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Previously on "Cardinal."
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It's another abduction.
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- (ELECTRICITY CRACKLING)
- (WHIMPERING)
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00:00:04,043 --> 00:00:05,120
MCLEOD: It's Josh McNider.
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I think we have a third party.
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CARDINAL: Kit's like he justd
stumbled on the abduction.
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And Josh is supposed
to be the next victim.
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NEIL: Say hi to Daddy.
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KULAR: This is Neil Cuthbert.
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Detained in Quebec after a
suspected contract killing.
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(GRUNT)
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- (GUN SHOT)
- (MOANS)
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CARDINAL: That's our suspect.
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KEN: Scott.
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Where's my son?
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You said you could keep me safe.
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(DRAMATIC INSTRUMENTAL)
18
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(BOOM)
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(SIRENS WAILING)
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(PULSING SUSPENSEFUL MUSIC)
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He's alive!
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The doctors say Josh will be okay.
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With Neil Cuthbert dead,
do we think the killings will stop?
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- (PULSING SUSPENSEFUL MUSIC)
- (DRAMATIC BEAT)
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No, they won't stop.
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(PENSIVE ORCHESTRAL MUSIC)
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("FAMILIAR" BY AGNES OBEL)
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♪ Took a walk to the summit at night
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♪ You and I
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♪ To burn a hole in the
old grip of the familiar
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♪ You and I
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♪ And the dark was opening wide
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♪ Do or die
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Synced & corrected by -robtor-
www.addic7ed.com
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(TENSE INSTRUMENTAL)
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♪
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♪
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Home sweet home.
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We'll try and make it fun.
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Stop lying to me.
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Never seen you scared before.
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I'm not scared, sweetie. Let's go.
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Come on, move it.
44
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(TV BACKGROUND NOISE)
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Vance.
46
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VANCE: Morning, Taj.
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All right, lock everything up.
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Send everyone home, all right.
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Get to the security station.
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Mena, stay with Vance.
I'll b in a minute.
51
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All right, let's go!
52
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Lock it all down!
53
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Hey.
54
00:02:14,607 --> 00:02:15,584
Where's your daughter right now?
55
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She's here. She's safe, and so are you.
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He's gonna come for her.
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We've got the place locked down,
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I got Vance, and I got a gun.
59
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I'd like to see him try.
60
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Barry said there was
more to it than I know.
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I want to know.
62
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Really?
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Took you long enough.
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Okay, you read the girl was dead,
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and that Scott Riley was
accused of the murder.
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00:02:45,648 --> 00:02:46,731
Yes.
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00:02:46,755 --> 00:02:48,402
And you just accepted that?
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I had no reason not to believe it.
69
00:02:50,242 --> 00:02:51,386
Oh, come on, Sheila,
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you had over a million reasons.
71
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You don't think I don't notice
72
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you flaunting all your
good deeds around town
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00:02:59,952 --> 00:03:01,329
all the time?
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00:03:01,353 --> 00:03:03,164
So desperate to prove that you're good.
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I didn't hurt anyone.
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TAJ: Neither did I.
77
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She was alive the last time I saw her.
78
00:03:10,896 --> 00:03:15,033
CARDINAL: DiKeer have any
dealings with Sheila Gagne?
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00:03:15,901 --> 00:03:17,402
Or Barry LeBlanc?
80
00:03:18,576 --> 00:03:21,555
Ken's been in the resources
business for a long time.
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00:03:21,580 --> 00:03:23,558
This would've been about 1999.
82
00:03:23,583 --> 00:03:26,023
1999, okay.
83
00:03:27,012 --> 00:03:29,224
CARDINAL: How long have youwoed f?
84
00:03:29,248 --> 00:03:34,229
Since he opened his first
logging company in '93.
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He's a good boss.
86
00:03:35,754 --> 00:03:38,266
You ever have any problems with anyone?
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A ex-employee with a grudge,
88
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a competitor?
89
00:03:41,293 --> 00:03:43,294
Well, a little bit of both, but,
90
00:03:45,798 --> 00:03:47,298
Nothing violent.
91
00:03:50,514 --> 00:03:52,716
Oh, here's something, Barry LeBlanc.
92
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And Sheila Gagne, too,
93
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they were both paid as subcontractors
94
00:03:56,501 --> 00:03:59,014
by our forestry division.
95
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Can I, can I see?
96
00:04:01,640 --> 00:04:03,618
Paid quite well, actually.
97
00:04:03,642 --> 00:04:05,620
Subcontracted to do what?
98
00:04:05,943 --> 00:04:07,443
It says consulting.
99
00:04:08,647 --> 00:04:10,400
But, um-
100
00:04:13,685 --> 00:04:15,763
We won a bid to
101
00:04:15,787 --> 00:04:18,700
log a section of the
Aagimaak Forest that year.
102
00:04:18,724 --> 00:04:21,511
It was a big turning
point for the company.
103
00:04:21,535 --> 00:04:23,304
Well I remember that there was a,
104
00:04:23,328 --> 00:04:26,474
a-a tip about the upcoming timber rights.
105
00:04:26,498 --> 00:04:27,976
Yeah, Sheila and Barry both worked
106
00:04:28,000 --> 00:04:30,295
for Watershed Forestry in '99.
107
00:04:32,704 --> 00:04:34,472
(STAMMERING) Oh, I-I-I didn't know that.
108
00:04:35,707 --> 00:04:36,707
Nelly?
109
00:04:37,876 --> 00:04:41,556
Well, Watershed had all the
local government contracts
110
00:04:41,580 --> 00:04:42,690
at that point.
111
00:04:42,714 --> 00:04:45,700
Well, is it possible
that Barry and Sheila
112
00:04:45,724 --> 00:04:48,730
took that information and sold it to Ken?
113
00:04:48,754 --> 00:04:51,483
And he paid them off as consultants.
114
00:04:52,024 --> 00:04:54,025
And made his first fortune.
115
00:04:55,761 --> 00:04:57,739
You would have to ask them.
116
00:04:57,763 --> 00:04:59,030
Yeah.
117
00:05:00,532 --> 00:05:02,066
Barry's dead.
118
00:05:02,968 --> 00:05:05,372
And Sheila and Ken are missing.
119
00:05:05,704 --> 00:05:07,204
So we're asking you.
120
00:05:08,707 --> 00:05:09,707
Yes.
121
00:05:11,378 --> 00:05:14,689
It is possible that Ken
paid Sheila and Barry
122
00:05:14,713 --> 00:05:19,594
to leak future logging prospects
123
00:05:19,618 --> 00:05:22,730
using their Watershed access.
