Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,020 --> 00:00:07,690
Previously on Genius...
2
00:00:07,720 --> 00:00:10,360
PICASSO: I want to do
something original.
3
00:00:10,390 --> 00:00:12,000
-Unique!
-PALLARES: You could paint
4
00:00:12,030 --> 00:00:14,160
your perfect painting, Pablo.
5
00:00:14,200 --> 00:00:15,500
PICASSO:
These paintings, they were
6
00:00:15,530 --> 00:00:16,930
the best work I've ever done.
7
00:00:16,970 --> 00:00:18,500
I've had my work
8
00:00:18,540 --> 00:00:20,200
-destroyed before.
-ROSENBERG: And the Nazis
9
00:00:20,240 --> 00:00:23,140
have labeled every bit of it
as "degenerate."
10
00:00:23,170 --> 00:00:24,910
It is extraordinary, Pablo.
11
00:00:24,940 --> 00:00:26,880
YOUNG PICASSO:
It's a gift, Uncle,
12
00:00:26,910 --> 00:00:28,850
to thank you for everything
you've done for me.
13
00:00:28,880 --> 00:00:31,980
I made a vow to God
that if he let Conchita live,
14
00:00:32,020 --> 00:00:33,420
I would give up painting.
15
00:00:33,450 --> 00:00:35,250
God knew I could
never keep my promise.
16
00:00:35,290 --> 00:00:36,590
So to punish me...
17
00:00:36,620 --> 00:00:39,620
(crying):
...he took her.
18
00:00:39,660 --> 00:00:40,960
The roses are exquisite, Hervé.
19
00:00:40,990 --> 00:00:42,530
HERVE:
Thank you, Monsieur.
20
00:00:42,560 --> 00:00:44,060
There are thorns.
21
00:00:44,090 --> 00:00:46,500
-Be careful.
-DORA (whispers): Never.
22
00:00:46,530 --> 00:00:47,530
MARIE-THERESE:
Who is this woman, Pablo?
23
00:00:47,560 --> 00:00:49,170
I am Dora Maar.
24
00:00:49,200 --> 00:00:50,530
And you must be Marie-Thérèse.
25
00:00:50,570 --> 00:00:52,040
(yelling, grunting)
26
00:00:52,070 --> 00:00:54,470
(laughing):
I will never be bored by you.
27
00:00:54,500 --> 00:00:56,070
-(laughing)
-My name is
28
00:00:56,110 --> 00:00:57,340
Carles Casagemas.
29
00:00:57,370 --> 00:00:59,540
What is yours?
30
00:00:59,580 --> 00:01:01,210
Picasso.
31
00:01:01,250 --> 00:01:03,110
CASAGEMAS: Picasso and I,
we are the future.
32
00:01:03,150 --> 00:01:04,350
I don't understand you,
Françoise.
33
00:01:04,380 --> 00:01:06,220
I want to be a painter.
34
00:01:06,250 --> 00:01:08,550
You will become a lawyer.
Do I make myself clear?
35
00:01:08,590 --> 00:01:10,850
SERT: Franco and his fanatics
are winning the war.
36
00:01:10,890 --> 00:01:14,620
Franco has Hitler and the Nazis
on his side, Pablo.
37
00:01:14,660 --> 00:01:18,230
-We need you on ours.
-DORA: I know you didn't want
38
00:01:18,260 --> 00:01:19,930
to make a painting
for the Spanish Pavilion.
39
00:01:19,960 --> 00:01:21,530
But now you must.
40
00:01:21,570 --> 00:01:23,370
PICASSO:
I am going to need
41
00:01:23,400 --> 00:01:24,930
a very big canvas.
42
00:01:24,970 --> 00:01:27,540
ROSENBERG: I'm getting
my family to safety.
43
00:01:27,570 --> 00:01:29,740
Guernica made the Nazis
very angry.
44
00:01:29,770 --> 00:01:31,880
You have children,
45
00:01:31,910 --> 00:01:33,080
women you love.
46
00:01:33,110 --> 00:01:35,080
Some things are
more important than art.
47
00:01:35,110 --> 00:01:37,450
Not to me.
48
00:01:38,580 --> 00:01:40,420
*
49
00:02:09,780 --> 00:02:11,780
*
50
00:02:25,360 --> 00:02:27,000
*
51
00:02:27,030 --> 00:02:28,470
(explosion)
52
00:02:29,470 --> 00:02:30,730
(explosion)
53
00:02:41,450 --> 00:02:43,010
(explosion)
54
00:02:44,410 --> 00:02:47,150
*
55
00:02:48,080 --> 00:02:50,150
(explosion)
56
00:02:55,560 --> 00:02:56,830
-Françoise.
-Mama?
57
00:02:56,860 --> 00:02:58,300
The Germans
have crossed the border.
58
00:02:58,330 --> 00:03:00,200
You must hurry.
Your father is waiting
59
00:03:00,230 --> 00:03:02,670
-for us at the harbor
in Saint-Malo.
-(distant explosion)
60
00:03:09,070 --> 00:03:10,710
(people gasping)
61
00:03:14,910 --> 00:03:16,710
FRANCOISE:
Papa!
62
00:03:16,750 --> 00:03:19,480
Françoise. Madeleine.
Oh, thank God.
63
00:03:22,590 --> 00:03:25,150
-Where are they all going?
-The Germans have closed
the harbor.
64
00:03:25,190 --> 00:03:27,690
So we could have been
in England days ago.
65
00:03:27,720 --> 00:03:30,030
But no, you insisted
Françoise take
66
00:03:30,060 --> 00:03:33,030
this stupid exam,
and now we're prisoners?
67
00:03:33,060 --> 00:03:35,000
We are not prisoners.
We are French citizens.
68
00:03:35,030 --> 00:03:38,740
Yes. With Nazi monsters!
69
00:03:44,410 --> 00:03:46,410
*
70
00:03:53,420 --> 00:03:55,050
(soldier shouting in German)
71
00:03:56,790 --> 00:03:58,590
(phone rings)
72
00:04:07,100 --> 00:04:10,200
That was Hervé,
calling from Tremblay.
73
00:04:10,230 --> 00:04:12,400
German troops
have commandeered the house.
74
00:04:12,440 --> 00:04:14,270
PICASSO:
Bastards.
75
00:04:14,300 --> 00:04:17,240
They think they can just take
whatever they want.
76
00:04:17,270 --> 00:04:18,880
They do have guns and tanks.
77
00:04:18,910 --> 00:04:20,780
And it could have been
much worse.
78
00:04:20,810 --> 00:04:24,080
Maya and Marie-Thérèse
could have been there.
79
00:04:30,120 --> 00:04:31,920
Get the car.
80
00:04:31,960 --> 00:04:33,890
Pablo, it's 300 miles.
81
00:04:33,920 --> 00:04:36,130
-Then we better get on the road.
-And what are you going
82
00:04:36,160 --> 00:04:37,790
to do when we get there?
83
00:04:37,830 --> 00:04:40,230
Ask the Nazis politely
to give you back your house?
84
00:04:40,260 --> 00:04:42,870
-I don't care about the house.
-Then what?
85
00:04:42,900 --> 00:04:44,230
We are gonna steal my art.
86
00:04:44,270 --> 00:04:45,770
(gunshot, glass shatters)
87
00:04:45,800 --> 00:04:48,640
(gunshots,
glass shattering)
88
00:04:52,010 --> 00:04:54,340
(shouting in German)
89
00:04:57,580 --> 00:05:00,620
*
90
00:05:16,130 --> 00:05:18,540
PICASSO: Put as much
as you can in the car.
91
00:05:18,570 --> 00:05:19,970
The rest in Hervé's truck.
92
00:05:20,000 --> 00:05:21,440
-(clapping hands)
-Hurry!
