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1
00:00:02,461 --> 00:00:03,170
♪♪♪
2
00:00:03,170 --> 00:00:05,339
Daly: From all across America,
3
00:00:05,339 --> 00:00:08,133
they are watching,
and we see you all!
4
00:00:08,133 --> 00:00:10,010
Give it up for our coaches ‐‐
5
00:00:10,010 --> 00:00:12,596
Kelly Clarkson!
6
00:00:12,596 --> 00:00:14,181
Kelly: I still have
my save left,
7
00:00:14,181 --> 00:00:15,641
and I'm just kind of waiting
for that moment
8
00:00:15,641 --> 00:00:18,143
where I cannot decide between
my two artists.
9
00:00:18,143 --> 00:00:20,854
Gwen Stefani!
10
00:00:20,854 --> 00:00:22,856
Gwen: So I have my save,
and I want to make sure
11
00:00:22,856 --> 00:00:25,192
that it comes from a place
deep in my heart
12
00:00:25,192 --> 00:00:27,694
where I really feel like I'm
gonna connect with this person
13
00:00:27,694 --> 00:00:28,862
and make a difference.
14
00:00:28,862 --> 00:00:31,365
The great John Legend!
15
00:00:31,365 --> 00:00:33,367
Hey!
16
00:00:33,367 --> 00:00:35,035
Look at that energy!
17
00:00:35,035 --> 00:00:36,036
Yeah!
18
00:00:36,036 --> 00:00:38,247
Blake: Last day of battles.
19
00:00:38,247 --> 00:00:40,541
You're looking
at the only coach
20
00:00:40,541 --> 00:00:44,169
with a steal ‐‐
Ol' Blaker.
21
00:00:44,169 --> 00:00:47,339
No Blake‐o,
they call me back in Oklahoma.
22
00:00:47,339 --> 00:00:49,633
Daly: And Blake Shelton!
23
00:00:49,633 --> 00:00:51,301
[ Cheers and applause ]
24
00:00:51,301 --> 00:00:53,387
"Shuffling" Shelton,
"Saddle 'Em Up" Shelton,
25
00:00:53,387 --> 00:00:55,055
"Break It Down" Blake.
26
00:00:55,055 --> 00:00:59,059
Whoo!
27
00:00:59,059 --> 00:01:01,353
I've got the only steal left.
28
00:01:01,353 --> 00:01:03,355
Watch this.
29
00:01:03,355 --> 00:01:04,481
No, I don't mean right now,
30
00:01:04,481 --> 00:01:06,233
like,
when I get out there.
31
00:01:06,233 --> 00:01:10,696
[ Laughs ]
32
00:01:10,696 --> 00:01:12,072
[ Cheers and applause ]
33
00:01:12,072 --> 00:01:14,408
Oh, look at that.
There's people.
34
00:01:14,408 --> 00:01:17,494
[ Cheers and applause ]
35
00:01:20,289 --> 00:01:21,748
Daly: Give it up
one more time,
36
00:01:21,748 --> 00:01:25,210
three amazing, talented coaches
and artists,
37
00:01:25,210 --> 00:01:26,420
and Blake.
38
00:01:26,420 --> 00:01:29,214
[ Laughter ]
39
00:01:29,214 --> 00:01:30,257
♪♪♪
40
00:01:30,257 --> 00:01:32,759
I'm so excited. Oh!
41
00:01:32,759 --> 00:01:34,928
This is actually h‐‐
Like, it feels, like, surreal.
42
00:01:34,928 --> 00:01:36,221
When I worked with you,
43
00:01:36,221 --> 00:01:38,432
you felt like
a little baby to me,
44
00:01:38,432 --> 00:01:40,684
and now I have two little,
tiny babies.
45
00:01:40,684 --> 00:01:42,686
I know,
even younger than me
46
00:01:42,686 --> 00:01:45,105
when you met me.
14 and 15.
47
00:01:45,105 --> 00:01:46,940
I'm excited.
Hi.
48
00:01:46,940 --> 00:01:49,276
Hi, guys.
So nice to meet you.
49
00:01:49,276 --> 00:01:52,571
Seeing Julia Michaels,
I think I almost passed out.
50
00:01:52,571 --> 00:01:54,114
I love the song "Issues."
51
00:01:54,114 --> 00:01:55,532
♪ 'Cause I got issues ♪
52
00:01:55,532 --> 00:01:57,284
It's a bop. [ Chuckles ]
53
00:01:57,284 --> 00:01:58,368
When I worked with her
the first time,
54
00:01:58,368 --> 00:01:59,578
she wasn't an artist yet.
55
00:01:59,578 --> 00:02:01,663
She was just a songwriter,
making hits.
56
00:02:01,663 --> 00:02:04,166
So it's really cool
to see her do this for you
57
00:02:04,166 --> 00:02:06,460
because she really
did do this for me.
That's amazing.
58
00:02:06,460 --> 00:02:09,296
Julia Michaels is
a Grammy Award nominee.
59
00:02:09,296 --> 00:02:11,423
She's a writer.
She's a singer.
60
00:02:11,423 --> 00:02:14,301
She has all of this under her
belt at such a young age,
61
00:02:14,301 --> 00:02:15,636
and that's what I want to do.
62
00:02:15,636 --> 00:02:17,095
So, what do you think
about this song?
63
00:02:17,095 --> 00:02:18,472
Larriah: At first, I was like,
"Whoa,
64
00:02:18,472 --> 00:02:20,140
that's a big song."
65
00:02:20,140 --> 00:02:21,642
I chose
"Like I'm Gonna Lose You"
66
00:02:21,642 --> 00:02:24,478
by Meghan Trainor
featuring John Legend.
67
00:02:24,478 --> 00:02:26,438
Also John Legend's
gonna be right there.
68
00:02:26,438 --> 00:02:29,650
I know, but big song
for big voices.
69
00:02:29,650 --> 00:02:30,734
Yeah.
That's why.
70
00:02:30,734 --> 00:02:32,235
Yeah.
Yeah.
71
00:02:32,235 --> 00:02:34,988
♪ I found myself
dreaming ♪
72
00:02:34,988 --> 00:02:38,617
When I choose a song
for really young singers,
73
00:02:38,617 --> 00:02:40,661
You want to make sure that
the content of the lyrics
74
00:02:40,661 --> 00:02:43,372
is age‐appropriate and they
could wrap their heads around it
75
00:02:43,372 --> 00:02:45,374
and it's upbeat,
but it's still emotional.
76
00:02:45,374 --> 00:02:47,334
♪ And I realized ♪
77
00:02:47,334 --> 00:02:49,503
Julia: Larriah's
such an old soul.
78
00:02:49,503 --> 00:02:52,631
I was just so compelled
by her voice.
79
00:02:52,631 --> 00:02:54,675
♪ So I'm gonna love you ♪
80
00:02:54,675 --> 00:02:56,176
Whoo!
Let's go!
81
00:02:56,176 --> 00:02:58,011
Julia: If she's singing
like that at 15,
82
00:02:58,011 --> 00:03:01,181
I can't even imagine what she's
gonna be singing like at my age.
83
00:03:01,181 --> 00:03:04,851
♪ I realized ♪
84
00:03:04,851 --> 00:03:08,188
Carter was not
what I was expecting.
85
00:03:08,188 --> 00:03:11,024
♪ So I'm gonna love you ♪
86
00:03:11,024 --> 00:03:15,862
That sweet boy can project
like I've never heard.
87
00:03:15,862 --> 00:03:21,868
Both: ♪ Like I'm gonna
lose you ♪
88
00:03:21,868 --> 00:03:24,329
Okay!
89
00:03:24,329 --> 00:03:27,082
I threw my paper.
I was like, "Alright."
90
00:03:27,082 --> 00:03:30,460
[ Chuckles ]
I'm so screwed.
91
00:03:30,460 --> 00:03:32,546
I can't even sing like this,
and you guys are 14 and 15.
92
00:03:32,546 --> 00:03:34,381
Oh, no, no.
You discover music
93
00:03:34,381 --> 00:03:36,049
when you're, like,
your guys' age.
94
00:03:36,049 --> 00:03:38,051
You're finding
your identity.
95
00:03:38,051 --> 00:03:40,554
It's such a struggle
being a teenager.
96
00:03:40,554 --> 00:03:42,347
It is,
but that was mind‐blowing.
97
00:03:42,347 --> 00:03:44,057
Mind‐blowing.
Thank you.
98
00:03:44,057 --> 00:03:47,060
I feel like it sounds a little
too sad at the beginning.
99
00:03:47,060 --> 00:03:49,229
Okay.
I'd love to hear
the beginning
100
00:03:49,229 --> 00:03:52,399
where it's just
a little bit stronger.
Stronger.
101
00:03:52,399 --> 00:03:53,817
Okay.
You sound so soft
102
00:03:53,817 --> 00:03:56,319
because you project
so fully.
103
00:03:56,319 --> 00:03:58,697
It's not like you don't get
there at the end.
104
00:03:58,697 --> 00:04:01,199
Like, girl,
you get there,
105
00:04:01,199 --> 00:04:02,742
and it's beautiful.
106
00:04:02,742 --> 00:04:04,578
Everyone's gonna be shocked
because in your blinds,
107
00:04:04,578 --> 00:04:06,705
you didn't really
do that at all.
108
00:04:06,705 --> 00:04:09,583
You sing with, like,
so much intention.
109
00:04:09,583 --> 00:04:12,586
You sing from such,
like, a deep place.
110
00:04:12,586 --> 00:04:14,588
There's, like, so much pain
in there.
111
00:04:14,588 --> 00:04:16,423
I want to know your story.
112
00:04:16,423 --> 00:04:19,718
Larriah: My biological father
left when I was 2.
113
00:04:19,718 --> 00:04:22,262
He just chose not to be here
and that's on him,
114
00:04:22,262 --> 00:04:25,515
and in came my stepdad.
115
00:04:25,515 --> 00:04:27,434
He saw me as his own,
which was
116
00:04:27,434 --> 00:04:29,603
an amazing thing
for him to do.
117
00:04:29,603 --> 00:04:31,271
He did not have to be there
for me,
118
00:04:31,271 --> 00:04:33,607
to have to come to countless
shows that I've done.
119
00:04:33,607 --> 00:04:35,942
He is a role model for me,
120
00:04:35,942 --> 00:04:39,613
and I've tried my hardest
to channel those emotions
121
00:04:39,613 --> 00:04:41,573
and that love
that I have for my family.
122
00:04:41,573 --> 00:04:47,287
♪ I'll be there ♪
123
00:04:47,287 --> 00:04:49,998
Everybody knows that
I just want a daughter.
124
00:04:49,998 --> 00:04:51,833
Is that weird? Like ‐‐
Ha!
125
00:04:51,833 --> 00:04:55,128
I mean, your singing talent
is so unbelievable.
126
00:04:55,128 --> 00:04:56,880
Thank you. Thank you.
Your voice
is so rich and warm
127
00:04:56,880 --> 00:04:58,465
and dreamy.
Thank you so much.
128
00:04:58,465 --> 00:05:01,635
I'm just excited
to see where Gwen takes me,
129
00:05:01,635 --> 00:05:03,553
and I'm excited to see
where I take myself.
130
00:05:03,553 --> 00:05:06,598
This experience has definitely
matured me
131
00:05:06,598 --> 00:05:08,642
and, you know,
shown me what I can really do.
132
00:05:08,642 --> 00:05:10,602
Yeah.
Carter, it's interesting
133
00:05:10,602 --> 00:05:11,937
because every time
you'd do something, I saw
134
00:05:11,937 --> 00:05:13,313
Julia go, "Ooh!"
135
00:05:13,313 --> 00:05:15,106
[ Laughs ]
136
00:05:15,106 --> 00:05:18,318
I was like, "Whoo!"
The way you do your style
137
00:05:18,318 --> 00:05:21,446
reminds me of the earlier stuff
he was doing, you know?
138
00:05:21,446 --> 00:05:23,156
Finding body language
is something
139
00:05:23,156 --> 00:05:25,826
that comes over
a long period of time,
140
00:05:25,826 --> 00:05:27,661
and I think the whole key
to it
141
00:05:27,661 --> 00:05:30,038
is to be able to, like, make
the right choices
142
00:05:30,038 --> 00:05:31,790
when you're trying to show off
your voice
143
00:05:31,790 --> 00:05:33,959
at the right
emotional moment.
144
00:05:33,959 --> 00:05:36,503
Carter: I have reason to sing
from my heart
145
00:05:36,503 --> 00:05:38,755
and showcase
that emotional side.
146
00:05:38,755 --> 00:05:41,299
I have a brother
who was diagnosed
147
00:05:41,299 --> 00:05:43,677
with autism
at the age of 2.
148
00:05:43,677 --> 00:05:46,972
He teaches me so much more than
I could ever teach him.
149
00:05:46,972 --> 00:05:49,182
I have always been a theater kid
150
00:05:49,182 --> 00:05:50,809
ever since, like,
the fifth grade.
151
00:05:50,809 --> 00:05:52,686
I definitely think theater
has prepared me
152
00:05:52,686 --> 00:05:53,687
for a moment like this.
153
00:05:53,687 --> 00:05:55,522
♪ So ♪
154
00:05:55,522 --> 00:05:57,357
It's really given me
experience
155
00:05:57,357 --> 00:05:59,317
with showing stage presence,
156
00:05:59,317 --> 00:06:02,696
and it really helped me connect
emotionally to a song as well.
157
00:06:02,696 --> 00:06:04,489
♪ To make your heart
beat better? ♪
158
00:06:04,489 --> 00:06:07,492
You do not look like
your voice, okay?
159
00:06:07,492 --> 00:06:09,369
Where is the person
who was singing?
160
00:06:09,369 --> 00:06:11,371
I loved your voice.
161
00:06:11,371 --> 00:06:13,248
The tone was so beautiful.
162
00:06:13,248 --> 00:06:14,583
It was shocking to me.
163
00:06:14,583 --> 00:06:15,584
I think I'm gonna
go with Gwen.
164
00:06:15,584 --> 00:06:17,544
Oh, my God.
What?!
165
00:06:17,544 --> 00:06:19,838
My heart is broken.
Carter!
166
00:06:19,838 --> 00:06:21,214
Carter: It's definitely
intimidating
167
00:06:21,214 --> 00:06:22,674
to be one
of the younger ones
168
00:06:22,674 --> 00:06:26,887
because everyone here is
so insanely talented,
169
00:06:26,887 --> 00:06:29,014
but that's kind of where
the acting comes in.
170
00:06:29,014 --> 00:06:31,391
During the song, I gonna have
to think about my family
171
00:06:31,391 --> 00:06:33,727
and how much I love them
like I'm gonna lose them.
172
00:06:33,727 --> 00:06:36,396
You know, this is a battle,
but it's also a duet.
173
00:06:36,396 --> 00:06:39,733
You got to be able to show
your stage presence together.
174
00:06:39,733 --> 00:06:42,235
Julia: For Larriah,
she already has that emotion.
175
00:06:42,235 --> 00:06:45,864
She was singing from
a real place of pain
176
00:06:45,864 --> 00:06:47,365
and vulnerability.
177
00:06:47,365 --> 00:06:49,826
Carter,
he has a beautiful voice.
178
00:06:49,826 --> 00:06:54,623
You just don't expect that power
to come out of that body,
179
00:06:54,623 --> 00:06:56,625
but he might have to dig
a Little Deeper
180
00:06:56,625 --> 00:06:58,251
to find the emotion of it.
181
00:06:58,251 --> 00:07:00,754
This is going to probably
be your toughest decision.
182
00:07:00,754 --> 00:07:02,589
[ Chuckles ] Good luck.
183
00:07:02,589 --> 00:07:04,424
[ Laughter ]
184
00:07:04,424 --> 00:07:06,593
[ Cheers and applause ]
185
00:07:06,593 --> 00:07:09,846
I wanted you
on my team, Carter.
186
00:07:09,846 --> 00:07:11,765
Yes!
187
00:07:11,765 --> 00:07:13,266
Larriah!
188
00:07:13,266 --> 00:07:15,810
The battle starts right now.
189
00:07:17,937 --> 00:07:25,945
♪♪♪
190
00:07:25,945 --> 00:07:29,449
♪ I found myself
dreaming ♪
191
00:07:29,449 --> 00:07:32,786
♪ In silver and gold ♪
192
00:07:32,786 --> 00:07:35,497
♪ Like a scene
from a movie ♪
193
00:07:35,497 --> 00:07:38,958
♪ That every broken heart
knows ♪
194
00:07:38,958 --> 00:07:40,460
Wow.
195
00:07:40,460 --> 00:07:42,962
♪ We were walking
on moonlight ♪
196
00:07:42,962 --> 00:07:46,466
♪ And you pulled me close ♪
197
00:07:46,466 --> 00:07:48,968
♪ Split second,
then you disappeared ♪
198
00:07:48,968 --> 00:07:52,889
♪ And then I was
all alone ♪
199
00:07:52,889 --> 00:07:55,642
♪ I woke up in tears,
with you by my side ♪
200
00:07:55,642 --> 00:07:57,811
♪ You by my side ♪
♪ A breath of relief ♪
201
00:07:57,811 --> 00:07:59,104
♪ And I realized ♪
202
00:07:59,104 --> 00:08:02,148
♪ Oooh ♪
♪ Ooh ♪
203
00:08:02,148 --> 00:08:05,652
Both: ♪ No, we're not promised
tomorrow ♪
204
00:08:05,652 --> 00:08:08,655
♪ So I'm gonna love you ♪
205
00:08:08,655 --> 00:08:12,659
♪ Like I'm gonna
lose you ♪
206
00:08:12,659 --> 00:08:15,495
♪ I'm gonna hold you ♪
207
00:08:15,495 --> 00:08:19,541
♪ Like I'm saying goodbye ♪
208
00:08:19,541 --> 00:08:22,168
♪ Wherever we're standing ♪
209
00:08:22,168 --> 00:08:26,089
♪ I won't take you
for granted ♪
210
00:08:26,089 --> 00:08:29,008
♪ 'Cause
we'll never know when ♪
211
00:08:29,008 --> 00:08:33,972
♪ When we'll run
out of time ♪
212
00:08:33,972 --> 00:08:35,682
♪ Let's take our time ♪
213
00:08:35,682 --> 00:08:37,851
♪ To say what we want ♪
♪ Say what we want ♪
214
00:08:37,851 --> 00:08:39,102
♪ Use what we got ♪
215
00:08:39,102 --> 00:08:40,186
♪ Before it's all gone ♪
216
00:08:40,186 --> 00:08:41,521
♪ Hold on ♪
217
00:08:41,521 --> 00:08:43,815
♪ No ♪
218
00:08:43,815 --> 00:08:46,860
♪ We're not promised
tomorrow ♪
219
00:08:46,860 --> 00:08:50,030
♪ So I'm gonna love you ♪
♪ Ohhh ♪
220
00:08:50,030 --> 00:08:53,783
♪ Like I'm gonna lose you ♪
221
00:08:53,783 --> 00:08:56,202
♪ I'm gonna hold you ♪
222
00:08:56,202 --> 00:09:00,540
♪ Like I'm saying goodbye ♪
223
00:09:00,540 --> 00:09:02,834
♪ Wherever we're standing ♪
224
00:09:02,834 --> 00:09:04,044
♪ Whoa ♪
Whoo!
225
00:09:04,044 --> 00:09:07,547
♪ I won't take you
for granted ♪
226
00:09:07,547 --> 00:09:10,175
♪ 'Cause
we'll never know when ♪
227
00:09:10,175 --> 00:09:17,724
♪ When we'll run
out of time ♪
228
00:09:17,724 --> 00:09:19,392
Beautiful ending.
229
00:09:19,392 --> 00:09:20,560
Whoo!
230
00:09:20,560 --> 00:09:22,896
♪ So I'm gonna love you ♪
231
00:09:22,896 --> 00:09:24,397
♪ Whoa, oh ♪
232
00:09:24,397 --> 00:09:26,733
♪ Like I'm gonna lose you,
baby ♪
233
00:09:26,733 --> 00:09:28,068
Wow.
234
00:09:28,068 --> 00:09:29,569
Oh, my God.
235
00:09:29,569 --> 00:09:31,821
♪ I'm gonna love you ♪
236
00:09:31,821 --> 00:09:33,573
♪ Like I'm gonna ♪
237
00:09:33,573 --> 00:09:38,745
Both: ♪ Lose you ♪
238
00:09:38,745 --> 00:09:40,121
Wow!
239
00:09:40,121 --> 00:09:42,457
What are you
talking about?!
240
00:09:42,457 --> 00:09:45,001
Wow!
What are you doing?
241
00:09:45,001 --> 00:09:46,086
[ Cheers and applause ]
242
00:09:46,086 --> 00:09:48,880
Oh, my gosh.
243
00:09:48,880 --> 00:09:51,883
That was so beautiful.
244
00:09:51,883 --> 00:09:52,926
You are so screwed.
245
00:09:52,926 --> 00:09:54,594
Oh, my gosh.
246
00:09:54,594 --> 00:09:56,930
I'm gonna quit now.
247
00:09:56,930 --> 00:09:58,181
[ Laughter ]
[ Laughing ]
Oh, my God.
248
00:09:58,181 --> 00:10:01,184
Okay, you guys
were so incredible.
249
00:10:01,184 --> 00:10:03,603
That was so well done.
250
00:10:03,603 --> 00:10:06,439
Like, all your choices, how you
kind of floated together.
251
00:10:06,439 --> 00:10:09,067
That little thing
y'all did where it slowed down,
252
00:10:09,067 --> 00:10:10,735
I was like, "What!"
253
00:10:10,735 --> 00:10:13,238
Like, you're 14 and 15,
that's insane.
254
00:10:13,238 --> 00:10:14,697
Thank you so much.
255
00:10:14,697 --> 00:10:17,075
If I'm going to have to pick,
which
256
00:10:17,075 --> 00:10:19,035
I definitely
don't want to do.
257
00:10:19,035 --> 00:10:21,121
Kelly, you're
contractually obligated...
258
00:10:21,121 --> 00:10:24,666
Oh, my gosh, you guys.
...to pick somebody.
259
00:10:24,666 --> 00:10:27,085
It's a $25,000 fine
by NBC.
260
00:10:27,085 --> 00:10:29,629
You know what,
it is worth it.
261
00:10:29,629 --> 00:10:31,089
[ Laughter ]
262
00:10:31,089 --> 00:10:33,133
I'm not picking.
25 grand.
263
00:10:33,133 --> 00:10:34,634
You hear that, NBC?
264
00:10:34,634 --> 00:10:35,969
The guys
are really excited
265
00:10:35,969 --> 00:10:37,137
to help you out on this one,
Gwen.
266
00:10:37,137 --> 00:10:38,471
We are.
267
00:10:38,471 --> 00:10:39,806
I don't think this is fair
268
00:10:39,806 --> 00:10:41,474
because of
the age difference.
269
00:10:41,474 --> 00:10:44,060
I mean, Larriah,
270
00:10:44,060 --> 00:10:47,939
I mean, you are months older
than Carter.
271
00:10:47,939 --> 00:10:50,984
When this thing started,
I thought Larriah had the edge
272
00:10:50,984 --> 00:10:53,820
because I just felt like she had
a little bit more of a grip
273
00:10:53,820 --> 00:10:56,281
on the song and little bit
more control,
274
00:10:56,281 --> 00:10:59,325
but then I think Carter
may have caught on to that.
275
00:10:59,325 --> 00:11:01,995
When he came in
on his half of the first chorus,
276
00:11:01,995 --> 00:11:05,874
it was like, "Whoa. What the
hell is this kid doing now?"
277
00:11:05,874 --> 00:11:08,751
I guess if I was having to
just say a reason,
278
00:11:08,751 --> 00:11:11,504
Larriah, she ended as strong
as she started.
