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These are the user uploaded subtitles that are being translated: 1 00:00:01,502 --> 00:00:03,337 {\an7}Narrator: IN 1942, 2 00:00:03,370 --> 00:00:04,738 {\an7}THE SHOCKWAVES OF WAR 3 00:00:04,771 --> 00:00:08,174 {\an7}FLOOD INTO EVERY CORNER \h\h\hOF THE PACIFIC... 4 00:00:08,208 --> 00:00:11,011 {\an7}FROM STEAMY ISLAND JUNGLES... 5 00:00:11,044 --> 00:00:13,280 {\an7}TO THE BITTER ALASKAN COLD. 6 00:00:13,313 --> 00:00:15,415 {\an7}Man: IT WAS THE WORST PLACE. 7 00:00:15,449 --> 00:00:17,418 {\an7}I FROZE TO DEATH. 8 00:00:17,451 --> 00:00:20,354 {\an7}\h\h\h\h\h\h\h\hNarrator: IN THESE UNFAMILIAR LANDS, 9 00:00:20,387 --> 00:00:22,890 {\an7}ENEMIES THAT WERE AN OCEAN APART... 10 00:00:22,923 --> 00:00:24,158 {\an7}[GUNSHOTS] 11 00:00:24,191 --> 00:00:26,760 {\an7}WILL SOON COME FACE TO FACE. 12 00:00:26,793 --> 00:00:29,796 {\an7}\h\hMan: MIDWAY WAS OUR FIRST REAL ENCOUNTER WITH THE ENEMY. 13 00:00:29,830 --> 00:00:30,798 {\an7}[GUNFIRE] 14 00:00:30,831 --> 00:00:32,032 {\an7}[EXPLOSION] 15 00:00:32,065 --> 00:00:35,769 {\an7}\h\h\h\h\h\h\h\h\hNarrator: WITH RARE PERSONAL FILMS... 16 00:00:35,802 --> 00:00:37,837 {\an7}AND COLOR COMBAT FOOTAGE... 17 00:00:37,871 --> 00:00:39,573 {\an7}\h\h\h\h\hMan: BULLETS AND ANTI-AIRCRAFT FIRE 18 00:00:39,606 --> 00:00:41,875 {\an7}\h\hWERE COMING AT ME FROM EVERY DIRECTION. 19 00:00:41,909 --> 00:00:44,845 {\an7}Narrator: HEAR THE VOICES \h\h\hAND FEEL THE FIGHT. 20 00:00:44,878 --> 00:00:56,957 {\an7}♪ 21 00:01:00,160 --> 00:01:07,734 {\an7}♪ 22 00:01:07,768 --> 00:01:10,037 {\an7}Baine Kerr: YOU DIDN’T KNOW WHEN YOU WERE GOING TO SAIL. 23 00:01:10,070 --> 00:01:11,738 {\an7}WIVES DIDN’T KNOW ANY GIVEN DAY 24 00:01:11,772 --> 00:01:14,675 {\an7}\h\hIF THEY WOULD SEE THEIR HUSBANDS AGAIN. 25 00:01:14,708 --> 00:01:16,843 {\an7}\h\h\hWE DIDN’T KNOW WHERE WE WERE GOING. 26 00:01:20,080 --> 00:01:21,715 {\an7}Acencion Fernandez: \hALL THEY SAID WAS, 27 00:01:21,748 --> 00:01:23,216 {\an7}"YOU ALL AREN’T GONNA NEED \h\h\h\hNO WINTER CLOTHES. 28 00:01:23,250 --> 00:01:25,052 {\an7}YOU’RE GOING OVERSEAS." 29 00:01:26,486 --> 00:01:29,389 {\an7}Kerr: THEN, ONE MORNING, \h\h\hWE WERE UNDERWAY. 30 00:01:29,423 --> 00:01:39,700 {\an7}♪ 31 00:01:39,733 --> 00:01:40,867 {\an7}Charles Ripper: WE LEFT OUT 32 00:01:40,901 --> 00:01:43,170 {\an7}\h\h\h\h\h\h\hUNDERNEATH THE GOLDEN GATE BRIDGE. 33 00:01:43,203 --> 00:01:44,571 {\an7}THINGS LOOKED PRETTY GOOD. 34 00:01:44,605 --> 00:01:46,974 {\an7}IT WAS A REALLY SMOOTH RIDE. 35 00:01:50,344 --> 00:01:54,215 {\an7}\h\h\h\hTHEN WE GOT OUT, AND THE OCEAN GOT ROUGH, 36 00:01:54,247 --> 00:01:55,782 {\an7}AND THE WAVES GOT BIG, 37 00:01:55,816 --> 00:01:59,453 {\an7}\h\hAND THAT LITTLE BOAT WAS BOUNCING AROUND LIKE A CORK. 38 00:01:59,486 --> 00:02:01,822 {\an7}WE WERE ALL SICK AS HELL. 39 00:02:03,156 --> 00:02:04,524 {\an7}\h\h\h\h\h\h\h\hH.L. Obermiller: BEFORE I WAS OUT OF THE HARBOR, 40 00:02:04,558 --> 00:02:07,628 {\an7}I WAS FEEDING FISH \h\hOVER THE SIDE. 41 00:02:07,661 --> 00:02:10,831 {\an7}Narrator: FRESHLY TRAINED MEN \h\h\h\hIN BRAND-NEW UNIFORMS 42 00:02:10,864 --> 00:02:15,202 {\an7}\h\h\h\h\h\h\h\hJAM ONTO SHIPS HEADING TO AN UNFAMILIAR WORLD 43 00:02:15,235 --> 00:02:17,404 {\an7}6,000 MILES AWAY. 44 00:02:17,437 --> 00:02:20,774 {\an7}♪ 45 00:02:20,807 --> 00:02:24,944 {\an7}Howard Jones: WE WERE SLEEPING \h\h\h\hON THE HANGAR DECKS... 46 00:02:24,978 --> 00:02:27,013 {\an7}THE FLIGHT DECKS. 47 00:02:27,047 --> 00:02:30,083 {\an7}ANYWHERE WE COULD FIND \hA PLACE TO LAY DOWN. 48 00:02:36,556 --> 00:02:39,793 {\an7}Narrator: SOME ARE BARELY 18. 49 00:02:39,826 --> 00:02:41,461 {\an7}Richard Williams: I WAS JUST A KID. 50 00:02:41,495 --> 00:02:45,199 {\an7}I HAD NEVER SPENT A NIGHT AWAY \h\hFROM MY MOTHER OR FATHER. 51 00:02:45,232 --> 00:02:48,736 {\an7}I SPENT A LOT OF TIME IN MY BUNK JUST THINKING ABOUT HOME, 52 00:02:48,769 --> 00:02:50,838 {\an7}AND EVEN CRYING ONCE IN A WHILE. 53 00:02:52,839 --> 00:02:56,042 {\an7}Narrator: THEY CAN ONLY IMAGINE WHAT WAR IS LIKE 54 00:02:56,076 --> 00:02:58,512 {\an7}AND WHERE THEY’RE GOING \h\h\h\h\h\hTO FIGHT IT. 55 00:03:04,384 --> 00:03:05,986 {\an7}SERVICEMAN DAN ROCKLIN 56 00:03:06,019 --> 00:03:09,556 {\an7}\h\h\h\h\h\h\hLANDS IN A JUNGLE ON THE OTHER SIDE OF THE OCEAN. 57 00:03:09,589 --> 00:03:12,926 {\an7}[BIRD SQUAWKING] 58 00:03:12,959 --> 00:03:17,197 {\an7}\h\hHE BRINGS HIS OWN CAMERA TO CAPTURE HOW EXOTIC IT IS. 59 00:03:17,230 --> 00:03:22,669 {\an7}[SQUAWKING] 60 00:03:22,703 --> 00:03:26,840 {\an7}\h\hHE’S NEAR PORT MORESBY, ON THE ISLAND OF NEW GUINEA. 61 00:03:29,543 --> 00:03:32,846 {\an7}RIVERS ARE INFESTED \h\hWITH CROCODILES. 62 00:03:36,450 --> 00:03:39,653 {\an7}KIDS CLIMB TREES FOR COCONUTS. 63 00:03:40,887 --> 00:03:43,556 {\an7}THEN TRADE THEM FOR CIGARETTES. 64 00:03:49,329 --> 00:03:51,231 {\an7}THE TRIBE IS WELCOMING, 65 00:03:51,264 --> 00:03:53,933 {\an7}\h\h\h\h\h\hBUT CAN’T HELP STARING AT THE STRANGE MEN 66 00:03:53,967 --> 00:03:56,937 {\an7}POINTING CAMERAS AT THEM. 67 00:03:56,970 --> 00:04:00,807 {\an7}THEY’LL BE CALLING THIS HOME. 68 00:04:00,841 --> 00:04:03,110 {\an7}BUT THEY AREN’T HERE FOR FUN. 69 00:04:03,143 --> 00:04:04,878 {\an7}[ENGINE HUMMING] 70 00:04:04,911 --> 00:04:08,181 {\an7}\h\h\h\h\h\hTHE JAPANESE ARE QUICKLY CLOSING IN. 71 00:04:12,185 --> 00:04:15,422 {\an7}THE JAPANESE ALREADY HOLD \h\h\hTHE SOLOMON ISLANDS 72 00:04:15,455 --> 00:04:17,457 {\an7}AND MOST OF NEW GUINEA. 73 00:04:17,491 --> 00:04:21,862 {\an7}\hNOW A FLEET IS ON THE WAY TO COMPLETE THE CONQUEST... 74 00:04:21,895 --> 00:04:25,065 {\an7}IF THEY CAN KICK THE ALLIES \h\h\h\hOUT OF PORT MORESBY. 75 00:04:26,266 --> 00:04:28,602 {\an7}IF NEW GUINEA FALLS, 76 00:04:28,635 --> 00:04:30,070 {\an7}AUSTRALIA FEARS 77 00:04:30,103 --> 00:04:31,805 {\an7}IT COULD BE NEXT. 78 00:04:35,776 --> 00:04:38,846 {\an7}\h\h\h\h\hBUT AMERICANS SEE THE JAPANESE COMING. 79 00:04:45,652 --> 00:04:48,588 {\an7}\h\h\hCODE BREAKERS SNIFF OUT THE PLAN. 80 00:04:51,191 --> 00:04:54,661 {\an7}ADMIRAL CHESTER NIMITZ \h\hDECIDES TO GAMBLE. 81 00:04:58,431 --> 00:05:00,133 {\an7}HE SENDS AN ARMADA, 82 00:05:00,167 --> 00:05:02,569 {\an7}\h\h\h\h\h\h\hINCLUDING FOUR AIRCRAFT CARRIERS, 83 00:05:02,602 --> 00:05:04,504 {\an7}TO MEET THEM HEAD ON. 84 00:05:04,538 --> 00:05:08,575 {\an7}[ENGINES ROARING] 85 00:05:09,743 --> 00:05:12,279 {\an7}THE BATTLE OF THE CORAL SEA 86 00:05:12,312 --> 00:05:14,481 {\an7}STARTS WITH A BIG BLOW. 87 00:05:14,514 --> 00:05:16,616 {\an7}[ENGINES ROARING] 88 00:05:16,650 --> 00:05:20,087 {\an7}\h\h\hAMERICANS SPOT A JAPANESE CARRIER. 89 00:05:20,120 --> 00:05:22,089 {\an7}[GUNFIRE] 90 00:05:22,122 --> 00:05:26,059 {\an7}\h\h\hTHEY DIVE DOWN THROUGH PIERCING ANTI-AIRCRAFT FIRE 91 00:05:26,092 --> 00:05:27,327 {\an7}AND SINK IT. 92 00:05:27,360 --> 00:05:29,395 {\an7}[GUNFIRE] 93 00:05:29,429 --> 00:05:34,167 {\an7}\h\h\h\hTHE JAPANESE RESPOND BY SWARMING AMERICAN SHIPS. 94 00:05:34,201 --> 00:05:41,475 {\an7}[GUNFIRE AND EXPLOSIONS] 95 00:05:41,508 --> 00:05:44,177 {\an7}IT’S DOGFIGHT AFTER DOGFIGHT, 96 00:05:44,211 --> 00:05:47,448 {\an7}BUT NEITHER SIDE’S NAVY \h\h\hCAN SEE THE OTHER. 97 00:05:47,480 --> 00:05:51,017 {\an7}PLANES DO ALL THE FIGHTING, \h\h\h\h\h\h\hLONG DISTANCE. 