93
00:05:21,470 --> 00:05:24,140
*
94
00:05:31,850 --> 00:05:34,420
PICASSO (chuckles): You
should have seen it, my love.
95
00:05:34,450 --> 00:05:37,190
We were a band of gypsies
picking the Nazis clean.
96
00:05:37,220 --> 00:05:38,960
DORA:
What if you'd been caught?
97
00:05:38,990 --> 00:05:40,190
PICASSO:
Oh, impossible.
98
00:05:40,220 --> 00:05:42,530
No, my African masks protect me
99
00:05:42,560 --> 00:05:44,360
against all evil spirits.
100
00:05:44,390 --> 00:05:46,760
This isn't a joke, Pablo.
They might have killed you.
101
00:05:46,800 --> 00:05:49,000
But they didn't. Did they?
102
00:05:51,330 --> 00:05:53,070
(chuckles)
103
00:06:01,550 --> 00:06:04,410
So you saved your paintings.
104
00:06:04,450 --> 00:06:06,650
Now we should go.
105
00:06:06,680 --> 00:06:08,320
Go?
106
00:06:08,350 --> 00:06:10,350
(chuckles):
Where?
107
00:06:10,390 --> 00:06:12,360
To America.
108
00:06:12,390 --> 00:06:14,820
It's too dangerous here.
109
00:06:23,430 --> 00:06:24,870
Huh.
110
00:06:26,100 --> 00:06:27,740
So...
111
00:06:29,240 --> 00:06:32,610
...wh-when the fascists
were far away in Spain,
112
00:06:32,640 --> 00:06:34,610
you wanted to fight them.
113
00:06:34,640 --> 00:06:37,910
You... you wanted me
to paint Guernica.
114
00:06:39,320 --> 00:06:41,420
And now that they are
on our doorstep,
115
00:06:41,450 --> 00:06:44,390
you-you just want to run away?
116
00:06:53,130 --> 00:06:55,570
-*
-(sighs)
117
00:07:09,280 --> 00:07:11,050
Take it.
118
00:07:14,580 --> 00:07:16,320
Go on.
119
00:07:17,650 --> 00:07:19,160
Play that game you played
120
00:07:19,190 --> 00:07:21,360
the night we first met.
121
00:07:21,390 --> 00:07:24,330
Spread your fingers apart and
drive the blade between them.
122
00:07:24,360 --> 00:07:26,430
Pablo, please.
123
00:07:26,460 --> 00:07:28,670
Even when you missed
and drew blood,
124
00:07:28,700 --> 00:07:30,930
-you didn't flinch.
-I was drunk.
125
00:07:30,970 --> 00:07:33,600
You were fearless.
126
00:07:37,210 --> 00:07:38,910
(exhales)
127
00:07:38,940 --> 00:07:41,310
You do what you want,
128
00:07:41,340 --> 00:07:43,850
but I am going back to Paris.
129
00:07:52,060 --> 00:07:54,060
*
130
00:08:22,890 --> 00:08:25,020
(bells tinkling)
131
00:08:25,050 --> 00:08:28,060
*
132
00:08:30,090 --> 00:08:32,060
PICASSO:
Come with me, Carles.
133
00:08:32,100 --> 00:08:33,760
Show Mañach some of your work.
134
00:08:33,800 --> 00:08:36,370
Nonell says he has a soft spot
for Spaniards.
135
00:08:36,400 --> 00:08:40,470
Mm. Well, you be the picador--
soften up the bull.
136
00:08:40,500 --> 00:08:44,010
And when you've weakened him,
I'll come in for the kill!
137
00:08:44,040 --> 00:08:46,140
-(knocking)
-I will get it.
138
00:08:46,180 --> 00:08:49,380
You're onto something,
and... clearly I am not.
139
00:08:51,450 --> 00:08:53,450
(knocking continues)
140
00:08:54,620 --> 00:08:56,590
Oh, uh, I'm looking for Pablo.
141
00:08:56,620 --> 00:08:58,350
CASAGEMAS (laughs):
You must be Pallarès.
142
00:08:58,390 --> 00:09:00,790
-I see you've found our tailor.
-Manuel.
143
00:09:00,820 --> 00:09:02,790
I'm so glad you're finally here.
144
00:09:02,830 --> 00:09:04,190
Where were you?
145
00:09:04,230 --> 00:09:06,060
You were supposed to meet me
at the station.
146
00:09:06,100 --> 00:09:08,060
Ah. I lost track of the time.
147
00:09:08,100 --> 00:09:10,630
I can see why.
148
00:09:10,670 --> 00:09:14,570
Pallarès, say hello to Odette.
149
00:09:14,600 --> 00:09:15,770
Enchantée.
150
00:09:18,010 --> 00:09:20,010
Antoinette.
151
00:09:20,040 --> 00:09:21,780
Lovely to meet you.
152
00:09:23,080 --> 00:09:25,080
And Germaine.
153
00:09:26,080 --> 00:09:27,780
We'll make coffee.
154
00:09:30,550 --> 00:09:32,420
-Friends of Nonell's.
-Mm.
155
00:09:32,460 --> 00:09:34,990
-They were here when we arrived.
-We didn't think it was polite
156
00:09:35,020 --> 00:09:36,390
to ask them to leave.
157
00:09:36,430 --> 00:09:38,430
No, of course not.
158
00:09:38,460 --> 00:09:40,430
CASAGEMAS:
Since Pablo prefers Odette,
159
00:09:40,460 --> 00:09:42,700
I'll have to satisfy
the other two.
160
00:09:42,730 --> 00:09:45,400
But I suppose I could find it
in my heart to...
161
00:09:45,430 --> 00:09:48,100
lend you Antoinette.
162
00:09:50,670 --> 00:09:52,540
Is he serious?
163
00:09:53,540 --> 00:09:55,010
Welcome to Paris.
164
00:09:55,040 --> 00:09:57,050
-(chuckles)
-(slaps Pallerès' back)
165
00:09:59,120 --> 00:10:01,080
PICASSO:
What do you think?
166
00:10:03,890 --> 00:10:07,820
Spanish painters are as common
as mud in Paris these days.
167
00:10:09,760 --> 00:10:10,890
PICASSO:
Very well, then.
168
00:10:10,930 --> 00:10:12,660
I will find someone
169
00:10:12,700 --> 00:10:14,500
who likes the common touch.
170
00:10:14,530 --> 00:10:17,470
I'll take three on consignment.
171
00:10:17,500 --> 00:10:20,440
See what I can do.
172
00:10:20,470 --> 00:10:21,870
No promises.
173
00:10:21,910 --> 00:10:24,540
BERTHE:
I'll give you 100 francs
174
00:10:24,570 --> 00:10:26,810
for all three of them.
175
00:10:28,080 --> 00:10:31,250
Mm, I don't know, Berthe.
176
00:10:31,280 --> 00:10:34,020
Young Spaniards are
all the rage these days.
177
00:10:34,050 --> 00:10:37,390
If you had another buyer,
you would not have come to me.
178
00:10:39,820 --> 00:10:41,960
Now, tell me, what is he like?
179
00:10:41,990 --> 00:10:43,690
This...
180
00:10:43,730 --> 00:10:45,830
Picasso?
181
00:10:45,860 --> 00:10:47,500
Small.
182
00:10:47,530 --> 00:10:49,300
Intense.
183
00:10:49,330 --> 00:10:52,400
And exclusive to me,
in case you're wondering.
184
00:10:52,440 --> 00:10:53,500
(rapping on door)
185
00:10:53,540 --> 00:10:55,170
MAÑACH:
It wasn't easy.
186
00:10:55,200 --> 00:10:58,310
But...
187
00:10:58,340 --> 00:11:00,640
I managed to sell all three.
