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>> Narrator: PREVIOUSLY
ON LOVE ISLAND...
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00:00:07,000 --> 00:00:08,966
>> I'M ON FIRE.
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00:00:09,000 --> 00:00:09,933
>> Narrator: FIVE
GORGEOUS GIRLS BEGAN THEIR
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00:00:09,966 --> 00:00:10,866
SEARCH FOR LOVE.
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00:00:10,900 --> 00:00:13,966
>> ARE YOU READY TO GET
THIS PARTY STARTED?
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00:00:14,000 --> 00:00:14,933
>> YES!
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00:00:14,966 --> 00:00:18,166
>> Narrator: CLOSELY
FOLLOWED BY FIVE HANDSOME
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00:00:18,200 --> 00:00:19,100
GUYS.
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00:00:19,133 --> 00:00:20,033
[YELLING]
>> Narrator: THEY
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00:00:20,066 --> 00:00:24,466
COUPLED UP, BUT THERE WERE
SURPRISES APLENTY.
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00:00:24,500 --> 00:00:31,966
>> JOHNNY WILL BE COUPLING
UP WITH ONE OF YOUR GIRLS.
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00:00:32,000 --> 00:00:32,966
>> THE GIRL I WOULD LIKE
TO COUPLE UP WITH
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00:00:33,000 --> 00:00:38,966
IS...CELY.
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00:00:39,000 --> 00:00:41,966
>> Narrator:
TONIGHT...WE DOUBLE DOWN
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00:00:42,000 --> 00:00:43,700
WITH TWO NEW GIRLS.
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00:00:43,733 --> 00:00:45,800
>> I'M SINGLE AND READY TO
MINGLE.
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00:00:45,833 --> 00:00:47,966
>> I'M NOT HERE TO, LIKE,
WASTE TIME.
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00:00:48,000 --> 00:00:48,866
>> Narrator: AND THEN...
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00:00:48,900 --> 00:00:51,966
>> I SAW YOU ON SPAM,
INSTANT ATTRACTION.
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00:00:52,000 --> 00:00:55,966
>> Narrator: ...THEY
STIR THINGS UP.
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00:00:56,000 --> 00:00:58,433
>> NEW BEGINNINGS.
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00:00:58,466 --> 00:01:02,966
THERE IS NO CRIME IN LOVE.
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00:01:03,000 --> 00:01:05,000
I'M LOOKING FORWARD TO
SEEING WHERE IT GOES.
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00:01:08,533 --> 00:01:11,400
♪♪♪
♪♪♪
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00:01:17,466 --> 00:01:18,966
>> Narrator: LAST
NIGHT'S EVENTS
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00:01:19,000 --> 00:01:21,966
UNSURPRISINGLY PROVED
EVENTFUL.
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00:01:22,000 --> 00:01:26,500
>> THE GIRL I WOULD LIKE
TO COUPLE UP WITH
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IS...CELY.
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00:01:32,000 --> 00:01:33,966
>> Narrator: JOHNNY
STOLE CELY FROM TRE.
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00:01:34,000 --> 00:01:36,966
I HAD MY CELY STOLEN ONCE,
TWO, A FLIP PHONE IN 1978,
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00:01:37,000 --> 00:01:39,466
IT STILL HURTS.
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00:01:39,500 --> 00:01:45,966
NOW OUR COUPLES ARE CELY
AND JOHNNY.
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00:01:46,000 --> 00:01:47,800
SMITTEN MOIRA AND JAMES.
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00:01:47,833 --> 00:01:50,966
YOU CAN TELL THEY SMELL
GREAT, CONNOR AND
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00:01:51,000 --> 00:01:53,966
MACKENZIE, FRIEND ZONING
JASON AND JUSTINE AND
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00:01:54,000 --> 00:01:54,966
JEREMIAH.
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00:01:55,000 --> 00:01:57,000
AND THE STRUGGLE IS REAL
FOR KAITLYN.
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00:02:04,000 --> 00:02:06,166
>> WE'RE JUST FRIENDS, AND
THAT'S FINE WITH ME.
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00:02:06,200 --> 00:02:07,200
NOT EVERYONE IS MEANT TO
B.
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00:02:07,233 --> 00:02:09,000
>> Narrator: NOW YOU'RE
CAUGHT UP, AND WE CAN ALL
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00:02:09,033 --> 00:02:11,966
HANG OUT AT THE PRETTY
PEOPLE PARTY WITHOUT
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00:02:12,000 --> 00:02:14,166
HAVING TO HANG OUT ON THE
SIDEWALK.
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00:02:14,200 --> 00:02:17,966
>> TRE SPACED.
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00:02:18,000 --> 00:02:19,966
>> I'M WATCHING THAT ALL
UNFOLD.
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00:02:20,000 --> 00:02:22,333
>> I LITERALLY ‐‐ A LITTLE
PART OF ME DIED.
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00:02:22,366 --> 00:02:24,233
>> THAT MOMENT WAS SO
INTENSE.
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00:02:24,266 --> 00:02:27,300
>> I ALREADY KNEW SHE WAS
GETTING PICKED.
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00:02:27,333 --> 00:02:28,366
>> HOW DO YOU KNOW?
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00:02:28,400 --> 00:02:30,533
>> HE AND I HAD A
DISCUSSION.
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00:02:30,566 --> 00:02:34,133
AND I WAS, LIKE, I LIKE
YOU BUT I DON'T KNOW IF I
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00:02:34,166 --> 00:02:35,166
LIKE YOU, LIKE YOU.
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00:02:35,200 --> 00:02:39,433
>> THE THING IS I CAME TO
MAKE A CONNECTION, BUT I
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00:02:39,466 --> 00:02:40,533
CAN'T WITH ANYONE.
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00:02:40,566 --> 00:02:42,466
SO I'M, LIKE, WHERE IS IT.
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>> I GOT A TEXT!
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00:02:46,433 --> 00:02:47,333
>> C'MON!
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00:02:47,366 --> 00:02:49,966
>> YEAH, I'M COMING.
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00:02:50,000 --> 00:02:52,900
JEREMIAH, YOU ARE GOING ON
A DATE.
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00:02:52,933 --> 00:03:02,200
PLEASE JOIN NEW GIRL
RACHEL UPSTAIRS.
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00:03:02,233 --> 00:03:02,966
[CHEERING]
[APPLAUSE AND CHEERING]
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00:03:03,000 --> 00:03:06,066
>> OH, MY GOSH.
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00:03:06,100 --> 00:03:09,166
HASHTAG W WATER WORK.
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00:03:09,200 --> 00:03:14,600
HASHTAG, I'M DRESSED TO
IMPRESS.
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00:03:14,633 --> 00:03:16,600
>> I CANNOT STOP SHAKING
MY HEAD.
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00:03:16,633 --> 00:03:18,933
IS THIS REAL LIFE RIGHT
NOW?
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00:03:18,966 --> 00:03:22,133
I WAS EXPECTING JEREMIAH
TO GO ON A FEW DATES.
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00:03:22,166 --> 00:03:27,000
HEARING HE GOT A TEXT, I
WAS, LIKE, MY HEART JUST
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00:03:27,033 --> 00:03:27,933
STOPPED FOR A SECOND.
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00:03:27,966 --> 00:03:34,300
I JUST DIDN'T THINK IT
WOULD BE THIS SOON.
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00:03:34,333 --> 00:03:36,933
[Simultaneous talking]
>> OKAY.
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THANK YOU.
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00:03:38,066 --> 00:03:38,833
>> WHAT?
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00:03:38,866 --> 00:03:42,933
DID YOU NOT SEE WHAT JUST
HAPPENED?
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00:03:42,966 --> 00:03:45,400
>> YO, YO, YO, YO, WAIT,
WAIT.
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>> I GOT A TEXT!
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>> OKAY, WHAT'S THIS?
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>> CARRINGTON, GET YOUR
SWIM TRUNKS ON, YOU'RE
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00:03:56,100 --> 00:04:01,266
GOING ON A DATE WITH
KIRSTIN IN THE SECRET
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00:04:01,300 --> 00:04:01,933
JACUZZI.
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00:04:01,966 --> 00:04:06,633
WET AND WILD, HASHTAG
COZY.
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00:04:06,666 --> 00:04:08,533
>> OH, MY GOSH.
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00:04:08,566 --> 00:04:11,500
>> WE'RE GOING ON A DATE.
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00:04:11,533 --> 00:04:13,333
[YELLING]
>> LET'S GO.
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00:04:13,366 --> 00:04:13,833
LET'S GO.
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>> WE ARE DESERVING.
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00:04:15,500 --> 00:04:16,900
WE ARE FUNNY.
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WE ARE HANDSOME AND WE'RE
GOOD GUYS.
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WE'VE BEEN NEEDING THIS,
AND THESE GIRLS ‐‐ WE'RE
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GOING TO WOW.
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00:04:25,133 --> 00:04:30,533
>> I'M KIND OF A LITTLE
MORE RESERVED, WHICH IS
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00:04:30,566 --> 00:04:33,166
HOW I ACT ‐‐
>> ALL WE'RE DOING IS JUST
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00:04:33,200 --> 00:04:33,933
BONDING.
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00:04:33,966 --> 00:04:39,666
>> ALL THIS WEEK, WHAT
Y'ALL DOING?
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WE'RE ALL HAPPY.
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00:04:41,233 --> 00:04:45,133
>> I WAS REALLY HAPPY FOR
HIM.
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00:04:45,166 --> 00:04:47,866
HONESTLY, WHEN CARRINGTON
GOT THE TEXT, I WAS
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DEFINITELY EXCITED FOR
HIM.
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00:04:49,400 --> 00:04:52,500
WAS I NERVOUS FOR ME,
ALSO, OF COURSE.
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00:04:52,533 --> 00:04:54,300
BUT I DO WANT THE BEST FOR
HIM, FOR SURE.
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00:04:54,333 --> 00:04:58,833
>> I WOULD BE UPSET
BECAUSE I FINALLY MEET YOU
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00:04:58,866 --> 00:04:59,800
GUYS.
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00:04:59,833 --> 00:05:01,733
I TOOK A LOT OF GUT
PUNCHES, AND I WAS, LIKE,
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00:05:01,766 --> 00:05:03,566
I'M GOING TO FRIEND ZONE
HIM.
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00:05:03,600 --> 00:05:08,133
AND WE HAD SUCH A GOOD
CONNECTION, AND I SAW HIM,
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AND NOW I'M, LIKE, IF I
HAD LEFT IT IN THE FRIEND
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ZONE, I PROBABLY WOULD
STILL HAVE FELT HIS HEAVY,
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00:05:15,900 --> 00:05:18,066
BUT IT WOULDN'T BE PUBLIC
LIKE THIS.
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>> THIS COULDN'T HAVE CAME
AT A BETTER TIME.
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00:05:19,900 --> 00:05:23,366
>> WE MIGHT NEVER LEAVE
THE HOT TUB.
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>> ALL NIGHT, MAN.
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>> ALL NIGHT.
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00:05:27,900 --> 00:05:30,166
♪♪♪
♪ IT IS WARFARE ♪
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>> MY NAME IS RACHEL, I'M
21, I'M FROM MINNESOTA,
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MINNESOTA.
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00:05:36,466 --> 00:05:39,800
I KNOW WHAT I WANT AND I'M
NOT REALLY HERE TO, LIKE,
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WASTE TIME.
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♪YOU CAN RUN, BUT YOU
CAN'T HIDE ♪
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>> BRING ON THE MEN.
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00:05:51,100 --> 00:05:55,866
>> HEY Y'ALL, MY NAME IS
KIRSTIN, I'M 21YEARS OLD,
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AND I'M FROM AUSTIN,
TEXAS, AND I'M A
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00:06:00,933 --> 00:06:01,700
BARTENDER.
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00:06:01,733 --> 00:06:07,233
YOU CAN LOOK, BUT DON'T
TOUCH, YES.
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00:06:07,266 --> 00:06:09,366
I'M SINGLE, READY TO
MINGLE, AND I'M READY FOR
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00:06:09,400 --> 00:06:12,333
YOU BOYS, SO YOU BETTER BE
READY FOR ME.
