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1
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[dark music]
2
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- I like supernatural,
I like monsters...
3
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[suspenseful music]
4
00:00:17,092 --> 00:00:19,084
- "alien" was the first movie
5
00:00:19,161 --> 00:00:21,537
That I legitimately thougt
I had a disease afterward.
6
00:00:21,539 --> 00:00:24,331
- [screams]
- [screams]
7
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- [moaning]
8
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- John carpenter's "the thing"
is the greatest monster movie
9
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Ever made.
10
00:00:31,915 --> 00:00:33,315
- [snarls]
11
00:00:33,391 --> 00:00:37,010
- The world of "a quiet place" felt very real.
12
00:00:37,012 --> 00:00:39,246
Even an audience member,
what you're drawn in with
13
00:00:39,323 --> 00:00:40,639
Is that you can't make a sound.
14
00:00:40,641 --> 00:00:42,916
♪ ♪
15
00:00:42,993 --> 00:00:44,585
- [roars]
16
00:00:46,480 --> 00:00:49,606
- I don't think of king kong
as a monster
17
00:00:49,683 --> 00:00:51,658
Because you love him.
18
00:00:51,735 --> 00:00:52,959
The real monsters are those bastards shooting him.
19
00:00:53,036 --> 00:00:55,212
- [roars]
20
00:00:55,288 --> 00:00:58,581
- It's a complete metaphor for the tribulations
21
00:00:58,659 --> 00:01:02,903
Of the black male
in american white society.
22
00:01:02,905 --> 00:01:05,130
- [laughing]
23
00:01:05,207 --> 00:01:06,990
- Monsters are a different
thing to different people.
24
00:01:06,992 --> 00:01:09,267
- [breathing heavily]
25
00:01:09,344 --> 00:01:12,929
- Some people are afraid of that huge ugly monster,
26
00:01:13,007 --> 00:01:15,014
And some people are afraid of the existential monster.
27
00:01:15,092 --> 00:01:16,766
- [laughs]
- [screams]
28
00:01:16,844 --> 00:01:20,353
- But if you can't kill it,
well, there's no real story.
29
00:01:20,431 --> 00:01:21,838
- [roars]
30
00:01:21,840 --> 00:01:22,989
- [screeches]
- oh!
31
00:01:23,066 --> 00:01:24,291
- [roars]
32
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♪ ♪
33
00:01:26,845 --> 00:01:28,462
- [screams]
34
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[scary music]
35
00:01:31,533 --> 00:01:38,555
♪ ♪
36
00:01:39,583 --> 00:01:42,059
- [screaming]
37
00:01:55,549 --> 00:01:57,616
♪ ♪
38
00:01:57,693 --> 00:01:59,493
Narrator: Horror is a big tent
39
00:01:59,570 --> 00:02:01,227
With room for a circus full of attractions.
40
00:02:01,305 --> 00:02:02,988
- Aah!
[gunshot]
41
00:02:03,064 --> 00:02:05,891
Narrator: Outrageous slashers...
42
00:02:05,968 --> 00:02:07,584
Apocalyptic comedies...
43
00:02:07,661 --> 00:02:09,427
[roaring and gunshots]
44
00:02:09,429 --> 00:02:11,529
Cringe inducing body horror...
45
00:02:11,607 --> 00:02:12,673
♪ ♪
46
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- [roars]
47
00:02:15,493 --> 00:02:17,827
Narrator: But many of us first came to the genre
48
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For the monsters.
49
00:02:19,673 --> 00:02:22,440
- Aah!
[kids screaming]
50
00:02:22,442 --> 00:02:25,394
- When you're a kid, you want monsters,
51
00:02:25,470 --> 00:02:27,670
And the more monsters
the better,
52
00:02:27,748 --> 00:02:29,273
And if they've got zippers
up their back,
53
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That doesn't matter
54
00:02:31,418 --> 00:02:32,225
As long as they're-- as long as they're monsters.
55
00:02:32,302 --> 00:02:35,437
- [roaring]
56
00:02:35,513 --> 00:02:37,756
- Later you get
a little bit more discerning,
57
00:02:37,758 --> 00:02:40,016
And you start to realize maybe
the less you see the monster,
58
00:02:40,094 --> 00:02:41,285
The scarier he might be.
59
00:02:44,464 --> 00:02:47,374
Narrator: There may be no better example
60
00:02:47,451 --> 00:02:50,193
Of the power of slowly revealing a monster
61
00:02:50,195 --> 00:02:52,695
Than ridley scott's "alien."
62
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[dramatic music]
63
00:02:58,612 --> 00:03:01,704
- "alien" was the first movie
I saw
64
00:03:01,782 --> 00:03:05,300
That I legitimately thought
I had a disease afterwards.
65
00:03:05,377 --> 00:03:09,796
It made me so incredibly
anxious and uncomfortable.
66
00:03:09,873 --> 00:03:13,400
- [hissing]
67
00:03:13,477 --> 00:03:16,486
- It was all about the mouth
inside the mouth.
68
00:03:16,563 --> 00:03:20,690
That shiny slick chrome dome
69
00:03:20,767 --> 00:03:24,411
With the mouth that comes out.
70
00:03:24,488 --> 00:03:26,972
Krikik!
Chhhk!
71
00:03:26,974 --> 00:03:29,333
Pfft!
Ugh.
72
00:03:30,644 --> 00:03:32,827
- Get out of the room!
73
00:03:32,904 --> 00:03:36,648
Narrator: "alien" grew out of a film called "dark star"
74
00:03:36,650 --> 00:03:40,293
Made by two promising usc film students,
75
00:03:40,370 --> 00:03:42,662
John carpenter and dan o'bannon.
76
00:03:42,740 --> 00:03:45,657
O'bannon took his comedic premise,
77
00:03:45,659 --> 00:03:48,769
Bedraggled astronauts doing battle with a monster
78
00:03:48,845 --> 00:03:50,938
In a beaten up spaceship,
79
00:03:51,014 --> 00:03:53,089
And turned it into one of the scariest screenplays
80
00:03:53,167 --> 00:03:54,458
Of all time.
81
00:03:54,534 --> 00:03:57,069
- [screeching]
82
00:03:59,340 --> 00:04:01,173
Narrator: "alien" tells the story
83
00:04:01,175 --> 00:04:03,266
Of a commercial starship crew
84
00:04:03,344 --> 00:04:05,193
Diverted from their mission
85
00:04:05,270 --> 00:04:07,862
By a mysterious order from their employers
86
00:04:07,939 --> 00:04:10,123
Known only as the company.
87
00:04:10,200 --> 00:04:14,978
- Seems she has intercepted a
transmission of unknown origin.
88
00:04:15,055 --> 00:04:16,279
She got us up to check it out.
89
00:04:16,281 --> 00:04:17,798
- A transmission?
Out here?
90
00:04:17,874 --> 00:04:19,374
- Yeah.
91
00:04:19,451 --> 00:04:21,610
Narrator: The film's main characters
92
00:04:21,612 --> 00:04:24,170
Are beleaguered captain dallas,
93
00:04:24,247 --> 00:04:27,382
No nonsense warrant officer ripley,
94
00:04:27,459 --> 00:04:31,586
And ash, the science officer with a hidden agenda.
95
00:04:31,663 --> 00:04:34,498
- They come upon these eggs
on a planet,
96
00:04:34,574 --> 00:04:39,461
And while exploring,
one of them is infected.
97
00:04:39,463 --> 00:04:41,880
- [screaming]
98
00:04:41,957 --> 00:04:43,382
- The creature,
99
00:04:43,384 --> 00:04:45,191
Which would come to be known
as a facehugger,
100
00:04:45,268 --> 00:04:47,143
You know, has attached itself to his face,
101
00:04:47,221 --> 00:04:49,112
Nobody knows what's going on,
102
00:04:49,189 --> 00:04:51,072
And then of course,
all hell breaks loose.
103
00:04:51,149 --> 00:04:53,133
[high pitched tone]
- good god.
104
00:04:53,135 --> 00:04:55,961
[sizzling]
105
00:04:57,648 --> 00:05:00,782
- The crap's gonna eat through
the hull.
106
00:05:00,859 --> 00:05:02,375
- The performances
in that movie are phenomenal.
107
00:05:02,452 --> 00:05:06,013
I mean, the famous
chestburster scene,
108
00:05:06,089 --> 00:05:10,258
It is--I think the reason it's so potent
109
00:05:10,335 --> 00:05:13,002
Is because of the lead up to it
feels so natural,
110
00:05:13,080 --> 00:05:15,713
Making it feel so familiar
to you.
111
00:05:15,791 --> 00:05:19,142
- The food ain't that bad, man.
[laughs]
112
00:05:20,011 --> 00:05:22,254
- You've been in a restaurant,
you've been in a diner,
113
00:05:22,256 --> 00:05:24,114
You've seen somebody,
maybe someone started choking,
114
00:05:24,191 --> 00:05:26,775
Or someone has a heart attack.
115
00:05:26,851 --> 00:05:30,137
That panic, it taps into that,
and then it takes it into,
116
00:05:30,139 --> 00:05:31,521
"what if a thing burst out
of the..."
117
00:05:31,598 --> 00:05:32,688
[laughs]
118
00:05:32,766 --> 00:05:36,034
- [screams]
- [screams]
119
00:05:36,111 --> 00:05:38,211
- It takes it to
this other level,
120
00:05:38,288 --> 00:05:40,130
Which is, um, so brilliant.
121
00:05:41,692 --> 00:05:42,941
- [screeches]
- aah!
