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1
00:00:21,021 --> 00:00:24,625
[MUSIC PLAYING]
2
00:06:36,063 --> 00:06:37,798
[COCKS GUN]
3
00:06:46,974 --> 00:06:49,176
THERE YOU ARE,
YOU SON OF A BITCH.
4
00:07:00,688 --> 00:07:02,656
DROP YOUR WEAPON NOW.
5
00:07:02,690 --> 00:07:04,024
I'LL SHOOT YOU DEAD.
6
00:07:07,861 --> 00:07:09,530
DO IT, HOMBRE.
7
00:07:13,867 --> 00:07:15,903
I WAS TRYING TO STOP
THE KILLER.
8
00:07:15,936 --> 00:07:19,039
OH, REALLY?
FIRST THE WOMEN
START DISAPPEARING,
9
00:07:19,072 --> 00:07:20,708
NOW HALF THE TOWN
THAT ISN'T DEAD,
10
00:07:20,741 --> 00:07:22,776
THEY'VE RUN AWAY.
11
00:07:23,844 --> 00:07:25,012
[COCKS GUN]
12
00:07:25,045 --> 00:07:26,847
I KNOW YOU'RE BEHIND THIS.
13
00:07:26,880 --> 00:07:28,015
NO, THERE'S SOMEONE ELSE.
14
00:07:28,048 --> 00:07:29,717
LOOK.
15
00:07:34,555 --> 00:07:36,490
DON'T YOU TRY
TO PLAY ME THE FOOL.
16
00:07:54,975 --> 00:07:56,009
[GASPS]
17
00:07:56,043 --> 00:07:57,911
[WOMAN SCREAMS]
18
00:08:10,223 --> 00:08:11,224
[GRUNTS]
19
00:11:05,332 --> 00:11:09,870
THIS DON'T LOOK
LIKE A HIGH-CLASS SALOON
TO ME, CHRISTINA.
20
00:11:09,903 --> 00:11:12,873
WELL, THE JOB POSTING
SAYS THEY PAY BIG MONEY,
21
00:11:12,906 --> 00:11:15,008
SO WHO CARES
WHAT IT LOOKS LIKE?
22
00:11:24,017 --> 00:11:27,187
HELLO?
23
00:11:27,220 --> 00:11:29,790
WE'RE HERE ABOUT
THE JOB POSTING.
24
00:11:29,823 --> 00:11:31,258
HOSTESSES NEEDED?
25
00:11:31,291 --> 00:11:34,327
WHORES NEEDED.
LET'S BE HONEST.
26
00:11:37,364 --> 00:11:40,768
THEY SAID HOSTESSES NEEDED.
27
00:11:40,801 --> 00:11:44,104
HOSTESSES MEANS WHORES,
CHRISTINA. DON'T BE NAIVE.
28
00:11:50,310 --> 00:11:52,345
HELLO?
29
00:11:53,446 --> 00:11:54,982
HELLO?
30
00:11:57,517 --> 00:11:59,286
SOMEONE POSTED A JOB NOTICE
31
00:11:59,319 --> 00:12:01,121
IN ALL THE SHASTA COUNTY
NEWSPAPERS.
32
00:12:01,154 --> 00:12:02,455
HEY!
33
00:12:02,489 --> 00:12:06,093
WE TRAVELED FOUR DAYS
TO GET HERE!
34
00:12:10,831 --> 00:12:13,200
DON'T BE GETTING US FIRED
BEFORE WE GET HIRED.
35
00:12:18,471 --> 00:12:22,876
YOU KNOW, I DON'T
SEE ANYONE...
36
00:12:27,180 --> 00:12:29,216
ANYWHERE.
37
00:12:37,424 --> 00:12:39,459
[DOOR CREAKS]
38
00:12:51,304 --> 00:12:53,340
HELLO?
39
00:12:54,574 --> 00:12:56,309
UM...
40
00:12:59,379 --> 00:13:01,048
IS SOMEONE HERE?
41
00:13:02,249 --> 00:13:04,017
DO YOU SEE ANYONE?
42
00:13:06,353 --> 00:13:10,357
I-- I THINK I SEE A--
43
00:13:10,390 --> 00:13:12,559
-[SCREAMS]
-[GASPS]
44
00:13:29,476 --> 00:13:31,511
[GRUNTING]
45
00:13:31,544 --> 00:13:34,081
HELP! SOMEONE, HELP ME!
46
00:13:41,088 --> 00:13:44,057
[GAGGING]
47
00:14:15,155 --> 00:14:16,223
[GASPS]
48
00:14:21,694 --> 00:14:23,430
[SCREAMS]
49
00:15:15,148 --> 00:15:17,350
[SCREAMING]
50
00:15:35,168 --> 00:15:37,570
[GASPING]
51
00:15:49,749 --> 00:15:51,251
[SCREAMING]
52
00:16:27,654 --> 00:16:31,691
[GHOSTLY VOICES]
CAN YOU HEAR US? PLEASE!
53
00:16:39,599 --> 00:16:43,736
[DEEP VOICE CHANTING]
54
00:16:43,770 --> 00:16:46,106
[GHOSTLY VOICES]
WE ARE HERE WITH YOU.
55
00:16:58,185 --> 00:17:02,089
[DEEP VOICE]
YOU MUST LOOK NOT LET HER...
56
00:17:02,122 --> 00:17:04,824
DO NOT LET HER FILTH...
57
00:17:04,857 --> 00:17:07,160
[GHOSTLY WHISPERS]
58
00:17:07,194 --> 00:17:09,129
[DEEP VOICE]
ANSWER THE CALL.
59
00:17:10,463 --> 00:17:14,601
[VOICES CONTINUE]
60
00:17:14,634 --> 00:17:19,439
[DEEP VOICE]
ANSWER THE CALL.
61
00:17:19,472 --> 00:17:21,641
ANSWER IT.
62
00:17:22,775 --> 00:17:25,612
[DEEP VOICE GROWLS]
63
00:17:26,713 --> 00:17:29,649
[GROWLING CONTINUES]
64
00:17:35,155 --> 00:17:37,290
[DEEP VOICE]
LOOK AT THAT FLOWER.
65
00:17:37,324 --> 00:17:40,460
[GHOSTLY VOICES]
SO BEAUTIFUL. SO BEAUTIFUL.
66
00:17:40,493 --> 00:17:43,630
[DEEP VOICE]
SO ROTTEN ON THE INSIDE.
67
00:17:43,663 --> 00:17:44,864
[VOICE]
FILTHY ROTTEN.
68
00:17:44,897 --> 00:17:46,466
[DEEP VOICE]
LIKE ALL OF THEM.
69
00:17:46,499 --> 00:17:48,168
[VOICE]
EVERY SINGLE ONE.
70
00:17:48,201 --> 00:17:50,537
[DEEP VOICE]
SET HER FREE.
71
00:17:50,570 --> 00:17:52,805
GIVE HER OBLIVION.
72
00:17:52,839 --> 00:17:54,641
[GHOSTLY VOICES]
OBLIVION.
73
00:17:54,674 --> 00:17:57,610
[DEEP VOICE]
END HER SUFFERING.
74
00:17:57,644 --> 00:18:00,580
END HER DEBAUCHERY.
75
00:18:02,682 --> 00:18:05,218
MAKE HER BATHE IN PAIN.
76
00:18:05,252 --> 00:18:08,488
PAIN SO SWEET.
77
00:18:08,521 --> 00:18:10,357
[GHOSTLY VOICES]
GIVE IT TO HER.
78
00:18:12,625 --> 00:18:13,826
[GASPS]
79
00:18:13,860 --> 00:18:15,528
OH, MY GOD.
80
00:18:18,365 --> 00:18:20,433
GET AWAY FROM ME!
81
00:18:22,435 --> 00:18:24,671
STOP IT.
82
00:18:32,212 --> 00:18:33,380
OH, GOD.
83
00:18:34,881 --> 00:18:37,150
NO! NO, NO, NO! NO!