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00:06:12,366 --> 00:06:18,566
♪ THIS IS WARFARE ♪
>> OOH.
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HOW Y'ALL DOING?
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00:06:19,833 --> 00:06:20,733
>> HI.
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00:06:20,766 --> 00:06:22,766
>> I'M GOOD, HOW ARE YOU?
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00:06:22,800 --> 00:06:27,733
>> I'M GOOD, I'M GOOD, AND
NOW I'M EVEN BETTER.
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00:06:27,766 --> 00:06:29,733
>> I'M KIRSTIN?
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>> I'M CARRINGTON.
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>> NICE TO MEET YOU.
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>> WE'LL DO A LITTLE
CHEER.
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00:06:36,933 --> 00:06:38,400
IT IS LIKE WE MET BEFORE.
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00:06:38,433 --> 00:06:41,233
>> I KNOW, IT IS CRAZY.
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00:06:41,266 --> 00:06:41,666
>> RACHEL?
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>> YES.
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00:06:42,733 --> 00:06:46,700
I'M RACHEL, AND YOU ARE ‐‐
>> OH, MY GOSH, YOUR KIN
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00:06:46,733 --> 00:06:47,733
IS BEAUTIFUL?
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00:06:47,766 --> 00:06:49,266
>> THANK YOU.
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00:06:49,300 --> 00:06:59,300
YOURS IS VERY NICE, TOO.
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00:06:59,333 --> 00:07:02,366
>> MAYBE WE SHOULD GET ONE
OF THESE?
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00:07:02,400 --> 00:07:04,966
>> MAYBE I SHOULD FEED YOU
THESE?
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00:07:05,000 --> 00:07:06,433
>> OKAY.
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00:07:06,466 --> 00:07:10,900
JEREMIAH AND RACHEL HAVE A
MAGICAL MYSTERY TOUR ‐‐
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00:07:10,933 --> 00:07:12,066
OH, THAT DIDN'T WORK.
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00:07:12,100 --> 00:07:16,966
NOW AFTER BEING SINGLE FOR
A WHOLE 48 S 48 SECONDS, TRE IS
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00:07:17,000 --> 00:07:19,966
TRYING AGAIN WITH KIRSTIN
ONLY AFTER THE CAMERAMAN
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00:07:20,000 --> 00:07:25,966
REFOCUSES ON THE SIGN.
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00:07:26,000 --> 00:07:27,966
>> WHAT ALL OF THIS
HAPPENED FOR A REASON?
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00:07:28,000 --> 00:07:30,633
WHAT IF THINGS WASN'T
SUPPOSED TO WORK OUT WITH
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00:07:30,666 --> 00:07:33,500
WHO I PICKED AND THINGS
DIDN'T WORK OUT WITH WHO
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00:07:33,533 --> 00:07:35,966
YOU PICKED?
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00:07:36,000 --> 00:07:37,033
I'M OPEN BOOK.
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00:07:37,066 --> 00:07:38,800
I KIND OF RULED YOU OUT
FIRST.
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00:07:38,833 --> 00:07:42,966
AND I'M SURE YOU PROBABLY
DID THE SAME THING FOR ME.
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00:07:43,000 --> 00:07:45,500
EVERYBODY ALWAYS THINKS
I'M A PLAYER.
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00:07:45,533 --> 00:07:46,033
YEAH, I WAS.
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00:07:46,066 --> 00:07:46,666
I'M NOT GOING TO LIE.
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00:07:46,700 --> 00:07:47,900
I'M NOT PERFECT.
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I'VE GOT A PAST, BUT DON'T
WE ALL?
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00:07:51,733 --> 00:07:54,166
BUT RIGHT UP, I'M STRAIGHT
UP.
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00:07:54,200 --> 00:07:58,033
YOU'RE A BEAUTIFUL GIRL,
AND I'M ATTRACTED TO YOU,
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00:07:58,066 --> 00:08:01,900
AND I WANT TO GET TO KNOW
YOU, BUT I'M NOT GOING TO
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00:08:01,933 --> 00:08:04,566
SAY I'M NOT GOING TO GET
TO KNOW OTHER PEOPLE.
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00:08:04,600 --> 00:08:07,533
I KNOW YOU'VE GOT YOUR
THING FOR JEREMIAH, AND
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00:08:07,566 --> 00:08:10,966
Y'ALL ARE SHARING A BED,
AND MAYBE WE CAN SEE WHERE
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00:08:11,000 --> 00:08:11,833
THINGS GO.
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00:08:11,866 --> 00:08:13,966
>> YOU KNOW ME, I'M A VERY
HONEST PERSON.
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00:08:14,000 --> 00:08:15,966
>> I HAVE A QUESTION FOR
YOU: HAVE YOU AND JEREMIAH
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00:08:16,000 --> 00:08:16,400
KSSED YET?
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00:08:16,433 --> 00:08:17,433
>> NO.
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00:08:17,466 --> 00:08:19,766
>> WOULD YOU BE OPEN TO
TRY AND FEEL WHAT IT WOULD
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00:08:19,800 --> 00:08:20,533
BE LIKE?
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00:08:20,566 --> 00:08:23,533
>> I MEAN, IF THE MOMENT
IS RIGHT.
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00:08:23,566 --> 00:08:27,966
I FEEL LIKE TRE TRIES SO
HARD, BUT WITH ME WE DON'T
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00:08:28,000 --> 00:08:28,933
HAVE TO DO THAT.
178
00:08:28,966 --> 00:08:31,700
WHERE HAVE THAT INITIAL
GENUINE CONNECTION, WE
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00:08:31,733 --> 00:08:35,966
HAVE THAT BACK SUPPORT,
THERE IS NO WEIRD L LULLS IN
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00:08:36,000 --> 00:08:37,766
CONVERSATION.
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00:08:37,800 --> 00:08:39,666
BUT SOMETIMES I DON'T KNOW
IF I CAN BELIEVE
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00:08:39,700 --> 00:08:42,900
EVERYTHING THAT TRE
HAPPENS.
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00:08:42,933 --> 00:08:47,500
EVERYTHING IS SO ‐‐ I
DON'T KNOW HOW I FEEL,
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00:08:47,533 --> 00:08:48,200
TRE, JEREMIAH.
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00:08:48,233 --> 00:08:50,533
I DON'T KNOW WHAT IS GOING
ON.
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00:08:50,566 --> 00:08:51,966
>> GO AHEAD.
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00:08:52,000 --> 00:09:03,966
GO AHEAD.
188
00:09:04,000 --> 00:09:04,966
>> (indescernable) YOU
GET A LITTLE R RECKLESS ON
189
00:09:05,000 --> 00:09:05,966
ME?
190
00:09:06,000 --> 00:09:09,966
>> YOU THINK I'M GOING TO
GET A LITTLE RECKLESS.
191
00:09:10,000 --> 00:09:11,966
>> NOW JOHNNY WANTS TO
KEEP KAITLYN ON HIS GOOD
192
00:09:12,000 --> 00:09:14,966
SIDE AFTER NOT CHOOSING
HER FOR HIS RIDE OR DIE.
193
00:09:15,000 --> 00:09:16,066
>> CAN WE TALK?
194
00:09:16,100 --> 00:09:22,966
>> WHAT'S UP?
195
00:09:23,000 --> 00:09:24,966
>> I WANT TO MAINTAIN A
GOOD RELATIONSHIP WITH
196
00:09:25,000 --> 00:09:26,166
YOU, LIKE WE SAID.
197
00:09:26,200 --> 00:09:29,133
I WANT TO MAKE SURE IT IS
STILL THE SAME?
198
00:09:29,166 --> 00:09:30,033
>> OF COURSE IT DOES.
199
00:09:30,066 --> 00:09:32,300
>> THERE WAS SO MUCH
PRESSURE AROUND ME AND
200
00:09:32,333 --> 00:09:34,966
HER.
201
00:09:35,000 --> 00:09:38,033
AND I FEEL AS THOUGH YOUR
DECISION WAS ALREADY MADE.
202
00:09:38,066 --> 00:09:40,066
>> WHEN I TALKED TO YOU, I
DID NOT KNOW.
203
00:09:40,100 --> 00:09:42,966
>> THIS IS THE THING: I
100% STAND BY YOUR
204
00:09:43,000 --> 00:09:43,833
DECISION AND I SUPPORT
YOU.
205
00:09:43,866 --> 00:09:46,700
>> IT WAS UP IN THE AIR
FOR A LONG TIME.
206
00:09:46,733 --> 00:09:50,966
>> EVERY SINGLE PERSON I
TALKED TO, THOUGH, SAYS
207
00:09:51,000 --> 00:09:52,633
THAT THEY KNEW WHAT
DECISION YOU WERE MAKING.
208
00:09:52,666 --> 00:09:54,466
>> I DON'T KNOW HOW THAT
IS POSSIBLE BECAUSE I
209
00:09:54,500 --> 00:09:55,366
NEVER TOLD ANYBODY.
210
00:09:55,400 --> 00:09:57,400
>> I KNEW YOU WERE GOING
TO PICK HER.
211
00:09:57,433 --> 00:10:00,166
>> IT WASN'T YOUR FAULT
AND IT WASN'T MY FAULT.
212
00:10:00,200 --> 00:10:03,366
IT IS JUST THE WAY THE
CONVERSATION WENT.
213
00:10:03,400 --> 00:10:12,166
I GOT TO KNOW HER GIGGLY,
FLIRTY SIDE ‐‐
214
00:10:12,200 --> 00:10:14,400
>> SHE LAUGHS A LOT.
215
00:10:14,433 --> 00:10:17,733
OBVIOUSLY YOU WANT TO BE
THE CHOSEN ONE BECAUSE
216
00:10:17,766 --> 00:10:20,900
DOESN'T EVERYONE WANT TO
BE THE CHOSEN ONE?
217
00:10:20,933 --> 00:10:22,933
BUT AT THE END OF THE DAY,
I'M HAPPY FOR THE BOTH OF
218
00:10:22,966 --> 00:10:25,833
THEM BECAUSE IF THAT IS A
GENUINE CONNECTION, THEN
219
00:10:25,866 --> 00:10:28,000
EVERYBODY SHOULD BE MAKING
THAT DECISION, OBVIOUSLY.
220
00:10:28,033 --> 00:10:30,366
>> BUT ARE WE GOOD?
221
00:10:30,400 --> 00:10:31,833
>> WE'RE GOOD.
222
00:10:31,866 --> 00:10:34,366
YOU NEED TO COUPLE UP WITH
THE PERSON YOU FEEL THE
223
00:10:34,400 --> 00:10:37,100
MOST GENUINE CONNECTION
WITH, BECAUSE THEN THAT
224
00:10:37,133 --> 00:10:39,600
ALSO LEAVES HE TO DO THAT
AS WELL.
225
00:10:39,633 --> 00:10:42,233
I DIDN'T GET PICKED, BUT
I'M NOT GIVING UP ON LOVE.
226
00:10:42,266 --> 00:10:45,333
>> I'VE JUST BEEN A BITCH
FOR THE LAST THREE HOURS.
227
00:10:45,366 --> 00:10:48,633
>> I NEEDED TO HUG YOU
EARLIER.
228
00:10:48,666 --> 00:10:51,133
>> UH‐HUH.
229
00:10:51,166 --> 00:10:57,400
>> SO I HEARD YOU'RE
COUPLED UP WITH SOMEONE.
230
00:10:57,433 --> 00:10:59,566
HOW IS THAT GOING?
231
00:10:59,600 --> 00:11:00,466
>> IT IS.
232
00:11:00,500 --> 00:11:02,400
WE HAD A GOOD DAY
YESTERDAY, BUT THE FIRST
233
00:11:02,433 --> 00:11:06,366
DAY, I DON'T LOVE THE
GIRL, WE'RE JUST COUPLED
234
00:11:06,400 --> 00:11:07,066
UP.
235
00:11:07,100 --> 00:11:08,900
TODAY, HOWEVER, I'M JUST
NOT ‐‐
236
00:11:08,933 --> 00:11:12,966
>> YOU'RE NOT FEELING IT?