124
00:05:22,754 --> 00:05:27,235
So Barry and Sheila share
information illegally,
125
00:05:27,686 --> 00:05:29,855
information that makes them all rich.
126
00:05:31,256 --> 00:05:32,490
He could.
127
00:05:34,032 --> 00:05:35,266
Thank you.
128
00:05:36,568 --> 00:05:37,802
Can we keep this?
129
00:05:40,772 --> 00:05:46,754
(PULSING SUSPENSEFUL MUSIC)
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♪
131
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RADIO ANNOUNCER: We're getting
call-ins about rescue activity
132
00:05:51,116 --> 00:05:53,828
around the old Mead Lake quarry.
133
00:05:53,852 --> 00:05:55,897
Police, fire, and ambulance
vehicles are on the scene,
134
00:05:55,921 --> 00:05:57,922
but no word on what's going on.
135
00:05:59,624 --> 00:06:01,736
Our sources will not
confirm if this is related
136
00:06:01,760 --> 00:06:04,205
to the disappearance of
resident Josh McNider,
137
00:06:04,229 --> 00:06:08,065
who is the son of local
resources magnate Ken McNider.
138
00:06:10,769 --> 00:06:13,014
We will continue with updates
on this developing story
139
00:06:13,038 --> 00:06:15,606
along with your local
forecast all evening.
140
00:06:16,775 --> 00:06:18,576
(CRIES OUT)
141
00:06:19,778 --> 00:06:25,793
(EERIE INSTRUMENTAL)
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♪
143
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(GUNSHOT)
144
00:06:35,761 --> 00:06:38,806
(BIRD CACKING)
145
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(GUNSHOT)
146
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(GUNSHOT)
147
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(BIRD CACKING)
148
00:06:51,843 --> 00:06:53,020
(GUNSHOT)
149
00:06:53,044 --> 00:06:54,545
(BIRD CACKING)
150
00:06:57,382 --> 00:06:58,682
(GUNSHOT)
151
00:07:03,989 --> 00:07:05,166
(GUNSHOT)
152
00:07:05,190 --> 00:07:06,167
MAN: There's one.
153
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(GUNSHOT)
154
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- MAN 2: Got it.
- (GUNSHOT)
155
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(GUNSHOT)
156
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- Hey!
- (BIRD CACKING)
157
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REBECCA: Scott! What the
hell do you think you're doing!
158
00:07:20,305 --> 00:07:21,539
(REBEC GROS)
159
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(TENSE INSTRUMENTAL)
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♪
161
00:07:41,259 --> 00:07:45,262
(WHIMPERING)
162
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Advertise your product or brand here
contact www.OpenSubtitles.org today
163
00:07:55,907 --> 00:07:57,351
Where's my son?
164
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Where's my son?
165
00:07:59,911 --> 00:08:01,111
What was her name?
166
00:08:02,347 --> 00:08:03,524
Rebecca.
167
00:08:03,548 --> 00:08:04,849
Her name was Rebecca.
168
00:08:05,684 --> 00:08:06,928
Where's Josh?
169
00:08:08,987 --> 00:08:09,987
Where's my son?
170
00:08:11,089 --> 00:08:12,233
WWhere's Josh?
171
00:08:12,257 --> 00:08:13,757
(CRIES OUT)
172
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There's the door.
173
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I'm gonna give you as much
of chance as you gave her.
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- (KEN CRIES OUT)
- (VIOLENT SMASHING)
175
00:08:29,574 --> 00:08:31,552
- KEN: No!
- (KEN CRIES OUT)
176
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(TENSE INSTRUMENTAL)
177
00:08:37,983 --> 00:08:38,926
(GRUNTS)
178
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(KEN CRIES OUT)
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(KEN SHRIEKING)
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- (KEN SCREAMING)
- (TENSE INSTRUMENTAL SWELLS)
181
00:08:46,424 --> 00:08:54,424
♪
182
00:09:01,094 --> 00:09:02,882
So the Aagimaak Forest project
183
00:09:02,907 --> 00:09:05,379
connects Ken to Barry and Sheila.
184
00:09:05,403 --> 00:09:06,981
But there's gotta be more here
185
00:09:07,005 --> 00:09:09,216
than fraudulent business practices.
186
00:09:09,240 --> 00:09:11,185
Go back over old cases from around then.
187
00:09:11,209 --> 00:09:12,820
See if anything happened in or around
188
00:09:12,844 --> 00:09:13,854
the Aagimaak Forest area.
189
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I'll get OPD and RCMP doing the same.
190
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Aagimaak used to be huge.
191
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It was thousands of acres of crown land.
192
00:09:20,418 --> 00:09:23,263
It's mostly been divided up and sold off.
193
00:09:23,287 --> 00:09:25,532
Okay, let's put some satellite
pictures on the monitor.
194
00:09:25,556 --> 00:09:28,502
Maybe you can try to figure out
where he might've taken Ken.
195
00:09:28,526 --> 00:09:30,270
He's chosen a clear cut,
196
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a salvage yard and a quarry.
197
00:09:33,898 --> 00:09:35,209
Well, Ken McNider
198
00:09:35,233 --> 00:09:37,845
had sawmills and quarries
running all over the area.
199
00:09:37,869 --> 00:09:39,403
Start with those.
200
00:09:42,673 --> 00:09:48,578
(SWELLING SOFT INSTRUMENTAL)
201
00:09:58,342 --> 00:10:00,343
CARDINAL: Snowmobile's been through here.
202
00:10:06,077 --> 00:10:07,354
Blood.
203
00:10:07,379 --> 00:10:13,361
(OMINOUS INSTRUMENTAL)
204
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♪
205
00:10:25,899 --> 00:10:27,360
There's a body.
206
00:10:27,385 --> 00:10:33,367
(SWELLING TENSE MUSIC)
207
00:10:33,392 --> 00:10:41,392
♪
208
00:10:43,436 --> 00:10:51,436
♪
209
00:10:53,480 --> 00:11:01,480
♪
210
00:11:06,824 --> 00:11:08,358
Go call it in.
211
00:11:10,894 --> 00:11:12,128
Lise.
212
00:11:17,735 --> 00:11:18,735
[MUTED].
213
00:11:20,104 --> 00:11:26,120
(SOFT INSTRUMENTAL)
214
00:11:26,144 --> 00:11:32,149
♪
215
00:11:50,468 --> 00:11:57,918
- (WIND BLOWING)
- (BRANCHES CREAKING)
216
00:11:57,942 --> 00:12:03,857
(DREAMLIKE INSTRUMENTAL)
217
00:12:03,881 --> 00:12:11,881
♪
218
00:12:13,925 --> 00:12:21,925
♪
219
00:12:23,834 --> 00:12:29,850
(OMINOUS INSTRUMENTAL)
220
00:12:29,874 --> 00:12:32,319
♪
221
00:12:32,343 --> 00:12:33,643
SHEILA: Is Mena okay?