84
00:18:37,184 --> 00:18:38,851
[BLADE SCRAPING]
85
00:18:38,885 --> 00:18:40,887
[SCREAMS]
86
00:18:40,920 --> 00:18:43,356
[SOBBING]
87
00:18:43,390 --> 00:18:46,293
[SQUELCHING]
88
00:19:13,486 --> 00:19:18,558
[SCREAMING
AND SLICING ECHOES]
89
00:19:25,265 --> 00:19:27,734
[DEEP VOICE]
YOUR HANDS ARE CLEAN.
90
00:19:27,767 --> 00:19:30,670
[VOICE]
YOUR HANDS ARE CLEAN,
DEAR BOY.
91
00:19:30,703 --> 00:19:32,839
[DEEP VOICE]
YOU ARE SANCTIFIED.
92
00:19:32,872 --> 00:19:34,474
[GHOSTLY WHISPERS]
SANCTIFIED.
93
00:19:34,507 --> 00:19:37,477
[DEEP VOICE]
FROM HELL'S HEART.
94
00:19:37,510 --> 00:19:39,612
[GHOSTLY WHISPERS]
FROM HELL'S HEART.
95
00:19:47,920 --> 00:19:50,723
[DEEP VOICE]
DO YOU YOUR WORK.
96
00:19:50,757 --> 00:19:52,892
[VOICE]
YOUR HALLOWED WORK.
97
00:19:52,925 --> 00:19:54,594
[DEEP VOICE]
NEVER STOP.
98
00:19:54,627 --> 00:19:56,596
-[VOICE] NO, NO, NO.
-[GHOSTLY WHISPERS] NEVER.
99
00:19:56,629 --> 00:19:58,598
[DEEP VOICE]
NEVER STOP.
100
00:20:21,321 --> 00:20:24,891
MISS STARK,
MY TIME'S LIMITED.
101
00:20:24,924 --> 00:20:27,327
PROFESSOR MOORE,
THANK GOD YOU'RE HERE.
102
00:20:27,360 --> 00:20:28,861
WHAT IS IT?
103
00:20:31,063 --> 00:20:34,867
DO YOU REMEMBER THE DIARY
THAT THEY UNEARTHED
UP IN THE SIERRAS?
104
00:20:34,901 --> 00:20:37,637
HEY, YOU'RE-- YOU'RE NOT
SUPPOSED TO TAKE THESE
105
00:20:37,670 --> 00:20:40,640
OUT OF THE ARCHIVES
DEPARTMENT.
106
00:20:40,673 --> 00:20:41,974
I KNOW,
BUT THEY CLOSED AT FIVE,
107
00:20:42,008 --> 00:20:43,943
AND I HAD TO KEEP GOING.
108
00:20:43,976 --> 00:20:45,412
I'LL BRING IT BACK.
109
00:20:45,445 --> 00:20:48,515
WHY DID YOU HAVE
TO KEEP GOING?
110
00:20:48,548 --> 00:20:51,751
I FOUND SOMETHING IMPORTANT.
111
00:20:51,784 --> 00:20:53,386
WHAT?
112
00:20:58,691 --> 00:21:01,861
I THINK I MAY HAVE SOLVED
THE MYSTERY OF JACK THE RIPPER.
113
00:21:06,699 --> 00:21:10,837
MISS STARK,
I HAVE A CLASS TO TEACH.
114
00:21:10,870 --> 00:21:12,539
I KNOW IT SOUNDS CRAZY,
PROFESSOR MOORE,
115
00:21:12,572 --> 00:21:14,407
AND YOU HAVE EVERY RIGHT
NOT TO BELIEVE
116
00:21:14,441 --> 00:21:18,345
SUCH A WILD SOUNDING BOAST,
BUT IT'S TRUE.
117
00:21:18,378 --> 00:21:21,714
THAT'S THE DIARY
OF THAT FREED SLAVE WOMAN.
118
00:21:21,748 --> 00:21:24,451
YEAH, HER NAME WAS HANNAH,
AND SHE WROTE ABOUT--
119
00:21:24,484 --> 00:21:28,955
SHE WROTE ABOUT HER ENCOUNTERS
WITH A RUTHLESS KILLER.
120
00:21:28,988 --> 00:21:31,991
I KNOW.
IT'S BEEN THE TALK
OF THE DEPARTMENT
121
00:21:32,024 --> 00:21:34,394
EVER SINCE IT WAS FOUND.
122
00:21:34,427 --> 00:21:36,996
HIS NAME
WAS FRANCIS TUMBLETY.
123
00:21:37,029 --> 00:21:38,531
SHE FOUND
HIS TRAVELING PAPERS,
124
00:21:38,565 --> 00:21:39,932
AND THAT'S NOT ALL.
125
00:21:39,966 --> 00:21:41,701
YOU KNOW, I'M SERIOUS
ABOUT THAT DIARY.
126
00:21:41,734 --> 00:21:43,603
YOU BETTER NOT GET
ANY COFFEE STAINS ON THAT
127
00:21:43,636 --> 00:21:46,072
BEFORE YOU RETURN IT.
128
00:21:46,105 --> 00:21:48,107
I'LL KEEP IT TOTALLY SAFE,
DON'T WORRY,
129
00:21:48,140 --> 00:21:50,377
BUT PLEASE,
JUST LET ME EXPLAIN.
130
00:21:52,579 --> 00:21:55,882
OKAY. MAKE IT QUICK.
131
00:21:55,915 --> 00:21:57,550
THANKS.
132
00:21:57,584 --> 00:21:59,386
OKAY, SO, I WAS ASKED
133
00:21:59,419 --> 00:22:01,888
TO DIGITIZE THE TEXT
IN THIS DIARY,
134
00:22:01,921 --> 00:22:03,990
AND AS I WAS READING
THROUGH IT,
135
00:22:04,023 --> 00:22:07,394
I STARTED NOTICING
MORE THAN A FEW SIMILARITIES
136
00:22:07,427 --> 00:22:09,061
BETWEEN THE KILLER
THAT HANNAH WROTE ABOUT
137
00:22:09,095 --> 00:22:10,663
AND JACK THE RIPPER.
138
00:22:10,697 --> 00:22:13,900
I ONLY SKIMMED A REPORT
ON THIS LAST WEEK,
139
00:22:13,933 --> 00:22:16,403
BUT IF I REMEMBER CORRECTLY,
140
00:22:16,436 --> 00:22:19,572
THERE WAS A MURDERER
UP IN THE MOUNTAINS.
141
00:22:19,606 --> 00:22:23,876
HE KILLED EVERYONE IN A SMALL
MINING VILLAGE, CORRECT?
142
00:22:23,910 --> 00:22:25,678
YEAH, HE KILLED
EVERYONE IN THAT TOWN,
143
00:22:25,712 --> 00:22:28,080
AND THEN HE STARTED
PLACING HELP WANTED ADS
144
00:22:28,114 --> 00:22:30,417
IN ALL THE SURROUNDING AREA'S
NEWSPAPERS.
145
00:22:30,450 --> 00:22:32,952
HELP WANTED? FOR WHAT?
146
00:22:32,985 --> 00:22:36,489
WELL, HE WAS PRETENDING
TO BE A SALOON PROPRIETOR
147
00:22:36,523 --> 00:22:39,726
LOOKING FOR HOSTESSES TO HIRE.
148
00:22:41,461 --> 00:22:44,597
AND SINCE HOSTESS
USUALLY MEANT PROSTITUTE,
149
00:22:44,631 --> 00:22:48,935
YOU THINK THAT
HE WAS SPECIFICALLY
150
00:22:48,968 --> 00:22:51,438
-TARGETING PROSTITUTES.
-YES.
151
00:22:51,471 --> 00:22:54,507
TARGETING PROSTITUTES
LIKE JACK THE RIPPER.
152
00:22:54,541 --> 00:22:56,008
EXACTLY.
