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1
00:00:11,145 --> 00:00:12,746
* I'M STANDIN' ON A ROCK *
2
00:00:12,746 --> 00:00:13,981
* STANDIN' ON A ROCK *
3
00:00:13,981 --> 00:00:15,183
* AND I AIN'T GOIN' NOWHERE *
4
00:00:15,183 --> 00:00:16,250
* STANDIN' ON A ROCK *
5
00:00:16,250 --> 00:00:18,018
* I'M STANDIN' ON A ROCK *
6
00:00:18,018 --> 00:00:19,087
* STANDIN' ON A ROCK *
7
00:00:19,087 --> 00:00:20,188
* AND I AIN'T GONNA MOVE *
8
00:00:20,188 --> 00:00:21,489
* STANDIN' ON A ROCK *
9
00:00:21,489 --> 00:00:23,257
* GOT ME SOMETHING TO LIVE FOR *
10
00:00:23,257 --> 00:00:24,292
* STANDIN' ON A ROCK *
11
00:00:24,292 --> 00:00:25,993
* GOT NOTHIN' TO PROVE *
12
00:00:25,993 --> 00:00:27,061
* STANDIN' ON A ROCK *
13
00:00:27,061 --> 00:00:28,229
* I'M STANDIN' ON A ROCK *
14
00:00:28,229 --> 00:00:29,430
* STANDIN' ON A ROCK *
15
00:00:29,430 --> 00:00:30,898
* AND I AIN'T GONNA MOVE *
16
00:00:30,898 --> 00:00:32,100
* STANDIN' ON A ROCK *
17
00:00:32,100 --> 00:00:34,402
* YOU'RE A REAL FINE WOMAN *
18
00:00:34,402 --> 00:00:36,804
* AND YOUR HEART IS STRONG *
19
00:00:36,804 --> 00:00:40,174
* YOU CAN SEE RIGHT THROUGH ME *
20
00:00:40,174 --> 00:00:42,210
* AND YOUR LEGS ARE LONG *
21
00:00:42,210 --> 00:00:44,912
* YOU DON'T GIVE ME NO TROUBLE *
22
00:00:44,912 --> 00:00:47,348
* AND YOU DON'T TAKE MINE *
23
00:00:47,348 --> 00:00:49,750
* YOU'RE THE REASON I'M LIVIN' *
24
00:00:49,750 --> 00:00:52,520
* 'CAUSE YOU'RE THE
REASON I'M TRYIN' *
25
00:00:52,520 --> 00:00:54,021
* I'M STANDIN' ON A ROCK *
26
00:00:54,021 --> 00:00:55,089
* STANDIN' ON A ROCK *
27
00:00:55,089 --> 00:00:57,125
* I AIN'T GOIN' NOWHERE *
28
00:00:57,125 --> 00:00:58,192
* STANDIN' ON A ROCK *
29
00:00:58,192 --> 00:00:59,993
* I'M STANDIN' ON A ROCK *
30
00:00:59,993 --> 00:01:01,829
* AND I AIN'T GONNA MOVE *
31
00:01:01,829 --> 00:01:03,131
* STANDIN' ON A ROCK *
32
00:01:03,131 --> 00:01:04,865
* GOT ME SOMETHING TO LIVE FOR *
33
00:01:04,865 --> 00:01:05,899
* STANDIN' ON A ROCK *
34
00:01:05,899 --> 00:01:07,368
* GOT NOTHIN' TO PROVE *
35
00:01:07,368 --> 00:01:08,469
* STANDIN' ON A ROCK *
36
00:01:08,469 --> 00:01:09,937
* I'M STANDIN' ON A ROCK *
37
00:01:09,937 --> 00:01:11,071
* STANDIN' ON A ROCK *
38
00:01:11,071 --> 00:01:12,473
* I AIN'T GONNA MOVE *
39
00:01:12,473 --> 00:01:14,642
* STANDIN' ON A ROCK *
40
00:01:14,642 --> 00:01:19,780
* YOU DON'T SAY NOTHIN'
BAD ABOUT NOBODY *
41
00:01:19,780 --> 00:01:24,952
* YOU DON'T LIKE
TALKIN' OUT OF SCHOOL *
42
00:01:24,952 --> 00:01:30,324
* YOU MIGHT NOT TAKE
ME FOR A WISE MAN *
43
00:01:30,324 --> 00:01:34,195
* BUT YOU SURE DON'T
TAKE ME FOR A FOOL *
44
00:01:34,195 --> 00:01:35,863
* I'M STANDIN' ON A ROCK *
45
00:01:35,863 --> 00:01:37,165
* STANDIN' ON A ROCK *
46
00:01:37,165 --> 00:01:38,399
* AND I AIN'T GOIN' NOWHERE *
47
00:01:38,399 --> 00:01:39,467
* STANDIN' ON A ROCK *
48
00:01:39,467 --> 00:01:40,968
* I'M STANDIN' ON A ROCK *
49
00:01:40,968 --> 00:01:42,170
* STANDIN' ON A ROCK *
50
00:01:42,170 --> 00:01:43,437
* AND I AIN'T GONNA MOVE *
51
00:01:43,437 --> 00:01:44,738
* STANDIN' ON A ROCK *
52
00:01:44,738 --> 00:01:46,374
* GOT ME SOMETHIN' TO LIVE FOR *
53
00:01:46,374 --> 00:01:47,408
* STANDIN' ON A ROCK *
54
00:01:47,408 --> 00:01:49,009
* GOT NOTHIN' TO PROVE *
55
00:01:49,009 --> 00:01:50,077
* STANDIN' ON A ROCK *
56
00:01:50,077 --> 00:01:51,345
* I'M STANDIN' ON A ROCK *
57
00:01:51,345 --> 00:01:52,746
* STANDIN' ON A ROCK *
58
00:01:52,746 --> 00:01:53,981
* AND I AIN'T GONNA MOVE *
59
00:01:53,981 --> 00:01:55,616
* STANDIN' ON A ROCK *
60
00:02:17,371 --> 00:02:22,510
* I COULD BE HAPPY
FLYIN' AIRPLANES *
61
00:02:22,510 --> 00:02:27,681
* I COULD BE HAPPY
SELLIN' SHOES *
62
00:02:27,681 --> 00:02:33,521
* I COULD BE HAPPY JUST DRINKIN' WATER,
BABY... *
63
00:02:33,521 --> 00:02:35,389
GOOD AFTERNOON,
LADIES AND GENTLEMEN.
64
00:02:35,389 --> 00:02:36,557
WELCOME TO NASHVILLE.
65
00:02:36,557 --> 00:02:38,492
IN JUST A FEW MINUTES,
66
00:02:38,492 --> 00:02:41,795
WE'LL BEGIN BOARDING OUR 4:45
DEPARTURE FOR NEW YORK CITY.
67
00:02:44,031 --> 00:02:46,300
HOWDY. HOW YOU DOING?
68
00:02:49,270 --> 00:02:52,039
APPLICATIONS AND
PENCILS ARE ON THE BAR.
69
00:02:52,039 --> 00:02:53,841
DON'T STEAL THE PENCILS.
70
00:02:53,841 --> 00:02:57,445
HURRY IT UP.
DOORS CLOSE AT 4:05.
71
00:02:57,445 --> 00:03:00,047
ANYONE NOT INSIDE AT 4:05
72
00:03:00,047 --> 00:03:02,683
DOESN'T AUDITION.
73
00:03:22,870 --> 00:03:24,272
WHEN I CALL YOUR NAME,
74
00:03:24,272 --> 00:03:26,607
I WANT YOU TO COME UP ON STAGE.
75
00:03:26,607 --> 00:03:28,075
IF IT'S YOUR FIRST TIME,
76
00:03:28,075 --> 00:03:31,078
I THINK YOU SHOULD KNOW
THAT IF YOU DON'T PASS,
77
00:03:31,078 --> 00:03:33,681
IT JUST MEANS I DON'T
THINK YOU'RE READY.
78
00:03:33,681 --> 00:03:35,449
GO HOME AND KEEP ON WRITING
79
00:03:35,449 --> 00:03:37,451
AND COME ON BACK AGAIN.
80
00:03:39,420 --> 00:03:42,055
YOU'RE GOING TO TRY
OUT FOR WRITER'S NIGHT?
81
00:03:42,055 --> 00:03:43,056
YEAH.
82
00:03:43,056 --> 00:03:44,458
I'M A WRITER MYSELF.
83
00:03:44,458 --> 00:03:46,860
I HAD A TOP 20 HIT LAST YEAR.
84
00:03:46,860 --> 00:03:49,863
YOUNG WRITERS ALWAYS
HATE IT WHEN I TELL THEM THAT.
85
00:03:49,863 --> 00:03:52,466
I TELL THEM,
LIVE FOR THE MOMENT.
86
00:03:52,466 --> 00:03:54,868
DON'T GET A PICTURE
OF WHEN YOU HIT
87
00:03:54,868 --> 00:03:57,738
'CAUSE YOU AIN'T NEVER
GOING TO BE IN THAT PICTURE.
88
00:03:57,738 --> 00:04:01,275
ONE, TWO, UN, DEUX, TROIS.
89
00:04:05,279 --> 00:04:06,514
THIS IS IT.
90
00:04:06,514 --> 00:04:09,216
* SAYIN' GOODBYE *
91
00:04:09,216 --> 00:04:12,420
DOESN'T MATTER WHAT IT
LOOKS LIKE ON THE OUTSIDE.
92
00:04:12,420 --> 00:04:15,022
IT'S WHAT'S GOING ON
INSIDE THAT COUNTS.
93
00:04:15,022 --> 00:04:16,023
THANKS.
94
00:04:16,023 --> 00:04:17,958
WHAT TIME IS IT?
95
00:04:17,958 --> 00:04:19,226
4:15.
96
00:04:19,226 --> 00:04:22,430
WE'RE GOING TO HAVE TO
DO SOMETHING ABOUT THIS.
97
00:04:22,430 --> 00:04:23,831
YOU'RE HERE WITH ME.
98
00:04:23,831 --> 00:04:26,434
I CHANGED A FLAT TIRE FOR YOU,
99
00:04:26,434 --> 00:04:28,135
WHICH IS WHY I'M LATE.
100
00:04:28,135 --> 00:04:29,737
* FIND MY SHOE, CHERIE *
101
00:04:29,737 --> 00:04:32,440
JAMES, YOU KNOW THE RULES--4:05.
102
00:04:32,440 --> 00:04:35,443
I JUST STOPPED TO FIX
THIS GIRL'S FLAT TIRE.
103
00:04:35,443 --> 00:04:37,445
THAT WAS REALLY NICE OF YOU.
104
00:04:37,445 --> 00:04:39,246
YOU ARE A REGULAR
GOOD SAMARITAN.
105
00:04:39,246 --> 00:04:42,450
NEXT TIME,
LET THE CAB DRIVER CHANGE HIS OWN TIRE,
106
00:04:42,450 --> 00:04:44,251
AND YOU GET HERE ON TIME.
107
00:04:44,251 --> 00:04:47,455
YOU SHOULD CONSIDER BREAKING
ONE OF THOSE RULES SOMETIMES.
108
00:04:47,455 --> 00:04:50,057
IT MIGHT BE LIBERATING,
IF NOTHING ELSE.
109
00:04:50,057 --> 00:04:51,459
HEY, I DON'T KNOW HIM.
110
00:04:51,459 --> 00:04:53,461
THAT TIRE THING WAS HIS IDEA.
111
00:04:53,461 --> 00:04:55,863
I JUST CAME HERE
FROM THE BUS STATION,
112
00:04:55,863 --> 00:04:58,065
ALL THE WAY FROM NEW YORK.
113
00:04:58,065 --> 00:04:59,467
LOOK, I KNOW I'M LATE,
114
00:04:59,467 --> 00:05:01,802
BUT I REALLY DID
SUFFER TO GET HERE.
115
00:05:01,802 --> 00:05:03,404
WHAT WAS YOUR NAME, HONEY?
116
00:05:03,404 --> 00:05:04,805
MIRANDA PRESLEY... NO RELATION.
117
00:05:04,805 --> 00:05:06,807
WELL, MIRANDA PRESLEY,
NO RELATION,
118
00:05:06,807 --> 00:05:10,010
THERE IS NOTHING YOU CAN
TELL ANYBODY IN THIS ROOM
119
00:05:10,010 --> 00:05:11,412
ABOUT SUFFERING.
120
00:05:11,412 --> 00:05:14,081
THERE'S ANOTHER
AUDITION NEXT WEEK.
121
00:05:26,293 --> 00:05:27,428
HEY!
122
00:05:27,428 --> 00:05:28,829
I DON'T APPRECIATE YOU
123
00:05:28,829 --> 00:05:31,432
INCLUDING ME IN
YOUR LIE BACK THERE,
124
00:05:31,432 --> 00:05:33,701
ESPECIALLY WITHOUT ASKING ME.
125
00:05:34,835 --> 00:05:38,439
WELL,
THAT'S A FINE POINT TO MAKE.
126
00:05:38,439 --> 00:05:39,873
THANK YOU.
127
00:05:41,041 --> 00:05:42,843
O.K.
128
00:05:42,843 --> 00:05:45,045
THERE MIGHT BE A SONG IN THAT.
129
00:05:45,045 --> 00:05:46,013
HUH?
130
00:05:46,013 --> 00:05:50,217
I WAS GOING TO ASK
YOU OUT FOR A BEER,
131
00:05:50,217 --> 00:05:53,754
BUT I'VE SINCE CHANGED MY MIND.
132
00:05:53,754 --> 00:05:57,324
WHAT IS THAT, SOME KIND OF LINE?
133
00:05:57,324 --> 00:05:58,626
YES.
134
00:05:58,626 --> 00:06:00,628
DOES IT WORK?
135
00:06:00,628 --> 00:06:04,097
SOMETIMES. RARELY.
136
00:06:04,097 --> 00:06:05,733
I'LL BET.
137
00:06:07,435 --> 00:06:09,703
I MIGHT CHANGE MY MIND AGAIN.
138
00:06:09,703 --> 00:06:12,840
MAYBE YOU SHOULD
CHANGE YOUR LINE.
139
00:06:29,056 --> 00:06:30,323
THAT'LL BE $20.
140
00:06:30,323 --> 00:06:32,325
I'LL PAY FOR THE WHOLE WEEK.
141
00:06:32,325 --> 00:06:33,727
OH, THAT WON'T WORK.
142
00:06:33,727 --> 00:06:35,929
WELL, THE STRIP IS SHOT.
143
00:06:35,929 --> 00:06:37,465
THE CARD'S GOOD.
144
00:06:37,465 --> 00:06:40,067
YOU CAN CALL IT IN IF YOU WANT.
145
00:06:40,067 --> 00:06:41,469
NO NEED FOR THAT.
146
00:06:41,469 --> 00:06:43,604
YOU SAID IT WAS GOOD.
147
00:06:43,604 --> 00:06:45,606
NEVER DID COTTON TO THE IDEA
148
00:06:45,606 --> 00:06:47,875
OF TRUSTING A
MACHINE OVER A PERSON.
149
00:06:47,875 --> 00:06:51,411
YOU'VE GOT AN HONEST FACE,
MIRANDA.
150
00:06:53,313 --> 00:06:56,416
HAVE I GOT A ROOM FOR YOU.
151
00:07:01,755 --> 00:07:05,626
* IT'S FUN TO STAY AT THE YMCA *
152
00:07:05,626 --> 00:07:10,363
* IT'S FUN TO STAY AT THE YMCA *
153
00:07:10,363 --> 00:07:12,199
* THEY HAVE EVERYTHING *
154
00:07:12,199 --> 00:07:14,434
* FOR A YOUNG MAN TO ENJOY *
155
00:07:24,512 --> 00:07:25,946
* OH *
156
00:07:25,946 --> 00:07:30,450
* YOU DON'T MISS THE
LOVE THE WAY I DO *
157
00:07:31,451 --> 00:07:32,853
COME ON IN, SWEETIE.
158
00:07:32,853 --> 00:07:34,855
YOU CAN SIT WHEREVER YOU WANT.
159
00:07:34,855 --> 00:07:37,725
I'LL BE RIGHT WITH YOU. THANKS.
160
00:07:48,435 --> 00:07:52,105
* A LADY SITTIN' ON
HER OLD FRONT PORCH *
161
00:07:52,105 --> 00:07:56,009
* WATCHIN' THE CHICKENS
PECK THE GROUND *
162
00:07:56,009 --> 00:08:00,413
* THERE AIN'T A WHOLE
LOT GOIN' ON TONIGHT *
163
00:08:00,413 --> 00:08:03,717
* IN THIS ONE-HORSE TOWN *
164
00:08:03,717 --> 00:08:05,519
* OVER YONDER *
165
00:08:05,519 --> 00:08:07,821
* COMIN' UP THE ROAD *
166
00:08:07,821 --> 00:08:11,324
* IN A BEAT-UP CHEVY TRUCK *
167
00:08:11,324 --> 00:08:13,326
* HER BOYFRIEND TOMMY *
168
00:08:13,326 --> 00:08:14,962
* IS LAYIN' ON THE HORN *
169
00:08:14,962 --> 00:08:18,566
* SPLASHIN' THROUGH
THE MUD AND THE MUCK *
170
00:08:19,366 --> 00:08:20,734
* HER DADDY SAYS *
171
00:08:20,734 --> 00:08:22,736
* HE AIN'T WORTH A LICK *
172
00:08:22,736 --> 00:08:24,137
* WHEN IT COMES TO BRAINS *
173
00:08:24,137 --> 00:08:26,640
* HE GOT THE SHORT
END OF THE STICK *
174
00:08:26,640 --> 00:08:27,941
* BUT KATIE'S YOUNG *
175
00:08:27,941 --> 00:08:30,277
* AND THEN SHE JUST DON'T CARE *
176
00:08:30,277 --> 00:08:33,681
* SHE'D FOLLOW TOMMY ANYWHERE *
177
00:08:33,681 --> 00:08:37,517
* SHE'S IN LOVE WITH THE BOY *
178
00:08:37,517 --> 00:08:40,754
* SHE'S IN LOVE WITH THE BOY *
179
00:08:40,754 --> 00:08:45,425
* SHE'S IN LOVE WITH THE BOY *
180
00:08:45,425 --> 00:08:48,996
* AND EVEN IF THEY
HAVE TO RUN AWAY *
181
00:08:48,996 --> 00:08:54,167
* SHE'S GONNA MARRY
THAT BOY SOMEDAY *
182
00:08:59,239 --> 00:09:02,743
* KATIE AND TOMMY
AT THE DRIVE-IN MOVIE *
183
00:09:02,743 --> 00:09:07,080
* PARKED IN THE VERY LAST ROW *
184
00:09:07,080 --> 00:09:10,751
* THEY'RE TOO BUSY
HOLDIN' ON TO ONE ANOTHER *
185
00:09:10,751 --> 00:09:14,855
* TO EVEN CARE ABOUT THE SHOW *
186
00:09:14,855 --> 00:09:18,726
* LATER ON OUTSIDE
THE TASTEE FREEZE... *
187
00:09:18,726 --> 00:09:23,731
APPLICATIONS,
PENCILS ARE ON THE BAR.
188
00:09:24,865 --> 00:09:27,467
DON'T STEAL THE PENCILS.
189
00:09:27,467 --> 00:09:29,770
I SURE HOPE SO.
190
00:09:29,770 --> 00:09:31,805
* HER DADDY SAYS *
191
00:09:31,805 --> 00:09:33,841
* THAT HE AIN'T WORTH A LICK *
192
00:09:33,841 --> 00:09:35,242
* WHEN IT COMES TO BRAINS *
193
00:09:35,242 --> 00:09:37,510
* HE GOT THE SHORT
END OF THE STICK *
194
00:09:37,510 --> 00:09:40,380
HEY,
MY NAME IS LINDA LUE LINDEN,
195
00:09:40,380 --> 00:09:43,150
AND, UM, I'M FROM BRIAR HILL,
ALABAMA,
196
00:09:43,150 --> 00:09:44,818
AND I JUST FINISHED THIS SONG,
197
00:09:44,818 --> 00:09:48,922
AND IT'S CALLED HEAVEN
KNOCKED ON MY DOOR.
198
00:09:49,890 --> 00:09:53,060
* I HAD A DREAM LAST NIGHT *
199
00:09:53,060 --> 00:09:54,628
* AND THERE YOU WERE *
200
00:09:54,628 --> 00:09:58,331
* STANDIN' BY MY BEDSIDE *
201
00:09:58,331 --> 00:10:01,234
* DEVIL IN ANGEL'S CLOTHIN' *
202
00:10:01,234 --> 00:10:04,972
* TALKIN' ABOUT
YOUR CRAZY RIDE *
203
00:10:04,972 --> 00:10:08,075
* I DIDN'T KNOW WHAT
TO SAY AT FIRST *
204
00:10:08,075 --> 00:10:11,478
* I COULDN'T GET
BY THOSE WINGS *
205
00:10:11,478 --> 00:10:15,015
* NOW HERE I AM IN THE
MIDDLE OF THE NIGHT *
206
00:10:15,015 --> 00:10:17,918
* TALKIN' TO AN
ANGEL THAT SINGS *
207
00:10:17,918 --> 00:10:20,587
UH, MIRANDA PRESLEY.
208
00:10:20,587 --> 00:10:23,256
YEAH.
209
00:10:30,230 --> 00:10:33,033
HI, MY NAME'S MIRANDA PRESLEY.
210
00:10:33,033 --> 00:10:34,935
I'M FROM NEW YORK CITY,
211
00:10:34,935 --> 00:10:39,372
AND THIS SONG IS
CALLED BIG BAR HAIR.
212
00:10:39,372 --> 00:10:43,343
* YOU CAN SEE IT IN
THE SHOPPIN' MALLS *
213
00:10:43,343 --> 00:10:46,146
* 5-FOOT GIRLS 6 FEET TALL *
214
00:10:46,146 --> 00:10:49,316
* 4-INCH HEELS,
FAKE FINGERNAILS *
215
00:10:49,316 --> 00:10:51,752
* SHE'S CHECKIN'
OUT ALL THE SALES *
216
00:10:51,752 --> 00:10:53,954
* YOU CAN SEE FROM A DISTANCE *
217
00:10:53,954 --> 00:10:54,988
* SHE'S A GOOD OL' GIRL *
218
00:10:54,988 --> 00:10:56,824
* SHE'S GETTIN' READY *
219
00:10:56,824 --> 00:11:00,861
* TO TAKE ON THE WORLD *
220
00:11:00,861 --> 00:11:02,462
* GONNA TORTURE MY HAIR *
221
00:11:02,462 --> 00:11:03,764
* GONNA BURN IT BLOND *
222
00:11:03,764 --> 00:11:06,599
* GONNA TEASE IT BEYOND REPAIR *
223
00:11:06,599 --> 00:11:10,337
* GONNA CAMOUFLAGE
THE BRAINS IN THERE *
224
00:11:10,337 --> 00:11:12,172
* GETTIN' MY OWN *
225
00:11:13,473 --> 00:11:15,142
* BIG BAR HAIR *
226
00:11:15,142 --> 00:11:17,978
* YEAH, I'M GETTIN' MY OWN *
227
00:11:19,412 --> 00:11:21,782
* BIG BAR HAIR *
228
00:11:22,950 --> 00:11:27,087
ALL RIGHT. KYLE DAVIDSON.
229
00:11:28,088 --> 00:11:30,523
HELLO, I'M KYLE DAVIDSON.
230
00:11:30,523 --> 00:11:32,259
I'M FROM CONNECTICUT,
231
00:11:32,259 --> 00:11:33,560
AND THIS, UM...
232
00:11:33,560 --> 00:11:36,663
I'M A LITTLE NERVOUS,
BUT IT REALLY DOESN'T SHOW.
233
00:11:36,663 --> 00:11:38,932
THIS IS CALLED I
CAN'T UNDERSTAND.
234
00:11:38,932 --> 00:11:44,371
* IF YOU COULD READ MY MIND *
235
00:11:44,371 --> 00:11:48,308
* YOU'D KNOW HOW HARD I TRY *
236
00:11:48,308 --> 00:11:52,612
* BUT LOSIN' WAS NOT MY PLAN *
237
00:11:52,612 --> 00:11:56,083
* AND I CAN'T UNDERSTAND *
238
00:11:56,083 --> 00:12:01,021
* WITH ALL THOSE TEARS I CRIED *
239
00:12:01,021 --> 00:12:04,324
* I SHOULD'VE REALIZED *
240
00:12:04,324 --> 00:12:07,961
* THAT I'D NEVER
HOLD YOU AGAIN *
241
00:12:07,961 --> 00:12:12,866
* AND I CAN'T UNDERSTAND *
242
00:12:14,101 --> 00:12:17,971
* I CAN'T UNDERSTAND *
243
00:12:17,971 --> 00:12:22,642
* WHY YOU LEFT MY LOVE BEHIND *
244
00:12:22,642 --> 00:12:26,113
* I CAN'T UNDERSTAND *
245
00:12:26,113 --> 00:12:31,051
* BUT I'LL LOVE YOU
TILL THE END OF TIME *
246
00:12:31,051 --> 00:12:32,820
* I SEARCH MY MEMORY *
247
00:12:32,820 --> 00:12:36,623
ALL RIGHT, UH, JAMES WRIGHT.
248
00:12:36,623 --> 00:12:38,025
OH, I'M SO NERVOUS,
249
00:12:38,025 --> 00:12:39,726
I CAN HARDLY STAND.
250
00:12:39,726 --> 00:12:41,394
YOU OUGHT TO BE.
251
00:12:44,564 --> 00:12:46,433
I ALREADY SOLD THIS SONG,
252
00:12:46,433 --> 00:12:49,702
AND I WROTE IT FOR
A WOMAN TO SING,
253
00:12:49,702 --> 00:12:51,371
BUT WHAT THE HELL?
254
00:12:57,410 --> 00:13:03,550
* YOU GOT A THING OR TWO TO LEARN ABOUT ME,
BABY *
255
00:13:03,550 --> 00:13:07,020
* 'CAUSE I AIN'T
TAKIN' IT NO MORE *
256
00:13:07,020 --> 00:13:10,223
* AND I DON'T MEAN MAYBE *
257
00:13:10,223 --> 00:13:13,026
* YOU DON'T KNOW
RIGHT FROM WRONG *
258
00:13:13,026 --> 00:13:15,628
* THE LOVE WE HAD IS GONE *
259
00:13:15,628 --> 00:13:19,532
* SO BLAME IT ON YOUR LYIN',
CHEATIN' *
260
00:13:19,532 --> 00:13:20,834
* COLD, DEAD-BEATIN' *
261
00:13:20,834 --> 00:13:23,236
* TWO-TIMIN', DOUBLE-DEALIN' *
262
00:13:23,236 --> 00:13:26,473
* MEAN, MISTREATIN',
LOVIN' HEART *
263
00:13:28,375 --> 00:13:34,948
* WELL,
ALL I WANTED WAS TO BE YOUR ONE AND ONLY *
264
00:13:34,948 --> 00:13:37,650
* BUT ALL I EVER GOT FROM YOU *
265
00:13:37,650 --> 00:13:40,553
* WAS BEIN' LONELY *
266
00:13:40,553 --> 00:13:43,623
* NOW THAT IS LAID TO REST *
267
00:13:43,623 --> 00:13:46,593
* 'CAUSE YOU HAVE
FAILED THE TEST *
268
00:13:46,593 --> 00:13:49,897
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
269
00:13:49,897 --> 00:13:53,066
* COLD, DEAD-BEATIN' HEART *
270
00:13:53,066 --> 00:13:55,602
O.K., IF I CALL YOUR NAME,
271
00:13:55,602 --> 00:13:58,205
IT MEANS YOU'RE PLAYING
HERE SATURDAY NIGHT.
272
00:13:58,205 --> 00:13:59,973
BE HERE BEFORE 7:00.
273
00:13:59,973 --> 00:14:01,808
NANCY BUTTERWORTH...
274
00:14:01,808 --> 00:14:02,842
NICK BARRETT...
275
00:14:02,842 --> 00:14:05,678
TOM MORTENSON...
276
00:14:05,678 --> 00:14:07,847
JANET HOGAN...
277
00:14:07,847 --> 00:14:09,116
JAMES WRIGHT...
278
00:14:09,116 --> 00:14:11,218
AND ROSS MILLER.
279
00:14:11,218 --> 00:14:13,320
THANK YOU ALL FOR COMING.
280
00:14:23,964 --> 00:14:25,698
MISS MIRANDA.
281
00:14:25,698 --> 00:14:27,500
COME OVER HERE A SECOND.
282
00:14:29,669 --> 00:14:31,271
WE'RE JUST CONGREGATING.
283
00:14:34,975 --> 00:14:36,977
CONGRATULATIONS.
284
00:14:36,977 --> 00:14:38,979
THANK YOU. I APPRECIATE IT.
285
00:14:38,979 --> 00:14:40,380
HEY, KYLE DAVIDSON.
286
00:14:40,380 --> 00:14:42,782
LINDA LUE,
IS THAT YOUR FACE I SEE?
287
00:14:42,782 --> 00:14:44,151
WELL, IT AIN'T NOBODY'S BUTT.
288
00:14:44,151 --> 00:14:45,785
YOUR SONG WAS PRETTY TONIGHT.
289
00:14:45,785 --> 00:14:47,120
PRETTY BAD?
290
00:14:47,120 --> 00:14:49,422
SO WHAT DID YOU WANT?
291
00:14:51,324 --> 00:14:53,560
WHAT?
292
00:14:54,894 --> 00:14:59,066
I'M JUST LOOKING
AT YOU UP CLOSE.
293
00:14:59,066 --> 00:15:01,034
THERE WAS SOMETHING THAT I--
294
00:15:01,034 --> 00:15:03,003
BUT YOU CHANGED YOUR MIND?
295
00:15:03,003 --> 00:15:06,506
EXACTLY.
296
00:15:06,506 --> 00:15:07,941
I LIKED YOUR SONG.
297
00:15:07,941 --> 00:15:09,542
THANKS.
298
00:15:09,542 --> 00:15:10,543
I'M KYLE.
299
00:15:10,543 --> 00:15:12,445
I LIKED YOUR SONG.
300
00:15:13,546 --> 00:15:15,215
HI. MIRANDA.
