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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,043 --> 00:00:05,130 CAPTIONING MADE POSSIBLE BYHALLMARK CHANNELAND FRIENDS OF NCI 2 00:00:07,132 --> 00:00:09,509 - [SCREAMING] 3 00:00:13,012 --> 00:00:14,139 - YOU GUYS ALL RIGHT?- LET'S MOVE! 4 00:00:19,561 --> 00:00:21,938 - [YELLING INNATIVE LANGUAGE] 5 00:00:29,654 --> 00:00:30,989 - AAH! WHERE ISIT COMING FROM? 6 00:00:31,072 --> 00:00:34,909 - TAKE COVER INSIDE! 7 00:00:34,993 --> 00:00:36,661 - GO! GO! 8 00:00:37,078 --> 00:00:39,247 - AAH!- OH! 9 00:00:39,372 --> 00:00:40,957 - AAH! 10 00:00:41,416 --> 00:00:43,835 - [ALL YELLING AT ONCE] 11 00:00:53,261 --> 00:00:55,597 - OH! 12 00:00:55,722 --> 00:00:56,222 - AAH! 13 00:00:56,306 --> 00:01:00,727 AAH! 14 00:01:00,810 --> 00:01:02,645 - [GUNSHOTS] 15 00:01:02,771 --> 00:01:05,398 - GO BACK! 16 00:01:11,196 --> 00:01:13,198 - WE GOT TO GET YOU OUT! 17 00:01:13,281 --> 00:01:15,075 IT'S ALL RIGHT! 18 00:01:21,831 --> 00:01:23,082 - [YELLING] 19 00:01:49,275 --> 00:01:51,069 - GOOD EVENING, SIR. 20 00:01:51,152 --> 00:01:53,905 - THANK YOU. 21 00:02:18,847 --> 00:02:19,931 - THERE YOU GO, CATHERINE. 22 00:02:20,014 --> 00:02:21,015 - OH, THANK YOU. 23 00:02:21,099 --> 00:02:23,351 - OR, MAYBE I SHOULD CALL YOU,JANE DOE? 24 00:02:23,434 --> 00:02:26,813 BOY, THESE FEDERAL AGENT TYPES,THEY DRINK LIKE FISH. 25 00:02:26,896 --> 00:02:28,523 - YEAH. 26 00:02:28,606 --> 00:02:31,526 - SO, UH, WHO'S PACKING HEAT? 27 00:02:31,651 --> 00:02:33,695 YOU KNOW, LICENSE TO KILL. 28 00:02:33,778 --> 00:02:35,029 I MEAN, THIS IS THEFIRST SECRET AGENT PARTY 29 00:02:35,155 --> 00:02:37,240 YOU'VE EVER INVITED ME TO. 30 00:02:37,365 --> 00:02:40,952 - WELL, WITH THE EXCEPTIONOF ME, BECAUSE I USE MY CHARM, 31 00:02:41,035 --> 00:02:44,914 I THINK JUST ABOUT ALL THEAGENTS HERE ARE PACKING HEAT. 32 00:02:45,039 --> 00:02:46,499 - COOL. 33 00:02:47,125 --> 00:02:48,668 - HEY, JACK. 34 00:02:48,751 --> 00:02:50,044 - OH, HEY, FRANK,HOW ARE YOU, BUDDY? 35 00:02:50,169 --> 00:02:53,298 - GOOD.- HEY, BOSS. 36 00:02:53,381 --> 00:02:54,966 - WELL, YOU CLEAN UP NICE. 37 00:02:55,049 --> 00:02:57,010 - THANKS.NICE TUX YOU GOT THERE. 38 00:02:57,093 --> 00:02:57,886 - IT'S A RENTAL.- LOOKS GREAT. 39 00:02:58,011 --> 00:03:01,723 - THANKS.- HEY, PHIL. 40 00:03:01,806 --> 00:03:02,974 CATHY, YOU REMEMBER PHILAND LAURA SIMS? 41 00:03:03,057 --> 00:03:05,977 - OH, MY GOSH, PHIL.- HEY. 42 00:03:06,060 --> 00:03:10,064 - HEY, LAURA.- OH, HI. 43 00:03:10,189 --> 00:03:11,482 - IT'S BEEN A LONG TIME. 44 00:03:11,566 --> 00:03:14,152 - OH, GOSH TOO MANY YEARSTO COUNT, I'M AFRAID. 45 00:03:14,235 --> 00:03:16,070 - YOU'RE LOOKING WELL, CATHY. 46 00:03:16,154 --> 00:03:18,156 OH, JANE. 47 00:03:18,239 --> 00:03:19,157 - GOD. 48 00:03:19,240 --> 00:03:20,742 FRANK BROUGHT YOUOUT OF RETIREMENT. 49 00:03:20,825 --> 00:03:23,286 - YOU LOOK WONDERFUL.YOU HAVEN'T AGED A BIT. 50 00:03:23,411 --> 00:03:24,662 RETIREMENT SUITS YOU, LAURA. 51 00:03:24,746 --> 00:03:27,332 - THANK YOU.YOU'RE VERY SWEET. 52 00:03:27,415 --> 00:03:29,375 SO, UM, WHO'S THIS? 53 00:03:29,459 --> 00:03:31,544 - OH, UM, JACK. 54 00:03:31,628 --> 00:03:34,547 - THIS IS MY HUSBAND, JACK DOE. 55 00:03:36,216 --> 00:03:37,550 - NICE TO MEET YOU.- YOU, TOO. 56 00:03:37,634 --> 00:03:39,928 WELL, I'M GOING TO LETYOU GUYS TALK SHOP. 57 00:03:40,053 --> 00:03:41,095 - SURE.- EXCUSE ME. 58 00:03:41,221 --> 00:03:42,847 - HEY, HE'S QUITE THE CATCH. 59 00:03:42,931 --> 00:03:46,517 - SO, PHIL, HOW HAS THE SANDIEGO OFFICE BEEN TREATING YOU? 60 00:03:46,601 --> 00:03:48,519 - YOU HAVEN'T HEARD, HAVE YOU?- WHAT? 61 00:03:48,603 --> 00:03:51,022 - WELL, PHIL, HAS BEENSELECTED AS A CANDIDATE 62 00:03:51,105 --> 00:03:54,025 TO RUN THE WASHINGTON BUREAU. 63 00:03:54,108 --> 00:03:54,943 - OH. 64 00:03:55,068 --> 00:03:56,069 - ONE OF A FEW CANDIDATES. 65 00:03:56,152 --> 00:03:57,946 - YES. WELL, YOU'RETHE MOST QUALIFIED. 66 00:03:58,029 --> 00:03:58,947 - CONGRATULATIONS, PHIL. 67 00:03:59,239 --> 00:04:02,867 - UM, DON'T LOOK NOW.HERE COMES YOUR COMPETITION. 68 00:04:02,951 --> 00:04:04,953 - MITCH WAS SELECTED? 69 00:04:05,078 --> 00:04:06,621 - UH, IT'S ABOUTTO BE ANNOUNCED. 70 00:04:06,746 --> 00:04:07,622 - HI.- HEY. 71 00:04:07,705 --> 00:04:10,291 - THERE HE IS,THE ODDS-ON FAVORITE. 72 00:04:10,375 --> 00:04:11,751 - YOU'RE TOO KIND. 73 00:04:11,834 --> 00:04:12,877 - CONGRATULATIONS, PHIL. 74 00:04:12,961 --> 00:04:13,628 - THANK YOU. 75 00:04:13,795 --> 00:04:14,963 - CONGRATULATIONS TO YOU, MITCH. 76 00:04:15,088 --> 00:04:16,172 - AH, THANK YOU, JANE. 77 00:04:16,297 --> 00:04:17,298 I COULDN'T HAVE DONE ITWITHOUT THE SUPPORT 78 00:04:17,423 --> 00:04:18,967 OF EVERYONE HEREIN THE L.A. OFFICE. 79 00:04:19,092 --> 00:04:22,136 - OH, MY GOODNESS. THERE'S DOUGCOLEMAN FROM SAN FRANCISCO. 80 00:04:22,220 --> 00:04:24,472 - HI. 81 00:04:24,555 --> 00:04:27,016 - YOU KNOW, WE SHOULDGET A PICTURE. 82 00:04:28,977 --> 00:04:30,144 - OH, EXCUSE ME JUST A SEC. 83 00:04:30,269 --> 00:04:33,982 - HONEY, WHY DID YOU LEAVE MEALONE WITH THAT WOMAN? 84 00:04:34,065 --> 00:04:35,149 SHE REALLY BUGS ME. 85 00:04:35,233 --> 00:04:37,151 - WHAT WOMAN?- THAT LAURA SANDS. 86 00:04:37,276 --> 00:04:38,945 WE WERE IN THE C.S.A. TOGETHER. 87 00:04:39,028 --> 00:04:41,239 20 YEARS AGO, BEFORE I RETIRED, 88 00:04:41,322 --> 00:04:42,991 AND SHE'S ALWAYSTRYING TO ONE UP ME. 89 00:04:43,116 --> 00:04:44,951 WITH HER PERFECT HAIRAND HER PERFECT LIFE 90 00:04:45,034 --> 00:04:46,744 AND HER PERFECT HUSBAND. 91 00:04:46,828 --> 00:04:47,620 - HEY. 92 00:04:47,829 --> 00:04:48,913 - HONEY, OF COURSE,YOU'RE PERFECT. 93 00:04:49,163 --> 00:04:51,874 I JUST DON'T HAVE TO TELLTHE ENTIRE WORLD ABOUT IT. 94 00:04:52,000 --> 00:04:55,044 - I DON'T KNOW, SHE SEEMS LIKEA NICE ENOUGH LADY TO ME. 95 00:04:57,672 --> 00:04:58,798 - YEAH, WELL, YOU SHOULDGET TO KNOW HER. 96 00:04:58,881 --> 00:05:00,675 - I'LL TELL YOU WHAT,I'M GOING TO GET YOU 97 00:05:00,758 --> 00:05:03,011 SOMETHING STRONGERTO DRINK AT THE BAR. 98 00:05:03,136 --> 00:05:05,430 - GOOD IDEA. 99 00:05:08,224 --> 00:05:09,851 - HEY. 100 00:05:09,976 --> 00:05:11,102 - OOH, OOH, OOH. 101 00:05:11,185 --> 00:05:12,145 - COLEMAN. 102 00:05:12,228 --> 00:05:13,146 LOOK AT YOU. 103 00:05:13,229 --> 00:05:14,731 - OH, HEY, MITCH. 104 00:05:14,856 --> 00:05:15,606 - HEY. 105 00:05:15,690 --> 00:05:16,899 - HOW ARE YOU?UNBELIEVABLE. 106 00:05:17,025 --> 00:05:17,859 IT'S BEEN TOO LONG. 107 00:05:17,984 --> 00:05:19,527 - OH, PHIL.- TOO LONG. 108 00:05:19,652 --> 00:05:22,363 - HEY, BUD.- HI, BUDDY. 109 00:05:22,488 --> 00:05:23,031 GOOD TO SEE YOU, FRANK. 110 00:05:23,114 --> 00:05:23,865 - YOU, TOO. 111 00:05:23,990 --> 00:05:26,117 - WE'VE GOT A PHOTO TAKEN. 112 00:05:26,200 --> 00:05:27,285 - OK. 113 00:05:27,368 --> 00:05:29,037 - ALL RIGHT. 114 00:05:29,162 --> 00:05:31,080 DARLING, YOU STAND HERE. 115 00:05:31,205 --> 00:05:32,373 FRANK, RIGHT NEXT. 116 00:05:32,457 --> 00:05:33,791 HERE WE GO. 117 00:05:33,875 --> 00:05:35,001 ALL RIGHT. 118 00:05:35,084 --> 00:05:36,002 - GOOD. 119 00:05:36,085 --> 00:05:38,880 MITCH, PERFECT. 120 00:05:38,963 --> 00:05:40,923 - WAIT, WHERE'S CATHY? 121 00:05:41,049 --> 00:05:42,300 - UH, OVER HERE. 122 00:05:42,383 --> 00:05:43,468 - OH, OH, CATHY. 123 00:05:43,551 --> 00:05:45,219 - GOODNESS, I FORGOTALL ABOUT YOU. 124 00:05:45,303 --> 00:05:47,847 WE NEED YOU RIGHT UP IN FRONT. 125 00:05:47,930 --> 00:05:49,057 - OH, SORRY. 126 00:05:49,140 --> 00:05:51,476 - BIG SMILES ON THREE. 127 00:05:55,480 --> 00:05:57,899 - BAXTER, GET METHE SAT-COM REPORTS 128 00:05:57,982 --> 00:05:58,858 FOR THE SOUTHEAST REGION ASAP. 129 00:05:59,108 --> 00:06:01,110 I WANT THE NAME, ADDRESS,AND PHONE NUMBER 130 00:06:01,235 --> 00:06:02,070 OF ANYONE WITHTIES TO THE U.L.F. 131 00:06:02,195 --> 00:06:04,906 - GOT IT ALL RIGHT HERE, MA'AM. 132 00:06:13,164 --> 00:06:14,999 - ROY? 133 00:06:15,083 --> 00:06:17,710 - [GRUNTING] 134 00:06:21,255 --> 00:06:23,925 - [RINGING] 135 00:06:29,889 --> 00:06:31,432 - HELLO. 136 00:06:33,810 --> 00:06:35,770 WHAT? 137 00:06:36,729 --> 00:06:41,734 OHH, OF COURSE,I'LL BE RIGHT THERE. 138 00:06:44,070 --> 00:06:46,280 I JUST CAN'T BELIEVE IT. 139 00:06:46,364 --> 00:06:47,615 - I KNOW. BAXTERWAS A GOOD MAN. 140 00:06:47,698 --> 00:06:52,495 TOP OF HIS CLASS AT THE ACADEMY,UP AND COMER. 141 00:06:52,620 --> 00:06:53,329 - WELL, WHAT ABOUTPERSONNEL PROBLEMS? 142 00:06:53,454 --> 00:06:54,705 A BAD MARRIAGE? 143 00:06:54,789 --> 00:06:56,124 - NAH, WE CHECKED IT OUT.HE'S HAPPILY MARRIED. 144 00:06:56,207 --> 00:06:57,166 HE'S GOT A KID ON THE WAY. 145 00:06:57,291 --> 00:06:58,626 HE'S GOT NO PROBLEMSAT HOME OR AT WORK. 146 00:06:58,709 --> 00:07:01,129 - HOW ABOUT ALANA? DIDSHE AND BAXTER GET ALONG? 147 00:07:01,254 --> 00:07:03,464 - HE WAS ALANA'S PROTÉGÉ.THEY GOT ALONG WELL. 148 00:07:03,548 --> 00:07:05,383 THAT'S WHY THISDOESN'T MAKE ANY SENSE. 149 00:07:05,466 --> 00:07:06,217 - WHERE'S BAXTER NOW? 150 00:07:06,300 --> 00:07:07,969 - HE'S IN INTERROGATION 2, 151 00:07:08,052 --> 00:07:08,970 BUT HE SAYS HE DOESN'TREMEMBER ANYTHING. 152 00:07:09,053 --> 00:07:11,305 - CAN I SPEAK WITH HIM, FRANK? 153 00:07:11,430 --> 00:07:13,599 - YEAH, GO AHEAD. 154 00:07:13,683 --> 00:07:16,811 - MS. DEVLIN ASKED METO BRING HER SOME FILES. 155 00:07:16,936 --> 00:07:19,730 NOTHING OUT OF THE ORDINARY.WE DO IT ALL THE TIME. 156 00:07:19,814 --> 00:07:26,028 AND THE NEXT THING I KNOW,I'M HOLDING MY--MY GUN. 157 00:07:26,154 --> 00:07:28,781 IT'S HOT, LIKE IT'SJUST BEEN FIRED. 158 00:07:28,865 --> 00:07:31,325 AND I SEE MS. DEVLIN ONTHE FLOOR IN FRONT OF ME. 159 00:07:31,409 --> 00:07:34,203 I REALLY LIKE MS. DEVLIN. WEUNDERSTOOD EACH OTHER, YOU KNOW. 160 00:07:34,328 --> 00:07:34,996 WE HAD THIS RAPPORT. 161 00:07:35,121 --> 00:07:37,999 SHE WAS TOUGH, BUT FAIR. 162 00:07:38,082 --> 00:07:39,750 SHE MADE ME WORK HARDER. 163 00:07:39,834 --> 00:07:42,295 SHE MADE ME THE BEST AGENTTHAT I COULD BE. 164 00:07:42,378 --> 00:07:43,087 - DID SHE WORK YOU TOO HARD? 165 00:07:43,171 --> 00:07:45,506 - NO. 166 00:07:45,590 --> 00:07:48,676 I WOULD NEVER, EVER DOANYTHING TO HURT MS. DEVLIN. 167 00:07:48,801 --> 00:07:50,136 SHE WAS THE BEST. 168 00:07:54,223 --> 00:07:56,142 - AHH. 169 00:07:57,185 --> 00:07:59,687 I THINK HE'S TELLINGTHE TRUTH, FRANK. 170 00:07:59,812 --> 00:08:01,063 - HOW DO YOU KNOW? 171 00:08:01,189 --> 00:08:02,148 - WELL, IF HE WASGOING TO LIE, 172 00:08:02,315 --> 00:08:04,150 HE WOULD MAKE UPA BETTER ONE THAN THAT. 173 00:08:04,233 --> 00:08:06,861 HE WOULDN'T KILL IN FRONTOF A DOZEN C.S.A. AGENTS, 174 00:08:06,986 --> 00:08:07,862 AND HE WOULDN'T USE HIS OWN GUN. 175 00:08:07,987 --> 00:08:08,863 - WHAT DO YOU THINK, KATH? 176 00:08:08,946 --> 00:08:11,240 YOU THINK HE JUSTLOST IT OR WHAT? 177 00:08:11,365 --> 00:08:14,035 - YEAH, BUT WHY? 178 00:08:17,538 --> 00:08:20,041 - WHAT TIME DID YOU GETHOME LAST NIGHT? 179 00:08:21,042 --> 00:08:23,085 - ABOUT 3 A.M. 180 00:08:23,211 --> 00:08:24,086 - IT MUST HAVE BEEN IMPORTANT. 181 00:08:25,046 --> 00:08:28,049 - YEAH. 182 00:08:28,174 --> 00:08:30,843 ALANA DEVLIN WAS SHOT. 183 00:08:30,927 --> 00:08:32,678 - WHAT? 184 00:08:32,762 --> 00:08:34,138 IS SHE ALL RIGHT? 185 00:08:34,222 --> 00:08:35,431 - NO. 186 00:08:35,556 --> 00:08:39,185 - WOW. I CAN'T BELIEVE IT.WE SAW HER JUST LAST NIGHT. 187 00:08:39,268 --> 00:08:41,187 DO THEY KNOW WHO DID IT? 188 00:08:41,270 --> 00:08:44,482 - YES, ROY BAXTER, 189 00:08:44,565 --> 00:08:47,401 ONE OF THE JUNIOR AGENTSTHAT WORKED WITH HER. 190 00:08:47,485 --> 00:08:49,528 AND HE DOESN'T EVENREMEMBER THE SHOOTING. 191 00:08:49,612 --> 00:08:52,740 IT WAS LIKE HE JUST BLOCKEDTHE WHOLE THING OUT. 192 00:08:52,865 --> 00:08:54,533 - WHO BLOCKED WHAT OUT? 193 00:08:54,617 --> 00:08:56,202 - HEY, GOOD MORNING, YOU GUYS. 194 00:08:56,285 --> 00:08:57,328 - MORNING. 195 00:08:57,411 --> 00:08:58,996 - WHAT'S FOR BREAKFAST? 196 00:08:59,080 --> 00:09:00,831 - WHO BLOCKED WHAT OUT? 197 00:09:00,915 --> 00:09:03,125 - UH, BACON AND EGGS. 198 00:09:03,251 --> 00:09:05,211 - SOUNDS GOOD. 199 00:09:05,294 --> 00:09:06,921 - IF YOU DON'T WANT TO TELL ME,JUST SAY SO. 200 00:09:07,046 --> 00:09:08,089 - WE DON'T WANT TO TELL YOU. 201 00:09:08,172 --> 00:09:09,632 IT'S FOR YOUR OWN GOOD, NICK. 202 00:09:09,757 --> 00:09:10,675 - WHY? 203 00:09:11,008 --> 00:09:13,970 - WELL, WE DON'T WANT TO, UH,YOU KNOW, TO RUIN THE MOVIE. 204 00:09:14,095 --> 00:09:16,013 - WHAT MOVIE? 205 00:09:16,097 --> 00:09:18,015 - WILL YOU STOP ASKINGSO MANY QUESTIONS? 206 00:09:18,099 --> 00:09:19,225 - YEAH. 207 00:09:19,308 --> 00:09:21,227 - SO, DAD, WHAT'SWITH THE FANCY DUDS? 208 00:09:21,310 --> 00:09:22,603 - I WAS JUST ABOUT TO ASKTHE SAME THING MYSELF. 209 00:09:22,687 --> 00:09:26,148 - WELL, YOU THINKIT'S TOO MUCH? 210 00:09:26,274 --> 00:09:30,111 - WELL, IT DEPENDS UPON WHOYOU'RE TRYING TO IMPRESS. 211 00:09:30,194 --> 00:09:32,488 - WELL, I GOT A CALL YESTERDAYFROM ROB RYAN. 212 00:09:32,613 --> 00:09:33,698 - OH, YOU GOT TO HELP ME OUTWITH THAT ONE. 213 00:09:33,823 --> 00:09:35,366 - THE DEVELOPER OF THE STEVENSSTREET PROJECT. 214 00:09:35,449 --> 00:09:37,201 THE NEW MULTI-MILLIONDOLLAR MALL. 215 00:09:37,285 --> 00:09:38,494 - WAIT, HE WANTS TO SEE YOU? 216 00:09:38,619 --> 00:09:39,620 - SEEMS LIKE I MADE THE CUT. 217 00:09:39,745 --> 00:09:42,957 - OH, HONEY, THAT'S GREAT,CONGRATULATIONS. 218 00:09:43,040 --> 00:09:44,083 - I DON'T THINK SO. 219 00:09:44,166 --> 00:09:45,710 - AH, WHY, SUSAN? 220 00:09:45,793 --> 00:09:46,627 - THAT GUY'S A JERK. 221 00:09:46,794 --> 00:09:47,795 - WHY WOULD YOU SAYTHAT, SWEETHEART? 222 00:09:48,045 --> 00:09:50,381 - YOU KNOW THAT HOMELESS SHELTERON 9th STREET? 223 00:09:50,464 --> 00:09:51,966 GUESS WHO'S TRYINGTO TEAR IT DOWN. 224 00:09:52,091 --> 00:09:54,635 - WELL, HOW DO YOU KNOW? 225 00:09:54,760 --> 00:09:56,596 - I WROTE AN ARTICLEFOR THE SCHOOL PAPER. 226 00:09:56,679 --> 00:09:58,514 THAT SHELTER HAS BEENTHERE FOR 20 YEARS. 227 00:09:58,639 --> 00:10:00,641 NONE OF THE AREA RESIDENTS HAVEEVER HAD ANY PROBLEMS WITH IT. 228 00:10:00,725 --> 00:10:03,436 THEN ALL OF A SUDDENTHIS GUY MOVES TO TOWN, 229 00:10:03,519 --> 00:10:06,480 AND ALL THESE LETTERSOF COMPLAINTS AREPOURING INTO THE CITY. 230 00:10:06,605 --> 00:10:08,524 THEN SOMEONE DIGS UPSOME OLD TAX REPORTS 231 00:10:08,649 --> 00:10:09,984 AND FINDS OUT THAT THE TAXESARE IN ARREARS. 232 00:10:10,067 --> 00:10:13,362 IF YOU ASK ME, SOMETHING STINKS. 