153
00:22:56,042 --> 00:22:58,077
AS A HISTORY STUDENT,
YOU SHOULD BE AWARE
154
00:22:58,110 --> 00:23:01,714
THAT JACK THE RIPPER
WAS IN LONDON, NOT HERE.
155
00:23:01,748 --> 00:23:03,716
MM-HMM. YES,
OF COURSE I KNOW THAT.
156
00:23:03,750 --> 00:23:06,719
AND AS YOU SHOULD KNOW,
HE WAS NEVER FOUND,
157
00:23:06,753 --> 00:23:08,020
HE WAS NEVER IDENTIFIED.
158
00:23:08,054 --> 00:23:10,189
HE JUST STOPPED KILLING
ALL OF THE SUDDEN.
159
00:23:10,222 --> 00:23:14,026
CORRECT,
BUT THAT DOESN'T MEAN OR--
160
00:23:14,060 --> 00:23:15,995
YOU KNOW, I MIGHT NOT
BE A PSYCH MAJOR,
161
00:23:16,028 --> 00:23:18,765
BUT DO YOU REALLY THINK
THAT JACK THE RIPPER
JUST BECAME SANE?
162
00:23:18,798 --> 00:23:20,500
THAT HE WAS CURED
ALL OF A SUDDEN?
163
00:23:20,533 --> 00:23:22,502
THAT HE WAS JUST, LIKE,
"I THINK I'M GONNA STOP
164
00:23:22,535 --> 00:23:25,472
DOING ALL THIS KILLING
AND BECOME A NORMAL GUY?"
165
00:23:25,505 --> 00:23:27,940
I'M SURE I DON'T KNOW.
166
00:23:29,509 --> 00:23:33,145
JACK THE RIPPER
NEVER STOPPED KILLING
167
00:23:33,179 --> 00:23:34,881
HE JUST MOVED.
168
00:23:37,216 --> 00:23:38,585
SO THE RIPPER'S
FAMOUS KILLING SPREE
169
00:23:38,618 --> 00:23:40,052
WAS IN WHITECHAPEL, LONDON.
170
00:23:40,086 --> 00:23:42,589
IN 1888.
171
00:23:42,622 --> 00:23:44,824
-THE VICTORIAN ERA.
-MM-HMM.
172
00:23:44,857 --> 00:23:46,926
SO, HE MURDERED PROSTITUTES
173
00:23:46,959 --> 00:23:49,095
AND ELUDED
THE FINEST POLICE FORCE
174
00:23:49,128 --> 00:23:50,663
ON THE PLANET AT THAT TIME.
175
00:23:50,697 --> 00:23:54,200
A POLICE FORCE THAT WAS USING
176
00:23:54,233 --> 00:23:55,802
FORENSIC TECHNIQUES
TO TRACK HIM.
177
00:23:55,835 --> 00:23:57,637
AND STILL
THEY DIDN'T CATCH HIM,
178
00:23:57,670 --> 00:23:59,005
BUT THEY CAME CLOSE.
179
00:23:59,038 --> 00:24:00,673
TOO CLOSE FOR HIS COMFORT.
180
00:24:00,707 --> 00:24:03,009
SO, HE MOVED.
181
00:24:03,042 --> 00:24:04,777
HE FLED TO THE U.S.,
182
00:24:04,811 --> 00:24:07,480
AND I HAVE PROOF OF THIS.
183
00:24:07,514 --> 00:24:12,051
YOU HAVE PROOF OF
THE RIPPER OR TUMBLETY?
184
00:24:12,084 --> 00:24:18,024
I HAVE PROOF OF TUMBLETY'S
ESCAPE FROM LONDON TO THE U.S.
185
00:24:18,057 --> 00:24:21,193
IF HE WAS THE RIPPER,
186
00:24:21,227 --> 00:24:24,030
WHY WOULD HE COME
ALL THE WAY TO CALIFORNIA?
187
00:24:24,063 --> 00:24:25,832
IT WAS THE WILD WEST
AT THAT TIME.
188
00:24:25,865 --> 00:24:28,200
YEAH, "WILD" BEING
THE OPERATIVE WORD.
189
00:24:28,234 --> 00:24:29,802
IT WAS THE 1890S.
190
00:24:29,836 --> 00:24:31,838
PEOPLE USED TO GO
MISSING HERE ALL THE TIME.
191
00:24:31,871 --> 00:24:34,807
BEAR ATTACKS,
INDIANS, SHOOT-OUTS.
192
00:24:34,841 --> 00:24:36,743
IT WAS THE FRONTIER.
193
00:24:38,745 --> 00:24:40,046
SO, YOU THINK THE RIPPER
194
00:24:40,079 --> 00:24:43,783
SOUGHT OUT A PLACE
WHERE THE MURDERS
195
00:24:43,816 --> 00:24:44,884
WOULD GO UNNOTICED.
196
00:24:44,917 --> 00:24:46,719
YES, THAT'S RIGHT.
197
00:24:49,956 --> 00:24:52,124
THERE WERE POLICEMEN
IN THE WEST.
198
00:24:52,158 --> 00:24:53,993
OH, YEAH, TOUGH LAWMEN
TO BE SURE.
199
00:24:54,026 --> 00:24:55,728
BUT, I MEAN, THEY HAD
NO IDEA WHAT THE CONCEPT
200
00:24:55,762 --> 00:24:58,164
OF A SERIAL KILLER WAS
AT THAT TIME.
201
00:24:58,197 --> 00:25:00,733
AND, FRANKLY, THEY DIDN'T
REALLY HAVE THE INTELLECT
202
00:25:00,767 --> 00:25:02,902
TO OUTWIT SUCH
A METHODICAL MAN.
203
00:25:02,935 --> 00:25:05,905
THEY PROBABLY COULDN'T EVEN
CONCEIVE OF A PERSON
204
00:25:05,938 --> 00:25:08,908
WHO WOULD KILL FOR PLEASURE.
205
00:25:08,941 --> 00:25:10,910
I HAVE AS A MATTER
OF RECORD
206
00:25:10,943 --> 00:25:13,012
THAT THEY WERE CHASING
THE WRONG MAN.
207
00:25:13,045 --> 00:25:15,147
THEY EVEN FORMED POSSES
TO HELP CHASE HIM.
208
00:25:36,636 --> 00:25:37,837
[GUNSHOTS]
209
00:27:05,291 --> 00:27:06,292
[GRUNTS]
210
00:27:16,402 --> 00:27:17,904
[GUNSHOTS]
211
00:27:22,408 --> 00:27:23,910
[GUNSHOTS]
212
00:27:23,943 --> 00:27:26,078
CEASE FIRE!
U.S. MARSHAL.
213
00:27:41,460 --> 00:27:43,429
I'M HERE FOR MR. BUCHINSKI.
214
00:27:43,462 --> 00:27:45,064
SO ARE WE, DAMN IT.
215
00:27:45,097 --> 00:27:48,868
WE FOUND HIM FIRST!
AT THAT REWARD, IT'S OURS!
216
00:27:48,901 --> 00:27:51,771
GET THE HELL
ON OUT OF HERE, LAW DOG!
217
00:27:51,804 --> 00:27:54,907
THIS MAN KILLED
TWO OF MY MEN,
218
00:27:54,941 --> 00:27:56,809
INCLUDING MY BROTHER.
219
00:27:56,843 --> 00:27:59,278
THERE AIN'T NO WAY
HE GOES FREE.
220
00:28:01,047 --> 00:28:02,181
[COCKS GUN]
221
00:28:02,214 --> 00:28:03,950
[GUNSHOT]
222
00:29:17,423 --> 00:29:18,858
[GROANS]
223
00:29:49,021 --> 00:29:50,522
THERE WAS ONLY ONE LAWMAN
224
00:29:50,556 --> 00:29:52,291
SMART ENOUGH TO FIGURE IT OUT.
225
00:29:52,324 --> 00:29:54,493
HE WAS A MARSHAL
FROM SHASTA COUNTY.
