW.
1578
01:04:37,033 --> 01:04:38,266
>HEY, YOU'RE THE MOST ANNOYING
1579
01:04:38,266 --> 01:04:39,800
GRINGA I'VE EVER MET.
1580
01:04:39,800 --> 01:04:41,433
>>YOU KNOW, THAT'S JUST LOW.
1581
01:04:41,433 --> 01:04:43,100
IF I SAY ANYTHING ABOUT
1582
01:04:43,100 --> 01:04:44,900
LATINAS, I'M THE RACIST.
1583
01:04:44,900 --> 01:04:46,467
>WELL HEY, I'M A MINORITY.
1584
01:04:46,467 --> 01:04:48,100
I MIGHT AS WELL GET
1585
01:04:48,100 --> 01:04:51,066
SOMETHING OUT OF IT.
1586
01:05:03,533 --> 01:05:43,467
♪ MUSIC ♪
1587
01:06:05,066 --> 01:06:07,033
>>HELLO?
1588
01:06:07,367 --> 01:06:09,367
ERIC, HI.
1589
01:06:09,934 --> 01:06:10,467
I'M GREAT.
1590
01:06:10,467 --> 01:06:13,033
HOW ARE YOU?
1591
01:06:13,033 --> 01:06:14,467
REALLY?
1592
01:06:14,467 --> 01:06:16,300
THAT'S GREAT.
1593
01:06:16,300 --> 01:06:20,900
GOOD FOR YOU.
1594
01:06:20,900 --> 01:06:22,233
THAT'S SWEET,
1595
01:06:22,233 --> 01:06:23,433
BUT ACTUALLY
1596
01:06:23,433 --> 01:06:26,634
I'M SEEING SOMEONE.
1597
01:06:26,634 --> 01:06:28,300
YOU DO, ACTUALLY.
1598
01:06:28,300 --> 01:06:32,033
IT'S SOTI.
1599
01:06:32,033 --> 01:06:34,734
NO, NOT MY FRIEND SOTI.
1600
01:06:34,734 --> 01:06:37,700
MY GIRLFRIEND SOTI.
1601
01:06:40,066 --> 01:06:42,033
BYE, ERIC.
1602
01:06:50,734 --> 01:06:51,700
>WHAT DID YOU DO
1603
01:06:51,700 --> 01:06:52,767
WITH THE MONEY?
1604
01:06:52,767 --> 01:06:54,734
>>WHAT?
1605
01:06:59,200 --> 01:07:10,133
♪ MUSIC ♪
1606
01:07:10,667 --> 01:07:12,100
THAT BITCH!
1607
01:07:12,100 --> 01:07:13,266
>WHAT?
1608
01:07:13,266 --> 01:07:14,767
>>"THIS JUST ABOUT PAYS
1609
01:07:14,767 --> 01:07:16,266
FOR THE DRUGS THAT
1610
01:07:16,266 --> 01:07:19,333
WENT DOWN THE TOILET."
1611
01:07:21,133 --> 01:07:23,867
>>YOU THINK THIS IS FUNNY?
1612
01:07:23,867 --> 01:07:25,767
THIS ISN'T FUNNY!
1613
01:07:25,767 --> 01:07:26,867
>YOU DIDN'T SERIOUSLY INTEND
1614
01:07:26,867 --> 01:07:28,000
TO KEEP THAT MONEY.
1615
01:07:28,000 --> 01:07:30,433
>>YES I DID.
1616
01:07:30,433 --> 01:07:32,467
WHAT ABOUT FRANK'S LAWYER?
1617
01:07:32,467 --> 01:07:33,700
>HOW ABOUT YOU LET FRANK
1618
01:07:33,700 --> 01:07:35,300
FIGURE IT OUT FOR ONCE?
1619
01:07:35,300 --> 01:07:36,133
HE'S 19.
1620
01:07:36,133 --> 01:07:39,133
HE'S NOT YOUR RESPONSIBILITY.
1621
01:07:41,166 --> 01:07:42,800
HEY, COME HERE.
1622
01:07:42,800 --> 01:07:45,266
IT'LL BE FINE.
1623
01:07:45,266 --> 01:07:47,433
>>CAN YOU PROMISE THAT?
1624
01:07:47,433 --> 01:07:51,467
>NO, BUT WE CAN WORK ON IT.
1625
01:07:51,467 --> 01:08:06,700
♪ MUSIC ♪
1626
01:08:33,834 --> 01:08:39,066
>>FOUND SOMETHING, BELLA?
1627
01:08:39,066 --> 01:08:41,834
GOOD GIRL.
1628
01:08:41,834 --> 01:08:43,333
LOOKS LIKE IT COULD
1629
01:08:43,333 --> 01:08:46,300
BE WORTH SOMETHING.