122
00:05:43,018 --> 00:05:45,043
Oh!
[moans]
123
00:05:45,120 --> 00:05:47,946
Oh, god!
124
00:05:47,948 --> 00:05:50,382
- It's obviously this kind of perverse
125
00:05:50,392 --> 00:05:53,292
Gender reversed
birth scene, right?
126
00:05:53,370 --> 00:05:54,719
- [squeals]
127
00:05:54,796 --> 00:05:59,474
♪ ♪
128
00:05:59,551 --> 00:06:01,234
Narrator: The crew learns the hard way that,
129
00:06:01,311 --> 00:06:03,545
An insect, the monster undergoes
130
00:06:03,547 --> 00:06:06,131
A dramatic metamorphosis,
131
00:06:06,133 --> 00:06:09,225
And to their bosses, it's a valuable commodity.
132
00:06:09,303 --> 00:06:13,146
- [screaming]
133
00:06:13,223 --> 00:06:15,640
- They have no way
134
00:06:15,642 --> 00:06:17,309
Of understanding
what they're up against.
135
00:06:17,311 --> 00:06:19,244
The corporation is hiding it
from them.
136
00:06:19,320 --> 00:06:21,871
The only person on the crew
who understands
137
00:06:21,948 --> 00:06:24,240
Is the--the robot, the ai guy, you know,
138
00:06:24,318 --> 00:06:26,151
Whose lying the whole time.
139
00:06:26,153 --> 00:06:30,171
- The company views
its employees
140
00:06:30,248 --> 00:06:32,349
As expendable, but...
141
00:06:32,426 --> 00:06:36,335
The creature,
which is not even a person
142
00:06:36,413 --> 00:06:37,938
Or being of any kind,
143
00:06:38,014 --> 00:06:41,483
Is more valuable
than the people
144
00:06:41,560 --> 00:06:43,276
That they have employed.
145
00:06:43,353 --> 00:06:46,479
- There is an explanation
for this, you know?
146
00:06:46,556 --> 00:06:48,481
- [mutters]
147
00:06:48,558 --> 00:06:51,176
Narrator: "alien's" dark view of labor relations
148
00:06:51,178 --> 00:06:53,603
Was a challenge to the status quo,
149
00:06:53,680 --> 00:06:56,456
As was the film's disturbing production design
150
00:06:56,533 --> 00:07:00,827
Which powerfully associated sex with death.
151
00:07:00,904 --> 00:07:03,663
H.R. Giger's biomechanical designs
152
00:07:03,740 --> 00:07:07,217
Played on the audience's deepest sexual anxieties.
153
00:07:09,821 --> 00:07:11,847
- There's this freudian
term "overdetermination."
154
00:07:11,923 --> 00:07:13,306
An object in a dream
155
00:07:13,383 --> 00:07:16,334
May have 15, 20,
1,000 different meanings.
156
00:07:16,411 --> 00:07:19,220
"alien" is probably
the--the greatest example
157
00:07:19,297 --> 00:07:20,647
Of a movie
that's overdetermined
158
00:07:20,724 --> 00:07:21,815
In every possible direction,
159
00:07:21,892 --> 00:07:23,875
Because you have
this space ship
160
00:07:23,877 --> 00:07:25,384
That is basically shaped like
161
00:07:25,462 --> 00:07:27,520
The lower half of a woman's body
162
00:07:27,597 --> 00:07:29,364
With this vast vaginal opening in it,
163
00:07:29,441 --> 00:07:32,367
And inside this vaginal opening are these eggs
164
00:07:32,444 --> 00:07:35,069
That pop open and reveal these marauding penises
165
00:07:35,146 --> 00:07:37,389
That impregnate people through their mouths
166
00:07:37,391 --> 00:07:39,332
And make them burst open
167
00:07:39,409 --> 00:07:41,893
And give birth to further marauding penises.
168
00:07:41,895 --> 00:07:44,229
This is the essence
of overdetermination.
169
00:07:44,231 --> 00:07:46,764
There's--
how do you pick this apart?
170
00:07:46,766 --> 00:07:48,766
Narrator: The film's sexual politics,
171
00:07:48,768 --> 00:07:50,543
Subversive for its time,
172
00:07:50,620 --> 00:07:53,013
Are embodied in the figure of ripley,
173
00:07:53,089 --> 00:07:56,832
Played by "alien's" breakout star, sigourney weaver.
174
00:07:56,910 --> 00:07:59,244
- "alien," 1979,
175
00:07:59,246 --> 00:08:02,630
Had a female hero.
An unexpected female hero.
176
00:08:02,708 --> 00:08:05,400
- Who gets to go into the vent?
- I do.
177
00:08:05,477 --> 00:08:07,027
- No.
178
00:08:07,103 --> 00:08:09,270
- Ridley scott sets up the movie
179
00:08:09,347 --> 00:08:12,699
Where dallas is the hero until dallas is killed.
180
00:08:12,776 --> 00:08:15,535
- Wait, the other way!
[beeping]
181
00:08:17,180 --> 00:08:19,372
[static]
- dallas?
182
00:08:19,449 --> 00:08:21,541
- So that movie
completely flips
183
00:08:21,618 --> 00:08:25,128
In a way most movies couldn't
even have imagined back then.
184
00:08:25,205 --> 00:08:29,198
Ripley becomes the iconic hero.
185
00:08:29,200 --> 00:08:32,277
[fan thumping]
186
00:08:32,279 --> 00:08:34,462
Narrator: By the end,
187
00:08:34,539 --> 00:08:36,589
Only ripley is able to escape the doomed spaceship.
188
00:08:36,666 --> 00:08:38,225
[explosion]
189
00:08:38,301 --> 00:08:41,636
But the greatest test of her heroism is yet to come.
190
00:08:41,713 --> 00:08:44,380
- I think it is one of
the most terrifying scenes
191
00:08:44,458 --> 00:08:47,626
In any movie
is that last part of "alien."
192
00:08:47,628 --> 00:08:49,385
♪ ♪
193
00:08:49,463 --> 00:08:52,972
- When she's alone
in the--in the escape pod,
194
00:08:53,050 --> 00:08:55,483
She's gonna go to sleep, it's gonna be fine,
195
00:08:55,560 --> 00:08:57,260
And then she realizes the alien's in there,
196
00:08:57,337 --> 00:08:58,686
And that it's in the wall.
197
00:08:58,764 --> 00:09:00,838
- Aah!
198
00:09:00,840 --> 00:09:02,541
- It's like getting in your car
199
00:09:02,617 --> 00:09:05,468
And realizing there's
a big python in the backseat,
200
00:09:05,470 --> 00:09:06,902
And you turn around,
201
00:09:06,980 --> 00:09:08,922
And the thing just starts to kinda uncoil,
202
00:09:08,999 --> 00:09:11,165
And at some point,
it's gonna realize
203
00:09:11,242 --> 00:09:15,153
I'm in--in the car with it.
[laughs]
204
00:09:15,155 --> 00:09:16,838
And this
is not gonna be good.
205
00:09:16,914 --> 00:09:18,006
What do I do?
206
00:09:18,082 --> 00:09:22,176
- [heavy breathing]
207
00:09:22,253 --> 00:09:24,104
- You know, it's just one
of those wonderful, like,
208
00:09:24,180 --> 00:09:28,683
So well-conceived moments
of horrific suspense.
209
00:09:28,760 --> 00:09:30,944
- [screams]
210
00:09:35,884 --> 00:09:37,942
- And what a beautifully
paced film.
211
00:09:38,019 --> 00:09:40,954
It was so slow
and patient and quiet
212
00:09:41,031 --> 00:09:43,014
And still,
213
00:09:43,016 --> 00:09:47,201
And uh, always that--
that trembling horror
214
00:09:47,278 --> 00:09:49,278
Beneath the surface.
215
00:09:49,356 --> 00:09:51,298
♪ ♪
216
00:09:51,374 --> 00:09:53,783
Narrator: One alien trapped on one spaceship
217
00:09:53,860 --> 00:09:54,884
Is frightening enough...
218
00:09:57,213 --> 00:09:59,531
- But what if a horde of alien monsters
219
00:09:59,533 --> 00:10:02,434
Overran earth?
220
00:10:08,265 --> 00:10:11,425
[humming]
[zapping]
221
00:10:11,503 --> 00:10:13,378
- [screams]
222
00:10:13,380 --> 00:10:15,638
Narrator: Monsters from outer space invading planet earth.
223
00:10:15,716 --> 00:10:18,691
- [roars]
224
00:10:18,768 --> 00:10:20,552
Narrator: They've been a staple of horror movies
225
00:10:20,554 --> 00:10:21,845
Since the 1950s.
226
00:10:21,921 --> 00:10:24,664
- [screaming]
227
00:10:24,741 --> 00:10:27,892
Narrator: And just when you think it's all been done...
228
00:10:27,894 --> 00:10:29,744
Someone comes along
229
00:10:29,821 --> 00:10:32,631
And breathes new life into the genre.
230
00:10:35,326 --> 00:10:37,235
Narrator: Someone like john krasinski
231
00:10:37,237 --> 00:10:39,337
With his wildly successful film,
232
00:10:39,414 --> 00:10:41,330
"a quiet place."
233
00:10:41,408 --> 00:10:46,494
- [screaming]
234
00:10:46,571 --> 00:10:48,580
- The plot of "a quiet place"
235
00:10:48,582 --> 00:10:52,725
Is that a new
invasive predatory species
236
00:10:52,802 --> 00:10:55,094
Has attacked the human race.