226
00:30:06,372 --> 00:30:09,008
I'M NOT HERE TO ARREST YOU.
227
00:30:09,041 --> 00:30:11,844
I READ THE POLICE REPORT.
I SAW THE EVIDENCE.
228
00:30:11,878 --> 00:30:13,913
LET ME SEE THAT BADGE.
229
00:30:16,883 --> 00:30:18,985
YOU CLAIM YOU DIDN'T
KILL THOSE WOMEN.
230
00:30:19,018 --> 00:30:21,854
THAT'S GODDAMN RIGHT.
231
00:30:24,590 --> 00:30:27,927
YOU STATED A CRAZY MAN
DID THE KILLINGS.
232
00:30:29,261 --> 00:30:31,097
HE WAS MORE LIKE A DEVIL.
233
00:30:34,033 --> 00:30:37,469
THE CORRECT TERM
IS PSYCHOPATH.
234
00:30:39,371 --> 00:30:43,175
BUT YOU'RE RIGHT,
HE IS FROM HELL.
235
00:30:43,209 --> 00:30:45,011
[HORSE NEIGHS]
236
00:31:31,290 --> 00:31:33,459
NO, NO, NO, I'LL DO IT.
237
00:31:35,127 --> 00:31:36,963
NO, DON'T GO WANDERING OFF.
238
00:31:36,996 --> 00:31:38,664
-YOU'LL GET LOST.
-[HORSE NEIGHS]
239
00:31:38,697 --> 00:31:41,600
-YOU STAY AT MY SIDE.
-YES, MA'AM.
240
00:31:41,633 --> 00:31:43,502
DON'T SPEAK TO ANYONE,
UNDERSTAND?
241
00:31:43,535 --> 00:31:46,272
-YES, MA'AM.
-[HORSE WHINNIES]
242
00:31:48,707 --> 00:31:50,576
WHERE IS EVERYONE?
243
00:31:50,609 --> 00:31:52,478
CAN'T RIGHTLY SAY.
244
00:31:52,511 --> 00:31:55,647
AIN'T SEEN ANYONE
SINCE WE GOT HERE.
245
00:31:55,681 --> 00:31:57,649
FIND THE SALOON PROPRIETOR.
246
00:31:57,683 --> 00:32:01,020
AND I NEED A ROOM
AND WHATEVER PASSES
FOR A HOTEL HERE.
247
00:32:01,053 --> 00:32:04,156
YES, MA'AM.
248
00:32:04,190 --> 00:32:05,324
-GO! NOW.
-YES, MA'AM.
249
00:32:07,726 --> 00:32:12,664
-[HORSE WHINNIES]
-HELLO!
250
00:32:12,698 --> 00:32:15,201
THESE SMALL TOWN PEOPLE
HAVE NO MANNERS AT ALL.
251
00:32:20,372 --> 00:32:22,574
SO WHERE CAN I FIND
THIS CRAZED KILLER?
252
00:32:26,745 --> 00:32:28,714
THERE'S A LITTLE TOWN
UP THERE SOMEWHERE.
253
00:32:30,216 --> 00:32:34,186
WHAT'S IT CALLED?
254
00:32:34,220 --> 00:32:36,188
IT WAS ABANDONED.
255
00:32:36,222 --> 00:32:38,524
I DIDN'T CATCH THE NAME.
256
00:32:38,557 --> 00:32:40,726
I WAS TRYING
TO SAVE MY OWN HIDE.
257
00:32:41,727 --> 00:32:44,030
BUT-- BUT YOU REMEMBER
258
00:32:44,063 --> 00:32:45,397
WHERE IT IS, RIGHT?
259
00:32:47,466 --> 00:32:49,401
YOU COULDN'T PAY ME
TO GO BACK THERE.
260
00:32:51,570 --> 00:32:55,541
GOOD, 'CAUSE I'M NOT
OFFERING YOU ANY MONEY.
261
00:32:55,574 --> 00:32:58,310
WELL, FRIEND, THEN YOU GOT
LESS THAN NOTHING.
262
00:32:58,344 --> 00:33:00,212
OH, I'VE GOT SOMETHING,
ALL RIGHT.
263
00:33:00,246 --> 00:33:02,381
SOMETHING BETTER THAN MONEY.
264
00:33:02,414 --> 00:33:03,649
I CAN OFFER YOU FREEDOM.
265
00:33:05,417 --> 00:33:07,786
SEE, I'M AFTER
THE REAL KILLER.
266
00:33:07,819 --> 00:33:09,488
YOU SHOW ME WHERE HE IS,
267
00:33:09,521 --> 00:33:11,723
I'LL ARREST HIM,
BRING HIM BACK.
268
00:33:11,757 --> 00:33:16,195
THAT'LL CLEAR YOUR NAME.
AND I CAN DO IT.
269
00:33:16,228 --> 00:33:19,198
I KNOW THE MAGISTRATE
WHO ISSUED VOUCHER
ON YOUR BOUNTY.
270
00:33:19,231 --> 00:33:20,599
HE'S AN OLD FRIEND OF MINE.
271
00:33:22,768 --> 00:33:25,037
I CAN CLEAN
THIS MESS UP LEGALLY.
272
00:33:27,106 --> 00:33:31,243
UNLESS YOU WANT TO SPEND
THE REST OF YOUR DAYS
A WANTED MAN.
273
00:33:31,277 --> 00:33:33,745
A WANTED LADY KILLER?
274
00:33:33,779 --> 00:33:35,081
HOW FAR YOU THINK
YOU'RE GONNA MAKE IT
275
00:33:35,114 --> 00:33:36,115
WITH THAT PRICE
ON YOUR HEAD?
276
00:33:38,417 --> 00:33:40,152
LET'S GO BEFORE
I COME TO MY SENSES.
277
00:33:42,521 --> 00:33:44,022
OKAY.
278
00:33:45,324 --> 00:33:47,759
LET'S GET THIS BASTARD
279
00:33:47,793 --> 00:33:49,628
AND CLEAR YOUR NAME.
280
00:34:59,398 --> 00:35:01,333
I DON'T UNDERSTAND.
281
00:35:01,367 --> 00:35:02,868
WHERE ARE ALL THE PEOPLE?
282
00:35:08,874 --> 00:35:10,642
DAMN IT.
283
00:35:10,676 --> 00:35:12,844
SONS OF BITCHES
STOLE MY HORSE.
284
00:35:12,878 --> 00:35:14,513
MINE, TOO.
285
00:35:14,546 --> 00:35:16,782
THAT MEANS THEY'LL
BE COMING BACK.
286
00:35:20,219 --> 00:35:22,188
LOOKS LIKE WE'RE WALKING.
287
00:36:19,945 --> 00:36:21,413
HELLO!
288
00:36:30,289 --> 00:36:32,758
IT'S GONNA BE OKAY.
289
00:36:32,791 --> 00:36:35,494
YOU WANT ME TO GO LOOK
ON THE OTHER SIDE OF TOWN?
290
00:36:35,527 --> 00:36:37,629
I SAID NO.
YOU STAY AT MY SIDE.
291
00:36:40,532 --> 00:36:44,636
I'M SORRY, MA'AM.
I'M JUST A LITTLE BIT NERVOUS.
292
00:36:46,605 --> 00:36:51,377
I AIN'T NEVER BEEN
THIS FAR FROM HOME.
293
00:36:52,978 --> 00:36:55,614
YOU USUALLY TAKE
YOUR TRIPS ON YOUR OWN
294
00:36:55,647 --> 00:36:57,649
AND LEAVE ME AT THE HOUSE.
295
00:36:59,618 --> 00:37:02,521
WELL, THAT'S YOUR PROBLEM,
ISN'T IT?
296
00:37:02,554 --> 00:37:04,790
I CAN'T LEAVE YOU THERE
UNSUPERVISED ANYMORE.
297
00:37:06,658 --> 00:37:09,628
WHY NOT?