279
00:11:11,504 --> 00:11:14,340
You both
were just wonderful.
280
00:11:14,340 --> 00:11:18,011
Usually, I'm very judgy when it
comes to songs that I recorded,
281
00:11:18,011 --> 00:11:20,680
but I was thoroughly impressed
with your take on the song.
282
00:11:20,680 --> 00:11:23,766
Thank you.
I thought you found
new places to go musically
283
00:11:23,766 --> 00:11:25,143
with the song.
Carter, you know,
284
00:11:25,143 --> 00:11:26,769
I wanted you on my team.
285
00:11:26,769 --> 00:11:28,855
Gwen: I'm sorry.
I feel like I had a good shot.
286
00:11:28,855 --> 00:11:30,190
I feel like I won.
[ Chuckles ]
287
00:11:30,190 --> 00:11:31,691
[ Laughter ]
288
00:11:31,691 --> 00:11:33,693
And I was really, like,
a little bit hurt
289
00:11:33,693 --> 00:11:35,320
when you didn't pick me.
I'm sorry.
290
00:11:35,320 --> 00:11:38,198
Why are you shaming
a 14‐year‐old?
291
00:11:38,198 --> 00:11:39,866
Yeah,
pick on the 15‐year‐old
292
00:11:39,866 --> 00:11:41,534
if you're gonna
pick on somebody.
293
00:11:41,534 --> 00:11:43,536
So much older.
No.
294
00:11:43,536 --> 00:11:46,414
But I did feel you were
just so impressive
295
00:11:46,414 --> 00:11:48,249
and interesting musically.
296
00:11:48,249 --> 00:11:49,876
Thank you.
And, Larriah,
297
00:11:49,876 --> 00:11:52,128
it sounded so comfortable.
298
00:11:52,128 --> 00:11:54,172
And your tone,
299
00:11:54,172 --> 00:11:57,133
It was rich and beautiful
and mature,
300
00:11:57,133 --> 00:11:59,302
and so I'm going to say
I would lean
301
00:11:59,302 --> 00:12:01,346
a little bit,
just by a hair,
302
00:12:01,346 --> 00:12:03,223
toward Larriah.
Thank you.
303
00:12:03,223 --> 00:12:04,891
Daly: Thank you, John.
Thank you, coaches.
304
00:12:04,891 --> 00:12:06,559
Gwen, of course,
you have the final decision.
305
00:12:06,559 --> 00:12:09,187
Okay. So this might take
a minute.
306
00:12:09,187 --> 00:12:12,148
Every second that goes by,
I keep changing my mind.
307
00:12:12,148 --> 00:12:14,234
Larriah was
a one‐chair turn,
308
00:12:14,234 --> 00:12:18,571
and then we get into rehearsals
and Larriah blows us away.
309
00:12:18,571 --> 00:12:22,033
You have already lived
a whole life at 15 years old,
310
00:12:22,033 --> 00:12:23,743
and Julia saw that in you
311
00:12:23,743 --> 00:12:26,162
and saw that you were singing
from your heart.
312
00:12:26,162 --> 00:12:28,122
Carter, I think you have
this incredible voice
313
00:12:28,122 --> 00:12:29,624
that you can do
all this stuff with,
314
00:12:29,624 --> 00:12:31,584
and you're just
getting started.
315
00:12:31,584 --> 00:12:34,420
To watch you perform
the way you did,
316
00:12:34,420 --> 00:12:36,256
you just had
a lot more confidence
317
00:12:36,256 --> 00:12:39,425
in your body language,
and I saw a big growth in that.
318
00:12:39,425 --> 00:12:42,929
Vocally, you just were
so incredible today.
319
00:12:42,929 --> 00:12:44,264
Daly: You have two incredible
young artists.
320
00:12:44,264 --> 00:12:46,182
We know how you feel
about both of them.
321
00:12:46,182 --> 00:12:47,600
Unfortunately,
you can only pick one.
322
00:12:47,600 --> 00:12:49,269
Gwen, who's the winner
of this battle?
323
00:12:49,269 --> 00:12:52,230
My dream on the show
is to work with young artists,
324
00:12:52,230 --> 00:12:56,109
and I got two of them here
that I think are so magic.
325
00:12:56,109 --> 00:12:58,611
I don't know what to do.
I really don't know what to do.
326
00:12:58,611 --> 00:13:00,905
Gwen.
Oh, my gosh, Carson.
327
00:13:00,905 --> 00:13:03,616
I mean, that's rude, okay?
328
00:13:03,616 --> 00:13:06,369
[ Laughter ]
329
00:13:06,369 --> 00:13:07,954
[ Sighs ]
330
00:13:07,954 --> 00:13:11,791
I'm going to say
the winner of this battle...
331
00:13:11,791 --> 00:13:12,959
is Carter.
332
00:13:12,959 --> 00:13:14,294
Daly:
Carter, congratulations.
333
00:13:14,294 --> 00:13:15,795
You are moving on
to the knockouts.
334
00:13:15,795 --> 00:13:17,797
Thank you so much.
335
00:13:17,797 --> 00:13:20,133
Gwen: I love Carter and Larriah
so much,
336
00:13:20,133 --> 00:13:22,635
and that was the worst thing
ever to have to choose.
337
00:13:22,635 --> 00:13:26,264
They were both equally
so deserving to move forward.
338
00:13:26,264 --> 00:13:27,640
Thank you so much.
339
00:13:27,640 --> 00:13:29,809
Ultimately, Carter has
a little bit more
340
00:13:29,809 --> 00:13:32,145
of a unique sound
to his voice
341
00:13:32,145 --> 00:13:34,314
and a unique gift
being so young and a male,
342
00:13:34,314 --> 00:13:37,608
and he has such
a beautiful tone.
343
00:13:37,608 --> 00:13:38,818
[ Crying ]
344
00:13:38,818 --> 00:13:41,154
I can't believe it.
345
00:13:41,154 --> 00:13:43,823
The validation from Gwen,
I think it just
346
00:13:43,823 --> 00:13:45,324
means a lot to me.
347
00:13:45,324 --> 00:13:48,161
Going to knockouts. I can't
believe that. Oh, my God.
348
00:13:48,161 --> 00:13:49,829
Daly: Let me remind you,
Larriah is available
349
00:13:49,829 --> 00:13:51,330
to steal or save.
Larriah, anything
350
00:13:51,330 --> 00:13:52,999
you'd like to say
to your coach?
351
00:13:52,999 --> 00:13:56,252
I thank you so much
for instilling in me information
352
00:13:56,252 --> 00:13:58,004
that I didn't even know
about myself.
353
00:13:58,004 --> 00:14:00,173
If I could come up there
and just give you
354
00:14:00,173 --> 00:14:03,009
the biggest, most loving hug,
I would.
355
00:14:03,009 --> 00:14:04,343
Daly: Give it up again
356
00:14:04,343 --> 00:14:06,012
for Larriah Jackson,
ladies and gentlemen.
357
00:14:06,012 --> 00:14:07,346
Thank you so, so much.
Larriah, thank you so much.
358
00:14:07,346 --> 00:14:09,849
‐Beautiful job, Larriah.
‐Beautiful job.
359
00:14:09,849 --> 00:14:12,685
[ Applause ]
360
00:14:12,685 --> 00:14:14,687
Oh!
361
00:14:14,687 --> 00:14:16,314
We got a save!
362
00:14:16,314 --> 00:14:18,316
Yes! Yes!
363
00:14:18,316 --> 00:14:19,984
Whoo!
364
00:14:19,984 --> 00:14:22,487
Gwen Stefani's not letting
Larriah out of here.
365
00:14:22,487 --> 00:14:23,946
No way.
366
00:14:23,946 --> 00:14:25,865
Oh, I'm so happy.
367
00:14:25,865 --> 00:14:27,700
I love her.
I'm so happy.
368
00:14:27,700 --> 00:14:29,368
Larriah,
since rehearsals,
369
00:14:29,368 --> 00:14:31,329
I have not stopped
thinking about you.
370
00:14:31,329 --> 00:14:33,748
You have, like, so much
to give to the world.
371
00:14:33,748 --> 00:14:35,958
I just feel it,
so I'm so happy
372
00:14:35,958 --> 00:14:37,960
I got to save you.
I'm so excited too!
373
00:14:37,960 --> 00:14:41,380
Daly: Congratulations.
We'll see you in the knockouts.
374
00:14:41,380 --> 00:14:42,882
Larriah, I love her.
375
00:14:42,882 --> 00:14:45,051
When the four‐way knockout
happens,
376
00:14:45,051 --> 00:14:46,719
she's going to be on fire.
377
00:14:46,719 --> 00:14:49,055
I think she's singing
from a really real place
378
00:14:49,055 --> 00:14:50,223
inside of her heart.
379
00:14:50,223 --> 00:14:51,724
Going into
the four‐way knockout,
380
00:14:51,724 --> 00:14:55,728
I want to show Gwen that
I'm willing to work.
381
00:14:55,728 --> 00:14:57,480
Team Gwen! Team Gwen!
382
00:14:57,480 --> 00:15:00,024
[ Both laugh ]
383
00:15:09,242 --> 00:15:10,535
♪ This is "The Voice" ♪
384
00:15:10,535 --> 00:15:12,161
Daly: Welcome back
to the battles.
385
00:15:14,622 --> 00:15:17,750
Okay, so there's two dudes
coming out to sing.
386
00:15:17,750 --> 00:15:19,919
Aaron's
my rock guy, '90s rock,
387
00:15:19,919 --> 00:15:21,879
which is exciting to me.
388
00:15:21,879 --> 00:15:23,256
I mean, even having him audition
for the show,
389
00:15:23,256 --> 00:15:24,757
much less
choose me as his coach.
390
00:15:24,757 --> 00:15:28,052
♪ And leave love bleeding
in my hands ♪
391
00:15:28,052 --> 00:15:30,179
♪ In my hands again ♪
392
00:15:30,179 --> 00:15:31,764
Aaron: When I saw those chairs
turn around,
393
00:15:31,764 --> 00:15:34,892
that confidence boost took me
to another level.
394
00:15:34,892 --> 00:15:37,395
Blake: We don't get
a lot of rock artists.
395
00:15:37,395 --> 00:15:39,564
And I feel like the fact
that I can do the
396
00:15:39,564 --> 00:15:40,940
♪ In my hands ♪
397
00:15:40,940 --> 00:15:42,108
That's actually
pretty good.
398
00:15:42,108 --> 00:15:44,610
And you think
it's pretty good...
399
00:15:44,610 --> 00:15:46,946
[ Laughter ]
...means that we might have
400
00:15:46,946 --> 00:15:48,114
something going here.
401
00:15:48,114 --> 00:15:49,615
I'm going to have
to go with Blake.
402
00:15:49,615 --> 00:15:51,284
Yeah!
I could not be more excited
403
00:15:51,284 --> 00:15:52,869
to work with Blake Shelton.
404
00:15:52,869 --> 00:15:54,120
He's a big fan of the '80s
405
00:15:54,120 --> 00:15:56,164
and '90s rock genre.
He's awesome.
406
00:15:56,164 --> 00:15:58,249
And then Ian, it's got
to be tricky
407
00:15:58,249 --> 00:15:59,959
to figure out
how to make a voice
408
00:15:59,959 --> 00:16:02,461
that is so low
connect with people.
409
00:16:02,461 --> 00:16:05,923
♪ "I'm a ramblin' man" ♪
410
00:16:05,923 --> 00:16:08,092
♪ "Ain't never gonna change" ♪
411
00:16:08,092 --> 00:16:09,719
I don't know if there was
an accident
412
00:16:09,719 --> 00:16:10,970
that made you have
that voice,
413
00:16:10,970 --> 00:16:12,138
like you accidentally
swallowed a fire
414
00:16:12,138 --> 00:16:13,222
at some point as a ‐‐
415
00:16:13,222 --> 00:16:15,141
But now you're on Team Blake.
416
00:16:15,141 --> 00:16:16,976
Thank you.
Yes, sir.
417
00:16:16,976 --> 00:16:19,103
I'm so grateful that Blake
turned his chair for me
418
00:16:19,103 --> 00:16:25,651
because I've been gigging
full time for the past 4 years.
419
00:16:25,651 --> 00:16:27,153
My partner in life,
Ayla,
420
00:16:27,153 --> 00:16:29,780
books the shows,
does all the management,
421
00:16:29,780 --> 00:16:33,659
and also Ayla and I started
a production company together.
422
00:16:33,659 --> 00:16:35,119
We focus on artist development,
423
00:16:35,119 --> 00:16:37,538
which is interviews
for making videos,
424
00:16:37,538 --> 00:16:38,998
just trying to help
independent artists
425
00:16:38,998 --> 00:16:41,792
become self‐sustainable.
426
00:16:41,792 --> 00:16:43,586
I love doing it
because I know in music
427
00:16:43,586 --> 00:16:45,671
sometimes,
it can feel hopeless,
428
00:16:45,671 --> 00:16:50,092
and just to even experience
some kindness in this world
429
00:16:50,092 --> 00:16:52,136
can make you go on
for another year.
430
00:16:52,136 --> 00:16:55,264
So being here on this kind
of platform during this time,
431
00:16:55,264 --> 00:16:59,143
it's more than anything
I could have really asked for.
432
00:16:59,143 --> 00:17:01,020
Come on in here.
433
00:17:01,020 --> 00:17:02,521
‐What's up?
‐Hey, that's ‐‐
434
00:17:02,521 --> 00:17:04,273
This is my friend
Kane Brown.
435
00:17:04,273 --> 00:17:06,525
Yeah.
Kane Brown is so huge.
436
00:17:06,525 --> 00:17:08,694
I love what he's doing
in country.
437
00:17:08,694 --> 00:17:12,031
That baritone,
it just stands out so strong.
438
00:17:12,031 --> 00:17:13,366
He's huge right now.
439
00:17:13,366 --> 00:17:15,993
To have him here
giving me instructions
440
00:17:15,993 --> 00:17:19,080
and advice, like, I was
blown away by that.
441
00:17:19,080 --> 00:17:21,207
It's an honor
to be here with you guys.
Absolutely.
442
00:17:21,207 --> 00:17:22,917
Thank you.
Yeah, man. Can't wait
to hear y'all sing.
443
00:17:22,917 --> 00:17:24,961
And it'll be cool because y'all
are both so different.
444
00:17:24,961 --> 00:17:27,046
I like your fashion sense,
too, man. That's really good.
445
00:17:27,046 --> 00:17:28,214
Hey, thanks, man.
I like yours as well.
446
00:17:28,214 --> 00:17:29,715
[ Laughs ]
Like those boots.
447
00:17:29,715 --> 00:17:31,050
Y'all planned that,
didn't you?
448
00:17:31,050 --> 00:17:32,885
Blake: Aaron and Ian are going
to be singing
449
00:17:32,885 --> 00:17:36,222
"Have You Ever Seen the Rain"
by Creedence Clearwater Revival.
450
00:17:36,222 --> 00:17:38,224
This is absolutely
the perfect song for these two
451
00:17:38,224 --> 00:17:39,642
because it lands
right in the middle
452
00:17:39,642 --> 00:17:40,851
of what they both do.
453
00:17:40,851 --> 00:17:43,813
♪ Someone told me
long ago ♪
454
00:17:43,813 --> 00:17:46,691
Ian has
this deep, rumbling voice
455
00:17:46,691 --> 00:17:48,150
that if he ever comes
on the radio ‐‐
456
00:17:48,150 --> 00:17:50,027
and I believe
he will one day ‐‐
457
00:17:50,027 --> 00:17:52,196
there will be no mistaking
who it is.
458
00:17:52,196 --> 00:17:55,199
♪ Winter's over,
so they say ♪
459
00:17:55,199 --> 00:17:57,868
I love Aaron's voice
because it's reminiscent
460
00:17:57,868 --> 00:18:00,413
of these rock artists
that I loved so much,
461
00:18:00,413 --> 00:18:02,915
and he has big range.
He's believable.
462
00:18:02,915 --> 00:18:05,251
He's just got a cool
rock edge to what he does.
463
00:18:05,251 --> 00:18:08,004
Both: ♪ And I want to know ♪
464
00:18:08,004 --> 00:18:15,678
♪ Have you ever seen
the rain? ♪
465
00:18:15,678 --> 00:18:19,849
♪ Comin' down
on a sunny day ♪
466
00:18:19,849 --> 00:18:21,851
To say it's
a one‐of‐a‐kind voice
467
00:18:21,851 --> 00:18:23,853
feels like an understatement,
you know?
468
00:18:23,853 --> 00:18:25,896
Well, thank you.
So special, man.
469
00:18:25,896 --> 00:18:27,940
Man, your voice is just, like,
so unique.
470
00:18:27,940 --> 00:18:29,734
I like it.
Thanks, man.
471
00:18:29,734 --> 00:18:32,194
I'm just gonna tell you that
probably 10 more times.
472
00:18:32,194 --> 00:18:34,071
Yeah.
I appreciate it.
473
00:18:34,071 --> 00:18:37,074
Aaron, I love the raspy part
of your voice.
474
00:18:37,074 --> 00:18:38,784
I feel like people
really gravitate
475
00:18:38,784 --> 00:18:40,620
towards voices
that do that.
476
00:18:40,620 --> 00:18:42,330
It just gives you
something to sink
477
00:18:42,330 --> 00:18:43,789
your teeth into,
you know?
478
00:18:43,789 --> 00:18:45,166
I remember last season,
I was sitting
479
00:18:45,166 --> 00:18:47,793
with my kid in my lap
and I was watching you
480
00:18:47,793 --> 00:18:49,962
talk to Todd Michael Hall.
I remember that moment
481
00:18:49,962 --> 00:18:51,297
where I was like,
"I can do this."
482
00:18:51,297 --> 00:18:55,092
Like, "I should try,"
and now to be here...
483
00:18:55,092 --> 00:18:57,928
Well, I'm married to a very
beautiful, wonderful woman.
484
00:18:57,928 --> 00:19:00,765
We have three boys.
She has been a huge
485
00:19:00,765 --> 00:19:01,974
support every step of the way.
486
00:19:01,974 --> 00:19:03,601
So right now
I'm out here in LA,
487
00:19:03,601 --> 00:19:06,979
and my wife has taken
on everything back home
488
00:19:06,979 --> 00:19:10,316
and I could not be more humbled
by all the support
489
00:19:10,316 --> 00:19:12,652
that she's given me
to be out here.
490
00:19:12,652 --> 00:19:14,779
I got to give this everything
I got for her.
491
00:19:14,779 --> 00:19:16,781
Are you holding back
at all?
492
00:19:16,781 --> 00:19:19,116
It's kind of like that balance
where you want to hit it,
493
00:19:19,116 --> 00:19:20,660
but you don't want
to go sharp.
Yeah.
494
00:19:20,660 --> 00:19:22,328
I just felt like I wanted
to feel you push
495
00:19:22,328 --> 00:19:25,539
a little more,
just, like, that '90s voice,
496
00:19:25,539 --> 00:19:27,375
where you can just feel it
in your bones.
497
00:19:27,375 --> 00:19:31,128
Yeah. [ Chuckles ]
I think I came
from a zero singing ability,
498
00:19:31,128 --> 00:19:34,423
so if I can do it,
anybody in America can do it.
499
00:19:34,423 --> 00:19:36,092
Aaron's got a range
that can cut through
500
00:19:36,092 --> 00:19:37,927
any kind of band arrangement,
501
00:19:37,927 --> 00:19:41,347
and that means I gotta do
my absolute best
502
00:19:41,347 --> 00:19:42,848
to match him there.
503
00:19:42,848 --> 00:19:44,350
And then you're doing
a harmony part
504
00:19:44,350 --> 00:19:45,351
over his melody, right?
505
00:19:45,351 --> 00:19:46,519
Yeah.
I'm going under him.
506
00:19:46,519 --> 00:19:47,978
Yeah.
Yeah, when you came in
507
00:19:47,978 --> 00:19:49,772
with the higher stuff
towards the end,
508
00:19:49,772 --> 00:19:51,982
it was like, "Whoa,
he's pushing,"
509
00:19:51,982 --> 00:19:53,984
you know what I'm saying?
Like, I would think
510
00:19:53,984 --> 00:19:55,695
it would be
to your advantage
511
00:19:55,695 --> 00:19:57,988
to do something
that kind of demonstrates
512
00:19:57,988 --> 00:19:59,699
what your capabilities are,
you know?
513
00:19:59,699 --> 00:20:01,033
Are you super laid‐back,
bro?
514
00:20:01,033 --> 00:20:02,326
Yeah, I'm pretty laid‐back.
515
00:20:02,326 --> 00:20:04,286
I think it's just
a deep voice thing, man.
516
00:20:04,286 --> 00:20:05,830
Kane even walks slow.
517
00:20:05,830 --> 00:20:07,081
That's how I walk.
518
00:20:07,081 --> 00:20:08,416
When Kane texts you,
like,
519
00:20:08,416 --> 00:20:10,334
the little text bubble
just goes on forever
520
00:20:10,334 --> 00:20:12,211
because he's just...
[ Laughter ]
521
00:20:12,211 --> 00:20:14,338
I think Ian,
he's kind of like me.
522
00:20:14,338 --> 00:20:17,341
When you have a deep voice,
there's a certain pocket.
523
00:20:17,341 --> 00:20:19,051
I think he's still trying
to find it.
524
00:20:19,051 --> 00:20:20,469
Now it's just trying
to think,
525
00:20:20,469 --> 00:20:22,221
"Got him on my team,
what's he going to be
526
00:20:22,221 --> 00:20:24,223
capable of
on down the road here?
527
00:20:24,223 --> 00:20:26,851
What can we do?"
Ian's voice does have
528
00:20:26,851 --> 00:20:28,561
such a cool, unique tone.
529
00:20:28,561 --> 00:20:31,856
It makes me want to just up
my game to the next level.
530
00:20:31,856 --> 00:20:33,232
This is the time,
531
00:20:33,232 --> 00:20:35,359
maybe even more
than the blind auditions,
532
00:20:35,359 --> 00:20:37,737
to show what you're capable
of doing.
533
00:20:37,737 --> 00:20:40,322
Kane: The key for Ian
is going to be finding out
534
00:20:40,322 --> 00:20:42,408
how far his voice can go.
535
00:20:42,408 --> 00:20:44,827
Aaron has
a very powerful voice.
536
00:20:44,827 --> 00:20:48,247
There's another gear there
that he can hit
537
00:20:48,247 --> 00:20:51,125
that will make him
almost Steven Tyler‐like.
538
00:20:51,125 --> 00:20:54,837
You guys are so talented.
It's actually ridiculous.
539
00:20:54,837 --> 00:20:56,255
Ian: Thank you, man.
It's an honor to be here
540
00:20:56,255 --> 00:20:58,007
with you guys, with everybody,
you know?
541
00:20:58,007 --> 00:21:00,009
Well, you guys get out. Just get
out. I'm tired of this.
542
00:21:00,009 --> 00:21:01,218
Thank you, guys.
You're too good.
543
00:21:01,218 --> 00:21:02,219
Thank you.
It's great to meet you.
544
00:21:02,219 --> 00:21:03,220
‐See you soon.
‐Yeah.
545
00:21:03,220 --> 00:21:04,764
Daly: Coming up...
546
00:21:04,764 --> 00:21:07,600
Both:
♪ Have you ever seen the rain? ♪
547
00:21:07,600 --> 00:21:10,060
Whoo!
548
00:21:10,060 --> 00:21:13,355
Both: ♪ That's what I need ♪
549
00:21:13,355 --> 00:21:14,899
♪ Yeah ♪
550
00:21:14,899 --> 00:21:17,401
Both: ♪ You're all I need ♪
551
00:21:17,401 --> 00:21:19,528
Oh, my gosh.