301
00:15:15,215 --> 00:15:16,816
I LIKED YOURS, TOO.
302
00:15:16,816 --> 00:15:17,817
REALLY?
303
00:15:17,817 --> 00:15:19,619
YEAH.
304
00:15:19,619 --> 00:15:22,055
* SO WHEN WE MEET AS FRIENDS *
305
00:15:22,055 --> 00:15:23,656
* MY HEART WILL BREAK AGAIN *
306
00:15:23,656 --> 00:15:27,460
* IF THAT'S HOW THE STORY ENDS *
307
00:15:27,460 --> 00:15:31,965
* THEN I CAN'T UNDERSTAND *
308
00:15:31,965 --> 00:15:33,366
WOW. WOW.
309
00:15:33,366 --> 00:15:35,969
WAS THAT EXACTLY KYLE'S SONG?
310
00:15:35,969 --> 00:15:38,972
BECAUSE I HARDLY
EVEN RECOGNIZED IT.
311
00:15:38,972 --> 00:15:40,974
THAT WAS IT EXACTLY.
312
00:15:40,974 --> 00:15:42,375
YOU GOT A GREAT EAR.
313
00:15:42,375 --> 00:15:44,777
YOU GOT THAT FROM
HEARING ME SING IT?
314
00:15:44,777 --> 00:15:47,981
WELL, I DON'T KNOW IF THE
TERM "SING" REALLY APPLIES--
315
00:15:47,981 --> 00:15:49,582
OH...OH...OH...
316
00:15:49,582 --> 00:15:51,051
HA HA HA!
317
00:15:51,051 --> 00:15:52,719
THEY BUILD YOU UP AND THEN,
318
00:15:52,719 --> 00:15:54,121
THEY JUST TEAR YOU DOWN.
319
00:15:54,121 --> 00:15:58,058
LIKE THEY ALL GOT THE
SAME INSTRUCION MANUAL.
320
00:15:58,058 --> 00:16:00,227
NICE TO MEET YOU. YOU TOO.
321
00:16:00,227 --> 00:16:01,594
YOUR SONG WAS GREAT.
322
00:16:03,030 --> 00:16:06,166
DO YOU LADIES HAVE ANY
DESIRE TO ACCOMPANY US
323
00:16:06,166 --> 00:16:07,367
ON AN EXCURSION INTO HISTORY?
324
00:16:07,367 --> 00:16:09,336
AND WHERE MIGHT YOU BE GOING?
325
00:16:09,336 --> 00:16:11,504
A LITTLE MIDNIGHT RIDE MAYBE.
326
00:16:11,504 --> 00:16:13,506
THIS, UH,
CONNECTICUT YANKEE KYLE
327
00:16:13,506 --> 00:16:16,609
WANTS TO WRITE A COWBOY SONG.
328
00:16:16,609 --> 00:16:18,011
THAT'S RIGHT, MA'AM.
329
00:16:18,011 --> 00:16:19,612
YOU WANT TO GO?
330
00:16:19,612 --> 00:16:21,748
UH, YEAH.
331
00:16:21,748 --> 00:16:24,551
ALL RIGHT, THEN LET'S GO,
LITTLE DOOGIES.
332
00:16:24,551 --> 00:16:25,952
DOGIES.
333
00:16:25,952 --> 00:16:26,953
DOOGIES.
334
00:16:26,953 --> 00:16:28,221
DOGIES. COME ON.
335
00:16:28,221 --> 00:16:29,822
LOOK AT THIS GUY.
336
00:16:29,822 --> 00:16:31,224
HE'S SMILING FOR US.
337
00:16:31,224 --> 00:16:33,960
THAT'S NO SMILE.
THAT'S CONTEMPT.
338
00:16:33,960 --> 00:16:35,362
I HAD A THIRD COUSIN
339
00:16:35,362 --> 00:16:37,764
WHO USED TO BE A RODEO CLOWN.
340
00:16:37,764 --> 00:16:40,967
FUNNY THING IS,
HE BROKE HIS NECK, AND HE DIED.
341
00:16:40,967 --> 00:16:42,369
WELL, DON'T WORRY ABOUT ME.
342
00:16:42,369 --> 00:16:44,371
I TOOK RIDING AT SUMMER CAMP.
343
00:16:44,371 --> 00:16:47,774
YEAH, THE DUDE RANCH IN,
WHAT, NEW ENGLAND?
344
00:16:48,775 --> 00:16:50,477
HEY, HO!
345
00:16:50,477 --> 00:16:51,744
WHOA!
346
00:16:51,744 --> 00:16:55,048
KYLE DAVIDSON,
YOU ARE A SIGHT TO BEHOLD, BABY!
347
00:16:55,048 --> 00:16:57,484
WHOA!
348
00:17:01,521 --> 00:17:06,693
* THE OLD GRAY MARE,
SHE AIN'T WHAT SHE USED TO BE *
349
00:17:06,693 --> 00:17:08,495
LOOK AT ME-- IN THE EYES.
350
00:17:08,495 --> 00:17:11,098
HOW MANY FINGERS
AM I HOLDING UP?
351
00:17:11,098 --> 00:17:12,499
FOUR OR FIVE.
352
00:17:12,499 --> 00:17:14,101
HOW MANY BEATLES WERE THERE?
353
00:17:14,101 --> 00:17:15,702
THREE--AND RINGO.
354
00:17:15,702 --> 00:17:17,104
ARE YOU O.K.?
355
00:17:17,104 --> 00:17:18,505
HE'S JUST FUCKIN' WITH ME.
356
00:17:18,505 --> 00:17:20,507
JUST A MINOR CONCUSSION,
THAT'S ALL.
357
00:17:20,507 --> 00:17:23,110
LINDA,
CAN YOU PLEASE GET THE TRUCK?
358
00:17:23,110 --> 00:17:25,112
MAKE SURE HE
DOESN'T FALL ASLEEP.
359
00:17:25,112 --> 00:17:27,214
GOT TO KEEP HIM
AWAKE AND CONSCIOUS.
360
00:17:27,214 --> 00:17:28,915
I'M JUST FINE.
361
00:17:28,915 --> 00:17:32,985
WE HAVE SOME WORK ON THIS
FENCE TO DO FOR MR. WILSON.
362
00:17:32,985 --> 00:17:34,921
ARE YOU ALL RIGHT, HONEY?
363
00:17:34,921 --> 00:17:38,125
THERE'S THIS TRADITION WHEN
YOU FIRST GET TO NASHVILLE
364
00:17:38,125 --> 00:17:41,128
WHERE YOU HAVE TO GO
TO THE TALLEST MOUNTAIN
365
00:17:41,128 --> 00:17:43,130
OR THE TOP OF A BUILDING
366
00:17:43,130 --> 00:17:44,931
AND YELL, "LOOK OUT, MUSIC CITY,
367
00:17:44,931 --> 00:17:47,734
'CAUSE I'M HERE AND
I AIN'T NEVER LEAVIN'!"
368
00:17:47,734 --> 00:17:49,136
THAT'S REAL NICE.
369
00:17:49,136 --> 00:17:52,139
I WASN'T SURE THAT
SONG WAS ANY GOOD
370
00:17:52,139 --> 00:17:54,541
UNTIL I HEARD YOU
SING IT TONIGHT.
371
00:17:54,541 --> 00:17:56,543
OH, KYLE, IT'S A BEAUTIFUL SONG.
372
00:17:56,543 --> 00:17:59,146
WILL YOU DO THE DEMO FOR ME,
373
00:17:59,146 --> 00:18:01,080
BECAUSE I DON'T
HAVE ANYBODY ELSE?
374
00:18:01,080 --> 00:18:02,682
I GOT THE CAR.
375
00:18:02,682 --> 00:18:03,483
I'M SORRY.
376
00:18:03,483 --> 00:18:06,153
PUT YOUR ARM AROUND THERE.
377
00:18:06,153 --> 00:18:08,755
DR. ARLEN, REPORT TO ROOM 5703.
378
00:18:08,755 --> 00:18:11,958
NOW, HONEY,
I TOLD YOU BEFORE HE'S PERFECTLY FINE,
379
00:18:11,958 --> 00:18:13,360
BUT WE CAN'T RELEASE HIM.
380
00:18:13,360 --> 00:18:15,962
COULD WE AT LEAST TALK TO HIM?
381
00:18:15,962 --> 00:18:18,231
RELAX, AND I'LL LET YOU KNOW.
382
00:18:30,977 --> 00:18:33,380
SO WHERE YOU BEEN STAYING?
383
00:18:33,380 --> 00:18:36,583
UH,
YOU KNOW THAT MOTEL NEAR THE BLUEBIRD?
384
00:18:36,583 --> 00:18:37,984
THE DRAKE?
385
00:18:37,984 --> 00:18:40,387
UNREAL. THAT'S
WHERE I'M STAYING.
386
00:18:40,387 --> 00:18:42,589
WHAT ROOM DID YOU GET?
387
00:18:42,589 --> 00:18:44,391
UH, ROOM 108.
388
00:18:44,391 --> 00:18:47,594
OH,
MY GOD. THE DREADFUL DISCO ROOM.
389
00:18:47,594 --> 00:18:48,995
HA HA!
390
00:18:48,995 --> 00:18:50,997
YEAH. I KIND OF LIKE IT.
391
00:18:50,997 --> 00:18:53,400
YOU SHOULD SEE
MINE. IT IS SO GREAT.
392
00:18:53,400 --> 00:18:55,602
IT'S ALL DONE UP AND EVERYTHING.
393
00:18:55,602 --> 00:18:57,003
IT LOOKS SUPER.
394
00:18:57,003 --> 00:18:59,005
COME OVER AND SEE IT SOMETIME.
395
00:18:59,005 --> 00:19:00,006
MAYBE. YEAH.
396
00:19:00,006 --> 00:19:01,374
YOU KNOW WHAT?
397
00:19:01,374 --> 00:19:02,775
I'M GETTING AN IDEA
398
00:19:02,775 --> 00:19:05,378
THAT SINCE WE'RE BOTH
AT THE SAME MOTEL,
399
00:19:05,378 --> 00:19:07,380
WHY DON'T WE SHARE MY ROOM,
400
00:19:07,380 --> 00:19:09,982
AND THEN WE CAN SAVE SOME MONEY?
401
00:19:09,982 --> 00:19:11,384
YOU JUST MET ME.
402
00:19:11,384 --> 00:19:13,386
YOU DON'T EVEN KNOW ME.
403
00:19:13,386 --> 00:19:15,388
I'M AN EXCELLENT
JUDGE OF CHARACTER.
404
00:19:15,388 --> 00:19:18,391
I HAVE A TOUCH OF THE POWER,
YOU KNOW.
405
00:19:18,391 --> 00:19:21,228
DADDY, LOOK AT ME. ARE YOU O.K.?
406
00:19:23,996 --> 00:19:25,398
ARE YOU THE DOCTOR?
407
00:19:25,398 --> 00:19:26,866
YOU CAN'T COME IN.
408
00:19:26,866 --> 00:19:28,535
DADDY, I'LL WAIT, O.K.?
409
00:19:44,284 --> 00:19:47,086
* THE MORE I HURT *
410
00:19:47,086 --> 00:19:49,856
* THE LESS I FEEL *
411
00:19:49,856 --> 00:19:51,524
* THE MORE I KNOW *
412
00:19:51,524 --> 00:19:54,294
* THE LESS I REST IN THIS *
413
00:19:55,295 --> 00:19:59,266
* LONE STAR *
414
00:19:59,266 --> 00:20:01,901
* STATE OF MINE *
415
00:20:03,436 --> 00:20:05,438
DID YOU WRITE THAT YOURSELF?
416
00:20:05,438 --> 00:20:07,039
YEAH, JUST NOW...
417
00:20:07,039 --> 00:20:08,708
FOR YOU.
418
00:20:11,043 --> 00:20:12,845
TO BE HONEST, UM,
419
00:20:12,845 --> 00:20:18,318
I'M NOT PARTICULARLY
FOND OF HOSPITALS MYSELF.
420
00:20:22,455 --> 00:20:24,457
THE TRUTH IS...
421
00:20:24,457 --> 00:20:28,461
MY DAD WENT INTO
AN EMERGENCY ROOM,
422
00:20:28,461 --> 00:20:31,731
AND I NEVER SAW HIM AGAIN.
423
00:20:37,937 --> 00:20:38,938
THAT'S HIM.
424
00:20:38,938 --> 00:20:42,709
HE LOOKS JUST LIKE ELVIS.
425
00:20:42,709 --> 00:20:45,978
HE'S THE OTHER ONE WHO
DOESN'T LOOK LIKE ELVIS.
426
00:20:45,978 --> 00:20:47,179
OH.
427
00:20:47,179 --> 00:20:49,982
HE GAVE THIS TO
ME WHEN I WAS 10.
428
00:20:49,982 --> 00:20:53,486
"MY DECITENNIAL ACCOLADE,"
HE CALLED IT.
429
00:20:53,486 --> 00:20:56,489
HE HAD A NAME FOR EVERYTHING.
430
00:20:56,489 --> 00:21:00,092
HE RAISED ME SINCE I WAS 5...
431
00:21:00,092 --> 00:21:01,828
JUST ME AND HIM.
432
00:21:01,828 --> 00:21:05,298
SO WHERE WAS YOUR
MOM THROUGH ALL THIS?
433
00:21:05,298 --> 00:21:06,999
UH, SHE SPLIT...
434
00:21:08,335 --> 00:21:10,570
PRETTY EARLY ON.
435
00:21:12,839 --> 00:21:14,674
PRESLEY'S MY MIDDLE NAME.
436
00:21:14,674 --> 00:21:19,045
HE HAD THIS THING--
MY DAD--ABOUT ELVIS.
437
00:21:19,045 --> 00:21:22,749
NOTHING WEIRD.
438
00:21:22,749 --> 00:21:27,053
HE ALWAYS WANTED TO
TAKE ME TO GRACELAND...
439
00:21:27,053 --> 00:21:30,022
BUT WE NEVER MADE IT.
440
00:21:33,660 --> 00:21:36,996
COME ON. THERE'S
SOMETHING I WANT TO DO.
441
00:21:36,996 --> 00:21:39,031
WHERE WE GOING, BABY?
442
00:21:39,031 --> 00:21:40,633
NOW, DON'T DO IT
443
00:21:40,633 --> 00:21:43,235
'CAUSE KYLE, THAT PSEUDO HICK,
TOLD YOU TO.
444
00:21:43,235 --> 00:21:45,037
IT'S A GRAND OLD
NASHVILLE TRADITION.
445
00:21:45,037 --> 00:21:48,240
I BET HE TELLS THAT
TO ALL THE GIRLS
446
00:21:48,240 --> 00:21:50,242
WHO GET OFF THE GREYHOUND BUS.
447
00:21:50,242 --> 00:21:51,644
TRADITIONS HAVE TO
START SOMEWHERE.
448
00:21:51,644 --> 00:21:53,480
LOOK OUT, MUSIC CITY,
449
00:21:53,480 --> 00:21:55,081
'CAUSE I'M HERE NOW
450
00:21:55,081 --> 00:21:56,483
AND I AIN'T NEVER LEAVING!
451
00:21:56,483 --> 00:21:59,085
THIS IS TERRIBLE. I
CANNOT WATCH THIS.
452
00:21:59,085 --> 00:22:00,487
LOOK OUT, MUSIC CITY,
453
00:22:00,487 --> 00:22:03,423
'CAUSE I'M HERE NOW
AND I AIN'T NEVER LEAVING!
454
00:22:03,423 --> 00:22:05,224
IT'S JUST SO DESPERATE.
455
00:22:05,224 --> 00:22:08,961
OH, WELL, IS THIS ALL BENEATH YOU,
MR. COOL GUY?
456
00:22:08,961 --> 00:22:11,063
IT'S NOT THAT I CAN'T DO IT.
457
00:22:11,063 --> 00:22:13,099
IN FACT,
I CAN DO IT BETTER THAN MOST.
458
00:22:13,099 --> 00:22:14,901
OH. WELL THEN.
459
00:22:14,901 --> 00:22:16,969
LOOK OUT, MUSIC CITY
460
00:22:16,969 --> 00:22:20,407
'CAUSE HERE I AM AND
I AIN'T NEVER LEAVING!
461
00:22:20,407 --> 00:22:32,852
LOOK OUT, MUSIC CITY,
462
00:22:32,852 --> 00:22:34,621
'CAUSE I'M HERE NOW
AND I AIN'T NEVER LEAVING!
463
00:22:34,621 --> 00:22:36,122
LOOK OUT, MUSIC CITY,
464
00:22:36,122 --> 00:22:39,325
'CAUSE I'M HERE NOW
AND I AIN'T NEVER LEAVING!
465
00:22:39,325 --> 00:22:42,061
NICE VIEW, ISN'T IT?
466
00:22:42,061 --> 00:22:43,463
I LIKE IT UP HERE.
467
00:22:43,463 --> 00:22:44,997
YEAH. YEAH.
468
00:22:46,733 --> 00:22:48,334
HEY, THAT'S NOT NICE.
469
00:22:48,334 --> 00:22:50,336
HE'S USUALLY NOT LIKE THAT.
470
00:22:50,336 --> 00:22:51,938
MAYBE HE'S A LITTLE JEALOUS.
471
00:22:51,938 --> 00:22:53,473
COME ON IN.
472
00:22:53,473 --> 00:22:56,075
WELL, EXCUSE ME.
473
00:22:56,075 --> 00:22:58,044
THIS IS IT.
474
00:22:58,044 --> 00:22:59,278
THIS IS MY CASA.
475
00:22:59,278 --> 00:23:02,449
IF YOU NEED ANYTHING,
YOU JUST HELP YOURSELF.
476
00:23:02,449 --> 00:23:03,850
UM, TAKE EITHER BED.
477
00:23:03,850 --> 00:23:06,453
I'VE BEEN USING THIS ONE,
BUT, UM,
478
00:23:06,453 --> 00:23:08,054
THAT ONE'S GOOD.
479
00:23:08,054 --> 00:23:09,456
HEY, BUSTER.
480
00:23:09,456 --> 00:23:11,057
OH, HIS NAME AIN'T BUSTER.
481
00:23:11,057 --> 00:23:12,459
WHAT'S HIS NAME?
482
00:23:12,459 --> 00:23:13,860
IT'S MR. DOG.
483
00:23:13,860 --> 00:23:16,863
HOW DO YOU KNOW HIS
FIRST NAME ISN'T BUSTER?
484
00:23:16,863 --> 00:23:18,264
BECAUSE HE WOULD'VE TOLD ME
485
00:23:18,264 --> 00:23:20,066
BECAUSE WE DISCUSS
PRACTICALLY EVERYTHING.
486
00:23:21,067 --> 00:23:22,469
I'LL BET THAT'S FOR ME.
487
00:23:24,804 --> 00:23:25,805
HELLO?
488
00:23:26,806 --> 00:23:28,875
HEY, MA.
489
00:23:28,875 --> 00:23:32,144
NO, I JUST GOT IN THIS SECOND.
490
00:23:33,480 --> 00:23:35,482
YEAH. NO, EVERYTHING'S FINE.
491
00:23:35,482 --> 00:23:37,484
EVERYTHING'S GREAT.
492
00:23:37,484 --> 00:23:39,486
YEAH, AS A MATTER OF FACT,
493
00:23:39,486 --> 00:23:42,755
I PASSED MY AUDITION.
494
00:23:43,490 --> 00:23:44,891
YEAH, WELL...
495
00:23:44,891 --> 00:23:47,494
WAITING FOR YOU TO TAKE A BREATH,
MA,
496
00:23:47,494 --> 00:23:50,296
SO I CAN GET A WORD IN EDGEWISE.
497
00:23:50,296 --> 00:23:54,100
YEAH, THEY SAID,
"JUST LIKE LORETTA LYNN."
498
00:23:54,100 --> 00:23:55,502
WHERE ARE YOU GOING?
499
00:23:55,502 --> 00:23:58,104
UH,
I'M JUST GOING TO THE COFFEE SHOP.
500
00:23:58,104 --> 00:23:59,672
DON'T WAIT UP.
501
00:23:59,672 --> 00:24:02,208
I SENT YOU TWO MONEY ORDERS.
502
00:24:02,208 --> 00:24:03,610
ARE YOU LISTENING TO ME?
503
00:24:03,610 --> 00:24:06,445
I'M LISTENING, MAMA.
504
00:24:06,445 --> 00:24:07,814
OH, THANKS.
505
00:24:07,814 --> 00:24:10,282
THIS STUFF'S KEEPIN' YOU AWAKE.
506
00:24:10,282 --> 00:24:11,918
THAT'S THE GENERAL IDEA.
507
00:24:11,918 --> 00:24:14,787
WHAT YOU NEED IS SLEEP, HONEY.
508
00:24:29,401 --> 00:24:32,038
HEY, UM, I WAS JUST WONDERING
509
00:24:32,038 --> 00:24:34,641
IF I GAVE YOU THE
SPARE ROOM KEY.
510
00:24:34,641 --> 00:24:36,509
YEAH, YOU DID.
511
00:24:36,509 --> 00:24:38,878
YOUR PAJAMAS HAVE FEET?
512
00:24:41,347 --> 00:24:43,282
UM...
513
00:24:43,282 --> 00:24:46,819
UH,
I UNPACKED SOME OF YOUR STUFF FOR YOU.
514
00:24:46,819 --> 00:24:49,822
I PUT YOUR T-SHIRTS
IN THE SECOND DRAWER.
515
00:24:49,822 --> 00:24:52,825
YOUR UNDERTHINGS,
I PUT THOSE IN THE TOP DRAWER,
516
00:24:52,825 --> 00:24:55,427
AND EVERYTHING ELSE
I PUT IN THE CLOSET,
517
00:24:55,427 --> 00:24:57,496
LEFT TO RIGHT, LIGHT TO DARK.
518
00:24:57,496 --> 00:24:59,498
YOU HAVE A LOT OF BLACK.
519
00:24:59,498 --> 00:25:01,601
O.K., GREAT.
520
00:25:01,601 --> 00:25:03,603
SEE, I CAN'T EVEN WEAR BLACK.
521
00:25:03,603 --> 00:25:06,205
IT JUST COMPLETELY
WASHES ME OUT.
522
00:25:06,205 --> 00:25:07,874
MMM.
523
00:25:07,874 --> 00:25:10,276
YOU AIN'T MAD AT ME, ARE YOU?
524
00:25:10,276 --> 00:25:14,480
NO. NO. I JUST, UM,
I CAME HERE TO BE ALONE
525
00:25:14,480 --> 00:25:17,016
SO I COULD GET SOME WORK DONE.
526
00:25:17,016 --> 00:25:17,884
SO, UM,
527
00:25:17,884 --> 00:25:20,653
IT'S NOTHING PERSONAL. I JUST...
528
00:25:21,788 --> 00:25:25,024
OH. OH, I'M SORRY. I'M SORRY.
529
00:25:27,994 --> 00:25:29,161
YOU KNOW,
530
00:25:29,161 --> 00:25:31,964
SOMETIMES PEOPLE
AREN'T EXACTLY THE PERSON
531
00:25:31,964 --> 00:25:33,566
YOU MIGHT THINK THEY ARE
532
00:25:33,566 --> 00:25:35,935
WHEN YOU FIRST MEET SOMEONE.
533
00:25:51,317 --> 00:25:54,053
* YOU GET PLENTY OF TOO LITTLE *
534
00:25:54,053 --> 00:25:59,258
* TOO MUCH OF
NOTHIN' AT ALL... *
535
00:25:59,258 --> 00:26:03,129
IF IT AIN'T LITTLE MISS
"GETTIN' MY OWN BIG BAR HAIR."
536
00:26:03,129 --> 00:26:05,197
I'M WORKIN' ON THAT LINE.
537
00:26:05,197 --> 00:26:06,565
UH, IS LUCY AROUND?
538
00:26:06,565 --> 00:26:10,169
YOU MUST BE HERE TO SEE
ABOUT THE WAITRESS JOB.
539
00:26:10,169 --> 00:26:12,772
I'M NOT A WAITRESS.
I'M A WRITER.
540
00:26:12,772 --> 00:26:14,774
I CAN'T TELL THE
DIFFERENCE ANYMORE.
541
00:26:14,774 --> 00:26:16,175
LUCY, COME ON OUT HERE.
542
00:26:16,175 --> 00:26:18,377
O.K., JUST A MINUTE. I'M COMIN'.
543
00:26:18,377 --> 00:26:19,679
YOU CAN CALL ME FLOYD.
544
00:26:19,679 --> 00:26:20,780
HI. MIRANDA.
545
00:26:20,780 --> 00:26:23,182
I KIND OF HELP RUN THIS PLACE.
546
00:26:23,182 --> 00:26:24,917
WELL, MIRANDA PRESLEY,
NO RELATION.
547
00:26:24,917 --> 00:26:26,919
WHAT CAN I DO FOR YOU?
548
00:26:26,919 --> 00:26:28,921
SHE'S HERE ABOUT DARCY'S JOB.
549
00:26:28,921 --> 00:26:31,323
DARCY QUIT WHEN SHE GOT A JOB
550
00:26:31,323 --> 00:26:32,925
WITH RODNEY CROWELL
SINGIN' BACKUP.
551
00:26:32,925 --> 00:26:34,526
SHE MET HIM RIGHT HERE.
552
00:26:34,526 --> 00:26:35,795
SLIPPED HIM A TAPE,
553
00:26:35,795 --> 00:26:37,329
WHICH IS AGAINST THE RULES.
554
00:26:37,329 --> 00:26:39,932
WELL,
I AM HERE TO SEE YOU, LUCY.
555
00:26:39,932 --> 00:26:41,934
SURE. FLOYD, I'M GOING TO NEED
556
00:26:41,934 --> 00:26:44,170
THAT FRYER WORKIN' BY TONIGHT,
NOW.
557
00:26:44,170 --> 00:26:46,372
HAVE I EVER LET YOU DOWN?
558
00:26:46,372 --> 00:26:48,240
REPEATEDLY.
559
00:26:48,240 --> 00:26:51,678
I WANTED TO ASK YOU
ABOUT MY AUDITION.
560
00:26:51,678 --> 00:26:54,080
YOU WANT TO KNOW WHAT I THOUGHT
561
00:26:54,080 --> 00:26:55,682
WAS WRONG WITH YOUR SONG?
562
00:26:55,682 --> 00:26:57,684
OR WHAT YOU LIKED ABOUT IT.
563
00:26:57,684 --> 00:26:59,085
THAT WOULD BE O.K., TOO.
564
00:26:59,085 --> 00:27:01,888
WELL,
I THOUGHT YOUR MELODY WAS REAL NICE.
565
00:27:01,888 --> 00:27:03,589
YOU'RE A GOOD PERFORMER, HON.
566
00:27:03,589 --> 00:27:06,392
YOU LOOKED RIGHT
AT HOME ON STAGE.
567
00:27:06,392 --> 00:27:07,626
BUT...
568
00:27:07,626 --> 00:27:11,097
WELL,
YOUR SONG IS A NOVELTY SONG,
569
00:27:11,097 --> 00:27:14,701
AND MAYBE YOU NEED
TO DIG IN A LITTLE DEEPER.
570
00:27:14,701 --> 00:27:16,869
LET ME SHOW YOU SOMETHING.
571
00:27:16,869 --> 00:27:18,905
YOU KNOW WHAT'S IN HERE?
572
00:27:18,905 --> 00:27:21,540
THESE ARE ALL REALLY GREAT SONGS
573
00:27:21,540 --> 00:27:23,375
THAT WERE SUNG HERE FIRST.
574
00:27:23,375 --> 00:27:24,911
THEY'RE NOT ALL HITS,
575
00:27:24,911 --> 00:27:27,179
BUT THEY'RE REALLY
SPECIAL SONGS.
576
00:27:27,179 --> 00:27:29,381
SOME OF 'EM TOOK 10 MINUTES,
577
00:27:29,381 --> 00:27:30,783
SOME TOOK 10 YEARS,
578
00:27:30,783 --> 00:27:33,786
BUT EVERY ONE OF THESE
WRITERS FOUND A WAY
579
00:27:33,786 --> 00:27:36,655
TO SAY SOMETHING THAT
MEANT SOMETHING TO 'EM.
580
00:27:36,655 --> 00:27:39,058
YOU KNOW,
COUNTRY MUSIC TRIES ITS BEST
581
00:27:39,058 --> 00:27:41,260
TO BE HONEST WITH ITSELF,
582
00:27:41,260 --> 00:27:42,762
AND WHEN IT'S SAD,
583
00:27:42,762 --> 00:27:44,663
IT SAYS IT'S SAD.
584
00:27:46,398 --> 00:27:48,267
O.K.
585
00:27:48,267 --> 00:27:49,836
THANKS, LUCY.
586
00:27:51,370 --> 00:27:53,973
LISTEN, MIRANDA,
I KNOW YOU'RE NOT INTERESTED
587
00:27:53,973 --> 00:27:55,474
IN THIS WAITRESS JOB.
588
00:27:55,474 --> 00:27:56,876
IF YOU CHANGE YOUR MIND,
589
00:27:56,876 --> 00:27:58,244
THE HOURS ARE 4:00 TO CLOSING,
590
00:27:58,244 --> 00:28:01,948
AND NO PASSING TAPES
TO THE CUSTOMERS.
591
00:28:07,386 --> 00:28:08,687
EXCUSE ME.
592
00:28:08,687 --> 00:28:11,290
DID I THANK YOU FOR BRINGING
GLAMOR AND EXCITEMENT
593
00:28:11,290 --> 00:28:12,558
INTO MY DREARY LIFE?
594
00:28:12,558 --> 00:28:14,593
I NEED A LIFE.
595
00:28:14,593 --> 00:28:16,028
LOOK AT THIS.
596
00:28:16,028 --> 00:28:17,997
THIS GUY WANTS ME TO
STRIP AT HIS OFFICE PARTY.
597
00:28:17,997 --> 00:28:20,699
DON'T DO IT,
DARLING. THEY'RE GOING BANKRUPT.
598
00:28:20,699 --> 00:28:21,934
GOOD REASON.
599
00:28:21,934 --> 00:28:23,135
THIS SONG'S CALLED
600
00:28:23,135 --> 00:28:26,438
LONE STAR STATE OF MINE.