298
00:37:09,661 --> 00:37:11,363
DON'T PLAY DUMB WITH ME.
299
00:37:11,397 --> 00:37:13,765
YOU KNOW GOOD AND WELL
WHAT I'M TALKING ABOUT.
300
00:37:20,506 --> 00:37:22,874
IS THIS ABOUT THE GLASS VASE?
301
00:37:22,908 --> 00:37:24,576
I DIDN'T MEAN TO BREAK IT.
302
00:37:24,610 --> 00:37:25,977
THAT WAS AN ACCIDENT.
303
00:37:26,011 --> 00:37:27,813
I'M NOT TALKING
ABOUT AN ACCIDENT.
304
00:37:27,846 --> 00:37:30,349
I'M TALKING ABOUT SOMETHING
YOU DID ON PURPOSE.
305
00:37:30,382 --> 00:37:35,987
-THEN I DON'T UNDERSTAND.
-NEITHER DO I.
306
00:37:36,021 --> 00:37:38,256
WHERE DID I GO
WRONG WITH YOU?
307
00:37:44,496 --> 00:37:46,365
WHO BOUGHT YOU
THAT NICE BLOUSE?
308
00:37:49,034 --> 00:37:50,436
YOU DID.
309
00:37:50,469 --> 00:37:52,738
AND WHO BRAIDS YOUR HAIR
WITH THE BOWS,
310
00:37:52,771 --> 00:37:53,872
SO YOU LOOK ALL PRETTY?
311
00:37:56,408 --> 00:37:58,009
YOU DO.
312
00:37:59,778 --> 00:38:02,981
AND DON'T I READ PASSAGES
FROM THE BIBLE EVERY SUNDAY,
313
00:38:03,014 --> 00:38:05,984
AS YOU'RE NOT
ALLOWED AT CHURCH?
314
00:38:06,017 --> 00:38:07,786
YES.
315
00:38:07,819 --> 00:38:12,558
THEN HOW, HANNAH?
HOW COULD YOU?
316
00:38:14,092 --> 00:38:15,627
I THOUGHT I COULD TRUST YOU.
317
00:38:17,896 --> 00:38:20,499
IT'S MY HUSBAND! MINE!
318
00:38:23,669 --> 00:38:24,936
I DIDN'T WANT TO DO IT.
319
00:38:24,970 --> 00:38:27,005
OH, IS THAT RIGHT?
320
00:38:27,038 --> 00:38:30,542
BECAUSE I SAW YOU
WITH MY OWN EYES,
321
00:38:30,576 --> 00:38:32,711
AND IT DIDN'T SEEM
LIKE THE TYPICAL CASE
322
00:38:32,744 --> 00:38:35,647
OF A RICH MAN
TAKING ADVANTAGE
323
00:38:35,681 --> 00:38:37,883
OF ONE OF HIS SERVANT GIRLS.
324
00:38:37,916 --> 00:38:39,050
IT WAS LOVE MAKING.
325
00:38:39,084 --> 00:38:41,720
YOU KISSED HIM,
YOU CARESSED HIM,
326
00:38:41,753 --> 00:38:44,956
LIKE HE WAS... YOURS.
327
00:38:44,990 --> 00:38:49,060
-YOU SAW US?
-YES.
328
00:38:49,094 --> 00:38:53,665
I USED THE SCOPE
OF MRS. STANTON'S RIFLE.
329
00:38:58,136 --> 00:39:00,539
I SAW YOU BOTH
CLEAR AS THE DAY.
330
00:39:00,572 --> 00:39:04,743
I'M SORRY. I DIDN'T MEAN
FOR IT TO HAPPEN.
331
00:39:12,951 --> 00:39:15,754
I READ A POSTING SAYING
THAT THE CARSON SALOON
332
00:39:15,787 --> 00:39:19,525
IS PAYING TOP DOLLAR FOR WOMEN
WILLING TO BE HOSTESSES.
333
00:39:22,594 --> 00:39:24,830
AND THAT'S WHY
I BROUGHT YOU HERE,
334
00:39:24,863 --> 00:39:27,466
AND I THINK YOU SHOULD
WORK THERE FOR NOW ON.
335
00:39:27,499 --> 00:39:30,569
DOESN'T HOSTESS MEAN WHORE?
336
00:39:30,602 --> 00:39:33,605
YOU PRACTICED BEING A WHORE
WITH MY HUSBAND,
337
00:39:33,639 --> 00:39:35,974
AND NOW YOU CAN DO IT
PROFESSIONALLY.
338
00:39:39,077 --> 00:39:41,880
OR YOU CAN FIND
ANOTHER JOB AROUND HERE.
339
00:39:41,913 --> 00:39:45,684
EITHER WAY, YOU WON'T
BE RETURNING TO MY HOME
340
00:39:45,717 --> 00:39:47,886
OR MY HUSBAND.
341
00:39:52,591 --> 00:39:55,661
-[HORSE WHINNIES]
-[HOOFBEATS RETREATING]
342
00:39:55,694 --> 00:39:59,765
-IS THAT OUR HORSE?
-OH, NO.
343
00:41:19,077 --> 00:41:21,212
WHERE IN HELL IS EVERYONE?
344
00:41:21,246 --> 00:41:22,914
DID THE WHOLE TOWN
JUST VANISH?
345
00:41:27,085 --> 00:41:30,722
MAYBE WE SHOULD
START WALKING BACK.
346
00:41:30,756 --> 00:41:32,591
IT'S TOO FAR, HANNAH.
347
00:41:32,624 --> 00:41:35,093
DO YOU EVEN KNOW
HOW TO GET BACK?
WHICH DIRECTION?
348
00:41:35,126 --> 00:41:37,563
DO YOU WANT TO GET
LOST IN THE WILD?
349
00:41:37,596 --> 00:41:39,565
EVEN IF WE DID KNOW
HOW TO GET BACK,
350
00:41:39,598 --> 00:41:41,900
YOU THINK WE CAN WALK
FOR DAYS ON END
351
00:41:41,933 --> 00:41:46,104
IN OUR SUNDAY DRESSES
WITHOUT A RIFLE?
352
00:41:46,137 --> 00:41:48,740
GUESS NOT.
353
00:41:48,774 --> 00:41:50,075
BEST COURSE
OF ACTION IS TO WAIT
354
00:41:50,108 --> 00:41:52,578
FOR THE TOWNSPEOPLE
TO COME BACK.
355
00:41:52,611 --> 00:41:55,581
I DON'T KNOW HOW AN ENTIRE TOWN
DECIDES TO UP AND LEAVE
356
00:41:55,614 --> 00:42:00,752
ALL AT SAME EXACT SAME TIME,
BUT WE HAVE NO CHOICE.
357
00:42:00,786 --> 00:42:02,754
AND IF THE HOTEL PEOPLE
DON'T COME BACK SOON,
358
00:42:02,788 --> 00:42:05,657
I WILL BREAK IN
AND MAKE MYSELF AT HOME,
359
00:42:05,691 --> 00:42:07,926
AND THEY CAN CHARGE ME
WHATEVER THEY WANT.
360
00:42:07,959 --> 00:42:11,129
IRRESPONSIBLE IDIOTS.
361
00:42:13,799 --> 00:42:16,768
WHY DID OUR DRIVER LEAVE US?
362
00:42:16,802 --> 00:42:18,303
I DON'T KNOW.
363
00:42:18,336 --> 00:42:21,940
I HAVE NO IDEA
HOW TO TELL MR. STANTON
364
00:42:21,973 --> 00:42:25,944
THAT WE LOST
ONE OF HIS HORSES.
365
00:42:25,977 --> 00:42:29,114
-HE'S GONNA BE MAD.
-YES, HE WILL BE,
366
00:42:29,147 --> 00:42:30,782
BUT THAT'S
NO CONCERN OF YOURS.
367
00:42:30,816 --> 00:42:33,118
MY HUSBAND IS OF ABSOLUTELY
NO CONCERN OF YOURS
368
00:42:33,151 --> 00:42:37,956
-IN ANY WAY, SHAPE, OR FORM.
