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-GOOD MORNING.
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YOU FOLKS CHECKING IN?
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-YES. WELLS.
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OF COURSE. CARLTON WELLS.
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WE'VE BEEN EXPECTING YOU.
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I'LL TAKE CARE OF YOUR LUGGAGE.
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YOU GUYS CHECK IN.
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I'LL HAVE IT UPSTAIRS FOR YOU
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BY THE TIME YOU GET UP THERE.
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OH, THAT'S THE SPIRIT. CHEERS.
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THANK YOU VERY MUCH.
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-VERY KIND.
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-THANK YOU.
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NO, NO, NO, THERE'S NOT ENOUGH
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CHRISTMAS DECORATIONS.
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-I WANT MORE.
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-CARLTON, WHAT ARE YOU
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TALKING ABOUT?
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THE HOTEL DID
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A BEAUTIFUL JOB.
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LOOK AT THIS TREE.
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IT'S GORGEOUS.
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YOU KNOW HOW I FEEL ABOUT
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CHRISTMAS. I WANT... MORE.
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YES. I KNOW.
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YOUR PARENTS NEVER LET YOU
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CELEBRATE CHRISTMAS GROWING UP,
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SO NOW YOU HAVE
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TO MAKE UP FOR LOST TIME.
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SWEETHEART... [SIGHS]
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PLEASE DON'T TRIVIALIZE
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MY CHILDHOOD, IT'S MY PAIN.
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NOW YOU MIGHT
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NOT UNDERSTAND IT,
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BUT YOU CAN,
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AT LEAST, RESPECT IT.
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COME ON. WE'VE GOT
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TO GET TO THE THEATRE.
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WE'VE GOT TIME.
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WHY ARE YOU IN SUCH A RUSH?
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CARLTON, IT'S A 45 MINUTE
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DRIVE FROM HERE, AND YOU'RE
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CREW IS WAITING FOR YOU.
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IF YOU WANT ME TO BE YOUR FIANCÉ
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AND BUSINESS MANAGER,
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YOU NEED TO LISTEN TO ME.
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YES, BUT I'M NOT THE ONE
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WHO WANTED TO TAKE
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THE SCENIC ROUTE TO THE HOTEL.
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OH, WELL YOU HAD
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TO STAY IN THE CITY.
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THERE ARE PLENTY
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OF NICE HOTELS IN PALO ALTO.
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I ONLY STAY IN 5-STAR HOTELS.
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NOW, YOU KNOW THAT.
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-LET'S GO.
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-OH. ALRIGHT.
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WE'RE COMING BACK.
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AH! LEAVING US SO SOON,
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MR. AND MRS. WELLS?
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[CHUCKLING]
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OH, WE'RE NOT MARRIED YET.
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WE'RE GOING TO WAIT
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UNTIL AFTER THE NEW YEAR.
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OR WHEN IT FITS
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IN HIS SCHEDULE.
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RIGHT.
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YOU GUYS HAVE
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A GOOD DAY NOW.
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OH NO, NO, NO, NO!
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MY NAME SHOULD BE BIGGER!
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WHAT? I THINK
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IT LOOKS GREAT.
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MAKE MY NAME AS BIG
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AS "THE NUTCRACKER."
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PEOPLE ARE COMING TO SEE
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MY RENDITION
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OF THIS CHRISTMAS CLASSIC.
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I'M THE DRAW.
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THE DRAW IS THE ROMANCE
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AND MAGIC OF THE STORY
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ESPECIALLY FOR YOUNG GIRLS.
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YES, BUT I'M THE ONE WHO'S
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BRINGING THE MAGIC TO LIFE.
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JUST LIKE HOW YOU BRING
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THE MAGIC INTO MY LIFE?
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[CLASSICAL MUSIC PLAYS]
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DARLING, EXACTLY.
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[KAYLA SIGHS]
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-WHERE ARE YOU GOING?
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I NEED YOU.
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-YOU DON'T NEED ME.
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YOU ARE PERFECTLY HAPPY
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TOOTING YOUR OWN HORN.
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[LAUGHS] OH, DARLING,
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ARE YOU JEALOUS?
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[SCOFFING LAUGH]
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OF COURSE NOT.
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IT'S JUST THAT
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YOU... YOU TREAT ME
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LIKE YOUR BUSINESS MANAGER
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RATHER THAN YOUR FIANCÉ.
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BUT YOU ARE
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MY BUSINESS MANAGER.
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LOOK, RIGHT NOW I NEED
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TO CONCENTRATE ON CARLTON WELLS.
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-NOW, YOU'LL SEE ABOUT
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THE MARQUIS BUSINESS?
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-YES.
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YES, I WILL, AND I WILL CONFIRM
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YOUR TELEVISION INTERVIEWS.
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YOU TAKE SUCH GOOD CARE OF ME,
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DARLING. IT'S WHY I LOVE YOU.
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I'M GOING TO MEET MY TEAM.
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SEE YOU IN A BIT. KISSES.
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LADIES!
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I THOUGHT WE WERE TEAM.
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[PEOPLE SING
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CHRISTMAS MUSIC]
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[BELL JINGLES]
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HO, HO, HO!
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MAKE A DONATION.
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MAKE A WISH.
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NO WISH?
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TRUE LOVE IS ALWAYS
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A WORTHY WISH.
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YEAH, WELL, I THOUGHT THAT WISH
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CAME TRUE 2 YEARS AGO,
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BUT... NOW I'M NOT SO SURE.
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WHEN I GOT TO THE HAPPILY EVER
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ENDING PART OF OUR STORY,
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THE RELATIONSHIP KINDA
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TURNED INTO A BUSINESS DEAL.
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WELL, YOU COULD WISH
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FOR THAT SPARK TO BE RENEWED?
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YEAH, THAT'S NOT
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A BAD IDEA,
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CONSIDERING I'M ABOUT
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TO GET MARRIED.
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I WISH THAT YOUNG GIRL
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OVER THERE HAS ALL
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OF HER DREAMS COME TRUE.
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[CHUCKLING]
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OH, NICE WISH.
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MERRY CHRISTMAS.
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-MERRY CHRISTMAS, SANTA.
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-HO, HO, HO!
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MERRY CHRISTMAS!
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HO, HO, HO!
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[BELLS JINGLE]
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KAYLA? KAYLA HANSEN?
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OH, IT IS YOU. OR SHOULD I SAY,
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MRS. CARLTON WELLS?
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HELLO, MRS. JOYNER.
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YOU'VE BEEN GONE
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SO LONG FROM PALO ALTO.
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WE WERE WONDERING
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WHEN YOU WOULD COME BACK.
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WE ARE SO EXCITED FOR YOU!
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YOU KNOW, I AM A HUGE FAN
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OF CARLTON WELLS.
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I HAVE SEEN EVERY ONE
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OF HIS PICTURES.
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WE COULD USE YOU
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IN THE ROTARY CLUB
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AND THE PTA COULD REALLY
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USE YOUR SMARTS.
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-YOU DON'T HAVE ANY CHILDREN,
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BUT IT DOESN'T MATTER.
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-OH, YEAH, THAT'S... GREAT.
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YOU KNOW WHAT SCHOOLS NEED.
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-SO I HAVE A QUESTION.
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-AND, YOU AND CARLTON
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SHOULD BECOME MEMBERS
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OF MY BRIDGE CLUB.
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OH, THAT'S GREAT.
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BUT THE THING THAT YOU
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COULD DO THE MOST
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IS GIVE THIS LITTLE FAN
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THE THRILL OF HER LIFE BY
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GETTING YOUR WONDERFUL HUSBAND--
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I'M SORRY, BUT I REALLY
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HAVE TO GET GOING.
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TO GIVE AN AUTOGRAPH
186
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BECAUSE THIS PICTURE HERE,
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I WOULD HANG IT,
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I PROMISE I WOULD HANG IT
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IN A VERY PROMINENT,
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VERY, VERY NICE PLACE
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IN THE... STORE.
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[DOOR BELL JINGLES]
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WHAT DO YOU THINK?
194
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HOW DO THEY LOOK?
195
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IT'S NOT HOW THEY LOOK,
196
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IT'S HOW THEY TASTE.
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I AGREE, BUT FOOD
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IS ALL ABOUT PRESENTATION.
199
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I JUST CAN'T SEEM TO...
200
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FIGURE OUT WHAT I WANT
201
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THE NUTCRACKER DESSERTS
202
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TO LOOK LIKE.
203
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I READ THAT CARLTON'S FIANCÉ
204
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COLLECTS NUTCRACKERS.
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MMM.
206
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DO YOU KNOW HOW LONG
207
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THAT TOOK TO MAKE?
208
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-THIS IS NOT BAD.
209
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-HEY!
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I WONDER WHAT THE FEET
211
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TASTE LIKE.
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[LAUGHS]
213
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THAT'S ENOUGH.
214
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[LAUGHS]
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OKAY, WELL LOOK.
216
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FROM WHAT I HEAR, CARLTON WELLS
217
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IS EXTREMELY PARTICULAR.
218
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HE'S A BIG-TIME DIRECTOR,
219
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YOU KNOW?
220
00:09:37,452 --> 00:09:40,788
SO IF HE'S HAPPY WITH THE PARTY
221
00:09:37,452 --> 00:09:40,788
AND WITH YOU AS A CATERER,
222
00:09:40,830 --> 00:09:43,791
HIS PRAISE COULD BRING US
223
00:09:40,830 --> 00:09:43,791
A LOT MORE CATERING JOBS.
224
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EVERYTHING HAS TO BE PERFECT.
225
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THAT'S WHY I'M COUNTING
226
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ON YOU, KIM,
227
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MY TRUSTY ASSISTANT,
228
00:09:46,753 --> 00:09:49,381
AND FAVORITE COUSIN...
229
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AW.
230
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TO BE MY NUTCRACKER WHISPERER.
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PICK THE ONE THAT
232
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SPEAKS TO YOU.
233
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WELL THEY ALL
234
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TASTE GREAT, BUT...
235
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YOU KNOW, THEY DON'T
236
00:10:01,642 --> 00:10:03,520
REALLY LOOK LIKE NUTCRACKERS.
237
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HMM.
238
00:10:03,562 --> 00:10:05,688
[CELL PHONE RINGS]
239
00:10:05,730 --> 00:10:08,024
[CHUCKLES] ONE SEC.
240
00:10:09,067 --> 00:10:11,069
IT'S JOSHUA,
241
00:10:09,067 --> 00:10:11,069
FROM THE ANIMAL SHELTER.
242
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TELL ME YOU DIDN'T OFFER HIM
243
00:10:11,111 --> 00:10:13,363
ANY MORE DOG COOKIES.
244
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HOW DID YOU KNOW? [CHUCKLES]
245
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HEY, JOSHUA.
246
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YES, WE'LL BE BAKING
247
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COOKIES TOMORROW
248
00:10:22,038 --> 00:10:24,874
AND BRINGING THEM
249
00:10:22,038 --> 00:10:24,874
BY THE ANIMAL SHELTER.
250
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I LOOK FORWARD
251
00:10:24,916 --> 00:10:26,209
TO SEEING YOU TOO.
252
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WHAT?
253
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WE DON'T HAVE TIME
254
00:10:29,963 --> 00:10:32,215
TO MAKE DOG FOOD.
255
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I THOUGHT YOU LIKED DOGS.
256
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I GOTTA GO MEET JANA
257
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AT THE TAVERN.
258
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PLEASE DON'T EAT
259
00:10:37,804 --> 00:10:41,766
ANY MORE NUTCRACKERS.
260
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I'M NOT GOING TO EAT
261
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ANY MORE NUTCRACKERS.
262
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GET OUT OF HERE.
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MMM.
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BE... THERE...
265
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IN A... MOMENT...
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[ELEVATOR BELL DINGS]
267
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HI, DUSTIN.
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00:11:05,582 --> 00:11:07,626
HELLO, MRS. BILLING.
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00:11:18,595 --> 00:11:19,804
OH.
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HUH.
271
00:11:27,020 --> 00:11:28,855
WHO PUTS MISTLETOE
272
00:11:27,020 --> 00:11:28,855
IN AN ELEVATOR?
273
00:11:28,896 --> 00:11:30,689
I DO.
274
00:11:33,527 --> 00:11:36,404
[LOUD RUMBLING]
275
00:11:36,446 --> 00:11:38,906
[LOUD CLICK]
276
00:11:36,446 --> 00:11:38,906
OH!
277
00:11:38,948 --> 00:11:41,075
I THINK
278
00:11:38,948 --> 00:11:41,075
WE'RE STUCK TOGETHER.
279
00:11:41,117 --> 00:11:43,286
[BOTH CHUCKLE]
280
00:11:43,328 --> 00:11:46,456
YOU KNOW, I'VE HEARD RUMORS
281
00:11:43,328 --> 00:11:46,456
ABOUT THIS ELEVATOR.
282
00:11:46,498 --> 00:11:49,543
I HAVE HEARD NOTHING.
283
00:11:46,498 --> 00:11:49,543
NOT A-ZILCH. ZERO.
284
00:11:46,498 --> 00:11:49,543
[CHUCKLES]
285
00:11:49,584 --> 00:11:52,546
THEY SAY WHAT HAPPENS
286
00:11:49,584 --> 00:11:52,546
IN THIS ELEVATOR
287
00:11:52,587 --> 00:11:55,048
STAYS IN THIS ELEVATOR.
288
00:11:59,427 --> 00:12:01,429
[METALLIC CLATTERING]
289
00:12:01,471 --> 00:12:03,348
LOOKS LIKE
290
00:12:01,471 --> 00:12:03,348
WE'RE ON OUR WAY, MA'AM.
291
00:12:03,390 --> 00:12:06,142
OH, DOGGONE IT!
292
00:12:10,355 --> 00:12:14,025
THANKS FOR NOTHING,
293
00:12:10,355 --> 00:12:14,025
LOVER-BOY.
294
00:12:20,323 --> 00:12:22,075
[CHUCKLES]
295
00:12:23,159 --> 00:12:28,122
[CHRISTMAS MUSIC PLAYS]
296
00:12:45,390 --> 00:12:46,849
HI.
297
00:12:49,561 --> 00:12:52,813
DO YOU THINK YOU COULD...
298
00:12:49,561 --> 00:12:52,813
MAYBE IGNORE YOUR PHONE
299
00:12:52,855 --> 00:12:55,983
FOR 1 SECOND ANY PAY ATTENTION
300
00:12:52,855 --> 00:12:55,983
TO ME FOR ONCE?
301
00:12:58,986 --> 00:13:01,364
[SIGHS]
302
00:13:01,406 --> 00:13:05,702
BEFORE WE WERE ENGAGED,
303
00:13:01,406 --> 00:13:05,702
YOU USED TO... HOLD ME CLOSE,
304
00:13:05,744 --> 00:13:09,664
AND KISS ME AND TELL ME
305
00:13:05,744 --> 00:13:09,664
THAT YOU LOVED ME.
306
00:13:09,706 --> 00:13:13,585
NOW I CAN'T EVEN GET YOU
307
00:13:09,706 --> 00:13:13,585
TO PAY ATTENTION TO ME UNLESS
308
00:13:09,706 --> 00:13:13,585
YOU NEED ME FOR WORK.
309
00:13:16,963 --> 00:13:18,256
WHERE HAVE YOU BEEN?
310
00:13:19,924 --> 00:13:21,468
YOU...
311
00:13:21,509 --> 00:13:24,387
I HOPE WE DON'T HAVE TO SPEND
312
00:13:21,509 --> 00:13:24,387
TOO MUCH TIME WITH THEM.
313
00:13:24,429 --> 00:13:26,013
JADA-TODAY.
314
00:13:26,055 --> 00:13:27,557
HER NAME IS JANA,
315
00:13:27,599 --> 00:13:31,561
AND SHE IS HOSTING AN ENGAGEMENT
316
00:13:27,599 --> 00:13:31,561
PARTY FOR US AT HER EXPENSE.
317
00:13:31,603 --> 00:13:33,688
SHE'S A DEAR FRIEND OF MINE.
318
00:13:33,730 --> 00:13:38,693
I'M VERY CONCERNED ABOUT
319
00:13:33,730 --> 00:13:38,693
THIS WHOLE ENGAGEMENT PARTY.
320
00:13:38,735 --> 00:13:40,111
WHY?
321
00:13:40,153 --> 00:13:42,405
YOU HAVE NOTHING
322
00:13:40,153 --> 00:13:42,405
TO WORRY ABOUT.
323
00:13:42,447 --> 00:13:45,074
JANA IS THE BEST PARTY PLANNER
324
00:13:42,447 --> 00:13:45,074
IN THE SOUTH BAY.
325
00:13:45,116 --> 00:13:48,620
SHE'S NOT GOING
326
00:13:45,116 --> 00:13:48,620
TO BE SERVING CHEESE FROM A CAN.
327
00:13:48,662 --> 00:13:51,372
YOU KNOW, I ACTUALLY KIND
328
00:13:48,662 --> 00:13:51,372
OF LIKE THAT WHIZZY CHEESE.
329
00:13:52,332 --> 00:13:55,168
IT'S SO... WHIZZY.
330
00:13:56,753 --> 00:13:58,379
OKAY.
331
00:13:58,421 --> 00:14:00,507
LET'S GO.
332
00:14:22,654 --> 00:14:25,281
-HELLO.
333
00:14:22,654 --> 00:14:25,281
-[GASPS] HI!
334
00:14:25,323 --> 00:14:28,785
HEY, SO GOOD TO SEE YOU.
335
00:14:29,536 --> 00:14:30,995
[GROANS]
336
00:14:31,037 --> 00:14:33,456
SO, I'VE HAD
337
00:14:31,037 --> 00:14:33,456
AN INTERESTING DAY.
338
00:14:33,498 --> 00:14:35,667
WHAT? WHAT DOES THAT MEAN?
339
00:14:37,168 --> 00:14:40,338
THERE'S THIS SWEET OLD LADY
340
00:14:37,168 --> 00:14:40,338
IN MY BUILDING
341
00:14:40,380 --> 00:14:43,550
AND SOMEBODY HAD HUNG
342
00:14:40,380 --> 00:14:43,550
MISTLETOE IN THE ELEVATOR.
343
00:14:43,591 --> 00:14:44,718
ONE THING LED TO ANOTHER.
344
00:14:44,759 --> 00:14:46,969
NO WAY. THE ELEVATOR?
345
00:14:47,011 --> 00:14:50,515
LET'S JUST SAY GRANDMA
346
00:14:47,011 --> 00:14:50,515
WANTED TO GO DOWN WITH THE KISS.
347
00:14:50,557 --> 00:14:53,017
[CHUCKLING]
348
00:14:50,557 --> 00:14:53,017
OH MY GOODNESS.
349
00:14:53,059 --> 00:14:54,561
WHAT'S THE MATTER WITH ME?
350
00:14:54,602 --> 00:14:56,855
IT'S LIKE THE ONLY WOMEN WHO
351
00:14:54,602 --> 00:14:56,855
WANT ME COULD BE MY GRANDMOTHER.
352
00:14:56,896 --> 00:15:00,066
I KNOW. MAYBE YOU SHOULD
353
00:14:56,896 --> 00:15:00,066
MOVE INTO A RETIREMENT HOME.
354
00:15:00,107 --> 00:15:01,401
HA HA HA.
355
00:15:00,107 --> 00:15:01,401
[CHUCKLES]
356
00:15:01,442 --> 00:15:03,695
OH HONEY,
357
00:15:01,442 --> 00:15:03,695
DUSTIN, I AM KIDDING.
358
00:15:03,737 --> 00:15:05,946
YOU WILL FIND SOMEBODY.
359
00:15:05,988 --> 00:15:08,032
I DON'T WANT TO.
360
00:15:08,074 --> 00:15:09,826
AFTER MY LAST
361
00:15:08,074 --> 00:15:09,826
FAILED RELATIONSHIP,
362
00:15:09,868 --> 00:15:13,162
I THINK I'M JUST GOING
363
00:15:09,868 --> 00:15:13,162
TO FOCUS ON MY BUSINESS.
364
00:15:13,204 --> 00:15:16,374
A BUSINESS I HAVE,
365
00:15:13,204 --> 00:15:16,374
THANKS TO YOU AND ALL YOUR HELP.
366
00:15:16,416 --> 00:15:19,293
I REALLY APPRECIATE EVERYTHING
367
00:15:16,416 --> 00:15:19,293
YOU'VE DONE FOR ME, JANA.
368
00:15:19,335 --> 00:15:21,629
WELL, I DO HAVE
369
00:15:19,335 --> 00:15:21,629
MY MOTIVES.
370
00:15:21,671 --> 00:15:23,464
YOU ARE VERY GOOD
371
00:15:21,671 --> 00:15:23,464
AT WHAT YOU DO,
372
00:15:23,506 --> 00:15:26,926
AND YOU MAKE ME LOOK
373
00:15:23,506 --> 00:15:26,926
FABULOUS AT EVERY EVENT.
374
00:15:26,967 --> 00:15:29,136
OH, BY THE WAY,
375
00:15:26,967 --> 00:15:29,136
HOW IS THE NEW MENU COMING?
376
00:15:29,178 --> 00:15:31,931
I MEAN, ARE THERE
377
00:15:29,178 --> 00:15:31,931
ANY NEW RECIPES
378
00:15:29,178 --> 00:15:31,931
I SHOULD BE EXCITED ABOUT?
