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♪ (MOTIVATIONAL MUSIC PLAYS) ♪
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Follow me into your future.
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(GASPS)
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-What the hell was that?
-(CROWD CHEERS)
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Time to float.
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-Remember to pray for us.
-I'll put in a word.
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(SCREAMS)
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ALL:
♪ We're bad! We're so bad! ♪
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Woo!
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♪ (MUSIC CONCLUDES) ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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>> IS THERE ANYONE HERE?
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>> Eureka O'Hara: HELLO.
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>> Bob the Drag Queen: NOT A
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WHOLE LOT GOING ON IN THIS TOWN.
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>> Eureka O'Hara: NO, THERE
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REALLY ISN'T.
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>> Shangela: NO ONE IS HERE, IT
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FEELS LIKE ONE OF BOB'S MEET AND
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GREETS.
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[LAUGHS]
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♪ ♪
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>> Bob The Drag Queen: THERE'S
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SOME NEW SHERIFFS IN TOWN.
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TRYING TO DO MY WILD, WILD WEST
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WALK, WHEN YOU WALK LIKE YOUR
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NUTS HANGING OUT.
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>> Eureka O'Hara: WELL, THEY
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ARE, YOU WANNA SEE 'EM?
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[LAUGHS]
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♪ ♪
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>> Bob The Drag Queen: OH, HI.
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♪ ♪
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♪ ♪
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♪ ♪
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>> YOU ARE SO BEAUTIFUL.
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>> Eureka O'Hara: THANK YOU.
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WE'RE DOING A SHOW.
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YEAH, COME OUT.
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>> Shangela: HELLO.
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>> SHANGELA.
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>> Shangela: HI.
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WELL, COME GIVE US A HUG, GIRL.
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COME HERE, YOUR CUTE SELF.
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OH.
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>> SO, WHAT ARE YOU GUYS DOING
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HERE?
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>> Eureka O'Hara: WE'RE DOING A
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SHOW, ACTUALLY, WE HAVE A COUPLE
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OF Y'ALL'S LOCALS THAT WE'RE
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PUTTING IN DRAG AND PUTTING ON A
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SHOW.
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>> OH, NICE.
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>> Shangela: HELLO, HOW ARE
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Y'ALL?
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>> Eureka O'Hara: HI, HOW ARE
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YOU?
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OH, HERE, TAKE ONE OF THESE.
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COME TO THE SHOW, TELL YOUR --
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OH, YOU THREW MY FLYER ON THE
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GROUND.
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>> Bob The Drag Queen: IT'S A
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FREE SHOW, IT'S ON THURSDAY,
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COME SEE US.
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>> Shangela: OH, WE GOTTA COME
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DOWN THAT STAIRCASE, HOLD ON,
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DID SOMEBODY SAY YOU WERE
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SERVING COFFEE?
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DO YOU LIKE YOUR COFFEE BLACK?
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>> Bob The Drag Queen: OR WITH
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EXTRA CREAM?
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HEAVY CREAM.
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BOOM.
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>> Bob The Drag Queen: YOU GOTTA
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DUCK, YOU GOTTA DUCK.
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YES.
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YES.
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[LAUGHS]
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>> Eureka O'Hara: OH, THANK YOU,
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SIS.
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OH, MY GOODNESS.
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>> Bob The Drag Queen: WE ARE IN
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THE MAGIC VALLEY, SPECIFICALLY
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IN TWIN FALLS, IDAHO.
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HOW CAN I DESCRIBE THIS TOWN?
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IT'S COUNTRY AS HELL IN
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TWIN FALLS, OKAY?
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IT'S A VERY CONSERVATIVE AREA,
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IT'S -- HAS A VERY HIGH MORMON
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POPULATION, WHICH, HISTORICALLY,
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IS NOT SUPER OPEN TO THOSE OF US
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IN THE LGBTQ COMMUNITY.
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>> Eureka O'Hara: THAT WAS
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SOMETHING ELSE.
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ALL RIGHT, MARY.
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OH, COME ON, CAMP, HONEY.
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>> Eureka O'Hara: I'M HOME.
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>> Eureka O'Hara: ME AND THE
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GIRLS, WE BRING OUR CAMP
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EVERYWHERE WITH US BECAUSE WE
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NEED OUR SPACE.
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>> Shangela: ALL RIGHT, HERE WE
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GO, LEOPARD, THAT'S VERY
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LAQUIFA, YES.
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>> Bob The Drag Queen: WE'RE
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DIVAS.
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>> Eureka O'Hara: THANK GOD I
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BROUGHT THESE.
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[LAUGHS]
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>> Bob The Drag Queen: SO, WE
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NEED OUR OWN AREAS, THAT ARE
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DRESSED UP FOR US.
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>> Bob The Drag Queen: MY CROWN,
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WHICH I DESERVE.
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I LIKE BIG HAIR, I LIKE
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COSTUMES.
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>> Eureka O'Hara: LITTLE SNACKS.
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>> Shangela: I LOVE HOLLYWOOD,
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IT'S GLAMOROUS, IT'S ELIZABETH
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TAYLOR.
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OH, I FEEL LIKE
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MARY POPPINS TODAY.
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IT'S GOT MAKEUP, IT'S GOT
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MIRRORS, SPARKLES.
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>> Bob The Drag Queen: YES.
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DRAMA.
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>> Shangela: LIKE, THIS PLACE IS
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FIERCE, AND IT MAKES YOU FEEL
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FIERCE.
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>> Bob The Drag Queen: HONEY,
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WE'RE BRINGING DRAG TO PEOPLE OF
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TWIN FALLS.
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>> Eureka O'Hara: OH, MY GOD.
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>> Bob The Drag Queen: OH.
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ALL IN A GAY'S WORK.
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>> Shangela: WHERE WE GOING?
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>> Bob The Drag Queen: WE'RE
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GOING TO THE ORPHEUM, THEY DO AN
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ANNUAL DRAG SHOW.
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SO, WE'RE GONNA WATCH THE
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REHEARSAL, THIS IS A
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NICE-LOOKING THEATER.
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>> Eureka O'Hara: WAIT, WE'RE
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MEETING YOUR DAUGHTERS?
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>> Bob The Drag Queen: YES,
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HONEY.
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♪ ♪
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♪ ♪
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>> Eureka O'Hara: WE SHOULD BE
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QUIET SO THEY'RE UNAWARE.
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>> Bob The Drag Queen: SO, MUCH
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TO MY SURPRISE, THERE ACTUALLY
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IS A VERY SMALL COMMUNITY OF
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DRAG QUEENS IN TWIN FALLS.
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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>> Bob The Drag Queen: I WANNA
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TALK TO HER ABOUT STAGE
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PRESENCE.
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>> Shangela: YEAH, I WENT TO
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SLEEP TWICE.
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>> Bob The Drag Queen: IF YOU'RE
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GONNA COME OUT, YOU NEED TO
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CHANNEL MARIA CALLAS.
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YOU KNOW WHAT I MEAN?
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THINK ABOUT, LIKE, A FIERCE
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OPERA DIVA.
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>> Eureka O'Hara: SHE CAN HIT A
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NOTE.
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>> Bob The Drag Queen: THERE ARE
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ELEMENTS THERE.
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IT'S NOT STARTING FROM SCRATCH.
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>> Eureka O'Hara: THERE'S
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POTENTIAL.
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[APPLAUSE]
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♪ ♪
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♪ ♪
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[APPLAUSE]
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♪ ♪
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♪ ♪
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[APPLAUSE]
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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>> Bob The Drag Queen: CLUTCH MY
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PEARLS.
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>> Eureka O'Hara: YOUR BABY IS A
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HO, MAMA.
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[LAUGHS]
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[APPLAUSE]
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>> Eureka O'Hara: THE POWER OF
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CHRIST COMPELLS YOU.
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THE POWER OF CHRIST --
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[LAUGHS]
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>> Shangela: I KNOW ALL ABOUT
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BEING A BABY DRAG, AND ROUGH
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AROUND THE EDGES, OF COURSE, I'M
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NOT JUDGING, BUT, I SEE, ROUGH
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AROUND THE EDGES.
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>> Bob The Drag Queen: THERE IS
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IMPROVEMENT TO BE MADE.
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IN THEIR DEFENSE, I WON
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"DRAG RACE" WHEN I WAS ROUGH
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AROUND THE EDGES.
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>> Shangela: BITCH, YOU STILL
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ROUGH AROUND THE EDGES.
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>> Eureka O'Hara: I WAS GONNA
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SAY, ROUGH AROUND THE EDGES.
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I'M, LIKE, THE ONLY CLEAN ONE
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HERE.
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>> Bob The Drag Queen: WATCHING
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THESE REHEARSALS, I'M NOT GONNA
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LIE, SOME OF THESE QUEENS, I
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CAN'T THINK OF ANOTHER WORD, A
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LITTLE CRUNCHY.
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>> Eureka O'Hara: THAT WAS
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SOMETHING ELSE.
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>> Bob The Drag Queen: BUT
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THERE'S TALENT HERE, I'M HOPING
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THAT I CAN HELP MAKE THEM THE
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TRUE IMAGE OF THEIR MIND.
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SOMETIMES, YOU CAN'T BECOME WHAT
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YOU SEE IN YOUR MIND, UNTIL HAVE
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THE SKILLS TO MAKE IT.
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♪ ♪
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>> Bob The Drag Queen: ARE YOU
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CLOSE FRIENDS?
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Y'ALL SEE EACH OTHER EVERY DAY?
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HOW OFTEN DO YOU ALL SEE EACH
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OTHER?
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ONCE A WEEK, OR --
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>> Michael: NO, I WISH IT WAS
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MORE OFTEN THAN THAT.
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IT'S MORE LIKE EVERY OTHER
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MONTH.
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[LAUGHS]
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>> Bob The Drag Queen: OH, MY
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GOD, WHAT'S INTERESTING IS, I
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MEAN, I GUESS, IN MY MIND, I SAW
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YOU ALL, YOU STARTED PERFORMING,
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YOU KNOW, I WAS, LIKE, OH,
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THEY'RE ALWAYS HANGING OUT.
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LIKE, THIS IS JUST ANOTHER DAY,
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THEY'RE, LIKE, OH, THE GIRLS SEE
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EACH OTHER AGAIN, BUT YOU CAN
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GO, LIKE, WEEKS AT A TIME
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WITHOUT SEEING ANOTHER GAY
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PERSON.
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THAT IS INSANE.
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>> Owen: OH, EASILY.
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YEAH.
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MONTHS, YEAH.
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>> Michael: WE'RE ALL, LIKE,
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SEPARATED, AND WE DON'T, LIKE,
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GET TOGETHER.
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>> Amelia Blayke: I WORK
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GRAVEYARD, AND THAT RESTRICTS A
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LOT OF IT, I JUST DON'T GET OUT
269
00:09:11,542 --> 00:09:12,583
MUCH, LIKE, THIS IS WEIRD TO BE
270
00:09:12,667 --> 00:09:14,542
OUT IN THE DAYLIGHT WITH THE DAY
271
00:09:14,625 --> 00:09:15,750
WALKERS, LIKE, I'M JUST THE
272
00:09:15,834 --> 00:09:16,458
LITTLE GLAMOUR GHOUL THAT STAYS
273
00:09:16,542 --> 00:09:17,750
IN MY CAVERN.
274
00:09:17,834 --> 00:09:19,000
>> Bob The Drag Queen: BUT YET
275
00:09:19,083 --> 00:09:19,583
IT TAKES A VILLAGE TO MAKE A
276
00:09:19,667 --> 00:09:24,041
QUEEN.
277
00:09:24,125 --> 00:09:26,625
SO, IN AN EFFORT TO CREATE
278
00:09:26,709 --> 00:09:30,542
COMMUNITY WITHIN YOUR COMMUNITY,
279
00:09:30,625 --> 00:09:32,041
I WOULD LIKE TO WORK WITH YOU
280
00:09:32,125 --> 00:09:33,709
THREE TO CREATE, LIKE, A FIERCE
281
00:09:33,792 --> 00:09:37,917
DRAG SHOW.
282
00:09:38,041 --> 00:09:39,125
IN HELPING YOU PUT TOGETHER A
283
00:09:39,208 --> 00:09:40,834
FIERCE, PHENOMENAL, FUCKING,
284
00:09:40,917 --> 00:09:43,500
SUPER DIVA GROUP.
285
00:09:43,583 --> 00:09:44,125
AND I WANNA KNOW IF Y'ALL ARE ON
286
00:09:44,208 --> 00:09:45,834
BOARD WITH THAT?
287
00:09:45,917 --> 00:09:46,375
>> Owen: [LAUGHS]
288
00:09:46,458 --> 00:09:47,375
YEAH.
289
00:09:47,458 --> 00:09:48,750
>> Michael: 100%.
290
00:09:48,834 --> 00:09:49,375
>> Bob The Drag Queen: MISS
291
00:09:49,458 --> 00:09:49,583
AMELIA?
292
00:09:49,667 --> 00:09:53,291
>> Amelia Blayke: OF COURSE.
293
00:09:53,375 --> 00:09:54,125
>> Bob The Drag Queen: I'M
294
00:09:54,208 --> 00:09:54,625
HOPING THAT THIS IS AN
295
00:09:54,709 --> 00:09:56,875
OPPORTUNITY FOR THEM TO BOND
296
00:09:56,959 --> 00:09:59,375
TOGETHER, TO BE ON THIS PUBLIC
297
00:09:59,458 --> 00:10:02,166
STAGE, IN FRONT OF THEIR PEERS,
298
00:10:02,250 --> 00:10:05,375
AND I'M TRYING TO MAKE A
299
00:10:05,458 --> 00:10:06,000
POWERFUL GROUP OF QUEERS SEND A
300
00:10:06,083 --> 00:10:06,625
POWERFUL MESSAGE OUT INTO THE
301
00:10:06,709 --> 00:10:11,667
TOWN OF TWIN FALLS, IDAHO.
302
00:10:11,750 --> 00:10:31,583
♪ ♪
303
00:10:31,667 --> 00:10:32,667
>> Clifton: YOU KNOW, I WASN'T
304
00:10:32,750 --> 00:10:35,125
ALWAYS A GREAT PERSON.
305
00:10:35,208 --> 00:10:38,375
I'M STILL NOT A GREAT PERSON,
306
00:10:38,458 --> 00:10:40,208
BUT I'M -- I'M TRYING TO DO A
307
00:10:40,291 --> 00:10:43,834
LOT BETTER.
308
00:10:43,917 --> 00:10:45,333
I REMEMBER THERE BEING A COUPLE
309
00:10:45,417 --> 00:10:47,625
OF, OF GAY INDIVIDUALS IN
310
00:10:47,709 --> 00:10:49,917
HIGH SCHOOL, BUT THEY WEREN'T
311
00:10:50,000 --> 00:10:52,917
REALLY OUT ABOUT IT BECAUSE, YOU
312
00:10:53,000 --> 00:10:53,583
KNOW, THAT'S JUST ASKING TO GET
313
00:10:53,667 --> 00:10:56,125
BEAT UP.
314
00:10:56,208 --> 00:10:58,917
I WAS ALWAYS ONE OF THOSE PEOPLE
315
00:10:59,000 --> 00:11:02,750
THAT KIND OF THREW AROUND
316
00:11:02,834 --> 00:11:03,333
THOSE SLURS, BUT THAT WAS KIND
317
00:11:03,417 --> 00:11:04,083
OF, MY VIEW, THAT WAS GROWING
318
00:11:04,166 --> 00:11:04,625
UP.
319
00:11:04,709 --> 00:11:05,291
IT WAS, THEY'RE BAD PEOPLE,
320
00:11:05,375 --> 00:11:06,000
THEY'RE NOT GOOD PEOPLE, YOU
321
00:11:06,083 --> 00:11:08,917
KNOW, GOOD PEOPLE DON'T DO THAT.
322
00:11:09,000 --> 00:11:10,083
WHAT ARE YOU DOING?
323
00:11:10,166 --> 00:11:12,917
HUH, WHAT ARE YOU DOING?
324
00:11:13,000 --> 00:11:14,750
AFTER GROWING UP AND
325
00:11:14,834 --> 00:11:15,959
LOOKING BACK ON IT, YEAH, I
326
00:11:16,041 --> 00:11:37,125
DON'T KNOW HOW TO APPROACH THAT.
327
00:11:37,208 --> 00:11:38,125
>> Eureka O'Hara: OH, THE LOG
328
00:11:38,208 --> 00:11:40,917
TAVERN.
329
00:11:41,000 --> 00:11:42,417
OH, THIS IS GONNA BE FUN.
330
00:11:42,500 --> 00:11:43,834
IT'S LIKE HOME, I HOPE THEY'RE
331
00:11:43,917 --> 00:11:48,375
READY.
332
00:11:48,458 --> 00:11:50,709
>> Eureka O'Hara: OH, HI.
333
00:11:50,792 --> 00:11:54,917
I'M REALLY EXCITED TO MEET YOU,
334
00:11:55,000 --> 00:11:56,792
CLIFTON.
335
00:11:56,875 --> 00:11:57,417
OH, CAN I SIT WITH YOU GUYS?
336
00:11:57,500 --> 00:11:58,083
>> Clifton: ABSOLUTELY.
337
00:11:58,166 --> 00:11:58,667
COME ON, PLEASE.
338
00:11:58,750 --> 00:11:59,875
>> Eureka O'Hara: IS THAT ICE IN
339
00:11:59,959 --> 00:12:00,125
YOUR BEER?
340
00:12:00,208 --> 00:12:00,625
>> YES.
341
00:12:00,709 --> 00:12:01,291
>> Eureka O'Hara: MAMA, YOU ARE
342
00:12:01,375 --> 00:12:02,041
A TRUE SOUTHERN LADY.
343
00:12:02,125 --> 00:12:02,750
ARE WE IN THE SOUTH?
344
00:12:02,834 --> 00:12:03,417
WHERE ARE WE?
345
00:12:03,500 --> 00:12:04,291
>> NO.
346
00:12:04,375 --> 00:12:05,083
>> Clifton: WE'RE HERE RIGHT
347
00:12:05,166 --> 00:12:05,792
NOW.
348
00:12:05,875 --> 00:12:06,792
>> Eureka O'Hara: THIS IS VERY
349
00:12:06,875 --> 00:12:08,250
SOUTHERN THOUGH, LIKE, I COME
350
00:12:08,333 --> 00:12:10,000
FROM EAST TENNESSEE, SO, LIKE,
351
00:12:10,083 --> 00:12:11,291
SUPER EAST TENNESSEE, LIKE,
352
00:12:11,375 --> 00:12:14,000
WHERE DOLLY PARTON'S FROM.
353
00:12:14,083 --> 00:12:15,083
I'M CURIOUS, WHY DO YOU WANNA
354
00:12:15,166 --> 00:12:16,291
GET IN DRAG?
355
00:12:16,375 --> 00:12:16,959
LIKE, WHAT DOES THIS MEAN TO
356
00:12:17,041 --> 00:12:18,291
YOU, HONESTLY?
357
00:12:18,375 --> 00:12:20,333
>> Clifton: ALL RIGHT.
358
00:12:20,417 --> 00:12:23,625
GROWING UP, THE WAY THAT WE WERE
359
00:12:23,709 --> 00:12:25,542
ALL RAISED, BEING GAY, THAT WAS
360
00:12:25,625 --> 00:12:27,792
JUST SHUNNED.
361
00:12:27,875 --> 00:12:29,083
YOU DON'T SPEND YOUR TIME
362
00:12:29,166 --> 00:12:31,250
HANGING OUT WITH THEM AND, AND
363
00:12:31,333 --> 00:12:34,375
THEY'RE ALL ON THE WRONG PATH
364
00:12:34,458 --> 00:12:35,208
AND WHATNOT.
365
00:12:35,291 --> 00:12:36,375
AND THEN, ONCE GETTING INTO TWIN
366
00:12:36,458 --> 00:12:37,583
AND HAVING A FEW FRIENDS, YOU
367
00:12:37,667 --> 00:12:38,458
KNOW, ENDED UP BEING GAY AND
368
00:12:38,542 --> 00:12:40,125
THEY'RE JUST, LIKE, GREAT
369
00:12:40,208 --> 00:12:40,750
PEOPLE, ALL THE WAY ROUND.
370
00:12:40,834 --> 00:12:42,125
THEY'RE NOT BAD PEOPLE.
371
00:12:42,208 --> 00:12:44,583
THAT WAS ONE OF THE BIGGEST
372
00:12:44,667 --> 00:12:46,041
THINGS, SO, NOW, I DON'T KNOW,
373
00:12:46,125 --> 00:12:47,625
I'M KIND OF LIVING, LIKE, A
374
00:12:47,709 --> 00:12:49,417
NO-HOLDS-BARRED, KIND OF, LIKE,
375
00:12:49,500 --> 00:12:52,792
SOMETHING GETS PRESENTED TO ME,
376
00:12:52,875 --> 00:12:53,917
IF I HAVE ANY RESERVATIONS
377
00:12:54,000 --> 00:12:55,792
WHATSOEVER, THEN I FEEL AS
378
00:12:55,875 --> 00:12:57,125
THOUGH I SHOULD JUST MEET THOSE
379
00:12:57,208 --> 00:12:58,625
HEAD ON.
380
00:12:58,709 --> 00:12:59,291
>> Eureka O'Hara: YEAH.
381
00:12:59,375 --> 00:12:59,834
AND THIS IS YOUR BOYFRIEND,
382
00:12:59,917 --> 00:13:00,041
RIGHT?
383
00:13:00,125 --> 00:13:00,792
>> THIS IS MY MAN.