98 00:05:52,819 --> 00:05:55,455 {\an7}\h\h\h\h\h\h\h\hWilliam Lockey: THE PLANES FLEW RIGHT AROUND US, 99 00:05:55,488 --> 00:05:57,056 {\an7}AND THE GUNS COULDN’T KEEP UP. 100 00:05:57,090 --> 00:05:59,459 {\an7}[FIRING] 101 00:05:59,492 --> 00:06:03,596 {\an7}\h\h\hAND THE BOYS COULDN’T TWIST THAT GUN FAST ENOUGH. 102 00:06:03,630 --> 00:06:08,368 {\an7}[GUNFIRE] 103 00:06:08,401 --> 00:06:12,138 {\an7}Narrator: THEN, AMERICANS HIT \h\h\hA SECOND ENEMY CARRIER. 104 00:06:13,840 --> 00:06:17,410 {\an7}\h\hBUT JAPAN RESPONDS WITH TWO MORTAL BLOWS. 105 00:06:17,444 --> 00:06:21,581 {\an7}A BOMB RIPS THROUGH THE DECK \h\h\h\hOF THE USS YORKTOWN, 106 00:06:21,615 --> 00:06:25,018 {\an7}KILLING 40 MEN. 107 00:06:25,051 --> 00:06:29,088 {\an7}\h\hAND THE USS LEXINGTON IS BLASTED BEYOND REPAIR. 108 00:06:29,122 --> 00:06:37,464 {\an7}♪ 109 00:06:37,497 --> 00:06:40,400 {\an7}BOTH SIDES SUFFER HEAVY LOSSES. 110 00:06:42,269 --> 00:06:45,739 {\an7}BUT THE ALLIES HAVE HALTED \h\h\h\hJAPAN’S MOMENTUM. 111 00:06:51,411 --> 00:06:53,346 {\an7}THOSE LEFT BEHIND 112 00:06:53,380 --> 00:06:55,749 {\an7}\h\hWILL NEVER KNOW THE HISTORIC IMPACT 113 00:06:55,782 --> 00:06:59,052 {\an7}OF THE BATTLE OF THE CORAL SEA. 114 00:06:59,085 --> 00:07:02,355 {\an7}NOT ONCE DO OPPOSING SHIPS \h\h\h\h\hSPOT EACH OTHER. 115 00:07:04,858 --> 00:07:08,028 {\an7}\hNOT ONCE DO THEY EXCHANGE A SALVO. 116 00:07:12,232 --> 00:07:17,337 {\an7}IT’S A NEW KIND OF NAVAL BATTLE, FOUGHT ENTIRELY WITH AIRPLANES. 117 00:07:19,439 --> 00:07:23,076 {\an7}AND IT’S A SIGH OF RELIEF \h\h\h\h\h\hFOR AUSTRALIA. 118 00:07:24,611 --> 00:07:25,612 {\an7}[GUNSHOTS] 119 00:07:25,645 --> 00:07:27,347 {\an7}[TROLLEY BELL DINGING] 120 00:07:27,380 --> 00:07:29,716 {\an7}AUSTRALIANS FEEL SAFER. 121 00:07:31,384 --> 00:07:32,518 {\an7}[DINGING] 122 00:07:32,552 --> 00:07:36,723 {\an7}FEARS OF A JAPANESE INVASION \h\h\h\h\h\h\h\hARE WANING. 123 00:07:36,756 --> 00:07:39,926 {\an7}BUT ANOTHER INVASION \h\h\h\hIS UNDERWAY. 124 00:07:41,494 --> 00:07:44,130 {\an7}Tim Murphy: SUDDENLY, \hTHE YANKS WERE HERE. 125 00:07:44,164 --> 00:07:46,667 {\an7}\h\hTHEY ALL SEEMED TO HAVE BIG MOUTHS AND SQUARE TEETH 126 00:07:46,700 --> 00:07:51,171 {\an7}AND CAME FROM PLACES I’D NEVER \h\h\hHEARD OF, LIKE NEBRASKA. 127 00:07:55,241 --> 00:07:59,545 {\an7}Narrator: CITIES LIKE BRISBANE \h\hARE OVERRUN BY AMERICANS. 128 00:07:59,579 --> 00:08:04,684 {\an7}♪ 129 00:08:04,718 --> 00:08:06,386 {\an7}A PARADE OF U.S. TROOPS 130 00:08:06,419 --> 00:08:10,023 {\an7}\h\h\h\h\hSHOWS THE SCALE OF THIS FRIENDLY INVASION. 131 00:08:12,525 --> 00:08:14,761 {\an7}UP TO A MILLION MEN. 132 00:08:17,230 --> 00:08:20,066 {\an7}THEIR REPUTATION PRECEDES THEM. 133 00:08:22,102 --> 00:08:23,804 {\an7}♪ 134 00:08:23,837 --> 00:08:25,405 {\an7}Barry Ralph: THE AMERICANS, 135 00:08:25,438 --> 00:08:28,174 {\an7}THEY HAD A GOOD RECORD \h\hFOR SAVING PEOPLE. 136 00:08:28,208 --> 00:08:30,777 {\an7}\h\h\h\h\h\hI KNEW THAT FROM WATCHING WESTERNS. 137 00:08:32,479 --> 00:08:34,881 {\an7}Narrator: IT’S A MARRIAGE \h\h\h\h\hOF CONVENIENCE. 138 00:08:37,684 --> 00:08:40,253 {\an7}AUSTRALIA GETS EXTRA PROTECTION. 139 00:08:43,523 --> 00:08:48,128 {\an7}\hAMERICA GETS A NEW HOME BASE FOR SOUTH PACIFIC OPERATIONS. 140 00:08:50,530 --> 00:08:51,831 {\an7}[GUNSHOTS] 141 00:08:51,865 --> 00:08:54,201 {\an7}THE TWO ALLIED FORCES \h\hTRAIN TOGETHER... 142 00:08:54,234 --> 00:08:55,836 {\an7}[GUNSHOTS] 143 00:08:56,603 --> 00:08:58,505 {\an7}AND PLAY TOGETHER. 144 00:08:59,806 --> 00:09:02,175 {\an7}AMERICANS PROVIDE THE BASEBALL. 145 00:09:05,945 --> 00:09:09,515 {\an7}\hAND AUSTRALIANS PROVIDE THE BEER. 146 00:09:09,549 --> 00:09:13,553 {\an7}THE MEN SEEM TO GET ALONG \h\h\h\hFAMOUSLY UNTIL... 147 00:09:13,586 --> 00:09:15,288 {\an7}♪ 148 00:09:15,321 --> 00:09:19,125 {\an7}\hMaureen Meadows: WE LIKED EVERYTHING ABOUT THE YANKS. 149 00:09:19,159 --> 00:09:22,529 {\an7}IN FACT, WE JUST COULDN’T \h\h\hHELP STARE AT THEM. 150 00:09:22,562 --> 00:09:25,098 {\an7}Narrator: THE AMERICANS \hHAVE SHARPER UNIFORMS 151 00:09:25,131 --> 00:09:27,500 {\an7}AND DEEPER POCKETS. 152 00:09:27,534 --> 00:09:30,470 {\an7}THEY EARN UP TO TWICE AS MUCH \h\h\h\hAS THE AUSSIE SOLDIER 153 00:09:30,503 --> 00:09:33,439 {\an7}\hAND SPLASH THEIR CASH WHEN THEY HIT THE TOWN. 154 00:09:33,473 --> 00:09:35,942 {\an7}\h\h\h\h\hBill Bentson: WE HAD THE CHOCOLATES, THE ICE CREAM, 155 00:09:35,975 --> 00:09:38,611 {\an7}THE SILK STOCKINGS, \h\hAND THE DOLLARS. 156 00:09:38,645 --> 00:09:41,348 {\an7}WE WERE ABLE TO SHOW THE GIRLS \h\h\h\h\h\h\h\h\hA GOOD TIME. 157 00:09:41,381 --> 00:09:47,988 {\an7}♪ 158 00:09:48,021 --> 00:09:49,189 {\an7}Colin Kerr-Grant: IN SYDNEY, 159 00:09:49,222 --> 00:09:50,190 {\an7}YOU WERE COMPETING \h\hWITH AMERICANS 160 00:09:50,223 --> 00:09:51,791 {\an7}FOR THE ATTENTION OF WOMEN. 161 00:09:51,825 --> 00:09:55,429 {\an7}AND SOME OF THE AUSTRALIAN GIRLS REALLY CHASED THE AMERICANS. 162 00:09:57,197 --> 00:09:59,533 {\an7}Narrator: AUSTRALIAN MEN \h\hSTART TAKING OFFENSE 163 00:09:59,566 --> 00:10:02,035 {\an7}\hAND ADOPT A SLOGAN DESCRIBING AMERICANS 164 00:10:02,068 --> 00:10:06,739 {\an7}AS "OVERPAID, OVERSEXED, \h\h\h\hAND OVER HERE." 165 00:10:06,773 --> 00:10:11,378 {\an7}♪ 166 00:10:11,411 --> 00:10:14,481 {\an7}THEIR WELCOME IS WEARING THIN. 167 00:10:17,484 --> 00:10:20,988 {\an7}\hARGUMENTS AMONG TROOPS TURN INTO STREET FIGHTS. 168 00:10:21,020 --> 00:10:23,456 {\an7}STREET FIGHTS TURN INTO RIOTS. 169 00:10:23,490 --> 00:10:26,927 {\an7}MELBOURNE AND BRISBANE \h\hERUPT INTO CHAOS. 170 00:10:26,960 --> 00:10:33,700 {\an7}♪ 171 00:10:33,733 --> 00:10:37,704 {\an7}\h\hGENERAL DOUGLAS MacARTHUR IS WELL AWARE OF THE PROBLEM. 172 00:10:37,737 --> 00:10:41,741 {\an7}HE’S IN AUSTRALIA COMMANDING \h\h\hBOTH NATIONS’ TROOPS. 173 00:10:41,774 --> 00:10:45,411 {\an7}\hHE’S ABOUT TO SEND THESE JOINT FORCES INTO BATTLE, 174 00:10:45,445 --> 00:10:48,615 {\an7}\h\hIF THEY CAN STOP FIGHTING EACH OTHER. 175 00:10:50,683 --> 00:10:53,886 {\an7}SPRING 1942. 176 00:10:53,920 --> 00:10:57,357 {\an7}A NEW ALLIED EXPERIMENT \h\h\h\h\h\hIS UNDERWAY. 177 00:10:57,390 --> 00:11:02,896 {\an7}AMERICANS AND AUSTRALIANS DEPLOY AS ONE ARMY FOR THE FIRST TIME. 178 00:11:02,929 --> 00:11:05,165 {\an7}\h\h\h\h\hTHEIR NAVIES REPELLED THE JAPANESE 179 00:11:05,198 --> 00:11:07,100 {\an7}ENOUGH TO HOLD PORT MORESBY, 180 00:11:07,133 --> 00:11:10,603 {\an7}THE LAST ALLIED OUTPOST \h\h\h\h\hON NEW GUINEA. 181 00:11:10,637 --> 00:11:13,473 {\an7}NOW GROUND TROOPS POUR IN. 182 00:11:14,974 --> 00:11:19,812 {\an7}\hTHE ALLIED CAMP IS NESTLED INSIDE A COCONUT PLANTATION. 183 00:11:19,846 --> 00:11:24,784 {\an7}\hFROM HERE, THEY WANT TO RETAKE THE ENTIRE ISLAND. 184 00:11:24,817 --> 00:11:29,255 {\an7}BUT NEW GUINEA IS NEARLY IMPOSSIBLE TO PENETRATE. 185 00:11:29,289 --> 00:11:32,959 {\an7}MOUNTAINS RISE TO 16,000 FEET, 186 00:11:32,992 --> 00:11:35,761 {\an7}SURROUNDED BY THICK JUNGLE. 187 00:11:37,263 --> 00:11:41,400 {\an7}SO THEY TRY TO ENLIST SOME LOCAL EXPERTISE. 188 00:11:43,203 --> 00:11:45,105 {\an7}AMERICAN PILOT KEN GERRISH 189 00:11:45,138 --> 00:11:47,641 {\an7}TAKES HIS OWN FOOTAGE \hOF CURIOUS TRIBESMEN 190 00:11:47,674 --> 00:11:51,011 {\an7}IN THE REMOTE HIGHLANDS \hOUTSIDE PORT MORESBY. 191 00:11:52,579 --> 00:11:55,148 {\an7}AN AUSTRALIAN CAPTAIN \h\h\h\hBREAKS THE ICE 192 00:11:55,181 --> 00:11:57,450 {\an7}BY TAKING PICTURES OF THE CHIEF. 