237
00:10:55,172 --> 00:10:56,771
[uneasy violin music]
238
00:10:56,848 --> 00:10:59,348
- [growls]
239
00:10:59,426 --> 00:11:02,494
- And these new creatures
hunt us
240
00:11:02,570 --> 00:11:05,847
And have exterminated, probably most of us
241
00:11:05,849 --> 00:11:08,641
And they have done it
through sound.
242
00:11:08,718 --> 00:11:10,351
[tense music]
243
00:11:10,353 --> 00:11:14,272
♪ ♪
244
00:11:14,274 --> 00:11:16,107
So the only way humans are going to survive
245
00:11:16,184 --> 00:11:18,551
Is if they stay quiet,
246
00:11:18,628 --> 00:11:21,554
And we follow a family which is trying to survive
247
00:11:21,631 --> 00:11:24,449
On the fringes of the planet,
248
00:11:24,451 --> 00:11:27,860
Trying to carve out
an existence in a farmhouse
249
00:11:27,862 --> 00:11:30,397
In a world where
we are no longer
250
00:11:30,473 --> 00:11:31,606
The top of the food chain.
251
00:11:33,634 --> 00:11:35,050
[beeping tune]
252
00:11:35,128 --> 00:11:37,529
- [snarls]
253
00:11:37,605 --> 00:11:40,014
- You're immediately thrown
into this world
254
00:11:40,091 --> 00:11:42,224
Where you got john krasinski,
emily blunt, and their family
255
00:11:42,302 --> 00:11:45,245
Who are just--
they've got a ritual now.
256
00:11:45,321 --> 00:11:47,989
Like, they have a ritual to their day to day life,
257
00:11:48,065 --> 00:11:49,916
And I think the movie does it so brilliantly
258
00:11:49,993 --> 00:11:53,211
Showing you they only have to step on
259
00:11:53,288 --> 00:11:56,405
These parts of the road, they can't step on that.
260
00:11:56,483 --> 00:11:58,049
♪ ♪
261
00:11:58,126 --> 00:11:59,759
- It's such an immersive film,
262
00:11:59,836 --> 00:12:01,761
That what--
even as an audience member,
263
00:12:01,838 --> 00:12:04,322
What you're drawn in with is
that you can't make a sound.
264
00:12:04,324 --> 00:12:06,950
[tense music]
265
00:12:07,026 --> 00:12:08,393
- [grunts]
266
00:12:11,923 --> 00:12:13,923
- Even the people eating popcorn next to you
267
00:12:14,000 --> 00:12:16,434
Are making you jump.
268
00:12:16,511 --> 00:12:21,339
♪ ♪
269
00:12:21,341 --> 00:12:24,342
- What I admire so much about "a quiet place"
270
00:12:24,344 --> 00:12:26,453
Is that everything that happens
271
00:12:26,529 --> 00:12:30,039
And the whole--the whole setup
of the movie is--is organic.
272
00:12:31,268 --> 00:12:32,333
- [screeches]
273
00:12:36,523 --> 00:12:38,465
- The idea of sound
274
00:12:38,541 --> 00:12:40,358
Being the enemy really.
275
00:12:40,360 --> 00:12:43,953
So having a deaf character in the movie is genius
276
00:12:44,030 --> 00:12:47,048
Because conflict is immediately established.
277
00:12:47,124 --> 00:12:51,385
[no sound]
278
00:12:51,462 --> 00:12:53,295
Narrator: For much of the film,
279
00:12:53,373 --> 00:12:55,056
The monsters are only seen at a distance.
280
00:12:55,132 --> 00:12:56,858
- [roar]
281
00:12:59,212 --> 00:13:01,404
Narrator: They're mysterious and unstoppable.
282
00:13:01,481 --> 00:13:03,047
♪ ♪
283
00:13:03,124 --> 00:13:06,225
- [snarling and roaring]
284
00:13:06,303 --> 00:13:08,219
- When you can't see them clearly,
285
00:13:08,221 --> 00:13:09,971
Your imagination goes to work.
286
00:13:10,048 --> 00:13:11,397
What must they be like?
287
00:13:11,474 --> 00:13:13,041
How revolting are they?
288
00:13:14,819 --> 00:13:16,728
- [snarling]
289
00:13:16,730 --> 00:13:19,263
- "a quiet place" creature, at the end of the day,
290
00:13:19,265 --> 00:13:21,024
Was an extremely fast,
you know,
291
00:13:21,100 --> 00:13:25,028
A blur of--
of just limbs going by.
292
00:13:25,104 --> 00:13:28,364
So we looked at all sorts
of creature forms,
293
00:13:28,366 --> 00:13:31,926
Proportions, to try and find the right one for john.
294
00:13:32,003 --> 00:13:34,521
I saw those elements that he happened to like,
295
00:13:34,597 --> 00:13:37,590
These long attenuated front legs
296
00:13:37,667 --> 00:13:41,602
And kinda like that hyena low squat with the hind legs.
297
00:13:41,679 --> 00:13:43,679
- [snarls]
298
00:13:43,757 --> 00:13:45,924
Narrator: To survive, the film's heroes
299
00:13:45,926 --> 00:13:48,684
Have to find the monsters' hidden weakness.
300
00:13:48,762 --> 00:13:52,021
- There needs to be
an achilles' heel.
301
00:13:52,098 --> 00:13:56,117
If you can't kill it, then
well, there's no real story.
302
00:13:56,193 --> 00:13:58,044
The achilles' heel of this creature
303
00:13:58,121 --> 00:13:59,695
Was the fact that it was a giant ear.
304
00:13:59,773 --> 00:14:02,707
[loud ticking]
305
00:14:02,783 --> 00:14:06,627
[timer ticking]
306
00:14:06,704 --> 00:14:08,370
[rings]
307
00:14:08,448 --> 00:14:10,923
- [snarls]
308
00:14:11,000 --> 00:14:14,877
- Having this achilles' heel
allowed there to be a way
309
00:14:14,879 --> 00:14:19,791
To have a narrative arc
that we have this discovery,
310
00:14:19,793 --> 00:14:23,719
And we have a weapon now
to hopefully take them down.
311
00:14:23,797 --> 00:14:26,055
[feedback tones]
312
00:14:26,132 --> 00:14:28,575
- [snarls]
313
00:14:34,857 --> 00:14:37,825
- And there's such an emotional charge at the end
314
00:14:37,902 --> 00:14:39,994
When emily blunt
and her daughter
315
00:14:40,071 --> 00:14:42,071
Discover how to take
these things out.
316
00:14:42,148 --> 00:14:44,257
I saw the movie
at south by southwest
317
00:14:44,334 --> 00:14:47,760
And when she cocks that shotgun,
318
00:14:47,837 --> 00:14:51,431
The entire audience
lost their minds
319
00:14:51,507 --> 00:14:55,602
Because what krasinski
did so well
320
00:14:55,678 --> 00:14:58,679
Is just take you on
a very strong emotional journey
321
00:14:58,756 --> 00:15:00,899
And made it a great
creature feature as well.
322
00:15:00,975 --> 00:15:04,611
Narrator: "a quiet place" had a message about humanity
323
00:15:04,687 --> 00:15:07,130
That is now more relevant than ever.
324
00:15:07,206 --> 00:15:10,341
- What will save us in the end
from destroying ourselves
325
00:15:10,343 --> 00:15:12,985
Is our ability to adapt.
326
00:15:13,062 --> 00:15:17,531
Most species cannot do that. We can adapt to a new paradigm
327
00:15:17,608 --> 00:15:19,876
Especially when survival
is on the line.
328
00:15:19,953 --> 00:15:22,203
- [snarls]
329
00:15:22,279 --> 00:15:23,704
Narrator: The aliens in "a quiet place"
330
00:15:23,781 --> 00:15:25,757
Were forces of unstoppable evil.
331
00:15:27,910 --> 00:15:31,362
But one of the most famous monsters of all time
332
00:15:31,364 --> 00:15:35,224
Is neither good nor evil-- he's simply kong.
333
00:15:35,301 --> 00:15:36,559
- [roars]
334
00:15:41,631 --> 00:15:43,799
- He was a king
in the world he knew,
335
00:15:43,877 --> 00:15:46,301
But he comes to you now
a captive.
336
00:15:46,379 --> 00:15:48,029
Ladies and gentlemen,
337
00:15:48,106 --> 00:15:52,525
I give you, kong,
the eighth wonder of the world!
338
00:15:52,601 --> 00:15:54,059
- [roars]
339
00:15:54,137 --> 00:15:56,162
- [screams]
340
00:15:56,239 --> 00:15:59,290
Narrator: From his star making first appearance in 1933...
341
00:16:02,078 --> 00:16:04,003
To his latest incarnation
342
00:16:04,080 --> 00:16:05,838
As an enormous hairy superhero...
343
00:16:05,915 --> 00:16:08,323
- [roars]
344
00:16:08,401 --> 00:16:10,325
King kong has captured the imagination
345
00:16:10,403 --> 00:16:11,877
Of every monster lover.
346
00:16:11,954 --> 00:16:14,847
[crowd screaming]
347
00:16:16,326 --> 00:16:18,309
What explains his enduring appeal,
348
00:16:18,386 --> 00:16:22,413
And why, despite its dated special effects,
349
00:16:22,490 --> 00:16:24,932
Is the original "king kong"
350
00:16:25,009 --> 00:16:27,342
Still considered one of the greatest monster movies
351
00:16:27,420 --> 00:16:29,362
Of all time?