237
00:11:13,000 --> 00:11:13,966
>> YOU WERE A BLESSING
FROM THE SKY BECAUSE TODAY
238
00:11:14,000 --> 00:11:16,433
WE TALKED AND WE WERE,
LIKE, I THINK WE SHOULD
239
00:11:16,466 --> 00:11:18,133
JUST BE FRIENDS.
240
00:11:18,166 --> 00:11:20,966
>> THAT'S REALLY GOOD TO
HEAR.
241
00:11:21,000 --> 00:11:23,900
>> I'M FEELING YOU AND I
HAVE NOTHING IN MY WAY.
242
00:11:23,933 --> 00:11:26,966
>> DON'T PULL A KATE KAITLYN ON
ME.
243
00:11:27,000 --> 00:11:27,600
>> CHEERS.
244
00:11:27,633 --> 00:11:28,200
>> CHEERS.
245
00:11:28,233 --> 00:11:34,966
>> WHAT MADE YOU PICK ME?
246
00:11:35,000 --> 00:11:38,333
>> YOU DEFINITELY LOOKED
THE TALLEST, AND YOU'RE
247
00:11:38,366 --> 00:11:40,966
ALSO THE MOST ATTRACTIVE.
248
00:11:41,000 --> 00:11:43,800
I JUST, LIKE, HAD TO GO
IN.
249
00:11:43,833 --> 00:11:45,933
A LITTLE BIT OF AN EGO.
250
00:11:45,966 --> 00:11:49,533
SO TELL ME WHAT HAS BEEN
GOING ON IN THE VILLA?
251
00:11:49,566 --> 00:11:55,300
>> RIGHT NOW I WAS COUPLED
UP WITH JUSTINE.
252
00:11:55,333 --> 00:11:56,600
>> DO YOU LIKE HER?
253
00:11:56,633 --> 00:12:00,266
>> WE GET ALONG REALLY
WELL, BUT IT IS KIND OF
254
00:12:00,300 --> 00:12:01,366
LIKE IN FRIEND STATION.
255
00:12:01,400 --> 00:12:03,733
WE MAKE SURE WE
COMMUNICATE.
256
00:12:03,766 --> 00:12:04,566
>> YEAH.
257
00:12:04,600 --> 00:12:07,600
>> WITH THIS
ENVIRONMENT ‐‐ I LOVE YOUR
258
00:12:07,633 --> 00:12:09,466
VIBES AND YOUR
PERSONALITY.
259
00:12:09,500 --> 00:12:10,466
>> THANK YOU.
260
00:12:10,500 --> 00:12:11,366
>> I'M LOOKING FORWARD TO
SEEING WHERE IT GOES.
261
00:12:11,400 --> 00:12:12,566
>> YEAH.
262
00:12:12,600 --> 00:12:14,400
I'M DEFINITELY LOOKING
FORWARD TO IT, TOO.
263
00:12:14,433 --> 00:12:16,433
LET'S JUST HAVE FUN
(laughing).
264
00:12:27,033 --> 00:12:27,966
>> HE DESERVES TO BE WITH
SOMEONE HE WANTS TO BE
265
00:12:28,000 --> 00:12:28,966
WITH.
266
00:12:29,000 --> 00:12:31,366
THAT'S WHAT WE'RE HERE FOR
AT THE END OF THE DAY.
267
00:12:31,400 --> 00:12:34,300
♪ LOOK AT WHAT YOU MADE ME
DO ♪
268
00:12:34,333 --> 00:12:37,766
>> BUT THIS IS WHAT IS
SUPPOSED TO HAPPEN.
269
00:12:37,800 --> 00:12:42,066
[CHEERING]
>> RACHEL AND KEIRA ‐‐ WHO
270
00:12:42,100 --> 00:12:42,533
IS KEIRA?
271
00:12:42,566 --> 00:12:45,433
OF COURSE.
272
00:12:45,466 --> 00:12:48,633
WELCOME ON.
273
00:12:48,666 --> 00:12:50,633
♪♪♪
>> WELCOME!
274
00:12:50,666 --> 00:12:51,733
YOU ARE GORGEOUS!
275
00:12:51,766 --> 00:12:56,066
>> GIRL, YOU LOOK SO GOOD,
SO GOOD.
276
00:12:56,100 --> 00:12:57,966
>> I'M MACKENZIE.
277
00:12:58,000 --> 00:12:59,366
>> YOU'RE KIRSTIN?
278
00:12:59,400 --> 00:13:00,266
>> YEAH.
279
00:13:00,300 --> 00:13:01,100
>> NICE TO MEET YOU.
280
00:13:01,133 --> 00:13:04,166
>> I'M JOHNNY, NICE TO
MEET YOU.
281
00:13:04,200 --> 00:13:05,266
WHAT'S YOUR NAME?
282
00:13:05,300 --> 00:13:06,000
>> RACHEL.
283
00:13:06,033 --> 00:13:07,400
>> I WAS NERVOUS.
284
00:13:07,433 --> 00:13:10,966
YOU JUST HAD A DATE WITH A
GUY, AND YOU HAVE TO WALK
285
00:13:11,000 --> 00:13:12,966
DOWN THESE STAIRS AND MEET
ALL OF THESE PEOPLE WHO
286
00:13:13,000 --> 00:13:14,033
HAVE ALREADY BEEN HERE.
287
00:13:14,066 --> 00:13:17,633
IT WAS VERY
NERVE‐WRACKING.
288
00:13:17,666 --> 00:13:19,733
>> I'M CONNOR, NICE TO
MEET YOU.
289
00:13:19,766 --> 00:13:23,466
>> JUST WHEN THINGS GET
NORMAL, YOU DO A TWIST AND
290
00:13:23,500 --> 00:13:25,666
TWO NEW GIRLS CAME INTO
THE VILLA.
291
00:13:25,700 --> 00:13:28,266
I'M NOT GOING TO LIE, I
WAS SHOOK.
292
00:13:28,300 --> 00:13:31,800
>> WE, LIKE, SIT DOWN OVER
HERE AND YOU CAN TELL ME
293
00:13:31,833 --> 00:13:32,933
EVERYTHING.
294
00:13:32,966 --> 00:13:37,433
>> DEEP DOWN INSIDE, I WAS
HAPPY.
295
00:13:37,466 --> 00:13:39,700
>> Narrator: WITH THE
ARRIVAL OF THE NEW GIRLS,
296
00:13:39,733 --> 00:13:49,433
IT IS ONE BIG HAPPY
INSTAGRAMALY, AND IT WILL
297
00:13:49,466 --> 00:13:53,366
STAY THAT WAY AS LONG AS
WE FOLLOW MACKENZIE'S
298
00:13:53,400 --> 00:13:54,266
RULES.
299
00:13:54,300 --> 00:13:57,533
>> JUST DISCLOSURE, WE'RE
VERY COUPLED UP.
300
00:13:57,566 --> 00:13:59,566
>> WHAT IS Y'ALL TYPE?
301
00:13:59,600 --> 00:14:01,500
>> LET'S JUST JUMP IN.
302
00:14:01,533 --> 00:14:08,600
I'M A SUCKER FOR BROAD
SHOULDERS.
303
00:14:08,633 --> 00:14:10,200
[LAUGHTER]
>> YEAH, YEAH, YEAH.
304
00:14:10,233 --> 00:14:14,933
>> OUTSIDE OF THE GUYS YOU
PICKED, WHO ELSE ARE Y'ALL
305
00:14:14,966 --> 00:14:15,733
LOOKING AT?
306
00:14:15,766 --> 00:14:17,433
IF YOU ARE LOOKING AT
SOMEBODY ELSE?
307
00:14:17,466 --> 00:14:20,833
>> I'M LOOKING AT MEETING
WHOEVER IS NOT COUPLED UP.
308
00:14:20,866 --> 00:14:26,400
I THINK YOU WERE MY SECOND
CHOICE, AND THEN CONNOR
309
00:14:26,433 --> 00:14:32,400
WAS, BUT, SORRY, YOU'RE
HERS.
310
00:14:32,433 --> 00:14:34,633
>> DEFINITELY TALK TO
EVERYBODY.
311
00:14:34,666 --> 00:14:36,033
>> YEAH, OF COURSE.
312
00:14:36,066 --> 00:14:37,633
>> EVEN CONNOR?
313
00:14:37,666 --> 00:14:39,966
>> YES!
314
00:14:40,000 --> 00:14:42,600
OH, MY GOD, THAT'S NOT
WHAT I MEANT!
315
00:14:42,633 --> 00:14:45,266
>> YOU WOULD HAVE SAID
THAT VERBATIM.
316
00:14:45,300 --> 00:14:46,433
>> HE'S IN LINE.
317
00:14:46,466 --> 00:14:47,433
WE'RE ALL COUPLED UP.
318
00:14:47,466 --> 00:14:50,466
IF I CAME IN, I WOULD WANT
TO KNOW.
319
00:14:50,500 --> 00:14:54,033
>> I'M NOT GOING TO WASTE
MY TIME.
320
00:14:54,066 --> 00:14:57,100
>> I'LL BE, LIKE, WHO IS
AVAILABLE.
321
00:14:57,133 --> 00:15:01,000
>> YOU KNOW WHAT, Y'ALL
CAN'T TAKE A JOKE.
322
00:15:01,033 --> 00:15:02,633
I'M GONNA LEAVE.
323
00:15:02,666 --> 00:15:06,633
>> OH, MY GOSH, LATER.
324
00:15:06,666 --> 00:15:08,433
>> IT'S WAY BETTER HERE.
325
00:15:08,466 --> 00:15:22,966
>> YEAH.
326
00:15:23,000 --> 00:15:24,000
>> Narrator: JUST WHEN
THE ISLANDERS THOUGHT IT
327
00:15:24,033 --> 00:15:27,966
WAS SAFE TO BE BEAUTIFUL,
THOSE RASCALLY PRODUCERS
328
00:15:28,000 --> 00:15:30,966
DROPPD NEW ARRIVALS,
RACHEL AND KIRSTIN INTO
329
00:15:31,000 --> 00:15:35,966
THE MIX.
330
00:15:36,000 --> 00:15:37,866
AND THINGS SOMEHOW TURN
UGLY.
331
00:15:37,900 --> 00:15:39,566
>> SHE TOLD EVERYBODY?
332
00:15:39,600 --> 00:15:41,933
>> EVEN CONNOR?
333
00:15:41,966 --> 00:15:44,966
>> Narrator: AFTER NOT
BEING ABLE TO TAKE A JOKE,
334
00:15:45,000 --> 00:15:46,966
MacKENZIE AS THIS...
335
00:15:47,000 --> 00:15:47,966
>> YOU KNOW WHAT?
336
00:15:48,000 --> 00:15:48,966
Y'ALL CAN'T TAKE A JOKE.
337
00:15:49,000 --> 00:15:49,900
I'M GOING TO LEAVE.
338
00:15:49,933 --> 00:15:51,133
>> SEE YOU LATER.
339
00:15:51,166 --> 00:15:58,966
>> ARE YOU OKAY?
340
00:15:59,000 --> 00:16:00,966
I JUST, LIKE, DIDN'T WANT
YOU TO CRY IN FRONT OF
341
00:16:01,000 --> 00:16:01,533
EVERYBODY.
342
00:16:01,566 --> 00:16:02,733
>> I WAS, LIKE, A JOKE.
343
00:16:02,766 --> 00:16:07,966
WHY IS EVERYBODY BEING
SUCH A JERK ABOUT IT?
344
00:16:08,000 --> 00:16:10,400
>> EMOTIONS ARE ALL OVER
THE PLACE RIGHT NOW.
345
00:16:10,433 --> 00:16:13,700
MY INTENTION WAS NOT TO
COME ACROSS AS, LIKE,
346
00:16:13,733 --> 00:16:15,966
POSSESSIVE OF CONNOR.
347
00:16:16,000 --> 00:16:19,166
I NEEDED TO MARK MY
TERRITORY, AND I WAS
348
00:16:19,200 --> 00:16:22,900
FRUSTRATED BY THAT BECAUSE
I DON'T FEEL THAT WAY
349
00:16:22,933 --> 00:16:23,833
WHATSOEVER.