233 00:10:13,487 --> 00:10:14,155 - WELL, IT COULD BEA COINCIDENCE. 234 00:10:14,238 --> 00:10:15,990 - YEAH, HONEY. 235 00:10:16,115 --> 00:10:17,033 - DAD, PLEASE, DO YOUREALLY WANT TO GO 236 00:10:17,158 --> 00:10:18,951 INTO BUSINESS WITH THIS GUY? 237 00:10:19,035 --> 00:10:20,620 - I APPRECIATE YOUR OPINION,SUSAN. 238 00:10:20,703 --> 00:10:22,038 AND THE LAST THING IWOULD EVER WANT TO DO 239 00:10:22,163 --> 00:10:23,331 IS CLOSE DOWNA HOMELESS SHELTER. 240 00:10:23,497 --> 00:10:26,042 BUT I'M A CONTRACTOR. I DOBUSINESS WITH DEVELOPERS. 241 00:10:26,167 --> 00:10:27,460 AND WORKING WITH A GUYLIKE ROB RYAN, 242 00:10:27,626 --> 00:10:30,921 I MEAN, THAT'S A--THAT'S A ONCEIN A LIFETIME OPPORTUNITY. 243 00:10:31,005 --> 00:10:31,964 - YEAH. 244 00:10:32,298 --> 00:10:33,174 - BESIDES, THE APARTMENTCOMPLEX THAT I'M BIDDING ON 245 00:10:33,341 --> 00:10:34,425 IS ON THE OTHER SIDEOF THE CITY. 246 00:10:34,592 --> 00:10:36,344 - SO, YOU'RE STILL GOINGTO BE WORKING WITH HIM. 247 00:10:36,427 --> 00:10:38,512 - YES, AND THE MONEYHE PAYS ME 248 00:10:38,596 --> 00:10:39,680 WILL HELP SUPPORTMY LOVING FAMILY 249 00:10:39,847 --> 00:10:41,891 IN THE MANNER THEY HAVEGROWN ACCUSTOMED TO. 250 00:10:42,016 --> 00:10:44,143 - YOU CAN'T ARGUE WITH THAT. 251 00:10:49,440 --> 00:10:53,319 - [PHONE RINGS] 252 00:10:53,402 --> 00:10:54,362 - HELLO. 253 00:10:54,445 --> 00:10:55,780 - HEY, IT'S ME.YOU GOT ANYTHING? 254 00:10:55,863 --> 00:10:58,199 - I'M GOING TO GO TALKTO ROY BAXTER'S WIFE. 255 00:10:58,282 --> 00:11:00,159 - ALL RIGHT, BE SAFE. 256 00:11:37,238 --> 00:11:38,072 - HI. 257 00:11:38,155 --> 00:11:39,824 - HI, I'M AGENTJANE DOE, C.S.A. 258 00:11:39,907 --> 00:11:42,159 - I HAVE ALREADY ANSWEREDSO MANY QUESTIONS. 259 00:11:42,243 --> 00:11:45,496 - PLEASE JUST A FEW MORE,SHERRY, PLEASE. 260 00:11:51,377 --> 00:11:55,089 - OH, I USED TO HAVE THIS CRIB. 261 00:11:55,172 --> 00:11:56,090 - REALLY? 262 00:11:56,173 --> 00:11:57,633 - AH, YEAH. 263 00:11:57,758 --> 00:11:59,093 - ROY JUST FINISHED PUTTING ITTOGETHER ON SUNDAY. 264 00:11:59,176 --> 00:12:01,637 HE'S NOT ONEFOR FOLLOWING INSTRUCTIONS, 265 00:12:01,762 --> 00:12:05,433 SO, IT TOOK HIM A LITTLELONGER THAN EXPECTED, BUT... 266 00:12:05,558 --> 00:12:09,437 AHH, WE'RE DUE IN 6 WEEKS. 267 00:12:12,773 --> 00:12:16,068 SO, HOW MANY CHILDRENDO YOU HAVE, AGENT DOE? 268 00:12:16,152 --> 00:12:17,903 - I HAVE 2. 269 00:12:17,987 --> 00:12:22,950 A 16-YEAR-OLD DAUGHTER AND A SONTHAT'S 13 AND THINKS HE'S 40. 270 00:12:23,033 --> 00:12:24,118 SO, YOU'RE HAVING A BOY? 271 00:12:24,201 --> 00:12:27,496 - YEAH, A BOY. 272 00:12:27,621 --> 00:12:29,457 WHY WON'T THEY LET ME SEE, ROY? 273 00:12:29,540 --> 00:12:31,959 - IT'S AN ON-GOINGINVESTIGATION, SHERRY. 274 00:12:32,042 --> 00:12:33,669 - WHAT'S GOING TO HAPPEN TO HIM? 275 00:12:33,794 --> 00:12:35,754 - WE DON'T KNOW. 276 00:12:35,838 --> 00:12:38,090 YOUR HUSBAND'SIN A LOT OF TROUBLE. 277 00:12:38,883 --> 00:12:44,305 WE JUST HAVE TO FIGURE OUTWHY THIS HAPPENED. 278 00:12:44,430 --> 00:12:46,724 DID YOU KNOW ALANA DEVLIN? 279 00:12:46,807 --> 00:12:47,308 - OF COURSE. 280 00:12:47,475 --> 00:12:49,143 SHE WAS ROY'S BOSS. 281 00:12:49,268 --> 00:12:51,103 - AND DID THEY GET ALONG? 282 00:12:51,187 --> 00:12:52,146 - THEY WERE FRIENDS. 283 00:12:52,271 --> 00:12:54,690 SHE GAVE US THAT MOBILEFOR THE BABY. 284 00:12:54,815 --> 00:12:59,987 - DID HE EVER COME HOME ANGRYOR UPSET WITH AGENT DEVLIN? 285 00:13:00,070 --> 00:13:01,822 - NOT REALLY. 286 00:13:01,906 --> 00:13:04,325 - WELL, WHAT ABOUT THE DAYBEFORE THE INCIDENT? 287 00:13:04,450 --> 00:13:06,243 DID HE SEEM UPSET OR... 288 00:13:06,327 --> 00:13:07,161 - NO, HE WAS REALLY GOOD. 289 00:13:07,286 --> 00:13:08,579 HE WAS EXCITED ABOUT EVERYTHING. 290 00:13:08,662 --> 00:13:12,583 OUR FUTURE. HE HAD THESEHEADACHES OCCASIONALLY, 291 00:13:12,666 --> 00:13:16,003 BUT THE DOCTOR JUST THOUGHTIT MIGHT BE FROM EYE STRAIN. 292 00:13:16,128 --> 00:13:17,797 - EYE STRAIN FROM WHAT? 293 00:13:17,880 --> 00:13:21,217 - HE DID MENTION THATHE HAD BEEN WATCHING 294 00:13:21,342 --> 00:13:23,969 A TON OF SURVEILLANCE VIDEOS. 295 00:13:25,346 --> 00:13:26,972 HE WAS A REALLY GOOD MAN. 296 00:13:27,056 --> 00:13:31,143 HE JUST--HE COULDNEVER DO THIS. 297 00:13:34,188 --> 00:13:36,732 - SHERRY... 298 00:13:36,982 --> 00:13:40,110 WE'LL DOWHATEVER WE CAN. 299 00:13:47,076 --> 00:13:48,702 - THE COMPANY'S SMALL, BUT WE'REFAST AND WE'RE GOOD. 300 00:13:48,786 --> 00:13:51,705 I THINK YOU'RE GOING TO FINDMY BID'S COMPETITIVE. 301 00:13:51,831 --> 00:13:54,333 - BIG COMPANIES CAN DO ITFOR LESS, JACK. 302 00:13:54,416 --> 00:13:57,253 YOU KNOW IT.I KNOW IT, JACK. 303 00:13:57,378 --> 00:13:58,546 - YOU CALLED ME. WHY AM I HERE? 304 00:13:58,671 --> 00:14:01,340 - YOU'RE HERE TO SOLVEMY P.R. PROBLEMS. 305 00:14:01,423 --> 00:14:02,883 - OH, I GET IT. 306 00:14:02,967 --> 00:14:03,842 YOU HIRE THE LITTLE GUY. 307 00:14:08,514 --> 00:14:10,432 - ACROSS TOWN I'VE GOT ANAPARTMENT PLACE GOING UP. 308 00:14:10,558 --> 00:14:13,435 I'M GOING TO TAKE YOUR BIDAND A COUPLE OF OTHERS. 309 00:14:13,561 --> 00:14:16,522 VERY LUCRATIVE CONTRACT,BUT YOU KNOW WHAT, 310 00:14:16,605 --> 00:14:20,609 WHAT'S GOING TO MATTERTHE MOST IS WHO WOWS ME. 311 00:14:20,734 --> 00:14:22,778 - GIVE ME A DAY. I'LL THINKOF SOMETHING. 312 00:14:22,903 --> 00:14:25,531 - OK, YOU GOT A DAY. 313 00:14:31,036 --> 00:14:32,997 - ROY BAXTER'S PROJECT'S AMATTER OF NATIONAL SECURITY. 314 00:14:33,080 --> 00:14:34,123 YOU DON'T HAVE THE CLEARANCE. 315 00:14:34,248 --> 00:14:35,749 - OH, PLEASE, IS THEREANY WAY I CAN GET IT? 316 00:14:35,833 --> 00:14:39,420 - DO YOU THINK BAXTER'S SUFFEREDFROM SOME KIND OF JOB STRESS? 317 00:14:39,503 --> 00:14:40,588 - WELL, HE HAD THESE HEADACHES. 318 00:14:40,754 --> 00:14:41,880 AND I THINK IT MAY HAVEHAD SOMETHING TO DO 319 00:14:41,964 --> 00:14:43,299 WITH WHY HE DID WHAT HE DID. 320 00:14:43,424 --> 00:14:44,592 - BASED ON WHAT? 321 00:14:44,717 --> 00:14:46,302 - BASED ON THE FACT THAT THEREWAS NOTHING ELSE UNUSUAL 322 00:14:46,427 --> 00:14:48,846 GOING ON IN HIS LIFEEXCEPT FOR THIS PROJECT. 323 00:14:48,929 --> 00:14:50,556 IT'S A LEAD. 324 00:14:50,639 --> 00:14:52,099 NOW, DO YOU WANT ME TO GETTO THE BOTTOM OF THIS OR NOT? 325 00:14:52,224 --> 00:14:54,101 - YEAH, OF COURSE I DO. 326 00:14:54,226 --> 00:14:56,228 - WELL, THEN GET ME ACCESSTO HIS FILES. 327 00:15:00,107 --> 00:15:00,816 DATA MINING? 328 00:15:01,108 --> 00:15:02,776 - YEAH, IT INVOLVESA LOT OF STATISTICS. 329 00:15:02,902 --> 00:15:08,115 COMPUTATIONAL TECHNIQUES,PATTERN RECOGNITION. 330 00:15:08,240 --> 00:15:09,283 BASICALLY, WHAT THEY DID 331 00:15:09,450 --> 00:15:10,618 IS THEY RETRAINEDBAXTER'S MIND HOW TO THINK. 332 00:15:10,743 --> 00:15:13,245 - AND THE PURPOSE OF THISRETRAINING IS... 333 00:15:13,329 --> 00:15:16,790 - DATA MINING PROTOCOLWORK'S ON THE SUBCONSCIOUS MIND. 334 00:15:16,916 --> 00:15:18,292 IT ENABLES AN AGENTTO BE ABLE TO IDENTIFY 335 00:15:18,375 --> 00:15:23,505 LITERALLY THOUSANDS OF FACESOR NAMES INSTANTLY. 336 00:15:23,631 --> 00:15:25,549 - HMM, WHO RECEIVESTHIS TRAINING? 337 00:15:25,633 --> 00:15:27,301 - IT'S MOSTLY NEW RECRUITS. 338 00:15:27,426 --> 00:15:28,802 AFTER THEY GOTHROUGH THE PROTOCOL, 339 00:15:28,886 --> 00:15:31,180 THEY'RE REQUIRED TO LOOKAT SURVEILLANCE VIDEOS, 340 00:15:31,305 --> 00:15:33,849 FOOTAGE, DOCUMENTS,RE-CON PHOTOS. 341 00:15:33,974 --> 00:15:36,477 THINGS LIKE THAT IN HOPESTHAT MAYBE A NAME 342 00:15:36,560 --> 00:15:37,811 OR A PHRASE WILLCLEAR THE SUBCONSCIOUS. 343 00:15:37,978 --> 00:15:41,649 - LET ME GIVE YOU AN EXAMPLE.ROY BAXTER'S JOB WAS TO SCAN 344 00:15:41,774 --> 00:15:43,984 HOURS AND HOURSOF AIRPORT SECURITY TAPES, 345 00:15:44,068 --> 00:15:47,112 HOPING THAT HE'D BEABLE TO IDENTIFY POTENTIALTERRORIST THREATS. 346 00:15:47,196 --> 00:15:48,822 - WELL, THAT EXPLAINSHIS EYE STRAIN. 347 00:15:48,947 --> 00:15:51,450 SO, DID YOU GUYS TAKEA LOOK AT THE FOOTAGE 348 00:15:51,533 --> 00:15:53,285 HE'S BEEN WATCHINGFOR THE PAST 2 WEEKS? 349 00:15:53,369 --> 00:15:54,244 - WE DIDN'TFIND ANYTHING UNUSUAL. 350 00:15:54,328 --> 00:15:56,455 - WHO HEADS UP THIS PROTOCOL? 351 00:15:56,538 --> 00:16:00,084 - DR. JARED FOX, HE'S BEEN WITHC.S.A. FOR MORE THAN 10 YEARS. 352 00:16:00,167 --> 00:16:01,543 - WELL, THIS IS JUSTA CRAZY THOUGHT. 353 00:16:01,669 --> 00:16:04,171 DID HE HAVE ANY PROBLEMS WITHALANA DEVLIN? 354 00:16:04,296 --> 00:16:05,339 - WHY DO YOU ASK? 355 00:16:05,464 --> 00:16:07,091 - THIS PROTOCOL SOUNDSLIKE DEEP HYPNOTHERAPY, 356 00:16:07,174 --> 00:16:09,343 A POST-HYPNOTIC SUGGESTION. 357 00:16:09,426 --> 00:16:12,388 NOW, BAXTER'SMIND WAS CONDITIONED 358 00:16:12,513 --> 00:16:14,181 SO THAT WHEN HE RECEIVEDTHE PROPER STIMULUS, 359 00:16:14,264 --> 00:16:17,017 A NAME, A FACE, OR A SOUND,HE WOULD RESPOND. 360 00:16:17,101 --> 00:16:20,521 NOW, WHAT IF ONEOF THESE RESPONSES 361 00:16:20,604 --> 00:16:23,440 WAS TO KILL ALANA DEVLIN? 362 00:16:23,524 --> 00:16:24,984 - WHOA, WE GOT SOMETHING. 363 00:16:25,067 --> 00:16:25,943 - WHAT'S UP? 364 00:16:26,235 --> 00:16:29,113 - SOME OF DR. FOX'SFUNDING WAS CUT THIS YEAR. 365 00:16:29,196 --> 00:16:31,573 HE WASN'T REAL HAPPY ABOUT IT. 366 00:16:31,699 --> 00:16:33,784 ALANA DEVLIN WAS ONTHE FINANCE COMMITTEE. 367 00:16:33,867 --> 00:16:37,037 - I THINK WE NEEDTO TALK TO DR. FOX. 368 00:16:38,330 --> 00:16:39,123 - THANKS FORCOMING IN, DR. FOX. 369 00:16:39,206 --> 00:16:41,375 - NOT AT ALL, NOT AT ALL. 370 00:16:41,458 --> 00:16:42,584 WHAT IS THIS ALL ABOUT? 371 00:16:42,710 --> 00:16:43,669 - WELL, WE JUST HADA FEW QUESTIONS 372 00:16:43,752 --> 00:16:44,795 ABOUT DATA MINING PROTOCOL. 373 00:16:44,920 --> 00:16:47,589 YOU'RE AWARE THAT UH, ROYBAXTER, THE ACCUSED 374 00:16:47,715 --> 00:16:50,300 IN THE SHOOTING DEATHOF ALANA DEVLIN 375 00:16:50,384 --> 00:16:52,344 AT ONE TIME HE WAS A STUDENTOF YOURS. IS THAT CORRECT? 376 00:16:52,428 --> 00:16:56,390 - YES, ROY BAXTERWAS A STUDENT OF MINE. 377 00:16:56,473 --> 00:16:58,934 ROY BAXTER WAS ONEOF MY BETTER STUDENTS. 378 00:16:59,059 --> 00:17:00,185 - IN WHAT WAY? 379 00:17:00,519 --> 00:17:03,022 - SOME MINDS ARE JUST MORE OPENTHAN OTHERS, MORE VULNERABLE. 380 00:17:03,105 --> 00:17:04,273 HE WAS A VERY APT PUPIL. 381 00:17:04,398 --> 00:17:05,858 - SO, HE TOOK SUGGESTION WELL? 382 00:17:05,941 --> 00:17:06,734 - EXTREMELY WELL. 383 00:17:07,026 --> 00:17:08,277 - WHAT CAN YOU TELL USABOUT THE PROTOCOL? 384 00:17:08,402 --> 00:17:09,737 - NOTHING. 385 00:17:09,862 --> 00:17:12,990 THE PARTICULARS OF THE PROTOCOLARE CLASSIFIED, AGENT DARNELL. 386 00:17:13,073 --> 00:17:15,409 - I'M AWARE OF IT.- HMM. 387 00:17:15,534 --> 00:17:16,910 - LET ME PUT IT ANOTHER WAY. 388 00:17:16,994 --> 00:17:18,078 LET'S SAY, GENERALLY SPEAKING, 389 00:17:18,412 --> 00:17:22,291 WHAT KIND OF THINGS ARE THESEAGENTS REQUIRED TO MEMORIZE? 390 00:17:22,416 --> 00:17:26,420 - FACES, SOUNDS,IMAGES, INFORMATION. 391 00:17:26,545 --> 00:17:28,797 ANYTHING THAT MIGHT INDICATEA THREAT TO THE COUNTRY. 392 00:17:28,922 --> 00:17:33,761 IT'S BASED UPON A PROTOCOLTHAT THE AGENCY USEDBACK IN THE 1980s. 393 00:17:33,886 --> 00:17:35,429 - COULD SOMEONE BEGIVEN A SUGGESTION 394 00:17:35,512 --> 00:17:37,431 FOR A DIFFERENTKIND OF RESPONSE? 395 00:17:37,514 --> 00:17:41,935 - YOU'RE TALKING ABOUT THESHOOTING DEATH OF AGENT DEVLIN. 396 00:17:42,019 --> 00:17:43,187 AM I RIGHT? 397 00:17:43,270 --> 00:17:44,229 - YES, I AM. 398 00:17:44,313 --> 00:17:48,400 - YEAH, WELL, I SUPPOSETHAT'S FEASIBLE. 399 00:17:48,484 --> 00:17:50,778 BUT LET ME TELL YOU SOMETHING. 400 00:17:50,861 --> 00:17:53,655 I WOULD NEVER ALLOWANY OF MY SUBJECTS 401 00:17:53,781 --> 00:17:55,949 TO HARM ANYONE WITH A PROTOCOL. 402 00:17:56,075 --> 00:17:59,369 WHATEVER I DO IS FOR THE AGENCY. 403 00:17:59,453 --> 00:18:02,998 QUITE HONESTLY, I'M REALLYOFFENDED BY THE ACCUSATION. 404 00:18:03,123 --> 00:18:05,125 - GIVE US A MINUTE. 405 00:18:05,250 --> 00:18:07,503 - WE'LL BE RIGHT BACK. 406 00:18:09,129 --> 00:18:12,049 - [TELEPHONE RINGING] 407 00:18:14,093 --> 00:18:15,469 - HE'S LYING. 408 00:18:15,552 --> 00:18:16,553 HE'S GOT A TALE. 409 00:18:16,678 --> 00:18:19,306 HE TOUCHES HIS NOSE.HE IS DEFINITELY LYING. 410 00:18:19,389 --> 00:18:20,057 - THEN WE BETTER SHUTDOWN THE PROTOCOL. 411 00:18:20,140 --> 00:18:21,099 STOP EVERYTHING. 412 00:18:21,183 --> 00:18:21,975 - NOT YET. 413 00:18:22,059 --> 00:18:23,143 - IF HE'S RESPONSIBLE. 414 00:18:23,227 --> 00:18:24,978 - ENROLL ME. 415 00:18:25,062 --> 00:18:26,480 - NO, IT'S TOO DANGEROUS. 416 00:18:26,563 --> 00:18:28,774 - HE'S UP TO SOMETHING, FRANK,LET ME GET INSIDE. 417 00:18:28,857 --> 00:18:31,401 - CATHY, THIS GUY GETS INSIDEYOUR HEAD, HE COULD HURT YA. 418 00:18:31,485 --> 00:18:32,319 - HE'S NOT GOING TO DO THAT. 419 00:18:32,402 --> 00:18:33,987 I'M NOT GOING TO LET HIM. 420 00:18:34,113 --> 00:18:35,322 - I DON'T KNOW, FRANK. 421 00:18:35,405 --> 00:18:37,324 - CATCHING THIS GUY IN THE ACTMAY BE THE ONLY WAY 422 00:18:37,407 --> 00:18:40,035 TO PROVE WHAT HE'S UP TO. 423 00:18:41,787 --> 00:18:44,373 I CANNOT WAIT TO GETIN THERE WITH FOX. 424 00:18:44,498 --> 00:18:45,874 - SEE WHAT HE HAS TO SAY. 425 00:18:45,999 --> 00:18:47,000 - [PHONE RINGS] 426 00:18:47,125 --> 00:18:47,918 - OH, AHH. 427 00:18:48,001 --> 00:18:49,169 - MAKE IT QUICK.- HELLO. 428 00:18:49,294 --> 00:18:51,046 - HEY, NEED YOUR HELP. 429 00:18:51,171 --> 00:18:53,340 - ME, TOO. CAN YOUDO THE LAUNDRY? 430 00:18:53,423 --> 00:18:54,967 - SURE, IF YOU CAN TELL ME HOWTO WOW ROB RYAN. 431 00:18:55,050 --> 00:18:57,469 - OH, SO THE MEETING WENT WELL. 432 00:18:57,553 --> 00:18:59,930 - POTENTIALLY, BUT I NEEDSOMETHING BIG. 433 00:19:00,013 --> 00:19:02,474 THE ONLY PROBLEM IS WHAT DO YOUGET THE GUY WHO HAS EVERYTHING? 434 00:19:02,558 --> 00:19:04,143 - WELL, IS HE MARRIED? 435 00:19:04,226 --> 00:19:05,144 - YOU CAN'T MARRY HIM. 436 00:19:05,227 --> 00:19:06,228 - YEAH, I KNOW,I KNOW, I KNOW, 437 00:19:06,353 --> 00:19:09,731 BUT I CAN MAKE HIMA HOME-COOKED MEAL. 438 00:19:09,857 --> 00:19:12,484 - YOU'RE KIDDING. THAT'S KINDAOLD FASHIONED. ISN'T IT? 439 00:19:12,568 --> 00:19:16,196 - YEAH, BUT MAYBE THAT'SEXACTLY THE KIND OF THING 440 00:19:16,280 --> 00:19:17,614 A GUY LIKE ROB RYAN WOULD LIKE. 441 00:19:17,781 --> 00:19:21,201 YOU KNOW? TO MEETYOUR FAMILY AND SEE WHATA GREAT GUY YOU ARE. 442 00:19:21,326 --> 00:19:23,120 - YOU KNOW, YOU MIGHTBE ON TO SOMETHING. 