384
00:13:00,875 --> 00:13:01,375
>> Eureka O'Hara: HOW DO YOU
385
00:13:01,458 --> 00:13:02,792
FEEL ABOUT HIM DOING DRAG?
386
00:13:02,875 --> 00:13:06,792
>> DUDE, I'M SO EXCITED.
387
00:13:06,875 --> 00:13:07,458
>> Eureka O'Hara: YEAH?
388
00:13:07,542 --> 00:13:08,125
>> AS LONG AS YOU KEEP HIS CHEST
389
00:13:08,208 --> 00:13:08,625
HAIR TO, LIKE, RIGHT HERE.
390
00:13:08,709 --> 00:13:09,125
YOU CAN BRING IT DOWN.
391
00:13:09,208 --> 00:13:15,375
>> Eureka O'Hara: OH.
392
00:13:15,458 --> 00:13:16,041
I WILL ACTUALLY MAKE A DEAL.
393
00:13:16,125 --> 00:13:16,667
IF YOU LET ME SHAVE HIS BEARD,
394
00:13:16,750 --> 00:13:17,500
HE CAN KEEP ALL HIS CHEST HAIR.
395
00:13:17,583 --> 00:13:18,041
>> HE CAN SHAVE HIS BEARD.
396
00:13:18,125 --> 00:13:18,834
>> Eureka O'Hara: BUT I WANNA
397
00:13:18,917 --> 00:13:19,792
SEE ALL THAT FACE, 'CAUSE WE'RE
398
00:13:19,875 --> 00:13:21,542
GONNA MAKE HIM A WOMAN.
399
00:13:21,625 --> 00:13:23,083
I AM GONNA STEAL YOU.
400
00:13:23,166 --> 00:13:23,709
I JUST WANT TO CHAT A LITTLE
401
00:13:23,792 --> 00:13:27,542
BIT.
402
00:13:27,625 --> 00:13:28,125
NO, HOLD ON.
403
00:13:28,208 --> 00:13:28,792
RIGHT NOW YOU ARE STILL THE MAN.
404
00:13:28,875 --> 00:13:30,000
SO I AM GOING TO LET YOU HOLD
405
00:13:30,083 --> 00:13:32,834
THE DOOR FOR YOUR MOTHER.
406
00:13:32,917 --> 00:13:33,542
THANK YOU.
407
00:13:33,625 --> 00:13:35,208
THANK YOU.
408
00:13:35,291 --> 00:13:38,291
I WANNA SEE WHAT YOUR IMPRESSION
409
00:13:38,375 --> 00:13:38,959
OF A RUNWAY WALK, AS A
410
00:13:39,041 --> 00:13:45,792
DRAG QUEEN.
411
00:13:45,875 --> 00:13:47,333
GIVE ME YOUR BEST WOMAN WALK.
412
00:13:47,417 --> 00:13:54,083
I KNOW YOU CAN DO IT.
413
00:13:54,166 --> 00:13:54,667
>> Clifton: ALL RIGHT.
414
00:13:54,750 --> 00:13:55,291
>> Eureka O'Hara: YOU GOT
415
00:13:55,375 --> 00:13:55,834
TITTIES ON.
416
00:13:55,917 --> 00:13:56,375
♪ ♪
417
00:13:56,458 --> 00:13:56,959
OH, OKAY, SHE'S GIVING ME A
418
00:13:57,041 --> 00:13:57,834
LITTLE PIECE.
419
00:13:57,917 --> 00:13:58,417
OH, A LITTLE MORE, OH, ANOTHER
420
00:13:58,500 --> 00:13:59,667
PIECE.
421
00:13:59,750 --> 00:14:01,583
OKAY.
422
00:14:01,667 --> 00:14:02,625
SHE IS DEFINITELY A MAN.
423
00:14:02,709 --> 00:14:04,000
YOU GUYS, SHE IS A MAN.
424
00:14:04,083 --> 00:14:05,417
GIVE ME YOUR BUTCH QUEEN
425
00:14:05,500 --> 00:14:08,125
REALNESS, YOUR BUTCH QUEEN.
426
00:14:08,208 --> 00:14:08,750
THAT WAS WAY TOO DUDE, GIRL, YOU
427
00:14:08,834 --> 00:14:09,709
GOTTA LET IT GO.
428
00:14:09,792 --> 00:14:10,750
>> Clifton: AH, WAY TOO DUDE.
429
00:14:10,834 --> 00:14:11,583
>> Eureka O'Hara: SHAKE THE BOY
430
00:14:11,667 --> 00:14:13,375
OUT.
431
00:14:13,458 --> 00:14:14,917
I WANT YOU TO REALLY TURN INTO A
432
00:14:15,000 --> 00:14:15,959
WHOLE 'NOTHER PERSON THAT YOU
433
00:14:16,041 --> 00:14:17,166
DIDN'T EVEN KNOW WAS IN THERE.
434
00:14:17,250 --> 00:14:18,959
I WANT YOU TO THINK ABOUT THIS
435
00:14:19,041 --> 00:14:19,917
EXPERIENCE AS SOMETHING THAT'S
436
00:14:20,000 --> 00:14:21,250
FUN, WHICH I THINK YOU WILL,
437
00:14:21,333 --> 00:14:23,333
BUT ALSO BE OPEN-MINDED,
438
00:14:23,417 --> 00:14:24,083
BECAUSE THERE'S A CHARACTER
439
00:14:24,166 --> 00:14:25,458
THAT'S GONNA COME OUT.
440
00:14:25,542 --> 00:14:26,041
THERE'S GONNA BE THIS FEMALE
441
00:14:26,125 --> 00:14:27,250
PART OF YOU.
442
00:14:27,333 --> 00:14:28,000
>> Clifton: ALL RIGHT.
443
00:14:28,083 --> 00:14:28,667
>> Eureka O'Hara: JUST ALLOW IT
444
00:14:28,750 --> 00:14:29,750
TO COME OUT, YOU KNOW?
445
00:14:29,834 --> 00:14:30,667
>> Clifton: THAT'S TOTALLY FINE.
446
00:14:30,750 --> 00:14:31,291
>> Eureka O'Hara: WHAT ARE YOU
447
00:14:31,375 --> 00:14:32,333
NERVOUS ABOUT ANYTHING?
448
00:14:32,417 --> 00:14:33,792
>> Clifton: NO, NOT REALLY.
449
00:14:33,875 --> 00:14:34,375
>> Eureka O'Hara: WHAT ABOUT
450
00:14:34,458 --> 00:14:37,750
TUCKING?
451
00:14:37,834 --> 00:14:38,500
YOU'RE NOT NERVOUS ABOUT THAT?
452
00:14:38,625 --> 00:14:39,000
>> Clifton: WELL, YEAH,
453
00:14:39,083 --> 00:14:41,000
OBVIOUSLY, I GOTTA DO IT.
454
00:14:41,083 --> 00:14:41,875
>> Eureka O'Hara: YOU'RE GONNA
455
00:14:41,959 --> 00:14:42,417
DO IT.
456
00:14:42,500 --> 00:14:43,542
>> Clifton: OBVIOUSLY.
457
00:14:43,625 --> 00:14:44,583
>> Eureka O'Hara: OKAY, COOL.
458
00:14:44,667 --> 00:14:45,417
>> Clifton: BUT THERE AIN'T NO
459
00:14:45,500 --> 00:14:46,333
TAPE INVOLVED RIGHT?
460
00:14:46,417 --> 00:14:46,875
>> Eureka O'Hara: OH, NO,
461
00:14:46,959 --> 00:14:49,000
THERE'S DUCT TAPE INVOLVED.
462
00:14:49,083 --> 00:14:50,834
>> Clifton: KIDDING?
463
00:14:50,917 --> 00:14:54,750
NOT FOR THAT SPECIFIC --
464
00:14:54,834 --> 00:15:02,625
>> Eureka O'Hara: FOR YOUR
465
00:15:02,709 --> 00:15:04,500
PENIS, YES.
466
00:15:04,583 --> 00:15:05,166
>> Clifton: DUCT TAPE.
467
00:15:05,250 --> 00:15:05,792
>> Eureka O'Hara: ABSOLUTELY.
468
00:15:05,875 --> 00:15:06,375
>> Clifton: ON THE PECKER?
469
00:15:06,458 --> 00:15:06,875
>> Eureka O'Hara: YES.
470
00:15:06,959 --> 00:15:07,333
SO.
471
00:15:07,417 --> 00:15:07,917
>> Clifton: ALL RIGHT.
472
00:15:08,000 --> 00:15:08,583
>> Eureka O'Hara: OKAY.
473
00:15:08,667 --> 00:15:09,333
FOR A CISGENDER, STRAIGHT MALE,
474
00:15:09,417 --> 00:15:10,000
THERE'S FEAR, WHICH HAPPENS VERY
475
00:15:10,083 --> 00:15:10,750
NATURALLY, THAT PEOPLE ARE GONNA
476
00:15:10,834 --> 00:15:11,333
THINK HE'S, LIKE, "OH, HE'S
477
00:15:11,417 --> 00:15:12,250
BI-CURIOUS."
478
00:15:12,333 --> 00:15:13,000
YOU KNOW, OR "IT'S TESTING HIS
479
00:15:13,083 --> 00:15:16,875
MASCULINITY."
480
00:15:16,959 --> 00:15:17,667
WHICH TODAY, I GOT TO SEE A
481
00:15:17,750 --> 00:15:18,417
LITTLE BIT OF THAT NERVOUSNESS
482
00:15:18,500 --> 00:15:20,208
AND FEAR, OF MAYBE SHOWING A
483
00:15:20,291 --> 00:15:21,417
MORE FEMININE SIDE, AND I THINK
484
00:15:21,500 --> 00:15:22,792
THAT IT'S TIME FOR US TO PUSH
485
00:15:22,875 --> 00:15:23,792
ALL THE WAY THAT DIRECTION THAT
486
00:15:23,875 --> 00:15:24,375
HE'S NERVOUS AND AFRAID TO GO
487
00:15:24,458 --> 00:15:24,917
TO.
488
00:15:25,000 --> 00:15:25,542
>> Clifton: FAIR ENOUGH.
489
00:15:25,625 --> 00:15:26,041
THANK YOU SO MUCH.
490
00:15:26,125 --> 00:15:26,875
>> Eureka O'Hara: THANK YOU.
491
00:15:26,959 --> 00:15:27,417
>> Clifton: IT WAS SO GOOD
492
00:15:27,500 --> 00:15:31,875
MEETING YOU.
493
00:15:31,959 --> 00:15:37,875
♪ ♪
494
00:15:37,959 --> 00:15:38,458
>> Eureka O'Hara: OH, FIERCE,
495
00:15:38,542 --> 00:15:39,500
HEY, SIS.
496
00:15:39,583 --> 00:15:40,583
>> Shangela: GOOD MORNING.
497
00:15:40,667 --> 00:15:41,500
>> Eureka O'Hara: OH, MY
498
00:15:41,583 --> 00:15:42,125
GOODNESS, I DIDN'T THINK YOU WAS
499
00:15:42,208 --> 00:15:42,709
EVER GONNA MAKE IT.
500
00:15:42,792 --> 00:15:43,375
[LAUGHS]
501
00:15:43,458 --> 00:15:44,959
YOU LOOK GOOD.
502
00:15:45,041 --> 00:15:47,375
[LAUGHS]
503
00:15:47,458 --> 00:15:48,083
>> Shangela: GOOD MORNING, SIR,
504
00:15:48,166 --> 00:15:48,625
HOW ARE YOU?
505
00:15:48,709 --> 00:15:50,291
>> GOOD.
506
00:15:50,375 --> 00:15:51,125
>> Shangela: GOOD, AWESOME.
507
00:15:51,208 --> 00:15:52,333
WE'RE JUST VISITING IN TOWN.
508
00:15:52,417 --> 00:15:52,875
WE'RE HAVING, LIKE, A HUGE
509
00:15:52,959 --> 00:15:53,959
DRAG SHOW.
510
00:15:54,041 --> 00:15:55,834
SO IT'S GONNA BE TONS OF
511
00:15:55,917 --> 00:15:57,709
DIFFERENT ACTS, LOTS OF FUN, AND
512
00:15:57,792 --> 00:15:58,250
MAYBE EVEN SOME BALLOONS AND
513
00:15:58,333 --> 00:16:01,125
CONFETTI.
514
00:16:01,208 --> 00:16:01,709
>> Eureka O'Hara: I'M RUNNING
515
00:16:01,792 --> 00:16:02,291
AROUND 'CAUSE WE'RE DOING A
516
00:16:02,375 --> 00:16:03,375
SHOW.
517
00:16:03,458 --> 00:16:04,041
I DON'T KNOW IF YOU'RE
518
00:16:04,125 --> 00:16:06,166
INTERESTED.
519
00:16:06,250 --> 00:16:07,083
>> I THINK I'VE GOT A...
520
00:16:07,166 --> 00:16:08,041
>> Eureka O'Hara: OTHER PLANS?
521
00:16:08,125 --> 00:16:08,500
>> FOOTBALL PLANS.
522
00:16:08,583 --> 00:16:09,125
>> Eureka O'Hara: OH, FOOTBALL
523
00:16:09,208 --> 00:16:10,291
PLANS.
524
00:16:10,375 --> 00:16:11,959
>> Eureka O'Hara: BASICALLY,
525
00:16:12,041 --> 00:16:12,583
WE'RE DOING THIS SHOW, ARE Y'ALL
526
00:16:12,667 --> 00:16:13,875
GONNA COME?
527
00:16:13,959 --> 00:16:15,375
>> I'M SORRY, WE'RE BUSY.
528
00:16:15,458 --> 00:16:16,000
>> Eureka O'Hara: WHY, WHAT YOU
529
00:16:16,083 --> 00:16:18,750
DOING?
530
00:16:18,834 --> 00:16:19,625
MAY I LEAVE A FLYER WITH YOU, AT
531
00:16:19,709 --> 00:16:20,750
LEAST?
532
00:16:20,834 --> 00:16:22,875
FOR OUR EVENT.
533
00:16:22,959 --> 00:16:23,458
WOULD YOU LIKE TO LOOK AT IT?
534
00:16:23,542 --> 00:16:27,458
NO?
535
00:16:27,542 --> 00:16:28,041
>> PUT IT OUT THERE.
536
00:16:28,125 --> 00:16:28,583
>> Eureka O'Hara: OKAY, ALL
537
00:16:28,667 --> 00:16:29,166
RIGHT, WE'LL PUT IT ON THE
538
00:16:29,250 --> 00:16:29,709
WINDOW.
539
00:16:29,792 --> 00:16:30,291
Y'ALL HAVE A GOOD DAY, GOOD
540
00:16:30,375 --> 00:16:30,875
LUCK.
541
00:16:30,959 --> 00:16:32,375
>> I'VE HAD A LOT OF GAYS WORK
542
00:16:32,458 --> 00:16:33,792
FOR ME IN MY BUSINESS.
543
00:16:33,875 --> 00:16:34,500
>> Shangela: OH, REALLY, WHAT
544
00:16:34,583 --> 00:16:36,041
KIND OF BUSINESS DO YOU HAVE?
545
00:16:36,125 --> 00:16:37,125
>> I HAD A COFFEE SHOP.
546
00:16:37,208 --> 00:16:38,375
>> Shangela: OH, COOL, WELL, YOU
547
00:16:38,458 --> 00:16:40,709
KNOW, GAYS LOVE COFFEE.
548
00:16:40,792 --> 00:16:41,750
>> Bob The Drag Queen: NOW, I
549
00:16:41,834 --> 00:16:42,375
HEARD THAT Y'ALL, Y'ALL HEARD
550
00:16:42,458 --> 00:16:42,917
ABOUT THE LADY WALKING ROUND
551
00:16:43,000 --> 00:16:44,625
WITH THE WHIP.
552
00:16:44,709 --> 00:16:45,792
>> OH, WE SAW.
553
00:16:45,875 --> 00:16:47,667
IN FACT, I WAS HAVING LUNCH IN
554
00:16:47,750 --> 00:16:48,625
DUNCAN'S ON THE CORNER AND
555
00:16:48,709 --> 00:16:50,208
EVERYBODY'S, "WHAT THE HELL?"
556
00:16:50,291 --> 00:16:51,917
SHE BAM, BAM.
557
00:16:52,000 --> 00:16:52,542
>> Bob The Drag Queen: CAN I
558
00:16:52,625 --> 00:16:53,208
TELL YOU A SECRET?
559
00:16:53,291 --> 00:16:55,709
THAT WAS ME.
560
00:16:55,792 --> 00:17:00,458
>> OKAY.
561
00:17:00,542 --> 00:17:01,500
>> IF IT'S NOT BULL RIDING OR,
562
00:17:01,583 --> 00:17:02,625
OR, IT'S NOT WESTERNS, WE
563
00:17:02,709 --> 00:17:04,417
USUALLY DON'T SEE IT.
564
00:17:04,500 --> 00:17:10,500
>> Eureka O'Hara: OH, REALLY?
565
00:17:10,583 --> 00:17:11,083
WELL, WE DID A WHOLE LIKE
566
00:17:11,166 --> 00:17:11,834
WESTERN THEME WITH OUR COSTUMES.
567
00:17:11,917 --> 00:17:12,375
>> Shangela: I WORE DENIM
568
00:17:12,458 --> 00:17:12,834
YESTERDAY.
569
00:17:12,917 --> 00:17:13,542
>> I AM COMING.
570
00:17:13,625 --> 00:17:14,333
>> Eureka O'Hara: YOU ARE?
571
00:17:14,417 --> 00:17:14,959
>> YEAH, MY DAUGHTER WILL COME
572
00:17:15,041 --> 00:17:15,333
WITH ME.
573
00:17:15,417 --> 00:17:15,959
>> Eureka O'Hara: ARE Y'ALL
574
00:17:16,041 --> 00:17:16,625
COMING, TOO?
575
00:17:16,709 --> 00:17:17,250
>> HE PROBABLY WON'T.
576
00:17:17,333 --> 00:17:18,166
>> Eureka O'Hara: [LAUGHS]
577
00:17:18,250 --> 00:17:18,542
WHY NOT?
578
00:17:18,625 --> 00:17:19,166
IT'S NOT YOUR THING?
579
00:17:19,250 --> 00:17:19,792
>> NO, NOT REALLY.
580
00:17:19,875 --> 00:17:20,583
>> YOU SHOULD DRESS HIM UP.
581
00:17:20,667 --> 00:17:21,125
[LAUGHS]
582
00:17:21,208 --> 00:17:21,792
>> Eureka O'Hara: YEAH, YOU WANT
583
00:17:21,875 --> 00:17:22,333
ME TO DRESS YOU UP?
584
00:17:22,417 --> 00:17:23,000
>> NO.
585
00:17:23,083 --> 00:17:23,834
>> OH, MY GOD.
586
00:17:23,917 --> 00:17:24,542
>> Eureka O'Hara: WHY NOT?
587
00:17:24,625 --> 00:17:27,375
I GOT A PERFECT PERIWINKLE THAT
588
00:17:27,458 --> 00:17:27,875
WILL BE LOVELY ON THOSE.
589
00:17:27,959 --> 00:17:29,000
GIVE ME A SNAP, SNAP, SNAP.
590
00:17:29,083 --> 00:17:31,375
YEAH.
591
00:17:31,458 --> 00:17:31,917
[LAUGHS]
592
00:17:32,000 --> 00:17:32,750
I LIVE.
593
00:17:32,834 --> 00:17:39,917
♪ ♪
594
00:17:40,000 --> 00:17:51,125
♪ ♪
595
00:17:51,208 --> 00:17:54,583
>> Brandon: I GREW UP IN A
596
00:17:54,667 --> 00:17:59,959
WHITE, MIDDLE CLASS, LDS FAMILY,
597
00:18:00,041 --> 00:18:01,667
AND HERE IN TWIN FALLS, THAT'S,
598
00:18:01,750 --> 00:18:02,458
LIKE, THE DREAM.
599
00:18:02,542 --> 00:18:12,959
[LAUGHS]
600
00:18:13,041 --> 00:18:15,250
TESTOSTERONE IS LIKE THE THING
601
00:18:15,333 --> 00:18:16,875
THAT'S HELPING ME BE ME, BUT I
602
00:18:16,959 --> 00:18:28,041
AM SO SCARED OF NEEDLES.
603
00:18:28,125 --> 00:18:31,917
EVER SINCE I WAS 11, I HATED MY
604
00:18:32,000 --> 00:18:35,417
BREASTS.
605
00:18:35,500 --> 00:18:38,417
I HAD THESE HORRIBLE THOUGHTS,
606
00:18:38,500 --> 00:18:40,375
LIKE, IF I START TO CUT THEM OFF
607
00:18:40,458 --> 00:18:42,041
BY MYSELF, SOMEBODY'S GONNA HAVE
608
00:18:42,125 --> 00:18:46,291
TO FINISH IT, RIGHT?
609
00:18:46,375 --> 00:18:47,917
>> Brandon: THIS IS EXACTLY WHAT
610
00:18:48,000 --> 00:18:50,083
I WANTED MY WHOLE LIFE, AND IT'S
611
00:18:50,166 --> 00:18:52,083
INTERESTING HOW I FINALLY GET
612
00:18:52,166 --> 00:18:53,959
TO, GET TO SEE THE PERSON THAT I
613
00:18:54,041 --> 00:18:54,583
ALWAYS THOUGHT I WAS GONNA GROW
614
00:18:54,667 --> 00:18:58,417
UP TO BE.