193 00:11:58,985 --> 00:12:02,722 {\an7}IT’S THE FIRST TIME HE’S EVER \h\h\hSEEN A PHOTO OF HIMSELF. 194 00:12:05,191 --> 00:12:07,694 {\an7}\h\hTHE TRIBE AGREES ON THE COMMON ENEMY, 195 00:12:07,727 --> 00:12:10,263 {\an7}AND THEY’RE READY TO FIGHT. 196 00:12:10,296 --> 00:12:12,732 {\an7}Ken Gerrish: WE WERE FORTUNATE \h\h\h\hTO GET THESE PICTURES, 197 00:12:12,765 --> 00:12:14,400 {\an7}AS THIS WAS A REAL WAR PARTY 198 00:12:14,434 --> 00:12:17,304 {\an7}WHO ACTUALLY DID KILL \h\hSOME JAP SOLDIERS. 199 00:12:17,337 --> 00:12:23,176 {\an7}♪ 200 00:12:23,209 --> 00:12:26,179 {\an7}Narrator: NOW THIS UNCOMMON \h\h\h\hCOLLECTION OF ALLIES 201 00:12:26,212 --> 00:12:29,215 {\an7}HAS TO FIGHT THE JAPANESE \h\h\hTHAT SURROUND THEM. 202 00:12:32,252 --> 00:12:34,354 {\an7}EACH SIDE TAKES POTSHOTS \h\h\h\h\h\hAT THE OTHER 203 00:12:34,387 --> 00:12:36,556 {\an7}FROM CLOSE DISTANCE. 204 00:12:38,825 --> 00:12:40,226 {\an7}BLACK SMOKE RISES 205 00:12:40,260 --> 00:12:44,064 {\an7}\h\h\hFROM JAPANESE RAIDS ON THE PORT MORESBY CAMP. 206 00:12:49,369 --> 00:12:53,540 {\an7}ALLIED PILOTS STRIKE BACK ON JAPANESE BASES NEARBY, 207 00:12:53,573 --> 00:12:56,443 {\an7}TURNING ZEROES INTO SCRAP METAL. 208 00:12:57,877 --> 00:13:02,382 {\an7}ONE SQUADRON TALLIES 200 KILLS. 209 00:13:02,415 --> 00:13:05,118 {\an7}THEIR PILOTS SELDOM SURVIVE. 210 00:13:07,887 --> 00:13:13,092 {\an7}THOSE THAT DO BECOME POWs \hUNDER AUSTRALIAN GUARD. 211 00:13:15,895 --> 00:13:20,666 {\an7}A CLOSE-QUARTER AIR WAR \h\hIS A DANGEROUS GAME. 212 00:13:20,700 --> 00:13:23,570 {\an7}\h\h\h\h\hTHE TWO SIDES ARE ON THE SAME ISLAND. 213 00:13:23,603 --> 00:13:26,005 {\an7}IF A PILOT BAILS INTO THE JUNGLE, 214 00:13:26,039 --> 00:13:29,709 {\an7}\h\h\h\hALL BETS ARE OFF ON WHO FINDS HIM FIRST. 215 00:13:31,377 --> 00:13:34,881 {\an7}SO EVERY PILOT CARRIES A LIFE VEST, A KNIFE, 216 00:13:34,914 --> 00:13:36,582 {\an7}AND A PISTOL. 217 00:13:36,616 --> 00:13:40,220 {\an7}BETWEEN THE JUNGLE ITSELF \h\hAND THE ENEMY WITHIN, 218 00:13:40,253 --> 00:13:42,822 {\an7}SURVIVAL ISN’T GUARANTEED. 219 00:13:44,290 --> 00:13:47,627 {\an7}\h\hBUT IT HELPS TO HAVE THE LOCALS ON YOUR SIDE. 220 00:13:49,595 --> 00:13:51,397 {\an7}KEN GERRISH BRINGS HIS CAMERA 221 00:13:51,431 --> 00:13:54,668 {\an7}\hON A RESCUE MISSION TO THE WILD INTERIOR. 222 00:13:57,870 --> 00:14:00,740 {\an7}Gerrish: WE LANDED ON A RIVER \h\hTO PICK UP A DOWNED PILOT, 223 00:14:00,773 --> 00:14:02,708 {\an7}AN AUSSIE OFFICER. 224 00:14:05,078 --> 00:14:06,746 {\an7}Narrator: THE PILOT CAN THANK 225 00:14:06,779 --> 00:14:10,016 {\an7}\h\h\h\h\h\h\h\hNEW GUINEA’S OWN SEARCH AND RESCUE TEAM. 226 00:14:10,049 --> 00:14:12,184 {\an7}\h\h\h\h\h\h\h\h\hGerrish: HE WAS ROWED TO THE PLANE 227 00:14:12,218 --> 00:14:15,288 {\an7}BY NATIVES IN THEIR LOG CANOE. 228 00:14:15,321 --> 00:14:18,157 {\an7}HE WAS REAL HAPPY TO SEE US. 229 00:14:23,296 --> 00:14:26,065 {\an7}\h\h\h\h\h\h\h\h\h\h\hNarrator: AMERICAN AND AUSTRALIAN FLYBOYS 230 00:14:26,099 --> 00:14:28,835 {\an7}ARE FORMING A TIGHTER BOND... 231 00:14:28,868 --> 00:14:31,871 {\an7}\hNOW THAT THEIR LIVES DEPEND ON EACH OTHER. 232 00:14:33,740 --> 00:14:38,144 {\an7}THE PRESSURE OF COMBAT PUNCTURES THEIR PRE-WAR TENSIONS. 233 00:14:38,177 --> 00:14:41,013 {\an7}\h\h\h\h\h\h\h\hHANDSHAKES ARE REPLACING FISTFIGHTS. 234 00:14:41,047 --> 00:14:47,453 {\an7}♪ 235 00:14:47,487 --> 00:14:48,822 {\an7}J. Edward Angly: I WILL SAY 236 00:14:48,855 --> 00:14:51,424 {\an7}\hTHAT ONCE THE SCENE OF BATTLE IS REACHED, 237 00:14:51,457 --> 00:14:55,494 {\an7}\h\hTHE TWO BODIES OF TROOPS GET ALONG EXCEEDINGLY WELL. 238 00:14:56,729 --> 00:14:58,664 {\an7}\h\h\hNarrator: IT HELPS THAT THERE ARE NO WOMEN 239 00:14:58,698 --> 00:15:01,467 {\an7}ON PORT MORESBY BEACHES \h\h\h\h\hTO FIGHT OVER. 240 00:15:01,501 --> 00:15:06,373 {\an7}♪ 241 00:15:06,406 --> 00:15:09,542 {\an7}BUT THEY ARE NEVER FAR \h\hFROM THEIR MINDS. 242 00:15:09,575 --> 00:15:15,681 {\an7}♪ 243 00:15:15,715 --> 00:15:17,750 {\an7}ALL OVER THE PACIFIC THEATER, 244 00:15:17,784 --> 00:15:22,222 {\an7}SEXUAL FRUSTRATION LEADS TO CREATIVE EXPRESSION. 245 00:15:22,255 --> 00:15:24,524 {\an7}THEIR BELOVED PLANES \hBECOME THE CANVAS 246 00:15:24,557 --> 00:15:27,427 {\an7}FOR WHAT THEY CALL "NOSE ART." 247 00:15:29,028 --> 00:15:31,430 {\an7}THE FARTHER FROM THE PUBLIC EYE, 248 00:15:31,464 --> 00:15:33,132 {\an7}THE RACIER THE ART. 249 00:15:33,166 --> 00:15:38,004 {\an7}♪ 250 00:15:38,037 --> 00:15:40,706 {\an7}SOME CHOOSE CARTOON CHARACTERS. 251 00:15:42,141 --> 00:15:44,710 {\an7}OTHERS OPT FOR INTIMIDATION. 252 00:15:46,546 --> 00:15:50,750 {\an7}THIS ONE GOES FOR SHEER SIZE. 253 00:15:50,783 --> 00:15:53,352 {\an7}THIS IS THE LARGEST \hNOSE ART PAINTING 254 00:15:53,386 --> 00:15:54,821 {\an7}OF WORLD WAR II, 255 00:15:54,854 --> 00:15:58,391 {\an7}\h\h\h\h\h\h\h\h\h\hCALLED "THE DRAGON AND HIS TAIL." 256 00:15:59,792 --> 00:16:04,063 {\an7}\h\hTHE AVERAGE AIRFIELD BECOMES AN ART MUSEUM-- 257 00:16:04,096 --> 00:16:06,565 {\an7}ALBEIT, WITHOUT A ROOF. 258 00:16:09,168 --> 00:16:11,337 {\an7}WHEN RAIN SOAKS NEW GUINEA, 259 00:16:11,370 --> 00:16:15,741 {\an7}\hNOTHING AND NO ONE ESCAPES THE DELUGE. 260 00:16:15,775 --> 00:16:20,280 {\an7}Gerrish: THE RAIN AVERAGED \hABOUT TWO INCHES A DAY. 261 00:16:20,313 --> 00:16:22,315 {\an7}WE DIDN’T FLY ONE MISSION. 262 00:16:24,250 --> 00:16:26,285 {\an7}\h\h\h\hMOST OF THE TIME WAS SPENT IN THE TENTS, 263 00:16:26,319 --> 00:16:29,022 {\an7}\h\hEXCEPT FOR CHOW OR LATRINE BUSINESS. 264 00:16:31,491 --> 00:16:33,994 {\an7}Narrator: IT’S TOUGH GOING \h\h\h\hFOR THE SOLDIERS. 265 00:16:34,026 --> 00:16:47,106 {\an7}♪ 266 00:16:47,139 --> 00:16:48,507 {\an7}THIS ENDLESS RAIN 267 00:16:48,541 --> 00:16:51,477 {\an7}\h\hCREATES A PROBLEM EVEN BIGGER THAN MUD. 268 00:16:54,480 --> 00:16:55,948 {\an7}Gerrish: PRACTICALLY ALL OUR MEN 269 00:16:55,982 --> 00:16:58,184 {\an7}\h\h\h\h\h\hHAD MALARIA AT ONE TIME OR ANOTHER. 270 00:16:58,217 --> 00:17:01,987 {\an7}I HAD IT TWICE, ALONG WITH \hA BOUT OF DENGUE FEVER. 271 00:17:02,021 --> 00:17:03,222 {\an7}Narrator: THE SOUTH PACIFIC 272 00:17:03,256 --> 00:17:06,326 {\an7}\h\h\h\h\hIS A HOTBED FOR TROPICAL DISEASES. 273 00:17:06,359 --> 00:17:08,595 {\an7}\hINSECT BITES CAUSE MORE STRETCHER CASES 274 00:17:08,628 --> 00:17:10,663 {\an7}THAN ENEMY BULLETS. 275 00:17:12,198 --> 00:17:14,367 {\an7}EVEN WHEN THE SUN \hCOMES BACK OUT, 276 00:17:14,400 --> 00:17:17,503 {\an7}\h\h\h\h\h\h\hFEVERS RAGE INSIDE THE MEDICAL TENTS. 277 00:17:18,905 --> 00:17:20,206 {\an7}ON NEW GUINEA ALONE, 278 00:17:20,239 --> 00:17:25,077 {\an7}\h\h\h\hTHE AVERAGE SOLDIER ENDURES MALARIA FOUR TIMES. 279 00:17:25,111 --> 00:17:27,914 {\an7}\hCharles Pase: YOUR BONES AND EVERYTHING WOULD ACHE. 280 00:17:27,947 --> 00:17:29,148 {\an7}YOU WOULD BE WEAK. 281 00:17:29,181 --> 00:17:31,350 {\an7}YOU COULD HARDLY HOLD UP A RIFLE. 282 00:17:33,386 --> 00:17:37,490 {\an7}YOU COULD WALK, YOU COULD CRAWL, BUT YOU COULDN’T DO MUCH ELSE. 283 00:17:38,958 --> 00:17:42,795 {\an7}Narrator: IT’S A CRIPPLING \h\h\h\hMANPOWER PROBLEM. 284 00:17:42,828 --> 00:17:46,031 {\an7}FIGHTING MALARIA WILL TAKE \h\hA WHOLE SEPARATE WAR. 285 00:17:48,134 --> 00:17:51,471 {\an7}THE ARMY’S MEDICAL DEPARTMENT \h\h\h\h\hRUSHES INTO ACTION. 