352
00:16:29,439 --> 00:16:33,925
- The original 1933 kong is--
it's the beatles.
353
00:16:33,927 --> 00:16:36,085
You know?
It's elvis presley, it's...
354
00:16:36,087 --> 00:16:37,537
This is what this is.
355
00:16:37,613 --> 00:16:40,297
This is the best version
of this thing.
356
00:16:40,299 --> 00:16:41,933
Narrator: The story is simple.
357
00:16:41,935 --> 00:16:43,951
A movie producer takes a film crew
358
00:16:44,028 --> 00:16:46,245
To an uncharted tropical island
359
00:16:46,322 --> 00:16:48,697
And discovers the ultimate special effect.
360
00:16:48,775 --> 00:16:50,624
[suspenseful music]
361
00:16:50,701 --> 00:16:52,218
- [screaming]
362
00:16:52,295 --> 00:16:54,445
The towering ape-like monster
363
00:16:54,447 --> 00:16:56,280
The natives call kong.
364
00:16:56,282 --> 00:16:58,449
- [roars]
365
00:16:58,451 --> 00:17:00,059
- We came here
to get a moving picture,
366
00:17:00,136 --> 00:17:01,635
And we found something
worth more
367
00:17:01,712 --> 00:17:03,246
Than all the movies
in the world.
368
00:17:03,322 --> 00:17:05,231
Narrator: He captures kong and takes him to new york
369
00:17:05,308 --> 00:17:07,641
Intending to exploit him for profit.
370
00:17:07,718 --> 00:17:10,778
Kong escapes but is undone
371
00:17:10,855 --> 00:17:14,132
By his affection for a dazzling starlet.
372
00:17:14,134 --> 00:17:18,402
In the early 1930s, no one had ever seen anything like it.
373
00:17:18,479 --> 00:17:21,247
"king kong" was a smash.
374
00:17:22,976 --> 00:17:24,858
- Even though
it was made in 1933,
375
00:17:24,936 --> 00:17:27,328
The effects,
376
00:17:27,404 --> 00:17:29,196
The stop-motion animation
of the king kong character
377
00:17:29,274 --> 00:17:32,500
By willis o'brien is just
really incredibly entertaining.
378
00:17:33,352 --> 00:17:35,278
You know, he fights a giant snake.
379
00:17:35,354 --> 00:17:37,388
He fights an allosaurus.
380
00:17:37,465 --> 00:17:39,757
He fights pterodactyl.
381
00:17:39,834 --> 00:17:41,342
There's all kinds of great shots
382
00:17:41,418 --> 00:17:43,252
Of people being crushed by king kong's foot.
383
00:17:43,329 --> 00:17:44,579
He's eating people.
384
00:17:44,655 --> 00:17:46,347
- Aah!
385
00:17:46,423 --> 00:17:48,566
- He's destroying things.
386
00:17:48,643 --> 00:17:50,777
So it's really a movie
that really delivered.
387
00:17:57,677 --> 00:18:00,528
- There was something dark
about it.
388
00:18:00,604 --> 00:18:03,389
The black and white
just makes it otherworldly,
389
00:18:03,391 --> 00:18:06,684
And it's the weird sexual edge
of it
390
00:18:06,686 --> 00:18:09,879
With kong and,
you know, ann darrow.
391
00:18:09,956 --> 00:18:12,106
None of the other movies
ever came near it.
392
00:18:12,108 --> 00:18:14,467
- [screaming]
393
00:18:14,544 --> 00:18:17,095
- When you look at the white woman in peril,
394
00:18:17,171 --> 00:18:19,121
Which was such a big deal
395
00:18:19,123 --> 00:18:21,724
Back in the era
when "king kong" was made,
396
00:18:21,801 --> 00:18:25,878
This idea black male energy
as a menace
397
00:18:25,955 --> 00:18:28,706
And as a menace specifically to white women,
398
00:18:28,708 --> 00:18:30,883
And "king kong,"
399
00:18:30,960 --> 00:18:34,928
It seems kind of obvious that
there are racial undercurrents.
400
00:18:35,006 --> 00:18:36,313
- [screams]
401
00:18:36,390 --> 00:18:38,658
♪ ♪
402
00:18:38,734 --> 00:18:40,734
[crowd screaming]
403
00:18:40,811 --> 00:18:42,820
- It's complete metaphor
404
00:18:42,897 --> 00:18:45,422
For the tribulations
of the black male
405
00:18:45,424 --> 00:18:47,808
In american white society.
406
00:18:47,885 --> 00:18:50,962
- [speaking german]
407
00:18:59,663 --> 00:19:00,838
- Ah!
408
00:19:00,915 --> 00:19:02,573
[laughs]
409
00:19:02,575 --> 00:19:04,758
- I know a lot of people
watched "inglourious basterds"
410
00:19:04,835 --> 00:19:06,752
And after that card game,
411
00:19:06,829 --> 00:19:08,855
People went back, and they rewatched the film
412
00:19:08,931 --> 00:19:10,523
In a way that they never had before.
413
00:19:10,600 --> 00:19:12,191
- I'm sure there's quite
a few subtextual writers
414
00:19:12,268 --> 00:19:14,310
Who've written about it
before "basterds."
415
00:19:14,386 --> 00:19:15,769
- I'm not saying that you were
the first one
416
00:19:15,846 --> 00:19:17,438
To write about it.
- Yeah, yeah.
417
00:19:17,514 --> 00:19:19,148
- But you were the first one to
put in a pop culture movie...
418
00:19:19,159 --> 00:19:20,682
- Put it in a pop culture...
- That has nothing to do
419
00:19:20,760 --> 00:19:21,868
With king kg
or subtextual slavery.
420
00:19:21,944 --> 00:19:23,235
- Yeah, yeah.
421
00:19:23,312 --> 00:19:24,929
- You're just watching
this war movie,
422
00:19:24,931 --> 00:19:26,097
And suddenly you get
this nugget of information
423
00:19:26,099 --> 00:19:27,156
That really stuck with
a lot of people.
424
00:19:27,167 --> 00:19:28,432
[horrific musical sting]
425
00:19:28,434 --> 00:19:30,209
Narrator: Kong of 1933
426
00:19:30,286 --> 00:19:33,588
Was created using stop-motion animation.
427
00:19:33,664 --> 00:19:35,965
Small figurines were fabricated, posed,
428
00:19:36,042 --> 00:19:38,217
And photographed one frame at a time,
429
00:19:38,294 --> 00:19:41,779
By cinematic pioneer willis o'brien.
430
00:19:41,781 --> 00:19:45,616
- The true auteur
of "king kong"
431
00:19:45,618 --> 00:19:47,334
Is willis o'brien.
432
00:19:47,412 --> 00:19:49,187
Because if you look at
433
00:19:49,263 --> 00:19:51,639
The original posters
of "king kong,"
434
00:19:51,715 --> 00:19:54,466
Kong is far more a monster
435
00:19:54,544 --> 00:19:56,294
And like, he has teeth, that like--
436
00:19:56,296 --> 00:19:57,904
Almost like a saber-toothed tiger.
437
00:19:57,980 --> 00:19:59,730
- Yeah, canine teeth, yeah.
- The canine, rrr!
438
00:19:59,807 --> 00:20:03,651
Willis got rid of all of the monstrous touches,
439
00:20:03,727 --> 00:20:05,578
And the whole idea
440
00:20:05,655 --> 00:20:10,174
Was to make him as human as possible,
441
00:20:10,176 --> 00:20:13,085
And so we respond to kong,
442
00:20:13,162 --> 00:20:15,254
Not as monster,
but as a true character.
443
00:20:15,331 --> 00:20:17,998
That is why
444
00:20:18,075 --> 00:20:21,594
That movie not--not just
a movie about a giant monkey.
445
00:20:21,671 --> 00:20:26,173
It's a character that has
survived since the '30s
446
00:20:26,250 --> 00:20:28,601
As a pop cultural icon.
447
00:20:28,678 --> 00:20:31,687
- [roaring]
448
00:20:35,293 --> 00:20:37,851
- [screaming]
449
00:20:37,928 --> 00:20:40,004
Narrator: "king kong" was so iconic
450
00:20:40,006 --> 00:20:42,006
That no one dared to remake it
451
00:20:42,008 --> 00:20:44,508
Until maverick producer dino de laurentiis
452
00:20:44,510 --> 00:20:46,777
Mounted a production in the mid-1970s.
453
00:20:46,854 --> 00:20:48,696
[dark music]
454
00:20:48,772 --> 00:20:51,323
- My relationship with king kong is--
455
00:20:51,400 --> 00:20:55,202
Started really with--
with the '70s "king kong"
456
00:20:55,279 --> 00:20:58,756
With jeff bridges and jessica lange.
457
00:20:58,833 --> 00:21:01,484
That was amazing to me as a kid.
458
00:21:01,560 --> 00:21:03,861
- "king kong" is mostly played
by rick baker
459
00:21:03,863 --> 00:21:05,696
Who is an incredible makeup
artist.
460
00:21:05,698 --> 00:21:07,198
One of the great guys
461
00:21:07,200 --> 00:21:08,975
And built this incredible ape suit
462
00:21:09,051 --> 00:21:10,601
And really played the character of kong.
463
00:21:10,678 --> 00:21:13,628
- He wore the mask, and
of course, the eyes were his
464
00:21:13,706 --> 00:21:16,482
With contact lenses, and
I think that was really key.