350
00:16:23,866 --> 00:16:26,866
>> I DON'T KNOW WHY THEY
HAD TO BE LIKE THAT.
351
00:16:26,900 --> 00:16:27,566
>> WHAT HAPPENED?
352
00:16:27,600 --> 00:16:30,400
WHY ARE YOU CRYING?
353
00:16:30,433 --> 00:16:32,866
>> I THINK THEY WERE
TRYING TO MAKE A BIG DEAL
354
00:16:32,900 --> 00:16:34,866
OUT OF WHAT I SAID FOR IN
REASON.
355
00:16:34,900 --> 00:16:36,766
>> WHAT WAS SAID?
356
00:16:36,800 --> 00:16:38,600
>> JOHNNY WOULDN'T STOP.
357
00:16:38,633 --> 00:16:42,300
DON'T TRY TO PAINT ME LIKE
A JEALOUS GIRL BECAUSE HE
358
00:16:42,333 --> 00:16:45,733
DOESN'T KNOW ME AND I'M
NOT THAT WAY AND I REALLY
359
00:16:45,766 --> 00:16:46,400
DON'T APPRECIATE THAT.
360
00:16:46,433 --> 00:16:48,100
I FEEL LIKE IT WASN'T
COOL.
361
00:16:48,133 --> 00:16:48,800
>> JUST BREATHE.
362
00:16:48,833 --> 00:16:51,200
THERE IS A LOT GOING ON.
363
00:16:51,233 --> 00:16:53,933
>> ESPECIALLY WHEN I LEAVE
THE CIRCLE CRYING, AND MY
364
00:16:53,966 --> 00:16:55,200
GUY IS STILL OUTSIDE.
365
00:16:55,233 --> 00:16:56,100
>> FIND HIM.
366
00:16:56,133 --> 00:16:58,866
>> NO, I'M NOT GOING TO GO
FIND HIM.
367
00:16:58,900 --> 00:17:01,333
>> YOU LITERALLY SHOULD
NOT GO FIND HIM.
368
00:17:01,366 --> 00:17:10,866
>> I'M ABSOLUTELY NOT
GOING TO GO FIND HIM.
369
00:17:10,900 --> 00:17:13,333
♪♪♪
>> WHEN YOU JUST, LIKE,
370
00:17:13,366 --> 00:17:17,666
GET OUT OF A SHELL, IT
FEELS SO GOOD.
371
00:17:17,700 --> 00:17:20,600
AND THEN YOU GO BACK.
372
00:17:20,633 --> 00:17:22,966
[LAUGHTER]
>> Narrator: LOOKING TO
373
00:17:23,000 --> 00:17:25,966
BUY, NOT RENT, CELY TALKS
WITH JOHNNY, THE GUY WHO
374
00:17:26,000 --> 00:17:27,533
JUST TOOK HER OFF THE
MARKET.
375
00:17:27,566 --> 00:17:30,000
>> HOW ARE YOU FEELING?
376
00:17:30,033 --> 00:17:31,033
NEW GIRLS IN?
377
00:17:31,066 --> 00:17:33,200
>> I'M NOT WORRIED ABOUT
THE NEW GIRLS, I'M REALLY
378
00:17:33,233 --> 00:17:34,966
NOT.
379
00:17:35,000 --> 00:17:37,966
I DON'T REALLY CARE TO GET
TO KNOW THEM, LIKE,
380
00:17:38,000 --> 00:17:41,966
ROMANTICALLY BECAUSE I'M
SO GRATEFUL THAT I
381
00:17:42,000 --> 00:17:45,433
ACTUALLY GET TO HAVE MORE
THAN A 20‐MINUTE
382
00:17:45,466 --> 00:17:46,333
CONVERSATION WITH YOU.
383
00:17:46,366 --> 00:17:47,733
YOU KNOW WHAT I MEAN?
384
00:17:47,766 --> 00:17:48,766
>> YEAH.
385
00:17:48,800 --> 00:17:51,900
>> I DON'T WANT TO GIVE
THAT UP SO SOON, NOT JUST
386
00:17:51,933 --> 00:17:55,600
FOR A COUPLE OF PRETTY
GIRLS WALKING IN.
387
00:17:55,633 --> 00:17:57,066
CELY, SHE IS BEAUTIFUL.
388
00:17:57,100 --> 00:17:58,233
I LOVE LOOKING AT HER.
389
00:17:58,266 --> 00:18:01,833
SHE IS EASY ON THE EYES.
390
00:18:01,866 --> 00:18:02,800
CELY'S LAUGH IS
INFECTIOUS.
391
00:18:02,833 --> 00:18:04,800
SHE IS SO BUBBLY.
392
00:18:04,833 --> 00:18:09,133
SHE IS SOMEONE I REALLY
WANT TO GET TO KNOW.
393
00:18:09,166 --> 00:18:11,700
♪♪♪
♪ I CAN'T BREATHE WHEN
394
00:18:11,733 --> 00:18:17,333
YOU'RE TALKING LIKE THAT ♪
♪ WHEN YOU'RE TALKING LIKE
395
00:18:17,366 --> 00:18:22,233
THAT ♪
♪ AND I CAN'T BREATHE WHEN
396
00:18:22,266 --> 00:18:23,966
YOU KISS ME LIKE THAT ♪
>> I HOPE SHE THOUGHT IT
397
00:18:24,000 --> 00:18:25,966
WAS JUST AS GOOD AS I
THOUGHT IT WAS.
398
00:18:26,000 --> 00:18:27,866
I KIND OF SCOOPED IN, AND
HOPEFULLY I SECURED THE
399
00:18:27,900 --> 00:18:31,966
BAG WITH THAT.
400
00:18:32,000 --> 00:18:34,966
>> Narrator: AS CELY
WIPES THE GALLON OF SALIVA
401
00:18:35,000 --> 00:18:39,066
OFF HER FACE, CONNOR AND
MacKENZIE NEGOTIATE
402
00:18:39,100 --> 00:18:42,000
THEIR PUNISHMENT FOR THE
CRIME OF NOT CONSOLING A
403
00:18:42,033 --> 00:18:45,266
BEAUTIFUL WOMAN WHEN SHE
CRIES.
404
00:18:45,300 --> 00:18:48,766
>> I'M SORRY THAT I DIDN'T
GO WITH YOU WHENEVER YOU
405
00:18:48,800 --> 00:18:49,766
LEFT.
406
00:18:49,800 --> 00:18:53,566
>> I UNDERSTAND NOT COMING
IMMEDIATELY, BUT I WAS
407
00:18:53,600 --> 00:18:55,800
THERE FOR KIND OF, LIKE,
15 MINUTES.
408
00:18:55,833 --> 00:18:57,000
>> YOU CAN JUST LEAVE.
409
00:18:57,033 --> 00:18:58,066
YOU DON'T HAVE TO WORRY.
410
00:18:58,100 --> 00:19:01,033
>> NO, I'M NOT WORRIED.
411
00:19:01,066 --> 00:19:04,133
I'M JUST, LIKE, ANNOYED
WITH YOU.
412
00:19:04,166 --> 00:19:05,600
LIKE, WHY DIDN'T YOU JUST
COME.
413
00:19:05,633 --> 00:19:09,666
YOU SHOULD HAVE
IMMEDIATELY COME AFTER ME.
414
00:19:09,700 --> 00:19:12,966
>> OKAY.
415
00:19:13,000 --> 00:19:13,966
>> WHAT WERE YOU THINKING?
416
00:19:14,000 --> 00:19:17,466
I JUST DON'T GET IT.
417
00:19:17,500 --> 00:19:19,966
>> JUST BREATHE THROUGH
IT, I GUESS.
418
00:19:20,000 --> 00:19:20,966
>> I AM BREATHING.
419
00:19:21,000 --> 00:19:22,000
STOP SAYING THAT.
420
00:19:22,033 --> 00:19:24,700
>> TAKING CARE OF A GIRL
AND MAKING KNOW SHE FEELS
421
00:19:24,733 --> 00:19:27,066
CARED FOR, THAT IS
SOMETHING THAT TAKES TIME.
422
00:19:27,100 --> 00:19:29,966
THAT'S NOT SOMETHING
YOU'RE GOING TO DEVELOP IN
423
00:19:30,000 --> 00:19:30,966
A MATTER OF DAYS.
424
00:19:31,000 --> 00:19:32,966
THAT'S KIND OF WHERE I'M
AT WITH MacKENZIE AND
425
00:19:33,000 --> 00:19:34,966
TRYING TO UNDERSTAND WHY
SHE HAS CERTAIN
426
00:19:35,000 --> 00:19:38,966
EXPECTATIONS OF PARTNERS
AND RELATIONSHIPS AND HOW
427
00:19:39,000 --> 00:19:40,966
SHE EXPECTS TO BE TREATED.
428
00:19:41,000 --> 00:19:41,733
>> I'M SORRY.
429
00:19:41,766 --> 00:19:43,700
I WANT TO BE THAT PERSON
FOR YOU.
430
00:19:43,733 --> 00:19:48,266
AND I DON'T WANT YOU TO BE
CONCERNED ABOUT THAT.
431
00:19:48,300 --> 00:19:52,166
RELATIONSHIPS DON'T WORK
AND DEVELOP WITHOUT A
432
00:19:52,200 --> 00:19:56,500
STRONG FOUNDATION OF TRUST
AND OPEN COMMUNICATION.
433
00:19:56,533 --> 00:20:03,266
SO I WOULD LIKE TO THINK
OUR COMMUNICATION IS
434
00:20:03,300 --> 00:20:03,600
STRONG.
435
00:20:03,633 --> 00:20:06,766
>> OKAY.
436
00:20:06,800 --> 00:20:09,100
>> SO WE CAN KNOW MORE
ABOUT EACH OTHER.
437
00:20:09,133 --> 00:20:13,133
>> WHAT WERE YOUR
IMPRESSIONS OF THE GUYS?
438
00:20:13,166 --> 00:20:18,033
>> YOU KNOW, HONESTLY, 'M
JUST KIND OF, LIKE, FOR ME
439
00:20:18,066 --> 00:20:21,600
RIGHT NOW, I WANT TO SPEND
TIME WITH HIM.
440
00:20:21,633 --> 00:20:24,100
JEREMIAH IS IT, BUT I'M
DEFINITELY OPEN TO ‐‐
441
00:20:24,133 --> 00:20:25,133
>> MEETING OTHER PEOPLE?
442
00:20:25,166 --> 00:20:26,133
>> YEAH.
443
00:20:26,166 --> 00:20:27,833
AND DEFINITELY GETTING TO
KNOW EVERYONE.
444
00:20:27,866 --> 00:20:31,233
>> HOW WAS YOUR TALK WITH
CARRINGTON?
445
00:20:31,266 --> 00:20:33,866
>> I'M GOING TO GET IT
MIXED UP ‐‐
446
00:20:33,900 --> 00:20:37,133
>> I KEEP FORGETTING HIS
NAME, TOO.
447
00:20:37,166 --> 00:20:41,466
>> CAN I TALK TO YOU GUYS,
TOO.
448
00:20:41,500 --> 00:20:42,366
>> I'M COMING IN.
449
00:20:42,400 --> 00:20:46,000
>> ARE YOU GOING TO
SCREAM, THOUGH?
450
00:20:46,033 --> 00:20:58,866
>> Narrator: FROM MANAGE
TRE TO AGENDA TRE.
451
00:20:58,900 --> 00:21:01,900
♪♪♪
♪ YOU MAKE IT HARD TO
452
00:21:01,933 --> 00:21:04,066
FEEL ♪
♪ WHEN YOU GIVE ME ALL OF
453
00:21:04,100 --> 00:21:06,100
THE FEELINGS ♪
♪♪♪
454
00:21:29,000 --> 00:21:32,166
♪♪♪
♪ IT'S TIME TO WAKE UP ♪
455
00:21:32,200 --> 00:21:34,666
♪ IT'S TIME TO WAKE UP ♪
>> Narrator: IT IS
456
00:21:34,700 --> 00:21:38,433
MORNING IN THE VEGAS
VILLA, AND LIKE A
457
00:21:38,466 --> 00:21:40,966
SHORT‐TERM RENTAL YOU
SHOULDN'T HAVE TRUSTED, WE
458
00:21:41,000 --> 00:21:43,966
HAVE NIGHT‐VISION CAMERAS
HIDDEN EVERYWHERE.