1630
01:08:48,767 --> 01:08:50,734
WHAT THE--
1631
01:09:04,767 --> 01:09:05,400
>>JESUS, SON.
1632
01:09:05,400 --> 01:09:08,367
I THOUGHT YOU WERE DEAD.
1633
01:09:11,300 --> 01:09:14,300
>WHERE THE FUCK ARE WE?
1634
01:09:14,634 --> 01:09:16,767
>>EAST L.A. DUMP.
1635
01:09:16,767 --> 01:09:18,767
>HOW THE FUCK DID I GET HERE?
1636
01:09:18,767 --> 01:09:20,734
>>DON'T ASK ME.
1637
01:09:22,100 --> 01:09:22,734
>WHERE THE FUCK'S
1638
01:09:22,734 --> 01:09:24,300
MY OTHER SHOE?
1639
01:09:24,300 --> 01:09:27,233
>>DON'T KNOW, DON'T CARE.
1640
01:09:27,233 --> 01:09:28,066
COULD YOU GET OFF
1641
01:09:28,066 --> 01:09:29,967
MY CARPET NOW?
1642
01:09:29,967 --> 01:09:31,066
>THAT'S MY FUCKING CARPET!
1643
01:09:31,066 --> 01:09:32,500
>>OH NO IT AIN'T.
1644
01:09:32,500 --> 01:09:34,433
I FOUND IT FAIR AND SQUARE.
1645
01:09:34,433 --> 01:09:35,767
>LISTEN, YOU STUPID ASS--
1646
01:09:35,767 --> 01:09:37,200
>>DON'T YELL.
1647
01:09:37,200 --> 01:09:39,600
BELLA HERE DON'T LIKE IT.
1648
01:09:39,600 --> 01:09:41,200
>THIS CARPET COST
1649
01:09:41,200 --> 01:09:44,133
ME 3,000 DOLLARS.
1650
01:09:44,133 --> 01:09:46,400
>>GOOD. GOOD.
1651
01:09:46,400 --> 01:09:47,467
I CAN PROBABLY GET A COUPLE
1652
01:09:47,467 --> 01:09:48,400
HUNDRED FOR IT EASY THEN,
1653
01:09:48,400 --> 01:09:50,634
HUH?
1654
01:09:51,066 --> 01:09:51,767
>ALL RIGHT, FINE.
1655
01:09:51,767 --> 01:09:53,834
FINE, YOU KEEP IT.
1656
01:09:53,834 --> 01:09:56,800
>>VERY KIND OF YOU, SIR.
1657
01:10:02,400 --> 01:10:05,367
>HOW THE FUCK DO I GET HOME?
1658
01:10:07,800 --> 01:10:08,934
>>DOWNTOWN'S THAT WAY.
1659
01:10:08,934 --> 01:10:11,233
YOU CAN BE THERE IN THREE
1660
01:10:11,233 --> 01:10:14,200
HOURS IF YOU WALK FAST.
1661
01:10:21,266 --> 01:10:36,734
♪ MUSIC ♪
1662
01:10:39,467 --> 01:11:09,634
♪ MUSIC ♪
1663
01:11:10,967 --> 01:11:22,867
♪ MUSIC ♪
1664
01:11:28,500 --> 01:11:30,467
>HEY!
1665
01:11:33,667 --> 01:11:35,533
>>THAT'S--
1666
01:11:35,533 --> 01:11:36,800
WHAT THE FUCK'S MY LINE?
1667
01:11:36,800 --> 01:11:38,800
SORRY?
1668
01:11:38,800 --> 01:11:42,700
♪ MUSIC ♪
1669
01:11:42,700 --> 01:11:44,166
>WHO ARE YOU?
1670
01:11:44,166 --> 01:11:45,333
WHERE IS LYLE?
1671
01:11:45,333 --> 01:11:48,166
>> SORRY.
1672
01:11:48,166 --> 01:11:55,667
♪ MUSIC ♪
1673
01:11:55,667 --> 01:11:58,166
>WHAT THE FUCK, MAN?
1674
01:11:58,166 --> 01:12:06,266
♪ MUSIC ♪
1675
01:12:06,266 --> 01:12:07,734
>>HELLO, POT AND
1676
01:12:07,734 --> 01:12:10,367
KETTLE ANYONE?
1677
01:12:14,367 --> 01:12:29,567
♪ MUSIC ♪
1678
01:12:32,433 --> 01:12:37,433
♪ MUSIC ♪
1679
01:12:44,233 --> 01:12:54,367
♪ MUSIC ♪
1680
01:12:54,367 --> 01:12:55,233
>DIDN'T YOU GET A GREEN
1681
01:12:55,233 --> 01:12:56,700
CARD OUT OF IT?