222
00:12:36,681 --> 00:12:39,216
Why am I more worried
about her than you are?
223
00:12:41,152 --> 00:12:42,652
Sheila look,
224
00:12:44,117 --> 00:12:45,769
if no one does anything stupid,
225
00:12:45,793 --> 00:12:49,129
Scott Riley's gonna get caught, killed.
226
00:12:49,630 --> 00:12:51,331
This'll all be over.
227
00:12:51,355 --> 00:12:53,110
What if he goes to the police?
228
00:12:53,134 --> 00:12:54,611
Yeah, well,
229
00:12:54,635 --> 00:12:56,580
that really didn't go too well
for him last time, did it?
230
00:12:56,604 --> 00:12:58,355
If I go to my friend at the OPD-
231
00:12:58,379 --> 00:12:59,541
- Whoa, whoa, whoa stop now, stop.
- He will make sure that
232
00:12:59,581 --> 00:13:00,984
- we get fair treatment.
- Stop, Sheila, stop.
233
00:13:01,008 --> 00:13:04,934
No, I am telling you, no more lies.
234
00:13:06,447 --> 00:13:09,526
I cannot carry this anymore.
235
00:13:09,550 --> 00:13:10,850
All ght, I'm sorry, okay.
236
00:13:12,052 --> 00:13:13,586
I'm sorry, all right?
237
00:13:17,958 --> 00:13:19,959
I'm not losing my daughter over this.
238
00:13:24,431 --> 00:13:26,733
BARNHOUSE: Not totally
frozen yet like the others.
239
00:13:27,868 --> 00:13:29,402
Hasn't been here long.
240
00:13:30,037 --> 00:13:33,171
This victim was beaten, shot.
241
00:13:33,807 --> 00:13:35,375
It's a different killer.
242
00:13:36,777 --> 00:13:38,278
BARNHOUSE: The legs were shattered.
243
00:13:39,125 --> 00:13:41,012
Probably a blunt instrument.
244
00:13:43,450 --> 00:13:44,684
Wrist is broken.
245
00:13:45,619 --> 00:13:46,796
From the blood patterns up there,
246
00:13:46,820 --> 00:13:50,233
looks like he got himself to the stairs,
247
00:13:50,257 --> 00:13:51,684
took a tumble.
248
00:13:51,708 --> 00:13:53,126
BARNHOUSE: Looks like that to me.
249
00:13:55,095 --> 00:13:56,506
Cause of death?
250
00:13:56,530 --> 00:13:58,613
Possible hypothermia,
251
00:13:58,979 --> 00:14:01,658
combined with the blood
loss fm the gunshot.
252
00:14:01,802 --> 00:14:03,803
It was a slow and painful death.
253
00:14:04,704 --> 00:14:06,204
Thank yo Dr. Barnhouse.
254
00:14:10,644 --> 00:14:12,645
CARDINAL: The other victims,
Adele and Robert,
255
00:14:13,614 --> 00:14:15,129
they were a means to an end,
256
00:14:15,783 --> 00:14:17,584
a way of hurting eir loved ones.
257
00:14:18,852 --> 00:14:20,301
And Barry,
258
00:14:20,654 --> 00:14:22,299
he was an accident,
259
00:14:22,323 --> 00:14:23,856
or he was a suicide.
260
00:14:26,860 --> 00:14:28,138
And I don't think he took Sheila.
261
00:14:28,162 --> 00:14:29,696
I think she's in hiding.
262
00:14:31,699 --> 00:14:33,266
So what are you saying?
263
00:14:34,548 --> 00:14:36,716
I'm saying I don't think
he meant to kill Ken.
264
00:14:38,105 --> 00:14:41,818
The killer could've found
out that Josh is still alive,
265
00:14:41,842 --> 00:14:44,444
threw off his plan and made him angry.
266
00:14:44,845 --> 00:14:49,080
Killing Neil Cuthbert would've
thrown off his plan, too.
267
00:14:51,485 --> 00:14:53,720
I don't think he meant to
do any of this himself.
268
00:14:56,836 --> 00:15:01,676
Hey, we just have to push on through.
269
00:15:02,963 --> 00:15:04,731
Don't let it get personal.
270
00:15:06,267 --> 00:15:07,800
You can't say that to me.
271
00:15:11,505 --> 00:15:12,805
Have to tell Josh.
272
00:15:13,741 --> 00:15:15,008
I'll go with you.
273
00:15:15,843 --> 00:15:17,110
No.
274
00:15:18,879 --> 00:15:20,924
No, I have to do it alone.
275
00:15:20,948 --> 00:15:26,930
(SOMBRE INSTRUMENTAL)
276
00:15:26,954 --> 00:15:29,956
♪
277
00:15:31,998 --> 00:15:33,264
(DISTANT TRAIN WHISTLE)
278
00:15:43,476 --> 00:15:44,776
Lise.
279
00:15:48,014 --> 00:15:49,858
Have you found my father?
280
00:15:49,882 --> 00:15:55,864
(SOMBRE INSTRUMENTAL)
281
00:15:55,888 --> 00:15:58,767
♪
282
00:15:58,791 --> 00:15:59,791
He's dead.
283
00:16:04,830 --> 00:16:06,131
I'm sorry.
284
00:16:09,969 --> 00:16:11,446
I thought you were good at this,
285
00:16:11,470 --> 00:16:13,004
you and your partner.
286
00:16:19,612 --> 00:16:21,230
My father, Lise,
287
00:16:24,016 --> 00:16:25,283
Did he,
288
00:16:26,719 --> 00:16:28,019
Did he suffer?
289
00:16:32,525 --> 00:16:33,825
I'm afraid he did.
290
00:16:41,867 --> 00:16:45,647
Josh, is there anything you
remember about your father?
291
00:16:45,671 --> 00:16:47,716
Anything that might help us find out
292
00:16:47,740 --> 00:16:49,051
who would want to hurt him like this?
293
00:16:49,075 --> 00:16:50,642
JOSH: No, Lise, no.
294
00:16:53,738 --> 00:16:56,040
And you should leave us alone, please.
295
00:16:57,116 --> 00:16:58,794
(LISE SIGHS)
296
00:16:58,818 --> 00:17:00,051
I'm sorry.
297
00:17:04,323 --> 00:17:10,305
(SOFT INSTRUMENTAL)
298
00:17:10,329 --> 00:17:17,335
♪
299
00:17:23,309 --> 00:17:24,542
Hey.