443 00:19:23,203 --> 00:19:24,204 WHAT MADE YOU THINK OF IT? 444 00:19:24,288 --> 00:19:25,497 - LAURA SANDS. 445 00:19:25,622 --> 00:19:28,625 HER HUSBAND PHIL TOLD ME THATSHE'S COOKING A 7-COURSE MEAL 446 00:19:28,709 --> 00:19:31,753 FOR THE WHOLE WASHINGTON BUREAU. 447 00:19:31,879 --> 00:19:32,754 SHOW OFF. 448 00:19:33,046 --> 00:19:34,590 - DON'T TELL ME YOU'RE STILLCOMPETING WITH THAT WOMAN. 449 00:19:34,715 --> 00:19:38,343 - NO, BUT I CAN MAKEMY WORLD FAMOUS LASAGNA 450 00:19:38,427 --> 00:19:39,636 FOR MY HUSBAND'S NEWEST CLIENT. 451 00:19:39,720 --> 00:19:41,722 - SOUNDS GOOD.I'LL TAKE IT. 452 00:19:43,724 --> 00:19:45,475 - UH, I GOT TO GO HONEY, OK? 453 00:19:45,559 --> 00:19:48,103 I WANTED TO INTER--UGH. 454 00:19:48,228 --> 00:19:49,062 - [KNOCK ON DOOR] 455 00:19:49,188 --> 00:19:51,857 - NICK, ARE YOU IN THERE? 456 00:20:28,435 --> 00:20:32,731 - HI. HONEY, WHEREDID YOU FIND THIS? 457 00:20:32,814 --> 00:20:33,315 - UNDERNEATH HIS BED. 458 00:20:33,523 --> 00:20:34,107 - WHERE YOU SNOOPING? 459 00:20:34,191 --> 00:20:35,943 - OF COURSE NOT. 460 00:20:36,026 --> 00:20:37,319 I WAS LOOKING FOR A SOCK. 461 00:20:37,444 --> 00:20:38,445 - HONEY, SNOOPING IS FINE, 462 00:20:38,570 --> 00:20:41,156 ESPECIALLY WHEN YOU FINDSOMETHING LIKE THIS. 463 00:20:41,281 --> 00:20:42,991 AHH. 464 00:20:43,116 --> 00:20:44,493 - YOU THINK HE'S INTO DRUGS? 465 00:20:44,618 --> 00:20:47,663 - NICK? NO, NO, HE'S PROBABLY,I DON'T KNOW, 466 00:20:47,788 --> 00:20:50,207 HELPING SOME KIDSWITH THEIR HOMEWORK OR... 467 00:20:50,290 --> 00:20:52,584 - THIS MUCH MONEY? IT'S GOTTO BE SOMETHING ILLEGAL. 468 00:20:52,668 --> 00:20:55,879 I MEAN, HOW ELSE WOULDA 13-YEAR-OLD BOY BE ABLETO COME UP WITH $1,200? 469 00:20:55,963 --> 00:21:00,259 - WE HAVE TO TALK TO HIM. 470 00:21:00,342 --> 00:21:01,802 - [KNOCK ON DOOR] 471 00:21:01,927 --> 00:21:03,387 - STUDYING. 472 00:21:03,470 --> 00:21:04,805 - HEY, NICK. 473 00:21:04,930 --> 00:21:06,807 - HEY, MOM. 474 00:21:06,890 --> 00:21:08,475 I HAVE A GEOMETRY TEST TOMORROW. 475 00:21:08,600 --> 00:21:11,895 - RIGHT. UH, THIS WILLONLY TAKE A MINUTE. 476 00:21:13,313 --> 00:21:16,650 - WE WERE WONDERING ABOUT THIS? 477 00:21:16,733 --> 00:21:18,610 - OH, RIGHT. 478 00:21:18,694 --> 00:21:19,319 THAT'S MINE. 479 00:21:19,486 --> 00:21:20,320 - WELL, YOUR FATHER WAS WRONG 480 00:21:20,529 --> 00:21:22,572 TO GO THROUGHYOUR PERSONNEL THINGS. 481 00:21:22,656 --> 00:21:23,740 - RIGHT. 482 00:21:24,074 --> 00:21:25,534 - BUT WE DO HAVE A RIGHT TO KNOWHOW YOU CAME UPON SO MUCH MONEY. 483 00:21:25,659 --> 00:21:28,704 - E-BAY. I SOLD SOMEOF MY OLD COMIC BOOKS. 484 00:21:28,829 --> 00:21:32,416 - OLD COMIC BOOKS ARE WORTHA THOUSAND BUCKS? 485 00:21:32,499 --> 00:21:34,209 - ACTUALLY A FEW 1,000. 486 00:21:34,334 --> 00:21:36,295 I HAVE MORE THAN JUST ONE SPOT. 487 00:21:36,378 --> 00:21:37,212 - EXCUSE ME? 488 00:21:37,337 --> 00:21:39,464 - I HAD A COUPLEOF FIRST EDITIONS, 489 00:21:39,548 --> 00:21:41,717 PLUS I FOUND SOME SUCKERSWHO WERE WILLING TO OVER PAY. 490 00:21:41,842 --> 00:21:45,971 - YEAH, AND WHATWERE YOU PLANNING TO DOWITH ALL THIS MONEY? 491 00:21:46,054 --> 00:21:48,682 - I'M SAVING UP FOR A CAR. 492 00:21:48,807 --> 00:21:49,683 A NICE ONE, YOU KNOW, 493 00:21:49,933 --> 00:21:52,019 SO I CAN HAVE IT WHENI LEARN HOW TO DRIVE. 494 00:21:52,144 --> 00:21:53,854 - IN 3 YEARS.- RIGHT. 495 00:21:53,979 --> 00:21:56,189 - WELL, GOOD FOR YOU. 496 00:21:56,315 --> 00:21:59,192 - WELL, HONEY, FIND A BETTERHIDING PLACE, ALL RIGHT? 497 00:21:59,317 --> 00:22:01,194 AND I HOPE YOU READ THIS BEFOREYOU CUT IT UP. 498 00:22:01,278 --> 00:22:02,112 - OK. 499 00:22:06,033 --> 00:22:09,036 - I DON'T BUY IT. 500 00:22:09,119 --> 00:22:11,329 WHY WAS THERE SO MUCH CASH? 501 00:22:11,413 --> 00:22:14,708 YOU SELL THINGS ON THE INTERNET,YOU USE CHECKS OR CREDIT CARDS. 502 00:22:14,833 --> 00:22:18,712 AND WHY WERE THE BILLSIN SUCH SMALL DENOMINATIONS? 503 00:22:18,837 --> 00:22:20,881 AND IF HE WAS GOINGTO SELL HIS COMIC BOOKS, 504 00:22:20,964 --> 00:22:21,965 HE WOULD HAVE TOLD US. 505 00:22:22,049 --> 00:22:23,383 AND HE WOULDN'THAVE KEPT IT SECRET 506 00:22:23,467 --> 00:22:24,634 AND HID THE MONEY UNDER HIS BED. 507 00:22:24,718 --> 00:22:25,510 - HE LIED TO US. 508 00:22:25,594 --> 00:22:27,137 - HE'S AN EXCELLENT BLUFFER. 509 00:22:27,220 --> 00:22:30,390 CALM, COOL, COLLECTED, NO TALES. 510 00:22:30,515 --> 00:22:32,225 HE GETS IT FROM MY SIDEOF THE FAMILY, I THINK. 511 00:22:32,309 --> 00:22:33,393 - ALL RIGHT. 512 00:22:33,477 --> 00:22:34,728 LET'S CONFRONT HIM. 513 00:22:34,853 --> 00:22:35,687 READ HIM THE RIOT ACT. 514 00:22:35,937 --> 00:22:38,023 - NO, NO, NO, THEN HE'LL JUSTSHUT US OUT. 515 00:22:38,106 --> 00:22:39,524 - SO, WHAT DO YOU WANT TO DO? 516 00:22:39,608 --> 00:22:42,569 - LET'S TRY TO FIGURE OUTWHAT HE'S UP TO. 517 00:22:42,903 --> 00:22:45,781 - WHEN DOES HE FLY OUT? 518 00:22:45,906 --> 00:22:47,032 - I THINK IT'S 2:00. 519 00:22:47,115 --> 00:22:48,283 - HEY, BARB.- HEY. 520 00:22:48,408 --> 00:22:50,118 - HOW'S IT GOING?- GOOD. 521 00:23:04,925 --> 00:23:08,011 - [BEEPING] 522 00:23:14,935 --> 00:23:16,728 - [SINGING] 523 00:23:21,733 --> 00:23:22,818 - UH, DR. FOX? 524 00:23:22,943 --> 00:23:24,611 - WHOA. I'M SORRY. 525 00:23:24,694 --> 00:23:25,779 - HI. 526 00:23:25,904 --> 00:23:27,531 - CAUGHT ME. 527 00:23:27,614 --> 00:23:29,950 YOU MUST BE AGENT JANE DOE. 528 00:23:30,075 --> 00:23:31,910 - YES, YES, I AM. 529 00:23:31,993 --> 00:23:33,036 - OH, HI, NICE TO MEET YOU. 530 00:23:33,120 --> 00:23:34,538 - HERE YOU MIGHT LIKE THOSE.- THANK YOU. 531 00:23:34,621 --> 00:23:36,331 - UH, THAT'S A VERY UNIQUE NAME. 532 00:23:36,456 --> 00:23:38,625 - YEAH, MY BROTHER'S NAMEWAS JOHN. 533 00:23:38,708 --> 00:23:40,794 - OK. 534 00:23:40,877 --> 00:23:43,004 OK, GOOD, FINE, NICE. 535 00:23:43,130 --> 00:23:44,297 WELL, I'M GLAD YOU CAME IN. 536 00:23:44,381 --> 00:23:46,466 ARE YOU, READY--READY TO START? 537 00:23:46,591 --> 00:23:49,636 - YEAH, I REALLY APPRECIATE YOUMAKING TIME FOR ME. 538 00:23:49,761 --> 00:23:50,637 - NOT AT ALL. 539 00:23:50,929 --> 00:23:52,973 MY DATA MINING PROTOCOLIS A VERY USEFUL TOOL 540 00:23:53,098 --> 00:23:54,933 FOR C.S.A. AGENTS. 541 00:23:55,016 --> 00:23:59,104 AND MY ONLY REGRET IS THAT IT'SNOT AVAILABLE TO ALL THE AGENTS. 542 00:23:59,187 --> 00:24:01,273 - WELL, I AM HERE TO LEARN. 543 00:24:01,356 --> 00:24:02,774 - AND I'M HERE TO TEACH. 544 00:24:02,858 --> 00:24:03,608 GOOD, GOOD. 545 00:24:03,859 --> 00:24:04,609 I HAVE A SEAT FOR YOURIGHT OVER THERE. 546 00:24:04,860 --> 00:24:05,902 DO YOU WANT SOME MORE OF THESE? 547 00:24:05,986 --> 00:24:06,903 - NO. 548 00:24:06,987 --> 00:24:08,155 - BECAUSE THERE'SNO MORE OVER THERE. 549 00:24:08,280 --> 00:24:09,406 I HAVE SET UP FOR YOU--I'LL HELP YOU RIGHT HERE. 550 00:24:09,489 --> 00:24:10,657 READY AND--AAH, GOOD. 551 00:24:10,824 --> 00:24:15,662 THE MOST IMPORTANT THINGFOR YOU TO DO IN THIS EXERCISE 552 00:24:15,745 --> 00:24:19,541 IS TO JUST RELAXYOUR SUBCONSCIOUS MIND. 553 00:24:19,666 --> 00:24:24,212 JUST RELAX YOUR MIND, SO THATYOU CAN KEEP IT OPEN. 554 00:24:24,337 --> 00:24:30,343 AND YOU CAN ALLOW THE TECHNOLOGYTO COME IN TO YOUR... 555 00:24:30,469 --> 00:24:31,386 - SUBCONSCIOUS. 556 00:24:31,511 --> 00:24:32,387 - SUBCONSCIOUS. GOOD, GOOD. 557 00:24:32,512 --> 00:24:33,722 MAY I ASK YOU A QUESTION? 558 00:24:33,847 --> 00:24:38,018 WHAT IS THE KIND OF MUSICTHAT YOU LIKE TO LISTEN TO? 559 00:24:38,101 --> 00:24:39,352 - I LIKE CLASSIC ROCK. 560 00:24:39,478 --> 00:24:40,562 - WHATEVER COMES INTO YOUR MIND. 561 00:24:40,687 --> 00:24:43,773 WHATEVER MEMORIES ITBRINGS UP YOU JUST... 562 00:24:43,857 --> 00:24:46,193 WHEW. GO ALONG WITH IT. 563 00:24:46,318 --> 00:24:47,152 - OK. 564 00:24:47,235 --> 00:24:48,528 - JUST OPEN UPYOUR SUBCONSCIOUS. 565 00:24:48,653 --> 00:24:49,237 LISTEN TO THE SOUND OF MY VOICE. 566 00:24:49,362 --> 00:24:50,989 - WHEW. 567 00:24:51,072 --> 00:24:51,948 - AND RELAX. 568 00:24:52,032 --> 00:24:55,076 - OK.- RELAX. OK, ARE YOU READY? 569 00:24:55,202 --> 00:24:56,244 - MM-HMM. 570 00:24:56,369 --> 00:25:00,290 - AHH, OK, I'M GOING TO SHOWYOU A SERIES OF IMAGES. 571 00:25:00,373 --> 00:25:01,583 AND THE THING IS, 572 00:25:01,708 --> 00:25:04,586 I DON'T WANT YOU TOFOCUS IN ON ANY IMAGE. 573 00:25:04,711 --> 00:25:10,342 JUST RELAX AND OPENYOUR SUBCONSCIOUS MIND. 574 00:25:14,054 --> 00:25:19,017 YOU LISTEN TO THESOUND OF MY VOICE. 575 00:25:19,893 --> 00:25:22,229 ♪ THE PARTY'S OVER 576 00:25:22,312 --> 00:25:24,189 ♪ AND THE FREAKSHAVE ALL GONE HOME ♪ 577 00:25:24,272 --> 00:25:25,941 - YOU'RE A VERY GOODSUBJECT, AGENT DOE. 578 00:25:26,066 --> 00:25:27,943 ♪ THE BILLS LEFTON THE TABLE ♪ 579 00:25:28,068 --> 00:25:33,323 ♪ WON'T LEAVE YOU ALONE 580 00:25:33,406 --> 00:25:36,326 ♪ THE JOURNEY'S ENDED 581 00:25:36,409 --> 00:25:39,162 ♪ TIME TO YOU RETURN 582 00:25:39,246 --> 00:25:46,127 ♪ BUT THE IMAGES REMAINLIKE MATCHES THAT WON'T BURN ♪ 583 00:25:57,931 --> 00:25:58,932 - HEY, DAD? 584 00:25:59,057 --> 00:26:00,016 MAY I BE EXCUSED? 585 00:26:00,100 --> 00:26:01,142 - WHAT'S THE MATTER? 586 00:26:01,268 --> 00:26:02,185 YOU IN A RUSH? 587 00:26:02,269 --> 00:26:03,395 - HISTORY EXAM. 588 00:26:03,520 --> 00:26:05,146 I WAS GOING TO GO OVERTO A FRIEND'S HOUSE TO STUDY. 589 00:26:05,272 --> 00:26:07,065 - WELL, I GUESS THAT SOUNDS OK. 590 00:26:09,943 --> 00:26:11,194 HEY, NICK. 591 00:26:11,278 --> 00:26:13,738 YOU FORGETTING SOMETHING? 592 00:26:14,030 --> 00:26:16,825 NO, THAT'S ALL RIGHT.I'LL GET IT. 593 00:26:16,950 --> 00:26:18,285 BUT I WAS TALKINGABOUT YOUR BOOKS 594 00:26:18,368 --> 00:26:19,661 SO THAT YOU CAN STUDYFOR YOUR BIG EXAM. 595 00:26:19,786 --> 00:26:21,621 - OH, THANKS, DAD, BUTI LEFT THEM AT JIM'S HOUSE 596 00:26:21,746 --> 00:26:24,874 SINCE I KNEW I WAS GOINGOVER THERE ANYWAYS TO STUDY. 597 00:26:24,958 --> 00:26:27,669 - DOES THIS JIMHAVE A LAST NAME? 598 00:26:27,794 --> 00:26:28,503 - CONNER. 599 00:26:28,628 --> 00:26:30,005 WHAT'S WITH THE THIRD DEGREE? 600 00:26:30,130 --> 00:26:31,256 - NOTHING. 601 00:26:31,339 --> 00:26:31,965 JUST DON'T STAY OUT TOO LATE. 602 00:26:32,048 --> 00:26:34,634 - ALL RIGHT. 603 00:26:34,759 --> 00:26:35,093 - MOM IS RIGHT. 604 00:26:35,260 --> 00:26:37,637 HE IS GOOD. 605 00:26:37,762 --> 00:26:38,388 - WHATEVER, DAD. 606 00:27:49,834 --> 00:27:51,127 - YOU'RE ON A ROLL. 607 00:27:51,211 --> 00:27:52,754 - YEP. 608 00:27:56,841 --> 00:27:57,217 - YOU'RE BLUFFING. 609 00:27:57,384 --> 00:27:59,219 - OK, HIT ME. 610 00:27:59,344 --> 00:28:00,387 - HE'S THE BEST. 611 00:28:00,512 --> 00:28:01,721 - HURRY UP, DUDE. 612 00:28:01,805 --> 00:28:03,348 - STRAIGHT. 613 00:28:03,431 --> 00:28:04,808 - WHAT ARE YOU WAITING FOR? 614 00:28:04,891 --> 00:28:07,352 - THREE OF A KIND. 615 00:28:08,353 --> 00:28:09,979 - HIT ME. 616 00:28:12,982 --> 00:28:13,900 - POKER? 617 00:28:13,983 --> 00:28:14,567 - YEAH, I KNOW. 618 00:28:14,692 --> 00:28:15,944 I'M IN SHOCK, TOO. 619 00:28:16,069 --> 00:28:18,238 - AND THEY WEREPLAYING FOR MONEY? 620 00:28:18,321 --> 00:28:19,406 - YEAH, A LOT OF MONEY. 621 00:28:19,572 --> 00:28:21,616 AND YOU KNOW WHAT THE KICKERIS, I MEAN, NICK IS GOOD. 622 00:28:21,741 --> 00:28:22,492 I MEAN, REALLY GOOD. 623 00:28:22,575 --> 00:28:23,827 - OF COURSE HE'S GOOD, HONEY. 624 00:28:23,910 --> 00:28:26,496 - WELL, I DIDN'T KNOW WHETHERTO BE PROUD OR FURIOUS. 625 00:28:26,579 --> 00:28:28,248 - WELL, WE CAN'TJUST LET THIS SLIDE. 626 00:28:28,373 --> 00:28:29,541 - [PHONE RINGS] 627 00:28:29,666 --> 00:28:32,001 - I MEAN, AT THE VERY LEASTWE HAVE TO, UM, I'M SORRY. 628 00:28:32,085 --> 00:28:34,045 HELLO? 629 00:28:39,759 --> 00:28:41,010 - WHO WAS THAT? 630 00:28:41,094 --> 00:28:43,012 - I HAVE TO GO. 631 00:28:43,096 --> 00:28:45,306 - WHERE?YOU JUST GOT HOME. 632 00:28:45,432 --> 00:28:46,224 - TO WORK. 633 00:28:46,307 --> 00:28:47,892 - KATHY, WE'VE GOTAN ISSUE HERE. 634 00:28:47,976 --> 00:28:49,102 - I HAVE TO GO. 635 00:28:49,185 --> 00:28:52,814 - WHAT ABOUT NICK?AND WHEN ARE YOU COMING HOME? 636 00:28:52,939 --> 00:28:54,107 KATHY? 637 00:30:15,146 --> 00:30:17,857 - KATHY? 638 00:30:17,982 --> 00:30:19,192 HEY. 639 00:30:19,317 --> 00:30:21,444 - [BEEPING NOISE] 640 00:30:21,528 --> 00:30:24,864 - HEY, WHAT ARE YOU DOING? 641 00:30:27,450 --> 00:30:27,909 - MY CELL PHONE. 642 00:30:28,034 --> 00:30:30,954 - OHH. 643 00:30:33,998 --> 00:30:36,751 - KATHY, WHERE ARE YOU? 644 00:30:36,876 --> 00:30:38,211 - I CAN'T TALK RIGHT NOW. 645 00:30:38,336 --> 00:30:40,964 - AHH. 646 00:30:43,508 --> 00:30:45,426 - [MUSIC PLAYING] 647 00:30:50,431 --> 00:30:54,435 ♪ YEAH, FRANKIE AND JOHNNYWERE LOVERS ♪ 648 00:30:54,561 --> 00:30:57,564 ♪ OH, MY GOD,HOW THEY DID LOVE ♪ 649 00:30:57,647 --> 00:31:00,900 ♪ THEY SWORE TO BETRUE TO EACH OTHER ♪ 650 00:31:01,025 --> 00:31:03,778 ♪ TRUE AS THE STARS ABOVE 651 00:31:03,903 --> 00:31:08,575 ♪ HE WAS HER MAN ANDHE DONE HER WRONG ♪ 652 00:31:08,700 --> 00:31:11,077 ♪ NOW, SING ALONGIF YOU KNOW IT ♪ 653 00:31:11,160 --> 00:31:14,914 ♪ FRANKIE, SHE WASA GOOD WOMAN ♪ 654 00:31:15,039 --> 00:31:18,084 - SHOW'S OVER, FOLKS. 655 00:31:19,586 --> 00:31:23,631 - WHAT IN THE HELLIS GOING ON HERE? 656 00:31:25,258 --> 00:31:26,884 - I HAVE NO IDEA. 657 00:31:26,968 --> 00:31:29,929 BUT IT ISN'T PRETTY. 658 00:31:35,101 --> 00:31:38,438 - I-I DIDN'T HURT ANYONE. 659 00:31:38,563 --> 00:31:39,731 - YOU ABUSED YOUR POWER. 660 00:31:39,897 --> 00:31:43,651 YOU GAVE AGENTS TRIGGER WORDSSO THEY WOULD OBEY YOU. 661 00:31:43,776 --> 00:31:47,947 - I-I MERELY INSTRUCTED THEMTO COME TO THIS LOCATION 662 00:31:48,031 --> 00:31:49,949 SO THEY WOULD HAVE A GOOD TIME. 663 00:31:50,074 --> 00:31:52,869 BUT USE A PROTOCOLTO HARM SOMEONE? 664 00:31:52,952 --> 00:31:55,163 NO. NO. 665 00:32:00,960 --> 00:32:01,961 NEVER. 666 00:32:02,170 --> 00:32:05,757 YOU KNOW, THERE'S ONE THINGI JUST DON'T UNDERSTAND. 667 00:32:05,840 --> 00:32:08,092 YOU SEE, I THOUGHT THE PROTOCOLWORKED ON EVERYONE. 668 00:32:08,176 --> 00:32:10,845 HOW--IT DIDN'T--IT DIDN'TWORK ON YOU. 669 00:32:10,970 --> 00:32:11,638 HOW DID YOU DO THAT? 670 00:32:11,804 --> 00:32:13,973 - UM, NO, I'M SORRY,DR. FOX. 671 00:32:14,098 --> 00:32:17,560 - WHAT WERE YOU, A PLANT? 672 00:32:17,644 --> 00:32:22,023 YOU--YOU DIDN'T SUCCUMBTO THE PROTOCOL, HUH? 673 00:32:22,148 --> 00:32:22,982 - I THOUGHTABOUT SOMETHING ELSE. 674 00:32:23,107 --> 00:32:24,984 I DIDN'T LET MY GUARD DOWN. 675 00:32:25,068 --> 00:32:26,694 YOU KNOW AS WELL AS I DO, 676 00:32:26,819 --> 00:32:29,072 ONLY A PASSIVE MINDIS OPEN TO SUGGESTION. 