-YES, MA'AM.
369
00:42:37,989 --> 00:42:39,625
DO YOU KNOW
THAT ANY OTHER MISTRESS
370
00:42:39,658 --> 00:42:40,959
WOULD HAVE THROWN YOU OUT
ON THE STREET?
371
00:42:40,992 --> 00:42:43,028
BUT NOT ME.
DO YOU KNOW WHY?
372
00:42:43,061 --> 00:42:44,930
DO YOU?
373
00:42:44,963 --> 00:42:49,668
UM, DID YOU THINK MR. STANTON
WOULD COME AFTER ME?
374
00:42:51,937 --> 00:42:53,304
HOW DARE YOU?
375
00:42:53,338 --> 00:42:55,306
DO YOU THINK HE WOULD
LEAVE ME FOR YOU?
376
00:42:57,008 --> 00:42:58,644
NO, MA'AM.
377
00:43:05,183 --> 00:43:08,620
WELL, OF COURSE,
YOU NEVER KNOW WITH MEN.
378
00:43:08,654 --> 00:43:11,322
THEY ARE SO STUPID.
379
00:43:11,356 --> 00:43:14,025
IT'S A WONDER HOW THEY MANAGE
TO RULE THE WORLD.
380
00:43:20,699 --> 00:43:23,702
WHY DID YOU
THINK THAT ANYWAYS?
381
00:43:29,975 --> 00:43:34,345
DID HE TELL YOU THAT...
382
00:43:34,379 --> 00:43:36,047
HE LOVES YOU?
383
00:43:46,224 --> 00:43:47,859
IT'S OKAY.
YOU CAN TELL ME.
384
00:43:47,893 --> 00:43:49,360
IT'S NOT LIKE I'M GONNA BE
385
00:43:49,394 --> 00:43:51,897
MORE ANGRY THAN I ALREADY AM.
386
00:43:56,067 --> 00:43:58,870
IT'S SO HOT.
387
00:43:58,904 --> 00:44:00,939
ARE YOU HOT?
388
00:44:00,972 --> 00:44:03,975
-YEAH?
-YES, A LITTLE.
389
00:44:04,009 --> 00:44:05,977
COME-- COME HERE.
I'LL UNTIE THAT FOR YOU.
390
00:44:10,081 --> 00:44:12,217
THIS ONE ALWAYS GETS STUCK.
391
00:44:12,250 --> 00:44:15,153
DIDN'T I TELL YOU TO WEAR
THE YELLOW ONE?
392
00:44:15,186 --> 00:44:17,055
I COULDN'T FIND IT.
393
00:44:17,088 --> 00:44:20,258
IT WAS IN THE TALL DRESSER.
BOTTOM SHELF.
394
00:44:22,093 --> 00:44:23,895
IT WASN'T THERE.
395
00:44:23,929 --> 00:44:26,732
MAYBE IT WAS OUT TO WASH?
396
00:44:26,765 --> 00:44:29,768
LET'S JUST FORGET ABOUT IT.
THERE YOU GO.
397
00:44:34,172 --> 00:44:37,743
SO, NOW THAT WE BOTH
ARE CALM AND COMFORTABLE,
398
00:44:37,776 --> 00:44:40,411
YOU SHOULD GO AHEAD
AND TELL ME THE TRUTH.
399
00:44:40,445 --> 00:44:45,450
DID MY HUSBAND, MR. STANTON,
TELL YOU THAT HE LOVES YOU?
400
00:45:06,304 --> 00:45:07,806
OKAY, I'LL TELL YOU.
401
00:45:15,313 --> 00:45:17,448
HE TOLD ME--
402
00:45:17,482 --> 00:45:19,150
[SCREAMS]
403
00:45:20,886 --> 00:45:22,320
[SCREAMING]
404
00:45:26,157 --> 00:45:27,725
[SCREAMING]
405
00:45:29,928 --> 00:45:31,329
[SCREAMING]
406
00:45:48,379 --> 00:45:52,317
-[SOBBING]
-[MRS. STANTON SCREAMING]
407
00:45:59,825 --> 00:46:01,927
I JUST DON'T SEE
A SOLID CONNECTION
408
00:46:01,960 --> 00:46:04,830
BETWEEN THIS
TUMBLETY CHARACTER
409
00:46:04,863 --> 00:46:08,499
-AND JACK THE RIPPER.
-THAT'S WRONG.
410
00:46:08,533 --> 00:46:11,970
I MEAN, ONLY NOW DO WE HAVE
AN ACCOUNT OF TUMBLETY
411
00:46:12,003 --> 00:46:14,539
COMMITTING MURDERS
HERE IN THE WEST.
412
00:46:14,572 --> 00:46:17,108
THANKS TO THIS DIARY.
413
00:46:17,142 --> 00:46:20,578
AND THANKS TO ME
STAYING UP ALL NIGHT.
414
00:46:20,611 --> 00:46:23,114
I HAVE A MATCH
ON HIS HANDWRITING.
415
00:46:23,148 --> 00:46:25,483
THIS IS FROM TUMBLETY'S
MEDICAL SCHOOL.
416
00:46:27,218 --> 00:46:29,187
TUMBLETY
WAS MEDICALLY TRAINED?
417
00:46:32,223 --> 00:46:34,392
I ALWAYS SUSPECTED
JACK THE RIPPER
418
00:46:34,425 --> 00:46:36,127
OF BEING A SURGEON.
419
00:46:36,161 --> 00:46:38,864
TUMBLETY HAD DROPPED OUT
OF MEDICAL SCHOOL.
420
00:46:38,897 --> 00:46:41,399
I WAS ABLE TO GET COPIES
OF HIS TRANSCRIPTS,
421
00:46:41,432 --> 00:46:43,334
AND THIS COPY
OF HIS HANDWRITING.
422
00:46:45,036 --> 00:46:48,239
OH, AND THIS IS A COPY
423
00:46:48,273 --> 00:46:50,241
OF THE FAMOUS LETTER
FROM JACK THE RIPPER.
424
00:46:50,275 --> 00:46:52,210
THE ONLY ONE THAT WAS EVER
DEEMED LEGITIMATE.
425
00:47:03,221 --> 00:47:05,090
THE HANDWRITING MATCHES.
426
00:47:05,123 --> 00:47:08,894
THAT'S MY OPINION, AS WELL.
427
00:47:08,927 --> 00:47:10,862
[CHUCKLING] WE'LL, UH--
428
00:47:10,896 --> 00:47:15,100
WE'LL HAVE TO GET AN EXPERT,
OF COURSE, TO VERIFY, BUT--
429
00:47:15,133 --> 00:47:16,467
AND THAT'S NOT
THE ONLY EVIDENCE
430
00:47:16,501 --> 00:47:19,037
THAT LINKS TUMBLETY
TO JACK THE RIPPER.
431
00:47:19,070 --> 00:47:21,472
BEFORE THE MURDER SPREE,
TUMBLETY WENT TO THE ANATOMICAL
432
00:47:21,506 --> 00:47:25,076
MUSEUM IN LONDON, AND HE ASKED
TO PURCHASE FEMALE ORGANS.
433
00:47:25,110 --> 00:47:28,980
AND JACK THE RIPPER
REMOVED HIS VICTIM'S ORGANS.
434
00:47:30,215 --> 00:47:33,051
AND I HAVE
OTHER EVIDENCE, AS WELL.
435
00:47:33,084 --> 00:47:35,453
TUMBLETY WAS MARRIED
TO AN EX-PROSTITUTE,
436
00:47:35,486 --> 00:47:40,591
SO THAT WOULD LINE UP WITH WHY
HE TARGETED PROSTITUTES.
437
00:47:40,625 --> 00:47:44,562
THERE'S-- THERE'S
A FEW OTHER THINGS.
438
00:47:44,595 --> 00:47:47,498
MY GOD, LIZZY.