Hey!
552
00:21:19,528 --> 00:21:21,113
I feel like
I'm, like, Grammys.
553
00:21:21,113 --> 00:21:24,450
If I had a steal left,
I'd be all up on this button.
554
00:21:24,450 --> 00:21:26,285
Daly: We got a steal!
555
00:21:26,285 --> 00:21:28,537
[ Cheers and applause ]
556
00:21:28,537 --> 00:21:30,998
Oh, we got a save!
557
00:21:30,998 --> 00:21:32,583
Ooh, ooh, ooh!
558
00:21:32,583 --> 00:21:35,044
Well played.
559
00:21:42,259 --> 00:21:43,469
♪ This is "The Voice" ♪
560
00:21:43,469 --> 00:21:44,553
Daly: Welcome back
to the final night
561
00:21:44,553 --> 00:21:46,305
of the battles.
562
00:21:46,305 --> 00:21:49,934
[ Cheers and applause ]
563
00:21:49,934 --> 00:21:51,435
Alright, Aaron Scott!
564
00:21:51,435 --> 00:21:53,437
Who got into my closet!
565
00:21:53,437 --> 00:21:55,397
[ Laughs ]
566
00:21:55,397 --> 00:21:57,149
Let the battle begin.
567
00:21:58,984 --> 00:22:04,406
♪♪♪
568
00:22:04,406 --> 00:22:08,619
♪ Someone told me
long ago ♪
569
00:22:08,619 --> 00:22:11,664
♪ There's a calm
before the storm ♪
570
00:22:11,664 --> 00:22:14,208
♪ Yes, I know ♪
571
00:22:14,208 --> 00:22:18,671
♪ It's been comin'
for some time ♪
572
00:22:18,671 --> 00:22:20,965
Alright!
573
00:22:20,965 --> 00:22:25,094
♪ When it's over,
so they say ♪
574
00:22:25,094 --> 00:22:28,138
♪ It'll rain a sunny day ♪
575
00:22:28,138 --> 00:22:30,808
♪ And I know ♪
576
00:22:30,808 --> 00:22:34,854
♪ Shinin' down like water ♪
577
00:22:34,854 --> 00:22:38,023
Yeah!
578
00:22:38,023 --> 00:22:41,193
Both: ♪ I want to know ♪
579
00:22:41,193 --> 00:22:46,490
♪ Have you ever seen
the rain? ♪
580
00:22:46,490 --> 00:22:49,535
♪ Yes, I want to know ♪
581
00:22:49,535 --> 00:22:55,040
♪ Have you ever seen the rain? ♪
582
00:22:55,040 --> 00:23:02,631
♪ Comin' down
on a sunny day ♪
583
00:23:02,631 --> 00:23:06,969
♪ Till forever,
on it goes ♪
584
00:23:06,969 --> 00:23:09,972
♪ Through the circle,
fast and slow ♪
585
00:23:09,972 --> 00:23:12,558
♪ 'Cause I know ♪
586
00:23:12,558 --> 00:23:19,899
♪ It can't stop, I wonder ♪
587
00:23:19,899 --> 00:23:22,568
♪ And I want to know ♪
588
00:23:22,568 --> 00:23:28,073
♪ Have you ever seen
the rain? ♪
589
00:23:28,073 --> 00:23:30,534
♪ Yes, I want to know ♪
590
00:23:30,534 --> 00:23:31,744
Yeah!
591
00:23:31,744 --> 00:23:36,749
♪ Have you ever seen
the rain? ♪
592
00:23:36,749 --> 00:23:41,837
Both: ♪ Comin' down
on a sunny day ♪
593
00:23:41,837 --> 00:23:45,007
♪ Yeahhh ♪
594
00:23:45,007 --> 00:23:47,593
♪ I want to know ♪
595
00:23:47,593 --> 00:23:50,220
♪ Have you ever seen
the rain? ♪
596
00:23:50,220 --> 00:23:53,223
♪ Ever seen the rain? ♪
597
00:23:53,223 --> 00:23:56,268
♪ Yes, I want to know ♪
598
00:23:56,268 --> 00:23:58,270
♪ Have you ever seen
the rain? ♪
599
00:23:58,270 --> 00:24:00,272
♪ The rain ♪
600
00:24:00,272 --> 00:24:03,692
I love you.
601
00:24:03,692 --> 00:24:08,572
Both: ♪ Comin' down
on a sunny day ♪
602
00:24:08,572 --> 00:24:12,117
♪ Ooohhh ♪
603
00:24:12,117 --> 00:24:20,626
♪ Comin' down
on a sunny day ♪
604
00:24:20,626 --> 00:24:24,630
[ Cheers and applause ]
605
00:24:24,630 --> 00:24:27,633
Whoo!
606
00:24:27,633 --> 00:24:28,884
Alright!
607
00:24:28,884 --> 00:24:30,803
Whoo!
608
00:24:30,803 --> 00:24:33,973
[ Cheers and applause ]
609
00:24:33,973 --> 00:24:35,599
Aaron and Ian.
Right.
610
00:24:35,599 --> 00:24:37,309
Fantastic job.
611
00:24:37,309 --> 00:24:39,061
Aaron, I think
the most impressive part
612
00:24:39,061 --> 00:24:41,230
of your performance
was just hearing your range
613
00:24:41,230 --> 00:24:43,148
and the power
of your voice,
614
00:24:43,148 --> 00:24:45,734
but it wasn't clear
who you were,
615
00:24:45,734 --> 00:24:47,319
whereas Ian, I felt like
616
00:24:47,319 --> 00:24:50,948
it was so much identity
and character in your voice.
617
00:24:50,948 --> 00:24:54,952
The rasp, the gravel,
that was more compelling for me,
618
00:24:54,952 --> 00:24:59,206
and I would lean toward Ian
if I were Blake.
619
00:24:59,206 --> 00:25:01,959
It was really hard because
it felt really balanced,
620
00:25:01,959 --> 00:25:04,086
yet you guys are so different.
621
00:25:04,086 --> 00:25:07,006
With Aaron, some of the choices
that you made
622
00:25:07,006 --> 00:25:10,175
changing up the melody were kind
of shocking in a good way.
623
00:25:10,175 --> 00:25:12,970
It was creative,
and your voice is so clear
624
00:25:12,970 --> 00:25:14,680
and powerful.
With Ian,
625
00:25:14,680 --> 00:25:16,306
nobody has a voice that sounds
like that.
626
00:25:16,306 --> 00:25:17,808
It's just so rare,
627
00:25:17,808 --> 00:25:19,810
and I always tend
to be attracted
628
00:25:19,810 --> 00:25:21,645
to rarer, stylized voices.
629
00:25:21,645 --> 00:25:24,023
The way you are on stage feels
really natural.
630
00:25:24,023 --> 00:25:26,025
Thank you.
Kelly: Aaron, I like you
on this song,
631
00:25:26,025 --> 00:25:27,860
but I felt like
it kind of tamed you a bit
632
00:25:27,860 --> 00:25:30,195
from what I saw and heard
from you in the blinds.
633
00:25:30,195 --> 00:25:31,864
But, Aaron,
you did an amazing job,
634
00:25:31,864 --> 00:25:33,657
and you happen to be
635
00:25:33,657 --> 00:25:35,325
one of my favorite vocalists
this season.
636
00:25:35,325 --> 00:25:38,162
I think that you have
an incredible tone.
637
00:25:38,162 --> 00:25:40,831
I was, like, glued to you.
638
00:25:40,831 --> 00:25:43,000
Like, it was inappropriate.
639
00:25:43,000 --> 00:25:44,126
Like, I was literally
just, like...
640
00:25:44,126 --> 00:25:45,335
I was like,
"I got to stop looking."
641
00:25:45,335 --> 00:25:47,129
I saw her doing that,
by the way.
642
00:25:47,129 --> 00:25:49,882
I looked down the aisle, like,
"What's Kelly doing?"
643
00:25:49,882 --> 00:25:51,800
Thank you.
I would listen to you sing
644
00:25:51,800 --> 00:25:53,886
"You Are My Sunshine."
645
00:25:53,886 --> 00:25:55,179
Wait a minute,
I'm writing that down.
646
00:25:55,179 --> 00:25:56,388
[ Laughter ]
647
00:25:56,388 --> 00:25:57,890
No, it's just ‐‐
I'm just saying,
648
00:25:57,890 --> 00:26:00,059
if you have such
a storyteller vibe,
649
00:26:00,059 --> 00:26:02,686
and I'm attracted to that,
and I would go with you.
650
00:26:02,686 --> 00:26:04,396
Daly: Thank you, coaches.
Blake, give us few thoughts
651
00:26:04,396 --> 00:26:06,398
about that battle
before you tell us who won.
652
00:26:06,398 --> 00:26:08,233
Well, it's not that often
that, you know,
653
00:26:08,233 --> 00:26:12,738
I get a battle pairing where
I feel like every single note
654
00:26:12,738 --> 00:26:16,200
that was given in the rehearsals
came into play here,
655
00:26:16,200 --> 00:26:19,078
and that just goes to show
your professionalism
656
00:26:19,078 --> 00:26:22,206
and how eager you are to
get this done up here today.
657
00:26:22,206 --> 00:26:26,085
And you literally both did it,
and really the only notes
658
00:26:26,085 --> 00:26:30,047
that we're hearing
are a little more taste‐driven
659
00:26:30,047 --> 00:26:33,092
than technically speaking,
you know?
660
00:26:33,092 --> 00:26:36,095
And so I just want to say thanks
and respect and all that
661
00:26:36,095 --> 00:26:39,765
for you two putting in the time
and the work.
662
00:26:39,765 --> 00:26:41,183
Blake, the time has come.
663
00:26:41,183 --> 00:26:43,352
Who is the winner
of this battle?
664
00:26:43,352 --> 00:26:45,771
I know I got to make
a decision here.
665
00:26:45,771 --> 00:26:47,022
So...
666
00:26:49,900 --> 00:26:52,069
winner of this battle...
667
00:26:55,114 --> 00:26:56,865
is Ian.
Thank you.
668
00:26:56,865 --> 00:26:58,784
Daly: Ian, congratulations!
669
00:26:58,784 --> 00:27:00,202
You're moving on
to the knockouts...
670
00:27:00,202 --> 00:27:01,787
Thank you very much.
...representing Team Blake.
671
00:27:01,787 --> 00:27:05,082
He's so chill.
Thank you, guys.
672
00:27:05,082 --> 00:27:07,626
Blake: I ended up choosing Ian
because he's just got
673
00:27:07,626 --> 00:27:09,294
the most unique voice
that maybe
674
00:27:09,294 --> 00:27:10,921
I've ever heard
on "The Voice."
675
00:27:10,921 --> 00:27:12,297
He's so mellow.
I know.
676
00:27:12,297 --> 00:27:14,800
I know, I'm like,
"Could you be more chill?"
677
00:27:14,800 --> 00:27:16,718
He's a dark horse.
I was the only person
678
00:27:16,718 --> 00:27:18,137
that pushed my button
for him.
679
00:27:18,137 --> 00:27:20,139
Moving forward with Ian,
I got to find songs
680
00:27:20,139 --> 00:27:21,807
that really help him display
681
00:27:21,807 --> 00:27:23,976
that low baritone sound
that he has.
682
00:27:23,976 --> 00:27:26,228
Really milk that
for all it's worth.
683
00:27:26,228 --> 00:27:27,938
Daly: Aaron, anything you
want to say to your coach?
684
00:27:27,938 --> 00:27:30,148
Blake, I just want to say
thank you so much
685
00:27:30,148 --> 00:27:31,984
for giving me a shot
to be out here.
686
00:27:31,984 --> 00:27:33,485
You are welcome to come up
to Wisconsin
687
00:27:33,485 --> 00:27:35,112
and hunt on our land
whenever you want, man.
688
00:27:35,112 --> 00:27:36,280
Kelly: Yeah!
689
00:27:36,280 --> 00:27:39,491
Daly: Give it up
for Aaron Scott.
690
00:27:39,491 --> 00:27:40,826
Great job, Aaron.
691
00:27:40,826 --> 00:27:42,327
Kelly: I felt so bad for Aaron,
692
00:27:42,327 --> 00:27:43,829
'cause I actually really liked
Aaron in the blinds.
693
00:27:43,829 --> 00:27:44,997
See you, man.
See you.
694
00:27:44,997 --> 00:27:47,541
But Ian is so cool.
695
00:27:47,541 --> 00:27:49,167
Yeah,
I was captivated by him.
696
00:27:49,167 --> 00:27:52,087
He was so good.
So, like, from another planet.
697
00:27:52,087 --> 00:27:54,172
He opened his mouth
and I literally went...
698
00:27:54,172 --> 00:27:56,258
And I didn't take my eyes
off him.
699
00:27:56,258 --> 00:27:57,926
I could see you from the side
going...
700
00:27:57,926 --> 00:28:01,346
I think that Ian is
a real contender for the finale.
701
00:28:09,187 --> 00:28:10,105
♪ This is "The Voice" ♪
702
00:28:10,105 --> 00:28:11,565
Daly: Welcome back.
703
00:28:14,026 --> 00:28:17,362
Producer: Okay, the next pairing
is Casmé...
704
00:28:17,362 --> 00:28:20,032
Come on, who with me?
Who with me?
705
00:28:20,032 --> 00:28:22,117
...versus Rio.
706
00:28:22,117 --> 00:28:23,619
I knew it! Yay!
707
00:28:23,619 --> 00:28:24,828
Whoo!
708
00:28:24,828 --> 00:28:26,997
That's gonna be so hot!
709
00:28:26,997 --> 00:28:28,582
Let's turn it out,
Casmé.
710
00:28:28,582 --> 00:28:31,501
Let's go, baby!
711
00:28:32,669 --> 00:28:36,131
So this is Rio and Casmé.
712
00:28:36,131 --> 00:28:39,551
They're both from two iconic
musical cities
713
00:28:39,551 --> 00:28:40,844
in America.
Okay.
714
00:28:40,844 --> 00:28:42,387
You know you got to put on
for New Orleans.
715
00:28:42,387 --> 00:28:43,847
Oh, well,
you know I'm going to do that.
716
00:28:43,847 --> 00:28:45,515
And you got to put on
for Detroit.
717
00:28:45,515 --> 00:28:48,810
Absolutely.
They both sang Detroit artists.
718
00:28:48,810 --> 00:28:52,522
Rio sang "Cruisin'" by
the great Smokey Robinson.
Oh, Smokey.
719
00:28:52,522 --> 00:28:53,899
♪ Baby, let's cruise ♪
720
00:28:53,899 --> 00:28:54,983
The day of
the blind auditions,
721
00:28:54,983 --> 00:28:56,568
I was extremely nervous.
722
00:28:56,568 --> 00:28:58,528
I was sweating.
723
00:28:58,528 --> 00:29:01,365
Oh, yes, baby, yes!
724
00:29:01,365 --> 00:29:03,659
When I got three chairs,
it was just surreal.
725
00:29:03,659 --> 00:29:05,869
You like me,
you really like me.
726
00:29:05,869 --> 00:29:07,746
Sing!
♪ I love it ♪
727
00:29:07,746 --> 00:29:10,749
♪ When we're cruisin' together ♪
728
00:29:10,749 --> 00:29:13,418
I pressed my button
almost immediately.
729
00:29:13,418 --> 00:29:15,379
The thing that impresses me most
is when vocalists
730
00:29:15,379 --> 00:29:17,422
go to places
I just wouldn't think of.
731
00:29:17,422 --> 00:29:18,882
John: When your voice came in,
732
00:29:18,882 --> 00:29:21,385
it was just magical
from the very beginning.
733
00:29:21,385 --> 00:29:23,512
...John Legend.
Yeah!
734
00:29:23,512 --> 00:29:27,891
I picked John because I'm
a male R&B solo artist
735
00:29:27,891 --> 00:29:30,018
from the East Side of Detroit.
736
00:29:30,018 --> 00:29:34,022
It hasn't been easy attempting
to pursue an R&B music career
737
00:29:34,022 --> 00:29:35,732
while being openly gay.
738
00:29:35,732 --> 00:29:37,567
People kind of view it,
739
00:29:37,567 --> 00:29:39,069
you know, from a different lens.
740
00:29:39,069 --> 00:29:40,737
They're not as accepting,
741
00:29:40,737 --> 00:29:43,615
so I have faced
some shady little moments
742
00:29:43,615 --> 00:29:45,033
when I'm trying to perform.
743
00:29:45,033 --> 00:29:47,619
It's been difficult,
but I can't focus
744
00:29:47,619 --> 00:29:49,997
on what happened back at home.
745
00:29:49,997 --> 00:29:51,790
I'm extremely proud to be here,
746
00:29:51,790 --> 00:29:53,959
and I am going to give it
everything I have.
747
00:29:53,959 --> 00:29:57,462
Casmé sang "Baby I Love You,"
Aretha Franklin song.
748
00:29:57,462 --> 00:30:00,966
The blind audition
was extremely emotional.
749
00:30:00,966 --> 00:30:03,135
Didn't know if my voice
was going to be good enough.
750
00:30:03,135 --> 00:30:05,220
♪ I love you, I love you ♪
751
00:30:05,220 --> 00:30:06,763
♪ I love you ♪
752
00:30:06,763 --> 00:30:08,640
♪ I love you, baby ♪
753
00:30:08,640 --> 00:30:09,933
♪ I love you ♪
754
00:30:09,933 --> 00:30:11,643
[ Cheers and applause ]
755
00:30:11,643 --> 00:30:14,104
What a beautiful rendition
of that song.
756
00:30:14,104 --> 00:30:15,772
Did you catch that little part
in the song when I said
757
00:30:15,772 --> 00:30:17,107
"I want you"
and I did like that?
I saw it.
758
00:30:17,107 --> 00:30:18,150
I was blushing.
759
00:30:18,150 --> 00:30:19,651
[ All cheering ]
760
00:30:19,651 --> 00:30:20,819
Are you born and raised
in New Orleans?
761
00:30:20,819 --> 00:30:22,654
Yes ‐‐ the oldest
of eight children.
762
00:30:22,654 --> 00:30:25,157
I'm extremely close
with my family.
763
00:30:25,157 --> 00:30:27,659
I actually was living
in Nashville
764
00:30:27,659 --> 00:30:29,911
at the time
of Hurricane Katrina.
765
00:30:29,911 --> 00:30:34,041
My entire family
moved to Nashville with me
766
00:30:34,041 --> 00:30:37,961
because our home
was pretty much ruined,
767
00:30:37,961 --> 00:30:41,590
so they really had to, like,
start from ground zero.
768
00:30:41,590 --> 00:30:44,801
Immediately, I start looking
for places for them.
769
00:30:44,801 --> 00:30:46,178
It was a lot of emotions,
770
00:30:46,178 --> 00:30:48,013
and I was trying
to be strong for everybody
771
00:30:48,013 --> 00:30:51,099
because I was the oldest, so
I just became this Superwoman,
772
00:30:51,099 --> 00:30:53,018
just wearing all the hats
just trying to do whatever
773
00:30:53,018 --> 00:30:55,520
I could to make sure
my family was good.
774
00:30:55,520 --> 00:30:57,814
So I take this moment
very seriously
775
00:30:57,814 --> 00:30:59,816
because it can change my life.
776
00:30:59,816 --> 00:31:01,693
Out of so many people
that could have been here,
777
00:31:01,693 --> 00:31:04,112
I'm here. I'm proud.
778
00:31:04,112 --> 00:31:06,948
Here we go.
Hello.
Look who we have here.
779
00:31:06,948 --> 00:31:10,118
Oh, my goodness!
It's Miguel!
780
00:31:10,118 --> 00:31:11,828
Rio: It was
extremely intimidating
781
00:31:11,828 --> 00:31:15,540
because Miguel and John Legend
aren't bubblegum singers.
782
00:31:15,540 --> 00:31:17,000
They can really sing.
783
00:31:17,000 --> 00:31:18,502
John: It's Miguel.
How are you guys?
784
00:31:18,502 --> 00:31:20,003
Welcome, welcome, welcome.
785
00:31:20,003 --> 00:31:22,672
My style of music is extremely
similar to Miguel's.
786
00:31:22,672 --> 00:31:25,842
I've always modeled myself
after his blueprint.
787
00:31:25,842 --> 00:31:28,887
We are so happy to have him
as our guest mentor today.
788
00:31:28,887 --> 00:31:31,181
Very kind.
You don't understand.
789
00:31:31,181 --> 00:31:34,059
Miguel is standing
right there.
790
00:31:34,059 --> 00:31:36,061
Like, teach me thy ways.
791
00:31:36,061 --> 00:31:40,065
I am a sponge.
Let's get it.
792
00:31:40,065 --> 00:31:42,150
Honored to have you
on my team.
793
00:31:42,150 --> 00:31:43,860
Honored to work
with both of you.
794
00:31:43,860 --> 00:31:45,237
Yes!
Let's hear it.
795
00:31:45,237 --> 00:31:47,864
Both: ♪ You're all I need
to get by ♪
796
00:31:47,864 --> 00:31:55,247
♪ You're all I need
to get by ♪
797
00:31:55,247 --> 00:31:57,958
♪ Like the sweet
morning dew ♪
798
00:31:57,958 --> 00:31:59,000
♪ I took one look
at you ♪
799
00:31:59,000 --> 00:32:00,919
John: Rio is a beautiful singer.
800
00:32:00,919 --> 00:32:03,713
He has just a great tone,
great control.
801
00:32:03,713 --> 00:32:05,757
He's singing with Casmé,
and she's bringing
802
00:32:05,757 --> 00:32:07,926
so much charisma
to everything she does.
803
00:32:07,926 --> 00:32:10,846
♪ Always there in times
of need ♪
804
00:32:10,846 --> 00:32:13,849
Their soul vibes
work perfectly.
805
00:32:13,849 --> 00:32:14,933
They're going
to sound incredible.
806
00:32:14,933 --> 00:32:16,893
Both: ♪ You're all ♪
807
00:32:16,893 --> 00:32:20,730
♪ You're all I need ♪
808
00:32:20,730 --> 00:32:22,691
Yeah!
Wow.
809
00:32:22,691 --> 00:32:25,026
So fun.
That was fun to watch.
810
00:32:25,026 --> 00:32:27,279
The energy that was coming
from you
811
00:32:27,279 --> 00:32:29,739
gave me a lot of joy.
812
00:32:29,739 --> 00:32:31,283
There were
so many soulful choices
813
00:32:31,283 --> 00:32:32,617
you were making.
814
00:32:32,617 --> 00:32:33,910
It's just full of life.
815
00:32:33,910 --> 00:32:35,954
[ Laughs ]
Man, man.
816
00:32:35,954 --> 00:32:37,956
That intro,
it sounds great,
817
00:32:37,956 --> 00:32:39,791
but it does start off
in a way
818
00:32:39,791 --> 00:32:42,210
that throws off the momentum
of the song.
819
00:32:42,210 --> 00:32:44,880
Okay.
I'd rather do
the classic intro...
820
00:32:44,880 --> 00:32:47,215
Okay.
...because people love
this song so much.
821
00:32:47,215 --> 00:32:51,219
I would just do
♪ You're all ♪
822
00:32:51,219 --> 00:32:52,721
♪ I need ♪
823
00:32:52,721 --> 00:32:54,389
The song is kind of high.
824
00:32:54,389 --> 00:32:57,267
And it is such a classic,
I just pray I do it justice.
825
00:32:57,267 --> 00:32:58,727
Yeah,
I like the harmony better.
826
00:32:58,727 --> 00:33:00,937
So you're
♪ You're all ♪
827
00:33:00,937 --> 00:33:03,064
♪ I need ♪
828
00:33:03,064 --> 00:33:05,108
♪ To get by ♪
829
00:33:05,108 --> 00:33:07,319
Okay.