615
00:18:58,500 --> 00:18:59,500
THIS WAS NOT A WANT, THIS WAS A
616
00:18:59,583 --> 00:19:03,125
NEED.
617
00:19:03,208 --> 00:19:04,166
THERE ARE SOME PEOPLE THAT ARE,
618
00:19:04,250 --> 00:19:05,542
LIKE, I DON'T KNOW IF I COULD
619
00:19:05,625 --> 00:19:08,417
DEAL WITH THESE THESE SCARS.
620
00:19:08,500 --> 00:19:12,583
BUT, TO ME, THIS IS JUST, WELL,
621
00:19:12,667 --> 00:19:20,500
THIS JUST REMINDS ME THAT MY
622
00:19:20,583 --> 00:19:24,083
HAPPINESS IS SO MUCH MORE THAN
623
00:19:24,166 --> 00:19:28,291
WHAT OTHER PEOPLE WANT IT TO BE.
624
00:19:28,375 --> 00:19:37,875
I WANTED THESE SCARS.
625
00:19:37,959 --> 00:19:39,417
>> Shangela: HELLO.
626
00:19:39,500 --> 00:19:40,166
>> Brandon: OH, MY GOD.
627
00:19:40,250 --> 00:19:41,208
[LAUGHS]
628
00:19:41,291 --> 00:19:41,750
HEY.
629
00:19:41,834 --> 00:19:42,583
>> Shangela: HOW ARE YOU?
630
00:19:42,667 --> 00:19:43,750
>> Brandon: I'M GOOD.
631
00:19:43,834 --> 00:19:44,375
>> Shangela: OKAY, YOU MUST BE
632
00:19:44,458 --> 00:19:44,667
BRANDON.
633
00:19:44,750 --> 00:19:46,500
>> Brandon: YES.
634
00:19:46,583 --> 00:19:47,250
>> Shangela: HI, I'M SHANGELA.
635
00:19:47,333 --> 00:19:47,959
>> Brandon: IT IS SO NICE TO
636
00:19:48,041 --> 00:19:48,250
MEET YOU.
637
00:19:48,333 --> 00:19:48,917
>> Mikayla: HI.
638
00:19:49,000 --> 00:19:49,500
>> Shangela: YOU MUST BE THE
639
00:19:49,583 --> 00:19:50,041
GORGEOUS MIKAYLA?
640
00:19:50,125 --> 00:19:51,458
>> Mikayla: YES.
641
00:19:51,542 --> 00:19:52,709
IT'S SO GREAT TO MEET YOU.
642
00:19:52,792 --> 00:19:53,875
>> Shangela: WELL, THANK YOU.
643
00:19:53,959 --> 00:19:54,500
I APPRECIATE THAT, THANK YOU SO
644
00:19:54,583 --> 00:19:55,458
MUCH.
645
00:19:55,542 --> 00:19:57,542
IT'S NICE TO MEET Y'ALL, TOO.
646
00:19:57,625 --> 00:19:58,166
THANK YOU FOR HAVING ME IN YOUR
647
00:19:58,250 --> 00:20:00,375
HOME.
648
00:20:00,458 --> 00:20:03,709
AND I'M EXCITED TO MEET Y'ALL.
649
00:20:03,792 --> 00:20:04,333
>> Shangela: HOW DID THE TWO OF
650
00:20:04,417 --> 00:20:06,333
YOU MEET?
651
00:20:06,417 --> 00:20:06,917
>> Brandon: WE MET IN HIGH
652
00:20:07,000 --> 00:20:09,417
SCHOOL.
653
00:20:09,500 --> 00:20:14,291
I WALKED THROUGH THE BAND ROOM
654
00:20:14,375 --> 00:20:14,959
DOORS, AND SHE WAS PROBABLY
655
00:20:15,041 --> 00:20:15,542
JUST RIGHT ACROSS FROM ME, AT
656
00:20:15,625 --> 00:20:16,458
THE BACK OF THE ROOM.
657
00:20:16,542 --> 00:20:17,792
WHEN I SAW HER, I FELT LIKE I
658
00:20:17,875 --> 00:20:18,417
ALREADY KNEW HER, BUT I'D NEVER
659
00:20:18,500 --> 00:20:19,959
MET HER BEFORE.
660
00:20:20,041 --> 00:20:21,125
>> Shangela: SO, YOU'RE COMING
661
00:20:21,208 --> 00:20:22,458
THROUGH THE BAND ROOM, THIS IS
662
00:20:22,542 --> 00:20:23,083
LIKE A ROM-COM, LIKE, I'M LIVING
663
00:20:23,166 --> 00:20:24,959
FOR THIS MOMENT.
664
00:20:25,041 --> 00:20:26,542
YOU'RE THERE WITH LIKE A
665
00:20:26,625 --> 00:20:27,750
VIOLIN, OR A PERCUSSION PIECE,
666
00:20:27,834 --> 00:20:28,375
AND YOU'RE COMING THROUGH WITH
667
00:20:28,458 --> 00:20:31,667
DRUMSTICKS.
668
00:20:31,750 --> 00:20:32,875
BUT, OKAY, SO, YOU GUYS MET, AND
669
00:20:32,959 --> 00:20:33,792
THEN, DID YOU START DATING AT
670
00:20:33,875 --> 00:20:34,625
THAT TIME?
671
00:20:34,709 --> 00:20:36,000
OR?
672
00:20:36,083 --> 00:20:40,083
>> Brandon: NO, ACTUALLY, WE
673
00:20:40,208 --> 00:20:43,667
GREW UP IN THE MORMON COMMUNITY,
674
00:20:43,750 --> 00:20:48,583
THE LDS COMMUNITY.
675
00:20:48,667 --> 00:20:52,041
WHEN WE WERE STILL IN THE
676
00:20:52,125 --> 00:20:54,166
CHURCH, TWO WOMEN, BECAUSE I HAD
677
00:20:54,250 --> 00:20:57,834
NOT TRANSITIONED YET, TWO GIRLS
678
00:20:57,917 --> 00:21:00,250
DATING WAS LIKE A HUGE NO.
679
00:21:00,333 --> 00:21:02,125
>> Mikayla: I WAS REALLY
680
00:21:02,208 --> 00:21:04,291
TERRIFIED TO TELL MY PARENTS,
681
00:21:04,375 --> 00:21:05,709
'CAUSE I WAS AFRAID THAT I WAS
682
00:21:05,792 --> 00:21:06,583
GOING TO DISOWN ME, BECAUSE MY
683
00:21:06,667 --> 00:21:07,208
WHOLE LIFE, THEY KIND OF RAISED
684
00:21:07,291 --> 00:21:09,000
ME VERY STRICT IN THE CHURCH.
685
00:21:09,083 --> 00:21:10,792
SO, I WAS KIND OF PUTTING THAT
686
00:21:10,875 --> 00:21:11,750
OFF UNTIL WE WERE ENGAGED.
687
00:21:11,834 --> 00:21:14,291
[LAUGHS]
688
00:21:14,375 --> 00:21:15,834
AND I, YEAH, I DROPPED A
689
00:21:15,917 --> 00:21:19,250
BOMBSHELL ON MY PARENTS,
690
00:21:19,333 --> 00:21:19,959
BASICALLY TELLING THEM I LEFT
691
00:21:20,041 --> 00:21:21,125
THE CHURCH, I'M GETTING MARRIED
692
00:21:21,208 --> 00:21:21,792
TO BRANDON, BY THE WAY, HE'S
693
00:21:21,875 --> 00:21:24,959
BRANDON.
694
00:21:25,041 --> 00:21:26,458
>> Brandon: WHEN OUR FAMILIES
695
00:21:26,542 --> 00:21:28,291
FINALLY DECIDED THAT THEY WANTED
696
00:21:28,375 --> 00:21:29,500
TO BE INVOLVED, WHEN WE WERE
697
00:21:29,583 --> 00:21:35,125
PLANNING THE WEDDING, THERE WERE
698
00:21:35,208 --> 00:21:35,709
SO MANY THINGS THAT WERE JUST
699
00:21:35,792 --> 00:21:36,333
LIKE, NO, NO, NO, YOU CAN'T DO
700
00:21:36,417 --> 00:21:36,959
THIS, YOU CAN'T DO THAT, YOU
701
00:21:37,041 --> 00:21:37,667
CAN'T INVITE THESE PEOPLE.
702
00:21:37,750 --> 00:21:39,083
>> Mikayla: ORIGINALLY, WITH MY
703
00:21:39,166 --> 00:21:41,583
PARENTS, THEY WEREN'T GOING TO
704
00:21:41,667 --> 00:21:43,166
COME AT ALL, MOST OF MY FRIENDS,
705
00:21:43,250 --> 00:21:44,125
THEY WEREN'T GONNA COME, AND SO,
706
00:21:44,208 --> 00:21:45,125
IT WAS JUST BASICALLY, LIKE,
707
00:21:45,208 --> 00:21:47,291
WHAT'S THE POINT?
708
00:21:47,375 --> 00:21:50,291
MY DAD DIDN'T WALK ME DOWN THE
709
00:21:50,375 --> 00:21:51,959
AISLE IN ORDER TO, KIND OF, SHOW
710
00:21:52,041 --> 00:21:54,333
THAT THEY STILL HOLD FIRMLY TO
711
00:21:54,417 --> 00:21:57,583
THEIR BELIEFS.
712
00:21:57,667 --> 00:21:59,125
EVEN THOUGH THEY CAME TO OUR
713
00:21:59,208 --> 00:22:00,542
WEDDING, IT WAS VERY OBVIOUS
714
00:22:00,625 --> 00:22:02,125
THAT THEY WERE UNHAPPY THE WHOLE
715
00:22:02,208 --> 00:22:06,041
TIME, AND AS MUCH AS I KNOW THAT
716
00:22:06,125 --> 00:22:10,083
THAT'S BECAUSE OF THEIR
717
00:22:10,166 --> 00:22:12,792
RELIGIOUS BELIEFS, IT STILL
718
00:22:12,875 --> 00:22:14,125
HURTS THAT WE WERE NOT
719
00:22:14,208 --> 00:22:15,417
CONSIDERED WORTHY OF BEING HAPPY
720
00:22:15,500 --> 00:22:16,792
FOR, THAT IT WAS STILL NOT A
721
00:22:16,875 --> 00:22:21,500
WORTHY LOVE.
722
00:22:21,583 --> 00:22:23,250
>> Shangela: TO ME, LIKE, I HEAR
723
00:22:23,333 --> 00:22:24,875
YOU SAYING THAT, AND I'M NOT
724
00:22:24,959 --> 00:22:27,000
MARRIED, BUT I'M SURE THAT WOULD
725
00:22:27,083 --> 00:22:29,542
HURT MY FEELINGS.
726
00:22:29,625 --> 00:22:31,291
THAT IS THE SMALL TOWN, KIND OF,
727
00:22:31,375 --> 00:22:32,333
LIKE, EVERYBODY'S GONNA KNOW.
728
00:22:32,417 --> 00:22:33,875
EVERYBODY'S GONNA BE TALKING,
729
00:22:33,959 --> 00:22:34,667
SO, WE DON'T WANT PEOPLE TO
730
00:22:34,750 --> 00:22:35,709
TALK.
731
00:22:35,792 --> 00:22:38,041
THAT ALSO PUSHES US DOWN AND
732
00:22:38,125 --> 00:22:39,125
MAKES US FEEL LESS PROUD OF WHO
733
00:22:39,208 --> 00:22:42,792
WE ARE.
734
00:22:42,875 --> 00:22:44,792
I WOULD LOVE FOR YOU GUYS TO BE
735
00:22:44,875 --> 00:22:52,125
INVOLVED WITH ME ON PUTTING OUR
736
00:22:52,208 --> 00:22:53,834
DRAG SHOW TOGETHER.
737
00:22:53,917 --> 00:22:54,583
BY THE WAY, I'M A DRAG QUEEN.
738
00:22:54,667 --> 00:22:55,208
>> Brandon: WHAT?
739
00:22:55,291 --> 00:22:56,166
>> Shangela: YEAH, WHAT?
740
00:22:56,250 --> 00:22:56,500
WHAT?
741
00:22:56,583 --> 00:22:57,417
>> Mikayla: THAT'S AWESOME.
742
00:22:57,500 --> 00:23:02,000
>> Shangela: YEAH.
743
00:23:02,083 --> 00:23:02,750
I WANT TO GIVE THEM KIND OF A
744
00:23:02,834 --> 00:23:03,375
WEDDING EXPERIENCE THAT THEY DID
745
00:23:03,458 --> 00:23:04,000
NOT GET TO HAVE THAT FIRST TIME
746
00:23:04,083 --> 00:23:04,291
AROUND.
747
00:23:04,375 --> 00:23:04,875
I WANT THEM TO FEEL LIKE THIS
748
00:23:04,959 --> 00:23:05,792
WAS THEIR SPECIAL DAY.
749
00:23:05,875 --> 00:23:06,375
>> Brandon: THAT'S GONNA BE SO
750
00:23:06,458 --> 00:23:07,000
MUCH FUN.
751
00:23:07,083 --> 00:23:08,250
>> Shangela: OH, YES, IT IS.
752
00:23:08,333 --> 00:23:09,041
>> Brandon: THANK YOU SO MUCH
753
00:23:09,125 --> 00:23:09,500
FOR COMING OVER.
754
00:23:09,583 --> 00:23:10,417
>> Shangela: IT'S GONNA BE SUPER
755
00:23:10,500 --> 00:23:11,417
FUN, AND I REALLY HOPE THAT WE
756
00:23:11,500 --> 00:23:12,542
CAN DO SOMETHING SPECIAL, ALL OF
757
00:23:12,625 --> 00:23:15,542
US TOGETHER, FOR REAL.
758
00:23:15,625 --> 00:23:20,834
♪ ♪
759
00:23:20,917 --> 00:23:27,083
♪ ♪
760
00:23:27,166 --> 00:23:28,083
>> Eureka O'Hara: YEAH, OH, HOW
761
00:23:28,166 --> 00:23:29,333
ARE YOU?
762
00:23:29,417 --> 00:23:30,000
>> Clifton: I'M GOOD, GOOD TO
763
00:23:30,083 --> 00:23:30,333
SEE YOU AGAIN.
764
00:23:30,417 --> 00:23:31,083
>> Eureka O'Hara: THIS IS MY
765
00:23:31,166 --> 00:23:31,917
SISTER, BOB.
766
00:23:32,000 --> 00:23:32,500
>> Bob The Drag Queen: HI, HOW
767
00:23:32,583 --> 00:23:33,166
ARE YOU?
768
00:23:33,250 --> 00:23:33,792
>> Clifton: BOB, HI, SO NICE TO
769
00:23:33,875 --> 00:23:34,333
MEET YOU.
770
00:23:34,417 --> 00:23:35,375
GIVE ME A HUG.
771
00:23:35,458 --> 00:23:36,333
>> Bob The Drag Queen: OH, WE'RE
772
00:23:36,417 --> 00:23:36,834
HUGGING.
773
00:23:36,917 --> 00:23:37,417
>> Eureka O'Hara: THIS IS FUN,
774
00:23:37,500 --> 00:23:41,500
WHAT IS THIS?
775
00:23:41,625 --> 00:23:42,458
>> Clifton: JUST THROWING A
776
00:23:42,542 --> 00:23:43,500
PARTY.
777
00:23:43,583 --> 00:23:44,333
>> Eureka O'Hara: WHAT ARE WE
778
00:23:44,417 --> 00:23:45,000
GONNA DO?
779
00:23:45,083 --> 00:23:45,667
WHAT DO WE ALL DO?
780
00:23:45,750 --> 00:23:46,375
JUST SIT AROUND AND DRINK?
781
00:23:46,458 --> 00:23:47,500
>> Eureka O'Hara: CLIFTON'S
782
00:23:47,583 --> 00:23:48,166
WORLD IS VERY, LIKE, BACKWARDS,
783
00:23:48,250 --> 00:23:48,500
I THINK.
784
00:23:48,583 --> 00:23:49,709
THE PARTIES AROUND THE BONFIRE,
785
00:23:49,792 --> 00:23:50,333
VERY CAMOUFLAGE, LIKE, THEY GOT
786
00:23:50,417 --> 00:23:50,792
THE DIRTY BOOTS ON.
787
00:23:50,875 --> 00:23:51,542
HE INVITED ME TO THIS PARTY WITH
788
00:23:51,625 --> 00:23:52,333
HIS FAMILY, WHICH IS SUPER OPEN,
789
00:23:52,417 --> 00:23:54,000
YOU KNOW?
790
00:23:54,083 --> 00:23:55,041
IT CAN BE SCARY TO BRING SOMEONE
791
00:23:55,125 --> 00:23:56,000
DIFFERENT INTO YOUR CIRCLE OF
792
00:23:56,083 --> 00:23:57,000
FRIENDS.
793
00:23:57,083 --> 00:23:57,875
>> Eureka O'Hara: HI, EUREKA.
794
00:23:57,959 --> 00:23:59,000
IT'S A PLEASURE.
795
00:23:59,083 --> 00:24:00,083
WHAT'S UP, BOYS?
796
00:24:00,166 --> 00:24:03,500
GOOD TO MEET YOU.
797
00:24:03,583 --> 00:24:04,500
TELL ME SOMETHING ABOUT
798
00:24:04,583 --> 00:24:05,291
TWIN FALLS, I DON'T KNOW MUCH
799
00:24:05,375 --> 00:24:07,250
ABOUT Y'ALL.
800
00:24:07,333 --> 00:24:07,959
JUST THE DRINKING, YOU LIKE TO
801
00:24:08,041 --> 00:24:09,000
DRINK?
802
00:24:09,083 --> 00:24:10,709
>> YEAH, WE LIKE TO DRINK.
803
00:24:10,792 --> 00:24:11,500
>> Eureka O'Hara: SO, WE'RE
804
00:24:11,583 --> 00:24:12,041
DOING A BIG DRAG SHOW ON THE
805
00:24:12,125 --> 00:24:13,750
21ST.
806
00:24:13,834 --> 00:24:15,166
I HAVE A DRAG DAUGHTER, AND
807
00:24:15,250 --> 00:24:15,709
IT'S CLIFTON, YOU KNOW THIS
808
00:24:15,792 --> 00:24:17,500
GUY?
809
00:24:17,583 --> 00:24:18,834
SO THIS GUY IS LETTING ME PUT
810
00:24:18,917 --> 00:24:20,208
HIM UP IN DRAG, Y'ALL.
811
00:24:20,291 --> 00:24:23,208
WE'RE GONNA SHAVE HIS BEARD OFF.
812
00:24:23,291 --> 00:24:23,875
YEAH, I KNOW, SO HE'S GONNA COME
813
00:24:23,959 --> 00:24:24,542
DOWN.
814
00:24:24,625 --> 00:24:28,208
ARE YOU GONNA COME WATCH HIM?
815
00:24:28,291 --> 00:24:29,166
>> WE'LL THINK ON THAT.
816
00:24:29,250 --> 00:24:29,834
>> Eureka O'Hara: YEAH, THINK ON
817
00:24:29,917 --> 00:24:32,959
IT.
818
00:24:33,041 --> 00:24:34,375
I WAS A LITTLE NERVOUS.
819
00:24:34,458 --> 00:24:35,458
I COME FROM THAT TYPE OF
820
00:24:35,542 --> 00:24:36,625
ENVIRONMENT, AND THERE ARE SOME
821
00:24:36,709 --> 00:24:38,375
PEOPLE THAT ARE SITTING ON THE
822
00:24:38,458 --> 00:24:40,959
OTHER SIDE OF THE ROOM, LIKE,
823
00:24:41,083 --> 00:24:42,458
"WHAT IN THE GAY HELL IS GOING
824
00:24:42,542 --> 00:24:44,166
ON AT THIS PARTY?"
825
00:24:44,250 --> 00:24:44,875
>> Eureka O'Hara: YOU PLAY BEER
826
00:24:44,959 --> 00:24:45,583
PONG?
827
00:24:45,667 --> 00:24:47,166
WILL YOU HELP ME SET IT UP?
828
00:24:47,250 --> 00:24:48,125
I'M NOT VERY GOOD AT IT, BUT I
829
00:24:48,208 --> 00:24:48,834
WANNA BEAT BOB AT IT.
830
00:24:48,917 --> 00:24:53,166
THAT'S ALL I KNOW.
831
00:24:53,250 --> 00:24:53,750
>> Bob The Drag Queen: IS THIS
832
00:24:53,834 --> 00:24:55,458
MY TURN?
833
00:24:55,542 --> 00:24:57,667
OH.
834
00:24:57,750 --> 00:25:00,709
BITCH, YOUR TURN.
835
00:25:00,792 --> 00:25:01,709
>> Eureka O'Hara: ARGH.
836
00:25:01,792 --> 00:25:02,917
Y'ALL DON'T KNOW HOW TO MESS
837
00:25:03,000 --> 00:25:03,875
WITH ME, MAMA, Y'ALL CAN'T MESS
838
00:25:03,959 --> 00:25:07,583
WITH ME ON THE BEER PONG.
839
00:25:07,667 --> 00:25:08,333
OH, MY GOD, THIS IS SO MUCH FUN.
840
00:25:08,417 --> 00:25:13,000
I NEVER WIN AT SPORTS.
841
00:25:13,083 --> 00:25:13,625
>> Eureka O'Hara: LET'S GO MEET
842
00:25:13,709 --> 00:25:14,583
YOUR FRIENDS.
843
00:25:14,667 --> 00:25:15,709
WHO'S THE COOLEST PEOPLE FIRST?
844
00:25:15,792 --> 00:25:16,458
I'M A HUGGER.