188
00:11:00,680 --> 00:11:03,180
That's quite an achievement,
189
00:11:03,210 --> 00:11:07,180
considering Spaniards are
"as common as mud."
190
00:11:07,220 --> 00:11:09,450
After my expenses
and commission,
191
00:11:09,490 --> 00:11:11,820
you've earned yourself
50 francs.
192
00:11:11,860 --> 00:11:13,590
Or...
193
00:11:13,620 --> 00:11:17,590
I could give you 150 francs
every month.
194
00:11:17,630 --> 00:11:19,360
In return,
195
00:11:19,400 --> 00:11:22,230
I own everything you produce.
196
00:11:26,270 --> 00:11:28,810
-Everything?
-You keep the stipend
197
00:11:28,840 --> 00:11:31,410
whether I sell the work or not;
the risk is entirely mine.
198
00:11:31,440 --> 00:11:36,180
This is the way the art business
is conducted in Paris, Picasso.
199
00:11:36,210 --> 00:11:39,350
Ask around;
it's more than fair.
200
00:11:46,090 --> 00:11:48,320
Can you pay in advance?
201
00:11:54,500 --> 00:11:56,430
-To Picasso!
-To Picasso!
202
00:11:58,070 --> 00:12:00,140
-To Picasso!
-(giggles)
203
00:12:00,170 --> 00:12:02,170
*
204
00:12:02,210 --> 00:12:04,210
PALLARES:
Let's dance.
205
00:12:15,320 --> 00:12:18,090
I am in love with Germaine.
206
00:12:18,120 --> 00:12:19,960
You're drunk.
207
00:12:19,990 --> 00:12:22,760
True. But I'm
also quite serious.
208
00:12:22,790 --> 00:12:26,360
I can't paint, I can't sleep.
209
00:12:26,400 --> 00:12:28,560
-I want to marry her.
-(chuckles)
210
00:12:28,600 --> 00:12:29,670
Carles...
211
00:12:29,700 --> 00:12:31,500
we are not in Spain anymore.
212
00:12:31,530 --> 00:12:35,040
You don't have to marry a woman
or pay her to get her to...
213
00:12:35,070 --> 00:12:37,110
I haven't.
214
00:12:37,140 --> 00:12:40,080
Gotten her to...
215
00:12:43,650 --> 00:12:47,450
I know, I know,
I've-I've... I've boasted, but
216
00:12:47,480 --> 00:12:49,190
the studio's always so crowded.
217
00:12:49,220 --> 00:12:51,960
We're-we're never alone.
218
00:12:51,990 --> 00:12:54,760
There's no one
at the studio now.
219
00:12:54,790 --> 00:12:57,360
(laughter)
220
00:13:02,230 --> 00:13:04,730
(Casagemas and Germaine
kissing and moaning)
221
00:13:04,770 --> 00:13:06,600
GERMAINE:
I can't wait anymore.
222
00:13:06,640 --> 00:13:08,100
(moaning)
223
00:13:08,140 --> 00:13:10,270
(laughing):
I can't.
224
00:13:10,310 --> 00:13:12,380
-Mmm.
-I...
225
00:13:12,410 --> 00:13:14,210
I help you, okay?
226
00:13:14,240 --> 00:13:16,410
-I...
-(sighs)
227
00:13:16,450 --> 00:13:19,980
I... I-I-I-I... I-I...
228
00:13:20,020 --> 00:13:22,420
I mean...
229
00:13:22,450 --> 00:13:25,390
I...
230
00:13:25,420 --> 00:13:27,920
I-I can't.
231
00:13:36,200 --> 00:13:39,600
(Casagemas sighs)
232
00:13:43,240 --> 00:13:45,670
-Carles...
-I'm sorry.
233
00:13:47,180 --> 00:13:49,580
(Casagemas exhales)
234
00:13:51,610 --> 00:13:53,980
(sighs)
235
00:14:06,360 --> 00:14:08,360
*
236
00:14:26,720 --> 00:14:28,480
-(indistinct chatter)
-*
237
00:14:36,430 --> 00:14:38,460
(indistinct chatter)
238
00:14:53,940 --> 00:14:56,350
-(indistinct chatter)
-*
239
00:15:03,120 --> 00:15:04,950
MAN:
It's so alive.
240
00:15:04,990 --> 00:15:08,690
I can almost smell the smoke
and the perfume.
241
00:15:08,720 --> 00:15:10,860
BERTHE:
Didn't I tell you, Arthur?
242
00:15:10,890 --> 00:15:13,800
He is one of the most exciting
young artists
243
00:15:13,830 --> 00:15:16,530
working in Paris today.
244
00:15:16,570 --> 00:15:18,570
How much?
245
00:15:18,600 --> 00:15:20,240
Two hundred and fifty.
246
00:15:22,140 --> 00:15:24,470
MAÑACH: Arthur Huc is one
of the most influential
247
00:15:24,510 --> 00:15:26,240
collectors in Paris,
and he thought
248
00:15:26,280 --> 00:15:28,240
your painting could have been
a Degas or Lautrec.
249
00:15:28,280 --> 00:15:29,680
You're getting noticed.
250
00:15:29,710 --> 00:15:31,880
Yes.
251
00:15:31,910 --> 00:15:36,390
For copying the styles
of other painters.
252
00:15:36,420 --> 00:15:38,090
It's what sells,
and I need more.
253
00:15:38,120 --> 00:15:40,120
CASAGEMAS:
Don't be so gloomy, Pablo.
254
00:15:40,160 --> 00:15:43,030
You're going to be famous.
(chuckles)
255
00:15:45,460 --> 00:15:47,600
What about Casagemas?
256
00:15:47,630 --> 00:15:51,970
Have you seen his watercolor
of Germaine?
257
00:15:52,000 --> 00:15:53,440
-It's-it's, uh...
-Show him, Carles.
258
00:15:53,470 --> 00:15:55,170
-Mm-hmm.
-MAÑACH: I'm sure it's charming,
259
00:15:55,200 --> 00:15:57,110
but I need more paintings
from you, Pablo.
260
00:16:00,010 --> 00:16:01,610
Work up
some more dance hall scenes.
261
00:16:04,650 --> 00:16:07,150
(footsteps retreating)
262
00:16:10,950 --> 00:16:13,720
I see
you're an admirer of Matisse.
263
00:16:13,760 --> 00:16:15,790
You think it's derivative.
264
00:16:19,800 --> 00:16:21,900
Maybe my father was right.
265
00:16:21,930 --> 00:16:23,970
About what?
266
00:16:24,000 --> 00:16:26,100
He wants me to be a lawyer.
267
00:16:26,140 --> 00:16:28,440
(laughs softly)
268
00:16:28,470 --> 00:16:30,910
What's the point of that
269
00:16:30,940 --> 00:16:32,980
if there's no law
in the world anymore?
270
00:16:35,640 --> 00:16:37,980
Well...
271
00:16:38,010 --> 00:16:40,420
I can teach you what I know.
272
00:16:44,790 --> 00:16:47,290
The first thing is...
273
00:16:47,320 --> 00:16:49,460
there is no shame
in being derivative
274
00:16:49,490 --> 00:16:52,160
when you're starting out.
275
00:16:52,200 --> 00:16:56,970
Your friend Matisse
is the best... for color.
276
00:16:57,000 --> 00:16:59,840
But if you want to learn
how to draw a line,
277
00:16:59,870 --> 00:17:01,740
you must study Picasso.
278
00:17:01,770 --> 00:17:04,240
PICASSO:
Sabartés,
279
00:17:04,270 --> 00:17:05,710
I thought you were going
280
00:17:05,740 --> 00:17:08,510
to find me some bronze
for my sculptures.
281
00:17:08,540 --> 00:17:12,450
It seems the Nazis have
confiscated it all
282
00:17:12,480 --> 00:17:14,250
to make their shiny bullets.