Enter kind of conservatively
in a sense
830
00:33:07,319 --> 00:33:09,988
that people are like, "This
is the song I know and love."
831
00:33:09,988 --> 00:33:12,949
We got that.
Rio, you are
a very gifted singer.
832
00:33:12,949 --> 00:33:16,828
Just want to make sure that
because Casmé is so vibrant
833
00:33:16,828 --> 00:33:19,289
and charismatic
on the energy level,
834
00:33:19,289 --> 00:33:21,625
y'all gonna have to match each
other a little bit more.
835
00:33:21,625 --> 00:33:24,169
Rio, could you stand
with your feet
836
00:33:24,169 --> 00:33:25,629
the width
of your shoulders?
837
00:33:25,629 --> 00:33:26,755
How does that feel?
838
00:33:26,755 --> 00:33:27,964
Stable, good.
Right?
839
00:33:27,964 --> 00:33:31,134
This communicates control
and presence.
840
00:33:31,134 --> 00:33:33,678
Rio: To work
with Miguel and John,
841
00:33:33,678 --> 00:33:35,305
it's like a master class.
842
00:33:35,305 --> 00:33:36,640
It's something
I'm going to remember
843
00:33:36,640 --> 00:33:37,933
for a long time.
844
00:33:37,933 --> 00:33:40,810
Come in strong,
like you know this song
845
00:33:40,810 --> 00:33:42,312
and you're connected
to those lyrics.
846
00:33:42,312 --> 00:33:44,689
Don't question yourself.
That will carry you through.
847
00:33:44,689 --> 00:33:46,358
Alright,
let's hear it again.
848
00:33:46,358 --> 00:33:49,027
Both: ♪ 'Cause we,
we got the right ♪
849
00:33:49,027 --> 00:33:53,114
Miguel: Wow, Rio, that felt like
it was a good tweak for him.
850
00:33:53,114 --> 00:33:55,325
It helped in his presence.
I literally felt like
851
00:33:55,325 --> 00:33:58,036
the energy was coming
through the glass.
852
00:33:58,036 --> 00:34:00,205
Both: ♪ You're all I want
to strive for ♪
853
00:34:00,205 --> 00:34:02,082
♪ And do a little more, you're ♪
854
00:34:02,082 --> 00:34:05,293
It was like the clouds parted
and the sun shined
855
00:34:05,293 --> 00:34:07,045
and it was just beautiful.
856
00:34:07,045 --> 00:34:12,717
Hey!
♪ Honey, honey, honey, honey ♪
857
00:34:12,717 --> 00:34:15,220
Hey!
Wow, wow.
858
00:34:15,220 --> 00:34:17,722
[ Chuckles ]
I actually started
to tear up.
859
00:34:17,722 --> 00:34:19,391
I don't know if it's because
of everything
860
00:34:19,391 --> 00:34:21,351
that's been happening,
but we need these moments
861
00:34:21,351 --> 00:34:24,020
and no one's gonna match
your energy, Casmé.
862
00:34:24,020 --> 00:34:26,731
It's just coming off
of you, you know?
863
00:34:26,731 --> 00:34:29,025
It's beautiful to watch.
Thank you, guys.
864
00:34:29,025 --> 00:34:31,194
We're going to create
a beautiful moment
865
00:34:31,194 --> 00:34:33,697
for the country
with you two singing together.
866
00:34:33,697 --> 00:34:35,198
Thank you, guys.
Thank y'all so much.
867
00:34:35,198 --> 00:34:37,742
John: Thank you!
Vocally, they're already
868
00:34:37,742 --> 00:34:39,035
in a great place.
869
00:34:39,035 --> 00:34:40,870
If they can feed off
each other's energy,
870
00:34:40,870 --> 00:34:42,956
I think it's going to be one
of our favorites of the battles.
871
00:34:42,956 --> 00:34:44,416
♪ You're all I need ♪
872
00:34:44,416 --> 00:34:47,002
Yeah. Feel like the glass is
gonna just break.
873
00:34:47,002 --> 00:34:48,044
[ Chuckles ]
874
00:34:48,044 --> 00:34:49,879
♪ You're all I need ♪
Pshh!
875
00:34:49,879 --> 00:34:51,256
Oh, love it.
Love it. Love it.
876
00:34:51,256 --> 00:34:53,758
Yeah.
877
00:34:53,758 --> 00:34:56,261
Daly: Who would you pick
as the winner of this battle?
878
00:34:56,261 --> 00:34:59,806
Get the "Voice" official app now
and play along.
879
00:35:09,232 --> 00:35:10,442
♪ This is "The Voice" ♪
880
00:35:10,442 --> 00:35:11,443
Daly: Welcome back
to the battles
881
00:35:11,443 --> 00:35:13,069
at Universal Studios Hollywood.
882
00:35:13,069 --> 00:35:16,364
[ Cheers and applause ]
883
00:35:16,364 --> 00:35:19,534
Y'all look fresh.
884
00:35:19,534 --> 00:35:21,911
This battle
begins right now.
885
00:35:27,667 --> 00:35:30,295
Both: ♪ You're all ♪
886
00:35:30,295 --> 00:35:32,464
♪ I need ♪
887
00:35:32,464 --> 00:35:35,300
♪ To get by ♪
888
00:35:35,300 --> 00:35:38,637
♪ Ahh ♪
Whoo!
889
00:35:38,637 --> 00:35:41,473
♪ Like the sweet
morning dew ♪
890
00:35:41,473 --> 00:35:43,808
♪ I took
one look at you ♪
891
00:35:43,808 --> 00:35:45,977
♪ And it was plain
to see ♪
892
00:35:45,977 --> 00:35:48,813
♪ You were my destiny ♪
893
00:35:48,813 --> 00:35:51,483
♪ With arms open wide ♪
894
00:35:51,483 --> 00:35:53,818
♪ I threw away my pride ♪
895
00:35:53,818 --> 00:35:55,987
♪ I'll sacrifice for you ♪
896
00:35:55,987 --> 00:35:57,989
♪ Dedicate my life to you ♪
897
00:35:57,989 --> 00:35:59,949
♪ Come on, baby ♪
♪ I will go ♪
898
00:35:59,949 --> 00:36:01,451
♪ Where you lead ♪
899
00:36:01,451 --> 00:36:03,912
♪ Always there
in time of need ♪
900
00:36:03,912 --> 00:36:06,039
♪ And when
I lose my will ♪
901
00:36:06,039 --> 00:36:08,541
♪ Hey ♪
♪ You'll be there
to push me up the hill ♪
902
00:36:08,541 --> 00:36:10,001
♪ There's no ♪
903
00:36:10,001 --> 00:36:13,838
♪ No looking back for us ♪
904
00:36:13,838 --> 00:36:15,674
♪ We got love ♪
905
00:36:15,674 --> 00:36:18,009
♪ Sure 'nough,
that's enough ♪
906
00:36:18,009 --> 00:36:20,011
♪ You're all ♪
907
00:36:20,011 --> 00:36:22,847
♪ You're all I need ♪
908
00:36:22,847 --> 00:36:24,474
♪ To get by ♪
909
00:36:24,474 --> 00:36:26,643
♪ Like an eagle protects
his nest ♪
910
00:36:26,643 --> 00:36:29,145
♪ For you
I'll do my best ♪
911
00:36:29,145 --> 00:36:31,481
♪ Stand by you
like a tree ♪
912
00:36:31,481 --> 00:36:34,442
♪ And dare anybody to try
and move me ♪
913
00:36:34,442 --> 00:36:37,445
♪ Darling, in you
I found strength ♪
914
00:36:37,445 --> 00:36:39,030
♪ Where I was torn down ♪
915
00:36:39,030 --> 00:36:41,199
♪ I don't know
what's in store ♪
916
00:36:41,199 --> 00:36:44,035
♪ But together
we can open any door ♪
917
00:36:44,035 --> 00:36:46,538
♪ Just to do
what's good for you ♪
918
00:36:46,538 --> 00:36:48,915
♪ And inspire you
a little higher ♪
919
00:36:48,915 --> 00:36:50,750
♪ I know you can ♪
Hey!
920
00:36:50,750 --> 00:36:52,711
♪ Make a man
out of this soul ♪
Hey!
921
00:36:52,711 --> 00:36:54,045
♪ That didn't have
a goal ♪
922
00:36:54,045 --> 00:36:55,505
Both: ♪ 'Cause we ♪
923
00:36:55,505 --> 00:36:59,217
♪ We got
the right foundation ♪
924
00:36:59,217 --> 00:37:03,722
♪ And with love
and determination ♪
925
00:37:03,722 --> 00:37:05,640
♪ You're all ♪
926
00:37:05,640 --> 00:37:07,892
♪ You're all I want
to strive for ♪
927
00:37:07,892 --> 00:37:10,812
♪ And do a little more,
you're all ♪
928
00:37:10,812 --> 00:37:12,897
♪ All the joys
under the sun ♪
929
00:37:12,897 --> 00:37:14,232
♪ Wrapped up into one ♪
930
00:37:14,232 --> 00:37:15,734
♪ You're all ♪
931
00:37:15,734 --> 00:37:18,528
♪ You're all I need ♪
932
00:37:18,528 --> 00:37:20,572
Oh, my God!
Hey!
933
00:37:20,572 --> 00:37:25,577
Both: ♪ You're all I need ♪
934
00:37:25,577 --> 00:37:28,747
♪ You're all I need ♪
♪ Ohhhh ♪
935
00:37:28,747 --> 00:37:32,292
♪ To get by ♪
936
00:37:32,292 --> 00:37:35,086
♪ Ahhhh ♪
937
00:37:35,086 --> 00:37:37,213
♪ Ohhh ♪
938
00:37:37,213 --> 00:37:41,926
♪ Honey, honey, honey, honey ♪
939
00:37:41,926 --> 00:37:44,763
Yeah!
940
00:37:44,763 --> 00:37:47,932
[ Cheers and applause ]
941
00:37:47,932 --> 00:37:50,727
My God!
Oh, my gosh.
942
00:37:50,727 --> 00:37:53,772
I do not feel like
I'm in a singing competition
943
00:37:53,772 --> 00:37:55,940
setting right now.
I feel like I'm at the Grammys.
944
00:37:55,940 --> 00:37:59,694
Both you are so natural. I mean,
it was very equally matched.
945
00:37:59,694 --> 00:38:04,115
Rio, your voice is stunning,
your stage presence, your style,
946
00:38:04,115 --> 00:38:06,701
everything was
just so incredible.
947
00:38:06,701 --> 00:38:10,079
Casmé, from the moment
the light flashed,
948
00:38:10,079 --> 00:38:12,499
I was like a zombie,
like, just staring at you.
949
00:38:12,499 --> 00:38:15,794
I mean, it's almost like you
were a genie locked away
950
00:38:15,794 --> 00:38:17,962
and someone let you out.
The dancing,
951
00:38:17,962 --> 00:38:21,800
like, the swagging,
everything was incredible.
952
00:38:21,800 --> 00:38:23,802
Kelly: Rio, you have
such great tone.
953
00:38:23,802 --> 00:38:26,721
The melodies you would go for
and the little falsetto thing.
954
00:38:26,721 --> 00:38:30,642
I love your voice, but there are
few people in this world
955
00:38:30,642 --> 00:38:33,895
that were born to be on a stage,
956
00:38:33,895 --> 00:38:35,939
and, Casmé, you're, like ‐‐
957
00:38:35,939 --> 00:38:39,943
I mean, I'm a very comfortable,
confident person in my own skin,
958
00:38:39,943 --> 00:38:41,653
but, like, you made me
seem not.
959
00:38:41,653 --> 00:38:44,656
And I'm extremely comfortable,
probably too comfortable.
960
00:38:44,656 --> 00:38:46,658
But how into the song
you are
961
00:38:46,658 --> 00:38:48,159
and how happy you are
in the moment,
962
00:38:48,159 --> 00:38:50,119
I was like,
"Diana Ross is here."
963
00:38:50,119 --> 00:38:51,788
I think that you're one
that everybody should
964
00:38:51,788 --> 00:38:53,206
be worried about, honestly.
965
00:38:53,206 --> 00:38:55,208
Thank you so much.
966
00:38:55,208 --> 00:38:57,001
Blake: I want to talk
a bit about Rio
967
00:38:57,001 --> 00:38:59,838
because I was really locked in
on your stage presence
968
00:38:59,838 --> 00:39:01,339
and your connection
with the song.
969
00:39:01,339 --> 00:39:03,758
Thank you.
And you just have
your own unique way
970
00:39:03,758 --> 00:39:07,178
of performing, and I did see
how incredible Casmé is,
971
00:39:07,178 --> 00:39:10,765
but I can't find any reason
why you couldn't pick Rio
972
00:39:10,765 --> 00:39:12,267
and be exactly
right about it too.
973
00:39:12,267 --> 00:39:15,103
So I'm going to
accept my fine from NBC
974
00:39:15,103 --> 00:39:16,187
and I'm not going to help you
on that.
975
00:39:16,187 --> 00:39:18,106
[ Laughter ]
976
00:39:18,106 --> 00:39:19,649
Daly: John, it all comes
down to you, buddy.
977
00:39:19,649 --> 00:39:20,692
Give us some thoughts.
978
00:39:20,692 --> 00:39:22,527
I think this was the most
979
00:39:22,527 --> 00:39:25,989
thoroughly engrossing,
joyful,
980
00:39:25,989 --> 00:39:29,033
well‐put‐together performance
we've seen in the battles
981
00:39:29,033 --> 00:39:31,160
of any of the artists
on any team.
982
00:39:31,160 --> 00:39:32,871
It was just beautiful.
983
00:39:32,871 --> 00:39:34,581
Casmé is who she is.
984
00:39:34,581 --> 00:39:37,166
She walks in the room
like that.
985
00:39:37,166 --> 00:39:40,879
And I talked to Rio about you
got to be able to match that.
986
00:39:40,879 --> 00:39:43,006
You've got
to match that energy.
You did it.
987
00:39:43,006 --> 00:39:46,968
And he really did look
completely in control.
988
00:39:46,968 --> 00:39:49,178
You looked like you were having
so much fun.
989
00:39:49,178 --> 00:39:51,556
You have wonderful tone.
990
00:39:51,556 --> 00:39:53,224
You have runs,
you have falsetto.
991
00:39:53,224 --> 00:39:54,809
You have all these things,
992
00:39:54,809 --> 00:39:57,228
and it just felt like
you belonged up here
993
00:39:57,228 --> 00:39:59,731
and it was completely natural
and felt so good.
994
00:39:59,731 --> 00:40:01,649
Thank you.
Casmé, everything
995
00:40:01,649 --> 00:40:04,903
everyone's been saying about you
is because you are who you are.
996
00:40:04,903 --> 00:40:06,654
We talked a lot
about your presence,
997
00:40:06,654 --> 00:40:08,865
but your voice is wonderful.
998
00:40:08,865 --> 00:40:10,575
It's flawless.
It's so full.
999
00:40:10,575 --> 00:40:13,411
You were just completely
on point as a vocalist today.
1000
00:40:13,411 --> 00:40:15,121
Thank you.
Daly: John, the time has come.
1001
00:40:15,121 --> 00:40:17,248
Who's the winner
of this battle?
1002
00:40:19,042 --> 00:40:20,919
Obviously,
this is a tough decision,
1003
00:40:20,919 --> 00:40:24,380
but I'm just honored that I got
to work with both of you.
1004
00:40:26,215 --> 00:40:28,217
The winner of this battle is...
1005
00:40:36,184 --> 00:40:37,393
♪ This is "The Voice" ♪
1006
00:40:37,393 --> 00:40:40,063
Daly: Welcome back
to "The Voice."
1007
00:40:40,063 --> 00:40:41,731
John: Obviously,
this is a tough decision,
1008
00:40:41,731 --> 00:40:44,442
but...
1009
00:40:44,442 --> 00:40:46,277
the winner of this battle...
1010
00:40:46,277 --> 00:40:47,737
♪♪♪
1011
00:40:47,737 --> 00:40:49,280
is Casmé.
1012
00:40:49,280 --> 00:40:52,533
Daly: Casmé moving in
to knockouts.
1013
00:40:52,533 --> 00:40:54,285
Congratulations.
1014
00:40:54,285 --> 00:40:57,747
John: Everyone loves Casmé.
Her energy is so infectious.
1015
00:40:57,747 --> 00:41:00,124
She's so soulful and charming.
1016
00:41:00,124 --> 00:41:03,962
Her presence on stage
is just superstar quality.
1017
00:41:03,962 --> 00:41:05,755
Thank you all, thank you.
1018
00:41:05,755 --> 00:41:07,715
Congratulations,
Casmé.
1019
00:41:07,715 --> 00:41:10,093
I'm just grateful
for this opportunity.
1020
00:41:10,093 --> 00:41:13,429
And it's a dream
come true.
1021
00:41:13,429 --> 00:41:15,807
Daly: Rio, anything you'd like
to say to your coach?
1022
00:41:15,807 --> 00:41:17,976
Thank you so much for seeing
something in me, John,
1023
00:41:17,976 --> 00:41:19,477
and turning your chair.
1024
00:41:19,477 --> 00:41:21,104
Thank y'all so much
for this opportunity.
1025
00:41:21,104 --> 00:41:22,605
And the journey
does not stop here.
1026
00:41:22,605 --> 00:41:23,648
That's right, Rio.
1027
00:41:23,648 --> 00:41:25,984
Daly: Give it up
for Rio Souma,
1028
00:41:25,984 --> 00:41:27,652
ladies and gentlemen!
1029
00:41:27,652 --> 00:41:30,822
[ Cheers and applause ]
1030
00:41:30,822 --> 00:41:33,658
That was so good.
She is amazing.
I love her.
1031
00:41:33,658 --> 00:41:35,493
Like, she's her own thing
in her own lane,
1032
00:41:35,493 --> 00:41:38,579
and it's so captivating.
1033
00:41:38,579 --> 00:41:41,874
♪ Been traveling
these wide roads ♪
Okay.
1034
00:41:41,874 --> 00:41:45,503
♪ So long ♪
1035
00:41:45,503 --> 00:41:47,672
So who do you think
the mentor is?
I have a hunch.
1036
00:41:47,672 --> 00:41:49,507
I think it's gonna be
a girl.
1037
00:41:49,507 --> 00:41:53,344
Both: ♪ Take me to your river ♪
1038
00:41:53,344 --> 00:41:57,515
♪ I wanna go ♪
1039
00:41:57,515 --> 00:42:00,018
Oh, my gosh, I love you.
1040
00:42:00,018 --> 00:42:01,978
Whoever it is, they're going to
be phenomenal, obviously.
1041
00:42:01,978 --> 00:42:03,688
It's Kelly, you know?
I know. I can't wait.
1042
00:42:03,688 --> 00:42:04,856
I'm just so excited.
Oh, man.
1043
00:42:04,856 --> 00:42:05,940
I'm so excited.
1044
00:42:05,940 --> 00:42:07,608
What's up, y'all?
1045
00:42:07,608 --> 00:42:08,818
What's up? What's up?
1046
00:42:08,818 --> 00:42:10,028
‐Oh, my ‐‐
‐Oh, my gosh.
1047
00:42:10,028 --> 00:42:11,362
It's Leon Bridges.
1048
00:42:11,362 --> 00:42:12,864
This is Leon Bridges,
everybody.
1049
00:42:12,864 --> 00:42:14,866
When I first walked in,
all I could see was Kelly
1050
00:42:14,866 --> 00:42:16,534
with a pirate patch on her eye.
1051
00:42:16,534 --> 00:42:17,827
Then I noticed ‐‐
I was like,
1052
00:42:17,827 --> 00:42:19,871
"oh, that's Leon Bridges
right next to her."
1053
00:42:19,871 --> 00:42:21,748
I was just like....
[ Gasps ]
1054
00:42:21,748 --> 00:42:23,082
[ Laughs ]
1055
00:42:23,082 --> 00:42:24,751
Kelly: So I picked
a Celine Dion song.
1056
00:42:24,751 --> 00:42:26,377
I don't think
I've ever given anyone
1057
00:42:26,377 --> 00:42:27,545
this big of a song before.
1058
00:42:27,545 --> 00:42:29,005
I'm going to be honest
with you.
1059
00:42:29,005 --> 00:42:30,548
It's part of that album
"A New Day Has Come."
1060
00:42:30,548 --> 00:42:31,716
Like, I've been studying
that album
1061
00:42:31,716 --> 00:42:32,884
since I'm, like,
13 years old.
1062
00:42:32,884 --> 00:42:34,552
I sang it at like
all the gay clubs,
1063
00:42:34,552 --> 00:42:36,012
like, in New York,
in Midtown.
Oh, my gosh!
1064
00:42:36,012 --> 00:42:37,472
Yeah, that was, like,
my go‐to karaoke ‐‐
1065
00:42:37,472 --> 00:42:39,057
That and
"Since You've Been Gone."
1066
00:42:39,057 --> 00:42:40,725
Marisa: Once I started going
to the gay clubs in the village,
1067
00:42:40,725 --> 00:42:42,185
I started to really blossom.
1068
00:42:42,185 --> 00:42:44,062
I started going to Fire Island
and Cherry Grove,
1069
00:42:44,062 --> 00:42:46,397
and I got a job there
singing at the restaurants,
1070
00:42:46,397 --> 00:42:49,734
performing live music
every night for 5 1/2 years.
1071
00:42:49,734 --> 00:42:52,153
And I'd play, like,
50 to 60 songs a night.
1072
00:42:52,153 --> 00:42:53,905
I love what do.
1073
00:42:53,905 --> 00:42:56,574
But I think at this point,
I'm ready for the next level.
1074
00:42:56,574 --> 00:42:58,409
♪ Pretty, pretty please ♪
1075
00:42:58,409 --> 00:43:00,912
♪ Don't you ever, ever feel ♪
1076
00:43:00,912 --> 00:43:02,121
♪ Like you're nothing ♪
1077
00:43:02,121 --> 00:43:04,582
You have range for days.
1078
00:43:04,582 --> 00:43:07,919
I would be shocked
if you weren't in the finale.
1079
00:43:07,919 --> 00:43:09,045
I want to go Kelly.
Yeah!
1080
00:43:09,045 --> 00:43:11,089
Marisa:
I'm hungry for more.
1081
00:43:11,089 --> 00:43:13,674
And I'm just really excited
to be here
1082
00:43:13,674 --> 00:43:15,718
and see where this journey
now takes me.
1083
00:43:15,718 --> 00:43:17,762
Like, y'all been here
since the Blinds.
1084
00:43:17,762 --> 00:43:19,597
Have you seen
your family at all?
1085
00:43:19,597 --> 00:43:21,099
No, I haven't seen my family
for quite a while.
1086
00:43:21,099 --> 00:43:23,017
It's been a hard weekend.
That's for sure.
1087
00:43:23,017 --> 00:43:24,727
My Mom just got admitted
last night.
1088
00:43:24,727 --> 00:43:25,853
She has COVID pretty bad.
1089
00:43:25,853 --> 00:43:27,897
Oh, my gosh.
I'm so sorry.
1090
00:43:27,897 --> 00:43:29,565
I'll definitely
send up some prayers, man.
1091
00:43:29,565 --> 00:43:31,109
Thank you so much.
Appreciate that.
Yeah.
1092
00:43:31,109 --> 00:43:34,612
Ryan G.: I got news that
my grandma had contracted COVID.
1093
00:43:34,612 --> 00:43:36,572
And my mom was kind of
taking care of her,
1094
00:43:36,572 --> 00:43:38,533
but she ended up
contracting COVID as well.
1095
00:43:38,533 --> 00:43:40,118
And my mom
has multiple sclerosis.