845
00:25:16,542 --> 00:25:17,500
>> I'M A HUGGER, TOO.
846
00:25:17,583 --> 00:25:18,458
>> Eureka O'Hara: WHAT'S UP?
847
00:25:18,542 --> 00:25:20,000
>> WE'RE HUGGERS AROUND HERE.
848
00:25:20,083 --> 00:25:20,625
>> Eureka O'Hara: LOOK, I LIKE
849
00:25:20,709 --> 00:25:20,875
THAT.
850
00:25:20,959 --> 00:25:21,875
OH, HI.
851
00:25:21,959 --> 00:25:23,625
I LOVE YOUR HAT.
852
00:25:23,709 --> 00:25:25,041
'CAUSE WE'RE BIG AND TALL, OOH,
853
00:25:25,125 --> 00:25:26,208
THAT RIGHT.
854
00:25:26,291 --> 00:25:28,875
>> YEAH, DAMN RIGHT.
855
00:25:28,959 --> 00:25:29,792
>> Eureka O'Hara: OH, MY GOD, I
856
00:25:29,875 --> 00:25:30,458
FINALLY FOUND A HUSBAND WHEN I'M
857
00:25:30,542 --> 00:25:32,458
IN DRAG.
858
00:25:32,542 --> 00:25:33,458
THIS IS GONNA BE YOUR DRAG
859
00:25:33,542 --> 00:25:34,125
DADDY.
860
00:25:34,208 --> 00:25:34,709
>> I MEAN, HEY, I BEEN CALLED
861
00:25:34,792 --> 00:25:35,208
"DADDY" ONCE OR TWICE.
862
00:25:35,291 --> 00:25:35,834
>> Eureka O'Hara: OH.
863
00:25:35,917 --> 00:25:36,500
OH, MY GOD.
864
00:25:36,583 --> 00:25:38,625
HI, DADDY.
865
00:25:38,709 --> 00:25:42,166
I'M SO PETITE.
866
00:25:42,208 --> 00:25:43,750
>> Eureka O'Hara: REALLY, AT THE
867
00:25:43,834 --> 00:25:47,041
PARTY, I SAW A MUCH MORE
868
00:25:47,125 --> 00:25:48,041
CONSERVATIVE CLIFTON, AND I
869
00:25:48,125 --> 00:25:49,542
DON'T THINK THAT ALL OF HIS
870
00:25:49,625 --> 00:25:50,959
FRIENDS KNOW THAT HE'S GONNA BE
871
00:25:51,041 --> 00:25:52,041
DOING DRAG, SO I'M CURIOUS TO
872
00:25:52,125 --> 00:25:53,875
SEE HOW THAT PLAYS OUT.
873
00:25:53,959 --> 00:26:03,000
♪ ♪
874
00:26:03,083 --> 00:26:04,250
>> Eureka O'Hara: SO, I WANNA
875
00:26:04,333 --> 00:26:05,417
GO, IF YOU'RE INTO IT, I WANNA
876
00:26:05,500 --> 00:26:08,792
GO, LIKE, VERY ROCK STAR, LIKE,
877
00:26:08,875 --> 00:26:09,625
ROCKER CHICK, SHALL WE CALL IT
878
00:26:09,709 --> 00:26:10,041
THAT?
879
00:26:10,125 --> 00:26:11,041
>> Clifton: ALL RIGHT.
880
00:26:11,125 --> 00:26:11,750
>> Eureka O'Hara: THIS IS SOME
881
00:26:11,834 --> 00:26:12,333
OF THE CLOTHES OPTIONS THAT
882
00:26:12,417 --> 00:26:13,792
WE'RE GOING WITH.
883
00:26:13,875 --> 00:26:15,083
BRAS, WE GOT HIP PADS, WE'RE
884
00:26:15,166 --> 00:26:16,583
GONNA PUT BODY ON YOU, BUT I
885
00:26:16,667 --> 00:26:18,667
ALSO REALLY WANNA DO, LIKE, A
886
00:26:18,750 --> 00:26:19,250
TUCK REVEAL MOMENT, DURING THE
887
00:26:19,333 --> 00:26:21,375
PERFORMANCE.
888
00:26:21,458 --> 00:26:25,542
♪ ♪
889
00:26:25,625 --> 00:26:26,917
LIKE YOU HAVE THE SKIRT, BUT
890
00:26:27,000 --> 00:26:29,959
IT'S GONNA BE, LIKE, A RIPAWAY.
891
00:26:30,041 --> 00:26:30,500
YOU'LL ACTUALLY BE IN THIS
892
00:26:30,583 --> 00:26:31,291
LEOTARD, SO, LIKE, YOU WILL
893
00:26:31,375 --> 00:26:32,542
WANNA MAKE SURE YOU HAVE A NICE,
894
00:26:32,625 --> 00:26:33,250
TIGHT, FLAT COOCHIE, AND WE
895
00:26:33,333 --> 00:26:33,792
WANNA SHOW THE WORLD YOUR
896
00:26:33,875 --> 00:26:35,583
COOCHIE.
897
00:26:35,667 --> 00:26:36,291
IT'S GONNA BE SEXY.
898
00:26:36,375 --> 00:26:43,667
♪ ♪
899
00:26:43,750 --> 00:26:45,917
♪ ♪
900
00:26:46,000 --> 00:26:47,083
>> Brandon: OH, MAN, I LOOK
901
00:26:47,166 --> 00:26:48,333
REALLY NICE.
902
00:26:48,417 --> 00:26:51,291
>> Shangela: YES, YOU DO.
903
00:26:51,375 --> 00:26:52,959
LET'S KEEP IT REAL, OKAY?
904
00:26:53,041 --> 00:26:54,583
I'M GONNA GIVE THEM AN
905
00:26:54,667 --> 00:26:55,834
EXTRAVAGANZA, YOU WOULD THINK
906
00:26:55,917 --> 00:26:56,667
THIS IS GONNA BE THE MACY'S DAY
907
00:26:56,750 --> 00:26:57,750
PARADE, ALL RIGHT?
908
00:26:57,834 --> 00:26:59,709
I'M BRINGING EVERYTHING.
909
00:26:59,792 --> 00:27:00,333
>> Shangela: THAT'S A BEAUTIFUL
910
00:27:00,417 --> 00:27:00,959
COLOR ON YOU.
911
00:27:01,041 --> 00:27:01,917
SHAKE IT A LITTLE BIT, SHAKE IT,
912
00:27:02,000 --> 00:27:03,917
YES, YES.
913
00:27:04,000 --> 00:27:05,959
SHE'S GIVING ME ASHLEY O,
914
00:27:06,041 --> 00:27:07,500
MILEY CYRUS, "BLACK MIRROR"
915
00:27:07,583 --> 00:27:08,041
FISH.
916
00:27:08,125 --> 00:27:09,750
YES.
917
00:27:09,834 --> 00:27:13,750
♪ ♪
918
00:27:13,834 --> 00:27:14,959
>> Bob The Drag Queen: ARE YOU
919
00:27:15,041 --> 00:27:16,000
GONNA --
920
00:27:16,083 --> 00:27:17,250
>> Clifton: YEAH, I THINK SO.
921
00:27:17,333 --> 00:27:17,917
>> Eureka O'Hara: HE'S A LITTLE
922
00:27:18,000 --> 00:27:19,417
RELUCTANT.
923
00:27:19,500 --> 00:27:20,083
>> Clifton: WELL, I MEAN, HAIR
924
00:27:20,166 --> 00:27:22,083
GROWS BACK.
925
00:27:22,166 --> 00:27:24,458
>> Bob The Drag Queen: DOES IT?
926
00:27:24,542 --> 00:27:25,834
DOES IT?
927
00:27:25,917 --> 00:27:28,709
♪ ♪
928
00:27:28,792 --> 00:27:29,333
>> Eureka O'Hara: YEAH, PUSH IT
929
00:27:29,417 --> 00:27:30,333
BACK FOR ME.
930
00:27:30,417 --> 00:27:31,583
PUSH BACK.
931
00:27:31,667 --> 00:27:32,667
YOU'RE DOING GOOD.
932
00:27:32,750 --> 00:27:33,375
ALL RIGHT, TURN AROUND, LET'S
933
00:27:33,458 --> 00:27:36,041
SEE IT.
934
00:27:36,125 --> 00:27:38,250
NOT BAD, YOU GOT A FAT PUSSY.
935
00:27:38,333 --> 00:27:39,583
OR PUSWATCHER.
936
00:27:39,667 --> 00:27:40,333
SHE'S GOT A FAT PUSWATCHER, BUT
937
00:27:40,417 --> 00:27:41,583
SHE'S GOT ONE.
938
00:27:41,625 --> 00:27:42,250
>> I THINK THEY CALL THAT A
939
00:27:42,333 --> 00:27:43,125
MEATY TUCK.
940
00:27:43,208 --> 00:27:44,709
>> Eureka O'Hara: THAT'S A
941
00:27:44,792 --> 00:27:46,917
SANDWICH.
942
00:27:47,000 --> 00:27:47,917
>> Bob The Drag Queen: YOU CAN
943
00:27:48,000 --> 00:27:48,542
BE OPEN WITH ME IF YOU'RE
944
00:27:48,625 --> 00:27:49,166
NERVOUS, AND IF YOU'RE --
945
00:27:49,250 --> 00:27:51,333
>> Owen: NO, I'M FINE.
946
00:27:51,417 --> 00:27:52,208
THIS IS, LIKE, OUT OF MY COMFORT
947
00:27:52,291 --> 00:27:53,667
ZONE, 'CAUSE, NORMALLY, I DO,
948
00:27:53,750 --> 00:27:55,583
LIKE, BROADWAY SONGS AND STUFF,
949
00:27:55,667 --> 00:27:56,208
WHICH I CAN REALLY, LIKE, PLAY
950
00:27:56,291 --> 00:27:57,041
WITH, YOU KNOW WHAT I MEAN?
951
00:27:57,125 --> 00:27:57,583
>> WELL, IT'S ALSO YOU BY
952
00:27:57,667 --> 00:27:58,333
YOURSELF.
953
00:27:58,417 --> 00:27:59,000
>> YEAH.
954
00:27:59,083 --> 00:28:00,250
>> RIGHT.
955
00:28:00,333 --> 00:28:01,333
>> Bob The Drag Queen: THESE
956
00:28:01,417 --> 00:28:01,959
QUEENS NEED TO GET TOGETHER AND
957
00:28:02,041 --> 00:28:04,500
WORK AS A TEAM.
958
00:28:04,583 --> 00:28:06,834
>> I REALLY SEE, LIKE, YOU JUST
959
00:28:06,917 --> 00:28:08,583
THE FIERY, SEXY VIBE, IT WOULD
960
00:28:08,667 --> 00:28:09,208
BE, LIKE, A BIG BUBBLE,
961
00:28:09,291 --> 00:28:09,625
BASICALLY.
962
00:28:09,709 --> 00:28:11,250
>> Bob The Drag Queen: I LOVE
963
00:28:11,333 --> 00:28:13,083
THIS IDEA OF EACH GIRL
964
00:28:13,166 --> 00:28:15,417
REPRESENTS A ELEMENT.
965
00:28:15,500 --> 00:28:16,417
>> ONCE IT'S STYLED, IT'S GONNA
966
00:28:16,500 --> 00:28:18,250
BE LIKE A BLOWOUT, RIGHT?
967
00:28:18,333 --> 00:28:19,792
BECAUSE IT'S JUST FLOWING.
968
00:28:19,875 --> 00:28:21,792
SHE LIVES FOR THE WIND.
969
00:28:21,875 --> 00:28:22,458
>> Bob The Drag Queen: LIKE WHEN
970
00:28:22,542 --> 00:28:23,083
THE ELEMENTS COME TOGETHER, IT
971
00:28:23,166 --> 00:28:25,667
IS POWER.
972
00:28:25,750 --> 00:28:26,417
>> Shangela: OH, MY GOD, I FEEL
973
00:28:26,500 --> 00:28:32,834
LIKE THE MOTHER OF THE BRIDE.
974
00:28:32,917 --> 00:28:34,166
COME ON IN, GIRL.
975
00:28:34,250 --> 00:28:36,000
COME ON OVER HERE.
976
00:28:36,083 --> 00:28:38,041
SIT DOWN WITH ME.
977
00:28:38,125 --> 00:28:39,625
I WANT YOU TO KNOW, LIKE, THIS
978
00:28:39,709 --> 00:28:41,792
EXPERIENCE, FOR ME, IS JUST AS
979
00:28:41,834 --> 00:28:43,083
MUCH ABOUT YOU AS IT IS ABOUT
980
00:28:43,208 --> 00:28:45,417
BRANDON, TOO.
981
00:28:45,500 --> 00:28:46,834
FOR YOUR MOM AND YOUR DAD, YOU
982
00:28:46,917 --> 00:28:47,917
THINK YOUR MOM OR YOUR DAD ARE
983
00:28:48,000 --> 00:28:48,750
GONNA COME TO THE SHOW ON
984
00:28:48,834 --> 00:28:49,208
THURSDAY?
985
00:28:49,291 --> 00:28:49,917
>> Mikayla: NO.
986
00:28:50,000 --> 00:28:50,917
NO, DEFINITELY NOT.
987
00:28:51,000 --> 00:28:51,709
>> Shangela: OKAY, DEFINITELY
988
00:28:51,792 --> 00:28:52,125
NOT.
989
00:28:52,208 --> 00:28:53,083
>> Mikayla: I'VE ACTUALLY ASKED
990
00:28:53,166 --> 00:28:55,083
THEM A COUPLE OF TIMES, BUT,
991
00:28:55,166 --> 00:28:55,917
YEAH --
992
00:28:56,000 --> 00:28:56,917
>> Shangela: WHAT WAS THEIR,
993
00:28:57,000 --> 00:28:58,125
KIND OF RESPONSE?
994
00:28:58,208 --> 00:28:59,417
>> Mikayla: MY MOM'S ACTUALLY
995
00:28:59,500 --> 00:29:00,291
REALLY UPSET I'M DOING DRAG.
996
00:29:00,375 --> 00:29:00,959
SHE WAS LIKE, "I DIDN'T KNOW YOU
997
00:29:01,041 --> 00:29:01,959
WERE THAT KIND OF GAY."
998
00:29:02,041 --> 00:29:05,458
[LAUGHS]
999
00:29:05,542 --> 00:29:05,959
>> Shangela: DID SHE --
1000
00:29:06,041 --> 00:29:06,500
[LAUGHS]
1001
00:29:06,583 --> 00:29:07,125
WELL, ME, TOO.
1002
00:29:07,208 --> 00:29:07,917
I GUESS I'M THAT KIND OF GAY,
1003
00:29:08,000 --> 00:29:08,250
TOO, GIRL.
1004
00:29:08,333 --> 00:29:09,125
WHAT DO YOU THINK HER PERCEPTION
1005
00:29:09,208 --> 00:29:09,625
OF DRAG IS?
1006
00:29:09,709 --> 00:29:11,041
>> Mikayla: I THINK SHE THINKS
1007
00:29:11,125 --> 00:29:12,625
THAT A LOT OF, NOT JUST
1008
00:29:12,709 --> 00:29:15,959
DRAG QUEENS, BUT THE LGBTQ
1009
00:29:16,041 --> 00:29:16,792
COMMUNITY ARE SEXUALLY
1010
00:29:16,875 --> 00:29:18,834
PROMISCUOUS INDIVIDUALS.
1011
00:29:18,917 --> 00:29:19,458
>> Shangela: SHE THINK WE HOES.
1012
00:29:19,542 --> 00:29:19,959
[LAUGHS]
1013
00:29:20,041 --> 00:29:20,750
>> Mikayla: YEAH.
1014
00:29:20,834 --> 00:29:21,750
[LAUGHS]
1015
00:29:21,834 --> 00:29:22,291
>> Shangela: WELL, TRUTH BE
1016
00:29:22,375 --> 00:29:23,083
TOLD, THERE ARE SOME HOES IN
1017
00:29:23,166 --> 00:29:23,583
DRAG.
1018
00:29:23,667 --> 00:29:25,458
[LAUGHS]
1019
00:29:25,542 --> 00:29:26,917
BUT NOT EVERYONE.
1020
00:29:27,000 --> 00:29:27,583
>> Mikayla: YEAH, AND THERE'S
1021
00:29:27,667 --> 00:29:28,250
NOTHING WRONG THAT, ANYWAY.
1022
00:29:28,333 --> 00:29:29,333
>> Shangela: YEAH, OKAY, GIRL,
1023
00:29:29,417 --> 00:29:29,834
BUT, YOU KNOW WHAT, I
1024
00:29:29,917 --> 00:29:32,291
UNDERSTAND.
1025
00:29:32,375 --> 00:29:32,959
>> Mikayla: SHE'S SO EMBEDDED IN
1026
00:29:33,041 --> 00:29:34,917
THAT STEREOTYPE.
1027
00:29:35,000 --> 00:29:36,750
SHE DOESN'T LIKE THE IDEA THAT I
1028
00:29:36,834 --> 00:29:38,333
MAY BE PORTRAYING THAT I AM A
1029
00:29:38,417 --> 00:29:39,417
HO, BASICALLY.
1030
00:29:39,500 --> 00:29:40,041
>> Eureka O'Hara: RIGHT, YEAH, I
1031
00:29:40,125 --> 00:29:41,667
HEAR YOU.
1032
00:29:41,750 --> 00:29:42,917
I TOTALLY GET WHAT MAMA MAY BE
1033
00:29:43,041 --> 00:29:46,917
FEELING, BUT AT THE SAME TIME,
1034
00:29:47,000 --> 00:29:47,959
IT'S A SPECTRUM, YOU KNOW?
1035
00:29:48,041 --> 00:29:50,792
THERE'S ALL DIFFERENT TYPES OF
1036
00:29:50,875 --> 00:29:51,417
DRAG, AND IT'S WHAT YOU WANNA
1037
00:29:51,500 --> 00:29:52,208
CONVEY IN THAT MOMENT, AND WHAT
1038
00:29:52,291 --> 00:29:55,125
WE'RE GONNA DO, TOGETHER, YOU,
1039
00:29:55,208 --> 00:29:55,750
ME, AND BRANDON, IS WE'RE GONNA
1040
00:29:55,834 --> 00:29:58,417
DO SOMETHING POWERFUL.
1041
00:29:58,500 --> 00:30:00,000
HOPEFULLY, IF SHE DOES GET TO
1042
00:30:00,083 --> 00:30:01,625
SEE THIS, IF YOUR DAD WERE TO
1043
00:30:01,709 --> 00:30:03,500
SEE THIS, IT WOULD BE LIKE,
1044
00:30:03,583 --> 00:30:04,542
"OKAY, WELL, THAT'S NOT WHAT I
1045
00:30:04,625 --> 00:30:05,458
THOUGHT IT WAS GONNA BE."
1046
00:30:05,542 --> 00:30:06,083
>> Mikayla: YEAH.
1047
00:30:06,166 --> 00:30:07,709
>> Shangela: YEAH?
1048
00:30:07,792 --> 00:30:09,125
>> Mikayla: I THINK, BECAUSE OF
1049
00:30:09,208 --> 00:30:11,625
THE EXPERIENCE THAT I HAD, AND
1050
00:30:11,709 --> 00:30:14,375
KNOWING THE MOTIVATIONS MY
1051
00:30:14,458 --> 00:30:15,834
PARENTS HAD TO RAISE ME THE WAY
1052
00:30:15,917 --> 00:30:16,500
THAT I WAS, THEY DID, I KNOW IT
1053
00:30:16,583 --> 00:30:17,625
SOUNDS SILLY, BUT THEY DID IT
1054
00:30:17,709 --> 00:30:19,500
OUT OF LOVE, IN ORDER TO ENSURE
1055
00:30:19,583 --> 00:30:20,542
THAT I COULD GET BACK TO HEAVEN
1056
00:30:20,625 --> 00:30:22,166
WITH THEM AND LIVE WITH THEM
1057
00:30:22,250 --> 00:30:25,208
FOREVER.
1058
00:30:25,291 --> 00:30:26,333
YOU KNOW, THESE PEOPLE AREN'T
1059
00:30:26,417 --> 00:30:27,125
EVIL PEOPLE.
1060
00:30:27,208 --> 00:30:28,291
>> Shangela: RIGHT.
1061
00:30:28,375 --> 00:30:29,333
WE'RE NOT TRYING TO DEMONIZE
1062
00:30:29,417 --> 00:30:31,625
THEM, TOO.
1063
00:30:31,709 --> 00:30:33,834
THE ONLY WAY TO SPREAD LOVE IS
1064
00:30:33,917 --> 00:30:38,333
TO TRULY JUST GIVE LOVE.
1065
00:30:38,417 --> 00:30:40,208
AND MAYBE IF THEY SEE HOW HAPPY
1066
00:30:40,291 --> 00:30:43,667
YOU ARE, OVER TIME, IT MAY MAKE
1067
00:30:43,750 --> 00:30:44,625
THEM RETHINK, AND GUESS WHAT,
1068
00:30:44,709 --> 00:30:47,667
IT MIGHT NOT.
1069
00:30:47,750 --> 00:30:49,125
BUT YOU GOTTA THINK ABOUT WHO
1070
00:30:49,208 --> 00:30:50,125
YOU ARE TODAY, HONEY, YOU CAN'T
1071
00:30:50,208 --> 00:30:51,625
LIVE FOR NOBODY BUT YOURSELF,
1072
00:30:51,709 --> 00:30:52,792
OKAY?
1073
00:30:52,875 --> 00:31:02,375
GIVE ME A HUG.