283
00:17:14,280 --> 00:17:18,020
So, I suppose you couldn't
find me any cadmium red, either,
284
00:17:18,050 --> 00:17:20,320
'cause they need it
to paint swastikas.
285
00:17:20,360 --> 00:17:23,860
No one forced you
to stay in Paris.
286
00:17:23,890 --> 00:17:28,860
I would go back to Spain if that
Fascist pig wasn't in charge.
287
00:17:28,900 --> 00:17:31,070
(Picasso sighs)
288
00:17:31,100 --> 00:17:33,070
To see Pallarés in Horta.
289
00:17:33,100 --> 00:17:35,100
That was the last time
in my life
290
00:17:35,140 --> 00:17:38,410
I felt truly free.
291
00:17:38,440 --> 00:17:40,880
(loud knocking)
292
00:17:42,610 --> 00:17:44,610
(knocking continues)
293
00:17:52,050 --> 00:17:54,060
Ah.
294
00:17:54,090 --> 00:17:56,060
Good evening.
295
00:17:56,090 --> 00:17:57,630
Is Herr Picasso at home?
296
00:18:03,230 --> 00:18:04,670
(thudding)
297
00:18:04,700 --> 00:18:06,100
PICASSO:
You be careful with that.
298
00:18:06,140 --> 00:18:09,000
Is Herr Rosenberg staying here?
299
00:18:09,040 --> 00:18:10,870
No.
300
00:18:10,910 --> 00:18:12,240
Herr Goldstein, perhaps?
301
00:18:12,280 --> 00:18:15,080
I told you last time.
302
00:18:15,110 --> 00:18:18,080
And the time before.
303
00:18:18,110 --> 00:18:22,420
Here there is only Picasso.
304
00:18:22,450 --> 00:18:24,890
So then...
305
00:18:24,920 --> 00:18:26,920
you did this?
306
00:18:28,590 --> 00:18:30,960
No.
307
00:18:30,990 --> 00:18:33,460
You did.
308
00:18:35,500 --> 00:18:39,470
You know, Herr Picasso, we have
been very gracious to you,
309
00:18:39,500 --> 00:18:43,140
but we could take away
everything in this room.
310
00:18:43,170 --> 00:18:45,410
And everyone.
311
00:18:47,510 --> 00:18:51,580
I am told your General Muller is
an admirer of mine.
312
00:18:51,610 --> 00:18:53,380
(thuds)
313
00:18:58,120 --> 00:19:00,120
Go ahead.
314
00:19:01,820 --> 00:19:03,960
Take me.
315
00:19:03,990 --> 00:19:07,900
You see what happens
when he finds out
316
00:19:07,930 --> 00:19:10,830
you arrested the most famous
artist in the world.
317
00:19:13,040 --> 00:19:15,600
Perhaps it is you
who will disappear.
318
00:19:19,810 --> 00:19:21,610
(speaking German)
319
00:19:25,010 --> 00:19:28,850
Until next time, Herr Picasso.
320
00:19:49,170 --> 00:19:50,610
GERMAINE:
It's lovely.
321
00:19:50,640 --> 00:19:51,840
CASAGEMAS:
It's not as lovely as you.
322
00:19:51,870 --> 00:19:54,510
-You're so silly.
-Why?
323
00:19:54,540 --> 00:19:56,310
Because I'm in love with you?
324
00:19:56,350 --> 00:20:01,020
Then I happily declare I am the
silliest man in all of Paris!
325
00:20:01,050 --> 00:20:02,920
-Don't!
-(bells tolling)
326
00:20:02,950 --> 00:20:04,550
(laughs)
327
00:20:04,590 --> 00:20:06,490
I'm going
to buy you that necklace.
328
00:20:06,520 --> 00:20:08,890
With what? You haven't got
a single centime to your name.
329
00:20:08,920 --> 00:20:12,090
I'll sell my paintings,
the clothes off my back.
330
00:20:12,130 --> 00:20:14,130
I have to go.
331
00:20:14,160 --> 00:20:16,500
Germaine, Germaine,
wait, wait, wait.
332
00:20:16,530 --> 00:20:19,640
I thought we were
spending the day together.
333
00:20:19,670 --> 00:20:21,670
I'm meeting someone.
334
00:20:21,700 --> 00:20:24,340
Who?
335
00:20:24,370 --> 00:20:26,740
-Carles, you're very sweet...
-Who?
336
00:20:26,780 --> 00:20:29,210
But I don't answer to you.
337
00:20:32,750 --> 00:20:35,020
PICASSO:
I'm worried about you.
338
00:20:35,050 --> 00:20:38,550
When was the last time
you picked up a brush?
339
00:20:38,590 --> 00:20:42,590
I can't paint. Not until
I know Germaine is mine.
340
00:20:44,390 --> 00:20:47,600
Lend me some money, Pablo.
341
00:20:47,630 --> 00:20:49,430
-For what?
-There is
342
00:20:49,470 --> 00:20:51,400
a necklace that she admired.
343
00:20:51,430 --> 00:20:54,200
-Carles.
-Please, Pablo, please.
344
00:20:54,240 --> 00:20:56,200
-Carles.
-Please, Pablo.
345
00:20:56,240 --> 00:20:58,210
Please.
346
00:21:12,960 --> 00:21:15,320
Buy some paints instead.
347
00:21:16,930 --> 00:21:18,890
Thank you.
348
00:21:18,930 --> 00:21:22,230
I will pay you back. I will.
349
00:21:23,500 --> 00:21:25,270
(footsteps retreating)
350
00:21:25,300 --> 00:21:27,640
MAÑACH:
Trust me, Madame.
351
00:21:27,670 --> 00:21:31,240
Picasso here is the most
exciting young painter in Paris.
352
00:21:31,270 --> 00:21:34,410
A portrait by him would make you
the envy of your friends.
353
00:21:34,440 --> 00:21:38,350
Can he paint me
in the style of Renoir?
354
00:21:38,380 --> 00:21:40,680
Picasso can paint
in any style you want.
355
00:21:40,720 --> 00:21:43,120
Renoir, Lautrec, Degas.
356
00:21:43,150 --> 00:21:45,250
WOMAN:
Very well, then.
357
00:21:45,290 --> 00:21:47,920
As long
as he makes me look pretty.
358
00:21:53,330 --> 00:21:55,330
I am sorry, Madame,
359
00:21:55,360 --> 00:21:59,540
but I'm not nearly
talented enough to do that.
360
00:22:02,000 --> 00:22:04,370
Pablo!
361
00:22:07,610 --> 00:22:09,580
(indistinct chatter)
362
00:22:10,880 --> 00:22:13,420
MAÑACH:
Pablo!
363
00:22:13,450 --> 00:22:17,120
Pablo! (sighs)
364
00:22:17,150 --> 00:22:19,620
-Empty your pockets.
-What?!
365
00:22:19,660 --> 00:22:21,860
How much do you have left
of your stipend
366
00:22:21,890 --> 00:22:24,090
after feeding
and housing all of those
367
00:22:24,130 --> 00:22:26,500
bloodsucking friends of yours?
368
00:22:30,000 --> 00:22:33,200
I didn't come to Paris
to paint dance hall scenes
369
00:22:33,240 --> 00:22:35,240
and fat cows
in the style of Renoir.
370
00:22:35,270 --> 00:22:38,810
You need to eat, and to eat,
371
00:22:38,840 --> 00:22:42,040
you need to paint a few cows.
372
00:22:47,450 --> 00:22:49,150
PALLARES: Hey, save some
for the rest of us.
373
00:22:49,180 --> 00:22:52,350
(women giggling)
374
00:22:53,560 --> 00:22:57,030
PICASSO:
Hmm. Ah, behold,
375
00:22:57,060 --> 00:22:59,390
the incomparable Casagemas.