1682
01:12:56,700 --> 01:12:57,800
>>I DIDN'T NEED HIM.
1683
01:12:57,800 --> 01:12:58,867
HE SAID TO IMMIGRATION
1684
01:12:58,867 --> 01:13:00,433
HE WAS GOING TO--
1685
01:13:00,433 --> 01:13:01,266
WHAT?
1686
01:13:03,433 --> 01:13:11,000
♪ MUSIC ♪
1687
01:13:15,467 --> 01:13:18,500
♪ MUSIC ♪
1688
01:13:23,667 --> 01:13:26,200
>THAT'S A BLOOPER!
1689
01:13:26,200 --> 01:13:28,634
♪ MUSIC ♪
1690
01:13:28,634 --> 01:13:30,600
>>WE CAN PAY LATER?
1691
01:13:30,600 --> 01:13:32,400
>NO, YOU PAY NOW.
1692
01:13:33,800 --> 01:13:35,834
SORRY, SORRY.
1693
01:13:39,333 --> 01:13:41,800
>200 CASH.
1694
01:13:50,433 --> 01:13:52,433
>OH MY GOD.
1695
01:13:56,634 --> 01:13:57,000
REALLY?
1696
01:13:57,000 --> 01:13:58,567
YOU DON'T HAVE ANY MORE
1697
01:13:58,567 --> 01:14:00,834
CHANGE IN YOUR BREASTS?
1698
01:14:02,467 --> 01:14:05,467
I HAVE SOME DOWN MY BOOBS!
1699
01:14:06,100 --> 01:14:09,533
♪ MUSIC ♪
1700
01:14:09,533 --> 01:14:10,734
>>AND HOW MANY OF THOSE
1701
01:14:10,734 --> 01:14:11,767
SPECIALISTS DO YOU KNOW,
1702
01:14:11,767 --> 01:14:12,567
'CAUSE I DON'T THINK
1703
01:14:12,567 --> 01:14:14,233
THEY'LL BE IN THE CL--
1704
01:14:14,700 --> 01:14:16,667
CLEANING LADY.
1705
01:14:16,934 --> 01:14:17,734
>ANY REQUESTS?
1706
01:14:17,734 --> 01:14:20,100
>>YEAH, I'D LIKE A FLIP.
1707
01:14:20,100 --> 01:14:21,533
>OH, OKAY.
1708
01:14:23,700 --> 01:14:24,467
TA-DAA!
1709
01:14:27,767 --> 01:14:29,166
>>YOU THINK HIS HEAD IS MORE
1710
01:14:29,166 --> 01:14:30,500
DISGUSTING THAN HIS ASS?
1711
01:14:30,500 --> 01:14:31,000
YOU CLEARLY
1712
01:14:31,000 --> 01:14:32,266
HAVE NOT SEEN IT.
1713
01:14:32,266 --> 01:14:34,166
>WELL AT LEAST THERE'S NO-
1714
01:14:34,867 --> 01:14:36,233
STOP IT.
1715
01:14:36,233 --> 01:14:36,734
>>OW.
1716
01:14:36,734 --> 01:14:37,233
>SORRY.
1717
01:14:37,233 --> 01:14:39,100
>>MY BOOB.
1718
01:14:39,100 --> 01:14:42,834
♪ MUSIC ♪
1719
01:14:51,033 --> 01:14:58,200
♪ MUSIC ♪
1720
01:14:58,200 --> 01:14:59,033
> SANTA MUERTE,
1721
01:14:59,033 --> 01:15:01,634
GIVE ME PATIENCE.
1722
01:15:01,634 --> 01:15:03,333
FUCK.
1723
01:15:04,567 --> 01:15:07,834
♪ MUSIC ♪
1724
01:15:07,834 --> 01:15:11,634
>>WHERE THE FUCK AM I?
1725
01:15:11,634 --> 01:15:15,166
WHERE THE FUCK IS MY SHOE?
1726
01:15:15,166 --> 01:15:16,700
WHO THE FUCK ARE YOU?
1727
01:15:17,166 --> 01:15:19,066
>I'M YOUR WORST NIGHTMARE.
1728
01:15:20,934 --> 01:15:28,333
♪ MUSIC ♪
1729
01:15:28,333 --> 01:15:31,066
>>JESUS, YOU STUPID BITCH.
1730
01:15:39,000 --> 01:15:40,934
JESUS, YOU STUPID
1731
01:15:40,934 --> 01:15:42,734
HITLER IMPERSONATOR.
1732
01:15:42,734 --> 01:19:24,600
♪ MUSIC ♪
93699
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