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1
00:00:06,089 --> 00:00:07,469
MAN:Keef Knight needs to go.
2
00:00:07,466 --> 00:00:09,046
WOMAN:Black People for Rent sucks.
3
00:00:09,051 --> 00:00:10,591
MAN: That guy's an asshole.WOMAN: Hey, man, stick‐‐
4
00:00:10,594 --> 00:00:12,054
KEEF: Why is itthat it's people of color
5
00:00:12,054 --> 00:00:14,314
always having to standfor something
6
00:00:14,306 --> 00:00:17,426
or, you know, say somethingin our work?
7
00:00:17,434 --> 00:00:19,774
[intense music]That's why I keep it light.
8
00:00:19,770 --> 00:00:22,020
ADRIENNE: Keef.
9
00:00:22,022 --> 00:00:23,612
Keef. Hi.
‐ Huh?
10
00:00:23,607 --> 00:00:24,647
ADRIENNE: Hey.
‐ Oh, hey.
11
00:00:24,650 --> 00:00:26,860
Hey, sorry.
12
00:00:26,860 --> 00:00:29,320
‐ You okay?
‐ No, I'm good. You?
13
00:00:29,321 --> 00:00:30,911
‐ Do we, uh...
do we need to talk
14
00:00:30,906 --> 00:00:33,406
about that‐‐that thing
the other night?
15
00:00:33,408 --> 00:00:35,868
‐ Oh, no.
No, no, uh‐‐
16
00:00:35,869 --> 00:00:37,749
‐ The shirt, the‐‐
KEEF: Innocent mistake.
17
00:00:37,746 --> 00:00:39,496
Innocent mistake.
That's fine.
18
00:00:39,498 --> 00:00:40,958
Yeah, but this...
19
00:00:40,958 --> 00:00:42,668
ADRIENNE: Shit.
Man, that's a lot of hate.
20
00:00:42,668 --> 00:00:44,338
KEEF: A lot of hate.
21
00:00:44,336 --> 00:00:46,086
‐ I got canceled
when I was 12.
22
00:00:46,088 --> 00:00:47,918
Look at me now.
‐ Oh, wow.
23
00:00:47,923 --> 00:00:49,593
Took you 20 years
to get uncanceled.
24
00:00:49,591 --> 00:00:50,681
‐ Really?
KEEF: Mm.
25
00:00:50,676 --> 00:00:53,886
‐ 17. Thanks, Keef.
KEEF: Okay.
26
00:00:53,887 --> 00:00:56,137
What's the plan?
What do I do?
27
00:00:56,139 --> 00:00:57,469
‐ Now?
Nothing.
28
00:00:57,474 --> 00:00:59,734
You just take your mind off it.
I have an idea.
29
00:00:59,726 --> 00:01:00,936
Bear with me.
It's‐‐it's out there.
30
00:01:00,936 --> 00:01:01,936
‐ Ready?
KEEF: Mm‐hmm.
31
00:01:01,937 --> 00:01:02,937
‐ Swing dancing.
32
00:01:02,938 --> 00:01:04,108
‐ Yeah, but what's your idea?
33
00:01:04,106 --> 00:01:06,356
‐ Swing dancing.
Something fun, different.
34
00:01:06,358 --> 00:01:09,238
‐ Okay, look, I've been to
my fair share of hockey games,
35
00:01:09,236 --> 00:01:12,316
a Phish concert,
and I love true crime podcasts,
36
00:01:12,322 --> 00:01:14,662
but this may be
a little too white for me.
37
00:01:14,658 --> 00:01:16,158
‐ Oh, Keef, come on!
38
00:01:16,159 --> 00:01:17,659
You know that the Lindy Hop
was invented
39
00:01:17,661 --> 00:01:18,661
by Black people, right?
40
00:01:18,662 --> 00:01:19,752
‐ What?
‐ Yeah.
41
00:01:19,746 --> 00:01:20,956
I mean, the Harlem Renaissance.
42
00:01:20,956 --> 00:01:22,416
Didn't you learn about it
in primary school?
43
00:01:22,416 --> 00:01:23,826
‐ No, but I know what to do
in a mass shooting.
44
00:01:23,834 --> 00:01:24,794
‐ Jesus.
45
00:01:24,793 --> 00:01:26,303
‐ Okay, look, I just...
46
00:01:26,295 --> 00:01:27,545
I just don't wanna go dancing.
47
00:01:27,546 --> 00:01:28,666
‐ [sighs]
48
00:01:28,672 --> 00:01:29,882
‐ People are gonna
be staring at me,
49
00:01:29,881 --> 00:01:31,091
seeing if I'm good or not.
50
00:01:31,091 --> 00:01:32,681
‐ Oh, you're not a good dancer.
51
00:01:32,676 --> 00:01:34,176
‐ I'm actually
a pretty good dancer.
52
00:01:34,177 --> 00:01:35,347
‐ Not so sure about that.
53
00:01:35,345 --> 00:01:36,965
I've got a better idea anyway.
54
00:01:43,729 --> 00:01:46,939
‐ So why do you have
a swing set in your art studio?
55
00:01:46,940 --> 00:01:48,980
‐ It's not a swing set.
‐ Hmm.
56
00:01:48,984 --> 00:01:51,114
‐ It's an interactive
installation.
57
00:01:51,111 --> 00:01:52,611
‐ Mm.
‐ Yeah.
58
00:01:52,612 --> 00:01:55,032
I just wanted to create
an experience, you know,
59
00:01:55,032 --> 00:01:58,202
where we could get out of
our self‐important adult minds
60
00:01:58,201 --> 00:01:59,751
and remember how it feels
for us
61
00:01:59,745 --> 00:02:02,365
to be like children
without cares in the world.
62
00:02:02,372 --> 00:02:03,962
‐ Wow.
We may have had
63
00:02:03,957 --> 00:02:05,627
slightly different
childhood experiences.
64
00:02:05,625 --> 00:02:07,535
‐ Could you just try it?
‐ You want me to try this?
65
00:02:07,544 --> 00:02:09,094
ADRIENNE: Yeah.
‐ Okay.
66
00:02:09,087 --> 00:02:10,257
The back and forth thing?
‐ Yeah.
67
00:02:10,255 --> 00:02:11,585
‐ It was called swinging?
68
00:02:11,590 --> 00:02:13,220
‐ Yeah, you already said no
to the dancing, so‐‐
69
00:02:13,216 --> 00:02:14,756
‐ Okay, all right.
Swinging.
70
00:02:14,760 --> 00:02:16,050
‐ This is the least
you could do.
71
00:02:16,053 --> 00:02:17,103
‐ Here we go.
72
00:02:17,095 --> 00:02:18,175
‐ So what do you think?
73
00:02:18,180 --> 00:02:19,600
‐ Do I feel better?
74
00:02:19,598 --> 00:02:20,968
A little bit, maybe.
75
00:02:20,974 --> 00:02:22,104
‐ You're a natural.
76
00:02:22,100 --> 00:02:23,730
‐ Well, it's like riding
a swing.
77
00:02:23,727 --> 00:02:26,557
[both laugh]
78
00:02:26,563 --> 00:02:28,653
Oh, okay.
79
00:02:28,649 --> 00:02:30,189
You might know
what you're talking about.
80
00:02:30,192 --> 00:02:32,572
‐ Thank you. Feels good, huh?
81
00:02:32,569 --> 00:02:34,029
‐ So how much
would this thing cost me?
82
00:02:34,029 --> 00:02:36,739
‐ Well, more than a Ferrari,
but less than therapy.
83
00:02:36,740 --> 00:02:37,740
‐ Jesus.