465
00:21:16,559 --> 00:21:19,110
You know, everything else, the facial movements,
466
00:21:19,186 --> 00:21:22,220
All of that was done
via animatronics.
467
00:21:22,298 --> 00:21:24,949
[crowd screaming]
468
00:21:28,054 --> 00:21:31,514
Narrator: In 2005, director peter jackson
469
00:21:31,590 --> 00:21:33,666
Released a lavish remake of "king kong"
470
00:21:33,743 --> 00:21:35,734
Using photorealistic digital effects.
471
00:21:35,812 --> 00:21:37,745
- [growling]
472
00:21:37,821 --> 00:21:39,730
- I had the time of my life
473
00:21:39,732 --> 00:21:42,650
Working on
peter jackson's "king kong."
474
00:21:42,652 --> 00:21:45,452
[grand music]
475
00:21:45,530 --> 00:21:49,181
It was his, like, love letter to this old masterpiece.
476
00:21:49,258 --> 00:21:51,350
Narrator: Jackson's kong was in a way
477
00:21:51,427 --> 00:21:53,668
Played by another man in a suit--
478
00:21:53,746 --> 00:21:57,598
A motion capture suit worn by actor andy serkis.
479
00:21:57,674 --> 00:22:01,326
Serkis's performance was painted over by a computer
480
00:22:01,328 --> 00:22:04,346
Then placed in digital environments.
481
00:22:04,424 --> 00:22:06,273
The technology had changed,
482
00:22:06,350 --> 00:22:09,101
But the story followed the same tragic arc.
483
00:22:09,178 --> 00:22:11,220
- [roars]
484
00:22:11,297 --> 00:22:12,946
[dramatic music]
485
00:22:13,023 --> 00:22:15,558
- I don't think of king kong
as a monster
486
00:22:15,634 --> 00:22:17,409
Because you love him.
487
00:22:17,486 --> 00:22:20,079
♪ ♪
488
00:22:20,155 --> 00:22:21,714
- [roars]
489
00:22:21,791 --> 00:22:24,366
- He's--he's got--he's got
a sweetness to him.
490
00:22:24,444 --> 00:22:26,135
You kind of root for him,
491
00:22:26,212 --> 00:22:30,306
And the real monsters are those bastards shooting him.
492
00:22:30,383 --> 00:22:33,784
- Well, gentlemen,
the airplanes got him.
493
00:22:33,786 --> 00:22:35,953
[somber music]
494
00:22:35,955 --> 00:22:38,456
- Oh, no.
It wasn't the airplanes.
495
00:22:38,458 --> 00:22:41,658
It was beauty killed the beast.
496
00:22:41,660 --> 00:22:43,160
♪ ♪
497
00:22:43,162 --> 00:22:45,071
- Fly, fly! Three...
498
00:22:45,147 --> 00:22:47,848
- But no monster with good box office truly dies.
499
00:22:47,925 --> 00:22:51,893
- [roaring]
500
00:22:51,971 --> 00:22:54,563
[both screaming]
501
00:22:54,640 --> 00:22:57,375
- [roars]
502
00:22:57,451 --> 00:23:00,402
- "kong on skull island."
like, I watched it,
503
00:23:00,480 --> 00:23:01,903
And I thought, "these fight
scenes when he's fight--
504
00:23:01,981 --> 00:23:03,714
Are so spectacular..."
505
00:23:09,146 --> 00:23:11,597
"but I feel like I don't care
506
00:23:11,674 --> 00:23:12,723
That I'm watching it
at the same time."
507
00:23:15,861 --> 00:23:17,770
Like, it looks incredible,
508
00:23:17,847 --> 00:23:20,472
But I think it just looks
so incredible
509
00:23:20,549 --> 00:23:23,700
That it's, you know,
it's kinda like...
510
00:23:23,702 --> 00:23:25,461
Sometimes you see an old black and white photo
511
00:23:25,463 --> 00:23:26,779
That's out of focus,
512
00:23:26,856 --> 00:23:28,030
And there's just something about it.
513
00:23:28,107 --> 00:23:30,758
- Each remake of it comes out
514
00:23:30,760 --> 00:23:33,935
And within ten years
it is made obsolete.
515
00:23:34,013 --> 00:23:35,955
[suspenseful music]
516
00:23:36,031 --> 00:23:38,290
Because all their special
effects have moved on,
517
00:23:38,367 --> 00:23:40,108
And now
it's a whole different thing.
518
00:23:40,186 --> 00:23:43,421
But the original "king kong"
always will be a go-to
519
00:23:43,497 --> 00:23:46,114
To both film fans,
children seeing the movie,
520
00:23:46,192 --> 00:23:47,633
Anything.
521
00:23:47,710 --> 00:23:51,953
- [roaring]
522
00:23:52,031 --> 00:23:54,623
Narrator: It took decades for other giant creatures
523
00:23:54,700 --> 00:23:57,643
To challenge king kong's place on the monster throne.
524
00:24:00,039 --> 00:24:02,556
When they came, they came in droves.
525
00:24:02,633 --> 00:24:06,110
- [roaring]
526
00:24:13,751 --> 00:24:15,886
Narrator: The japanese hae a word for them...
527
00:24:15,888 --> 00:24:18,405
[crowd screaming]
- [roars]
528
00:24:18,482 --> 00:24:20,732
Narrator: Kaiju.
529
00:24:20,810 --> 00:24:22,518
Giant monsters.
530
00:24:22,520 --> 00:24:25,504
[dramatic music]
531
00:24:25,581 --> 00:24:29,341
Oversized and unstoppable, the spawn of the atomic age
532
00:24:29,418 --> 00:24:32,511
Have rampaged across movie screens for nearly 70 years.
533
00:24:36,592 --> 00:24:41,245
- You know the atomic bomb
brought world war ii to an end,
534
00:24:41,247 --> 00:24:43,522
But on one level, it didn't.
535
00:24:47,186 --> 00:24:50,345
It was just the beginning of new anxieties
536
00:24:50,423 --> 00:24:52,639
And new fears
537
00:24:52,717 --> 00:24:55,275
And the prospect of an even more terrifying war to come.
538
00:24:55,352 --> 00:24:59,020
This was where
the very new and original
539
00:24:59,098 --> 00:25:02,282
Kinds of, uh, fright films
of the 1950s
540
00:25:02,359 --> 00:25:04,752
Came from--atomic anxieties.
541
00:25:06,272 --> 00:25:08,905
- Five, four, three,
542
00:25:08,983 --> 00:25:11,124
Two, one.
543
00:25:11,201 --> 00:25:18,140
♪ ♪
544
00:25:19,543 --> 00:25:21,510
Narrator: To japanese audiences,
545
00:25:21,521 --> 00:25:24,972
The nightmarish imagery of ishiro honda's "godzilla"
546
00:25:25,048 --> 00:25:27,441
Was a jarring reminder of a national trauma.
547
00:25:29,828 --> 00:25:31,886
It was made just after nine years
548
00:25:31,964 --> 00:25:34,740
After atomic bombs leveled the cities of hiroshima
549
00:25:34,817 --> 00:25:36,224
And nagasaki.
550
00:25:36,302 --> 00:25:38,059
- [roars]
551
00:25:38,137 --> 00:25:40,996
♪ ♪
552
00:25:41,073 --> 00:25:42,806
[crowd screaming]
553
00:25:42,808 --> 00:25:44,308
Narrator: The film begins
554
00:25:44,310 --> 00:25:45,751
When an h-bomb test rouses godzilla...
555
00:25:45,828 --> 00:25:48,420
- [roars]
- [screams]
556
00:25:48,497 --> 00:25:50,422
Narrator: A radioactive monster
557
00:25:50,499 --> 00:25:53,108
Addicted to mass destruction.
558
00:25:53,110 --> 00:25:55,778
Haunted scientist, dr. Serizawa,
559
00:25:55,854 --> 00:25:58,538
Has invented a device that could stop the monster
560
00:25:58,616 --> 00:26:00,415
But he's afraid his invention
561
00:26:00,493 --> 00:26:02,292
Will be turned into another super weapon.
562
00:26:02,370 --> 00:26:04,520
- [speaking japanese]
563
00:26:10,920 --> 00:26:12,753
- It was a very somber film,
564
00:26:12,830 --> 00:26:14,095
And there was nothing campy
565
00:26:14,173 --> 00:26:15,781
About that
very first godzilla film.
566
00:26:15,858 --> 00:26:19,009
It's a very
disturbing film, even today.
567
00:26:19,011 --> 00:26:22,413
Narrator: In the end, serizawa kills the monster and himself
568
00:26:22,489 --> 00:26:25,340
Taking his lethal invention to his grave.
569
00:26:25,342 --> 00:26:28,294
- [speaking japanese]
570
00:26:29,622 --> 00:26:33,023
- This was a movie that really
caught the zeitgeist of japan,
571
00:26:33,025 --> 00:26:34,783
Postwar japan,
572
00:26:34,860 --> 00:26:37,577
And it's interesting that none
of the other godzilla pictures
573
00:26:37,655 --> 00:26:39,296
Are as serious
as the first one.
574
00:26:39,373 --> 00:26:42,341
- [roaring]
575
00:26:42,417 --> 00:26:46,145
- They're all kind of stepping
on tanks, you know, basic.
576
00:26:47,964 --> 00:26:49,982
Narrator: "godzilla's" enormous popularity
577
00:26:50,059 --> 00:26:52,818
At the box office brought the monster back to life
578
00:26:52,895 --> 00:26:54,461
For a series of entertaining
579
00:26:54,538 --> 00:26:57,031
But increasingly outlandish sequels.