286 00:17:55,141 --> 00:18:00,413 {\an7}MALARIA CONTROL UNITS SPRAY DDT LIBERALLY ACROSS THE ISLAND. 287 00:18:02,148 --> 00:18:06,419 {\an7}\hTRAINING FILMS URGE TROOPS TO TAKE STRICT PRECAUTIONS. 288 00:18:07,453 --> 00:18:09,488 {\an7}Announcer: SLEEVES DOWN, 289 00:18:09,522 --> 00:18:12,125 {\an7}SHIRT BUTTONED, 290 00:18:12,158 --> 00:18:13,860 {\an7}REPELLENT SMEARED ON, 291 00:18:13,893 --> 00:18:16,996 {\an7}AND SMEARED ON OFTEN ENOUGH TO KEEP THE MOSQUITOS AWAY. 292 00:18:17,029 --> 00:18:19,698 {\an7}\h\h\h\h\h\h\hTHIS EQUIPMENT IS AS IMPORTANT AS BULLETS. 293 00:18:21,601 --> 00:18:23,570 {\an7}Narrator: THEY SPEED UP TRIALS 294 00:18:23,603 --> 00:18:26,406 {\an7}OF THE ANTIMALARIAL MEDICINE \h\h\h\h\h\h\h\h\hATABRINE. 295 00:18:26,439 --> 00:18:28,274 {\an7}\h\hPase: THE CHEMICAL WAS VERY, VERY BITTER, 296 00:18:28,307 --> 00:18:30,276 {\an7}VERY NASTY TASTING. 297 00:18:30,309 --> 00:18:32,678 {\an7}MY MEN HATED IT LIKE POISON. 298 00:18:34,814 --> 00:18:38,785 {\an7}\h\h\hNarrator: EVEN THE NURSES EXPERIENCE WICKED SIDE EFFECTS. 299 00:18:38,818 --> 00:18:40,086 {\an7}\hEleanor Hughes: WE STARTED TAKING 300 00:18:40,119 --> 00:18:42,822 {\an7}THESE LITTLE YELLOW PILLS. 301 00:18:42,855 --> 00:18:45,491 {\an7}THEY TURNED YOUR SKIN \hAND EYEBALLS YELLOW. 302 00:18:47,593 --> 00:18:49,395 {\an7}Narrator: SOON, RUMORS FLY THAT 303 00:18:49,428 --> 00:18:52,531 {\an7}ATABRINE CAUSES INFERTILITY. 304 00:18:52,565 --> 00:18:54,500 {\an7}THE PILLS ARE SO UNPOPULAR 305 00:18:54,533 --> 00:18:56,535 {\an7}THAT MEDICS ARE DEPLOYED \h\h\h\h\hIN CHOW LINES 306 00:18:56,569 --> 00:18:58,671 {\an7}TO MONITOR THEIR INTAKE. 307 00:19:00,606 --> 00:19:04,410 {\an7}THE DISEASE AFFECTS BOTH SIDES. 308 00:19:04,443 --> 00:19:06,712 {\an7}UP TO 90% OF JAPANESE TROOPS 309 00:19:06,746 --> 00:19:09,549 {\an7}SUFFER FROM MALARIA \h\hAND DYSENTERY. 310 00:19:11,183 --> 00:19:13,352 {\an7}AMERICANS WHO RUSHED TO ENLIST 311 00:19:13,386 --> 00:19:18,758 {\an7}\h\h\hARE NOW FEELING EVERY MILE OF OCEAN BETWEEN THEM AND HOME. 312 00:19:18,791 --> 00:19:21,927 {\an7}\h\h\h\h\h\hWHAT THEY NEED IS A HOME AWAY FROM HOME. 313 00:19:24,864 --> 00:19:27,734 {\an7}THIS PLACE LOOKS LIKE HEAVEN... 314 00:19:31,137 --> 00:19:34,707 {\an7}\h\h\h\hESPECIALLY FOR DISEASE-RIDDEN TROOPS. 315 00:19:34,740 --> 00:19:39,645 {\an7}♪ 316 00:19:39,679 --> 00:19:42,916 {\an7}THEY’RE GETTING SHIPPED \h\h\h\hTO NEW ZEALAND, 317 00:19:42,948 --> 00:19:45,150 {\an7}A GREEN AND SPACIOUS COUNTRY 318 00:19:45,184 --> 00:19:48,054 {\an7}\h\h\hWITH FEWER PEOPLE THAN DETROIT, MICHIGAN. 319 00:19:50,056 --> 00:19:51,858 {\an7}\h\h\h\h\h\h\h\hNorm Hatch: WHEN I WENT TO NEW ZEALAND, 320 00:19:51,891 --> 00:19:55,461 {\an7}I WAS REMINDED OF A WESTERN TOWN IN THE LATE 1800s. 321 00:19:57,697 --> 00:20:00,099 {\an7}\h\h\h\h\h\hNarrator: BY THE SUMMER OF 1942, 322 00:20:00,132 --> 00:20:03,235 {\an7}AMERICAN TROOPS ARE ARRIVING \h\h\h\h\hBY THE THOUSANDS. 323 00:20:07,139 --> 00:20:10,542 {\an7}NEW ZEALAND PUTS OUT \h\hTHE WELCOME MAT. 324 00:20:10,576 --> 00:20:15,915 {\an7}♪ 325 00:20:15,948 --> 00:20:20,052 {\an7}THEY SET UP 19 HOSPITALS WITH THE LATEST MEDICAL EQUIPMENT. 326 00:20:20,086 --> 00:20:26,125 {\an7}♪ 327 00:20:26,158 --> 00:20:30,162 {\an7}\h\h\h\h\h\hLOCAL FARM FAMILIES TAKE IN TROOPS LIKE SECOND SONS 328 00:20:30,196 --> 00:20:33,833 {\an7}AND NURSE THEM BACK TO HEALTH, \h\h\h\h\h\hNEW ZEALAND STYLE. 329 00:20:35,334 --> 00:20:37,736 {\an7}Hatch: ONCE THEY GOT OUT \h\hINTO THE COUNTRYSIDE 330 00:20:37,770 --> 00:20:41,040 {\an7}AND WERE ABLE TO DO HARD WORK, \h\h\h\h\h\h\h\hEAT GOOD FOOD, 331 00:20:41,073 --> 00:20:43,776 {\an7}\h\h\h\h\h\h\hAND DRINK COPIOUS AMOUNTS OF MILK, 332 00:20:43,809 --> 00:20:46,078 {\an7}THEY SOON BECAME VERY WELL. 333 00:20:46,112 --> 00:20:52,752 {\an7}♪ 334 00:20:52,785 --> 00:20:54,220 {\an7}\h\h\h\h\h\h\h\h\h\hNarrator: THERE IS LITTLE OF THE TENSION 335 00:20:54,253 --> 00:20:57,056 {\an7}THAT FOLLOWED AMERICANS \h\h\h\hINTO AUSTRALIA. 336 00:20:57,957 --> 00:21:00,493 {\an7}THAT WAS A FORCED MARRIAGE. 337 00:21:00,526 --> 00:21:03,763 {\an7}IN NEW ZEALAND, IT’S MORE LIKE \h\h\h\h\h\hA LOVING ADOPTION. 338 00:21:04,363 --> 00:21:06,165 {\an7}[DOG BARKS] 339 00:21:06,198 --> 00:21:07,766 {\an7}TROOPS GET HEALTHY 340 00:21:07,800 --> 00:21:11,504 {\an7}\h\h\hAND GET READY TO REJOIN THE FIGHT. 341 00:21:11,537 --> 00:21:14,206 {\an7}THERE’S A BIG ONE BREWING AHEAD. 342 00:21:18,077 --> 00:21:20,713 {\an7}BY JUNE OF 1942, 343 00:21:20,746 --> 00:21:23,482 {\an7}\h\h\h\hALLIED TEAMWORK IS HOLDING PORT MORESBY 344 00:21:23,516 --> 00:21:26,252 {\an7}AND PROTECTING AUSTRALIA. 345 00:21:26,285 --> 00:21:29,989 {\an7}\hJAPAN HAS HIT A WALL IN THE SOUTH PACIFIC, 346 00:21:30,022 --> 00:21:32,658 {\an7}SO THE EMPIRE LOOKS EAST, 347 00:21:32,691 --> 00:21:34,960 {\an7}TO MIDWAY. 348 00:21:34,994 --> 00:21:39,999 {\an7}IT’S A CRITICAL HALFWAY POINT \h\hBETWEEN ASIA AND THE U.S. 349 00:21:40,032 --> 00:21:44,136 {\an7}\h\h\h\h\hTHE AMERICAN FORCES PROTECTING MIDWAY ARE MEAGER. 350 00:21:44,170 --> 00:21:47,874 {\an7}THE APPROACHING JAPANESE FLEET \h\h\h\hIS FOUR TIMES BIGGER. 351 00:21:49,642 --> 00:21:51,310 {\an7}LIKE THE PEARL HARBOR ATTACK, 352 00:21:51,343 --> 00:21:55,347 {\an7}THEY COULD ANNIHILATE ANOTHER \hHUGE CHUNK OF THE U.S. NAVY 353 00:21:55,381 --> 00:21:57,250 {\an7}AND LEAVE THEM ALMOST HELPLESS. 354 00:22:00,286 --> 00:22:01,821 {\an7}BUT THIS TIME, 355 00:22:01,854 --> 00:22:04,890 {\an7}AMERICANS HAVE SURPRISE \h\h\h\h\hON THEIR SIDE. 356 00:22:06,926 --> 00:22:09,862 {\an7}ONCE AGAIN, THEY’VE CRACKED \h\h\h\h\hTHE JAPANESE CODE 357 00:22:09,895 --> 00:22:11,864 {\an7}AND KNOW THEIR PLAN. 358 00:22:16,669 --> 00:22:21,207 {\an7}EVEN THOUGH HE’S OUTGUNNED, ADMIRAL NIMITZ DOESN’T RUN. 359 00:22:26,378 --> 00:22:27,846 {\an7}INSTEAD, 360 00:22:27,880 --> 00:22:31,016 {\an7}HE’LL WAIT FOR THE JAPANESE \h\h\hTO ATTACK THE ISLAND, 361 00:22:31,050 --> 00:22:33,786 {\an7}THEN LAUNCH A SURPRISE \h\h\h\h\hOF HIS OWN. 362 00:22:37,356 --> 00:22:41,327 {\an7}BUT IT MEANS THE MEN ON MIDWAY \h\h\h\h\h\hARE SITTING DUCKS. 363 00:22:41,360 --> 00:22:44,163 {\an7}♪ 364 00:22:46,031 --> 00:22:51,169 {\an7}AT SUNRISE, AMERICANS HEAR \h\hTHE APPROACHING BUZZ. 365 00:22:51,203 --> 00:22:54,273 {\an7}THEY STEEL THEMSELVES \h\hFOR AN ONSLAUGHT. 366 00:22:54,306 --> 00:22:57,409 {\an7}[GUNFIRE] 367 00:22:57,443 --> 00:23:00,546 {\an7}[ENGINES ROARING] 368 00:23:00,579 --> 00:23:05,451 {\an7}[GUNFIRE] 369 00:23:05,484 --> 00:23:07,353 {\an7}THE FEW PLANES THEY HAVE 370 00:23:07,386 --> 00:23:10,689 {\an7}SCRAMBLE TO INTERCEPT \h\h\h\hTHE ATTACKERS. 371 00:23:10,723 --> 00:23:13,092 {\an7}[ENGINES ROARING] 372 00:23:13,125 --> 00:23:18,263 {\an7}[GUNFIRE] 373 00:23:18,297 --> 00:23:22,902 {\an7}[EXPLOSIONS] 374 00:23:22,935 --> 00:23:25,738 {\an7}[ENGINES ROARING] 375 00:23:25,771 --> 00:23:34,480 {\an7}[GUNFIRE] 376 00:23:34,513 --> 00:23:36,715 {\an7}[EXPLOSION] 377 00:23:36,749 --> 00:23:43,055 {\an7}\hTHE JAPANESE BOMB THE RUNWAYS AND OBLITERATE THE COMMAND POST. 378 00:23:43,088 --> 00:23:45,624 {\an7}SMOKE BILLOWS HIGH INTO THE SKY 379 00:23:45,658 --> 00:23:48,127 {\an7}\h\h\h\h\h\hAS THEY TEAR INTO THE AMERICAN BASE. 380 00:23:50,963 --> 00:23:53,332 {\an7}THEY SET THE HANGARS ABLAZE. 