300
00:17:24,844 --> 00:17:25,844
Hey.
301
00:17:28,781 --> 00:17:29,991
What are you doing here?
302
00:17:30,015 --> 00:17:32,761
Uh, it was a slow week at school,
303
00:17:32,785 --> 00:17:33,762
so I thought I'd come up.
304
00:17:33,786 --> 00:17:35,997
You said you were busy with a case, so
305
00:17:37,523 --> 00:17:40,859
Well thanks, but you
didn't have to do that.
306
00:17:44,597 --> 00:17:47,398
Selling the house was
supposed to be a new start.
307
00:17:48,701 --> 00:17:50,278
(FRUSTRATED EXHALATION)
308
00:17:50,302 --> 00:17:53,248
Are you just gonna end
up getting stuck here?
309
00:17:53,272 --> 00:17:55,725
No, no, but you-
310
00:17:56,542 --> 00:17:58,476
You have to live your own life, Kel.
311
00:17:59,512 --> 00:18:02,514
Yeah, I'll do that when I
can stop worrying about you.
312
00:18:04,889 --> 00:18:07,935
But you, you said that
you wanted to retire,
313
00:18:07,960 --> 00:18:12,174
but, uh you keep doing this
job that grinds you down,
314
00:18:12,199 --> 00:18:15,201
and-and makes you shut everyone out.
315
00:18:18,464 --> 00:18:19,964
Why can't you just stop?
316
00:18:25,037 --> 00:18:27,048
I-I can't actually,
317
00:18:27,072 --> 00:18:28,784
I can't do this right now, Kel,
318
00:18:28,808 --> 00:18:31,353
but stay and we'll talk later, okay?
319
00:18:31,377 --> 00:18:33,722
No no, it's okay, um,
320
00:18:33,746 --> 00:18:35,957
I'm sorry, I shouldn't
have surprised you.
321
00:18:35,981 --> 00:18:36,958
I'll head back.
322
00:18:36,982 --> 00:18:39,894
No, no, please.
323
00:18:43,189 --> 00:18:44,189
I'm sorry.
324
00:18:46,025 --> 00:18:49,362
Kel, I'm sorry.
325
00:18:50,162 --> 00:18:51,973
Come here.
326
00:18:51,997 --> 00:18:57,913
(PENSIVE INSTRUMENTAL)
327
00:18:57,937 --> 00:19:02,551
♪
328
00:19:02,575 --> 00:19:05,419
Mm, I'm sorry you had to grow up so fast.
329
00:19:08,948 --> 00:19:10,181
Your mother and me, ya,
330
00:19:12,184 --> 00:19:14,303
You took care of both of us.
331
00:19:16,989 --> 00:19:18,099
And, um,
332
00:19:19,024 --> 00:19:21,326
I just don't want you to
have to do that anymore.
333
00:19:31,170 --> 00:19:32,613
Look, Dad, whatever-
334
00:19:34,139 --> 00:19:36,200
Whatever your plan is,
335
00:19:43,148 --> 00:19:45,683
You can't just let Lise
walk out of your life.
336
00:20:06,438 --> 00:20:07,482
You okay?
337
00:20:07,506 --> 00:20:08,740
Yep.
338
00:20:09,241 --> 00:20:11,652
MCLEOD: Guys, Kular's got something.
339
00:20:11,877 --> 00:20:14,422
Right, okay, thank you.
340
00:20:14,446 --> 00:20:16,625
You were right about the Aagimaak Forest.
341
00:20:16,649 --> 00:20:20,035
OPD advised us of a homicide
investigation from 1999.
342
00:20:20,886 --> 00:20:23,298
Rebecca Bailey, master student, 26.
343
00:20:23,322 --> 00:20:25,133
Raped and murdered in the area.
344
00:20:25,157 --> 00:20:27,435
And this is the guy convicted for it.
345
00:20:27,459 --> 00:20:29,971
Scott Riley, 28 at the time.
346
00:20:29,995 --> 00:20:32,107
CARDINAL: You talked
to the lead investigator?
347
00:20:32,131 --> 00:20:33,708
He died four years ago.
348
00:20:33,732 --> 00:20:35,877
Riley did time at Collins Bay.
349
00:20:35,901 --> 00:20:38,136
His sentence overlapped with Wade Kleiss.
350
00:20:39,571 --> 00:20:41,283
He got out eight months ago.
351
00:20:41,307 --> 00:20:42,484
We're checking his
prints against the ones
352
00:20:42,508 --> 00:20:43,718
found at the workshop scene.
353
00:20:43,742 --> 00:20:44,938
We have an address for him?
354
00:20:44,983 --> 00:20:46,005
KULAR: Toronto.
355
00:20:46,072 --> 00:20:48,523
After some post-release
time in a halfway house,
356
00:20:48,547 --> 00:20:50,158
he moved into his late parents' home.
357
00:20:50,182 --> 00:20:51,826
You talk to his P.O.?
358
00:20:51,850 --> 00:20:53,194
Just now.
359
00:20:53,218 --> 00:20:54,629
Riley did an in-person check in
360
00:20:54,653 --> 00:20:57,165
around t te of Robert
and Adele's murders.
361
00:20:57,189 --> 00:20:59,301
Next one's not scheduled till tomorrow.
362
00:20:59,325 --> 00:21:00,568
And we think he'd go back for that?
363
00:21:00,592 --> 00:21:02,203
Try to preserve his alibi?
364
00:21:02,227 --> 00:21:03,638
I think we should go down there.
365
00:21:03,662 --> 00:21:05,373
Search the house at least.
366
00:21:05,397 --> 00:21:07,242
Rebecca Bailey's murder case was OPD.
367
00:21:07,266 --> 00:21:09,311
Call Commanda, ask for
everything they have.
368
00:21:09,335 --> 00:21:10,969
We'll check in from the road.
369
00:21:15,174 --> 00:21:21,189
(OMINOUS INSTRUMENTAL)
370
00:21:21,213 --> 00:21:29,213
♪
371
00:21:31,290 --> 00:21:39,290
♪
372
00:21:41,333 --> 00:21:49,333
♪
373
00:21:51,310 --> 00:21:59,310
♪
374
00:22:01,353 --> 00:22:09,353
♪
375
00:22:11,296 --> 00:22:19,296
♪
376
00:22:21,340 --> 00:22:29,340
♪
377
00:22:31,350 --> 00:22:39,350
♪
378
00:22:40,626 --> 00:22:46,608
(PULSING SUSPENSEFUL MUSIC)
379
00:22:46,632 --> 00:22:54,632
♪
380
00:22:56,708 --> 00:23:04,708
♪
381
00:23:06,752 --> 00:23:14,752
♪
382
00:23:16,695 --> 00:23:24,695
♪
383
00:23:28,941 --> 00:23:30,241
Delorme?