1074
00:31:02,458 --> 00:31:04,458
>> Amelia Blayke: TWIN FALLS IS
1075
00:31:04,542 --> 00:31:09,083
SUCH A STRANGE PLACE.
1076
00:31:09,166 --> 00:31:11,125
IT'S A MIXTURE OF FEMMEPHOBIA,
1077
00:31:11,208 --> 00:31:12,792
FATPHOBIA, HOMOPHOBIA, WHATEVER
1078
00:31:12,875 --> 00:31:16,041
HAVE YOU, THE FACTORY WORKERS
1079
00:31:16,125 --> 00:31:17,000
LIKE ME GO TO WORK AND THEN GO
1080
00:31:17,083 --> 00:31:23,792
HOME.
1081
00:31:23,875 --> 00:31:24,417
I HAVE ALWAYS BEEN VERY
1082
00:31:24,500 --> 00:31:28,875
FEMININE.
1083
00:31:28,959 --> 00:31:29,500
I'M BIG, I'M TALL, I'M
1084
00:31:29,583 --> 00:31:33,125
INTIMIDATING.
1085
00:31:33,208 --> 00:31:36,458
EVERYTHING ABOUT ME, AT ONE
1086
00:31:36,542 --> 00:31:40,125
POINT OR ANOTHER, HAS BEEN USED
1087
00:31:40,208 --> 00:31:42,417
AGAINST ME.
1088
00:31:42,500 --> 00:31:43,792
THE VOICE IN MY HEAD THAT TELLS
1089
00:31:43,917 --> 00:31:45,375
ME THAT I'M NOT GOOD ENOUGH AND
1090
00:31:45,458 --> 00:31:46,500
THAT I NEVER WILL BE GOOD
1091
00:31:46,583 --> 00:31:47,125
ENOUGH, THAT'S MY MOTHER'S
1092
00:31:47,208 --> 00:31:52,125
VOICE.
1093
00:31:52,208 --> 00:31:56,000
>> Owen: I'VE NEVER REALLY BEEN
1094
00:31:56,083 --> 00:31:57,125
INTERESTED IN PUTTING A LABEL, I
1095
00:31:57,208 --> 00:32:01,959
JUST SAY, "NOT STRAIGHT."
1096
00:32:02,041 --> 00:32:03,208
IT JUST FEELS MORE COMFORTABLE,
1097
00:32:03,291 --> 00:32:03,875
NOT HAVING TO PUT A LABEL ON IT,
1098
00:32:03,959 --> 00:32:05,458
FOR ME.
1099
00:32:05,542 --> 00:32:06,834
ESPECIALLY HERE IN TWIN FALLS,
1100
00:32:06,917 --> 00:32:08,041
LIKE, BISEXUAL, THEY'RE, LIKE,
1101
00:32:08,125 --> 00:32:12,750
"OH, IT DOESN'T EXIST," BECAUSE
1102
00:32:12,834 --> 00:32:13,417
THEY'RE STILL GETTING USED TO
1103
00:32:13,500 --> 00:32:15,959
LIKE, GAY.
1104
00:32:16,041 --> 00:32:18,709
I DON'T REALLY GO OUT ACTIVELY
1105
00:32:18,792 --> 00:32:19,458
TO HANG OUT WITH LGBT
1106
00:32:19,542 --> 00:32:21,208
INDIVIDUALS.
1107
00:32:21,291 --> 00:32:22,458
I FEEL LIKE A LOT OF THE LGBT
1108
00:32:22,542 --> 00:32:24,000
MEMBERS HERE IN TWIN KIND OF
1109
00:32:24,083 --> 00:32:25,417
NEED THAT, THEY KIND OF NEED
1110
00:32:25,500 --> 00:32:27,625
THOSE PEOPLE TO LET THEM KNOW
1111
00:32:27,709 --> 00:32:29,583
THAT, YOU KNOW, THAT IT'S OKAY,
1112
00:32:29,667 --> 00:32:31,000
AND THAT THEY BELONG, AND THAT
1113
00:32:31,083 --> 00:32:32,291
THEY CAN HAVE FRIENDS, AND THEY
1114
00:32:32,375 --> 00:32:34,375
CAN MAKE THEIR OWN FAMILY.
1115
00:32:34,458 --> 00:32:40,709
I DON'T NEED THAT.
1116
00:32:40,792 --> 00:32:42,625
>> Michael: I FEEL A SENSE OF
1117
00:32:42,709 --> 00:32:45,667
SELF DOUBT AND DEPRESSION,
1118
00:32:45,750 --> 00:32:47,417
SOMETIMES EVEN SUICIDAL THOUGHTS
1119
00:32:47,500 --> 00:32:51,625
RUN THROUGH MY HEAD.
1120
00:32:51,709 --> 00:32:53,333
I THINK WE ALL GO THROUGH THAT,
1121
00:32:53,417 --> 00:32:55,333
THOUGH, BEING DIFFERENT, UNIQUE
1122
00:32:55,417 --> 00:32:57,667
PERSON THAT YOU ARE.
1123
00:32:57,750 --> 00:32:59,667
WE ALL GO THROUGH THAT STRUGGLE
1124
00:32:59,750 --> 00:33:02,041
OF LIFE.
1125
00:33:02,125 --> 00:33:04,166
THERE'S ALWAYS, KIND OF, A
1126
00:33:04,250 --> 00:33:06,542
LONELY SENSE OF BEING IN ME.
1127
00:33:06,625 --> 00:33:08,834
IT'S HARD, SOME DAYS, TO KNOW
1128
00:33:08,917 --> 00:33:12,959
YOU'RE LOVED.
1129
00:33:13,041 --> 00:33:13,542
I JUST, PERSONALLY, STRUGGLE
1130
00:33:13,625 --> 00:33:25,041
WITH HAVING THAT HELP.
1131
00:33:25,125 --> 00:33:25,875
>> Bob The Drag Queen: HOW LONG
1132
00:33:25,959 --> 00:33:27,583
IS THE RIDE?
1133
00:33:27,667 --> 00:33:28,125
>> Michael: WE'RE ABOUT 35
1134
00:33:28,208 --> 00:33:29,375
MINUTES AWAY.
1135
00:33:29,458 --> 00:33:29,959
>> Bob The Drag Queen: SO, WHO
1136
00:33:30,041 --> 00:33:31,291
DO YOU LIVE WITH?
1137
00:33:31,375 --> 00:33:32,083
>> Michael: I LIVE WITH MY
1138
00:33:32,166 --> 00:33:34,417
GRANDFATHER, LARRY.
1139
00:33:34,500 --> 00:33:35,959
MY GRANDPA'S JUST MY BIGGEST
1140
00:33:36,041 --> 00:33:37,709
SUPPORTER, REALLY, LIKE, IN DRAG
1141
00:33:37,792 --> 00:33:38,875
AND OUT OF DRAG.
1142
00:33:38,959 --> 00:33:40,041
HE'S VERY LOVING AND CARING TO
1143
00:33:40,125 --> 00:33:42,041
EVERYONE.
1144
00:33:42,125 --> 00:33:45,500
HE DOESN'T CARE WHO YOU ARE.
1145
00:33:45,583 --> 00:33:46,166
>> Bob The Drag Queen: HOW LONG
1146
00:33:46,250 --> 00:33:48,458
HAVE YOU LIVED TOGETHER?
1147
00:33:48,542 --> 00:33:50,041
>> Michael: FOR, ON AND OFF,
1148
00:33:50,125 --> 00:33:52,375
SINCE I WAS 17.
1149
00:33:52,458 --> 00:33:53,750
>> Bob The Drag Queen: OH, WORK.
1150
00:33:53,834 --> 00:33:54,667
>> Michael: I'VE MOVED A
1151
00:33:54,750 --> 00:33:55,834
COUPLE OF TIMES, BUT, THEN CAME
1152
00:33:55,917 --> 00:33:56,375
BACK TO HELP GRANDPA.
1153
00:33:56,458 --> 00:33:56,917
>> Bob The Drag Queen: OH,
1154
00:33:57,000 --> 00:33:59,834
THAT'S SWEET.
1155
00:33:59,917 --> 00:34:01,542
>> Michael: SO, THIS IS HOME,
1156
00:34:01,625 --> 00:34:03,542
AND THIS IS MY GRANDPA.
1157
00:34:03,625 --> 00:34:04,667
>> Bob The Drag Queen: OH, HI.
1158
00:34:04,750 --> 00:34:05,834
NICE TO MEET YOU.
1159
00:34:05,917 --> 00:34:06,583
>> Grandpa: JUST CALL ME
1160
00:34:06,667 --> 00:34:07,458
"GRANDPA."
1161
00:34:07,542 --> 00:34:08,333
>> Bob The Drag Queen: GRANDPA.
1162
00:34:08,417 --> 00:34:10,000
NICE TO MEET YOU, GRANDPA.
1163
00:34:10,083 --> 00:34:13,041
>> Grandpa: HAVE A SEAT.
1164
00:34:13,125 --> 00:34:14,709
>> Bob The Drag Queen: SO,
1165
00:34:14,792 --> 00:34:15,834
GRANDPA, DO YOU EVER COME TO ANY
1166
00:34:15,917 --> 00:34:16,166
OF THE SHOWS?
1167
00:34:16,250 --> 00:34:17,667
>> Grandpa: YES.
1168
00:34:17,750 --> 00:34:18,875
>> Michael: AND THEN, HE ALSO
1169
00:34:18,959 --> 00:34:19,750
WENT TO THE PRIDE FESTIVAL FOR
1170
00:34:19,834 --> 00:34:20,834
THE FIRST TIME.
1171
00:34:20,917 --> 00:34:21,333
>> Grandpa: YEAH.
1172
00:34:21,417 --> 00:34:21,917
>> Bob The Drag Queen: OH, HOW
1173
00:34:22,000 --> 00:34:22,625
WAS THAT?
1174
00:34:22,709 --> 00:34:23,250
>> Grandpa: IT WAS GOOD, I LIKED
1175
00:34:23,333 --> 00:34:24,333
IT.
1176
00:34:24,417 --> 00:34:25,083
>> Bob The Drag Queen: SO, YOU
1177
00:34:25,166 --> 00:34:25,709
GET READY HERE?
1178
00:34:25,792 --> 00:34:26,291
>> Michael: YEAH, I GET READY
1179
00:34:26,375 --> 00:34:28,417
HERE.
1180
00:34:28,500 --> 00:34:30,500
I COME OUT FROM THERE, AND WALK
1181
00:34:30,583 --> 00:34:32,583
AROUND, AND JUST ASK HIM IF I
1182
00:34:32,667 --> 00:34:33,959
LOOK ALL RIGHT, AND IF IT'S
1183
00:34:34,041 --> 00:34:35,208
GONNA LOOK GOOD ON STAGE AND
1184
00:34:35,291 --> 00:34:36,542
STUFF.
1185
00:34:36,625 --> 00:34:37,542
>> Bob The Drag Queen: I LOVE
1186
00:34:37,625 --> 00:34:38,208
THAT.
1187
00:34:38,291 --> 00:34:38,834
SO, YOU'RE, LIKE, THE FINAL PASS
1188
00:34:38,917 --> 00:34:39,458
IS, YOU'RE, LIKE, GOOD OR
1189
00:34:39,542 --> 00:34:41,375
NO GOOD.
1190
00:34:41,458 --> 00:34:41,959
>> Grandpa: ESPECIALLY WITH ON
1191
00:34:42,041 --> 00:34:44,792
HIS WIGS.
1192
00:34:44,875 --> 00:34:45,500
>> Bob The Drag Queen: WELL,
1193
00:34:45,583 --> 00:34:46,500
GRANDPA, WHAT DO YOU THINK OF
1194
00:34:46,583 --> 00:34:47,333
SOME OF THESE SCANDALOUS
1195
00:34:47,417 --> 00:34:48,041
OUTFITS?
1196
00:34:48,125 --> 00:34:51,583
[LAUGHS]
1197
00:34:51,667 --> 00:34:53,959
>> Grandpa: THAT'S HIM.
1198
00:34:54,041 --> 00:34:55,500
THAT'S HIS THING, AND HE CAN
1199
00:34:55,583 --> 00:34:57,166
DO IT.
1200
00:34:57,250 --> 00:34:58,166
>> Bob The Drag Queen: GRANDPA,
1201
00:34:58,250 --> 00:35:00,542
WE ARE GOING TO, LIKE, TAKE
1202
00:35:00,625 --> 00:35:01,166
LUCID DREAMS, AND SHE'S GONNA BE
1203
00:35:01,250 --> 00:35:02,667
THE ULTIMATE DREAM.
1204
00:35:02,750 --> 00:35:03,417
DO YOU THINK YOU'LL BE ABLE TO
1205
00:35:03,500 --> 00:35:04,750
MAKE IT OUT TO SEE?
1206
00:35:04,834 --> 00:35:05,500
>> Grandpa: OH, YOU CAN'T KEEP
1207
00:35:05,583 --> 00:35:05,959
ME AWAY FROM THAT.
1208
00:35:06,041 --> 00:35:08,583
[LAUGHS]
1209
00:35:08,667 --> 00:35:09,834
WHATEVER HE WANTS TO DO, I'M ALL
1210
00:35:09,917 --> 00:35:11,000
FOR IT.
1211
00:35:11,083 --> 00:35:11,583
>> Bob The Drag Queen: THAT'S
1212
00:35:11,667 --> 00:35:14,208
AMAZING.
1213
00:35:14,291 --> 00:35:15,291
>> Michael: IF I DIDN'T HAVE
1214
00:35:15,375 --> 00:35:16,542
THAT SUPPORT, I WOULD BE IN A
1215
00:35:16,625 --> 00:35:19,041
VERY DARK PLACE WITH MY LIFE.
1216
00:35:19,125 --> 00:35:20,041
AND I DON'T EVEN THINK I WOULD
1217
00:35:20,125 --> 00:35:21,041
BE DOING WHAT I'M DOING WITH THE
1218
00:35:21,125 --> 00:35:22,875
WHOLE DRAG THING, EITHER.
1219
00:35:22,959 --> 00:35:26,583
MY CHILDHOOD, IT WASN'T THE
1220
00:35:26,667 --> 00:35:28,333
GREATEST, LIKE, MY MOM LEFT ME
1221
00:35:28,417 --> 00:35:30,917
WHEN I WAS THREE YEARS OLD.
1222
00:35:31,000 --> 00:35:32,959
FOR MY DAD, PERSONALLY, IT WAS A
1223
00:35:33,041 --> 00:35:36,709
STRUGGLE COMING OUT WITH HIM.
1224
00:35:36,792 --> 00:35:39,083
THANKFULLY, MY GRANDPA AND MY
1225
00:35:39,166 --> 00:35:40,875
CONNECTION'S JUST UNIQUE AND
1226
00:35:40,959 --> 00:35:42,125
LOVING, AND WE'RE JUST A PART OF
1227
00:35:42,208 --> 00:35:44,125
ONE ANOTHER.
1228
00:35:44,208 --> 00:35:45,083
>> Bob The Drag Queen: WHAT MADE
1229
00:35:45,166 --> 00:35:46,000
YOU MOVE HERE WITH LARRY?
1230
00:35:46,083 --> 00:35:46,917
>> Michael: JUST 'CAUSE
1231
00:35:47,000 --> 00:35:48,500
GRANDPA'S NEEDED HELP, LIKE, HE
1232
00:35:48,583 --> 00:35:49,250
WAS GOING THROUGH PROSTATE
1233
00:35:49,333 --> 00:35:51,709
CANCER.
1234
00:35:51,792 --> 00:35:52,917
>> Grandpa: AND THEN, LAST
1235
00:35:53,000 --> 00:35:53,500
YEAR, I HAD A HEART ATTACK.
1236
00:35:53,583 --> 00:35:54,208
>> Bob The Drag Queen: OH, MY
1237
00:35:54,291 --> 00:35:57,959
GOODNESS.
1238
00:35:58,041 --> 00:35:59,083
>> Michael: IT'S OKAY, GRANDPA.
1239
00:35:59,166 --> 00:35:59,667
>> Bob The Drag Queen: IT'S
1240
00:35:59,750 --> 00:36:00,875
OKAY, IT'S OKAY.
1241
00:36:00,959 --> 00:36:01,750
I'M GONNA COME OVER TO YOU.
1242
00:36:01,834 --> 00:36:06,542
THAT'S A LOT TO GO THROUGH.
1243
00:36:06,625 --> 00:36:07,583
>> Grandpa: BUT I'D HAVE BEEN
1244
00:36:07,667 --> 00:36:19,250
LOST WITHOUT MIKE.
1245
00:36:19,333 --> 00:36:19,834
>> Bob The Drag Queen: OH, I
1246
00:36:19,917 --> 00:36:20,875
DON'T HAVE ANY GRANDPARENTS.
1247
00:36:20,959 --> 00:36:21,500
ALL MY GRANDPARENTS HAVE PASSED
1248
00:36:21,583 --> 00:36:22,250
AWAY.
1249
00:36:22,333 --> 00:36:22,792
>> Michael: WELL, YOU HAVE
1250
00:36:22,875 --> 00:36:24,583
ONE NOW.
1251
00:36:24,667 --> 00:36:25,917
>> Grandpa: THAT'S WHY EVERYBODY
1252
00:36:26,000 --> 00:36:27,959
CALLS ME "GRANDPA."
1253
00:36:28,041 --> 00:36:38,333
I INSIST ON IT.
1254
00:36:38,417 --> 00:36:45,083
>> Bob The Drag Queen: SO IT IS
1255
00:36:45,166 --> 00:36:47,417
NICE TO SEE LIKE, LUCID AND
1256
00:36:47,500 --> 00:36:49,917
LARRY IN THESE MOMENTS TOGETHER.
1257
00:36:50,000 --> 00:36:55,917
AND SPENDING THIS TIME TOGETHER,
1258
00:36:56,000 --> 00:36:57,083
BECAUSE, JUST, NOT EVERYONE HAS
1259
00:36:57,166 --> 00:36:58,166
THAT.
1260
00:36:58,250 --> 00:37:06,917
EVERYONE DOESN'T HAVE THAT.
1261
00:37:07,000 --> 00:37:10,250
BUT I THINK LUCID IS LONELY.
1262
00:37:10,333 --> 00:37:12,583
LIKE, LUCID WANTS FRIENDS.
1263
00:37:12,667 --> 00:37:16,083
WE CRAVE HUMAN INTERACTION, AND
1264
00:37:16,166 --> 00:37:18,208
NOT JUST FROM WORK AND FAMILY,
1265
00:37:18,291 --> 00:37:20,250
BUT FROM YOUR PEERS AND FROM
1266
00:37:20,333 --> 00:37:23,875
PEOPLE IN YOUR COMMUNITY.
1267
00:37:23,959 --> 00:37:25,583
SO, I THINK THAT MAYBE LUCID CAN
1268
00:37:25,667 --> 00:37:26,917
WORK MORE ON CONNECTING TO HER
1269
00:37:27,000 --> 00:37:35,667
CASTMATES.
1270
00:37:35,750 --> 00:37:36,166
♪ ♪
1271
00:37:36,250 --> 00:37:37,625
>> Bob The Drag Queen: MORE THAN
1272
00:37:37,709 --> 00:37:38,583
ANYTHING, THIS IS A REALLY
1273
00:37:38,667 --> 00:37:42,792
FIERCE OPPORTUNITY TO BE A
1274
00:37:42,875 --> 00:37:44,625
REALLY BIG, STRONG QUEER
1275
00:37:44,709 --> 00:37:47,250
PRESENCE IN THIS COMMUNITY.
1276
00:37:47,333 --> 00:37:47,917
LIKE, WE'RE ACTING LIKE IT'S
1277
00:37:48,000 --> 00:37:50,083
FUCKING PRIDE.
1278
00:37:50,166 --> 00:37:50,959
>> Eureka O'Hara: FOR THE
1279
00:37:51,041 --> 00:37:52,041
OPENING, I WANT YOU TO REALLY,
1280
00:37:52,125 --> 00:37:56,875
LIKE, FEMINIZE IT AS MUCH AS YOU
1281
00:37:56,959 --> 00:37:57,500
CAN, 'CAUSE I WANT PEOPLE TO
1282
00:37:57,583 --> 00:37:58,250
LIKE, NOTICEABLY SEE THE
1283
00:37:58,333 --> 00:37:59,542
DIFFERENCE IN THIS MANLY MAN
1284
00:37:59,625 --> 00:38:00,750
THAT THEY KNOW AND THE GORGEOUS
1285
00:38:00,834 --> 00:38:01,792
WOMAN THAT'S ABOUT TO WALK OUT.
1286
00:38:01,875 --> 00:38:03,000
>> Clifton: ALL RIGHT.
1287
00:38:03,083 --> 00:38:04,250
>> Shangela: WE TALKED ABOUT THE
1288
00:38:04,333 --> 00:38:05,417
WEDDING DAY, WE TALKED ABOUT
1289
00:38:05,500 --> 00:38:06,250
THAT YOU GUYS WISHED THAT IT
1290
00:38:06,333 --> 00:38:07,625
COULD BE A LITTLE MORE.
1291
00:38:07,709 --> 00:38:09,166
I'M GONNA GIVE YOU MORE.
1292
00:38:09,250 --> 00:38:09,917
>> Mikayla: OKAY.
1293
00:38:10,000 --> 00:38:11,083
[LAUGHS]
1294
00:38:11,166 --> 00:38:12,041
>> Shangela: IT WILL BE A
1295
00:38:12,125 --> 00:38:13,291
REFLECTION OF WHAT LOVE LOOKS
1296
00:38:13,375 --> 00:38:14,125
LIKE, LOVE BEYOND BOUNDARIES,
1297
00:38:14,208 --> 00:38:16,875
OKAY?