381 00:23:53,365 --> 00:23:56,602 {\an7}[ENGINES ROARING] 382 00:23:56,635 --> 00:24:01,006 {\an7}[EXPLOSION] 383 00:24:01,040 --> 00:24:06,178 {\an7}AMERICAN MARINES DESPERATELY \h\h\h\hSCRAMBLE FOR COVER, 384 00:24:06,211 --> 00:24:08,814 {\an7}HOPING THE NAVY CAN SUMMON \h\h\h\h\hA COUNTERATTACK 385 00:24:08,847 --> 00:24:10,549 {\an7}AND SAVE THE ISLAND. 386 00:24:10,582 --> 00:24:16,288 {\an7}♪ 387 00:24:16,322 --> 00:24:18,257 {\an7}Judson Brodie: THE LOUDSPEAKER \h\h\h\h\h\hCAME ON AND SAID, 388 00:24:18,290 --> 00:24:20,492 {\an7}"WE’VE GOT ENEMY PLANES \h\h\h\h\hAPPROACHING." 389 00:24:22,695 --> 00:24:26,832 {\an7}\h\hNarrator: JUDSON BRODIE IS ABOARD THE USS YORKTOWN. 390 00:24:28,334 --> 00:24:30,403 {\an7}\h\h\hBrodie: THERE WERE SO MANY JAPANESE PLANES 391 00:24:30,436 --> 00:24:32,104 {\an7}FALLING AT ONE TIME 392 00:24:32,137 --> 00:24:35,207 {\an7}THAT IT LOOKED LIKE A CURTAIN \hCOMING DOWN ACROSS THE SKY. 393 00:24:36,408 --> 00:24:39,878 {\an7}Narrator: AMERICAN GUNS FILL THE AIR WITH FLAK. 394 00:24:41,213 --> 00:24:44,650 {\an7}BUT THE JAPANESE ARE RELENTLESS. 395 00:24:44,683 --> 00:24:49,688 {\an7}\h\h\hBrodie: THE SECOND ATTACK, THEY GOT TWO TORPEDO HITS ON US. 396 00:24:49,722 --> 00:24:55,127 {\an7}YOU HAVE NEVER IN YOUR LIFE \h\h\hFELT ANYTHING LIKE IT. 397 00:24:55,160 --> 00:24:58,797 {\an7}Narrator: JAPAN THINKS IT HAS \hAMERICA’S NAVY ON ITS KNEES. 398 00:24:59,798 --> 00:25:02,668 {\an7}INSTEAD, IT’S ON ITS WAY. 399 00:25:02,701 --> 00:25:05,137 {\an7}[ENGINE ROARS] 400 00:25:07,139 --> 00:25:10,109 {\an7}\h\h\h\h\h\h\hAMERICANS SAW THE JAPANESE COMING. 401 00:25:11,944 --> 00:25:14,079 {\an7}SO BEFORE THEY ARRIVED, 402 00:25:14,113 --> 00:25:18,784 {\an7}THEY LAUNCHED WHOLE SQUADRONS OF TORPEDO PLANES AND DIVE BOMBERS. 403 00:25:20,119 --> 00:25:24,156 {\an7}\h\h\h150 AIRPLANES RACE TO STRIKE BACK, 404 00:25:24,189 --> 00:25:28,326 {\an7}LEAVING THEIR HOME SHIPS UNDER FIRE BEHIND THEM. 405 00:25:28,360 --> 00:25:37,903 {\an7}[ENGINES ROARING] 406 00:25:37,936 --> 00:25:39,337 {\an7}[BOOM] 407 00:25:39,371 --> 00:25:40,405 {\an7}WITHOUT AIR COVER, 408 00:25:40,439 --> 00:25:43,475 {\an7}\h\hAMERICAN SHIPS FACE AN ONSLAUGHT. 409 00:25:43,509 --> 00:25:49,382 {\an7}[GUNFIRE] 410 00:25:49,415 --> 00:25:52,685 {\an7}\hJAPANESE PILOTS HAVE A FIELD DAY. 411 00:25:52,718 --> 00:25:55,621 {\an7}[GUNFIRE] 412 00:25:55,654 --> 00:25:59,158 {\an7}BUT WHEN THE AMERICAN PLANES \hREACH THE JAPANESE FLEET, 413 00:25:59,191 --> 00:26:01,260 {\an7}THEY CATCH THEM OFF GUARD. 414 00:26:03,262 --> 00:26:05,931 {\an7}THEY, TOO, HAVE NO AIR COVER. 415 00:26:05,964 --> 00:26:09,201 {\an7}[ENGINES ROARING] 416 00:26:09,234 --> 00:26:12,270 {\an7}AMERICAN PILOTS MAKE IT COUNT. 417 00:26:12,304 --> 00:26:15,641 {\an7}\h\h\h\h\h\h\h\hTHEY DESTROY ALL FOUR JAPANESE CARRIERS. 418 00:26:15,674 --> 00:26:19,211 {\an7}[EXPLOSION] 419 00:26:26,085 --> 00:26:29,589 {\an7}\h\hTHE BATTLE OF MIDWAY IS A STUNNING TURNABOUT. 420 00:26:32,524 --> 00:26:36,261 {\an7}\h\h\h\hAMERICA CUTS DEEP INTO JAPANESE NAVAL POWER. 421 00:26:36,295 --> 00:26:39,165 {\an7}\h\h\hIT’S THEIR FIRST CLEAR VICTORY AT SEA. 422 00:26:43,102 --> 00:26:46,005 {\an7}IT’S NOT WITHOUT SACRIFICE. 423 00:26:46,038 --> 00:26:50,442 {\an7}AMERICA LOSES ONE CARRIER \h\h\hAND 307 SERVICEMEN. 424 00:26:50,476 --> 00:26:54,647 {\an7}MORE ARE INJURED AND ADRIFT, \h\h\h\h\h\hAWAITING RESCUE. 425 00:26:58,350 --> 00:27:01,753 {\an7}BUT THEY PROVE AMERICA \h\hCAN FIGHT BACK... 426 00:27:01,787 --> 00:27:03,389 {\an7}AND WIN. 427 00:27:06,358 --> 00:27:09,428 {\an7}THE JAPANESE HIGH COMMAND \h\h\h\h\h\h\h\hIS SHAKEN. 428 00:27:13,065 --> 00:27:15,501 {\an7}THE TIDE IS TURNING. 429 00:27:15,534 --> 00:27:18,437 {\an7}♪ 430 00:27:18,470 --> 00:27:20,639 {\an7}[ENGINES ROARING] 431 00:27:20,672 --> 00:27:22,340 {\an7}♪ 432 00:27:22,374 --> 00:27:27,079 {\an7}WHEN NEWS FROM THE FRONT LINES \h\h\h\h\h\h\h\hREACHES HOME, 433 00:27:27,112 --> 00:27:28,847 {\an7}AMERICANS ARE JUBILANT. 434 00:27:28,881 --> 00:27:36,222 {\an7}♪ 435 00:27:36,255 --> 00:27:38,991 {\an7}DOWNTOWN PHILADELPHIA \h\h\hBECOMES A STAGE 436 00:27:39,024 --> 00:27:41,527 {\an7}TO EXPRESS SUPPORT FOR THE WAR. 437 00:27:41,560 --> 00:27:48,267 {\an7}♪ 438 00:27:48,300 --> 00:27:51,970 {\an7}OFFICIALLY, THIS IS A RALLY \h\h\h\h\hTO BUY WAR BONDS. 439 00:27:52,004 --> 00:27:54,406 {\an7}UNOFFICIALLY, IT’S A PARTY. 440 00:27:55,774 --> 00:27:58,644 {\an7}STAR POWER DRAWS A CROWD. 441 00:27:58,677 --> 00:28:00,846 {\an7}ON STAGE IS JAMES CAGNEY, 442 00:28:00,879 --> 00:28:02,814 {\an7}LUCILLE BALL, 443 00:28:02,848 --> 00:28:04,383 {\an7}MICKEY ROONEY, 444 00:28:04,416 --> 00:28:06,151 {\an7}DICK POWELL, 445 00:28:06,185 --> 00:28:08,754 {\an7}PAUL HENREID, 446 00:28:08,787 --> 00:28:11,089 {\an7}AND HARPO MARX. 447 00:28:11,123 --> 00:28:13,092 {\an7}BESIDES FANFARE AND PARADES, 448 00:28:13,125 --> 00:28:16,562 {\an7}THERE’S ANOTHER REMINDER THAT A WAR IS GOING ON. 449 00:28:16,595 --> 00:28:21,300 {\an7}[RINGING] 450 00:28:21,333 --> 00:28:24,269 {\an7}CIVIL DEFENSE DRILLS. 451 00:28:24,303 --> 00:28:28,440 {\an7}\h\h\hTHEY BECOME ROUTINE FOR AMERICAN SCHOOL KIDS. 452 00:28:28,473 --> 00:28:30,308 {\an7}BUT FOR EVERYONE ON THE MAINLAND, 453 00:28:30,342 --> 00:28:32,678 {\an7}WAR REMAINS ABSTRACT. 454 00:28:36,748 --> 00:28:39,384 {\an7}FOR HAWAIIANS, IT’S REAL. 455 00:28:40,919 --> 00:28:46,024 {\an7}PEARL HARBOR STILL LOOKS LIKE \hIT WAS FLIPPED UPSIDE DOWN. 456 00:28:46,058 --> 00:28:48,727 {\an7}PARADISE IS NOW PENNED IN. 457 00:28:48,760 --> 00:28:50,662 {\an7}THE BEACH IS OFF LIMITS, 458 00:28:50,696 --> 00:28:54,166 {\an7}FRAMED BY BARBED WIRE. 459 00:28:54,199 --> 00:28:57,369 {\an7}\hTHE ENTIRE TERRITORY IS UNDER MARTIAL LAW. 460 00:28:57,402 --> 00:29:00,805 {\an7}\h\h\hTHOUSANDS OF SCHOOL KIDS ARE REGISTERED, FINGERPRINTED, 461 00:29:00,839 --> 00:29:03,108 {\an7}AND MADE TO WEAR I.D. BADGES. 462 00:29:05,677 --> 00:29:09,714 {\an7}LOCALS LINE UP FOR RATION CARDS AND GAS MASKS. 463 00:29:12,584 --> 00:29:15,787 {\an7}OLDER KIDS PRACTICE HOW FAST \h\h\hTHEY CAN GET THEM ON. 464 00:29:15,821 --> 00:29:22,294 {\an7}♪ 465 00:29:22,327 --> 00:29:25,997 {\an7}THE YOUNGEST ONES HAVE TO GET \h\h\hINTO A FULL BODY BAG... 466 00:29:27,933 --> 00:29:29,067 {\an7}[CRYING] 467 00:29:29,101 --> 00:29:31,403 {\an7}AS IF THEY AREN’T SCARED ENOUGH. 468 00:29:31,436 --> 00:29:34,539 {\an7}[CRYING] 469 00:29:34,573 --> 00:29:40,379 {\an7}MORE THAN A THIRD OF HAWAIIANS \h\h\hARE OF JAPANESE DESCENT. 470 00:29:40,412 --> 00:29:42,848 {\an7}\h\h\hTHEY’RE NERVOUS AND TRYING TO BLEND IN 471 00:29:42,881 --> 00:29:45,751 {\an7}BY REMOVING ANY SIGNS \h\hOF THEIR ANCESTRY. 472 00:29:49,788 --> 00:29:53,292 {\an7}BUT HERE, THERE’S NO TALK \h\h\hOF MASS INTERNMENT. 473 00:29:55,761 --> 00:29:59,465 {\an7}SUCH IS NOT THE CASE \h\hON THE MAINLAND. 474 00:30:02,601 --> 00:30:11,076 {\an7}♪ 475 00:30:11,109 --> 00:30:15,180 {\an7}\h\h\h\h\hTHE ISHIKAWAS ARE A FISHING FAMILY... 476 00:30:15,213 --> 00:30:17,515 {\an7}LIVING IN CALIFORNIA. 477 00:30:17,549 --> 00:30:28,326 {\an7}♪ 478 00:30:28,360 --> 00:30:31,697 {\an7}THESE ARE THEIR HOME MOVIES \h\h\h\hFROM BEFORE THE WAR. 479 00:30:31,730 --> 00:30:38,437 {\an7}♪ 480 00:30:38,470 --> 00:30:40,639 {\an7}THEY ARE JAPANESE IMMIGRANTS 481 00:30:40,672 --> 00:30:43,775 {\an7}\h\h\h\h\h\hBUILDING A LIFE ON THE AMERICAN WEST COAST. 