1096
00:43:40,118 --> 00:43:41,619
I'm hoping for the best still,
1097
00:43:41,619 --> 00:43:42,954
and I think she's gonna
pull through.
1098
00:43:42,954 --> 00:43:44,163
She's a strong woman
1099
00:43:44,163 --> 00:43:46,833
And, so, knowing
my mom's watching,
1100
00:43:46,833 --> 00:43:48,126
I'm going to give it
everything I have.
1101
00:43:48,126 --> 00:43:51,129
♪ Ognuno dia la ♪
1102
00:43:51,129 --> 00:43:55,967
♪ Mano al suo vicino ♪
1103
00:43:55,967 --> 00:43:58,761
Kelly:
Your voice is so magical.
1104
00:43:58,761 --> 00:44:01,639
No one in this competition
can touch you.
1105
00:44:01,639 --> 00:44:02,807
I'm gonna go with Kelly.
1106
00:44:02,807 --> 00:44:04,142
I wish I could hug you
right now.
1107
00:44:04,142 --> 00:44:05,768
Like, I'm so happy.
1108
00:44:05,768 --> 00:44:07,270
Ryan G.:
This year has been probably
1109
00:44:07,270 --> 00:44:09,147
one of the hardest years
I've ever had in my life.
1110
00:44:09,147 --> 00:44:11,816
But "The Voice" is lending me
an opportunity
1111
00:44:11,816 --> 00:44:13,985
to fulfill
one of my biggest dreams ever,
1112
00:44:13,985 --> 00:44:16,821
and that's to be on
the biggest stage in the world.
1113
00:44:16,821 --> 00:44:18,948
♪ There's so much life ♪
1114
00:44:18,948 --> 00:44:20,908
♪ I've left to live ♪
1115
00:44:20,908 --> 00:44:22,285
Yeah.
1116
00:44:22,285 --> 00:44:23,828
Kelly: Ryan, it's more than just
the opera singer,
1117
00:44:23,828 --> 00:44:26,539
and I'll say, man, him singing
"I Surrender,"
1118
00:44:26,539 --> 00:44:28,708
it's so sexy.
1119
00:44:28,708 --> 00:44:29,959
It's so cool to see a dude
1120
00:44:29,959 --> 00:44:31,794
singing
a female powerhouse song.
1121
00:44:31,794 --> 00:44:33,254
That's cool.
1122
00:44:33,254 --> 00:44:37,175
♪ 'Cause I'd surrender
everything ♪
1123
00:44:37,175 --> 00:44:40,011
♪ To feel the chance
to live again ♪
Marisa has
an incredible gift,
1124
00:44:40,011 --> 00:44:42,847
and her voice
is just so powerful.
1125
00:44:42,847 --> 00:44:44,265
She can hit any note.
1126
00:44:44,265 --> 00:44:45,975
She stands out on my team.
1127
00:44:47,143 --> 00:44:51,022
♪ I surrender ♪
♪ I surrender ♪
1128
00:44:51,022 --> 00:44:53,941
♪ Oh, oh ♪
1129
00:44:53,941 --> 00:44:55,651
Kelly: That was so good.
1130
00:44:55,651 --> 00:44:57,987
Oh, my God, you guys,
this is gonna be awesome.
1131
00:44:57,987 --> 00:45:01,699
The thing I love about Celine
is how intimate she can be.
1132
00:45:01,699 --> 00:45:03,701
So make sure in that beginning,
1133
00:45:03,701 --> 00:45:07,371
you're kind of, like,
speaking and singing.
Yeah.
1134
00:45:07,371 --> 00:45:10,249
♪ There's so much life,
I've left to live ♪
1135
00:45:10,249 --> 00:45:12,043
Just make sure
it's not overthought.
1136
00:45:12,043 --> 00:45:14,003
I feel like there's
a lot of pressure on me,
1137
00:45:14,003 --> 00:45:15,046
and I don't, like,
want to lose a battle
1138
00:45:15,046 --> 00:45:16,339
because I'm not Celine.
1139
00:45:16,339 --> 00:45:17,965
I get what
you're saying though.
1140
00:45:17,965 --> 00:45:19,884
It's hard to depart from what
innately you know,
1141
00:45:19,884 --> 00:45:21,302
because you've been
listening to it
1142
00:45:21,302 --> 00:45:23,054
since you were, like,
a kid.
Yeah.
1143
00:45:23,054 --> 00:45:24,722
The reason why
I pressed my button,
1144
00:45:24,722 --> 00:45:26,182
it was because
I like your sound.
1145
00:45:26,182 --> 00:45:28,643
With my own music,
I've become numb,
1146
00:45:28,643 --> 00:45:30,895
because like, you know,
I sing it...
1147
00:45:30,895 --> 00:45:32,063
Right.
...every night.
1148
00:45:32,063 --> 00:45:33,731
Find within the lyrics
something
1149
00:45:33,731 --> 00:45:35,733
that resonates with you
and your experience.
1150
00:45:35,733 --> 00:45:37,860
Yes.
Thank you, Leon.
I appreciate it.
1151
00:45:37,860 --> 00:45:39,237
You know Celine Dion,
my whole life,
1152
00:45:39,237 --> 00:45:40,905
has sang this song
in my ears.
1153
00:45:40,905 --> 00:45:42,865
I have to now let that go,
1154
00:45:42,865 --> 00:45:44,909
and I have
to bring myself forward.
1155
00:45:44,909 --> 00:45:47,745
This is my story now.
that I'm telling.
1156
00:45:47,745 --> 00:45:49,789
Ryan, there's this cool
"ooh" thing you do,
1157
00:45:49,789 --> 00:45:51,374
and then you end up sailing,
and then you start singing ‐‐
1158
00:45:51,374 --> 00:45:52,792
Ryan: In the key change
where it goes,
1159
00:45:52,792 --> 00:45:54,752
♪ Ah, ah ♪
1160
00:45:54,752 --> 00:45:58,005
Yes.
You have a very cool vibe
1161
00:45:58,005 --> 00:46:00,716
when you're singing this
vulnerable, intimate moment.
1162
00:46:00,716 --> 00:46:02,260
Open your eyes.
I know.
1163
00:46:02,260 --> 00:46:03,594
I don't know the lyrics
that well yet.
1164
00:46:03,594 --> 00:46:05,221
So I'm, like,
trying to think through.
1165
00:46:05,221 --> 00:46:06,597
I like that
you're introspective,
1166
00:46:06,597 --> 00:46:07,848
and it's like the ‐‐
I like ‐‐
1167
00:46:07,848 --> 00:46:09,183
That's your vibe.
That's cool.
1168
00:46:09,183 --> 00:46:10,893
But every once in awhile,
open up your eyes,
1169
00:46:10,893 --> 00:46:12,937
just so everybody can be like,
"ooh, he let me in."
1170
00:46:12,937 --> 00:46:14,772
[ Chuckles ]
Definitely.
Yes.
1171
00:46:14,772 --> 00:46:17,108
Maybe, I don't know,
surrender.
1172
00:46:17,108 --> 00:46:18,276
[ Laughs ]
1173
00:46:18,276 --> 00:46:19,777
Ryan G.:
I've worked on the song
1174
00:46:19,777 --> 00:46:21,237
through probably
the hardest things
1175
00:46:21,237 --> 00:46:22,905
I've gone through
in my life.
1176
00:46:22,905 --> 00:46:25,116
It would mean
more than just winning.
1177
00:46:25,116 --> 00:46:26,701
Like, it would be kind of like
1178
00:46:26,701 --> 00:46:28,703
a life battle for me, too,
that I'm winning.
1179
00:46:28,703 --> 00:46:30,288
♪ I'll break free ♪
Marisa:
♪ I'll break free ♪
1180
00:46:30,288 --> 00:46:31,998
♪ Take me ♪
♪ Take me ♪
1181
00:46:31,998 --> 00:46:33,457
Leon:
It was definitely evident
1182
00:46:33,457 --> 00:46:38,254
that Ryan was channeling
his pain and that emotion.
1183
00:46:38,254 --> 00:46:42,216
♪ I surrender ♪
♪ I surrender ♪
1184
00:46:42,216 --> 00:46:44,427
That's what resonates
with people.
1185
00:46:44,427 --> 00:46:45,970
[ Vocalizing ]
1186
00:46:45,970 --> 00:46:48,389
I think it'd be cooler
if they ended soft.
1187
00:46:48,389 --> 00:46:51,434
Connection and believability
are so key.
1188
00:46:51,434 --> 00:46:55,813
♪ I surrender ♪
♪ I surrender ♪
1189
00:46:55,813 --> 00:46:57,315
Oh, my God,
if y'all make me cry
1190
00:46:57,315 --> 00:46:59,775
and my eye starts hurting,
I'm punching both of you.
1191
00:46:59,775 --> 00:47:01,277
It's inevitable.
1192
00:47:01,277 --> 00:47:04,405
These two are going to blow
the roof of the house.
1193
00:47:04,405 --> 00:47:08,326
They're going to move everyone
and their dog on this song.
1194
00:47:08,326 --> 00:47:10,453
This is going to be
the best battle. What?
1195
00:47:10,453 --> 00:47:12,496
Alright, bye, y'all.
1196
00:47:12,496 --> 00:47:14,999
I cannot wait to check in
on their progress
1197
00:47:14,999 --> 00:47:16,125
at stage rehearsals,
1198
00:47:16,125 --> 00:47:18,002
There's always, like,
one battle
1199
00:47:18,002 --> 00:47:19,337
that kind of sticks out,
that you're like,
1200
00:47:19,337 --> 00:47:21,005
"Oh, my God,
that worked."
Yeah.
1201
00:47:21,005 --> 00:47:22,673
No, you actually got some...
It kind of sucks, though...
1202
00:47:22,673 --> 00:47:24,342
...pretty good players.
...when they're all so good.
1203
00:47:24,342 --> 00:47:25,801
Leon: Yeah, that's...
And then they have ‐‐
they get cut.
1204
00:47:25,801 --> 00:47:27,011
Ultimately, you know,
1205
00:47:27,011 --> 00:47:29,138
there can only be one.
I know.
1206
00:47:29,138 --> 00:47:32,767
♪ There's so much life
I've left to live ♪
1207
00:47:32,767 --> 00:47:34,018
Marisa: This is
the most amazing thing ever.
1208
00:47:34,018 --> 00:47:36,437
I'm fighting hard
to stay on Kelly's team.
1209
00:47:36,437 --> 00:47:39,106
Putting in the work with Ryan
and making the song
1210
00:47:39,106 --> 00:47:41,025
really special
and unique to us ‐‐
1211
00:47:41,025 --> 00:47:43,319
such a gratifying experience.
1212
00:47:43,319 --> 00:47:45,196
Kelly: Y'all did so well.
1213
00:47:45,196 --> 00:47:47,490
You sound amazing together.
1214
00:47:47,490 --> 00:47:49,867
Thanks, Kel.
Thank you.
Marisa.
1215
00:47:49,867 --> 00:47:53,162
It was awesome, because it
sounded more authentically you,
1216
00:47:53,162 --> 00:47:55,915
and less how we both hear
Celine doing it,
1217
00:47:55,915 --> 00:47:57,541
and it was way better.
1218
00:47:57,541 --> 00:47:59,835
♪ I reach to you ♪
Ryan G.: ♪ I reach to you ♪
1219
00:47:59,835 --> 00:48:04,215
Ryan, the sound and texture
of your voice is so beautiful.
1220
00:48:04,215 --> 00:48:06,217
Make sure you just
stay present in the verses.
1221
00:48:06,217 --> 00:48:08,219
You don't have to hold back.
Sing it.
1222
00:48:08,219 --> 00:48:10,221
I think we're going to tighten
a couple little things up
1223
00:48:10,221 --> 00:48:11,389
a little bit more,
1224
00:48:11,389 --> 00:48:13,391
and then kill it
on the performance.
1225
00:48:13,391 --> 00:48:14,892
This is your moment.
1226
00:48:14,892 --> 00:48:16,227
Thanks, Kelly.
Loosen up,
1227
00:48:16,227 --> 00:48:18,062
But also have fun, okay?
[ Laughs ]
1228
00:48:18,062 --> 00:48:19,355
Alright, bye, y'all.
1229
00:48:19,355 --> 00:48:21,023
See you. Take care.
Bye.
1230
00:48:30,491 --> 00:48:31,409
♪ This is "The Voice" ♪
1231
00:48:31,409 --> 00:48:33,244
Daly: Welcome back.
1232
00:48:33,244 --> 00:48:36,580
[ Cheers and applause ]
1233
00:48:36,580 --> 00:48:37,957
[ Laughs ]
1234
00:48:37,957 --> 00:48:39,959
Spin move.
1235
00:48:39,959 --> 00:48:41,669
[ Cheers and applause ]
1236
00:48:41,669 --> 00:48:44,004
Let the battle begin.
1237
00:48:44,880 --> 00:48:46,799
Oh, I am so nervous.
1238
00:48:47,758 --> 00:48:50,928
♪♪♪
1239
00:48:50,928 --> 00:48:55,433
♪ Ooh, ooh,
ooh‐ooh‐ooh ♪
1240
00:48:55,433 --> 00:48:59,603
♪ There's so much life
I've left to live ♪
1241
00:48:59,603 --> 00:49:03,732
♪ And this fire's
burning still ♪
1242
00:49:03,732 --> 00:49:07,695
♪ When I watch you
look at me ♪
1243
00:49:07,695 --> 00:49:11,449
♪ I think I could find
the will ♪
1244
00:49:11,449 --> 00:49:15,286
♪ To stand
for every thing ♪
1245
00:49:15,286 --> 00:49:19,665
♪ And forsake
this solid ground ♪
1246
00:49:19,665 --> 00:49:23,586
♪ And give up this fear
within ♪
1247
00:49:23,586 --> 00:49:28,883
♪ Of what would happen
if they ever knew ♪
1248
00:49:28,883 --> 00:49:32,595
♪ I'm in love
with you ♪
1249
00:49:32,595 --> 00:49:36,307
Both: ♪ 'Cause I'd surrender
everything ♪
1250
00:49:36,307 --> 00:49:40,311
♪ To feel the chance
to live again ♪
1251
00:49:40,311 --> 00:49:43,314
♪ I reach to you ♪
1252
00:49:43,314 --> 00:49:46,317
♪ I know you can feel it, too ♪
1253
00:49:46,317 --> 00:49:48,652
♪ We'd make it through ♪
1254
00:49:48,652 --> 00:49:49,987
♪ A thousand dreams ♪
1255
00:49:49,987 --> 00:49:52,656
♪ I still believe ♪
1256
00:49:52,656 --> 00:49:56,619
♪ I'd make you give them
all to me ♪
1257
00:49:56,619 --> 00:49:59,830
♪ I'd hold you in my arms ♪
1258
00:49:59,830 --> 00:50:03,876
♪ And never let go ♪
1259
00:50:03,876 --> 00:50:11,842
♪ I surrender ♪
1260
00:50:11,842 --> 00:50:16,430
♪ Every night's
getting longer ♪
1261
00:50:16,430 --> 00:50:20,935
♪ And this fire's
getting stronger ♪
1262
00:50:20,935 --> 00:50:23,020
♪ I'll swallow my pride ♪
1263
00:50:23,020 --> 00:50:25,022
♪ And I'll be alive ♪
1264
00:50:25,022 --> 00:50:29,443
♪ Can't you hear my call ♪
1265
00:50:29,443 --> 00:50:34,698
♪ I surrender all ♪
1266
00:50:34,698 --> 00:50:38,035
♪ I'd surrender
everything ♪
1267
00:50:38,035 --> 00:50:42,081
♪ To feel the chance
to live again ♪
1268
00:50:42,081 --> 00:50:45,668
♪ I'll hold ♪
1269
00:50:45,668 --> 00:50:50,506
♪ Never let go ♪
1270
00:50:50,506 --> 00:50:53,968
♪ Right here, right now ♪
1271
00:50:53,968 --> 00:50:57,638
♪ I give my life
to live again ♪
1272
00:50:57,638 --> 00:50:58,889
♪ I'll break free ♪
1273
00:50:58,889 --> 00:51:00,057
Come on!
1274
00:51:00,057 --> 00:51:02,059
♪ Take me ♪
1275
00:51:02,059 --> 00:51:06,855
♪ My everything ♪
1276
00:51:08,399 --> 00:51:13,529
♪ I surrender ♪
1277
00:51:13,529 --> 00:51:15,030
♪ Oh, oh‐oh ♪
1278
00:51:15,030 --> 00:51:17,074
Whoo!
1279
00:51:17,074 --> 00:51:18,909
Beautiful.
Oh, my God.
1280
00:51:18,909 --> 00:51:20,077
Whew.
1281
00:51:20,077 --> 00:51:22,913
Whoo!
1282
00:51:22,913 --> 00:51:24,748
That was a big song,
y'all.
1283
00:51:24,748 --> 00:51:25,958
That was a real big song.
Whoa.
1284
00:51:25,958 --> 00:51:27,042
John: Real big lick.
1285
00:51:27,042 --> 00:51:28,752
My dog's on the screen.
1286
00:51:28,752 --> 00:51:30,087
Your dog is on the screen?
Where?
1287
00:51:30,087 --> 00:51:32,089
She's right in the center
with my friend Kelly.
1288
00:51:32,089 --> 00:51:33,090
Gwen: Aww!
Blake: Aww! I see.
1289
00:51:33,090 --> 00:51:34,758
Hey, look!
1290
00:51:34,758 --> 00:51:37,428
Oh, little puppy.
[ Laughs ]
1291
00:51:37,428 --> 00:51:40,681
Well, you know, the right song
is ‐‐ is everything.
1292
00:51:40,681 --> 00:51:42,891
Ryan, we know that
you have a big voice
1293
00:51:42,891 --> 00:51:45,769
and you're a trained vocalist
and talented.
1294
00:51:45,769 --> 00:51:47,396
But Marisa
just absolutely
1295
00:51:47,396 --> 00:51:48,897
just took over
the room here...
Thank you.
1296
00:51:48,897 --> 00:51:51,108
...and just ‐‐
just destroyed the place.
1297
00:51:51,108 --> 00:51:53,611
Ryan, you really are
a gifted vocalist.
1298
00:51:53,611 --> 00:51:55,029
I just think
in this moment,
1299
00:51:55,029 --> 00:51:57,573
it was just built
for Marisa to shine.
1300
00:51:57,573 --> 00:52:00,576
But that doesn't mean
she was guaranteed to do so.
1301
00:52:00,576 --> 00:52:02,703
She had to deliver,
and she did.
1302
00:52:02,703 --> 00:52:04,163
Thank you so much.
Thank you.
1303
00:52:04,163 --> 00:52:06,582
You guys are almost opposite
1304
00:52:06,582 --> 00:52:08,500
the way that you attacked
the song.
1305
00:52:08,500 --> 00:52:10,628
I wanted to just watch Ryan
the whole time
1306
00:52:10,628 --> 00:52:13,130
because you just are at ease
the entire time
1307
00:52:13,130 --> 00:52:14,965
as you sing
these perfect notes.
1308
00:52:14,965 --> 00:52:16,925
It's like, "whoa,
he's not even trying,
1309
00:52:16,925 --> 00:52:18,802
and that beautifulness
is coming out of him."
1310
00:52:18,802 --> 00:52:21,597
And it's so controlled
and mesmerizing
1311
00:52:21,597 --> 00:52:22,890
and crazy to watch.
1312
00:52:22,890 --> 00:52:24,475
Marisa comes out here
1313
00:52:24,475 --> 00:52:27,144
with this huge personality
and passion
1314
00:52:27,144 --> 00:52:29,063
and ready to have
her moment.
1315
00:52:29,063 --> 00:52:30,814
It was hard to ignore that,
you know what I'm saying?
1316
00:52:30,814 --> 00:52:33,776
Sure.
But both so talented.
1317
00:52:33,776 --> 00:52:35,152
Daly: Thank you, coaches.
Thank you.
1318
00:52:35,152 --> 00:52:36,820
Kelly's got
the final decision.
1319
00:52:36,820 --> 00:52:38,155
Tell us some thoughts
on that battle
1320
00:52:38,155 --> 00:52:39,657
before you tell us
who won.
1321
00:52:39,657 --> 00:52:40,824
I think it's interesting,
Marisa.
1322
00:52:40,824 --> 00:52:42,743
Like, I remember
in the rehearsals,
1323
00:52:42,743 --> 00:52:44,662
you said, "I feel like
I'm at a disadvantage..."
I know.
1324
00:52:44,662 --> 00:52:46,872
"...because I'm singing
a Celine Dion song."
1325
00:52:46,872 --> 00:52:48,791
Yeah.
But what's funny is
1326
00:52:48,791 --> 00:52:50,167
Ryan felt like
he was at a disadvantage
1327
00:52:50,167 --> 00:52:51,794
cause he's like,
"well, this song
1328
00:52:51,794 --> 00:52:54,129
is a huge female song."
Right.
1329
00:52:54,129 --> 00:52:56,173
I think also on the flip side,
though, what's cool is
1330
00:52:56,173 --> 00:52:58,008
I've never heard a man
sing this song,
1331
00:52:58,008 --> 00:53:00,803
especially with your depth
and your control.
1332
00:53:00,803 --> 00:53:04,181
What's deceiving
about this one over here
1333
00:53:04,181 --> 00:53:05,933
is you are just
as powerful.
1334
00:53:05,933 --> 00:53:07,851
So this is
my hardest battle,
1335
00:53:07,851 --> 00:53:09,853
because you're both
very gifted.
1336
00:53:09,853 --> 00:53:11,689
So it's a really
difficult decision.
1337
00:53:11,689 --> 00:53:14,525
I'm just stalling.
I'm sweating.
1338
00:53:14,525 --> 00:53:16,026
[ Laughs ]
1339
00:53:16,026 --> 00:53:18,946
Kelly, who is the winner
of this battle?
Ohh.
1340
00:53:18,946 --> 00:53:20,781
[ Dramatic music plays ]
1341
00:53:20,781 --> 00:53:21,699
Come on.
1342
00:53:21,699 --> 00:53:22,950
Kelly: Oh, my gosh.
1343
00:53:22,950 --> 00:53:24,493
So ‐‐ it's terrible.
1344
00:53:24,493 --> 00:53:26,704
It's ‐‐ this is terrible.
Um...
1345
00:53:26,704 --> 00:53:28,831
♪♪♪
1346
00:53:28,831 --> 00:53:30,916
Blah!
1347
00:53:30,916 --> 00:53:33,836
The winner
of this battle is...
1348
00:53:33,836 --> 00:53:35,170
Marisa.
1349
00:53:35,170 --> 00:53:36,797
Daly:
Marisa, congratulations.
1350
00:53:36,797 --> 00:53:38,132
You are moving on
to the Knockouts.
1351
00:53:38,132 --> 00:53:40,134
Oh, thank you so much.
1352
00:53:40,134 --> 00:53:41,552
Wow.
1353
00:53:41,552 --> 00:53:43,220
Kelly:
Marisa versus Ryan
1354
00:53:43,220 --> 00:53:46,223
was the worst battle
I've ever had to choose between
1355
00:53:46,223 --> 00:53:50,018
because they are both
incredible singers.
1356
00:53:50,018 --> 00:53:53,021
I couldn't deny how Marisa
just nailed it.
1357
00:53:53,021 --> 00:53:55,566
She was like...
knock it out the park.
1358
00:53:55,566 --> 00:53:58,736
Oh! [ Laughs ]
1359
00:53:58,736 --> 00:54:00,738
That was so hard!
1360
00:54:00,738 --> 00:54:02,573
Marisa: I'm so excited.
1361
00:54:02,573 --> 00:54:03,907
Thank you!
1362
00:54:03,907 --> 00:54:05,242
Daly: Coaches,
let me remind you
1363
00:54:05,242 --> 00:54:06,910
Ryan's available
to steal her save.