580
00:27:02,696 --> 00:27:04,496
- With sequel after sequel
581
00:27:04,573 --> 00:27:06,907
And reappearance
after reappearance,
582
00:27:06,983 --> 00:27:09,150
Uh, godzilla ultimately became
583
00:27:09,228 --> 00:27:11,745
A kind of a creature of--
of fun.
584
00:27:11,822 --> 00:27:15,023
- [roaring]
- [roaring]
585
00:27:15,100 --> 00:27:17,009
- Only then to be, uh,
586
00:27:17,086 --> 00:27:19,178
Resurrected as
a terrifying monster again.
587
00:27:25,594 --> 00:27:28,078
So it's like there's
a pendulum swing
588
00:27:28,080 --> 00:27:30,189
With--with monsters.
589
00:27:30,265 --> 00:27:32,933
Narrator: Godzilla used the figure of the monster
590
00:27:33,009 --> 00:27:35,519
As a stand-in for manmade disaster.
591
00:27:35,595 --> 00:27:37,262
♪ ♪
592
00:27:37,339 --> 00:27:40,941
[crowd screaming]
593
00:27:41,017 --> 00:27:43,276
The same can be said of "cloverfield."
594
00:27:43,353 --> 00:27:46,538
- [roars]
595
00:27:46,615 --> 00:27:48,857
- "cloverfield" is probably one
of my favorite monster movies
596
00:27:48,934 --> 00:27:49,899
Of recent memory.
597
00:27:49,977 --> 00:27:51,702
[group screaming]
598
00:27:51,712 --> 00:27:55,272
Take "godzilla" but filter it
through a found footage movie
599
00:27:55,274 --> 00:27:58,366
And make it feel very grounded
and feel very real.
600
00:27:58,444 --> 00:28:00,277
[crowd screaming]
601
00:28:00,279 --> 00:28:02,203
Narrator: "cloverfield" tells the story
602
00:28:02,281 --> 00:28:04,038
Of a group of friends trying to survive
603
00:28:04,116 --> 00:28:06,708
A giant monster attack on new york city.
604
00:28:06,786 --> 00:28:09,687
[crowd screaming]
605
00:28:12,625 --> 00:28:16,126
The shaky handheld footage is unmistakably similar
606
00:28:16,128 --> 00:28:18,796
To the videos shot during the terrorist attacks
607
00:28:18,798 --> 00:28:21,055
Of September 11th, 2001.
608
00:28:21,133 --> 00:28:24,067
[crowd screaming]
609
00:28:24,144 --> 00:28:27,729
The cloverfield monster was an all cgi creation
610
00:28:27,731 --> 00:28:30,157
Conceived by producer j.J. Abrams
611
00:28:30,233 --> 00:28:32,584
And designed by producer neville page.
612
00:28:32,661 --> 00:28:35,495
- J.J. Didn't really specify
at the beginning anything
613
00:28:35,572 --> 00:28:39,133
Other than he wanted it
to be large and terrifying.
614
00:28:43,489 --> 00:28:48,784
It's a newborn, and this infant is horrified
615
00:28:48,786 --> 00:28:51,878
And afraid of this new world that's going on around him,
616
00:28:51,956 --> 00:28:54,848
And that gave us motivation
to crash into buildings.
617
00:28:54,925 --> 00:28:56,667
As it's turning around,
it's clumsy.
618
00:28:56,669 --> 00:28:59,737
It's just starting to develop
its ability to walk.
619
00:28:59,813 --> 00:29:02,096
- They just hit!
They hit it with--
620
00:29:02,174 --> 00:29:04,675
Oh, my god!
621
00:29:04,677 --> 00:29:06,844
Narrator: Tapping into the memories of the chaos
622
00:29:06,846 --> 00:29:08,512
Of the 9/11 attacks
623
00:29:08,514 --> 00:29:10,864
Grounded "cloverfield" in real life horror.
624
00:29:10,941 --> 00:29:13,041
- Oh my god.
625
00:29:15,020 --> 00:29:17,037
Narrator: And it gave audiences a safe way
626
00:29:17,113 --> 00:29:19,831
To deal with national trauma.
627
00:29:19,908 --> 00:29:21,133
- As a film maker,
as a storyteller,
628
00:29:21,210 --> 00:29:22,843
Writer, or whatever it is,
629
00:29:22,920 --> 00:29:26,412
You will be fed
with the emotions
630
00:29:26,490 --> 00:29:29,032
Of the world you live in at the time,
631
00:29:29,034 --> 00:29:31,218
And it will come out somehow
creatively.
632
00:29:31,294 --> 00:29:33,220
Definitely the horror movies in general
633
00:29:33,296 --> 00:29:35,847
And possibly also monsts more specifically
634
00:29:35,924 --> 00:29:38,275
Are a product of their world.
635
00:29:43,549 --> 00:29:44,923
Narrator: In the paranoid world
636
00:29:44,925 --> 00:29:46,492
Of john carpenter's "the thing,"
637
00:29:46,568 --> 00:29:49,328
Anyone can be a monster in disguise.
638
00:29:49,404 --> 00:29:51,071
- Aah!
639
00:29:51,147 --> 00:29:52,414
[horrific musical sting]
640
00:29:57,712 --> 00:30:00,372
Narrator: In the early days of movies,
641
00:30:00,448 --> 00:30:03,950
Monsters were distorted versions of humans,
642
00:30:04,028 --> 00:30:07,262
Actors concealed under incredible makeup.
643
00:30:08,665 --> 00:30:10,507
Narrator: By the 1950s,
644
00:30:10,584 --> 00:30:13,702
The state of the art was the full body monster suit
645
00:30:13,704 --> 00:30:16,914
As well as the giant creatures made out of papier-mâché.
646
00:30:16,916 --> 00:30:18,598
♪ ♪
647
00:30:18,675 --> 00:30:19,858
[horrific musical sting]
648
00:30:19,935 --> 00:30:21,768
[both screaming]
649
00:30:21,845 --> 00:30:26,465
In the 1980s, there was another seismic shift.
650
00:30:26,467 --> 00:30:28,975
New materials let special effects artists
651
00:30:29,053 --> 00:30:32,353
Upgrade the rubber monster suits with robotic parts
652
00:30:32,431 --> 00:30:34,573
Leading to amazing creations
653
00:30:34,649 --> 00:30:36,792
Like stan winston's "pumpkinhead."
654
00:30:40,814 --> 00:30:43,990
And the queen mother in james cameron's "aliens."
655
00:30:44,068 --> 00:30:47,444
♪ ♪
656
00:30:47,446 --> 00:30:48,887
The era's crowning achievement
657
00:30:48,964 --> 00:30:51,223
Was john carpenter's "the thing"...
658
00:30:51,300 --> 00:30:54,768
- [snarling]
659
00:30:54,845 --> 00:30:56,377
Narrator: What many consider
660
00:30:56,455 --> 00:30:59,339
The greatest monster movie of all time.
661
00:30:59,416 --> 00:31:02,809
12 men stationed in an antarctica weather base
662
00:31:02,886 --> 00:31:05,312
Find themselves under siege
663
00:31:05,388 --> 00:31:07,406
By a shapeshifting monster.
664
00:31:07,482 --> 00:31:11,392
It infiltrates the base disguised as a friendly husky,
665
00:31:11,470 --> 00:31:14,079
But this is a very bad dog.
666
00:31:14,156 --> 00:31:17,140
[dogs barking]
667
00:31:17,142 --> 00:31:18,917
[scary music]
668
00:31:18,994 --> 00:31:21,879
- The creature effects were so mind blowing
669
00:31:21,955 --> 00:31:24,164
And so outrageous
670
00:31:24,240 --> 00:31:27,726
Because there were no rules
to the monster.
671
00:31:27,728 --> 00:31:30,503
[dogs barking]
672
00:31:31,156 --> 00:31:33,748
- So the first time that
the dog goes into the kennel
673
00:31:33,826 --> 00:31:37,135
And splits open and just starts
turning into the--
674
00:31:37,212 --> 00:31:39,545
I didn't even know where
to look or what to think.
675
00:31:39,623 --> 00:31:42,949
- [roars]
676
00:31:42,951 --> 00:31:45,836
Narrator: Special effects wizard rob bottin
677
00:31:45,838 --> 00:31:48,413
Created an ever-changing monster.
678
00:31:48,415 --> 00:31:50,357
[skeleton crackling]
679
00:31:50,433 --> 00:31:53,619
An alien shape-shifter that absorbed bits and pieces
680
00:31:53,695 --> 00:31:55,120
Of life forms from around the galaxy
681
00:31:55,197 --> 00:31:58,214
And can imitate anything it touches.
682
00:31:58,216 --> 00:31:59,774
- [bellows]
683
00:31:59,852 --> 00:32:01,351
- What's great about that film
684
00:32:01,353 --> 00:32:02,461
And the creature designs
in "the thing"
685
00:32:02,537 --> 00:32:05,113
Is the fact that
686
00:32:05,190 --> 00:32:07,524
It's trying to evolve
in a very short period of time,
687
00:32:07,526 --> 00:32:10,076
And each version,
it's a bit of a mess.