379
00:15:31,972 --> 00:15:34,601
JUST A FEW LAST MINUTE HOLIDAY
380
00:15:31,972 --> 00:15:34,601
THINGS WE'RE WORKING ON.
381
00:15:34,642 --> 00:15:36,060
I GUESS THIS, AH,
382
00:15:36,102 --> 00:15:38,229
THIS CARLTON WELLS GUY'S
383
00:15:36,102 --> 00:15:38,229
KIND OF A NUT FOR CHRISTMAS.
384
00:15:38,271 --> 00:15:40,607
YEAH, UH, YEAH, KIND OF.
385
00:15:40,648 --> 00:15:44,527
I READ ONLINE THAT HIS DAD
386
00:15:40,648 --> 00:15:44,527
WOULD NEVER LET HIM
387
00:15:40,648 --> 00:15:44,527
CELEBRATE CHRISTMAS
388
00:15:44,569 --> 00:15:47,321
SO NOW HE JUST
389
00:15:44,569 --> 00:15:47,321
GOES WAY OVERBOARD. [LAUGHS]
390
00:15:47,363 --> 00:15:49,156
OH, KIND OF
391
00:15:47,363 --> 00:15:49,156
A CHRISTMAS PSYCHOSIS.
392
00:15:49,198 --> 00:15:50,742
YEAH, SOMETHING
393
00:15:49,198 --> 00:15:50,742
LIKE THAT, YEAH.
394
00:15:50,784 --> 00:15:53,661
ANYWAY, CARLTON IS ACTUALLY
395
00:15:50,784 --> 00:15:53,661
ON HIS WAY HERE RIGHT NOW.
396
00:15:53,703 --> 00:15:55,496
I'M GOING TO HAVE A COCKTAIL
397
00:15:53,703 --> 00:15:55,496
WITH HIM AND HIS FIANCÉ
398
00:15:55,538 --> 00:15:57,498
SHE IS ONE
399
00:15:55,538 --> 00:15:57,498
OF MY OLDEST FRIENDS.
400
00:15:57,540 --> 00:15:59,918
WE USED TO WORK
401
00:15:57,540 --> 00:15:59,918
AT TREND TOGETHER.
402
00:15:59,959 --> 00:16:02,503
YOU SHOULD STAY
403
00:15:59,959 --> 00:16:02,503
AND HAVE A COCKTAIL WITH US.
404
00:16:02,545 --> 00:16:03,755
ACTUALLY, I CAN'T.
405
00:16:03,797 --> 00:16:06,048
I'M LOOKING AT SOME SPACES
406
00:16:03,797 --> 00:16:06,048
IN THE CITY.
407
00:16:06,090 --> 00:16:07,634
THINKING ABOUT OPENING
408
00:16:06,090 --> 00:16:07,634
MY OWN RESTAURANT.
409
00:16:07,675 --> 00:16:11,095
OH MY GOSH! THAT'S FANTASTIC,
410
00:16:07,675 --> 00:16:11,095
CONGRATULATIONS!
411
00:16:11,137 --> 00:16:13,640
JUST PLEASE
412
00:16:11,137 --> 00:16:13,640
DON'T STOP CATERING.
413
00:16:13,681 --> 00:16:15,224
-ALRIGHT, I'LL SEE YOU
414
00:16:13,681 --> 00:16:15,224
IN THE BUILDING.
415
00:16:13,681 --> 00:16:15,224
-OKAY.
416
00:16:15,266 --> 00:16:17,184
AND WATCH OUT
417
00:16:15,266 --> 00:16:17,184
FOR THE ELEVATOR.
418
00:16:17,226 --> 00:16:19,312
YOU NEVER KNOW WHEN SOME CREEPY
419
00:16:17,226 --> 00:16:19,312
GUYS ARE GOING TO HANG AROUND
420
00:16:17,226 --> 00:16:19,312
WANTING A KISS.
421
00:16:19,353 --> 00:16:21,314
YEAH, THANKS, I THINK I'LL
422
00:16:19,353 --> 00:16:21,314
TAKE THE STAIRS FROM NOW ON.
423
00:16:21,355 --> 00:16:23,775
GOOD IDEA. ALRIGHT.
424
00:16:21,355 --> 00:16:23,775
[CHUCKLES]
425
00:16:23,817 --> 00:16:26,360
BYE, SWEETHEART.
426
00:16:23,817 --> 00:16:26,360
SO FABULOUS TO SEE YOU AGAIN.
427
00:16:26,402 --> 00:16:29,280
-THANK YOU. OKAY.
428
00:16:26,402 --> 00:16:29,280
-TALK TO YOU SOON. BYE, HONEY.
429
00:16:43,336 --> 00:16:45,713
[LAUGHS]
430
00:16:45,755 --> 00:16:47,841
OH MY GOD,
431
00:16:45,755 --> 00:16:47,841
IT'S SO GOOD TO SEE YOU!
432
00:16:47,882 --> 00:16:49,467
YOU LOOK FANTASTIC!
433
00:16:47,882 --> 00:16:49,467
YOU HAVEN'T AGED A BIT.
434
00:16:49,509 --> 00:16:50,510
[BOTH LAUGH]
435
00:16:50,551 --> 00:16:53,220
JANA, THIS IS
436
00:16:50,551 --> 00:16:53,220
MY FIANCÉ CARLTON.
437
00:16:53,262 --> 00:16:55,139
CARLTON?
438
00:16:56,182 --> 00:16:57,767
JADA!
439
00:16:59,602 --> 00:17:02,438
SO GOOD TO FINALLY
440
00:16:59,602 --> 00:17:02,438
GET TO MEET YOU.
441
00:17:04,148 --> 00:17:08,068
THANK YOU SO MUCH FOR HOSTING
442
00:17:04,148 --> 00:17:08,068
A PARTY IN MY HONOR.
443
00:17:08,110 --> 00:17:11,322
OKAY, WELL,
444
00:17:08,110 --> 00:17:11,322
ACTUALLY IT'S JANA, OKAY?
445
00:17:11,364 --> 00:17:13,574
AND THE PARTY
446
00:17:11,364 --> 00:17:13,574
IS IN KAYLA'S HONOR,
447
00:17:13,616 --> 00:17:16,369
BECAUSE SHE WAS A MOST
448
00:17:13,616 --> 00:17:16,369
BELOVED EMPLOYEE AT TREND,
449
00:17:16,410 --> 00:17:19,831
AND A FANTASTIC WRITER
450
00:17:16,410 --> 00:17:19,831
AND CLASS VALEDICTORIAN,
451
00:17:19,873 --> 00:17:22,583
AND WE'RE JUST HAPPY TO HAVE
452
00:17:19,873 --> 00:17:22,583
HER IN TOWN, EVEN IF IT'S
453
00:17:19,873 --> 00:17:22,583
JUST FOR A SHORT WHILE.
454
00:17:22,625 --> 00:17:24,168
IF YOU'LL EXCUSE ME
455
00:17:22,625 --> 00:17:24,168
JUST ONE MOMENT?
456
00:17:24,210 --> 00:17:26,629
DARLING, WOULD YOU
457
00:17:24,210 --> 00:17:26,629
GET ME A GLASS OF WINE?
458
00:17:26,671 --> 00:17:29,215
-I... SURE.
459
00:17:26,671 --> 00:17:29,215
-THANK YOU SO VERY MUCH.
460
00:17:30,049 --> 00:17:32,092
HELLO, YES.
461
00:17:32,134 --> 00:17:35,972
[NO AUDIO]
462
00:17:38,599 --> 00:17:40,685
[BOTH CHUCKLE]
463
00:17:41,143 --> 00:17:43,855
OKAY.
464
00:17:43,897 --> 00:17:46,399
WELL, I WAS GOING
465
00:17:43,897 --> 00:17:46,399
TO ASK HOW THE HAPPY COUPLE IS,
466
00:17:46,440 --> 00:17:48,943
BUT IT SEEMS LIKE SOMETHING
467
00:17:46,440 --> 00:17:48,943
IS A LITTLE... AMISS?
468
00:17:48,985 --> 00:17:51,571
OH, WE'RE... WE'RE FINE.
469
00:17:51,612 --> 00:17:56,200
IT'S PROBABLY JUST THE PRESSURE
470
00:17:51,612 --> 00:17:56,200
OF THE ENGAGEMENT PARTY
471
00:17:51,612 --> 00:17:56,200
AND THE SHOW.
472
00:17:56,242 --> 00:17:58,995
BUT YOU'RE
473
00:17:56,242 --> 00:17:58,995
STILL IN LOVE, RIGHT?
474
00:17:59,037 --> 00:18:02,456
WHAT? OF COURSE I AM.
475
00:18:02,498 --> 00:18:05,919
THINGS ARE JUST...
476
00:18:02,498 --> 00:18:05,919
TENSE RIGHT NOW.
477
00:18:05,960 --> 00:18:09,630
WE DECIDED TO HOLD OFF
478
00:18:05,960 --> 00:18:09,630
ON THE WEDDING UNTIL
479
00:18:05,960 --> 00:18:09,630
AFTER THE NEW YEAR.
480
00:18:09,672 --> 00:18:11,925
HE'S TRYING TO FOCUS
481
00:18:09,672 --> 00:18:11,925
ON THE NUTCRACKER PERFORMANCE
482
00:18:11,966 --> 00:18:15,762
AND I AGREED TO HANDLE
483
00:18:11,966 --> 00:18:15,762
HIS BUSINESS AFFAIRS
484
00:18:11,966 --> 00:18:15,762
THROUGH THE HOLIDAYS.
485
00:18:15,803 --> 00:18:18,848
OH. WELL, SHOULD WE
486
00:18:15,803 --> 00:18:18,848
CANCEL THE PARTY?
487
00:18:18,890 --> 00:18:20,892
WHAT? NO, NO!
488
00:18:20,934 --> 00:18:23,352
THIS MEANS SO MUCH TO ME
489
00:18:20,934 --> 00:18:23,352
THAT YOU'RE DOING THIS FOR US.
490
00:18:23,394 --> 00:18:25,980
BESIDES, I WANT EVERYONE
491
00:18:23,394 --> 00:18:25,980
TO MEET CARLTON.
492
00:18:26,022 --> 00:18:30,026
WELL, THE ENTIRE TOWN IS DYING
493
00:18:26,022 --> 00:18:30,026
TO MEET HIM. THAT'S FOR SURE.
494
00:18:31,151 --> 00:18:32,570
OH, YOU JUST MISSED
495
00:18:31,151 --> 00:18:32,570
THE CATERER.
496
00:18:32,612 --> 00:18:36,532
HE IS A TOP NOTCH CHEF,
497
00:18:32,612 --> 00:18:36,532
AND A SWEETHEART OF A GUY.
498
00:18:36,574 --> 00:18:39,702
OKAY, SO WHY ARE YOU
499
00:18:36,574 --> 00:18:39,702
NOT DATING HIM?
500
00:18:39,744 --> 00:18:42,204
OH, NO, NO.
501
00:18:39,744 --> 00:18:42,204
HE'S LIKE MY BROTHER.
502
00:18:42,246 --> 00:18:45,291
I MEAN, I'VE KNOWN HIM
503
00:18:42,246 --> 00:18:45,291
SINCE I WAS 5 YEARS OLD.
504
00:18:45,332 --> 00:18:47,543
[KAYLA] OH.
505
00:18:47,585 --> 00:18:51,464
SWEETUMS, WE REALLY NEED
506
00:18:47,585 --> 00:18:51,464
TO GET BACK TO THE HOTEL.
507
00:18:51,505 --> 00:18:53,424
I NEED MY REST.
508
00:18:53,466 --> 00:18:56,135
OKAY. IT WAS SO GOOD
509
00:18:53,466 --> 00:18:56,135
TO SEE YOU, JANA.
510
00:18:56,176 --> 00:18:57,344
IT WAS SO GOOD
511
00:18:56,176 --> 00:18:57,344
TO SEE YOU TOO.
512
00:18:57,386 --> 00:19:00,222
-SEE YOU SOON.
513
00:18:57,386 --> 00:19:00,222
-BYE, JESSICA.
514
00:19:00,264 --> 00:19:01,975
IT'S JANA.
515
00:19:02,016 --> 00:19:05,269
[CARLTON AND KAYLA CHATTER]
516
00:19:31,963 --> 00:19:34,924
HI, MRS. JOYNER. CAN YOU STAY
517
00:19:31,963 --> 00:19:34,924
OPEN JUST ONE MORE MINUTE?
518
00:19:34,966 --> 00:19:36,467
I NEED TO GET
519
00:19:34,966 --> 00:19:36,467
THE NUTCRACKER.
520
00:19:36,509 --> 00:19:41,221
MR. CASEY, I'VE ALREADY STAYED
521
00:19:36,509 --> 00:19:41,221
OPEN AN HOUR LATER THAN USUAL.
522
00:19:41,263 --> 00:19:43,057
YOU MUST COME BACK TOMORROW.
523
00:19:44,224 --> 00:19:45,643
BUT I...
524
00:20:07,581 --> 00:20:08,791
MORNING, MRS. JOYNER.
525
00:20:08,833 --> 00:20:11,293
OH, GOOD MORNING, MR. CASEY.
526
00:20:11,335 --> 00:20:14,714
YOU'RE HERE BRIGHT AND EARLY.
527
00:20:11,335 --> 00:20:14,714
WOULD YOU LIKE TO COME IN?
528
00:20:14,755 --> 00:20:17,884
PLEASE. THANK YOU.
529
00:20:37,862 --> 00:20:40,447
IT IS SO GOOD, DARLING,
530
00:20:37,862 --> 00:20:40,447
TO SEE YOU AGAIN.
531
00:20:40,489 --> 00:20:41,699
I'M SO GLAD YOU CAME BACK.
532
00:20:41,741 --> 00:20:43,868
THE NUTCRACKER
533
00:20:41,741 --> 00:20:43,868
THAT WAS IN THE WINDOW--?
534
00:20:43,910 --> 00:20:47,747
-OH, I'M SORRY, I SOLD IT.
535
00:20:43,910 --> 00:20:47,747
-DO YOU HAVE ANOTHER ONE?
536
00:20:47,788 --> 00:20:51,291
NO, IT WAS ONE OF A KIND.
537
00:20:47,788 --> 00:20:51,291
IT WAS VERY BEAUTIFUL.
538
00:20:51,333 --> 00:20:53,335
I SHOULD HAVE STOCK
539
00:20:51,333 --> 00:20:53,335
IN NUTCRACKERS.
540
00:20:53,377 --> 00:20:57,339
OR MAYBE I COULD GET CLOCKS
541
00:20:57,381 --> 00:21:00,384
AND LITTLE FIGURINES AND...
542
00:21:00,426 --> 00:21:02,762
KAYLA? KAYLA? KAYLA?
543
00:21:04,180 --> 00:21:06,265
[MRS. JOYNER]
544
00:21:04,180 --> 00:21:06,265
KAYLA!
545
00:21:06,306 --> 00:21:08,559
[PEOPLE SING CHRISTMAS SONG]
546
00:21:06,306 --> 00:21:08,559
YOU RAN OUT!
547
00:21:08,601 --> 00:21:11,979
I WAS NOT FINISHED, DARLING!
548
00:21:12,021 --> 00:21:14,774
KAYLA!
549
00:21:14,815 --> 00:21:17,193
KAYLA, YOU GO SO FAST?
550
00:21:14,815 --> 00:21:17,193
[CONTINUE SINGING]
551
00:21:17,235 --> 00:21:20,905
WAIT A SECOND, STOP!
552
00:21:28,204 --> 00:21:31,249
KAYLA!
553
00:21:28,204 --> 00:21:31,249
YOU ARE RUNNING SO FAST?
554
00:21:31,290 --> 00:21:32,625
I CAN'T KEEP UP.
555
00:21:32,666 --> 00:21:36,879
DARLING, CAN YOU HEAR ME?
556
00:21:32,666 --> 00:21:36,879
KAYLA! KAYLA!
557
00:21:46,097 --> 00:21:47,765
DARLING.
558
00:21:51,185 --> 00:21:52,228
OH, MY.
559
00:22:01,361 --> 00:22:02,362
[WHISPERS] HELP!
560
00:22:04,198 --> 00:22:05,866
OH!
561
00:22:09,495 --> 00:22:10,830
[GASPS] OH.
562
00:22:16,543 --> 00:22:18,712
OH, THE STORE.
563
00:22:22,175 --> 00:22:23,467
[GIGGLES]
564
00:22:24,510 --> 00:22:27,429
THANK YOU, BIG TIME.
565
00:22:27,471 --> 00:22:29,765
NO, THANK YOU.
566
00:22:29,807 --> 00:22:32,476
-RUNNING AWAY FROM MRS. JOYNER?
567
00:22:29,807 --> 00:22:32,476
-I AM, YEAH.
568
00:22:32,518 --> 00:22:34,312
HAPPY TO PLAY A PART
569
00:22:32,518 --> 00:22:34,312
IN YOUR ESCAPE.
570
00:22:34,352 --> 00:22:36,939
THAT WOMAN CAN BE RUTHLESS.
571
00:22:34,352 --> 00:22:36,939
[GIGGLES]
572
00:22:36,981 --> 00:22:39,192
YES, SHE CAN BE.
573
00:22:42,153 --> 00:22:46,157
OH, I DON'T...
574
00:22:42,153 --> 00:22:46,157
REALLY THINK I WAS PLAYING.
575
00:22:59,795 --> 00:23:00,963
WOW.
576
00:23:05,592 --> 00:23:06,844
I'M DUSTIN CASEY.
577
00:23:06,886 --> 00:23:09,305
KAYLA HANSEN.
578
00:23:09,347 --> 00:23:11,891
GUESS A HAND SHAKE SEEMS
579
00:23:09,347 --> 00:23:11,891
PRETTY IRRELEVANT AT THIS POINT?
580
00:23:11,932 --> 00:23:13,391
WE SORT OF SKIPPED
581
00:23:11,932 --> 00:23:13,391
THAT STEP. [GIGGLES]
582
00:23:13,433 --> 00:23:15,561
YEAH.
583
00:23:19,439 --> 00:23:21,525
[MRS. BILLING]
584
00:23:19,439 --> 00:23:21,525
SO WE'RE DONE, YEAH?
585
00:23:23,819 --> 00:23:25,487
[BOTH CHUCKLE]
586
00:23:25,529 --> 00:23:27,073
I SHOULD GO.
587
00:23:27,114 --> 00:23:29,242
LOOKS LIKE YOU'VE GOT
588
00:23:27,114 --> 00:23:29,242
SOME EXPLAINING TO DO.
589
00:23:29,283 --> 00:23:31,994
HMM. [CHUCKLES]
590
00:23:32,036 --> 00:23:34,205
THANK YOU, DUSTIN.
591
00:23:35,956 --> 00:23:37,499
HAPPY TO HELP.
592
00:23:43,547 --> 00:23:46,008
[SCOFFS] WHERE HAVE YOU
593
00:23:43,547 --> 00:23:46,008
BEEN HIDING HER?
594
00:23:58,771 --> 00:24:02,316
SO, HERE WE ARE AGAIN,
595
00:24:02,358 --> 00:24:05,069
UNDER THE MISTLETOE.
596
00:24:20,500 --> 00:24:23,087
OH, HEY, YOU'RE BACK.
597
00:24:24,213 --> 00:24:26,257
YOU OKAY?
598
00:24:26,299 --> 00:24:28,384
WHAT'S GOING ON?
599
00:24:29,135 --> 00:24:31,304
[SIGHS]
600
00:24:31,345 --> 00:24:32,930
WHAT'S UP?
601
00:24:33,722 --> 00:24:35,349
IT WORKS.
602
00:24:35,391 --> 00:24:38,685
-WHAT WORKS?
603
00:24:35,391 --> 00:24:38,685
-THE ELEVATOR.
604
00:24:38,727 --> 00:24:41,021
I KISSED SOMEONE
605
00:24:38,727 --> 00:24:41,021
IN THE ELEVATOR,
606
00:24:41,063 --> 00:24:42,273
AND SHE KISSED ME BACK.
607
00:24:42,315 --> 00:24:45,151
WELL, WAIT, IT WASN'T
608
00:24:42,315 --> 00:24:45,151
MRS. BILLING, I HOPE?
609
00:24:45,192 --> 00:24:47,778
NO, OF COURSE NOT.
610
00:24:45,192 --> 00:24:47,778
THIS WAS A REAL WOMEN.
611
00:24:47,820 --> 00:24:49,238
TELL ME EVERYTHING.
612
00:24:49,280 --> 00:24:51,365
SHE WAS BEAUTIFUL.
613
00:24:51,407 --> 00:24:54,452
I HAVE NEVER KISSED
614
00:24:51,407 --> 00:24:54,452
A GIRL LIKE THAT BEFORE.
615
00:24:54,492 --> 00:24:56,036
WELL, WHO IS SHE?
616
00:24:54,492 --> 00:24:56,036
DID YOU GET HER NUMBER?
617
00:24:57,330 --> 00:24:58,789
DUSTIN, YOU DIDN'T
618
00:24:57,330 --> 00:24:58,789
GET HER NUMBER?