376
00:22:59,430 --> 00:23:01,030
(indistinct chatter, laughter)
377
00:23:01,060 --> 00:23:03,600
-Carles...
-I bought you something.
378
00:23:03,630 --> 00:23:08,040
I heard a rumor
about you, Carles, that
379
00:23:08,070 --> 00:23:11,370
you put your brush down, and now
you cannot pick it up again.
380
00:23:11,410 --> 00:23:13,080
(laughter)
381
00:23:14,580 --> 00:23:17,080
Well, go ahead. Open it.
382
00:23:17,110 --> 00:23:19,550
-I can't accept this, Carles.
-Why not?
383
00:23:19,580 --> 00:23:21,580
Because...
384
00:23:21,620 --> 00:23:23,420
I'm not in love with you.
385
00:23:23,450 --> 00:23:25,420
I can change your mind.
386
00:23:25,450 --> 00:23:27,660
-No, you can't. No.
-Yes.
-PICASSO: Carles.
387
00:23:27,690 --> 00:23:30,230
-CASAGEMAS: Yes.
-Carles, relax, have a drink.
388
00:23:30,260 --> 00:23:32,560
It's the necklace you admired.
389
00:23:32,600 --> 00:23:34,260
Please just let me
put it on you.
390
00:23:34,300 --> 00:23:36,200
-No, Carles. No, no.
-Please. Why?
391
00:23:36,230 --> 00:23:39,230
-Why not?
-Because you cannot satisfy me.
392
00:23:39,270 --> 00:23:41,470
(Antoinette giggles)
393
00:23:44,640 --> 00:23:46,940
(women giggling)
394
00:23:46,980 --> 00:23:49,340
I'm sorry, Carles.
395
00:23:52,880 --> 00:23:55,350
I'm sorry.
396
00:24:01,690 --> 00:24:03,760
Oh.
397
00:24:03,790 --> 00:24:07,230
(grunts)
Carles, wait.
398
00:24:07,260 --> 00:24:09,700
Carles! Carles, wait!
399
00:24:33,490 --> 00:24:35,890
(woman singing in French)
400
00:25:01,380 --> 00:25:03,390
(sighs)
401
00:25:04,990 --> 00:25:07,360
(woman continues singing)
402
00:25:07,390 --> 00:25:10,890
Do you know where I can find
something a little stronger?
403
00:25:13,060 --> 00:25:15,060
*
404
00:25:38,520 --> 00:25:40,190
GERMAINE (distorted):
I'm meeting someone.
405
00:25:40,220 --> 00:25:42,630
ANTOINETTE: I heard
a rumor about you, Carles.
406
00:25:42,660 --> 00:25:44,360
-PICASSO: Carles, relax.
-ANTOINETTE: That you put
407
00:25:44,390 --> 00:25:47,130
your brush down and now
you cannot pick it up again.
408
00:25:47,160 --> 00:25:49,330
GERMAINE:
I'm not in love with you.
409
00:25:49,360 --> 00:25:51,330
Because you cannot satisfy me.
410
00:25:51,370 --> 00:25:53,370
(distorted laughter)
411
00:25:55,140 --> 00:25:57,110
(panting)
412
00:25:57,140 --> 00:25:59,740
(thumping)
413
00:25:59,780 --> 00:26:01,040
(moaning)
414
00:26:06,210 --> 00:26:08,880
(muffled moan)
415
00:26:15,590 --> 00:26:17,360
(exhales)
416
00:26:45,090 --> 00:26:47,090
*
417
00:27:01,400 --> 00:27:04,640
Do I actually disgust you
that much?
418
00:27:24,890 --> 00:27:27,700
You should have forgotten
about me, Pablo.
419
00:27:27,730 --> 00:27:30,570
You need a warm bath
and a strong pot of coffee.
420
00:27:30,600 --> 00:27:33,200
-That's all.
-You think that's going
to fix me?
421
00:27:33,240 --> 00:27:34,340
Carles.
422
00:27:34,370 --> 00:27:36,600
I can't pay you what I owe.
423
00:27:36,640 --> 00:27:38,440
-Forget it.
-I can't...
424
00:27:38,470 --> 00:27:40,940
paint.
425
00:27:40,980 --> 00:27:45,110
I-I can't satisfy
the woman I love.
426
00:27:45,150 --> 00:27:47,380
(crying)
427
00:27:52,890 --> 00:27:56,360
What am I going to do, Pablo?
428
00:27:56,390 --> 00:27:59,530
What am I going to do?
429
00:28:03,930 --> 00:28:05,930
He'll be fine once he sobers up.
430
00:28:05,970 --> 00:28:07,670
He can't stay here.
431
00:28:07,700 --> 00:28:09,700
He won't survive it.
432
00:28:09,740 --> 00:28:12,240
So cable his parents.
We will put him on a train.
433
00:28:12,270 --> 00:28:14,040
Look at him, Manuel.
434
00:28:14,080 --> 00:28:16,380
He can't travel by himself.
435
00:28:16,410 --> 00:28:18,680
You can't leave now.
436
00:28:18,710 --> 00:28:20,920
Not when you're having
so much success.
437
00:28:20,950 --> 00:28:23,450
(chuckles) Painting portraits
of society ladies.
438
00:28:23,490 --> 00:28:24,690
Imitating other artists.
439
00:28:24,720 --> 00:28:26,220
So? Do something different.
440
00:28:26,250 --> 00:28:27,390
-It's not that simple.
-It is!
441
00:28:27,420 --> 00:28:29,790
Remember Horta?
442
00:28:29,830 --> 00:28:32,360
You weren't just copying
some fancy French painters.
443
00:28:32,390 --> 00:28:34,300
-Because I'd never seen any.
-Exactly.
444
00:28:34,330 --> 00:28:37,170
So you were painting
what you saw and what you felt.
445
00:28:37,200 --> 00:28:39,200
So go back to doing that.
Something original!
446
00:28:39,230 --> 00:28:40,800
I don't know...
447
00:28:40,840 --> 00:28:43,240
(exhales)
448
00:28:47,580 --> 00:28:49,210
(voice breaking):
I don't know if I can.
449
00:28:49,240 --> 00:28:50,650
(shuddering breath)
450
00:28:59,750 --> 00:29:03,330
So are you leaving now
to help Casagemas?
451
00:29:03,360 --> 00:29:05,590
Or are you leaving
because you are afraid
452
00:29:05,630 --> 00:29:08,900
that you can't paint
your perfect painting?
453
00:29:20,080 --> 00:29:23,110
I need to finish packing.
454
00:29:23,150 --> 00:29:25,510
(clacking)
455
00:29:27,550 --> 00:29:29,550
At least
you'll finish something.
456
00:29:32,520 --> 00:29:34,490
(door opens)
457
00:29:34,520 --> 00:29:36,760
(door closes)
458
00:29:43,130 --> 00:29:44,800
-(bell tolling)
-(indistinct chatter)
459
00:29:44,830 --> 00:29:47,000
FIRST AUNT:
Tell us about Paris, Pablito.
460
00:29:47,040 --> 00:29:49,070
-It must have been so exciting.
-(chuckles)
461
00:29:49,100 --> 00:29:51,070
A feast for the eyes, Auntie.
462
00:29:51,110 --> 00:29:53,980
You were a great success,
I suppose, hmm?
463
00:29:54,010 --> 00:29:56,680
I sold quite a few paintings.
464
00:29:56,710 --> 00:29:58,680
FIRST AUNT:
How wonderful.
465
00:29:58,710 --> 00:30:00,620
(chuckling)
466
00:30:00,650 --> 00:30:02,620
Look who has come, Salvador.
467
00:30:02,650 --> 00:30:04,420
All the way from Paris.