677 00:32:29,155 --> 00:32:32,116 - YOU FOOLED ME. 678 00:32:34,661 --> 00:32:39,457 YOU KNOW, I'M A--I'M A LONELY MAN. 679 00:32:40,792 --> 00:32:45,171 I USE PROTOCOLS TO GET PEOPLETO SPEND TIME WITH ME. 680 00:32:47,006 --> 00:32:49,175 - WHAT DO YOU THINK? 681 00:32:49,258 --> 00:32:51,469 - I BELIEVE HIM. 682 00:32:52,345 --> 00:32:54,055 - I'M NOT SO SURE. 683 00:32:54,180 --> 00:32:55,306 HE DOES RUN THE PROGRAM THOUGH. 684 00:32:55,431 --> 00:32:56,683 - YEAH, BUT IF YOU WEREGOING TO USE THE PROTOCOL 685 00:32:56,849 --> 00:32:59,227 TO HAVE SOMEONE KILLED,WOULD YOU THEN TURN AROUND 686 00:32:59,352 --> 00:33:02,397 AND USE THE SAME M.O.TO THROW YOURSELFA KARAOKE PARTY? 687 00:33:02,522 --> 00:33:04,232 - NO, NO, YOU WOULDN'T. 688 00:33:04,357 --> 00:33:06,109 - I'M HEADING OUT. 689 00:33:06,192 --> 00:33:07,777 WATCH YOUR BACK, BOSS. 690 00:33:10,321 --> 00:33:12,782 - [DOG BARKS] 691 00:33:14,867 --> 00:33:15,868 - KARAOKE? 692 00:33:16,160 --> 00:33:20,456 - YEP, THAT WAS THE BIG SECRETDR. FOX WAS COVERING UP. 693 00:33:20,540 --> 00:33:23,209 HE WAS USINGPOST-HYPNOTIC SUGGESTION 694 00:33:23,292 --> 00:33:27,046 TO GET AN AUDIENCE FORHIS HORRIBLE OPERA KARAOKE. 695 00:33:27,171 --> 00:33:29,716 - YOU'RE KIDDING, RIGHT? 696 00:33:29,799 --> 00:33:30,925 - NO. 697 00:33:31,050 --> 00:33:32,218 I WISH I WAS. 698 00:33:32,343 --> 00:33:35,638 YOU KNOW HE WAS OUR MAIN SUSPECTIN THE DEVLIN MURDER. 699 00:33:35,722 --> 00:33:38,850 IN FACT, HE WASOUR ONLY SUSPECT. 700 00:33:38,933 --> 00:33:40,309 AHH. 701 00:33:40,393 --> 00:33:42,228 HEY, HAVE YOU TALKEDTO OUR LITTLE GAMBLER YET? 702 00:33:42,353 --> 00:33:45,565 - WELL, ACTUALLY,I WAS WAITING FOR YOU. 703 00:33:45,690 --> 00:33:49,110 - HMM, LET'S GO TALK TO HIM. 704 00:33:50,987 --> 00:33:54,157 - SO, DO YOU WANT TO TELL USWHERE YOU WERE LAST NIGHT? 705 00:33:54,240 --> 00:33:55,575 - UM, NO. 706 00:33:55,700 --> 00:33:56,242 - WE KNOW ABOUTTHE GAMBLING, NICK. 707 00:33:56,367 --> 00:33:57,910 - HOW? 708 00:33:58,036 --> 00:33:58,995 - BECAUSE I FOLLOWED YOU. 709 00:33:59,078 --> 00:34:00,163 I SAW THE WHOLE OPERATION. 710 00:34:00,246 --> 00:34:01,748 - GREAT.SO, NOW YOU'RE SPYING ON ME? 711 00:34:01,873 --> 00:34:04,250 LOOKING THROUGHMY STUFF WASN'T ENOUGH? 712 00:34:04,375 --> 00:34:05,084 - LET'S GET ONE THING STRAIGHT. 713 00:34:05,209 --> 00:34:06,544 IF YOU'RE NOT TRUTHFUL, 714 00:34:06,627 --> 00:34:09,464 YOUR PERSONAL PRIVACY ENDSAT THE FRONT DOOR. 715 00:34:09,589 --> 00:34:11,132 - IS THAT WHEREYOU GOT THE MONEY? 716 00:34:11,257 --> 00:34:12,091 - YEAH. 717 00:34:12,175 --> 00:34:13,259 - WELL, YOU GOTTA GIVE IT BACK. 718 00:34:13,384 --> 00:34:14,177 - WHY? 719 00:34:14,260 --> 00:34:16,137 - BECAUSE GAMBLING IS ILLEGAL. 720 00:34:16,262 --> 00:34:17,805 - BUT KIDS ARE DOING ITALL OVER THE PLACE. 721 00:34:17,930 --> 00:34:20,266 VINCE DELVECIA WAS THE BIGWINNER THE OTHER NIGHT. 722 00:34:20,391 --> 00:34:22,143 - SHERIFF DELVECIA'S SON? 723 00:34:22,268 --> 00:34:24,937 - YEAH, BESIDES I WONTHE MONEY FAIR AND SQUARE. 724 00:34:25,063 --> 00:34:26,731 - YOU'RE GIVING THAT MONEY BACK. 725 00:34:26,814 --> 00:34:29,567 - WHAT IF I TOLD YOUGUYS THAT I'M DONE. 726 00:34:29,650 --> 00:34:31,819 LAST NIGHT WAS THE LAST TIMEI PLAY POKER. 727 00:34:31,944 --> 00:34:33,070 I'VE WON ENOUGH. 728 00:34:33,154 --> 00:34:34,322 - FOR A CAR? 729 00:34:34,447 --> 00:34:38,159 - NO, I'M GOING TO USE THE MONEYFOR SOMETHING ELSE. 730 00:34:38,284 --> 00:34:39,160 SOMETHING NOBLE. 731 00:34:39,285 --> 00:34:40,369 - SOMETHING NOBLE. 732 00:34:40,453 --> 00:34:41,454 LIKE WHAT? 733 00:34:41,537 --> 00:34:42,622 - I CAN'T TELL YOU. 734 00:34:42,747 --> 00:34:45,833 BUT I SWEAR, I'M DOINGTHE RIGHT THING. 735 00:34:45,958 --> 00:34:46,751 YOU GUYS WILL BE PROUD OF ME. 736 00:34:46,959 --> 00:34:50,421 - ALL RIGHT, YOU CANKEEP THE MONEY. 737 00:34:50,505 --> 00:34:51,547 IT'S TIME FOR SCHOOL. 738 00:34:51,631 --> 00:34:53,591 WE'LL TALK ABOUT THIS LATER. 739 00:34:58,137 --> 00:34:58,971 - [DOORBELL RINGS] 740 00:34:59,097 --> 00:35:01,974 - I'LL GET IT. 741 00:35:04,936 --> 00:35:07,313 - HELLO. IS YOUR MOTHER HOME? 742 00:35:07,438 --> 00:35:09,315 - MAYBE. ARE THOSE FOR US? 743 00:35:09,398 --> 00:35:11,609 - LAURA, WHAT AREYOU DOING HERE? 744 00:35:11,692 --> 00:35:14,112 - KATHY, I BROUGHTYOU SOME MUFFINS. 745 00:35:14,195 --> 00:35:16,405 I THOUGHT MAYBE YOU AND YOURFAMILY MIGHT ENJOY THEM. 746 00:35:16,489 --> 00:35:19,158 - HEY, MOM, LOOK. REAL FOOD. 747 00:35:19,283 --> 00:35:20,701 THANKS, LADY. 748 00:35:20,827 --> 00:35:21,994 - LAURA, RIGHT? 749 00:35:22,078 --> 00:35:23,162 - HELLO, JACK. 750 00:35:23,246 --> 00:35:25,456 - HI. ARE THOSE MUFFINS FOR US? 751 00:35:25,540 --> 00:35:26,415 - OH, HELP YOURSELF. 752 00:35:26,499 --> 00:35:28,584 - OH, THANKS.- BYE, HONEY. 753 00:35:28,668 --> 00:35:29,836 - BYE. 754 00:35:29,919 --> 00:35:30,795 - MMM, THEY LOOK GREAT. 755 00:35:30,878 --> 00:35:31,838 - THANKS.- OH. 756 00:35:31,963 --> 00:35:33,673 - BYE, MOM. 757 00:35:33,756 --> 00:35:34,799 - 2? 758 00:35:34,882 --> 00:35:36,092 - THAT'S MY DAUGHTER SUSAN. 759 00:35:36,175 --> 00:35:39,345 - YES, WELL, THEY'RECERTAINLY A HUNGRY BUNCH. 760 00:35:39,428 --> 00:35:41,097 DON'T YOU EVER FEED THEM? 761 00:35:41,180 --> 00:35:42,139 - WHENEVER I CAN. 762 00:35:47,895 --> 00:35:51,357 - I CAN'T BELIEVE HOWMANY YEARS HAVE FLOWN BY. 763 00:35:51,440 --> 00:35:53,651 WHEN WAS THE LAST TIME WE SATDOWN AND HAD A CHAT? 764 00:35:53,734 --> 00:35:56,487 - WELL, I DON'T THINKWE EVER HAVE. 765 00:35:56,571 --> 00:35:59,615 - WE WERE SO COMPETITIVE BACKTHEN, WEREN'T WE? 766 00:35:59,699 --> 00:36:03,703 - WELL, NOT--I DON'T THINK SO. 767 00:36:03,828 --> 00:36:04,871 - THE CREAM? 768 00:36:04,996 --> 00:36:07,540 - YES, MILK. HERE, SORRY. 769 00:36:07,665 --> 00:36:09,834 HERE YOU GO. 770 00:36:10,585 --> 00:36:13,629 - WE SHOULD HAVE WORKED TOGETHERAS A TEAM, KATHY. 771 00:36:13,713 --> 00:36:17,258 WE COULD HAVE MADE SUCH IN-ROADSFOR WOMEN IN THE C.S.A. 772 00:36:17,383 --> 00:36:20,303 - WELL, I'M PRETTY HAPPY WITHTHE WAY THINGS TURNED OUT. 773 00:36:20,386 --> 00:36:21,804 - OF COURSE YOU ARE. 774 00:36:22,013 --> 00:36:27,310 YOU KNOW THAT PHILIS BEING BLAMED FOR ROYBAXTER'S HORRIFIC CRIME 775 00:36:27,393 --> 00:36:30,146 JUST BECAUSE THEY ARE BOTH FROMTHE SAN DIEGO OFFICE. 776 00:36:30,229 --> 00:36:33,149 - YES, I HEARD ABOUT THEINTERNAL AFFAIRS REPORT. 777 00:36:33,232 --> 00:36:34,942 - IT'S RIDICULOUS. 778 00:36:35,067 --> 00:36:35,902 - I KNOW. 779 00:36:36,027 --> 00:36:37,153 - I MEAN, MY HUSBANDWOULD NEVER. 780 00:36:37,320 --> 00:36:40,448 I MEAN, HE'S THE MOST DEDICATEDMAN C.S.A. HAS. 781 00:36:40,573 --> 00:36:42,742 HE'S SPENT ENTIRE LIFE WITH... 782 00:36:42,825 --> 00:36:45,244 - UH, YOU DON'T HAVETO CONVINCE ME, LAURA. 783 00:36:45,369 --> 00:36:49,498 - GOOD BECAUSE I WAS HOPING THATYOU WOULD TALK TO MITCH EVANS. 784 00:36:49,582 --> 00:36:53,753 HE AND THE INTERNALAFFAIRS DEPARTMENT AREGOING AFTER PHIL AND... 785 00:36:53,878 --> 00:36:57,256 - WELL, FRANK AND I WILL DOWHATEVER WE CAN. 786 00:36:57,381 --> 00:36:59,133 BUT I HAVE TO BELIEVETHE WASHINGTON BUREAU 787 00:36:59,258 --> 00:37:02,845 WILL SEE THE I.A. REPORTSFOR WHAT IT IS, POLITICS. 788 00:37:02,929 --> 00:37:05,014 - OH, GOOD. 789 00:37:05,097 --> 00:37:07,725 THANK YOU. 790 00:37:09,268 --> 00:37:11,103 - SO WHAT DO WE GOT, FRANK? 791 00:37:11,187 --> 00:37:12,271 - DR. FOX DOESN'T KNOW ANYTHING, 792 00:37:12,396 --> 00:37:14,273 WHICH MEANS KATHY LED USON A WILD GOOSE CHASE. 793 00:37:14,398 --> 00:37:16,275 THE BAXTER KIDIS STILL LOCKED UP 794 00:37:16,359 --> 00:37:18,110 AND EVANS IS HAVING A FIELD DAYAT OUR EXPENSE. 795 00:37:18,194 --> 00:37:20,154 - OH, DR. FOX MIGHTBE A DEAD END, 796 00:37:20,279 --> 00:37:22,865 BUT THERE'S SOMETHING BEHINDTHIS DATA MINER PROTOCOL. 797 00:37:22,949 --> 00:37:24,116 - MAYBE KATHY WAS JUST WRONG. 798 00:37:24,242 --> 00:37:25,910 - YOU KNOW, I'M GOINGTO HAVE TO AGREE WITH PHIL. 799 00:37:25,993 --> 00:37:26,953 MAYBE ALANA DEVLIN'S DEATH 800 00:37:27,078 --> 00:37:28,663 WASN'T ABOUTSOME BIG CONSPIRACY. 801 00:37:28,788 --> 00:37:32,041 MAYBE SHE WAS JUST IN THE WRONGPLACE AT THE WRONG TIME. 802 00:37:32,124 --> 00:37:33,376 - DOUG, IT DOESN'TMAKE ANY SENSE. 803 00:37:33,459 --> 00:37:35,920 WE GOTTA FIND AN EXPLANATION. 804 00:37:38,297 --> 00:37:39,215 - OK, FRANK. 805 00:37:39,298 --> 00:37:41,384 - BUT I'M HEADING OUTTO THE AIRPORT 806 00:37:41,467 --> 00:37:44,470 TO CATCH THE NEXT FLIGHT BACKTO SAN FRANCISCO. 807 00:37:45,137 --> 00:37:46,597 - THAT'S PRETTY QUICK. 808 00:37:46,681 --> 00:37:48,724 - AH, I GOTTA SEE THIS DOCTOR. 809 00:37:48,808 --> 00:37:49,767 - NOTHING SERIOUS? 810 00:37:49,850 --> 00:37:50,476 - NAH, NAH. 811 00:37:50,643 --> 00:37:51,560 STRESS HEADACHES. WEIRD ONES. 812 00:37:51,686 --> 00:37:54,522 THE WIFE THINKSI'M WORKING TO HARD. 813 00:37:54,647 --> 00:37:55,982 - AND SHE'S PROBABLY RIGHT. 814 00:37:56,107 --> 00:37:56,983 TAKE CARE OF YOURSELF. 815 00:37:57,066 --> 00:37:59,485 - YOU, TOO. 816 00:37:59,610 --> 00:38:01,112 HEY, GOOD LUCK WITH EVERYTHING. 817 00:38:02,947 --> 00:38:04,115 - TAKE COVER INSIDE! 818 00:38:12,790 --> 00:38:16,544 FRANK, I SAID GOOD LUCKWITH EVERYTHING. 819 00:38:21,507 --> 00:38:23,676 - YEAH, YEAH, WE'LL TALK SOON. 820 00:38:23,759 --> 00:38:24,844 YOU BE SAFE. 821 00:38:24,927 --> 00:38:26,762 - TAKE CARE, BUDDY. 822 00:38:26,846 --> 00:38:28,055 - OK. 823 00:38:28,180 --> 00:38:29,098 - SEE YA, PHILLIP. 824 00:38:29,181 --> 00:38:31,684 - NEXT TIME. 825 00:38:44,071 --> 00:38:46,115 - AGENT ENNIS. 826 00:38:46,198 --> 00:38:47,158 - HEY, DOUG. 827 00:38:47,241 --> 00:38:48,200 I HAVE YOUR TICKET RIGHT HERE. 828 00:38:48,326 --> 00:38:49,327 - OH, THANK YOU. 829 00:38:49,410 --> 00:38:50,202 SO, WHEN ARE YOU HEADING BACK? 830 00:38:50,327 --> 00:38:51,704 - I'M TAKING THE LATER ONE. 831 00:38:51,829 --> 00:38:53,372 GONNA WRAP UP A FEW LOOSE ENDSDOWN HERE. 832 00:38:53,497 --> 00:38:54,874 - ALL RIGHT, WELL, WE'LL SEE YOUTOMORROW MORNING AT THE OFFICE. 833 00:38:54,957 --> 00:38:58,669 - YOU BET, SIR.- TAKE CARE. 834 00:38:58,753 --> 00:39:00,796 - [BEEPING NOISE] 835 00:39:04,550 --> 00:39:07,011 - [DISTORTED VOICE] 836 00:39:20,024 --> 00:39:23,694 - [ELEVATOR BELL DINGS] 837 00:39:27,073 --> 00:39:28,949 - AGENT ENNIS,WHAT ARE YOU DOING? 838 00:39:29,075 --> 00:39:32,078 - [SCREAMING] 839 00:39:32,161 --> 00:39:34,371 - [ELEVATOR BELL DINGING] 840 00:39:47,593 --> 00:39:48,719 - I WAS HEADEDBACK TO THE OFFICE 841 00:39:48,803 --> 00:39:54,433 AND THEN I CHECKED MYCELL PHONE FOR MESSAGES. 842 00:39:55,518 --> 00:39:58,062 THE NEXT THING I KNOW... 843 00:39:59,772 --> 00:40:03,984 AGENT COLEMAN IS SHOT ANDI'M THE ONE HOLDING THE GUN. 844 00:40:04,110 --> 00:40:05,236 HE WAS MY PARTNER. 845 00:40:05,319 --> 00:40:07,279 THERE'S NO WAY I WOULD EVER WANTTO HURT HIM. 846 00:40:07,405 --> 00:40:09,198 - HE'S BEEN QUESTIONEDFOR HOURS. 847 00:40:09,281 --> 00:40:10,116 HIS STORY DOESN'T CHANGE. 848 00:40:10,241 --> 00:40:11,867 - GIVE US A SECOND, WILL YA? 849 00:40:11,951 --> 00:40:12,910 - JUST LIKE BAXTER'S. 850 00:40:12,993 --> 00:40:16,205 HE DOESN'T REMEMBER ANYTHING. 851 00:40:16,288 --> 00:40:17,206 - OK, FRANK. 852 00:40:17,289 --> 00:40:20,960 - 2 SENIOR AGENTS KILLEDIN AS MANY DAYS. 853 00:40:21,043 --> 00:40:22,461 - YOU GET ANYTHING OFF THIS ONE? 854 00:40:22,586 --> 00:40:24,713 - NO MEMORY OF THE EVENT. 855 00:40:24,797 --> 00:40:25,965 JUST LIKE BAXTER. 856 00:40:26,298 --> 00:40:28,092 - YEAH, EXCEPT THIS ONE'S NEVERBEEN TO THE SAN DIEGO OFFICE, 857 00:40:28,175 --> 00:40:29,802 SO IT'S GOT NOTHINGTO DO WITH ME. 858 00:40:29,927 --> 00:40:31,470 - WELL, NOT THAT WE KNOW OF. 859 00:40:31,554 --> 00:40:33,639 - OK, MITCH, WHAT'S THATSUPPOSED TO MEAN? 860 00:40:33,764 --> 00:40:36,142 - YO, I'M LOOKING FOR A WAYTO STOP JUNIOR AGENTS 861 00:40:36,225 --> 00:40:37,184 FROM KILLING SENIOR ONES. 862 00:40:37,309 --> 00:40:38,811 AND THAT MEANSNO STONE GOES UNTURNED. 863 00:40:38,936 --> 00:40:40,146 - WELL, MAYBE THIS GUY POINTSIN YOUR DIRECTION. 864 00:40:40,271 --> 00:40:41,897 IF HE DOES, MAYBETHE WASHINGTON BUREAU 865 00:40:41,981 --> 00:40:42,940 WOULD LIKE TO HEAR ABOUT THAT. 866 00:40:43,232 --> 00:40:44,316 - YOU KNOW WHAT, PHIL--- YOU TWO WANT TO CAN IT? 867 00:40:44,442 --> 00:40:48,112 2 AGENTS ARE DEAD.GET YOUR HEADS ON RIGHT. 868 00:40:49,822 --> 00:40:51,699 - YOU KNOW, FRANK, MAYBE THISGUYS USING BAXTER'S ALIBI. 869 00:40:51,824 --> 00:40:53,951 SEIZING THE OPPORTUNITYTO BEAT THE WRAP. 870 00:40:54,034 --> 00:40:56,162 - AH, MITCH, THERE'S NO MOTIVE. 871 00:40:56,287 --> 00:40:58,789 THERE'S NO MOTIVE,THERE'S NO REASON. 872 00:40:58,873 --> 00:41:01,333 HE AND DOUG COLEMANARE VERY GOOD FRIENDS. 873 00:41:01,458 --> 00:41:03,002 - BUT HE WAS IN THE DATAMINING PROTOCOL. 874 00:41:03,085 --> 00:41:06,213 YEAH, I CHECKEDWITH DR. FOX, 875 00:41:06,338 --> 00:41:09,675 AND ROY BAXTER AND BRIAN ENNISWERE IN THE SAME CLASS. 876 00:41:09,800 --> 00:41:11,385 - ALSO WERE A DOZENOTHER AGENTS. 877 00:41:11,510 --> 00:41:12,636 IT PROVES NOTHING. 878 00:41:12,761 --> 00:41:15,514 - WITNESSES SAW ROY BAXTERANSWER HIS OFFICE PHONE 879 00:41:15,598 --> 00:41:17,516 RIGHT BEFORE HE KILLEDALANA DEVLIN. 880 00:41:17,641 --> 00:41:18,476 - SO? 881 00:41:18,642 --> 00:41:21,187 - WELL, BRIAN ENNISDROPPED HIS CELL PHONE 882 00:41:21,270 --> 00:41:23,230 RIGHT BEFOREHE SHOT DOUG COLEMAN. 883 00:41:23,355 --> 00:41:24,356 - TRIGGER WORD. 884 00:41:24,481 --> 00:41:25,441 - OVER THE PHONE? 885 00:41:25,524 --> 00:41:26,442 - NO, WE CLEARED DR. FOX. 886 00:41:26,525 --> 00:41:27,359 - AND WE CHECKED THE CELL PHONE. 887 00:41:27,443 --> 00:41:28,736 THERE WERE NO INCOMING CALLS. 888 00:41:28,861 --> 00:41:32,281 - YEAH, GUYS, HE SAID HEWAS CHECKING HIS MESSAGES. 889 00:41:32,364 --> 00:41:36,160 AND I'LL BET THE LAST ONEWAS A TRIGGER WORD. 890 00:41:42,208 --> 00:41:43,417 - [BEEPING] 891 00:41:44,251 --> 00:41:47,922 - THE LAST MESSAGE WASPLAYED THE MOMENT BEFOREENNIS ALLEGEDLY FIRED. 892 00:41:48,047 --> 00:41:49,048 THE VOICE IS DIGITIZED. 893 00:41:49,131 --> 00:41:50,007 LISTEN. 894 00:41:50,090 --> 00:41:53,177 - [DISTORTED VOICE] 895 00:41:53,260 --> 00:41:54,929 - WAIT. CAN YOU PLAYTHAT AGAIN, JENNIFER? 896 00:41:55,054 --> 00:41:57,056 - [DISTORTED VOICE] 897 00:41:59,808 --> 00:42:02,061 - IT'S PUSHTO, A MIDDLEEASTERN LANGUAGE. 