384
00:23:39,785 --> 00:23:45,767
(DISQUIETING INSTRUMENTAL)
385
00:23:45,791 --> 00:23:53,308
♪
386
00:23:53,332 --> 00:23:57,278
Look, the salvage yard,
387
00:23:57,302 --> 00:23:59,047
the clear cut,
388
00:23:59,071 --> 00:24:00,304
the quarry.
389
00:24:01,626 --> 00:24:03,260
And the forest.
390
00:24:03,695 --> 00:24:05,262
His next victim.
391
00:24:05,911 --> 00:24:07,912
(DRAMATIC BEAT)
392
00:24:10,834 --> 00:24:13,580
PAROLE OFFICER: Riley's
parents owned this place.
393
00:24:13,604 --> 00:24:16,716
His dad died not long after
Scott was incarcerated,
394
00:24:16,740 --> 00:24:19,719
uh, mom passed from cancer two years ago.
395
00:24:19,743 --> 00:24:23,089
What do you know about his
life before the conviction?
396
00:24:23,113 --> 00:24:25,825
He was a finance guy, like his dad.
397
00:24:25,849 --> 00:24:28,339
Loved to hunt, alpha type,
398
00:24:28,386 --> 00:24:31,087
um, then he had some sort of, uh,
399
00:24:31,111 --> 00:24:33,166
like an environmental awakening
400
00:24:33,190 --> 00:24:35,427
when a company he backed
401
00:24:35,451 --> 00:24:38,710
dumped two milon barrels of
oil into the Gulf of Mexico.
402
00:24:39,488 --> 00:24:41,499
Gave it all up for the cause.
403
00:24:41,523 --> 00:24:43,501
So he quit his job.
404
00:24:43,525 --> 00:24:45,503
PAROLE OFFICER:
Started to attend rallies.
405
00:24:45,527 --> 00:24:47,539
Became a bit of a firehead.
406
00:24:47,563 --> 00:24:49,608
Ended up in some trouble with the law.
407
00:24:49,632 --> 00:24:51,543
Anything violent?
408
00:24:51,567 --> 00:24:53,979
PAROLE OFFICER: I, I only know
what's in his files and wh he told me.
409
00:24:54,003 --> 00:24:54,980
CARDINAL: Hm.
410
00:24:55,004 --> 00:24:56,715
What's he said about Rebecca Bailey?
411
00:24:57,004 --> 00:24:58,314
That he didn't kill her.
412
00:24:58,339 --> 00:24:59,573
Do you believe him?
413
00:25:00,476 --> 00:25:01,519
I don't know.
414
00:25:01,543 --> 00:25:03,321
I'm just trying to keep
him from going back.
415
00:25:03,345 --> 00:25:05,290
But he must have spoken about her.
416
00:25:05,314 --> 00:25:10,295
He said he fell in love with
her in the moment he saw her.
417
00:25:10,409 --> 00:25:12,530
They met doing eco work,
418
00:25:12,703 --> 00:25:14,366
uh, pipeline protests,
419
00:25:14,390 --> 00:25:16,201
logging, stuff like that.
420
00:25:16,225 --> 00:25:19,504
He ever say what they were
doing in Algonquin Bay in '99?
421
00:25:19,528 --> 00:25:20,872
Something about birds.
422
00:25:20,896 --> 00:25:22,607
Um, she was an ornithologist.
423
00:25:22,631 --> 00:25:24,878
They heard about some endangered one
424
00:25:24,902 --> 00:25:28,179
and went up to try and get
its habitat protecd.
425
00:25:28,203 --> 00:25:29,614
This bird,
426
00:25:29,928 --> 00:25:31,616
was it a Peregrine Falcon?
427
00:25:31,853 --> 00:25:33,621
I think that's what he said, yeah.
428
00:25:36,812 --> 00:25:38,046
(ELEVATOR DINGS)
429
00:25:39,615 --> 00:25:43,128
DELORME: McLeod says Scott
Riley's emptied all his bank accounts.
430
00:25:43,152 --> 00:25:46,431
CARDINAL: Well,
he's probably figuring to go on the run
431
00:25:46,455 --> 00:25:48,280
after all this is over.
432
00:25:49,625 --> 00:25:50,869
DELORME: Or maybe making sure
433
00:25:50,893 --> 00:25:53,571
he's got everything he needs to finish.
434
00:25:53,595 --> 00:25:57,207
CARDINAL: Mm,
well lab confirms some of the prints
435
00:25:57,231 --> 00:26:00,542
from the old Cuthberts'
workshop match Riley.
436
00:26:01,763 --> 00:26:04,546
But still no sight of
him in Algonquin Bay.
437
00:26:18,941 --> 00:26:22,981
Um, I'll see you in the lobby at 5:30?
438
00:26:24,526 --> 00:26:26,027
Yeah, goodnight.
439
00:26:27,596 --> 00:26:28,863
(BEEP)
440
00:26:29,631 --> 00:26:32,577
(ETHEREAL INSTRUMENTAL)
441
00:26:32,601 --> 00:26:33,951
I, uh-
442
00:26:41,076 --> 00:26:43,378
I don't want you to leave.
443
00:26:46,415 --> 00:26:47,800
I know.
444
00:26:47,824 --> 00:26:53,732
(ETHEREAL INSTRUMENTAL)
445
00:26:53,756 --> 00:27:01,756
♪
446
00:27:10,039 --> 00:27:16,021
(TENSE INSTRUMENTAL)
447
00:27:16,045 --> 00:27:24,045
♪
448
00:27:29,658 --> 00:27:35,640
(PERTURBED INSTRUMENTAL)
449
00:27:35,664 --> 00:27:43,664
♪
450
00:27:45,707 --> 00:27:53,707
♪
451
00:27:55,751 --> 00:28:03,751
♪
452
00:28:09,531 --> 00:28:17,531
♪
453
00:28:19,608 --> 00:28:27,608
♪
454
00:28:29,651 --> 00:28:37,651
♪
455
00:28:39,661 --> 00:28:47,661
♪
456
00:30:15,857 --> 00:30:16,857
(GRUNTS)
457
00:30:21,863 --> 00:30:27,635
(SIRENS WAILING)
458
00:30:38,914 --> 00:30:44,929
(ETHEREAL INSTRUMENTAL)
459
00:30:44,953 --> 00:30:52,953
♪
460
00:30:55,030 --> 00:31:03,030
♪
461
00:31:05,073 --> 00:31:13,073
♪
462
00:31:14,983 --> 00:31:22,983
♪
463
00:31:25,027 --> 00:31:33,027
♪
464
00:31:43,517 --> 00:31:45,362
Anything on Sheila Gagne?