84
00:02:37,741 --> 00:02:39,741
‐ It's kind of a steal.
85
00:02:39,743 --> 00:02:42,753
[rock music]
86
00:02:42,746 --> 00:02:49,456
♪ ♪
87
00:02:52,923 --> 00:02:55,933
[hip‐hop music]
88
00:02:55,926 --> 00:02:57,006
♪ ♪
89
00:02:57,010 --> 00:02:59,050
‐ Hey, uh, guys?
90
00:02:59,054 --> 00:03:00,354
I hate to interrupt your food,
91
00:03:00,347 --> 00:03:02,767
but I have to call
an impromptu, uh, meeting.
92
00:03:02,766 --> 00:03:06,056
Now, as someone who knows
the importance of focus groups,
93
00:03:06,061 --> 00:03:08,311
and you two are the only
two people that still like me,
94
00:03:08,313 --> 00:03:09,903
I need your opinion.
95
00:03:09,898 --> 00:03:11,528
‐ Okay, but we don't like you
that much.
96
00:03:11,525 --> 00:03:13,065
Boom!
‐ Okay, cool.
97
00:03:13,068 --> 00:03:15,398
Kay.
Thank you very much.
98
00:03:15,404 --> 00:03:16,664
It's this way.
99
00:03:16,655 --> 00:03:18,155
I've been working
on some new characters,
100
00:03:18,156 --> 00:03:19,486
you know,
some more personal stuff.
101
00:03:19,491 --> 00:03:21,741
I gotta get back in the game,
so check it out.
102
00:03:21,743 --> 00:03:23,913
That's for you.
I want you to pass those out.
103
00:03:23,912 --> 00:03:25,042
GUNTHER: That's really smart
of you.
104
00:03:25,038 --> 00:03:26,708
‐ Okay,
confer amongst yourselves.
105
00:03:26,706 --> 00:03:28,326
I'll give you a minute.
106
00:03:28,333 --> 00:03:30,003
I'll be over here.
107
00:03:30,001 --> 00:03:33,131
I don't want you to think that
I'm trying to influence your...
108
00:03:33,130 --> 00:03:34,210
ah, I can't stand it.
109
00:03:34,214 --> 00:03:36,134
Okay, so, uh,
what do you think?
110
00:03:36,133 --> 00:03:38,593
‐ No, it's, uh...
it's a great first draft.
111
00:03:38,593 --> 00:03:39,683
Um...
‐ It's‐‐it's a second draft.
112
00:03:39,678 --> 00:03:42,058
‐ Love the concept, but...
113
00:03:42,055 --> 00:03:44,975
‐ How 'bout you draw people?
114
00:03:44,975 --> 00:03:46,805
Like, actual human beings.
What's this shit?
115
00:03:46,810 --> 00:03:47,810
‐ People.
‐ Yeah.
116
00:03:47,811 --> 00:03:49,061
This is a talking trash can?
117
00:03:49,062 --> 00:03:50,152
I don't know, that's kinda‐‐
118
00:03:50,147 --> 00:03:51,307
that's kinda out there,
you know?
119
00:03:51,314 --> 00:03:52,484
‐ And talking toast isn't?
120
00:03:52,482 --> 00:03:54,322
‐ Do you want feedback or not?
121
00:03:54,317 --> 00:03:56,607
‐ Yeah, no, I'm‐‐
I'm done talking, so just‐‐
122
00:03:56,611 --> 00:03:58,861
‐ Yeah, well, what is‐‐
I mean, what is this even for?
123
00:03:58,864 --> 00:04:01,124
‐ Excellent question,
uh, you on the right.
124
00:04:01,116 --> 00:04:03,026
Um...a salon.
125
00:04:03,034 --> 00:04:04,334
‐ Oh!
126
00:04:04,327 --> 00:04:05,997
Okay.
Okay.
127
00:04:05,996 --> 00:04:07,326
‐ What the fuck is a salon?
Like‐‐
128
00:04:07,330 --> 00:04:08,620
‐ Yeah, I don't know.
I don't know.
129
00:04:08,623 --> 00:04:10,503
‐ A beauty salon?
‐ [scoffs]
130
00:04:10,500 --> 00:04:12,710
A salon is a gathering
of people
131
00:04:12,711 --> 00:04:14,751
that come together
to refine taste
132
00:04:14,754 --> 00:04:16,514
and also increase knowledge
using art
133
00:04:16,506 --> 00:04:18,216
and also...
[clicks tongue]
134
00:04:18,216 --> 00:04:20,136
Conversation.
‐ Oh, cool.
135
00:04:20,135 --> 00:04:22,675
‐ So one of them
pretentious‐as‐fuck parties?
136
00:04:22,679 --> 00:04:24,429
‐ Yup.
‐ It's in Oakland.
137
00:04:24,431 --> 00:04:25,641
‐ Oh, well‐‐
‐ [laughs]
138
00:04:25,640 --> 00:04:27,100
‐ Yeah, I fuck with Oakland.
‐ Oh, yeah.
139
00:04:27,100 --> 00:04:28,440
‐ I fuck with Oakland.
‐ It's the best.
140
00:04:28,435 --> 00:04:30,145
‐ Oakland, that's where
all them, uh, fake‐ass,
141
00:04:30,145 --> 00:04:32,225
wannabe "Wakanda"
motherfuckers live.
142
00:04:32,230 --> 00:04:34,730
GUNTHER: Yeah, I like Wakanda.
‐ We fuck with Wakanda. We do.
143
00:04:34,733 --> 00:04:36,073
Wakanda don't fuck
with him though.
144
00:04:36,067 --> 00:04:37,437
GUNTHER: Mm.
‐ They don't fuck with Keef.
145
00:04:37,444 --> 00:04:38,744
Yeah, Wakanda gonna hate
this shit.
146
00:04:38,737 --> 00:04:40,237
‐ Like Wakanda,
147
00:04:40,238 --> 00:04:42,318
the Oakland in your head
does not exist.
148
00:04:42,324 --> 00:04:44,284
Beyond all of that,
this is an opportunity
149
00:04:44,284 --> 00:04:46,504
for my work to be seen among
some of the best tastemakers
150
00:04:46,495 --> 00:04:48,245
in the Bay Area, okay?
151
00:04:48,246 --> 00:04:49,616
All the shit
that I'm going through?
152
00:04:49,623 --> 00:04:51,963
This is the opportunity
to turn that around.
153
00:04:51,958 --> 00:04:52,958
Ayana hooked it up.
154
00:04:52,959 --> 00:04:53,959
‐ Ayana gon' be there?
155
00:04:53,960 --> 00:04:55,210
‐ She puts it on, so yeah.
156
00:04:55,212 --> 00:04:56,672
‐ Oh, shit, man‐‐hey, come on.
157
00:04:56,671 --> 00:04:57,841
We in there.
‐ Oh, bro.
158
00:04:57,839 --> 00:04:59,799
‐ We in there, my boy.
All right, man.
159
00:04:59,800 --> 00:05:01,840
‐ Still trying to scale
that mountain, huh?
160
00:05:01,843 --> 00:05:02,933
CLOVIS: No.
161
00:05:02,928 --> 00:05:03,928
Maybe.
162
00:05:03,929 --> 00:05:05,009
Yes.
163
00:05:05,013 --> 00:05:07,563
I mean, she do owe me
for them Kottos.
164
00:05:07,557 --> 00:05:10,187
‐ So what's the deal?
165
00:05:10,185 --> 00:05:12,095
You, uh, invite Adrienne
or what?
166
00:05:12,103 --> 00:05:13,693
‐ No, I am not bringing
Adrienne.
167
00:05:13,688 --> 00:05:15,478
It's work thing.