619
00:24:58,831 --> 00:25:00,791
NOW IS NOT THE TIME
620
00:24:58,831 --> 00:25:00,791
FOR ME TO BE DISTRACTED.
621
00:25:00,833 --> 00:25:03,461
I NEED TO FOCUS ON WORK.
622
00:25:03,501 --> 00:25:07,340
SERIOUSLY FOCUS, I'M NOT IN
623
00:25:03,501 --> 00:25:07,340
THE RIGHT PLACE TO BE
624
00:25:03,501 --> 00:25:07,340
IN A RELATIONSHIP RIGHT NOW.
625
00:25:07,381 --> 00:25:09,425
DUSTIN, IF WHAT THEY SAY
626
00:25:07,381 --> 00:25:09,425
ABOUT THE ELEVATOR IS TRUE,
627
00:25:09,467 --> 00:25:12,178
IT PAIRED YOU TWO
628
00:25:09,467 --> 00:25:12,178
FOR A REASON.
629
00:25:12,219 --> 00:25:14,805
IT WAS A FUN MOMENT.
630
00:25:12,219 --> 00:25:14,805
THAT'S IT.
631
00:25:14,847 --> 00:25:16,390
I'VE CHRISTENED THE ELEVATOR.
632
00:25:16,432 --> 00:25:17,433
[BOTH CHUCKLE]
633
00:25:17,475 --> 00:25:19,393
I HOPE I'M NEXT.
634
00:25:22,229 --> 00:25:23,189
WAIT, WHAT'S IN THE BAG?
635
00:25:23,772 --> 00:25:25,523
AH.
636
00:25:26,317 --> 00:25:27,860
THIS IS...
637
00:25:30,946 --> 00:25:32,781
THE NUTCRACKER.
638
00:25:32,823 --> 00:25:36,952
DUSTIN, IF YOU CAN MAKE
639
00:25:32,823 --> 00:25:36,952
THE DESSERTS LOOK LIKE THIS,
640
00:25:32,823 --> 00:25:36,952
YOU'D BE A GENIUS.
641
00:25:36,994 --> 00:25:39,579
HMM. WELL, THEN WE'D
642
00:25:36,994 --> 00:25:39,579
BETTER GET TO WORK.
643
00:25:39,621 --> 00:25:41,332
YEAH.
644
00:25:42,124 --> 00:25:44,751
OH, BEFORE I FORGET,
645
00:25:44,793 --> 00:25:47,587
I STARTED WORKING ON THE MENUS,
646
00:25:47,629 --> 00:25:52,301
AND INCORPORATED LIKE
647
00:25:47,629 --> 00:25:52,301
A BROADWAY-HOLLYWOOD-CHRISTMAS
648
00:25:47,629 --> 00:25:52,301
DESIGN INTO ALL OF THEM.
649
00:25:52,968 --> 00:25:54,720
WHAT DO YOU THINK?
650
00:25:57,390 --> 00:26:00,184
HELLO? HELLO?
651
00:26:01,185 --> 00:26:02,644
DUSTIN?
652
00:26:04,438 --> 00:26:05,772
WHAT DO YOU THINK?
653
00:26:05,814 --> 00:26:07,149
Y-YEAH.
654
00:26:07,191 --> 00:26:10,069
UH, YEAH, YEAH, YEAH.
655
00:26:07,191 --> 00:26:10,069
I HEARD YOU. YEAH, LOOKS GOOD.
656
00:26:11,153 --> 00:26:13,322
MUST HAVE BEEN
657
00:26:11,153 --> 00:26:13,322
A HECK OF A KISS.
658
00:26:14,198 --> 00:26:15,741
HECK, YES.
659
00:26:46,480 --> 00:26:48,441
GOOD MORNING, KAYLA.
660
00:26:50,192 --> 00:26:52,570
-KAYLA?
661
00:26:50,192 --> 00:26:52,570
-JANA!
662
00:26:52,610 --> 00:26:54,488
-[LAUGHS] HI.
663
00:26:52,610 --> 00:26:54,488
-GOOD MORNING.
664
00:26:54,530 --> 00:26:58,367
WHERE WERE YOU JUST NOW,
665
00:26:54,530 --> 00:26:58,367
OR WOULD YOU RATHER
666
00:26:54,530 --> 00:26:58,367
NOT SHARE THE DETAILS?
667
00:26:58,409 --> 00:27:00,744
I WAS, UM...
668
00:27:00,786 --> 00:27:02,580
UH, NOWHERE SPECIAL.
669
00:27:02,620 --> 00:27:05,458
YEAH, RIGHT.
670
00:27:02,620 --> 00:27:05,458
OH MY GOODNESS.
671
00:27:05,499 --> 00:27:08,794
SO TELL ME, HOW ARE YOU?
672
00:27:05,499 --> 00:27:08,794
HOW'S YOUR FAMILY DOING?
673
00:27:08,835 --> 00:27:10,963
UH, MY FAMILY IS GREAT,
674
00:27:08,835 --> 00:27:10,963
THANK YOU VERY MUCH.
675
00:27:11,004 --> 00:27:12,881
MY PARENTS ARE IN SAUSALITO NOW.
676
00:27:12,923 --> 00:27:14,592
ACTUALLY, THEY JUST
677
00:27:12,923 --> 00:27:14,592
BOUGHT A NEW HOUSE.
678
00:27:14,632 --> 00:27:16,469
MUM'S GOING TO TRY GARDENING.
679
00:27:16,510 --> 00:27:18,929
SO, YEAH, MY MOM
680
00:27:16,510 --> 00:27:18,929
IN BIRKENSTOCKS IN A GARDEN,
681
00:27:18,971 --> 00:27:22,600
WHICH SHE'S NEVER DONE
682
00:27:18,971 --> 00:27:22,600
IN HER LIFE... [VOICE FADES]
683
00:27:30,357 --> 00:27:32,650
...LIKE AN AUSTRALIAN
684
00:27:30,357 --> 00:27:32,650
SHEEP DOG,
685
00:27:30,357 --> 00:27:32,650
[CELL PHONE RINGS]
686
00:27:32,692 --> 00:27:35,695
BERNESE MOUNTAIN DOG,
687
00:27:32,692 --> 00:27:35,695
BECAUSE THEY'VE GOT ALL
688
00:27:32,692 --> 00:27:35,695
THE 3 DIFFERENT COLORS OF HAIR,
689
00:27:35,737 --> 00:27:38,407
AND IT'S... IT'S... KAYLA?
690
00:27:38,449 --> 00:27:40,033
[RINGING CONTINUES]
691
00:27:38,449 --> 00:27:40,033
KAYLA, HONEY, YOUR CELL PHONE.
692
00:27:40,075 --> 00:27:41,452
-OH, RIGHT, THANK YOU.
693
00:27:40,075 --> 00:27:41,452
-YOUR CELL PHONE.
694
00:27:43,579 --> 00:27:44,746
-UH...
695
00:27:43,579 --> 00:27:44,746
-IT'S CARLTON.
696
00:27:46,499 --> 00:27:48,792
HEY, HOW'S REHEARSAL GOING?
697
00:27:50,043 --> 00:27:52,921
I... YES,
698
00:27:50,043 --> 00:27:52,921
I HANDLED THE PRESS CALLS.
699
00:27:54,256 --> 00:27:55,466
YES, I'M WITH JANA.
700
00:27:58,927 --> 00:28:00,762
I WILL ASK HER.
701
00:28:01,305 --> 00:28:04,350
OKAY, BYE.
702
00:28:04,391 --> 00:28:07,894
CARLTON WOULD LIKE
703
00:28:04,391 --> 00:28:07,894
TO SEE THE LOCATION
704
00:28:04,391 --> 00:28:07,894
OF THE ENGAGEMENT PARTY,
705
00:28:07,936 --> 00:28:11,023
MEET THE CATERER
706
00:28:07,936 --> 00:28:11,023
AND REVIEW THE MENU.
707
00:28:11,064 --> 00:28:12,899
DOESN'T HE HAVE ANYTHING
708
00:28:11,064 --> 00:28:12,899
BETTER TO DO?
709
00:28:12,941 --> 00:28:15,861
[SNICKERS]
710
00:28:12,941 --> 00:28:15,861
HE'S A CONTROL FREAK.
711
00:28:16,778 --> 00:28:18,531
BUT YOU LOVE HIM?
712
00:28:20,449 --> 00:28:21,575
YES.
713
00:28:22,826 --> 00:28:24,286
OKAY.
714
00:28:31,293 --> 00:28:34,338
THE FLORIST HAS SAID
715
00:28:31,293 --> 00:28:34,338
THEY'RE ALL GOOD TO GO.
716
00:28:34,380 --> 00:28:35,631
PERFECT.
717
00:28:35,673 --> 00:28:37,424
I'LL GET THE NUTCRACKER OUT.
718
00:28:37,466 --> 00:28:40,427
UH, I'M HOPING HIS FIANCÉ
719
00:28:37,466 --> 00:28:40,427
WILL LOVE IT.
720
00:28:40,469 --> 00:28:41,803
[GIGGLES]
721
00:28:41,845 --> 00:28:43,305
-WE'RE GOING TO BE GOOD.
722
00:28:41,845 --> 00:28:43,305
-I THINK WE'RE ALL SET UP.
723
00:28:43,347 --> 00:28:45,140
-ALRIGHT.
724
00:28:43,347 --> 00:28:45,140
-GOOD.
725
00:28:45,182 --> 00:28:46,392
THIS IS WHY
726
00:28:45,182 --> 00:28:46,392
I KEEP YOU AROUND.
727
00:28:46,433 --> 00:28:48,477
OH, IS IT?
728
00:28:46,433 --> 00:28:48,477
THANK YOU SO MUCH.
729
00:28:48,519 --> 00:28:50,270
JANA'S RUNNING
730
00:28:48,519 --> 00:28:50,270
A FEW MINUTES LATE,
731
00:28:50,312 --> 00:28:52,314
AND CARLTON SHOULD
732
00:28:50,312 --> 00:28:52,314
BE HERE ANY MOMENT.
733
00:28:52,356 --> 00:28:54,483
OKAY, I'M GOING TO GO CHECK
734
00:28:52,356 --> 00:28:54,483
INTO THE OFFICE. YOU'RE GOOD?
735
00:28:54,525 --> 00:28:55,942
I'M GOOD. THANKS.
736
00:29:21,427 --> 00:29:22,511
KAYLA?
737
00:29:24,430 --> 00:29:28,808
I KNOW THAT JAN...
738
00:29:24,430 --> 00:29:28,808
JEANETTE? IS YOUR FRIEND.
739
00:29:28,850 --> 00:29:30,394
JANA.
740
00:29:30,810 --> 00:29:32,605
RIGHT.
741
00:29:32,646 --> 00:29:35,566
PLEASE...
742
00:29:32,646 --> 00:29:35,566
TRY TO TAKE THIS SERIOUSLY?
743
00:29:35,608 --> 00:29:37,735
THERE'S GOING TO BE A LOT
744
00:29:35,608 --> 00:29:37,735
OF PRESS AT THE PARTY.
745
00:29:37,776 --> 00:29:39,278
IT'S GOT TO BE TOP NOTCH.
746
00:29:39,319 --> 00:29:41,321
-PRESS?
747
00:29:39,319 --> 00:29:41,321
-OH YES, I...
748
00:29:42,531 --> 00:29:43,990
I MADE SOME PHONE CALLS.
749
00:29:44,032 --> 00:29:47,077
BUT I DON'T... I DON'T WANT
750
00:29:44,032 --> 00:29:47,077
PRESS AT OUR ENGAGEMENT PARTY.
751
00:29:47,119 --> 00:29:51,873
DARLING, YOU'VE GOT TO START
752
00:29:47,119 --> 00:29:51,873
GETTING USED TO THE PUBLIC LIFE.
753
00:29:51,915 --> 00:29:54,418
EVERY OPPORTUNITY
754
00:29:51,915 --> 00:29:54,418
IS A CHANCE AT PROMOTION,
755
00:29:54,460 --> 00:29:56,878
EVEN... OUR ENGAGEMENT PARTY.
756
00:29:56,920 --> 00:29:59,172
I THOUGHT THAT HAVING
757
00:29:56,920 --> 00:29:59,172
THE ENGAGEMENT PARTY
758
00:29:59,214 --> 00:30:01,425
IN MY HOME TOWN
759
00:29:59,214 --> 00:30:01,425
WOULD HELP GROUND US.
760
00:30:01,467 --> 00:30:04,052
I WAS NEVER MEANT
761
00:30:01,467 --> 00:30:04,052
TO BE GROUNDED, KAYLA.
762
00:30:04,094 --> 00:30:06,221
I'M DESTINED TO SOAR.
763
00:30:06,263 --> 00:30:07,681
[CHUCKLES]
764
00:30:07,723 --> 00:30:10,892
YOU CAN SOAR
765
00:30:07,723 --> 00:30:10,892
AND BE GROUNDED.
766
00:30:10,934 --> 00:30:14,438
YOU CAN SHOOT FOR THE STARS
767
00:30:10,934 --> 00:30:14,438
YET STILL APPRECIATE THE EARTH.
768
00:30:14,480 --> 00:30:17,941
I'M NOT SHOOTING
769
00:30:14,480 --> 00:30:17,941
FOR THE STARS.
770
00:30:18,484 --> 00:30:20,694
I AM A STAR.
771
00:30:20,736 --> 00:30:24,156
I'VE EARNED MY PLACE IN THE SKY.
772
00:30:24,197 --> 00:30:26,283
[CELL PHONE RINGS]
773
00:30:27,785 --> 00:30:29,745
THAT'S PAMELA. UH...
774
00:30:29,787 --> 00:30:31,330
THE SUGAR PLUM FAIRY.
775
00:30:31,371 --> 00:30:34,082
-I'VE GOT TO TAKE THIS. UM...
776
00:30:31,371 --> 00:30:34,082
-OKAY.
777
00:30:34,124 --> 00:30:35,083
SEE YOU INSIDE?
778
00:30:35,125 --> 00:30:36,209
YES.
779
00:30:37,544 --> 00:30:39,755
KISSES.
780
00:30:37,544 --> 00:30:39,755
[RINGING CONTINUES]
781
00:30:41,298 --> 00:30:42,382
HELLO?
782
00:30:55,437 --> 00:30:57,481
[GASPS]
783
00:30:58,231 --> 00:30:59,941
[CHUCKLES]
784
00:31:06,948 --> 00:31:07,949
KAYLA?
785
00:31:07,991 --> 00:31:09,743
[CHUCKLES] DUSTIN.
786
00:31:09,785 --> 00:31:11,911
-HI.
787
00:31:09,785 --> 00:31:11,911
-HI.
788
00:31:13,913 --> 00:31:17,083
I SPIED HIM IN
789
00:31:13,913 --> 00:31:17,083
A STORE WINDOW, YESTERDAY.
790
00:31:17,125 --> 00:31:18,585
-YOU DID?
791
00:31:17,125 --> 00:31:18,585
-YEAH.
792
00:31:18,627 --> 00:31:21,296
YEAH, I WENT BACK THIS MORNING
793
00:31:18,627 --> 00:31:21,296
TO BUY HIM, BUT HE WAS GONE.
794
00:31:22,172 --> 00:31:23,507
I BOUGHT HIM THIS MORNING.
795
00:31:24,924 --> 00:31:27,135
WAIT, WAS...
796
00:31:24,924 --> 00:31:27,135
WAS HE IN THE ELEVATOR?
797
00:31:27,177 --> 00:31:29,095
YEAH! THAT'S WHERE
798
00:31:27,177 --> 00:31:29,095
I WAS GOING FROM.
799
00:31:29,137 --> 00:31:30,806
ME TOO!
800
00:31:31,973 --> 00:31:34,017
WHAT'S THIS?
801
00:31:34,059 --> 00:31:36,269
IT'S SOME HISTORY
802
00:31:34,059 --> 00:31:36,269
ON THE NUTCRACKER,
803
00:31:36,311 --> 00:31:39,147
AND A LITTLE BIT OF INFORMATION
804
00:31:36,311 --> 00:31:39,147
ABOUT THE ARTIST.
805
00:31:39,189 --> 00:31:43,068
OH MY GOSH,
806
00:31:39,189 --> 00:31:43,068
THE ARTIST IS 80 YEARS OLD.
807
00:31:43,109 --> 00:31:46,572
HE MET THE LOVE OF HIS LIFE
808
00:31:43,109 --> 00:31:46,572
ON A TRIP TO AUSTRIA.
809
00:31:46,613 --> 00:31:50,367
ON THEIR VERY FIRST DATE,
810
00:31:46,613 --> 00:31:50,367
THEY WENT TO SEE THE NUTCRACKER.
811
00:31:51,785 --> 00:31:55,288
HE NEVER HAD A PASSION
812
00:31:51,785 --> 00:31:55,288
FOR ART UNTIL HE MET HER.
813
00:31:55,330 --> 00:31:57,875
THEY TRAVELLED,
814
00:31:55,330 --> 00:31:57,875
BUILT A HOME,
815
00:31:57,916 --> 00:32:00,377
A GARDEN AND A LIFE TOGETHER.
816
00:32:00,419 --> 00:32:02,504
ARE YOU SEEING
817
00:32:00,419 --> 00:32:02,504
WHAT I'M SEEING?
818
00:32:02,546 --> 00:32:03,797
THE CHEMISTRY?
819
00:32:03,839 --> 00:32:07,300
...THEY'RE WRITERS, POETS,
820
00:32:03,839 --> 00:32:07,300
PAINTERS, SCULPTORS...
821
00:32:07,342 --> 00:32:09,052
THEY CREATE TOGETHER,
822
00:32:09,094 --> 00:32:11,179
INSPIRING EACH OTHER.
823
00:32:11,221 --> 00:32:14,974
THEY'VE BEEN TOGETHER
824
00:32:11,221 --> 00:32:14,974
FOR 58 YEARS.
825
00:32:16,727 --> 00:32:19,979
[CHUCKLES] I WOULD LOVE
826
00:32:16,727 --> 00:32:19,979
TO WRITE ABOUT THIS.
827
00:32:20,021 --> 00:32:23,859
YOU SHOULD. IS THAT WHAT YOU DO?
828
00:32:20,021 --> 00:32:23,859
YOU'RE A WRITER?
829
00:32:23,901 --> 00:32:28,071
MAINLY PRESS RELEASES,
830
00:32:23,901 --> 00:32:28,071
BUT YEAH, I WAS A WRITER.
831
00:32:28,113 --> 00:32:31,074
WRITING IS MY PASSION,
832
00:32:28,113 --> 00:32:31,074
BUT I'VE BEEN HAVING A HARD TIME
833
00:32:31,116 --> 00:32:35,036
FINDING SOMETHING TO WRITE
834
00:32:31,116 --> 00:32:35,036
THAT I FEEL PASSIONATE ABOUT.
835
00:32:35,078 --> 00:32:36,663
THERE YOU GO.
836
00:32:36,705 --> 00:32:38,373
THERE'S YOUR STORY.
837
00:32:39,750 --> 00:32:41,251
[CARLTON] DARLING.
838
00:32:47,299 --> 00:32:49,301
YOU'RE THE OTHER HALF
839
00:32:47,299 --> 00:32:49,301
OF THE ENGAGEMENT.
840
00:32:50,886 --> 00:32:53,722
CARLTON, I WOULD LIKE YOU
841
00:32:50,886 --> 00:32:53,722
TO MEET DUSTIN CASEY,
842
00:32:53,764 --> 00:32:56,015
THE CATERER,
843
00:32:53,764 --> 00:32:56,015
AND HIS ASSISTANT, KIM.
844
00:32:56,057 --> 00:32:57,601
-PLEASURE.
845
00:32:56,057 --> 00:32:57,601
-NICE TO MEET YOU.
846
00:32:57,643 --> 00:32:59,853
NICE TO MEET YOU.
847
00:32:59,895 --> 00:33:02,648
DUSTIN, HAVE YOU
848
00:32:59,895 --> 00:33:02,648
OFFICIALLY MET KAYLA?
849
00:33:02,689 --> 00:33:03,774
AH...
850
00:33:05,150 --> 00:33:07,402
-UH... KIND OF.
851
00:33:05,150 --> 00:33:07,402
-KIND OF.
852
00:33:07,444 --> 00:33:08,987
YEAH.
853
00:33:10,363 --> 00:33:13,742
KAYLA IS MY FIANCÉ.
854
00:33:13,784 --> 00:33:17,245
KAYLA USED TO WRITE FOR TREND,
855
00:33:13,784 --> 00:33:17,245
UNTIL SHE MOVED AWAY.
856
00:33:17,287 --> 00:33:19,038
TO BE WITH ME.
857
00:33:19,080 --> 00:33:21,625
I TRUST WE'RE ALL FINISHED
858
00:33:19,080 --> 00:33:21,625
WITH THE SMALL-TALK.
859
00:33:24,628 --> 00:33:27,589
DID YOU HAVE ANY QUESTIONS
860
00:33:24,628 --> 00:33:27,589
OR CONCERNS ABOUT THE FOOD?
861
00:33:27,631 --> 00:33:29,299
I'D LIKE TO SEE THE MENU.
862
00:33:30,175 --> 00:33:32,051
OH, OF COURSE. UM...