601
00:28:26,438 --> 00:28:28,908
* THE MORE I HURT *
602
00:28:28,908 --> 00:28:30,843
* THE LESS I FEEL *
603
00:28:30,843 --> 00:28:33,012
* THE MORE I KNOW *
604
00:28:33,012 --> 00:28:36,648
* THE LESS I REST IN THIS *
605
00:28:36,648 --> 00:28:38,985
* LONE STAR *
606
00:28:38,985 --> 00:28:43,189
* STATE OF MINE *
607
00:28:45,424 --> 00:28:47,794
* THE MORE I HURT *
608
00:28:47,794 --> 00:28:50,062
* THE LESS I FEEL *
609
00:28:50,062 --> 00:28:52,331
* THE MORE I KNOW *
610
00:28:52,331 --> 00:28:55,835
* THE LESS I REST IN THIS *
611
00:28:55,835 --> 00:28:58,004
* LONE STAR *
612
00:28:58,004 --> 00:29:01,240
* STATE OF MINE *
613
00:29:03,675 --> 00:29:06,578
* SAY IT STRAIGHT, DON'T *
614
00:29:06,578 --> 00:29:08,881
* BEND MY EAR *
615
00:29:08,881 --> 00:29:10,716
* WHEN I'M WALKIN' LOST *
616
00:29:10,716 --> 00:29:13,119
* IN OUR EVENING AIR, YOU *
617
00:29:13,119 --> 00:29:15,988
* TWO-STEP INTO MY *
618
00:29:15,988 --> 00:29:18,324
* IDLE HOME *
619
00:29:18,324 --> 00:29:20,793
* TEARIN' MY SONG ALL UP WITH *
620
00:29:20,793 --> 00:29:23,129
* MINOR CHORDS NOW *
621
00:29:23,129 --> 00:29:24,964
* THE MORE I SULK *
622
00:29:24,964 --> 00:29:27,867
* THE LESS I WORK *
623
00:29:27,867 --> 00:29:30,002
* THAT CAN'T BE GOOD FOR SOME *
624
00:29:30,002 --> 00:29:31,403
* BOY OUT OF LUCK *
625
00:29:31,403 --> 00:29:33,873
* OUT OF TOUCH, OUT OF LUST *
626
00:29:33,873 --> 00:29:35,141
* OUT OF SOUL *
627
00:29:35,141 --> 00:29:37,343
* AND OUT OF SONG *
628
00:29:42,014 --> 00:29:43,649
* THE MORE I HURT *
629
00:29:43,649 --> 00:29:46,785
* THE LESS I FEEL *
630
00:29:48,320 --> 00:29:49,455
HEY.
631
00:29:49,455 --> 00:29:51,323
YOU PLAY A MEAN CELLO.
632
00:29:51,323 --> 00:29:52,258
THANKS.
633
00:29:52,258 --> 00:29:54,861
IT'S JUST A BIG MANDOLIN,
REALLY.
634
00:29:54,861 --> 00:29:58,064
HEY,
HOW--HOW DO YOU LIKE NASHVILLE SO FAR?
635
00:29:58,064 --> 00:29:59,765
I'M WRITING A SONG
636
00:29:59,765 --> 00:30:02,568
ABOUT A WAITRESS
WHO KILLS HERSELF.
637
00:30:02,568 --> 00:30:05,071
YEAH, IT'S--IT'S-- IT'S TOUGH.
638
00:30:05,071 --> 00:30:08,474
WHEN I FIRST CAME HERE,
I WENT TO THE ROOF
639
00:30:08,474 --> 00:30:11,077
AND TOLD THE WHOLE
TOWN I'M NOT LEAVING.
640
00:30:11,077 --> 00:30:13,679
YOU REALLY DID THAT? I DID, TOO.
641
00:30:13,679 --> 00:30:15,581
I KNOW. I HEARD YOU.
642
00:30:15,581 --> 00:30:17,083
THE WHOLE HOSPITAL HEARD YOU.
643
00:30:17,083 --> 00:30:20,286
IN FACT,
THAT'S MY FAVORITE THING ABOUT YOU SO FAR.
644
00:30:20,286 --> 00:30:21,453
YEAH?
645
00:30:21,453 --> 00:30:22,554
WELL, UM,
646
00:30:22,554 --> 00:30:24,223
I'M GONNA...
647
00:30:29,095 --> 00:30:31,697
JAMES,
TRUST IS LIKE AN ICE CUBE--
648
00:30:31,697 --> 00:30:33,099
ONCE IT MELTS, IT'S GONE.
649
00:30:33,099 --> 00:30:35,701
SO IN THAT REGARD,
I'VE HEARD SOME THINGS.
650
00:30:35,701 --> 00:30:37,569
YOU'RE SPEAKING OF R.C. ROBERTS.
651
00:30:37,569 --> 00:30:38,971
WE HAD OUR TROUBLES--
652
00:30:38,971 --> 00:30:40,973
I HEARD YOU KNOCKED HIM OUT.
653
00:30:40,973 --> 00:30:43,876
YES, I KNOCKED HIM-- NO,
I DIDN'T.
654
00:30:43,876 --> 00:30:45,677
I HIT HIM, BUT YOU KNOW--
655
00:30:45,677 --> 00:30:48,347
DID YOU SIGN A CONTRACT
WITH R.C. ROBERTS?
656
00:30:48,347 --> 00:30:49,281
NO.
657
00:30:49,281 --> 00:30:51,050
I WOULD HAVE PASSED ON ELVIS
658
00:30:51,050 --> 00:30:53,052
IF HE HIT SOMEBODY. KNOW WHY?
659
00:30:53,052 --> 00:30:54,653
'CAUSE I CAN.
660
00:30:54,653 --> 00:30:56,055
YEAH, WELL, THAT'S GOOD.
661
00:30:56,055 --> 00:30:58,757
NOW,
IT'S NOT THAT I'M DISINTERESTED.
662
00:30:58,757 --> 00:30:59,758
UNDERSTOOD.
663
00:30:59,758 --> 00:31:01,527
UM, YOU'RE JAMES, RIGHT?
664
00:31:01,527 --> 00:31:02,428
YES, MA'AM.
665
00:31:02,428 --> 00:31:05,031
THIS A&R GUY HAD TO LEAVE,
666
00:31:05,031 --> 00:31:07,633
BUT HE WANTS YOU TO
CALL HIM TOMORROW.
667
00:31:07,633 --> 00:31:09,035
WELL, THANK YOU, DEAR.
668
00:31:09,035 --> 00:31:10,569
YOU'VE HEARD MY MUSIC.
669
00:31:10,569 --> 00:31:11,971
YOU KNOW WHAT IT'S ABOUT.
670
00:31:11,971 --> 00:31:13,973
IF YOU HAVE ANY INTEREST, CALL.
671
00:31:13,973 --> 00:31:16,342
WHY WOULD I NOT BE INTERESTED?
672
00:31:16,342 --> 00:31:19,545
WELL, NOW, I, UH,
AM INTERESTED, YES.
673
00:31:19,545 --> 00:31:20,512
VERY INTERESTED.
674
00:31:20,512 --> 00:31:22,114
CALL YOU FIRST THING TOMORROW.
675
00:31:22,114 --> 00:31:23,749
FIRST THING. GOT IT?
676
00:31:23,749 --> 00:31:25,117
DOUG SISKIN. FIRST THING.
677
00:31:25,117 --> 00:31:27,119
THANK YOU. THANK YOU SO MUCH.
678
00:31:27,119 --> 00:31:28,921
WELL, FORGET ABOUT IT.
679
00:31:28,921 --> 00:31:30,923
I'M NOT GOING TO FORGET IT.
680
00:31:30,923 --> 00:31:32,324
IN FACT, I OWE YOU.
681
00:31:32,324 --> 00:31:33,926
IF YOU REALLY MEAN THAT,
682
00:31:33,926 --> 00:31:35,694
I KNOW WHAT I WANT.
683
00:31:35,694 --> 00:31:36,929
WHAT'S THAT?
684
00:31:36,929 --> 00:31:39,331
HOW ABOUT WE WRITE
A SONG TOGETHER?
685
00:31:39,331 --> 00:31:42,368
O.K. WELL,
LET'S GO TO THE MOVIES, THEN.
686
00:31:42,368 --> 00:31:43,235
THE MOVIES?
687
00:31:43,235 --> 00:31:45,671
I DON'T WANT TO
GO TO THE MOVIES.
688
00:31:45,671 --> 00:31:47,139
* COME ON, BABY *
689
00:31:47,139 --> 00:31:49,141
I WANT TO WRITE A SONG.
690
00:31:49,141 --> 00:31:52,711
SO WHAT'S THIS MOVIE ABOUT?
691
00:31:52,711 --> 00:31:55,181
THE OLDEST STORY IN THE BOOK--
692
00:31:55,181 --> 00:31:56,715
TWO GUYS AND A GIRL.
693
00:31:56,715 --> 00:31:59,518
JOHN WAYNE AND JAMES
STEWART AND VERA MILES.
694
00:31:59,518 --> 00:32:00,819
WHAT HAPPENS?
695
00:32:00,819 --> 00:32:02,754
WELL, LET'S SEE.
696
00:32:02,754 --> 00:32:06,158
* OH, JOHN AND JIMMY *
697
00:32:06,158 --> 00:32:08,527
* THEY BOTH LOVED MISS VERA *
698
00:32:09,828 --> 00:32:11,463
* NOW YOU KNOW IN TIME *
699
00:32:11,463 --> 00:32:15,434
* SOMETHING'S
BOUND TO GO WRONG *
700
00:32:16,802 --> 00:32:21,040
* THEY LOVE THE SAME GIRL *
701
00:32:21,040 --> 00:32:25,444
* BUT SHE'S UNDECIDED *
702
00:32:25,444 --> 00:32:28,180
* LOOKS LIKE JOHNNY AND JIMMY *
703
00:32:28,180 --> 00:32:35,321
* WILL FIGHT BEFORE LONG *
704
00:32:35,321 --> 00:32:37,356
* THE WORLD GOES AROUND *
705
00:32:37,356 --> 00:32:42,294
* AND WE'RE ON IT REGARDLESS *
706
00:32:42,294 --> 00:32:45,331
* SOMETIMES IT'S WARM *
707
00:32:45,331 --> 00:32:49,668
* SOMETIMES COLD AND HEARTLESS *
708
00:32:49,668 --> 00:32:51,270
YES.
709
00:32:52,904 --> 00:32:55,474
* WE ALL HAVE SOMETHIN' *
710
00:32:55,474 --> 00:33:00,479
* THAT WE'RE IN SEARCH OF *
711
00:33:03,082 --> 00:33:06,152
* A DREAM COMIN' TRUE *
712
00:33:07,186 --> 00:33:11,357
* LIFE FULL OF LOVE *
713
00:33:11,357 --> 00:33:12,958
OH, THAT'S DAMN GOOD.
714
00:33:12,958 --> 00:33:13,959
NO.
715
00:33:13,959 --> 00:33:14,960
IT'S GOOD.
716
00:33:14,960 --> 00:33:16,628
ALL RIGHT, IT'S GOOD.
717
00:33:27,039 --> 00:33:29,508
THAT DOOR SOMETIMES STICKS.
718
00:33:30,576 --> 00:33:33,679
HERE, LET ME HELP YOU WITH THAT.
719
00:34:19,491 --> 00:34:22,294
I SHOULD CALL YOU SOMETIME.
720
00:34:25,631 --> 00:34:27,833
YEAH, YOU SHOULD.
721
00:34:28,900 --> 00:34:30,569
GOOD NIGHT, MOODY.
722
00:34:48,019 --> 00:34:49,788
SHH.
723
00:34:49,788 --> 00:34:51,690
SHH!
724
00:34:51,690 --> 00:34:52,991
LUE, WAKE UP.
725
00:34:52,991 --> 00:34:54,193
I'M AWAKE.
726
00:34:54,193 --> 00:34:56,195
THERE'S A MAN OUTSIDE THE ROOM.
727
00:34:56,195 --> 00:34:57,796
OH, IT'S PROBABLY BILLY.
728
00:34:57,796 --> 00:34:58,930
WHO'S BILLY?
729
00:34:58,930 --> 00:35:00,332
WE HAD A DATE.
730
00:35:00,332 --> 00:35:01,533
HE'S NOT REAL BRIGHT,
731
00:35:01,533 --> 00:35:04,403
BUT HE PLAYS REAL GOOD GUITAR.
732
00:35:05,937 --> 00:35:07,939
YEP, THAT'S BILLY.
733
00:35:07,939 --> 00:35:10,342
DOESN'T BILLY HAVE A HOME?
734
00:35:10,342 --> 00:35:13,345
YEAH. IT'S JUST WHEN HE
DROPPED ME OFF TONIGHT,
735
00:35:13,345 --> 00:35:16,215
I TOLD HIM I WASN'T
SLEEPING WITH HIM.
736
00:35:16,215 --> 00:35:18,817
BASICALLY,
I'VE DECIDED THAT THE ROAD TO LOVE
737
00:35:18,817 --> 00:35:20,219
IS A ONE-WAY STREET,
738
00:35:20,219 --> 00:35:22,621
AND SEX AIN'T NOTHIN'
BUT A ROADBLOCK.
739
00:35:22,621 --> 00:35:25,624
HE SAYS HE'LL SLEEP
THERE TO BE NEAR ME,
740
00:35:25,624 --> 00:35:28,227
AND I SAY GO AHEAD,
CATCH A COLD.
741
00:35:28,227 --> 00:35:30,996
HE ENDED UP DOING
IT. ISN'T THAT NICE?
742
00:35:30,996 --> 00:35:32,231
HMM.
743
00:35:32,231 --> 00:35:33,632
OH, SPEAKING OF NICE,
744
00:35:33,632 --> 00:35:35,834
LOOK WHAT ELSE HE GAVE ME.
745
00:35:35,834 --> 00:35:36,902
WHAT'S THAT?
746
00:35:36,902 --> 00:35:38,170
THIS.
747
00:35:40,005 --> 00:35:41,540
MISS NASHVILLE PAGEANT.
748
00:35:41,540 --> 00:35:43,542
MM-HMM. THERE'S PRIZES
AND SCHOLARSHIPS,
749
00:35:43,542 --> 00:35:45,544
AND THE FINALIST GETS TO GO
750
00:35:45,544 --> 00:35:48,046
TO THE MISS TENNESSEE
PAGEANT IN JACKSON.
751
00:35:48,046 --> 00:35:49,415
WHAT DO YOU THINK?
752
00:35:49,415 --> 00:35:52,418
I THINK I DON'T WANT
TO BE MISS NASHVILLE.
753
00:35:52,418 --> 00:35:55,421
OF COURSE YOU DON'T
WANT TO BE MISS NASHVILLE.
754
00:35:55,421 --> 00:35:59,225
YOU ALREADY KNOW WHAT
YOU WANT TO DO WITH YOUR LIFE.
755
00:35:59,225 --> 00:36:00,426
YOU'RE LUCKY.
756
00:36:00,426 --> 00:36:02,661
WHAT'D YOU END UP DOING TONIGHT?
757
00:36:04,396 --> 00:36:07,098
I, UH, WENT OUT WITH JAMES.
758
00:36:07,098 --> 00:36:08,434
REALLY?
759
00:36:08,434 --> 00:36:10,369
HOW'D THAT TURN OUT?
760
00:36:11,737 --> 00:36:13,405
IT WAS INTERESTING.
761
00:36:13,405 --> 00:36:15,807
INTERESTING, HUH?
762
00:36:15,807 --> 00:36:18,810
YOU GOING TO END UP
STAYING UP ALL NIGHT
763
00:36:18,810 --> 00:36:22,614
IN THAT STUPID
DINER WRITING SONGS?
764
00:36:22,614 --> 00:36:23,949
MIRANDA?
765
00:36:25,116 --> 00:36:27,018
HMM?
766
00:36:27,018 --> 00:36:29,020
UH...
767
00:36:29,020 --> 00:36:30,822
YEAH.
768
00:36:47,239 --> 00:36:49,241
HEY.
769
00:36:49,241 --> 00:36:50,509
HEY.
770
00:36:54,380 --> 00:36:57,383
WELL,
I'M WORKING ON A SONG ABOUT INSOMNIA.
771
00:36:57,383 --> 00:36:59,351
WHAT'S YOUR EXCUSE?
772
00:37:01,687 --> 00:37:03,255
BREAKFAST?
773
00:37:03,255 --> 00:37:04,590
DESSERT.
774
00:37:06,858 --> 00:37:09,661
I'VE MANAGED TO GET
STUDIO TIME TOMORROW
775
00:37:09,661 --> 00:37:10,929
AT 2:30.
776
00:37:10,929 --> 00:37:11,963
A.M.?
777
00:37:11,963 --> 00:37:12,898
YEAH.
778
00:37:12,898 --> 00:37:13,765
GREAT.
779
00:37:13,765 --> 00:37:15,367
GOOD. I'LL PICK YOU UP.
780
00:37:15,367 --> 00:37:16,635
ALL RIGHT.
781
00:37:18,203 --> 00:37:19,871
WHY DIDN'T YOU CALL?
782
00:37:21,239 --> 00:37:22,308
WHEN?
783
00:37:22,308 --> 00:37:25,010
NOW. ABOUT SINGIN' ON THE DEMO.
784
00:37:31,583 --> 00:37:33,184
UH...
785
00:37:33,184 --> 00:37:36,288
I WANTED TO SEE YOU...AGAIN.
786
00:37:38,924 --> 00:37:39,991
OH.
787
00:37:48,133 --> 00:37:49,468
O.K.
788
00:37:52,037 --> 00:37:53,305
GOOD NIGHT.
789
00:37:54,039 --> 00:37:56,375
GOOD MORNING.
790
00:37:56,375 --> 00:37:57,776
I'M GOING TO GO WRITE
791
00:37:57,776 --> 00:37:59,678
SOME MORE OF THOSE GOOD SONGS.
792
00:37:59,678 --> 00:38:02,948
YEAH, WRITE A GOOD ONE FOR ME.
793
00:38:03,949 --> 00:38:05,951
I WRITE THEM ABOUT YOU.
794
00:38:15,827 --> 00:38:18,697
YOU'RE GOING TO NEED
MORE MARSHMALLOWS.
795
00:38:20,131 --> 00:38:21,400
LUE?
796
00:38:22,401 --> 00:38:23,869
LINDA LUE.
797
00:38:25,203 --> 00:38:26,672
OH, MR. BUSTER DOG,
798
00:38:26,672 --> 00:38:29,240
THE ONLY UNFRIENDLY
CREATURE IN ALL OF NASHVILLE.
799
00:38:29,240 --> 00:38:30,676
MISS LINDA LUE LINDEN,
800
00:38:30,676 --> 00:38:34,279
IF YOU HAD TO CHANGE
ONE THING ABOUT THE U.S.,
801
00:38:34,279 --> 00:38:35,814
WHAT WOULD THAT BE?
802
00:38:35,814 --> 00:38:38,350
WELL, BOB,
I JUST THINK AMERICA'S
803
00:38:38,350 --> 00:38:41,353
THE MOST WONDERFUL
PLACE IN THE WORLD.
804
00:38:41,353 --> 00:38:42,754
YOU LOOK GREAT!
805
00:38:42,754 --> 00:38:44,890
I FIGURE IF I WIN
MISS NASHVILLE,
806
00:38:44,890 --> 00:38:47,292
I CAN FINALLY EXPRESS
MY NATURAL TALENT.
807
00:38:47,292 --> 00:38:48,494
YEAH, SURE.
808
00:38:48,494 --> 00:38:51,029
YOUR BOYFRIEND LOOKS
A LITTLE OVERCOOKED.
809
00:38:51,029 --> 00:38:53,298
HE'S GETTING SCORCHED.
810
00:38:53,298 --> 00:38:55,133
HONEY. OUCH.
811
00:38:55,133 --> 00:38:56,735
SHOULD WE TURN HIM OVER?
812
00:38:56,735 --> 00:38:57,836
YEAH.
813
00:38:57,836 --> 00:39:00,439
YOU KNOW, MIRANDA,
YOU MAY NOT KNOW THIS
814
00:39:00,439 --> 00:39:03,375
SINCE YOU'RE ASLEEP DURING
MOST OF MY WAKING HOURS,
815
00:39:03,375 --> 00:39:05,777
BUT I'VE BEEN HAVING
SOME SERIOUS DOUBTS
816
00:39:05,777 --> 00:39:07,979
ABOUT MY CAREER AS A SONGWRITER.
817
00:39:07,979 --> 00:39:08,980
I MEAN--
818
00:39:08,980 --> 00:39:10,382
HOLD IT. LIFT.
819
00:39:10,382 --> 00:39:12,784
I'LL NEVER BE AS GOOD AS YOU,
820
00:39:12,784 --> 00:39:14,986
AND YOU'RE NOT EVEN
GETTIN' ANYWHERE.
821
00:39:14,986 --> 00:39:16,321
THANKS.
822
00:39:16,321 --> 00:39:18,957
NO, I DIDN'T-- YOU KNOW.
823
00:39:18,957 --> 00:39:20,759
I KNOW.
824
00:39:20,759 --> 00:39:22,794
YOU REALLY DO LOOK BEAUTIFUL.
825
00:39:22,794 --> 00:39:23,729
REALLY?
826
00:39:23,729 --> 00:39:25,263
YOU SURE EVERYTHING'S ENOUGH,
827
00:39:25,263 --> 00:39:26,364
LIKE THE--
828
00:39:26,364 --> 00:39:27,966
OH, IT'S DEFINITELY ENOUGH.
829
00:39:27,966 --> 00:39:29,367
IN FACT, UH,
830
00:39:29,367 --> 00:39:31,403
WHAT DID YOU DO,
831
00:39:31,403 --> 00:39:33,204
FOLLOW SOME BEAUTY
QUEEN HANDBOOK
832
00:39:33,204 --> 00:39:37,308
ON, UH,
USING ALL YOUR MAKEUP THAT YOU OWN?
833
00:39:37,308 --> 00:39:38,309
MM-MMM.
834
00:39:38,309 --> 00:39:39,478
SPIT.
835
00:39:40,479 --> 00:39:41,947
THANK YOU.
836
00:39:41,947 --> 00:39:43,381
SO, UM,
837
00:39:43,381 --> 00:39:44,883
HAS HE CALLED YET?
838
00:39:44,883 --> 00:39:47,686
I DON'T KNOW. HAS HE CALLED YET?
839
00:39:47,686 --> 00:39:48,687
UH-UH.
840
00:39:48,687 --> 00:39:49,855
SPIT.
841
00:39:49,855 --> 00:39:50,922
HE WILL.
842
00:39:50,922 --> 00:39:54,526
IF HE DOESN'T,
HE'S JUST A BIG OL' DUTY-HEAD.
843
00:39:54,526 --> 00:39:56,628
GOD, YOUR SKIN IS SO LUMINOUS
844
00:39:56,628 --> 00:39:58,464
UNDERNEATH ALL THIS GUNK.
845
00:39:58,464 --> 00:40:01,500
YOU KNOW,
YOU'RE MY VERY BEST FRIEND,
846
00:40:01,500 --> 00:40:02,901
YOU KNOW THAT?
847
00:40:02,901 --> 00:40:05,904
THAT'S 'CAUSE YOU'RE SUCH A SAP,
LUE.
848
00:40:05,904 --> 00:40:07,506
CHICKEN AND MARSHMALLOWS
849
00:40:07,506 --> 00:40:09,508
IS COMPLETELY DIFFERENT.
850
00:40:11,443 --> 00:40:13,211
HE'S SO RETARDED.
851
00:40:13,211 --> 00:40:15,313
* I WAS BORN TO RAMBLE *
852
00:40:15,313 --> 00:40:17,649
* I WAS BORN TO STRAY *
853
00:40:17,649 --> 00:40:19,851
* LIKE A ROLLIN' STONE *
854
00:40:19,851 --> 00:40:22,988
* DOWN THE LOST HIGHWAY *
855
00:40:22,988 --> 00:40:25,924
HO. WHOA.
856
00:40:27,425 --> 00:40:30,195
I REALIZE IT'S GETTIN' LATE.
857
00:40:30,195 --> 00:40:33,799
GOT AN IDEA PERTAINING
TO THE ENDING.
858
00:40:33,799 --> 00:40:35,801
LET'S LEAVE OFF THAT LAST CHORD.
859
00:40:35,801 --> 00:40:37,402
LET'S END ON THE THREE.
860
00:40:37,402 --> 00:40:38,904
TAKE OUT THE ANTICIPATION?
861
00:40:38,904 --> 00:40:40,572
TAKE OUT THE
ANTICIPATION. EXACTLY.
862
00:40:40,572 --> 00:40:42,373
DON'T RESOLVE IT?
863
00:40:42,373 --> 00:40:43,408
NO RESOLVE.
864
00:40:43,408 --> 00:40:44,810
LET'S TRY IT.
865
00:40:44,810 --> 00:40:47,412
WHERE DO YOU WANT
TO TAKE IT FROM?
866
00:40:47,412 --> 00:40:49,180
THE LAST THREE.
867
00:40:51,149 --> 00:40:53,451
1...2...3.
868
00:40:53,451 --> 00:40:55,587
* LIKE A ROLLIN' STONE *
869
00:40:55,587 --> 00:40:57,823
* DOWN THE LOST HIGHWAY *
870
00:40:57,823 --> 00:40:59,958
* LIKE A ROLLIN' STONE *
871
00:40:59,958 --> 00:41:01,727
* DOWN THE LOST HIGHWAY *
872
00:41:01,727 --> 00:41:04,563
IT'S RIGHT HERE. BRING IT DOWN.
873
00:41:05,597 --> 00:41:07,566
YEAH, MAN.
874
00:41:07,566 --> 00:41:10,135
YEAH, MAN.
875
00:41:11,102 --> 00:41:13,271
HEY, LET'S GO.
876
00:41:13,271 --> 00:41:15,040
OKAY.
877
00:41:15,941 --> 00:41:20,011
ONE, TWO, ONE, TWO, THREE...
878
00:41:21,980 --> 00:41:25,283
I LEARNED WHAT SARCASM WAS.
879
00:41:25,283 --> 00:41:28,887
UH, MY BROTHERS AND I WERE
MAKING MODEL AIRPLANES,
880
00:41:28,887 --> 00:41:33,491
AND I SPILLED A LITTLE
RED BOTTLE OF PAINT,
881
00:41:33,491 --> 00:41:35,360
AND MY BROTHER SEAN SAYS,
882
00:41:35,360 --> 00:41:36,762
"KYLE, THANK YOU.
883
00:41:36,762 --> 00:41:38,897
THANK YOU, KYLE."
884
00:41:38,897 --> 00:41:41,432
I COULDN'T FIGURE
OUT WHAT HE MEANT
885
00:41:41,432 --> 00:41:43,769
FOR THE LIFE OF ME.
886
00:41:44,903 --> 00:41:48,907
SARCASM WAS
IMPORTANT IN MY FAMILY,
887
00:41:48,907 --> 00:41:52,177
BUT, SEE,
THAT'S WHAT'S GOOD ABOUT COUNTRY MUSIC.
888
00:41:52,177 --> 00:41:53,579
THERE'S NO SARCASM.
889
00:41:53,579 --> 00:41:55,213
IT'S JUST STRAIGHTFORWARD.
890
00:41:55,213 --> 00:41:58,717
MAKES YOU LAUGH
OR CRY. THAT'S IT.
891
00:42:01,687 --> 00:42:03,088
OH, I DON'T KNOW.
892
00:42:03,088 --> 00:42:06,024
I REALIZE I DON'T REALLY
BELONG IN NASHVILLE,
893
00:42:06,024 --> 00:42:07,525
BUT, UM...
894
00:42:08,493 --> 00:42:11,096
THAT'S WHY I TRY SO HARD.
895
00:42:12,598 --> 00:42:13,599
ME, TOO.
896
00:42:18,403 --> 00:42:20,238
WELL, MUCH OBLIGED, STEPHEN.
897
00:42:21,607 --> 00:42:24,776
I OWE YOU, WHAT, 20 MINUTES?
898
00:42:24,776 --> 00:42:27,378
NO. NEXT TIME I GO FIRST.
899
00:42:27,378 --> 00:42:28,980
IT'S THAT SIMPLE.
900
00:42:28,980 --> 00:42:29,981
HI.
901
00:42:29,981 --> 00:42:31,049
HEY, HEY.
902
00:42:32,784 --> 00:42:35,654
WHAT'S THE STORY
WITH YOU AND JAMES?
903
00:42:35,654 --> 00:42:37,656
I'D BE CURIOUS TO KNOW MYSELF.
904
00:42:37,656 --> 00:42:41,660
* CAN'T UNDERSTAND *
905
00:42:41,660 --> 00:42:46,598
* WHY YOU LEFT MY LOVE BEHIND *
906
00:42:46,598 --> 00:42:50,068
* CAN'T UNDERSTAND *
907
00:42:50,068 --> 00:42:55,707
* BUT I'LL LOVE YOU
TILL THE END OF TIME *
908
00:42:55,707 --> 00:43:00,311
* I SEARCH MY MEMORY *
909
00:43:00,311 --> 00:43:04,916
* FOR THE REASON
YOU DON'T LOVE ME... *
910
00:43:04,916 --> 00:43:07,585
KNOW WHO WOULD BE
GREAT FOR THIS SONG?
911
00:43:07,585 --> 00:43:08,720
TRISHA YEARWOOD.
912
00:43:08,720 --> 00:43:10,321
AND I KNOW HER.
913
00:43:10,321 --> 00:43:11,156
YEAH?
914
00:43:11,156 --> 00:43:12,123
WELL, YEAH.
915
00:43:12,123 --> 00:43:14,726
I DELIVERED A PIZZA
TO HER HOUSE ONCE.
916
00:43:14,726 --> 00:43:17,328
YOU SHOULD GIVE THIS TO HER.
917
00:43:17,328 --> 00:43:18,329
YEAH, RIGHT.
918
00:43:18,329 --> 00:43:19,731
THIS SONG IS BETTER
919
00:43:19,731 --> 00:43:21,733
THAN MOST STUFF ON THE RADIO.