468
00:30:04,450 --> 00:30:05,750
PICASSO:
Happy New Year, Uncle.
469
00:30:05,790 --> 00:30:07,360
(clears throat)
Ah.
470
00:30:07,390 --> 00:30:10,630
This is my friend,
Carles Casagemas.
471
00:30:10,660 --> 00:30:12,390
He's also a painter.
472
00:30:12,430 --> 00:30:14,260
It's an honor, señor.
473
00:30:14,300 --> 00:30:17,100
PICASSO: After the-the noise
and glare of Paris,
474
00:30:17,130 --> 00:30:20,970
we thought a few weeks by
the sea could do us some good.
475
00:30:22,340 --> 00:30:25,140
If you're going to stay
in my house,
476
00:30:25,170 --> 00:30:26,710
you're going to need a haircut.
477
00:30:28,010 --> 00:30:29,510
And a shave.
478
00:30:29,540 --> 00:30:30,910
Of course, Uncle. Uh, but...
479
00:30:32,250 --> 00:30:34,450
...after paying
for the journey...
480
00:30:34,480 --> 00:30:37,390
(clears throat) ...we're
a little short of funds.
481
00:30:54,100 --> 00:30:57,340
Buy yourself
a respectable suit as well.
482
00:30:59,910 --> 00:31:02,210
CASAGEMAS:
Charming fellow, your uncle.
483
00:31:02,240 --> 00:31:05,180
To hell with him.
And the barber.
484
00:31:05,210 --> 00:31:07,180
I like our hair the way it is.
485
00:31:07,220 --> 00:31:08,850
(chuckles)
486
00:31:08,880 --> 00:31:13,020
So, what are we going to do
with all that money?
487
00:31:13,060 --> 00:31:15,120
I have an idea.
488
00:31:17,190 --> 00:31:20,160
I need you to take special care
of my friend.
489
00:31:20,200 --> 00:31:22,760
He's just had his heart broken.
490
00:31:28,370 --> 00:31:30,240
Whoever she is,
491
00:31:30,270 --> 00:31:32,540
I'll make you forget her.
492
00:31:52,360 --> 00:31:54,330
Stop.
493
00:31:54,360 --> 00:31:56,360
(sighs)
494
00:31:57,570 --> 00:31:59,970
Don't waste your time.
495
00:32:01,700 --> 00:32:04,140
(footsteps approaching)
496
00:32:05,770 --> 00:32:07,410
-Hey.
-Well?
497
00:32:07,440 --> 00:32:09,780
Well, you were right, my friend.
498
00:32:09,810 --> 00:32:12,410
Much more enjoyable
than a haircut. (chuckles)
499
00:32:12,450 --> 00:32:14,580
(chuckling)
500
00:32:14,620 --> 00:32:17,950
SOLDIER:
Show your ration card!
501
00:32:17,990 --> 00:32:21,260
Only one loaf today.
502
00:32:21,290 --> 00:32:23,290
So, what would you like
for dinner tonight?
503
00:32:23,330 --> 00:32:25,890
Maybe some cheese
and some soup?
504
00:32:25,930 --> 00:32:29,460
-(gasps)
-What is it, darling?
505
00:32:32,100 --> 00:32:34,470
Come. Come, cherie.
506
00:32:58,360 --> 00:33:00,530
PICASSO: Well, that should be
enough coal to last
507
00:33:00,560 --> 00:33:03,270
until the end of the week. I'm
sorry I couldn't come sooner,
508
00:33:03,300 --> 00:33:05,500
but with the curfew and...
509
00:33:05,530 --> 00:33:06,930
-It's all right.
-Yeah.
510
00:33:06,970 --> 00:33:08,440
We've just missed you.
511
00:33:08,470 --> 00:33:09,740
Haven't we, Maya?
512
00:33:09,770 --> 00:33:12,010
PICASSO:
And for you,
513
00:33:12,040 --> 00:33:14,040
princesa...
514
00:33:16,640 --> 00:33:18,810
...a special treat.
515
00:33:22,820 --> 00:33:25,090
Pablo, she's...
516
00:33:29,060 --> 00:33:32,030
(quietly): She saw two dead
resistance fighters today,
517
00:33:32,060 --> 00:33:34,200
hanging from ropes.
518
00:33:34,230 --> 00:33:37,170
Ah.
519
00:33:37,200 --> 00:33:40,000
You have a pair of scissors?
520
00:33:40,030 --> 00:33:42,640
Uh, yes.
521
00:33:42,670 --> 00:33:44,870
PICASSO:
Yeah.
522
00:33:45,870 --> 00:33:48,380
(gasps)
You did it.
523
00:33:48,410 --> 00:33:50,350
Look.
524
00:33:50,380 --> 00:33:52,550
Pretty, isn't she?
525
00:33:52,580 --> 00:33:56,820
Oh, you should meet her friends.
(gasps, chuckles)
526
00:33:56,850 --> 00:33:58,820
Take it.
527
00:33:58,850 --> 00:34:00,390
Mwah, mwah.
528
00:34:00,420 --> 00:34:02,890
Eat your apple.
(sighs)
529
00:34:02,920 --> 00:34:04,930
Oh.
530
00:34:05,990 --> 00:34:07,230
Stay the night.
531
00:34:07,260 --> 00:34:08,730
No, I can't.
532
00:34:08,760 --> 00:34:10,730
Because you are going
to see her.
533
00:34:10,770 --> 00:34:12,700
Because I must work.
534
00:34:12,730 --> 00:34:15,070
The Nazis won't even let you
show your art.
535
00:34:15,100 --> 00:34:16,600
I know, but, uh...
536
00:34:16,640 --> 00:34:20,110
but they cannot stop me
from making it.
537
00:34:21,440 --> 00:34:23,650
Good night.
538
00:34:29,050 --> 00:34:31,050
(pigeon cooing)
539
00:34:40,600 --> 00:34:43,600
Well, hello, little paloma.
540
00:34:45,670 --> 00:34:48,770
Have you come to visit me?
541
00:34:48,800 --> 00:34:51,110
(gunshot)
542
00:34:51,140 --> 00:34:53,580
(people clamoring in distance)
543
00:35:07,160 --> 00:35:09,690
PICASSO: There is fighting
in the street.
544
00:35:09,720 --> 00:35:11,530
I was nearly killed
by a stray bullet.
545
00:35:11,560 --> 00:35:14,000
Topics such as this
no longer matter.
546
00:35:14,030 --> 00:35:15,100
You promised me.
547
00:35:15,130 --> 00:35:16,260
-(doorbell buzzes)
-But you know very well
548
00:35:16,300 --> 00:35:17,530
I have tried everything.
549
00:35:17,570 --> 00:35:19,670
You can petition the courts
again.
550
00:35:19,700 --> 00:35:21,470
You are an important man.
551
00:35:21,500 --> 00:35:23,410
I'm also an old man!
552
00:35:23,440 --> 00:35:26,170
What would be the point
of marrying you now?
553
00:35:26,210 --> 00:35:27,980
-Maya is eight years old.
She wants to know...
-(sighs)
554
00:35:28,010 --> 00:35:30,380
-...why her papa
doesn't live with us.
-I'm sorry, mademoiselle,
555
00:35:30,410 --> 00:35:32,010
but he is not...
556
00:35:32,050 --> 00:35:33,980
Mademoiselle, you cannot...
557
00:35:37,720 --> 00:35:38,720
Why is she here?
558
00:35:38,750 --> 00:35:40,090
-Get out.
-Mademoiselles,
559
00:35:40,120 --> 00:35:42,920
-please.
-Why is she here, Pablo?
560
00:35:42,960 --> 00:35:44,960
Dora, uh...
561
00:35:46,730 --> 00:35:49,130
You know very well
562
00:35:49,160 --> 00:35:52,530
that Marie-Thérèse...