863
00:33:32,093 --> 00:33:34,304
HERE IS A LIST
864
00:33:32,093 --> 00:33:34,304
OF THE APPETIZERS, ENTREES,
865
00:33:34,346 --> 00:33:36,556
DESSERTS AND COCKTAILS.
866
00:33:40,393 --> 00:33:44,063
I TRUST YOU'LL BE EMPLOYING
867
00:33:40,393 --> 00:33:44,063
SEASONED BARTENDERS AND WAITERS?
868
00:33:44,105 --> 00:33:45,565
WE WILL.
869
00:33:46,274 --> 00:33:49,820
UGH! UGH!
870
00:33:51,530 --> 00:33:53,323
GET RID OF THAT... THING.
871
00:33:53,365 --> 00:33:54,867
-GET RID OF WHAT?
872
00:33:53,365 --> 00:33:54,867
-THAT NUTCRACKER.
873
00:33:54,908 --> 00:33:57,494
IT LOOKS NOTHING LIKE THE ONE
874
00:33:54,908 --> 00:33:57,494
WE'RE USING IN THE BALLET.
875
00:33:57,536 --> 00:34:01,414
KAYLA WILL TEXT YOU A PICTURE
876
00:33:57,536 --> 00:34:01,414
OF THE ONE WE ARE USING.
877
00:34:01,456 --> 00:34:03,000
OH, OF COURSE.
878
00:34:03,041 --> 00:34:04,793
WHATEVER YOU NEED, MR. WELLS.
879
00:34:04,835 --> 00:34:06,628
DARLING?
880
00:34:04,835 --> 00:34:06,628
WE'VE GOT TO GET GOING.
881
00:34:06,670 --> 00:34:10,089
I BELIEVE WE'VE GOT
882
00:34:06,670 --> 00:34:10,089
A MEETING AT 9PM AT THE HOTEL.
883
00:34:11,967 --> 00:34:14,302
[CHUCKLES]
884
00:34:11,967 --> 00:34:14,302
THANK YOU BOTH SO MUCH.
885
00:34:14,344 --> 00:34:17,263
I'M REALLY LOOKING FORWARD
886
00:34:14,344 --> 00:34:17,263
TO TASTING THE FOOD.
887
00:34:17,305 --> 00:34:19,725
-IT WAS NICE TO MEET YOU.
888
00:34:17,305 --> 00:34:19,725
-SEE YOU GUYS SOON.
889
00:34:19,766 --> 00:34:21,560
BYE.
890
00:34:25,355 --> 00:34:29,442
WELL, LOOKS LIKE I'M BACK
891
00:34:25,355 --> 00:34:29,442
TO BEING THE NUTCRACKER
892
00:34:25,355 --> 00:34:29,442
WHISPERER.
893
00:34:31,570 --> 00:34:34,031
IS THAT BAR OPEN?
894
00:34:34,072 --> 00:34:35,240
I THINK WE HAVE
895
00:34:34,072 --> 00:34:35,240
SOME WINE SAMPLES.
896
00:34:35,281 --> 00:34:36,241
GOOD.
897
00:34:36,282 --> 00:34:38,493
-I'LL POUR US SOME GLASSES.
898
00:34:36,282 --> 00:34:38,493
-YEAH.
899
00:34:44,750 --> 00:34:46,334
I SAW WHAT YOU WERE DOING.
900
00:34:46,376 --> 00:34:47,794
WHAT WAS I DOING?
901
00:34:47,836 --> 00:34:51,214
TRYING TO MAKE ME JEALOUS
902
00:34:47,836 --> 00:34:51,214
BY FLIRTING WITH THE CATERER.
903
00:34:51,256 --> 00:34:53,132
WHAT?
904
00:34:51,256 --> 00:34:53,132
HOW COULD YOU SAY THAT?
905
00:34:53,174 --> 00:34:55,134
IT WAS OBVIOUS, KAYLA!
906
00:34:55,176 --> 00:34:56,845
WELL, MAYBE IF YOU PAID
907
00:34:55,176 --> 00:34:56,845
ATTENTION TO ME
908
00:34:56,887 --> 00:34:59,472
I WOULDN'T BE SEARCHING
909
00:34:56,887 --> 00:34:59,472
FOR ATTENTION FROM OTHER MEN!
910
00:34:59,514 --> 00:35:02,100
HA! YOU ADMIT IT!
911
00:35:02,141 --> 00:35:03,727
ONLY THING THAT I ADMIT
912
00:35:03,769 --> 00:35:07,272
IS THAT THE CATERER IS A VERY
913
00:35:03,769 --> 00:35:07,272
NICE GUY AND YOU ARE A JERK!
914
00:35:07,313 --> 00:35:09,608
OH, WELL MAYBE YOU SHOULD GET
915
00:35:07,313 --> 00:35:09,608
ENGAGED TO HIM INSTEAD OF ME!
916
00:35:09,649 --> 00:35:12,318
OKAY, I HAVE HAD ENOUGH!
917
00:35:09,649 --> 00:35:12,318
YOU AND I ARE DONE.
918
00:35:13,403 --> 00:35:14,780
WHAT?
919
00:35:14,821 --> 00:35:16,531
WHAT, ARE YOU SERIOUS?
920
00:35:18,825 --> 00:35:20,535
ARE YOU SURE YOU'RE NOT
921
00:35:18,825 --> 00:35:20,535
JUST FLIRTING WITH HIM
922
00:35:20,577 --> 00:35:23,288
TO GET A REACTION OUT OF ME
923
00:35:20,577 --> 00:35:23,288
BECAUSE YOU'RE STILL
924
00:35:20,577 --> 00:35:23,288
IN LOVE WITH ME?
925
00:35:23,329 --> 00:35:25,582
CARLTON,
926
00:35:23,329 --> 00:35:25,582
I WILL ALWAYS LOVE YOU.
927
00:35:25,624 --> 00:35:27,500
BUT WE DON'T FIT.
928
00:35:27,542 --> 00:35:30,253
AND WE STOPPED TRYING TO FIT.
929
00:35:30,295 --> 00:35:33,423
OUR PIECES BELONG
930
00:35:30,295 --> 00:35:33,423
IN DIFFERENT PUZZLES.
931
00:35:35,300 --> 00:35:38,845
I'LL ALWAYS
932
00:35:35,300 --> 00:35:38,845
LOVE YOU TOO, KAYLA.
933
00:35:40,597 --> 00:35:41,932
OKAY, NOW YOU'RE
934
00:35:40,597 --> 00:35:41,932
CONFUSING ME.
935
00:35:41,974 --> 00:35:45,852
I-I CAN'T TALK TO YOU RIGHT NOW.
936
00:35:41,974 --> 00:35:45,852
I'M GOING. GOODBYE.
937
00:35:47,437 --> 00:35:49,564
OH, AND DON'T FORGET
938
00:35:47,437 --> 00:35:49,564
TO CALL YOUR TEAM.
939
00:35:49,606 --> 00:35:52,901
THEY'RE WAITING TO HEAR FROM YOU
940
00:35:49,606 --> 00:35:52,901
BEFORE THE END OF THE NIGHT.
941
00:35:52,943 --> 00:35:54,486
ALRIGHT.
942
00:36:18,051 --> 00:36:21,220
[KIM] SHE'S THE ONE YOU KISSED
943
00:36:18,051 --> 00:36:21,220
IN THE ELEVATOR, ISN'T SHE?
944
00:36:22,555 --> 00:36:24,016
DUSTIN?
945
00:36:24,474 --> 00:36:25,308
HUH?
946
00:36:25,350 --> 00:36:27,144
DID YOU HEAR WHAT I SAID?
947
00:36:27,185 --> 00:36:29,104
UH, HOW DO YOU FIGURE?
948
00:36:29,146 --> 00:36:33,108
BECAUSE YOU TWO LOOK LIKE
949
00:36:29,146 --> 00:36:33,108
TWO PEOPLE WHO JUST KISSED,
950
00:36:33,150 --> 00:36:35,485
AND WHO WANT TO KISS AGAIN?
951
00:36:35,527 --> 00:36:36,695
NOT GOING TO HAPPEN.
952
00:36:38,113 --> 00:36:39,781
SHE'S NOT REALLY WITH CARLTON.
953
00:36:41,908 --> 00:36:42,993
WHAT DO YOU MEAN?
954
00:36:43,035 --> 00:36:45,078
OH, THEY ARE SO OBVIOUSLY
955
00:36:43,035 --> 00:36:45,078
NOT IN LOVE.
956
00:36:45,120 --> 00:36:46,788
I MEAN, THEY'VE PROBABLY
957
00:36:45,120 --> 00:36:46,788
ALREADY BROKEN UP
958
00:36:46,830 --> 00:36:49,541
AND ARE JUST STAYING TOGETHER
959
00:36:46,830 --> 00:36:49,541
THROUGH THE NUTCRACKER
960
00:36:46,830 --> 00:36:49,541
PERFORMANCE.
961
00:36:49,582 --> 00:36:53,336
[CHUCKLES] THEN WHY ARE WE
962
00:36:49,582 --> 00:36:53,336
PLANNING AN ENGAGEMENT PARTY?
963
00:36:53,378 --> 00:36:57,256
BECAUSE THEY PROBABLY THINK
964
00:36:53,378 --> 00:36:57,256
THAT CANCELLING IT NOW
965
00:36:53,378 --> 00:36:57,256
WOULD AFFECT THE SHOW.
966
00:36:59,885 --> 00:37:02,137
SHE LIVES IN LOS ANGELES
967
00:36:59,885 --> 00:37:02,137
THOUGH, RIGHT?
968
00:37:02,179 --> 00:37:04,890
AND SHE'S ONLY HERE
969
00:37:02,179 --> 00:37:04,890
THROUGH THE PERFORMANCE?
970
00:37:04,931 --> 00:37:07,559
YEAH, BUT THEIR HOTEL'S
971
00:37:04,931 --> 00:37:07,559
NOT THAT FAR.
972
00:37:07,600 --> 00:37:10,269
YOU COULD JUST HOP ON A TRAIN
973
00:37:07,600 --> 00:37:10,269
AND BE THERE IN NO TIME.
974
00:37:10,311 --> 00:37:12,480
AND THEN YOU CAN
975
00:37:10,311 --> 00:37:12,480
SWEEP HER OFF HER FEET.
976
00:37:12,522 --> 00:37:14,566
-ABSOLUTELY NOT.
977
00:37:12,522 --> 00:37:14,566
-COME ON.
978
00:37:16,234 --> 00:37:19,738
I'M JUST FOCUSING ON WORK RIGHT
979
00:37:16,234 --> 00:37:19,738
NOW, THIS IS WHERE I NEED TO BE.
980
00:37:19,779 --> 00:37:22,323
I DON'T HAVE THE ENERGY
981
00:37:19,779 --> 00:37:22,323
TO ADD ANOTHER FAILED ATTEMPT
982
00:37:22,365 --> 00:37:24,784
TO MY SHORT LIST
983
00:37:22,365 --> 00:37:24,784
OF ROMANCES.
984
00:37:25,869 --> 00:37:28,496
LOVE JUST ISN'T MY THING.
985
00:37:28,538 --> 00:37:31,249
YOU'RE ON YOUR WAY
986
00:37:28,538 --> 00:37:31,249
TO BECOMING THE MALE VERSION
987
00:37:28,538 --> 00:37:31,249
OF A CRAZY CAT LADY.
988
00:37:32,500 --> 00:37:33,710
I'M MORE OF A DOG GUY.
989
00:37:36,629 --> 00:37:38,798
I'M HUNGRY. YOU GUYS
990
00:37:36,629 --> 00:37:38,798
WANT TO GET SOME DINNER?
991
00:37:38,840 --> 00:37:39,925
YES.
992
00:37:39,966 --> 00:37:42,594
YOU GUYS GO AHEAD.
993
00:37:39,966 --> 00:37:42,594
I'LL CLEAN UP HERE.
994
00:37:43,803 --> 00:37:45,555
-OKAY.
995
00:37:43,803 --> 00:37:45,555
-OKAY.
996
00:38:05,324 --> 00:38:08,161
[ANNOUNCER SPEAKS
997
00:38:05,324 --> 00:38:08,161
OVER LOUDSPEAKER]
998
00:38:43,613 --> 00:38:45,282
EVENING, SIR.
999
00:38:45,323 --> 00:38:46,950
EXCUSE ME, SIR?
1000
00:38:48,160 --> 00:38:49,953
YEAH.
1001
00:38:49,995 --> 00:38:53,123
HI. I NEED TO DROP OFF
1002
00:38:49,995 --> 00:38:53,123
A PACKAGE FOR A GUEST, PLEASE.
1003
00:38:53,165 --> 00:38:54,582
I COULD CERTAINLY
1004
00:38:53,165 --> 00:38:54,582
HELP YOU WITH THAT.
1005
00:38:54,624 --> 00:38:57,460
IT'S FOR CARLTON WELLS'
1006
00:38:54,624 --> 00:38:57,460
FIANCÉ KAYLA.
1007
00:39:06,886 --> 00:39:08,763
SURE.
1008
00:39:08,805 --> 00:39:11,183
I'D BE HAPPY TO TAKE IT
1009
00:39:08,805 --> 00:39:11,183
RIGHT UP TO THE SUITE.
1010
00:39:11,224 --> 00:39:12,475
THANK YOU.
1011
00:39:15,603 --> 00:39:17,272
GOOD NIGHT.
1012
00:40:34,224 --> 00:40:36,768
[TAPPING ON KEYBOARD]
1013
00:40:37,977 --> 00:40:40,105
[STOPS TAPPING]
1014
00:40:42,357 --> 00:40:43,900
MORNING.
1015
00:40:46,319 --> 00:40:47,486
MORNING.
1016
00:40:49,406 --> 00:40:50,990
THAT...
1017
00:40:51,657 --> 00:40:52,742
NUTCRACKER.
1018
00:40:52,784 --> 00:40:56,288
DID...
1019
00:40:52,784 --> 00:40:56,288
JANA LEAVE THAT FOR YOU?
1020
00:40:57,997 --> 00:41:00,125
DID SHE?
1021
00:41:00,166 --> 00:41:02,710
NO, JANA DIDN'T
1022
00:41:00,166 --> 00:41:02,710
LEAVE IT FOR ME.
1023
00:41:02,752 --> 00:41:04,712
WELL, THEN WHO DID?
1024
00:41:07,299 --> 00:41:08,883
THE CATERER.
1025
00:41:08,925 --> 00:41:10,885
YES. OF COURSE HE DID.
1026
00:41:10,927 --> 00:41:14,931
[BREATHES DEEPLY]
1027
00:41:10,927 --> 00:41:14,931
NOW, WHY WOULD HE DO THAT?
1028
00:41:16,308 --> 00:41:17,809
HE KNEW I LIKED IT,
1029
00:41:17,850 --> 00:41:21,313
AND HE KNEW I WAS INTERESTED
1030
00:41:17,850 --> 00:41:21,313
IN WRITING ABOUT THE ARTIST.
1031
00:41:21,354 --> 00:41:24,065
WELL, I HOPE YOU'RE NOT
1032
00:41:21,354 --> 00:41:24,065
WORKING ON IT NOW.
1033
00:41:25,108 --> 00:41:26,818
WHY WOULD IT MATTER
1034
00:41:25,108 --> 00:41:26,818
IF I DID?
1035
00:41:26,859 --> 00:41:31,114
BECAUSE YOU'RE SUPPOSED
1036
00:41:26,859 --> 00:41:31,114
TO BE FOCUSING ON ME
1037
00:41:26,859 --> 00:41:31,114
AND MY PRESS, KAYLA.
1038
00:41:31,156 --> 00:41:33,532
CARLTON, I HAVE HANDLED
1039
00:41:31,156 --> 00:41:33,532
ALL OF YOUR PRESS.
1040
00:41:35,034 --> 00:41:38,163
I'VE ARRANGED FOR ALL
1041
00:41:35,034 --> 00:41:38,163
OF YOUR ARTICLES AND INTERVIEWS,
1042
00:41:38,204 --> 00:41:42,625
SO WHAT I DO DURING MY TIME
1043
00:41:38,204 --> 00:41:42,625
IS MY DECISION.
1044
00:41:42,667 --> 00:41:44,502
YOU KNOW, I'VE BEEN LOOKING
1045
00:41:42,667 --> 00:41:44,502
AT THIS CATERER'S WEBSITE.
1046
00:41:44,543 --> 00:41:46,545
IT'S ATROCIOUS.
1047
00:41:44,543 --> 00:41:46,545
I'M VERY CONCERNED.
1048
00:41:46,587 --> 00:41:48,840
YOU KNOW, HE'S ONLY BEEN
1049
00:41:46,587 --> 00:41:48,840
IN BUSINESS FOR A YEAR.
1050
00:41:48,881 --> 00:41:50,633
CARLTON, NONE OF THAT
1051
00:41:48,881 --> 00:41:50,633
MATTERS ANY MORE.
1052
00:41:50,675 --> 00:41:52,177
IT IS JUST A PARTY.
1053
00:41:52,218 --> 00:41:54,804
IT NO LONGER
1054
00:41:52,218 --> 00:41:54,804
HAS MEANING TO YOU OR ME.
1055
00:41:54,846 --> 00:41:57,807
IT HAS MEANING TO ME. YOU'RE
1056
00:41:54,846 --> 00:41:57,807
SUPPOSED TO BE SUPPORTING ME.
1057
00:41:57,849 --> 00:41:59,934
IT'S A VERY BIG DEAL
1058
00:41:57,849 --> 00:41:59,934
TO ME, KAYLA.
1059
00:41:59,976 --> 00:42:03,271
I HAVE DONE NOTHING
1060
00:41:59,976 --> 00:42:03,271
BUT SUPPORT YOU.
1061
00:42:03,313 --> 00:42:07,859
I AGREED TO THIS ARRANGEMENT
1062
00:42:03,313 --> 00:42:07,859
SOLELY IN SUPPORT OF YOU.
1063
00:42:09,944 --> 00:42:12,238
THE PARTY WILL BE FINE.
1064
00:42:12,989 --> 00:42:14,824
BESIDES...
1065
00:42:14,866 --> 00:42:17,827
NOBODY'S GOING
1066
00:42:14,866 --> 00:42:17,827
TO REMEMBER THE PARTY.
1067
00:42:17,869 --> 00:42:20,455
THEY'RE GOING TO REMEMBER
1068
00:42:17,869 --> 00:42:20,455
YOUR PERFORMANCE.
1069
00:42:21,122 --> 00:42:23,041
YES, YOU'RE RIGHT.
1070
00:42:23,082 --> 00:42:26,752
IT'S ABOUT ME
1071
00:42:23,082 --> 00:42:26,752
AND THE PERFORMANCE.
1072
00:42:26,794 --> 00:42:30,340
NOBODY'S GOING TO REMEMBER
1073
00:42:26,794 --> 00:42:30,340
THE PARTY OR THE BLOODY CATERER.
1074
00:42:36,304 --> 00:42:37,514
I'M OFF TO REHEARSAL.
1075
00:42:37,555 --> 00:42:39,682
I'VE ARRANGED A TOWN CAR
1076
00:42:37,555 --> 00:42:39,682
TO COME AND GET ME.
1077
00:42:39,724 --> 00:42:41,559
FEEL FREE
1078
00:42:39,724 --> 00:42:41,559
TO USE THE BLACK CAR
1079
00:42:41,600 --> 00:42:44,229
TO PICK UP SOMETHING NICE
1080
00:42:41,600 --> 00:42:44,229
FOR THE PARTY.
1081
00:42:44,270 --> 00:42:46,064
SPARE NO EXPENSE.
1082
00:42:55,532 --> 00:42:58,743
YESTERDAY, WHEN I CALLED YOU
1083
00:42:55,532 --> 00:42:58,743
OUT ABOUT BEING JEALOUS,
1084
00:42:59,785 --> 00:43:02,830
IT WAS ACTUALLY ME
1085
00:42:59,785 --> 00:43:02,830
WHO WAS JEALOUS.
1086
00:43:02,872 --> 00:43:07,877
I HAVEN'T SEEN YOU SMILE OR
1087
00:43:02,872 --> 00:43:07,877
BLUSH LIKE THAT IN A LONG TIME.
1088
00:43:07,919 --> 00:43:08,920
I MISSED IT.
1089
00:43:11,630 --> 00:43:12,590
I MISS US.
1090
00:43:16,010 --> 00:43:17,095
CIAO.
1091
00:44:00,679 --> 00:44:03,516
[DISTANT MACHINE SOUND]
1092
00:44:20,783 --> 00:44:23,369
[MACHINE HUMMING]
1093
00:44:31,919 --> 00:44:33,505
HEY.
1094
00:44:34,213 --> 00:44:37,383
DUSTIN. DUSTIN!
1095
00:44:38,884 --> 00:44:40,178
DUSTIN!
1096
00:44:40,219 --> 00:44:44,182
[CHUCKLING] HEY.
1097
00:44:40,219 --> 00:44:44,182
WHAT ARE YOU DOING HERE?
1098
00:44:45,766 --> 00:44:47,435
I NEED TO RETURN THIS.
1099
00:44:48,894 --> 00:44:51,105
-NO YOU DON'T.
1100
00:44:48,894 --> 00:44:51,105
-NO, I CAN'T KEEP IT.