I don't wanna...
168
00:05:15,482 --> 00:05:17,032
and besides,
it's always important
169
00:05:17,025 --> 00:05:19,025
to preserve a little mystery.
170
00:05:19,027 --> 00:05:21,447
‐ The mystery
is why it's called a salon
171
00:05:21,446 --> 00:05:24,276
and I can't get a fade.
172
00:05:24,282 --> 00:05:27,792
‐ Is there a world in which
you two stay home tonight?
173
00:05:27,786 --> 00:05:29,536
‐ Hmm...
174
00:05:29,538 --> 00:05:30,998
nope.
175
00:05:30,997 --> 00:05:33,037
[Sidewalk Chalk's "Make Room"]
176
00:05:33,041 --> 00:05:34,881
[beeping]
177
00:05:34,876 --> 00:05:38,416
[upbeat funk music]
178
00:05:38,421 --> 00:05:39,761
SINGER: ♪ I'm gonna need
a whole lot of room ♪
179
00:05:39,756 --> 00:05:41,336
♪ Whole lot of this world
right now ♪
180
00:05:41,341 --> 00:05:42,841
♪ Right now, right now ♪
181
00:05:42,843 --> 00:05:44,933
♪ ♪
182
00:05:44,928 --> 00:05:46,428
CLOVIS: Damn, all right.
183
00:05:46,429 --> 00:05:48,309
It's a party.
Okay.
184
00:05:48,306 --> 00:05:50,926
Oh.
‐ It's poppin'.
185
00:05:50,934 --> 00:05:53,444
‐ Hey, you guys go ahead.
I'm gonna check in.
186
00:05:53,436 --> 00:05:56,186
‐ Oh, uh, did I tell you about
the Paul Robeson assemblage?
187
00:05:56,189 --> 00:05:57,269
‐ No.
188
00:05:57,274 --> 00:05:58,404
‐ Yeah, it explores
the dichotomy
189
00:05:58,400 --> 00:05:59,780
between mysticism and science.
190
00:05:59,776 --> 00:06:01,736
It's already been accepted
into the Whitney Biennial.
191
00:06:01,736 --> 00:06:03,066
ARTIST: Congratulations.
192
00:06:03,071 --> 00:06:04,451
You know, I've
been meaning to submit
193
00:06:04,447 --> 00:06:05,817
my multimedia piece
celebrating Oscar Micheaux,
194
00:06:05,824 --> 00:06:07,284
but it's already been purchased
by the Obamas.
195
00:06:07,284 --> 00:06:09,124
ARTIST: I'm looking forward
to what carcass Darque Noir
196
00:06:09,119 --> 00:06:10,789
is going to be
opening up tonight.
197
00:06:10,787 --> 00:06:14,417
[indistinct chatter]
198
00:06:15,083 --> 00:06:17,383
BAG: Psst. Hey.
Hey, Keef!
199
00:06:17,377 --> 00:06:18,457
Yeah, down here.
200
00:06:18,461 --> 00:06:19,961
You think your little
cartoon drawings
201
00:06:19,963 --> 00:06:21,263
are gonna get you uncanceled?
202
00:06:21,256 --> 00:06:22,836
‐ You've gotta be
fucking kidding me.
203
00:06:22,841 --> 00:06:24,091
‐ You can't survive in here.
204
00:06:24,092 --> 00:06:26,722
You can't even pass
the paper bag test.
205
00:06:26,720 --> 00:06:28,560
‐ What paper bag test?
206
00:06:28,555 --> 00:06:31,345
‐ You got to be Blacker than me
to present at this event.
207
00:06:31,349 --> 00:06:33,729
‐ [laughs]
208
00:06:33,727 --> 00:06:35,727
That's easy.
Look at that.
209
00:06:35,729 --> 00:06:37,359
‐ I didn't say darker.
210
00:06:37,355 --> 00:06:38,565
I said Blacker.
211
00:06:38,565 --> 00:06:40,025
First question:
212
00:06:40,025 --> 00:06:41,855
how do you pronounce
this author's name?
213
00:06:41,860 --> 00:06:44,030
‐ This author?
Oh, that's simple.
214
00:06:44,029 --> 00:06:45,319
‐ T‐ta‐‐mm.
215
00:06:45,322 --> 00:06:47,072
Tennessee?
Not Tennessee?
216
00:06:47,073 --> 00:06:50,373
That's...Ta‐hi‐‐Tie‐ha‐ness‐‐
217
00:06:50,368 --> 00:06:52,118
[clears throat]
Hmm.
218
00:06:52,120 --> 00:06:54,210
I'm gonna go with Mr.‐‐
Mr. Coates.
219
00:06:54,205 --> 00:06:55,705
‐ You suck at this.
220
00:06:55,707 --> 00:06:57,787
‐ You know,
I'll just check in later.
221
00:06:57,792 --> 00:07:00,752
[funky music]
222
00:07:00,754 --> 00:07:03,424
♪ ♪
223
00:07:03,423 --> 00:07:06,763
‐ [whispering]
Hey.
224
00:07:06,760 --> 00:07:07,890
‐ Let me guess.
225
00:07:07,886 --> 00:07:11,596
You're a Virgo
with a Taurus rising.
226
00:07:11,598 --> 00:07:13,098
‐ What the fuck?
227
00:07:13,099 --> 00:07:14,809
Yeah, I am.
How'd you know that?
228
00:07:14,809 --> 00:07:16,349
‐ It's your aura.
229
00:07:16,353 --> 00:07:18,483
‐ My aura?
230
00:07:18,480 --> 00:07:20,650
Sick.
[laughs]
231
00:07:20,649 --> 00:07:22,859
‐ Do you like mushroom tea?
232
00:07:24,527 --> 00:07:27,657
‐ I do like mushroom tea.
233
00:07:27,656 --> 00:07:29,156
[laughs]
234
00:07:29,157 --> 00:07:31,197
Sweet.
235
00:07:31,201 --> 00:07:32,291
Thanks.
236
00:07:32,285 --> 00:07:33,905
Cheers.
‐ Cheers.
237
00:07:33,912 --> 00:07:40,172
♪ ♪
238
00:07:40,168 --> 00:07:42,088
KEEF: Ayana.
239
00:07:42,087 --> 00:07:43,707
‐ Keef Knight.
BOTH: Hey.
240
00:07:43,713 --> 00:07:46,473
‐ Hey.
This party, huh?
241
00:07:46,466 --> 00:07:47,716
It's hyphy.
242
00:07:47,717 --> 00:07:49,177
‐ I'm sorry, what was that?
243
00:07:49,177 --> 00:07:50,257
‐ This party, it's hyphy.
244
00:07:50,261 --> 00:07:51,891
‐ "It's hyphy"?
‐ Yes.
245
00:07:51,888 --> 00:07:53,558
I don't believe that
you've ever said that before.
246
00:07:53,556 --> 00:07:54,886
‐ Well, not in a sentence, no.
247
00:07:54,891 --> 00:07:57,231
‐ You've just said
the individual word by itself?
248
00:07:57,227 --> 00:07:59,017
‐ Yes.
‐ Yeah.
249
00:07:59,020 --> 00:08:00,440
I'm surprised you're here.
250
00:08:00,438 --> 00:08:01,978
I thought you'd be laying low,
avoiding the haters.
251
00:08:01,981 --> 00:08:03,691
‐ What?
Come on, now.
252
00:08:03,692 --> 00:08:05,652
No, no, I'm here to, you know,
redeem myself.
253
00:08:05,652 --> 00:08:07,032
‐ Oh.
Well, well, well.
254
00:08:07,028 --> 00:08:08,738
And how will you do that?