563
00:35:52,570 --> 00:35:55,600
is the only woman I love.
564
00:36:07,580 --> 00:36:10,590
Pablo...
565
00:36:15,190 --> 00:36:17,730
MARIE-THERESE:
You heard Pablo.
566
00:36:18,790 --> 00:36:21,330
You may leave now.
567
00:36:25,300 --> 00:36:27,700
(whispers):
Pablo.
568
00:36:30,240 --> 00:36:32,470
(quietly):
Come.
569
00:36:32,510 --> 00:36:36,240
Come, I will take you home.
570
00:36:37,780 --> 00:36:39,780
Come on.
571
00:36:59,530 --> 00:37:00,740
(door closes)
572
00:37:00,770 --> 00:37:03,170
I knew you would choose me.
573
00:37:16,720 --> 00:37:19,020
You can go, too.
574
00:37:19,050 --> 00:37:21,120
But...
575
00:37:21,160 --> 00:37:24,190
Yeah, I need to be alone now.
576
00:37:46,050 --> 00:37:49,750
So, you are finished with Dora.
577
00:37:49,780 --> 00:37:53,390
Of course not. (chuckles softly)
578
00:37:53,420 --> 00:37:55,520
And Marie-Thérèse?
579
00:37:55,560 --> 00:37:58,160
I love Marie-Thérèse.
580
00:38:01,100 --> 00:38:05,770
She's... kind and soft,
581
00:38:05,800 --> 00:38:08,800
and she does everything
I want her to.
582
00:38:14,140 --> 00:38:16,540
And I love Dora because she's...
583
00:38:18,110 --> 00:38:21,920
...brilliant. Talented.
584
00:38:23,690 --> 00:38:27,250
And yet you treat them
so cruelly.
585
00:38:33,030 --> 00:38:35,300
I can't remember the last time
586
00:38:35,330 --> 00:38:38,770
either of them made me
want to pick up a brush.
587
00:38:42,200 --> 00:38:45,570
Or the last time I made
a picture worth looking at.
588
00:38:52,150 --> 00:38:54,380
I need something new.
589
00:39:02,160 --> 00:39:05,430
AUDIENCE:
Olé! Olé!
590
00:39:05,460 --> 00:39:08,430
Olé!
591
00:39:08,460 --> 00:39:10,470
(audience gasps)
592
00:39:13,230 --> 00:39:14,640
Ooh.
593
00:39:14,670 --> 00:39:15,800
PICASSO:
He's all right.
594
00:39:15,840 --> 00:39:17,710
He's not hurt.
595
00:39:17,740 --> 00:39:19,610
My father had a friend
596
00:39:19,640 --> 00:39:21,740
who used to say
597
00:39:21,780 --> 00:39:23,510
it was every Spanish man's
paradise.
598
00:39:23,550 --> 00:39:25,350
Bullfight in the morning,
599
00:39:25,380 --> 00:39:27,210
bar in the afternoon,
600
00:39:27,250 --> 00:39:28,950
whorehouse at night.
601
00:39:28,980 --> 00:39:30,750
(chuckles)
602
00:39:30,790 --> 00:39:32,450
Wise man, your father's friend.
603
00:39:32,490 --> 00:39:34,160
AUDIENCE:
Olé!
604
00:39:34,190 --> 00:39:36,890
After he took me here
the first time,
605
00:39:36,920 --> 00:39:38,690
-I painted.
-AUDIENCE: Olé!
606
00:39:38,730 --> 00:39:42,560
All in reds and golds.
607
00:39:42,600 --> 00:39:45,070
It was a terrible picture.
(laughs)
608
00:39:45,100 --> 00:39:46,700
But my mother,
609
00:39:46,730 --> 00:39:50,340
she thought
it was a masterpiece.
610
00:39:51,610 --> 00:39:53,340
But you haven't painted anything
611
00:39:53,370 --> 00:39:55,740
since we arrived in Málaga.
612
00:39:57,750 --> 00:39:59,210
I'd rather make trouble
with you.
613
00:39:59,250 --> 00:40:01,480
Hmm. 'Cause you're
trying to help me
614
00:40:01,520 --> 00:40:03,590
forget about Germaine,
615
00:40:03,620 --> 00:40:06,750
or because you're avoiding work?
616
00:40:06,790 --> 00:40:08,420
-AUDIENCE: Olé!
-(laughs)
617
00:40:08,460 --> 00:40:11,790
Olé! Olé!
618
00:40:14,230 --> 00:40:16,730
Well, it's time
for you to pick up a brush.
619
00:40:16,760 --> 00:40:20,170
And for me to go.
620
00:40:20,200 --> 00:40:21,540
Carles...
621
00:40:21,570 --> 00:40:23,840
No, you've worked a miracle,
Pablo.
622
00:40:23,870 --> 00:40:26,240
I feel better
than I have in months.
623
00:40:26,270 --> 00:40:27,780
You cannot go back to Paris.
624
00:40:27,810 --> 00:40:29,210
No, no, don't worry.
625
00:40:29,240 --> 00:40:30,850
I-I'm going back to Barcelona
626
00:40:30,880 --> 00:40:33,210
to stay with my parents.
627
00:40:33,250 --> 00:40:36,120
AUDIENCE:
Olé! Olé!
628
00:40:36,150 --> 00:40:37,420
Olé!
629
00:41:16,360 --> 00:41:18,830
(laughs)
630
00:41:18,860 --> 00:41:21,160
-You came.
-You look well.
631
00:41:21,200 --> 00:41:24,170
Oh, you look beautiful.
632
00:41:26,970 --> 00:41:29,670
I am sorry I embarrassed you.
633
00:41:29,700 --> 00:41:32,240
-Oh, no. It...
-And I really wanted
to come and meet you...
634
00:41:32,270 --> 00:41:33,880
-It doesn't matter anymore.
-...but you must know
635
00:41:33,910 --> 00:41:36,140
-I am with someone else now.
-It doesn't.
636
00:41:36,180 --> 00:41:38,010
So we cannot be more
than friends.
637
00:41:38,050 --> 00:41:40,350
I hope you can understand that.
638
00:41:44,350 --> 00:41:46,420
I am happy for you.
639
00:41:46,450 --> 00:41:49,260
Truly?
640
00:41:49,290 --> 00:41:52,060
We should get the circus
together.
641
00:41:52,090 --> 00:41:53,900
Have dinner,
642
00:41:53,930 --> 00:41:56,300
celebrate my triumphant return
to Paris.
643
00:41:56,330 --> 00:41:59,070
-Wonderful.
-(laughs)
644
00:42:08,540 --> 00:42:12,010
Picasso. (scoffs)
645
00:42:12,050 --> 00:42:14,480
Is that what you're
calling yourself now?
646
00:42:14,520 --> 00:42:17,520
Because you're ashamed
of your father's name?
647
00:42:17,550 --> 00:42:19,020
-My name?
-Of course not, Uncle.
648
00:42:19,050 --> 00:42:20,490
And you expect me
649
00:42:20,520 --> 00:42:21,720
to give you money to make
650
00:42:21,760 --> 00:42:24,460
-these obscene journals?
-It's not obscene.
651
00:42:24,490 --> 00:42:26,330
And it's not a gift.
It-it's an investment.
652
00:42:26,360 --> 00:42:28,160
Pablo.
653
00:42:28,200 --> 00:42:31,400
You used to make
beautiful paintings.
654
00:42:31,430 --> 00:42:33,500
And now you're what?
655
00:42:33,530 --> 00:42:35,670
A caricaturist?
656
00:42:35,700 --> 00:42:38,740
(sniffles)
657
00:42:38,770 --> 00:42:42,140
Don't squander your talent,
Pablo.