1101
00:44:51,147 --> 00:44:55,610
IT WAS A SWEET GESTURE.
1102
00:44:51,147 --> 00:44:55,610
THANK YOU FOR THINKING OF ME.
1103
00:45:11,042 --> 00:45:12,043
KAYLA, WAIT!
1104
00:45:14,379 --> 00:45:15,380
KAYLA!
1105
00:45:20,092 --> 00:45:21,636
KAYLA, WAIT.
1106
00:45:26,974 --> 00:45:28,267
HEY.
1107
00:45:28,309 --> 00:45:31,229
-PLEASE... PLEASE TAKE IT.
1108
00:45:28,309 --> 00:45:31,229
-I...
1109
00:45:33,439 --> 00:45:36,484
[LOUD, METALLIC CLATTER]
1110
00:45:33,439 --> 00:45:36,484
OH, WHOA.
1111
00:45:37,318 --> 00:45:41,406
[LOUD THUD]
1112
00:45:37,318 --> 00:45:41,406
ELEVATOR.
1113
00:45:44,116 --> 00:45:46,118
THAT, UM...
1114
00:45:46,911 --> 00:45:48,204
WHAT HAPPENED WAS...
1115
00:45:48,246 --> 00:45:49,455
NICE.
1116
00:45:50,039 --> 00:45:52,124
YES. VERY NICE.
1117
00:45:52,166 --> 00:45:54,126
SUPER NICE.
1118
00:45:54,168 --> 00:45:57,213
BUT IT SHOULDN'T
1119
00:45:54,168 --> 00:45:57,213
HAVE HAPPENED.
1120
00:45:57,255 --> 00:45:59,756
THINGS ARE REALLY
1121
00:45:57,255 --> 00:45:59,756
COMPLICATED RIGHT NOW.
1122
00:45:59,798 --> 00:46:01,342
IT'S JUST
1123
00:45:59,798 --> 00:46:01,342
NOT THE RIGHT TIME.
1124
00:46:01,384 --> 00:46:03,760
-AT ALL.
1125
00:46:01,384 --> 00:46:03,760
-EXACTLY.
1126
00:46:03,802 --> 00:46:07,682
BUT... IT IS THE RIGHT TIME FOR
1127
00:46:03,802 --> 00:46:07,682
YOU TO WRITE ABOUT THAT ARTIST.
1128
00:46:09,058 --> 00:46:10,767
I WANT TO.
1129
00:46:10,809 --> 00:46:13,688
THEN TAKE THE NUTCRACKER
1130
00:46:10,809 --> 00:46:13,688
AND WRITE THE STORY.
1131
00:46:15,940 --> 00:46:18,943
NO ONE HAS EVER
1132
00:46:15,940 --> 00:46:18,943
DONE SOMETHING SO...
1133
00:46:18,984 --> 00:46:20,903
KIND AND GENEROUS
1134
00:46:18,984 --> 00:46:20,903
[CLATTERING]
1135
00:46:20,945 --> 00:46:23,197
AND... THOUGHTFUL
1136
00:46:23,239 --> 00:46:25,450
AS WHAT YOU DID
1137
00:46:23,239 --> 00:46:25,450
FOR ME LAST NIGHT,
1138
00:46:25,491 --> 00:46:26,909
BRINGING ME THE NUTCRACKER.
1139
00:46:28,160 --> 00:46:29,078
THANK YOU, DUSTIN.
1140
00:46:29,120 --> 00:46:31,080
I CAN'T WAIT
1141
00:46:29,120 --> 00:46:31,080
TO READ THE BOOK.
1142
00:46:31,122 --> 00:46:33,207
[CHUCKLES]
1143
00:46:31,122 --> 00:46:33,207
OH. BOOK, HUH?
1144
00:46:33,249 --> 00:46:36,461
THAT COUPLE'S BEEN TOGETHER
1145
00:46:33,249 --> 00:46:36,461
OVER 50 YEARS.
1146
00:46:36,502 --> 00:46:38,921
THAT'S WAY MORE MATERIAL
1147
00:46:36,502 --> 00:46:38,921
THAN JUST FOR AN ARTICLE.
1148
00:46:42,717 --> 00:46:45,553
-HEY YOU GUYS.
1149
00:46:42,717 --> 00:46:45,553
-HEY.
1150
00:46:45,595 --> 00:46:48,055
LOOKS LIKE YOU'RE GETTING
1151
00:46:45,595 --> 00:46:48,055
ANOTHER ROUND TRIP.
1152
00:46:48,097 --> 00:46:49,515
[CHUCKLES]
1153
00:46:49,557 --> 00:46:51,976
WELL, IT'S GOOD
1154
00:46:49,557 --> 00:46:51,976
TO SEE YOU AGAIN, KAYLA.
1155
00:46:52,017 --> 00:46:53,936
YOU TOO.
1156
00:46:52,017 --> 00:46:53,936
IT'S KIM, RIGHT?
1157
00:46:53,978 --> 00:46:58,524
YEAH. DUSTIN'S ASSISTANT
1158
00:46:53,978 --> 00:46:58,524
AND COUSIN.
1159
00:46:58,566 --> 00:47:01,611
HEY, YOU KNOW, MY COOKIE BAKING
1160
00:46:58,566 --> 00:47:01,611
BUDDY HAS JUST BAILED ON ME,
1161
00:47:01,653 --> 00:47:03,529
AND I COULD REALLY
1162
00:47:01,653 --> 00:47:03,529
USE SOME HELP.
1163
00:47:05,239 --> 00:47:08,117
-I'LL HELP.
1164
00:47:05,239 --> 00:47:08,117
-GREAT.
1165
00:47:08,159 --> 00:47:10,077
KAYLA, WOULD YOU BE WILLING
1166
00:47:08,159 --> 00:47:10,077
TO HELP US OUT,
1167
00:47:10,119 --> 00:47:12,871
BAKE SOME COOKIES FOR THE ANIMAL
1168
00:47:10,119 --> 00:47:12,871
SHELTER FUNDRAISING TABLE?
1169
00:47:14,081 --> 00:47:17,876
YOU KNOW WHAT?
1170
00:47:14,081 --> 00:47:17,876
I WOULD LOVE TO. WHY NOT?
1171
00:47:25,092 --> 00:47:27,261
[NO AUDIO]
1172
00:47:59,502 --> 00:48:00,753
[GIGGLING]
1173
00:48:00,795 --> 00:48:04,382
LOOK AT THESE COOKIES.
1174
00:48:00,795 --> 00:48:04,382
THEY LOOK SO HAPPY.
1175
00:48:04,423 --> 00:48:06,175
THEY WERE MADE WITH HAPPY.
1176
00:48:06,217 --> 00:48:08,177
THE REAL HAPPY
1177
00:48:06,217 --> 00:48:08,177
IS COMING UP.
1178
00:48:08,219 --> 00:48:10,012
SO WHAT'S THE HAPPY?
1179
00:48:11,514 --> 00:48:12,557
YOU'LL SEE.
1180
00:48:13,474 --> 00:48:16,811
OKAY.
1181
00:48:13,474 --> 00:48:16,811
[ALL CHUCKLE]
1182
00:48:16,853 --> 00:48:19,313
AND, 3, 2, 1,
1183
00:48:16,853 --> 00:48:19,313
[CLASSICAL MUSIC PLAYS]
1184
00:48:19,355 --> 00:48:21,399
COME ON, LADIES, HERE WE GO.
1185
00:48:21,440 --> 00:48:24,694
SQUAT, SQUAT, SQUAT.
1186
00:48:24,736 --> 00:48:26,903
AND EDGING FORWARD,
1187
00:48:24,736 --> 00:48:26,903
THANK YOU.
1188
00:48:26,945 --> 00:48:28,905
YES. YES.
1189
00:48:28,947 --> 00:48:31,158
MY TEACHING,
1190
00:48:28,947 --> 00:48:31,158
MY WHIPPING YOU INTO SHAPE.
1191
00:48:31,200 --> 00:48:34,412
LET'S GO, I DON'T HAVE
1192
00:48:31,200 --> 00:48:34,412
ALL DAY, LADIES. COME ON.
1193
00:48:34,453 --> 00:48:36,372
SQUAT. YES. EXCELLENT.
1194
00:48:36,414 --> 00:48:38,915
EXCELLENT. I LOVE IT.
1195
00:48:36,414 --> 00:48:38,915
I LOVE IT.
1196
00:48:38,957 --> 00:48:42,503
YOU'RE ALL GOING TO BE FAMOUS
1197
00:48:38,957 --> 00:48:42,503
AND IT'S GOING TO BE
1198
00:48:38,957 --> 00:48:42,503
BECAUSE OF ME.
1199
00:48:59,311 --> 00:49:01,689
I'M READY FOR YOU, MAESTRO.
1200
00:49:01,731 --> 00:49:04,609
WHAT IS IT,
1201
00:49:01,731 --> 00:49:04,609
MY SUGAR PLUM FAIRY?
1202
00:49:04,650 --> 00:49:05,984
IT'S NOT GOING WELL.
1203
00:49:06,026 --> 00:49:07,862
-THESE GIRLS.
1204
00:49:06,026 --> 00:49:07,862
-WHAT?
1205
00:49:07,904 --> 00:49:11,323
-THEY'RE SUB PAR.
1206
00:49:07,904 --> 00:49:11,323
-OH, DARLING.
1207
00:49:11,365 --> 00:49:13,659
-WHAT ARE WE GOING
1208
00:49:11,365 --> 00:49:13,659
TO DO ABOUT IT?
1209
00:49:11,365 --> 00:49:13,659
-HELP ME.
1210
00:49:13,701 --> 00:49:15,453
ABSOLUTELY.
1211
00:49:20,792 --> 00:49:23,210
THIS IS THE HAPPY
1212
00:49:20,792 --> 00:49:23,210
I WAS TALKING ABOUT.
1213
00:49:23,252 --> 00:49:25,838
THIS IS SERIOUSLY HAPPY.
1214
00:49:31,343 --> 00:49:32,762
HEY, JOSHUA.
1215
00:49:32,804 --> 00:49:34,096
HI.
1216
00:49:34,138 --> 00:49:36,515
KAYLA, THIS IS JOSHUA.
1217
00:49:34,138 --> 00:49:36,515
HE RUNS THE ANIMAL SHELTER.
1218
00:49:36,557 --> 00:49:38,183
-HI. YOU TOO.
1219
00:49:36,557 --> 00:49:38,183
-HI, NICE TO MEET YOU.
1220
00:49:38,225 --> 00:49:40,519
KAYLA HELPED US
1221
00:49:38,225 --> 00:49:40,519
BAKE THE COOKIES.
1222
00:49:40,561 --> 00:49:43,397
UH, YEAH, AND I PROBABLY ATE
1223
00:49:40,561 --> 00:49:43,397
MORE DOUGH THAN I SHOULD HAVE.
1224
00:49:43,439 --> 00:49:45,566
DUSTIN WAS VERY GENEROUS
1225
00:49:43,439 --> 00:49:45,566
IN SHARING.
1226
00:49:45,608 --> 00:49:47,735
WELL THAT'S THE WORD I WOULD USE
1227
00:49:45,608 --> 00:49:47,735
TO DESCRIBE HIM: "GENEROUS."
1228
00:49:47,777 --> 00:49:50,321
HE OFFERED TO DONATE ALL THE
1229
00:49:47,777 --> 00:49:50,321
COOKIES FOR THE CHARITY EVENT.
1230
00:49:50,362 --> 00:49:52,573
HE'S A GOOD GUY.
1231
00:49:54,533 --> 00:49:57,870
JOSHUA, I BAKED YOU
1232
00:49:54,533 --> 00:49:57,870
SOME SAMPLES.
1233
00:49:57,912 --> 00:50:00,790
OH, WOW. THANK YOU.
1234
00:50:03,334 --> 00:50:05,795
HEY, YOU KNOW WHAT?
1235
00:50:03,334 --> 00:50:05,795
I'VE GOT AN IDEA.
1236
00:50:05,837 --> 00:50:07,713
I WANT TO INTRODUCE YOU
1237
00:50:05,837 --> 00:50:07,713
TO SOMEONE.
1238
00:50:07,755 --> 00:50:08,756
THIS WAY.
1239
00:50:08,798 --> 00:50:12,134
[DISTANT DOGS BARKING]
1240
00:50:24,563 --> 00:50:28,860
WE GOT A LOT OF GREAT DOGS HERE,
1241
00:50:24,563 --> 00:50:28,860
BUT WE GOT SOMEONE FOR YOU
1242
00:50:24,563 --> 00:50:28,860
AT THE END, DUSTIN.
1243
00:50:28,901 --> 00:50:30,026
YEAH?
1244
00:50:30,068 --> 00:50:32,196
SOMEONE I WANT YOU TO MEET.
1245
00:50:41,622 --> 00:50:43,248
HERE WE ARE.
1246
00:50:45,376 --> 00:50:47,670
[KAYLA] AW.
1247
00:50:45,376 --> 00:50:47,670
[JOSHUA] MEET BARKLY.
1248
00:50:47,712 --> 00:50:50,673
OH, HI, BARKLY.
1249
00:50:50,715 --> 00:50:53,009
HI. COME SAY HELLO.
1250
00:50:53,049 --> 00:50:55,887
HEY, BUDDY. HEY.
1251
00:50:56,679 --> 00:50:57,972
WHO'S A GOOD GUY?
1252
00:50:58,014 --> 00:51:00,140
-LOOK HOW HANDSOME HE IS.
1253
00:50:58,014 --> 00:51:00,140
-BUDDY.
1254
00:51:00,182 --> 00:51:03,352
MMM? PLEASED TO MEET YOU.
1255
00:51:07,439 --> 00:51:09,191
SMILE.
1256
00:51:09,233 --> 00:51:10,985
[CAMERA SHUTTER CLICK
1257
00:51:09,233 --> 00:51:10,985
SOUND ON PHONE]
1258
00:51:11,027 --> 00:51:12,028
SOUL-MATES.
1259
00:51:12,068 --> 00:51:14,112
HE NEEDS A NEW HOME, DUSTIN.
1260
00:51:14,154 --> 00:51:17,992
[SIGHS] JUST MY PLACE,
1261
00:51:14,154 --> 00:51:17,992
MY BUILDING, MY LIFE,
1262
00:51:18,034 --> 00:51:19,744
IT'S NOT REALLY
1263
00:51:18,034 --> 00:51:19,744
DOG-FRIENDLY.
1264
00:51:34,090 --> 00:51:35,927
HEY, ANYONE
1265
00:51:34,090 --> 00:51:35,927
INTERESTED IN PIZZA?
1266
00:51:35,968 --> 00:51:39,137
MY TREAT, TO THANK YOU GUYS
1267
00:51:35,968 --> 00:51:39,137
FOR THE DONATIONS.
1268
00:51:39,847 --> 00:51:41,807
I COULD GO FOR PIZZA.
1269
00:51:41,849 --> 00:51:43,517
I'VE GOT A TON OF STUFF
1270
00:51:41,849 --> 00:51:43,517
TO TAKE CARE OF
1271
00:51:43,559 --> 00:51:45,143
-ACTUALLY.
1272
00:51:43,559 --> 00:51:45,143
-I SHOULD REALLY GET GOING TOO.
1273
00:51:45,185 --> 00:51:47,605
-BUT YOU TWO SHOULD GO,
1274
00:51:45,185 --> 00:51:47,605
FOR SURE.
1275
00:51:45,185 --> 00:51:47,605
-YEAH, HAVE FUN.
1276
00:51:48,397 --> 00:51:50,524
-YOU WANNA?
1277
00:51:48,397 --> 00:51:50,524
-YEAH.
1278
00:51:50,566 --> 00:51:53,945
OKAY, GREAT, I GOT A COUPLE
1279
00:51:50,566 --> 00:51:53,945
MORE DOORS TO CLOSE UP.
1280
00:51:50,566 --> 00:51:53,945
DO YOU WANT TO HELP ME?
1281
00:51:54,528 --> 00:51:56,280
SURE.
1282
00:51:56,321 --> 00:51:58,616
KAYLA, THANK YOU SO MUCH
1283
00:51:56,321 --> 00:51:58,616
FOR HELPING OUT TODAY.
1284
00:51:58,657 --> 00:52:01,577
OH, I REALLY ENJOYED IT.
1285
00:51:58,657 --> 00:52:01,577
THANK YOU.
1286
00:52:01,619 --> 00:52:04,455
-I'LL SEE YOU TOMORROW.
1287
00:52:01,619 --> 00:52:04,455
-OK.
1288
00:52:08,584 --> 00:52:10,669
THANK YOU
1289
00:52:08,584 --> 00:52:10,669
FOR INVITING ME TODAY.
1290
00:52:10,711 --> 00:52:15,382
THANK YOU FOR LETTING ME EAT
1291
00:52:10,711 --> 00:52:15,382
ALL OF THAT COOKIE DOUGH.
1292
00:52:15,424 --> 00:52:18,343
AND THANK YOU ESPECIALLY
1293
00:52:15,424 --> 00:52:18,343
FOR THE NUTCRACKER.
1294
00:52:18,385 --> 00:52:22,347
YOU ARE WELCOME,
1295
00:52:18,385 --> 00:52:22,347
YOU ARE SORT OF WELCOME,
1296
00:52:22,389 --> 00:52:24,224
AND YOU ARE MOST WELCOME.
1297
00:52:24,266 --> 00:52:26,518
[BOTH CHUCKLE]
1298
00:52:27,895 --> 00:52:30,564
YOU KNOW, I COULD SERIOUSLY
1299
00:52:27,895 --> 00:52:30,564
GO FOR SOME PIZZA.
1300
00:52:30,606 --> 00:52:32,232
-ME TOO.
1301
00:52:30,606 --> 00:52:32,232
-YEAH.
1302
00:52:32,274 --> 00:52:34,693
DO YOU WANT TO GO?
1303
00:52:32,274 --> 00:52:34,693
I'D LOVE TO.
1304
00:52:34,735 --> 00:52:37,905
[CELL PHONE BEEPS]
1305
00:52:45,287 --> 00:52:46,413
BUT...?
1306
00:52:48,582 --> 00:52:52,044
NO BUT.
1307
00:52:48,582 --> 00:52:52,044
LET'S GO HAVE SOME PIZZA.
1308
00:52:52,086 --> 00:52:54,170
COME ON.
1309
00:52:52,086 --> 00:52:54,170
[BOTH CHUCKLE]
1310
00:52:59,010 --> 00:53:01,095
[CELL PHONE BEEPS]
1311
00:53:01,137 --> 00:53:03,472
YOU KNOW, YOU'RE ALLOWED TO
1312
00:53:01,137 --> 00:53:03,472
CHECK YOUR MESSAGES IF YOU WANT.
1313
00:53:03,514 --> 00:53:06,182
IT'S LIKE THE 5TH ONE
1314
00:53:03,514 --> 00:53:06,182
YOU'VE GOTTEN.
1315
00:53:07,601 --> 00:53:09,770
I DON'T WANT
1316
00:53:07,601 --> 00:53:09,770
TO CHECK MY MESSAGES.
1317
00:53:09,812 --> 00:53:11,772
I DON'T WANT TO HAVE TO...
1318
00:53:11,814 --> 00:53:14,733
EXPLAIN WHY I DIDN'T GO
1319
00:53:11,814 --> 00:53:14,733
AND GET HIM SPECIFIC SOCKS
1320
00:53:14,775 --> 00:53:17,987
OR... OR CONTACT THE DENTIST
1321
00:53:14,775 --> 00:53:17,987
TO MAKE AN APPOINTMENT
1322
00:53:18,029 --> 00:53:19,613
-AFTER THE HOLIDAYS.
1323
00:53:18,029 --> 00:53:19,613
-HMM.
1324
00:53:21,406 --> 00:53:23,909
I'M SORRY, I DIDN'T MEAN
1325
00:53:21,406 --> 00:53:23,909
TO DUMP ALL OVER YOU.
1326
00:53:23,951 --> 00:53:27,163
[LAUGHS] NO, IF YOU WANT
1327
00:53:23,951 --> 00:53:27,163
TO SAY SOMETHING, YOU CAN.
1328
00:53:27,203 --> 00:53:29,247
I'M A GOOD LISTENER.
1329
00:53:29,289 --> 00:53:31,959
I'VE GOT
1330
00:53:29,289 --> 00:53:31,959
JUST NO RELATIONSHIP ADVICE,
1331
00:53:32,001 --> 00:53:34,712
BECAUSE ALL MY PAST ONES
1332
00:53:32,001 --> 00:53:34,712
HAVE FAILED,
1333
00:53:34,753 --> 00:53:38,049
BUT I CAN LISTEN.
1334
00:53:38,090 --> 00:53:41,593
WELL, YOU AND I HAVE
1335
00:53:38,090 --> 00:53:41,593
SOMETHING IN COMMON
1336
00:53:41,635 --> 00:53:43,721
BECAUSE THE RELATIONSHIP
1337
00:53:41,635 --> 00:53:43,721
THAT I'M IN,
1338
00:53:43,762 --> 00:53:49,225
OR I GUESS GETTING OUT OF,
1339
00:53:43,762 --> 00:53:49,225
HAS FAILED.
1340
00:53:50,102 --> 00:53:51,520
WHAT HAPPENED?