255
00:08:08,738 --> 00:08:10,698
‐ Oh.
Glad you brought that up.
256
00:08:10,699 --> 00:08:12,239
‐ Mm‐hmm.
257
00:08:12,242 --> 00:08:13,332
‐ Some of my new stuff.
258
00:08:13,326 --> 00:08:15,116
New cartoons, new me.
‐ Oh.
259
00:08:15,120 --> 00:08:16,790
KEEF: Bam.
‐ Oh, nice.
260
00:08:16,788 --> 00:08:18,248
‐ Yeah.
‐ Is that T‐shirt girl?
261
00:08:18,248 --> 00:08:19,618
‐ Uh, yes.
262
00:08:19,624 --> 00:08:21,584
‐ I can tell
'cause she's white.
263
00:08:21,584 --> 00:08:23,504
‐ Uh, I know other whites.
264
00:08:23,503 --> 00:08:25,513
Fun fact:
not sure if you knew this,
265
00:08:25,505 --> 00:08:28,835
but swing dance was invented
by Black people
266
00:08:28,842 --> 00:08:30,342
in the Harlem Renaissance.
267
00:08:30,343 --> 00:08:31,513
‐ Yeah, everyone knows that.
268
00:08:31,511 --> 00:08:32,601
‐ Everybody knows that.
AYANA: Yeah.
269
00:08:32,595 --> 00:08:34,505
‐ So I was just seeing
if you knew.
270
00:08:34,514 --> 00:08:36,064
‐ Look,
if you're gonna present,
271
00:08:36,057 --> 00:08:37,227
do actually present.
272
00:08:37,225 --> 00:08:38,685
Don't back out.
‐ I won't. What?
273
00:08:38,685 --> 00:08:40,725
‐ Okay, well, you just have
backed out of everything
274
00:08:40,729 --> 00:08:42,309
we've ever tried to do
together.
275
00:08:42,313 --> 00:08:44,323
‐ That tracks. That tracks.
‐ Okay, so don't do that today.
276
00:08:44,315 --> 00:08:45,725
This event is hosted
by Darque Noir,
277
00:08:45,734 --> 00:08:46,904
and you don't wanna upset them.
278
00:08:46,901 --> 00:08:48,071
‐ Darque Noir?
279
00:08:48,069 --> 00:08:50,199
Isn't that just..."dark black"?
280
00:08:50,196 --> 00:08:51,196
‐ Yeah.
‐ Oh.
281
00:08:51,197 --> 00:08:52,697
‐ "Super black."
282
00:08:52,699 --> 00:08:55,239
Years ago, Ryan Coogler
screened an early cut
283
00:08:55,243 --> 00:08:56,793
of Fruitvale Station.
284
00:08:56,786 --> 00:08:59,906
Darque Noir critiqued it,
and Coogler went home crying.
285
00:08:59,914 --> 00:09:01,254
‐ Oh, shit.
286
00:09:01,249 --> 00:09:03,249
AYANA: Rumor has it
that Darque Noir critiqued
287
00:09:03,251 --> 00:09:05,301
one of Maya Angelou's
last poems.
288
00:09:05,295 --> 00:09:07,505
A week later, she died.
289
00:09:08,757 --> 00:09:11,127
‐ Okay, that‐‐
that doesn't seem real at all.
290
00:09:11,134 --> 00:09:12,554
‐ She is dead, isn't she?
291
00:09:12,552 --> 00:09:13,852
‐ Okay. All right.
I get it.
292
00:09:13,845 --> 00:09:15,885
‐ Yeah. So go meet them.
293
00:09:15,889 --> 00:09:17,599
Go talk to them.
Endear yourself.
294
00:09:17,599 --> 00:09:19,519
'Cause one post
from Darque Noir
295
00:09:19,517 --> 00:09:20,767
will get rid of all the haters.
296
00:09:20,769 --> 00:09:22,189
‐ Okay.
‐ Kay?
297
00:09:22,187 --> 00:09:25,187
‐ Yeah, just talk to the person
who killed Maya Angelou.
298
00:09:25,190 --> 00:09:27,230
‐ Allegedly.
Good luck.
299
00:09:30,779 --> 00:09:34,279
[chill music]
300
00:09:34,282 --> 00:09:36,412
MARIA: Mm.
301
00:09:36,409 --> 00:09:38,239
Oh, my God.
302
00:09:38,244 --> 00:09:39,874
You're perfect.
303
00:09:39,871 --> 00:09:41,751
‐ Mm.
[chuckles]
304
00:09:41,748 --> 00:09:43,578
You know, that's what
I've been telling everybody.
305
00:09:43,583 --> 00:09:44,753
MARIA: Mm‐hmm.
306
00:09:44,751 --> 00:09:46,421
‐ What's your name?
‐ Maria.
307
00:09:46,419 --> 00:09:48,799
‐ Maria, Maria.
MARIA: Mm‐hmm, mm‐hmm.
308
00:09:48,797 --> 00:09:50,337
‐ How you doing, Maria?
I'm Clovis.
309
00:09:50,340 --> 00:09:51,420
MARIA: Are you comfortable?
310
00:09:51,424 --> 00:09:53,224
Do you wanna...
311
00:09:53,218 --> 00:09:55,928
kinda try lying back a little?
312
00:09:55,929 --> 00:09:57,349
‐ I mean, honestly,
I think it'll be time
313
00:09:57,347 --> 00:09:59,717
for more of that later,
but you know.
314
00:09:59,724 --> 00:10:01,484
So what do you do?
315
00:10:01,476 --> 00:10:05,396
‐ I'm an artist.
This is my piece.
316
00:10:05,396 --> 00:10:06,766
‐ Your piece of what?
317
00:10:06,773 --> 00:10:09,693
‐ This is my installation.
318
00:10:09,692 --> 00:10:11,032
‐ Baby, this a couch.
319
00:10:11,027 --> 00:10:12,397
‐ [laughs]
320
00:10:12,403 --> 00:10:14,033
Couch in a Dollhouse.
321
00:10:14,030 --> 00:10:19,160
♪ ♪
322
00:10:19,160 --> 00:10:20,870
‐ Your spirit animal.
323
00:10:20,870 --> 00:10:22,500
On three.
324
00:10:22,497 --> 00:10:24,327
One, two, three.
325
00:10:24,332 --> 00:10:25,462
ALL: Manatee.
326
00:10:25,458 --> 00:10:27,128
[laughter]
‐ Fuck no.
327
00:10:27,127 --> 00:10:28,337
You're kidding me.
Really?
328
00:10:28,336 --> 00:10:29,956
‐ I feel like
you are my brother
329
00:10:29,963 --> 00:10:31,133
from another mother.
330
00:10:31,131 --> 00:10:34,181
‐ We are brothers in manatee,
I guess.
331
00:10:34,175 --> 00:10:35,295
‐ This is‐‐wow.
332
00:10:35,301 --> 00:10:36,511
‐ Actually, you know,
333
00:10:36,511 --> 00:10:38,601
it just could be considered
a little rude
334
00:10:38,596 --> 00:10:41,096
to touch a man's hair
without his permission.
335
00:10:41,099 --> 00:10:42,229
ZIGGY: Oh.
336
00:10:42,225 --> 00:10:43,635
‐ But you have my permission.
337
00:10:43,643 --> 00:10:45,153
‐ Ah!
‐ Yeah, go nuts.
338
00:10:45,145 --> 00:10:46,145
You do too.
Whatever.
339
00:10:46,146 --> 00:10:47,306
‐ Really?
‐ Yeah, yeah.
340
00:10:47,313 --> 00:10:48,573
‐ I wanted to touch it.
Oh, my God.