920
00:43:21,733 --> 00:43:23,134
YOU ALWAYS THINK THAT
921
00:43:23,134 --> 00:43:25,536
WHEN YOU'RE THE ONLY
ONE THAT'S HEARD IT.
922
00:43:25,536 --> 00:43:28,740
I JUST GOT TWO WORDS FOR YOU,
KYLE DAVIDSON.
923
00:43:28,740 --> 00:43:29,741
YEAH? WHAT?
924
00:43:29,741 --> 00:43:31,109
NO WONDER.
925
00:43:32,243 --> 00:43:33,979
NO WONDER.
926
00:43:35,681 --> 00:43:38,583
NO WONDER WHAT? WHAT?
927
00:43:38,583 --> 00:43:39,985
WHAT DO YOU THINK?
928
00:43:39,985 --> 00:43:42,988
WHAT,
THAT I STILL WORK IN A RECORD STORE,
929
00:43:42,988 --> 00:43:44,389
THAT I'M JUST ANOTHER GUY
930
00:43:44,389 --> 00:43:47,993
THAT NEVER DID WHAT HE
SAID HE WAS GOING TO DO?
931
00:43:47,993 --> 00:43:50,395
I SIT AROUND. I PLAY AROUND.
932
00:43:50,395 --> 00:43:52,698
I NEVER GET AROUND TO
PUTTING MY STUFF OUT.
933
00:43:52,698 --> 00:43:54,265
YOU'RE TALENTED.
934
00:43:54,265 --> 00:43:57,402
IT DOESN'T MATTER IF YOU'RE
AFRAID OF THE DISAPPOINTMENT.
935
00:43:57,402 --> 00:44:01,206
I GOT TO DO SOMETHING
TO GET MY SONGS HEARD.
936
00:44:01,206 --> 00:44:02,473
YOU'RE RIGHT.
937
00:44:02,473 --> 00:44:05,744
WHAT DO YOU THINK I SHOULD DO?
938
00:44:07,779 --> 00:44:09,380
COME WITH ME.
939
00:44:09,380 --> 00:44:10,581
OH-HO.
940
00:44:10,581 --> 00:44:12,718
I GUESS I WILL, THEN, HUH?
941
00:44:12,718 --> 00:44:14,019
I THINK YOU SHOULD!
942
00:44:15,887 --> 00:44:18,489
YOU SURE THIS IS
YEARWOOD'S HOUSE?
943
00:44:18,489 --> 00:44:19,657
YEAH.
944
00:44:19,657 --> 00:44:21,392
YEAH, PEPPERONI AND MUSHROOMS.
945
00:44:21,392 --> 00:44:22,660
I'M SURE.
946
00:44:46,084 --> 00:44:46,885
WOW.
947
00:44:46,885 --> 00:44:48,486
DON'T SCRATCH IT.
948
00:44:48,486 --> 00:44:49,620
GIVE ME THE THING.
949
00:44:49,620 --> 00:44:50,889
THE THING?
950
00:44:50,889 --> 00:44:53,291
YOU DON'T EVEN
KNOW WHAT TO CALL IT.
951
00:44:53,291 --> 00:44:55,293
I THOUGHT YOU'D
DONE THIS BEFORE.
952
00:44:55,293 --> 00:44:57,896
WHAT DO YOU THINK I AM,
A CRIMINAL?
953
00:44:57,896 --> 00:45:00,899
I HAD A BOYFRIEND WHO'S
DOING TIME FOR THIS.
954
00:45:00,899 --> 00:45:02,300
TIME? HOW MUCH TIME?
955
00:45:02,300 --> 00:45:03,101
18 MONTHS.
956
00:45:03,101 --> 00:45:05,303
THAT'S A YEAR AND A HALF!
957
00:45:05,303 --> 00:45:06,304
JOKE.
958
00:45:06,304 --> 00:45:07,305
BAD JOKE.
959
00:45:07,305 --> 00:45:08,740
GIVE ME THE TAPE.
960
00:45:09,741 --> 00:45:11,342
WE GOT TO GO!
961
00:45:11,342 --> 00:45:12,744
LET ME PUT THE TAPE IN.
962
00:45:12,744 --> 00:45:14,746
IT'S GOT MY NAME ON IT!
963
00:45:14,746 --> 00:45:16,147
HOW ELSE WILL SHE KNOW?
964
00:45:16,147 --> 00:45:18,750
SHE'S GOING TO KNOW
I BROKE INTO HER CAR!
965
00:45:18,750 --> 00:45:20,351
THAT'S THE ONE DRAWBACK.
966
00:45:20,351 --> 00:45:22,020
I CAN'T BELIEVE--
967
00:45:24,322 --> 00:45:26,524
I'M GOING TO GET THE TAPE.
968
00:45:26,524 --> 00:45:27,926
KYLE, FORGET THE TAPE!
969
00:45:27,926 --> 00:45:29,527
WHERE'S EJECT? WHERE'S EJECT?
970
00:45:33,999 --> 00:45:37,903
SINCE WHEN DID COPS
START RESPONDING SO FAST?
971
00:45:37,903 --> 00:45:39,938
THERE'S NOTHING I CAN DO.
972
00:45:39,938 --> 00:45:42,107
WE WEREN'T TRYING
TO STEAL ANYTHING.
973
00:45:42,107 --> 00:45:44,109
WE WERE GIVING HER A TAPE.
974
00:45:44,109 --> 00:45:45,710
WELL, IN THAT CASE,
975
00:45:45,710 --> 00:45:47,712
I'LL HAVE TO LET YOU GO,
WON'T I?
976
00:45:47,712 --> 00:45:49,714
DON'T ARREST HER.
IT WAS MY TAPE.
977
00:45:49,714 --> 00:45:51,516
SHE JUST BROKE
INTO THE CAR FOR ME.
978
00:45:51,516 --> 00:45:52,951
BELIEVE IT OR NOT,
979
00:45:52,951 --> 00:45:55,253
YOU DON'T GET TO
DECIDE WHO WE ARREST.
980
00:45:55,253 --> 00:45:57,322
* SHE'S IN LOVE WITH THE BOY *
981
00:45:57,322 --> 00:45:58,389
* MM-HMM *
982
00:45:58,389 --> 00:46:00,291
* SHE'S IN LOVE WITH THE BOY *
983
00:46:00,291 --> 00:46:01,492
* MM-HMM *
984
00:46:01,492 --> 00:46:04,495
* AND EVEN IF THEY
HAVE TO RUN AWAY *
985
00:46:04,495 --> 00:46:07,665
* SHE'S GONNA MARRY
THAT BOY SOMEDAY *
986
00:46:07,665 --> 00:46:10,335
RIGHT HERE'S YOUR PERPETRATORS,
MISS YEARWOOD.
987
00:46:10,335 --> 00:46:12,003
HI. KYLE DAVIDSON.
988
00:46:12,003 --> 00:46:14,139
IT'S A PLEASURE TO MEET YOU.
989
00:46:14,139 --> 00:46:15,006
HI.
990
00:46:15,006 --> 00:46:17,308
THIS IS MIRANDA PRESLEY.
991
00:46:17,308 --> 00:46:18,309
HI.
992
00:46:18,309 --> 00:46:19,177
HI. HONORED.
993
00:46:19,177 --> 00:46:21,379
WELL, Y'ALL ARE REALLY POLITE
994
00:46:21,379 --> 00:46:22,413
FOR HARDENED CRIMINALS.
995
00:46:22,413 --> 00:46:23,648
OH, THANKS.
996
00:46:23,648 --> 00:46:26,051
WHICH ONE JIMMIED
MY CAR DOOR OPEN?
997
00:46:26,051 --> 00:46:28,653
SHE WASN'T TRYING TO STEAL IT,
THOUGH.
998
00:46:28,653 --> 00:46:30,321
THANKS FOR NOT SCRATCHING IT.
999
00:46:30,321 --> 00:46:32,924
ARE YOU THE ONE
SINGING ON THE TAPE?
1000
00:46:32,924 --> 00:46:34,525
YOU LISTENED TO THE TAPE?
1001
00:46:34,525 --> 00:46:35,793
IT'S HIS SONG.
1002
00:46:35,793 --> 00:46:37,195
I GUESS THIS SONG'S AVAILABLE,
1003
00:46:37,195 --> 00:46:40,031
OR ARE YOU WAITING TO
HEAR FROM EVERYBODY ELSE
1004
00:46:40,031 --> 00:46:41,432
WHOSE CAR YOU BROKE INTO?
1005
00:46:41,432 --> 00:46:44,602
NO,
YOURS WAS THE ONLY CAR WE BROKE INTO.
1006
00:46:44,602 --> 00:46:46,004
OH. WELL, I'M FLATTERED.
1007
00:46:46,004 --> 00:46:48,639
I JUST WISH I WASN'T
FLATTERED THIS LATE.
1008
00:46:48,639 --> 00:46:51,209
IS YOUR PHONE
NUMBER ON THE TAPE?
1009
00:46:51,209 --> 00:46:53,811
I'M GOING TO HAVE
MY MANAGER CALL YOU
1010
00:46:53,811 --> 00:46:55,613
ABOUT PUTTING THE SONG ON HOLD.
1011
00:46:55,613 --> 00:46:58,216
MISS YEARWOOD,
DO YOU WANT TO PRESS CHARGES?
1012
00:46:58,216 --> 00:47:00,785
I JUST WANT TO GET SOME SLEEP.
1013
00:47:00,785 --> 00:47:01,719
GOOD NIGHT.
1014
00:47:01,719 --> 00:47:03,654
THAT MEANS NO.
1015
00:47:03,654 --> 00:47:05,123
CONGRATULATIONS, SON.
1016
00:47:05,123 --> 00:47:07,125
UH, MISS YEARWOOD, EXCUSE ME.
1017
00:47:07,125 --> 00:47:09,995
SINCE YOU'RE LOOKING
FOR NEW MATERIAL.
1018
00:47:17,735 --> 00:47:19,137
GO ON, LINDA LUE.
1019
00:47:19,137 --> 00:47:21,272
I DON'T WANT TO MISS THE DANCE.
1020
00:47:21,272 --> 00:47:22,740
NO, WAIT. LINDA, DON'T.
1021
00:47:22,740 --> 00:47:25,944
THAT TRAIN'S GOING TO BE
COMIN' AROUND THE BEND,
1022
00:47:25,944 --> 00:47:27,278
SO LET'S HOP THE FREIGHT.
1023
00:47:27,278 --> 00:47:28,379
EXCUSE ME?
1024
00:47:28,379 --> 00:47:31,549
COME ON,
IT'S AN OLD COUNTRY TRADITION.
1025
00:47:31,549 --> 00:47:34,752
THE TRACKS GO RIGHT
BY THE FULL MOON DANCE.
1026
00:47:34,752 --> 00:47:36,154
REMEMBER WHAT
HAPPENED LAST TIME?
1027
00:47:36,154 --> 00:47:39,124
HERE IT COMES.
ARE YOU KIDDING ME?
1028
00:47:39,124 --> 00:47:41,759
YOU WANT TO WRITE COUNTRY SONGS.
1029
00:47:41,759 --> 00:47:44,829
THERE'S NOTHING MORE
COUNTRY THAN A FREIGHT TRAIN.
1030
00:47:44,829 --> 00:47:45,830
KYLE.
1031
00:47:45,830 --> 00:47:46,631
MY GOD.
1032
00:47:46,631 --> 00:47:47,832
KYLE!
1033
00:47:47,832 --> 00:47:49,634
YOU GONNA BREAK YOUR FOOL NECK!
1034
00:47:49,634 --> 00:47:50,969
GO ON!
1035
00:47:50,969 --> 00:47:53,371
I'LL MEET YOU AT THE
NEXT CROSSING THERE.
1036
00:47:53,371 --> 00:47:55,974
I HAD A COUSIN WHO
ONCE THREW HIMSELF
1037
00:47:55,974 --> 00:47:57,408
IN FRONT OF A TRAIN.
1038
00:47:57,408 --> 00:47:58,376
ONCE?
1039
00:47:58,376 --> 00:48:00,378
ONCE PRETTY MUCH DID THE TRICK.
1040
00:48:00,378 --> 00:48:02,948
I WISH YOU'D STOP
TELLING THAT STORY.
1041
00:48:02,948 --> 00:48:07,452
WHY ARE WE LETTING HIM
GET ON THAT STUPID TRAIN?
1042
00:48:07,452 --> 00:48:09,988
KYLE! COME ON!
1043
00:48:09,988 --> 00:48:11,889
KYLE DAVIDSON,
1044
00:48:11,889 --> 00:48:13,558
GET BACK HERE!
1045
00:48:14,525 --> 00:48:15,927
KYLE! HEY, KYLE!
1046
00:48:15,927 --> 00:48:18,163
YOU'RE GOING TO
GET YOURSELF HURT!
1047
00:48:20,331 --> 00:48:22,533
KYLE!
1048
00:48:22,533 --> 00:48:27,038
KYLE,
YOU'RE GOING TO HURT YOURSELF!
1049
00:48:27,038 --> 00:48:28,106
SO STUBBORN!
1050
00:48:28,106 --> 00:48:31,209
YOU'RE SO STUBBORN, KYLE!
1051
00:48:37,182 --> 00:48:38,583
KYLE! KYLE!
1052
00:48:38,583 --> 00:48:39,884
KYLE! KYLE!
1053
00:48:41,752 --> 00:48:43,421
CAREFUL, Y'ALL.
1054
00:48:44,355 --> 00:48:45,356
KYLE!
1055
00:48:45,356 --> 00:48:46,357
KYLE!
1056
00:48:46,357 --> 00:48:48,026
WHERE IS HE?
1057
00:48:49,961 --> 00:48:51,629
O-O-OVER HERE.
1058
00:48:53,965 --> 00:48:54,966
HI.
1059
00:48:54,966 --> 00:48:56,634
I--I SLIPPED.
1060
00:48:58,869 --> 00:49:00,105
* HEY, PORTER *
1061
00:49:00,105 --> 00:49:01,106
* HEY, PORTER *
1062
00:49:01,106 --> 00:49:02,040
* WON'T YOU TELL ME *
1063
00:49:02,040 --> 00:49:03,441
OW! * THE TIME? *
1064
00:49:03,441 --> 00:49:04,809
* HOW MUCH LONGER
BEFORE WE CROSS... *
1065
00:49:04,809 --> 00:49:06,611
ARE YOU SURE YOU'RE O.K.?
1066
00:49:06,611 --> 00:49:08,213
SURE YOU DIDN'T BREAK ANYTHING
1067
00:49:08,213 --> 00:49:09,814
OTHER THAN YOUR PRIDE?
1068
00:49:09,814 --> 00:49:11,216
NO, I'M O.K., I THINK.
1069
00:49:11,216 --> 00:49:13,218
SURE DO ENJOY PAIN, DON'T YOU?
1070
00:49:13,218 --> 00:49:14,819
WELL, YEAH, AND HEARTACHE.
1071
00:49:14,819 --> 00:49:15,820
YEAH, I'M...
1072
00:49:15,820 --> 00:49:16,821
COME ON.
1073
00:49:16,821 --> 00:49:17,822
BIG JERK.
1074
00:49:17,822 --> 00:49:19,557
YOU THINK THIS IS FUNNY?
1075
00:49:19,557 --> 00:49:20,958
THIS ISN'T FUNNY.
1076
00:49:20,958 --> 00:49:23,361
PEOPLE THAT YOU KNOW,
THEY GET KILLED.
1077
00:49:23,361 --> 00:49:25,963
YOU DIE,
AND YOU DON'T COME BACK.
1078
00:49:25,963 --> 00:49:26,831
THAT'S IT.
1079
00:49:26,831 --> 00:49:27,965
NOT FUNNY.
1080
00:49:27,965 --> 00:49:29,567
WHAT'S THE MATTER WITH HER?
1081
00:49:29,567 --> 00:49:30,968
COME ON. GET UP.
1082
00:49:30,968 --> 00:49:33,371
YOU GAVE HER A LITTLE SCARE,
THAT'S ALL.
1083
00:49:33,371 --> 00:49:36,041
I DIDN'T MEAN TO DO THAT.
1084
00:49:36,041 --> 00:49:37,442
* BROKEN DREAMS *
1085
00:49:37,442 --> 00:49:39,144
* ARE HARD ENOUGH... *
1086
00:49:39,144 --> 00:49:40,745
COME ON, Y'ALL.
1087
00:49:40,745 --> 00:49:42,547
LET'S SHOW THEM WHAT WE GOT.
1088
00:49:42,547 --> 00:49:45,150
DON'T SHOW YOURS,
BILLY. YOU MIGHT SCARE SOMEONE.
1089
00:49:45,150 --> 00:49:47,052
WELL, THANKS A LOT, LINDA LUE.
1090
00:49:47,052 --> 00:49:48,553
* THE BIG BAD LOVE... *
1091
00:49:48,553 --> 00:49:51,356
YOU'RE NOT STILL MAD AT ME,
ARE YOU?
1092
00:49:51,356 --> 00:49:53,158
YES.
1093
00:49:53,158 --> 00:49:54,759
REALLY?
1094
00:49:54,759 --> 00:49:56,094
NO.
1095
00:49:56,094 --> 00:49:57,728
GOOD.
1096
00:49:57,728 --> 00:49:59,130
'CAUSE I'M--I'M SORRY.
1097
00:49:59,130 --> 00:50:00,731
YOU SHOULD BE.
1098
00:50:00,731 --> 00:50:01,966
OHH.
1099
00:50:01,966 --> 00:50:03,568
I GOT YOU.
1100
00:50:03,568 --> 00:50:04,335
THANKS.
1101
00:50:04,335 --> 00:50:05,770
* A HAPPY ENDING *
1102
00:50:05,770 --> 00:50:06,971
* IS WHAT YOU WANT... *
1103
00:50:06,971 --> 00:50:08,273
NO, STAY HERE.
1104
00:50:08,273 --> 00:50:09,274
* SOME AIN'T WELL *
1105
00:50:09,274 --> 00:50:11,242
* AND SOME WELL GONE *
1106
00:50:13,378 --> 00:50:15,046
* IT CAN'T BE *
1107
00:50:15,046 --> 00:50:16,814
* FOR HEAVEN'S SAKE *
1108
00:50:16,814 --> 00:50:18,216
* WE AIN'T TWO PEOPLE *
1109
00:50:18,216 --> 00:50:21,119
* ON THE TOP OF THE GAME *
1110
00:50:21,119 --> 00:50:22,853
* OHH... *
1111
00:50:22,853 --> 00:50:24,289
COME ON, YOU TWO.
1112
00:50:24,289 --> 00:50:25,990
* THE BIG BAD LOVE *
1113
00:50:25,990 --> 00:50:27,525
* YOU CAN HUFF AND PUFF *
1114
00:50:27,525 --> 00:50:30,161
* BUT THAT AIN'T ENOUGH *
1115
00:50:31,529 --> 00:50:33,498
* TO BE THE KIND OF MAN *
1116
00:50:33,498 --> 00:50:35,700
* THAT A GIRL DREAMS OF *
1117
00:50:35,700 --> 00:50:38,303
* WHO'S AFRAID OF THE BIG BAD *
1118
00:50:38,303 --> 00:50:41,539
* WHO'S AFRAID OF
THE BIG BAD LOVE? *
1119
00:50:41,539 --> 00:50:43,007
* YOU CAN HUFF AND PUFF *
1120
00:50:43,007 --> 00:50:45,376
* BUT THAT AIN'T ENOUGH *
1121
00:50:47,145 --> 00:50:49,046
* TO BE THE KIND OF MAN *
1122
00:50:49,046 --> 00:50:51,382
* THAT A GIRL DREAMS OF *
1123
00:50:51,382 --> 00:50:55,120
* WHO'S AFRAID OF
THE BIG BAD LOVE? *
1124
00:50:56,421 --> 00:50:58,523
* BIG BAD LOVE *
1125
00:50:59,824 --> 00:51:02,327
* BIG BAD LOVE *
1126
00:51:03,228 --> 00:51:05,696
* BIG BAD LOVE *
1127
00:51:06,531 --> 00:51:10,101
* THE BIG BAD LOVE *
1128
00:51:10,101 --> 00:51:12,103
* THE BIG BAD LOVE *
1129
00:51:12,103 --> 00:51:13,104
ALL RIGHT.
1130
00:51:13,104 --> 00:51:15,373
WHOO! WHOO!
1131
00:51:17,942 --> 00:51:18,943
WHOO!
1132
00:51:18,943 --> 00:51:19,944
YEAH! WHOO!
1133
00:51:19,944 --> 00:51:20,945
WHOO! WHOO!
1134
00:51:20,945 --> 00:51:21,946
WHOO! WHOO!
1135
00:51:21,946 --> 00:51:23,080
WHOO!
1136
00:51:23,080 --> 00:51:24,081
WHAT?
1137
00:51:24,081 --> 00:51:25,483
ALL RIGHT, EVERYBODY.
1138
00:51:25,483 --> 00:51:28,486
I WANT TO INTRODUCE
YOU TO A FRIEND OF MINE
1139
00:51:28,486 --> 00:51:30,488
FROM MY HOME STATE OF TEXAS.
1140
00:51:30,488 --> 00:51:33,358
THIS IS JAMES WRIGHT--
1141
00:51:33,358 --> 00:51:34,992
SINGER, SONGWRITER.
1142
00:51:34,992 --> 00:51:36,127
VERY GOOD.
1143
00:51:36,127 --> 00:51:38,729
DID YOU KNOW HE
WAS GOING TO BE HERE?
1144
00:51:38,729 --> 00:51:40,131
I HAD NO IDEA.
1145
00:51:40,131 --> 00:51:41,132
I SWEAR.
1146
00:51:41,132 --> 00:51:42,133
WELCOME, JIM.
1147
00:51:42,133 --> 00:51:43,701
JIM. I LIKE THAT.
1148
00:51:43,701 --> 00:51:45,370
1, 2, 3, 4.
1149
00:51:46,137 --> 00:51:49,374
* UNTIL NOW *
1150
00:51:50,941 --> 00:51:53,711
* I'VE BEEN BLIND *
1151
00:51:55,480 --> 00:51:58,216
* UNTIL NOW *
1152
00:51:59,817 --> 00:52:05,089
* I'VE BEEN WASTIN' TIME *
1153
00:52:05,089 --> 00:52:08,193
* I'VE BEEN LOST *
1154
00:52:09,093 --> 00:52:12,630
* ON STREETS OF PLENTY *
1155
00:52:13,898 --> 00:52:18,068
* I'VE BEEN TOSSED *
1156
00:52:18,068 --> 00:52:21,639
* ON ICY SEAS *
1157
00:52:22,540 --> 00:52:26,244
* AND ALL I'VE CROSSED *
1158
00:52:27,212 --> 00:52:30,315
* AIN'T WORTH A QUARTER *
1159
00:52:31,916 --> 00:52:34,852
* IT'S MUDDY WATER *
1160
00:52:36,854 --> 00:52:41,091
* UNTIL NOW *
1161
00:52:41,091 --> 00:52:45,095
* THERE'S A LIGHT *
1162
00:52:45,095 --> 00:52:49,300
* THAT SHINES FOREVER *
1163
00:52:51,135 --> 00:52:53,504
* THERE'S A LIGHT *
1164
00:52:54,605 --> 00:52:58,243
* THAT SHINES FOR ME *
1165
00:52:59,109 --> 00:53:02,813
* THERE'S A LIGHT *
1166
00:53:04,014 --> 00:53:06,717
* MY FOOTSTEPS GUIDIN' *
1167
00:53:07,985 --> 00:53:12,490
* FOR I HAVE BEEN HIDIN' *
1168
00:53:13,391 --> 00:53:16,661
* UNTIL NOW *
1169
00:53:23,668 --> 00:53:24,902
THANK YOU.
1170
00:53:24,902 --> 00:53:25,970
THANK YOU.
1171
00:53:31,576 --> 00:53:33,177
I WROTE THIS NEXT SONG
1172
00:53:33,177 --> 00:53:34,579
FOR A WOMAN TO SING.
1173
00:53:34,579 --> 00:53:36,981
SO I GUESS WE BEST
GET ONE UP HERE.
1174
00:53:36,981 --> 00:53:40,184
I'D LIKE TO INVITE UP
HERE ON STAGE WITH US
1175
00:53:40,184 --> 00:53:41,919
MISS MIRANDA PRESLEY.
1176
00:53:43,187 --> 00:53:45,456
SHE'S ONLY HEARD THIS SONG ONCE,
1177
00:53:45,456 --> 00:53:48,058
HOWEVER I HAPPEN
TO KNOW SHE'S A...
1178
00:53:48,058 --> 00:53:49,059
QUICK STUDY.
1179
00:53:49,059 --> 00:53:50,461
SHE'LL PICK IT RIGHT UP.
1180
00:53:50,461 --> 00:53:52,062
DALE, YOU GOT THE LYRICS?
1181
00:53:52,062 --> 00:53:53,664
RIGHT HERE.
1182
00:53:53,664 --> 00:53:54,465
ALL SET?
1183
00:53:54,465 --> 00:53:56,066
LET'S HIT IT.
1184
00:53:56,066 --> 00:53:57,335
1, 2...
1185
00:53:57,335 --> 00:53:58,503
1, 2.
1186
00:54:05,042 --> 00:54:07,177
* YOU GOT A THING OR TWO *
1187
00:54:07,177 --> 00:54:11,449
* TO LEARN ABOUT ME, BABY *
1188
00:54:11,449 --> 00:54:14,552
* 'CAUSE I AIN'T
TAKIN' IT NO MORE *
1189
00:54:14,552 --> 00:54:17,555
* AND I DON'T MEAN MAYBE *
1190
00:54:17,555 --> 00:54:20,291
* YOU DON'T KNOW
RIGHT FROM WRONG *
1191
00:54:20,291 --> 00:54:23,861
* THE LOVE WE HAD IS GONE *
1192
00:54:23,861 --> 00:54:27,632
* SO BLAME IT ON YOUR LYIN',
CHEATIN' *
1193
00:54:27,632 --> 00:54:29,266
* COLD, DEAD-BEATIN' *
1194
00:54:29,266 --> 00:54:31,669
* TWO-TIMIN', DOUBLE-DEALIN' *
1195
00:54:31,669 --> 00:54:35,005
* MEAN, MISTREATIN',
LOVIN' HEART *
1196
00:54:36,341 --> 00:54:38,709
* WELL, ALL I WANTED *
1197
00:54:38,709 --> 00:54:42,647
* WAS TO BE YOUR ONE AND ONLY *
1198
00:54:43,814 --> 00:54:46,517
* BUT ALL I EVER GOT FROM YOU *
1199
00:54:46,517 --> 00:54:49,487
* WAS BEIN' LONELY *
1200
00:54:49,487 --> 00:54:52,823
* NOW THAT IS LAID TO REST *
1201
00:54:52,823 --> 00:54:55,960
* 'CAUSE YOU HAVE
FAILED THE TEST *
1202
00:54:55,960 --> 00:54:59,664
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
1203
00:54:59,664 --> 00:55:01,366
* COLD, DEAD-BEATIN' *
1204
00:55:01,366 --> 00:55:03,701
* TWO-TIMIN', DOUBLE-DEALIN' *
1205
00:55:03,701 --> 00:55:07,438
* MEAN, MISTREATIN',
LOVIN' HEART *
1206
00:55:08,839 --> 00:55:11,275
* ARE YA HEADIN'
FOR A HEARTACHE? *
1207
00:55:11,275 --> 00:55:12,643
* OH, YEAH *
1208
00:55:12,643 --> 00:55:14,512
* GONNA GET A BAD BREAK *
1209
00:55:14,512 --> 00:55:15,713
* OH, YEAH *
1210
00:55:15,713 --> 00:55:17,415
* MADE A BAD MISTAKE *
1211
00:55:17,415 --> 00:55:18,749
* OH, YEAH *
1212
00:55:18,749 --> 00:55:20,418
* GIRL,
YOU'RE NEVER GONNA FIND *
1213
00:55:20,418 --> 00:55:22,052
* ANOTHER LOVE LIKE MINE *
1214
00:55:22,052 --> 00:55:23,921
* WELL, SOMEONE'S GONNA DO YOU *
1215
00:55:23,921 --> 00:55:27,392
* LIKE YOU WENT AND DONE ME,
HONEY *
1216
00:55:27,392 --> 00:55:30,428
* AND WHEN SHE DOES YOU *
1217
00:55:30,428 --> 00:55:31,562
* LIKE SHE'LL DO *
1218
00:55:31,562 --> 00:55:34,732
* WELL, IT AIN'T FUNNY *
1219
00:55:34,732 --> 00:55:37,902
* YOU'LL NEED SOME SYMPATHY *
1220
00:55:37,902 --> 00:55:40,971
* BUT DON'T BE CALLIN' ME *
1221
00:55:40,971 --> 00:55:44,609
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
1222
00:55:44,609 --> 00:55:46,444
* COLD, DEAD-BEATIN' *
1223
00:55:46,444 --> 00:55:48,746
* TWO-TIMIN', DOUBLE-DEALIN' *
1224
00:55:48,746 --> 00:55:52,082
* MEAN, MISTREATIN',
LOVIN' HEART *
1225
00:55:53,984 --> 00:55:57,588
* YEAH, BLAME IT ON YOUR LYIN',
CHEATIN' *
1226
00:55:57,588 --> 00:55:59,023
* COLD, DEAD-BEATIN' *
1227
00:55:59,023 --> 00:56:01,692
* TWO-TIMING', DOUBLE-DEALIN' *
1228
00:56:01,692 --> 00:56:03,327
* MEAN, MISTREATIN' *
1229
00:56:03,327 --> 00:56:06,363
* LOVIN' HEART *
1230
00:56:07,965 --> 00:56:10,234
WHOO!
1231
00:56:10,234 --> 00:56:11,502
YEAH!
1232
00:56:11,502 --> 00:56:12,870
WHOO!
1233
00:56:12,870 --> 00:56:14,271
THANK YOU.
1234
00:56:14,271 --> 00:56:15,673
THE LOVELY AND TALENTED
1235
00:56:15,673 --> 00:56:17,274
MISS MIRANDA PRESLEY.
1236
00:56:17,274 --> 00:56:18,543
THANK YOU.
1237
00:56:20,411 --> 00:56:21,412
NEXT UP...