1341
00:53:53,271 --> 00:53:55,941
WE DON'T HAVE ENOUGH PIZZA
1342
00:53:53,271 --> 00:53:55,941
FOR THAT CONVERSATION.
1343
00:53:55,983 --> 00:53:58,527
BUT IF I WERE TO TWEET IT
1344
00:53:58,569 --> 00:54:01,697
IN 140 CHARACTERS OR LESS,
1345
00:54:01,739 --> 00:54:04,491
THE ROMANCE
1346
00:54:01,739 --> 00:54:04,491
WAS REPLACED WITH BUSINESS.
1347
00:54:07,285 --> 00:54:10,497
HE STARTED TREATING ME
1348
00:54:07,285 --> 00:54:10,497
MORE LIKE A PERSONAL MANAGER
1349
00:54:10,539 --> 00:54:12,624
AND LESS LIKE HIS GIRLFRIEND.
1350
00:54:12,666 --> 00:54:16,545
AND I LET HIM. I...
1351
00:54:12,666 --> 00:54:16,545
I HANDLED EVERYTHING FOR HIM.
1352
00:54:16,587 --> 00:54:19,381
HIS SCHEDULING,
1353
00:54:16,587 --> 00:54:19,381
HIS PRESS CONTACTS,
1354
00:54:19,423 --> 00:54:21,717
DESIGNING A WEBSITE.
1355
00:54:23,135 --> 00:54:26,597
YOU KNOW, I LOST MYSELF,
1356
00:54:26,638 --> 00:54:33,229
AND I LOST A LOVE THAT...
1357
00:54:26,638 --> 00:54:33,229
STARTED OUT SO REAL.
1358
00:54:33,269 --> 00:54:34,605
I DON'T KNOW.
1359
00:54:33,269 --> 00:54:34,605
MAYBE IF I JUST...
1360
00:54:34,646 --> 00:54:36,732
NO, DON'T DO THAT.
1361
00:54:36,774 --> 00:54:39,777
THAT QUESTIONING "SHOULD'VE,
1362
00:54:36,774 --> 00:54:39,777
WOULD'VE, COULD'VE" THING?
1363
00:54:39,818 --> 00:54:43,488
BECAUSE I'VE BEEN THERE,
1364
00:54:39,818 --> 00:54:43,488
AND YOU JUST GET STUCK
1365
00:54:39,818 --> 00:54:43,488
IN A LOOP.
1366
00:54:45,908 --> 00:54:49,120
THAT IS SOME PRETTY GOOD ADVICE
1367
00:54:45,908 --> 00:54:49,120
FOR A SELF-PROCLAIMED LISTENER.
1368
00:54:49,161 --> 00:54:51,413
[LAUGHS]
1369
00:54:51,455 --> 00:54:53,582
YOU KNOW,
1370
00:54:51,455 --> 00:54:53,582
I BET THE NUTCRACKER ARTIST,
1371
00:54:53,624 --> 00:54:55,459
AS LONG AS THAT GUY'S
1372
00:54:53,624 --> 00:54:55,459
BEEN MARRIED,
1373
00:54:55,500 --> 00:54:59,295
PROBABLY HAS SOME AMAZING
1374
00:54:55,500 --> 00:54:59,295
RELATIONSHIP ADVICE.
1375
00:54:59,337 --> 00:55:02,174
I BET YOU'RE RIGHT.
1376
00:55:02,216 --> 00:55:04,509
-YOU GOING
1377
00:55:02,216 --> 00:55:04,509
TO WRITE THE STORY?
1378
00:55:02,216 --> 00:55:04,509
-MM-HMM.
1379
00:55:05,761 --> 00:55:07,721
-TONIGHT.
1380
00:55:05,761 --> 00:55:07,721
-GOOD.
1381
00:55:08,555 --> 00:55:10,515
[CAR HORN HONKS]
1382
00:55:11,683 --> 00:55:13,309
MY CAB'S HERE.
1383
00:55:13,351 --> 00:55:15,311
YEAH, YOU SHOULD
1384
00:55:13,351 --> 00:55:15,311
PROBABLY GET GOING.
1385
00:55:15,353 --> 00:55:18,649
YEAH. I'M SURE
1386
00:55:15,353 --> 00:55:18,649
CARLTON IS FUMING.
1387
00:55:18,690 --> 00:55:21,401
WELL, THANKS FOR TODAY.
1388
00:55:21,443 --> 00:55:23,112
I HAD A LOT OF FUN WITH YOU.
1389
00:55:23,154 --> 00:55:25,614
ME TOO.
1390
00:55:23,154 --> 00:55:25,614
I REALLY ENJOYED IT.
1391
00:55:25,656 --> 00:55:27,407
I'LL SEE YOU TOMORROW
1392
00:55:25,656 --> 00:55:27,407
THOUGH, RIGHT?
1393
00:55:27,449 --> 00:55:30,368
OF COURSE. WE STILL HAVE
1394
00:55:27,449 --> 00:55:30,368
THE FUNDRAISER
1395
00:55:27,449 --> 00:55:30,368
TO WORK ON, RIGHT?
1396
00:55:30,410 --> 00:55:32,788
YES.
1397
00:55:34,748 --> 00:55:38,002
AH, CARLTON
1398
00:55:34,748 --> 00:55:38,002
DOESN'T EAT CARBS.
1399
00:55:38,043 --> 00:55:39,377
YEAH. GLADLY.
1400
00:55:39,419 --> 00:55:41,379
[BOTH CHUCKLE]
1401
00:55:41,421 --> 00:55:44,758
-GOODNIGHT.
1402
00:55:41,421 --> 00:55:44,758
-GOODNIGHT.
1403
00:55:54,268 --> 00:55:55,519
HOW WAS REHEARSAL?
1404
00:55:55,560 --> 00:55:59,273
STRESSFUL. WORRISOME.
1405
00:55:59,315 --> 00:56:00,691
WELL, THAT DOESN'T
1406
00:55:59,315 --> 00:56:00,691
SOUND GOOD.
1407
00:56:00,732 --> 00:56:03,735
IT WASN'T. YOU'RE TO BLAME.
1408
00:56:03,777 --> 00:56:05,029
HOW AM I TO BLAME?
1409
00:56:05,070 --> 00:56:07,990
I TEXTED YOU, REPEATEDLY.
1410
00:56:08,032 --> 00:56:10,284
I HAD A BUSY DAY.
1411
00:56:10,326 --> 00:56:12,161
I NEEDED YOU.
1412
00:56:12,203 --> 00:56:15,247
TO RUN YOUR ERRANDS.
1413
00:56:12,203 --> 00:56:15,247
TO TACKLE YOUR TO-DO LIST.
1414
00:56:15,289 --> 00:56:18,250
CARLTON, THOSE CHORES ARE
1415
00:56:15,289 --> 00:56:18,250
YOUR RESPONSIBILITY, NOT MINE.
1416
00:56:18,292 --> 00:56:21,670
I CAN'T CONCENTRATE
1417
00:56:18,292 --> 00:56:21,670
ON THE BALLET
1418
00:56:21,712 --> 00:56:24,380
WHILE I'M WORRIED
1419
00:56:21,712 --> 00:56:24,380
ABOUT YOU AND US.
1420
00:56:24,422 --> 00:56:25,883
THIS IS NOT FAIR OF YOU.
1421
00:56:25,924 --> 00:56:29,594
I NEED YOU DURING THIS CRUCIAL
1422
00:56:25,924 --> 00:56:29,594
TIME IN MY LIFE AND MY CAREER.
1423
00:56:29,636 --> 00:56:31,305
PLEASE,
1424
00:56:29,636 --> 00:56:31,305
DON'T GUILT-TRIP ME.
1425
00:56:31,347 --> 00:56:34,225
YOUR BEHAVIOR RIGHT NOW
1426
00:56:31,347 --> 00:56:34,225
IS WHAT'S NOT FAIR.
1427
00:56:37,686 --> 00:56:39,271
YOU HAVE NO IDEA, DO YOU?
1428
00:56:41,315 --> 00:56:45,027
HOW MUCH IT HURTS TO SEE YOU
1429
00:56:41,315 --> 00:56:45,027
GROW AWAY FROM ME
1430
00:56:41,315 --> 00:56:45,027
RIGHT IN FRONT OF MY EYES,
1431
00:56:46,070 --> 00:56:48,239
MAKING ME REGRET THIS...
1432
00:56:48,864 --> 00:56:51,200
STUPID SEPARATION.
1433
00:56:54,953 --> 00:56:57,039
I'M GOING OUT.
1434
00:56:54,953 --> 00:56:57,039
I NEED SOME AIR.
1435
00:57:03,503 --> 00:57:04,838
I LOVE YOU.
1436
00:57:20,562 --> 00:57:22,606
SO HE'S A BUTTON-PUSHER.
1437
00:57:22,647 --> 00:57:24,983
HE IS.
1438
00:57:25,025 --> 00:57:27,611
BUT THE WAY
1439
00:57:25,025 --> 00:57:27,611
HE SAID HE LOVED ME...
1440
00:57:28,695 --> 00:57:30,281
I DON'T KNOW.
1441
00:57:31,698 --> 00:57:34,159
MAYBE HE REALIZED THAT
1442
00:57:34,201 --> 00:57:37,495
WHAT WE HAD WHEN WE STARTED OUT
1443
00:57:34,201 --> 00:57:37,495
WAS PRETTY SPECIAL,
1444
00:57:37,537 --> 00:57:41,541
AND WE LOST IT
1445
00:57:37,537 --> 00:57:41,541
WHEN HE PRIORITIZED HIMSELF.
1446
00:57:41,583 --> 00:57:44,002
SO ARE YOU HAVING SECOND
1447
00:57:41,583 --> 00:57:44,002
THOUGHTS ABOUT THE SPLIT?
1448
00:57:45,337 --> 00:57:47,714
IT'S KINDA HARD NOT TO
1449
00:57:45,337 --> 00:57:47,714
IN THIS SITUATION.
1450
00:57:48,673 --> 00:57:53,178
HMM. WHAT ABOUT DUSTIN?
1451
00:57:53,220 --> 00:57:54,930
WHAT ABOUT HIM?
1452
00:57:54,972 --> 00:57:57,808
I SAW SOME SPARKS.
1453
00:57:57,849 --> 00:58:00,477
I THINK WE'VE ARRIVED
1454
00:57:57,849 --> 00:58:00,477
AT A GOOD PLACE.
1455
00:58:00,518 --> 00:58:02,771
THE FRIEND PLACE.
1456
00:58:02,813 --> 00:58:06,400
WELL, UH, HE IS A GOOD FRIEND
1457
00:58:02,813 --> 00:58:06,400
TO HAVE.
1458
00:58:06,442 --> 00:58:08,693
HE'S LOYAL, HE'S FAITHFUL,
1459
00:58:08,735 --> 00:58:11,655
HE'S FUN, HE IS HONEST,
1460
00:58:11,696 --> 00:58:15,284
HE DOESN'T MANIPULATE
1461
00:58:11,696 --> 00:58:15,284
AND PLAY GAMES, YOU KNOW?
1462
00:58:15,326 --> 00:58:18,912
AND HE ENCOURAGES
1463
00:58:15,326 --> 00:58:18,912
AND HE CARES.
1464
00:58:18,954 --> 00:58:23,459
HE'S GOT A LOT MORE TO OFFER
1465
00:58:18,954 --> 00:58:23,459
THAN JUST BEING THE STEADFAST
1466
00:58:18,954 --> 00:58:23,459
FRIEND, YOU KNOW?
1467
00:58:23,500 --> 00:58:26,837
BUT I'M SURE YOU FIGURED
1468
00:58:23,500 --> 00:58:26,837
THAT OUT DURING YOUR LITTLE
1469
00:58:23,500 --> 00:58:26,837
ELEVATOR KISS.
1470
00:58:26,878 --> 00:58:29,506
OKAY.
1471
00:58:29,547 --> 00:58:32,092
LOOK, MAGIC AND ROMANCE
1472
00:58:29,547 --> 00:58:32,092
IGNITE A RELATIONSHIP,
1473
00:58:32,134 --> 00:58:35,012
BUT IT'S THE FRIENDSHIP
1474
00:58:32,134 --> 00:58:35,012
THAT MAKES IT ENDURE.
1475
00:58:35,053 --> 00:58:36,805
YOU KNOW,
1476
00:58:35,053 --> 00:58:36,805
IT'S THE FRIENDSHIP
1477
00:58:36,847 --> 00:58:38,682
THAT TURNS
1478
00:58:36,847 --> 00:58:38,682
THAT HAPPILY EVER AFTER
1479
00:58:38,723 --> 00:58:41,977
INTO THE BEGINNING OF A LOVE
1480
00:58:38,723 --> 00:58:41,977
STORY, AND NOT THE ENDING.
1481
00:58:42,019 --> 00:58:45,772
THE BEGINNING
1482
00:58:42,019 --> 00:58:45,772
IS THE EXCITING PART.
1483
00:58:45,814 --> 00:58:48,484
BUT IT'S THE REST OF THE STORY
1484
00:58:45,814 --> 00:58:48,484
THAT'S THE TRUE PART.
1485
00:58:59,161 --> 00:59:00,704
ARE YOU ACTUALLY
1486
00:58:59,161 --> 00:59:00,704
GOING TO MARRY HER?
1487
00:59:00,745 --> 00:59:04,500
NO. WE CALLED OFF
1488
00:59:00,745 --> 00:59:04,500
THE ENGAGEMENT.
1489
00:59:04,541 --> 00:59:06,668
[GIRL] THANK GOD. I THOUGHT
1490
00:59:04,541 --> 00:59:06,668
YOU WERE LOSING YOUR MIND.
1491
00:59:06,710 --> 00:59:10,422
SHE'S A VERY SPECIAL GIRL,
1492
00:59:06,710 --> 00:59:10,422
ISN'T SHE?
1493
00:59:11,965 --> 00:59:13,633
PUPPIES ARE SPECIAL.
1494
00:59:13,675 --> 00:59:15,844
IS THAT WHAT
1495
00:59:13,675 --> 00:59:15,844
YOU'RE LOOKING FOR?
1496
00:59:15,886 --> 00:59:17,721
NO.
1497
00:59:17,762 --> 00:59:22,934
I WANT PASSION,
1498
00:59:17,762 --> 00:59:22,934
CLASS AND TALENT.
1499
00:59:24,061 --> 00:59:27,439
N... NOT HERE.
1500
00:59:27,481 --> 00:59:30,359
WHY? WHAT'S THE DIFFERENCE?
1501
00:59:30,401 --> 00:59:32,777
I DON'T WANT
1502
00:59:30,401 --> 00:59:32,777
TO HURT HER FEELINGS.
1503
00:59:40,744 --> 00:59:41,703
YOU ALRIGHT?
1504
00:59:42,787 --> 00:59:45,499
N... YEAH. UH...
1505
00:59:45,541 --> 00:59:47,251
I JUST THOUGHT THAT
1506
00:59:45,541 --> 00:59:47,251
I SAW SOMEONE THAT I KNEW.
1507
00:59:47,292 --> 00:59:49,044
OH.
1508
00:59:49,086 --> 00:59:50,712
ANYWAY.
1509
00:59:50,754 --> 00:59:54,132
A FRIENDSHIP,
1510
00:59:50,754 --> 00:59:54,132
THAT'S WHAT YOU WANT FIRST.
1511
01:00:00,305 --> 01:00:02,766
RIESLING AND MERLOT.
1512
01:00:02,807 --> 01:00:04,435
INSTEAD OF CHARDONNAY
1513
01:00:02,807 --> 01:00:04,435
AND PINOT NOIR?
1514
01:00:04,476 --> 01:00:06,019
-MM.
1515
01:00:04,476 --> 01:00:06,019
-OKAY.
1516
01:00:07,104 --> 01:00:09,398
I COME
1517
01:00:07,104 --> 01:00:09,398
BEARING CATERING GIFTS.
1518
01:00:09,440 --> 01:00:11,442
REALLY?
1519
01:00:11,483 --> 01:00:13,944
I MADE 200 FOR YOU TO HAND OUT
1520
01:00:11,483 --> 01:00:13,944
AT THE COMMUNITY EVENT,
1521
01:00:13,985 --> 01:00:17,739
AND I SENT EMAILS
1522
01:00:13,985 --> 01:00:17,739
TO A FEW OF MY PRESS CONTACTS
1523
01:00:17,781 --> 01:00:20,576
LETTING THEM KNOW THAT
1524
01:00:17,781 --> 01:00:20,576
YOU ARE CATERING THE PARTY.
1525
01:00:20,617 --> 01:00:25,080
OH MY GOSH. KAYLA,
1526
01:00:20,617 --> 01:00:25,080
THAT IS SO SWEET! THANK YOU.
1527
01:00:25,122 --> 01:00:26,582
WHEN DID YOU
1528
01:00:25,122 --> 01:00:26,582
DO ALL OF THIS?
1529
01:00:26,623 --> 01:00:28,041
LAST NIGHT.
1530
01:00:28,083 --> 01:00:30,419
I PICKED UP THE POST CARDS
1531
01:00:28,083 --> 01:00:30,419
ON MY WAY HERE THIS MORNING.
1532
01:00:30,461 --> 01:00:33,213
WHAT ABOUT
1533
01:00:30,461 --> 01:00:33,213
THE NUTCRACKER ARTIST?
1534
01:00:33,255 --> 01:00:34,423
DIDN'T YOU WORK ON THE STORY?
1535
01:00:34,465 --> 01:00:36,925
MM, NO, NOT YET.
1536
01:00:36,967 --> 01:00:40,262
WHAT DO WE OWE YOU FOR THE POST
1537
01:00:36,967 --> 01:00:40,262
CARDS AND FOR YOUR TIME?
1538
01:00:40,720 --> 01:00:42,055
NOTHING.
1539
01:00:42,097 --> 01:00:43,974
I DID THIS AS A THANK YOU
1540
01:00:42,097 --> 01:00:43,974
FOR ALL YOU'VE GIVEN ME.
1541
01:00:44,015 --> 01:00:46,726
BUT YOUR TIME IS VALUABLE,
1542
01:00:44,015 --> 01:00:46,726
AND I'D LIKE TO PAY YOU FOR IT.
1543
01:00:46,768 --> 01:00:49,020
NO, I DON'T
1544
01:00:46,768 --> 01:00:49,020
WANT YOUR MONEY.
1545
01:00:49,062 --> 01:00:51,398
AND I DON'T WANT YOU
1546
01:00:49,062 --> 01:00:51,398
DOING FREE WORK.
1547
01:00:54,109 --> 01:00:55,235
DUSTIN.
1548
01:00:58,447 --> 01:01:01,283
I'M SORRY
1549
01:00:58,447 --> 01:01:01,283
IF I CROSSED A BOUNDARY.
1550
01:01:03,535 --> 01:01:05,787
NO, IT'S NOT
1551
01:01:03,535 --> 01:01:05,787
THAT YOU CROSSED A BOUNDARY.
1552
01:01:05,829 --> 01:01:07,831
IT'S THAT YOU SHOULD
1553
01:01:05,829 --> 01:01:07,831
HAVE SET A BOUNDARY.
1554
01:01:10,208 --> 01:01:13,920
OKAY. SORRY.
1555
01:01:10,208 --> 01:01:13,920
I'M GOING TO GO.
1556
01:01:13,962 --> 01:01:16,840
NO, WAIT, KAYLA!
1557
01:01:13,962 --> 01:01:16,840
WAIT. KAYLA!
1558
01:01:18,133 --> 01:01:20,636
DUSTIN, WHY WERE YOU
1559
01:01:18,133 --> 01:01:20,636
JUST A JERK TO HER?
1560
01:01:20,677 --> 01:01:23,847
-I WASN'T A JERK.
1561
01:01:20,677 --> 01:01:23,847
-YES YOU WERE. GO APOLOGIZE.
1562
01:01:23,888 --> 01:01:27,267
I... DON'T THINK I SHOULD.
1563
01:01:27,309 --> 01:01:30,479
SHE SPENT A LOT OF TIME
1564
01:01:27,309 --> 01:01:30,479
AND EFFORT MAKING THESE FOR US.
1565
01:01:30,521 --> 01:01:31,605
FOR YOU.
1566
01:01:31,647 --> 01:01:33,357
EXACTLY.
1567
01:01:33,398 --> 01:01:35,484
AND THAT'S TIME SHE SHOULD
1568
01:01:33,398 --> 01:01:35,484
HAVE SPENT DOING SOMETHING
1569
01:01:33,398 --> 01:01:35,484
FOR HERSELF,
1570
01:01:35,526 --> 01:01:37,319
NOT FOR SOMEONE ELSE.
1571
01:01:38,195 --> 01:01:39,737
DUSTIN...
1572
01:01:53,251 --> 01:01:55,879
[BELL JINGLING]
1573
01:02:12,604 --> 01:02:14,356
OH, HELLO AGAIN.
1574
01:02:14,398 --> 01:02:16,692
HI, SANTA.
1575
01:02:16,774 --> 01:02:19,777
YOU LOOK LIKE YOU COULD
1576
01:02:16,774 --> 01:02:19,777
USE A WISH COMING TRUE.
1577
01:02:21,029 --> 01:02:23,240
I WISH I KNEW
1578
01:02:21,029 --> 01:02:23,240
HOW TO SET BOUNDARIES.