1298
00:38:16,959 --> 00:38:17,834
BUT IT WON'T LOOK LIKE THAT IF
1299
00:38:17,917 --> 00:38:19,000
WE FUCK IT UP.
1300
00:38:19,083 --> 00:38:25,458
OKAY?
1301
00:38:25,542 --> 00:38:26,333
[LAUGHS]
1302
00:38:26,417 --> 00:38:26,959
♪ ♪
1303
00:38:27,041 --> 00:38:27,625
>> Eureka O'Hara: GIVE A LITTLE
1304
00:38:27,709 --> 00:38:28,291
BOUNCE.
1305
00:38:28,375 --> 00:38:29,083
NOW, GIVE A LITTLE TWIST TO THE
1306
00:38:29,166 --> 00:38:29,834
ARM, JUST ONE.
1307
00:38:29,917 --> 00:38:30,333
A LIGHT TWIST.
1308
00:38:30,417 --> 00:38:31,125
>> Clifton: A LIGHT TWIST?
1309
00:38:31,208 --> 00:38:31,709
>> Eureka O'Hara: LIKE THIS.
1310
00:38:31,792 --> 00:38:33,542
>> Clifton: JUST ONE ARM?
1311
00:38:33,625 --> 00:38:34,667
>> Shangela: JUST SO YOU GUYS
1312
00:38:34,750 --> 00:38:36,417
CAN GET THE WORDS, EVEN IF YOU
1313
00:38:36,500 --> 00:38:37,166
DON'T KNOW THEM EXACTLY, SAY
1314
00:38:37,250 --> 00:38:38,959
THEM OUT LOUD.
1315
00:38:39,041 --> 00:38:42,667
JUST LIKE IN "GYPSY,"
1316
00:38:42,750 --> 00:38:43,375
"SING OUT, LOUISE."
1317
00:38:43,458 --> 00:38:43,959
HAVE YOU EVER SEEN "GYPSY?"
1318
00:38:44,041 --> 00:38:44,542
WHAT KIND OF QUEER PEOPLE ARE
1319
00:38:44,625 --> 00:38:49,166
YOU?
1320
00:38:49,250 --> 00:38:50,250
[LAUGHS]
1321
00:38:50,333 --> 00:38:50,959
♪ ♪
1322
00:38:51,041 --> 00:38:51,583
>> Bob The Drag Queen: WE'RE
1323
00:38:51,667 --> 00:38:52,291
GONNA WORK ON INDIVIDUAL STUFF,
1324
00:38:52,375 --> 00:38:52,959
BUT I NEED YOU TO VARY UP YOUR
1325
00:38:53,041 --> 00:38:54,667
MOVES.
1326
00:38:54,750 --> 00:38:55,458
>> Michael: I HAVEN'T THOUGHT
1327
00:38:55,542 --> 00:38:56,083
OF ANYTHING YET.
1328
00:38:56,166 --> 00:38:56,667
I'M STILL, LIKE, THINKING OF
1329
00:38:56,750 --> 00:38:57,291
MOVES.
1330
00:38:57,375 --> 00:38:57,875
>> Bob The Drag Queen: IT'S,
1331
00:38:57,959 --> 00:38:59,291
OKAY, I'M JUST SAYING.
1332
00:38:59,375 --> 00:39:00,166
>> Eureka O'Hara: HOLD THE
1333
00:39:00,250 --> 00:39:00,792
MARSHMALLOW, THIS FEMINIZES A
1334
00:39:00,875 --> 00:39:01,667
MANLY HAND.
1335
00:39:01,750 --> 00:39:02,542
>> Clifton: OKAY.
1336
00:39:02,625 --> 00:39:03,250
>> Eureka O'Hara: AND YOU LEAD
1337
00:39:03,333 --> 00:39:03,834
WITH THAT MIDDLE FINGER.
1338
00:39:03,917 --> 00:39:04,750
>> Clifton: SURE, I GOT IT.
1339
00:39:04,834 --> 00:39:05,333
>> Eureka O'Hara: YEAH, THERE
1340
00:39:05,417 --> 00:39:05,875
YOU GO, BUT DON'T GET TOO
1341
00:39:05,959 --> 00:39:06,458
WITCHY.
1342
00:39:06,542 --> 00:39:07,083
WE DON'T WANT YOU TO LOOK LIKE
1343
00:39:07,166 --> 00:39:07,625
YOU'RE CASTING SPELLS.
1344
00:39:07,709 --> 00:39:13,000
[LAUGHS]
1345
00:39:13,083 --> 00:39:14,083
>> Bob The Drag Queen: YOU SEEM
1346
00:39:14,166 --> 00:39:15,250
TO ALREADY KNOW ALL THE WORDS,
1347
00:39:15,333 --> 00:39:16,041
WHICH IS AMAZING.
1348
00:39:16,125 --> 00:39:16,625
>> Eureka O'Hara: I'VE BEEN
1349
00:39:16,709 --> 00:39:17,250
LISTENING TO IT NONSTOP SINCE I
1350
00:39:17,333 --> 00:39:18,166
GOT IT.
1351
00:39:18,250 --> 00:39:18,792
>> Bob The Drag Queen: THANK
1352
00:39:18,875 --> 00:39:19,125
YOU.
1353
00:39:19,208 --> 00:39:21,792
OH, MY GOD.
1354
00:39:21,875 --> 00:39:23,959
>> Owen: I MEMORIZED THE FIRST
1355
00:39:24,041 --> 00:39:24,792
LYRICS, AND THEN, THAT WAS IT.
1356
00:39:24,875 --> 00:39:25,458
>> Bob The Drag Queen: NOW, I AM
1357
00:39:25,542 --> 00:39:26,208
GONNA BE OPEN AND HONEST WITH
1358
00:39:26,291 --> 00:39:26,917
YOU ALL, I AM A NERVOUS IF YOU
1359
00:39:27,000 --> 00:39:27,458
TWO ARE GONNA LEARN THESE
1360
00:39:27,542 --> 00:39:31,875
LYRICS.
1361
00:39:31,959 --> 00:39:33,458
>> Owen : OH, YEAH,
1362
00:39:33,542 --> 00:39:34,500
I KNOW.
1363
00:39:34,583 --> 00:39:35,583
I STARTED LISTENING TO 'EM
1364
00:39:35,667 --> 00:39:36,166
'CAUSE I GOT 'EM LAST NIGHT.
1365
00:39:36,250 --> 00:39:36,709
>> Bob The Drag Queen: WORK,
1366
00:39:36,792 --> 00:39:38,625
ALL RIGHT.
1367
00:39:38,709 --> 00:39:39,500
>> Owen: SO, I'VE BEEN LIKE --
1368
00:39:39,583 --> 00:39:40,208
>> Michael: THAT'S THE SAME
1369
00:39:40,291 --> 00:39:41,000
WITH ME.
1370
00:39:41,083 --> 00:39:41,917
I JUST BARELY GOT 'EM YESTERDAY,
1371
00:39:42,000 --> 00:39:42,333
SO --
1372
00:39:42,417 --> 00:39:43,000
>> Amelia Blayke: SO DID I.
1373
00:39:43,083 --> 00:39:43,667
>> Bob The Drag Queen: OH, I
1374
00:39:43,750 --> 00:39:44,250
KNOW HE KNOWS ALL THE WORDS.
1375
00:39:44,333 --> 00:39:46,542
THIS IS NOT A COMPETITION, WE'RE
1376
00:39:46,625 --> 00:39:47,083
NOT COMPETING.
1377
00:39:47,166 --> 00:39:47,959
>> Amelia Blayke: YOU GUYS ARE
1378
00:39:48,041 --> 00:39:53,333
JUST YOUNG, IT'S FINE.
1379
00:39:53,417 --> 00:39:55,959
>> Bob The Drag Queen: BUT I
1380
00:39:56,041 --> 00:39:56,500
WILL SAY THIS.
1381
00:39:56,583 --> 00:39:57,041
>> Michael: I'M AS OLD AS
1382
00:39:57,125 --> 00:40:01,291
YOU, BITCH.
1383
00:40:01,375 --> 00:40:01,917
>> Bob The Drag Queen: IF A
1384
00:40:02,000 --> 00:40:02,583
GIRL DOES NOT KNOW HER LYRICS,
1385
00:40:02,667 --> 00:40:03,125
THE AUDIENCE IS, LIKE, HMMM,
1386
00:40:03,208 --> 00:40:03,667
HMMM.
1387
00:40:03,750 --> 00:40:04,792
>> Shangela: BRANDON, YOU'RE,
1388
00:40:04,875 --> 00:40:05,375
LIKE, STRONG, SO COMMAND THE
1389
00:40:05,458 --> 00:40:05,917
STAGE WHEN YOU'RE MOVING.
1390
00:40:06,000 --> 00:40:06,583
WHEN I WATCH DRAG KINGS PERFORM,
1391
00:40:06,667 --> 00:40:06,959
THEY'RE, LIKE, YO.
1392
00:40:07,041 --> 00:40:07,625
I'M IN YOUR FACE, I GOT THE
1393
00:40:07,709 --> 00:40:08,000
ATTENTION HERE.
1394
00:40:08,083 --> 00:40:08,500
GIVE IT TO THEM.
1395
00:40:08,583 --> 00:40:09,000
IT'S ME, BRANDON, ROAR.
1396
00:40:09,083 --> 00:40:09,583
ROAR.
1397
00:40:09,667 --> 00:40:10,542
>> Brandon: ROAR.
1398
00:40:10,625 --> 00:40:11,625
>> Shangela: YEAH, THERE YOU GO.
1399
00:40:11,709 --> 00:40:13,417
THAT'S WHAT I NEED YOU TO TAKE
1400
00:40:13,500 --> 00:40:16,959
THAT RIGHT ONTO THE STAGE.
1401
00:40:17,041 --> 00:40:17,625
>> Eureka O'Hara: IF YOU FEEL
1402
00:40:17,709 --> 00:40:18,250
SASSY, AND YOU WANNA BOUNCE,
1403
00:40:18,333 --> 00:40:20,166
BOUNCE.
1404
00:40:20,250 --> 00:40:21,041
JUST DON'T DO IT WITH, LIKE,
1405
00:40:21,125 --> 00:40:25,625
CLIFTON BOUNCE, YOU KNOW?
1406
00:40:25,709 --> 00:40:26,250
THIS, IT'S YOUR, LIKE, HOE DOWN
1407
00:40:26,333 --> 00:40:28,000
BOUNCE.
1408
00:40:28,083 --> 00:40:28,834
I'M NOT JUDGING, BUT YOU DID NOT
1409
00:40:28,917 --> 00:40:29,709
LOOK VERY FEMININE.
1410
00:40:29,792 --> 00:40:35,500
>> Clifton: ALL RIGHT.
1411
00:40:35,583 --> 00:40:36,667
♪ ♪
1412
00:40:36,750 --> 00:40:37,333
>> Bob The Drag Queen: YOU DO
1413
00:40:37,417 --> 00:40:37,959
THIS WHOLE PART, THEN, WHEN YOU
1414
00:40:38,041 --> 00:40:38,500
GO HERE, YOU DO, HOW'S YOURS
1415
00:40:38,583 --> 00:40:39,667
START?
1416
00:40:39,750 --> 00:40:42,458
>> Owen: I DON'T REMEMBER.
1417
00:40:42,542 --> 00:40:43,083
>> Eureka O'Hara: AND REMEMBER
1418
00:40:43,166 --> 00:40:43,625
TO LEAD WITH THOSE MIDDLE
1419
00:40:43,709 --> 00:40:45,625
FINGERS.
1420
00:40:45,709 --> 00:40:46,625
OH, WHO IS SHE?
1421
00:40:46,750 --> 00:40:51,083
YOU'RE GETTING THERE.
1422
00:40:51,166 --> 00:40:52,625
>> Shangela: IT'S A BRIDE'S DAY.
1423
00:40:52,709 --> 00:40:54,458
AND I WANT YOU GUYS TO FEEL LIKE
1424
00:40:54,542 --> 00:40:55,083
YOU'RE GETTING THE SPECIAL DAY
1425
00:40:55,166 --> 00:41:00,834
THAT YOU DESERVE.
1426
00:41:00,917 --> 00:41:01,500
>> Brandon: THAT'S ALL I EVER
1427
00:41:01,583 --> 00:41:02,583
WANTED FOR OUR WEDDING, WAS
1428
00:41:02,667 --> 00:41:04,625
EVERYBODY THAT WAS THERE TO LOVE
1429
00:41:04,709 --> 00:41:13,333
US AND LOVE THAT WE WERE GETTING
1430
00:41:13,417 --> 00:41:14,333
MARRIED, AND SO IT'S -- IT'S
1431
00:41:14,417 --> 00:41:17,542
REALLY AWESOME.
1432
00:41:17,625 --> 00:41:18,250
>> Shangela: THIS IS A MOMENT
1433
00:41:18,333 --> 00:41:18,917
FOR Y'ALL, AND I KNOW THAT, ON
1434
00:41:19,000 --> 00:41:19,959
THE DAY, THAT YOUR DAD DIDN'T
1435
00:41:20,041 --> 00:41:22,500
GET TO WALK YOU DOWN THE AISLE
1436
00:41:22,583 --> 00:41:25,417
AND, I MEAN, I KNOW THEY
1437
00:41:25,500 --> 00:41:30,166
PROBABLY WON'T CHANGE THEIR MIND
1438
00:41:30,250 --> 00:41:31,291
ABOUT COMING, BUT, IF NOT, I
1439
00:41:31,375 --> 00:41:32,125
WILL WALK YOU DOWN THE AISLE.
1440
00:41:32,208 --> 00:41:43,000
ALL RIGHT?
1441
00:41:43,083 --> 00:41:43,583
>> Ana: OUR DEAR HEAVENLY
1442
00:41:43,667 --> 00:41:44,333
FATHER, WE THANK THEE FOR THIS
1443
00:41:44,417 --> 00:41:44,709
DAY.
1444
00:41:44,792 --> 00:41:45,375
WE THANK YOU THAT WE CAN ALL BE
1445
00:41:45,458 --> 00:41:48,458
HERE TOGETHER.
1446
00:41:48,542 --> 00:41:49,166
>> Shangela: WHEN I MEET
1447
00:41:49,250 --> 00:41:49,917
BRANDON'S FAMILY, IT'S ALMOST,
1448
00:41:50,000 --> 00:41:52,375
LIKE, GOING HOME TO MY FAMILY.
1449
00:41:52,458 --> 00:41:53,041
THERE'S AN INTERESTING ENERGY IN
1450
00:41:53,125 --> 00:41:55,291
THE HOUSE, RIGHT?
1451
00:41:55,375 --> 00:41:58,208
IT'S, LIKE, EVERYTHING'S GREAT
1452
00:41:58,291 --> 00:41:59,125
HERE, BUT NOTHING'S PERFECT IN
1453
00:41:59,208 --> 00:42:03,041
ANY OF OUR HOUSES.
1454
00:42:03,125 --> 00:42:03,667
>> Shangela: I DON'T SEE A HUGE
1455
00:42:03,750 --> 00:42:04,250
AMOUNT OF DIVERSITY IN THIS
1456
00:42:04,333 --> 00:42:04,875
CITY.
1457
00:42:04,959 --> 00:42:06,208
GROWING UP, COMING OUT AS A
1458
00:42:06,291 --> 00:42:08,250
QUEER PERSON IN A SMALL
1459
00:42:08,333 --> 00:42:09,750
COMMUNITY, THAT CAN MAKE, LIKE,
1460
00:42:09,834 --> 00:42:11,625
SCHOOL, WHETHER IT'S ELEMENTARY,
1461
00:42:11,709 --> 00:42:12,542
OR MIDDLE SCHOOL, OR
1462
00:42:12,625 --> 00:42:13,083
HIGH SCHOOL, LIKE, SUPER
1463
00:42:13,166 --> 00:42:13,834
DIFFICULT.
1464
00:42:13,917 --> 00:42:14,458
LIKE, WHAT WAS YOUR HIGH SCHOOL
1465
00:42:14,542 --> 00:42:21,375
EXPERIENCE LIKE?
1466
00:42:21,458 --> 00:42:22,458
>> Brandon: MY HIGH SCHOOL
1467
00:42:22,542 --> 00:42:22,959
EXPERIENCE WAS AWESOME.
1468
00:42:23,041 --> 00:42:23,875
IT WASN'T UNTIL I WENT TO
1469
00:42:23,959 --> 00:42:27,750
COLLEGE THAT I FINALLY HAD TO
1470
00:42:27,834 --> 00:42:29,542
FACE THAT HOLE THAT I HAD, AND I
1471
00:42:29,625 --> 00:42:32,500
WAS LIKE, "WOW, THERE'S THAT
1472
00:42:32,583 --> 00:42:34,667
THING THAT I FELT WHEN I WAS
1473
00:42:34,750 --> 00:42:35,542
YOUNGER, IT'S BACK," BUT THE
1474
00:42:35,625 --> 00:42:36,625
THING IS, IT NEVER LEFT.
1475
00:42:36,709 --> 00:42:39,542
SO --
1476
00:42:39,625 --> 00:42:40,083
>> Shangela: YOU WERE JUST
1477
00:42:40,166 --> 00:42:41,083
PREOCCUPYING YOURSELF WITH OTHER
1478
00:42:41,166 --> 00:42:42,041
THINGS SO IT DIDN'T FEEL.
1479
00:42:42,125 --> 00:42:43,625
MOM, DID YOU EVER GET, LIKE, YOU
1480
00:42:43,709 --> 00:42:45,709
KNOW, WHEN BRANDON WENT AWAY FOR
1481
00:42:45,792 --> 00:42:51,500
COLLEGE, DID YOU EVER TALK TO
1482
00:42:51,583 --> 00:42:52,250
HIM ON THE PHONE, AND YOU COULD
1483
00:42:52,333 --> 00:42:52,834
LIKE, FEEL THAT SOMETHING WAS
1484
00:42:52,917 --> 00:42:53,417
GOING ON?
1485
00:42:53,500 --> 00:42:54,333
>> Ana: BOTH OF US KNEW THAT
1486
00:42:54,417 --> 00:42:55,542
THERE, YOU KNOW, THERE WAS A
1487
00:42:55,625 --> 00:42:57,625
LITTLE BIT OF A STRUGGLE THERE,
1488
00:42:57,709 --> 00:43:00,417
BUT WE WERE ALSO CONFIDENT THAT
1489
00:43:00,500 --> 00:43:06,458
HE WOULD BE OKAY.
1490
00:43:06,542 --> 00:43:07,375
>> Brandon: WHEN I CAME OUT, MY
1491
00:43:07,458 --> 00:43:08,125
FAMILY DIDN'T REACT VERY WELL.
1492
00:43:08,208 --> 00:43:08,709
THERE WAS A LOT OF HURT THINGS
1493
00:43:08,792 --> 00:43:10,333
THAT WERE SAID.
1494
00:43:10,417 --> 00:43:11,667
I WAS EXPECTING SOMETHING
1495
00:43:11,750 --> 00:43:13,041
DIFFERENT, A LITTLE BIT MORE ON
1496
00:43:13,125 --> 00:43:15,792
THE SIDE OF LOVE, AND MY FAMILY
1497
00:43:15,875 --> 00:43:23,917
REACTED IN FEAR.
1498
00:43:24,000 --> 00:43:24,875
>> Ana: TO BE HONEST, IT
1499
00:43:24,959 --> 00:43:25,500
WASN'T EASY, LIKE, FINDING OUT,
1500
00:43:25,583 --> 00:43:26,959
I GUESS, ABOUT EVERYTHING, IT
1501
00:43:27,041 --> 00:43:28,500
WASN'T EASY, AND, I MEAN, IT
1502
00:43:28,583 --> 00:43:33,333
STILL TAKES TIME.
1503
00:43:33,417 --> 00:43:35,000
IT'S HARD BECAUSE, YOU KNOW, THE
1504
00:43:35,083 --> 00:43:38,542
WAY WE GREW UP IS VERY SET IN
1505
00:43:38,625 --> 00:43:40,667
STONE, LIKE, BLACK AND WHITE,
1506
00:43:40,750 --> 00:43:45,417
AND SO, I DON'T AGREE WITH YOUR
1507
00:43:45,500 --> 00:43:49,417
CHOICES OR WHATEVER YOU WANNA
1508
00:43:49,500 --> 00:43:52,500
SAY, BUT, I DO ACCEPT THAT YOU
1509
00:43:52,583 --> 00:43:55,542
ARE DOING WHAT YOU GUYS KNOW TO
1510
00:43:55,625 --> 00:43:58,375
MAKE YOURSELVES HAPPY, YOU KNOW?
1511
00:43:58,458 --> 00:44:00,041
>> Shangela: THIS FAMILY IS
1512
00:44:00,125 --> 00:44:01,542
STRUGGLING WITH THEIR OWN
1513
00:44:01,625 --> 00:44:02,875
BELIEFS, THEIR OWN VALUE SYSTEM,
1514
00:44:02,959 --> 00:44:04,125
HOW THEY WERE RAISED, AND NOW,
1515
00:44:04,208 --> 00:44:06,667
BEING CONFRONTED WITH THIS ISSUE
1516
00:44:06,750 --> 00:44:08,208
AND HAVING TO CHANGE, BUT, GUESS
1517
00:44:08,291 --> 00:44:11,542
WHAT, YOU'VE GOTTA CHANGE.