1238
00:56:21,412 --> 00:56:23,013
WAY TO GO.
1239
00:56:23,013 --> 00:56:24,715
THANK YOU. THANKS.
1240
00:56:24,715 --> 00:56:26,316
THAT WAS BEAUTIFUL, MIRANDA.
1241
00:56:26,316 --> 00:56:27,317
THANKS. THANKS.
1242
00:56:27,317 --> 00:56:28,653
BEAUTIFUL, SWEETHEART.
1243
00:56:28,653 --> 00:56:30,921
THANK YOU,
JAMES. THANK YOU, MIRANDA.
1244
00:56:33,458 --> 00:56:36,060
WE'RE GOING TO
BRING UP A FRIEND...
1245
00:56:36,060 --> 00:56:37,462
YOU DID GOOD, JAMES.
1246
00:56:37,462 --> 00:56:39,063
IT SOUNDED WONDERFUL.
1247
00:56:39,063 --> 00:56:40,064
JAMES...
1248
00:56:40,064 --> 00:56:41,065
R.C...
1249
00:56:41,065 --> 00:56:42,467
FANCY MEETING YOU HERE.
1250
00:56:42,467 --> 00:56:44,068
EXCUSE ME A SEC.
1251
00:56:44,068 --> 00:56:45,470
WE'LL TALK LATER.
1252
00:56:45,470 --> 00:56:46,837
UH...
1253
00:56:50,941 --> 00:56:51,742
PRESLEY...
1254
00:56:51,742 --> 00:56:53,343
WHERE YOU OFF TO?
1255
00:56:53,343 --> 00:56:55,345
UH, HAVE YOU SEEN KYLE AROUND?
1256
00:56:55,345 --> 00:56:56,747
KYLE? I HAVEN'T SEEN KYLE.
1257
00:56:56,747 --> 00:56:59,349
I SEEN HIM DANCING
WITH YOU EARLIER.
1258
00:56:59,349 --> 00:57:00,751
FINE PERFORMANCE YOU GAVE.
1259
00:57:00,751 --> 00:57:02,620
YOU'RE GOOD ON THE SPOT.
1260
00:57:14,398 --> 00:57:16,400
JAMES, WHY DIDN'T YOU CALL ME?
1261
00:57:16,400 --> 00:57:17,401
CALL YOU?
1262
00:57:17,401 --> 00:57:18,402
YEAH.
1263
00:57:18,402 --> 00:57:19,403
WHEN?
1264
00:57:19,403 --> 00:57:20,838
EVER.
1265
00:57:20,838 --> 00:57:22,439
WELL, FOR THE SAME REASON
1266
00:57:22,439 --> 00:57:24,241
I WAS SO MEAN TO...
1267
00:57:24,241 --> 00:57:27,044
JULIE-- WHAT WAS HER
NAME IN SECOND GRADE--
1268
00:57:27,044 --> 00:57:28,445
'CAUSE I LIKED HER.
1269
00:57:28,445 --> 00:57:29,213
THAT'S WHY.
1270
00:57:29,213 --> 00:57:30,447
OH.
1271
00:57:30,447 --> 00:57:32,850
SO THEN THAT'S WHY
YOU BLEW ME OFF
1272
00:57:32,850 --> 00:57:35,452
WHEN I SAW YOU LAST
TIME AT THE STUDIO?
1273
00:57:35,452 --> 00:57:38,055
WELL,
I SEEN YOU THERE WITH KYLE,
1274
00:57:38,055 --> 00:57:38,856
AND, UM...
1275
00:57:38,856 --> 00:57:41,458
I WAS A BIT OFF GUARD AND...
1276
00:57:41,458 --> 00:57:43,060
JEALOUS.
1277
00:57:43,060 --> 00:57:44,461
COULD'VE FOOLED ME.
1278
00:57:44,461 --> 00:57:46,731
OH, 'CAUSE I'M A FOOL.
1279
00:57:47,464 --> 00:57:49,734
FINDING IT HARD...
1280
00:57:49,734 --> 00:57:52,336
BREATHING JUST LOOKING AT YOU.
1281
00:57:52,336 --> 00:57:54,338
WELL, OPEN YOUR MOUTH
1282
00:57:54,338 --> 00:57:55,740
AND TAKE A BREATH.
1283
00:57:55,740 --> 00:57:57,341
I'M THINKING ABOUT YOU.
1284
00:57:57,341 --> 00:57:59,343
AND I LIKE WHAT I'M THINKING.
1285
00:57:59,343 --> 00:58:01,311
I'M GLAD YOU LIKE IT.
1286
00:58:01,311 --> 00:58:03,848
TRUTH IS, MIRANDA...
1287
00:58:03,848 --> 00:58:06,116
I PICKED UP THE PHONE...
1288
00:58:08,052 --> 00:58:09,119
SEVERAL TIMES...
1289
00:58:10,320 --> 00:58:11,455
UM...
1290
00:58:11,455 --> 00:58:13,123
TO CALL YOU.
1291
00:58:21,065 --> 00:58:22,132
COME HERE.
1292
00:58:24,468 --> 00:58:25,469
COME HERE.
1293
00:58:25,469 --> 00:58:26,871
JUST ANSWER ME ONE THING.
1294
00:58:26,871 --> 00:58:29,473
ARE YOU GOING TO
GO WEIRD ON ME AGAIN?
1295
00:58:29,473 --> 00:58:32,076
I WANT A YES OR NO ANSWER.
1296
00:58:32,076 --> 00:58:32,877
YES. YES?
1297
00:58:32,877 --> 00:58:35,079
YOU ARE GOING TO GO WEIRD?
1298
00:58:35,079 --> 00:58:36,080
NO.
1299
00:58:36,080 --> 00:58:37,281
WELL, YES, I--I...
1300
00:58:37,281 --> 00:58:41,485
YES,
I'M NOT GOING TO GET WEIRD ON YOU AGAIN.
1301
00:58:41,485 --> 00:58:42,753
GOOD.
1302
00:58:45,089 --> 00:58:45,890
LET'S...
1303
00:58:45,890 --> 00:58:48,092
LET'S GET OUT OF HERE.
1304
00:58:48,092 --> 00:58:49,159
O.K.?
1305
00:58:50,494 --> 00:58:51,395
WHERE TO?
1306
00:58:52,630 --> 00:58:55,232
UM,
I GOT TO GO TAKE CARE OF SOMETHING.
1307
00:58:55,232 --> 00:58:56,233
YOU O.K.?
1308
00:58:56,233 --> 00:58:57,935
LET'S MEET AT THE BARN.
1309
00:58:57,935 --> 00:58:58,769
THE BARN.
1310
00:58:58,769 --> 00:59:02,472
* STOP SAYIN' GOODBYE *
1311
00:59:02,472 --> 00:59:04,975
* BABY, JUST LEAVE... *
1312
00:59:10,514 --> 00:59:11,515
HEY.
1313
00:59:11,515 --> 00:59:12,516
KYLE...
1314
00:59:12,516 --> 00:59:13,851
UM...
1315
00:59:13,851 --> 00:59:18,055
I'M GOING TO GET A
RIDE HOME WITH JAMES.
1316
00:59:18,055 --> 00:59:19,289
SO, UH...
1317
00:59:19,289 --> 00:59:20,991
YOU ASKING MY PERMISSION?
1318
00:59:20,991 --> 00:59:22,727
NO.
1319
00:59:22,727 --> 00:59:25,663
IT'S O.K. YOU CAN
GO HOME WITH JAMES.
1320
00:59:25,663 --> 00:59:27,331
OH, THANK YOU.
1321
00:59:28,666 --> 00:59:32,236
YOU EXPECT HIM TO
FALL IN LOVE WITH YOU?
1322
00:59:33,170 --> 00:59:34,571
I DON'T KNOW.
1323
00:59:34,571 --> 00:59:35,840
DO YOU?
1324
00:59:37,708 --> 00:59:39,309
I KNOW HIM.
1325
00:59:39,309 --> 00:59:40,978
HE'S NOT GOING TO.
1326
00:59:42,613 --> 00:59:44,014
GOOD NIGHT.
1327
00:59:52,022 --> 00:59:53,858
* I'M READY AND WAITIN' *
1328
00:59:53,858 --> 00:59:55,192
* TO TAKE YOU AWAY... *
1329
00:59:55,192 --> 00:59:59,129
I CAN'T PUT MY FINGER
ON WHAT IT IS ABOUT YOU
1330
00:59:59,129 --> 01:00:00,330
THAT TICKS ME OFF.
1331
01:00:00,330 --> 01:00:02,933
I'M NOT LETTING YOU
OUT OF YOUR CONTRACT.
1332
01:00:02,933 --> 01:00:04,368
I'LL GET MYSELF A LAWYER.
1333
01:00:04,368 --> 01:00:05,535
OH, YEAH.
1334
01:00:05,535 --> 01:00:07,337
I TALKED TO THAT DOUG SISKIN.
1335
01:00:07,337 --> 01:00:10,540
I TOLD HIM YOU'D BE
FREE TO SIGN WITH HIM...
1336
01:00:10,540 --> 01:00:12,509
IN ABOUT TWO YEARS.
1337
01:00:12,509 --> 01:00:13,610
GREAT.
1338
01:00:13,610 --> 01:00:15,012
I'VE BEEN IN THIS BUSINESS
1339
01:00:15,012 --> 01:00:17,014
LONGER THAN YOU
BEEN DRAWING BREATH.
1340
01:00:17,014 --> 01:00:19,016
I KNOW WHAT I'M DOING, JAMES.
1341
01:00:19,016 --> 01:00:21,618
AND I'M GOING TO
KEEP YOU FAITHFUL.
1342
01:00:21,618 --> 01:00:23,220
THAT'S THE GUY YOU'RE WITH?
1343
01:00:23,220 --> 01:00:24,021
YEAH. R.C.
1344
01:00:24,021 --> 01:00:25,622
A MINOR-LEAGUE CORPORATE PIG.
1345
01:00:25,622 --> 01:00:28,025
YOU TOLD THAT
GUY AT THE BLUEBIRD
1346
01:00:28,025 --> 01:00:29,426
YOU DIDN'T HAVE A CONTRACT.
1347
01:00:29,426 --> 01:00:30,661
YOU LIED.
1348
01:00:30,661 --> 01:00:33,030
AND YOU SUDDENLY
PRODUCE THIS BUSINESS CARD
1349
01:00:33,030 --> 01:00:35,032
WHICH IMPLIES
THAT I'M SPOKEN FOR.
1350
01:00:35,032 --> 01:00:36,633
SO WHAT ARE YOU SAYING?
1351
01:00:36,633 --> 01:00:39,636
WELL,
YOU'RE LYING FOR THE BOTH OF US.
1352
01:00:39,636 --> 01:00:41,271
ALL RIGHT.
1353
01:00:51,682 --> 01:00:52,616
WOW.
1354
01:00:52,616 --> 01:00:54,218
THIS IS NICE.
1355
01:00:54,218 --> 01:00:56,020
I LIKE IT.
1356
01:00:56,020 --> 01:00:58,622
YOU KNOW,
SHE'S GOT IT IN HER HEAD
1357
01:00:58,622 --> 01:01:00,024
SHE'S GOING TO GO FOR...
1358
01:01:00,024 --> 01:01:01,558
THE MISS NASHVILLE CONTEST?
1359
01:01:01,558 --> 01:01:02,626
WHICH...
1360
01:01:02,626 --> 01:01:04,628
I'M SURE SHE'LL DO REALLY WELL.
1361
01:01:04,628 --> 01:01:06,230
SHE'S SO FUNNY, BUT...
1362
01:01:06,230 --> 01:01:07,631
I DON'T KNOW.
1363
01:01:07,631 --> 01:01:09,800
I THINK IT'S OLD-FASHIONED.
1364
01:01:09,800 --> 01:01:11,802
SHE REALLY CRACKS ME UP, THOUGH.
1365
01:01:11,802 --> 01:01:13,403
WHEN SHE TAKES THOSE GLASSES
1366
01:01:13,403 --> 01:01:14,805
THAT ARE WRAPPED IN PLASTIC,
1367
01:01:14,805 --> 01:01:16,206
WHICH ARE SANITARY ENOUGH,
1368
01:01:16,206 --> 01:01:19,409
AND YET SHE WASHES
THEM ALL THE TIME.
1369
01:01:19,409 --> 01:01:20,811
I NEED FOR YOU
1370
01:01:20,811 --> 01:01:23,680
TO STOP MOVING THOSE LIPS NOW.
1371
01:01:47,671 --> 01:01:48,939
WAIT.
1372
01:01:51,541 --> 01:01:53,177
I NEED FOR YOU...
1373
01:01:54,378 --> 01:01:56,446
TO STOP PLAYING ME NOW.
1374
01:02:15,432 --> 01:02:17,434
MISS PRESLEY...
1375
01:02:17,434 --> 01:02:19,403
MISS PRESLEY...
1376
01:02:19,403 --> 01:02:21,605
JAMES,
YOU'RE JUST TALKING TO YOURSELF,
1377
01:02:21,605 --> 01:02:22,606
YOU KNOW.
1378
01:02:22,606 --> 01:02:24,274
MISS PRESLEY...
1379
01:02:24,274 --> 01:02:25,675
IS THAT YOU
1380
01:02:25,675 --> 01:02:28,278
OR YOUR GHOST I SEE?
1381
01:02:28,278 --> 01:02:29,947
I DON'T KNOW.
1382
01:02:33,417 --> 01:02:35,319
I WAS CONCERNED THAT YOU...
1383
01:02:35,319 --> 01:02:36,220
LEFT ME...
1384
01:02:36,220 --> 01:02:38,823
TO GET ME BACK
FOR NOT CALLING YOU
1385
01:02:38,823 --> 01:02:40,324
LIKE I SHOULD'VE.
1386
01:02:40,324 --> 01:02:41,225
OH, NAH.
1387
01:02:41,225 --> 01:02:43,828
I JUST DON'T, UH, SLEEP...
1388
01:02:43,828 --> 01:02:44,829
MUCH.
1389
01:02:44,829 --> 01:02:45,830
HMM.
1390
01:02:45,830 --> 01:02:47,431
ESPECIALLY AT NIGHT.
1391
01:02:48,432 --> 01:02:49,834
NIGHT OWL.
1392
01:02:49,834 --> 01:02:50,835
WHOO...
1393
01:02:50,835 --> 01:02:52,102
WHOO.
1394
01:02:52,102 --> 01:02:55,239
SOUNDS LIKE A
WISE OLD NIGHT OWL.
1395
01:02:55,239 --> 01:02:56,706
WHOO-WHOO.
1396
01:02:56,706 --> 01:02:57,975
WHOO.
1397
01:03:00,044 --> 01:03:02,046
YOU'RE AN OWL GODDESS.
1398
01:03:04,614 --> 01:03:05,649
MY DAD,
1399
01:03:05,649 --> 01:03:08,052
HE--HE WAS A NIGHT OWL.
1400
01:03:08,052 --> 01:03:09,653
WE USED TO STAY UP,
1401
01:03:09,653 --> 01:03:11,055
YOU KNOW, ALL NIGHT,
1402
01:03:11,055 --> 01:03:12,923
JUST HANGING OUT.
1403
01:03:14,791 --> 01:03:17,061
HE SPOILED ME PRETTY BADLY.
1404
01:03:19,930 --> 01:03:22,199
HE REALLY LOVED COUNTRY MUSIC...
1405
01:03:24,401 --> 01:03:25,469
A LOT.
1406
01:03:26,803 --> 01:03:29,806
I GUESS THAT'S WHY I CAME HERE.
1407
01:03:29,806 --> 01:03:31,075
WELL, I'LL...
1408
01:03:31,075 --> 01:03:34,344
SPOIL YOU AS GOOD AS I CAN.
1409
01:03:39,516 --> 01:03:40,517
ELVIS?
1410
01:03:40,517 --> 01:03:41,518
MM-HMM.
1411
01:03:41,518 --> 01:03:42,920
YOU CUT ELVIS' HAIR.
1412
01:03:42,920 --> 01:03:43,921
THAT'S RIGHT.
1413
01:03:43,921 --> 01:03:45,522
NAH, I DON'T BELIEVE IT.
1414
01:03:45,522 --> 01:03:46,523
BELIEVE IT.
1415
01:03:46,523 --> 01:03:47,925
YOU BELIEVE THAT, LUE?
1416
01:03:47,925 --> 01:03:49,927
WHY WOULD HE MAKE THAT UP?
1417
01:03:49,927 --> 01:03:52,262
WHY DON'T YOU GET YOUR HAIR CUT?
1418
01:03:52,262 --> 01:03:53,864
'CAUSE I DON'T WANT TO.
1419
01:03:53,864 --> 01:03:54,865
COME ON.
1420
01:03:54,865 --> 01:03:56,266
I DON'T WANT TO.
1421
01:03:56,266 --> 01:03:58,869
I'LL BE ELVIS,
AND YOU CAN BE PRISCILLA.
1422
01:03:58,869 --> 01:04:00,670
I DON'T WANT TO BE PRISCILLA.
1423
01:04:00,670 --> 01:04:03,273
I'M NOT DOING IT
'CAUSE YOU WANT ME TO.
1424
01:04:03,273 --> 01:04:05,876
I'M TIRED OF DOING WHAT
EVERYBODY WANTS ME TO.
1425
01:04:05,876 --> 01:04:07,878
GOOD IDEA. DON'T GET IT CUT.
1426
01:04:07,878 --> 01:04:10,280
WHY DIDN'T YOU ASK ME
WHAT I THOUGHT ABOUT
1427
01:04:10,280 --> 01:04:12,282
YOU MOVING OUT OF THE MOTEL?
1428
01:04:12,282 --> 01:04:14,684
WHY DOESN'T ANYBODY
EVER ASK ME WHAT I THINK?
1429
01:04:14,684 --> 01:04:17,287
BECAUSE YOU'RE ALWAYS ASKING
EVERYONE ELSE WHAT THEY THINK.
1430
01:04:17,287 --> 01:04:19,489
THAT'S RIGHT, AND YOU KNOW WHAT?
1431
01:04:19,489 --> 01:04:20,891
I'M NOT DOING IT ANYMORE.
1432
01:04:20,891 --> 01:04:23,293
IF I DON'T FEEL LIKE
BEING NICE TO SOMEBODY,
1433
01:04:23,293 --> 01:04:25,695
THEN I'M GOING TO START
BEING MEAN-- OR IMPOLITE.
1434
01:04:25,695 --> 01:04:28,098
IF I FEEL LIKE TELLING
SOMEBODY WHAT I THINK,
1435
01:04:28,098 --> 01:04:29,699
I'M GOING TO TELL THEM.
1436
01:04:29,699 --> 01:04:32,903
AND BILLY THINKS WE'RE GETTING
MARRIED BECAUSE HE WANTS TO?
1437
01:04:32,903 --> 01:04:34,304
WELL, I'M SORRY,
1438
01:04:34,304 --> 01:04:36,907
BUT I GOT TO BE SOMETHING MYSELF
1439
01:04:36,907 --> 01:04:38,909
BEFORE I CAN BE SOMEBODY'S WIFE.
1440
01:04:38,909 --> 01:04:39,910
THAT'S RIGHT.
1441
01:04:39,910 --> 01:04:41,311
OH, SHUT UP, PLEASE.
1442
01:04:41,311 --> 01:04:43,914
BUT I DON'T EVEN
KNOW WHAT I CAN BE
1443
01:04:43,914 --> 01:04:45,315
BECAUSE I'VE NEVER
BEEN ANYTHING.
1444
01:04:45,315 --> 01:04:47,918
AND YOU-- YOU'RE NOT
SO MUCH BETTER THAN ME.
1445
01:04:47,918 --> 01:04:50,320
YOUR DADDY'S BEEN
DEAD OVER A YEAR,
1446
01:04:50,320 --> 01:04:53,257
AND YOU STILL CAN'T
SLEEP THROUGH THE NIGHT.
1447
01:04:53,257 --> 01:04:56,860
AND YOU ARE SO WORRIED ABOUT
TURNING OUT LIKE EVERYBODY ELSE.
1448
01:04:56,860 --> 01:04:58,462
WELL, YOU KNOW WHAT?
1449
01:04:58,462 --> 01:04:59,863
I AM EVERYBODY ELSE.
1450
01:04:59,863 --> 01:05:01,865
AND TURNING OUT LIKE ME,
1451
01:05:01,865 --> 01:05:04,268
NOW, WOULD THAT BE SO TERRIBLE?
1452
01:05:04,268 --> 01:05:06,870
AND WHO GETS THEIR HAIR CUT
1453
01:05:06,870 --> 01:05:08,939
BY ELVIS' BARBER ANYWAY?
1454
01:05:11,708 --> 01:05:15,279
* IT'S NOT REALLY LOVE *
1455
01:05:15,279 --> 01:05:18,215
* IF IT TEARS YOU APART... *
1456
01:05:29,559 --> 01:05:31,228
I AM VERY SORRY.
1457
01:05:32,629 --> 01:05:36,233
I GUESS I'M JUST FALLING
APART A LITTLE BIT.
1458
01:05:36,233 --> 01:05:38,235
BUT I WANT YOU TO KNOW
1459
01:05:38,235 --> 01:05:40,237
I THINK YOU'RE VERY SPECIAL
1460
01:05:40,237 --> 01:05:41,838
'CAUSE YOU ALWAYS LIKE ME,
1461
01:05:41,838 --> 01:05:45,109
AND THAT'S A PLUS IN MY BOOK.
1462
01:05:45,109 --> 01:05:47,978
GOD, DID I MAKE YOU CRY?
1463
01:05:49,846 --> 01:05:51,515
I LIKE YOUR HAIR.
1464
01:05:53,517 --> 01:05:54,451
THANKS.
1465
01:05:54,451 --> 01:05:57,054
MAYBE I SHOULD'VE
GOTTEN MINE DONE.
1466
01:05:57,054 --> 01:05:58,655
YEAH. SHOULD WE GO BACK?
1467
01:05:58,655 --> 01:06:00,857
I DON'T THINK SO, MIRANDA.
1468
01:06:00,857 --> 01:06:05,062
YOU KNOW, I'VE BEEN SITTING
HERE AND THINKING THAT, UM...
1469
01:06:05,062 --> 01:06:07,064
MAYBE I'LL GO TO HOLLYWOOD,
1470
01:06:07,064 --> 01:06:09,066
BECOME A MOVIE STAR.
1471
01:06:09,066 --> 01:06:12,669
YOU'RE ASKING ME
WHAT I THINK OF THE IDEA?
1472
01:06:12,669 --> 01:06:14,071
NO, I'M NOT.
1473
01:06:14,071 --> 01:06:15,739
WHAT ABOUT BILLY?
1474
01:06:17,074 --> 01:06:19,743
BILLY CAN DO WHAT HE WANTS.
1475
01:06:26,816 --> 01:06:28,218
I'M HAPPY.
1476
01:06:29,553 --> 01:06:31,221
I'M SO HAPPY.
1477
01:06:38,428 --> 01:06:39,496
ME, TOO.
1478
01:06:41,565 --> 01:06:42,566
OH, NO.
1479
01:06:42,566 --> 01:06:43,567
DON'T LOOK.
1480
01:06:43,567 --> 01:06:44,568
OH, NO.
1481
01:06:44,568 --> 01:06:45,369
DON'T LOOK.
1482
01:06:45,369 --> 01:06:47,571
I GOT TO GO TO WORK.
1483
01:06:47,571 --> 01:06:48,972
I GOT A BETTER IDEA.
1484
01:06:48,972 --> 01:06:49,973
YOU'RE SICK.
1485
01:06:49,973 --> 01:06:51,375
I'LL CALL IN FOR YOU.
1486
01:06:51,375 --> 01:06:52,942
"HELLO. IT'S MIRANDA.
1487
01:06:52,942 --> 01:06:54,211
"I CAN'T COME IN.
1488
01:06:54,211 --> 01:06:55,345
"I'M SICK.
1489
01:06:55,345 --> 01:06:59,283
I'VE GOT A TERRIBLE HEAD COLD."
1490
01:06:59,283 --> 01:07:00,084
O.K.
1491
01:07:00,084 --> 01:07:01,351
I'M SICK.
1492
01:07:04,088 --> 01:07:05,689
I GOT ANOTHER IDEA.
1493
01:07:05,689 --> 01:07:07,091
MM-HMM?
1494
01:07:12,129 --> 01:07:13,797
WHERE ARE WE GOING?
1495
01:07:14,731 --> 01:07:16,800
JUST GIVE ME A HINT.
1496
01:07:18,102 --> 01:07:19,369
CLUE.
1497
01:07:20,837 --> 01:07:22,606
"MEMPHIS."
1498
01:07:22,606 --> 01:07:24,274
MEMPHIS?
1499
01:07:25,975 --> 01:07:27,444
GRACELAND?
1500
01:07:27,444 --> 01:07:28,245
YEAH!
1501
01:07:28,245 --> 01:07:30,114
WE'RE GOING TO GRACELAND!
1502
01:07:34,718 --> 01:07:35,985
CLOSED?
1503
01:07:35,985 --> 01:07:37,121
NO.
1504
01:07:37,121 --> 01:07:39,723
I'M GOING TO HAVE
TO BREAK IT DOWN.
1505
01:07:39,723 --> 01:07:40,724
NO!
1506
01:07:40,724 --> 01:07:41,725
ELVIS!
1507
01:07:41,725 --> 01:07:42,726
HELLO?
1508
01:07:42,726 --> 01:07:43,727
ELVIS!
1509
01:07:43,727 --> 01:07:44,728
HELLO?
1510
01:07:44,728 --> 01:07:45,729
SIR...
1511
01:07:45,729 --> 01:07:46,730
WE'RE CLOSED.
1512
01:07:46,730 --> 01:07:48,132
WHEN DO YOU OPEN?
1513
01:07:48,132 --> 01:07:49,733
9:00 IN THE MORNING.
1514
01:07:49,733 --> 01:07:51,135
Y'ALL COME BACK THEN.
1515
01:07:51,135 --> 01:07:52,469
AH, 14 HOURS TO KILL.
1516
01:07:52,469 --> 01:07:54,671
WHAT ARE WE GOING TO DO?
1517
01:07:54,671 --> 01:07:55,472
EAT.
1518
01:07:55,472 --> 01:07:57,073
LET'S GET ELVIS FOOD.
1519
01:07:57,073 --> 01:07:58,542
FOOD.
1520
01:08:25,835 --> 01:08:27,504
I'M ALL SET, BABY.
1521
01:08:31,575 --> 01:08:33,243
COME ON, BABY.
1522
01:08:40,950 --> 01:08:42,252
WHAT?
1523
01:08:43,019 --> 01:08:44,421
OHH, LOOK HOW ROMANTIC.
1524
01:08:44,421 --> 01:08:46,990
STOP. THEY'RE GOING TO
THINK YOU'RE FOR REAL.
1525
01:08:46,990 --> 01:08:48,258
I AM FOR REAL.
1526
01:08:48,258 --> 01:08:49,793
COME ON. GET UP.
1527
01:08:49,793 --> 01:08:52,962
SAY, "YES,
I CAN'T LIVE WITHOUT YOU."
1528
01:08:52,962 --> 01:08:53,930
GO ON, HONEY.
1529
01:08:53,930 --> 01:08:55,399
SAY YES.
1530
01:08:55,399 --> 01:08:57,801
I WOULD MARRY HIM
IF HE HAD ANY BRAINS,
1531
01:08:57,801 --> 01:09:01,004
BUT HE DOESN'T HAVE THE
SENSE HE WAS BORN WITH.
1532
01:09:01,004 --> 01:09:03,006
I'M GOING TO KNEEL RIGHT HERE
1533
01:09:03,006 --> 01:09:04,608
UNTIL YOUR HEART MELTS.
1534
01:09:04,608 --> 01:09:05,609
SAY SOMETHING.
1535
01:09:05,609 --> 01:09:06,410
O.K. YES.
1536
01:09:06,410 --> 01:09:08,412
IS THAT WHAT YOU WANT?
1537
01:09:08,412 --> 01:09:10,013
ARE YOU HAPPY NOW?
1538
01:09:10,013 --> 01:09:11,381
HAPPY?
1539
01:09:11,381 --> 01:09:13,983
WHY, I'M THE HAPPIEST MAN ALIVE.
1540
01:09:13,983 --> 01:09:15,652
OHH. AW.
1541
01:09:16,386 --> 01:09:17,987
THAT'S PRECIOUS.
1542
01:09:17,987 --> 01:09:19,389
THANK YOU, LADIES.
1543
01:09:19,389 --> 01:09:20,890
THANK YOU KINDLY.
1544
01:09:20,890 --> 01:09:22,492
YOU CAN KEEP THE CHANGE.
1545
01:09:22,492 --> 01:09:24,794
Y'ALL GOING TO HAVE YOUR
HONEYMOON AT GRACELAND?
1546
01:09:24,794 --> 01:09:25,995
COME ON, DEAR.
1547
01:09:25,995 --> 01:09:31,901
* IN A BED OF BROKEN HEARTS *
1548
01:09:31,901 --> 01:09:35,138
* BLUE ROSES... *
1549
01:09:35,138 --> 01:09:37,741
YOU RECALL THE
FIRST TIME I MET YOU
1550
01:09:37,741 --> 01:09:39,142
OUTSIDE THE BLUEBIRD?
1551
01:09:39,142 --> 01:09:40,810
I WAS LATE.
1552
01:09:41,711 --> 01:09:44,881
AND I MADE YOU PART OF MY LIE.
1553
01:09:44,881 --> 01:09:47,284
NOW, YOU CALLED ME ON THAT.
1554
01:09:47,284 --> 01:09:50,887
NO ONE HAS EVER DONE
THAT BEFORE WITH ME.
1555
01:09:50,887 --> 01:09:52,289
AND I APPRECIATE IT.
1556
01:09:52,289 --> 01:09:53,957
I RESPECT YOU.
1557
01:10:00,764 --> 01:10:01,831
MY FATHER...
1558
01:10:02,866 --> 01:10:05,168
I DON'T KNOW WHY
I'M TELLING YOU THIS.