1579
01:02:24,575 --> 01:02:28,412
DON'T JUST WISH IT,
1580
01:02:24,575 --> 01:02:28,412
MAKE THEM COME TRUE.
1581
01:02:32,123 --> 01:02:33,458
YOU KNOW WHAT?
1582
01:02:33,500 --> 01:02:35,919
YOU'RE RIGHT, AND YOU ARE
1583
01:02:33,500 --> 01:02:35,919
THE SECOND PERSON TODAY
1584
01:02:35,960 --> 01:02:37,629
WHO'S ENCOURAGED ME
1585
01:02:35,960 --> 01:02:37,629
TO DO JUST THAT.
1586
01:02:37,671 --> 01:02:39,715
[CHUCKLES]
1587
01:02:39,756 --> 01:02:44,177
MY WISH THEN, IS THAT YOU GET
1588
01:02:39,756 --> 01:02:44,177
A VERY GOOD CHRISTMAS PRESENT
1589
01:02:39,756 --> 01:02:44,177
THIS YEAR, SANTA CLAUS.
1590
01:02:44,219 --> 01:02:45,970
[LAUGHS]
1591
01:02:46,012 --> 01:02:50,225
YOUR JOYFUL SMILE IS
1592
01:02:46,012 --> 01:02:50,225
A VERY NICE CHRISTMAS PRESENT.
1593
01:02:58,275 --> 01:03:01,027
WILL YOU HURRY UP
1594
01:02:58,275 --> 01:03:01,027
AND APOLOGIZE TO HER ALREADY?
1595
01:03:01,069 --> 01:03:03,321
I DON'T KNOW WHAT TO SAY.
1596
01:03:03,363 --> 01:03:06,783
SAY YOU'RE SORRY
1597
01:03:03,363 --> 01:03:06,783
FOR BEING UNGRATEFUL.
1598
01:03:06,824 --> 01:03:09,119
I WAS GRATEFUL.
1599
01:03:06,824 --> 01:03:09,119
I AM GRATEFUL.
1600
01:03:09,160 --> 01:03:11,288
THE CARDS ARE WONDERFUL.
1601
01:03:11,913 --> 01:03:14,832
TELL HER, NOT ME.
1602
01:03:14,874 --> 01:03:17,294
SHE SHOULD HAVE BEEN
1603
01:03:14,874 --> 01:03:17,294
WORKING ON HER STORY.
1604
01:03:17,335 --> 01:03:19,087
HE TOOK ADVANTAGE
1605
01:03:17,335 --> 01:03:19,087
OF HER GENEROSITY
1606
01:03:19,129 --> 01:03:21,298
AND I DON'T WANT
1607
01:03:19,129 --> 01:03:21,298
TO BE LIKE THAT.
1608
01:03:22,257 --> 01:03:24,342
YOU HURT HER FEELINGS,
1609
01:03:22,257 --> 01:03:24,342
DUSTIN.
1610
01:03:25,218 --> 01:03:27,304
YOU GOTTA MAKE IT UP TO HER.
1611
01:03:34,436 --> 01:03:36,813
[CELL PHONE BEEPS]
1612
01:03:38,565 --> 01:03:40,567
[CHUCKLES]
1613
01:03:42,569 --> 01:03:44,279
YAY.
1614
01:03:44,321 --> 01:03:46,406
[CELL PHONE BEEPS]
1615
01:04:12,641 --> 01:04:14,934
THAT'S...
1616
01:04:14,976 --> 01:04:18,313
SERIOUSLY... COOL.
1617
01:04:44,548 --> 01:04:49,761
I BETTER GET
1618
01:04:44,548 --> 01:04:49,761
A SIGNED COPY OF YOUR BOOK.
1619
01:05:08,071 --> 01:05:11,074
THANK YOU. OK.
1620
01:05:11,115 --> 01:05:13,993
I'M REALLY GLAD
1621
01:05:11,115 --> 01:05:13,993
YOU CHANGED YOUR MIND, DUSTIN.
1622
01:05:14,035 --> 01:05:15,453
YEAH, ME TOO.
1623
01:05:15,495 --> 01:05:17,080
IT'S SO IMPORTANT TO UNITE
1624
01:05:15,495 --> 01:05:17,080
THESE DOGS WITH THEIR OWNERS
1625
01:05:17,121 --> 01:05:19,916
OR FIND THEM FOREVER HOMES.
1626
01:05:19,957 --> 01:05:22,377
WE GOT A LOT
1627
01:05:19,957 --> 01:05:22,377
OF REALLY NICE DOGS HERE.
1628
01:05:22,419 --> 01:05:25,714
WELL I'M GOING TO GIVE BARKLY
1629
01:05:22,419 --> 01:05:25,714
A VERY HAPPY HOME, I PROMISE.
1630
01:05:25,756 --> 01:05:28,049
WE'RE HAPPY TO HEAR THAT.
1631
01:05:31,428 --> 01:05:33,847
IT'S OKAY, BARKLY.
1632
01:05:35,265 --> 01:05:38,184
-CAN I OPEN IT UP? ALRIGHT.
1633
01:05:35,265 --> 01:05:38,184
-OF COURSE.
1634
01:05:38,226 --> 01:05:41,104
OH, HI, BARKLY.
1635
01:05:38,226 --> 01:05:41,104
HEY, BUDDY.
1636
01:05:41,145 --> 01:05:43,732
THERE HE IS.
1637
01:05:43,774 --> 01:05:46,735
AW. ARE YOU REALLY HAPPY?
1638
01:05:46,777 --> 01:05:48,820
DO YOU WANT
1639
01:05:46,777 --> 01:05:48,820
TO COME HOME WITH ME?
1640
01:05:48,862 --> 01:05:50,906
-DO YOU?
1641
01:05:48,862 --> 01:05:50,906
-HE'S HAPPY.
1642
01:05:50,947 --> 01:05:53,991
GOOD, I'M HAPPY TOO.
1643
01:05:50,947 --> 01:05:53,991
LET'S GO HOME.
1644
01:05:54,033 --> 01:05:56,160
ALRIGHT, COME ON.
1645
01:06:34,658 --> 01:06:39,036
[NO AUDIO]
1646
01:07:45,395 --> 01:07:48,189
[NO AUDIO]
1647
01:08:15,132 --> 01:08:18,094
-I THINK I'LL GO TRANSLATE.
1648
01:08:15,132 --> 01:08:18,094
-WHY AREN'T YOU ON?
1649
01:08:18,135 --> 01:08:19,637
WHY AREN'T YOU
1650
01:08:18,135 --> 01:08:19,637
ON TV ALREADY?
1651
01:08:19,679 --> 01:08:22,891
[LAUGHING]
1652
01:08:19,679 --> 01:08:22,891
YOU'RE MAKING FUN OF ME.
1653
01:08:22,933 --> 01:08:25,018
I WAS JUST...
1654
01:08:26,561 --> 01:08:29,272
[CELL PHONE RINGS]
1655
01:08:29,313 --> 01:08:31,107
YOU SHOULD GET THAT.
1656
01:08:31,148 --> 01:08:32,817
YEAH.
1657
01:08:38,155 --> 01:08:39,198
HI, CARLTON.
1658
01:08:39,532 --> 01:08:40,742
HELLO KAYLA, WHERE ARE YOU?
1659
01:08:41,284 --> 01:08:43,327
I'M AT THE TREE
1660
01:08:41,284 --> 01:08:43,327
FUNDRAISING EVENT.
1661
01:08:43,369 --> 01:08:45,705
I TEXTED YOU THE INFORMATION.
1662
01:08:46,497 --> 01:08:47,415
SOMETHING WRONG?
1663
01:08:47,457 --> 01:08:49,250
I NEED TO SEE YOU IMMEDIATELY
1664
01:08:50,418 --> 01:08:52,921
OKAY, I'M ON MY WAY.
1665
01:08:55,632 --> 01:08:57,050
IT WAS CARLTON.
1666
01:08:57,092 --> 01:08:58,927
YEAH. I HEARD.
1667
01:08:58,969 --> 01:09:01,512
HE SOUNDED WEIRD. I THINK
1668
01:08:58,969 --> 01:09:01,512
SOMETHING MIGHT HAVE HAPPENED.
1669
01:09:01,554 --> 01:09:03,556
IT SOUNDS IMPORTANT.
1670
01:09:01,554 --> 01:09:03,556
YOU SHOULD GO.
1671
01:09:05,767 --> 01:09:07,143
OKAY.
1672
01:09:08,394 --> 01:09:10,647
I HAD A REALLY
1673
01:09:08,394 --> 01:09:10,647
GOOD TIME WITH YOU TODAY.
1674
01:09:11,272 --> 01:09:12,482
ME TOO.
1675
01:09:34,629 --> 01:09:36,255
-BYE.
1676
01:09:34,629 --> 01:09:36,255
-BYE.
1677
01:10:15,003 --> 01:10:16,713
WHAT'S GOING ON?
1678
01:10:21,051 --> 01:10:23,386
I CAN'T STOP
1679
01:10:21,051 --> 01:10:23,386
THINKING ABOUT US.
1680
01:10:30,101 --> 01:10:31,561
CARLTON.
1681
01:10:31,602 --> 01:10:33,771
YOU NEED TO BE FOCUSING
1682
01:10:31,602 --> 01:10:33,771
ON THE BALLET.
1683
01:10:33,813 --> 01:10:35,398
I CAN'T.
1684
01:10:37,901 --> 01:10:39,235
YOU ARE...
1685
01:10:39,276 --> 01:10:41,196
MORE IMPORTANT TO ME.
1686
01:10:42,072 --> 01:10:43,031
I'M WHAT?
1687
01:10:43,073 --> 01:10:44,657
YOU...
1688
01:10:45,783 --> 01:10:48,203
ARE MORE IMPORTANT
1689
01:10:45,783 --> 01:10:48,203
TO ME, KAYLA.
1690
01:10:51,081 --> 01:10:53,041
I...
1691
01:10:53,083 --> 01:10:56,086
LOOK, I KNOW I NEED TO SHOULDER
1692
01:10:53,083 --> 01:10:56,086
MOST OF THE RESPONSIBILITY
1693
01:10:53,083 --> 01:10:56,086
OF WHAT WENT WRONG.
1694
01:10:56,127 --> 01:10:57,795
I'M...
1695
01:10:57,837 --> 01:11:01,424
TOUGH, I'M OPINIONATED,
1696
01:10:57,837 --> 01:11:01,424
I'M POMPOUS,
1697
01:10:57,837 --> 01:11:01,424
I'M A PERFECTIONIST,
1698
01:11:01,465 --> 01:11:03,509
I'VE LIVED MOST OF MY CAREER
1699
01:11:01,465 --> 01:11:03,509
FOR MYSELF,
1700
01:11:03,551 --> 01:11:07,222
BUT I DON'T WANT
1701
01:11:03,551 --> 01:11:07,222
TO DO THAT ANYMORE. I...
1702
01:11:08,514 --> 01:11:10,600
WANT OUR MAGIC BACK,
1703
01:11:10,641 --> 01:11:13,770
LIKE IT WAS IN THE BEGINNING,
1704
01:11:10,641 --> 01:11:13,770
ONCE UPON A TIME.
1705
01:11:16,022 --> 01:11:18,315
WILL YOU GIVE ME
1706
01:11:16,022 --> 01:11:18,315
A SECOND CHANCE?
1707
01:11:23,196 --> 01:11:25,156
IT'S NOT WHAT
1708
01:11:23,196 --> 01:11:25,156
YOU THINK IT IS.
1709
01:11:25,198 --> 01:11:26,699
THAT WOULD BE PRESUMPTUOUS.
1710
01:11:32,538 --> 01:11:34,624
THE COLORS OF CHRISTMAS.
1711
01:11:34,665 --> 01:11:37,168
TO REMIND YOU
1712
01:11:34,665 --> 01:11:37,168
OF OUR FRESH START...
1713
01:11:38,461 --> 01:11:41,297
IF YOU'LL HAVE ME,
1714
01:11:38,461 --> 01:11:41,297
OF COURSE.
1715
01:11:44,926 --> 01:11:46,719
SLEEP ON IT?
1716
01:11:53,226 --> 01:11:54,978
CAN YOU GIVE ME A MOMENT?
1717
01:11:55,019 --> 01:11:58,481
YES, OF COURSE,
1718
01:11:55,019 --> 01:11:58,481
DARLING, OF COURSE.
1719
01:12:23,589 --> 01:12:26,676
HO, HO, HO!
1720
01:12:23,589 --> 01:12:26,676
A PENNY FOR YOUR THOUGHTS.
1721
01:12:26,717 --> 01:12:29,553
-GOOD MORNING, SANTA.
1722
01:12:26,717 --> 01:12:29,553
-GOOD MORNING, SMILES.
1723
01:12:29,595 --> 01:12:32,348
OH... WHERE'S THE SMILE?
1724
01:12:34,142 --> 01:12:36,978
I NEED A WISH
1725
01:12:34,142 --> 01:12:36,978
ABOUT TRUE LOVE.
1726
01:12:37,020 --> 01:12:41,024
AH, THE ORIGINAL WISH
1727
01:12:37,020 --> 01:12:41,024
WE SPOKE OF.
1728
01:12:41,065 --> 01:12:45,862
ARE YOU NOW WISHING FOR THAT
1729
01:12:41,065 --> 01:12:45,862
ROMANTIC SPARK TO BE REIGNITED?
1730
01:12:48,405 --> 01:12:49,657
I'M NOT QUITE SURE.
1731
01:12:49,699 --> 01:12:53,203
[CHUCKLING] WELL, I'M SURE
1732
01:12:49,699 --> 01:12:53,203
YOU'LL FIGURE IT OUT.
1733
01:12:53,244 --> 01:12:54,954
-MERRY CHRISTMAS. HO, HO, HO.
1734
01:12:53,244 --> 01:12:54,954
-MERRY CHRISTMAS.
1735
01:12:54,996 --> 01:12:56,539
BYE-BYE.
1736
01:13:20,897 --> 01:13:22,648
COME IN.
1737
01:13:31,241 --> 01:13:32,658
ARE YOU OKAY?
1738
01:13:34,369 --> 01:13:35,370
NO.
1739
01:13:42,793 --> 01:13:45,462
CARLTON WANTS ANOTHER CHANCE.
1740
01:13:45,504 --> 01:13:47,631
HE WANTS TO MAKE IT
1741
01:13:45,504 --> 01:13:47,631
WORK BETWEEN US.
1742
01:13:49,675 --> 01:13:51,052
OH.
1743
01:13:53,679 --> 01:13:56,224
IT'S BEAUTIFUL,
1744
01:13:53,679 --> 01:13:56,224
BY THE WAY.
1745
01:13:56,266 --> 01:13:57,516
FROM CARLTON?
1746
01:13:58,268 --> 01:13:59,643
YEAH.
1747
01:14:03,106 --> 01:14:05,191
DUSTIN...
1748
01:14:05,233 --> 01:14:07,235
WELL, I WISH YOU
1749
01:14:05,233 --> 01:14:07,235
ALL THE BEST AND...
1750
01:14:07,277 --> 01:14:10,154
ALL THE HAPPINESS,
1751
01:14:07,277 --> 01:14:10,154
OKAY? I REALLY DO.
1752
01:14:12,656 --> 01:14:14,658
OKAY, THEN.
1753
01:14:14,700 --> 01:14:16,786
I GUESS THIS IS FOR THE BEST.
1754
01:14:18,288 --> 01:14:20,164
THANK YOU FOR EVERYTHING.
1755
01:14:21,332 --> 01:14:23,251
YEAH, I'M GRATEFUL TOO.
1756
01:14:23,293 --> 01:14:25,711
FOR ALL THE SPECIAL TIMES
1757
01:14:23,293 --> 01:14:25,711
THAT WE HAD.
1758
01:14:27,046 --> 01:14:29,090
THEY WERE PRETTY WONDERFUL.
1759
01:14:29,840 --> 01:14:31,592
YEAH, THEY WERE.
1760
01:14:43,771 --> 01:14:46,232
I SCREWED THAT UP, DIDN'T I?
1761
01:14:47,900 --> 01:14:50,320
SHE'S RIGHT,
1762
01:14:47,900 --> 01:14:50,320
THIS IS FOR THE BEST.
1763
01:14:55,992 --> 01:14:58,535
HERE WE ARE, LADIES,
1764
01:14:55,992 --> 01:14:58,535
AND LIFTING.
1765
01:14:58,577 --> 01:15:01,289
AND LIFTING, YES, EXACTLY.
1766
01:15:01,331 --> 01:15:02,498
LIFTING.
1767
01:15:02,539 --> 01:15:04,875
LIFT IT UP,
1768
01:15:02,539 --> 01:15:04,875
THROUGH THE ENTIRE JUMP.
1769
01:15:04,917 --> 01:15:06,419
STOP. STOP.
1770
01:15:06,461 --> 01:15:09,755
OKAY, UH,
1771
01:15:06,461 --> 01:15:09,755
IT'S GOING VERY WELL.
1772
01:15:11,466 --> 01:15:13,343
BECOME LIKE CONFETTI!
1773
01:15:30,276 --> 01:15:31,652
LET'S MAKE THIS WORK.
1774
01:15:32,569 --> 01:15:34,405
I LOVE YOU, DARLING.
1775
01:15:42,497 --> 01:15:44,832
[KIM] I'VE NEVER BEEN MIFFED
1776
01:15:42,497 --> 01:15:44,832
AT YOU BEFORE.
1777
01:15:46,125 --> 01:15:48,378
WE'VE HAD OUR STRESSFUL
1778
01:15:46,125 --> 01:15:48,378
WORK ENVIRONMENTS-
1779
01:15:48,419 --> 01:15:50,129
I MEAN, DIFFERENCES
1780
01:15:48,419 --> 01:15:50,129
OF OPINIONS,
1781
01:15:50,171 --> 01:15:52,756
YEAH, BUT I'VE NEVER BEEN
1782
01:15:50,171 --> 01:15:52,756
MIFFED AT YOU
1783
01:15:52,798 --> 01:15:55,926
OR DISAPPOINTED
1784
01:15:52,798 --> 01:15:55,926
IN YOU UNTIL NOW.
1785
01:15:55,968 --> 01:15:58,846
HOW COULD YOU LET HER
1786
01:15:55,968 --> 01:15:58,846
JUST WALK OUT OF YOUR LIFE?
1787
01:15:58,888 --> 01:16:02,141
SHE LEFT PRETTY QUICKLY
1788
01:15:58,888 --> 01:16:02,141
AND PRETTY WILLINGLY.
1789
01:16:02,183 --> 01:16:05,561
DUSTIN, YOU SHOULD
1790
01:16:02,183 --> 01:16:05,561
HAVE FOUGHT FOR HER!
1791
01:16:05,602 --> 01:16:08,647
STEPPED UP TO THE PLATE AND TOLD
1792
01:16:05,602 --> 01:16:08,647
HER HOW YOU REALLY FEEL!
1793
01:16:12,068 --> 01:16:14,570
WHERE ARE YOU GOING?
1794
01:16:14,611 --> 01:16:16,239
I DON'T KNOW.
1795
01:16:14,611 --> 01:16:16,239
I'M GOING TO GET YOU SOME CATS,
1796
01:16:16,280 --> 01:16:19,825
BECAUSE CLEARLY YOU'RE GOING
1797
01:16:16,280 --> 01:16:19,825
TO BE A CRAZY OLD CAT PERSON.
1798
01:16:21,994 --> 01:16:24,580
I WOULDN'T BE SURPRISED
1799
01:16:21,994 --> 01:16:24,580
IF YOU STARTED LAYING EGGS.
1800
01:16:26,999 --> 01:16:28,876
I'M NOT CHICKEN.
1801
01:16:31,003 --> 01:16:33,464
I'M NOT CHICKEN,
1802
01:16:31,003 --> 01:16:33,464
AM I, BOY?
1803
01:16:33,506 --> 01:16:35,925
[CARLTON] 1 AND 2 AND 3.
1804
01:16:33,506 --> 01:16:35,925
[CLASSICAL MUSIC PLAYS]
1805
01:16:35,966 --> 01:16:38,135
STOP, STOP, STOP!
1806
01:16:38,177 --> 01:16:40,012
THIS IS NOT WHAT I ASKED.
1807
01:16:38,177 --> 01:16:40,012
IT IS NOT.
1808
01:16:40,054 --> 01:16:43,766
I ASKED REPEATEDLY, PLEASE...
1809
01:16:48,312 --> 01:16:50,231
BACK WITH CARLTON?
1810
01:16:50,273 --> 01:16:52,358
-AND, 1, 2, 3...
1811
01:16:50,273 --> 01:16:52,358
-BACK WITH CARLTON.
1812
01:16:52,400 --> 01:16:55,778
I CAN TELL, STOP! IT'S NOT
1813
01:16:52,400 --> 01:16:55,778
WORKING. IT'S NOT WORKING!
1814
01:16:55,819 --> 01:17:00,074
YESTERDAY IT SEEMED
1815
01:16:55,819 --> 01:17:00,074
LIKE YOU AND DUSTIN
1816
01:16:55,819 --> 01:17:00,074
WERE REALLY CONNECTING.