1518
00:44:11,625 --> 00:44:12,625
WILL WE SEE BRANDON'S FAMILY AT
1519
00:44:12,709 --> 00:44:13,792
THE SHOW?
1520
00:44:13,875 --> 00:44:16,500
I DON'T KNOW.
1521
00:44:16,583 --> 00:44:17,709
IT WOULD BE AMAZING FOR THEM TO
1522
00:44:17,792 --> 00:44:19,375
BE THERE BECAUSE IT WOULD SHOW
1523
00:44:19,458 --> 00:44:20,333
THAT THEY WERE TRYING, THAT
1524
00:44:20,417 --> 00:44:20,959
THEY'RE MAKING SOME TYPE OF AN
1525
00:44:21,041 --> 00:44:22,208
EFFORT.
1526
00:44:22,291 --> 00:44:23,375
I THINK THAT WOULD MEAN THE
1527
00:44:23,458 --> 00:44:25,959
MOON, THE WORLD, AND THE STARS.
1528
00:44:26,041 --> 00:44:28,166
I DON'T KNOW WHO'S COMING, BUT
1529
00:44:28,250 --> 00:44:29,750
I KNOW ONE THING, I KNOW I'M
1530
00:44:29,834 --> 00:44:31,083
GONNA BE THERE, AND MORE OF THE
1531
00:44:31,166 --> 00:44:32,333
COMMUNITY WILL ALSO COME, SO
1532
00:44:32,417 --> 00:44:33,458
THAT EVEN IF THEIR FAMILIES
1533
00:44:33,542 --> 00:44:34,250
AREN'T THERE, THEY KNOW THAT
1534
00:44:34,333 --> 00:44:34,875
SOMEBODY IS STANDING IN THEIR
1535
00:44:34,959 --> 00:44:36,125
CORNER.
1536
00:44:36,208 --> 00:44:37,709
LET'S BE HONEST, HOW GOOD DOES
1537
00:44:37,792 --> 00:44:38,667
IT FEEL WHEN YOUR MAMA SHOWS UP
1538
00:44:38,750 --> 00:44:40,583
FOR YOU?
1539
00:44:40,667 --> 00:44:52,834
♪ ♪
1540
00:44:52,917 --> 00:44:55,041
>> Shangela: IT'S GAME DAY.
1541
00:44:55,125 --> 00:44:55,542
IT'S GAME DAY.
1542
00:44:55,625 --> 00:44:57,375
IT'S GAME DAY.
1543
00:44:57,458 --> 00:45:04,792
♪ ♪
1544
00:45:04,875 --> 00:45:12,250
♪ ♪
1545
00:45:12,333 --> 00:45:12,834
>> Shangela: HELLO, GLITTER
1546
00:45:12,917 --> 00:45:14,750
BEARD.
1547
00:45:14,834 --> 00:45:16,583
KEEP TURNING, KEEP TURNING.
1548
00:45:16,667 --> 00:45:19,583
GOOD TO GO?
1549
00:45:19,667 --> 00:45:22,166
I WANT BRANDON AND MIKAYLA TO
1550
00:45:22,250 --> 00:45:24,583
WALK AWAY FROM THIS PERFORMANCE
1551
00:45:24,667 --> 00:45:26,250
FEELING MORE CONFIDENT IN WHO
1552
00:45:26,333 --> 00:45:26,959
THEY ARE.
1553
00:45:27,041 --> 00:45:27,667
>> Shangela: CAN WE ADD MORE?
1554
00:45:27,750 --> 00:45:29,083
THE SMALLER GLITTER NOW, OKAY?
1555
00:45:29,166 --> 00:45:30,041
>> Bob The Drag Queen: LET ME
1556
00:45:30,125 --> 00:45:30,875
TELL YOU, WHENEVER PEOPLE
1557
00:45:30,959 --> 00:45:31,917
INSINUATE THAT I DON'T LOOK
1558
00:45:32,000 --> 00:45:33,166
GOOD, I'M, LIKE, "YOU ARE
1559
00:45:33,250 --> 00:45:35,083
INSANE.
1560
00:45:35,166 --> 00:45:38,542
THIS BITCH STUNS."
1561
00:45:38,625 --> 00:45:40,208
>> Bob The Drag Queen: IT WOULD
1562
00:45:40,291 --> 00:45:41,917
PROBABLY MEAN A LOT FOR A YOUNG
1563
00:45:42,000 --> 00:45:47,542
QUEER PERSON TO SEE A SHOW.
1564
00:45:47,625 --> 00:45:48,041
LIKE, I'M KIND OF LIKE,
1565
00:45:48,083 --> 00:45:48,917
NERVOUS, A LITTLE BIT.
1566
00:45:49,000 --> 00:45:49,417
FAILURE'S NOT AN OPTION.
1567
00:45:49,500 --> 00:45:50,417
ARE YOU NERVOUS ABOUT THE BEARD
1568
00:45:50,500 --> 00:45:50,875
COMING OFF?
1569
00:45:50,959 --> 00:45:51,500
>> READY?
1570
00:45:51,583 --> 00:45:52,333
>> Clifton: YEAH, GO FOR IT.
1571
00:45:52,417 --> 00:45:53,083
>> Eureka O'Hara: HE'S GONNA
1572
00:45:53,166 --> 00:45:55,250
DIE, MAMA'S RIGHT HERE.
1573
00:45:55,333 --> 00:45:56,208
OH, MY GOD, OKAY.
1574
00:45:56,291 --> 00:45:58,250
TURN YOUR HEAD IN THE MIRROR.
1575
00:45:58,333 --> 00:46:00,750
OH, MY GOD, LOOK AT THE MIRROR.
1576
00:46:00,834 --> 00:46:03,000
OH, MY GOD, WHO ARE YOU?
1577
00:46:03,083 --> 00:46:04,625
AND THEN, WHOA.
1578
00:46:04,709 --> 00:46:06,083
>> Eureka O'Hara: DRAG IS
1579
00:46:06,166 --> 00:46:08,417
LITERALLY ABOUT GOING FROM WHO
1580
00:46:08,500 --> 00:46:10,333
YOU ARE TO WHAT YOU CAN BE.
1581
00:46:10,417 --> 00:46:19,709
♪ ♪
1582
00:46:19,792 --> 00:46:29,250
♪ ♪
1583
00:46:29,333 --> 00:46:30,083
>> Announcer: LADIES AND
1584
00:46:30,166 --> 00:46:33,291
GENTLEMEN.
1585
00:46:33,375 --> 00:46:34,750
MAGIC VALLEY, TWIN FALLS, ARE
1586
00:46:34,834 --> 00:46:40,750
YOU READY TO HAVE A GOOD TIME?
1587
00:46:40,834 --> 00:46:47,583
[CHEERS AND APPLAUSE]
1588
00:46:47,667 --> 00:46:48,500
PLEASE WELCOME MISS BOB THE DRAG
1589
00:46:48,625 --> 00:46:49,625
QUEEN.
1590
00:46:49,709 --> 00:46:53,542
♪ ♪
1591
00:46:53,625 --> 00:47:02,250
♪ ♪
1592
00:47:02,333 --> 00:47:12,709
♪ ♪
1593
00:47:12,834 --> 00:47:17,125
♪ ♪
1594
00:47:17,208 --> 00:47:23,959
[CHEERS AND APPLAUSE]
1595
00:47:24,041 --> 00:47:34,125
♪ ♪
1596
00:47:34,208 --> 00:47:37,000
[CHEERS AND APPLAUSE]
1597
00:47:37,083 --> 00:47:42,959
♪ ♪
1598
00:47:43,041 --> 00:47:44,166
♪ ♪
1599
00:47:44,250 --> 00:47:49,333
[CHEERS AND APPLAUSE]
1600
00:47:49,458 --> 00:47:52,834
>> Bob The Drag Queen: OH, MY
1601
00:47:52,917 --> 00:47:54,041
GOODNESS, DO Y'ALL LIKE MY
1602
00:47:54,125 --> 00:47:55,417
OUTFIT?
1603
00:47:55,500 --> 00:48:00,458
[CHEERS AND APPLAUSE]
1604
00:48:00,542 --> 00:48:02,125
THANK YOU, A LOCAL MISS BARBARA
1605
00:48:02,208 --> 00:48:03,709
MADE THIS SKIRT FOR ME.
1606
00:48:03,792 --> 00:48:04,583
CAN WE PLEASE GIVE IT UP FOR
1607
00:48:04,667 --> 00:48:05,250
BARBARA?
1608
00:48:05,333 --> 00:48:06,834
[CHEERS AND APPLAUSE]
1609
00:48:06,917 --> 00:48:08,625
YES.
1610
00:48:08,709 --> 00:48:14,125
YES, HONEY.
1611
00:48:14,208 --> 00:48:14,709
SO, WE SHOWED UP IN TOWN ABOUT
1612
00:48:14,792 --> 00:48:15,041
A WEEK AGO.
1613
00:48:15,125 --> 00:48:17,792
I DID NOT KNOW WHAT TO EXPECT.
1614
00:48:17,875 --> 00:48:19,291
I GOOGLED HOW MANY BLACK PEOPLE
1615
00:48:19,375 --> 00:48:21,834
WERE IN TWIN FALLS, AND THEY
1616
00:48:21,917 --> 00:48:28,125
SAID, "YOU."
1617
00:48:28,208 --> 00:48:28,709
[LAUGHS]
1618
00:48:28,792 --> 00:48:29,417
BUT THERE IS A FULL-ON
1619
00:48:29,500 --> 00:48:30,583
BLACK COMMUNITY HERE,
1620
00:48:30,667 --> 00:48:31,083
A QUEER COMMUNITY HERE,
1621
00:48:31,166 --> 00:48:31,583
A TRANS COMMUNITY HERE.
1622
00:48:31,667 --> 00:48:32,959
THERE ARE ALLIES HERE.
1623
00:48:33,041 --> 00:48:34,458
THOUGH WE MAY BE FEW, WE ARE
1624
00:48:34,542 --> 00:48:35,333
PROUD, AND WE'RE HAPPY TO BE
1625
00:48:35,417 --> 00:48:37,375
HERE, OKAY?
1626
00:48:37,458 --> 00:48:38,208
SO, ARE WE ALL READY FOR AN
1627
00:48:38,291 --> 00:48:38,667
AMAZING SHOW?
1628
00:48:38,750 --> 00:48:41,667
[CHEERS AND APPLAUSE]
1629
00:48:41,750 --> 00:48:43,083
>> Clifton: GROWING UP, AS FAR
1630
00:48:43,166 --> 00:48:44,166
AS THE GAY COMMUNITY WAS
1631
00:48:44,250 --> 00:48:44,834
CONCERNED, IT WAS ALWAYS A BAD
1632
00:48:44,917 --> 00:48:46,834
THING.
1633
00:48:46,917 --> 00:48:47,417
>> Eureka O'Hara: GIVE ME YOUR
1634
00:48:47,500 --> 00:48:48,792
HANDS.
1635
00:48:48,917 --> 00:48:49,917
I LOVE YOU SO MUCH, WE'RE GONNA
1636
00:48:50,000 --> 00:48:50,500
FUCKING ROCK IT.
1637
00:48:50,583 --> 00:48:51,166
>> Clifton: YEAH, WE ARE.
1638
00:48:51,250 --> 00:48:51,792
>> Eureka O'Hara: WE'RE READY.
1639
00:48:51,875 --> 00:48:53,166
OKAY, LET'S GO.
1640
00:48:53,250 --> 00:48:56,709
>> Clifton: THANK YOU SO MUCH.
1641
00:48:56,792 --> 00:48:58,125
IF MY YOUNGER SELF -- [LAUGHS]
1642
00:48:58,208 --> 00:49:01,417
COULD SEE ME NOW.
1643
00:49:01,500 --> 00:49:03,125
>> HOW DO YOU FEEL BEING IN
1644
00:49:03,208 --> 00:49:03,959
DRAG?
1645
00:49:04,041 --> 00:49:05,917
>> Clifton: SEXY AS FUCK.
1646
00:49:06,000 --> 00:49:06,959
>> Announcer: TWIN FALLS, ARE
1647
00:49:07,041 --> 00:49:10,959
YOU READY FOR SOME MORE DRAG?
1648
00:49:11,041 --> 00:49:14,375
PUT YOUR HANDS TOGETHER FOR
1649
00:49:14,458 --> 00:49:16,041
EUREKA O'HARA AND
1650
00:49:16,125 --> 00:49:17,250
CLEO-PAT-YOUR-ASS.
1651
00:49:17,333 --> 00:49:18,375
♪ ♪
1652
00:49:18,458 --> 00:49:21,917
[CHEERS AND APPLAUSE]
1653
00:49:22,000 --> 00:49:23,834
♪ ♪
1654
00:49:23,917 --> 00:49:34,375
[CHEERS AND APPLAUSE]
1655
00:49:34,458 --> 00:49:46,500
♪ ♪
1656
00:49:46,583 --> 00:49:47,458
[CHEERS AND APPLAUSE]
1657
00:49:47,542 --> 00:49:58,083
♪ ♪
1658
00:49:58,166 --> 00:49:58,667
[CHEERS AND APPLAUSE]
1659
00:49:58,709 --> 00:50:05,000
♪ ♪
1660
00:50:05,083 --> 00:50:19,166
♪ ♪
1661
00:50:19,250 --> 00:50:22,500
♪ ♪
1662
00:50:22,583 --> 00:50:24,500
[CHEERS AND APPLAUSE]
1663
00:50:24,583 --> 00:50:31,709
♪ ♪
1664
00:50:31,792 --> 00:50:35,333
♪ ♪
1665
00:50:35,417 --> 00:50:41,000
[CHEERS AND APPLAUSE]
1666
00:50:41,083 --> 00:50:47,709
♪ ♪
1667
00:50:47,792 --> 00:50:56,083
♪ ♪
1668
00:50:56,166 --> 00:51:03,875
[CHEERS AND APPLAUSE]
1669
00:51:03,959 --> 00:51:05,333
>> Eureka O'Hara: NOW GIVE IT UP
1670
00:51:05,417 --> 00:51:06,333
FOR THE SEXIST MOTHERFUCKER IN
1671
00:51:06,417 --> 00:51:12,166
TWIN FALLS, CLEO-PAT-YOUR-ASS.
1672
00:51:12,250 --> 00:51:13,583
NOW CLEO, I GOT A QUESTION, WHAT
1673
00:51:13,667 --> 00:51:14,250
WAS THIS EXPERIENCE LIKE FOR
1674
00:51:14,333 --> 00:51:16,917
YOU?
1675
00:51:17,000 --> 00:51:19,417
>> Clifton: HOLY SHENANIGANS,
1676
00:51:19,500 --> 00:51:22,166
THIS HAS BEEN FREAKIN' AWESOME.
1677
00:51:22,250 --> 00:51:29,959
[APPLAUSE]
1678
00:51:30,041 --> 00:51:30,792
>> Eureka O'Hara: LADIES AND
1679
00:51:30,875 --> 00:51:31,208
GENTLEMEN, THIS IS A
1680
00:51:31,291 --> 00:51:32,125
HETERONORMATIVE MAN, LIVING
1681
00:51:32,208 --> 00:51:32,834
RIGHT HERE, WHO SAID, "YOU KNOW?
1682
00:51:32,917 --> 00:51:33,375
FUCK IT.
1683
00:51:33,458 --> 00:51:34,542
I'M AN ALLY, AND I'M GONNA TAKE
1684
00:51:34,625 --> 00:51:35,125
A WALK IN YOUR MOTHERFUCKING
1685
00:51:35,208 --> 00:51:35,583
SHOES TONIGHT."
1686
00:51:35,667 --> 00:51:36,750
>> Michael: BEING AN OUTCAST,
1687
00:51:36,834 --> 00:51:40,041
TO ME, IS, LIKE, SOMEONE WHO
1688
00:51:40,125 --> 00:51:41,583
DOESN'T FIT INTO THE FORM OF
1689
00:51:41,667 --> 00:51:44,625
WHAT SOCIETY WANTS YOU TO BE.
1690
00:51:44,709 --> 00:51:45,208
>> Amelia Blayke: THIS IS
1691
00:51:45,291 --> 00:51:46,458
NORMAL.
1692
00:51:46,542 --> 00:51:47,166
THIS IS HOW YOUR DAD DRESSES.
1693
00:51:47,250 --> 00:51:49,083
THIS IS HOW GRANDPA DRESSES.
1694
00:51:49,166 --> 00:51:50,125
SAME AS IT'S ALWAYS BEEN, RIGHT,
1695
00:51:50,208 --> 00:51:53,625
DON'T STRAY.
1696
00:51:53,709 --> 00:51:55,083
>> Owen: YOU WANNA CALL ME A
1697
00:51:55,166 --> 00:51:56,000
WOMAN, YOU WANNA CALL ME A MAN,
1698
00:51:56,083 --> 00:51:58,208
YOU WANNA CALL ME A FAGGOT, I'M
1699
00:51:58,291 --> 00:51:59,375
GONNA CONTINUE TO BE THE LIFE OF
1700
00:51:59,458 --> 00:52:00,709
THE PARTY, WITH OR WITHOUT YOUR
1701
00:52:00,792 --> 00:52:03,125
APPROVAL.
1702
00:52:03,208 --> 00:52:05,500
>> YOU LOOK BEAUTIFUL, YOU
1703
00:52:05,583 --> 00:52:06,583
REALLY DO.
1704
00:52:06,667 --> 00:52:07,875
>> Amelia Blayke: THANK YOU.
1705
00:52:07,959 --> 00:52:09,875
>> BELIEVE IT.
1706
00:52:09,959 --> 00:52:12,542
BECAUSE YOU DO LOOK BEAUTIFUL.
1707
00:52:12,625 --> 00:52:13,333
>> Amelia Blayke: THANK YOU.
1708
00:52:13,417 --> 00:52:16,417
>> I WOULD NOT LIE TO YOU.
1709
00:52:16,500 --> 00:52:18,041
>> Amelia Blayke: AH,
1710
00:52:18,125 --> 00:52:18,959
SHENANIGANS.
1711
00:52:19,041 --> 00:52:20,375
>> Michael: WE'RE ALL WORKING
1712
00:52:20,458 --> 00:52:21,250
ON EACH OTHER AND TRYING TO
1713
00:52:21,333 --> 00:52:25,333
BUILD ONE ANOTHER.
1714
00:52:25,417 --> 00:52:26,291
>> Announcer: PLEASE, GIVE IT UP
1715
00:52:26,375 --> 00:52:27,083
FOR THE LOVELY
1716
00:52:27,166 --> 00:52:30,291
MISS LAVENDER BEAUCHAMP.
1717
00:52:30,375 --> 00:52:32,417
LUCID DREAMS, AMELIA BLAYKE, AND
1718
00:52:32,500 --> 00:52:34,375
BOB THE DRAG QUEEN.
1719
00:52:34,458 --> 00:52:35,625
[CHEERS AND APPLAUSE]
1720
00:52:35,709 --> 00:52:41,375
♪ ♪
1721
00:52:41,458 --> 00:52:43,625
[CHEERS AND APPLAUSE]
1722
00:52:43,709 --> 00:52:52,041
♪ ♪
1723
00:52:52,125 --> 00:52:57,417
♪ ♪
1724
00:52:57,500 --> 00:53:06,333
[CHEERS AND APPLAUSE]
1725
00:53:06,417 --> 00:53:14,250
♪ ♪
1726
00:53:14,333 --> 00:53:20,875
♪ ♪
1727
00:53:20,959 --> 00:53:24,041
[CHEERS AND APPLAUSE]
1728
00:53:24,125 --> 00:53:29,959
♪ ♪
1729
00:53:30,041 --> 00:53:31,083
♪ ♪
1730
00:53:31,166 --> 00:53:34,041
[CHEERS AND APPLAUSE]
1731
00:53:34,125 --> 00:53:41,041
♪ ♪
1732
00:53:41,125 --> 00:53:53,208
♪ ♪
1733
00:53:53,291 --> 00:53:55,583
[CHEERS AND APPLAUSE]
1734
00:53:55,667 --> 00:53:59,208
♪ ♪
1735
00:53:59,291 --> 00:54:01,834
[CHEERS AND APPLAUSE]
1736
00:54:01,917 --> 00:54:08,750
♪ ♪
1737
00:54:08,834 --> 00:54:13,417
♪ ♪
1738
00:54:13,500 --> 00:54:17,792
[CHEERS AND APPLAUSE]
1739
00:54:17,875 --> 00:54:19,750
♪ ♪
1740
00:54:19,834 --> 00:54:23,667
[CHEERS AND APPLAUSE]
1741
00:54:23,750 --> 00:54:28,583
♪ ♪
1742
00:54:28,667 --> 00:54:40,417
♪ ♪
1743
00:54:40,500 --> 00:54:45,375
[CHEERS AND APPLAUSE]
1744
00:54:45,458 --> 00:54:52,041
♪ ♪
1745
00:54:52,166 --> 00:54:55,083
♪ ♪
1746
00:54:55,166 --> 00:54:58,417
[CHEERS AND APPLAUSE]
1747
00:54:58,500 --> 00:54:58,917
>> Amelia Blayke: HELLO,
1748
00:54:59,000 --> 00:55:03,250
TWIN FALLS!