1559
01:10:05,168 --> 01:10:06,570
I'VE NEVER TOLD ANYONE,
1560
01:10:06,570 --> 01:10:08,972
BUT MY FATHER
WOULD TELL MY MOTHER
1561
01:10:08,972 --> 01:10:12,976
THAT WE WERE GOING OUT FOR
A BOYS' NIGHT OUT ON THE TOWN.
1562
01:10:12,976 --> 01:10:15,579
AND WE WOULD GO TO
HIS GIRLFRIEND'S HOUSE--
1563
01:10:15,579 --> 01:10:17,581
MY FIFTH GRADE HEALTH TEACHER--
1564
01:10:17,581 --> 01:10:20,584
AND I'D GO WAIT IN THE TRUCK
1565
01:10:20,584 --> 01:10:22,586
LISTENING TO THE RADIO STATIONS,
1566
01:10:22,586 --> 01:10:25,188
AND HE WAS INSIDE, YOU KNOW,
1567
01:10:25,188 --> 01:10:27,591
DOING WHATEVER IT WAS THEY DID,
1568
01:10:27,591 --> 01:10:30,860
AND I JUST REMEMBER ALL
THOSE CHEATIN' SONGS...
1569
01:10:32,195 --> 01:10:34,464
HOW IT MADE PERFECT SENSE.
1570
01:10:38,201 --> 01:10:40,203
MOST EVERYONE...
1571
01:10:40,203 --> 01:10:41,871
BACK IN WIMBERLY...
1572
01:10:44,007 --> 01:10:48,745
SAYS THAT-- THAT I'M GOING
TO BE JUST LIKE MY FATHER.
1573
01:10:48,745 --> 01:10:50,146
NOW...
1574
01:10:50,146 --> 01:10:51,881
HERE'S THE KING.
1575
01:10:53,016 --> 01:10:53,983
THEY'RE WRONG.
1576
01:10:53,983 --> 01:10:58,688
* WISE MEN SAY *
1577
01:10:58,688 --> 01:10:59,756
YOU HEAR THAT?
1578
01:10:59,756 --> 01:11:00,824
MMM.
1579
01:11:00,824 --> 01:11:04,093
* ONLY FOOLS RUSH IN *
1580
01:11:04,093 --> 01:11:05,161
LET'S DANCE.
1581
01:11:05,161 --> 01:11:06,563
IT'S DESTINY.
1582
01:11:07,797 --> 01:11:13,537
* BUT I CAN'T HELP *
1583
01:11:13,537 --> 01:11:17,273
* FALLING IN LOVE *
1584
01:11:17,273 --> 01:11:21,044
* WITH YOU *
1585
01:11:22,446 --> 01:11:27,951
* SHALL I STAY? *
1586
01:11:29,252 --> 01:11:35,392
* WOULD IT BE A SIN? *
1587
01:11:42,999 --> 01:11:45,001
JUST BACK FOR SOME COFFEE.
1588
01:11:45,001 --> 01:11:46,403
OH, LOOK, MARY.
1589
01:11:46,403 --> 01:11:47,804
IF IT AIN'T THE NEWLYWEDS.
1590
01:11:47,804 --> 01:11:50,540
HEY,
YOU TWO LOVEBIRDS GET MARRIED YET?
1591
01:11:50,540 --> 01:11:53,276
COULDN'T FIND AN
ALL-NIGHT WEDDING CHAPEL.
1592
01:11:53,276 --> 01:11:56,613
WELL, WE MIGHT'VE IF HE
PLANNED THIS A LITTLE BETTER,
1593
01:11:56,613 --> 01:11:58,615
BUT NO GRACELAND, NO PREACHER.
1594
01:11:58,615 --> 01:12:00,283
YOU WANT TO MARRY HER?
1595
01:12:00,283 --> 01:12:02,285
I KNOW SHE'S A HANDFUL,
1596
01:12:02,285 --> 01:12:04,488
HOWEVER I'D DIE IF I LOST HER.
1597
01:12:04,488 --> 01:12:08,291
THAT'S BECAUSE YOU'D FORGET
TO BREATHE IF I DIDN'T REMIND YOU.
1598
01:12:08,291 --> 01:12:10,427
THE TRUTH IS...
1599
01:12:10,427 --> 01:12:12,095
I LOVE HER DEEPLY.
1600
01:12:13,129 --> 01:12:14,531
WELL, IF YOU'RE SERIOUS,
1601
01:12:14,531 --> 01:12:15,932
MY BROTHER'S A PREACHER.
1602
01:12:15,932 --> 01:12:18,535
I'LL GO GET HIM IF YOU WANT.
1603
01:12:18,535 --> 01:12:19,536
YOU'RE SERIOUS?
1604
01:12:19,536 --> 01:12:21,337
AS A HEART ATTACK.
1605
01:12:22,472 --> 01:12:23,573
YEAH, MAN.
1606
01:12:23,573 --> 01:12:25,308
YEAH, HE'S RIGHT NEXT DOOR.
1607
01:12:25,308 --> 01:12:26,943
PROBABLY JUST WATCHING TV.
1608
01:12:26,943 --> 01:12:28,344
I'LL BE RIGHT BACK.
1609
01:12:28,344 --> 01:12:29,345
WELL, UH--
1610
01:12:29,345 --> 01:12:30,914
YOU NEED A RING.
1611
01:12:30,914 --> 01:12:32,015
COLD FEET?
1612
01:12:32,982 --> 01:12:34,350
I FORGOT SOMETHING...
1613
01:12:34,350 --> 01:12:35,752
BLUE...IN THE TRUCK.
1614
01:12:35,752 --> 01:12:37,353
WILL YOU COME WITH ME?
1615
01:12:37,353 --> 01:12:38,354
HMM?
1616
01:12:38,354 --> 01:12:39,355
PLEASE?
1617
01:12:39,355 --> 01:12:41,024
HEY.
1618
01:12:41,024 --> 01:12:44,494
I'M GOING TO GET
MY BOOM BOX READY.
1619
01:12:46,329 --> 01:12:47,931
OH...
1620
01:12:47,931 --> 01:12:49,032
O.K.
1621
01:12:49,032 --> 01:12:49,933
COME ON, LET'S GO.
1622
01:12:49,933 --> 01:12:51,735
WELL, WE CAN'T JUST LEAVE.
1623
01:12:51,735 --> 01:12:54,303
WE GOT TO LET THEM KNOW
WE'VE CHANGED OUR MIND.
1624
01:12:54,303 --> 01:12:56,272
THE PREACHER'S ON HIS WAY--
1625
01:12:56,272 --> 01:12:58,442
NO. LOOK, UM, WE'LL JUST, UH--
1626
01:12:58,442 --> 01:12:59,643
WE'LL HAVE A FIGHT,
1627
01:12:59,643 --> 01:13:01,645
AND I'LL PRETEND TO SLAP YOU.
1628
01:13:01,645 --> 01:13:03,246
GOT A BETTER IDEA.
1629
01:13:03,246 --> 01:13:04,581
WHAT?
1630
01:13:06,182 --> 01:13:08,151
LET'S GET MARRIED.
1631
01:13:09,453 --> 01:13:12,188
Y-YOU DON'T JUST
GET MARRIED AS A JOKE.
1632
01:13:12,188 --> 01:13:13,423
IT'S NOT A JOKE.
1633
01:13:13,423 --> 01:13:14,991
IT'S A JOURNEY,
1634
01:13:14,991 --> 01:13:17,694
LIKE THE OLD IRISH
TRIAL MARRIAGES.
1635
01:13:17,694 --> 01:13:20,997
WHAT OLD IRISH TRIAL MARRIAGES?
1636
01:13:20,997 --> 01:13:23,433
WELL, IN ANCIENT IRELAND,
1637
01:13:23,433 --> 01:13:26,770
THERE WAS ONE DAY WHERE YOU
COULD GET MARRIED FOR A YEAR--
1638
01:13:26,770 --> 01:13:28,271
ARE YOU MAKING THIS UP?
1639
01:13:28,271 --> 01:13:31,007
NO, I DON'T THINK SO.
1640
01:13:31,007 --> 01:13:33,510
ANYHOW, YOU WOULD GET MARRIED,
1641
01:13:33,510 --> 01:13:35,311
AND IF YOU WANTED TO SEPARATE,
1642
01:13:35,311 --> 01:13:37,914
YOU'D GO BACK TO THE
PLACE YOU GOT MARRIED
1643
01:13:37,914 --> 01:13:41,384
AND RESOUND, "I DIVORCE YOU,
I DIVORCE YOU,
1644
01:13:41,384 --> 01:13:42,519
I DIVORCE YOU."
1645
01:13:42,519 --> 01:13:45,121
WHAT DO YOU THINK?
1646
01:13:46,189 --> 01:13:47,724
OH, MY GOD.
1647
01:13:47,724 --> 01:13:51,027
BY THE POWER VESTED IN ME
BY THE STATE OF TENNESSEE
1648
01:13:51,027 --> 01:13:54,698
AND BY THE ALMIGHTY GOD ABOVE,
1649
01:13:54,698 --> 01:13:58,434
I NOW PRONOUNCE
YOU MAN AND WIFE.
1650
01:13:58,434 --> 01:14:00,303
WELL, HUSBAND AND WIFE.
1651
01:14:00,303 --> 01:14:02,171
HUSBAND AND WIFE.
1652
01:14:02,171 --> 01:14:03,372
DOES THAT SOUND RIGHT?
1653
01:14:03,372 --> 01:14:04,708
OR MAN AND WOMAN?
1654
01:14:04,708 --> 01:14:06,109
MAN AND WOMAN.
1655
01:14:06,109 --> 01:14:06,810
YEAH.
1656
01:14:06,810 --> 01:14:08,311
MAY I KISS THE BRIDE?
1657
01:14:08,311 --> 01:14:10,379
WHATEVER. YOU'RE MARRIED.
YOU MAY KISS THE BRIDE.
1658
01:14:10,379 --> 01:14:12,782
BUT I GET THE FIRST DANCE.
1659
01:14:13,983 --> 01:14:21,357
* MAKE THE WORLD GO AWAY *
1660
01:14:21,357 --> 01:14:24,994
* GET IT OFF,
GET IT OFF MY SHOULDER *
1661
01:14:24,994 --> 01:14:27,931
MAY I HAVE THIS DANCE?
1662
01:14:27,931 --> 01:14:34,738
* SAY THE THINGS
WE USED TO SAY *
1663
01:14:34,738 --> 01:14:41,477
* AND MAKE THE WORLD,
MAKE IT GO AWAY *
1664
01:14:41,477 --> 01:14:48,818
* DO YOU REMEMBER
WHEN YOU LOVED ME? *
1665
01:14:48,818 --> 01:14:56,626
* BEFORE THE WORLD
TOOK YOU AWAY *
1666
01:15:11,608 --> 01:15:13,276
WE'RE HOME, BABY.
1667
01:15:15,144 --> 01:15:18,481
OHH,
I HAD THIS DREAM WE GOT MARRIED.
1668
01:15:18,481 --> 01:15:21,084
OH, IS THAT WHAT THAT WAS,
A DREAM?
1669
01:15:21,084 --> 01:15:22,752
NO, ME AND ELVIS.
1670
01:15:22,752 --> 01:15:27,223
I HAD THIS HUGE
BEEHIVE ON MY HEAD.
1671
01:15:27,223 --> 01:15:28,224
O.K.
1672
01:15:28,224 --> 01:15:30,093
SHOULD I BE JEALOUS?
1673
01:15:30,093 --> 01:15:31,294
HEH HEH HEH.
1674
01:15:31,294 --> 01:15:32,395
MAYBE.
1675
01:15:32,395 --> 01:15:33,830
MAYBE, BABY.
1676
01:15:33,830 --> 01:15:38,367
* BLUE ROSES *
1677
01:15:38,367 --> 01:15:46,042
* LOOKIN' FOR THE MOON
IN SOMEONE'S EYES *
1678
01:15:46,042 --> 01:15:48,277
YEAH,
THE 23rd WILL BE JUST FINE.
1679
01:15:48,277 --> 01:15:49,378
BYE-BYE.
1680
01:15:49,378 --> 01:15:51,347
HEY, LUCY, ISN'T THAT PAM TILLIS
1681
01:15:51,347 --> 01:15:52,982
AND KEVIN WELCH OVER THERE?
1682
01:15:52,982 --> 01:15:55,985
YEAH. I LET THEM COME
REHEARSE EVERY NOW AND THEN.
1683
01:15:55,985 --> 01:15:58,187
THEY BOTH GOT THEIR
START RIGHT HERE.
1684
01:15:58,187 --> 01:15:58,955
REALLY?
1685
01:15:58,955 --> 01:15:59,989
YEP.
1686
01:15:59,989 --> 01:16:01,858
THEY PLAYING IN
THE ROUND TONIGHT?
1687
01:16:01,858 --> 01:16:05,461
NO. THEY GOT SOME KIND
OF BENEFIT OR SOMETHING.
1688
01:16:05,461 --> 01:16:06,663
WELL, LOOK AT YOU.
1689
01:16:06,663 --> 01:16:08,064
YOU CALLED IN SICK YESTERDAY,
1690
01:16:08,064 --> 01:16:09,933
AND NOW YOU LOOK ABSOLUTELY...
1691
01:16:09,933 --> 01:16:11,601
MARRIED?
1692
01:16:11,601 --> 01:16:14,203
JAMES AND I GOT MARRIED.
1693
01:16:14,203 --> 01:16:15,739
YOU GOT MARRIED?
1694
01:16:15,739 --> 01:16:17,741
SHE GOT MARRIED.
1695
01:16:17,741 --> 01:16:20,476
WELL,
DON'T LOOK TOO EXCITED ABOUT IT, LUCY.
1696
01:16:20,476 --> 01:16:21,678
WELL...
1697
01:16:21,678 --> 01:16:23,012
CONGRATULATIONS.
1698
01:16:23,012 --> 01:16:25,882
HEY,
MIRANDA JUST GOT MARRIED TO JAMES.
1699
01:16:25,882 --> 01:16:27,483
GIVE ME A HUG, GIRL.
1700
01:16:27,483 --> 01:16:29,352
TO JAMES? OUR JAMES?
1701
01:16:29,352 --> 01:16:30,419
JAMES WRIGHT?
1702
01:16:30,419 --> 01:16:31,487
YEAH.
1703
01:16:31,487 --> 01:16:33,156
DID HE GIVE YOU A RING?
1704
01:16:33,156 --> 01:16:34,758
SURE DID. ISN'T IT BEAUTIFUL?
1705
01:16:34,758 --> 01:16:36,626
POP OPEN SOME CHAMPAGNE, LUCY.
1706
01:16:36,626 --> 01:16:38,628
HOW OFTEN DO PEOPLE GET MARRIED?
1707
01:16:38,628 --> 01:16:40,730
OFTEN ENOUGH.
1708
01:16:40,730 --> 01:16:43,733
* HAPPY EVER AFTER *
1709
01:16:43,733 --> 01:16:46,836
* COME ONE DAY AT A TIME *
1710
01:16:46,836 --> 01:16:49,272
* AND THERE AIN'T NO ONE *
1711
01:16:50,373 --> 01:16:52,776
* TO TAKE YOU AWAY *
1712
01:16:52,776 --> 01:16:55,979
* FORGET THIS WAY TO LOVE-- *
1713
01:17:03,887 --> 01:17:08,624
* YOU CAN TAKE MY LOVE *
1714
01:17:08,624 --> 01:17:13,562
* IN THE FOREST GREEN *
1715
01:17:13,562 --> 01:17:15,398
* YOU CAN TAKE *
1716
01:17:15,398 --> 01:17:18,868
* MY LOVE *
1717
01:17:18,868 --> 01:17:27,476
* TO THE FOREST GREEN *
1718
01:17:28,477 --> 01:17:29,645
HEY, LOOK AT YOU!
1719
01:17:29,645 --> 01:17:30,847
DON'T I LOOK GOOD?
1720
01:17:30,847 --> 01:17:32,682
SO, DON'T KEEP ME IN SUSPENSE.
1721
01:17:32,682 --> 01:17:33,883
WHAT HAPPENED?
1722
01:17:33,883 --> 01:17:36,019
UM, OH. I WAS FOURTH RUNNER-UP.
1723
01:17:36,019 --> 01:17:37,854
CONGRATULATIONS. I GUESS.
1724
01:17:37,854 --> 01:17:39,022
SHE SHOULD'VE WON.
1725
01:17:39,022 --> 01:17:41,024
HER TALENT WAS THE BEST ONE.
1726
01:17:41,024 --> 01:17:42,992
PEOPLE WERE CRYING
WHEN SHE DID HER SCENE.
1727
01:17:42,992 --> 01:17:45,628
I DID MY INTERPRETATION
OF GONE WITH THE WIND.
1728
01:17:45,628 --> 01:17:46,763
"MISS SCARLETT! MISS SCARLETT!"
1729
01:17:46,763 --> 01:17:48,631
TELL HER WHY YOU LOST.
1730
01:17:48,631 --> 01:17:49,966
O.K.
1731
01:17:49,966 --> 01:17:51,968
WHEN THEY MADE ME A FINALIST,
1732
01:17:51,968 --> 01:17:55,138
ALL OF A SUDDEN I HAD
THIS IMAGE OF MYSELF
1733
01:17:55,138 --> 01:17:58,141
AT THE GRAND OPENING
OF A PIGGLY-WIGGLY,
1734
01:17:58,141 --> 01:18:01,144
CUTTING A RIBBON IN A RED, WHITE,
AND BLUE SEQUINED MAJORETTE OUTFIT.
1735
01:18:01,144 --> 01:18:05,148
AND I HAD TO SAY, "LINDA LUE LINDEN,
THIS IS NOT A JOB.
1736
01:18:05,148 --> 01:18:07,016
"THIS IS NOT A CAREER CHALLENGE.
1737
01:18:07,016 --> 01:18:08,151
THIS IS BULLSHIT!"
1738
01:18:08,151 --> 01:18:09,318
ALL RIGHT, GIRL!
1739
01:18:09,318 --> 01:18:11,788
WHEN THEY CALLED MY NAME,
I PRETENDED TO FAINT.
1740
01:18:11,788 --> 01:18:13,022
FELL STRAIGHT BACK.
1741
01:18:13,022 --> 01:18:14,390
THEY CALLED AN AMBULANCE.
1742
01:18:14,390 --> 01:18:15,892
I GOT TO PEE.
1743
01:18:19,395 --> 01:18:21,297
KYLE...
1744
01:18:29,305 --> 01:18:32,108
HOW'S THE MARRIED LIFE, JAMES?
1745
01:18:32,108 --> 01:18:33,910
SWELL.
1746
01:18:33,910 --> 01:18:35,278
IT'S QUITE GOOD.
1747
01:18:35,278 --> 01:18:36,846
GOOD. GOOD.
1748
01:18:38,514 --> 01:18:40,183
I WAS THINKING ABOUT IT.
1749
01:18:40,183 --> 01:18:42,919
WELL,
CONGRATULATIONS ARE IN ORDER,
1750
01:18:42,919 --> 01:18:44,788
SO GO RIGHT AHEAD.
1751
01:18:47,556 --> 01:18:49,793
CONGRATULATIONS.
1752
01:18:52,195 --> 01:18:53,830
WHY, THANK YOU.
1753
01:18:54,563 --> 01:18:56,332
YEAH, SHE'S A...
1754
01:18:56,332 --> 01:18:58,134
DAMN GOOD WIFE.
1755
01:18:59,535 --> 01:19:01,470
SHE'S...
1756
01:19:01,470 --> 01:19:03,006
REAL GOOD.
1757
01:19:04,740 --> 01:19:07,743
WHY DO YOU HAVE TO TELL ME THAT,
MAN?
1758
01:19:07,743 --> 01:19:08,945
IT'S THE TRUTH.
1759
01:19:08,945 --> 01:19:10,814
YEAH, BUT THE TRUTH CAN HURT.
1760
01:19:10,814 --> 01:19:11,981
SEE? DO YOU UNDERSTAND?
1761
01:19:11,981 --> 01:19:13,783
YOU GOT NO RIGHT
TOUCHING ME LIKE THAT.
1762
01:19:13,783 --> 01:19:16,585
YOU GOT NO RIGHT TALKING
ABOUT HER LIKE THAT.
1763
01:19:16,585 --> 01:19:17,586
YOU GOT NO RIGHT.
1764
01:19:17,586 --> 01:19:18,788
KEEP IT TO YOURSELF.
1765
01:19:18,788 --> 01:19:20,656
SOMEBODY OUGHT TO SHUT YOU UP!
1766
01:19:20,656 --> 01:19:22,491
OH...
1767
01:19:22,491 --> 01:19:24,160
HEY, BOYS, TAKE IT OUTSIDE.
1768
01:19:24,160 --> 01:19:25,761
I'LL JUST SHUT YOU UP!
1769
01:19:25,761 --> 01:19:28,431
TAKE IT OUTSIDE, BOYS! OUT!
1770
01:19:31,901 --> 01:19:33,903
YOU'RE MAKING A
FOOL OF YOURSELF,
1771
01:19:33,903 --> 01:19:35,371
A DAMN FOOL OF YOURSELF!
1772
01:19:35,371 --> 01:19:36,305
I'LL KILL YOU!
1773
01:19:36,305 --> 01:19:38,507
DO YOU HEAR WHAT I'M SAYING?
1774
01:19:38,507 --> 01:19:39,508
BACK OFF!
1775
01:19:39,508 --> 01:19:41,477
BETTER SLAP ME HARD,
1776
01:19:41,477 --> 01:19:42,879
MAKE THAT FIRST ONE COUNT.
1777
01:19:53,656 --> 01:19:55,558
JAMES, STOP IT!
1778
01:19:55,558 --> 01:19:57,493
KYLE, STOP!
1779
01:20:00,063 --> 01:20:01,797
JAMES, KYLE, COME ON.
1780
01:20:01,797 --> 01:20:02,899
KYLE, LET'S GO.
1781
01:20:02,899 --> 01:20:03,900
LET'S GO, COME ON.
1782
01:20:03,900 --> 01:20:05,668
NO! NO!
1783
01:20:05,668 --> 01:20:06,802
STOP IT! COME ON!
1784
01:20:06,802 --> 01:20:07,636
LEAVE HIM ALONE.
1785
01:20:07,636 --> 01:20:08,972
KYLE, STOP IT!
1786
01:20:08,972 --> 01:20:11,607
JUST TRYING TO KEEP HIM
FROM HURTING HIMSELF.
1787
01:20:11,607 --> 01:20:13,910
BILLY,
GET IN THERE AND DO SOMETHING!
1788
01:20:13,910 --> 01:20:15,078
Y'ALL STOP IT NOW!
1789
01:20:15,078 --> 01:20:16,479
THAT'S A BIG HELP.
1790
01:20:16,479 --> 01:20:17,480
COME ON, BILLY!
1791
01:20:17,480 --> 01:20:19,448
KYLE... COME ON.
1792
01:20:21,317 --> 01:20:23,386
IT'S OVER. IT'S OVER.
1793
01:20:23,386 --> 01:20:24,387
KYLE...
1794
01:20:24,387 --> 01:20:25,788
IT'S OVER.
1795
01:20:25,788 --> 01:20:27,690
WHY Y'ALL GOT TO ACT SO STUPID?
1796
01:20:27,690 --> 01:20:29,458
WHOO!
1797
01:20:30,559 --> 01:20:32,661
HA HA HA HA!
1798
01:20:32,661 --> 01:20:34,964
HEY, DONNA...
1799
01:20:34,964 --> 01:20:39,068
* AIN'T NO TRAIN
OUT OF NASHVILLE *
1800
01:20:39,068 --> 01:20:42,738
* ONCE YOU GET HERE
YOU CAN'T GO ANYWHERE *
1801
01:20:42,738 --> 01:20:46,943
* THERE AIN'T NO TRAIN
OUT OF NASHVILLE *
1802
01:20:46,943 --> 01:20:49,712
* MA AND PA,
GET ME OUT OF HERE *
1803
01:20:52,815 --> 01:20:55,952
THERE AREN'T NOTHIN'
BUT DAMN LOVE SONGS.
1804
01:20:55,952 --> 01:20:59,956
EVERYBODY I LOVE'S
MARRIED TO EVERYBODY ELSE.
1805
01:21:03,426 --> 01:21:06,896
* I'M HAPPY, YOU'RE TIRED-- *
1806
01:21:06,896 --> 01:21:09,865
HERE'S A BRAND-NEW SINGLE
FROM MISS TRISHA YEARWOOD.
1807
01:21:09,865 --> 01:21:15,771
* IF YOU COULD READ MY MIND *
1808
01:21:15,771 --> 01:21:17,040
THAT'S MY SONG.
1809
01:21:17,040 --> 01:21:21,344
* YOU'D KNOW HOW HARD I TRY *
1810
01:21:21,344 --> 01:21:26,615
* BUT LOSIN' WAS NOT MY PLAN *
1811
01:21:26,615 --> 01:21:29,385
* AND I CAN'T-- *
1812
01:21:32,855 --> 01:21:34,190
GOD!
1813
01:21:34,190 --> 01:21:36,192
MAN,
I CAN'T BELIEVE IT! WHAT'S GOING ON?
1814
01:21:36,192 --> 01:21:38,394
DIDN'T YOU SEE THE STOP SIGN?
1815
01:21:38,394 --> 01:21:39,495
THAT'S MY SONG!
1816
01:21:39,495 --> 01:21:40,563
WELL, THAT'S MY CAR!
1817
01:21:40,563 --> 01:21:42,765
THAT'S MY SONG
PLAYING ON THE RADIO!
1818
01:21:42,765 --> 01:21:43,766
YOU WROTE THAT SONG?
1819
01:21:43,766 --> 01:21:45,068
YEAH!
1820
01:21:45,068 --> 01:21:47,470
A LOT BETTER SONGWRITER
THAN YOU ARE A DRIVER.
1821
01:21:47,470 --> 01:21:48,871
YOU WASN'T EVEN LOOKING.
1822
01:21:48,871 --> 01:21:50,739
THAT'S HIS SONG ON THE RADIO.
1823
01:21:50,739 --> 01:21:51,407
THAT'S MY SONG!
1824
01:21:51,407 --> 01:21:52,541
DAMN...
1825
01:21:52,541 --> 01:21:55,144
MAKES YOU WANT TO PAT YOUR FOOT,
DOESN'T IT?
1826
01:21:55,144 --> 01:21:57,213
SHOULD'VE PATTED THE BRAKE ONCE.
1827
01:21:57,213 --> 01:21:59,715
HEY, HE GOT TWO HITS IN ONE DAY!
1828
01:21:59,715 --> 01:22:02,085
* I'M STANDIN' ON A ROCK *
1829
01:22:02,085 --> 01:22:04,820
* AND I AIN'T GOIN' NOWHERE *
1830
01:22:04,820 --> 01:22:07,356
* I'M STANDIN' ON A ROCK *
1831
01:22:07,356 --> 01:22:10,093
* AND I AIN'T GONNA MOVE *
1832
01:22:10,093 --> 01:22:12,628
* I GOT ME SOMETHING
TO LIVE FOR *
1833
01:22:12,628 --> 01:22:15,364
* I GOT SOMETHING TO PROVE *
1834
01:22:15,364 --> 01:22:18,001
* I'M STANDIN' ON A ROCK *
1835
01:22:18,001 --> 01:22:20,769
* AND I AIN'T GONNA MOVE *
1836
01:22:20,769 --> 01:22:23,372
* I GOT A REAL FINE WOMAN *
1837
01:22:23,372 --> 01:22:25,841
* AND HER HEART IS STRONG *
1838
01:22:25,841 --> 01:22:28,744
* WELL,
SHE CAN SEE RIGHT THROUGH ME *
1839
01:22:28,744 --> 01:22:31,280
* AND HER LEGS ARE LONG *
1840
01:22:31,280 --> 01:22:34,017
* SHE DON'T GIVE ME NO TROUBLE *
1841
01:22:34,017 --> 01:22:36,452
* AND SHE DON'T TAKE MINE *
1842
01:22:36,452 --> 01:22:39,322
* SHE AIN'T THE
REASON I'M A-LIVIN' *
1843
01:22:39,322 --> 01:22:41,924
* BUT SHE'S THE
REASON I BEEN TRYIN' *
1844
01:22:41,924 --> 01:22:44,460
* I'M STANDIN' ON A ROCK *
1845
01:22:44,460 --> 01:22:47,196
* AND I AIN'T GOIN' NOWHERE *
1846
01:22:47,196 --> 01:22:49,965
* I'M STANDIN' ON A ROCK *
1847
01:22:49,965 --> 01:22:52,501
* AND I AIN'T GONNA MOVE *
1848
01:22:52,501 --> 01:22:55,238
* I GOT ME SOMETHING
TO LIVE FOR *
1849
01:22:55,238 --> 01:22:57,940
* I GOT SOMETHING TO PROVE *
1850
01:22:57,940 --> 01:23:00,443
* I'M STANDIN' ON A ROCK *
1851
01:23:00,443 --> 01:23:03,279
* AND I AIN'T GONNA MOVE *
1852
01:23:04,580 --> 01:23:09,785
* YOU MIGHT BE HAPPY
FLYIN' AIRPLANES *
1853
01:23:09,785 --> 01:23:15,191
* YOU MIGHT BE
HAPPY BUILDIN' CARS *
1854
01:23:15,191 --> 01:23:20,396
* SOME PEOPLE ALWAYS
DO THE RIGHT THING *
1855
01:23:20,396 --> 01:23:24,400
* SOME PEOPLE
NEVER GET THAT FAR *
1856
01:23:24,400 --> 01:23:27,136
* I'M STANDIN' ON A ROCK *
1857
01:23:27,136 --> 01:23:29,872
* AND I AIN'T GOIN' NOWHERE *
1858
01:23:29,872 --> 01:23:32,375
* I'M STANDIN' ON A ROCK *
1859
01:23:32,375 --> 01:23:34,243
* AND I AIN'T GONNA MOVE *
1860
01:23:34,243 --> 01:23:36,712
MIRANDA, WHERE'S MY BLUE SHIRT?
1861
01:23:36,712 --> 01:23:37,913
IN THE HAMPER.
1862
01:23:37,913 --> 01:23:40,249
I HAVEN'T WORN IT
SINCE I WASHED IT.
1863
01:23:40,249 --> 01:23:42,385
I GUESS SOMEBODY ELSE WORE IT,
THEN.