439
00:47:52,137 --> 00:47:54,239
THIS COULD BE THE MAN.
440
00:47:54,272 --> 00:47:57,042
THE SAME MAN.
441
00:47:57,075 --> 00:48:01,579
THIS TUMBLETY PERSON
COULD BE JACK THE RIPPER.
442
00:48:29,274 --> 00:48:31,276
[SCREAMING]
443
00:49:01,272 --> 00:49:04,009
[CREAKING]
444
00:49:07,145 --> 00:49:08,346
[SCREAMS]
445
00:49:15,286 --> 00:49:18,289
[BREATHING HEAVILY]
446
00:49:27,565 --> 00:49:30,568
[SCREAMING]
447
00:49:32,103 --> 00:49:35,106
[WHIMPERING]
448
00:49:46,317 --> 00:49:49,320
[SCREAMING]
449
00:50:09,274 --> 00:50:12,277
[BREATHING HEAVILY]
450
00:50:45,843 --> 00:50:49,147
[GROANING]
451
00:50:58,189 --> 00:51:01,226
[GROANING CONTINUES]
452
00:51:11,769 --> 00:51:14,071
[MRS. STANTON BREATHING RAPIDLY]
453
00:51:20,911 --> 00:51:22,647
WHERE'S THE KEY?
454
00:51:22,680 --> 00:51:25,383
IT'S NOT THERE?
455
00:51:25,416 --> 00:51:27,118
HE'S LOOKING FOR IT.
456
00:51:29,887 --> 00:51:31,856
IS THAT WHY HE LEFT?
457
00:51:31,889 --> 00:51:33,724
YES, I THINK SO.
458
00:51:33,758 --> 00:51:35,593
NOW HURRY.
FIND SOMETHING.
459
00:51:35,626 --> 00:51:37,428
LOOK!
460
00:51:42,433 --> 00:51:44,469
I WILL REACH IT
IF YOU UNTIE ME.
461
00:51:55,613 --> 00:51:57,615
WHEN IS HE GONNA COME BACK?
462
00:51:57,648 --> 00:52:00,251
I DON'T KNOW,
BUT IT WILL BE SOON.
463
00:52:00,285 --> 00:52:02,253
WE HAVE TO WORK FAST.
464
00:52:12,397 --> 00:52:14,432
WAIT.
465
00:52:15,733 --> 00:52:17,768
IS HE STILL LOOKING
FOR THE KEY?
466
00:53:15,660 --> 00:53:17,728
HERE. TRY TO REACH THIS.
467
00:53:23,734 --> 00:53:25,536
LET ME TRY SOMETHING ELSE.
468
00:53:36,414 --> 00:53:37,815
SHH, SHH, SHH.
469
00:53:46,557 --> 00:53:48,493
[MOANING]
470
00:53:52,530 --> 00:53:57,368
HANNAH, FIND YOUR WAY
OUT OF HERE AND RUN.
471
00:53:57,402 --> 00:53:59,470
THERE'S NOTHING ELSE
YOU CAN DO TO SAVE ME.
472
00:54:08,078 --> 00:54:09,814
RUN!
473
00:54:25,563 --> 00:54:27,532
[GROANING]
474
00:54:54,492 --> 00:54:55,960
[MOANING]
475
00:55:09,774 --> 00:55:11,976
[KEYS CLANGING]
476
00:55:31,729 --> 00:55:32,930
NO.
477
00:55:35,666 --> 00:55:37,568
[SCREAMING]
478
00:56:05,129 --> 00:56:06,897
THIS IS THE PLACE.
479
00:56:13,003 --> 00:56:14,972
WHERE IS EVERYONE?
480
00:56:15,005 --> 00:56:18,008
EITHER DEAD, OR RUN AWAY.
481
00:56:18,042 --> 00:56:20,745
I'M THE ONLY ONE
FOOLISH ENOUGH TO COME BACK.
482
00:56:23,080 --> 00:56:25,382
YOU'RE NOT A FOOL.
483
00:56:27,117 --> 00:56:29,520
YOU JUST CLEARED YOUR NAME.
484
00:56:29,554 --> 00:56:33,891
YOU SHOW THIS PAPER
TO ANY SHERIFF, JUDGE,
OR CITY OFFICIAL.
485
00:56:33,924 --> 00:56:37,161
YOU TAKE THIS
TO ANYONE YOU CAN FIND.
486
00:56:37,194 --> 00:56:39,664
IT'S MY SIGNED TESTIMONY
OF YOUR INNOCENCE.
487
00:56:39,697 --> 00:56:41,866
ARE YOU GONNA GO BACK
AND GET YOUR MEN?
488
00:56:44,234 --> 00:56:47,605
NO TIME TO GET MY HORSE.
489
00:56:47,638 --> 00:56:50,841
I SPLIT MY MEN UP
BEFORE I CAME OUT THIS WAY.
490
00:56:50,875 --> 00:56:53,711
THEY'RE LOOKING
FOR THAT SICK BASTARD, TOO,
491
00:56:53,744 --> 00:56:56,447
ALTHOUGH NONE OF THEM KNOW
WHERE TO FIND HIM.
492
00:56:56,481 --> 00:56:58,916
IF I LEAVE NOW
AND GO GET BACKUP,
493
00:56:58,949 --> 00:57:00,451
I MIGHT LOSE HIS TRAIL.
494
00:57:00,485 --> 00:57:02,520
I'LL BE YOUR BACKUP.
495
00:57:04,555 --> 00:57:06,791
YOU UNDERSTAND YOU'RE FREE.
496
00:57:06,824 --> 00:57:08,125
I DO.
497
00:57:10,060 --> 00:57:14,098
YOU UNDERSTAND YOU HAVE
NO OBLIGATION TO HELP ME HERE.
498
00:57:14,131 --> 00:57:15,633
I KNOW.
499
00:57:17,201 --> 00:57:19,236
OUTSTANDING.
500
00:57:19,269 --> 00:57:22,039
TAKE THE LONG RIFLE
AND COVER ME.
501
00:57:23,541 --> 00:57:25,042
I'M GOING STRAIGHT IN.
502
00:57:25,075 --> 00:57:28,746
IF YOU SEE HIM, YOU HAVE
MY PERMISSION TO SHOOT.
503
00:57:28,779 --> 00:57:30,548
I ONLY SHOOT TO KILL.
504
00:57:33,117 --> 00:57:34,619
THEN HE DIES.
505
00:57:35,686 --> 00:57:38,022
-READY?
-YEAH.
506
00:58:17,828 --> 00:58:20,064
[DISTORTED VOICE]
YOU MUST...
507
00:58:20,097 --> 00:58:22,032
[DEEP VOICE]
HEAR ME.
508
00:58:23,934 --> 00:58:25,903
HEAR ME.
509
00:58:25,936 --> 00:58:27,572
[VOICE]
HEAR OUR CALL.
510
00:58:27,605 --> 00:58:30,775
[GHOSTLY WHISPERS]
HEAR US.
511
00:58:30,808 --> 00:58:33,077
[DEEP VOICE]
SHOW HER.
512
00:58:33,110 --> 00:58:35,746
SHOW HER YOUR HEART.
513
00:58:35,780 --> 00:58:38,583
[GHOSTLY WHISPERS]
THEY ARE ALL FILTH.
514
00:58:38,616 --> 00:58:40,685
ALL OF THEM.
515
00:58:40,718 --> 00:58:44,221
[DEEP VOICE]
EVERY ONE OF THEM SIN.
516
00:58:44,254 --> 00:58:47,057
PESTILENCE. SCOURGE.
517
00:58:49,059 --> 00:58:52,262
NO.
518
00:58:52,296 --> 00:58:53,798
NO, NO.
519
00:58:53,831 --> 00:58:57,067
[MAN CONTINUES SPEAKING
IN MUFFLED VOICE]
520
00:58:57,101 --> 00:58:58,969
- YOU MUST CLEANSE HER.