459
00:21:44,000 --> 00:21:51,966
TAKE A PEEK, OUR COUPLES
ARE.
460
00:21:52,000 --> 00:21:54,966
OUR COUPLES ARE JUSTINE
AND JEREMIAH, KAITLYN AND
461
00:21:55,000 --> 00:21:56,666
CARRINGTON, MacKENZIE
AND CONNOR.
462
00:21:56,700 --> 00:22:03,866
AND RACHEL, KIERSTIN AND
TRE ARE SINGLE, AS THEY
463
00:22:03,900 --> 00:22:07,466
LOOK THROUGH THE TIME
HISTORY LOOP THAT IS LOVE
464
00:22:07,500 --> 00:22:08,266
ISLAND.
465
00:22:08,300 --> 00:22:10,566
♪ WAKE UP ♪
>> I WONDER WHAT WE'RE
466
00:22:10,600 --> 00:22:11,266
DOING TODAY.
467
00:22:11,300 --> 00:22:14,766
>> WE HAVE, LIKE, NEW
PEOPLE.
468
00:22:14,800 --> 00:22:15,733
>> YEAH.
469
00:22:15,766 --> 00:22:18,200
>> AND, TOO, I WANTED TO
LET YOU KNOW BECAUSE I
470
00:22:18,233 --> 00:22:22,166
KNOW YOU'RE INTERESTED IN
CARRINGTON, WHATEVER, AND
471
00:22:22,200 --> 00:22:25,800
TOTALLY FEEL AT LIBERTY TO
PURSUE THAT 100%.
472
00:22:25,833 --> 00:22:27,033
>> OH, AWESOME.
473
00:22:27,066 --> 00:22:29,066
>> IT IS ONLY JUST FRIENDS
FOR ME.
474
00:22:29,100 --> 00:22:30,800
I JUST WANTED TO, LIKE,
TELL YOU.
475
00:22:30,833 --> 00:22:34,100
I'M NOT GOING TO BBE, LIKE
‐‐
476
00:22:34,133 --> 00:22:35,000
>> NOT TODAY.
477
00:22:35,033 --> 00:22:36,066
>> YEAH.
478
00:22:36,100 --> 00:22:37,133
>> I'M EXCITED.
479
00:22:37,166 --> 00:22:41,200
>> GOOD TO KNOW.
480
00:22:41,233 --> 00:22:46,100
>> Narrator: UP, DOWN,
UP, DOWN, UP, DOWN, UP,
481
00:22:46,133 --> 00:22:55,000
DOWN, CARRINGTON IS SURE
GREAT AT UP, DOWN.
482
00:22:55,033 --> 00:22:58,100
>> I'M TOTALLY TAKING UP
ALL THE ROOM.
483
00:22:58,133 --> 00:23:00,166
>> I'M EXCITED.
484
00:23:00,200 --> 00:23:01,233
WHAT ABOUT YOU?
485
00:23:01,266 --> 00:23:05,033
>> OH, YEAH, JEREMIAH, I'M
SO EXCITED TO JUST TALK TO
486
00:23:05,066 --> 00:23:06,100
HIM.
487
00:23:06,133 --> 00:23:10,900
KIND OF OUTSIDE OF YOU, HE
IS ALSO LIKE THE PERSON I,
488
00:23:10,933 --> 00:23:14,000
LIKE, JELLED THE MOST
WITH.
489
00:23:14,033 --> 00:23:21,966
>> I'M DEFINITELY, LIKE ‐‐
>> DOWN AND UP, C'MON.
490
00:23:22,000 --> 00:23:25,400
>> I FEEL JEREMIAH IS
DEFINITELY MY FAVORITE AT
491
00:23:25,433 --> 00:23:26,366
THIS POINT.
492
00:23:26,400 --> 00:23:28,500
I REALLY WANT TO CONTINUE
TO GET TO KNOW HIM.
493
00:23:28,533 --> 00:23:31,933
HE IS SO SWEET, AND I'M
TRYING TO BE, LIKE, OKAY,
494
00:23:31,966 --> 00:23:34,700
I SHOULD DEFINITELY GET TO
KNOW OTHER PEOPLE, AND I
495
00:23:34,733 --> 00:23:37,200
DEFINITELY THOUGHT I WOULD
FEEL THAT WAY.
496
00:23:37,233 --> 00:23:39,866
JEREMIAH IS PROBABLY,
LIKE, THE BEST MATCH FOR
497
00:23:39,900 --> 00:23:40,866
ME.
498
00:23:40,900 --> 00:23:43,533
SO I'LL PROBABLY JUST
CONTINUE TO MAINLY PURSUE
499
00:23:43,566 --> 00:23:47,766
HIM, BUT I'M DEFINITELY
ENCOURAGED IN GETTING TO
500
00:23:47,800 --> 00:23:48,200
KNOW EVERYONE.
501
00:23:48,233 --> 00:23:49,333
SO THAT'S COOL.
502
00:23:49,366 --> 00:23:50,566
>> HI!
503
00:23:50,600 --> 00:23:51,166
>> HEY!
504
00:23:51,200 --> 00:23:54,100
>> WHAT ARE YOU ALL UP TO?
505
00:23:54,133 --> 00:23:56,866
>> COME HANG OUT WITH US.
506
00:23:56,900 --> 00:23:57,933
>> WHEN YOU'RE READY.
507
00:23:57,966 --> 00:23:59,933
>> IT IS GREAT TO BE HERE.
508
00:23:59,966 --> 00:24:02,300
>> I KNOW.
509
00:24:02,333 --> 00:24:03,866
>> OH, MY GOSH, COOL.
510
00:24:03,900 --> 00:24:09,333
I WAS SO WORRIED IT WAS
GOING TO HIT ME WRONG.
511
00:24:09,366 --> 00:24:13,033
>> FROM TEXAS?
512
00:24:13,066 --> 00:24:13,966
>> YES.
513
00:24:14,000 --> 00:24:14,966
>> WHAT PART OF TEXAS?
514
00:24:15,000 --> 00:24:21,433
‐‐ AUSTIN.>> IT IS THE TOP 10 P
TO LIVE.
515
00:24:21,466 --> 00:24:24,600
>> EVERYBODY GOES TO L. A.,
AND NOW EVERYBODY IS GOING
516
00:24:24,633 --> 00:24:26,966
TO AUSTIN.
517
00:24:27,000 --> 00:24:28,866
DO YOU WANT TO GO SIT?
518
00:24:28,900 --> 00:24:30,566
>> YEAH, SIT.
519
00:24:30,600 --> 00:24:31,133
LET'S DO IT UP.
520
00:24:31,166 --> 00:24:32,400
>> WHERE ARE MY GLASSES.
521
00:24:32,433 --> 00:24:34,700
>> WE CAN DO THIS IN THE
SHADE SOMEWHERE.
522
00:24:34,733 --> 00:24:37,233
>> IT'S A NICE LITTLE
SPOT.
523
00:24:37,266 --> 00:24:39,600
>> I'M ACTUALLY VERY HAPPY
WITH THE DATE THAT
524
00:24:39,633 --> 00:24:40,966
CARRINGTON AND I WENT ON.
525
00:24:41,000 --> 00:24:45,900
AND HE IS VERY ATTRACTIVE,
VERY NICE TO LOOK AT, BUT
526
00:24:45,933 --> 00:24:48,233
JAMES' PERSONALITY ‐‐
PERSONALITY IS A BIG THING
527
00:24:48,266 --> 00:24:48,833
FOR ME.
528
00:24:48,866 --> 00:24:50,000
HE CAUGHT MY EYE A LITTLE.
529
00:24:50,033 --> 00:24:51,400
I LIKE YOUR TATTOOS.
530
00:24:51,433 --> 00:24:55,266
I HAVE LITTLE BABY ONES
HERE AND THERE.
531
00:24:55,300 --> 00:24:56,966
>> ARE YOU DONE YET?
532
00:24:57,000 --> 00:24:59,766
>> I WAS IN ‐‐
>> I LOVE THAT.
533
00:24:59,800 --> 00:25:01,200
>> I KNOW!
534
00:25:01,233 --> 00:25:03,233
>> THIS IS STRESSING ME
OUT ALREADY.
535
00:25:03,266 --> 00:25:05,033
>> EVERYONE IS REAL GREAT.
536
00:25:05,066 --> 00:25:07,033
>> I KNOW.
537
00:25:07,066 --> 00:25:07,966
THANKS.
538
00:25:08,000 --> 00:25:09,033
>> YOU'RE THE NEW GIRL.
539
00:25:09,066 --> 00:25:11,333
>> OH, MY GOSH, I KNOW.
540
00:25:11,366 --> 00:25:13,200
WHAT AM I GOING TO WEAR?
541
00:25:13,233 --> 00:25:14,966
>> DO ALL OF THE TIME
PEOPLE SAY YOU'RE
542
00:25:15,000 --> 00:25:15,966
PRETTY ‐‐ HOW MANY TIMES?
543
00:25:16,000 --> 00:25:24,533
>> I LOVE IT.
544
00:25:24,566 --> 00:25:26,966
YOU'RYOU'RE VERY ATTRACTIVE
YOURSELF.
545
00:25:27,000 --> 00:25:28,000
I LOVE THE TATTOOS.
546
00:25:28,033 --> 00:25:29,966
>> I'M KIDDING.
547
00:25:30,000 --> 00:25:32,000
>> STOP IT!
548
00:25:32,033 --> 00:25:36,966
>> TALK ABOUT YOU AND
CARRINGTON.
549
00:25:37,000 --> 00:25:40,533
I WANT TO GET YOU KNOW,
FOR SURE.
550
00:25:40,566 --> 00:25:41,033
IF YOU'RE OPEN TO THAT?
551
00:25:41,066 --> 00:25:42,733
>> YEAH, OF COURSE.
552
00:25:42,766 --> 00:25:48,966
>> WE HIT IT OFF FIRST
NIGHT.
553
00:25:49,000 --> 00:25:50,733
BUT WE'RE STILL GOING TO
LEARN ABOUT EACH OTHER.
554
00:25:50,766 --> 00:25:53,966
I'M A LITTLE ON THE SHY
SIDE.
555
00:25:54,000 --> 00:25:56,033
>> YOU SEEM LIKE YOU'RE
NOT.
556
00:25:56,066 --> 00:25:58,666
I WAS A LITTLE NERVOUS
ABOUT PULLING HIM FOR A
557
00:25:58,700 --> 00:25:59,866
CHAT, BUT I DID.
558
00:25:59,900 --> 00:26:02,066
AND HE SEEMS SO FUNNY AND
SO GREAT.
559
00:26:02,100 --> 00:26:03,333
HE IS VERY EASY GOING.
560
00:26:03,366 --> 00:26:05,933
AND SO I GET ALONG WITH
THAT 10‐FOLD.
561
00:26:05,966 --> 00:26:07,433
>> I LOVE IT.
562
00:26:07,466 --> 00:26:09,266
DO YOU HAVE ANY BROTHERS
AND SISTERS?
563
00:26:09,300 --> 00:26:11,600
>> I HAVE TWO YOUNGER
BROTHERS.
564
00:26:11,633 --> 00:26:12,433
>> NICE.
565
00:26:12,466 --> 00:26:15,066
>> WOULD YOU FEEL
COMFORTABLE WITH HIM
566
00:26:15,100 --> 00:26:15,966
KISSING OTHER GIRLS?
567
00:26:16,000 --> 00:26:18,833
>> I'M NOT IN CHARGE OF
JAMES.
568
00:26:18,866 --> 00:26:20,200
I CAN'T TELL HIM WHAT TO
DO.