1749
00:55:03,333 --> 00:55:05,583
THANK YOU SO MUCH FOR COMING OUT
1750
00:55:05,667 --> 00:55:06,250
TONIGHT TO THIS
1751
00:55:06,333 --> 00:55:07,458
ONCE-IN-A-LIFETIME SHOW, THANK
1752
00:55:07,542 --> 00:55:08,834
YOU SO MUCH FOR PRODUCTION,
1753
00:55:08,917 --> 00:55:10,542
THANK YOU SO MUCH FOR THE DRAG
1754
00:55:10,625 --> 00:55:12,000
ASPECT OF ALL OF THIS, AND,
1755
00:55:12,083 --> 00:55:12,750
ALSO, LET'S HAVE A ROUND OF
1756
00:55:12,834 --> 00:55:17,208
APPLAUSE FOR OUR LOCAL DRAG.
1757
00:55:17,291 --> 00:55:19,250
[CHEERS AND APPLAUSE]
1758
00:55:19,333 --> 00:55:25,917
♪ ♪
1759
00:55:26,000 --> 00:55:27,083
>> Brandon: MY HEART'S BEEN
1760
00:55:27,166 --> 00:55:28,917
BEATING OUT OF MY CHEST.
1761
00:55:29,000 --> 00:55:30,834
I HOPE THAT THE PERFORMANCE WILL
1762
00:55:30,917 --> 00:55:33,417
LAY THE BASE FOR MY FAMILY TO
1763
00:55:33,500 --> 00:55:35,458
REALIZE THAT MY RELATIONSHIP
1764
00:55:35,542 --> 00:55:37,458
WITH MIKAYLA IS PERFECT THE WAY
1765
00:55:37,542 --> 00:55:39,208
THAT IT IS.
1766
00:55:39,291 --> 00:55:40,417
>> Shangela: OKAY, WE GOT
1767
00:55:40,500 --> 00:55:41,959
MIKAYLA GOING TO MARK RIGHT NOW.
1768
00:55:42,041 --> 00:55:44,375
WE ARE READY TO GO.
1769
00:55:44,458 --> 00:55:46,792
>> Announcer: PLEASE WELCOME,
1770
00:55:46,875 --> 00:55:48,792
OUR NEW DRAG QUEEN FORTISSIMA,
1771
00:55:48,875 --> 00:55:50,750
AND HER DRAG KING HUSBAND,
1772
00:55:50,792 --> 00:55:52,917
CHRIS SINDELL, PRESENTED BY
1773
00:55:53,000 --> 00:55:55,000
SHANGELA.
1774
00:55:55,083 --> 00:55:56,458
>> Shangela: LET'S DO IT,
1775
00:55:56,542 --> 00:56:00,917
MIKAYLA, YOU GOT THIS, GIRL.
1776
00:56:01,000 --> 00:56:05,125
[CHEERS AND APPLAUSE]
1777
00:56:05,208 --> 00:56:16,125
♪ ♪
1778
00:56:16,208 --> 00:56:20,458
♪ ♪
1779
00:56:20,542 --> 00:56:21,792
♪ ♪
1780
00:56:21,875 --> 00:56:25,291
[CHEERS AND APPLAUSE]
1781
00:56:25,375 --> 00:56:26,875
♪ I'M NOT A STRANGER TO THE
1782
00:56:26,959 --> 00:56:29,875
DARK ♪
1783
00:56:29,959 --> 00:56:31,959
♪ I HAD A WAY THAT THEY SAY ♪
1784
00:56:32,041 --> 00:56:34,208
♪ WE DON'T WANT YOUR BROKEN
1785
00:56:34,291 --> 00:56:36,000
HEARTS ♪
1786
00:56:36,083 --> 00:56:37,583
♪ I WON'T LET THEM BREAK ME DOWN
1787
00:56:37,667 --> 00:56:42,500
TO DUST ♪
1788
00:56:42,583 --> 00:56:43,500
♪ I KNOW THERE IS A FOR WE ARE
1789
00:56:43,583 --> 00:56:46,208
GLORIOUS ♪
1790
00:56:46,291 --> 00:56:47,208
♪ WHEN THE SHARPEST WORDS WANT
1791
00:56:47,291 --> 00:56:52,500
TO CUT YOU DOWN ♪
1792
00:56:52,583 --> 00:56:56,250
♪ I'M GONNA DROWN THEM OUT ♪
1793
00:56:56,375 --> 00:56:59,417
♪ I AM BRAVE, I AM BRUISED ♪
1794
00:56:59,500 --> 00:57:00,792
♪ I AM WHO I MEANT TO BE ♪
1795
00:57:00,875 --> 00:57:05,959
♪ THIS IS ME ♪
1796
00:57:06,041 --> 00:57:13,166
♪ ♪
1797
00:57:13,250 --> 00:57:17,917
♪ ♪
1798
00:57:18,000 --> 00:57:18,542
♪ ANOTHER ROUND OF BULLETS HITS
1799
00:57:18,625 --> 00:57:21,000
MY SKIN ♪
1800
00:57:21,083 --> 00:57:23,250
♪ WELL FIRE AWAY BECAUSE TODAY I
1801
00:57:23,333 --> 00:57:26,250
WILL LET THE SHAME SINK IN ♪
1802
00:57:26,333 --> 00:57:27,291
♪ WE ARE BURSTING THROUGH THE
1803
00:57:27,375 --> 00:57:28,834
BARRICADES ♪
1804
00:57:28,917 --> 00:57:30,959
♪ AND REACHING FOR THE SUN, WE
1805
00:57:31,041 --> 00:57:33,500
ARE WARRIORS ♪
1806
00:57:33,583 --> 00:57:34,750
♪ YEAH THAT'S WHAT WE'VE
1807
00:57:34,834 --> 00:57:36,667
BECOME ♪
1808
00:57:36,750 --> 00:57:38,166
♪ I WON'T LET THEM BREAK ME DOWN
1809
00:57:38,250 --> 00:57:39,500
TO DUST ♪
1810
00:57:39,583 --> 00:57:40,542
♪ I KNOW THAT THERE'S A PLACE
1811
00:57:40,625 --> 00:57:42,792
FOR US ♪
1812
00:57:42,875 --> 00:57:56,250
♪ FOR WE ARE GLORIOUS ♪
1813
00:57:56,333 --> 00:58:00,458
♪ ♪
1814
00:58:00,542 --> 00:58:08,959
♪ THIS IS ME ♪
1815
00:58:09,041 --> 00:58:12,875
♪ ♪
1816
00:58:12,959 --> 00:58:13,542
♪ THERE'S NOTHING I'M NOT WORTHY
1817
00:58:13,625 --> 00:58:15,959
OF ♪
1818
00:58:16,041 --> 00:58:17,375
♪ WHEN THE SHARPEST WORDS WANT
1819
00:58:17,458 --> 00:58:20,333
TO CUT ME DOWN ♪
1820
00:58:20,417 --> 00:58:21,959
♪ I'M GONNA SEND A FLOOD ♪
1821
00:58:22,041 --> 00:58:25,000
♪ GONNA DROWN THEM OUT ♪
1822
00:58:25,083 --> 00:58:26,333
♪ THIS IS BRAVE ♪
1823
00:58:26,417 --> 00:58:28,291
♪ THIS IS PROOF ♪
1824
00:58:28,375 --> 00:58:30,166
♪ THIS IS WHO I MEANT TO BE ♪
1825
00:58:30,250 --> 00:58:34,625
♪ THIS IS ME ♪
1826
00:58:34,709 --> 00:58:41,083
♪ ♪
1827
00:58:41,166 --> 00:58:46,250
♪ I'M GONNA STAND MY GROUND ♪
1828
00:58:46,333 --> 00:58:47,250
♪ THIS IS ME ♪
1829
00:58:47,333 --> 00:58:55,333
[CHEERS AND APPLAUSE]
1830
00:58:55,417 --> 00:59:04,792
♪ ♪
1831
00:59:04,875 --> 00:59:06,000
>> Shangela: LOOK AT THIS
1832
00:59:06,083 --> 00:59:06,792
BEAUTIFUL COMMUNITY THAT SHOWED
1833
00:59:06,875 --> 00:59:09,834
UP FOR YOUR WEDDING.
1834
00:59:09,917 --> 00:59:11,166
[CHEERS AND APPLAUSE]
1835
00:59:11,250 --> 00:59:11,667
WHAT?
1836
00:59:11,750 --> 00:59:13,667
[LAUGHS]
1837
00:59:13,750 --> 00:59:14,667
>> Brandon: ALL I EVER WANTED
1838
00:59:14,750 --> 00:59:16,417
FOR MY WEDDING WAS A BIG CROWD,
1839
00:59:16,500 --> 00:59:18,500
SO I'M REALLY GLAD THAT YOU GUYS
1840
00:59:18,583 --> 00:59:20,333
COULD BE HERE.
1841
00:59:20,417 --> 00:59:22,000
>> Shangela: YOU KNOW WHAT?
1842
00:59:22,083 --> 00:59:23,208
THIS, RIGHT HERE, IS SHOWING YOU
1843
00:59:23,291 --> 00:59:25,000
THAT LOVE IS LOVE IS LOVE.
1844
00:59:25,083 --> 00:59:29,917
AM I RIGHT?
1845
00:59:30,000 --> 00:59:31,542
[CHEERS AND APPLAUSE]
1846
00:59:31,625 --> 00:59:32,834
>> Shangela: GIVE ME SOME LOVE.
1847
00:59:32,917 --> 00:59:33,417
>> Brandon: THANK YOU,
1848
00:59:33,500 --> 00:59:34,667
THANK YOU.
1849
00:59:34,750 --> 00:59:35,959
>> Shangela: THANK YOU.
1850
00:59:36,041 --> 00:59:36,333
THAT WAS POWERFUL.
1851
00:59:36,417 --> 00:59:40,458
>> Mikayla: THANK YOU.
1852
00:59:40,542 --> 00:59:41,917
I WAS SO OVERWHELMED WITH
1853
00:59:42,000 --> 00:59:43,583
EMOTION BECAUSE PEOPLE WERE
1854
00:59:43,667 --> 00:59:45,083
ABLE TO SEE HOW WE FEEL ABOUT
1855
00:59:45,166 --> 00:59:48,709
EACH OTHER.
1856
00:59:48,792 --> 00:59:49,875
>> THIS GIVES ME A LOT OF HOPE,
1857
00:59:49,959 --> 00:59:50,834
SO, THANK YOU, GUYS.
1858
00:59:50,917 --> 00:59:52,208
REALLY, THANK YOU.
1859
00:59:52,250 --> 00:59:52,834
>> Brandon: THERE'S PEOPLE THAT
1860
00:59:52,959 --> 00:59:55,083
ARE ROOTING FOR US.
1861
00:59:55,166 --> 00:59:55,875
>> OH, MY GOD, THAT WAS
1862
00:59:55,959 --> 00:59:59,333
INCREDIBLE.
1863
00:59:59,417 --> 01:00:01,000
THIS, SERIOUSLY, WAS ONE OF THE
1864
01:00:01,083 --> 01:00:02,500
MOST POWERFUL PERFORMANCES I'VE
1865
01:00:02,583 --> 01:00:03,834
EVER SEEN, LIKE, IT WRECKED ME,
1866
01:00:03,917 --> 01:00:05,250
IT HEALED ME.
1867
01:00:05,333 --> 01:00:07,333
I DON'T EVEN KNOW WHAT TO SAY.
1868
01:00:07,417 --> 01:00:11,583
AS A COMMUNITY, WE NEEDED THIS.
1869
01:00:11,667 --> 01:00:13,375
>> Bob The Drag Queen: IN ALL
1870
01:00:13,458 --> 01:00:14,125
SERIOUSNESS, IF YOU NEED
1871
01:00:14,208 --> 01:00:15,250
ANYTHING, REACH OUT.
1872
01:00:15,333 --> 01:00:17,083
THAT'S NOT BULLSHIT, IT'S A BIG
1873
01:00:17,166 --> 01:00:19,166
FUCKING DEAL.
1874
01:00:19,250 --> 01:00:22,166
I'M GETTING EMOTIONAL.
1875
01:00:22,250 --> 01:00:23,834
AND I STILL NEED THIS, I FUCKING
1876
01:00:23,917 --> 01:00:25,875
NEEDS THIS.
1877
01:00:25,959 --> 01:00:26,709
SO, WHEN I SAY DRAG SAVED MY
1878
01:00:26,792 --> 01:00:27,625
LIFE, I'M NOT FUCKING AROUND.
1879
01:00:27,709 --> 01:00:28,875
IT SAVED MY LIFE.
1880
01:00:28,959 --> 01:00:29,667
I DON'T KNOW WHAT I WOULD DO IF
1881
01:00:29,750 --> 01:00:32,709
I DIDN'T HAVE THIS.
1882
01:00:32,792 --> 01:00:34,041
>> Bob The Drag Queen: IT MEANS
1883
01:00:34,125 --> 01:00:38,834
A LOT TO BE SURROUNDED BY PEOPLE
1884
01:00:38,917 --> 01:00:39,709
LIKE YOU AND TO HAVE THEM
1885
01:00:39,792 --> 01:00:40,709
SUPPORT YOU.
1886
01:00:40,792 --> 01:00:44,083
ASKING FOR HELP IS HARD, BUT
1887
01:00:44,166 --> 01:00:44,834
THE GAG IS WE ALL NEED HELP.
1888
01:00:44,917 --> 01:00:45,500
>> Eureka O'Hara: I LOVE YOU,
1889
01:00:45,583 --> 01:00:46,291
I'M PROUD OF YOU.
1890
01:00:46,375 --> 01:00:46,875
>> Clifton: I LOVE YOU, TOO.
1891
01:00:46,959 --> 01:00:47,500
>> Eureka O'Hara: I'M GLAD I GOT
1892
01:00:47,583 --> 01:00:47,792
TO MEET YOU.
1893
01:00:47,875 --> 01:00:48,375
>> Clifton: THANK YOU SO MUCH
1894
01:00:48,458 --> 01:00:48,750
FOR EVERYTHING.
1895
01:00:48,834 --> 01:00:50,291
>> Eureka O'Hara: THANK YOU.
1896
01:00:50,375 --> 01:00:51,792
>> Clifton: I WOULDN'T HAVE BEEN
1897
01:00:51,875 --> 01:00:53,583
ABLE TO DO IT WITHOUT YOU.
1898
01:00:53,667 --> 01:00:54,917
>> Eureka O'Hara: AT THE END OF
1899
01:00:55,000 --> 01:00:56,667
THE DAY, I THINK WE'RE ALL JUST
1900
01:00:56,750 --> 01:00:57,625
LIKE CURIOUS CREATURES.
1901
01:00:57,709 --> 01:00:59,083
UNTIL YOU EXPERIENCE SOMETHING,
1902
01:00:59,166 --> 01:01:00,208
YOU CAN'T REALLY SAY YOU KNOW
1903
01:01:00,291 --> 01:01:02,000
100% THIS IS WHO YOU ARE.
1904
01:01:02,083 --> 01:01:03,250
SEEING SOMEBODY LIKE CLIFTON,
1905
01:01:03,333 --> 01:01:05,000
YOU KNOW, A HETERONORMATIVE
1906
01:01:05,083 --> 01:01:06,750
MALE, WILLING TO OPEN UP TO A
1907
01:01:06,834 --> 01:01:09,208
COMMUNITY AND SHOW HIS FEMININE
1908
01:01:09,291 --> 01:01:10,542
SIDE, IS IMPORTANT, BECAUSE IT'S
1909
01:01:10,625 --> 01:01:11,792
GONNA MAKE OTHER GUYS FEEL LIKE
1910
01:01:11,875 --> 01:01:23,500
THEY CAN DO IT, TOO.
1911
01:01:23,583 --> 01:01:23,917
>> I DO.
1912
01:01:24,000 --> 01:01:26,667
I REALLY DO, THOUGH.
1913
01:01:26,750 --> 01:01:34,417
>> I LOVE YOU, GOD BLESS.
1914
01:01:34,500 --> 01:01:35,583
WE WANT TO LEAVE THEM WITH A
1915
01:01:35,667 --> 01:01:36,125
THIRST FOR KNOWLEDGE.
1916
01:01:36,208 --> 01:01:37,375
NOW, WE STARTED SOMETHING, AND
1917
01:01:37,458 --> 01:01:38,041
WHEN WE ROLL OUT, WE ARE LEAVING
1918
01:01:38,125 --> 01:01:38,542
THE PEOPLE WHO ARE IN THIS
1919
01:01:38,625 --> 01:01:39,125
COMMUNITY, WHO WE PARTNERED
1920
01:01:39,208 --> 01:01:39,875
WITH, TO GIVE THE ANSWERS.
1921
01:01:39,959 --> 01:01:40,917
WE WANT THEM TO HAVE THE
1922
01:01:41,000 --> 01:01:42,500
CONFIDENCE TO GO OUT AND SPEAK
1923
01:01:42,583 --> 01:01:43,375
ABOUT, THIS IS WHO I AM, AND
1924
01:01:43,458 --> 01:01:44,125
YES, I'M A PART OF THIS
1925
01:01:44,208 --> 01:01:45,875
COMMUNITY.
1926
01:01:45,959 --> 01:01:53,250
♪ ♪
1927
01:01:53,333 --> 01:01:55,083
>> Bob The Drag Queen: HONEY, IT
1928
01:01:55,166 --> 01:01:56,542
IS BACK TO NORMAL.
1929
01:01:56,625 --> 01:01:57,709
THERE'S NO ONE ELSE HERE.
1930
01:01:57,792 --> 01:01:58,709
IT'S BACK TO NORMAL.
1931
01:01:58,792 --> 01:01:59,542
>> Eureka O'Hara: OH, ALL OF US.
1932
01:01:59,625 --> 01:02:00,250
>> Bob The Drag Queen: NO ONE IN
1933
01:02:00,333 --> 01:02:00,875
THE STREET.
1934
01:02:00,959 --> 01:02:02,333
WHERE DID ALL THOSE PEOPLE GO?
1935
01:02:02,417 --> 01:02:03,333
REAL TEAM.
1936
01:02:03,417 --> 01:02:04,000
>> Eureka O'Hara: GIRL, GET ME A
1937
01:02:04,083 --> 01:02:04,625
CAR, YOU KNOW, MY FEET HURT IN
1938
01:02:04,709 --> 01:02:06,333
THESE HEELS.
1939
01:02:06,417 --> 01:02:07,125
YOU KNOW, MY FEET HURT IN THESE
1940
01:02:07,208 --> 01:02:08,000
HEELS, BITCH.
1941
01:02:08,083 --> 01:02:09,583
>> Shangela: UBER, UBER.
1942
01:02:09,667 --> 01:02:12,583
♪ ♪
1943
01:02:12,667 --> 01:02:14,834
♪ ♪
1944
01:02:14,917 --> 01:02:22,250
♪ BABY I AM AMERICA ♪
1945
01:02:22,333 --> 01:02:29,709
♪ I'M A STRANGER JUST LIKE YOU
1946
01:02:29,792 --> 01:02:29,875
MAMA
1947
01:02:29,959 --> 01:02:31,208
BABY I AM AMERICA ♪
1948
01:02:31,291 --> 01:02:33,875
♪ I WORK HARD FOR THIS ♪
1949
01:02:33,959 --> 01:02:46,667
♪ ♪
1950
01:02:46,750 --> 01:02:47,375
♪ BABY I AM AMERICA ♪
1951
01:02:47,458 --> 01:02:49,583
♪ LET ME MAKE IT CRYSTAL CLEAR ♪
1952
01:02:49,667 --> 01:02:51,208
♪ ♪
1953
01:02:51,291 --> 01:02:52,250
♪ ♪
1954
01:03:07,000 --> 01:03:08,375
SHANGELA:
Oh, my goodness. (CHUCKLES)
1955
01:03:08,458 --> 01:03:09,959
-Where'd you get a drink from?
-Iced tea.
1956
01:03:10,291 --> 01:03:11,667
Let me smell it. Waft it.
1957
01:03:12,291 --> 01:03:13,583
-(WHISPERS)
-(CHUCKLES)
1958
01:03:13,667 --> 01:03:15,041
♪ (UPBEAT MUSIC PLAYS) ♪
1959
01:03:15,125 --> 01:03:16,834
BOB: Hey, Branson, hey!
1960
01:03:17,291 --> 01:03:19,792
SHANGELA: That's right, honey.
The wholesome, Christian,
1961
01:03:19,875 --> 01:03:21,333
Las Vegas of the Midwest.
1962
01:03:21,417 --> 01:03:22,250
(EUREKA CHUCKLES)
1963
01:03:22,709 --> 01:03:24,333
SHANGELA: We're looking to do
like a drag show here.
1964
01:03:24,917 --> 01:03:25,834
Not this place.
1965
01:03:27,125 --> 01:03:27,917
Good lord.
1966
01:03:28,250 --> 01:03:31,083
Why is it a sin for a guy
to be with a guy?
1967
01:03:31,166 --> 01:03:33,417
MAN: My grandpa taught me
you have to bottle up
1968
01:03:33,500 --> 01:03:34,625
your emotions.
1969
01:03:34,834 --> 01:03:37,750
SHANGELA: It's hard to have
to suppress who you are.
1970
01:03:37,834 --> 01:03:38,709
It's not right.
1971
01:03:39,000 --> 01:03:40,542
EUREKA:
The thing about drag,
1972
01:03:40,625 --> 01:03:42,208
it's like you can conquer
the world.
1973
01:03:42,291 --> 01:03:44,709
It makes you want to start
changing things in your life,
1974
01:03:44,792 --> 01:03:46,208
so that you can feel that way
again.
1975
01:03:46,291 --> 01:03:47,291
Sickening.
1976
01:03:48,417 --> 01:03:50,000
♪ (MUSIC CONCLUDES) ♪
1977
01:03:51,667 --> 01:03:54,291
♪ (SOUND WAVE) ♪
124459
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