465
00:31:45,386 --> 00:31:47,597
No, and no sightings of Scott Riley,
466
00:31:47,621 --> 00:31:49,332
but, um, Commanda is in the boardroom
467
00:31:49,356 --> 00:31:52,158
with background material on
the Rebecca Bailey case.
468
00:31:55,996 --> 00:31:57,363
How was Toronto?
469
00:31:58,499 --> 00:31:59,766
- Good.
- It was good.
470
00:32:04,939 --> 00:32:08,518
I pulled everything I could
on the Rebecca Bailey murder.
471
00:32:08,542 --> 00:32:11,988
This is the original arrest
interview with Scott Riley
472
00:32:12,012 --> 00:32:13,490
from 1999.
473
00:32:13,514 --> 00:32:14,699
Were younvolved in the ce?
474
00:32:14,735 --> 00:32:15,915
COMMANDA: I was in Timmins.
475
00:32:15,939 --> 00:32:17,661
Bob McKinley was the investigator.
476
00:32:17,685 --> 00:32:20,422
I never met the guy, but uh-
477
00:32:20,888 --> 00:32:22,632
Well, you'll get the idea.
478
00:32:25,259 --> 00:32:27,571
MCKINLEY: So can you please tell me again
479
00:32:27,595 --> 00:32:29,539
what you and Rebecca Bailey were doing
480
00:32:29,563 --> 00:32:32,576
in a remote section of
the Aagimaak Forest?
481
00:32:32,600 --> 00:32:35,812
YOUNG SCOTT: We,
looking for Peregrine Falcon.
482
00:32:36,570 --> 00:32:37,547
It's endangered.
483
00:32:37,571 --> 00:32:38,715
MCKINLEY: Oh.
484
00:32:38,739 --> 00:32:40,550
So, did you find them?
485
00:32:40,574 --> 00:32:41,384
YOUNG SCOTT: No.
486
00:32:41,408 --> 00:32:42,385
MCKINLEY: Ah.
487
00:32:42,409 --> 00:32:43,720
YOUNG SCOTT: We heard shooting, so,
488
00:32:43,744 --> 00:32:45,589
(OMINOUS INSTRUMENTAL)
489
00:32:45,613 --> 00:32:47,180
YOUNG SCOTT: We went to see what it was.
490
00:32:48,028 --> 00:32:49,596
And there was blood in the snow.
491
00:32:50,451 --> 00:32:51,995
On a bloody feather.
492
00:32:52,019 --> 00:32:54,372
MCKINLEY: They were killing your birds,
huh?
493
00:32:54,955 --> 00:32:56,733
Those 'parka people' of yours.
494
00:32:56,757 --> 00:32:58,468
YOUNG SCOTT: Stop calling them that.
495
00:32:58,492 --> 00:33:00,537
MCKINLEY: That's what
you called 'em before.
496
00:33:00,561 --> 00:33:02,372
And these parka people were the ones
497
00:33:02,396 --> 00:33:04,541
who assaulted Rebecca, you said, right?
498
00:33:04,943 --> 00:33:06,020
Yes.
499
00:33:06,045 --> 00:33:08,545
Ah, and, now the sexual
assault was them too,
500
00:33:08,569 --> 00:33:09,846
YOUNG SCOTT: I told you,
501
00:33:09,870 --> 00:33:11,404
I did not rape her.
502
00:33:13,741 --> 00:33:17,544
MCKINLEY: Why do you think
these people were shooting falcons?
503
00:33:18,445 --> 00:33:19,898
What?
504
00:33:20,381 --> 00:33:22,359
Well we went where you
said andhere were no,
505
00:33:22,383 --> 00:33:23,860
there were no feathers,
506
00:33:23,884 --> 00:33:25,418
no dead birds.
507
00:33:26,387 --> 00:33:27,564
My question is,
508
00:33:27,588 --> 00:33:30,300
is why kill them at all, hm?
509
00:33:30,324 --> 00:33:32,903
If endangered birds are nesting there,
510
00:33:32,927 --> 00:33:34,571
the area is protected,
511
00:33:34,595 --> 00:33:35,982
so if they wanted to log,
512
00:33:36,006 --> 00:33:37,330
then killing them would be,
513
00:33:38,232 --> 00:33:39,609
We had to confront them, okay.
514
00:33:39,633 --> 00:33:40,777
But I never touched them.
515
00:33:40,801 --> 00:33:42,879
They hit first.
516
00:33:42,903 --> 00:33:44,614
You can't describe these peop?
517
00:33:44,638 --> 00:33:45,924
YOUNG SCOTT: Well they had their,
518
00:33:46,842 --> 00:33:49,509
They had their hoods up,
couldn't see their faces.
519
00:33:50,811 --> 00:33:53,557
Look, one might've been a woman,
520
00:33:53,581 --> 00:33:56,560
but she left wn we got tre.
521
00:33:56,584 --> 00:33:57,894
MCKINLEY: Mm hm.
522
00:33:57,918 --> 00:34:00,530
YOUNG SCOTT: Look,
we started pushing, okay,
523
00:34:00,554 --> 00:34:03,556
and one of them tried to hit
me with the butt of his rifle.
524
00:34:05,225 --> 00:34:07,571
It was a white guy, older.
525
00:34:07,595 --> 00:34:09,573
(OMINOUS INSTRUMENTAL)
526
00:34:09,597 --> 00:34:11,282
I dodged him, but,
527
00:34:13,834 --> 00:34:15,335
Rebecca, he uh,
528
00:34:15,603 --> 00:34:16,880
He hit her, okay.
529
00:34:16,904 --> 00:34:18,214
I mean, knocked her down.
530
00:34:18,238 --> 00:34:22,485
So I bent down to help
her and I just saw the guy
531
00:34:22,509 --> 00:34:24,254
who hit her talk to one of the others,
532
00:34:24,278 --> 00:34:26,079
and then that guy took off.
533
00:34:28,649 --> 00:34:29,626
God.
534
00:34:29,650 --> 00:34:30,766
How many people were there there?
535
00:34:30,799 --> 00:34:31,895
Four!
536
00:34:32,547 --> 00:34:34,898
Look, I keep telling you four.
537
00:34:34,922 --> 00:34:37,033
MCKINLEY: So you
dragged this bleeding girl
538
00:34:37,057 --> 00:34:38,558
into the middle of nowhere?