1864
01:23:42,385 --> 01:23:44,153
OUGHTN'T YOU TO WASH IT, THEN?
1865
01:23:44,153 --> 01:23:45,654
I'M NOT YOUR MAID.
1866
01:23:45,654 --> 01:23:48,257
MIRANDA,
YOU CAN WEAR MY SHIRT IF YOU LIKE.
1867
01:23:48,257 --> 01:23:50,393
HOWEVER,
YOUR DIRT MAKES IT YOUR LAUNDRY.
1868
01:23:50,393 --> 01:23:52,128
JAMES, IT'S NOT THAT DIRTY.
1869
01:23:52,128 --> 01:23:53,362
YOU COULD WEAR IT.
1870
01:23:53,362 --> 01:23:55,498
I CAN'T. IT SMELLS
LIKE YOUR SOAP.
1871
01:23:55,498 --> 01:23:58,367
I CAN'T STAND EVERYTHING
SMELLING LIKE THAT SOAP!
1872
01:23:58,367 --> 01:24:00,969
MY SOAP IS STARTING
TO SMELL LIKE YOUR SOAP!
1873
01:24:00,969 --> 01:24:03,106
THEN YOU MIGHT AS
WELL WEAR THE SHIRT.
1874
01:24:03,106 --> 01:24:04,907
YOU'RE IMPOSSIBLE TO LIVE WITH.
1875
01:24:04,907 --> 01:24:06,275
HOW WOULD YOU KNOW?
1876
01:24:06,275 --> 01:24:08,277
LOCK YOURSELF IN A
ROOM FOR THREE DAYS,
1877
01:24:08,277 --> 01:24:10,779
THEN COME OUT AND SAY,
"WHERE'S MY BLUE SHIRT?"
1878
01:24:10,779 --> 01:24:13,982
AND WHEN ARE YOU EVER AWAKE
DURING THE DAYLIGHT HOURS?
1879
01:24:13,982 --> 01:24:15,384
THAT IS NOT THE POINT!
1880
01:24:15,384 --> 01:24:17,520
YOU GO INSIDE,
YOU LOCK THE DOOR,
1881
01:24:17,520 --> 01:24:19,522
AND I'M NOT EVEN ALLOWED IN.
1882
01:24:19,522 --> 01:24:21,657
HOW COME YOU GET
A ROOM LIKE THAT?
1883
01:24:21,657 --> 01:24:23,659
'CAUSE YOU'RE SUCH
A BRILLIANT WRITER
1884
01:24:23,659 --> 01:24:26,862
AND I'LL NEVER BE ANYWHERE
NEAR AS GOOD AS YOU?
1885
01:24:26,862 --> 01:24:28,531
WHY DO YOU GET A ROOM?
1886
01:24:28,531 --> 01:24:30,733
I'VE LIVED HERE FOR A WHILE.
1887
01:24:30,733 --> 01:24:31,634
I PAY THE RENT.
1888
01:24:31,634 --> 01:24:32,835
OHH!
1889
01:24:32,835 --> 01:24:36,038
I WAS NOT PLANNING ON
HAVING YOU SUPPORT ME,
1890
01:24:36,038 --> 01:24:37,540
IF THAT'S WHAT YOU THOUGHT.
1891
01:24:37,540 --> 01:24:38,441
NO.
1892
01:24:38,441 --> 01:24:40,309
RENT'S NOT DUE FOR A WEEK,
1893
01:24:40,309 --> 01:24:42,311
BUT I'LL GIVE IT TO YOU NOW
1894
01:24:42,311 --> 01:24:44,580
SO YOU DON'T THINK
I'M TRYING TO SCAM YOU.
1895
01:24:44,580 --> 01:24:46,182
MAYBE I ALWAYS MARRY GUYS
1896
01:24:46,182 --> 01:24:50,186
SO I CAN LIVE IN A HOUSE
FOR FREE AND BE IGNORED.
1897
01:24:52,888 --> 01:24:54,890
SEEMS AS THOUGH
YOU'VE MADE A CHECK OUT
1898
01:24:54,890 --> 01:24:56,992
FOR "SELFISH ARROGANT DICKHEAD."
1899
01:24:56,992 --> 01:24:58,227
MM-HMM.
1900
01:24:58,227 --> 01:25:01,430
THEY'LL CASH IT.
THEY KNOW IT'S YOU.
1901
01:25:01,430 --> 01:25:03,232
THEY DO?
1902
01:25:03,232 --> 01:25:05,734
WHAT IS A DICKHEAD, EXACTLY?
1903
01:25:05,734 --> 01:25:07,170
YOU.
1904
01:25:07,170 --> 01:25:10,639
IF I'M A DICKHEAD AND YOU'RE
MARRIED TO A DICKHEAD,
1905
01:25:10,639 --> 01:25:13,108
WHAT DOES THAT MAKE YOU?
1906
01:25:13,108 --> 01:25:15,244
AN IDIOT.
1907
01:25:15,244 --> 01:25:17,646
YOU'D THINK WE'D BE
THE PERFECT MATCH--
1908
01:25:17,646 --> 01:25:21,717
AN IDIOT... AND A DICKHEAD.
1909
01:25:21,717 --> 01:25:23,118
YOU WOULD THINK.
1910
01:25:23,118 --> 01:25:25,254
OUR FIRST FIGHT.
1911
01:25:27,256 --> 01:25:29,258
I'M NOT GOING TO
WASH YOUR SHIRT.
1912
01:25:29,258 --> 01:25:31,126
I KNOW THAT.
1913
01:25:37,366 --> 01:25:41,337
* YOU DON'T KNOW
WHAT SHE'LL DO *
1914
01:25:43,172 --> 01:25:46,041
* MAKES ME THINK MAYBE *
1915
01:25:46,041 --> 01:25:48,477
* GOD'S A WOMAN, TOO *
1916
01:25:48,477 --> 01:25:51,347
* MAKES ME THINK MAYBE *
1917
01:25:51,347 --> 01:25:53,716
* GOD'S A WOMAN, TOO *
1918
01:25:53,716 --> 01:25:56,985
I DON'T KNOW ABOUT
THAT LAST LINE.
1919
01:25:56,985 --> 01:25:58,387
BEST LINE IN YOUR SONG.
1920
01:25:58,387 --> 01:25:59,755
HELL OF A LINE.
1921
01:25:59,755 --> 01:26:00,756
REALLY?
1922
01:26:00,756 --> 01:26:02,391
YEAH, ABSOLUTELY.
1923
01:26:02,391 --> 01:26:05,127
WELL, YOU'RE THE EXPERT, RIGHT?
1924
01:26:05,127 --> 01:26:07,530
OH, I HAVE THAT MONEY I OWE YOU.
1925
01:26:08,897 --> 01:26:11,200
NOW WE'RE EVEN.
1926
01:26:11,200 --> 01:26:13,436
HEY,
COME ON. SHE'S LETTING PEOPLE IN.
1927
01:26:13,436 --> 01:26:15,304
COME ON, GET ON THE STICK.
1928
01:26:15,304 --> 01:26:16,739
DON'T BE LATE.
1929
01:26:16,739 --> 01:26:17,806
GOOD LUCK TODAY.
1930
01:26:17,806 --> 01:26:19,608
THANKS, NED.
1931
01:26:19,608 --> 01:26:20,676
COME ON.
1932
01:26:22,278 --> 01:26:24,447
LET'S SEE...
1933
01:26:24,447 --> 01:26:26,415
* TONIGHT *
1934
01:26:26,415 --> 01:26:29,518
* WHOLE WORLD'S GOIN' CRAZY *
1935
01:26:29,518 --> 01:26:33,689
* ALMOST AS CRAZY AS I FEEL *
1936
01:26:34,590 --> 01:26:38,627
* THERE'S A COLD RAIN *
1937
01:26:38,627 --> 01:26:41,530
* ISN'T IT AMAZING? *
1938
01:26:41,530 --> 01:26:45,100
* THAT'S NOT SUPPOSED
TO BE THE DEAL *
1939
01:26:45,100 --> 01:26:50,138
* THERE'LL BE TORNADOES
IN THE TRAILER PARK *
1940
01:26:50,138 --> 01:26:53,476
* AN ECLIPSE WILL MAKE
THE WHOLE WORLD DARK *
1941
01:26:53,476 --> 01:26:56,379
* JUST WHEN YOU THINK
SHE'S GOT NO HEART *
1942
01:26:56,379 --> 01:26:58,614
* SHE'LL BREAK A SUNNY DAY *
1943
01:26:58,614 --> 01:27:03,252
* MOTHER NATURE... *
1944
01:27:04,987 --> 01:27:06,255
YEAH.
1945
01:27:06,255 --> 01:27:07,990
THANK YOU.
1946
01:27:07,990 --> 01:27:09,492
IF I CALL YOUR NAME,
1947
01:27:09,492 --> 01:27:12,461
IT MEANS YOU'RE GOING TO
PLAY HERE SATURDAY NIGHT,
1948
01:27:12,461 --> 01:27:15,264
AND GET HERE BEFORE 7:00.
1949
01:27:15,264 --> 01:27:17,132
CAROL ANN HARRIS.
1950
01:27:17,132 --> 01:27:18,867
JERRY WARD.
1951
01:27:18,867 --> 01:27:20,469
RUSSELL CROWNE.
1952
01:27:20,469 --> 01:27:22,971
JOANNE DANIEL.
1953
01:27:22,971 --> 01:27:24,072
LESTER SHARPE.
1954
01:27:24,072 --> 01:27:26,409
CONGRATULATIONS, EVERYBODY.
1955
01:27:34,016 --> 01:27:36,819
WELL, GOT TO GET TO WORK.
1956
01:27:42,291 --> 01:27:44,693
WELL, THAT SOUNDS LIKE A DEAL.
1957
01:27:44,693 --> 01:27:46,161
SURE WILL.
1958
01:27:46,161 --> 01:27:48,030
I'LL SEE YOU TOMORROW.
1959
01:27:48,964 --> 01:27:50,032
GOD BLESS.
1960
01:28:00,376 --> 01:28:02,244
OH, MY BABY.
1961
01:28:02,244 --> 01:28:03,245
HEY.
1962
01:28:03,245 --> 01:28:04,246
DARLIN' MIRANDA.
1963
01:28:04,246 --> 01:28:05,481
WHAT ARE YOU DOING?
1964
01:28:05,481 --> 01:28:07,850
GUESS WHAT HAPPENED.
I TALKED TO R.C.
1965
01:28:07,850 --> 01:28:08,851
YEAH?
1966
01:28:08,851 --> 01:28:09,852
I WORKED THINGS OUT.
1967
01:28:09,852 --> 01:28:12,054
I LEAVE FOR AUSTIN THIS EVENING.
1968
01:28:12,054 --> 01:28:13,255
FOR AUSTIN?
1969
01:28:13,255 --> 01:28:14,923
HE'S GIVING ME COMPLETE
CREATIVE CONTROL.
1970
01:28:14,923 --> 01:28:18,661
I HAVE TO GIVE HIM A BUCK
EVERY TIME I SMACK SOMEONE.
1971
01:28:18,661 --> 01:28:20,529
HOW LONG WILL YOU BE GONE?
1972
01:28:20,529 --> 01:28:22,531
DON'T KNOW. A MONTH OR TWO.
1973
01:28:22,531 --> 01:28:24,533
A RECORD,
IT'LL TAKE SOME TIME, NO DOUBT.
1974
01:28:24,533 --> 01:28:26,869
WOW, A MONTH OR TWO.
1975
01:28:26,869 --> 01:28:28,270
WHAT ABOUT ME?
1976
01:28:28,270 --> 01:28:30,272
YOU GOING TO QUIT YOUR JOB
1977
01:28:30,272 --> 01:28:32,408
JUST TO HANG AROUND
AND WATCH ME RECORD?
1978
01:28:32,408 --> 01:28:35,478
I THOUGHT YOU'D WANT TO STAY HERE,
HAVE A LIFE,
1979
01:28:35,478 --> 01:28:37,346
SETTLE INTO OUR HOUSE.
1980
01:28:38,280 --> 01:28:39,882
AND DO WHAT?
1981
01:28:39,882 --> 01:28:40,883
DO WHAT?
1982
01:28:40,883 --> 01:28:42,150
DON'T KNOW.
1983
01:28:42,150 --> 01:28:43,552
WHAT DOES ONE DO, ANYWAY?
1984
01:28:43,552 --> 01:28:45,554
THERE'S A NUMBER OF
THINGS YOU COULD DO.
1985
01:28:45,554 --> 01:28:47,089
YOU COULD WRITE SONGS,
BIRD-WATCH.
1986
01:28:47,089 --> 01:28:50,292
OH, JAMES,
WHY DON'T YOU JUST BE STRAIGHT WITH ME?
1987
01:28:50,292 --> 01:28:52,260
YOU DON'T WANT ME TO GO ALONG.
1988
01:28:52,260 --> 01:28:53,662
EVER SINCE WE GOT MARRIED,
1989
01:28:53,662 --> 01:28:55,030
YOU'VE BEEN PUSHING ME AWAY.
1990
01:28:55,030 --> 01:28:56,432
I'M NOT SAYING THAT.
1991
01:28:56,432 --> 01:28:59,668
WERE YOU PLANNING ON
ASKING ME TO GO WITH YOU?
1992
01:28:59,668 --> 01:29:02,137
I HAVEN'T GIVEN IT MUCH THOUGHT.
1993
01:29:02,137 --> 01:29:03,539
NO, OBVIOUSLY NOT.
1994
01:29:03,539 --> 01:29:06,274
AM I TO TAKE CARE OF YOU,
1995
01:29:06,274 --> 01:29:08,276
MYSELF, MY MUSIC?
1996
01:29:08,276 --> 01:29:09,545
TAKE CARE OF ME?
1997
01:29:09,545 --> 01:29:10,546
YOUR TROUBLES.
1998
01:29:10,546 --> 01:29:12,147
MY--MY TROUBLES?
1999
01:29:12,147 --> 01:29:13,315
IS THIS IT?
2000
01:29:13,315 --> 01:29:15,317
WHAT TROUBLES WOULD THOSE BE?
2001
01:29:15,317 --> 01:29:17,119
WHAT,
THE FACT THAT I'M YOUR WIFE
2002
01:29:17,119 --> 01:29:19,321
AND YOU'RE SPLITTING
TOWN FOR TWO MONTHS
2003
01:29:19,321 --> 01:29:21,957
AND YOU DON'T EVEN ASK ME TO GO?
2004
01:29:21,957 --> 01:29:23,959
IS THAT THE TROUBLES
YOU'RE SPEAKING OF?
2005
01:29:23,959 --> 01:29:26,962
MAYBE I'M NOT THE MARRYING
TYPE IF MARRIAGE IS THIS.
2006
01:29:26,962 --> 01:29:29,965
IF YOU'RE SO SCARED OF
TURNING OUT LIKE YOUR FATHER,
2007
01:29:29,965 --> 01:29:32,167
YOU BETTER TAKE A
GOOD LOOK AT YOURSELF.
2008
01:29:32,167 --> 01:29:33,335
ARE YOU DRUNK?
2009
01:29:33,335 --> 01:29:36,572
AM I...WHAT? AM I DRUNK?
2010
01:29:36,572 --> 01:29:38,574
WHY? WHY WOULD YOU SAY THAT?
2011
01:29:38,574 --> 01:29:40,576
BECAUSE YOUR MOTHER
HAD TO GET DRUNK
2012
01:29:40,576 --> 01:29:41,977
TO DEAL WITH YOUR FATHER?
2013
01:29:41,977 --> 01:29:44,212
YOU KNOW, YOU ACT SO INTENSE,
2014
01:29:44,212 --> 01:29:45,247
SO CALM,
2015
01:29:45,247 --> 01:29:46,715
SO COOL AND COLLECTED.
2016
01:29:46,715 --> 01:29:49,452
THE TRUTH IS,
YOU'RE SO FUCKING SCARED.
2017
01:29:49,452 --> 01:29:51,454
YOU'RE AS SCARED
AS A LITTLE BOY.
2018
01:29:51,454 --> 01:29:52,721
GET AWAY.
2019
01:29:53,689 --> 01:29:55,758
IT DOESN'T HAVE
TO GET THIS UGLY.
2020
01:30:02,465 --> 01:30:04,967
I DIVORCE YOU,
2021
01:30:04,967 --> 01:30:07,235
I DIVORCE YOU,
2022
01:30:07,235 --> 01:30:08,871
I DIVORCE YOU.
2023
01:30:46,575 --> 01:30:48,577
* CRAZY *
2024
01:30:48,577 --> 01:30:51,046
* I'M CRAZY FOR FEELIN' *
2025
01:30:51,046 --> 01:30:53,982
YOU CALL ME UP,
AND YOU TELL ME YOU'RE DIVORCED
2026
01:30:53,982 --> 01:30:56,719
AND THAT YOU DON'T WANT
TO TALK ABOUT IT ANYMORE.
2027
01:30:56,719 --> 01:30:57,986
* I'M CRAZY *
2028
01:30:57,986 --> 01:30:59,988
I STILL DON'T WANT
TO TALK ABOUT IT.
2029
01:30:59,988 --> 01:31:03,325
WHEN DO YOU THINK YOU
MIGHT LIKE TO TALK ABOUT IT?
2030
01:31:03,325 --> 01:31:05,327
DO YOU LOVE ME, KYLE?
2031
01:31:05,327 --> 01:31:06,862
UH, WH-WHAT?
2032
01:31:06,862 --> 01:31:09,297
ARE YOU IN LOVE WITH ME?
2033
01:31:09,297 --> 01:31:10,999
STRAIGHT ANSWER.
2034
01:31:12,300 --> 01:31:16,071
YOU--YOU WANT ME TO TELL
YOU HOW I FEEL ABOUT YOU?
2035
01:31:16,071 --> 01:31:17,205
YEAH.
2036
01:31:19,074 --> 01:31:20,342
O.K.
2037
01:31:20,342 --> 01:31:21,610
O.K.
2038
01:31:21,610 --> 01:31:23,879
UH...
2039
01:31:23,879 --> 01:31:26,882
SOMETIMES YOU HEAR
A SONG ON THE RADIO,
2040
01:31:26,882 --> 01:31:29,885
AND IT'S JUST THE SONG YOU
WANT TO HEAR RIGHT THEN,
2041
01:31:29,885 --> 01:31:33,221
AND THEN IT'S OVER,
AND YOU'RE JUST GLAD YOU HEARD IT.
2042
01:31:33,221 --> 01:31:35,991
AND I'M LIKE THAT SONG?
2043
01:31:35,991 --> 01:31:36,892
NO.
2044
01:31:36,892 --> 01:31:38,493
YOU'RE NOTHING LIKE THAT SONG.
2045
01:31:38,493 --> 01:31:40,428
YOU'RE LIKE IF THERE WAS...
2046
01:31:40,428 --> 01:31:46,101
ONE SONG IN THE WORLD THAT I
COULD HEAR FOR THE REST OF MY LIFE.
2047
01:31:46,101 --> 01:31:47,870
YOU'RE THAT SONG.
2048
01:31:49,137 --> 01:31:51,640
KIND OF LIKE YOUR FAVORITE SONG,
2049
01:31:51,640 --> 01:31:52,507
YOU MEAN.
2050
01:31:52,507 --> 01:31:53,609
DON'T DO THAT.
2051
01:31:53,609 --> 01:31:55,644
I USED TO HAVE A FAVORITE SONG.
2052
01:31:55,644 --> 01:31:57,012
DON'T MAKE A CLICHE.
2053
01:31:57,012 --> 01:32:00,348
YOU ASKED ME, SO I TOLD YOU.
2054
01:32:00,348 --> 01:32:02,217
I'M SORRY.
2055
01:32:02,217 --> 01:32:03,285
YOU'RE RIGHT.
2056
01:32:09,491 --> 01:32:12,761
I DON'T KNOW WHAT I'M DOING.
2057
01:32:12,761 --> 01:32:16,364
I THINK I'M JUST GOING
TO GO HOME TO NEW YORK.
2058
01:32:16,364 --> 01:32:18,166
WHY?
2059
01:32:18,166 --> 01:32:21,970
BECAUSE NOTHING IN
MY LIFE IS WORKING HERE.
2060
01:32:21,970 --> 01:32:23,906
UH...
2061
01:32:23,906 --> 01:32:26,909
WHY DID YOU COME TO NASHVILLE?
2062
01:32:26,909 --> 01:32:29,778
YOU CAME HERE TO FIND YOURSELF,
RIGHT?
2063
01:32:29,778 --> 01:32:32,781
WELL, GUESS WHAT. IN NEW YORK...
2064
01:32:32,781 --> 01:32:35,651
YOU'RE GOING TO BE LOOKING
FOR THE SAME PERSON.
2065
01:32:42,658 --> 01:32:44,059
OH, HI, HON.
2066
01:32:44,059 --> 01:32:46,261
I DIDN'T THINK YOU
WERE WORKING TONIGHT.
2067
01:32:46,261 --> 01:32:48,130
NO, I'M NOT. UM...
2068
01:32:48,130 --> 01:32:49,531
I'M QUITTING.
2069
01:32:49,531 --> 01:32:52,067
I'M GOING TO GO
BACK TO NEW YORK,
2070
01:32:52,067 --> 01:32:54,603
SO DON'T TRY AND
TALK ME OUT OF IT.
2071
01:32:54,603 --> 01:32:57,339
WELL, I WON'T.
2072
01:32:57,339 --> 01:32:59,341
I'LL JUST SAY GOODBYE.
2073
01:32:59,341 --> 01:33:00,709
COME HERE.
2074
01:33:10,719 --> 01:33:13,789
* BUT REGARDLESS *
2075
01:33:13,789 --> 01:33:17,025
* OF WHAT LOVE IS *
2076
01:33:17,025 --> 01:33:19,928
* WE ARE ALL BLESSED *
2077
01:33:19,928 --> 01:33:23,632
* JUST THAT LOVE IS *
2078
01:33:25,233 --> 01:33:29,171
YOU GOT IT,
JAMES. YOU'RE COOKING, BUDDY.
2079
01:33:35,778 --> 01:33:37,412
YOUR ATTENTION, PLEASE.
2080
01:33:37,412 --> 01:33:41,850
THIS IS THE FINAL CALL FOR
BUS 18 TO NEW YORK CITY.
2081
01:33:41,850 --> 01:33:44,252
BUS 18 FOR NEW YORK CITY,
2082
01:33:44,252 --> 01:33:47,189
THIS IS YOUR FINAL
BOARDING CALL.
2083
01:34:10,545 --> 01:34:15,050
* MAMA TOLD HER BABY GIRL,
TAKE IT REAL SLOW *
2084
01:34:15,050 --> 01:34:18,787
* GIRL TOLD HER MAMA,
HEY, I REALLY GOT TO GO *
2085
01:34:18,787 --> 01:34:22,290
* HE'S WAITIN' IN THE CAR *
2086
01:34:22,290 --> 01:34:27,595
* MAMA SAID, GIRL,
YOU WON'T GET FAR *
2087
01:34:27,595 --> 01:34:32,100
* THUS ARE THE DREAMS
OF AN AVERAGE JANE *
2088
01:34:32,100 --> 01:34:36,204
* 90 MILES AN HOUR
DOWN A LOVERS' LANE *
2089
01:34:36,204 --> 01:34:39,341
* ON A TANK OF DREAMS *
2090
01:34:39,341 --> 01:34:44,479
* OH,
IF SHE COULD'VE ONLY SEEN *
2091
01:34:44,479 --> 01:34:51,586
* THE FACE GOD CARVES
THAT IT DON'T WANT TO SHOW *
2092
01:34:51,586 --> 01:34:55,590
* AND THAT BOY'S
JUST A WALK-AWAY JOE *
2093
01:34:55,590 --> 01:34:57,259
* BORN TO BE A LEAVER *
2094
01:34:57,259 --> 01:34:59,795
* TELL YOU FROM THE WORD GO *
2095
01:34:59,795 --> 01:35:01,463
* DESTINED TO DECEIVE HER *
2096
01:35:01,463 --> 01:35:05,367
* HE'S THE WRONG
KIND OF PARADISE *
2097
01:35:05,367 --> 01:35:09,071
* SHE'S GONNA KNOW
IT IN A MATTER OF TIME *
2098
01:35:09,071 --> 01:35:13,308
* THAT BOY'S JUST
A WALK-AWAY JOE *
2099
01:35:14,076 --> 01:35:17,412
* OOH, YEAH *
2100
01:35:17,412 --> 01:35:21,850
* ALL HE WAS WAS
A WALK-AWAY JOE *
2101
01:35:22,717 --> 01:35:25,287
* OOH OOH OOH *
2102
01:35:25,287 --> 01:35:29,357
* I'VE BEEN LOST *
2103
01:35:29,357 --> 01:35:31,526
* ON STREETS OF PLENTY... *
2104
01:35:31,526 --> 01:35:33,228
I'LL CALL HIM LATER.
2105
01:35:33,228 --> 01:35:35,497
THIS IS ONE HELL OF A TAKE,
JAMES.
2106
01:35:35,497 --> 01:35:36,899
ONE HELL OF A TAKE!
2107
01:35:36,899 --> 01:35:38,566
WHAT'S THE MATTER, BUDDY?
2108
01:35:38,566 --> 01:35:40,668
NOTHIN'.
2109
01:35:40,668 --> 01:35:42,070
NO, THIS IS A--
2110
01:35:42,070 --> 01:35:44,272
THIS IS A GOOD TAKE.
2111
01:35:44,272 --> 01:35:45,273
YOU LIKE IT.
2112
01:35:45,273 --> 01:35:46,274
MMM.
2113
01:35:46,274 --> 01:35:48,010
ABSOLUTELY.
2114
01:35:48,010 --> 01:35:51,513
* AIN'T WORTH A QUARTER *
2115
01:35:53,181 --> 01:35:56,284
* IT'S MUDDY WATER *
2116
01:35:57,652 --> 01:36:02,190
* UNTIL NOW *
2117
01:36:02,190 --> 01:36:06,728
* THERE'S A LIGHT *
2118
01:36:06,728 --> 01:36:11,033
* THAT SHINES FOREVER *
2119
01:36:12,000 --> 01:36:14,870
* THERE'S A LIGHT *
2120
01:36:15,737 --> 01:36:20,675
* THAT SHINES FOR ME *
2121
01:36:20,675 --> 01:36:23,311
* THERE'S A LIGHT *
2122
01:36:24,947 --> 01:36:29,684
* MY FOOTSTEPS GUIDIN' *
2123
01:36:29,684 --> 01:36:34,689
* FOR I'VE BEEN HIDIN' *
2124
01:36:34,689 --> 01:36:37,459
* UNTIL NOW *
2125
01:36:38,827 --> 01:36:41,930
* THE LOVE I FOUND *
2126
01:36:43,565 --> 01:36:48,036
* WAS DARK AND DUSTY *
2127
01:36:48,036 --> 01:36:51,806
* FOR I MISTRUSTED *
2128
01:36:52,908 --> 01:36:57,212
* UNTIL NOW *
2129
01:37:31,279 --> 01:37:32,580
AHEM.
2130
01:37:34,282 --> 01:37:35,683
SHE LEFT TOWN?
2131
01:37:35,683 --> 01:37:37,085
WELL, YES, SHE DID.
2132
01:37:37,085 --> 01:37:39,354
WHERE TO? DO YOU KNOW?
2133
01:37:39,354 --> 01:37:41,356
YOU DID THE RIGHT THING, JAMES.
2134
01:37:41,356 --> 01:37:43,358
YOU CAME BACK FOR HER.
2135
01:37:43,358 --> 01:37:45,961
THANK YOU. NEW YORK?
IS THAT WHERE SHE WENT?
2136
01:37:45,961 --> 01:37:47,562
I DON'T KNOW, JAMES.
2137
01:37:47,562 --> 01:37:48,630
HOME?
2138
01:38:04,246 --> 01:38:05,480
KYLE.
2139
01:38:12,554 --> 01:38:14,556
IT'S GOOD TO SEE YOU.
2140
01:38:14,556 --> 01:38:16,959
WHAT'S GOING ON?
2141
01:38:17,692 --> 01:38:19,561
MIRANDA LEFT ME.
2142
01:38:21,729 --> 01:38:22,530
OH, YEAH?
2143
01:38:22,530 --> 01:38:23,531
YEAH.
2144
01:38:23,531 --> 01:38:26,734
DID SHE GO TO NEW YORK? I MEAN,
SHE--
2145
01:38:26,734 --> 01:38:27,769
DID SHE?
2146
01:38:27,769 --> 01:38:29,171
SHE SAID SHE MIGHT.
2147
01:38:29,171 --> 01:38:32,440
O.K. THAT'S WHAT I WANT TO HEAR,
THE TRUTH.
2148
01:38:35,243 --> 01:38:36,478
SHIT.
2149
01:38:39,347 --> 01:38:40,748
I'M SORRY.
2150
01:38:40,748 --> 01:38:42,850
NO.
2151
01:38:42,850 --> 01:38:44,352
I'M SORRY... ABOUT EVERYTHING.
2152
01:38:44,352 --> 01:38:47,956
NO,
I JUST--I JUST-- I JUST MEAN THAT...
2153
01:38:47,956 --> 01:38:50,358
LOOK,
IT REMINDS OF THE OLD STORY
2154
01:38:50,358 --> 01:38:52,894
OF THE GREEN KING
AND THE RED KING,
2155
01:38:52,894 --> 01:38:55,297
WHERE THEY BATTLE
EACH OTHER EACH YEAR
2156
01:38:55,297 --> 01:38:57,899
FOR THE FAVOR OF
THE LADY IN WHITE.
2157
01:38:57,899 --> 01:38:59,301
TAKE TURNS DYING.
2158
01:38:59,301 --> 01:39:01,903
WHAT DO YOU MEAN,
I'M DEAD THIS YEAR?
2159
01:39:01,903 --> 01:39:02,904
WELL...
2160
01:39:02,904 --> 01:39:04,506
THIS YEAR WE'VE BOTH, UM...
2161
01:39:04,506 --> 01:39:05,640
KICKED THE BUCKET.
2162
01:39:05,640 --> 01:39:07,042
YEAH.
2163
01:39:07,042 --> 01:39:11,179
WHAT I'M SAYING IS,
IT'S THE NATURE OF THINGS.