341
00:10:48,565 --> 00:10:50,395
‐ It's for everybody, yeah.
‐ Oh, my God.
342
00:10:50,400 --> 00:10:51,690
‐ That‐‐actually, that feels
really fucking good.
343
00:10:51,693 --> 00:10:53,493
‐ It's so soft.
344
00:10:53,486 --> 00:10:54,606
‐ What's up?
345
00:10:54,612 --> 00:10:55,702
‐ No.
346
00:10:55,697 --> 00:10:57,527
How do you keep finding me?
347
00:10:57,532 --> 00:10:58,832
‐ Girl, you know
I'm looking for you.
348
00:10:58,825 --> 00:11:00,445
‐ Please stop.
‐ Mm‐hmm.
349
00:11:00,451 --> 00:11:02,581
I bet it look real good
on you though.
350
00:11:02,579 --> 00:11:03,709
‐ What?
351
00:11:03,705 --> 00:11:05,455
‐ Those Kottos
that you owe me 350 for.
352
00:11:05,456 --> 00:11:07,206
‐ I don't owe you shit.
I already paid you.
353
00:11:07,208 --> 00:11:08,538
‐ Eh, you did,
354
00:11:08,543 --> 00:11:10,463
but you know that was,
like, the friendship price.
355
00:11:10,461 --> 00:11:11,841
‐ We're not friends.
‐ Exactly.
356
00:11:11,838 --> 00:11:13,258
‐ Okay.
357
00:11:13,256 --> 00:11:14,836
‐ You know, I could've sat
on those for, like, a year,
358
00:11:14,841 --> 00:11:16,761
probably sold 'em
for at least $350,
359
00:11:16,759 --> 00:11:17,969
so you owe me.
360
00:11:17,969 --> 00:11:19,719
‐ Well, you told me
it was a gift, so‐‐
361
00:11:19,721 --> 00:11:21,181
‐ And it was.
It was a gift.
362
00:11:21,181 --> 00:11:23,731
But, you know,
that was before...
363
00:11:23,725 --> 00:11:25,345
‐ "Before..."
364
00:11:25,351 --> 00:11:27,231
‐ You turned me down, right?
365
00:11:27,228 --> 00:11:30,478
‐ Bitch, I'm gay.
‐ [spits]
366
00:11:30,481 --> 00:11:32,031
So it's not me?
‐ Mm...
367
00:11:32,025 --> 00:11:33,435
‐ Damn!
No, stop that.
368
00:11:33,443 --> 00:11:34,863
I thought it was me
all this time.
369
00:11:34,861 --> 00:11:36,321
‐ No, you should keep
thinking that.
370
00:11:36,321 --> 00:11:38,361
‐ Yeah.
371
00:11:39,199 --> 00:11:40,449
Oh, that's what you like?
372
00:11:40,450 --> 00:11:43,290
‐ Yeah, that is
what I used to like.
373
00:11:43,286 --> 00:11:45,616
‐ [laughs]
374
00:11:45,622 --> 00:11:48,042
‐ Damn, she look like
she pissed off at you.
375
00:11:48,041 --> 00:11:49,041
‐ Yup.
376
00:11:49,042 --> 00:11:51,592
We broke up this morning.
377
00:11:51,586 --> 00:11:52,836
‐ Damn!
378
00:11:52,837 --> 00:11:54,507
And she doing all that
with somebody else.
379
00:11:54,505 --> 00:11:56,045
‐ Yeah.
‐ Wow.
380
00:11:56,049 --> 00:11:57,379
‐ Heartless.
381
00:11:57,383 --> 00:12:00,393
[funky music]
382
00:12:00,386 --> 00:12:04,556
♪ ♪
383
00:12:04,557 --> 00:12:08,517
‐ What a poignant commentary
on our obsession with image.
384
00:12:08,519 --> 00:12:11,689
‐ It is a black mirror indeed.
385
00:12:11,689 --> 00:12:13,569
‐ Fleeting, valueless.
386
00:12:13,566 --> 00:12:16,856
Although this artist has made
millions off this piece.
387
00:12:16,861 --> 00:12:18,531
‐ Millions, you say?
388
00:12:18,529 --> 00:12:19,949
I could use some of that money.
389
00:12:19,948 --> 00:12:22,408
I am broke.
390
00:12:22,408 --> 00:12:23,698
‐ Ha!
391
00:12:23,701 --> 00:12:26,291
We have another starving artist
in our midst.
392
00:12:26,287 --> 00:12:28,247
Medium?
‐ Pen and ink.
393
00:12:28,248 --> 00:12:29,918
‐ Cartoonist.
394
00:12:29,916 --> 00:12:31,456
Keef Knight.
395
00:12:31,459 --> 00:12:33,799
Black People for Rent?
396
00:12:33,795 --> 00:12:36,755
‐ Ah, that's‐‐wow, you've‐‐
you're aware.
397
00:12:36,756 --> 00:12:38,166
‐ I'm drawn to tragedy.
398
00:12:38,174 --> 00:12:40,264
‐ [laughs]
That's tragedy.
399
00:12:40,260 --> 00:12:41,590
You know, funny story.
400
00:12:41,594 --> 00:12:44,564
I'm actually here showcasing
some of my newest stuff,
401
00:12:44,555 --> 00:12:46,635
really trying to get back
to my roots
402
00:12:46,641 --> 00:12:48,431
and, uh, really try to...
403
00:12:50,687 --> 00:12:52,477
‐ White folks started buying,
404
00:12:52,480 --> 00:12:53,820
and now he's at The Whitney.
405
00:12:53,815 --> 00:12:55,145
Appropriate, I suppose,
406
00:12:55,149 --> 00:12:58,029
given all he draws
is white women.
407
00:12:58,027 --> 00:13:00,237
Look at this place.
408
00:13:00,238 --> 00:13:03,658
If I see another white face,
I'm gonna lose my mind.
409
00:13:05,118 --> 00:13:07,038
I'm excited
to see your new work.
410
00:13:07,036 --> 00:13:08,406
‐ Indeed.
411
00:13:08,413 --> 00:13:14,843
♪ ♪
412
00:13:14,836 --> 00:13:15,996
[whispering]
Fuck.
413
00:13:16,004 --> 00:13:19,014
[breathing heavily]
414
00:13:22,427 --> 00:13:24,507
MARKER: Ow!
Is this what it comes down to?
415
00:13:24,512 --> 00:13:27,062
Burnt‐corking your girl
for some critic's approval?
416
00:13:27,056 --> 00:13:29,306
‐ What choice do I have?
417
00:13:29,309 --> 00:13:30,519
You heard Darque Noir.
418
00:13:30,518 --> 00:13:32,228
He said if they see
one more white face,
419
00:13:32,228 --> 00:13:33,308
they'll flip out.
420
00:13:33,313 --> 00:13:34,613
‐ And you flipping out
right now.
421
00:13:34,605 --> 00:13:36,395
‐ Stop that.
Please, okay?
422
00:13:36,399 --> 00:13:38,569
Because you know that this
is all that people will see.
423
00:13:38,568 --> 00:13:40,448
I'm merely shading the message.
424
00:13:40,445 --> 00:13:41,945
That's it.
I'm just shading the message.
425
00:13:41,946 --> 00:13:43,946
‐ I give up, man.
You're on your own.
426
00:13:43,948 --> 00:13:46,118
‐ Shut up.
427
00:13:46,117 --> 00:13:47,237
[knocking]
428
00:13:47,243 --> 00:13:48,873
Occupied!
429
00:13:48,870 --> 00:13:50,960
[scribbling]
430
00:13:52,540 --> 00:13:53,620
Oh, shit.