1364
00:54:06,910 --> 00:54:08,871
Give it up one more time
for Ryan Gallagher,
1365
00:54:08,871 --> 00:54:10,038
ladies and gentlemen.
Good job, Ryan.
1366
00:54:10,038 --> 00:54:11,248
Good job.
Great job, Ryan.
1367
00:54:11,248 --> 00:54:12,916
In fact, so great...
1368
00:54:12,916 --> 00:54:14,209
whoo, whoo, whoo,
whoo, whoo.
Whoa!
1369
00:54:14,209 --> 00:54:15,669
Oh, my God!
1370
00:54:15,669 --> 00:54:17,004
He's saved!
He's saved. He's saved.
1371
00:54:17,004 --> 00:54:18,922
Whoo! Whoo! Whoo!
1372
00:54:18,922 --> 00:54:20,924
I want to give you
a hug.
Kelly: Oh, my gosh.
1373
00:54:20,924 --> 00:54:22,676
I was like,
"I'm gonna save you.
1374
00:54:22,676 --> 00:54:24,094
I promise.
Oh, my God.
1375
00:54:24,094 --> 00:54:26,680
Kelly goes all‐in
on her one save...
1376
00:54:26,680 --> 00:54:28,599
Oh, my goodness.
...for Ryan Gallagher.
1377
00:54:28,599 --> 00:54:30,267
who's back
in this competition.
1378
00:54:30,267 --> 00:54:32,269
Let me get a hug.
1379
00:54:32,269 --> 00:54:34,104
Kelly: Ryan ‐‐ I just don't
want him to go home.
1380
00:54:34,104 --> 00:54:35,731
I think he's so gifted.
1381
00:54:35,731 --> 00:54:39,193
And, gah,
his voice is so moving.
1382
00:54:39,193 --> 00:54:42,279
You sound so different
than anybody else here.
1383
00:54:42,279 --> 00:54:43,906
And that's the whole point
of the show
1384
00:54:43,906 --> 00:54:45,282
is that it's a voice
that moves us.
1385
00:54:45,282 --> 00:54:47,784
Thank you for saving me.
Yeah!
1386
00:54:47,784 --> 00:54:49,953
Daly: Kelly saves Ryan.
Congratulations.
1387
00:54:49,953 --> 00:54:51,663
We'll see you
in the Knockouts.
1388
00:54:51,663 --> 00:54:52,998
Give it up for
Ryan Gallagher.
1389
00:54:52,998 --> 00:54:54,333
Ryan G.: Happy to still be
on Kelly's team.
1390
00:54:54,333 --> 00:54:56,251
But going into
the four‐way knockout,
1391
00:54:56,251 --> 00:54:58,795
I'm nervous. There's a lot of
really good talent here.
1392
00:54:58,795 --> 00:55:00,255
But I'm gonna bring it.
1393
00:55:00,255 --> 00:55:01,798
He's really good.
He lives to fight another day.
1394
00:55:01,798 --> 00:55:03,800
He is just, like, stoic...
Yeah.
1395
00:55:03,800 --> 00:55:05,886
...and, like, James Bond.
He got really excited
at the end.
1396
00:55:05,886 --> 00:55:07,638
Winning a four‐way knockout's
gonna be hard.
1397
00:55:07,638 --> 00:55:09,097
You know
that four‐way knockout,
1398
00:55:09,097 --> 00:55:10,140
he's gonna have to pick
something that really is
1399
00:55:10,140 --> 00:55:11,975
almost, like, finale worthy.
1400
00:55:11,975 --> 00:55:15,771
Daly: With no saves left,
Kelly, Blake, and Gwen
1401
00:55:15,771 --> 00:55:18,148
made more tough decisions.
1402
00:55:18,148 --> 00:55:21,318
♪ I wonder when I love me
is enough ♪
1403
00:55:21,318 --> 00:55:24,321
♪ Yeah, yeah ♪
1404
00:55:24,321 --> 00:55:27,658
♪ Oh, oh‐oh, oh‐oh ♪
1405
00:55:27,658 --> 00:55:31,078
I'm just torn now because
you both did so well
1406
00:55:31,078 --> 00:55:33,372
at really doing exactly
what I asked.
1407
00:55:33,372 --> 00:55:36,875
But, Kelsie, you are
a firecracker like I am.
1408
00:55:36,875 --> 00:55:40,254
So the winner of this battle
is Kelsie.
1409
00:55:40,254 --> 00:55:43,173
Daly: Congratulations,
Kelsie Watts.
1410
00:55:43,173 --> 00:55:44,967
You are moving on
to the Knockouts.
1411
00:55:44,967 --> 00:55:46,802
Kelsie is exciting because
we don't really have anybody
1412
00:55:46,802 --> 00:55:49,805
in that, like, total pop lane
that can just nail a vocal.
1413
00:55:49,805 --> 00:55:52,182
So polished,
like the whole package.
1414
00:55:52,182 --> 00:55:54,351
♪ Just as free ♪
1415
00:55:54,351 --> 00:55:57,354
♪♪♪
1416
00:55:57,354 --> 00:56:01,358
Both:
♪ Free as we'll ever be ♪
1417
00:56:01,358 --> 00:56:04,319
Thank both of you guys
for putting in the work.
1418
00:56:04,319 --> 00:56:05,362
You're like a rock.
1419
00:56:05,362 --> 00:56:07,698
The winner of this battle
is Ben.
1420
00:56:07,698 --> 00:56:10,033
Daly: Ben Allen, you're moving
on to the knockouts
1421
00:56:10,033 --> 00:56:12,035
from Team Blake.
1422
00:56:12,035 --> 00:56:14,329
I chose Ben because
America's gonna fall in love
1423
00:56:14,329 --> 00:56:15,414
with the sound of his voice.
1424
00:56:15,414 --> 00:56:18,250
It is truly twangy country,
1425
00:56:18,250 --> 00:56:20,043
and we don't have enough
of that these days.
1426
00:56:20,043 --> 00:56:21,712
[ Cheers and applause ]
1427
00:56:21,712 --> 00:56:24,339
This is going to be
a hard one for me, guys.
1428
00:56:24,339 --> 00:56:27,384
Both:
♪ So what am I defending now ♪
1429
00:56:27,384 --> 00:56:29,219
♪ You were my town ♪
1430
00:56:29,219 --> 00:56:33,724
♪ Now I'm in exile
seein' you out ♪
1431
00:56:33,724 --> 00:56:37,728
♪ And I think I've seen
this film before ♪
1432
00:56:37,728 --> 00:56:39,354
You brought it
with those harmonies,
1433
00:56:39,354 --> 00:56:41,732
and you learned it
and you lived it.
1434
00:56:41,732 --> 00:56:43,900
I loved the performance.
I really did.
1435
00:56:43,900 --> 00:56:47,738
I want to go with the person
that I can help keep improving.
1436
00:56:47,738 --> 00:56:50,073
The winner of this battle
is Van.
1437
00:56:50,073 --> 00:56:51,366
[ Cheers and applause ]
1438
00:56:51,366 --> 00:56:53,160
Daly: Van Andrew,
congratulations.
1439
00:56:53,160 --> 00:56:54,995
Gwen: I'm just really in love
with Van.
1440
00:56:54,995 --> 00:56:57,456
I mean, the guy has so much
potential in his voice,
1441
00:56:57,456 --> 00:57:00,208
and it's rare to find a singer
like Van these days
1442
00:57:00,208 --> 00:57:01,376
that can do all of that.
1443
00:57:01,376 --> 00:57:02,919
There's really no lane.
1444
00:57:02,919 --> 00:57:05,005
Like, he could sing
any kind of music.
1445
00:57:05,005 --> 00:57:08,842
♪♪♪
1446
00:57:14,473 --> 00:57:16,016
♪ This is "The Voice" ♪
1447
00:57:16,016 --> 00:57:18,560
Daly: Welcome back to
the final night of the Battles.
1448
00:57:18,560 --> 00:57:19,561
How do you feel
about your team, John?
1449
00:57:19,561 --> 00:57:20,771
I feel really good.
1450
00:57:20,771 --> 00:57:22,272
But you really learn
about them
1451
00:57:22,272 --> 00:57:23,440
as you rehearse with them,
1452
00:57:23,440 --> 00:57:25,442
how they respond
to all this pressure.
1453
00:57:25,442 --> 00:57:27,277
Kelly, how do you think
your team is going to do
in the Knockouts?
1454
00:57:27,277 --> 00:57:29,571
I always aim
for an eclectic team.
1455
00:57:29,571 --> 00:57:30,906
But this year, really ‐‐
1456
00:57:30,906 --> 00:57:32,741
Like, there's opera singers,
country singers,
1457
00:57:32,741 --> 00:57:34,451
like, really
all over the board.
1458
00:57:34,451 --> 00:57:36,536
And Knockouts are going to be
really hard to choose.
1459
00:57:36,536 --> 00:57:37,913
Gwen, it always seems like
it's hard for you
1460
00:57:37,913 --> 00:57:39,456
to say goodbye
to members of your team
1461
00:57:39,456 --> 00:57:40,832
because you become
so close to them.
1462
00:57:40,832 --> 00:57:42,542
Gwen: It's really hard.
1463
00:57:42,542 --> 00:57:44,586
You have to make this decision
based on the moment,
1464
00:57:44,586 --> 00:57:45,921
and there's
a lot of emotions.
1465
00:57:45,921 --> 00:57:47,631
So you just feel responsible
for people,
1466
00:57:47,631 --> 00:57:49,424
and you care,
you know.
1467
00:57:49,424 --> 00:57:51,468
Blake, you always seem like
you hold on to your steal
1468
00:57:51,468 --> 00:57:52,886
to the last minute.
1469
00:57:52,886 --> 00:57:55,889
You know, I think premature
button pushing
1470
00:57:55,889 --> 00:57:58,433
is a problem with these
other three coaches.
1471
00:57:58,433 --> 00:58:00,811
And I don't know
why in the world
1472
00:58:00,811 --> 00:58:02,270
you would use
your steal button
1473
00:58:02,270 --> 00:58:04,272
within the first
couple of battles.
1474
00:58:04,272 --> 00:58:05,774
You know, wait it out.
You really got to just ‐‐
1475
00:58:05,774 --> 00:58:07,651
you really got
to settle down.
1476
00:58:07,651 --> 00:58:08,944
Good luck everybody.
Thank you.
1477
00:58:08,944 --> 00:58:10,779
♪♪♪
1478
00:58:10,779 --> 00:58:13,824
Well, the next two
are Liam and Ryan.
1479
00:58:13,824 --> 00:58:15,325
Okay.
1480
00:58:15,325 --> 00:58:16,785
They're both
really talented.
1481
00:58:16,785 --> 00:58:18,495
Okay. Awesome.
1482
00:58:18,495 --> 00:58:19,788
‐Whoo! Hi!
‐Oh, my goodness.
1483
00:58:19,788 --> 00:58:21,832
Look who's here.
1484
00:58:21,832 --> 00:58:23,875
Julia Michaels.
What is up, y'all?
1485
00:58:23,875 --> 00:58:26,336
Julia Michaels has worked
with Justin Bieber,
1486
00:58:26,336 --> 00:58:30,340
Gwen Stefani, Ed Sheeran,
now me.
1487
00:58:30,340 --> 00:58:32,342
I'm so excited.
Man, this is so cool.
1488
00:58:32,342 --> 00:58:34,344
It's great to meet you.
You have so many hits.
1489
00:58:34,344 --> 00:58:35,679
Liam:
What more could an artist want
1490
00:58:35,679 --> 00:58:37,806
than to be coached
by this legend.
1491
00:58:37,806 --> 00:58:39,099
Are you guys
having fun?
1492
00:58:39,099 --> 00:58:40,642
We're happy
to be singing together.
1493
00:58:40,642 --> 00:58:41,977
Yeah, we both ‐‐
1494
00:58:41,977 --> 00:58:44,980
like our our life breath
is live performance.
1495
00:58:44,980 --> 00:58:49,693
And so we're really happy
to be doing that together.
1496
00:58:49,693 --> 00:58:51,528
Liam: Life at home,
1497
00:58:51,528 --> 00:58:54,865
I'm a social media and content
marketing strategist.
1498
00:58:54,865 --> 00:58:57,993
I work with a very broad range
of clients
1499
00:58:57,993 --> 00:59:00,537
from a chimpanzee‐rescue
sanctuary
1500
00:59:00,537 --> 00:59:02,748
to, like,
a plumbing company.
1501
00:59:02,748 --> 00:59:05,834
So it really pushes me
to be creative.
1502
00:59:05,834 --> 00:59:09,671
But I have always felt
this sense of urgency
1503
00:59:09,671 --> 00:59:12,674
to give music a chance.
1504
00:59:12,674 --> 00:59:14,843
♪ Oh, ow ♪
1505
00:59:14,843 --> 00:59:17,804
The blind audition was
a larger‐than‐life moment.
1506
00:59:17,804 --> 00:59:20,015
♪ Candy, yeah ♪
1507
00:59:20,015 --> 00:59:21,850
You sounded so incredible.
1508
00:59:21,850 --> 00:59:23,518
your voice is so rich.
1509
00:59:23,518 --> 00:59:24,895
Gwen.
Ah!
1510
00:59:24,895 --> 00:59:26,730
This is just giving me
so much fire,
1511
00:59:26,730 --> 00:59:30,025
and I'm ready to keep pushing
this career as far as we can go.
1512
00:59:30,025 --> 00:59:32,652
So, what's the song doing
for you guys?
1513
00:59:32,652 --> 00:59:33,820
"I Need a Dollar."
1514
00:59:33,820 --> 00:59:35,572
Yeah.
Well, it's true.
1515
00:59:35,572 --> 00:59:37,407
[ Laughs ]
Yeah, for sure.
For both of us.
1516
00:59:37,407 --> 00:59:38,992
Amazing.
For sure.
1517
00:59:38,992 --> 00:59:40,535
Starving songwriters.
1518
00:59:40,535 --> 00:59:41,995
For the battle round,
we will be singing.
1519
00:59:41,995 --> 00:59:44,623
"I Need a Dollar"
by Aloe Blacc.
1520
00:59:44,623 --> 00:59:46,958
♪ Well, I need a dollar,
dollar ♪
1521
00:59:46,958 --> 00:59:48,752
♪ Dollar,
that's what I need ♪
1522
00:59:48,752 --> 00:59:50,420
The song is
extremely relatable
1523
00:59:50,420 --> 00:59:51,671
being a gigging musician,
1524
00:59:51,671 --> 00:59:53,340
just because
there are some months
1525
00:59:53,340 --> 00:59:55,675
when I don't know how I'm
going to pay rent that month.
1526
00:59:55,675 --> 00:59:56,843
Before "The Voice,"
1527
00:59:56,843 --> 00:59:58,929
I was a full‐time
gigging musician
1528
00:59:58,929 --> 01:00:00,597
in Dallas, Texas.
1529
01:00:00,597 --> 01:00:02,891
So I played
four to five times a week
1530
01:00:02,891 --> 01:00:04,392
with and without my band
1531
01:00:04,392 --> 01:00:05,769
depending on
what the gig was
1532
01:00:05,769 --> 01:00:06,770
and how lucrative it would be
1533
01:00:06,770 --> 01:00:08,396
if I could support a band.
1534
01:00:08,396 --> 01:00:10,941
On a typical night,
we usually have 50 people
1535
01:00:10,941 --> 01:00:12,776
in a brewery that
are not there to see us.
1536
01:00:12,776 --> 01:00:14,444
They there to drink beer.
1537
01:00:14,444 --> 01:00:15,904
It's been a long journey,
1538
01:00:15,904 --> 01:00:17,447
so an opportunity like
"The Voice"
1539
01:00:17,447 --> 01:00:19,616
is absolutely monumental
to me.
1540
01:00:19,616 --> 01:00:22,077
♪ We keep on waiting ♪
1541
01:00:22,077 --> 01:00:27,666
♪ Waiting on the world
to change ♪
1542
01:00:27,666 --> 01:00:30,919
Ryan B.: After the Block on John
from Gwen,
1543
01:00:30,919 --> 01:00:32,462
that completely threw me
over the edge
1544
01:00:32,462 --> 01:00:33,964
in terms of my happiness.
1545
01:00:33,964 --> 01:00:35,465
I'm glad I didn't fall over.
1546
01:00:35,465 --> 01:00:37,592
Honestly,
it sounded just so classic.
1547
01:00:37,592 --> 01:00:38,635
Gwen,
we're doing this thing.
1548
01:00:38,635 --> 01:00:39,970
Gwen blocking John,
1549
01:00:39,970 --> 01:00:41,429
it actually validates
1550
01:00:41,429 --> 01:00:43,473
that I'm good
at what I'm doing,
1551
01:00:43,473 --> 01:00:44,724
and that's something
that I struggle with
1552
01:00:44,724 --> 01:00:45,892
is self‐confidence.
1553
01:00:45,892 --> 01:00:47,978
It was an amazing moment
for me.
1554
01:00:47,978 --> 01:00:49,771
♪ Bad times are comin' ♪
1555
01:00:49,771 --> 01:00:51,731
♪ And I done reap
what I done sow ♪
1556
01:00:51,731 --> 01:00:55,110
Gwen: Liam, he gives it a 110
every time he sings.
1557
01:00:55,110 --> 01:00:57,112
He has a lot of charisma.
1558
01:00:57,112 --> 01:00:58,947
♪ Yeah ♪
1559
01:00:58,947 --> 01:01:00,782
♪ I need a dollar, dollar ♪
1560
01:01:00,782 --> 01:01:02,784
♪ A dollar,
that's what I need ♪
1561
01:01:02,784 --> 01:01:05,453
Gwen: Ryan has
a really beautiful tone.
1562
01:01:05,453 --> 01:01:08,540
And on an album,
it's going to be really pretty.
1563
01:01:08,540 --> 01:01:10,709
His problem on this show
is going to be
1564
01:01:10,709 --> 01:01:12,168
he starts to sound
a little bit linear.
1565
01:01:12,168 --> 01:01:13,920
♪♪♪
1566
01:01:13,920 --> 01:01:15,088
Nice.
Wow.
1567
01:01:15,088 --> 01:01:16,464
Uh‐huh.
1568
01:01:16,464 --> 01:01:18,091
This is not
an easy song to do,
1569
01:01:18,091 --> 01:01:19,926
because
it's repetitive.
1570
01:01:19,926 --> 01:01:21,595
Even though you're singing
the same thing,
1571
01:01:21,595 --> 01:01:24,139
emotionally, you want
to take it on a journey.
1572
01:01:24,139 --> 01:01:25,765
If I sing "Don't Speak,"
1573
01:01:25,765 --> 01:01:27,142
I'm going to sing
the first chorus.
1574
01:01:27,142 --> 01:01:28,768
♪ Da, da, da‐da‐da ♪
1575
01:01:28,768 --> 01:01:30,145
♪ Don't tell me ♪
1576
01:01:30,145 --> 01:01:32,147
And at the end, I'm gonna be,
you know, crying.
1577
01:01:32,147 --> 01:01:35,150
Liam, instead of coming, like,
full‐blown the whole time,
1578
01:01:35,150 --> 01:01:37,986
in the beginning, think about,
"how can I hold back?"
1579
01:01:37,986 --> 01:01:39,863
You could be more down here
in the
1580
01:01:39,863 --> 01:01:41,531
♪ I need a dollar ♪
Yeah.
1581
01:01:41,531 --> 01:01:42,991
Like, are you
going to help me?
Yeah.
1582
01:01:42,991 --> 01:01:46,036
So then you save some of
that power for later.
1583
01:01:46,036 --> 01:01:47,829
You have
one really great run,
1584
01:01:47,829 --> 01:01:49,915
and I would love to find
that moment for you.
Okay.
1585
01:01:49,915 --> 01:01:51,750
Maybe go into
your head voice.
1586
01:01:51,750 --> 01:01:53,001
When guys are able to use
1587
01:01:53,001 --> 01:01:55,128
that part of their voice
on this show,
1588
01:01:55,128 --> 01:01:56,546
people are like, "what?"
1589
01:01:56,546 --> 01:01:58,006
You know?
1590
01:01:58,006 --> 01:02:00,175
Julia: What will help, too,
is the performance.
1591
01:02:00,175 --> 01:02:03,136
Don't be afraid to, like,
dance a little bit.
1592
01:02:03,136 --> 01:02:04,638
Liam is so much more
of a groover than I am.
1593
01:02:04,638 --> 01:02:05,847
I'm getting used to it.
1594
01:02:05,847 --> 01:02:07,891
Just like a little bop
goes a long way.
1595
01:02:07,891 --> 01:02:09,809
I can move a little bit,
I guess.
1596
01:02:09,809 --> 01:02:12,562
Gwen and Julia are trying
to encourage me
1597
01:02:12,562 --> 01:02:14,731
to sing more freely.
1598
01:02:14,731 --> 01:02:16,191
I think it's going
to be a journey
1599
01:02:16,191 --> 01:02:18,068
in terms of me
trying to be more open
1600
01:02:18,068 --> 01:02:20,153
with the way that I represent
myself on the stage
1601
01:02:20,153 --> 01:02:21,821
and that stage presence.
1602
01:02:21,821 --> 01:02:23,990
Just looking at the way
this is structured,
1603
01:02:23,990 --> 01:02:26,743
I'm wondering if we could
break this up differently
1604
01:02:26,743 --> 01:02:30,705
so that you each get
a real chunk of a moment,
1605
01:02:30,705 --> 01:02:32,248
because you both have
really sexy tones.
1606
01:02:32,248 --> 01:02:34,084
It would be nice to really hear
that.
1607
01:02:34,084 --> 01:02:36,753
♪ I need a dollar, dollar ♪
1608
01:02:36,753 --> 01:02:38,713
♪ A dollar,
that's what I need ♪
1609
01:02:38,713 --> 01:02:40,840
Julia: I know that if I was
in that position,
1610
01:02:40,840 --> 01:02:42,092
you want
to be in the moment.
1611
01:02:42,092 --> 01:02:43,343
You want to have a moment.
1612
01:02:43,343 --> 01:02:45,095
♪ Share your dollar
with me ♪
1613
01:02:45,095 --> 01:02:47,097
All those little tricks
that you can pull out,
1614
01:02:47,097 --> 01:02:50,100
and personality
is going to win.
Julia: Agreed.
1615
01:02:50,100 --> 01:02:52,894
♪ Well, let me tell you
something ♪
1616
01:02:52,894 --> 01:02:54,938
Liam:
Ryan and I have been working
really hard on this song.
1617
01:02:54,938 --> 01:02:56,940
The energy between me
and Ryan has been awesome.
1618
01:02:56,940 --> 01:02:59,609
We're really connecting
with the song
1619
01:02:59,609 --> 01:03:01,277
And so the dynamics
are coming through,
1620
01:03:01,277 --> 01:03:02,696
and we're really excited.
1621
01:03:02,696 --> 01:03:04,114
Gwen: How are you guys?
1622
01:03:04,114 --> 01:03:05,240
Good.
Great.
1623
01:03:05,240 --> 01:03:07,075
I know that we wanted
1624
01:03:07,075 --> 01:03:08,952
to try to figure out, like,
how you guys can both
1625
01:03:08,952 --> 01:03:10,245
have, like, emotional moments
1626
01:03:10,245 --> 01:03:11,913
that highlight your vocals.
1627
01:03:11,913 --> 01:03:13,832
Staging really helped us
tell the story,
1628
01:03:13,832 --> 01:03:15,750
which helped me a lot
1629
01:03:15,750 --> 01:03:17,961
finding the places
where I can be more intimate
1630
01:03:17,961 --> 01:03:19,587
so we could build
the dynamics.