482 00:30:46,378 --> 00:30:48,113 {\an7}BUT IN 1942, 483 00:30:48,146 --> 00:30:52,183 {\an7}THAT’S JUST WHERE A SUSPICIOUS GOVERNMENT DOESN’T WANT THEM. 484 00:30:58,690 --> 00:31:02,360 {\an7}\h\h\h\h\h\h\h\hRoberta Shiroma: WE HAD TO GET RID OF EVERYTHING. 485 00:31:02,394 --> 00:31:04,396 {\an7}WE WERE GIVEN ONE MONTH. 486 00:31:07,532 --> 00:31:10,769 {\an7}Takeo Shiroma: PEOPLE WHO LIVED CLOSER TO THE OCEAN, 487 00:31:10,802 --> 00:31:13,638 {\an7}THEY ONLY HAD 24 HOURS. 488 00:31:13,672 --> 00:31:16,441 {\an7}Narrator: TAKEO AND ROBERTA \h\h\h\hSHIROMA ARE CHILDREN 489 00:31:16,475 --> 00:31:19,812 {\an7}WHEN THE U.S. GOVERNMENT PUTS \h\hTHEIR FAMILIES ON A TRAIN. 490 00:31:22,180 --> 00:31:24,349 {\an7}\h\h\h\h\h\h\h\h\hRoberta: THE NIGHT BEFORE WE LEFT, 491 00:31:24,383 --> 00:31:27,786 {\an7}MY PARENTS DIDN’T KNOW \hWHERE WE WERE GOING. 492 00:31:27,819 --> 00:31:36,761 {\an7}♪ 493 00:31:36,795 --> 00:31:38,597 {\an7}\h\h\h\h\h\h\hNarrator: THEY ARE HEADED INLAND, 494 00:31:38,630 --> 00:31:41,099 {\an7}TO ONE OF THE TEN HASTILY BUILT INTERNMENT CAMPS 495 00:31:41,133 --> 00:31:44,937 {\an7}ORDERED BY PRESIDENT ROOSEVELT \h\h\hAT THE START OF THE WAR. 496 00:31:44,970 --> 00:31:49,775 {\an7}♪ 497 00:31:49,808 --> 00:31:52,844 {\an7}\h\hTakeo: THERE WOULD BE TWO FAMILIES IN ONE ROOM. 498 00:31:55,213 --> 00:31:56,581 {\an7}Roberta: WHEN WE GOT THERE, 499 00:31:56,615 --> 00:31:58,650 {\an7}MY MOTHER HAD TO STUFF CANVAS BAGS WITH HAY, 500 00:31:58,683 --> 00:32:00,852 {\an7}WHICH WERE TO BE OUR MATTRESSES. 501 00:32:10,662 --> 00:32:12,864 {\an7}I CAN’T REMEMBER THE FOOD. 502 00:32:14,332 --> 00:32:16,835 {\an7}\h\h\h\hI CAN REMEMBER NOT WANTING TO EAT IT. 503 00:32:19,070 --> 00:32:21,272 {\an7}I WOULD JUST LOOK AT IT. 504 00:32:23,775 --> 00:32:27,145 {\an7}[TOLLING] 505 00:32:27,179 --> 00:32:29,648 {\an7}Narrator: THEY STUDY... 506 00:32:29,681 --> 00:32:30,982 {\an7}WORK... 507 00:32:33,151 --> 00:32:35,487 {\an7}EVEN JOIN THE MILITARY. 508 00:32:40,225 --> 00:32:42,427 {\an7}BUT THEY ARE NOT FREE. 509 00:32:44,296 --> 00:32:49,301 {\an7}\hTHE GOVERNMENT ROUNDS UP MORE THAN 110,000 JAPANESE AMERICANS, 510 00:32:49,334 --> 00:32:53,238 {\an7}CLAIMING IT’S FOR THEIR OWN SAFETY. 511 00:32:53,271 --> 00:32:55,707 {\an7}BUT NOT EVERYONE BUYS IT. 512 00:32:55,740 --> 00:32:58,376 {\an7}Takeo: IF WE WERE PUT THERE \h\h\h\h\h\hFOR PROTECTION, 513 00:32:58,410 --> 00:32:59,945 {\an7}\hWHY WERE THE GUNS AT THE GUARD TOWERS 514 00:32:59,978 --> 00:33:02,881 {\an7}\h\h\hPOINTED INWARD INSTEAD OF OUTWARD? 515 00:33:02,914 --> 00:33:10,221 {\an7}♪ 516 00:33:10,255 --> 00:33:13,692 {\an7}\h\h\h\h\h\h\h\hNarrator: BACK ON THE BATTLEFRONT... 517 00:33:13,725 --> 00:33:16,895 {\an7}MIDWAY IS A COLOSSAL VICTORY \h\h\h\h\hFOR THE AMERICANS. 518 00:33:16,928 --> 00:33:22,300 {\an7}♪ 519 00:33:22,334 --> 00:33:24,403 {\an7}BUT DURING THAT FOUR-DAY BATTLE, 520 00:33:24,436 --> 00:33:27,606 {\an7}THE JAPANESE PUNCTURE THROUGH ANOTHER FRONT. 521 00:33:32,644 --> 00:33:35,580 {\an7}\h\h\hTHE EMPIRE RACES INTO THE NORTH PACIFIC 522 00:33:35,614 --> 00:33:38,450 {\an7}AND SEIZES TWO ISLANDS \h\hIN THE ALEUTIANS-- 523 00:33:38,483 --> 00:33:41,553 {\an7}KISKA AND ATTU. 524 00:33:41,586 --> 00:33:44,189 {\an7}\h\h\h\h\hBOTH ARE PART OF THE ALASKA TERRITORY. 525 00:33:44,222 --> 00:33:48,426 {\an7}♪ 526 00:33:48,460 --> 00:33:52,597 {\an7}\h\hTHE JAPANESE ARE NOW ON NORTH AMERICAN SOIL. 527 00:33:52,631 --> 00:33:54,900 {\an7}IT’S WAY TOO CLOSE FOR COMFORT. 528 00:33:57,302 --> 00:34:02,007 {\an7}\h\h\h\h\h\h4,500 TROOPS RUSH TO THE NEARBY OUTPOST OF ADAK. 529 00:34:03,608 --> 00:34:05,743 {\an7}FROM HERE, THEY’LL TRY \h\hTO BUILD A RUNWAY 530 00:34:05,777 --> 00:34:09,948 {\an7}AND LAUNCH COUNTERSTRIKES ON THE OCCUPIED ISLANDS... 531 00:34:09,981 --> 00:34:12,917 {\an7}\h\h\h\h\hIF THIS ISLAND DOESN’T KILL THEM FIRST. 532 00:34:12,951 --> 00:34:18,423 {\an7}♪ 533 00:34:18,456 --> 00:34:22,427 {\an7}\h\h\h\h\hADAK IS BARREN, WINDSWEPT, AND MERCILESS. 534 00:34:22,460 --> 00:34:25,263 {\an7}\h\h\h\h\hFred Leighton: IT WAS THE WORST PLACE. 535 00:34:25,297 --> 00:34:26,832 {\an7}I FROZE TO DEATH. 536 00:34:26,865 --> 00:34:28,934 {\an7}THEY SENT US UP THERE \h\hFROM PEARL HARBOR, 537 00:34:28,967 --> 00:34:32,404 {\an7}\hAND WE DIDN’T HAVE ANY WINTER CLOTHING. 538 00:34:32,437 --> 00:34:35,340 {\an7}\h\hNarrator: FRIGID AIR RIPS IN FROM THE ARCTIC. 539 00:34:39,878 --> 00:34:42,414 {\an7}THE TROPICAL DANGERS \h\hOF INSECT BITES 540 00:34:42,447 --> 00:34:44,783 {\an7}GIVE WAY TO FROSTBITE. 541 00:34:48,920 --> 00:34:52,791 {\an7}WINDSWEPT WAVES ENVELOP \h\h\hEVERYTHING IN ICE. 542 00:34:52,824 --> 00:34:55,994 {\an7}MEN CAN ONLY FIGHT BACK \h\h\h\h\h\hWITH PICKS. 543 00:35:01,032 --> 00:35:04,402 {\an7}WEATHER IS ONE PROBLEM; 544 00:35:04,436 --> 00:35:06,238 {\an7}ISOLATION IS ANOTHER. 545 00:35:06,271 --> 00:35:13,745 {\an7}♪ 546 00:35:13,778 --> 00:35:16,114 {\an7}EVERYTHING MUST COME IN BY SHIP. 547 00:35:20,518 --> 00:35:22,387 {\an7}EVERY MAN... 548 00:35:25,423 --> 00:35:27,392 {\an7}EVERY MACHINE... 549 00:35:29,494 --> 00:35:31,663 {\an7}EVERY MEAL. 550 00:35:37,068 --> 00:35:40,738 {\an7}IT’S LIKE CAMPING ON ANOTHER PLANET. 551 00:35:40,772 --> 00:35:42,207 {\an7}\h\h\h\h\h\h\h\h\h\hLeighton: THERE WERE NO TREES UP THERE. 552 00:35:42,240 --> 00:35:46,044 {\an7}\h\h\h\h\h\hSOMEONE FLEW ONE IN FROM THE STATES AND PLANTED IT. 553 00:35:46,077 --> 00:35:47,979 {\an7}I DON’T THINK IT LIVED. 554 00:35:51,983 --> 00:35:54,018 {\an7}Narrator: NEWS APPEARS \h\hON BULLETIN BOARDS 555 00:35:54,052 --> 00:35:57,522 {\an7}SINCE NEWSPAPERS MIGHT BE THREE MONTHS OUT OF DATE. 556 00:36:01,526 --> 00:36:04,162 {\an7}\h\h\h\h\h\h\hEVEN THOUGH THEY’RE ON AMERICAN SOIL, 557 00:36:04,195 --> 00:36:06,197 {\an7}HOME SEEMS A WORLD AWAY. 558 00:36:06,231 --> 00:36:10,135 {\an7}[MEN LAUGHING] 559 00:36:10,168 --> 00:36:12,937 {\an7}BUT MAIL CALL THAWS THEIR MOODS. 560 00:36:16,274 --> 00:36:18,910 {\an7}BASEBALL EASES THEIR MINDS. 561 00:36:21,646 --> 00:36:24,315 {\an7}AND MUSIC LIFTS THEIR MORALE. 562 00:36:24,349 --> 00:36:25,717 {\an7}♪ 563 00:36:25,750 --> 00:36:28,486 {\an7}\h\hAFTER ALL, WHINING WON’T KEEP THEM WARM. 564 00:36:28,520 --> 00:36:30,522 {\an7}WORK WILL. 565 00:36:34,192 --> 00:36:36,695 {\an7}BUILDING AN AIRFIELD ON THE FROZEN TUNDRA 566 00:36:36,728 --> 00:36:38,830 {\an7}TAKES BRUTE FORCE. 567 00:36:40,165 --> 00:36:42,668 {\an7}ENGINES GROAN IN THE COLD. 568 00:36:50,308 --> 00:36:52,577 {\an7}HAMMERS STING THEIR HANDS. 569 00:36:54,312 --> 00:36:55,880 {\an7}BUT THERE’S A PAYOFF-- 570 00:36:55,914 --> 00:36:58,617 {\an7}AN AIRSTRIP PAVED WITH STEEL. 571 00:36:59,884 --> 00:37:02,787 {\an7}\hPLATES COME TOGETHER LIKE BUILDING BLOCKS. 572 00:37:05,457 --> 00:37:07,926 {\an7}IT’S DONE IN ONLY TWO WEEKS. 573 00:37:10,228 --> 00:37:12,030 {\an7}AND IT’S WEATHERPROOF. 574 00:37:13,965 --> 00:37:17,335 {\an7}\h\h\hNOW THEY CAN STOP FIGHTING THE WEATHER... 575 00:37:17,368 --> 00:37:18,669 {\an7}AND FIGHT THE WAR. 576 00:37:18,703 --> 00:37:22,507 {\an7}[ENGINES ROARING] 577 00:37:25,310 --> 00:37:28,079 {\an7}AMERICAN PILOTS GEAR UP \h\hFOR THE FIRST RAIDS 578 00:37:28,113 --> 00:37:31,683 {\an7}\h\h\h\h\hAGAINST JAPANESE CAMPED ON U.S. TERRITORY. 