431
00:13:53,624 --> 00:13:54,754
I did Blackface her.
432
00:13:54,751 --> 00:13:58,051
She's never gonna know.
433
00:13:58,046 --> 00:13:59,206
[knocking]
434
00:13:59,213 --> 00:14:01,093
Occupied!
435
00:14:02,091 --> 00:14:04,391
[rap music playing]
436
00:14:04,385 --> 00:14:07,175
‐ Ooh, this looks comfy.
437
00:14:07,180 --> 00:14:08,470
‐ Hey, bro,
can you respect the art?
438
00:14:08,473 --> 00:14:09,893
‐ Huh?
439
00:14:09,891 --> 00:14:11,231
CLOVIS: Man, what the fuck
is going on with your hair?
440
00:14:11,225 --> 00:14:12,635
Why you like
White Iverson?
441
00:14:12,643 --> 00:14:14,653
‐ Oh, well, there's actually
a real salon back there.
442
00:14:14,645 --> 00:14:17,105
‐ Oh, word?
‐ No. You kidding me?
443
00:14:17,106 --> 00:14:19,356
I got it done
by my new friends.
444
00:14:19,358 --> 00:14:21,398
‐ Ha‐ha.
‐ It's Oakland magic.
445
00:14:21,402 --> 00:14:22,742
‐ I don't think
those are your friends.
446
00:14:22,737 --> 00:14:23,817
GUNTHER: What?
‐ Yeah.
447
00:14:23,821 --> 00:14:25,111
GUNTHER: Oh, they are.
‐ Yo, yo.
448
00:14:25,114 --> 00:14:26,994
‐ Hey.
‐ Where you been?
449
00:14:26,991 --> 00:14:28,031
‐ Don't worry about it.
450
00:14:28,034 --> 00:14:29,414
‐ Okay, I won't.
451
00:14:29,410 --> 00:14:31,290
AYANA: Everyonegather around, please.
452
00:14:31,287 --> 00:14:32,497
We're getting ready to start
453
00:14:32,497 --> 00:14:34,667
the Salon du Noirpresentations.
454
00:14:34,665 --> 00:14:36,075
[scattered applause]
Thank you.
455
00:14:36,084 --> 00:14:37,754
‐ Wanna hit it?
AYANA: Gather round.
456
00:14:37,752 --> 00:14:41,092
Have a seat.
Welcome, welcome.
457
00:14:41,089 --> 00:14:42,509
Come on.
Come on in.
458
00:14:42,507 --> 00:14:45,087
Have a seat
on our amorphous furniture.
459
00:14:45,093 --> 00:14:46,553
Please.
Yes.
460
00:14:46,552 --> 00:14:49,432
Welcome to Salon du Noir.
461
00:14:49,430 --> 00:14:51,270
[applause]
462
00:14:51,265 --> 00:14:52,265
Yeah.
463
00:14:52,266 --> 00:14:53,596
This is supposed to be a room
464
00:14:53,601 --> 00:14:56,731
full of love and support,
465
00:14:56,729 --> 00:14:59,689
and some of you
are more capable
466
00:14:59,690 --> 00:15:00,690
of that than others.
467
00:15:00,691 --> 00:15:01,901
[laughs]
468
00:15:01,901 --> 00:15:04,821
This girl knows
what I'm talking about.
469
00:15:04,821 --> 00:15:06,201
‐ This chick is devastated.
470
00:15:06,197 --> 00:15:09,077
‐ So, uh, you're all here
to see a show.
471
00:15:09,075 --> 00:15:11,075
I'm seeing a show right now.
472
00:15:11,077 --> 00:15:13,407
And, um, yeah.
It'll be good.
473
00:15:13,412 --> 00:15:14,712
It'll be good.
It'll be good.
474
00:15:14,705 --> 00:15:15,915
[laughing]
For everybody.
475
00:15:15,915 --> 00:15:18,875
So yeah, let's get ready
for the show.
476
00:15:18,876 --> 00:15:20,166
Okay?
477
00:15:20,169 --> 00:15:21,169
Uh, yeah.
478
00:15:21,170 --> 00:15:24,550
So do your thing or whatever.
479
00:15:24,549 --> 00:15:25,799
‐ Thank you.
Thank you so much.
480
00:15:25,800 --> 00:15:27,300
I'm so excited
to share this with you.
481
00:15:27,301 --> 00:15:29,471
So sculpting is my medium...
‐ [whispering] Hey. Hey, Keef.
482
00:15:29,470 --> 00:15:30,970
SCULPTOR: You can see my mom
always said...
483
00:15:30,972 --> 00:15:32,562
‐ Is that Adrienne?
484
00:15:32,557 --> 00:15:35,057
SCULPTOR: I just wanna
turn this around here.
485
00:15:35,059 --> 00:15:37,599
‐ Yes.
486
00:15:37,603 --> 00:15:39,113
SCULPTOR: For two years
487
00:15:39,105 --> 00:15:40,855
and I really think this is
the one that's gonna get me...
488
00:15:40,857 --> 00:15:42,147
‐ Yes, it is.
489
00:15:46,529 --> 00:15:48,989
‐ This is made entirely
490
00:15:48,990 --> 00:15:50,580
of discarded IKEA materials.
491
00:15:50,575 --> 00:15:52,485
‐ Hi, stranger.
KEEF: Hey.
492
00:15:52,493 --> 00:15:55,083
‐ Didn't know you were here.
‐ Same here.
493
00:15:55,079 --> 00:15:57,289
‐ Hey, you still owe me
some toast, by the way.
494
00:15:57,290 --> 00:15:58,790
‐ He seems relaxed.
495
00:15:58,791 --> 00:16:01,211
Oh, look at your hair, Gunther.
It looks nice.
496
00:16:01,210 --> 00:16:03,250
‐ I took mushrooms.
‐ Got it.
497
00:16:03,254 --> 00:16:04,464
‐ Uh, listen,
498
00:16:04,463 --> 00:16:05,883
I'm a little bit hungry.
Y'all hungry?
499
00:16:05,882 --> 00:16:07,222
I think we should just
get out of here
500
00:16:07,216 --> 00:16:08,586
and grab something to eat,
you know?
501
00:16:08,593 --> 00:16:09,843
‐ What are you talking about?
502
00:16:09,844 --> 00:16:11,854
What, did I trip through
your entire presentation?
503
00:16:11,846 --> 00:16:14,056
‐ Oh, no.
That hasn't happened yet.
504
00:16:14,056 --> 00:16:15,306
‐ You're doing a presentation?
505
00:16:15,308 --> 00:16:16,518
‐ Am I?
506
00:16:16,517 --> 00:16:18,267
‐ Kept that under your hat.
‐ Yeah.
507
00:16:18,269 --> 00:16:20,769
ADRIENNE: Oh, my goodness.
Keef Knight.
508
00:16:20,771 --> 00:16:22,191
‐ I don't wanna talk
to you guys anymore.
509
00:16:22,190 --> 00:16:23,650
‐ Okay.
ADRIENNE: Cool.
510
00:16:23,649 --> 00:16:26,279
‐ Yeah, the presentation,
it's something that, you know‐‐
511
00:16:26,277 --> 00:16:28,027
ADRIENNE: You can tell me.
‐ I didn't know I was‐‐
512
00:16:28,029 --> 00:16:29,609
‐ You've wasted all our time.
513
00:16:29,614 --> 00:16:31,574
Frankly, I don't care
for any of it.
514
00:16:31,574 --> 00:16:33,414
I hope your return policy
on this art
515
00:16:33,409 --> 00:16:34,739
is better than IKEA's.
516
00:16:34,744 --> 00:16:36,954
Please, Lord, I hope
it gets better from here.