658
00:42:42,180 --> 00:42:46,310
GENEVIEVE: Alain Cuny is
the most talented actor alive,
659
00:42:46,350 --> 00:42:49,380
and he just invited me
to dinner.
660
00:42:49,420 --> 00:42:52,250
How did you manage that?
661
00:42:52,290 --> 00:42:54,820
I waited for him backstage
after his matinee.
662
00:42:54,860 --> 00:42:56,760
He thought I was very charming,
663
00:42:56,790 --> 00:42:59,130
and he offered to take me
to the Catalan.
664
00:42:59,160 --> 00:43:00,900
The Catalan, Françoise.
665
00:43:00,930 --> 00:43:03,160
He probably just wants
to take you to bed.
666
00:43:03,200 --> 00:43:04,770
I certainly hope so.
667
00:43:04,800 --> 00:43:06,200
He must be 40.
668
00:43:06,230 --> 00:43:08,000
-He's probably married.
-So?
669
00:43:08,040 --> 00:43:09,770
He's famous and handsome.
670
00:43:09,800 --> 00:43:12,740
But I can't go alone.
671
00:43:12,770 --> 00:43:13,980
You must come with me.
672
00:43:14,010 --> 00:43:16,480
No. There's-there's too much
to do here
673
00:43:16,510 --> 00:43:17,950
-if we're going to be ready.
-Oh!
674
00:43:17,980 --> 00:43:20,250
The Catalan buys oysters
on the black market.
675
00:43:20,280 --> 00:43:22,780
When was the last time
you had oysters?
676
00:43:22,820 --> 00:43:24,850
And champagne?
677
00:43:27,890 --> 00:43:29,290
GENEVIEVE:
She's his mistress?
678
00:43:29,320 --> 00:43:30,660
CUNY:
One of them.
679
00:43:30,690 --> 00:43:32,730
How many does he have?
680
00:43:32,760 --> 00:43:35,130
How many women has he painted?
681
00:43:35,160 --> 00:43:36,960
(laughs)
682
00:43:37,000 --> 00:43:39,000
(chuckles)
683
00:43:39,030 --> 00:43:40,630
CASAGEMAS:
To art!
684
00:43:40,670 --> 00:43:42,640
-PALLARES: To art.
-And to love.
685
00:43:42,670 --> 00:43:44,770
Two endeavors
686
00:43:44,810 --> 00:43:47,410
at which I have failed
miserably.
687
00:43:47,440 --> 00:43:49,580
-Carles, don't say that.
-(Casagemas laughs)
688
00:43:49,610 --> 00:43:50,710
(overlapping chatter)
689
00:43:51,650 --> 00:43:54,580
Here, Germaine.
690
00:43:54,620 --> 00:43:56,280
Please.
691
00:43:56,320 --> 00:43:58,490
Would you read these for me?
692
00:43:58,520 --> 00:43:59,520
Please?
693
00:44:01,590 --> 00:44:03,120
The chief of police.
694
00:44:04,790 --> 00:44:06,660
And your mother?
695
00:44:06,690 --> 00:44:08,930
Why would you... (screams)
696
00:44:10,130 --> 00:44:11,800
-One for you...
-What the hell are you doing?
697
00:44:15,640 --> 00:44:17,970
And one...
698
00:44:18,010 --> 00:44:19,440
-for me.
-PALLARES: Carles, no!
699
00:44:21,280 --> 00:44:23,780
-(screams)
-Carles!
700
00:44:23,810 --> 00:44:24,880
(gasps)
701
00:44:26,810 --> 00:44:28,350
PALLARES:
It was horrible.
702
00:44:28,380 --> 00:44:30,250
The blood.
703
00:44:30,280 --> 00:44:32,950
The brains everywhere.
704
00:44:32,990 --> 00:44:35,960
It is my fault.
705
00:44:35,990 --> 00:44:38,830
What are you talking about?
706
00:44:38,860 --> 00:44:40,960
I never should have
believed him.
707
00:44:41,000 --> 00:44:43,660
I shouldn't have let him leave,
or I should've gone with him.
708
00:44:43,700 --> 00:44:45,700
How were you supposed to know?
709
00:44:49,070 --> 00:44:52,470
God. God punished me again.
710
00:44:52,510 --> 00:44:55,880
Because I wasn't painting.
711
00:44:55,910 --> 00:44:57,980
Jesus Christ.
712
00:44:58,010 --> 00:45:00,180
Pablo.
713
00:45:00,210 --> 00:45:03,320
Do you really believe
that God is killing people
714
00:45:03,350 --> 00:45:05,420
because the great Picasso
715
00:45:05,450 --> 00:45:09,090
didn't paint another one
of his masterpieces today?
716
00:45:34,120 --> 00:45:36,120
*
717
00:46:01,880 --> 00:46:03,880
*
718
00:46:25,270 --> 00:46:26,570
Where are you going?
719
00:46:32,410 --> 00:46:35,640
GENEVIEVE (whispering):
He's coming over.
720
00:46:35,680 --> 00:46:37,540
-(clears throat)
-Ah.
721
00:46:37,580 --> 00:46:39,150
Do you like cherries?
722
00:46:39,180 --> 00:46:41,380
CUNY: Well, that's very kind,
Monsieur Picasso.
723
00:46:41,420 --> 00:46:42,720
Won't you join us?
724
00:46:42,750 --> 00:46:45,150
Oh, I-I'm afraid I can't.
725
00:46:45,190 --> 00:46:47,250
But I would very much like
to meet
726
00:46:47,290 --> 00:46:49,260
your dinner companions.
727
00:46:49,290 --> 00:46:51,330
CUNY:
Ah, well, Françoise
728
00:46:51,360 --> 00:46:53,430
is the intellectual,
and Geneviève
729
00:46:53,460 --> 00:46:54,800
is the great beauty.
730
00:46:54,830 --> 00:46:55,930
Doesn't she resemble
a Caravaggio?
731
00:46:55,960 --> 00:46:59,700
Tell me about
the intellectual one here.
732
00:46:59,730 --> 00:47:02,600
Françoise is a virtuous woman,
I'm afraid.
733
00:47:02,640 --> 00:47:04,610
CUNY: Ah, but not
for religious reasons.
734
00:47:04,640 --> 00:47:06,510
Her objections to lovemaking
735
00:47:06,540 --> 00:47:10,340
are based entirely
on Platonic ideals.
736
00:47:10,380 --> 00:47:12,950
And how do they pass the time,
737
00:47:12,980 --> 00:47:15,080
your Caravaggio
and your Platonic philosopher?
738
00:47:15,120 --> 00:47:17,580
We're artists, actually.
739
00:47:17,620 --> 00:47:21,420
Oh. Uh, you certainly don't look
740
00:47:21,460 --> 00:47:23,090
like any artists
I have ever met.
741
00:47:23,120 --> 00:47:25,690
FRANCOISE: Well, for your
information, Monsieur,
742
00:47:25,730 --> 00:47:29,000
we're having a joint exhibition
of drawings and paintings
743
00:47:29,030 --> 00:47:30,300
at a very well-respected
gallery.
744
00:47:30,330 --> 00:47:32,030
Rue Boissy d'Anglas.
745
00:47:34,500 --> 00:47:36,640
Well, I am...
746
00:47:36,670 --> 00:47:38,010
I am also an artist.
747
00:47:38,040 --> 00:47:40,810
Oh, are you really? (laughs)
748
00:47:40,840 --> 00:47:43,010
You must come
and visit me sometime.
749
00:47:44,510 --> 00:47:46,910
To see some of my work.
750
00:48:16,880 --> 00:48:18,880
*
751
00:48:34,360 --> 00:48:38,930
You're going to paint her,
aren't you?
752
00:49:26,580 --> 00:49:28,480
Captioned by
Media Access Group at WGBH
50727
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