579 00:37:35,787 --> 00:37:41,059 {\an7}\hTHEY FIRE UP 9 BOMBERS, 12 FIGHTERS, AND 100 MEN. 580 00:37:41,092 --> 00:37:48,700 {\an7}♪ 581 00:37:48,733 --> 00:37:51,536 {\an7}ALASKAN SKIES ARE UNFORGIVING. 582 00:37:53,037 --> 00:37:55,640 {\an7}CHALLENGES START AT TAKEOFF. 583 00:37:58,676 --> 00:38:01,812 {\an7}\h\h\h\h\hFIERCE WINDS PULL FORMATIONS APART. 584 00:38:05,984 --> 00:38:09,488 {\an7}\h\hFOR TWO HOURS, IT’S A BATTLE JUST TO STAY ON THE FLIGHT PATH 585 00:38:09,521 --> 00:38:11,490 {\an7}AND STAY TOGETHER. 586 00:38:11,523 --> 00:38:23,368 {\an7}[ENGINES ROARING] 587 00:38:23,401 --> 00:38:24,936 {\an7}AS THEY NEAR KISKA, 588 00:38:24,969 --> 00:38:28,139 {\an7}\h\h\h10,000 JAPANESE REVEAL THEIR DEFENSES. 589 00:38:28,173 --> 00:38:32,210 {\an7}[ARTILLERY FIRE] 590 00:38:32,243 --> 00:38:36,047 {\an7}[EXPLOSIONS] 591 00:38:36,080 --> 00:38:42,787 {\an7}[GUNFIRE] 592 00:38:42,821 --> 00:38:46,825 {\an7}\h\hTHEY HURL FLAK TO TRY TO PUNCH HOLES IN THE PLANES... 593 00:38:48,827 --> 00:38:51,296 {\an7}\h\h\h\h\hOR AT LEAST FORCE THEM OFF COURSE. 594 00:38:53,498 --> 00:38:55,600 {\an7}ANY DEVIATION IN FLIGHT, 595 00:38:55,633 --> 00:38:57,201 {\an7}AND THEY WILL MISS THE TARGET. 596 00:38:57,235 --> 00:39:00,705 {\an7}[FIRING] 597 00:39:00,738 --> 00:39:03,574 {\an7}\h\h\hAMERICAN GUNNERS TRY TO CLEAR THE WAY. 598 00:39:04,876 --> 00:39:08,613 {\an7}IT’S AN AIRBORNE GAME \h\h\h\h\hOF CHICKEN. 599 00:39:08,646 --> 00:39:11,549 {\an7}FINALLY, THE TARGETS APPEAR... 600 00:39:11,583 --> 00:39:13,652 {\an7}[BOMBS WHISTLING] 601 00:39:13,685 --> 00:39:15,787 {\an7}AND THE BOMBS DROP. 602 00:39:16,721 --> 00:39:20,758 {\an7}[WHISTLING] 603 00:39:28,466 --> 00:39:30,401 {\an7}[EXPLOSIONS] 604 00:39:30,435 --> 00:39:37,409 {\an7}[BOMBS WHISTLING] 605 00:39:37,442 --> 00:39:40,779 {\an7}[EXPLOSIONS] 606 00:39:42,814 --> 00:39:44,549 {\an7}[EXPLOSIONS] 607 00:39:44,582 --> 00:39:47,452 {\an7}JAPANESE HANGARS GO UP IN SMOKE. 608 00:39:47,485 --> 00:39:49,821 {\an7}[EXPLOSIONS] 609 00:39:49,854 --> 00:39:52,390 {\an7}\h\h\h\hIN JUST A FEW WHITE-KNUCKLE MINUTES, 610 00:39:52,423 --> 00:39:54,325 {\an7}THE DAMAGE IS DONE. 611 00:39:54,359 --> 00:39:57,529 {\an7}♪ 612 00:39:57,562 --> 00:40:00,131 {\an7}THIS IS JUST THE BEGINNING. 613 00:40:01,833 --> 00:40:04,736 {\an7}THE RAIDS ARE RELENTLESS-- 614 00:40:04,769 --> 00:40:10,541 {\an7}DAWN TO DUSK EVERY DAY \h\h\hFOR OVER A YEAR. 615 00:40:10,575 --> 00:40:12,944 {\an7}IT’S CALLED THE KISKA BLITZ. 616 00:40:14,646 --> 00:40:20,719 {\an7}\h\h\h\hTHE JAPANESE ENDURE SIX MILLION POUNDS OF BOMBS. 617 00:40:20,752 --> 00:40:23,555 {\an7}\h\h\h\hAMERICANS WANT THEIR ISLANDS BACK... 618 00:40:23,588 --> 00:40:25,790 {\an7}AT ANY PRICE. 619 00:40:28,826 --> 00:40:30,294 {\an7}BY NOW, JAPAN’S REACH 620 00:40:30,328 --> 00:40:33,398 {\an7}EXTENDS FROM THE FRIGID \hALEUTIAN MOUNTAINS... 621 00:40:35,833 --> 00:40:40,204 {\an7}\h\h\h\h\h\h\hTO THE EDGE OF THE TOWERING HIMALAYAS. 622 00:40:40,238 --> 00:40:42,941 {\an7}JAPAN HAS TIGHTENED \h\hITS GRIP ON ASIA 623 00:40:42,974 --> 00:40:44,876 {\an7}BY CLOSING THE BURMA ROAD, 624 00:40:44,909 --> 00:40:49,547 {\an7}THE MAIN ALLIED ROUTE SUPPLYING CHINA’S FIGHT AGAINST JAPAN. 625 00:40:54,218 --> 00:40:59,824 {\an7}THE ONLY OTHER ROUTE IS SCRAPING THE SKY. 626 00:41:01,326 --> 00:41:04,830 {\an7}ALLIES ATTEMPT ONE OF THE MOST \h\hAMBITIOUS AVIATION EFFORTS 627 00:41:04,862 --> 00:41:07,064 {\an7}OF WORLD WAR II-- 628 00:41:07,098 --> 00:41:10,101 {\an7}\h\hFLYING SUPPLIES OVER THE HIMALAYAS, 629 00:41:10,134 --> 00:41:13,137 {\an7}NICKNAMED "THE HUMP." 630 00:41:13,171 --> 00:41:16,741 {\an7}IT WOULD PUSH THE LIMITS \h\hOF MAN AND MACHINE. 631 00:41:17,942 --> 00:41:21,512 {\an7}\h\h\h\h\hBUT THESE PILOTS ARE WILLING TO RISK IT... 632 00:41:21,546 --> 00:41:23,314 {\an7}IN A PAN AM CLIPPER. 633 00:41:23,348 --> 00:41:26,484 {\an7}♪ 634 00:41:26,517 --> 00:41:28,185 {\an7}\h\h\h\h\h\h\h\hAnnouncer: THESE PAN AMERICAN AIRMEN 635 00:41:28,219 --> 00:41:29,787 {\an7}VOLUNTEERED TO RISK EVERYTHING 636 00:41:29,821 --> 00:41:31,690 {\an7}THROUGH THE MOST TREACHEROUS MOUNTAIN PASSES AND WEATHER 637 00:41:31,723 --> 00:41:33,325 {\an7}KNOWN TO MAN. 638 00:41:33,358 --> 00:41:35,594 {\an7}[ENGINES ROARING] 639 00:41:35,626 --> 00:41:36,894 {\an7}Narrator: FLYING TIGERS 640 00:41:36,928 --> 00:41:39,931 {\an7}ESCORT THESE RETROFITTED \h\h\hCOMMERCIAL PLANES. 641 00:41:43,668 --> 00:41:47,906 {\an7}\h\h\h\h\hBUT EXTREME WINDS TOSS THEM AROUND LIKE KITES. 642 00:41:47,939 --> 00:41:50,475 {\an7}SUDDEN STORMS TAKE THEIR TOLL. 643 00:41:50,508 --> 00:41:53,544 {\an7}HUNDREDS OF PLANES AND PILOTS PERISH. 644 00:41:55,246 --> 00:41:59,117 {\an7}THERE MUST BE A BETTER WAY TO GET SUPPLIES TO CHINA. 645 00:42:04,589 --> 00:42:06,257 {\an7}\h\hBrooke Dolan: THE CARE OF THE TIBETAN GOVERNMENT 646 00:42:06,290 --> 00:42:09,260 {\an7}FOR OUR SAFETY IS TOUCHING. 647 00:42:09,293 --> 00:42:12,897 {\an7}Narrator: CAPTAIN BROOKE DOLAN IS ON THE JOURNEY OF HIS LIFE. 648 00:42:14,632 --> 00:42:17,969 {\an7}\h\h\h\h\h\hIF THE PLANES CAN’T GET OVER "THE HUMP," 649 00:42:18,002 --> 00:42:22,006 {\an7}DOLAN WILL TRY TO GO THROUGH IT BY TRAVERSING TIBET. 650 00:42:23,341 --> 00:42:27,478 {\an7}JOINING DOLAN IS ILIA TOLSTOY, 651 00:42:27,512 --> 00:42:30,081 {\an7}LEO TOLSTOY’S GRANDSON. 652 00:42:31,182 --> 00:42:32,617 {\an7}THEY’RE ON A SECRET MISSION 653 00:42:32,650 --> 00:42:37,922 {\an7}\h\h\h\h\h\hFOR THE U.S. OFFICE OF STRATEGIC SERVICES, OR OSS-- 654 00:42:37,955 --> 00:42:40,491 {\an7}THE PRECURSOR TO THE CIA. 655 00:42:45,263 --> 00:42:49,567 {\an7}\h\h\h\hTHE JOURNEY STARTS WITH A TRADITIONAL TIBETAN CEREMONY. 656 00:42:49,600 --> 00:42:54,772 {\an7}♪ 657 00:42:54,806 --> 00:42:59,577 {\an7}TOGETHER, THEY ARRIVE IN LHASA \h\h\h\h\h\hWITH TREPIDATION. 658 00:42:59,610 --> 00:43:04,348 {\an7}THEY CAN’T CROSS TIBET WITHOUT PERMISSION FROM A 7-YEAR-OLD-- 659 00:43:04,382 --> 00:43:07,819 {\an7}HIS HOLINESS, THE DALAI LLAMA. 660 00:43:07,852 --> 00:43:10,455 {\an7}\h\h\h\h\h\h\h\h\hHE MEETS HIS VERY FIRST AMERICANS. 661 00:43:13,458 --> 00:43:15,660 {\an7}\h\h\hDolan: TO SAY THAT WE ARE AFFECTED WITH JOY 662 00:43:15,693 --> 00:43:17,428 {\an7}IS TO PUT IT MILDLY. 663 00:43:19,130 --> 00:43:21,099 {\an7}\hWE ARE PERMITTED TO TRAVEL THE ROAD 664 00:43:21,132 --> 00:43:23,267 {\an7}IN WHICH WE’RE MOST INTERESTED. 665 00:43:28,239 --> 00:43:32,410 {\an7}\hNarrator: IT TAKES FIVE MONTHS OF GRUELING TRAVEL BY SADDLE... 666 00:43:37,315 --> 00:43:40,718 {\an7}THROUGH A THOUSAND MILES \hOF BREATHTAKING BEAUTY 667 00:43:40,751 --> 00:43:42,686 {\an7}AND HEART-STOPPING HAZARDS. 668 00:43:46,224 --> 00:43:48,259 {\an7}Dolan: BOULDERS WERE CONTINUALLY BREAKING 669 00:43:48,292 --> 00:43:50,494 {\an7}AND PLUNGING INTO THE CANYON, 670 00:43:50,528 --> 00:43:52,663 {\an7}ACTED ON BY THE FIERCE \h\hWEATHERING FORCES 671 00:43:52,697 --> 00:43:54,432 {\an7}OF THE TIBETAN CLIMATE-- 672 00:43:54,465 --> 00:43:57,969 {\an7}\h\h\h\hHOT DAYTIME SUN AND FREEZING MOONLIGHT. 673 00:44:00,404 --> 00:44:03,173 {\an7}\h\h\h\h\h\h\h\hNarrator: FINALLY, THEY REACH CHINA. 674 00:44:05,676 --> 00:44:07,678 {\an7}THE JOURNEY IS A SUCCESS, 675 00:44:07,712 --> 00:44:11,449 {\an7}BUT THE STRATEGY IS A FAILURE. 676 00:44:11,482 --> 00:44:14,118 {\an7}DISTANCE AND DIFFICULTIES \h\h\h\hMAKE IT IMPOSSIBLE 677 00:44:14,152 --> 00:44:17,088 {\an7}FOR A SUSTAINED SUPPLY PUSH \h\h\h\h\h\h\hTHROUGH TIBET. 