539
00:34:39,526 --> 00:34:43,062
YOUNG SCOTT: I was holding her up,
trying to help her.
540
00:34:43,664 --> 00:34:46,109
I got her to the snowmobile,
but the keys were gone.
541
00:34:46,133 --> 00:34:48,612
That guy who took off,
he must've taken them.
542
00:34:48,636 --> 00:34:51,314
MCKINLEY: So this guy ran to your camp,
543
00:34:51,338 --> 00:34:53,483
took the keys to your
snow machine and vanished,
544
00:34:53,507 --> 00:34:55,485
all before you got there?
545
00:34:55,509 --> 00:34:57,654
She was bleeding, okay?
546
00:34:57,678 --> 00:35:00,290
I had to get her out,
so we started walking.
547
00:35:00,314 --> 00:35:02,792
Ah, but you said that
she couldn't walk hm?
548
00:35:02,816 --> 00:35:04,525
So you dragged her for a while.
549
00:35:04,549 --> 00:35:06,853
And then when you got tired you left her?
550
00:35:08,489 --> 00:35:09,666
YOUNG SCOTT: I told you,
551
00:35:09,690 --> 00:35:11,701
I left her to get help.
552
00:35:11,725 --> 00:35:13,503
Okay, I didn't drag her.
553
00:35:13,527 --> 00:35:14,671
I left her to get help!
554
00:35:14,695 --> 00:35:16,963
I left her to get help!
555
00:35:19,066 --> 00:35:20,944
Well, Detective, uh, McKinley
556
00:35:20,968 --> 00:35:23,146
had his mind made up about Scott Riley.
557
00:35:23,170 --> 00:35:24,381
Yeah, I went through his notes.
558
00:35:24,405 --> 00:35:26,683
He had Scott pegged as an eco-terrorist,
559
00:35:26,707 --> 00:35:28,685
history of aggression.
560
00:35:28,709 --> 00:35:29,888
Priors?
561
00:35:29,912 --> 00:35:31,488
COMMANDA: He was arrested
at two environmental rallies
562
00:35:31,512 --> 00:35:32,956
in Toronto the year before,
563
00:35:32,980 --> 00:35:34,190
but it was nothing.
564
00:35:34,214 --> 00:35:35,959
Okay, any other suspects?
565
00:35:35,983 --> 00:35:38,862
Well, McKinley talked to a
couple of local sex offenders,
566
00:35:38,886 --> 00:35:41,931
but no record of him looking
for the four people in parkas.
567
00:35:41,955 --> 00:35:43,222
Tunnel vision.
568
00:35:43,957 --> 00:35:46,102
(SIGHS) Rebecca had a blow to the head,
569
00:35:46,126 --> 00:35:49,205
bruising that could've come
from a fall in the woods.
570
00:35:49,229 --> 00:35:51,574
The only evidence to
suggest sexual assault
571
00:35:51,598 --> 00:35:54,244
was Riley's DNA and the fact
that she was found half-naked.
572
00:35:54,268 --> 00:35:55,478
If she was hypothermic,
573
00:35:55,502 --> 00:35:57,047
I mean, she might well have stripped off
574
00:35:57,071 --> 00:35:58,848
like Robert Quillen.
575
00:35:58,872 --> 00:36:01,051
And maybe the sex was consensual,
576
00:36:01,075 --> 00:36:02,318
like Riley claims.
577
00:36:02,342 --> 00:36:06,489
So he's convicted for rape and murder
578
00:36:06,513 --> 00:36:07,957
AND LOSES EVERYTHING:
579
00:36:07,981 --> 00:36:10,493
the woman he loves, his parents,
580
00:36:10,517 --> 00:36:11,961
twenty years of his life.
581
00:36:11,985 --> 00:36:13,630
That would explain the rage.
582
00:36:13,654 --> 00:36:15,398
Twenty years for it to build up.
583
00:36:15,422 --> 00:36:17,423
Twenty years to plan his revenge.
584
00:36:19,226 --> 00:36:20,837
Sheila Gagne,
585
00:36:21,329 --> 00:36:22,739
Ken McNider,
586
00:36:22,763 --> 00:36:24,290
Barry LeBlanc.
587
00:36:24,631 --> 00:36:26,609
Those were his parka people.
588
00:36:27,210 --> 00:36:30,246
He wants them to pay for Rebecca's death,
589
00:36:30,270 --> 00:36:31,848
and he wants them to suffer too.
590
00:36:31,872 --> 00:36:33,406
That's three.
591
00:36:34,241 --> 00:36:36,753
So who's the fourth
and how do we find them?
592
00:36:36,777 --> 00:36:39,475
Sheila phoned Ken,
we're pretty sure of that,
593
00:36:39,499 --> 00:36:42,959
and the warrant gets us access
to her cell phone records.
594
00:36:42,983 --> 00:36:45,361
Maybe Sheila phoned this fourth person,
595
00:36:45,385 --> 00:36:48,631
who must have been connected
to the forestry project.
596
00:36:48,655 --> 00:36:50,834
Then, from the parka,
597
00:36:51,234 --> 00:36:54,112
we're safe to assume
that they have a, a child.
598
00:37:11,812 --> 00:37:16,359
(SOFT POP MUSIC)
599
00:37:16,383 --> 00:37:19,129
♪ Let me pick it up, baby ♪
600
00:37:19,153 --> 00:37:21,998
TV COMMENTATOR: She's in trouble
in the corner after that roundhouse.
601
00:37:22,022 --> 00:37:23,633
She's struggling to get back up now.
602
00:37:23,657 --> 00:37:25,301
TV COMMENTATOR 2: Oh, yeah.
603
00:37:25,325 --> 00:37:27,070
TV COMMENTATOR: Oh,
but here comes the pain again!
604
00:37:27,094 --> 00:37:29,105
(AUDIENCE CHEERING)
605
00:37:29,129 --> 00:37:30,907
TV COMMENTATOR: What a shot!
606
00:37:30,931 --> 00:37:32,642
TV COMMENTATOR 2: What a shot indeed!
607
00:37:32,666 --> 00:37:36,446
(OMINOUS INSTRUMENTAL)
608
00:37:36,470 --> 00:37:39,649
TV COMMENTATOR:
Wait a minute, there she is.
609
00:37:39,673 --> 00:37:41,284
There she is, back on her feet.
610
00:37:41,308 --> 00:37:46,089
(SWELLING OMINOUS MUSIC)
611
00:37:46,113 --> 00:37:47,490
TV COMMENTATOR:
Here comes Morning Gloria,
612
00:37:47,514 --> 00:37:50,260
she'been performing a wh.