569
00:26:20,233 --> 00:26:25,800
>> I'D LOVE WHEN SOMEONE
TAKES THE INITIATIVE, AND
570
00:26:25,833 --> 00:26:28,900
YOU JUST GRABBING ME ‐‐
>> OH, MY GOSH, YOU ARE
571
00:26:28,933 --> 00:26:29,833
DARLING.
572
00:26:29,866 --> 00:26:32,166
>> I THINK THE NEW
ISLANDERS ARE SO STUNNING.
573
00:26:32,200 --> 00:26:35,533
I CAN'T EVEN HANDLE HOW
BEAUTIFUL THEY ARE.
574
00:26:35,566 --> 00:26:38,766
>> EVERYTHING WAS GOING
GREAT WITH JAMES.
575
00:26:38,800 --> 00:26:42,933
KIERSTIN TALKING WITH HIM
LIKE ONE‐ON‐ONE, LIKE,
576
00:26:42,966 --> 00:26:43,833
BACK OFF.
577
00:26:43,866 --> 00:26:49,766
♪ YOU WON'T LET HIM GO ♪
>> I GOT A TEXT!
578
00:26:49,800 --> 00:26:52,066
[YELLING]
>> GUYS, I GOT A TEXT,
579
00:26:52,100 --> 00:26:54,866
COME OVER HERE!
580
00:26:54,900 --> 00:26:56,433
ISLANDERS, YOU HAVE BEEN
CLEARED TO LAND, AND IT IS
581
00:26:56,466 --> 00:27:01,000
TIME TO UNPACK MORE THAN
YOUR UNDERWEAR, IN TODAY'S
582
00:27:01,033 --> 00:27:04,466
CHALLENGE "EXCESS
MILEAGE."
583
00:27:04,500 --> 00:27:05,133
HASHTAG, MILE HIGH CLUB.
584
00:27:05,166 --> 00:27:07,000
HASHTAG, ANYTHING TO
DECLARE?
585
00:27:19,000 --> 00:27:23,066
♪♪♪
♪ TODAY IS A GOOD DAY ♪
586
00:27:23,100 --> 00:27:24,166
♪♪♪
P>> Narrator: IT'S TIME
587
00:27:24,200 --> 00:27:29,566
FOR THE FIRST LOVE ISLAND
CHALLENGE.
588
00:27:29,600 --> 00:27:31,433
"EXCESS BAGGAGE."
589
00:27:31,466 --> 00:27:35,100
THE SLOW‐MOTION RUNNING
AUDITION IS THE TOUGHEST
590
00:27:35,133 --> 00:27:37,466
PART OF THE LOVE ISLAND
CASTING PROCESS.
591
00:27:37,500 --> 00:27:41,200
WINNERS OF THIS CHALLENGE
WILL RECEIVE A GRAND TOTAL
592
00:27:41,233 --> 00:27:44,266
OF ZERO DOLLARS BECAUSE
THE PRODUCERS BLEW THE
593
00:27:44,300 --> 00:27:46,633
BUDGET ON SMALL PINK
PASSES.
594
00:27:46,666 --> 00:27:50,166
ON TODAY'S GAME, THE BOYS
WILL BATTLE THE GIRLS.
595
00:27:50,200 --> 00:27:58,566
A PIECE OF LUGGAGE WILL
COME DOWN THE CAROUSEL.
596
00:27:58,600 --> 00:28:02,133
EACH SUITCASE CONTAINS A
DIRTY SECRET FROM AN
597
00:28:02,166 --> 00:28:02,800
ISLANDER'S PAST.
598
00:28:02,833 --> 00:28:04,966
>> LET'S SEE WHAT WE'VE
GOT.
599
00:28:05,000 --> 00:28:06,233
COUGAR AHEAD.
600
00:28:06,266 --> 00:28:09,966
[LAUGHTER]
>> THIS ISLANDER ONCE
601
00:28:10,000 --> 00:28:16,500
SLEPT WITH A WOMAN WHO WAS
MORE THAN TWICE HIS AGE!
602
00:28:16,533 --> 00:28:17,966
>> Narrator: AS A TEAM,
THEY MUST FIGURE OUT WHICH
603
00:28:18,000 --> 00:28:23,433
FLIRTY FLIGHT ATTENDANT OR
CAPTAIN BLINKS TO AND
604
00:28:23,466 --> 00:28:26,966
IDENTIFY THE PERP WITH A
KISS.
605
00:28:27,000 --> 00:28:32,966
P.D.A.
606
00:28:33,000 --> 00:28:34,100
>> CARRINGTON!
607
00:28:34,133 --> 00:28:39,500
♪♪♪
♪ THAT'S HOW I KNOW ♪
608
00:28:39,533 --> 00:28:40,500
[YELLING]
[CHEERING]
609
00:28:40,533 --> 00:28:45,966
>> AFTER GETTING CAUGHT IN
THE ACT, THIS ISLANDER
610
00:28:46,000 --> 00:28:50,933
ONCE HAD TO RUN OUT OF A
GIRL'S HOUSE NAKED WHILE
611
00:28:50,966 --> 00:28:52,966
BEING CHASED BY DOGS.
612
00:28:55,266 --> 00:29:00,100
[LAUGHTER]
♪♪♪
613
00:29:00,133 --> 00:29:04,100
[YELLING]
[APPLAUSE]
614
00:29:04,133 --> 00:29:05,966
>> GIRL!
615
00:29:06,000 --> 00:29:07,733
>> JEREMIAH!
616
00:29:07,766 --> 00:29:08,800
>> THAT WAS COLD.
617
00:29:08,833 --> 00:29:13,966
THAT WAS COLD.
618
00:29:14,000 --> 00:29:15,966
>> THAT WAS SO GOOD.
619
00:29:16,000 --> 00:29:18,466
>> OH, MY GOD!
620
00:29:18,500 --> 00:29:19,466
>> OKAY.
621
00:29:19,500 --> 00:29:22,800
>> THIS ISLANDER SLEPT
WITH A FRIEND'S GIRLFRIEND
622
00:29:22,833 --> 00:29:25,966
JUST TO SEE IF HE COULD
PULL IT OFF.
623
00:29:26,000 --> 00:29:28,000
>> DAMN, NOW I WANT TO SEE
WO THE JUDAS IS.
624
00:29:33,766 --> 00:29:38,733
>> JEREMIAH!
625
00:29:38,766 --> 00:29:43,966
[CHEERING]
[YELLING]
626
00:29:44,000 --> 00:29:44,966
♪♪♪
>> OH, SHE WENT IN.
627
00:29:45,000 --> 00:29:46,000
SHE WENT IN THERE.
628
00:29:46,033 --> 00:29:47,966
>> I KNEW SHE WAS GOING TO
KISS HIM, BUT I THOUGHT
629
00:29:48,000 --> 00:29:52,033
SHE WOULD GO IN FOR, LIKE,
A PECK, A QUICK ONE, TWO,
630
00:29:52,066 --> 00:29:55,500
AND SHE SUCKED HIS WHOLE
FACE.
631
00:29:55,533 --> 00:29:57,966
>> TRE!
632
00:29:58,000 --> 00:29:59,300
>> WHAT ARE YOU DOING?
633
00:29:59,333 --> 00:30:04,966
>> SOMETIMES THINGS JUST
HAPPEN.
634
00:30:05,000 --> 00:30:06,033
♪♪♪
[YELLING]
635
00:30:06,066 --> 00:30:11,133
>> THIS ISLANDER, A. K. A.,
MR. STUDIO GIRL, ONCE MADE
636
00:30:11,166 --> 00:30:13,533
OUT WITH A WOMAN WHILE HER
BOYFRIEND WAS STANDING
637
00:30:13,566 --> 00:30:15,033
RIGHT NEXT TO HER.
638
00:30:15,066 --> 00:30:18,366
>> OH, MY GOSH!
639
00:30:18,400 --> 00:30:20,900
♪♪♪
[YELLING]
640
00:30:20,933 --> 00:30:23,700
[CHEERING]
>> I PUT MY FOOT DOWN AND
641
00:30:23,733 --> 00:30:27,233
KIND OF CLAIMED WHAT'S
MINE.
642
00:30:27,266 --> 00:30:29,066
>> ALL RIGHT!
643
00:30:29,100 --> 00:30:34,700
♪♪♪
[CHEERING]
644
00:30:34,733 --> 00:30:38,133
>> OH!
645
00:30:38,166 --> 00:30:40,500
[CHEERING]
>> THIS ISLANDER ONCE HAD
646
00:30:40,533 --> 00:30:44,200
A THREESOME WITH TWO
MARRIED WOMEN.
647
00:30:44,233 --> 00:30:47,166
>> OH, WOW!
648
00:30:47,200 --> 00:30:50,133
♪♪♪
>> OKAY.
649
00:30:55,200 --> 00:31:03,166
♪♪♪
>> OH, I KNEW IT.
650
00:31:03,200 --> 00:31:05,466
YOU LITTLE ‐‐ TWO MARRIED
WOMEN?
651
00:31:05,500 --> 00:31:08,533
>> THEY CAME UP TO ME AND
THEY SAID, COULD YOU BE
652
00:31:08,566 --> 00:31:11,100
OUR TOY TONIGHT?
653
00:31:11,133 --> 00:31:12,233
>> WHAT?
654
00:31:12,266 --> 00:31:15,100
>> HURRAY!
655
00:31:15,133 --> 00:31:17,500
[CHEERING]
>> OKAY.
656
00:31:17,533 --> 00:31:22,966
WHICH ONE OF YOU DIRTY
LITTLE H'MMM ‐‐ IT WAS
657
00:31:23,000 --> 00:31:27,166
LIKE A SCENE FROM 50
SHADES OF GRAY WHEN THIS
658
00:31:27,200 --> 00:31:31,133
ISLANDER LOST HIS
VIRGINITY DURING A
659
00:31:31,166 --> 00:31:32,800
ONE‐NIGHT STAND.
660
00:31:32,833 --> 00:31:34,433
>> OH!
661
00:31:34,466 --> 00:31:36,100
[CHEERING]
>> CONNOR!
662
00:31:36,133 --> 00:31:38,133
>> I KNEW IT.
663
00:31:38,166 --> 00:31:39,066
I KNEW IT!
664
00:31:39,100 --> 00:31:45,066
>> THAT IS A BIG TURNON
FOR ME, HE CAN BE A
665
00:31:45,100 --> 00:31:48,200
GENTLEMAN AND THEN HE HAS
ANOTHER SIDE.
666
00:31:48,233 --> 00:31:51,100
>> Narrator: AT THE END
OF ROUND ONE, THE GIRLS
667
00:31:51,133 --> 00:31:52,666
HAVE SCORED THREE.
668
00:31:52,700 --> 00:31:56,800
AND NOW IT IS THE GIRLS'
TURN TO REGRET NOT HAVING
669
00:31:56,833 --> 00:31:58,433
LIKED OUR PRODUCERS IN THE
INTERVIEW.
670
00:31:58,466 --> 00:32:00,766
>> THIS ISLANDER ONCE
FLIPPED A COIN TO
671
00:32:00,800 --> 00:32:03,733
DETERMINE WHAT BOY SHE WAS
GOING HOME WITH THAT
672
00:32:03,766 --> 00:32:05,000
NIGHT.
673
00:32:05,033 --> 00:32:11,100
>> OOH!
674
00:32:11,133 --> 00:32:14,200
WOW!
675
00:32:14,233 --> 00:32:18,166
♪♪♪
>> CELY!
676
00:32:18,200 --> 00:32:18,966
>> CELY?
677
00:32:19,000 --> 00:32:22,966
>> IT WAS MY WILD DAYS.
678
00:32:23,000 --> 00:32:23,633
OH, WOW!
679
00:32:23,666 --> 00:32:25,833
>> IS THAT TOILET PAPER?
680
00:32:25,866 --> 00:32:27,666
>> TOILET PAPER?
681
00:32:27,700 --> 00:32:31,966
>> THIS ISLANDER WENT
NUMBER TWO ON THE SIDE OF
682
00:32:32,000 --> 00:32:35,566
THE ROAD BECAUSE THE LINE
AT THE CLUB WAS TOO LONG?