517
00:16:36,954 --> 00:16:38,334
Continue.
‐ Thank you.
518
00:16:38,331 --> 00:16:40,291
Uh...um, as, you can see...
519
00:16:40,291 --> 00:16:42,131
‐ Seems nice.
‐ Yeah, real nice guy.
520
00:16:42,126 --> 00:16:43,706
‐ Oh, that guy bought
a piece of my art.
521
00:16:43,711 --> 00:16:45,961
I gotta talk to him.
‐ Okay.
522
00:16:50,384 --> 00:16:52,394
SCULPTOR: Um,
so I'm really hoping
523
00:16:52,386 --> 00:16:54,636
on, uh, getting people
to come around...
524
00:16:54,639 --> 00:16:56,019
‐ Hey.
‐ No.
525
00:16:56,015 --> 00:16:57,385
I cannot with you right now.
526
00:16:57,391 --> 00:16:59,061
‐ First of all, it ain't got
nothing to do with me.
527
00:16:59,060 --> 00:17:00,440
Don't get mad at me
'cause your girl over there
528
00:17:00,436 --> 00:17:02,186
with Amber Rose.
AYANA: It's not just her.
529
00:17:02,188 --> 00:17:04,318
It's all these
fucking fake people.
530
00:17:04,315 --> 00:17:06,435
I'm just tired of everyone
acting like they're artists.
531
00:17:06,442 --> 00:17:07,692
‐ You know, honestly,
I'ma keep it real with you.
532
00:17:07,693 --> 00:17:08,993
I don't give a fuck
533
00:17:08,986 --> 00:17:10,146
about nothing
you're talking about right now.
534
00:17:10,154 --> 00:17:11,414
‐ Oh, okay.
535
00:17:11,405 --> 00:17:12,615
CLOVIS: You're focused
on the wrong stuff.
536
00:17:12,615 --> 00:17:14,025
She's not perfect.
‐ You don't know her.
537
00:17:14,033 --> 00:17:15,033
‐ Oh, my God.
538
00:17:15,034 --> 00:17:17,334
You know what, close your eyes.
539
00:17:17,328 --> 00:17:18,498
‐ This, like, a trap
or something?
540
00:17:18,496 --> 00:17:19,616
‐ Girl, I ain't trying
to trap you
541
00:17:19,622 --> 00:17:20,622
in front of all these
damn people.
542
00:17:20,623 --> 00:17:22,083
Close your eyes.
543
00:17:22,083 --> 00:17:23,753
‐ But if we were, like, alone,
you were gonna trap me?
544
00:17:23,751 --> 00:17:25,291
‐ Can you close your eyes?
I'm trying to help you. Damn.
545
00:17:25,294 --> 00:17:26,554
AYANA: All right.
546
00:17:27,838 --> 00:17:30,628
‐ All right.
Now, imagine your girl.
547
00:17:30,633 --> 00:17:32,553
You're laying in bed together,
you know,
548
00:17:32,552 --> 00:17:34,762
and her breath,
it smells like booboo.
549
00:17:34,762 --> 00:17:36,762
‐ Oh.
‐ Yeah, straight dookie.
550
00:17:36,764 --> 00:17:37,854
AYANA: Oh.
‐ Number two.
551
00:17:37,848 --> 00:17:39,138
AYANA: No.
‐ Yes.
552
00:17:39,141 --> 00:17:40,231
And then you go
and get in the shower.
553
00:17:40,226 --> 00:17:41,556
‐ Okay.
‐ All right,
554
00:17:41,561 --> 00:17:43,021
because you feel dirty now
'cause of her breath.
555
00:17:43,020 --> 00:17:44,060
‐ Yeah.
‐ And you come out,
556
00:17:44,063 --> 00:17:45,233
and she's dancing, right?
557
00:17:45,231 --> 00:17:46,821
Kicking in the mirror.
‐ Mm‐hmm.
558
00:17:46,816 --> 00:17:48,396
‐ But she's dancing
to Black Eyed Peas.
559
00:17:48,401 --> 00:17:49,781
‐ Mm.
560
00:17:49,777 --> 00:17:51,447
‐ Now imagine you come home
from work.
561
00:17:51,445 --> 00:17:53,525
She's in the house,
on your couch.
562
00:17:53,531 --> 00:17:54,661
‐ My couch.
563
00:17:54,657 --> 00:17:55,987
‐ And she's watching
Full House.
564
00:17:55,992 --> 00:17:57,332
‐ Mm.
‐ Laughing.
565
00:17:57,326 --> 00:17:58,656
[laughs]
566
00:17:58,661 --> 00:17:59,951
Like that shit funny.
‐ It's not.
567
00:17:59,954 --> 00:18:01,084
‐ What's her credit score?
568
00:18:01,080 --> 00:18:03,120
‐ I don't know.
‐ 4‐something?
569
00:18:03,124 --> 00:18:04,504
‐ Probably.
She's bad with it.
570
00:18:04,500 --> 00:18:06,750
‐ Now open your eyes.
571
00:18:06,752 --> 00:18:08,552
Voilà.
572
00:18:08,546 --> 00:18:11,046
‐ Damn.
‐ Mm‐hmm.
573
00:18:11,048 --> 00:18:12,428
Look how she digging
in her mouth.
574
00:18:12,425 --> 00:18:13,425
AYANA: Ugh.
CLOVIS: Yeah.
575
00:18:13,426 --> 00:18:15,846
You're welcome.
‐ Okay.
576
00:18:15,845 --> 00:18:17,385
Not as bad as I thought.
577
00:18:17,388 --> 00:18:19,138
‐ See, that's what
I've been trying to tell you.
578
00:18:19,140 --> 00:18:21,180
Damn.
579
00:18:21,183 --> 00:18:22,523
So you still gay?
580
00:18:22,518 --> 00:18:24,648
‐ Yeah, man.
Very gay.
581
00:18:24,645 --> 00:18:26,305
CLOVIS: Okay. Okay.
‐ Okay.
582
00:18:26,314 --> 00:18:28,614
‐ Yeah, that was probably
the worst day of my life.
583
00:18:28,608 --> 00:18:32,608
I'll never go
to the waterslides again.
584
00:18:32,612 --> 00:18:35,952
‐ [whimpering softly]
585
00:18:35,948 --> 00:18:37,278
‐ [sighs]
586
00:18:37,283 --> 00:18:38,873
You carry a lot of pain.
587
00:18:38,868 --> 00:18:40,038
‐ I can feel it.
588
00:18:40,036 --> 00:18:41,826
‐ Yeah.
589
00:18:41,829 --> 00:18:43,749
I'm a soldier, though,
you know?
590
00:18:43,748 --> 00:18:45,708
‐ Mm.
‐ Yeah.
591
00:18:45,708 --> 00:18:49,088
‐ Hey, what the heck
are you guys doing after this?
592
00:18:51,964 --> 00:18:55,434
‐ Hanging out with you?
593
00:18:55,426 --> 00:18:56,926
‐ Great.
594
00:18:56,927 --> 00:18:58,297
[both laugh]
595
00:18:58,304 --> 00:19:01,314
[applause]
596
00:19:01,307 --> 00:19:03,807
‐ My goal with this piece
is to reveal
597
00:19:03,809 --> 00:19:06,059
the blatant hypocrisy
of critics
598
00:19:06,062 --> 00:19:08,562
not being able to handle
their own criticism.
599
00:19:12,193 --> 00:19:13,993
‐ Hey, Ayana.
‐ Hi.
600
00:19:13,986 --> 00:19:15,446
‐ I am so sorry.
‐ Mm.
601
00:19:15,446 --> 00:19:18,736
‐ But, uh,
tonight's not my night.