1817
01:17:01,075 --> 01:17:03,286
YEAH, WELL,
1818
01:17:03,327 --> 01:17:05,204
THE WHOLE WORLD CAN CHANGE
1819
01:17:03,327 --> 01:17:05,204
IN A MOMENT, REALLY.
1820
01:17:05,246 --> 01:17:08,332
RUN OFF THE STAGE.
1821
01:17:05,246 --> 01:17:08,332
RUN OFF THE STAGE!
1822
01:17:08,374 --> 01:17:13,296
SO THEN HOW COME
1823
01:17:08,374 --> 01:17:13,296
IT DOESN'T LOOK LIKE
1824
01:17:08,374 --> 01:17:13,296
YOU'RE HAPPY WITH THE CHANGE?
1825
01:17:13,337 --> 01:17:15,256
NOW GO BACK ONTO THE STAGE.
1826
01:17:15,298 --> 01:17:17,925
IT'S BEEN
1827
01:17:15,298 --> 01:17:17,925
AN OVERWHELMING FEW DAYS.
1828
01:17:17,967 --> 01:17:19,427
I'M SURE THINGS
1829
01:17:17,967 --> 01:17:19,427
WILL GET BACK TO NORMAL
1830
01:17:19,469 --> 01:17:21,887
ONCE CARLTON AND I ARE BACK
1831
01:17:19,469 --> 01:17:21,887
IN LOS ANGELES.
1832
01:17:21,929 --> 01:17:24,557
-AND, 1, 2, 3...
1833
01:17:21,929 --> 01:17:24,557
-WE'RE LEAVING TONIGHT
1834
01:17:24,599 --> 01:17:27,017
AFTER THE FESTIVITIES.
1835
01:17:27,059 --> 01:17:28,144
I NEED TO GET BACK HOME.
1836
01:17:28,185 --> 01:17:31,814
OKAY, I SEE...
1837
01:17:28,185 --> 01:17:31,814
I SEE YOU ON MY SET.
1838
01:17:31,855 --> 01:17:34,858
PLEASE LEAVE MY SET,
1839
01:17:31,855 --> 01:17:34,858
THANK YOU.
1840
01:17:43,534 --> 01:17:46,287
[JAZZY MUSIC PLAYING]
1841
01:17:46,329 --> 01:17:49,081
-HEY, CAN YOU HAND THESE OUT?
1842
01:17:46,329 --> 01:17:49,081
THANK YOU.
1843
01:17:46,329 --> 01:17:49,081
-SURE.
1844
01:17:59,342 --> 01:18:00,801
HEY, KAYLA.
1845
01:18:00,843 --> 01:18:02,595
HI.
1846
01:18:04,639 --> 01:18:06,390
I LET HIM HAVE IT.
1847
01:18:06,432 --> 01:18:09,226
-FULL ROUND OF AMMUNITION.
1848
01:18:06,432 --> 01:18:09,226
-[SIGHS] KIM.
1849
01:18:09,268 --> 01:18:11,687
I CALLED HIM A CAT LADY,
1850
01:18:09,268 --> 01:18:11,687
AND A CHICKEN.
1851
01:18:11,728 --> 01:18:12,855
[CHUCKLES] KIM.
1852
01:18:12,896 --> 01:18:15,608
WHAT, IT'S TRUE!
1853
01:18:12,896 --> 01:18:15,608
YOU TWO BELONG TOGETHER.
1854
01:18:15,650 --> 01:18:17,734
-IT'S SO OBVIOUS.
1855
01:18:15,650 --> 01:18:17,734
-HI GUYS.
1856
01:18:17,776 --> 01:18:20,404
THINGS ARE THE WAY
1857
01:18:17,776 --> 01:18:20,404
THEY SHOULD BE.
1858
01:18:20,446 --> 01:18:21,572
OH YEAH?
1859
01:18:21,614 --> 01:18:23,824
THEN WHY DO YOU LOOK
1860
01:18:21,614 --> 01:18:23,824
SO MISERABLE?
1861
01:18:23,866 --> 01:18:24,992
HI.
1862
01:18:25,034 --> 01:18:27,370
AND WHY DOES DUSTIN
1863
01:18:25,034 --> 01:18:27,370
LOOK SO MISERABLE?
1864
01:18:27,411 --> 01:18:30,706
WAIT, IS... IS HE HERE?
1865
01:18:30,747 --> 01:18:33,750
NO, HE WAS TO SET UP,
1866
01:18:30,747 --> 01:18:33,750
BUT THEN HE LEFT
1867
01:18:33,792 --> 01:18:36,086
BECAUSE HE FELT IT MIGHT
1868
01:18:33,792 --> 01:18:36,086
BE UNCOMFORTABLE
1869
01:18:36,128 --> 01:18:37,754
FOR YOU IF HE WAS HERE.
1870
01:18:40,049 --> 01:18:41,175
IT IS WHAT IT IS.
1871
01:18:42,009 --> 01:18:43,802
BUT IT DOESN'T HAVE TO BE.
1872
01:18:43,844 --> 01:18:45,513
IF YOU JUST TOLD HIM
1873
01:18:43,844 --> 01:18:45,513
THAT YOU LOVED HIM, THEN--
1874
01:18:45,555 --> 01:18:48,641
KIM, I AM
1875
01:18:45,555 --> 01:18:48,641
WITH CARLTON NOW, OKAY?
1876
01:18:48,683 --> 01:18:51,686
HE'S CHANGED,
1877
01:18:48,683 --> 01:18:51,686
AND HE'S TRYING, WHICH IS--
1878
01:18:51,727 --> 01:18:53,688
WHICH IS MORE
1879
01:18:51,727 --> 01:18:53,688
THAN I CAN SAY FOR DUSTIN.
1880
01:18:55,147 --> 01:18:56,982
OH, GOOD EVENING, LOVE!
1881
01:18:57,024 --> 01:19:02,196
YOU LOOK
1882
01:18:57,024 --> 01:19:02,196
ABSOLUTELY GORGEOUS. OH!
1883
01:19:02,238 --> 01:19:05,032
[BREATHES DEEPLY] GET ME A GLASS
1884
01:19:02,238 --> 01:19:05,032
OF WINE, WOULD YOU, DARLING?
1885
01:19:05,074 --> 01:19:09,245
OH, AND YOU NEED TO CONTACT
1886
01:19:05,074 --> 01:19:09,245
THE ARTS EDITOR
1887
01:19:05,074 --> 01:19:09,245
AT THE DAILY NEWS.
1888
01:19:09,286 --> 01:19:13,123
THE ARTICLE ABOUT ME WAS BOTTOM
1889
01:19:09,286 --> 01:19:13,123
OF FRONT PAGE AND NOT TOP.
1890
01:19:13,165 --> 01:19:16,001
REALLY?
1891
01:19:13,165 --> 01:19:16,001
THIS IS OUR ENGAGEMENT PARTY
1892
01:19:16,043 --> 01:19:18,295
AND YOU ARE STILL
1893
01:19:16,043 --> 01:19:18,295
BOSSING ME AROUND?
1894
01:19:18,337 --> 01:19:20,797
OH, I'M SORRY, DARLING,
1895
01:19:18,337 --> 01:19:20,797
I SHOULDN'T HAVE DONE THAT.
1896
01:19:20,839 --> 01:19:23,718
IT'S JUST THAT EVERY MOMENT
1897
01:19:20,839 --> 01:19:23,718
IS CRITICAL.
1898
01:19:23,759 --> 01:19:25,094
WE'RE OPENING TOMORROW NIGHT.
1899
01:19:25,135 --> 01:19:27,471
I'M SO SORRY, SWEETUMS,
1900
01:19:27,513 --> 01:19:30,683
I JUST SEE SOMEONE OVER THERE
1901
01:19:27,513 --> 01:19:30,683
THAT I ABSOLUTELY
1902
01:19:27,513 --> 01:19:30,683
HAVE TO SPEAK TO.
1903
01:19:30,725 --> 01:19:33,018
EXCUSE ME.
1904
01:19:42,945 --> 01:19:44,821
[SIGHS]
1905
01:19:53,664 --> 01:19:55,541
I DIDN'T TELL YOU
1906
01:19:55,583 --> 01:19:58,586
BECAUSE I DIDN'T KNOW WHAT WAS
1907
01:19:55,583 --> 01:19:58,586
GOING ON BETWEEN THEM BUT...
1908
01:19:58,628 --> 01:20:01,130
I SAW THEM GETTING COZY
1909
01:19:58,628 --> 01:20:01,130
THE OTHER DAY AT THE HOTEL
1910
01:20:01,171 --> 01:20:03,633
WHEN WE WERE SITTING
1911
01:20:01,171 --> 01:20:03,633
AT THE BAR.
1912
01:20:03,674 --> 01:20:06,552
OH, YOU MEAN WHEN WE WERE
1913
01:20:03,674 --> 01:20:06,552
HAVING A CONVERSATION
1914
01:20:06,594 --> 01:20:09,597
ABOUT THE IMPORTANCE
1915
01:20:06,594 --> 01:20:09,597
OF FINDING A MAN
1916
01:20:09,639 --> 01:20:11,641
WHO IS YOUR FRIEND?
1917
01:20:11,682 --> 01:20:13,559
A MAN WHO RESPECTS YOU?
1918
01:20:13,601 --> 01:20:15,436
YEAH, PRETTY MUCH.
1919
01:20:19,273 --> 01:20:20,941
WHERE ARE YOU GOING?
1920
01:20:20,983 --> 01:20:22,943
TO GIVE CARLTON
1921
01:20:20,983 --> 01:20:22,943
A PIECE OF MY MIND.
1922
01:20:22,985 --> 01:20:24,987
ARE YOU SURE?
1923
01:20:25,028 --> 01:20:27,906
OH, I AM MORE SURE THAN ANYTHING
1924
01:20:25,028 --> 01:20:27,906
I HAVE EVER DONE BEFORE.
1925
01:20:34,538 --> 01:20:36,373
WE ARE OFFICIALLY DONE.
1926
01:20:36,415 --> 01:20:39,835
[CHUCKLING]
1927
01:20:36,415 --> 01:20:39,835
I BEG YOUR PARDON?
1928
01:20:39,876 --> 01:20:42,588
THE SPARK IS GONE, CARLTON.
1929
01:20:42,630 --> 01:20:45,800
LOOK, I KNOW YOU LOVE ME,
1930
01:20:42,630 --> 01:20:45,800
AND I WILL ALWAYS LOVE YOU,
1931
01:20:45,841 --> 01:20:48,218
BUT AS A COUPLE,
1932
01:20:45,841 --> 01:20:48,218
WE DO NOT WORK.
1933
01:20:48,260 --> 01:20:50,680
I THOUGHT YOU WANTED TO TRY.
1934
01:20:50,721 --> 01:20:54,266
[GASPS] I DID, AND WE HAVEN'T
1935
01:20:50,721 --> 01:20:54,266
EVEN GONE A FULL DAY
1936
01:20:54,308 --> 01:20:57,561
AND WE'RE ALREADY BACK
1937
01:20:54,308 --> 01:20:57,561
TO THE WAY THINGS WERE
1938
01:20:54,308 --> 01:20:57,561
THAT NEEDED TO BE CHANGED.
1939
01:21:00,606 --> 01:21:03,150
I NEED A LOVE THAT DEEPENS
1940
01:21:03,192 --> 01:21:06,445
AND GROWS EACH DAY WITH
1941
01:21:03,192 --> 01:21:06,445
A PARTNER WHO RESPECTS ME
1942
01:21:06,487 --> 01:21:10,157
AND INSPIRES ME
1943
01:21:06,487 --> 01:21:10,157
AS MUCH AS I'D INSPIRE HIM.
1944
01:21:11,826 --> 01:21:16,997
CARLTON, YOU ARE AN AMAZING
1945
01:21:11,826 --> 01:21:16,997
DIRECTOR AND CHOREOGRAPHER.
1946
01:21:17,039 --> 01:21:18,915
YOU ARE AN AMAZING PERSON,
1947
01:21:18,957 --> 01:21:22,294
AND THE BALLET YOU CHOREOGRAPHED
1948
01:21:18,957 --> 01:21:22,294
WILL BE AMAZING.
1949
01:21:25,130 --> 01:21:27,090
BUT I'M NOT
1950
01:21:25,130 --> 01:21:27,090
GOING TO BE THERE.
1951
01:21:31,595 --> 01:21:33,389
GO BE AMAZING.
1952
01:21:36,016 --> 01:21:39,687
I... HOPE YOU FIND
1953
01:21:36,016 --> 01:21:39,687
THAT LOVE.
1954
01:21:50,906 --> 01:21:53,158
HEY, WHERE ARE YOU
1955
01:21:50,906 --> 01:21:53,158
GOING NOW?
1956
01:21:54,368 --> 01:21:56,537
BACK TO LOS ANGELES.
1957
01:21:59,832 --> 01:22:01,083
SHOULD WE...? SHOULD WE...?
1958
01:22:01,124 --> 01:22:02,459
-YEAH, WE SHOULD. YEAH.
1959
01:22:01,124 --> 01:22:02,459
-YEAH. YEAH.
1960
01:22:02,501 --> 01:22:04,837
-KAYLA!
1961
01:22:02,501 --> 01:22:04,837
-KAYLA!
1962
01:22:22,312 --> 01:22:24,189
-WHERE ARE YOU HEADED?
1963
01:22:22,312 --> 01:22:24,189
-THE AIRPORT.
1964
01:22:24,231 --> 01:22:26,692
AH. CAN I GET YOU A CAB?
1965
01:22:27,568 --> 01:22:28,778
NO.
1966
01:22:29,570 --> 01:22:30,613
WAIT.
1967
01:22:31,781 --> 01:22:33,198
YOU'RE CHANGING
1968
01:22:31,781 --> 01:22:33,198
YOUR MIND, HUH?
1969
01:22:35,242 --> 01:22:37,870
YEAH.
1970
01:22:37,912 --> 01:22:41,290
WHAT, DO YOU HAVE A PROBLEM
1971
01:22:37,912 --> 01:22:41,290
WITH A STRONG WOMAN?
1972
01:22:41,331 --> 01:22:43,793
[CHUCKLES] NOPE.
1973
01:22:47,337 --> 01:22:49,924
COME ON, BOY. COME HERE.
1974
01:22:51,508 --> 01:22:54,177
YOU DON'T WANT TO LIVE WITH
1975
01:22:51,508 --> 01:22:54,177
A WHOLE BUNCH OF CATS, DO YOU?
1976
01:22:58,766 --> 01:23:00,601
I AM BEING A CHICKEN,
1977
01:22:58,766 --> 01:23:00,601
AREN'T I?
1978
01:23:04,354 --> 01:23:06,356
I SHOULD GO GET HER?
1979
01:23:07,942 --> 01:23:09,276
LET'S DO THIS.
1980
01:23:09,318 --> 01:23:11,153
COME ON.
1981
01:23:32,007 --> 01:23:34,009
[ELEVATOR BELL DINGS]
1982
01:23:43,727 --> 01:23:46,021
[CLATTERING]
1983
01:23:46,062 --> 01:23:47,731
OH NO.
1984
01:23:47,773 --> 01:23:51,067
WHY DO I ALWAYS FORGET
1985
01:23:47,773 --> 01:23:51,067
TO TAKE THE STAIRS?
1986
01:23:52,152 --> 01:23:53,988
[SIGHS]
1987
01:23:55,531 --> 01:23:57,908
THE DAMN ELEVATOR!
1988
01:24:39,575 --> 01:24:40,951
WHAT'S WRONG?
1989
01:24:40,993 --> 01:24:43,161
THE ELEVATOR'S STUCK
1990
01:24:40,993 --> 01:24:43,161
FOR GOOD THIS TIME.
1991
01:24:43,203 --> 01:24:45,789
IT HASN'T MOVED
1992
01:24:43,203 --> 01:24:45,789
IN 30 MINUTES.
1993
01:24:48,918 --> 01:24:50,293
THANKS A LOT, ELEVATOR.
1994
01:24:51,754 --> 01:24:55,925
YOU BROUGHT THE MOST
1995
01:24:51,754 --> 01:24:55,925
INCREDIBLE WOMAN INTO MY LIFE,
1996
01:24:55,966 --> 01:24:58,176
AND NOW YOU'RE STOPPING ME
1997
01:24:55,966 --> 01:24:58,176
FROM GETTING TO HER.
1998
01:24:59,762 --> 01:25:01,513
DUSTIN?
1999
01:25:03,348 --> 01:25:06,476
[DUSTIN] I AM A CHICKEN, OKAY,
2000
01:25:03,348 --> 01:25:06,476
IS THAT WHAT YOU WANT TO HEAR?
2001
01:25:06,518 --> 01:25:10,564
I PRACTICALLY ROLLED OUT THE RED
2002
01:25:06,518 --> 01:25:10,564
CARPET FOR KAYLA TO LEAVE ME.
2003
01:25:10,606 --> 01:25:15,277
AND NOW WHEN I WANT
2004
01:25:10,606 --> 01:25:15,277
TO GO GET HER, TO STOP HER
2005
01:25:10,606 --> 01:25:15,277
FROM LEAVING, TO...
2006
01:25:16,361 --> 01:25:19,531
TO TELL HER
2007
01:25:16,361 --> 01:25:19,531
HOW AMAZING SHE IS...
2008
01:25:19,573 --> 01:25:22,701
AND HOW I WANT
2009
01:25:19,573 --> 01:25:22,701
TO SPEND TIME WITH HER,
2010
01:25:22,743 --> 01:25:26,663
LOVING HER,
2011
01:25:22,743 --> 01:25:26,663
BEING HER BEST FRIEND,
2012
01:25:26,705 --> 01:25:29,374
HER PARTNER IN CRIME,
2013
01:25:29,416 --> 01:25:31,835
YOU'RE FOILING MY EFFORTS!
2014
01:25:33,545 --> 01:25:36,048
THANKS A LOT, ELEVATOR.
2015
01:25:36,090 --> 01:25:38,008
WHO'S KAYLA?
2016
01:25:39,635 --> 01:25:41,470
I'M KAYLA.
2017
01:25:43,806 --> 01:25:47,017
[ELEVATOR ENGINE STARTS]
2018
01:25:43,806 --> 01:25:47,017
[GASPS]
2019
01:25:47,059 --> 01:25:49,227
THANK YOU, ELEVATOR.
2020
01:25:53,189 --> 01:25:54,524
[ELEVATOR BELL DINGS]
2021
01:26:00,072 --> 01:26:03,867
THE, UH...
2022
01:26:00,072 --> 01:26:03,867
THE ELEVATOR INTERCOM WAS ON.
2023
01:26:03,909 --> 01:26:05,494
YOU ALL HEARD THAT?
2024
01:26:05,535 --> 01:26:08,330
MM-HM.
2025
01:26:08,371 --> 01:26:09,832
I HEARD IT.
2026
01:26:11,166 --> 01:26:13,043
THAT'S WHAT MATTERS.
2027
01:26:15,587 --> 01:26:17,714
[KAYLA CHUCKLES]
2028
01:26:27,057 --> 01:26:29,518
[ALL SHOUTING]
2029
01:26:47,494 --> 01:26:49,371
WHAT'S WRONG?
2030
01:26:50,831 --> 01:26:54,292
I AM SO HAPPY
2031
01:26:50,831 --> 01:26:54,292
TO HAVE MET YOU.
2032
01:26:54,334 --> 01:26:57,171
YOU'RE THE MOST AMAZING WOMAN
2033
01:26:54,334 --> 01:26:57,171
I'VE EVER MET.
2034
01:27:00,007 --> 01:27:03,510
AND I NEVER KNEW I COULD FALL
2035
01:27:00,007 --> 01:27:03,510
IN LOVE WITH MY BEST FRIEND.
2036
01:27:09,850 --> 01:27:11,101
KAYLA HANSEN...
2037
01:27:13,145 --> 01:27:15,647
YOU ARE SO INCREDIBLE.
2038
01:27:15,689 --> 01:27:18,358
YOU MAKE ME WANT
2039
01:27:15,689 --> 01:27:18,358
TO BE A BETTER MAN.
2040
01:27:18,400 --> 01:27:20,443
AND, A BETTER CHEF!
2041
01:27:22,154 --> 01:27:26,491
I WAS LOST BEFORE I MET YOU
2042
01:27:22,154 --> 01:27:26,491
BUT YOU'VE MADE ME WHOLE.
2043
01:27:27,743 --> 01:27:29,203
YOU'VE GIVEN MY LIFE MEANING.
2044
01:27:29,244 --> 01:27:32,998
AND, I WANT TO SPEND EVERY
2045
01:27:29,244 --> 01:27:32,998
SINGLE DAY OF MY LIFE WITH YOU.
2046
01:27:35,792 --> 01:27:37,044
KAYLA ANNE HANSEN,
2047
01:27:38,212 --> 01:27:40,714
-WILL YOU MARRY ME?
2048
01:27:38,212 --> 01:27:40,714
-YES! YES!
2049
01:27:40,756 --> 01:27:42,382
I WILL!
2050
01:27:42,424 --> 01:27:45,177
I WILL,
2051
01:27:42,424 --> 01:27:45,177
DUSTIN MICHAEL CASEY!
2052
01:27:50,306 --> 01:27:54,310
♪ ♪
2053
01:27:55,305 --> 01:28:55,653
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