683
00:32:35,600 --> 00:32:39,566
>> OH, NO!
684
00:32:39,600 --> 00:32:45,966
>> OH!
685
00:32:46,000 --> 00:32:47,366
>> MOIRA!
686
00:32:47,400 --> 00:32:48,500
>> GIRL!
687
00:32:48,533 --> 00:32:51,433
>> I THREW MY UNDERWEAR
AWAY AFTER.
688
00:32:51,466 --> 00:32:53,266
>> DO YOU GO IN?
689
00:32:53,300 --> 00:32:56,166
>> OH, YEAH, WE WENT INTO
THE CLUB.
690
00:32:56,200 --> 00:33:02,566
>> I THOUGHT IT WAS KIND
OF CUTE ‐‐ NOT CUTE, BUT,
691
00:33:02,600 --> 00:33:05,833
LIKE, DAMN, I KNOW, I'VE
BEEN THERE, SO ‐‐ IT'S
692
00:33:05,866 --> 00:33:06,766
FUNNY.
693
00:33:06,800 --> 00:33:09,066
>> THIS ISLANDER WENT
THROUGH A FAKE WEDDING
694
00:33:09,100 --> 00:33:18,466
CEREMONY SO THE GROOM
WOULD BUY HER A CHIC
695
00:33:18,500 --> 00:33:22,933
THOUSAND DOLLAR BRACELET.
696
00:33:22,966 --> 00:33:26,233
>> DAGGER TO THE HEART.
697
00:33:26,266 --> 00:33:27,633
>> KIERSTIN?
698
00:33:27,666 --> 00:33:28,600
WHAT?
699
00:33:28,633 --> 00:33:30,466
>> THIS ISLANDER BELIEVES
THAT SOME PEOPLE ARE
700
00:33:30,500 --> 00:33:35,333
GIFTED WITH NATURAL
TALENT, AND HERS IS SEX.
701
00:33:35,366 --> 00:33:40,300
>> OH, MY GOSH!
702
00:33:40,333 --> 00:33:47,233
[APPLAUSE]
[CHEERING]
703
00:33:47,266 --> 00:33:48,466
>> RACHEL!
704
00:33:48,500 --> 00:33:54,100
>> WHOA!
705
00:33:54,133 --> 00:33:56,833
♪♪♪
>> THIS ISLANDER CALLS
706
00:33:56,866 --> 00:34:00,366
HERSELF AN F.B.I. AGENT
BECAUSE SHE CAN DIG UP ALL
707
00:34:00,400 --> 00:34:06,433
OF THE DIRT ON ANY GUY SHE
DATES.
708
00:34:06,466 --> 00:34:08,766
>> PUT IT ON THE BOARD.
709
00:34:08,800 --> 00:34:12,500
>> THE FINAL SCORE, GIRLS,
3, BOYS, 1.
710
00:34:12,533 --> 00:34:14,233
SO WE LOST.
711
00:34:14,266 --> 00:34:15,966
>> Narrator: YES, GUYS,
YOU LOST.
712
00:34:16,000 --> 00:34:25,966
TRE TO ONE.
713
00:34:26,000 --> 00:34:29,633
>> WE THE WINNERS, MAN, WE
THE WINNERS!
714
00:34:29,666 --> 00:34:31,666
>> LET'S GO BACK TO THE
VILLA!
715
00:34:44,000 --> 00:34:44,966
>> Narrator: THE
ISLANDERS JUST PULLED EACH
716
00:34:45,000 --> 00:34:47,566
OTHER'S DIRTIEST SECRETS
OUT OF SUITCASES.
717
00:34:47,600 --> 00:34:51,966
UNFORTUNATELY, THEY CAN'T
PUT THEM BACK IN.
718
00:34:52,000 --> 00:34:54,966
INSTEAD THEY MUST BECOME
THE MOST BEAUTIFUL BAGGAGE
719
00:34:55,000 --> 00:34:57,100
HANDLERS YOU HAVE EVER
SEEN.
720
00:34:57,133 --> 00:34:59,966
>> DID EVERYONE HAVE AS
MUCH FUN AS I DID.
721
00:35:00,000 --> 00:35:03,966
I HAD A REALLY FUN TIME.
722
00:35:04,000 --> 00:35:07,966
I WAS LAUGHING THE ENTIRE
TIME.
723
00:35:08,000 --> 00:35:09,633
>> THEY WERE TRYING TO
WIN.
724
00:35:09,666 --> 00:35:11,100
>> ALSO REAL STUFF,
THOUGH.
725
00:35:11,133 --> 00:35:12,966
>> WE HAVE TO TALK ABOUT
HOW IT IS GOING AFFECT
726
00:35:13,000 --> 00:35:14,100
EVERYBODY'S RELATIONSHIP.
727
00:35:14,133 --> 00:35:16,366
>> THANK GOD I'M WITH
CARRINGTON AND I LIKE HIM.
728
00:35:16,400 --> 00:35:18,800
>> WAS THAT YOUR FIRST
KISS?
729
00:35:18,833 --> 00:35:20,100
>> YEAH.
730
00:35:20,133 --> 00:35:22,600
IT WASN'T A REGRET BECAUSE
IT MADE ME REALIZE HOW
731
00:35:22,633 --> 00:35:23,533
MUCH I REALLY LIKE HIM.
732
00:35:23,566 --> 00:35:28,066
>> I'M GOING TO KIERSTIN
HARD.
733
00:35:28,100 --> 00:35:30,900
>> HAVE Y'ALL KISSED
OUTSIDE OF ANY OF THE
734
00:35:30,933 --> 00:35:31,666
CHALLENGES OR GAMES?
735
00:35:31,700 --> 00:35:33,700
>> NO, BUT WE SHOULD KISS
TONIGHT.
736
00:35:33,733 --> 00:35:36,833
>> IT IS NICE HAVING A
GIRL WHO LIKES THAT.
737
00:35:36,866 --> 00:35:39,766
>> WE'RE, LIKE, VERY LOVED
UP AND WE'RE SAVING OUR
738
00:35:39,800 --> 00:35:40,900
FIRST REAL KISS.
739
00:35:40,933 --> 00:35:44,766
WE HAVEN'T EVEN DONE THAT
YET.
740
00:35:44,800 --> 00:35:47,233
WE STILL HAVEN'T COUNTED
IT LIKE ANYTHING YET.
741
00:35:47,266 --> 00:35:49,600
>> DO YOU THINK YOU CAN GO
THE DISTANCE?
742
00:35:49,633 --> 00:35:52,466
>> DUDE, I ABSOLUTELY
THINK THAT.
743
00:35:52,500 --> 00:35:55,433
HONESTLY, EVEN IF A GIRL
WERE TO WALK IN AND MAYBE
744
00:35:55,466 --> 00:35:59,766
I WOULD THINK SHE WAS MORE
ATTRACTIVE THAN
745
00:35:59,800 --> 00:36:02,133
MacKENZIE, I DON'T THINK
I WOULD FLIP.
746
00:36:02,166 --> 00:36:04,000
>> RACHEL, GIRL, YOU
SHOCKED ME.
747
00:36:04,033 --> 00:36:06,600
I WAS, LIKE, OH!
748
00:36:06,633 --> 00:36:10,766
>> I WAS EXPECTING TO ‐‐
>> THE WAY YOU WENT IN, I
749
00:36:10,800 --> 00:36:13,566
WAS, LIKE, SAY NO MORE.
750
00:36:13,600 --> 00:36:18,966
LIKE, YOU SET THE BAR.
751
00:36:19,000 --> 00:36:19,966
>> I THINK JUSTINE IS HURT
RIGHT NOW.
752
00:36:20,000 --> 00:36:21,700
YOU NEED TO TALK TO HER
FIRST.
753
00:36:21,733 --> 00:36:22,933
>> OUT OF RESPECT.
754
00:36:22,966 --> 00:36:24,933
>> YEAH, YEAH, YEAH.
755
00:36:24,966 --> 00:36:27,066
>> I FEEL LIKE A BAG,
YEAH.
756
00:36:27,100 --> 00:36:30,700
BUT I'M LOOKING FORWARD TO
PURSUING RACHEL MORE THAN
757
00:36:30,733 --> 00:36:31,633
I JUSTINE.
758
00:36:31,666 --> 00:36:34,966
WITH JUSTINE, I FEEL LIKE
IT IS MORE LIKE A
759
00:36:35,000 --> 00:36:38,500
FRIENDSHIP.
760
00:36:38,533 --> 00:36:41,400
>> Narrator: MacKENZIE
WANTS TO TALK TO CONNOR
761
00:36:41,433 --> 00:36:46,966
ABOUT HIS S&M SECRET FROM
THE CHALLENGE, BUT HOW TO
762
00:36:47,000 --> 00:36:47,666
ASK.
763
00:36:47,700 --> 00:36:49,333
YOUR THING, PRETTY
SURPRISING.
764
00:36:49,366 --> 00:36:54,266
I THINK I WAS MORE ‐‐ I
WAS, LIKE, I'M CURIOUS HOW
765
00:36:54,300 --> 00:36:58,066
IT WAS A ONE‐NIGHT STAND
BECAUSE YOU DON'T THINK
766
00:36:58,100 --> 00:37:02,733
LIKE THE TYPE THAT WOULD
LOSE THEIR VIRGINITY IN A
767
00:37:02,766 --> 00:37:03,633
ONE‐NIGHT STAND.
768
00:37:03,666 --> 00:37:06,100
>> TO BE SURE, I ONLY HAD
SEX THREE TIMES.
769
00:37:06,133 --> 00:37:08,433
>> WHAT?
770
00:37:08,466 --> 00:37:09,600
>> THREE PEOPLE.
771
00:37:09,633 --> 00:37:12,000
I THINK THAT IS A SUPER
POWERFUL WAY OF EXPRESSING
772
00:37:12,033 --> 00:37:13,633
YOUR LOVE FOR SOMEONE.
773
00:37:13,666 --> 00:37:14,966
>> UH‐HUH.
774
00:37:15,000 --> 00:37:18,966
>> SO I DON'T JUST GO
ABOUT DOING THAT WITH JUST
775
00:37:19,000 --> 00:37:19,266
ANYONE.
776
00:37:19,300 --> 00:37:20,600
>> YEAH.
777
00:37:20,633 --> 00:37:24,100
>> THAT'S WHY I'M, LIKE,
THIS WAY WITH YOU, BEING
778
00:37:24,133 --> 00:37:26,366
SUPER RESPECTFUL BECAUSE
THAT IS SPECIAL TO ME.
779
00:37:26,400 --> 00:37:27,933
>> YEAH, I LIKE THAT.
780
00:37:27,966 --> 00:37:31,966
>> CONNOR, HE JUST MAKES
ME FEEL, LIKE,
781
00:37:32,000 --> 00:37:32,433
BUTTERFLIES.
782
00:37:32,466 --> 00:37:33,500
I DON'T KNOW.
783
00:37:33,533 --> 00:37:35,966
I JUST FEEL SUCH A STRONG
FRIENDSHIP CONNECTION, BUT
784
00:37:36,000 --> 00:37:41,700
THEN THERE IS CHEMISTRY
WITH HIM, THAT IT'S KIND
785
00:37:41,733 --> 00:37:44,333
OF, LIKE, WOW, I JUST FEEL
LIKE ‐‐ I DON'T KNOW, I
786
00:37:44,366 --> 00:37:46,100
JUST HAVE BUTTERFLIES.
787
00:37:46,133 --> 00:37:49,033
IT'S, LIKE, CRAZY.
788
00:37:49,066 --> 00:37:52,333
>> IN A RELATIONSHIP, DO
YOU, LIKE, WANT TO HAVE
789
00:37:52,366 --> 00:37:52,666
SEX?
790
00:37:52,700 --> 00:37:54,900
>> UH‐HUH.
791
00:37:54,933 --> 00:37:56,266
YES.