1631
01:03:19,587 --> 01:03:20,964
That's awesome.
1632
01:03:20,964 --> 01:03:22,757
It's really, really fun
to vibe with Liam.
1633
01:03:22,757 --> 01:03:25,593
So this ‐‐ this, uh, partnership
has been extremely special.
1634
01:03:25,593 --> 01:03:27,721
Yeah.
It's a bromance for sure.
1635
01:03:27,721 --> 01:03:30,557
It's gonna be good.
It's gonna be really,
really good.
1636
01:03:30,557 --> 01:03:32,767
And we're going to
give you a show for sure.
Yeah, we are.
1637
01:03:32,767 --> 01:03:34,728
I can't wait.
1638
01:03:34,728 --> 01:03:37,814
♪♪♪
1639
01:03:43,528 --> 01:03:44,821
♪ This is "The Voice" ♪
1640
01:03:44,821 --> 01:03:46,489
Daly: Welcome back
to the battle rounds
1641
01:03:46,489 --> 01:03:49,367
The battle starts now.
1642
01:03:49,826 --> 01:03:55,665
♪♪♪
1643
01:03:55,665 --> 01:03:57,876
♪ I need a dollar, dollar ♪
1644
01:03:57,876 --> 01:03:59,753
♪ A dollar
that's what I need ♪
1645
01:03:59,753 --> 01:04:00,837
♪ Hey, hey ♪
1646
01:04:00,837 --> 01:04:02,964
♪ Well I need
a dollar, dollar ♪
1647
01:04:02,964 --> 01:04:04,841
♪ A dollar
that's what I need ♪°
1648
01:04:04,841 --> 01:04:06,509
♪ Yeah, yeah ♪
1649
01:04:06,509 --> 01:04:08,511
♪ I need
a dollar, dollar ♪
1650
01:04:08,511 --> 01:04:10,430
Wow.
♪ A dollar
that's what I need ♪
1651
01:04:10,430 --> 01:04:13,308
♪ If I share with you
my story ♪
1652
01:04:13,308 --> 01:04:15,977
♪ Would you share
your dollar with me? ♪
1653
01:04:17,020 --> 01:04:18,813
♪ Bad times are comin' ♪
1654
01:04:18,813 --> 01:04:21,274
♪ And I done reap
what I done sow ♪
1655
01:04:21,274 --> 01:04:22,525
♪ Hey, hey ♪
1656
01:04:22,525 --> 01:04:24,652
♪ Well let me tell you
somethin' ♪
1657
01:04:24,652 --> 01:04:27,530
♪ All that glitters
ain't gold ♪
1658
01:04:27,530 --> 01:04:29,824
♪ It's been
a long old trouble ♪
1659
01:04:29,824 --> 01:04:31,868
♪ A long old
troublesome road ♪
1660
01:04:31,868 --> 01:04:34,788
♪ And I'm looking
for somebody ♪
1661
01:04:34,788 --> 01:04:37,916
♪ Come and help me
carry this load ♪
1662
01:04:37,916 --> 01:04:40,543
♪ I need a dollar, dollar ♪
1663
01:04:40,543 --> 01:04:42,462
♪ A dollar
that's what I need ♪
1664
01:04:42,462 --> 01:04:43,797
♪ Hey, hey ♪
1665
01:04:43,797 --> 01:04:46,049
♪ I need a dollar, dollar ♪
1666
01:04:46,049 --> 01:04:47,717
♪ A dollar
that's what I need ♪
1667
01:04:47,717 --> 01:04:48,885
♪ Yeah ♪
1668
01:04:48,885 --> 01:04:51,054
♪ And I need
a dollar, dollar ♪
1669
01:04:51,054 --> 01:04:52,889
♪ A dollar
that's what I need ♪
1670
01:04:52,889 --> 01:04:55,892
♪ if I share with you
my story ♪
1671
01:04:55,892 --> 01:04:58,686
♪ Would you share your dollar
with me? ♪
1672
01:04:58,686 --> 01:05:00,647
♪♪♪
1673
01:05:00,647 --> 01:05:04,526
♪ Well, I don't know if I'm
walking on solid ground ♪
1674
01:05:04,526 --> 01:05:05,860
Okay.
1675
01:05:05,860 --> 01:05:07,862
♪ 'Cause everything
around me is ♪
1676
01:05:07,862 --> 01:05:10,573
♪ Crumbling down ♪
1677
01:05:10,573 --> 01:05:15,411
♪ All I want is for someone
to help me ♪
1678
01:05:15,411 --> 01:05:17,372
♪ Ahhh ♪
1679
01:05:17,372 --> 01:05:18,540
[ Cheers and applause ]
1680
01:05:18,540 --> 01:05:19,916
♪ What in the world ♪
1681
01:05:19,916 --> 01:05:23,670
♪ Am I gonna do tomorrow? ♪
1682
01:05:23,670 --> 01:05:26,589
♪ Is there someone
whose good dollar ♪
1683
01:05:26,589 --> 01:05:29,509
♪ I could borrow? ♪
1684
01:05:29,509 --> 01:05:33,763
♪ Who can help me
take away my sorrow? ♪
1685
01:05:33,763 --> 01:05:36,432
Both: ♪ Maybe it's inside
the bottle ♪
1686
01:05:36,432 --> 01:05:38,518
♪ Yeah ♪
1687
01:05:38,518 --> 01:05:41,688
♪ That's what I need ♪
1688
01:05:41,688 --> 01:05:43,857
♪ Yeah ♪
1689
01:05:43,857 --> 01:05:47,360
♪ That's what I need ♪
1690
01:05:47,360 --> 01:05:48,611
♪ Yeah ♪
1691
01:05:48,611 --> 01:05:50,530
Come on!
1692
01:05:50,530 --> 01:05:52,615
♪ I need a dollar, dollar ♪
1693
01:05:52,615 --> 01:05:54,951
♪ Dollar
that's what I need ♪
1694
01:05:54,951 --> 01:05:59,164
♪ Will somebody please,
please, please ♪
1695
01:05:59,164 --> 01:06:00,582
♪ Share your dollar ♪
1696
01:06:00,582 --> 01:06:02,584
♪ Share your dollar
with me ♪
1697
01:06:02,584 --> 01:06:05,128
♪ Come on,
share your dollar with me ♪
1698
01:06:05,128 --> 01:06:08,590
♪ Come on, share your dollar,
give me your dollar ♪
1699
01:06:08,590 --> 01:06:10,800
♪ Share your dollar with me ♪
1700
01:06:10,800 --> 01:06:12,719
♪ Yeah, hey ♪
1701
01:06:12,719 --> 01:06:13,970
Whoo!
1702
01:06:13,970 --> 01:06:16,097
Wow.
1703
01:06:18,725 --> 01:06:20,977
Yes, yes, yes.
Yes, yes, yes.
1704
01:06:20,977 --> 01:06:23,563
Oh, my gosh.
1705
01:06:23,563 --> 01:06:25,148
Kelly: I mean, y'all have
to feel awesome.
1706
01:06:25,148 --> 01:06:26,733
That was a physical thing,
too.
1707
01:06:26,733 --> 01:06:28,484
And you were fighting
this mic pack.
1708
01:06:28,484 --> 01:06:30,612
[ Laughter ]
That happens to me
all the time.
1709
01:06:30,612 --> 01:06:32,739
It was awesome, though.
You were like Beyoncé.
1710
01:06:32,739 --> 01:06:34,949
Nothing stopped you.
You just kept going.
1711
01:06:34,949 --> 01:06:36,451
It was amazing.
1712
01:06:36,451 --> 01:06:38,745
Liam, you are so intense.
1713
01:06:38,745 --> 01:06:40,705
[ Laughter ]
It was really good.
1714
01:06:40,705 --> 01:06:42,957
Your range is really great.
1715
01:06:42,957 --> 01:06:44,876
And it's not even
that you go into a falsetto,
1716
01:06:44,876 --> 01:06:46,753
you literally ‐‐
it's still chest up there,
1717
01:06:46,753 --> 01:06:48,838
and it was
really, really nice.
1718
01:06:48,838 --> 01:06:51,841
Ryan, you are my cup of tea
as a vocalist.
1719
01:06:51,841 --> 01:06:54,010
Thank you.
I want to hear you sing
Ray LaMontagne.
1720
01:06:54,010 --> 01:06:56,012
I want a glass of wine
while listening.
1721
01:06:56,012 --> 01:06:57,597
I mean,
I just love your vibe.
1722
01:06:57,597 --> 01:06:58,973
I think you both
did a great job.
1723
01:06:58,973 --> 01:07:02,185
But style‐wise, I really
genuinely love your voice.
1724
01:07:02,185 --> 01:07:03,645
Thank you.
1725
01:07:03,645 --> 01:07:05,188
[ Cheers and applause ]
1726
01:07:05,188 --> 01:07:06,856
Blake: First of all,
1727
01:07:06,856 --> 01:07:09,192
you're both very aggressive
vocally, you know.
1728
01:07:09,192 --> 01:07:10,818
I'm in shock right now.
1729
01:07:10,818 --> 01:07:12,779
And you're both sneaking up
on something.
1730
01:07:12,779 --> 01:07:14,656
Crouching.
Squatting down here,
crouching down.
1731
01:07:14,656 --> 01:07:16,199
Crouching tiger.
1732
01:07:16,199 --> 01:07:18,826
But yeah, trying to catch
a rabbit or something.
1733
01:07:18,826 --> 01:07:20,203
[ Laughter ]
1734
01:07:20,203 --> 01:07:22,747
One thing tips this
in Ryan's favor for me,
1735
01:07:22,747 --> 01:07:25,083
and that is that mic pack.
1736
01:07:25,083 --> 01:07:28,044
To be able to not
even acknowledge it...
1737
01:07:28,044 --> 01:07:29,629
Cool as a cucumber.
...he didn't care.
1738
01:07:29,629 --> 01:07:30,880
He was singing the song.
1739
01:07:30,880 --> 01:07:32,882
He was focused on
what he had to do.
1740
01:07:32,882 --> 01:07:35,551
And that was incredible.
Thank you.
1741
01:07:35,551 --> 01:07:36,803
[ Applause ]
1742
01:07:36,803 --> 01:07:38,471
John: Liam, your range
1743
01:07:38,471 --> 01:07:40,014
is probably
the most impressive thing
1744
01:07:40,014 --> 01:07:43,559
about your performance
and your gift as a vocalist
1745
01:07:43,559 --> 01:07:47,230
Ryan, I particularly enjoy
your tone of voice.
1746
01:07:47,230 --> 01:07:49,065
It's a little bit more
of my style.
1747
01:07:49,065 --> 01:07:52,068
I think style and tone‐wise,
I would side with you.
1748
01:07:52,068 --> 01:07:55,071
But range‐wise and power,
I would side with Liam.
1749
01:07:55,071 --> 01:07:57,824
So that's what
she'll have to decide.
1750
01:07:57,824 --> 01:07:59,242
Thank you.
Daly:
Thank you coaches.
1751
01:07:59,242 --> 01:08:00,994
Gwen, you have
the final decision.
1752
01:08:00,994 --> 01:08:02,245
Before we find out
the winner,
1753
01:08:02,245 --> 01:08:04,038
give us your thoughts
on the battle.
1754
01:08:04,038 --> 01:08:05,707
Okay, well, Carson,
1755
01:08:05,707 --> 01:08:08,835
this one was
my biggest surprise battle,
1756
01:08:08,835 --> 01:08:11,671
because when you have a song
that's quite linear,
1757
01:08:11,671 --> 01:08:13,089
you have to, like,
somehow figure out a way
1758
01:08:13,089 --> 01:08:15,842
to make it interesting
the whole way through.
1759
01:08:15,842 --> 01:08:18,052
You guys really worked
so hard.
1760
01:08:18,052 --> 01:08:21,848
It was very energetic in a way
I never expected it to be.
1761
01:08:21,848 --> 01:08:24,267
Liam,
one thing I love about you
1762
01:08:24,267 --> 01:08:26,269
is just your spirit
and your energy,
1763
01:08:26,269 --> 01:08:28,896
and it would be fun to see
what else you can do with that.
1764
01:08:28,896 --> 01:08:31,107
Ryan,
today was a shock for me.
1765
01:08:31,107 --> 01:08:33,109
I didn't know you had
the showmanship
1766
01:08:33,109 --> 01:08:34,694
that you showed me today
1767
01:08:34,694 --> 01:08:36,612
Like, it was so good.
1768
01:08:36,612 --> 01:08:38,114
Like, it was so tasteful.
1769
01:08:38,114 --> 01:08:41,117
In rehearsals,
I didn't see that in you at all.
1770
01:08:41,117 --> 01:08:42,952
That was
really, really good.
1771
01:08:42,952 --> 01:08:44,287
Gwen, the time has come.
1772
01:08:44,287 --> 01:08:45,955
Who's the winner
of this battle?
1773
01:08:45,955 --> 01:08:47,999
So I'm just so grateful
1774
01:08:47,999 --> 01:08:49,667
I got to work
with both you guys.
1775
01:08:49,667 --> 01:08:52,128
You're both cool. So cool.
1776
01:08:52,128 --> 01:08:58,134
But the winner, Carson,
of this battle is...
1777
01:08:58,134 --> 01:08:59,886
Ryan.
1778
01:08:59,886 --> 01:09:01,304
There you have it.
1779
01:09:01,304 --> 01:09:04,640
Ryan Berg is moving on
to the Knockouts on Team Gwen.
1780
01:09:04,640 --> 01:09:06,142
Congratulations, Ryan.
1781
01:09:06,142 --> 01:09:07,643
Ryan B.: It's bittersweet
1782
01:09:07,643 --> 01:09:09,062
just because I'm so close
with Liam.
1783
01:09:09,062 --> 01:09:11,064
But, I mean, I'm so glad
that I'm going on in this,
1784
01:09:11,064 --> 01:09:13,149
and I'm gonna continue
this journey.
1785
01:09:13,149 --> 01:09:14,734
Liam, anything you want
to say to Gwen.
1786
01:09:14,734 --> 01:09:18,654
Gwen, I ‐‐ I just admire you
and your career so much.
1787
01:09:18,654 --> 01:09:20,156
I'm so grateful
you turned for me,
1788
01:09:20,156 --> 01:09:21,908
and I'm so grateful
for "The Voice"
1789
01:09:21,908 --> 01:09:23,326
for this opportunity.
Thank you so much.
1790
01:09:23,326 --> 01:09:25,578
Give it up one more time
for Liam St. John,
1791
01:09:25,578 --> 01:09:26,996
ladies and gentlemen.
1792
01:09:26,996 --> 01:09:28,998
[ Cheers and applause ]
Thank you, Liam.
1793
01:09:28,998 --> 01:09:30,958
Ryan brought so much personality
1794
01:09:30,958 --> 01:09:33,169
and character
and swag the stage.
1795
01:09:33,169 --> 01:09:36,005
When his mic pack came off,
we've all had that moment.
1796
01:09:36,005 --> 01:09:37,840
We all know
the show must go on,
1797
01:09:37,840 --> 01:09:40,009
and he just handled
everything so well.
1798
01:09:40,009 --> 01:09:42,011
♪ I need
a dollar, dollar ♪
1799
01:09:42,011 --> 01:09:44,180
I wonder how many dollars
Aloe Blacc needs
1800
01:09:44,180 --> 01:09:45,598
by the end of that song.
1801
01:09:45,598 --> 01:09:46,682
[ Laughter ]
1802
01:09:46,682 --> 01:09:48,101
$200, maybe?
1803
01:09:48,101 --> 01:09:49,811
A lot of dollars.
1804
01:09:49,811 --> 01:09:51,187
Daly: Coming up...
1805
01:09:51,187 --> 01:09:53,022
John: I love you all's
harmonies together.
1806
01:09:53,022 --> 01:09:56,693
You could hit the ♪ I ♪
1807
01:09:56,693 --> 01:10:00,697
♪ And I, I ♪
1808
01:10:00,697 --> 01:10:02,782
♪ Don't want
to fall in love ♪
1809
01:10:02,782 --> 01:10:04,033
Beautiful.
1810
01:10:04,033 --> 01:10:06,202
Daly: Whoa!
We got a steal!
1811
01:10:06,202 --> 01:10:08,204
Whoo!
1812
01:10:08,204 --> 01:10:09,914
I would have turned for you
five times.
1813
01:10:09,914 --> 01:10:11,749
Like, pshew, pshew.
1814
01:10:19,507 --> 01:10:20,717
♪ This is "The Voice" ♪
1815
01:10:20,717 --> 01:10:22,385
Daly: Welcome back.
1816
01:10:22,385 --> 01:10:26,848
♪♪♪
1817
01:10:26,848 --> 01:10:29,642
Now that you're in here,
do you know who it is?
I have no idea.
1818
01:10:29,642 --> 01:10:30,810
Can't wait to meet them.
1819
01:10:30,810 --> 01:10:33,563
Cami and James.
Mm‐hmm.
1820
01:10:33,563 --> 01:10:34,814
James: I just hope
he's into our version.
1821
01:10:34,814 --> 01:10:36,065
Hello.
1822
01:10:36,065 --> 01:10:37,567
Oh, hello.
Hi.
1823
01:10:37,567 --> 01:10:39,402
Look, who's here?
Miguel is here.
1824
01:10:39,402 --> 01:10:41,696
He's our guest mentor.
Pleasure. How are you guys?
1825
01:10:41,696 --> 01:10:42,864
Pleasure to meet you.
What's up, man?
1826
01:10:42,864 --> 01:10:44,490
How are you, man?
Good.
1827
01:10:44,490 --> 01:10:45,825
My shock factor
was already up here
1828
01:10:45,825 --> 01:10:47,744
when I walked
into the studio.
1829
01:10:47,744 --> 01:10:49,412
And then when I saw Miguel,
I was like,
1830
01:10:49,412 --> 01:10:50,413
"This is not happening."
1831
01:10:50,413 --> 01:10:51,789
The guy has won Grammys.
1832
01:10:51,789 --> 01:10:52,915
He has such a cool style.
1833
01:10:52,915 --> 01:10:54,292
I was so excited.
1834
01:10:54,292 --> 01:10:55,877
Cami was
a four‐chair turn.
1835
01:10:55,877 --> 01:10:58,755
She has a really, like,
beautiful ethereal voice...
1836
01:10:58,755 --> 01:10:59,922
Thank you.
1837
01:10:59,922 --> 01:11:01,758
...and mesmerized
all the coaches.
1838
01:11:01,758 --> 01:11:04,260
♪ Come on, skinny love ♪
1839
01:11:04,260 --> 01:11:06,846
♪ Just last the year ♪
1840
01:11:06,846 --> 01:11:08,765
♪♪♪
1841
01:11:08,765 --> 01:11:09,766
Oh, my God!
1842
01:11:09,766 --> 01:11:11,267
Whoo!
1843
01:11:11,267 --> 01:11:12,769
Cami: It was crazy to get
a four‐chair turn.
1844
01:11:12,769 --> 01:11:14,437
and it was such an honor
1845
01:11:14,437 --> 01:11:16,272
that Kelly used her
only block on me.
1846
01:11:16,272 --> 01:11:17,440
Okay. Wow.
1847
01:11:17,440 --> 01:11:18,900
Kelly:
Blake loves your voice.
1848
01:11:18,900 --> 01:11:20,777
That's the one
I'd have to fight most.
1849
01:11:20,777 --> 01:11:22,570
I maybe picked poorly.
Oh, I'm going to fight you.
1850
01:11:22,570 --> 01:11:24,614
That performance
was mesmerizing.
1851
01:11:24,614 --> 01:11:26,616
John.
Yeah!
1852
01:11:26,616 --> 01:11:28,743
Cami: John, I just felt
a connection with.
1853
01:11:28,743 --> 01:11:30,453
He has so much wisdom,
1854
01:11:30,453 --> 01:11:33,122
and I'm so excited to hear
what he has to share with me.
1855
01:11:33,122 --> 01:11:34,916
And then James came in
1856
01:11:34,916 --> 01:11:36,793
and mesmerized
all the coaches, too.
1857
01:11:36,793 --> 01:11:41,297
♪ Watermelon sugar high ♪
James: Being here is my dream.
1858
01:11:41,297 --> 01:11:43,090
There's something about
delivering a song
1859
01:11:43,090 --> 01:11:44,467
and having people accept it
1860
01:11:44,467 --> 01:11:46,761
that is just so rewarding.
1861
01:11:46,761 --> 01:11:48,638
You would have for sure
had a four‐chair turn.
1862
01:11:48,638 --> 01:11:50,473
It was
a masterful performance.
1863
01:11:50,473 --> 01:11:52,475
I had one slot left
on my team.
1864
01:11:52,475 --> 01:11:54,644
I'm the only person here
that could have turned for you.
1865
01:11:54,644 --> 01:11:57,438
♪♪♪
1866
01:11:57,438 --> 01:12:00,483
For both of you,
a path was cleared for me,
1867
01:12:00,483 --> 01:12:01,776
and I feel very fortunate
1868
01:12:01,776 --> 01:12:03,778
that I get to work
with both of you.
1869
01:12:03,778 --> 01:12:05,947
I'm very excited to see
what you do with this
1870
01:12:05,947 --> 01:12:07,990
classic Chris Isaak song.
1871
01:12:07,990 --> 01:12:11,661
John:
Cami and James, I gave them
"Wicked Game" by Chris Isaak.
1872
01:12:11,661 --> 01:12:13,663
James:
♪ No one could save me ♪
1873
01:12:13,663 --> 01:12:14,872
I thought it would
be really cool,
1874
01:12:14,872 --> 01:12:17,875
because they both
have beautiful tones.
1875
01:12:17,875 --> 01:12:19,961
They both have voices
that would sound really good
1876
01:12:19,961 --> 01:12:21,754
on a haunting song.
1877
01:12:21,754 --> 01:12:24,465
♪ Will make foolish
people do ♪
1878
01:12:24,465 --> 01:12:25,800
Cami's voice is gorgeous.
1879
01:12:25,800 --> 01:12:27,927
Its ethereal, it's haunting,
it's powerful
1880
01:12:27,927 --> 01:12:29,345
in the right moments.
1881
01:12:29,345 --> 01:12:30,972
She even has some low notes
1882
01:12:30,972 --> 01:12:33,641
that I didn't expect
to come from her mouth.
1883
01:12:33,641 --> 01:12:35,184
♪ What a wicked game
to play ♪
1884
01:12:35,184 --> 01:12:37,854
James has so many facets
to his voice ‐‐
1885
01:12:37,854 --> 01:12:40,523
the falsetto,
the high chest voice.
1886
01:12:40,523 --> 01:12:42,859
He has a real sense of
artistry and creativity,
1887
01:12:42,859 --> 01:12:44,944
and I really enjoyed
watching him
1888
01:12:44,944 --> 01:12:46,946
find his way into the song.
1889
01:12:46,946 --> 01:12:48,948
♪ Hey ♪
♪ Hey ♪
1890
01:12:48,948 --> 01:12:51,784
Yeah, that really
is a good arrangement.
Yeah.
1891
01:12:51,784 --> 01:12:53,536
I was surprised.
1892
01:12:53,536 --> 01:12:55,162
Whoo!
James, you got
some of that blend
1893
01:12:55,162 --> 01:12:58,040
that Miguel has
so beautifully when he sings.
1894
01:12:58,040 --> 01:12:59,041
Hey,
it was a great surprise, man.
1895
01:12:59,041 --> 01:13:00,543
It was a great surprise.
1896
01:13:00,543 --> 01:13:02,545
Cami, wow, when you hit
those high notes,
1897
01:13:02,545 --> 01:13:03,796
it's very like, "ahh."