688
00:32:10,154 --> 00:32:13,055
- [roaring]
689
00:32:14,383 --> 00:32:16,266
[chirping]
690
00:32:17,219 --> 00:32:19,478
[screeching]
691
00:32:19,554 --> 00:32:22,555
- And that's also what lends
itself to be so horrifying
692
00:32:22,632 --> 00:32:25,299
Because if it came out as
a fully resolved creature,
693
00:32:25,377 --> 00:32:27,894
I don't think that would've been anywhere near as scary
694
00:32:27,971 --> 00:32:30,714
As these mutations that you felt the pain of it,
695
00:32:30,716 --> 00:32:32,716
Even an alien,
696
00:32:32,718 --> 00:32:34,551
That it's assimilating
these people.
697
00:32:34,553 --> 00:32:37,070
You felt the pain that it's not
quite figured out how to be,
698
00:32:37,147 --> 00:32:38,914
Uh, fully resolved.
699
00:32:41,310 --> 00:32:43,393
- [gagging]
700
00:32:43,395 --> 00:32:45,003
Narrator: Trapped in a nightmare,
701
00:32:45,080 --> 00:32:47,839
The men are consumed by fear and paranoia.
702
00:32:47,916 --> 00:32:50,550
[overlapping yelling]
703
00:32:50,627 --> 00:32:51,718
Narrator: Any one of them
704
00:32:51,795 --> 00:32:53,679
Could be the monster in disguise.
705
00:32:53,755 --> 00:32:56,622
- It all kinda deals with
the fear of conformity
706
00:32:56,700 --> 00:32:58,758
But also trusting people.
707
00:32:58,835 --> 00:33:00,911
I think that's a thing
that a lot of people fear,
708
00:33:00,913 --> 00:33:02,579
You know?
709
00:33:02,581 --> 00:33:04,405
- Trust is a tough thing
to come by these days.
710
00:33:04,407 --> 00:33:07,508
- "the thing," for a film
711
00:33:07,586 --> 00:33:10,344
That has some of the best
monster effects of all time,
712
00:33:10,422 --> 00:33:11,989
Even by today's standards,
713
00:33:12,065 --> 00:33:14,274
Still the most tense scene
714
00:33:14,350 --> 00:33:15,942
Revolves around them
giving a blood test.
715
00:33:16,019 --> 00:33:19,687
- You see, when a man bleeds,
716
00:33:19,765 --> 00:33:22,023
It's just tissue.
717
00:33:22,025 --> 00:33:23,934
[tense music]
718
00:33:23,936 --> 00:33:25,452
But blood
from one of you things
719
00:33:25,528 --> 00:33:27,354
Won't obey when it's attacked.
720
00:33:27,356 --> 00:33:31,441
- Because you haven't seen,
like, a massive, um,
721
00:33:31,443 --> 00:33:32,792
Shapeshifting monster
in your lifetime,
722
00:33:32,869 --> 00:33:34,720
But everybody's cut
their thumb.
723
00:33:34,796 --> 00:33:36,446
Everybody knows
what that feels like.
724
00:33:36,523 --> 00:33:41,451
♪ ♪
725
00:33:41,453 --> 00:33:44,545
- They're seeing who's the monster,
726
00:33:44,623 --> 00:33:48,324
And that's a beautiful
analogy of, you know, life,
727
00:33:48,326 --> 00:33:50,252
Like, you know,
the banality of evil.
728
00:33:50,328 --> 00:33:52,446
You could--the monster
could be sitting right here.
729
00:33:52,522 --> 00:33:55,215
Ted bundy
looked like a normal guy.
730
00:33:55,292 --> 00:33:57,300
- Palmer now.
731
00:33:57,302 --> 00:33:59,819
- The climax is in such a great shock
732
00:33:59,896 --> 00:34:02,113
Where they're holding the petri dish.
733
00:34:02,190 --> 00:34:03,656
It wasn't until I watched it
for the third time
734
00:34:03,733 --> 00:34:05,233
That I realized,
735
00:34:05,310 --> 00:34:07,252
"oh, this is like a fake hand
that he's holding,"
736
00:34:07,329 --> 00:34:09,662
And it's a fake hand because
a monster is gonna go whaaaa
737
00:34:09,739 --> 00:34:11,055
Out of the petri dish.
738
00:34:11,057 --> 00:34:13,166
- We'll do you last.
739
00:34:13,243 --> 00:34:14,918
- [screeches]
740
00:34:14,994 --> 00:34:18,079
♪ ♪
741
00:34:18,081 --> 00:34:20,824
- I've always been a big proponent of special effects
742
00:34:20,826 --> 00:34:23,351
That are practical,
that happen on the set.
743
00:34:27,173 --> 00:34:31,610
In "the thing" the chest
that splits open
744
00:34:31,686 --> 00:34:34,428
Really sort of amazed everybody
745
00:34:34,506 --> 00:34:36,272
Standing around.
746
00:34:36,349 --> 00:34:37,841
- Clear.
- Clear.
747
00:34:37,843 --> 00:34:41,144
- [bellowing]
- [screaming]
748
00:34:42,072 --> 00:34:45,182
- As a result, you get a reaction I think,
749
00:34:45,184 --> 00:34:47,275
From the--from the characters and the actors
750
00:34:47,352 --> 00:34:49,352
That is a lot more significant
751
00:34:49,354 --> 00:34:51,279
Than if they were just looking
at a green object.
752
00:34:51,356 --> 00:34:54,024
[dramatic music]
753
00:34:54,026 --> 00:34:55,783
Narrator: For an aggressively violent film,
754
00:34:55,861 --> 00:34:58,862
"the thing" ends on a note of quiet paranoia--
755
00:34:58,864 --> 00:35:00,972
Two men about to die,
756
00:35:01,049 --> 00:35:04,034
Neither one sure if the other is the monster.
757
00:35:04,036 --> 00:35:06,494
- Won't last long though.
758
00:35:06,571 --> 00:35:09,130
- Neither will we.
759
00:35:09,208 --> 00:35:12,133
Narrator: "the thing" is now considered a classic,
760
00:35:12,135 --> 00:35:15,712
But the film's horrific imagery did not go over well
761
00:35:15,714 --> 00:35:17,513
In 1982.
762
00:35:17,591 --> 00:35:20,117
- Well, "the thing" had
the unfortunate bad luck
763
00:35:20,193 --> 00:35:23,220
To come right after "e.T.,"
764
00:35:23,222 --> 00:35:25,488
And people were looking
for lovable aliens,
765
00:35:25,565 --> 00:35:28,750
And they certainly didn't get any in "the thing."
766
00:35:32,131 --> 00:35:35,173
I just remember how
devastated everybody was
767
00:35:35,250 --> 00:35:37,676
That the picture didn't--
not only didn't it open,
768
00:35:37,752 --> 00:35:40,070
It got bad reviews.
769
00:35:40,072 --> 00:35:41,638
People were saying, you know,
770
00:35:41,715 --> 00:35:43,923
"this is--this is practically pornography,
771
00:35:44,000 --> 00:35:45,433
This is so violent."
772
00:35:45,510 --> 00:35:47,185
Honestly, it's stood
the test of time
773
00:35:47,262 --> 00:35:49,253
And now, you know, people have
a chance to appreciate it.
774
00:35:49,331 --> 00:35:52,082
- Aah!
775
00:35:52,084 --> 00:35:54,751
Narrator: Today the ever-improving quality
776
00:35:54,753 --> 00:35:56,802
Of digital effects makes it possible
777
00:35:56,880 --> 00:35:59,256
To bring even stranger monsters to the screen...
778
00:35:59,258 --> 00:36:01,299
- [cries]
779
00:36:01,301 --> 00:36:03,109
Narrator: Drawn from the darkest parts of our psyches.
780
00:36:03,186 --> 00:36:04,494
- [roars]
781
00:36:09,292 --> 00:36:11,025
- Stop following me!
782
00:36:11,103 --> 00:36:13,503
- I'm gonna--
I'm gonna get you outta here.
783
00:36:18,944 --> 00:36:22,404
Narrator: Two recent films, "it chapter two..."
784
00:36:22,480 --> 00:36:25,298
- [screams]
- [screams]
785
00:36:25,375 --> 00:36:29,394
Narrator: And "scary stories to tell in the dark..."
786
00:36:29,471 --> 00:36:32,213
Are the state of the art of modern monster movies.
787
00:36:32,215 --> 00:36:34,107
- [screams]
788
00:36:34,184 --> 00:36:35,883
Narrator: Both tell supernatural stories
789
00:36:35,961 --> 00:36:38,052
About human fear,
790
00:36:38,130 --> 00:36:41,114
And both blend practical effects with computer graphics
791
00:36:41,191 --> 00:36:43,049
To push creature design to the limit.
792
00:36:43,126 --> 00:36:46,152
- [shrieks]
793
00:36:46,229 --> 00:36:48,914
- I know it's kind of in vogue
to sort of crap on cg
794
00:36:48,990 --> 00:36:50,582
And just go to practical,
795
00:36:50,659 --> 00:36:52,083
But not all practical effects
look great, you know?
796
00:36:52,160 --> 00:36:54,419
So it is finding the balance
between the two,
797
00:36:54,496 --> 00:36:56,287
But when you solely rely
on one or the other,
798
00:36:56,364 --> 00:36:58,148
I do think they kind of
need each other.
799
00:36:58,150 --> 00:37:00,759
Narrator: Adapted from the popular children's books,
800
00:37:00,835 --> 00:37:03,744
"scary stories to tell in the dark"
801
00:37:03,822 --> 00:37:07,340
Follows a group of teenagers who break into a haunted house
802
00:37:07,417 --> 00:37:09,592
And discover a book that seems to write itself.
803
00:37:09,669 --> 00:37:12,303
- Oh, my god.