898 00:42:02,144 --> 00:42:04,480 IT MEANS KILL. 899 00:42:04,563 --> 00:42:05,481 - SO IT'S A TRIGGER WORD. 900 00:42:05,564 --> 00:42:06,565 - I DON'T THINKWE WENT FAR ENOUGH 901 00:42:06,690 --> 00:42:07,816 INTO OUR INVESTIGATIONOF THE PROTOCOL. 902 00:42:07,942 --> 00:42:11,195 - BUT I THOUGHT WE AGREEDTHAT IT'S NOT DR. FOX. 903 00:42:11,278 --> 00:42:12,363 - IT'S NOT DR. FOX, 904 00:42:12,488 --> 00:42:14,365 BUT IT SEEMS AS IF HE WASAN UNWITTING ACCOMPLICE 905 00:42:14,448 --> 00:42:16,242 TO WHOEVER WASBEHIND THESE MURDERS. 906 00:42:16,325 --> 00:42:17,534 - IT'S A POSSIBILITY. 907 00:42:17,618 --> 00:42:19,954 - OBVIOUSLY THERE AREOTHER TRIGGER WORDS 908 00:42:20,079 --> 00:42:21,330 IMBEDDED IN THE PROTOCOL 909 00:42:21,497 --> 00:42:24,124 THAT ARE FAR MORE DEADLY THANTHE ONES DR. FOX WAS AWARE OF. 910 00:42:24,250 --> 00:42:25,292 - THAT'S A STRETCH. 911 00:42:25,417 --> 00:42:26,627 - NO, NOT REALLY. 912 00:42:26,752 --> 00:42:28,671 WHOEVER KNOWS THE OLD TRIGGERWORDS COULD USE THEM. 913 00:42:28,754 --> 00:42:34,176 - WHICH MEANS ALL THE AGENTSWHO'VE BEEN THROUGH THE PROTOCOLARE TICKING TIME BOMBS. 914 00:42:36,387 --> 00:42:38,222 SO YOU'RE GOINGTO UNSCRAMBLE THAT 915 00:42:38,305 --> 00:42:39,723 TO SEE IF WE CAN FINDOUT WHO IT IS? 916 00:42:39,807 --> 00:42:41,600 - YES, BUT IT'S GOING TO TAKESOME TIME. 917 00:42:41,684 --> 00:42:43,435 - WELL, WE HAVE TO TRACETHE TECHNOLOGY. 918 00:42:43,519 --> 00:42:45,396 FIND OUT WHO KNEW WHAT AND WHEN. 919 00:42:45,479 --> 00:42:47,064 - TAKE COVER INSIDE! 920 00:42:47,147 --> 00:42:51,068 - FRANK? FRANK? 921 00:42:51,151 --> 00:42:52,444 - FRANK. 922 00:42:52,570 --> 00:42:53,988 - YEAH, I WAS JUST THINKING. 923 00:42:54,113 --> 00:42:56,657 UM... 924 00:42:56,782 --> 00:42:57,616 I'M SORRY. 925 00:42:57,700 --> 00:42:58,701 - DO YOU THINK THAT WE CAN... 926 00:42:58,784 --> 00:43:00,744 DECLASSIFY THE ORIGINSOF THE PROTOCOL? 927 00:43:00,828 --> 00:43:05,082 - YEAH, YEAH, IT'S A LITTLETOUGH, BUT IT CAN BE DONE. 928 00:43:05,165 --> 00:43:06,458 - WELL, WE HAVE TO. 929 00:43:06,583 --> 00:43:09,586 IT'S A MATTER OF LIFE AND DEATH. 930 00:43:22,433 --> 00:43:26,312 - LET'S SEE IF YOU CANADD ON A COUPLE OF SHIFTSOF BRICK LAYERS. 931 00:43:26,437 --> 00:43:28,647 BUT NO OVER TIME, ALL RIGHT? 932 00:43:29,148 --> 00:43:31,191 - MR. RYAN? 933 00:43:31,317 --> 00:43:35,237 UH, JACK DAVIS, DO YOUREMEMBER ME? 934 00:43:35,821 --> 00:43:38,198 YOU DIDN'T RETURNANY OF MY PHONE CALLS. 935 00:43:38,324 --> 00:43:40,326 - WELL, I'M A VERY BUSY MAN. 936 00:43:40,409 --> 00:43:41,660 - WELL, I'M CONFUSED. 937 00:43:41,827 --> 00:43:43,037 AM I GOING TO GET A CHANCE TOBID ON YOUR APARTMENT COMPLEX? 938 00:43:43,162 --> 00:43:45,122 - IT DEPENDS. 939 00:43:45,205 --> 00:43:46,332 HAVE YOU WOWED ME YET? 940 00:43:46,457 --> 00:43:48,125 - WELL, MY WIFE AND I ARE GOINGTO DO A DINNER. 941 00:43:48,208 --> 00:43:49,585 - SOUNDS THRILLING. 942 00:43:49,668 --> 00:43:50,878 - WHY, I JUST FIGUREDA SINGLE GUY LIKE YOU... 943 00:43:51,003 --> 00:43:53,714 YOU PROBABLYEAT OUT EVERY NIGHT. 944 00:43:53,839 --> 00:43:57,551 I THOUGHT A NICE HOME-COOKEDMEAL WOULD BE A CHANGE OF PACE. 945 00:43:57,676 --> 00:43:59,178 BESIDES, IT GIVESME THE OPPORTUNITY 946 00:43:59,261 --> 00:44:00,095 TO TELL YOU ABOUT MY BUSINESS. 947 00:44:00,179 --> 00:44:02,931 - HEH HEH. I DON'T THINK SO. 948 00:44:03,015 --> 00:44:05,684 - JUST GIVE MEA CHANCE, MR. RYAN. 949 00:44:06,352 --> 00:44:09,063 WORSE CASE SCENARIO YOU GETA WORLD-CLASS LASAGNA DINNER. 950 00:44:10,856 --> 00:44:13,442 - OK, YOU GET YOUR SHOT. 951 00:44:13,525 --> 00:44:15,235 - TONIGHT.- BUT MY WIFE-- 952 00:44:15,361 --> 00:44:16,403 - TONIGHT OR NEVER. 953 00:44:16,528 --> 00:44:18,655 - TONIGHT'S GREAT. 954 00:44:20,532 --> 00:44:25,245 - AFTER TALKING MY WAYTHROUGH 17 C.S.A. BUREAUCRATS, 955 00:44:25,371 --> 00:44:27,039 THEY FINALLY RELEASED THIS. 956 00:44:27,122 --> 00:44:28,415 IT'S A RECRUITMENT FILM 957 00:44:28,540 --> 00:44:31,752 BASICALLY EXPLAINING HOWTHE MIND CONTROL PROTOCOL WORKS. 958 00:44:31,877 --> 00:44:34,213 I THOUGHT YOU MIGHTFIND IT ENLIGHTENING. 959 00:44:34,296 --> 00:44:36,131 - THESE AGENTSIN TRAINING ARE SUBJECTS 960 00:44:36,215 --> 00:44:37,174 OF THE MINDDEVELOPMENT PROTOCOL, 961 00:44:37,257 --> 00:44:39,677 COMMONLY KNOWNAS THOUGHT CONTROL. 962 00:44:39,760 --> 00:44:43,597 THE BRAIN CHILD OFDR. FRANKLIN BENNETT. 963 00:44:43,722 --> 00:44:46,892 THE PROTOCOL WILL PRODUCE THEOPTIMAL INTELLIGENCE OPERATIVE 964 00:44:47,017 --> 00:44:49,228 ABLE TO COMMIT TO ANYOBJECTIVE WITHOUT REMORSE. 965 00:44:49,353 --> 00:44:50,896 - IS THISTHEFRANKLIN BENNETT? 966 00:44:51,063 --> 00:44:55,025 - YEAH, ONE OF THE MOSTBRILLIANT MINDS THAT EVER WORKEDFOR THIS AGENCY. 967 00:44:55,109 --> 00:44:56,068 - WHERE IS HE NOW? 968 00:44:56,151 --> 00:44:57,027 - WHO KNOWS? LONG GONE. 969 00:44:57,111 --> 00:44:58,695 - HE WENT A LITTLE NUTS. 970 00:44:58,779 --> 00:45:02,199 - ...PLAYS A SPECIAL ROLEIN THE PROTOCOL. 971 00:45:02,282 --> 00:45:05,160 THE TRIGGERS THAT WE PLACEIN THE SUBJECT'S MIND 972 00:45:05,244 --> 00:45:07,538 CAN ALTER HIS OR HER WORLD 973 00:45:07,621 --> 00:45:09,415 AND WITH THE PROPER TRIGGERS, 974 00:45:09,498 --> 00:45:12,793 BLACK BECOMES WHITE,WHITE BECOMES BLACK. 975 00:45:12,918 --> 00:45:14,086 - I'VE SEEN ENOUGH. 976 00:45:14,169 --> 00:45:15,421 I WANT TO MEETTHIS DR. BENNETT. 977 00:45:15,504 --> 00:45:17,256 - ABSOLUTELY--IF YOUCAN FIND HIM. 978 00:45:17,339 --> 00:45:19,091 - IT'S WORTH A TRY. 979 00:45:19,216 --> 00:45:21,051 WE HAVE 2 FRIENDS DEAD, 980 00:45:21,135 --> 00:45:21,927 KILLED BY THEIRCLOSEST COLLEAGUES, 981 00:45:22,052 --> 00:45:24,680 AND NO ONE KNOWS WHY. 982 00:45:24,763 --> 00:45:29,768 BENNETT'S OUR ONLY LEAD.I'M GONNA FIND HIM. 983 00:46:12,728 --> 00:46:14,062 - HELLO? 984 00:46:20,277 --> 00:46:21,570 - [BELL DINGS] 985 00:46:21,653 --> 00:46:24,531 - NAH, NO ROOMS. THEREIS NO VACANCY. SORRY. 986 00:46:24,656 --> 00:46:29,953 - UM, UM, JUST DOING A LITTLELIGHT READING, HUH? 987 00:46:30,037 --> 00:46:32,915 - YEAH, I DABBLE. 988 00:46:32,998 --> 00:46:34,416 - ME, TOO. 989 00:46:34,500 --> 00:46:36,877 - YOU'RE A SCIENTIST? 990 00:46:38,003 --> 00:46:38,378 - NO. 991 00:46:38,545 --> 00:46:40,714 - POLICE?- NO. 992 00:46:40,839 --> 00:46:41,840 - AN OLD GIRLFRIEND. 993 00:46:41,924 --> 00:46:43,217 - NO. 994 00:46:43,342 --> 00:46:46,136 - IT'S A SHAME. 995 00:46:47,763 --> 00:46:49,681 - DR. BENNETT. 996 00:46:52,976 --> 00:46:55,854 IT'S A PLEASURE TO MEET YOU. 997 00:46:55,938 --> 00:46:57,981 - PLEASURE. 998 00:47:00,609 --> 00:47:01,902 YOU HAVE ANY IDEATHE WEALTH OF INFORMATION 999 00:47:02,027 --> 00:47:03,695 I'M SITTING ON OUT HERE? 1000 00:47:03,820 --> 00:47:06,365 IT'S ENOUGH TO TOPPLETHE HEADS OF STATE 1001 00:47:06,490 --> 00:47:08,659 AND BRING THE RICH ANDPOWERFUL TO THEIR KNEES. 1002 00:47:08,742 --> 00:47:11,453 THE ONLY QUESTION IS,WHERE TO BEGIN? 1003 00:47:11,537 --> 00:47:14,623 IRAN-CONTRA, CAMP X-RAY,THE BEIJING FIASCO. 1004 00:47:14,706 --> 00:47:17,626 IT'S ALL HERE. I JUST DON'T KNOWEXACTLY WHERE. 1005 00:47:17,709 --> 00:47:19,711 - WELL, DOCTOR,I WANTED TO ASK YOU 1006 00:47:19,836 --> 00:47:22,381 ABOUT THE MIND CONTROL PROTOCOLYOU DEVELOPED IN THE 80s. 1007 00:47:22,464 --> 00:47:23,215 - YEAH, NASTY BUSINESS. 1008 00:47:23,340 --> 00:47:24,550 - AND WHY DO YOU SAY THAT? 1009 00:47:24,633 --> 00:47:28,220 - THE FALL OF COMMUNISMMADE FOR A CRAZY WORLD. 1010 00:47:28,303 --> 00:47:29,555 THE AGENCY HAD A LOT TO DO. 1011 00:47:29,721 --> 00:47:32,683 WE WERE POSITIONING OURSELVESIN SPOTS ALL OVER THE GLOBE. 1012 00:47:32,766 --> 00:47:35,936 SOMETIMES WE HADTO TAKE DRASTIC MEASURES. 1013 00:47:36,061 --> 00:47:38,063 - ILLEGAL ONES? 1014 00:47:38,146 --> 00:47:39,815 - WITHOUT QUESTION. 1015 00:47:39,898 --> 00:47:41,608 - HOW DID THE PROTOCOL FIT IN? 1016 00:47:41,733 --> 00:47:42,693 - DENIABILITY. 1017 00:47:42,776 --> 00:47:43,610 - WHAT? 1018 00:47:43,902 --> 00:47:45,445 - THAT'S WHAT THE GOVERNMENTWAS LOOKING FOR, 1019 00:47:45,571 --> 00:47:47,114 AND THAT'S WHAT I GAVE THEM. 1020 00:47:47,239 --> 00:47:50,867 - WE HAD HIGHLY MOTIVATEDAND HIGHLY SKILLED AGENTS 1021 00:47:50,951 --> 00:47:53,912 READY TO DO OUR DIRTY WORK.BUT WHAT IF THEY GOT CAUGHT? 1022 00:47:53,996 --> 00:47:55,247 WHAT IF THEY TALKED? 1023 00:47:55,372 --> 00:47:58,458 RAMIFICATIONS WENT TO THEHIGHEST LEVELS OF GOVERNMENT. 1024 00:47:58,584 --> 00:48:02,629 SO, PROTOCOL WAS NEEDED,TO WIPE THEIR MEMORIES CLEAN. 1025 00:48:02,754 --> 00:48:05,799 - SO IT WORKED LIKEA POST-HYPNOTIC SUGGESTION. 1026 00:48:05,924 --> 00:48:08,760 - WELL, YES, BUT, UH... 1027 00:48:08,844 --> 00:48:13,724 THE EFFECTS OF THE PROTOCOLWENT FAR DEEPER THAN THAT. 1028 00:48:13,807 --> 00:48:15,267 THEY WENT ON FOREVER. 1029 00:48:15,392 --> 00:48:17,060 UNLESS A SUBJECTWAS DE-PROGRAMMED, 1030 00:48:17,144 --> 00:48:20,772 THE PROTOCOL STAYEDWITH HIM FOR LIFE. 1031 00:48:20,856 --> 00:48:24,234 THAT'S WHY IT'SSO DANGEROUS, YOU KNOW. 1032 00:48:24,318 --> 00:48:26,445 - YOU REALIZE WE'RESTILL USING IT? 1033 00:48:26,528 --> 00:48:27,905 - YEAH, I KNOW. COFFEE? 1034 00:48:27,988 --> 00:48:29,781 - YES, PLEASE. 1035 00:48:29,865 --> 00:48:31,408 - A MODIFIED VERSION... 1036 00:48:31,491 --> 00:48:37,289 EXPANDING MINDS TO RECOGNIZETERRORISTS AND OTHER THREATS. 1037 00:48:37,372 --> 00:48:39,666 I KNOW DR. FOX,HE'S AN IMBECILE. 1038 00:48:39,791 --> 00:48:45,756 - WELL, IS IT POSSIBLEFOR, UH, A COMMAND OR A... 1039 00:48:45,839 --> 00:48:47,633 A TRIGGER WORD THATWAS IMBEDDED YEARS AGO 1040 00:48:47,758 --> 00:48:51,345 TO INADVERTENTLYBE GIVEN TO AGENTS TODAY? 1041 00:48:51,470 --> 00:48:54,097 - MORE THAN POSSIBLE.I WOULD SAY IT'S LIKELY. 1042 00:48:54,181 --> 00:48:57,059 THE PERSON JUST HASTO KNOW THE TRIGGER. 1043 00:48:57,142 --> 00:48:57,976 HE CAN USE IT ANY TIME. 1044 00:48:58,101 --> 00:49:00,687 JUST BY SAYING THE WORD. 1045 00:49:00,812 --> 00:49:01,772 - ON THE TELEPHONE? 1046 00:49:01,855 --> 00:49:03,649 - ABSOLUTELY. 1047 00:49:03,774 --> 00:49:07,945 YOU THINK THAT YOUR JUNIORAGENTS ARE USING THE PROTOCOL 1048 00:49:08,028 --> 00:49:10,864 TO MURDER YOUR SENIOR AGENTS. 1049 00:49:10,989 --> 00:49:12,324 - HOW DO YOU KNOW ABOUT THAT? 1050 00:49:12,449 --> 00:49:13,450 - I WARNED THEM. 1051 00:49:13,533 --> 00:49:14,743 I TOLD THEM ITWAS TOO DANGEROUS. 1052 00:49:14,868 --> 00:49:18,246 AND THESE JUNIOR AGENTSARE PERFECT CANDIDATES. 1053 00:49:18,330 --> 00:49:23,168 EAGER MINDS TRYING HARDTO BE SO COOPERATIVE. 1054 00:49:23,251 --> 00:49:25,337 - WAIT A MINUTE, DOCTOR.WHO DID YOU WARN? 1055 00:49:25,462 --> 00:49:26,505 - I WARNED EVERYBODY. 1056 00:49:26,588 --> 00:49:27,923 THE WHITE HOUSE, CONGRESS,I SENT E- MAILS. 1057 00:49:28,006 --> 00:49:29,007 - REALLY? 1058 00:49:29,091 --> 00:49:31,927 - I ALWAYS GET THE SAME ANSWER. 1059 00:49:32,010 --> 00:49:34,721 A CHRISTMAS CARDFROM THE PRESIDENT. 1060 00:49:34,846 --> 00:49:35,847 I GOT ONE HERE SOMEWHERE. 1061 00:49:36,098 --> 00:49:38,058 - WELL, TELL ME ABOUTTHE IMBEDDED TRIGGER WORD. 1062 00:49:38,183 --> 00:49:39,768 - UHH. 1063 00:49:39,851 --> 00:49:42,020 - THERE WAS A MESSAGEON THE CELL PHONE IN PUSHTO. 1064 00:49:42,104 --> 00:49:44,106 - YEAH, THATWOULD BE AFGHANISTAN 1065 00:49:44,189 --> 00:49:46,191 DURING THE SOVIET OCCUPATION. 1066 00:49:46,274 --> 00:49:48,944 WE HAD AGENTS ALL OVER DOINGALL KIND OF ILLEGAL STUFF, 1067 00:49:49,027 --> 00:49:51,989 BLACK OPS, TOP SECRET. 1068 00:49:52,072 --> 00:49:53,323 - C.S.A? 1069 00:49:53,407 --> 00:49:54,950 - AMONG OTHERS. 1070 00:49:55,033 --> 00:49:56,326 - WHY WOULD THEREBE A TRIGGER WORD 1071 00:49:56,410 --> 00:49:57,869 TO USE AGAINST OUR OWN AGENTS? 1072 00:49:57,953 --> 00:49:59,079 - LIKE I SAID, DENIABILITY. 1073 00:49:59,204 --> 00:50:02,541 - DO YOU HAVE ANY IDEAWHO WAS CALLING THE SHOTS 1074 00:50:02,666 --> 00:50:04,501 IN AFGHANISTAN AT THAT TIME? 1075 00:50:04,584 --> 00:50:06,211 SOMEONE WHO WOULD KNOWTHE TRIGGER WORD? 1076 00:50:06,336 --> 00:50:08,547 - I HAVE NO IDEAWHO IT COULD BE. 1077 00:50:08,672 --> 00:50:12,843 BUT IF I WERE YOU, I WOULDCONCENTRATE ON ONE THING. 1078 00:50:12,926 --> 00:50:13,760 - WHAT? 1079 00:50:14,052 --> 00:50:17,139 - WHO WANTED THOSE SENIOR AGENTSDEAD TODAY? 1080 00:50:28,400 --> 00:50:29,943 - CALL FRANK DARNELL. 1081 00:50:30,068 --> 00:50:31,528 - THIS IS FRANK DARNELL. 1082 00:50:31,611 --> 00:50:33,238 LEAVE A MESSAGE, ANDI'LL GET BACK TO YOU. 1083 00:50:33,363 --> 00:50:34,406 - HEY, FRANK, IT'S ME. 1084 00:50:34,489 --> 00:50:35,949 GUESS WHO FOUNDDR. BENNETT? 1085 00:50:36,074 --> 00:50:39,703 HE'S DEFINITELY FLYING UNDER THERADAR BUT HE HAD A LOT OF INFO. 1086 00:50:39,786 --> 00:50:42,581 UNFORTUNATELY, I'M GOING TO NEEDSOME MORE CLASSIFIED DATA. 1087 00:50:42,706 --> 00:50:45,625 I NEED TO KNOW WHICH C.S.A.AGENTS WERE INVOLVED 1088 00:50:45,751 --> 00:50:47,753 IN A BLACK OPS OPERATIONIN AFGHANISTAN IN THE 80s. 1089 00:50:47,836 --> 00:50:52,674 I KNOW IT SEEMS CRAZY, BUTI REALLY THINK IT'S THE KEY 1090 00:50:52,758 --> 00:50:55,927 TO FINDING OUT WHO'SBEHIND ALL THIS. 1091 00:50:56,011 --> 00:50:56,803 - [BEEPS] 1092 00:50:57,095 --> 00:50:58,263 - UH, WAIT A SECOND.MAYBE THIS IS YOU, WAIT. 1093 00:50:58,346 --> 00:50:59,389 FRANK? 1094 00:50:59,473 --> 00:51:00,766 - NO, IT'S YOUR OTHER HUSBAND. 1095 00:51:00,849 --> 00:51:03,059 I'VE BEEN TRYINGTO GET A HOLD OF YOU. 1096 00:51:03,143 --> 00:51:05,103 - I'M SORRY, HONEY.HOW ARE YA DOING? 1097 00:51:05,228 --> 00:51:06,521 - WELL, A LITTLE PANICKED. 1098 00:51:06,730 --> 00:51:08,690 I SPOKE TO ROB RYAN TODAY. YOURIDEA ABOUT THE DINNER WAS A HIT. 1099 00:51:08,774 --> 00:51:11,860 THE ONLY PROBLEM IS HECAN ONLY DO IT TONIGHT. 1100 00:51:11,943 --> 00:51:12,486 - THAT'S A PROBLEM. 1101 00:51:12,652 --> 00:51:13,862 - WHY? WHERE ARE YOU? 1102 00:51:13,945 --> 00:51:14,905 - I'M 90 MILES AWAY. 1103 00:51:14,988 --> 00:51:16,323 - WHAT ARE YOU DOING OUT THERE? 1104 00:51:16,448 --> 00:51:19,493 - WORK. LOOK, I CAN DO THIS.I WILL GET HOME. 1105 00:51:19,618 --> 00:51:20,869 I WILL MAKE THE LASAGNA. 1106 00:51:21,036 --> 00:51:22,996 I JUST NEED YOU TOGET SOME THINGS FROMTHE STORE, OK, HONEY? 1107 00:51:23,121 --> 00:51:25,081 YOU GOT A PEN? 1108 00:51:25,165 --> 00:51:27,000 UM, OK, YOU KNOW THOSEBIG FLAT NOODLES. 1109 00:51:27,125 --> 00:51:30,086 YOU KNOW, LASAGNA NOODLES? 1110 00:51:32,339 --> 00:51:34,007 - BENNETT TOLD HER THATTHE TRIGGER WORDS BEING USED 1111 00:51:34,132 --> 00:51:38,053 COULD HAVE COME FROM A BLACKOPS PROGRAM IN AFGHANISTAN. 