613
00:37:50,284 --> 00:37:51,461
She really puts on a show.
614
00:37:51,485 --> 00:37:52,829
She knows how to work the crowd.
615
00:37:52,853 --> 00:37:55,165
They say every time
gets better and better.
616
00:37:55,189 --> 00:37:56,666
TV COMMENTATOR 2:
And here she comes again.
617
00:37:56,690 --> 00:37:58,234
(CROWD CHEERING)
618
00:37:58,258 --> 00:38:01,250
TV COMMENTATOR: Oh yes,
and she's got some real fans
619
00:38:01,274 --> 00:38:02,639
out in the crowd tonight.
620
00:38:02,663 --> 00:38:03,840
Up against the rope.
621
00:38:03,864 --> 00:38:06,866
(crowd cheerin
622
00:38:07,868 --> 00:38:10,013
Ken had the resources,
623
00:38:10,521 --> 00:38:12,649
Barry was a forester,
624
00:38:12,673 --> 00:38:14,650
Sheila probably set the deal up.
625
00:38:15,809 --> 00:38:17,310
Who else would they need?
626
00:38:19,120 --> 00:38:20,386
Transport.
627
00:38:20,814 --> 00:38:22,826
Remember the guy at the memorial,
628
00:38:22,850 --> 00:38:23,927
Taj Roy?
629
00:38:23,951 --> 00:38:25,094
Yeah, yeah, I checked him out.
630
00:38:25,118 --> 00:38:26,352
CARDINAL: He had a-
631
00:38:26,820 --> 00:38:28,364
Yeah, he os a trucking company.
632
00:38:28,388 --> 00:38:29,689
CARDINAL: Do we have a number?
633
00:38:31,758 --> 00:38:34,060
Let's look at Sheila's phone records.
634
00:38:35,696 --> 00:38:36,873
There.
635
00:38:36,897 --> 00:38:39,876
She called a number
registered to this guy's company
636
00:38:40,218 --> 00:38:41,744
three days ago.
637
00:38:41,768 --> 00:38:43,336
CARDINAL: Taj Roy has a daughter.
638
00:38:44,055 --> 00:38:45,538
She was with him that day.
639
00:38:46,206 --> 00:38:47,740
And she'd fit that parka.
640
00:38:48,208 --> 00:38:54,190
(PULSING SUSPENSEFUL MUSIC)
641
00:38:54,214 --> 00:38:56,926
♪
642
00:38:56,950 --> 00:38:58,951
(SIRENS WAILING)
643
00:39:07,895 --> 00:39:11,040
(MUFFLED POP MUSIC)
644
00:39:11,064 --> 00:39:17,080
(SOFT POP MUSIC)
645
00:39:17,104 --> 00:39:22,352
- (SOFT POP MUSIC)
- (EERIE INSTRUMENTAL)
646
00:39:22,376 --> 00:39:26,178
(EERIE INSTRUMENTAL)
647
00:39:27,436 --> 00:39:29,225
Mena get up, we're going downstairs.
648
00:39:30,598 --> 00:39:31,832
Mena!
649
00:39:32,982 --> 00:39:34,249
Mena!
650
00:39:35,170 --> 00:39:36,147
Jesus.
651
00:39:36,171 --> 00:39:37,148
(OMINOUS INSTRUMENTAL)
652
00:39:37,172 --> 00:39:38,438
Mena!
653
00:39:42,043 --> 00:39:43,043
(WOM SCREAMS)
654
00:39:44,846 --> 00:39:46,090
Mena!
655
00:39:46,114 --> 00:39:50,161
(OMINOUS INSTRUMENTAL)
656
00:39:50,185 --> 00:39:51,451
Mena!
657
00:39:53,054 --> 00:39:54,054
Mena!
658
00:39:55,056 --> 00:39:56,056
Mena!
659
00:39:56,691 --> 00:39:57,768
[MUTED].
660
00:39:57,792 --> 00:39:58,802
Mena,
661
00:39:58,826 --> 00:40:00,171
You get away from her!
662
00:40:00,195 --> 00:40:01,839
You trust your aim with that?
663
00:40:01,863 --> 00:40:04,041
(PULSING SUSPENSEFUL MUSIC)
664
00:40:04,065 --> 00:40:05,365
TAJ: Take it easy!
665
00:40:06,067 --> 00:40:07,367
Take it easy.
666
00:40:08,403 --> 00:40:10,204
It's gonna be okay, sweetie.
667
00:40:12,240 --> 00:40:14,241
Scott, just listen to me.
668
00:40:16,945 --> 00:40:20,491
I got Sheila Gagne in a
truck in the other room, okay?
669
00:40:20,515 --> 00:40:21,525
She's all yours.
670
00:40:21,549 --> 00:40:22,849
I know that!
671
00:40:24,619 --> 00:40:26,119
I'm finished with her.
672
00:40:26,621 --> 00:40:28,232
I'm finished with Barry,
673
00:40:28,256 --> 00:40:29,756
and with Ken.
674
00:40:31,125 --> 00:40:32,693
There's only you left.
675
00:40:33,361 --> 00:40:35,739
Listen, we can work this thing out.
676
00:40:35,763 --> 00:40:37,297
Drop the gun!
677
00:40:43,304 --> 00:40:44,571
(GUN CLATTERS)
678
00:40:46,061 --> 00:40:47,594
TAJ: Tell me what you want.
679
00:40:48,576 --> 00:40:54,414
(PULSING SUSPENSEFUL MUSIC)
680
00:41:04,559 --> 00:41:12,559
♪
681
00:41:14,602 --> 00:41:22,602
♪
682
00:41:24,612 --> 00:41:32,612
♪
683
00:41:34,656 --> 00:41:42,656
♪
684
00:41:44,632 --> 00:41:51,448
♪
685
00:41:51,472 --> 00:41:52,739
Clear.
686
00:41:57,512 --> 00:41:59,146
That's Mena's bag.
687
00:42:01,282 --> 00:42:02,559
FOX: Detectives!
688
00:42:02,583 --> 00:42:08,098
(OMINOUS INSTRUMENTAL)
689
00:42:08,122 --> 00:42:16,122
(BANGING)
690
00:42:25,807 --> 00:42:27,351
He was here, he took them!
691
00:42:27,375 --> 00:42:28,375
(GASPING)
692
00:42:30,178 --> 00:42:31,178
Sheila Gagne,
693
00:42:33,981 --> 00:42:35,215
You're under arrest.
694
00:42:36,384 --> 00:42:37,384
(EERIE BEAT)
694
00:42:38,305 --> 00:42:44,914
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