2164
01:39:11,179 --> 01:39:13,448
TWO GUYS AND A...
2165
01:39:13,448 --> 01:39:14,716
A GIRL.
2166
01:39:17,052 --> 01:39:18,453
SEE WHAT I MEAN?
2167
01:39:18,453 --> 01:39:21,723
IT'S THE OLDEST
STORY IN THE BOOK.
2168
01:39:23,825 --> 01:39:25,493
EXCEPT I BLEW IT.
2169
01:39:29,164 --> 01:39:31,833
* I'VE GOT A HEART *
2170
01:39:31,833 --> 01:39:37,172
* AND, BABY, THAT'S MY PROBLEM *
2171
01:39:37,172 --> 01:39:39,507
* I WANNA KNOW... *
2172
01:39:42,777 --> 01:39:45,347
* MUSCLE AND BLOOD *
2173
01:39:45,347 --> 01:39:47,249
* I KNOW NOW *
2174
01:39:47,249 --> 01:39:50,352
* WHAT ROAD I'M ON *
2175
01:39:50,352 --> 01:39:52,387
* I'M A VAGABOND *
2176
01:39:52,387 --> 01:39:55,490
* ON THE STREETS OF LOVE *
2177
01:40:04,232 --> 01:40:06,701
* I'M MORE *
2178
01:40:06,701 --> 01:40:09,704
* LIKE MYSELF NOW *
2179
01:40:09,704 --> 01:40:15,009
* THAN I EVER WAS *
2180
01:40:15,009 --> 01:40:17,445
* AND I *
2181
01:40:17,445 --> 01:40:20,282
* DON'T REGRET IT, BABY *
2182
01:40:20,282 --> 01:40:24,452
* I'M NOT AFRAID
OF WANTING YOU *
2183
01:40:26,254 --> 01:40:28,022
* I KNOW NOW *
2184
01:40:28,022 --> 01:40:30,725
* WHAT I'M MADE OF *
2185
01:40:30,725 --> 01:40:33,728
* SKIN AND BONE *
2186
01:40:33,728 --> 01:40:36,498
* MUSCLE AND BLOOD *
2187
01:40:36,498 --> 01:40:41,269
* I KNOW NOW WHAT ROAD I'M ON *
2188
01:40:41,269 --> 01:40:43,538
* I'M A VAGABOND *
2189
01:40:43,538 --> 01:40:47,142
* ON THE STREETS OF LOVE... *
2190
01:40:47,142 --> 01:40:48,976
HEY, LUCY.
2191
01:40:48,976 --> 01:40:50,578
WELL, LOOK WHO'S HERE.
2192
01:40:50,578 --> 01:40:51,979
I GOT A SONG.
2193
01:40:51,979 --> 01:40:54,316
YEAH? WELL,
YOUR HUSBAND'S OVER THERE.
2194
01:40:54,316 --> 01:40:56,318
HE CAME BACK FOR YOU.
2195
01:40:56,318 --> 01:40:58,920
WELL, I CAME BACK FOR MYSELF.
2196
01:40:58,920 --> 01:41:00,322
GOOD FOR YOU.
2197
01:41:00,322 --> 01:41:01,723
LISTEN, YOU THINK
2198
01:41:01,723 --> 01:41:05,127
YOU COULD BREAK ONE
OF THOSE RULES FOR ONCE?
2199
01:41:05,127 --> 01:41:07,095
WELL...
2200
01:41:07,095 --> 01:41:08,096
YOU READY?
2201
01:41:08,096 --> 01:41:09,531
YES, MA'AM.
2202
01:41:09,531 --> 01:41:13,067
WELL,
THEN LET'S SEE WHAT WE CAN DO.
2203
01:41:13,067 --> 01:41:14,569
ALL RIGHT.
2204
01:41:17,205 --> 01:41:19,307
* I KNOW NOW *
2205
01:41:19,307 --> 01:41:22,410
* WHAT I'M MADE OF *
2206
01:41:22,410 --> 01:41:24,779
* SKIN AND BONE *
2207
01:41:24,779 --> 01:41:27,649
* MUSCLE AND BLOOD *
2208
01:41:27,649 --> 01:41:32,787
* I KNOW NOW WHAT ROAD I'M ON *
2209
01:41:32,787 --> 01:41:34,422
* I'M A VAGABOND *
2210
01:41:34,422 --> 01:41:37,192
* ON THE STREETS OF LOVE *
2211
01:41:37,192 --> 01:41:39,994
* HONEY, I'M A VAGABOND *
2212
01:41:39,994 --> 01:41:43,498
* ON THE STREETS OF LOVE *
2213
01:41:59,214 --> 01:42:01,816
WELL, WE THOUGHT THAT WAS IT,
2214
01:42:01,816 --> 01:42:03,017
BUT IT TURNS OUT THAT...
2215
01:42:03,017 --> 01:42:06,087
MIRANDA PRESLEY IS THE
FAT LADY FOR TONIGHT.
2216
01:42:06,087 --> 01:42:07,088
GREAT SONG.
2217
01:42:07,088 --> 01:42:08,089
HEY.
2218
01:42:08,089 --> 01:42:09,624
I'M REALLY PROUD OF YOU.
2219
01:42:09,624 --> 01:42:12,227
YEAH, UM,
I'M GLAD YOU CAME BACK.
2220
01:42:12,227 --> 01:42:13,828
YEAH, ME, TOO.
2221
01:42:13,828 --> 01:42:14,829
GOOD.
2222
01:42:14,829 --> 01:42:15,897
GOOD LUCK.
2223
01:42:19,801 --> 01:42:21,169
UH...
2224
01:42:22,770 --> 01:42:24,439
THIS IS SOMETHING NEW.
2225
01:42:31,346 --> 01:42:34,916
* I HAVE A DREAM OF MY OWN *
2226
01:42:34,916 --> 01:42:38,386
* AND IT'S MINE AND MINE ALONE *
2227
01:42:38,386 --> 01:42:40,154
* IT'S BEEN MY FRIEND *
2228
01:42:40,154 --> 01:42:43,891
* SINCE I WAS JUST A GIRL *
2229
01:42:43,891 --> 01:42:45,527
* IT HAS A LIFE *
2230
01:42:45,527 --> 01:42:47,262
* IT HAS A HEART *
2231
01:42:47,262 --> 01:42:48,630
* HAS A SOUL *
2232
01:42:48,630 --> 01:42:50,798
* AND IT'S A PART *
2233
01:42:50,798 --> 01:42:55,337
* OF EVERYTHING THIS
WOMAN GIVES THE WORLD *
2234
01:42:56,238 --> 01:43:00,308
* AND IT'S A BIG DREAM *
2235
01:43:00,308 --> 01:43:02,577
* BIG ENOUGH TO SHARE *
2236
01:43:02,577 --> 01:43:06,414
* LIKE A RAINBOW *
2237
01:43:06,414 --> 01:43:08,816
* HANGIN' IN THE AIR *
2238
01:43:08,816 --> 01:43:14,188
* AND I THANK GOD FOR
MAKIN' IT COME TRUE *
2239
01:43:16,023 --> 01:43:18,560
* MAKES ME THINK MAYBE *
2240
01:43:18,560 --> 01:43:21,195
* GOD'S A WOMAN, TOO *
2241
01:43:21,195 --> 01:43:26,768
* MAKES ME THINK MAYBE GOD'S A WOMAN,
TOO *
2242
01:43:29,971 --> 01:43:33,475
* THERE'S A FULL MOON TONIGHT *
2243
01:43:33,475 --> 01:43:37,178
* AND I'M BATHING IN ITS LIGHT *
2244
01:43:37,178 --> 01:43:39,180
* NAKED AS THE DAY *
2245
01:43:39,180 --> 01:43:42,417
* THAT I WAS BORN *
2246
01:43:42,417 --> 01:43:45,787
* THERE IS NO SHAME
BENEATH THIS SKY *
2247
01:43:45,787 --> 01:43:49,424
* I HAVE KISSED
THE PAST GOODBYE *
2248
01:43:49,424 --> 01:43:54,562
* AND MENDED UP MY
BROKEN HEART SO TORN *
2249
01:43:55,430 --> 01:43:59,000
* WITH A SWEET SOUND *
2250
01:43:59,000 --> 01:44:01,102
* ONLY I CAN MAKE *
2251
01:44:01,102 --> 01:44:04,672
* AND IT GETS STRONGER *
2252
01:44:04,672 --> 01:44:07,609
* WITH EVERY BREATH I TAKE *
2253
01:44:07,609 --> 01:44:09,444
* AND IT'S ALL A PART *
2254
01:44:09,444 --> 01:44:13,247
* OF MAKING ME FEEL NEW *
2255
01:44:14,582 --> 01:44:17,519
* MAKES ME THINK MAYBE *
2256
01:44:17,519 --> 01:44:19,854
* GOD'S A WOMAN, TOO *
2257
01:44:19,854 --> 01:44:24,892
* MAKES ME THINK MAYBE GOD'S A WOMAN,
TOO *
2258
01:44:43,645 --> 01:44:45,046
YOU WERE WONDERFUL.
2259
01:44:45,046 --> 01:44:48,249
OH,
MY GOD. WHAT ARE YOU DOING BACK?
2260
01:44:48,249 --> 01:44:50,652
YOU WERE SO GOOD.
YOU REALLY WERE.
2261
01:44:50,652 --> 01:44:53,220
THANKS,
BILLY. I HAD SOMETHING TO TAKE CARE OF.
2262
01:44:53,220 --> 01:44:55,623
I SHOULD SAY SO.
WHAT A SURPRISE.
2263
01:44:55,623 --> 01:44:58,225
I JUST CAME HERE TO
SAY GOODBYE TO KYLE,
2264
01:44:58,225 --> 01:44:59,827
AND THEN THERE YOU WERE.
2265
01:44:59,827 --> 01:45:01,228
WHERE ARE YOU GOING?
2266
01:45:01,228 --> 01:45:02,630
O.K. LISTEN UP, EVERYBODY.
2267
01:45:02,630 --> 01:45:04,632
I'LL TELL YOU IN A MINUTE.
2268
01:45:04,632 --> 01:45:06,233
IF I READ YOUR NAME,
2269
01:45:06,233 --> 01:45:07,669
YOU'LL SING HERE SATURDAY NIGHT.
2270
01:45:07,669 --> 01:45:10,538
YOU HAVE TO BE HERE BEFORE 7:00.
2271
01:45:10,538 --> 01:45:12,273
"DAVID WARNER...
2272
01:45:12,273 --> 01:45:13,441
"KYLE DAVIDSON...
2273
01:45:13,441 --> 01:45:15,209
"JULIE FREDERICKS...
2274
01:45:15,209 --> 01:45:16,277
"MISSY PARKER...
2275
01:45:16,277 --> 01:45:19,013
AND MIRANDA PRESLEY."
2276
01:45:20,014 --> 01:45:22,316
I'M SO PROUD OF YOU.
2277
01:45:27,522 --> 01:45:29,524
I'LL MEET YOU BY THE CAR.
2278
01:45:29,524 --> 01:45:31,526
COME ON, BABY. WE'LL SEE YA.
2279
01:45:31,526 --> 01:45:33,127
DID YOU FIND KYLE?
2280
01:45:33,127 --> 01:45:36,030
I DIDN'T SEE KYLE. I SAW FLOYD.
2281
01:45:36,030 --> 01:45:37,031
HEY!
2282
01:45:37,031 --> 01:45:38,433
YOU SHOWED 'EM!
2283
01:45:38,433 --> 01:45:39,834
THAT WAS GREAT.
2284
01:45:39,834 --> 01:45:42,437
YEP,
SOMETIMES IT PAYS TO BREAK THE RULES.
2285
01:45:42,437 --> 01:45:43,438
ALL RIGHT.
2286
01:45:43,438 --> 01:45:44,839
THAT WAS SO LOVELY. PURE.
2287
01:45:44,839 --> 01:45:46,441
YES, FLOYD, GO FIX SOMETHING.
2288
01:45:46,441 --> 01:45:48,209
I WAS GOING TO SAY THAT.
2289
01:45:48,209 --> 01:45:49,444
I'LL HELP.
2290
01:45:49,444 --> 01:45:52,046
I DIDN'T MEAN TO
INTERRUPT OR ANYTHING.
2291
01:45:52,046 --> 01:45:53,415
CAN I SPEAK WITH YOU?
2292
01:45:53,415 --> 01:45:54,816
YEAH, SURE. WHAT'S UP?
2293
01:45:54,816 --> 01:45:59,421
I NEED TO HAVE A WORD
WITH YOU IN PRIVATE.
2294
01:45:59,421 --> 01:46:01,322
OH. O.K. ALL RIGHT.
2295
01:46:01,322 --> 01:46:02,323
PLEASE.
2296
01:46:02,323 --> 01:46:03,324
YEAH.
2297
01:46:03,324 --> 01:46:04,592
THANK YOU.
2298
01:46:11,232 --> 01:46:14,436
THAT WAS SO SOULFUL,
WHAT YOU DID UP THERE.
2299
01:46:14,436 --> 01:46:15,437
SO?
2300
01:46:15,437 --> 01:46:17,672
I MISSED YOU.
2301
01:46:17,672 --> 01:46:18,906
BAD.
2302
01:46:19,807 --> 01:46:21,943
WHAT HAPPENED WITH YOUR ALBUM?
2303
01:46:21,943 --> 01:46:23,144
IT'S O.K.
2304
01:46:23,144 --> 01:46:26,347
I HAD TO COME BACK
TO RETRIEVE OUR LOVE.
2305
01:46:26,347 --> 01:46:30,418
SO THIS IS CONVENIENT
FOR YOU NOW?
2306
01:46:33,755 --> 01:46:38,993
I WAS SCARED THAT I MIGHT
NOT SEE YOU AGAIN, AND...
2307
01:46:40,027 --> 01:46:44,932
I REALIZE MY FAULT IN ALL THIS.
2308
01:46:44,932 --> 01:46:47,134
SOUNDS LIKE A SONG.
2309
01:46:48,736 --> 01:46:52,507
A SONG THAT WE
SHOULD WRITE TOGETHER.
2310
01:46:52,507 --> 01:46:54,542
YEAH?
2311
01:46:54,542 --> 01:46:56,410
I'M STILL YOUR HUSBAND.
2312
01:46:57,378 --> 01:46:58,780
NO, WE GOT DIVORCED...
2313
01:46:58,780 --> 01:47:00,214
IF YOU REMEMBER CORRECTLY.
2314
01:47:00,214 --> 01:47:01,783
WELL, IT DOESN'T COUNT.
2315
01:47:01,783 --> 01:47:04,786
WE GOT TO GO TO THE SAME
SUPERMARKET IN MEMPHIS
2316
01:47:04,786 --> 01:47:06,387
FOR IT TO BE PROPER.
2317
01:47:06,387 --> 01:47:08,523
YEAH?
2318
01:47:09,924 --> 01:47:10,925
O.K.
2319
01:47:10,925 --> 01:47:12,594
WE GOT A DATE.
2320
01:47:13,495 --> 01:47:16,130
WE GOT A DATE TO GET DIVORCED?
2321
01:47:16,130 --> 01:47:17,198
YEAH.
2322
01:47:20,868 --> 01:47:22,136
ALL RIGHT!
2323
01:47:23,905 --> 01:47:28,175
LOOKS LIKE YOU MADE IT
INTO LUCY'S HALL OF FAME.
2324
01:47:31,913 --> 01:47:33,481
LUCY...
2325
01:47:33,481 --> 01:47:35,149
THAT'S A BIG DEAL.
2326
01:47:37,585 --> 01:47:38,586
THANKS, LUCY.
2327
01:47:38,586 --> 01:47:41,556
IT'S A GOOD START.
2328
01:47:41,556 --> 01:47:43,224
MM-HMM.
2329
01:47:45,292 --> 01:47:47,394
ALL RIGHT, Y'ALL.
2330
01:47:47,394 --> 01:47:48,963
ALL RIGHT.
2331
01:47:49,897 --> 01:47:51,298
UH, JAMES...
2332
01:47:51,298 --> 01:47:52,767
BAGS?
2333
01:47:56,538 --> 01:47:57,539
HUH.
2334
01:47:57,539 --> 01:47:59,140
YES, MISS MIRANDA.
2335
01:47:59,140 --> 01:48:01,709
UH-OH. UH-OH.
2336
01:48:05,279 --> 01:48:08,482
WELL,
IT LOOKS LIKE YOU BOTH PULLED A LINDA LUE
2337
01:48:08,482 --> 01:48:09,884
AND CHANGED YOUR MINDS, HUH?
2338
01:48:09,884 --> 01:48:11,886
I, TOO, HAVE CHANGED MY MIND.
2339
01:48:11,886 --> 01:48:13,921
I'M NO LONGER
GOING TO HOLLYWOOD,
2340
01:48:13,921 --> 01:48:16,090
BUT I'M GOING TO NEW YORK
2341
01:48:16,090 --> 01:48:17,224
TO STUDY SERIOUS ACTING.
2342
01:48:17,224 --> 01:48:18,492
NEW YORK?
2343
01:48:18,492 --> 01:48:20,895
I TOLD HER SHE OUGHT
TO STUDY COMEDY.
2344
01:48:20,895 --> 01:48:23,497
COMEDY IS PART OF SERIOUS ACTING,
BILLY.
2345
01:48:23,497 --> 01:48:25,299
HEY, THERE'S KYLE OVER THERE.
2346
01:48:25,299 --> 01:48:27,902
HEY, KYLE DAVIDSON,
DON'T YOU GET IN THAT CAR
2347
01:48:27,902 --> 01:48:30,271
WITHOUT SAYING GOODBYE TO ME!
2348
01:48:31,438 --> 01:48:33,708
COME ON, GET OVER HERE!
2349
01:48:35,042 --> 01:48:37,645
YOU, QUIT BEING SUCH A HANDFUL.
2350
01:48:37,645 --> 01:48:38,646
ALL RIGHT.
2351
01:48:38,646 --> 01:48:39,647
GOODBYE.
2352
01:48:39,647 --> 01:48:41,649
GOOD LUCK IN NEW YORK.
2353
01:48:41,649 --> 01:48:42,650
THANK YOU.
2354
01:48:42,650 --> 01:48:44,251
SEE YOU, SWEETIE.
2355
01:48:44,251 --> 01:48:45,252
O.K.
2356
01:48:45,252 --> 01:48:47,254
DON'T EVEN SAY GOODBYE TO ME.
2357
01:48:47,254 --> 01:48:48,923
JUST COME HERE.
2358
01:48:53,928 --> 01:48:56,764
HEY, LINDA LUE,
IS THAT YOUR FACE I SEE?
2359
01:48:56,764 --> 01:48:58,766
YOU KNOW, THERE IS SOMETHING
2360
01:48:58,766 --> 01:49:01,669
THAT YOU NEVER
UNDERSTOOD ABOUT ME.
2361
01:49:02,336 --> 01:49:03,738
OH, JESUS!
2362
01:49:03,738 --> 01:49:06,608
THAT AIN'T VERY CHRISTIAN,
LINDA LUE!
2363
01:49:11,078 --> 01:49:14,548
YOU COULD'VE HAD ME FOR A SONG.
2364
01:49:18,886 --> 01:49:19,954
HEY.
2365
01:49:21,488 --> 01:49:23,625
FOR GOOD LUCK.
2366
01:49:23,625 --> 01:49:24,792
OH, GOD!
2367
01:49:24,792 --> 01:49:28,062
YOU WANT ME TO
WEAR A YANKEES CAP?
2368
01:49:29,296 --> 01:49:30,798
OH!
2369
01:49:33,367 --> 01:49:35,236
DAMN YANKEES.
2370
01:49:38,339 --> 01:49:39,774
OTHER SIDE.
2371
01:49:39,774 --> 01:49:41,375
WATCH YOUR DAMN DOG.
2372
01:49:41,375 --> 01:49:42,677
GET OVER, BILLY.
2373
01:49:43,778 --> 01:49:45,847
COME ON, LET'S GO.
2374
01:49:47,682 --> 01:49:49,283
SEE YOU TWO...
2375
01:49:49,283 --> 01:49:50,317
THREE.
2376
01:49:50,317 --> 01:49:51,385
SO LONG!
2377
01:49:51,385 --> 01:49:53,020
LOOK OUT, NEW YORK CITY,
2378
01:49:53,020 --> 01:49:57,925
'CAUSE HERE I COME
AND I AIN'T NEVER LEAVING!
2379
01:49:57,925 --> 01:49:59,093
WHOO!
2380
01:50:11,873 --> 01:50:15,076
WELL,
LET'S ALL TAKE A DRIVE IN MY TRUCK.
2381
01:50:15,076 --> 01:50:16,143
COME ON.
2382
01:50:23,751 --> 01:50:26,353
SO WHEN WE MEET AS FRIENDS,
2383
01:50:26,353 --> 01:50:28,155
MY HEART WILL BREAK AGAIN.
2384
01:50:28,155 --> 01:50:31,192
IF THAT'S HOW THE STORY ENDS,
2385
01:50:31,192 --> 01:50:34,729
* THEN I CAN'T UNDERSTAND *
2386
01:50:35,830 --> 01:50:37,932
YEAH, I UNDERSTAND.
2387
01:50:47,742 --> 01:50:48,743
HEY, JIMMY.
2388
01:50:48,743 --> 01:50:49,744
WHAT?
2389
01:50:49,744 --> 01:50:52,579
I GOT THIS IDEA FOR A SONG.
2390
01:50:52,579 --> 01:50:53,715
WHAT'S THAT?
2391
01:50:53,715 --> 01:50:56,117
WELL,
THERE'S THESE TWO KINGS, SEE?
2392
01:50:56,117 --> 01:50:57,719
AND THEY'RE BOTH ALWAYS FIGHTING
2393
01:50:57,719 --> 01:50:59,721
OVER THE SAME
FAIR-HAIRED MAIDEN.
2394
01:50:59,721 --> 01:51:00,722
SOUNDS FAMILIAR.
2395
01:51:00,722 --> 01:51:02,123
YEAH. I'LL DO THE MUSIC,
2396
01:51:02,123 --> 01:51:04,726
YOU DO THE LYRICS,
AND MIRANDA CAN SING IT.
2397
01:51:04,726 --> 01:51:05,727
SOUNDS GOOD.
2398
01:51:05,727 --> 01:51:07,128
HEY, I GOT AN IDEA.
2399
01:51:07,128 --> 01:51:09,130
WHY DON'T I WRITE THE LYRICS
2400
01:51:09,130 --> 01:51:12,133
AND YOU TWO GUYS
CAN SING THE TUNE?
2401
01:51:12,133 --> 01:51:13,067
YOU'RE KIDDING.
2402
01:51:13,067 --> 01:51:15,069
YOU GOT A PROBLEM WITH THAT?
2403
01:51:15,069 --> 01:51:16,670
WE'RE ALL IN
AGREEMENT. ABSOLUTELY.
2404
01:51:16,670 --> 01:51:17,972
GOOD. I'M GLAD. WHOO!
2405
01:51:17,972 --> 01:51:20,574
* YOU GOT A THING OR TWO *
2406
01:51:20,574 --> 01:51:24,011
* TO LEARN ABOUT ME, BABY *
2407
01:51:24,011 --> 01:51:27,081
* 'CAUSE I AIN'T
TAKIN' IT NO MORE *
2408
01:51:27,081 --> 01:51:30,184
* AND I DON'T MEAN MAYBE *
2409
01:51:30,184 --> 01:51:33,654
* YOU DON'T KNOW
RIGHT FROM WRONG *
2410
01:51:33,654 --> 01:51:36,590
* THE LOVE WE HAD IS GONE *
2411
01:51:36,590 --> 01:51:40,427
* SO BLAME IT ON YOUR LYIN',
CHEATIN' *
2412
01:51:40,427 --> 01:51:41,963
* COLD, DEAD-BEATIN' *
2413
01:51:41,963 --> 01:51:44,531
* TWO-TIMIN', DOUBLE-DEALIN' *
2414
01:51:44,531 --> 01:51:46,067
* MEAN, MISTREATIN' *
2415
01:51:46,067 --> 01:51:48,169
* LOVIN' HEART *
2416
01:51:49,103 --> 01:51:51,205
* WELL, ALL I WANTED *
2417
01:51:51,205 --> 01:51:55,376
* WAS TO BE YOUR ONE AND ONLY *
2418
01:51:55,376 --> 01:51:58,880
* AND ALL I EVER GOT FROM YOU *
2419
01:51:58,880 --> 01:52:01,816
* WAS BEIN' LONELY *
2420
01:52:01,816 --> 01:52:05,119
* NOW THAT IS LAID TO REST *
2421
01:52:05,119 --> 01:52:08,222
* 'CAUSE YOU HAVE
FAILED THE TEST *
2422
01:52:08,222 --> 01:52:11,725
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
2423
01:52:11,725 --> 01:52:13,327
* COLD, DEAD-BEATIN' *
2424
01:52:13,327 --> 01:52:15,963
* TWO-TIMIN', DOUBLE-DEALIN' *
2425
01:52:15,963 --> 01:52:17,598
* MEAN, MISTREATIN' *
2426
01:52:17,598 --> 01:52:20,902
* LOVIN' HEART *
2427
01:52:20,902 --> 01:52:22,970
* ARE YOU HEADED
FOR A HEARTACHE? *
2428
01:52:22,970 --> 01:52:24,806
* OH, YEAH *
2429
01:52:24,806 --> 01:52:26,440
* GONNA GET A BAD BREAK *
2430
01:52:26,440 --> 01:52:27,875
* OH, YEAH *
2431
01:52:27,875 --> 01:52:29,043
* MADE A BAD MISTAKE *
2432
01:52:29,043 --> 01:52:30,377
* OH, YEAH *
2433
01:52:30,377 --> 01:52:31,979
* WELL,
YOU'RE NEVER GONNA FIND *
2434
01:52:31,979 --> 01:52:33,547
* ANOTHER LOVE LIKE MINE *
2435
01:52:33,547 --> 01:52:36,183
* WELL, SOMEONE'S GONNA DO YOU *
2436
01:52:36,183 --> 01:52:39,586
* LIKE YOU DONE ME, HONEY *
2437
01:52:39,586 --> 01:52:43,024
* AND WHEN SHE DOES
YOU LIKE SHE'LL DO YOU *
2438
01:52:43,024 --> 01:52:45,993
* WELL, IT AIN'T FUNNY *
2439
01:52:45,993 --> 01:52:49,163
* YOU'LL NEED SOME SYMPATHY *
2440
01:52:49,163 --> 01:52:52,366
* BUT DON'T BE CALLIN' ME *
2441
01:52:52,366 --> 01:52:56,070
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
2442
01:52:56,070 --> 01:52:57,471
* COLD, DEAD-BEATIN' *
2443
01:52:57,471 --> 01:53:00,107
* TWO-TIMIN', DOUBLE-DEALIN' *
2444
01:53:00,107 --> 01:53:01,742
* MEAN, MISTREATIN' *
2445
01:53:01,742 --> 01:53:05,146
* LOVIN' HEART *
2446
01:53:05,146 --> 01:53:07,548
* ARE YOU HEADED
FOR A HEARTACHE? *
2447
01:53:07,548 --> 01:53:08,883
* OH, YEAH *
2448
01:53:08,883 --> 01:53:10,551
* GONNA GET A BAD BREAK *
2449
01:53:10,551 --> 01:53:11,886
* OH, YEAH *
2450
01:53:11,886 --> 01:53:13,487
* MADE A BAD MISTAKE *
2451
01:53:13,487 --> 01:53:14,621
* OH, YEAH *
2452
01:53:14,621 --> 01:53:16,023
* WELL,
YOU'RE NEVER GONNA FIND *
2453
01:53:16,023 --> 01:53:17,859
* ANOTHER LOVE LIKE MINE *
2454
01:53:17,859 --> 01:53:20,661
* WELL, SOMEONE'S GONNA DO YOU *
2455
01:53:20,661 --> 01:53:23,764
* LIKE YOU DONE ME, HONEY *
2456
01:53:23,764 --> 01:53:27,601
* AND WHEN SHE DOES
YOU LIKE SHE'LL DO YOU *
2457
01:53:27,601 --> 01:53:30,271
* WELL, IT AIN'T FUNNY *
2458
01:53:30,271 --> 01:53:33,374
* YOU'LL NEED SOME SYMPATHY *
2459
01:53:33,374 --> 01:53:36,577
* BUT DON'T BE CALLIN' ME *
2460
01:53:36,577 --> 01:53:40,247
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
2461
01:53:40,247 --> 01:53:42,049
* COLD, DEAD-BEATIN' *
2462
01:53:42,049 --> 01:53:44,285
* TWO-TIMIN', DOUBLE-DEALIN' *
2463
01:53:44,285 --> 01:53:46,087
* MEAN, MISTREATIN' *
2464
01:53:46,087 --> 01:53:48,155
* LOVIN' HEART *
2465
01:53:49,256 --> 01:53:52,659
* YOU'LL NEED SOME SYMPATHY *
2466
01:53:52,659 --> 01:53:55,596
* BUT DON'T BE CALLIN' ME *
2467
01:53:55,596 --> 01:53:59,100
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
2468
01:53:59,100 --> 01:54:00,935
* COLD, DEAD-BEATIN' *
2469
01:54:00,935 --> 01:54:03,270
* TWO-TIMIN', DOUBLE-DEALIN' *
2470
01:54:03,270 --> 01:54:05,072
* MEAN, MISTREATIN' *
2471
01:54:05,072 --> 01:54:07,141
* LOVIN' HEART *
2472
01:54:08,442 --> 01:54:11,778
* HEY, BLAME IT ON YOUR LYIN',
CHEATIN' *
2473
01:54:11,778 --> 01:54:13,547
* COLD, DEAD-BEATIN' *
2474
01:54:13,547 --> 01:54:16,183
* TWO-TIMIN', DOUBLE-DEALIN' *
2475
01:54:16,183 --> 01:54:17,518
* MEAN, MISTREATIN' *
2476
01:54:17,518 --> 01:54:19,086
* LOVIN' HEART *
2477
01:54:19,110 --> 01:54:22,110
Subtitles Diego Moraes(oakislandtk)
www.opensubtitles.org
161243
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