602
00:19:18,741 --> 00:19:20,411
‐ Oh, okay.
‐ Yeah.
603
00:19:20,409 --> 00:19:23,159
‐ If you bail on me,
I'll never run your shit again.
604
00:19:23,162 --> 00:19:24,292
‐ Okay.
Good.
605
00:19:24,288 --> 00:19:25,328
‐ Okay?
‐ Okay.
606
00:19:25,331 --> 00:19:26,331
‐ Great.
607
00:19:26,332 --> 00:19:28,332
Wow, that was something.
608
00:19:28,334 --> 00:19:30,294
Give it up for Mirror Face.
609
00:19:30,294 --> 00:19:32,254
Yes, thank you.
Thank you.
610
00:19:32,254 --> 00:19:34,804
You can go.
Thank you, that's enough.
611
00:19:34,799 --> 00:19:35,799
[voice echoing]
And now for something
612
00:19:35,800 --> 00:19:37,340
completely different...
613
00:19:37,343 --> 00:19:39,513
[normal voice]
Cartoonist Keef Knight.
614
00:19:39,512 --> 00:19:40,812
[cheers and applause]
615
00:19:40,805 --> 00:19:42,385
Keef Knight, everyone.
616
00:19:42,390 --> 00:19:44,770
GUNTHER: That's my boy.
My boy.
617
00:19:44,767 --> 00:19:46,097
‐ Yeah, come on.
All right.
618
00:19:46,102 --> 00:19:47,272
‐ Right now?
619
00:19:47,269 --> 00:19:50,769
Thank you, Ayana, for such a...
620
00:19:50,773 --> 00:19:52,193
aggressive intro.
621
00:19:52,191 --> 00:19:53,321
‐ Mm‐hmm.
‐ Appreciate that.
622
00:19:53,317 --> 00:19:54,857
Um...hello.
623
00:19:54,860 --> 00:19:57,030
My name is, uh, Keef Knight,
624
00:19:57,029 --> 00:19:59,489
and, uh, I would like
to show you all
625
00:19:59,490 --> 00:20:00,910
some of my new stuff,
626
00:20:00,908 --> 00:20:04,408
um, which is, um, using humor
627
00:20:04,412 --> 00:20:07,792
to shed a spotlight
on the human condition,
628
00:20:07,790 --> 00:20:09,670
so...okay, yeah.
629
00:20:09,667 --> 00:20:13,497
My ne‐‐first piece is all about
my roommate.
630
00:20:13,504 --> 00:20:17,174
[grunts]
631
00:20:17,174 --> 00:20:19,804
Yeah, I call this one
Back to the Future
632
00:20:19,802 --> 00:20:23,562
because he does not like
new stuff.
633
00:20:23,556 --> 00:20:25,016
‐ That's me.
634
00:20:25,015 --> 00:20:27,685
‐ Oh.
‐ That's freaking me.
635
00:20:27,685 --> 00:20:29,225
‐ [clears throat]
636
00:20:29,228 --> 00:20:33,518
And this next series, actually,
is about my other roommate.
637
00:20:33,524 --> 00:20:37,114
Um, here we go.
638
00:20:37,111 --> 00:20:39,451
And...
639
00:20:39,447 --> 00:20:42,487
this is because he‐‐
[laughs]
640
00:20:42,491 --> 00:20:46,951
He lies a lot
and he hates women, so...
641
00:20:46,954 --> 00:20:48,664
‐ Them just jokes, y'all,
you know.
642
00:20:48,664 --> 00:20:51,334
[laughs]
You know, I love women.
643
00:20:51,333 --> 00:20:53,343
My mama a women.
644
00:20:53,335 --> 00:20:56,005
‐ I've been Keef Knight,
and that is my time.
645
00:20:56,005 --> 00:20:57,125
‐ Are you gonna show
the last one?
646
00:20:57,131 --> 00:20:58,381
‐ I'm sorry, what?
647
00:20:58,382 --> 00:20:59,932
‐ You have one more.
Do you wanna show it?
648
00:20:59,925 --> 00:21:01,335
‐ ¿Qué?
‐ You have one more board.
649
00:21:01,343 --> 00:21:02,433
I can see it right there.
650
00:21:02,428 --> 00:21:05,598
Do you wanna show it
to the audience?
651
00:21:05,598 --> 00:21:07,928
‐ Oh, yeah‐‐this thing?
652
00:21:07,933 --> 00:21:09,603
‐ We wanna see
the rest of his work, right?
653
00:21:09,602 --> 00:21:10,602
Come on.
654
00:21:10,603 --> 00:21:12,193
[chanting]
Show it, show it.
655
00:21:12,188 --> 00:21:15,068
ALL: Show it, show it, show it,
656
00:21:15,065 --> 00:21:18,815
show it, show it,
show it, show it.
657
00:21:18,819 --> 00:21:21,409
‐ Mm, okay.
[laughs nervously]
658
00:21:21,405 --> 00:21:22,945
Yikes.
All right, here we go.
659
00:21:22,948 --> 00:21:26,158
This one, um...oh, boy.
660
00:21:26,160 --> 00:21:27,450
Let's not even...
661
00:21:27,453 --> 00:21:29,753
uh, don't focus
662
00:21:29,747 --> 00:21:31,827
on the girlfriend character
at all.
663
00:21:31,832 --> 00:21:34,342
I mean, she was kind of just,
like, an afterthought.
664
00:21:34,335 --> 00:21:35,625
Yeah, so...
665
00:21:35,628 --> 00:21:37,418
[crowd muttering]
666
00:21:37,421 --> 00:21:40,471
‐ Kind of like you and me.
[scoffs]
667
00:21:40,466 --> 00:21:43,426
‐ Um...
[laughs awkwardly]
668
00:21:43,427 --> 00:21:46,137
Did you, uh, know
that swing dancing was invented
669
00:21:46,138 --> 00:21:48,348
in the Harlem Renaissance,
which is‐‐
670
00:21:48,349 --> 00:21:50,639
uh, and people don't know that,
671
00:21:50,643 --> 00:21:52,443
so I just thought
I'd teach you guys a lesson
672
00:21:52,436 --> 00:21:54,436
before I get out of here, so...
673
00:21:54,438 --> 00:21:56,518
‐ Why is her face so fucked up?
674
00:21:56,524 --> 00:21:59,444
‐ Uh, you know, just for‐‐for‐‐
for reasons.
675
00:21:59,443 --> 00:22:02,113
‐ But why though?
676
00:22:02,112 --> 00:22:03,952
‐ Art‐based reasons.
677
00:22:03,948 --> 00:22:05,158
Mainly for art...
678
00:22:05,157 --> 00:22:08,987
‐ The complexities
of toxic masculinity.
679
00:22:08,994 --> 00:22:10,624
Men are afraid of the future
680
00:22:10,621 --> 00:22:12,671
because the future is feminine.
681
00:22:12,665 --> 00:22:14,705
Man is afraid to face
682
00:22:14,708 --> 00:22:16,418
what they know is coming.
683
00:22:16,418 --> 00:22:18,338
An excellent portraiture
684
00:22:18,337 --> 00:22:20,547
of Black‐on‐Black love.
685
00:22:20,548 --> 00:22:21,798
Bravo, Keef Knight!
686
00:22:21,799 --> 00:22:22,879
Bravo.
687
00:22:22,883 --> 00:22:26,013
[applause]
688
00:22:26,011 --> 00:22:27,931
AYANA: Keef Knight, everybody.
689
00:22:27,930 --> 00:22:31,930
[chill music]
690
00:22:31,934 --> 00:22:38,984
♪ ♪
45915
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