678 00:44:20,224 --> 00:44:24,128 {\an7}THE ONLY ALTERNATIVE LIES DEEP \h\h\hIN THE JUNGLES OF BURMA. 679 00:44:26,831 --> 00:44:29,200 {\an7}A PLANE FLIES IN LOW... 680 00:44:30,234 --> 00:44:32,670 {\an7}BUT IT’S NOT DROPPING BOMBS. 681 00:44:36,340 --> 00:44:40,644 {\an7}THEY’RE SUPPLIES FOR ANOTHER \h\h\hSECRET OSS OPERATION-- 682 00:44:40,678 --> 00:44:42,847 {\an7}A GUERRILLA WAR. 683 00:44:42,880 --> 00:44:46,650 {\an7}♪ 684 00:44:46,684 --> 00:44:48,386 {\an7}LOCAL KACHIN FIGHTERS 685 00:44:48,419 --> 00:44:51,222 {\an7}\h\hARE ALREADY FIGHTING THE JAPANESE OCCUPATION 686 00:44:51,255 --> 00:44:53,357 {\an7}AND DECIDE TO JOIN FORCES. 687 00:44:56,327 --> 00:45:00,698 {\an7}\h\hOSS OPERATIVES FUNNEL IN A STEADY STREAM OF WEAPONS. 688 00:45:03,301 --> 00:45:06,938 {\an7}IN RETURN, THE KACHIN OFFER \hON-THE-GROUND INTELLIGENCE 689 00:45:06,971 --> 00:45:09,106 {\an7}AND INVALUABLE SKILL. 690 00:45:09,140 --> 00:45:10,241 {\an7}Charlton Ogburn, Jr.: \h\h\h\hWE NEVER MOVED 691 00:45:10,274 --> 00:45:12,743 {\an7}WITHOUT KACHIN GUIDES. 692 00:45:12,777 --> 00:45:14,045 {\an7}THEY MADE US THINK 693 00:45:14,078 --> 00:45:17,248 {\an7}OF A ROBIN HOOD VERSION \h\h\hOF THE BOY SCOUTS. 694 00:45:17,281 --> 00:45:21,185 {\an7}SOME COULD NOT HAVE BEEN MORE THAN 12 YEARS OLD. 695 00:45:21,219 --> 00:45:30,195 {\an7}[ENGINES ROARING] 696 00:45:30,228 --> 00:45:31,396 {\an7}Narrator: THE KACHIN 697 00:45:31,429 --> 00:45:34,499 {\an7}\h\h\h\hJUMP RIGHT INTO 20th CENTURY WARFARE... 698 00:45:36,467 --> 00:45:39,737 {\an7}LEARNING HOW TO PARACHUTE \h\h\hBEHIND ENEMY LINES. 699 00:45:43,908 --> 00:45:48,880 {\an7}IN TURN, ALLIES LEARN THE TRICKS OF JUNGLE TRANSPORTATION-- 700 00:45:48,913 --> 00:45:51,516 {\an7}RIDING HIGH TO AVOID THE SNAKES. 701 00:45:55,353 --> 00:45:58,223 {\an7}THE COVERT PARTNERSHIP PAYS OFF. 702 00:46:00,858 --> 00:46:04,628 {\an7}THEY CARVE SECRET PATHWAYS \hTHROUGH JAPANESE LINES. 703 00:46:06,397 --> 00:46:09,367 {\an7}\h\h\h\h\h\h\hMORE THAN 4,000 JAPANESE WILL DIE 704 00:46:09,400 --> 00:46:13,271 {\an7}\h\h\h\hAT THE HANDS OF THESE OPERATIVES, 705 00:46:13,304 --> 00:46:16,541 {\an7}\hALL IN A SECRET WAR FOUGHT IN THE SHADOWS. 706 00:46:19,310 --> 00:46:23,614 {\an7}ELSEWHERE IT WILL TAKE \h\h\h\hDIRECT FORCE. 707 00:46:23,648 --> 00:46:26,217 {\an7}IN JULY 1942, 708 00:46:26,250 --> 00:46:27,752 {\an7}AMERICAN INTELLIGENCE 709 00:46:27,785 --> 00:46:30,454 {\an7}SPOTS A LARGE-SCALE CONSTRUCTION PROJECT 710 00:46:30,488 --> 00:46:33,725 {\an7}\h\h\h\h\h\hON AN ISLAND FEW HAVE EVER HEARD OF-- 711 00:46:33,758 --> 00:46:36,594 {\an7}GUADALCANAL. 712 00:46:36,627 --> 00:46:39,597 {\an7}\h\h\h\h\hIT’S THE FRAMEWORK OF A NEW JAPANESE AIR BASE-- 713 00:46:39,630 --> 00:46:42,366 {\an7}BIG ENOUGH TO HOST LONG-RANGE BOMBERS 714 00:46:42,400 --> 00:46:45,803 {\an7}THAT COULD ONCE AGAIN THREATEN \h\hNEW GUINEA AND AUSTRALIA. 715 00:46:48,939 --> 00:46:52,376 {\an7}\h\hTHE AMERICANS DECIDE TO GO ON THE OFFENSIVE. 716 00:46:55,379 --> 00:46:57,982 {\an7}THERE IS NO COLOR FOOTAGE \h\h\h\h\hOF THE INVASION, 717 00:46:58,015 --> 00:47:00,284 {\an7}BUT THIS IS THE AFTERMATH. 718 00:47:01,819 --> 00:47:05,456 {\an7}\h\h\h\h\h11,000 MARINES PILE UP ON THE BEACHES. 719 00:47:08,526 --> 00:47:14,165 {\an7}A JAPANESE COUNTERATTACK FORCES THEIR SUPPORT SHIPS TO PULL OUT, 720 00:47:14,198 --> 00:47:17,368 {\an7}\hLEAVING THEM STRANDED WITH FEW REINFORCEMENTS. 721 00:47:19,570 --> 00:47:22,740 {\an7}\h\h\h\hTHEY SET UP A BASE WITH WHAT LITTLE SUPPLIES 722 00:47:22,773 --> 00:47:25,876 {\an7}THEY’VE SCRAMBLED \hTO BRING ASHORE. 723 00:47:25,910 --> 00:47:30,181 {\an7}THE JAPANESE RETREAT \hINTO THE INTERIOR. 724 00:47:30,214 --> 00:47:32,783 {\an7}\h\h\h\h\h\h\hNOW AN ISLAND ROUGHLY THE SIZE OF DELAWARE 725 00:47:32,817 --> 00:47:35,887 {\an7}IS POCKMARKED WITH TROOPS \h\h\h\hFROM BOTH SIDES... 726 00:47:38,756 --> 00:47:42,126 {\an7}\h\h\hEACH CONTROLLING A MOSAIC OF TERRITORY. 727 00:47:45,629 --> 00:47:49,233 {\an7}IT TURNS INTO A BLOODY \hSIX-MONTH NIGHTMARE. 728 00:47:52,870 --> 00:47:58,709 {\an7}[EXPLOSIONS] 729 00:47:58,743 --> 00:48:03,014 {\an7}WITHOUT ANY CLEAR FRONT LINES, \h\hIT’S AMBUSH AFTER AMBUSH. 730 00:48:03,047 --> 00:48:12,223 {\an7}[GUNFIRE] 731 00:48:12,256 --> 00:48:15,493 {\an7}\hGUADALCANAL BECOMES A BATTLE OF ATTRITION. 732 00:48:15,526 --> 00:48:20,765 {\an7}♪ 733 00:48:23,567 --> 00:48:27,671 {\an7}IN 1943, THE AMERICANS FINALLY TAKE CONTROL. 734 00:48:29,540 --> 00:48:32,276 {\an7}BUT THE WOUNDS ARE STILL RAW. 735 00:48:32,309 --> 00:48:36,246 {\an7}AMERICA LOSES 15,000, \h\hKILLED OR WOUNDED. 736 00:48:38,149 --> 00:48:42,520 {\an7}\hFIRST LADY ELEANOR ROOSEVELT ARRIVES TO COMFORT THE FALLEN. 737 00:48:47,358 --> 00:48:50,895 {\an7}\hADMIRAL WILLIAM HALSEY ADVISED HER NOT TO COME. 738 00:48:53,731 --> 00:48:56,200 {\an7}\h\h\h\h\h\h\hHE FEARED SHE’D BE A DISTRACTION. 739 00:49:01,272 --> 00:49:03,574 {\an7}\hBUT SHE QUICKLY CHANGES HIS MIND. 740 00:49:05,276 --> 00:49:07,411 {\an7}\h\h\h\hWilliam Halsey: SHE WENT INTO EVERY WARD 741 00:49:07,445 --> 00:49:09,647 {\an7}AND SPOKE TO EVERY PATIENT. 742 00:49:09,680 --> 00:49:14,218 {\an7}I MARVELED AT HER HARDIHOOD, \hBOTH PHYSICAL AND MENTAL. 743 00:49:14,251 --> 00:49:18,255 {\an7}SHE ALONE DID MORE THAN ANYONE \h\hWHO CAME THROUGH MY AREA. 744 00:49:18,289 --> 00:49:25,563 {\an7}♪ 745 00:49:25,596 --> 00:49:28,632 {\an7}\hNarrator: SHE CONTINUES ON TO OTHER PACIFIC WAR ZONES. 746 00:49:33,170 --> 00:49:37,574 {\an7}A MONTH-LONG, 25,000-MILE TOUR. 747 00:49:37,608 --> 00:49:43,013 {\an7}SHE BRAVES THE HAZARDS OF WAR TO MEET MORE THAN 400,000 TROOPS. 748 00:49:44,615 --> 00:49:48,352 {\an7}SHE AFFECTIONATELY CALLS THEM \h\h\h\h"SONS OF THE NATION." 749 00:49:49,620 --> 00:49:52,556 {\an7}\h\h\hEleanor Roosevelt: ALL THE MEN ARE OUR MEN, 750 00:49:52,590 --> 00:49:55,226 {\an7}PART OF OUR UNITED STATES, 751 00:49:55,259 --> 00:49:57,661 {\an7}WHICH THEY HAVE SAVED 752 00:49:57,695 --> 00:50:01,465 {\an7}SO THAT WE CAN STILL CALL IT 753 00:50:01,499 --> 00:50:04,035 {\an7}THE LAND OF THE FREE 754 00:50:04,068 --> 00:50:06,604 {\an7}AND THE HOME OF THE BRAVE. 755 00:50:11,442 --> 00:50:13,744 {\an7}\h\h\h\h\h\h\hNarrator: 18 MONTHS INTO THE WAR, 756 00:50:13,777 --> 00:50:17,381 {\an7}THE SHOCKWAVES HAVE SPREAD \hFAR BEYOND PEARL HARBOR. 757 00:50:17,414 --> 00:50:21,285 {\an7}[GUNFIRE] 758 00:50:21,318 --> 00:50:23,720 {\an7}THE WAR IS GROWING BIGGER... 759 00:50:23,754 --> 00:50:26,490 {\an7}[BOOMING] 760 00:50:26,524 --> 00:50:27,792 {\an7}AND MOVING SLOWER. 761 00:50:27,825 --> 00:50:31,128 {\an7}[GUNFIRE] 762 00:50:31,161 --> 00:50:32,896 {\an7}QUICK AIR AND SEA STRIKES 763 00:50:32,930 --> 00:50:35,900 {\an7}\h\h\h\h\h\h\hARE GIVING WAY TO LONG, BLOODY LAND BATTLES 764 00:50:35,933 --> 00:50:39,670 {\an7}\h\h\hTHAT DRAIN TIME, RESOURCES, AND LIVES. 765 00:50:39,703 --> 00:50:42,573 {\an7}♪ 766 00:50:42,606 --> 00:50:44,741 {\an7}JAPAN IS NOT DETERRED. 767 00:50:44,775 --> 00:50:48,279 {\an7}INSTEAD, IT’S DETERMINED. 768 00:50:48,312 --> 00:50:51,282 {\an7}\h\h\h\hTHE PACIFIC WAR IS NO LONGER A SIDESHOW 769 00:50:51,315 --> 00:50:52,983 {\an7}TO THE FIGHTING IN EUROPE. 770 00:50:53,017 --> 00:50:56,721 {\an7}IT WILL SOON BECOME \h\h\hITS OWN HELL. 771 00:50:56,754 --> 00:50:59,724 {\an7}♪ 86344

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