804
00:37:12,380 --> 00:37:14,164
Narrator: Over the next five days,
805
00:37:14,166 --> 00:37:16,182
The unlucky teens fall victim
806
00:37:16,259 --> 00:37:19,502
To a rogues' gallery of monsters.
807
00:37:19,504 --> 00:37:22,756
- It has all these
amazing creatures
808
00:37:22,758 --> 00:37:26,201
That stephen gammell drew
for the books,
809
00:37:26,278 --> 00:37:29,279
And we just really made sure
810
00:37:29,355 --> 00:37:32,182
That what we put in the movie was that.
811
00:37:32,258 --> 00:37:33,959
- [screams]
- [screams]
812
00:37:34,035 --> 00:37:36,777
- We didn't want
to reinvent the wheel here.
813
00:37:36,855 --> 00:37:38,855
Narrator: One of the most innovative monsters
814
00:37:38,857 --> 00:37:42,558
In the film is the jangly man...
815
00:37:42,560 --> 00:37:46,137
A creature that assembles and reassembles itself.
816
00:37:46,214 --> 00:37:50,267
♪ ♪
817
00:37:50,343 --> 00:37:53,052
- The jangly man was really
tough because we had to, like,
818
00:37:53,129 --> 00:37:55,555
He was gonna be so twisty
and body parts
819
00:37:55,631 --> 00:37:57,482
And coming together and doing all this and that.
820
00:37:57,559 --> 00:38:00,576
So the combination of real effects,
821
00:38:00,578 --> 00:38:02,879
An amazing contortionist,
822
00:38:02,881 --> 00:38:05,156
And some digital enhancements.
823
00:38:05,233 --> 00:38:06,825
- [snarls]
824
00:38:06,901 --> 00:38:10,161
- To create what we were hoping
for--an iconic face
825
00:38:10,238 --> 00:38:13,556
And design,
then make that come alive,
826
00:38:13,558 --> 00:38:15,375
And there was a lot
of challenges to that.
827
00:38:15,452 --> 00:38:17,243
- [screams]
828
00:38:17,320 --> 00:38:19,153
Narrator: The monsters in "scary stories"
829
00:38:19,231 --> 00:38:22,749
Are all grotesque embodiments of teenage anxiety.
830
00:38:22,825 --> 00:38:24,450
- Aah, aah!
831
00:38:24,528 --> 00:38:25,735
Narrator: From being suffocated
832
00:38:25,812 --> 00:38:26,753
By a mother's love...
833
00:38:26,829 --> 00:38:29,014
- [heavy breathing]
834
00:38:29,090 --> 00:38:30,590
Narrator: To being disfigured
835
00:38:30,666 --> 00:38:32,541
By the world's angriest pimple.
836
00:38:32,619 --> 00:38:34,352
- [moans]
837
00:38:36,181 --> 00:38:38,222
[screaming]
838
00:38:38,299 --> 00:38:40,542
Narrator: Confronting the fears of youth
839
00:38:40,618 --> 00:38:43,695
Is also the central theme of "it chapter two,"
840
00:38:43,772 --> 00:38:47,590
The sequel to andy muschietti's 2017 adaptation
841
00:38:47,592 --> 00:38:49,275
Of stephen king's "it."
842
00:38:49,352 --> 00:38:50,851
- [screeches]
843
00:38:50,929 --> 00:38:52,929
- [screams]
- give me fat boy.
844
00:38:52,931 --> 00:38:55,239
[screams]
845
00:38:55,316 --> 00:38:58,409
Narrator: The now adult members of the losers club
846
00:38:58,486 --> 00:39:00,545
Return to the town of derry, maine
847
00:39:00,622 --> 00:39:03,523
To do final battle against their childhood nemesis.
848
00:39:03,600 --> 00:39:06,801
- Your dirty little secret...
849
00:39:06,878 --> 00:39:08,828
Narrator: Pennywise the clown.
850
00:39:08,905 --> 00:39:11,723
- One-nuh...
851
00:39:11,800 --> 00:39:14,225
Narrator: Bill skarsgard once again
852
00:39:14,302 --> 00:39:16,561
Plays the demonic shapeshifter pennywise.
853
00:39:16,638 --> 00:39:18,805
- You're supposed to say three.
854
00:39:18,881 --> 00:39:21,048
Narrator: With the help of cgi,
855
00:39:21,126 --> 00:39:24,127
His body constantly twists and morphs
856
00:39:24,129 --> 00:39:28,013
Into terrible new shapes that match his victims' fears.
857
00:39:28,091 --> 00:39:29,649
- [screams]
858
00:39:29,725 --> 00:39:31,634
- I go practical as much as--as I can,
859
00:39:31,636 --> 00:39:33,303
But there's a limit,
860
00:39:33,305 --> 00:39:35,154
And like, a lot of people
complain about cg,
861
00:39:35,231 --> 00:39:37,064
But cg can be great
862
00:39:37,142 --> 00:39:40,085
If you bring an original design
863
00:39:40,161 --> 00:39:42,736
And it's, like, executed properly.
864
00:39:42,814 --> 00:39:44,981
- [grunting]
865
00:39:44,983 --> 00:39:46,549
- I tend to draw a lot.
866
00:39:48,578 --> 00:39:52,004
All the creatures that appear in my movies, I sketch first.
867
00:39:52,081 --> 00:39:54,115
- [groaning]
868
00:39:54,117 --> 00:39:57,360
Narrator: One creature effect calls back to a famous monster
869
00:39:57,362 --> 00:39:58,603
Of the movies.
870
00:39:58,680 --> 00:39:59,938
- I love horror movies.
871
00:40:00,014 --> 00:40:02,014
I love--I grew up
loving monster movies
872
00:40:02,091 --> 00:40:04,183
And loving those kind of--
those kind of films,
873
00:40:04,260 --> 00:40:06,169
And I was like,
well, if you have a, you know,
874
00:40:06,171 --> 00:40:08,338
Head that turns into a spider,
875
00:40:08,340 --> 00:40:09,355
I mean, that's from
"the thing."
876
00:40:09,432 --> 00:40:11,524
- [snarls]
877
00:40:11,601 --> 00:40:13,510
- And andy was like,
"yeah, yeah, I know, yeah."
878
00:40:13,512 --> 00:40:15,094
And we talked about it,
and I was like,
879
00:40:15,171 --> 00:40:18,123
I should say...
- You gotta be [...] kidding.
880
00:40:18,199 --> 00:40:21,351
- And I remember we watched it
on my phone,
881
00:40:21,353 --> 00:40:23,128
You know, to make sure
we got the line right,
882
00:40:23,204 --> 00:40:25,213
And I said it
in the right cadence.
883
00:40:25,290 --> 00:40:27,615
You gotta be
[...] kidding.
884
00:40:27,692 --> 00:40:31,428
- [laughing]
885
00:40:32,422 --> 00:40:34,205
[screaming]
- [roars]
886
00:40:34,282 --> 00:40:36,032
- You're a weak old woman.
887
00:40:36,034 --> 00:40:37,625
Narrator: At the epic conclusion
888
00:40:37,702 --> 00:40:39,460
Of "it chapter two,"
889
00:40:39,538 --> 00:40:42,647
The losers club finds the monster's achilles' heel,
890
00:40:42,724 --> 00:40:45,508
And they turn their own fears against him.
891
00:40:45,585 --> 00:40:47,894
[all chanting]
892
00:40:47,970 --> 00:40:49,821
- That's what both "it" movies are.
893
00:40:49,898 --> 00:40:52,991
It's about people
living in fear
894
00:40:53,067 --> 00:40:57,311
And what the horrible things
we do as--as human beings.
895
00:40:57,389 --> 00:40:59,897
Pennywise is
896
00:40:59,975 --> 00:41:02,225
The representation of fear.
897
00:41:02,227 --> 00:41:03,993
[horrific musical sting]
898
00:41:04,070 --> 00:41:06,062
- [cries]
899
00:41:06,064 --> 00:41:07,730
- [laughs]
900
00:41:07,732 --> 00:41:09,340
- That's why we make movies.
901
00:41:09,417 --> 00:41:11,492
We want to people to see these movies
902
00:41:11,570 --> 00:41:14,161
And try to understand
903
00:41:14,239 --> 00:41:17,590
That that's the worst thing
we can do, live in fear.
904
00:41:17,667 --> 00:41:19,458
- [snarls]
- [screams]
905
00:41:19,536 --> 00:41:20,927
- [snarls]
906
00:41:21,003 --> 00:41:22,020
- [screams]
907
00:41:22,096 --> 00:41:24,004
- [grunts]
908
00:41:24,082 --> 00:41:26,098
Narrator: The monsters of the movies are from outer space...
909
00:41:26,175 --> 00:41:28,133
- [snarls]
910
00:41:28,211 --> 00:41:29,819
- [snarls]
911
00:41:29,896 --> 00:41:32,271
Narrator: The creations of magic...
912
00:41:32,348 --> 00:41:34,532
Or the products of science gone wrong...
913
00:41:34,609 --> 00:41:37,285
[thunder rolls]
914
00:41:37,362 --> 00:41:41,372
But whatever they look like and wherever they're from,
915
00:41:41,449 --> 00:41:44,501
At heart they are all walking, crawling,
916
00:41:44,577 --> 00:41:47,778
Or slithering representations of our very human fears...
917
00:41:47,856 --> 00:41:49,622
- [roars]
918
00:41:49,699 --> 00:41:52,700
Narrator: The fears we must face and defeat
919
00:41:52,777 --> 00:41:54,511
Less they consume us all.
76009
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