1112 00:51:38,136 --> 00:51:39,805 -YOU'RE KIDDING ME? 1113 00:51:39,930 --> 00:51:40,722 - NAH. 1114 00:51:40,972 --> 00:51:42,307 - DO YOU THINKTHE INFORMATION'S RELIABLE? 1115 00:51:42,390 --> 00:51:45,310 - IF SHE TRUSTS HIM, SO DO I. 1116 00:51:46,103 --> 00:51:48,980 SHE SAID THAT BENNETT'S GOTPAPERWORK TO BACK UP HIS CLAIMS. 1117 00:51:49,106 --> 00:51:50,649 - OH, MAN.I DON'T KNOW, FRANK. 1118 00:51:50,732 --> 00:51:54,444 IT'S JUST--IT'S JUSTOUT OF LEFT FIELD. 1119 00:51:54,528 --> 00:51:55,946 - I KNOW, BUT IF IT'S TRUE. 1120 00:51:56,029 --> 00:51:59,407 WE GOT TO FIGURE OUT WHO LEDTHE C.S.A. OPERATION BACK THEN 1121 00:51:59,491 --> 00:52:00,408 AND WHETHER THEYUSED A PROTOCOL 1122 00:52:00,492 --> 00:52:02,244 TO TRY TO KILLSENIOR AGENTS TODAY. 1123 00:52:02,327 --> 00:52:03,495 - I UNDERSTAND,BUT I'M NOT EVEN SURE 1124 00:52:03,662 --> 00:52:07,374 THAT THE C.S.A WAS INTHE AFGHAN THEATER BACK THEN. 1125 00:52:07,499 --> 00:52:09,584 - I THINK WE WERE. 1126 00:52:09,668 --> 00:52:11,336 I THINK I MIGHT HAVE BEEN THERE. 1127 00:52:11,461 --> 00:52:13,004 - WHOA, WHOA.WHAT ARE YOU SAYING? 1128 00:52:13,088 --> 00:52:15,757 - I'VE BEEN HAVINGTHESE THOUGHTS. 1129 00:52:15,841 --> 00:52:21,304 YOU KNOW, THESE VISIONS IN MYHEAD, FOR ABOUT A WEEK OR SO. 1130 00:52:21,388 --> 00:52:22,848 - VISIONS? 1131 00:52:22,973 --> 00:52:23,723 - YEAH. 1132 00:52:24,015 --> 00:52:27,602 ALANA DEVLIN'S THERE,DOUG COLEMAN'S THERE. 1133 00:52:27,686 --> 00:52:31,857 WE'RE COMING BACKFROM PATROL IN THE DESERT. 1134 00:52:31,982 --> 00:52:34,734 I TOOK SOME INCOMING FIRE 1135 00:52:34,860 --> 00:52:37,529 AND DUCKED INSIDETHIS BUILDING FOR COVER. 1136 00:52:37,612 --> 00:52:39,197 AND MY C.O. WAS THERE. 1137 00:52:39,281 --> 00:52:41,116 - WHO IS IT? 1138 00:52:42,868 --> 00:52:44,995 - THAT'S THE WEIRD THING.I CAN'T--I CAN'T SEE HIS FACE. 1139 00:52:45,078 --> 00:52:47,873 I CAN'T PLACE IT. 1140 00:52:47,998 --> 00:52:49,666 - JEEZ, I DON'T KNOW, FRANK. 1141 00:52:49,749 --> 00:52:51,251 WHAT YOU'RE SAYINGIS THE C.S.A. SENT YOU 1142 00:52:51,376 --> 00:52:53,712 IN AN AFGHAN WAR ZONEWITHOUT YOUR CONSENT. 1143 00:52:53,837 --> 00:52:54,588 - IT'S IN MY HEAD. 1144 00:52:54,713 --> 00:52:55,922 - I'LL TALKTO SENIOR OFFICIALS, 1145 00:52:56,047 --> 00:52:57,132 SEE WHAT I CAN FIND OUT 1146 00:52:57,257 --> 00:52:59,384 ABOUT A C.S.A. AFGHAN OPERATIONIN THE LATE 80s. 1147 00:52:59,467 --> 00:53:02,846 BUT WE MAY BE ON ANOTHER WILDGOOSE CHASE HERE. 1148 00:53:03,388 --> 00:53:05,724 - [ELEVATOR BELL DINGS] 1149 00:53:08,935 --> 00:53:09,895 - KATHY.- YEAH. 1150 00:53:09,978 --> 00:53:11,980 - CAN I SPEAK WITH YOU A MINUTE? 1151 00:53:12,063 --> 00:53:14,274 - YEAH, SURE, MITCH. 1152 00:53:14,399 --> 00:53:16,109 WHAT'S GOING ON? 1153 00:53:16,234 --> 00:53:18,987 - I HEARD YOU FOUND THE OLD LOONIN THE DESERT. 1154 00:53:19,070 --> 00:53:20,197 - UH, DR. BENNETT? 1155 00:53:20,280 --> 00:53:22,199 I LIKED HIM ACTUALLY.HE'S A LEGEND, YOU KNOW. 1156 00:53:22,282 --> 00:53:24,743 - COME ON, KATHY.THE MAN'S OFF HIS NUT. 1157 00:53:24,826 --> 00:53:26,745 - HE SAID SOMEVERY INTERESTING THINGS, 1158 00:53:26,870 --> 00:53:28,830 ESPECIALLY ABOUT A CERTAINBLACK OPS OPERATION 1159 00:53:28,914 --> 00:53:30,749 IN AFGHANISTAN IN THE 80s.YOU KNOW ANYTHING ABOUT THAT? 1160 00:53:30,832 --> 00:53:34,252 - LOOK, I KNOW FRANK DARNELLGAVE YOU LATITUDE 1161 00:53:34,377 --> 00:53:35,420 IN YOUR INVESTIGATIONS. 1162 00:53:35,503 --> 00:53:37,464 BUT THIS THING IS ONEGIANT PRESSURE COOKER 1163 00:53:37,589 --> 00:53:39,049 WAITING TO BLOW UPIN EVERYONE'S FACE. 1164 00:53:39,132 --> 00:53:40,675 YOU ARE AWARE THATTHE WASHINGTON GUYS 1165 00:53:40,759 --> 00:53:42,761 ARE STILL BREATHINGDOWN OUR NECKS. 1166 00:53:42,886 --> 00:53:43,261 - YES, I AM, MITCH. 1167 00:53:43,428 --> 00:53:45,472 - GOOD. 1168 00:53:52,979 --> 00:53:53,855 - HEY, FRANK. 1169 00:53:53,939 --> 00:53:55,148 - HEY, COME ON IN. 1170 00:53:55,273 --> 00:53:57,567 - I JUST DROVE 180 MILES, 1171 00:53:57,651 --> 00:54:01,112 WHILE MITCH EVANS JUST ADVISEDME AGAINST SNOOPING AROUND. 1172 00:54:01,237 --> 00:54:03,198 DO YOU THINKHE'S HIDING SOMETHING? 1173 00:54:03,281 --> 00:54:04,574 - I DON'T KNOW. 1174 00:54:04,658 --> 00:54:06,493 PHIL SEEMS TO THINKIT'S A LONG SHOT, TOO. 1175 00:54:06,618 --> 00:54:11,039 - SO, THIS IS EVERYTHINGWE HAVE ON C.S.A. INVOLVEMENTIN AFGHANISTAN. 1176 00:54:11,122 --> 00:54:12,040 - OK. 1177 00:54:12,123 --> 00:54:12,958 - IT'S NOT MUCH. 1178 00:54:13,083 --> 00:54:15,835 - OK, SHERRY, THANKS. 1179 00:54:15,961 --> 00:54:17,003 - GOOD NIGHT, AGENT ROSS. 1180 00:54:17,128 --> 00:54:19,172 SO, IS IT ANYTHING? 1181 00:54:19,297 --> 00:54:22,133 - NO, IT'S NOT WHAT I NEED. 1182 00:54:22,217 --> 00:54:24,052 - DR. BENNETT WAS SO CONVINCING. 1183 00:54:24,135 --> 00:54:26,972 DO YOU THINK I'M JUSTWAY OFF ON THIS? 1184 00:54:27,097 --> 00:54:28,056 - NO, YOU KNOW WHATI KEEP THINKING? 1185 00:54:28,139 --> 00:54:31,059 I KEEP THINKINGWHO WOULD WANT 1186 00:54:31,142 --> 00:54:33,269 ALANA DEVLIN ANDDOUG COLEMAN DEAD. 1187 00:54:33,353 --> 00:54:35,981 AND WHAT THE HELL'S HAPPENEDTO THEM IN THE PAST? 1188 00:54:36,064 --> 00:54:37,857 I DON'T KNOW. 1189 00:54:37,983 --> 00:54:39,484 - WELL, LOOK, WE'RE NOT GOINGTO FIGURE THIS OUT TONIGHT, 1190 00:54:39,567 --> 00:54:40,735 AND I HAVE TO GET HOMEAND MAKE SOME LASAGNA. 1191 00:54:40,860 --> 00:54:43,863 MY HUSBAND HAS A CLIENTOVER FOR DINNER AND... 1192 00:54:43,989 --> 00:54:45,782 - I'LL WALK YOU OUT. 1193 00:54:56,835 --> 00:54:59,337 - [PHONE RINGS] 1194 00:54:59,462 --> 00:55:02,966 - AGENT ROSS SPEAKING. 1195 00:55:07,721 --> 00:55:09,055 [BEEP BEEP] 1196 00:55:22,736 --> 00:55:26,197 - FRANK, WHAT'S GOING ON?ARE YOU OK? 1197 00:55:26,322 --> 00:55:28,533 - YEAH, I'M GOOD. WHY? 1198 00:55:28,616 --> 00:55:30,618 - YOU'RE NOT A VERY GOOD LIAR. 1199 00:55:30,702 --> 00:55:33,830 - I JUST GOT SOME THINGSON MY MIND, THAT'S ALL. 1200 00:55:33,913 --> 00:55:34,664 NO BIG DEAL. 1201 00:55:34,789 --> 00:55:36,833 - YOU WANT TO TELL ME ABOUT IT? 1202 00:55:37,375 --> 00:55:39,169 - [GUNSHOT]- AAH! 1203 00:55:42,213 --> 00:55:44,674 - STAY DOWN. 1204 00:55:49,220 --> 00:55:52,432 - OHH, OVER HERE. 1205 00:55:55,602 --> 00:55:57,145 MAYBE WE SHOULD SPLIT UP. 1206 00:55:57,228 --> 00:55:59,981 - SURE, SHE'S NOT TRYINGTO SHOOT YOU. 1207 00:56:03,902 --> 00:56:04,819 - JUDY! 1208 00:56:04,903 --> 00:56:07,072 - UHH, UGH. 1209 00:56:07,155 --> 00:56:08,740 - JUDY. 1210 00:56:13,620 --> 00:56:14,120 - WHAT? 1211 00:56:14,287 --> 00:56:17,290 WHAT JUST HAPPENED? 1212 00:56:17,415 --> 00:56:19,042 WHAT HAPPENED? 1213 00:56:19,125 --> 00:56:22,087 CAN SOMEONE TELL MEWHAT'S GOING ON? 1214 00:56:25,090 --> 00:56:27,133 - I WONDER WHO WANTS YOU DEAD. 1215 00:56:27,258 --> 00:56:28,927 - I OWE YOU ONE. 1216 00:56:29,052 --> 00:56:31,679 - NO, SHE OWES YOU ONE. 1217 00:56:31,763 --> 00:56:33,640 COME ON. 1218 00:56:42,398 --> 00:56:44,442 - JUDY WAS A LOYAL GIRL. 1219 00:56:44,567 --> 00:56:49,906 - YEAH, BUT SHE WAS IN THE DATAMINING PROTOCOL, FRANK. 1220 00:56:49,989 --> 00:56:53,034 AND SOMEONE GAVE HER THE ORDERTO KILL YOU, WHY? 1221 00:56:53,118 --> 00:56:56,037 - HOW THE HELL WOULD I KNOW? 1222 00:56:56,121 --> 00:56:58,790 - FRANK, WE GOTTAFIGURE OUT WHY. 1223 00:56:58,873 --> 00:57:01,334 I HAVE A FEELING YOU KNOWSOMETHING ABOUT AFGHANISTAN, 1224 00:57:01,459 --> 00:57:03,878 AND YOU ARE NOT TELLING ME. 1225 00:57:03,962 --> 00:57:04,671 PLEASE. 1226 00:57:04,963 --> 00:57:09,300 WE'VE BEEN FRIENDSA REALLY LONG TIME. 1227 00:57:09,425 --> 00:57:12,095 YOU CAN TRUST ME. 1228 00:57:15,348 --> 00:57:19,185 - I WAS TALKING ABOUTIT WITH PHIL SANDS. 1229 00:57:19,310 --> 00:57:23,022 SOME OF IT DOESN'T MAKEANY SENSE. IT'S JUST... 1230 00:57:23,148 --> 00:57:25,400 - I CAN HELP YOU WITH THAT. 1231 00:57:25,775 --> 00:57:29,279 - I'VE BEEN HAVINGTHESE VISIONS. 1232 00:57:29,362 --> 00:57:32,115 THEY'RE LIKE FLASHES IN MY HEAD. 1233 00:57:32,198 --> 00:57:33,658 KIND OF LIKE DREAMS, YOU KNOW. 1234 00:57:33,741 --> 00:57:36,202 - HOW LONG HAVE YOUBEEN HAVING THEM? 1235 00:57:36,327 --> 00:57:36,995 - A FEW DAYS. 1236 00:57:37,120 --> 00:57:39,080 - ABOUT AFGHANISTAN. 1237 00:57:39,164 --> 00:57:41,666 - YEAH, MAYBE. I DON'T KNOW. 1238 00:57:43,418 --> 00:57:46,212 IT'S ALWAYS THISSAME THING THOUGH. 1239 00:57:46,337 --> 00:57:51,676 IT'S ALWAYS DEVLINAND IT'S ALWAYS COLEMAN. 1240 00:57:54,012 --> 00:57:58,474 WE WERE COMING BACK FROM PATROL. 1241 00:57:58,558 --> 00:58:01,853 HEADING BACK TO BASE CAMP. 1242 00:58:03,229 --> 00:58:05,273 WE WERE GOOD. 1243 00:58:05,356 --> 00:58:06,191 THINGS WERE ALL RIGHT. 1244 00:58:10,528 --> 00:58:14,991 THEN ALL HELL BROKE LOOSE,TOOK A LOT OF INCOMING FIRE. 1245 00:58:15,074 --> 00:58:17,869 I WAS SCARED, REALLY,I WAS SCARED. 1246 00:58:17,994 --> 00:58:19,037 WE HAD TO TAKE COVER. 1247 00:58:19,162 --> 00:58:21,998 SO, WE DUCKEDINSIDE THIS BUILDING. 1248 00:58:22,081 --> 00:58:23,958 - AAH!- COLEMAN GOT HIT. 1249 00:58:24,042 --> 00:58:26,044 BUT I HAD TO GET HIM INSIDE. 1250 00:58:26,127 --> 00:58:27,170 I HAD TO TAKE CARE OF HIM. 1251 00:58:29,672 --> 00:58:31,257 - SO, IT WAS JUSTTHE THREE OF YOU. 1252 00:58:31,382 --> 00:58:35,220 - NO, THERE WERE 5 OF US, 5. 1253 00:58:35,345 --> 00:58:36,262 - YOU GUY'S ALL RIGHT? 1254 00:58:36,387 --> 00:58:37,680 - MITCH EVANS WAS THERE. 1255 00:58:37,764 --> 00:58:42,143 - WAS HE THE COMMANDING OFFICER?WAS HE IN CHARGE? 1256 00:58:42,227 --> 00:58:44,562 - I DON'T KNOW, KATH.I MEAN, COLEMAN GOT HIT, 1257 00:58:44,646 --> 00:58:46,105 AND I KNEW I HAD TO GET HIMINSIDE THE BUILDING. 1258 00:58:46,231 --> 00:58:48,066 - WHO WAS IN CHARGE, FRANK? 1259 00:58:48,149 --> 00:58:51,277 - I CAN'T SEE HIS FACE. 1260 00:58:51,402 --> 00:58:54,822 - FRANK, TRY HARDER. 1261 00:58:59,285 --> 00:59:01,371 - PHIL SANDS, I CAN SEE IT. 1262 00:59:01,454 --> 00:59:02,997 PHIL SANDS. 1263 00:59:06,751 --> 00:59:10,588 - PHIL WAS YOURCOMMANDING OFFICER? 1264 00:59:14,259 --> 00:59:16,052 - KATHY, WHAT THE HELL'SGOING ON HERE? 1265 00:59:16,135 --> 00:59:18,263 WHAT'S HAPPENING? 1266 00:59:18,388 --> 00:59:20,014 - I THINK YOU WERE IN THATBLACK OPS INVESTIGATION 1267 00:59:20,098 --> 00:59:22,141 IN AFGHANISTAN, FRANK. 1268 00:59:23,101 --> 00:59:25,061 I THINK YOU AREREMEMBERING SOMETHING 1269 00:59:25,144 --> 00:59:27,522 YOU WERE PROGRAMMED TO FORGET. 1270 00:59:38,950 --> 00:59:40,743 - ARE YOU ALL RIGHT, HONEY? 1271 00:59:40,827 --> 00:59:43,037 I MEAN, YOU DIDN'T SAYMUCH DURING DINNER. 1272 00:59:43,121 --> 00:59:44,330 - I'M FINE. REALLY. 1273 00:59:44,455 --> 00:59:46,416 - I'M FINE.- DON'T WORRY. 1274 00:59:46,499 --> 00:59:47,625 YOU SAID THE INTERVIEWSWENT GREAT. 1275 00:59:47,750 --> 00:59:49,502 I MEAN, THERE'S NO WAYIN THE WORLD 1276 00:59:49,627 --> 00:59:52,463 YOU'RE NOT GOING TO GETTHAT JOB IN WASHINGTON. 1277 00:59:55,383 --> 00:59:58,303 - HEY, KATHY, FRANK,WHAT'S GOING ON? 1278 00:59:58,386 --> 01:00:00,305 - PHIL, WE NEED TO TALKBUT NOT HERE. 1279 01:00:00,388 --> 01:00:02,181 - IT CONCERNS THE INVESTIGATION. 1280 01:00:02,307 --> 01:00:04,142 SORRY, LAURA. 1281 01:00:04,225 --> 01:00:06,477 - OK, I...HONEY, I BETTER GO. 1282 01:00:06,561 --> 01:00:08,146 CAN YOU GET THE CARAND BRING IT TO THE HOTEL? 1283 01:00:08,271 --> 01:00:10,982 - I'LL MEET YOU THERE?- OK. 1284 01:00:16,738 --> 01:00:20,074 - AFGHANISTAN WASN'TTHE ONLY BLACK OPS PROGRAMUSING THE PROTOCOL. 1285 01:00:20,158 --> 01:00:21,034 THERE WERE MORE. 1286 01:00:21,159 --> 01:00:23,077 THERE WERE MANY, MANY MORE. 1287 01:00:23,161 --> 01:00:26,080 - YOU RAN AFGHANISTAN, PHIL? 1288 01:00:27,040 --> 01:00:28,916 - YEAH, I DID. 1289 01:00:29,000 --> 01:00:29,834 - SO, YOU USED US. 1290 01:00:30,126 --> 01:00:31,336 PUT US IN THE LINEOF FIRE AGAINST OUR WILL, 1291 01:00:31,461 --> 01:00:32,337 IS THAT WHAT YOU DID? 1292 01:00:32,462 --> 01:00:33,504 - NO, NO, YOUVOLUNTEERED, FRANK. 1293 01:00:33,588 --> 01:00:35,173 ALL OF YOU DID.YOU JUST DON'T REMEMBER. 1294 01:00:35,256 --> 01:00:38,009 LOOK, MOST OF WHAT WE DIDTHERE WAS HUMANITARIAN. 1295 01:00:38,134 --> 01:00:39,677 MEDICAL SUPPLIES,EVACUATIONS, 1296 01:00:39,761 --> 01:00:41,095 HELPING THE RESISTANCEAGAINST THE SOVIETS. 1297 01:00:41,179 --> 01:00:42,096 A LOT OF GOOD THINGS. 1298 01:00:42,180 --> 01:00:43,097 - BUT IT WAS ILLEGAL? 1299 01:00:43,181 --> 01:00:44,849 - YEAH, PROBABLY. 1300 01:00:44,932 --> 01:00:47,935 BUT IT WASN'T MY DECISIONTO USE THE PROTOCOL. 1301 01:00:48,019 --> 01:00:49,103 THAT WAS POLICY. 1302 01:00:49,187 --> 01:00:50,313 THEY FELT WE NEEDED... 1303 01:00:50,396 --> 01:00:51,689 - DENIABILITY? 1304 01:00:51,773 --> 01:00:53,191 - EXACTLY. 1305 01:00:53,316 --> 01:00:54,192 - FRANK! 1306 01:00:54,317 --> 01:00:55,234 - YOU LIAR. 1307 01:00:55,360 --> 01:00:56,361 ALL THESE YEARS YOUNEVER SAID ONE THING. 1308 01:00:56,444 --> 01:00:57,403 - I WANTED TO.- WHY? 1309 01:00:57,528 --> 01:00:58,571 - I WANTED TO.- WHY? TELL ME RIGHT NOW. 1310 01:00:58,696 --> 01:00:59,947 - I SHOULD HAVE, FRANK,YOU'RE RIGHT. 1311 01:01:00,114 --> 01:01:01,741 I HONESTLY BELIEVED YOU'D BEBETTER OFF NOT REMEMBERING. 1312 01:01:01,866 --> 01:01:03,785 LISTEN, WHEN COLEMAN ANDDEVLIN WERE KILLED... 1313 01:01:03,868 --> 01:01:05,286 - I MADE NO CONNECTION...- WHAT ABOUT DEVLIN? 1314 01:01:05,370 --> 01:01:06,954 UNTIL YOU STARTEDHAVING MEMORIES. 1315 01:01:07,038 --> 01:01:08,664 - YEAH, MAYBE IT WAS BETTEROFF THE LESS PEOPLE WHO KNEW 1316 01:01:08,748 --> 01:01:10,917 ABOUT AFGHANISTAN,THE BETTER OFF IT WOULDBE FOR YOUR CAREER, PHIL. 1317 01:01:11,042 --> 01:01:12,210 - THAT IS WRONG.- FRANK! 1318 01:01:12,293 --> 01:01:13,586 - SO HELP ME, FRANK.THAT'S WRONG. 1319 01:01:13,711 --> 01:01:15,046 - FRANK. 1320 01:01:20,218 --> 01:01:22,470 - ALANA REMEMBERED.SHE WAS MURDERED. 1321 01:01:22,553 --> 01:01:23,763 THE SAME THING WITH COLEMAN. 1322 01:01:23,888 --> 01:01:25,973 LESS THAN AN HOUR AGO SOMEONETRIED TO SHOOT FRANK, OK? 1323 01:01:26,057 --> 01:01:28,351 - I HAD NOTHING TO DO WITH THAT. 1324 01:01:28,434 --> 01:01:30,728 - LOOK, THIS WHOLE BLACK OPSTHING IN AFGHANISTAN, 1325 01:01:30,812 --> 01:01:33,106 THAT'S A NIGHTMARE.ADMITTEDLY. 1326 01:01:33,231 --> 01:01:34,482 YOU'RE RIGHT. 1327 01:01:34,690 --> 01:01:37,151 NOW THAT IT'S OUT I'VE LOST ANYCHANCE AT THE JOB IN WASHINGTON. 1328 01:01:37,235 --> 01:01:38,361 THAT'S FINE. 1329 01:01:38,444 --> 01:01:40,029 BUT YOU GOT TO BELIEVE ME. 1330 01:01:40,113 --> 01:01:43,491 ALANA DEVLIN WAS MY FRIEND. 