- [GHOSTLY WHISPERS]
LISTEN TO US.
521
00:59:07,177 --> 00:59:08,913
[HANNAH COUGHS]
522
00:59:17,622 --> 00:59:20,625
[WHIMPERING]
523
00:59:33,270 --> 00:59:36,206
[DISTORTED VOICE]
SHE LIKES TO BE AFRAID.
524
00:59:36,240 --> 00:59:38,208
[WHISPERS]
YES.
525
00:59:38,242 --> 00:59:42,379
SHE LIKES THE ACTING OUT
OF THE PAIN.
526
00:59:42,412 --> 00:59:45,783
[WHISPERS]
OH, HOW SHE LOVES IT.
527
00:59:45,816 --> 00:59:48,118
[DISTORTED VOICE]
SHE WANTS IT.
528
00:59:50,320 --> 00:59:54,224
-[MUFFLED VOICE SPEAKING]
-[WHISPERS] OH, YES.
529
00:59:54,258 --> 00:59:58,262
-[MUFFLED VOICE SPEAKING]
-[WHISPERS] SHOW HER.
530
00:59:58,295 --> 01:00:02,900
[DISTORTED VOICE]
SHE'S SO WARM, SO SOFT.
531
01:00:02,933 --> 01:00:04,702
[HANNAH SOBBING]
532
01:00:04,735 --> 01:00:08,172
-[DISTORTED VOICE]
YOU WILL ALMOST--
-[WHISPERS] ALMOST WHAT?
533
01:00:08,205 --> 01:00:10,107
[DISTORTED VOICE]
ALMOST TASTE HER.
534
01:00:12,910 --> 01:00:18,649
[DISTORTED VOICE]
YOU MUST ILLUMINATE HER SOUL.
535
01:00:18,683 --> 01:00:20,685
[WHISPERS]
ILLUMINATE HER SOUL.
536
01:00:42,172 --> 01:00:46,410
[DISTORTED VOICE]
LET HER SEE YOUR SOUL.
537
01:00:46,443 --> 01:00:50,080
[WHISPERING]
SHE CANNOT SEE YOU.
538
01:00:50,114 --> 01:00:55,085
[DISTORTED VOICE]
LET HER SEE THE FIRE
THAT BURNS.
539
01:00:55,119 --> 01:00:56,987
[WHISPERING]
THE FIRE.
540
01:01:01,191 --> 01:01:03,694
[HANNAH SOBBING]
NO, NO.
541
01:01:26,183 --> 01:01:29,920
[DISTORTED VOICE]
MAKE HER UNDERSTAND YOU.
542
01:01:29,954 --> 01:01:33,390
[WHISPERING]
SHE WILL NEVER UNDERSTAND.
543
01:01:33,423 --> 01:01:38,028
[DISTORTED VOICE]
LET HER FEEL THE FIRE WITHIN.
544
01:01:38,062 --> 01:01:41,131
[WHISPERING]
OH, THE FIRE WILL BURN US.
545
01:01:41,165 --> 01:01:44,802
[DISTORTED VOICE]
MAKE HER UNDERSTAND.
546
01:01:44,835 --> 01:01:47,805
[WHISPERING]
SHE WILL NEVER UNDER--
547
01:01:47,838 --> 01:01:51,408
[DISTORTED VOICE]
BEFORE YOU SEND HER
TO OBLIVION.
548
01:01:55,545 --> 01:01:57,247
[SOBBING]
549
01:01:57,281 --> 01:01:59,349
NO. NO.
550
01:02:08,993 --> 01:02:11,095
[HORSE WHINNIES]
551
01:02:15,933 --> 01:02:17,434
[GUNSHOT]
552
01:02:23,107 --> 01:02:25,042
[COUGHING]
553
01:02:27,577 --> 01:02:29,780
[GUNSHOTS]
554
01:03:20,297 --> 01:03:21,999
[GUNSHOT]
555
01:03:27,905 --> 01:03:29,406
[GUNSHOT]
556
01:03:57,167 --> 01:03:58,869
[CHAIN CLANGING]
557
01:04:17,387 --> 01:04:19,456
[SOBBING]
558
01:05:11,708 --> 01:05:13,610
[HANNAH MOANING]
559
01:05:44,141 --> 01:05:45,442
[SOBBING]
OH, COME ON.
560
01:05:55,485 --> 01:05:57,187
[GUNSHOT]
561
01:06:31,155 --> 01:06:32,489
[COCKS GUN]
562
01:06:36,093 --> 01:06:38,095
[GUNFIRE]
563
01:07:43,327 --> 01:07:45,329
[PANTING]
564
01:08:01,878 --> 01:08:03,847
- [DISTORTED VOICE] MUST...
- [WHISPERS] LISTEN...
565
01:08:03,880 --> 01:08:07,884
- [DISTORTED VOICE] CLEANSE HER.
- [WHISPERS] TO US.
566
01:08:07,917 --> 01:08:10,654
[DISTORTED VOICE]
SHOW HER.
567
01:08:10,687 --> 01:08:12,689
SHOW HER YOUR HEART.
568
01:08:47,191 --> 01:08:49,893
[HANNAH PANTING]
569
01:09:05,342 --> 01:09:06,843
[GUNSHOT]
570
01:09:09,513 --> 01:09:13,517
YOU DIDN'T THINK I WAS GONNA
LET YOU GO, DID YA?
571
01:09:13,550 --> 01:09:16,853
NOT AFTER YOU KILLED
MY KINFOLK!
572
01:09:16,886 --> 01:09:18,222
COME ON, BOYS!
573
01:09:18,255 --> 01:09:19,556
THAT REWARD IS OURS!
574
01:09:19,589 --> 01:09:22,192
VENGEANCE IS MINE!
575
01:09:29,233 --> 01:09:32,236
[GUNFIRE]
576
01:10:28,658 --> 01:10:31,661
[GUNFIRE]
577
01:10:46,075 --> 01:10:47,511
[GROANS]
578
01:11:16,440 --> 01:11:18,274
[SOBBING]
579
01:11:25,782 --> 01:11:27,317
[HAMMER CLICKS]
580
01:11:40,096 --> 01:11:43,299
[GUNFIRE]
581
01:12:24,408 --> 01:12:25,975
[GRUNTING]
582
01:12:26,009 --> 01:12:28,412
[HANNAH]
WHO'S THERE?
WHO'S OUT THERE?
583
01:12:36,152 --> 01:12:37,987
[GUNSHOT]
584
01:12:38,021 --> 01:12:39,923
[SCREAMING]
585
01:13:08,117 --> 01:13:11,054
THIS WOMAN, HANNAH,
586
01:13:11,087 --> 01:13:13,623
HER DIARY,
587
01:13:13,657 --> 01:13:16,726
IT OPENS UP A LOT
OF POSSIBILITIES.
588
01:13:20,163 --> 01:13:22,532
SHE SOMEHOW SURVIVED
AN ENCOUNTER
589
01:13:22,566 --> 01:13:24,834
WITH A PSYCHOTIC KILLER.
590
01:13:24,868 --> 01:13:27,003
IF TUMBLETY
WAS JACK THE RIPPER,
591
01:13:27,036 --> 01:13:28,872
SHE WAS THE ONLY
KNOWN SURVIVOR.
592
01:13:33,577 --> 01:13:37,180
THE QUESTION WE HAVE
TO ASK OURSELVES
593
01:13:37,213 --> 01:13:39,916
WITH THIS EVIDENCE AT HAND,
594
01:13:39,949 --> 01:13:44,454
DID JACK THE RIPPER
TRAVEL WEST TO CONTINUE
595
01:13:44,488 --> 01:13:46,189
HIS MURDEROUS SPREE?
596
01:13:47,924 --> 01:13:49,659
AND MOST IMPORTANTLY--
597
01:13:49,693 --> 01:13:53,162
FRANCIS TUMBLETY--
598
01:13:53,196 --> 01:13:54,998
WAS HE JACK THE RIPPER?
38542
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