1898
01:13:03,796 --> 01:13:05,006
[ Laughs ]
1899
01:13:05,006 --> 01:13:06,549
It sounds really angelic,
1900
01:13:06,549 --> 01:13:08,009
and you have a really
lovely tone.
1901
01:13:08,009 --> 01:13:09,719
For you to be able to do
what you do up there
1902
01:13:09,719 --> 01:13:12,221
and down there
is remarkable.
1903
01:13:12,221 --> 01:13:14,557
Not a lot of singers
can do that.
1904
01:13:14,557 --> 01:13:16,559
I love the dynamic
in your range.
1905
01:13:16,559 --> 01:13:18,895
Thanks.
I was really pleasantly
surprised at the lower.
1906
01:13:18,895 --> 01:13:20,563
Yeah,
that's tough stuff.
Yeah.
1907
01:13:20,563 --> 01:13:21,898
if we're trying
to be as good
1908
01:13:21,898 --> 01:13:23,065
as we absolutely
possibly can,
1909
01:13:23,065 --> 01:13:24,734
just watch your pace
a little bit.
1910
01:13:24,734 --> 01:13:26,027
Sure.
1911
01:13:26,027 --> 01:13:27,486
You're really good
for the most part.
1912
01:13:27,486 --> 01:13:28,905
I love you all's
harmonies together.
1913
01:13:28,905 --> 01:13:32,742
The one harmony I didn't love
was the first "I".
1914
01:13:32,742 --> 01:13:34,660
So maybe just always
go up to that one,
1915
01:13:34,660 --> 01:13:38,623
or you could hit the ♪ I ♪
1916
01:13:38,623 --> 01:13:40,625
But I thought everything else
was perfect.
1917
01:13:40,625 --> 01:13:41,959
Cool.
1918
01:13:41,959 --> 01:13:43,586
Cami: The biggest thing
for this song
1919
01:13:43,586 --> 01:13:45,546
is making sure
that we're both in sync,
1920
01:13:45,546 --> 01:13:47,048
because it is a duet.
1921
01:13:47,048 --> 01:13:49,425
Some people aren't used
to singing with other people,
1922
01:13:49,425 --> 01:13:50,927
but I've had plenty
of experience.
1923
01:13:50,927 --> 01:13:52,762
When I was 17 years old,
1924
01:13:52,762 --> 01:13:55,765
I joined a Christian music group
called Joyful Noise.
1925
01:13:55,765 --> 01:13:57,934
From their,
me and the one guitar player
1926
01:13:57,934 --> 01:13:59,602
started playing duo gigs.
1927
01:13:59,602 --> 01:14:01,729
What did we call ourselves?
Like, Cami and Tommy.
1928
01:14:01,729 --> 01:14:03,064
Um, 'cause I'm Cami
and he's Tommy, so...
1929
01:14:03,064 --> 01:14:04,607
[ Laughs ]
1930
01:14:04,607 --> 01:14:06,776
James,
when you're talking about
1931
01:14:06,776 --> 01:14:08,194
"this world
will only break your heart,"
1932
01:14:08,194 --> 01:14:09,946
that's very angsty,
and it's, like, painful.
1933
01:14:09,946 --> 01:14:11,781
I don't want to see
that same level
1934
01:14:11,781 --> 01:14:13,074
at the very beginning,
1935
01:14:13,074 --> 01:14:14,784
because then it feels
incongruous with...
1936
01:14:14,784 --> 01:14:16,118
Miguel: Yeah.
...with the moment.
1937
01:14:16,118 --> 01:14:17,954
One thing that's
helped me in the past
1938
01:14:17,954 --> 01:14:19,789
is, like, how you would
tell that story
1939
01:14:19,789 --> 01:14:21,123
if you were having
a conversation.
1940
01:14:21,123 --> 01:14:22,500
Just say the words.
1941
01:14:22,500 --> 01:14:23,793
And however your body
1942
01:14:23,793 --> 01:14:25,711
naturally would go
when describing it,
1943
01:14:25,711 --> 01:14:28,631
that might be a good place
to go in the song.
1944
01:14:28,631 --> 01:14:32,760
♪ And I ♪
James: ♪ And I ♪
1945
01:14:32,760 --> 01:14:34,720
Miguel: It's a real challenge
being on stage.
1946
01:14:34,720 --> 01:14:37,807
Connecting with the audience
is a big, big part.
1947
01:14:37,807 --> 01:14:41,477
Cami's natural comfortability
in telling stories
1948
01:14:41,477 --> 01:14:42,645
might cut through.
1949
01:14:42,645 --> 01:14:44,563
♪ I don't want to ♪
1950
01:14:44,563 --> 01:14:45,731
Oh.
1951
01:14:45,731 --> 01:14:48,109
But if James finds
that connection,
1952
01:14:48,109 --> 01:14:51,320
I think he has
a very strong chance
1953
01:14:51,320 --> 01:14:53,155
at winning this battle
for sure.
1954
01:14:53,155 --> 01:14:55,074
Take a deep breath.
1955
01:14:55,074 --> 01:14:56,993
Feel your, like, feet
connected to the floor.
Yeah.
1956
01:14:56,993 --> 01:14:58,494
And just replant your feet.
1957
01:14:58,494 --> 01:15:00,830
Jump back in.
You got it.
Yes.
1958
01:15:00,830 --> 01:15:02,540
♪ I ♪
♪ I ♪
1959
01:15:02,540 --> 01:15:05,501
♪ Don't want
to fall in love ♪
1960
01:15:05,501 --> 01:15:07,128
Sing it, James.
1961
01:15:07,128 --> 01:15:08,671
James: I've never had
a vocal lesson,
1962
01:15:08,671 --> 01:15:10,006
and I don't have
a lot of experience
1963
01:15:10,006 --> 01:15:11,257
singing in front of people.
1964
01:15:11,257 --> 01:15:12,758
The one thing
I was worried about
1965
01:15:12,758 --> 01:15:14,135
was how am I
gonna perform?
1966
01:15:14,135 --> 01:15:15,261
How am I going to move?
1967
01:15:15,261 --> 01:15:16,846
That's all I was thinking about.
1968
01:15:16,846 --> 01:15:19,265
I have OCD,
obsessive‐compulsive disorder.
1969
01:15:19,265 --> 01:15:21,017
You know, I get stressed about
something going on,
1970
01:15:21,017 --> 01:15:22,685
and then my brain
will just replay it
1971
01:15:22,685 --> 01:15:24,020
and replay it
and replay it.
1972
01:15:24,020 --> 01:15:25,646
A lot of my musical journey
1973
01:15:25,646 --> 01:15:27,982
has just been, like,
me by myself in the studio,
1974
01:15:27,982 --> 01:15:30,776
because I'm afraid that
at any moment,
1975
01:15:30,776 --> 01:15:32,862
I will just be
totally blocked.
1976
01:15:32,862 --> 01:15:35,698
In February of this year,
I was finally was like,
1977
01:15:35,698 --> 01:15:37,033
"okay,
I think I can go perform."
1978
01:15:37,033 --> 01:15:39,660
And yeah, I have done
three gigs in my life
1979
01:15:39,660 --> 01:15:40,870
before coming here.
1980
01:15:40,870 --> 01:15:42,329
Now I have four.
1981
01:15:42,329 --> 01:15:44,206
Yeah, and one
in front of John Legend,
1982
01:15:44,206 --> 01:15:47,168
John: Make sure you're both
thinking about the blend,
1983
01:15:47,168 --> 01:15:48,878
but also thinking about,
1984
01:15:48,878 --> 01:15:50,880
"I want to make my mark
on this competition."
1985
01:15:50,880 --> 01:15:52,715
This one
is going to be hard.
1986
01:15:52,715 --> 01:15:56,052
I'm waiting to see what they do
when the pressures on,
1987
01:15:56,052 --> 01:15:59,055
and I'll make my decision
based on my gut response
1988
01:15:59,055 --> 01:16:00,890
to how they do
in that moment.
1989
01:16:00,890 --> 01:16:03,642
They sound incredible.
Yeah, really great together.
1990
01:16:03,642 --> 01:16:06,145
Those harmonies
are phenomenal.
Lovely.
1991
01:16:06,145 --> 01:16:10,691
♪♪♪
1992
01:16:16,447 --> 01:16:17,656
♪ This is "The Voice" ♪
1993
01:16:17,656 --> 01:16:19,283
Daly: Welcome back
to the battles.
1994
01:16:20,743 --> 01:16:22,244
This might be a steal.
1995
01:16:22,244 --> 01:16:23,662
Blake: Oh, yeah?
Yeah.
1996
01:16:23,662 --> 01:16:25,623
Their future is
in your hands, John.
1997
01:16:25,623 --> 01:16:26,707
[ Laughs ]
1998
01:16:26,707 --> 01:16:27,792
Let's do it.
1999
01:16:27,792 --> 01:16:29,335
[ Cheers and applause ]
2000
01:16:29,335 --> 01:16:31,378
This battle begins
right now.
2001
01:16:35,382 --> 01:16:38,344
♪♪♪
2002
01:16:38,344 --> 01:16:39,929
This song.
2003
01:16:39,929 --> 01:16:44,433
♪♪♪
2004
01:16:44,433 --> 01:16:46,727
♪ My world was on fire ♪
2005
01:16:46,727 --> 01:16:50,773
♪ And no one could save me
but you ♪
2006
01:16:53,609 --> 01:16:56,278
♪ It's strange what desire ♪
2007
01:16:56,278 --> 01:17:01,408
♪ Will make
foolish people do ♪
2008
01:17:03,619 --> 01:17:05,412
♪ I never dreamed ♪
2009
01:17:05,412 --> 01:17:12,753
♪ That I'd meet somebody
like you ♪
2010
01:17:12,753 --> 01:17:14,547
♪ I never dreamed ♪
2011
01:17:14,547 --> 01:17:21,637
♪ That I'd lose
somebody like you ♪
2012
01:17:21,637 --> 01:17:25,599
♪ And I ♪
2013
01:17:25,599 --> 01:17:28,894
♪ Don't want
to fall in love ♪
2014
01:17:30,646 --> 01:17:34,775
♪ And I ♪
2015
01:17:34,775 --> 01:17:38,821
♪ Don't want
to fall in love ♪
2016
01:17:39,738 --> 01:17:47,454
♪ With you ♪
2017
01:17:49,874 --> 01:17:54,670
♪ What a wicked game
to play ♪
2018
01:17:54,670 --> 01:17:59,300
♪ To make me feel
this way ♪
2019
01:17:59,300 --> 01:18:03,679
♪ What a wicked thing
to do ♪
2020
01:18:03,679 --> 01:18:07,349
♪ To make me dream
of you ♪
2021
01:18:07,349 --> 01:18:11,687
♪ And I ♪
2022
01:18:11,687 --> 01:18:16,525
♪ Don't want
to fall in love ♪
2023
01:18:16,525 --> 01:18:19,695
♪ And I ♪
♪ No, I ♪
2024
01:18:19,695 --> 01:18:22,823
♪ Don't want to fall
in love ♪
2025
01:18:26,702 --> 01:18:32,416
♪ This world will only
break your heart ♪
2026
01:18:35,878 --> 01:18:45,304
♪ This world will only
break your heart ♪
2027
01:18:45,304 --> 01:18:51,477
♪ This world will only
break your ♪
2028
01:18:51,477 --> 01:18:56,148
♪ Heart ♪
2029
01:18:56,148 --> 01:19:00,402
Wow, that was good.
2030
01:19:00,402 --> 01:19:01,570
Oh, my gosh.
2031
01:19:01,570 --> 01:19:03,906
That was just so cool.
John: Yes.
2032
01:19:03,906 --> 01:19:05,866
You are so screwed.
I know. I know.
2033
01:19:05,866 --> 01:19:07,409
[ Laughter ]
2034
01:19:07,409 --> 01:19:09,078
Wow, I've never heard
that version.
2035
01:19:09,078 --> 01:19:12,623
They created this.
You created that together?
Wow.
2036
01:19:12,623 --> 01:19:14,875
When you guys first came
in together on the higher note,
2037
01:19:14,875 --> 01:19:16,669
it was shocking,
2038
01:19:16,669 --> 01:19:19,421
but, like, in the greatest
emotional way.
2039
01:19:19,421 --> 01:19:20,881
Cami, I love your voice.
2040
01:19:20,881 --> 01:19:22,591
It's really stylized.
2041
01:19:22,591 --> 01:19:24,677
I can tell you have something
to say as an artist,
2042
01:19:24,677 --> 01:19:26,762
and I think that
that's really powerful.
2043
01:19:26,762 --> 01:19:29,598
James,
your voice is incredible.
2044
01:19:29,598 --> 01:19:31,517
It reminds me of, um...
2045
01:19:31,517 --> 01:19:32,893
Sonny Bono.
No.
2046
01:19:32,893 --> 01:19:34,436
Jeff Buckley.
Yeah, Jeff Buckley.
2047
01:19:34,436 --> 01:19:35,604
That's who it was.
Exactly.
2048
01:19:35,604 --> 01:19:37,773
James, your voice is insane.
2049
01:19:37,773 --> 01:19:39,066
I really love your voice.
2050
01:19:39,066 --> 01:19:40,734
And I would probably
go with James.
2051
01:19:40,734 --> 01:19:42,403
Thank you.
2052
01:19:42,403 --> 01:19:44,029
That was really beautiful.
2053
01:19:44,029 --> 01:19:46,448
Yeah.
Like, to be able to do that
on national television
2054
01:19:46,448 --> 01:19:47,950
and be a part of something
that incredible.
2055
01:19:47,950 --> 01:19:50,119
This was probably
my favorite battle.
2056
01:19:50,119 --> 01:19:52,913
And your tones
are incredible together
2057
01:19:52,913 --> 01:19:55,666
James, those were all really
cool choices that you made.
2058
01:19:55,666 --> 01:19:57,876
Your voice sounds
so beautiful,
2059
01:19:57,876 --> 01:20:00,587
just the perfect
amount of purity and rasp.
2060
01:20:00,587 --> 01:20:03,882
And, Cami, the thing I love most
about female singers
2061
01:20:03,882 --> 01:20:05,926
whether it's like
Annie Lennox or Trisha Yearwood,
2062
01:20:05,926 --> 01:20:07,970
your voice moved through
every part of your body
2063
01:20:07,970 --> 01:20:09,596
and then came out.
2064
01:20:09,596 --> 01:20:13,100
And it's really moving
and wonderful.
Thank you.
2065
01:20:13,100 --> 01:20:17,479
And how you both actually
navigate dynamics
2066
01:20:17,479 --> 01:20:18,814
is incredible.
2067
01:20:18,814 --> 01:20:19,982
If had a steal left,
2068
01:20:19,982 --> 01:20:21,567
I'd be like
all up on this button.
2069
01:20:21,567 --> 01:20:22,818
Like ‐‐ but I don't.
2070
01:20:22,818 --> 01:20:24,653
if I had to pick someone,
2071
01:20:24,653 --> 01:20:26,655
I might lean more
towards Cami.
2072
01:20:26,655 --> 01:20:28,657
But y'all are both so good.
2073
01:20:28,657 --> 01:20:30,576
So, you know,
good luck.
2074
01:20:30,576 --> 01:20:31,952
John: Thank you, Kelly.
Yep.
2075
01:20:31,952 --> 01:20:33,579
Thank you.
2076
01:20:33,579 --> 01:20:36,290
Blake: Somewhere,
Chris Isaak is going,
2077
01:20:36,290 --> 01:20:38,000
"did I write that song?"
2078
01:20:38,000 --> 01:20:40,002
[ Laughter ]
I'll never have heard
2079
01:20:40,002 --> 01:20:42,629
such an inventive cover
of a song before.
2080
01:20:42,629 --> 01:20:44,506
Cami, besides the fact
2081
01:20:44,506 --> 01:20:47,843
that you're a great singer,
artist,
2082
01:20:47,843 --> 01:20:50,179
I mean, I feel like
she's Literally a star
2083
01:20:50,179 --> 01:20:51,513
standing there.
2084
01:20:51,513 --> 01:20:52,848
James, I realize John's
2085
01:20:52,848 --> 01:20:54,183
the only person
that turned around for you.
2086
01:20:54,183 --> 01:20:56,518
He was the last person
on my team.
2087
01:20:56,518 --> 01:20:57,853
We couldn't turn around.
2088
01:20:57,853 --> 01:20:59,438
I would have turned
for you five times.
2089
01:20:59,438 --> 01:21:00,773
Like, pshew, pshew.
2090
01:21:00,773 --> 01:21:01,940
You're somebody
who should have had
2091
01:21:01,940 --> 01:21:03,650
four chairs turn around,
2092
01:21:03,650 --> 01:21:07,196
just like Cami Clune did,
because wow.
2093
01:21:07,196 --> 01:21:09,990
You're the big discovery
in this moment to me.
2094
01:21:09,990 --> 01:21:12,034
I'd probably be going
with you, James.
2095
01:21:12,034 --> 01:21:13,827
Daly: Thank you, Blake.
Thank you, coaches.
2096
01:21:13,827 --> 01:21:15,204
John, you've got
the final decision.
2097
01:21:15,204 --> 01:21:17,748
Wow, well, I'm just so proud,
first of all,
2098
01:21:17,748 --> 01:21:20,709
because as you can tell,
everyone here was so impressed
2099
01:21:20,709 --> 01:21:23,128
with your musical choices,
your arrangement.
2100
01:21:23,128 --> 01:21:26,048
Thank you for having
a creative take on a song
2101
01:21:26,048 --> 01:21:27,716
that we've heard
many times before.
2102
01:21:27,716 --> 01:21:30,552
You both are just
shining bright lights
2103
01:21:30,552 --> 01:21:31,887
with beautiful voices.
2104
01:21:31,887 --> 01:21:34,139
You both deserve
to go far on the show.
2105
01:21:34,139 --> 01:21:35,891
And it was great
to watch you two.
2106
01:21:35,891 --> 01:21:38,685
I felt like the way
you coordinated your movements,
2107
01:21:38,685 --> 01:21:41,897
it was very on time,
and it was subtle and beautiful.
2108
01:21:41,897 --> 01:21:44,525
John, the time has come.
You got a tough one here.
2109
01:21:44,525 --> 01:21:46,193
Who is the winner
of this battle?
2110
01:21:46,193 --> 01:21:49,029
I have an impossible decision
to make,
2111
01:21:49,029 --> 01:21:51,073
but I'm ready to make it.
2112
01:21:51,073 --> 01:21:53,033
[ Dramatic music plays ]
2113
01:21:53,033 --> 01:21:55,577
The winner
of this battle is...
2114
01:21:55,577 --> 01:21:58,789
♪♪♪
2115
01:21:58,789 --> 01:21:59,790
Cami.
2116
01:21:59,790 --> 01:22:01,208
[ Cheers and applause ]
2117
01:22:01,208 --> 01:22:03,544
Cami Clune...
Cami: Thank you.
2118
01:22:03,544 --> 01:22:05,254
...you are moving on
to the Knockouts.
Thank you so much.
Oh, my gosh.
2119
01:22:05,254 --> 01:22:06,839
Congratulations.
Thank you.
2120
01:22:06,839 --> 01:22:08,048
Cami versus James,
2121
01:22:08,048 --> 01:22:10,008
they're both
such gifted singers.
2122
01:22:10,008 --> 01:22:12,886
And it was more
a stylistic choice for me.
2123
01:22:12,886 --> 01:22:14,596
[ Cheers and applause ]
John: Great job.
2124
01:22:14,596 --> 01:22:17,850
Cami has an angelic voice,
a beautiful tone.
2125
01:22:17,850 --> 01:22:19,893
She in some ways reminds me
of Maelyn
2126
01:22:19,893 --> 01:22:21,603
who won Season 16 with me.
2127
01:22:21,603 --> 01:22:22,938
And I feel like
we can go far together.
2128
01:22:22,938 --> 01:22:24,898
I'm so thankful
that he believes in me
2129
01:22:24,898 --> 01:22:26,608
and thinks that I deserve
to move on.
2130
01:22:26,608 --> 01:22:28,026
And I do feel myself
growing as an artist,
2131
01:22:28,026 --> 01:22:29,778
and I'm so excited
to keep going.
2132
01:22:29,778 --> 01:22:32,114
Let me remind you
James is available to steal
2133
01:22:32,114 --> 01:22:34,116
James, anything you want
to say to your coach?
2134
01:22:34,116 --> 01:22:35,617
I just want to say
thank you so much.
2135
01:22:35,617 --> 01:22:37,870
I learned more
than I thought possible.
2136
01:22:37,870 --> 01:22:39,079
You're phenomenal, James.
You're so great.
2137
01:22:39,079 --> 01:22:40,622
You're so good.
2138
01:22:40,622 --> 01:22:41,832
Daly: Give it up again
for James Pyle,
2139
01:22:41,832 --> 01:22:43,167
ladies and gentlemen.
2140
01:22:43,167 --> 01:22:44,585
Blake: Hey, wait, wait,
2141
01:22:44,585 --> 01:22:45,878
wait, wait, wait,
wait, wait, wait.
2142
01:22:45,878 --> 01:22:48,130
Wait, wait, wait.
2143
01:22:48,130 --> 01:22:49,882
I want to see
if this still works.
2144
01:22:49,882 --> 01:22:52,134
Oh, we got a steal!
2145
01:22:52,134 --> 01:22:54,136
Yes! [ Laughs ]
2146
01:22:54,136 --> 01:22:55,762
[ Cheers and applause ]
2147
01:22:55,762 --> 01:22:59,266
♪♪♪
2148
01:22:59,266 --> 01:23:00,767
Blake, talk to us.
2149
01:23:00,767 --> 01:23:02,227
Badly about
John's decision
2150
01:23:02,227 --> 01:23:04,980
or about
how great James is?
2151
01:23:04,980 --> 01:23:06,815
About how lucky you are
to have James on your team.
2152
01:23:06,815 --> 01:23:08,150
You know, you're right,
you're right.
2153
01:23:08,150 --> 01:23:10,110
I'm so happy.
This is insane.
2154
01:23:10,110 --> 01:23:11,987
Congratulations, man.
This is gonna be a lot of fun.
2155
01:23:11,987 --> 01:23:13,989
Daly: Congratulations,
James Pyle.
2156
01:23:13,989 --> 01:23:16,909
We'll see you
in the knockouts.
Thank you.
2157
01:23:16,909 --> 01:23:19,786
Blake: Man, I'm so happy I got
a chance to steal James.
2158
01:23:19,786 --> 01:23:22,873
He's just got this
under‐the‐radar talent.
2159
01:23:22,873 --> 01:23:26,126
The ones that people
don't expect to break out,
2160
01:23:26,126 --> 01:23:28,128
those are the ones
you got to keep your eye on
2161
01:23:28,128 --> 01:23:30,005
once they do it,
because it's hard to stop them
2162
01:23:30,005 --> 01:23:31,673
after that moment.
2163
01:23:31,673 --> 01:23:33,175
Daly: Nice work, buddy.
Thank you. Thank you.
2164
01:23:33,175 --> 01:23:34,593
He's great.
2165
01:23:34,593 --> 01:23:35,844
He's incredible.
2166
01:23:35,844 --> 01:23:37,346
Whoa, Blake,
way to go, jerk.
2167
01:23:37,346 --> 01:23:39,097
Well played.
2168
01:23:39,097 --> 01:23:41,600
James is amazing,
and I was hoping
2169
01:23:41,600 --> 01:23:43,268
that someone would steal him
and give him a chance
2170
01:23:43,268 --> 01:23:44,686
to stay on the show,
2171
01:23:44,686 --> 01:23:45,979
and Blake came through.
2172
01:23:45,979 --> 01:23:47,773
He disappoints me a lot.
2173
01:23:47,773 --> 01:23:49,316
but he came through.
2174
01:23:56,698 --> 01:24:18,220
♪♪♪
153099
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