792
00:37:56,300 --> 00:38:01,966
>> BECAUSE I'M THE TYPE,
LIKE, WHEN I'M IN A
793
00:38:02,000 --> 00:38:03,700
RELATIONSHIP, THEN I WANT
TO, LIKE, ALL THE TIME.
794
00:38:03,733 --> 00:38:04,766
>> YES.
795
00:38:04,800 --> 00:38:06,966
>> NO ONE GETS A COOKIE
UNTIL THEY GET THE WHOLE
796
00:38:07,000 --> 00:38:08,033
JAR.
797
00:38:08,066 --> 00:38:10,566
BUT THEN THEY CAN HAVE ALL
OF THE COOKIES THEY WANT.
798
00:38:10,600 --> 00:38:11,966
>> YEAH, ABSOLUTELY.
799
00:38:12,000 --> 00:38:12,900
I AGREE.
800
00:38:12,933 --> 00:38:13,966
>> Narrator: THAT COOKIE
METAPHOR WAS KIND OF
801
00:38:14,000 --> 00:38:17,600
CRUMMY, BUT MacKENZIE
ISN'T HERE FOR HER POETRY.
802
00:38:17,633 --> 00:38:19,733
LET'S CHECK OUT JEREMIAH
AND JUSTIN, WHO ARE
803
00:38:19,766 --> 00:38:22,200
CURRENTLY BAKING IN THE
HEAT.
804
00:38:22,233 --> 00:38:22,866
>> HOW ARE YOU?
805
00:38:22,900 --> 00:38:23,666
>> ALL RIGHT.
806
00:38:23,700 --> 00:38:25,933
>> CAN I GRAB A SECOND
WITH JUSTINE?
807
00:38:25,966 --> 00:38:26,700
>> YEAH.
808
00:38:26,733 --> 00:38:28,133
WE'LL MEET UP LATER.
809
00:38:28,166 --> 00:38:29,000
GOOD TALKING TO YOU.
810
00:38:29,033 --> 00:38:30,233
>> YES.
811
00:38:30,266 --> 00:38:31,966
>> HOW YOU DOING?
812
00:38:32,000 --> 00:38:32,333
HOW YOU DOING?
813
00:38:32,366 --> 00:38:33,200
>> GOOD.
814
00:38:33,233 --> 00:38:35,866
WE WERE JUST CHITCHATTING.
815
00:38:35,900 --> 00:38:36,900
HOW YOU DOING?
816
00:38:36,933 --> 00:38:37,933
>> I'M GOOD.
817
00:38:37,966 --> 00:38:41,400
>> I WANTED TO COME TALK
TO YOU TODAY TO BE, LIKE,
818
00:38:41,433 --> 00:38:44,233
WHERE ARE WE AT.
819
00:38:44,266 --> 00:38:46,100
LET'S TALK ABOUT WHERE WE
AT.
820
00:38:46,133 --> 00:38:49,966
>> OF COURSE.
821
00:38:50,000 --> 00:38:54,300
>> THERE IS NO SECRETS
ABOUT RACHEL.
822
00:38:54,333 --> 00:38:55,333
>> UH‐HUH.
823
00:38:55,366 --> 00:38:59,400
>> I HONESTLY FEEL LIKE
ME, PERSONALLY, I JUST SEE
824
00:38:59,433 --> 00:39:02,966
US AS BETTER FRIENDS ‐‐
>> YES.
825
00:39:03,000 --> 00:39:04,400
>> ‐‐ THEN ANYTHING ELSE.
826
00:39:04,433 --> 00:39:07,966
I JUST WANT TO KEEP IT
REAL WITH YOU.
827
00:39:08,000 --> 00:39:09,666
>> YES.
828
00:39:09,700 --> 00:39:12,000
>> BUT I DON'T WANT
NOTHING TO CHANGE BETWEEN
829
00:39:12,033 --> 00:39:13,766
US, YOU KNOW WHAT I'M
SAYING?
830
00:39:13,800 --> 00:39:14,366
>> NO.
831
00:39:14,400 --> 00:39:16,400
AND IT WON'T, NOT AT ALL.
832
00:39:32,000 --> 00:39:33,966
>> Narrator: IT'S LOVE
ISLAND, WHERE JUSTINE JUST
833
00:39:34,000 --> 00:39:35,966
GOT RE‐FRIENDED ZONE BY
JEREMIAH.
834
00:39:36,000 --> 00:39:40,633
YOU KNOW WHAT SHE SHOULD
DO, MAKE HER FEELINGS
835
00:39:40,666 --> 00:39:43,566
KNOWN, BUT THAT NEVER
WORKS FOR ME EVER.
836
00:39:43,600 --> 00:39:50,966
>> I WANT TO BE REAL, I'VE
BEEN RI R WITH RACHEL, AND I
837
00:39:51,000 --> 00:39:53,000
FEEL LIKE YOU AND I ARE
BETTER OFF AS FRIENDS.
838
00:39:56,000 --> 00:39:58,966
I WISH HE WOULD HAVE SAID
THAT LAST NIGHT.
839
00:39:59,000 --> 00:40:00,633
I APPRECIATE HE WAS
STRAIGHT UP AND TOLD ME
840
00:40:00,666 --> 00:40:04,100
EARLY ON, AND THERE IS A
LOT ABOUT HIS CHARACTER,
841
00:40:04,133 --> 00:40:06,633
SO I CAN'T BE MAD BECAUSE
HE'S A GOOD GUY.
842
00:40:06,666 --> 00:40:09,366
>> YEAH, BUT DON'T DOUBT
YOURSELF IN ANY WAY OR GET
843
00:40:09,400 --> 00:40:11,066
IN YOUR HEAD ABOUT IT.
844
00:40:11,100 --> 00:40:12,633
NEW GUYS ARE COMING.
845
00:40:12,666 --> 00:40:14,800
>> HOPEFULLY.
846
00:40:14,833 --> 00:40:18,066
THERE IS TRE, BUT I'M
FINDING OUT SO MUCH ABOUT
847
00:40:18,100 --> 00:40:24,300
HIM THAT ARE VALIDATEDING
VALIDATINGALL OF THE THINGS I
848
00:40:24,333 --> 00:40:25,266
THOUGHT.
849
00:40:25,300 --> 00:40:28,533
>> I FEEL LIKE WITH TRE,
EVERY TIME YOU TALK TO
850
00:40:28,566 --> 00:40:31,133
HIM, YOU'RE, LIKE ‐‐
>> DRAWN IN?
851
00:40:31,166 --> 00:40:32,566
>> YEAH.
852
00:40:32,600 --> 00:40:36,633
AND I FEEL, LIKE, MAYBE
YOU SHOULD GIVE THAT A
853
00:40:36,666 --> 00:40:41,433
CHANCE, YOU KNOW?
854
00:40:41,466 --> 00:40:51,433
♪♪♪
♪ COME TO LIFE ♪
855
00:40:51,466 --> 00:40:53,366
>> OBVIOUSLY, YOU KNOW, I
TALKED TO YOUR BOY.
856
00:40:53,400 --> 00:40:55,900
>> HOW DO YOU FEEL ABOUT
THAT?
857
00:40:55,933 --> 00:40:57,866
>> I MEAN, IT DEFINITELY
SUCKS.
858
00:40:57,900 --> 00:41:01,266
I KIND OF, LIKE, WISH HE
HAD SAID SOMETHING LAST
859
00:41:01,300 --> 00:41:04,066
NIGHT, BUT I ‐‐
>> HONESTLY, HOW WOULD
860
00:41:04,100 --> 00:41:05,366
THAT HAVE CHANGED ANYTHING
FOR YOU?
861
00:41:05,400 --> 00:41:09,166
>> I DEFINITELY WOULDN'T
HAVE KISSED HIM IN THE
862
00:41:09,200 --> 00:41:11,700
CHALLENGE, YOU KNOW WHAT I
MEAN?
863
00:41:11,733 --> 00:41:13,033
>> WOULD YOU HAVE SPACE?
864
00:41:13,066 --> 00:41:14,966
>> I DON'T EVEN WANT TO
TALK ABOUT IT.
865
00:41:15,000 --> 00:41:20,666
>> SO HOW DO YOU FEEL NOW?
866
00:41:20,700 --> 00:41:22,233
LIKE, WHAT'S GOING THROUGH
YOUR MIND NOW?
867
00:41:22,266 --> 00:41:27,866
WHAT ARE YOU GOING TO DO
SITUATION‐WISE?
868
00:41:27,900 --> 00:41:29,533
>> KEEP PUTTING MYSELF OUT
THERE, I GUESS.
869
00:41:29,566 --> 00:41:30,766
YOU KNOW WHAT I MEAN?
870
00:41:30,800 --> 00:41:35,300
I FEEL LIKE THAT'S ALL YOU
CAN DO AT THIS STAGE.
871
00:41:35,333 --> 00:41:39,800
>> LIKE, OBVIOUSLY, LIKE,,
IT'S NOT A SECRET, I'M
872
00:41:39,833 --> 00:41:42,233
ATTRACTED TO OTHER GIRLS
HERE.
873
00:41:42,266 --> 00:41:46,033
BUT I FEEL LIKE I CLICK
BETTER WITH YOU
874
00:41:46,066 --> 00:41:46,433
PERSONALITY‐WISE.
875
00:41:46,466 --> 00:41:47,600
>> YES.
876
00:41:47,633 --> 00:41:50,100
♪ I GET SO LOST INSIDE
YOUR EYES ♪
877
00:41:50,133 --> 00:41:53,133
>> TODAY WAS A RECOUPLING
TONIGHT.
878
00:41:53,166 --> 00:41:54,033
>> UH‐HUH.
879
00:41:54,066 --> 00:41:55,833
>> YOU HAVE TO MAKE A
DECISION RIGHT NOW.
880
00:41:55,866 --> 00:41:59,866
WHO DO YOU WAN WANT TO COUPLE
UP WITH?
881
00:41:59,900 --> 00:42:01,366
I WOULD SAY YOU.
882
00:42:01,400 --> 00:42:05,300
>> TRE!
883
00:42:05,333 --> 00:42:07,100
♪ WALK THROUGH FIRE FOR
YOU ♪
884
00:42:07,133 --> 00:42:10,300
♪ JUST LET ME ADORE YOU ♪
♪♪♪
885
00:42:10,333 --> 00:42:16,133
>> I FEEL LIKE I GOT
CLOSER TO JUSTINE.
886
00:42:16,166 --> 00:42:20,933
I FEEL LIKE KAITLYN WOULD
BE, LIKE, A HOOK‐UP, AND
887
00:42:20,966 --> 00:42:25,300
JUSTINE WOULD BE MORE LIKE
A LONG‐TERM RELATIONSHIP.
888
00:42:25,333 --> 00:42:27,800
>> I'M GLAD WE HAVE EACH
OTHER.
889
00:42:27,833 --> 00:42:31,000
I FEEL LIKE TRE AND I HAVE
SUCH A GOOD CONNECTION,
890
00:42:31,033 --> 00:42:35,133
AND SUCH A GENUINE REAL
VIBE, IT REALLY COULD TURN
891
00:42:35,166 --> 00:42:37,300
INTO SOMETHING, LIKE,
REALLY NICE, SOMETHING
892
00:42:37,333 --> 00:42:38,200
ROMANTIC AND REALLY NICE.
893
00:42:38,233 --> 00:42:41,133
>> I GUESS TO BE
CONTINUED.
894
00:42:41,166 --> 00:42:41,966
>> YES.
895
00:42:42,000 --> 00:42:43,633
I'LL MEET YOU BACK AT THE
SPOT LATER.
896
00:42:43,666 --> 00:42:45,633
>> JUST LET ME KNOW WHEN.
897
00:42:45,666 --> 00:42:53,133
♪ JUST LET ME ADORE YOU ♪
♪♪♪
898
00:42:53,166 --> 00:42:56,566
>> Narrator: THURSDAY
NIGHT ON LOVE ISLAND...THE
899
00:42:56,600 --> 00:43:03,666
NEW GIRLS TURN UP THE HE
HEAT.
900
00:43:03,700 --> 00:43:05,700
AND A DRAMATIC RECOUPLING
WILL CHANGE EVERYTHING.
63949
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