1331 01:01:43,574 --> 01:01:44,951 DOUG COLEMAN WAS MY FRIEND. 1332 01:01:45,076 --> 01:01:46,077 AND, FRANK, YOU ARE MY FRIEND. 1333 01:01:46,369 --> 01:01:49,580 - THERE'S TRIGGERS IN THEPROTOCOL TO KILL US, RIGHT? 1334 01:01:49,706 --> 01:01:50,915 - YES. 1335 01:01:50,998 --> 01:01:51,916 - WHAT ARE THEY? 1336 01:01:52,041 --> 01:01:52,625 - I DON'T KNOW. 1337 01:01:52,875 --> 01:01:54,001 - WHO KNOWS THOSE TRIGGER WORDS? 1338 01:01:54,085 --> 01:01:56,087 - I'M NOT SURE. 1339 01:01:56,212 --> 01:01:58,506 THEY WERE CODED, 1340 01:01:58,589 --> 01:02:01,801 ALONG WITH THE OTHERCLASSIFIED DOCUMENTS OVERAT C.S.A. COMMUNICATIONS. 1341 01:02:01,926 --> 01:02:03,219 THAT'S ALL I KNOW. 1342 01:02:06,931 --> 01:02:09,308 - HEY, FRANK, CALM DOWN, OK? 1343 01:02:09,434 --> 01:02:10,601 - I'M ALL RIGHT. 1344 01:02:10,685 --> 01:02:12,228 - DO YOU THINK HE'STELLING THE TRUTH? 1345 01:02:12,311 --> 01:02:13,521 - I DON'T KNOW, MAYBE. 1346 01:02:13,604 --> 01:02:14,981 - WELL, HE'S WILLINGTO COME FORWARD, 1347 01:02:15,106 --> 01:02:17,817 SAY WHAT HE KNOWS, COOPERATE. 1348 01:02:17,942 --> 01:02:18,651 - OK, THEN WHO? 1349 01:02:18,901 --> 01:02:20,111 MITCH EVANS?HE WAS IN AFGHANISTAN. 1350 01:02:20,236 --> 01:02:21,529 - YEAH, BUT HE WASN'T IN CHARGE. 1351 01:02:21,612 --> 01:02:23,906 - I KNOW. BUT HE WANTSTHAT D.C. JOB BAD. 1352 01:02:23,990 --> 01:02:26,409 MAYBE EXPOSING PHIL IS THE BESTWAY TO GET IT. 1353 01:02:26,492 --> 01:02:27,535 - GOOD POINT. 1354 01:02:27,618 --> 01:02:29,120 - YOU THINK IT'S WORTH A LOOK? 1355 01:02:29,245 --> 01:02:31,539 - YEAH, WE GOT TO FIGURETHIS OUT, FRANK. 1356 01:02:31,622 --> 01:02:34,375 SOMEONE OUT THERESTILL WANTS YOU DEAD. 1357 01:02:34,459 --> 01:02:36,127 PLEASE BE CAREFUL. 1358 01:02:36,210 --> 01:02:38,755 - I'LL KEEP MY HEAD DOWN. 1359 01:02:39,172 --> 01:02:41,424 - OH, MY GOD! FRANK! 1360 01:02:41,507 --> 01:02:44,510 I'M LATE! I GOTTA GO. UGH. 1361 01:02:45,803 --> 01:02:47,680 HOLD THE ELEVATOR! 1362 01:02:56,314 --> 01:02:57,315 HONEY! 1363 01:02:57,398 --> 01:02:59,650 UGH, I HAD THE HARDEST DAY. 1364 01:02:59,734 --> 01:03:00,902 I AM SO, SO SORRY. 1365 01:03:01,068 --> 01:03:03,988 - YOU REALIZE HE'S GOING TOBE HERE ANY MINUTE, RIGHT? 1366 01:03:04,071 --> 01:03:05,156 - YES, I DO. 1367 01:03:05,239 --> 01:03:08,326 WHICH IS WHY I GOT THIS. 1368 01:03:08,409 --> 01:03:10,870 - I TOLD HIM THAT YOU MAKEWORLD-FAMOUS LASAGNA. 1369 01:03:10,995 --> 01:03:14,248 - WELL, I JUST NEED A FEWMINUTES TO WORK MY MAGIC. 1370 01:03:14,332 --> 01:03:15,500 IT WILL BE FINE.I CAN DO THIS. 1371 01:03:15,625 --> 01:03:16,793 JUST STAY OUT OF MY WAY. 1372 01:03:16,876 --> 01:03:18,002 - I DON'T KNOW WHY I JUST DIDN'TBUY HIM SOMETHING. 1373 01:03:18,127 --> 01:03:19,837 A SOUND SYSTEM, A NEW CAR. 1374 01:03:19,962 --> 01:03:23,216 I COULD HAVE USED NICK'SPOKER WINNINGS TO PAY FOR IT. 1375 01:03:23,341 --> 01:03:24,300 - HONEY, RELAX. 1376 01:03:24,383 --> 01:03:27,386 NICK, SUSAN! COME DOWN HEREAND HELP US! 1377 01:03:27,512 --> 01:03:29,639 - RIGHT AWAY PLEASE! 1378 01:03:30,306 --> 01:03:31,557 - WHAT ARE WE GOING TO DO? 1379 01:03:31,682 --> 01:03:33,392 - WELL, WE'RE GOING TOFIGURE OUT WHAT TO SAY 1380 01:03:33,518 --> 01:03:35,269 TO IMPRESS THIS MAN, OK? 1381 01:03:35,353 --> 01:03:37,021 - WHAT? 1382 01:03:37,104 --> 01:03:38,397 - I NEED YOU TO SET THE TABLE. 1383 01:03:38,523 --> 01:03:39,273 - MOM. 1384 01:03:39,357 --> 01:03:40,608 - DON'T ARGUE WITH ME. 1385 01:03:40,691 --> 01:03:43,361 - FINE. BUT I'MPARTICIPATING UNDER PROTEST. 1386 01:03:43,444 --> 01:03:46,322 - WHY DO I HAVE A SENSEOF IMPENDING DISASTER? 1387 01:03:46,405 --> 01:03:48,616 - HONEY, EVERYTHINGIS GOING TO BE FINE. 1388 01:03:48,699 --> 01:03:50,493 I JUST NEED A FEW MINUTES. 1389 01:03:50,576 --> 01:03:51,702 I NEED TO GET DRESSED. 1390 01:03:51,869 --> 01:03:54,205 I THINK IT WILL BE GOODAS LONG AS HE'S NOT, UH... 1391 01:03:54,288 --> 01:03:55,206 [DOORBELL RINGS] 1392 01:03:55,331 --> 01:03:57,959 - EARLY. 1393 01:03:58,042 --> 01:03:59,043 - OHH. 1394 01:03:59,168 --> 01:04:00,002 - JUST RELAX, OK? 1395 01:04:00,253 --> 01:04:01,546 HONEY, HONEY! JUST ANSWERTHE DOOR, ALL RIGHT? 1396 01:04:01,629 --> 01:04:04,674 - YEAH, YEAH, OK, I GOTIT, OK, ALL RIGHT. 1397 01:04:17,687 --> 01:04:20,398 - WORLD-CLASS LASAGNA,HUH, JACK? 1398 01:04:20,523 --> 01:04:23,150 - UH, THERE'S ACTUALLY A PRETTYFUNNY STORY ABOUT THAT. 1399 01:04:23,234 --> 01:04:26,070 - HMM, UM, UM, I'M SORRY. 1400 01:04:26,195 --> 01:04:27,864 IT'S MY FAULT, MR. RYAN. 1401 01:04:27,947 --> 01:04:30,449 I HAD A BIG EMERGENCYAT WORK TODAY. 1402 01:04:30,575 --> 01:04:31,951 - I SEE. 1403 01:04:32,076 --> 01:04:33,077 WHERE DO YOU WORK? 1404 01:04:33,160 --> 01:04:34,537 - I WORK AT A PUZZLE COMPANY. 1405 01:04:34,620 --> 01:04:37,540 - AH, SO, IT WASA PUZZLE EMERGENCY. 1406 01:04:37,623 --> 01:04:38,916 - SO, MR. RYAN, IS ITTRUE THAT YOU PLAN 1407 01:04:39,083 --> 01:04:42,461 TO TEAR DOWN A HOMELESS SHELTERTO BUILD A STRIP MALL? 1408 01:04:42,587 --> 01:04:44,297 - SUSAN.I'M SORRY. 1409 01:04:44,422 --> 01:04:46,257 SHE DOESN'T REALLY KNOW WHATSHE'S TALKING ABOUT. 1410 01:04:46,340 --> 01:04:47,842 - IT'S OK. 1411 01:04:47,925 --> 01:04:50,344 I'M NOT TEARING DOWN ANYTHING,YOUNG LADY. 1412 01:04:50,428 --> 01:04:51,262 THE CITY COUNCIL IS. 1413 01:04:51,345 --> 01:04:53,639 - ACTUALLY, AN INDEPENDENT AUDIT 1414 01:04:53,764 --> 01:04:55,683 OF LAST YEAR'S CAMPAIGNCONTRIBUTIONS 1415 01:04:55,766 --> 01:04:56,809 SHOWS THAT YOU,MR. RYAN, GAVE MORE MONEY 1416 01:04:56,934 --> 01:04:59,770 TO INFLUENCE THE CITYCOUNCIL ELECTION 1417 01:04:59,854 --> 01:05:01,981 THAN ANY OTHERCOMPETITION IN THE CITY. 1418 01:05:02,106 --> 01:05:04,942 - I HAVE A LOT OF FRIENDSON THE CITY COUNCIL. 1419 01:05:05,067 --> 01:05:05,985 IS THAT A CRIME? 1420 01:05:06,110 --> 01:05:06,986 - OF COURSE NOT. 1421 01:05:07,278 --> 01:05:08,487 I MEAN, THERE'S NOTHING WRONGWITH HAVING FRIENDS. 1422 01:05:08,613 --> 01:05:10,156 IS THERE KIDS? 1423 01:05:10,281 --> 01:05:12,283 NOW, MR. RYAN, 1424 01:05:12,408 --> 01:05:13,242 ABOUT MY COMPANY, 1425 01:05:13,326 --> 01:05:15,328 I THINK THATYOU'RE GOING TO FIND 1426 01:05:15,453 --> 01:05:16,662 THAT I RUN A FIRST-RATEOPERATION. 1427 01:05:16,829 --> 01:05:18,080 - IT'S HARD FOR ME TO BELIEVEYOU CAN RUN ANYTHING, JACK. 1428 01:05:18,289 --> 01:05:21,459 YOU CAN'T EVEN CONTROL THEMOUTHS OF YOUR OWN CHILDREN. 1429 01:05:21,584 --> 01:05:22,793 - ACTUALLY, MY CHILDRENARE ENCOURAGED 1430 01:05:22,960 --> 01:05:24,754 TO HAVE THEIR OWN OPINIONS,TO EXPRESS THEMSELVES. 1431 01:05:24,837 --> 01:05:29,508 NOW, THEY MAY NOT ALWAYS DO ITAS COURTEOUSLY AS I WOULD LIKE. 1432 01:05:29,634 --> 01:05:32,678 NOW, IF WE COULD GET BACKTO MY BUSINESS. 1433 01:05:32,803 --> 01:05:35,014 - YOU AND YOUR LITTLECONTRACTING BUSINESS, 1434 01:05:35,139 --> 01:05:36,140 YOU WILL ALWAYS BE SMALL TIME, 1435 01:05:36,223 --> 01:05:39,185 WHICH IS EXACTLYWHERE YOU BELONG. 1436 01:05:39,310 --> 01:05:41,479 - WAIT A MINUTE. 1437 01:05:41,562 --> 01:05:43,272 YOU SIT DOWN.SIT DOWN. 1438 01:05:43,356 --> 01:05:45,733 MR. RYAN, YOU CANINSULT MY LASAGNA, 1439 01:05:45,816 --> 01:05:47,234 IT'S TAKE-OUT, YOU CAN INSULTMY WHOLE DINNER 1440 01:05:47,401 --> 01:05:50,071 AND MY HOUSEKEEPINGAND MAYBE EVEN SAYSOMETHING ABOUT MY KIDS, 1441 01:05:50,154 --> 01:05:52,031 WHO ARE A LITTLE OUT OF LINE, 1442 01:05:52,156 --> 01:05:55,910 BUT WHEN YOU INSULT MY HUSBAND,WHO IS A GOOD AND LOVING MAN, 1443 01:05:55,993 --> 01:05:59,705 WHO WORKS HARD ANDTAKES CARE OF HIS FAMILY, 1444 01:05:59,830 --> 01:06:02,208 YOU, SIR, HAVE STEPPEDOVER THE LINE. 1445 01:06:02,333 --> 01:06:03,209 BIG TIME. 1446 01:06:03,334 --> 01:06:06,295 - YOU THROUGH? 1447 01:06:24,397 --> 01:06:26,774 - YOU'RE NUTS. 1448 01:06:27,441 --> 01:06:29,110 - MOM. 1449 01:06:31,237 --> 01:06:32,238 - OH, BOY. 1450 01:06:32,363 --> 01:06:33,197 - [DOOR SLAMS] 1451 01:06:33,322 --> 01:06:36,742 - WELL, THAT WENT WELL. 1452 01:06:38,619 --> 01:06:40,788 THE FACT THAT HE IS THE MOSTARROGANT, INSUFFERABLE MAN 1453 01:06:40,871 --> 01:06:44,250 THAT I HAVE EVER METIS ABSOLUTELY NO EXCUSE 1454 01:06:44,375 --> 01:06:45,543 FOR THE WAY I BEHAVED, HONEY. 1455 01:06:45,668 --> 01:06:46,669 I AM SO SORRY. 1456 01:06:46,752 --> 01:06:48,963 CAN YOU EVER FORGIVE ME? 1457 01:06:50,965 --> 01:06:54,468 LOOK, I KNOW. I'LL MAKEIT UP TO YOU. 1458 01:06:54,552 --> 01:06:56,929 I'LL GO AND I'LL TALK TO HIMAND I'LL APOLOGIZE. 1459 01:06:57,054 --> 01:06:59,056 I'LL TELL HIM I HADA NERVOUS BREAKDOWN OR... 1460 01:06:59,181 --> 01:07:01,976 - IT WON'T BE NECESSARY. 1461 01:07:02,059 --> 01:07:02,935 - HONEY. 1462 01:07:03,102 --> 01:07:05,396 THIS WAS A REALLY BIGOPPORTUNITY AND I... 1463 01:07:05,521 --> 01:07:07,273 - THERE WILL BE OTHERS. 1464 01:07:08,232 --> 01:07:10,234 BESIDES, I KIND OF ENJOYED IT. 1465 01:07:10,359 --> 01:07:11,235 - THE LASAGNA? 1466 01:07:11,318 --> 01:07:13,571 - THOSE THINGS THATYOU SAID ABOUT ME. 1467 01:07:13,696 --> 01:07:18,159 LOVING, SUPPORTIVE... 1468 01:07:18,242 --> 01:07:19,410 SEXY. 1469 01:07:19,493 --> 01:07:21,746 - DID I SAY SEXY, TOO? 1470 01:07:21,829 --> 01:07:23,789 - NO, BUT YOU WERE THINKING IT. 1471 01:07:23,914 --> 01:07:25,541 - YOU'RE RIGHT. 1472 01:07:29,587 --> 01:07:30,838 - NOT MANY WIVESWOULD HAVE GONE TO BAT 1473 01:07:30,921 --> 01:07:34,258 FOR THEIR HUSBANDSTHE WAY THAT YOU DID. 1474 01:07:34,341 --> 01:07:36,260 LAURA SANDS HAS NOTHING ON YOU. 1475 01:07:37,136 --> 01:07:40,097 - THAT'S IT. 1476 01:07:40,598 --> 01:07:41,849 YOU'RE BRILLIANT. 1477 01:07:41,932 --> 01:07:42,600 - I AM. 1478 01:07:42,683 --> 01:07:43,809 - YES.- UH, I AM? 1479 01:07:43,934 --> 01:07:45,269 - YES, I GOTTA GO. 1480 01:07:45,352 --> 01:07:46,437 - NOW? 1481 01:07:46,520 --> 01:07:48,522 - I'M SO SORRY, HONEY. 1482 01:07:48,606 --> 01:07:49,940 I LOVE YOU. 1483 01:07:50,065 --> 01:07:50,441 I'LL BE BACK, I PROMISE. 1484 01:07:50,608 --> 01:07:53,027 - OH, YEAH. 1485 01:07:53,110 --> 01:07:53,402 - THANKS. 1486 01:07:53,527 --> 01:07:56,739 - AHH. 1487 01:07:56,822 --> 01:07:57,281 HEE. 1488 01:08:04,497 --> 01:08:06,248 - AHH. 1489 01:08:07,833 --> 01:08:11,962 HEY, GWEN, THANK YOU SO MUCHFOR MEETING ME THIS LATE. 1490 01:08:12,088 --> 01:08:13,130 HOW ARE YOU HOLDING UP? 1491 01:08:13,214 --> 01:08:14,298 - YOU SAID IT WAS AN EMERGENCY. 1492 01:08:14,465 --> 01:08:16,300 - YEAH, DID YOU FIND ALANA'SAPPOINTMENT BOOK? 1493 01:08:16,425 --> 01:08:17,134 - OH, IT'S RIGHT HERE. 1494 01:08:17,259 --> 01:08:19,303 WHAT DO YOU NEED IT FOR? 1495 01:08:19,386 --> 01:08:21,096 - WELL, UM, IT'S JUST A THEORY. 1496 01:08:21,180 --> 01:08:23,641 I NEED TO KNOW IFSHE SAW PHIL SANDS 1497 01:08:23,724 --> 01:08:25,309 IN THE DAYS BEFORE HER DEATH. 1498 01:08:25,392 --> 01:08:26,644 - ACTUALLY, SHE DID. 1499 01:08:26,852 --> 01:08:30,606 YES, HERE IT IS, UH, LUNCH WITHPHIL SANDS AND HIS WIFE LAURA, 1500 01:08:30,689 --> 01:08:32,274 THE AFTERNOON BEFORESHE WAS KILLED. 1501 01:08:32,358 --> 01:08:33,567 - OH, LOOK AT THAT. 1502 01:08:33,651 --> 01:08:36,570 DRINKS WITH MITCH EVANSBEFORE THE PARTY. 1503 01:08:36,654 --> 01:08:38,155 MIND IF I TAKE THIS? 1504 01:08:38,280 --> 01:08:39,156 - GO RIGHT AHEAD. 1505 01:08:39,281 --> 01:08:42,118 - GET SOME REST. 1506 01:08:48,791 --> 01:08:53,170 - FRANK, ALANA HAD LUNCHWITH PHIL AND LAURA 1507 01:08:53,295 --> 01:08:56,131 THE DAY SHE WAS MURDERED. 1508 01:08:58,259 --> 01:08:59,176 - OK? 1509 01:08:59,301 --> 01:09:01,512 WHAT DOES THAT PROVE? 1510 01:09:01,595 --> 01:09:03,347 - WELL, I THINK SHE WAS HAVINGFLASHBACKS, 1511 01:09:03,430 --> 01:09:05,683 JUST LIKE YOU, AND I THINKSHE TOLD PHIL, 1512 01:09:05,766 --> 01:09:06,684 AND MAYBE EVEN MITCH ABOUT IT. 1513 01:09:06,767 --> 01:09:08,769 - IT'S A PRETTY BIG ASSUMPTION. 1514 01:09:08,853 --> 01:09:09,603 YOU SURE? 1515 01:09:09,687 --> 01:09:11,564 - YEAH, I KNOW. 1516 01:09:11,689 --> 01:09:12,857 - ARE YOU ON TO SOMETHING? 1517 01:09:13,023 --> 01:09:15,150 - I THINK I KNOW WHO WAS BEHINDALL OF THIS, FRANK. 1518 01:09:15,234 --> 01:09:17,027 - IT'S GOTTA BE REAL, KATH. 1519 01:09:17,153 --> 01:09:18,404 YOU GOT SOMETHING REAL? 1520 01:09:18,529 --> 01:09:20,322 - NO, NOT YET. 1521 01:09:20,406 --> 01:09:21,407 BUT I'M WORKING ON IT. 1522 01:09:21,532 --> 01:09:23,075 - SO, LAURA AND MITCH ARE HEADEDUP TO D.C. 1523 01:09:23,200 --> 01:09:24,201 FOR THE DECISIONON THAT PROMOTION. 1524 01:09:24,285 --> 01:09:26,328 I'LL TELL YOU WHAT, 1525 01:09:26,412 --> 01:09:29,498 I'LL HAVE THEM OVER TOMY HOUSE BEFORE THEY GO. 1526 01:09:29,582 --> 01:09:31,208 CAN YOU GET MEHARD EVIDENCE BY THEN? 1527 01:09:31,333 --> 01:09:32,293 CAN YOU DO IT? 1528 01:09:32,376 --> 01:09:33,252 - I CAN TRY. 1529 01:09:33,377 --> 01:09:34,211 - WELL, TRY HARDBECAUSE IF YOU CAN'T, 1530 01:09:34,336 --> 01:09:37,131 THERE'S NOT MUCH ELSE WE CAN DO. 1531 01:09:37,214 --> 01:09:39,216 - I KNOW. 1532 01:09:42,887 --> 01:09:45,139 - [PHONE RINGS] 1533 01:09:45,222 --> 01:09:46,891 - HELLO. 1534 01:09:47,933 --> 01:09:53,230 THIS IS AGENT JANE DOE. I NEEDYOUR HELP AND I NEED IT FAST. 1535 01:10:00,195 --> 01:10:02,656 - HELLO. 1536 01:10:03,324 --> 01:10:05,159 HELLO! 1537 01:10:06,493 --> 01:10:09,163 DR. BENNETT. 1538 01:10:09,788 --> 01:10:13,167 - YEAH, I BROUGHT YOU SOMETHING. 1539 01:10:13,250 --> 01:10:14,585 - PERSONNEL FILES. 1540 01:10:14,710 --> 01:10:15,753 - EVERYBODY WHO WAS INVOLVED 1541 01:10:15,920 --> 01:10:18,631 IN THE AFGHAN BLACK OPSPROGRAM IN THE 80s. 1542 01:10:18,756 --> 01:10:19,882 WHAT THEY DID.WHAT THEY KNEW. 1543 01:10:19,965 --> 01:10:22,217 - DID YOU FIND THE NAMEI ASKED YOU ABOUT? 1544 01:10:22,301 --> 01:10:24,845 - UH, TAKE A LOOK THERE. 1545 01:10:29,266 --> 01:10:30,768 - HOW CAN I EVER THANK YOU? 1546 01:10:30,851 --> 01:10:33,938 - WELL, ACTUALLY, I'M GRATEFULFOR THE CHANCE TO RIGHT A WRONG. 1547 01:10:34,063 --> 01:10:37,024 - IT WASN'T YOUR FAULT,DR. BENNETT. 1548 01:10:37,107 --> 01:10:38,234 - AND I WANTED TO THANK YOU. 1549 01:10:38,317 --> 01:10:39,276 - FOR WHAT? 1550 01:10:39,610 --> 01:10:41,946 - WELL, FOR BEING THE ONLYPERSON IN A VERY LONG TIME 1551 01:10:42,071 --> 01:10:44,531 THAT BELIEVED IN ME.THE OLD LOON OUT IN THE DESERT. 1552 01:10:44,615 --> 01:10:47,034 - IT WAS MY PLEASURE. 1553 01:10:50,120 --> 01:10:53,540 - I DON'T THINK THEY'REGOING TO BE TOO HAPPYTO SEE ME, YOU KNOW. 1554 01:10:53,624 --> 01:10:55,167 - YOU'LL BE FINE,DR. BENNETT. 1555 01:10:55,292 --> 01:10:56,335 JUST MAYBE LOSE THE HAT. 1556 01:10:56,460 --> 01:11:00,130 YEAH, THAT'S GOOD. 1557 01:11:00,214 --> 01:11:01,298 - HEY, FRANK. 1558 01:11:01,382 --> 01:11:02,174 - DR. BENNETT. 1559 01:11:02,299 --> 01:11:05,469 - HEY, IT'S BEEN A WHILE, HUH? 1560 01:11:05,552 --> 01:11:06,303 - IT SURE HAS. 1561 01:11:06,428 --> 01:11:07,972 - HARD EVIDENCE, FRANK. 1562 01:11:08,097 --> 01:11:09,932 I THINK YOU'RE GOINGTO WANT TO SEE THIS. 1563 01:11:10,015 --> 01:11:11,809 - COME ON IN. 1564 01:11:17,147 --> 01:11:19,066 - HELLO. 1565 01:11:19,149 --> 01:11:20,693 - WELL, JANE DOE. 1566 01:11:20,818 --> 01:11:22,361 ANY OTHER CRAZY THEORIESYOU WANT TO FLOAT 1567 01:11:22,486 --> 01:11:24,196 BEFORE WE ALL LEAVEFOR WASHINGTON? 1568 01:11:24,321 --> 01:11:25,280 - NO MORE THEORIES. 1569 01:11:25,364 --> 01:11:26,657 JUST PROOF. 1570 01:11:26,740 --> 01:11:28,993 - DR. BENNETT, WHEREDID YOU COME FROM? 1571 01:11:29,118 --> 01:11:30,411 - THE DESERT. 1572 01:11:30,494 --> 01:11:33,122 - I HAVE HERE FILES ON EVERYC.S.A. AGENT 1573 01:11:33,205 --> 01:11:36,667 THAT WORKED ON A CERTAIN BLACKOPS OPERATION IN AFGHANISTAN 1574 01:11:36,792 --> 01:11:39,878 AND THE C.S.A. AGENTS WHO WORKEDIN COMMUNICATIONS. 1575 01:11:40,004 --> 01:11:42,423 - ALL RIGHT, BUTWHAT'S ALL THAT GOT TO DO 1576 01:11:42,506 --> 01:11:44,133 WITH WHAT HAPPENEDTO COLEMAN AND DEVLIN? 1577 01:11:44,216 --> 01:11:45,384 - YEAH? 1578 01:11:45,509 --> 01:11:46,760 - WELL, EVERYTHING. 1579 01:11:46,969 --> 01:11:50,014 YOU SEE, DR. BENNETTDEVELOPED A MIND CONTROLPROTOCOL IN THE 90s, 1580 01:11:50,097 --> 01:11:52,516 WHICH BASICALLY WAS USEDTO GET C.S.A. AGENTS 1581 01:11:52,641 --> 01:11:56,020 TO PARTICIPATE IN THEILLEGAL BLACK OPS OPERATIONS 1582 01:11:56,103 --> 01:11:57,980 AND THEN IT WOULD WIPETHEIR MINDS CLEAN. 1583 01:11:58,063 --> 01:12:00,482 NOW, THIS PROTOCOLIN A DIFFERENT FORM 1584 01:12:00,566 --> 01:12:01,984 IS BEING USEDON JUNIOR AGENTS TODAY. 1585 01:12:02,067 --> 01:12:05,654 AND IT HAS IN IT IMBEDDEDCERTAIN TRIGGER WORDS, 1586 01:12:05,738 --> 01:12:08,240 WORDS THAN WHEN SPOKEN COULD GETA C.S.A. AGENT 1587 01:12:08,365 --> 01:12:10,701 TO DO JUST ABOUT ANYTHING, 1588 01:12:10,826 --> 01:12:14,329 INCLUDING KILLING ANOTHER AGENT. 1589 01:12:14,413 --> 01:12:15,873 - WHAT ARE YOU TALKING ABOUT? 1590 01:12:15,956 --> 01:12:16,957 - JUST BARE WITH ME, MITCH, OK? 1591 01:12:17,041 --> 01:12:20,627 NOW ALANA DEVLIN WAS ONEOF THESE AGENTS. 1592 01:12:20,711 --> 01:12:25,716 NOW, SHE WAS IN AFGHANISTANALONG WITH YOU AND YOU. 1593 01:12:25,841 --> 01:12:29,928 - BUT RECENTLY SHE BEGAN HAVINGTHESE MEMORIES, 1594 01:12:30,054 --> 01:12:31,055 THESE FLASHBACKS. 1595 01:12:31,221 --> 01:12:33,390 I THINK BECAUSE SHE WAS WITH HEROLD COMRADES. 1596 01:12:33,515 --> 01:12:35,225 THESE MEMORIES COULD BE VERY,VERY EMBARRASSING, 1597 01:12:35,309 --> 01:12:37,102 ESPECIALLY TO SOMEONEWHO IS IN LINE 1598 01:12:37,227 --> 01:12:40,898 FOR A BIG JOB IN WASHINGTON. 1599 01:12:41,523 --> 01:12:44,526 SOMEONE LIKE YOU, MITCH,FOR INSTANCE. 1600 01:12:44,610 --> 01:12:45,569 - YOU THINK I HAD ALANA KILLED? 1601 01:12:45,652 --> 01:12:49,364 - NO, BUT YOU WEREIN AFGHANISTAN. 1602 01:12:49,448 --> 01:12:51,283 YOU WERE JUST LUCKY ENOUGHNOT TO REMEMBER IT. 1603 01:12:51,408 --> 01:12:53,035 - NO, I WAS NEVERIN AFGHANISTAN. 1604 01:12:53,118 --> 01:12:53,786 - YOU WERE, 1605 01:12:53,952 --> 01:12:55,371 WHICH BRINGS ME TO DOUG COLEMAN. 1606 01:12:55,454 --> 01:12:58,499 NOW, DOUG STARTEDHAVING THESE FLASHBACKS 1607 01:12:58,582 --> 01:13:00,793 AND THESE MEMORIES AS WELL. 1608 01:13:00,918 --> 01:13:03,587 AND HE CONFIDEDIN JUST ONE PERSON. 1609 01:13:03,670 --> 01:13:05,422 YOU, PHIL. 1610 01:13:05,506 --> 01:13:06,965 YOU HEADED UP THATOPERATION IN AFGHANISTAN 1611 01:13:07,091 --> 01:13:10,636 AND YOU WERE THE ONEWHO GAVE THE ORDERS 1612 01:13:10,761 --> 01:13:11,887 TO THESE MENAND THESE WOMEN 1613 01:13:12,096 --> 01:13:15,682 TO COMMIT THESE ILLEGAL ACTSAND YOU KNEW THAT IF THIS CAME 1614 01:13:15,766 --> 01:13:19,436 TO LIGHT, IT WOULD HURT YOURCHANCES IN WASHINGTON BIG TIME. 1615 01:13:19,561 --> 01:13:20,646 - THAT'S TRUE. 1616 01:13:20,771 --> 01:13:23,607 DOUG TOLD ME ABOUT HIS MEMORIESAND I WAS WORRIED. 1617 01:13:23,732 --> 01:13:26,276 BUT, NO. BUT I WAS READYTO COME CLEAN, 1618 01:13:26,360 --> 01:13:29,446 AND I CERTAINLY WOULD NEVER KILLMY FRIENDS TO PROTECT MY CAREER. 1619 01:13:29,530 --> 01:13:32,116 LOOK, I DIDN'T EVEN KNOWTHE TRIGGER WORDS. 1620 01:13:32,241 --> 01:13:32,950 - I KNOW, PHIL. 1621 01:13:33,242 --> 01:13:34,910 I KNOW YOU DIDN'T KNOWTHE TRIGGER WORDS. 1622 01:13:34,993 --> 01:13:37,454 BUT THERE WAS SOMEONEELSE WHO DID. 1623 01:13:37,538 --> 01:13:40,749 SOMEONE WHO CARES VERY MUCHABOUT YOUR BIG PROMOTION-- 1624 01:13:40,833 --> 01:13:45,170 YOUR VERY LOVING ANDSUPPORTIVE WIFE LAURA. 1625 01:13:45,295 --> 01:13:48,215 - NO, KATHY, YOU'RE WRONG. 1626 01:13:48,298 --> 01:13:51,301 - IT'S OK, PHIL. 1627 01:13:51,385 --> 01:13:53,887 I'M AFRAID THIS ISALL ABOUT JEALOUSY. 1628 01:13:53,971 --> 01:13:57,599 KATHY DAVIS HAS ALWAYS BEENJEALOUS ABOUT MY SUCCESS. 1629 01:13:57,683 --> 01:14:01,145 AND NOW THAT PHIL AND IARE GOING TO WASHINGTON, 1630 01:14:01,270 --> 01:14:02,146 SHE JUST CAN'T TAKE IT. 1631 01:14:02,271 --> 01:14:05,399 - I HAVE YOUR FILE, LAURA. 1632 01:14:05,482 --> 01:14:09,778 YOU WERE IN C.S.A.COMMUNICATIONS IN THE 90s. 1633 01:14:09,862 --> 01:14:12,156 AND, IN FACT, YOU KNEWTHE TRIGGER WORDS. 1634 01:14:12,239 --> 01:14:14,908 AND WHEN YOU SAWTHAT YOUR HUSBAND'S CAREERWAS IN JEOPARDY, 1635 01:14:14,992 --> 01:14:17,953 YOU USED THOSE TRIGGER WORDSTO GET THOSE JUNIOR AGENTS 1636 01:14:18,036 --> 01:14:21,457 TO KILL ALANA AND DOUG,DIDN'T YOU? 1637 01:14:21,540 --> 01:14:22,249 - IT'S ABSURD. 1638 01:14:22,332 --> 01:14:23,834 - KATHY, THIS IS CRAZY. 1639 01:14:23,917 --> 01:14:25,669 - WE WERE ABLETO UNSCRAMBLE THE VOICE 1640 01:14:25,752 --> 01:14:28,255 ON BRIAN ENNIS' CELL PHONE.LISTEN. 1641 01:14:28,338 --> 01:14:31,341 - [DISTORTED]COLEMAN, WAZZUM. 1642 01:14:31,425 --> 01:14:34,094 [VOICE BECOMING CLEARER]COLEMAN, WAZZUM. 1643 01:14:34,178 --> 01:14:36,471 COLEMAN, WAZZUM. 1644 01:14:36,555 --> 01:14:37,848 - LAURA, I CAN'T BELIEVE IT. 1645 01:14:37,973 --> 01:14:41,185 - THEY WEREN'T SUPPOSEDTO REMEMBER. 1646 01:14:41,268 --> 01:14:46,857 ALANA DEVLIN, DOUG COLEMAN, YOU. 1647 01:14:46,940 --> 01:14:48,817 NONE OF YOU WERE SUPPOSEDTO HURT PHIL. 1648 01:14:48,901 --> 01:14:51,612 - HE'S READY TO TALK ABOUTWHAT HAPPENED IN AFGHANISTAN. 1649 01:14:51,695 --> 01:14:53,197 - NO, HE WON'T. 1650 01:14:53,322 --> 01:14:56,825 PHIL, LISTEN TO ME.YOU ALWAYS HAVE. 1651 01:14:56,909 --> 01:15:00,746 YOU SEE, KATHY, WE'RE A TEAM,AND I'M HERE TO SUPPORT HIM. 1652 01:15:00,871 --> 01:15:05,584 I'M HERE TO MAKE SURE THAT YOUGET EVERYTHING THAT YOU DESERVE, 1653 01:15:05,709 --> 01:15:08,503 INCLUDING THE WASHINGTON JOB. 1654 01:15:08,587 --> 01:15:09,755 - HE DOESN'T WANT IT, LAURA. 1655 01:15:09,880 --> 01:15:11,298 HE DOESN'T WANT IT LIKE THIS. 1656 01:15:13,383 --> 01:15:16,053 - HE DOESN'T HAVE A CHOICE. 1657 01:15:16,178 --> 01:15:19,056 NOW, I WILL TAKE MY FILE. 1658 01:15:19,139 --> 01:15:20,307 GO ON. 1659 01:15:22,351 --> 01:15:24,478 AND THE REST OF IT. 1660 01:15:24,895 --> 01:15:29,024 AND ONCE YOU'RE DEAD,THE MEMORIES ARE GONE. 1661 01:15:29,107 --> 01:15:33,946 AND IT WILL BE AS IF AFGHANISTANNEVER HAPPENED. 1662 01:15:34,071 --> 01:15:36,073 AND PHIL WILL TAKE OFFICE. 1663 01:15:36,198 --> 01:15:38,867 - LAURA, WHAT ABOUT MY MEMORIES? 1664 01:15:38,951 --> 01:15:44,665 - PHIL, LET ME DO WHAT I NEEDTO DO, FOR US. 1665 01:15:45,165 --> 01:15:45,916 - [GUNSHOT]- NO! 1666 01:15:46,124 --> 01:15:51,171 - [CRYING] NO!NO, IT'S NOT FAIR! 1667 01:15:51,255 --> 01:15:53,799 - IT'S OK.IT'S OVER NOW. 1668 01:16:13,527 --> 01:16:15,112 - THIS WAY. 1669 01:16:15,237 --> 01:16:17,614 TAKE THE FRONT, MITCH. 1670 01:16:37,092 --> 01:16:37,801 - SORRY, PHIL. 1671 01:16:37,968 --> 01:16:42,014 - NO, I'M SORRY...FOR EVERYTHING. 1672 01:16:42,139 --> 01:16:44,474 LOOK, THE AGENCY TOOK ADVANTAGEOF YOUR PATRIOTISM 1673 01:16:44,600 --> 01:16:47,311 AND I TOOK ADVANTAGE OF YOURFRIENDSHIP AND THAT'S WRONG. 1674 01:16:47,436 --> 01:16:49,354 - WHAT ABOUT LAURA, PHIL? 1675 01:16:49,479 --> 01:16:50,772 - I DON'T KNOW. 1676 01:16:50,856 --> 01:16:53,692 I GUESS I HAVE TO BE THEREFOR HER AS BEST I CAN. 1677 01:16:53,817 --> 01:16:56,820 AS CRAZY AS IT SEEMS, EVERYTHINGSHE DID SHE DID FOR LOVE. 1678 01:16:56,903 --> 01:17:00,115 AND NOW WE HAVE TO LIVEWITH THE CONSEQUENCES. 1679 01:17:00,198 --> 01:17:00,574 - GOOD LUCK. 1680 01:17:00,699 --> 01:17:02,326 - YOU, TOO. 1681 01:17:19,176 --> 01:17:22,846 - AHH, HOW YOU DOING, FRANK? 1682 01:17:22,929 --> 01:17:24,181 YOU OK? 1683 01:17:24,306 --> 01:17:26,558 - YEAH. 1684 01:17:26,683 --> 01:17:28,810 I LOST A LOTOF GOOD FRIENDS. 1685 01:17:28,894 --> 01:17:32,272 - WELL, NOW YOUKNOW THE TRUTH. 1686 01:17:48,080 --> 01:17:49,164 - SOMETHING SMELLS GOOD. 1687 01:17:49,414 --> 01:17:53,043 - IT'S MY WONDERFUL LASAGNAFOR MY WONDERFUL HUSBAND. 1688 01:17:53,168 --> 01:17:53,835 - YOU'RE TOO GOOD TO ME. 1689 01:17:54,044 --> 01:17:55,629 - WELL, IT'S THE LEAST I CAN DO. 1690 01:17:55,712 --> 01:17:59,424 I'M SO SORRY I RUINEDYOUR SHOT WITH MR. RYAN. 1691 01:17:59,549 --> 01:18:00,384 - AH, IT'S ALL RIGHT,SWEETHEART. 1692 01:18:00,467 --> 01:18:02,052 WHO NEEDS ROB RYAN ANYWAY? 1693 01:18:02,344 --> 01:18:06,431 BELIEVE IT OR NOT, THE CITYCOUNCIL REVERSED THEMSELVESON THAT HOMELESS SHELTER. 1694 01:18:06,556 --> 01:18:08,308 I MIGHT GET A CHANCETO BID ON IT. 1695 01:18:08,392 --> 01:18:09,476 - THAT'S WONDERFUL. 1696 01:18:09,559 --> 01:18:10,268 I WONDER WHAT HAPPENED. 1697 01:18:10,394 --> 01:18:11,770 - I HAVE NO IDEA. 1698 01:18:11,895 --> 01:18:14,606 I GUESS SOMEBODY FINALLYSTOOD UP TO ROB RYAN. 1699 01:18:14,731 --> 01:18:16,233 - OH, YOU MEAN WITHOUT THROWINGLASAGNA INTO HIS LAP? 1700 01:18:16,358 --> 01:18:19,236 - [DOORBELL RINGS] 1701 01:18:19,361 --> 01:18:21,988 - I WONDER IF THAT'STHE MUFFIN LADY. 1702 01:18:22,072 --> 01:18:24,616 - OH, I DOUBT IT. 1703 01:18:30,247 --> 01:18:31,540 - CAN I HELP YOU? 1704 01:18:31,623 --> 01:18:33,708 - JAMES THOMPSON, I'MWITH THEL.A. BEACON. 1705 01:18:33,792 --> 01:18:35,585 - OH, THANKS,BUT WE ALREADY SUBSCRIBE. 1706 01:18:35,669 --> 01:18:37,129 - HEY, I'M A REPORTER. 1707 01:18:37,254 --> 01:18:38,463 I'M HERE FORTHE PRESS CONFERENCE. 1708 01:18:38,588 --> 01:18:40,382 - WHAT PRESS CONFERENCE? 1709 01:18:40,465 --> 01:18:42,592 - THAT ONE. 1710 01:18:44,052 --> 01:18:47,097 - UH, YOU GUYS MUSTHAVE THE WRONG ADDRESS. 1711 01:18:47,222 --> 01:18:49,558 - THIS IS THE DAVIS RESIDENCE,RIGHT? 1712 01:18:49,641 --> 01:18:50,600 - YEAH, BUT... 1713 01:18:50,684 --> 01:18:52,853 - ANY IDEA WHAT TIMEWE'RE GETTING STARTED? 1714 01:18:52,936 --> 01:18:53,937 - HEY, YOU GUYS. 1715 01:18:54,229 --> 01:18:55,188 DOES ANYBODY KNOW ANYTHINGABOUT A PRESS CONFERENCE? 1716 01:18:55,272 --> 01:18:58,650 - UM, YEAH, THAT'S FOR ME. 1717 01:18:58,775 --> 01:19:01,278 - WHAT'S GOING ON? 1718 01:19:06,700 --> 01:19:09,578 - WHEN THE PEOPLE OF THIS CITYSPEAK OF OUR YOUNG PEOPLE, 1719 01:19:09,661 --> 01:19:14,082 TOO OFTEN THEY SPEAK OFUNRULINESS, DISREGARD OF OTHERS, 1720 01:19:14,166 --> 01:19:16,126 CRIME, DRUGS,VIOLENCE BUT TODAY, 1721 01:19:16,251 --> 01:19:17,961 WE SEE ANOTHER KINDOF YOUNG PERSON. 1722 01:19:18,044 --> 01:19:21,214 A YOUNG MAN WHO EXTOLSTHE KINDS OF VIRTUES 1723 01:19:21,298 --> 01:19:23,300 THAT WE ALL CAN ASPIRE TO-- 1724 01:19:23,383 --> 01:19:27,804 KINDNESS, GENEROSITY,CONCERN FOR THE COMMUNITY. 1725 01:19:27,888 --> 01:19:30,307 - IS THIS WHAT YOU SPENTYOUR POKER MONEY ON? 1726 01:19:30,390 --> 01:19:31,308 - YEAH. SORRYI DIDN'T TELL YOU. 1727 01:19:31,391 --> 01:19:33,810 - AND NOW,WITHOUT FURTHER ADO, 1728 01:19:33,894 --> 01:19:37,606 I WOULD LIKE TO INTRODUCEA FINE YOUNG MAN 1729 01:19:37,689 --> 01:19:40,817 AND A MODEL CITIZEN NICK DAVIS. 1730 01:19:40,901 --> 01:19:42,819 NICK. 1731 01:19:46,281 --> 01:19:48,658 - HI, MY NAME IS NICK DAVIS, 1732 01:19:48,783 --> 01:19:51,411 AND I'M HERE TO PRESENTTHIS CHECK TO THE CITY 1733 01:19:51,495 --> 01:19:55,415 FOR THE AMOUNT OF $5,812.59 1734 01:19:55,499 --> 01:19:57,334 FOR THE RESCUEAND REHABILITATION 1735 01:19:57,417 --> 01:19:59,336 FOR THE 9th STREETHOMELESS SHELTER. 1736 01:19:59,419 --> 01:20:02,297 - ALL RIGHT, NICK. 1737 01:20:09,387 --> 01:20:10,764 - WHOO! BRAVO! 1738 01:20:10,847 --> 01:20:14,684 - FROM WHAT I UNDERSTAND,BECAUSE OF THIS CONTRIBUTION, 1739 01:20:14,810 --> 01:20:17,437 COOPERATE SPONSORS ANDTHE CITY HAVE ADDED A FUND 1740 01:20:17,521 --> 01:20:19,523 TO HELP PAY BACK TAXES, 1741 01:20:19,648 --> 01:20:22,192 FULLY RESTORE AND REBUILDTHE HOMELESS SHELTER 1742 01:20:22,275 --> 01:20:24,611 SO IT CAN EXISTFOR YEARS TO COME. 1743 01:20:24,903 --> 01:20:29,950 - NICK, TELL US, HOW DID A KIDLIKE YOU RAISE SO MUCH MONEY? 1744 01:20:30,033 --> 01:20:34,829 - I, UH, PERSUADED MY FRIENDSTO HELP PITCH IN A LITTLE. 1745 01:20:34,913 --> 01:20:37,374 - HE REALLY IS A GOOD BLUFFER,ISN'T HE? 1746 01:20:38,875 --> 01:20:40,377 YOU SHOULD HAVE TOLD US, NICK. 1747 01:20:40,460 --> 01:20:41,962 - I THOUGHT YOU'D BE MAD. 1748 01:20:42,045 --> 01:20:42,837 - I WOULD HAVE, 1749 01:20:43,088 --> 01:20:44,339 BUT I ALSO WOULD HAVEGOTTEN OVER IT. 1750 01:20:44,422 --> 01:20:46,383 - WELL, THE GOOD NEWSIS YOU'RE STILL GROUNDED. 1751 01:20:46,508 --> 01:20:49,094 - I KNOW. I CHEATED AND I LIED. 1752 01:20:49,219 --> 01:20:50,011 AND I KNOW IT WAS WRONG, 1753 01:20:50,262 --> 01:20:52,889 EVEN IF IT WAS FORALL THE RIGHT REASONS. 1754 01:20:52,973 --> 01:20:53,890 - TRUE. 1755 01:20:54,224 --> 01:20:56,601 SO WHO'S UP FOR SOME GIN RUMMYAND SOME FRESH LASAGNA? 1756 01:20:56,726 --> 01:20:58,436 - ME AND MOM AGAINST YOU GUYS? 1757 01:20:58,562 --> 01:21:00,564 - NO WAY. DID YOU KNOW THATTHEY CHEAT AT GIN RUMMY? 1758 01:21:00,689 --> 01:21:02,649 - NO WONDER WE NEVER WIN. 1759 01:21:02,732 --> 01:21:05,277 - YOU GUYS NEVER WIN BECAUSEYOU'RE TERRIBLE CARD PLAYERS. 1760 01:21:05,402 --> 01:21:06,194 - HUH. 1761 01:21:06,278 --> 01:21:09,739 - SPOKEN LIKE A TRUE CHEATER. 1762 01:21:14,536 --> 01:21:16,329 - [DOG BARKS] 1763 01:21:17,080 --> 01:21:20,041 CAPTIONING MADE POSSIBLE BYHALLMARK CHANNELAND FRIENDS OF NCI 1764 01:21:20,125 --> 01:21:23,420 CAPTIONED BY THE NATIONALCAPTIONING INSTITUTE--www.ncicap.org-- 117901